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CONTENTS January 2017 Regulars

10 Editorâ&#x20AC;&#x2122;s letter 12 Five minutes with... Harry Brantly, founder of luxury swimwear brand Frescobol Carioca 14 The agenda A cultural round-up of what to read, see and do this January 60 Sun worship Bohemian dresses and vibrant silk scarves inspired by the dusky landscape of Morocco

Features

100

18 All aboard A photographic compendium tells the history of the Orient Express 22 Sketch show Illustrator Megan Hess on her new book and the city that inspired it

60 56

A matter of size Monumental sculptures gain momentum with artists and gallerists 56 One in Emilia Designer Emilia Wickstead on motherhood, travel and wardobe detoxing 100 Jump for Java Explore coral kingdoms and jungle temples in Indonesia 104 Living the high life Ski or snowboard in style at this Courchevel gem

18 27 Eye candy Cutler and Gross opens a vintage store in Marylebone 30 Halle of fame Nightwear designer Olivia von Halleâ&#x20AC;&#x2122;s sportswear line

35 Collection

53 Fashion

80 Health & beauty

96 Travel

45 Art & antiques

73 Interiors

92 Food & drink

109 Property

editor’s letter

MARYLEBONE

& FITZROVIA J A N U A R Y 2 0 1 7 s issue 0 0 8

Acting Editor Lauren Romano

editor

From the

Assistant Editor Melissa Emerson Contributing Editors Hannah Lemon Camilla Apcar Kari Colmans Collection Editors Olivia Sharpe Richard Brown Editorial Assistant Marianne Dick Editorial Intern James Coney Brand Consistency Laddawan Juhong

“One’s destination is never a place, but always a new way of seeing things”

Senior Designer Daniel Poole Design Intern Paris Fielder Production Hugo Wheatley Jamie Steele Danny Lesar Alice Ford General Manager Fiona Fenwick Executive Director Sophie Roberts Managing Director Eren Ellwood

Proudly published by

RUNWILD MEDIA GROUP

6th Floor, One Canada Square, Canary Wharf, London, E14 5AX 020 7987 4320 www.rwmg.co.uk Runwild Media Ltd. cannot accept responsibility for unsolicited submissions, manuscripts and photographs. While every care is taken, prices and details are subject to change and Runwild Media Ltd. takes no responsibility for omissions or errors. We reserve the right to publish and edit any letters. All rights reserved. DISTRIBUTION: The Marylebone & Fitzrovia Magazine is distributed in Marylebone, Fitzrovia and the surrounding areas

Members of the Professional Publishers Association

Henry Miller January is traditionally a month of puritanical diets and push-ups. But if the new you isn’t likely to be found in the queue for the cross-trainer at the gym with an algae-green juice at arm’s reach, we recommend you ditch the calorie counting and clock up air miles instead, taking a little inspiration from this month’s travel issue. Few of us can master the art of looking chic while travelling, especially if it’s 5am and you’re nursing a filter coffee at Pret in Heathrow Terminal 5. Fortunately, nightwear designer Olivia von Halle has branched out from silk slips to cashmere tracksuits, which she dons whether she’s jet-setting to São Paulo, or having a duvet day at home in Marylebone (p.30). With the outfit sorted, add some shades from Cutler and Gross’ new Church Street store (p.27). Its vintage aviators will ensure you look the part whether you’re hitting the spa terrace at Borgo Egnazia in Puglia (p.98), or the slopes in Courchevel (p.104).

Lauren Romano Acting Editor Follow us on Twitter @MandFMagazine

On the

cover

Also published by

R u nwild M edia G r o u p

luxurylondon.co.uk A website. A mindset. A lifestyle.

â&#x20AC;&#x153;May your glass always be fullâ&#x20AC;?

Wishing you good health, happiness, peace & prosperity. Thank you for your patronage. Cheers to the New Year!

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07/12/2016 13:01

Regulars

5 minutes with...

I grew up in Rio, so I’ve always played frescobol [Brazilian paddle board]. I bought my business partner Max a set of beautiful wooden bats for his birthday several years ago. We went on a surfing holiday together to the West coast of France and ended up spending more time playing with the bats, and everyone on the beach gathered to join in. That inspired us to bring frescobol to Europe. Our beach bats are handcrafted in Brazil by local artisans, and are made using wood offcuts.

Every single print on our trunks is inspired by Brazil. Our first collections took cues from Rio’s mosaic pavements, the calçadão. Last year’s collection was inspired by the soft curves of Oscar Niemeyer’s Modernist architecture. Our S/S17 collection calls to mind Jardim Botânico, the botanical garden in the heart of Rio.

Men are definitely becoming more adventurous with their swimwear choices. For a large

Harry Brantly The founder of luxury swimwear brand Frescobol Carioca on playing bat and ball, Brazil and his travel bucket list

My heart is in Brazil. I go back as often as I can and the first thing I do when I arrive is crack open an ice cold beer and look up to the statue of Christ, which is visible from our pool. From a practical point of view my home is in London right now.

Max and I opened Frescobol Carioca in Marylebone because we had always liked the area; it has a laidback, neighbourhood feel. At that

proportion of men, beach holidays are they only time they can wear something other than a suit – so it’s the time to show off a bit.

time Chiltern Street was already becoming more of a men’s shopping destination, so that was an important element for us too.

Rio has this effortlessly cool vibe. The beaches are right by the city so nature and concrete blend into one. Being active, selfconfident and fun-loving is what

distinguishes Rios’ inhabitants, the Cariocas. For those who have never been before I would recommend spending at least one day on the beach, swimming, playing frescobol and trying biscoito globo, grilled shrimp or acai from the food vendors. Going up to Christ the Redeemer is also a must. The view is breathtaking.

I’m heading to Big Sur over New Year. Although it won’t be ABOVE: frescobol carioca S/S17 CAMPAIGN, FEATURING the ACTIVEWEAR HOODIE

“Rio’s beaches are right by the city so nature and concrete blend into one”

sun lounging weather, I’m looking forward to going for long walks along the coastline and enjoying the laidback Californian lifestyle. My dream holiday destination is anywhere with a beach and restricted access to my iPhone and laptop.

Frescobol Carioca, 47 Blandford Street, W1U, frescobolcarioca.com

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Coffee pleasure –

freshly ground, not capsuled.

Roger Federer Inspirational role model, world record holder of Grand Slam wins, greatest tennis player of all time – and coffee lover.

The perfect espresso thanks to P.E.P.®. The Z6 from JURA wows even the most discerning coffee lovers like Roger Federer. The Pulse Extraction Process (P.E.P.®) guarantees espresso and ristretto of outstanding barista quality. By automatically switching between milk and milk foam, it’s incredibly easy to prepare trend specialities at the touch of a button. Front operation and the Intelligent Water System (I.W.S.®), that automatically detects the filter, ensure perfect functionality. JURA – If you love coffee. Price: £1895.00. Available from JURA Store London, 148 Marylebone Road, Harrods Jura Concession, Selfridges, johnlewis.com and www.uk.jura.com

New season of sport

The agenda Local news and events from in and around the area W O R D S : m e l i ss a e m e rso n image courtesy of Stuart Manley

In your corner Chiltern Street is now home to BXR, a new 12,000 sq ft membersonly boxing gym backed by IBF heavyweight champion Anthony Joshua. Featuring a full-size boxing ring and a team of ex-champion boxers, top sports therapists and osteopaths, members can expect to be treated in the same way as the professionals. Founding annual memberships from £1,500, bxrlondon.com

OUT & ABOUT

Slow shopping Beauty pop-up store No.6 Mortimer is designed for those who like to shop in the slow lane. Stocked with cult brands from Origins and Bumble and Bumble to LAB Series and Clinique, the concept shop is centred around a large communal table. As well as providing a handy space for its interactive workshops, the seating area gives shoppers the chance to pull up a chair while deciding whether or not they really need another Bobbi Brown lipstick. 6 Mortimer Street, W1T

literary itinerary

i spy The latest coffee table book from TeNeues pays homage to aerial photography – with a difference. All the images were captured by drones. Thanks to their mobility, they can capture remote regions in a new light, resulting in never-beforephotographed views. Operated by professionals and non-professionals alike, the book’s subjects range from the Metéora rock towers of Thessaly, Greece and Iceland’s Langisjór Lake to sunbathers on a beach on the Curonian Spit in Lithuania and a snaking coastal road in County Mayo, Ireland. Above the World – Earth Through a Drone’s Eye, published by teNeues, £50, teneues.com

cover image: Photo © Barry Blanchard, Location: Panther Beach, Santa Cruz, California, United States, Captured on: DJI Inspire 1 Pro below image: Photo © Wang Han Bing, Location: Yu Li County, Xinjiang, China, Captured on: DJI Inspire 1 Pro both © Above the World - Earth through a Drone’s Eye, published by teNeues, teneues.com; © 2016 DJI. All rights reserved. dji.com

Lord’s is getting ready for its 2017 season, when England will play Ireland, South Africa and the West Indies. Hospitality packages are available for these headline fixtures and include access to the best seats in the house, fine dining, a complimentary bar and the chance to be bowled over by former international cricketers who will be playing host. From £329 +VAT, lords.org

Regulars

EXHIBITIONS

The weird and the wonderful

Sebastian Gordin, Inventory, 2015, Wood, glass, brass, paper, 38 x 66 x 55cm

Atlas Gallery’s latest exhibition, The Psychic Lens: Surrealism and the Camera, tells the story of Surrealism through photography. The 50 works on display explore the ways in which different photographers, in particular Man Ray, responded to the movement over a 50 year period. A selection of his photograms – images created by exposing photosensitive paper to light rather than using a camera – are on display alongside collages by Japanese artist Toshiko Okanoue, fashion photographs by Horst P. Horst and portraits of those associated with the Surrealism movement such as René Magritte (far right). Until 28 January, 49 Dorset Street, W1U, atlasgallery.com

BOTH IMAGES: Harmonic Distortion, 2016, Nero marquina and thassos marble. 100 × 62 × 47 cm (alt view) © of the artist, courtesy of PMAM

small wonders Argentinian artist Sebastián Gordín is a stickler for the tiniest of details. Best-known for his minature model installations, the artist is opening his first solo exhibition If animals didn’t exist.., at Rosenfeld Porcini gallery this month. Drop by to marvel at playful scenes such as Inventory (pictured below). Until 9 February, 37 Rathbone Street, W1T, rosenfeldporcini.com

Data technology meets art Harmonic Distortions, a solo exhibition of the work of British artist Mat Chivers, is currently on display at PM/AM. The artist uses different mediums to explore the connections between environmental phenomena and the technology used to interpret these. The wall-based works on show are each named after threatened ecosystems – such as the Galápagos Islands – and incorporate metereological data. Robotic milling technology was used to cut patterns representing data for wave and cloud formations to form the accompanying series of striking black and white marble sculptures. Until 28 February, 259-269 Old Marylebone Road, NW1, pmam.org

Spotlight on Russia Not-for-profit organisation GRAD aims to shine a light on the social and cultural history of Russia and Eastern Europe through exhibitions, lectures and screenings. Moscow-based artist Irina Korina is the latest to benefit, with her first London solo show Destined to be Happy taking up residence in its gallery space. Trained as a set designer, Korina sculpts large-scale installations and imaginative characters, using inexpensive materials including plastic and plasticine to contrast décor and decay. Until 28 February, 3-4A Little Portland Street, W1W, grad-london.com Armed with a Dream, at the Manege Exhibition Space, Moscow, 2013 © Yuri Palmin

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Regulars

SPOTLIGHT Printmakers of the future

Fitzrovia’s Curwen gallery has continued to associate itself with the art of printmaking, ever since Curwen Press opened a gallery in the 1950s to sell its lithographic prints. Prints produced at the gallery by the likes of Henry Moore, Barbara Hepworth and Julian Trevelyan have helped cement its excellent reputation for the artistic medium. Today, the tradition continues and the gallery is supporting the next generation of printmakers with its annual Hot Off The Press exhibition. Launched in 2000, it’s an important event in the gallery’s calendar and aims to give recent Masters graduates in printmaking from top London schools including the Royal College of Art a

chance to exhibit their work, which ranges from etchings to digital prints. One of those taking part is Minami Wrigley, a graduate of Camberwell College of Arts. Wrigley refers to the “nature of leaving unexpected marks, working with mistakes and each image coming out slightly different to the previous when printed”. Despite modern advances in print technology, traditional methods remain popular precisely because of these irregularities and resulting unique character. The exhibition aims to reflect the diversity of techniques both new and old. Another participant, Mollie Tearne, a Royal College of Art graduate, describes her work as representing the “migration of people and objects” and her collage-like technique as a way to “both unpick and rebuild the world”. With refugees and migration frequently in the headlines, her recent creations exploring the aesthetics of displaced people and the hybrid that is created when families are uprooted and land on foreign soil, seem particularly poignant. 11-28 January, 34 Windmill Street, W1T, curwengallery.co.uk From top: Gianluca Craca, Morpheme 8; Mollie Tearne, Cinnamon Gardens 1, mixed media with screenprint; Sineid Codd, Goldscape 3, archival digital print, ed. of 10, 102 x 152cm; Robert Marney, Organic Engines (Systems of control 5), digital print; Georgia Kitty Harris, I Am Phibian, etching; all from hot off the press 2017

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THE HOLY GR AIL OF EVENT SPACES

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all

aboard With the release of glossy, photographic compendium Orient Express: The Legend of Travel this month, Kari Colmans gets the inside track on everything from the décor to the debauchery

hese days, with planes running like buses and traffic jams around every corner, it’s hard to imagine a golden age of travel when the journey was as exciting, if not more so, than the destination. But in an era defined by its trains, planes and automobiles, and the titillation of liberation and luxury, the illustrious Orient Express, known as the king of trains and the train of kings, set the stage for as many fantasies as it did real-life escapades of the rich, glamorous and notorious. Brainchild of Belgian engineer and businessman Georges Nagelmackers, the first Orient Express ran from Paris to Constantinople (modern day Istanbul) in October 1883, passing through ten countries in just 76 hours. The first luxury sleeper and restaurant train that linked East and West, it carried the day’s glitterati through the great

European capitals of Vienna, Venice, Milan and Budapest, fuelling a brash, carefree, and utterly new ‘what happens on the Orient Express, stays on the Orient Express’ attitude. In celebration of the unique design, engineering innovation and celebrity the Orient Express came to personify, Assouline has released a new book this month titled Orient Express: The Legend of Travel, which documents all that went on once the carriage doors closed. Nagelmackers was one of the first of his generation to place much importance on the integration of design and engineering, making ‘travel an experience and speed a challenge’, The Legend of Travel’s author Sixtine Dubly writes.

feature

He had been meticulous with the design: Art Deco in style, it was decked out with theatrical Napoleon III–inspired furniture and English club armchairs, and decorated with floral accents, plant motifs and glass bell lamps. Carriages were made of teak (although this was changed to metal after WW1) and decorated with crystal. Attention to detail was paramount; tables in the dining carts were set as if in the finest of restaurants. At the time, its interior was compared to a luxurious Paris apartment. Tolstoy, Grace Kelly, Ernest Hemingway, Coco Chanel and Agatha Christie were just a few of its guests, while the royalty of the day – Leopold II of

Belgium, Carol II of Romania, Tsar Nicholas II of Russia and Ferdinand I of Bulgaria – also found the time to jump on. His Majesty King Ferdinand particularly loved to make the train whistle, and would board wearing a white suit, taking control of the locomotive and racing around corners at full speed. However, His Majesty ended up upsetting the travellers, and Nagelmackers was forced to step in (to make amends, the King decorated him). One night in 1920, a man in his pyjamas staggered up to a signal box proclaiming himself to be French president Paul Deschanel. “And I’m Napoleon Bonaparte,” responded the signalman, to the Frenchman who, it turns out, was in fact the president after all. Having taken more than 60 trips, English novelist Agatha Christie (author of the famous Murder on the Orient Express and Death on the Nile) was (obviously) a diehard fan: “The Orient Express is undoubtedly my favourite train,” she said at the time. “I like its tempo, which begins with an allegro con furore – the train shakes, crackles and launches in every direction in its mad hurry to leave Calais and the West – and gradually becomes rallentando while continuing

clockwise from above: Restaurant car no. 2979, built in 1925; Decorative panel Figurines and Grapes from car no. 4159, made in 1928 by René Lalique, white press molded glass on a silver leaf background; Interior of car no. 4160 with decorative panels Small Bouquet of Flowers, made in 1928 by René Lalique. all images © Lola Hakimian

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on its route to the Orient before indisputably opting for legato.” The famous Murder on the Orient Express was in fact inspired by a true story: in 1929 the train got stuck in the snow 80km from Istanbul. Unprepared, the passengers on board swapped their jewellery for eggs and ended up hunting wolves. Nicknamed the Spies’ Express, the train was popular with secret agents, real as well as fictional. The infamous Dutch exotic dancer and courtesan Mata Hari used the Orient Express as her headquarters during WW1 before she was convicted of espionage for Germany, and then arrested and executed by firing squad in Paris in 1917. Robert Baden-Powell played the part of a lepidopterist and drew butterflies in the dining car to disguise his covert sketches of Dalmatian coastal fortifications, while in 1950, the body of Captain Karp, an American diplomat, was found dumped on the tracks near Salzburg following a long spying mission. One particular coach became notorious as the setting in which Germany was forced to sign the Armistice with the Allies in November 1918, but in a bitter twist of fate, Hitler forced the French to sign their own surrender in the same coach in the summer of 1940. But the train set the stage for as many amorous encounters as it did diplomatic. “Women in the hallways seemed more beautiful, men more daring,” Dubly writes, quoting French author, journalist, and frequent traveller Joseph Kessel. Predictably, the hotel on wheels, ‘the train without borders’, provided the perfect escape for clandestine lovers where time seemed to stand still. Sultan Abdul Hamid II moved in with his wives and transformed several compartments into a rolling harem. Belgian King Leopold II also fitted out his private quarters to meet with the beautiful dancer Cléo de Mérode, while actress of the day Marlene Dietrich chose the sumptuous surroundings for her secret meetings with film director Josef von Sternberg and later the French actor and heart-throb Jean Gabin.

Described as a link between the ‘geopolitical and the diplomatic’, the route was altered during WW1 to avoid Germany, but it wasn’t until 1930 that it ventured to ‘the Orient’ on the remains of the then Baghdad Railway. Its route included Aleppo, Beirut, Jerusalem, Cairo, Baghdad and Tehran. By the golden age of the 1930s, there were several Orient Express trains. Although the original Orient Express last served in Istanbul in 1977, it operated until 2009 (albeit using modern rolling stock and only between Strasbourg and Vienna). The Venice Simplon Orient Express was launched in 1982, complete with expertly restored period coaches and is now famous in its own right. While the wheels were still in motion, the pull of the Orient Express lost its allure after WWII, leading Nagelmackers to expand into American-style luxury hotels designed to receive ‘the high society that, in the late 19th century, was abandoning country life and castles to travel the world’. Later down the line, sleeping cars were sold off and transformed into gazebos, racing pigeon transporters and even a Limoges brothel. For better or worse, literature and cinema have taken over the legend of the Orient Express. But even though its wheels have ceased turning, its history still fuels intrigue and fancy.

