Architecture Portfolio 2021

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SAM MERECICKY SELECTED WORKS 2021


CONTENTS


PSEUDOVERTICAL UNIVERSITY OF CINCINNATI

ATHENAEUM UNIVERSITY OF CINCINNATI

THE BELDEN STRATFORD SOLOMON CORDWELL BUENZ

SLICES UNIVERSITY OF CINCINNATI

CERAMICS PERSONAL WORK

PHOTOGRAPHY PERSONAL WORK

B.US SHELTER UNIVERSITY OF CINCINNATI

THE REFUGE UNIVERSITY OF CINCINNATI

01 11 15 19 21 23 27 33


PSEUDOVERTICAL UNIVERSITY OF CINCINNATI

Fall 2017

Group work with Owen Blodgett, Norm Kerr 300 12th Ave, New York, New York 10001

01


This project serves as a means of ecological cleansing at the end of the vast Hudson Yards development along Manhattan’s Highline. Comprised of aquarium and butterfly conservatory space, the building takes a pseudovertical approach to this skyscraper studio, creating a steady transition from the Hudson River to the towering development to its east: a figurative setback, if you will. The program

derives from the group’s previous analyses of New York skyscrapers (see SLICES), resulting in aquarium, butterfly conservatory, and trash compactor programs. The latter was used as formal operation to intertwine the aquarium and conservatory. These spaces are navigated using a railed elevator system that stops at the varying exhibits of life. The project was submitted to the Evolo Skyscraper Competition in 2018. 02


03 PSEUDOVERTICAL


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05 PSEUDOVERTICAL


PSEUDOVERTICAL is comprised of 3 unit types: core, for distribution of visitors, tank, for aquarium space and visitor circulation throughout, and atrium, which provides spatial relief at the building’s center. These units were designed and implemented in CATIA/Digital Project (parametric design software brought to the industry by Pritzker Prize laureate Frank Gehry).

TANK UNIT

TANK INVERSION (CIRCULATION)

SPATIAL RELIEF/ATRIUM

DISTRIBUTION UNIT

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Among our group, I had a particular role in conceptual visioning and design, retrofitting models in CATIA, and developing graphic schemes and drawings. I additionally served as a sort of project manager in terms of our timeline, file management, and priorities. This studio also had the privilege of helping kick start the university’s clay 3D printing processes utilizing its KUKA KR20 robotic arm. This was definitely a trial and error process, but we were happy to experiment and provide lessons-learned for future use.

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PSEUDOVERTICAL


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09 PSEUDOVERTICAL


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ATHENAEUM UNIVERSITY OF CINCINNATI

991 PARKSIDE DRIVE MANSARD / HIP + VALLEY / LEAN-TO

1033 CELESTIAL STREET HIP / PYRAMID

Fall 2015

906 Race St, Cincinnati, OH 45202 338 WARREN AVENUE GAMBREL

3709 RAWSON FARM LANE FLAT

11 405 WARREN AVENUE A-FRAME

567 MCALPIN AVENUE GULLWING


This project began with an analysis of the intersection between roof typology and overall form in Cincinnati single-family homes. While there were some interesting roof geometries, the volume and base profile remained relatively rectangular, regular, and hidden—of course by land. The Cincinnati Athenaeum reiterates the roles of roof, volume, and base by placing the once hidden

base on the exterior of the building and utilizing the varying roof geometries to inform the rigid interior courtyard. Members of the Athenaeum experience this relationship when inhabiting the bar, design studios, visual art gallery, small performance venue, recording studio, two studio apartments, administration offices, and rooftop viewing.

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ATHENAEUM


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RESTAURANT

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TS

S/P

GUEST ENTRY

R

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12X18

R

RETAIL

RESTAURANT

10X22

RESIDENT ENTRY

1

LOBBY LEVEL 1" = 10' Copy 1 SCALE: 1" = 10'-0"

THE BELDEN STRATFORD NO.

SOLOMON CORDWELL BUENZ ARCHITECTS 2300 N Lincoln Park W, Chicago, IL 60614 15

2018-Present (Under Construction)

DATE

DESCRIPTION

THE BELDEN STRATFORD 2300 N. LINCOLN PARK WEST CHICAGO, IL 60614 © 2020 Solomon Cordwell Buenz


1980’s Image PRE-1980 ADAPTATION

EXISITNG

The Belden Stratford, formerly known as the Belden Hotel (1922), is an Illinois Landmark that overlooks Lincoln Park and Lake Michigan. The hotel underwent an adaptation to become an apartment building in the 1980’s, which unfortunately compromised many historic elements, such as the cast-iron canopy,

T HE B E L D E N ST RAT FO R D PROPOSED

L A NDM A RKS I L L I N O I S

7/01/2019

crucial light access to the main lobby space, and a double-height ballroom. I am currently participating in SCB’s renovation, which focuses on restoring these historic elements in tandem with a local historic architect, in addition to revitalizing the residential and landscape elements. 16


TE

DE

DE

DE

TE

6x18"

TE

TE

DE

TE

DE

DE

Best views, upgraded appliances, mostly new risers and walls Moderate views, standard applicances, mostly existing risers and walls DE

Moderate views, standard applicances, all existing risers, mostly existing walls

DE

DE TE

DE

TE

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DE DE

TYPLICAL FLOOR PLAN

1

LEVEL 06 PRS Copy 1 1/8" = 1'-0"

THE BELDEN STRATFORD

My roles on the project are in unit design, construction and presentation drawings, BIM management, and consultant coordination. As shown above, the team and I broke out the unit mix into 3 categories to split up the quality of views or spaces in tandem with the existing conditions, allowing us to value engineer which units receive the highest degree of renovation (green). The blue and red units received a minimal amount of layout redesign, reducing the cost of demolition and rerouting risers.

