42 minute read
Literature
464. Preston Blair: Collection of (5) Animation Books with Printers Proofs.
Collection of five softcover animation books by Preston Blair, highlighted by a rare first edition of Advanced Animation, 40 pages, 10.25 x 13.75, published by Walter T. Foster in 1947 and now widely considered to be the most important animation book ever created. Also included: two 1980 editions of Blair’s How to Animate Film Cartoons, both 38 pages, 10.25 x 13.75, with one signed on the front cover in blue ink by Blair, who signs and inscribes the first page, “To Ramsay & Mary Harris, Preston Blair,” and who makes a couple of handwritten corrections to pages 20 and 21, “Arrangement for Drama” and “1st Edition mistake”; and two 1985 editions of Blair’s Animation, both 40 pages, 10.25 x 13.75, which are accompanied by three oversized printers page proofs for Animation, ranging in size from 42.5 x 28.5 and 21.25 x 28.5, which contain proof text and imagery for pages 2, 3, 6, 7, 9–32, 34, 35, 38, and 39. In overall very good to fine condition, with Advanced Animation bearing a tape-repaired spine, and all books showing wear to edges and covers, which includes some creases and stains to inner pages; the proofs are rolled and contain noticeable staining, as well as tears and paper loss to edges. Starting Bid $200
465. Lee Blair: Group of (4) Saludos Amigos Books.
Scarce collection of four softcover Spanish-language Disney books related to Walt Disney’s historic 10-week ‘goodwill tour’ of South America in August-October of 1941, including ‘Donald, En El Lago Titicaca,’ ‘El Dragon Chiflado,’ ‘El Guacho Dippy,’ and ‘Pedro, El Avioncito de Los Andes.’ Each book, 11.25 x 8.25 and 8.25 x 11.25, was published by Walt Disney Productions in 1942, with three of the titles appearing as segments in the 1942 film Saludos Amigos; the only title that did not was adapted into the 1941 film The Reluctant Dragon. The front cover of each is annotated in ink, “Mrs. Harris,” assuredly Mary Harris, who was sent these books by Lee and Mary Blair, two of the 18 members that made the trip to South America. Also included is a softcover Spanish-language Disney book entitled El Pato Donald (1953). In overall very good and fragile condition, with tape-repaired spines, and paper loss, tears, and creasing to covers; interior pages appear fine and unaffected. In 1941, before America entered World War II, Walt Disney took a group of his best animators and composers to Brazil, Argentina, Chile, and Peru, as part of a goodwill tour commissioned by the United States Department of State. As well as exercising the Good Neighbor Policy, the trip was intended to lead to a new animated movie that could be shown in Central and South America to celebrate (and secure) their friendly relationship. The film would ultimately become Saludos Amigos. Starting Bid $200
467. Preston Blair preliminary model sheet draw-
ing of Donald Duck. (Walt Disney Studios, 1937-1941) Original preliminary model sheet drawing of Donald Duck by noted character animator Preston Blair, showing Donald in four full-length action poses in addition to a group of six different hand-arm movement sketches. Accomplished in graphite on untrimmed 12 x 10 animation paper. Total character image measures 11 x 8.75. In fine condition. Starting Bid $200
475. Preston Blair preliminary model sheet draw-
ing of Mickey Mouse. (Walt Disney Studios, 1937-1941) Original preliminary model sheet drawing of Mickey Mouse by noted character animator Preston Blair, featuring nine different sketches of Mickey showing varying degrees of emotion. Accomplished in graphite on untrimmed 12 x 10 animation paper. Total character image measures 8 x 9. In fine condition. Starting Bid $200
of Donald Duck. (Walt Disney Studios, 1937-1941) Original preliminary model sheet drawing of Donald Duck by noted character animator Preston Blair, showing Donald in three full-length action poses yelling, singing, and playing tug-ofwar with a dog (Pluto, perhaps). Accomplished in graphite on untrimmed 12 x 10 animation paper. Total character image measures 9 x 7.5. In fine condition, with a fold to the upper right corner. Starting Bid $200
476. Preston Blair: Honest John rough production
drawing from Pinocchio. (Walt Disney Studios, 1940) Original rough production drawing of Honest John from Pinocchio by noted character animator Preston Blair, depicting the con artist fox, J. Worthington Foulfellow, sweeping back his cape in a full-length pose. Accomplished in graphite on untrimmed 12 x 10 animation paper marked “45” in the lower right. Character image measures 7.25 x 7.75. In fine condition. An early drawing of this decidedly rare Pinocchio villain. Starting Bid $200
482. Samuel L. Clemens Signed Photograph. Crisp vintage
ink signature, “Mark Twain,” on an off-white 3 x 1.5 slip, handsomely double-matted and framed with a portrait to an overall size of 12.75 x 17.75. In fine condition. Starting Bid $200
“I have now got an ingenious way of explaining how the universals—Plato’s Forms—are apprehended”— a lengthy philosophical letter by Philip K. Dick
483. Philip K. Dick Typed Letter
