Design portfolio -2019 by Sally AlSheikh

Sali Al Chikh

DESIGN PORTFOLIO

DESIGN PORTFOLIO SALLY ALCHIKH

TABLE OF CONTEXT :

WORK SAMPLES :

DESIGN STUDIO

ROBOTIC STUDIES

APPLIED STUDIES

VISUAL STUDIES

WORK SAMPLES: SDK Atelier VERDEGO DESIGN

LOST CANYON ESTATES SIMI VALLEY, CALIFORNIA Client: NewPort Pacific Land

"This project was designed in SDK Atelier , it is Nestled in the foothills of Simi Valley, Lost Canyons will be the premier new home golf course community, close to employment, entertainment, shopping, and schools, yet secluded in a spectacular and expansive view-oriented setting. Plans for the new neighborhood include one-story villas and two-story homes ranging from 2,000 to over 4,000 square feet of living space in the main home with an opportunity to add casitas/guest homes. Unlike most new home communities being offered in the marketplace today, the homesites have been arranged with a variety of different sizes and shapes offering from 6,000 square feet to over one acre. With approximately 350 homes on over 1,700 acres of land, future homeowners will enjoy access to miles of open space and a myriad of recreational opportunities. These upscale homes nestled among the hills and open space will be adjacent to a redesign of the original Lost Canyons eighteen-hole championship golf course, by world renowned architect Gil Hanse, plus club house, practice facility, fitness center, pool and spa.

8'-5"

70'-0"

OUTDOOR ROOM CASUAL DINING 18'-9" x 10'-5"

MASTER BEDROOM

16'-8" x 16'-0"

KITCHEN

MASTER BATH

ENTRY PDR.

STORAGE

COATS

OFFICE 13'-0" x 11-'0" W.I.C.

TANDEM

11'-0" x 15'-10"

75'-0"

KEY DROP

GREAT ROOM 34'-7" x 18'-8"

DINING

LAUN.

COURTYARD

PORCH

BEDROOM 2 11'- 10" x 12'- 0"

GARAGE

21'-2" x 20'-9"

W.I.C.

LINEN

BATH 2

A CASITA 14'-10" x 16'-0"

ROOMS / CASITA / 4.5 BATHS GARAGE

ABULATION

LOOR

OOR RM. GE (3 CAR)

1 4"

BEDROOM 3 13'-2" x 12'-9"

BATH 3

BATH

3,583 S.F. 3,583 S.F. 347 S.F. 654 S.F.

= 1'-0"

Bayview Circle, Suite 2200 port Beach, California 92660 Tel: 949.945.2290 www.NPland.com

LOST CANYONS ESTATES NORTH SDK Atelier Inc. | Architecture + Planning 300 Spectrum Center Dr., Suite 1170 Irvine, California 92618 Tel: 949.585.9167 www.SDKatelier.com

SIMI VALLEY, CALIFORNIA JOB #: 120-18118 DATE: JANUARY 7 th 2018

- PLAN 1 FLOOR PLAN

SORIA, LAKE FOREST Client:Lennar

"This project was designed in SDK Atelier , it is Located in Lake forest California, three story single family homes, Designed for the top builders in California Leenar . the Plans for the new neighborhood include three story villas 2,000 to over 3,000 square feet of living space in the main home and loft spaces or bonus rooms in the third floor , the homesites have been arranged with a variety of different sizes and shapes offering from 6,000 square feet to over one acre. With approximately 150 homes , Each plan has 3 Elevation Styles : Transitional , Contemporory Spanish and Contemporary Hacienda

11'-0" X 11'-0"

MIN

MIN. -VERIFY BEDROOM 3

W.I.C.

LAUN.

1'-6"

8'-0"

MIN BEDROOM 2

MIN

3'-0"

1'-6"

8'-0" MIN. -VERIFY

11'-0" X 11'-0"

KITCHEN MASTER BATH

COVERED DECK 7'-6'' X 21'-0''

LINE OF SOFFIT ABOVE

BATH 3

BATH 2

LINE OF FLOOR ABOVE

DINING

10'- 6" X 12'- 6" FAU

MASTER BEDROOM

LINEN

UP 17

GREAT ROOM 15'-0" X 15'-8"

15'-0" X 14'-6"

LINE OF SOFFIT ABOVE

THIRD FLOOR

MIN

3'-0"

DN 17

SECOND FLOOR

52'-0" VERIFY

3'-0"

39'-0"

10'-0"

MIN

VERIFY

A/C

1'-6"

MIN

2'-0"

3'-0"

TRASH/ RECYCLE

TANKLESS WATER HEATER WALL MOUNTED 6'-0" ABOVE FINISH FLOOR

LINE OF FLOOR ABOVE EV

PROVIDE 208/240 VOLT OUTLET FOR ELECTRIC VEHICLE.

8070 SECTIONAL GAR. DR.

LINE OF FLOOR ABOVE

BATH 4

VERIFY

GARAGE

21'-0" x 20'-3"

37'-0"

14'-0" X 14'-0"

31'-0"

BEDROOM 4

UP 17

ENTRY

PLAN 4

462 S.F.

LINE OF AWNING ABOVE

WATER-RESISTANT HARD SURFACE AT BATHROOM

MIN

GARAGE (2 CAR)

3'-0"

642 S.F. 1,010 S.F. 1,075 S.F. 2,727 S.F.

WATER-RESISTANT DECKING

3'-0"

AREA TABULATION

FIRST FLOOR SECOND FLOOR THIRD FLOOR TOTAL

MATERIAL LEGEND

OFFICE

15'-0" X 9'-8"

4 BEDROOMS / 4 BATHS / OFFICE 2-CAR GARAGE

HARD SURFACE FLOORING

FIRST FLOOR SCALE:

1/4" = 1'-0"

SORIA AT SERRANO SUMMIT 15131 ALTON PARKWAY,SUITE 365 IRVINE, CA 92618 (949) 349-8000

SDK Atelier Inc. | Architecture + Planning 300 Spectrum Center Dr., Suite 1170 Irvine, California 92618 Tel: 949.585.9167 www.SDKatelier.com

LAKE FOREST, CALIFORNIA JOB #: 115-18123 DATE: MARCH 25TH 2019

- PLAN 4 FLOOR PLAN 2,727 SF

DAYBREAK RENO RENO ,NEVADA Client: NewPort Pacific Land Located in Southeast Reno, adjacent to the new Southeast Connector, this infill project is designed to allow for a mix of residential products from multi-family rental to single-family detached to active adult. With this multi-segmented design, Daybreak Reno should provide for attainable housing for the rapidly growing, yet housing constrained, Reno market. The master plan also includes the potential for a number of schools along with significant open space and parks and neighborhood commercial. plan 1 is a four bedroooms single family house , with 3 baths , 2 car garages , area tabulation is : First floor 829 SF, Second Floor 1.108 SF Total Area is 1.937 S.f.

