Ryan Cameron Moroney Architecture Portfolio by Ryan Moroney

Ryan Cameron Moroney Architecture Portfolio

Design Studios: The Design Studioâ&#x20AC;&#x2122;s at RMIT are the most important of the subjects for each semester. Their purpose is for me to explore and develop my design skills through applying my new skills learnt from other ancillary subjects such as Technology, Communications, and History. I have completed 5 design studios, which cover a range of scaled projects from small, medium and large. This portfolio is a small digest of my design work and also has examples of my work in Technology.

Reciprocity: Semester 2, first year, Design Studio 2 – 2008 Damien Thackray & Anna Johnson This is a Medium Scale design studio which design outcome was a student and homeless accommodation and a river side café. The site is based at ‘The Abbottsford Convent” a former Christian Nunnery which has been abandoned for the last 30 years and under threat from Private Investment Development. It is now a popular and rapidly developing Arts Precinct, which has permanent

and temporary residents such as practicing health professionals, artists, musicians, and actors. It holds many activities such as fresh food and artists markets, a Childrens farm, Art classes, and is also a popular backdrop for independent films. My design proposal and approach was one that was enchanted by the richness of the sight through its history, landscape, urban context and its architectural language. Consciously I designed a building that explored the vernacular gothic architecture existing on the sight, however its placement in the sight was to retain the sights open pastured landscape and remove the architecture by sliding

the building like a draw under the prevailing field slope towards the river. At 1 : 20 scale the building embodies that thick massing of the block walls from the original buildings through the use of cast concrete showcasing the distinctive gothic window shape. This response is also shown through the large pivoting concrete doors, which open the accommodation spaces to the open fields. However, when closed the building changes into a flat seamless concrete wall tucked underneath grass and engulfed by the existing trees; a mere incision in the large open landscape.

Architectural Knowledge: Semester 1, second year, Design Studio 3 â&#x20AC;&#x201C; 2009 Louise Wright The Architectural Knowledge Studio is a small scale studio which design outcome was a redevelopment of an existing 1950 brick veneer home in the South Eastern suburb of Melbourne, Box Hill. Throughtout the semester we have completed three different design tasks all entailing the redevelopment of a period home ranging Greeves Street from a Workers 19Fitzroy Cottage, Californian Workers Cottage Bungalow, and finally a post-war Brick Veneer. The Studioâ&#x20AC;&#x2122;s purpose was to help me learn, apply and adapt a basic set of skills such window and door size and placement, in order to re-create the home space in a better way. It is in this studio that I was first introduced to some beautiful Japanese architecture. My Design Proposal and approach was driven by this introduction to the clarity in simple spatial arrangement and a careful Section a 1 : 100

use of materials. The existing postwar home encompassed a very typical L-shaped floor plan however this L was not addressing anything to the exterior garden. Thus, my overall design gesture was to open the whole back of the house up to the landscape, and in the final design the whole interior at some point has a connection to the surrounding landscape. This is heightened by the whole back extension being made from timber frame construction and double layered polycarbonate to allow natural light into the open plan kitchen, meals, and two adjacent bedrooms. The house is essentially designed to be split in two at any stage, whereby the front of the existing brick house and the translucent polycarbonate section can be separated by bi-fold eco-ply panels. It was also part of the brief to include a separate studio / office and I addressed this with a close relationship to the existing swimming pool and new landscape ponds and native garden. Former Proposed ďŹ&#x201A;oorplan 1 : 100

West elevtion1

South elevation 1

East Elevation 1 : 100

Section a 1 : 100

Section b 1 : 100

Proposed Floorplan 1 : 100

Kazuo Shinohara Tanikawa Residence 1974

work, the TanIn the context of Shinoharaâ&#x20AC;&#x2122;s body of work, the Tanmark physcoikawa Residence highlights his trademark physcoever using a logical work. The ef- approach to architecture however using a much lighter, structualy focused framework. The efay the nature fect is granduous in his efforts to portray the nature mant apparaa >>machine<< in the sense of a dormant apparaunique of uses.

tus, capable of many personalised and unique uses.

the pitched uns parrallel Amoungst a lush Japanese hillside, the pitched accknowledgmetal roof of strictly 45 degrees. runs parrallel nto the house to the sloping ground plane. This accknowledgLV ULFK ment JUHHQ of the topography is continued into the house as the slope. WKURXJK WKH VXPPHU URRP WKH ÂľĂ&#x20AC;RRUÂś LV ULFK JUHHQ

grass and lies at the same angle as the slope.

ame continuummer room. The living space, whilst under the same continug of a storage ous roof, is situated adjacent to the Summer room. d living room. is the living space consisting of a storage Tatami Downstairs room.

