2021 Season Program Book by SantaFeChamberMusicFestival

Santa Fe Chamber Music Festival

July 18–August 23, 2021

Santa Fe Chamber Music Festival July 18–August 23, 2021 Contents

On the Cover

Welcome........................................................................................5 Santa Fe Chamber Music Festival Trustees, Advisory Council, Past Presidents, and Administration.........................................6 Santa Fe Chamber Music Festival Commissions.......................10 Young Composers String Quartet Project 2021.........................16 2021 Season Sponsors.................................................................18 2021 Festival Concerts................................................................21 2021 Festival Artists....................................................................53 A Song by Mahler........................................................................66 Annual Fund: How You Make the Music Happen.....................69 2021 Annual Fund and Artists’ Circle Donor Benefits..............70 Artists’ Circle and Annual Fund Contributors..........................71 Corporate, Foundation, and Government Support...................79 The Endowment: Investing in the Festival’s Future...................80 The Mozart Society.....................................................................83 Education and Outreach.............................................................84 2021 Business Partners and Community Hosts........................86 2021 Festival Volunteers.............................................................87 The Festival’s Radio Broadcasts..................................................88 Artwork on Our Stages...............................................................89 Patron Information.....................................................................90 2022 Season Preview...................................................................92 Program Book Credits............................................................... 93

Roxanne Swentzell Picking Up a Tune (2020) Clay original 17” x 9 ¾” x 12”

Please visit our website at SantaFeChamberMusic.com.

From the artist: “This Pueblo clown is a composer and is concentrating on the next tune. It’s a lighthearted figure reminding us how music is good for the soul.” For more information about Roxanne Swentzell and her work, visit RoxanneSwentzell.net.

Special Thanks

The Santa Fe Chamber Music Festival thanks everyone at the New Mexico Museum of Art for their ongoing cooperation and their longtime support of our concerts held in the museum’s St. Francis Auditorium. The Festival also wishes to thank the office of US Congresswoman Teresa Leger Fernandez and Rep. Leger Fernandez’s constituent services director, Carlos Sánchez, for their invaluable help in bringing our international artists to Santa Fe.

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

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“Sprit if the Wind (sm) “ bronze edition of 10, 1992 38”H X 21”W X 21”D

Welcome WELCOME TO OUR 2021 SEASON Perhaps more than any other year in our decades-long history, we’re thrilled to welcome you to the Santa Fe Chamber Music Festival. Our 2021 season is one of celebration, as we slowly emerge from a year of tremendous loss and hardship. And as COVID-19 restrictions are lifted across the country, we feel hopeful about a return to normalcy and getting much-needed relief from our personal and collective grief. We also feel grateful for everything, big and small, that we may have, in a previous time, taken for granted. One thing we’ve never taken for granted is your support. It’s because of you—your loyalty, generosity, and love of great chamber music—that we’re able to do what we do. And this summer, we’re happier than ever to do it. Over the next six weeks, we present 42 concerts that demonstrate the depth and breadth of the chamber music repertoire through discerning programming and first-rate performances. The season begins on the highest possible note with the return of two giants of the orchestral world—conductor and violinist Alan Gilbert and Berlin Philharmonic Principal Horn Stefan Dohr—who are both cherished friends of the Festival.

Michael Everett

From there, the season unfolds in the same extraordinary manner, with each concert offering its own rich and rewarding musical experience. Highlights include debuts by conductor David Robertson; pianists Jacob Greenberg and Natalie Vargas Nedvetsky; violinists William Hagen, Leila Josefowicz, and Amy Oshiro-Morales; and percussionist Jacob Nissly. Among this summer’s returning artists are chansonnier HK Gruber, pianist Haochen Zhang, violinists Paul Huang and Ida Kavafian, cellist Eric Kim, guitarist Meng Su, flutists Tara Helen O’Connor and Joshua Smith, clarinetist Ricardo Morales, bassoonist Christopher Millard, and the Dover, Miami, and Orion string quartets. Over the course of two concerts, Mark Kosower, principal cello of The Cleveland Orchestra, plays all six of Bach’s Solo Cello Suites, and throughout the season, five pianists—Kirill Gerstein, Zoltán Fejérvári, Gilles Vonsattel, Juho Pohjonen, and Cecile Licad—appear in solo recitals. As part of our longstanding commitment to promoting new music and the work of living composers, this summer we give world or US premieres of eight Festival-commissioned works, including string quartets by Augusta Read Thomas, Helen Grime, and the two participants in the Festival’s 2021 Young Composers String Quartet Project, Lara Poe and Jack Hughes, as well as pieces by Brett Dean, Sean Shepherd, Michael Seltenreich, and Huw Watkins. We’re also thrilled to present the New Mexico premiere of Artistic Director Marc Neikrug’s chamber opera A Song by Mahler, which features the singular talents of mezzo-soprano Jennifer Johnson Cano, baritone Kelly Markgraf, clarinetist David Shifrin, and the FLUX Quartet. This visionary production is directed and designed by Doug Fitch and features lighting design by Nicholas Houfek.

Steven Ovitsky

We’re so excited to reconnect with you in person and find comfort and community through the magnificent music we’re presenting this season. Thank you for spending your summer with us, as we navigate this post-pandemic experience together. We hope you enjoy the 2021 Santa Fe Chamber Music Festival. Michael Everett President, Board of Trustees

Steven Ovitsky Executive Director

Marc Neikrug Artistic Director

Marc Neikrug

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Santa Fe Chamber Music Festival Trustees, Advisory Council, Past Presidents, and Administration Steven Ovitsky, Executive Director Marc Neikrug, Artistic Director Board of Trustees Michael Everett* President John Berghoff* Vice President Robert L. Clarke* Treasurer Joan Z. Cohen* Secretary Trustees Brett Bachman Barbara Balser* Beth Beloff* Carole Brown Elisbeth Challener Ralph Craviso* David de Wetter David Frank* Peter B. Frank* Carlos Garcia Diane Grob Bessie Simpson Hanahan John H. Hart Jeri Berger Hertzman Michael Hindus Robert Hull David K. Ingalls Hervey Juris* Paul L. King* Ronald S. Lushing Ellen Marder Kenneth R. Marvel* Elizabeth McGown David Muck* Jay W. Oppenheimer Barry W. Ramo, MD Crennan M. Ray Louisa Stude Sarofim Herman Siegelaar* Nat Sloane Cheryl Willman, MD Trustee Emerita Jane Ann Welch 6

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Honorary Board Susan Graham Hon. Senator Martin Heinrich and Julie Heinrich Marilyn Horne Arnold Steinhardt Hon. Senator Tom Udall and Jill Cooper Udall Pinchas Zukerman

Edward B. Kaufmann, PhD (1991)

Advisory Council Lynn Coneway Philip Cook Ben Crane Richard J. Cronin, MD Patricia Marcus Curtis Sue and Chris Fan Paula Fasken Donna Hankinson Joanna Hess Lynne Horning Kay Duke Ingalls Jani Leuschel Mary Mill Thomas F. and Jane O’Toole David Sontag Jasper Welch Leshek Zavistovski Nancy Zeckendorf

James P. Cohen and Jill Z. Cooper, Co-chairs (1995–96)

Past Presidents Bergere Kenney (1973–76) Philip Naumburg (1977–78) Nicholas Molnar (1979–80) Owen Lopez (1981–82) Laurel Seth (1983–84) Philip Naumburg (1985–86) Marsha Ard (1987–88) Stanley Davis (1989–90)

Gifford Phillips (1992) Dode Kenney and Gifford Phillips, Co-chairs (1993–94)

Wood “Mike” Arnold (1997) Jane Ann Welch (1998–99) L. Donald Tashjian, MD (2000–01) Thomas F. O’Toole (2002) Quarrier B. Cook (2003–04) Carole Brown (2005–07) Toni Zavistovski (2008–10) Douglas M. Brown (2011–12) Kenneth Marvel (2013–15) Arnold Tenenbaum (2016–18) Year-Round Staff Angelica Bernaert Operations and Production Manager Cece Derringer Director of Development Leanne DeVane Director of Education and Outreach *Member of the Executive Committee

Valerie Guy Director of Artistic Administration Amy Hegarty Director of Publications Joseph Hohlfeld Development Operations and Research Manager Jamie Kim Dream Big Private Lesson Program Coordinator

Seasonal Staff Bernard Alexander Piano Technician Donna Busby Ticket Office Representative Elana Cooper Artistic Administration Intern Wouter Feldbusch Production Specialist

Matthew Snyder Recording Engineer Svenja Soldovieri Ticket Office Representative Cleo Joselle Tamarra Ticket Office Representative Kent Williamson Page Turner

Kathleen Matta, MSN, RN-E COVID Safety Advisor

Bobbie Ferrell Development and Special Events Assistant

Professional Partners Alexis Kerschner Tappan AKT Communications Public Relations

Yavar Moradi Ticket Office Manager

Michael Levis Ticket Office Representative

Impressions Advertising Publisher

Johnnyangel Pineda Volunteer Services Manager and House Manager

Owen Margaret-Verrett Ticket Office Representative

Monsoon Design Event Print Design

Viktoria Padilla Production Associate

Wayne Scheiner & Co. Advertising

Hilary Schacht Strings in Our Schools Instructor Nancy Steedman Controller/CFO

Jennifer Rhodes Titles and Translations

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Santa Fe Chamber Music Festival Commissions The Santa Fe Chamber Music Festival held its first season in 1973, and seven years later, in 1980, it presented its first Festival-commissioned work: Ned Rorem’s The Santa Fe Songs, scored for baritone, violin, viola, cello, and piano and featuring settings of 12 poems by Santa Fe poet Witter Bynner. Over the past several decades, the Festival has become known as a champion of new music and supporter of important living composers—both established and emerging. In 2021, we’re thrilled to present world or US premieres of eight commissioned works, bringing the total number of Festival commissions—so far—to 104. Two of this year’s commissioned works are by Lara Poe and Jack Hughes, participants in our 2021 Young Composers String Quartet Project; the six other works are by Brett Dean, Helen Grime, Augusta Read Thomas, Michael Seltenreich, Huw Watkins, and Sean Shepherd. The first Festival-commissioned work to be performed this season is Brett Dean’s Imaginary Ballet—Dances and Interludes for Piano and String Trio, which will be presented in its US premiere at the 6 p.m. concert on July 21.

his “sustained and significant contribution to Australia’s musical scene.” Mr. Dean currently serves as composer-in-residence for the London Philharmonic Orchestra and Orchestre National de Lyon and as artist-in-residence for the Swedish Chamber Orchestra. For the Festival’s presentation of Imaginary Ballet, Mr. Dean plays the work’s viola part and is joined by pianist Benjamin Hochman, violinist William Hagen, and cellist Joseph Johnson.

Photo by Bettina Stoess

In a program note for Imaginary Ballet, Mr. Dean writes:

Brett Dean

Mr. Dean was born in Brisbane, Australia, in 1961 and moved to Germany in 1984. He was a member of the Berlin Philharmonic’s viola section for 14 years, and it was during that time, in 1988, that he began composing. His works are performed by the world’s leading ensembles, soloists, and opera companies, and he maintains his career as an in-demand violist and has become a sought-after conductor as well. In 2009, he won the Grawemeyer Award for Music Composition for his violin concerto The Lost Art of Letter Writing, and in 2016 he received the Australian Council’s Don Banks Music Award for 10

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Even though I was keen for this new work for piano and strings not to be defined by the coronavirus and its endless accompanying news cycles, like the proverbial elephant in the room, it was somehow there anyway while I was composing, winking at me rather rudely, flaunting its new, continuous cough, high temperature, and loss of taste and smell. During this past year or more of dramatic and unprecedented change, I found myself turning increasingly to music of energy, directness, and verve in an effort to counteract, consciously, the, at times, almost overwhelming sense of global tragedy. These lockdown listening habits, often including guilty pleasures of old pop, rock, and dance-music favorites, somehow crept stealthily into this new piece. Thus, what started out as an abstract chamber music piece for the classic piano quartet combination became

an “imaginary ballet”: a suite of fast, rhythmic, dance-like movements. Bearing titles such as Obsessions, Stretto Dance, and Skittish, these dances inhabit a buoyant, bullish, and effervescent space, full of both driving, reassuring repetitions and abrupt changes of tack, of surging waves of quasi-orchestral energy and slivers of sneaky secrecy. Caprice opens the work with a provocatively bouncy, recurring majorninth motive in the piano, a gesture of openness and possibility in this time of shutdown, enticing the strings to join in one after the other. This motive reappears in different guises throughout the work’s nine brief, interconnected movements, informing note choices, melodic shapes, and harmonic directions. During the composition process, a series of slower interludes between the dances also began to emerge, bringing with them quietude and endowing the work with oases of silhouettes and shadows. One of them is a chorale that doffs its cap to Charles Ives. It was inspired by the mysteriously foggy winter twilights of Donnington, the beautiful village in West Berkshire that I escaped to between lockdowns and where this piece was composed. Another is a short elegy in memory of my dear friend and former viola teacher, the remarkable Australian musician John Curro. Imaginary Ballet is about 20 minutes long. May it intrigue you. Dancing is permitted as far as I’m concerned. Socially distanced, of course...

Orchestras, and the Royal Concertgebouw and Royal Scottish National Orchestras, and they’ve been led by such acclaimed conductors as Pierre Boulez, Stéphane Denève, Mark Elder, Daniel Harding, and Yan Pascal Tortelier. Ms. Grime was a 2008 Tanglewood Music Center Composition Fellow, and she’s served as associate composer for the Hallé Orchestra and composer-in-residence for Wigmore Hall and the Spannungen chamber music festival in Heimbach, Germany. Her numerous honors include a British Composer Award and winning Best Large-scale New Work at the Scottish Awards for New Music. Ms. Grime is a professor of composition at the Royal Academy of Music in London. In 2020, she was appointed a Member of the Order of the British Empire (MBE) for her services to music. About her String Quartet No. 2, Ms. Grime writes:

Helen Grime

My Second String Quartet was written during a particularly unusual and, in some ways, difficult period of my life.

Composer Helen Grime was born in York, England, in 1981 but grew up in Scotland. She played oboe in the National Youth Orchestras of Scotland and went on to study oboe with John Anderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music, where she earned her bachelor’s with first-class honors and her master’s with distinction.

I began work on the piece in January 2020, just a few months before the pandemic really hit Europe. I was also newly pregnant with my second son at the time. By the time I was finishing the first movement, we had gone into a strict lockdown, which were strange circumstances in which to be expecting a child.

A frequently commissioned composer, Ms. Grime has written works for such leading organizations and ensembles as BBC Radio 3, Wigmore Hall, and the Aldeburgh Festival, Barbican Centre, BBC Scottish Symphony Orchestra, Birmingham Contemporary Music Group, Britten Sinfonia, Chamber Music Society of Lincoln Center, Hallé Orchestra, London Symphony Orchestra, Santa Fe Chamber Music Festival, and Tanglewood Music Center. Some of those commissions were in celebration of such occasions as the 40th anniversary of the Santa Fe Chamber Music Festival, the 60th birthday of conductor and composer Oliver Knussen, the 75th anniversary of the BBC Scottish Symphony Orchestra, and Sir Simon Rattle’s inaugural season as music director of the London Symphony Orchestra. Her works have also been performed by the Orchestre de Paris, the BBC and Swedish Radio Symphony

In the first movement, the quartet is often treated as two duos: two violins and viola and cello. The music alternates between an austere chorale with hovering, hesitant harmonies and very fast virtuosic material. The second movement was written with much intensity, partly because I now had extremely limited composing time with schools shut and no childcare, but also because of the shifting unknowns in the outside as well as in my own body. I have no idea if all of this has had a direct bearing on the music I wrote, but I definitely felt an urgency when composing and a sense of purpose and focus that was now missing from so many other areas of life. The third movement was written after the birth of my son, at the beginning

of 2021, so also during a strict national lockdown. This movement is vastly different in character. There is a sense of release, and the music is almost always serene, in stark contrast to the intensity and more complex, chaotic textures and tempos of the previous movements. The second Festival-commissioned quartet on the August 4 program is Augusta Read Thomas’s Filigree of the Sun. Ms. Thomas was born in Glen Cove, New York, in 1964 and has been praised by The New Yorker as “a true virtuoso composer.” Her double concerto for flute and violin, Astral Canticle, was one of two finalists for the 2007 Pulitzer Prize in Music, and in the 2013–14 season, her work was performed more than any other living composer’s. Ms. Thomas is the Chicago Symphony Orchestra’s longestserving Mead Composer-in-Residence (1997–2006), and she’s received honors and awards from the National Endowment for the Arts; the Guggenheim, Fromm, Naumburg, Siemens, and Koussevitzky foundations; ASCAP; BMI; and many other organizations. In 2016, the Chicago Tribune named her Chicagoan of the Year.

