Paintings by IPEK DENIZLI & Poetry by ABDELILAH JORIO

Une sentinelle regarde au loin reluire le feu derrière des fenêtres Il épie ces bribes de joies esseulées Il a pour lui seul tout le froid des contes qu il n'écoutera plus Comme c'est beau de re-découvrir le mode du fond d'une tranchée ! De mesurer toute l'étendue des pas de danse d'une jeune fille De voir comment elle s'entoure de toutes les couleurs Qu'elle aime éperdument à se mesurer au vent et à se poser des questions à propos de pays à visiter Une sentinelle regarde au loin bleuir la neige et languir les dernières flammes Les tons qui s'entrechoquent avec le temps Et qu'il est là prêt à prendre à ce bal de damnés auquel il n'a pas été invité Il doit suer dans son suaire le temps qu'une balle danse à ses côtés Le temps que le vent embrasse un arbre sur lequel il déposera son ultime regard ahuri Tout flambe, tout paraît reluire et annoncer les derniers soubresauts du néant Et des fêtes qui se dérouleront sans lui Écrit par Abdelilah Jorio 1 sept 2021 tous droits d'auteur réservés Tableau de Ipek Denizli

Une terre étroite qui serre tout le ciel Une île qui trempe dans la mer le fracas de tant d'ombres La danse de spectres cogitant en marge de récits non écrits Des pans de jardins aspirant aux steppes et aux déserts Et qui traînent des tons de danses hétéroclites Retentissent et s'agitent tels des ouragans suspendus aux pics de rochers Pour raconter ces duels interminables où les antagonistes se contentent de brandir leurs armures telles des enluminures Ces batailles foudroyantes au rythme des couleurs de ballet Là où tout est couleur et sang s'emmêlent pour redoubler d'éclat Le sang vague que traînent les navires partis à la rencontre de nouvelles îles Le sang du chant et des cimes Du sang d'airs et des temples, paix et euphorie Écrit par Abdelilah Jorio 31 août 2021 tous droits d'auteur réservés Tableau de Ipek Denizli

Tüm gökyüzünü kucaklayan dar bir ülke Denizde bir sürü gölgenin çarpışmasını ıslatan bir ada Yazılmamış masalların kenarlarında düşünen hayaletlerin dansı Bozkırlara ve çöllere talip bahçelerin bölümleri Ve heterojen dansların tonlarını sürükleyen Kayalık zirvelerden sarkan kasırgalar gibi halka ve telaş Düşmanların zırhlarını aydınlatma gibi savurmaktan memnun oldukları bu sonsuz düelloları anlatmak için Bale renklerinin ritmine bu yıldırım savaşları Her şeyin renk olduğu ve kanın parlaklığını ikiye katlamak için karıştığı yer Yeni adalarla buluşmak için ayrılan gemilerin sürüklediği belirsiz kan Şarkının ve dorukların kanı Havaların ve tapınakların kanı, barış ve coşku Abdelilah Jorio tarafından yazıldı. 31 Ağustos 2021 tüm telif hakları saklıdır İpek Denizli'nin tablosu Écrit par Abdelilah Jorio 31 août 2021 tous droits d'auteur réservés Tableau de Ipek Denizli

Bedenimden denizin gelgitini çekeceğim Ve rüzgarı ve büyüsünü alacağım, Ve bütün putların yakarışları ve tapınakların savaşçısı içimden kaçacak. Güneş ışınları kanlı yankılarla yankılanıyor Ölüm ve düğün arasındaki ritüel özdeşleşme Ve uzak noktalar, gemilerin yelkenleri ve sürgün adaları Renklerde güzel cerrahın tadı var Işıltı ve parıltı çığlıkları Renkler, uzanan ve dans eden bir denize bakan dar tepelerin tadına sahiptir. Sert aşkın tüm sözlerini taşıyan cömert bir yara Yaralarımda dolaşan ve danslarımı aydınlatan zıtlıklara hamile Resim bir dua ritüeli haline geliyor Bir tür vahşi savaş Kan ve sevgiyi birleştiren bir vicdan hali Tüm denizlerde bir yelken Renklerin çocukluğu, benliğin tüm karmaşasından hoşlanmayan sözlerin ağırlığından kurtulunca. Havuçlarla dolu renklerin çocukluğu ve bana yardım eden ve çılgınlığımı serbest bırakan gizli bir dünya Gölgelerin cömertliği ve hayaletlerin cilvesi Gerçek yüzer, sonra buharlaşır ve dağılır Abdelilah Jorio'nun yazısı 31 août 2021 çok sayıda droits d'auteur reservés Tableau de İpek Denizli

Floralscape Series 06 . Acrylic on canvas . 36 x 24in . 2021 Floralscape Series 04 . Acrylic on canvas . 36 x 24in . 2021 Floralscape Series 02 . Acrylic on canvas . 36 x 24in . 2021

LOUIE IGNACIO

PHILIPPINES

Painter of sound and vision.

