Bachelor of Science (Honours) in Architecture
ARCHITECTURAL PORTFOLIO
CHEN ROU ANN
CONTENT PERSONAL STATEMENT
1
LOCAL FOOD MARKET + SOUP KITCHEN
2
VISUAL INTERPRETATION CENTRE
10
WAITING AREA
18
MULTIFAITH CENTRE
28
PERSONAL STATEMENT I had to fight for architecture. I always have had interest in architecture since I was young. Though the constant pleading to pursue the course, my parents disapproved. Not only that, I had no role model to look up to as there was no architects in the family. At last, I won the ‘battle’ and I got what I wanted. Even with the victory, semester 1 was a struggle. From a background of business and physics, architecture came as a shock - high amount of work or the amount of creativity and technique that comes with it. Come semester 2 I realised I wanted to do something different. I’ve always had the passion for the environment and I want my designs to be something else other than using the same closed up designs that needed mechanical help, like air conditioners and lightings, but naturally ventilated and lighting. In order to make the world a better place, architecture plays a huge role in improving the environment. Buildings that disregard the context of the surroundings and also the use of natural lighting and ventilation were my pet peeves. Malaysia is gifted with such beautiful weather, with bright sunny days and windy, humid weather are a blessing. Other than that, architectures that pay no attention to the weather are maddening too. There are buildings that are built in a way that are unaware of the amount of rain the country gets, causing people to scurry off into the buildings, trying to get from building to building without getting soaked and failing. Ignoring these factors while designing a building are, in my opinion disrespectful of the long history of architecture. I went to a few talks and an insightful internship that showed me a new light. How they look at the architecture world opened up my eyes. By reusing materials and also designing great green buildings, and ideas flew. Researches on reusable materials and environmental friendly architectural features were conducted. Buildings with more open spaces, naturally ventilated and naturally lighted features were used, the materials used were reusable. One of my favourite projects was my semester 5 studio final. We were to design a food market in Chowkit. There were a lot of homeless people to be found, people of all ages. With that, a soup kitchen was added into the building - to feed the homeless and helping them to get back on their feet. That not only improves the surrounding area, it also helps clean up the streets while helping the people with gaining their lives back. The building itself is designed in a way where it is mostly self sustainable, environmentally and financially. GBI list were consulted and the building were designed according to the checklist. Green walls were used to filter polluted air, while still letting in sunlight and the building facade were louvres instead of brick walls to allow ventilations when its windy, and closed up when its rainy. Since architecture, I’ve lost a lot of sleep, I’ve seen my friends and family a lot less in order to get my work done, but all in all, I’m content. I’m very happy that I fought for the chance to actually take this amazing path. I don’t just want to be an architect in the future, but someone that helps to push the world towards sustainable architecture. I want to make a difference not for myself, but for a better environment for the future generations to live in. I know that if we slowly influence the rest of the architecture world and convince them that sustainable architecture is the way to go, maybe instead of going downhill, our environment will improve.
I want to help improve the world.
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LOCAL FOOD MARKET & SOUP KITCHEN Although the buildings’ man purposee is for a food market area. The idea behind the building has always been to give chowkit a social intervention. The homeless roam about in chowkit, the intention of the building is to create a social awareness in the society around chowkit, while helping the homeless. The building is self sustainable, both financially and environmentally.
MULTIFAITH CENTRE
WAITING AREA UNFOLD
VISUAL INTERPRETATION CENTRE CHIAROSCURO
LOCAL FOOD MARKET + SOUP KITCHEN
PROGRAMS THE LOCAL FOOD MARKET The main attraction of the building which is the gathering of the famous local food around Chow Kit.
FOOD KIOSKS The area provides a space for the venders around the market near the building to sell their fingerfood from fried foods to local drinks.
CAFE
The area provides a space for the venders around the market near the building to sell.
SOUP KITCHEN While instilling a ‘donating culture’ the users are encouraged to donate some money, or donate physical necessities to the soup kitchen. Other than that, foods are also prepared here and distributed throughout KL City. An area is also provided for the homeless to eat in the building.
HELP CENTRE Help centre is to help the homeless get back on their feet. Temporary clinics with volunteer doctors for free medical check up, volunteers to offer advices for the homeless that wants to get jobs, providing with key information and helping on job application. Spaces are also provided for training sessions. Homeless also can work in the building as mainenece crew.