Photo by Anthony Barlich

Photo by Benjamin Ealovega

The 6 p.m. concert on August 4 features world premieres of two Festival-commissioned string quartets: Helen Grime’s String Quartet No. 2 and Augusta Read Thomas’s Filigree of the Sun. Both works are performed by the FLUX Quartet, which comprises violinists Tom Chiu and Conrad Harris, violist Max Mandel, and cellist Felix Fan.

Augusta Read Thomas

A longtime instructor, Ms. Thomas has taught at Northwestern University and the Eastman School of Music, and she’s currently a composition professor at the University of Chicago, where, in 2016, she founded the school’s Chicago Center for Contemporary Composition. Her many collaborations and commitments include serving as a member of the American Academy of Arts and Sciences and as vice president for music for the American Academy of Arts and Letters. Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

to have received this commission from the Santa Fe Chamber Music Festival. Augusta sends her “deep gratitude for the Festival’s support of her life’s work and for their commitments to music’s renewals.”

Ms. Thomas has provided both a note and a drawing for Filigree of the Sun. The note reads: In four short, contrasting, four-minute movements, arranged in the tempo scheme fast, slow, fast, slow and played without a pause, Filigree of the Sun is kaleidoscopic, multicolored, lyrical, vivid, clear, and energized. This work celebrates the manner(s) in which the musicians, individually and collectively, embody and sculpt sound. Musical transformations and connections unfold with a natural impulse, resulting in an optimistic, flexible-sounding, sonorous journey that weaves itself forward, as if it is spinning innately out of the instruments, at times rhythmic, jazzy, expressive, passionate, humorous, bouncy, and resonant. Various soloists take turns serving as protagonist as well as fulcrum point, on and around which the other players’ musical force-fields bloom, rotate, and proliferate. Intricate and nimble chamber music virtuosity is essential. Although highly notated, precise, carefully crafted, and soundly proportioned, and while musicians are elegantly working from a nuanced, specific text, Augusta likes her music to have “the feeling that it is organically being self-propelled—on the spot—as if we listeners are overhearing (capturing) an un-notated improvisation.” “Music’s eternal quality is its capacity for change, transformation, and renewal,” says Augusta, who is honored and thrilled 12

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Mr. Seltenreich was born in Israel in 1988. In 2018, he won the International Society of Contemporary Music (ISCM)’s Young Composer Award for his “engaging, effervescent, energetic, and assured” works, and his additional honors include Japan’s Toru Takemitsu Composition Award for orchestral music, the United States’ Salvatore Martirano Memorial Composition Award for chamber music, and Israel’s Prime Minister Award in Composition for his entire body of work. Recent highlights include the premiere of a string octet by the JACK and Mivos Quartets at the Lucerne Festival, a piano trio commission from the Aspen Music Festival, an ASCAP/SCI commission for the new-music sinfonietta Sound Icon, and premieres of his works by Ensemble Miseen and the International Contemporary Ensemble (ICE). Mr. Seltenreich’s music, he says, “often maintains a discourse with concepts that relate to music perception and linguistics as well as with social issues, such as mental health and belonging.”

Michael Seltenreich

A tapestry of voicing and orchestration is used to present and represent two pivotal minor chords, sounding ever new in altering configurations. The flow in Movement III evokes the downward cascades of waterfalls, complementing the lifts and ascensions heard in Movement I. Movement IV, a finale, synthesizes the previous movements’ essential characteristics, exploring multidirectionality through space, be it up, down, or sitting idly. At the noon concert on August 10, the Festival presents the US premiere of Huw Watkins’s Seven Inventions for Marimba and Piano, performed by percussionist Daniel Druckman and pianist Jacob Greenberg.

In a program note for his new Sextet, Mr. Seltenreich writes:

Photo by Benjamin Ealovega

Doodle of a map of form as drawn by the composer

The 6 p.m. concerts on August 8 and August 9 feature the world premiere of Michael Seltenreich’s Sextet for Piano and Winds, performed by pianist Jacob Greenberg, flutist Tara Helen O’Connor, oboist Liang Wang, clarinetist Laura Ardan, bassoonist Christopher Millard, and hornist Philip Myers.

Photo by Dennis Christians

Filigree of the Sun is dedicated, with admiration and gratitude, to Marc Neikrug, the Santa Fe Chamber Music Festival, and the FLUX Quartet.

This Sextet for Piano and Winds is a 20-minute piece consisting of four movements that explore pitch space from one narrow point of view. Energetic and disjunct, Movement I is characterized by a sensation of climbing ever upwards, as shifting dynamics and articulations are used to evolve an archetypal gesture. Movement II is somber and restrained, with phrases and ideas ending where they initially began.

Huw Watkins

Huw Watkins was born in Pontypool, Wales, in 1976. He studied piano and composition at Chetham’s School of Music and then composition at both Cambridge and the Royal College of Music. He’s

known for several orchestral works— including his Violin, Flute, Piano, and Cello Concertos; his Double Concerto for viola and cello; and his London Concerto for violin, harp, and bassoon—and they’ve been performed by the BBC Symphony Orchestra, London Symphony Orchestra, Hallé Orchestra, and BBC National Orchestra of Wales, where he served as composer-in-association from 2015 to 2019. Mr. Watkins’s numerous chamber music works have been commissioned by such artists and organizations as The Nash Ensemble, the Manchester Chamber Concerts Society, The Chamber Music Society of Lincoln Center, and Wigmore Hall. He’s also written acclaimed vocal works, including Five Larkin Songs for soprano and piano, which won a British Composer Award, and two chamber operas for Music Theatre Wales—Crime Fiction and In the Locked Room (a cocommission with the Scottish Opera)— both of which feature libretto by David Harsent. Mr. Watkins also continues to perform as an acclaimed pianist. He’s premiered works by Michael Zev Gordon, Oliver Knussen, Mark-Anthony Turnage, and John Woolrich, and he’s performed concertos with leading ensembles such as the BBC Symphony Orchestra and London Sinfonietta. Mr. Watkins is an honorary research fellow in the Composition and Contemporary Music Department at the Royal Academy of Music in London.

Sean Shepherd was born in Reno, Nevada, in 1979. The New York Times has called him “an exciting composer of the new American generation,” and his works have been commissioned by leading ensembles, including the New York Philharmonic; Cleveland and Leipzig Gewandhaus Orchestras; BBC, Boston, Chicago, Montreal, National, and New World symphony orchestras; Ensemble intercontemporain; Scharoun Ensemble Berlin; Asko|Schönberg ensemble; and Birmingham Contemporary Music Group. Among the festivals that have presented his works are the Aldeburgh and Lucerne Festivals, the Aspen and Grand Teton Music Festivals, the Heidelberg Spring Festival, the La Jolla Music Society’s SummerFest, the Santa Fe Chamber Music Festival, and Tanglewood. Performances of his works this summer include Wanderlust—Seagulls on High at Tanglewood and Melt in a virtual performance at the Cabrillo Festival of Contemporary Music. Mr. Shepherd has served as the Daniel R. Lewis Young Composer Fellow at The Cleveland Orchestra and composer-inresidence for the Reno Philharmonic, and in 2012, he was named the inaugural Kravis Emerging Composer for the New York Philharmonic. He received his bachelor’s degree in composition and a performance diploma in bassoon from Indiana University Bloomington, his master’s degree from The Juilliard School, and his doctoral degree from Cornell University. His numerous honors include winning the 2009 Benjamin H. Danks Award from the American Academy of Arts and Letters.

PRE- AND POST-CONCERT TALKS AND FESTIVAL-COMMISSIONED PREMIERES

Photo by Jamie Kingham

Wednesday, July 21, 5 p.m. Women’s Board Room New Mexico Museum of Art Pre-concert Talk Composer Brett Dean

Sean Shepherd

The final Festival-commissioned work of the 2021 season is Sean Shepherd’s Old Instruments, performed by flutist Joshua Smith and percussionist Jacob Nissly.

Wednesday, July 21, 6 p.m. St. Francis Auditorium New Mexico Museum of Art BRETT DEAN Imaginary Ballet— Dances and Interludes for Piano and String Trio (2021; Festival Co-Commission; US Premiere) Benjamin Hochman, piano; William Hagen, violin; Brett Dean, viola; Joseph Johnson, cello

Wednesday, August 4, 5 p.m. Women’s Board Room New Mexico Museum of Art Pre-concert Talk Composer Augusta Read Thomas Wednesday, August 4, 6 p.m. St. Francis Auditorium New Mexico Museum of Art HELEN GRIME String Quartet No. 2 (2021; Festival Co-Commission; World Premiere) AUGUSTA READ THOMAS Filigree of the Sun for String Quartet (2021; Festival Commission; World Premiere) FLUX Quartet (Tom Chiu, violin; Conrad Harris, violin; Max Mandel, viola; Felix Fan, cello) Sunday, August 8, 5 p.m. Monday, August 9, 5 p.m. Women’s Board Room New Mexico Museum of Art Pre-concert Talk Composer Michael Seltenreich Sunday, August 8, 6 p.m. Monday, August 9, 6 p.m. St. Francis Auditorium New Mexico Museum of Art MICHAEL SELTENREICH Sextet for Piano and Winds (2021; Festival Commission; World Premiere) Jacob Greenberg, piano; Tara Helen O’Connor, flute; Liang Wang, oboe; Laura Ardan, clarinet; Christopher Millard, bassoon; Philip Myers, horn Tuesday, August 10, 12 p.m. St. Francis Auditorium New Mexico Museum of Art HUW WATKINS Seven Inventions for Marimba and Piano (2019; Festival CoCommission; US Premiere) Daniel Druckman, percussion; Jacob Greenberg, piano Thursday, August 12, 12 p.m. St. Francis Auditorium New Mexico Museum of Art SEAN SHEPHERD Old Instruments (2020-21; Festival Commission; World Premiere) Joshua Smith, flute; Jacob Nissly, percussion Thursday, August 12, 1 p.m. St. Francis Auditorium New Mexico Museum of Art Post-concert Talk Composer Sean Shepherd Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

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Young Composers String Quartet Project 2021 In this prestigious, annual, education-based program, the Festival shines a spotlight on two of today’s most exciting young composing talents.

by Amy Hegarty

Photo by Hannah Judd

Jack Hughes was born in Reston, Virginia, in 1992 and says his interest was “sparked” by his hometown’s public-school music program. “I was playing trumpet in my middle school band,” he says, “and we were rehearsing a transcription of a Bach fugue. This music was unlike anything I had heard before; I loved how the different voices were weaving in and out of one another. I went home and checked out Aaron Copland’s book What to Listen for in Music from the local library. I read his chapter on fugues, and then I tried writing my own. That little fugue,” he notes, “which I actually wrote for string

Jack Hughes

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

quartet, ended up being my first real composition.” Several years after that pivotal experience, Mr. Hughes earned a bachelor of music degree from the Cleveland Institute of Music, where he was a double major in theory and composition and studied with Keith Fitch, and his PhD at the University of Chicago, where he studied with Augusta Read Thomas and Shulamit Ran. Mr. Hughes served as a composer fellow for the Canton Symphony Orchestra in 2014 and San Francisco’s Volti choral ensemble in 2017. Two years later, he was awarded an Underwood Commission from the American Composers Orchestra, which is scheduled to premiere his new work at Carnegie Hall in 2022, and last year, the American Academy of Arts and Letters awarded him its Charles Ives Scholarship. This fall, he begins teaching music theory at the Cleveland Institute of Music. Mr. Hughes’s works—whose style he describes as “colorful, subtle, harmonically driven, sneaky, dynamic, [and] personal”— have been performed by various artists, including the sextet Eighth Blackbird, the string quartet Quatuor Bozzini, and the Quince Ensemble, a contemporary vocal group. “I personally don’t feel as though my music fits into one of the stylistic ‘isms’ (minimalism, spectralism, etc.),” he says, “although it is inspired by many different types of music.” In addition, when composing, Mr. Hughes doesn’t gravitate toward any particular form or genre. However, he’s “always loved instrumental music,” he says, and does write “mainly for acoustic instruments instead of for voice or electronics.” Instrumental music, he adds, “feels like my musical home base, where I can express my ideas most fluently.” Lara Poe likes working with “larger-scale forms that make a work feel coherent. The possibilities are so vast for orchestra in particular,” she says. “[But] I always try to find a form that suits the material I’m

Photo by Penthouse Studios

On Friday, August 6, the Festival premieres works by Finnish American composer Lara Poe and Clevelandbased composer Jack Hughes, this year’s participants in the Young Composers String Quartet Project, which Festival Artistic Director Marc Neikrug founded in 2013. The program offers Festival commissions to two emerging composers who are mentored by Mr. Neikrug, receive industry guidance from music-publishing veterans, and workshop their pieces with the FLUX Quartet before the renowned new-music ensemble premieres them during a Festival concert.

Lara Poe

working with, which is easier said than done,” she adds, noting that she enjoys “writing for a variety of ensembles. Solo pieces,” she says, “are really rewarding, as you’re working very closely with an individual and writing something that suits them. And the same goes for a smaller ensemble, where you’re working very closely with the players.” Ms. Poe, who was born in Winchester, Massachusetts, in 1993, is mostly based in London, where she’s completing her PhD at King’s College London. She earned her bachelor of music degree from Boston University, where she was inducted into the music honor society Pi Kappa Lambda, and she earned both her master’s, with distinction, and artist diploma from the Royal College of Music. While pursuing her education, she’s received many honors and awards, including the 2021 BMI Student Composer Award, the 2020 Theodore Holland Intercollegiate Composition Prize, the 2016 American Prize in Chamber Music Composition–Student Division, and Boston University’s 2016 Wainwright Prize and 2016 Department of Composition and Music Theory Award.

She also won the Royal College of Music’s Spring 2018 Concerto Competition, and in 2017 she became the first woman to win the BMI Student Composer Awards’ William Schuman Prize. In addition, she was a 2019 Tanglewood Composition Fellow and a participant in the London Symphony Orchestra’s 2018– 19 Panufnik Composers Scheme and the 2017 Britten Pears Young Artist Programme. Like Mr. Hughes, Ms. Poe began composing as a child. “I initially started as a pianist and got into composition by improvising little pieces for piano,” she says. “My piano teacher noticed this and referred me to Rodney Lister, who then became my composition teacher.” Ms. Poe studied with Mr. Lister at the New England Conservatory of Music Preparatory School and Paavo Korpijaakko at the Tampere Conservatory in Finland. Both institutions allowed her to train in “an incredibly supportive environment,” she says. “I was able to work with other musicians my age, and we’d play each other’s works.”

Photo courtesy of the FLUX Quartet

So far in her career, Ms. Poe’s works have been performed in the United States, the United Kingdom, Finland, Latvia, Romania, Taiwan, France, Norway, Sweden, and Germany. Her musical style “is always really hard to describe,” she says, “but two words I’d use

FLUX Quartet

are precise and coloristic.” Her influences range from “older (mostly European) traditions” to “some very specific 20thand 21st-century influences,” and she’s also been “inspired and influenced” by her teachers. Ms. Poe draws upon extramusical influences as well, noting that she takes inspiration “from the natural world. The cold, sparkling, wintry world of northern Finland in the winter is really important to me,” she says, “but there are certain other things, too, like lakes, the play of light as it filters through leaves, and certain sweeping landscapes.” The string quartet form that’s at the heart of the Festival’s Young Composers program has “such a long history of masterpieces that you can definitely feel the anxiety of influence while composing,” Mr. Hughes says, adding that “there’s a lot of Haydn” in his own quartet. Ms. Poe says that because “Haydn, Mozart, Beethoven, Shostakovich, Bartók, Berg, Saariaho, Crumb, and so many other composers have written notable string quartets, it can feel really difficult to come up with something fresh.” But setting out to do so, she says, is “a very exciting challenge. The [string quartet] works really well in terms of balance and color, and it’s really well suited for creating dialogue.” Mr. Hughes agrees, noting that the string quartet “is a perfectly balanced ensemble with endless possibilities for sonority and texture.”

