SAMANTHA
HERNANDEZ
DESIGN PORTFOLIO 1
Table of Contents 01 About Me........................................................3 02 Vitality........................................................4-12 03 Beyond The Horizon.......................13-18 04 Fog Towers of San Francisco....19-21 05 The Gateway.......................................22-25 06 The Aviary..............................................26-31 07 Photography.......................................32-35
2
SAMANTHA HERNANDEZ EMAIL: smhernandez@cpp.edu PHONE: 323-362-7307
EDUCATION
California State Polytechnic University- Pomona / Bachelor of Science in Landscape Architecture | 2016-present
EXPERIENCE
Landscape Intern at CCA | Dec 2018 - Aug 2019 Landscape Intern at Alta Planning + Design | Nov 2019 - present
VOLUNTEERING
ASLA-CPP Vice President | 2019 - present ASLA-CPP Events Coordinator | 2018-2019
AWARDS
Chapman Forestry Foundation EDAW Scholarship Bobby Brooks Awards: Overall Best Team and Design Bobby Brooks Studio: Imagineer’s Choice
SKILLS
AutoCAD, Land F/X, Photoshop, Illustrator, Indesign, Lightroom, Rhino, Lumion, Photography
3
VITALITY
Team Members: Allie Park, Emily Bandy, Cesar Delgado, Samantha Hernandez Site: Olvera Street, Los Angeles Problem: To create a contemporary mausoleum that tells a story on Olvera Street. Approach: Using biocremation on site in order to give people the opportunity to experience death become life. Programs: Illustrator, Photoshop, Rhino, Enscape, Lumion, Autocad
Personal Work
4
Preliminary Research and Model The start of the design process started began with the relationship the people of Los Angeles had with water. Fluidity was expressed in the model, creating an experience where water and people move through the space together.
LOS ANGELES
HISTORY OF WATER IN LOS ANGELES LA WATERSHED LA RIVER HISTORICAL STREAMS ZANJA MADRE
Personal Work
5
Biocremation Life comes to an end with biocremation on site, but is then brought back by becoming sustenance for the forest, where the cycle of life and death never ends.
ON
6
Concept Sketches
Personal Work
7
Concept Sketches
Personal Work
8
Final Presentation
CALIFORNIA STATE POLYTECHNIC UNIVERSITY OF POMONA DEPARTMENT OF ARCHITECTURE AND LANDSCAPE ARCHITECTURE BOBBY BROOKS MEMORIAL INTERDISCIPLINARY DESIGN STUDIO
VITALITY
Final boards prepared for The Bobby Brooks Studio. Consisted of group model, group board, individual model and individual board.
FLUIDITY
WATER IS A LIVING FORCE
the continuation of a meaingful and purposeful existence LANDSCAPE ARCHITECTS SAMANTHA HERNANDEZ CESAR DELGADO
PROJECT NARRATIVE
SAMANTHA HERNANDEZ 4TH YEAR LANDSCAPE ARCHITECTURE
California State Polytechnic University Pomona Department of Architecture & Landscape Architecture Bobby Brooks Memorial Interdisciplinary Design Studio
ARCHITECTS ALLISON PARK EMILY BANDY
Section A-A’
As we experience the often debilitating nature of loss, we search for new opportunities for healing and celebration through the powerful connection of belonging and contributing to community. The process of life is often portrayed as a linear journey in which death defines the end. In realizing the cyclical nature between life and death, water is used as a catalyst to unite these two seemingly opposing entities. Vitality serves a community that believes in giving back to Earth while pointing to the future of conscious burial practices. Here, this bridging manifests in a series of interconnected layers. Occurring simultaneously, the mechanical process of bio-cremation, emotional journey of loss, and ritual funeral procession are experienced in unity with water as the guiding force, revitalizing the way we interpret death. New technologies are enacted to preserve sacred traditions while elevating them to respond to the impending future.
SITE ANALYSIS
LOS ANGELES
HISTORY OF WATER IN LOS ANGELES LA WATERSHED LA RIVER HISTORICAL STREAMS
POINTS OF INTEREST
GREEN & OPEN SPACE
ZANJA MADRE
PROCESS | BIOCREMATION The mechanical cycle is the P ROCESS-ION physical processing of the body, in which bio-cremation transforms the deceased into a fertil body. The emotional cycle guides the stages of processing and working through feelings of loss. The ritual cycle is the experiential procession connecting both the living and the deceased back to nature.
