TACKLEBOX
R E A D E R F E E D B AC K - E - m A i l S , S N A i l m A i l , T W i T T E R , FAC E B O O K , A N D C O C O N U T T E l E G R A P H
Get in Touch We welcome comments and recommendations from our esteemed readers anytime. Thanks, and we hope to hear from you soon!
Passing It Along
his paintings.We love it so much, we bought another one.
The mag is awesome and I’m enjoying every page of
Even though these are not originals, they’re just as beautiful,
it. Thanks a lot and I sure will give my friend the other mag
and, for now, have definitely satisfied our desire to own GH
and maybe they’ll subscribe to it. Again thanks!
artwork.
Lee Tran via e-mail
Thanks so much, Howard and Joni KHani Pompano Beach, FL
Fan us on Facebook
Money Where Your Mouth Is Spectacular I just wanted to let you know how much I enjoyed the
Follow us on Twitter
new issue of the GH Magazine! As usual, it was a great
@GuyHarveyMag
@
effort with spectacular photographs and very interesting
Send us an e-mail
reading. Chris and I are so excited to be a part of the
editor@ guyharveymagazine.com
magazine, even in some small part. I wish you lots of continued success. Have a great day,
Write us a letter
wendi PeTerson, HEll’S BAy BOATWORKS
P.O. Box 34075 Pensacola, Florida 32507
via online
Corrections: Last issue, in “Bright Spots in our Seas,” we gave credit for Michael Patrick O’Neill’s stunning image of Editor’s Note: Guy Harvey received this letter from Triston D. We couldn’t say it any better,Triston.
Dear GHM: As you know, we recently purchased, and received, one of the beautiful limited addition Guy Harvey signed giclée prints, “Double Whammy”, advertised in the back of the Summer 2011 edition of the Guy Harvey Magazine. We had it framed, and it hangs in our living room. We’ve always admired GH’s work, and dreamt of owning one of 10
www.GuyHarveyMagazine.com
several goliath grouper on a wreck (page 31) to Tanya Burnett. Apologies, Michael!
In the Spring 2011 issue, in Scott Kerrigan’s “Aqua Paparazzi” portfolio, the in-water photographer shown on page 52 was identified as “unknown.” The photographer is actually Tony Ludovico.
