INTERIOR DESIGN PORTFOLIO 2019
TABLE OF CONTENTS
INTRODUCTION CV RETAIL DESIGN Capsule & Gatsby
CORPORATE DESIGN Huda Beauty Office
HOSPITALITY DESIGN Hotel Salama
CORPORATE WORK Destination Cafe Japanese Speciality Cake Showcase Astor Grill Catch Bar Rooftop Lounge Restaurant Lounge
RESIDENTIAL WORK Ramnani Residence
Saakshi Rochlani +971527874700 saakshi.rochlani@yahoo.com API Villas. Al Barsha 1, Dubai, UAE.
Conitnously immersed in a mix of
cultures and a passion for art and design since I was a child. I have grown to understand and value diversity, which has helped shape and influence my design aesthetic and who I am as a designer.
I
am a keen learner and am passionate about the creative process that goes along to create a good design, considering form and function, whilst having timeless quality and pushing the boundaries of design. I have developed the ability to creatively approach and solve problems in any design field both as part of a team and independently.
I am to acquire and broaden my knowledge of the day-to-day work of a design company, as well as apply, expand and improve my skills. I am a self-motivated creative individual willing to work
CV SAAKSHI ROCHLANI
+971527874700 saakshirochlani@yahoo.com API Villas. Al Barsha 1, Dubai
EDUCATION 2015-2018
Higher Diploma in Interior Design Full Circle Design ,FZLLC. (Certified by APID & BIID.)
2014-2018
B.B.A with a specialization in Marketing American University in Dubai Alumni, Dubai, UAE.
2007-2014
High School Certification. (Commendation) St. Mary’s Catholic High School, Dubai, UAE.
PROFESSIONAL EXPERIENCE 2018
Marriott International, Dubai, UAE Concept Designer and Operations Intern Developed concept designs for restaurants & bars globally and across MEA, covering both new builds and renovations including formulating concept brief, F&B strategy for new developments, reviewing branding, interior design, BOQ, MEP, OS&E and FF&E selection till supporting the successful launch. Worked with a team of 10 specialists in hospitality including designers, directors, marketing specialists and graphic designers as well as food and beverage heads. My portfolio includes the following International brands : St-Regis, Autograph Collection, Ritz-Carlton, Aloft Hotels, Luxury Collection, Edition, AC Hotels, Marriott Marquis, Le Méridien and JW Marriott. Ability to read and precisely explicate architectural illustration, 2D CAD files, 3D
modeling data as specified within projects. Proficient at preparation of 3D models. This included understanding the concepts and initial design intent and converting it into a graphical representation. This includes my work for Ritz Carlton DIFC, “Destination Café” where the 3D renders are used for conceptualization and ideation for designers. Developed and maintained a library of concepts suitable for architectural rendering needs, interior design referrals and applications. Ability to effectively model and convert CAD data sets into 2D or 3D modeling, image compositing, finishing and retouches of operations. Efficient at comprehending and working with defined budgets suited to the brand principal. Tackled project issues and identified solutions to ensure efficiency, quality and customer goals were met. Foresee and communicate issues and risks to the top management whilst reviewing project status. Travelled to commercial sites for regular inspection, work-outs and interior uplifts. This includes my work for Ajman Saray where we inspected the site requiring an interior uplift, conducted MEP, BOQ preparation as well as OS&E and FF&E improvements for design direction. Have knowledge of QHSE standards and reviewing regular checks at every opportunity.
2017-2018
Freelance Designer, Dubai,UAE
Academic Certificate with Prefect Leadership Honors.
Private Residence Designer Collaborated with a team of 10 specialists and designers including the contractors, suppliers, architects and interior designers. Obtained brief and site survey measurements from architects and contracts including OPC. Created autocad 2D plans for spatial arrangements, mood boards for color palette selection and furniture layout using sketchup for client. Efficiently reviewed and completed project of 140m2 apartment within tight budgets and deadlines.
St. Mary’s Catholic High School.
TECHNICAL SKILLS SKETCHUP REVIT AUTOCAD PHOTOSHOP INDESIGN ILLUSTRATOR FINAL CUT PRO OFFICE SUITE (Wrd, Exl, Ppt) Other Key Skills: Perspective Visuals/ Physical Models/ Rendering/ Business statistics.
