a collection of Experience. Design Portfolio

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ecole nationale supÊrieure d’architecture de versailles, study abroad versailles,

university of illinois, urbana-champaign

Ryan McVeigh Dodd.

a collection of EXPERIENCE. DESIGN portfolio

france


a collection of experience.

table of contents

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Design Statement

Architectural Design Children’s Discovery Museum

Chicago, Illinois 2008

Traveler’s Inn Holocaust Memorial

Rapa Nui, Chile 2010 Atlantic City, New Jersey 2010

Historic Round Barns

Urban Performance Venue

Urbana, Illinois 2009

Paris, France 2008

Built Work Gazebo Design & Build

Anna, Illinois 2007

Architectural Office Experience

Construction Employment Experience

Kansas City & Carbondale 2008-2010 Anna, Illinois 2005 & 2007

2-11 13-19 20-21 22-27 28-35

36-37 38-39 40-41

Elective Art Sketching Experience Photography during Travels

Europe 2007-2008 Europe & America 2007-2008

42-47 48-50


a collection of experience.

design statement

Design develops throughout a lifetime beginning at birth, each person gains experiences and knowledge which shape them in all aspects of life. Personally, I have grown up in a small rural Southern Illinois town with a close knit family and friends. I began much of my childhood intrigued with building, forming, and shaping things onto paper. For hours as a young child I would drag scrap lumber into the woods to construct my own fort, my own architecture. From here, I took every opportunity to ask why? and how?- My parents patiently would answer. This drive for the answers fostered questions about structures and buildings, which continues every day of my life. As a young boy my dad would invite me to help on different projects around the house such as a boat dock and my first tree house. More recently he encouraged me to design a gazebo integrated into our deck. This sense for construction continued into employment after high school, throughout yearlong travels and education in Europe, and is a base for the designs I develop today. I like to know the “how and why� behind all forms I imagine.

Design Statement

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Children’s Discovery Museum Chicago, Illinois

GSF Total 83,685

a sequence of gathering

The site for this project is situated in a challenging and busy urban environment. The task was to include a multitude of spaces for children and adults which encouraged education and fun. The site itself is 242 ft. by 165 ft. and includes an elevated public train to the East, continuously running and interrupting. Architecture 475, Capstone Studio, Fall 2008

Enticing the future users of the museum is a key factor, such that a large open outdoor and protected plaza space for initial gathering and urban relaxation is a stapled idea. It is the idea of a comforting place to pause and slow down in the busy urban environment. While exploring the knowledge represented the user will continue to come across simple spaces to gather their children, discuss the information, notice a view, reflect personally, or just share a laugh. “Gathering” is a key factor in a person’s life as well as this museums experience.

Children’s Discovery Museum

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04 northeast corner of state st. & harrsion st.

west of grant park

chicago, il

Ryan McVeigh Dodd


Children’s Discovery Museum

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06 plaza perspective towards northeast

level +1 view towards northwest

view from lobby mezzanine north

south & east facade corner

green roof, dig zone, water collection

Ryan McVeigh Dodd


1/16” = 1’ scale model in site

construction zone ramp to dig on roof

1/16” = 1’ scale model in site

night view of early childhood experience view from atrium looking northwest

Rendered views and models produce the feelings and describe the spaces which would be felt at the Chicago Children’s Museum. These views make it possible to place yourself into the perspective and imagine the built form. Various images are shown to fully represent the many aspects of the program formed into one idea. Children’s Discovery Museum

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Ryan McVeigh Dodd


Children’s Discovery Museum

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structural perspective

structural model

plaza fun with media screens & amphitheater steps to west hugging the single spot entry ramp and stair to the lowered plaza


10 sustainability matrix

u- values with energy 10 software

Ryan McVeigh Dodd


Sustainability is important in all aspects of design today and the Chicago Children’s Museum would post a high and valued LEED ranking.

enclosure & structure

Enclosure design, being an important aspect in the energy efficiency of a building, was studied in depth and in detail while constructing a facade and structural system to withstand the elements and provide views into and out of the space.

Children’s Discovery Museum

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1216 Ryan McVeigh Dodd


Traveler’s Inn at a UNESCO World Heritage Site

480’x480’

Rapa Nui, Chile

national register of historic places

rapa nui inn

The studio focused upon a semester long investigation of a 24 unit lodge for the off-the-beaten-track traveller. Each student selected a location at which such an inn might provide access to a cultural, natural or historic point of interest. Design at all scales from furniture to room to building to neighborhood to site was explored. Emphasis was placed upon professionally developed verbal (oral and written), graphic, and model presentations. Studio EmphasesThe search for ideas. The development of critical and creative thinking. The translation of ideas into built form. The understanding of human scale. Traveler’s Inn

Architecture 572, Professor James Warfield Studio, Fall 2010

site in champaign-urbana

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Ryan McVeigh Dodd

Easter Island, also known as Rapa Nui, is a small triangular multi - volcanoed island, roughly 14 miles long by seven miles wide and 69 square miles. It lies 2,400 miles west of the coast of Chile and 2,500 miles east of Tahiti. Its closest human neighbors are 1,400 miles to the west on Pitcairn Island. The 2500 permanent inhabitants have the honor of being the remotest population on the face of the Earth. They share the island with over 875 Moai statues scattered around its coast; the Moai facing the land and watching over her.