Signed. TLS signed “Love, Phil,” adding a heart with arrow, three pages, 8.5 x 11, February 14, 1981. Lengthy philosophical letter to science fiction author Patricia Warrick, in part: “I have now got an ingenious way of explaining how the universals—Plato’s Forms—are apprehended; I know exactly what the process is that the brain goes through: what material it receives and handles and how it handles it; i.e. what correct inference it draws. The percept-system (that is, the senses) reports to the brain the following: The same thing exists at two places and two times. That is, one object is seen twice. Think of it this way: you are driving along a road. You see a certain tree, which we will call Tree X. You continue on along the road for some time. Then, to your amazement, you see Tree X again. What is crucial is that you recognize it. You do not merely identify it as Tree X; you recognize it. What does seeing Tree X again tell you? It tells you that you are driving around in a closed loop. You have passed the same spot twice, without realizing it until you saw Tree X again.” In fine condition. Accompanied by the original mailing envelope. Starting Bid $200
484. Charles Dickens Autograph Letter Signed. ALS,
two pages, 4.25 x 6.75, December 19, 1857. Addressed from the Tavistock House, a handwritten letter to journalist and writer John Hollingshead, in part: “I wish you would put the Farce by, for a little while, and not try Buckstone now. I know his hands are full, and—though they were not—I am almost sure he would not accept it as it stands. I very much doubt his approving of that Stomach-ache, and I doubt still more the audience’s approval of it. It seems to me to be by no means an improvement.” Matted and framed by Goodspeed’s Book Shop with an artistic print of Dickens by Thomas Johnson (who signs below) to an overall size of 15.75 x 16. In fine condition. Starting Bid $200
Rare signed portrait of ‘The Father of Science Fiction’
485. Hugo Gernsback Signed Photograph. Inventor,
writer, editor, and magazine publisher (1884-1967) who is best known for publications including the first science fiction magazine. His contributions to the genre as publisher were so significant that, along with the novelists H. G. Wells and Jules Verne, he is sometimes called ‘The Father of Science Fiction.’ In his honor, annual awards presented at the World Science Fiction Convention are named the ‘Hugos.’ Early vintage glossy 8 x 10 Bachrach portrait photo of a young Hugo Gernsback, signed in fountain pen, “Cordially yours, H. Gernsback.” In fine condition. Gernsback remains rare across all signed formats, with this being our first autographed photograph. Starting Bid $200
Exceedingly rare twice-signed letter by Franz Kafka, asking for news on the health of his ‘guardian angel,’ Dr. Robert Klopstock
of ‘fiercely possessive devotion,’ according to Kafka’s biographer Ernst Pawel. In fact, it would be Kafka’s health that soon declined—his laryngeal tuberculosis worsened in 1924, and Klopstock was caring for Kafka at his death-bed on June 3, 1924, in Kierling, not far from Vienna. Klopstock’s wife, Gizela, translated the first chapters of Kafka’s novel The Trial into Hungarian. Kafka’s letters are exceedingly rare—we have sold just one in the past twenty years. Starting Bid $2500
486. Franz Kafka Autograph Let-
ter Signed. Rare ALS in German, signed twice, “Dr. Kafka,” one page on a 5.5 x 3.5 postcard, postmarked July 21, 1922. Handwritten letter to “Dr. Steinfest” in the medical settlement of Tatranská Kotlina, inquiring about the health of his close friend, Dr. Robert Klopstock. In full (translated): “Klopstock, with whom I am friends, wrote to me regularly at the beginning of summer, but he has not written for a long time. I have to assume that he is seriously ill, and I kindly ask you, dear doctor, to write me a few words about it. If I am wrong, the better, then Klopstock will write to me himself. In any case, thank you very much for the information and help.” Addressed on the reverse in Kafka’s hand, incorporating his signature, “Dr. Kafka,” into the return address area. In fine condition, with minor loss to the lower left corner tip. Franz Kafka and Robert Klopstock first met in 1920 while the two were patients at a tuberculosis sanatorium, Matliary, in the Tatra Mountains of Czechoslovakia (in present-day Slovakia). When Kafka wrote this postcard in 1922, Klopstock was serving as a medical assistant under Dr. Steinfest in a hospital in Tatranská Kotlina, not far from Matliary. Kafka, fearing for Klopstock’s health after a period of lapsed correspondence, inquires about the state of his friend. Their correspondence soon resumed, and evolved into a friendship
Scarce letter from the Cthulhu creator to the future Psycho scribe, with Lovecraft name-dropping pulp writer friends, talking cinema, and damning strong drink: “I’ve never tasted alcoholic liquor, & never expect to during my few remaining years”
487. H. P. Lovecraft Autograph Letter Signed to
