Vol 108.1

Page 1

VO LU M E 10 8 / I S S U E 01

ISBN 2325-2782

05

9772325 278006

S A N TA CLARA REVIEW vol 108 / issue 01

volume 108 / issue 01

STEPHEN BARILE / DEANNA BARINGER / LAWRENCE WILLIAM BERGGOETZ / MICHAEL BOCCARDO / Z.Z. BOONE / NATALIE CHRISTENSEN / AYUNA COLLINS / LAINE DERR / REBECCA FALZANO / DAN FERGUSON / CAL FREEMAN / KIMBERLY GLANZMAN / ZEBULON HUSET / LAURA JONES / PAUL KENNEBECK / ZACHARY KLUCKMAN / ESTY LOVEING-DOWNES / THEA MATTHEWS / SHANE MCCLATCHEY / WILLIAM MILLER / JOSEPH POWELL / CHRISTINA QUINTANA (CQ) / K.A. RAMIL / FORREST RAPIER / REEM RASHASH-SHABAAN / TESS ROSENBERG / RICHARD SCHIFFMAN / GORDON SKALLEBERG / CATHERINE EATON SKINNER / SAMUEL SWAUGER / TERRA TREVOR / CRISTINA TROUFA / MICHAEL WATERSON

SANTA CLARA REVIEW

SANTA CLARA REVIEW

FA L L 2 0 2 0

Featuring Cristina Troufa & Z.Z. Boone


S A N TA CLARA REVIEW

volume 108 / issue 01


CRISTINA TROUFA / O DEDO ACRYLIC ON LINEN

SANTA

CLARA

REVIEW

SANTA CLARA REVIEW

SANTA CLARA REVIEW


S A N TA C L A R A R E V I E W EDITOR-IN-CHIEF EMMA KULI ASSOCIATE EDITOR TERESA CONTINO

PRODUCTION EDITOR ALICE LEE

POETRY EDITOR ANTHONY ALEGRETE

ART EDITOR VICTORIA RUSSO

NONFICTION EDITOR SHENIR DENNIS

FICTION EDITOR ISAAC YELDER

WEBMASTER KISH RAI MARKETING DIRECTOR EMMA LIGTENBERG

OWL EDITOR ALEXA ALFANO FACULTY ADVISOR MIAH JEFFRA

ASSISTANT EDITORS PRODUCTION

ELLIE STERN

ART

LYDIA FITZGERALD

POETRY

NONFICTION

FICTION

THE OWL

MOLLY WORFORD JADEN FONG ALYSE GREENBAUM MIYA DRISCOLL

SARAH JAMES KYLER JUAREZ ALEX LAW SHANNON LUND

ALINA PINCOMBE ASHLEY TANG LIZ REYNOSO GUTIERREZ NATE BARNES

SARAH SCHULIST FRIDA RIVERA

EDITORIAL BOARD MAEVE CORBETT MURPHY DAILEY GRACE GILMORE FIONA JOFFROY CARLY KELLNER

BRAD LEWINSKI VICKY PHAM ARIA TA ALEXA VEGA BISHOP WASHINGTON SOFIA WOOD


TABLE OF CONTENTS POETRY 31 32 33 38 46 47 50

51 53 55 72 73 LAINE DERR / FLESHED 77 78 80 82


85 90 91 95 99 101 102 103

FICTION 7 17 56

NONFICTION TERRA TREVOR /

43 / 66 84

/


ART CRISTINA TROUFA / LUZ 2 CRISTINA TROUFA / SO CLOSE 3 CRISTINA TROUFA / ASCENSÃO 4 CRISTINA TROUFA / O DEDO 5 34 / TREAD

35 36 37 40

/

/ 41 42 /

48 49

62 NATALIE CHRISTENSEN /

63

NATALIE CHRISTENSEN / 64

/ ISOLATION


NATALIE CHRISTENSEN / SLOW DRAIN IN WINTER 65 /

74 75

/

76 AYUNA COLLINS / 81 86

/

87 / 88 89 92 /

93 94

/


volume 108 / issue 01


DEAR READER,

I am honored to share Volume 108, Issue 1 of the Santa Clara Review with you.

