MANIFESTO ON URBAN TRANSFORMATION
Having lived in Shanghai, the most advanced and prosperous coastal metropolis in China, and Wuhan, an inland city which has undergone through dynamic large-scale developmentschange, I have gained an indepth perception of comparative city transformation.These two cities is
CONTENTS
01 RENAISSANCE CITY DEALING WITH HISTORY HERITAGE Wuhan University Fall Core Studio 2019
are the epitome of various Chinese urban development, where cities that have undergone aexperienced a fierce modernization revolution, which almostoften equals to the complete bulldozing erasure of the original urban context fabric and the tabula-rasa replication of certain high-
02 URBAN NET RECONNECTTING THE DISCONNECTED Based on Tongji International Workshop 2019
return spatial models, i.e. ‘Towers in the Park’. HoweverYet, as Wallace Stevens once saidnoted, “The incessantIncessant new beginnings lead to sterility.” I believe urban transformation is derived from inner complexity, because
03 A MIX OF MIXES EXPLORE THE COMPLEXITY OF HOUSING Dundee University Spring Core Studio 2020
they are the source of immense vitality. Twhich means to transform is to become contradictory, complex, uncertain, and diverse. Thus, I have been committed to seeking the hidden logic and proper solutions of city transformation.
04 RURAL AUTONOMY LIFE WITHIN THE NEW RURAL MODEL
DESIGN RESEARCH UNIT/ DUNDEE UNIVERSITY/ 2020
In the portfolio, I selected works varying from public buildings , urban design, residential building design, and campus design to illustrate how I respond to the complexity and contradictions of the city, and propose a new vision as a designer.
designer.
OTHER WORK 05. 2D-3D OF KANDINSKY'S COMPOSITION 06. GLOBAL HARBOR (HIGH-RISE PROJECT FOR EVOLO) 07. EVALUATING PUBLIC EMOTION RESPONSES TO URBAN FLOOD DISASTERS 08. HEALTHY COMMUNITY OF THE FUTURE 09.A CLOSE READING GIOVANNI ANTOLINI PLAN OF MILAN (1801) 10.PRESERVED BUILDING MEASUREMENT
01 RENAISSANCE
TOWARDS A MORE HUMAN-ORIENTED MUSEUM
[COLLABORATOR] YI JIN [CONTRIBUTION]100% Conceptial Design, 80%Technical Drawing [LOCATION] WUHAN, CHINA [DURATION] 10 WEEKS [ACADEMIC] 2019 SPRING CORE STUDIO [TUTOR] PENNY LEWIS, KUANG-CHEIN BEE
The core of the museum is transforming. In the past, exhibits are placed in the best space, allowing visitors to admire and appreciate them. Nowadays, visitors' experience and participation plays a significant role. Therefore, I create underground exhibition space and participation, teaching and work space are arranged on the ground. The spatial form of these two functions is different. The intention from the underground to the air symbolizes that people are enlightened with new ideas from the art of the past. The future is created and unfolded from the past. From admiring art to creating art, art is no longer antiques above people, but beauty and inspiration everyone enjoys. The concept “tree structure” is interpreted into the three floors of the museum, which stands for history (root), current (trunk) and future (branch) from bottom to top. She also tried to regenerate a new friendly public space for the community in this area based on the investigation of the site reality.
Reinterprete Renaissance
SITE ANALYSIS [individual] How To Integrate Innovation And History The site is located in the central area of Milan , which is famous for historical buildings and historic atmosphere. However the economy of the old city is lagging behind and young generation tend to move out .The mission of the museum is not only to remind people of the history but also to activate the old city.Thus the theme of museum is record the history and encourage people engage into the innovative activities as well.
According to the site analysis, the site is in the dense old city, close to the hospital ,and is surrounded by the primary school, middle school and creator center as well. However, the public open space is lacking, and there are many construction site which may be dangerous.Thus a park-like museum may cater to their needs: a pleasent park for children and patients to relax themselves, and a free platform for innovators to show their ideas.
In the past, people went to the museum as if going to church, where they worship art and history, following a certain way to complete a pre-set journey. Nowadays we go to museums and art galleries as if wandering in the woods, just to find the beauty that we prefer, and pick up the leaves that we appreciate.
As you look down from the glass boxes or the entrance, you will see the whole museum at the first sight, all exhibits, all activities. And you can make the decision on your circulation and what you would like to see.
FROM HISTORY TO THE FUTURE [individual] People went to the museum as if going to church, where they worship art and history, following a certain way to complete a pre-set journey. Nowadays we go to museums and artIn the past, people went to the museum as if going to church, where they worship art and history, following a certain way to complete a pre-set journey. Just like that the scholars in the Renaissance adopted humanistic methods in their research, and looked for realism and human emotions in art. It allows people to revisit the spirit and philosophy of artists in various periods in history in this era, and at the same time continue to look forward to the future of art.
SITE PLAN [individual]
LAYERING : PAST + PRESENT + FUTURE [individual]
The site is located in the central area of Milan , which is famous for historical buildings and historic atmosphere. However the economy of the old city is lagging behind and young generation tend to move out .The mission of the museum is not only to remind people of the history but also to activate the old city.Thus the theme of museum is record the history and encourage people engage into the innovative activities as well.I introduced a park to seperate the exhibition and people’s activities and emphsis people’s engagement by putting the education center up in the air.
