Routledge
New Titles and Key Backlist
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Cultural Studies
2009
www.routledge.com/media
www.routledge.com/media Welcome to the Routledge
Cultural Studies Catalogue New Titles & Key Backlist 2009
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COMPLETE CATALOGUE This catalogue only includes a selection of our titles in Cultural Studies. Our online catalogue gives you the power to search for any book currently in print by title, ISBN or full text. All the entries have a description of the book’s content. www.routledge.com/media
THE EASY WAY TO ORDER
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CONTENTS
CONTACTS
Books for Courses . . . . . . . . . . . . . . . . . . . . . . .1 Cultural Studies . . . . . . . . . . . . . . . . . . . . . . . . .4 Cultural Theory . . . . . . . . . . . . . . . . . . . . . . . .10 Gender and Sexuality . . . . . . . . . . . . . . . . . . .13 Race and Ethnicity . . . . . . . . . . . . . . . . . . . . . .16 Celebrity and Culture . . . . . . . . . . . . . . . . . . .20 Fashion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Order Form . . . . . . . . . . . . . . . .Inside Back Page
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BOOKS FOR COURSES
3RD EDITION
The Cultural Studies Reader Edited by Simon During, John Hopkins University, Baltimore, USA The Cultural Studies Reader is the ideal introduction for students. A revised introduction explaining the history and key concerns of cultural studies brings together important articles by leading thinkers to provide an essential guide to the development, key issues and future directions of cultural studies. This fully updated third edition includes: • thirty-six essays including twenty-one new articles • an editor’s preface succinctly introducing each article with suggestions for further reading • comprehensive coverage of every major cultural studies method and theory • an updated account of recent developments in the field • articles on new areas such as culture and nature and the cultures of globalization • new key thinkers such as C.L.R. James, Gilles Deleuze, Antonio Negri and Edward Said, included for the first time. The Cultural Studies Reader is designed to be read around the world and deals with issues relevant to each continent. Selected Contents: Acknowledgements. Introduction Simon During. Part 1: Theory and Method Part 2: Culture in Space Part 3: Globalisation/Postmodernism Part 4: Nationalism/Postcolonialism/Multiculturalism Part 5: Science, Nature & Cyberculture Part 6: Sexuality & Gender Part 7: Consumption and the Market Part 8: Media and Public Spheres. Bibliography. Index 2007: 246x174: 576pp Hb: 978-0-415-37412-5: £75.00 Pb: 978-0-415-37413-2: £22.99 • AVAILABLE AS AN INSPECTION COPY
The Everyday Life Reader Edited by Ben Highmore Using primary materials, Ben Highmore brings together a wide range of thinkers to provide a comprehensive resource on theories of everyday life. Highmore’s introduction surveys the development of thought about everyday life. 2001: 246x174: 392pp Hb: 978-0-415-23024-7: £70.00 Pb: 978-0-415-23025-4: £22.99 • AVAILABLE AS AN INSPECTION COPY
* See page 13 for the companion introductory text, Everyday Life and Culture Theory *
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Cultural Studies: A Critical Introduction
NEW
Simon During
Communication as Culture, Revised Edition
2ND EDITION
Cultural Studies: A Critical Introduction is a wide-ranging and stimulating introduction to the history and theory of Cultural Studies from Leavisism, through the era of the Centre for Contemporary Cultural Studies, to the global nature of contemporary Cultural Studies. Cultural Studies: A Critical Introduction begins with an introduction to the field and its theoretical history and then presents a series of short essays on key areas of Cultural Studies, designed to provoke discussion and raise questions. Each thematic section examines and explains a key topic within Cultural Studies. Selected Contents: Part 1: The Discipline 1. Going Global 2. Enterprise Culture 3. Genres and Genealogies 4. Problems Part 2: Time 1. The Past: Cultural History/Cultural Memory 2. The Present 3. The Future: Policies and Prophesies Part 3: Space 1. Thinking Globalisation 2. The Regional, National and Local Part 4: Media and the Public Sphere 1. Television 2. Popular Music 3. The Internet and Technoculture Part 5: Identity 1. Debating Identity 2. Multiculturalism 3. Race Part 6: Sexuality and Gender 1. Feminism’s Aftermath: Gender Today 2. Queer Culture Part 7: Value 1. Culture High and Low 2. The Nature of Culture 2005: 234x156: 256pp Hb: 978-0-415-24656-9: £65.00 Pb: 978-0-415-24657-6: £18.99 eBook: 978-0-203-01758-6 • AVAILABLE AS AN INSPECTION COPY
The Celebrity Culture Reader Edited by P. David Marshall, Northeastern University, Boston, USA From the new celebrity culture that has emerged from reality television and the internet, to the paparazzi-filled endgame of Princess Diana and the bizarre trials and tribulations of Michael Jackson, The Celebrity Culture Reader documents the significant role that celebrities occupy in contemporary culture. Combining classic essays and contemporary writings, The Celebrity Culture Reader investigates the cultural implications of this complex contemporary phenomenon. Selected Contents: 1. Celebrity and Modernity: The Historical Pattern of Celebrity 2. The Textual and the Extra-Textual Dimensions of the Public Persona 3. Ascribed Celebrity: The Transformed Public Sphere 4. Transgression: Scandal, Notoriety and Infamy 5. The Body and Celebrity 6. Celebrity Culture: Narcissism, Fandom and the Will-to-Celebrity 7. Celebrity Nation: Celebrity in National Contexts 8. The Celebrity Industry: The Management of Fame. Conclusion: Surface and Depth: Celebrity in the ‘Post-Celebrity’ Era 2006: 246x174: 872pp Hb: 978-0-415-33791-5: £80.00 Pb: 978-0-415-33792-2: £25.99 • AVAILABLE AS AN INSPECTION COPY
Essays on Media and Society James W. Carey In this classic text, James W. Carey maintains that communication is not merely the transmission of information; reminding the reader of the link between the words ‘communication’ and ‘community’, he broadens his definition to include the drawing-together of a people that is culture. In this context, Carey questions the American tradition of focusing only on mass communication’s function as a means of social and political control, and makes a case for examining the content of a communication – the meaning of symbols, not only the motives that originate them or the purposes they serve. He seeks to recast the goal of communication studies, replacing the search for deterministic laws of behaviour with a simpler, yet far more challenging mission: ‘to enlarge the human conversation by comprehending what others are saying’. This new edition includes a new critical foreword by G. Stuart Adam that explains Carey’s fundamental role in transforming the study of mass communication to include a cultural perspective and connects his classic essays with contemporary media issues and trends. This edition also has a new, complete bibliography of all of Carey’s writings. Selected Contents: Series Editor’s Introduction. Acknowledgements. Introduction Part 1: Communication as Culture A Cultural Approach to Communication. Mass Communication and Cultural Studies. Reconceiving ‘Mass’ and ‘Media’. Overcoming Resistance to Cultural Studies. Part 2: Technology and Culture The Mythos of the Electronic Revolution With John J. Quirk. Space, Time and Communications: A Tribute to Harold Innis. The History of the Future With John J. Quirk Technology and Ideology: The Case of the Telegraph. Works Cited. Index. About the Author November 2008: 229x152: 240pp Hb: 978-0-415-98975-6: £60.00 Pb: 978-0-415-98976-3: £18.99 eBook: 978-0-203-92891-2 • AVAILABLE AS AN INSPECTION COPY
The Popular Music Studies Reader Edited by Andy Bennett, Barry Shank and Jason Toynbee The Popular Music Studies Reader maps the changing nature of popular music over the last decade and considers how popular music studies has expanded and developed to deal with these changes. 2005: 246x174: 432pp Hb: 978-0-415-30709-3: £75.00 Pb: 978-0-415-30710-9: £22.99 • AVAILABLE AS AN INSPECTION COPY
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BOOKS FOR COURSES
Understanding Video Games
2ND EDITION
The Essential Introduction
The Subcultures Reader
Simon Egenfeldt-Nielsen, Jonas Heide Smith and Susana Pajares Tosca, all at IT University of Copenhagen, Denmark
Edited by Ken Gelder
From Pong to PlayStation 3 and beyond, Understanding Video Games is the first general introduction to the exciting new field of videogame studies. This textbook traces the history of videogames, introduces the major theories used to analyze games such as ludology and narratology, reviews the economics of the game industry, examines the aesthetics of game design, surveys the broad range of game genres, explores player culture, and addresses the major debates surrounding the medium, from educational benefits to the effects of violence. Throughout the book, the authors ask readers to consider larger questions about the medium: • What defines a videogame?
NEW
The Design Culture Reader Edited by Ben Highmore, University of Sussex, UK
Revised and updated completely to include new research and theories, this second edition of a hugely successful book brings together a range of articles, from big names in the field, classic texts and new thinking on subcultures and their definitions.
2005: 246x174: 656pp Hb: 978-0-415-34415-9: £75.00 Pb: 978-0-415-34416-6: £22.99 • AVAILABLE AS AN INSPECTION COPY
• Who plays games? • Why do we play games? • How do games affect the player? Extensively illustrated, Understanding Video Games is an indispensable and comprehensive resource for those interested in the ways videogames are reshaping entertainment and society. A companion website (www.routledge.com/textbooks/9780415977210) features student resources including discussion questions for each chapter, a glossary of key terms, a videogame timeline, and links to other videogame studies resources for further study. Selected Contents: Acknowledgements. Introduction. 1. Studying Video Games 2. The Game Industry 3. What is a Game? 4. History 5. Video Game Aesthetics 6. Video Game Culture 7. Player Culture 8. Narrative 9. Serious Games – When Entertainment is Not Enough 10. Video Games and Risks. List of Games. Bibliography April 2008: 254x178: 304pp Hb: 978-0-415-97720-3: £60.00 Pb: 978-0-415-97721-0: £19.99 eBook: 978-0-203-93074-8 • AVAILABLE AS AN INSPECTION COPY
The Inter-Asia Cultural Studies Reader Edited by Kuan-Hsing Chen and Beng Huat Chua A collection of groundbreaking essays from the highly respected journal, the Reader provides useful alternative case studies and challenging perspectives bringing Asian cultural studies to the international English-speaking world.
2007: 246x174: 624pp Hb: 978-0-415-43134-7: £75.00 Pb: 978-0-415-43135-4: £24.99 eBook: 978-0-203-96098-1 • AVAILABLE AS AN INSPECTION COPY
2ND EDITION
The Chicana/o Cultural Studies Reader
The Visual Culture Reader
Edited by Angie Chabram-Dernersesian
In response to rapid changes in the field of visual culture, this updated second edition brings together key writings on photography, painting, sculpture, fashion, advertising, television, cinema and digital culture.
This book brings together a broad range of writing on culture including TV, film, art, music, dance, theatre and literature, and expertly examines the changing social and cultural condition of Chicana/os in the United States.
Edited by Nicholas Mirzoeff
2002: 246x174: 776pp Hb: 978-0-415-25221-8: £75.00 Pb: 978-0-415-25222-5: £24.99 • AVAILABLE AS AN INSPECTION COPY
2005: 246x174: 552pp Hb: 978-0-415-23515-0: £75.00 Pb: 978-0-415-23516-7: £24.99 • AVAILABLE AS AN INSPECTION COPY
Design is part of ordinary, everyday life, to be found in every room in every building in the world. While we may tend to think of design in terms of highly desirable objects, this book encourages us to think about design as ubiquitous (from plumbing to television) and as an agent of social change (from telephones to weapon systems). The Design Culture Reader brings together an international array of writers whose work is of central importance for thinking about design culture in the past, present and future. Essays from philosophers, media and cultural theorists, historians of design, anthropologists, cultural historians, artists and literary critics all demonstrate the enormous potential of design studies for understanding the modern world. Organized in thematic sections, The Design Culture Reader explores the social role of design by looking at the impact it has in a number of areas – especially globalization, ecology, and the changing experiences of modern life. Particular essays focus on topics such as design and the senses, design and war, and design and technology, while the editor’s introduction to the collection provides a compelling argument for situating design studies at the very forefront of contemporary thought. Selected Contents: Section 1: Materials and Methods 1. Karl Marx (1867) ’The Fetishism of the Commodity and its Secret’ 2. Jonathan Crary (1989) ’Spectacle, Attention, Counter-Memory’ 3. Vilem Flusser (1993) ’About the Word Design’ 4. Michael Moon, Eve Kosofsky Sedgwick, Benjamin Gianni and Scott Weir (1994) ’Queers in (Single-Family) Space’ 5. Pauline Madge (1997) ’Ecological Design: A New Critique’ 6. Hal Foster (2002) ’The ABCs of Contemporary Design’ Section 2: Actors and Agents 7. Marcel Mauss (1934) ’Techniques of the Body’ 8. Michel Foucault (1982) ’Space, Knowledge, and Power’ 9. Friedrich A. Kittler (1986) ’Introduction to Gramophone, Film, Typewriter’ 10. Lana F. Rakow (1988) ’Women and the Telephone: The Gendering of a Communication Technology’ 11. Ellen Lupton (1996) ’Power Tool for the Dining Room: The Electric Carving Knife’ 12. Tobin Siebers (2003) ’What can Disability Studies Learn From the Culture Wars?’ Section 3: Object Life 13. Stuart Cosgrove (1984) ’The Zoot-Suit and Style Warfare’ 14. Mihay Csikszentmihalyi (1991) ’Design and Order in Everyday Life’ 15. Celik, Zeynep (1996) ’Gendered Spaces in Colonial Algiers’ 16. Celine Rosselin (1999) ’The Ins and Outs of the Hall: A Parisian Example’ 17. Svetlana Boym (2001) ’Immigrant Souvenirs’ Section 4: Sense and Sensibilities 18. Wolfgang Schivelbusch (1983) ’Shop Windows’ 19. Nicholson Baker (1986) from ‘The Mezzanine’ 20. C. Nadia Seremetakis (1996) ’The Memory of the Senses, Part 1: Marks of the Transitory’ 21. Koichi Iwabuchi (1998) ’Marketing “Japan”: Japanese Cultural Presence Under a Global Gaze’ 22. Jonathan Sterne (2003) ’Hello’ Section 5: Designing (in) the World 23. John McHale (1969) ’An Ecological Overview’ 24. Krzysztof Wodiczko (1999) ’Designing for the City of Strangers’ 25. Celeste Olalquiaga (1999) ’The Crystal Palace’ 26. Tony Fry (1999) ’From War to Warring’ 27. Ashoke Chatterjee (2005) ’Design in India: The Experience of Transition’ Section 6: Design Time 28. Siegfried Giedion (1948) ’Anonymous History’ 29. Evan Watkins (1993) ’Social Position and the Art of Automobile Maintenance’ 30. Michel Serres (With Bruno Latour) (1995) ’The Past is No Longer Out-of-Date’ 31. N. Katherine Hayles (1999) ’The Materiality of Informatics: Audiotape and its Cultural’ 32. Peter Hitchcock (2003) ’Chronotope of the Shoe’ August 2008: 246x174: 400pp Hb: 978-0-415-40355-9: £70.00 Pb: 978-0-415-40356-6: £22.99 • AVAILABLE AS AN INSPECTION COPY
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BOOKS FOR COURSES
NEW 2ND EDITION
New Media A Critical Introduction Martin Lister, Jon Dovey, Seth Giddings, Iain Grant and Kieran Kelly, all at University of the West of England, UK New Media: A Critical Introduction is a comprehensive introduction to the culture, history, technologies and theories of new media. Written especially for students, the book considers the ways in which ‘new media’ really are new, assesses the claims that a media and technological revolution has taken place and formulates new ways for media studies to respond to new technologies. The authors introduce a wide variety of topics including: how to define the characteristics of new media; social and political uses of new media and new communications; new media technologies, politics and globalization; everyday life and new media; theories of interactivity, simulation, the new media economy; cybernetics, cyberculture, the history of automata and artificial life. Substantially updated from the first edition to cover recent theoretical developments, approaches and significant technological developments, this is the best and by far the most comprehensive textbook available on this exciting and expanding subject. December 2008: 246x189: 464pp Hb: 978-0-415-43160-6: £75.00 Pb: 978-0-415-43161-3: £21.99 eBook: 978-0-203-88482-9 • AVAILABLE AS AN INSPECTION COPY
NEW
The New Media and Technocultures Reader Edited by Seth Giddings, McGill University, USA and Martin Lister The New Media and Technocultures Reader offers students further reading on key issues and debates raised in New Media: A Critical Introduction, and explication of these debates through the selected texts. It critically and theoretically contextualizes the various disciplinary stances (visual culture; media and cultural history; media theory; media production; philosophy and the history of the sciences; political economy and sociology, etc.), offering students a rich and interdisciplinary resource. Critical editorial commentary guides the reader through the debates, and between the extracts. November 2009: 246x174: 496pp Hb: 978-0-415-46913-5: £75.00 Pb: 978-0-415-46914-2: £21.99 • AVAILABLE AS AN INSPECTION COPY
The Routledge Critical and Cultural Theory Reader
NEW
Edited by Neil Badmington and Julia Thomas, both at University of Cardiff, UK Everything is open to question. Nothing is sacred. Critical and cultural theory invites a rethinking of some of our most basic assumptions about who we are, how we behave, and how we interpret the world around us. The Routledge Critical and Cultural Theory Reader brings together twenty-nine key pieces from the last century and a half that have shaped the field. Topics include: subjectivity, language, gender, ethnicity, sexuality, the body, the human, class, culture, everyday life, literature, psychoanalysis, technology, power, and visuality. The choice of texts, together with the editors’ introduction and glossary, allow newcomers to begin from first principles, while the use of unabridged readings also make the volume suitable for those undertaking more specialized work. Material is arranged chronologically, but the editors have suggested thematic pathways through the selections. Selected Contents: Pathways. Acknowledgements. Editors’ Introduction 1. Karl Marx, ’Preface (to a Contribution to the Critique of Political Economy)’, 1859 2. Sigmund Freud, ’A Note on the Unconscious in Psychoanalysis’, 1912 3. Ferdinand de Saussure, ’Linguistic Value’, 1916 4. Joan Riviere, ’Womanliness as a Masquerade’, 1929 5. Walter Benjamin, ’The Work of Art in the Age of Mechanical Reproduction’, 1936 6. Jacques Lacan, ’The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience’, 1949 7. Frantz Fanon, ’The Fact of Blackness’, 1952 8. Raymond Williams, ’Culture is Ordinary’, 1958 9. Henri Lefebvre, ’The Social Text’, 1961 10. Hayden White, ’The Burden of History’, 1966 11. Roland Barthes, ’The Death of the Author’, 1968 12. Jacques Derrida, ’Differance’, 1968 13. Michel de Certeau, ’Walking in the City’, 1974 14. Gilles Deleuze and Félix Guattari, ’What is a Minor Literature?’, 1975 15. Michel Foucault, ’Panopticism’, 1975 16. Laura Mulvey, ’Visual Pleasure and Narrative Cinema’, 1975 17. Edward Said, ‘Introduction to Orientalism’, 1978 18. Stuart Hall, ’Encoding/Decoding’, 1980 19. Julia Kristeva, ’Approaching Abjection’, 1980 20. Jean Baudrillard, ’Simulacra and Science Fiction’, 1981 21. Jean-François Lyotard, ’Answer to the Question: What is the Postmodern?’, 1982 22. Gayle Rubin, ’Thinking Sex: Notes Towards a Radical Theory of the Politics of Sexuality’, 1984 23. Donna J. Haraway, ’A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s’, 1985 24. Gloria Anzaldúa, ’How to Tame a Wild Tongue’, 1987 25. Judith Butler, ’Imitation and Gender Insubordination’, 1991 26. Chandra Talpade Mohanty, ’Under Western Eyes: Feminist Scholarship and Colonial Discourses’, 1991 27. Giorgio Agamben, Introduction to Homo Sacer: Sovereign Power and Bare Life, 1995 28. Lauren Berlant and Michael Warner, ’What Does Queer Theory Teach Us About X?’, 1995 29. Marjorie Garber, ’Who Owns ’Human Nature’?’, 2003. Glossary. Index 2008: 246x174: 464pp Hb: 978-0-415-43308-2: £70.00 Pb: 978-0-415-43309-9: £24.99 • AVAILABLE AS AN INSPECTION COPY
The Object Reader Edited by Fiona Candlin, Birkbeck College, University of London, UK and Raiford Guins, State University of New York, USA Series: In Sight: Visual Culture This unique collection frames the classic debates on objects and aims to generate new ones by reshaping the ways in which the object can be taught and studied, from a wide variety of disciplines and fields. The Object Reader elucidates objects in many of their diverse roles, dynamics and capacities. Precisely because the dedicated study of objects does not reside neatly within a single discipline, this collection is comprised of numerous academic fields. The selected writings are drawn from anthropology, art history, classical studies, critical theory, cultural studies, digital media, design history, disability studies, feminism, film and television studies, history, philosophy, psychoanalysis, social studies of science and technology, religious studies, and visual culture. The collection, composed of twentieth and twenty-first century writing also seeks to make its own contribution through original work, in the form of twenty-five short ’object lessons’ commissioned specifically for this project. These new and innovative studies from key writers across a range of disciplines enables students to look upon their surroundings with trained eyes to search out their own ’object studies’. List of Contributors: Nicolas Mirzoeff, Fiona Candlin, Raiford Guins, Marcel Mauss, Georg Lukács, Rodney Livingston, Roland Barthes, Jean Baudrillard, D.W. Winnicott, Tim Ingold, Page Dubois, Martin Heidegger, Elizabeth Grosz, Bill Brown, Bruno Latour, Julian Bleecker, Peter Brown, Michael Taussig, Alfred Gell, Walter Benjamin, Wiebe E. Bijker, Vivian Sobchack, Sherry Turkle, Siegfried Kracauer, Elizabeth Edwards, Maurice M. Manring, Barbara Penner, Celeste Olalquiaga, Julian Stallabrass, Christina Lindsay, Anne Friedberg, Anna Beatrice Scott, Ruud Kalingfreks, Michelle Henning, Tara McPherson, Susan Pearce, Henry Lowood, Jill Cook, Curtis Marez, Guy Julier, Penny Sparke, Pierre Jeanneret, Charlotte Perriand, Griselda Pollock, Raiford Guins, Victor Margolin, Adrian Rifkin, Alexander R. Galloway, Laura U. Marks, Carolyn Thomas de la Peña, Georgina Kleege, Laurie Beth Clarke, Esther Leslie, Peter Lunenfeld, Heidi Cooley, Erica Rand Selected Contents: Part 1: Object Part 2: Thing Part 3: Objects and Agency Part 4: Object Experience Part 5: The Objecthood of Images Part 6: Leftovers Part 7: Object Lessons Part 8: An Object Bibliography February 2009: 246x174: 464pp Hb: 978-0-415-45229-8: £75.00 Pb: 978-0-415-45230-4: £21.99 • AVAILABLE AS AN INSPECTION COPY
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BOOKS FOR COURSES
CULTURAL STUDIES
The Feminism and Visual Culture Reader
NEW
Amelia Jones
An Introduction to Visual Culture
Series: In Sight: Visual Culture
Nicholas Mirzoeff
Bringing together key writings on art, film, architecture, popular culture, new media and other visual fields, this key Reader combines classic texts by leading feminist thinkers with six previously unpublished polemical new pieces.