Both composers worked on their string quartets this past year, during the coronavirus pandemic, and are excited to travel to Santa Fe for their works’ premieres. “I was writing my piece in full lockdown, at my parents’ house just outside of Boston,” Ms. Poe says, “and I’d just finished writing a large orchestral piece for the Lahti Symphony Orchestra. Transitioning from thinking about this large ensemble to thinking about a string quartet was a really welcome change of pace and felt very refreshing.” For Mr. Hughes, his string quartet was his “constant companion throughout a year of upheaval and uncertainty. Having the Festival to look forward to,” he says, “gave me a light at the end of the pandemic tunnel.” PRE-CONCERT TALK AND PREMIERES Friday, August 6, 5 p.m. Pre-concert Talk Women’s Board Room New Mexico Museum of Art The Festival presents a pre-concert talk with the two participants in its 2021 Young Composers String Quartet Project, Lara Poe and Jack Hughes. Friday, August 6, 6 p.m. St. Francis Auditorium New Mexico Museum of Art LARA POE Dialetheia for String Quartet (2020; Festival Commission; World Premiere) JACK HUGHES Jubilate PM for String Quartet (2021; Festival Commission; World Premiere) HELEN GRIME String Quartet No. 2 (2021; Festival Co-Commission) AUGUSTA READ THOMAS Filigree of the Sun for String Quartet (2021; Festival Commission) FLUX Quartet (Tom Chiu, violin; Conrad Harris, violin; Max Mandel, viola; Felix Fan, cello) Amy Hegarty is the Director of Publications for the Santa Fe Chamber Music Festival. Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

With Thanks to Our 2021 Season Sponsors ANNUAL SPONSORSHIPS

The following donors have generously directed their annual gifts in support of specific aspects of the Festival. Barbara B. and Ronald Davis Balser

Zoltán Fejérvári, piano

Jean and John Berghoff

Miami String Quartet

Beth Beloff and Marc Geller Elisbeth Challener and Brett Bachman

Kathleen and Robert L. Clarke

William Hagen, violin Paul Huang, violin

David Shifrin, clarinet

Lynn Coneway Bart Feller, flute

Ralph P. Craviso David Robertson, conductor David B. de Wetter Gilles Vonsattel, piano Mike and Marty Everett

Alan Gilbert, conductor and violin

Paula and Steven Fasken

Leigh Mesh, double bass

Steven Goldstein, MD, and Susan Goldstein

Peter Wiley, cello

Sue and Chris Fan FLUX Quartet David Tausig Frank and Kazukuni Sugiyama

Joseph Johnson, cello

Diane and Werner Grob Guillermo Figueroa, conductor and violin John Hart and Carol Prins

Jennifer Gilbert, violin

Ellen and James Hubbell

Jennifer Johnson Cano, mezzo-soprano

Michael Stephen Hindus and Lynne Elizabeth Withey Robert L. Hull and Myra Barker Hull David K. and Kay Duke Ingalls

Hervey Juris and Leslie Nathanson Juris Faye and Jonathan Kellerman

Stefan Dohr, horn

Kelly Markgraf, baritone Haochen Zhang, piano Liang Wang, oboe

Leila Josefowicz, violin

Paul L. King Dover Quartet Ron Lushing and Dan Reid

Kirill Gerstein, piano

David Muck and Cole Martelli

Peter Stumpf, cello

Anthony and Kay Marks

Eric Kim, cello

Kathryn O’Keeffe† Christopher Millard, bassoon Mary Lawrence Porter Orion String Quartet Louisa Stude Sarofim Mark Kosower, cello Herman Siegelaar and Cornelia Bryer

Daniel Phillips, violin

Sally W. Whiteley and Judy E. Rhymes

Kajsa William-Olsson, cello

Marilynn and Carl Thoma Tara Helen O’Connor, flute 18

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

†Deceased

PERPETUAL SPONSORSHIPS

These Named Funds of the Santa Fe Chamber Music Festival Endowment were established by friends of the Festival to provide support in perpetuity for performances, artists, and programs. Louisa Stude Sarofim Artistic Director Chair

Marc Neikrug, Artistic Director

Diane B. Jergins Concert Performance Fund

Sunday Series

Jacqueline Hoefer Guest Artist Fund

Todd Levy, clarinet

Nancy E. and P. Anthony Jacobs Emerging Artist Fund

Grace Browning, harp

Kathryn O’Keeffe Emerging Artist Fund

Amy Oshiro-Morales, violin

Helen and Bertram Gabriel, Jr., Flute Fund

Joshua Smith, flute

Joann and Gifford Phillips Clarinet Fund

Ricardo Morales, clarinet

Charles M. and Shirley Weiss Distinguished Young Artists Fund

Natalie Vargas Nedvetsky, piano

Lanham Deal Memorial Performance Fund Peter Hoefer Memorial Performance Fund Dode Kenney Memorial Performance Fund Naumburg Memorial Performance Fund

Festival performances

Deborah L. Berkman Education Fund William Randolph Hearst Education Fund John Hart and Carol Prins Outreach Fund

Education and Outreach programs

Ann C. and James E. McGarry Essay Fund

Program book articles

Mike and Marty Everett Distinguished Violist Fund

CarlaMaria Rodrigues, viola

Rebecca and Nat Sloane Distinguished Violinist Fund

Ida Kavafian, violin

Coneway Family Foundation Education Fund

Teacher training for Music in Our Schools

To learn how you can sponsor an artist, performance, or program annually or in perpetuity, contact the Festival’s Director of Development, Cece Derringer, at 505-983-2075, ext. 108, or cderringer@sfcmf.org. Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

! c i s u m h t i w r e m m u s r u o y l Fil California IVAL of CABRILLO FEST RY MUSIC CONTEMPORA cabrillomusic.org Santa Cruz, CA

FESTIVAL CARMEL BACH bachfestival.org Carmel, CA

LA JOLLA MUSIC SOCIETY SUMMERFEST ljms.org La Jolla, CA

T MAINLY MOZAR FESTIVAL mainlymozart.org San Diego, CA

Colorado ASPEN MUSIC FESTIVAL and SCHOOL aspenmusicfestival.com Aspen, CO

BRAVO! VAIL bravovail.org Vail, CO

CHAMBER MUS IC NORTHWEST SUMMER FESTIV AL cmnw.org Portland, OR

Washington

COLORADO MUSIC FESTIVAL coloradomusicfestival.org Boulder, CO

STRINGS MUSIC FESTIVAL stringsmusicfestival.com Steamboat Springs, CO

New Mexico MUSIC@MENLO rg musicatmenlo.o CA n, rto Athe

Oregon

SEATTLE CHAM BER MUSIC SOCIETY SUMMER FESTIV AL seattlechamberm usic.org Seattle, WA

Wyoming GRAND TETON MUSIC FESTIVAL gtmf.org Jackson Hole, W Y

SANTA FE CHAMBER MUSIC FESTIVAL santafechambermusic.com Santa Fe, NM

Idaho SUN VALLEY MUSIC FESTIVAL org svmusicfestival. ID , m hu tc Ke

Enjoy concerts this summer bo th in-person and on line from these allied festivals of the Western United States.

CLASSICAL MUSIC FESTIVALS OF THE WEST 2021

Sunday & Monday, 6 p.m.

SUNDAY & MONDAY SERIES

July 18 & 19 St. Francis Auditorium in the New Mexico Museum of Art

BENJAMIN HOCHMAN, Piano ALAN GILBERT, Violin WILLIAM HAGEN, Violin PAUL HUANG, Violin BRETT DEAN, Viola CARLAMARIA RODRIGUES, Viola PETER STUMPF, Cello KAJSA WILLIAM-OLSSON, Cello STEFAN DOHR, Horn LUDWIG VAN BEETHOVEN (1770–1827)

String Trio in C Minor, Op. 9, No. 3 (1797–98) Allegro con spirito Adagio con espressione Scherzo: Allegro molto e vivace Finale: Presto William Hagen, Brett Dean, Kajsa William-Olsson

WOLFGANG AMADEUS MOZART (1756–91)

Horn Quintet in E-flat Major, K. 407 (1782) Allegro Andante Rondo: Allegro Stefan Dohr, Paul Huang, CarlaMaria Rodrigues, Brett Dean, Peter Stumpf INTERMISSION

ROBERT SCHUMANN (1810–56)

Piano Quartet in E-flat Major, Op. 47 (1842) Sostenuto assai—Allegro ma non troppo Scherzo: Molto vivace Andante cantabile Finale: Vivace Benjamin Hochman, Alan Gilbert, CarlaMaria Rodrigues, Peter Stumpf

Hamburg Steinway D concert grand pianos are supplied by Pro Piano for the Santa Fe Chamber Music Festival. Santa Fe Chamber Music Festival pianos are housed and moved by Albuquerque Piano & Organ Service. The Festival honors the memory of Albuquerque Piano & Organ Service founder Jose “Martin” Garcia (1969–2021), whom we deeply miss.

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Tuesday, 12 p.m.

July 20

St. Francis Auditorium in the New Mexico Museum of Art

MUSIC AT NOON Generously sponsored by the Edgar Foster Daniels Foundation in memory of Edgar Foster Daniels

BENJAMIN HOCHMAN, Piano WILLIAM HAGEN, Violin PAUL HUANG, Violin CARLAMARIA RODRIGUES, Viola KAJSA WILLIAM-OLSSON, Cello TODD LEVY, Clarinet* BÉLA BARTÓK (1881–1945) WOLFGANG AMADEUS MOZART (1756–91)

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Contrasts, Sz. 111 (1938) Verbunkos (Recruiting Dance) Pihenö (Relaxation) Sebes (Fast Dance) Benjamin Hochman, William Hagen, Todd Levy Piano Quartet in G Minor, K. 478 (1785) Allegro Andante Rondo: Allegro Benjamin Hochman, Paul Huang, CarlaMaria Rodrigues, Kajsa William-Olsson

*Santa Fe Opera artist

WEDNESDAY SERIES

Wednesday, 6 p.m.

July 21

5 p.m. Pre-concert Talk: Composer Brett Dean Women’s Board Room in the New Mexico Museum of Art

St. Francis Auditorium in the New Mexico Museum of Art

ALAN GILBERT, Conductor BENJAMIN HOCHMAN, Piano DEBRA AYERS, Piano and Celesta WILLIAM HAGEN, Violin PAUL HUANG, Violin AMY OSHIRO-MORALES, Violin BRETT DEAN, Viola CARLAMARIA RODRIGUES, Viola JOSEPH JOHNSON, Cello* PETER STUMPF, Cello

KAJSA WILLIAM-OLSSON, Cello LEIGH MESH, Double Bass BART FELLER, Flute* ROBERT INGLISS, Oboe* RICARDO MORALES, Clarinet CHRISTOPHER MILLARD, Bassoon STEFAN DOHR, Horn MATTHEW ERNST, Trumpet* JONATHAN RANDAZZO, Trombone* GREGORY ZUBER, Percussion

TŌRU TAKEMITSU (1930–96)

Rain Coming for Chamber Orchestra (1982) Alan Gilbert, Paul Huang, Amy Oshiro-Morales, CarlaMaria Rodrigues, Kajsa William-Olsson, Leigh Mesh, Bart Feller, Robert Ingliss, Ricardo Morales, Christopher Millard, Stefan Dohr, Matthew Ernst, Jonathan Randazzo, Debra Ayers, Gregory Zuber

BRETT DEAN (b. 1961)

Imaginary Ballet—Dances and Interludes for Piano and String Trio (2021; Festival Co-Commission; US Premiere)◊ I. Caprice II. Obsessions III. Interlude I—(Un)Quiet IV. Skittish V. Interlude II—Chorale (Donnington Park in the Dark) VI. Interlude III—Elegy (for John Curro) VII. Shadow Dance VIII. Stretto Dance IX. Postlude—(Exeunt) Benjamin Hochman, William Hagen, Brett Dean, Joseph Johnson INTERMISSION

FRANZ SCHUBERT (1797–1828)

Octet in F Major, D. 803 (1824) Adagio—Allegro Adagio Allegro vivace Andante Menuetto: Allegretto Andante molto—Allegro Paul Huang, William Hagen, CarlaMaria Rodrigues, Peter Stumpf, Leigh Mesh, Ricardo Morales, Christopher Millard, Stefan Dohr

◊ Brett Dean’s Imaginary Ballet was commissioned by the Stichting Storioni Festival and co-commissioned by the Festival O/Modernt, West Cork Chamber Music Festival, Santa Fe Chamber Music Festival, and Seraphim Trio.

The Santa Fe Chamber Music Festival’s commissions of new works are supported, in part, by a generous grant from The Brown Foundation, Inc., of Houston. *Santa Fe Opera artist

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

MUSIC AT NOON

Thursday, 12 p.m.

July 22

Generously sponsored by the Edgar Foster Daniels Foundation in memory of Edgar Foster Daniels

St. Francis Auditorium in the New Mexico Museum of Art

GILLES VONSATTEL, Piano

JOHN CAGE

(1912–92)

JOHANN SEBASTIAN BACH

(1685–1750)

Selected Sonatas and Interludes for Prepared Piano (1946–48)

Sonata I Sonata II Sonata V Interlude III Sonata XI Interlude IV Sonatas XIV–XV: Gemini (after the work by Richard Lippold) Sonata XVI

Overture in the French Style in B Minor, BWV 831 (1735) Ouverture Courante Gavotte I—Gavotte II Passepied I—Passepied II Sarabande Bourrée I—Bourrée II Gigue Echo

The Santa Fe Chamber Music Festival wishes to thank Los Alamos Public Schools and the Los Alamos Concert Association for generously providing the Steinway concert grand piano for Mr. Vonsattel’s performance of the Cage Sonatas and Interludes.

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

BACH PLUS

Generously sponsored by

Saturday, 5 p.m.

July 24 St. Francis Auditorium in the New Mexico Museum of Art

ALAN GILBERT, Conductor WILLIAM HAGEN, Violin PAUL HUANG, Violin AMY OSHIRO-MORALES, Violin L. P. HOW, Violin and Viola BRETT DEAN, Viola MARGARET DYER HARRIS, Viola* CARLAMARIA RODRIGUES, Viola JOSEPH JOHNSON, Cello* PETER STUMPF, Cello KAJSA WILLIAM-OLSSON, Cello

LEIGH MESH, Double Bass MARK TATUM, Double Bass* MENG SU, Guitar BART FELLER, Flute* TODD LEVY, Clarinet* RICARDO MORALES, Clarinet CHRISTOPHER MILLARD, Bassoon STEFAN DOHR, Horn GREGORY FLINT, Horn* KATHLEEN McINTOSH, Harpsichord

ERNESTO CAVALLINI (1807–74)

Adagio and Allegro from Grand Artistic Duet No. 2 in B-flat Major for Two Clarinets (1845–46) Ricardo Morales, Todd Levy

ANTONIO VIVALDI (1678–1741)

Guitar Concerto in D Major, RV 93 (ca. 1730) Allegro Largo Allegro Meng Su, Amy Oshiro-Morales, Margaret Dyer Harris, Joseph Johnson, Mark Tatum, Kathleen McIntosh

ANTONIO VIVALDI ANTONIO VIVALDI

Cello and Bassoon Concerto in E Minor, F. XII, No. 22 (pub. 1740) Adagio—Allegro molto Allegro—Adagio—Allegro Allegro Kajsa William-Olsson, Christopher Millard, Amy Oshiro-Morales, L. P. How, Margaret Dyer Harris, Joseph Johnson, Mark Tatum, Kathleen McIntosh Flute Concerto in D Major, RV 428, Il gardellino (pub. 1729) Allegro Cantabile Allegro Bart Feller, Amy Oshiro-Morales, L. P. How, Margaret Dyer Harris, Joseph Johnson, Mark Tatum, Kathleen McIntosh

IGOR STRAVINSKY Concerto in E-flat Major for Chamber Orchestra, Dumbarton Oaks (1882–1971) (1937–38) Tempo giusto Allegretto Con moto Alan Gilbert, Paul Huang, Amy Oshiro-Morales, William Hagen, CarlaMaria Rodrigues, Brett Dean, L. P. How, Kajsa William-Olsson, Peter Stumpf, Leigh Mesh, Mark Tatum, Bart Feller, Ricardo Morales, Christopher Millard, Stefan Dohr, Gregory Flint *Santa Fe Opera artist

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

SUNDAY & MONDAY SERIES

Sunday & Monday, 6 p.m.