Santa Clara Review

Review’s powerful literary platform to amplify

editor in chief



CRISTINA TROUFA featured artist

SANTA CLARA REVIEW |


LUZ CRISTINA TROUFA acrylic on linen

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SO CLOSE CRISTINA TROUFA acrylic on linen

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ASCENSÃO CRISTINA TROUFA acrylic on linen

4|

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O DEDO CRISTINA TROUFA acrylic on linen

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featured author

Rose Cottages, Korea, and Buck Fever

Full Moon in Blue Water The Last Elephant

stories,

Good.

6|

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Z.Z.

fiction

CLIFF

out.

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Z.Z.

undershirt. wagon train.

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Z.Z.

Stillman’s Superette.

on either side.

lose him.

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Z.Z.

oil.

what he was saying.

Staten Island Sentinel

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Z.Z.

and a .38.

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Z.Z.

tire rut as a reminder. Practice Safe Sex, it said. Mark the Sheep that Kick.

radio.

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Z.Z.

weapons.

I nodded.

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Z.Z.

hat.

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Z.Z.

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Z.Z.

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Z.Z.

fiction

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Z.Z.

Figured I deserved a toy, he wrote. Dinner at Applebee’s and guess who’s lifting the check? with dollar signs for eyes and drool dripping from its mouth. You’re not going back to work? , Jessup answered. And neither are you. The story was in the

no strings.

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Z.Z.

to him.

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Z.Z.

hang with Jessup.

Gilma, who hated dirty dishes, set out a paper plate, a single paper

the plate.

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Z.Z.

said.

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Z.Z.

glass.

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Z.Z.

grinning.

from around him.

half-hanging out his window.

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Z.Z.

draft, and Jessup was ordering the same when Starly stopped and stared

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Z.Z. at him.

his dresser.

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Z.Z.

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Z.Z.

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Z.Z.

dire health.

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Z.Z. stolen his wallet.

mold and mouse shit.

BRUCE EATS SHIT

pulled down and pissed on.

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Z.Z.

from the outside, so there was no fresh air, no moonlight. He wished he’d

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RICHARD poetry

of my own moon-mad mutant mind.

of whim and whimsies.

– of mystery –

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K.A.

poetry

or mourning, depending on where you stand light of the streetlamp.

the sunrise in the shots.

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FORREST poetry

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TESS photography

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TREAD TESS photography

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TESS photography

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TESS photography

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FORREST poetry

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FORREST

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DAN oil on canvas

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DAN oil on panel

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DION DAN oil on panel

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TERRA TREVOR nonfiction

FACE

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TERRA TREVOR

Then, at age twenty-three, I suddenly found myself employed full-

resume.

44 |

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TERRA TREVOR

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CHRISTINA poetry

After Catherine Barnett I forget

It seems the do and the done are all tied up in one.

46 |

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DEANNA poetry

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GORDON oil on plywood

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ISOLATION GORDON oil on plywood

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DEANNA poetry

and see how! low! can! you! go! enough,

an egg that isn’t rotten.

do, do not, and

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CAL

poetry

for Jon Gueli

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CAL

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STEPHEN poetry

May 15, 1950 He had it. Fats

Dizzy, through all ranges of his horn out of nowhere. More straight-ahead trumpet,

speedy passages, Charlie Parker Quintet Birdland.

He had it, that night. with Bird and Fats together, with one-night

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STEPHEN Bird to put him on the Monday-night gig,

good-natured and well-mannered, Dizzy on bebop-trumpet.

Welfare Island,

Andy Kirk, the paid for the funeral.

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,


MICHAEL WATERSON poetry

You are the tortilla, I said, of the whole enchilada, the arrow shot through love’s heart.

all the best feeling hollow eyes following me, wondering what in the world to do

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PAUL

fiction

LAST RITES

He turned his head from her.

that something is whispered.

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PAUL

*

won’t

She did the laundry.

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PAUL

especially - a sound Really *

Jamie was her sister. rock it.

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I’ll be the one to have to deal with that Your


PAUL

ever

can’t

from them.