16080 SECTIONAL GR. DR.

5050 SL

2650 SH

5050 SL

BEDROOM 2

10'-6" x 11'-0"

2680

20'-9" x 20'-0"

10'-0" x 11'-8"

5080 BI-PASS

GARAGE

BEDROOM 3

5080 BI-PASS

2480

2650 SH

2480

2880

LAUNDRY

GREAT ROOM

PORCH GREAT ROOM

FIRST FLOOR

AT DAYBREAK 6-PACK AT6-PACK DAYBREAK RENO, NEVADA RENO, NEVADA

JOB #: 120-18109 JOB #: 120-18109 th DATE: AUGUST 22th 2018 DATE: AUGUST 22 2018

3056 SH

12080 SL. GL. DR. 2656 SH

2656 SH

2620 FX

2650 SH

SECOND FLOOR SECOND FLOOR

3056 SH

PORCH

15'-0" x 23'-6"

PR. 3080 .FR.DR.

2656 SH

2020 FX

15'-0" x 15'-0"

2620 FX

OUTDOOR ROOM

3680

2620 FX

OUTDOOR ROOM DINING

DINING

MASTER BEDROOM

15'-0" x 15'-0"

12080 SL. GL. DR.

2480

2020 FX

MASTER BEDROOM

2620 FX

2650 SH

2480

2650 SH

MASTER BATH

2480

SDK Atelier Inc. | Architecture + Planning 300 Spectrum Center Dr., Suite 1170 Irvine, California 92618 Tel: 949.585.9167 www.SDKatelier.com

KITCHEN

2880

W.I.C. MASTER BATH

W.I.C.

PR. 3080 .FR.DR.

PANTRY

KITCHEN

LINEN

2880

PANTRY

62'-0"

2650 SH

LAUNDRY

UP 17

2650 SH

DN 17

PDR. 2480

80 24

2040 SH

UP 17

DN 17

2880

Planning 1170

PDR.

80 24

2040 SH

BATH 2

2650 SH

BATH 2

2880

2680

3056 SH

FIRST FLOOR

3056 SH

PLAN 2PLAN - FLOOR P PLAN 2 - FLOOR

ELEVATION NOTES REFER TO FLOOR PLAN SHEETS FOR DOOR AND WINDOW DESIGNATIONS.

VAPOR:

SDK Atelier Inc. | Architecture + Planning 300 Spectrum Center Dr., Suite 1170 Irvine, California 92618 Tel: 949.585.9167 www.SDKatelier.com

ROOF MATERIAL: REFER TO ROOF PLAN PROVIDE VAPOR BARRIER AROUND ALL WALL PENETRATIONS INCLUDING DOORS, WINDOWS AND VENTS PER DETAIL.

KEYNOTES: 1. MASONRY

1.1 NOT USED 2.

2.1 2.2 2.3 2.4 2.5 2.6 2.7 3.

2.2

TOP. PLT.

Client: DR HORTON

3.6

1 D201

WINDOW HEAD

3 D201

4.1 4.2 4.3 4.4 4.5

6'-8"

3.2

9'-1"

6.2 5.1

3.6

4.1

5.2

FIN. FLOOR

METALS (ALL METALS TO BE CORROSION RESISTANT)

WEEP SCREED FLASHING AT INTERSECTION ALUMINUM GUTTER ALUMINUM DOWNSPOUT DECORATIVE METAL RAILING DOORS

5.1 ENTRY DOOR (AS SELECTED BY BUILDER) 5.2 SECTIONAL ROLL-UP GARAGE DOOR (AS SELECTED BY BUILDER) 14 D201

4 D501

7 D201

FRONT ELEVATION

PLAN 1.1858-B

MONTERERY

ELECTRICAL

6.1 LIGHT FIXTURE, 84" AFF (U.O.N) - VERIFY 6.2 LIGHTED ADDRESS SIGN, +64" AFF (U.O.N.) SWITCHED BY PHOTOCELL 7. MISCELLANEOUS

7.1 WALL OPENING 7.2 GAS METER TO BE BEHIND PL FENCE OR ENCLOSED IN APPROVED METER CABINET. CABINET TO BE PAINTED TO MATCH WALL SURFACE 7.3 ELECTRICAL PANEL TO BE BEHIND PL FENCE OR SCREENED BY LANDSCAPE

SCALE: 1/4"=1'-0"

±1'-5"

RAISED HEEL

8'-1"

6'-8"

3.1

7.3

3.6

15 D201

2.2

DATE XXXXXXXXXXX

2 3

9'-1"

SIM. W/O TRIM

6'-8"

14 D201

3.10

4 5

5.1 6"

3.2

4.1

7.2

FIN. FLOOR

9 10 14 D201

SCALE: 1/4"=1'-0"

FRONT ELEVATION

7 XX-XX-XXXX D201

3.6

TOP. PLT. 1 D201

SDK ATELIER 121-18103

T EC L IL

ED ARCH NS A. GA I T

C27164

REN. 04-30-19

WINDOW HEAD

6.2 3 D201

3.6 5.2

EXTERIOR FINISHES

FIN. FLOOR

4.1 4.2 4.3 4.4 4.5 5.

