CONTENTS
Pei Wu E-mail:Wu-p16@outlook.com Mobile:(+86)18801107936
01 Mixed Class Community
01
District planning work based on original city texture Individual work / University of Madrid / 2019
Education
Tsinghua University, Beijing, China Candidate for Bachelor of Architecture Universidad Politécnica de Madrid, Madrid, Spain Exchange student in Architectural Design
09/2016-07/2021(expected) 01/2019-06/2019
02 Exotic Culture Center
08
Translation between modernism and Chinese calligraphy Individual work / Tsinghua University / Instructed by Yingfan Zhang / 2020
Internship Experience
Architectural Design and Research Institute of Tsinghua University, Beijing, China
Extracurricular Activities
Vice President of Science and Arts Society of School of Architecture, Tsinghua University Participant in Home@ Competition held by Tsinghua University Participant in the International Portable Library Competition
05/2021-07/2021
03 The Playfulness in Playtime 09/2016-09/2017
Reinterpretation of modern city and skyscraper Individual work / 2020
09/2019 11/2019-12/2019
04 Seaside Watercolor Base Honors and Awards
The Tsinghua University Toyota Excellent Academic Scholarship The Tsinghua University Ever Grande Excellent Academic Scholarship Excellent Social Work Scholarship of Tsinghua University Excellent Academic Scholarship of Tsinghua University
13
2020 2019 2018 2017
18
Response to the complexity inside and outside Individual work / Tsinghua University / Instructed by Lu Fan / 2020
05 Other Works Rural revitalization/ Research on Alvaro Siza/ Weaving structure
22
01 Mixed Class Community Description: Adjacent to Sanhe Market, the largest human resource center in Longhua District, Jingle Village has become a gathering place for migrant workers in Shenzhen. It is surrounded by high-end residential and business districts. with its people belonging to different classes. especially the "Sanhe Gods" who lead a easy but poor life. The purpose of transformation in this community is to renovate this district and create a new community where coexistance and communication could be achieved. Individual Academic Work / University of Madrid / Jan-Jun, 2019
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Site Location
Geographical Location Geographical distribution of villages, factories and high-end residential areas in the city.
Site Analysis Commerce cybercafe hostel restaurant
Guangdong Province in China
Crowd
Street profile Shenzhen city in Guangdong
Water and Greenlands Longhua district in Shenzhen
Road
Urban texture Function Urban Village
Housing Estate
Time line
Factory
Possible Scenes
Before the reform and opening up policy was launched, Shenzhen was a small fishing village. With the modernization of the city, farmers built their own houses in the urban area, and then high-rise buildings were built around them. These self-built houses are the most popular residential areas for migrant workers because of their location near the city center and low rents.
Outdoor open big steps
Before 1980s Rural villages
1990-2000 Urban villages
After 2000 Modern building and Sky scrapers
Portable accommodation
-- 2 --
Courtyard with windows
Vertical transportation
Multi-layer Walkway
Curved walking platform
Attractive staircase
Air aisle
Sight interaction platforms
Spiral ramps
Planning Process
Divide large blocks into several groups according to residential population, commercial distribution and architectural form
Integrate small paths into a road network,which enclose the internal space of each group of buildings
Insert a rest courtyard or open activity center inside each building group, such as the central square and the corner square
Use a two-story trail system to connect the groups in series and form a platform system, allowing people to walk freely like capillaries of this community
Formation Logic
Temporary Shelter--Homeless Workers
Joint building group
Smaller housing units-the containers accommodation
Place containers more flexibly to create different functions
Divide into smaller rooms,string them together in aisles
Insert the volume to form a connected public activity space
Self-built House- - Local Residents
Homogeneous building
More sunlight , the walking part raised to the second floor
Simplify into a bridge system ;Create a stacked roof terrace
Immitating the traditional arcade model to create more gray space
Insert volume to create three-dimensional traffic and more dynamic space
Commercial Street--Office Worker Nearby
Single-direction street
Give full play to commercial advantages into a commercial system
Use bridges to connect different streets
Immitating the traditional arcade model to create more gray space
Insert the plug-in volume to create a varied street facade
To-be-built Youth Apartment--Young people
Enclosed building group
Connected platform on the second floor
Transform the platform to make entrances and garden courtyards
Immitating the traditional arcade model to create more gray space
Insert the volume to create public system of transportation and iewpoint
group
-- 3 --
Space Arrangment
Roof-walk Plug-in
Corner Library
1 8
7
10
2
3
6 4
5
1 Container community fro the homeless people 2 Newly-built community center plaza 3 Bridge connecting two platforms 4 Second-tier platform 5 The second-story trail along the commercial street 6 Bridge connecting two trails 7 Activity platform of the youth apartment on the second floor 8 Spiral ramp as public vertical traffic 9 Triangular pocket park 10 Long ramp
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Enclosed Garden
Container Platform
Plug-in Staircase
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Vertical analysis
Container Residence
Courtyard Group
The buildings here are relatively close and can be connected. Containers are placed on the first and second floors for lowincome people to live and socialize. The upper floors are divided into multiple small rooms, and there is a public activity space between them.
