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Alberto Giacometti: Vision Of Reality His passionate affair with American sculptor Flora Mayo produced a sexual overtone into his work, while the break up sparked violent, emotionally charged works. In 1928-29 he developed his him many accolades, which he found ideas from the portrait sculptures he astonishing; he considered himself to had done of his mother and father, be "a beginner". including pieces whose flcifeatures are His art included brilliant pictures, remarkably vivid and recognisable, into paintings and sculptures, though it is the latter which provokes a more evoca- mask-like sculptures. J This was typical of his perfectionist tive response. Living in such a unsettled attitudes and indicative of the ways in period of history it is believed that the which his ideas developed through emaciated, exaggerated figures that he sketches and remodelling of previous is renowned for could have been influpieces. Influenced through his friendenced by the concentration camps of the second World War. He believed that ship with Jean-Paul Satre, existentialist his creations reflected what he saw, not concepts became apparent in subsequent works. For the short period when necessarily how he felt. he stopped using a model, his sculpBorn in Borgonovo, a remote mountain village in south east Switzerland, ] P H p became just a few inches in the son of an established Post-Impress- I A g h t but were dominated by their ionist artist, Giovanni Giacometti. He I l bises. His works were engulfed in had strong family ties and often used j I space and this theme was continued his relatives, especially his mother and I trfbugh his later pieces despite their his youngest brother Diego, as subjects j greater size, fpiacometti's work, although at times in his work. His initial compositions j reflected his father's line style, which J is disturbing, is a very powerful repredeveloped geometrically into cubism 1 sentation of his perception of the world shortly after his move to Paris in 1922. I anund him. Inspired by his friend and After leaving school, uncertain of 1 cJhtemporaries, his work is sophisticatwhat direction his life should take, his I e s with great diversity and unique father played a pivotal role in encouradf dfeth of vision. the exhibition at the Royal Academy ing him to study in Paris. There he wasf ojpkt charts the entire career of tutored by Antoine Bourdelle, leading • tti with over 200 works. It is the sculptor and follower of Rodin, at the nplete collection of Giacometti's distinguished Academe de la be shown in the UK. Worth the Chaumiere. The intense atmos Ijentry fee, it s an excellent opportunity to the artists' area must have been view a comprehensive exhibition by stant source of inspiration, stimuiWr such a distinguished artist in a fabulous African, Mexican and later his use of well-designed setting. Egyptian art.

Alberto Giacometti (1901-1966) is con-

Royal sidered to be one of the major contributors to twentieth century art. His work Academy evolved throughout his career earning The exhibition first of January,

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His work became progressively more surreal, reflecting his "vision of reality".

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h dear. Skunk Anansie would appear to be the latest In a long line of alternative bands vn back passage in pursuit of the big bucks. On this evidence they're not going to call it t because about this time last year things were going really well for them Paranoid and Sunburnf, their debut album, was a stormer and the whole country (well, all the students at least) were humming 'I Can Dream' and 'Charity' as well as the other singles. They took TOTP by storm with Bjork, playing a gloriously violent 'Army Of Me' and their live shows provided some of Ihe few good aggression-releasing experiences since half-decent grunge died a death. Their current lack of form is ev< demise of Senser and the apparen' demise of Therapy? in whose pigeon hole you could arguably put them The problem, it would seem, lies in a lack of new ideas. Musically, they're still pretty sound and Skin does have an

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contrived and do a Michael Bolton on us. OK, the music Is a million miles Imperial Teenaway but the concept of faking Ihe emotion Is the same. And this is what But Skunk Anansie have done. They've reThe amusing used all the old musical ideas fweli monicken both of them) and either repeated the Roddy Bottur, and pals getaway old lyrical material or ditched any meaningful lyrics aliogefher. Take the with the most twee Ime in hiscurrent single fAll I Wanf) for a start I don't know how many limes I've heard tory. You like it and I still haven't worked out what stra vberries/Aaa d she's upset about And thafs after read- i like vou". Aaah ing the lyric sheet. The opening track (accidentally played by Mark Goodyear about "fes ifs f**king political, yes it's f**king satirical'. Yeah right Skin Matters do improve a bit on the slower tracks such as 'Hedonism' which is dead mellow and actually pretty good with Skin showing off the full range of her vocal talents Also 'Glorious Pop Song' which isn't really either glorious or poppy is one of the g6ms and hos Skin