2017
Nathan & Nathan HR , Dubai, UAE Marketing & HR Intern Supporting the Marketing department with Google SEO. Conducting in-depth market research, considering our clients’ needs and their specific industries. Sourcing for leads, following up and recording lead information systematically. Conducting e-mail campaigns and newsletters to prospective customers. Assisting the HR department with research and data collection.
2013-2018
Other Experiences
ADDITIONAL STRONG COMMUNICATION SKILLS CRITICAL THINKING PROBLEM SOLVING ABILITY TO TAKE INITIATIVE ABILITY TO WORK UNDER PRESSURE OPTIMISTIC & MOTIVATED A TEAM PLAYER
LANGUAGES french
arabic
english
hindi
Residential Property Manager// Part time Choreographer// Volunteer at Special Needs Centre.
REFERENCES AWARDS First Place- Office Design Final Project Commercial Level 2. Full Circle Design, Dubai, UAE.
Gold Prize-Best Choreography for Dance ‘ Performance. International Cultural Night, American University in Dubai, UAE.
SHARON CONNEELY
KAREN D’SOUZA
CHRIS IGAAN
Creative Director Full Cirlce FZLLC Rhodec Design Cert (Distinction) sharon@fullcircle -design.com
Assistant Dean at American University in Dubai M.Arch UCL (Honors) karendsouza@ gmail.com
Creative Director Nathan & Natahan Ltd. M.F.A Design Pratt Insitute igaanchris-nathan@ gmail.com
RETAIL DESIGN
Capsule & Gatsby
YEAR 2017 INDIVIDUAL PROJECT PROGRAMS USED: Autocad SU Podium Sketchup 2018 Photoshop
CONCEPT The retail industry is slowly declining so the aim for this design is to entail customers in an experience back to the 1950’s when things were simpler. The concept is slit into two juxtaposing design ideas which stem from my personality. Gatsby ; a fabricated side of my personality with elements such as cages to demonstrate how trapped I feel with a heavier and more intense color scheme. Capsule ; a naive side of my personality with elements such as birds flying and a lighter, less restricting color scheme. The design intent is for one to embrace the constant split their personality or thoughts. 07
CONCEPTUALIZATION & SKETCHING
Transforming from the metal mannequin to ballerina as that is what I was forced into as a child. Throughout the design there are elements of ballerinas and cages to represent the feeling of suffocation. Being a person who prefers to express my emotions through sketches of mannequins and conceptualize through the use of materials for a space, these are rough sketches demonstrating my thought process for the two juxtaposed interior experiences as well as the contrasting color scheme and elements. 08
ELEVATIONS
09
FLOORPLANS
The Gatsby side represents the stitled and self-concious side of my personality. Hence the use of such crisp colors such as emerald green, copper, bronze, polished grey concrete and crystal glass. The Capsule side represents the relaxed and serene side of my personality. Hence the use of such subdued colors such as velvet pink, denim blue, beige, polished grey concrete and off-white .
