June 18–July 17, 2016
60th Anniversary
2016 SEWANEE SUMMER MUSIC FESTIVAL
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An Episcopal boarding and day school serving grades 6-12
290 Quintard Road Sewanee, TN 37375 2
931.598.5651 www.sasweb.org
SEWANEE SUMMER MUSIC FESTIVAL 2016
CONTENTS
WELCOME Tradition. Inspiration. Transformation
O
SSMF History
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Welcome to Guerry Hall
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Our Thanks
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WEEK 1
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WEEK 2
10
WEEK 3
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Campus Map
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You, too, will be inspired and transformed by a multitude of diverse events—many free. We are pleased that you are here to enjoy our tradition of world-class music-making in these magnificent surroundings.
Village Map
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WEEK 4
28
SSMF Administration
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Evelyn Loehrlein, Acting Director Chad Burrow, Artistic Committee Patricia George, Artistic Committee Paul York, Artistic Committee
Supporters
39
Artist Faculty
40
Endowed Funds
50
Donors
50
n behalf of 230 students, artist faculty, guest conductors and staff, welcome to the 60th anniversary season of the Sewanee Summer Music Festival. We continue the tradition of providing an exceptional orchestra and chamber music training program to musicians from throughout the world. Since 1957, students have been transformed by the SSMF’s intense musical experiences, and we can point with pride to a large number who now have distinguished careers in music.
Please recycle this program in marked containers in the lobby.
2016 SEWANEE SUMMER MUSIC FESTIVAL
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SSMF HISTORY
T
he Sewanee Summer Music Festival is one of the most venerable summer music festivals in the country. The immediate predecessor of the SSMF was the remarkable, though short-lived, Cumberland Forest Festival of 1950–51. The Cumberland Festival was directed by the distinguished American composer Roy Harris, and was a joint venture with George Peabody College in Nashville (absorbed a quarter century later by Vanderbilt University). The festival was intimate in size, but was arguably the most exceptional gathering of musical talent the Mountain has ever seen: in addition to Harris, violinist Josef Gingold, violist Walter Trampler, and the old Viennese conductor Richard Lert (who as a child had met Brahms) were on hand, as well as—perhaps most notably—the brilliant young conductor Lorin Maazel. The festival seemed to have a bright future. A radio contract with CBS was in the offing. But Harris abruptly cancelled the festival shortly before the 1952 season was to begin. According to Harris, he was unwilling to work under the auspices of what was then a segregated institution. (Documents in the University’s Archives show that University officials at the time believed this was a pretext and that Harris had grown tired of the venture.) After a six-year stillness on the Mountain, University Vice-Chancellor Edward McCrady stepped forward to restore the program. McCrady had a Jeffersonian range of interests. He was a scientist, an architect of considerable skill, an administrator; and, like Jefferson, an amateur violinist. McCrady had visions of creating a musical utopia in Sewanee when he resurrected the idea of a summer festival in 1957, the first season of the present Sewanee Summer Music Festival. Known then as the Sewanee Summer Music Center, the institute was first closely allied with the Chattanooga Symphony. Julius Hegyi, then conductor of the Chattanooga Symphony, was the first director of SSMC.
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SEWANEE SUMMER MUSIC FESTIVAL 2016
In the early years, a young cellist named Martha McCrory filled many roles: faculty cellist, business manager, and recruiter. She became executive director of the center in 1963, and remained at this post for a remarkable tenure, retiring in 1998. During the 1960s, the center expanded under McCrory’s leadership; and by the end of that decade had more or less assumed its present structure: two student orchestras and a festival orchestra composed of faculty and advanced students. The present festival continues the vision of McCrory in its focus on student development and devotion to chamber music performance. In 2000, McCrory was succeeded by Steven Shrader, professor of music at the University, in the office of artistic director. Pianist, conductor, and musicologist, Shrader renamed the program the Sewanee Summer Music Festival, emphasizing the great breadth of performances. Following Shrader, two notable conductors held terms as artistic director: Victor Yampolsky, conductor at Northwestern University (2005), and James Paul, of the Oregon Festival of American Music and Oregon Coast Festival, (2006–09). Since 2010, the leadership structure has consisted of the director and an artistic advisory committee made up of SSMF faculty. Katherine Lehman, violinist and University of the South instructor, held the position of director from 2010–2016. Currently, leadership is provided by Acting Director Evelyn Loehrlein, and Artistic Advisory Committee members Chad Burrow, Patricia George, and Paul York.
Welcome to
GUERRY HALL
Home of the Sewanee Summer Music Festival
W
e are delighted to have you with us. The information on these pages is intended to answer frequently asked questions and help you to enjoy the performance. If you need assistance, please call on one of our friendly and helpful ushers.
ELECTRONIC DEVICES We request that all electronic devices (pages, cell phones, PDAs, watch alarms, etc.) that could interrupt the performance be silenced. The performers and other patrons thank you.
PHOTOGRAPHY Photography is limited to non-flash still photos of student performances only. Guest performers may NOT be photographed. Please take photos discreetly so other patrons are undisturbed.
LATECOMER SEATING Late-comer seating will be allowed at an appropriate pause in the performance. Your usher will open the doors for entry at that time. Please take your seat as quickly as possible to minimize any delays in the concert.
RESTROOMS Restrooms are located off the main lobby (men’s and women’s) and at the top of Guerry Hall east stairway (men’s only). Smoking is not permitted inside University of the South facilities.
RECORDINGS Recording is not allowed during SSMF performances. Professional quality recordings are made during student concerts, and most will be available online after the festival is completed. TIME ZONE Sewanee, Tenn., is located in the Central Standard time zone.
ONLINE VIEWING Can’t make it to a concert? Watch most SSMF concerts in real time on our UStream Channel, or view them later on our Vimeo archives. USTREAM ustream.tv/channel/ sewanee-summer-music-festival VIMEO vimeo.com/sewaneemusicfestival
OUR THANKS to the University of the South administration and staff. Your dedication and support help make the SSMF possible. John McCardell, Vice-Chancellor Terry Papillon, Dean of the College John Swallow, Provost Nancy Berner, Associate Provost Laura Buckner, Coordinator of Summer Programs John Bordley, Carillonneur Chris Carlson and the Conference Services Team
Chef Rick Wright and the Sewanee Dining Staff Thomas Carlson and the Ralston Listening Room Staff Department of Music Faculty and Staff Office of Marketing and Communications with special thanks to Pamela Byerly Information Technology Services, Human Resources, Physical Plant Services, Treasurer’s Office, University Advancement
And a standing ovation to our community sponsors and supporters, and concert benefactors who provide major funding for the festival. Please thank them when you patronize their business. Please see a complete list on pages 39 and 50–51. 2016 SEWANEE SUMMER MUSIC FESTIVAL
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Open each morning for breakfast, eighteen58 serves a menu of morning favorites including classics like eggs benedict, Southern staples like homemade biscuits and gravy, and healthy options like yogurt and granola to start your day right. Whether you are in a rush or just like to linger over a cup of coffee, eighteen58 is the perfect setting for your morning routine. Daily: 6:30am – 10:30am
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Warm and inviting, Shakerag presents scratch-made cocktails, interesting wines by the glass or bottle and an atmosphere for entertaining. Serving a lounge menu for lunch (weekends) and dinner (nightly) that includes casual standards and unexpected preparations, Shakerag offers a private, relaxing retreat – to begin an evening or bring it to a satisfying close. Mon. – Thur.: 4:00 – 10:00pm Fri. – Sat.: 12:00pm – 12:00am Sun.: 12:00 – 10:00pm
1235 University Avenue Sewanee, Tennessee 37375
SEWANEE SUMMER MUSIC FESTIVAL 2016
931-59 8 -35 6 8 | SE WA NEE -I NN.C OM
Saturday, June 18, 2016, 5 p.m.
Faculty Chamber Music Concert Guerry Auditorium
Paul Hindemith Morgenmusik (1932) (1895–1963) Massig bewegt Lied: Langsame Viertel — Ruhig Bewegt — Ein wenig breiter Peter Bond, Donald McEwan, trumpets; Joshua Bynum, trombone; Eric Bubacz, tuba Edward Knight (b. 1961)
Raven for Clarinet and Marimba (2004) Chad Burrow, clarinet; John Kilkenny, marimba
André Jolivet Pastorales de Noël (1943) (1905–1974) I. L’Étoile: Simple et sans lenteur II. Les Mages: Trés modére III. La Vierge et L’Enfant IV. Entre et Danse des Bergers Patricia George, flute; Hunter Thomas, bassoon; Elizabeth Blakeslee, harp Franz Schubert (1797–1828)
Two Marches caractéristiques for four hands, D.968b (1826) Amy I-Lin Cheng and Amy Dorfman, piano
Thom Ritter George Divertimento No. 3, (“Three Sea Songs”) CN 316-bis (1983) (b. 1942) I. Chantey: Allegro marcato II. Lowlands Ballad: Largo ma con moto III. Hornpipe: Allegretto Patricia George, flute; Robert Stephenson, oboe; Hunter Thomas, bassoon Antonín Dvořák Serenade for Strings in E Major, Op. 22 (1875) (1841–1904) Moderato Tempo di valse Lin He, Brandin Kreuder, Jonathan Magness, Daniela Shtereva, Michael Su, Sean Wang, violins Molly Gebrian, Gawain Usher, violas; Anthony Kitai, Paul York, violoncellos; Sidney King, double bass Our thanks to the Office of the Dean of the College and Dean Terry Papillon for hosting today’s concert and reception.