The concept “Transformation” is interpreted into the three floors of the museum, which stands for history (root), current (trunk) and future (branch) from bottom to top. I also tried to regenerate a new friendly public space for the community in this area based on the investigation of the site reality. The intention from the underground to the air symbolizes that people are enlightened with new
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1. Main Entrance 2.Secondary Entrance 3.Coffee 4.Light Boxes 5.Stair 6.Light Tubes 7.Pocket Park 8.Lift 9.Library 10.Square 11.Parking Place
ideas from the art of the past.
SECTION:MUSEUM LAYERING [Collaborative] In the past, people went to the museum as if going to church, where they worship art and history, following a certain way to complete a pre-set journey. Nowadays we go to museums and art galleries as if wandering in the woods, just to find the beauty that we prefer, and pick up the leaves that we appreciate. In the past, we might hope to watch all the exhibits, but now we are more willing to spend time with a certain piece of work. Therefore, many museums and art galleries in modern times prefer a distributed space rather than continuous streamline. Tourists are allowed to enjoy them with their own preference. The goal of contemporary architecture is not a limitation for common behavior, but an inspiration to individual behavior.
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INNOVATIVE CENTER PLAN [individual]
UNDERGROUND MUSEUM PLAN [individual]
The inside view of the education center reflects peoples' understanding for culture and art in different time period and countries are exchanged in this space.
As you look down from the glass boxes or the entrance, you will see the whole museum at the first sight, all exhibits, all activities. And you can make the decision on your circulation and what you would like to see.
1. Main Entrance 1.Tube's Library 2.Secondary Entrance 2.Courtyard 3.Coffee 4.Light Well Boxes 3.Light
1. Main Entrance 5. Washing Room Entrance 2.Secondary 6. Artists' Studio 3.Coffee 4.Light Boxes 7. Storage
1. Main Entrance 9. Library 2.Secondary Entrance 10.Office 3.Coffee 4.Light Boxes 11.Studio
1. Main Entrance 1.Tube's Cinema 2.Secondary Entrance 2.Washing 3.Coffee Room 4.Light Well Boxes 3.Light
1. Main Entrance 5. Meeting Room Entrance 2.Secondary 6. 20th3.Coffee Century Exhibition 4.Light Boxes 7. Storage
1. Main Entrance 9. Contemporary 2.SecondaryExhibition Entrance 10.Big3.Coffee Events 4.Light Boxes 11.Gallery
4.Lecture Stage
8. Reading Room
12.Coffee
4.Office
8. Ancient Exhibition
12.Modern Exhibition
The inside view of the education center:the understanding for culture and art in different time period and countries are exchanged in this space. People have learnt sth from the past ,then they come here to talk and create sth new. Something belongs to future.
The ceilings of the stages are made of mirrors, so when visitors look up, they will feel that they are also part of the museum. As you look down from the glass boxes or the entrance, you will see the whole museum at the first sight, all exhibits, all activities. And you can make the decision on your circulation and what you would like to see.
WHAT IS MUSEUM? WHAT IS NEXT?
DETAILED STRUCTURE [individual] The steel-ribbed slabs are composed of a honeycomb-like network of steel sections infilled with lightweight concrete. The steel honeycomb structure allows the plate to span between irregularly spaced vertical supports (20m) without beams, and with minimal thickness( 400mm) of the slab itself.
TOWARDS A MORE HUMAN-ORIENTED MUSEUM
It seems that we don’t need museum any more Because we can record the history digitally We can learn anywhere anytime via internet Instead of going to a certain place. What kind of museum do we need? What is museum ? What’s the next? My answer is engagement. You are not just receiving, you are also giving and Letting your ldea turn into reality You are engage in that, not a bystander Your ideas matters That’s why you want to go to museum That’s why the community will reunit again.
View from three parts of Museum
02 URBAN NET
THE RENOVATION OF METROPOLITAN AREAS THROUGHOUT DENSITY REALLOCATION [INDIVIDUAL WORK] [LOCATION] SHANGHAI, CHINA [DURATION] 8 WEEKS [ACADEMIC] BASED ON 2019 TONGJI WORKSHOP [TUTOR] CHEN CHEN
Besides the formation and renewal of metropolitan areas, city transformation in contemporary society is characterized by the growth of urban mobility as well. The improvement of mobility facilitates the spatial concentration, and the “urbanization” introduces more urban mobility demands. In my urban design proposal surrounding Shanghai South Railway Station, which had won the excellence award in Urban Design international summer school held by Tongji University, the public space and landscape are fully provided by reallocating the density, differing from the traditional TOD model where highdensity usually only happens along transportation system. As an example of how this low density logic improves on TOD, this proposal utilized the passive spaces surrounding the railroad track and transform them into attractive open spaces. The isolated urban fabric are reconnected through efficient vehicular and natural networks. I proposed a proper solution that could redistribute social resources and neutralize the unfairness and inefficiency caused by the rapid urbanization process.