Personal Work SITE PLAN SCALE: 1/32” = 1’
2
3
1
4
1
4
GROUND LEVEL CIRCULATION
UNDERGROUND CIRCULATION
SECONDARY CIRCULATION
ROAD TO REUNION
1
Road to Reunion
2
Passage of Peace
3
Fluidity
4
Roots
3
PASSAGE OF PEACE
2
FLUIDITY
ROOTS
9 Personal Work
Site Plan + Water Wall and Floating Wetlands
10 Personal Work
Reflection Pool Where one has the chance to reflect on oneself during the emotional journey.
11 Personal Work
Section of Center Space
Personal Work
Water Wall + Cleaning Process Water Wall Conditions
Urban Waterfall
6’
20’ 2’
From Sterile Effluent to Experiences of Water
Underground mechanical cleaning process
Biopool
Biological cleaning process with natural wetlands
20’
Biopools containing aquatic life
Cleaned water falls to water edge of celebration
Lily pads Fish
Personal Work
12 Personal Work
BEYOND THE HORIZON Team Members: Jin McFarland, Joel Ramirez, Samantha Hernandez Site: Rio Hondo Spreading Grounds, Pico Rivera Problem: A large expanse of land in an urban context, meant to charge aquifers. It fills up a few times a year and has little connection to local residents. Approach: An experience through the large expanse of the spreading grounds represented by moments of isolation, changing space in densities of Western Cottonwood canopies,movement along an elevated pathway reminiscent of a pier, a dynamic path intercepting a field of wildflowers on ground level, water held by for a prolonged period of time in depressions, and in the end a habitat that supports black crowned night herons with plant life and built bird structures. Programs: Photoshop, Illustrator, Autocad
13
Mapping Site anaylsis of The Rio Hondo Spreading Grounds, Pico Rivera represented through mixed media.
14
Personal Work
15
Concept + Site Plan Focus was on the expanse of the spreading grounds, moments of isolation, change of space, and wildlife+water. The main path was modeled after a pier as a reminder of the absence of water and how vast the space is. Western Cottonwoods were used as the main canopy due to them doing very well in riparian zones or areas with water. They are highlighted with groves that each have varying densities. In the beginning of the walk, the canopies are so dense people are unable to see anything, but when they reach the walkway they are left exposed.
BEYOND THE HORIZON RIO HONDO SPREADING GROUNDS JIN MCFARLAND, JOEL RAMIREZ, SAMANTHA HERNANDEZ LA 203L.03 ANDY WILCOX . SPRING 2018
A
View of the bridge from the spreading grounds on the path returning to the canal
A’
RIO HONDO SPREADING GROUNDS HEXAGON A-5
SITE PLAN
16 Visitors enter through a thick grove thats reveals the bridge gradually.
HABITAT STRUCTURE
PROGRAM: The main aspect of the pier structure is its series of experiencesfrom dense and heavy canopy to open delicate expanses that
RIO HONDO SPREADING GROUNDS HEXAGON A-5 Natural Processes
Site Model
SITE PLAN
Section of Pier Visitors enter through a thick grove thats reveals the bridge gradually.
SECTION A - A’
Personal Work
HABITAT STRUCTURE
PROGRAM: The main aspect of the pier structure is its series of experiencesfrom dense and heavy canopy to open delicate expanses that take the visitor out into the space of the basin.
17 N 08
’
16’
24’
1/8” =
Circulation + Fixed Programming
Topography
18 Personal Work
FOG TOWERS OF SAN FRANCISCO Team Members: Samantha Hernandez
Site: San Francisco Federal Building, San Francisco Problem: A plaza that is underutilized by the public Approach: Conceptual design based on fog being a known weather phenomena in San Francisco. Fog towers capture the moisture from fog, which then drips into a water channel. Water then connects to an unkempt urban graden full of marsh/riperian type plants, supported by the microclimate created by the shade of the building and wet soil by water. Programs: Autocad, Illustrator, Photoshop, Rhino, Vray
All Personal Work
19
Site Plan + Section Conceptual design based on fog being a known weather phenomena in San Francisco. Fog towers (light up in various shades of blue to compliment James Turrell piece) capture the moisture from fog, which then drips into a water channel. It can also capture runoff. Water then connects to an unkempt urban graden full of marsh/riperian type plants, supported by the microclimate created by the shade of the building and wet soil by water. There is a walkway through the urban garden that connects all entryways and open spaces created by the water structures. Capturing and repurposing the water coincides with the buildings vision of sustainability. The goal is to create a unique experience where the people of San Francisco can be in a completely different environment that plays with the fog that the city is known for.
