SAMANTHA MILLER PORTFOLIO OF SELECTED WO R K S 2024
CONTENTS MLA STUDIO PROJECTS OLIVEWOOD TIES
4 - 13
TOGETHER THYME
14 - 17
FLOODWATERS PARK
18 - 21
ANTI ANTI SOCIAL GARDEN
22 - 23
MISSING TEMPORALITIES
24 - 25
HOGAN’S ALLEY GUIDELINES
26 - 27
MLA TECHNICAL DRAWINGS SITE 01
28
NORTHEAST FALSE CREE
29
PROFESSIONAL WORK THE BOOT
30
ANDERSON ROAD
31
OL I V E WOOD T IES COURSE: GRADUATE PROJECT INDIVIDUAL WORK SUPERVISOR: FIONN BYRNE 2022-2023 VIEW THE FULL THESIS REPORT HERE Past and present peace negotiations have failed to propel Israelis and Palestinians to coexistence and liberation. Physical barriers to peace, such as the nearly 800-kilometre separation barrier, erode possibilities for interaction and human connection. This academic endeavour challenges the myth that peace and war are binary and cannot exist simultaneously. Upon the acceptance that the consequences of war are sociocultural and spatial, we can begin navigating a spatial strategy for peacebuilding. Both groups share a deep-rooted love and respect for the land they call home or dream of one day returning to. Because of this, these communities have enmeshed realities, and their futures are both tied to each other and the land. Olivewood Ties investigates how landscape can be a peacebuilding mechanism in the divided context of Israel/Palestine. Presently and historically, trees in Israel/Palestine were proxy soldiers, employed in warfighting, land acquisition, and nation-building. If trees and flora were instead proxy peacebuilders, what implications do different landscape design strategies possess and moreover, what opportunities do they offer as a mechanism toward healing and unity?
Concept diagram
4
// SAMANTHA MILLER
Planting strategy sketches testing spatial peacebuilding along different existing wall conditions, using two culturally significant trees: the pine and the olive.
Planting strategy sketches testing spatial peacebuilding along different existing wall conditions, looking at real activist group activities and using two culturally significant trees: the pine and the olive.
SAMANTHA MILLER //
5
LAND TYPE INDEX AT SEPARATION WALL
MAP OF SEPARATION WALL AND INDEX SAMPLES WITHIN SURROUNDING POLITICAL, SPATIAL, AND ECOLOGICAL CONTEXTS
0km4
TREE COVER - 15 | 9
CROPLAND - 14 | 19
km8
km
12km2
0km
SHRUBLAND - 28 | 25
BUILT-UP - 15 | 22
GRASSLAND - 30 | 26
SPARSE/SAND - 12 | 16
GREEN LINE/1949 ARMISTICE LINE
BUILT WALL
WATERWAY
AREA A: PALESTINIAN ADMIN + SECURITY
COASTAL AQUIFER
WALL UNDER CONSTRUCTION
SAMPLE AREA
AREA B: PALESTINIAN ADMIN + ISRAELI SECURITY
WESTERN AQUIFER
WALL PLANS APPROVED
WATERBODIES
AREA C: ISRAELI ADMIN + SECURITY
NORTH EASTERN AQUIFER
WALL PLANS VOIDED
PALESTINIAN LOCALITIES
CHECKPOINT
EASTERN AQUIFER
GREEN LINE (1949 ARMISTICE LINE)
ISRAELI LOCALITIES
DESTROYED VILLAGE
INSTANCES OF VIOLENCE
BUILT WALL WALL UNDER CONSTRUCTION WALL PLANS APPROVED, NOT YET BUILT WALL VOIDED
6
2km
LEGEND
LEGEND
// SAMANTHA MILLER
Map of the region and the separation barrier, including ecological and socio-political contexts surrounding the wall. A wall index was sampled every 5km to further examine land types the wall traverses.
Three sites for peacebuilding interventions.