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PERSPECTIVES
11
WORKING DRAWINGS: MAIN FLOOR PARTITION PLAN + MATERIALS PARTITION A
B
200'
168'-3"
200'
201'-7"
CORRIDOR
W3
W2
CAPSULE
W2
GATSBY CHANGING ROOM
W2
W2
GATSBY
390'-8"
58'-4"
1491'-8"
125'
62'-4" Ø66'-8"
2 1500'
Ø66'-8"
W2
145'-10"
2
DISPLAY
Ø91'-8"
157'-2"
333'-2"
W1
CASH & WRAPS
55'-4"
83'-4"
596'-8" STORAGE ROOM
3
25'
W2
W2
321'-6"
W2
W2
W2
201'-7"
GATSBY WASHROOM
CAPSULE WASHROOM
CAPSULE CHANGING ROOM
201'-7"
41'-8" 66'-8"
200'
3
220'-2"
1762'-2" 103'-1"
168'-6"
220'-2"
145'-10"
62'-4" 66'-1"
WHEELCHAIR ACCESSIBLE HEIGHTS
169'-6"
GATSBY MERCHANDISE
145'-10"
Ø145' MANNEQUIN DISPLAY
166'-8"
69'-3"
DISPLAY
108'-9"
62'-4"
CAPSULE WINDOW DISPLAY
1
W2
W2
GATSBY WINDOW DISPLAY
779'-1"
805'-7" 1762'-2"
A
782'
ENTRANCE
108'-10"
143'-5"
325'-8"
1
W1
B
The gatsby side demonstrates the sophisticated and high-end side of this store. Hence, the organized clothing racks with minimalistic racks, a rack with bags display as well as a jewelery table with seating where the audience can select while socializing. The shoe racks are in crystal grey racks with a garden mesh inside. 12
WORKING DRAWINGS: MAIN FLOOR MILLWORKS PLAN + MATERIALS MILLWORK A
B
1762'-2"
3 M16
M16
CAPSULE WASHROOM M15
M16
M14
M15
GATSBY WASHROOM
M17
M17
M17
GATSBY CHANGING ROOM
41'-8" 66'-8"
CORRIDOR
M13
83'-4"
596'-8" M12 CAPSULE
25'
CAPSULE CHANGING ROOM
321'-6"
168'-6"
168'-3"
3
GATSBY
M18
M12
STORAGE ROOM
M3
M3
390'-8" M3
M3
55'-4"
M17
CASH & WRAPS
333'-2"
M7
DISPLAY M6
125'
M8
Ø66'-8"
M5 M7
M7
M5 M6
2
M7
157'-2"
1491'-8"
M5
1500'
2
58'-4"
Ø66'-8"
M4
M7
M10
M4
M4
M4
M4
M5
GATSBY MERCHANDISE
M10
169'-6"
145'-10"
62'-4" WHEELCHAIR ACCESSIBLE HEIGHTS
M8
Ø145'
M11
M4
MANNEQUIN DISPLAY M9
143'-5"
M2
325'-8"
M2
M2
M2
W1 M11
M18
M1
M11
69'-3"
DISPLAY M1
M1
ENTRANCE
M1
782' M1
M1
M1
GATSBY WINDOW DISPLAY
CAPSULE WINDOW DISPLAY
1
M1
11
805'-7"
1
779'-1"
1762'-2" W1
A
B
The capsule side demonstrates the casual and free-spirited side of this store while highlighting on variety. The racks hold comfortable and day-wear clothes while there are pants displays as well as plastic racks with sneakers and shoes on top. To complete the look, revolving racks with day-time dresses and high tables with stools where customers can view casual jewelery and accessories. 13
CORPORATE DESIGN
Huda Beauty
YEAR 2016 INDIVIDUAL PROJECT PROGRAMS USED: Autocad Revit 2018 Photoshop Blender
CONCEPT The design intent for the Huda Beauty office is to create a space that blends fashion, art and creativity under one roof. Creativity is influenced by the unique product ideation that is derived from Huda Beauty’s statement style of products and will be created in the company’s identity and employee culture to emerge into a co-working space of innovational and experimental designers. Primary work settings such as the workstation area, the conference room and even the product ideation and private rooms provoke employees to imagine and invent constantly. Central social settings such as the work lounge and cafe promote a highly collaborative and innovatory environment.
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FLOORPLANS+ FURNITURE
PRODUCT IDEATION ROOM + PRIVATE ROOM
WORKSTATION AREA+ OPEN MEETING LAYOUT
CONFERENCE ROOM
WORK LOUNGE
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ELEVATIONS + MATERIALS
WORKSTATION AREA+ OPEN MEETING LAYOUT The workstation area and open layout is a primary work setting with heavy traffic, hence the space has to be operative and organized with artisinal elements reflecting her products. The lip shaped conference tables are an area where employees have internal team meetings or discussions. The office plan is open and interactive as co-working is an integral part of her design and innovation process. The lip shapes and glitter skins evident in her style are reflected in the product ideation room.
PRODUCT IDEATION ROOM + PRIVATE ROOM 17
CONCEPTUALIZATION + PRODUCT IDEATION PALETTE STORAGE Used as a staple storage item in the conference room, ideated from the most recent palette launch; “NUDE�. It can be used to store books, stationary and make-up brushes as an artisinal element. The design intent was for it to serve as a focal point as well as a constant reminder for visitors and employees.