2016 SEWANEE SUMMER MUSIC FESTIVAL
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WEEK 1
Margery Deutsch, conductor Cumberland Orchestra
M
argery Deutsch has been the music director of the Milwaukee Youth Symphony Orchestra’s Senior Symphony since 1987. MYSO is the largest and one of the premier youth orchestra programs in America. Under her direction, the senior symphony has toured Austria, Hungary, Czech Republic, Italy, Spain, Scotland, France, China, and Canada. Since 2006, Deutsch has served as music director of UWM’s University Community Orchestra, an ensemble of over 125 musicians ranging in age from 12 to 88. The orchestra is comprised of college, high school and middle school students, and community members. Deutsch served as director of orchestras and professor of conducting at the University of Wisconsin-Milwaukee from 1984–2012. Under her direction, the orchestra performed at Carnegie Hall, Chicago Symphony Center, and throughout Wisconsin, Minnesota, and Illinois. Deutsch is actively involved with high school-age musicians throughout the country and is in frequent demand as a guest conductor, clinician, and adjudicator. She has conducted numerous all-state orchestras, as well as dozens of district festivals. She has served four terms on the board of directors of the League of American Orchestra’s Youth Orchestra Division, which helps establish national policies for youth orchestras.
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SEWANEE SUMMER MUSIC FESTIVAL 2016
Danail Rachev, conductor Sewanee Symphony Orchestra
H
eralded by critics as “a musician of real depth, sensitivity, and authority,” Danail Rachev is music director of the Eugene Symphony, successor to distinguished figures such as Marin Alsop, Miguel Harth-Bedoya, and Giancarlo Guerrero. As assistant conductor of the Philadelphia Orchestra (2008– 2010), and the Dallas Symphony (2005–2008), Rachev led numerous public concerts and educational programs. He has conducted the symphony orchestras of Baltimore, Nashville, Richmond, and other orchestras worldwide. Rachev served as conductor of the Juilliard Pre-College Symphony, where he mentored young musicians who continued to top level conservatories throughout the world. He also served on the faculties of the Russian Opera Workshop in Philadelphia and the Varna Music Academy in his native Bulgaria. Rachev trained at the State Musical Academy in Sofia, and continued studies at the Peabody Conservatory of Music. The first conducting fellow of the New World Symphony, he studied with Michael Tilson Thomas, working alongside him on many occasions. Other teachers have included Gustav Meier, Vassil Kazandjiev, David Zinman, and Leonard Slatkin.
2016 SEWANEE SUMMER MUSIC FESTIVAL
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Wednesday, June 22, 7:30–9 p.m.
Open Studio Masterclasses Multiple Locations
The public is invited to observe the SSMF’s dedicated artist-faculty mentoring the musicians of tomorrow.
Saturday, June 25, 7:30 p.m.
Faculty Chamber Music Concert Guerry Auditorium
Ingolf Dahl Music for Brass Instruments (1944) (1912–1970) Chorale Fantasy on Christ Lay in the Bonds of Death Intermezzo Fugue Peter Bond, Donald McEwan, trumpets; Alexander Shuhan, horn Joshua Bynum, trombone; Eric Bubacz, tuba Franz Schubert String Quintet in C Major, Op. 163, D 956 (1828) (1797–1828) Allegro ma non troppo Adagio Scherzo Allegretto Sean Wang, Jonathan Magness, violins; Sheldon Person, viola Anthony Kitai, Paul York, violoncellos
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SEWANEE SUMMER MUSIC FESTIVAL 2016
Sunday, June 26, 2:15 p.m.
Leonidas Polk Carillon Richard Shadinger, carillonneur
Sunday, June 26, 3 p.m.
Cumberland Orchestra
Margery Deutsch, conductor Guerry Auditorium
Dimitri Kabalevsky (1904–1987)
Overture to Colas Breugnon
Aram Khachaturian (1933–1976)
Adagio of Spartacus and Phrygia from Spartacus Suite
Nikolai Rimsky-Korsakov Capriccio Espagnol, Op. 34 (1844–1908) Alborada Variazioni Alborada Scena e canto Gitano Fandango asturiano
Sunday, June 26, 4 p.m.
Sewanee Symphony Orchestra
Danail Rachev, conductor Guerry Auditorium
Silvestre Revueltas (1899–1940)
Sensemayá
Pyotr Ilyich Tchaikovsky Symphony No. 5 in E Minor, Op. 64 (1840–1893) Andante; Allegro con anima Andante cantabile con alcuna licenza Valse: Allegro moderato Finale: Andante maestoso; Allegro vivace Our thanks to the Sewanee Inn, generous concert benefactor.
2016 SEWANEE SUMMER MUSIC FESTIVAL
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WEEK 2
Troy Peters, conductor Cumberland Orchestra
T
roy Peters has been music director of YOSA (Youth Orchestras of San Antonio) since 2009. He has guest conducted many orchestras, including the symphonies of Oregon, San Antonio, and Vermont. He was previously music director of the Vermont Youth Orchestra and Montpelier Chamber Orchestra, and conducted college orchestras at Texas State University and Middlebury College. He has also collaborated regularly with rock musicians, including Blind Pilot, Jon Anderson (of the band Yes), and Trey Anastasio (of the band Phish), with whom he worked on two albums on Elektra Records. He was awarded a Vermont Arts Council Citation of Merit and has been honored with eight ASCAP Awards for Adventurous Programming of Contemporary Music. His work has been the subject of national media attention from CBS Sunday Morning, National Public Radio’s Weekend Edition, and Symphony magazine. Peters is also active as a composer, where his honors include the Charles Ives Scholarship from the American Academy of Arts and Letters and grants from Meet the Composer and the Rockefeller Foundation.
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SEWANEE SUMMER MUSIC FESTIVAL 2016
Robert Moody, conductor Sewanee Symphony Orchestra
R
obert Moody has been music director of the Winston-Salem Symphony since 2005, artistic director of Arizona Musicfest since 2007, and music director of the Portland Symphony Orchestra since 2008. He begins his tenure as principal conductor of the Memphis Symphony in September 2016.
His guest conducting appearances include a debut with the Vienna Chamber Orchestra, the Chicago Symphony at Ravinia, and the Los Angeles Philharmonic at the Hollywood Bowl, in addition to the symphonies of Toronto, Houston, Indianapolis, Memphis, Oklahoma City, Detroit, Seattle, Fort Worth, San Antonio, Buffalo, Louisville, and, in Europe, the Slovenian Philharmonic. Moody began his opera career as apprentice conductor for the Landestheater Opera in Linz, Austria. He has gone on to conduct at the companies of Santa Fe, Rochester, Hilton Head, and the Brevard Music Center. He also assisted on a production of Verdi’s Otello at the Metropolitan Opera, conducted by Valery Gergiev. Moody has accompanied many of the world’s greatest performing artists, including Yo-Yo Ma, Itzhak Perlman, Renée Fleming, Denyce Graves, André Watts, Nadja Salerno-Sonnenberg, Midori, Time for Three, and Chris Thile.
2016 SEWANEE SUMMER MUSIC FESTIVAL
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Tuesday, June 28, 8:15 p.m.
Student Chamber Music Concert
Monteagle Sunday School Assembly, Warren Chapel Wednesday, June 29, 7:30 p.m.
Faculty Chamber Music Concert Guerry Auditorium Camille Saint-Saëns (1835–1921)
Fantaisie for Violin and Harp, Op. 124 (1907) Lin He, violin; Elizabeth Blakeslee, harp
Jean-Michel Damase 17 Variations for Wind Quintet, Op. 22 (1951) (1928–2013) Patricia George, flute; Robert Stephenson, oboe; Chad Burrow, clarinet Hunter Thomas, bassoon; Alexander Shuhan, horn Sidney King (b. 1959)
A newly commissioned work for the SSMF Paul York, violoncello; Sidney King, double bass
W. A. Mozart Piano Quartet in G Minor, K. 478 (1785) (27:55) (1756–1791) Allegro Andante Rondo: Allegro Daniela Shtereva, violin; Molly Gebrian, viola Paul York, violoncello; Amy Dorman, piano
Thursday, June 30, 5:30 p.m.
SSMF Brass
Sewanee Angel Park (see map on page 26) Enjoy an outdoor concert with SSMF. Program repertoire will be announced from the stage.