One particular coach became notorious as the setting in which Germany was forced to sign the Armistice in November 1918

Orient Express: The Legend of Travel, by Sixtine Dubly, £55, published by Assouline, 196A Piccadilly, W1J, assouline.com

feature

clockwise from left: RenĂŠ Prou wingback chair at the car restoration workshop in Clermont-Ferrand, 2016; luggage tags; Interior of restaurant car no. 2979, detail; Interior of car no. 4160, detail. all images ÂŠ Lola Hakimian

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ALL Illustrations © MEGAN HESS FROM THE BOOK New York: Through a Fashion Eye

SKETCH

SHOW Following the release of New York: Through a Fashion Eye, illustrator Megan Hess talks to Lauren Romano about taking her first bite of the Big Apple and why the city’s sense of style keeps her coming back

interview

ew York, to quote the Alicia Keys song, is a concrete jungle where a disproportionately large number of dreams are made. For Melbourne-based fashion illustrator Megan Hess, it’s the city that catapulted her career to the attention of the sartorial behemoths and compelled the likes of Tiffany & Co., Givenchy, Cartier and Prada (and America’s former First Lady Michelle Obama) to come knocking on her door. Her rise to sketching success started in London, back when Hess was the art director at Liberty and penned illustrations on the side. Her reputation started to flourish and commissions began to flood her inbox and fill her evenings, but it wasn’t until a late-night call from Candace

Bushnell’s publisher in 2008 that Hess started to really make a name for herself. Soon her cover illustration for The New York Times bestseller Sex and the City was plastered across billboards in Times Square. And the rest, as they say, is history. Today Hess’s work takes her and her trusty Montblanc fountain pen (affectionately nicknamed Monty) across the globe. Fortunately, she has recently been named as the artist in residence for the Oetker Collection hotel group, so a comfy bed is never far away. Whatever her schedule though, she still manages to find an excuse to return to New York. As a tribute to the city that has a special place in her heart, Hess has illustrated a guide to the metropolis told through a fashion lens. Here, she touches on the best people-watching spots to catch the Big Apple’s different style tribes in action...

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On New York’s charms

On the must-see sights

New York is probably my favourite city in the entire world, and it’s somewhere I’ve been travelling back and forth to for about 15 years now. I fell in love with the energy of the city straight away – the noise, the people, the diversity between Uptown and Downtown. It’s also the city that gave me my first big break in terms of my work, so I have an affection and a love for it. It’s the sort of place that no matter how many times you go, you never see everything, so you have that desire to get back.

There are lots of travel guides to New York, so I wanted to give mine a fashion twist. I’d like to think you can read it in your armchair at home a million miles away, or if you’re visiting you can take inspiration from it. Admittedly, some things I recommend are hard to do, like going to the Met Gala. Basically, unless Anna Wintour invites you, you can’t get in. But then there are things that cost almost nothing, such as having a coffee in Bergdorf Goodman on Level 7. It has the best views of Central Park. Make sure you spend half a day on Fifth Avenue too, popping into all the flagships before getting down to SoHo to see the more urban side to the city.

On the city’s fashion scene New Yorkers have incredible fashion sense and style – it’s really diverse. Uptown is very chic and polished: twinsets and pearls and Chanel jackets. Then Midtown is a bit more mainstream, accessible fashion, and Downtown is very cool – think black leather drainpipe leggings. One of my favourite things to do is to perch myself in a busy coffee shop Downtown and just sketch all the eclectic people I see walking past.

On her visiting rituals I’m pretty jetlegged when I first arrive, so I usually pass out in my hotel. The first morning I’m there I always have a big breakfast before heading off to Berdorf Goodman to peruse its enviable edit of homewares. I usually end up wandering around Downtown after that and staying for dinner.

interview

On her travel bucket list Every time I travel I feel creative, and the more I see, from fashion, to film to architecture and cultural diversity, the more inspired I become. Recently I’ve been dreaming about going to the Greek islands, specifically Santorini and Mykonos. I also love Hawaii. I go there for family holidays with my husband and two small children and there’s something there for us all – it’s a very relaxing, wind down and chill out kind of place.

On starting out I’ve always loved illustrating, ever since I was a little girl, but as a child and even as a teenager I had no idea that you could actually be a fashion illustrator for a career. It was only when working in a creative field that I realised it was possible to illustrate full time. After the Sex and the City project happened it was released all around the world and I began working for Tiffany & Co, Chanel, Dior, Vanity Fair and all these amazing creative clients. And, touch wood, I’ve been very busy ever since.

On her favourite commission It’s always really hard to choose one specific commission – they’ve all been memorable for different reasons. Some highlights have included an animation I worked on for Prada and sketching for Fendi in Milan. It was a live sketch, so there were a few nerves, but it was still fun. I recently collaborated with Christian Dior couture in London, which was an amazing experience, especially because it’s such an iconic brand.

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On her style icon I think a lot of people have an amazing sense of style, although if I had to narrow it down it would have to be the British writer and model Laura Bailey. She has a kind of polished lady-like look going on, but it’s a little bit messy and rough around the edges.

On working with Oetker Collection This is probably the most exciting collaboration that I have ever worked on as it brings together all my favourite elements. It involves sketching architectural and interiors scenes, and sprinkling them with the sorts of people you would expect to find there. I get to travel around and experience all these different hotels too, which is exciting, not least because they’re some of the most luxurious in the world.

On her dream project I’d love Tom Ford to call me – that would be fun! But, honestly, if I keep getting to work on the types of commissions that I’m working on now, I’ll be very happy. New York: Through a Fashion Eye, by Megan Hess, £12.99, published by Hardie Grant, meganhess.com

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marie wilkinson

INTERVIEW

eye

candy Cutler and Gross design director Marie Wilkinson tells Melissa Emerson about the brand’s new vintage eyewear store in Marylebone and rounds up her favourite frames from the past

E model image courtesy of roksanda ilincic

stablished in Knightsbridge in 1969, British luxury eyewear brand Cutler and Gross has dressed the eyes of musicians, actresses and celebrities, starred on magazine covers and – thanks to its creative collaborations – has done more than any other label to put opticals in the spotlight. The woman responsible for its often bright and bold designs is Marie Wilkinson, who leads the creative team as design director and has

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been part of the company for more than 30 years, ever since she joined as a trainee under founders Graham Cutler and Tony Gross. “In my first week at Cutler and Gross, I chose glasses with Ava Gardner and Grace Jones – who were both utterly delightful – and I knew then I had joined a pretty special company,” she begins. Fast-forward to today, and Wilkinson’s latest achievement is Cutler and Gross’s new vintage store on Church Street, which opened in November. With the Marylebone street already home to the likes of Alfies Antique Market and Church Street Antiques, Wilkinson felt it was the perfect fit for the brand. “This district is about vintage fashion and fine decorative art so it seemed the perfect place for us to meet clients both old and new who are curious about fashion, detail and provenance,” she says. Designs on display at the boutique will range from the brand’s founding year 1969 to the mid-2000s, and although the shop is “a celebration of unique pieces, stored like fine wines”, it’s far from a museum. “We hope a visit will end your search for the perfect pair of glasses. Sunglasses are collectors’ items but I think they should be

worn and brought to life by the person who wears them,” she continues. “We are an important part of eyewear history, and we want this heritage to be available.” The store design itself nods to the past, with an earthy colour palette inspired by the brand’s original Knightsbridge boutique. As for its approach to traditional craftsmanship, little has changed there either. Wilkinson assures me it’s still very much a handmade process. “Eight weeks, 42 steps and 35 pairs of hands go into making every single pair of Cutler and Gross glasses,” she says, adding that each design is given a unique number rather than a name when it is brought to life in the factory in Cadore in northern Italy. Although the label specialises in crafting designs from sheet acetate, experimentation is never far from Wilkinson’s mind. “We can also make gold-plated glasses and have made some from surgical stainless steel as well,” she adds.

marylebone’s new cutler and gross boutique

The bi-annual collections are also somewhere Wilkinson likes to push the boundaries. “Each of our collections has a theme and one of my favourites was Surrealism. We created a Dali-esque feast, to showcase a sunglass that appeared to melt over the nose. A lobstercoloured, butterfly shaped acetate frame suspended by the finest metal skeleton is another memorable design,” she continues, as I try to picture the zany creations. Art is a constant source of inspiration, although collaborations with other creative fields have also been a key part of the brand’s development. Its designs have featured on fashion

image courtesy of roksanda ilincic

“Elton John, Rihanna and Michelle Obama are all fans, but we have only had to close the shop for Madonna”

INTERVIEW

top picks 0431 magazine covers including British and Italian Vogue. Cutler and Gross also produces its own editorial-like campaigns shot by photographer Platon and has a number of designer collaborations under its belt with fashion designers including Erdem, Victoria Beckham and Bella Freud. “I approach these in the same way as if I was seeing a private client,” Wilkinson explains. “I love discovering the individual DNA of the brands we collaborate with.” Most recently, Wilkinson worked with London-based designer Roksanda Ilincic to launch a S/S17 range. Inspired by archival styles from the 1980s, the collection features contrasting retro colourways such as Pink Havana and Cinnamon Brown on oversized, geometric frames. Film, too, is another field the brand has close ties with, and famous on-screen faces that have worn Cutler and Gross glasses include Anthony Hopkins in Hannibal, Julia Roberts in Notting Hill and Michael Fassbender in The Counsellor. “Working with Matthew Vaughn and Arianne Phillips on the Kingsman films was a career highlight,” adds Wilkinson. And the label’s celebrity followers don’t end there. “Elton John, Rihanna and Michelle Obama are all fans,” she tells me proudly, “but we have only had to close the shop for Madonna.” As for these famous faces’ star quality, it’s all down to that all-important accessory. “The right sunglasses on the right person can turn heads and turn you into a star. As the world’s most recognised people demonstrate, they are nobody without their sunglasses,” she asserts. If instant star quality isn’t tempting enough, Wilkinson stresses that the right shades comes with additional health benefits. “Sunglasses are an important accessory from a health standpoint as they prevent ultraviolet light from getting into your eyes, onto the lids and the surrounding skin,” she explains. I wear them all year round.” As to what she thinks we should be wearing this year, Wilkinson predicts vivid colours, acetates that “are bold both in weight and texture, and mixed with fine metal bridges for refined combination frames”. Its vintage styles might be a far cry from your standard aviators, but few labels put other frames in the shade quite like Cutler and Gross. 6 Church Street, NW8, cutlerandgross.com

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“Mr Gross sought the man who made frames for Aristotle Onassis in the 1960s and the machine designed to satisfy Onassis’ particular demands. It was later used to make this style in the 1980s.”

0734 X Comme des Garçons

“Gingham is synonymous with Comme des Garçons, so this iconic style was screen-printed exclusively for its Homme Plus collection. I received a personal appreciation from Rei Kawakubo.”

0820

“This is the first Cutler and Gross frame I ever owned and I have worn it continuously since. I love the way the star pins lend extra glamour to the kitten upsweep.”

0901

“This style was inspired by 1960s record producer Joe Meek, who was never without his iconic wrap-around sunglasses. A double thickness of acetate had to be milled out to create it.”

1082 mondrian

“Inspired by Piet Mondrian’s graphic art, two tiny rectangles of acetate were carefully removed and replaced with vivid red and yellow rectangles to create a Cubist landscape.” 29

With the launch of her recent tracksuit range and various collaborations afoot, Olivia von Halle is on the fast track to becoming a staple British brand. Olivia Sharpe meets the designer who has put glamour back into nightwear and leisure into sportswear

few weeks ago, Gigi Hadid was caught by Daily Mail spies walking the streets of New York in a tracksuit, trainers and a long white coat, which was trailing along the floor, collecting dirt. This unremarkable piece of news didn’t fail to attract the attention of Olivia von Halle who, because of it, had a very good day in the office indeed. For Hadid wasn’t rocking just any old pair of joggers, but the nightwear designer’s new Missy range launched for A/W16. I happen to meet von Halle on the day of this press announcement, at the launch party of her collaboration with Mr & Mrs Smith. As to be expected, she is in high spirits. “Did you see Gigi wearing them

this page, clockwise from top: vita zayna silk nightshirt set, £310; perminova silk gown in oyster, £595; bella amna silk camisole set, £195, all from the marrakech collection and courtesy of olivia von halle

INTERVIEW

Von Halle’s jet-setting lifestyle sparked the creation of her latest tracksuit line as she wanted to create the essential travel piece. Each colourway has been named after a major city, with understated grey representing London’s urban landscape, refined ivory for Moscow, and so on. However, like her coveted pyjama range, von Halle has elevated the humble sweatshirt and

“It’s all about being able to spot the beauty in things that other people find ugly”

this morning?” she says excitedly almost immediately after sitting down. “The Daily Mail just seems to write anything about those girls.” ‘Those girls’ von Halle is referring to are fellow models Jourdan Dunn, Cara Delevingne and Suki Waterhouse, all of whom are also keen supporters of her brand. The designer recently partnered with Mr & Mrs Smith to create a limited-edition gift card inspired by her Marrakech Resort 2017 collection. With von Halle’s love of travel and luxury going hand in hand, the boutique hotel concierge couldn’t have hoped for a better ambassador. Launched in 2011 as a British nightwear label specialising in silk pyjamas, Olivia von Halle has quickly garnered an international following. The designer is constantly travelling across the globe as her brand increases its presence in the Middle East, Japan, Russia and America – the latter of which has just overtaken the UK as its most important market. The brand has also taken off in major Asian cities including Seoul, Hong Kong, Tokyo and Shanghai, where von Halle visits several times each year to monitor production.

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joggers combination and transformed it into a wardrobe staple. “So many of us are now wearing tracksuits to the office,” she claims. “So about three years ago I suddenly thought, ‘I need a tracksuit that I can wear all the time under an overcoat’. They are beautiful trousers because they are loungewear, but we’ve given them a glamorous edge.” The designer has done away with traditional synthetic fabrics in favour of cashmere sourced from Outer Mongolia and Chinese woven silk. These exquisite materials have been cleverly juxtaposed with an oversized, slouchy cut to give the pieces a modern, casual look. Traditional tracksuit Capability elements, such as a long stripe running Soumaya full-length silk down the side of each leg and a robe, £650 drawstring bow, also feature. Von Halle admits that casual clothes have never really interested her and that she’s “not a jeans and jumper kind of girl” – as is evident when I meet her. Channelling her fashion icons Daphne Guinness and Isabella Blow, she is wearing an elegant white floor-length dress by Italian designer Alessandra

Remy plum silk nightdress, £310

Zahra eyemask and bag, £65

Missy New York silk cashmere tracksuit, £950

Rich, which she has paired with a Céline oversized metallic clutch, Jessica McCormack jewellery and a vintage Cartier ruby ring she inherited from her family. Von Halle possesses that rare gift of being able to foreshadow fashion trends ahead of the industry, a talent she discovered at the tender age of 14. “I’m not trying to say I have some magical gift,” she says, laughing, “but I remember becoming obsessed with one particular product and then two years later it would become the thing that everyone wanted. It’s all about being able to spot the beauty in things that other people find ugly.” After graduating from Leeds University with a degree in fashion and textiles management, she put her talent to good use and became a trend forecaster, helping international brands such as Louis Vuitton, Gucci and Lamborghini stay ahead of the luxury game. In 2008, she moved to Shanghai with her husband and continued working as a forecaster. In a city where the average woman is 5ft 3, 6ft von Halle found it near impossible to find clothes to match her

stature and had to rely on her tailor to replicate designer dresses. It was then that she became obsessed with men’s silk pyjamas and set about creating the perfect pair. In so doing, von Halle tapped into the now ubiquitous concept of nightwear as daywear before many of her peers, foreseeing the market for bedtime glamour. “For ages it was such an ignored category and brands were releasing nightwear that didn’t fit alongside their normal collections at all,” she says. “It felt as though no one was really putting the effort into it as a product category, so that’s what we’re trying to do: to make it the best it can be.” Now that the rest of the industry has woken up to the pyjama trend (S/S16 catwalks were filled with sexy slips, Noël Coward-esque dressing gowns and printed PJs), von Halle is going one step further as she slowly manoeuvres her brand into the ready-to-wear category. “It is something that excites me and is definitely where we’re headed, but it’s all a bit hush-hush for the moment,” she confesses. While not wanting to give too much away, von Halle hints that she will be expanding the tracksuit line as the trend for luxury athleisure sees no sign of tiring. The designer’s collaboration with Mr & Mrs Smith is far from being her first. A long-time fan of the group’s hotels (she and her husband stayed at the Maia resort in the Seychelles for their honeymoon), she jumped at the chance of creating a collection of eye masks for the travel company last year for its Up All Night campaign. “It has been such a dream working with Mr & Mrs Smith because it has always been our first choice when looking for a hotel. In the Seychelles, we had our own villa and this amazing bath, which our butler would run for us every night with rose petals and champagne.

“For ages it was such an ignored category and brands were releasing nightwear that didn’t fit alongside their normal collections at all”

INTERVIEW

The trouble is that now Hugo [her husband] says that it has ruined me for life because every other hotel is now a disappointment,” she laughs. Along with Mr & Mrs Smith, last year also saw the designer partner with luxury retailer Net-a-Porter on a bridal capsule collection, encompassing robes, camisoles, pyjamas and chemises in Italian silk and finished with ivory lace. She also offers bespoke commissions to clients, including monogramming pieces courtesy of embroiderers Hand & Lock and a made-to-measure service. Travel is a huge inspiration for von Halle, as highlighted by the most recent Marrakech collection, which captures Morocco’s exoticism. Always ready for a new adventure, next on her holiday bucket list is South America, particularly Brazil’s vibrant capital São Paulo and Cartagena in Colombia. Her suitcase essentials include an Alessandra Rich dress (“in case I meet someone fabulous, which never happens,” she laughs), white Superga flatforms and, of course, her Missy tracksuit and eye mask for the plane journey. Having recently given birth to her son Hieronymus (Hiero for short), 33-year-old von Halle is for the moment very content at home in Marylebone with him, her husband and their dog Bathtub. With her studio just down the road, it means that she can call up her nanny to bring Hiero round when she misses him, which she tells me as a first-time mum is a godsend. “Having that flexibility is amazing,” she says. “My friends who are hotshot lawyers are now having to go back to work full-time and so only get to see their kids at the weekends, and that’s tough.” Von Halle’s journey to success has been fairly plain sailing. In just five years, the brand has received several accolades for its design and craftsmanship, including Walpole’s Brand of Tomorrow in 2013 and The Leap 100 fastest growing and most exciting businesses in the UK. The company is reportedly expanding at a rate of 50 per cent a year and is currently stocked in some of the most prestigious retailers, including Harrods, Moda Operandi and Bergdorf Goodman. Having come on in leaps and bounds, I for one cannot wait to see what von Halle has up her tracksuit sleeve next. Missy tracksuits, from £950, oliviavonhalle.com THIS IMAGE: REMY RASPBERRY SILK NIGHTDRESS, £310, FROM THE MARRAKECH COLLECTION LEFT: MISSY TRACKSUIT, IMAGE CREDIT: JAMES WRIGHT

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creedfragrances.co.uk

27053 Creed Aventus Xmas Ad_Runwild_210x297.indd 1

17/11/2016 11:15

COLLECTION

Heart’s

DESIRE

raff Diamonds made history last month when it unveiled the largest D Flawless heart-shaped diamond in the world. Weighing in at 118.78 carats, the Graff Venus – as it has been dubbed – was cut from a 357-carat rough diamond discovered in 2015 at the Letšeng mine in Lesotho. Diamond cutting on this scale had never been attempted before and the process required the world’s most skilled and experienced craftsmen; it took 18 months to develop the perfect heart shape. Responsible for cutting and polishing more than half of the world’s 20 largest diamonds of the past century, the British jewellery house was well-placed to take on the challenge. graffdiamonds.com

Image courtesy of Graff Diamonds

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BASELWORLD.COM

The one unmissable trendsetting show for the entire watch and jewellery industry, where all key players unite to unveil their latest creations and innovations. Be a part of this premier event and experience passion, precision and perfection in action.