MINI LIPSTICK STORAGE Used as a storage item above the storage desks in the conference room, a replication of her Liquid Matte mini-sets, and will be used in the office to store interactive and digital items such as mini projectors, cameras, digital notepads and magazines. The lipstick core inside is made using blender.
LIPSTICK CORK BOX Ideated from regular wine cork boxes, an innovative and interactive piece that encourages employees as well as visitors to recycle any form of lipstick for free, while gaining one Huda Beauty mini liquid matte free is a Huda Beauty product is recycled.
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RENDERINGS
WORK LOUNGE + IDEATION WALL The work cafe and lounge is a social setting for employees to gather, relax and ideate if need be. The work cafe holds a pantry as well as chic bean bag chairs with tufts and geomtry as well as colors to reflect the style. As well as long glass walls where employees can jot down rough/ random ideas. In the same space, private enclaves hold space for 3 pod chairs where the employees can enjoy a book or turn the automated chair around and revel in privacy.
WORK LOUNGE + PRIVATE ENCLAVES 19
HOSPITALITY DESIGN
Hotel Salama
YEAR 2016 INDIVIDUAL PROJECT PROGRAMS USED: Autocad SU Podium Sketchup 2018 Photoshop
CONCEPT Hotel “Salama� meaning peace in both Arabic and English, aims to create a space where users can attain a state of peace and tranquility through beautifully merging interiors from contrasting sides. The co-existence of both elements in a single space makes it unique. The goal is to unite two constrasting sides and spaces into one through the use of merging materials, reflective spaces as well as an extension to my personality that I have existed with for 22 years. The Arabian influence through moroccan designs being my nurture as I grew up in Dubai. Where-as the Indian side is my nature, as this is engraved in my roots and upbriging by my family. 21
RECEPTION ELEVATIONS + IDEATIONS
This photoshoot highlights upon the collaboration between the Indian and Moroccan side that I wished to portray. Dressed in a traditional indian “ghagra�, I wear a modern velvet blouse along with Indian bangles on my hand which compliment the Arabian head gear. The entrance of the lobby shows the elements such as the contrasting tesserae to create mosiac tiles representing each side. Each side also has the national animal of the following country; with an eagle on the left for United Arab Emirates and the peacock on the right for India. The left side holds Moroccan colors such as grey, beige, bronze, blue with a touch of gold. Where-as the right holds bright Indian pops of color.
The reception desk and waterfountain tie both the sides in order to maintain a balance, as well as the doorways out of which 2 are Indian and two are Moroccan. The detailing is also specific to the given sides.
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RECEPTION ELEVATIONS + BEDROOM FLOORPLANS
A closer look into both the sides with more focus on the detailing such as the Moroccan and Indian style mirrors above the seating area. In addition to this, the lighting such as chandeliers and lanterns are specific to the side potrayed as well.
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BEDROOM FLOORPLANS + MATERIALS
The bedroom is beautiful fusion between both styles with shisha complimenting herbal teas in the Moroccan seating area on the floor, while a Marrakech style headbord flaunts an Indian mirror. Accessories on the side-tables as well as lighting creates an alluring amalgamation.