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SEWANEE SUMMER MUSIC FESTIVAL 2016
Quality homes and building sites in Clifftops, Monteagle, Bridal Veil, Sewanee, Savage Bluffs and all around the Mountain.
(931) 924-7253 monteaglerealtors.com
2016 SEWANEE SUMMER MUSIC FESTIVAL
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Saturday, July 2, 3 p.m.
SSMF for KIDS Convocation Hall
SSMF students will present engaging demonstrations of their instruments for the young and/or curious. (There’s ice cream, too!) Our thanks to Pam and Greg Maloof, generous concert benefactors.
Saturday, July 2, 4 p.m.
Student Chamber Music Concert Guerry Garth
Program repertoire will be announced from the stage.
Saturday, July 2, 7:30 p.m.
Faculty Chamber Music Concert Guerry Auditorium
Frank Proto Trio for Violin, Viola, and Double Bass (1974) (b. 1941) Maestoso, Allegro Adagio and Rubato, Slow 4 Quasi Funk Largo, Blues Daniela Shtereva, violin; Sheldon Person, viola; Sidney King, double bass William Grant Still (1895–1978)
Incantation and Dance (1942) Robert Stephenson, oboe; Elizabeth Blakeslee, harp
Felix Mendelssohn Octet in E flat Major, Op. 20 (1825) (1778–1862) Allegro moderato ma con fuoco Andante Scherzo Presto Jonathan Magness, Sean Wang, Lin He, Daniela Shtereva, violins Sheldon Person, Molly Gebrian, violas; Paul York, Anthony Kitai, violoncellos
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SEWANEE SUMMER MUSIC FESTIVAL 2016
Sunday, July 3, 2:15 p.m.
Leonidas Polk Carillon John Bordley, Carillonneur
Sunday, July 3, 3 p.m.
Cumberland Orchestra
Troy Peters, conductor Guerry Auditorium
Giuseppi Verdi (1813–1901)
Overture to Nabucco
Missy Mazzoli (b. 1980)
These Worlds in Us (2006)
Edvard Grieg Norwegian Dances, Op. 35 (1843–1907) Allegro moderato Allegretto tranquillo e grazioso Allegro moderato alla Marcia Allegro molto
Sunday, July 3, 4 p.m.
Sewanee Symphony Orchestra
Robert Moody, conductor Guerry Auditorium
Mason Bates (b. 1977)
Desert Transport (2010)
Dmitri Shostakovich Symphony No. 10 in E Minor, Op. 93 (1906–1975) Moderato Allegro Allegretto; Largo; Più mosso Andante; Allegro; L’istesso tempo Our thanks to Joseph’s Remodeling Solutions, generous concert benefactor.
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WEEK 3
Gene H. Moon, conductor Cumberland Orchestra
G
ene H. Moon joined the faculty at Stephen F. Austin State University as director of orchestras and music director of opera in 2006. Prior to his appointment, Moon served as music director and conductor of the Oklahoma Youth Symphonies, piano faculty and opera conductor at the University of Central Oklahoma, and assistant orchestra director for the Mid-Del Public Schools, Okla.
He has led orchestras and performed as soloist and chamber musician throughout the country and overseas, including Louisiana, Arkansas, Texas, and Seoul, South Korea. Moon is highly sought after as a guest clinician with recent engagements in the U.S. and South Korea. He serves as chair for the prestigious Schmidbauer Young Artist Competition and as conductor of the East Texas Youth Orchestras. Born of Korean heritage, Moon earned his bachelor in music education and performance from the University of Central Oklahoma, master of music education from New York University, and his doctorate of musical arts in orchestral conducting from the University of Oklahoma.
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SEWANEE SUMMER MUSIC FESTIVAL 2016
Josep Caballé Domenech, conductor Sewanee Symphony Orchestra
G
eneral music director of the Opera and Staatskapelle HalleSaale, Germany, and music director of the Colorado Springs Philharmonic U.S., Domenech enjoys combining his conducting career with a great symphonic and operatic repertoire.
Domenech recorded Respighi’s Roman Trilogy with the Royal Philharmonic London and has also worked with the Tonhalle Orchester Zurich, WDR Cologne, Swedish Radio, Czech Philharmonic, Munich Radio Orchestra, RSO Wien, New Japan Philharmonic, Baltimore, Houston, and Fort Worth Symphony Orchestras. Recognized also for his work with operatic repertoire, he made his debut at the Gran Teatre del Liceu in Barcelona, and led the company in guest productions at the Savonlinna Festival and La Fenice Venice. He has conducted new productions at the Dresden Semperoper, Theater an der Wien, Vienna’s Volksoper, Essen Aalto Theater, Capitol du Toulouse, Theatre Royal du Versailles/ Paris, Bilbao Opera House, and has conducted at the Staatsoper Berlin and State Opera Stuttgart. Born in Barcelona into a family of musicians, Domenech studied conducting at the University of Music and Performing Arts in Vienna. He was awarded the Aspen Prize from the American Academy of Conducting at Aspen and selected as “Protégé” in the inaugural cycle of the Sir Colin Davis Rolex Mentor and Protégé Arts Initiative 2002–03.
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Monday, July 4, 7 p.m.
Patriotic Concert Guerry Auditorium
Enjoy a rousing selection of patriotic favorites. Program repertoire will be announced from the stage.
Tuesday, July 5, 8:15 p.m.
Student Chamber Music Concert
Monteagle Sunday School Assembly, Warren Chapel Program repertoire will be announced from the stage.
Wednesday, July 6, 7:30 p.m.
Faculty Chamber Music Concert Guerry Auditorium Alejandro Viñao (b. 1951)
Burritt Variations (2012) John Kilkenny, marimba
Eric Ewazen Colchester Fantasy (1987) (b. 1954) The Rose and Crown The Marquis of Granby The Dragon The Red Lion Peter Bond, Donald McEwan, trumpets; Alexander Shuhan, horn Joshua Bynum, trombone; Eric Bubacz, tuba Ernő Dohnányi Piano Quintet in C Minor, Op. 1, No. 1 (1895) (1877–1960) Allegro Scherzo. Allegro Adagio, quasi andante Finale. Allegro animato Brittany MacWilliams, Jessica Dan, violins; Sheldon Person, viola Tony Kitai, cello; Amy I-Lin Chen, piano
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SEWANEE SUMMER MUSIC FESTIVAL 2016
Summitt Pianos wants you to experience the Steinway difference.
2016 SEWANEE SUMMER MUSIC FESTIVAL
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Thursday, July 7, 8:15 p.m.
The Cumberland Orchestra
César Leal, conductor Monteagle Sunday School Assembly Auditorium Program repertoire will be announced from the stage.
Friday, July 8, 6 p.m.
Bike/Hike (or FLY!) to a Concert
Allen Tinkham, conductor The Franklin County Airport (see map on page 26) Wojciech Kilar (1932–2013)
Orawa
W. A. Mozart Symphony No. 36 in C Major, K. 425 (Linz) (1754–1791) Adagio; Allegro spiritoso Andante con moto Menuetto Presto Our thanks to Woody’s Bicycles, generous concert benefactor.
Saturday, July 9, 3 p.m.
SSMF for KIDS Convocation Hall
SSMF students will present engaging demonstrations of their instruments for the young and/or curious. (There’s ice cream, too!) Our thanks to Pam and Greg Maloof, generous concert benefactors.
Saturday, July 9, 4 p.m.
Student Chamber Music Concert Guerry Garth
Program repertoire will be announced from the stage. 20
SEWANEE SUMMER MUSIC FESTIVAL 2016
Saturday, July 9, 5:30 p.m.
Student Chamber Music Concert The Sewanee Inn (see map on page 24)
Program repertoire will be announced from the stage.
Saturday, July 9, 7:30 p.m.
Faculty Chamber Music Concert Guerry Auditorium
Olivier Messiaen Quatuor pour la fin du temps (Quartet for the End of Time) (1941) (1908–1992) Liturgie de cristal Vocalise, pour l’Ange qui annonce la fin du Temps Abîme des oiseaux Intermède Louange à l’Éternité de Jésus Danse de la fureur, pour les sept trompette Fouillis d’arcs-en-ciel, pour l’Ange qui annonce la fin du Temps Louange à l’Immortalité de Jésus Chad Burrow, clarinet; Lin He, violin Anthony Kitai, violoncello; Amy I-Lin Cheng, piano
Sunday, July 10
SSMF Alumni Day Alumni may register in Guerry Lobby from noon–2 p.m. Registered alumni will receive a complete schedule and complimentary tickets for the afternoon concerts and reception.
Sunday, July 10, 2:15 p.m.
Leonidas Polk Carillon Sam Hammond, carillonneur
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Sunday, July 10, 3 p.m.
Cumberland Orchestra Gene Moon, conductor Guerry Auditorium Nikolai Rimsky-Korsakov (1844–1908)
Russian Easter Festival Overture, Op. 36
Franz von Suppé (1819–1895)
Overture to Dichter und Bauer (Poet and Peasant)
Jacques Offenbach (1819–1880)
Overture to Orphée aux enfers (Orpheus in the Underworld)
Sunday, July 10, 4 p.m.
