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Architecture History and Theory Catalogue New Titles and Key Backlist 2010
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Welcome to the Routledge
Architecture History and Theory New Titles and Key Backlist 2009
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Complete Catalogue
contents Architecture in Context . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Vernacular Architecture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Classical Architecture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Landscape Architecture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Architectural Education . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Urban Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Architectural History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Architectural Theory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Digital Architecture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Interior Architecture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Modern Hospice Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Catalogue Questionnaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Order Form . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Back Page
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ARCHITECTURE IN CONTEXT
1
Architecture in Context Series ’A grand survey of the whole of the world of architecture.’ – The Times Architecture in Context is a series of five books describing and illustrating all the seminal traditions of architecture from the earliest settlements in the Euphrates and Jordan valleys to the stylistically and technologically sophisticated buildings of the second half of the 20th century.
NEW
The West From the Advent of Christendom to the Eve of Reformation Christopher Tadgell Christopher Tadgell covers the major architectural traditions of the Middle Ages, from the Romanesque architecture of the 9th and 10th centuries, built on the legacy of ancient Rome and including elements from Carolingian, Ottonian, Byzantine and northern European traditions, through to the evolution of the Gothic which heralded new, structurally daring architecture. The book ends with the Italian rediscovery of Classical ideas and ideals and the emergence of the great Renaissance theorists and architects, including Brunelleschi, Alberti, and Bramante. As well as the palazzos, villas and churches of Renaissance Italy, this period saw the building of great chateaux in France, palaces in Germany and the golden-domed cathedrals of Russia. With more than 2000 images, including many plans, The West is a beautiful, single-volume guide to the history of architecture in this period, covering the whole of Europe from Ireland to Russia and placing architectural developments within their political, technological, artistic and intellectual contexts. Selected Contents: Part 1: Renovation of Gravitas 1. Prologue 2. Empire Regained and Relapsed 3. The Centre: Holy Roman Empire 4. The East: Towards the Third Rome 5. The West: Post Carolingian Diversity Part 2: Refraction of Light 6. Introductions to the Gothic Age 7. Light Into Stone: The Gothic Cathedral 8. Secular Building in the Gothic Age Part 3: Revival of Classicism 9. Introduction 10. Cataclysm and Classicism at Large Epilogue: From Medieval Towards Neo-Classical Abroad. Conclusion. Glossary. Further Reading. Maps. Index May 2009: 210x180: 928pp Hb: 978-0-415-40754-0: £65.00 Above: Images taken from The West.
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ARCHITECTURE IN CONTEXT
Antiquity
Islam
Origins, Classicism and the New Rome
From Medina to the Magreb and from the Indes to Istanbul
Christopher Tadgell Lavishly illustrated with over 1,000 colour photographs and 400 drawings, this impressive volume brings to life architectural history in vivid form. Having taught extensively in the field for almost 30 years, author Christopher Tadgell traces the subject from its very beginnings until the time when the traditions that shape today’s environments began to flourish. The first in a series of 5 books that describe and illustrate the seminal architectural traditions of the world, Tadgell explores key points of interest. Antiquity: Origins, Classicism and the New Rome functions equally as a detailed and comprehensive narrative, a collection of the world’s great buildings and as an archive of themes across time and place. Selected Contents: Part 1: West Asia and the Eastern Mediterranean Part 2: Pre-Columbian Part 3: The Classical World Part 4: Christianity and Empire. Epilogue: The Last Half Millennium of Byzantium 2007: 210x180: 876pp Hb: 978-0-415-40750-2: £65.00
Christopher Tadgell ’The greatest value of this fine study lies in its enormous and detailed range, encompassing not only the Islamic heartlands, but traditions as diverse as those of the sultanates of North Africa, the earliest Moslem dynasties of India and the legacy of Tamerlane. A prodigious labour of love.’ – Colin Thubron This book examines the architectural tradition which developed with the religious culture of Islam. Essentially heir to the Roman development of space, it had its source in the ubiquitous courtyard house, while the development of the mosque as both a place of worship and the centre of the community, its form a response to the requirements of prayer set out in the Koran, was given a range of forms as the conquests of Islam came up against the traditions of Egypt, Persia, India and China. The tradition developed further in tombs, palaces and fortifications, all of which are described and illustrated here. Selected Contents: Part 1: Dar Al-Islam Part 2: Beyond the Western Pale Part 3: Dar Al-Islam Divided Part 4: Beyond The Eastern Pale. Epilogue: Hindustani Syncretism. Glossary. Further Reading. Maps
The East Buddhists, Hindus and the Sons of Heaven
2008: 210x180: 674pp Hb: 978-0-415-43609-0: £65.00
Christopher Tadgell ’The East is truly one of those books that change your life and plans. Christopher Tadgell delivers brilliantly in linking context, structures and high ideals, climate and materials, nature and technology. He gives us a powerful but faithful and finely paced compression of complex interlocked traditions. Few historians have related landscape and meaning with such like success. Impressive learning is worn lightly.’ – Sir John Boyd
NEW FOR 2011
Modernity After Enlightenment Christopher Tadgell April 2011: 210x180: 960pp: 1200 colour illustrations, 400 line drawings Hb: 978-0-415-40756-4: £65.00
Selected Contents: Part 1: Buddhist and Brahmanical 1.1 The Indian Subcontinent 1.2 South-East Asia Part 2: Heaven’s Empires 2.1 China and its Orbit 2.2 Japan 2007: 210x180: 924pp Hb: 978-0-415-40752-6: £65.00
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VERNACULAR ARCHITECTURE
3
Atlas of Vernacular Architecture of the World Marcel Vellinga, Paul Oliver, both at Oxford Brookes University, UK and Alexander Bridge, Cartographer, UK ’This is an invaluable guide to the global scatter of folk architectural traditions that shape today’s most bracing sustainable designs.’ – The Christian Science Monitor ’The AVAW is an enthralling read, even if your knowledge of the subject is limited.’ – Reference Reviews The first world atlas ever compiled on vernacular architecture, this comprehensive work illustrates the variety and ingenuity of the world’s vernacular building traditions from a multi-disciplinary, cross-cultural and comparative approach, using over 60 world and regional maps. Selected Contents: Introduction Part 1: Contexts 1. Nations 2. Topography 3. Water 4. Climate 5. Vegetation 6. Soils 7. Economy 8. Population 9. Language 10. Religion 11. Cultural Areas Part 2: Cultural and Material Aspects 12. Materials and Resources 13. Structural Systems and Technologies 14. Forms, Plans and Types 15. Services and Functions 16. Symbolism and Decoration 17. Development and Sustainability 2008: 276x219: 160pp Hb: 978-0-415-41151-6: £49.99
US $92.95
Above: Pages taken from Atlas of Vernacular Architecture of the World.
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VERNACULAR ARCHITECTURE
Encyclopedia of Vernacular Architecture of the World Paul Oliver, Oxford Brookes University, UK Vernacular – or traditional – architecture encompasses most of the buildings of the world. This encyclopedia is the first to show the remarkable diversity of the buildings constructed and lived in by the people of over a thousand cultures. Originally published as three volumes, the first focused on the theories, principles and philosophy that underpin traditional architecture. The other two volumes considered these principles within specific cultural and societal contexts. As building traditions vary widely within some countries and extend across the political boundaries of others, the encyclopedia considers vernacular architecture within its cultural rather than its national contexts. Richly illustrated with numerous photographs, line drawings and maps, the work is also supported by a glossary, a lexicon, and a large bibliography on the subject. The Encyclopedia of Vernacular Architecture of the World is an inspiration and resource for architects, anthropologists, folklorists and geographers, and important for all who help shape housing and conservation policies. 2007 eBook: 978-0-203-92766-3: £900.00
US $1700.00
Vernacular Architecture in the 21st Century Theory, Education and Practice Edited by Lindsay Asquith and Marcel Vellinga 2005: 234x156: 312pp Hb: 978-0-415-35781-4: £89.99 Pb: 978-0-415-35795-1: £31.99 eBook: 978-0-203-00386-2
US $154.95
US $54.95
NEW
Rural and Urban: Architecture Between Two Cultures Edited by Andrew Ballantyne, University of Newcastle-Upon-Tyne, UK Original essays in this book written by an international range of recognized theorists investigate how the cultures of the town and the countryside interact in architecture. Selected Contents: 1. Rural and Urban Milieux Andrew Ballantyne and Gillian Ince 2. Villeggiatura in the Urban Context of Renaissance Rome: Paul III Farnese’s Villa-Tower on the Campidoglio Antonella De Michelis 3. Rural Urbanism Dana Arnold 4. Anti-Urban Utopia in the German Aufklarung: The Ideology of Friedrich Wilhelm von Erdmannsdorff’s Architecture Marc Brabant 5. Urban Meets Rural: A Study of Three Eighteenth-Century Retreats on the Isle of Wight Stewart Abbott 6. The Picturesque Bourgeois House at the Edges of the Neo-Classical City Philippe Gresset 7. Rural Buildings and the Search of a ’Regional’ Architecture in Belgium Leen Meganck and Linda van Santvoort 8. Nature and the City in 1920s America: Sunnyside Gardens, Queens, New York Bruce Thomas 9. Rurality as a Locus of Modernity: Romanian Interwar Architecture Carmen Popescu 10. Is the Kibbutz a ’Radiant Village’?: Le Corbusier and the Zionist Movement Marina Epstein-Pliouchtch and Tzafrir Fainholtz 11. An Unlikely Influence: Le Corbusier and the Garden City Movement Emma Dummett 12. From the ’Model Village’ to a Satellite Town: Reading Change in Temelli through the Transformation of its Residential Landscape Ali Cengizkan and Didem Kilickiran November 2009: 234x156: 240pp Hb: 978-0-415-55212-7: £80.00 Pb: 978-0-415-55213-4: £29.99 eBook: 978-0-203-86547-7
US $130.00
Primitive
US $53.95
Original Matters in Architecture Edited by Jo Odgers, Flora Samuel and Adam Sharr This innovative, illustrated edited edition brings together a collection of authors to chart the rise, fall and possible futures of the word primitive. 2006: 234x156: 304pp Hb: 978-0-415-38538-1: £96.99 Pb: 978-0-415-38539-8: £39.99 eBook: 978-0-203-96744-7
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any View nline uct o prod king on ic by cl e listing itl the t
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VERNACULAR ARCHITECTURE
5
NEW
Modern Architecture and the Mediterranean Vernacular Dialogues and Contested Identities Edited by Jean-Francois Lejeune, University of Miami, USA and Michelangelo Sabatino, University of Houston, USA This book considers the influence of the forms and tectonics of the Mediterranean vernacular on modern architectural practice and discourse from the 1920s to the 1960s. This is the first study to address the comprehensive influence of the Mediterranean on the work and writings of major figures of modern architecture. This essay collection can be read as an alternative history of the modern architecture and urbanism of a critical period in the 20th century. Selected Contents: Preface Barry Bergdoll. Introduction: North vs South Jean-François Lejeune and Michelangelo Sabatino Part 1: South 1. From Schinkel to Le Corbusier: The Myth of the Mediterranean in Modern Architecture Benedetto Gravagnuolo 2. The Politics of Mediterraneità in Italian Modernist Architecture Michelangelo Sabatino 3. Sert, Coderch, Bohigas, de la Sota, Del Amo: The Modern, the Vernacular and the Mediterranean in Spain Jean-François Lejeune 4. Mediterranean Dialogues: Le Corbusier, Fernand Pouillon, and Roland Simounet Sheila Crane 5. Nature and the People: The Vernacular and The Search for a ’True’ Greek Architecture Ioanna Theocaropoulou 6. The Legacy of an Istanbul Architect: Type, Context, and Urban Identity in the Work of Sedad Eldem Sibel Bozdogan Part 2: North 7. The Anti-Mediterranean in the Literature of Architecture: Paul Schultze-Naumburg’s ’Kulturarbeiten’ Kai K. Gutschow 8. Erich Mendelsohn’s Mediterranean Longings: The European Mediterranean Academy and Beyond Ita Heinze-Greenberg 9. Toward a Cosmopolitan Ethics in Architecture: Bruno Taut’s Translations Out of Germany Esra Akcan 10. Tradition, Colour and Surface: Mediterranean Resonances in the Work of Erik Gunnar Asplund Francis E. Lyn 11. Bernard Rudofsky and the Sublimation of the Vernacular Andrea Bocco-Guarneri 12. Between Dogon and Bidonville: CIAM, Team X and the Rediscovery of African Settlements Tom Avermaete October 2009: 246x174: 336pp Hb: 978-0-415-77633-2: £85.00 Pb: 978-0-415-77634-9: £30.00 eBook: 978-0-203-87190-4
US $140.00
US $53.95
Above: Pages taken from Modern Architecture and the Mediterranean.
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CLASSICAL ARCHITECTURE
The Classical Tradition in Architecture Series
The City Rehearsed Object, Architecture, and Print in the Worlds of Hans Vredeman de Vries Christopher Heuer, Princeton University, New Jersey, USA
Series Editor: Caroline van Eck
The City Rehearsed offers an entirely new perspective on printed architecture in early modern Europe through the lens of Hans Vredeman de Vries. It probes the geographical encounters of dozens of engravings with contemporary texts on architecture, theatre, urbanism, art collecting, even ethnography.
This series provides a forum for interdisciplinary study of classical architecture from antiquity to the present day. It publishes first-class and groundbreaking scholarship that re-examines, reinterprets or revalues the classical tradition in the widest sense.
