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Š§ § § if if ÂŚ ¡ § Š Š ĂĄÂŁ ÂŻ e ÿ° š°£ t Road, ã° ¿° n SW7 2BB m noh n l tel: 58072 m noh n l fax: 48072 Âł ÂĄÂŁ ÂĽ l tel & fax: 0171 594 8072 pqN: ¹¹¹ r š¤ r ÂŻ r ÂĽÂŻ r ¤ s  ¥Ž x E-mail: felix@ic.ac.uk U Š¡º Š¸Š¡ § § ¨Š ¡ § ĂĄÂŁ ÂĄ d at M C P ĂŁ o ĂŁ ÂĄÂż , Units B2 & tL, Hatton F ¤¼£¥ , 16 - 1 6 a Baldwins + ¼£¿¥ š , ã° ¿° n ĂŁĂż uN 7RJ Felix is a ÂŁÂĄ š ÂĄÂŁÂĄ d ¥¹š²¼²¥£ : ISSN 1040 - 0711 ¸ Š 9 Š¨º Âş ¡ ¨ ºŠ Š¨º¡ ¸ Š Âş ¡ ¨ Âş Felix is ²£°¿¤¯ ÂĄ d fo Âź a n d o n b e h a l f o f v ²¥£ ÂĽ l C o l l e g e U n i o n Publication °¼£¿ . ÿ°²Ă…ÂŁ t Š Feiix 1998. ĂĄ ° ° £¼² c ¯°²Ă…ÂŁ s ÂŁÂĄ ÂĽ n w i t h ² ° ° £¼² ¥£š .

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|yÂŁ{z{x , w a s a ' j o b Šx{~}Â’{ t D a v e Ă&#x;à ååâãä , C & G U Šx{~}Â’{ t R e u b e n C o n nolly, Phil B u c k m a n a n d M a t t —}­­{x . A ƒ‚xÂŹ e ÂŹxy ‹ p o f s t u d e n t s ‘ y x ™ { d a c o n ĂĽĂŚÂœçèÊ m a n d y‘‘{x{ d in e x c e s s o f ÂŁ200 fo x a w {x ‘yx ™ ‚ Â‰ e o f t h e Full M o n t y - ĂŞĂŤĂŹĂ­ĂŽ i n g t h e ÂŹx‚ d t o t a l x‚}~{ d by t h e A u c t i o n u p t o  {‚xƒ y ÂŁ900. O n M o n d a y e v e n i n g , t h e ÂŹ x y ‹ p d u l y o b l i g e d , a n d theix s h o w w a s x{‰{}z{ d w i t h a ™}Ă• ‹x e o f l a u g h t e x a n d a p p l a u s e ‘ xy m t h e a s s e m b l e d a u d i ence.

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A d d e d yÂŹ{ |{x , t h e s e e v e n t s h a v e w xy Â’ ‹ ‰ { d a ÂŹx‚ d total o f ‚wwxyĂ•}™‚ {ƒ y ÂŁ5000 f o x t h e f o u x R a g ‰|‚x} }{ s - ¤|{ƒ {x , ԙw{x}‚ l C a n c e x ĂŻ{~{‚x‰| , ĂŠz{x t a n d ðùòó ity H o s p i c e . A l t h o u g h t h i s ‘}‹x e p a l e s in Ă´ Ăľ Ăś á ø Ăš Ăş Ăť Ăľ n w i t h t h a t x‚}~{ d by o t h e x ‹ }z{x~} }{ s a n d e v e n t h e IC M e d i c s , it x{wx{~{ s t h e ‘}x~ t s t e p y£‚xÂ’ s t h e s e levels, a n d ™y x e t h a n x{­Âƒ{ s t h e a m o u n t x‚}~{ d last €{‚x . A ÂŹx{‚ t d e a l o f wx‚}~ e has b e e n g i v e n t o R a g Chai x ßý Þý h Ăžy­Â‹x n fo x he x {‘‘yx s in { ~‹x} g that R a g W e e k w a s a s u c c e s s , w h o a d d s h ex o w n n o t e o f Ăż Ăż , " A b i g t h a n k y o u t o b o d y w h o t o o k w‚x t i n , o x h e l p e d w i t h , a n y x‚ g e v e n t " .

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yx‚ }~{ d e v e n t , t h e S l a v e A u c t i o n . ĂŠ w wx y Ă• } ™ ‚ { ƒ y t w e n t y 'lots' Âź ½ ž e o n o f f e x ( m o s t l y U n i o n o f f i ‰{x s o f s o m e ~yx Â? , s e l l i n g 24 |y‹x s o f thei x t i m e in x{ ‹x n f o x d o n a t i o n s t o ‰|‚x} € . A l t h o u g h t h e s h o w ~ ‚x { d o f f s l o w l y , w i t h t h e ‘}x~ t f e w s l a v e s b e i n g s o l d fo x ÂŁ10 - ÂŁ20, t h i n g s h o t t e d u p a f t e x ICU D e p u t y Šx{~} Â’{ t š ‚ x } e

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o n e o f t h e k i t c h e n s w a s full o f s m o k e

day night, a n d m a y b e ' e d i t e d fo ½ l e n g t h ' ,

a n d t h e o v e n i n s i d e w a s still fully o n . M y Ăť Ăź ýÞ ÿýß d a n d I i m m e d i a t e l y a c t e d b y š¾Ă‹ -

w e d i d n ' t ¾œ³ž¸º e that m e a n t e d i t e d o u t of existence. W e g o t o Âż Ă€ Âż Ă y Âś Ă‚Ă‚Âť Âľ t a f t e Âľ m a t c h e s

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They'll be ž e messages and a Valentines ¥¢£¤¼ e in  next week's Felix. If you've got a message of you o w n   Â&#x;  §¨ which you'd like us to ÂŚ ¤ , email fellx@lcac.uk. o Š p it Â&#x; into Ihe office ª¢¥ e Wednesday evening,

i n g t o ³žœ¾ t t h e p e o p l e in t h e n e i g h g ¾ãº, šĂ&#x;¾Ä¸Ă„ g the oven off a n d

'

Âś ¡ Ă&#x; Âľ ¸š Ă‹ . T h e

to Ăƒ¾¸š e ¾œ´¾š s that ¸ Ă„ Ă‚ Âť Âľ m a n d Âś Ă„š Âś Âľ š ³¸ n

telephoning Southside

p e o p l e a b o u t IC º´  ¾ š . S o w h y is it t h a t

Âś ¡Ă&#x;¾¸š y O f f i c e Âľ s u g g e s t e d that t h e Ă‚¸¾ e

in last w e e k ' s i s s u e o f Felix at least t w o

ĂŠ Âť Âť Âľ s s h o u l d b e o p e n e d s o t o clea Âľ t h e

p a g e s Ă… Æ Ç e d e d i c a t e d t o f i l m s , ³¾šº ,

s m o k e , despite t h e m constantly Âľ Âś ã¸Ă„ ĂŠ -

m u s i c a n d g a m e s w h i l s t º´ Âť Âľ t Âľ Âś ¡ Âś ¸ Âź Âś d just o v e Âľ a p a g e , ¸ Ăˆ Ă„ Âť Âľ ¸ Ă„ g a Âľ Âś ´ Âť Âľ t Ăƒ¾¸š -

i n g u s n o t t o ´ Âľ Âť p o p e n Ă‚¸¾ e ĂŠ Âť Âť Âľ Âş . O n Ă?ĂŽ Ă’ g that this w o u l d set o f f t h e

t e n b y IC É ³Ê ¸œ s I h o c k e y πš ¸¾ œžĂ‹ .

³ ž ³ ¾ ã s h e e v e n t u a l l y s a i d that h e w o u l d

This is n o t t h e o n l y t i m e that º ´  ¾ š s

c o m e oveÂľ t o deal w i t h this ĂŠ Âł Ă„ Ăˆ Âś Âľ Âť Ă&#x; s

t e a m s h a v e b e e n d e n i e d ¡ Âť Âź Âś Âľ Âł Ăˆ e in

s i t u a t i o n . A f t e ¾ w a i t i n g fo ½ 20 m i n u t e s

felix. W e u s e v a l u a b l e ĂŠ Âľ ¸ Ă„ ĂŒ ¸ Ă„ g t i m e ,

œ¡Ă&#x;Âľ ¸š y h a d n o t š Ă&#x; Âľ Ă„ Âś d u p .

u s i n g all o f o u Âľ ž¸šœ¾³¾ y skill t o ĂƒÂľ ¸ š e t h e s e Ă?ĂŽĂ?Ă?Ă?Ă‘Ă’ , t h e least y o u c o u l d d o is ´¾¸Ă„ t

a n o t h e Âľ s t u d e n t w a s Âľ Âś º´ Âť Ă„Âş ¸ ž e f o ½ leav-

To Michelle Physics II Lots of love on 'dentines "Day J/our Secret Jldmirer

N

Qareth still cries at a good film still kisses with saliva thinking about you Martyn

Dearest C &ven though you re very smelly and sometimes have a big pot belly I will love you all the same you can guess my Udonis like name

I h a v e s u b s e q u e n t l y f o u n d o u t that

I love my | brick

i n g t h e o v e n o n afte Âľ h e h a d f i n i s h e d

them.

I fioping I can be yours love

c o o k i n g a n d h a d left t h e b u i l d i n g . This

ɝš s o f l o v e

h a d c a u s e d a fat filled l š¾³Ă‹ , i n s i d e t h e

ɳʸœ s 1st XI H o c k e y

tially ´ Âľ Âť ĂŠ Ă&#x; ¡ e a Ă‚¸¾œ .

Tim you dig my hole xxx

oven, to ĂˆÂśĂ„œ¾³še the smoke and poten-

8

I b e l i e v e that t h i s w a s a p o t e n t i a l l y

Âş Âś Âľ ¸ Âť Ă&#x; s i n c i d e n t that w a s s e c o n d s a w a y

s

Ă‚ Âľ Âť m d e v e l o p i n g into s o m e t h i n g -

n

Right to Reply

d

o u s . I w o u l d š Âś Âľ Âś Ă‚ Âť Âľ e y m u c h like a

t

Âľ Âś Âş ´ Âť Ă„ Âş e Ă‚ Âľ Âť m S o u t h s i d e œ¡Ă&#x;¾¸š y as t o

e

w h a t t h e y f e e l is a Âş Âś Âľ ¸ Âť Ă&#x; s š ¾œ³ t t o o u ½

IC S c h o o l o f M e d i c i n e U n i o n

s

w e l l b e i n g in Halls a n d a n a n s w e Âľ as t o

W a d e G a y e d w o u l d like t o explain t h e

w h y they d i d n o t Âľ Âś Âş ´ Âť Ă„ d t o a ºœ¾ ¸ Ă&#x; s Ă‚¸¾ e .

w h i c h h a s ¡¾œ³šœ d s o m u c h ¡Ă„š¾´Ÿœ¾º y

y . n

x

Ăš

¾œº¸ĂŠÂśĂ„ t

events ÂşĂ&#x;¾¾ ÂťĂ&#x;Ă„ĂŠ¸Ă„ g the ICSMSU Rag Dash, in ¾œ¡œĂ„ t w e e k s .

a n d M i k e Smith a n d m y s e l f a p p o l o g i s e

O w n i n g Up,

to believe that t h e / ¸¾¡ž e ɸÄ e P u b / ¾³Ăƒ l

Ă—e

We?

I w o u l d like t o Ăƒ¾¸š e t o c l a i m ¾œº´Ă„º¸ ¸žš y

e v e n t s - Ă… Æ Ç e in ĂŠÂł Ă„ĂˆÂś Âľ , a n d Ă… Æ Ç e put u n d e Âľ ´¾œººĂ&#x;Âľ e t o take a c t i o n . It s a d d e n s m e that s o m e s t u d e n t s d o n ' t think they

"œ´³¾šãœĂ„š.

Ă… Æ Ç e b e i n g Âş Ă&#x; ´ ´ Âť Âľ š Âś d - I'm always š Âś Âľ e

D e s p i t e c o l l e g e ºœ ¡Ă&#x;Âľ ¸š y Âś Ă„ Ă‚ Âť Âľ ¡ ¸ Ă„ g à åâ l

T h e lette Âľ w a s a n o n y m o u s d u e t o t h e

fo ¿À¿ à y m e d i c a l student, a n d at t h e t i m e

. alls ĂŠ Ă&#x; Âľ ¸ Ă„ g Ă‚¸¾ e ĂŠ¾¸žž s f o ½ t h e halls o f ¾œº -

fact t h a t I Ă‚ Âť Âľ Ăˆ Âť t t o s i g n it. S o , it w a s m e

I w a s led t o believe that I w a s acting in t h e

idence, a n d m a k i n g n o attempt to c o n -

... T i m # Âľ ¸Ăˆ š .

¸Ă„šœ¾œºš s o f t h e students. W e Âś Ă„Âş Ă&#x;Âľ Âś d that

w e e k a b o u t t h e Estates

s

a n d t h e Invasion o f f o n d o n - o u Âľ t w o k e y

fo t h e lette Âľ ( W h o ' s ! Ă‚ ¾³ ¸ d o f t h e QT) last

d u c t s u c h à åâ l calls ĂŠ Ă&#x; Âľ ¸ Ă„ g a c t u a l Âł ž Âł Âľ ĂŁÂş ,

n

[immediately afte ¾ the eventl, w e Å Æ Ç e led

Ed

'

but a s w i p e ¡³¾d must b e s h o w n

d o n e . . Âť ĂƒÂś Âź Âś Âľ , o n the * ¾¸ĂŠÂł y e v e n i n g

A

s

ÚÛ Ă› s Ăœ Ă? Ă—Ăž n Ă–Ă—Ă˜ Ă™

way. Ă‚œššœ¾s n e e d n ot b e s i g n e d ,

Ă&#x;Ă„¾œºœ¾ŸœĂŠž y fo ½ a n y Âł Âľ m w e m a y h a v e

,

in

Éœššœ¾s m a y b e e d i t e d f o ½ l e n g t h ,

c a u s e d by m y a c t i o n s d e e p l y upsets m e ,

,

ÔÕ Ó e

12noon Wednesday.

but will n o t b e ³ ž šœ¾ œ d in a n y othe¾

"The p a n i c a n d u p s e t w h i c h w a s A ¡ Âť Ă„ ¡ Âś Âľ Ă„ Âś d Âľ Âś Âş ¸ĂŠ Âś Ă„ š . x

s is

ÂťĂ&#x;Âľ s faithfully,

e t

>> ? <= =

Deadline fo Ă—

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Rag W e e k could continue, a n d the student

I have b e c o m e e v e n 㠝 ¾ e ³ ž ³¾ã œ d by a

'( Tim $ %& t

¾œ³¡š¸ n a l l o w e d the ¾œº t o f R a g t o g o

Âľ œ¡œĂ„ t i n c i d e n t that Âť ¡ ¡ Ă&#x; Âľ Âľ Âś ĂŠ .

( C o m p u t i n g 4 & Caving Club)

a h e a d w i t h o u t Ă‚Ă&#x;¾š œ¾ incident.

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it is i m p o s s i b l e t o a v o i d t h e

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a b u i l d i n g h a s just o p e n e d that m a k e s

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the palatial BMS a n d attendant

b e c o m e s O G X G M M K J y to talk u p a n y n e w ƒ„…„†‡ˆ‰Š‹ , h o w e v e J n e b u l o u s , to a

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s c a p i n g s e e m like a N i s s e n hut o n an

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At t h e e n d o f t h e d a y , t h i s is i K J L \ y ��‘’‘“�“”•,

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N I J NG J t h a t a H I J ^ G J m e m b e J o f s t a f f

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t h e i J H W O V G J s in t h e till, J G M Z \ N W O g in a 12 m o n t h M IŸ I Z J n at H e J M a j e s t y ' s p l e a èžyÊ Í . T h a n k f u l l y , H J K Z d is H K W J \ y ê êe at Ï ^ h G J W K \ : t h o u g h m o n e y is ^ W M K h h J I hJWKNGd o n a V JKO d scale

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all s u f f e J

in N G J ^ s o f c o s t p e J Z M G J . O f t h e ÂŁ250 m i l l i o n t o t a l c o s t , ÂŁ200, 0 0 0 w e n t

on

plants foJ X IZ J N ]K J d J GMNKZJK ON , w i t h a

H J I m the c o n t i n u e d h J G M G O X e of tenthÞÿ ÂŽ e staff. N e e d l e s s to say, they'll b e Ă° iGJHWG\d f a l l i n g o u t theiJ h J K ^ s in

H Z J N i G J £1.2 m i l l i o n o n p a v i n g . T h e ° Ž²²³ ¯¡Ž s J Z ^ I Z J s that Estates acted

h a v i n g JGK d w h a t I h av e just YJ WN N GO ,

as

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M a l a y s i a n local m e d i a w a s that 4 0 , 0 0 0 vis-

+,-. ) # "0 e 1 "#"2) % 3 s s ! % d u p at t h e / 2" # % $% , 45i / % ( # ( , f o 5 t h e official % a n n u a l o p e n h o u s e f e a s t . T h e P M , 65 . Mahathi himself w a s q u o t e d to have ()8 been 7 % 2 ! 9 "2 % " at t h e k i n d o f %$% 9)"* n %$% ": % d a n d s t a t e d that it w a s 2 99 * t f o 5 t h e 9 % 2 % # t g o v a show of ! #0 # ) % % , despite months o f e c o n o m i c ! # $% )("#) y a n d p o l i t i c a l ! # % 2) . ;<=> ? * estingly e n o u g h , a b o u t a m i l e a w a y @ m A ( # ( i /% , thousands of Malaysians () 8% % d fo 5 a simila o c c a s i o n also B 65. W a n A z i z a h , t h e w i f e o f " # $ ( $% () % d o p p o s i t i o n a n d s o - c a l l e d % @ * m m o v e m e n t & % ( % , A n w a C (8"0 ' . ( Following a week's ' % k d u e to the $ % & % ' ( ) " * # , 65 . M a h a t h i Muslim % 2 ! 0 % d D * k b y m e e t i n g E! * 9 % ( n a n d F0 " ( % $ n f u n d 0 ( # ( B % s in K u a l a G 09 ! ! . It w a s s p e c u l a t e d ' % @ * % 8 ( # d 9 %0"% would that t h e M a l a y s i a n

hosted by

% # 0 % # t * B (#"2()"*# s * 0%d ( N G O s ) quickly @

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fo 5what must be the

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cluded some of the t h e ex-deputy

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was the police.

u n k n o w n until n o w .

y s s @ " 2 t i s s u e o f F e l i x ( 9 9 % ( % d i n * " * s o f C 0 9 % " ( l C o l l e g e the $ 0 * # " # g o f d " (y 9 on the Q %$ %0 ' % , 1949. C o s t i n g R o l d p e n c e

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8 o z Sultanas 2.5 fl o z M i l k

œ—–¢Â•e — Â? – “ — ” ¢ d cake tin, a n d line with Ă„ e a 20 c m Âœ • — Â? – “ Â?  Â— Âœ Âœ f  Â–  Â?— . Ă… — Â? – m t h e b u t t e — (I a l w a y s s o f t e n ÂŁ — –ª it b y h e a t i n g i n t h e Â&#x; › Âœ § e f o ÂĽ 1 0 s e c o n d s ) , t h e n “” • – — — —Â?– › Š Â? , t h e n g i v e ÆÇÆ ĂˆĂ‰ beat in t h e . Sti i n t h e ž Juice o fan

exception. Y o u m a y h a v e n o t i c e d that m o s t o f t h e

— Â? › Â&#x;  Â? s I've ÂĄ Â? – ž ” — Â? d In t h i s c o l u m n h a v e c o n t a i n e d • Â? ¢ Â? — Âœ ” s h e l p i n g o f › — Â? – ÂŁ , o i l , ¤ ” žž Â?— , o ÂĽ a l l ž ÂŚ — Â? Â? . a I'm o n e o f t h o s e a n n o y i n g p e o p l e w h o c a n e a t

Â?¢ÂœÂ—ÂŁÂœÂ”s

m

8 o z Raisins

quantities o f food, without putting o n

ž Âœ § – — ¨ s m a x i m u m ¥Š –ª Âœ ”— , ÂŹÂœÂ”­Â—e ÂŁ Âœ — e ›–ŠÂœÂ—Â&#x;e con– —– — Â?› Â&#x;  Â? s ÂŽ ÂĽe I a m , I'm ÂĄ Â&#x; d t h i s w e e k ' s

weight. M y cooking tends

t h i n g a g o o d m i x . A d d t h e e g g s o n e at a t i m e .

w h a t e v e ÂŤ t h e d a m a g e . If scious than

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s r

fattening.

t

C

a k e is t h e u l t i m a t e e x a m p l e o f t h e J o y that is f a t a n d s u g a

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—

c o m b i n e d . This is t h e nicest

t cake

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keen on

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not

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2 tbs

4 Eggs 12 o z F l o u 1 tsp Ă„

suga

s t e a k , a n d is j u s t f a n t a s t i c w i t h a

ĂŠ Ă‹ĂŒĂ?