Robert Bloch. ALS signed “Ec’h–Pi–El,” one page both sides, 5.5 x 9, December 25, 1933. Lengthy handwritten letter from H. P. Lovecraft to his protege, 16-year-old Robert Bloch, the future author of Psycho. After relaying that he’ll be visiting author Frank Belknap Long, Lovecraft thanks Bloch “for the generous array of pictorial horrors to the Black wing of my gallery…That coloured specimen shudderingly embodies your favourite monster-type, as do certain of the others. As per request, I return herewith the sheet with the Yuggothdenizen…+ the multi-ocular lumberer out of nightmare.” He references an upcoming publication in “Unusual,” stating this his “opening contribution will be ‘Celephais’,” praises the film Berkeley Square for its “uncanny power” and his own “especial psychology—the almost disturbing sense of membership in the 18th century, + of alienage from my own period, which has haunted me ever since I could walk or talk.” Lovecraft concludes by condemning the use of alcohol: “Hope you won’t let legal likker launch you on too protracted a spree...I’ve never tasted alcoholic liquor, + never expect to during my few remaining years.” In fine condition. Accompanied by the original hand-addressed mailing envelope, on the reverse of which Lovecraft has added his return address with full signature, “From, HP Lovecraft, 66 College St. Providence, R.I.,” and a brief note to the left side: “The more I look at KADATH the more he fascinates me. I have him propped up beside the fireplace amongst my yuletide decorations.” Starting Bid $200
The Gone With the Wind author on the South’s perspective of Rhett Butler: “Many sweet old ladies have confided to me, under oath of secrecy, that he reminded them so much of wild brothers they had had or beaux who were killed in the War”
488. Margaret Mitchell Archive of (7) Typed Letters
Signed. Collection of seven TLSs from Margaret Mitchell, each signed “Margaret Mitchell Marsh,” all of which have been folded and tipped neatly into a hardcover copy of Gone With the Wind (November 1936 printing). Typed on her personal letterhead between 1937 and 1941, Mitchell touches upon her health and travel plans, sends thanks for compliments and gift baskets, talks of “sacrifice and courage” during wartime, and remarks on the historical accuracy and impact of her novel. The best letter finds Mitchell defending one of her favorite characters, Rhett Butler. April 29, 1937 “Thank you so much for your interesting letter and all the fine things you said about ‘Gone With the Wind.’ I appreciated them all very much. I am so glad that you thought my book would bring about a better understanding between the two sections of our country. If ‘Gone With the Wind’ did nothing else, then I would be supremely satisfied. Thank you for saying that you thought Rhett was a real and understandable character. It is a strange thing, but most people from out of this section feel that he is not a plausible character. Southerners say that, though he is a scamp, he is very true to type. Many sweet old ladies have confided to me, under oath of secrecy, that he reminded them so much of wild brothers they had had or beaux who were killed in the War.”
Also tipped in is a January 20, 1940, letter from Mitchell’s husband John Marsh. In overall fine condition, with expected folds and some scattered stains or wear. Accompanied by a vintage photo of Mitchell, a program entitled “A Tribute to Margaret Mitchell,” and several newspaper clippings.
A more detailed description can be found online. Starting Bid $1000
490. Maurice Sendak Signed
Sketch in Book. Signed book: Dear Milli. First edition. NY: Farrar, Straus and Giroux, 1988. Hardcover with dust jacket, 10 x 9.25. Signed and inscribed on the half-title page in black felt tip, “For Ame, hello! Maurice Sendak, May 89,” adding a great sketch of Carol from Where the Wild Things Are, saying “Boo!” In fine to very fine condition, with a very short edge tear to the dust jacket. Starting Bid $200
Rare oversized portrait of the Bengali polymath
491. Rabindranath Tagore Signed Photograph.
Bengali poet, playwright, philosopher, and author (1861–1941) who became the first non-European to win a Nobel Prize (Literature) in 1913. Scarce vintage sepia 8.25 x 11.5 paperstock photo of Rabindranath Tagore in a noble bust-length pose, signed in the lower border in Bengali in fountain pen. A small printed caption bearing his name is affixed to the right of the autograph. In very good to fine condition, with tears to the top, and to the side borders, repaired with tape on the reverse. The largest signed portrait of Tagore that we have ever offered, and a great portrayal of one of literature’s foremost minds. Starting Bid $300
Lengthy letter by Tolstoy on politics and religion: “Your ideas…on the horror of patriotism, of wars and of the armed peace it engenders, are very dear to me”
492. Leo Tolstoy Letter Signed. Remark-