The first and second floors are open to the outside world. There are small bridges between them to form a platform system. People who use the first and second floors can travel freely.
Commercial Street
Youth Apartment
The long corridor bridges the commercial space. The connecting bridge and the upper and lower stairs connect different heights into a whole. At the same time, many small blocks are inserted into the upper part as a public area, allowing people to communicate and create change and bring fun
A complete platform allows young people to walk on it, and the ground floor is also enlarged to serve as an activity center and shops
Section
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Typology
Exercise Facilities
Corner library and rest steps
Exterior Bar Roof garden
Tiny Plug-in Shelter Top perspective view of the central square
Pocket park in street corner
Elevation-north
North Part of the District—Convinience and diversity
The central square in the northern community has designed different installations for different groups of people, which can simultaneously become a grocery market, a children’s amusement park and a place for the elderly to exercise.In the old building, blocks connecting different floors are inserted, so that residents in different locations can visit each other to enhance communication.
Rest Steps
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Air-walk Stair
Small Theater
Watchtower
Typology
Grand Staircase
Stairs with multiple platforms
Plug-in Balcony Ramp up to the second floor platform
Connected Tea House Upper and lower streets
Perspective view of the ramp square
South Part of the district—Efficiency and communication
Elevation-south
The central plaza of the northern community is inserted with vertical traffic devices, creating more opportunities for communication when going up and down, and the gardens and courtyards formed between the buildings are suitable for walking and group activities.The inserted volume serves as a place for collective activities in the youth apartment for those young people.
Round Ramp
Protruding Window
Plug-in Staircase
Bridge
-- 7 --
02 Exotic Culture Center Description: This project is a place for cultural communication. The famous historical buildings and traditional Chinese art on the site are selected as references to find their common ground and continue to develop, and find a formal language with cultural symbols. To build such a foreign cultural center. Individual Academic Work / Tsinghua University / Instructed by Yingfan Zhang / Feb-May, 2020
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01 Space formation of Barcelona Pavillion
Site analysis
It can be polished from the literature. Many of the flowing spaces designed by Mies in the Barcelona Pavilion are composed of "1/2 space", that is, the space between two parallel walls, and the "1/2" space can be emitted. The unaligned part of the two walls can be defined as "1/4", and the richness of Mies space lies in the overlap of "1/2" and "1/4". If you turn to three dimensions, there will be gray areas such as "5/6", "2/3", "1/2", "1/3", and "1/6". The combination of these fractional spaces can produce many modules.
Grid of the Cerda Plan 113mx113m
1
5/6
2/3
2/3
1/2
1/3
1/3
0
Grid of the Royal Palace 120mx120m
Grid of city plan
2/3-2/3
5/6-2/3
2/3-1/2
2/3-2/3-1/2
5/6-1/2-2/3
1/2-5/6-2/3
2/3-1/2-5/6
1/2-5/6-1/2
1/3-2/3-1/3
5/6-2/3-5/6
El Raval Barrio
El Eixample
02 Analysis on Calligraphy
Poble Sec Barrio
Sants
Running script pays attention to connecting strokes, and the strokes are connected with each other. Because the direction of the pen and the direction of the character are different, the stroke must be changed from time to time. The trajectory of the pen in the air and on the paper is related to the spatial structure of the character. Study the direction of this trajectory And the change of each stroke is to study the route of the pen in space. The research is Wang Xizhi’s "Chu Xue Shi Qing Tie", which is a fine work of running script. There is a space for logical repetition of space, so choose the most representative research.