A RAP
NOITIT
AC ELUSP HSAW MOOR
G YBSTA HSAW MOOR
AC ELUSP C AH GNIGN MOOR
2W
2W
1
"01-'80
"2-'751
2W
1
"2-'267
1
AC ELUSP IW WODN ID YALPS
"7-'508
A
"1-'977
1
"5-'341
"6-'961
11
"9-'801
"8-'661
1
'0051 "1-'977
1M
"5-'341
"01-'54
"4-'85
ID
TNE
ECNAR
2W G YBSTA IW WODN ID YALPS
9M
2M
2M
YALPS
1W
1
81M
B
1M
1M
NE
T ECNAR
"4-'26
"3-'96 '287
8M
01M
"8-'5232M
2M
11M 11M
"3-'96
1M
1
1M
AC ELUSP IW WODN ID YALPS
1M
"7-'508
1M G YBSTA IW WODN ID YALPS
"01-'54
ID
YALPS
1
"4-'55
LEEHW RIAHC ECCA ELBISS GIEH STH
7M
'541Ø 11M
NNAM NIUQE SID YALP
4M
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1
"6-'961
NNAM NIUQE SID YALP
01M
4M
G YBSTA M AHCRE ESIDN
4M
2
'541Ø "8-'523
"8-'194
'521
"4-'26 6M
4M
1M
LEEHW RIAHC ECCA ELBISS GIEH STH
"01-'54
"2-'751
'52
5M
7M 7M
5M
'0051
"8-'14
5M
8M
6M
4M
1W
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"4-'26
"4-'85
"4-'38
"8-'66
"8-'66Ø
"8-'66Ø
ID
YALPS
4M 5M
2W
"8-'66Ø
"8-'66Ø
"8-'19Ø
G YBSTA M AHCRE
ESIDN
2 7M
C & HSA
"4-'26
"1-'66
71M
21M
C
& HSA
"2-'333
3M
3M
3M
"6-'123
"6-'861
"8-'093 3M
7M
2
2
TS EGARO R MOO AC
"2-'333
ID
YALPS 1W
"4-'55
AC ELUSP C AH GNIGN MOOR
31M
ELUSP
SPARW
"8-'093
61M
AC ELUSP HSAW MOOR
ROC
"8-'695 G YBSTA
SPARW
AC
ELUSP
1 "01-'54 1 "8-'194
51M
41M
RODIR
21M
TS EGARO R MOO
2W
'52
51M
"8-'14
61M 61M
G YBSTA HSAW
MOOR 71M 71M
G YBSTA AHC GNIGN MOOR
"8-'695 G
YBSTA
2W
71M
81M
2W
2W
3W
"8-'66
"3-'861
1
"2-'267
B
2W
"4-'38
ROC
RODIR
2W
"6-'123
"6-'861
2W
G YBSTA AHC GNIGN MOOR
3
3
3
'002
'002
'002
1 "2-'267 "1-'301
"7-'102
"7-'102
"7-'102
"3-'861
"2-'022 "2-'022
B
3 A
LLIM
KROW
1
"2-'267
1W
A
1
B
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CORPORATE WORK
Destination Cafe
Marriott International Food & Beverage Department Concept Design PROGRAMS USED: SketchUp 2018 SU Podium 2018 Indesign Photoshop
CONCEPT BRIEF Along with a team of 4 specialists and a graphic designer, we developed 2 different skins for a destination cafe. One as an independent speciality cafe which holds the true artisan style of the Naked cakes. The other was a Lobby cafe that had to meet the design requirements and standards of our hotels. The inspiration for the interior design for both juxtaposing concepts derives from the experience we wish the guests to embark upon. Sketchup 2D and 3D conceptualizations were created by me to give a clear idea for anyone viewing this book and design. Additionally, market research and key equipment guidelines are implemented for an efficient design.
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CONCEPT BRIEF
27
CONCEPT BRIEF
28
DESIGN DIRECTION (FF&E + OS&E)
29
CONCEPT BRIEF
30
CONCEPT BRIEF
31
CONCEPT BRIEF
32
CONCEPT BRIEF
33
Japanese speciality restaurant
Marriott International Food & Beverage Department Concept Design PROGRAMS USED: AUTOCAD Indesign Photoshop
CONCEPT BRIEF During the internship period at Marriott International as a Concept Designer and Operations Intern, I was asked to redesign a Japanese restaurant in an Izakya style with a challengingly low budget. Local artists to pain geisha art on walls fit well with the existing style of Le Meridien hotels in Egypt, specially in Cairo. Heading the design direction as well as the food and beverage departments to suit the design and provide customers with a soothing environment that is a beautiful blend of izakaya, music, fashion and art. 34
2300m
CONCEPT BRIEF
35
CONCEPT BRIEF
36
CONCEPT BRIEF
37
Cake Showcase
Marriott International Food & Beverage Department Concept Design PROGRAMS USED: Illustrator Indesign Photoshop
CONCEPT BRIEF In collaboration with the Vice President of F&B Concepts and the Senior Graphic Designer, I was asked to design a High-tea speciality venue. Guests can witness an art of culinary theatre in Lobby area as the craftsman embellishes the bite-sizedelicacies. They can then glide into a space representing a beautiful blend between jewelery, fashion and fine pastries. As harmounous tunes fill the air, white glove hostesses maneuver elegant carts with more than 50 different types of tea and wide range of pastries. 38
39
40
41
j
Astor Grill
Marriott International Food & Beverage Department Concept Design PROGRAMS USED: Illustrator Indesign Photoshop
CONCEPT BRIEF During my internship, I was asked to refresh the design and ideology for a steakhouse restaurant in a unique manner. Hence, I developed a concept that derives from the true craftsmanship and artisanal skills centered around charcuterie. Design direction is focused on creating a comfortable yet thriving atmosphere fueled by culinary theatre and a butcher shop retail experience. The aim for the space was to unify the dining room with the open kitchen and butcher retail experience. Materials such as brass, wood and copper are merged with white metal and zinc in order to create a smooth transition.