able LS in French, signed “Votre ami et frére, Leon Tolstoy,” seven pages four sheets, 5.25 x 8.5, February 8, 1908. Letter to Franco-Polish journalist Sergei Zimaco, penned in French in the hand of Sophia Tolstaya, with a few annotations by Tolstoy himself. In part (translated): “Your ideas on property, especially on the odious ownership of land, on the horror of patriotism, of wars and of the armed peace it engenders, are very dear to me and I have made for a quarter of a century everything I could to popularise them as much as possible… This brings me to the heart of the matter and the only difference of opinion that exists between us. You say that the social problem is above all an economic problem. I do not think so. The social problem, as you say, or the coming of the kingdom of God as you understand it and as I understand it is much larger…There are the relations of the sexes, the education of children, nationalities, the way of acting towards assailants, madmen, animals and a number of personal actions which do not enter into the economic problem, and which are the most important for humanity…The solution of these problems and of all those that may arise before man is not in economic laws, but in the spiritual realm…The solution is in the revelation of love.” Reverse bears a note written in Zimico’s hand, in part (translated): “[Tolstoy]…consoled me for the many setbacks I received from certain French journalists in wanting to expose them… and defend the true doctrine of Jesus Christ.” In very good to fine condition, with light staining, toning, and soiling. Starting Bid $1000
Verne to a fellow scribe, “I have read with great interest your very audacious book of poetry”
493. Jules Verne Autograph Letter Signed. ALS in French, one page,
4 x 5.25, October 1, 1881. Handwritten letter to friend and fellow writer Louis Tridon, in full (translated): “A long absence did not allow me to reply to your kind letter sooner. I hasten to do so today by telling you that I have read with great interest your very audacious book of poetry. But I have no newspaper; I live provincially in the provinces and I regret that I can be agreeable and useful to you on this occasion.” In fine condition. Accompanied by the original handaddressed mailing envelope. Starting Bid $200
classic entertainment
Rare 1942 Academy Award still photography medal presented to Hollywood’s pin-up extraordinaire
674. Academy Award Still Photography Medal: Whitey Schafer (1942). Extremely rare Academy Award medal,
measuring 1.75" in diameter, given to Whitey Schafer in 1942 for his outstanding achievement in Hollywood photography. Front features the words “Annual Still Photography Medal” and an Oscar statuette in relief, with text on the reverse reading, “Academy of Motion Picture Arts & Sciences, First Award to A. L. Whitey Schafer, For Outstanding Achievement, Class 8, 1942.” The lustrous gold-plated award features a beautiful mirror-like finish. Complete with its original cardboard box. In fine condition, with some staining to the box. Accompanied by one of Schafer’s Paramount Pictures business cards. Starting Bid $500
Uncommon handwritten letter from Bruce, ranting and raving to his manager about tax issues
676. Lenny Bruce Autograph Letter
Signed. Rare ALS signed “Lenny,” penned in red ballpoint across the reverse of a 20.25 x 8.75 Union News Company ‘Tobacco–Cigars’ order form, no date. A rambling and ranting handwritten letter to his manager Jack Rollins, in part (spelling and grammar retained): “Night club owners are not aware of tax thats why the are consistantly in trouble. Our answer to the gov’t we sent them all letters showing our intent and desire to pay would be quite niave especially if I was handled by any who had any tax experience. The only thing that must be done you must fly personally to each person I have worked for and get a statement. I want a statement from each person.” In very good to fine condition, with old tape, and tape stains, to the last panel. Starting Bid $200
Rare early ‘breakup’ letter from Brando, a rising star on Broadway
675. Marlon Brando Autograph Letter Signed. ALS in pencil, signed “Marlon,” three pages on two adjoining sheets, 5 x 8, no date (late 1940s). Handwritten letter to French actress Solange Podell, with whom he had shared a romantic relationship. Brando ostensibly wrote this letter not long after their separation. In full (spelling and grammar retained): “In order that you won’t think me a complete boor, I am writing you this letter to explain that because of an erratic, flighty, fly-by-night, temperament I wish not to humiliate and degrade your sentiments by seeing you only at my mood’s conveinence. Please accept this letter with an open heart as it is written with fourthright sincerity. I’m sorry I could not have tried harder to be less self indulgent and therewith, a little more compatable. My intuitions were flawlessly scroupulous, but my emotions, unfortunately, unstable. I will remember you with fondness, regard, and appreciation. When we meet in France (perhaps in October) I trust my behavior will be a trifle more adult.” Brando adds a postscript: “Please give my kind acknowledgements to your mother, if she’ll accept them.” In fine condition. Starting Bid $1000
Gorgeous portrait of Dietrich signed to her Song of Songs costar
Stunning vintage sepia matte-finish 10.5 x 13.5 soft-focus portrait photo of Dietrich in a lovely up-close pose, signed and inscribed in green fountain pen to her costar in the 1933 film The Song of Songs, “To Brian Aherne! Marlene Dietrich.” In fine condition, with curling to the edges. Dietrich and Aherne were, for a short time, romantically linked not long after the July 1933 release of The Song of Songs, a film that marked Aherne’s American film debut. The affair appeared to reach its conclusion in August of 1934, when Aherne learned of Dietrich’s new relationship with Hans Jaray. Starting Bid $200