MARCH 23 â&#x20AC;&#x201C; 30, 2017

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Below the surface We love it when two great luxury brands join forces, as more often than not, this creative fusion results in particularly innovative new products. Case in point: Georg Jensen and Gemfields’ latest collaboration. Gemfields – one of the world’s leading gemstone suppliers – sourced rubies from its mine in Mozambique for a new five-piece contemporary collection created by Jensen. The minimalist, concave silver designs are based on the jeweller’s iconic Mobiüs shape from the 1960s. Twenty per cent of profits will go towards the Niassa Carnivore project, an organisation that works to conserve lions and other large wildlife in Mozambique. From £350, exclusive to amazon.co.uk/georgjensen

Jewellery news

WORDS:OLIVIA SHARPE

M’ama Mia Partake in a grown-up game of ‘he loves me, he loves me not’ with Pomellato’s M’ama non m’ama 2017 collection. Launched in 2009 with nine rings in nine colours (their cabochon stones representing different emotions), each piece was designed to be stacked in whatever arrangement the wearer saw fit. A new range sees five gemstones added to rings, earrings and pendants, including amethyst, peridot, London blue topaz, moonstone and garnet. And for the first time, bangles have been introduced. From £1,120, pomellato.com s l u x u ry l o n d o n . c o. u k s

True Colours Jewellery designer Ece Sirin explores the science behind colour in the latest collection of talismanic pieces for her brand Bee Goddess. A kaleidoscopic range of drop earrings, necklaces and stacking rings sees striking graphic shapes in a pavé setting with rubies, sapphires, emeralds and diamonds. In many ancient cultures, each colour was believed to have a different energy and healing power that affects our bodies, from red – power, passion and prosperity – to blue – eternity, truth and spirituality. Soul Colours collection, from £375, available at Harrods, harrods.com

Fares Game It’s fair to say that Noor Fares has had luck on her side. Before reaching the age of 30, the Lebanese-born designer has already carved a reputation as one of the most influential jewellers of her generation. Spiritual motifs, mathematics and the cosmos play a significant role in her collections, as demonstrated in her latest, Navratna (meaning nine gems). For the final instalment in the new collection, Akasha (meaning space), Fares has reinterpreted this ancient Indian talisman into a contemporary range of pieces that have been beautifully handcrafted in 18-karat yellow gold with a myriad of precious gemstones. From £310, coming soon to net-a-porter.com

dancing with To illustrate its passion for diving and underwater preservation, from 2008 to 2020, Blancpain is producing 12 Edition Fifty Fathoms, an annual limited-edition publication showcasing images by four different underwater photographers. On the launch of the brandâ&#x20AC;&#x2122;s latest charity-driven timepiece, Richard Brown speaks to vice president Alain Delamuraz, and presents some of the most striking shots captured so far

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hen does a watch become an icon? After shifting a particular number of units? Once it has celebrated a certain birthday? Perhaps as it begins to achieve six-figure sums at auction? Whichever way you cut it, the Blancpain Fifty Fathoms has acquired legendary status. The watch may not be what the Royal Oak is to Audemars Piguet, or what the Nautilus is to Patek Philippe – indeed, the Fifty Fathoms still gets outsold by dressier sister collection, the Villeret – but the divers’ watch has, almost by proxy, become Blancpain’s most emblematic timepiece. Commissioned by the French Navy in 1953, the Fifty Fathoms beat both the Rolex Submariner and the Omega Seamaster to become the world’s first bona fide, modern-day dive watch. More than six decades later, the timepiece continues to set the tone for almost all underwater tool watches. In 2014, following years of ocean conservation commitments, Blancpain reorganised its underwater initiatives in the Blancpain Ocean Commitment. Since then, the brand has cofinanced ten major scientific expeditions, helping to add three million sq km to the total area of marine habitats protected across the world. Last October, Blancpain unveiled the Bathyscaphe Flyback Chronograph Ocean Commitment II at the Royal Institute of Great Britain. It is the second line of limited edition timepieces created as part of Blancpain’s Commitment. Funds from the first watch were awarded to the Gombessa Project, a new study documenting the pack-hunting behaviour of grey reef sharks along the Fakarava atoll in French Polynesia. Post-press conference, I had the pleasure of speaking to Blancpain vice president, Alain Delamuraz, a man who has served the brand since 2001...

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Five or six years ago, during Baselworld, the CEO of Tissot came to me and said, “I’ve just met a guy who you need to meet”. I said, “no I can’t, I’m too busy”. He said, “no, trust me, you must meet this guy, the world of diving is the domain of Blancpain.” The guy’s name was Laurent Ballesta. He showed me two pictures and immediately I knew I was in trouble: they were beyond beautiful. I knew then I had to talk to Marc Hayek [president and CEO of Blancpain, Breguet and Jaquet Droz], and it became my moral mission to show him these two images. When I did, he decided to meet Laurent immediately. They spent hours together looking at hundreds of his photographs. He knew straight away that we must work together. Laurent was honoured to become a Friend of the Brand. Marc Hayek is an experienced diver and very passionate about what he does, so this was a natural fit for them. Laurent’s work was published in Edition Fifty Fathoms that year [2012].

We are a real manufacturer. We never buy movements from other watch companies. We sell half our products to other brands when we exchange movements. The raw material arrives and then we produce the tools that we need to make the pieces. From A-Z, we do everything in-house.

We invented the first divers watch in 1953, so we wanted to make an impact in that field. We wanted to help fund expeditions that would leave the oceans of our world in a better condition for our children. We trust in institutions such as National Geographic to choose how to use our money to achieve concrete results. We have doubled the size of the oceans being protected.

Electronic products live and die. You can’t use the first televisions or the first quartz watches anymore, but the art of watchmaking will never die PREVIOUS PAGE: Larger Than Life, William Winram, Edition Fifty Fathoms (EFF) 2011 This page and opposite, clockwise from above: Open Mouth, Reinhard Dirscherl, EFF 2010; Dance of Life, Imran Ahmad, EFF 2012; Pyschedelic, Imran Ahmad, EFF 2012; Sir Pepefish, Imran Ahmad, EFF 2012; Last View of Daylight, Amos Nachoum, EFF 2009; Blue Monster, Keri Wilk, EFF 2012; Orange Balloon, Chris Newbert, EFF 2010

The Bathyscaphe Flyback Chronograph Ocean Commitment II is the first time a watch case has been made in blue ceramic. We’re not talking about covering the ceramic with a blue finish – we actually added blue pigment into the ceramic to cause a chemical reaction. The collection is limited to 250 pieces. For each one sold, €1,000 will be donated to scientific expeditions.

The first months of 2015 were quite strong. After that, demand flattened a bit. The second half was not good, as it was affected by the [terrorist] attacks of 13 November. Comparatively, 2016 was the opposite: the beginning of the year was not very strong due to the effect of the

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attacks. However, the end of the year saw growth. That compensated for the disappointing start of the year, but not entirely. At the end of 2016, we will be below 2015, but overall we’ll still be eight times above 2001. Consequently, we can’t complain about the situation.

Our growth is strong in China. By double digits. Hong Kong is likewise recovering. Thanks to China and Hong Kong, the second half of 2016 will show recovery measured against the first part.

Blancpain entered the Chinese market early. Too early, as we were among the first to establish ourselves there. That beginning is bearing fruit today because Chinese buyers respect that. We have begun with the same type of trajectory in India. For the moment we are taking a risk as the market is struggling to take off.

In gastronomy, you have the traditional style of cooking and you have the molecular approach, where you destroy and reconstruct.

Blancpain Ocean Commitment Bathyscaphe Chronograph Limited Edition II Diameter 43.6mm Case All-blue ceramic movement Blancpain Calibre F385 Production run 250 pieces Price £14,000 (€1,000 of which will go to supporting the Blancpain Ocean Commitment)

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Some traditional chefs say “this is a catastrophe, we must react”. I say that you should study what the new chefs are doing – don’t do the same, but watch the way they are cooking the egg. It’s the same with the connected watch or Apple Watch. It’s great, it’s new. It means that watches are moving forward.

Electronic products live and die. You can’t use the first televisions or the first quartz watches anymore, but the art of watchmaking will never die. As long as you have a brain and two hands and a heart you will be able to repair and redo a mechanical watch. Our product is a type of art – more expensive [than other watches], less accurate, but it will always remain an art form.

Zenith reinvents a showstopper Like so many of last year’s best-looking timepieces, Zenith’s super handsome Heritage Cronometro TIPO CP-2 is the reinvention of a historic forebear. The original was a classic 1960s design, supplied for the Italian armed forces in only 2,500 units through Rome-based distributor A. Cairelli. Today, the ‘Cairelli’ watches have crossed into iconic status territory, achieving suitably lofty prices at auction. Journalists were given a glimpse of the modern TIPO CP-2 at Baselworld 2016, but it’s only now that the watch is finally available in the UK. More than just a pretty face, the TIPO CP-2 is powered by Zenith’s legendary El Primero movement. The 43mm timepiece comes with a stainless-steel caseback – something that’s sure to please purists but likely to irk anyone hoping to view the beating heart inside. £6,200, zenith-watches.com

Watch

news

Purdey partners with Panerai Gun and rifle maker James Purdey & Sons has partnered with Officine Panerai to produce a limited-edition series of safarithemed wristwatches. The collection comprises 80 numbered Luminor 1950 Sealand timepieces, with casebacks engraved with the Big Five game animals. The watches contain Panerai’s calibre P.9000, an automatic in-house movement that provides a three-day power reserve. The outer edges of each case feature gold inlay and a pattern inspired by African art; tan calf leather straps complete the bushman look. The collection is for sale online and in Purdey’s Mayfair boutique. Luminor 1950 Sealand 3 Days Automatic Acciaio, £20,500, purdey.com

W O R D S : r i c hard brow n

Making a distinguished return Following a nine-month renovation, the doors to Harry Winston’s New Bond Street showroom have finally reopened. The salon’s façade has been restored in accordance with the guidelines for historical buildings, featuring Portland Stone – a hallmark of Mayfair’s Georgian buildings – while replicating the archway of the brand’s boutique on Fifth Avenue. Inside, the ground floor is dedicated to Harry Winston’s sparkling bridal and fine jewellery collections; the second floor stocks a growing collection of timepieces, the supremely elegant Midnight Date Moon Phase included (pictured, £21,600). 171 New Bond Street, W1S, harrywinston.com

british watch industry proviDES SWITZERLAND A beacon of light Although 2016 may have been something of an annus horribilis for the Swiss watch industry at large (exports were down 11 per cent in the first ten months, with some companies down by more than 20 per cent), the year saw Britain’s luxury watch sector soar. The latest data from retail analysts GfK has highlighted a strong end to the year, with premium watch sales in October up by 53.5 per cent, compared with October 2015. Despite Rolex, LVMH and Richemont Group having decided to hike their prices – a response to the falling pound – sales of watches worth more than £1,000 increased by 25.1 per cent in the 12 months to October 2016. gfk.com

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“Watchmaking has always been a maledominated world and this collaboration has been a revelation”

A new dawn WORDS:OLIVIA SHARPE

hen one considers the founding fathers of watchmaking, not to mention the male masters who monopolise the world of horology today, it is little wonder the watch industry is seen as a masculine preserve. However, that isn’t to say women aren’t involved in the business, and this has become increasingly apparent in recent years with the likes of Carole Forestier-Kasapi (head of Cartier’s fine watchmaking), Rebecca Struthers (co-owner of Struthers London) and Selynn Blanchet (master watchmaker at Vacheron Constantin) representing a new wave of women taking the helm. This year, Audemars Piguet pays tribute to the 40th anniversary of its ladies’ Royal Oak timepiece with a

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limited edition created in collaboration with Florentine jeweller Carolina Bucci: the Royal Oak Frosted Gold. Watch designer Jacqueline Dimier was responsible for its creation in 1976, having had the difficult task of turning Gérald Genta’s original Royal Oak into a woman’s wristwatch. The defining feature of the latest model – available in both white and pink gold – is its shimmering sparkle, which was achieved using an ancient gold hammering process, otherwise known as the Florentine technique. This finish has been employed in Bucci’s workshops for years, but it was nonetheless a painstaking process for Audemars Piguet’s craftsmen to alter the surface while retaining the flexibility of the bracelet. After months of trial and error, this delicate alchemy was achieved. Bucci, who has been an AP woman since her husband bought her a 1983 Royal Oak for her 35th birthday five years ago, couldn’t be prouder of the partnership. “Watchmaking has always been a maledominated world and this collaboration has been a revelation, I think, for both parties,” she comments. “It was an honour and inspiration to meet Jacqueline, who for decades had been at the forefront of watch design, and yet maintained a feminine touch and grace to her designs. I hope the wider discovery of her role at not just AP, but also Rolex and Patek Philippe, and particularly with the launch of the new Frosted Royal Oak, will encourage women to pursue their ambitions within the industry.” About time, too. Royal Oak Frosted Gold, POA, audemarspiguet.com 43

e v e n ts

por t r ai t s

jo h n @joh n n a s s a ri .c o . uk

w eddi ngs

w w w. j ohnnas s ar i .co.uk

art

Joan Miró, El Segador (The Reaper), 1937, oil on celotex, 550x365cm, disappeared. Arxiu Históric del Col·legi Oficial d’Arquitectes de Catalunya, Photo by Roness-Ruan, ©Successió Miró, 2016

Creativity

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or those who daydream of decades past, when world fairs and international expositions took place almost every year, Mayoral Gallery returns to 6 Duke Street with just the ticket – for a limited time only. Art Revolutionaries will be inspired by the Spanish Pavilion at the 1937 Paris Exposition, where in the midst of the Spanish Civil War, Pablo Picasso, Joan Miró and Alexander Calder’s work presented the realities of Franco’s regime to the rest of the world. Guernica, sadly, will remain in Madrid’s Museo Reina Sofia, but archival material and this replica of Miró’s Reaper, which mysteriously vanished after the Expo, will enthral for hours. 18 January – 10 February, galeriamayoral.com

Prize lots SOLD: £18,750

SOLD: £209,000

e s t im a t e : £ 7 , 0 0 0 - £ 9 , 0 0 0

E s t im a t e : £ 8 0 , 0 0 0 - £ 1 2 0 , 0 0 0

A miniature twocolour gold charka, Fabergé

Jimi Hendrix’s Epiphone FT 79 acoustic guitar, 1951

“Created by Michael Perchin, one of Fabergé’s most celebrated head workmasters, this piece attracted attention due to both its design and private provenance. The seamless, precise combination of pink and yellow gold on the body of the cup demonstrates immense skill. We often find this technique used on Fabergé cigarette cases, but it is rare to find it on a rounded surface, such as that of this charka. Sold from a private collection, the price achieved demonstrates the international demand for unique works by Fabergé that are fresh to the market and carry strong provenance.” – Helen Culver Smith, head of Russian Art at Christie’s

UPCOMING

Steps with Shadow (Paper Pool 2), David Hockney, 1978 Phillips dives head first into the new year with an impressive sale featuring works from David Hockney’s experimental Paper Pool series. Created in 1978 in New York, the 29 pieces are made from moulded paper pulp. The pool depicted in the images was Kenneth Tyler’s, a fellow artist with whom Hockney created the azure series. Estimate £400,000£600,000, Evening & Day Editions, 19 January, phillips.com

sold, from left: Fabergé, A miniature two-colour gold charka, c.1890, marked Fabergé, with the workmaster’s mark of Michael Perchin, St. Petersburg, tapering reeded rose and green gold body on a spreading circular foot, with reeded border and rocaille scroll handle, marked under base. The Russian Art sale at Christie’s, 28 November, christies. com, image courtesy of Christie’s Images Ltd 2016 Jimi Hendrix: An Epiphone FT 79 acoustic guitar, 1951. The Entertainment Memorabilia sale at Bonhams, 15 December, bonhams.com, image courtesy of Bonhams upcoming, from left: David Hockney, Steps with Shadow (Paper Pool 2), 1978, unique hand-coloured pressed paper pulp, on white TGL handmade paper, the full sheet, signed with initials and dated in white ink, annotated ‘2-4’ in pencil on the reverse (one of 16 variants), published by Tyler Graphics, Mount Kisco, New York (with their inkstamp), framed, 128.3 x 85.1cm, image courtesy of Phillips Diana and Actaeon in a wooded landscape, with a hunter and a fisherman, Jan Soens, oil on canvas, unlined, 135.5 x 110cm, image courtesy of Sotheby’s

“Bonhams is privileged to have sold Jimi Hendrix’s acoustic guitar for £209,000, well over its estimate. Hendrix is among the greatest instrumentalists in the history of rock, making this Epiphone acoustic the pinnacle for any guitar collector. There was determined bidding from global collectors throughout the sale which showed the strength of the market in this category.” – Katherine Schofield, head of Bonhams Entertainment Department

UPCOMING

Diana and Actaeon in a wooded landscape, with a hunter and a fisherman, Jan Soens The Of Royal and Noble Descent sale at Sotheby’s will offer a huge variety of lots from notable aristocratic British and European collections, some of which have never been under the hammer until now. One lot on offer will be this painting of Diana and Actaeon by Dutch artist Jan Soens, who was particularly active at the end of the 16th century. This narrative historical work is from the Marchese Francesco Taccone di Sitizano collections. Estimate £8,000-£12,000, Of Royal and Noble Descent, 19 January, sothebys.com

ART

with David Leiber, partner at David Zwirner

Art news

clockwise from top: Rebecca Allen, Inside, 2016, Virtual reality installation, ©rebecca allen, courtesy Gazelli Art House; Josef Albers, Color study for Homage to the Square, n.d., Oil and graphite on blotting paper, 33x33x3.2cm, ©2016 The Josef and Anni Albers Foundation/Artists Rights Society, New York; Goshka Macuga, Frame for Tichy 11, 2013, Courtesy ofGalerie Rüdiger Schöttle; Haris Epaminonda, Untitled #22 cg, 2011, Courtesy of the artist and Rodeo, London

words: camilla apcar

Heroes of our time Gazelli Art House will be given over to five powerful female artists for six weeks in its upcoming group show, an exploration of socio-political change over the past 50 years. Encompassing the work of activist and early feminist Nancy Spero as well as contemporary media artist Rebecca Allen and monochrome photographer Charlotte Colbert, it is set to be a bold and thought-provoking start to 2017. toute seule, 13 January – 26 February, gazelliarthouse.com