Sewanee Symphony Orchestra Josep Caballé Domenech, conductor Guerry Auditorium Richard Wagner (1813–1883)
Overture to Der fliegende Holländer (The Flying Dutchman), WWV 63
Richard Strauss Tod und Verklärung (Death and Transfiguration), Op. 24 (1864–1949) Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks), Op. 28
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SEWANEE SUMMER MUSIC FESTIVAL 2016
9 COLLEGE ST. | MONTEAGLE, TN | 931.924-5555
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2016 SEWANEE SUMMER MUSIC FESTIVAL
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Hospita l
The Sewa nee Inn Shakerag Restauran t
The Cour se at (Golf Cou Sewanee r se )
Green’s View
University of the South
Campus Map
enue v A y ersit Univ
Green’s View Road
“Event Parking” signs will be posted on University Avenue, when parking is permitted along the street.
Texas Avenue
Ab
bo’ sA
lley
Old Farm Roa
Universit y Farm
d
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SEWANEE SUMMER MUSIC FESTIVAL 2016
University Cemetery
Stirling’s Coffee House (+DISAB
LED)
duPont Library
Ralston Listening Library (2nd Floor)
Alumni House
PARKING
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an eL
u ven ll A
Elliott Park
PARKING (+DISAB
LED)
North Carolina Avenue
Alley Abbo’s
Thompson Union Movies
South Carolina Avenue
PARKING
wn nto rants, w Do stau etc. Re ops, Sh
che Mit
Bookstore
University Aven
ue
Fulford Hall
G
McClurg Dining Hall
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b Du
PARKIN
Shapard Tower
Guerry-Garth
Guerry Hall
G D PARKIN
DISABLE
Breslin Tower
All Saints’ Chapel
St. Luke’s
Avenue Georgia
Manigault Park
PARKING
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PARKING
Tennes s
ee Ave
nue Mem & Oveorlorial Cross ok
2016 SEWANEE SUMMER MUSIC FESTIVAL
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The Village of Sewanee
Sewanee Ange
The Lemon Fair
the South
Sewanee Realty
26
venue University A
Tabitha’s Beauty
SEWANEE SUMMER MUSIC FESTIVAL 2016
University Realty
Regions Bank
Locals
sity of The Univer
Sewanee Auto
Post Office
& Gas
l Park
American Legion
Downtown Map
The Blue Chair Café & Tavern
The Franklin County Airport
US 41
Senior Citizens Ctr.
Lake O’Donnell Road Sewanee Market
Hair Depot
Airport Road Mountain Goat Trai
l
Monteagle Taylor’s Mercantile Shenanigans
IN MONTEAGLE Dave’s Modern Café Gooch Beasley Real Estate Monteagle Florist Monteagle Inn Monteagle-Sewanee Realtors Piggly Wiggly Sonic • America's Drive-thru St. Andrew’s-Sewanee School (Shakerag Gallery)
Ball Park Road
Reeds Lane Cowan
rs Village Corne m o st Cu Dry ing Cleaner Fram
IvyWild Woody’s Bicycles
Community Center
Crossroads Café
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WEEK 4
Allen Tinkham, conductor Cumberland Orchestra
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llen Tinkham is recognized as one of the most inspiring and exciting conductors and teachers of his generation. He was hailed by John von Rhein of the Chicago Tribune as both a conductor and teacher, described as working “wonders” as one of the most important “educators, mentors and inspirational guides in the training of tomorrow’s orchestral professionals,” and defined by his “communicative” conducting bringing forth “an adrenalin rush of superior playing.” Under his leadership as the longtime music director of the Chicago Youth Symphony Orchestras (CYSO), both the Chicago Tribune and Chicago Sun Times have described performances by the CYSO Symphony Orchestra as “professional level.” Recently appointed music director of the Chicago Composers Orchestra, Tinkham is an advocate and champion of contemporary music and has won nine ASCAP awards for Adventurous Programming of Contemporary Music. Tinkham holds degrees from the Eastman School of Music and the University of Michigan, and attended the American Academy of Conducting of the Aspen Music Festival for several seasons. His principal teachers were David Effron, Murry Sidlin, Kenneth Kiesler, David Zinman, and James DePreist. Before the end of his apprenticeship at the Oregon Symphony Orchestra, he was appointed music director of the Chicago Youth Symphony Orchestras (CYSO).
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JoAnn Falletta, conductor Sewanee Symphony Orchestra
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oAnn Falletta is internationally celebrated as a vibrant ambassador for music, an inspiring artistic leader, and a champion of American symphonic music. Praised by The Washington Post as having “Toscanini’s tight control over ensemble, Walter’s affectionate balancing of inner voices, Stokowski’s gutsy showmanship, and a controlled frenzy worthy of Bernstein,” she serves as the music director of the Buffalo Philharmonic Orchestra and the Virginia Symphony Orchestra, principal guest conductor of the Brevard Music Center, and artistic advisor of the Hawaii Symphony. Falletta has guest conducted over a hundred orchestras in North America, and prominent orchestras in Europe, Asia, South America, and Africa. She is the recipient of prestigious conducting awards and a champion of music of our time, introducing over 500 works by American composers, including more than 110 world premieres. A leading conductor for the Naxos label, her discography includes over 90 titles and her discs have won two Grammy Awards and 10 Grammy nominations. She has held previous positions with the Ulster Orchestra, Phoenix Symphony, Long Beach Symphony Orchestra, Milwaukee Symphony Orchestra, and the Denver Chamber Orchestra. Falletta received her undergraduate degree from the Mannes School of Music, and her master’s and doctorate degrees from The Juilliard School and has been awarded 11 honorary doctorates.
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Tuesday, July 12, 7 p.m.
Cowan Arts Center Concert Cowan Center for the Performing Arts
Program repertoire will be announced from the stage.
Thursday, July 14, 7:30 p.m.
Jacqueline Avent Concerto Competition Concert Guerry Auditorium
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he Jacqueline Avent Summer Music Festival Scholarship Prize was established in 2007, by Walter E. Nance, C’54, and Mayna Avent Nance of Sewanee, Tenn., in memory of Jacqueline Avent. Miss Avent was a lover of music, books, and stars. She was an extraordinary individual who poured her life into caring for those around her. She had many characteristics that made her unique and lovely; the ability to read a page of a book in a single moment, her fascination with Mozart, her gift for teaching, and much more.
One of her greatest joys was listening to music and attending music festivals. Prior to this evening, students of the Sewanee Summer Music Festival have participated in several rounds of preliminary competition. Tonight we hear the five finalists perform with an orchestra comprised of faculty and advanced students specially formed for the event. This evening, made possible with the support of Walter and Mayna Nance, is dedicated to the memory of Jacqueline Avent.
Our thanks to Monteagle Florist for their generous gift of flowers for the winners.
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Friday, July 15, 7 p.m.
Student Chamber Music Concerts Guerry Auditorium and St. Luke’s Chapel
Program repertoire will be announced from the stage.
Saturday, July 16, 4 p.m.
Student Chamber Music Concert Guerry Garth
Program repertoire will be announced from the stage.
Saturday, July 16, 7:30 p.m.
Faculty Chamber Music Concert Guerry Auditorium
Francis Poulenc Sextet for Winds and Piano, FP 100 (1932–1939) (1899–1963) Allegro vivace Divertissement: andantino Finale: Prestissimo Patricia George, flute; Robert Stephenson, oboe; Chad Burrow, clarinet Hunter Thomas, bassoon; Alexander Shuhan, horn; Amy I-Lin Cheng, piano Johannes Brahms Piano Quartet in G Minor, Op. 25 (1856–1861) (1833–1897) Allegro Intermezzo: Allegro Andante con moto Rondo alla Zingarese: Presto Sean Wang, violin; Wendy Richman, viola; Paul York, violoncello; Amy I-Lin Cheng, piano Please join the faculty and students for a reception in Convocation Hall before strolling to All Saints’ Chapel for the Festival Brass Concert.
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Saturday, July 16, 10 p.m.
Festival Brass Concert All Saints’ Chapel
Follow the candle-lit walkways to this annual favorite. Program repertoire will be announced from the stage.
Sunday, July 17, 2:15 p.m.
Leonidas Polk Carillon Ray Gotko, carillonneur
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Sunday, July 17, 3 p.m.
Cumberland Orchestra
Allen Tinkham, conductor Guerry Auditorium
Steve Heitzeg (b. 1959)
Aqua (Homage to Jacques-Yves Cousteau) (1999)
Lucciano Boccherini (1743–1805)/ Luciano Berio (1925–2003)
Ritirata notturna di Madrid
Dmitri Shostakovich Symphony No. 5 in D Minor, Op. 47 (1906–1975) IV. Allegro non troppo
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Sunday, July 17, 4 p.m.