Element extraction
Regional division and History
Montjuic
1 Museu Nacional d'Art de Catalunya
2 Barcelona Pavilion By Mies van der Rohe
Selection of Basic Cubic 3 Arenas de Barcelona By Richard Rogers
4 3
2 1
Blocks and important buildings
4 Dona i Ocell By Joan Miró
high space and outlook window
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gap connecting two elevations
Static room and dynamic passage
Turns between two rooms
High space for meditation
Generation
STEP 1
STEP 2
STEP 3
STEP 4
STEP 5
Combination of basic blocks,accoding to the orientation
The main body is deformed and each is given its main function
Adjust the shape according to the site axis and the sight
Use the same path as a traditional garden to connect all parts
Connect the main path to the individual path of each volume
Plan-1st floor with site N
The accessible roof
The protruding and recessed shapes provide more movable platforms and the intersection of sight. On roof platforms of different heights, visitors can constantly switch perspectives and enjoy moments of relaxation。
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8 7
6
5
4
3
1 2
1 entrance 2 exhibition hall 3 exhibition room 4 ramp 5 courtyard 6 entrance to audiotorium 7 cafeteria 8 rehersal room 9 meditation
The exhibition hall 0
20 10
40 30
50
-- 10 --
The large exhibition hall is a full-height space, surrounded by paths, and people will pass or see it many times. It is also a very obvious part of the shape of the building. The high windows introduce sacred light, and then diffuse into the entire space through the curved ceiling, creating a kind of tension.
Circulation and functions
Scenes indoors
Accessible Roof
Workshop
Library& Academy Storage Audiotorium
Courtyard The garden is the most dynamic part and the space where people's eyes meet the most. There are vertical and horizontal flow spaces here, through terraces or indents to achieve fun experience
Rehersal Room Conference
Cafeteria
Office
Exhibition Hall
Storage
Entrance2
Passage Way Entrance1
Long Walkway The long walkway traverses several different spaces, different functions and spatial forms, and then strung them together. People see different layers of parallel walls stacked on each other, enhancing the sense of depth and the complexity of space
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Scenes and Sections Audiotorium and the Tower
View along the Passage
Light Well
Outdoor Walkway
At the end of the route, there is a 24m high light tower in a low and dim room all around, which has a divine meaning and arouses people's association
Here, people can "fork" from the route. You can choose to watch art activities such as rehearsals, or go out from the side and board the grassy roof to watch the scenery of the east park.
There is a huge light well. People will come here after visiting the ordinary exhibition room and feel the strong contrast between light and dark, rasing their special emotions
This route from indoors to outdoors echoes the royal axis. People suddenly walked out of the building and saw Montjuic in the distance.
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03 The Playfulness in Playtime Description: This tall building is translated from Jacques Tati’s film "Playing Time" with the intention of revealing the rebellion and absurdity of the modernist architectural city. Borrowing Mies van der Rohe’s Seagram Building as a skeleton, different forms of space are filled, representing the cultural meaning and social thinking presented in the film. Individual Work / Jun-Oct, 2020
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Prototype Generation
Events Generation General Space Dancing Floor
Can be used as a space with different functions
Mies Van der Rohe
10
industrial-natural
still-living
Similar Space frameless space Maze
frameless space
The view is unobstructed, but communication is blocked by invisible barriers
order-discipline
brand-shape
Surveillance Space Panopticon Workers are domesticated by the surveillance Michel Foucault
9
technique-religion
similar space
similar space history-phenomenon
Symbolic Space Shopping Center Can be used as a space with different functions Adolf Loos
8
texture-routine
waste-consuming
Sectional Space sectional space TV Shelf
screen Can be used as a space with different functions Edward Hopper
sectional space screen
vague spaceTwo
people are always hindered and never meet
The heroine wants to find history but can only see the mirror every time
6
maze
Entertaining Space Theater
The hero feels alienated even though he is in a friend’s modern apartment
7
Vague Space vague space Aquarium Can be used as a space with different functions Kazuyo Sejima
The hero breaks the boundaries between ornament and truth
maze 5
Can be used as a space with different functions
4 Reflecting Space Baths of Rome
Can be used as a space with different functions
3
mystery-design
2 Isolated Space Cold Wonderland Can be used as a space with different functions
1
solid-flexibility
Playtime Space Amusement Park Can be used as a space playing space with different functions Robert Venturi
playing space Transparency Reflection
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Confusion
Repetition
Supporting role
Hero
Heroine
Correspondance
Interior and Exterior Activitied
Plots
Form of Each Floor
Movie | Play time
Building | Skyscraper Hero
Characters
Main Route
Heroine
Secondary Route
Supporting Role
Circulation
Plug-in Mass
Core Value
Function
Location The site is in the original Seagram Building, located in the heart of New York,Park Ave, with high-rise buildings nearby, with views of Central Park.This building borrows the structural skeleton, size and surrounding environment of the Seagram Building to play a joke on the high-rise buildings in New York, at the same time introverted and extroverted, making some actions in response to the surrounding architectural environment.