METALS (ALL METALS TO

WEEP SCREED FLASHING AT INTERSE ALUMINUM GUTTER ALUMINUM DOWNSP DECORATIVE METAL R DOORS

5.1 ENTRY DOOR (AS SEL 5.2 SECTIONAL ROLL-UP 6.

PLAN 1.1858-B

DRAWN BY JOB NUMBER

MONTERERY

PLAN 1.1858-B

MONTERERY

B.D. FIRST SUBMITTAL

C CR A E I

RIGHT ELEVATION

4 D501

2X6 WOOD FASCIA B 2X6 WOOD BARGE BO 4X6 WOOD OUTLOO WOOD BEAM, SEE DE WOOD POST, SEE DE WOOD TRIM: COMBE WOOD CORBEL

ROOFING MATERIAL 1-COAT STUCCO (REF STUCCO SOFFIT / CEIL STUCCO SILL, SLOPE 21 STUCCO RECESS SMOOTH STUCCO FIN SMOOTH CEMENTITIO INSTALL PER MFR'S IN 3.8 SMOOTH HORIZONT SIDING PRODUCTS". 3.9 CEMENTITIOUS VERTI EVENLY SPACED 16" O BY "JAMES HARDIE S JOINTS BEHIND BATT 3.10 DECORATIVE FAUX C 3.11 COMPOSITE SHUTTE 3.12 DECORATIVE CERAM 3.13 FYPON DECORATIVE

D501 DELTA REVISIONS

WOOD

3.1 3.2 3.3 3.4 3.5 3.6 3.7

SDK ATELIER INC. RESERVES ITS COPYRIGHT IN THESE DRAWINGS. DRAWINGS ARE NOT TO BE REPRODUCED, ALTERED OR COPIED IN ANY FORM OR DISTRIBUTED TO A THIRD PARTY WITHOUT OBTAINING THE WRITTEN CONSENT OF SDK ATELIER INC. IN THE EVENT OF UNAUTHORIZED REPRODUCTION OF THESE DRAWINGS, SDK ATELIER INC. HAS THE RIGHT TO SEEK LEGAL RAMIFICATIONS FOR DAMAGES OCCURRED.

WINDOW HEAD 3 D303

2.1 2.2 2.3 2.4 2.5 2.6 2.7

LEGAL DISCLAIMER

2.1 3.12

PROVIDE VAP INCLUDING D

1.1 NOT USED 2.

XXXXXXXX-RNC 4 4.2 D401

TOP. PLT.

2868

VAPOR:

KEYNOTES: 1. MASONRY

PLAN CHECK #:

FIN. FLOOR

6.1

ROOF MATERIAL: REFER TO

TOP. PLT. WINDOW HEAD

3.2

ELEVATION

REFER TO FLOOR PLAN SHE

9'-1"

25 D501

6'-8"

3.10

FIRST BUILDING DEPARTMENT SUBMITTAL

CORONA ,CALIFORNIA

D.R. Horton 2280 Wardlow Circle, Suite 100 Corona, California 92880 Tel: 951.739.5438 www.DRhorton.com

2.1 3.12

ROOFING MATERIAL 1-COAT STUCCO (REFER TO COLOR AND MATERIALS FOR FINISH) STUCCO SOFFIT / CEILING STUCCO SILL, SLOPE 21" PER FT. STUCCO RECESS SMOOTH STUCCO FINISH OVER HIGH DENSITY FOAM TRIM. SMOOTH CEMENTITIOUS TRIM BY JAMES HARDIE SIDING PRODUCTS. INSTALL PER MFR'S INSTRUCTIONS. 3.8 SMOOTH HORIZONTAL SIDING: "ARTISAN SHIPLAP" BY "JAMES HARDIE SIDING PRODUCTS". INSTALL PER MFR'S INSTRUCTIONS. 3.9 CEMENTITIOUS VERTICAL BATTENS (1 21" WIDE x 34" THICK) EVENLY SPACED 16" O.C. OVER SMOOTH "HARDIE PANEL"( .312" THICK) BY "JAMES HARDIE SIDING PRODUCTS" . CONCEAL ALL PANEL VERTICAL JOINTS BEHIND BATTEN. 3.10 DECORATIVE FAUX CLAY TILES BY "VOLTERRA" 3.11 COMPOSITE SHUTTERS 3.12 DECORATIVE CERAMIC TILES 3.13 FYPON DECORATIVE FALSE VENT, SEE DETAIL

CAMELIA POINT

EXTERIOR FINISHES

3.1 3.2 3.3 3.4 3.5 3.6 3.7

TRACT #32702-1 LOTS 29-34,35-37 & PORTION 38 BUILDER AREA 154 & 157 CALIMESA, CALIFORNIA

4 D401

2X6 WOOD FASCIA BOARD 2X6 WOOD BARGE BOARD 4X6 WOOD OUTLOOKERS WOOD BEAM, SEE DETAIL WOOD POST, SEE DETAIL WOOD TRIM: COMBED SPRUCE AND BACK PRIMED WOOD CORBEL

CAMELLIA POINTE AT SUMMERWIND

4.2 3.1

WOOD

SCALE: 1/4"=1'-0"

ELECTRICAL

6.1 LIGHT FIXTURE, 84" A 6.2 LIGHTED ADDRESS SI SWITCHED BY PHOTO 7. MISCELLANEOUS

7.1 WALL OPENING 7.2 GAS METER TO BE BEH CABINET. CABINET TO 7.3 ELECTRICAL PANEL TO

FLOOR PLA

GENERAL NOTES: 1. FINAL CABINET DRAW 2. ALL EQUIPMENT, APP BUILDER AND INSTA

TEMPERED GLASS TY 32'-0"

32'-0" 16'-8" 7'-7 1/2"

4'-11"

7'-8"

4'-2"

7'-8"

A A127

B. B1 B2 B3

11'-6" 2'-4"

5'-0" (VERIFY) 43'-6 1/2"

7'-9"

64'-0" 2'-0"

8'-0 1/2"

BED RM. 2

B A127

9'-1" CLG.

2668

4'-8"

M11

D. D1 D2

STAIR / RAILING HANDRAIL SHALL B GUARDRAIL SHALL INTERMEDIATE RAI 4" IN DIAMETER CA NEWEL POST. RATED ASSEMBLY U GYPSUM BOARD A USABLE SPACE.

F5 F6 F7 F8

13'-0"

G. G1

CARPENTRY BUILT-IN 5 EQUALL BUILT-IN PANTRY BUILT-IN DESK. SEE BASE CABINET. SEE UPPER CABINET. SE LINEN CABINET. SEE ARCHED SOFFIT. SE FLAT SOFFIT. SEE P WIRE SHELF AND P

F. F1 F2 F3 F4

5'-4"

9'-1" CLG.

PORCH

2'-0"

9'-1" CLG.

