advanced weave design

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AWDC ADVANCED WEAVE DESIGN AND CAD


Advance weave Documention

Textile design


Textile design

ADVANCED WEAVE DESIGN AND CAD

National Institute of Fashion Technology CHENNAI

Advance weave Documention

Mohammed safwan B-des Textile design


CONTENTS

Textile design

02

01

Advance weave Documention

Theory

Checks and stripes

Double cloth

04

Pin stripes

16

Interchange double cloth

04

Awning stripes

17

Wadded double cloth

05

Window pane

18

Stitched double cloth

05

Madras checks

19

Stitched wadded double cloth

06

Triple cloth

07


Textile design

03

04

Birds eye effect

28

Hounds tooth effect

30

Step effect

32

Hairline effect

34

Interchange double cloth ( stripes )

38

Interchange double cloth ( checks )

40

Wadded double cloth ( stripes )

42

Wadded double cloth ( checks )

44

Stitched wadded double cloth

46

Extra warp design

48 Advance weave Documention

Swatch simulations

Colour weave effect


004

Textile design

DOUBLE CLOTH

INTERCHANGE DOUBLE CLOTH

Double cloth is a descriptive term applied in weaving to fabrics produced by combining two single cloths into one. Each one of these single cloth is constructed with its own systems of warp and filling, the combination is effected in the loom interlacing some of the warp or filling threads of one cloth into the other cloth at certain intervals, thus fastening them. In double cloth face layer is lifted up while weaving the back layer.

Interchange double cloth is a weave where the warp order is reversed, so that the back layer and face layer gets interchanged.

Example Face Layer - Plain weave Back Layer - Plain weave x x F1

x

F2

x

F1

B1

F2

B2 B1

x

x

x

x

x

x

x

x

x

x

x

x

Advance weave Documention

x x

x

x

x

x

x

x x

x F1

x

B1

x

F2

x

x

B1

x

x

x

x

x

B1 F1

F2

x

x x

B2

x

B2

B2

x

F2

x

B1

x

F1 B1

F2

B2

B2

1.Dark colour on face and light colour on back

x x

x

x

x

B2

x

F2

x

B1

x B1 M2

B2

B1

B1

F2

x

B2

B2

x

F1

B2

Warp Ratio - 1:1 (F1B1F2B2) WeftRatio-1:1 (F1B1F2B 2)

M2

x

F1

F1

x

F2

B1

x F2

x

F1

B2

Warp Ratio - 2:1 (F1F2B1F1F2B2) Weft Ratio - 1:3 (F1B1B2B1F2B2B1B2) x

x

F1 B2

F1 B2

F2

2.Dark colour on back and light colour on face


Textile design

WADDED DOUBLE CLOTH

F

Here, Ratio = 4:1 Shafts = 4 shafts for ground weave and 8 shafts for extra warp x

B WADDED THREAD

F

Example

F

x

x

x

x

WADDED THREADS

x

F1

x

B1

In stitched double cloth, the two layers of fabric are connected where selected extra warp threads of one of them weave with the weft of the other, thereby forming a stitched effect.

F2

x

B1

F2

B2

B2

x

x x

x

x

x x x

STITCHED DOUBLE CLOTH

x

F1

x

x

B2

Ground weave

x x

x

x

x M2

x

x

x

x x

x

x

x

x x

x x x

x

x

x x x

Pattern using extra warp

Advance weave Documention

A wadded double cloth consists of a thick threads ( waddinng thread ) which is insterted in between the face and back layer. Used especially for coating, blankets, and upholstery


006

Textile design

STITCHED WADDED DOUBLE CLOTH

TRIPLE CLOTH

It involves the insertion of a vadded yarn as well as a stitched yarn after a constant interval while weaving the double cloth, sufficient enough to cover the vadded thread.

Triple cloth has three layers of fabric. Face layer, Middle layer and Back layer.

