HANDWORK
SOFTWARE SKILLS
SKETCHING
RUTUJA KULKARNI 29 AUGUST 1996 EDUCATIONAL
BACKGROUND
HIGH SCHOOL AT P.T.V.E.M.S SCHOOL JUNIOR COLLEGE AT SATHAYE MUMBAI FIRST AND SECOND YEAR C.E.P.T (S.I.D)
OTHER INTERESTS CATALOUGING AND WRITING
MARTIAL ARTS - TAEKWONDO ,
WHILE TRAVELLING.
CAPOEIRA AND KRAVMAGA.
EXPLORING AND RELATING
ECONOMICS AND PSYCOLOGY
MOVIES TO LIFE AND WORK.
AS INTERESTS.
LISTENING TO BB KING AND
THEATRE ”NATAKBAAZI”
USTAAD KHAN. US
COOKING AND ROAD TRIPS &
PLAYING THE ”SAROD“
KAYAKING AND TREKKING
“INTUITION FOLLOWS FORM FOLLOWS FUNCTION.”
PURSUING THIRD YEAR IN C.E.P.T (S.I.D) rutuja.kulkarni.bd14@cept.ac.in or rutskulkarni@gmail.com
+91 9322270871
SPEAKS HINDI MARATHI, ENGLISH.
BASED IN MUMBAI, MAHARASHTRA
INDEX OF PROJECTS PAGE NO “BAGADIA HOUSE”
RESIDENCE PROJECT, SEMESTER 05
01
02
“BAGADIA HOUSE”
RESIDENCE PROJECT, SEMESTER 05
“BAGADIA HOUSE”
03
04
“WINDOW IN THE WALL”
“WINDOW IN THE WALL”
05
06
“CHILDREN’S DAY CARE”
“SOUP KITCHEN”
07
08
“SUMMER SCHOOL”
09
10
RESIDENCE PROJECT, SEMESTER 05
RETAIL PROJECT, SEMESTER 05
BASIC DESIGN PROJECT, SEMESTER 05
EXHIBITION AND WORKSHOPS
RETAIL PROJECT, SEMESTER 04
SPACE PLANNING PROJECT, SEMESTER 03
“STOOLS”
FURNITURE PROJECT, SEMESTER 03
“WORKING DRAWINGS” SEMESTER 05
B
A
B
A
SHORT SECTION AA
ABOUT:
SHORT SECTION BB
DETAIL, LIVING ROOM.
PARTITION ELEMENT IN FABRIC
THESE SECTIONS ATTEMPT TO RENDER THE ATMOSPHERE OF THE RESIDENCE AND SHOWCASE DESIGN DESICISIONS TAKEN TO GENERATE DIALOUGES BETWEEN THE FAMILY AND THEIR HOMES.SCALE OF THE FURNITURE AND FENESTRATIONS PLAY A CRUTIAL ROLE.THE FABRICS USED AS FURNISHINGS AS WELL AS PARTITIONING ELEMENTS AND IN OPENINGS TO CREATE MUTED LIGHT WITHIN VARIOUS SPACES OF VARIOUS DEGREES.
01 RESIDENCE FOR THE BAGADIAS
Perceived as a “solid chunk” at first.
Cushion sinks in when you sit.
Cotton cushion
Spring Held Cushion.
FURNITURE DETAILS:
THE RACK AND PINON MECHANISM ALLOWS THE FIRM ,SOLID LOOKING SEATING/ SLEEPING SYSTEM TO BE EXPERIENCED AS COZY CUSHIONED COMFORT.
FIRST FLOOR PLAN
GROUND FLOOR PLAN
LONG SECTION AA
ABOUT: 1.HUMAN RELATIONSHIPS 2.ACTIVITY PATTERNS
3.USING SPATIAL TOOLS
LONG SECTION BB
02 RESIDENCE FOR THE BAGADIAS
The residence was seen a backdrop to allow bonds and respect to grow between individuals and hence in the family manifested using these parameters.
1. 2. 3.
COLLAGE OF INTERIOR ELEMENTS AND CHARACTER PALLETE BROTHER-IN-LAW & SISTER-IN -LAW
1.He loves playing with her daughter. 2.Common play areas foster indirect bonds.
FATHER-IN-LAW & DAUGHTER-IN-LAW
CLOCKWISE:
1.WALL+WINDOW DETAIL 2. RELATIONSHIP WITH FLOORING+CORNER 3.COLONIAL CHARACTER IN FENESTRATIONS 4.ELEVATION OF WINDOW 5.FILLETED EDGES+FABRIC 6.NARROW WINDOW ELEVATION 7.PLAN+LIGHT CONDITIONS 8.SANDWHICHED FABRIC PATTERNS 9.BROADER WINDOW ELEVATIONS 10.PROGRAMATIC DOODLES
1
2.
3.
4.