Different Interest Groups, The disconnected Urban Fabrics
SITE ANALYSIS: THE RAILWAY AS GAP
CASE STUDY ON RAILWAY STATION PERIMETER ZONES
Due to the barriers of railroad tracks, the development speed of the north and south of Xuhui District is uneven. The population in the northern part of the track and the southern part of the track are basically the same, but these are obviously two completely different worlds. The north is closer to the city center and the south is more backward. The site is facing The shortage of commercial,
DEVELOPMENT HISTORY
SITE SECTION
TOD model is a high-intensity land-use model with urban public transportation hub as the core. Through research on the design of five cities around the railway station that are similar in level and volume to Shanghai South Railway Station in the world, we have come to the four major characteristics of the TOD model: it has the characteristics
SITE PHOTOS
MASTER PLAN
of high density, high mixing and diversity. It has become an important strategy to solve traffic congestion, environmental pollution and health problems.
STRATEGY
LANDSCAPE
PROGRAM
Transportation
Mix-LandUse
Eco-System
HUDSON YARDS, NEW YORK
EDGE AS LANDSCAPE
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TRANSIT NODE + PUBLIC SPACE
INFRASTRUCTURE AND PUBLIC TRANSPORTATION
employment.The original manufacturing industry in the site is gradually declining, resulting in the need to transform from the original low-density manufacturing land to medium-high-density, multi-functional mixed land.
PLATFORM
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MAIN STATION, ZURICH
Botanical garden
Factory
PERMEABILITY
CENTRAL STATION, STOCKHOLM
Commercial
EUSTON STATION, LONDON
Art
DENSIFIED EDGE
Terminal
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Residential
Education
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DISORDERED EDGE
SITE
WESTERN STATION, REGENSBURG
SOUTH STATION, SHANGHAI
Shanghai South Railway Station is located in the central area of Xuhui District, the central city of Shanghai. It was built in 2006 to welcome the Shanghai World Expo. Since its completion and operation, it has become an important transportation hub connecting Shanghai with Hangzhou and other cities.
Provincial Level Analysis
City Level Analysis
District Level Analysis
Framework
STRATEGY
Location Analysis
TRANSIT-ORIENTED DEVELOPMENT STRATEGY
FORMATION CONCEPT
In this project,we hope to transform the passive space surrounding the railroad track into a attractive place. There are no trains passing the site during the day Because it is an end type junction terminal, which offers an opportunity to open the area surrounding the trail during the day as a new
When we say "the city is folded", the railway track may be a crease. The development of a city is not only in its core area, but also along its edges. A good urban design not only provide people with a richer material life, but also to allow people of different incomes to have equal
public space. The isolated urban fabric are reconnect through an efficient road network and natural network. We aimed to build a fairer Communities that suitable for different income groups, and bridge the injustices caused by rapid urbanization.
access Connection is the key to the project. the urban design tried to reconnects and integrates the previously disconnected urban fabrics through an efficient road network and natural network.
A central park combined with the green loop are introduced into the high-density site to improve the spatial quality.
Advanced
Square
Old
Footpath Green
1.New developed zone and old industral renewal area
2.Circultous pedestrian paths
3.Site boundary
4.Connect vertical direction
Three different transportation modes are integrated in the site: train, highway, car, bicycle and pedestrian. Mixed up transportation system help enhance the travel efficiency. Main Road Street Elevated Road Monorail
5.Build efficient road &block system
6.Green and park connector
7.Water catchment reconnect the cannel
8.Frame receives city open the trail area in the day Multiple land uses are supported in the site, of which office, residential and retail businesses each occupy one-third of the land. The diversity of land use helps to make walking activities more balanced. Residential Commercial office Shopping centre Public building Community building
9.Key public places
10.Have multiple program on the site
11.Noli map show the cluster type and public places
12.Density happens surrounding the trail
The density happens along the track to revitalize the area and promote aggregation effect.
High Rise
Building Group
13. Life pace from fast to slow
14. Build monorail system
10.The hight of blocks lower from center to the edge
16. 40% reserved social housing relating to the job oppotunity
SITE PLAN
10m
15m
SECTION SEQUENCE
30m
TOD model is a high-intensity land-use model with urban public transportation hub as the core. Through research on the design of five cities around the railway station that are similar in level and volume to Shanghai South Railway Station in the world, we
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have come to the four major characteristics of the TOD model: it has the characteristics of high density, high mixing and diversity. It has become an important strategy to solve traffic congestion, environmental pollution and health problems.
STAGE 1 Fully use the original zone at present to build a pedestrian block featured with boutique commercial and culture facilities. This first stage is to define the position of the block and leave the public a distinct impression.
STAGE 2 After the image of the block has already set up, commercial high-rise and residential housing incluuding shopping mall hotel, office building and flats can be built as high-intensity development
2030
2026
2022
This is an urban design project so the project is to be designed with different construction stage. To optimize the construction and offer the maximum enhancement of this area, I start with a central park to improve the spacial quality and serve the public with public space, then start to build those high-rise to attract young generation to house here, and then start industry, residential and cultural facilities.
2019
CONSTRUCTION PROCESS
STAGE 3 When the high-intensity middle part of development has finished, the block has basically taken shape. It is the proper time to construct the CBD district to enhance the district business competiveness.