NEW
François Blondel Architecture, Erudition, and The Scientific Revolution Anthony Gerbino, Oxford University, UK First director of the Académie royale d’architecture, François Blondel established a lasting model for architectural education that helped transform a still largely medieval profession into the one we recognize today. Most well known for his 1676 urban plan of Paris, Blondel is also celebrated as a mathematician, scientist, and scholar. Few figures are more representative of the close affinity between architecture and the ’new science’ of the 17th century. The first full-length study in English to appear on this polymath, this book adds to the scholarship on early modern architectural history and particularly on French classicism under Louis XIV and his minister Jean-Baptiste Colbert. It studies early modern science and technology, Baroque court culture, and the development of the discipline of architecture. Selected Contents: Introduction 1. Mathematician, Engineer, Courtier 2. The Rebirth of French Classicism I: The Académie 3. The Rebirth of French Classicism II: Paris 4. Architects and Mathematicians 5. Architecture versus Erudition: The Perrault-Blondel Debate Revisited 6. Reading and Collecting Conclusion: Blondel’s Nachleben. Appendices
The Netherlandish polymath Hans Vredeman de Vries (1526-1609) devoted his entire career to the production of imaginary architecture. Painter, architect, rhetorician, perspective theorist, festival designer, and draughtsman, Vredeman was active in Antwerp, Amsterdam, and Prague, where he designed a mysterious body of architectural prints, works which by the 17th century had influenced buildings from Tallinn to Peru. Including Scenographiae (1560), and Perspective (1604-5), Vredeman’s strange publications were among the most widely-distributed ’Renaissance’ books on building and vision, shipped to England, Spain and even Mexico by 1600. This book, the first sustained study of Vredeman in English, shifts the focus of inquiry to look at the active role his prints played in the life of urban readers outside of a narrowly-defined ’Flemish’ architectural history. This is a study with clear interest for historians of art and the built environment, and one with broader contemporary resonances for changing definitions of ’European’ culture and identity in the present day. Selected Contents: Introduction: Iconoclasm’s Faces Part 1: Performances of Order 1. Unbuilt Architecture in the World of Things 2. Antwerp: The City Rehearsed 3. Guidebooks to Chaos Part 2: Perspective and Exile 4. The Vanishing Self 5. Hidden Terrors: The Perspective (1604-5) Epilogue: Vredeman de Vries and the Modern 2008: 246x174: 312pp Hb: 978-0-415-43306-8: £55.00
December 2009: 234x156: 320pp Hb: 978-0-415-49199-0: £75.00
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CLASSICAL ARCHITECTURE
Architecture, Print Culture and the Public Sphere in Eighteenth-Century France Richard Wittman, University of California at Santa Barbara, USA This book offers the first study of how architectural practice, theory, patronage, and experience became modern with the rise of a mass public and a reconfigured public sphere. Depicting architecture’s passage into a mediatized public culture as a historic turning point, and interrogating it as a symptom of a changing configuration of individual, society, and space, this study will interest readers well beyond the discipline of architectural history. 2007: 234x156: 304pp Hb: 978-0-415-77463-5: £79.99
Power and Virtue Architecture and Intellectual Change in England 1660–1730 Shiqiao Li, Chinese University of Hong Kong This is the first full-length study on the connections between English architecture and intellectual change between 1660 and 1730. As new ideas developed in post-Restoration England across the realms of politics, culture, academia and morality, so too did architectural expression of these ideas. Power and Virtue articulately engages English architecture with notions of power and virtue in terms of empirical knowledge on the one hand and humanism and virtuosi on the other. 2006: 234x156: 256pp Hb: 978-0-415-37424-8: £94.99 Pb: 978-0-415-37427-9: £27.99
The Picturesque
Festival Architecture Edited by Sarah Bonnemaison and Christine Macy, both at Dalhousie University, Canada Festival Architecture is arranged in historical periods – from Antiquity to the modern era – and divided between analyses of specific festivals, set in relation to contemporary architecture and urban design ideas and theories. Illustrated with a wealth of unusual and rarely-seen images from the European festival tradition, this is a fascinating outline of the history of festival architecture ideal for postgraduate architecture and urban design students. 2007: 234x156: 344pp Hb: 978-0-415-70128-0: £75.00 Pb: 978-0-415-70129-7: £29.99 eBook: 978-0-203-79950-5
The Florentine Villa Architecture History Society Grazia Gobbi Sica, University of Florence, Italy Scholarly and innovative with visually stunning line drawings and photographs, this volume provides readers with a compelling record of the unbroken pattern of reciprocal use and exchange between the countryside and the walled city of Florence, from the 13th century up to the present day. Selected Contents: 1. Origins and Development of the Villa 2. The Ideology of Villa Life in Florentine Culture and Society 3. Typological Research and Renaissance Treatises 4. The Garden: Origin and Development 5. Villas in the 19th Century 6. The Shape of the Landscape 7. The History of the Area 8. Mapping the Area. Villas in the Castello: Sesto Florentino Area. Appendix: Six Villas to Visit 2007: 276x219: 224pp Hb: 978-0-415-44397-5: £55.00 eBook: 978-0-203-93925-3
Architecture, Disgust and Other Irregularities
7
John Macarthur, University of Queensland, Australia In this fresh and authoritative account John Macarthur presents the 18th century idea of the picturesque – when it was a risky term concerned with a refined taste for everyday things, such as the hovels of the labouring poor – in the light of its reception and effects in modern culture. 2007: 246x174: 312pp Hb: 978-1-84472-141-2: £79.99 Pb: 978-1-84472-011-8: £29.99
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CLASSICAL ARCHITECTURE
Landscapes of Taste The Art of Humphry Repton’s Red Books André Rogger, College of Art and Design, Lucerne, Switzerland ’Beautifully produced and both a pleasure and a stimulation to read. [Landscapes of Taste] is clearly essential reading for all those interested in Repton, the Picturesque, and gardens and landscapes of the time and how they were viewed.’ – Journal of the Garden History Society, Spring 2008 Humphry Repton’s Red Books have long been the subject of scholarly interest for their unique contribution to British landscape discourse around 1800. Lavishly illustrated with Repton’s own watercolours, the notorious Red Book manuscripts were used to suggest improvements to family estates all over England, Scotland and Wales. Assembling a comprehensive and descriptive catalogue of 123 original volumes, Landscapes of Taste: The Art of Humphry Repton’s Red Books guides the reader through a fascinating part of the rich texture and legacy of Georgian landscape aesthetics. Selected Contents: Acknowledgements. Foreword. Introduction Part 1: Humphry Repton in His Times Part 2: Humphry Repton’s Position in the History of English Gardening Part 3: The Red Book as a Genre: Form and Argument Part 4: The Red Books in Context: Sources and Models Part 5: Reading Landscape Between Drawing and Topography: Repton’s Key Principle of Appropriation Part 6: Paintings Recollected: The Fate of the Picturesque in the Red Books Part 7: The Rule of Taste in Repton’s Work. Appendix 1: Catalogue of Humphry Repton’s 123 Red Books. Appendix 2: Transcripts of Selected Red Books. Notes. Bibliography and Sources. Index 2007: 219x276: 320pp Hb: 978-0-415-41503-3: £75.00
Above: Pages taken from Landscapes of Taste.
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CLASSICAL ARCHITECTURE
LANDSCAPE ARCHITECTURE
Aeolian Winds and the Spirit in Renaissance Architecture
NEW
Academia Eolia Revisited
Memory in Architecture and Landscape
Spatial Recall
Edited by Barbara Kenda, Notre Dame University, Indiana, USA
Edited by Marc Treib, University of California at Berkeley, USA
Written by scholars of international stature, Aeolian Winds and the Spirit in Renaissance Architecture presents studies of Renaissance pneumatology exploring the relationship between architecture and the disciplines of art and science. One of the principle goals of Renaissance architects was to augment the powers of pneuma so as to foster the art of well-being. Central to the study of pneumatic architecture are six Italian villas connected together by a ventilating system of caves and tunnels, including Eolia, in which Trento established an academic circle of scholars that included Palladio, Tazzo and Ruzzante. Picking up on current interest in environmental issues, Aeolian Winds and the Spirit in Renaissance Architecture reintroduces Renaissance perspectives on the key relationships in environmental issues between architecture and art and science. This beautifully illustrated and unprecedented study will illuminate the studies of any architecture or Renaissance student or scholar. 2006: 234x156: 192pp Hb: 978-0-415-39803-9: £96.99 Pb: 978-0-415-39804-6: £34.99 eBook: 978-0-203-96714-0
US $169.95
US $59.95
9
Architecture and designed landscapes serve as grand mnemonic devices that record and transmit vital aspects of culture and history. Spatial Recall casts a broad net over the concept of memory and gives a variety of perspectives from 12 internationally noted scholars, practicing designers, and artists such as Juhani Pallasmaa, Adriaan Geuze, Susan Schwartzenberg, Georges Descombes and Esther da Costa Meyer. Essays range from broad topics of message and audience to specific ones of landscape production. Beautifully illustrated, Spatial Recall is a comprehensive view of memory in the built environment, how we have read it in the past, and how we can create it in the future. Selected Contents: Yes, Now I Remember: An Introduction Marc Treib Part 1: Body 1. Space, Place, Memory, and Imagination: The Temporal Dimension of Existential Space Juhani Pallasmaa 2. Re-Creating the Past: Notes on the Neurology of Memory Susan Schwartzenberg 3. The Place of Memory Donlyn Lyndon 4. Indelible Marker, Palimpsest, Thin Air Alice Aycock Part 2: Landscapes 5. Rivers, Meanders, and Memory Matt Kondolf 6. Displacements: Canals, Rivers, and Flows Georges Descombes 7. Land, Cows and Pyramids Adriaan Geuze 8. The Mediterranean Cemetery: Landscape as Collective Memory Luigi Latini Part 3: Buildings 9. The Place of Place in Memory Esther da Costa Meyer 10. Remembering Ruins, Ruins Remembering Marc Treib 11. The Memory Industry and its Discontents: The Death and Life of a Keyword Andrew Shanken 12. Mnemonic Value and Historic Preservation Jorge Otero-Pailos May 2009: 234x156: 272pp Hb: 978-0-415-77735-3: £85.00 Pb: 978-0-415-77736-0: £30.00
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10
LANDSCAPE ARCHITECTURE
Drawing/Thinking
NEW
Confronting an Electronic Age
Overlooking the Visual
Marc Treib, University of California at Berkeley, USA This book addresses the question ’Why draw?’ by examining the various dynamic relationships between media, process, thought and environment.
Demystifying the Art of Design Kathryn Moore, University of Central England in Birmingham, UK Connecting the theory of design to its practice, this book encourages rigorous debate about the artistic, conceptual, and cultural significance of the way things look. What are the metaphysical concepts at the heart of design education, theory, and philosophy? Why do we assume that design is impossible to teach?
Highly illustrated, the book brings together authors from the fields of architecture, landscape architecture and art and demonstrates that designing through drawing is fundamentally different from designing on a screen. Selected Contents: 1. Paper or Plastic? Drawing Conclusions 2. Thoughts on the Immediacy of Drawing 3. There’s No Way to Make a Drawing – There’s Only Drawing 4. From Concept to Object: The Artistic Practice of Drawing 5. Drawing and the Feel of Sight 6. More than Wiggling the Wrist (or the Mouse) 7. Architects, Drawings and Modes of Conception 8. Telling Untold Stories 9. Thinking on Paper 10. Observations: Life Drawings; Digital Translations 11. Paint and Pixels 12. Graphite and Pixels 2008: 250x200: 192pp Hb: 978-0-415-77560-1: £80.00 Pb: 978-0-415-77561-8: £30.00
US $149.95
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Overlooking the Visual challenges the traditional foundations of design theory and takes an imaginative, radical approach, setting itself apart from the traditions of analytical philosophy, evolutionary psychology, and phenomenology which underpin much of current design discourse. This groundbreaking new take on design is interesting reading for professionals and advanced students in the architecture and design fields as well as public policy makers. This is an innovative, fresh view on design and how we can improve it for both practitioners and pupils. December 2009: 234x156: 272pp Hb: 978-0-415-30869-4: £90.00 Pb: 978-0-415-30870-0: £24.99 eBook: 978-0-203-16765-6
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Settings and Stray Paths
US $44.95
Writings on Landscapes and Gardens Marc Treib, University of California at Berkeley, USA
Garden History
These collected works represent 25 years of study of the designed landscape which the author here takes to include gardens, cemeteries, plazas and other shared spaces. Asking essential questions about the nature of order and its perception, this book includes in its impressive scope analyses of both historic and modern works with a geographical distribution that extends across Europe, Asia and North America. With unique depth in many areas of study, Treib brings his expertise to bear on a range of inter-related and mutually influential issues within the subject, taking in an assessment of the lives and contributions of a number of leading figures in the field, the contents of a landscape and the meanings ascribed to it, and a theoretical formulation of the ideas from which or by which landscape architecture is produced.
Philosophy and Design 2000 BC – 2000 AD
2005: 234x156: 240pp Hb: 978-0-415-70046-7: £90.00 Pb: 978-0-415-70047-4: £27.99
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Tom Turner, University of Greenwich, UK ’The apt choice of quotations will provide an invaluable reference for garden historians and illustrates that garden design is so much more than plants and drawings ... Although this book will not fit in your pocket, put it in your suitcase as an essential reference for serious garden expeditions.’ – Historic Gardens Review Covering 4000 years, this beautifully illustrated book gives the reader a thorough history of the influences on gardens and their socio-political context, from the principles of garden design philosophy to international modern designs. 2004: 258x249: 304pp Hb: 978-0-415-31748-1: £65.00 Pb: 978-0-415-31749-8: £27.99 eBook: 978-0-203-58933-5
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LANDSCAPE ARCHITECTURE
ARCHITECTURAL EDUCATION
The Cultured Landscape
NEW FOR 2010
Designing the Environment in the 21st Century
Dictionary of Ecodesign
Edited by Sheila Harvey, Landscape Institute, UK and Ken Fieldhouse
An Illustrated Reference
’An ideal starting point for an understanding of the contemporary debates about the role which public landscapes now play in people’s lives ... The photographs are very helpful, and give a flavour of contemporary design and master planning issues.’ – Green Places A team of eminent practitioners and writers contribute to an assessment of the philosophy of landscape, and collectively form a new approach to creative design. 2005: 234x156: 208pp Hb: 978-0-419-25030-2: £90.00 Pb: 978-0-419-25040-1: £27.99 eBook: 978-0-203-64225-2
US $150.00
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The Frightened Land Land, Landscape and Politics in South Africa in the Twentieth Century Jennifer Beningfield
Edited by Lillian Woo and Ken Yeang, Llewelyn Davies Yeang, London, UK The first guide to the terminology of sustainable design. Written by an internationally renowned expert in the field, this illustrated dictionary provides over 600 definitions and explanations of ecodesign terms. Providing a unique resource for the practitioner and student, this book leaves the reader free to ’dip’ in and out of the book allowing for ’bite-sized’ learning at their own convenience. It is an essential reference for all architects, engineers, planners and environmentalists involved in designing and planning projects and schemes in the built environment. January 2010: 246x189: 304pp Hb: 978-0-415-45899-3: £40.00 eBook: 978-0-203-86440-1
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An investigation into the spatial politics of separation and division in South Africa, principally during the apartheid years, and the effects of these physical and conceptual barriers on the land. In contrast to the weight of literature focusing on post-apartheid South Africa, the focus of this book includes the spatial, political and cultural landscape practices of the apartheid government and also refers to contemporary work done in Australia, England and the US. It probes the uncertainty and ambiguity of identities and cultures in post-apartheid society in order to gain a deep understanding of the history that individuals and society now confront. 2006: 246x174: 352pp Hb: 978-0-415-36593-2: £100.00 Pb: 978-0-415-36555-0: £29.99 eBook: 978-0-203-01691-6
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ARCHITECTURAL EDUCATION
The ACSA Architectural Education Series The intent of the Architectural Education Series is to produce Readers for use across the curriculum in architecture and design programmes. Each Reader focuses on a thematic topic and is composed of chapters presented originally at ACSA conferences along with invited chapters. Both design work and traditional scholarship are included to offer faculty, students, and professional’s resources for the studio and classroom.