Gazing in wonder In another ambitious group show, Blain Southern plays on Giorgio de Chirico’s surreal, abstract and intriguing notion of the ‘metaphysical interior’. Sixteen artists who use collage, layered imagery or fragmentation – be it sculptural or even in installation – have been brought together in an exploration of time and the unconscious. Curators Simon Moretti and Craig Burnett have clearly had great fun with the concept, placing pieces by post-war artists Lynn Chadwick and Sigmar Polke alongside contemporary works by Cyprus-born artist Haris Epaminonda and 2008 Turner Prize nominee Goshka Macuga. Revolt of the Sage, until 21 January, blainsouthern.com

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Why was Josef Albers so taken with yellow, the subject of this exhibition? Yellow certainly allowed him to focus on the limitless expressive potential of colour and light. Restricting himself to just one colour really seemed to let him explore endless combinations and effects, and to produce illusions of translucency. Could another exhibition of his work come in another decade, titled blue, red, or green? He did indeed go into prolonged investigations of other colours. At our New York gallery, we recently organised a focused investigation of how Albers used black, white and grey-scale throughout his career. Which are your favourite works? Each has its own chromatic presence and such distinct effects at any given viewing. Among my favourites are Albers’ rarely exhibited colour studies. These paintings on paper, which often include notations by the artist in graphite, provide a unique window into his working process, allowing the viewer to think, along with Albers, through colour. How many shades of yellow are on show? We have yet to tally them all! Naples yellow, goldenrod, mustard, maize, saffron... there were so many available shades that Albers experimented with and applied straight from the tube. He used paints from around 60 different manufacturers. Josef Albers, Sunny Side Up, 13 January – 10 March, davidzwirner.com

A matter of

ART

Monumental sculptures that defy the laws of nature and question our place in the cosmos have been gaining momentum over the past five years – and there’s still time to start collecting. Camilla Apcar speaks to the artists and gallerists leading the pack

ast year, a polar bear stood guard on its hind legs in King Street, two anthropomorphic rabbits trotted into Grosvenor Square on a horse, and a girl practising yoga with a globe took position on New Bond Street. Far from some otherworldly plot playing out in Mayfair, these were all signs of how, with the rise of private foundations and exhibition spaces, artists have been given new opportunities to think big – quite literally – about sculpture. In the ten years since Abby Hignell opened her contemporary and 20th-century sculpture gallery in Shepherd Market, she has noticed an increase in demand for large-scale works. “I think there were the wilderness years for sculpture, and in a lot of people’s minds it was about a man on a horse in the middle of a town square,” she says. “People’s eyes have been opened to what sculpture really is, and are really engaging with it. It has stopped being behind a velvet rope.” Size and scale are key to grappling with what makes a sculpture ‘monumental’ – a concept that precedes even the monolithic Moai figures found on Easter Island (carved by the indigenous Rapa Nui people around 1300), and goes all the way back to totem poles and ancient Egyptian and Chinese culture. The term sometimes refers to commemorative monuments, but in contemporary circles it most commonly concerns physical size. “Artists like Anish Kapoor and Richard Serra want you to be totally eclipsed by a form so that you have a sort of internalised experience within it,” says Neil Wenman, senior director at Hauser & Wirth London. “Or it might be a play on the form’s relationship to its environment, or perhaps about your own body size in relation to it.” Case in point is the work of Indian artist Subodh Gupta, who plays with scale in his mixed media creations that reference history, daily life and our human position within the universe – a theme explored repeatedly in monumental sculpture. Gupta’s work has taken the shape of a tree made entirely from stainless steel pots and pans; 697 bronze potatoes heaped together on a stand; and a life-size boat filled with detritus from the urban environment and tilted at an angle to allow visitors to walk underneath it, as exhibited at Hauser & Wirth on Savile Row in 2012 (pictured overleaf). Monumental sculpture is a specialised part of the collecting market, not least because it demands another premium: space. Many collectors are taking to the great

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outdoors. “I have more clients than ever who are building their own sculpture parks, either publicly or privately,” says Hignell. The gallerist represents both Helaine Blumenfeld – the contemporary American sculptor often credited with moving the medium on from the Henry Moore and Barbara Hepworth aesthetics – and Sophie Ryder, whose Lovers on Horseback rode into Grosvenor Square last year. A host of temporary outdoor exhibitions in the public realm, be it Berkeley Square or Marble

previous page: barnaby barford, Me Want Now, 2016, photography: David Gill Gallery/ Martin Slivka

Monumental sculpture is a specialised part of the collecting market, not least because works of this scale demand another premium: space Arch, mirror collectors’ appetites. “I think that’s more to do with the popularity of contemporary art,” says Wenman. “The landowners of these spaces have seen that it’s a benefit.” Large outdoor sculptures have also been highly prized in recent years at both Christie’s and Sotheby’s. The latter’s Beyond Limits exhibition and private sale took to Chatsworth House for the eleventh time in September. Meanwhile, Christie’s worked on an exhibition with the Cass Sculpture Foundation, which gives its proceeds towards supporting artists and new commissions. Similar plans are in the works for later this year. These exhibitions, the opening of the Hepworth Wakefield museum and a focus on sculpture at fairs such as Frieze London have raised the market’s value. “There aren’t many areas where you can still get a world-class museum-level collection together,” says Hignell. “It remains just about possible to do so with sculpture, but the doors are closing fast.” Fortunately, collectors have a particularly broad pick of contemporary artists. Bowman Sculpture’s roster includes Emily Young, whose Neo Bankside sculpture walk was installed last summer beside the Thames and is set to stay well into 2020. Standing beneath one of Young’s huge pieces of stone is particularly powerful, says the gallery’s director Bill Gerish. “It makes you feel very human, very small. I remember standing underneath Planet [a metre-high face emerging

from a block of clastic igneous rock] when it was installed in Berkeley Square, and I felt dwarfed. There’s something almost otherworldly to something so unnaturally large.” Elsewhere, this month The Fine Art Society will show new work by Tim Pomeroy who, like Young, draws from the sacred, ancient and nature, and crafting sculptures in stone and wood. The polar bear that towered in David Gill Gallery throughout November and December

ART

was created by Barnaby Barford, an Edmontonbased sculptor with a certain predilection for labour-intensive work. Barford’s exhibition Me Want Now (pictured previous page) included 11 life-size animals made from porcelain flowers and tiles: a tiger prowled alongside a rabbit; a brown bear sat not far from the neck of a giraffe that extended out of a mirror like a hunting trophy. His carefully-planned menagerie considers the

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clockwise from top: Subodh Gupta, Chanda Mama Door Ke, 2015, ©Subodh Gupta, Courtesy of the artist and Hauser & Wirth, Photography: Ken Adlard; Subodh Gupta, What does the vessel contain, that the river does not, 2012, Mixed Media, 1.10x3.15x21.35m, ©Subodh Gupta, Courtesy of the artist and Hauser & Wirth, Photography: Alex Delfanne; Lorenzo Quinn, Force of Nature II, 2011, bronze, Berkeley Square, London

relationships between humankind and the rest of the natural world. “I thought the polar bear would be quite aggressive in scale, but I miss its presence in my studio,” says Barford. Over a number of months, the artist attached more than 7,500 ceramic flowers to wire and sculpted them into the bear’s snowy form. Yet going large was not always intentional for Barford, and he maintains that his works are not about shouting the loudest. “They can be huge and subtle at the same time, even though they’re so physically large. I’ve always made works the size they needed to be.” Barford’s Tower of Babel was exhibited at the Victoria and Albert Museum in 2012, and its very subject required a monumental structure. “It’s supposed to reach to the heavens,” he describes. It took two and a half years to create and stack 3,000 miniature bone china shops on top of each other, stretching six metres skywards in socioeconomical commentary. Abandoned shops and bargain stores formed the tower’s wide base, while boutiques and galleries were precariously balanced at its narrow summit. For Italian sculptor Lorenzo Quinn, whose pieces can be found at Halcyon Gallery on New Bond Street and in public spaces the world over, working on a large scale is all-important. “The monumental represents the permanence of the artwork,” he says. “It brings the sculpture closer to people, putting it out there: it’s public, not yours anymore. The idea of leaving something to posterity is quite amazing for an artist.” Despite the amount of engineering involved, and the fact that “every small error becomes a big mistake”, Quinn says he finds it easier to work in such a monumental way. His artworks, like Holding Up the World – the girl balancing a globe on her feet – or Force of Nature (which landed in Berkeley Square in 2011, pictured far left), concern uniting people. “The most important thing has always been how people react to my work and whether they understand it,” he emphasises. “Sculpture is a way of communicating. It’s about the message.” Sometimes, size does matter. bowmansculpture.com, davidgillgallery.com, halcyongallery.com, hauserwirth.com, hignellgallery.com, thefineartsociety.com

TO READ MORE ARTICLES LIKE THIS VISIT www.luxurylondon.co.uk

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FASHION

t may come as a surprise to some that the contemporary and youthful fashion brand Loewe has just celebrated its 170-year anniversary. The Spanish label was established by Enrique Loewe Roessberg in the 19th century as a cooperative of leather and fur specialists. The fresh-faced Jonathan Anderson took the helm as creative director in 2013, incorporating the house’s history into his progressive designs: re-interpreting the seminal 1975 ‘oro’ suede Amazona handbag into a playful and multifunctional new puzzle shape. The multiple British Fashion Award winner has commissioned cult magazine publisher Luis Venegas to compile a limited edition tome on Loewe. The image-heavy, soft-cover compendium is filled with editorials and campaigns – old and new – that give a colourful and detailed insight into the company’s history. Anderson refers to it as a ‘reference tool’ (laid out in no particular order) and ‘not a book to be precious with’. A must for all sartorial libraries. Loewe: Past, Present, Future, £110, available from loewe.com and selfridges.com

The

loewe

down

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Milano: Galleria V. Emanuele

ITALIAN TRAVEL BAGS SINCE 1952

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fashion

The max factor Jungle fever has taken hold of Max Mara’s S/S17 collection, which draws on the work of the late Brazilian Modernist architect Lina Bo Bardi. Classic silhouettes have been given a sporty Rio-inspired twist with palm prints and animal motifs emblazoned on jodhpur leggings and bodysuits in athleisure fabrics such as jerseys and nylons. If that sounds all too adventurous, the house has stayed true to its signature styles too: think crisp shirts, wide-legged trousers, belted suits and trench coats in shades of cream and taupe. 19-21 Old Bond Street, W1S, maxmara.com

WORDS: Marianne Dick

On the Marni

Red coat, £436

Full length coat, £359

Livin’ la vida Coca Johnny Coca’s first year as creative director at Mulberry has seen a smörgåsbord of fresh arm candy. His coveted future classics include the compact Clifton with its flat press studs and the sleek Maple (a tote that Mary Poppins would be envious of, pictured right). This month sees a graphic zigzag adorn these new shapes in bold oxblood, mustard and cream. Maple tote, £995, 50 New Bond Street, W1S, mulberry.com s l u x u ry l o n d o n . c o. u k s

Italian fashion house Marni has revealed a new capsule collection in collaboration with lifestyle e-store YOOX. A first for the digital retailer, the exclusive range celebrates Marni’s heritage prints and vibrant florals, and takes cues from the design archives of founder Consuelo Castiglioni, who recently stepped down as creative director. The campaign is fronted by Australian model Fernanda Ly, who sports candyfloss hued hair, epitomising both brands’ confident aesthetics. yoox.com

image: Melvyn Vincent

Style update

New openings

coach An interactive New York-inspired flagship called Coach House has opened on Regent Street. The ground floor features a craftsmanship bar that offers monogramming, personalisation, leather care and repair services. Watch out for the exclusive Regent Street designs. Oh, and dinosaurs... 200-206 Regent Street, W1B, coach.com

mcm On Conduit Street, Munich-born brand MCM presents its new central London store, which features a stunning sweeping staircase. The rest of the space is decked out in oak, bronze and plenty of its signature Cognac Visetos leather, which covers everything from chairs to bears. 16 Conduit Street, W1S, mcmworldwide.com

One in

Emilia British-based fashion designer Emilia Wickstead talks to Kari Colmans about motherhood, wardrobe detoxes and her inherent passion for travel

FASHION

milia Wickstead is eating a bread roll. Not a gluten-free, organic, nut-and-seeded excuse for a carbohydrate, but a white, fluffy bread roll. With butter. This may not sound like something worth remarking on, but it pretty much sums up the young fashion designer in one bite: she seems so normal. Wickstead found huge success with her whimsical yet regal dresses – her S/S14 textured pink Christian midi-skirt won hearts and wallets, from Marylebone to Notting Hill, as devotees flocked to matchesfashion.com – and then later down the line with her everyday separates. The 32-year-old seems so unaffected that I soon forget (as she orders steak and chips for lunch at the Rosewood hotel) that her face is a constant fixture among the who’s who of the British fashion circuit. Originally from New Zealand, British-based Wickstead has always been something of a globetrotter. She moved to Milan aged 14, where she lived for four and a half years, and then to London for university – she received a BA in fashion design and marketing at Central Saint Martins, with honours in 2007. She’s half Italian (her mother’s side), and her husband is from

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Brazil, so a taste for travel, as well as fashion, is in her blood. “My mother was a fashion designer,” she recalls fondly, with a smile and a softness reserved for speaking about her family. “So I think it was instilled in me at a very young age. When I moved to Milan, after my mum married an Italian, the world of fashion came to life and I was seeing it for the first time. I was always intrigued and wowed by the entire industry. At the time, Milan was very much having its moment with Fashion Week. And that’s when I thought that this was something I could do.” Although, ironically, her first fashion memory could have seen it go either way: “I remember my mother working very late nights for the fashion house she created and I asked her to never leave me her business!” Before setting up her own label, Wickstead honed her skills at Giorgio Armani, Proenza Schouler, Narciso Rodriguez and Vogue in New York and Milan, before returning to London and opening her first store in Belgravia in 2008 (her flagship is now on Sloane Street). Starting out as a made-to-measure atelier, she graduated to seasonal ready-to-wear and has been an unmissable name at London Fashion Week for the past four years, while her international

“Every woman ne eds

a great pair of tro users, a high-wais

presence is continuing to grow. A busy mother of two, she’s not afraid to admit she finds it hard to balance it all: “Because it is! It’s hard to go weeks on end without seeing your children if you’re on a deadline.” A typical working day consists of her getting up with her three-year-old daughter Amalia and one-year-old son Gilberto. Wickstead spends time with them in the morning before the nanny arrives and then drops her daughter off at nursery on the way to work. She makes sure she is always home before bedtime, even if there is an event that evening, which, of course, there are many. “By the time it gets to the weekend, it’s family time and I’m exhausted,” she says. “I do find it difficult to balance work and family life, and I always admit to that, but then I think how privileged I am to have a great job and two healthy children. So as much as it’s tiring, I do try to forget that and enjoy the moment and be grateful for what we have.” Wickstead’s coy when I press for any details; be it her feelings towards her accomplishments or even the area of London where she lives, or enjoys visiting. She still has her first editorial coverage (a spread in Vogue after she called the editorial desk and insisted they look at her website while she hung on the line) sitting on her

ted pair of jeans,

bookshelf, but doesn’t want to comment on any other reviews that followed, good or bad. She’s thoughtful and diplomatic, even when asked the simplest of questions (Me: “Biggest fashion faux pas? EW: “I better be careful what I say…”). However, it feels more like she’s uncomfortable under scrutiny and protective of her privacy, rather than pushing a PR agenda. The Duchess of Cambridge has recently voiced her praise for the label, with The Telegraph proclaiming Wickstead “a favourite designer”. But again her response is considered: “Every time someone endorses the brand and wears it beautifully is a great moment for me. I’m proud every time I see somebody in one of my pieces. That could be someone on the red carpet who is in the public eye, or just someone who is walking down the street, or into a restaurant. Every time that happens, it feels like a huge achievement.” Indeed, she finds inspiration from the women she passes on the street every day. “I’ll often be running up behind someone, secretly taking a photo of the detail on a coat or something,” she laughs. As far as role models are concerned, she doesn’t feel it’s her duty, but says it would be “lovely” if people were to look up to her that way. As for her own idols, she turns again to family.

and a

FASHION

great dress in her wardrobe ... and a really good coat. T hese will “I looked up to my mother, who was a working parent and definitely a role model. I also looked up to my grandmother, who was a very big part of my life. She had eight children and was a stay-at-home mum. There is something to be said about having true respect for your elders: for their wisdom and ability to nurture. Both my mother and my grandmother are my role models for very different reasons.” Dressed simply in a black polo neck, chevronpatterned cigarette pants and pointy flats, with little more than gold hoops and a slick of red lipstick by way of adornment, Wickstead only spends a maximum of five minutes getting ready in the morning, a dream that she’s achieved by keeping a tidy and tightly edited wardrobe that she updates at the beginning of every season. “I hate to overthink fashion,” she says. “I do that for a living, especially when I’m designing a collection. When it comes to my own wardrobe, I’ll embody what I’ve designed for the season. Testing all of your products and wearing them as your clients would is very important; learning from the designs and fabrics you’ve used, whether they were right, or whether they weren’t.” As well as her own label, she also loves Current Elliott jeans (“I’m really into the high-waisted

cover any outfit”

ones. They’re so comfy”), James Perse and Sunspel T-shirts. “I love knitwear,” she enthuses, “which we have for Emilia Wickstead now, and you’ll very often see me with a big overcoat. My go-to shoes are my pointed velvet Rochas flats and I also wear a lot of trainers with jeans. Every woman needs a great pair of trousers, a highwaisted pair of jeans, and a great dress in her wardrobe … and a really good coat. These will cover any outfit.” As talk turns to getting away from it all, Wickstead grows wistful. She will soon be retreating to one of her favourite places in the world: her mother’s country house in Italy. She shares some of her special places (the Amalfi Coast for its food and wine, and Tuscany – her grandmother was from Florence, and Wickstead and her husband married in Montepulciano). But they’ll be back for New Year’s Eve to host their annual dinner party. “I love being with friends, and having people over for dinner. I love cooking and I’ve started to get back into that now.” And just like that, while sorry to miss pudding, the school-run beckons. I bet she has an Um Bongo in her handbag. emiliawickstead.com

s l u x u ry l on d on . c o. u k s

Pay tribute to the dusky landscape of Morocco with floaty bohemian dresses and seek refuge in a lush oasis with tropical prints and vibrant silk scarves P h o t o g r a p h y: A L E X A N D E R B E E R S t y l i n g : GRAHA M C R U Z

Dress, ÂŁ586, Zimmermann, zimmermannwear.com; bra, ÂŁ405, La Perla, laperla.com

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fashion

LEFT Kaftan, £805, Kalmar, available from Matches Fashion, matchesfashion.com; trousers, £245, Tara Jarmon, tarajarmon.com; silk scarf, £95, Jessica Russell Flint, jessicarussellflint.co.uk; sunglasses, £180, Taylor Morris, taylormorriseyewear.com; hat, £80, Jess Collett, jesscollettmilliner.com; rings, from £43, Joubi, joubi.co.uk