July 25 & 26 St. Francis Auditorium in the New Mexico Museum of Art

CECILE LICAD, Piano GILLES VONSATTEL, Piano ALAN GILBERT, Violin PAUL HUANG, Violin CARLAMARIA RODRIGUES, Viola PETER STUMPF, Cello GRACE BROWNING, Harp* BART FELLER, Flute* STEFAN DOHR, Horn TŌRU TAKEMITSU (1930–96)

And Then I Knew ’Twas Wind (1992) Bart Feller, CarlaMaria Rodrigues, Grace Browning

GYÖRGY LIGETI (1923–2006)

Trio for Horn, Violin, and Piano, Hommage à Brahms (1982) Andantino con tenerezza Vivacissimo molto ritmico Alla marcia Lamento: Adagio Stefan Dohr, Alan Gilbert, Gilles Vonsattel

INTERMISSION FELIX MENDELSSOHN (1809–47)

July 26: Youth Concert

Piano Trio in D Minor, Op. 49 (1839) Molto allegro ed agitato Andante con molto tranquilo Scherzo: Leggiero e vivace Finale: Allegro assai appassionato Cecile Licad, Paul Huang, Peter Stumpf

Generously sponsored by

Monday, 10 a.m., St. Francis Auditorium in the New Mexico Museum of Art Cecile Licad, Paul Huang, Peter Stumpf 26

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

*Santa Fe Opera artist

MUSIC AT NOON

Tuesday, 12 p.m.

July 27

Generously sponsored by the Edgar Foster Daniels Foundation in memory of Edgar Foster Daniels

St. Francis Auditorium in the New Mexico Museum of Art

CECILE LICAD, Piano LUDWIG VAN BEETHOVEN (1770–1827)

Sonata in C-sharp Minor, Op. 27, No. 2, Moonlight (1801) Adagio sostenuto Allegretto Presto agitato

FRÉDÉRIC CHOPIN (1810–49)

Mazurka in C Minor, Op. 56, No. 3 (1843–44)

FRÉDÉRIC CHOPIN

Scherzo No. 2 in B-flat Minor, Op. 31 (1837)

SAMUEL BARBER (1910–81)

Souvenirs, Op. 28 (1951–52) Waltz Schottische Pas de deux Two-Step Hesitation Tango Galop

LOUIS MOREAU GOTTSCHALK (1829–69)

Le Bananier, Op. 5 (ca. 1846)

LOUIS MOREAU GOTTSCHALK

Célèbre tarantelle, Op. 67 (1858–64)

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

WEDNESDAY SERIES

Wednesday, 6 p.m.

July 28 St. Francis Auditorium in the New Mexico Museum of Art

CECILE LICAD, Piano GILLES VONSATTEL, Piano BENNY KIM, Violin SCOTT LEE, Viola KEITH ROBINSON, Cello BART FELLER, Flute* ROBERT INGLISS, Oboe* TODD LEVY, Clarinet* JULIA HARGUINDEY, Bassoon* GREGORY FLINT, Horn* SAMUEL BARBER (1910–81)

Summer Music, Op. 31 (1955) Bart Feller, Robert Ingliss, Todd Levy, Julia Harguindey, Gregory Flint

PAVEL HAAS (1899–1944)

Wind Quintet, Op. 10 (1929) Preludio: Andante, ma vivace Preghiera: Misterioso e triste Ballo eccentrico: Ritmo marcato Epilogo: Maestoso Bart Feller, Robert Ingliss, Todd Levy, Julia Harguindey, Gregory Flint

ROBERT SCHUMANN Märchenerzählungen (Fairy Tales), Op. 132 (1853) (1810–56) Lebhaft, nicht zu schnell Lebhaft und sehr markirt Ruhiges Tempo, mit zartem Ausdruck Lebhaft, sehr markirt Cecile Licad, Todd Levy, Scott Lee INTERMISSION ROBERT SCHUMANN Piano Trio in G Minor, Op. 110 (1851) Bewegt, doch nicht zu rasch Ziemlich langsam—Etwas bewegter—Tempo I Rasch—Etwas zurückhaltend bis zum langsameren Tempo—Tempo I Kräftig, mit Humor Gilles Vonsattel, Benny Kim, Keith Robinson

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

*Santa Fe Opera artist

MUSIC AT NOON

Thursday, 12 p.m.

Generously sponsored by the Edgar Foster Daniels Foundation in memory of Edgar Foster Daniels

July 29 St. Francis Auditorium in the New Mexico Museum of Art

MIAMI STRING QUARTET BENNY KIM, Violin CATHY MENG ROBINSON, Violin SCOTT LEE, Viola KEITH ROBINSON, Cello PĒTERIS VASKS (b. 1946) ANTONÍN DVOŘÁK (1841–1904)

String Quartet No. 3 (1995) Moderato Allegro energico Adagio Moderato—Allegro String Quartet in E-flat Major, Op. 51 (1878–79) Allegro ma non troppo Dumka: Andante con moto Romanza: Andante con moto Finale: Allegro assai

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

BACH PLUS

Saturday, 5 p.m.

Generously sponsored by

JULY 31 St. Francis Auditorium in the New Mexico Museum of Art

MARK KOSOWER, Cello JOHANN SEBASTIAN BACH (1685–1750)

Cello Suite No. 2 in D Minor, BWV 1008 (ca. 1720) Prelude Allemande Courante Sarabande Menuet I—Menuet II Gigue

JOHANN SEBASTIAN BACH

Cello Suite No. 4 in E-flat Major, BWV 1010 (ca. 1720) Prelude Allemande Courante Sarabande Bourrée I—Bourrée II Gigue

JOHANN SEBASTIAN BACH

Cello Suite No. 3 in C Major, BWV 1009 (ca. 1720) Prelude Allemande Courante Sarabande Bourrée I—Bourrée II Gigue

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

SUNDAY & MONDAY SERIES

Sunday & Monday, 6 p.m.

August 1 & 2 St. Francis Auditorium in the New Mexico Museum of Art

ORION WEISS, Piano MIAMI STRING QUARTET BENNY KIM, Violin CATHY MENG ROBINSON, Violin SCOTT LEE, Viola KEITH ROBINSON, Cello FRANZ JOSEPH HAYDN String Quartet in E-flat Major, Op. 33, No. 2, The Joke (1781) (1732–1809) Allegro moderato Scherzo: Allegro Largo e sostenuto Finale: Presto—Adagio—Presto Miami String Quartet (Benny Kim, Cathy Meng Robinson, Scott Lee, Keith Robinson) ERWIN SCHULHOFF String Quartet No. 2 (1925) (1894–1942) Allegro agitato Tema con variazioni: Moderato Allegro gajo Finale: Andante quasi introduzione—Allegro molto Miami String Quartet (Benny Kim, Cathy Meng Robinson, Scott Lee, Keith Robinson) INTERMISSION ERNST VON DOHNÁNYI Piano Quintet in E-flat Minor, Op. 26 (1914) (1877–1960) Allegro non troppo Intermezzo: Allegretto Moderato Orion Weiss, Miami String Quartet (Benny Kim, Cathy Meng Robinson, Scott Lee, Keith Robinson)

August 2: Youth Concert

Generously sponsored by

Monday, 10 a.m., St. Francis Auditorium in the New Mexico Museum of Art Miami String Quartet (Benny Kim, Cathy Meng Robinson, Scott Lee, Keith Robinson)

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

MUSIC AT NOON

Tuesday, 12 p.m.

August 3

Generously sponsored by the Edgar Foster Daniels Foundation in memory of Edgar Foster Daniels

St. Francis Auditorium in the New Mexico Museum of Art

ORION WEISS, Piano FRANZ SCHUBERT (1797–1828)

Fantasy in C Major, D. 760, Wanderer (1822) Allegro con fuoco ma non troppo Adagio Presto Allegro

JOHANNES BRAHMS (1833–97)

Sonata No. 3 in F Minor, Op. 5 (1853) Allegro maestoso Andante espressivo Scherzo: Allegro energico—Trio Intermezzo: Andante molto Finale: Allegro moderato ma rubato

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

WEDNESDAY SERIES

This concert is generously sponsored byAllan Houser, Inc.

5 p.m. Pre-concert Talk: Composer Augusta Read Thomas Women’s Board Room in the New Mexico Museum of Art

Wednesday, 6 p.m.

August 4 St. Francis Auditorium in the New Mexico Museum of Art

ORION WEISS, Piano JENNIFER GILBERT, Violin L. P. HOW, Violin PAUL NEUBAUER, Viola MARK KOSOWER, Cello FLUX QUARTET TOM CHIU, Violin CONRAD HARRIS, Violin MAX MANDEL, Viola FELIX FAN, Cello HELEN GRIME String Quartet No. 2 (2021; Festival Co-Commission; World Premiere)◊ (b. 1981) I. Lento II. Vivo III. Calmo FLUX Quartet (Tom Chiu, Conrad Harris, Max Mandel, Felix Fan) WOLFGANG AMADEUS MOZART Duo in B-flat Major for Violin and Viola, K. 424 (1783) (1756–91) Adagio—Allegro Andante cantabile Tema con variazioni: Andante grazioso Jennifer Gilbert, Paul Neubauer AUGUSTA READ THOMAS Filigree of the Sun for String Quartet (2021; Festival Commission; (b. 1964) World Premiere) I: Playful; Buoyant; Energized; Animated; Spirited II: Lyrical; Ascent commences III: Lively; Effervescent; Dance-like; Like an engine made of many motors, wheels, and cogs IV: Lyrical and resonant ascent continues as if trying to reach toward the sun FLUX Quartet (Tom Chiu, Conrad Harris, Max Mandel, Felix Fan) INTERMISSION MAX BRUCH Piano Quintet in G Minor (1886–88) (1838–1920) Allegro molto moderato Adagio Scherzo Finale: Allegro agitato Orion Weiss, Jennifer Gilbert, L. P. How, Paul Neubauer, Mark Kosower ◊ Helen Grime’s String Quartet No. 2 was commissioned by Wigmore Hall, with the generous support of Nicholas and Judith Goodison and The Radcliffe Trust, and the Santa Fe Chamber Music Festival. The Santa Fe Chamber Music Festival’s commissions of new works are supported, in part, by a generous grant from The Brown Foundation, Inc., of Houston. Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

MUSIC AT NOON

Thursday, 12 p.m.

August 5 St. Francis Auditorium in the New Mexico Museum of Art

Generously sponsored by the Edgar Foster Daniels Foundation in memory of Edgar Foster Daniels

ROHAN DE SILVA, Piano JENNIFER GILBERT, Violin L. P. How, Violin ERIC KIM, Cello LEOPOLD MOZART Piano Trio No. 3 in A Major (ca. 1750) (1719–87) Allegro molto Andante Menuetto Rohan De Silva, L. P. How, Eric Kim FRANZ XAVER MOZART Grand Sonata in E Major, Op. 19 (1820) (1791–1844) Allegro Andantino espressivo Allegro vivo Jennifer Gilbert, Rohan De Silva WOLFGANG AMADEUS MOZART Piano Trio No. 5 in C Major, K. 548 (1788) (1756–91) Allegro Andante cantabile Allegro Rohan De Silva, Jennifer Gilbert, Eric Kim

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

MODERN MASTERS 5 p.m. Pre-concert Talk: Composers Lara Poe and Jack Hughes Women’s Board Room in the New Mexico Museum of Art

Friday, 6 p.m.

August 6 St. Francis Auditorium in the New Mexico Museum of Art

FLUX QUARTET TOM CHIU, Violin CONRAD HARRIS, Violin MAX MANDEL, Viola FELIX FAN, Cello

LARA POE (b. 1993)

Dialetheia for String Quartet (2020; Festival Commission; World Premiere)

JACK HUGHES Jubilate PM for String Quartet (2021; Festival Commission; World Premiere) (b. 1992) HELEN GRIME String Quartet No. 2 (2021; Festival Co-Commission)◊ (b. 1981) I. Lento II. Vivo III. Calmo AUGUSTA READ THOMAS Filigree of the Sun for String Quartet (2021; Festival Commission) (b. 1964) I: Playful; Buoyant; Energized; Animated; Spirited II: Lyrical; Ascent commences III: Lively; Effervescent; Dance-like; Like an engine made of many motors, wheels, and cogs IV: Lyrical and resonant ascent continues as if trying to reach toward the sun

◊ Helen Grime’s String Quartet No. 2 was commissioned by Wigmore Hall, with the generous support of Nicholas and Judith Goodison and The Radcliffe Trust, and the Santa Fe Chamber Music Festival. The Santa Fe Chamber Music Festival’s commissions of new works are supported, in part, by a generous grant from The Brown Foundation, Inc., of Houston.

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

BACH PLUS

Saturday, 5 p.m.

Generously sponsored by

August 7 St. Francis Auditorium in the New Mexico Museum of Art

MARK KOSOWER, Cello JOHANN SEBASTIAN BACH (1685–1750)

Cello Suite No. 5 in C Minor, BWV 1011 (ca. 1720) Prelude Allemande Courante Sarabande Gavotte I—Gavotte II Gigue

JOHANN SEBASTIAN BACH

Cello Suite No. 1 in G Major, BWV 1007 (ca. 1720) Prelude Allemande Courante Sarabande Menuet I—Menuet II Gigue

Cello Suite No. 6 in D Major, BWV 1012 (ca. 1720) Prelude Allemande Courante Sarabande Gavotte I—Gavotte II Gigue

JOHANN SEBASTIAN BACH

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

SUNDAY & MONDAY SERIES

Sunday, 6 p.m.

5 p.m. Pre-concert Talk: Composer Michael Seltenreich Women’s Board Room in the New Mexico Museum of Art

August 8 St. Francis Auditorium in the New Mexico Museum of Art

DAVID ROBERTSON, Conductor KIRILL GERSTEIN, Piano JACOB GREENBERG, Piano NATALIE VARGAS NEDVETSKY, Piano JENNIFER GILBERT, Violin LEILA JOSEFOWICZ, Violin PAUL NEUBAUER, Viola ERIC KIM, Cello TARA HELEN O’CONNOR, Flute JOSHUA SMITH, Flute LIANG WANG, Oboe

ROBERT INGLISS, English Horn* LAURA ARDAN, Clarinet TODD LEVY, Clarinet* TAYLOR EIFFERT, Bass Clarinet* CHRISTOPHER MILLARD, Bassoon LEWIS KIRK, Bassoon* GREGORY FLINT, Horn* PHILIP MYERS, Horn MATTHEW ERNST, Trumpet* JONATHAN RANDAZZO, Trombone*

MICHAEL SELTENREICH (b. 1988)

Sextet for Piano and Winds (2021; Festival Commission; World Premiere) I. Pushing ahead II. Stark and somber III. Light and flowing IV. Resolute Jacob Greenberg, Tara Helen O’Connor, Liang Wang, Laura Ardan, Christopher Millard, Philip Myers

ANTONÍN DVOŘÁK (1841–1904)

Piano Quartet in E-flat Major, Op. 87 (1889) Allegro con fuoco Lento Allegro moderato, grazioso Finale: Allegro ma non troppo Natalie Vargas Nedvetsky, Jennifer Gilbert, Paul Neubauer, Eric Kim INTERMISSION

ALBAN BERG Chamber Concerto for Piano and Violin with 13 Wind Instruments (1885–1935) (1923–25) Thema scherzoso con variazioni Adagio Rondo ritmico con introduzione Kirill Gerstein, Leila Josefowicz, David Robertson, Joshua Smith, Tara Helen O’Connor, Liang Wang, Robert Ingliss, Todd Levy, Laura Ardan, Taylor Eiffert, Christopher Millard, Lewis Kirk, Philip Myers, Gregory Flint, Matthew Ernst, Jonathan Randazzo

The Santa Fe Chamber Music Festival’s commissions of new works are supported, in part, by a generous grant from The Brown Foundation, Inc., of Houston.