The new edition of Nicholas Mirzoeff’s bestselling and innovative textbook, An Introduction to Visual Culture provides a comprehensive introduction to the exciting interdisciplinary field of visual culture.
2002: 246x174: 592pp Pb: 978-0-415-26706-9: £22.99 • AVAILABLE AS AN INSPECTION COPY
NEW
Emotions: A Cultural Studies Reader Edited by Jennifer Harding and Deidre Pribram Emotions: A Cultural Studies Reader brings together the best examples of initial work on emotions in cultural studies and related disciplines. The book differentiates between theoretical traditions and ways of understanding emotion in relation to culture, subjectivity and power. In other words, it maps a new academic territory and provides an introduction to epistemological and methodological concerns in cultural studies and contrasts these with other areas of the humanities and social sciences. In this sense, it provides a succinct overview of cultural studies as well as studies of emotion. Emotions: A Cultural Studies Reader will provide students with an essential overview of contemporary academic debate within the humanities and social sciences on the place of emotions in culture, as part of everyday individual, cultural, and political life. May 2009: 246x174: 400pp Hb: 978-0-415-46929-6: £75.00 Pb: 978-0-415-46930-2: £24.99 • AVAILABLE AS AN INSPECTION COPY
2ND EDITION
An Introduction to Theories of Popular Culture Dominic Strinati 2004: 216x138: 304pp Hb: 978-0-415-23499-3: £65.00 Pb: 978-0-415-23500-6: £18.99 eBook: 978-0-203-64516-1 • AVAILABLE AS AN INSPECTION COPY
Marjorie Garber
2ND EDITION
The Medusa Reader Edited by Marjorie Garber and Nancy J. Vickers 2003: 229x152: 288pp Hb: 978-0-415-90098-0: £65.00 Pb: 978-0-415-90099-7: £19.99
Quotation Marks Marjorie Garber
Tracing the history and theory of visual culture from painting to the internet and beyond, An Introduction to Visual Culture asks how and why visual media have become so central to contemporary everyday life. May 2009: 234x156: 352pp Hb: 978-0-415-32758-9: £75.00 Pb: 978-0-415-32759-6: £21.99 • AVAILABLE AS AN INSPECTION COPY
The Nineteenth Century Visual Culture Reader
2002: 229x152: 328pp Hb: 978-0-415-93745-0: £60.00 Pb: 978-0-415-93746-7: £15.99
Edited by Jeannene Przyblyski and Vanessa Schwartz
Symptoms of Culture
Series: In Sight: Visual Culture
Marjorie Garber
Exploring such topics as photographs, exhibitions and advertising, this Reader brings together, for the first time, key writings about the nineteenth century, a major period in the contemporary discussion of visual culture. Selected Contents: 1. Visual Culture and Disciplinary Practices 2. Genealogies 3. Technology and Vision 4. Practices of Display and the Circulation of Images 5. Cities and the Built Environment 6. Inside and Out: Seeing the Personal and the Political 2004: 246x174: 432pp Hb: 978-0-415-30865-6: £75.00 Pb: 978-0-415-30866-3: £22.99 • AVAILABLE AS AN INSPECTION COPY
The Spivak Reader Selected Works of Gayatri Chakravorty Spivak Gayatri Chakravorty Spivak Edited by Donna Landry and Gerald MacLean 1995: 229x152: 344pp Hb: 978-0-415-91000-2: £70.00 Pb: 978-0-415-91001-9: £19.99 • AVAILABLE AS AN INSPECTION COPY
2000: 229x152: 288pp Hb: 978-0-415-91859-6: £60.00 Pb: 978-0-415-91860-2: £16.99
Vested Interests Cross-Dressing and Cultural Anxiety Marjorie Garber 1997: 254x178: 456pp Hb: 978-0-415-90072-0: £60.00 Pb: 978-0-415-91951-7: £26.99
An Introduction to Studying Popular Culture
Bisexuality and the Eroticism of Everyday Life
Dominic Strinati
Marjorie Garber 2000: 229x152: 624pp Pb: 978-0-415-92661-4: £19.99
2000: 216x138: 304pp Hb: 978-0-415-15766-7: £65.00 Pb: 978-0-415-15767-4: £18.99 • AVAILABLE AS AN INSPECTION COPY
The Turn to Ethics Edited by Marjorie Garber, Beatrice Hanssen and Rebecca L. Walkowitz Series: CultureWork: A Book Series from the Center for Literacy and Cultural Studies at Harvard 2000: 229x152: 256pp Hb: 978-0-415-92225-8: £70.00 Pb: 978-0-415-92226-5: £16.99
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CULTURAL STUDIES
One Nation Under God?
NEW
NEW
Religion and American Culture
Contexts of Social Capital
Mobile Technologies
Edited by Marjorie Garber and Rebecca L. Walkowitz
Social Networks in Markets, Communities and Families
From Telecommunications to Media
Series: CultureWork: A Book Series from the Center for Literacy and Cultural Studies at Harvard 1999: 229x152: 256pp Hb: 978-0-415-92223-4: £65.00 Pb: 978-0-415-92224-1: £16.99
Edited by Ray-May Hsung, National Chengchi University, Taiwan, Nan Lin, Duke University, USA and Ronald L. Breiger, University of Arizona, USA Series: Routledge Advances in Sociology
Edited by Marjorie Garber, Paul B. Franklin and Rebecca L. Walkowitz
One of the ‘hottest’ concepts in international academic social-science research, social capital refers to the ways in which people make use of social networks in ‘getting ahead’. This book presents the latest contributions and advances in theory and method in this important field.
Series: CultureWork: A Book Series from the Center for Literacy and Cultural Studies at Harvard
December 2008: 229x152: 380pp Hb: 978-0-415-41117-2: £65.00 eBook: 978-0-203-89009-7
1996: 229x152: 288pp Hb: 978-0-415-91454-3: £70.00 Pb: 978-0-415-91455-0: £17.99
NEW
Field Work Sites in Literary and Cultural Studies
Outside in the Teaching Machine Media Spectacles
Gayatri Chakravorty Spivak
Edited by Marjorie Garber, Jann Matlock and Rebecca L. Walkowitz
Series: Routledge Classics
Series: CultureWork: A Book Series from the Center for Literacy and Cultural Studies at Harvard 1993: 229x152: 288pp Pb: 978-0-415-90751-4: £19.99
2ND EDITION
Resistance Through Rituals Youth Subcultures in Post-War Britain Edited by Tony Jefferson and Stuart Hall Series: Cultural Studies Birmingham 2006: 234x156: 288pp Hb: 978-0-415-32437-3: £60.00 Pb: 978-0-415-32436-6: £18.99 eBook: 978-0-203-35705-7 • AVAILABLE AS AN INSPECTION COPY
This collection presents some of Spivak’s most challenging and engaging essays on works of literature such as Salman Rushdie’s controversial Satanic Verses, and twentieth-century thinkers such as Jacques Derrida and Karl Marx. Spivak relentlessly questions and deconstructs power structures where ever they operate. In doing so, she provides a voice for those who can not speak, proving that the true work of resistance takes place in the margins, Outside in the Teaching Machine. September 2008: 197x127: 392pp Pb: 978-0-415-96482-1: £12.99
In Other Worlds Essays In Cultural Politics
NEW
Gayatri Chakravorty Spivak
Media Globalization and the Discovery Channel Networks
Series: Routledge Classics
Ole Mjos, University of Pennsylvania, USA This unique study is the first book-length look at the global media phenomenon Discovery, one of the world’s largest factual entertainment and documentary producers and distributors. Offering a thorough and accessible account of the global expansion of Discovery and its relationship with media globalization, Ole Mjos provides an exploration of how the processes of media globalization unfolds and develops, and attempts to trace some of the possible consequences.
‘A celebrity in academia ... [Spivak] creates a stir wherever she goes.’ – The New York Times 2006: 198x129: 440pp Pb: 978-0-415-38956-3: £12.99
Edited by Gerard Goggin, University of Sydney, Australia and Larissa Hjorth, RMIT University, Australia Series: Routledge Research in Cultural and Media Studies In the light of emerging forms of software, interfaces, cultures of uses, and media practices associated with mobile media, this collection investigates the various ways in which mobile media is developing in different cultural, linguistic, social, and national settings. We consider the promises and politics of mobile media and its role in the dynamic social and gender relations configured in the boundaries between public and private spheres. In turn, the contributors revise the cultural and technology politics of mobiles. The collection is genuinely interdisciplinary, as well as international in its range with contributors and studies from China, Japan, Korea, Italy, Norway, France, Belgium, Britain, and Australia. December 2008: 229x152: 317pp Hb: 978-0-415-98986-2: £60.00 eBook: 978-0-203-88431-7
NEW
Cities, Citizens, and Technologies Urban Life and Postmodernity Paula Geyh, Yeshiva University, USA Series: Routledge Research in Cultural and Media Studies This book is about the contemporary city and those who live in it. It is thus also about the urban world of the era (extending roughly from the 1960s to the present) that we see as postmodern, and specifically about how the postmodern city is changing under the impact of globalization and new information and communication technologies. In particular, Paula Geyh explores how the urban spaces of postmodernity (parks, plazas, streets, sidewalks) and postmodern urban subjectivities and communities respond to and create each other – how they become mutually constructing. While there is much in this book about what makes a city ‘postmodern’, its primary focus is on how the postmodern city is experienced by its inhabitants, and in this respect the book is also a study of everyday life in the postmodern era. As such, it deals not only with the ways in which the postmodern city has developed out of economic, technological, political, and cultural structures that are different from those of the modern city, but also with how the postmodern city changes our ways of knowing and experiencing the world and ourselves as postmodern urban subjects, as citizens of postmodernity. April 2009: 229x152: 296pp Hb: 978-0-415-99172-8: £60.00 eBook: 978-0-203-88047-0
September 2009: 229x152: 256pp Hb: 978-0-415-99246-6: £65.00
View an prod uct o y nl by cl ickin ine g the t itle li on sting
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CULTURAL STUDIES
NEW
NEW
NEW
Cognitive Poetics and Cultural Memory
The Contemporary Comic Book Superhero
Communicating in the Third Space
Russian Literary Mnemonics Mikhail Gronas, Dartmouth College, USA
Edited by Angela Ndalianis, University of Melbourne, Australia
Series: Routledge Research in Cultural and Media Studies
Series: Routledge Research in Cultural and Media Studies
In this volume, Mikhail Gronas addresses the full range of psychological, social, and historical issues that bear on the mnemonic existence of modern literary works, particularly Russian literature. While the first half of the book focuses on the mnemonic processes involved in literary creativity, and the question of how our memories of past reading experiences shape the ways in which we react to literary works, the second half of the book examines the concrete mnemonic qualities of poetry, as well as the social uses to which poetry memorization has historically been put to use. Scholars of cognitive poetics, Russian literature, and cultural studies are sure to find this volume appealing.
Over the last several decades, comic book superheroes have multiplied and, in the process, become more complicated. In this cutting edge anthology an international roster of contributors offer original research and writing on the contemporary comic book superhero, with occasional journeys into the film and television variation. As superheroes and their stories have grown with the audiences that consume them, their formulas, conventions, and narrative worlds have altered to follow suit, injecting new, unpredictable and more challenging characterizations that engage ravenous readers who increasingly demand more.
October 2009: 229x152: 208pp Hb: 978-0-415-99737-9: £60.00
Letters, Postcards, and Email Technologies of Presence Esther Milne, Swinburne University, Australia Series: Routledge Research in Cultural and Media Studies In this original study, Esther Milne moves between close readings of letters, postcards and emails, on the one hand, and investigations of the material, technological infrastructures of these forms, on the other hand to answer the question: How does presence function as an aesthetic and rhetorical strategy within networked communication practices? As her work reveals, the relation between old and new communication systems is more complex than allowed in much contemporary media theory. December 2009: 229x152: 192pp Hb: 978-0-415-99328-9: £60.00
The Practice of Public Art Edited by Cameron Cartiere, Birkbeck College, University of London, UK and Shelly Willis, University of Minnesota, USA Series: Routledge Research in Cultural and Media Studies This exciting new collection of essays by practicing artists, curators, activists, art writers, administrators, city planners, and educators offers divergent perspectives on the numerous facets of the public art process. The volume also includes a useful graphic timeline of public art history. July 2008: 229x152: 286pp Hb: 978-0-415-96292-6: £60.00 eBook: 978-0-203-92667-3
Preface by Homi K. Bhabha Series: Routledge Research in Cultural and Media Studies
Edited by James Bennett, London Metropolitan University, UK and Tom Brown, University of Reading, UK
Communicating in the Third Space aims to clarify Homi K. Bhabha’s theory of the third space of enunciation by reconstructing its philosophical, sociological, geographical, and political meaning with attention to the special advantages and ambiguities that arise as it is applied in practical – as well as theoretical – contexts. The idea of ‘third space’ conceives the encounter of two distinct and unequal social groups as taking place in a special third space of enunciation where culture is disseminated and displaced from the interacting groups, making way for the invention of a hybrid identity, whereby these two groups conceive themselves to partake in a common identity relating to shared space and common dialogue. The essays collected in Communicating in the Third Space – including a preface by Homi K. Bhabha himself – brilliantly introduce readers to this exciting topic in Cultural and Post-Colonial theory and offers insightful elaboration and critique of the meaning and relevance of life in the ‘third space’.
Series: Routledge Research in Cultural and Media Studies
November 2008: 229x152: 218pp Hb: 978-0-415-96315-2: £60.00 eBook: 978-0-203-89116-2
December 2008: 229x152: 314pp Hb: 978-0-415-99176-6: £60.00 eBook: 978-0-203-87309-0
Film and Television After DVD
NEW
Edited by Karin Ikas, Frankfurt University, Germany and Gerhard Wagner, Johann Wolfgang Goethe-University, Frankfurt, Germany
Heralded as ‘the most significant invention [for film] since the coming of sound’ (The Observer 2003), by 2005 DVD players were in approximately 84 million homes in the US, making it the ‘fastest selling item in history of US consumer electronics market’ (McDonald 2007: 135). This book examines the phenomenal growth of DVDs in relation to the cultures, economies, texts, audiences and histories of film, television and new media. August 2008: 229x152: 212pp Hb: 978-0-415-96241-4: £60.00 eBook: 978-0-203-89429-3
NEW
Dynamics and Performativity of Imagination The Image Between the Visible and the Invisible Edited by Bernd Huppauf, New York University, USA and Christoph Wulf, Free University, Berlin, Germany Series: Routledge Research in Cultural and Media Studies
NEW
Deconstruction After 9/11
June 2009: 229x152: 400pp Hb: 978-0-415-99093-6: £65.00
Martin McQuillan, University of Leeds, UK Series: Routledge Research in Cultural and Media Studies
American Icons
In this book Martin McQuillan brings Derrida’s writing into the immediate vicinity of geo-politics today, from the Kosovan conflict to the war in Iraq. The chapters in this book follow both Derrida’s writing since Specters of Marx and the present political scene through the former Yugoslavia and Afghanistan to Palestine and Baghdad. His ‘textual activism’ is as impatient with the universal gestures of philosophy as it is with the complacency and reductionism of policy-makers and activists alike. This work records a response to the war on thinking that has marked western discourse since 9/11.