The Island-

Tourist Activities on the Island include -caving / lava tubes -raising a moai -hiking -cave/ rock paintings -ocean canoe -chicken hut & houses -ahu platforms -coral sand beaches -horseback riding -rock & cliff climbing (985 ft. high) an introduction to Rapa Nui “You shall scratch at the earth until compactness is born, until the shadow falls upon the structure as upon a colossal bee that eats its own honey lost in infinite time.” -Pablo Neruba

Rapa Nui Inn provides a remote get-away and private gallery towards the land which man nearly destroyed in the process of erecting the monuments we all came to see. The indigenous volcanic rock was shaped by man over 1500 years ago; these crafts are a foundation for the cultural history of yesterday and tomorrow, which cannot be ignored. Rapa Nui still has many gifts to offer, though we must enjoy them responsibly while letting the last tree grow. Masterplan-

The climate of Easter Island is subtropical maritime. The lowest temperatures are registered in July and August (64 °F) and the highest in February (maximum temperature 82 °F), the summer season in the southern hemisphere. Winters are relatively mild. The rainiest month is April, though the island experiences year-round rainfall. As an isolated island Easter Island is constantly exposed to winds which help to keep the temperature fairly cool. Precipitation averages only 44 inches per year. Occasionally, heavy rainfall and rainstorms strike the island. These occur mostly in the winter months (JuneAugust). The ocean water temperature stays aroud 70 °F, which is to cold for substantial coral reef.

people of Rapa Nui by Lorenzo Moscia historic timeline of Rapa Nui 300 AD to 1995

climate normal weather of Rapa Nui

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RAPA NUI

RYAN DODD PROFESSOR WARFIELD UNIVERSITY OF ILLINOIS FALL 2010

Visitors to Rapa Nui Inn receive a peek of its seclusion as they travel from the town among the Moai, eventually arriving beyond. Uninhibiting the panoramic view is the reception, restaurant, horse stables, and service portion of the resort which is married among the sloped and rocky grasslands. Foot travel leads the guests to their private oasis, stimulating the senses with the islands intrigue along the way.


Site Section A - Looking West

Site Section B - Looking Southwest

scale: 1/64”=1’

scale: 1/64”=1’

Quarrying the Statues “The Riddle of the Quarry”

Easter Island has very few trees, but this was not always the case. The island once possessed a forest of palms, but it seems the native Easter Islanders completely deforested the island in the process of erecting their statues, as well as constructing fishing boats and buildings. There is evidence that the disappearance of the island’s trees coincided with the collapse of the Easter Island civilization from year 800-1600 AD. Midden contents from that time period show a sudden drop in quantity of fish and bird bones as the islanders lost the means to construct fishing vessels and the birds lost their nesting sites. Chickens and rats became leading items of diet. There is also some evidence of cannibalism.

The underlying island geology is one of extinct volcanoes. Rapa Nui is a volcanic high island, consisting mainly of three extinct coalesced volcanoes: Terevaka (altitude 507 metres) forms the bulk of the island. Two other volcanoes, Poike and Rano Kau, form the eastern and southern headlands and give the island its roughly triangular shape. There are numerous lesser cones and other volcanic features, including the crater Rano Raraku, the cinder cone Puna Pau and many volcanic caves including lava tubes. The Rapa Nui people had a Stone Age civilization and made extensive use of several different types of local stone: -Basalt, a hard, dense stone used for toki and at least one of the moai. -Obsidian, a volcanic glass with sharp edges used for sharp-edged implements such as Mataa and also for the black iris of the eyes of the moai. -Red scoria from Puna Pau, a very light red stone used for the pukao and a few moai. -Tuff from Rano Raraku, a much more easily worked rock than basalt, and was used for most of the moai.

trees

vegetation

rock

Paschalococos disperta (Rapa Nui Palm)

Many Species of Grass’s cover Rapa Nui

Basalt, Obsidian, Red Scoria, & Tuff

Rapa Nui North Elevation with Key Locations

RAPA NUI

RYAN DODD PROFESSOR WARFIELD UNIVERSITY OF ILLINOIS FALL 2010

Traveler’s Inn

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Ryan McVeigh Dodd


Traveler’s Inn

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Ryan McVeigh Dodd

NeighborhoodPrivacy and place is achieved in the individualized units by separation of the indigenous built walls. The space between the wall and the modular construction system creates a gallery to touch, thus beginning the users exploration. This exploration radiates across the island while the volcanic born boulders engage the enclosed space and floating deck. UnitThe historic vernacular stone built wall anchors the Inn to the land while providing a barrier of privacy and function. The land is saved from exhaustion by importing the modular materials for the rest of the Inn, similar were goods, animals, plants, materials, and people brought to the island since habitation. The imported materials, including the aging leather furniture, float abouve the land and are supported by disappearing columns.