Writing Urbanism A Design Reader Edited by Douglas Kelbaugh and Kit McCullough, both at University of Michigan, USA Urban design continues to grow as an increasingly important and expanding field of study, research and professional endeavour. Distinguished by its broad scope and comprehensiveness on the subject of urban design, this new collection combines selected essays from both practitioners and academia. Writing Urbanism is the ideal volume for both students, architects and urban designers. Foreword. Preface Part 1: Urban Process 1. Introduction 2. Observations 3. Preservation, Re-Use and Sustainability 4. Community Part 2: Urban Form 5. Introduction 6. Everyday Urbanism, Landscape Urbanism, and Infrastructure 7. New Urbanism 8. Post Urbanism Part 3: Urban Society 10. Introduction 11. The Public Realm 12. Globalism and Local Identity 13. Technology 2008: 246x189: 424pp Hb: 978-0-415-77438-3: £80.00 Pb: 978-0-415-77439-0: £26.99
The Green Braid Towards an Architecture of Ecology, Economy and Equity Edited by Kim Tanzer, University of Florida, USA and Rafael Longoria, University of Houston, Texas, USA This volume presents the discipline’s best thinking on sustainability in written, drawn, and built form, drawing on over 15 years of peer-reviewed essays and national design awards. Part 1: The Green Braid: Networked Ways of Knowing 1. The Green Braid: Networked Ways of Knowing 2. Architecture, Ecology Design and Human Ecology 3. A New Social Contract: Equity and Sustainable Development 4. Economic Sustainability in the Post-Industrial Landscape 5. Models, Lists and the Evolution of Sustainable Architecture Part 2: Meta-Discourses in Pedagogy and Practice 6. Introduction 7. Cyborg Theories and Situated Knowledges: Some Speculations on a Cultural Approach to Technology 8. We Are Now Here: A Social Critique of Contemporary Theory 9. The Hidden Influence of Historical Scholarship on Design 10. Culture and the Recalibration of First Ring Suburbs 11. Portable Construction Training Centre 12. One Week, Eight Hours Part 3: Phenomena and Technology 13. Introduction 14. From l’Air Exact to l’Aérateur: Ventilation and its Evolution in the Architectural Work of Le Corbusier 15. Unhealthy Energy Conservation Practices 16. Good-Bye Willis Carrier 17. The Compass House 18. Scupper Houses or the Dogtrot House and the Shotgun House Reconsidered 19. An Affordable, Sustainable House 20. Phenomenal Surface: Fog House Part 4: Building Practices 21. Introduction 22. Poetic Engineering and Invention: Arthur Troutner, Architect, and the Development of Engineered Lumber 23. Terunobu Fujimori: Working with Japan’s Small Production Facilities 24. Making Smartwrap: From Parts to Pixels 25. Quilting with Glass, Cedar and Fir: A Workshop and Studio in Rossland, BC and Navy Demonstration Project 26. Modernism Redux: A Study in Light, Surface, and Volume 27. Solar Sails: An Installation Part 5: Settlement Patterns 28. Introduction 29. Economy=Ecology: A Scenario for Chicago’s Lake Calumet 30. Sarajevo: Ecological Reconstruction after the ‘Urbicide’ 31. The Suburban Critique at Mid-Century: A Case Study 32. I-10 The Gulf Coast States/Mall Housing 33. Community Redevelopment for a Small Town in Florida and Drifting Urbanism 34. The Role of Infrastructure in the Production of Public Spaces for the City of Miami Part 6: The Shared Realm 35. Introduction 36. Architectural Intervention and the Post-Colonial Era: The Tjibaou Cultural Center in New Caledonia by the Renzo Piano Building Workshop 37. History, Tradition, and Modernity: Urbanism and Cultural Change in Chanderi, India 38. Global Constructions, Or Why Guadalajara wants a Home Depot while Los Angeles Wants Construction Workers 39. A Raptor Enclosure for the Zuni Pueblo 40. Garden of Time; Landscape of Change: Women Suffrage Memorial St. Paul, Minnesota 4 1. Unmasking Urban Traces 2007: 246x189: 400pp Hb: 978-0-415-41499-9: £89.99 Pb: 978-0-415-41500-2: £27.99 eBook: 978-0-203-96488-0
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URBAN DESIGN
13
To Scale One Hundred Urban Plans Eric Jenkins, Catholic University of America, Washington DC, USA The book contains 100 figure-ground plans from 78 cities around the world, describing an identical area (half a kilometer square) for each urban space. Accompanying each plan are photographs, diagrams and text that illustrate essential aspects of the plan or urban space for the designer. Selected Contents: Introduction. Amsterdam. Arras. Athens. Baltimore. Barcelona. Bath. Beijing. Bergen. Berlin. Bern. Bologna. Bordeaux. Boston. Bras’lia. Bruges. Buenos Aires. Cairo. Ceske Budejovice. Chandigar. Chicago. Cincinnati. Cleveland. Copenhagen. Cuzco. Denver. Detroit. Dresden. Dublin. Dubrovnik. Edinburgh. Florence. Genoa. Indianapolis. Isfahan. Istanbul. Jerusalem. Krakow. Lisbon. London. Los Angeles. Lucca. Madrid. Mexico City. Milan. Montreal. Moscow. Nancy. New Haven. New Orleans. New York. Oslo. Paris. Philadelphia. Portland. Prague. Rome. Saint Petersburg. Salamanca. Salzburg. San Francisco. Santiago. Savannah. Seattle. Seville. Siena. Stockholm. Tallinn. Telc. Tokyo. Tokyo. Torino. Trieste. Tunis. Vancouver. Venezia. Verona. Vienna. Vigevana. Washington 2007: 250x250: 240pp Hb: 978-0-415-95400-6: £90.00 Pb: 978-0-415-95401-3: £27.99
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Above: Pages taken from To Scale.
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URBAN DESIGN
NEW
Intimate Metropolis
Making the Metropolitan Landscape
Urban Subjects in the Modern City
Standing Firm on Middle Ground
Edited by Vittoria Di Palma, Columbia University, USA, Diana Periton, Mackintosh School of Architecture, Glasgow School of Art, UK and Marina Lathouri, Architectural Association School of Architecture, London, UK
Edited by Jacqueline Tatom, Washington University, St. Louis, USA and Jennifer Stauber, Trivers Associates, St. Louis, USA The American landscape is an extremely complex terrain born from a history of collective and individual experiences. These created environments, which all may be called metropolitan landscapes, constantly challenge students and professionals in the fields of architecture, design and planning to consider new ways of making lively public places. This book brings together varied voices in urban design theory and practice to explore new ways of understanding place and our position in it. Selected Contents: Introduction Jacqueline Tatom. Photo Essay: Identity in the Middle Ground Part 1: Towards a Metropolitan Landscape: Interpreting American Cities Part 2: Towards a Metropolitan Urbanism – Democratic Aspirations, American Pragmatism and Design Practice Part 3: Making the Metropolitan Landscape: Action Through Practice Part 4: Programs for a Metropolitan Landscape April 2009: 246x174: 256pp Hb: 978-0-415-77410-9: £85.00 Pb: 978-0-415-77411-6: £27.99
Edited by Charles Bohl and Jean-François Lejeune, both at University of Miami, USA These essays, from leading names in the field, weave together the parallels and differences between the past and present of civic art. Offering prospects for the first decades of the 21st century, the authors open up a broad international dialogue on civic art, which relates historical practice to the contemporary meaning of civic art and its application to community building within today’s multi-cultural modern cities.
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2008: 234x156: 288pp Hb: 978-0-415-41506-4: £90.00 Pb: 978-0-415-41507-1: £29.99
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2ND EDITION
Architecture, Power and National Identity Lawrence Vale, Massachusetts Institute of Technology, USA
US $140.00
Modern Civic Art and International Exchanges
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Providing authoritative new perspectives on individual citizenship as it relates to both public and private space, in-depth case studies of major European, American and other world cities, and written by an international set of contributors, this volume is key reading for all students of architecture.
US $49.95
Sitte, Hegemann and the Metropolis
2008: 246x189: 336pp Hb: 978-0-415-42406-6: £85.00 Pb: 978-0-415-42407-3: £30.00
Intimate Metropolis explores connections between the modern city, its architecture, and its citizens, by questioning traditional conceptualizations of public and private.
The first edition of Architecture, Power, and National Identity, published in 1992, has become a classic, winning the prestigious Spiro Kostof award for the best book in architecture and urbanism. Lawrence Vale has fully updated the book, which focuses on the relationship between the design of national capitals across the world and the formation of national identity in modernity. Tied to this, it explains the role that architecture and planning play in the forceful assertion of state power. The book is truly international in scope, looking at capital cities in the United States, India, Brazil, Sri Lanka, Kuwait, Bangladesh, and Papua New Guinea. 2008: 246x174: 400pp Hb: 978-0-415-95514-0: £84.99 Pb: 978-0-415-95515-7: £24.99
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URBAN DESIGN Cinematic Urbanism
NEW
A History of the Modern from Reel to Real
2ND EDITION
Nezar AlSayyad
Becoming Places
The city and the cinema have become inextricably intertwined over the last century, with the identities of places becoming bound up in their cinematic portrayals. We have seen the landmarks of New York, London and Tokyo turn into iconic symbols of wealth, power, status, style and culture, and for the majority of people the images and sounds of movies form the only experience they will ever have of distant cities.
Urbanism / Architecture / Identity / Power
Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema. AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. 2006: 246x174: 256pp Hb: 978-0-415-70048-1: £89.99 Pb: 978-0-415-70049-8: £29.99
US $154.95
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Heterotopia and the City Public Space in a Postcivil Society Edited by Michiel Dehaene, Eindhoven University of Technology, the Netherlands and Lieven De Cauter, Katholiek Universitat, Leuven, Belgium Heterotopia, literally meaning ‘other place’, is a rich concept in urban design that describes a space that is on the margins of ordered or civil society, and one that possesses multiple, fragmented or even incompatible meanings. The term has had an impact on architectural and urban theory since it was coined by Foucault in the late 1960s but it has remained a source of confusion and debate since. Heterotopia and the City seeks to clarify this concept and investigates the heterotopias which exist throughout our contemporary world: in museums, theme parks, malls, holiday resorts, gated communities, wellness hotels and festival markets.