Benedikt Feldges
December 2008: 229x152: 214pp Hb: 978-0-415-96494-4: £65.00 eBook: 978-0-203-89110-0
Edited by Lawrence Grossberg and Della Pollock
The Genesis of a National Visual Language Series: Routledge Research in Cultural and Media Studies 2007: 229x152: 296pp Hb: 978-0-415-95635-2: £60.00 eBook: 978-0-203-93784-6
Cultural Studies 22.1/3 2007 Pb: 978-0-415-43142-2: £24.99
Cultural Studies 21.1 Edited by Lawrence Grossberg 2007 Pb: 978-0-415-43141-5: £24.99
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CULTURAL STUDIES
NEW
CCCS Selected Working Papers
2ND EDITION
Gaming Cultures and Place in Asia-Pacific
Volume 1
Food and Culture
Edited by Ann Gray, University of Lincoln, UK, Jan Campbell, Mark Erickson, Stuart Hanson and Helen Wood
A Reader
Edited by Larissa Hjorth, RMIT University, Australia and Dean Chan, Edith Cowan University, Australia Series: Routledge Studies in New Media and Cyberculture This collection explores the changing media and socio-technological space of Asia Pacific through the buoyant phenomena of gaming cultures. Housing key locations for global gaming production and consumption such as China, Japan and South Korea, as well as increasingly significant sites like Singapore and Australia, the the Asia-Pacific region provides a wealth of divergent examples of the role of gaming as a socio-cultural phenomenon. Drawing from micro ethnographic studies to macro political economy analysis of techno-nationalisms and transcultural flows of cultural capital, this collection will provide an interdisciplinary model for thinking through the politics of gaming production, representation and consumption in the region. Individual chapters touch on a diversity of topics including: case study analysis of specific games and game play; emerging and re-occurring productions of techno-nationalism; new media and experimental gaming; convergent technologies and the impact on established modes of game play; gendered consumption and production of games; technonational and government regulations and types of game play; pervasive (location-aware) gaming and the role of co-presence. July 2009: 229x152: 256pp Hb: 978-0-415-99627-3: £65.00
Beyond Subculture Pop, Youth and Identity in a Postcolonial World Rupa Huq, Kingston University, UK Presenting a new approach to the study of youth culture and popular music, Beyond Subculture re-examines the link between music and subcultures and asks the question; in an ageing world, can pop music still be an automatic metaphor for youth culture? Using case studies and first-hand interviews with consumer and producers including Noel Gallagher and Talvin Singh, Rupa Huq investigates a series of musically-centred global youth cultures including hip-hop, electronic dance music and bhangra. With ‘Generation X’ becoming an increasingly redundant term, this book will help students redefine their ideas of youth culture and will be an invaluable addition to their studies. 2006: 234x156: 232pp Hb: 978-0-415-27814-0: £65.00 Pb: 978-0-415-27815-7: £19.99 eBook: 978-0-203-49139-3
Cell Phone Culture Mobile Technology in Everyday Life
Edited by Carole Counihan and Penny Van Esterik
This volume is split into four thematic sections that are introduced by key academics working in the field of cultural studies, and includes a preface by eminent scholar, Stuart Hall. The thematic sections are: • CCCS founding moments • theoretical engagements • theorizing experience, exploring methods • grounded studies. 2007: 246x174: 928pp Hb: 978-0-415-32440-3: £130.00
CCCS Selected Working Papers Volume 2 Edited by Ann Gray, University of Lincoln, UK, Jan Campbell, Mark Erickson, Stuart Hanson and Helen Wood This volume is split into seven thematic sections that are introduced by key academics working in the field of cultural studies, and includes a preface by eminent scholar, Stuart Hall. The thematic sections are:
2007: 254x178: 624pp Hb: 978-0-415-97776-0: £70.00 Pb: 978-0-415-97777-7: £31.00 • AVAILABLE AS AN INSPECTION COPY
NEW IN PAPERBACK
Diets and Dieting A Cultural Encyclopedia Sander L. Gilman, Emory University, USA In this innovative reference work that spans many periods and cultures, the acclaimed cultural and medical historian Sander L. Gilman lays out the history of diets and dieting in a fascinating series of articles.
• literature and society • popular culture and youth subculture • media • women’s studies and feminism • race • history • education and work. 2007: 246x174: 1120pp Hb: 978-0-415-32441-0: £130.00
July 2009: 276x219: 320pp Hb: 978-0-415-97420-2: £85.00 Pb: 978-0-415-80193-5: £29.99 eBook: 978-0-203-93550-7
CCCS Selected Working Papers Volumes 1 and 2 978-0-415-46138-2: £250.00
Subcultures Cultural Histories and Social Practice
Stuart Hall
Ken Gelder, University of Melbourne, Australia
Critical Dialogues in Cultural Studies Edited by Kuan-Hsing Chen and David Morley Series: Comedia A representative selection of Stuart Hall’s enormously influential writings on cultural studies and Hall’s engagement with urgent and abiding questions of ‘race’, ethnicity and identity. 1996: 234x156: 544pp Hb: 978-0-415-08803-9: £60.00 Pb: 978-0-415-08804-6: £18.99 eBook: 978-0-203-99326-2 • AVAILABLE AS AN INSPECTION COPY
2007: 234x156: 208pp Hb: 978-0-415-37951-9: £55.00 Pb: 978-0-415-37952-6: £16.99 eBook: 978-0-203-44685-0 • AVAILABLE AS AN INSPECTION COPY
Subculture The Meaning of Style Dick Hebdige Series: New Accents
Gerard Goggin
Flagging Patriotism
2006: 234x156: 240pp Hb: 978-0-415-36743-1: £65.00 Pb: 978-0-415-36744-8: £17.99 • AVAILABLE AS AN INSPECTION COPY
Crises of Narcissism and Anti-Americanism Ella Shohat and Robert Stam, both at New York University, USA 2006: 229x152: 408pp Hb: 978-0-415-97921-4: £60.00 Pb: 978-0-415-97922-1: £16.99
Ken Gelder covers a remarkable range of forms and practices across many different subcultural groups.
‘Hebdige’s Subculture: The Meaning of Style is so important: complex and remarkably lucid, it’s the first book dealing with punk to offer intellectual content. Hebdige ... is concerned with the UK’s postwar, music-centred, white working-class subcultures, from teddy boys to mods and rockers to skinheads and punks.’ – Rolling Stone 1979: 198x129: 208pp Pb: 978-0-415-03949-9: £15.99 eBook: 978-0-203-13994-3 • AVAILABLE AS AN INSPECTION COPY
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8
CULTURAL STUDIES
NEW FOR 2010
3RD EDITION
Popular Music of Vietnam
Youth, Drugs and Night Life
Understanding Popular Music Culture
The Politics of Remembering, the Economics of Forgetting
Roy Shuker, Victoria University of Wellington, New Zealand
Dale A. Olsen, Florida State University, USA
Geoffrey Hunt, Molly Moloney and Kristin Evans, both at Institute for Scientific Analysis, USA From marijuana and jazz, to amphetamines and punk, drugs and popular music have been inextricably tied together. Today the music is electronic and ecstasy and party drugs are the drugs of choice. In Youth, Drugs and Night Life the authors explore the attraction of the scene and the drugs to young people today. Using information from over 300 in-depth interviews with ravers, DJ’s and promoters, the authors examine the social and ethnic background of the ravers and clubbers. They show how it is made up of many different social groupings based not just on social class, gender or ethnicity, but also length of time in the scene, choice of drugs, styles of dancing and types of music. In contrast to the often stereotypical views of about young drug users as naive and poorly informed, the authors explore the sources of information used by ravers, the precautions they take both prior and after using, and the controls they impose on each others’ use. We learn about frustrations with legislation controlling raves and clubs, anger at the increasing commercialization of the scene, and general scepticism about official pronouncements on the dangers of ecstasy and other drugs.
Written specifically for students, this introductory textbook explores the history and meaning of rock and popular music. Roy Shuker’s study provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music and examines the difficulties and debates which surround the analysis of popular culture and popular music. This heavily revised and updated third edition includes: • new case studies on the iPod, downloading, and copyright • the impact of technologies, including on-line delivery and the debates over MP3 and Napster • new chapters on music genres, cover songs and the album canon as well as music retail, radio and the charts • case studies and lyrics of artists such as Robert Johnson, The Who, Fat Boy Slim and The Spice Girls
Series: Routledge Studies in Ethnomusicology Based on the author’s research in Ho Chi Minh City, Hanoi, and other urban areas in Vietnam, this study of contemporary Vietnamese popular music explores the ways globalization and free market economics have influenced the music and subcultures of Vietnamese youth. Selected Contents: List of Figures. Forword Nguyen T. Phong. Acknowledgements 1. Prelude 2. Cultural and Political Settings for Vietnam’s Popular Music 3. Vietnamese Pop Music Stars and the Bumpy Road to Stardom 4. Vietnamese Rock, Pop-Rock, and Pop Music Bands 5. Vietnamese Songwriters, Social Issues, and Government Persuasion 6. Performance Venues for (Mostly) Live Popular Music 7. Disseminating Popular Music: Pop and Rock Music Concerts, Festivals, and Shows 8. Disseminating Popular Music: Audio and Video Recordings 9. Vietnamese Karaoke: Place, Pleasure, Politics, and Profit 10. Conclusion: The Politics and Economics of Popular Music in Vietnam. Notes. Glossary. Bibliography. Index June 2008: 229x152: 306pp Hb: 978-0-415-98886-5: £60.00 eBook: 978-0-203-89279-4
The Trauma Question
Selected Contents: 1. Introduction: Becoming Involved 2. The Growth of the Dance and Drug Scene 3. Dance in San Francisco 4. Clubbers and Ravers 5. First Experiences 6. ‘The Night Out’ 7. Raves, Ecstasy and Everyday Life 8. Transitions Within the Scene: From ‘Candy Raver’ to ‘Jaded Raver’ to Phasing Out 9. Conclusion January 2010: 234x156: 256pp Hb: 978-0-415-37471-2: £65.00 Pb: 978-0-415-37473-6: £22.99 eBook: 978-0-203-92941-4 • AVAILABLE AS AN INSPECTION COPY
2007: 234x156: 328pp Hb: 978-0-415-41905-5: £70.00 Pb: 978-0-415-41906-2: £19.99
A National Joke
American Youth Cultures
Popular Comedy and English Cultural Identity
Edited by Neil Campbell
Andy Medhurst, University of Sussex, UK
2004: 229x152: 272pp Pb: 978-0-415-97197-3: £28.95
June 2008: 234x156: 256pp Hb: 978-0-415-40272-9: £65.00 Pb: 978-0-415-40271-2: £17.99
True Crime
Postmodernism and Popular Culture
Observations on Violence and Modernity
Angela McRobbie
Mark Seltzer
1994: 234x156: 240pp Hb: 978-0-415-07712-5: £70.00 Pb: 978-0-415-07713-2: £17.99 eBook: 978-0-203-16833-2
’In A National Joke, Medhurst ... uses comedy to pin down that most elusive of things, the English national identity.’ – The Guardian ‘This is an excellent study of a popular comedy that links it into a variety of English cultural identities. Unusually for a book classified as cultural studies, it is clearly written, and by an author who enjoys humour ... A splendid account.’ – The Times Higher Education Supplement 2007: 234x156: 240pp Hb: 978-0-415-16877-9: £65.00 Pb: 978-0-415-16878-6: £18.99 • AVAILABLE AS AN INSPECTION COPY
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• a comprehensive discography, suggestions for further reading, listening and viewing and a directory of useful websites. With chapter related guides to further reading, listening and viewing, a glossary, and a timeline, this textbook is the ideal introduction for students.
2006: 229x152: 288pp Hb: 978-0-415-97793-7: £60.00 Pb: 978-0-415-97794-4: £16.99
Roger Luckhurst, Birkbeck, University of London, UK The Trauma Question outlines the origins of the concept of trauma across psychiatric, legal and cultural-political sources from the 1860s to the coining of Post-Traumatic Stress Disorder in 1980. It further explores the nature and extent of ‘trauma culture’ from 1980 to the present, drawing upon a range of cultural practices from literature, memoirs and confessional journalism through to photography and film. The study covers a diverse range of cultural works, including writers such as Toni Morrison, Stephen King and W.G. Sebald, artists Tracey Emin, Christian Boltanski and Tracey Moffatt, and film-makers David Lynch and Atom Egoyan.
In the Culture Society Art, Fashion and Popular Music Angela McRobbie 1999: 234x156: 176pp Hb: 978-0-415-13749-2: £75.00 Pb: 978-0-415-13750-8: £18.99 • AVAILABLE AS AN INSPECTION COPY
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CULTURAL STUDIES
NEW
The Citizen Audience
NEW
Production Studies
Crowds, Publics, and Individuals
Understanding Cultural Geography
Cultural Studies of Media Industries
Richard Butsch, Rider University, USA
Places and Traces
In The Citizen Audience, Richard Butsch explores the cultural and political history of audiences in the United States from the nineteenth century to the present. He demonstrates that, while attitudes toward audiences have shifted over time, Americans have always judged audiences against standards of good citizenship.
Edited by John Thornton Caldwell, Vicki Mayer and Miranda Banks Production Studies is a landmark collection that closely examines the texts, institutions, and practices of media industries in order to allow media studies students and scholars to think more precisely and holistically about media production as a cultural activity. The book is comprised of all new essays exploring the cultures, social organization, work practices, and belief systems of media practitioners. Each section results from a combination of situated fieldwork, empirical or from-the-ground-up studies, and critical analysis. Individual chapters draw upon a diverse array of earlier production studies across a range of ethnographic, sociological, critical, material, and political-economic methodologies as each author presents their own contemporary research. The contributors include distinguished and new scholars from a range of academic disciplines: Film and Media Studies, Communication, Sociology, and Anthropology. The authors and editors are especially interested in how the cultural activities of production workers fit within and animate the new realities of a post-Fordist and neoliberal economy, flexible and outsourced labour practices, multimedia convergence, and multinational, corporate conglomeration. Selected Contents: Introduction: ‘Of Fields and Disciplines: Considering Cultural Studies of Production’ Vicki Mayer, Miranda Banks and John Caldwell Part 1: History of Media Production Studies 1. ‘Bringing the Social Back In: Studies of Production Cultures and Social Theory’ Vicki Mayer 2. ‘Examining Industries: Gitlin’s Inside Prime Time and the Contributions of Comprehensive Industrial Studies’ Amanda Lotz 3. ‘Tools and Turmoil in Production Culture: Too Many Cooks in the Kitchen’ John Caldwell Part 2: Producers: Selves and Others 4. ‘It’s Not TV, It’s Brand Management TV: The Collective Author(s) of the Lost Franchise’ Denise Mann 5. ‘Not in Kansas Anymore: Transnational Collaboration in Telefantasy Co-Production’ Jane Landman 6. ‘Just Be Yourself – Only More So’: The Production of Ordinariness and the Ordinariness of Production in Reality Television’ Laura Grindstaff Part 3: Production Spaces: Centers and Peripheries 7. ‘Crossing the Border: Studying Canadian Television Production’ Elana Levine 8. ‘Leo C. Rosten’s Hollywood: Power, Status, and the Primacy of Social Networks’ John L. Sullivan 9. ‘Liminal Places and Spaces: Public/Private Considerations in The L Word’ Candace Moore Part 4: Production as Lived Experience 10. ‘Studying Sideways: Ethnographic Access in Hollywood’ Sherry Ortner 11. ‘Audience Knowledge and the Everyday Lives of Cultural Producers in Hollywood’ Stephen Zafirau 12. ‘Lights, Camera, but Where’s the Action? Actor-Network Theory and Film Production’ Oli Mould Part 5: Politicizing Production 13. ‘Feminism Below the Line?’ Miranda Banks 14. ‘Privilege and Distinction in Production Worlds’ Matt Stahl 15. ‘Producing a Telenovela in a Time of Crisis: The Case of Venezuela’s Costa Rica’ Carolina Acosta-Alzuru July 2009: 229x152: 304pp Hb: 978-0-415-99795-9: £80.00 Pb: 978-0-415-99796-6: £22.99 • AVAILABLE AS AN INSPECTION COPY
Jon Anderson, Cardiff University, UK Understanding Cultural Geography: Places and Traces offers a holistic view of cultural geography. As a popular and expanding discipline cultural geography involves a range of contributing theories and an often bewildering plethora of empirical foci. This book integrates these various ideas and practices through arguing that the essential focus of cultural geography is place. It builds an accessible and engaging configuration of this important concept through arguing that place should be understood as an ongoing composition of traces. It presents specific chapters investigating:
2007: 229x152: 200pp Hb: 978-0-415-97789-0: £60.00 Pb: 978-0-415-97790-6: £16.99 eBook: 978-0-203-92903-2 • AVAILABLE AS AN INSPECTION COPY
• culture and capitalism • the place of culture in nature • nationalisms, religions and place • ethnicity, language and place
Watching Babylon
• age, ability and place
The War in Iraq and Global Visual Culture
• gendered and sexualized places.