STAGE 4 The last stage is to complete the whole area urban design. In the northern part, it is the final step to build the cultural center to serve for the whole area to increase the culture atmosphere of this area.
THE CENTRAL AREA
Commercial Complex
THE WEST TRAIL PROMINENT
Mix-Use Office
Mix-Use Office
Residential Area
Plaza
Mix-Use Office
EXHIBITION & CONFERENCE
PLAZA & LANDSCAPEEXHIBITION & CONFERENCE
The high-rise building tries to transform the North Station into the institutional public sphere, reshape the residential area in the east into the semi-open, mix-used international community.Those high-rise to attract young generation to house here, and then start industry, residential and cultural facilities.The central business area has the characteristics of high density, high mixing and diversity.
I start with a central park to improve the spacial quality and serve the public with public space. The plaza has a different hierarchy, and it can affect the architectural massing and program. The west trail shares more private ambiance, and to generate local live and work community is the dominant character of the west trail.
GROUND FLOOR PLAN
5m
10m
15m
The passive space surrounding the railroad track is transformed into attractive open space.
CENTRAL BUSINESS DISTRICT VIEW
Local dwellers and the employees could meander back and forth on the central park and anchor points to create an active community.
THE CROSS FRAMEWORK COMMUNITY CENTER MONORAIL ART GARLLERY
Residential Area central park Industry Office Culture Bussiness Commercial
EDUCATION CENTER
COMMERCIAL CENTER
RAILWAY STATION
SPORTS FIELD
TRANSFER STATION
The active edges are connected central park in the middle of site, which divide the south station into small parcels.
03 A MIX OF MIXES
EXPLORING THE COMPLEXITY OF HOUSING
[BUILDING TYPE] RESIDENTIAL BUILDING [INDIVIDUAL WORK] [LOCATION] SHANGHAI, CHINA [DURATION] 8 WEEKS [ACADEMIC] 2020 SPRING CORE STUDIO [TUTOR] Penny Lewis
The housing project is located in Tianzifang, Shanghai. The site is in a historic district, which was famous for artists’ residency, However, the artists left because of the increasing rent, and thus the community are faced with decline. For this reason, I build an artist community next to Tianzifang to revitalize the community . In this project, I explored the potential of the most common and important architectural theme—Housing. The complexity of Housing is embodied in multi-function and the trend from collective living to individualism. In the future, the distinction between residence, work, and play may become blurred. The city is no longer divided into large isolated areas, but mixed. The artist community is an exploration of this vision.
Traditional Residential Building in Shanghai
TOWARDS MULTI-FUNCTIONAL HOUSING
TRANSFORMATION OF LOCAL TYPOLOGY
The housing project is located in Tianzifang, Shanghai. The site is in a historic district, which was famous for artists’ residency, However, the artists left because of the increasing rent, and thus the community are faced with decline.
Traditional Shikumen buildings have four characteristics: vertical units, vertical traffic cores connecting the layers, fish-bone roadways, and column net structures. I extracted these elements and translated them into new architectural forms, keeping the cost unchanged. To explore the potential of alien space.
1970——2000
2000——2008
2008——2019
The site,Tianzifang is a famous
Since 1970s, many artists moved their
In 2003, Tianzifang was faced with
With the increasing reputation, the rent
Shikumen Linong , which is the main type of housing type in
workshops into Tianzifang because of the cheap rent, superior location
Demolition, hundreds of artists jointly wrote a letter, hoping that the
increased dramatically, which forced most artists moved out.Meanwhile, the
Shanghai.During the 20th century
and historical atmosphere. Tianzifang
government would protect Shikumen,
restaurants owners and retailers moved
,over 60% of population live in Shikumen.
gradually transformed into an wellkonwn art district.
protect the art industries.
in.The feature of the art district lost.
80% Shikumen Lanes 60% population live in Shikumen
60% Shikumen Lanes 40% population live in Shikumen
25% Shikumen Lanes 20% population live in Shikumen
SHIKUMEN BUILDING TYPE
TRANFORMED BUILDING TYPE
10% Shikumen Lanes 15% population live in Shikumen
LANDUSE
DISTRIBUTION
RATIO
ACTIVITY
STORYLINE
1936——1950
residential
retail art residential
retail art residential
retail residential
USE
SHAPE GRAMMER HOUSING
WORKSHOP
RETAIL WORKSHOP
RETAIL
The varied scale of geometry that were produced.3m-6m-9m,hold different spatial characteristics, which require the expansion of the catalogue in variants and aggregations. These geometry also serve as the basic investigation in the building scales(S). This creates the flexibility of the system to adapt to different scenario of living.
FUNCTION
Basic Module Unit 2nd Class Composition
3nd Class Composition art retail
retail
ECONOMY
art
4nd Class Composition
Multiple Layout
Geometry Grid RENT
RENTAL
RESIDENTIAL
Traffic
Function
Green
Bath
Square
MULTI-FUNCTIONAL PROGRAM & VERTICAL ORGANIZATION
UNIT SECTION
The housing are composed of three programs: residence , workshops and exhibition/sale areas. Artists can choose the unit according to their own preferences.They can decide the proportion of three functions, and the degree of openness/privacy.In this project, I explored the potential of the most common and important architectural theme—Housing. The complexity of Housing is embodied in multi-function and the trend from collective living to individualism.