20
Experience Among Marshes
21
THE GATEWAY
Team Members: Daniel Villegas, Samantha Hernandez CONC.
ASPH.
MB
Site: Crenshaw Boulevard, Los Angeles CONC.
ASPH.
CONC.
ASPH.
Problem: Crenshaw Destination is an open art museum on Crenshaw Boulevard that was in response to the expansion of the metro rail to LAX.
FP
ASPH. ASPH.
ASPH. CONC.
ASPH.
CONC.
FP
FP
MB
CONC.
FP
ASPH.
ASPH. ASPH.
ASPH.
Approach: The Gateway is the welcoming to the nodes in the form of a bridge.
ASPH.
FP
FP FP
SIGN
ASPH.
ASPH.
FP
TANK
100'
ASPH.
25' 50'
ASPH.
0'
ASPH.
ASPH.
Programs: Autocad, Illustrator, Photoshop, Rhino, Vray, Esri
SITE PL
N
SCALE 1:50
Site Plan
SLAUSON AVE.
22
SECTION-E
FP FP
Master Plan
Thread connecting all sites together along the 1.3 mile walk. POOL
POOL MB MB
FP
FP
FP
FPFP FP FP
FP
LAN
ELEVATION
SLAUSON AVE.
23
“My creations are a reflection of my personal values and pay homage to ongoing themes of uinity famiuly and spirituality.” Larry Poncho Brown
POSITIVE ASSOCIATION
Above the Metro
Living in a society that has people surrounded by screens, these TV panels located in the elvator and center column provide visitors with positive news from the community. It seems that current news often bombard the public of tragedy, accidents, and violence, a negative mesage to the commnunity and youth. These panels would show achievements and accomplishments of many African Americans around the country to provide a resilient and positive image to this space. This network is designed to create and bridge communities through authentic representation of the many lifestyles lived by African Americans.
SLAUSON AVE.
SECTION-E
SLAUSON AVE. Personal Work
SECTION-E
Personal Work
Section + Planting Palette
W.02 W.02
142’
176’
142’
176’
4 PM
WEST NODE
ENTRANCE
4 PM
WEST NODE
ENTRANCE
WHITE YARROW
4 PM WHITE YARROW
4 PM
TEXAS WILD OLIVE
TEXAS WILD OLIVE
MEXICAN SYCAMORE
MEXICAN SYCAMORE
MULTIFLORA ROSE
MULTIFLORA ROSE
TEXAS RANGER
TEXAS RANGER
LEMONADE BERRY
LEMONADE BERRY
144’
PLANTING 144
VINE + S
PLANTIN
VINE + S
SOUTHERN HAIRGRASS
SOUTHERN HAIRGRASS
CALIFORNIA SAGE BRUSH
CALIFORNIA SAGE BRUSH
ENGLISH IVY
24 ENGLISH IVY
SHADE STUDY Elevated Planter
Shade Study
Elevated Tube Planter
A tubular planter rises from the Elevator making its way across the bridge intertwining with the many paths the bridge offers. It is comprised of a central irrigation pipe that lightly waters the vine. This vine is supported by a light wire mesh, giving it volume and space to expand. The tubular planter also houses a Mist Cooling System that provides a cooling environment on warmer days.
12 PM
4 PM
12 PM
4 PM
Mist Cooling System
SLAUSON AVE.
Offers a low energy form of cooling on warmer days.
ELEVATION
SLAUSON AVE.
WHITE YARR
ELEVATION
’
188’
G PALETTE 4’
Personal Work
E.02
150’
188’
E.02
150’
SHADE
ENTRANCE
EAST NODE
SHADE
ENTRANCE
EAST NODE
NG PALETTE SOUTHERN HAIRGRASS BOUGAINVILLEA
CALIFORNIA SAGE BRUSH
LEMONADE BERRY
TEXAS RANGER
MULTIFLORA ROSA
MEXICAN SYCAMORE
SOUTHERN HAIRGRASS BOUGAINVILLEA
CALIFORNIA SAGE BRUSH
LEMONADE BERRY
TEXAS RANGER
MULTIFLORA ROSA
MEXICAN SYCAMORE
TEXAS WILD OLIVE
WHITE YARROW
Personal Work 25
TEXAS WILD OLIVE
WHITE YARROW
THE AVIARY Team Members: Lyle Janicek, Robert Morales, Chieh Yang, Giancarlo Manglicmot, Sanhloc Lehuynh , Stephanie Contreras, Nicole Umutoni, Mao Yuhan, Madelyn Barnes, Samantha Hernandez Site: Dashilar District-Beijing, China Problem: Residents of hutongs faced overcrowding, lack of quality infrastructure, lack of green space, and a need to connect to their diminishing connection to their culture. Approach: Urban planners, architects and landscape architects created a small neighborhood that brought better living conditions to local residents in the form of housing, educational centers, a greenhouse, and the aviary. The aviary is the connecting factor between the residents and local ritual. Programs: Autocad, Illustrator, Photoshop, Lumion, Rhino
4
Site Analysis + Site Plan
27
Entrance
The entrance had to be impactful enough to attract people to enter the space. A meandering path is introduced, broken up by water that continues and connects the whole site. It is one of the most important elements to the project, as water is used heavily throughout Chinese designs, and is a universal entity that everyone understands.