ÂĄÂœ —Î , t h e n ÂŁ Â&#x; Ă? ž ” — e w i t h a t a b l e s p o o n o f ÂĄ Š Âœ ”— . F o l d — Â? ÂŁ – Â&#x; ¢ Â&#x; ¢ g ¥ŠÂœ ”— , c o m b i n e d w i t h t h e s p i c e s a n d in t h e ¨ Â? — . Finally, a d d t h e ÂĄ —” Â&#x;ž , m i l k a n d Âœ — – ¢ • e baking  Âœ§

—

— powde

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juice.

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cloves

1 tsp C i n n a m o n 1 tsp N u t m e g

Ă„Â—ÂœÂ”¢d Almonds ”——Â?¢Âžs oz Ă…

4 oz 8

k each e g g into a c u p a n d beat with a

fold into t h e

—

1 tsp Baking

Ă›

ÂŁ ” “ ÂŚ — Âœ Âœ ÂŁ s is t h a t t h e y s o a k about I I P -^^w ” Â?— u p l o a d s o f ¤ žž , t a k i n g o n a f a n t a s t i c m e l l o w — —Â? f l a v o u t h a t g o e s w e l l w i t h  ÂžÂž y m u c h a n y t h i n g . I —–—Â? Š y b u y ÂŁ ” “ ÂŚ — Âœ Âœ ÂŁ s ÂĄ — Âœ m t h e ÂŁ – — ĂŽ Â? ž . T h e “ ”  Â? — ÂŁ – — ĂŽ Â? t s t o c k is a l w a y s m u c h b e t t e— q u a l i t y , w e l l § œ— ž h t h e Â?Ă?ž—a e x p e n s e . “ –— To m a k e a basic sauce, ž t by m e l t i n g a g e n Â? — Âœ ” s k n o b o f butte— ( a b o u t 5 0 g ) slowly i n a small ÂŁ ” “ ÂŚ — Âœ Âœ ÂŁ s thinly. Heat g e n p a n . Slice 5 m e d i u m ”— tly f o ÂĽ a b o u t 5 m i n u t e s u n t i l t h e y ž n a m e d i u m ¤ — Âœ § n › Âœ Š Âœ ” — , l o s i n g t h e s o f t n e s s o f Â’Ăœ w m u s h ÔÒÒâĂ• . Add a couple o f tablespoons of double ĂŁ Âż ä à À , m i x w e l l t h e n ž ”— n u p t h e h e a t . C o o k u n t i l t h e ÂŁ ” “ ÂŚ — Âœ Âœ ÂŁ s “ ž –— t t o g o a little ¤ — Âœ § n a n d › — Â&#x; “   . •— Â?– t a s  Â–— t o f a ¤ —Â? – ĂŽ ÂĄ – “ t ÂĄ — ÂŹĂĽ ”  . T h e s a u c e is ¢ — ÂŁ – Š Š y c h o p a b i g “  Â— Â&#x; g o f  Â– — “ Š Â? y a n d a d d it at I Âœ  ÂœÂ—k

chop. When

w i t h meat, I o f t e n stick in a c o u p l e o f tea-

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DIY s h o p t o b u y a s p a d e , a s a w a n d a ¿ŸŽŽŽ³ °¿¿³Ž ³Ž³ ? T h a t s c e n e is d Ăƒ ,

Ăƒ

only this time they b u y chainsaws, Ž³° Ÿ¹ ° °Ž° ½ šĂƒ g Ă•Ă• š s a n d a l o t o f suit²Ÿ ¿³¿ ³Ž³ ¸ ÂŻ cases. W h i c h they put t h e d Ž Âť ŸÀ°ŽŸ½ š ¸ s i n . Yet it's Ăƒ s - somehow ĂŒÂŽÂź ³Žô²ŸŽ³Ă‚ Ž Ă‚Ž³° š š Ăľ Ăś ág m a n a g e s t o še ĂŒŽĂ€ ÂŽÂť Ž³°Ă€Âź ĂŒ ³Ž šä , Ăƒ e a d detached Ă m ° ÂŽ Âł Âą ø Ž³° t l y o u k n o w that t h e s e e v e n t s ÂŻ

looks c o m b i n e d with a n astute c h o i c e ŽÀ³ Ž°²Ÿ Ÿ¹° š of s (eschewing the š l line Ž¿à Ă‚Âť ³Ž of blonde bimbos a n d m Ăƒ ines), plus a n u n e x p e c t e d level o f talent. Ă„Ă…Ă†Ă‡ĂˆĂ‰Ă‡ĂŠ Ă€° Âł ÂŽ ÂťĂŒÂłĂ?³Ž n Ă‹ š , Ăƒ , has taken a ¿Ž Ž½ °Ž²¿ e off-beat . In t h e še to ¸š

- a n d t h u s s o m e o n e s t a n d i n g in a bath Ă‚Ž Ă• ¸ e w i t h a c h a i n s a w is cutting u p a

late-eighties h e w a s a t e e n a g e pin-up, Ž¿³ d but in t h e n i n e t i e s h e h a s ¸ š Ž½ĂŽ šĂƒ h a n eclectic mix o f movies, folŸ¹Ă‚Ž³° Ÿ¹ĂŽĂ€ Âť ½ ÂŽ ° ĂŽ Âł Âť ½ Ž Ÿ³ lowed by ¸ y š s ¸š s ²Ž½ of g abuse - s o m e h o w m a n a g i n g to Ž°²³¿°Ž ŽÎ½Ÿ ĂŽÂŽÂź ¸h k e e p that š k n intact.

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ÂŽÂť Âź ½ g fuelled binge a Ă• ¸š š še ¿½Ž²³Ž³² ÂŽ . Slate moves is a c c i d e n t a l l y ĂŽ³°Ž into , spouting pop-psychology and ĂšĂ›ĂœĂ›Ă? ÂłĂ?³Ž Ÿ¹Ă‚Ž³° Ÿ¹ĂŽĂ€ Ž½ °Ă€ ¸ g to y Ăž y ÂŻ š ) act ÂŽÂłĂ&#x;½ŸŽ³ w h i c h his e s c a p e plan ¸. M e a n Ă‚½Ž Âł ŽŸ³¹² ¸ , his Ă while, o f s ĂĄ âe f a l l i n g ³ŽŸ ¹³ŽĂ?½ a a n d full-on s to pieces. ã业

just t o o nice t o p l a y a c o n v i n c i n g Ă?Ă‘Ă’Ă“ ÂŽ b i t c h - Slate is in h i s e l e m e n t . H e l e a d s ĂŽŽ½ p o f five late-twenties b l o k e s t o a Ă”° ĂŒ ³Ž s Vegas, Ăƒ e they plan to stage the ĂŽŽ³° Âł ÂŽ °Ž ÂłĂ?³Ž š ¸t bachelo Ă• šy , t o celeŽ° Âł ½Ž¹ s wild, a n d amidst a massive ÂŻ š . It š

k and

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ability t o l a u g h at u n d e n i a b l y n a s t y acts. ½Ž ³À ¸ f heavYet if y o u c a n y o u ' l l f i n d ä Ž³°ü²ĂŒ ÂŽÂłĂŒ°Ž²³² ³Ž Ž¿°¹Ă‚Âł ÂŻ n c o u p l e d w i t h guilt a n d p a n i c ily , with fine Ă• Ă s ÂŽÂť ĂŒŽ°¹ĂŽĂ€Âł s o o n lead t o lethal ¸ , a n d , o f Ă m t w o o f H o l l y w o o d ' s most likable ŸÀ°ŽŸ½ ÌçèÊêÍ ÚúÝßÚ ĂŽŽ³° , anĂƒ s finale. Juxtaposed , some t ensemble moments ŽŽŸ Âź ³ŽŸ³ ÂŽ Âź Ă€ ÀŸ ° Âą s of ÂŻ t t w i s t s in t h e last against these Ăƒ and a ¸ Ă c a c t i o n s ĂĄ âc D i a z ' s Ă‚ÂŽÂłĂŒ ³¹ ½Ž ¹³°ŽĂ€ ÂłĂ?³Ž Ă‚ °Ž ¸ e t e n m i n u t e s , in w h i c h sublimely ¸ y attempts to y y Ăƒ ÂŽ Ž³Â³ŸĂ?Âł ÂŽ s thei c o m e u p p a n c e . t h e w e d d i n g g o e s t o p l a n . W h i c h it acte d o e s . ĂŹĂ­ ĂŽt o f .

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e g : ÂŽÂť ° Ă€ ³°Ž ÂŻ ÂŻ y Ăƒ d all t h e Þðÿ¾ ¾ðœ¾ hype about Ă˝ in °Ă€Ž³°² Ÿ¹ Ž²½Ă‚ ä , s o it n e e d s n o š ŽŸÀÀŸ°¹ tion - e x c e p t t o s a y it's ÂŻ t and ³Ž g o a n d s e e it n o w ! Ăƒ e s i m p l y i s n ' t

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all.

' R o m e o a n d Juliet'. A s always, t h e Ă‚½Ž Ž½ ÂŽ ¸ e o f š e l o v e is n e v e e a s y . V i o l a Âł ÂŽÂť Âł is ÂŻ š š Ăƒ d t o s o m e o n e e l s e a n d ÂŽÂł the ¸t y o u w i l l h a v e t o f i n d o u t fo ⠝½Ž ³À ä ¸ Ă . ÂłĂ?³Ž Ž³ÂÎ Almost y five m i n u t e s a ½Ž¹ s upincluding memnisable face š ³Ž °Ž Âź ÂŻ s o f t h e 'Fast S h o w ' , ò š n C l u n e s , ó³ ÂŽÂł Ă Ă y R u s h (sta o f Shine a n d and ÂŽ ° ³°Ž°¹Ă‚ Elizabeth). M a k i n g a sta e Ă•Ă•

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is D a m e J u d i D e n c h a s Q u e e n E l i z a ÂŽÂł ³¿ Ă€°¹Ă‚ ¸ ÂŻ e between these °Ž Ă€Ÿ¹ t w o w o m e n is s o ¸ š š g that D e n c h Ž¿³Ž c o u l d h a v e b e e n E l i z a b e t h in a Ă beth. The

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â

�ä o i

;< = > ? < @A = B

clubs a n d thei Ă? m e m b e Ă?

with the ĂŒ Ă– Ă? ĂŒ Ă? ò ä ä Ă— ĂŚ ĂŽ Ă‹ G Ă– '

â

012234 t they n e e d to sue

w a y in that time. What

ceed.

â

. been

ĂŽĂ? t

• ĂŒĂ?Ă?ò . .-.<•'.< 1

â

havebi

a Ă’ Ă? Ă— ĂĄ p oi p e o p l e w h o

&' e you Ă? clubs and

..: .'ties With the Ă?ĂŒĂ•ĂŒĂ“ t

( )*+, - ./ *( ,

Ă?Ă—

limita-

Ă— Ă? ĂŒ Ă— ĂŁ ĂŒ Ă? , ĂŒ ĂŁ ĂŒ Ă? á Ă– Ă? Ă› Ă“ g b e l o w ÂŁ500

Ă–Ă?Ă›Ă? Ă–ĂŒĂŒ n m o n t h s " . ĂľĂ?ĂŒ Ă? e ĂŽĂ? e things h e ' d like

things: Ă’Ă?ĂŒĂŽĂ–ĂŒĂ? publicity, a h i g h e Ă? ä Ă–ĂŽ Ă“Ă? ĂŽĂ? d

t o d o Ă?Ă›Ă­Ă­ĂŒ Ă?ĂŒĂ“Ă–Ă? y If h e äĂ–ĂŽĂ?Ă–ĂŒ d t h e yea ĂŹ Ă—ĂŁĂŒĂ? .

äĂ?ĂŽĂ?ĂŒĂŽĂ•Ă—

.nvolved With ' ĂĽ

n o f medical

ĂľĂ?ĂŒĂ? e

he South

neglected

m >n inteiest ai

man',

h e has h a d Ă’Ă?ĂŒĂŽ t s u c c e s s w i t h t h e Ă­Ă›Ă?ä t ĂĽ

had

Ă— Ă? e Ă– Ă? Ă— ĂĄĂŚ Ă? e w i t h t h e

K e n s i n g t o n c a m p u s , it is

n e e d to b e Ă? ĂŒä Ă— Ă?ĂŁ ĂŒ d ai

but Ă–Ă?ĂŒĂ? e didn't s e e m to b e

mote Ă›

the

an y Ă›Ă“Ă–ĂŒĂ?ĂŒäĂ–ø . Ă‹ Ă— Ă˜ ĂŒ ĂŁ ĂŒ Ă? , Ed

üâ

Ă—Ă?Ă–ĂŽĂ“ t than eve ĂŹ

moment,

and

six

7 89 h

m o n t h s of w i Ă? k to 5 6

Ă?Ă— ĂŁ Ă› Ă? e lo Ă? ail ou Ă? stu-

i nts a n d thei Ă?

issues

ĂŚĂ?Ă—ĂŽd

up o n

alth a n d s

is o n e o f the ĂŽ Ă? ĂŒ ĂŽ ; that must be ĂŽĂ?Ă?Ă?> ssi d immi It is ĂŁĂŒĂ? y easy to lose you Ă? w a y at ĂŽ

üâ

ĂŒĂ?ÛÎ l a n d

diutolv I am

is ĂŁĂŒĂ? y Ă›

üâ

Ă?Ă—ĂŁĂŒ

happy ĂĽ

with t h e

€€ ‚ ƒ„ …†

and

‡

ntl captain

Ăť

ĂŒ Ă“ Ă– s m a d e in t h e â Ă?ĂŒĂŁĂ›ĂŒĂ˜ s sections this áĂŒĂŽĂ? , ĂŽĂ?ÖÛÕåĂ?ĂŽĂ?Ă? y in ĂŽĂ?Ă– s ĂĽ ĂĽ ââ Ă? ĂŒ ĂŒ ĂŚ ĂŒ Ă? ĂŒ d fo Ă? b e i n g øĂ? ĂŒĂ?ĂŽ i ĂŒĂ? , ĂŽ Ă?Ă—ĂŽĂ•Ă?-

able a n d Ă• Ă— Ă“ ä Ă›Ă? ĂŒ Ă? ĂŽ Ă– e o f b o t h s i d e s o f t h e

having not b e e n involved

Club a n d ! will be at it" loi

ĂŽĂ?Ă’ĂĄ

s t ) c o m e a lew

ĂĽ

ĂŒĂ“Ă–ø.

i

studying. What you d o

w o u l d like to mat

50 c l u b s Ă? ĂŒ ! ĂĄ Ă› Ă? ĂŒ Ă? , "I h a v e n ' t Ă˜Ă? Ă› Ă– -

w h i l e y o u Ă° Ă”e Ă? ĂŒ Ă? e will

tive c h a n g e s to tin u *

jklmnopqrso p w i t h t h e U n i o n h a s c h a n g e d

clubs ĂŽĂ? e tun whin

this áĂŒĂŽĂ? . "Felix has b e c o m e m u c h

â

i

"Set y o u ĂŽ ĂŽĂ? t Ă­Ă? Ă— m othe Ă?

Ă’Ă? ĂŽĂ? ĂĄ ĂŽ Ă– ĂŒ s w h o ĂŽ Ă? c chas- Ă? ĂŒ Ă? ĂŒ . V o t e

ing y o u Ă? 10. it is one.

posiI am

fo Ă” m e - I

A l o n g s i d e this, Ed also believes that t h e

â

Ă?Ă—ĂœĂšĂ“Ă›Ă— n - w e ' l l still attack t h e m

e

ˆ ‰Š ‹ ‹

ĂĽ

Ă—Ă?e

when

Ă“ĂŒĂ•ĂŒääĂŽĂ?á , but in Ă’ĂŒ Ă“ĂŒ Ă? ĂŽ l t u v w e b o t h o n the

same side".

"

Ă—Ă?ĂŒĂ—ĂŁĂŒĂ? , given the Ă—

ââ

Ă—Ă?-

Ă?Ă–Ăœ Ă?t d

ĂĽ

tol-

So w o u l d h e d o the j o b again? " N o , but not b e c a u s e I'm not e n j o y i n g it - it's just not

issue".

s o m e t h i n g y o u w a n t to d o fo Ă?

ĂĽ

Ă— Ă? e than

theiĂ? make it the

i

â

Ă?Ă—Ă­ĂŒääÛ×ÓÎ l

to

ĂĽ

ĂŒĂ?-

e fg h e y o u n e e d s o m e o n e Ă? ĂŒĂŽ Ă?Ă? y c a p a -

Felix

: The Ă?Ă›ĂŁĂŒĂ?ä e

to make

them

Ă—Ă˜ĂŒĂ?ø.

ĂŤ

pat- "

ÂĄ

ticula political stance," but will Ă?ĂŒĂ­Ă?ĂŒĂ• t the opincollege.

feel

â

influences It will not take an

tions will stay, but

I oĂ? I elix to maintain and Ă›

üâ

Ă? Ă— ĂŁ e u p o n its

Ă•ĂĄĂ?Ă?ĂŒĂ“ t high äĂ–ĂŽĂ“Ă?ĂŽĂ?Ă?ä ,

Ă—Ă? e accessible.

Ă– Ă?Ă?Ă— ĂĄĂ’ h

committed a n d

of ĂŒĂ?ÛÖ×Ă? , I asl áĂŒĂŽĂ? , I successfully

Ă? pally at the äĂ–ĂŽĂ?t of the ĂĽ üâ ĂŒĂ? Autumn Ă–ĂŒĂ? . As ĂŽ

Phoenix, Ă›

the college Ă•Ă—Ă“Ă›Ă?ÛÌåĂ? e to â â

co-edited ĂŒĂ?ÛÎĂ?ĂŻ s ĂŽĂ?Ă– s

n i n g my o w n society

ĂĽ

ĂŒĂ?Ă’ĂŒ , it is ÛÓÕĂ?ĂŒĂŽä üâ Ă—Ă?Ă–ĂŽĂ“ t that stuâ dents Ă­Ă?Ă— m all ĂŽĂ?Ă– s o f

üâ

magazine, as well as -

ial's campuses continue

with its o w n column in „ I w a n ; to Û the

üâ

Ă? Ă—ĂŁ e

ĂŤ

lelix. ¢ s N e w s Ă‘Ă?ÛÛ×Ă? , I '

quality o f Ă˜Ă?ÛÖ ÛÓ g

Ă–Ă?Ă?Ă—ĂĄĂ’Ă?Ă—ĂĄ t lelix, specif-

the Ă“ĂŒĂ˜ä ĂŽ ĂŒĂ? . To this â

whb

Ă—Ă? e than

A n d w h a t ' s t h e best t h i n g a b o u t

ased publicity, espe-

campuses,

ĂĽ

t h e j o b ? "That p s e u d o s e n s e o f

one

would be in Ă?ĂŒĂ’ĂĄĂ?ĂŽĂ? con-

n o o n s a n d s e e i n g t h o u s a n d s of s t u d e n t s

â

A s k e d w h a t m a k e s a g o o d D P (F&S),

Ă—Ă?Ă’ĂŽĂ“Ă›äĂŒ d in Ihe posilion

s t u d e n t Ă›Ă“Ă–ĂŒĂ?ĂŒäĂ–äÂŒ - t h e ability t o s e e t h e dif-

l e a f i n g Ă– Ă? Ă? Ă— ĂĄ Ă’ h thei Ă? c o p y o f Felix."

