Media Studies and Communications Textbooks Catalog 2011 US by Routledge Taylor & Francis Group

Routledge

Media Studies and Communication Textbooks New Titles and Key Backlist 2011

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Welcome to Routledge

Media Studies and Communication Textbooks New Titles and Key Backlist 2011

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contents Persuasion . . . . . . . . . . . . . . . . . . . . . . . . 2

Media and Society . . . . . . . . . . . . . . . . . 19

Argumentation. . . . . . . . . . . . . . . . . . . . . 4

Media Effects. . . . . . . . . . . . . . . . . . . . . 20

Interpersonal Communication. . . . . . . . . . 4

Media Ethics. . . . . . . . . . . . . . . . . . . . . . 21

Family Communication. . . . . . . . . . . . . . . 4

Media History. . . . . . . . . . . . . . . . . . . . . 22

Health Communication. . . . . . . . . . . . . . . 5

Media Law. . . . . . . . . . . . . . . . . . . . . . . 22

Intercultural Communication. . . . . . . . . . . 5

Media Management & Economics . . . . . 22

International Communication. . . . . . . . . . 5

Journalism . . . . . . . . . . . . . . . . . . . . . . . 23

Organizational Communication . . . . . . . . 6

Media Writing. . . . . . . . . . . . . . . . . . . . 30

Political Communication. . . . . . . . . . . . . . 6

Publishing. . . . . . . . . . . . . . . . . . . . . . . . 30

Communication Research. . . . . . . . . . . . . 7

Film Studies . . . . . . . . . . . . . . . . . . . . . . 31

Communication Theory . . . . . . . . . . . . . . 7

Television Studies . . . . . . . . . . . . . . . . . . 34

Public Relations. . . . . . . . . . . . . . . . . . . . . 8

New Media. . . . . . . . . . . . . . . . . . . . . . . 35

Advertising. . . . . . . . . . . . . . . . . . . . . . . 11

Video Games . . . . . . . . . . . . . . . . . . . . . 36

Visual Communication. . . . . . . . . . . . . . 13

Cultural Studies . . . . . . . . . . . . . . . . . . . 37

Visual Culture. . . . . . . . . . . . . . . . . . . . . 14

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Introduction to Media. . . . . . . . . . . . . . . 15

Order Form. . . . . . . . . . . . . . . . . Last Page

Media Studies. . . . . . . . . . . . . . . . . . . . . 17

Contacts

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Considering books for course use? Books marked with are available as complimentary exam copies for lecturers or faculty considering them for course adoption. To obtain your copy visit the URL listed beneath the title in the catalog and select your choice of print or electronic copy. Visit www.routledge.com or in the US you can call 1-800-634-7064. Books marked with are available as electronic inspection copies only.

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Welcome!

Thank you for your interest in Routledge textbooks. For 2011, we are pleased to present an extensive list of undergraduate and graduate textbooks, reflecting Routledge’s growing list of books for coursework. This year’s releases include new textbooks for media ethics and journalism: • Doing Ethics in Media, 1st Edition (p. 21) • Multimedia Journalism, 1st Edition (p. 25) Also available for 2011 are revisions of best-selling texts, including: • Media Today: An Introduction to Mass Communication, 4th Edition (p. 15) • The Media Student’s Book, 5th Edition (p. 16) • Introduction to Film Studies, 4th Edition (p. 31) • Movie History, 2nd Edition (p. 32) • Television, 4th Edition (p. 34) • Controversies in Media Ethics, 3rd Edition (p. 21) • The Dynamics of Persuasion, 4th Edition (p. 2) • Persuasion in Society, 2nd Edition (p. 3) • Reputation Management, 2nd Edition (p. 8) • Crisis Communications, 4th Edition (p. 8) • The Crisis Manager, 2nd Edition (p. 11) • The Media Handbook, 4th Edition (p. 12) All Routledge textbooks are available as complimentary exam copies, in print and e-Inspection formats. Textbooks with a Companion Website icon include additional learning materials for students and teaching resources for instructors online. Look for additional titles for your courses at www.routledge.com, where you can preview chapters, review contents, and request exam copies. If you want e-Books, over 22,000 Routledge titles are now available – you can purchase them either directly from our e-Bookstore (www.ebookstore.tandf.co.uk) or through Amazon Kindle and other e-Book vendors. For readers in the United States, we have many textbooks available for e-review on CourseSmart (www.coursesmart.com). Also available to US instructors are customizable readers of Routledge content available through University Readers – try this resource out at www.routledge.customgateway.com. If you need help finding the right text for your course, access to Companion Website materials, or have questions about our textbooks, please contact Celia Kendall in North America (celia.kendall@taylorandfrancis.com), or media_studies@routledge.com in Europe, Asia, Australia, and Africa. We welcome your feedback on our publishing program, as well as your ideas for future titles, so please feel free to contact us – we look forward to hearing from you. Sincerely, Linda Bathgate

Natalie Foster

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Publisher, Communication Studies

Senior Editor, Media Studies

Associate Editor, Media Studies

The Dynamics of

Persuasion

4th Edition

Communication and Attitudes in the 21st Century Richard M. Perloff, Cleveland State University, USA

The Dynamics of Persuasion provides a comprehensive and up-to-date introduction to persuasive communication and attitude change. Offering a thorough discussion of classic and contemporary theories of persuasion, this text explores the structure and functions of attitudes, consistency between attitude and behavior, and issues in attitude measurement. Examining persuasion through media, interpersonal, and psychological lenses, author Richard M. Perloff systematically investigates the impact of persuasive communication on attitudes toward a variety of topics, including health, politics, and racial prejudice. In addition to presenting persuasion theory and research, he provides numerous examples of persuasion in action, demonstrating the role of persuasion research in everyday life. Written in a highly accessible and clear style, The Dynamics of Persuasion serves to: • • • • •

introduce the social science perspective on persuasion enhance understanding of persuasion theories and research highlight the major issues discussed in the field of persuasion research explore the complexities and subtleties in the dynamics of everyday persuasion raise awareness about the ethics of contemporary persuasion.

New to this edition are:

• examples interspersed throughout the text • focused discussions on compliance-gaining and negative advertising • examples of strong attitude, such as the pros and cons of using animals in research. Selected Contents: Part 1: Foundations Introduction to Persuasion Attitudes: Definition and Structure Attitudes: Functions and Consequences Attitude Measurement Part 2: Changing Attitudes and Behavior Processing Persuasive Communications ‘Who Says It’: Source Factors in Persuasion Message Factors Personality and Persuasion Cognitive Dissonance Theory Interpersonal Persuasion Part 3: Persuasion in American Society Advertising Communication Campaigns March 2010: 448pp Pb: 978-0-415-80568-1: $59.95 | eBook: 978-0-203-87032-7 For more information, visit: www.routledge.com/9780415805681 For Courses in: Persuasion

Complimented by a Companion Website (www.routledge.com/textbooks/ dynamicsofpersuasion4e) with resources for students and instructors, The Dynamics of Persuasion is an engaging text appropriate for advanced courses on persuasion in communication, psychology, marketing, and sociology. In its exploration of the dynamics of persuasive communication, it illuminates the powerful effects persuasion has in contemporary society and enhances understanding of this ubiquitous communicative strategy.

NEW in

2011

Persuasion in Society 2nd Edition Herbert W. Simons, Temple University, Pennsylvania, USA and Jean G. Jones, Edinboro University, USA Persuasion in Society introduces readers to the rich tapestry of persuasive technique and scholarship, interweaving rhetorical, critical theory, and social science traditions. This text examines current and classical theory through the lens of contemporary culture, encouraging readers to explore the nature of persuasion and to understand its impact in their lives. Employing a contemporary approach, authors Herbert W. Simons and Jean G. Jones draw from popular culture, mass media, and social media to help readers become informed creators and consumers of persuasive messages. This introductory persuasion text offers: • a broad-based approach to the scope of persuasion, expanding students’ understanding of what persuasion is and how it is effected • insights on the diversity of persuasion in action, through such contexts as advertising, marketing, political campaigns, activism and social movements, and negotiation in social conflicts • the inclusion of ‘sender’ and ‘receiver’ perspectives, enhancing understanding of persuasion in practice • extended treatment of the ethics of persuasion, featuring opposing views on handling controversial issues in the college classroom for enhanced instruction • case studies showing how and why people fall for persuasive messages, demonstrating how persuasion works at a cognitive level.

Highlights of this second edition include: • an extensively revised approach, written with the needs of today’s undergraduate students in mind • contemporary examples, selected for relevance, currency, and appeal • updated discussions of theory and research, including cognitive psychology and neuroscience • current illustrations from advertising, politics, social movements, propaganda, and other sources.

To reinforce the topics covered in each chapter, discussion questions, exercises, and key terms are included. Additional resources are available on the Companion Website (www.routledge.com/textbooks/simons), along with materials for instructors, including supplements for lectures and sample exam questions. February 2011: 528pp Pb: 978-0-415-96514-9: $79.95 eBook: 978-0-203-93303-9 For more information, visit: www.routledge.com/9780415965149 For courses in: Persuasion

A rgum entat ion

Argumentation Argumentation Analysis, Evaluation, Presentation Frans H. van Eemeren, Rob Grootendorst and A. Francisca Sn Henkemans

This text offers an introduction to analyzing, evaluating, and presenting oral and written argumentation, based on the pragma-dialetical theory of argument. It is intended for students of argumentation, applied linguistics, communication, or philosophy.

2002: 216pp Pb: 978-0-8058-3952-4: $39.95 eBook: 978-1-4106-0244-2 For more information, visit: www.routledge.com/9780805839524 For courses in: Argumentation

Int erp e r s o na l Commu nicati o n

Fa mi ly C o m m u nicat i o n

Interpersonal Communication

Family Communication

NEW in 2011

Strategic Conflict

2nd Edition

Daniel J. Canary, Arizona State University, USA and Sandra Lakey, Pennsylvania College of Technology, USA

Chris Segrin, University of Arizona, USA and Jeanne Flora, New Mexico State University, USA

Series: Routledge Communication Series This text offers a research-based, accessible analysis of how people can manage conflict productively. Moving beyond the basics of conflict, it examines interpersonal situations in which conflict occurs and promotes strategic communicative responses, based on communication research. Daniel J. Canary and his colleagues base the principles for conflict management on the latest theoretical research, and add personal observations, media examples, and samples of actual interaction to provide concrete illustrations of the research findings. It provides students with the tools to understand conflict in real-world contexts. July 2011: 288pp Pb: 978-0-8058-5064-2: $29.95 For more information, visit: www.routledge.com/9780805850642 For courses in: Conflict

Family Communication Series: Routledge Communication Series Family Communication examines state-of-the-art research and theories of family communication and family relationships. In addition to updates that present cutting-edge research, it focuses on classic theories and research findings that have influenced and revolutionized the way scholars conceptualize family interaction. This text offers a thorough and up-to-date presentation of scientific research in family communication for students of family communication as well as professionals who work with families. This second edition of Family Communication is infused with cutting-edge research, includes a focus on understudied family relationships, and contains an appendix of carefully chosen personal, family stories. It will be a valuable resource for undergraduates, and advanced readers, including graduate students and professionals, will continue to find it a useful and up-to-date reference to classic and contemporary research on family communication and relationships. August 2011: 504pp Pb: 978-0-415-87634-6: $69.95 eBook: 978-0-203-85783-0 For more information, visit: www.routledge.com/9780415876346 For courses in: Family Communication

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H ea lth C o m mun icat ion

Int ercu lt u ra l Commun icati o n

Health Communication

Intercultural Communication

International Communication

NEW in 2011

The Global Intercultural Communication Reader

International Communication: A Reader

Edited by Molefi Kete Asante, Temple University, USA, Yoshitaka Miike, University of Hawaii, USA and Jing Yin, Clemson University, USA

Edited by Daya Kishan Thussu, University of Westminster, UK

Popular Media and Health Communication Kimberly N. Kline, University of Texas, USA and Jay Baglia, Kutztown University, USA Series: Routledge Communication Series Recognizing the power of popular media – television, film, internet, music mobile media – to highlight health issues in the public forum and to set agendas in public policy, this work provides a comprehensive discussion of the theory and methodological considerations in the study of popular media and health communication. Illustrating health communication research in contemporary contexts, authors Kimberly N. Kline and Jay Baglia detail the theories that explain mass media influence and the appropriate methods for assessing the implications of specific mass-mediated experiences. A key feature of this volume is the illustration of the theories underlying the entertainment-education approach to health communication. A targeted and timely discussion of media’s role and influence in conveying messages about health and illness, this book is intended for advanced students in health communication and related disciplines who need to understand the theories and methodologies applicable to doing research in this area. October 2011: 320pp Pb: 978-0-8058-6259-1: $34.95 For more information, visit: www.routledge.com/9780805862591 For courses in: Health Communication and Media

Health Communication in Practice A Case Study Approach

I n te r n at i o n a l C o m m u nicat i o n

Ideal for undergraduate and graduate courses in intercultural communication, The Global Intercultural Communication Reader is the first comprehensive anthology to take a distinctly non-Eurocentric approach to analyzing and appreciating the diverse ways of communicating in different cultures, and incorporates African and Asian as well as Western perspectives.

The volume’s international scope aims to expand and enlarge the field by promoting greater engagement with the closely related field of international communication. Featuring twenty readings by prominent intercultural and international communication scholars, The Global Intercultural Communication Reader is edited by Molefi Kete Asante, one of the founders of the field of intercultural communication, along with international scholars Yoshitaka Miike and Jing Yin. The field of intercultural communication seeks to understand the process of communicating across cultural boundaries with an aim toward promoting positive relations between different cultures and nations. 2007: 368pp Pb: 978-0-415-95813-4: $49.95

‘As the field of communication studies expands and internationalizes, there is a growing need of global resource material. Daya Thussu has brought such material together in a Reader that will prove invaluable for teaching on the political, economic, cultural and technological dimensions of global communication. Not only a “must read” but also a “must use”. Highly recommended!’ – Cees J. Hamelink, University of Amsterdam, the Netherlands This comprehensive Reader brings together seminal texts in media and communication from both traditional as well as more recent scholarship. Readings are drawn from an international range of scholars and organized to reflect the growing internationalization of the field, with clearly defined sections covering key aspects of global communication. In addition to the core academic readings, key policy documents are also included to demonstrate the development of the political, economic and technological infrastructure that underpins the global system of media and communication. 2009: 616pp Pb: 978-0-415-44456-9: $44.95

For more information, visit: www.routledge.com/9780415958134 For courses in: Intercultural Communication

For more information, visit: www.routledge.com/9780415444569 For courses in: International Communication, Global Media, International Media

Edited by Eileen Berlin Ray, Cleveland State University, USA Series: Routledge Communication Series

Health Communication in Practice: A Case Study Approach offers a comprehensive examination of the complex nature of health-related communication. This text contains detailed case studies that demonstrate in-depth applications of communication theory in real-life situations. 2005: 400pp Pb: 978-0-8058-4758-1: $59.95 eBook: 978-1-4106-1277-9

Complimentary Exam Copies Titles marked with this icon are available as complimentary exam copies for lecturers or faculty considering them for course adoption. Visit the URL to obtain your print or electronic copy.

For more information, visit: www.routledge.com/9780805847581 For courses in: Health Communication

Browse and order online: routledge.com/media • routledge.com/communication

P olitica l C o m m u nicat i o n

Organizational Political Communication Communication New

NEW in 2011

The Situated Organization

5th Edition

Case Studies in the Pragmatics of Communication Research

An Introduction to Political Communication

James R. Taylor and Elizabeth J. Van Every, both at University of Montreal, Canada

Brian McNair

Series: Routledge Communication Series

The Situated Organization explores recent research in organizational communication, emphasizing the organization as constructed in and emerging out of communication practices. Working from the tradition of the Montreal School in its approach, it focuses not only on how an organization’s members understand the purposes of the organization through communication, but also on how they realize and recognize the organization itself as they work within it. July 2010: 288pp Pb: 978-0-415-88168-5: $49.95 eBook: 978-0-203-84807-4 For more information, visit: www.routledge.com/9780415881685 For courses in: Organizational Communication

Building Theories of Organization The Constitutive Role of Communication Edited by Linda L. Putnam, University of California, Santa Barbara, USA and Anne M. Nicotera, George Mason University, USA Series: Routledge Communication Series This volume explores the concept of communication as it applies to organizational theory, comparing and contrasting approaches to the notion that communication constitutes organization. 2008: 240pp Pb: 978-0-8058-4710-9: $44.95 eBook: 978-0-203-89102-5 For more information, visit: www.routledge.com/9780805847109 For courses in: Organizational Communication

Series: Communication and Society

related journals

O rga niz at i ona l Commun ication

Communication Journals from Routledge Routledge are pleased to publish in partnership with the NCA the following collection of journals: • Communication Education • Communication and Critical/ Cultural Studies • Communication Monographs • Communication Teacher

*previous edition cover

In this classic textbook, Brian McNair examines how politicians, trade unions, pressure groups, NGOs and terrorist organisations make use of the media. Separate chapters look at the theory of political communication and its role in a democracy; the political media and their effects; political advertising, marketing and public relations; and the communication practices of organizations at all levels. This fifth edition has been revised and updated to include: • the 2008 Presidential Election and Barack Obama • the 2010 UK Election • the role of new media in political communication, including blogging, Twitter and other Web 2.0 applications. Selected Contents: 1. Politics in the Age of Mediation 2. Politics, Democracy and the Media 3. The Effects of Political Communication 4. The Political Media 5. The Media as Political Actors 6. Party Political Communication I: Advertising 7. Party Political Communication II: Political Public Relations 8. Pressure Group Politics and the Oxygen of Publicity 9. International Political Communication April 2011: 256pp Pb: 978-0-415-59644-2: $34.95

• Critical Studies in Media Communication • Journal of Applied Communication Research • Journal of International and Intercultural Communication • Quarterly Journal of Speech • Review of Communication • Text and Performance Quarterly ther Journals in the field of O Communication published by Routledge: • Asian Journal of Communication • Chinese Journal of Communication • Communication Quarterly • Communication: South African Journal for Communication, Theory and Research • Information, Communication & Society

For more information, visit: www.routledge.com/9780415596442 For courses in: Introduction to Political Communication

• Journal of Intercultural Communication

The Political Communication Reader

• Rhetoric Society Quarterly

Edited by Ralph Negrine and James Stanyer, both at University of Loughborough, UK

• Western Journal of Communication

‘This is a collection of some of the best works and finest writers in political communication. It provides the reader with a comprehensive overview of the state of the art and how the field has developed over the last decades.’ – Christina Holtz-Bacha, University of Erlangen-Nuernberg, Germany

3rd Edition

Applied Organizational Communication Theory and Practice in a Global Environment Thomas E. Harris and Mark D. Nelson, both at The University of Alabama, USA

• Southern Communication Journal

The entire portfolio of communication titles can be found at: www.communicationarena.com.

Series: Routledge Communication Series 2007: 424pp Pb: 978-0-8058-5941-6: $75.00

2007: 336pp Pb: 978-0-415-35936-8: $43.95

For more information, visit: www.routledge.com/9780805859416

For more information, visit: www.routledge.com/9780415359368

For courses in: Organizational Communication

For courses in: Introduction to Political Communication

Complimentary Exam Copy

e-Inspection

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C o m mun ication Re search

C o m m u nicati o n Theo ry

Communication Research

Communication Theory

NEW in 2011

2nd Edition

An Integrated Approach to Communication Theory and Research

A Handbook of Media and Communication Research Qualitative and Quantitative Methodologies Edited by Klaus Bruhn Jensen, University of Copenhagen, Denmark ‘An authoritative, stimulating and rigorous survey of diverse research traditions in media and communications. The emphasis on identifying the potential for convergence across these traditions is both original and welcome.’ – Sonia Livingstone, London School of Economics and Political Science, UK A Handbook of Media and Communications Research presents qualitative as well as quantitative approaches to the analysis and interpretation of media, covering perspectives from both the social sciences and the humanities. The Handbook offers a comprehensive review of earlier research and a set of guidelines for how to think about, plan, and carry out studies of media in different social and cultural contexts. Divided into sections on the history, systematics and pragmatics of research, and written by internationally acknowledged specialists in each area, the Handbook will be a standard reference work for students and researchers. July 2011: 368pp Pb: 978-0-415-60966-1: $39.95 For more information, visit: www.routledge.com/9780415609661 For courses in: Research Methods

Communication Research Measures II A Sourcebook Rebecca B. Rubin and Alan Rubin, both at Kent State University, USA, Elizabeth Graham, Ohio University, USA, Elizabeth Perse, University of Delaware, USA and David Seibold, University of California, Santa Barbara, USA Series: Routledge Communication Series Expanding and building on the measures included in the original 1994 volume, Communication Research Measures II: A Sourcebook provides new measures in mass, interpersonal, instructional, and group/ organizational communication areas, and highlights work in newer sub-disciplines in communication, including intercultural, family, and health. It also includes measures from outside the communication discipline that have been employed in communication research. 2009: 528pp Pb: 978-0-8058-5133-5: $60.00 eBook: 978-0-203-87153-9 For more information, visit: www.routledge.com/9780805851335

Edited by Don W. Stacks, University of Miami, USA and Michael B. Salwen Series: Routledge Communication Series

This volume provides an overview of communication study, offering theoretical coverage of the broad scope of communication study as well as integrating theory with research. To explicate the integration process, the chapter contributors – experts in their respective areas – offer samples in the form of hypothetical studies, published studies, or unpublished research, showing how theory and research are integrated in their particular fields. The book will appeal to graduate students and faculty members who want a thorough overview of not only the field, but also sample research stemming from its various component parts.