Atelier Bow-Wow Moth House ă&#x192;&#x;ă&#x192;&#x201E;ă&#x192;˘ă&#x192;łč?&#x2DC; Atelier Bow-Wow Moth House ă&#x192;&#x;ă&#x192;&#x201E;ă&#x192;˘ă&#x192;łč?&#x2DC; Set in a rich Japanese Bush land of Karuizawa, Seta in a rich Japanese Bush land of Karuizawa, a 38 year old cottage has been remodelled. The 38 ex-year old cottage has been remodelled. The extension to the Lepidopterist home with a cocoon tension to the Lepidopterist home with a cocoon like structure, Moth House (2002), is a testament like structure, Moth House (2002), is a testament to the hobbyist nature of Atelier Bow-Wowâ&#x20AC;&#x2122;s work. to the hobbyist nature of Atelier Bow-Wowâ&#x20AC;&#x2122;s work. The delicate Cocoon like structure, made of poly The delicate Cocoon like structure, made of poly Proposed Floorplan 1 : 100 carbonate, lights up the forest like a glow worm lights up the forest like a glow worm in a muddy cave. Adding a new dimension to carbonate, the in a muddy cave. Adding a new dimension to the DFWLYH ZRUNĂ&#x20AC;RZ WKH VWUXFWXUH UHVROYHV WKH SUREDFWLYH ZRUNĂ&#x20AC;RZ WKH VWUXFWXUH UHVROYHV WKH SURElem of an expanding family. The exterior walls now plays an interior feature wall, juxtaposing lem the of an expanding family. The exterior walls now plays an interior feature wall, juxtaposing the transparency and lightness of the Moth additionâ&#x20AC;&#x2122;s structure. The soothing atmosphere of the cottage transparency and lightness of the Moth additionâ&#x20AC;&#x2122;s is represented through the delicate use of poly structure. The soothing atmosphere of the cottage carbonate cladding and natural timber framework. is represented through the delicate use of poly Ryan Cameron Moroney carbonate cladding and natural timber framework.

Ryan Cameron Moroney

room, bathroom, kitchen, dining-area and living room. An off-centre staircase leads up the Tatami room.

Original Floorplan 1 : 100

The poly carbonate extension, envelopes the existing Japanese cottage, generating a fresh excitment to the once exterior wall as an interior feature wall. This delicate friction between the two different structures, juxstaposes the spatial expansion and density of materials. Moreover, the addition increases WKH RYHUDOO Ă&#x20AC;RRU VSDFH DUHD E\ VTXDUH PHWHUV

Site plan 1 : 1000

The roof plane of the existing cottage, is harmoniously Original Floorplan 1 : 100 enveloped by the new extension. Running parallel to the The roof plane of the existing cottage, is harmoniously existing tiled roof, the polycarbonate cladding extends to enveloped by the new extension. Running parallel to the the central 14 degree ridge. Furthermore, the new cladding existing tiled roof, the polycarbonate cladding extends to extends 990mm past the existing gutter to create a secthe central 14 degree ridge. Furthermore, the new cladding tional and planar symmetry. Again their is a delecate play extends 990mm past the existing gutter to create a secbetween the existing and the new metrials, whereby the tional and planar symmetry. Again their is a delecate play light, luminescent polycarbonate slips over the old clay tiles.