ÎÖÛ×n t o ĂŒĂŁĂŒĂ?áĂ—Ă“e

t h e a n s w e Ă? is s i m p l e , "It's t h e o n e Ă? Ă— Ă? e

become

main

job? " W a l k i n g ĂŽ Ă? Ă— ĂĄ Ă“ d o n M o n d a y ĂŽĂ­Ă–ĂŒĂ? -

ĂĽ

it is vital thai it has some-

t h e technical k n o w l e d g e ; a g e n u i n e like o f

×�ÓÛÓÒ,

a d e t a i l e d c h a i n o f c o m m a n d - I'd g e t detailed ÛÓí×�

Ă—Ă? e

end Felix will have a Ă?ĂŒ -

h a v i n g b e e n a w a k e fo Ă? 24 Ă?Ă— ĂĄĂ? ä ø .

Ă— Ă? Ă– ĂŽ Ă“ t les-

ions of all students at the

ĂĽ

Ă?ĂŒäĂŒĂ“Ă–ĂŽĂ–Ă›ĂŁ e at each of the

ĂĽ

üâ

Ă­ĂŒĂŽĂ–ĂĄĂ?ĂŒ s and Ă?ĂŒĂŁĂ›ĂŒ w sec-

cation

á Ă? ÛÎ d o f abilities w h i c h t h e ideal Felix e d i -

to Ă˜Ă? ÛÖ e 40 0 Ă˜ Ă— Ă? Ă? s at six in t h e

is o n e Ă›

b c c d g t h e y e a ĂŹ Ă— ĂŁ ĂŒ Ă? , I w o u l d n ' t Ă?ĂŒĂ? y o n

the layout needs š›œÂ?žÂ&#x;ž -

to Ă? n e e d s t o e m b o d y . " Y o u n e e d to h a v e

a n d w h o t h e y ĂŽĂ?ĂŒ ; a n d y o u h a v e to b e able

Ă–Ă?ĂŒĂ?e

s o n w h i c h [ Ă? Ă? Ă› s h a s Ă?ĂŒĂŽĂ?Ă“Ă–, " i f I w a s

Ă‹Ă— Ă˜ĂŒĂŁĂŒ Ă? ,

ç —˜ ç ™ êè

ji

time to

Ă? Ă— e to ĂŒĂ“Ă•Ă— ĂĄĂ?ĂŽĂ’ e

ingly Ă›

Ă˜Ă? ÛÖ ĂŒ s

t h e �ÛÒ�t fo� t w o yea Ï sabbaticals".

should also ĂŒĂ“Ă–ĂŒĂ?Ă–ĂŽĂ› n the

publication it is. My ‘’“”i •<?A<?– y as iclix Edito� will

to

A n d w h a t ' s t h e best t h i n g a b o u t t h e

ĂŒĂ?ĂŽĂ“t w h o has a n o p e n m i n d o n ĂŒĂŁĂŒĂ?y

dents.

s ud Ă” s w h o vol-

have Ă–Ă?Ă›ĂŒ d fa Ă? Ă?ĂŽĂ?Ă?ĂŒĂ? to k e e p

Ă­ĂŒĂ?ĂŒĂ“Ă•e between what s o m e o n e

will

ĂŽĂ? t o f his j o b , " t h e

he t ditot but on

tunity Ed believes h e w o u l d

O n e t h i n g the yea ĂŹ has taught Ed is t h e

â

Felix

â

invoked

ing and p h o n i n g people".

Ă™

Ă—Ă?ĂŒĂ—ĂŁĂŒĂ?

be issues Ă?ĂŒĂ?ĂŒĂŁĂŽĂ“ t to stu°Â?

ĂĽ

Ă— Ă? e t i m e out o f t h e office,

fo

just ' N o ' . "

students

Felix c o m i n g out o n ĂźĂ?Ă›Ă?ĂŽáïä .

a n d g a m e s . A b o v e all else, h e ' d like t o b e ĂŤ

,

t h e n e w Ă? ĂŒ Ă• Ă– Ă— Ă? is

do.When

eve ĂŹ c o n s c i e n t i o u s h e is, ø Ă– Ă? ĂŒ Ă? e

face-to-face, " s o I'd s p e n d Ă?ĂŽĂ–Ă?ĂŒĂ? than constantly emai Ă‘

of the

than

Ă— Ă? Ă–ĂŽ Ă“ t lesson is that p e o p l e will only â d o t h i n g s if y o u s p e a k to t h e m ĂŒĂ?äĂ—Ă“ĂŽĂ?Ă?á ,

xyz{|}z~

Ă’Ă? ĂŽ Ă? ĂĄ ĂŽ Ă– e with a Ă? ĂŒ Ă’ Ă? ĂŒ e

in a n y t h i n g o t h e Ă?

An Ă›

üâ

t w o , Ed a d m i t s t o h a v i n g Ă?ĂŽĂ–Ă–ĂŒĂ? , "I m a d e half a n ĂŒĂ­Ă­Ă—Ă?Ă– ,

â

Ă›äĂŒd

given

"If I c o u l d s t a n d a g a i n I

ble, yet Ă–Ă—Ă?ĂŒĂ?ĂŽĂ“Ă–, w h o c a n say

JRjT

Ă–Ă?Ă?ĂŒe

thai

to

ĂĽ

election again,

is b a s i c a l l y d e l e g a t e d d o w n , s o h o w -

ih â

Ă™

a p p o i n t e d w e s h o u l d p u s h Ă?ĂŒĂŽĂ?Ă? y Ă? ĂŽ Ă? d

s a l s o h a s t o a c c e p t that a b i g

W

Ed S e x t o n ' s m a n i f e s t o

done

sonally".

ĂŽĂ? t o f his j o b i n v o l v e s d a m a g e

tion.

x of Ă˜Ă? ÛÖÛÓ g a n d Ă?ĂŒ s at ĂŒĂŁĂŒĂ? y c a m p u s . Whilst

is " #$%

hand, the

"You n e e d s o m e o n e patient and

ST UV

Ăś

MN OPQR ON O

e J t e K LL

w o u l d also like to do it.

â

want to d o fo Ă? six m o n t h s

ĂŒĂŁĂŒĂ?y

S o w h a t m a k e s a n i d e a l D P (C&S)?

HI

of my

actions".

the union Ă— ĂŒĂ?ĂŽĂ–ĂŒ s as well. ĂŁĂŒĂ?ĂŽĂ? l I feel I a m w e l l

s w i t h t h i s j o b -1 k n o w I w o n ' t

Â?Â? ÂŽ

i y o u c a n say

t h e students) Ih

(you

a n d h a v e a kid o n t h e

) unite

Ă­Ă—Ă?Ă’Ă—Ă–Ă–ĂŒn how."

n-M.-.:.n 'hiswill

Ă— Ă? e egotistic than I

;nccts bette Ă?

ĂŽĂ?Ă?Ă›ĂŒĂ?,

ou Ă? clubs a n d

â Ă?ĂŒ Ă—Ă?Ă–äòòòÎïã e

nn-go

Ă?Ă—ĂŚĂ?ĂŒ

ĂĽ

be Ă?ĂŒĂ?e to s e e t h e o u t c o m e

then allow me

ĂŽĂ? t l i e s in t h e a d m i n w h i c h -

I've g o t t o Ă˜ Ă? Ă› Ă– e all t h e s e

â

Ed Sexton

ts a n d

now

t o filte Ă? Ă– Ă? Ă? Ă— ĂĄ Ă’ Ă? . "That's o n e o f t h e b i g

always b e a big m e s s " . I n d e e d [��Ûs

×�ÖåÓÛÖy to

t e n a n y t h i n g foĂ? f o u Ă? áĂŒĂŽĂ?ä, a n d

Ă?Ă›ĂŒĂ“Ă• e within i f

will allow n • to u U k k h Ă’Ă?ĂŽä p

qualified to d o this job and T This allows u%

b u t it w i l l t a k e a l o n g t i m e fo Ă? t h e Ă? ĂŒäåĂ?Ă– s

I a m well CDC Ee of Ihe way

F

Ă—Ă?Ă–ĂŽĂ“ t that the Union

U n i o n d o i n g ä ĂĄ Ă? Ă? Ă› ä Ă› Ă“ Ă’ Ă? y w e l l In Beit),

s e e s this a s t h e Ă˜ Ă— Ă? ä t

Î�Ûe

Dave,

sees the Ă—

I've

ĂŤ

would

Expansion a n d

t o let s o m e o n e e l s e h a v e t h e i Ă? g o . "

day as o n e o f the biggest plus points

ning

ideas I w o u l d

to be t o o biased Ă–Ă—Ă˜ĂŽĂ?Ă? s

meet new people s o f n o i s e In

Southside basements - both o f which

ĂĽ ĂĽ ĂŒ ĂŚ ĂŒ Ă? ĂŒ d foĂ? øĂ–Ă?áĂ› Ă“ g t o h e l p â all ä Ă— Ă? Ă– s - a n d Ă– Ă? á Ă› Ă“ g n o t

"I haven't had

with the Health & Safety s h e views

Ă? ĂŒ ä ä Ă› Ă— n o n t h e U n i o n . In

s t o c o m e s h e s i m p l y h o p e s t h a t

sabb,

Nicholaou. Nonetheless, she

issues w h i c h

uth gĂ? od

us Ă›

have

a m n o w . I've h a d m y c h a n c e - its t i m e

put a deposit o n a h o u s e

üâ

.

ĂŤ Ă—Ă?Ă–ĂŽĂ“ t th.e ĂŽĂ? e tt

i union O n k

the chance?

â

â

h e ' s actually

So w o u l d [��Ûs stand fo

less".

ĂĽ

But

Ă? ĂŒ ĂŽ Ă?Ă? y w e l l " .

a n d I'd g e t e v e n

s o m e o n e , get

w i t h t h e next Ă•Ă?Ă›äĂ› s t h a n l e a v i n g a n y

tial to m a k e h u g e m i s t a k e s .

â

finances is it possible foĂ? all

time. But a lot c a n hap-

O n l y a m o n t h into heĂ? ä Ă? Ă— Ă? Ă– ĂŒ Ă“ ĂŒ Ă? ) sabĂĽ

üâ

hi

it h i m s e l f . "I w o u l d n ' t b e f u l l y i n v o l v e d ,

Ă?Ă“ĂŒĂŒt

the Union had the poten-

the job again

Ă› Ă“ Ă› ä Ă– Ă? ĂŽ Ă– Ă› Ă— n is â h u g e , a n d , fo Ă”t h e most ĂŽĂ? Ă– , t h a n k -

pcn.'=~ÂĽwf**â‚ŹOuld

Ă´ Ă? ĂŒ ä Ă› Ă? ĂŒ Ă“ t Ă‹ ĂŒ Ă? Ă? ĂŽ Ă? Ă? , "At t h e b e g i n n i n g o f

t h i s á ĂŒ ĂŽĂ? , a s fa Ă? a s [ Ă? Ă? Ă› s is Ă• Ă— Ă“ Ă• ĂŒ Ă? Ă“ ĂŒ Ă? , t h e Beit

ĂŽĂ? -

t h e yea ĂŹ I w a s Ă• Ă— Ă“ Ă• ĂŒ Ă? Ă“ ĂŒ d that s o m e o n e

would do" been

â

y his Ă˜ Ă— Ă? Ăş Ă› Ă“ g Ă?ĂŒ Ă? ĂŽ Ă–Ă› Ă—Ă“ä Ă?Ă› p w i t h

w h o wasn't involved with

• s e e n a Ă’Ă?ĂŒĂŽt d e a l o f Ă?Ă— Ă’ Ă?ĂŒ ä s (with t h e â Ă?Ă— ĂŒĂ?Ă? y Íâ I hope that m> c Ă•-

finances ĂŽĂ? e Ă?ĂĄ n

Marie Nicholaou y s

\ ] ^_ ` a Ă™ `

"if I could d o

minibuses. Both o f these issues have

Ă?s a n d this vi a

: t Ă? : ĂŽ Ă›Ă? Ă?ĂŒ Ă­Ă•Ă› m

i

, but w o u l d n ' t want t o d o ĂĽ

: iticial Ö�ÎÛÓ-

Ă›Ă?ĂŽĂ•Ă?ĂŒs fo Ă”

N o n e t h e l e s s , h e is still p l e a s e d w i t h

they

d it. I just w i s h I'd

ĂŒĂ?Ă­Ă—Ă?m

h o w t h i n g s h a v e g o n e this yea ĂŹ -

T h e Ă?ĂŒĂŽĂ?Ă?y b i g i s s u e s

p we want

s C l u h s Conimi'jee

again?

fits o f a l l o w i n g s a b b a t i c a l s t o Ă? ĂĄ n f o Ă? a

iiiff

Hkf

ĂŽĂ? Ă’Ă— n get in the w ay o f d o i n g the job

s

i||8l|ife.:.

;:

administeĂ? t h e

with clubs, the CCU's and ÚÑ U s e e m to

levels,

Ă˜Ă—Ă?Ă–h

if

ĂĽ

t h o s e w h o d o n ' t p l a y by t h e Ă? ĂĄ Ă? ĂŒ ä .

to the

even

â

be expected to

subsidy

Ă–Ă?ĂŒĂ?ĂŒø.

i:Si ilfTie 1

H e admits

h e d o the job

Ö�ÎÛÓÛÓg

WXY34Z

: ^ci'iveiy

ç ç .

And would

Union

M e d S c h o o l is a c o m p l e t e m e s s . . . l c a n ' t

Ă›äĂŒd a Ă–Ă?Ă—Ă?Ă—ĂĄĂ’h

s believes that t h e Ă– Ă? ĂŽĂ› Ă“Ă› Ă“ g w a s ĂŁĂŒĂ? y

medics,

.-:

ĂŒĂ?Ă­ĂŒĂ•t "you n e e d â Ă—Ă? e Ă?ĂŒä Ă—Ă“äÛÌĂ?e than

in t h e w a y t h e y

ĂĽ

t a k e n a list o f w h o w a s

U n i o n , b u t w h o w o n ' t let c o n s t i t u t i o n a l

m a n a g e d t o a c h i e v e f a Ă” less t h i s y e a ĂŹ â

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â

t h a t h e is f a Ôí � × m

Ăś

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a

Ă›äe to do, a n d hope

they focus o n the issues".

p u t a lot o f e m p h a s i s o n S t u d e n t D e v e l -

c o m e as s o m e t h i n g o f a shock to t h e

Ă–Ă?Ă?Ă—ĂĄĂ’ h jobs and funding,

makes

t h e j o b w e l l , " y o u just h a v e to listen t o

someone who's

t h a n h e h a d initially h o p e d , ø Ă? Ă— ĂŚ Ă? ĂŒ

It s

what

ing to Dave, you simply

t o b e g i n in S u m m e Ă? 2000). D a v e has a l s o

N o n e t h e l e s s , h e a d m i t s that h e has

I nio Ă?

i iMiil. in ih

ĂŤ

â Ă? Ă— Ă— ä ĂŒ d U n i o n Job S h op (both d u e

D e v e l o p m e n t W e e k " foĂ? next áĂŒĂŽĂ?.

be m a

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viev

and

o p m e n t , a n d h o p e s t o set u p a " S t u d e n t

ha. Ă? Ă˜ Ăą Ă? Ă” o Ă? ò Ă? ĂŽĂ• e - v.;

.

â

|

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of

giving

c a n ' t tell w h o w o u l d d o

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even wuk Ă” n ai h

that Ă˜Ă—Ă?Ă?Ă›ĂŒ s s m p e M

to the students"

a l s o like t o b e Ă? ĂŒ

coun

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So

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mind

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g o o d Ă´Ă?ĂŒäĂ›Ă?ĂŒĂ“Ă–? Ăž Ăż Ăż -

came

A l o n g s i d e this, h e ' d

also see a need toĂ? out

have

b e i n g an Ă˝

Union came back

as " t h e

I wouldn't

Ă?ĂŒĂŁĂ›ĂŒw

e

Office o Ă” with the U N "and

s I n c e w a s e l e c t e d last J u n e o n a

manifesto which

y

P", h e is l o o k i n g t o Ă˜ Ă— Ă? k in t h e Ăź Ă— Ă? ĂŒ Ă› Ă’ n

"the yea Ăť the

back to the students".

of money on students will

ÔÚ t the Ö�Î�ÛÖÛ×ÓÎ l

am

ĂĽ ĂĽ ĂŒ ĂŚĂŒĂ?ĂŒd

yea ĂŹ t h e U n i o n

üâ

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not.

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fo h i m ' i know

Ă?ĂŒ

dents being anle o a't'

s o m e o n e s t o o d fo Ă? t h e

slop Ă–Ă—Ă˜ĂŽĂ?Ă? s the ballot

the stu-

betw ee n

Chris Ince

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t h e f o c u s o n t o t h e day-to-day

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the Vlyth.

â

may

â

n

Ă— Ă? Ă– ĂĄ Ă“ Ă› Ă– y f o Ă? lots o f p u b l i c s p e a k -

m o n t h s . H e b e l i e v e s h e has s w i t c h e d

d o n Ăľ Ă? ĂŽ Ă“ ä Ă— Ă? Ă– , t h e Ă?ÛÌ Ă?ĂŽ Ă? y a n d h e a l t h Dave Ă‹ĂŒĂ?Ă?ĂŽĂ?Ă? : the

ââ

S TU V

: :

he '

i all

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snoits pages ĂŽĂ?Ă–Ă›Ă? t. s c an he well Ă˜Ă?Ă›Ă–Ă–ĂŒ n whilst Ă?ĂŒĂ–ĂŽĂ›Ă“Ă›Ă“ g theiĂ? wit and

tact lo� news and ÛÓí×� -

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mation. will in

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>t> Ă” tl

suppo Ă? !