Kim Dovey, Melbourne University, Australia About the practices and politics of place and identity formation – the slippery ways in which who we are becomes wrapped up with where we are – this book exposes the relations of place to power. It links everyday aspects of place experience to the social theories of Deleuze and Bourdieu in a very readable manner. This is a book that takes the social critique of built form another step through detailed fieldwork and analysis in particular case studies. Through a broad range of case studies from nationalist monuments and new urbanist suburbs to urban laneways and avant garde interiors, questions are explored such as: What is neighbourhood character? How do squatter settlements work and does it matter what they look like? Can architecture liberate? How do monuments and public spaces shape or stabilize national identity? Selected Contents: Part 1: Ideas 1. Making Sense of Place 2. Place as Assemblage 3. Silent Complicities 4. Limits of Critical Architecture Part 2: Places 5. Slippery Characters: Defending and Creating Place Identities (with Ian Woodcock and Stephen Wood) 6. Becoming Prosperous: Informal Urbanism in Yogyakarta (with Wiryono Rhajo) 7. Urbanising Architecture: Koolhaas and Spatial Segmentarity 8. Open Court: Transparency and Legitimation in the Courthouse 9. Safety Becomes Danger: Drug-Use in Public Space (with John Fitzgerald) 10. New Orders: Monas and Merdeka Square (with Eka Permanasari) 11. Urban Slippage: Smooth and Striated Streetscapes in Bangkok (with Kasama Polakit) July 2009: 246x174: 204pp Hb: 978-0-415-41636-4: £80.00 Pb: 978-0-415-41637-5: £26.00 eBook: 978-0-203-87500-1
Selected Contents: Part 1: Heterotopology: ‘A Science in the Making’ Part 2: Heterotopia Revisited Part 3: The Mall as Agora: The Agora as Mall Part 4: Dwelling in a Postcivil Society Part 5: Terrains Vagues: Transgression and Urban Activism Part 6: Heterotopia in the Splintering Metropolis Part 7: Heterotopia After the Polis 2008: 234x156: 360pp Hb: 978-0-415-42288-8: £75.00 eBook: 978-0-203-08941-5
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16
ARCHITECTURAL HISTORY
Architext Series
WINNER OF 2008 IPHS AWARD
Series Editors: Anthony D. King and Thomas A. Markus
NEW
NEW
Architecture, Cities and Italian Imperialism
Re-Shaping Cities
Mia Fuller
Moderns Abroad
‘The immense value of this book [is] as a comprehensive catalogue of Italian colonial construction, augmented by the author’s nuanced analysis of Italian politics, society, thought, and perception in the first half of the twentieth century.’ – Journal of the Society of Architectural Historians
How Global Mobility Transforms Architecture and Urban Form Michael Guggenheim, University of Zurich, Switzerland and Ola Sôderstrôm, University of Neuchatel, Switzerland This original collection examines how architectural ideas, social models and building forms circulate around the world and become mediated and adapted to local conditions. The book shows how types such as skyscrapers, mosques or living history museums are imported, adapted and contested in different societies and how urban landscapes are reshaped by the global circulation of models drawn from elsewhere. Written by scholars from different disciplinary backgrounds – architecture, anthropology, geography, linguistics, science studies and sociology – the book draws its inspiration from a series of different approaches and offers both original theoretical reflection and carefully crafted case-studies. Selected Contents: Part 1: Travelling Cities 1. Introduction: Mobility and the Transformation of Built Form 2. Notes Towards a Global Historical Sociology of Building Types Part 2: Mediations and Mediators 3. Travelling Types and the Law: Minarets, Caravans and Suicide Hospices 4. The High-Rise Office Tower as a Global ’Type’: Exploring the Architectural World of Getty Images and Co. Part 3: Circulating Types 5. Factories, Office Suites, Defunct and Marginal Spaces: Mosques in Stuttgart, Germany 6. Dakshina Chitra: Translating the Open-Air Museum in Southern India 7. Tropicalising Technologies of Environment and Government: The Singapore General Hospital and the Circulation of the Pavilion Plan Hospital in the British Empire, 1860-1930 8. International Models, Regional Politics and the Architecture of Psychiatric Institutions in the Austro-Hungarian Monarchy Part 4: Shaping Places 9. Trajectories of Language: Orders of Indexical Meaning in Washington, DC’s Chinatown 10. Forms and Flows in the Contemporary Transformations of Palermo’s City Centre 11. Building Stone in Manchester: Networks of Materiality, Circulating Matter and the Ongoing Constitution of the City 12. Conclusion: Seeing Through: Types and the Making and Unmaking of the World
‘This beautifully nuanced and finely illustrated work represents a major contribution to the scholarship of Italian colonial history; at the same time, its rich interdisciplinary framework offers a model of research practice of much broader import.’ – Modern Italy Moderns Abroad is the first book to present an overview of Italian colonial architecture and city planning. In chronicling Italian architects’ attempts to define a distinctly Italian colonial architecture that would set Italy apart from Britain and France, it provides a uniquely comparative study of Italian colonialism and architecture that will be of interest to specialists in modern architecture, colonial studies, and Italian studies alike. Selected Contents: Part 1: Contexts 1. History: 1869 – 1943 2. Geographies 3. The Colonial Built Environment Untheorized, 1880s – 1920s Part 2: Theories 4. Modern Italian Architecture, 1910s – 1930s 5. Colonial Modern, 1920s – 1940s 6. Imperial Urbanism, 1936 – 1937 Part 3: Practices 7. The Italian Colonial City: Tripoli 8. Islands of Ethnicity: Planned Agricultural Settlements 9. The Imperial City: Addis Ababa. Epilogue October 2009: 246x174: 288pp Hb: 978-0-415-19463-1: £64.99 Pb: 978-0-415-77985-2: £29.99 eBook: 978-0-203-96886-4
December 2009: 246x174: 256pp Hb: 978-0-415-49290-4: £85.00 Pb: 978-0-415-49291-1: £29.99
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ARCHITECTURAL HISTORY Visualizing the City Edited by Alan Marcus, University of Aberdeen, UK and Dietrich Neumann, Brown University, Rhode Island, USA ‘Astonishing in its quality.’ – Focus on German Studies
WINNER OF 2006 IPHS AWARD
Indigenous Modernities Negotiating Architecture and Urbanism
This anthology presents a range of interdisciplinary explorations into the urban environment, through film, photography, digital imagery, maps and signage.
Jyoti Hosagrahar ’[An] intelligent, well-organized, and well-illustrated investigation.’ – The Architectural Review ’I was immediately captivated ... A beautifully written book ... and some fine illustrations.’ – Urban Design
2008: 246x174: 264pp Hb: 978-0-415-41970-3: £75.00 Pb: 978-0-415-41971-0: £29.99
Challenging conventional and Western approaches to Urbanism, this book examines the case of Delhi and how it has evolved from a traditional to a modern city, whilst asking what these terms mean in the context of the built environment.
2ND EDITION
Framing Places Mediating Power in Built Form Kim Dovey, Melbourne University, Australia ’Dovey has produced a most useful and incisive analysis of meaning in built form, of how places and buildings can be appropriated as tools of either oppression or emancipation ... Challenging and thought-provoking in equal measures.’ – Environment and Planning B: Planning and Design 2000 Vol 27, June 2000
2005: 246x174: 256pp Hb: 978-0-415-32375-8: £89.99 Pb: 978-0-415-32376-5: £29.99 eBook: 978-0-203-02273-3
Colonial Modernities Building, Dwelling and Architecture in British India and Ceylon Peter Scriver and Vikramaditya Prakash ’From vernacular to monumental architecture, numerous examples of legacies of colonial practices are found throughout South Asia and this book takes the first steps toward introducing their ideological underpinnings, theorizing and narrating them into a particular intellectual space.’ – Cities
Explored through a range of theories and case studies, this account shows how our lives are ’framed’ within the clusters of rooms, buildings, streets, and cities we inhabit. 2008: 246x174: 256pp Hb: 978-0-415-41634-4: £75.00 Pb: 978-0-415-41635-1: £26.00
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International experts present an illustrated collection of essays exploring the societal impact of colonial architecture and engineering on the colonized and the colonizers. 2007: 246x174: 294pp Hb: 978-0-415-39908-1: £90.99 Pb: 978-0-415-39909-8: £29.99 eBook: 978-0-203-96426-2
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ARCHITECTURAL HISTORY
Desire Lines
NEW
Space, Memory and Identity in the Post-Apartheid City
Bauhaus Construct
Noëleen Murray, Nick Shepherd and Martin Hall Ground-breaking multi-disciplinary study of heritage practice in South Africa from native practitioners and scholars following the implementation of the National Heritage Resources Act.
Fashioning Identity, Discourse and Modernism Edited by Jeffrey Saletnik, Columbia University, USA and Robin Schuldenfrei, University of Illinois at Chicago, USA and Humboldt University, Berlin Reconsidering the status and meaning of Bauhaus objects in relation to the multiple re-tellings of the school’s history, this book addresses connections between text and object, protagonist and object, collective identity and object, and other relationships key to the history of the Bauhaus. Divided into 3 parts: Agents, Transference and Object Identity, this book features contributions from some of the most brilliant scholars writing in the field today. It offers an entirely new treatment of the Bauhaus school and through a strong thematic structure, the questions and subsequent conclusions presented by the contributors re-examine the history of the Bauhaus and its continuing legacy. Essential reading for anyone studying the Bauhaus.
2007: 246x174: 328pp Hb: 978-0-415-70130-3: £89.99 Pb: 978-0-415-70131-0: £29.99 eBook: 978-0-203-79949-9
NEW FOR 2010
Bauhaus Dream-House Modernity and Globalization Katerina Rüedi-Ray, Bowling Green State University, Ohio, USA
Selected Contents: Introduction Jeffrey Saletnik and Robin Schuldenfrei Part 1: Agents Part 2: Transference Part 3: Object Identity. Coda Alina Payne September 2009: 234x156: 304pp Hb: 978-0-415-77835-0: £85.00 Pb: 978-0-415-77836-7: £29.99 eBook: 978-0-203-86867-6
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Mediating Modernism Architectural Cultures in Britain Andrew Higgott 2006: 246x171: 224pp Hb: 978-0-415-40178-4: £84.99 Pb: 978-0-415-40177-7: £34.99 eBook: 978-0-203-96898-7
April 2010: 246x174: 192pp Hb: 978-0-415-47581-5: £80.00 Pb: 978-0-415-47582-2: £27.50
US $154.95
US $64.95
Re-Forming Britain Narratives of Modernity before Reconstruction Elizabeth Darling 2006: 234x156: 288pp Hb: 978-0-415-33407-5: £84.99 Pb: 978-0-415-33408-2: £29.99 eBook: 978-0-203-41462-0
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ARCHITECTURAL HISTORY Beyond Archigram
Le Corbusier and Britain
The Structure of Circulation
An Anthology
Hadas A. Steiner, University at Buffalo, State University of New York, USA
Irena Murray, Julian Osley, both at Royal Institute of British Architects, London, UK
Beyond Archigram is the first study of the prehistory of digital representation to focus on the magazine Archigram, the magazine published in London irregularly between 1961 and 1970 and the name of the group that created it. Archigram is among the most significant phenomena to emerge in post-war architectural culture. The wired environments first advertised on its pages formulated an architectural vocabulary of metamorphosis and obsolescence that cross-pollinated industrial and digital technology at the same time as complex systems were becoming commercially available.
Introduction by Alan Powers
Through archival, theoretical and visual analysis, Hadas Steiner explores the process through which this model was envisaged and disseminated within an international network of practitioners and shows how the assimilation of Archigram imagery set the course for the visual output of what are now commonplace tools in architectural practice. This book will provide a foundation for further inquiry into the integration of digital technology at every level of design. Selected Contents: Preface Part 1: The Archigram Network 1. The Image of Change 2. Modern Architecture in England 3. City Synthesis Part 2: Bathrooms, Bubbles and Systems 4. Bathrooms 5. Bubbles 6. Systems 7. The Technological Picturesque 2008: 210x178: 272pp Pb: 978-0-415-39477-2: £24.99
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Le Corbusier (1887-1965) is arguably the most influential architect of the 20th century. Despite the fact that he designed no permanent buildings in the United Kingdom, more than any other individual he was responsible for shaping British post-war architecture. Le Corbusier and Britain traces the growing awareness of work by this visionary figure in contemporary architecture journals and the popular press. Contributions by such prominent architects and critics as Edwin Lutyens, Herbert Read, Evelyn Waugh, Peter Smithson, Jane Drew, Basil Spence and Christopher Booker are accompanied by 150 illustrations, together with writings and drawings by Le Corbusier himself. Also featuring the most comprehensive bibliography of British writings by and about Le Corbusier ever published, this book is an invaluable addition to the study of architecture. 2008: 276x219: 360pp Hb: 978-0-415-47994-3: £34.99
US $62.95
US $43.95
Form Follows Fun Modernism and Modernity in British Pleasure Architecture 1925–1940 Bruce Peter, Glasgow School of Art, UK 2007: 246x189: 224pp Hb: 978-0-415-42818-7: £84.99 Pb: 978-0-415-42819-4: £35.00
US $164.95
US $64.95
NEW FOR 2010
Engineers A Study of Structural Design Matthew Wells, Techniker, London, UK January 2010: 246x174: 176pp Hb: 978-0-415-32525-7: £65.00 Pb: 978-0-415-32526-4: £22.50
US $113.75
US $39.38
Above: Pages taken from Le Corbusier and Britain.
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20
ARCHITECTURAL HISTORY
NEW
NEW
James Stirling
P.V. Jensen-Klint
Early Unpublished Writings on Architecture
Thomas Bo Jensen, Royal Danish Academy of Fine Arts, Copenhagen, Denmark
Edited by Mark Crinson, Manchester University, UK James Stirling (1924-1992) was, arguably, the most influential and controversial post-war British architect. Stirling’s reputation is based primarily on such seminal buildings as the Leicester University Engineering Building (1959-63, with James Gowan), at one end of his career, and the Neue Staatsgalerie Stuttgart (1977-83, with Michael Wilford) at the other. Although he denied both labels, his work is seen as central to New Brutalism and Post-Modernism and his buildings attracted commentary and theory from the leading architectural thinkers of the day (including Frampton, Tafuri, Eisenman and Banham). Despite his significance, however, there has been very little recent research or creative re-interpretation of his work. This fascinating insight into Stirling’s work presents previously unavailable writings by him as well as new research on his early career, including:
Peder Vilhelm Jensen-Klint (18531930) is one of the most important background figures for 20th century Danish architecture and design. His serious and profoundly reflective approach to his work instilled courage in a new generation of architects that wanted to work in an idiom for their own age, without adding any superfluous decoration from the past. Selected Contents: Foreword 1. Toward Architecture 2. The Poet, the Educator and the Castigator 3. Introversive Buildings 4. Buildings with Faces 5. Memory’s Knot 6. Captivated by the Idea of the Church 7. The Dream of the Flawless Church 8. The Grundvtig Church 9. Competition Projects 10. Last Work 11. Furniture, Graphics, Stone. Biography. List of Works May 2009: 279x211: 504pp Hb: 978-0-415-55318-6: £75.00
US $125.00
• ’The Black Notebook’ – the journal he kept in the mid-1950s • the recorded talk he gave to the ’Team 10’ group in 1962, as well as the discussion that followed that talk • three sets of notes for lectures he gave • an interview with Stirling and Gowan • essays by the editor placing the texts in the context of Stirling’s early work and discussing Stirling’s relation to Le Corbusier. September 2009: 234x156: 160pp Hb: 978-0-415-55058-1: £80.00 Pb: 978-0-415-55059-8: £24.99
US $130.00
US $44.95
any View nline uct o prod king on ic by cl e listing itl the t Above: Pages taken from P.V. Jensen-Klint.