20'-5 1/2"

GARAGE

5'-4"

20'-5 1/2"

G1 5'-5"

16'-1 1/2"

5'-5"

7'-4"

11'-4"

24'-5"

F5 7'-6"

F5 6'-0"

7'-6"

16070 SECTIONAL GARAGE DOOR

A A127 7'-4"

2'-0"

2'-3 1/2"

GARAGE SEPARATION CEILIN 5/8" THICK TYPE 'X' DOOR OPENINGS B WOOD DOORS NO HONEYCOMB- COR 20- MINUTE FIRE- R LATCHING DEVICES

M. M1

MECHANICAL / ELEC FORCED AIR UNIT. CURRENT CMC. PR TO BE DETERMINED M2 ATTIC ACCESS. RO ABOVE OPENING P AND SHALL HAVE A M3 DUCT CHASE M4 A/C CONDENSER U M5 DRYER VENT TERMI M6 NOT USED M7 NOT USED M8 WATER CLOSET AB M9 PLUMBING WASTE M10 ELECTRICAL SERVIC M11 TANKLESS WATER H M12 TEMPERATURE AND

32'-0"

2'-3 1/2"

16'-1" 20'-8"

11'-4"

AMERICAN FARMHOUSE

FINISHES LOW WALL - REFER LINE OF FLOOR ABO STUCCO WALL. SE SLEF-CLOSING, SELF DOOR OR A 20 MIN STUCCO SOFFIT, SE WOOD POST, SEE P WOOD BEAM, SEE P LINE OF 2x4 STUD W

A A127 2'-0"

SECOND FLOOR PLAN

BATHROOM / LAUN NOT USED NOT USED MASTER BATH: FIBE SELECTED BY BUILD BUILDER ABOVE FIN FLOOR., PROVIDE T NOT USED SECONDARY BATH 80" ABOVE FINISH F NOT USED NOT USED PEDESTAL SINK 30" WIDE X 24" DEE MEDICINE CABINET BATHROOMS NOT USED NOT USED NOT USED LAUNDRY SINK WASHER: PROVIDE DRAIN, PROVIDE W SPACE SHALL BE LO GRAPHIC REPRESEN DRYER: PROVIDE M OUTSIDE AIR W/ BA INCLUDING (2) 90 D MAKE UP AIR AT LA OPENING, REFER TO NOT USED NOT USED SHATTERPROOF GL 22" CLEAR. NOT USED MIN. 4" DIA. DRYER FEET LENGTH INCLU

C. C1 C2 C3 C4 C5 C6 C7 C8 C9

D3 D4

11'-3 1/2"

3050 SH

9'-1" CLG

2'-8 1/2"

2'-5 1/2" 3'-2 1/2"

1'-6" 2668

WIRE S & P

S&P

9'-3 1/2"

S&P

9'-1" CLG

8'-8 1/2" 3'-11 1/2" 3'-0"

BA 2

3068

2'-0"

2468

3'-5"

5'-3"

B10

B21 B22

4'-4"

9'-1" CLG.

6'-0" SLOPING F1 42" ABOVE TREADS

B18 B19 B20

4'-3"

W.I.C

7" 4'-0"

15 TREADS @ 10" EA.

UP 16R

2030 SH

5'-8"

2868

9'-3"

SLOPI N CEILI G NG 2.5/12 1'-3" 3"

ENTRY

2'-8 1/2"

3'-11 1/2"

4'-11 1/2"

OPEN TO ABOVE

2640 SH

10'-8"

21'-4"

A5 C4

S&P

B A127 REFER TO DETAIL 4/D101 FOR TYPICAL STAIR AND RAIL DETAILS

W.I.C

1'-10"

3'-9"

B A127

KITCHEN 9'-1" CLG.

B16 B17

2468

9'-1" CLG

S&P

2'-1 1/2"

6068 BI-PASS

10'-5"

DN 16R

2'-7 1/2"

15 TREADS @ 10" EA.

B16

B15

7'-1 1/2"

REFER TO DETAIL 4/D101 FOR TYPICAL STAIR AND RAIL DETAILS

3'-11 1/2"

2668

B A127

9'-1" CLG

B11 B12 B13 B14 B15

42"X60"

LAUND

4'-0" 64'-0"

64'-0"

5'-1"

3'-9"

4'-10"

2'-7"

5'-10"

B20

M.BATH 9'-1" CLG

2'-4"

A2 A1

3'-11 1/2"

3'-5 1/2"

8'-1" CLG.

B10

3'-10 1/2"

7'-2"

46'-8"

12'-0"

5040 SL

14'-7"

5040 SL

BED RM. 3

+42"

11'-11 1/2"

8'-1" CLG

5'-11 1/2"

4'-7 1/2"

17'-7"

BA 3

2640 SH

S&P

4'-0"

9'-1" CLG

+/- 9'-1"

6'-0"

5'-11"

2668

10'-7 1/2" 14'-7"

5040 SL

8'-1" CLG.

4'-8 1/2"

6'-0"

B10

24'-5"

64'-0"

LOFT

5'-7 1/2"

B6 B7 B8 B9 B10

5'-0"

2.5/12

5040 SL

3'-2"

2'-2 1/2"

10'-8"

3'-0 1/2"

8'-0"

+/- 11'-8"

B4 B5

13'-10"

13'-8"

4'-1 1/2" 3068

25'-3 1/2"

25'-0"

9'-1" CLG

2.5/12

16'-10"

SLOPING CLG.

25'-0"

MASTER BEDROOM

2468

2'-2"

NG SLOPI G CEILIN 2.5/12

+/- 9'-1" 2640 SH

GREAT RM.

8'-9 1/2"

A/C

5040 SL

6068 SL. GL. DR.

A A127

12'-6 1/2"

EMERGENCY EGRESS PROVIDE THE FOLLO 路 5.7 SQUARE FEET 路 NET OPERABLE HE 路 NET OPERABLE W 路 BOTTOM OF CLEA ABOVE FINISH FLO KEYNOTES: A. KITCHEN A1 KITCHEN SINK W/ G A2 KITCHEN ISLAND A3 BUILT-IN DISHWAS A4 36" WIDE REFRIGER ICE MAKER A5 30" FREE-STANDING LIGHT AND FAN (M OUTSIDE AIR) A6 NOT USED A7 NOT USED

15'-4"

32'-0"

PLAN 1.1858-A SCALE: 1/4"=1'-0"

FIRST FLOOR PLAN

PLAN 1.1858-A

AMERICAN FARMHOUSE

SCALE: 1/4"=1'-0"

PLAN 1.1858 SQ. FOOTAGE FIRST FLOOR SECOND FLOOR TOTAL

PORCH GARAGE

1,460 SQ. FT. 398 SQ. FT. 1,858 SQ. FT.