Nicholas Mirzoeff
Selected Contents: Introduction 1. Where Cultural Geography has Been 2. Representations, Practices and Performances 3. Identifying Place 4. Power and Place 5. Culture, Capitalism and Place 6. The Place of Culture in Nature 7. Nationalism, Religions and Place 8. Ethnicity, Language and Place 9. Age, Ability and Place 10. Gendered and Sexualised Places 11. Methodology and Ethics in Cultural Geography 12. Conclusion December 2009: 246x189: 312pp Hb: 978-0-415-43054-8: £90.00 Pb: 978-0-415-43055-5: £24.99 eBook: 978-0-203-87237-6 • AVAILABLE AS AN INSPECTION COPY
2004: 216x138: 216pp Hb: 978-0-415-34309-1: £65.00 Pb: 978-0-415-34310-7: £15.99 eBook: 978-0-203-48282-7 • AVAILABLE AS AN INSPECTION COPY
Popular Culture, Globalization and Japan Edited by Matthew Allen and Rumi Sakamoto, both at University of Auckland, New Zealand Japanese popular culture is constantly evolving in the face of internal and external influence. Popular Culture, Globalization and Japan examines this evolution from a new and challenging perspective by focusing on the movements of popular culture into and out of Japan. Taking a multidisciplinary approach, the book argues that a key factor behind the changing nature of Japanese popular culture lies in its engagement with globalization. Essays from a team of leading international scholars illustrate this crucial interaction between the flows of Japanese popular culture and the constant development of globalization. Drawing on rich empirical content, this book looks at Japanese popular culture as it traverses international borders flowing out through such forms as manga consumption in New Zealand and flowing in through such forms as foreigners writing about Japan in Japanese and how American influences affected the formation of Japan’s gay identity. Presenting current, confronting and sometimes controversial insights into the many forms of Japanese popular culture emerging within this global context, Popular Culture, Globalization and Japan will make essential reading for those working in Japanese studies, cultural studies and international relations. 2006: 234x156: 240pp Hb: 978-0-415-36898-8: £80.00 Pb: 978-0-415-44795-9: £22.00 eBook: 978-0-203-02924-4
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9
10
CULTURAL STUDIES
CULTURAL THEORY
NEW
NEW
Popular Culture in a Globalised India
Handbook of Japanese Culture and Society
Edited by K. Moti Gokulsing, University of East London, UK and Wimal Dissanayake, University of Hawai’i at Manoa, USA This textbook presents India’s incredibly rich popular cultural traditions. Chapters provide illuminating insights into various aspects of the social, cultural, economic and political diversity of a globalized India. The book thus represents some of the best thinking of the rising generation of Indian scholars and draws on a broad range of academic disciplines, which address the issue of popular culture. Structured thematically, the book deals with wide-ranging issues such as: • film, television, TV soaps, Indian feminisms • folk theatre, myths – Mahabharata-Ramayana, religious nationalism • music, dance, fashions • comics, cartoons, photographs, posters, advertising • cyberculture, the software industry • sports, tourism • food culture. The textbook offers comprehensive coverage of the emerging discipline of popular culture in India. It will be essential reading for courses on Indian popular culture and a useful resource for more general courses in the field of cultural studies, media studies, history, literary studies and communication studies. December 2008: 234x156: 288pp Hb: 978-0-415-47666-9: £85.00 Pb: 978-0-415-47667-6: £22.99 eBook: 978-0-203-88406-5
Edited by Theodore C. Bestor and Victoria Bestor, both at Harvard University, USA The Handbook of Japanese Culture and Society is an interdisciplinary resource that focuses on contemporary Japan and the social and cultural trends that are important at the beginning of the twenty-first century. This Handbook provides a cutting-edge and comprehensive survey of significant phenomena, institutions, and directions in Japan today, on issues ranging from gender and family, the environment, race and ethnicity, and urban life, to popular culture and electronic media. As such, it is an invaluable reference tool for anyone interested in Japan’s culture and society. Selected Contents: Japan at Mid-Century: From Radio Tokyo to the Tokyo Olympics Peter Duus. Cultural Approaches to Political Identity and Discourse David Leheny. Politics, Language and Society Nanette Gottlieb. Religion in Contemporary Japanese Lives Mark Mullins. War and Memory Alexis Dudden. Identity and Status Social Class and Identity David Slater. The Politics of Gender Robin Le Blanc. The Japanese Family in Flux Merry White. Race, Ethnicity and Minorities in Japan Richard Siddle. Life on the Margins: The Homeless, Migrant Workers, and the Disabled Carolyn Stevens. Queer Culture Mark McLelland. Mizushobai and Sex Industries Haeng-ja Sachiko Chung. Aging and Social Welfare Leng Leng Thang. Urban Landscapes Paul Waley. Architecture and the Built Environment Bill Coaldrake. Cultural Flows: Japan and East Asia Koichi Iwabuchi. Japanese Education Roger Goodman. Law and Society Lawrence Repeta. The Rise of the Civil Sector Akihiro Ogawa. Popular Japanese Literature and the Culture of Publishing Stephen Snyder. Japanese Manga and Anime Susan Napier. Japanese Film and Television Aaron Gerow. Music Culture Ian Condry. Sports Culture William Kelly. Japanese Cuisine and Food Culture Theodore Bestor and Victoria Bestor October 2009: 246x174: 624pp Hb: 978-0-415-43649-6: £95.00
Boys in Children’s Literature and Popular Culture Masculinity, Abjection, and the Fictional Child Annette Wannamaker, Eastern Michigan University, USA Series: Children’s Literature and Culture
Series Editor: Robert Eaglestone, University of London, UK
NEW
Theorists of the City Walter Benjamin, Henri Lefebvre and Michel de Certeau Jenny Bavidge, University of Greenwich, UK Theorists of the City have been fundamental to the development of modernism and postmodernism, and are increasingly important in the fields of cultural studies and visual culture. Jenny Bavidge focuses on the work of three leading city theorists – Benjamin, Lefebvre and de Certeau – whose work represents key schools of thought or emphases within the areas of cultural geography, urban studies and spatial theory. Theorists of the City is essential reading to further explore issues of locality, social space, architecture and urban aesthetics; key ideas discussed through the work of these three thinkers include: • flaneurie • situationism • psychogeography • heterotopia. Selected Contents: 1. Why Benjamin, Lefebvre and De Certeau? 2. Walter Benjamin: The City and Modernity 3. Henri Lefebvre: The City and Space 4. Michel de Certeau: Walking in the City 5. Conclusion: After Benjamin, Lefebvre and De Certeau 6. Further Reading December 2009: 198x129: 224pp Hb: 978-0-415-33851-6: £55.00 Pb: 978-0-415-33852-3: £12.99 eBook: 978-0-203-44210-4 • AVAILABLE AS AN INSPECTION COPY
NEW
2007: 229x152 Hb: 978-0-415-97469-1: £65.00
2ND EDITION
Sigmund Freud
NEW
Pamela Thurschwell
2ND EDITION
Sigmund Freud provides an invaluable introduction to the life and work of one of the twentieth century’s most important thinkers. Studied on most undergraduate literary and cultural studies courses, Sigmund Freud takes a fresh look at the work of this groundbreaking theorist, offering students a clear introduction to Freud’s importance for psychoanalytic literary criticism, while tracing the scientific and cultural contexts from which he emerged. This book guides readers through Freud’s terminology and key ideas and includes a detailed bibliography of his own and other relevant texts.
Encyclopedia of Social and Cultural Anthropology Edited by Alan Barnard and Jonathan Spencer, both at the University of Edinburgh, UK ‘This is one of those few privileged works that may actually redefine a field. Situating current debates in the context of the historical development of anthropology ... it charts a contemporary discourse that is vibrant, sophisticated and unexpectedly coherent. This is what post postmodernist anthropology looks like.’ – Journal of the Royal Anthropological Institute
June 2009: 198x129: 192pp Hb: 978-0-415-47368-2: £55.00 Pb: 978-0-415-47369-9: £12.99 eBook: 978-0-203-88806-3 • AVAILABLE AS AN INSPECTION COPY
October 2009: 246x174: 864pp Hb: 978-0-415-40978-0: £125.00
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Routledge Critical Thinkers Series
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CULTURAL THEORY
NEW
NEW
NEW
Eve Kosofsky Sedgwick
2ND EDITION
Emmanuel Levinas
Jason Edwards, University of York, UK
Jean Baudrillard
Seán Hand, University of Warwick, UK
Eve Kosofsky Sedgwick is one of the most significant literary theorists of the last forty years and a key figure in contemporary queer theory. In this engaging and inspiring guide, Jason Edwards:
Richard J. Lane, Vancouver Island University, Canada
Best known for his theories of ethics and responsibility, Emmanuel Levinas was one of the most profound and influential thinkers of the last century. In this clear, accessible guide, Seán Hand examines why Levinas is increasingly fundamental to the study of literature and culture today. Exploring the intellectual and social contexts of his work and the events that shaped it, Hand considers:
Jean Baudrillard is one of the most controversial theorists of our time, famous for his claim that the Gulf War never happened and for his provocative writing on terrorism, specifically 9/11. This new and fully updated second edition includes:
• introduces and explains key terms such as affects, the first person, homosocialities, and queer taxonomies, performativities and cusps • considers Sedgwick’s poetry and textile art alongside her theoretical texts
• an introduction to Baudrillard’s key works and theories such as simulation and hyperreality
• encourages a personal as well as an academic response to Sedgwick’s work, suggesting how life-changing it can be • offers detailed suggestions for further reading. Selected Contents: Why Sedgwick? Key Ideas 1. Homos 2. Homosocialities 3. Epistemologies of the Closet 4. Queer Taxonomies 5. Queer Performativities 6. Queer Cusps 7. Affects 8. Autobiographies After Sedgwick. Further Reading August 2008: 198x129: 200pp Hb: 978-0-415-35844-6: £55.00 Pb: 978-0-415-35845-3: £12.99 eBook: 978-0-203-00462-3 • AVAILABLE AS AN INSPECTION COPY
NEW 2ND EDITION
• a new chapter on Baudrillard and terrorism
• his often complex relationships with other theorists and theories.
• engagement with architecture and urbanism through the Utopie group • a look at the most recent applications of Baudrillard’s ideas. Richard J. Lane offers a comprehensive introduction to this complex and fascinating theorist, also examining the impact that Baudrillard has had on literary studies, media and cultural studies, sociology, philosophy and postmodernism.
• the significance of ‘worldliness’, ‘amateurism’, ‘secular criticism’, ‘affiliation’ and ‘contrapuntal reading’
Paul Virilio
• the place of text and critic in ‘the world’
Ian James, University of Cambridge, UK
• knowledge, power and the construction of the ‘Other’
2007: 198x129: 160pp Hb: 978-0-415-35963-4: £55.00 Pb: 978-0-415-35964-1: £12.99 eBook: 978-0-203-00763-1 • AVAILABLE AS AN INSPECTION COPY
• links between culture and imperialism • exile, identity and the plight of Palestine • a new chapter looking at Said’s later work and style. This popular guide has been fully updated and revised in a new edition, suitable for readers approaching Said’s work for the first time as well as those already familiar with the work of this important theorist. The result is the ideal guide to one of the twentieth century’s most engaging critical thinkers. Selected Contents: Why Said? Key Ideas 1. Worldliness: The Text 2. Worldliness: The Critic 3. Orientalism 4. Culture as Imperialism 5. Palestine 6. Said’s Late Style After Said. Further Reading October 2008: 198x129: 200pp Hb: 978-0-415-47687-4: £55.00 Pb: 978-0-415-47689-8: £12.99 eBook: 978-0-203-08807-0 • AVAILABLE AS AN INSPECTION COPY
• Levinas’ work on aesthetics • the relationship of philosophy and religion in his writings
Edward Said is perhaps best known as the author of the landmark study Orientalism, a book which changed the face of critical theory and shaped the emerging field of post-colonial studies, and for his controversial journalism on the Palestinian political situation. Looking at the context and the impact of Said’s scholarship and journalism, this book examines Said’s key ideas, including:
Pal Ahluwalia, University of South Australia, Australia and Bill Ashcroft, University of Hong Kong
• key concepts such as the ‘face’, the ‘other’, ethical consciousness and responsibility
• coverage of Baudrillard’s later work on the question of postmodernism
Selected Contents: Why Baudrillard? Key Ideas 1. Beginnings: French Thought in the 1960’s 2. The Technological System of Objects 3. Narrative of Primitivism: The `Last Real Book’ 4. Reworking Marxism 5. Simulation and the Hyperreal 6. America and Postmodernism 7. Writing Strategies: Postmodern Performance 8. Baudrillard and Terrorism After Baudrillard. Works Cited December 2008: 198x129: 192pp Hb: 978-0-415-47447-4: £55.00 Pb: 978-0-415-47448-1: £12.99 eBook: 978-0-203-09109-8 • AVAILABLE AS AN INSPECTION COPY
Edward Said
• the influence of phenomenology and Judaism on Levinas’ thought
Manuel Castells and Donna Haraway David Bell 2006: 198x129: 176pp Hb: 978-0-415-32430-4: £55.00 Pb: 978-0-415-32431-1: £12.99 eBook: 978-0-203-35701-9 • AVAILABLE AS AN INSPECTION COPY
Selected Contents: Why Levinas? Key Ideas 1. Biography 2. Phenomenology and Judaism 3. Totality and Infinity 4. Otherwise Than Being 5. Aesthetics 6. Talmudic Readings 7. Difficult Freedom: Politics and Ethics. After Levinas September 2008: 198x129: 160pp Hb: 978-0-415-40276-7: £55.00 Pb: 978-0-415-40275-0: £12.99 eBook: 978-0-203-88805-6 • AVAILABLE AS AN INSPECTION COPY
Michel Foucault Sara Mills 2003: 198x129: 176pp Pb: 978-0-415-24569-2: £12.99 eBook: 978-0-203-38034-7 • AVAILABLE AS AN INSPECTION COPY v
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Tony Myers 2003: 198x129: 160pp Hb: 978-0-415-26264-4: £55.00 Pb: 978-0-415-26265-1: £12.99 eBook: 978-0-203-63440-0 • AVAILABLE AS AN INSPECTION COPY
Ross Wilson, Emmanuel College, University of Cambridge, UK
Cyberculture Theorists
Emmanuel Levinas’ unique contribution to theory set an exemplary standard for all subsequent thought. This outstanding guide to his work will prove invaluable to scholars and students across a wide range of disciplines – from philosophy and literary criticism through to international relations and the creative arts.
Slavoj Zizek
Theodor Adorno 2007: 198x129: 160pp Hb: 978-0-415-41818-8: £55.00 Pb: 978-0-415-41819-5: £12.99 eBook: 978-0-203-93332-9 • AVAILABLE AS AN INSPECTION COPY
• the interaction of his work with historical discussions
Roland Barthes Graham Allen 2003: 198x129: 192pp Hb: 978-0-415-26361-0: £55.00 Pb: 978-0-415-26362-7: £12.99 eBook: 978-0-203-63442-4 • AVAILABLE AS AN INSPECTION COPY
Judith Butler Sara Salih 2002: 198x129: 192pp Hb: 978-0-415-21518-3: £55.00 Pb: 978-0-415-21519-0: £12.99 eBook: 978-0-203-11864-1 • AVAILABLE AS AN INSPECTION COPY
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CULTURAL THEORY
2ND EDITION
NEW
NEW
Hannah Arendt
Memory
Simon Swift, University of Leeds, UK
Anne Whitehead, University of Newcastle, UK The concept of ‘memory’ has given rise to some of the most exciting new directions in contemporary theory.
Hannah Arendt’s work offers a powerful critical engagement with the cultural and philosophical crises of mid-twentieth-century Europe. Her idea of the banality of evil, made famous after her report on the trial of the Nazi war criminal, Adolf Eichmann, remains controversial to this day. In the face of 9/11 and the War on Terror, Arendt’s work on the politics of freedom and the rights of man in a democratic state are especially relevant. Her impassioned plea for the creation of a public sphere through free, critical thinking and dialogue provides a significant resource for contemporary thought. Covering her key ideas from The Origins of Totalitarianism and The Human Condition as well as some of her less well-known texts, and focussing in detail on Arendt’s idea of storytelling, this guide brings Arendt’s work into the twenty-first century while helping students to understand its urgent relevance for the contemporary world. October 2008: 198x129: 192pp Hb: 978-0-415-42585-8: £55.00 Pb: 978-0-415-42586-5: £12.99 eBook: 978-0-203-88967-1 • AVAILABLE AS AN INSPECTION COPY
Feminist Film Theorists Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed Shohini Chaudhuri 2006: 198x129: 160pp Hb: 978-0-415-32432-8: £55.00 Pb: 978-0-415-32433-5: £12.99 eBook: 978-0-203-35702-6 • AVAILABLE AS AN INSPECTION COPY
Antonio Gramsci Steven Jones 2006: 198x129: 168pp Hb: 978-0-415-31947-8: £55.00 Pb: 978-0-415-31948-5: £12.99 eBook: 978-0-203-62552-1 • AVAILABLE AS AN INSPECTION COPY
Homi K. Bhabha
Cultural Theory: The Key Concepts Edited by Andrew Edgar and Peter Sedgwick, both at University of Cardiff, UK Series: Routledge Key Guides Now in its second edition, Cultural Theory: The Key Concepts is an up-to-date and comprehensive survey of over 350 of the key terms central to cultural theory today. This second edition includes new entries on:
In this much-needed guide to a burgeoning field of a study, Anne Whitehead: • presents a history of the concept of ‘memory’ and its uses, encompassing both memory as activity and the nature of memory
• colonialism • cyberculture • globalization
• examines debates around the term in their historical and cultural contexts • introduces the reader to key thinkers in the field, from ancient Greece to the present day • traces the links between theorizations and literary representations of memory. Offering a clear and succinct guide to one of the most important terms in contemporary theory, this volume is essential reading for anyone entering the field of Memory Studies, or seeking to understand current developments in Cultural and Literary Studies. Selected Contents: Introduction 1. Memory and Inscription 2. Memory and the Self 3. Involuntary Memories 4. Collective Memory. Conclusion: The Art of Forgetting?. Bibliography September 2008: 198x129: 176pp Hb: 978-0-415-40274-3: £55.00 Pb: 978-0-415-40273-6: £12.99 eBook: 978-0-203-88804-9 • AVAILABLE AS AN INSPECTION COPY
Cosmopolitan Culture and Consumerism in Chick Lit Caroline J. Smith, The George Washington University, USA Series: Literary Criticism and Cultural Theory 2007: 229x152: 192pp Hb: 978-0-415-95662-8: £50.00 eBook: 978-0-203-92914-8
Cultural Theory: The Key Thinkers
David Huddart
Edited by Andrew Edgar and Peter Sedgwick
2005: 198x129: 192pp Hb: 978-0-415-32823-4: £55.00 Pb: 978-0-415-32824-1: £12.99 eBook: 978-0-203-39092-4 • AVAILABLE AS AN INSPECTION COPY
Series: Routledge Key Guides
• terrorism • visual studies. 2007: 216x138: 447pp Hb: 978-0-415-39938-8: £60.00 Pb: 978-0-415-39939-5: £14.99 eBook: 978-0-203-93394-7 • AVAILABLE AS AN INSPECTION COPY
NEW FOR 2010
Social Movements: The Key Concepts Graeme Chesters, University of Bradford, UK and Ian Welsh, Cardiff University, UK Series: Routledge Key Guides Social Movements: The Key Concepts has relevance for a range of disciplines such as healthcare, development studies, anthropology and globalization. Material covered includes the Civil Rights Movement, direct action, hactyvism, indymedia, feminism and the Anti-Globalization Movement. An A-Z index and extensive bibliography provides tips for further exploration of this fascinating field. Students of all levels stand to gain much from this up-to-date and compact distillation of all the key facts. Selected Contents: Anti-Globalisation Movement. The Civil Rights Movement. Direct Action. Hacktivism. Indymedia. Feminism May 2010: 216x138: 272pp Hb: 978-0-415-43114-9: £65.00 Pb: 978-0-415-43115-6: £14.99 • AVAILABLE AS AN INSPECTION COPY
3RD EDITION
Communication, Cultural and Media Studies: The Key Concepts
2001: 216x138: 304pp Hb: 978-0-415-23280-7: £65.00 Pb: 978-0-415-23281-4: £14.99 eBook: 978-0-203-99642-3 • AVAILABLE AS AN INSPECTION COPY
John Hartley Series: Routledge Key Guides
Stuart Hall James Procter
Histories of Postmodernism
2004: 198x129: 184pp Hb: 978-0-415-26268-8: £65.00 Pb: 978-0-415-26267-5: £12.99 eBook: 978-0-203-49698-5 • AVAILABLE AS AN INSPECTION COPY
Edited by Mark Bevir, University of California, Berkeley, USA, Jill Hargis, California State Polytechnic University, Pomona, USA and Sara Rushing, Linfield College, USA
Jacques Derrida
2007: 229x152: 274pp Hb: 978-0-415-95613-0: £65.00
Series: Routledge Studies in Cultural History
Nicholas Royle 2003: 198x129: 208pp Hb: 978-0-415-22930-2: £55.00 Pb: 978-0-415-22931-9: £12.99 eBook: 978-0-203-38037-6 • AVAILABLE AS AN INSPECTION COPY
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See Order Form at the back of this catalogue
Intellectuals and Cultural Policy Edited by Jeremy Ahearne and Oliver Bennett 2007: 246x174: 256pp Hb: 978-0-415-42090-7: £80.00
+44 (0)1235 400524
2002: 288pp Hb: 978-0-415-26888-2: £65.00 Pb: 978-0-415-26889-9: £14.99 eBook: 978-0-203-44993-6 • AVAILABLE AS AN INSPECTION COPY
Fax: +44 (0)20 7017 6336
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CULTURAL THEORY
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GENDER AND SEXUALITY
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Slavoj Z izek Enjoy Your Symptom! Jacques Lacan in Hollywood and Out v
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Slavoj Zizek, University of Ljubljana, Slovenia Series: Routledge Classics The title is just the first of many startling asides, observations and insights that fill this guide to Hollywood on the Lacanian v psychoanalyst’s couch. Zizek introduces the ideas of Jacques Lacan through the medium of American film, taking his examples from over 100 years of cinema, from Charlie Chaplin to The Matrix and referencing along the way such figures as Lenin and Hegel, Michel Foucault and Jesus Christ. Enjoy Your Symptom! is a thrilling guide to cinema and psychoanalysis from a thinker who is perhaps the last standing giant of cultural theory in the twenty-first century. v
2007: 198x129: 280pp Pb: 978-0-415-77259-4: £11.99 eBook: 978-0-203-95098-2
Organs Without Bodies Deleuze and Consequences v
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Slavoj Zizek 2003: 229x152: 232pp Hb: 978-0-415-96920-8: £60.00 Pb: 978-0-415-96921-5: £16.99 • AVAILABLE AS AN INSPECTION COPY
Opera’s Second Death v
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Slavoj Zizek and Mladen Dolar 2001: 229x152: 256pp Hb: 978-0-415-93016-1: £65.00 Pb: 978-0-415-93017-8: £17.99 • AVAILABLE AS AN INSPECTION COPY
On Belief v
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Slavoj Zizek Series: Thinking in Action 2001: 198x129: 176pp Hb: 978-0-415-25531-8: £55.00 Pb: 978-0-415-25532-5: £12.99 eBook: 978-0-203-16709-0 • AVAILABLE AS AN INSPECTION COPY
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Judith Butler and Political Theory
NEW
Troubling Politics
2ND EDITION
Samuel A. Chambers, Swansea University, UK and Terrell Carver, University of Bristol, UK
Genders
This original study is the first to take a thematic approach to Butler as a political thinker. Starting with an explanation of her terms of analysis, Judith Butler and Political Theory develops Butler’s theory of the political through an exploration of her politics of troubling given categories and approaches. By developing concepts such as normative violence and subversion and by elaborating her critique of heteronormativity, this book moves deftly between Butler’s earliest and most famous writings on gender and her more recent interventions in post-9/11 politics. This book, along with its companion volume, Judith Butler’s Precarious Politics, marks an intellectual event for political theory, with major implications for feminism, women’s studies, gender studies, cultural studies, lesbian and gay studies, queer theory and anyone with a critical interest in contemporary American ‘great power’ politics. January 2008: 234x156: 200pp Hb: 978-0-415-76382-0: £75.00 Pb: 978-0-415-38366-0: £24.99 eBook: 978-0-203-93744-0
David Glover and Cora Kaplan, both at University of Southampton, UK Series: The New Critical Idiom The concept of gender continues to be a central issue in literary and cultural studies, with a significance that crosses disciplinary boundaries and provokes lively debate. In this fully revised and updated second edition, David Glover and Cora Kaplan offer a lucid and illuminating introduction to ‘gender’ and its implications. Selected Contents: Introduction 1. Femininity and Feminism 2. Masculinities 3. Queering the Pitch 4. Readers and Spectators. Conclusion December 2008: 198x129: 224pp Hb: 978-0-415-44243-5: £55.00 Pb: 978-0-415-44244-2: £12.99 eBook: 978-0-203-88347-1 • AVAILABLE AS AN INSPECTION COPY
Judith Butler’s Precarious Politics Critical Encounters Edited by Terrell Carver, University of Bristol, UK and Samuel A. Chambers, Swansea University, UK Judith Butler has been arguably the most important gender theorist of the past twenty years. This edited volume draws leading international political theorists into dialogue with her political theory. Each chapter is written by an acclaimed political theorist and concentrates on a particular aspect of Butler’s work. The book is divided into five sections which reflect the interdisciplinary nature of Butler’s work and activism. Along with its companion volume, Judith Butler and Political Theory, it marks an intellectual event for political theory, with major implications for feminism, women’s studies, gender studies, cultural studies, lesbian and gay studies, queer theory and anyone with a critical interest in contemporary American ‘great power’ politics. January 2008: 234x156: 248pp Hb: 978-0-415-38442-1: £80.00 Pb: 978-0-415-38443-8: £24.99 eBook: 978-0-203-93745-7
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Zizek’s Politics Jodi Dean, Hobarth & William Smith College, New York, USA
View an prod uct o y nl by cl ickin ine g the t itle li on sting
2006: 216x138: 160pp Hb: 978-0-415-95175-3: £75.00 Pb: 978-0-415-95176-0: £21.99
Everyday Life and Cultural Theory An Introduction Ben Highmore 2001: 234x156: 208pp Hb: 978-0-415-22302-7: £60.00 Pb: 978-0-415-22303-4: £18.99 eBook: 978-0-203-46422-9
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14
GENDER AND SEXUALITY
2ND EDITION
Judith Butler
NEW
White Weddings Romancing Heterosexuality in Popular Culture
Gender Trouble Feminism and the Subversion of Identity Judith Butler Series: Routledge Classics ‘Rereading this book, as well as reading it for the first time, reshapes the categories through which we experience and perform our lives and bodies. To be troubled in this way is an intellectual pleasure and a political necessity.’ – Donna Haraway ‘Butler is highly theoretical, sophisticated, and original thinker.’ – Religious Studies Review 2006: 198x129: 272pp Pb: 978-0-415-38955-6: £10.99
Bodies That Matter
Chrys Ingraham, Purchase College, New York, USA This is a groundbreaking study of our culture’s obsession with weddings. By examining popular films, commercials, magazines, advertising, television sitcoms and even children’s toys, this book shows the pervasive influence of weddings in our culture and the important role they play in maintaining the romance of heterosexuality, the myth of white supremacy and the insatiable appetite of consumer capitalism. It examines how the economics and marketing of weddings have replaced the religious and moral view of marriage. This second edition includes many new and updated features including: full coverage of the wedding industrial complex; gay marriage and its relationship to white weddings and heterosexuality and demographics shifts as to who is marrying whom and why, nationally and internationally. January 2008: 203x203: 304pp Hb: 978-0-415-95194-4: £75.00 Pb: 978-0-415-95133-3: £18.00 eBook: 978-0-203-93102-8 • AVAILABLE AS AN INSPECTION COPY
On the Discursive Limits of ‘Sex’
NEW
Judith Butler
Reading Sexualities
1993: 229x152: 304pp Pb: 978-0-415-90366-0: £19.99 • AVAILABLE AS AN INSPECTION COPY
Hermeneutic Theory and the Future of Queer Studies Donald E. Hall, West Virginia University, USA
Undoing Gender Judith Butler
Reading Sexualities attempts to invigorate and revitalize the field of radical sexuality studies. Drawing widely on the field of hermeneutic theory and the works of the German philosopher Hans-Georg Gadamer, Donald E. Hall: • urges readers to embrace a far-reaching dialogic practice as a mechanism for furthering radical social change • examines the vexed ethical, critical, and political questions arising from modern sexual practices and possibilities • reads the changing landscape of sexual identity, finding great cause for optimism and enthusiastic political engagement.