matte-finish 11 x 14 studio portrait photo of Errol Flynn wearing a suit and tie in a handsome bust-length pose, signed and inscribed in fountain pen, “Hello Graham! From one jailbird to another, Errol.” In fine condition, with scattered small creases, primarily to the corners. In early December 1948, Flynn was arrested between Madison Avenue and 62nd Street after he kicked a New York City police officer in the shin following an argument. Starting Bid $200
Publishing renewal contract for 23-year-old Judy Garland, authorizing “books of fiction”
679. Judy Garland Document Signed. DS, two pages, 8.5 x 11, November 14, 1945. A publishing renewal contract between the Western Printing & Lithographing Co., and Judy Garland, authorizing “books of fiction wherein the Licensor may be a character under the name of Judy Garland,” which will be extended until the end of 1946. Signed neatly at the conclusion in ink by the 23-year-old actress and singer. In fine condition, with light creasing to the top. Starting Bid $200
680. Harry Houdini Typed Letter Signed. TLS signed “Houdini,”
one page, 8.5 x 10.75, Keiths Theatre letterhead, March 19, 1925. Letter to English stage magician Will Goldston, in full: “Have instructed my secretary to send the Birdcage Photograph on to you. I have neglected to do this before I left New York. Enclosed is copy of clipping which will no doubt interest you. The Spiritualists have made some huge collections to try and stave off conviction of the man I caught.” Houdini adds the surname salutation in his own hand, as well as the postscript: “New scty, over look formality of letter, Hope alls well.” In very good to fine condition, with light creasing and toning, a few small stains, and trivial loss to the left edge. Accompanied by the original mailing envelope, as well as the referenced clipping, which lists both Goldston and Houdini. Starting Bid $300
681. Harry Houdini Signed Book. Signed
book: The Unmasking of Robert–Houdin. First edition. NY: The Publishers Printing Company, 1908. Hardcover, 5.75 x 8.25, 319 pages. Nicely signed on the first free end page in fountain pen, “Harry Houdini.” Autographic condition: fine. Book condition: VG-/None, with a cracked front hinge, a section of the index detached from the binding but laid in, small splits and creasing to spine cloth, light soiling to boards, and some creasing to interior pages; the signed page and text block are generally clean and bright. Starting Bid $300
Scarce signed photo of B-movie icon Tor Johnson
682. Tor Johnson Signed Photograph. Pro-
fessional wrestler and sometime actor (1903-1971) known in the wrestling world as the Super Swedish Angel. Johnson is best remembered for his roles in a number of schlock classics, including Ed Wood’s iconic Plan 9 from Outer Space. Ultra-rare vintage glossy 8 x 10 photo of Johnson character for four of his gruesome B-movie roles, signed and inscribed in blue fountain pen “Best of Luck To My Good Pal Roy Garret, from, Tor Johnson, Hollywood, 7-1-60.” In fine condition. A rare and outstanding composite image, signed by the scarce and highly-sought cult icon. Starting Bid $200
683. Grace Kelly Autograph
Letter Signed. ALS signed “Grace,” one page both sides, 5.25 x 8.25, Rocagel letterhead, August 16. Warm and kind handwritten letter to “Charlie,” in part: “I was so sorry to hear of your father’s death and send my deepest sympathy to you and your family...To lose one’s father makes one so suddenly and finally grownup—It comes as such a shock & leaves one feeling so lonely. I hope that you and your mother are able to get over the next few months as easily as possible. We will be expecting you in the fall—in Oct. we are in Paris…then back in Monaco until Feb—Don’t know how well we can do in the date dept. Rainier does not know any single girls!!” In fine condition, with a small stain to the upper right corner tip. Starting Bid $200
684. Laurel and Hardy (2) Documents Signed. Two DSs, individually signed “Stan Laurel” and “Oliver Hardy,” both one page, 8.5 x 11, March 16, 1933, and issued to Hal Roach Studios. Both documents find Laurel and Hardy offering to cut half of their allotted tri-weekly salary between March 6 and 27, 1933, “In view of the fact that the present existing national emergency finds you in a position whereby it may be necessary for you to suspend operations.” Laurel agrees to decrease his check from $3000 to $1500 and Hardy agrees to lower his from $2000 to $1000. Signed by the comedians at the bottom of their respective documents. In overall fine condition. Starting Bid $200
685. Bruce Lee Signed Photograph.
Desirable vintage glossy 2.75 x 3.25 photo of Bruce Lee wearing his zhi fu uniform in a handsome head-and-shoulders pose, signed and inscribed in black felt tip, “To Cindy, Best Wishes, Bruce Lee.” In very good condition, with overall creasing, several short edge tears, and the “C” in the inscription closed in blue ballpoint in an unknown hand. Starting Bid $1000
Image larger than actual size.