ABOVE Shirt, £195, Cacharel, cacharel.com; silk scarf, £95, Jessica Russell Flint, as before; hat, £80, Jess Collett, as before

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fashion

ABOVE Top, £790, Giorgio Armani, armani.com; skirt, £1,500, Alexandra Long, alexandralong.com

RIGHT Dress, £740, Just Cavalli, justcavalli.robertocavalli.com; ring, £225, Monica Vinader, monicavinader.com

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fashion

LEFT Dress, £2,350, Peter Pilotto, available from Harrods, harrods.com; earrings, POA, Dsquared2. dsquared2.com

ABOVE Jumpsuit, £1,695, Agnona, agnona.com; coat, Dsquared2, POA, as before; boots, £730, Giorgio Armani, as before; sunglasses, £395, TD Tom Davies, tdtomdavies.com

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fashion

ABOVE Jumpsuit, ÂŁ1,610, Gabriela Hearst, available at Net-a-Porter, net-a-porter.com; silk scarf, POA, Dolce & Gabbana, dolcegabbana.com

RIGHT Jumpsuit, ÂŁ1,150, Pringle of Scotland, pringlescotland.com; silk scarf, POA, Dolce & Gabbana, as before

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CREDITS Model: Gia Johnson-Singh @Models 1 Make-up and hair: Marian Filali for Dior Location: Palais Rhoul Marrakech, palais-rhoul.com

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fashion

Star-crossed loafers Duke & Dexter’s new Covent Garden store offers customers a wide array of luxury loafers to browse while enjoying a complimentary beverage from Yorkshire-based Buckshot Coffee Company – a nod to the brand’s roots in Sheffield, where each pair is handmade. Its slip-ons blend British heritage with international influences, and, through its bespoke service, customers can suggest monograms and motifs to personalise their footwear from start to finish. From £225,16 Earlham Street, WC2H, dukeanddexter.com

Style spy WORDS: james coney

McCartney mania

Game changer

When a new year comes round, many of us tend to try out a new look: right on cue, Stella McCartney has released her first menswear collection. Inspired by the men in her life (naturally, since her father practically influenced an entire cultural revolution), the range stays true to McCartney’s sustainable values while still maintaining a high degree of style through its bold patterns and embroidery. Newman jacket, £960, 30 Bruton Street, W1J, stellamccartney.com

Mr Porter is the exclusive launch outlet for Kent & Curwen’s new collection, produced under the creative directorship of Daniel Kearns and in partnership with David Beckham, who has just signed a five-year contract as business partner to the brand. The designs are heavily influenced by Beckham’s style, and include sports shirts branded with an English rose motif and shearlingtrimmed jackets. We’ve got our eye on the camel coat (£1,200) to take us coolly from winter into early spring. From £150, Kent & Curwen, mrporter.com

Hell for leather Connolly – leather supplier for the seats in the House of Commons – now has a new home at 4 Clifford Street. Established in 1878, the small family business evolved to become an esteemed merchant, especially to the automotive industry – with high-profile clients such as Rolls-Royce, Bentley, Aston Martin, Jaguar and Ferrari. Today, it’s perhaps better known for its fashionable ready-to-wear line and impeccably crafted driving collection, ranging from leather goggles (£130) to pairs of particularly effective Road Rage gloves (£295). A certain two fingers are conveniently highlighted in red... 4 Clifford Street, W1S, connollyengland.com

DANIEL KEARNS AND DAVID BECKHAM PHOToGRAPHY: Mr Antony Crook for MR PORTER

PHOTOGRAPHY: Ben Weller

s l u x u ry l o n d o n . c o. u k s

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LUXURY BODY BUTTER IN WHITE CASHMERE FROM THE BATH & BODY COLLECTION

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interiors

Walking on a

dream s l u x u ry l o n d o n . c o. u k s

he tagline at the heart of Seletti, the Italian design brand established in 1964, is: ‘Revolution is the only solution’. This ethos manifests itself in progressive objets d’art – notably the Hybrid collection of porcelain pieces – as well as its offbeat utensils such as the Inception cityscape dish racks. Seletti has collaborated with Maurizio Cattelan and Pierpaolo Ferrari (the artistic duo behind the graphic biannual publication Toiletpaper) to produce a homeware range adorned with their surreal, saturated and darkly comic pictures. This visually jarring collection has expanded to include rugs made from recycled materials, available to buy at Paul Smith’s Albemarle Street store until March. The rugs, in both round and rectangular shapes, are almost too good to walk on. Lipstick round rug, £650, Seletti wears Toiletpaper, available at Paul Smith, 9 Albemarle Street, W1S, paulsmith.co.uk

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All brand names, product names, and trademarks are the property of their respective owners. Certain trademarks, registered trademarks, and trade names may be used in this document to refer to either the entities claiming the marks and names or their products. Crestron disclaims any proprietary interest in the marks and names of others. Crestron is not responsible for errors in typography or photography. ÂŠ 2016 Crestron, Ltd.

interiors

Gvardian of the galaxy Versace swaps its usual elaborate embellishments in favour of a sleek, futuristic aesthetic in its Gvardian homeware collection. The mainly monochrome range still packs a punch with space-age chairs and sofas as well as industrial-style tables made from matte carbon fibre, giving them an unusual tactile appeal. POA, versacehome.it

Interiors news WORDS: MARIANNE DICK

Friends with benefits Christine Samuelian and Belinda Fisher, founders of creative consultancy Friends & Co, know exactly what makes people tick – which is why they have been chosen to pick eight outstanding British designers for the capsule collection Makers for Selfridges. Thirteen new products will interpret the department store’s signature shade of canary yellow, including Japanese and Scandi-inspired stoneware from Marylebone furniture brand Another Country and tea sets from interior designer Charlene Mullen (both pictured below). From £15, selfridges.com

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Bathroom scales Giacomini Design develops innovative water sculptures that are crafted and developed in Italy. One of the standout pieces in its first range, Sculture d’Acqua, is an unusual snake tap made of titanium and steel (pictured right). Paired with advanced technology – such as control via WiFi, touch settings, voice commands and LED lights to indicate temperature – it’s sure to make your next bathroom experience like no other. From £10,000, giacominidesign.it

©Little Greene 2016

Pieces of history This month, wall covering company Little Greene will reveal its fourth collection of London wallpapers. The prints are inspired by the English Heritage wallpaper archive and named according to the area where each original fragment was first found. The Albemarle Street covering was discovered in a low-ceilinged secondfloor bedroom, yet it boasted a pattern repeat of six feet. The Upper Brook Street design is based on a bright kniphofia flower decoration that was found hand-painted over a pre-hung paper in the late 18th century. Upper Brook Street in minuit, £170 per roll, littlegreene.com 75

not all privacy is created equal SOLARIN is the ultimate mobile phone that combines the latest advanced technologies with the highest levels of privacy and the most elegant of designs.

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INTERIORS

Scents of security

For discerning noses, candles by perfumers offer the finest in home fragrances. Camilla Apcar speaks to the olfactory masters who are burning the midnight oil and turning their attention to wax

n a market overwhelmed with fragranced candles – released each season by interior designers, homeware stores and massmarket influencers alike – it is those translating their olfactory expertise from liquid to solid form that truly stand out from the pungent throng. Heavyweight perfumers have long since taken to the realms of wax: Frederic Malle’s mammoth Cafe

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Society (£60) conjures Parisian dinner parties and drawing rooms; the Penhaligon’s range of classics continues to expand; Creed’s Green Irish Tweed (£85) is just as verdant as its original spray from the 1990s. Niche creators, too, are noticing an increased desire from their loyal followers to diversify. “About 15 years ago, the demand for fragranced candles was tiny,” says perfumer Azzi Glasser. “You just had Glade air fresheners back

then. I think people are more aware of smell now, and what it says about them. And if the candle looks great, it’s like an ornament as well.” Having spent many years as a nose for the likes of Jasper Conran and Agent Provocateur, Glasser launched her own brand – The Perfumer’s Story – in 2015. Often asked about the fragrances that would suit certain rooms at home, in October Glasser developed the idea of Perfumed Architecture: five candles each intended for a different living space (£49 each). “Black Moss is for the entrance hallway or living room area, because its patchouli and oud give a kind of wow factor,” she describes. For kitchens or dining rooms, where a more subtle fragrance is required, Fig Ambrette is based on Corsican fig with hints of amber and green leaves. The go-to scent specialist for Helena Bonham Carter, Jude Law and Stephen Fry (to name just three), Glasser’s next venture will be to mirror her bespoke eau de parfum service with made-to-order candles. Working with wax poses a different set of challenges for perfume experts – both technically and creatively. “The fragrance that you would choose to wear isn’t always the same as the one you would want in your home. It has to be more neutral, to a certain extent,” says young British talent Tom Daxon. Glasser agrees: “with a candle, it’s about designing it around your environment.” Leo Crabtree, founder of BeauFort London, says it’s worth remembering that the wax version of a beloved perfume may be very different. Indeed, he has used faithful reproductions of BeauFort’s eau de parfums for his three Night Watch candles (£39 each), but because of the medium “they work very differently, smoother somehow”. Deep and dark, they are full of tea, tobacco and gunpowder scents. “We spent a lot of time experimenting with different wicks, different glass and various types of wax,” he continues. “It’s essential to get the candle to burn evenly all the way down, ensuring even distribution of heat and scent.” This can take many months to perfect: “particularly as we use various natural compounds in very high concentrations that burn at different rates. Even the colour of the glass makes a difference.”

“People are more aware of smell now, and what it says about them. If the candle looks great, it’s like an ornament as well” Certain ingredients won’t work in fragranced wax, as the flame burns the oil and forces molecules to react and release their scents in different ways. Sandalwood, for instance, makes for a light smell – but paired with other finely-tuned ingredients it will become accented. “It’s like a form of manipulation,” says Glasser. The popularity of smoky candles endures, cherished for recreating the atmosphere of grand or cosy old wood-panelled rooms with a log fire burning in the grate. Brooklyn perfumer

INTERIORS

D.S. & Durga has just released its first collection (£58 at Liberty), a trio that draws on the smoky theme each in their own way. Portable Fireplace is perhaps the most straightforward (cedar, pine and oak ash swirl around birch tar). “This one obviously works best in the cold months,” says co-founder David Seth Moltz. “The idea is that you can enjoy the ambience of a roaring fire even if you don’t have a chimney, which many modern apartments do not.” Next, Spirit Lamp is a curious mixture of peach water, white ginger, coconut milk and smoky black tea. “It actually reminds me of sitting in the garden on warm summer evenings, but works very well indoors in chilly weather,” says Moltz. The third and arguably the best, ’85 Diesel, takes its name from the perfumer’s 1985 Mercedes Benz 300Turbo Diesel, all leather

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From left: white narcissus, Tom Daxon; esprit de kadisha, ideo parfumeurs; vi et armis, beaufort london; rosa mundi, diptyque; portable fireplace, d.s. & durga

seats, walnut dashboard and diesel smoke. Elsewhere, Ideo Parfumeurs’ Esprit de Kadisha candle excels (£35 at Liberty), with oriental wood and incense coming together in a striking Lebanese-inspired combination by the husbandand-wife team behind the brand. Yet there are those making a move away from the fireside. In October Roja Dove launched H – The Exclusive Black Tier at Harrods (a hedonistic blend of rose, raspberry and suede, £95), while Swedish perfumer Agonist collaborated with compatriot fashion brand Hope to create three candles (£50 each at Avery Perfume Gallery) inspired by themes of individuality and strength. Hope for Diversity sits floral notes over leather and a woody base; Hope for Courage brings cinnamon and nutmeg together with rosemary and vanilla; Hope for Freedom tops musky undertones with lime. Unlike Leo Crabtree, Tom Daxon – who grew up in Buckinghamshire but spent his summers in Grasse – felt that his existing perfumes didn’t work quite as well as candles. “You don’t get the same expression of a fragrance in a candle as you do in a spray. It’s not as precise, and you’re dispersing it over a larger area,” he says. “Candles have to be simpler and stronger.” His latest, White Narcissus (£55), is crisp but set against smoky woods. “The idea was to create a wintery candle that wasn’t a Christmas cliché,” says Daxon. “It’s what I think of as a floral bouquet in the winter: quite green, with a cosiness and warmth underneath.” As spring approaches, so does a fresh host of waxy delights for the new season. This month Diptyque will release Rosa Mundi (from £28), a limited edition that perfectly captures the idea of a candle as an object of beauty. Two roses – Damask and May – are complemented by blackcurrant and bergamot, lychee and geranium, as well as by hand-printed floral paper around the glass. Its charming design is part of a revival of domino paper, a craft made popular in the 18th century and used to cover books, walls and boxes with colourful prints. Similarly, Linari’s new Onice candle (£53 at Harrods) offers a musky, tonka and lavender scent swathed in deep black velvet. What Glasser notes holds true – a candle really can serve a feast for all the senses.

health & beauty

S PA R E V I E W

Going native Forget the trials and tribulations of 2016, Hannah Lemon finds a way to wash off the past 12 months and start the new year with a clear head thanks to the healing remedies of the Navajo tribe

any people have welcomed saying goodbye to last year. There have been European debacles, surprises of a presidential proportion, as well as break-ups (Brangelina) and goodbyes (Bowie, Prince, Andrew Sachs, AA Gill). So think of my relief when I arrived at The Connaught’s Aman Spa and my therapist said: “This treatment helps you leave the past behind and welcome the future.” As part of its luxury treatment series, the spa offers two-and-a-half-hour Signature packages inspired by different mediums of wellness from around the world, be it China, India or Thailand. I picked the Americas, involving a session of ancient Navajo techniques and natural ingredients to focus the mind on turning over a new leaf. Stepping into the cedar-scented room, I was told to lie face up on the bed. I pondered how an entire afternoon could possibly be filled up by a massage or two. Then began my hours of serious pampering, by the end of which I yearned for a couple more.

To begin, my masseuse slowly wafted burning sage around the room to fill it with a calming aroma. Next, the focus turned to my feet. Pummelling and kneading this part of the body gave me time to relax – and almost fall asleep – by grounding my energy and stresses down to my toes. After that came the mud. A reddish lacquer was applied all over my limbs, back and stomach, after which I was rolled up like a mummy in sheets. It was strangely comforting being tucked up like an infant, completely free of cares – much like how I imagined a newborn Navajo baby swaddled in a cradleboard would feel. As the organic properties of the mud cleared my pores, I received a head rub that eroded my tensions, frowns and worry lines. I was then unwrapped, which seemed like a symbolic rebirth as I shed old anxieties in favour of a private steam room concealed behind two shutters. I washed off the remaining clay in the shower and returned for a final

full-body massage with hot oil and stones to iron out my muscles. The heat helped channel my mind towards positive thoughts once more, as if I was in hibernation mode, gearing up for release. As I prepared to return to the real world, I felt calmer, a tad sleepy and extremely content. Perhaps there’s hope yet Brad and Angelina. Signature Experience: Inspired by the Americas, £280, Aman Spa, The Connaught, Carlos Place, W1K, the-connaught.co.uk

s l u x u ry l o n d o n . c o. u k s

Stronger Slimmer Firmer Fitter “a five-mile run with my baby boy is now as easy as changing a nappy” daily telegraph

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“THE results are spectacular” evening standard

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health & beauty

Beauty sleep From an anti-ageing pillowcase to high-tech night creams, all you have to do is snooze while these products work their magic

Colour coding Chanel’s first collection to launch this year is Coco Codes – an interpretation of the five iconic shades of the house: red, black, gold, white and beige. Experiment with a translucent, milky white or a sheer inky black top coat for nails, or highlight eyes with golden-beige shades. From £20, chanel.com

#1 Sleep Plus Hair Elixir, £25, This Works, thisworks.com

#2 Multi-Action Overnight Treatment, £89, Perricone MD, perriconemd.co.uk

Beauty news W O R D S : me l iss a emerso n

A wrinkle intervention La Prairie’s latest innovation in its ambitious quest for a ‘lineless future’ is its Line Interception Power Duo. Two separate chambers within the bottle hold day and night creams with built-in SPF 30 and UVA protection. Combined, they target expression lines, UV-induced wrinkles and gravityrelated creases, and they’re fitted with a handy travel lock, so you’ll never need to spend a night apart. £244, laprairie.co.uk

#3 Skin Rejuvenating Pillowcase, £50, iluminage, selfridges.com

#4 Night Cream Repair Skin Control, £270, Susanne Kaufmann, susannekaufmann.com

a cleansing ritual Uplift your morning routine with this new lime-scented Reawaken hand and body wash from Mauli. Made in England with pure essential oils, it includes softening coconut oil and immunity-boosting Indian frankincense. Plus, 80 per cent of the ingredients are organic and it’s free from chemical preservatives and synthetic fragrance. £23, maulirituals.com

#5 Diamond Extreme Night Dual Treatment duo, £214, Natura Bissé, net-a-porter.com

s l u x u ry l o n d o n . c o. u k s

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www.thewellingtonhospital.com

On the pulse One in four people will develop Atrial Fibrillation (AF), an abnormality in the rhythm of the heart (arrhythmia). This can lead to the potentially devastating consequence of a stroke. Dr Syed Ahsan, Consultant Cardiologist at The Wellington Hospital discusses the condition and treatment

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trial fibrillation (AF) affects an estimated 1.5 million people across the UK and in excess of 16 million worldwide. AF involves the upper chambers of the heart, known as the atria, beating irregularly. As the atria control the normal rhythm of the heart, this means that your pulse becomes irregular. AF is the most powerful single risk factor for suffering a deadly or debilitating stroke. It is estimated that every 15 seconds, someone suffers an AF-related stroke. However, AF can be detected easily with simple manual pulse checks. Treatment with a blood-thinner (anticoagulant) is vital to reducing the risk of stroke. Atrial fibrillation presents itself in many different ways. The most common symptoms are called paroxysmal atrial fibrillation. palpitations, which are often rapid and irregular. Atrial fibrillation itself is not usually life People may also experience dizziness, shortness threatening, but can be uncomfortable and of breath and fatigue. In some people, there are often needs treatment. There are a number of no symptoms and the discovery of AF can be an different approaches to the treatment of atrial incidental finding. fibrillation. Assessment by a specialist is The irregular heart rhythm of atrial required to consider which approach is fibrillation causes the blood to pool most suitable for an individual. and this may cause a blood clot to Meet the There are three strategies to treat AF: form. This clot can then be carried specialist Medication to control the heart to the small blood vessels in the Dr Syed Ahsan is a leading London rate or rhythm may be the most brain where it blocks the blood cardiologist and specialist in heart suitable treatment for some flow and causes a stroke. To rhythm disorders. He works at patients. This may be in the form reduce the risk of stroke, people The Wellington Hospital and of regular, daily medication to who have been diagnosed with AF Barts Heart Centre, one of the prevent episodes, or single doses to need an assessment of their risk largest specialist cardiac units take when you have an attack to try factors to decide whether to start in the world. and stop it. an anticoagulant. In patients who are in AF all the time, a Some patients who have developed cardioversion â&#x20AC;&#x201C; a small electrical shock across atrial fibrillation may spontaneously the heart under light general anesthesia â&#x20AC;&#x201C; can return to normal (sinus) rhythm after a short restore the heart to a normal rhythm. period of time. However, others may find they Catheter ablation is a minimally invasive alternate between these two rhythms. This is treatment option for patients who continue to have symptoms of atrial fibrillation despite medication, or for those who do not wish to take regular medication. In these instances catheter ablation can improve quality of life and is potentially curative. The procedure involves the insertion of catheters, or fine wires, to the heart through the veins at the top of the leg. There are electrodes at the tip of the wires which detect electrical signals from different parts of the heart. Radio waves are used to create heat which destroys the electrical signals within the heart that are responsible for triggering AF. For more information, or to arrange an appointment at The Wellington Hospital, please call our Enquiry Helpline on 020 3504 3159 s l u x u ry l o n d o n . c o. u k s

Strike a

balance Jennifer Ellis, founder of The Yoga Wellness Company, shares her philosophy for living life well

“A

one-handed handstand may be impressive, but that’s not yoga,” begins founder of The Yoga Wellness Company Jennifer Ellis. “Yoga is about the transformation of the mind. It helps facilitate a greater sense of health, wellbeing and happiness.” ‘Power’ and ‘bikram’ are popular buzzwords prefixed to the word ‘yoga’, but amid the fads and trends that come and go, wellness, as The Yoga Wellness Company’s name suggests, is the brand’s core tenet. Ellis is the embodiment of this philosophy. Her serene, calming demeanour is testament to the positive effects yoga has on both mind and body. She first took up the practice after moving to London from South Africa. As a qualified dance instructor she was used to physical discipline, but over time began to appreciate the deeper aspects of meditation and breath work. “When someone’s having a bad day, or they’re rushed or stressed, we always say: ‘take a deep breath’ – and because it’s both a conscious thing and an automatic aspect of the human system, breathing can have a very powerful effect on us,” she says.