2004: 229x152: 288pp Hb: 978-0-415-96922-2: £55.00 Pb: 978-0-415-96923-9: £19.99 eBook: 978-0-203-49962-7 • AVAILABLE AS AN INSPECTION COPY
What’s Left of Theory? New Work on the Politics of Literary Theory
Reading Sexualities shows how our sexual desires and bases for identification are being challenged and changed, and argues that by approaching the reading of sexualities responsibly, we become active participants in the political, empowering process of reading the self through the perspective of the other. February 2009: 216x138: 208pp Hb: 978-0-415-36785-1: £60.00 Pb: 978-0-415-36786-8: £18.99 eBook: 978-0-203-02026-5 • AVAILABLE AS AN INSPECTION COPY
What a Girl Wants? Fantasizing the Reclamation of Self in Postfeminism Diane Negra, University College Dublin, Ireland From domestic goddess to desperate housewife, What a Girl Wants? explores the importance and centrality of postfeminism in contemporary popular culture. Focusing on a diverse range of media forms, including film, TV, advertising and journalism, Diane Negra holds up a mirror to the contemporary female subject who finds herself centralized in commodity culture to a largely unprecedented degree at a time when Hollywood romantic comedies, chick-lit, and female-centred primetime TV dramas all compete for her attention and spending power. The models and anti-role models analyzed in the book include the chick flick heroines of princess films, makeover movies and time travel dramas, celebrity brides and bravura mothers, ‘Runaway Bride’ sensation Jennifer Wilbanks, the sex workers, flight attendants and nannies who maintain such a high profile in postfeminist popular culture, the authors of postfeminist panic literature on dating, marriage and motherhood and the domestic gurus who propound luxury lifestyling as a showcase for the ‘achieved’ female self. August 2008: 234x156: 200pp Hb: 978-0-415-45227-4: £70.00 Pb: 978-0-415-45228-1: £19.99 • AVAILABLE AS AN INSPECTION COPY
NEW
Gender, Ireland and Cultural Change Gerardine Meaney Series: Routledge Studies in Twentieth-Century Literature This study analyzes the role of gender in Irish cultural change from the 1890s to the present, exploring literature, the relationships between gender and national identities, and the recognized major political and cultural movements of the twentieth century. It includes discussion of film, television and, popular music, as well as diverse literary texts by authors such as Joyce, Yeats, Wilde, and Boland. August 2009: 229x152: 192pp Hb: 978-0-415-95790-8: £50.00
Edited by Judith Butler, John Guillory and Kendall Thomas Series: Essays from the English Institute 2000: 229x152: 304pp Hb: 978-0-415-92118-3: £70.00 Pb: 978-0-415-92119-0: £18.99 eBook: 978-0-203-90220-2 • AVAILABLE AS AN INSPECTION COPY
Excitable Speech A Politics of the Performative Judith Butler 1997: 229x152: 200pp Hb: 978-0-415-91587-8: £60.00 Pb: 978-0-415-91588-5: £18.99
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GENDER AND SEXUALITY
NEW
NEW
NEW
Family Law, Sex & Society
Gender and Labour in Korea and Japan
Sex, Love and Feminism in the Asia Pacific
Sexing Class
A Cross-Cultural Study of Young People’s Attitudes
Edited by Ruth Barraclough, Australian National University and Elyssa Faison, University of Oklahoma, USA
Chilla Bulbeck, University of Adelaide, Australia
Peter De Cruz, Liverpool John Moores University, UK Comparative in both approach and framework, with cross-referencing to English law throughout, this invaluable textbook provides students with a critical exposition of the key areas in family law, exploring their evolution and development within their historical, cultural, political and legal context. A critical and lively overview, it pays particular attention to the legal position of unmarried fathers, unmarried cohabitants and same sex couples and the state, within the context and effect of the Human Rights Act 1998. Divided into four parts, it examines: • English family law, in particular the recent focus on children’s rights, property relations and domestic violence, as well as examining other common law and civil law jurisdictions • the common law in Australia, New Zealand, some Far Eastern countries and selected American jurisdictions, alongside civil law jurisdictions such as France, Germany and Sweden • the Russian Federation, as an example of a hybrid jurisdiction; providing a critical analysis of the common issues in family law. The only textbook to provide a unified, coherent and comparative approach to the study of family law as it operates in various jurisdictions, this volume gives law students of all levels valuable socio-legal and socio-cultural insights into the practice of family law in different countries that were unavailable until now. Selected Contents: Family Law in England and Wales. Family Law in Britain. Historical Development of English Family Law. Definitions and Distinctions. Changing Approaches to Family Law Disputes. Informal Family Unions. Property Relations Within the Family. Children and the Law. Family Law and the Human Rights Act 1998. Comparative Perspectives: Analysis of Family Law in Non-UK Jurisdictions. Civil Law Countries. Family Law in Socialist/Civil Law Perspective. The American Perspective. Family Law in Australia and New Zealand. Asia and Africa. Japan. A Comparative Overview October 2009: 234x156: 250pp Hb: 978-0-415-48430-5: £80.00 Pb: 978-1-85941-638-9: £32.95 • AVAILABLE AS AN INSPECTION COPY
Series: ASAA Women in Asia Series This book explores gender, labour and class in Korea and Japan. It focuses in particular on two forms of labour that have been crucial to understandings of gender, work and class throughout the twentieth century: sexual labour and industrial labour. It shows how these have been central in shaping modern gender and worker identities, and argues that sexuality and labour must be analyzed together if we are to understand the history of capitalism in Korea and Japan. By discussing what happens to sexuality in factories and other sites of industrial labour, it explores how sexuality is inscribed in working-class identities, and shows how sexual and labour relations have shaped the cultures of industrialization in both Japan and Korea. It addresses important historical episodes such as Japanese colonization of Korea and its legacy, wartime labour mobilization, women engaging in forced sex work for the Japanese Imperial Army throughout the Asian continent, and issues of ethnicity and sex in the contemporary workplace. The case studies provide specific examples of the way gender and work have operated across a variety of contexts, including Korean shipyard unions, Japanese hostess clubs employing Korean-Japanese ‘passing’ as Japanese, the poetry of female Japanese unionists and in the autobiographical proletarian literature of Korean female textile workers. Overall, this book provides a compelling account of the relationship between gender and labour in Korea and Japan, both today and across the course of the twentieth century, and shows clearly how ideas about gender have contributed in fundamental ways to conceptions of class and worker identities.
Space, Consumption and Sexual Instability in Modern Urban Culture Gillian Swanson, University of the West of England, UK Focusing on public controversies, Drunk with the Glitter examines the ways in which urban modernity reshapes ‘cultural experience’.
Selected Contents: Introduction: Global Narratives of Asia, Feminism and Youth 1. The National Samples: Background and Methods 2. Variations on Liberal Feminism: USA, Australia, Canada, Japan, Thailand and South Korea 3. National Development Feminism: India, Indonesia, China and Vietnam 4. Homosexuality and Pornography: The Commodification of Intimacy? 5. ‘Marriage Shouldn’t be the End of Life’: Sharing the Caring. Conclusion: Globalizing Discourses in the Neoliberal Age. Appendix 1: Characteristics of Countries in the Study. Appendix 2: The Questionnaire. Appendix 3: Tables Relating to Research Methods. Appendix 4: Charts and Tables Relating to Feminist Movement. Appendix 5: Charts and Tables Relating to Gender Issues October 2008: 234x156: 288pp Hb: 978-0-415-47006-3: £80.00 eBook: 978-0-203-88881-0
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Gender Pluralism Southeast Asia since Early Modern Times Michael G. Peletz, Emory University, USA This book examines three big ideas: difference, legitimacy, and pluralism. Of chief concern is: • how people construe and deal with variation among fellow human beings
July 2009: 234x156: 224pp Hb: 978-0-415-77663-9: £75.00
• why under certain circumstances do people embrace even sanctify differences, or at least begrudgingly tolerate them
The Culture of Queers
• why in other contexts are people less receptive to difference, sometimes overtly hostile to it and bent on its eradication
Richard Dyer
Drunk with the Glitter
Series: ASAA Women in Asia Series This book explores feminism, the women’s movement and gender relations in the Asia Pacific region. Through a comparative analysis of ten countries, both Asian and Western, it examines important issues such as attitudes towards feminism, family relations, sex and same sex sexual relations, abortion rights, nudity and pornography.
For around a hundred years up to the Stonewall riots, the word used for gay men was ‘queers’. Here Richard Dyer traces the contours of queer culture, examining the differences and continuities with the gay culture which succeeded it.
2001: 234x156: 256pp Hb: 978-0-415-22375-1: £65.00 Pb: 978-0-415-22376-8: £18.99 eBook: 978-0-203-99639-3 • AVAILABLE AS AN INSPECTION COPY
2007: 234x156: 224pp Hb: 978-0-415-06130-8: £70.00 Pb: 978-0-415-06131-5: £18.99 • AVAILABLE AS AN INSPECTION COPY
• what cultural and political conditions are conducive to the positive valorization and acceptance of difference? • what conditions undermine or erode such positive views and acceptance. Gender Pluralism examines pluralism in gendered fields and domains in Southeast Asia since the early modern era, which historians and anthropologists of the region commonly define as the period extending roughly from the fifteenth to the eighteenth centuries. Selected Contents: 1. Introduction 2. Gender Pluralism and Transgender Practices in Early Modern Times 3. Temporary Marriage, Connubial Commerce, and Colonial Body Politics 4. Transgender Practices, Same-Sex Relations, and Gender Pluralism since the 1960s 5. Gender, Sexuality, and Body Politics at the Turn of the 21st Century Epilogue: Asylum, Diaspora, Pluralism June 2009: 229x152: 240pp Hb: 978-0-415-93160-1: £75.00 Pb: 978-0-415-93161-8: £21.99 eBook: 978-0-203-88004-3 • AVAILABLE AS AN INSPECTION COPY
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GENDER AND SEXUALITY
RACE AND ETHNICITY
NEW
NEW
The International Handbook of Sexuality and Health
Human Sexuality
Edited by Peter Aggleton, Institute of Education, University of London, UK and Richard Parker, Columbia University, USA
Anne Bolin, Elon University, USA and Patricia Whelehan, State University of New York, Potsdam, USA
The last two decades have witnessed a veritable explosion of research on sexuality as the social sciences have worked to find new ways of understanding a rapidly changing world and increasingly visible social movements have emerged. Growing concern for issues such as population, women’s and men’s reproductive health, and the HIV and AIDS pandemic, has since provided new legitimacy for work of relevance to sex, sexuality and health. A detailed and up-to-date reference work, The International Handbook of Sexuality and Health provides an authoritative overview of the main issues in the field around the world today. Leading academics and practitioners have been brought together to reflect on past, present and future approaches to understanding and promoting sexual health and rights. Divided into nine parts, it covers:
Human Sexuality is a unique textbook that provides a broad analysis of this crucial basic aspect of life. Utilizing viewpoints across cultural and national boundaries, and incorporating evolutionary and psychological perspectives, four major lines of evidence and knowledge are comprehensively discussed, including: evolutionary theory, primatology, the cross-cultural record and contemporary issues, and emphasizing anthropological contributions while incorporating psycho-social perspectives.
• foundations of sexuality research • the politics of gender and sexuality • language, discourse and sexual categories • sexuality and sexual health • reproductive health and rights • sexuality and HIV/AIDS • sexual violence and abuse • from sexual health to sexual rights.
bell hooks
Biological, Psychological, and Cultural Perspectives
Taking into account the evolution of human anatomy, sexual behaviour, attitudes, and beliefs, this far-reaching resource goes beyond what is found in standard United States culture, presenting a wide diversity of beliefs, attitudes, and behaviours found globally. In addition to providing a rich array of photographs, illustrations, tables, an extensive bibliography, and a helpful glossary of terms, topics discussed in Human Sexuality: Biological, Psychological, and Cultural Perspectives include: • modern human male and female anatomy and physiology
This Handbook surveys the state of the discipline, including examination and discussion of emerging, controversial and cutting edge areas. It is an essential reference for all academics and researchers in the fields of sexuality studies, sexual health and human rights, as well as very useful reading for more advanced students.