service equipment roof bar swimming pool audiotorium
office
The United States
Plan
Section office
exhibition store office gallery entrance
New York City
Manhattan
Material Distribution
square
Function Allocation
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Space Experience
Characters On Floors
Double Entrance Lobby
Slope Academic Area
Panoptical Office
Symbolic Free Market
Vague Exhibition Space Isolated Chatting Room
Sacred Rehersal Room
Vague Exhibition Space
Closed Meditation Room
Swimming Pool
Hanging Cafeteria
Seperated Audiotorium
This space tries to create the "Ocean of air" like an aquarium. In the film, the director emphasized that the spaces with different functions in modern urban architecture directly connected together, forming the ambiguity of functions and space boundaries. The director showed all this in a playful manner, especially the emotional reaction of people in this space where light and sight are connected to each other.
Rooftop Garden
The Delirious Carnival
Overlap the Layers These floors with different functions and forms are stacked, and two traffic routes are used-the main, lively staircase route corresponds to the hero on the bright surface, which plays a supporting role, the alternate staircase, and the more repetitive route corresponds to the heroine of the dark line in the movie. The backup circulation At the same time, there are high-altitude spaces, split-level spaces, and spaces connected up and down on the floors. There are connections and transitions in sight, traffic or emotions, corresponding to the various plots in the movie, such as the duality of a thing, and continuation of characters' activities and so on.
Panoptical Office There are two main bodies of this space. One is an office space evolved from a panoramic open view. The cylinder in the middle supports both the upper and lower floors and provides a peeping space. The other is the scissor staircase, which is distinguished by two materials (glass and steel), symbolizing the protagonist in the movie and the friend he wants to visit. The two can be seen but never met.
The main route
The Cold Heterotopias
-- 16 --
Sequence of the Top Floor Space
The Cold Wonderland The sky is empty and clear, like an absolute concept that no one can doubt. Looking up from the ground, the sky seems to be all in one. The same is true of the sea. Looking at the sea for several days, I often feel that there is only the sea in the world. The small boat separated from the same product, the same ship, and abandoned on the endless sea does have something special, and no one can escape this speciality. ----Haruki Murakami
The Climax of the Carnival At the end of the movie, the whole city becomes a playground, from cars, glass of high-rise buildings, car repair shops and so on. The director looks at the possibilities of modern society with a childish vision, including a postmodernist idea.
This space shows the insignificance and powerlessness of the people in front of the city buildings in Antonioni's movie "Noche". People create modern cities, but hard steel and cement make their soft bodies unsuitable.
The same is true for the Seagram Building. The top floor follows the five-point design of Le Corbusier's modern architecture and the roof garden combined with the equipment layer, but it is still very elegant. To turn the roof into a carnival amusement park, we must first recognize a primitive architectural environment, expose what could have been buried, and become the foundation of the playground.
The Pool An action in the swimming pool-taking off the clothes to show the real body, represents people taking off their usual disguise and carrying out real group activities.
The Real Ruins Without Ornament
At the end of the movie, all the ridiculous decorations attached to the hotel were destroyed. People showed extreme indulgence and carnival on the dance floor. This process (from suits and shoes to carnival) is a process from the dressing room. The abstract expression of coming out to the collective pool.
The ruins are the most authentic state with all the finishes and buildings stripped, but they cannot be used by people after losing their functions. Such a space has an inherent melancholy. It is its uncertainty that makes people prone to emotional swings. Such a space does not require activities or functions, but is supported only by the power of form. The arch of ancient Roman baths and the cross of Christianity are selected to form a unit, which represents the cultural metaphors that appear in the movie.
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04 Sketch Camp Base By the Sea Description: This project is based on the research of Alvaro Siza in the latest studio in the senior year, mainly to study his response to the site and the delicate design of the internal space. This building is located in a village on the outskirts of the city, with beautiful mountains and seas, as well as a fishing port. On this basis, building a sketch base building can create discipline for the site and combine the functions with the characteristics of it, which will in the mean time pose influence on the internal space. Individual Academic Work / Tsinghua University / Instructed by Lu Fan / Oct-Dec, 2020
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Location and Geography
Types of Previous Buildings
1-vertical to the hill 2-along the road 3-parallel with the seashore
China, Pacific Ocean
Routes and Area Division
U Shape Courtyard Origin-Ist From ancient times to the present, many classical buildings have used U-shaped planes to balance the relationship between nature and architecture, the relationship between internal courtyards and external cities, and the relationship between internal directions and external roads. And this is often related to the handling of the center buildings and the arms of the courtyard.