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PAUL

all

gift of feeling superior to them.

She nodded.

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PAUL need

*

waiting room with the two women for a length of time.

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DO NATALIE CHRISTENSEN photography

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NATALIE CHRISTENSEN photography

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NATALIE CHRISTENSEN photography

64 |

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SLOW DRAIN IN WINTER NATALIE CHRISTENSEN photography

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LAURA nonfiction

mind you. -

66 |

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LAURA

them to grow. -

very -

-

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LAURA

transforming lead into gold. Imagine if I were to touch you with an ice cold washcloth. You’ll that increases air into the upper lungs from the lower lungs. I’ve just taught you how to take a bigger, deeper breath. Now the brain and the body has experienced it and are able to repeat that on their own with ongoing therapy and support.

learned to add.

– a

to sleep

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Of course it doesn’t, she says. The lack of oxygen puts you


LAURA

needed in the godawful heat of Miami Shores.

semester set her straight. The teacher split the class, Occupational Therapists on one side, physical therapists on the other. I kept asking questions and the teacher would tell me, you’re on the wrong side of the class. Being a smart-mouthed New Yorker, I said, I’m just sitting in a chair. But she kept saying, the kind of questions you’re asking, they’re what an occupational therapist would ask. A physical therapist only cares about range of motion; they don’t care about how somebody uses what you’re helping them rehab. That made no sense to me. I thought you should treat the whole person. Even the family. Well, that’s what an occupational therapist does.

lifted my daughter to an almost seated position. Her left hand supported

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LAURA

sshhhhh through her This happens, she said. We’ll try again tomorrow.

soldiers fall. yes.

The next day I came in and one of the other therapists pulled me aside. She was crying. She said, I’m so sorry to tell you, but he died. I was in shock and disbelief. I left the NICU. I didn’t see another patient that day. I started questioning why we do what we do. – this

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LAURA

swiftly –

Who me? I thought. She must be kidding.

They thanked me for never once judging their family. Many people gave up on this girl because of her diagnosis. We knew she was going to die, her mother said, but you never gave up. She said I saw her baby for who she was. worth. It’s really hard to lose someone, especially a baby, especially in the NICU. But if I can make you comfortable or teach you something – how to eat, how to then you’ve taught me more than I taught you.

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SAMUEL poetry

desperation.

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ZEBULON HUSET poetry

situation

door.

disintegrated.

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SHANE oil on panel

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SHANE oil on canvas

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FIN SHANE oil on panel

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LAINE DERR poetry

FLESHED

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ZACHARY poetry

The last.

••

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ZACHARY

our history was for sale. our marriage a wet dog

•• How I threw your photos in the trash, dug them out.

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ZACHARY poetry

lips.

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AYUNA COLLINS oil on canvas

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CHRISTINA poetry

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CHRISTINA

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LAWRENCE WILLIAM nonfiction

-

The Tao Te Ching -

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KIMBERLY poetry

CARELESSNESS wild tunes trapped in my throat. the ghosts

with lidless, open eyes – drifting,

and drag me down to drown, to dream,

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REEM mixed media

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REEM mixed media

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REEM mixed media

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REEM mixed media

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WILLIAM poetry

on the other side

where we played toy soldiers

that stand together and apart,

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ESTY poetry

If there’s a funeral for God,

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CATHERINE EATON encaustic, oil, monotype print on paper on panel

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CATHERINE EATON encaustic, oil stick on panel

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CATHERINE EATON encaustic, oil, paper on panel

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REBECCA FALZANO Carry It Gently - a poetry series

FOUND

First, the forgetting and then,

sound of mom spelling your name for disjointed letters that still hold the memory of shape, of mattering.

memories

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REBECCA FALZANO Carry It Gently - a poetry series

I wait for your eyelids to surrender the Hail Mary, plaid uniforms, I get as far as My grandmother used to tell me her way of saying women get shit done.

you will rise again.

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REBECCA FALZANO Carry It Gently - a poetry series

during the day.