REST AREA This area provides a space for the homeless to rest. It provides showers, sofa and lounging area for them to sit and rest, also games to pass time.
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FACADE VENTILATION 1000mm X 4000mm X 50MM Vertical Garden Panel
Concrete roof
Vertical garden planting box Vertical Louvres
HOT AIR COLD AIR
STACK AIR VENTILATION
Timeber Finishing Concrete Flooring
Structural Beam
POLLUTED AIR
FILTERED AIR
A panel of green screen allows air to enter the building, creating natural ventilation, while filtering out the dirty city air. Right in front of the building is a busy street with monorial station and route right across the road. Vertical louvres allow users to control the amount of sunlight into the building, at the same time encouraging natural ventilation. It also can be closed up to preven rain from entering the building. The building is designed to function with natural ventilation, minimizing mechanical ventilation. Cross ventilation and stack ventilation is used to draw the hot air out of the buiding, causing some temperature drop in the building.
5000mm x 3000mm column
Concrete Flooring
Pile Cap Column Footing
Rough wall section of front wall 1 : 30 Perspective view of physical model, showing the vertical garden facade and also movable panel.
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A panel of green screen allows air to enter the building, creating natural ventilation, while ltering out the dirty city air. Right in front of the building is a busy street with a monorial station and route right across the road. Vertical louvres allow users to control the amount of sunlight into the building, at the same time encouraging natural ventilation. It also can be closed up to preven rain from entering the building.
LIGHTING
ROOF FEATURE
LIGHT PATH Movable panels on top of the roof
The design also focuses on making the building a green building. Other than making the building open, it invites in sunlight and wind.
Panel
The green area in the middle of the building not only acts as an aestatic part of the building, it also helps cools down the building.
Pulley
Different light shadows create different feelings to the building
Each panel can be moved manually. Each panel can be elevated individually, creating different roof patterns while letting air in for natural ventillation and also shelter from rain if necessary. With different elevated panels, different light patterns is created. Not only that, the panel is also doubled as light weight solar panel, saving space on the roof. It can also be shifted to a better angle for more solar power harnest.
Light directing towards the back of the building.
Close up of panels on physical models Movable panels allow lightings into the building
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Interaction of cafe and soup kitchen Donations are usually invisible after one donate to a cause. Here, they can appreciate how their donations are put to work, right in front of their eyes.
CIRCULATION INTERACTION
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GROUND FLOOR PLAN 1 : 350
FIRST FLOOR PLAN 1 : 350
SECOND FLOOR PLAN 1 : 350
DESIGN PROCESS
Design Ideas - delegating of spaces
The very first thing that the design is focused on is the green area. Voids are explored first, playing with different shapes to determine the suitable one for the building and the market. The sections are then studied, creating double volume spaces and extra voids to allow more ventilation and natural lighting to enter. Roofing and facade is lastly taken into consideration, bringing the exterior factors that affect the building. Lastly, the design moves towards creating a green building, using natural resources instead of mechanical help.
Soup Kitchen Food Market Green Area
First priorities were given to:- Circulation - Access - Public Spaces - Lighting - Air Circulation - Sustainability - Material - Low energy building
The zoning of the building is explored through the overlapping of two very different programs. The idea is to merge the two programs together so that the building works as a whole, not only keeps the programs going but also focusing on keeping the building self sustainable, not only on the environmental factor, but also the financial side.
Different forms of the building
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VISUAL INTERPRETATION CENTRE
CHIAROSCURO
chiar·oscu·ro [kee-ahr-uh-skyoor-oh] noun the treatment of light and shade in drawing and painting. - an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something. plural noun: chiaroscuros “the chiaroscuro of cobbled streets” Origin: 1680–90; < Italian; equivalent to chiaro-bright (<Latin-clārus)+oscuro-dark(<Latin-obscūrus)
MULTIFAITH CENTRE
WAITING AREA UNFOLD
VISUAL INTERPRETATION CENTRE CHIAROSCURO
LOCAL FOOD MARKET + SOUP KITCHEN
As I walk around the park, there’s a lot of plants are low and bushy, or the complete opposite with a heavy dense of busy surrounding it. After stepping up to the site after climbing a series of stairs, exhausted, I let my mind wonder. Huge trees with their partners, the bushy plants cling tightly with each other by the side of the open space. While looking up, the sky streched out towards the horizon. Wondering around the site, I subconciously stepped under a huge tree. noticing as this particular plan has chosen a ‘short’ companion. The plans grew, right below the knee. Lifting up my head, the tree trunk extends up into the air, and it’s branches spreads out like a web, engulfing me. Warm rays of sunlight penetrates through my skin, sunlight glimmered through the gaps of the leaves while some parts are shaded, leaving the surrounding well lit enough but still cool enough for a shade. Standing underneath the humongous tree looking up at the sunlight teasing through the leaves, Feeling like the trees were giving a huge warm comforting hug, embracing me with it’s big branch, protecting me. There’s a reminder of the war the country have to endure. The grief the people have to go through, having their country being attacked. Even though they were at war, they never give up. The site had proven itself that the people had hope. Even though it was a dark time, the glimpse of hope still shine through the grief.