2008: 592pp Pb: 978-0-8058-6382-6: $95.00 eBook: 978-0-203-88701-1 For more information and full table of contents, visit: www.routledge.com/9780805863826 For courses in: Communication Theory

Explaining Communication Contemporary Theories and Exemplars Edited by Bryan B. Whaley, University of San Francisco, USA and Wendy Samter, Bryant University, USA Series: Routledge Communication Series Explaining Communication presents in-depth discussions of communication theories by some of the foremost scholars working in communication today. With contributions from the original theorists and scholars known for their work in specific theoretical perspectives, this distinctive text breaks new ground in giving these scholars the opportunity to address students firsthand, speaking directly to the coming generations of communication scholars. 2006: 480pp Pb: 978-0-8058-3959-3: $65.95 eBook: 978-1-4106-1430-8 For more information, visit: www.routledge.com/9780805839593 For courses in: Communication Theory

For courses in: Communication Research

Browse and order online: routledge.com/media • routledge.com/communication

P ubl ic Re l at ions

Public Relations New • 4th Edition

Crisis Communications: A Casebook Approach Kathleen Fearn-Banks, University of Washington, USA Crisis Communications: A Casebook Approach presents case studies of organizational, corporate, and individual crises, and analyzes the communication responses to these situations. Demonstrating how professionals prepare for and respond to crises, as well as how they develop communications plans, this essential text explores crucial issues concerning communication with the news media, employees, and consumers in times of crisis. Author Kathleen Fearn-Banks examines the steps of choosing the appropriate words to convey a message, selecting the method and channels for delivering the message, and identifying and targeting the most appropriate publics or audiences. She also addresses such important topics as avoiding potential mismanagement of communication in crisis situations. Key features of this fourth edition are: • six new cases, including several international crises • current discussion of communications technology as it relates to crises • a Companion Website with additional cases as well as supplemental materials for students and classroom resources for instructors. September 2010: 400pp Pb: 978-0-415-88059-6: $59.95 eBook: 978-0-203-84952-1

Special deal!

For more information, visit: www.routledge.com/9780415880596 For courses in: Crisis Communications

Academic Package – including Textbook and Student Workbook: 978-0-415-89197-4: $71.95

New • 4th Edition

Student Workbook to Accompany Crisis Communications A Casebook Approach Kathleen Fearn-Banks, University of Washington, USA Series: Routledge Communication Series This Student Workbook reviews the critical terminologies, processes, and skills needed for understanding and responding to crises. It prepares individuals for responding to crises in a variety of contexts, and reinforces strategies and tactics to be used during a crisis. Chapters include instructive case studies of public relations professionals in crises: what they did, what they wished they had done, and what hampered their progress. The exercises provide students with the opportunity to respond to real-world crises, sharpening their own skills and practicing response behaviors. This Workbook will serve as a useful tool for all future practitioners. December 2010: 112pp Pb: 978-0-415-88177-7: $29.95 For more information, visit: www.routledge.com/9780415881777 For courses in: Crisis Communications

£46.99

Reputation Management

The Key to Successful Public Relations and Corporate Communication

John Doorley and Helio Fred Garcia, both at New York University, USA

2nd Edition

Reputation Management is the most important theme in public relations and corporate communication today. John Doorley and Helio Fred Garcia argue that most CEOs don’t actually pay much heed to reputation and this is to their peril. This book is a how-to guide for professionals and students in public relations and corporate communication, as well as for CEOs and other leaders. It rests on the premise that reputation can be measured, monitored, and managed. Organized by corporate communication units (media relations, employee communication, government relations, and investor relations, for example), the book provides a field-tested guide to corporate reputation problems such as leaked memos, unfair treatment by the press, and negative rumors – and it is this rare book that focuses on practical solutions. Each chapter is fleshed out with real-world experience by the authors and their contributors who come from a wide range of professional corporate communication backgrounds. This new edition features new and updated examples throughout, two new chapters on social media and public relations consulting, a new textbox feature in each chapter relating key communication theories to the practice of public relations and corporate communication, expanded coverage of global issues, and a new Companion Website at: www.routledge.com/textbooks/doorley, featuring lecture materials for instructors and extensive learning resources for students and professionals. October 2010: 440pp • Pb: 978-0-415-80185-0: $55.00 • eBook: 978-0-203-87686-2 For more information, visit: www.routledge.com/9780415801850 For courses in: Public Relations and Reputation Management

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Companion Website

bestseller Third Edition

Strategic Planning for Public Relations Ronald D. Smith, Buffalo State College, USA This innovative and popular text provides a clear pathway to understanding public relations campaigns and other types of strategic communication. Implementing the pragmatic, in-depth approach of the previous editions, author Ronald D. Smith presents a step-by-step unfolding of the strategic campaign process used in public relations practice. Drawing from his experience in professional practice and in the classroom, Smith walks readers through the critical steps for the formative research, strategic and tactical planning, and plan evaluation phases of the process. Offering clear explanations, relevant examples, and practical exercises, this text identifies and discusses the decision points and options in the development of a communication program. The cases and examples included here explore classic public relations situations as well as current, timely events. This third edition includes expanded discussions of ethics, diversity, and technology integrated throughout the text, and has a new appendix addressing media training for clients. As a classroom text or a resource for professional practice, this volume provides a model that can be adapted to fit specific circumstances and used to improve effectiveness and creativity in communication planning. It serves as an accessible and understandable guide to field-tested procedures, offering practical insights that apply to public relations campaigns and case studies coursework. A Companion Website can be found at: www.routledge.com/textbooks/9780415994224. Selected Contents: Phase One: Formative Research 1. Analyzing the Situation 2. Analyzing the Organization 3. Analyzing the Publics Phase Two: Strategy 4. Establishing Goals and Objectives 5. Formulating Action and Response Strategies 6. Developing the Message Strategy Phase Three: Tactics 7. Selecting Communication Tactics 8. Implementing the Strategic Plan Phase Four: Evaluative Research 9. Evaluating the Strategic Plan 2009: 456pp Pb: 978-0-415-99422-4: $59.95 eBook: 978-0-203-89118-6 For more information, visit: www.routledge.com/9780415994224 For courses in: Public Relations Campaigns

p ubl ic r el at ions

NEW in 2011

NEW

2nd Edition

4th Edition

Cases in Public Relations Management

Applied Public Relations

Becoming a Public Relations Writer A Writing Process Workbook for the Profession Ronald D. Smith, Buffalo State College, USA Becoming a Public Relations Writer guides you through the writing process for public relations practice. Using straightforward, no-nonsense language, realistic examples, easy-to-follow steps and practical exercises, this text introduces the various types of public relations writing you will encounter as a public relations practitioner. A focus on ethical and legal issues is woven throughout, with examples and exercises addressing public relations as practiced by corporations, non-profit agencies, and other types of organizations both large and small. In addition, the book offers the most comprehensive list of public relations writing formats to be found anywhere – from the standard news release to electronic mail and other opportunities using a variety of technologies and media. Updated to reflect the current technologies and practices of today’s PR professional, the fourth edition includes: • coverage of online writing and social media • enhanced pedagogical features • emphasis on ‘green’ business practices • a Companion Website for students and instructors at: www.routledge.com/textbooks/smith. Laying the foundation for an integrated approach that touches on public relations advertising and direct mail, this text concludes with a presentation of the variety of PR writing styles and approaches that form an integrated communication package. In its current, comprehensive and accessible approach, Becoming a Public Relations Writer will be an invaluable resource for future and current public relations practitioners. October 2011: 456pp Pb: 978-0-415-88802-8: $69.95 For more information, visit: www.routledge.com/9780415888028 For courses in: Public Relations Writing

Patricia Swann, Utica College, USA

Cases in Stakeholder Management

Kathy Brittain McKee, Berry College, USA and Larry F. Lamb, University of North Carolina, USA

Developed for advanced students in public relations, Cases in Public Relations Management uses recent cases in public relations that had outcomes varying from expected to unsuccessful. The text challenges students to think analytically, strategically, and practically. Each case is based on real events, and is designed to encourage discussion, debate, and exploration of the options available to today’s strategic public relations manager. Key features of this text include coverage of the latest controversies in current events, discussion of the ethical issues that have made headlines in recent years, and strategies used by public relations practitioners. Most cases end with an open scenario, allowing students to discover different opinions and participate in creative discussions. The case study approach encourages readers to assess what they know about communication theory, the public relations process, and management practices, and prepares them for their future careers as PR practitioners. A Companion Website at: www.routledge.com/textbooks/9780415878937 provides resources for instructors. May 2010: 400pp Pb: 978-0-415-87893-7: $69.95 eBook: 978-0-203-85136-4

For courses in: Public Relations Cases and Campaigns

Public Relations Writing Worktext

Public Relations Writing Worktext provides an overview of the four-step public relations process in addition to defining and detailing the writing activities involved. Examples accompany the discussions, providing guidance and structure for the varied writing activities. It is a valuable resource for professionals as well as a practical classroom text for students planning careers in public relations. Instructor materials are available at: www.routledge.com/9780415997546.

For courses in: Public Relations Writing

e-Inspection

For courses in: Public Relations Cases and Campaigns

Public Relations Law A Supplemental Text L. Marie Parkinson and Michael G. Parkinson, both at Texas Tech University, USA

For more information, visit: www.routledge.com/9780805849745

Alison Theaker

A Practical Guide for the Profession

For more information, visit: www.routledge.com/9780415997546

Complimentary Exam Copy

For more information, visit: www.routledge.com/9780415999168

Public Relations Handbook

2009: 312pp Pb: 978-0-415-99754-6: $54.95

2009: 304pp Pb: 978-0-415-99916-8: $44.95

For courses in: Public Relations Practice

3rd Edition

www.twitter.com/routledge_comms

Applied Public Relations provides readers with the opportunity to observe and analyze how contemporary businesses and organizations interact with key groups and influences. Through the presentation of cases covering a wide variety of industries, locations, and settings, authors Kathy Brittain McKee and Larry F. Lamb examine how real organizations develop and maintain their relationships, offering valuable insights into contemporary business and organizational management practices. The Companion Website at: www.routledge.com/textbooks/978041599168 provides materials for students as well as resources for instructors.

2007: 192pp Pb: 978-0-8058-4974-5: $29.95 eBook: 978-0-203-87713-5

For more information, visit: www.routledge.com/9780415878937

Joseph M. Zappala, Cornell University, USA and Ann R. Carden, SUNY Fredonia, USA

You can now follow Routledge Communication on

Series: Routledge Communication Series

2007: 432pp Pb: 978-0-415-59814-9: $44.95 For more information, visit: www.routledge.com/9780415598149 For courses in: Public Relations

2nd Edition

Strategic Public Relations Management Planning and Managing Effective Communication Programs Erica Weintraub Austin and Bruce E. Pinkleton, both at Washington State University, USA Series: Routledge Communication Series 2006: 416pp Pb: 978-0-8058-5381-0: $57.95 eBook: 978-1-4106-1655-5 For more information, visit: www.routledge.com/9780805853810 For courses in: Public Relations Research

Disc Included

Companion Website

New • 2nd Edition

adve rt i s i n g

The Crisis Manager: Facing Risk and Responsibility Otto Lerbinger, Boston University, USA Responding to the era of crises in which we now live, The Crisis Manager offers wise counsel for anticipating and responding to crises as well as taking the steps required to reduce the impact of these events. Spotlighting the reality of crisis at levels ranging from local to global, author Otto Lerbinger helps readers understand the approaches and ways of thinking required for successful crisis management in today’s world. As no organization or individual is immune from crisis, he guides managers to make good decisions under conditions of high uncertainty, and to consider the interests not only of stockholders but also of a wide variety of stakeholders. With a focus on the threat of crises to an organization’s most valuable asset – its reputation – The Crisis Manager covers: • preparation for crisis, including crisis communication planning • physical crises – natural, biological, and technological • ‘human climate’ crises, stemming from targeted attacks on an organization’s policies, actions, or physical holdings • crises due to management failure, including mismanagement, skewed values, deception, and misconduct. New to this second edition are the use of social media in crisis management, and chapters on image restoration strategies and crises stemming from mismanagement, as well as a comprehensive updating of the entire work. Real-world case studies provide examples of what worked and what did not work, and the reasons why. Written for present and future crisis managers in all types of businesses and organizations, this resource will be required reading for managers at all levels, as it prepares them for their crucial roles as decision makers. July 2011: 388pp • Pb: 978-0-415-89231-5: $69.95 For more information, visit: www.routledge.com/9780415892315 For courses in: Crisis Communications

Advertising Advertising: Its Business, Culture and Careers Andy Tibbs, University of Gloucestershire, UK ‘A no-holds-barred overview of the very competitive but ultimately rewarding industry that is advertising. Insightful, well-informed, frank and honest. An inspirational eye-opener for all Adland wannabes.’ – Gyles Lingwood, University of Lincoln, UK ‘Like the advertising business, Tibbs’ book is dynamic, edgy, and challenging. It captures the industry’s excitement, energy, intellect, and creativity. The book is an inspiration and should be standard reading for all practitioners, students, and faculty of advertising, marketing, and communications.’ – Pamela Morris, Loyola University Chicago, USA Advertising does not need another graduate! Whether you are an aspiring advertising creative, designer, account manager, PR/ publicity consultant or marketing manager, Advertising is an engaging source of inspiration for those dark, idea-less days and a motivator when those job interviews or placements seem in short supply. Its Companion Website at: www.routledge.com/textbooks/advertising supports the book with further examples and ideas to inspire as well as offering up-to-date advice.

2009: 232pp Pb: 978-0-415-54466-5: $49.95 eBook: 978-0-203-86595-8 For more information, visit: www.routledge.com/9780415544665 For courses in: Advertising £24.99

This book is filled with numerous visual examples of advertising thinking. With words of advice and guidance from some of the industry’s most respected practitioners and insights from graduates who faced the same challenges you will soon encounter in securing that elusive first job. Add to that, an extensive supply of hints and tips to enhance the creative thinking processes, take the work you do beyond what you think you are capable of and, crucially, gain an edge at job interviews. Maybe advertising doesn’t need another graduate, but then you won’t be just another graduate will you?

Browse and order online: routledge.com/media • routledge.com/communication

Advertising-01-c

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RESISTING THE USUAL The chaotic clutter of contemporary advertising messages in a Hong Kong street.

senses with product placements – if it’s good enough for James Bond in his Tom Ford suits and Omega watches then it’s good enough for you. Did you spot the Nike-clad Wildcats in High School Musical 3: Senior Year as they rehydrated themselves with Dasani? And Sex and the City, the movie and the American TV show, had almost as many featured brands as it had dialogue. Many brands are viewing placement as being increasingly important to their advertising strategies, and continuing relaxation of the UK regulation of such placement will see this increase to levels that have been commonplace for some years in the USA. Also, no doubt many of your evenings out are organized via email, social networking sites or texting – try counting the ads next time you are arranging to meet at 8.00pm! Little did the Ancient Egyptians and Greeks who made posters and sales messages from papyrus know what a monster they were creating. Evidence of advertising communications has been found among almost all the ancient civilizations. The ruins of Pompeii and ancient Arabia have concealed trade and political messages, whilst painted advertisements on walls and rocks in Asia, Africa and South America can, in some parts of India, be traced back to 4000 BC. When towns and cities became more densely populated in the Middle Ages, advertising communications were largely visual symbols (because most people were unable to read) – footwear for a cobbler, sacks of flour for a miller or horseshoes for a blacksmith. Tradesmen also used street callers or town criers to attract customers, an unrefined form of cold calling perhaps?

It is surprising there is any room left for a story line with the sheer volume of products strategically placed for advertising purposes in recent James Bond movies. Image courtesy of Danjag, LLC, United Artists Corporation, Columbia Pictures Industries Inc.

advert i sing

NEW

NEW in 2011

New

4th Edition

Advertising Theory

2nd Edition

The Media Handbook A Complete Guide to Advertising Media Selection, Planning, Research, and Buying Helen Katz, Starcom Mediavest, USA

The Media Handbook provides an introduction to the complete media planning and buying process. Emphasizing basic media planning and buying calculations along with the practical realities of offering plan alternatives and evaluating the plan, this fourth edition reflects the critical changes in how media today are planned, bought, and sold. Author Helen Katz looks at the larger marketing, advertising, and media objectives, and follows with an exploration of major media categories, including those emerging, such as branded entertainment and viral marketing. She provides a comprehensive analysis of planning and buying, with a continued focus on how those tactical elements tie back to the strategic aims of the brand and client. The Media Handbook includes:

Edited by Shelly Rodgers and Esther Thorson, both at University of Missouri, USA Series: Routledge Communication Series Advertising Theory provides detailed and current explorations of key theories in the advertising discipline. The volume gives a working knowledge of the primary theoretical approaches of advertising, offering a comprehensive synthesis of the vast literature in the area. Editors Shelly Rodgers and Esther Thorson have developed this volume as a forum in which to compare, contrast, and evaluate advertising theories in a comprehensive and structured presentation. Chapters in this text provide concrete examples, case studies, and readings written by leading advertising scholars and educators. Utilizing McGuire’s persuasion matrix as the structural model for each chapter, the text offers a wider lens through which to view the phenomenon of advertising as it operates within various environments. Within each area of advertising theory – and across advertising contexts – both traditional and non-traditional approaches are addressed, including electronic word-of-mouth advertising, user-generated advertising, and social media advertising contexts. As a benchmark for the current state of advertising theory, this text will facilitate a deeper understanding for advertising students, and will be required reading for advertising theory coursework.

Advertising and Public Relations Law Roy L. Moore, Middle Tennessee State University, USA, Carmen Maye and Erik L. Collins, both at University of South Carolina, USA Series: Routledge Communication Series

Addressing a critical need, Advertising and Public Relations Law explores the issues and ideas that affect the regulation of advertising and public relations speech. Coverage includes the categorization of different kinds of speech afforded varying levels of First Amendment protection; court-created tests for laws and regulations of speech; and non content-based restrictions on

speech and expression. Features of this second edition include: • overviews and synopses for each chapter • extended excerpts from major court decisions

• research studies to give readers additional references for more in-depth information.

October 2011: 504pp Pb: 978-0-415-88662-8: $75.00

• appendices providing a chart of the judicial system, a summary of the judicial process, an overview of alternative dispute resolution mechanisms, and the professional codes for media industry and business associations

This popular text is perfect for advanced students in advertising, media planning/buying, communication, public relations, and marketing, and it also will serve as an informative reference volume for practitioners.

For more information, visit: www.routledge.com/9780415886628

• online materials for instructors (visit www.routledge.com/9780415965484 for access).

For courses in: Advertising

The volume is intended for upper-level undergraduate and graduate students in media, advertising and public relations law or regulation courses. It also serves as an essential reference for advertising and public relations practitioners.

• examples to provide a better sense of how media planning and buying work in the real world

Selected Contents: Preface Introduction What Is Media? Media in the Marketing Context Developing Optimal Media Objectives Exploring the Media Terms, Calculations, and Considerations Creating the Plan Offering Alternatives Making the Media Buys Evaluating the Media Plan Appendix A: Key Research Resources Appendix B: Key Media Organizations

October 2010: 480pp Pb: 978-0-415-96548-4: $75.00 eBook: 978-0-203-84587-5 For more information, visit: www.routledge.com/9780415965484

June 2010: 228pp Pb: 978-0-415-87354-3: $39.95

For courses in: PR Law and Advertising Law

For more information, visit: www.routledge.com/9780415873543 For courses in: Media Planning

The Advertising and Consumer Culture Reader Edited by Joseph Turow, University of Pennsylvania, USA and Matthew P. McAllister, Pennsylvania State University, USA

The classic and contemporary essays gathered here explore the past, present, and future of advertising – from the early days of print to the World Wide Web and beyond. These selections offer historical, sociological, critical, cultural, and political-economic lenses to explore a wide range of topics – from consumer activism to globalization to the role of ads in the political process. Together, these key readings chart the past, present, and future of advertising, while also examining the effects of advertising and consumer culture upon individuals, society, cultures, and the world at large. Designed for use in courses, the collection begins with a general introduction that orients students to thinking critically about advertising and consumer culture. Section and chapter introductions offer valuable historical and critical context, while review questions after each reading will spark classroom debates and challenge students’ understanding of key concepts.

