For submission information, please see our Web site at www.rustedradishes.com. Our reading period for 2013 is January 1st to March 15. For inquiries, please write to info@rustedradishes.com All rights revert to authors upon publication. Cover photo: “Hind” by Hisham Faraj and Sahar Khraibani. Please see biography in back. Printer: Dar el Khotob s.a.l. 53 Dots Bchamoun - Industrial Zone 961 5 813753 Email: info@53dots.com Address: American University of Beirut Department Of English, Rusted Radishes P.O.Box 11-0236
FACULTY EDITORS Crystal Hoffman Rima Rantisi DESIGN EDITORS Sahar Khraibani Hisham Faraj NONFICTION EDITOR Joanna Abillama POETRY EDITOR Bouchra Batlouni FICTION EDITOR Hiba Krisht DRAMA EDITOR Ghiwa Sayegh
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MANAGING EDITOR Sara Fawaz MEDIA MANAGER Aya Krisht DESIGN STAFF Aya Krisht FACULTY DESIGN ADVISORS Jana Traboulsi Hatem Imam READERS Louis Ghanem Sarah Fawaz ADMINISTRATIVE ASSISTANT Dima Nasser
!"#$%&# '()*#+,'%+-).#) opens its arms as both nexus and work of art. This is a new web spun from age-old thread, as new as this here pile of paper that has fallen on your head – a firecracker or gigantic loggerhead turtle. Beyond the tag line, '' aspires to create tangible, real-time community through alchemized artifact. Feel this sheet in your hands; it really exists. Words dripping from ink right in the heart of Hamra on paper cut from a tree cut not far north of here, its roots now joyously shriveling back into soil to communicate to you the craft, wisdom, blessings, curses, critiques, and subsequent manifestos of Beirut’s next drip-drops into creation. What you may find here is mangling logic, if you let it. Just try swimming through Hiba Krisht’s “The Factmaker.” Or, theorize with Rand Salah in “Designing an Experiment,” where a mother promises “If you are serious about being me, these are the rules.” Nowhere else have you seen how one may find an entire city on her tongue, as in Lina Mounzer’s “Transplants.” Revel in Mohammad Kanaan’s illustration of “Not All Shellfish Are Alike,” a poem by Thea Hallak. Just burrow your head in the pages of this journal that seeks the edges of truth from Lebanese relatives. As your lineage is dug out of the asphalt and cigarette packs wash ashore onto Ramlet el Bayda, you may sit cross-legged and read and wonder, /.%*,%"#,'()*#+,'%+-).#)0 What do they sound like, smell like, taste like, feel like when you press them to your cheek? And ''’s authors will carefully answer back: Hips like water beneath chiffon. The magic word for creatures of madness. Methodic clatter of the Earth being reshaped. A spider, a cockroach, a caterpillar, a worm, goo…the mixture of all creation from which the universe takes its shape. The sound of warm. What you remember of your own childhood.
The contributors of this inaugural issue of Beirut’s Literary and Arts Journal meet and push each other into fires that you don’t want to put out. Here, they scream, lovely in art and literature, in the face of the established, the rested, the all-too-consumed. And we’re all listening.
1&23456#+7#8#3*) '()*#+,'%+-).#) would like to thank the Andrew Mellon Foundation for its generous financial support, without which this journal would not have been made physical. And to the Department of English at the American University of Beirut, we would like to extend our gratitude for your administrative support, faith, and increasing production of quality writers.
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$*+%(,(-./0* 1-23,& by Ziad Dallal
“No, this is a prolonged insult, a gob of spit in the face of Art, a kick in the pants to God, Man, Destiny, Time, Love, Beauty … what you will. I am going to sing for you, a little off key perhaps, but I will sing. I will sing while you croak, I will dance over your dirty corpse…” ******************************Henry Miller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
UBVJBIW
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!!
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O%$NVQ%)T by Hala N.Alyan
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QN$+)F))%%+U'@@ by Michael J. Dennison
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!#
L:P$'LHLQ:P' HC$:PR$:GCS by Mary-Ann Awada
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
LSNTN
LSNTN
!"
!#
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TUVV by T.M
by Norbert Hirschhorn
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edition book of poems with photographic art by Rabih Ibrahim, titled K-:%-,9"&%, was published in 2010.
Abraham H Zeitoun was born in 1989 in Sydney, Australia. Currently in Beirut, he is working towards an architecture degree at the American University of Beirut to be pursued with a Master s degree in Urban Design. He has always been passionate about writing and drawing, and does both on an almost daily basis.
Mohamad Kanaan is a nomad that reins from the concrete desert, riding unicorns and dolphins in search of the things that matter in life, The Pink Things. Mohammad Kanaan is a fifth-year architecture student at the American University of Beirut. He uses art, photography and graphic design as a means of self-expression, often integrating his love for illustration with his design process and enjoys illustration as a getaway from a world filled with serious and grey matters. This fall, Mohammad will begin working toward his master’s degree in industrial design at Pratt University in New York City.