1
2
3
SAMANTHA MILLER //
7
DESIGN INTERVENTION / SITE 01 A space that marks destroyed Palestinian homes and offer marked gardens as a space for mourning.
8
// SAMANTHA MILLER
A place to mourn, witness the mourning of others, and help facilitate space for those to mourn who do not have time or space to do so at home.
SAMANTHA MILLER //
9
DESIGN INTERVENTION / SITE 02 A space for community building in ‘No Man’s Land’, where a pine forest has been the victim of arson attacks.
10
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A place to eat, pray, and gather, facilitating cross cultural celebration and dialogue in a context where these kind of spaces is desired.
SAMANTHA MILLER // 11
DESIGN INTERVENTION / SITE 03 A space planted with species protected by Israeli law to prevent wall building, promote land sovereignty, and protect traditional land practices.
12
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Using legally protected plants to prevent wall building and help maintain both access to olive groves and a sense of rootedness for occupied Palestinians in Beit Jala.
SAMANTHA MILLER // 13
TO G E THER T HYME COURSE: ARCH 520 - VERTICAL STUDIO INDIVIDUAL PROJECT INSTRUCTOR: GOLI JALALI 2022
Public spaces across the globe are palimpsests of stories, relationships, and cultures. Our inhabitation of public space is shaped by its surrounding context, political control or influence, and our sense of community. One thing that remains constant across public spaces is that they are not neutral. Certain communities and cultures are celebrated in public space, while others are concealed. Is neutral space possible? Can we offer a safe space for self-facilitated cross-cultural celebrations and intimate human connections? The studio brief asked us to select a carpet from our culture as a starting point for design PROGRAM exploration. Later, we would re-imagine the carpet as physical space and create a ‘carpet drawing’ to express the new site and design.
Chosen carpet: Oversized Jerusalem Bezalel Rug 20th c.; 15’ 9” x 17’ 10” (4.8 x 5.44 m) From Nazmiyal Collection, New York
THE MAGIC CARPET
Program drawing.
Program diagram: grow, harvest, prepare, perform rituals, pray, eat
The spaces will use the carpet’s patterning and geometry to organize areas dedicated to different processes and rituals in preparing and eating food. These areas will not be grouped by ritual or preparation step. These spaces will be numerous, small intimate enclosures dispersed throughout the site, allowing visitors to adapt the space to their needs and find human interaction. Division will not be reinforced. The spaces will be small enough to host a meal between just a few people, with larger spaces for cultural celebrations and large meals. The spatial relationships will pull from the different iconography and colours in the carpet overlayed with the saturation information. Foucault’s description of heterotopias can be expressed as a set of principles relating to worlds within worlds. They are distinguishable from normal spaces but mirror them at the same time. In other words, they are spaces in which new, otherworldly rules apply, but they are still influenced by real-world societal workings. This program imagines ordinary food practices, daily rituals, and cultural celebrations taking place, but in a space dictated, yet not dictated, by the jurisdiction of its surrounding context. Additionally, these practices are scattered, non-linear scrambles of different cultures and rituals all in the same space.
Site context for carpet drawing.
14
// SAMANTHA MILLER
This carpet was created in the early 20th century by Jewish folks who had recently immigrated to British-controlled Palestine. They came to a place controlled by the British, which is now a place of nonexistent political neutrality. The British’s divide and conquer strategy kick-started a century of division. By separating ethnic/ religious governing, they could gratify different sides at different times and to all sides against each other, making them ‘neutral’ and in control.
SAMANTHA MILLER // 15
Left: Final carpet drawing of designed space based off of the chosen carpet. Entry to the space is through a new gate in the old city walls, with a hidden ceremonial bath to cleanse oneself before entering. Right: Accompanying perspective showing juxtaposition between carpet space and outside space.
16
// SAMANTHA MILLER
Casted model of staircase and hidden space for a cleansing bath inside the wall before entering the space (based off of Foucault’s theory of Heterotopia).