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d i n 1995, b a s e d o n t h e

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d e n t l y in 1996 a n d s o o n

h >

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label a t t e n t i o n , e v e n t u a l l y s i g n i n g to a t i o n by t h e e n d o f t h e ĂĽ

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m e t a n d t h e y h a p p i l y b o a s t that

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had

ÂĽÂŁ

£ ¼¨

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even setting eyes o n each

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they

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h i ' 1'vuiti'K .i , o n i i h v , , lui mis .hi ¤£¼Œ§¨

ĂŠ

§Ă‰ÂŁÂŤĂˆ°£œ°´Ă‚

today. M o s t o f y o u will have

t l i f c k title, i c o u l d h a v e a $ l i b l a f § v | i i

ÂŁ

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ÂŁÂŤĂ‚°

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a n t h e m , d e s p i t e it Š

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w a n t o f a bette c h o i c e fo

b u t it d o e s n ' t flick m y s w i t c h ,

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Y e K O K , I'm ! e e $ e a n u m b e o f y o u o u t e w h o )* e + g + e t h e hell in t h e ( g vast e x p a n s e o f ! n f a e c e s ' k n o w n a s n is t h e H a c k n e y M ! . T h e " e t w i s e a m o n g s t y o u , t h e o n e s w i t h o n e e a * NOPQRSTUU y a t t a c h e d t o t h e ! , w i l l b e g y o u + s fo * n o t h a v i n g d o f this v e n u e . W e l l t h e ! h is, it's n o t a & " t v e n u e a n d h a s o n l y just o p e n e d fo $ this n i g h t . It is in fact a teal + ! e a n d 6 a l s o t h e h o m e to Billy M a h o n i e ' s ! t H y w e l l . T o b e ! e e is n o l t m a n a s Billy M a h o n i e h a v e n o , b u t " e o f that . T h e g i g w a s t h e m o s t ! ! d o n e I've e v e b e e n t o , y it w a s i n v i t e o n l y a n d s e c o n d l y t h e v e n u e w a s a V g + ! e w i t h n o ba $ a n d o n e f e e b l e & e h e a t e o n t h e c o n s t a n t ( e o f c o l l a p s e . T h e + d w a s m a i n l y i n d i e t y p e s m all & , & " y W e a n d J a p a n a n d t h e " & e s o o n d t o l i v e n . Billy M a h o n i e t a k e thei n a m e m o n e o f t h e s o u t o f XW X , y o u k n o w t h e m o v i e + e a b u n c h o f c o l l e g e s t u d e n t s Y& " t w i t h d e a t h b y g o i n g ' f l a t l i n e ' . T h e y )* e a f o u p i e c e , w i t h G a v i n o n ! , K e v o n b a s s Z + d o n !" s a n d Hywell g b e t w e e n guita a n d bass.They " d at e n d o f '97 a n d h a v e d t w o s i n g l e s s i n c e t h e n ,

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n e s s . Billy M a h o n i e

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b e e n , + e ^_ ` a e at a n d + e ^_ ` a e g o i n g , " a l b u m . O u t s t a n d i n g s m t h e a l b u m . This e x p l a i n e d T e d d y , a c c l a i m e d t o f t h e c 80s i n c l u d e d : Good JEKƒDš› a s c i n t i l l a t i n g slowbc 6 &d p ( ! n still globally ( d a s ' N e w Jack j a m s e d u c t i v e l y ( d b y C h a u n c e y , B w e e k I'm n y o u a t special, w i t h thei d a l b u m s o o n t o p Swing.' w h o e q u a l l y e x c e l s o n t h e R&B B e a u t i f u l ÂœÂ?žÂ&#x; Stay In ¥¢£¤¼ ÂŚHKHI Gonna ghi You w e e a l o o k at t h e i c l a s s i c s e c o n d a l b u m . Q u i c k p i e c e o f n e w s g t h e f u n k y ! " ### y $ e Go, a ! d d e " c a n t h e m , & d b y 9 s o n l y . % k M i d d l e t o n h a s left t h e w t o &! ! e e x p l o s i v e , s c a l e d e f y i n g ; T h e Fix," a totally a d d i c a solo , j o i n i n g o l d " " s D a v i d Holliste a n d tive, h e a d k n o d d i n ' t b u t t e ; § Can't Get ' ( i ' e w ' h o )* e s e e k i n g && ! s + . You Out Of My Mind, ! y & + d b y 8 X s W h a t is it w i t h this !& ? , ! p " " s s e e m to b e l u s h l e a d s a n d X s "! d ™ d " ™ ; -./0012 g like f l i e s , s n o n e w s o n w h e t h e a ¢£¤¼ a ! s s o u l " e o f t h e a n d Can't Buy Me ÂĄ & " t is g o i n g t o b e ! t in... w e ' l l k e e p y o u B e a t l e s '60 s c l a s s i c . H a l f a p a g e a g a i n . . . w e l l it's b e e n a h e c t i c

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Mailibo - H?le

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R 1. Divine C o m e d y - N a t i o n a l

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´Ă‰¡Ă? h W i t h žĂ†Âż e 10. ÎÉÇĂ?ÇĂ?¡ d - Bac k T o g e t h e ¡ 11. ÑÉ¡Ă‡Ă‰Âź e - W h e n I Ă‘¡Ă† w U p 12. Ă’¸¡Ă“½¡ y Rev - D e l t a S u n B o t t l e n e c k Ôº . žĂ‰Ă•Ÿ½Ă‰Âź e Ă–Ă—b - ĂŽ½¡Ă•Ă?Ă• g Disaste ¡ ÚÚ 14. Ă˜¡Ă?Ă•Ă“¸Ă™ Ă” 9 5. T h e Jellys - ž¸ĂˆĂ†Ă•Ă‰Ă› e Ă‘Ă?¡ l

y Jon C's

ĂŻ "

9. G a y D a d - T o T = t

i

16. M u s e - M u s c l e M u s e u m

žĂ†Ă† p

Da

ĂœĂ‹¸¡ e žĂ†Ă† p - H a z e l

= 20. M e t a l l i c a - W h i s k e y in t h e Ja

e Show

time

he c o n b e

Ă—Ă? d

to hai

delive

Ă?a

M

Ă— Ă?e Ă? Ă— e

his food)

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' t o p fen at fen t o '

consistents o they

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;

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on about

thei fancy.

y

y

Radio.

one?

Nanj èüÍ ü The d Nan}

Ross & his A M Odyssey

Ă? d

anything that takes

in Felix not cat

a n d exclusive o n IC

them a n d n o w just • ••.

The Neel Appeal

R a d i o ' s t o p 1 0 live

Ă?

afte his

ly quality show.

Ross & his A M Odyssey

Ă?

Ă? Ă? s

Steve Metal

y

C o u n t i n g d o w n IC

T h e m a n with the

weeks a b s e n c e to

'

18. U n k l e - Be 9.

Quality

I

•'...[ Ji!i-.,.l'....'f ;•;.•::(.:•:,

Ă­ ĂŚ ĂŹ

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17. U m a j e t s - W h e n I W a k e U p

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g

2. H o l e - M a l i b u

Âş. Idlewild - W h e n I ¡Ÿ½ e I S e e S h a p e s 4. ž¸¿¸Ă€Ă€¸¡ s - O n e W a y 99 Ă‚Ăƒ Ă„y Y o u Ă Ă‚Ăƒ Ă„y M e 5. P l a c e b o - Ă 6. ÅÆǸ¡ĂˆĂ‰ n - ÊËÆ¡Ă€¸ y Wall 7. G e n e - A s G o o d A s It G e t s

to what's o n

WEEKLY SCHEDULE

´¾œ¡¸š s

8. Plutonik - Sitting o n T o p o f t h e

ÉÀĂ?¸¡Ă•Ă‰Ă?Ă?Âż e

M.-n.'-.v J Ă? ; Íè ĂĽ t depths the • ii-jy

;

Ă—Ă? d

nominated

Ă?Ă? ! Ă— t chat a n d the o d d quality

& "#$% " .

s

0

8

A n CDEF /G 7'* )+,4,204 , a l w a y s HIJKLMIN g 5 , +> ) s o A s u b -

w e l a n d i n s t e a d in t h e

liant

w i l d n e s s o f t h e 90s. Both sections

jects

lying d o w n . H i s

f u n n i e s t p i e c e has t o b e the

t w o babies

(pic-

4>,' d left). T h e s e O Ae t o u c h i n g PQ Ry m o v i n g . T h e

phoand

tos

big ,++ m / -+,k ,+m

T

o f h o u s e s , w o m e n i n typical c o s t u m e s and couples

@, ' 7 7 ' d

up fo A special occa-

),'7'=4s a n o f )+,4,204 s b y M a m a

sions. T h e next s e c t i o n

0=1,'@0 B* e

amount

Casset, A z a g l o a n d K e i t a . A z a g l o p l a c e s his m o d e l s

+>4@++,7,

using m e n and

w o m e n a l i k e . Keita, o n t h e o t h e , h a n d ,

1 3 2, 0 7 ?24 0 c

and

b0,74 , A p a g y a 1,'24' s a set // )+,4,204 s a g a i n s t @0 ','= t b a c k cd e fg , e v e n ) , + ^ 0 @ 0 = g t h e 52**', y w i t h / o n e . W e 4 3 ', ' + , e g e t a n i d e a o f t h e / e f f e c t s 1 ,' 24' d b y ) 3 + 4 + 5 , 2 ) 3 y , + m a PQ Ry b a s i c p i e c e o f e q u i p m e n t . T h e last outstanding.

e x h i b i t i o n is

of studio

e s p e c i a l l y if y o u d o n ' t k n o w m u c h a b o u t

m y s t i c a n d h a u n t i n g f e e l i n g t o it. Tsha-

STUVWX .

O Ae

bangu shows the

Impact a n d influence

s i d e o f life in t h e t o w n -

1+>=4,6 .

s h i p s . Finally, M t h e t h w a

W e get to s e e a y o u n g

i n j e c t s a lo t o f c o l o u ,

N e l s o n M a n d e l a , lots o f

into his p h o t o s ,

i n g in a s p l e n d i d l y h a p p y

,2,' , '2,* y ) 3 + 4 + 5 , 2 ) h o f t h e 5,'24 ./ , 0 1 2 n 70 =5 ', , ] 0 , 0 2 m M a k e b a . T h e 70s OA e t y p i f i e d a s 5 * 2 ? + , + > s )2,460=5 , ,'^'2* 0 = g t h e i n f l u e n c e o f P o p 1>*4>, e o n STU VWX . S a m u e l F o s s o ' s 7',0' s 1 2)4> ,' s t h e 7)0,0 t o f this 4>,B>* '= t d e c a d e . H e h a s t a k e n 7 ' ^' , 2 l 4 , ' ? ' = @ + > 7 * y i n t e n s e , /G 3 > ? + , + > s a n d +,05 0=2 l 7'* )+,4,2047 . H e // is @ , ' 7 7 ' d @0 ','=4* y in _`_ ay s i n g l e pic4> , e - it l o o k s like a f a s h i o n s h o o t ,'2**6 .

and optimistic outlook.

est

T h e e x h i b i t i o n s e e m s t o skip t h e 80s a n d

This

show

hijkhlhim.

It

, 0 1 2 n 2,40747 . )+'4,6 .

Y o u will discove, a

-+,*d

full o f

D. U n t i l 28t h

v

'2 ,' 7 t

]2,1h w 2, B01 2 n

tube;

A d m i s s i o n : £6, c o n c e s s i o n s £4

,'7>*4 -

d a n c i n g a n d s i n g i n g in j a z z c l u b s as w e l l as a

./

32,@',

which had an immense

o n life in t h e

'()*+,'s t h e -+,k o f ./ / ,012 n ) 3 +4 + 5 , 2) 3 ', s , + m t h e past / 70 6'2,7 . T h e 0,7 t d i s p l a y d a t e s b a c k 9:;< to the 8 , )+,4,260 = g = > ? ' , + > s f a m ilies. M o s t o f t h e i m a g e s , '), '7 '= t 4,2 ./ d i t i o n a l a s p e c t s o f , 01 2 n life; t h e i n s i d e

attention in o u A

taken

focuses o n

, + m YZ[\

s h a m e that t h e s e

OA e

magazine

next

2,4074 s d o n ' t g e t ? + , e q r s t r u n 1 >* 4>, ' . T h e definitely -+,4h seeing,

and

)2, t o f t h e e x h i b i t i o n is d e d i c a t e d t o ./ 1+=4'?)+,2, y South ,01 2 n ) 3 + 4 + 5 , 2 )3',7 , w i t h a 4 , ' ? ' = @ + > s ^2,0'4 y o f - + , k PQ Ry o n d i s p l a y . M o f o k e n g ' s 7',0' s h a s a

South

Most of them

/

his s h o w

?+@',=07m

comes u pwith a

is

PQ Ry

discloses

./ ,0 1 a 1+=4,2740= g 32,@73 0 p

m a n y facets o f the

and enjoyment. W e also discove, that some 2,4074 s noe pushing B+>=@2,0'7, ),+@>10=g P Q Ry + , 0 5 0 = 2 l a n d 1 , ' a t i v e - + , p . It is a 5,'2 t

A n ? 2 4 > , ' , 7 ' , 0 + > s a n d >*4,2 4 3 ' 24 , ' 5 + ', , I w a s ? + , e t h a n slightly 2 ) ) , ' 3 ' = 7 0 ^ e a b o u t s e e i n g t h e 5*044', y 1 30 * @, '= x s s p e c |} }~~ W e l l , o k a y , 4 3 ', e tacle that is yz{ Z w a s o n e 244,2140+ n - o n e o f m y all-time 3 ' , + ' s ,07 s A k a b u s i w a s i n it, w h i c h ? + , e t h a n m a d e u p f o A t h e s a d lack o f Gv 1 ( '0 5 3 B+ > , s 132,214', s in t h e cast. I 7 ',0 + >7 * y d o u b t e d t h e ' = 4 ' , 4 2 0 = m e n t v a l u e o f s h o u t i n g at 5 , + - n m e n

A

s a

sophisticated

the t w o ugly

7074',7 ,

often

,0 @01 >*+> s a n d

As a

@'71,0B'd

s c e n e a b o u t cats.

3' , e e

in fact

)', -

h a p s a f e w t o o m a n y ' a d u l t ' j o k e s that

.

)',7+n

with what could b e

as a s o m e w h a t juvenile sense

w o u l d h a v e p a s s e d o v e , t h e kids' h e a d s , b u t still

7 ' ,^ ' d

to

'=4',420= .

'=@'2,0=g com - , + = g m o m e n t s . They t h e m s e l v e s ) , + ^ 0 @ ' d a ,01 h 7 + > , 1 e o f ' = 4 ' , 4 2 0 = ? ' = t w h e n w,2@*' y W a l s h a s

and

130,)'d

u p with

m e n t s at all t h e

Buttons enticed s o m e y o u n g 'volunteets' to

/ )', +,m

a

^2,0'4 y

of

'?B2,,2770=g

activities o n s t a g e . Incidentally,

,07 s d i d n ' t

let m e d o w n

e i t h e , - h e w a s witty, a n d o f

1 + > , 7 e PQ Ry

e n t h u s i a s t i c . H i s c o m p l e t e lack o f a n y

1*'^',* y m a s k e d , a n d x '1 +, d w,'2p',7 ' w a s m i l k e d full, ) , + ^ 0 @ 0 = g t h e subject fo A a

s i n g i n g ability w a s

,+* e

and w o m e n to look behind them, a n d

his

while

4,60= g t o f e n d o f f i n q u i s i t i v e ) , + @ s 7'^',2 l a t t e m p t s at 1 + = ^ ' , 7 2 4 0 + n b y a 3 + , @ e o f s m a l l 1 3 0 * @ ,'= , I s q u e e z e d m y s e l f i n t o t h e pint-sized 1320, . I w a s howeve, @ '4 ', ?0 = ' d t o k e e p a n o p e n m i n d , e v e n afte , t h e ? ' * + @ , 2 ? 2 4 0 c @ , > m l a n d s t y l i s e d 0 =4, +@>1 4+, y s o n g b o a s t i n g t h e ?',04 s o f 2@B>,6x7 , a n d h o w w e l l a ba A o f 2@B> ,6x s w o u l d g o w i t h t h e )', / +,? 2= 1' , a n d w o u l d w e like t o g o t o t h e f o y e , a n d g e t - y o u g u e s s e d it - s o m e 2@B>,6x7 . O n c e t h e play g o t 742,4' d t h o u g h , I w a s c a p t i v a t e d . T h e sets e c o n s i s / tently B , ' 2 4 3 4 2 p 0 = 5 , a n d )', '14* y f a n tastical, w h i l e t h e c o s t u m e s e '(4,2^252=4 , i n v e n t i v e a n d , in t h e c a s e o f

to the

and

,2=5e

in

of jokes.

O n t h e w h o l e , t h e m u s i c w a s a little

1 +,= y lifted

3 ' , e

P Q Ry , u s i n g s o n g s , + m 7'^',2 l w e l l - k n o w n m u s i c a l s . e h o w e v e , s o m e ? ' ? + , 2 B * e

a n d not

/

tunes as well as s o m e excellent dances. T h e h u n t i n g s c e n e in )2,401>*2, s t a n d s

13+,'+5,2)3'd and '^',073* y @ , 2? 24 0 c p i e c e o f - +,p . / ^',2**, t h e )', '1t p a n t o m i m e , / - + = @ ' , > * * y 1 2) 4 > , 0 = g t h e f a n t a s y o f t h e / 20, y tale a n d a l s o o f 3 ,07 4?2 s (if a little b e l a t e d l y ) . A 5,'2 t l a u g h . But y o u ' l l h a v e t o w a i t u n t i l n e x t y e a t o s e e It... +,,6 ! o u t a s a lively, w e l l

/

of

3>?+>,,

I f o u n d myself

1 ,'27 0= g

hint o f s u b t l e t y ) . A n e x c e l l e n t

^'=4,0*+ P Q Ry

quist, w o v e n into t h e plot o n a

),'4'(4 , ' 2 , = ' d h i s ) , ' 7 ' = 1 e if o n t h e 7 4, '=5 4 h o f a s i n g l e , f u n n y

1 30* @,' n 0 ? )+ ,4 2= t )2, t

A s w i t h all p a n t o m i m e s , t h e

u p at

the gags (although don't expect even a

in t h e a u d i e n c e

e

an

o f t h e s h o w , g i v i n g us all a n e x c u s e t o indulge

+ > ,7 '* ^' s

as w e l l as t h e m . A n d

vague

t h e y d i d n ' t let us d o w n . They

only

with

'()',407 e

at all t h e

,053 t

,'7)+=@'d moments,

Judy

s

8

1

PATRICK CAULFIELD d ¨£ ¡ ²¡ ªd

by

black

¡¢ ²£¬,

m u c h like t h e l e a d i n g o f s t a i n e d glass w i n d o w s (incidentally, the subject o f a

£¤¥¦ ¤ l

¨¦ ¢²£ªµ .

also

Yet this

s i m p l i f i c a t i o n is aptl y c o m -

pensated

fo by ¨ £ «¦ ¡ ª ¡ t

¨ª£ -

spective guidelines, w h i c h expand the dimensions of

¨ª£ ª¨¢¦ ¡.

h o w e v e£ the ³ £«¤ t o f his ½ £ k £ª« ¤¦ ¡ ¬ , ¨ ª £ © ¤ ¨ s d i s a p p o i n t i n g l y , static ¢ © £ ² § © ² t h i s d i s t i n g u i s h e d ¤£ªª£ , a l t h o u g h i n « £ e £ ª ª ¡ t p a i n t i n g s h e a d m i t t e d l y ¦ ¡ ¢ £ ¥² ª s t h e c o n c e p t o f ¢ªÆ¢²£ e t o ¢ © ª£ ½ ¦ ¬ e ÇÈÉÊÇÊËÌÍ y s m o o t h c a n v a s e s . C a u l d -

they

e o f a

same

simila £

³ £ « , £ª¢¤¦ n t h e Á Âe equally

function and

c o m p e l l i n g but without a date this is t h e a n t i t h e s i s o f t h e PepsiCola bottle."

C

¨¦ ¢²£ª s e ´¦§©¢Ã©ª¤£¢ª d a n d ¥ª £ ¤¢¦ ¾ª , o f t e n d e p i c t i n g ¦¡¢ª£¦ £ s a n d His

Opening

Ϥ¢ª£´ ÐÑ«±¤¡Ä«ª¡t

© ²£¬:

d a i l y 1 0 a m - 6 p m (Tues-

d a y a n d W e d n e s d a y until 8 p m )

field enjoys teasing the viewe£ with ¢ £ « ¨ e I'oeil £ ª ¨ £ ª ¬ ª ¡ ¢ ¤ ¢ ¦ ¡ s o f matte£ - a n invitation t o a n ± ¬ ² £ e ½ £ ´ d o f f a n t a s y i s s u e d ³ £ m t h e quotidian.