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The different level in floor plan was inspired by the overlapping of leaves, which allows the rays of sunshine to â&#x20AC;&#x2DC;wiggleâ&#x20AC;&#x2122; through. The facade is inspired by the texture of the tree bark. When user is inside the building, the user is able to see surrounding site from inside the building, so that the user can feel close to nature. The slits on the facade allows air to rush in faster, naturally ventilating the building. The facade also blocks part of the sunlight from entering the building, creating shadows. And when user moves around in the building and sunlight hits the user, creating an uplifting sensation.
View of the building from the entrance
CROSS SECTION 1 : 350
BACK ELEVATION
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Columns holding up the roof resembles the tree branches The roof and the different floor level derives from the overlapping of the leaves
The huge tree in the garden is kept to provide shade and also improve the view and aesthetic. FACADE Inspired by the texture of the tree bark
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RIGHT ELEVATION 1 : 160
The top floor of the building over looks the sea, and also the city scape just beyond the horizon.While visitors have their short break at the cafe, they have the opportunity to enjoy the view of the view just over the top of the trees.
LEFT ELEVATION 1 : 300
View of the building from the office towards the gallery
The office and toilet area is surrounded by stairs leading from the cafe (top) to the exit. Bamboos were used as railing. The materials in the building are mostly reused/ recycled. The floor and wall on the first floor are solid concrete. The columns, the top floor flooring and the roof are all reclaimed wood. Other than that, the railing going up and down from the top floor are made from bamboos. They are easily grown and is sturdy and long lasting.
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FRONT ELEVATION 1 : 300
A
FIRST FLOOR FLOOR PLAN 1 : 400
FIRST HALF FLOOR PLAN 1 : 400
CIRCULATION
The concrete slab on first floor is rough, and when the user slowly ascends to the top floor, the material used gets smoother and smoother, symbolizes when the country and the people moves nearer and nearer to the end of war, the journey gets smoother. After a series of stairs, the user reached the upper floor, i.e. the cafe and the first thing the user will observe is the ocean and the city scape. As the building is lifted up, the view from the top floor is spectacular. Whilst enjoying the view, the user is able to make use of the cafe.
FIRST FLOOR FLOOR PLAN 1 : 400
1 ENTRANCE 2 WASHROOM 3 EXHIBITION HALLWAY 4 PRIVATE OFFICE 5 CAFE 6 WASHROOM 1 7 PANTRY 8 LOOK OUT POINT
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WAITING AREA
UNFOLD
WHY ORIGAMI? - Brings happiness - Brings sense of Peace - To create something out of nothing - Promote patience while waiting. BEAUTY IN REPETITION.
MULTIFAITH CENTRE
WAITING AREA UNFOLD
VISUAL INTERPRETATION CENTRE CHIAROSCURO
LOCAL FOOD MARKET + SOUP KITCHEN
The structure is located beside CODA of Taylor’s Lakeside campus. It serves as a waiting area for students throughout the day. The form is derived from the structure of a tree - a highly symbolic structure that creates shade and can offer ideal shelter and resting places for all mankind. A function that repeats itself in every corner of the planet. This tree was made into something more creative and unique with the aid of water bomb tesselations - a type of tessellation technique that changes its form from cross-shaped dams to tight squares, accomodating various environmental functions.