SAMANTHA MILLER // 17
FL OODWAT ER S PA RK COURSE: LARC 503 - COMPREHENSIVE STUDIO COLLABORATION: NICOLE DULONG & CALEB VAN DER LEEK INSTRUCTORS: RACHEL LASZLO TAIT & TATIANA NOZAKI 2022
This re-design proposal for East Park explores the concept of immersive edges and landscape as infrastructure. By blurring the line between land and water, Floodwaters Park aims to provide an adaptive coastal and stormwater infrastructure that maintains its position as a central hub within the public sphere
Programmatic drawings for proposed floodable event space.
18
// SAMANTHA MILLER
Grading plan, flooding/pooling areas, flows, and high points vs. low points diagrams.
SAMANTHA MILLER // 19
20
// SAMANTHA MILLER
SAMANTHA MILLER // 21
A N TI -A N T I- SOCIAL G ARD EN COURSE: LARC 502 - STUDIO 2 INDIVIDUAL PROJECT INSTRUCTORS: DANIEL ROHR & STEPHANIE BRACONNIER 2021
Each year that passes, this 120+ year old community struggles even more to engage its residents and foster a sense of community. The issue of loneliness is ever-present in more rural communities like the community of Mount Lehman, and is an increasingly prevalent health concern in 2021. The Anti-Anti-Social Garden brings folks of all ages together over wine and play to encourage togetherness, whether that be larger community gatherings or simply being alone together.
Process plans, sections, and sketches.
22
// SAMANTHA MILLER
SAMANTHA MILLER // 23
M I SSI N G T EM POR ALITIES COURSE: LARC502 - STUDIO 2 COLLABORATION: CALEB VAN DER LEEK INSTRUCTORS: DANIEL ROHR & STEPHANIE BRACONNIER 2021
Missing temporalities was a mission to explore how we can provide pockets of joy and temporal experiences to residents and visitors, regardless of any of the factors that divide us. Experiences with water are an innate need, and something that unites all people. Inclusivity means that no one should feel there are exceptions of use targeted at them, and everyone should be able to explore the same unique experiences at every level.
24
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SAMANTHA MILLER // 25
HO G A N’S ALLEY SITE G UID ELIN ES COURSE: LARC504 - VERTICAL STUDIO COLLABORATION: NICOLE DULONG & REECE MILTON INSTRUCTORS: DIVINE NDEMEYE, SIERRA TASI BAKER, & JB TAYLOR 2021 VIEW THE BOOKLET HERE This report seeks to address the direct wants and needs of the community. It is a graduate level attempt at subversion, or a bottom up approach, where the desires of the community are considered far above the bottom line. Guidelines provide direction to, and support for, systematic change while leaving room for community input. It places emphasis on Black and Indigenous geographic centrality, healing, spaces of social connection, oral history, resilient nature, and land sovereignty. We recognize that Hogan’s alley exists within a greater socio-economic urban culture and that this process could be applied to similar scenarios.