Sewanee Symphony Orchestra
JoAnn Falletta, conductor Guerry Auditorium
Pyotr Ilyich Tchaikovsky Selections from Swan Lake, Op. 20 (1840–1893) Scène Czardas: Danse hongroise Danse espagnole Danse napolitaine Valse Anatoly Lyadov The Enchanted Lake, Op. 62 (1855–1914) Modest Mussorgsky Pictures at an Exhibition (arr. Ravel) (1839–1881) Introduction: Promenade Gnomus Promenade Il vecchio castello (The Old Castle) Promenade Tuileries Bydlo (Cattle) Promenade Ballet des poussins dans leurs coques (Ballet of Little Chicks in their Shells) Samuel Goldenberg und Schmuÿle (Two Polish Jews) Limoges—Le Marché Catacombae (Sepulcrum Romanum)— Cum mortius in lingua mortua La Cabane sur des pattes de poule (Baba-Yaga—The Hut on Hen’s Legs) La Grande Porte de Kiev (The Great Gate of Kiev)
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Sewanee Summer Music Festival
ADMINISTRATION Evelyn Loehrlein, Acting Director Ruth S. Cobb, Assistant Director of Marketing and Development ARTISTIC ADVISORY COMMITTEE Chad Burrow Patricia George Paul York SUMMER STAFF Rachel Smalling, Director of Operations Manly Romero, Performance Librarian Brian Edwards, Director of Production Christine Kim, Student Chamber Music Coordinator Cathy Humphrey, Director of Student Life Susan Strasinger, Residential Supervisor Nikki Chavez, Piano Technician INTERNS Nicholas Castellano, Emily Krasinski, Katelin Morrow, Michael Su
SUPPORTERS SEWANEE IS A SPECIAL PLACE, as any resident will tell you. The Sewanee Summer Music Festival is very fortunate to have friends and neighbors on the Mountain who show their support through the purchase of advertisements for the program book. Please give them your thanks when you patronize their businesses, which we hope will be often. CONCERT BENEFACTORS Pam and Greg Maloof Joseph’s Remodeling Solutions The Sewanee Inn Woody’s Bicycles COMMUNITY SPONSORS St. Andrew’s-Sewanee School Woodard’s Diamond & Design COMMUNITY SUPPORTERS Monteagle Sewanee Rotary Club Myer’s Point, Sewanee Piggly Wiggly, Monteagle Sonic, America’s Drive-In, Monteagle Sweeton Home Repair The Blue Chair and Tavern
ADVERTISERS Burl’s Termite and Pest Control Dave’s Modern Tavern Franklin-Pearson House June Weber, Gooch B. Realty Monteagle Inn & Retreat Center Monteagle-Sewanee Realtors Mooney’s Market & Emporium Mary Ellen Nolletti (National Federation of Music Clubs) Sewanee Realty Summitt Pianos Sweeton Home Repair The Lemon Fair IN-KIND SERVICES Big A Marketing, Groome Transportation Monteagle Florist, Yamaha Corporation 2016 SEWANEE SUMMER MUSIC FESTIVAL
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ARTIST FACULTY Jessica Dan Fan, violin
Jessica Dan Fan is active as a teacher and performer in the Washington, D.C., area, joining the Kennedy Center Opera house Orchestra/Washington National Opera Orchestra in 2002. In addition to chamber recitals and solo performances, she frequently performs with the Kennedy Center Millennium Stage Concert Series, Baltimore Symphony Orchestra, National Gallery Orchestra, and Wolf Trap. Solo appearances include the National Repertory Orchestra, Miami Bach Society Chamber Orchestra, Miami City Ballet Orchestra, Sewanee Festival Orchestra, and The U.S. Air Force Strings. She has taught at the National Symphony Orchestra Summer Music Institute, the Levine School of Music and, as guest artist coached chamber music at Central Conservatory of Music in Beijing. She was on the faculty of the Sewanee Summer Music Festival in 2003. Fan attended Beijing’s Central Conservatory of Music in her native China. She earned a B.M. at the University of Miami, and an M.M. at the University of Maryland, where she studied with the worldrenowned violinist Arnold Steinhardt.
Lin He, violin
Lin He made his Carnegie Hall debut in November 2014, after a performance earlier that year with principal players from the Metropolitan Opera, the New York Philharmonic, and the Philadelphia Orchestra. This past season, he made his Rapides Symphony debut playing the Korngold Concerto. As a soloist and chamber musician, He has presented recitals at universities across the United States as well as at conservatories in China. As an orchestral performer, He has played with the Shanghai Symphony, Rochester Philharmonic, and the Louisiana Philharmonic. Summer festival appearances have taken him to venues such as the Music Academy of the West, Tanglewood Music Center, and the Aspen Music Festival. He serves as the associate professor of violin at the Louisiana State University and associate concertmaster of the Baton Rouge Symphony. He received a doctoral degree from the Eastman School of Music and was a student of Zvi Zeitlin.
Brittany MacWilliams, violin
After making her debut with the Louisville Orchestra at the age of 10, Brittany MacWilliams won numerous competitions and went on to perform as soloist and concertmaster in such diverse locales as Istanbul, Beijing, Salzburg, Munich, Lisbon, and New York. She has had solo engagements with the Cincinnati Symphony Orchestra, Louisville Orchestra, Munich Hochshule Orchestra, Kentucky Symphony, and Aspen Chamber Symphony. She can be heard as soloist on two critically acclaimed compact discs of Giornovichi Violin Concerti for the Arte Nova Classics/BMG label. MacWilliams was the first winner of the prestigious Dorothy Richard Starling Teaching Fellowship in 2001. She received both B.M. and M.M. degrees from the University of Cincinnati College-Conservatory of Music as a student of Kurt Sassmannshaus and Dorothy DeLay. 40
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Jonathan Magness, violin
Alabama native Jonathan Magness was appointed the Minnesota Orchestra’s associate principal second violin in 2008, and named acting principal second violin in 2014. His chamber appearances with the orchestra include Schumann’s Piano Quartet and featured soloist at Inside the Classics and Young People’s Concerts, performing music by Vivaldi and Piazzolla. Magness took center stage as soloist in 2011, performing Dvořák’s Violin Concerto under the baton of Marin Alsop. In 2004, he received the grand prize in the International Sparkasse Musikstipendium competition in Austria. In 2005, he won several prizes in the Luis Sigall Violin Competition in Chile, and in the Manchester International Competition, which brought him the opportunity to appear as soloist with the BBC Symphony under Vassily Sinaisky. He has also been soloist with the Israel Chamber Orchestra, Klagenfurt Musikverein, Regional Orchestra of Chile, and others. Magness has been on faculty at Bravo! Music Festival since 2006 and the Sewanee Summer Music Festival since 2013. Magness holds degrees from The Juilliard School and the University of Graz in Austria.
Daniela Shtereva, violin
Originally from Plovdiv, Bulgaria, Daniela Shtereva was born into a family with five generations of musical tradition. As a child, she aspired to the legends of violin performance and has studied with protegés of many of them: Cyrus Forough (student of David Oistrakh and Joseph Gingold), Kevork Mardirossian (student of Yfrah Neaman), and Evgenia-Maria Popova (student of Leonid Kogan). Currently a member of the Naples Philharmonic in Florida, Shtereva is also an accomplished soloist and chamber musician. She is a winner of the 2006 Washington String International Competition and the National Society of Arts and Letters/Strad competition in 2007. Among the established musicians she has collaborated with are James Ehnes, Andrew Armstrong, Aloysia Friedman, and Amit Peled. Shtereva obtained an artist diploma certificate from Carnegie Mellon University, a master’s from Louisiana State University, and a bachelor’s from the National Conservatory in Bulgaria.
Sean Yung-Hsiang Wang, violin
Sean Yung-Hsiang Wang is on the violin and conducting faculty at the Longy School of Bard College, and also founder and director of New York Intercultural Music Society. An advocate of contemporary music, he has served as violinist-in-residence at the Guild of Composers, New York City, concertmaster with Grammy-nominated early music group Ars Lyrica Houston, and interim director of the Bach Society Houston. He has conducted orchestras of the Juilliard School, Longy School, and Stanford University. In the academic arena he has published as a music critic and book reviewer, presented papers at international conferences, and taught topics ranging from medieval monophony to electronic music. His recent recordings include the first ever complete Hortulus Chelicus (1688) of Johann Jakob Walther on Baroque violin, and an album of music for violin, clarinet, and piano with Trio Solari (Centaur Records). He holds degrees from the Curtis Institute of Music (B.M., violin), Juilliard School (M.M., orchestral conducting, as a Bruno Walter Memorial Scholarship recipient), and Stanford University ( joint Ph.D., musicology and humanities). 2016 SEWANEE SUMMER MUSIC FESTIVAL
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Molly Gebrian, viola
Molly Gebrian has distinguished herself as an outstanding performer, teacher, and scholar throughout the U.S. and Europe. Her love of contemporary music has led her to collaborate with many composers, often in premieres of works written for her. She has worked closely with the Ensemble Intercontemporain and Pierre Boulez for performances at the Lucerne Festival and spent a year in Paris to undertake an intensive study of contemporary music with the violist/composer Garth Knox. Other principal teachers have been Peter Slowik, Carol Rodland, and James Dunham. Gebrian completed her D.M.A. in viola performance at Rice University and holds graduate degrees from the New England Conservatory, and bachelor’s degrees from Oberlin College, in both viola performance and neuroscience. She has published papers in the Journal of the American Viola Society and Frontiers in Psychology, taught college courses on music and the brain, and continues to be actively involved in this area of research. She is currently assistant professor of viola and music theory at the University of Wisconsin-Eau Claire.