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43
44
45
46
Catch Bar
Marriott International Food & Beverage Department Concept Design PROGRAMS USED: AUTOCAD Indesign Photoshop
CONCEPT BRIEF During my internship, I was asked to give a modern and refreshing take on a poolside restaurant and lounge. In collaboration with the Global Design department, we decided to focus on the indoor restaurant with a seafood bar inspired by Mediterranean coastal color palette and artisanal textures. In collaboration with the food and beverage heads, we decided to focus cuisine around 3 specialties; oven, grilled or fried complimented by creative mixology’s. The service, OS&E, branding, design direction are provided by me and approved by the team. 47
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49
50
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Rooftop Lounge
Marriott International Food & Beverage Department Concept Design PROGRAMS USED: Illustrator Indesign Photoshop
CONCEPT BRIEF During my internship, I was asked to single-handedly develop a rooftop concept with an existing pool and provide it with branding, OS&E and FF&E. The core focus of this concept were heritage and locally adapted drinks, local inspired bites and premium shisha. A space which speaks personality and freedom, service and OS&E promote a casual yet social experience through vibrant tableware, eclectic branding and technology integrated service. The design reflects the thriving atmosphere that yet allow guests to transition through different spaces dependent on whether they prefer a social or relaxing atmosphere. 52
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Restaurant Lounge
Marriott International Food & Beverage Department Concept Design PROGRAMS USED: Illustrator Indesign Photoshop
CONCEPT BRIEF Towards the end of my internship, I was handed the responsibility renovate a restaurant lounge of two floors and several existing challenges. The indoor area held a poor seating arrangement and required a re-planning of spaces, the kitchen required to be redesigned and was not operational in order to cater to customers and the venue occurred several losses in the past due to its lack of focus for a concept or brand. The venue is refocused towards live cooking stations, music entertainment and a refresh of FF&E with a casual beach design including light woods, organic fabrics and artisanal textures.
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57
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RESIDENTIAL WORK
Ramchandani Residence
YEAR 2016 INDIVIDUAL PROJECT PROGRAMS USED: AUTOCAD Photoshop Lightroom
CONCEPT BRIEF During the initial stages as a designer, I took on a project with two other designers of freelancing and designing a residence. The client brief required us to challenge our design thinking process as there were items that needed to be retained while redoing 60% of the elements in a sophisticated manner while on a tight budget. My work displays the thought process behind the design and character given to the rooms, while redoing the house within a set time frame provided to us by the clients. They were a family of 4 with parents and 2 children. 62
VILLA FLOOR PLAN 1
1'
2
+0'-0" +4'-0"
SLD1
W2
+4'-0"
W6
D4
+4'-0" +4'-0"
W13
W1
+3'-0"
D5 +2'-10"
D1 +2'-6"
W4 +0'-6"
+0'-0"
+0'-0"
2
2'
3
W14
W14
+30'-0"
W14
63
PROFESSIONAL INTERIOR CAPTURES
;LIVING ROOM The clients’ wished to build their living room around the Indian women painting, while maintaining a sophisticated look with a neutral palette. They wished for a TV cabinet with storage and LED lights. Where as the bedroom required 19-year old female needed a chic and vintage look and feel.
BEDROOM 1
64
PROFESSIONAL INTERIOR CAPTURES
BEDROOM 2 The bedroom was designed for a 26-year old male who preferred subtle colors such as blue and white with modern touches. The master bedroom for the parents needed a grand look and feel with a neutral palette in mind. As well as furniture used primarily for storage.
MASTER BEDROOM
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Design is about the betterment of our lives poetically, aesthetically, experientially,sensorially and emotionally... Karim Rashid