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ARCHITECTURAL HISTORY Rem Koolhaas / OMA
Nordic Architects Write
Roberto Gargiani, Federal Institute of Technology, Lausanne (EPFL), Switzerland
A Documentary Anthology
In this book, the projects, buildings and theories of Koolhaas, as well as the other members of the Office for Metropolitan Architecture, are examined in chronological and thematic sequence, beginning with the period of Koolhaas’ education at the Architectural Association School of Architecture of London in the cultural context of the neo-avant-gardes at the end of the 1960’s and at the beginning of the 1970’s. Selected Contents: Part 1: Experimentation of the Paranoiac-Critic Method Part 2: New Sobriety Against the Post-Modern and Contextualism Part 3: The Century of the Merveilles Part 4: S,M,L,XL, 1995. ’Typical Plan’, ’Bigness’, ’Last Apples’, ’Generic City’: Principles for a Theory of Architecture Part 5: Generic Volume, Informal Polyhydric Solids and Functional Diagrams 2008: 246x174: 352pp Hb: 978-0-415-46145-0: £45.00
US $82.95
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Edited by Michael Asgaard Andersen, Royal Danish Academy of Fine Arts, Denmark This anthology gathers together for the first time the most influential architectural texts from the Nordic countries: Denmark, Finland, Norway, and Sweden. Many of the texts appear for the first time in English, making them available to a worldwide readership. These texts were written between 1920 and 2007 by architects who lived and worked in the Nordic countries. The book is structured in sections by country with supportive introductions by regional experts. The reader can seek out common themes of space, place, materials, etc across nations or approach the material chronologically. 2008: 246x174: 432pp Hb: 978-0-415-46351-5: £80.00 Pb: 978-0-415-46352-2: £30.00
US $149.95
US $53.95
NEW
Walter Benjamin and Architecture Edited by Gevork Hartoonian, University of Canberra, Australia Drawing from Walter Benjamin’s ideas, the essays compiled in this book contribute to a critical understanding of contemporary architectural theories. Selected Contents: 1. Introduction Gevork Hartoonian 2. Tafuri and the Age of Historical Representation Andrew Leach 3. Looking Backward, Looking Forward: Delightful Delays Gevork Hartoonian 4. Porosity at the Edge: Working through Walter Benjamin’s ‘Naples’ Andrew Benjamin 5. From Baldwin’s Paris to Benjamin’s: The Architectonics of Race and Sexuality in Giovanni’s Room Magdalena J. Zaborowska 6. Architecture Under the Gaze of Photography: Benjamin’s Actuality and Consequences Nadir Lahiji 7. The Art of War: Mario Sironi and the Exhibition of the Fascist Revolution Libero Andreotti 8. Mimesis Neil Leach 9. Daniel Among the Philosophers: The Jewish Museum, Berlin, and Architecture After Auschwitz Terry Smith 10. Port Bou and Two Grains of Wheat: In Remembrance of Walter Benjamin Renee Tobe October 2009: 246x174: 192pp Hb: 978-0-415-48292-9: £75.00 eBook: 978-0-203-86592-7
Above: Pages taken from the Rem Koolhaas / OMA.
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22
ARCHITECTURAL HISTORY
Cedric Price: Potteries Thinkbelt Supercrit #1 Kester Rattenbury and Samantha Hardingham The Supercrit series revisits some of the most influential architectural projects of the recent past and examines their impact on the way we think and design today. Based on live studio debates between protagonists and critics, the books describe, explore and criticize these major projects. This first book in the unprecedented series examines Cedric Price’s groundbreaking Potteries Thinkbelt project from the 1960s, an innovative high-tech educational facility in the North Staffordshire Potteries. Highly illustrated and with contemporary criticism, this is a book not to be missed!
Robert Venturi and Denise Scott Brown: Learning from Las Vegas Supercrit #2 Kester Rattenbury and Samantha Hardingham This second book in the unprecedented series examines Robert Venturi and Denise Scott Brown’s infamous book which overturned the barriers separating high architecture from the commercial architecture of the Strip. In Robert Venturi and Denise Scott Brown: Learning from Las Vegas you can hear the couple’s project description, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource for any architecture student.
In Cedric Price: Potteries Thinkbelt you can hear the architect’s project definition, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource for any architecture student.
Selected Contents: Project Data. Introduction to Project. Architect’s Own Project Definition. Contemporary Criticism. Section of Drawings. Supercrit Transcript. Crit Sheets and Critics Comments. Selected and Edited Press Reviews. Author’s Own Project Review. Further Reading
2008: 297x210: 138pp Hb: 978-0-415-43411-9: £84.99 Pb: 978-0-415-43412-6: £26.00
2007: 297x210: 160pp Hb: 978-0-415-43413-3: £84.99 Pb: 978-0-415-43414-0: £26.00
US $149.95
US $49.95
Above: Pages taken from Cedric Price: Potteries Thinkbelt.
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Above: Pages taken from Robert Venturi and Denise Scott Brown: Learning from Las Vegas.
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ARCHITECTURAL HISTORY NEW
Disclosing Horizons
Brunelleschi, Lacan, Le Corbusier
Architecture, Perspective and Redemptive Space
Architecture, Space and the Construction of Subjectivity
Nicholas Temple
Lorens Holm, Dundee University, UK This well-argued, analytic text provides a greater understanding of spatial issues in the field of architecture. Re-interpreting the 15th century demonstration of perspective, Lorens Holm puts it in relation to today’s theories of subjectivity and elaborates for the first time the theoretical link between architecture and psychoanalysis. Divided into three sections, Brunelleschi, Lacan, Le Corbusier argues that perspective remains the primary and most satisfying way of representing form, because it is the paradigmatic form of spatial consciousness. Well-illustrated with over 100 images, this compelling book is a valuable study of this key aspect of architectural study and practice, making it an essential read for architects in their 1st year or their 50th. November 2009: 246x174: 344pp Hb: 978-0-415-41968-0: £90.00 Pb: 978-0-415-41969-7: £29.99
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This study examines the influence of perspective on architecture, highlighting how critical historical changes in the representation and perception of space continue to inform the way architects design. Since its earliest developments, perspective was conceived as an exemplary form of representation that served as an ideal model of how everyday existence could be measured and ultimately judged. Temple argues that underlying the symbolic and epistemological meanings of perspective there prevails a deeply embedded redemptive view of the world that is deemed perfectible. Temple explores this idea through a genealogical investigation of the cultural and philosophical contexts of perspective throughout history, highlighting how these developments influenced architectural thought. This broad historical enquiry is accompanied by a series of case-studies of modern or contemporary buildings, each demonstrating a particular affinity with the accompanying historical model of perspective. 2006: 234x156: 320pp Hb: 978-0-415-41653-5: £89.99 Pb: 978-0-415-28357-1: £34.99 eBook: 978-0-203-96810-9
US $149.95
US $64.95
US $150.00
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Perspective, Projections and Design Technologies of Architectural Representation Edited by Mario Carpo, Ecole d’architecture de Paris-La Villette, Paris, France and Frédérique Lemerle, University François-Rabelais, Tours, France This book discusses various aspects of image-making technologies, geometrical knowledge, and tools for architectural design, focusing in particular on historical periods marked by comparable patterns of technological and cultural change. 2007: 246x189: 208pp Hb: 978-0-415-40204-0: £89.99 Pb: 978-0-415-40206-4: £35.99
Above: Pages taken from Brunelleschi, Lacan, Le Corbusier.
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24
ARCHITECTURAL HISTORY
NEW FOR 2010
NEW
Material and Meaning in Contemporary Japanese Architecture
Nothingness: Tadao Ando’s Christian Sacred Space
Tradition and Today
Jin Baek, Pennsylvania State University, USA Based round an interview with Tadao Ando, this book explores the influence of the Buddhist concept of nothingness on Ando’s Christian architecture, and sheds new light on the cultural significance of the buildings of one the world’s leading contemporary architects.
Dana Buntrock, University of California, USA In this beautiful and perceptive book, Dana Buntrock examines, for the first time, how tradition is incorporated into contemporary Japanese architecture. Looking at the work of 5 architects – Fumihiko Maki, Terunobu Fujimori, Ryoji Suzuki, Kengo Kuma, and Jun Aoki – Buntrock reveals the aims influencing many wonderful works barely known in the West; the sensual side of Japanese architecture borne out of approaches often less concerned with professionalism than with people and place.
Specifically, this book situates Ando’s churches, particularly his world-renowned Church of the Light (1989), within the legacy of nothingness expounded by Kitaro Nishida (1870–1945), the father of the Kyoto Philosophical School.
The buildings described in this book illustrate an architecture that embraces uniqueness, expressing unusual stories in the rough outlines of rammed earth and rust, and demonstrating new paths opening up for architectural practice today.
Linking Ando’s Christian architecture with a philosophy originating in Mahayana Buddhism illuminates the relationship between the two religious systems, as well as tying Ando’s architecture to the influence of Nishida on post-war Japanese art and culture.
January 2010: 276x219: 288pp Hb: 978-0-415-77890-1: £85.00 Pb: 978-0-415-77891-6: £34.99
June 2009: 246x189: 224pp Hb: 978-0-415-47853-3: £85.00 Pb: 978-0-415-47854-0: £29.99 eBook: 978-0-203-64281-8
US $140.00
US $62.95
Above: Pages taken from Material and Meaning in Contemporary Japanese Architecture.
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Above: Pages taken from Nothingness: Tadao Ando’s Christian Sacred Space.
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ARCHITECTURAL HISTORY
25
Architecture of Modern China
NEW
A Historical Critique
Architecture, Participation and Society
Jianfei Zhu, University of Melbourne, Australia A collection of essays on architecture of modern China, arranged chronologically covering a period from 1729 to 2008, focusing mainly on the 20th century. The distinctive feature of this book is a blending of ‘critical’ and ‘historical’ research, taking a long-range perspective transcending the current scene and the Maoist period. This is a short, elegant book that condenses the wide subject matter into key topics. Selected Contents: 1. Modern Chinese Architecture 2. Perspective as Symbolic Form: Beijing, 1729-35 3. The Architect and a Nationalist Project: Nanjing, 1925-37 4. A Spatial Revolution: Beijing, 1949-59 5. The 1980s and 90s: Liberalization 6. Criticality in between China and the West, 1996-2004 7. A Global Site and a Different Criticality 8. Beijing, 2008: A History 9. Geometries of Life and Formlessness 10. Twenty Plateaus, 1910s-2010s 2008: 246x174: 336pp Hb: 978-0-415-45780-4: £85.00 Pb: 978-0-415-45781-1: £34.99
Edited by Paul Jenkins, Heriot-Watt University, Edinburgh, UK and Leslie Forsyth, Edinburgh College of Art, UK How can architects best increase their engagement with building users and wider society to provide better architecture? Since the mid 1990s government policy has promoted the idea of greater social participation in the production and management of the built environment but there has been limited direction to the practising architect. Reviewing international cases and past experiences to analyze what lessons have been learnt, this book argues for participation within other related disciplines, and makes a set of recommendations for architectural practices and other key actors. September 2009: 234x156: 240pp Hb: 978-0-415-54723-9: £85.00 Pb: 978-0-415-54724-6: £29.99 eBook: 978-0-203-86949-9
US $140.00
US $150.00
US $53.95
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NEW
NEW FOR 2010
Architecture, Ethics and Globalization
Quality Out of Control
Edited by Graham Owen, Tulane School of Architecture, New Orleans, USA
Standards for Measuring Architecture
Bridging the gap between architectural theory and professional practice studies, this book offers critical inquiry into the shifting ground of ethical thought in the changing climate of the global economy. Looking at issues of contemporary significance to architectural critics, practitioners, educators, and students, the book also examines the role of the architectural academy in providing an education in ethical judgement. Including transcripts of responses and discussions among its contributors, a broad interdisciplinary set of perspectives are debated and often controversial points of view are put forward. May 2009: 234x156: 256pp Hb: 978-0-415-32373-4: £85.00 Pb: 978-0-415-32374-1: £29.99 eBook: 978-0-203-35677-7
Edited by Allison Dutoit, Juliet Odgers and Adam Sharr, all at The Welsh School of Architecture, Cardiff University, UK There is widespread disagreement about what quality in architecture is, and how it can be measured and achieved. This book explores issues of quality in terms of appreciation, production, belief and value. It will help architects and others understand architectural quality and consider its measurement. January 2010: 234x156: 240pp Hb: 978-0-415-55365-0: £90.00 Pb: 978-0-415-55366-7: £29.99 eBook: 978-0-203-86184-4
US $140.00
US $53.95
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26
ARCHITECTURAL HISTORY
WINNER OF RIBA PRESIDENTS AWARD FOR UNIVERSITY LOCATED RESEARCH 2008
Architecture and the ’Special Relationship’
ARCHITECTURAL THEORY
Critiques: Critical Studies in Architectural Humanities Series Editor: Jonathan Hale
The American Influence on Post-War British Architecture Murray Fraser, University of Westminster, UK and Joe Kerr, Royal College of Art, UK Focusing upon architecture, this text investigates the economic and political impact for Britain of the post-war Anglo-American ’special relationship’, providing an incisive and innovative re-analysis of the usual themes of post-colonial studies.
This original series of books publishes edited collections of the best papers presented at the AHRA Annual International Conference. Each year the event has its own thematic focus, while also being linked by a shared preoccupation with new and emerging critical research in the areas of architectural history, theory, culture, design and urbanism.
NEW
Curating Architecture and the City Edited by Sarah Chaplin, University of Greenwich, London, UK and Alexandra Stara, Kingston University, UK
2007: 276x219: 608pp Hb: 978-0-419-20910-2: £55.00
Addressing the collection, representation and exhibition of architecture and the built environment, this book explores current practices, historical precedents, theoretical issues and future possibilities arising from the meeting of a curatorial ‘subject’ and an architectural ‘object’.