The significance of this project is that it provides a new design form that is different from the existing urban buildings. Now the buildings in the city are the same, very boring, and the relationship between different floors is very weak. Is there a new design method that does not cut the building horizontally into many pieces, but starts from a small unit from bottom to top When combined, the resulting building will be very personalized and interesting, introducing a space full of musical tension and drama into daily life.
HOUSING WORKING SALE/EXHIBITION
UNIT 1 UNIT2
GROUND FLOOR PLAN GALLERY&RETAIL 1.Main Entrance1 2.Secondary Entrance 3.Third Entrance 4.Light Boxes 5.Show Room 6.Gallery 7.Interactive Room 8.Washing Room 9.Retail 10.Reception 11.Artist Square
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GALLERY 2 7 8
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The possibility to share amenity spaces on the ground floor like gallery, show room, interactive space can easily be extended to the neighbourhood, as a give back to the community. This should be a pleasant space where you can hang out with friends. Both studios and residences need to have a sense of openness and at the same time have proper privacy.
THIRD FLOOR PLAN RESIDENTIAL
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1.Living Room 2.Kitchen 3.Dinning Room 4.Light Boxes 5.Stair 6.Stair 7.Garden 8.Green Space 9.Lift 10.Square 11.Terrace
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HOUSING 7 8
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While the provate unites are modest in size, more common spaces are provided in the building,giving a chance, when the needs arise, to gather together in a clooective space. The city is no longer divided into large isolated areas, but mixed. The artist community is an exploration of this vision. In the future, the distinction between residence, work, and play may become blurred.
STRUCTURE DETAIL PROLILED STEEL SHEET CONCRETE SUSPENDED CEILING
DOUBLE GLAZING ISOLATED SUBFRAME FOR WINDOW
SKIRTING LINE STEEL RIBBED SLABS FLOOR INTERLAYER METAL PANEL
STEEL ROOF DECK BARRIERROOF DECK WITH VAPOR BARRIER
SECTION A-A Diversity and human agency were fundamental to my housing approach. I surveyed Methods. I chose the renewal of old communities in as the theme and made street investigations among a historical district that, where would soon be demolished. Based on the survey and research, theThe government announced that a n urban commercial complex could generate more value for the municipality city than the original residential buildingsresidences, yet but the community local residents insisted on staying and to maintainning their life mode of life, andand the tourists and artists hoped to preserve this the area as a part of the city’s memory. The complexity of the conflicts between different stakeholders led me to think over the driven forceimpetus of historical city transformation. Should public investment favor residents’ needs, or economic benefits? Should it be used to shore up adjoining neighborhoods or to encourage gentrification? I believed that a heterogenous configuration of dwellings responded to human diversity, and spatial diversity within any one dwelling encouraged its appropriation.
Should public investment favor residents’ needs or economic benefits? Should it be used to shore up adjoining neighborhoods or to encourage gentrification? I transformed the traditional building type typologies into a new multi-functional forms to revitalize the a historical district and continue propogate the intimate life patterns of living. The transformation intermediates the interest conflicts of interest instead of the thoughtless and brutal renewal process that thoughtlessly disregards them.
VIEW OF THE SITE
THE GEOMETRY
FORM AS INTERFACE TO REVITALIZE THE HISTORICAL DISTRICT The irregular shape aims to evoke collective memory o f t h e T i a n z i f a n g h i s t o r i c a l d i s t r i c t . I t p ro v i d e s artists with unique iving environment, at the same time taking on the role of exhibition in the gallery. Each unit is developed from 4.5m*4.5m module. Residents can choose the unit according to their own preferences.They can decide the proportion of three functions, and the degree of openness/privacy. I want to enhence the possibility and complexity of housing in terms of its irregular shape and multifunction layout, which cater to the individual needs.