17 Stanley Grove Canterbury Californian Bungalow 8SRQ UHDGLQJ WKH RULJLQDO Ă&#x20AC;RRU SODQ LW KDG RQH URP

whereby the residents would carry out thier day to day activities, ranging from meals, play and recreation. However, through the addition of the hallway/room, the activities can now be carried out over a much larger space, offering a TXLWHU DQG PRUH ZRUNDEOH OLYLQJ HQYLURQPHQW Ryan Cameron Moroney

between the existing and the new metrials, whereby the light, luminescent polycarbonate slips over the old clay tiles.

Meals

Thoroughfare

8SRQ UHDGLQJ WKH RULJLQDO Ă&#x20AC;RRU SODQ LW KDG RQH URP whereby the residents would carry outFood thier day to day acPreparation tivities, ranging from meals, play and recreation. Read However, through the addition of the hallway/room, the activities can now be carried out over a much larger space, offering a Children playing TXLWHU DQG PRUH ZRUNDEOH OLYLQJ HQYLURQPHQW Transverse Study

Meals

Children playing Food preparation Meals Transverse Read Study Thoroughfare

Thoroughfare

Food Preparation Read

Children playing Transverse

Study

Children playing Food preparation Meals Transverse Read Study Thoroughfare

South Elevation 1 : 100

West Elevation 1 : 100

Section b 1 : 100

18 Piedmont Street Box Hill South Post WWII b

Longitudinal Section 1:100 Site Plan 1 : 1000

b Floorplan & Landscape Plan 1 : 100

Floor Plan 1:100

Original Floor-plan 1 : 200

Detail House Section Describes the junctions between the pond and polycarbonate enclosure, the ventilation hatches, bathroom surfaces, connection between the polycarbonate enclosure and the existing house. Tucking Bi-fold door detail The kitchen module which opens and closes through pivot hinge bi-fold doors. Natural Birch Plywood.

Hardwood timber panelling on both walls and ceilings. Corregated to allow water absorbtion.

Ventilation hatches. Manunally lifting with self supporting hinges Polycarbonate box gutter trimming

Removable shower platform which folds down to make the shower base and water ďŹ&#x201A;ows through the corrgigated hardwood into Short Section 1:100 the bath.

Double glazed 10mm glass for added insulation. Sliding opening feature.

Pivot hinge end. Track driven aluminium pivot hinge.

Natural plywood bi-fold door. Entrance to the kitchen and polycarbonate enclosure space.

Double glazed layered sqaure cored 40mm thermoclick polycarbonate panels. Rienforced concrete slab Natural plywood pivot hindged bi-fold door.

Local quarry slate paved throughout the house and outdoor space.

Pond, wrapping around the east enclosure wing. Site Plan 1:500 18 Piedmont Street Box Hill South Post WWII

Section b 1 : 100

Bigger(and Better) than Bunnings: Semester 2, second year, Design Studio 4 – 2009 Sand Helsel & Fraser Paxton This is classified as a medium to large scale Design Studio, however the final outcome covers all three scales small, medium and large equally. In Australia ‘Bunnings’ is the leading hardware, home ware and garden superstore. Each store is housed in enormous 15,000 – 20,000 m2. This Design Studio is based in the Moolap industrial estate, situated East of the bayside Regional city of Geelong. The Moolap Industrial estate is a precursive

model or alternative to Bunnings. I found that there are systems within this place that can be exploited to better connect some of the parts so that the whole might be more efficient or perhaps better. The Brief was to densify Moolap, with added retail sheds, industry sheds, administration offices, student accommodation and the implementation of a trade school. Moolap is about the shed. Thus, my design proposal for a central hub of my overall scheme entailed four worked up building / building types that all embraced the shed typology. Again, the architectural vernacular of the site sang out as the counterpoint for the architecture. I felt, and still do, that Moolap embodies a sense of history that is embedded within the thin, rusticated

corrugated walls of the existing sheds. I transformed the central storm water canal into a hydroelectric water canal and reservoir that’s purpose is to act as a social glue. The four buildings all have a direct relationship with the water and thus do the users. This stems from the strong relationship with the water that all the Barwon Region embodies. The Lecture Theatre Building is a retro-fit of a half used sand blasting shed that now cantilevers 10 metres over the water. The Retail Shed, Accommodation sheds and Administration Shed are all connected by a recycled train log boardwalk that again cross over the water.