• , tO who basically just sing about things thGt get up their noso I mean, there are only moments None of this however makes so many things you can get up your . up for the fact that the rest of the maternose, maybe an album's worth of stuff loor, (4) Paul but not much more. So what do 1hey

A slow-moving, melancholy and definitely deep album. Or so it thinks. The eleven tracks on this album are a prime example of the type of music you would play in the background at a dinner party with a load of middle-aged people who would all sit on the floor and talk about religion. "Hey, that really appeals to me!" some of you out there may cry. Rather you than me in my opinion. I'm not going to get contemptuous and say that this is all drivel with no character because it isn't. There are

1066/1

251096 Jol-HIgh Times Indian woman wails, ilutes trill, squelchy electronic sounds Bog standard wotld techno.

Brian Ken songs here that anyone could enjoy. The title track ,'A Better Man', is nice enough and 'For one Kiss' definitely has hints of Queen's 'Who wants to live forever'. There's 'Put the message in a box', a song that unfolds a picture as you listen to it and there's 'No other Words' about, well, lack of communication I guess. These songs are actually quite pleasant to lis-

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ALBUM

After listening to the first twenty seconds of opening track Twisf you could easily be forgiven for thinking that

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Noises In The World... Ever!'. But then if keith inurrsy - you know anything about Korn vocalist, Jonathan Davis you won't be surprised. You see, this is one man who is seriously disturbed, not in some pretentious form of rock star paranoia, but as a result of a serivocal that does ously screwed-up n othing specia 1. upbringing. Amongst other things, he was used as an emotional skittle by his divorced parents, bullied at SrrW 1066/11 school, and worst of all, physically abused by someone close to him. Ifs somewhat inevitable, then, that Korn make some of the most intense and angry music around. Korn sound like no-one else. Their

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songs are built around a heavy rhythm section and heavy guitars that are detuned to gutteral proportions. Davis' cathartic snarling and singing (he does sometimes!) are the vital ingredient that then turn these frightening slabs of music into twisted and unlikely crowdpleasers (their eponymous debut album has sold a million copies in the US). Highlights include the strangely anthemic 'Good God', where Davis spits bile about someone who deceived him with a distinctly nonradio friendly chorus of "Get the f*** out of my face", and the disturbing twist on the rap-metal sound in 'Wicked'. However, as with the first album, this needs to be listened to as a collection of songs that will leave you shaken, stirred, but also impressed. life Is Peachy? It is when album's are this good... (7) Vik

Galactic Cowboys Underrated. Feel The Rage Undervalued. Unknown. Words that all apply to America's (the world's?) finest heavy metal band. A band whose three albums to date, 'Galactic Cowboys', 'Space In Your Face' and 'Machine Fish', all boast songs that combine crunching guitar riffs with lush vocal harmonies to create aural masterpieces that should be sufficient to turn you into believers of shola ama you 're the one i the Truth that their lyrics speak of. The title track of this EP is one such love Another masterpiece - a three minute sonic boring swing track, the only blast that would kick any record off in redeeming factor"How will they follow that?" fashion. being a pleasant 'Paradigm Shiff is the answer in this case, a song that lowers the tempo but female vocal

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retains all the quality of its predecessor. Cover versions of Kiss's 'I Want You' and Wings' 'Junior's Farm' follow, and ifs a measure of the talent of this band that they can transform these originally average-sounding songs into their own rousing anthems. The disc finishes with live versions of two songs form 'Machine Fish'. Unfortunately, 'Idle Minds' sounds like it was recorded by a bootlegger standing in the toilets of the concert venue. Thankfully, there are no such problems with the sublime '9th Of June', a song that showcases the qualities that make the Galactic Cowboys as out of this world as their name suggests. Just add "Unbelievable" to that list at the beginning... (8) Vik

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Win a No Compromize CD, courtesy of the CFE Banner wavers unite!

1066/1

This week, we're giving away a fantastic double CD. No Compromize is produced by the Campaign for Free Education (CFE), and features tracks by Suede, Senser, Zion Train, as well as many others. In case you don't know, the CFE is a national pressure group which actively fights against the government attacks on student financial support. It was founded in 1995 to campaign for larger grants to students.

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27 Rules: ½¾¿ÀÁÂÃÂþn open to members of the ÄÅU only. No fake-looking excuses for ÄÅU

cards will be accepted as proof of memebership. e entries are possible but are not allowed. If you win, we have to print your name, though it may not be in a very large font. All attempts have to verified by at least two Felix regulars, who themselves are not allowed to win.

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