MYMAG

MYMAG ISSUE 01 | RYANPHILLIPS.CO.UK

MUSIC EDITION

S P I L L I H P RYAN

ROBBIE WILLIAMS EXCLUSIVE IMAGES FROM ROBBIES UK & EU STADIUM TOUR

PLUS

ges from More exclusive ima dise & UNION J’s merchan albumn shoot

TOUR

>>GIG REVIEWS<< Featuring Sir Tom Jones, LMFAO and Cheryl Cole.

>>THE X FACTOR<< Images from The X Factor UK Stadium Tour.

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>>GIG REVIEW<< LMFAO - V FESTIVAL

@ryan_phillips28

GIG REVIEW - LMFAO A gloriously sun-kissed Weston Park played host to what was an eclectic V Festival sure to live long in the memory.

Around 90,000 revellers descended on the venue on the border of Staffordshire and Shropshire to enjoy a host of top acts including The Stone Roses, The Killers, Tinie Tempah, Noel Gallagher’s High Flying Birds, Example, Snow Patrol, Ed Sheeran and Olly Murs.

The sun shone during the day yesterday and Saturday although wellies were still part of the V uniform as parts of the campsite and music arena turned into mud baths thanks to overnight rain.

But a bit of mud didn’t dampen the spirits of fans watching The Stone Roses – arguably the biggest draw of the weekend – when they closed the festival last night.

Fans of Nicki Minaj were left disappointed when the unconventional Trinidad-born singer cancelled her appearance at the last minute citing strained vocal chords, with LMFAO filling in her headline set.

It wasn’t all about the music though – a fourth stage provided welcome relief for the eardrums as some of the UK’s top comedians had people laughing in the aisles.

>>GIG REVIEW<< SIR TOM JONES

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No matter what your stance on One Direction is, there is no denying that they are currently the biggest name in music right now. Take last week’s BRITs for example, the organisers essentially created an award in their honour- the never seen before ‘Global Success Award’- celebrating their overwhelming domination across the planet.

So, with this in mind, the boys had a lot of pressure resting on their shoulders to deliver this weekend as they kicked off their world tour at London’s O2 arena.

Packed to the rafters with thousands of adoring, screaming fans, One Direction

were safe in the knowledge that no matter what they did on stage, their loyal Directioners would be impressed no matter what.

What the boys lacked in choreography (unless you count running across the stage in a manic fashion as dancing) they more than made up for in audience interaction.

The boys know their market well, so whenever they had a spare moment i.e when a different member of the band was singing, each of them would wave and smile to the besotted audience members.

If there is one thing that One Direction know how to do well, it is how to work their fans into a frenzy. The boys of course proved exactly what it was that Simon Cowell saw in them in the first place, showing that they can, in fact, hold a tune.

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MYLEENE KLASS

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CLASSICAL LIFE “Supporting stuff for my headline which only needs to be a few small little sentences”

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WSON SUMME R FESTIVAL TOU R

N A I B A S A K

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TAYLOR SWIFT

One night in London, even a night at the O2, is small beer compared to Taylor Swift’s record-breaking success back home in the US. There, her recent single Mine topped the iTunes chart within six hours; here, it limped to No 30. US critics praise the 21-year-old’s songwriting chops – oldfashioned Nashville craft, through the prism of a high-school movie – while their British equivalents find the sheer efficiency of her slick, catchy pop-rock hard to get excited about.

This isn’t a problem for the O2 fans, whose age and gender are advertised by the shortness of the bar queue and the pitch of the screaming, which is of an intensity usually inspired by boy-band torsos. Parents reluctantly chaperoning their daughters could do a lot worse. Appearing in a tasselled gold dress and high leather boots, Swift is like a cool, talented big sister: approachably attractive, warmly solicitous, modestly self-assured.

Faced with gale-force shrieking between songs, she pulls a “little old me?” face, like the pretty but geeky girl who is unexpectedly voted prom queen. Capable but unspectacular as a singer, guitarist and pianist (the backing band do the heavy lifting), Swift is a prodigiously confident songwriter. All her songs, she admits, are “about love and horrible break-ups”, but it’s the way she tells them. Mine pivots on the elegant line: “You made a rebel of a careless man’s careful daughter.”

Fifteen, which she performs solo from a smaller stage at the back of the arena, is a pitch-perfect, detail-rich portrait of adolescent longing. Speak Now manages to make an account of ruining someone’s wedding not just funny but sweet. For the hefty percentage of the audience too young to have experienced real passion or heartbreak, Swift’s songs are like a potential road map. Her lyrics, like her peppy between-song chats, promise things will work out OK. The 90-minute show falls prey to some arena-rock stand-bys such as the hacky, soft-rock guitar solo that buys time for a costume change and the self-aggrandising video montage of award show triumphs, in which the “little old me?” face makes several appearances. But like the most instinctive pop stars and politicians, Swift has the ability to flirt with 20,000 people at once, and so likably that you can forgive the occasional bit of shtick.

“Would it be incredibly nerdy to ask if I could get a picture of you all on my cellphone?” she asks the screaming throng. As if.

ROBBIE WILLIAMS

MAGES

S FROM WEMBLEY STADIUM - LONDON

ROBBIE WILLIAMS

THE X FACTOR TOUR

E I M M U A J ULL C

CHERYL COLE

When youâ&#x20AC;&#x2122;re a singer who is also the subject of constant tabloid speculation, pulling off an arena spec bangers on a Sunday evening. Not that it seemed to bother Cheryl in the slightest, who appeared on st A Muthaâ&#x20AC;&#x2122;, a saucy, electro-stomping number lifted from her latest album.

ctacular is no mean feat - especially when the job in hand requires performing an array of club-friendly tage atop a futuristic pyramid and re-enacted her soon-to-be trademark swan dive for opener â&#x20AC;&#x2DC;Sexy Den

BRUNO MARS LIVE

Taking the Gibson Amphitheater stage on Tuesday night with a smile on his face and a kick in his step, the versatile pop-soul crooner relished in the apex of his success: the Grammy-winning single “Just the Way You Are,” had just been named the longest-reigning debut in Billboard history on Monday, after spending its 20th week at No. 1 on the Adult Contemporary charts, and he was playing to a packed house for a second sold out night in one of America’s most saturated entertainment markets. In short, Bruno Mars had made it -- big time.

You could call it a hometown show -- although Mars was born in Hawaii, he moved to L.A. after high school and considers the city his adopted home. It certainly felt that way as the crowd, a mix of young and old, guy and girl and one American Idol alum Adam Lambert, quelled any doubt as to who they had paid to see on the Hooligans Wondaland tour, which included openers Mayer Hawthorne and Janelle Monae. Indeed, they never sat during Mars’s time onstage.

Another constant of Mars hour-long set? The piercing screams of the ladies, who proved that Bruno Mars’ brand of love songs have hit their intended mark. And he knows it. The singer often baited the shrieking crowd, teasing at one point that he wanted to take off his shirt, but wouldn’t because he didn’t have “Usher’s body.”

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