• pregnancy and childbirth as a bio-cultural experience
November 2009: 246x174: 400pp Hb: 978-0-415-46864-0: £95.00
• evolutionary history of human sexuality
• life-course issues related to gender identity, sexual orientations, behaviours, and lifestyle • influences on socioeconomic, political, historical, and ecological systems of sexual behaviour • early childhood sexuality, puberty and adolescence • human sexual response • birth control, fertility, conception, and sexual differentiation • HIV infection, AIDS, AIDS globalization and sex work. Fusing biological, socio-psychological, and cultural influences to offer an original perspective to understanding human sexuality, its development over millions of years of evolution, and how sexuality is embedded in specific socio-cultural contexts, it is an important text for educators and students in a variety of human sexuality courses. May 2009: 229x152: 744pp Hb: 978-0-7890-2671-2: £75.00 Pb: 978-0-7890-2672-9: £49.99 eBook: 978-0-20388-923-7 • AVAILABLE AS AN INSPECTION COPY
any View nline uct o prod king on ic by cl e listing itl the t
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NEW
Belonging A Culture of Place bell hooks What does it mean to call a place home? Who is allowed to become a member of a community? When can we say that we truly belong? These are some of the questions of place and belonging that renowned cultural critic bell hooks examines in her new book, Belonging: A Culture of Place. Traversing past and present, Belonging charts a cyclical journey in which hooks moves from place to place, from country to city and back again, only to end where she began – her old Kentucky home. hooks has written provocatively about race, gender, and class; and in this book she turns her attention to focus on issues of land and land ownership. Reflecting on the fact that ninety per cent of all black people lived in the agrarian South before mass migration to northern cities in the early 1900s, she writes about black farmers, about black folks who have been committed both in the past and in the present to local food production, to being organic, and to finding solace in nature. Naturally, it would be impossible to contemplate these issues without thinking about the politics of race and class. Reflecting on the racism that continues to find expression in the world of real estate, she writes about segregation in housing and economic racialized zoning. In these critical essays, hooks finds surprising connections that link of the environment and sustainability to the politics of race and class that reach far beyond Kentucky. With characteristic insight and honesty, Belonging offers a remarkable vision of a world where all people – wherever they may call home – can live fully and well, where everyone can belong. Selected Contents: 1. Preface: To know Where I’m Going 2. Kentucky is my Fate 3. Mountains: Consumed by Suffering 4. Touching the Earth 5. Reclamation and Reconciliation 6. To be Whole and Holy 7. Again – Segregation Must End 8. Representations of Whiteness in the Black Imagination 9. Drive Through Tobacco 10. Earthbound: On Solid Ground 11. An Aesthetics of Blackness: Strange and Oppositional 12. Inspired Eccentricity 13. A Place Where the Soul Can Rest 14. Aesthetic Inheritances: History Worked by Hand 15. Piecing it all Together 16. On Being a Kentucky Writer 17. Returning to the Wound 18. Healing Talk: A Conversation 19. Take Back the Night – Remake the Present 20. Habits of the Heart 21. A Community of Care December 2008: 210x140: 240pp Hb: 978-0-415-96815-7: £60.00 Pb: 978-0-415-96816-4: £14.99 eBook: 978-0-203-88801-8 • AVAILABLE AS AN INSPECTION COPY
Fax: +44 (0)20 7017 6336
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RACE AND ETHNICITY
We Real Cool
NEW
NEW
Critical Perspectives on bell hooks
Reel to Real
Edited by Maria del Guadalupe Davidson, Oklahoma University, USA and George Yancy, Duquesne University, USA
Race, Sex and Class at the Movies
Series: Critical Social Thought Although bell hooks has long challenged the dominant paradigms of race, class, and gender, there has never been a comprehensive book critically reflecting upon this seminal scholar’s body of work. Her written works aim to transgress and disrupt those codes that exclude others as intellectually mediocre, and hooks’ challenge to various hegemonic practices has heavily influenced scholars in numerous areas of inquiry. This important resource thematically examines hooks’ works across various disciplinary divides, including her critique on educational theory and practice, theorization of racial construction, dynamics of gender, and spirituality and love as correctives in postmodern life. Ultimately, this book offers a fresh perspective for scholars and students wanting to engage in the prominent work of bell hooks, and makes available to its readers the full significance of her work. Compelling and unprecedented, Critical Perspectives on bell hooks is a must-read for scholars, professors, and students interested in issues of race, class and gender. Selected Contents: Introduction Maria del Guadalupe Davidson and George Yancy Part 1: Critical Pedagogy and Praxis 1. Borderlines: bell hooks and the Pedagogy of Revolutionary Change Nathalia E. Jaramillo and Peter McLaren 2. Engaging Whiteness and the Practice Freedom: The Creation of Subversive Academic Spaces George Yancy 3. Teaching to Transgress: Deconstructing Normalcy and Re-signifying the Marked Body Cindy LaCom and Susan Hadley 4. bell hooks, White Supremacy, and the Academy Tim Davidson and Jeanette R. Davidson 5. Engaging bell hooks: How Teacher Educators Can Work to Sustain Themselves and Their Work Gretchen Givens Generett 6. bell hooks’ Children’s Literature: Writing to Transform the World at its Root Carme Manuel Part 2: The Dynamics of Race and Gender 7. Talking Back: bell hooks, Feminism, and Philosophy Donna-Dale L. Marcano 8. bell hooks and the Move from Marginalized Other to Radical Black Subject Maria del Guadalupe Davidson 9. The Ethics of Blackness: bell hooks’ Postmodern Blackness and the Imperative of Liberation Clevis Headley 10. The Specter of Race: bell hooks, Deconstruction, and Revolutionary Blackness Arnold Farr Part 3: Spirituality and Love 11. Love Matters: bell hooks on Political Resistance and Change Kathy Glass 12. Love, Politics, and Ethics in the Postmodern Feminist Work of bell hooks and Julia Kristeva Marilyn Edelstein 13. ’Revolutionary Interdependence’: bell hooks’ Ethic of Love as a Basis for a Feminist Liberation Theology of the Neighbor Nancy E. Nienhuis 14. Towards a Love Ethic: Love and Spirituality in bell hooks’ Writing Susana Vega-Gonz·lez April 2009: 229x152: 256pp Hb: 978-0-415-98980-0: £75.00 Pb: 978-0-415-98981-7: £20.99 eBook: 978-0-203-88150-7
Black Men and Masculinity bell hooks
bell hooks Series: Routledge Classics ‘hooks ... makes a compelling case to filmmakers for creating progressive images that “transform the culture we live in”.’ – Los Angeles Times Movies matter – that is the message of Reel to Real, bell hooks’ classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks – one of America’s most celebrated and thrilling cultural critics – talks back to films that have moved and provoked her, from Quentin Tarantino’s Pulp Fiction to the work of Spike Lee. Including also her conversations with master filmmakers such as Charles Burnett and Julie Dash, Reel to Real is a must read for anyone who believes that movies are worth arguing about. October 2008: 235x187: 320pp Pb: 978-0-415-96480-7: £11.99
2003: 229x152: 160pp Hb: 978-0-415-96926-0: £65.00 Pb: 978-0-415-96927-7: £13.99 eBook: 978-0-203-64220-7
Where We Stand Class Matters bell hooks
Outlaw Culture Resisting Representations bell hooks Series: Routledge Classics ‘[hooks] made a choice to write for the largest possible audience, to change the greatest number of lives.’ – Times Higher Education Supplement
2000: 229x152: 160pp Pb: 978-0-415-92913-4: £13.99 eBook: 978-0-203-90510-4 • AVAILABLE AS AN INSPECTION COPY
Teaching to Transgress 2006: 198x129: 320pp Pb: 978-0-415-38958-7: £10.99
Education as the Practice of Freedom bell hooks
Teaching Community A Pedagogy of Hope bell hooks
1994: 229x152: 224pp Pb: 978-0-415-90808-5: £15.99 • AVAILABLE AS AN INSPECTION COPY
2003: 216x138: 216pp Hb: 978-0-415-96817-1: £55.00 Pb: 978-0-415-96818-8: £12.99 • AVAILABLE AS AN INSPECTION COPY
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RACE AND ETHNICITY
NEW
NEW
NEW
Black Feminist Thought
Challenging Islamic Fundamentalism
Religion in Contemporary China
The Three Principles of Mulla Sadra
Knowledge, Consciousness, and the Politics of Empowerment
Revitalization and Innovation
Patricia Hill Collins
Colin Turner, University of Durham, UK
Edited by Adam Yuet Chau, SOAS, University of London, UK
Series: Routledge Classics
Series: Culture and Civilization in the Middle East
Series: Routledge Contemporary China Series
In Black Feminist Thought, originally published in 1990, Patricia Hill Collins explores the words and ideas of black feminist intellectuals and writers. She provides an interpretive framework for the work of a range of prominent thinkers and draws from fiction, poetry, music and oral history, to provide a superbly crafted and revolutionary book that gave the first synthetic overview of black feminist thought and its canon.
This is the first translation into English of Seh Asl (Three Principles) by the important sixteenth century thinker Mulla Sadra.
This book provides a wide-ranging and in-depth survey of contemporary religious practices in China, explaining how the recent economic reforms and concurrent relaxation of religious policies have provided fertile ground for the revitalization of a wide range of religious practices.
Camron Michael Amin, University of Michigan-Dearborn, USA
Selected Contents: Preface to the First Edition. Preface to the Second Edition. Acknowledgements Part 1: The Social Construction of Black Feminist Thought 1. The Politics of Black Feminist Thought 2. Distinguishing Features of Black Feminist Thought Part 2: Core Themes in Black Feminist Thought 3. Work, Family and Black Women’s Oppression 4. Mammies, Matriarchs and Other Controlling Images 5. The Power of Self-Definition 6. The Sexual Politics of Black Womanhood 7. Black Women’s Love Relationships 8. Black Women and Motherhood 9. Rethinking Black Women’s Activism Part 3: Black Feminism, Knowledge and Power 10. US Black Feminism in Transnational Context 11. Black Feminist Epistemology 12. Toward a Politics of Empowerment August 2008: 216x138: 384pp Pb: 978-0-415-96472-2: £12.99
In this book, Camron Michael Amin provides a rich yet concise portrait of Iranian society through the lens of globalization. How is economic and cultural globalization affecting Iranians? How are the nation’s two chief natural resources, militant Islam and oil, tied into larger supraregional economic and political currents? To answer this, Amin, a historian, traces the broad outlines of Iranian history, focusing in particular on Shi’ism and nationalism, the dominant faith there. Shi’ism sets it apart from surrounding Sunni regimes, and its nationalism has certainly been a potent global force for decades. He also contrasts Iran’s intense nationalism with its substantial ethnic diversity.
Black Sexual Politics African Americans, Gender, and the New Racism Patricia Hill Collins 2005: 229x152: 384pp Hb: 978-0-415-93099-4: £20.00 Pb: 978-0-415-95150-0: £16.00 eBook: 978-0-203-30950-6 • AVAILABLE AS AN INSPECTION COPY
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Re-writing Culture in Taiwan Edited by Fang-Long Shih, London School of Economics, UK, Stuart Thompson and Paul Tremlett, both at School of Oriental and African Studies, University of London, UK Series: Asia’s Transformations Examining issues such as trauma, memory, history, tradition, modernity, post-modernity, and with chapters on nationalism, anthropology, cultural studies, media studies, religion and museum studies, this book offers a comprehensive and critical analysis of contemporary Taiwan. November 2008: 234x156: 232pp Hb: 978-0-415-46666-0: £75.00 eBook: 978-0-203-88835-3
Selected Contents: Translator’s Introduction. The Three Principles of Mulla Sadra. Epilogue. Glossary October 2009: 234x156: 208pp Hb: 978-0-415-38389-9: £70.00
NEW
Global Iran Series: Global Realities
Selected Contents: Introduction Adam Yuet Chau 1. Buddhism in the Reform Era: A Secularized Revival?JI Zhe 2. Giving Back: Morality Texts and the Re-Growth of Lay Buddhism Garesh Fisher 3. The Emerging Spirit-Medium Cults in Sishui Village Hebei Der-ruey Yang 4. Daoist Temple Networks and Monks’ Wandering About Adeline Herrou 5. Temples as Enterprises Selina Chan and Graeme Lang 6. Building Temples Across the Border: The Story of a Female Spirit Medium and Her Devotees Tik-sang Liu 7. Intertwined Fortunes: Music-Making and Ritual Life in North China Stephen Jones 8. Rationalizing Re-Enchantment: Charisma, Affiliation and Organization in the Post-Mao Qigong Movement David Palmer 9. Global Modernity, Local Community, and Spiritual Power: Innovation and Tradition in the Catholic Church in Shanxi since 1979 Henrietta Harrison 10. Of Stones and Fonts: The Art and Politics of Inscribing and Re-Inscribing a Temple Adam Yuet Chau. Conclusion October 2009: 234x156: 288pp Hb: 978-0-415-45934-1: £75.00
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Perversion in Modern Japan Psychoanalysis, Literature, Culture Edited by Nina Cornyetz and Keith Vincent, both at New York University, USA
September 2009: 216x138: 208pp Hb: 978-0-415-95247-7: £60.00 Pb: 978-0-415-95248-4: £18.99 • AVAILABLE AS AN INSPECTION COPY
Series: Routledge Contemporary Japan Series
NEW
Globalisation and the Middle Classes in India The Social and Cultural Impact of Neoliberal Reforms Ruchira Ganguly-Scrase and Timothy J. Scrase, both at University of Wollongong, Australia Series: Routledge Contemporary South Asia Series This book fills an important gap in the literature published so far on economic liberalization and globalization in India by providing much needed ethnographic data from those affected by the liberalization process.
With essays on topics ranging from Yukio Mishima’s ‘autofictional machine’ to the imaginary worlds of otaku sexuality, this volume brings the insights of psychoanalysis to Japanese studies. Perversion in Modern Japan is the first book to focus on the psychoanalytic approach to the study of modern Japan. As such, it will be of huge interest to students and scholars of Japanese literature, history, culture and psychoanalysis more generally. August 2009: 234x156: 320pp Hb: 978-0-415-46910-4: £75.00 eBook: 978-0-203-88042-5
Africa after Modernism Transitions in Literature, Media, and Philosophy Michael Janis, Morehouse College, USA
December 2008: 216x138: 208pp Hb: 978-0-415-44116-2: £75.00 eBook: 978-0-203-88439-3
Series: Routledge Studies in Cultural History
Rethinking Race, Politics, and Poetics
2007: 229x152: 280pp Hb: 978-0-415-95723-6: £65.00
C.L.R. James’ Critique of Modernity Brett St Louis, Goldsmiths College, University of London, UK Series: Routledge Studies in Cultural History 2007: 229x152: 208pp Hb: 978-0-415-95772-4: £65.00 eBook: 978-0-203-93510-1
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RACE AND ETHNICITY
NEW
Mark Anthony Neal
Bangladesh Cinema and National Identity In Search of the Modern? Zakir Hossain Raju, Monash University, Malaysia
‘One of the most brilliant cultural critics of his generation ... Neal writes gracefully, thinks sharply, speaks cogently and is old school and new school at once. He’s my favourite cultural critic and one hip brother.’ – MIchael Eric Dyson, Chicago Sun Times
Series: Routledge Contemporary South Asia Series This book analyzes the relationship between cinema and modernity in Bangladesh. It investigates the roles of a non-western ‘national’ film industry in Asia in constructing nationhood and identity within colonial and postcolonial predicaments, and analyzes the political, economic and cultural forces that have been active in shaping Bangladesh cinema. Selected Contents: 1. Methods in Film Historiography 2. National Cinema and Non-Western Modernity: Framework to Study Bangladesh Cinema 3. National Cinema Study and Beginning of/in Bangladesh Film History 4. Cinema and Cultural Modernity in Colonial Bengal 5. Film Industry and Bengali-Muslim Modernity in Postcolonial East Pakistan and Bangladesh 6. Film as Popular Culture in Between Nation-State and Market Forces in Contemporary Bangladesh 7. Cultural Modernity and Bangladeshi Art Cinemas in National and Global Stage December 2009: 234x156: 240pp Hb: 978-0-415-46544-1: £85.00
New Black Man
Soul Babies
Mark Anthony Neal
Black Popular Culture and the Post-Soul Aesthetic Mark Anthony Neal
2006: 229x152: 208pp Hb: 978-0-415-97109-6: £60.00 Pb: 978-0-415-97991-7: £15.99
2001: 229x152: 256pp Hb: 978-0-415-92657-7: £65.00 Pb: 978-0-415-92658-4: £16.99 • AVAILABLE AS AN INSPECTION COPY
That’s the Joint!
NEW
Pirate Modernity
The Hip-Hop Studies Reader Edited by Mark Anthony Neal and Murray Forman
Delhi’s Media Urbanism
What the Music Said Black Popular Music and Black Public Culture
Ravi Sundaram, Centre for the Study of Developing Societies, Delhi, India
Mark Anthony Neal
Series: Routledge Studies in Asia’s Transformations Focusing on the culture of piracy in the Indian capital, this book looks at what has happened to the city in the wake of the dissemination of the new media and the ways in which it has, and will, affect urban cultures in an age of globalization. July 2009: 234x156: 240pp Hb: 978-0-415-40966-7: £75.00 eBook: 978-0-203-87542-1
NEW
2004: 254x178: 648pp Hb: 978-0-415-96918-5: £65.00 Pb: 978-0-415-96919-2: £24.99 • AVAILABLE AS AN INSPECTION COPY
China on Video Small Screen Realities
Songs in the Key of Black Life
Paola Voci, University of Otago, New Zealand
A Rhythm and Blues Nation
Series: Routledge Studies in Asia’s Transformations
Mark Anthony Neal
1998: 229x152: 336pp Hb: 978-0-415-92071-1: £65.00 Pb: 978-0-415-92072-8: £20.99 • AVAILABLE AS AN INSPECTION COPY
This book relocates Chinese independent moviemaking from a film to a visual culture perspective enabling the author to explore the role that other movies (mostly, but not exclusively, popular culture products) play in the making of experimental and non-mainstream visual culture. September 2009: 234x156: 240pp Hb: 978-0-415-46452-9: £75.00
2003: 229x152: 224pp Hb: 978-0-415-96570-5: £60.00 Pb: 978-0-415-96571-2: £16.99 • AVAILABLE AS AN INSPECTION COPY
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CELEBRITY AND CULTURE
Framing Celebrity
NEW
Popular Culture in Indonesia
New Directions in Celebrity Culture
Global Chinese Cinema
Fluid Identities in Post-Authoritarian Politics
Edited by Su Holmes and Sean Redmond
The Culture and Politics of ‘Hero’
Edited by Ariel Heryanto, The University of Melbourne, Australia
Celebrity culture has a pervasive presence in our everyday lives – perhaps more so than ever before. It shapes not simply the production and consumption of media content but also the social values through which we experience the world. This collection analyzes this phenomenon, bringing together essays which explore celebrity across a range of media, cultural and political contexts. 2006: 234x156: 384pp Hb: 978-0-415-37709-6: £70.00 Pb: 978-0-415-37710-2: £19.99 • AVAILABLE AS AN INSPECTION COPY
America First Naming the Nation in US Film Edited by Mandy Merck, Royal Holloway, University of London, UK At a time when the expanded projection of US political, military, economic and cultural power draws intensified global concern, understanding how that country understands itself seems more important than ever. This collection of new critical essays tackles this old problem in a new way, by examining some of the hundreds of US films that announce themselves as titularly ‘American’. 2007: 234x156: 328pp Hb: 978-0-415-37495-8: £65.00 Pb: 978-0-415-37496-5: £18.99
Edited by Gary Rawnsley, Ming-Yeh Rawnsley, University of Leeds, UK and Julian Stringer Series: Media, Culture and Social Change in Asia Series The film Hero, produced in 2002, is widely regarded as the first globally successful indigenous Chinese blockbuster, and touched on key questions of Chinese culture, nation and politics. This book explores the reasons for the film’s popularity with its audiences, discussing the factors in the audiences with which the film resonated. Selected Contents: Introduction: Chinese Cinema’s Changing Markets – Local, Regional, Global Gary D. Rawnsley, Ming-Yeh T. Rawnsley and Julian Stringer Part 1: Shifting Narratives of National Heroism 1. Political Narrative(s) of Hero Gary Rawnsley 2. National Unification Overrides All: The Heroism of Hero Yingjie Guo 3. The Emperor and the Assassin: China’s National Hero and the Myth of State Origins Yiyan Wang 4. Hero in the Context of Other Heroic Films Kam Louie 5. Penetrating Experiences: Swords and Sex with Women Warriors Louise Edwards Part 2: Intercultural Aesthetics and Genre Transformations 6. Visions of ‘All Under Heaven’ (Tian Xia): Zhang Yimou’s Political Thought and Aesthetic Values in Hero Xiaoming Chen and Ming-Yeh T. Rawnsley 7. The Format of Chinese Martial Arts Films and the Rewriting of Such Formats by Hero Haizhou Wang 8. The Death of Heros in China Xiaoling Zhang 9. Heroic Music: From Hunan to Hollywood Katy Gow Part 3: Anatomy of a Transnational Blockbuster 10. Hero: The Political Economy of Nationalism Anthony Fung and Joseph Chan 11. Lover, Not a Fighter?: Hero and Tony Leung’s Polysemic Masculinity Mark Gallagher 12. Learning to Enjoy Desire for an (Asian) Empire: The Critical Reception of Hero in South Korea Nikki J.Y. Lee 13. Martial Arts, Star Dust and Historical Memory: The Culture of a Blockbuster Yi Zheng 14. Hero: How Chinese Is It? Julian Stringer and Qiong Yu November 2009: 234x156: 256pp Hb: 978-0-415-45315-8: £80.00
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Gertrude Stein and the Making of an American Celebrity
Lesbianism, Cinema, Space Lee Wallace, University of Auckland, New Zealand Series: Routledge Advances in Film Studies
Series: Studies in Major Literary Authors
This book opens with a brief spatial history of lesbian culture in the twentieth century and concludes with an argument about the importance of the lesbian apartment for rethinking the relation of female homosexuality and lesbian sex cultures to private and public space. The apartment appears as the privileged setting in a number of post-Production Code films that tell the lesbian story. Through formal analyses of five lesbian apartment films Lee Wallace demonstrates how the standard Hollywood repertoire of visual techniques and spatial devices are used to scaffold female sexual visibility and a lesbian diegesis.