2009: 456pp Pb: 978-0-415-96330-5: $49.95 For more information, visit: www.routledge.com/9780415963305 For courses in: Advertising and Society

Complimentary Exam Copy

e-Inspection

Disc Included

Companion Website

Vi s ua l C o m m u nicati o n

3rd Edition

The Advertising Handbook Helen Powell and Jonathan Hardy, both at University of East London, UK, Sarah Hawkin and Iain MacRury, University of East London, UK Series: Media Practice

The Advertising Handbook is a critical introduction to the practices and perspectives of advertising. It explores the industry and those who work in it and examines the reasons why companies and organizations advertise; how they research their markets; where they advertise and in which media; the principles and techniques of persuasion and their effectiveness; and how companies measure their success. It challenges conventional wisdom about advertising power and authority to offer a realistic assessment of its role in business and also looks at the industry’s future.

Visual Communication

William Leiss, University of Ottawa, Canada Stephen Kline, Simon Fraser University, Canada, Sut Jhally, University of Massachusetts, USA and Jacqueline Botterill, University of East London, UK 2005: 696pp Pb: 978-0-415-96676-4: $49.95 For more information, visit: www.routledge.com/9780415966764 For courses in: Advertising and Society

2007: 472pp Pb: 978-0-8058-5066-6: $67.95 eBook: 978-0-203-87499-8

Series: Media Practice The Graphic Communication Handbook is a comprehensive and detailed introduction to the theories and practices of the graphics industry. It traces the history and development of graphic design, explores issues which affect the industry, examines its analysis through communications theory, explains how to do each section of the job, and advises on entry into the profession. September 2011: 304pp Pb: 978-0-415-55738-2: $44.95

For more information, visit: www.routledge.com/9780805850666 For courses in: Visual Communication

Graphic Design as Communication Malcolm Barnard, Loughborough University, UK

For courses in: Graphic Communication and Design

Consumption in the Mediated Marketplace

Rick Williams, Lane Community College, USA and Julianne Newton, University of Oregon, USA Series: Routledge Communication Series

Simon Downs, University of Loughborough, UK

For more information, visit: www.routledge.com/9780415423113

Social Communication in Advertising

The Graphic Communication Handbook

For more information, visit: www.routledge.com/9780415557382

3rd Edition

Integrating Media, Art, and Science

NEW in 2011

2009: 264pp Pb: 978-0-415-42311-3: $45.95

For courses in: Media and Advertising

Visual Communication

Visual Communication Research Designs

Malcolm Barnard explores how meaning and identity are at the core of every graphic design project and argues that the role and function of graphic design is, and always has been, communication.

Keith Kenney, University of South Carolina, USA Visual Communication Research Designs provides a step-by-step guide for designing research involving visuals relevant to communications media. This volume explains the process from conceptualization to research questions, instrumentation, analysis, and reliability and validity checks. It also addresses the lack of sufficient methods to answer theoretical questions attending visual communication. 2008: 312pp Pb: 978-0-415-98870-4: $44.95 eBook: 978-0-203-93101-1

2005: 208pp Pb: 978-0-415-27813-3: $33.95 For more information, visit: www.routledge.com/9780415278133 For courses in: Visual Culture, Graphic Design, Visual Communication

For more information, visit: www.routledge.com/9780415988704 For courses in: Visual Communication, Research Methods

Communication Arena The Communication Arena is a one stop portal containing information about our entire portfolio of Communication Studies journals, visit the Communication Arena to: • find out more about the portfolio of communication studies journals • view free articles, news and offers • register to receive monthly eUpdates • register to receive table of contents alerts • request sample copies • subscribe to the journals • submit your research • order back issues.

www.communicationarena.com

Browse and order online: routledge.com/media • routledge.com/communication

vi sual culture

Visual Culture

2nd Edition

The Feminism and Visual Culture Reader

Edited by Ben Highmore, University of Sussex, UK

2nd Edition

Edited by Amelia Jones, McGill University, Canada

An Introduction to Visual Culture

Series: In Sight: Visual Culture

Nicholas Mirzoeff, New York University, USA

‘Nicholas Mirzoeff’s new synthesis of visual culture study is a tour-de-force comparative reading that begins where most comprehensive books in the field leave off, with globalization. If, as Mirzoeff tells us in his scintillating style, visuality has alienated vision from its users, then this lively and impassioned account is certain to put readers right at the heart of the problem with a spectrum of examples through which to work it through.’ – Lisa Cartwright, University of California at San Diego, USA An Introduction to Visual Culture provides a wideranging introduction to the now established interdisciplinary field of visual culture.

Feminism is one of the most important perspectives from which visual culture has been theorized and historicized over the past forty years. Challenging the notion of feminism as a unified discourse, this second edition of The Feminism and Visual Culture Reader assembles a wide array of writings that address art, film, architecture, popular culture, new media and other visual fields from a feminist perspective. January 2010: 736pp Pb: 978-0-415-54370-5: $49.95 For more information, visit: www.routledge.com/9780415543705 For courses in: Visual Culture, Feminism and Art History

The Object Reader Edited by Fiona Candlin, University of London, UK and Raiford Guins, State University of New York, USA Series: In Sight: Visual Culture

This unique and groundbreaking collection frames the classic debates on objects and aims to generate new ones by reshaping the ways in which the object can be taught and studied, from a wide variety of disciplines and fields.

Mapping a global history and theory of visual culture, An Introduction to Visual Culture asks how and why visual media have become so central to everyday life. This new, completely updated second edition has been adapted to match the challenges of interpreting globalization since the publication of the first edition a decade ago. In this innovative extended edition, Nicholas Mirzoeff explores: • an extensive range of visual forms from painting, sculpture, and photography to television, cinema, and the internet • the centrality of ‘race’ and ethnicity, gender and sexuality, and the body in shaping visual culture • the importance of images of natural disaster and conflict, such as Hurricane Katrina and the ongoing war in Iraq. 2009: 352pp Pb: 978-0-415-32759-6: $39.95 For more information, visit: www.routledge.com/9780415327596 For courses in: Visual Culture, Visual Studies

The Design Culture Reader

The Object Reader elucidates objects in many of their diverse roles, dynamics and capacities. The dedicated study of objects does not reside within a single discipline, so this collection comprises numerous fields. It includes original work in the form of twenty-five short ‘object lessons’ commissioned specifically for this project. These new and innovative studies will enable students to look upon their surroundings with trained eyes to search out their own ‘object studies’.

‘[An] attempt to push the concept of design into new territories... It will certainly challenge its readers to question any assumptions they may have about design culture and to reconstitute their understanding with a broader, richer frame of reference. If that is the purpose of a Reader, then Highmore’s will certainly be a resounding success.’ – Journal of Design History The Design Culture Reader brings together an international array of writers whose work is of central importance for thinking about design culture in the past, present and future. Essays from philosophers, media and cultural theorists, historians of design, anthropologists, cultural historians, artists and literary critics all demonstrate the enormous potential of design studies for understanding the modern world. Organised in thematic sections, The Design Culture Reader explores the social role of design by looking at the impact it has in a number of areas – especially globalisation, ecology, and the changing experiences of modern life. Particular essays focus on topics such as design and the senses, design and war and design and technology, while the editor’s introduction to the collection provides a compelling argument for situating design studies at the very forefront of contemporary thought.

2008: 400pp Pb: 978-0-415-40356-6: $45.95 For more information, visit: www.routledge.com/9780415403566 For courses in: Design

Selected Contents: Foreword Part 1. Object Part 2. Thing Part 3. Objects and Agency Part 4. Object Experience Part 5. The Objecthood of Images Part 6. Leftovers Part 7. Object Lessons Part 8. An Object Bibliography 2009: 576pp Pb: 978-0-415-45230-4: $39.95 For more information, visit: www.routledge.com/9780415452304 For courses in: Visual Culture, Design Studies

Visual culture BACKLIST

Title

Author/Editor

Date

ISBN

The Nineteenth Century Visual Culture Reader

Edited by Vanessa R. Schwartz and Jeannene M. Przyblyski

2004

978-0-415-30866-3

$43.95

An Introduction to Design and Culture: 1900 to the Present

Penny Sparke, Kingston University, UK

2004

978-0-415-26336-8

$44.95

Visual Studies: A Skeptical Introduction

James Elkins, Art Institute of Chicago, USA 2003

978-0-415-96681-8

$34.95

The Visual Culture Reader

Edited by Nicholas Mirzoeff, New York 2002 978-0-415-25222-5 University, USA

$45.95

Complimentary Exam Copy

e-Inspection

Disc Included

Price

Companion Website

NEW in 2011

contemporary examples

Fourth Edition

Media Today

An Introduction to Mass Communication

relevant and up-to-date case studies

Joseph Turow, University of Pennsylvania, USA Media Today puts students at the center of the profound changes in the twenty-first century media world – from digital convergence to media ownership – and gives them the skills to think critically about what these changes mean for the role of media in their lives. The fourth edition of Media Today is built around four key concepts: • a media systems approach allows students to understand the interconnected cultural, political, and economic forces that shape the media they encounter every day • unique insights into media trends give students an insider’s perspective on how media industries are responding to changes from globalization to social networking

profiles of media pioneers

• focus on digital convergence shows in each chapter how digital media is transforming traditional mass media such as newspapers, magazines, and television • a media literacy goal encourages and builds critical skills to make students more informed and engaged citizens in our media-driven society. Completely revised with updated examples, new case studies, and new online video resources, the fourth edition of Media Today connects the latest trends, debates, and technologies to the history of media, highlighting the impact and meaning of today’s changes to the media landscape, especially how traditional industries have blurred together with digital convergence. This book uses a media systems approach to look closely at the production, distribution, and exhibition of media, from Hollywood films to Facebook, giving students an insider’s perspective on how media industries operate. Exploring media through the cultural, political, and economic forces that shape them, Media Today builds media literacy to make students more informed consumers and more engaged citizens. Additional learning resources including a new set of online video resources, interactive quizzes, study resources, and instructor guides are available on the free Companion Website at: www.routledge.com/textbooks/mediatoday4e. Selected Contents: Preface Part 1: Understanding the Nature of Mass Media 1. Understanding Mass Media and the Importance of Media Literacy 2. Making Sense of the Media Business 3. Formal and Informal Controls on Media Content: Government Regulation, Self-Regulation, and Ethics 4. Making Sense of Research on Media Effects and Media Culture Part 2: Media Giants and Cross-Media Activities 5. A World of Blurred Media Boundaries 6. Understanding the Strategies of Media Giants Part 3: The Print Media 7. The Book Industry 8. The Newspaper Industry 9. The Magazine Industry Part 4: The Electronic Media 10. The Recording Industry 11. The Radio Industry 12. The Motion Picture Industry 13. The Television Industry 14. The Internet and Video Game Industries Part 5: Advertising and Public Relations 15. The Advertising Industry 16. The Public Relations Industry January 2011: 640pp Pb: 978-0-415-87608-7: $89.95 eBook: 978-0-203-83651-4 For more information, visit: www.routledge.com/9780415876087 For courses in: Introduction to Media Studies

www.routledge.com/textbooks/mediatoday4e

textboxes and helpful marginal notes

New • 5th Edition

The Media Student’s Book Gill Branston, Cardiff University, UK, with Roy Stafford The Media Student’s Book is a comprehensive introduction for students of media studies. It covers all the key topics and provides a detailed, lively and accessible guide to concepts and debates. Now in its fifth edition, this bestselling textbook has been thoroughly revised, re-ordered and updated, with many very recent examples and expanded coverage of the most important issues currently facing media studies. It is structured in three main parts, addressing key concepts, debates, and research skills, methods and resources. Individual chapters include: approaching media texts; narrative; genres and other classifications; representations; globalisation; ideologies and discourses; the business of media; new media in a new world?; the future of television; regulation now; debating advertising, branding and celebrity; news and its futures; documentary and ‘reality’ debates; from ‘audience’ to ‘users’; research: skills and methods. Each chapter includes a range of examples to work with, sometimes as short case studies. They are also supported by separate, longer case studies which include: • Slumdog Millionaire

• online access for film and music

• CSI and detective fictions

• Let the Right One In and The Orphanage

• PBS, BBC and HBO

• images of migration

• The Age of Stupid and climate change politics.

June 2010: 488pp Pb: 978-0-415-55842-6: $35.95 eBook: 978-0-203-85064-0

The authors are experienced in writing, researching and teaching across different levels of undergraduate study, with an awareness of the needs of students. The book is specially designed to be easy and stimulating to use, with: • a Companion Website with popular chapters from previous editions, extra case studies and further resources for teaching and learning, at: www.mediastudentsbook.com

For more information, visit: www.routledge.com/9780415558426

• margin terms, definitions, photos, references (and even jokes), allied to a comprehensive glossary

For courses in: Introduction in Media Studies

• follow-up activities in ‘Explore’ boxes • suggestions for further reading and online research • references and examples from a rich range of media and media forms, including advertising, cinema, games, the internet, magazines, newspapers, photography, radio, and television.

www.

media

studen

tsbook

.com

media s t udie s

Media Studies

7th Edition

The Media Studies Reader

Power Without Responsibility

Edited by Laurie Ouellette, University of Minnesota, USA

New

What Media Classes Really Want to Discuss A Student Guide Greg Smith, Georgia State University, USA

NEW in 2011

You probably already have a clear idea of what a ‘discussion guide for students’ is: a series of not-very-interesting questions at the end of a textbook chapter. Instead of triggering thought-provoking class discussion, all too often these guides are timeconsuming and ineffective. This is not that kind of discussion guide.

What Media Classes Really Want to Discuss focuses on topics that introductory textbooks generally ignore, although they are prominent in students’ minds. Using approachable prose, this book will give students a more precise critical language to discuss ‘common sense’ phenomena about media. The book acknowledges that students begin introductory film and television courses thinking they already know a great deal about the subject. What Media Classes Really Want to Discuss provides students with a solid starting point for discussing their assumptions critically and encourages the reader to argue with the book, furthering the ‘discussion’ on media in everyday life and in the classroom. Selected Contents: Preface: A Note to the Student About Why This Book Is Different 1. ‘It’s Just a Movie:’ Why You Should Analyze Film and Television Part One: Discussing How Media Work 2. What Is Realism, Really? 3. How Do We Identify With Characters? 4. Genre Schmenre Part Two: Discussing Media and Society. 5. ‘Studies Show:’ How To Understand Media Violence/Effects Research 6. Role Models and Stereotypes: An Introduction to the ‘Other’ Part Three: Discussing Media’s Future Now 7. What Difference Does a Medium Make? 8. What Is Interactivity? July 2010: 168pp Pb: 978-0-415-77812-1: $25.95 eBook: 978-0-203-84642-1 For more information, visit: www.routledge.com/9780415778121 For courses in: Introduction to Media Studies

The Alternative Media Handbook Kate Coyer, Central European University, Budapest Tony Dowmunt, Goldsmiths College, University of London, UK and Alan Fountain, Middlesex University, UK Series: Media Practice This book offers an overview of global alternative media activity, before moving on to provide information about alternative media production and how to get involved in it.

The Media Studies Reader is a broad and accessible anthology that addresses the key topics, debates and theoretical perspectives associated with the interdisciplinary field of media studies. Emphasizing critical and cultural approaches, the collection provides an up-to-date survey of the major sub-areas of Media Studies including: 1) media and power, 2) media technologies, 3) media institutions, 4) advertising and commercialism, 5) signification and representation, 6) identity and self-fashioning, 7) audiences and social practices and 8) media and citizenship.

Press, Broadcasting and the Internet in Britain James Curran, Goldsmiths College, University of London, UK and Jean Seaton, University of Westminster, UK

Power Without Responsibility is a classic introduction to the history, sociology, theory and politics of the media in Britain. Hailed by the Times Higher as the ‘seminal media text’, and translated into Arabic, Chinese and other foreign languages, it is an essential guide for media students and critical media consumers alike.

Critical introductions for each section and headnotes for each reading are used to help students place the material in context and highlight key issues, and longer pieces are selectively edited for conciseness and accessibility. The Media Studies Reader provides an entry point into the critical media studies tradition – as well as a timely account of new theoretical moves and technological developments. A map of a rapidly growing – and changing – field, it will be an invaluable resource to students as well as established scholars.

The new edition has been substantially revised to bring it right up-to-date with developments in the media industry, new media technologies and changes in the political and academic debates surrounding the media. In this new edition, the authors consider:

Selected Contents: Section 1: Media/Culture Section 2: Media/Representation Section 3: Media/Industry Section 5: Media/Identity Section 6: Media/Audience Section 7: Media/Politics

• the impact of the internet

June 2011: 592pp Pb: 978-0-415-80125-6: $50.00

• new media and global understanding

For more information, visit: www.routledge.com/9780415801256

• BBC and broadcasting at the beginning of the twenty-first century.

For courses in: Media Studies, Media Theory, Media and Society

NEW in 2011

• the failure of interactive TV • media and Britishness • journalism in crisis

Assessing the media at a time of profound change, the authors set out the democratic choices for media reform.

Media and Religion

2009: 448pp Pb: 978-0-415-46699-8: $35.95 eBook: 978-0-203-87140-9

Daniel A. Stout, University of Nevada, Las Vegas, USA

For more information, visit: www.routledge.com/9780415466998

Reflecting the growing interest in and work being done in this area, Media and Religion serves as a holistic examination and exploration of the relationship between media and religion. It examines the history, theory, cultural context, and professional aspects of the connections between these two vital parts of today’s society. It synthesizes the research done in various areas, establishing the current state of the field. It also defines the agenda for additional work and research, paving the way for future development.

For courses in: Media and Society, Media History, Journalism Studies

Selected Contents: Introduction The New Field: Theory and Infrastructure Numinous Media in Historical Perspective Mental States: The Individual Level of Media and Religion Denominational Audiences Audiences of Cultural Religion Media Literacy and Religion Journalism and Religion Advertising and Religion

Series: Media Practice

April 2011: 288pp Pb: 978-0-8058-6384-0: $39.95 eBook: 978-1-4106-1841-2 For more information, visit: www.routledge.com/9780805863840 For courses in: Media and Religion

NEW in 2011

The Music Industry Handbook Paul Rutter, Southampton Solent University, UK The Music Industry Handbook unpacks the complex structures contained in the current music industry and maps the industry as it exists today. Drawing from a range of music industry research sources, personal experience and consultation with key industry professionals, Paul Rutter explains how the music industry in its broadest sense is structured, and how its various elements work in practice. May 2011: 272pp Pb: 978-0-415-58681-8: $39.95 For more information, visit: www.routledge.com/9780415586818 For courses in: the Music Industry

2007: 368pp Pb: 978-0-415-35965-8: $37.95 For more information, visit: www.routledge.com/9780415359658 For courses in: Alternative Media

Browse and order online: routledge.com/media • routledge.com/communication

m edia stu dies

2nd Edition

NEW in 2011

Media, Gender and Identity

Sound Production

The Sound Handbook

An Introduction

A Guide to Using Audio within Media Production

Tim Crook, Goldsmiths College, University of London, UK

David Gauntlett, University of Westminster, UK

Andrew Lansley, University of Gloucestershire, UK

Series: Media Practice

Sound Production introduces students to applying the processes of audio techniques within the sphere of media production. Presuming no prior technical knowledge, Andrew Lansley focuses on universal techniques that will work across all contemporary software and be of use to those needing to work with sound for radio, TV, film, videogames and websites.

The Sound Handbook is an essential practice and theory guide that sets out the best methods in producing sound for multimedia, and the academic theories that underpin the history and analysis of sound expression.

Popular media present a vast array of stories about women and men. What impact do these images and ideas have on people’s identities?

The second edition of Media, Gender and Identity is a highly readable introduction to the relationship between media and gender identities today. Fully revised and updated, including new case studies and a new chapter, it considers a wide range of research and provides new ways for thinking about the media’s influence on gender and sexuality. David Gauntlett discusses movies such as Knocked Up and Spiderman 3, men’s and women’s magazines, TV shows, self-help books, YouTube videos, and more, to show how the media play a role in the shaping of individual self-identities.