Personal Work
Personal Work
28
Housing and Educational Centers We were able to experience the conditions of a hutong, and how it feels for 27 families to share one building. Each family had a dozen square meters as living space. The environment we saw was one that we knew could be improved on in our design. Bringing new educational facilites was introduced in order to create a small community where kids can comfortably learn about their culture.
Personal Work
29
The Aviary The center of the community where residents have the opportunity to carry on the tradition of attaching a pigeon whistle to birds. COMBINING SIGNIFICANT SHAPES IN CHINESE CULTURE CIRCLE: HEAVEN EARTH: SQUARE
30
Greenhouse When speaking to local residents in the Dashilar District, many wished for more space. We could see that makeshift gardens were made in what little space there was in the street that served as a sidewalk, bike and car lane. We decided to implement a greenhouse, which would give the community the space needed to grow produce that would not only provide healthy vegetables and fruit, but also serve as a place where people can engage in activities together.
Personal Work
LUMION
31
PHOTOGRAPHY I first got interested in photography my 2nd year in landscape architecture. Now a hobby of mine, I enjoy taking pictures of the urban environment and the natural landscape. I recently acquired a drone in hopes of gaining a new perspective whenever I travel.
32
33
34
35
DRAFTING
Construction documents I worked on in my previous internship. Completed planting plan, irrigation plan and notes.
AA 70 1 gal MR 19 5 gal LI 483 sf 1 gal
4-01
377 sf LI 1 gal
3 MR 5 gal
QH 1 36" Box
3 MC 5 gal
3 MR 5 gal
3 MC 5 gal
3 MR 5 gal
88 AA 1 gal 3 MR 5 gal
1 PC 24" Box STANDARD
1 BB 24" Box STANDARD
PROPERTY LINE
24 MR 5 gal
EXISTING TRAFFIC CIRCLE
PROPERTY LINE 1 PD 18` Brown Trunk
OL2HS OL2HS
PA 3 5 gal
2 SA 5 gal
4 AA 1 gal
SA 2 5 gal
4 AA 1 gal
6 PA 5 gal
4 AA 1 gal
SA 2 5 gal
PA 3 5 gal
11 CD 24" Box MULTI-TRUNK
PC 3 24" Box STANDARD
4 AA 1 gal
2 SA 5 gal 4 AA 1 gal
2 SA 5 gal
PARKING CD STAFF 3 MR 3
24" Box MULTI-TRUNK
5 LR 5 gal
5 gal
1 TX 5 gal
2 SA 5 gal 4 AA 1 gal
NO PARKING
NO PARKING
3 PA 5 gal
3 LR 5 gal
3 PD 18` Brown Trunk
MC 3 5 gal
NO PARKING
3 PC 24" Box STANDARD 1 TX 3 LR 5 gal 5 gal
PA 3 5 gal 1 TX 5 gal 3 MR 5 gal
PA 3 5 gal 3 CD 24" Box MULTI-TRUNK
OL2S
OL2S
5 LR 5 gal
OL2S
4-03
OL5
OL5
3 MR 5 gal
3 MC 5 gal
4-03
3 MR 5 gal
3 MC 5 gal
3 PC 24" Box STANDARD
OL2S
LI 364 sf 1 gal AA 54 1 gal PC 3 24" Box STANDARD
3 PA 5 gal LR 5 5 gal
4 CD 24" Box MULTI-TRUNK
PA 3 5 gal
4-03 1 TX 5 gal
4-01
21 MR 5 gal
3 MR 5 gal
MR 3 5 gal
3 MR 5 gal 1 BB AA 4 24" Box 1 gal STANDARD SA 2 5 gal
OL2S
OL2