During different times of the day, the structure takes advantage of the hot sun and provides shade while creating unique shadow effects from its geometrical sheets, bringing sense of peace to the people around. Origami is very much known for bringing happiness, a sense of peace and patience. It gives one the ability to create something out of nothing but a plain sheet of paper. Looking at the campus as a whole, it is a repetition of the same building materials. Using origami, we present an amped up version of beauty in repetition not only to create relationship between students and the artistic side of architecture, but also to promote and raise awareness towards sustainable design. The roof of the structure consists of glass fiber polyester - a lightweight, low- csting building material that is friendly to the environment and able to withastand high pressures with temperatures, making it suitable for the hot climate here in Malaysia. ‘UNFOLD’ is designed to respond to Taylor’s site context, taking advantage of the sunlight, catching prevailing winds and giving shelter to incoming rain, ensuring comfort of its students.
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S.W.O.T. ANALYSIS STRENGTH 2 round abouts were built to save cost and space, thus ensuring a smoother circulation. Convinience when picking/ dropping people off Great view of the university is aided by vegetation
TEST HOT E ZON
CCTV are set up around the round about area to monitor activities in that area
WEAKNESS
STARBUCKS
Area is mostly open-air, leaving passerbys/ people waiting soaked during rainy days Slippery floors and the presence of water puddles during rain Round about area is dark at night due to the lack of lighting CODA
OPPORTUNITY Building a waiting area to provide shelter for people
HOT ZONE
Widen the road to avoid traffic congestion
THREATS Slippery floors may be harmful to the people Gas relaased by the vehicles pollute the area and may be harmful The wind carries the rain into the canopy corridor, thus shelter provided does not serve as much help during the heavy rain.
Vehicle circulation People Circulation Diagram shows the location of the waiting area and the site analysis of Lakeside Campus.
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Back view: Mixture of green roof and glass fiber polyester
Section A A’
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Top view: Green roof on the rest area not only increase the aesthetic, it cools down the building.
Glass ‘windows’ to allow morning sun to come through, lighting up the inner booth.
Section B B’
GLASS FIBER POLYESTER Lightweight Low transportation costs and installation cost
RESILIENCE Good resistance against corrossive environments Fiberglass lasts longer
VERSATILITY Capacity to withstand high pressure, temperatures and loads. Fiberglass works in a multitask of applications.
GREEN ROOF Impore air quality Cools building Stormwater management
SIDE ELEVATION
23
DESIGN PROCESS
Prototype of final model - a smaller scale.
Different designs were explored before reaching the end idea of using origami. Multiple origami patterns are tried out and tested to complete the look of the waiting area. Different designs are analysed and researched to ensure that the building will hold itself up when constructed.
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The designs rederived from the structure of a tree. Provide shade and selter
Made origami like design with water bom
Moss is planted on certain part of the roof, offering insulation and reducing the amount of energy needed to moderate the temperature in the structure, reducing the noise andimproving the air quality of the space.
25
The plans were hand drawn and coloured for presentation purposes.
Front view
Floor plan 1 : 200 Compact version of the origami design act as the floor, complete with glass on top to prevent falling.
Top view
Back view
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ART CENTRE + RECOVERY CENTRE Unity through design
IS
The intention is to achieve unity through design. the purpose of the building is to help rebuild lives of the lost (Ex drug users) by helping them get back on their feet, by giving them extra skilsets in the art department. The art centre includes art from all kinds of religion. The comnination of the art will improve the understanding of not only art, but about other religions. Peple that will be sharing the skillset will be proffesionals that have been in the industriy for a very long time, religious leaders as well and the elderly folks that stays around the communities as they have the most esperience in old religion rituals and cultures. Not only it adds to the extra helping hand, it also helps by uniting the community with familiar faces. Sun Path Traffic
conditions
Wind Direction
SUN PATH & WIND DIRECTION
APPROACH
The multifaith hall serves as a hall for the community to practice their faith - praying/ meditating. Other than that, it also serves as a theater/ talk/ forumn area for the people. Discussion rooms are provided for circle discussions and private meetings, targeted for the public as well as the recoverers. TRAFFIC SITUATIONS
NEIB
Sustainability plays a huge part in the design. A public space in the building holds the building together. As one of the focus point of the building, the idea of the building wrapped around a focal point strengthens the symbolism of unity among the community.
munity / punlic common space in the middle of the building, where it can be seen The building supports itself financially with the care in the ground floor, with its doors open to the lding public. Other than that, the gallery also sells art work made by members of the recovery centre, not Precedent studies only help support the building, but it encourage the recoveries to work harder and fight for their future. NAYANG TECH UNIVERSITY SINGAPORE FUJI KINDERGARTEN
Neibouring religious centre
Both of the examples, the interaction spaces and the connecting spaces situated in the centre of the building, with the building focusing on the interaction among the community.