Rouben Mamoulian, the director of Porgy and Bess, gifts a large production sketch to Ira Gershwin
687. Rouben Mamoulian Original Sketch from Porgy and Bess - Presented
to Ira Gershwin. Large original sketch by Porgy and Bess theater director Rouben Mamoulian, who draws a scene from said production that depicts two African American women walking, one holding an infant and both head-carrying baskets. Accomplished in graphite on an off-white 12.5 x 16.5 sheet of artist paper, which is signed and inscribed in the lower left corner in pencil, “To Lee and Ira, with love, Rouben, Sept. 1941.” Matted and framed to an overall size of 21.5 x 25.5. In fine condition, with an old tape stain to the upper left edge. Starting Bid $200
686. Harold Lloyd Signed Oversized
Photograph. Impressive vintage matte-finish 10 x 13 portrait photo of the famed bespectacled comedian, signed and inscribed in fountain pen, “To Ted Thornton, with my very best, Harold Lloyd, –1938–.” Framed and in fine condition. An appreciably scarce oversized photograph of Lloyd, already an elusive star of the silent film era. Starting Bid $200 688. Steve McQueen Document Signed. DS, three
pages, 8.5 x 11, November 12, 1968. A document regarding “Minutes of Regular Meeting of the Shareholders of Solar Productions, Inc.,” which relates to the election of the shareholder directors and a joint venture with Duo Pictures and CBS Films for the motion picture The Reivers. Signed at the conclusion in felt tip, “Steven T. McQueen.” In fine condition. Based on a William Faulkner novel, The Reivers starred McQueen alongside Sharon Farrell and Rupert Crosse and was released on December 25, 1969; Crosse’s performance earned him an Academy Award nomination for Best Actor in a Supporting Role, making him the first African American to receive a nomination in this category. Starting Bid $200
Elusive signed portrait of silent film’s prolific William Desmond Taylor
690. William Desmond Taylor Signed Photograph. American film director
and actor (1872-1922) who was a popular figure in the growing Hollywood motion picture colony of the 1910s and early 1920s, Taylor directed 59 silent films between 1914 and 1922 and acted in 27 between 1913 and 1915. His murder in February 1922 remains an official cold case. Vintage sepia matte-finish 8 x 10 portrait photo of William Desmond Taylor by the Melbourne Spurr Studio of Los Angeles, signed and inscribed in fountain pen, “For Jack Finney, sincerely, Wm. D. Taylor, 5/5/21.” In very good to fine condition, with light soiling, two corner creases, tack holes to the top and bottom borders, and the upper left corner cleanly chipped off (chipped piece is present and capable of being reattached). Taylor remains rare across all signed formats, this being our first autographed photograph. Starting Bid $200
689. River Phoenix Signed CD. Tame Yourself CD signed on the front of the booklet in blue ballpoint by River Phoenix, Tim Hankins, and Josh Greenbaum. In fine condition. The CD is included. The three were part of the Gainesville folk-rock group Aleka’s Attic, whose song ‘Across the Way’ appears on this compilation album. Starting Bid $200
Van Sloan on Dracula— “It was gosh awful thirty five years ago—what it must be like today! I think nothing dates faster than a motion picture”
691. Edward Van Sloan Autograph Letter Signed.
American character actor (1882–1964) best remembered for his roles in the Universal Studios horror films such as Dracula (1931), Frankenstein (1931), and The Mummy (1932). Rare ALS from Edward Van Sloan signed “Van,” six pages, 8.5 x 11, February 3, 1958. Lengthy handwritten letter addressed to his nephew Bill, who touches upon a variety of notable figures, to wit: Dwight D. Eisenhower: “I admire the man and I think he served one great purpose—International prestige for the U.S. But having said that I think all’s been said. He no doubt is an able Administrator but seems to lack the qualities of a dynamic Executive.” Leonard Bernstein: “I don’t think he’s a Bruno Walter, and has lots of the weaknesses or quirks of a young conductor, but to me he has the one great virtue— he’s interesting.” Beethoven: “In my not so humble opinion Beethoven couldn’t write for the Human Voice—he insisted on treating it as an orchestra and made demands on it the vocal chores simply couldn’t supply.” He then remarks on one of his biggest films: “That reminds me of your failure to see the ‘Dracula’ film on T.V. How lucky you were. It was gosh awful thirty five years ago—what it must be like today! I think nothing dates faster than a motion picture.” In fine condition. Includes numerous accompaniments that can be read in our online description. Starting Bid $200
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The following terms and conditions (“Conditions of Sale”) constitute the sole terms and conditions under which RR Auction will offer for sale and sell the property on its website, and/or described in the catalog of items for auction (the “Catalog”). These Conditions of Sale constitute a binding agreement between the Parties with respect to the auction in which Bidder participates (the “Auction”). By bidding at the Auction, whether in person, through an agent or representative, by telephone, facsimile, online, absentee bid, or by any other form of bid or by any other means, Bidder acknowledges the thorough reading and understanding of all of these Conditions of Sale, all descriptions of items in the Catalog, and all matters incorporated herein by reference, and agrees to be fully bound thereby.
Section 1
The Parties1.1 RR Auction and Auction This Auction is presented by RR Auction, a d/b/a/ of R&R Auction Company of Massachusetts, LLC, as identified with the applicable licensing information on the title page of the Catalog or on the www.RRauction. com Internet site. The Auction is conducted under these Conditions of Sale. Announcements and corrections from the podium at live auctions and those made through the Conditions of Sale appearing on the Internet at RRauction.com supersede those in the printed Catalog. 1.2 Bidder Bidder shall mean the original Bidder on the property offered for sale by RR Auction and not any subsequent owner or other person who may acquire or have acquired an interest therein. If Bidder is an agent, the agency must be disclosed in writing to RR Auction prior to the time of sale, otherwise the benefits of the warranty shall be limited to the agent and not transferable to the undisclosed principal. The rights granted to Bidder under these Conditions of Sale are personal and may not be assigned or transferred to any other person or entity, whether by operation of law or otherwise without the express written assent of RR Auction. Bidder may not transfer, assign, or otherwise convey these Conditions of Sale or any of the rights herein, and such purported transfer, assignment, or conveyance shall be null and void. No third party may rely on any benefit or right conferred on any Bidder by these Conditions of Sale, and no third party is intended as a beneficiary of these Conditions of Sale.