The format of the text follows a simple structure broken down into three main parts: • Part 1: Theory and Technical Information – including a brief history of sound, basic audio theory, equipment and software • Part 2: Techniques and Processes – including recording, digitising and organising, editing, equalisation, dynamic processes, FX processes, mixing, fixing and mastering

The Sound Handbook teaches how qualitative sound can be produced for drama, documentary and journalism in radio, theatrical stage production, television and film, online, animation, videogames and sound art installation. At the same time the theoretical debates that constitute textual and contextual academic study of sound in these media platforms are explored. The Sound Handbook is unique in endeavouring to identify the practical and theoretical common ground in the production and expression of sound in what have been seen previously as discrete media practice and academic disciplines.

October 2011: 256pp Pb: 978-0-415-55483-1: $48.95

Selected Contents: 1. Sound Philosophies and Production Histories 2. Essential Methodology for Sound Recording, Mixing and Production: The Common Ground 3. Sound Practice and Theory in Radio 4. Sound Practice and Theory in Stage Theatre 5. Sound Practice and Theory in Film 6. Sound Practice and Theory Online 7. Sound Practice and Theory in Animation, CD/DVD Rom and Computer Games 8. Sound Practice and Theory in Art Exhibition and Installation Glossary Bibliography Index

For more information, visit: www.routledge.com/9780415554831

March 2011: 272pp Pb: 978-0-415-55152-6: $44.95

For courses in: Sound Production

• a Companion Website with extra articles, interviews and selected links, at: www.theoryhead.com.

For more information, visit: www.routledge.com/9780415551526

3rd Edition

For courses in: Sound Production

2008: 336pp Pb: 978-0-415-39661-5: $35.95 eBook: 978-0-203-93001-4

Understanding Popular Music Culture

For more information, visit: www.routledge.com/9780415396615

Roy Shuker, Victorian University of Wellington, New Zealand

The book includes: • a comparison of gender representations in the past and today, from James Bond to Ugly Betty • an introduction to key theorists such as Judith Butler, Anthony Giddens and Michel Foucault • an outline of creative approaches, where identities are explored with video, drawing, or Lego bricks

For courses in: Media and Representation, Media and Gender

NEW in 2011

The Sound Studies Reader

• Part 3: Industry Specific Applications and Exercises – including the radio, film/TV, web and gaming industries. The book includes masterclasses from professionals in each field.

Packed with case studies examining the iPod, downloading, and copyright alongside the work of artists including The Who, Fat Boy Slim and The Spice Girls, this introductory textbook explores the history and meaning of rock and popular music.

Edited by Jonathan Sterne, McGill University, Canada

2007: 328pp Pb: 978-0-415-41906-2: $35.95

The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as ‘sound studies’ along with earlier and lesser known scholarship on sound.

For more information, visit: www.routledge.com/9780415419062

The collection begins with an introduction to welcome novice readers to the field and acquaint them the main issues in sound studies, followed by a new essay by the editor providing an intellectual history of sound studies. Individual section introductions give readers further background on the essays and an extensive up-to-date bibliography for further reading in ‘sound studies’ make this an original and accessible guide to the field. December 2011: 496pp Pb: 978-0-415-77131-3: $35.95

The Popular Music Studies Reader Edited by Andy Bennett, University of Surrey, UK, Barry Shank, Ohio State University, USA and Jason Toynbee, Coventry University, UK 2005: 432pp Pb: 978-0-415-30710-9: $45.95 For more information, visit: www.routledge.com/9780415307109 For courses in Popular Culture

The Audience Studies Reader

For courses in: Popular Culture

Edited by Will Brooker, Kingston University London, UK and Deborah Jermyn, Roehampton University London, UK

You can now follow Routledge Media & Cultural Studies on

2002: 368pp Pb: 978-0-415-25435-9: $43.95 For more information, visit: www.routledge.com/9780415254359 For courses in: Audience Studies

For more information, visit: www.routledge.com/9780415771313 For courses in: Sound Studies

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Media an d Socie t y

Media and Society

new 2nd Edition

Entertainment and Society

NEW in 2011

Influences, Impacts, and Innovations

The Gender and Media Reader Edited by Mary Celeste Kearney, University of Texas, USA The Gender and Media Reader is the first comprehensive, interdisciplinary anthology of the best known and most influential writings in gender and media studies. It is an essential text for those interested in the development of gender and media studies, its primary topics, debates, and theoretical approaches. In contrast to most other readers edited by feminist media scholars, The Gender and Media Reader is not sex-specific; it examines media culture in relation to males and masculinity as well as females and femininity, while also paying close attention to the many other identities that intersect with gender, particularly race and sexuality. Moreover, unlike many Readers edited by media scholars, The Gender and Media Reader is not medium specific; it explores gender through a variety of increasingly convergent media forms, including film, music, radio, television, magazines, advertising, music videos, video games, and the internet. The primary objective of The Gender and Media Reader is to expand readers’ knowledge of how gender operates within media culture through their engagement with classic, foundational writings upon which contemporary studies in this area are based. Taking a multiperspectival approach that considers gender broadly and examines media texts alongside their production and consumption, The Gender and Media Reader will enable readers’ critical thinking about how gender is constructed, contested, and subverted in different sites within media culture. In addition to collecting key works in the field, the anthology will include introductions to each section that facilitate readers’ understanding of the development of gender and media studies by contextualizing the various topics, debates, and theoretical approaches that have shaped it, as well as by highlighting current trends. January 2011: 512pp Pb: 978-0-415-99346-3: $45.00 For more information, visit: www.routledge.com/9780415993463 For courses in: Gender and Media, Media Studies, Media and Society

Shay Sayre and Cynthia King, both at California State University, USA

The second edition of this innovative textbook introduces students to the ways that society shapes our many forms of entertainment and in turn, how entertainment shapes society. Entertainment and Society examines a broad range of types of entertainment that we enjoy in our daily lives – covering new areas like sports, video games, gambling, theme parks, travel, and shopping, as well as traditional entertainment media such as film, television, and print. A primary emphasis is placed on the impact of technological and cultural convergence on innovation and the influence of contemporary entertainment. The authors begin with a general overview of the study of entertainment, introducing readers to various ways of understanding leisure and play, and then go on to trace a brief history of the development of entertainment from its live forms through mediated technology. Subsequent chapters review a broad range of theories and research and provide focused discussions of the relationship between entertainment and key societal factors including economics and commerce, culture, law, politics, ethics, advocacy and technology. The authors conclude by highlighting innovations and emerging trends in live and mediated entertainment and exploring their implications for the future. The new edition features updated examples and pedagogical features throughout including text boxes, case studies, student activities, questions for discussion, and suggestions for further reading. Selected Contents: Section 1: Influences: Theoretical Frameworks and Guiding Section 2: Impacts: Societal Causes and Effects Section 3: Innovations: Contemporary Trends and Practices January 2010: 600pp Pb: 978-0-415-99807-9: $59.95 eBook: 978-0-203-88293-1 For more information, visit: www.routledge.com/9780415998079 For courses in: Media and Society, Entertainment Studies

5th Edition

A Cognitive Psychology of Mass Communication Richard Jackson Harris, Kansas State University, USA In this fifth edition of A Cognitive Psychology of Mass Communication, author Richard Jackson Harris continues his examination of how our experiences with media affect the way we acquire knowledge about the world, and how this knowledge influences our attitudes and behavior. Presenting theories from psychology and communication along with reviews of the corresponding research, this text covers a wide variety of media and media issues, ranging from the commonly discussed topics – sex, violence, advertising – to lesser-studied topics, such as values, sports, and entertainment education. The fifth and fully updated edition offers: • highly accessible and engaging writing • contemporary references to all types of media familiar to students • substantial discussion of theories and research, including interpretations of original research studies • a balanced approach to covering the breadth and depth of the subject 2009: 480pp Pb: 978-0-415-99312-8: $59.95 eBook: 978-0-203-89271-8 For courses in: Media and Society, Psychology and Media Effects

• discussion of work from both psychology and media disciplines. The text is appropriate for Media Effects, Media and Society, and Psychology of Mass Media coursework, as it examines the effects of mass media on human cognitions, attitudes, and behaviors through empirical social science research; teaches students how to examine and evaluate mediated messages; and includes mass communication research, theory and analysis.

For more information, visit: www.routledge.com/9780415993128

Browse and order online: routledge.com/media • routledge.com/communication

Media a n d Society

Key Readings in Media Today

Media E ffects

Media Effects

3rd Edition

Media Effects Advances in Theory and Research

Mass Communication in Contexts Edited by Brooke Erin Duffy and Joseph Turow, both at University of Pennsylvania, USA

By combining classic studies of mass communication with contemporary research on media, technology, and culture, Key Readings in Media Today will help students to make sense of the rapidly changing media environment. This collection is designed to supplement Media Today: An Introduction to Mass Communication, but it can also be used independently.

Key Readings in Media Today provides both historical and contemporary analyses of each of the major media industries: book, newspaper, magazine, sound recording/ radio, motion picture, television, new media, advertising, and public relations. Section introductions and headnotes for each article offer valuable critical and historical context, while review questions after each reading test students’ understanding of key concepts. Additional resources on the Companion Website (www.routledge.com/textbooks/9780415992053), including discussion questions, RSS feeds, and Joseph Turow’s regularly updated blog ‘Media Today and Tomorrow,’ are designed to spark classroom discussion and connect the readings to the latest contemporary media issues and controversies. 2008: 496pp Pb: 978-0-415-99205-3: $45.00 For more information, visit: www.routledge.com/9780415992053 For courses in: Media Studies, Mass Communication, Media and Society

Communication as Culture, Revised Edition Essays on Media and Society James W. Carey

James W. Carey maintains that communication is not merely the transmission of information; reminding the reader of the link between the words ‘communication’ and ‘community,’ he broadens his definition to include the drawing-together of a people that is culture. The revised edition of this classic text includes a new critical foreword by G. Stuart Adam that explains Carey’s fundamental role in transforming the study of mass communication to include a cultural perspective and connects his classic essays with contemporary media issues and trends. This edition also adds a new, complete bibliography of all of Carey’s writings.

NEW in 2011

Edited by Jennings Bryant, University of Alabama, USA and Mary Beth Oliver, The Pennsylvania State University, USA

2nd Edition

Media Effects and Society

Series: Routledge Communication Series

Elizabeth M. Perse and Jennifer Lambe, both at University of Delaware, USA Series: Routledge Communication Series ‘The book is primarily intended for undergraduate and graduate students who take media effects courses. As such, it is a very friendly textbook and reveals the experience of its author in her years of teaching such courses.’ – Contemporary Psychology ‘...it is an attractive and very worthwhile book...’ – Political Communication Media Effects and Society provides an in-depth look at media effects and offers a theoretical foundation for understanding mass media’s impact on individuals and society. Working from the assumption that media effects are common and are often underestimated, the text focuses on dominant areas of media effects, providing a synthesis of those key areas of research. With an emphasis on the theoretical explanations for media effects, the text provides readers with explanations of how media effects occur, so they can understand how to mitigate harmful effects and enhance positive ones. The range of media effects addresssed herein includes news diffusion, learning from the mass media, socialization of children and adolescents, influences on public opinion and voting, and violent and sexually explicit media content. It also presents a variety of theoretical approaches to understanding media effects, including psychological and content-based theories. In addition, it demonstrates how theories can guide future research into the effects of newer mass communication technologies. Selected Contents: Introduction: Does Media Have Effects? Models of Media Effects Media Effects and Crisis Shaping Public Opinion Learning From the Media Socialization Effects Effects of Violent Media Content Effects of Sexually Explicit Media Content Afterword: Social Impacts of New Mass Media Technology October 2011: 304pp Pb: 978-0-415-87820-3: $64.95 eBook: 978-0-203-85469-3

With contributions from some of the finest scholars in the discipline, Media Effects serves not only as a comprehensive reference volume for media effects study but also as an exceptional textbook for advanced courses in media effects. Covering the breadth of the media effects arena, this third edition provides updated material as well as new chapters focusing on effects of mobile media and other technologies. As this area of study continues to evolve, Media Effects will serve as a benchmark of theory and research for current and future generations of scholars.

2008: 656pp Pb: 978-0-8058-6450-2: $75.00 eBook: 978-0-203-87711-1 For more information, visit: www.routledge.com/9780805864502 For courses in: Media Effects

Media Psychology David Giles, University of Winchester, UK This text tackles the traditional topics of media psychology – sex, violence, advertising – along with developmental aspects of media influence and the psychology of the audience. It examines specific media genres – news, sports, soaps, audience participation media, the internet – and asks what light psychology can shed on the popularity of these genres and the response of their audiences. 2003: 336pp Pb: 978-0-8058-4049-0: $53.95 eBook: 978-1-4106-0726-3 For more information, visit: www.routledge.com/9780805840490

For more information, visit: www.routledge.com/9780415878203

For courses in: Media Psychology and Media Effects

For courses in: Media Effects, Media and Society

Can’t find what you’re looking for? Visit our up-to-date website for a complete listing of all our titles.

www.routledge.com/media

2008: 240pp Pb: 978-0-415-98976-3: $34.95

www.routledge.com/communication

For more information, visit: www.routledge.com/9780415989763 For courses in: Media and Society, Media Studies

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Media E thics

Media Ethics

Doing Ethics in Media

New in 2011

Theories and Practical Applications

Jay Black, University of South Florida, USA and Chris Roberts, University of Alabama, USA Providing an accessible examination of ethics, Doing Ethics in Media introduces students to ethical theory and provides a grounded discussion of ethics in the context of today’s media outlets. Emphasizing the understanding of ethics, the text will help readers ‘do ethics’ expeditiously, honestly, and efficiently when they enter the workplace and need to make critical ethical decisions on deadline.

Distinctive features include: • a new approach to ethical decision making through the ‘5W’s and H’ questions that serve as the book’s framework • discussions and case studies aimed at five media disciplines: journalism, new media, advertising, public relations, and entertainment. Cases engage students at early stages of their careers, and consider that most students will change careers several times • comprehensive materials on classic moral theory and current issues such as truth telling and deception, values, persuasion and propaganda, privacy, diversity, loyalty, moral development, and codes of ethics • user-friendly approach throughout the book challenges students to think for themselves rather than imposing answers on them • connects the model or theory to every decision-making challenge (forty-four cases and dozens of practical applications) • a Companion Website at: www.routledge.com/textbooks/black with ancillary materials for students and for instructors (including a test bank and instructor’s manual). This text has been written for undergraduates and graduate students studying media ethics in mass media, journalism, and media studies. It also will serve students in rhetoric, popular culture, communication studies, and interdisciplinary social sciences. February 2011: 304pp Pb: 978-0-415-88154-8: $75.00 For more information, visit: www.routledge.com/9780415881548 For courses in: Media Ethics

NEW in 2011

2nd Edition

3rd Edition

Mixed Media

Controversies in Media Ethics

Moral Distinctions in Advertising, Public Relations, and Journalism

A. David Gordon, University of Wisconsin, USA, John Michael Kittross, Media Ethics Magazine, John C. Merrill, University of Missouri, USA, William Babcock, Southern Illinois University, USA and Michael Dorsher, University of Wisconsin, USA

Tom Bivins, University of Oregon, USA

Controversies in Media Ethics offers students, instructors and professionals multiple perspectives on media ethics issues presenting vast ‘gray areas’ and few, if any, easy answers. This third edition includes a wide range of subjects, and demonstrates a willingness to tackle the problems raised by new technologies, new media, new politics and new economics. T he core of the text is formed by fourteen chapters, each of which deals with a particular problem or likelihood of ethical dilemma, presented as different points of view on the topic in question, as argued by two or more contributing authors. The fifteenth chapter is a collection of ‘mini-chapters,’ allowing students to discern first-hand how to deal with ethical problems.

This edition has been thoroughly updated to provide: • discussions of issues reflecting the breadth and depth of the media spectrum • numerous real-world examples • broad discussion of confidentiality and other timely topics • a Companion Website at: www.routledge.com/textbooks/gordon supplies additional resources for both students and instructors.

Mixed Media, second edition, introduces readers to the tools necessary for making moral and ethical decisions regarding the use of mass media. The chapters in this text offer insights on: • similarities and differences among the ethical dilemmas faced by the mass media • common ground on which to evaluate media behavior • media obligations • professional ethics • ethical theory and its application to the modern media • considerations of truth and harm.

New to the second edition is a focus on the three mass media industries most pervasive in today’s society: the news media (journalism), advertising, and public relations, with individual chapters giving equal coverage to each. It includes an increased emphasis on ‘new media’ and how ethics affect such concepts as social media, word-of-mouth marketing, and citizen journalism. Readers will come away with a greater appreciation for moral philosophy and theory as a foundation for decision making, and will develop a personal ‘yardstick’ by which to measure their decisions. 2009: 328pp Pb: 978-0-8058-6321-5: $39.95 eBook: 978-0-203-87488-2 For more information, visit: www.routledge.com/9780805863215 For courses in: Media Ethics

February 2011: 528pp Pb: 978-0-415-96332-9: $69.95 For more information, visit: www.routledge.com/9780415963329 For courses in: Media Ethics

Browse and order online: routledge.com/media • routledge.com/communication

Media H istory

Media Man age me n t a n d Ec o n o mic s

Media law

Media History

Media Law

Shaping American Telecommunications

3rd Edition

Media Law and Ethics

Media Management and Economics

A History of Technology, Policy, and Economics

Roy L. Moore, Middle Tennessee State University, USA and Michael D. Murray, University of Missouri, USA

new

Christopher H. Sterling, George Washington University, USA, Phyllis W. Bernt, Ohio University, USA and Martin B.H. Weiss, University of Pittsburgh, USA Shaping American Telecommunications examines the technical, regulatory, and economic forces that have shaped the development of American telecommunications services. This volume is both an introduction to the basic technical, economic, and regulatory principles underlying telecommunications, and a detailed account of major events that have marked development of the sector in the United States.

Media Law and Ethics offers a comprehensive overview of mass media law and ethics. This third edition provides a timely and useful examination of the basic legal and ethical media concepts, paying special attention to key cases and related regulatory concerns over the influence of new media and various policy issues involving access to public information. Designed for undergraduate students in Media Law or Media Law and Ethics courses, Media Law and Ethics is also appropriate for graduate students in the beginning media law or First Amendment seminar. It provides essential insights on media law, serving as a practical guide to key cases and related ethical decision-making.

2005: 440pp Pb: 978-0-8058-2237-3: $65.00 eBook: 978-1-4106-1695-1

2007: 816pp Pb: 978-0-8058-5067-3: $100.00 eBook: 978-0-203-92785-4

For more information, visit: www.routledge.com/9780805822373

For more information, visit: www.routledge.com/9780805850673

For courses in: Media History

For courses in: Media Law

3rd Edition

2nd Edition

Series: LEA Telecommunications Series

Alan B. Albarran, University of North Texas, USA Series: Media Management and Economics Series

The Media Economy analyzes the media industries and their activities from macro to micro levels, using concepts and theories to demonstrate the role the media plays in the economy as a whole. Representing a rapidly changing and evolving environment, this text breaks new ground through its analysis from two unique perspectives: • examining the media industries from a holistic perspective by analyzing how the media industries function across different levels of society (global, national, household and individual)

• looking at the key forces (technology, globalization, regulation, and social aspects) constantly evolving and influencing the media industries. It includes examples from both developed and developing nations, as well as data and trends from these countries, offering a broad arena of study.

Media Law and Ethics

Stay Tuned

The Media Economy

Key features of this innovative text include:

A History of American Broadcasting

A Casebook

• topics new to media economics texts, such as finance and investment, labor, and social aspects

Christopher H. Sterling, George Washington University, USA and John Michael Kittross, Media Ethics Magazine

Roy L. Moore, Middle Tennessee State University, USA

• accessible discussion of complicated concepts and their application to media industries

This second edition of the Casebook includes extensive excerpts from twenty-five major decisions by the Supreme Court of the United States in media law or related to media law. The cases are presented in the order in which they are discussed in the third edition of Media Law and Ethics by Roy L. Moore and Michael D. Murray, but the Casebook is designed to be used as a supplemental text in any media law course.

• new directions for both theoretical and methodological areas.