Antony Di Nardo is a poet and cultural archivist. His works appears widely in journals. He is the author of two collections of poetry, *"(+,"#,*$-#.'/ and,0+&1#, !"%%1)2"#.1#$,(Brick Books), the latter about his time in Beirut from 2006 - 2010. He lives in Canada and elsewhere.
Mary-Ann Awada grew up in Foz do Iguacu, Brazil, and eventually moved to Lebanon. She is the eldest of five children in a family of more than a hundred cousins and second cousins. A 2011 AUB graduate, she holds a BA in English Literature. She is currently pursuing her J.D. at Cornell Law School.
Charbel Kamal was born in Bickfaya in 1987 and holds a Bachelor Degree in Multimedia from the Holy Spirit University. He works as a full-time web designer and during his free time, writes flash-fiction pieces for his blog and takes photographs using both his amateur digital SLR and vintage film camera.
Mayssa Jallad is a 5th year architecture student at AUB, very interested in the tension architecture creates within its surrounding context. I am also an aspiring singer, desperately in love with Beirut.
Fitzroy Morrissey is a student in Arabic and Islamic Studies at Oxford University, a journalist and writer. He has spent the last six months living in Beirut, where he is studying Arabic.
Norbert Hirschhorn is a public health physician, commended by President Bill Clinton as an “American Health Hero.” He lives in London and Beirut. He has published two collections: 0,!%->F1.,C&D1% (Slow Dancer Press, London, 1999), and 5"(%#&#6,&#,$41,A%1)1#>1,"7,-,!"%2)1,(Dar al-Jadeed, Beirut, 2008). His poems have appeared in numerous US/UK publications. www.bertzpoet.com.
Hala N. Alyan is a Palestinian-American woman who has lived in various parts of the United States and the Middle East. Currently, she resides in Brooklyn, and is pursuing a doctoral degree in clinical psychology. Hiba Krisht loves immoderately warm weather, Levantine food, mathematical logic, weird humor, Nietzsche, and labneh. A former freelance journalist, translator, and copyeditor, she took up philosophy at the graduate level to allay the boredom of having a real job. She has been published in various literary journals in Lebanon and the United States. As of August 2012, she belongs to the Class of 2015 cohort at Indiana University’s MFA program with a tuition scholarship and a fellowship, as well as a position teaching creative writing. Joanna Abillama is a Senior Psychology student at AUB, who previously studied Cinema for two years. Her time is divided between writing, acting and studying that peculiar thing that is the human psyche. She believes that the arts can be used as a tool for growth, empowerment, and healing, or at the very least, be wickedly fun. Lama El-Kallassi graduated with honors from the American University of Beirut in June 2011 with a Bachelor’s degree in English Literature. She is currently working towards an MLitt degree in Mediaeval English at the University of St Andrews. In her free time she enjoys studying languages such as Latin and Italian, although Germanic languages remain her favorites. Lara Nassar’s life hasn’t been the tormented artist’s struggle that she’ve so often read about. She was born in California and moved to Beirut 6 years later, attended a snobby private school, and just graduated from the American University of Beirut. Perhaps as a result, she seeks complications and turmoil where she can find them, and is very much inspired by filth and base human elements. To her, this is truth, and she aims to glorify it in her work. Lina Mounzer is a writer born and raised mostly in Beirut. She completed a literature fellowship at the Akademie Schloss Solitude in 2011 and is currently in residence in Budapest where she is at work on her first novel, 341,51-#&#6,"7,81&#6,9(:1%"().
Omar Sabbagh is a Lebanese-British poet. His two extant collections, published by Cinnamon Press, are titled, 5/,L#+/,?D1%,L1.&2-+,!":2+-&#$, and, 341,*M(-%1,C""$,"7,81&%($. His third collection, to be published by Agenda Editions, is forthcoming by autumn 2012 and is titled, N-O1.,5-4"6-#/. Rand Salah is a 23-year-old senior Architecture student at the American University of Beirut. Being Palestinian, born and raised in Qatar with Jordanian citizenship, she has mixed feelings of belonging to these three countries. This made it so that she needed a creative outlet for her thoughts, which she finds in Writing. Reem Saleh was born in Beirut, Lebanon in 1994. She discovered her father’s shoe polish kit at the tender age of two. She smeared the shoe polish across the walls of her parents’ home. They quickly introduced her to paper and pens. Reem grew up reproducing some of her favorite artists’ works since it’s always better to learn from the best. Acrylics have always been her favorite medium, but she likes to experiment with new and unique methods. Thanks to her constant sense of teenage boredom, she currently has delved into a new trend: street art. Reem has plagued her hometown of Beirut with a wide array of graffiti-works, posters and stencils. She’s also developed a love of stickers, designing strange imagery with a black-comic twist... These she smacks onto street benches and light posts within international cities worldwide. Her first exhibition (titled “One” premiered January, 2011, at Zico House, Beirut) was a collection of several dozen portraits. Rudy Chidiac is a Lebanese surreal traditional artist and a graphic design student. Sabah Haider is a filmmaker and screenwriter based in Beirut. She has made four short films and is currently working on her first feature film. She is pursuing a PhD in Anthropology at the EHESS in Paris, France. www.sabahaider.com Sandy Abdallah finally has a valid excuse to talk about herself and has absolutely nothing to say.