Bids will not be accepted from minor persons under eighteen (18) years of age without a parent or legal guardian’s written consent containing an acknowledgment of the Conditions of Sale herein and indicating their agreement to be bound thereby on behalf of the Bidder. All Bidders must meet RR Auction’s qualifications to bid. Any Bidder who is not a client in good standing of RR Auction may be disqualified at RR Auction’s sole option and will not be awarded lots. Such determination may be made by RR Auction in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. RR Auction reserves the right to exclude any person from the Auction. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid and agrees to be bound by these Conditions of Sale in addition to company for whom the Bidder is acting By accepting the Conditions of Sale, Bidder personally and unconditionally guarantees payment. Section 2 Bidding Privileges
2.1 In order to place bids, Bidders who have not established an account with RR Auction must either furnish satisfactory credit information (including two collectibles-related business references) or supply additional information if requested, well in advance of the Auction. Bidders who are not members of RRAuction.com should pre-register before the close of the Auction to allow adequate time to contact references. Privileges will be granted at the sole discretion of RR Auction. Additionally, Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide a cash deposit prior to RR Auction’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: RRAuction.com history, related industry references, bank verification, a credit bureau report and/or a personal guarantee for a corporate or partnership entity in advance of the Auction venue. 2.2 Bidder providing any false or misleading information provided in connection with the registration shall be a material breach of the Conditions of Sale and in addition to any other remedies at law shall excuse RR Auction from performance under these Conditions of Sale, including the right to any refund.
2.2 Bidding privileges may be revoked without notice, for any reason, at the sole discretion of RR Auction .
Section 3 Buyer’s Premium 3.1 The Bidder acknowledges and agrees that a 25% buyer’s premium will be added to the hammer price on all individual lots sold in timed and live Auctions. . For payment other than by cash, delivery will not be made unless and until full payment has been received by RR Auction, i.e., check or wired funds have fully cleared. Unless otherwise agreed in writing, signed by RR Auction, payment in full is due within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date, whichever is earlier. Bidder’s failure to pay any payment in full when due required shall constitute a material breach, and in addition to other damages available under contract or law, at RR Auction’s election, RR Auction may cancel the sale and require full premium still be due along with interest at 1.5% per month from the date of breach, or at the maximum legally allowable rate. Section 4 Bidding
4.1 Each Bidder’s determination of its bid should be based upon its own examination of the item(s) and independent investigation, rather than the any reliance as to what is represented in the Catalog, online or elsewhere. Bidder affirms that it regards any statements made by RR Auction concerning the item as solely opinion and that Bidder is making its own inspection and independent evaluation of the goods, and is not relying upon any description or statements by RR Auction (including as to quality, authenticity, provenance, ownership, liens existing, on goods legality, or value) in making its determination to bid on or purchase an item. In any purchase or sale, the value of the item(s) is determined by the price. THE BIDDER HEREBY ASSUMES ALL RISKS CONCERNING ANY AND ALL PURCHASES TO THE FULLEST EXTENT UNDER APPLICABLE LAW.
4.2 RR AUCTION IS NOT RESPONSIBLE FOR ERRORS IN BIDDING. A Bidder should make certain to bid on the correct lot and that the bid is the maximum (plus the Buyer’s Premium) that the Bidder is willing and able to pay. Since other Bidders (by mail, facsimile, online, and in person) will be present, and since a re-offering could damage the momentum of the sale, once the hammer has fallen and RR Auction has announced the winning Bidder, such Bidder is unconditionally bound to pay for the lot,
4.3 All prospective Bidders who examine lots in person prior to the sale shall personally assume all responsibility for any damage they cause in so doing. RR Auction shall have sole discretion in determining the value of the damage caused, which shall be promptly paid by the prospective Bidder.
4.4 Title to any lot remains with Consignor, any secured party of the Consignor, or assignee of Consignor, as the case may be, until the lot is paid for in full by Bidder and Bidder has fully satisfied any outstanding financial obligations to RR Auction (including as it concerns aby other lots). RR Auction reserves the right to require payment in full before delivering any lot to the successful Bidder. 4.5 It is the Bidder’s responsibility and obligation to have the lots fully insured while in their possession. Bidder assumes any and all risk of loss upon the earlier of shipment to Bidder or in Bidder’s possession. 4.6 Bidder grants to RR Auction or its assigns the right to offset any sums due, or found to be due by RR Auction, and to make such offset from any past, subsequent or future consignment, or items acquired by Bidder in possession or control of RR Auction or from any sums due to Bidder by RR Auction. Bidder further grants RR Auction a lien consisting of a senior security interest (or purchase money security interest to the extent applicable) in such sums or items to the fullest extent applicable, authorizes RR Auction to file documents concerning the interest, and Bidder agrees to execute any further documents as may be reasonably necessary to grant RR Auction such security interest. Bidder agrees that RR Auction and its assigns shall be a secured party with respect to items bought by Bidder and in the possession of RR Auction, to the extent of the maximum indebtedness, plus all accrued fees and expenses, until the indebtedness is paid.