26
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SAMANTHA MILLER // 27
SITE 01 COURSE: LARC 531 - LANDSCAPE TECHNOLOGIES I COLLABORATION: ALEX WILLIAMS & WANHUI FANG INSTRUCTOR: STEPHEN WILKINSON SOTWARE: RHINO AND ILLUSTRATOR 2021
KEY
KEY
DRAIN PIPE TRAVERTINE RETAINIING WALL AGGREGATE CONCRETE
SITE BOUNDARY
SOIL 0%
(00)
EXISTING CONTOUR (1.0m)
(00)
EXISTING CONTOUR (5.0m)
00
2m
m
PROPOSED SLOPE PERCENTAGE AND DIRECTION OF DRAINAGE
+ 0.00
PROPOSED SPOT ELEVATION
+ TOR/BOR: 0.00
PROPOSED TOP/BOTTOM OF RUNNEL ELEVATION
+ TOW/BOW: 0.00
PROPOSED TOP/BOTTOM OF WALL ELEVATION
m
PROPOSED CONTOUR (1.0m)
00
PROPOSED CONTOUR (5.0m)
BOT: (11.44)
HIGH WATER MARK (13)
0%
BOT: (11.08)
(12)
(13)
13
+ 12.34
0.5%
2%
BW: 12.45 + TW: 12.50 + BW: 12.41 +
TWO STORY TOWNHOUSE
2%
3% 12.07 +
TWO STORY TOWNHOUSE
11.92 +
2%
D1
+ HP of Wall: 14.00
BOT: (12.38)
BOT: (13.89)
+ 11.11
+ LP: 10.90
+ 12.19
2%
EE
m
EXISTING LOW POINT ELEVATION
m
+ HP: 0.00
PROPOSED HIGH POINT ELEVATION
m
+ LP: 0.00
PROPOSED LOW POINT ELEVATION
revision:
2
project name:
11.61 +
BOW: 12.50 + TOW: 12.60 + + BOW: 10.95
PROPOSED TOP/BOTTOM OF CURVE ELEVATION
+ TOW/BOW: 0.00
PROPOSED TOP/BOTTOM OF WALL ELEVATION
m
SM, AW & WF
north:
m
1:10
scale:
2
m
m
2
PROPOSED TOP/BOTTOM OF SWALE ELEVATION
2m
0m
5m
10m
site number:
01
drawing title:
DETAIL SECTION D-D1
sheet number:
5 of 5
20m
sheet name:
RAIN GARDEN
KEY RIVER
10.50 +
+ 10.68
10.70 +
BOT: (12.77)
9 APRIL, 2021
drawn by:
EROSION PROTECTION MATERIAL, I.E. RIP RAP
+ BOW: 11.00 + + TOW: 11.20 BOW: 10.60 + 10.65
3.6%
LARC 4/531 GRADING & DRAINAGE
print date:
checked by:
+ TOC/BOC: 0.00
BIO-RETENTION SWALE
+ 12.06
DRAIN PIPE
AGGREGATE
(12)
+ 12.03
SOIL
A1
RUNNEL
3.6%
UNDERGROUND PIPE
0%
10.65 + 10.68 + +BOW: 10.60 BOW: 10.95 + + TOW: 11.10
11.00 + 11.00 +
AD: 0.00 +
AREA DRAIN
CD: 0.00 +
CURB DRAIN
PROPOSED SLOPE PERCENTAGE AND DIRECTION OF DRAINAGE + 0.00
PROPOSED SPOT ELEVATION
+ TOC/BOC: 0.00
PROPOSED TOP/BOTTOM OF CURVE ELEVATION
+ TOW/BOW: 0.00 AD: 0.00 +
PROPOSED TOP/BOTTOM OF WALL ELEVATION AREA DRAIN
FFE: 0.00
PROPOSED FINISHED FLOOR ELEVATION EXISTING SECTION CUT
RETAINING WALL 11
UNDERGROUND PIPE
1%
2%
CENTRELINE OF ROAD
+ BW: 11.75 + TW: 11.70 BOR: + BW: 11.70 11.60 + + TOS: 11.60 + BOS: 11.40 + 11.65 2% + 11.62
2%
00.0%
2%
CENTRELINE, SLOPE, AND DIRECTION OF DRAINAGE
A
11.87 +