04 RURAL AUTONOMY
[RURAL, AUTONOMY, NETWORK, NATURE, IDEAL CITY] [COLLABORATOR] Xinyu Yang [CONTRIBUTION]100% Conceptial Design, 80%Technical Drawing [DURATION] 8 WEEKS [COMPETITION] The Excellence Award of Zhejiang Province Rural Resort Design Competition/ 2020
[ABSTRACT] From building a new socialist countryside to the 19th National Congress of the Communist P a r t y o f C h i n a ’s s t r a t e g y f o r revitalizing the countryside, the central government’s work on the countryside was carried out in stages. However, the rural work in the early years mainly focused on the improvement of rural construction; with the development of time, the goal of rural revitalization became more three-dimensional, and the prosperity of the industry was put first. So we started thinking:How to transform from a beautiful village to a comprehensive village revitalization strategy?What kind of work should we do in it?Where is the future of the countryside? After research, we found that with the advancement of the country’s urbanization, all the villages that can be preserved have a certain kind of industrial foundation. Without an industrial foundation, the living conditions of the villages will be more worrying. In addition, there are some chaos in rural construction, such as blind investment in planning and construction, which is largely a facesaving project; rural construction imitates the urban model and is not suitable for rural development; brain drain, excessive reliance on financial "blood transfusion", self-made blood "The ability to maintain the level of planning and construction in the countryside... Three representative international cases are selected here in order to find a sustainable rural revitalization path from the perspective of industry. The developed economy of East AsiaJapan-similar to ours-still retained many villages in the later stages of urbanization, such as the birthplace of one village, one product (that is, each village must have its own characteristics), and the villages of Oita Prefecture in Japan. The local area started this format as early as the 1970s and 1980s, proposing student sushi, "tasting beef and shouting conventions" designed for the famous beef, and accommodation-type citizen farms. Coincidentally, the Alsace region in Germany fully integrates the beautiful rural landscape and its wine industry, that is, combines the industry with the culture and tourism of the village to solve the problem of rural vitality and the plight of land construction. T h e t h i r d c a s e i s t h e Ta o m i community in Taiwan. In the postearthquake reconstruction, efficient,
government and other multi-agents have intervened to discover the rich characteristics of local frogs while restoring the environment, and will develop with the theme of frogs to create ecological tourism, Education base. This development model of combining primary, secondary, and tertiary industries is very successful. After benchmarking with international cases, we focused on Zhejiang Province, a pioneering region for rural revitalization across the country, hoping to find its industrial characteristics, as a mainland case to provide experience for other latedeveloping regions, and then build an industrial revitalization of rural revitalization Pattern library. Our research has the following three goals: 1. Exploit the endogenous power of local industries to activate rural development, and explore ways to promote rural development 2.Multi-dimensional research on rural development paths, constructing a panoramic map of rural revitalization and development 3.Innovatively use research results to create a smart model library information sharing platformChina has taken two approaches to rural urbanization: consolidation of multiple villages into a single town and preservation and improvement of natural villages. This project takes another tack: it attempts to harness the potential of the agricultural field. One of the most important ideas in Confucian ideology is the concept of an all-inclusive oneness. This belief suggests that anyone who is part of the social structure is rooted in a holistic totality. It is a bioethical and familial oneness, from nature to society and from society to statehood, that is embedded back into a self g enerated nature as a self-justified whole. Humankind is included and embedded with in the universe, leading to an intimate relationship between nature, human, and household. Chinese villagers prioritize the relationship between humankind and nature over relationships between people. Thus, the countryside has become a place where a household has its own farmland interspersed among other family's plots. Confucian philosophy, which can be conceptualized as an ecologic al oneness with an endless inside, with buildings and nature intertwined as a whole, with countless centers and viewpoints across the landscape, is manifested in the design of human.
Kaihua is a county of Zhejiang Province, the comprehensive agricultural area with all-round development of agriculture, forestry, animal husbandry and fishery. Naturally, Kaihua is a hub for distribution, manufacturing, and food processing. Since the mid-1990s, the economy has shifted away from raw agricultural production and toward more profitable processedfood factories.. One of China's three agricultural futures markets is located there, making it one of the most important agricultural trading centers in China. As the GDP of Zhejiang has been growing, the portion that is basic agriculture has been falling, from 22.6 percent in 2000 to 17.9 percent in 2013. Just beyond the edge of the city, in the eastern part of Zhejiang, lies Yinkeng town. The town of Yinkeng is the only large urban area in the county. Agriculture and small-scale manufacturing form the basis of the economy, with most of this activity situated in small villages consisting mainly of family-scale farms and light industry. The villages of Kaihua own agricultural land that is about six times larger than their built area . A comparison of the four villages reveals variations in land use and urban structure. The wealthiest village, Kaihua, has the most regular street structure. Most communal programs in Kaihua are situated along the main street; industries are located around the outer edges of the village. Life within the new rural model is the result of the collective efforts of villagers and tourists. The remaking of the rural is thus itself a communal act. It allows architecture and urban space to be first and foremost social and political constructs defined by the inhabit. The project provokes an alternative way of life - a nonstop lifestyle of programs more attuned to d ai l y an d se a son a l rh yth ms. Th e properties of the field give birth to a new understanding of the city, an understanding in which the city is a space of coexistence that eschews hyper density, that uses landscape a n d a g r i c u l t u re a s t h e d o m i n a n t agents in an alternative economic and spiritual life.
SITE ANALYSIS [individual]
LAYERING OF NATURAL&BUILDING SYSTEM [individual]
The site is hot and humid from May to September, and the amount of direct radiation is large from July to November. The amount of scattered radiation in each month is relatively average.In terms of wind direction and frequency, northeast wind prevails throughout the year.Northeast wind prevails in spring, autumn and winter, and southwest wind prevails in summer.
This project aimed to build a self-efficient autonomy in Chinese rural spaces. To provide a more complete public space to the surrounding countryside. This design is a celebration of social responsibility and humanistic care, it is also an architect’s use of architecture to Active exploration of the coexistence of local culture and the integration of urban and rural areas. PUBLIC BUILDINGS
1. Tea house 2. Water Room 3. Museum 4. Restaurant 5. Opera House 6. Gym 7. Swimming pool 8. Library 9. Store 10. Parking lots 11.Market 12. Lecture Hall 13. Office 14. Administration
The palaces were 14 Public buildings that provide services for the community. Which helps to build up a self-sufficient autonomy in rural area.
Main pedestrian access are placed along the major avenues with automobile parkings. The flexible layout of hieararchy of paths frees users fron cars and drives visitors wander in the village.