3 CD 24" Box MULTI-TRUNK
1 TX 5 gal
OL2SHS
3 MR 5 gal
3 MC 5 gal
4 PA 5 gal 5 LR 5 gal
3 MR 5 gal
3 MC 5 gal
3 PA 5 gal
3 PA 5 gal
OL2S
OL2S
1 BB 24" Box STANDARD
AA 4 1 gal
AA 4 1 gal
4 AA 1 gal
4 AA 1 gal
2 SA 5 gal
PA 3 5 gal
PA 3 5 gal
646 sf CM 1 gal 7 AA 1 gal 4-03
4 RD 1 gal
2OL4
2 SA 5 gal
AA 4 1 gal
FIRE LANE
NO PARKING
3 PA 5 gal OL2S
NO PARKING
4-03 2,124 sf CT Sod
3 CD 24" Box MULTI-TRUNK 1 TX 5 gal
1 TX 5 gal TX 1 5 gal
PA 3 5 gal
PA 5 5 gal
LR 5 5 gal MR 3 5 gal
3 OL2SHS
OL2SHS
5 SA 5 gal
4-03
5 SA 5 gal
5 SA 5 gal
5 SA 5 gal
TX 1 5 gal
5 LR 5 gal 3 PC 24" Box STANDARD
PC 3 24" Box STANDARD
SA 5 5 gal 3 MR 5 gal
5 SA 5 gal
5 SA 5 gal 3 MR 5 gal
3 CD 24" Box MULTI-TRUNK 5 MC 5 gal
1 TX 5 gal
5 SA 5 gal
LR 3 5 gal
5 SA 5 gal 3 PA 5 gal 5 MC 5 gal
TX 1 5 gal 5 SA 5 gal 3 MR 5 gal 1 TX 5 gal
3 PC 24" Box STANDARD 3 LR 5 gal
5 MC 5 gal
5 LR 5 gal 3 MR 5 gal
3 MR 5 gal
5 SA 5 gal
RD 4 1 gal
1 QH 36" Box
E.G.
3 SA 4 5 gal
1 QH 36" Box
4 SA 5 gal
1 CD 24" Box MULTI-TRUNK
4 RD 1 gal 5 CD 24" Box MULTI-TRUNK
2 PC 24" Box STANDARD
CD 5 24" Box MULTI-TRUNK
QH 1 3 CD 36" Box 24" Box MULTI-TRUNK
10 BB 24" Box STANDARD
4-03 AA 4 1 gal 3 SA 5 gal
MC 5 5 gal 5 SA 5 gal
BUFFALO TRAIL
SA 5 5 gal
5 SA 5 gal
AL 8 5 gal
5 SA 5 gal
5 SA 5 gal 3 MR 5 gal
5 MC 5 gal
5 SA 5 gal 3 MR 5 gal
5 SA 5 gal
3 MR 5 gal
5 SA 5 gal
5 MC 5 gal
5 SA 5 gal
3 MR 5 gal
5 SA 5 gal
5 MC 5 gal
5 MC 5 gal
5 MR 5 gal
11 MC 5 gal
1 PD 18` Brown Trunk
AA 4 1 gal QH 1 4 AA 36" Box 1 gal 2 BB 24" Box STANDARD 2 SA 5 gal
OL2HS
1 PD 18` Brown Trunk
1 PD 18` Brown Trunk
SA 2 5 gal
3 CD 24" Box MULTI-TRUNK
GENERAL PLANTING NOTES 1.
Installer shall be responsible for making himself familiar with all underground utilities, pipes and structures. Installer shall take sole responsibility for any cost incurred due to damage of said utilities.
SIZE
WUCOLS
PLANT FACTOR
HYDROZONE
QTY
BB
Brachychiton populneus STANDARD
Bottle Tree
24" Box
1.5"Cal
8`-10` x 3-4`
L
0.1-0.3
2
61
2. Installer shall not willfully proceed with construction as designed when it is obvious that unknown obstructions and/or grade differences exist that may not have been known during design. REFERENCE NOTES SCHEDULE 3. Installer shall have soils tested by a qualified agronomy laboratory. Materials and mixing of soil amendments, fertilizers, and back fill for planting pits shall be in accordance with recommendations of the soils agronomy report. SYMBOL
24" Box
1.5"Cal
L
0.1-0.3
2
76
18` Brown Trunk
1.5"Cal
M
0.4-0.6
3
17
PC
Prosopis chilensis STANDARD
Thornless Chilean Mesquite
24" Box
1.5"Cal
QH
Quercus v. `Heritage`
Heritage Live Oak
36" Box
CODE
BOTANICAL NAME
COMMON NAME
CONT. SIZE
AA
Aloe x `Always Red`
Aloe `Always Red`
1 gal
SPACING
4.