US $100.00
Striking a balance between theoretical investigations and case studies, the chapters cover a broad methodological as well as thematic range. Examining the influential role of architectural exhibitions, the contributors also look at curatorship as an emerging attitude towards the investigation and interpretation of the city. International in scope, this collection investigates curation, architecture and the city across the world, opening up new possibilities for exploring the urban fabric. April 2009: 246x174: 272pp Hb: 978-0-415-48982-9: £85.00 Pb: 978-0-415-48983-6: £29.99 eBook: 978-0-203-87638-1
any View nline uct o prod king on ic by cl e listing itl the t
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ARCHITECTURAL THEORY NEW
Critical Architecture
Agency: Working With Uncertain Architectures
Edited by Jane Rendell, Jonathan Hill, both at The Bartlett School of Architecture, University College London, UK, Murray Fraser, University of Westminster, UK and Mark Dorrian, University of Edinburgh, UK
Edited by Florrian Kossak, Doina Petrescu, Tatjana Schneider, Renata Tyszczuk and Stephen Walker, all at University of Sheffield, UK While the potential of agency is most frequently taken to be the power and freedom to act for oneself, for the architectural community this also involves the power and responsibility to act as intermediaries on behalf of others. Presenting current thinking from practitioners and scholars from around the world, this book asks for a more active relationship between the humanities, the architectural profession, and society. Considering issues of architectural research as an agency of transformation, this book seeks to explore how humanities research can better contribute towards understanding current architectural needs. Selected Contents: Introduction: The Agency On Agency Part 1: Intervene 1. Direct Action in Appalachia: Yale Architecture Students In Kentucky And West Virginia, 1966-9 Richard W. Hayes 2. Making Connections: Taking Environmental and Social Action Through Design Phoebe Crisman 3. Secondary Agency. Learning from Boris Groys Dana Vais 4. On Consensus, Equality, Experts and Good Design: Public Interview with Roberta Feldman and Henry Sanoff Mathias Heyden, Andreas Miller and Sabine Horlitz Part 2: Sustain 5. Acting Up: Architectural Practice as Performance Karin Jaschke 6. Ethics and Aesthetics: Deleuze, Diagrams and Sustainability Stefan White 7. The Radical Potential of Architecture Richard Lister and Thomas Nemeskeri 8. Assemblage, Agency, and Ecologies of the Contemporary City Graham Livesey Part 3: Mediate 9. Against Determination, Beyond Mediation Ana Paula Baltazar and Silke Kapp 10. Agency and Automatism: Some Strategies of Irresponsibility in Architecture Michael Chapman 11. Architect Dissents: The Possible Architecture of the Governed Ines Weizman 12. Air Rights Helen Mallinson November 2009: 246x174: 240pp Hb: 978-0-415-56601-8: £90.00 Pb: 978-0-415-56602-5: £29.99
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Critical Architecture examines the relationship between critical practice in architecture and architectural criticism. Placing architecture in an interdisciplinary context, the book explores architectural criticism with reference to modes of criticism in other disciplines – specifically art criticism – and considers how critical practice in architecture operates through a number of different modes: buildings, drawings and texts. With forty essays by an international cast of leading architectural academics, this accessible single source text on the topical subject of architectural criticism is ideal for undergraduate as well as post graduate study. 2007: 246x174: 348pp Hb: 978-0-415-41537-8: £89.99 Pb: 978-0-415-41538-5: £30.99 eBook: 978-0-203-94566-7
From Models to Drawings Imagination and Representation in Architecture Edited by Marco Frascari, Carleton University, Ottawa, Canada, Jonathan Hale and Bradley Starkey, both at University of Nottingham, UK Addressing the vital role of the imagination in the critical interpretation of architectural representations, this volume challenges the contemporary tendency for computer-aided drawings to become mere ’models’ for imitation in the construction of buildings. 2007: 246x174: 312pp Hb: 978-0-415-43113-2: £54.99 Pb: 978-0-415-48798-6: £29.99
The Politics of Making Edited by Mark Swenarton, Igea Troiani and Helena Webster, all at Oxford Brookes University, UK A unique collection of contemporary writings, this book explores the politics involved in the making and experiencing of architecture and cities from a cross-cultural and global perspective. Taking a broad view of the word ’politics’, the essays address a range of questions, including: A timely volume, focusing on an interdisciplinary debate on the politics of making, this is valuable reading for all students, professionals and academics interested or working in architectural theory. 2007: 246x174: 304pp Hb: 978-0-415-43101-9: £54.99 Pb: 978-0-415-48800-6: £29.99
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ARCHITECTURAL THEORY
NEW
NEW
Making Leisure Work
Architecture and Narrative
Architecture and the Experience Economy
The Formation of Space and Cultural Meaning
Brian Lonsway, MIT, Massachusetts, USA
Sophia Psarra, University of Michigan, USA
Making Leisure Work offers a new theoretical framework for reading contemporary architecture. This book explores architecture's role in the spatial construction of themed experience design, and provides a new architectural-theoretical framework for its social interpretation. Through the study of cognitive mapping, entertainment capacity design, leisure strategy planning and other techniques it seeks to provide a unique presentation of the detailed mechanisms of spatial control. Selected Contents: Introduction Part 1: Stories About Our Themed Environment 1. Work, Leisure, and the Architectural Everyday 2. The Narration of Everyday Experience 3. Space, Semiotics, and Scientism Part 2: The Experience of Experience 4. Extreme Narrative 5. Différant Myths 6. Entertainment Capacity 7. The Experience of a Lifestyle Part 3: Narrative Agitations 8. Telling Practices 9. Juridical Opinion 10. Happy Potties and Other Alternative Narratives February 2009: 246x174: 272pp Hb: 978-0-415-39801-5: £65.00
US $120.00
Biographies & Space Placing the Subject in Art and Architecture Edited by Dana Arnold and Joanna Sofaer Derevenski, both at University of Southampton, UK 2007: 234x156: 224pp Hb: 978-0-415-36551-2: £69.99 eBook: 978-0-203-01738-8
Architecture is often seen as the art of a thinking mind that arranges, organizes and establishes relationships between the parts and the whole. It is also seen as the art of designing spaces, which we experience through movement and use. Conceptual ordering, spatial and social narrative are fundamental to the ways in which buildings are shaped, used and perceived. Examining and exploring the ways in which these three dimensions interact in the design and life of buildings, this intriguing book will be of use to anyone with an interest in the theory of architecture and architecture’s relationship to the cultural human environment. Selected Contents: Part 1. Introduction 1. The Parthenon and the Erechtheion – The Spatial Formation of Place, Politics and Myth 2. Invisible Surface – Reflections in Mies van der Rohe’s Barcelona Pavilion Part 2. 3. ‘The Book and the Labyrinth Were One and the Same’ – Narrative and Architecture in Borges’ Fictions 4. (Th) Reading the Library – Spatial and Mathematical Journeys in Borges’ Library of Babel Part 3. 5. Soane Through the Looking Glass – The House-Museum of Sir John Soane 6. Victorian Knowledge – The Natural History Museum, London and the Art Gallery and Museum, Kelvingrove, Glasgow 7. Contemporary Experience – The Museum of Scotland, Edinburgh and the Burrell Collection, Glasgow 8. Tracing the Modern – Space, Display and Exploration in the Museum of Modern Art, New York (MoMA) Part 4. 9. A Comparative Synthesis 10. The Formation of Space and Meaning January 2009: 234x156: 304pp Hb: 978-0-415-34375-6: £75.00 Pb: 978-0-415-34376-3: £29.99 eBook: 978-0-203-63967-2
US $129.95
US $135.00
US $53.95
Architecture in Words Theatre, Language and the Sensuous Space of Architecture Louise Pelletier This innovative title provides an in-depth interdisciplinary study of the influence of theatre and fiction in defining character in 18th century architecture, pushing current architects to rediscover the communicative aspects of their work. 2006: 234x156: 256pp Hb: 978-0-415-39470-3: £92.99 Pb: 978-0-415-39471-0: £39.99 eBook: 978-0-203-96688-4
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ARCHITECTURAL THEORY Topophilia and Topophobia
Material Matters
Reflections on Twentieth-Century Human Habitat
Architecture and Material Practice
Edited by Xing Ruan and Paul Hogben, both at University of New South Wales, Australia
Edited by Katie Lloyd Thomas, University of East London, UK
Topophilia and Topophobia relates our love of a place and aversion to it, to the human habitats of the 20th century, presenting a comprehensive range of case studies and philosophical musings dealing with cities and architecture.
Material Matters brings together texts and work by theorists and practitioners who are making material central to their work and reflects the diverse areas of inquiry which are expanding current material discourse. Focusing on the cultural, political, economic, technological and intellectual forces which shape material practices in architecture, the contributors draw on disciplines ranging from philosophy, history and pedagogy to art practice and digital and low-tech fabrication.
2007: 234x156: 248pp Hb: 978-0-415-40323-8: £75.00 Pb: 978-0-415-40324-5: £27.99
US $150.00
US $49.95
Immaterial Architecture Jonathan Hill, The Bartlett School of Architecture, UK This fascinating argument from Jonathan Hill presents the case for the significance and importance of the immaterial in architecture. Architecture is generally perceived as the solid, physical matter that it unarguably creates, but what of the spaces it creates? This issue drives Hill’s explorative look at the immaterial aspects of architecture. The book discusses the pressures on architecture and the architectural profession to be respectively solid matter and solid practice and considers concepts that align architecture with the immaterial, such as the superiority of ideas over matter, command of drawing and design of spaces and surfaces. Focusing on immaterial architecture as the perceived absence of matter, Hill devises new means to explore the creativity of both the user and the architect, advocating an architecture that fuses the immaterial and the material and considers its consequences, challenging preconceptions about architecture, its practice, purpose, matter and use.
By paying critical attention to material, a wide range of issues emerge in Material Matters which are otherwise excluded from architectural discourse, issues that shape and determine the buildings we make, the processes we use and the ways we understand them. Beautifully illustrated and designed, this book is a unique collection which will be of great interest to architectural practitioners and theorists who want to consider the wider implications of material practice, and to students who are developing their own approach to making buildings. 2007: 210x174: 272pp Hb: 978-0-415-36325-9: £89.00 Pb: 978-0-415-36326-6: £32.99 eBook: 978-0-203-01362-5
US $155.00
US $56.95
Utopias and Architecture Nathaniel Coleman, University of Newcastle, UK A detailed and innovative reassessment of the work of three architects (Le Corbusier, Louis I Kahn and Aldo van Eyck) who sought to represent a utopian content in their work.
This is a useful and innovative read that encourages architects and students to think beyond established theory and practice. 2006: 246x174: 248pp Hb: 978-0-415-36323-5: £94.99 Pb: 978-0-415-36324-2: £29.99 eBook: 978-0-203-01361-8
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US $169.95
US $54.95
2005: 234x156: 352pp Hb: 978-0-415-70084-9: £84.99 Pb: 978-0-415-70085-6: £37.99 eBook: 978-0-203-53687-2
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30
ARCHITECTURAL THEORY
4 VOLUME SET
The Environmental Imagination
The Nature of Order
Technics and Poetics of the Architectural Environment
Christopher Alexander, University of California at Berkeley, USA
Dean Hawkes
2005: 278x191 Set: 978-0-9726529-0-2: £150.00
Volume 1: The Phenomenon of Life Hb: 978-0-9726529-1-9: £42.50
Volume 2: The Process of Creating Life Hb: 978-0-9726529-2-6: £42.50
Volume 3: A Vision of a Living World Hb: 978-0-9726529-3-3: £42.50
Volume 4: The Luminous Ground Hb: 978-0-9726529-4-0: £42.50
Interpretation in Architecture Design as Way of Thinking Adrian Snodgrass, University of Western Sydney, Australia and Richard Coyne, University of Edinburgh, UK
This title, from a well-regarded and established expert, explores the changing relationship between the poetic intentions and technical means of environmental design in architecture. Working thematically and chronologically from the 18th century to the present day, these essays reach beyond the narrow conventional view of the purely technical to encompass the poetics of architecture, redefining the historiography of environmental design. Through an assessment of the works of several leading figures throughout the 19th and 20th centuries, Dean Hawkes deftly shows the growth of environmental awareness and adds a consideration of the qualitative dimension of the environment to the existing, primarily technological, narratives. Essays on earlier buildings highlight the response of pioneering architects to the ’new’ technologies of mechanical services and their influence on the form of buildings, while the late 20th century design is explored in particular depth to illustrate individual strands of the environmental diversity of modern practice. 2007: 246x189: 272pp Hb: 978-0-415-36086-9: £89.99 Pb: 978-0-415-36087-6: £29.99 eBook: 978-0-203-79941-3
US $169.95
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To design architecture is to interpret it. This book explores the nature of this relationship, drawing insights from a number of perspectives to illuminate the intellectual and scholarly basis of studio design practice. Selected Contents: Introduction: Architecture and Coherence Section 1: Play. Architectural Hermeneutics. Playing by the Rules. Creativity as Commonplace. Section 2: Edification. The Disintegrated Curriculum. Ethics and Practice. Design Assessment. Design Amnesia. Section 3: Otherness. The Fusion of Horizons. A World of Difference. Myth, Mandala and Metaphor. Translating Tradition. Thinking Through the Gap. Random Thoughts on the Way 2005: 234x156: 344pp Hb: 978-0-415-38448-3: £99.99 Pb: 978-0-415-38449-0: £39.99
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Above: Pages taken from The Environmental Imagination.
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ARCHITECTURAL THEORY The Evolution of Designs
NEW
Biological Analogy in Architecture and the Applied Arts
Embracing Complexity in Design Edited by Jeffrey Johnson, Katerina Alexiou and Theodore Zamenopoulos, all at The Open University, UK
Philip Steadman, University College London, UK The Evolution of Designs tells the history of the many analogies that have been made, since the end of the 18th century, between the evolution of organisms and the human production of artefacts – especially buildings. Selected Contents: Introduction. The Organic Analogy. The Classificatory Analogy: Building Types and Natural Species. The Anatomical Analogy: Engineering Structure and the Animal Skeleton. The Darwinian Analogy: Trial and Error in the Evolution of Organisms and Artefacts. The Evolution of Decoration. Tools as Organs or as Extensions of the Physical Body. How to Speed up Craft Evolution. Design as Process of Growth. Biotechnics: Plants and Animals as Inventors. Hierarchical Structure and the Adaptive Process. The Consequences of the Biological Fallacy: Functional Determinism. What Remains of the Analogy? Afterword 2008: 234x156: 320pp Hb: 978-0-415-44752-2: £85.00 Pb: 978-0-415-44753-9: £29.99 eBook: 978-0-203-93427-2
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US $150.00
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Architecture, Animal, Human
Outlining state-of-the-art developments in the area of complexity and design, this book collates them into a unique and authoritative resource for both the design and complex systems communities. The book is based on research which focuses on a variety of different themes and domains, including architecture, engineering, environmental design, art, fashion and management. A ground-breaking publication marking a new era of appreciation of the importance of complexity on design, this book is essential reading for those studying complexity or design. Selected Contents: Introduction 1. Generating Cities Using Complexity Theory 2. Embracing Complexity in Building Design 3. Complexity in Engineering Design 4. Using Complexity Science Framework and Multi-Agent Technology in Design 5. Complexity and Coordination in Collaborative Design 6. The Mathematical Conditions of Design Ability 7. The Art of Complex Systems Science 8. Performance, Complexity and Emergent Objects 9. Developments in Service Design Thinking and Practice 10. Metamorphosis of the Artificial 11. Embracing Design in Complexity September 2009: 246x174: 240pp Hb: 978-0-415-49700-8: £75.00 eBook: 978-0-203-87139-3
The Asymmetrical Condition
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Catherine T. Ingraham, Columbia University, USA Considering the historical links between architecture and the development of life sciences, this text focuses on particular times of great change in these disciplines and the complex relationships between life and the environments that life creates. 2006: 234x156: 376pp Hb: 978-0-415-70106-8: £89.99 Pb: 978-0-415-70107-5: £29.99 eBook: 978-0-203-79960-4
Crisis of the Object The Architecture of Theatricality Gevork Hartoonian, University of Canberra, Australia This excellent contribution to current architectural theory/history debates provides a critical analysis of three contemporary architects, which combines with a vigorously held theoretical position to question the state of contemporary architecture.