4.7 By bidding in this sale, Bidder personally and unconditionally guarantees payment. The authorized representative of any corporate Bidder who is present at the sale shall provide RR Auction or its agent, prior to the commencement of the bidding (or at the time of registration), with a statement signed by a principal, director or officer that they he or she personally and unconditionally guarantees any payment due RR Auction. 4.8 RR Auction may at its sole and absolute discretion, make loans or advances to Consignors and/or prospective Bidders. Section 5 Bidding Options
5.1 Non-Internet bids (including but not limited to in-person, facsimile, phone and mail bids) are treated similarly to floor bids in that they must be on-increment. Any in-person, facsimile, phone, or mail bids that do not conform to a full increment will be rounded up or down to the nearest full increment and this revised amount will be considered Bidder’s high bid. 5.2 When identical bids are submitted, preference is given to the first received. To ensure the greatest accuracy, written bids should be entered on the standard printed bid sheet and be received at RR Auction’s place of business at least twenty-four (24) hours before the Auction start. RR Auction is not responsible for executing mail bids or facsimile bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is RR Auction responsible for proper execution of bids submitted by telephone, mail, facsimile, e-mail, Internet, or in person once the Auction begins. 5.3 In all Auctions, bids on an item must raise the current high bid by at least 10%, or as specified on a per-Auction basis. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted. In a live sale, bids on an item can change at the discretion of RR Auction. 5.4 RR Auction reserves the right to accept or decline any bid. Bids must be for an entire lot and each lot constitutes a separate sale. All bids are per lot unless otherwise announced. Live auction lots will be sold in their numbered sequence unless RR Auction directs otherwise. It is unlawful and illegal for Bidders to collude, pool, or agree with another Bidder to pay less than the fair value for lot(s). For live auctions, RR Auction will have final discretion in the event that any dispute should arise between Bidders. RR Auction will determine the successful Bidder, cancel the sale, or re-offer and resell the lot or lots in dispute. RR Auction will have final discretion to resolve any disputes arising after the sale and in online auctions. If any dispute arises, RR Auction’s sale record is conclusive. Section 6 Payment 6.1 Subject to fulfillment of all of the Conditions of Sale set forth herein, upon the sooner of (1) the passing of title to the offered lot pursuant to these Conditions of Sale, or (2) possession of the offered lot by the Bidder, Bidder thereupon (a) assumes full risk and responsibility (including without limitation, liability for or damage to frames or glass covering prints, paintings, photos, or other works), and (b) will immediately pay the full purchase price or such part as RR Auction may require. In addition to other remedies available to RR Auction by law, RR Auction reserves the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from RR Auction’s premises by the Bidder at his/her expense not later than sixty (60) business days following its sale and, if it is not so removed, RR Auction may send the purchased property to a public warehouse for the account, at the risk and expense of the Bidder. 6.2 Payment is due upon closing of the Auction session, or upon presentment of an invoice. RR Auction reserves the right to void an invoice if payment in full is not received within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date. In cases of nonpayment, RR Auction’s election to void a sale does not relieve the Bidder from their obligation to pay RR Auction its fees (seller’s and Buyer’s Premium) on the lot and any other damages pertaining to the lot. 6.3 All sales for total invoices greater than $1,000 are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier checks, eChecks, and bank money orders), and are subject to all reporting requirements. 6.4 All deliveries are subject to good funds; funds being received in RR Auction’s account before delivery of the Purchases; and all payments are subject to a clearing period. RR Auction reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten (10) calendar day hold, and ten (10) business days when drawn on an international bank. Clients with pre-arranged credit status may receive immediate credit for payments via e-Check, personal or corporate checks.
6.5 In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If Bidder attempts to pay via check and the financial institution denies the transfer from Bidder’s bank account, or the payment cannot be completed using the selected funding source, Bidder agrees to complete payment. 6.7 If RR Auction refers any unpaid invoice to an attorney for collection, the Bidder agrees to pay and shall be liable for RR Auction’s attorney’s fees, court costs, and other collection costs incurred by RR Auction in addition to the invoice amount and interest the greater of 1.5% per month or at the maximum legally allowable rate from date of invoice to collection. If RR Auction assigns collection to its house counsel, such attorney’s time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys. 6.8 RR Auction shall have a lien against the merchandise purchased by the Bidder (as well as to the extent it is a consignor any other monies owed or due to Bidder) to secure payment of the Auction invoice. RR Auction is further granted a lien and the right to retain possession of any other property of the Bidder then held by RR Auction or its affiliates to secure payment of any Auction invoice or any other amounts due RR Auction or affiliates from the Bidder. With respect to these lien rights, RR Auction shall have all the rights of a secured creditor, including but not limited to the right of sale. In addition, with respect to payment of the Auction invoice(s), the Bidder waives any and all rights of offset he might otherwise have against RR Auction and the consignor of the merchandise included on the invoice (the Consignor”). If a Bidder owes RR Auction or its affiliates on any account, RR Auction and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bid-