All plant material shall be approved by the Landscape Architect, Owner or Owner's representative prior to installation.
5.
Final location of all plant material shall be subject to the approval of the Construction Manager.
6.
See details for staking method and plant pit dimensions.
7.
If conflicts arise between size of areas and plans, Installer to contact Construction Manager for resolution. Failure to make such conflicts known to the Construction Manager will result in Installer's liability to relocate the materials.
9`-10` H x 3`-4` S
L
0.1-0.3
2
38
12-15` H
M
0.4-0.6
2
8
8.
All ground covers to be held back 4" from edge of new shrubs typical and 2" from back of curbs or edge of walks at time of planting.
WULCOLS
PLANT FACTOR
HYDROZONE
QTY
9.
Ground covers shall be triangularly spaced per detail.
L
0.1-.0.3
1
407
10. Trees shall be located minimum 4' from walls, overhead, walks, headers and other trees within the project, unless otherwise shown. 11. Place Deep Root Barrier at new trees that are with in 5' of Curbs or paving unless noted otherwise on the plans. Deep Root model UB 24-2 see installation detail.
AL
Antigonon leptopus
Coral Vine
5 gal
L
0.1-.0.3
1
17
Lantana camara `Radiation`
Radiation Bush Lantana
5 gal
M
0.4-0.6
1
63
MC
Muhlenbergia capillaris
Pink Muhly Grass
5 gal
M
0.4-0.6
1
168
MR
Muhlenbergia rigens
Deer Grass
5 gal
M
0.4-0.6
1
184
PA
Perovskia atriplicifolia
Russian Sage
5 gal
L
0.1-.0.3
1
135
17. All planting areas including pots irrigated with drip irrigation or low volume irrigation components shall be hand watered by the installer until the plant materials root zones have established enough to effectively access the irrigation water from the drip systems.
RD
Rosmarinus officinalis `Prostratus`
Prostrate Rosemary
1 gal
M
0.4-0.6
1
71
18. Planting areas (except lawn and hydroseed areas as well as areas of Decomposed Granite) to be top dressed with 2" (inch) min, layer of mulch Agromin ES-2 or equal. Agromin (800)247-6646
SA
Salvia x `Amistad`
Amistad Salvia
5 gal
L
0.1-.0.3
1
219
19. Decomposed granite (D.G.) - install a 2" (Min.) layer of Decomposed Granite w/ stabilizer continuous, color as per plan, in all planters under all trees and shrubs as indicated. Before placing granite, compact sub-grade to 85% and apply a pre-emergent herbicide to soil. After placing granite: rake smooth, wet to entire depth, allow to dry, then lightly scarify surface with a leaf rake. Apply a secondary application of pre-emergent herbicide to top of granite. Keep top of granite 1" below adjacent walks and curbs. Do not allow granite to touch the trunk of any plant. Install after installation of plant material making note of plant height so they are not buried by D.G.. 20. All Phoenix Palms shall be "Pineapple Cut" skinned and shall be as per the brown trunk height (BT) as indicated on the planting plan and legend and matched to be of equal height in each area of use.