July 2009: 229x152: 224pp Hb: 978-0-415-99472-9: £60.00
January 2009: 229x152: 210pp Hb: 978-0-415-99243-5: £60.00 eBook: 978-0-203-88782-0
This book examines popular culture in Indonesia, bringing material on Indonesia’s media and popular culture to an English readership for the first time. It includes analysis of important themes including citizenship, gender, class, age and ethnicity, showing how developments in Indonesian society more generally are inextricably linked to popular culture. June 2008: 234x156: 216pp Hb: 978-0-415-46112-2: £85.00 eBook: 978-0-203-89562-7
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Post-War Italian Cinema American Intervention, Vatican Interests Daniela Treveri Gennari, Oxford Brookes University, UK Series: Routledge Advances in Film Studies Through a comparative approach of current theories developed on ideology and an analysis of official documents from the Vatican and the United States Department of State, the book investigates the decisive role that American production companies played in the development of the Italian film industry and their links to the Vatican. February 2009: 229x152: 176pp Hb: 978-0-415-96287-2: £60.00 eBook: 978-0-203-88488-1
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Latsploitation, Latin America, and Exploitation Cinema Edited by Victoria Ruétalo, University of Alberta, Canada and Dolores Tierney, University of Sussex, UK Series: Routledge Advances in Film Studies
The Sexual Life of Apartments
Karen Leick, Ohio State University, USA By examining not the ways that Stein portrayed the popular in her work, but the ways the popular portrayed her, this study shows that there was an intimate relationship between literary modernism and mainstream culture and that modernist writers and texts were much more well-known than has been previously acknowledged. Specifically, Karen Leick reveals through the case study of Stein that the relationship between mass culture and modernism in America was less antagonistic, more productive and integrated than previous studies have suggested.
Series: Media, Culture and Social Change in Asia Series
Exploring the much neglected area of Latin American cinema, this anthology challenges established continental and national histories and canons which often exclude exploitation cinema due to its perceived ‘low’ cultural status. It argues that Latin American exploitation cinema makes an important aesthetic and social contribution to the larger body of Latin American cinema – often competing with Hollywood and more mainstream national cinemas in terms of popularity. June 2009: 229x152: 244pp Hb: 978-0-415-99386-9: £65.00 eBook: 978-0-203-87892-7
Film, History and Cultural Citizenship Sites of Production Edited by Tina Mai Chen and David S. Churchill, both at University of Manitoba, Canada Series: Routledge Studies in Cultural History 2007: 234x156 Hb: 978-0-415-77117-7: £75.00
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CELEBRITY AND CULTURE
FASHION
Nation and Identity in the New German Cinema
NEW
NEW
Homeless at Home
The Fabric of Cultures Fashion, Identity, Globalization
The Places and Spaces of Fashion, 1800–2007
Edited by Eugenia Paulicelli, City University of New York, USA and Hazel Clark, Parsons the New School for Design, USA
Series: Routledge Research in Cultural and Media Studies
Inga Scharf, German National Academic Foundation, Germany Series: Routledge Advances in Film Studies In this original study, Inga Scharf investigates issues of national identity in films of the New German Cinema. Using a cultural studies analysis, Scharf argues that the conflict between this generation of critical filmmakers and their ‘German-ness’ translate into feature films that construct, and are pervaded by, a sense of ‘homelessness’ at home. June 2008: 229x152: 250pp Hb: 978-0-415-96280-3: £60.00 eBook: 978-0-203-89302-9
The Fabric of Cultures examines the impact of fashion as a manufacturing industry and as a culture industry that shapes identities of nations and cities in a cross-cultural perspective and within a global framework. Selected Contents: List of Figures. Notes on Contributors. Acknowledgements. Introduction Eugenia Paulicelli and Hazel Clark 1. From Potlach to Wal-Mart: Courtly and Capitalist Hierarchies Through Dress Jane Schneider 2. Dressing the Nation: Indian Cinema Costume and the Making of a National Fashion, 1947–1957 Rachel Morris 3. Made in America: Paris, New York, and Postwar Fashion Photography Helena Cunha Ribeiro 4. Framing the Self, Staging Identity: Clothing and Italian Style in the Films of Michelangelo Antonioni (1950–1964) Eugenia Paulicelli 5. The Art of Dressing. Body, Gender and Discourse on Fashion in Soviet Russia in the 1950s and 1960s Olga Gurova 6. Making Modernity Appropriate and Tradition Fashionable: Debates about Dress, Identity, and Gender in Ho Chi Minh City Ann Marie Leshkowich 7. Youth, Gender, and Secondhand Clothing in Lusaka, Zambia: Local and Global Styles Karen Tranberg Hansen 8. Fashion Design and Technologies in a Global Context Michiel Scheffer 9. Fabricating Greekness: from Fustanella to the Glossy Page Michael Skafidas 10. Fashion Brazil: South American Style, Culture and Industry Valéria Brandini 11. Fashioning ‘China Style’ in the Twenty First Century Hazel Clark 12. From Factories to Fashion: An Intern’s Experience of a Global Fashion Capital Christina H. Moon. Index September 2008: 234x156: 240pp Hb: 978-0-415-77542-7: £65.00 Pb: 978-0-415-77543-4: £18.99 • AVAILABLE AS AN INSPECTION COPY
Edited by John Potvin, University of Guelph, Canada
The Places and Spaces of Fashion, 1800–2007 brings together art, design, fashion, and a much neglected concern for its spatial realities. The spaces and places of fashion have often been overlooked in the writing of fashion history and visual culture. More often than not, however, these environments mitigate, control, inform, and enhance how fashion is experienced, performed, consumed, seen, exhibited, purchased, appreciated and of course displayed. Space, as this volume attempts to illustrate, is itself a representational strategy on par with and influencing the visibility and visuality of fashion. Innovative and challenging, the essays in this volume explore various physical and conceptual spaces, moving from physical environments to the two-dimensional with paintings, illustrations, and photographs to chart similarities, differences, and complex nuanced relationships between environments, fashion, identities, and visuality. The volume also navigates various sites (both permanent and temporary) of production, circulation, exhibition, consumption, and promotion of fashion that define meaning and knowledge about a culture or individual by providing for a bond between embodied consumers/spectators and fashion objects. The Places and Spaces of Fashion, 1800–2007 is compelling with a thematic, theoretical, and historiographic approach that is at once both focused yet far-reaching and original in its implications. The volume engages with questions attending to the ‘modern condition’ by seamlessly weaving interdisciplinary discussions of the visual with material culture to explore the spatial dimension(s) of fashion. Some of the essays explore new and exciting spaces while others offer compelling revisionary analyses of relatively known sources. August 2008: 229x152: 282pp Hb: 978-0-415-96149-3: £60.00
The Fashion Handbook
Fashion Theory
Tim Jackson and David Shaw
A Reader
2006: 234x156: 240pp Hb: 978-0-415-25579-0: £70.00 Pb: 978-0-415-25580-6: £19.99 eBook: 978-0-203-32117-1 • AVAILABLE AS AN INSPECTION COPY
Edited by Malcolm Barnard, University of Derby, UK Series: Routledge Student Readers This collection of essential readings examines how the nature and function of fashion theory has been understood by a wide range of social and cultural thinkers and used to explain, or explain away, the astonishing variety, complexity and beauty of what we call fashion.
Fashion Cultures Theories, Explorations and Analysis Edited by Stella Bruzzi and Pamela Church Gibson 2000: 246x174: 416pp Hb: 978-0-415-20685-3: £70.00 Pb: 978-0-415-20686-0: £22.99 • AVAILABLE AS AN INSPECTION COPY
2007: 246x174: 616pp Hb: 978-0-415-41339-8: £95.00 Pb: 978-0-415-41340-4: £25.99 • AVAILABLE AS AN INSPECTION COPY
2ND EDITION
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British Fashion Design Rag Trade or Image Industry? Angela McRobbie 1998: 234x156: 224pp Hb: 978-0-415-05780-6: £45.00 Pb: 978-0-415-05781-3: £18.99 eBook: 978-0-203-16801-1 • AVAILABLE AS AN INSPECTION COPY
Fashion as Communication Malcolm Barnard 2002: 234x156: 224pp Hb: 978-0-415-26017-6: £60.00 Pb: 978-0-415-26018-3: £16.99 • AVAILABLE AS AN INSPECTION COPY
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INDEX
A Africa after Modernism . . . . . . . . . . . . . . . . .18 Aggleton, Peter . . . . . . . . . . . . . . . . . . . . . . .16 Ahearne, Jeremy . . . . . . . . . . . . . . . . . . . . . .12 Ahluwalia, Pal . . . . . . . . . . . . . . . . . . . . . . . .11 Allen, Graham . . . . . . . . . . . . . . . . . . . . . . . .11 Allen, Matthew . . . . . . . . . . . . . . . . . . . . . . . .9 America First . . . . . . . . . . . . . . . . . . . . . . . . .20 American Icons . . . . . . . . . . . . . . . . . . . . . . . .6 American Youth Cultures . . . . . . . . . . . . . . . . .8 Amin, Camron Michael . . . . . . . . . . . . . . . . .18 Anderson, Jon . . . . . . . . . . . . . . . . . . . . . . . . .9 Antonio Gramsci . . . . . . . . . . . . . . . . . . . . . .12 ASAA Women in Asia Series (series) . . . . . . . .15 Ashcroft, Bill . . . . . . . . . . . . . . . . . . . . . . . . .11 Asia’s Transformations (series) . . . . . . . . . . . .18
B Badmington, Neil . . . . . . . . . . . . . . . . . . . . . . .3 Bangladesh Cinema and National Identity . . .19 Banks, Miranda . . . . . . . . . . . . . . . . . . . . . . . .9 Barnard, Dr Alan . . . . . . . . . . . . . . . . . . . . . .10 Barnard, Malcolm . . . . . . . . . . . . . . . . . . . . . .21 Barraclough, Ruth . . . . . . . . . . . . . . . . . . . . .15 Bavidge, Jenny . . . . . . . . . . . . . . . . . . . . . . . .10 Bell, David . . . . . . . . . . . . . . . . . . . . . . . . . . .11 Belonging . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Bennett, Andy . . . . . . . . . . . . . . . . . . . . . . . . .1 Bennett, James . . . . . . . . . . . . . . . . . . . . . . . . .6 Bennett, Oliver . . . . . . . . . . . . . . . . . . . . . . . .12 Bestor, Theodore C. . . . . . . . . . . . . . . . . . . . .10 Bestor, Victoria . . . . . . . . . . . . . . . . . . . . . . . .10 Bevir, Mark . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Beyond Subculture . . . . . . . . . . . . . . . . . . . . . .7 Bisexuality and the Eroticism of Everyday Life . .4 Black Feminist Thought . . . . . . . . . . . . . . . . .18 Black Sexual Politics . . . . . . . . . . . . . . . . . . . .18 Bodies That Matter . . . . . . . . . . . . . . . . . . . .14 Bolin, Anne . . . . . . . . . . . . . . . . . . . . . . . . . .16 Boys in Children’s Literature and Popular Culture . . . . . . . . . . . . . . . . . . . . . .10 Breiger, Ronald L. . . . . . . . . . . . . . . . . . . . . . . .5 British Fashion Design . . . . . . . . . . . . . . . . . .21 Brown, Tom . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Bruzzi, Stella . . . . . . . . . . . . . . . . . . . . . . . . .21 Bulbeck, Chilla . . . . . . . . . . . . . . . . . . . . . . . .15 Butler, Judith . . . . . . . . . . . . . . . . . . . . . . . . .14 Butsch, Richard . . . . . . . . . . . . . . . . . . . . . . . .9
C Caldwell, John Thornton . . . . . . . . . . . . . . . . .9 Campbell, Jan . . . . . . . . . . . . . . . . . . . . . . . . .7 Campbell, Neil . . . . . . . . . . . . . . . . . . . . . . . . .8 Candlin, Fiona . . . . . . . . . . . . . . . . . . . . . . . . .3 Carey, James W. . . . . . . . . . . . . . . . . . . . . . . . .1 Cartiere, Cameron . . . . . . . . . . . . . . . . . . . . . .6 Carver, Terrell . . . . . . . . . . . . . . . . . . . . . . . . .13 CCCS Selected Working Papers . . . . . . . . . . . .7 Celebrity Culture Reader, The . . . . . . . . . . . . . .1 Cell Phone Culture . . . . . . . . . . . . . . . . . . . . . .7 Chabram-Dernersesian, Angie . . . . . . . . . . . . .2 Challenging Islamic Fundamentalism . . . . . . .18 Chambers, Samuel A. . . . . . . . . . . . . . . . . . .13 Chan, Dean . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Chau, Adam Yuet . . . . . . . . . . . . . . . . . . . . .18 Chaudhuri, Shohini . . . . . . . . . . . . . . . . . . . .12 Chen, Kuan-Hsing . . . . . . . . . . . . . . . . . . . .2, 7 Chen, Tina Mai . . . . . . . . . . . . . . . . . . . . . . .20 Chesters, Graeme . . . . . . . . . . . . . . . . . . . . .12 Chicana/o Cultural Studies Reader, The . . . . . .2 Children’s Literature and Culture (series) . . . .10 China on Video . . . . . . . . . . . . . . . . . . . . . . .19 Chua, Beng Huat . . . . . . . . . . . . . . . . . . . . . . .2
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Churchill, David S. . . . . . . . . . . . . . . . . . . . . .20 Cities, Citizens, and Technologies . . . . . . . . . . .5 Citizen Audience, The . . . . . . . . . . . . . . . . . . .9 Clark, Hazel . . . . . . . . . . . . . . . . . . . . . . . . . .21 Cognitive Poetics and Cultural Memory . . . . . .6 Collins, Patricia Hill . . . . . . . . . . . . . . . . . . . . .18 Comedia (series) . . . . . . . . . . . . . . . . . . . . . . . .8 Communicating in the Third Space . . . . . . . . .6 Communication as Culture, Revised Edition . . .1 Communication, Cultural and Media Studies: The Key Concepts . . . . . . . . . . . . . . . . . . . . .12 Contemporary Comic Book Superhero, The . . .6 Contexts of Social Capital . . . . . . . . . . . . . . . . .5 Cornyetz, Nina . . . . . . . . . . . . . . . . . . . . . . . .18 Cosmopolitan Culture and Consumerism in Chick Lit . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Counihan, Carole . . . . . . . . . . . . . . . . . . . . . . .7 Critical Perspectives on bell hooks . . . . . . . . .17 Critical Social Thought (series) . . . . . . . . . . . .17 Cultural Studies . . . . . . . . . . . . . . . . . . . . . . . .6 Cultural Studies Birmingham (series) . . . . . . . . .5 Cultural Studies Reader, The . . . . . . . . . . . . . . .1 Cultural Studies: A Critical Introduction . . . . . .1 Cultural Theory: The Key Concepts . . . . . . . . .12 Cultural Theory: The Key Thinkers . . . . . . . . .12 Culture and Civilization in the Middle East (series) . . . . . . . . . . . . . . . . . . . . . . . . .18 Culture of Queers, The . . . . . . . . . . . . . . . . . .15 CultureWork: A Book Series from the Center for Literacy and Cultural Studies at Harvard (series) . . . . . . . . . . . . . . . . . . .4, 5 Cyberculture Theorists . . . . . . . . . . . . . . . . . .11
D Davidson, Maria del Guadalupe . . . . . . . . . . .17 De Cruz, Peter . . . . . . . . . . . . . . . . . . . . . . . .15 Dean, Jodi . . . . . . . . . . . . . . . . . . . . . . . . . . .13 Deconstruction After 9/11 . . . . . . . . . . . . . . . .6 Design Culture Reader, The . . . . . . . . . . . . . . .2 Diets and Dieting . . . . . . . . . . . . . . . . . . . . . . .7 Dissanayake, Wimal . . . . . . . . . . . . . . . . . . . .10 Dolar, Mladen . . . . . . . . . . . . . . . . . . . . . . . .13 Dovey, Jon . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Drunk with the Glitter . . . . . . . . . . . . . . . . . .15 During, Simon . . . . . . . . . . . . . . . . . . . . . . . . .1 Dyer, Richard . . . . . . . . . . . . . . . . . . . . . . . . .15 Dynamics and Performativity of Imagination . .6
E Eaglestone, Robert . . . . . . . . . . . . . . . . . . . . .12 Edgar, Andrew . . . . . . . . . . . . . . . . . . . . . . . .12 Edward Said . . . . . . . . . . . . . . . . . . . . . . . . . .11 Edwards, Jason . . . . . . . . . . . . . . . . . . . . . . .11 Egenfeldt-Nielsen, Simon . . . . . . . . . . . . . . . . .2 Emmanuel Levinas . . . . . . . . . . . . . . . . . . . . .11 Emotions: A Cultural Studies Reader . . . . . . . .4 Encyclopedia of Social and Cultural Anthropology . . . . . . . . . . . . . . . . . . . . . . .10 Enjoy Your Symptom! . . . . . . . . . . . . . . . . . .13 Erickson, Mark . . . . . . . . . . . . . . . . . . . . . . . . .7 Essays from the English Institute (series) . . . . .14 Evans, Kristin . . . . . . . . . . . . . . . . . . . . . . . . . .8 Eve Kosofsky Sedgwick . . . . . . . . . . . . . . . . .11 Everyday Life and Cultural Theory . . . . . . . . .13 Everyday Life Reader, The . . . . . . . . . . . . . . . . .1 Excitable Speech . . . . . . . . . . . . . . . . . . . . . .14
F Fabric of Cultures, The . . . . . . . . . . . . . . . . . .21 Faison, Elyssa . . . . . . . . . . . . . . . . . . . . . . . . .15 Family Law, Sex & Society . . . . . . . . . . . . . . . .15 Fashion as Communication . . . . . . . . . . . . . .21 Fashion Cultures . . . . . . . . . . . . . . . . . . . . . . .21 Fashion Handbook, The . . . . . . . . . . . . . . . . .21
+44 (0)1235 400524
Fashion Theory . . . . . . . . . . . . . . . . . . . . . . . .21 Feldges, Benedikt . . . . . . . . . . . . . . . . . . . . . . .6 Feminism and Visual Culture Reader, The . . . . .4 Feminist Film Theorists . . . . . . . . . . . . . . . . . .12 Field Work . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Film and Television After DVD . . . . . . . . . . . . .6 Film, History and Cultural Citizenship . . . . . . .20 Flagging Patriotism . . . . . . . . . . . . . . . . . . . . . .7 Food and Culture . . . . . . . . . . . . . . . . . . . . . . .7 Forman, Murray . . . . . . . . . . . . . . . . . . . . . . .19 Framing Celebrity . . . . . . . . . . . . . . . . . . . . . .20 Franklin, Paul B. . . . . . . . . . . . . . . . . . . . . . . . .5