Student Accommodation and relationship to proposed green space.

Additional Industry - inﬁltration based on current land use or diss-use.

Retail Arcade and Port Arlington Road truck drive-in. - new slip lane

Additional Industry

Additional Retail

Trade School Allocation

Accommodation Existing Sheds

Site plan Illistrating ﬁgurative ground surface, existing building density and the allocation of new scheme. 1:2000

Narrative Circulation and Programmatic Diagrams

Trade Schools - speciﬁcally positioned based on surrounding Business and land use.

Conventional Moolap steel shed construction.

Double Glazing for protection against warm afternoon sun.

Seminarand andOfﬁce OfﬁceRooms RoomsShed ShedSouth SouthSection Sectionlooking lookingtowards towardsthethebay bay1:100 1:100 a.a.Seminar bb

70 SHS frame Corrugated sliding panels. aa

Heavy Duty steel tracks for corrugated sun shading sliding panels.

Student Accommodation and relationship to proposed green space.

Triple Layer consisting of lightwieght concrete, UB beam and concrete foundations for cantelever strength.

West facing Sliding Wall Detail 1:10

PrivateMezzanine MezzanineOfﬁce OfﬁceSpace Spaceand andLower Lower Private publicand andprivate privatebi-fold bi-foldseminar seminarrooms. rooms. public

Seminarand andOfﬁce OfﬁceBuilding Buildingperspective. perspective. Seminar

Seminarand andOfﬁce OfﬁceRooms RoomsWest WestElevation Elevation1:100 1:100 Seminar

Seminarand andOfﬁce OfﬁceRooms RoomsEast EastSection Sectionlooking lookingtowards towardsMoon MoonStreet Street1:100 1:100 b.b.Seminar

Bifo Bifo old Seminar Room Ground Floor-Plan and Jetty Sleeper run-off 1:100

Private Staff Ofﬁce Space; Void overlooks downstairs walkway thoroughfare and grass bank activity 1:100

Moon Street

Angled Glazed facade encourages outdoor activity and natural Angled Glazed facade encourages thethe outdoor activity and natural environment enhance interior working space and offer opportunities environment to to enhance thethe interior working space and offer opportunities a more cross disciplinary social interaction within landscape forfor a more cross disciplinary social interaction within thethe landscape

Additional Industry - inﬁltration based on current land use or diss-use.

Albert Street

a. Short Section facing south, revealing threshold relationships with accommodation modules, existing sand blasting machinery and water canal 1:50

Retail Arcade and Port Arlington Road truck drive-in. - new slip lane

Accommodationmodule modulewest westfacing facingsection section a.a. Accommodation

Additional Industry Additional Retail Trade School Allocation Accommodation Existing Sheds

Bigger (and better) than Bunnings Moolap Industrial Estate Site plan Illistrating ﬁgurative ground surface, existing building densityAccommodation and the allocationModule ofModule new scheme. 1:2000 Repeatable Accommodation Repeatable

Narrative Circulation and Programmatic Diagrams

forSingle SinglePerson/Student Person/Student- Canal - Canal for

Trade Schools - speciﬁcally positioned based on surrounding Business and land use.

Ryan Cameron Moroney AccommodationModule ModuleSample SampleFloor-Plan Floor-Plan1:100 1:100- central - central Accommodation corewith withliving livingand andammenity ammenityspaces spacesform formareareajoined. ajoined. core

AccommodationModule ModuleDetail Detail- Insulated - InsulatedGlass GlassLouvres Louvres(manually (manuallyoperated) operated)1:10 1:10 Accommodation

Daytime Accommodation East elevation Montage 1:100 Detailed Site Plan revealing Floor-Plans in context ( relationship with each other, the water and existing roadways). 1:200

Evening Accommodation East Elevation Montage 1:100 b

Diagram Of View Direction and Colour Codett

b. Once entered through the Public Eatery, this is the East elevation revealed ,cutting through the canal. Moon Street Bridge 1:100

CounterweightDoor Doorexist existonto ontoJetty. Jetty. Counterweight

Albert Street

Moon Street

a. Albert Street Elevation and Public Eatery Montage 1:100

a. Seminar and Ofﬁce Rooms Shed South Section looking towards the bay 1:100 b

Public Eatery and Retail Space - Entrance Off Albert Street

Perspective with Counterwieght Door Open

Perspective with Counterwieght Door Closed a

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Private Mezzanine Ofﬁce Space and Lower public and private bi-fold seminar rooms. Albert Street Elevation 1:100

West Elevation with Counterweight door down 1:100

a. Short section with view towards Albert Street 1:100

Seminar and Ofﬁce Building perspective.