100 SQ. FT. 420 SQ. FT.

INDICATES

INDICATES INDICATES NOTE: THE FINISHED SQUARE FOOTAGE OF THE HOUSE AND ROOM DIMENSIONS MAY VARY FROM THE INFORMATION PROVIDED IN THESE DRAWINGS.

INDICATES REQUIRING SIDE.

MIDWAY LAX CAR RENTAL: FLAGSHIP LOBBY DESIGN

VERDEGO DESIGN Location:El Segundo ,California Project Area:2.700 Square feet Project Type:Commercial

FLAGSHIP LOBBY DESIGN

This design services for Midway Car Rental consist of a Interior design package for the New proposed Midway car rental approximately 4,500 square feet in size and located at 6151 W. Century Blvd., Los Angeles, CA 90045. The designated areas for the location include the following: Reception/Front counter area with customer seating and amenities, Break room, Cube space and offices and a new conference room on the second floor. The project included the following scope of work:

Pre Design Phase 1- Revised floor plan 2.Preliminary furniture plan layout 3-schematic Design and rendering

Lobby

THESIS PROJECT: THE RISE UP OF THE COLLAPSED CITY Aleppo Syria Advisor: Eric Owen Moss

THE RISE UP OF THE COLLAPSED CITY Architecture and War Aleppo Syria Advisor: Eric Owen Moss

"Architecture and war are not incompatible. Architecture is War is Architecture I am at war with my time , with history ,with all the authority that resides "

I Declare war on all icons, on all

histories" LEBBEUS WOOD

"tomorrow, we begin the construction of a city"

There is always a story, and there is always an Author. War is The Author. The Author of the Rise up of the Architecture of new city that was destroyed by the tragedy of War. Syria, a country with a History, A history that no one can deny. Aleppo one of the oldest cities in the world, The War is over. And it is the time to build the city the way it was supposed to be. After war buildings will became ruins, ruins that witnessed wounds of thousands. So What does it look like to start over? And how the new city should look like? "Tory that must not be denied, in their damaged states they suggest new forms of thoughts and comprehension, and suggest new conceptions of space that confirm the potential of human to integrate itself"

Lebbeus wood

And the flower should grow over the city , The original city is destroyed, we can never go back to that city, but after the war , the memories of it should not be deleted , The Old city is now a museum, a memorial museum to remember the tragedy of the war. The first layer of the city after the war :bridges over the ruins, A human experience that Takes throughout time and memories , nothing is demolished , the past is there , you can see it but you can't be there. We can always see what happen during the war by creating a GRID of bridges over the old city of Aleppo where people can see what the war cause but they cant touch it they can feel it but can't reach it. The second Layer is the Ruins that witnessed a huge deconstruction that has a metaphorical reading for Its History before that war, We see it but we don't know it, and sometimes we know it but we don't see it. The Third is the new city Underground, it is the future.The future where you can't see the past . a city that we see it but we don't know it, and sometimes we know it but we don' t see it Because of the city visual experience that takes you through the Time.

Prespective view for the first layer over the Ruins

ALEPPO, SYRIA "Tory that must not be denied, in their damaged states they suggest new forms of thoughts and comprehension, and suggest new conceptions of space that confirm the potential of human to integrate itself, to be whole and free outside of any predetermined, totalizing system. The new spaces of habitation constructed on the existed ". Lebbeus Wood Architecture and War War is the author of a new architecture a new urbanism that create a new city a city with no grid , a ground with no order , an order like no other, where we inhabit it. the time comes, rebuilding and reconstructing the collapsed to rise up the city where The ruins become the Author of a new ground. The project is to create layers of cities over the old Aleppo. The War is over. And it is the time to build the city the way it was supposed to be. After war buildings will became ruins, ruins that witnessed wounds of thousands. So What does it look like to start over? And how the new city should look like? Inside the New city looking at the Ruins

PRESPECTIVE FOR THE THIRD LAYER

UNDER GROUND CITY

Prespective view howing the relation between the ruins and the new layer over it

DESIGN STUDIO Projects: THE ROOFTOP

Instructor: Eric Owen Moss

CAIN AND ABEL TOWER Instructor: Eric Owen Moss

LOS ANGELES BATHHOUSE Instructor: Coy Howard

Los Angeles Courthouse Instructor: Elena Manferdini

Complex Morphologies Instructor: Caesy Rehm

THE ROOFTOP Instructor:Eric Owen Moss Location:Culver City CA Project Area: 4000 SF Project Type: Commercial The Project is a contemporary office building over an existing Parkingin culver city California, Existing site condition- an 800 parking structure. Auto entry /exit ramps extended from the west face of garage an existing steel column structure Extends two stories above the current top parking level. The project was based on conceptual; factors of the existing site. Where people can experience the site inside the building. The idea of The project was the experience of five main important buildings in the site designed by Eric Owen Moss

South elevation detail

Information taken from the site

West facade detail

Physical model detail

Mass detail

East facade detail

Office

Metting Room

Office

elevator

Gallery

Amphitheater

GROUND LEVEL FLOOR PLAN GALLERY AND OFFICES SECOND FLOOR PLAN SCALE 1/32

DAC-SDS

Section AA

SECTION CC SECTION AA SCALE 1/32 SCALE 1/32

kitchen

ROOF GARDEN

Gallery

RESTURANT

ART GALLERY AND OFFICES THIRD FLOOR PLAN NTS

GALLERY RESTAURANT

SDS-CAD

SECTION BB SCALE 1/32

SECTION BB

SDS-CAD

TOWER CAIN AND ABEL Instructor:Eric Owen Moss Location: Culver City CA Project Area: 6000 SF Project Type: Commercial What is a tower? The site had a spectacular view to downtown Los Angeles.to the surrounding city and to the ocean bellow. The studio Answered the Questions Bellow in an irregular answers and designs What is a Tower? What conceptual factors should determine the Project size and contents ? Relationship to the Site, the neighborhood to use to iconography to the existed constructed condition the Site has a concrete building so the design challange was to inventa new concept for the meaning of the Towen and the relation between the tower and the excisting concrete building. so the answer was an under ground Tower that challanged the meaning of the Tower the Tower wasan underground amphitheater

Interior 3D section

SECTION AA NTS

0.00

-25â&#x20AC;&#x2122;.00

Los Angeles Bathhouse: Instructor: Coy Howard

Location: Downtown Los Angeles CA Project Area: 7000 SF Project Type: CommercialI Ineffable Confluence:

Sensuality, Mystery , Ambiguity, and Materiality. Four main features of The Project. The Design Process was based on The sloped Site that is located on Sunset Boulevard in Downtown Los Angeles. The slopped site , demands a Mass that is belong to it. And the selection of the material was based on he rough and feral images of the surrounding , The Transition between a place to another is based on the material effect and lights .The Light is effected by the skylights of the bathhouse.