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THE BELDEN STRATFORD

2300 N. LINCOLN PARK WEST CHICAGO, IL 60614 NO.

DATE

DESCRIPTION

© 2020 Solomon Cordwell Buenz

LEVEL 06 PORTFOLIO

Drawn By: Author

Checked By: Checker

Project Number:

2019015

Sheet Number:

SM.06


8X12

FEC-1

Reestablished double height space as fitness center (Previously ball room, closed off in the 1983 renovation). FEC-1

10X14

20x18

Open to Lobby Below

Reestablished lobby-mezzanine relationship

FEC-1

12X40

Luxury units at large original windows

SECOND FLOOR PLAN

1

LEVEL 02 PRS Copy 1 1/8" = 1'-0"

THE BELDEN STRATFORD

LEVEL 02 PORTFOLIO

2300 N. LINCOLN PARK WEST CHICAGO, IL 60614 NO.

DATE

DESCRIPTION

Drawn By: Author

Checked By: Checker

Project Number:

2019015

Sheet Number:

© 2020 Solomon Cordwell Buenz

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SLICES

UNIVERSITY OF CINCINNATI

Fall 2017

Inspired by the 48-story atrium in John Portman’s Marriot Marquis in New York City, these SLICES explore my interest in carving light wells into, and even through, a building. This creates a 19

visual connection between separate programs within, and lights a shared common space. SLICES would later inform the butterfly conservatory element of PSEUDOVERTICAL.


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CERAMICS DUBLIN COFFMAN HIGH SCHOOL

2010-2014

Although I’d always been immersed in cooking, sculpting, drawing and the like, my introduction to ceramics really kick-started a serious designbuild mindset. For most of high school, I was 21

part of a time-trial based ceramics competition in central-Ohio called “Feats of Clay,” for which I designed and built our team’s teapot each year and was team captain.


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PHOTOGRAPHY 2018 - Present

Photography serves me as an exercise and exploration of composition, light, and precision. I am particularly fascinated with the mechanics and chemistry of film photography.

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B.US SHELTER UNIVERSITY OF CINCINNATI

Spring 2017

Group work with 15-person studio

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I N V I T I N G

PROTECTIVE

The B.US Shelter is a design-build done in coordination with parents, students, and administration at Cincinnati Public Schools and The UC Bicentennial Foundation. Its purpose was to prototype a bus shelter to be potentially built in several neighborhoods around Cincinnati to represent the university and serve the community. This was the final phase of a 3-studio sequence: one of urban planning, fine arts, and architecture. After analyzing the

INQUISITIVE

PERCEPTIBLE

past studios’ research, we developed four main goals, requiring that the shelter be inviting, protective, inquisitive, and perceptible. Such goals were achieved in the playful undulation of seating to serve different age groups, a 2.5-sided enclosure for protection and perceptibility, a free library, and for the installation, a fish tank, where the solar battery would reside, powering a display of bus arrival times and an emergency call button. 28


Because most of our time was spent thoroughly researching, diagramming, detailing, and setting up files for customization, the construction process only took a few days. We had plywood CNC-milled and painted, custom metal work done to structure the shelter. It was set up in the DAAP building for our end of the year show.

29 PROJECT NAME


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MY EARLY CONCEPT

My roles were of that in management and design: I had several conceptual schemes of my own, which were later combined with that of other winners in a vote. During research, I was a part of the materials and precedent team, while developing previous research into design goals. My roles in the final build of our design were in rectifying and detailing our design model, setting up milling files, establishing graphic standards, producing drawings, and participating in overall construction. 31

B.US SHELTER


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THE REFUGE UNIVERSITY OF CINCINNATI

Spring 2017

33 Calhoun St. Cincinnati, OH 45219 33


Located just off University of Cincinnati’s campus, The Refuge is a luxury apartment complex intended for faculty and staff of the university. The complex includes 22 luxury apartments interwoven with open-air lobbies, a fitness center, and study room. These sit atop a brunch/fine dining restaurant and a 2-story parking garage. Its master plan is representative of the surrounding 3-block context that

hugs the edge of campus by utilizing relationships within the spatial figure-ground. These contextual relationships allow the public to recede from the busy traffic to rehabilitate, find sanctuary, and wait for public transportation. The Refuge mimics these contextual relationships to function similarly, as residents return home. 34


SOLID VOID

PRIVATE SEMI-PRIVATE PUBLIC

THE REFUGE’s form mimics that of its 3-block context separated by streetscape via its 3-tower configuration separated by vertical circulation. Much like the appended spaces off the busy streetscape, every few residential floors includes a fitness center, library, or lounge, appended from the vertical circulation cores. The residents also have access to the sunken southeast gardens for strolling and relaxation, representative of the vegetated and sunken contextual appendages.

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THE REFUGE


POCKETED BY VEGETATION

SUNKEN IN ELEVATION

CAMPUS VIEWS

CITY VIEWS

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THE REFUGE


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THANK YOU!


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