Seminar and Ofﬁce Rooms West Elevation 1:100

b. Seminar and Ofﬁce Rooms East Section looking towards Moon Street 1:100

Angled Glazed facade encourages the outdoor activity and natural environment to enhance the interior working space and offer opportunities for a more cross disciplinary social interaction within the landscape

Mon

a. Seminar and Ofﬁce Rooms Shed South Section looking towards the bay 1:100

b Longitudinal Section Looking North through the Cannal 1:100

New

a. Accommodation module west facing section

Counterweight Door Mechanism detail. Manually operated by winding the cable from the inside while th weight of the ball keeps the door up and balances with the wieght of the door itself when down. 1:20 c. Alternatet Retail & Eatery Facade Montage S

ce and Lower inar rooms.

Seminar and Ofﬁce Building perspective.

Seminar and Ofﬁce Rooms West Elevation 1:100

b. Seminar and Ofﬁce Rooms East Section looking towards Moon Street 1:100

activity and natural ace and offer opportunities ithin the landscape

Repeatable Accommodation Module for Single Person/Student - Canal

View from Ofﬁce Seminar Building toward Lecture th

a. Accommodation module west facing section

Private Staff Ofﬁce Space; Void overlooks downstairs walkway thoroughfare and grass bank activity 1:100

Bifo old Seminar Room Ground Floor-Plan and Jetty Sleeper run-off 1:100

Accommodation Module Sample Floor-Plan 1:100 - central core with living and ammenity spaces form are ajoined.

Accommodation Module Detail - Insulated Glass Louvres (manually operated) 1:10

View from Public Eatery toward Lecture Theatre an

Module anal

Accommodation Module Sample Floor-Plan 1:100 - central core with living and ammenity spaces form are ajoined.

Accommodation Module Detail - Insulated Glass Louvres (manually operated) 1:10

Daytime Accommodation East elevation Montage 1:100

View from Public eatery and retail Building toward Ofﬁce Seminar Building

View from West Side of retro-ﬁt Lecture Theatre towar

Evening Accommodation East Elevation Montage 1:100

Bifo

a. Seminar and Ofﬁce Rooms Shed South Section looking towards the bay 1:100 Conventional Moolap steel shed construction.

Double Glazing for protection against warm afternoon sun.

a. Accommodation module west facing section

a a

a. Seminar and Ofﬁce Rooms Shed South Section looking towards the bay 1:100 70 SHS frame Corrugated sliding panels.

Heavy Duty steel tracks for corrugated sun shading sliding panels.

Triple Layer consisting of lightwieght concrete, UB beam and concrete foundations for cantelever strength.

etro-Fit Lecture Theatre in un-used sandblasting shed, antilevered over Moolap Water Canal and Reservior.

a. Short Section facing south, revealing threshold relationships with accommodation modules, existing sand blasting machinery and water canal 1:50

Private Mezzanine Ofﬁce Space and Lower public and private bi-fold seminar rooms.

facing Sliding Wall Detail 1:10 Repeatable West Accommodation Module for Single Person/Student - Canal

Seminar and Ofﬁce Building perspective.

Seminar and Ofﬁce Rooms Wes

Accommodation Module Sample Floor-Plan 1:100 - central core with living and ammenity spaces form are ajoined.

Accommodation Module Detail - Insulated Glass Louvres (manually operated) 1:10

Private Mezzanine Ofﬁce Space and Lower public and private bi-fold seminar rooms.

Seminar and Ofﬁce Building perspective.