The landscape design integrated framed residential buildings in the parks that allows the users to wander in the village.
The trail combined with the lake water spreads in the site, so that people can get a richer tour experience.
Characteristics Of Traditional Architecture And Residential CHINESE VILLAGE PATTERN
VILLAGE FIGURE GROUND
LOCAL ARCHITECTURE TYPOLOGY
LOCALITY
The village built along the mountain and stream adapt to the terrain and natural environment.
The village figure ground plan shows the order and network inherited in layout.
The curved roof respond to the nature atmosphere and traditional handicraft.
Design based on the local traditional courtyard pattern and the texture of the village.
CONNECTIVITY AND FLOWS Trails With Green Drained River Main Road Cluster Edge
High-density Gathering In The Central Area
Low-density All Around
Pitched Roof
Courtyard
Wharf Wall
GROUND FLOOR PLAN
3m
5m
10m
[individual]
UNIT TYPOLOGY
CLUSTER PLAN
The rooms are designed into blocks that integrate multiple function such as working and living. Not only does it allow the ease of commute from rooms to nature, but also can create a comfortable living atmosphere. The layout of each block is carefully considered according to the nature gap system.
TYPE 1
TYPE 2
TYPE 3
TYPE 4
NATURE SYSTEM The farmland of great vitality along with farming field forms a spectacular natural landscape, including a camping site, the design will vitalize the site with natural activities.
PUBLIC BUILDING
COURTYARDS
SHARED SPACE
WATER SYSTEM
FIELD
SHARED BUILDING
COURTYARDS
SHARED SPACE
WATER SYSTEM
FIELD
SHARED BUILDING
COURTYARDS
SHARED SPACE
WATER GAPS
GREEN GAP
[individual]
1m
3m
5m
NATURE INTEGRATION The farmland of great vitality along with farming field forms a spectacular natural landscape, including a camping site, the design will vitalize the site with natural activities.The comprehensive design is based on the local traditional courtyard pattern and the texture of the village living by the water Design, integrate into the surrounding villages and pastoral scenery with a humble and integrated attitude.
AXONOMETRIC DRAWING: COUNTRY LIFE
PLATFORM FLOOR TREATMENT RAISED FLOOR CONCRETE SLAB METAL PANEL STEEL RIBBED SLABS (HONEYCOMB-LIKE NETWORK OF STEEL) THERMAL INSULATION STEEL ROOF DECK
Detailed Section:Gaps Between The Rooms [individual]
PARAPET FLASHING SOLAR PANEL SHALLOW DECKING FULLY ADHERED ROOF MEMBRANE THERMAL INSULATION STEEL ROOF DECK WATER, AIR AND VAPOR CONTROL MAMBRANE INSULATION PANEL
PROTECTION LAYER ROOF BARRIER ROOF DECK WITH VAPOR BARRIER DOUBLE-LAYER STEEL TRUSS GYPSUM BOARD
05 2D-3D OF KANDINSKY'S COMPOSITION
06 GLOBAL HARBOR (HIGH-RISE PROJECT FOR EVOLO)
[TEAM WORK] [COLLABORATOR]:Xinyu Yang [DURATION] 8 WEEKS [ACADEMIC] YEAR 2 ART STUDIO [TUTOR] Wen Qinwu
[TEAM WORK] [COLLABORATOR]:Xinyu Yang, Ao Xu,Ben Gu [DURATION] 4 WEEKS [ACADEMIC] Global Competition [TUTOR] Tingwei Xu
Kandinsky believes that art must be concerned with spiritual issues rather than material issues. It is a spiritual product rather than a product of external sights or manual skills. Using only colors, lines and the relationship between them to form this theme.In this painting, the space of the picture is lined with trembling, fast-moving color blocks.
We hope to build a rocket station as an international charity.Once an armed conflict occurs, the rocket station can not only serve as an emergency transportation hub, but also build a temporary house around the rocket station and build a film covering the shelter of the crowd to protect the people and provide supplies from the rocket.
07 EVALUATING PUBLIC EMOTION RESPONSES TO URBAN FLOOD DISASTERS
08 HEALTHY COMMUNITY OF THE FUTURE
An Investigation Based On The Microblog And Flood Risk Assessment Of Wuhan, China
2020 The 10th DigitalFUTURES Shanghai Summer Workshop
[INDIVIDUAL] [DURATION] 16 WEEKS [ACADEMIC] RESEARCH PROGRAM [TUTOR] JING WU
[TEAM WORK] [DURATION] 2 WEEKS [ACADEMIC] BIG DATA PRACTICE [TUTOR] GE TANG
[Abstract] Waterlogging risk assessment is a hot topic for studying urban waterlogging. We hope to build an evaluation model of waterlogging perception based on Weibo data. We describe the severity of the impact of waterlogging disasters on cities, and find out which urban areas have accumulated water that will have a greater impact on people's production and life. [Methods]:1. Project the check-in location of the microblog data related to rainstorm water during the rainy season on the map and rasterize it (in 200m×200m is a grid), that is, the corpus distribution density map 2. Waterlogging temporal sense index WTSI (waterlogging temporal sense index) = the number of microblogs related to rainstorm water on a certain day/the number of sample microblogs on that day 3. Use ArcGIS to estimate the kernel density to form a hierarchical waterlogging perception map, C means check in data set, n is the total number, ci = <x,y> represents the coordinates of each microblog (1<i<n), t represents the time, which can generate a smooth density surface around "C" on the data point "ci".