Louis Ghanem is a graduate from the American University of Beirut with a Bachelor of Science in Computer Science and a minor in Creative Writing.
Tamara Fakhoury is 20 years old and a philosophy major in her Senior year at AUB.
M. is a Lebanese national living in Beirut, and he is pursuing a Master’s degree in Philosophy; he also does research for an artist. Though born in another country, he finds Lebanon to be a major source of inspiration, one that remains a rich subject of all kinds of reflection; in particular, his writing style is an attempt to emulate the various moods, tempos and realities that this country fluctuates between. He is currently working on a novel from which this excerpt is provided.
Théa Hallak is a 4th year architecture student at the American University of Beirut. The department has not only taught her statics, art history, and detailing, but has also made her more sensitive to everything around her. Her obsession grew from crafts to cracks and lively shafts, to the sweet taste of whipped cream and the soundtracks of daydreams soaked in rotten cheese. All these elements that seem unrelated find a way to puzzle her mind. Just like model-making, writing becomes another tool for design, a medium that takes you into the wildest corners of your imagination.
Michael J. Dennison teaches at the American University of Beirut in the Department of English. He is a poet and a scholar of comparative literature, specializing in the Supernatural as metaphor for decadence and degeneration. His study on the figure of the vampire in English, French, and Italian literature, V-:2&%&):;, <&$1%-%/,3%"21),"7,=1>-.1#>1,-#.,?#$%"2/@,&),2('+&)41.,'/,A1$1%,<-#6 (2001). He is currently researching a study on the figure of the ghost and the current Age of Terror. He has published poetry in journals including the B#$1%#-$&"#-+,A"1$%/,C1D&1E, 341,=%(#F1#,8"-$, G-#,H"64I),?-%, J%-#F, and 0D-$-%, and a recent limited
Tina Fish was born July 25, 1987 in KSA, moved to Beirut in 2000 and started performing slam poetry around the city at the age of 17. Graduated English Literature from AUB in 2010 and has been working as a copywriter in advertising throughout the GCC and Lebanon.
Tony DeGenaro is a senior creative writing and English Lit studies major at Otterbein University in Columbus, Ohio. He is a prospective graduate student to American University of Beirut’s MA program in English Lit, as well as several MFA programs in the United States. His poetry has been published widely in !"#$%&%!"#'', Otterbein’s literary journal, of which Tony is currently the Managing Editor. T.M. is a student. Fun facts: He always starts and never finishes self-help books; and he enjoys listening to all types of music. Yasmine Saab is a fiction writer who grew up in Saudi Arabia and Lebanon. She penned her first novel at the age of ten about a child who lives inside a sea turtle. The novel remains on the hard drive of a 1998 PC, which is missing. She currently resides in Beirut. Ziad Dallal was born in Beirut. He graduated from AUB with a BA in English literature as well as a minor in philosophy, and has joined the Comparative Literature Department in New York University for his PhD. His writing investigates the existentialist consequences of living in a global hyperreal world while maintaining an interest in surrealism, eroticism and violence.
On the Cover Hind Faraj is 88 and has never been heard talking politics (“They’re all a bunch of scaredy cats. I can’t sit with them,” she says about her neighbors who are shaken up by the current political situation). She is from Koura, a region in northern Lebanon famed for its plains of olive trees, and where she opens her eyes to the world each day at 10 a.m., followed by an equally leisurely walk in her garden, a round of cooking (usually something with eggplant in it), and an episode of a soap opera or fashion TV. A tailor by trade, her eye is trained to notice your fashion choices and to comment on them – especially your shoes which she swears she had a pair of at one point in her life, only nicer. But more than anything else in the world, she cherishes her three kids and eight grandchildren. At her grandson’s requests, Hind Faraj poses often for the camera: “It’s for a school project teta,” and she always obliges. When told she will be made famous on the cover of Rusted Radishes, she couldn’t help but be happy.
This fledgling issue of Rusted Radishes: Beirut Literary and Art Journal features exclusive works from a diverse collection of Lebanon-related writers and artists.Within these pages you will find established and emerging writers and artists whose colorful pieces form a striking collage of fluid symbols from the Lebanese pysche in poetry, fiction, creative nonfiction, drama, photography, painting, graphic design, and installation art. Housed in The American University of Beirutâ&#x20AC;&#x2122;s English Department, Rusted Radishes is completely student-edited and designed and presents not only the best of student writing and art at AUB, but also of a broad, even international, scope. It defines its base as a Beirut publication in hopes of nurturing an evolving creative community that is equally willing to teach, learn, praise, and critique. Please see inside for submissions guidelines and contact information if you would like to join in this mission.