Qingdao, Shandong Province 1-through the quay 2-through the ramp and high platform
P l a z a Marcos
S a n
On the one hand, the clock tower can be seen as a landmark on the sea surface, and on the other hand, there is a change in guiding the direction of the route
A l h a m b r a Palace
The direction of the palace is determined by the progress of each layer of space, from the brightest to semi-bright to the complete interior, guiding people
Related Orientation a n d Lines
This small village is located on the coastline of China's Bohai Sea and is . Located at almost the same distance from the roads of the two towns, at the same time because it is the relatively most protruding part of the local coastline,it is the only fishing port between two local towns, which is surrounded by mountains and sea, a much close condition to nature.
points and lines related with the ends of the seashore and quay
Charaters and Elements
The Uffizi Gallery Turn the direction of the city square to the direction of the inner colonnade through an oblique road and entrance
Säynätsalo Town Hall Superimposed factors affecting the direction of the tower, the road passing through the building, and the courtyard corridor
Porto School of Architecture
The slope of the semicircular exhibition hall subtly coordinates the direction of the urban-scale entrance plaza and the inner plaza formed by the teaching building
The Process of Generating Multiple Plazas And Courtyards Mountains
Sea
Quay
Cottage
students
fisherman
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1--1imitate the San Marco Plaza about switching between the two mutually perpendicular plazas
2--create several aligned faces towards the sea and the main road
3--adjust the turning part of the building
4--open the front part for the plaza and move it behind to set space for private functions
Generation of Volumes and Shapes
Functions
11
Set Aside for the Continuious Plaza
Divide Several Layers within the Building
The path in this process from the road parallel to the coastline into the construction site is from narrow to wide and follows the line of terrain changes, making people walk into the site very smoothly
The building is divided into several levels along the vertical direction of the square and the direction of the road, leaving parallel "long spaces" for different functions. As the last dormitory building serves as a background and guarding the boundary, the height is increased. The first floor of the classroom building in front is low and echoes the scale of people, creating a comfortable atmosphere enclosed by the square
+3.30
10 +3.30
9
1st Floor Plan
+3.17
Seek for Orienation Coherence with the Seashore
Adjust Entrance and Protruding Volume
At the same time, the building needs to respond to the existing outward direction of the quay, so in addition to the main direction of the building-perpendicular to the high ground, a reference line for the outline of the quay is also introduced
In addition to the external square, the internal U-shaped courtyard also needs to strengthen the sense of enclosure and direction. On the one hand, do some treatment on the back wall of the teaching building, on the other hand, add a bay window to form the smallest courtyard facing the scene (also connects the relationship between the teaching building and the sea view, as well as the connection with the dormitory)
4 II
8
I 0.00 0.00 -0.15
Space Typology Design 1
The column infers two meanings: 1-the turn of the direction 2-the front passage as a porch
1 Entrance1 2 Display 3 bar 4 Classroom 5 Office 6 Storeroom 7 Toilet 8 Dormitory 9 Entrance2 10 Tower 11 Terrace
The half-height wall split several paralell spaces
The volumes are compressed together to create more vague spaces, which has double charaters of two kind of spaces, and the boundary of the space is also redefined, not a line but twisted curves and faces.
IPlaza1 IIPlaza2 IIICourtyard
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3
2 7
III 6
Ground Floor Plan
5
Space Design:Split and Glue from Baroque-2nd Clue The complexity of the internal space of the building, studying Siza's architecture, we can see that it comes from a sense of contradiction that the space is divided and forced together. This kind of art originated from Baroque and was later developed by other artists in different fields. Siza chooseadvances Loos' Raumplan and Principle of Cladding, make voids of different heights to split from the original plan, while using the skirting board to wrap them together.
1534,Michelangelo, Laurentian Library
1928,Fernando Pessoa-and-hisheteronyms
1931,Picasso, The Bull
Analysis on the space characteristic of Siza's Porto School of Architecture
Activities and Atmosphere
Teaching and drawing practice
Exterior exercise and entertainment
Structure and SkyLight
Section along the teaching building
Section of the dormitory
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Section slong the bridgr on the 1st floor
05 Other Works
Weaving Structure Studio-Interactive Pavillion
The modern garden in Barcelona, Spain
Analyse of Faculdad de Arquitectura de Oporto, Alvaro Siza
The Floating Bridge in Yi Village, Dali, Yunnan Province
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Weaving Structure Studio-The Ice Donut