that the mainCondition entrance of the building is to be welcomed by some of the main Traffic building, hence to emphasise some of the building features all & Gallery
Design StrategyART CENTRE The centre is a combination of + 3 seperate programs. i) Multifaith centre RECOVERY ii) Art centre/ gallery iii) Recovery centre CENTRE
SHOPLOTS
RESIDENTIAL FLAT
The art centre is based on and derived from different religion and beliefs. It will be Thetaught to the recoverers and intention is to achieve unity through design. the purpose of the building is to help rebuildlives of the lost (Ex drug users) by helping them get back on the community, including working adults and students from their feet, by giving them extra skilsets in the art department. around the area. The recoveryThecentre is artcatered art centre includes from all kinds offor religion.people The comnination of the will improve the understanding of not only art, but about other religions. who complete the programmeartPeplein the near by rehab centre that will be sharing the skillset will be proffesionals that have been in the industriy for a very long time, religious leaders as well and the elderly 1.3 PROGRAM VIABILITY that stays around the communities as they have the most esperience in and is trying to get their livesfolksback. The multifaith helps old religion rituals and cultures. Not only it adds to the extra helping hand, it also helps by uniting community with familiar with the recoverers by proviing them atheguiding pathfaces.while The multifaith hall serves as a hall for the community to practice their faith the art not only distract thempraying/ butmeditating. provide them with skill. Other than that, it also serves as a theater/ talk/ forumn INTRODUCTION TO SITE AND ISSUES
DESIGN SUITABILITY
MAINTENANCE STRATEGY
SUCCESS CRITERIA
RISK ANALYSIS
GANTT CHART
CHEN ROU ANN 1001G76463
PROJECT OBJECTIVE The programme mainly aims to bring together the community, in a spirityal level, by providing a common crosspath of different faith, which is art. The idea is to bring the long lost art back to the people. Not only that, to cross the seperation between faith among the people and have them come together as a whole. People with different believes and goals on what a higher being(s) is/are see each other as equal and companion.
PROPOSED PROGRAM
The centre is a combination of 3 seperate programs. i) Multifaith centre ii) Art centre/ gallery iii) Recovery centre
area for the people. Discussion rooms are provided for circle discussions and
private targeted forfrom thedifferent public as well as recoverers. The art centre meetings, is based on and derived religion andthe beliefs. It will be taught to the recoverers and the community, including working adults and students from around the area. The recovery centre is catered for people whoplays complete the part programme the near rehabspace centre in andthe is trying to get their lives Sustainability a huge in the in design. A by public building back. holds The multifaith helps together. with the recoverers proviing path while the building As one ofbythe focus them pointaofguiding the building, thethe art not only distract them but provide them with skill. idea of the building wrapped around a focal point strengthens the symbolism
There is a problem where there is a concern about the multi-religious buildings and if theof unity people is able to accept the among the community. concept of including theThe building multiple faiths into a supports itself financially with the care in the ground floor, with its doors open to the public. Other than that, the gallery also sells art work building. Not only that, will the people accept the made by members of the recovery centre, not only help support the building, but it encourage the recoveries to work harder and fight for their future. fact that there will be a huge meditation area for everybody, no matter the religion they are from.
LRT STATION
The recovery centre aims to work hand in hand with PENGASIH to help the people from rehab to get back on their feet, not only to help them recover after the rehab, but to push them to get back on their feet. The art studios is to help them learn a new skill and to venture back into the world by themselves.
RESIDENTIAL AREA
The programme teaches the community, young and old, and also the recoverers the skills of crafting/painting/moulding the different types of art in that is available, pulling everybody together. Not only that it provides a meditation space for the people to meditate, finding themselves or to communicate with their own believes.
There is a problem where there is a concern about the multi-religious buildings and if the people is able to accept the concept of including the multiple faiths into a building. Not only that, will the people accept the fact that there will be a huge meditation area for everybody, no matter the religion they are from. DEMOGRAPHICS & TARGETED GROUP The targeted groups of users are around the proposed site, which are the community, the students and also the people that recently complete the rehab programme. There are a few schools near the programme area and after school activities could be conducted there, such as teaching the students art or an educational classes. IO DIO UD TU T ST T S PIN
DEMOGRAPHICS & TARGETED GROUPART The targeted groups of users are around the proposed site, which are the community, the students and also the RECOVERY people that recently complete the rehab CENTRE programme. There are a few schools near the programme area and after school activities could be conducted there, such as teaching the students art or an educational classes. MULTIFAITH CENTRE
ING
L EA
H
SU
PP
OR
T
DO CODISCUSS M RM MMO ION R O OG Y M RE ARE N R O O M + N A A + MEDITATIO
A
EDUCATION Teaching the communities about art from different religion Helping recoverors to learn new skills to get back on their feet
PENGASIH Pengasih has been operating since 1993, giving treatment services and rehab. They also helped with the recovery after the rehab, by helping them get jobs, putting them in halfway houses. Not only that, they create awareness events such as exhibitions and seminars to students and society to combat the problems of drug abuse.