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Altering Practices Feminist Politics and Poetics of Space Edited by Doina Petrescu, University of Sheffield, UK This volume addresses the question of how interdisciplinary feminist thought and contemporary practice can inform architectural debate on the use and meaning of space. 2007: 234x156: 328pp Hb: 978-0-415-35785-2: £79.99 Pb: 978-0-415-35786-9: £27.99 eBook: 978-0-203-00393-0
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2006: 216x156: 216pp Hb: 978-0-415-38546-6: £89.99 Pb: 978-0-415-38547-3: £39.99 eBook: 978-0-203-96899-4
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DIGITAL ARCHITECTURE
Architectural Principles in the Age of Cybernetics
Abstract Space
Christopher Hight, Rice University, Texas, USA
Therese Tierney, Media Laboratory, MIT, USA
Beneath the Media Surface
A theoretical history of anthropomorphism and proportion in modern architecture, this volume brings into focus the discourse around proportion with current problems of post-humanism in architecture alongside the new possibilities made available through digital technologies. The book examines how the body and its ordering has served as a central site of architectural discourse in recent decades, especially in attempts to reformulate architecture’s relationship to humanism, modernism and technology. Challenging some concepts and categories of architectural history and situates current debates within a broader cultural and technological context, Christopher Hight makes complex ideas easily accessible. 2007: 234x156: 248pp Hb: 978-0-415-38481-0: £85.00 Pb: 978-0-415-38482-7: £29.99 eBook: 978-0-203-08656-8
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Softspace From a Representation of Form to a Simulation of Space Edited by Sean Lally and Jessica Young
This visually stunning, conceptually rich and imaginative book investigates the cultural connection between new media and architectural imaging. Through a range of material, from theoretical texts to experimental design projects, Tierney explores notions of what the architectural image means today. Within the book’s visually imaginative design framework, Abstract Space engages discourses from architecture, visual and cultural studies to computer science and communications technology to present an in-depth multi-media case study. Tracing a provisional history of the topic, the book also lends a provocative and multivalent understanding to the complex relations affecting the architectural image today. Selected Contents: Introduction 1. Architecture and Abstraction: Topologies of New Media 2. Architectural Modes of Seeing: Visual Theory and Cognition 3. Formulating Abstraction: Conceptual Art and the Architectural Object 4. Mapping Absence: Architectural Contingencies 5. Generative Systems: Evolving Computational Strategies 6. Formal Matters: The Virtual as a Generative Concept 7. The Status of the Architectural Image 2007: 210x210: 208pp Hb: 978-0-415-41510-1: £94.95 Pb: 978-0-415-41509-5: £37.99 eBook: 978-0-203-96582-5
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This well-illustrated book unites essayists and emerging architectural practices to examine how digital tools are increasingly being used in architectural design, not only to show form, structure and geometries but also to visualize and simulate energies and material qualities such as air, gas, sound, scent and electricity. Softspace takes stock of current advancements in design and research, while drawing on historical and ideological trajectories rooted in the past 50 years. The varied contributors examine the capabilities of such ’energy matters’ to act as catalysts for design innovation today. This well-presented and impressively authored title will provoke architects of all levels to consider the potential for creative and innovative design through the use of digital design tools. 2006: 259x203: 224pp Hb: 978-0-415-40201-9: £89.99 Pb: 978-0-415-40202-6: £29.99 eBook: 978-0-203-96713-3
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Above: Pages taken from Abstract Space.
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DIGITAL ARCHITECTURE Digitalia
The Possibility of (an) Architecture
Architecture and the Digital, the Environmental and the Avant-Garde
Collected Essays by Mark Goulthorpe, dECOi Architects
Susannah Hagan, University of East London, UK
Mark Goulthorpe, MIT, Massachusetts, USA
Susannah Hagan boldly discusses the fraught relationship between key dominating areas of architectural discourse – digital design, environmental design, and avant-garde design. Digitalia firstly demonstrates that drawing such firm lines between architectural spheres is damaging and foolish, particularly as both environmental and avant-garde practices are experimenting with the digital, and secondly remonstrates with an avant-garde that has repudiated the social/ethical agenda of the modernist avant-garde because it failed the first time round. It is environmental architecture that has picked up the social/ethical ball and is running with it, using the digital to very different, and more far-reaching, ends. As the debates rage, this book is a key read for all who are involved or intrigued. Selected Contents: Introduction Part 1: Deep Background Binary Opposites. Binary Dependencies. New Dependencies. Melds Part 2: The Avant-Garde: Autonomous or Engaged? The Avant-Garde’s Dilemma. Manfredo Tafuri. Theodor Adorno. An Avant-Garde Now Part 3: The Autonomous Avant-Garde and the Digital: From Formalism to Nature. Procedural Innovation: Practice. Procedural Innovation: The Academy. The Parametric Past: Structuralism. Christopher Alexander and Generative Rules. The Dissenters. In Pursuit of Novelty. Nature Restored Part 4: The Engaged Avant-Garde and the Digital: From Nature to Environmental Design. Closing the Loop. Modelling Built Behaviours. Productive Form-Finding. Constructible Parametrics 5. The Avant-Garde: Meeting in the City. The Groningen Experiment. EnGen. Conclusion 2007: 210x210: 168pp Hb: 978-0-415-39545-8: £89.99 Pb: 978-0-415-39546-5: £29.99
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Articulating a radical agenda for the rethinking of the basic precepts of the construction industry in light of digital technologies, this book explores the profound shift that is underway in all aspects of architectural process. Essays and lectures from the last 15 years discuss these changes in relation to dECOi Architects, created in 1991 as a forward-looking architectural practice. Selected Contents: Foreword John McMorrough Introduction 1. Devotio Moderna 2. Hystera Protera 3. Le Bloc Fracture 4. The Inscrutable House 5. The Active Insert: Notes on Technic Praxis 6. Cut Idea: William Forsythe and an Architecture of Disappearance 7. Post Card to Parent 8. Misericord to a Grotesque Reification 9. Technological Latency 10. Gaudi’s Hanging Presence 11. From Autoplastic to Alloplastic Tendency 12. Notes on Digital Nesting 13. The Digital Surrational 14. Praxis Interview: Precise Indeterminancy 15. Rabbit K(not) Borroro 16. Sinthome: Plastik Conditional 17. Epilogue 2008: 217x155: 224pp Hb: 978-0-415-77494-9: £85.00 Pb: 978-0-415-77495-6: £25.00
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any View nline uct o prod king on ic by cl e listing itl the t Above: Pages taken from The Possibility of (an) Architecture.
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INTERIOR ARCHITECTURE
On Altering Architecture
Designing Liners A History of Interior Design Afloat
Fred Scott
Anne Wealleans Bringing together interior design and architectural theory, this exciting text looks at the common practices of building alteration, reconsidering established ideas and methods, to initiate the creation of a theory of the interior or interventional design.
For those in the professions of architecture and interiors, town planners, and students in architecture and art schools, On Altering Architecture forms a body of thought that can be aligned and compared with architectural theory.
2006: 246x171: 224pp Hb: 978-0-415-37466-8: £96.99 Pb: 978-0-415-37468-2: £34.99 eBook: 978-0-203-09917-9
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The Emergence of the Interior Architecture, Modernity, Domesticity Charles Rice 2006: 234x156: 176pp Hb: 978-0-415-38467-4: £89.99 Pb: 978-0-415-38468-1: £29.99 eBook: 978-0-203-08657-5
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Selected Contents: 1. Unchanging Architecture and the Case for Alteration 2. The Literate and the Vernacular 3. Restoration, Preservation and Alteration 4. Parody and Other Views 5. Parallels to Alteration 6. Degrees of Alteration 7. Stripping Back 8. The Process of Intervention 9. Prohibitions and Difficulties 10. Some Resolutions 11. The Wider Context 12. Unfinished
Edited by Penny Sparke, Brenda Martin and Trevor Keeble
2007: 216x156: 240pp Hb: 978-0-415-31751-1: £82.00 Pb: 978-0-415-31752-8: £26.99 eBook: 978-0-203-59059-1
2006: 246x174: 208pp Hb: 978-0-415-37469-9: £94.99 Pb: 978-0-415-37470-5: £34.99 eBook: 978-0-203-09961-2
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The Modern Period Room The Construction of the Exhibited Interior 1870–1950
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Above: Pages taken from On Altering Architecture.
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INTERIOR ARCHITECTURE Boutiques and Other Retail Spaces
Interior Architecture Series
The Architecture of Seduction
This series investigates the historical, theoretical and practical aspects of interiors by subjecting the results of current design activity and historical precedents to academic examination, discussing them both in terms of technical solutions and against a wider cultural and historic background. The volumes in the Interior Architecture series can be used as handbooks for the practitioner and as a critical introduction to the history of material culture and architecture.
Cafés and Bars The Architecture of Public Display Edited by Christoph Grafe and Franziska Bollerey, both at Delft University of Technology, the Netherlands The design of bars and cafes has played an important role in the development of architecture in the 20th century. This influence has been felt particularly strongly over the past 30 years, in a time when these social spaces have contributed significantly to the rediscovery and reinvention of cities across Europe and North America.
Edited by David Vernet and Leontine de Wit, both at Delft University of Technology, the Netherlands Presenting a critical and theoretical dimension to retail design, Boutiques and Other Retail Spaces links the ideas behind it to real practice in this innovative and important contribution to architectural/interior theory literature. Retail structure has been subject to a dramatic and ongoing transformation over the past 30 years, materializing in the emergence of large-scale out-of-town shopping centres and new specialized shops in city centres. These specialized boutiques are highly designed, involving well-known architectural firms such as OMA/Rem Koolhaas, David Chipperfield, Herzog + de Meuron, amongst others. With case studies and over 100 black and white images, Vernet and de Wit set forth original and well-grounded theory to accompany this popular and lucrative area of work. 2007: 246x189: 192pp Hb: 978-0-415-36321-1: £79.00 Pb: 978-0-415-36322-8: £25.99 eBook: 978-0-203-01359-5
This volume presents and examines this significant urban architectural production, and discusses it against a background of the design of cafes and bars across the 19th and 20th centuries. Major themes and developments are discussed and illustrated with case studies, from the functionalist pre-World War Two architects in Central Europe representing modern society through the design of public spaces, right up to the design of sophisticated bars and cafes as part of the recent urban renaissance of Barcelona and Paris in 1980s and London in the 1990s. 2007: 246x189: 224pp Hb: 978-0-415-36327-3: £79.99 Pb: 978-0-415-36328-0: £26.99 eBook: 978-0-203-01363-2
Above: Pages taken from Cafés and Bars.
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Above: Pages taken from Boutiques and Other Retail Spaces.