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Traveler’s Inn

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Holocaust Memorial Competition Atlantic City, New Jersey

site 40’ x 60’

Truth; Overlaying the Facts of Genocide, Past and Present

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Architecture 572, Small Studio, Spring 2010

This competition seeks to stimulate fresh thinking about public memorials, and invites ideas from diverse fields. The requirements for the Memorial and how it occupies the site are as unconstrained as possible. Participants are encouraged to contemplate the meaning of the Holocaust and genocide in our lives today, and to invent a fitting design for this time and this place. We look to our competitors to propose the appropriate metaphors and forms for such a Memorial. (ACBHM, Inc.)


Holocaust Memorial Competition

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Ryan McVeigh Dodd

programming_monica alicea matos

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Experimental Round Barns Historic District Urbana, Illinois

national register of historic places

round barn revisited

The Historic Round Barn Complex on the University of Illinois’ campus is a very delicate site. The vernacular space was designed in unison with science over a hundred years ago. The purpose of the complex was to experiment and educate the public in regards to dairy cattle and producing the most gains. When I first walked the small knoll to the South of campus I felt like I had completely bounded out of the creeping urban which had surrounded me. Instantly I gained a respect for the land and the technology behind the cheaply balloon framed structures. When stepping inside I knew that I must be careful not to disturb the grandness and the surreal postcard image from every angle. These barns are a testament to the foundations of imagination which this university was founded upon. Historic Round Barns

Architecture 571, Historic Preservation Studio, Fall 2009

site in champaign-urbana

historic 10 acre site

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site model towards southeast

site model 1/32� = 1’

site model towards northwest

site elevations

Ryan McVeigh Dodd

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I believe the Round Barns should be used as a median of learning for everyone in the community and afar. I carefully adjusted the site to bring forward many possible explorations into agriculture and the barns themselves. Believing it to be imperative not to break the ground plane which the barns sit or the views towards the site because this would take away from the simple and calm scene which has lasted for over a century.


Historic Round Barns

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site plan and topography, 40’ drop


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night view of barn 3 & addition

level -1 office wing louvered

view from restaurant mezzanine

Ryan McVeigh Dodd

Also, when designing the complex I looked towards many contrasts where I could push and pull with the original design while not overshadowing it. For example, I alter the previously designed addition to Round Barn III into a full bank barn with the Pennsylvania Dutch Forebay overhang,


Historic Round Barns

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floor plans at ground levels

1/8� = 1’ addition model



user & spatial diagram

Urban Performance Venue Paris, France

separation of spaces

precedent photo

musical performance venue in site

Spring 2008

The task was to develop a program and venue which included a music hall, school, cafe, mobile performance unit, and green space as well as to incorporate the often used elevator entrance and exit. The idea of tranquil landscape, emerging terrain, and a sovereign townsquare situated in an enticing, usable, and functional form is clearly evident in this project.

The site being in Paris, France brings new challenges of unfamiliar territory as well as the use of the metric system. It is situated between the famous Opera Bastille and the Promenade Plantee, a converted railroad track to pedestrian parkway. Below ground level is a six story parking garage with an immovable elevator shaft running directly through the middle of the site.

precedent photo

urban escape

precedent photo

Urban Performance Venue

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Ryan McVeigh Dodd


path of travel from promenade to entrance

design sketching

The path the user chooses along this “urban escape� performance venue is filled with new views and angles to something unseen, though heard. The process of guiding the user across the entire site was developed through an array of working sketches and design trials. The ideas and details of this project were completed in one sketchbook before ever touching a computer.

Urban Performance Venue

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32 1 : 50 scale model of entrance

1 : 50 scale model of lobby

Ryan McVeigh Dodd


Urban Performance Venue

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34 block climb structure & seating in front of school

full building program in site

Ryan McVeigh Dodd


sliding door entrance to lobby

1: 50 scale model of lobby & structure

Renderings and models show the detail involved in forming the spaces and creating the experience for the user.