Series: Routledge Communication Series 2001: 1008pp Hb: 978-0-8058-2624-1: $105.00 eBook: 978-1-4106-0406-4 For more information, visit: www.routledge.com/9780805826241 For courses in: Media History

2008: 336pp Pb: 978-0-8058-5082-6: $45.95 For more information, visit: www.routledge.com/9780805850826 For courses in: Media Law, Media Ethics

With the media industries in an ongoing state of change and transformation, The Media Economy offers new reference points for the field to consider when defining and analyzing media markets. It is essential reading for students and practitioners in media management and economics who need to understand the role of media in the global economy. June 2010: 216pp Pb: 978-0-415-99046-2: $34.95 eBook: 978-0-203-92771-7 For more information, visit: www.routledge.com/9780415990462 For courses in: Media Economics

Recommend key titles to your librarian today! Ensure that your library has access to all the latest publications. Visit www.routledge.com/info/librarian.asp today and complete our online Library Recommendation Form.

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J o u r na l i s m

Richard A. Gershon, Western Michigan University, USA Telecommunications and Business Strategey helps current and future media professionals understand the relationship and convergence patterns between the broadcast, cable television, telephony, and internet communication industries. Author Richard A. Gershon examines telecommunications industry structures and the management practices and business strategies affecting the delivery of information and entertainment services to consumers. He brings in specialists to present the finer points of management and planning responsibilities. The Companion Website offers instructor resources at: www.routledge.com/textbooks/9780415993531. Developed for students in telecommunications management, electronic media management, and telecommunication economics, this volume also serves as a practical reference for the professional manager. 2008: 440pp Pb: 978-0-415-99353-1: $64.95 eBook: 978-0-203-87724-1 For more information, visit: www.routledge.com/9780415993531 For courses in: Media Management

4th Edition

Media Management A Casebook Approach

Journalism NEW in 2011

Race and News Critical Perspectives Christopher P. Campbell, The University of Southern Mississippi, USA, Rockell A. Brown, Texas Southern University, USA, Cheryl D. Jenkins and Kim LeDuff, both at University of Southern Mississippi, USA Race and News: Critical Perspectives offers essays and case studies that examine how issues related to race and racism are represented in contemporary news coverage in the United States. The first section of this text examines the journalistic routine – how news organizations from newspapers to network news to new media make decisions about what, how, and why stories related are covered with (or without) relation to race. The second section is comprised of case studies exploring how coverage of national stories such as the election of Barack Obama, Hurricane Katrina, and immigrants rights has affected the national dialogue on race and racism. This book will be ideal for courses on race and news media, and it will also be valuable to professional journalists and journalism students who seek to improve the diversity and sensitivity of their journalistic practice. January 2011: 272pp Pb: 978-0-415-80097-6: $39.95 eBook: 978-0-203-87685-5

George Sylvie, University of Texas at Austin, USA, Jan Wicks, LeBlanc, University of Arkansas, USA, C. Ann Hollifield, University of Georgia, USA, Stephen Lacy, Michigan State University, USA and Ardyth Sohn, Broadrick University of Nevada, USA

For more information, visit: www.routledge.com/9780415800976

Series: Routledge Communication Series

NEW in 2011

Reporting Disaster on Deadline

Media Management: A Casebook Approach provides a detailed look at the major areas of responsibility that fall to the managers of media organizations, including leadership, motivation, planning, marketing, and strategic management. It provides media-based cases that promote the development of critical thinking and problem-solving skills. Addressing such topics as diversity, group cultures, progressive discipline, training, and market-driven journalism, this Casebook provides real-world scenarios that help students anticipate and prepare for experiences in their future careers.

2007: 432pp Pb: 978-0-8058-6197-6: $62.95 For more information, visit: www.routledge.com/9780805861976 For courses in: Media Management

For courses in: Journalism and Society, Advanced Reporting, Race and Media

Lee Wilkins, Martha Steffens, Esther Thorson, Greeley Kyle and Kent Collins, all at University of Missouri, USA and Fred Vultee, Wayne State University, USA This book provides an introduction to covering crises, considering practice issues and providing guidance in preparing for and responding to calamities. It offers a concise overview for journalism academics and practitioners of covering disasters – not a ‘how to’ handbook but a ‘how to prepare’ reference to be used before a crisis occurs. This essential resource is among the first to focus specifically and comprehensively on journalistic coverage of disasters. It demonstrates the application of scholarship and theory to professional practice, and includes a crash book template with logistical and information-collection requirements. As a text for advanced reporting, broadcast journalism, and journalism ethics, or a reference for professionals, Reporting Disasters on Deadline provides key information for keeping on deadline in responding to crises. June 2011: 200pp Pb: 978-0-415-99096-7: $29.95 For more information, visit: www.routledge.com/9780415990967

NEW in 2011

Key Readings in Journalism Edited by Elliot King, Loyola College, Baltimore, USA and Jane Chapman, University of Lincoln, UK Key Readings in Journalism brings together the essential writings that every student of journalism should know. The volume presents forty of the most important works about journalism arranged thematically to enable students to think deeply and broadly about journalism – its social impact, its history, key individuals and institutions, its practice, and its future. Each reading is introduced with a headnote that provides context and points to key concepts discussed in the selection. Key Readings in Journalism is designed to be used as a primary text in undergraduate Introduction to Journalism and Journalism and Society courses, and the selections have been carefully chosen to reflect the needs of today’s journalism classroom. January 2011: 400pp Pb: 978-0-415-88028-2: $49.95 For more information, visit: www.routledge.com/9780415880282 For courses in: Introduction to Journalism

related journal

Telecommunications and Business Strategy

Now included in the Thomson Reuters Social Science Citation Index®

Journalism Studies Edited by Bob Franklin, Cardiff University, UK Volume 12, 2011, 6 issues per year Print ISSN: 1461-670X Online ISSN: 1469-9699

Journalism Studies is an international peer-reviewed journal, published by Routledge, which provides a forum for the critical discussion and study of journalism as both a subject of academic inquiry and an arena of professional practice. The Journal’s editorial board and contributors reflect the intellectual interests of a global community of academics and practitioners concerned with addressing and analysing all aspects of journalism scholarship, journalism practice and journalism education. www.tandf.co.uk/journals/rjos

For courses in: News Reporting

Browse and order online: routledge.com/media • routledge.com/communication

j ourn a lism

NEW in 2011

3rd Edition

NEW in 2011

2nd Edition

The Radio Handbook

Interviewing for Radio

Magazines

Carole Fleming, Nottingham Trent University, UK

A Guide to Critical Practice

Jim Beaman, University of Gloucestershire, UK

Series: Media Practice

Brendan Martin, City University, UK

Series: Media Skills

‘Jim Beaman’s Interviewing for Radio is a classic and seminal practice text, brilliantly written and masterful in its content. Nobody working in professional radio can do without it. It is a must for all radio courses and I could not recommend it more highly.’ – Tim Crook, Head of Radio, Goldsmiths College, UK ‘The book is an excellent guide.’ – Trevor Goodchild, The Journalist Interviewing for Radio is a thorough introduction to the techniques and skills of the radio interview. It offers advice on how to ask the right question and elicit a response and guides the reader through the use of equipment, the mechanics of recording, the studio environment, live broadcasts, presentation and pronunciation, and editing material. The second edition has been thoroughly updated throughout and includes advice from a new range of practitioners, examples of recent UK and international interviews, reference to new and current regulations and guidelines for UK journalists and some comparisons and similarities with those applicable to other countries. Selected Contents: Preface 1. Birth and Development of the Radio Interview 2. Role of the Radio Interview 3. Codes, Guidelines, Regulations and Good Practice 4. Before the Interview 5. At the Interview 6. After the Interview 7. Analysis of Interviews

The Radio Handbook is a comprehensive guide to radio broadcasting in Britain. Featuring two entirely new chapters for this edition, You Radio and Sport on Radio, this text offers a thorough introduction to radio in the twenty-first century. Using new examples, case studies and illustrations, it examines the various components that make radio, from music selection to news presentation, and from phone-ins to sport programmes. Discussing a variety of new media such as podcasts, digital radio and web-linked radio stations, Carole Fleming explores the place of radio today, the extraordinary growth of commercial radio and the importance of community radio.

Designed to enthuse, inspire and assist, this textbook covers the business of magazine publishing from initial idea to product launch, and offers practical guidelines on working within the magazine industry. Written by an experienced editor, with contributions from professional journalists, this text and its Companion Website give you all the knowledge you need to understand and create successful magazines. Topics covered include:

The Radio Handbook shows how communication theory informs everyday broadcasts and encourages a critical approach to radio listening and to radio practice. Addressing issues of regulation, accountability and representation, it offers advice on working in radio and outlines the skills needed for a career in the industry.

• a brief history of magazine publishing

The Radio Handbook includes:

• blogs, e-zines and websites

• interviews with people working at all levels in the industry including programme controllers, news presenters and DJs

• publicity

March 2011: 208pp Pb: 978-0-415-56170-9: $30.95 eBook: 978-0-203-83452-7

• examples of programming, including nationwide and local BBC, commercial radio, community and student stations

For more information, visit: www.routledge.com/9780415561709

• real typescripts and case studies of current stations

For courses in: Interviewing

From Horse and Hound to Vogue; covering subjects as diverse as charities, cheesemaking, and Cheshire; magazines cover everything and there is a magazine aimed at everyone.

• a glossary of key terms and technical concepts.

• planning the publication • job roles within the industry • feature writing • design and layout

• advertising • circulation • law and ethics. Essential reading for anyone studying magazine journalism or publishing or wanting to work within this exciting field. September 2011: 384pp Pb: 978-0-415-55725-2: $44.95

2009: 232pp Pb: 978-0-415-44508-5: $35.95 eBook: 978-0-203-87377-9

For more information, visit: www.routledge.com/9780415557252

For more information, visit: www.routledge.com/9780415445085

For courses in: Introduction to Magazines

For courses in: Radio Production

NEW in 2011

Journalism Studies A Critical Introduction Andrew Calcutt, University of East London, UK and Philip Hammond, London Southbank University, UK

Journalism Studies is a polemical textbook that rethinks the field of journalism studies for the contemporary era. It is the politics, philosophy and economics of journalism, presented as a logical reconstruction of its historical development. This book offers a critical reassessment of conventional themes in the academic analysis of journalism, and sets out a positive proposal for what we should be studying. Organized around three central themes – ownership, objectivity and the public – Journalism Studies addresses the contexts in which journalism is produced, practised and disseminated. It outlines key issues and debates, reviewing established lines of critique in relation to the state of contemporary journalism, then offering alternative ways of approaching these issues, seeking to reconceptualise them in order to suggest an agenda for change and development in both journalism studies and journalism itself. This is a concise and accessible introduction to contemporary journalism studies, and will be highly useful to undergraduate and postgraduate students on a range of Journalism, Media and Communications courses. Selected Contents: Acknowledgements Introduction: Journalism in Question Part 1: Ownership Chapter 1. Ownership and the News Industry Chapter 2. Media and Mediating Activity Part 2: Objectivity Chapter 3. The Rise and Fall of Objectivity Chapter 4. The Future of Objectivity Part 3: The Public Chapter 5. The Fragmenting Public Conclusion: Journalism and Journalism Studies Notes References Index

January 2011: 216pp Pb: 978-0-415-55431-2: $31.95 For more information, visit: www.routledge.com/9780415554312 For courses in: Introduction to Journalism Studies

Complimentary Exam Copy

e-Inspection

Disc Included

Companion Website

Multimedia Journalism a practical guide

andy bull Multimedia Journalism: A Practical Guide offers clear advice on working across multiple media platforms and includes guides to creating and using video, audio, text and pictures. It contains all the essentials of good practice and is supported by a Companion Website at: www.multimedia-journalism.co.uk which demonstrates how to apply the skills covered in the book, gives examples of good and bad practice, and keeps the material up-to-date and in line with new hardware, software, methods of working and legislation. The book is fully cross-referenced and interlinked with the website, which offers the chance to test your learning and send in questions for industry experts to answer in their master classes. Split into three levels – getting started, building proficiency and professional standards – this book builds on the knowledge attained in each part, and ensures that skills are introduced one step at a time until professional competency is achieved. This three stage structure means it can be used from initial to advanced level to learn the key skill areas of video, audio, text, and pictures and how to combine them to create multimedia packages. Skills covered include: • writing news reports, features, email bulletins and blogs

• building a website using a content management system

• measuring the success of your website or blog

• shooting, cropping, editing and captioning pictures

• recording, editing and publishing audio reports and podcasts

• shooting, editing and streaming video and creating effective packages

• creating breaking news tickers and using Twitter

• using and encouraging user generated content

• interviewing and conducting advanced online research

• subediting, proofreading and headlining, including search engine optimization.

• geo-tagging, geo-coding and geo-broadcasting

March 2010: 512pp • Pb: 978-0-415-47823-6: $50.00 • eBook: 978-0-203-86603-0 • For more information, visit: www.routledge.com/9780415478236 For courses in: Introduction to Journalism, Multimedia Journalism

j ourn a lism

NEW in 2011

New

3rd Edition

Specialist Journalism

2nd Edition

Edited by Sharon Wheeler, University of Gloucestershire, UK, Barry Turner and Richard Orange, both at University of Lincoln, UK

A Primer for Journalists

Magazine Editing John Morrish and Paul Bradshaw, Birmingham City University, UK Including comprehensive coverage on both print and online, consumer and free magazines, Magazine Editing looks at how magazines work and explains the dual role of the magazine editor. John Morrish and Paul Bradshaw consider the editor as both a journalist, having to provide information and entertainment for readers, and as a manager, expected to lead and supervise successfully the development of a magazine or periodical. Looking at the current state of the magazine market in the twenty-first century, the third edition explains how this has developed and changed in recent years with specific attention being paid to the explosion of e-zines and magazine websites. Featuring case studies, interviews with successful editors, examples of covers and spreads and useful tables and graphs, the book discusses the editor’s many roles and details the skills needed to run a publication. September 2011: 288pp Pb: 978-0-415-60835-0: $39.95 For more information, visit: www.routledge.com/9780415608350

Combining practical ‘how to’ skills with reflection on the place of each specialism in the industry, this guide features the skills needed to cover specialist areas, including writing match reports for sport, reviewing the arts, and dealing with complex information for science. The book will also discuss how specialist journalists have contributed to the mainstream news agenda, as well as analysing how different issues have been covered in each specialism, such as the credit crunch, global warming, school league tables and the celebrity culture in sport. The book includes interviews with professionals talking about their fields of work and copious examples from a wide range of online, print and broadcast markets, including daily and weekly papers, specialist and B2B magazines, the ethnic press and ‘alternative’ publications such as gay, feminist and left-wing press. June 2011: 224pp Pb: 978-0-415-58285-8: $39.95

Popular Music Journalism Martin James, Southampton Solent University, UK This book explores arguments and perspectives on the role of the music journalist and the wider popular music press within the cultural and operational contexts of popular music. By exploring the roles of the journalist as freelancer, member of an editorial team and a part of the editorial production process, readers will be introduced to the skills required to recognise, source, research and write thoughtful, critical and well-crafted music features and reviews for print, online and broadcast outlets. July 2011: 288pp Pb: 978-0-415-56067-2: $35.95 eBook: 978-0-203-83442-8 For more information, visit: www.routledge.com/9780415560672 For courses in: Music Journalism

The Essentials of Sports Reporting and Writing Scott Reinardy, University of Kansas, USA and Wayne Wanta, University of Missouri, USA This text covers the full experience of sports writing. Authors Scott Reinardy and Wayne Wanta approach the topic using their own professional experience as sports writers and editors to give students a realistic view of the sports writing profession. 2008: 274pp Pb: 978-0-8058-6448-9: $39.95 eBook: 978-0-203-87712-8 For more information, visit: www.routledge.com/9780805864489 For courses in: Sports Journalism

Mark Conrad, Fordham University, USA

This book explores the business aspect of sports with an orientation to those topics that are most relevant to journalists, providing the foundation for understanding the various parts of the sports business. Moving beyond sports writing, this text offers a distinct perspective on professional, college, and international sports organizations – structure, governance, labor issues, and other business factors within the sports community. Written clearly and compellingly, The Business of Sports includes cases (historical, current, and hypothetical) to illustrate how business concerns play a role in the reporting of sports. New features for the second edition include:

For more information, visit: www.routledge.com/9780415582858

• updates throughout, including disciplinary policies throughout the major sports leagues

For courses in: Specialist Journalism

• expanded discussion of intellectual property issues and merchandising

New

• new sections on ethical issues in sports, aimed at journalists.

For courses in: Magazine Editing

NEW in 2011

The Business of Sports

The American Journalism History Reader Edited by Bonnie S. Brennen, Marquette University, USA and Hanno Hardt, University of Ljubljana, Slovenia The American Journalism History Reader presents important primary texts – news articles and essays about journalism from all stages of the history of the American press – alongside key works of journalism history and criticism. The volume aims to place journalism history in its theoretical context, to familiarize the reader with essential works of, and about, journalism, and to chart the development of the field. The Reader moves chronologically through American journalism history from the eighteenth-century to the present, combining classic sources and contemporary insights. Each century’s section begins with a critical introduction, which establishes the social and political environment in which the media developed to highlight the ideological issues behind the historical period. October 2010: 400pp Pb: 978-0-415-80187-4: $55.00 For more information, visit: www.routledge.com/9780415801874 For courses in: Journalism History

3rd Edition

English for Journalists Wynford Hicks, Freelance Journalist Series: Media Skills

Offering critical insights on the business of sports, this text is a required resource for sports journalists and students in sports journalism. December 2010: 368pp Pb: 978-0-415-87653-7: $42.95 For more information, visit: www.routledge.com/9780415876537 For courses in: Sports Journalism

5th Edition

Professional Feature Writing Bruce Garrison, University of Miami, USA Series: Routledge Communication Series

Professional Feature Writing provides the basics of news media feature writing and establishes a solid foundation for students and writers making feature writing their career. This fifth edition offers a thorough and up-to-date look at newspaper, magazine, newsletter, and online publications, with emphasis on daily newspapers and consumer magazines. It serves as a comprehensive introduction to feature writing, emphasizing writing skills, article types, and the collegiate and professional writing life. 2009: 448pp Pb: 978-0-415-99897-0: $70.00

2006: 144pp Pb: 978-0-415-40420-4: $34.95 eBook: 978-0-203-96766-9

For more information, visit: www.routledge.com/9780415998970

For more information, visit: www.routledge.com/9780415404204

For courses in: Feature Writing

For courses in: Writing and Grammar

Complimentary Exam Copy

e-Inspection

Disc Included

Companion Website

j o u r na l i s m

2nd Edition

New

Reporting for Journalists

Broadcast Journalism

2nd Edition

A Critical Introduction

Chris Frost, Liverpool John Moores University, UK

Writing for Broadcast Journalists

Edited by Jane Chapman, University of Lincoln, UK and Marie Kinsey, University of Sheffield, UK

Series: Media Skills

Reporting for Journalists explores the role of the reporter in the world of modern journalism and emphasises the importance of learning to report across all media – radio, television, online, newspapers and periodicals. Using case studies, and examples of print, online and broadcast news stories, the second edition of Reporting for Journalists includes:

• information on using wikis, blogs, social networks and online maps • finding a story and how to develop ideas • researching the story and building the contacts book including crowd sourcing and using chat rooms • interactivity with readers and viewers and user generated content • making best use of computer aided reporting (CAR), news groups and search engines • covering courts, councils and press conferences • reporting using video, audio and text • preparing reports for broadcasting or publication • consideration of ethical practice, and cultural expectations and problems • an annotated guide to further reading, a glossary of key terms and a list of journalism websites and organisations. June 2010: 224pp Pb: 978-0-415-55320-9: $29.95 eBook: 978-0-203-87197-3 For more information, visit: www.routledge.com/9780415553209 For courses in: News Reporting

Rick Thompson, Birmingham City University, UK Series: Media Skills

‘This is a superb book which combines the rare mixture of high quality information with humour. The style of writing engages the reader from the introduction and the experience and insight of the author occasionally makes it difficult to put down, a rare feature of a textbook. I would unreservedly recommend this book not only to those studying journalism but to students of language and all who use the spoken and written word as the ‘materials’ of their work.’ – Barry Turner, Nottingham Trent University, UK Writing for Broadcast Journalists guides readers through the significant differences between the written and the spoken versions of journalistic English. It will help broadcast journalists at every stage of their careers to avoid such pitfalls as the use of newspaper-English, common linguistic errors, and Americanised phrases, and gives practical advice on accurate terminology and pronunciation, while encouraging writers to capture the immediacy of the spoken word in their scripts. Written in a lively and accessible style by an experienced BBC TV and radio editor, Writing for Broadcast Journalists is the authoritative guide to the techniques of writing for radio and television, and this new edition has a special section about writing online news.