*Santa Fe Opera artist

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Monday, 6 p.m.

August 9 St. Francis Auditorium in the New Mexico Museum of Art

SUNDAY & MONDAY SERIES 5 p.m. Pre-concert Talk: Composer Michael Seltenreich Women’s Board Room in the New Mexico Museum of Art

MICHAEL SELTENREICH (b. 1988)

Sextet for Piano and Winds (2021; Festival Commission) I. Pushing ahead II. Stark and somber III. Light and flowing IV. Resolute Jacob Greenberg, Tara Helen O’Connor, Liang Wang, Laura Ardan, Christopher Millard, Philip Myers

ANTONÍN DVOŘÁK (1841–1904)

The Santa Fe Chamber Music Festival’s commissions of new works are supported, in part, by a generous grant from The Brown Foundation, Inc., of Houston.

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

*Santa Fe Opera artist

MUSIC AT NOON

Tuesday, 12 p.m.

August 10

Generously sponsored by the Edgar Foster Daniels Foundation in memory of Edgar Foster Daniels

St. Francis Auditorium in the New Mexico Museum of Art

JACOB GREENBERG, Piano DANIEL DRUCKMAN, Percussion HARRISON BIRTWISTLE (b. 1934)

Intrada for Piano and Percussion (2017) Jacob Greenberg, Daniel Druckman

ROBERT SCHUMANN Blumenstück (Flower Piece), Op. 19 (1839) (1810–56) Jacob Greenberg WANG LU Constellations Apart (2021; World Premiere) (b. 1982) Jacob Greenberg CLAUDE DEBUSSY D’un cahier d’esquisses (From a Sketchbook), L. 99 (1903) (1862–1918) Jacob Greenberg GEORGE E. LEWIS Endless Shout (1994; rev. 2018) (b. 1952) Smashing Clusters The Slowest Drag Intercessions Doing the Hicty-Dicty Jacob Greenberg HUW WATKINS Seven Inventions for Marimba and Piano (2019; Festival (b. 1976) Co-Commission; US Premiere)◊ I. Allegro II. Lento ma non troppo III. Adagio IV. Allegro V. Moderato VI. Lento VII. Allegro vivace Daniel Druckman, Jacob Greenberg

◊ Huw Watkins’s Seven Inventions was commissioned by the East Neuk Festival; Wigmore Hall; the Great Music in Irish Houses festival, supported by the PRS Foundation’s Beyond Borders program; and the Santa Fe Chamber Music Festival. The Santa Fe Chamber Music Festival’s commissions of new works are supported, in part, by a generous grant from The Brown Foundation, Inc., of Houston.

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

WEDNESDAY SERIES

Wednesday, 6 p.m.

August 11 St. Francis Auditorium in the New Mexico Museum of Art

HK GRUBER, Chansonnier GUILLERMO FIGUEROA, Conductor and Violin JACOB GREENBERG, Piano JENNIFER GILBERT, Violin L. P. HOW, Violin and Viola DANIEL JORDAN, Violin* LEILA JOSEFOWICZ, Violin PAUL NEUBAUER, Viola THERESA RUDOLPH, Viola* TIMOTHY EDDY, Cello JOSEPH JOHNSON, Cello*

ERIC KIM, Cello MARK TATUM, Double Bass* TARA HELEN O’CONNOR, Flute LIANG WANG, Oboe LAURA ARDAN, Clarinet CHRISTOPHER MILLARD, Bassoon PHILIP MYERS, Horn MATTHEW ERNST, Trumpet* DANIEL DRUCKMAN, Percussion

BENJAMIN BRITTEN Phantasy Quartet (1932) (1913–76) Liang Wang, Guillermo Figueroa, Theresa Rudolph, Joseph Johnson HK GRUBER Frankenstein!! A Pan-demonium for Baritone Chansonnier and Ensemble (b. 1943) after Children’s Rhymes by H. C. Artmann (1979) Fanfare, Prologue I. a. Dedication b. Miss Dracula II. a. Goldfinger and Bond b. John Wayne c. Monster III. A Mi-Ma-Monsterlet IV. Fanfare, Intermezzo V. Frankenstein VI. Rat Song and Crusoe Song VII. Superman VIII. Finale a. The Green-haired Man b. Batman and Robin c. Monster in the Park d. Litany e. Hello, hello, Herr Frankenstein f. Grete Müller’s Adieu Fanfare, Epilogue HK Gruber, Guillermo Figueroa, L. P. How, Daniel Jordan, Theresa Rudolph, Joseph Johnson, Mark Tatum, Tara Helen O’Connor, Laura Ardan, Christopher Millard, Philip Myers, Matthew Ernst, Daniel Druckman, Jacob Greenberg INTERMISSION JOHANNES BRAHMS String Sextet in G Major, Op. 36 (1864–65) (1833–97) Allegro non troppo Scherzo: Allegro non troppo Adagio Poco allegro Jennifer Gilbert, Leila Josefowicz, Paul Neubauer, L. P. How, Eric Kim, Timothy Eddy 40

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

*Santa Fe Opera artist

MUSIC AT NOON

Thursday, 12 p.m.

Generously sponsored by the Edgar Foster Daniels Foundation in memory of Edgar Foster Daniels 1 p.m. Post-concert Talk: Composer Sean Shepherd St. Francis Auditorium in the New Mexico Museum of Art

HK GRUBER, Chansonnier KIRILL GERSTEIN, Piano

August 12 St. Francis Auditorium in the New Mexico Museum of Art

JOSHUA SMITH, Flute JACOB NISSLY, Percussion

SEAN SHEPHERD Old Instruments (2020–21; Festival Commission; World Premiere) (b. 1979) Righteous Order Ritual Meditation Cadence The Great Cycle Joshua Smith, Jacob Nissly KURT WEILL “Berlin im Licht” (1928) (1900–50) HANNS EISLER “Ballade von der Krüppelgarde” from Balladenbuch, Op. 18, No. 1 (1930) (1898–1962) HANNS EISLER “Bei der Kanone dort” (1943–59) HANNS EISLER “Bankenlied” (1931) HANNS EISLER “Ballade von der Wohltätigkeit” from Four Ballads, Op. 22, No. 2 (1928) HANNS EISLER “Ballade von den Säckeschmeißern” from Four Ballads, Op. 22, No. 4 (1930) KURT WEILL “Morgenchoral des Peachum” from The Threepenny Opera (1928) KURT WEILL “Lied von der Unzulänglichkeit menschlichen Strebens” from The Threepenny Opera (1928) KURT WEILL “Bilbao Song” from Happy End (1929) KURT WEILL “Matrosen Song” from Happy End (1929) KURT WEILL “Der Song von Mandelay” from Happy End (1929) KURT WEILL “Die Ballade von der Höllen-Lili” from Happy End (1929) HK Gruber, Kirill Gerstein The Santa Fe Chamber Music Festival’s commissions of new works are supported, in part, by a generous grant from The Brown Foundation, Inc., of Houston. Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Saturday, 5 p.m.

August 14

BACH PLUS

Generously sponsored by

St. Francis Auditorium in the New Mexico Museum of Art

KATHLEEN McINTOSH, Harpsichord L. P. HOW, Violin DANIEL JORDAN, Violin* DANIEL PHILLIPS, Violin THERESA RUDOLPH, Viola* JOSEPH JOHNSON, Cello* MARK TATUM, Double Bass* BART FELLER, Flute* TARA HELEN O’CONNOR, Flute LIANG WANG, Oboe ALESSANDRO MARCELLO Oboe Concerto in C Minor, SF 935 (1716) (1673–1747) Andante e spiccato Adagio Presto Liang Wang, L. P. How, Daniel Jordan, Theresa Rudolph, Joseph Johnson, Mark Tatum, Kathleen McIntosh CARL PHILIPP EMANUEL BACH Flute Concerto in D Minor, H. 426 (ca. 1747) (1714–88) Allegro Un poco andante Allegro di molto Tara Helen O’Connor, L. P. How, Daniel Jordan, Theresa Rudolph, Joseph Johnson, Mark Tatum, Kathleen McIntosh JOHANN SEBASTIAN BACH (1685–1750)

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Brandenburg Concerto No. 4 in G Major, BWV 1049 (ca. 1720) Allegro Andante Presto Daniel Phillips, Bart Feller, Tara Helen O’Connor, L. P. How, Daniel Jordan, Theresa Rudolph, Joseph Johnson, Mark Tatum, Kathleen McIntosh

*Santa Fe Opera artist

SUNDAY & MONDAY SERIES

Sunday & Monday, 6 p.m.

August 15 & 16 St. Francis Auditorium in the New Mexico Museum of Art

KATHERINE CHI, Piano KIRILL GERSTEIN, Piano HAOCHEN ZHANG, Piano ORION STRING QUARTET DANIEL PHILLIPS, Violin TODD PHILLIPS, Violin STEVEN TENENBOM, Viola TIMOTHY EDDY, Cello DANIEL DRUCKMAN, Percussion JACOB NISSLY, Percussion ROLF WALLIN Twine (1995) (b. 1957) Daniel Druckman, Jacob Nissly BÉLA BARTÓK (1881–1945)

Sonata for Two Pianos and Percussion, Sz. 110 (1937) Assai lento—Allegro molto Lento ma non troppo—Un poco più andante Allegro non troppo Kirill Gerstein, Katherine Chi, Daniel Druckman, Jacob Nissly

INTERMISSION ANTONÍN DVOŘÁK Piano Quintet in A Major, Op. 81 (1887) (1841–1904) Allegro ma non tanto Dumka: Andante con moto Scherzo (Furiant): Molto vivace Finale: Allegro Haochen Zhang, Orion String Quartet (Todd Phillips, Daniel Phillips, Steven Tenenbom, Timothy Eddy)

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

MUSIC AT NOON

Tuesday, 12 p.m.

August 17 St. Francis Auditorium in the New Mexico Museum of Art

This concert is dedicated to the memory of Lorlee and Arnold Tenenbaum

KIRILL GERSTEIN, Piano FRÉDÉRIC CHOPIN (1810–49)

Fantasy in F Minor, Op. 49 (1841)

CLAUDE DEBUSSY (1862–1918)

Complete Études for Piano (1915) Pour les cinq doigts, d’après Monsieur Czerny (For Five Fingers, after Mr. Czerny) Pour les tierces (For Thirds) Pour les quartes (For Fourths) Pour les sixtes (For Sixths) Pour les octaves (For Octaves) Pour les huit doigts (For Eight Fingers) Pour les degrés chromatiques (For Chromatic Intervals) Pour les agréments (For Ornaments) Pour les notes répétées (For Repeated Notes) Pour les sonorités opposées (For Opposing Sonorities) Pour les arpèges composés (For Composed Arpeggios) Pour les accords (For Chords)

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

MUSIC AT NOON

Wednesday, 12 p.m.

August 18

Generously sponsored by the Edgar Foster Daniels Foundation in memory of Edgar Foster Daniels

St. Francis Auditorium in the New Mexico Museum of Art

KATHERINE CHI, Piano ALEXINA LOUIE Put On Your Running Shoes (2003) (b. 1949) MAURICE RAVEL Menuet sur le nom d’Haydn (1909) (1875–1937) CLAUDE DEBUSSY (1862–1918)

Hommage à Haydn (1909)

SERGEI RACHMANINOFF (1873–1943)

Études-tableaux, Op. 39 (1916–17) No. 1 in C Minor: Allegro agitato No. 2 in A Minor: Lento assai No. 3 in F-sharp Minor: Allegro molto No. 4 in B Minor: Allegro assai No. 5 in E-flat Minor: Appassionato No. 6 in A Minor: Allegro No. 7 in C Minor: Lento lugubre No. 8 in D Minor: Allegro moderato No. 9 in D Major: Allegro moderato—Tempo di marcia

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

WEDNESDAY SERIES

Wednesday, 6 p.m.

August 18 St. Francis Auditorium in the New Mexico Museum of Art

KATHERINE CHI, Piano IDA KAVAFIAN, Violin ORION STRING QUARTET DANIEL PHILLIPS, Violin TODD PHILLIPS, Violin STEVEN TENENBOM, Viola TIMOTHY EDDY, Cello FRANZ JOSEPH HAYDN String Quartet in E-flat Major, Op. 71, No. 3 (1793) (1732–1809) Vivace Andante con moto Menuetto Finale: Vivace Orion String Quartet (Todd Phillips, Daniel Phillips, Steven Tenenbom, Timothy Eddy) BÉLA BARTÓK String Quartet No. 6, Sz. 114 (1939) (1881–1945) Mesto—Piu mosso, pesante—Vivace Mesto—Marcia Mesto—Burletta Mesto Orion String Quartet (Daniel Phillips, Todd Phillips, Steven Tenenbom, Timothy Eddy) INTERMISSION JOHANNES BRAHMS Piano Trio in C Major, Op. 87 (1882) (1833–97) Allegro Andante con moto Scherzo: Presto—Trio Finale: Allegro giocoso Katherine Chi, Ida Kavafian, Timothy Eddy

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Thursday, 12 p.m.

MUSIC AT NOON

August 19

Generously sponsored by the Edgar Foster Daniels Foundation in memory of Edgar Foster Daniels

St. Francis Auditorium in the New Mexico Museum of Art

DOVER QUARTET JOEL LINK, Violin BRYAN LEE, Violin MILENA PAJARO-VAN DE STADT, Viola CAMDEN SHAW, Cello String Quartet in C Minor, D. 703, Quartettsatz (1820)

FRANZ SCHUBERT (1797–1828) ARNOLD SCHOENBERG (1874–1951)

String Quartet in D Minor, Op. 7 (1904–05) Nicht zu rasch Kräftig Mäßig Mäßig—heiter

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Thursday, 6 p.m.

August 19 The Lensic Performing Arts Center

THURSDAY SERIES

5 p.m. Pre-concert Talk: Composer Marc Neikrug, Director and Designer Doug Fitch, and Lighting Designer Nicholas Houfek The Lensic Performing Arts Center

JENNIFER JOHNSON CANO, Mezzo-soprano KELLY MARKGRAF, Baritone DAVID SHIFRIN, Clarinet FLUX QUARTET TOM CHIU, Violin CONRAD HARRIS, Violin MAX MANDEL, Viola FELIX FAN, Cello DOUG FITCH, Director and Designer NICHOLAS HOUFEK, Lighting Designer

MARC NEIKRUG A Song by Mahler (2018; New Mexico Premiere) (b. 1946)

The production for Marc Neikrug’s A Song by Mahler, created by Doug Fitch in collaboration with lighting designer Nicholas Houfek, was commissioned by the Santa Fe Chamber Music Festival. The Santa Fe Chamber Music Festival’s commissions of new works are supported, in part, by a generous grant from The Brown Foundation, Inc., of Houston. The Santa Fe Chamber Music Festival thanks The Lensic Performing Arts Center for its support of our concerts.

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

INDIAN MARKET CONCERT

Friday, 6 p.m.

August 20 St. Francis Auditorium in the New Mexico Museum of Art

ROBERTO CAPOCCHI, Guitar EDUARDO SAINZ DE LA MAZA (1903–82) MANUEL DE FALLA (1876–1946)

Homenaje a Toulouse-Lautrec (1963)

Homenaje pour le tombeau de Claude Debussy, G. 56 (1920)

HEITOR VILLA-LOBOS Twelve Études for Guitar (1929) (1887–1959) No. 1: Allegro non troppo—arpejos No. 2: Allegro—arpejos No. 3: Allegro Moderato—arpejos No. 4: Un Peu Modere—acordes repetidos No. 5: Andantino No. 6: Poco Allegro No. 7: Tres Anime No. 8: Modere—Lent No. 9: Tres Peu Anima No. 10: Tres Anime—Vif No. 11: Lent—Piu Mosso—Anime No. 12: Anime—Piu Mosso Un Peu Plus Anime AGUSTÍN BARRIOS Vals, Op. 8, No 4 (Date unknown) (1885–1944)

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Saturday, 6 p.m.