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In a bid to educate others in the art, The Yoga Wellness Company was born last year. Wellbeing is at the core of Ellis’ latest series of Sunday workshops, which are held in a light-filled studio in Fitzrovia. “We’ve taken some of the key, transformative components of yoga and explored them to give participants a felt sense of experience at a physical, emotional and mental level,” she says. “The focus of the session will be linked to a particular theme, whether it’s the mind, body or the emotions, and then we’ll concentrate on breath work and meditation. The sessions will be slow enough for students to really work thoroughly. Ongoing classes are great, but it’s like a revolving door. This is an opportunity to delve a little deeper.” These sessions will be taught by Ellis and her co-instructor Kate Lovell, who is well-versed in putting absolute beginners at ease. “It can be quite intimidating at first,” Ellis admits. “I have to remind myself of a beginner’s mindset. Sometimes even stepping onto a mat and taking their socks off makes them a little anxious.” The Yoga Wellness Company welcomes people of all abilities, although Ellis believes that a little experience can be helpful before attending an all abilities class. “Advance practice is about mastering the basics,” she says. “Working with awareness and attention, with both the mind and body together is far more important than being able to get your leg behind your head. “If you have a very sedentary kind of lifestyle, from sitting behind a desk all day, then the physical aspects of yoga can help you to switch off in the first instance. Then with time you might start to realise that the more aware you are about what you’re doing on the mat, the more you let go of what’s happening outside the door,” she explains. “When you come out of a class, you realise that yes, there are still things to do, but somehow they don’t seem so overwhelming and you have a greater resilience to deal with the highs and lows.” With resolutions firmly on people’s minds this

month, Ellis admits she doesn’t focus on giving things up. Instead she is an advocate of introducing something that will enhance your life. For those keen to give yoga a try, she advises trying different styles and teachers to see what resonates – and to forget the idea that it’s all a question of performance and flexibility. “People in hospital beds are practising yoga,” she says. “Of course it does bring about a degree of flexibility, endurance and strength, but that comes with practice. What you’re signing up for when you come to one of our workshops is a boost to your wellness. We want people to be healthier and invest in their wellbeing.” A self-confessed travel junkie, this year Ellis has introduced a series of yoga retreats for anyone wanting to delve a little deeper still – and do so in breathtaking surroundings. Destination wise, there’s a luxury break to South Africa’s Miarestate Hotel, which has sand dunes and a tropical reef on the doorstep; a fine-dining stay in Calvi, Corsica with a Michelin-starred chef on standby; and restorative treatments in an old Prussian mineral spa town, nestled in the Jizera mountain range on the Czech-Polish border. All these activities and attractions are scheduled around substantial daily yoga sessions. “We’ve chosen beautiful environments that lend themselves to meditation and escapism,” Ellis explains, adding that each retreat will partner with a local charity to give a little back to the local area. “You detach better from everyday life and everyday stress on a retreat,” she adds. “You’ll find that there is a quantum leap in your practice and the way you approach it too.” With the promise of sun, serenity and stretches on the agenda, practising yoga might just be the one resolution you actually stick to this new year...

IMAGE CREDIT: SAREL JANSEN

“What you’re signing up for is a boost to your wellness. We want people to be healthier and invest in their wellbeing”

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Weekend Workshops are held at Oui 2 Rooms, 89 Great Titchfield Street, W1W; book now for wellness retreats to Miarestate, South Africa (2-8 April); Calvi, Corsica (11-14 May); Cottonina, Poland (10-17 June), theyogawellnesscompany.com

im el

d a

bu rk e

The green light Melissa Emerson meets champion of natural and organic beauty, Imelda Burke to talk about hero products, the science versus nature debate and her new book

includes beauty how-tos – “there are guides on everything from how to recreate a hammam at home to facial massage and sleep rituals” – and more technical information, such as the ingredients she believes in avoiding and how to read a product label. “Always view the product description as advertising copy only. It’s not until you read the ingredients list that you will know the real story,” she instructs. Burke suffers from extremely dry skin herself as a result of a skin condition called ichthyosis, and it was after looking for an alternative to a medicated body cream that she began thinking more carefully about skincare ingredients. “I realised the products I was using didn’t really match the organic and

melda Burke opened her Content beauty boutique and salon in Marylebone in 2008, and has been at the forefront of natural and organic remedies ever since, providing alternatives to mainstream products and introducing numerous niche brands, including Amala and RMS Beauty, to the UK for the first time. Her new book, The Nature of Beauty, is essentially a compact guide to going natural. “Over the past ten years I have answered thousands of questions from customers and beauty editors about natural skincare, and I thought it would be great to have all the research and experience in one easy-to-read place,” Burke explains. Split into different sections, the book

Luminous Foundation, Vapour Organic Beauty, £38 “This creamy stick foundation is ideal for dry, dehydrated skin as the plant oils that form the base ingredients nourish the skin. It’s a little like adding a softer focus filter to the face – it softens the appearance of fine lines and pores.”

Comfrey and Calendula Calming Body Cream, Pai Skincare, £22 “Its secret lies in the combination of two very calming herbal extracts, comfrey and calendula. These seem to stop irritation while the rich plant oils hydrate. I massage it into towel dry skin after showering.”

Hydrating Floral Essence, Tata Harper, From £54 “I am rarely without this facial mist. It helps lock in moisture due to the inclusion of hyaluronic acid and floral waters. I spritz it on in place of a toner and use it to set make-up or hydrate my skin when flying.”

health & beauty

natural choices I was making elsewhere in my life. I was taking more care over choosing what I cleaned my bathroom with than what was in my skincare, and I was relying solely on what companies told me. She believes being able to cut through sales speak is essential. “‘Inspired by nature’ is something to look out for on a label – it often means a brand has added a token natural ingredient to a still largely synthetic product, to be able to legitimately use the buzzword ‘natural’.” Being able to trust the claims of natural brands is also important. “Many people think they don’t work, but natural brands often invest in the same clinical trials that mainstream brands do to prove that their products work.” Burke suggests the most common misconception surrounding the efficiency of natural products is that science simply works better. “There is often a nature versus science debate where synthetic, lab-developed ‘scientific ingredients’ are seen as superior in performance, but there is no less science in a natural product. In fact, much of the science that a mainstream brand might reference is from the latest plant discovery it has made and is using as a key active ingredient.” Thanks to her years of research, Burke’s own beauty regime is tightly organised. Cleansing is the most important step, but she also keeps Amly’s No. 1 Radiance Boost on her desk to spray throughout the day as heating really dehydrates her

skin. Going natural doesn’t mean a lack of indulgence. “I love to unwind with a swim and sauna,” she says. “The bathing rituals chapter in the book was my favourite to write – and I have so many body scrubs, soaks and bath oils on the go.” Burke does however remind me that it’s not just about what we apply to the skin that counts. “We have largely been conditioned to reach for products first, but you only get lasting results for skin issues when you look at the health of the whole body. I’d recommend omega 3, greens and antioxidants for good skin.” Her own health aside, Burke is a similarly conscious consumer when it comes to product sustainability. “Natural skincare is often locally made in small batches, and the money that goes back to these companies in product sales can enhance local communities, support fair trade practices and organic growers in developing countries around the world,” she adds. Looking a little closer to home meanwhile, Burke is also a big supporter of her own local area. “I love Marylebone because it’s one of the few places that’s managed to keep a good number of independent stores,” she says. “My favourites are Daunt Books, Carousel, MaE Deli and Daylesford.” For me on the other hand, it has to be the Content boutique. The Nature of Beauty by Imelda Burke, published by Ebury Press, £20; 14 Bulstrode Street, W1, contentbeautywellbeing.com

Quiet Mind Energy Mist, Lotus Wei, £29.50

Cleanser Concentrate, Kypris, £54

“I spray this energy mist around my head and shoulders to inhale the aromatherapeutic benefits. I also spray it on my pillow to help me sleep when my mind is too busy. Other sprays include Inspired Action, Pure Energy and Inner Peace.”

“One of my all-time favourites, this cleanser contains probiotic ingredients, which are thought to help keep the acid mantle of the skin in balance – a change in the pH of the surface of the skin can have a drying effect. I use it at night.”

s l u x u ry l o n d o n . c o. u k s

Pureplenty Exfoliating Shampoo, Intelligent Nutrients, £26 “My scalp is prone to irritation, but this shampoo works for me. Its sulfate-free formula is gently exfoliating (we exfoliate our face and body but often forget our scalp) using plant sugars rather than granules.” 89

TH E YO GA W E L L NE S S C OM PANY

Your Jouney To Wellness, Through Yoga Upcoming Workshop Series: Yoga As A Means For Transformation - The Body (29 Jan) - The Emotions (19 Feb) - The Mind (19 Mar) - Grace (23 Apr) BOOK NOW

LONDON YOGA WORKSHOPS AND LUXURY INTERNATIONAL RETREATS (+44) 203 621 4388

www.theyogawellnesscompany.com

@yogawellnessco

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From here to infinity Wren Kitchens launches its latest collection

t goes without saying that a bespoke kitchen is an investment, but due to the high price tag it remains a pipe dream rather than a reality for many homeowners. This is something Wren Kitchens wants to change. As the largest kitchen manufacturer and retailer in the UK, the company wants to make bespoke kitchens more accessible with the launch of its Infinity Collection. With 50 colours, 20 frontal styles, 1,650 unit sizes and 700 feature unit varieties to choose from, together with a number of different worktops, profiles, finishes and details, the Infinity and Infinity Plus ranges offer the possibility of countless combinations. The launch of the Infinity Collection has the potential to be a real game changer for the industry – and for homeowners. Wren has invested 25,000 hours in research and development and spent a further £50 million in manufacturing facilities alone to develop the range, creating a third factory to take its manufacturing footprint to more than 1.5 million sq ft. The Infinity Collection offers homeowners a bespoke, luxury kitchen at an affordable price. Wren’s popular ranges, including favourites like the Shaker and handleless styles, have been expanded to include new unit sizes, colours, finishes, feature units and custom-made worktops. Additional features include stunning stealth islands, pull-out larder units, pet beds and dressers. One striking new design, the sleek modern Infinity Milano (pictured), is normally only found in high-end design studios, but Wren makes it available for a little over £1,000 for eight units, meaning there’s a bespoke kitchen for everyone, whatever their budget.

s l u x u ry l o n d o n . c o. u k s

Milano Elements collection in Concrete Oak and White; Modern Pantheon Granite Worktop; Peninsula Lounge Units in Milano Slate

The Infinity Collection offers homeowners a bespoke, luxury kitchen at an affordable price Milano Contour and Shaker units in Lagoon and Winter White; Modern Island in Milano Gold

All of Wren’s kitchens are manufactured in the UK at its state-of-theart manufacturing facilities in Yorkshire and Lincolnshire, ensuring that quality, design, sustainable manufacturing and British values are at the heart of everything it does. And, because Wren owns its entire supply chain – manufacturing in the UK, selling in its own showrooms and delivering in its own fleet – costs are kept low for customers. Mark Pullan, Wren’s managing director, comments: “The company experienced unprecedented sales growth in 2016 and over the next few years we will be looking to almost triple the number of retail showrooms in the UK from 55 to 150. The word is spreading about our great quality, excellent service, and above all, our beautiful kitchens. We are so excited to introduce the Infinity Collection and give our customers the most comprehensive collection in the UK to choose from.” To see the full collection, visit wrenkitchens.com or your local showroom

Show time

Food & drink news W O R D S : A N N A T H ornh i l l

Having bestowed Madrid with its only three-Michelin-starred restaurant, David Muñoz is hoping his star quality will follow him to the London outpost of StreetXO. His new Mayfair restaurant put on quite the show for diners when it launched this month. All tables face the open kitchen, so front row seats of the chefs at work come as standard. The menu takes inspiration from the street food markets of Asia, with sharing platters featuring the likes of club sandwich with ricotta cheese, fried quail egg and shichimi (pictured); or kimchi croquetas with tuna steak and burnt butter. As for drinks, try the Japo, Jerez – a smoked pea soda, with shiso, miso, yuzu, sake and Palo Cortado sherry – that comes garnished with flamed shrimp, naturally. 15 Old Burlington Street, W1S, streetxo.com

Eat your greens

The perfect serve We’ve got a lot to thank the Swiss for: reliable wristwatches, waistband unfriendly pralines – and now with the arrival of a new Jura store: coffee machines. But Jura doesn’t specialise in just any old technology. Its models will whip up everything from a ristretto to a macchiato at the touch of a button. Plus, tennis pin-up Roger Federer is the brand’s ambassador. And if it’s good enough for Roger… J6 Rose Gold (limited edition) £1,695, 148 Marylebone Road, NW1, uk.jura.com

In 1989 The Gate in Hammersmith set out to change the perception that vegetarian cuisine was all lentils and limp lettuce leaves. It succeeded: and since then has brought its aubergine teriyaki and green dragon salad (pictured)to a second restaurant in Islington, and now a new venture on Seymour Place. Vegetarian dishes will sit alongside veganfriendly options at the Marylebone branch, which will also be open for breakfast. Could scrambled tofu and smoky shiitake mushrooms knock avocado on toast off its Instagram pedestal? Visit to find out... 22-24 Seymour Place, W1H, thegaterestaurants.com

What the doctor ordered David and Renato, the two friends behind Fitzrovia’s The Remedy, both agree that there’s little a glass of vino and some delicious food can’t cure. Accordingly their neighbourhood bistro has recently launched an all-day food offering of bavette sandwiches (pictured) and sharing boards of charcuterie and cheese. For the perfect antidote to a hectic week, pair a platter with a glass of wine from the extensive list of low-intervention varieties. 124 Cleveland Street, W1T, theremedylondon.com

food & drink

review

That’s a Mora A young restaurateur is bringing Mediterranean flavours to Marylebone. Melissa Emerson takes a seat in Mora’s shabby-chic dining room to see for herself

he 2016 Harden’s London Restaurants Guide listed a record number of new openings last year – 179 to be precise – exceeding 2015’s haul by 31. Mora in Marylebone is one of these newcomers, and the man responsible – 20-something Andrea Reitano, who is already a partner in Mayfair’s fish restaurant Assunta Madre – is tipped as a restaurateur to watch. We enter via the curtained foyer of what used to be a pub on the corner of George Street and Gloucester Place and are warmly welcomed into the transformed dining room, which accommodates just 60 covers. It’s a particularly

The moodily lit room has the appearance of a manor house that has fallen on hard times

quiet Tuesday evening when my guest and I visit (we are the only two diners for most of the evening), but our waiter assures us it’s usually fully booked on the weekends. Once seated on a raised corner table with a leather banquette (and feeling a little selfconscious) we survey our surroundings. The moodily lit room, imagined by Rosendale Design, has the appearance of a manor house that has fallen on hard times. There’s parquet flooring, blown plaster walls revealing patches of decorative gold and the odd antique, all of which lends the place a charming shabby-chic feel. The cuisine is far more modern, with a Mediterranean fusion menu split into small plates, starters, mains and sides. Copious amounts of bread and olive oil aside, my guest begins with a Sicilian red prawn carpaccio with avocado crème and bottarga mayonnaise. Presentation here is picture-perfect, although my burrata d’Andria (from Puglia) with seasoned tomatoes is altogether simpler. Then again, such a decadent cheese speaks for itself. I also keep things simple for my main, opting for the tagliolini pasta, which is handmade in the restaurant and served with slices of pungent black truffle and salted butter. It is the perfect winter comfort food. Despite the temptations of hearty dishes such as honey and chilli-glazed duck breast or T-bone steak, my guest also succumbs to carb cravings with a slightly more elaborate dish of linguine with lobster, courgette flowers and leeks. We swap red wine for cocktails that come garnished with colourful, precisely cut cherries and fresh cucumber, served in pretty crystalware. We sip these as we power through a lasagne-dish sized portion of tiramisu and a trio of crispy cannoli, noting that Mora’s recipe for success is not far off the mark – it’s just a shame others don’t yet appreciate its discreet charms. 89 George Street, W1U, morarestaurant.com

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Peruvian

promise Forget Dry January – with its Pisco Bar and Latino vibes, the party is still in full swing at COYA Mayfair

eru: home to a vibrant swathe of the Amazon rainforest and ancient Incan cities perched high in the Andes, is on many an intrepid traveller’s bucket list. But if your bank balance won’t stretch to a roundtrip ticket to Lima after the excesses of the festive season, there’s always COYA. As January blues set in, the Mayfair institution promises to keep the pisco sours and party atmosphere flowing.