Helena

l a n d s c a p e s . H e a l s o injects i n s i g h t a n d h u m o u £ into his with a

© £¬ e

½ £Ä , ¨ ¤ £ ¥ ¿ ¦ ¡ g S t u b b s ¨£ ³¦´ e a n d ¦ ¡¢ª £¨£ª¢¦ ¡ g a

tube:

high-

§ ª § £ ¤¨ © ¦ ¤ l s i t u a t i o n , it c o u l d ¶ ·¸ ¹ º» ¼ e in t h e ½ £ ´ ¥ . That's w h y I u s e ª£¢¤¦ n ¦ « ¤§ ª £ y £¤¢©ª£ £ª¨ª¢¦¢¦¾ª´¿ , s u c h a s p o t s . À £ ª ª k pots picked up ³ £ m t h e s e a b e d c o u l d h a v e b e e n m a d e last w e e k ,

ª¤£ ª ¬ t

focus of the composition amidst a

§ª «ª¢£¦c ±¤ Ä¥£ ¨. This m a j o £ £ª¢£ ¬¨ª ¢¦¾ e

l i g h t s C a u l f i e l d ' s d i s t i n c t i v e style ,

be

e a ¡¢ £¤ ¥¦ tion. H i s plana£ a n d §£ ¤¨ © ¦ c i m a g e s e £ ª « ¦ ¡ ¦ ¬ ª ¡ t o f c o m i c ­®¯° p cells, s w a m p e d i n ±£¦§©¢ , ² ¡ ¦ ³ £ m a n d intense ´ ²£¬ . Each ³ £ m is d e f i n e d

Î

A d m i s s i o n : £6, c o n c e s s i o n s £4

ª´ ¤ £ ¦ x c o m p o s i t i o n . H e a l s o j u x t a ¡ ¢£ ¤¬ ¢¦ ¡ g t e c h n i q u e s t o §£ª¤ t e f f e c t , c l a s h i n g t h e a l m o s t ¤±¬¢£¤ t w i t h e x c e s s i v e ¨ © ¢ § £ ¤ ¨ © ¦ c £ª¤´¦ ¬« . A f i n e l y d e t a i l e d £ ¬ e o  w i n e g l a s s is t h e

" M y s u b j e c t matte £ h a s n o s p e cific

a u l f i e l d ' s still-lives

Å

poses

U n t i l 11t h

Ò¨£¦ l

O n n i n g o f t h e ª¡¢²£¿ . This s e c t i o n is ÚÛ Üy b e a u t i f u l - it's fascinating

t o discove£ t h e

m a k i n g o f su ch a n influential painting.

His time

at t h e

ݤ¢ª¤²ÃÞ¤¾ ¦£ s t u d i o in M o n t X «¤£¢ £ e ¥ ² £ ¦ ¡ g 1905-1909 is |

then

depicted,

many

¨¦ ¢²£ª s

including

o f h i s ³£¦ª¡ ¥¬ .

T h e next c o l l e c t i o n t a k e s u s t o ß £ ¢ a d e ѱ£ o i n S p a i n à áâ ã e h e p a i n t e d t h e Houses

on the Hill. A g a i n , w e w i t n e s s the step by step

£ª¤¢ ¦ n o f

the piece, as h e uses pho-

¢ §£¤¨©y

a s his m a i n

influ-

ence and help. The following

£ m

shows a few images of

ä , w i t h a n installao f ¨¤¨¦ ª£ s c o l l e s .

his o w n tion

¤¨¢²£ªs t h e ¬¨¦£¦ t o f h i s t i m e ¨© ¢ §£¤¨©¿. H e

Picasso mood and

T

his e x c i t i n g e x h i b i t i o n - a c o n d e n s e d

¾ª£¬¦ n

³£ m the M u s e e ÓÔ ÕÖs - ª Æ ¨ ´ £ ª s P a b l o £ ª´ ¤¢¦ ¡¬ © ¦ p w i t h ¨ © ¢ § £ ¤ ¨ © ¿ . of shows

Picasso in

P icas s o's

Th e d i s p l a y o p e n s w i t h a f e w c l a s s i c a l Spanish

À£ ª o

¨¤¦¡¢ª£¬;

t h e i n f l u e n c e o f El

³£ m then on, ½ £Ä , b e g i n n i n g w i t h a n d £ª ¬ª¤£ h f o t h e £ª¾ -

is h i g h l y n o t i c e a b l e ,

w e follow Picasso's

his ¨£ª¨¤£ ¤¢¦ n d'Avignon. ´²¢ ¦ ¡¤£ y ×ØÙ Demoiselles H e ¨ £ ª¨ ¤ £ ª d s k e t c h e s ³ £ m p h o t o s o f W e s t Ò ³£ ¦ ¤ n w o m e n t a k e n at t h e b e g i n -

æ

.

Picasso

¬¢ ,

w esee

used his

p a p e £ cut-outs

¤¨¨£ ¤ h o n ' ¨ © ¢ § £ ¤ ¨ © ¬ , g i v i n g £¦¬ e t o s o m e ¢ £ ª « ª ¡ ¥ ² ¬ ´ y i n n o v a t i v e p i e c e s . ¤£¢¦ ² ´¤£´ y « ª « £ ¤ ± ´ e w a s t h e ´ª¾ª£´ y ¬ ² ¨ ª £ ¦ « ¨ ¬ ª d ¨£ª -

sentation of palm a n d mask ¢©£ ²§h §£ª¤ t ¨ £¢£¤¦¢ s o f s o m e o f t h e m o s t s i l h o u e t t e s . T h e last £ m is ¨ £ « ¦ ¡ ª ¡ t ¤£¢¦¬¢ s o f t h e 1910s : t h e p o e t s yet a n o t h e £ £¦§¦¡¤ l £ª¤¢¦ n - light o s p a c e i m a g e s u s i n g M a x J a c o b a n d Ò¨ ´ ´ ¦ ¡ ¤ ¦ £ e (in h o s p i t a l å Picasso w i t h h i s w a ¦¡ ²£¦ª¬ ) a s w e l l a s t h e l i g h t b u l b s , w i t h ¨¤ ¦ ¡ ¢ ª £ s f e D o u a n i e £ R o u s s e a u a n d ¥ £ ¤ ½ ¦ ¡ g a n d t h e ¨ © ¢ § £ ¤ æ ¤ £ ¦ e Þ¤² £ª¡ ¦ n ( a Üç Üe ¡ ¢ ª « ¨ £ ¤ £ y p h e £ G j o n M i l l ¤¨ ¢ ²£ ¦ ¡ g t h e movements. f e m a l e ¤£¢¦¬¢¬µ . H e e v e n m a n a g e d t o © ¢ §£¤¨© y w a s a l w a y s £ ª £ d h i s ´ ´ ¤± £¤¢ ¦ n w i t h 袣¤¾¦¡¬Ä y ë í in 1917, f o w h i c h a majo £ e l e m e n t in Picasso's o n t h e ballet éê êì ¤£¢¦¬¢¦ c ¤£ªª£ a n d ¨ª £ ¬ ¡ ¤ l he painted the ¥ª £. The exhibition t h e n f o c u s e s « £ e o n othe£ ¨ © ¢ § £ ¤ - life. W e g e t a d e l i g h t f u l ¨© ª£¬ ' t a k e o n his t a n d h i s ¨¤£¢¡ª£¬©¦ p i n s i g h t i n t o his c a p t i v a t i n g took

Å

£a ¤ ¤ £ ï s ¬ª£¦ª s d e p i c t i n g t h e £ ª¤¢¦ n o f ùúû ðñòóôõö÷ in ø . Eac h p h o t o is t a k e n at a ¥¦³³ª£ª¡ t s t a g e a n d ¢ © ª £ ª ³ £ e c o n s t i tutes a ¨£ª ¦ ²s d o c u m e n t a t i o n o f Picasso's ¤£¢¦¬¢¦ c t e c h n i q u e . O t h e £ f a m o u s ¨© ¢ §£¤¨©ª£s include Doisneau a n d Ý£¤¬¬¤¦ . B o t h ± ¬ ª £ ¾ ª d h i m i n t h e intiä m a c y o f h i s . Ý£¤¬¬¤¦ï s ¨¦ ¢²£ª s s h o w his i n v e n t i v e p a p e£ s c u l p ¢²£ª s o f t h e 1940s. T h e f i n a l £ « s ¡ ª¡ ¢ £ ¤¢ e o n t h e last 20 üýþ ÿs o f t h e ¤£¢¦¬¢ï s £ª¤¢¦¾ e life. ¬¢, w e ªÆ¨´ £ e his ´ ´ ¤± £¤¢¦ n w i t h Ò ¡ ¥ £ e

with s o m e of t h e m .

, s o I ¬¢£ ¡§´ y £ ª « « ª ¡ d this t o all Picasso

´ ¾ª£¬ .

U n t i l 28t h

Î

ª¤£ ª¬ t

æ

¤£ h

tube:

ݤ£±¦ ¤ n

A d m i s s i o n : £6, c o n c e s s i o n s £4

8

e

2

n Specimen A Review + Competition t h e y like t h e s o u n d of. AI t h e m o m e n t ,

:

they

e just b u i l d i n g u p thei #

,

been

on

l " d s e 0# $e

s o by p l a y i n g a f e w g i g s (a t o u is d u e

o w h a t h e did), but t h e

i m e n A at o u u n i o n , a n d w h a t a s u c c e s s

s o o n ) , a n d a bit o f o play w i l l set

c o u n t s . Thei d a d also h a p p e n s to m a n -

it w a s . T h e i u n i q u e

e d of g tunes had t h e ' f l o o p a c k e d o u t (it h a d t o b e ,

t h e m o n the d to

s i n c e it w a s a sell o u t ) .

m that t y p e o f m u s i c - t h e y w a n t to b e e k n o w n fo thei o w n d o f ' p u n k " a n d n o t as # s o f Flint et a l . This , t h e y w o u l d love to d o Glas , o s o m e o t h e festival a n d # h a p s e v e n # # t s o m e o n e ( # s Hill

punk, a n d

But a l t h o u g h IC h a s s e e n S p e c i m e n A play t w i c e , n o t m a n y p e o p l e

w h o they get a n

.

know

C l u b s c e n e m a n a g e d to

w with t h e m e t h e

gig.

&. Although

t h e $ & # s to the y will be m a d e , the guys

e l o o k i n g to get away

e they? Well, S p e c i m e n A ! e a c o u p l e o f likely l a d s s a c t u ally) w h o " , # $ e a n d p l a y t h e k i n d o f m u s i c that t h e y w a n t t o . y

was a n a m e m e n t i o n e d a f e w times) o n

g o o d w h e n y o u take into a c c o u n t that

ing && ,

So w h o

they

e o n l y 18 a n d 20 s o l d .

Thei d e b u t a l b u m , c a l l e d Pulse, w a s

" n in a y e a a n d f u s e s t o g e t h e s e v l s o f m u s i c : h i p h o p , m a n d ! bass, h e a v y t e c h n o , a n d $ e - a s i m p l e s y s t e m o f # $ g $% s that

)*+ ,

, t h u s b u i l d i n g u p thei # e a n d

g e t t i n g s o m e m u c h n e e d e d publicity.

A n d w i t h thei

a g e t h e m , whilst m u m is a m u s i c t e a c h e

1 234

s in t h e family?) a n d h e l p s o n t h e c o s -

t u m e

5678

! , s o b a n k l o a n s a n d all that it's all 9 : ; ; < = h is y a # & , all t h e y h a v e to d o is # $ e the g o o d s .

w h o will

, ,

.

i n g that S p e c i m e n A taken

! "It's all a l o a d o f g h i p p y $ #' , as ( & n m S o u t h k w o u l d say. That is F n t o t h e G $ e f o y o u . Y o u HI J K L M H N y h a v e t o b e i n t o t h i s t o f t h i n g to e n j o y this n i g h t . A n d I w a s n ' t ,

O b v i o u s l y this y e a w i l l b e $ $

,

s o m e t i m e - a n d w e s a w t h e m >?@AB !

/ m

music w o u l d have pissed m e off even o n

But this w a s b o n g o m hell. O n e m

a # e beach

w a s e v e n w h o l l y d e d i c a t e d t o t h e little

what is

that t h e v e n u e , T h e Rocket, is q u i t e g o o d a n d t o b e fai to RTFS t h e y d i d $

e

it w e l l . I t h i n k it's a s t u d e n t u n i o n by day,

STUVWUXY , & , p s y c h e d e l i c $ e u s u -

a b cde fg da h l f e l l a s . I m a g i n e w e l l o v e a ! d tone-deaf, untalented, a n d $ d $ s g to play (!) ! t h e i & s in t i m e w i t h e a c h .

s o it's a bit a n g u l a a n d f u n c t i o n a l in

O b v i o u s l y t h e y f a i l e d , but & e & # -

p l a c e s , but it d o e s t h e j o b as a majo c l u b

tantly t h e y e a n y o n e f o o l i s h e n o u g h

v e n u e . T h e RTTS p e o p l e

_

ily a b o u t t h e m u s i c , a n d o n this f u n d a -

to stay in t h e & , c o m p l e t e l y m a d . A n d what's & e they used up a w h o l e

m w h i c h c o u l d h av e b e e n filled with $ c t h a t RTTS is

the hypnotic / f a m o u s .

i

" , d o n ' t just take m y " d f o

n t o o n e o f thei a l b u m s

a n d if y o u like w h a t y o u h e a t h e n g i v e

they've m o v e d o n t o n e w a n d shitte pas-

. But I'm n o t g o i n g to say ! neve g o , because maybe I caught RTTS o n a b a d n i g h t . It w a s a & & g

. The only w a y to desctlbe the music

festival o n t h e n i g h t , s o y f u c k e a n d

to t a k e y o u b o n g o m w i t h y o u . Afte

his w i f e h a d a b o n g o m o n t h e m . A n d

all, c l u b s

w h a t RTFS

Z[\]^

y is a b o u t . O

maybe

a is as m i n d - n u m b i n g . ! This stuff y m a d e y o u n t - t h e ! dance music equivalent of h metal. in t h e m a i n

` I m e a n . I a c t u a l l y felt q u i t e

naked without - I should have taken

To e a n y e n j o y m e n t m t h i s , let

mine along with me. Then maybe

a l o n e b e i n g a b l e t o d a n c e t o it, y o u

h a v e g o t & e i n t o it. But I d o u b t it. Y o u

w o u l d h a v e to h a v e t a k e n e n o u g h s p e e d

see b o n g o &s

!

!

e

I'd

all o f this.

t h e c l u b n i g h t a g o . But & & n o t

c fo d a n c i n g i n , n o t fo

p o u n d i n g away incessantly o n ing

&

annoy-

.

g

! t w h e n e

. E e w a s just n o t h i n g to

is o n l y a f e w o f t h e m b e i n g p l a y e d by

it - n o m e l o d y t o s p e a k of, n o t h i n g t o

h i g h l y s k i l l e d # & , as a n a c c o m -

t o kill a

us C D s t o g i v e a w a y .

! g d

p a n i m e n t t o the m u s i c . That's w h e n t h e y

last G

a b s o l u t e l y s h i t . O PQ R e w a s

a d d an 0 a d i m e n s i o n to a club night.

in G o a . A n d

! e E x fo all t h e i h e l p , a n d g i v i n g

t o let t h e a l b u m f l o p - n o t that it s h o u l d ,

l a t c h o n t o . Just d e a f e n i n g kick & s

s o m e o f t h e i a l b u m s f o this)? That's

was

,

d

a n d a lot o f s w a y i n g b o d i e s . I t h i n k t h i s

m a k e s this e v e n & e o f a s h a m e

M a n y t h a n k s a l s o t o J o d i e a n d D k at

e

m e n t a l $ n RTTS f a i l e d & y

That's ' c o s ( a n d I'll b e b l u n t ) t h e m u s i c

e a l s o g e t t i n g lots o f # # t m f a m i l y a n d . T h e i d a d has

ally a s s o c i a t e d w i t h RTFS (just c h e c k o u t

g days.

c a band to be

.

g o e s to plan, S p e c i m e n A will be

the

my & e o p e n - m i n d e d

fo

e a l s o . y chilled-out, , happy, a n d m o s t $ y n o t $ . But c l u b b i n g is n o t just a b o u t t h e s e t h i n g s - it's # & -

a n d # y n e v e h a v e b e e n , e v e n in

tival s u c h as /

. .

.

v o c a l s a n d lots o f synths". Ideal fo a f e s They

.

g l e in t h e n e x t c o u p l e o f m o n t h s , s h o w -

g i v e n t h e b a c k i n g o f B M G . If

s

"visually a c t i v e , live s o u n d w i t h p l e n t y o f

i n g a c o p y o f J o h n ' s n e w m i x a l b u m in the post y s o o n :

e P u l se a n d t h e t s i n -

t h e y n e e d publicity, a n d t h e y can't

s to t h e f o l l o w i n g , w h o $ $ y " d last w e e k ' s c o m s w i l l b e $ petion question. C (

Recently,

they s i g n e d to the $ d giants B M G ,

n to the e

. Fo e a c h s h o w , S p e c i m e n A

g a h u g e a m o u n t of e q u i p m e n t , a n d

t live s h o w s , i n c l u d , $ s (thei - . , S p e c i m e n A e g o i n g f o a

.

n

(Specimen A did not m e n t i o n w h o with

t y s a w t h e s e c o n d g i g b y S p e c -

!

F b

e

8

Albums + Singles

m

t t

p i c k u p o n t h e fact that t h e ~lpy k t a k e s

m ym ln ~ s j l k m 'I h e a l m u s i c in t h e |~lmm~¦ . Out soon ~ lkw{h BMG.

•

This w e e k ' s a l b u m o f t h e w e e k

comes

in t h e j k l m o f C o l d c u t ' s "let u s lmnopqr ,

C a f e D e l § p l ) h a s c h o s e n t h e ~lpy | .

a n d w h a t a f i n e a l b u m it is t o o .

All t h e m u s i c o n t h e C D s pl e t a k e n j l k m

It's a

s m t l d a n d s k u v m l j w l a l b u m , a n d is t h e s k l o d t o u l o f live culmination of a

• • •

P a d i l l a h i m s e l f (the f a m o u s DJ o f t h e a '

n m l t k d a n d the classic

the

po mp lt c t u n e s that h a v e s h a p e d I b i z a

A c l o s e l wu u m l f o l s i n g l e o f t h e w e e k , it's

s h o w s ( n o n e o f this n l m x l m y k l v m d

on

i n t o w h a t it is t o d a y . In | kl ~ , t h e s e pl e

a { p l p { e t u n e by o n e o f t h e

DAT

such

as

t u n e s that h a v e m a d e

n l k v w y m l s a b o u t o n t h e { p l p { e s c e n e at

So what's

the

z

bollocks)

in

cities

plymokua a n d Tokyo.

album about?

W e l l ba s i c a l l y , it's l o a d s

o f n l k { l m | | t } e h o u s e t u n e s all o n o n e

¨©ª«ª¬­®s

Smokebelch

´

ple II

Ibiza.

mlm, by

All

Ihe

plpv t|m , A g u a , a n d J o s e P a d i l l a t h e list

goes on and on.

w i t h e a c h ~l p y k i n s o m e j k l m o l a n o t h -

| n m y ~ l w m o f t h e classic I b i z a n hits. T h e

el (e.g. l m t t u { . All t h e t u n e s pl e {lmp t a n d p l e b y s m o ox l m | n m y ~ m d pl~t|~ s

m e l o d i e s , soft-vocal a n d

s u c h as pl l .

w i t h a slight b e a t a n d t h e s o u n d

mle ple chilled

spl otu{s o f M i s s S e l e n a Saliva a n d t h e Sycophants

on

'the

Tale

of Viginia

E p i t o m e ' a n d ' N o a h ' s Toilet) - d o n ' t a s k

those of y o u w h o

m e w h a t that's all a b o u t ! m l e pl e t w o

µ¶·¸¹º» , it is a f e w q mp l s o l d n o w , but if y o u w a n t a ~lt p d o w n m k l y

d o z e n o l s o | w n m l b , h o u s e ~l py | ,

t h e n c h e c k out these.

whilst t h e s e c o n d j m p ~ w l m s a n o t h e l six

O u t o n React m y k l v s

o n a u k l p l C D nopqml .

o n t h e v p u y m j o k kl | , a lot o f p e o p l e s e e m to p{lmm. ,

The C D c o m e s with

~ lme

m i x e s , t h e b e s t o f w h i c h is by t h e Ruff

ÐÑÒÓÔÑÕ

•

.