August 21

BACH PLUS

Generously sponsored by

The Lensic Performing Arts Center

IDA KAVAFIAN, Violin STEVEN TENENBOM, Viola PETER WILEY, Cello JOHANN SEBASTIAN BACH Aria with 30 Variations, BWV 988, Goldberg Variations (arr. Dmitry (1685–1750) Sitkovetsky) (1741; arr. 1984) Aria Variation 1 Variation 2 Variation 3: Canon at the Unison Variation 4 Variation 5 Variation 6: Canon at the Second Variation 7: Al tempo di giga Variation 8 Variation 9: Canon at the Third Variation 10: Fughetta Variation 11 Variation 12: Canon at the Fourth Variation 13 Variation 14 Variation 15: Canon at the Fifth (Andante) Variation 16: Overture Variation 17 Variation 18: Canon at the Sixth Variation 19 Variation 20 Variation 21: Canon at the Seventh Variation 22: Alla breve Variation 23 Variation 24: Canon at the Octave Variation 25: Adagio Variation 26 Variation 27: Canon at the Ninth Variation 28 Variation 29 Variation 30: Quodlibet Aria da capo Due to the nature and necessary continuity of this magnificent piece, there will be no late seating. This 6 p.m. concert is expected to end at approximately 7:15–7:20 p.m. The Santa Fe Chamber Music Festival thanks The Lensic Performing Arts Center for its support of our concerts.

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

SUNDAY SERIES

Sunday, 6 p.m.

August 22 The Lensic Performing Arts Center

HAOCHEN ZHANG, Piano IDA KAVAFIAN, Violin STEVEN TENENBOM, Viola PETER WILEY, Cello DOVER QUARTET JOEL LINK, Violin BRYAN LEE, Violin MILENA PAJARO-VAN DE STADT, Viola CAMDEN SHAW, Cello ROBERT INGLISS, Oboe* DAVID SHIFRIN, Clarinet JULIA HARGUINDEY, Bassoon* GREGORY FLINT, Horn* LUDWIG VAN BEETHOVEN String Trio in D Major, Op. 9, No. 2 (1798) (1770–1827) Allegretto Andante quasi allegretto Menuetto Rondo Ida Kavafian, Steven Tenenbom, Peter Wiley LUDWIG VAN BEETHOVEN Quintet for Piano and Winds in E-flat Major, Op. 16 (1796) Grave—Allegro ma non troppo Andante cantabile Rondo: Allegro ma non troppo Haochen Zhang, Robert Ingliss, David Shifrin, Julia Harguindey, Gregory Flint INTERMISSION DMITRI SHOSTAKOVICH Piano Quintet in G Minor, Op. 57 (1940) (1906–75) Prelude: Lento Fugue: Adagio Scherzo: Allegretto Intermezzo: Lento Finale: Allegretto Haochen Zhang, Dover Quartet (Joel Link, Bryan Lee, Milena Pajaro-van de Stadt, Camden Shaw)

The Santa Fe Chamber Music Festival thanks The Lensic Performing Arts Center for its support of our concerts.

*Santa Fe Opera artist

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

MONDAY SERIES

Monday, 6 p.m.

August 23 The Lensic Performing Arts Center

IDA KAVAFIAN, Violin STEVEN TENENBOM, Viola PETER WILEY, Cello DOVER QUARTET JOEL LINK, Violin BRYAN LEE, Violin MILENA PAJARO-VAN DE STADT, Viola CAMDEN SHAW, Cello DAVID SHIFRIN, Clarinet FRANZ JOSEPH HAYDN String Quartet in D Minor, Op. 76, No. 2, Hob. III:76, Fifths (1797) (1732–1809) Allegro Andante o più tosto allegretto Menuetto: Allegro ma non troppo Vivace assai Dover Quartet (Joel Link, Bryan Lee, Milena Pajaro-van de Stadt, Camden Shaw) ERNST VON DOHNÁNYI Serenade in C Major, Op. 10 (1902) (1877–1960) Marcia: Allegro Romanza: Adagio non troppo, quasi andante Scherzo: Vivace Tema con variazioni: Andante con moto Rondo: Allegro vivace Ida Kavafian, Steven Tenenbom, Peter Wiley INTERMISSION CARL MARIA VON WEBER Clarinet Quintet in B-flat Major, Op. 34 (1811–15) (1786–1826) Allegro Fantasia: Adagio Menuetto Rondo: Allegro David Shifrin, Dover Quartet (Joel Link, Bryan Lee, Milena Pajaro-van de Stadt, Camden Shaw)

The Santa Fe Chamber Music Festival thanks The Lensic Performing Arts Center for its support of our concerts.

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

2021 Festival Artists For further details about the Festival’s artists, please visit SantaFeChamberMusic.com. Marc Neikrug (Festival Artistic Director/composer) has been Artistic Director of the Santa Fe Chamber Music Festival since 1998. His works have been performed by major orchestras, festivals, and opera houses throughout the world. Recent compositions include his Fourth Symphony, commissioned by the NDR Elbphilharmonie Orchestra, which will premiere the work in Hamburg in May 2022, and his Second Piano Quintet, commissioned by Music Accord for pianist Haochen Zhang and the Dover Quartet, who will premiere the work at The Kennedy Center in Washington, DC, in October 2021. Mr. Neikrug lives in Santa Fe with his wife, Dolly Naranjo, and they now have five grandchildren and one new addition, Atlas, their first great-grandchild.

Laura Ardan (clarinet) is principal clarinet of the Atlanta Symphony Orchestra, which she joined in 1982, and she’s been a featured soloist with the orchestra in works by Mozart, Weber, Debussy, Copland, Bernstein, Finzi, Rossini, Shaw, and Michael Gandolfi. She’s performed at several music festivals, including Tanglewood; Mostly Mozart; and the Aspen, Marlboro Music, and Santa Fe Chamber Music festivals. Ms. Ardan is a frequent guest of the Atlanta Chamber Players, Georgian Chamber Players, and Emory Chamber Music Society of Atlanta, and she regularly plays at the Bellingham Festival of Music in Washington and the Grand Teton Music Festival in Wyoming. She’s also appeared as a guest artist on the Great Performers series Emanuel Ax Invites... at Lincoln Center. Ms. Ardan attended The Juilliard School on scholarships from both Juilliard and the Walter W. Naumburg Foundation. Debra Ayers* (piano/celesta) is a founder and director of the Montage Music Society, which commissions and

performs music inspired by visual art, and she produces the Altazano Salon Series. She’s collaborated with the Abiquiú Chamber Music Festival; Albuquerque Chamber Soloists; Aspen Music Festival Chamber Players; American, Apple Hill, La Catrina, and Vega string quartets; Aspen Santa Fe Ballet; Breckenridge Music Festival; New Mexico Woodwind Quintet; Santa Fe Desert Chorale; and Taos Chamber Music Group as well as with Ballet Pro Musica’s Chamber Ballet, Denver’s annual JAAMM Festival, Chatter, and Serenata of Santa Fe. Ms. Ayers has premiered many works, and with cellist Marc Moskovitz, she gave the North American premiere of the rediscovered Zemlinsky Cello Sonata at the Library of Congress in Washington, DC. Ms. Ayers can also be heard on several critically acclaimed recordings.

Grace Browning* (harp) is principal harp of the Rochester Philharmonic Orchestra and The Santa Fe Opera Orchestra. She can be heard on Grammy Award–winning recordings by both ensembles: American Rapture and The (R)evolution of Steve Jobs, respectively. In 2014, she became principal harp of The Dallas Opera, and in 2018, she made her debut with The Metropolitan Opera. She’s performed with the Dallas Symphony Orchestra and The Philadelphia Orchestra, and she performed as guest principal harp on the Houston Symphony’s 2018 European Tour. Her festival appearances include Tanglewood, the Spoleto Festival USA, the Aspen Music Festival, the Pacific Music Festival, and the National Repertory Orchestra. She also collaborates with Chatter in Albuquerque and the Society for Chamber Music in Rochester. Ms. Browning has performed as a soloist with the Rochester Philharmonic Orchestra, Pacific Symphony, New World Symphony, and National Repertory Orchestra. Jennifer Johnson Cano (mezzo-soprano) has

performed at The Metropolitan Opera more than 100 times; her most recent roles include Nicklausse in Offenbach’s The Tales of Hoffmann, Emilia in Verdi’s Otello, Hansel in Humperdinck’s Hansel and Gretel, and Meg Page in Verdi’s Falstaff. Other recent engagements include singing Offred in Poul Ruders’s opera The Handmaid’s Tale with Boston Lyric Opera; a recital appearance with soprano Anna Netrebko at Carnegie Hall; and performing with the New York Philharmonic at the Bravo! Vail Music Festival, The Cleveland Orchestra at the Blossom Music Festival, tenor Matthew Polenzani at the Ravinia Festival, and the Los Angeles Philharmonic at the Hollywood Bowl. In the 2019–20 season, she performed at the San Francisco Symphony’s Opening Night Gala, led by Music Director Michael Tilson Thomas, and made her Opera Philadelphia debut singing Verdi’s Requiem. In 2014, Ms. Cano released her live and unedited debut recital recording, Unaffected: Live from the Savannah Voice Festival.

*Festival debut

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Roberto Capocchi (guitar) was born in Brazil, where he studied classical guitar with Henrique Pinto and Brazilian

jazz with Conrado Paulino. He later studied with Thomas Patterson at the University of Arizona and privately with Jorge Caballero. Mr. Capocchi has recorded three CDs of solo and chamber music. In Santa Fe, where he lives, he performs with the Santa Fe Opera Orchestra, Santa Fe Desert Chorale, Santa Fe Chamber Music Festival, New Mexico Performing Arts Society, and National Dance Institute; with Guitar New Mexico; and with other arts organizations.

Katherine Chi* (piano), one of Canada’s most sought-after pianists, has performed throughout Europe and North

America to great acclaim. After becoming a prizewinner at the 1998 Busoni International Piano Competition, she was named a laureate of the Honens International Piano Competition in 2000 and was the first woman and first Canadian to win that prestigious award. Ms. Chi has performed with The Philadelphia Orchestra; the Calgary Philharmonic Orchestra; the Alabama, Colorado, Columbus, Edmonton, Grand Rapids, Huntsville, Kitchener-Waterloo, Quebec, Thunder Bay, Toronto, Vancouver, Victoria, and Winnipeg symphony orchestras; the CBC Radio, Manitoba Chamber, and National Arts Centre orchestras; the Neue Philharmonie Westfalen; Symphony Nova Scotia; I Musici de Montréal; and Sinfonia Toronto. She’s appeared in recital at the Freer Gallery of Art in Washington, DC; performed Stockhausen’s Mantra with pianist Aleksandar Madžar at Boston’s Isabella Stewart Gardner Museum; and given a duo recital with pianist Ingrid Fliter in a return appearance at the Gilmore International Keyboard Festival.

Rohan De Silva (piano) has performed with the world’s leading violin virtuosos at recital venues around the world,

including Carnegie Hall and Lincoln Center’s Avery Fisher Hall and Alice Tully Hall in New York City; The Kennedy Center and the Library of Congress in Washington, DC; The Academy of Music in Philadelphia; the Ambassador Theatre in Los Angeles; the Concertgebouw in Amsterdam; the Mozarteum in Salzburg; Wigmore Hall in London; Suntory Hall in Tokyo; and La Scala in Milan. With Itzhak Perlman, he’s toured throughout the United States, Europe, and Asia and performed at The White House several times. He has an extensive discography, and his honors include a special prize as best accompanist at the Ninth International Tchaikovsky Competition in Moscow and the Samuel Sanders Collaborative Artist Award, which Mr. Perlman presented to him at The Classical Recording Foundation’s 2005 Awards Ceremony at Carnegie Hall. Mr. De Silva studied at the Royal Academy of Music and received his bachelor and master of music degrees from The Juilliard School, where’s he’s been a faculty member since 1991.

Brett Dean (viola/composer) was

a member of the Berlin Philharmonic’s viola section for 14 years and began composing during that time. In 2009, he won the Grawemeyer Award for Music Composition for his violin concerto The Lost Art of Letter Writing, and in 2016 he was awarded the Australian Council’s Don Banks Music Award. Mr. Dean’s second opera, Hamlet, premiered at the Glyndebourne Festival in 2017 and won a 2018 South Bank Sky Arts Award and International Opera Award. In February 2020, the Swedish Radio Symphony Orchestra premiered his piano concerto Gneixendorfer Musik—Eine Winterreise, written for and featuring Jonathan Biss. Additional recent and upcoming highlights include the German premiere of Hamlet at the Cologne Opera in November 2019, in a new production by librettist Matthew Jocelyn, and the US premiere at Hamlet at The Metropolitan Opera, scheduled for 2022. Mr. Dean serves as composer-in-residence for the London Philharmonic Orchestra and Orchestre National de Lyon and artist-inresidence for the Swedish Chamber Orchestra.

Stefan Dohr (horn) has served as principal horn of the Berlin Philharmonic since 1993. Previously, he held the same position with the Orchestre Philharmonique de Nice, Deutsche Symphonie-Orchester Berlin, and Bayreuth and Lucerne Festival Orchestras. In the 2019–20 season, he premiered a new horn concerto by Hans Abrahamsen with the Berlin Philharmonic and Paavo Järvi. He’ll perform the concerto again with the Orchestre Philharmonique de Radio France and Mikko Franck, Orquesta Sinfónica de Galicia and Dima Slobodeniouk, Tampere Philharmonic Orchestra and Kristiina Poska, and Seattle Symphony and Thomas Dausgaard. Further highlights include appearances with the Dresden Philharmonic and Cornelius Meister and the Strasbourg Philharmonic Orchestra and Aziz Shokakimov. Mr. Dohr has an extensive discography, and he’s a visiting professor at the Royal College of Music and the Sibelius Academy and a permanent faculty member at the Herbert von Karajan Academy and the Hochschule für Musik Hanns Eisler Berlin.

The Dover Quartet gained international acclaim after winning every prize at the 2013 Banff International String Quartet Competition. Additional honors include the Avery Fisher Career Grant, Chamber Music America’s Cleveland Quartet Award, top prizes at the Wigmore Hall International String Quartet Competition and the Fischoff National Chamber Music Competition, and Lincoln Center’s Hunt Family Award. In the 2020–21 season, they debuted with Berkeley’s Cal Performances and performed on their first-ever tour of Latin America, both of which occurred using virtual technology. In late 2020, Cedille Records released the first volume of their complete Beethoven String Quartet recordings. The Dover Quartet is the inaugural Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music, and they also hold residencies with The Kennedy Center, the Bienen School of Music at Northwestern University, the Amelia Island Chamber Music Festival, the Peoples’ Symphony Concerts in New York, and Artosphere.

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Daniel Druckman (percussion)

is the associate principal percussionist for the New York Philharmonic. He’s performed at festivals around the country, and he’s appeared as a soloist with the Los Angeles Philharmonic and American Composers Orchestra; on the New York Philharmonic’s Horizons and Sound ON series; on the San Francisco Symphony’s New and Unusual Music series; and in recital in New York, Los Angeles, San Francisco, and Tokyo. As a longtime member of the New York New Music Ensemble and Speculum Musicae, he’s premiered works by Milton Babbitt, Elliott Carter, Jacob Druckman, Oliver Knussen, Poul Ruders, and Charles Wuorinen, among many others. Recent performances include the US premiere of Steve Reich’s Quartet at Carnegie Hall and the world premiere of George Crumb’s Kronos-Kryptos with The Chamber Music Society of Lincoln Center. Mr. Druckman is a faculty member at The Juilliard School, where he’s chairman of the Percussion Department and director of the Juilliard Percussion Ensemble. His discography includes many solo recordings.

Timothy Eddy (cello) has

appeared in solo and chamber recitals throughout the country, and he’s performed as a concerto soloist with many ensembles, including the Dallas, Denver, Stamford, Jacksonville, and North Carolina symphony orchestras. He’s appeared at festivals such as Chamber Music Northwest, Domaine Forget, Ravinia’s Steans Music Institute, and the Marlboro Music Festival, Santa Fe Chamber Music Festival, Sarasota Music Festival, Heifetz International Music Institute, and La Jolla Music Society’s SummerFest. He regularly performs in duo recital with pianist Gilbert Kalish, and as cellist for the Orion String Quartet, he’s in residence with The Chamber Music Society of Lincoln Center. Mr. Eddy is a winner of national and international competitions, and he’s recorded on many record labels. He teaches at The Juilliard School and is professor emeritus at the State University of New York at Stony Brook.