Selected Contents: Acknowledgements 1. Introduction 2. Good Spoken English 3. The Language of Broadcast News 4. Writing Broadcast News Scripts 5. Different Techniques for Radio and Television 6. Writing Online News 7. And Finally Appendix: Dangerous Words: An Alphabetical Checklist Further Reading Index

Feature Writing for Journalists

July 2010: 208pp Pb: 978-0-415-58168-4: $29.95

Sharon Wheeler, University of Gloucestershire, UK

For courses in: Journalism

For more information, visit: www.routledge.com/9780415581684

Series: Media Skills

Feature Writing for Journalists considers both newspapers and magazines and helps the new or aspiring journalist to become a successful feature writer.

2nd Edition

Ethics for Journalists Richard Keeble, University of Lincoln, UK

Using examples from a wide range of papers, specialist and trade magazines and ‘alternative’ publications, Sharon Wheeler considers the different types of material that come under the term ‘feature’ including human interest pieces, restaurant reviews and advice columns.

Series: Media Skills

With relevant case studies as well as interviews with practitioners, Feature Writing for Journalists is exactly what you need to understand and create exciting and informative features.

Ethics for Journalists provides a comprehensive overview of ethical dilemmas and features interviews with a number of journalists.

Ethics for Journalists tackles many of the issues which journalists face in their everyday lives – from the media’s supposed obsession with sex, sleaze and sensationalism, to issues of regulation and censorship. Its accessible style and question and answer approach highlights the relevance of ethical issues for everyone involved in journalism, both trainees and professionals, whether working in print, broadcast or new media.

2009: 208pp Pb: 978-0-415-33635-2: $33.95

2008: 328pp Pb: 978-0-415-43076-0: $33.95 eBook: 978-0-203-69882-2

For more information, visit: www.routledge.com/9780415336352

For more information, visit: www.routledge.com/9780415430760

For courses in: Feature Writing

For courses in: Media Ethics

Broadcast Journalism offers a critical analysis of the key skills required to work in the modern studio, on location, or online, with chapters written by industry professionals from the BBC, ITV, CNN and independent production companies in the UK and USA. Areas highlighted include: • interviewing

• researching

• editing

• writing.

• reporting The practical tips are balanced with chapters on representation, ethics, law, economics and history, as well as specialist areas such as documentary and the reporting of politics, business, sport and celebrity. Broadcast Journalism concludes with a vital chapter on career planning to act as a springboard for your future work in the broadcast industry. 2008: 288pp Pb: 978-0-415-44155-1: $41.95 eBook: 978-0-203-88645-8 For more information, visit: www.routledge.com/9780415441551 For courses in: Introduction to Broadcast Journalism

2nd Edition

Writing for Journalists Wynford Hicks, Freelance Journalist, Sally Adams, University of the Arts, London, UK, Harriett Gilbert, City University, UK and Tim Holmes, Cardiff University, UK Series: Media Skills Praise for the first edition: ‘There are books that are badly written, books that are well written and books that you wish you’d written. This is one of the latter. Hicks and his co-writers produce a book that is a joy to read and is packed full of helpful advice.’ – Chris Frost, Journalist Writing for Journalists is about the craft of journalistic writing: how to put one word after another so that the reader gets the message – or the joke – goes on reading and comes back for more. This is a practical guide for all those who write for newspapers, periodicals and websites, whether students, trainees or professionals. This edition introduces the reader to the essentials of good writing. Based on critical analysis of news stories, features and reviews from daily and weekly papers, consumer magazines, specialist trade journals and a variety of websites, Writing for Journalists includes: • advice on how to start writing and how to improve and develop your style • how to write a news story which is informative, concise and readable • tips on feature writing from researching profiles to writing product round-ups • how to structure and write reviews • a new chapter on writing online copy. 2008: 208pp Pb: 978-0-415-46021-7: $35.95 eBook: 978-0-203-92710-6 For more information, visit: www.routledge.com/9780415460217 For courses in: Writing News

Browse and order online: routledge.com/media • routledge.com/communication

j ourn a lism

new

New

Writing for Digital Media

2nd Edition

Making Hard Choices in Journalism Ethics

Brian Carroll, Berry College, USA

Writing for Digital Media teaches students how to write effectively for online audiences – whether they are crafting a story for the website of a daily newspaper or a personal blog. The lessons and exercises in each chapter help students build a solid understanding of the ways that the internet has introduced new opportunities for dynamic storytelling as digital media have blurred roles of media producer, consumer, publisher and reader. Using the tools and strategies discussed in this book, students are able to use their insights into new media audiences to produce better content for digital formats and environments. Fundamentally, this book is about good writing – clear, precise, accurate, filled with energy and voice, and aimed directly at an audience. Writing for Digital Media also addresses all of the graphical, multimedia, hypertextual and interactive elements that come into play when writing for digital platforms. Learning how to achieve balance and a careful, deliberate blend of these elements is the other primary goal of this text. Writing for Digital Media teaches students not only how to create content as writers, but also how to think critically as a site manager or content developer might about issues such as graphic design, site architecture, and editorial consistency. By teaching these new skill sets alongside writing fundamentals, this book transforms students from writers who are simply able to post their stories online into engaging multimedia, digital storytellers. For additional resources and exercises, visit the Companion Website for Writing for Digital Media at: www.routledge.com/textbooks/9780415992015. April 2010: 328pp Pb: 978-0-415-99201-5: $45.00 eBook: 978-0-203-89431-6 For more information, visit: www.routledge.com/9780415992015

Show Me the Money Writing Business and Economics Stories for Mass Communication Chris Roush, University of North Carolina, USA Series: Routledge Communication Series

The Book History Reader Edited by David Finkelstein, Queen Margaret University, Edinburgh, UK and Alistair McCleery, Napier University, UK Including more extracts than before and a brand new section on the future of the book in the digital age, this second edition has been updated and expanded to create the essential collection of writings examining different aspects of the history of books and print culture.

David E. Boeyink, Indiana University, USA and Sandra L. Borden, Western Michigan University, USA

Show Me the Money is the definitive business journalism textbook that offers hands-on advice and examples on doing the job of a business journalist. Author Chris Roush draws on his experience as a business journalist and educator to explain how to cover businesses, industries and the economy, as well as where to find sources of information for stories. He demonstrates clearly how reporters take financial information and turn it into relevant facts that explain a topic to readers.

This book teaches students how to make the difficult ethical decisions that journalists routinely face. By taking a case-based approach, the authors argue that the best way to make an ethical decision is to look closely at a particular situation, rather than looking first to an abstract set of ethical theories or principles. This book goes beyond the traditional approaches of many other journalism textbooks by using cases as the starting point for building ethical practices. Casuistry, the technical name of such a method, develops provisional guidelines from the bottom up by reasoning analogically from an ‘easy’ ethical case (the ‘paradigm’) to ‘harder’ ethical cases. Thoroughly grounded in actual experience, this method admits more nuanced judgments than most theoretical approaches.

This definitive business journalism text:

March 2010: 224pp Pb: 978-0-415-99000-4: $39.95 eBook: 978-0-203-92819-6

• provides real-world examples of business articles • presents complex topics in a form easy to read and understand • offers examples of where to find news stories in SEC filings • gives comprehensive explanations and reviews of corporate financial, balance sheet, and cash flow statements • provides tips on finding sources, such as corporate investors and hard-to-find corporate documents • gives a comprehensive listing of websites for business journalists to use. With numerous examples of documents and stories in the text, Show Me the Money is an essential guide for students and practitioners doing business journalism. October 2010: 408pp Pb: 978-0-415-87655-1: $64.95 eBook: 978-0-203-84824-1 For more information, visit: www.routledge.com/9780415876551 For courses in: Business Journalism

For courses in: Online Journalism, Media Writing

2nd Edition

Cases and Practice

An Introduction to Book History David Finkelstein, Queen Margaret University, Edinburgh, UK and Alistair McCleery, Napier University, UK This is a comprehensive introduction to books and print culture which examines the move from the spoken word to written texts, the book as commodity, the power and profile of readers, and the future of the book in an electronic age. 2005: 168pp Pb: 978-0-415-31443-5: $35.95

2006: 576pp Pb: 978-0-415-35948-1: $45.95

For more information, visit: www.routledge.com/9780415314435

For more information, visit: www.routledge.com/9780415359481

For courses in: Book History

For more information, visit: www.routledge.com/9780415990004 For courses in: Journalism Ethics

The Documentary Handbook Peter Lee-Wright, Goldsmiths College, University of London, UK Series: Media Practice ‘The Documentary Handbook is mandatory reading for those who want a critical understanding of the place of factual formats in today’s exploding television and media industry, as well as expert guidance in complex craft skills in order to fully participate. The practical advice and wisdom here is second to none.’ – Tony Steyger, Southampton Solent University, UK The Documentary Handbook is a critical introduction to the documentary film, its theory and changing practices. The book charts the evolution of documentary from screen art to core television genre, its metamorphosis into many different types of factual TV programme and its current emergence in forms of new media. It analyses those pathways and the transformation of means of production through economic, technical and editorial changes. The Documentary Handbook explains the documentary process, skills and job specifications for everyone from industry entrants to senior personnel. Through the use of professional Expert Briefings it gives practical pointers about programme-making, from research, developing and pitching programme ideas to their production and delivery through a fast-evolving multi-platform universe. 2009: 432pp Pb: 978-0-415-43402-7: $44.95 eBook: 978-0-203-86719-8 For more information, visit: www.routledge.com/9780415434027 For courses in: Documentary Making

Complimentary Exam Copy

e-Inspection

Disc Included

Companion Website

j o u r na l i s m

2nd Edition

Interviewing for Journalists

Editing for Today’s Newsroom

Investigative Journalism

A Guide for Success in a Changing Profession

Praise for the first edition:

Sally Adams, University of the Arts, London, UK and Wynford Hicks, Freelance Journalist Series: Media Skills

Interviewing for Journalists details the central journalistic skill of how to ask the right question in the right way. It is a practical and concise guide for all print and online journalists – professionals, students and trainees – whether writing news stories or features for newspapers and magazines, print and web.

Interviewing for Journalists focuses on the many types of interviewing, from the routine street interview, vox pop and press conference to the interview used as the basis of an in-depth profile. The book draws on previously published material and features interviews with successful columnists such as Emma Brockes, who writes for the Guardian and the New York Times and Andrew Duncan of Radio Times. Interviewing for Journalists covers every stage of interviews including research, planning and preparation, structuring questions, the importance of body language, how to get a vivid quote, checking material and editing it into different formats. 2009: 256pp Pb: 978-0-415-47775-8: $33.95 eBook: 978-0-203-88885-8 For more information, visit: www.routledge.com/9780415477758

Carl Sessions Stepp, University of Maryland, USA Series: Routledge Communication Series

Editing for Today’s Newsroom provides training, support and advice for prospective news editors. Through history, analyses, and anecdotes, this book offers a solid grounding to prepare potential editors for the full range of their responsibilities in today’s newsrooms: developing ideas; evaluating and editing copy; working with writers; determining what is news; understanding presentation and design; directing news coverage; managing people; making decisions under pressure; and coping with a variety of ethical, legal, and professional considerations, all while operating in today’s multimedia, multiplatform news arena. Author Carl Sessions Stepp focuses on editors as newsroom decision makers and quality controllers; accordingly, the book features strategies and techniques for coping with a broad spectrum of editing duties. Covering basic and advanced copyediting skills, it also provides intellectual context to the editor’s role, critically examining the history of editing and the changing job of the contemporary editor. 2008: 248pp Pb: 978-0-8058-6218-8: $47.95 eBook: 978-0-203-88721-9

For courses in: Interviewing

Hugo de Burgh, University of Westminster, UK

For more information, visit: www.routledge.com/9780805862188

‘A surprising book. I’m surprised that it hasn’t been done before, and I’d also be surprised if anyone did it better.’ – Roger Cook, The Cook Report, Central Television ‘A book that no aspiring student of the subject can do without.’ – Jon Snow, Channel 4 News

Investigative journalism has helped bring down governments, imprison politicians, trigger legislation, reveal miscarriages of justice and shame corporations. Even today, when much of the media colludes with power and when viciousness and sensationalism are staples of formerly high-minded media, investigative journalists can stand up for the powerless, the exploited, the truth. Investigative Journalism provides an unrivalled introduction to this vital part of our social life: its origins, the men and women who established its norms and its achievements in the last decades. Two chapters describe the relationships with the law, bringing us up-to-date, and others deal with the professional techniques, the sociology and the teaching of investigative journalism. A further new chapter examines the influence of the blogosphere on investigative journalism. 2008: 416pp Pb: 978-0-415-44144-5: $39.95 eBook: 978-0-203-89567-2 For more information, visit: www.routledge.com/9780415441445 For courses in: Investigative Journalism

For courses in: News Editing

Covering the Environment

5th Edition

News and Journalism in the UK Brian McNair, University of Strathclyde, UK

How Journalists Work the Green Beat

Series: Communication and Society

News and Journalism in the UK is an accessible and comprehensive introduction to the political, economic and regulatory environments of press and broadcast journalism in Britain and Northern Ireland. Surveying the industry in a period of radical economic and technological change, Brian McNair examines the main trends in journalistic media in the last two decades and assesses the challenges and future of the industry in the new millennium. Integrating both academic and journalistic perspectives on journalism, topics addressed in this revised and updated edition include: • the rise of online journalism and the impact of blogging on mainstream journalism • the emergence of twenty-four hour news channels in the UK • the role and impact of journalism, with reference to issues such as democracy, health scares and the war on terror

• trends in media ownership and editorial allegiances • ‘Tabloidisation’, Americanisation and the supposed ‘dumbing down’ of journalistic standards • the implications of devolution for regional journalists. 2009: 224pp Pb: 978-0-415-41072-4: $36.95 eBook: 978-0-203-88141-5

Robert L. Wyss, University of Connecticut, USA Series: Routledge Communication Series

Covering the Environment serves as a primer for future and current journalists reporting on environmental issues across all types of media. This practical resource explains the primary issues in writing on the environment, identifies who to go to and where to find sources, and offers examples on writing and reporting the beat. It also provides background to help environmental journalists identify their audiences and anticipate reactions to environmental news. 2007: 328pp Pb: 978-0-8058-5769-6: $39.95 eBook: 978-0-203-92760-1 For more information, visit: www.routledge.com/9780805857696 For courses in: Environmental Journalism

For more information, visit: www.routledge.com/9780415410724 For courses in: Introduction to Journalism

Browse and order online: routledge.com/media • routledge.com/communication

j ourn a lism / Media Wr iti ng / p u b li s hin g

journalism BACKLIST Title

Author/Editor

Date

ISBN

Freelancing for Television and Radio

Leslie Mitchell, University of Stirling, UK

2005

978-0-415-34102-8

The Magazines Handbook

Jenny McKay, University of Sunderland, UK 2005

978-0-415-37137-7

Print Journalism

Edited by Richard Keeble, University of 2005 978-0-415-35882-8 Lincoln, UK

$39.95

Working with Numbers and Statistics: A Handbook for Journalists

Charles Livingston and Paul S. Voakes

$24.95

2005

Media Writing

Publishing

NEW in 2011

4th Edition

3rd Edition

MediaWriting

The Book Publishing Industry

Print, Broadcast, and Public Relations

Albert N. Greco, Fordham University, USA

W. Richard Whitaker, Janet E. Ramsey and Ronald D. Smith, all at Buffalo State College, USA

The Book Publishing Industry focuses on consumer books (adult, juvenile, and mass market paperbacks) and reviews all major book categories to present a comprehensive overview of this diverse business. In addition to the insights and portrayals of the US publishing industry, this book includes an appendix containing historical data on the industry from 1946 to the end of the twentieth-century. The selective bibliography includes the latest literature, including works in marketing and economics that has a direct relationship with this dynamic industry.

Designed for those preparing to write in the current multimedia environment, MediaWriting explores the linkages between print, broadcast, and public relations styles; outlines the nature of good writing; and synthesizes and integrates professional skills and concepts. Complete with interesting real-world examples and exercises, this textbook gives students progressive writing activities amid an environment for developing research and interviewing skills. This book synthesizes and integrates the three writing styles, weaving in basic principles of internet writing and reporting. Starting from a basis in writing news and features for print media, it moves on to writing for broadcast news media, then introduces students to public relations writing in print, broadcast, and digital media, as well as for news media and advertising venues.

Price

978-0-8058-5249-3

$29.95 $37.95

4th Edition

Inside Book Publishing

This third edition features a chapter on e-books and provides an overview of the current shift toward digital media in the US book publishing industry. A Companion Website at: www.routledge.com/textbooks/greco features PowerPoints on market structure and editorial processes as well as bibliographies and up-to-date industry statistics.

Giles Clark, The Open University, UK and Angus Phillips, Oxford International Centre for Publishing Studies, Oxford Brookes University, UK How do publishers work and make money? Why do they exist? This expanded and thoroughly revised fourth edition of Inside Book Publishing is designed for students of publishing, authors needing to find out publishing secrets, and those wanting to get in or get on in the industry. It addresses the big issues – globalization of publishing, the impact of the internet – and explains publishing from the author contract to the bookshop shelf. A Companion Website can also be found at: www.insidebookpublishing.com. 2008: 320pp Pb: 978-0-415-44157-5: $39.95 eBook: 978-0-203-34154-4 For more information, visit: www.routledge.com/9780415441575 For courses in: Introduction to Book Publishing

June 2011: 400pp Pb: 978-0-415-88724-3: $59.95 For more information, visit: www.routledge.com/9780415887243 For courses in: Book Publishing

This new edition will feature:

View Inside

• a chapter on social media • real-life examples of news stories, scripts, and advertising copy • updated and enhanced writing exercises for students of all skill levels • testimonials from practitioners working the field

Routledge Books

• a Companion Website (www.routledge.com/ textbooks/whitaker) with resources for students and instructors, including multimedia elements as well as enhanced discussion questions, writing exercises, and writing samples.

Did you know that many of our books now have “View Inside” functionality that allows you to browse online content before making any purchasing decisions?

This text provides beginning newswriting students with a primer for developing the skills needed for work in the media industry. December 2011: 420pp Pb: 978-0-415-88803-5: $63.95

For more information visit www.routledge.com.

For more information, visit: www.routledge.com/9780415888035 For courses in: Writing For Media

Complimentary Exam Copy

e-Inspection

Disc Included

Companion Website

4th

introduction to

edition

Film Studies Edited by Jill Nelmes, University of East London, UK ‘This fourth edition is even more comprehensive and accessible than previous editions. It addresses new generations of students, asks new questions of film studies and rises to the radical challenge of answering those questions superbly well.’ – Pat Brereton, Dublin City University, Ireland ‘A thoughtful and comprehensive text for analysis of motion pictures as an art form, profession and institution. The fourth edition furthers this study through revising existing chapters and adding critical new research of this compelling medium.’ – James Cho, Nevada State College, USA Lavishly illustrated with 123 up-to-date film stills and productions shots, this is the completely revised and updated edition of the comprehensive leading textbook for students of cinema. Guiding students through the key issues and concepts in film studies, Introduction to Film Studies traces the historical development of film, and introduces some of the world’s key national cinemas. Each chapter is written by a subject specialist, a wide range of films are analyzed and discussed, and a broad spectrum of theories and theorists are presented, from formalism to feminism, and from Eisenstein to Deleuze.

Key features of the fourth edition are: 2007: 512pp Pb: 978-0-415-40928-5: $49.95

• full coverage of important topics for introductory level

For more information, visit: www.routledge.com/9780415409285

• in-depth discussion of the contemporary film industry

For courses in: Film, Media Studies, Visual Arts

• new chapters on Rediscovering Film; Ethnicity, Race and Cinema; Documentary; Film, Form and Narrative; British Cinema; Approaches to Cinematic Authorship

• updated coverage of a wide range of concepts, theories and issues in film studies

• new case studies on films such as Bamboozled, Wild Strawberries, Run Lola Run, Grey Gardens, Grizzly Man, Boy’s Don’t Cry, Love Actually, and many others • marginal key terms, notes, cross-referencing • suggestions for further reading, further viewing and a comprehensive glossary and bibliography • website resources including updated popular case studies from previous editions, a chapter on German Cinema and links to supporting sites. Widely reviewed by teachers in the field, and including a foreword by Bill Nichols, it will be essential reading for any introductory student of film, media studies or the visual arts worldwide.