PROMOTION

Set across two floors, everything from the dedicated art collection to the distressed colonialchic décor is a nod to vibrant South American culture. COYA is home to a Peruvian restaurant, a members’ club, which hosts pop-up exhibitions, and the aforementioned Pisco Bar, where a roster of live bands and DJs perform on Thursday, Friday and Saturday evenings. If its track record is anything to go by, COYA knows how to throw a soirée. Together with its sibling outposts in Miami and Dubai, it plays host to some legendary celebrations throughout the year – from the annual White Party thrown in June to commemorate the Incan Empire and worship the arrival of the sun god, to the traditional Day of the Dead celebrations in May. But even when we visit on a drizzly Tuesday evening, the atmosphere in the dimly lit lower ground floor bar is lively. The comfy banquettes prove to be the perfect place to batten down the hatches with a Mama-Quilla (a blend of vodka,

fresh grapefruit, watermelon, Campari and homemade tonic). There’s a dedicated pisco library to lace your sour with whatever you fancy, but you can’t go wrong with the classic – a concoction of lime, sugar, egg white and Amargo bitters. If you’re in need of a little kick however, the punchy chilli margarita with its jalapeñoinfused Don Julio Blanco tequila, avocado purée and lashings of lime should do the trick. If pisco isn’t your poison, you can also branch out with the help of the Flavour Map, an interactive menu compass designed according to four defining taste metrics. After attempting to navigate the 160 different spirit varieties, a visit to the adjacent restaurant is advisable – not least because executive chef Sanjay Dwivedi’s Peruvian- inspired cuisine made with modern British seasonal ingredients is exquisite. If you can, get a seat near the open ceviche bar and robata grill, so you can watch the chefs prepare traditional tiraditos (try the atun chifa – yellowfin tuna with soy, sesame seeds and shrimp cracker; and the tiradito de hiramasa – kingfish with dashi, truffle oil and chives). The foodie offerings are not confined to the evening, however. This winter COYA has also introduced an express lunch menu, consisting of the likes of ensalada de quinoa and costillas de cerdo (pork back ribs with a tamarind glaze for those who are yet to be initiated when it comes to Peruvian cuisine)that can be paired with a wine flight, or fresh juices for the virtuous. Finish off the meal with the coconut mousse served with pineapple sorbet and lime. Other highlights include the Sunday brunch offering, which you can opt to make bottomless, with the addition of refillable champagne, Peruvian punch and Bloody Marys. There’s also a crèche available if you need a break from the kids. Plans are in the pipeline for a second London venue, which will bring samba, sours and sea bass ceviche to the City in 2017. The opening date has yet to be confirmed, so in the meantime you’ll have to shimmy on down to Piccadilly for your party fix. Make ours a lemongrass pisco. The Express Lunch menu is available Monday to Saturday, £26 for three courses or £38 with a wine pairing, COYA Mayfair, 118 Piccadilly, W1J, coyarestaurant.com

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HOTSPOT

HONG KONG

WORDS: JAMES CONEY

STAY Occupying the top 16 floors of Hong Kong’s tallest building, the Ritz-Carlton boasts unrivalled views out over Victoria Harbour, thanks to floor-to-ceiling windows in its 312 sumptuously furnished guest rooms. The bedrooms might be opulent, but Ozone bar on the 118th floor has even more wow factor. At 490 metres above sea level, it’s the highest bar in the world. Book a seat by the window, order the Kowloon Buck cocktail (with bourbon, lychee, mango and ginger beer) and watch the skyscrapers light up as dusk descends. Deluxe room from £335 a night, ritzcarlton.com

did you know? At the last count there were 1,294 skyscrapers in Hong Kong and more buildings taller than 500 feet than any other city in the world. Hong Kong also has 8,000 buildings with more than 14 floors, a figure that is almost double that of its rival New York City.

Hong Kong is a place where East and West meet

ong Kong is a place where East and West meet. What was once a small fishing village in the Pearl River Delta has morphed into a towering global financial centre, whose vertigo-inducing skyscrapers stud the skyline. At no time is this collision of tradition and modernity more apparent than at Chinese New Year, when the spectacular Victoria Harbour firework display illuminates the densely populated backdrop and parades flow through the streets below. This year, celebrations for Chinese New Year begin at the end of January when dragons, acrobats, marching bands and floats travel through the city. Aside from sampling the culture and cuisine, no trip to Hong Kong is complete without a spot of shopping. Whether you’re after designer labels, a bespoke tailored suit or trinkets from the Temple Street Night Market, there’s something to suit all tastes and pockets.

TRAVEL travel

The royal treatment Expect an intimate beachside paradise at Jumeirah Vittaveli’s new Royal Residence when it opens this month. The fivebedroom retreat on the sugar white sands of Bolifushi in the Maldivian South Malé Atoll, comes with its own private beach, two pools and jetty, as well as an overwater bar, a sunken lounge surrounded by a fragrant lily pond and a well-stocked wine cellar. In the unlikely event that you tire of the food cooked by your personal chef, the rest of the resort, with its restaurants, dive base and spa, is only a (chauffeurdriven) golf buggy ride away. From $25,000 a night, jumeirah.com

Travel news W O R D S : a n n a t h or n h i l l

Culinary peaks The allure of Badrutt’s Palace has long tempted many a famous face through its doors – and now it has enticed three-Michelin-starred chef Andreas Caminada to join the fold. Caminada’s new restaurant will be making itself at home in the St. Moritz hotel this winter season. Named IGNIV, the yet-to-be-revealed dining room promises haute cuisine designed with sharing in mind. There’s more than the food to feast on however – the views rival those of the hotel’s infinity pool, which frames the snow-covered Engadin Valley and Lake St. Moritz. See for yourself when it opens this month. From £380 a night, badruttspalace.com

Digital detox Mandarin Oriental New York’s Digital Wellness Retreat is bringing some shut-eye to the city that never sleeps, by teaching its spa guests the art of switching off. Designed for those who are slaves to their inboxes, the detox begins by asking guests to surrender their phones, before experiencing a treatment designed to ground both body and mind. An aromatic bath and massage that concentrates on the head, eyes, neck and shoulders completes the package. Digital Wellness Retreat $325 on weekdays and $345 on weekends, mandarinoriental.com

A weekend in Provence Battling the Christmas bulge in darkest January when you’d rather be inside with a hot water bottle and a packet of Hobnobs requires determination. Cue Domaine de Manville in the South of France. The Provence retreat, located in a picturesque valley, has launched a series of wellness escapes where rejuvenation comes in the form of personalised spa treatments, yoga, hikes in the Alpilles Natural Regional Park and bike rides through the 100-hectare estate. Lessons on holistic nutrition, naturopathy and detox coaching might just help you kick the biscuit cravings too. 27-30 January, wellness escapes from £1,741 per person for a three-night stay on a full board basis in a luxury villa, domainedemanville.fr s l u x u ry l o n d o n . c o. u k s

paradise Rather than jumping on the detoxing bandwagon with a high-octane fitness regime, Jennifer Mason eases into the new year and refreshes body and mind with a visit to Puglia’s Borgo Egnazia

n the outskirts of the small town of Fasano in Puglia is a luxury hotel that has been designed specifically to blend in with the surrounding countryside. Built as a traditional village or borgo, you’ll find rooms, two-storey suites and larger villas hidden within the whitewashed enclave. A cross between a charming Puglian hamlet and a Hollywood movie set, Borgo Egnazia is full of surprises at every turn. Arriving after dark is a truly magical experience. Strolling through the corridors whose alcoves are dimly lit by hundreds of candles, we eventually find our way out of the hotel building (where there’s a selection of rooms that offer more traditional accommodation) and wander through the stone arch, which marks the entrance to the borgo. Paved streets and narrow alleyways

flanked by whitewashed stone buildings in the traditional Puglian style lead out onto a truly mesmerising sight: the village square, lit by hundreds of flickering lanterns. It’s not hard to see why Justin Timberlake and Jessica Biel chose this as the place to host their wedding. Still mentally planning my own nuptials (hey, a girl can dream), I receive the key to my very own townhouse. Decorated inside and out with the accoutrements of a sustainable, eco-conscious neighbourhood (think wheat sheaves and wellies) I pause in my exploration on my Juliet balcony. When the sun rises, I’m certainly not disappointed by the terrace garden, or the panoramic views from the private roof terrace. I’ve come to Borgo Egnazia to experience its famous Vair Spa, but the rest of the hotel deserves a mention too. In the daytime, the walls sparkle bright white in the sunshine. Delicious aromas linger in the air; the food will have you happily returning for seconds (and thirds), and while it’s easy to get lost in the twisting corridors, you won’t mind a bit. In fact, the hotel’s architect, Pino Brescia, designed it deliberately to combat the modern preoccupation with shuttling from one destination to another without appreciating the journey. The longer I spend here, the more I yearn to lie down and let life wash over me for a while. Thankfully, quiet nooks and crannies in which to curl up and read, or simply relax, are in plentiful supply. If it’s complete ‘can’t move a muscle’ relaxation you’re searching for, though, then a visit to the

TRAVEL

treatments (including the Abbel Bel facial that has me in a blissful state almost immediately). But if there’s one particular experience that has me both intrigued and slightly apprehensive, it’s the avemmari session with the spa’s resident shaman, Stefano Battaglia. Through his deep intuition and knowledge of ancient techniques, Stefano begins the session by quizzing me on my lifestyle and what I want to change or rediscover about myself. After our initial conversation, Stefano uses various techniques to connect physically with my inner psyche. Through a series of pressure points and holds I feel key points of tension being unlocked (from areas such as my stomach, where I didn’t even realise I was holding my stress) and even find myself in a trance-like state when Stefano moves to support and realign my neck. Vair Spa is a must. Forget your typical spa menu of massages and facials; at Vair the experience is tailored to suit both your physical and psychological needs. I’ve been recommended the spa’s three-day Tarant Programme. Described as a ‘vital revolution to retrieve instinct and truthfulness’, this women-only treatment includes experiences such as the psycho-aroma therapy (which uses your sense of smell to reveal your body’s subconscious cries for help). Following a conversation with spa director Patrizia Bortolin, I experience a variety of

The longer I spend here, the more I yearn to lie down and let life wash over me for a while Once I’m back in the land of the conscious (just about), we discuss how I feel and Stefano offers some valuable advice on how I can recapture this feeling every day. Thankfully, his tips include a large glass of wine (Italian, of course!) so I know it’s advice I can happily follow. After three days of pure escapism, it’s time to return to the real world. I don’t think I’ve ever been more reluctant to leave a place – and it’s not just because of the beauty of the surroundings, or the plushness of the spa. There’s a deep sense of peace here that has made it remarkably easy to embrace the wellness teachings. Back in London, it’s a feeling I hold on to: the sensation of sun on my face, the scent of lemon groves, which I use as a mental talisman to ward off the overwhelming chaos of life in the big city. NEED TO KNOW Borgo Egnazia has rooms from €220 a night, based on two adults sharing on a B&B basis. The Tarant Programme at the Vair Spa costs €1,250, excluding accommodation. For further information and bookings, visit borgoegnazia.com

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All photography by Oli Anderson

once read that James Cameron, acclaimed film director and the first solo diver to reach earthâ&#x20AC;&#x2122;s deepest point in a souped-up submarine, took inspiration for the phantasmagoric world of Avatar from the underwater realm. Drifting over a radiant reef in Indonesiaâ&#x20AC;&#x2122;s remote Raja Ampat islands, surrounded by pulsating coral walls and vast schools

all photography by oli anderson

of technicolour fish, the similarities are striking. This reef, I think, could inspire more than a film. It could inspire an entire people to migrate beneath the waves and live out a siren-like fantasy for evermore. Raja Ampat is the sort of wilderness that dreams are made of; a sequin trail of limestone outcrops, some tangled with jungle and some edged with ivory sand, scattered off the

TRAVEL

Annie Biziou travels from reef to rainforest in Indonesia, encountering vibrant coral kingdoms and ancient jungle temples along the way

coast of West Papua province. Translated as Four Kings, it’s composed of four main islands – Waigeo, Misool, Batanta and Salawati – and some 1,500 jagged islets. While the landscape above the waves is arresting, Raja Ampat is known as the most biodiverse marine environment on earth and as such, it’s a true mecca for underwater aficionados. Indeed, the few islanders that inhabit these shores descend from a

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mix of nomadic Melanesian, Malaysian and aboriginal tribes, their heritage intrinsically linked to the sea. There’s little by way of luxury accommodation and those that aren’t certified scuba divers would do well to hire one of the private yachts plying these waters. I choose to pitch up on Kri Island in the Dampier Strait, where Dutch expat and pioneering diver Max Ammer runs boutique retreats

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Sorido Bay and Kri Eco Resort. Accommodation is simple but charming; each spacious villa is set on a stretch of butter-soft sand sheltered by spindly palms. Sorido Bay is the newest, with air-conditioning to combat the humidity, but Kri Eco Resort’s romantic stilted villas have soul on their side. Ammer plays a hand in Raja Ampat’s conservation by discouraging unsustainable fishing methods, but his plans also help locals support their way of life without harming the ecosystem. For instance, the Kayak4Conservation project employs islanders to help build sleek fibreglass kayaks (with moulds imported from South Africa) and trains up prospective local guides. There’s also a dedicated scientists’ complex in the works to house the marine biologists that study here – perhaps most talked about is Dr. Gerry Allen, who recorded 374 species of reef fish in a single dive on the house reef, Cape Kri. New species are discovered regularly, alongside the resident blue-ringed octopus, venomous sea snakes, bizarre wobbegong sharks and huge oceanic manta rays. It’s here that I listen to the echo of birdsong against the cliffs, swim in bays populated by a thousand stingless jellyfish, claim driftwood as a picnic table on a deserted beach, seek out the elusive bird of paradise in the jungle canopy, and spend so much time in the ocean that I might’ve grown gills. My final night culminates in a trademark fiery sunset and, a couple of internal flights later, I find myself on the enigmatic, volcano-studded island of Java. Landing in the cultural hub of Jogjakarta, known for traditional weaving, dance, music and silverwork, I’m driven through dense forests to my lavish countryside retreat, Amanjiwo, to catch a couple of hours of sleep before rising in darkness. The call of prayer swells against the Menoreh Hills as I make my somnambulist’s trip to the greatest sight in Central Java – Borobudur Temple, where sunrise coaxes mist from the earth and bell-shaped stupas glow pearlescent in the light of dawn. On the horizon, the silhouettes of Merapi and Sumbing, two of Java’s 39 sacred volcanoes, appear suddenly and then vanish like a magic trick, engulfed by some imperceptible haze. “In summertime, the sun rises right between those two peaks,” my guide murmurs, shading

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Raja Ampat is the sort of wilderness that dreams are made of; a sequin trail of limestone outcrops, some tangled with jungle his eyes against the brightening sky. He tells me that the Javanese believe the temple was built over the course of a single night, no mean feat considering that half a million stone blocks went into making this not just the largest Buddhist monument in Indonesia, but also the largest in the world. “Luckily,” he smiles, “they had a little help from the gods.” From where we stand, encircled by an ocean of mist and the hush of dawn, at Arupadhatu, the top of the temple representing the realm of the gods, it’s easy to fathom a higher power. Built some time between 775 and 850AD Borobudur Temple was abandoned – some say in the wake of a devastating volcanic eruption, some say due to the growing uptake of Islam in Indonesia – before a restoration project took place in the 1970s and the site achieved its UNESCO World Heritage status. Coiled beneath us in tiered paths linked by steep stairways, 2,672 relief panels mark the body of the temple, each one carved with the story of Siddhartha. Borobudur’s passage through time hasn’t been an easy one and volcanic eruptions have marred its mighty façade. But in a twist of favour, the communities

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that struggle alongside these so-named ‘Fire Mountains’ have volcanic ash to thank for enriching their land with nutrients that allow crops to grow in abundance. Truth be told, there’s nowhere more illustrative of Java’s luscious landscapes than Amanjiwo. Enclosed in a natural amphitheatre in the hills and fronting of verdant rice paddies, Amanjiwo’s decadent villas keep Javanese heritage in sight at all times. Alfresco pavilions, some with private plunge pools, some with views all the way to the Borobudur Temple – make outdoor living all the more alluring. My days here are spent cycling through local villages, wandering the rice paddies among farmers in bamboo hats, idling beside Amanjiwo’s opulent pool and dining on more local delicacies than I care to admit. “It’s nature on steroids,” I catch a fellow guest whispering one morning. To me, Indonesia is all that and more; a country whose people live in the shadow of mother nature’s unpredictable wrath, land shaped by the Indian Ocean on one side and the Pacific on the other, where I’ve still got some 17,000 perplexing, hypnotic islands left to discover.

NEED TO KNOW Sorido Bay and Kri Eco Resort from £2,255 and £1,255 respectively per person per week, based on two guests sharing a cottage including full board accommodation and unlimited diving, papua-diving.com Amanjiwo from £490 per suite per night, amanjiwo.com. The closest airport is Jogjakarta, a 90-minute drive away. Ultimate Indonesian Yachts offer private charter yachts in Raja Ampat, ultimate-indonesian-yachts.com Flights from the UK reach Sorong (Raja Ampat) via Jakarta (Java). Jogjakarta is a short internal flight from Jakarta

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Living the high life Unrivalled luxury, decadence and stunning surroundings – you can’t go wrong with a ski or snowboarding holiday at L’Apogée Courchevel, writes Francesca Lee-Rogers

anuary brings with it a new year and a time when winter sports connoisseurs hit the slopes. Not only is escaping to the mountains a popular way to see in arguably the most depressing month in style, skiing or snowboarding is an ideal way to burn off festive overindulgence with friends or family. Or if New Year’s resolutions aren’t on your agenda, you can’t go wrong with a spot of après-ski, sipping toffee vodka ‘seasonaire’-style. One of the most coveted destinations is Les Trois Vallées in the French Alps. With 600km of pistes to explore, it’s the largest ski area in the world with Méribel, Val Thorens and Courchevel leading the way as some of the most exclusive

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resorts. Luckily for those who don’t have their own chalets, L’Apogée is a very special offering to the latter destination, which has become synonymous with fashion houses such as Prada, Chanel and Gucci as well as many Michelin-star restaurants. Located at 1,850m, the hotel (which cost €100 million to build) opened in December 2013 and is situated on what was once an Olympic ski jump in the Jardin Alpin area, affording the most incredible views.

There’s nothing better than waking up to the mountainous outlook breathing in the alpine air, fresh coffee in hand I visit in peak season and on arrival am struck by the homely and sophisticated chalet feel of the hotel, which has been brought to life by architect and interior design team Joseph Dirand and India Mahdavi. Wool plaid carpets, supple leather and reams of plush velvet give a sense of indulgence to Le Bar de L’Apogée, while a fire, sofas and throws add warmth and cosiness to the space. It makes the most idyllic spot for lunch, and with hearty food such as black truffle risotto and macaroni pasta with smoked salmon on offer, it’s easy to ski and flop here. However, for those who wish to return to the slopes after regaining their energy, it is effortlessly done thanks to the exceptional level of service at L’Apogée. Having been on many a ski holiday, I often find myself lugging my skis over one shoulder, waddling in my boots while trying not to fall over with each of my poles at vertical and horizontal angles respectively. Instead, not only is my equipment expertly fitted at the Ski Room, my skis and poles are placed directly on the ski run outside of the hotel, so all I have to do is click myself in and go. It is the ultimate in ski in/ski out. And this season, with the opportunity to ski with Olympic medallist, Florence Masnada, what’s not to love?