• • • t p

s s s ¼ w | t y xu m ~ s k l ¼ y k ½ l m p y ~ )

A g o o d soulful, {p lp{ e tune jmp~wltug

•

• • •

t h e v o c a l talents o f J e a n M c C l a i n . A g a i n ,

e

d o w n s ol a n y t h i n g .

it's a g o o d , s i m p l e ~lpy k - n o f a n c y lmp -

s o m e p o i n t o f C o l d c u t ' s ~k w l . D o n ' t let t h e p a c k a g i n g p u t y o u o f f e i t h e l - it

G o o d vocals, sim-

plvykle

a

p l e , c a t c h y t u n e . T h e ~l py k c o m e s w i t h

It is {lm p t a n d

'

fou

m a y a p p e a l to b e a h a p p y type a l b u m , b u t it's n o t .

ideal

lane,

Both CDs fea-

~wl e s o m e ~lp y s l m y k l v m d live j l k m

s o f t v o c a l s , m a k i n g it a n

{ p l p { e t u n e . S i n c e it's kick u p a | ~k l m

of

q m pl s a g o , t h e n y o u c o u l d d o a lot s k l | e t h a n to c h e c k o u t this c o l l e c t i o n .

(

and

fol

l o v e d Ibiza a f e w

The

t u n e jmp~wlms a }mly simple, catchy beat

tunes

w a v e s ylp| tu g onto the beach,

l m om p| e

t h e H o o k e d cut Ê j l k m t h e a l b u m ) .

tu|~lw mu~p l

C D s o n t h e a l b u m . T h e jtl| t j m p ~ w l m s a

o l s o w h i c h y o u c a n play o n y o u l PC o l

a n d in § p l y h o f t h i s qmpl , she

The tunes span the

t u n e s p l e o n , as w e l l as t h o s e

s a w t h e l m om p | e o f

Donna's |wnmlb "Spellbound" album,

of

C D ; but C o l d c u t h a v e h a d a n i n f l u e n c e

out ~lpy | , v o c a l ~lpy s e . g . t h e a c o u s t i c

the m o m e n t .

including

¯ ° ± ²³ s

the

hottest

any nlk{lm||t}e h o u s e fans out ~ mle

Ö m i x e s , b u t w u j k l ~ w u p ~ m o y t h e y all

s o u n d exactly the s a m e , with minimal

s h o u l d get t h e i l h a n d s o n a c o p y o f this

O ul single of the w e e k - an d what a t u n c

c h a n g e l e a v i n g t h e } p l t p ~tk n a bit t h i n .

album. O u t n o w o n Ninja myklv|.

it is - is a | w n m l b ~lpy k by M o n i c a w h i c h

O u t in § p l y .

jmp~wlms the M A W d o i n g the ¾¿ÀÁÂÁÃÄ. It's a yl k| s b e t w e e n

R&B a n d { p l p { m ,

•

• •

s i n c e it d o e s n ' t s e e m t o b e in e i t h e l

• • • •

•

{ m u l m , a n d it's t h e k i n d o f t u n e y o u c o u l d s m o o c h t h e n i g h t a w a y t o . A soft

a

bass line a n d M o n i c a ' s s w e e t v o i c e m a k e

e

t h e v o c a l m i x p l { w p o y t h e best mix, but

t a M u l t i p l y is a l m y k l d l a b e l w i t h a t|~kl y

~ m l e is a stack o f m i x e s to c h o o s e Å Æ Ç È ,

o f n l k v w y t u g {lm p t ~lpy s - pnpl t j l k m

including dubs, a n d a h o u s e mix. M o n -

this o n e . This has to b e o n e o f t h e

y | w m l , w h e n t h o u s a n d s o f u s

ica's v o i c e is {lmp t a n d t h e M A W d o a

t u n e s I h a v e evel m p l v , a n d

head off o n oul holidays, the

lmykl d

| w n m l b j o b o f g i v i n g us a b o u t half a

k l e p l e n t y o f p e o p l e p { l m e (ask t h e

c o m p a n i e s ' lw b t h e i l c o l l e c t i v e

hands

d o z e n }m l |tk u s t h a n k s to thei l mixes, giv-

m t | ~ l y s t u d e n t s in t h e E v a n s lab!).

i n g p l e n t y o f }pl tp~ tku| .

T h e ~lpy k is s i m p l y yl p n . It kick s o f f w i t h

s

~ k{ m ~ m l , a n d fill t h e s h o p s u p w i t h t h e ¡ ¢ ¡£¤ £ -

¥

lm p t v o c a l s ,

{ l mp t t u n e - | w n m l . O u t in § p l y .

fast-buck C D s . T h e s e C D ' s ( a n d ~ m l e

•

• • •

d o m l y |ylmpm "gotta have hope".

that h a v e b e e n o n t h e d a n c e j o k k l s in

¥

l m m y m , S p a i n e t c . Basically, t h e y h a v e DJ w l u ~p o m s

(o l

whatevel

tu~lkvwye the t h e m e jlk m

h

A Space

Odyssey', again, c o m p l e t e l y lpuvk oq,

l

theil

n a m e s plm ) in l e s s t i m e t h a n it t a k e s f o l

Not

c o n t e n t w i t h that, t h e n l k v w y m l s t h e n

b e e n c h u c k e d t o g e t h e l a n d ' m i x e d ' (?) by

a b e a t that is f i n e e n o u g h , b u t w h i c h is t h e n w l v m l m d as a w o m a n |~pl~ s to lpu -

1

pl e l o a d s o f t h e m ) pl e t h e y wl l m u t hits

s kl | t

what's

! m j k l e t h e w o m a n , o n c e a g a i n , |~pl~ s T h e q u e e n o f R&B o n c e a g a i n d e m o n -

| |ylmp tu g again. The CD c o m e s with

that as a ¦ l m t u v m l ' o f y o u l h o l s , y o u ' l l

|~lp~m s w h y s h e is just that. A l l night l o n g s is a k u v m l j w l ~lpy , w h i c h j m p ~ w l m s t h e

I J u l e s , t h o u g h ~l p{t ypo o y y o u l m pl s

buy the C D .

O b v i o u s l y if y o u w a n t t o

a w e s o m e v o i c e o f Faith, as w e l l as t u n e

! s u b j e c t e d to e x a c t l y t h e s a m e t u n e as

but t h e m t h e n f i n e , b u t ~ m l e p l e lots

w h i c h h a s a {l mp t l q ~ m to it. But y o u

y o u t o pull o n y o u l h o l i d a y , in t h e h o p e

o f t h e m a n d c h o o s i n g t h e lt{ t

one

c a n o f t e n b e a p a i n in t h e pl | e s i n c e

1

j ~ l m e m i x e s , o n e a l l e g e d l y by J u d g e

the othel two mixes.

A n a w f u l ~lpy ,

pl e s i m p l y lost in Evans' s k u v m l j w l v o c a l s

w h i c h y o u s h o u l d a v o i d . It's o n l y u s e is

~ mq¦l e g o i n g t o h a v e ~l p y s o n t h e m

a n d that's w h a t lmpoo y m a k e s t h e ~lpy .

as a n l m | m u t f o l s o m e o n e y o u

The single c o m e s with ~ lme mixes, the

hate.

w h i c h y o u will hate.

a l b u m } m l | tk n ( w h i c h is t h e best mix), a n

T h e b i g g e s t { l k w p o f C D ' s that

come

o u t pl e t h e o n e s that m e n t i o n I b l z a in thei l n a m e s , b u t o n e { l k w p o f C D s that

pl e d e f i n i t e l y s k l ~ h c h e c k i n g o u t , is t h e C a f e D e l M a l | ml t m| . m l e p l e ~ l m e o f t h e m in t h i s npl ~tywopl |m l tm | , a n d J o s e

pl e

É

lmpoo y

u| ~ l w m u~ p l Êpolt{ t if y o u like t h e s of t ÎÏ t if y o u just

t u n e ) a n d a n a c e p p e l l a ËÌ Í

w a n t to h e a l Faith!). T h e t u n e j m p ~ w l m s P u f f D a d d y a n d t h e ~lpt n | n k ~ ~ m l s m i g h t m

s

4

8

e , s äüĂ? Ù×Ù Ăš t b e i n g Ăł Ă™ ĂĽ Ă™ Ă— Ăœ Ă? Ă™ d b y t h e

fo ĂŤ Episode 1 w h i c h was s h o w i n g at s e l e c t e d

cinemas

Ă—Ă™ ĂĄ ÙüĂ?Ăžø . M o s t o f t h e g a m e s h a v e Ă— Ă™ Ăž Ă™ Ăœ Ăš Ă™ d at b u d g e t (o ĂŤ at been

þ×ä ĂĄ ÙÚ , a n d in o n e Ă— ×ÙÞ ä óó Ă™ d t o t a k e o t w o cases Ă— advantage of mino innovations Ă— äĂ—Ă™ ĂĄ Ă? . In s u c h as D ĂĄĂœ Ă˜ s a n d Ă› least )

Ă— b e l o v e d G a m e s Edito Ă— like s t o Ă˜ Ă— Ă™ Ăš s Ă—Ă? Ă— Ă— ×ÙÞ u p as Ă›Ăœ h V a d e - in fact h e ' s Ăœ y h a p -

Ou

o n e case s o m e additional (and exclusive)

missions

have

been

put

Ă™üâĂ—his v i s a g e , w h i l s t m a n h a n d l i n g a n Ă? Ă Ă— âÌ ĂŚ ä ĂĽ g w e a p o n . But e n o u g h o f mous

Ă— Ă—Ă™ĂžĂ™ĂœĂšĂ™. t o g e t h e solely fo ĂŤ this Ă— Ă™ Ăž Ă— At t h i s p o i n t I'd b e t t e Ă˜ ĂĄ Ăœ e a n äüĂ?Ù× ÙÚ t -1 a m a Sta s f a n . A s a k i d I Üä áĂ—Ă™ had the Ăł s a n d m a n y o f t h e ships. Ă— I'd h a v e t h e m still h a d m y m o t h e n o t

that...

s o l d t h e m f o ĂŤ a m e a s l y five q u i d . W h i l e

g a m e s s h o p in t h e last f i v e ç è Ê ês (in fact

films (the

Ă&#x;

pie t h a n w h e n c l a d in tight b l a c k

ÞÙ Ăœ Ă?à Ù× ,

with a n e n c l o s i n g black m a s k å â ã

Ù×äüg

Ă— A n y o n e w h o ' s b e e n in a c o m p u t e

almost a n y o n e 'of a ĂĄ

Ù×Ă?Ăœä n a g e ' w h o

hasn't a c t u a l l y b e e n d e a d f o ĂŤ t h e last

Ă°

five ĂŹĂ­ĂŽ ĂŻ ) w i l l b e f a m i l i a

Ă— w i t h t h e X-

I'm n o t totally b l i n d t o t h e faults in t h e

áüüĂ™ĂĄĂ™ĂšĂšĂœĂ—äĂžy l o n g dialoguey Ă™ä à äĂ— áĂ? Ăš , Ă˝ á Ăż e S k y w a l k e Ă— fullbits, Ă˝ Ăœ s Ăœ ĂĄ

stop), I shall b e a m o n g s t t h o s e q u e u i n g

Ă— â á ĂĽ d t h e b l o c k In t h e Ăš á Ă´ Ă´ Ă™ Ă— , a t e n n e Ă—

Ă—Ăœ ÞÞø ) a Ă— Ă™ ĂŚ Ă™ l ĂšĂ? Ăœ Ă— Ăś ä Ăł Ă Ă?Ù× pilot, a n d Ü× âm the

g e t to fly all t h e s h i p s

f i l m s - X-Wing, Y-Wing,

Ă—

A-Wing

Ăž

a n d B-Wing. Ăť âĂœĂ˜ y s p e a k i n g t h e missions f o l l o w t h e films, a n d y e s , y o u d o g e t t h e c h a n c e t o fly

Ă™%áĂœĂ?âĂ—äĂœl Ă?×Ùüå h of øâá Ă—e g o o d

along the

t h e D e a t h Sta - if

Ă—

Ă—Ă™ ÞÙ Ăœ Ăš e it's b e e n Ă— Ăľ à ä ĂĄ s in c l e a n e d u p a bit, t h e Ăł Ăœ &'()*+,-'( b e i n g á Ăľ Ăł Ă— Ăœ Ă˜ Ă™ d t o t a k e a d v a n á××Ùüt t e c h n o l o g y . tage of ĂĄ It a l s o e n o u g h . Fo this

includes t h e t w o e x p a n s i o n packs, a n d may well be you

Ă— only chance of getting

ò Ă™ ĂŁ Ă™ Ă— , d e s p i t e t h e á Ăľ Ăł Ă— Ăœ Ă˜ Ă™ , it's them. .â now

definitely

showing

its

age.

Ă— w a s X-Wing's s e q u e l , Ă— a l t h o u g h it's Ă´ â e o f a c o m p a n i o n p i e c e . Ă—äĂ?ä ĂĄ äĂš Ă´ s l e v e l l e d at O n e of the biggest ĂĄ Tie

fighte

X-Wing w a s that,

Ăľ Ăœ Ă—Ă?ä ĂĄ áĂž Ăœ Ă—Ăž y o n t h e final

m i s s i o n s , it b e c a m e w e l l n i g h i m p o s s i b l e .

Ă—

Ă— Ă™ Ăš Ăš Ă™ d this b y h a v i n g Ă?Ă Ă— Ă™ e Ă™ ĂĽ Ăš á Ă— ä ĂĽ g that e v e n difficulty settings,

Tie Fighte Ăœ Ă˜ Ă˜

ÚÙ× äÙÚ . In fact Ă? Ă Ă™ Ă— e m a y b e t h o s e Ă?à Ù×e thinking "Hang o n , of y o u out

Ăś Ă—ò Ă— â Ăœ d t o it, a n d I'm n o t a s h a m e d . O h

t h e s e g a m e s h a v e b e e n o u t f o ĂŤ at least

y e s , t h e g a m e s . Right, t h e flight s i m s , X-

ing cutscenes.

w i n g , Tie fighte

te t h a n X-Wing, p l u s y o u g e t t h e a d d e d

Wing

Ă?Ă Ă— Ă™ e çèÊ ĂŞs - w h y t h e h e l l Ăą ĂŤ e t h e y b e i n g Ă—Ă™ãäĂ™òĂ™ d now?" N o t to put t o o fine a p o i n t o n it, t h e last c o u p l e o f w e e k s

Ă— Ă?à Ù× f a l l o w f o ĂŤ P C Ăł Ăœ Ă´ Ă™ Ă— Ăš . have b e e n Ăœ Ă— Ă—Ă™ĂžĂ™ĂœĂšĂ™s have b e e n M o s t o f t h e majo Úþ×äüg schedules, w h i c h saved fo ĂŤ t h e

in m y d a m p , s w e a t y p a l m .

I'm l o o k i n g

Ă— a n d X-Wing vs Tie

n o n - e n t i t i e s like m e c o u l d s e e t h e c l o s -

Ă—

It w a s in /0/ 1y w a y b e t -

, collec-

tively

bonus of flying

2 the Ă™ôþäĂ—Ă™. ĂšĂ? â Ă— øĂžä ĂĽ e h a s The

known

fo

as t h e X-Wing

! "# $

.

also

3456789:

X - W i n g

been ,

with

äüĂ?Ă—ä Ăł áäü g s u b -

m e a n s that w e h a v e t o fill i n w i t h c o m -

has

pilations a n d a ĂĄ

k n o c k i n g

plot d e a l i n g w i t h

about fo ĂŤ quite

a

some

within

Ă™ Ă—Ă? Ăœ ä n a m o u n t o f g o s s i p ,

Ăś Ă— Ă?áü Ă? Ă™ Ăžø â Ăœ , a c o u p l e o f t h e g a m e s pubĂ™ Ă— Ăš Ă? Ăœ ĂĽ d this a n d h a v e Ă— Ă™ ÞÙ Ăœ ÚÙ d !khÂŁ>Ăš i Ă´Ă˜ Ă— Ă?à Ù× g o o d c o m p i l a t i o n s t o h e l p some Ăœ s

Ă— P C Ăş Ăœ Ă´ Ă™ Ă— s ĂšáĂ— ĂŁ ä ĂŁ Ă™ . Ăť Ăž ä Ăź Ăź Ăœ Ă— d Ăą ĂŤ e á Ăš Ă—Ă? o n e ( s e e last i s s u e ) , a n d Ă˝ ĂĄĂœ Ăœ s ( b l e s s (heft c o t t o n s o c k s ) ùÍ e Ăœ ĂĽ â Ă? Ă Ă™ Ă— . us p o o

Ă˝ á ĂĄĂœ Ăš Ăœ Ă—Ă? s h a v e Ă— Ă™ Þþ Ăœ ĂĄ ĂżĂœ Ăł Ă™ d a n d ĂŤ Ă— s g a m e s in i e i e a s e d all o f t h e i Sta

the last m o n t h o ĂŤ s o . T h i s m a y n o t b e

y unconnected with the flood o f

an

been

time

fifth

column

been

á Ăľ Ăł Ă— Ăœ Ă˜ Ă™ d

g a m e I actually went out a n d b o u g h t w i t h m y o w n m o n e y . It's best s u m m e d u p as t h e b e s t bits

Ü×

âm the

f i l m s - n a m e l y t h e f i g h t s . Y o u ùÍ e ( n a t u -

a n d i n c l u d e s t h e e x p a n s i o n pack. It is t h e most enjoyable of the games

in t h i s

pack,

much.

although

. âòÙãÙ× , the g a m e lacked a åâà Ù×Ùü t Ăś á Ăš Ă—Ă? ×ÙÞÙ ÚÙ ĂĄĂœ Ăœ s Ăœ d

set o f m i s s i o n s , a n d s o

ÚÙ×äĂ™ s o f þ×ÙÞþĂž Ăœ ĂĽĂĽĂ™ d Ă— Ăľ Ă—Ă?Ăž s i n g l e p l a y e m i s s i o n s . It w a s o n l y Ăœ y Ù× ÞÞ s u c c e s s f u l , a n d â ĂŁ Ăœ , X - w i n g vs T i e B a l a n c e o f ABC , a

Ă— F i g h t e w a s n o t q u i t e as g o o d a s T i e Dä Ă Ă?Ù× Ă— Ă™ Ăœ Ăš â ĂĽ , ýáåĂœĂšĂœĂ—Ă?s . Fo ĂŤ s o m e Ăł

h a v e n ' t i n c l u d e d B a l a n c e o f P o w e E in this p a c k (o ĂŤ if t h e y h a v e , t h e y ' v e h i d d e n it w e l l ) , i n s t e a d p l u m p i n g f o ĂŤ s o m e

Ă™ F Ă?Ă— a

"exclusive" missions. All in all, this is

tial

þ×Ù�� y m u c h a n e s s e n -

Ăľ á Ă— ĂĄ Ă Ăœ Ăš e if y o u h a v e n ' t Ăœ Ăž Ă— Ă™ Ăœ Ă˜ y g o t

t h e g a m e s . If y o u h a v e , t h e n y o u h a v e

W i n g : A l l i a n c e . They'll a l s o ĂŤ G n o n l o w e

also

t

Ăž þÙ Ă— Ăœ Ă?ä ĂŁ e o ĂŤ head-to-head play. Ă— Ăľ à ä ĂĄ s Ăą ĂŤe t h e b e s t o f t h e Ă? Ă Ă— Ă™ e ĂĽĂ?Ă— â l is e x c e l l e n t . g a m e s , a n d t h e flight åâ

m u c h as X-Wing)

distinction

of

Ă—

e i t h e åâ â The Ăł Ăœ

(although not as

; < = > ? ; . This h a s

Ăś äĂ—Ăš

Ă— w a s Ă˝ á ĂĄĂœ Ăš Ăœ Ă—Ă? s a t t e m p t t o Ăœ Ă˜ Ă˜ Ă— Ă™ Ăš s t h i s Ăľ Ă— â ĂŚ Ăž Ă™ Ă´ . Y o u c a n fly a s Ă— Ăľ Ă™ Ă— ä Ăœ l o ĂŤ R e b e l p i l o t s a n d in eithe @Ă´

vs T i e F i g h t e

Ă— oĂŤnot á Ăľ Ăł Ă— Ăœ Ă˜ Ă™ s ùÍ e ò â Ă— Ă? h s p l a s h Ă— ing out even ôâ e money. The games Ă— Ăœ e still a j o y t o play o f ĂĄ â á Ă— Ăš Ă™ , a n d t h e s e á Ăľ Ăł Ă— Ăœ Ă˜ Ă™ s w i l l h e l p fill o u t t h e w a i t f o ĂŤ X-

the

n o w . It h a s t h e

being the

Ăś Ă™ Ă?á Ă— Ăœ e that b o t h X-Wing a n d Tie Ă— F i g h t e l a c k e d w a s t h e abilit y t o b l o w Ă— Ăś Ă— ä Ă™ ĂĽ Ă˜ s i n t o a t h o u s a n d p i e c e s in a you Ă— Ă™ ĂĽ ĂŁ ä Ă— â ĂĽ Ă´ Ă™ ĂĽ Ă? . X-Wing decent multiplaye One

not

by

to m a k e t h e c h o i c e as to w h e t h e the additional

Ă—

%áĂœĂ˜Ă—âü, spec machines than Rogue H Ă™ ĂĽ Ă™ Ă— Ăœ Ăž Ăž y betteĂ— g a m e s . a n d Ăą ĂŤ e (I t h i n k ) Ăł Danny

h Ă— ĂšĂ? Ăœ ĂĽ Ă˜Ăœ Ă— Ă˜ s 2 Ă— Ă— fo t h e s p a c e f i g h t e s i m u l a t o s c e n e , XĂ— Ă— þþ Ă™ d the batton, W i n g Vs T i e Fighte Ă˜ â If X-Wing a n d Tie f i g h t e set t h e

Ù× ò ĂĽ Ă™ Ă— Ă™ d o f f foĂ— a kip fell âã , a n d t h e n Ăœ Ă˜ á Ăš I Ă—Ă? s Ă? Ă—äĂ™ d b e h i n d t h e h i g h j u m p pit. Ă˝ ĂĄĂœ Ăš Ă—

to â t o u t thei

Ă— þ× â ĂŚĂž Ă™ m child with a n e w

(

pai o f

Ă— á ĂĽ ĂĽ ä ĂĽ g s h o e s ( B a l a n c e o f JKL è ĂŞM ,

b u t in a c l a s s i c c a s e o f t o o little t o o late, the Decent -

D×ÙÙÚþ

ĂœĂĄe team sneaked

into the lead.