Selected Contents: Foreword Bill Nichols Part 1: Approaches to Studying Cinema Part 2: Cinema as Institution: Industries, Technologies and Audiences Part 3: Approaches to Studying Film Texts Part 4: Other Genre Forms Part 5: Cinema, Identities and the Politics of Representation Part 6: Cinema, Nationhood and National Identities

ion edit ing om c

in mber nove 11 20 rs uto trib n o : C ude incl arke an l is D Chr opa aG h t i l La ncis i Fra r r e T nes is Jo ce Chr y k Jo chberg Mar o rle K s Sea me l e Jill N

Available as a Complimentary Exam Copy –

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Companion Website: Please see our website for details on the 5th edition, updates, new chapters and our new Companion Website, www.routledge.com/ textbooks/9780415409285.

NEW in 20 11 • 2nd E dition

Movie History A Survey

Douglas Gomery, University of East London, UK and Clara Pafort-Overduin, Utrecht University, the Netherlands How can we understand the history of film? Historical facts don’t answer the basic questions of film history. History, as this fascinating book shows, is more than the simple accumulation of film titles, facts and figures. This is a survey of over 100 years of cinema history, from its beginnings in 1895, to its current state in the twenty-first century. An accessible, introductory text, Movie History: A Survey looks at not only the major films, filmmakers, and cinema institutions throughout the years, but also extends to the production, distribution, exhibition, technology and reception of films. The textbook is divided chronologically into four sections, using the timeline of technological changes: Section One looks at the era of silent movies from 1895 to 1927; Section Two starts with the coming of sound and covers 1928 until 1950; Section Three runs from 1951 to 1975 and deals with the coming and development of television; and Section Four focuses on the coming of home video and the transition to digital, from 1975 to 2010. Written by two highly respected film scholars and experienced teachers, Movie History is the ideal textbook for students studying film history.

April 2011: 544pp Pb: 978-0-415-77545-8: $41.95 eBook: 978-0-203-83228-8 For more information, visit: www.routledge.com/9780415775458 For courses in: Film History

Key pedagogical features include: • timelines in each section to help students situate the films within a broader historical context • case study boxes with close-up analysis of specific film histories and a particular emphasis on film reception • lavishly illustrated with over 450 color images to put faces to names, and to connect pictures to film titles • margin notes add background information and clarity

AVAILABLE AS A COMPLIMENTARY EXAM COPY

• glossary for clear understanding of the key terms described • references and further reading at the end of each chapter to enhance further study.

fi l m s t udie s

Film Studies

NEW

NEW in 2011

The International Film Business

Film Theory Reader: Debates & Arguments

A Market Guide Beyond Hollywood

Edited by Marc Furstenau, Carleton University, Canada

The Film Handbook

Angus Finney, CASS Business School, UK

Mark de Valk, Southampton Solent University, UK

Series: Media Practice The Film Handbook offers practical guidance on a range of traditional and independent ‘guerrilla’ film production methods, from developing script ideas, logistics of planning the shoot, cinematography, then to digital systems of post-production, including sound. Film professionals and graduate students share advice of their creative and practical experiences shooting both on digital and film forms. June 2011: 352pp Pb: 978-0-415-55761-0: $44.95 For more information, visit: www.routledge.com/9780415557610

The International Film Business considers the independent film sector as a business, and the specific skills and knowledge that it requires. It describes both the present state of the independent film industry and the significant technological developments that have begun to take place, and what changes these might effect. The International Film Business:

• describes the present organization of the entirety of the film industry as a business

For courses in: Film Production

• discusses how digital technology is currently and how it potentially may change the structure of the industry in the future

The Contemporary Hollywood Reader

• gives information and advice on the different business skills that are necessary to navigate what is a very high-risk, pyrotechnical industry.

Edited by Toby Miller, University of California, USA

Taking an entrepreneurial perspective on what future opportunities will be available to prepared and informed business students and emerging practitioners, this text includes case studies that take students through the successes and failures of a variety of real film companies/ projects and exclusive interviews with leading practitioners in all sectors of the industry, from production to exhibition.

The Contemporary Hollywood Reader is a dynamic selection of scholarly writings on Hollywood from the post-World War II period onwards, divided into three sections, each with contextualizing introductions from the Editor. The sections – Production, Text, and Circulation – address all the major perspectives on Hollywood allowing equal attention to the field, in both thematic and disciplinary senses. 2009: 576pp Pb: 978-0-415-45226-7: $43.95 For more information, visit: www.routledge.com/9780415452267 For courses in: Contemporary Hollywood Cinema, Media Industries

Video Production Techniques Theory and Practice From Concept to Screen Donald L. Diefenbach, University of North Carolina at Asheville, USA Series: Routledge Communication Series Video Production Techniques begins with the basic skills of video production, so students experience writing, shooting and editing right away. It then moves to short-form projects, concluding with an exploration of documentaries, news, and other non fiction forms. The final section is dedicated to advanced applications and the book concludes with a chapter exploring professional opportunities in production and options for further study. The book includes a Companion DVD with original demonstrations, clips from professional works, and interviews with film and video professionals. A Companion Website with materials for students and instructors can also be found at: www.videoproductiontechniques.com. 2007: 416pp Hb: 978-0-8058-3703-2: $125.00 eBook: 978-0-203-87729-6

May 2010: 264pp Pb: 978-0-415-57585-0: $44.95 eBook: 978-0-203-85114-2 For more information, visit: www.routledge.com/9780415575850 For courses in: Film Business and Economy

Film Theory An Introduction Through the Senses Thomas Elsaesser, University of Amsterdam, the Netherlands and Malte Hagener, University of Luneburg, Germany What is the relationship between cinema and spectator? That is the central question for film theory, and renowned film scholars Thomas Elsaesser and Malte Hagener use this question to guide students through all of the major film theories – from the classical period to today – in this insightful, engaging book. Every kind of cinema (and film theory) imagines an ideal spectator, and then imagines a certain relationship between the mind and body of that spectator and the screen. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from 1945 to the present, from neo-realist and modernist theories to psychoanalytic, ‘apparatus’, phenomenological and cognitivist theories. 2009: 232pp Pb: 978-0-415-80101-0: $29.95 eBook: 978-0-203-87687-9

The Film Theory Reader brings together a range of key theoretical texts, organized thematically to emphasise the development of specific critical concepts and theoretical models in the field of film theory.

Each section presents well-known or significant texts, which have introduced a particularly influential concept, followed by texts that have developed or extended the concept, or that have offered explicit critiques or arguments against the original model. The collection thus represents and reproduces the debates and arguments that have shaped the theoretical landscape of film studies, guiding the reader through the complex terrain of theoretical debate, and offering suggestions for further reading and research. An introduction from the editor contextualises the essays and provides a logical guide to the book, clarifying the links between articles and tracing the development of key arguments. The notes to the introduction include extensive references, for readers to explore and further their own studies, as they are guided through the history of debate in film theory. Selected Contents: Part 1: Film Theory: A History of Debates Part 2: Arguments with Early Film Theory Part 3: Classic Debates Part 4: Recent Arguments April 2010: 320pp Pb: 978-0-415-49322-2: $43.95 For more information, visit: www.routledge.com/9780415493222 For courses in: Film Theory

2nd Edition

Scriptwriting for the Screen Charlie Moritz, Manchester Metropolitan University, UK Scriptwriting for the Screen is an accessible guide to writing for film and television. It details the first principles of screenwriting and advises on the best way to identify and formulate a story and develop ideas in order to build a vivid, animated and entertaining script. Scriptwriting for the Screen introduces the reader to essential skills needed to write effective drama. There are examples of scripts from a wide range of films and television dramas such as Heroes, Brokeback Mountain, Coronation Street, The English Patient, Shooting The Past, Spaced, Our Friends In the North and American Beauty. 2008: 232pp Pb: 978-0-415-46517-5: $35.95 For more information, visit: www.routledge.com/9780415465175 For courses in: Screenwriting

For more information, visit: www.routledge.com/9780415801010 For courses in: Film Theory

For more information, visit: www.routledge.com/9780805837032 For courses in: Video Production

Browse and order online: routledge.com/media • routledge.com/communication

fi lm stu die s / Televi sion S tu dies

film studies BACKLIST Title

Author

Date

ISBN

Writing For Film: The Basics of Screenwriting

Darsie Bowden, De Paul University, USA

2006

978-0-8058-4258-6

$39.95

Film Studies: The Essential Resource

Peter Bennett, University of 2006 Wolverhampton, UK, Andrew Hickman, Matthew Boulton College, UK and Peter Wall, Chair or Examiners for GCE Media and Communication Studies

978-0-415-36568-0

$39.95

Film as Social Practice

Graeme Turner, University of Queensland, Australia

978-0-415-37514-6

$31.95

2006

Price

Want more information on a book? Visit the direct URL found at the bottom of the title description.

Television Studies 4 th Edition • New in 2011

Television: Critical Methods and Applications Jeremy G. Butler, University of Alabama, USA Television is developed for the television criticism course in media studies and communication studies curricula, explaining how television programs and commercials are made, and how they function as producers of meaning. Author Jeremy Butler demonstrates the ways in which cinematography and videography, acting, lighting, set design, editing, and sound combine to produce meanings that viewers take away from their television experience. This popular text teaches students to read between the lines, encouraging them to incorporate critical thinking into their own television viewing. Television provides essential critical and historical context, explaining how various critical methods have been applied to the medium, such as genre study, ideological criticism, and cultural studies. Hundreds of illustrations from familiar television programs introduce the reader to the varied ways in which television goes about telling stories, presenting news, and selling products.

Highlights of this fourth edition include: • new organization to reflect the current approach to teaching television • discussions of technology integrated throughout • a wide variety of examples, including recent television shows • expanded discussion of cultural issues • a Companion Website with links to video websites to support examples in the text, color frame grabs, and materials for instructors. July 2011: 528pp • Pb: 978-0-415-88328-3: £45.00 $69.95 • eBook: 978-0-203-84524-0 For more information, visit: www.routledge.com/9780415883283 For courses in: Television Studies, Media Criticism

Complimentary Exam Copy

e-Inspection

Disc Included

Companion Website

n ew media

New Media

NEW in 2011 4th Edition

The Television Handbook

NEW in 2011

Series: Media Practice

The New Media and Technocultures Reader

Featuring advice on many aspects of programme making, from initial ideas to post-production processes, and including profiles to give insight into how people in the industry, from graduates to executives, think about their work. Key discussions include: • how television is made and how production is organized • how new technology and the changing structure of the television industry will lead the medium in new directions • the rise of new formats such as Reality TV • how drama, sport and music television can be understood. September 2011: 336pp Pb: 978-0-415-60414-7: $39.95 For more information, visit: www.routledge.com/9780415604147 For courses in: Television Studies and Production

3rd Edition

Edited by Seth Giddings and Martin Lister, both at University of the West of England, UK The study of new media has developed within a wide range of academic disciplines and theoretical paradigms and has generated a great deal of excitement, hype, and confusion. The New Media and Technocultures Reader gathers texts which map the cultural implications of new media, encapsulating and challenging key debates, theoretical positions, and approaches to research. The New Media and Technocultures Reader offers students further reading on and exploration of key issues and topics raised in the textbook New Media: A Critical Introduction. The Reader draws on various disciplinary stances (including visual culture; media and cultural history; media theory; media production; philosophy and the history of the sciences; political economy and sociology), offering readers a rich and interdisciplinary resource. Critical and accessible editorial commentary guides the reader between the extracts and through the debates.

An Introduction to Television Studies

February 2011: 448pp Pb: 978-0-415-46914-2: $39.95

Jonathan Bignell, University of Reading, UK

For courses in: New Media

In this comprehensive textbook, newly updated for its third edition, Jonathan Bignell provides students with a framework for understanding the key concepts and main approaches to Television Studies, including audience research, television history and broadcasting policy, and the analytical study of individual programmes.

For more information, visit: www.routledge.com/9780415469142

An Introduction to Cybercultures David Bell, University of Leeds, UK

A companion volume to The Cybercultures Reader, An Introduction to Cyberculture introduces students to all the major themes and concepts in this rapidly-growing field.

‘This second edition of New Media: A Critical Introduction builds on the strengths of the first edition to improve and update one of the best textbooks in the field. The authors have provided a wealth of new material, resulting in a very detailed and illuminating overview of many important new trends emerging from the intersections of culture and technology.’ – Jamie Sexton, Aberystwyth University, UK New Media: A Critical Introduction is a comprehensive introduction to the culture, history, technologies and theories of new media. Written especially for students, the book considers the ways in which ‘new media’ really are new, assesses the claims that a media and technological revolution has taken place and formulates new ways for media studies to respond to new technologies. The Companion Website at: www.newmediaintro.com provides: • additional international case studies with online references • specially created YouTube videos on machines and digital photography • a new ‘Virtual Camera’ case study, with links to short film examples • useful links to related websites, resources and research sites • further online reading links to specific arguments or discussion topics in the book • links to key scholars in the field of new media. 2008: 464pp Pb: 978-0-415-43161-3: $45.95 eBook: 978-0-203-88482-9 For more information, visit: www.routledge.com/9780415431613 For courses in: New Media

A History and Theory Reader

For more information, visit: www.routledge.com/9780415419185

Edited by Wendy Hui Kyong Chun, Brown University, USA and Thomas Keenan, Bard College, USA

For courses in: Introduction to Television Studies

Edited by Robert C. Allen and Annette Hill, Lund University, Sweden

Martin Lister, Jon Dovey, Seth Giddings, Iain Grant and Kieran Kelly, all at University of the West of England, UK

New Media, Old Media

2007: 368pp Pb: 978-0-415-41918-5: $39.95

The Television Studies Reader

New Media A Critical Introduction

Jeremy Orlebar Updated to include information and discussion on new technologies and new critical ideas, Jeremy Orlebar presents this excellent critical introduction to the practice and theory of television, which relates media studies theories and critical approaches to practical television programme making.

2nd Edition

2001: 256pp Pb: 978-0-415-24659-0: $33.95 eBook: 978-0-203-19232-0

2005: 432pp Pb: 978-0-415-94224-9: $54.95 eBook: 978-0-203-64383-9

For more information, visit: www.routledge.com/9780415246590

For more information, visit: www.routledge.com/9780415942249

For courses in: New Media, Cybercultures, Cultural Studies

For courses in: New Media

2003: 656pp Pb: 978-0-415-28324-3: $43.95 For more information, visit: www.routledge.com/9780415283243 For courses in: Introduction to Television Studies

Browse and order online: routledge.com/media • routledge.com/communication

new media

3rd Edition

Producing for Web 2.0

vide o ga me s

Video Games

A Student Guide

The Essential Introduction

Jason Whittaker, Falmouth College of Arts, UK

Understanding Video Games

‘Gives an excellent insight into the main issues of creating a website and offers a good foundation of knowledge.’ – i.net

Producing for Web 2.0 is a clear and practical guide to the planning, set up and management of a website in Web 2.0. It gives readers an overview of the current technologies available for online communications and shows how to use them for maximum effect when planning a website. Producing for Web 2.0 sets out the practical toolkit needed for web design and content management. It is supported by a regularly updated and comprehensive Companion Website at: www.producingforweb2.com where readers can see examples of programming and demonstrations of concepts discussed in the book, as well as trying things out themselves. 2009: 272pp Pb: 978-0-415-48622-4: $39.95 eBook: 978-0-203-88203-0 For more information, visit: www.routledge.com/9780415486224

The Video Game Theory Reader 2

Simon Egenfeldt-Nielsen, Jonas Heide Smith and Susana Pajares Tosca, all at IT University of Copenhagen, Denmark

Edited by Bernard Perron, University of Montreal, Canada and Mark J.P. Wolf, Concordia University, USA

The Video Game Theory Reader 2 picks up where the first Video Game Theory Reader (Routledge, 2003) left off, with a group of leading scholars turning their attention to next-generation platforms – the Nintendo Wii, the PlayStation 3, the Xbox 360 – and to new issues in the rapidly expanding field of video games studies. The contributors are some of the most renowned scholars working on video games today including Henry Jenkins, Jesper Juul, Eric Zimmerman, and Mia Consalvo. While the first volume had a strong focus on early video games, this volume also addresses more contemporary issues such as convergence and MMORPGs. The volume concludes with an appendix of nearly forty ideas and concepts from a variety of theories and disciplines that have been usefully and insightfully applied to the study of video games.

For courses in: Web Production

2008: 456pp Pb: 978-0-415-96283-4: $45.00 eBook: 978-0-203-88766-0

3rd Edition

For more information, visit: www.routledge.com/9780415962834

Electronic Media Criticism Electronic Media Criticism introduces readers to a variety of critical approaches to audio and video discourse on radio, television and the internet. The book applies key aesthetic, sociological, philosophical, psychological, structural and economic principles to arrive at a comprehensive evaluation of both programming and advertising content. 2008: 560pp Pb: 978-0-415-99537-5: $70.00 eBook: 978-0-203-88855-1 For more information, visit: www.routledge.com/9780415995375 For courses in: Media Criticism

The New Media Handbook Andrew Dewdney, South Bank University, London, UK and Peter Ride, University of Westminster, UK Series: Media Practice 2006: 352pp Pb: 978-0-415-30712-3: $37.95 eBook: 978-0-203-64578-9 For more information, visit: www.routledge.com/9780415307123 For courses in: New Media

Extensively illustrated, Understanding Video Games is an indispensable and comprehensive resource for those interested in the ways video games are reshaping entertainment and society. A Companion Website (www.routledge.com/textbooks/9780415977210) features student resources including discussion questions for each chapter, a glossary of key terms, a video game timeline, and links to other video game studies resources for further study. 2008: 304pp Pb: 978-0-415-97721-0: $39.95 eBook: 978-0-203-93074-8 For more information, visit: www.routledge.com/9780415977210

For courses in: Video Games

Applied Perspectives Peter B. Orlik, Central Michigan University, USA

From Pong to PlayStation 3 and beyond, Understanding Video Games is the first general introduction to the exciting new field of video game studies. This textbook traces the history of video games, introduces the major theories used to analyze games such as ludology and narratology, reviews the economics of the game industry, examines the aesthetics of game design, surveys the broad range of game genres, explores player culture, and addresses the major debates surrounding the medium, from educational benefits to the effects of violence.

For courses in: Video Games

The Video Game Theory Reader Edited by Mark J.P. Wolf, Concordia University, USA and Bernard Perron, University of Montreal, Canada `

The Video Game Theory Reader brings together exciting new work on the many ways video games are reshaping the face of entertainment and our relationship with technology. Drawing upon examples from widely popular games ranging from Space Invaders to Final Fantasy IX and Combat Flight Simulator 2, the contributors discuss the relationship between video games and other media; the shift from third- to first-person games; gamers and the gaming community; and the important sociological, cultural, industrial, and economic issues that surround gaming. The Video Game Theory Reader is the essential introduction to a fascinating and rapidly expanding new field of media studies.

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That’s the Joint! The Hip-Hop Studies Reader Edited by Murray Forman, Northeastern University, USA and Mark Anthony Neal, Duke University, USA ‘Before That’s the Joint! I spent countless hours making photo-copies of essays and articles on hip-hop for my students. When That’s the Joint! dropped it changed everything. It took hip-hop studies to the next logical level and, hopefully, with the second edition Forman and Neal will take hip-hop studies to an even higher level. That’s the Joint!, indeed, it is the sure shot!’ – Reiland Rabaka, University of Colorado, Boulder, USA This newly expanded and revised second edition of That’s the Joint! brings together the most important and up-to-date hip-hop scholarship in one comprehensive volume. Presented thematically, the selections address the history of hip-hop, identity politics of the ‘hip-hop nation,’ debates of ‘street authenticity,’ gender, revolutionary politics, aesthetics, technologies of production, hip-hop as a cultural industry, and much more. The new edition includes expanded coverage of gender and racial diversity in hip-hop, and takes a look at hip-hop’s role in politics, including the 2008 presidential election of Barack Obama. April 2011: 696pp Pb: 978-0-415-87326-0: $50.00 eBook: 978-0-203-86527-9 For more information, visit: www.routledge.com/9780415873260 For courses in: Hip-Hop, Cultural Studies

Emotions: A Cultural Studies Reader

The Routledge Critical and Cultural Theory Reader

Edited by Jennifer Harding, London Metropolitan University, UK and E. Deidre Pribram, Molloy College, USA

Edited by Neil Badmington and Julia Thomas, both at University of Cardiff, UK

Emotions: A Cultural Studies Reader brings together the best examples of recent and cutting-edge work on emotions in cultural studies and related disciplines. The book differentiates between theoretical traditions and ways of understanding emotion in relation to culture, subjectivity and power, thus mapping a new academic territory and providing a succinct overview of cultural studies as well as studies of emotion.