ALL N HOOMS TIO R TA SION S
PA CERAM INT AN GAL IC A D LER ND CR Y SC AF UL T
DISMED CU I
ORIGIN
CLIENT AND STACKHOLDERS
EXPLORATION
Vision: To be an internationally recognized Institute and Knowledge centre for Holistic Approach in Substance Abuse Treatment and Rehabilitation.
Creates connection with community Expand the news of each community
DBKL
Mission: To reduce the demand for illicit drugs in Asia, by developing and deploying effective methods in Intervention, Treatment and Rehabilitation. Motto: PENGASIH makes a difference
TELEKOM
Helps drug users that went to rehab to get back on their feet Giving them chances to learn new skills
IMPROVE THE PEOPLE
PROJECT MANAGEMENT PROJECT 2: DOCCUMENTATION OF A MEDIUM SIZE PROJECT ART+ RECOVERY CENTRE
SCHOOL
SMALL STALLS
THIRD FLOOR PLANPLAN SITE PLAN + ROOF 1 : 1300 1 : 500
Users walking around the building also serves as a facade to the inner part of the building. When first stepping into the building, the â&#x20AC;&#x2DC;moving facadeâ&#x20AC;&#x2122; i.e. people walking around the building would be one of the attraction. The livelyness of the building and the interaction of the open spaces gives the user a sence of belonging. This will increase the sense of community towards the building. There are people walking around on the uper floors, users going up and down the main glass staircase, users meditating in the meditation room, a buzzing cafe with people talking to one another and most of all, the gallery and the right side of the building.
Gallery area bellow with common room above
View of the building from a passerby car
GROUND FLOOR PLAN GROUND FLOOR PLAN 1 : 150 1 : 550
GROUND FLOOR PLAN 1 : 150
BACK ELEVATION BACK ELEVATION
1 : 150
FIRST FLOOR PLAN SECOND FLOOR PLAN 1 : 150 1 : 550 FIRST FLOOR PLAN 1 : 150
LEFT ELEVATION
LEFT ELEVATION 1 : 150
SECOND FLOOR PLAN FIRST FLOOR PLAN 1 : 550 : 150 SECOND FLOOR1PLAN
THIRD FLOOR PLAN THIRD FLOOR PLAN 1 : 150 1 : 550 THIRD FLOOR PLAN 1 : 150
1 : 150
RIGHT ELEVATION RIGHT ELEVATION 1 : 150 LEFT ELEVATION 1 : 150
SECTION A A’
SECTION A A’ 1 : 150
SECTION A A’ 1 : 150
BASEMENT PLAN 1 : 150
Slanted roof to cause negative pressure on top of the building, pulling out hot air
Stone louvres as facade
Gabion wall using recycled concrete
Glass curtain wall to create a transparent facade in order to see
Vertical circulation
FRONT ELEVATION 1 : 150
FRONT ELEVATION
CAP KELULUSAN
CAP KELU
Wall Section
1: 1100
20
200
200
GREEEN ROOF
35
30
PERAPI PERINTAH PEMBANGUNAN
20
Meditation Area looking over the oposite scenery and drop off area
The view of the common area from the outside
150
100
30
PERAPI PE 35
150
120
TAJUK CADANGAN
598
100
CADANGAN MEMBINA MULTIFAITH CENTRE DI 200 JALAN SANPENG
120
TAJUK CA
598
UVRE MECHANISM
CADAN JALAN
TANDATANGAN PEMILIK / PEMAJU
"Saya bersetuju untuk bertanggung jawab terhadap segala kerosakan bangunan yang akan timbul kepada lot-lot sebelah menyebelah akibat cadangan tersebut"
10MM THIK STONE LOUVRES
STONE LOUVRE ROTATING MECHANISM 50
DATO WONG LUM KONG
The display area
400
NO. K/P :401117-07-5135
10MM THK TEMPERED GLASS RAILING
TANDATANGAN ARKITEK :-
Saya memperakui bahawa detail-detail dalam pelan-pelan ini adalah menurut kehendak- kehendak Undang - Undang Kecil Bangunan 1985 dan saya terima tanggungjawab penuh dengan sewajarnya
300
600 The galleries and display area are situated closely with the garden to provide a serene feeling
SCALE 1 : 5
LUM KONG SDN. BHD ( 031009 ) WISMA KAH MOTOR 556, BATU 3 1/2, JALAN IPOH, 51200 KUALA LUMPUR. TEL : 03-6259 2888 FAX : 03-6257 3157
600
Meeting room and office on the second floor Green area in the building acts as a cooling mechanism too other than aesthetic ARKITEK purposes LEMBAGA ARKITEK MALAYSIA
600
PROFESIONAL
300
Ar. Chen Rou Ann
No. Pendaftaran LAM : A/L 192
NO. 23-3, 5th. FLOOR, JALAN SS 3/21, TAMAN JAYA, 47400 PJ, SELANGOR.