Interior Stairs

Los Angeles Courthouse Instructor: Elena Manferdini Partner with: James Kubiniec

Location: DownTown Los Angeles Project Area: 9000 SF Project Type: Courthouse Politics of the envelope Political activity of Architecture The envelope works and attempts to find a domain that speaks about architecture but also speaks about architecture in a very political manner. Precisely by reflecting architecture it attempts to receive equality with its environment by politically engaging with diversity through the lens of self-reflection. By separating the regimes of how the building operates tectonically and how it is perceived optically, the position of operating at a global scale of value is blurred through refractions and reflections that splice into each other, shaping the visual politics of the envelope as clothing companies continue to shape the appearances of the everyday. Just the notion of a courthouse in one of two metropolis epicenter of the USA speaks largely as a political gesture in a very pivotal time the eve of the 2016 Presidential election. The world is systematically repositioning its boarders on a horizon of ever-changing worldwide politics. Therefore, a political stance of the envelope to invest a political stance is ever more important as a form of representation not only as technological tool, or environmental but as a backbone of the justice system of the United States as a whole. In the last few years the surface of the envelope in architecture has become a very debated issue. The surface effects, patterns, systems of construction and the massing of the building have a direct relationship. The aspect ratio of the envelope, sum of the parts that make up the facade and roof, relates directly to the mirrored rule of the enclosure.

Prespective

Ground floor plan

Typical floor plan

Complex Morphologies Media Tech Library Instructor:Caesy Rehm Partner with Jiah Hong

the project is based on the collision between objects and images in the production of architectural form. The final project was the design of an Annex to the Bibliotheque Sainte-Genevieve in Paris. which was a development of techniques to extract site information. by combining site-specific geometries .as a new form of weird contextualism The project focuses on concepts of layering, porosity and transparency. There is a hierarchy established through three autonomous layers of paneling and three levels of porosity. we explored multiple readings of transparency and opacity through louvers, carvings and glass. we started to address the context by taking images of the surrounding buildings on the site including the Pantheon, St. Genevieve and St. Etienne. We then created a collage of these images to produce the figure of the Annex. By playing with how images overlap and intersect.

South elevation detail

Complex Morphologies Media Tech Library Instructor:Caesy Rehm Partner with Jiah Hong

also i created extrusions and cavities within the form. We tilted the mass at 50 degrees to move the cylindrical form off the ground plane into the air and mirrored the mass in order to take advantage of the more prominent elevations. A form with animalistic qualities to disrupt the grid of the site. The change in axis breaks the linearities of surrounding context and is designed to disrupt the elevations and horizontality of the adjacent buildings. A cantilever that protrudes out and over the sidewalk below serves as the main amphitheater that overlooks the street. It is a public plaza-like space with an open interior that is permeable in its usage. The louvers were derived from a distorted image of the coffers inside the dome of the pantheon. Further manipulated to extract shapes and the use of color and brightness to develop the three layers which are projected onto the Annex. Each color from the image translates into a single layer of paneling. There is a clear hierarchy as well as moments of overlap. Elevation

West elevation detail

South elevation detail

The same image is also used to create porosity within the form. The reading of the brightness and contrast produces carvings at varying Depths - the darker the squares, the deeper the carvings. The deepest carvings translate into glass, which produce porosity and patterning at various moments in the mass. The pores are distributed as continuous linear strips that are read in conjunction with the Layering of the louvers. In moving from image to tectonics, weâ&#x20AC;&#x2122;ve developed various layers of transparency mediated through louvers, transparency mediated through micro-porosity of the carvings and full transparency mediated through sheets of glass. The accumulating layers produce multiple readings of the Annex and play between the lines of true opacity and true transparency.

South elevation detail

West elevation detail

Top view

ROBOT TROMPE Instructor:Curime Batilner

ROBOT TROMPE Instructor Curime batilner

The digital era serves to expand the replication and distribution of information but also highlights the fragility of knowledge and memory. In this Class the focus was on conceptualize the limitations as well creative opportunities arising once the world is described and understood trough data respresentations aimed to feed machine logics and artificial intelligence rather then human intellect, data .various data was used to capture techniques, such as 3d laser scanning, lidar, infrared scanning, photogrammetry and robotic image capture, to extract, process and translate information from SCI_Arc store and translate it to the project . an extensive library of 3d point clouds and associated stock footage was built to achieve this building as an extension for the sci_arc supply store. This will be the building material to construct a spatial narrative playing in a new space with an altered timeline

Sci_Arc Store south facade

West elevation

Applied Studies Design Developement AS3040_DD_Fall 2016 3GAX

Instructor

Herwig Baumgartner Brian Zamora Matthew Melnyk

Partner with:

Bahareh tabatabei James Kubiniec Thamer alsubei Omar Busbait

Evaluation and design making decision process:

Most of the structural challenges faced with this project have been with the reflective carbon fiber fins and how they are structured to stand 200+â&#x20AC;&#x2122; off the ground and how the louvers can be braced laterally without obstructing interior views or the overall desired aesthetic quality of the exterior appearance. Establishing a harmony, a rhythm with the structure in an efficient manner not only enabled spans to be larger but it also reduced the cost at least 10% by choosing steel instead of concrete. We were advised that structurally we could have chosen concrete which would be typical in most cases for a building that is square as such, however since the height of the F2F is actually 14 the chosen structure is steel because of its combination with the multicore lateral stability core system of four cores at the corners of two triangular voids in the building. The multicore system also assists for ease in distribution, lightweight construction, and long span floor framing. The floor plan also poised a challenge, however the challenge was solved with a system that allows for a regular grid which is optimal for unified steel depths. Pros to this system include cost, consistency, and bigger allowable floor to floor ceilings heights. Below grade concrete framing is acceptable because it is durable, a denser column grid is acceptable and it allows theswiss cheese, punctured voids in the elevated ground topography to be shaped. The secondary steel framing allows for longer spans, lightweight regular rhythm and is also more cost effective than concrete columns. Concrete slab on metal deck, concrete stability cores, and a thickening of a slab at the ground level, tie together at a transfer slab to alleviate the load upon a much more substantial below grade parking garage. a.Structural system: The identified structural system is very typical for a building of this size and interior simplicity. The Secondary Structure and Tertiary structural systems become a little more complex with innovated solutions that have been identified with the floor slab connection to the Chrome finished carbon fiber fins that radiate around this central LA courthouse. The solution involves added upon structural stand-offs and a catwalk for cleaning and mechanical accessibility for this system have been added to each floorplate to handle the stresses the fins undergo with various environmental factors such as wind, twisting, vibrations, earthquakes, and the aging exposed reflective materials to sunlight.

b.Environmental systems, MEP: One of the several critical conditions that the MEP addresses is environmental sustainability through the usage of passive and active environmental systems on both the interior and the exterior of the courthouse. The interior systems include vents located low in the building to bring in cool outside fresh air and convectively current the cool air through the courtrooms, offices, cafeteria, etc, and direct it to a central atrium, upwards and out with the natural rise of warm air. The control of the courtrooms themselves is an Active system that is regularly controlled with the usage of 4 HVAC systems each handling one quarter of the buildings sensitive rooms. The four systems, IT and Electrical rooms, and Acoustically treated STC 40-60 rated walls assist the building to be a comfortable and controlled environment. The density and proximity of the exterior reflective fins act to effectively shade the building 90% of the year. Effort is made to elevate these fins from the ground level on top of a plinth, so as not to directly reflect back to ground level to directly avoid any specific hot spots or sun reflections that could become very unpleasant or dangerous to traffic passing by at ground level.

a.Structural system: The identified structural system is very typical for a building of this size and interior simplicity. The Secondary Structure and Tertiary structural systems become a little more complex with innovated solutions that have been identified with the floor slab connection to the Chrome finished carbon fiber fins that radiate around this central LA courthouse. The solution involves added upon structural stand-offs and a catwalk for cleaning and mechanical accessibility for this system have been added to each floorplate to handle the stresses the fins undergo with various environmental factors such as wind, twisting, vibrations, earthquakes, and the aging exposed reflective materials to sunlight.

roof chunck plan

PHOTOVOLTAIC COLLECTORS

OUTSIDE

PHOTOVOLTAIC COLLECTORS

PROJECT: UNITED STATES FEDERAL COURTHOUSE Los Angeles, California USA

FIBER GLASS

ADDRESS: OWNER:

DOUBLE GLAZED

UNITED STATES OF

AMERICA 350 W 1 ST STREET, LOS ANGELES, CA, 90013

TEAM MEMBERS: ARCHITECT:

BAHAREH TABATEBEI BJOST, PLLC SALI AL CHIKH JAMES KUBINIEC THAMER AL SUBIE OMAR BUSBAIT

STRUCTURAL STEEL FRAMING

2010 HD

INSTRUCTORS:

STRUCTURAL ENGINEER JEROME MADDEN

MADDEN &BAUMGARTNER BAUGHMAN ENGINEERING, INC. HERWIG 321 SW 4TH AVENUE, SUITE 500 BRIAN ZAMORA PORTRLAND OR, 97204 TEL: +1 503 236 7611 FAX: +1 503 236 9411 JAM@MADDENBAUGHMAN.COM

GENERAL CONTRACTOR

CONSULTANT:

MATHEW MELNYK JAYME LYZUN DATE:

MEP ENGINEER

12/05/2016

LANDSCAPE ARCHITECT

DRAWING:

TOP VIEW

METAL GRATINGS

NOTES --

SCALE: DUCT

MIRRORED GLASS GLAZING GLASS STICK

ISSUE DATE COMMENTS 29 SEPT 16

10% DESIGN DEVELOPMENT SET

STEEL JOIST FRAMING

I STEEL BEAM

DRAWING TITLE SITE PLAN

FIBER GLASS

PROJECT

1001

DRAWING NUMBER

A.23

A0.00

Roof Chunck

Wall Sectioin

DETAILED 3D CHUNCK

FIBER GLASS

PHOTOVOLTAIC COLLECTORS

STEEL JOIST FRAMING

MIRRORED GLASS GLAZING

GLASS STICK

COMPOSITE STEEL FLOOR METAL GRATINGS

DUCT

I STEEL BEAM

c:Envelope materials and assemblies:

The envelope evaluation criteria involved an innovated solution of a standoff structural brace, FIBER GLASS

interconnected with a secondary structural grid that holds braces each carbon fiber fin from twisting in the wind. Each fin spans floor to floor rather than one fin the vertical length of the building,

OWNER: UNITED STATES OF AMERICA

EXTERIOR GLASS

ns Fiber Glass

TEAM MEMBERS: ARCHITECT: BJOST, PLLC BAHAREH TABATEBEI SALI AL CHIKH JAMES KUBINIEC THAMER AL SUBIE OMAR BUSBAIT

oor Finish

oncrete Slab

PROJECT: UNITED STATES FEDERAL COURTHOUSE Los Angeles, California USA

CAST CONCRETE GIRDER

2010 HD

INSTRUCTORS:

STRUCTURAL ENGINEER JEROME MADDEN

MADDEN &BAUMGARTNER BAUGHMAN ENGINEERING, INC. HERWIG 321 SW 4TH AVENUE, SUITE 500 BRIAN ZAMORA PORTRLAND OR, 97204 TEL: +1 503 236 7611 FAX: +1 503 236 9411 JAM@MADDENBAUGHMAN.COM

I-BEAM GENERAL CONTRACTOR

CONSULTANT: SUSPENDED

MATHEW MELNYK JAYME LYZUN

DUCTS

allowing for the interconnection of the panels to be treated as one continuous and reflective and durable finish. The louvers themselves would be doubly treated with a choreographic process that effectively charges each unit in factory with a conductive surface, chemically reacting with electricity to produce a chromed shine. An interior catwalk was added to assist the life-cycle maintenance of the exterior glazing, additionally the double skin allows for the cooling of the building passively. Structural considerations were made to the topography surrounding the building, it is cast in place concrete upon a waffle slab intersecting with a set of ADA walkways on each side of the building allowing for unobstructed sloped access to the front door.