Critical and cultural theory invites a rethinking of some of our most basic assumptions about who we are, how we behave, and how we interpret the world around us.

Emotions: A Cultural Studies Reader provides students with an essential overview of contemporary academic debate within the humanities and social sciences on the place of emotions in culture, as part of everyday individual, cultural, and political life.

The Routledge Critical and Cultural Theory Reader brings together twenty-nine key pieces from the last century and a half that have shaped the field. Topics include: subjectivity, language, gender, ethnicity, sexuality, the body, the human, class, culture, everyday life, literature, psychoanalysis, technology, power, and visuality. The choice of texts, together with the editors’ introduction and glossary, will allow newcomers to begin from first principles, while the use of unabridged readings will also make the volume suitable for those undertaking more specialized work.

2009: 432pp Pb: 978-0-415-46930-2: $44.95

2008: 464pp Pb: 978-0-415-43309-9: $49.95

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For more information, visit: www.routledge.com/9780415433099

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For courses in: Critical Theory, Critical and Cultural Theory

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Cultural Studies

Celebrity Studies Edited by Sean Redmond, Victoria University of Wellington, New Zealand and Su Holmes, University of East Anglia, UK Volume 2, 2011, 3 issues per year Print ISSN: 1939-2397 Online ISSN: 1939-2400 Celebrity Studies is a journal that focuses on the critical exploration of celebrity, stardom and fame. It seeks to make sense of celebrity by drawing upon a range of (inter)disciplinary approaches, media forms, historical periods and national contexts. Celebrity Studies aims to address key issues in the production, circulation and consumption of fame, and its manifestations in both contemporary and historical contexts, while functioning as a key site for academic debate about the enterprise of celebrity studies itself. Alongside the primary articles, the journal will include a ‘blog’ section devoted to shorter observations, debates or issues in celebrity culture, in conjunction with book reviews and conference reports. www.tandf.co.uk/journals/rcel

cultural studies BACKLIST Title

Author/Editor

Date

ISBN

The Cybercultures Reader

Barbara M. Kennedy, University of Staffordshire, UK and David Bell, University of Leeds, UK

2007

978-0-415-41067-0

$45.95

The Cultural Studies Reader

Simon During, John Hopkins University, USA

2007

978-0-415-37413-2

$44.95

The Celebrity Culture Reader

P. David Marshall, Northeastern University, USA

2006

978-0-415-33792-2

$49.95

Cultural Studies: A Critical Introduction

Simon During, Johns Hopkins 2005 University, USA

978-0-41524657-6

$33.95

The Subcultures Reader

Edited by Ken Gelder

2005

978-0-415-34416-6

$43.95

An Introduction to Theories of Popular Culture

Dominic Strinati

2004

978-0-415-23500-6

$35.95

An Introduction to Studying Popular Culture

Dominic Strinati

2000

978-0-415-15767-4

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i n de x

a Adams, Sally...................................................................... 27, 29 Advertising.............................................................................. 11 Advertising and Consumer Culture Reader, The........................ 12 Advertising and Public Relations Law........................................ 12 Advertising Handbook, The...................................................... 13 Advertising Theory................................................................... 12 Albarran, Alan B...................................................................... 22 Allen, Robert C........................................................................ 35 Alternative Media Handbook, The............................................ 17 American Journalism History Reader, The................................. 26 Applied Organizational Communication..................................... 6 Applied Public Relations........................................................... 10 Argumentation.......................................................................... 4 Asante, Molefi Kete................................................................... 5 Audience Studies Reader, The.................................................. 18 Austin, Erica Weintraub........................................................... 10

b Babcock, William..................................................................... 21 Badmington, Neil..................................................................... 37 Baglia, Jay.................................................................................. 5 Barnard, Malcolm.................................................................... 13 Beaman, Jim............................................................................ 24 Becoming a Public Relations Writer.......................................... 10 Bell, David.......................................................................... 35, 37 Bennett, Andy.......................................................................... 18 Bennett, Peter.......................................................................... 34 Bernt, Phyllis W........................................................................ 22 Bignell, Jonathan..................................................................... 35 Bivins, Tom............................................................................... 21 Black, Jay................................................................................. 21 Boeyink, David E...................................................................... 28 Book History Reader, The......................................................... 28 Book Publishing Industry, The................................................... 30 Borden, Sandra L..................................................................... 28 Botterill, Jackie......................................................................... 13 Bowden, Darsie........................................................................ 34 Bradshaw, Paul........................................................................ 26 Branston, Gill........................................................................... 16 Brennen, Bonnie S................................................................... 26 Broadcast Journalism............................................................... 27 Brooker, Will............................................................................ 18 Brown, Rockell A..................................................................... 23 Bruhn Jensen, Klaus................................................................... 7 Bryant, Jennings....................................................................... 20 Building Theories of Organization.............................................. 6 Bull, Andy................................................................................ 25 Business of Sports, The............................................................ 26 Butler, Jeremy G....................................................................... 34

c Calcutt, Andrew...................................................................... 24 Campbell, Christopher P........................................................... 23 Canary, Daniel J......................................................................... 4 Candlin, Fiona.......................................................................... 14 Carden, Ann R......................................................................... 10 Carey, James W........................................................................ 20 Carroll, Brian............................................................................ 28 Cases in Public Relations Management..................................... 10 Celebrity Culture Reader, The................................................... 37 Chapman, Jane.................................................................. 23, 27 Clark, Giles.............................................................................. 30 Cognitive Psychology of Mass Communication, A..................... 19 Collins, Erik L........................................................................... 12 Collins, Kent............................................................................ 23 Communication and Society (series)..................................... 6, 29 Communication as Culture, Revised Edition.............................. 20 Communication Research Measures II........................................ 7 Conrad, Mark.......................................................................... 26 Contemporary Hollywood Reader, The..................................... 33 Controversies in Media Ethics................................................... 21 Covering the Environment........................................................ 29 Coyer, Kate.............................................................................. 17 Crisis Communications............................................................... 8

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Crisis Manager, The.................................................................. 11 Crook, Tim.............................................................................. 18 Cultural Studies Reader, The..................................................... 37 Cultural Studies: A Critical Introduction.................................... 37 Curran, James.......................................................................... 17 Cybercultures Reader, The........................................................ 37

Graphic Design as Communication........................................... 13 Greco, Albert N........................................................................ 30 Grootendorst, Rob..................................................................... 4 Guins, Raiford.......................................................................... 14

d de Burgh, Hugo....................................................................... 29 de Valk, Mark.......................................................................... 33 Design Culture Reader, The...................................................... 14 Dewdney, Andrew................................................................... 36 Diefenbach, Donald L............................................................... 33 Documentary Handbook, The.................................................. 28 Doing Ethics in Media.............................................................. 21 Doorley, John............................................................................. 8 Dorsher, Michael...................................................................... 21 Dovey, Jon............................................................................... 35 Dowmunt, Tony....................................................................... 17 Downs, Simon......................................................................... 13 Duffy, Brooke Erin.................................................................... 20 During, Simon.......................................................................... 37 Dynamics of Persuasion, The...................................................... 2

Hagener, Malte........................................................................ 33 Hammond, Philip..................................................................... 24 Handbook of Media and Communication Research, A................ 7 Harding, Jennifer..................................................................... 37 Hardt, Hanno........................................................................... 26 Hardy, Jonathan....................................................................... 13 Harris, Richard Jackson............................................................. 19 Harris, Thomas E........................................................................ 6 Hawkin, Sarah......................................................................... 13 Health Communication in Practice.............................................. 5 Henkemans, A. Francisca Sn....................................................... 4 Hickman, Andrew.................................................................... 34 Hicks, Wynford............................................................ 26, 27, 29 Highmore, Ben......................................................................... 14 Hill, Annette............................................................................ 35 Hollifield, C. Ann..................................................................... 23 Holmes, Tim............................................................................ 27

Editing for Todayâ&#x20AC;&#x2122;s Newsroom.................................................. 29 Egenfeldt-Nielsen, Simon......................................................... 36 Electronic Media Criticism........................................................ 36 Elkins, James............................................................................ 14 Elsaesser, Thomas.................................................................... 33 Emotions: A Cultural Studies Reader........................................ 37 English for Journalists............................................................... 26 Entertainment and Society....................................................... 19 Essentials (series)...................................................................... 34 Essentials of Sports Reporting and Writing, The........................ 26 Ethics for Journalists................................................................. 27 Explaining Communication......................................................... 7

In Sight: Visual Culture (series)................................................. 14 Inside Book Publishing............................................................. 30 Integrated Approach to Communication Theory and Research, An.......................................................................................... 7 International Communication: A Reader..................................... 5 International Film Business, The................................................ 33 Interviewing for Journalists...................................................... 29 Interviewing for Radio.............................................................. 24 Introduction to Book History, An.............................................. 28 Introduction to Cybercultures, An............................................ 35 Introduction to Design and Culture, An.................................... 14 Introduction to Film Studies..................................................... 31 Introduction to Political Communication, An.............................. 6 Introduction to Studying Popular Culture, An........................... 37 Introduction to Television Studies, An....................................... 35 Introduction to Theories of Popular Culture, An....................... 37 Introduction to Visual Culture, An............................................ 14 Investigative Journalism............................................................ 29

f Family Communication............................................................... 4 Fearn-Banks, Kathleen............................................................... 8 Feature Writing for Journalists.................................................. 27 Feminism and Visual Culture Reader, The................................. 14 Film as Social Practice............................................................... 34 Film Handbook, The................................................................. 33 Film Studies............................................................................. 34 Film Theory.............................................................................. 33 Film Theory Reader: Debates & Arguments.............................. 33 Finkelstein, David..................................................................... 28 Finney, Angus.......................................................................... 33 Fleming, Carole........................................................................ 24 Flora, Jeanne.............................................................................. 4 Forman, Murray....................................................................... 37 Fountain, Alan......................................................................... 17 Freelancing for Television and Radio......................................... 30 Frost, Chris.............................................................................. 27 Furstenau, Marc....................................................................... 33

g Garcia, Helio Fred...................................................................... 8 Garrison, Bruce........................................................................ 26 Gauntlett, David...................................................................... 18 Gelder, Ken.............................................................................. 37 Gender and Media Reader, The................................................ 19 Gershon, Richard A.................................................................. 23 Giddings, Seth......................................................................... 35 Gilbert, Harriett........................................................................ 27 Giles, David.............................................................................. 20 Global Intercultural Communication Reader, The........................ 5 Gomery, Douglas..................................................................... 32 Gordon, A. David..................................................................... 21 Graham, Elizabeth..................................................................... 7 Grant, Iain............................................................................... 35 Graphic Communication Handbook, The.................................. 13

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j James, Martin.......................................................................... 26 Jenkins, Cheryl D..................................................................... 23 Jermyn, Deborah...................................................................... 18 Jhally, Sut................................................................................. 13 Jones, Amelia........................................................................... 14 Jones, Jean................................................................................ 3 Journalism Studies................................................................... 24

k Katz, Helen.............................................................................. 12 Kearney, Mary Celeste............................................................. 19 Keeble, Richard.................................................................. 27, 30 Keenan, Thomas...................................................................... 35 Kelly, Kieran............................................................................. 35 Kennedy, Barbara M................................................................ 37 Kenney, Keith.......................................................................... 13 Key Readings in Journalism...................................................... 23 Key Readings in Media Today................................................... 20 King, Cynthia........................................................................... 19 King, Elliot............................................................................... 23 Kinsey, Marie........................................................................... 27 Kittross, John Michael........................................................ 21, 22 Kline, Kimberly N....................................................................... 5 Kline, Stephen......................................................................... 13 Kyle, Greeley............................................................................ 23 Kyong Chun, Wendy Hui......................................................... 35

l Lacy, Stephen........................................................................... 23

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i n de x

Lakey, Sandra............................................................................. 4 Lamb, Larry F............................................................................ 10 Lambe, Jennifer....................................................................... 20 Lansley, Andrew....................................................................... 18 LEA Telecommunications Series (series).................................... 22 LeDuff, Kim............................................................................. 23 Lee-Wright, Peter..................................................................... 28 Leiss, William........................................................................... 13 Lerbinger, Otto........................................................................ 11 Lister, Martin............................................................................ 35 Livingston, Charles................................................................... 30

m MacRury, Iain........................................................................... 13 Magazine Editing..................................................................... 26 Magazines............................................................................... 24 Magazines Handbook, The....................................................... 30 Making Hard Choices in Journalism Ethics................................ 28 Marshall, P. David..................................................................... 37 Martin, Brendan....................................................................... 24 Maye, Carmen......................................................................... 12 McAllister, Matthew P.............................................................. 12 McCleery, Alistair..................................................................... 28 McKay, Jenny........................................................................... 30 McKee, Kathy Brittain.............................................................. 10 McNair, Brian....................................................................... 6, 29 Media and Religion.................................................................. 17 Media Economy, The................................................................ 22 Media Effects........................................................................... 20 Media Effects and Society........................................................ 20 Media Handbook, The............................................................. 12 Media Law and Ethics.............................................................. 22 Media Management................................................................ 23 Media Management and Economics Series (series)................... 22 Media Practice (series).............. 13, 17, 18, 20, 24, 28, 33, 35, 36 Media Psychology.................................................................... 20 Media Skills (series).......................................... 24, 26. 27, 29, 30 Media Student’s Book, The...................................................... 16 Media Studies Reader, The....................................................... 17 Media Today............................................................................ 15 Media, Gender and Identity..................................................... 18 MediaWriting........................................................................... 30 Merrill, John C......................................................................... 21 Miike, Yoshitaka........................................................................ 5 Miller, Toby.............................................................................. 33 Mirzoeff, Nicholas.................................................................... 14 Mitchell, Leslie......................................................................... 30 Mixed Media............................................................................ 21 Moore, Roy L..................................................................... 12, 22 Moritz, Charlie......................................................................... 33 Morrish, John........................................................................... 26 Movie History: A Survey........................................................... 32 Multimedia Journalism............................................................. 25 Murray, Michael D................................................................... 22 Music Industry Handbook, The................................................. 17

n Neal, Mark Anthony................................................................. 37 Negrine, Ralph........................................................................... 6 Nelmes, Jill............................................................................... 31 Nelson, Mark D.......................................................................... 6 New Media.............................................................................. 35 New Media and Technocultures Reader, The............................ 35 New Media Handbook, The..................................................... 36 New Media, Old Media............................................................ 35 News and Journalism in the UK................................................ 29 Newton, Julianne..................................................................... 13 Nicotera, Anne M...................................................................... 6 Nineteenth-Century Visual Culture Reader, The........................ 14

o Object Reader, The................................................................... 14 Oliver, Mary Beth..................................................................... 20 Orange, Richard....................................................................... 26 Orlebar, Jeremy........................................................................ 35

Orlik, Peter B............................................................................ 36 Ouellette, Laurie...................................................................... 17

p Pafort-Overduin, Clara............................................................. 32 Parkinson, L. Marie.................................................................. 10 Parkinson, Michael G............................................................... 10 Perloff, Richard M...................................................................... 2 Perron, Bernard........................................................................ 36 Perse, Elizabeth M................................................................ 7, 20 Persuasion in Society.................................................................. 3 Phillips, Angus......................................................................... 30 Pinkleton, Bruce E.................................................................... 10 Political Communication Reader, The.......................................... 6 Popular Media and Health Communication................................ 5 Popular Music Journalism......................................................... 26 Popular Music Studies Reader, The........................................... 18 Powell, Helen........................................................................... 13 Power Without Responsibility................................................... 17 Pribram, E. Deidre.................................................................... 37 Print Journalism....................................................................... 30 Producing for Web 2.0............................................................. 36 Professional Feature Writing..................................................... 26 Przyblyski, Jeannene M............................................................ 14 Public Relations Law................................................................. 10 Public Relations Writing Worktext............................................ 10 Putnam, Linda L......................................................................... 6

r Race and News........................................................................ 23 Radio Handbook, The.............................................................. 24 Ramsey, Janet E....................................................................... 30 Ray, Eileen Berlin........................................................................ 5 Reinardy, Scott......................................................................... 26 Reporting Disaster on Deadline................................................ 23 Reporting for Journalists.......................................................... 27 Reputation Management........................................................... 8 Ride, Peter............................................................................... 36 Roberts, Chris.......................................................................... 21 Rodgers, Shelly........................................................................ 12 Roush, Chris............................................................................ 28 Routledge Communication Series (series)......2, 4-8, 10-13, 20, 22, 23, 26, 28, 29, 30, 33, 34, 37 Routledge Critical and Cultural Theory Reader, The.................. 37 Rubin, Alan M............................................................................ 7 Rubin, Rebecca B....................................................................... 7 Rutter, Paul.............................................................................. 17

s Salwen, Michael B...................................................................... 7 Samter, Wendy.......................................................................... 7 Sayre, Shay.............................................................................. 19 Schwartz, Vanessa R................................................................ 14 Scriptwriting for the Screen...................................................... 33 Seaton, Jean............................................................................ 17 Segrin, Chris.............................................................................. 4 Seibold, David............................................................................ 7 Shank, Barry............................................................................ 18 Shaping American Telecommunications................................... 22 Show Me the Money............................................................... 28 Shuker, Roy.............................................................................. 18 Simons, Herbert W..................................................................... 3 Situated Organization, The......................................................... 6 Smith, Greg............................................................................. 17 Smith, Jonas Heide................................................................... 36 Smith, Ronald D............................................................. 9, 10, 30 Social Communication in Advertising....................................... 13 Sohn, Broadrick, Ardyth........................................................... 23 Sound Handbook, The............................................................. 18 Sound Production.................................................................... 18 Sound Studies Reader, The....................................................... 18 Sparke, Penny.......................................................................... 14 Specialist Journalism................................................................ 26 Stacks, Don W........................................................................... 7 Stafford, Roy............................................................................ 16

Stanyer, James........................................................................... 6 Stay Tuned............................................................................... 22 Steffens, Martha...................................................................... 23 Stepp, Carl Sessions................................................................. 29 Sterling, Christopher H............................................................. 22 Sterne, Jonathan...................................................................... 18 Stout, Daniel A........................................................................ 17 Strategic Conflict....................................................................... 4 Strategic Planning for Public Relations........................................ 9 Strategic Public Relations Management.................................... 10 Strinati, Dominic...................................................................... 37 Student Workbook to Accompany Crisis Communications.......... 8 Subcultures Reader, The........................................................... 37 Swann, Patricia........................................................................ 10 Sylvie, George.......................................................................... 23

t Taylor, James R........................................................................... 6 Telecommunications and Business Strategy.............................. 23 Television................................................................................. 34 Television Handbook, The........................................................ 35 Television Studies Reader, The.................................................. 35 That’s the Joint!....................................................................... 37 Thomas, Julia........................................................................... 37 Thompson, Rick....................................................................... 27 Thorson, Esther.................................................................. 12, 23 Thussu, Daya Kishan.................................................................. 5 Tibbs, Andy............................................................................. 11 Tosca, Susana Pajares............................................................... 36 Toynbee, Jason......................................................................... 18 Turner, Barry............................................................................ 26 Turner, Graeme........................................................................ 34 Turow, Joseph.............................................................. 12, 15, 20

u Understanding Popular Music Culture...................................... 18 Understanding Video Games.................................................... 36

v van Eemeren, Frans H................................................................ 4 Van Every, Elizabeth J................................................................. 6 Video Game Theory Reader 2, The........................................... 36 Video Game Theory Reader, The.............................................. 36 Video Production Techniques................................................... 33 Visual Communication............................................................. 13 Visual Communication Research Designs.................................. 13 Visual Culture Reader, The........................................................ 14 Visual Studies........................................................................... 14 Voakes, Paul S.......................................................................... 30 Vultee, Fred............................................................................. 23

w Wall, Peter............................................................................... 34 Wanta, Wayne......................................................................... 26 Weiss, Martin B.H.................................................................... 22 Whaley, Bryan B......................................................................... 7 What Media Classes Really Want to Discuss............................. 17 Wheeler, Sharon................................................................ 26, 27 Whitaker, W. Richard............................................................... 30 Whittaker, Jason...................................................................... 36 Wicks, LeBlanc, Jan.................................................................. 23 Wilkins, Lee............................................................................. 23 Williams, Rick.......................................................................... 13 Wolf, Mark J.P.......................................................................... 36 Working With Numbers and Statistics...................................... 30 Writing for Broadcast Journalists.............................................. 27 Writing for Digital Media......................................................... 28 Writing for Film........................................................................ 34 Writing for Journalists.............................................................. 27 Wyss, Robert L......................................................................... 29

y/Z Yin, Jing..................................................................................... 5 Zappala, Joseph M................................................................... 10

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