Louie Ignacio is already an award winning director right before he entered the visual arts practice. But his life has always been premised in creativity. Besides having found fame in television and film for many years, he has also nurtured the otherness of his creativity by painting. Through abstraction, Ignacio has diligently shaped his body of work in the steady mastery of technique and medium. For this set of landscape paintings, Ignacio mines the connections between nature and psyche through his personally nuanced meditation of places and intimate knowledge and association with natural elements. He also pays tribute to his life of Immersion and travel and the pleasures of nature while capturing them in the artistic possibilities of paint as he remembers them through music.

One thing is certain, Ignacio always has the ability to tap into the grandness and musical underpaintings of things, either in the way he paints or make films. Thus, his artistic practice has always been a constant melding of vision and sound. Ignacio's being wired with music is not all a surprise being raised by his mother who is also musically inclined, he had early exposure and practically grew up to music chamber music, classical piano pieces. His relationship with music definitely shaped his later career and creative headspace as he would become one of the biggest name Philippine music industry, directing music videos for a lot known singers. Ignacio is one of those artists committed to distill the complexity of the human mind and allure of the natural world. Underlying this particular practice is ultimately an engaged impulse to celebrate life, the organicity of thing to reveal the connections man has with his environment, its past and living memories. Much of these paintings are inspired by his travels and his home, constant commune with the Pagsanjan River and other imagined forms inspired by nature as well. His connection with natural vistas, expanse of spaces, bodies of water and landscapes translayed and re-imagined. Thus, these landscapes and surfaces and surfaces compels us to plumb the depths of our perceptions and offer more poetic speculations.

As a painter, he attempts to translate music for the eye, inherently inviting viewers inflect our interaction with the canvas while making his audience hear something visually. At every turn, he captures rhythm, relay, cadence, deposited on the canvas surface which ably depict movement as a perspectival effect and emotional resonance. His grand yet subtle work can also be uncannily pulsating, throbbing and flickering with colors in exuberant excess of vividness and flow. As a wanderlust, most of his paintings are also inspired by his encounters with different colors, textures, vistas in the many countries often would find place in his art. Thus, his landscape paintings is always a grandoise and confluence of life as phrased by its teeming colors and energy.

Floralscape Series 01. Acrylic on canvas . 36 x 24in . 2021

Floralscape Series 07 . Acrylic on canvas . 36 x 24in . 2021 Floralscape Series 03 . Acrylic on canvas . 36 x 24in . 2021

Floralscape Series 05 . Acrylic on canvas . 36 x 24in . 2021

36X58 cm Watercolor on Paper “Hometown Temple”

MONGKOL SRISOMBAT

THAILAND

Creative art comes from our own aesthetics. From the experience of perception of what is seen and the influence of the environment. Under perfect physical and mental health, various skills or methods can be applied. Convey to create feelings for those who see. My name is Mongkol Srisombat. In the past, I studied at the Art Institute and was an undergraduate teacher. I share my teaching experience with people who love art and many community activities. It was the last position until his retirement three years ago. From then I spent my life as a freelance artist. I was born in the upper north. Quiet and beautiful area of Thailand. Most of the natural scenery is surrounded bymountains. Lots of nature and culture. Familiarity cultivated many artists there, including me who loved art.

Now, in my senior years, I spend my time as a freelance artist. Able to create loving and happy jobs as well as more meetings with society in the same organization including social media and can publicize the work via online media. My artwork has a wide variety of colored objects, but mostly watercolor because of the present age and body must avoid chemicals. I spent time with watercolors and enjoyed them. I like the different techniques, methods and feelings. Able to create good emotional works, there is a charm that must be followed. My way of writing pictures is to imitate nature and culture. Visitors can see the beauty and feel the content that is clear and uncomplicated. Hopes and wishes for the addict to be happy as the intended destination.

36X58 cm Watercolor on Paper “Make merit with Monks”

31X41 cm Watercolor on Paper “Long Neck Karen” 36X58 cm Watercolor on Paper “Asian Granddaughter”

36X58 cm Watercolor on Paper “Hill Tribe Children"