11.83 +
FFE: 12.09
AD: 11.99 +
11.87 +
11.91+
2%
2%
+ TOW: 12.53 + BOW: 11.95
2%
+ 11.36
11.42 + 2%
2%
CONCRETE PATH GRAVEL LEVELING COURSE
2%
2.5%
CONCRETE SLAB FOUNDATION GRAVEL FOUNDATION COURSE
CONCRETE PATH GRAVEL LEVELING COURSE
CONCRETE PATH
A1
11.02+
12
2.5%
BOT: (8.81) 10.30 +
2%
10.28 +
2%
EXISTING TREE
+11.36
FFE: 11.40
+ 11.37 2% + 11.34
ME
+11.28
2%
LP: 11.05 + AD: 11.15 +
1.2% + + 11.24 11.22
+ HP: 11.45
BOT: (10.07)
+ CD: 11.04
2%
2%
2% 2%
(12)
+ 11.15
10
+ LP: 9.50
+ 10.07
AD: 9.80 +
9.90 +
+
11
BOC: 10.80 TOC: 11:00 (11)
BOC: 10.00 TOC: 10.20 +
10.52 + (10)
(09)
+ 10.81
(08)
(07)
(07)
0.5%
(08)
(09)
(10)
RIVERBANK
RIVER
project name:
LARC 4/531 GRADING & DRAINAGE
print date:
9 APRIL, 2021
drawn by:
SM, AW & WF
1%
(10)
10.22 +
+ + BOC: 10.00 BOC: 9.80 TOC: 10.00 TOC: 10.20
revision:
11
+ LP: 10.00
+ LP: 9.80
10 + BOC: 10.00 TOC: 10.20
2.7%
+ CD: 9.60
+ BOC: 9.80 TOC: 10.00
6%
10
2% 2%
BOC: 10.00 + TOC: 10.20
11.01+
project name:
LARC 4/531 GRADING & DRAINAGE
print date:
9 APRIL, 2021
+ LP: 9.25
drawn by:
SM, AW & WF
+ INV IN: 9.50
checked by:
+ BOC: 9.80 TOC: 10.00
INV OUT: 9.10 +
+ LP: 10.50
C1
BOT: (10.74) INV IN: 10.90 +
BOT: (10.66)
+ INV OUT: 8.10
north: (12)
(11)
1:200
scale:
BOT: (10.37)
0m
BOT: (10.35)
(13)
2m
2m
5m
10m
site number:
01
drawing title:
GRADING PLAN
sheet number:
1 of 5
sheet name:
20m
5m
10m
site number:
01
drawing title:
SECTION A-A1
sheet number:
2 of 5
sheet name:
2%
2%
1:150
scale:
10.25 +
2% 2%
10
+ CD: 9.48
9.96 + + BOC: 9.80 TOC: 10.00
4%
2%
(11)
(06)
BOC: 10.80 TOC: 11.00 +
2%
10.57 +
CD: 11.10 +
// SAMANTHA MILLER
PATH W/ BENCH
north:
10
1.4%
BOC: 11.00 TOC: 11.20 +
(10)
HILLSIDE
0m
2%
BOC: 9.80 TOC: 10.00
5%
10.13 +
10.04 +
+ 9.99
+ LP: 9.95 +
10.56 +
2%
(11)
CAFE W/ PATIO (BACKGROUND)
EXISTING TREE TO BE REMOVED
5%
2%
BOC: 11.00 +TOC: 11.20
BOT: (11.82) BOT: (11.76)
10.01 +
BOT: (10.27)
+ + 11.03 11.06
+ 11.10
+ BOC: 11.00 TOC: 11.20
2%
+ HP: 11.48
1.6%
+ LP: 10.90
2% CD: 11.05 +
5%
10.06 + 10.10 +
11
BOT: (11.41) BOC: 11.00 TOC: 11.20 2%
10.10 +
1.1%
AD: 11.00 +
B1
5%
EE
+ AD: 11.05
HILLSIDE
checked by:
CAFE FFE: 11.28
11.19 +
ME
10
+11.18
2%
PATH W/ RUNNEL & WALL
revision:
FFE: 10.34
B
(10)
TOWNHOUSE W/ YARD
SPORTS FACILITY
1.6%
11.20+
+ BOS: 11.08 + TOS: 11.28
PATH
EE
(06)
2%
+ CD: 11.04
28
m
+ LP: (0.00)
11
13
BOT: (12.62)
+ 11.11
