RPS Creative Eye Magazine 86

Page 18

CREATIVE EYE GROUP MAGAZINE NO. 86 SEPTEMBER 2021

MY LIFE AS A PHOTOGRAPHER PALLI GAJREE OAM, HON.FRPS, FBIPP

AUSTRALIA

Palli is the longest serving member in Australia of the Royal Photographic Society (RPS), and of the British Institute of Professional Photography (BIPP), as well as The Photographic Society of America (PSA).

I

was born and brought up in Kenya, my parents having migrated from North India

back in the mid-20s. My interest in photography began at a young age of 15, when I saved enough pocket money to invest in a Kodak 127 folding camera just after the last War. It had only cost me an equivalent of $3.00 then! Enthusiasm in portraiture developed and in 1951 I added a twin-lens Rolleiflex to my equipment. Relatives, friends and anyone else who could be persuaded were posing in front of my new camera. Two years later, in 1953, this interest in portraiture took a new turn when I travelled to the United Kingdom to do a two-year fulltime course in photography at the Manchester College Contemplation

of Technology (now known as Manchester Metropolitan University). After the completion of studies, I turned to London and joined the West-End portrait studio with the wellknown photographer, the

which was to provide

portrait was subsequently

success. To be a successful

late Walter Bird, FIBP, FRPS.

even further incentive

selected and reproduced

portraitist one has to be

Two years’ experience gained

in competing with other

in The British Journal

very much aware of the

from this studio proved most

exhibitors around the world.

Photographic Almanac 1958

importance of recording the

beneficial and any success

My first exhibition success

as well as Photograms of the

human personality, coupled

I achieved in portrait work

came in 1957 when one of my

Year 1958.

with rules of composition,

is largely attributed to this

portraits taken at Walter Bird

great master of portrait

Studios was accepted and

Nairobi, Kenya to set up my

photography. Bird himself

shown at the London Salon

own portrait and commercial

was a keen Salon exhibitor

of Photography. The same

studio with some degree of

18

In 1958 I returned to

lighting, background and so forth. A couple of years later, a job offer as a senior


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