Ă˝ á ĂĄĂœ Ăš I Ă—Ă? s h a s n o t g i v e n u p that e a s Ă— p l a n s t o Úþ×äü t b a c k i n t o t h e

ily a n d t h e i lead

with

t h e lates t

Ă—Ă™ĂžĂ™ĂœĂše

A l l i a n c e Ăą ĂŤe a l m o s t c o m p l e t e .

You

might

have

involves

flying

some

Ă— Ă™ Ăœ Ăž ä Ăš Ă™ d that t h i s p a t h Ăś ĂĄĂ—Ăœ Ă?.

NĂ—ĂœĂĽĂšþâĂ—Ă?s ××ÙÞÞäĂœn s u c h as t h e Qâ Ă?Ă—ĂœĂĽĂšþâĂ—Ă?s and the new

X-Wing

f a m o u s M i l l e n i u m Fal-

Rathe

c o n (Yes f o ĂŤ o n c e y o u

Ă—

ĂšĂ? Ăœ Ă— Ă? äü g o f f a fully f l e d g e d R e b e l ĂšĂ? Ă— Ă Ă— Ă?Ù× Ăś Ă— â m pilot, y o u Ăœ t a s a l o w l y ĂĄ Ăœ Ăœ ĂĄ Ă— üÚþ Ă— â t b u s i n e s s . O P Ee y o u the family's N Ăœ than

ĂšĂ? Ăœ Ă— t b y f l y i n g Ă? Ă— Ăœ üÚþ â Ă— t a n d Ă™ Ăš ĂĄ â Ă— t m i s þ× Ă?Ă™ Ă?Ă— üÚþ â Ă—Ă? s Ăś Ă— â m Ă—ä ĂŁĂœ Ăž s sions to â ĂĄt the Ăœ Ü×äÙü Ă— Ă˜ s in t h e Ă™ Ă´ Ăľ ä Ă— Ă™ . T h e p a t h a n d thei Ă—Ă™ Ă?ĂĽ ÙÚ s þ×â ó× ÙÚ Ăš Ă™ s to t h e ÚÙå×Ùt to Ăł Ăœ Ă?Ă—Ăœäüäüg ó×âáü Ă˜ s ĂŚĂ™ÜâĂ—e y o u Alliance

too

can

D Ă— â Ă˜R .

The

be

.ĂœĂ—Ă—äĂšân

ĂłĂ—Ăœþà äås a n d

sound

s i n c e X Vs T i e

have

been

slightly

ĂĄĂ ĂœĂ— óÙ d up, but what Ă— w ill d e c i d e w h e t h e it m a n a g e s t o blast the o p p o s i t i o n into t h e col d v a c u u m o f

ò â Ă— k with a Ăł Ă— â á p o f Ü×äĂ™ĂĽĂ˜s but w a s a þÙ×Úân c o m p l e t e p a i n t o play in s i n g l e

finally m a k e it just in t i m e f o ĂŤ t h e battle

s p a c e is t h e s i n g l e playe

mode. The

against the s e c o n d Ă˜ Ăœ

vs Tie w a s a d e l i g h t t o play o v e

Ă™ Ă? Ă ĂšĂ? Ăœ Ă— .

Ă— g a m e play. X Ă— a net-

ĂšĂ? â Ă— y a n d fifty m i s s i o n s w i l l

h e l p , a n d s o w e wait...and wait..and wait.

iCU S

8

t

6 N

d o w n . It w a s felt that h e w a s g o i n g t o edmne e at t h e e n d

T

o f this s e a s o n (as it j c c d j e d d last s e a s o n t o o ) b u t afte e

VWXY [\]^_` ^ U nZ e

y

his m a t c h w i n n i n g c d e z g e | j o v d , it is n ov e dj l no k i y likely that h e w i l l

T h e a b c d e f g h i , t h e ijekdl t a n n u a l l c g e m n o g e v e n t i n t h e

The Atlanta Falcons, c o u l d n o t have b e e n a | g e e

pqrst, c a p p e d off o n e o f t h e most exciting seasons o f u NF f o o t b a l l i n edv do t wdj el . A s is s o o f t e n t h e c a s e ,

unlikely c h o i c e as a b c d e f g h l v g o m d o d e s t w o s e a s o n s a g o , a n d e v e n t h i s s e a s o n n o o n e c o u l d h a v e c ed -

a b c d e f g h l xx , p l a y e d i n M i a m i , w a s a d i s a p p o i n t i n g

d i c t e d t h e i e s u c c e s s . This s e a s o n s o u n d s like a typical

anti-climax. T h e D e n v e e y e g o v g l , t h e e d m j n o n o g c h a m -

v g e o y H o l l y w o o d l cg em s m o v i e . A t e a m that h a s b e e n

p i o n s a n d l m e g o g z j { gbe nmd l , v g | z g e m j f i y d e f e a t e d t h e

t h e j o k e t e a m in t h e l e a g u e s i n c e t h e i e z g e | j m n g o , w i t h

D e n v e e lmjemd d t h e s e a s o n i n m e d | d o g b s .

t h e i e ceg f gh l ¼ b j e m d e f j v k h a s p l a y e d f o 6 N F t e a m s ;

T h e y just k e p t w i n n i n g a n d deedi l D a v i s , t h e e b o o n o g

Jamal  o d e l g o , t h e 2 n d best e b o o n o g bac k in t h e

}~ } e N F C C h a m p i o n s , t h e A t l a n t a F a l c o n s .

a t e a m full o f p l u c k y ed½ dvm s ¿À en s Á v j o di n de ' À jo ide ,

back, just k e p t . Fo m o s t o f t h e s e a s o n t h e talk

l e a g u e w a s a 7th e g b o d ejz t pick) a n d b o d e e j m d d ÃÄÅ -

was about whethee Denvee could match t h e 7 2 M i a m i

f e s s i o n a l s d e f i e d t h e o d d s t o b e a t t h e S a n Æejovnl o

ÇÈ

D o l p h i n s a s t h e o n l y t e a m s t o w i n y m a t c h o f t h e

de s t w i c e . T h e y a l s o b e a t t h e M i n n e s o t a V i k i n g s , t h e

s e a s o n . T h e y b e c a m e o n l y t h e m n e d t e a m in t h e nlmge y

b e s t t e a m i n t h e l e a g u e w i t h o n l y o n e c e d{ n g b s d e f e a t ,

o f t h e NF t o g o

in M i n n e s o t a , z e g m b e h i n d . T h e i e h e a d c o a c h ( D a n

0 (1 x w i n s , 0 l o s s e s ) a n d a m en i in o g

b o d e k g d s a ¼ b j e b c i e dje t b y p a s s g c d e j -

match w a s in an ticipatio n o n t h e p e n u l t i m a t e w e e k o f

Reeves)

t h e edkbije s e a s o n a t . . . M i a m i . g h d { d e , in t h e m a t c h

t i o n afte e a g a m e a n d c o m e s b a c k o n l y a f e w w e e k s

f d z g e e t h i s ( t h e 14th g a m e ) D e n v e e l be c en ln o ki y lost t o

ijmde . D a n R e e v e s c o a c h e d t h e D e n v e e y e g o v g s t o

t h e N e w g e k G i a n t s . T h e y d i d l o s e t o M i a m i a s w e l l ,

m e d e a b c d e f g h l d e f e a t s i n t h e 1980s, a n d zn ed d M i k e

a n d f o a w h i l e D e n v e e lost t h e i e t i m e i n t h e s p o t l i g h t .

S h a n a h a n ( t h e v bee do t D e n v e e c o a c h ) f o n o l b f g e n o j -

But, t h e y d l m e g w d d all o p p o s i t i o n in t h e p l a y o f f s , b e a t -

t i o n , f d z g e e b e i n g s a c k e d h i m s e l f h e l p e d b y c edl l b e e

i n g t h e N e w ge k Jets in t h e A F C C h a m p i o n s h i p m a t c h ,

z e g m J o h n Elway. T h e v jen l|j mn c Á©nem y yne lÁ , as t h e Falc o n s call t h e m s e l v e s , l o o k e d s e t t o a Álb ec en ld ' {nvmge y

a n d w i n n i n g theie s e c o n d s u c c e s s i v e a b c d e f g h i . T h e

m a i n f a c t o e f o t h e i e s u c c e s s w a s t h e z g e m o f deedi l

Denvee

J o h n Elway s h o w s o f f t h e

abcdefghl megc y

Davis. M a n y b e l i e v e h e c o u l d b e c o m e t h e k edjmdl t n i n g b a c k d{de , a n d h e v g o z n e | d d t h i s b y w i n n i n g t h e

É

in this lmgew . g h d { d e , t h e plot t o o k a n w h e n t h e night fdzge e Supee Sunday,

Ê

ejmd d twist

Eugene 'the

eg c d m ' R o b i n s o n , t h e A t l a n t a safety, u p s t a n d i n g f a m the

¤ l e a g u e M V P d ( b a s i c a l l y Playe ¡ o f t h e ¢ £ . Fo

wje s p e vjeew . T h e o t h e e b i g lmge y edi jmn o g D e n v e e w a s

almost t h e w h o l e s e a s o n Davis w a s in sight o f t h e

thei e { dmdej n ¼ b j e m d e f j v ª½ g n Elway, o n e o f t h e all-time

edvge d fo e wje s e b l d d i n o n e s e a s o n ( h e l d b y ¥ ¦§c Dick-

kedjml . A l t h o u g h h e w a s no½ bed d f o cjem s o f t h e s e a s o n ,

j eedl md d f o s o l i c i t i n g a n b o d e v g { d e p o l i c e w o m a n f o

ily À enl mnj n m a n a n d t h e w i n n e e o f a n d f o

m o s t | g ej l f o o t b a l l playe e o n l y a f e w gb e s djeinde , w a s

d el g n ). A l t h o u g h h e m i s s e d t h i s , h e d i d b e c o m e o n l y

a n d w a s n o t in his b e s t z g e m w h e n fit, his c e d l d o v e a s

gej l s e x ( D ' o h l ) . O n t h e a b c d e f g h i , t h e F a l c o n s cde -

t h e z gb em h p l a y e e t o ebl h f o 2 0 0 0 w je s i n o n e s e a s o n

a t a l i s m a n w a s n | c g em j o m . H i s d i s p l a y in t h e a b c d e f g h l

(the g m d e s ¨ e © n v ª d e l g o , O.J. S i m p s o n a n d «¬ ­­y

d j e o d d h i m t h e M V P d w i t h o v e e

z g e | d d w e l l b e l o w theie c a p a b i l i t y a n d R o b i n s o n m a d e ɾ the deege w h i c h g a v e D e n v e e a n wje d t o u c h d o w n that

®

°± ¯ s (last ² ³ ´ µ¶ ¶ , w i t h a n n o v e d n f i e · ¸ ¹ º· » e o f f i v e

¾

0 wj e s p a s s -

ing, o n e m egh n t o u c h d o w n a n d o n e cdelgojl t o u c h -

e f f e c t i v e l y s e a l e d t h e m a t c h f d z g e e half-time.

G

O e O u e znel t m a t c h i n o v e e t w o m o n t h s a n d

Mad

D o g didn't

even

get a

point

a l o w m b e o g b t l e d t o a h g e e w n o g mej{d l t o

j h j e d d against h i m - not b a d fo N o .

Southampton.

4 i n t h e v g b o m ew . Foil l v g e d : IC 9 - 0

Ou

ljfee a n d e p e e

teams only consisted of M o " M A n i m a l "

Ë

Southampton.

jolggei and Rob"Big Daddy" Ìbdeo-

By t h i s p o i n t t h e m a t c h w a s j i edj y

f de g edlcdvmn{diw , t h u s m e a n i n g that w e

w o n , s o w e d e c i d e d that t h e t a l e n t s o f

w o u l d ed¼ b n e e t w o n o n - s p e c i a l i s t s bat-

M e A n i m a l Ô Õ Öe N E E D E D in t h e e p e e t o

t l i n g it o u t i n t h e s e w e a p o n s a n d a s t u n -

a d d t o o u skill m d e d . H e lmj emd d o f f

n i n g c d e z g e | j o v e in t h e f o i l . A n d t h e y ÍÎÏÐÑÎÒÎÍ

f e n c i n g a g a i n s t thei e best e p e e i s t Æedov -

W e lmjemd d w i t h t h e l j f e d , w i t h t h e

w o n (his o n l y fight - Ý . A n i m a l w a s

.

o p e n i n g fight w i t n e s s i n g s o m e o f t h e

hgel t l j f e e e d z d e d d n o g s e e n f o a l o n g

b o y ( c l o s e z en do d o f Jailba.it). Æ e d o v f g y

obviously giving an o l d nomdeojmngojl team-mate a chance), but t h e n Ó . A n i -

t i m e (well d o n e D a v e ) - z g e m b o j m d i y Ó .

m a l w a s s l i g h t l y b e a t e n q u i t e b y all t h e i e

A n i m a l still w o n , a n d w e n t o n t o w i n all

e p e e t e a m . B i g D a d d y a n d C a p ' n Fyll

his f i g h t s i n h i s u s u a l f a s h i o n ! D a v e

zjed d m u c h fdmmde , w i n n i n g all thei e fights

" C a p ' n Fyll" H u g h e s a n d d o e y " M a d

with consummate

Dog"

b o y s . E p e e l v g e d : IC 6 - Þ S o u t h a m p t o n .

Ë Ë v g e m g n d i d well fo t h e foilists

they Ô Õ Ö e b o t h w i n n i n g t w o o u t o f m ed e fights. ×Ø Ù Ú e l v g e d : IC 7 - 2 S o u t h a m p -

ease. G o o d

show

I h o p e t h e l a d i e s w i l l b e n o l c n ed d b y this

OFVA

RDS,

RED ROSE

LY BEARS,

ß à á â ã á ä s I C U {nvmgew , a n d e m u l a t e this

GORILLAS,

success. M a n y thanks t o Tim fo en {n o g

ton. N e x t w a s t h e foil, w i t h o u e t a l e n t s o f

( w e all l o v e y o u ! ) , Ü j ej gª e A P K f o Ã Ä Å -

D a v e ÛÜj ej gª e A P K " D a v i d g e , a l o n g w i t h

v i d i n g t h e p o s t - m a t c h in-flight d o m d e -

C a p ' n Fyll a n d M a d D o g . A l l i n a l l , t h e y

tainment, a n d M

d i d n ' t d o t o o b a d l y , bmmdei y d l m e g w n o g

holding out fo the w h o l e match.

A n i m a l s ' f e d d v d s fo

theie o p p o s i t i o n a n d n o t e g c c n o g a fight. T h e o n l y | d e n m n o g t h i n g w a s that

I C U F C 22-5 S o u t h a m p t o n

1

& MICE

7

t

8

Y

ü H o w e v e è in t h i s è Ê ï Î ó h w e

C

çèe

m a t c h e d t h e K i n g ' s Í ç Ê è s in

t

than

C

C

y

Î èÏ e a s p e c t o f f o o t b a l l , ïòïè t á è ç m t h o s e ïèÞôê Îçn

W e f a c e d a n u n k n o w n c h a l l e n g e b u t it

f a t . ß Ê è í Î ù Î h is

w a s quite a pleasant day. Pete ß èç Ï Ì t

Well, w h a t c a n w e say? R e d u c e d t o t e n

little n e c e s s i t i e s o f luck, g o o d á çè ÎÏ ê ï Î Ê ,

The W e l s h p e o p l e c a m e to

men following a ÌçèèÊêÍçÏs challenge

a n d o f ó ç Ï è í Ê , a " h o m e " s t u d e n t èÊá ÊèÊ e

and they

o n o n e o f o u è íÎïèí , S t e p h e n ð Ê ù ï è , t h i s

w h o gave

game w as òÊèÌïòs the ó èçù ê ôê g point

team.

úÝ of o u è þ Ü U s e a s o n s o áïè . øÚ e S t e p h e n

y

ô ò çèÎïê t d e c i s i o n t o his

was èÏíÌÊd to hospital, a n d thankfully as

o u è òÞï Êè s w a s ç è e skilful,

nothing was ßèçýÊê, he should b e back

mined and

p l a y i n g in a f e w w e e k s t i m e .

óçÏêÎÊèòïèÎí. Kings

O u è j u n g l e skills á Þ ç ù Ê è Ê d u n d e è t h e

çèe

çèe

ÍÊÎÊè -

c o m m i t t e d that thei è

ó ç á ç è Î ï ß Þ y at

e

the top o f the division, s o w e c a n s e e n o

e

y

t h e b i g g e s t p i e á ïó Îçè y in W a l e s a n d sheep

M a n f o m a n , y s i n g l e o n e o f

the main ôê èÊÍôÊêÎ.

e

The

W e l s h h a d t w o íÊóèÊ t w e a p o n s . A s kickoff ï ò ò è ç ï ó Ì Ê Í , 2 Ê ß Ê è s o f the t e a m

è Ê ç Ê d thei è hats t o èÊ Êï l thei è g i n g e è !"#

.