BOT: (12.84)
11
m
2 2
2%
2
EXISTING HIGH POINT ELEVATION
+ TOS/BOS: 0.00
11.00 + 2%
BOT: (12.9)
+ 11.42
BOC: 10.80 TOC: 11.00 +
12
2%
+ 10.80
EXISTING BASE OF TREE ELEVATION
(13)
+ 11.78 2% + 11.75
2%
11
BOT: (0.00)
2
m
BOT: (12.99)
+ 12.16
2.3%
+
C
0.8%
0.8%
+ 11.00
+ BOC: 10.80 TOC: 11.00
+
10
(13)
11.07 +
11.10
2.5%
11.23 +
+10.70
HP:
AD: 11.58 +
11.27 +
PROPOSED SPOT ELEVATION
GRAVEL LEVELING COURSE
2%
ME
3%
12
2%
FFE: 11.68
ME
11.32 +
+ 0.00
11.10 +
11.26 +
TWO STORY TOWNHOUSE
2%
13 11.40 +
2%
11.52 +
2.5%
11
2%
11.57 + 3%
EE 2%
ME
3%
2%
AD: 11.99 +
11.67 +
(12)
12
EE
11.72 +
BOT: (13.62)
+ 12.44
2.5%
PROPOSED SLOPE PERCENTAGE AND DIRECTION OF DRAINAGE
(14)
(13)
(12)
(11)
10
+ 12.47
2%
EE
2%
(10)
BOT: (10.52)
FFE: 11.81
2.5%
A
(09)
(08)
(07)
22
11
FFE: 12.09
ME
3%
(06)
+ HP: (0.00)
2% 11.97 +
(07)
BOT: (9.39)
AD: 12.40 +
ME
12.12 +
2%
D
2%
EE
2%
2%
(08)
(09)
(10)
11.00 +
FFE: 12.22
2.5%
EE
ME
3%
FFE: 12.50
12.37 + 12.32 +
BOT: (10.4)
(11)
+ BW: 13.10 + TW: 13.20
BW: 12.44 + BOR: 12.34 + TOR: 12.44 + + 12.50
12.40 +
(12)
20m
NOR THEAST FALSE CREEK COURSE: LARC 532 - LANDSCAPE TECHNOLOGIES 2 COLLABORATION: TYLER ADAM INSTRUCTOR: JOSEPH DAHMEN SOFTWARE: AUTOCAD 2021
General Notes
CIP Concrete Slabs
1 L 3.14
Concrete Bench Water Jet w/ Rubber Stopper
Wetland Compacted Subgrade Planting Concrete
1.0%
Clay Liner 1 L1.1
DETAIL SECTION 1 Scale: 1:200
Gravel Sand Planting Medium
WETLAND
Steel
PICNIC GARDENS 1 L 3.1
Water 0.0%
Slope and Direction
PATH
WOODEN BRIDGE
1 L3.13 1 L 1.13
WETLAND BRIDGE
SEASONAL GARDEN
SPRAY PAD
SAMANTHA MILLER & TYLER ADAM
1 L 1.1
LARC 532 DECEMBER 15, 2021
1 L2.12
2.0%
2.0%
2.0%
2.0%
DETAIL PLAN AND SECTION
2 L3.15
2 L3.13
1:200
Sheet L1.1
1 L1.1
DETAIL PLAN 1 Scale: 1:200
SAMANTHA MILLER // 29
TH E BOOT PROFESSIONAL WORK - PPA SUBMISSION DURANTE KREUK LTD. PARTNER ON PROJECT: STEPHEN VINCENT SOFTWARE: VECTORWORKS 2024
VIA Architecture | www.via-architecture.c 270 - 601 W Cordova St Vancouver BC V6 tel 604 683 1024 fax 604 683 0774 CONSULTANT
VIA Architect 270 - 601 W tel 604 683 1 CONSULTANT
VIA Architecture | www.via-architecture.com 270 - 601 W Cordova St Vancouver BC V6B 1G1 tel 604 683 1024 fax 604 683 0774 CONSULTANT
PROJECT
Kingston Gardens 15245 99 Avenue, Surrey
Portion of Parcel Identifier: 007-797-9 Lot 212 Section 33 Block 5 North Rang West PROJECT New Westminster District Plan 60058