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MODERN HOSPICE DESIGN
NEW
Modern Hospice Design The Architecture of Palliative Care Ken Worpole, The Cities Institute, London Metropolitan University, UK There is a global public debate going on about care for the elderly and the dying, and what is meant by good quality palliative care. This book begins with the rise of the modern hospice movement, begun in 1967. Today there are 8,500 modern hospice projects in 123 countries. The hospice has become an iconic building for this new culture. This is not a book about hospitals as such, but about what lessons the hospice movement has for new ideas about buildings for healthcare across the world. For architects and interior designers, estate and facility managers involved in hospice design, healthcare professionals, hospital administrators and Healthcare Trust Boards. Selected Contents: 1. The House at the End of Life 2. Be Kind Quickly 3. The Brief is Everything 4. Public Faces and Private Places 5. Everything Gathered in One Room 6. In a Hospice Garden 7. The Evening Land. List of Hospices and Hospitals Visited May 2009: 234x156: 152pp Hb: 978-0-415-45179-6: ÂŁ85.00 Pb: 978-0-415-45180-2: ÂŁ24.99 eBook: 978-0-203-87810-1
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INDEX
A Agency: Working With Uncertain Architectures . . . . . . . . . . . . . . . . .27 Abstract Space . . . . . . . . . . . . . . . .32 ACSA Architectural Education Series . . . . . . . . . . . . . . . . . . . . . . .12 Aeolian Winds and the Spirit in Renaissance Architecture . . . . . . . . .9 Alexander, Christopher . . . . . . . . . .30 Alexiou, Katerina . . . . . . . . . . . . . .31 AlSayyad, Nezar . . . . . . . . . . . . . . .15 Altering Practices . . . . . . . . . . . . . .31 Andersen, Michael Asgaard . . . . . .21 Antiquity . . . . . . . . . . . . . . . . . . . . .2 Architectural Principles in the Age of Cybernetics . . . . . . . . . . . . .32 Architecture and Narrative . . . . . . .28 Architecture and the ‘Special Relationship’ . . . . . . . . . . . . . . . . . .26 Architecture in Context . . . . . . . . .1,2 Architecture in Words . . . . . . . . . .28 Architecture of Modern China . . . .25 Architecture, Animal, Human . . . . .31 Architecture, Ethics and Globalization . . . . . . . . . . . . . . . . .25 Architecture, Participation and Society . . . . . . . . . . . . . . . . . .25 Architecture, Print Culture and the Public Sphere in Eighteenth-Century France . . . . . . . .7 Architecture, Power and National Identity . . . . . . . . . . . . . . .14 Architext . . . . . . . . . . . . . . .16,17,18 Arnold, Dana . . . . . . . . . . . . . . . . .28 Asquith, Lindsay . . . . . . . . . . . . . . . .4 Atlas of Vernacular Architecture of the World . . . . . . . . . . . . . . . . . .3
B Bauhaus Dream-House . . . . . . . . . .18 Buntrock, Dana . . . . . . . . . . . . . . .24 Baek, Jin . . . . . . . . . . . . . . . . . . . . .24 Ballantyne, Andrew . . . . . . . . . . . . .4 Becoming Places . . . . . . . . . . . . . . .15 Bauhaus Construct . . . . . . . . . . . . .18 Beningfield, Jennifer . . . . . . . . . . . .11 Beyond Archigram . . . . . . . . . . . . .19 Biographies & Space . . . . . . . . . . . .28
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Bo Jensen, Thomas . . . . . . . . . . . . .20 Bohl, Charles . . . . . . . . . . . . . . . . .14 Bollerey, Franziska . . . . . . . . . . . . .35 Bonnemaison, Sarah . . . . . . . . . . . . .7 Boutiques and Other Retail Spaces . . . . . . . . . . . . . . . . .35 Bridge, Alexander . . . . . . . . . . . . . . .3 Brunelleschi, Lacan, Le Corbusier . .23
E Encyclopedia of Vernacular Architecture of the World . . . . . . . . .4 Engineers . . . . . . . . . . . . . . . . . . . .19 East, The . . . . . . . . . . . . . . . . . . . . .2 Embracing Complexity in Design . .31 Emergence of the Interior, The . . . .34 Environmental Imagination, The . . .30 Evolution of Designs, The . . . . . . . .31
C Cedric Price: Potteries Thinkbelt . . .22 Colonial Modernities . . . . . . . . . . .17 Critical Architecture . . . . . . . . . . . .27 City Rehearsed, The . . . . . . . . . . . . .6 Curating Architecture and the City .26 Cafes and Bars . . . . . . . . . . . . . . . .35 Carpo, Mario . . . . . . . . . . . . . . . . .23 Chaplin, Sarah . . . . . . . . . . . . . . . .26 Cinematic Urbanism . . . . . . . . . . . .15 Classical Tradition in Architecture . . . . . . . . . . . . . . .6,7 Coleman, Nathaniel . . . . . . . . . . . .29 Coyne, Richard . . . . . . . . . . . . . . . .30 Crinson, Mark . . . . . . . . . . . . . . . .20 Crisis of the Object . . . . . . . . . . . . .31 Critiques (series) . . . . . . . . . . . .26,27 Cultured Landscape, The . . . . . . . .11
F Fraser, Murray . . . . . . . . . . . . . . . .27 Festival Architecture . . . . . . . . . . . . .7 Florentine Villa, The . . . . . . . . . . . . .7 François Blondel . . . . . . . . . . . . . . . .6 Fieldhouse, Ken . . . . . . . . . . . . . . .11 Form Follows Fun . . . . . . . . . . . . . .19 Forsyth, Leslie . . . . . . . . . . . . . . . . .25 Framing Places . . . . . . . . . . . . . . . .17 Frascari, Marco . . . . . . . . . . . . . . . .27 Fraser, Murray . . . . . . . . . . . . . . . .26 Frightened Land, The . . . . . . . . . . .11 From Models to Drawings . . . . . . .27 Fuller, Mia . . . . . . . . . . . . . . . . . . .16
G Guggenheim, Michael . . . . . . . . . .16
D Desire Lines . . . . . . . . . . . . . . . . . .18 Dorrian, Mark . . . . . . . . . . . . . . . . .27 Drawing/Thinking . . . . . . . . . . . . . .10 Dutoit, Allison . . . . . . . . . . . . . . . .25 Darling, Elizabeth . . . . . . . . . . . . . .18 De Cauter, Lieven . . . . . . . . . . . . . .15 de Wit, Leontine . . . . . . . . . . . . . .35 Dehaene, Michiel . . . . . . . . . . . . . .15 Designing Liners . . . . . . . . . . . . . . .34 Di Palma, Vittoria . . . . . . . . . . . . . .14 Dictionary of Ecodesign . . . . . . . . .11 Digitalia . . . . . . . . . . . . . . . . . . . . .33 Disclosing Horizons . . . . . . . . . . . .23 Dovey, Kim . . . . . . . . . . . . . . . .15,17
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Garden History . . . . . . . . . . . . . . . .10 Gargiani, Roberto . . . . . . . . . . . . . .21 Gerbino, Anthony . . . . . . . . . . . . . .6 Gobbi Sica, Grazia . . . . . . . . . . . . . .7 Goulthorpe, Mark . . . . . . . . . . . . .33 Grafe, Christoph . . . . . . . . . . . . . .35 Green Braid, The . . . . . . . . . . . . . .12
H Hale, Jonathan . . . . . . . . . . . . . . . .26 Hall, Martin . . . . . . . . . . . . . . . . . .18 Hardingham, Samantha . . . . . . . . .22 Hill, Jonathan . . . . . . . . . . . . . . . . .27 Heterotopia and the City . . . . . . . .15 Hagan, Susannah . . . . . . . . . . . . . .33 Hale, Jonathan . . . . . . . . . . . . . . . .27 Hartoonian, Gevork . . . . . . . . . .21,31
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INDEX Harvey, Sheila . . . . . . . . . . . . . . . . .11 Hawkes, Dean . . . . . . . . . . . . . . . .30 Heuer, Christopher . . . . . . . . . . . . . .6 Higgott, Andrew . . . . . . . . . . . . . .18 Hight, Christopher . . . . . . . . . . . . .32 Hill, Jonathan . . . . . . . . . . . . . . . . .29 Hogben, Paul . . . . . . . . . . . . . . . . .29 Holm, Lorens . . . . . . . . . . . . . . . . .23 Hosagrahar, Jyoti . . . . . . . . . . . . . .17
I Indigenous Modernities . . . . . . . . .17 Islam . . . . . . . . . . . . . . . . . . . . . . . .2 Immaterial Architecture . . . . . . . . .29 Ingraham, Catherine T. . . . . . . . . . .31 Interior Architecture . . . . . . . . . . . .35 Interpretation in Architecture . . . . .30 Intimate Metropolis . . . . . . . . . . . .14
J James Stirling . . . . . . . . . . . . . . . . .20 Jenkins, Eric . . . . . . . . . . . . . . . . . .13 Jenkins, Paul . . . . . . . . . . . . . . . . . .25 Johnson, Jeffrey . . . . . . . . . . . . . . .31
K King, Anthony D. . . . . . . . . . . . . . .16 Kossak, Florrian . . . . . . . . . . . . . . .27 Keeble, Trevor . . . . . . . . . . . . . . . .34 Kelbaugh, Douglas . . . . . . . . . . . . .12 Kenda, Barbara . . . . . . . . . . . . . . . .9 Kerr, Joe . . . . . . . . . . . . . . . . . . . . .26
of Order, Book 4, The . . . . . . . . . . .30
M Making Leisure Work . . . . . . . . . . .28 Markus, Thomas A. . . . . . . . . . . . .16 Material and Meaning in Contemporary Japanese Architecture . . . . . . . . . . . . . . . . . .24 Murray, Irena . . . . . . . . . . . . . . . . .19 Murray, Noeleen . . . . . . . . . . . . . . .18 Modern Hospice Design . . . . . . . . .36 Modernity . . . . . . . . . . . . . . . . . . . .2 Macarthur, John . . . . . . . . . . . . . . . .7 Macy, Christine . . . . . . . . . . . . . . . . .7 Making the Metropolitan Landscape . . . . . . . . . . . . . . . . . . .14 Marcus, Alan . . . . . . . . . . . . . . . . .17 Martin, Brenda . . . . . . . . . . . . . . . .34 Material Matters . . . . . . . . . . . . . . .29 McCullough, Kit . . . . . . . . . . . . . . .12 Mediating Modernism . . . . . . . . . .18 Modern Architecture and the Mediterranean . . . . . . . . . . . . . . . . .5 Modern Period Room, The . . . . . . .34 Moderns Abroad . . . . . . . . . . . . . .16 Moore, Kathryn . . . . . . . . . . . . . . .10
Le Corbusier and Britain . . . . . . . . .19 Lonsway, Brian . . . . . . . . . . . . . . . .28 Lally, Sean . . . . . . . . . . . . . . . . . . .32 Landscapes of Taste . . . . . . . . . . . . .8 Lathouri, Marina . . . . . . . . . . . . . . .14 Lejeune, Jean-Francois . . . . . . . . . . .5 Lemerle, Frédérique . . . . . . . . . . . .23 Li, Shiqiao . . . . . . . . . . . . . . . . . . . .7 Lloyd Thomas, Katie . . . . . . . . . . . .29 Longoria, Rafael . . . . . . . . . . . . . . .12 Luminous Ground: The Nature
P Petrescu, Doina . . . . . . . . . . . . . . .27 Powers, Alan . . . . . . . . . . . . . . . . .19 Prakash, Vikramaditya . . . . . . . . . .17 Picturesque, The . . . . . . . . . . . . . . . .7 Power and Virtue . . . . . . . . . . . . . . .7 P.V. Jensen-Klint . . . . . . . . . . . . . . .20 Pelletier, Louise . . . . . . . . . . . . . . . .28 Periton, Diana . . . . . . . . . . . . . . . .14 Perspective, Projections and Design . . . . . . . . . . . . . . . . . . .23 Peter, Bruce . . . . . . . . . . . . . . . . . .19 Petrescu, Doina . . . . . . . . . . . . . . .31 Phenomenon of Life: The Nature of Order, Book 1, The . . . . . . . . . . .30 Politics of Making, The . . . . . . . . . .27 Possibility of (an) Architecture, The . . . . . . . . . . . . . .33 Primitive . . . . . . . . . . . . . . . . . . . . . .4 Process of Creating Life: The Nature of Order, Book 2, The . . . . .30 Psarra, Sophia . . . . . . . . . . . . . . . .28
Q Quality Out of Control . . . . . . . . . .25
R
N Nature of Order, The . . . . . . . . . . .30 Neumann, Dietrich . . . . . . . . . . . . .17 Nordic Architects Write . . . . . . . . .21 Nothingness: Tadao Ando’s Christian Sacred Space . . . . . . . . . .24
O
L
39
Odgers, Juliet . . . . . . . . . . . . . . . . .25 Oliver, Paul . . . . . . . . . . . . . . . . . . . .4 Osley, Julian . . . . . . . . . . . . . . . . . .19 On Altering Architecture . . . . . . . .34 Odgers, Jo . . . . . . . . . . . . . . . . . . . .4 Oliver, Paul . . . . . . . . . . . . . . . . . . . .3 Overlooking the Visual . . . . . . . . . .10 Owen, Graham . . . . . . . . . . . . . . .25
Rattenbury, Kester . . . . . . . . . . . . .22 Rattenbury, Kester . . . . . . . . . . . . .22 Rendell, Jane . . . . . . . . . . . . . . . . .27 Re-Shaping Cities . . . . . . . . . . . . . .16 Robert Venturi and Denise Scott Brown: Learning from Las Vegas . .22 Ruedi-Ray, Katerina . . . . . . . . . . . .18 Re-forming Britain . . . . . . . . . . . . .18 Rem Koolhaas / OMA . . . . . . . . . . .21 Rice, Charles . . . . . . . . . . . . . . . . .34 Rogger, André . . . . . . . . . . . . . . . . .8 Ruan, Xing . . . . . . . . . . . . . . . . . . .29 Rural and Urban: Architecture Between Two Cultures . . . . . . . . . . .4
S Schneider, Tatjann . . . . . . . . . . . . .27 Scriver, Peter . . . . . . . . . . . . . . . . . .17 Sharr, Adam . . . . . . . . . . . . . . . . . .25
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INDEX
Shepherd, Nick . . . . . . . . . . . . . . . .18 Soderstrom, Ola . . . . . . . . . . . . . . .16 Sabatino, Michelangelo . . . . . . . . . .5 Saletnik, Jeffrey . . . . . . . . . . . . . . .18 Samuel, Flora . . . . . . . . . . . . . . . . . .4 Schuldenfrei, Robin . . . . . . . . . . . .18 Scott, Fred . . . . . . . . . . . . . . . . . . .34 Settings and Stray Paths . . . . . . . . .10 Sharr, Adam . . . . . . . . . . . . . . . . . . .4 Snodgrass, Adrian . . . . . . . . . . . . .30 Sofaer Derevenski, Joanna . . . . . . .28 Softspace . . . . . . . . . . . . . . . . . . . .32 Sparke, Penny . . . . . . . . . . . . . . . .34 Stara, Alexandra . . . . . . . . . . . . . . .26 Starkey, Bradley . . . . . . . . . . . . . . .27 Stauber, Jennifer . . . . . . . . . . . . . . .14 Steadman, Philip . . . . . . . . . . . . . .31 Steiner, Hadas A. . . . . . . . . . . . . . .19 Swenarton, Mark . . . . . . . . . . . . . .27
Visualizing the City . . . . . . . . . . . . .17
W Walker, Stephen . . . . . . . . . . . . . . .27 Wells, Matthew . . . . . . . . . . . . . . .19 West, The . . . . . . . . . . . . . . . . . . . . .1 Walter Benjamin and Architecture .21 Wealleans, Anne . . . . . . . . . . . . . .34 Webster, Helena . . . . . . . . . . . . . . .27 Wittman, Richard . . . . . . . . . . . . . . .7 Woo, Lillian . . . . . . . . . . . . . . . . . .11 Worpole, Ken . . . . . . . . . . . . . . . . .36 Writing Urbanism . . . . . . . . . . . . . .12
Y Yeang, Ken . . . . . . . . . . . . . . . . . . .11 Young, Jessica . . . . . . . . . . . . . . . .32
Z
T Treib, Marc . . . . . . . . . . . . . . . . . . .10 Tyszczuk, Renata . . . . . . . . . . . . . .27 Tadgell, Christopher . . . . . . . . . . .1,2 Tanzer, Kim . . . . . . . . . . . . . . . . . . .12 Tatom, Jacqueline . . . . . . . . . . . . . .14 Temple, Nicholas . . . . . . . . . . . . . .23 Tierney, Therese . . . . . . . . . . . . . . .32 To Scale . . . . . . . . . . . . . . . . . . . . .13 Topophilia and Topophobia . . . . . .29 Treib, Marc . . . . . . . . . . . . . . . . .9,10 Troiani, Igea . . . . . . . . . . . . . . . . . .27 Turner, Tom . . . . . . . . . . . . . . . . . .10
Zamenopoulos, Theodore . . . . . . . .31 Zhu, Jianfei . . . . . . . . . . . . . . . . . . .25
a
U Utopias and Architecture . . . . . . . .29
V van Eck, Caroline . . . . . . . . . . . . . . .6 Vale, Lawrence . . . . . . . . . . . . . . . .14 Vellinga, Marcel . . . . . . . . . . . . . . .3,4 Vernacular Architecture in the 21st Century . . . . . . . . . . . . . . .4 Vernet, David . . . . . . . . . . . . . . . . .35 Vision of a Living World: The Nature of Order, Book 3, A . . . . . .30
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