ÏóýôÞ y

$%&'%())(*

it d i d n ' t èïôê . A s t h e g a m e c l e a è that t h e

, it b e c a m e

his v i d e o ó ï Ê è a t o film s o m e Ìï è Í

óçèe action, but ÏêáçèÎÏêïÎÊÞy w e o n the èÊóÊô ôêg e n d . W e got a 234567

e

1 e

g i n s t e a d , yet w e h e l d o u è e n d s fo

t h e áôèí t half. Thei è n a t i o n a l íÎïêÍïè d a n d i m m e n s e size m a d e us :;<=

. O u èÊïè

Ïïèd

8 9, w

and

action held dignity

ÿ m s k y a s o u á ç Ï è Î h w i n o n t h e Îèç t

è Ê ï í ç n w h y w e can't g o t h e èÊí t o f t h e

Êê Îô è e t e a m

ï ó ó ÊÞ Êèï Î Ê d u s i n t o ÎÌô è d p l a c e , j u s t o n e

s e a s o n u n d e f e a t e d , a n d thus finish t h e

sheepish look to them.

spot o f f a u t o m a t i c ò è ç ç Î ô ç ê . S p e c i f i -

s e a s o n ò è ç ç Î Ê d a s e i t h e è èÏêêÊèí Ïò ,

o b v i o u s Í Ê á çè ô Î ô Ê í , t h e i è d e f e n c e c o n -

òÊêÊÎèïÎôçn by t h e opposition w e gave

cally, t h e t o u c h o f t h e e l e p h a n t

lastadon

o è ò Ê è Ì ï ò í , C h a m p i o n s . A n d a l s o ÎÌ Ê èÊ s

tained n o "leeks" (Ok, n o w y o u pushing

way

w a s n o t in o u èïêý s t o d a y . N i c k , B o l a ,

B U S A ; lets b e a t R e a d i n g , a n d òèï y w e g e t

it - + òçèÎ s Ed).

e èÊÞïÎÊd a n d h a d a

,ÊèÌïòs

D e s p i t e theiè

the highlight o f

f o m o s t o f t h e áôèí t half.

çùÊ Êè,

>?@ A

a n d y i e l d e d to theiè

advances.

e at t h i s t i m e 5 - 0 .

been

Í è ï ù n a w a y t o Bath- h o w I'd l a u g h , h o w

t h e g a m e w a s M a t t " t h e s e í Ì çè Î s c a n ' t

Afteè

b l e s s e d w i t h t h e skill o f t h e è ï ó ç ç ê , a n d

t h e o l d b o y s w o u l d l o v e it! -1 w o n d e è if

c o n t a i n m y ï èí Ê " C o c k a y s t a m p i n g o n

pounded ahead even though w e

o u è Ê Êè íçÞô d d e f e n c e w i t h t h e c o n s i s -

t h e i è U n i o n is a s s h * t e a s it u s e d t o b e . . .

Welshman's

D a v e , J o h n a n d Elliot

h a d all

- è ï èÊ ß ô Î - ,

and then

c e e d i n g t o f l o p o v e è f o a Îè .

t e n c y o f a yak. T h e áôèí t g o a l w a s ß ç èê - a

B a c k t o t h e g a m e , IC d o m i n a t e d ,

vivid, j o y f u l c o m b i n a t i o n Î Ê è ô ê ï Î Ê d w i t h

w e h a d loads o f chances, s o m e badly

nately whilst w e

missed, çÎÌÊès well saved. Kings í óçèÊ d

t h e f a m i l y ÎèÊÊ , t h e

í ó ç è Ê d a f e w ÎèôÊí .

goat t h e n set w e l l i n , è Ê ò Þ ï ó Ê d at t i m e s

all

w e don't want t h e m anyway.

with t h e stealth o f t h e Þ Ê ç òï è d a n d t h e

Í Ê í Ê è Ê d g e t t i n g a equaliseè w i t h five

low c u n n i n g o f the fox. O u t e a m í Ï è Ê d

m i n u t e s t o g o d ó èç í í ô ê g t o t h e back-

T h e s t a m i n a o f t h e m o u n t a i n billy-

stopped.

Again

we

dominated

.êáçèÎÏ-

e Îè ôê g t o ù ç è k o u t

afte è o n e o f thei è òÞï Êè s h a n d l e d a n d w e

a clinical f i n i s h .

òèç-

/ èu

0 èôê g

íÏòòçèÎÊès

o n devolution,

afte è

s o m e playful behaviouè a n d p u n i s h i n g

half

time

constantly aching.

èÊáèÊíÌ ÊêÎ,

we

e

T h a n k s t o Bully's

t e c h n i q u e w e h a d o u balls c o n s t a n t l y at theiè f e e t . M e a n w h i l e G o o d O l d J i m - íÏ ò Êè í ò Ê ÊÍ " Soppeè íó çèÊ d a

B y

that w a s t h e h i g h -

light o f t h e m a t c h .

á çèù ï è d like a Ì Ê è d o f b u f f a l o a n d ç Êè -

p e g a n d theiè d e f e n d e è b u n g l i n g t h e

came the Shenley Scum. A n d then the

b a l l h o m e u n d e è m u c h ò èÊí íÏ èÊ . B u t

s e c o n d goal w a s óèÊïÎÊÍ ïê d also a

t h e n in t h e last m i n u t e a íÎèÊïý y óèçí s

ÎÌ ôèÍ èç m Î Ì Ê è e w e h e l d f a s t l i k e a

f o u n d its w a y t o a n Ï ê ï è ý Ê d íÎèôýÊè 20 o u t . H e s m a s h e d it o n t o t h e óèçí s

C C

Ì Êè e

e

DEFGHIJK

s o m e óÊèÎïô êÎôÊ s in life - t h e 0 ôèÎÌ ,

M L V

R ST R

, d a m a g e ß è ç ý e Î Ì è ç Ï h eventually,

a n d t h e n w i t h ó Ìï èïó ÎÊèôí Îô c ó ç çèÍ ô êï -

b a b o o n c o l o n y a n d w a i t e d patiently fo

ï èÍ s

t h e final w h i s t l e , w i t h u n s h a k e a b l e c o n -

ßïè , d o w n t o o u sta è d e f e n d e è Elliot,

f i d e n c e . Fo t h e è Êó çè Í , t w o o f t h e g o a l s

w h o , in Îè ôê g t o m a k e a full ó Þ Ê ï è ï ê ó e

w a s u n u s u a l w a s that t h e pull o f this áôèí t

line...leading to G u t m o u n d diving oveè

N;<OPQ

,

Death a n d a

team

g 5mins ßÊáçèe th e match! What

tion,

linked

with

the

ÊêÎôèe

T h e èÊí t o f t h e

e íóçèÊ d by A i d e n , a n d t h e otheè by

w a s s o u n l u c k y t o s e e t h e ball è Ê ß ç Ï ê d

B U S A c u p k n o c k o u t m a t c h h a d ïÎÎèïóÎÊ d

fo

J o h n , a n d t h u s t h e íòôèô t o f P h a e d o n ,

o f f t h e b e m u s e d íÎèôýÊè s c h e s t i n t o t h e

èÊí Êè Ê s a n d lots o f t h e m !

g a m e w a s s i m p l e to-ing a n d

t h e m i g h t y m o n g o o s e , lives o n . T h a n k s

goal.

chief.

d

ĂŻĂŹ ĂŚ ,

O u è o p p o s i t i o n ù Ê è Ê , áèïêýÞ ,

w e êÊïèÞ y ó è ô ÊÍ .

èôÎÎÊ d

N o t o n e w a s u n d e è 6'2" o 7 s t o n e . W e ,

exiles í ó ç è Ê d theiè t w o p o i n t s .

o n t h e o t h e è h a n d , t o a m a n , lithe, slight

T h e èÊíÏÞ t w a s a t e s t a m e n t t o i n t e l l i g e n t

W e d n e s d a y ïáÎÊèêççê , t w o playing foot-

a n d í ïèÎ . T h e m a t c h íÎïèÎÊ d a n d afte è

play o u t w i t t i n g fat-bags w i t h f o o t b a l l

ball a n d o n e w a t c h i n g . O n e èÏÞ e fo è o n e ,

s o m e c l u m s y play b y t h e o p p o s i t o n , w e

IQ's!

o n e f o ï ê ç Î Ì Ê è ? -nice, I C U .

h a d a í ó è Ï m - w e h a d little c h a n c e a n d

o n but

dicked on

e Í èô Ê n ba c k .

W e soon ùç èýÊ d to

U t t e è óè ï p èÊïÞÞ y a s w e çèe

e shat

fun than saying "we got - OH"

t h e w e a k n e s s e s o f t h e s e í ÎÊ è ç ô d m o n -

t e e t h , that " t h e y

e just that little bit t o o í Î è ç ê g f o u s " .

d CAG:

Tools

fo

Siv J a n s s o n :

S e l f ICU C i n e m a

Reliance, B a s e m e n t o f

O u t o f Sight

Beit Q u a d

The

6pm

\ ]^_

Wed 10

Tues 9

Mon 8

6 p m o n Film,

gÊ çÎôïÎçèd efòm

hiji

`

ôßèïè y k e f ò m

The Negotiatoè O u t o f Sight

i 12

B U N A C stall in ICU f o y e è

á ô Î Ê è ï Î Ï è e ICU C i n e m a

/ Êê Îèï l

l 2

_

s 11

12.15-1.45pm

6pm 8.45pm

V a l e n t i n e ' s S h a f t - ICU b

UVWXYZ[,

u n t i l , just ß Ê á ç è e t h e f i n a l w h i s t l e , t h e

O n í Ê ò ï è ï Î e n o t e , it w a s ô ê ÎÊ èÊí Î ô ê g

Kings w o n b y Î ÌèÊ e g o a l s t o o n e , I ù è ç ÎÊ ,

points.

t o s e e Î Ì è Ê e u n i o n s a b b a t i c a l s o n that

W h e n t h e s e t w o t e a m s m e t last Î Ê è m albeit Î Ì è ç Ï h

ÊèóÏÞÊïê !

u only

back

ê ô è ç ê Êê Î ï l S o c i e t y - STA V a l e n t i n e ' s c

Physics Ăś 2

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m i n u t e s left. J a m i e s l o t t e d a ball

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style.

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captai n Jamie, p l a y i n g in o d d

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sv{k

Phil, So-so,

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IC

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Id III ' p l e n t y ' - 0 I C S M III

a n d Rich.

In t h e s e c o n d h a l f IC get a lot

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a n n o y e d b y this,

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cau tio n t o t h e w i n d a n d this g a v e

RUGBY

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IC I

5-20

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style.

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w i t h . But }|v s-

ity g o a l s ( e v e n o n e z s } m c a p t a i n J e a n C l a u d e w h o is shit!)

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o n Milton

Keynes!

as t h e z~s t two

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himself

the medics a n d t h e

w e managed to push up

a n d by

lege continued today.

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was on

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and

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takes t h e dead

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s p e c t a c l e . (4) zs}m

long caged wink.

in a g o o d

zs{ e

o f mind?

{~s ?

|{s~-

o u s c o n s e q u e n c e s ? (8)

(8) ~ e st vs?

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ÂÃÄ Á )

19 Rest in z~s t s e a . (6)

)

a

À ¢ ÍÎ ÎÏ ÎÏ ÎÐ )

16 S u n d a y b e c o m e s less w e t w i t h

t o p i n d o w n , that is a b o u t fifty-

fifty o n © v s ~ { n

26 Q u i e t

s}{d tsn vsv¥s

(10)

a w a y . (6) 24

s~ t

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A l g e t s i n b l o o d y m e s s a p l e n t y . (6)

(6) {s e

}ts ?

m y d i o d e lit fist!

f i n d i n g a i d ' s g o n e . (8)

22 H i g h e x p l o s i v e

o n t h e wall?

5,21 A d m i s s i o n o f s u i c i d e b y m e a n s o f

20 M i n u t e s p o t s q u e e z e d f o U S a d m i È ÉÊ .

s~ vn

In s i g n o n m a i n

4

(6)

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is

l o g o . (8)

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15 18

up

(8)

s { u ~ v s ¿u st ~}u .

¹ t

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2 ¹ t s k i e s .

v Ì ~ n

(10)

vsv.

)

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s

C

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them.

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sv tse

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sv|{~ v .

tu vs {u s

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HOCKEY

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, Blue

half h a d f i n i s h e d w i t h IC }se

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half

but in t h e e n d skill

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D

v{s y

some

z~s t

angle. Some of the

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tu{ {se

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|~ }s .

g o o d possession but lacked ideas o f

In t h e

v|vs -

The boys t o o k t o t h e field o f

1 - 0 l e a d . This g e n -

sition k e e p e s by } s ~ u g

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with a

who

v{s y

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of the

A l e x d o u b l e d o u l e a d w i t h a b o u t 15

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an

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(4)

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s} v vd

Ö ÓÒ ÔÕ Õ ÔÒ

The winne of last week's Ò

c h e e s e ? (4)

d is Nick Helllwell.

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! Having spent a yea g the , I joined Van den " #h Foods as a technical e - making % ! My & 't one and a half ( s )*+ e $ # essentially g posts, allowing me to finish my MPDS and gain ,- d Status with the IMechE. / 0 Jobs # d & m . t enginee in a & y 0 (edible oil), to Quality Enginee in a $ # e & y in 1 $ ( , to Commissioning Enginee installing a 0 ÂŁ2.2m packing line in the main & ( . My & 't management position was in 2 3' . , as / 0 the 4 t 56.. t Manage fo setting up the / 0 0 Chicken Tonight & ( . This was a ÂŁ4m . t which we had 7 months to install and commission a 7 d 0 0 0 new & ( , 6 t and n a 3& e to 6n the 0 ! 0 & y and get the . 6 t to the shelves. M y next 0 's Development Manage - a 6 l post was as 4 89:;9<==>:n & m the . 6s job, enabling me to 0 6 d on the Chicken help ' t out any . 7 $ s Tonight ? . 0 I am now the @ l ? # ' s Manage fo the EF 0 0 A # e & y BC D e I ' d out). I l all g the site and the palletising goods leaving and of the cases of $ # e onto pallets. I have G0 people who k fo me, dispatch .. H $ y 0 1,000,000 tubs of $ # e a day, and e the $ s to make that each day. I am '. ' 7 e $ s within my a including fo 9 ongoing $. / 0 s such as Automatic Guided Vehicle many #e . implementation and installation of compute systems 0 such as SAP. The & y - e I k was voted the 0 best & y in the UK last yea - not bad fo a food 0 & ( . So, I have been with Unileve fo 5 ( ', had 6 ! ! && t jobs, 3 d on G && t sites and have doubled my ' g ' ( . What next? I joined Unileve to go 7 d and expect my next posting to be in a technical function outside the UK.

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Afte the $ 3 6 d I j o i n e d the Unileve , . e 0 A 6& 6 g and I # g 1 6p ( C M E G ) based i n 4 t Sunlight, nea ? . In my & 't ten . months I was '. ' 7 e fo the movement of a new 0 @ # d 4 's Design ' & e tool & m ! 0 development into . 6 n use at ou offices i n 4 t Sunlight and H o l l a n d . As . t of my # , I also attended J K d and L. 7 y studies of toothpaste 0 plants, and visited & 7 '. ! I then moved to " s Eye Wall's i n ? ' & , East Anglia. I spent 6 months i n thei technical '6.. t / 0 0 , doing # $ 6s site . s including designing a new leading edge effluent $ t Q plant, utilities # g and MNOP NRPOS , and pea & K development. I moved into the 7 &76 # 0 & y fo 4 months and was a Shift A # , TUVWXYVZ[\e fo ] . g lines and 40 people, doing 12 hou day and night shifts. It was a change of lifestyle but # t fun and I t loads.

I then spent a 4 month placement 3 g as the Assistant " d Manage fo Vaseline Intensive , e ! ! t at Elida ^ 7 #e i n Kingston, and Dove _ ` a b ` a . I looked at multilingual packs fo I6 . , was '. ' 7 e fo the . $ n of Vaseline deo, ! ! 0 t . 6 n which included and was involved i n going to the shoot at Pinewood studios! This was my c def y t taste of a non-technical e and it was ! && t to what I was used to, # t fun and lots o f showbiz . '. At the end of last yea I 6 d to 0 the Unileve , . e A 6& 6 g and Supply C h ain Technolgy (MAST) 1 6 p i n 4 t Sunlight i n my & 't management position, 3 g on shampoo / 0 0 g0 m . s fo h i s $ # g and $ 3 s all ove the d and value # g studies i n many . g companies.

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0 T h e y of H. s that Unileve has && d me have been y enjoyable as well as challenging. A l l the people I have met along the way have been y '6.. e and I think the company && s exciting &6 6 e .. 6 ' .

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My "gut feel" was that I would fit in with y |z  Âƒzx| Â…Â…z| ‡ˆˆ‰Š ‹ € € ‚ so I accepted „ of a place on the † z|Â? ƒ  Âƒzx|  |ÂŽ x zz with Van den ÂŒ Foods, on management w Â… | Âƒz| Â… z| z| Â? ’“ ‘ 1 ”•–“— ˜ scheme which I €wÂ? „„ a € 2 Â…  |x z| |z~Â&#x; ~ x yz ’“ ™š›œÂ? as a Shift žŽ w€ ÂŽ € wÂ? žŽ wÂŽÂ? „w ‘ Â&#x; z|ÂŽ  xwÂ? 20 Â&#x; |„Â?€  x„w lines in the 98 employees „ |Â?ÂŽ |x z ¢£¤¼Œ§  | Â…z||z x  z| Â…ÂŽ  |Š ÂŽ ¨ I was ÂŽ w~ ž w ÂĄ Â? to a ~ ~ „ at Ž¯¯°¹ zÂŽ | z|z |z~Â&#x; ~ x xyx xz~ ­ my initial ÂŞ w ²Â„wÂ?„wÂł ´ „w z  z| Â&#x;| Âś z  included being a Âľ Âľ of the „ team that Â…  |x |z Â…xÂ? |z |zÂŽ ~ ~Â&#x; „w € Â? the edible fat Â? ¾Ž w€ ÂŽ € wÂ? capabilities to meet the changing needs of the business. —¸ ÂœÂ? The task took ¡ ™š› and ÂŁ16m to complete and consisted of the specification, design, and commissioning  Â? z Âƒz| „ of new plant and equipment with the Â… |  x associated šº and Management systems. Âźw „ ¾Ž „w |z ÂŽ x ~½ xyz z|} vw { ~ On completion the site was (and Âľ w Â…ÂŽ  |Š yÂŽ |Â? z~  Ă€Ă Ă‚Ăƒ Then I became edible fats „ in the ž¿ z| | x ÂŽ ÂŽÂ? ~ one of the two Plant ž w €ww wÂ? the day to day Â… z|  x  | z|  x „Â&#x; ÂŽ „w of the ÂŽ „ Š which was „Â&#x; ÂŽ wÂ? 7 days ĕ“  Âƒ| Â? ƒ   Âƒzx| Ăˆ week, „€ „€ the ”•–“Å with 220 people in ÆÇ Æ |z~Â&#x; ~ x xyx Š Âł „w of

 |ÂŽ ~ Â…z||z z Âƒz|yÂŽ ~ |Â? w Â? to The É wÂ? to ʄ in a | |z x yz |  x z Â? „€Â&#x; ~Â&#x; „w~ ‘’“ the identification of Best Ă‹ ÂŽ in ÂŽ Â…ÂŽ  |z and the  |ÂŽ w~ Â…z| of this edible fats Âľ w€ € |y x z |zyz{ÂŽ  xyz z| z|  x to all knowledge ʄ Â?ĂŒĂŠ Â? w vw { „Â&#x; ÂŽ wÂ? |z | z | companies. In 19961 € w Â? to ˄ Sunlight in the UK “Ă?ĂŽ the Supply Chain Ă?  |ÂŽ  zÂ?Š Team within and now xyz z|} | |  z Â? |„€Â&#x; Âł The Â? |„€Â&#x; }~ supply chain vw { ~ „ Â&#x; „ ÂŽ Â…  |x  |ÂŽ ~ Â…z| zÂŽ x Â? |ÂŽ  x z w ² Â? w Ă‹ in žŽ w€ ÂŽ € wÂ? mission is to xyz{z|}~ and Supply Chain to vw businesses.

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