"Saya bersetuju u menyebelah akib
LUM KONG WISMA KA 556, BATU TEL : 03-62
50
ARKITEK
architects
TANDATA
DATO WO
TANDATAN
Saya memperakui Bangunan 1985 d
300
SCALE 1 : 5
200
Tel : 03 - 7880 8127 Fax : 03 - 7880 8130
LEMBAGA ARKITEK MALAYSIA
DESIGN CONSULTANT
ARKITEK
SKM CONSULTANCY
BLOW UP DETAIL - GABION WALL
SCALE 1 : 10
WOODEN LOUVRES
NO. 1 JALAN TAYLOR'S, 47500, SUBANG JAYA SELANGOR DARUL EHSAN, MALAYSIA Tel : +03 - 56295000 Fax : +03 - 56295001 Email : skmconsultancy@gmail.com
BASEMENT FLOOR PLAN TAJUK LUKISAN
BLOW UP DETAIL 1 : 10 STONE LOUVRES SMALL DETAIL 1 : 5 GABION WALL
BLOW UP DETAIL - STONE LOUVRES
SCALE 1 : 10
BLOW UP DETAIL - GABION WALL
DISEMAK OLEH NO. PROJEK :
SCALE 1 : 10
NO. 23-3, 5 TAMAN JA
DESIGN C
NO. 1 SELA Tel Fax Email
TAJUK LU
BLOW U STON S GABI
SKALA : 23-11-2015 LUKIS OLEH CHEN ROU ANN 1001G76463
TARIKH : DI
10MM THK TEMPERED GLASS RAILING
BASEMENT PLAN 1 : 150
TARIKH :
2
DI LUKIS DISEMAK
NO. PROJ
RETAINING WALL
FRONT ELEVATION
SECTION B B’ 1 : 150
SECTION 1B: 150B’
Wooden Overhang
Stone Louvres Wooden overhang are used as a replacement of conventional roof. It not only increases the aesthetic of the area, it also provides shade to the building without cutting off most of the sunlight.
There are multiple types of facade around the building, mainly focusing on the stone louvres. Apart from the aesthetic purposes, stone louvres allow natural lighting and ventilation to occur, while shielding the building from rain. Other than that, louvres create different shadow effects in the building.
Morning
Afternoon
Noon
Evening
Gabion Wall
Perspectives
Gabion wall facade is situated on the bottom floors of the building. It is consists of recycled concrete as to not only safe materials used, but also to reduce the carbon footprint of the building.