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Once the final run of the day is completed, the rooms, suites and even penthouse are a welcome retreat for some much-needed R&R. I stay in a Prestige Room, which overlooks the snowy slopes that sweep down into Courchevel valley. It is quite the chocolate box view and, in my opinion, is certainly worthy of the extra expense; there’s nothing better than waking up to the mountainous outlook breathing in the alpine air, fresh coffee in hand, of course. The room has a home-from-home feel; the furnishings are sumptuous with a touch of gingham, there’s a scent of cedar in the air while the extravagant Fior di Bosco marble bathroom is the perfect place to unwind and soak in the tub. For further relaxation, the hotel’s spa, complete with Sisley treatments, subterranean pool, aromatherapy room, sauna and

salt sauna, is just the ticket. Guests should ensure they book tables at the hotel’s restaurants: Le Comptoir de L’Apogée and Koori for lunch or dinner. Headed up by chef Jean-Luc Lefrançois, Le Comptoir centres around using the world’s finest produce, with a French gourmand’s interpretation. I highly recommend the chateaubriand with voisin potatoes and forest mushroom cromesquis. The latter eatery takes its name from the Japanese word for ice, and the menu is extensive; make sure you indulge in a selection of sushi rolls, tempura and meat and fish dishes. The pastry chef, Eve Moncorger, also deserves a special mention; her desserts are a work of art and the Guanaja chocolate soufflé tart is well worth the extra calories. If you’re looking for exclusivity, unrivalled luxury and exceptional service, L’Apogée has it all. It’s been a welcome addition to Courchevel for the past three years, and many more to come for that matter.

NEED TO KNOW A deluxe room starts from £800 during low season and £1,850 during peak season. A prestige room starts from approximately £1,050 during low season and £2,180 during peak season. Rates are based on single or double occupancy, per accommodation, per night and include half board (breakfast, lunch or dinner up to a value of €150 per person). L’Apogée is part of Oetker Collection, oetkercollection.com

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Property Listings See below for estate agents in your area

Aston Chase 69-71 Park Road NW1 6XU 020 7724 4724 astonchase.com

Hudsons Property 24 Charlotte Street W1T 2ND 020 7323 2277

Marsh & Parsons 94 Baker Street W1U 6FZ 020 7935 1775 marshandparsons.co.uk

hudsonproperty.com

CBRE Henrietta House 8 Henrietta Place W1G 0NB 020 7182 2000 cbre.co.uk

Chestertons 47 South Audley Street W1K 2AQ 020 7629 4513 40 Connaught Street W2 2AB 020 7298 5900 chestertons.com

Kay & Co 20a Paddington Street W1U 5QP 020 7486 6338 kayandco.com

Knight Frank 49 & 55 Baker Street W1U 8EW 020 3435 6440 5-7 Wellington Place NW8 7PB 020 7586 2777 knightfrank.co.uk

Robert Irving Burns 23-24 Margaret Street W1W 8LK 020 7637 0821 rib.co.uk

Rokstone 5 Dorset Street W1U 6QJ 020 7486 3320 rokstone.com

Sothebyâ&#x20AC;&#x2122;s Realty 77-79 Ebury Street SW1W 0NZ 020 3714 0749 sothebysrealty.co.uk

For estate agent listings please contact Sophie Roberts at s.roberts@runwildgroup.co.uk

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Upper Wimpole Street, Marylebone W1 A newly refurbished and remodelled three bedroom apartment This third floor lateral apartment is in a Grade II listed building and combines original Georgian features with contemporary design. 3 double bedrooms (2 en suite), bathroom, large reception room and dining room separated by a feature wall, open plan kitchen adjoining the dining area and a study off the main living space. There is the added advantage of lift access. Approximately 184.2 sq m (1,983 sq ft). Leasehold: approximately 136 years 10 months remaining

Guide price: £4,800,000

KnightFrank.co.uk/marylebone marylebone@knightfrank.com 020 3641 7938

@KnightFrank KnightFrank.co.uk

KnightFrank.co.uk/MRY150028

mandf

09/12/2016 09:24:04

Mansfield Street, Marylebone W1 A beautiful two bedroom apartment in the heart of Marylebone An immaculately presented second floor apartment in a prestigious Grade II listed mansion block, benefiting from lift access and 24 hour porter services. 2 bedrooms (2 en suite bathrooms), spacious double reception/dining room, kitchen and cloakroom/WC. EPC: F. Approximately 160.5 sq m (1,728 sq ft). Leasehold approximately 133 years 6 months remaining

Guide price: £4,400,000

KnightFrank.co.uk/marylebone marylebone@knightfrank.com 020 3641 7938

@KnightFrank KnightFrank.co.uk

KnightFrank.co.uk/MRY130100

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3435

Faster. Sell or let with Knight Frank. Our understanding of the ever-changing market enables us to price properties accurately. So whether youâ&#x20AC;&#x2122;re looking to buy or sell, let or rent; you can rely on Knight Frank to get you moving. Knight Frank Marylebone 55 Baker Street London W1U 8EW 020 3641 7938 marylebone@knightfrank.com

KnightFrank.co.uk/marylebone

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The Lancasters, Hyde Park W2 Wonderful duplex apartment with spectacular views across Hyde Park A luxurious apartment located in The Lancasters, a magnificent stucco fronted development on the edge of Hyde Park. 3 bedrooms, 2 bathrooms (1 en suite), reception/dining room, kitchen, guest cloakroom, utility room, lift access, 24 hour concierge, secure underground parking for 1 car with valet service, gymnasium, swimming pool, steam room. EPC: E. Approximately 164 sq m (1,766 sq ft). Share of freehold

Guide price: £4,999,950

KnightFrank.co.uk/hydepark hydepark@knightfrank.com 020 3544 6140

@KnightFrank KnightFrank.co.uk

KnightFrank.co.uk/HPE160064

Mayfair Mag January 2017 - 79 11 The Lancasters

13/12/2016 10:30:43

FOUND. Your perfect tenant. Let with Knight Frank. Call us today to arrange your free market appraisal: KnightFrank.co.uk/lettings hydeparklettings@knightfrank.com 020 3641 1708 KnightFrank.co.uk/lettings marylebonelettings@knightfrank.com 020 3641 5853

Guide price: £1,845 per week

Cleveland Square, Hyde Park W2

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This beautiful classical lateral three double bedroom raised ground floor apartment with high cielings throughout is located on a beautiful private garden square. 3 bedrooms, 2 bathrooms, reception room and separate kitchen. EPC: D Approximately 133 sq m (1,432 sq ft). hydeparklettings@knightfrank.com Office: 0 2 0 3 6 4 1 1 7 0 8

All potential tenants should be advised that as well as rent, an administration fee of £276 and referencing fees of £48 per person will apply when renting a property. Please ask us for more information about other fees that may apply or visit KnightFrank.co.uk/tenantcharges

@KnightFrank KnightFrank.co.uk

Guide price: £2,500 per week

Fitzhardinge Street, Marylebone W1 A luxury two bedroom duxplex apartment located on the top floor of a Grade ll listed building with lift access and furnished to a high specification throughout. 2 bedrooms, 2 bathrooms, WC, reception room, dining room, kitchen. EPC: C. Approximately 182 sq m (1,967 sq ft). marylebonelettings@knightfrank.com Office: 0 2 0 3 6 4 1 5 8 5 3

Mayfair Mag 09.12

13/12/2016 17:00:50

A Recently Refurbished Two Bedroom Flat with Private Patio Upper Wimpole Street, Marylebone, W1G

• 2 Bedrooms • 2 Bathrooms • Kitchen • Reception Room • Utility Room • Approximately 1,108 Sq Ft • Energy Rating: E

£1,050 Per Week Furnished or Unfurnished Kay & Co Marylebone & Fitzrovia Lettings

020 3394 0027

marylebone@kayandco.com kayandco.com Letting fees apply. Please visit our website for further details: www.kayandco.com/lettings/lettings-charges

Three Bedroom Split Level Flat New Cavendish Street, Marylebone, W1W

• 3 Bedrooms • 2 Bathrooms • Modern Kitchen • Large Reception Room • Duplex • Approximately 1,356 Sq Ft • Energy Rating: C

£1,395 Per Week Unfurnished Kay & Co Marylebone & Fitzrovia Lettings

020 3394 0027

marylebone@kayandco.com kayandco.com Letting fees apply. Please visit our website for further details: www.kayandco.com/lettings/lettings-charges

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Mary

Beautiful Apartment in Marylebone’s Finest Mansion Blocks

Kay & Co Marylebone & Fitzrovia Sales 20a Paddington Street, London, W1U 5QP

4 Bedrooms • 3 Bathrooms • Guest WC • Kitchen • Reception Room Utility Room • Approximately 2,297 Sq Ft • Energy Rating: D

020 3394 0027

George Street, Marylebone, W1H

£5,250,000 Share of Freehold

16:16

Marylebone&Fitzrovia_Jan17.indd 2

marylebone@kayandco.com kayandco.com

14/12/2016 16:16

Londonâ&#x20AC;&#x2122;s West End property experts

Bedford Court Mansions, WC1 ÂŁ1,650,000

www.hudsonsproperty.com

Spacious two bedroom mansion flat | Sought after red brick building | Resident porter | Share of Freehold

Property is personal

Call us now on 020 7323 2277

Grafton Mews, W1 To Let ÂŁ850 per week

Two double bedrooms | Two ensuite bathrooms | Spectacular mezzanine | Attractive Mews Setting

24 Charlotte St. London W1T 2ND

E. info@hudsonsproperty.com

Whitehall Court, St Jamesâ&#x20AC;&#x2122;s SW1A

ÂŁ4,850,000

This exceptional penthouse is uniquely decorated to a fantastic specification and is situated on the top floor of this prestigious Victorian mansion. Comprising vaulted ceilings and a beautiful spiral staircase leading up from the ample living room, which provides a wonderful entertaining space. Breath-taking views of the River Thames and the London Eye are visible from the large roof terrace. EPC rating D. Approximately 2,695 sq ft (250 sq m). Two reception rooms | Kitchen | Two bedrooms | Two bathrooms | Large roof terrace | Lift | 24-hour concierge service | Stunning views

Leasehold: approximately 71 years remaining

77-79 Ebury Street, London SW1W 0NZ sothebysrealty.co.uk +44 20 7495 9580 | london@sothebysrealty.co.uk

sothebysrealty.co.uk

Portland Place, Marylebone W1

£17,950,000

Situated principally on the 8th floor of this imposing building, the apartment is spectacular in proportions and can be considered a true Penthouse with direct lift access and fabulous panoramic views across London. Benefitting from an abundance of natural light and space, the property provides exceptional living accommodation throughout. EPC rating C. Approximately 7,355 sq ft (683 sq m). Three reception rooms | Kitchen/breakfast room | Seven bedrooms | Seven bathrooms | Media room | Swimming pool |Pool terrace | Direct lift access | Day porter | Private parking | 360 degree views

Leasehold: approximately 90 years remaining

© 2016 UK Sotheby’s International Realty. All rights reserved. Sotheby’s International Realty is a registered trademark licensed to UK Sotheby’s International Realty in the UK. Each offïce is independently owned and operated. All information non - contractual, approximate and subject to error, change and withdrawal without notice. Rent excludes administration fees. Please contact our offïces who can provide this information.

Property news PrimeResi brings you the latest news in prime property and development in London

Oakmayne gets creative in Fitzrovia Flagship apartment at The Fitzbourne billed as “the perfect place to pen a literary masterpiece”

akmayne Bespoke has taken the covers off the £5.5m flagship unit at its new literary-themed project in Fitzrovia. The super-prime developer behind the redevelopment of Cornwall Terrace, 10 Soho Square and Verge Mayfair has turned the 1896 red-brick on the corner of New Cavendish Street and Great Portland Street into The Fitzbourne, a nine-unit scheme aimed squarely at creative types. Named after the estates in Derbyshire once owned by Lady Cavendish Holles, who laid out the

PrimeQResi Journal of Luxury Property

Portman Estate, the 2,519 sq ft, three-bed Bolsover Penthouse is set over the fourth and fifth floors, with a 477 sq ft roof terrace on the sixth. The interior, designed in collaboration with Louisa Penn, is billed as a departure from the usual fare of luxury developers in London, with bland taupes, butterscotches and beiges replaced by vibrant pops of colour. Features include a birchwood veneered front door, a corner-bay window reading area, a pair of helical staircases, an open-plan reception space with dining for 12, a Calacatta marble-clad master bathroom and a crimson-themed guest bedroom with separate writing area and study – complete with a vintage typewriter in case you didn’t get the message. The whole thing is a very long way from the draughty attic traditionally associated with the toiling author. Here audio, heating and cooling are all automated via a Creston system, there’s a manned concierge on the ground floor, and residents are furnished with 25 years’ membership to Zipcar. Martin Lent, CEO of SCM, the development manager for Oakmayne Bespoke comments: “In creating The Bolsover penthouse at The Fitzbourne we wanted to provide an alternative interior design language and style for a considered purchaser who wanted something different to the standard luxury London norm. We have been inspired by the milieu of Fitzrovia and the significant writers who have lived in the area. To this end, we have made sure that The Bolsover has plentiful writing space so that the new owner can pen their own masterpiece!” CBRE, Carter Jonas and Savills have been instructed. thefitzbourne.com

property

Spotlight on lettings

New starter

Emily Englander, head of lettings at Knight Frank’s Marylebone office, considers the rise in the rental sector

Knight Frank welcomes Ali Mathews to its Marylebone sales team

The number of tenancies agreed by Knight Frank has overtaken last year’s figures despite continued uncertainty in the financial services sector. The seasonal dip in November, intensified by uncertainty surrounding the US election result, followed two successive record months for us in August and September, with the number of deals 23.2 per cent higher than in 2015. We are seeing the most activity on properties on the market between £400 -£1,500 per week and above £3,500 per week. Post Brexit and in the last quarter of this year, the number of new properties coming onto the lettings market rose 43.8 per cent as many vendors have decided to remove their properties from the sales market and rent them until there is more clarity over the impact of Brexit. Higher stock levels have inevitably put downwards pressure on rental values, which has boosted affordability for tenants, whose negotiation position has strengthened over the course of this year. Our advice to landlords with a property currently on the market is to ensure it is presenting at its best both online and on viewings in order to compete with your neighbour and similarly priced properties in neighbouring boroughs. We have seen an increased demand by renters for furnished properties, and landlords choosing to buy furniture or utilise the services of rental furniture companies to dress their apartments are seeing the shortest void periods, if any. A fast response to an offer is also crucial. For information about the latest trends driving property values in your postcode, please visit Knight Frank’s new website mypropertygenius.co.uk

li Mathews has recently joined Knight Frank’s Marylebone office as a sales negotiator. “I have always admired the area of Marylebone, and when the opportunity arose to work here with Knight Frank, I jumped,” she comments. “Having worked in the property industry for more than three years across London, I am taken aback by the culture and village feel on offer here. Set amid the beautiful garden squares, quaint coffee shops and fashionable boutiques on the cobbled high street, the houses are just as impressive as the lifestyle. Whether it’s a magnificent red brick building or a new development, Marylebone has something for everyone. I could not be happier and look forward to learning more about what such an exciting area has to offer.”

Rare Marylebone development site up for £7.5m A rebuild scheme with consent for six lateral properties comes onto the market

n enticing development opportunity has come up for sale in Marylebone, arguably the hottest part of Prime Central London right now. The terrace of properties on Homer Row, which is about a five minute walk from the High Street and Chiltern Firehouse, has consent for a knock-down and rebuild to deliver six lateral residential apartments, plus a commercial (D2) space on the lower ground floor. Priced at £7.5m, the 196 sq m site is set over three floors and a partial basement and has been employed up until now as a Pilates centre and flats. The planning provides for outside space and all but one of the apartments will have a balcony, while the lower ground floor unit will benefit from a courtyard garden. Agents Rokstone thinks that the lower ground floor could make a great residents’ gym. primeresi.com

s l u x u ry l o n d o n . c o. u k s

123

The Society for the Protection of Ancient Buildings

Drawing of St Dunstan-in-the-West by SPAB Scholar Ptolomy Dean

Founded by William Morris, the SPAB protects the historic environment from decay, damage and demolition. It responds to threats to old buildings, trains building professionals, craftspeople, homeowners and volunteers and gives advice about maintenance and repairs. Since 1877 countless buildings have been saved for future generations.

Information about maintaining your home is available through events, courses, lectures, publications and telephone advice. To support our work why not join the SPAB? Members receive a quarterly magazine, our list of historic properties for sale and access to our regional activities.

www.spab.org.uk 020 7377 1644 A charitable company limited by guarantee registered in England & Wales. Company no: 5743962 Charity no: 1113753 37 Spital Square, London E1 6DY

Price: £3,295,000

MOLYNEUX STREET, MARYLEBONE W1H Molyneux Street is considered one of Marylebone’s best residential streets. The Freehold house with it’s own private terrace has been redeveloped to exacting standards throughout whilst maintaining many of the beautiful original Georgian features. This house is the perfect home in the heart of Marylebone. Molyneux Street is a wide street with beautiful Georgian houses on both sides. With the redevelopment of Elliott House adding further value, it is an optimum time to purchase a Freehold house on this street. This house is considered one of the best on the street as it has been meticulously refurbished by the owner and interior designer Lesley Kingsbury. The attention to detail is paramount. The redesign and refurbishment of the house took over two years to perfect and this includes the addition of a large rear extension and lowering of the basement level which allowed for good ceiling heights and direct access to a beautiful garden terrace on the lower ground floor. The house also benefits from a good technical set up with CAT 5 cabling, Bowers & Wilkins ceiling speakers, air conditioning in upper rooms and a lighting scene system in the lower ground floor.

020 7580 2030 WWW.ROKSTONE.COM 5 Dorset Street, London, W1U 6QJ enquiries@rokstone.com

»» »» »» »» »»

Freehold House 4 bedrooms Garden & terrace Refurbished by interior designer Lesley Kingsbury 1761 sqft (163.6 sqm)

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WATE R SI DE H O MES FAS HI O N E D FO R C I T Y L I F E C A N A L S I D E CO L L E C T I O N N OW L AU N C H E D Become neighbours with Central Saint Martins, Louis Vuitton, Everyman Cinema and the new Thomas Heatherwick designed shopping destination, Coal Drops Yard. Be part of London’s best connected neighbourhood. Studio apartments from £810,000.*

* Price correc t at time of going to press .

Brilliant exteriors, breathtaking interiors.

Register your interest at gasholderslondon .co.uk or book an appointment +4 4 (0)20 7205 2166 to v i ew o u r s a l e s g a l l e r y a n d s h ow a p a r tm e n t o n G o o d s Way, K i n g ’s C ro s s N 1 C 4 U R

so ld Bryanston Square

London W2

A stunning 3 bedroom, 2nd floor apartment (with lift) measuring approx. 2,700 sq ft, with picturesque views over the award-winning Bryanston Square Gardens. The property is located on the superior eastern terrace & benefits from westerly views & sunlight, high ceilings, a well-proportioned reception room, an eat-in kitchen & utility room. The apartment also has the advantage of private off street parking & an onsite porter. EPC rating D

Hyde Park

0207 298 5900 sales.hydepark@chestertons.com

ÂŁ5,750,000 share of freehold

If youâ&#x20AC;&#x2122;re thinking of selling or letting your home in the New Year, contact us today. Mayfair Sales: 020 7629 4513 Lettings: 020 7288 8301 47 South Audley Street London, W1K 2QA

Hyde Park Sales: 020 7298 5900 Lettings: 020 7298 5950 40 Connaught Street London, W2 2AB

Marylebone Lettings: 020 8104 7550 56 Queen Anne Street London, W1G 8LA

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