FROM LEFT TO RIGHT:
1. STUDY1 DETAIL 2. STUDY2 DETAIL 4.LIVING ROOM DETA 5.BEBROOM DETAIL
03 INTERIOR LAYOUT AND CIVIL WORK DRAWINGS OF RESI
AIL
ABOUT: THE CIVIL DRAWINGS ATTEMPTED TO COVER THE LOGISTICS AND FEASIBILITY OF STRUCTURAL ALTERATIONS DONE TO THE COLONIAL BUNGLOW AS WELL AS THE UNDERSTANDING OF FENESTRATIONS, WHICH AIDED DETAILING ON AN INTERIOR SCALE BY DOOR WINDOW SCHEDULES AND SUPPORTING SECTIONS. THE INTERIOR DRAWING AIMS TO RESOLVE THE LAYOUT ERGONOMICALLY AS WELL AS DEAL WITH THE FURNITURE DETAILS AND ARISING SPACE -CRUNCH IN THE OTHER WISE COMPARTMENTAL COLONIAL BUNGLOW. THIS ALTERNATED PREIOUSLY CONCEPTUALISED INTERIORS.
IDENCE PROJECT
A
A
B
B
SECTION AA
ABOUT PROJECT:
SECTION BB
RAJEN, THE MASTER WEAVER’S STUDIO AND WORKSHOP WAS TO BE COMBINED WITH A RETAIL THAT SOLD AN ARRAY OF HIS HANDMADE PRODUCTS AS A PART OF THE BRIEF. THE SPACE PLANNING AIMED TO DISPLAY THE KEY ELEMENTS OF HIS WEAVING PROCESS AND WE HIS HAND WORK AS A VISUAL AMBIENCE, UTILISING THE AREA CONSTRAINTS PLACED BY THE SITE.
D
1 T
D 7
PLAN GROUND FLOOR
DETAILED DECISIONS CLOCKWISE:
1.LIBRARY+ENTRY+SPILLOVER 2.STORAGE DISPLAYED AT THE APPROACH 3.RETAIL+ARTWORK COMPARED IN DISPLAY 4.SMALL PANTRY+OVERVIEW OF RETAIL 5.STORAGE AS DISPLAY+ENTRY 6.DIPLAY SYSTEMS +RETAIL+DOUBLE HIEGHT 7.STUDIO+WORKSHOP 8.BILL +LIBRARY 9.APPROACH
PLAN SECOND FLOOR
PLAN MEZZANINE
C
SECTION CC
C ABOUT PROJECT:
APPROACH VIEW
THE CLIENT WAS A MASTER WEAVER IN HIS SIXTIES, SUFFERING FROM MEMO MEMORY LOSS. THERE WERE TWELVE LOOMS AND TEN WOMEN EMPLOYED BY HIM, WHO SHARED A FAMILY LIKE BOND. THE KEY TO THE RETAIL AND THE VALUE OF PRODUCTS SOLD WAS IN THE ACT OF WEAVING AND THE PROCESS ITSELF.THE UNIQUENESS OF THE CLIENT AND THE INFLUENCE OF A HERITAGE ITSELF WAS MAJOR INFLUENCE IN DESICIONS .
05 RETAIL PROJECT ,”WINDOW IN THE WALL “
V
1 A H M
INTERIOR DOUBLE HIEGHT, MODEL VIEW
VIEWS AND CONTEXT CLOCKWISE:
1.THE APPROACH+ OFFICE 2.PAINTING WORK BY THE ARTIST 3.TAPERSTRIES BY THE ARTIST 4.CONTEXT OF HERTIAGE CITY MATERIAL PLATE.
OFFICE SPILLOVER AND RETAIL, MODEL VIEW
ABOUT PROJECT:
MODEL VIEWS OF PROJECT
MAKING A CHILDREN’S CENTER INVOLVED AN IN DEPTH RESEARCH OF CHILDREN AND THEIR CURRICULUM.THIS DIRECTLY AIDED THE PROCESS AND GENERATING DESIGN.THE MAIN GOAL HERE WAS MAKING FLOATING SPACES WHICH ARE MEMORABLE TO THE CHILDREN, THAT ALLOW THEM AN ENHANCED RELATIONSHIP WITH NATURE AND VOLUMES .
06 SPACE PLANNING PROJECT , CHILDREN’S DAYCARE.
CLOCKWISE CHARACTER IN SPACE: 1 & 2. SCIENCE ROOM 2& 3.LIBRARY 3& 6 .OUTDOOR +ART AND CRAFT 4. GARDEN 5. COOK S THE INTERIOR SPACES BLEND INTO ONE ANOTHER AND ARE SCALED TO THE CHILDREN’S AVERAGE SCALE.
INTERIOR VIEWS - CHARACTER
STAGE 1
STAGE 2 DETAILS OF A MODULE
ABOUT PROJECT:
STAGE 3
STAGE 4
THE BRIEF WAS TO CREATE SPACE FOR A COMMUNITY CENTER THAT WAS INSPIRED BY A 10FT X 10FT CUBE.THE IDEA OF A WALL WAS REDEFINED BY MAKING THEM TRANSFORMABLE: MAIKNG VOIDS OR SPACE ACCORDING TO NEED.ALSO THE CONCEPT OF A SOUP KITCHEN WAS TAKEN UP WHERE WALLS WERE USED AS WEATHERSHEDS + TABLES AND EMPLOYED THE BASIC LOUVER MECANISM.