DATE:

MEP ENGINEER

12/05/2016

proposed solutions for each major system of the design development set:

INTERIOR GLASS LANDSCAPE ARCHITECT

DRAWING:

A:Structural system The primary structural system is very simple and straight forward. It is cost effective, light construcNOTES DRAWING:

tion system, and simplifies the overall aesthetic of the building.

SCALE:

The secondary connections from the building floorplates to the fins is effective in solving the structural connection to each louver. The system also considers the connection of different materiality with ISSUE DATE COMMENTS 29 SEPT 16

10% DESIGN DEVELOPMENT SET

details that do not directly bond any metals that could chemically corrode causing failure of joints due to an undesired chemical corrosion.

MARBLE FINISH

B:Environmental systems, MEP The environmental systems have analyzed a solar radiation study to discover that the buildingâ&#x20AC;&#x2122; s fins are very effective to shade the building however the top of the building receives the most undesired DRAWING TITLE SITE PLAN

I Beam Structure

Water Proof PROJECT

1001

light. Thus, the integration with an arrayed solar panel PhotoVoltaic system assists the buildings overall performance with the harvesting of solar electricity. Other systems analyzed include geothermal, gray water filtration systems, Tesla batteries, and the informing of staff how to effectively

DRAWING NUMBER

operate and sustain the embedded environmental systems.

A.26

A0.00

FIN FIBERGLASSFinish FINISH Fiberglass

PROJECT:

Roof Chunck

UNITED STATES FEDERAL COURTHOUSE Los Angeles, California USA

STEEL STRUCTURE Steel Structure

OWNER: UNITED STATES OF AMERICA

FIN FIBERGLASSFinish FINISH Fiberglass

TEAM MEMBERS: ARCHITECT:

Steel StructreFIBERGLASS - Fiberglass STEEL STRUCTUREFINISH Finish

STEEL STRUCTURE Steel Structure

BJOST, PLLC BAHAREH TABATEBEI SALI AL CHIKH JAMES KUBINIEC THAMER AL SUBIE OMAR BUSBAIT

PROJECT: UNITED STATES FEDERAL COURTHOUSE Los Angeles, California USA OWNER: UNITED STATES OF AMERICA

TEAM MEMBERS: ARCHITECT: c

STEELPipe PIPE BEAM Steel Beam

Steel StructreFIBERGLASS - Fiberglass STEEL STRUCTUREFINISH Finish

2010 HD

INSTRUCTORS:

STRUCTURAL ENGINEER JEROME MADDEN

MADDEN &BAUMGARTNER BAUGHMAN ENGINEERING, INC. HERWIG 321 SW 4TH AVENUE, SUITE 500 BRIAN ZAMORA PORTRLAND OR, 97204 TEL: +1 503 236 7611 FAX: +1 503 236 9411 JAM@MADDENBAUGHMAN.COM

GENERAL CONTRACTOR

CONSULTANT:

MATHEW MELNYK JAYME LYZUN STEEL BEAM I ISteel Beam

2010 HD

INSTRUCTORS:

STEELPipe PIPE BEAM Steel Beam

STEEL BEAM I ISteel Beam

BJOST, PLLC BAHAREH TABATEBEI SALI AL CHIKH JAMES KUBINIEC THAMER AL SUBIE OMAR BUSBAIT

DATE:

STRUCTURAL ENGINEER JEROME MADDEN

MADDEN &BAUMGARTNER BAUGHMAN ENGINEERING, INC. HERWIG 321 SW 4TH AVENUE, SUITE 500 BRIAN ZAMORA PORTRLAND OR, 97204 TEL: +1 503 236 7611 FAX: +1 503 236 9411 JAM@MADDENBAUGHMAN.COM

GENERAL CONTRACTOR

CONSULTANT:

MATHEW MELNYK JAYME LYZUN

MEP ENGINEER

12/05/2016

DATE:

MEP ENGINEER

12/05/2016 LANDSCAPE ARCHITECT

DRAWING:

LANDSCAPE ARCHITECT

DRAWING:

NOTES DRAWING: --

NOTES DRAWING:

SCALE:

ISSUE DATE COMMENTS 29 SEPT 16

10% DESIGN DEVELOPMENT SET

ISSUE DATE COMMENTS 29 SEPT 16

10% DESIGN DEVELOPMENT SET

DRAWING TITLE SITE PLAN

PROJECT

DRAWING TITLE SITE PLAN

1001

DRAWING NUMBER

A.24

A0.00

PROJECT

Fence connection

1001

METAL GRATINGS

FIBER GLASS

PHOTOVOLTAIC COLLECTORS STRUCTURAL STEEL FRAMING

STRUCTURAL STEEL FRAMING

CURTAIN WALL

Visual Studies FALL 2016 The Conjugated object Instructor: Coy Howard The animated image3GAX Instructor: Casey rehm

The Animate Image Image manipulation: Instructor: Caesy Rehm

What is the status of animation in architecture?

Pixels and data manipulation: the animate image. The animate image Introduces a novel idea about patio-temporal construction and representation. No longer tethered to the dominant domains of perspective or orthographic projection, The animate image has opened up a black hole in between the familiar terrains of cinematic space on one end and the still life on the other. Time in itself isn't really the difference. The difference at stake is the kind of physics being simulated in relation to time. The former idea of animate form occupied the simulated space of real-world physics and projectiles; things colliding with other things; Projection as force in relation to volume, mass, and time. Like television, the animate image is a complete technological break from its predecessor. Has its own physics, One that is alien to full comprehension by humans (or any other objects for that matter). The physical space of the animate image is bounded Not by the frame of an interface screen (like painting, photography, or even film) but by an interface and the vast network of data it sources and operates through. The assignments were done throughout Processing

VS The Poetics of Conjugate Objects Instructor: Coy Howard

Ambiguity Mysterious and extra ordinary Three main characters of this class , we were required to produce a paining of our faces and combine it with other drawing and make it as a one object.