Originally from Dallas, Texas, M. Taylor Eiffert* (bass clarinet) is currently second clarinet of the Winnipeg Symphony Orchestra. In the 2021 season, he also plays bass clarinet for The Santa Fe Opera Orchestra. Before joining the WSO, he was a freelance clarinetist and music educator in Los Angeles, California, where he frequently performed with the Debut Chamber Orchestra and the Santa Monica Symphony Orchestra. Mr. Eiffert was also the bass clarinet fellow for the Aspen Festival Orchestra during the 2015–17 seasons. He holds degrees from the University of Southern California and Northwestern University, where his primary teachers were Yehuda Gilad, Steve Cohen, and J. Lawrie Bloom.

Matthew Ernst* (trumpet) is principal trumpet of the Milwaukee Symphony Orchestra, appointed in 2016 by thenMusic Director Edo de Waart. Previously, he was principal trumpet of the Cincinnati Symphony Orchestra and Cincinnati Pops Orchestra, a member of the Louisiana Philharmonic Orchestra, and acting principal trumpet of the Virginia Symphony Orchestra. In the 2021 season, he serves as acting principal trumpet of The Santa Fe Opera Orchestra. Mr. Ernst held teaching positions at the Round Top Festival Institute, University of Virginia, University of New Orleans, and New Orleans Center for the Creative Arts. He and his wife, pianist Janna Ernst, tour extensively as a duo, giving performances and master classes around the country. Mr. Ernst pursued his bachelor of music degree at the University of Michigan, and in 2016, he received the school’s Emerging Artist Award. He earned master of music degrees in trumpet performance and wind conducting from Southern Methodist University. Mr. Ernst was also a fellow at the Tanglewood Music Center, and he attended the Pacific Music Festival and Brevard Music Center Summer Institute and Festival. Bart Feller (flute) is principal flute of the New Jersey Symphony Orchestra and The Santa Fe Opera Orchestra. He’s appeared with the New York Philharmonic, the Orpheus Chamber Orchestra, and The Chamber Music Society of Lincoln Center and at Bargemusic. Mr. Feller graduated from the Curtis Institute of Music and has given recitals and classes throughout the United States. Among the summer festivals he’s participated in are the Santa Fe and Napa Valley Chamber Music Festivals, Marlboro and Grand Teton Music Festivals, OK Mozart International Festival, and Colorado College Summer Music Festival. Mr. Feller is a professor of flute at Rutgers University’s Mason Gross School of the Arts, and he teaches in the Pre-College Division of The Juilliard School. His discography includes Elysian Fields, 20th-Century Duos, and Mozart Flute Quartets. Guillermo Figueroa (conductor/violin) is principal conductor of The Santa Fe Symphony Orchestra and Chorus

and music director of the Music in the Mountains Festival in Colorado and the Lynn Philharmonia in Florida. Previously, he was music director of the New Mexico and Puerto Rico Symphony Orchestras and concertmaster of the New York City Ballet Orchestra and the Orpheus Chamber Orchestra, of which he’s also a founding member. International appearances include, among others, the Toronto and Iceland Symphony Orchestras, National Symphony Orchestra of Mexico, and Orquesta Sinfónica Nacional de Chile. In the United States, he’s appeared with the Buffalo Philharmonic Orchestra; Detroit, New Jersey, Memphis, Phoenix, and Tucson symphony orchestras; and New York City Ballet Orchestra. Mr. Figueroa has premiered violin concertos that were written for him by Mario Davidovsky, Harold Farberman, Miguel del Aguila, and Ernesto Cordero. His recording of the latter work was nominated for a Latin Grammy Award.

*Festival debut

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Doug Fitch (director/designer) is a visual artist working in media such as architecture, opera, puppetry, sustenance, and design. He studied visual studies at Harvard University, cooking at La Varenne in Paris, and design at the Institut d’Architecture et d’Études Urbaines in Strasbourg. His productions include Ligeti’s Le Grand Macabre for the New York Philharmonic and, in a remounted production, Hamburg’s Elbphilharmonie; Janáček’s The Cunning Little Vixen for the New York Philharmonic; Puccini’s Turandot for The Santa Fe Opera; Humperdinck’s Hansel and Gretel for LA Opera; HK Gruber’s Gloria—A Pig Tale for The Metropolitan Museum of Art in collaboration with the New York Philharmonic and The Juilliard School; and Stravinsky’s L’Histoire du soldat for the Santa Fe Chamber Music Festival. Mr. Fitch is the co-creator, with Mimi Oka, of a series of multisensory experiences known as Orphic Feasts, which are featured in the book Orphic Fodder: Experiments in Dining. He’s also an architectural designer who’s designed homes and furniture for musicians such as Joshua Bell and Alan Gilbert, and he’s the author of the books Organs of Emotion and With Skin and Hair. Gregory Flint (horn) is an associate professor of horn at the University of Wisconsin-Milwaukee. He serves as

principal horn of the Elgin Symphony Orchestra and Joffrey Ballet Orchestra and is a member of The Santa Fe Opera Orchestra. He’s also the longtime first horn of the Chicago Jazz Orchestra. As a soloist, clinician, and chamber musician, he’s performed and given master classes throughout the United States and in Spain, Costa Rica, Brazil, Columbia, and Taiwan. As an orchestral musician, he’s performed with the Chicago, Milwaukee, Colorado, Honolulu, and Key West symphony orchestras and the Grant Park, Ravinia Festival, and Lyric Opera of Chicago orchestras. Mr. Flint has had several solo compositions written for him, and he’s performed numerous premieres with the Milwaukee-based new-music ensemble Present Music, with the Fulcrum Point New Music Project and Contemporary Chamber Players in Chicago, and on the Music from Almost Yesterday and Chamber Music Milwaukee series at UWM. The FLUX Quartet has performed worldwide, including at the Tate Modern in London with BBC Radio 3; the Park Avenue Armory and Carnegie Hall’s Zankel Hall in New York City; The Kennedy Center in Washington, DC; the Walker Art Center in Minneapolis; Mount Tremper Arts and EMPAC in New York State; LACMA in Los Angeles; and international festivals in Australia, Europe, and Asia. They recently recorded two full programs for the Concerts from the Library of Congress series, which can be viewed on the library’s website through June 2022. Featured premieres in 2021 include an interactive electroacoustic piece by Hans Tammen and Marc Neikrug’s chamber opera A Song by Mahler. Additionally, in the past year, FLUX released a live recording of the complete quartet output of Toshi Ichiyanagi, a leader of the Japanese avant-garde. The group’s extensive discography also includes recordings of the full string quartet catalog of Morton Feldman.

Recent highlights for Kirill Gerstein (piano) include premiering Thomas Larcher’s Piano Concerto with Karina Canellakis and the Netherlands Radio Philharmonic Orchestra at Amsterdam’s Royal Concertgebouw and recording the world premiere performance of Thomas Adès’s Concerto for Piano and Orchestra and a compendium of Mr. Adès’s works for piano. Accolades for those recordings include a 2021 International Classical Music Award, a 2020 Gramophone Award, and three Grammy Award nominations. His latest recording features Mozart’s Sonatas for Piano Four Hands with his longtime mentor, Ferenc Rados. Mr. Gerstein is on the faculty of the Kronberg Academy and a professor of piano at the Hochschule für Musik Hanns Eisler Berlin. His series of free online seminars called Kirill Gerstein Invites, which is hosted by the Kronberg Academy and features conversations with leading musicians, artists, and thinkers, is in its third season. Mr. Gerstein’s honors include first prize at the Arthur Rubinstein Competition, a Gilmore Young Artist Award, a Gilmore Artist Award, and an Avery Fisher Career Grant.

Alan Gilbert

(conductor/violin) is chief conductor of Hamburg’s NDR Elbphilharmonie Orchestra, conductor laureate of the Royal Stockholm Philharmonic Orchestra, and music director designate of the Royal Swedish Opera. Previously, he served as music director of the New York Philharmonic for eight years. During the COVID-19 lockdown, Mr. Gilbert led livestreamed concerts and hosted a popular series of Facebook Live chats with fellow conductors. In the 2019–20 season, he released recordings of Bruckner’s Seventh Symphony with the NDR Elbphilharmonie Orchestra and the complete Beethoven Piano Concertos with Inon Barnatan and the Academy of St. Martin in the Fields. In 2011, he became director of conducting and orchestral studies at The Juilliard School (a position he held until 2018) and the first holder of Juilliard’s William Schuman Chair in Musical Studies. Mr. Gilbert made his Metropolitan Opera debut in 2008 with John Adams’s Doctor Atomic, which, when released on DVD, won a Grammy Award. With the New York Philharmonic, he received Emmy Award nominations for two broadcasts on PBS’s Live from Lincoln Center.

Jennifer Gilbert (violin) is concertmaster of the Orchestre National de Lyon and enjoys an international career as a soloist and a chamber musician. She’s toured with the Academy of St. Martin in the Fields, and she’s collaborated with artists such as violinist Midori; pianists Leon Fleisher, Emanuel Ax, and Peter Serkin; and members of the Guarneri, Orion, and Juilliard string quartets. Dedicated to performing the works of American composers, she’s recorded John Harbison’s Due libri dei mottetti di Montale and Earl Kim’s Three Poems in French. Ms. Gilbert is a graduate of The Juilliard School, the Curtis Institute of Music, and Harvard University. 56

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Jacob Greenberg* (piano) is a longtime member of the International Contemporary Ensemble (ICE), and his solo concert series, Music at Close Range, shows his equal commitment to classics of the repertoire. He’s a leading pianist of modern song and has recorded and toured extensively with soprano Tony Arnold. Mr. Greenberg has played chamber music with the Australian Chamber Orchestra and the Chicago Symphony Orchestra’s MusicNOW ensemble, and he’s performed with the New York Philharmonic and Israel Philharmonic. Recent engagements include a guest performance of works of György Kurtág at the International Summer Courses in Darmstadt, Germany, under the composer’s guidance; a recital tour with flutist Claire Chase; Boulez’s Sur Incises with the Seattle Symphony; and solo and concerto appearances with ICE at Lincoln Center’s Mostly Mozart Festival. Mr. Greenberg is also a record producer who’s completed discs for major domestic and international labels, the host and producer of the podcast Intégrales, and a faculty member at the Tanglewood Music Center. HK Gruber (chansonnier/composer) has performed extensively as a chansonnier, most notably in his most popular work, Frankenstein!!, which he premiered with Sir Simon Rattle and the Royal Liverpool Philharmonic in 1978 and which has received more than 600 performances around the world. He’s also performed and recorded the works of Kurt Weill and Hanns Eisler as well as Schoenberg’s Pierrot lunaire and Sir Peter Maxwell Davies’s Eight Songs for a Mad King. His compositions have been performed by leading ensembles, including the Vienna, New York, and Berlin philharmonic orchestras, and at venues and events such as Carnegie Hall, the BBC Proms, and the Lucerne Festival. From 2009 to 2015, Mr. Gruber, who’s conducted many of the world’s major orchestras, served as composer/conductor for the BBC Philharmonic, and for the 2019–20 season, he was the Gewandhaus composer for the Leipzig Gewandhaus Orchestra. In 2002, he was awarded the Grand Austrian State Prize, his home country’s most prestigious cultural prize. William Hagen* (violin) won

third prize in the 2015 Queen Elisabeth Competition in Brussels. Recent performance highlights include recitals in Paris and Brussels and at the Ravinia Festival as well as engagements with the Brussels Chamber Orchestra in Beijing, Jupiter Chamber Players in New York City, Sacramento and Savannah philharmonic orchestras, and Fort Worth, Frankfurt Radio, North Carolina, Omaha, Oregon, Pasadena, San Francisco, Seattle, and Utah symphony orchestras. Mr. Hagen has appeared with cellist Steven Isserlis at London’s Wigmore Hall, violinist Tabea Zimmermann at the Beethovenhaus in Bonn, and Mr. Isserlis and violinists Gidon Kremer and Christian Tetzlaff at the Chamber Music Connects the World festival in Kronberg, Germany. He studied at the Colburn School and with Itzhak Perlman at The Juilliard School, and he’s an alumnus of the Verbier Festival Academy, Perlman Music Program, Aspen Music Festival and School, and Kronberg Academy.

Julia Harguindey (bassoon) joined the Nashville Symphony and The Santa Fe Opera Orchestra as principal

bassoon at the beginning of the 2016–17 season. She’s performed regularly with the Santa Fe Chamber Music Festival and as guest principal bassoon with numerous ensembles, including Les Violons du Roy, the Saint Paul Chamber Orchestra, and the Atlanta Symphony Orchestra. She was the first-prize winner in the woodwind category at the 2015 Prix d’Europe, the second-prize winner at the 2014 OSM Standard Life Competition, and a recipient of the 2012 and 2014 Sylva Gelber Music Foundation Award. After arriving in Montreal, Canada, in 1991, Ms. Harguindey, who was born in Argentina, studied at the Conservatoire de musique du Québec à Montréal and, later, at the Curtis Institute of Music in Philadelphia. Her teachers have included Daniel Matsukawa and Mathieu Harel.

Margaret Dyer Harris (viola) is assistant principal viola of The Santa Fe Opera Orchestra and a member of the New York City–based orchestra The Knights. She was a founding member of the Grammy-nominated chamber orchestra A Far Cry, and she’s performed with various other ensembles, such as ECCO and the Moscow, Orpheus, and Saint Paul chamber orchestras. Ms. Harris has appeared as guest principal viola with the Sarasota Orchestra, Santa Fe Opera Orchestra, Princeton Symphony Orchestra, Brooklyn Philharmonic, and Long Island Philharmonic. She’s been a guest artist and teacher at the Guildhall School of Music in London, Royal Conservatoire of Scotland, and Yellow Barn Young Artists Program, and she’s given master classes in Mexico City, Lima, Abu Dhabi, and cities across the United States. She was also a fellow in Carnegie Hall’s Ensemble Connect program and a guest artist in its Musical Connections program. Benjamin Hochman (piano) made his Carnegie Hall debut as a soloist with the Israel Philharmonic, led by

Pinchas Zukerman, and since then, he’s performed around the world with leading ensembles. In the 2021–22 season, he returns to Santa Fe Pro Musica to open their season, conducting Beethoven’s Symphony No. 5 and playing Mozart’s Concerto for Two Pianos with Anne-Marie McDermott, and he rejoins the Orlando Philharmonic Orchestra and Music Director Eric Jacobsen to perform Brahms’s Piano Concerto No. 1. Chamber music collaborations include Berlin performances with violinists Noah Bendix-Balgley and Viviane Hagner and violist Amihai Grosz, a recital with violinist Susie Park for the Schubert Club in Minnesota, and appearances at the Strings Music Festival in Colorado, The Stissing Center in New York, and Music Mountain in Connecticut. He also performs at the Tel Aviv Museum of Art and records music by Brahms, Robert Schumann, and Clara Schumann with violist Dov Scheindlin. Mr. Hochman serves on the piano faculty of the Bard College Conservatory of Music and is currently a research associate at Bard College Berlin.

*Festival debut

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Nicholas Houfek* (lighting designer) is a New York City–based lighting designer working in music, dance, and theater. Select projects and collaborators include Claire Chase’s Density 2036 and Anohni’s She Who Saw Beautiful Things at The Kitchen; Suzanne Farrin’s La Dolce Morte, directed by Doug Fitch, at The Metropolitan Museum of Art; The 39 Steps at the Olney Theatre Center; Tyshawn Sorey’s Perle Noire: Meditations for Joséphine, directed by Peter Sellars; George Lewis’s Soundlines, featuring Steve Schick and directed by Jim Findlay; Anna Thorvaldsdottir’s In the Light of Air; Ashley Fure’s The Force of Things; the International Contemporary Ensemble; the Ojai Music Festival; the Silk Road Ensemble; Natalie Merchant; and Maya Beiser. Mr. Houfek has designed for the Martha Graham Dance Company, the Cedar Lake Contemporary Ballet, and Ian Spencer Bell Dance. He’s an ensemble member of the International Contemporary Ensemble and a graduate of Boston University. L. P. How (violin/viola) has been a member of the Orpheus Chamber Orchestra since 1980 and frequently appears

with the conductorless group as concertmaster and soloist. He serves as concertmaster of the Sarasota Opera Orchestra, is regularly engaged as concertmaster of the Monterey Symphony, and is a former member of The Santa Fe Opera Orchestra. An active soloist and chamber musician, Mr. How has toured extensively throughout North and South America, Europe, and Asia with Orpheus and many other ensembles; appeared with The Chamber Music Society of Lincoln Center; and performed at the Caramoor, Spoleto, Lockenhaus, and Moab chamber music festivals. He’s appeared at the Santa Fe Chamber Music Festival every season since 2002.