[Abstract] After the epidemic, people's attention to health has further increased, and the demand for sports has also greatly increased. As people's life rhythm recovers, the adherence to fitness habits needs to be supported by convenient venues and facilities.However, The map software does not support searching for facilities by all types of sports. The government's developed and undeveloped public sports resources cannot be searched on the map.So we developed a citizens' walkable sports venue query app, and a government-oriented sports resource allocation reference datamap platform. [Methods]: 1.Support searching for facilities by all types of sports: running, walking, playing ball,etc. 2.Join the government to set up POI: fitness trails, fitness garden spots, public sports venues, scenic spots surrounded by a 15-minute circle. 3.Strong "Shanghai dynamic": sports community, people attached to it, graphic comments. 4.Open campus to improve sports configuration 5.Recommendations for optimal allocation of resources based on population size and age 6.Share data packets with the app to get feedback from citizens in time
STATUS ANALYSIS AND STRATEGY
Level map of the flood area within GWR coefficient (Top) for the period before the rainy season (a), during the rainy season (b), and after the rainy season (c)
(a)
(b)
(c)
Level map of the flood area within Anselin Local Moran's I (bottom) for the period before the rainy season (d), during the rainy season (e), and after the rainy season (f)
Density Map Of Current Sports Resources (Per 1000 People)
(d)
(e)
Density Map Of Campus (Per 1000 People)
Density Map Of Sports Resources After Opening The Campus (Per 1000 People)
(f) (G)Level map of the flood area about predicting the risk of waterlogging based on the Weibo data
Comparison of Sports Resources amoung Villages (Before & After)
0.00 - 5.41 5.42 - 14.75 14.76 - 28.52 28.53 - 48.19 48.20 - 76.70 76.71 - 125.38
(G) Density Map Of Strategy Benefits (Per 1000 People)
Comparison of Sports Resources amoung Districts (Before & After)
Current Success Rate Of Sports Resources
Success Rate Of Sports Resources after Opening the Campus
09 HOW POWER MANIFEST IN CITIES
10 PRESERVED BUILDING MEASUREMENT
[TEAM WORK] [COLLABORATOR]:Yue Jiang; Serene Hu;Qianyang He [DURATION] 8 WEEKS [ACADEMIC]HUMANITY/ DUNDEE UNIVERSITY/ 2020 [TUTOR] LORENS HORM
[TEAM WORK] [COLLABORATOR]:Xinyu Yang;Xinwei Guo;Siyu Lei [DURATION] 3 WEEKS [ACADEMIC] Histroical Building Perservation Module Year 3 [TUTOR] Dian Zhang
A close reading Giovanni Antolini plan of Milan (1801)
Measurement of Wang Mingfan's Mansion
[Abstract] A close reading of the 1801 plan of Milan reveals elements and principles that become explicit in Rossi’s theory of and projects for the city; it can be understood as an analogical surface. Against the mass and grain of urban fabric the plan, produced by Giacomo Pinchetti, shows large urban forms including: Giovanni Antonio Antolini’s unbuilt Bonaparte Forum proposal (1801) as a huge circular form enclosing the Castello in the top left, the Lazzaretto Leprosarium (c1500) as a monumental square in the top right. The architects wanted to represent the dawn of a new era with a design that was fiercely idealistic and geometrically finished in a way that was difficult to find in medieval cities. In this era, the forum and the city did not represent the classical aesthetics of the aristocracy, but corresponded to the middle-class need for democratic communication and social order under the new city.
GIOVANNI ANTOLINI PLAN (1801)
OLD POWER MAP
NEW POWER MAP
Giovanni Antonio Antolini’s unbuilt Bonaparte Forum proposal (1801) as a huge circular form enclosing the Castello in the top left, the Lazzaretto Leprosarium (c1500) as a monumental square in the top right.
The white space cut into the plan can be read as an interruption to the continuity of the city .The relationship between buildings and their context suggests a dynamic interplay between solid and void, figure and ground and the new and the old.
In the disarticulation of Milan, geometric forms (square, circle, triangle, polygon) are cut out of the plan in accordance with the major urban figures mentioned above.
[CONTENT] i. General plan (north arrow, scale bar) ii. The north-south elevation of the building 1:50 , with a detailed sample of 1:10 or 1:20 iii. The first floor plan of each patio 1:50, with a detailed sample 1:10 or 1:20 iv. The floor plan of the second floor of each patio 1:50, with a detailed sample 1:10 or 1:20 v. Cross-section drawing of each patio 1:50, with a detailed sample 1:10 or 1:20 vi. The longitudinal section of each patio is 1:50, with a detailed sample of 1:10 or 1:20
CROSS-SECTION DRAWING OF THE BUILDING
Beijing-Royalty and TheocracyBeijing-Theocracy
The big room Ideal form for the city
The grid The order
The small rooms Iconic buildings and plazas
CITY MIX UP
THE NORTH-SOUTH ELEVATION OF THE BUILDING