Sheldon Person, viola
Originally from Edmonton, Alberta, Sheldon Person has been a member of the Houston Symphony since 2011. He was previously a member of the Indianapolis Symphony Orchestra, and performed as a guest with the London Symphony Orchestra and the St. Paul Chamber Orchestra. As a fellow of the Aspen Music Festival and School, Sheldon has served as the assistant principal viola of the Aspen Festival and Chamber Orchestras. He has also appeared as soloist with the Edmonton Symphony Orchestra. As first prize winner of the 2005 Royal Overseas League’s Bernard Shore Viola Competition in London, Person performed recitals there, including St. Martin-in-the-Fields. He has performed with the Artea String Quartet throughout the U.K., including appearances at Wigmore Hall, the South Bank Centre, the Brighton Festival, Buckingham Palace, and live on BBC Radio 3. Person has served as an instructor for the Texas Music Festival, Indiana All-State Orchestra, and Filarmonica Joven de Colombia. He holds degrees and certificates from The Guildhall School of Music and Drama (London), Indiana University, Rice University, and the University of Alberta.
Wendy Richman, viola
Wendy Richman is a founding member of the Brooklyn-based International Contemporary Ensemble (ICE), with whom she has performed at Lincoln Center Festival, Miller Theater, Mostly Mozart Festival, and international festivals in Darmstadt, Helsinki, Morelia, and Vienna. Season highlights from 2015–16 include Reinhardt Goebbels’s production of Andriessen’s De Materie at the Park Avenue Armory in New York City and Suzanne Farrin’s Dolce Morte at the Metropolitan Museum of Art. She has been a featured soloist and collaborator at major international venues premiering hundreds of works. Richman has performed with the Claremont Trio and members of the Cleveland, Juilliard, and Takács Quartets, and she regularly plays with the viola sections of the Alabama Symphony, Minnesota Orchestra, and St. Louis Symphony. Her acclaimed recordings can be heard on Albany Records, Between the Lines, Bloodshot Records, BMOP/sound, Mode Records, NAXOS, New Focus, New World, and Tzadik. Continued next page. 42
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Her research interests include gender and music, composer-performer collaboration, and the language of extended techniques. She lives in Tuscaloosa, Ala., and is a doctoral candidate at Eastman School of Music.
Anthony Kitai, cello
SSMF alumnus Anthony Kitai joined the Houston Symphony in 2001, serving as acting associate principal cellist from 2003–2005. Previously, he was a member of the Memphis Symphony and the Iris Chamber Orchestra. Kitai has made solo appearances with many orchestras including the Galveston Symphony, Houston Civic Symphony, and Pine Bluff Symphony. Music festival appearances include Grand Teton, Schleswig-Holstein, AIMS, Aspen, and New York String Orchestra Seminar. From 2010–2011, he was on the faculty of the American Festival for the Arts in Houston, Texas, and since 2012 he has performed and taught at the Texas Music Festival. A passionate and committed teacher, Kitai currently serves as an affiliate artist of cello at the University of Houston, Moores School of Music, and maintains an active private studio. He received his bachelor’s degree and performer’s certificate from the Eastman School of Music and a master’s degree from the Shepherd School of Music at Rice University. Teachers have included Desmond Hoebig, Steven Doane, Paul Katz, and Peter Spurbeck.
Paul York, cello
Paul York has appeared in recital and with orchestras in the U.S. and abroad. He has held principal cello positions with numerous regional orchestras. Solo appearances include Karel Husa’s Concerto for Violoncello and Orchestra at Carnegie Hall, Aaron Jay Kernis’s Colored Field for Cello and Orchestra with the Louisville Orchestra, and Vivaldi’s Double Concerto in G Minor with YoYo Ma. Of his performance at Carnegie Hall, New York Concert Reviews said “ ... one had to be in awe of his playing.” York has commissioned works by composers Stefan Freund, Marc Satterwhite, Steve Rouse, Paul Brink, and Frederick Speck. He premiered the Ballad for Solo Cello and Seven Cellos by Aaron Jay Kernis and Alfred Bartle’s orchestration of Bartok’s First Rhapsody with the Sewanee Festival Orchestra. York received a bachelor’s degree from the University of Southern California and master of music degree from the University of California at Santa Barbara. He serves on the faculty at the University of Louisville and has recorded on the Centaur, Arizona University Press, and CRS labels.
Sidney King, double bass
Sidney King’s multi-faceted career as a double bassist, composer, and arranger spans over three decades. His extensive experience as an orchestral performer includes appearances with some of the most prestigious ensembles in the country. As a composer, King has received commissions from such diverse organizations as the Freudig Singers of Western New York, the American Harp Society, and the Bunbury Theatre of Louisville. His compositions have been performed by artists and ensembles throughout the country. A gifted teacher, King serves as professor of double bass and director of String Education Activities at the University of Louisville
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School of Music. In 2015, he was named Teacher of the Year by the Kentucky chapter of the American String Teachers Association. Since 1992, he has performed with the orchestra of the Grand Teton Music Festival, often serving in titled positions. He has served as principal bassist with the Houston Grand Opera and the Texas Opera Theater, and has performed with the symphonies of Detroit, Cincinnati, Houston, Pittsburgh, Indianapolis, and Nashville, among others.
Patricia George, flute
Internationally known flutist Patricia George has taught at the Sewanee Summer Music Festival since 1998. She has toured the United States, Europe, and the Middle East as a soloist, chamber, and orchestral musician. She has served on the faculties of the Eastman School of Music Preparatory Department, Idaho State University, Brigham Young University-Idaho, and the American Band College. George is the editor of Flute Talk magazine and writes the monthly column “The Teacher’s Studio.” She continues to present her “Famous Flute Spa” masterclasses throughout the United States for universities and flute clubs. George is the co-author of a pedagogical series Flute 101, Flute 102, Flute 103, The Flute Scale Book, and Advanced Flute Studies: The Art of Chunking, all published by Theodore Presser. Her current writing project is “Advanced Flute Studies: The Top Octave.” She earned the B.M. and M.M. degrees and performer’s certificate in flute from the Eastman School of Music. Her flute studies included work with legendary flutists Joseph Mariano, William Kincaid, Julius Baker, and Frances Blaisdell.
Robert Stephenson, oboe
Robert Stephenson joined the Utah Symphony Orchestra in 1980, as principal oboe under music directors Varujan Kojian, Joseph Silverstein, Keith Lockhart, and Thierry Fischer. He previously played principal oboe for three years with the Savannah Symphony and Georgia Chamber Orchestra under Christian Badea. Stephenson often appears as soloist, having performed numerous oboe concertos. In July 2008, he presented the new oboe concerto by Thom Ritter George at the International Double Reed Society Convention in Utah. He performs frequently with the woodwind quartet, Three Fish and a Scorpion. The Southern Music Company publishes his Twinkle Variations for solo oboe, and Jeanne, Inc. is the publisher for both his 40 New Melodic and Technical Etudes and Dance Etudes for flute, oboe, clarinet, bassoon, and saxophone. Stephenson just completed Quotation Etudes for oboe, clarinet or saxophone. His blog, Musical Journey, at musiciansoftheutahsymphony.com, chronicles his sabbatical from the Utah Symphony. He is a graduate of the Interlochen Arts Academy and the Curtis Institute of Music.
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Hunter Thomas, bassoon
An alumnus of the Sewanee Summer Music Festival, Hunter Thomas is principal bassoonist of the Huntsville Symphony Orchestra in Alabama. As an orchestral player, he performs regularly with the Chattanooga Symphony, the Tuscaloosa Symphony, the Memphis Symphony, the Alabama Symphony. From 1980–1985, Thomas was the principal bassoon of the National Orchestra of Colombia, South America. Thomas has made solo appearances with the Huntsville Youth Orchestra, Sewanee’s Cumberland Orchestra, the Huntsville Chamber Winds, and the Huntsville Symphony Orchestra. He has inspired and mentored countless music students in north Alabama, many of whom have been accepted to prestigious schools and festivals nationwide. His students have appeared on the radio show From the Top and have been finalists in the Marine Band Concerto Competitions. Thomas attended the Cleveland Institute of Music and the University of Louisville, and has studied with many distinguished teachers including George Goslee (Cleveland Orchestra), Sol Schoenbach (Philadelphia Orchestra), Leonard Sharrow (NBC Symphony), Dan Welcher (Louisville Orchestra), and Kenneth Moore (Oberlin College).