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REBECCA FALZANO Carry It Gently - a poetry series

This doesn’t mean we don’t wring them at the window, when the day starts slipping into the last

They are the last part of a person we hold onto, They’re language if we’re listening

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JOSEPH poetry

the you,

and the woman the youthe you-

the you,

the you, the you,

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JOSEPH

for me, yes, I said a prayer for all of you, hoping that God will listen.

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THEA poetry

AMERICANA

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KIMBERLY poetry

ASHES intention furrows into me,

and if it doesn’t – who am I

the same. salt is sand is stone map of a heron’s wing,

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MICHAEL poetry

STEAL WHAT LITTLE YOU CAN

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volume 108 / issue 01

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Stephen Barile

Metafore Magazine, New Plains Review, The Heartland Review, Rio Grande Review, The Packinghouse Review, Undercurrents, The Broad River Review, The San Joaquin Review, Haight-Ashbury Literary Journal, Beginnings, Pharos, and Flies, Cockroaches, and Poets. Deanna Baringer appeared in Lily Poetry Review Lawrence William Berggoetz The Bitter Oleander, Sheepshead Review, Skidrow Penthouse, Stoneboat, Blue Heron Review, Evening Street Press Review, Apeiron Review, Poetry Quarterly, and elsewhere. Michael Boccardo , and Best New Poets, as well as the anthologies Spaces Between Us: Poetry, Prose, and Art on HIV/AIDS and Southern Poetry Anthology, VII: North Carolina. He

Z.Z. Boone

Rose Cottages, Korea, and Buck Fever, Full Moon in Blue Water The Last Elephant

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. Natalie Christensen

Ayuna Collins

Laine Derr Rebecca Falzano

Dan Ferguson

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Cal Freeman

Fight Songs. His writing has appeared The Poetry Review, Southword, The Cortland Review, Southwest Review, and Poolside at the Dearborn Inn Kimberly Glanzman n South Dakota Review, Harpur Palate, Puerto del Sol, Barely South, perhappened, and Electric Lit Zebulon Huset Meridian, The Southern Review, Santa Clara Review, Fence, Rosebud, Atlanta Review, Texas Review, and Fjords Review Notebooking Daily and is the editor of the journal Coastal Shelf. Laura Jones They Said . Fourth Genre , and Wraparound South, to name a few.

Paul Kennebeck story in Harper’s Magazine entitled Baldessari’s Dead Sea Flights Carve Magazine, , and f(r)iction magazine. Zachary Kluckman

Muscle Rearview Funhouse. SANTA CLARA REVIEW |


Esty Loveing-Downes

Oddities, and

West Trestle Review, Shift: A Journal of Literary .

Thea Matthews author of Unearth [The Flowers]

The New Republic, Atlanta

Shane McClatchey

William Miller’s

LEE CIRCLE

Poetry Review, The Penn Review, Shenandoah, Prairie Schooner, and West Branch Joseph Powell . His poems vox poetica, WORDPEACE, Marble Hand, The Blue Mountain Review, and Papers Skin,

Christina Quintana (CQ) is the author of the full-length play Scissoring The Heart Wants

K.A. Ramil

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Forrest Rapier Asheville Poetry Review, Best New Poets, Denver Quarterly Review, Texas Poetry Review, , and Greensboro Review editor for Greensboro Review

Reem Rashash-Shaaban Hill Magazine, The Twisted Vine, Milk Magazine, Drabblez, and the

Tess Rosenberg

October Sukoon, Goat’s

-

Alaska Quarterly, the New Ohio Review, the Christian Science Monitor, the , Writer’s , , Verse Daily What the Dust Doesn’t Know was Gordon Skalleberg Catherine Eaton Skinner

Marking Code series pursues a deep SANTA CLARA REVIEW |


I Ching

-

Samuel Swauger

Terra Trevor

Cristina Troufa

Michael Waterson California Quarterly, Cathexis Northwest, and

| SANTA CLARA REVIEW

.


SANTA CLARA REVIEW |


S A N TA C L A R A RE VIEW

T O D AY ONE YEAR SUBSCRIPTION TWO YEAR SUBSRIPTION INDIVIDUAL ISSUES AND BACKORDERS


1869


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