07 BASIC DESIGN PROJECT, SOUP KITCHEN
C
1 C 3 W 4 S G
4.
3. 2.
4.
5.
3.
CLOCKWISE PROGRAMME :
1: SPACES IN PLAN 2.ENTRANCE BAY ALLOWS YOU TO CHOOSE BETWEEN KITCHEN AND EATING AREA 3.KITCHEN AREA ALSO HANDLES THE COOKING AND WASKING PART, INTERACTING WITH THE QUE. 4.EATING AREA ALLOWS INTERACTION AND SERVING AND 4. SHARING 5.THE CIRCULATION ENSURES YOU HAVE A GLIMPSE OF THE KITCHEN.
INTERIOR VIEWS
550 mm
450 mm
BAR STOOL IN A CONTEXT OF AHMEDABAD
FURNITURE DRAWINGS AND DIMENSIONS OF THE BAR STOOL. INNER DIMENSIONS OF THE SEAT AND THE LEGREST ARE 350 AND 400 RESP.
ABOUT: THE PROJECT WAS TO USE AN IMAGE AS A REFERENCE AND FIGURE OUT ERGONOMICS AND MATERIAL, AND THUS CREATE A BARSTOOL.
JOINERIES: AMBA WOOD / MANGO TREE WOOD FOR SEAT AND LEGREST 2.5’’THICK
NEEM TREE WOOD FOR LEGS IS 2’’ THICK
THIS EXCERSIZE WAS DONE IN A GROUP OF 3
SE AND LEGREST HAD BEEN CNC CUT , THE SEAT INCLUDING THE MORTISE ON THE SEAT. AFTER,SEAT HAD BEEN ASSEMBLED USING BISCUIT JOINERY AND FIXED TO THE LEGS.THE NEEM LEGS HAD BEEN MADE IN THE WOODEN WORKSHOP.
A
T A
1 C M SU A
08 FURNITURE PROJECT, TURN AND TWIST BAR STOOL AN
ABOUT PROJECT:
THE PROJECT WAS TO DESIGN A STOOL THAT CAN ADJUST TO THE NEEDS OF A TRAFFIC POLICEMEN
1. 1.ELEVATION OF THE STOOL. 2.MATERIAL IN THE BACK REST IS WOVEN CANVAS SUPPORTED BY ACABLE GRID 3.THE UMBRELLA PROTECTS THE MAN FROM HEAT. 4.THE SIT STAND STOOL WILL GIVE A LOWER LUMBAR UPPORT. 5.STOOL IN PLAN 6.THE STRUCTURE 5.UMBRELLA FOR ADVERTISING AND AS A BEACON.
ND HAWALDAAR’S STOOL.
THE TRAFFIC MAN AT HELMET CROSS ROAD
ELEVATION OF THE STOOL
SETTING UP THE EXHIBIT IN THE VILLAGE AND WITH THE TRIBE.
PROCESS, USING VISUAL CHECKPOINTS FOR EXHIBITION.
ABOUT : THE CONTEXT WAS IN KARGIL, WHICH IS THE LAST LAND NEAR INDIA - PAKISTAN L.O.C , AS A TRIBUTE TO THE HUNDERMAN VILLAGE- A SELF SUSTAINING COMMUNITY AND CULTURE OF PEOPLE. THE EXHIBIT SITE WAS AND ABANDONED VILLAGE OF THIS COMMUNITY SET IN THE BACKGROUND OF THEIR TERRACE FARMS. THE EXHIBITON WAS CURATED BY A TEAM OF 20.IT PROUDLY DISPLAYED THE ABANDONED POSESSIONS AND MEMORIES : RECORDED IN SOUND AND GRAPHICS.
09 SUMMER SCHOOL, EXHIBITION CURATION IN KARGIL.
CLOCK WISE: CHINEESE MUSIC INTERPRETATION 2.CHINEESE FOLK ART 3.COLOUR PALLETE OF ART 4.EXPERIMENTATION OF THESE COLOURS 5.COLOUR PALLETE OF MUSIC INTERPRETATION
ABOUT : THIS WINTER SCHOOL EXPLORED EXP HOW THE MUSIC OF A COUNTRY AND ITS VERNACULAR PAINTINGS HAVE COLOURS IN COMMON AND HOE WOULD THESE TRANSLATE IN CHARACTER COLLAGES IF THIS SAME COUNTRY, AND ALSO HOW LIGHT CONDITIONS EVOLVE A CERTAIN MATERIAL PALLETE.
09 WINTER SCHOOL, COLOURS IN CONTEXT.
Abou
THIS PR OF A K DRAWI OF QU
10 PROJECT FOR WORKING DRAWINGS AND MATERIAL EST
ut:
ROJECT WAS ABOUT DESIGNING THE INTERIORS KITCHEN AND GENERATING ITS’S WORKING INGS, DETAILS AND MATERIAL ESTIMATION, BILL UANTITIES FOR THE SAME
TIMATION.
SELECTED PROJECTS RUTUJA KULKARNI
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