Chad Burrow, clarinet
One of the premier clarinetists of his generation, Chad Burrow is on the faculty of the University of Michigan, where he teaches clarinet, chamber music, and serves as the director for the Michigan Chamber Players. He has appeared with the Chamber Music Society of Lincoln Center in Alice Tully Hall, Chamber Music Northwest, and given performances on a series of Benny Goodman centennial concerts in Carnegie Hall and Yale University. Engagements abroad include the Alpenkammermusik Festival in Austria, Denmark’s Thy Chamber Music Festival, a recital in the National Concert Hall in Taipei, Taiwan, concerts in Strasbourg, France, and concerto appearances with the Taichung Philharmonic and the Classic Orchestra of Taichung. Burrow performs with Trio Solari which tours internationally. He has received awards from the Young Concert Artist International Competition in New York City, the Woolsey Hall Competition, the Artist International Competition, and the Fischoff National Chamber Music Competition. He serves as co-artistic director for the Brightmusic Society of Oklahoma and holds degrees from Northwestern University and Yale University.
Alexander Shuhan, horn
Alexander Shuhan joined the Ithaca College faculty in 1998, where he is presently associate professor of horn. In October 2013, he was a visiting guest instructor at Indiana University Jacobs School of Music, and from 2005– 2010, he served as Valade Instructor of Horn at the Interlochen Summer Arts Camp. As a founding member (1993), hornist, pianist, and composer of Rhythm & Brass, he has performed extensively throughout the U.S., Canada, Japan, and the Middle East. The group has an extensive discography. He is currently principal horn of both the Binghamton Philharmonic and the Fort Smith Symphony, and previously served as principal horn of the Cayuga Chamber Orchestra. He performs frequently with the Rochester Philharmonic Orchestra and has played
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with the Syracuse Symphony Orchestra, the Skaneateles Chamber Music Festival, and the Northeast Pennsylvania Philharmonic. He studied at Southern Methodist University with Greg Hustis, the Eastman School of Music with Verne Reynolds, and the Pre-College Division of the Juilliard School with Harry Berv. Shuhan is a Yamaha Artist and a Siegfried’s Call Artist.
Peter Bond, trumpet
A member of the Metropolitan Opera Orchestra since 1992, Peter Bond has an atypical background. Drum corps and big band jazz were his early interests. After college, he spent a year on the road with a small circus as trumpeter and roustabout. From 1980–87 he enjoyed a busy freelance career in Atlanta, working with the ASO, the Atlanta Ballet, and for visiting musicals and entertainers. He earned an M.M. in performance at Georgia State University, studying with Atlanta Symphony Orchestra principal trumpet, John Head. In 1987, Bond was appointed principal trumpet of the New Mexico Symphony Orchestra. He has studied with Vincent Cichowicz, Arnold Jacobs, Adolph Herseth, Robert Nagel, and James Pandolfi. In addition to the Met, Bond has appeared with the Santa Fe Opera, Santa Fe Chamber Music Festival, New York Philharmonic, New York City Ballet, New York City Opera, and the American Ballet Theater. Bond is in demand as a soloist and teacher, specializing in embouchure problems, and using singing and speech concepts as models for brass performance.
Donald McEwan, trumpet fellow
Donald McEwan is an active freelance trumpet player in the North Carolina area. He performs as a substitute musician with the North Carolina Symphony, Winston-Salem Symphony, Greensboro Symphony, and Asheville Symphony. He performed with the Opera in the Ozarks Festival Orchestra during their 2013 and 2014 seasons. He is also a founding member of the North Carolina Brass Band and the UNC-Greensboro faculty brass quintet. McEwan serves as a teaching assistant in the trumpet studio while pursuing a D.M.A. in trumpet performance at UNC-Greensboro. He received a bachelor’s degree from the Oberlin Conservatory and a master’s degree in music from UNC-Greensboro.
Joshua Bynum, trombone
Joshua Bynum is associate professor of trombone at the University of Georgia, and acting second trombonist of the Atlanta Symphony Orchestra. He is trombonist with the Georgia Brass Quintet, as well as a founding member of Resonant Projection and has served as trombone faculty for the Festival of Vale Veneto, Brazil. Bynum performs regularly with the Atlanta Symphony Orchestra and Charleston Symphony Orchestra, as well as the Symphony Orchestra of Augusta, Macon Symphony Orchestra, and Shreveport Symphony Orchestras, along with the Joffrey and Stuttgart Ballet companies. Continued next page. 46
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He has participated as clinician and performer with the Eastern Trombone Workshop, International Trombone Festival, and Georgia Music Educators Association Conference, the 2007 Alessi Seminar, and in 2010–11 gave the Georgia state premiere performances of John Mackey’s Harvest: Concerto for Trombone. Bynum is a graduate of Temple University, the University of Iowa, and Jacksonville State University. His teachers include Nitzan Haroz, David Gier, and James Roberts. He is an artist and clinician for the Edwards Instrument Company and recently released a solo CD Catalyst.
John Kilkenny, percussion
John Kilkenny is currently director of percussion studies and conductor of the Symphonic Band at George Mason University in Fairfax, Va. Recent orchestral performances include the National Symphony, Washington National Opera and Ballet, Washington Concert Opera, Cathedral Choral Society, Washington Chorus, Choral Arts Society, the Master Chorale of Washington, and virtually every other Washington, D.C., area performing arts organization. Chamber music appearances include collaborations include the Folger Consort, Verge Ensemble, and the 21st Century Consort. He is also an active concerto performer, including the D.C. premiere of the Philip Glass Concerto Fantasy for two Timpanists and Wind Symphony. A faculty member of the Music for All Summer Symposium, Kilkenny is a sought-after clinician and guest conductor. He is Yamaha Performing Artist and proudly sponsored by Vic Firth mallets, Zildjian cymbals, and Remo percussion products. Kilkenny received a bachelor’s degree from the Juilliard School and a master’s degree from Temple University. His primary instructors include Jonathan Haas, Gregory Zuber, and Alan Abel.
Elizabeth Blakeslee, harp
Elizabeth Blakeslee has been a regularly engaged musician with the National Symphony Orchestra since 1999, playing second harp and substitute principal harp. She has been harp instructor at George Mason University since 2012 and at Shenandoah Conservatory of Music, Winchester, Va., from 1991–2008. She maintains a private studio and her students have won competitions at all levels and acceptances to top conservatories in the country. Blakeslee received a bachelor of music degree from Auburn University under the direction of Marjorie Tyre and a master of music degree at Virginia Commonwealth University with Marilyn Costello. She has held principal harp positions in the Richmond Symphony Orchestra, the Orquesta Sinfónica de Colombia, and guest principal harpist with the Kennedy Center Opera House Orchestra. Blakeslee has served the American Harp Society (AHS) in several leadership positions and on the board of directors for the Virginia String Teachers Association (VASTA.) She was named VASTA Outstanding Studio Teacher of the Year in 2011. She served as president of the Northern Virginia Music Teachers Association (NVMTA) from 2013–2014.
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Amy I-Lin Cheng, piano
Born in Taiwan, Amy I-Lin Cheng has been described by the New York Concert Review as a pianist whose “control of the keyboard is complete, technique easy and relaxed, with a wide range of touch.” Pianist Claude Frank describes her as “a brilliant, sensitive, imaginative and most beguiling pianist.” She has performed as a soloist and chamber musician across the U.S. and abroad, appearing at venues such as the Isabella Stewart Gardner Museum, Merkin Concert Hall in New York City, Weill Recital Hall in Carnegie Hall, and National Concert Hall in Taipei. Cheng concertizes extensively with husband and clarinetist, Chad Burrow, as Duo Clarion, receiving critical acclaim in The Yale Daily News and The New York Times for their performance of Poulenc’s Clarinet Sonata. Cheng holds degrees from Curtis, Yale, and the New England Conservatory. Principal teachers include Claude Frank, Wha-Kyung Byun, and Rolf-Peter Wille. She is on the faculty at the University of Michigan School of Music, Theatre & Dance and the Ann Arbor School for the Performing Arts.
Amy Dorfman, piano
Amy Dorfman has performed as a soloist and chamber musician throughout the U.S. and in Europe, displaying what critics describe as a “formidable technique … exciting and energetic.” For over 20 years, she performed with the great American bass virtuoso Edgar Meyer in such series as the Chamber Music Society of Lincoln Center in Alice Tully Hall and Amsterdam’s Concertgebouw, as well as on NPR’s St. Paul Sunday Morning and The Lonesome Pine Special. Dorfman accompanied Meyer on his MCA recording “Work in Progress.” In 2002, she and colleagues Carolyn Huebl and Felix Wang established the Blakemore Trio. The trio, in residence at the Blair School of Music, gave its New York debut at Merkin Hall in 2010, and has performed nationwide. A dedicated teacher, her students have been prize winners in state and national divisions of MTNA competitions and have received national awards. She is currently associate professor of piano at The Blair School of Music at Vanderbilt University and a guest artist and teacher at the Tennessee Governor’s School for the Arts.