G Gaming Cultures and Place in Asia-Pacific . . . .7 Ganguly-Scrase, Ruchira . . . . . . . . . . . . . . . . .18 Garber, Marjorie . . . . . . . . . . . . . . . . . . . . . .4, 5 Gelder, Ken . . . . . . . . . . . . . . . . . . . . . . . . .2, 7 Gender and Labor in Korea and Japan . . . . . .15 Gender Pluralism . . . . . . . . . . . . . . . . . . . . . .15 Gender Trouble . . . . . . . . . . . . . . . . . . . . . . .14 Gender, Ireland and Cultural Change . . . . . . .14 Genders . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13 Gertrude Stein and the Making of an American Celebrity . . . . . . . . . . . . . . . . . . .20 Geyh, Paula . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Gibson, Pamela Church . . . . . . . . . . . . . . . . .21 Giddings, Seth . . . . . . . . . . . . . . . . . . . . . . .2, 3 Gilman, Sander L. . . . . . . . . . . . . . . . . . . . . . .7 Global Chinese Cinema . . . . . . . . . . . . . . . . .20 Global Iran . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Global Realities (series) . . . . . . . . . . . . . . . . . .18 Globalization and the Middle Classes in India . .18 Glover, David . . . . . . . . . . . . . . . . . . . . . . . . .13 Goggin, Gerard . . . . . . . . . . . . . . . . . . . . . .5, 7 Gokulsing, K. Moti . . . . . . . . . . . . . . . . . . . . .10 Grant, Iain . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Gray, Ann . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Gronas, Mikhail . . . . . . . . . . . . . . . . . . . . . . . .6 Grossberg, Lawrence . . . . . . . . . . . . . . . . . . . .6 Guillory, John . . . . . . . . . . . . . . . . . . . . . . . . .14 Guins, Raiford . . . . . . . . . . . . . . . . . . . . . . . . .3
In the Culture Society . . . . . . . . . . . . . . . . . . . .8 Ingraham, Chrys . . . . . . . . . . . . . . . . . . . . . . .14 Intellectuals and Cultural Policy . . . . . . . . . . .12 Inter-Asia Cultural Studies Reader, The . . . . . . .2 International Handbook of Sexuality and Health, The . . . . . . . . . . . . . . . . . . . . . . . . .16 Introduction to Studying Popular Culture, An . .8 Introduction to Theories of Popular Culture, An . .4 Introduction To Visual Culture, An . . . . . . . . . .4
J Jackson, Tim . . . . . . . . . . . . . . . . . . . . . . . . .21 Jacques Derrida . . . . . . . . . . . . . . . . . . . . . . .12 James, Ian . . . . . . . . . . . . . . . . . . . . . . . . . . .11 Janis, Michael . . . . . . . . . . . . . . . . . . . . . . . . .18 Jean Baudrillard . . . . . . . . . . . . . . . . . . . . . . .11 Jefferson, Tony . . . . . . . . . . . . . . . . . . . . . . . . .5 Jones, Amelia . . . . . . . . . . . . . . . . . . . . . . . . . .4 Jones, Steven . . . . . . . . . . . . . . . . . . . . . . . . .12 Judith Butler . . . . . . . . . . . . . . . . . . . . . . . . . .11 Judith Butler and Political Theory . . . . . . . . . .13 Judith Butler’s Precarious Politics . . . . . . . . . .13
K Kaplan, Cora . . . . . . . . . . . . . . . . . . . . . . . . .13 Kelly, Kieran . . . . . . . . . . . . . . . . . . . . . . . . . . .3
L Landry, Donna . . . . . . . . . . . . . . . . . . . . . . . . .4 Lane, Richard J. . . . . . . . . . . . . . . . . . . . . . . .11 Latsploitation, Latin America, and Exploitation Cinema . . . . . . . . . . . . . . . . . .20 Leick, Karen . . . . . . . . . . . . . . . . . . . . . . . . . .20 Lesbianism, Cinema, Space . . . . . . . . . . . . . .20 Letters, Postcards, and Email . . . . . . . . . . . . . .6 Lin, Nan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Lister, Martin . . . . . . . . . . . . . . . . . . . . . . . .2, 3 Literary Criticism and Cultural Theory (series) . .12 Luckhurst, Roger . . . . . . . . . . . . . . . . . . . . . . .9
M
H Hall, Donald E. . . . . . . . . . . . . . . . . . . . . . . . .14 Hall, Stuart . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Hand, Seán . . . . . . . . . . . . . . . . . . . . . . . . . .11 Handbook of Japanese Culture and Society . .10 Hannah Arendt . . . . . . . . . . . . . . . . . . . . . . .12 Hanson, Stuart . . . . . . . . . . . . . . . . . . . . . . . . .7 Hanssen, Beatrice . . . . . . . . . . . . . . . . . . . . . . .4 Harding, Jennifer . . . . . . . . . . . . . . . . . . . . . . .4 Hargis, Jill . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Hartley, John . . . . . . . . . . . . . . . . . . . . . . . . .12 Hebdige, Dick . . . . . . . . . . . . . . . . . . . . . . . . .7 Heryanto, Ariel . . . . . . . . . . . . . . . . . . . . . . . .20 Highmore, Ben . . . . . . . . . . . . . . . . . . . .1, 2, 13 Histories of Postmodernism . . . . . . . . . . . . . .12 Hjorth, Larissa . . . . . . . . . . . . . . . . . . . . . . .5, 7 Holmes, Su . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Homi K. Bhabha . . . . . . . . . . . . . . . . . . . . . . .12 hooks, bell . . . . . . . . . . . . . . . . . . . . . . . .16, 17 Hsung, Ray-May . . . . . . . . . . . . . . . . . . . . . . . .5 Huddart, David . . . . . . . . . . . . . . . . . . . . . . . .12 Human Sexuality . . . . . . . . . . . . . . . . . . . . . .16 Hunt, Geoffrey . . . . . . . . . . . . . . . . . . . . . . . . .8 Huppauf, Bernd . . . . . . . . . . . . . . . . . . . . . . . .6 Huq, Rupa . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
I Ikas, Karin . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 In Other Worlds . . . . . . . . . . . . . . . . . . . . . . . .5 In Sight: Visual Culture (series) . . . . . . . . . . .3, 4
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MacLean, Gerald . . . . . . . . . . . . . . . . . . . . . . .4 Marshall, P. David . . . . . . . . . . . . . . . . . . . . . . .1 Matlock, Jann . . . . . . . . . . . . . . . . . . . . . . . . .5 Mayer, Vicki . . . . . . . . . . . . . . . . . . . . . . . . . . .9 McQuillan, Martin . . . . . . . . . . . . . . . . . . . . . .6 McRobbie, Angela . . . . . . . . . . . . . . . .8, 10, 21 Meaney, Gerardine . . . . . . . . . . . . . . . . . . . . .14 Medhurst, Andy . . . . . . . . . . . . . . . . . . . . . . . .8 Media Globalization and the Discovery Channel Networks . . . . . . . . . . . . . . . . . . . .5 Media Spectacles . . . . . . . . . . . . . . . . . . . . . . .5 Media, Culture and Social Change in Asia Series (series) . . . . . . . . . . . . . . . . . . . . . . .20 Medusa Reader, The . . . . . . . . . . . . . . . . . . . . .4 Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Merck, Mandy . . . . . . . . . . . . . . . . . . . . . . . .20 Michel Foucault . . . . . . . . . . . . . . . . . . . . . . .11 Mills, Sara . . . . . . . . . . . . . . . . . . . . . . . . . . .11 Milne, Esther . . . . . . . . . . . . . . . . . . . . . . . . . .6 Mirzoeff, Nicholas . . . . . . . . . . . . . . . . . .3, 4, 9 Mjos, Ole . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Mobile Technologies . . . . . . . . . . . . . . . . . . . .5 Morley, David . . . . . . . . . . . . . . . . . . . . . . . . . .7 Myers, Tony . . . . . . . . . . . . . . . . . . . . . . . . . .11
N Nation and Identity in the New German Cinema . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 National Joke, A . . . . . . . . . . . . . . . . . . . . . . . .8 Ndalianis, Angela . . . . . . . . . . . . . . . . . . . . . . .6 Neal, Mark Anthony . . . . . . . . . . . . . . . . . . . .19
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INDEX
Negra, Diane . . . . . . . . . . . . . . . . . . . . . . . . .14 New Accents (series) . . . . . . . . . . . . . . . . . . . .7 New Black Man . . . . . . . . . . . . . . . . . . . . . . .19 New Critical Idiom (series) . . . . . . . . . . . . . . .13 New Media . . . . . . . . . . . . . . . . . . . . . . . . . . .3 New Media and Technocultures Reader, The . .2 Nineteenth Century Visual Culture Reader, The . .4
O Object Reader, The . . . . . . . . . . . . . . . . . . . . . .3 Olsen, Dale A. . . . . . . . . . . . . . . . . . . . . . . . . .8 On Belief . . . . . . . . . . . . . . . . . . . . . . . . . . . .13 One Nation Under God? . . . . . . . . . . . . . . . . .5 Opera’s Second Death . . . . . . . . . . . . . . . . . .13 Organs without Bodies . . . . . . . . . . . . . . . . . .13 Outlaw Culture . . . . . . . . . . . . . . . . . . . . . . .17 Outside in the Teaching Machine . . . . . . . . . . .5
P Parker, Richard . . . . . . . . . . . . . . . . . . . . . . . .16 Paul Virilio . . . . . . . . . . . . . . . . . . . . . . . . . . .11 Paulicelli, Eugenia . . . . . . . . . . . . . . . . . . . . . .21 Peletz, Michael G. . . . . . . . . . . . . . . . . . . . . .15 Perversion in Modern Japan . . . . . . . . . . . . . .18 Pirate Modernity . . . . . . . . . . . . . . . . . . . . . .19 Places and Spaces of Fashion, 1800-2007, The . .21 Pollock, Della . . . . . . . . . . . . . . . . . . . . . . . . . .6 Popular Culture in a Globalised India . . . . . . .10 Popular Culture in Indonesia . . . . . . . . . . . . .20 Popular Culture, Globalization and Japan . . . . .9 Popular Music of Vietnam . . . . . . . . . . . . . . . .8 Popular Music Studies Reader, The . . . . . . . . . .1 Postmodernism and Popular Culture . . . . . . . .8 Post-War Italian Cinema . . . . . . . . . . . . . . . . .20 Potvin, John . . . . . . . . . . . . . . . . . . . . . . . . . .21 Practice of Public Art, The . . . . . . . . . . . . . . . .6 Pribram, Deidre . . . . . . . . . . . . . . . . . . . . . . . .4 Procter, James . . . . . . . . . . . . . . . . . . . . . . . .12 Production Studies . . . . . . . . . . . . . . . . . . . . . .9 Przyblyski, Jeannene . . . . . . . . . . . . . . . . . . . . .4
Q Quotation Marks . . . . . . . . . . . . . . . . . . . . . . .4
R Raju, Zakir Hossain . . . . . . . . . . . . . . . . . . . . .19 Rawnsley, Gary . . . . . . . . . . . . . . . . . . . . . . . .20 Rawnsley, Ming-Yeh . . . . . . . . . . . . . . . . . . . .20 Reading Sexualities . . . . . . . . . . . . . . . . . . . . .14 Redmond, Sean . . . . . . . . . . . . . . . . . . . . . . .20 Reel to Real . . . . . . . . . . . . . . . . . . . . . . . . . .17 Religion in Contemporary China . . . . . . . . . . .18 Resistance Through Rituals . . . . . . . . . . . . . . . .5 Rethinking Race, Politics, and Poetics . . . . . . .18 Re-writing Culture in Taiwan . . . . . . . . . . . . .18 Roland Barthes . . . . . . . . . . . . . . . . . . . . . . . .11 Routledge Advances in Film Studies (series) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20, 21 Routledge Advances in Sociology (series) . . . . .5 Routledge Classics (series) . .5, 13, 14, 17, 18, 20 Routledge Contemporary China Series (series) . .18 Routledge Contemporary Japan Series (series) . .18 Routledge Contemporary South Asia Series (series) . . . . . . . . . . . . . . . . . . . . . . . . .18, 19 Routledge Critical and Cultural Theory Reader, The . . . . . . . . . . . . . . . . . . . . . . . . .3 Routledge Critical Thinkers (series) . . .10, 11, 12 Routledge Key Guides (series) . . . . . . . . . . . .12 Routledge Research in Cultural and Media Studies (series) . . . . . . . . . . . . . . . .5, 6, 7, 21 Routledge Strudent Readers (series) . . . . . . . .21
Routledge Studies in Asia’s Transformations (series) . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Routledge Studies in Cultural History (series) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12, 18 Routledge Studies in Ethnomusicology (series) . .8 Routledge Studies in New Media and Cyberculture (series) . . . . . . . . . . . . . . . . . . .7 Routledge Studies in Twentieth-Century Literature (series) . . . . . . . . . . . . . . . . . . . .14 Royle, Nicholas . . . . . . . . . . . . . . . . . . . . . . . .12 Ruétalo, Victoria . . . . . . . . . . . . . . . . . . . . . . .20 Rushing, Sara . . . . . . . . . . . . . . . . . . . . . . . . .12
S Sakamoto, Rumi . . . . . . . . . . . . . . . . . . . . . . . .9 Salih, Sara . . . . . . . . . . . . . . . . . . . . . . . . . . .11 Scharf, Inga . . . . . . . . . . . . . . . . . . . . . . . . . .21 Schwartz, Vanessa . . . . . . . . . . . . . . . . . . . . . .4 Scrase, Timothy J. . . . . . . . . . . . . . . . . . . . . .18 Sedgwick, Peter . . . . . . . . . . . . . . . . . . . . . . .12 Seltzer, Mark . . . . . . . . . . . . . . . . . . . . . . . . . .8 Sex, Love and Feminism in the Asia Pacific . . .15 Shank, Barry . . . . . . . . . . . . . . . . . . . . . . . . . . .1 Shaw, David . . . . . . . . . . . . . . . . . . . . . . . . . .21 Shih, Fang-Long . . . . . . . . . . . . . . . . . . . . . . .18 Shohat, Ella . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Shuker, Roy . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Sigmund Freud . . . . . . . . . . . . . . . . . . . . . . . .10 v Slavoj Z izek . . . . . . . . . . . . . . . . . . . . . . . . . .11 Smith, Caroline J. . . . . . . . . . . . . . . . . . . . . . .12 Smith, Jonas Heide . . . . . . . . . . . . . . . . . . . . . .2 Social Movements: The Key Concepts . . . . . .12 Songs in the Key of Black Life . . . . . . . . . . . .19 Soul Babies . . . . . . . . . . . . . . . . . . . . . . . . . .19 Spencer, Jonathan . . . . . . . . . . . . . . . . . . . . .10 Spivak Reader, The . . . . . . . . . . . . . . . . . . . . . .4 Spivak, Gayatri Chakravorty . . . . . . . . . . . . .4, 5 St Louis, Brett . . . . . . . . . . . . . . . . . . . . . . . . .18 Stam, Robert . . . . . . . . . . . . . . . . . . . . . . . . . .7 Strinati, Dominic . . . . . . . . . . . . . . . . . . . . .4, 8 Stringer, Julian . . . . . . . . . . . . . . . . . . . . . . . .20 Stuart Hall . . . . . . . . . . . . . . . . . . . . . . . . .7, 12 Studies in Major Literary Authors (series) . . . .20 Subculture . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Subcultures . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Subcultures Reader, The . . . . . . . . . . . . . . . . . .2 Sundaram, Ravi . . . . . . . . . . . . . . . . . . . . . . .19 Swanson, Gillian . . . . . . . . . . . . . . . . . . . . . .15 Swift, Simon . . . . . . . . . . . . . . . . . . . . . . . . .12 Symptoms of Culture . . . . . . . . . . . . . . . . . . . .4 v
Understanding Popular Music Culture . . . . . . .8 Understanding Video Games . . . . . . . . . . . . . .2 Undoing Gender . . . . . . . . . . . . . . . . . . . . . .14
V Van Esterik, Penny . . . . . . . . . . . . . . . . . . . . . .7 Vested Interests . . . . . . . . . . . . . . . . . . . . . . . .4 Vickers, Nancy J. . . . . . . . . . . . . . . . . . . . . . . .5 Vincent, Keith . . . . . . . . . . . . . . . . . . . . . . . .18 Visual Culture Reader, The . . . . . . . . . . . . . . . .3 Voci, Paola . . . . . . . . . . . . . . . . . . . . . . . . . . .19
W Wagner, Gerhard . . . . . . . . . . . . . . . . . . . . . . .6 Walkowitz, Rebecca . . . . . . . . . . . . . . . . . . .4, 5 Wallace, Lee . . . . . . . . . . . . . . . . . . . . . . . . . .20 Wannamaker, Annette . . . . . . . . . . . . . . . . . .10 Watching Babylon . . . . . . . . . . . . . . . . . . . . . .9 We Real Cool . . . . . . . . . . . . . . . . . . . . . . . . .17 Welsh, Ian . . . . . . . . . . . . . . . . . . . . . . . . . . .12 What a Girl Wants? . . . . . . . . . . . . . . . . . . . .14 What the Music Said . . . . . . . . . . . . . . . . . . .19 What’s Left of Theory? . . . . . . . . . . . . . . . . . .14 Whelehan, Patricia . . . . . . . . . . . . . . . . . . . . .16 Where We Stand . . . . . . . . . . . . . . . . . . . . . .17 White Weddings . . . . . . . . . . . . . . . . . . . . . .14 Whitehead, Anne . . . . . . . . . . . . . . . . . . . . . .12 Willis, Shelly . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Wilson, Ross . . . . . . . . . . . . . . . . . . . . . . . . .11 Wood, Helen . . . . . . . . . . . . . . . . . . . . . . . . . .7 Wulf, Christoph . . . . . . . . . . . . . . . . . . . . . . . .6
Y Yancy, George . . . . . . . . . . . . . . . . . . . . . . . .17 Youth, Drugs and Night Life . . . . . . . . . . . . . . .8
Z v
v
Zizek, Slavoj . . . . . . . . . . . . . . . . . . . . . . . . . .13 v Z izek’s Politics . . . . . . . . . . . . . . . . . . . . . . . .13 v
T Teaching Community . . . . . . . . . . . . . . . . . . .17 Teaching to Transgress . . . . . . . . . . . . . . . . . .17 That’s the Joint! . . . . . . . . . . . . . . . . . . . . . . .19 Theodor Adorno . . . . . . . . . . . . . . . . . . . . . .11 Theorists of the City . . . . . . . . . . . . . . . . . . . .10 Thinking in Action (series) . . . . . . . . . . . . . . .13 Thomas, Julia . . . . . . . . . . . . . . . . . . . . . . . . . .3 Thomas, Kendall . . . . . . . . . . . . . . . . . . . . . .14 Thompson, Stuart . . . . . . . . . . . . . . . . . . . . .18 Thurschwell, Pamela . . . . . . . . . . . . . . . . . . . .10 Tierney, Dolores . . . . . . . . . . . . . . . . . . . . . . .20 Tosca, Susana Pajares . . . . . . . . . . . . . . . . . . . .2 Toynbee, Jason . . . . . . . . . . . . . . . . . . . . . . . . .1 Trauma Question, The . . . . . . . . . . . . . . . . . . .9 Tremlett, Paul . . . . . . . . . . . . . . . . . . . . . . . . .18 Treveri Gennari, Daniela . . . . . . . . . . . . . . . . .20 True Crime . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Turn to Ethics, The . . . . . . . . . . . . . . . . . . . . . .4 Turner, Colin . . . . . . . . . . . . . . . . . . . . . . . . .18
U Understanding Cultural Geography . . . . . . . . .9
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