Urban Performance Venue

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1: 50 scale model of entrance & structure

connection from promenade

1 : 200 scale model from foam core

front view of entrance angles


36 showing gazebo site conditions

my brother & i during construction

under construction

gazebo within a site of woods

interior view towards lake

floor plan with measurements & angles calculated

integration with existing deck

designing the gazebo

Ryan McVeigh Dodd


Gazebo Design & Build Anna, Illinois

sunset through forest on gazebo

construction detail & finishing

The existing tiered deck to the south side of a primarily solar heated home became the site for this project. The original deck, not at 45 degree angles, produced some challenges in integrating and enlivening a large covered form into its overall design. The opportunity to personally and individually design and construct a screenedin gazebo on my terms was awesome. The hillside site with views to the western sunset, tree-top wildlife, and lake became vital while developing the framed views as well as the geometry. The measurements and design had to be perfect to construct this strong cypress haven from concrete footings to cypress lined ceilings. Clean and detailed construction was pivotal between myself and my brother. Gazebo Design & Build

Summer 2007

interior cypress ceiling

integrating connection

gazebo integrating with existing house and deck

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Ryan McVeigh Dodd

Architectural Office Experience Kansas City, Missouri Carbondale, Illinois

The real world and detailed aspects of an architectural office were eye-opening. Projects I contributed to ranged from single home additions, restoring old theatres and buildings at the University of Illinois, to the design of new commercial, educational, and health services buildings in the Southern Illinois area. At ThreeSixty architecture I had the oppurtunity to work at all stages of the architects process on multiple projects with a respect to Sport at the Collegiate level.

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Summer 2008-2010

Personally I have designed a workout room addition to a residence, new facade and roof for a residence, Autocad and construction document work for a variety of projects, as well as not for profit work with the buckysdome.org organization to benefit the Buckminster Fuller Dome Home in Carbondale, Illinois. Also, I serve as the lead designer for the Union County Recreation Complex in Anna, Illinois.


Architectural Office Experience

| 39 standard notation & construction documents

buckminster fuller home


concrete work

residential addition

barn renovation

Ryan McVeigh Dodd

Anna, Illinois Gaylon Cruse Construction 618.827.4266

Construction experience is key in understanding any architectural design. I learned a great deal working with a crew of five men on an addition, renovation, and a brand new threestory home. Not only did I value the knowledge gained relating to construction but also the relationship between builder and architect. Construction workers are the ones who build the projects which architects design. Therefore, it seemed pivotal to me to gain this experience and understand the mind-set of the crews on the actual site. I surveyed the site, poured the concrete basement walls and floor, built standard walls and floors, placed the roof trusses, laid the shingles, and finished the interiors with dry wall and “mud.� I built architecture and I constructed homes.

Summer 2005

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Construction Employment Experience


Construction Employment Experience

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gable home on the national mall

on staff for construction from basement to roof

gable home on the national mall

entry from front


Ryan McVeigh Dodd

Sketching Experience Europe

Sketching and drawing has an important role in any architects life. Architects must convey an idea quickly and visually for others to understand.

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Fall, Winter, & Spring 2007-2008

Traveling experiences and teachers across Europe have helped to develop my sketching skills in my mind and in my hand. When sitting down to sketch a building or subject in Europe, I found myself really learning from the place and examining it deeply. I would walk away from the site with a cherished memory on paper and a knowledge to last a lifetime. Sketching teaches me how to look at the world in a different light. I continue to learn and sketch, constantly toning my skill.


Sketching Experience

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Ryan McVeigh Dodd


Sketching Experience

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Ryan McVeigh Dodd


Sketching Experience

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48 thatch roof in versailles, france

st. louis gateway arch

venice, italy

sevilla, spain

Ryan McVeigh Dodd


lisbon, portugal storming the bastille in paris, france

2007-2008

Photography, like sketching, is another form to view the world, both large and small. As sketches can capture things that photos cannot, the same is true for photography. I have examined light intensely, various cultures, and studied architecture and life in differing lands in my photography. I have kept a record of my journeys and growth with these pictures.

budapest, hungary

paris, france vienna, austria

Europe and America

christmas in monte carlo, monaco

Photography during Travels

Photography during Travels

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50 poitiers, france

mont saint michel, france

venice, italy

menton, france

pantheon in rome, italy

florence, italy

Ryan McVeigh Dodd



french alps in chamonix, 2008

Ryan McVeigh Dodd


next experience... Employment thank you for your consideration

-Ryan McVeigh Dodd.


versailles, france

a collection of EXPERIENCE. DESIGN portfolio

618.697.3551

915 hess school ln. anna, il 62906

bachelor of science in architectural studies university of illinois urbana-champaign spring 2009

masters of architecture candidate university of illinois urbana-champaign spring 2011

ecole nationale supÊrieure d’architecture de versailles, study abroad

university of illinois, urbana-champaign Ryan McVeigh Dodd.


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