César Leal, conductor
César Leal is the artistic director and conductor of the Sewanee Symphony Orchestra at the University of the South where he also teaches and develops courses in musicology and music history. He is currently the artistic director of EnVaGe (the Ensemble of Variable Geometry), and has led ensembles in the U.S., Panama, Colombia, France, and the Ukraine. He has recorded works by several Latin American composers and has presented scholarly papers in the U. S., Canada, Peru, Greece, and Switzerland. Leal’s activities as a musicologist and conductor often intersect. In September 2013, in collaboration with the Lexington Ballet, he directed a full-stage production devoted to Diaghilev’s Ballet Russes. In 2011 and 2012, he was the assistant director of the Congrés Mondiale d’Écologie Sonore and debuted with the Panama National Symphony Orchestra. Leal holds a Ph.D. in musicology from the University of Kentucky, a bachelor’s degree in music performance from Javeriana University in Bogotá, Colombia, and a master’s in instrumental conducting from Florida International University. 48
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ENDOWED FUNDS THE SEWANEE SUMMER MUSIC FESTIVAL is the fortunate beneficiary of endowed funds made possible through planned gifts of dedicated individuals. Jacqueline Avent SSMF Scholarship Prize Fund established by Walter E. Nance, M.D. and Mayna Avent Nance.
Elmer and Katherine Ingram SSMF Scholarship Fund established through a bequest by Mr. and Mrs. Ingram.
Blaffer SSMF Endowment funded by the Sarah Campbell Blaffer Foundation.
George and Mamie Neville SSMF Scholarship Fund established by Holton C. Rush in memory of George and Mamie Neville.
Albert Bonholzer Endowment for the SSMF established by Herman and Mary Baggenstoss and friends. Martha Clark Dugan SSMF Artist-inResidence Fund established by the family of Martha Clark Dugan to bring world-class artists to the Sewanee Summer Music Festival. Dudley Fort SSMF Scholarship Fund established by Dr. Dudley Ford Jr. Kathlyn B. Hays SSMF Scholarship Fund established through a bequest by Kathlyn Hays.
David and Lorraine Schlatter SSMF Fund established by Mr. and Mrs. Schlatter. Dortha Skelton Violin Scholarship Fund established by a bequest by Dortha Skelton. George A. Tesar Fund established through a bequest from George Tesar. The Linda Ross Wheat Memorial Scholarship Fund established through a bequest from Marjorie Warner Wheat.
DONORS THE SEWANEE SUMMER MUSIC FESTIVAL is grateful for many faithful and generous donors. Please contact the SSMF office at 931.598.1903 for information or questions regarding support for the festival. Mr. Byron Adams Dr. & Mrs. Henry Frank Arnold Jr. Margaret & Robert A. Ayres Patricia & Robert M. Ayres Jr. Helen Bailey Ana Maria & Mircea M. Basaraba Phoebe S. Bates Marion G. Beasley Carol & W. Harold Bigham Elizabeth Blakeslee Betty Barton & James Blythe Jr. Marye Margaret Campbell Boggs Peter C. Bond* Margaret Elaine Bonds The Rev. & Mrs. Sam A. Boney Carolyn E. Fitz & John L. Bordley Jr. Lyn & James A. Bradford John Gass Bratton The Rev. & Mrs. John Tol Broome The Rev. Dr. Christopher & Wendy Bryan Sims & Matthew Heyer Bulluck Jr. Nancy & Stephen W. Burnett 50
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Sophia & E. Dudley Burwell John D. Canale III Lawrence E. Cantrell Jr. The Rev. Dr. Larry E. Carden & Barbara Carden Christin & Thomas M. Carlson Karen B. Castile Beverly & Henry H. Chase Jr. Marcia & Bill Clarkson David Culbreth Clough Jr. Elizabeth C. Collins Katherine & Daniel Scott Corlew Connie Couser Elisabeth M. Craig Amanda & Philip John Cramer Laura & Edward J. Crawford III Anne & William B. Davis Mary & Latham W. Davis Eileen D. Degen Virginia & L. Gene Densmore Leslie & Thomas DiNella Hildy Dinkins Amy Rachel Dorfman* *SSMF faculty or staff member
Ann & Thomas P. Dupree Sr. Jane & Sherwood F. Ebey Mr. & Mrs. H. Wallace Edwards Jr. Mary B. & Scott Elliott The Rev. & Mrs. David Thomas Elphee Elizabeth M. Engsberg William Rice Farley Linda Varnell Farrer Marilyn R. Brown & Graeme R. Forbes Allison Fultz Edwina & John R. Furman The Rev. Dr. Julia M. Gatta & Dr. John J. Gatta Jr. Patricia D. George* The Very Rev. & Mrs. Robert E. Giannini Connie & E. Lawrence Gibson Anne Elizabeth Giles Brenda M. & Galen M. Gobillot Marvin E. Goodstein Janet & Timothy H. Graham Betsy Grant Polly Ann Halliday Michael D. Harold Knowles & William R. Harper Jr. Dorcas Harris Lin He* Hillary Anne Herndon The Rev. Dr. & Mrs. William H. Hethcock Sarah McCrady Hubbard The Rev. Dr. & Mrs. H. Hunter Huckabay Jr. The Rev. Dr. & Mrs. Robert D. Hughes III Kathleen & Don L. Honeycutt Lessley & Robert G. Hynson Mr. & Mrs. Lannie L. Ikard H. Louise Irwin Kathy & Reynolds G. Jarvis Patricia & Alan Jack Johnson Seetangshu Prasad Kalita Debbie & Thomas S. Kandul Jr. The Rev. & Mrs. David A. Kearley Martha & Peter B. Keeble Karen & Robert L. Keele Patricia Louise & Thomas M. Keithly Stephanie N. Kelley John Matthew Kilkenny* Joyce & Jerry N. King Kathryn A. King Evelyn Loehrlein & Sidney A. King Jr.* Anthony Takaharu Kitai* Elizabeth & Louis E. Koella Ellen H. Lyle & Walter C. Kurtz Luann & David Landon Linda & Frank Lankewicz Alan Lehman Mr. & Mrs. William J. Lindberg Margaret Lines Mrs. Sarah G. Little Wei-Chun Bernadette Lo* Pamela & Greg Maloof Clare L. Martin Summer Louise Martins June & Joseph B. Mays Jr. Bonita & John M. McCardell Jr. Caitlin Mary McCollister Mr. Edward Heath McCrady *SSMF faculty or staff member
John L. McCullough Nora & Vaughan W. McRae Cornelia & Edgar A. Meyer Jr. Catherine Detering Milam & John Armstrong Milam Anne & Vincent Miller Elise A. Kikis & Stephen R. Miller Valerie & Christopher W. Moth Mayna & Walter E. Nance Mary Ellen Nolletti Ann McCulloch Oliver Donna & Allen Pahmeyer James E. Patching III W. Brown Patterson Jr. Ms. Barbara Payne James M. Pierce Joseph N. Pierce Sylviane & George W. Poe Lucy & Harry H. Powell Jr. Lane & Julian Price Jr. Mary & William McGowen Priestley Upshur S. Puckette Cynthia Sanborn Putnam Mr. & Mrs. Daniel Rabinowitz Laurie Anne Ramsey Nancy Anne Alderman Ransom Leah S. Rhys Louis W. Rice Jr. Thomas Sidney Rue, Esq. & Joy Turner Rue Stephen G. Sanders Cynthia Saroff Sally & Walter A. Sedelow Jr. Sewanee Women’s Club Marian & Frank W. Shaffer* E. Todd Sharley III & Brad Turnbull Alexander George Shuhan* Mr. & Mrs. Tommy Sipes Dolores T. Snowden Wilma & Frederick F. Sommer Lee Brown Stapleton Susan & Jack William Steinmeyer Robert John Stephenson* Courtney & Brett Sutton Cameron & John R. Swallow Anastasia & George W. Swope John Charles R. Taylor III The Rev. & Mrs. Timus Gayle Taylor Jr. Neida Witherspoon & Bill Thompson Jordan Daniel Troisi Ann & F. Karl VanDevender Karen & Rufus A. Ward Jr. Joanna F. & Paul S. Ware Dan H. Warmbrod Catherine Wehlburg & George Krasowsky David Welliver Robert Marion Wilbanks Jr. Margaret & David W. Wiley Jr. Irene & W. Ridley Wills II Sarah E. Sitton Wilson & James P. Wilson III Patricia L. Wiser Marie Cartinhour Woods Jean A. Yeatman Anita & Vincent A. Zaccardi Sharon & Reinhard K. Zachau
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