Seminar and Ofﬁce Rooms West Elevation 1:100

ontage of Original Sand Blasting Shed 1:100

a. Accommodation module west facing section

ew Constructed West Elevation of retro-ﬁt sand blasting shed 1:100

Bigger (and better) than Bunnings Moolap Industrial Estate

Repeatable Accommodation Module Private Staff- Ofﬁce Space; downstairs walkway thoroughfare grass bankand activity for Single Person/Student Canal Private Staff Void Ofﬁceoverlooks Space; Void overlooks downstairs walkwayand thoroughfare grass1:100 bank activity 1:100

old Seminar Room Ground Room Floor-Plan andFloor-Plan Jetty Sleeper 1:100 run-off 1:100 old Seminar Ground andrun-off Jetty Sleeper

Private Staff Ofﬁce Space; Void overlooks downstairs walkway thoroughfare and grass bank activity 1:100

old Seminar Room Ground Floor-Plan and Jetty Sleeper run-off 1:100

Accommodation Module Sample Floor-Plan 1:100 - central core with living and ammenity spaces form are ajoined.

Repeatable Accommodation Module for Single Person/Student - Canal

Ryan Cameron Moroney

Accommodation Module Sample Floor-Plan 1:100 - central core with living and ammenity spaces form are ajoined.

theatre showcasing the cranked West facade.

Counterweight Door exist onto Jetty. a. Albert Street Elevation and Public Eatery Montage 1:100

nd accommodation modules.

Daytime Accommodation East elevation Montage 1:100 Daytime East elevation Montage 1:100 DaytimeAccommodation Accommodation East elevation Montage 1:100

Evening Accommodation East Elevation Montage 1:100Montage 1:100 Evening Accommodation Elevation Montage 1:100 EveningEast Accommodation East Elevation

Accommodation Module Detail - Insulated Glass Louvres (manually operated) 1

1 : 100 Structural Model Photos

Tokyo 2010: Semester 1, third year, Design Studio 5 - 2010 Christine Phillips & Stasinos Mantzis

This is a large scale design Studio. The brief is to design the 20th Century Fashion Museum on Omotosando Street in Tokyo. The detailed brief is derived from the recent global competition for this particular project. I was lucky enough to travel to Japan on an architectural tour and visit the sight much to the delight of my fellow classmates. The site is a vacant 400m2 corner lot, opposite Herzog and de Meuron’s famous Prada Building. The key point of the brief is that it is to be an icon of Omotesando Street and Tokyo, thus the 100 metre height was established. This studio offered a unique challenge in that it is an international project and also one that is asking for a monumental building in one of the most dense urban environments in the world. It was also unique Studio because the final outcome was completed in partners and

so it was a great pleasure and challenge as the more senior and experienced student to go through the design process and teach and learn with my partner Sarah. The Design concept for the Museum was heavily underpinned by myself and Sarah’s fascination and respect for Japan. Thus, this translated to us researching heavily into the significance of Fashion in Japan during the 20th century and how this then translates to the architectures purpose. Moreover, it was the Avant-Garde pioneers of Miyake, Kawakubo, and Yamamoto that embodied the attitude of sartorial modernity that we were enchanted by when making our design moves. The constant re-appraisal and thirst for change but with a nostalgic view of tradition, the foundation of our design approach was set. Analysing the program brief, we dislocated the typical stacked tower type through plotting the program according to public vs private and stable vs unstable activity. We then used the programmed mass model to plot a single organic line that, in effect, ‘distorts’ the typical extruded square block. Our careful use

of material, implementation of media facades and exposed steel structure all stem from a direct translation to Japanese Fashion in the 20th Century. The Internal spaces are governed by the Tatami mat geometry, however we cheographed the shoji panels and extruded exhibition boxes to give a familiar yet fresh adaptation of the geometry. In fact, overall the building is governed by this geometry from the steel structural grid right down to the shoes and accessory cabinets. The exterior of the building is designed to act as the public face of fashion; the anodized aluminum streck metal façade reflects and changes with the weather conditions eg. Dull and grey on an overcast day and bright white on a sunny day. The media facades are their to promote the spirit of the times through fashion ie. Live feed from the runway, or clothing and exhibition advertisements.

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