TX
Tecoma x `Bells of Fire
Bellls of Fire Tecoma
5 gal
L
0.1-.0.3
1
14
CODE
BOTANICAL NAME
COMMON NAME
CONT
SPACING
WULCOLS
PLANT FACTOR
HYDROZONE
QTY
CM
Convolvulus mauritanicus
Ground Morning Glory
1 gal
30" oc
M
0.4-0.6
4
646 sf
LI
Lantana x `Monet`
Spreading Sunset Lantana
1 gal
30" oc
M
0.4-0.6
4
2,105 sf
BOTANICAL NAME
COMMON NAME
CONT
CT
Cynodon dactylon `TifGrand`
Shade Tolerant Bermuda Grass
Sod
SPACING
3 MR 5 gal 1 PD 18` Brown Trunk
3633 Long Beach Boulevard, Suite 300 Long Beach, California 90807 Tel. 562.424.8182 CA 3583 AZ 30100 NV 578 TX 3337 UT 377204 CLARB 319
3
3 MR 5 gal 1 PD 18` Brown Trunk
WULCOLS
PLANT FACTOR
HYDROZONE
QTY
H
0.7-1.0
4
5,173 sf
INDIO BEHAVIORAL HOSPITAL, LLC INDIO BEHAVIORAL HEALTH HOSPITAL
81555 JFK COURT INDIO, CA 92201
LR
CODE
C U M M I N G S C UR L E Y and A S S O C I A AT r Ec S,h i I t Ne Cc t s
3 CD 24" Box MULTI-TRUNK
CAL
Date Palm
CCAinc L a n d s c a p e
11 MC 5 gal
CONT. SIZE
Desert Museum Palo Verde
fax: 626.793.9807
OL2HS
5 MR 5 gal
11 MC 5 gal
COMMON NAME
Cercidium x `Desert Museum` MULTI-TRUNK
•
521 sf LI 1 gal
5 MR 5 gal
BOTANICAL NAME
Phoenix dactylifera
48 east holly street pasadena, ca 91103
5 PA 5 gal
CODE
CD
11 MC 5 gal
2 PC 24" Box STANDARD
4-03
5 MC 5 gal
PLANT SCHEDULE
PD
OL2HS
4-03
2OL4
AA 6 1 gal
2 SA 5 gal
SA 2 5 gal
3
OL2HS
OL2HS
2 BB 24" Box STANDARD
AA 6 1 gal
4 AA 1 gal
4-03 5 PA 5 gal
5 MR 5 gal
SA 2 5 gal PD 1 18` Brown Trunk
AA 4 1 gal 3 SA 5 gal
3 AA 1 gal 1 PC 24" Box STANDARD
4 SA 5 gal 1 PC 24" Box STANDARD
4-03 SA 4 5 gal
OL2HS
OL2HS
OL2HS
3 LR 5 gal
1 QH 36" Box
5 PA 5 gal
AA 6 1 gal
3 BB 24" Box STANDARD 2 SA 5 gal 4 RD 1 gal 3 SA 5 gal
2OL4
OL2
11 MC 5 gal
tel: 626.793.9805
4-03
3 PA 5 gal 4 AA 1 gal
SA 2 5 gal
AA 5 1 gal
AA 6 1 gal 3 MR 5 gal
3 1 AL 5 gal
4 RD 1 gal
4-03
OL2S
3
3 MR 5 gal
4-03
OL2HS
5 SA 5 gal AL 8 5 gal
OL2HS
OL2HS
OL2HS
OL2HS
T
1 CD 24" Box MULTI-TRUNK
3 PA 5 gal
PA 3 5 gal
BB 3 24" Box STANDARD
MC 3 5 gal
SG
4-01
LR 5 5 gal
OL2SHS
3 BB 24" Box STANDARD
2OL4
OL2HS
2 BB 24" Box STANDARD
2OL4
3 PA 5 gal
AA 4 1 gal
CD 5 24" Box MULTI-TRUNK
5 MR 5 gal
SA 2 5 gal
BB 3 24" Box STANDARD
4 AA 1 gal
BB 3 24" Box STANDARD 4 AA 1 gal
1 PC 24" Box STANDARD
3 PA 5 gal
463 sf CT Sod
QH 1 36" Box
PA 3 5 gal
OL2S
OL2SHS
2 SA 5 gal
SA 2 5 gal
2 SA 5 gal
3 SA 5 gal
3 PA 5 gal
4 RD 1 gal
OL2
11 MC 5 gal
PD 1 18` Brown Trunk
2OL4
3 PA 5 gal
AA 4 1 gal
RD 4 1 gal
ARCHITECTS
9 CD 24" Box MULTI-TRUNK
2 BB 24" Box STANDARD
4 RD 1 gal
5 PA 5 gal
OL2HS
4-03
AA 6 1 gal
4 RD 1 gal
2 SA 5 gal 4 AA 1 gal
2OL4
PA 3 5 gal
NO PARKING
CALLE DIAMANTE
OL2S
5 RD 1 gal
MC 3 5 gal
287 sf LI 1 gal
SA 2 5 gal
4-03 3 SA 5 gal
3 PA 5 gal
4 RD 1 gal NO PARKING
MC 3 5 gal
PA 3 5 gal
2 CD 24" Box MULTI-TRUNK
836 sf CT Sod
1 QH 36" Box
SIGN
BB 2 24" Box STANDARD
AA 4 1 gal
4 AA 1 gal
4-03
RD 4 1 gal
LI 73 sf 1 gal OL2SHS
1,750 sf CT Sod
3 MR 4-03 5 gal
3
2 PC 24" Box STANDARD
AA 6 1 gal
4-03 MC 3 5 gal
TURF/LAWN
5 SA 5 gal
3 AA 1 gal
3 PA 5 gal
SA 2 5 gal
4 AA 1 gal
NO PARKING
4-03
GROUND COVERS
1 PC 24" Box STANDARD
3 SA 5 gal
4 AA 1 gal
2 BB 24" Box STANDARD
2OL4
OL2
4-03
SA 2 5 gal
4 RD 1 gal
AA 4 1 gal
RD 5 1 gal
AVENIDA ESMERALDA
SHRUBS
4 AA 1 gal
4 RD 1 gal
RD 5 1 gal
4 RD 1 gal OL2S
AA 4 1 gal
3 SA 5 gal
2OL4
AA 6 1 gal
8 AA 1 gal
OL2S
1 PC 24" Box STANDARD
PA 3 5 gal
3 MC 5 gal 3 CD 24" Box MULTI-TRUNK
OL5
SA 2 5 gal
3 AA 1 gal 1 PC 24" Box STANDARD