Kingst
City of Surrey File No. 7919-0132-00 89818 15245 99 A OWNER
Portion of PROJECT
Kingston Gardens 15245 99 Avenue, Surrey Portion of Parcel Identifier: 007-797-991 Lot 212 Section 33 Block 5 North Range 1 West New Westminster District Plan 60058 City of Surrey File No. 7919-0132-00 89818
Lot 212 Se METRO VANCOUVER West New West HOUSING CORPORATION City of Surr 89818 Metrotower III, 4730 Kingsway OWNER Burnaby, BC
METR HOUS CORP
PROFESSIONAL SEAL
OWNER
METRO VANCOUVER HOUSING CORPORATION Metrotower III, 4730 Kingsway Burnaby, BC
Metrotowe Burnaby, B
PROFESSIONAL SE
DESIGN TEAM
DC AH PRINCIPAL
PM DC PROJECT MANAGER
PROFESSIONAL SEAL
DC SC PROJECT ARCHITECT
DC DRAWN BY
DC CHECKED BY DRAWING SET DESCRIPTION
DESIGN TEAM
DC AH PRINCIPAL
PM DC
PROJECT MANAG
DESIGN TEAM
DC SC
DC AH
PROJECT ARCHITE
DC
PRINCIPAL
PM DC PROJECT MANAGER
VIA Architecture | www.via-architecture.com DC SC 270 - 601 W Cordova St Vancouver BC V6B 1G1 PROJECT ARCHITECT tel 604 683 1024 fax 604 683 0774
DC
DRAWN BY CONSULTANT
No . DATE A 16 SEP JAN A 28 2021 2020 B 13 NOV 2020
DC
DRAWN BY DESCRIPTION DC ISSUED FOR FOR TENDER ISSUED BUILDING PERMIT CHECKED BY
ISSUED FOR 95% DRAWING SET DE SUBMISSION FOR BC HOUSING
CHECKED BY DRAWING SET DESCRIPTION
SHEET TITLE
No PARKING DETAILS PARKING DETAILS . DATE
A A
PROJECT
Kingston Gardens No 15245 Surrey . DATE 99 Avenue, DESCRIPTION A 16 SEP JAN ISSUED FOR FORBUILDING TENDER A 28 ISSUED Portion of Parcel Identifier: 007-797-991 2021 2020 PERMIT Lot 212 Section 33 Block 5 North Range 1 B 13 West NOV ISSUED FOR 95% 2020 SUBMISSION FORPlan BC 60058 New Westminster District HOUSING City of Surrey File No. 7919-0132-00 89818 OWNER
METRO VANCOUVER HOUSING PARKING DETAILS PARKING DETAILS CORPORATION
SHEET TITLE
30
// SAMANTHA MILLER
Metrotower III, 4730 Kingsway Burnaby, BC
B
16 SEP JAN 28 2021 2020 13 NOV 2020
SHEET NUMBER
A0913 A0913
ISSUE DATE
15 JANUARY 2021 15 JANUARY 2021 SHEET TITLE
PARK PARK
ALL RIGHTS RESERVED BY VIA ARCHITECTURE INCORPORATED. THIS DESIGN IS NOT TO BE USED OR REPRODUCED WITHOUT THE CONSENT VIA ARCHITECTURE INCORPORATED.
SHEET NUMBER
A N D E R S ON R OAD
PROFESSIONAL WORK - REZONING SUBMISSION DURANTE KREUK LTD. PARTNER ON PROJECT: DYLAN CHERNOFF SOFTWARE: VECTORWORKS (17 3+2726 2024
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