Example Here, Ratio = 4:1 Shafts = 4 shafts for ground weave and 8 shafts for extra warp x

x

x

x

WADDED THREADS

x

x x

x

x

x

x x

x

x x x

Advance weave Documention

x

x

Face Layer - Plain weave Middle Layer - Plain weave Back Layer - Plain weave

x

x

x

x

x x

x

x

x x F1

x

x x

Example

Warp Ratio - 1:1:1 (F1M1B1F2M2B2) Weft Ratio - 1:1:1 (F1M1B1F2M2B2)

x

x

While weaving the face layer the back layer and the middle layers are set to resting. While the middle layer is weaved the face layer is lifted up and the back layer is set resting. Finaly while weaving the back layer both the face layer and the middle layer is lifted up.

x x x

Pattern using extra warp

x

F2

x

F1 F2

M2

x

x

x

x

x

x

x

x

x x

x

x

x

x

B1

B2 M2 F2

x

B1

x

M1

x F1

x

M1

M1

x

x

M2

F1 M1

B1

F2

M2

B2

B2 B1

B2


Textile design

Advance weave Documention

WEAVE POINT SIMULATIONS


008

Textile design

PLAIN WEAVE

Advance weave Documention

2/2 WEFT RIB


Textile design

2/2 WARP RIB

Advance weave Documention

BASKET WEAVE


010

Textile design

4/4 TWILL WEAVE

3/1 TWILL WEAVE

Advance weave Documention

(STRAIGHT DRAFTING)


Textile design

3/1 TWILL WEAVE (POINTED DRAFTING)

Advance weave Documention

SATIN WEAVE


012

Textile design

SATEEN

Advance weave Documention

MOCK LENO WEAVE


Textile design

HUCK A BACK

Advance weave Documention

HONEY COMB WEAVE



Textile design

Advance weave Documention

STRIPES AND CHECKS


016

Textile design

PIN STRIPES

Advance weave Documention

It is categorized very neatly by the type of line that runs across the fabric, the direction it runs, its thickness and the distance between the stripes. A pinstripe is extremely thin, only around 1/30th of an inch in width, giving the impression of a pin being repeatedly used to mark the surface of the fabric. One single warp yarn is used to create the continuous stripe pattern, with the distance between stripes being as little as 1/10th of an inch all the way up to a whole inch.


Textile design

AWNING STRIPES

Advance weave Documention

In the style of the protective canopies over windows and doors, awning stripes are equally-sized, fairly wide, vertical stripes of solid color typically a darker color against a white or light color. This bright, bold pattern is common in coastal, beach, and nautical decors.


018

Textile design

WINDOW PANE

Advance weave Documention

When a graph check contains larger squares, the pattern may be referred to as windowpane, referencing windows that have divided panes, which are rarer today than they once were.


Textile design

MADRAS CHECKS

Advance weave Documention

A lightweight, hand woven cotton fabric with a plaid, striped or checkered pattern that’s made with semi-permanent vegetable dyes known for bleeding to give it the soft, muted colors it’s known for, although madras are also commonly patterned with plaid, stripes, and checks. Originally, madras fabric came from the region of Madras, India. A textile can only be called madras if it comes from this Indian region. Madras is often used to make shirts and dresses.



Textile design

Advance weave Documention

COLOR AND WEAVE EFFECT


022

Textile design

COLOR AND WEAVE EFFECT The form or pattern produced by a weave in combination with the order in which two or more colours are used for warp and weft.

dark 2 medium & 2 light. Irregular effects are created with an arrangement of yarns that do not follow a regular pattern.

A variety of effects can be obtained with basic weaves such as plain, twill and satin weaves, using colored yarns to create complicated weaving structures. The effects can be classified as regular and irregular.

eg : 2 dark & 1 light, 1 dark & 3 light , etc. Regular effects are produced by a simple order of colored yarns in weaves, through which continuous line effects, hound’s tooth, birds eye, spot and hairline effect and so on.

Regular effects are created with arrangements of threads in a repeating manner. eg: 2 light & 2 dark , 4 light & 4 dark , 2

Advance weave Documention

8 ENDS DARK AND LIGHT PLAIN WEAVE


Textile design

8 ENDS DARK AND LIGHT TWILL WEAVE

Advance weave Documention

8 ENDS DARK AND LIGHT SATIN WEAVE


024

Textile design

4 ENDS DARK AND LIGHT PLAIN WEAVE

Advance weave Documention

4 ENDS DARK AND LIGHT SATIN WEAVE


Textile design

4 ENDS DARK AND LIGHT TWILL WEAVE

Advance weave Documention

2 ENDS DARK AND LIGHT SATIN WEAVE


026

Textile design

2 ENDS DARK AND LIGHT SPLAIN WEAVE

Advance weave Documention

2 ENDS DARK AND LIGHT TWILL WEAVE


Textile design

Advance weave Documention

TYPES OF COLOR AND WEAVE EFFECT


028

Textile design

BIRDS EYE EFFECT A birdseye is a spot-like micro-design for worsted wool. However, to obtain the round “eye” in the cloth, the sequence of colours is also fundamental. Without it, the eye wouldn’t be circular but square, which wouldn’t produce the same avian effect.