2 PC 24" Box STANDARD
SA 5 2 SA 5 gal 5 gal
3 PA 5 gal
OL2S
1 TX 5 gal
4-01
SA 2 5 gal
3 MC 5 gal
BB 1 24" Box STANDARD
1 BB 24" Box STANDARD
3 PA 5 gal
4-03
OL2S
MC 3 5 gal
3
3 MR 5 gal
4 PD 18` Brown Trunk
OL5
OL5
3 LR 5 gal
TX 1 5 gal 4-03
TREES
3 MC 5 gal
SA 2 5 gal
2 SA 5 gal
OL5
OL5
MC 3 5 gal
PA 3 5 gal
4-03
3 CD 24" Box MULTI-TRUNK SA 2 5 gal
5 LR 5 gal
OL2SHS OL2S
2 PD 18` Brown Trunk
1 PC 24" Box STANDARD
NO PARKING
NO PARKING
5 PA 5 gal
4 AA 1 gal
OL2HS
8 BB 24" Box STANDARD
NO PARKING
OL2HS
3 SA 2 5 gal
BB 11 24" Box STANDARD
3 MC 5 gal
3 MR 5 gal
5 MR 5 gal
3 MC 5 gal
OL2HS
PA 5 5 gal
1 CD 24" Box MULTI-TRUNK
1 PC 24" Box STANDARD
CHEYENNE ROAD
2 CD 24" Box MULTI-TRUNK
MC 3 5 gal
12. Separate all ground cover and shrub areas from lawn areas with headers as per the installation details. 13. All slopes greater than 3:1 in shrub areas shall be covered jute mesh to prevent soil erosion during plant establishment 14. Remove stakes and trellis from vines and espaliers and secure to walls, fences and posts as per detail 15. In all cases "Root Bound" plant material will not be accepted. 16. No trees are to be planted within or above site storm drain pipes, swales or retention basins.
21. Brown Trunk Height "BT" shall mean as measured from the ground line to the base of the heart leaf. 22. All Palms must be certified disease and pest free by a licensed Arborist. Written documentation must be provided prior to planting. Soil Tests for Soil Management 1.
The Contractor shall be responsible for obtaining soils testing and soil amendment recommendations. Soils testing shall be completed and test results and amendment recommendations submitted to the Owner's Representative a minimum of fifteen (15) days before commencement of any planting.
2.
The testing laboratory shall be Waypoint Analytical, 474 East Hunter Avenue, Suite A, Anaheim, California 92807. Phone 714.282.8777, or
3.
The testing laboratory for soils analysis shall use the following criteria for soil testing: USDA Agricultural Suitability Test per Handbook 60, to include Boron presence and content; and University of California Soil Fertility Test.
4.
Interpretations, fertilization and soil amendment recommendations, and comments regarding these tests are required.
5.
Soils test sites shall occur not more than 250 feet on center in the planting areas, unless otherwise noted on plans.
6.
Samples of all import soil from each source shall also be submitted to the soils testing laboratory for analysis,
interpretation and
approved equal as approved by the Owner's Representative.
recommendations prior to placement, blending or back-filling.
PERCOLATION TEST The landscape installer shall dig (as test areas) four (4) plant pits of 24" box size, or larger, at four (4) locations minimum within the job site. Pits are to be filled with water. The results of this test shall be reported to the Landscape Architect and owner 48 hours after initiating. Test pits shall be in actual location of trees as shown on the plan. Failure to carry out this test shall make the landscape installer liable for any and all trees that die due to poor water percolation beyond the agreed guarantee period. OPTION 1 Should the water drain out of the test pits at a normal rate indicating good percolation then tree detail "A" and shrub planting detail "A" shall be utilized.
36
37