CAP PENDAFTARAN JABATAN
NO. SIRI
CAP P
CAP KELULUSAN
CAP K
20
200
200
GREEEN ROOF
20
35
30
PERAPI PERINTAH PEMBANGUNAN
150
30
150
100 120
598
The galleries and display area are situated closely with the garden to provide a serene feeling
PERAP
35
Office and meeting room area for the staff
TAJUK CADANGAN
100
CADANGAN MEMBINA MULTIFAITH CENTRE DI 200 JALAN SANPENG
120
TAJUK
598
OUVRE G MECHANISM
CAD JALA
TANDATANGAN PEMILIK / PEMAJU
"Saya bersetuju untuk bertanggung jawab terhadap segala kerosakan bangunan yang akan timbul kepada lot-lot sebelah menyebelah akibat cadangan tersebut"
10MM THIK STONE LOUVRES
STONE LOUVRE ROTATING MECHANISM 50
DATO WONG LUM KONG
400
NO. K/P :401117-07-5135
10MM THK TEMPERED GLASS RAILING
TANDATANGAN ARKITEK :-
Saya memperakui bahawa detail-detail dalam pelan-pelan ini adalah menurut kehendak- kehendak Undang - Undang Kecil Bangunan 1985 dan saya terima tanggungjawab penuh dengan sewajarnya
300
600 LEMBAGA ARKITEK MALAYSIA
600
Ar. Chen Rou Ann
ARKITEK PROFESIONAL No. Pendaftaran LAM : A/L 192
300
600
SCALE 1 : 5
LUM KONG SDN. BHD ( 031009 ) WISMA KAH MOTOR 556, BATU 3 1/2, JALAN IPOH, 51200 KUALA LUMPUR. TEL : 03-6259 2888 FAX : 03-6257 3157
NO. 23-3, 5th. FLOOR, JALAN SS 3/21, TAMAN JAYA, 47400 PJ, SELANGOR.
Tel : 03 - 7880 8127 Fax : 03 - 7880 8130
"Saya bers menyebe
LUM K WISMA 556, B TEL : 0
50
ARKITEK
architects
TAND
DATO
TANDA
Saya mem Bangunan
300
SCALE 1 : 5
200
Garden area serves as a mini get away for the users and most of them live in the city. Not only that, the garden is suitable for meditation too
LEMB ARK MALA
DESIGN CONSULTANT
ARKITE
SKM CONSULTANCY
BLOW UP DETAIL - GABION WALL
SCALE 1 : 10
NO. 1 JALAN TAYLOR'S, 47500, SUBANG JAYA SELANGOR DARUL EHSAN, MALAYSIA Tel : +03 - 56295000 Fax : +03 - 56295001 Email : skmconsultancy@gmail.com TAJUK LUKISAN
BLOW UP DETAIL 1 : 10 STONE LOUVRES SMALL DETAIL 1 : 5 GABION WALL
BLOW UP DETAIL - STONE LOUVRES
SCALE 1 : 10
WOODEN LOUVRES BLOW UP DETAIL - GABION WALL
10MM THK TEMPERED GLASS RAILING SCALE 1 : 10
NO. 23 TAMAN
DESI
NO SE Te Fa Em
TAJUK
BLO
DESIGN PROCESS Sun Path
Wind Direction
SUN PATH & WIND DIRECTION
TRAFFIC SITUATIONS
NEIBOURING RELIGIOUS CEENTRE
The idea is to have a community / public common space in the middle of the building, where it can be The idea is to have a community / punlic common space in the middle of the building, where can be seen seenitfrom anywhere in the building
DESIGN APPROACH from anywhere in the building
Precedent studies NAYANG TECH UNIVERSITY SINGAPORE
FUJI KINDERGARTEN
NORMAN FOSTER
It is also decided that the main entrance of the building is to be welcomed by some of the main activities of the building, hence to emphasise some of the building features I.e: Meditation hall & Gallery Both of the examples, the interaction spaces and the connecting spaces situated in the centre of the building, with the building focusing on the interaction among the community. It is also decided that the main entrance of the building is to be welcomed by some of the main activities of the building, hence to emphasise some of the building features I.e: Meditation hall & Gallery
Due to thee round nature of the buildin observed to figure out the arrangemen
Adjacency Matrix QUEENâ&#x20AC;&#x2122;S BUILDING
By slanting the building, the wind coming from the North West direction will help create a negative pressure on the building, pullling the hot air away from the building, allowing cold air to enter from the sides. By slanting the building, the wind coming from the North West direction will help create a negative pressure on the building, pullling the hot air away from the building, allowing cold air to enter from the sides.
Stack shaft used by the building provides an advantage in coling down the building bytransfering hot air in the build The air flow on top of the building act as a carrier, pushing the air from the shaft out of the building, creating a nevat the building to pull in fresh air. provides an advan-
Stack shaft used by the building tage in coling down the building by transfering hot air in the building out of the building. The air flow on top of the building act as a carrier, pushing the air from the shaft out of the building, The building is design in a way that the higher it is, the more private it is for creating a nevative pressure, allowing the building the user. to pull in fresh air.
ADJACENCY MATIRIX