x

x

x

x

x

x x

x

x x

x

x x

2

x

1,5,6,7

x

1,5,6,7 1,5,6,7

x

4

x

x

x

x

3

x

x

x 1

x

1,5,6,7

x x

x

Advance weave Documention

x

x

1,5,6,7 1,5,6,7

x

1,5,6,7

x

x

x

5

6

7

1,5,6,7 8


Advance weave Documention

Textile design


030

Textile design

HOUNDS TOOTH EFFECT The most popular weave for color and weave effects is 2/2 twill. With a 4:4 coloring, arranged as in the following figure, it gives a distinctive and decorative pattern known as Hound’s tooth or dog’s tooth when a relatively fine construction gives a small, and as hound’s tooth when a coarser construction gives a larger pattern.

x x x

x x x

Advance weave Documention

2

x x x

x

3

x

x

x x

x

4

5

x

x

x

x

x 1

x

x

x

x

x

x

x

x

x

x

x x 6

7

8


Advance weave Documention

Textile design


032

Textile design

STEP EFFECT A 1:1 order of coloring with a 2/2 twill weave (for finer effect) or 1:2 order of coloring with a twill weave (for finer effect) or 2:1 order of coloring with a twill 3/3 weave (for coarser effect) gives a useful effect known as step effect.

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

Advance weave Documention

1

2

3

x

4

5

x

x

x

x

x

6

7

8


Advance weave Documention

Textile design


034

Textile design

HAIRLINE EFFECT

Advance weave Documention

The form or pattern produced by a weave in combination with the order in which two or more colours are used for warp and weft.

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

x

7

8

x

x

x

x

x

x

x

x

1

2

5

6

3

4


Advance weave Documention

Textile design



Textile design

Advance weave Documention

SWATCHES SIMULATION


038

Textile design

SWATCH 01 - Interchange double cloth (stripes) Design Name:Interchange double cloth

x

x

x

x

x

x

(stripes)

x

Design Number: MS01

x

x

x

x

Reed space: 40’s

x

x

x

x

x

x

x x

x

Denting Order:

1

3,7

x

1,2,3,5,6,7 1,5

x

x

Warp Count: 2/20’s

x

x

3

4

5

1,3,4,5,7,8

x

3,7

x

1,2,3,5,6,7

x 2

1,3,4,5,7,8

x x

x

Weft Count: 2/20’s

x

1,5 6

7

8

Body: 2 in a dent selvedge: 4 in a dent Drafting Order: Block Drafting, Block A - 1,2,3,4 (Straight) Block B - 5,6,7,8 (Straight) Total number of ends : 232 Warp Pattern : 1 dark 1 light Weft Pattern : 1 dark 1 light yarn Number of shafts: 8 Fabric Width: 5”

Advance weave Documention

Graph:

D

x

x

L D

x

L

x

x

x

B2

D

x

F2

L

x

B1

D

F1

L

x x

x

x

x

B2

x

F2

x

B1

x

F1

F1

B1

F2

B2

B1

F1

B2

F2

L

D

L

D

D

L

D

L

Block A

Block B


Advance weave Documention

Textile design


040

Textile design

SWATCH 02 - Interchange double cloth (checks) Design Name:Interchange double cloth

x

x

x

x

x

x

Design Number: MS02

x

Reed space: 40’s

x

x

x

x

Warp Count: 2/20’s

x

x

x

x

x

x

x x

x

Body: 2 in a dent selvedge: 4 in a dent

1

3,7

x

1,2,3,5,6,7 1,5

x

x

Weft Count: 2/20’s

x

x

1,3,4,5,7,8

x

3,7

x

1,2,3,5,6,7

x 5

1,3,4,5,7,8

x x

x

Denting Order:

x

1,5

2

3

4

6

7

8

x

x

x

B2

D

x

F2

L

x

B1

D

x

F1

L

x

Drafting Order: Block Drafting, Block A - 1,2,3,4 (Straight) Block B - 5,6,7,8 (Straight)

D L

Denting order:

D

Body: 2 in a dent Selvedge: 4 in a dent

L

Total number of ends : 232

x

x x

x x

x

F2

x

B1 F1

F1

B2

F2

F1

B1

F2

B2

D

L

D

L

L

D

L

D

A

B2

x

B1

4 Block

Warp Pattern : 1 dark 1 light

x

3 Block

B

Weft Pattern : 1 dark 1 light yarn Number of shafts: 8

D

Fabric Width: 5”

L

Graph:

x

D

x

L

x

Advance weave Documention

F1 L

x x B1 D

x

B2

D

x

F2

L

x

B1

D

F1

L

F2 L

1 Block

A

x x

x

x

x

B2

x

F2

x

B1

x

F1

B2

B1

F1

B2

F2

D

D

L

D

L

2 Block

B


Advance weave Documention

Textile design


042

Textile design

SWATCH 03 - WADDED DOUBLE CLOTH ( STRIPES ) Design Name: Wadded double cloth Design Number: MS03 Reed space: 40’s Warp Count: 2/20’s Weft Count: 2/20’s Denting Order: Body: 2 in a dent selvedge: 4 in a dent Drafting Order: Straight Drafting (12345678 - 12345678) Denting order: Body: 2 in a dent Selvedge: 4 in a dent Total number of ends : 232

x

x

Warp Pattern : 10 dark 10 light

x

x

Fabric Width: 5”

Advance weave Documention

Graph:

x

x

x

x

Weft Pattern : 4 dark 1 wadded yarn Number of shafts: 8

x

x

x

x

x

x

x 1

x

1,3,5,7

x

x

3,7

x

1,2,3,5,6,7

x 2

3

4

5

1,3,4,5,7,8

1,5 6

7

8


Advance weave Documention

Textile design


044

Textile design

SWATCH 04 - WADDED DOUBLE CLOTH ( CHECKS ) Design Name:Interchange double cloth Design Number: MS04 Reed space: 40’s Warp Count: 2/20’s Weft Count: 2/20’s Denting Order: Body: 2 in a dent selvedge: 4 in a dent Drafting Order: Straight Drafting (12345678 - 12345678) Denting order: Body: 2 in a dent Selvedge: 4 in a dent Total number of ends : 232

x

x

Warp Pattern : 10 dark 10 light

x

x

Number of shafts: 8 Fabric Width: 5”

Advance weave Documention

Graph:

x

x

x

x

Weft Pattern : 4 dark 1 wadded yarn 4 light 1 wadded yarn

x

x

x

x

x

x

x 1

x

1,3,5,7

x

x

3,7

x

1,2,3,5,6,7

x 2

3

4

5

1,3,4,5,7,8

1,5 6

7

8


Advance weave Documention

Textile design


046

Textile design

SWATCH 05 - STITCHED WADDED DOUBLE CLOTH Design Name:Interchange double cloth

x

x

Design Number: MS05

x

x

Reed space: 40’s Warp Count: 2/20’s Weft Count: 2/20’s Denting Order:

x

x

1

1,2,3 1

2

3

4

4

x

3,5

x

2,6

x x 2

x

3

4

4,8 1,4,6

x

x

x

1

x

x

x

Total number of ends : 232

Advance weave Documention

x

x

Body: 2 in a dent Selvedge: 4 in a dent

Weft Pattern : 10 dark 1 waddded yarn

3

x

Denting order:

Warp Pattern : dark

x

x

4 shaft - ground weave

Fabric Width: 5”

1,3,4

x

Drafting Order: Straight Drafting

Number of shafts: 8

x

x

Body: 2 in a dent selvedge: 4 in a dent

8 shaft - extra warp

1,3

x

4,8 2,6

x

3,5 4

5

6

Extra warp design

7

8


Advance weave Documention

Textile design


048

Textile design

SWATCH 06 - EXTRA WARP DESIGN Design Name:Interchange double cloth Design Number: MS06 Reed space: 60’s Warp Count: 2/20’s Weft Count: 2/20’s Denting Order: 2 in adent Drafting Order: 1” plain weave

– straight drafting

0.5 “ extra warp

– straight drafting

1 “ plain weave

– straight drafting

1 “ extra warp

– pointed drafting

1 “ plain weave

– straight drafting

Ratio

– 4:1

Number of shafts: 24 Ground weave

– 4 shafts

.5 “ extra warp

– 10 shafts

1 “ extra warp

– 10 shafts

Total number of ends : 270 Fabric Width: 4.5” Warp Pattern : dark yarn Weft Pattern : dark yarn Advance weave Documention

Graph:


Advance weave Documention

Textile design


Advance weave Documention

Textile design


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