Paul Huang (violin) is the recipient of the 2015 Avery Fisher Career Grant and the 2017 Lincoln Center Award for Emerging Artists. During the 2020–21 season, he opens the Nuremberg Symphony Orchestra’s season and appears with the Rotterdam Philharmonic Orchestra, led by Lahav Shani, and the National Symphony Orchestra of Taiwan, led by Tan Dun. Other highlights include engagements with the Brevard, Charlotte, Colorado, Des Moines, Eugene, Knoxville, Reading, and Tucson symphony orchestras. Recital and chamber music performances include return engagements with both The Chamber Music Society of Lincoln Center and Camerata Pacifica, a recital debut at the Savannah Music Festival with pianist Anne-Marie McDermott, a recital tour in Taiwan with pianist Helen Huang, and his debut at the Schubert Club in St. Paul, Minnesota. Robert Ingliss (oboe) is principal oboe of the New Jersey Symphony Orchestra and The Santa Fe Opera Orchestra.

He’s toured worldwide with the Orpheus Chamber Orchestra, appearing numerous times as soloist with that ensemble, and he’s been a member of An die Musik, Ensemble Sospeso, and the Cygnus Ensemble, Manhattan Sinfonietta, Aspen Wind Quintet, American Composers Orchestra, American Symphony Orchestra, and Riverside Symphony, among other ensembles. An avid proponent of contemporary music, Mr. Ingliss has premiered solo or chamber music works by Milton Babbitt, Elliott Carter, Marc-André Dalbavie, Jason Eckardt, and many other composers. His recording credits and performances on soundtracks for film and television are as varied as they are numerous. He’s taught at the Brooklyn College Conservatory, Columbia University, Sarah Lawrence College, SUNY Purchase, and the University of New Mexico.

Joseph Johnson (cello) is principal cello of the Toronto Symphony Orchestra and The Santa Fe Opera Orchestra. Recent solo performances include Dvořák’s Cello Concerto with the Toronto Symphony Orchestra and Tchaikovsky’s Rococo Variations with the Etobicoke Philharmonic Orchestra. A champion of new music, Mr. Johnson has given the Canadian premieres of Unsuk Chin’s Cello Concerto with the Esprit Orchestra and Miguel del Aguila’s Concierto en Tango with the Toronto Symphony Orchestra as well as the North American premieres of Péter Eötvös’s Cello Concerto Grosso with the Toronto Symphony Orchestra and Marc-André Dalbavie’s Cello Concerto with the Esprit Orchestra. As a chamber musician, Mr. Johnson appears in recitals and concerts across North America and around the world. He’s also an assistant professor of cello at the University of Toronto, the cello coach for the Toronto Symphony Youth Orchestra, and a coach and teacher at the New World Symphony orchestral academy in Miami Beach. Daniel Jordan (violin) is concertmaster of the Sarasota Orchestra and principal second violin of The Santa Fe Opera

Orchestra. He was a member of the New World Symphony, and he’s been concertmaster of the Waterbury Symphony Orchestra, Spoleto Festival USA Orchestra, and Erie Philharmonic. He’s also performed with the St. Louis Symphony Orchestra, Naples Philharmonic, and Florida Orchestra. Previously, he spent summers serving as concertmaster of the National Repertory Orchestra and assistant concertmaster of the Colorado Music Festival Orchestra, and as a member of the Sun Valley Summer Symphony. Mr. Jordan received his bachelor’s and master’s degrees from the Cleveland Institute of Music, where he studied with Donald Weilerstein and David Updegraff.

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

*Festival debut

Leila Josefowicz* (violin) recently opened the London Symphony Orchestra’s season with Sir Simon Rattle, returned to the San Francisco Symphony with Esa-Pekka Salonen to play his Violin Concerto, and performed with the Los Angeles Philharmonic, Chicago and Cincinnatti Symphony Orchestras, Cleveland Orchestra, and Philadelphia Orchestra. She’s premiered many concertos, including ones written for her by Colin Matthews, Steven Mackey, and Mr. Salonen. Recent premieres include John Adams’s Scheherazade.2—Dramatic Symphony for Violin and Orchestra with Alan Gilbert and the New York Philharmonic and Luca Francesconi’s Duende—The Dark Notes with Susanna Mälkki and the Swedish Radio Symphony Orchestra. Ms. Josefowicz enjoyed a close working relationship with the late conductor and composer Oliver Knussen, having performed various concertos, including his Violin Concerto, together more than 30 times. Her honors include the 2018 Avery Fisher Prize and a 2008 MacArthur Fellowship. In 2019, Ida Kavafian (violin) completed her 35-year tenure as artistic director of the Music from Angel Fire chamber music festival in New Mexico. A frequent artist of The Chamber Music Society of Lincoln Center for more than 40 years and the former violinist of the renowned Beaux Arts Trio, Ms. Kavafian currently performs as a soloist; in recital with her sister, violinist Ani Kavafian; as a guest with distinguished ensembles; and as a faculty member at the Curtis Institute of Music. She’s premiered many new works, and she’s the founder of the Bravo! Vail Music Festival in Colorado and the co-founder of the ensembles TASHI, OPUS ONE, and Trio Valtorna. She holds the Nina von Maltzahn Chair in Violin Studies at Curtis, where she was awarded the Lindback Award for Distinguished Teaching. Ms. Kavafian also breeds, trains, and shows prizewinning Hungarian vizsla dogs.

Benny Kim (violin) is first violinist for the Miami String Quartet and is known for his versatility as a soloist, chamber musician, and teacher. Engagements include recital appearances at the 92nd Street Y in New York City and The Kennedy Center in Washington, DC; festival appearances in Santa Fe, Savannah, and Angel Fire; and concertos with the Chicago, Boston, and St. Louis symphony orchestras. Mr. Kim is an associate professor at the University of MissouriKansas City Conservatory, and he appears on several recordings.

Eric Kim (cello) made his solo debut at age 15 with the Chicago Symphony Orchestra. Since then, he’s served as principal cello of, and been a featured soloist with, the Cincinnati, Denver, and San Diego symphony orchestras. In 2009, he joined the faculty of the Jacobs School of Music at Indiana University. An active chamber musician, he’s performed with such artists as pianists Emanuel Ax, Yefim Bronfman, and Stephen Hough; violinists Joshua Bell and Jaime Laredo; mezzo-soprano Susan Graham; and cellist Lynn Harrell. Mr. Kim has also toured Europe, South America, and Israel as a member of the Pinchas Zukerman and Friends chamber ensemble.

Lewis Kirk (contrabassoon) is a member of the orchestras of the Lyric Opera of Chicago and Santa Fe Opera, playing bassoon and contrabassoon. He performs regularly at the Bach Week Festival in Evanston, Illinois, and with the Music of the Baroque chorus and orchestra and the Chicago Philharmonic. His music studies were at the Peabody Conservatory in Baltimore and the Manhattan School of Music in New York City. Mr. Kirk is a former member of the Städtischen Orchester of Bremerhaven, Germany, and the New Orleans Symphony. He’s recorded music of Villa-Lobos, Badings, and Ned Rorem, and his original compositions are published by Prairie Dawg Press. Mr. Kirk is a lecturer on bassoon at the Chicago College of Performing Arts at Roosevelt University.

Mark Kosower (cello) is principal cello of The Cleveland Orchestra. He’s performed as a soloist with many of the

world’s leading conductors, and he’s appeared with the Orchestre de Paris; Florida and Minnesota Orchestras; Hong Kong and Rotterdam Philharmonic Orchestras; and Bamberg, China National, Detroit, Houston, Milwaukee, North Carolina, Oregon, Phoenix, and Seattle symphony orchestras. Festival appearances include the Santa Fe and North Shore Chamber Music Festivals and the Aspen, Pacific, and Ravinia music festivals. During the coronavirus pandemic, as part of his ongoing Bach for Humanity initiative, Mr. Kosower gave two livestreamed performances of the complete Bach Cello Suites from Trinity Cathedral in Cleveland to raise money for COVID-19 victims. Mr. Kosower teaches master classes at Hidden Valley Music Seminars in Carmel Valley, California, every summer, and he works with students in lessons and master classes with, among others, the New World Symphony fellowship program, Carnegie Hall’s NYO-USA program, the Shanghai Orchestra Academy, and the Baccarelli Institute in São Paulo. His discography includes recordings on several labels. Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Scott Lee (viola) won the 1996 Concert Artists Guild Competition and was the youngest winner in that competition’s history. He also won first prize in both violin and viola in the Taiwan National Instrumental Competition, and he was a top-prize winner in the Lionel Tertis International Viola Competition, Primrose International Viola Competition, and Corpus Christi Young Artists Competition. His engagements include Musicians from Marlboro; the Santa Fe Chamber Music Festival, Marlboro and Newport Music Festivals, and La Jolla Music Society’s SummerFest; the Isabella Stewart Gardner Museum in Boston; the National Concert Hall in Taiwan; and Bargemusic, The Chamber Music Society of Lincoln Center, Merkin Concert Hall, Carnegie Hall’s Weill Recital Hall, Alice Tully Hall, and The Metropolitan Museum of Art in New York City. Mr. Lee is a faculty member at the University of Missouri-Kansas City Conservatory and the Idyllwild Chamber Music Festival and Workshop in California. Todd Levy (clarinet) is principal clarinet of the Milwaukee Symphony Orchestra and The Santa Fe Opera Orchestra.

He’s performed as a soloist at Carnegie Hall and the Mostly Mozart Festival in New York City and at the White House in Washington, DC. As a chamber musician, he’s appeared with members of the Guarneri, Juilliard, Orion, Miró, and Miami string quartets and at festivals such as the Santa Fe Chamber Music Festival and Marlboro Music Festival. He’s served as guest principal clarinet for the Chicago Symphony Orchestra, Philadelphia Orchestra, New York Philharmonic, and Metropolitan Opera Orchestra, and he’s premiered works by John Harbison, Joan Tower, Peter Schickele, Paquito D’Rivera, Morton Subotnick, and Marc Neikrug. Mr. Levy is a four-time Grammy Award winner with an extensive discography. He serves on the faculties of the University of Wisconsin-Milwaukee and the Chicago College of Performing Arts at Roosevelt University.

Cecile Licad (piano) is considered the foremost Philippine pianist of our time. She began her piano studies at the age of three, made her debut as an orchestral soloist in Manila at the age of seven, and was admitted to the Curtis Institute of Music at the age of twelve. In 1981, she won the gold medal at the Leventritt Competition, and since then, she’s been a soloist with most of the world’s leading orchestras, including the Boston, Chicago, London, and National Symphony Orchestras; the Cleveland and Philadelphia Orchestras; the New York Philharmonic; and the major orchestras of Germany, Japan, and Russia. As a chamber artist, she’s appeared with some of the most celebrated instrumentalists of our time, and she’s collaborated with several leading string quartets. Her recording of Chopin’s Piano Concerto No. 2 with André Previn and the London Philharmonic Orchestra won the Grand Prix du Disque Frédéric Chopin. Kelly Markgraf (baritone) performs music from the Baroque era to the present day. He created the roles of Paul Jobs in Mason Bates’s opera The (R)evolution of Steve Jobs, which premiered at The Santa Fe Opera and won a 2019 Grammy Award for Best Opera Recording; Hannah before in Laura Kaminsky’s transgender opera As One; and Ring Lardner in Joel Puckett’s The Fix at Minnesota Opera. He’s also performed with leading symphony orchestras, such as the New York Philharmonic, Los Angeles Philharmonic, Boston Symphony Orchestra, and San Francisco Symphony. His discography includes world-premiere recordings of John Harbison’s Requiem, Ricky Ian Gordon’s The Grapes of Wrath, and Carlisle Floyd’s Wuthering Heights as well as two albums of chamber music from Music@Menlo. A frequent chamber music collaborator, he’s appeared at Alice Tully Hall with pianist Wu Han and The Chamber Music Society of Lincoln Center and at OK Mozart, Chamber Music Northwest, and the Santa Fe Chamber Music Festival. Kathleen McIntosh (harpsichord) has been a Santa Fe Chamber Music Festival artist since 1996. She’s performed at festivals in the United States, Cuba, Japan, Peru, Spain, and Germany, and she’s appeared as a soloist with chamber orchestras in Russia, Vietnam, and many places in between. As a teacher, Ms. McIntosh regularly travels to Havana, Lima, and Opole (Poland). She’s premiered works by Melinda Wagner, Leo Brower, John Steinmetz, Carl Mansker, and many other composers, and she’s performed in New Mexico, where she lives, with Chatter, Severall Friends, the New Mexico Philharmonic, the Santa Fe Symphony, and many chamber ensembles.

Leigh Mesh (double bass) is associate principal bass of the Metropolitan Opera Orchestra. He’s a graduate of the Curtis Institute of Music and has taught master classes at the Cincinnati Conservatory, Juilliard School, Manhattan School of Music, and New World Symphony orchestral academy in Miami Beach. He’s performed regularly at the Verbier Festival and with the Met Chamber Ensemble, Caramoor Virtuosi, and Brentano and Tokyo String Quartets.

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

For more than 30 years, the Miami String Quartet has been one of America’s top-rank chamber music ensembles. Highlights of recent seasons include performances at the 92nd Street Y and Alice Tully Hall in New York City; The Kennedy Center in Washington, DC; and venues in cities such as Amsterdam, Hong Kong, Lausanne, and Paris. The group has served as quartet-in-residence at the Hugh A. Glauser School of Music at Kent State University since 2004, and they’ve appeared at Chamber Music Northwest and the Ravinia, Mostly Mozart, Kent Blossom Music, and Santa Fe Chamber Music festivals. They’ve commissioned and premiered works by Bruce Adolphe, Ricky Ian Gordon, Annie Gosfield, Philip Maneval, Roberto Sierra, Robert Starer, Augusta Read Thomas, Joan Tower, Pēteris Vasks, and Ellen Taaffe Zwilich. Their honors include Chamber Music America’s Cleveland Quartet Award and Grand Prize at the Fischoff National Chamber Music Competition.

Christopher Millard (bassoon) joined the National Arts Centre Orchestra as principal bassoon in 2004 after 28 years with the Vancouver Symphony Orchestra and CBC Radio Orchestra. He also serves as principal bassoon for the Grand Teton Music Festival Orchestra, and he’s performed on five concert tours with conductor Valery Gergiev and the World Orchestra for Peace. He served on the faculty of Northwestern University until 2014, and for 20 years he was the bassoon professor for Canada’s National Youth Orchestra. He continues to give master classes at leading music schools, including Rice University, Indiana University, and the Curtis Institute of Music, Manhattan School of Music, Mannes School of Music, Orchestre de la francophonie, and National Orchestral Institute. He has an extensive discography, and his recording of Jacques Hétu’s Bassoon Concerto won a 2004 Juno Award. Mr. Millard is also a skilled woodwind technician and a recognized authority on the acoustics of reed making. Ricardo Morales (clarinet) joined The Philadelphia Orchestra as principal clarinet in 2003. Previously, he served as principal clarinet of the Metropolitan Opera Orchestra. He’s performed as principal clarinet with the New York Philharmonic and Chicago Symphony Orchestra and as guest principal clarinet with the Berlin Philharmonic. He also performs as principal clarinet with the Saito Kinen Orchestra and Mito Chamber Orchestra. Mr. Morales has been a featured soloist with orchestras around the world. As a chamber musician, he’s performed on the Met Chamber Ensemble series in Carnegie Hall’s Weill Recital Hall; at the Seattle Chamber Music Society Summer Festival and the Saratoga and Santa Fe Chamber Music Festivals; with the Philadelphia Chamber Music Society and The Chamber Music Society of Lincoln Center; and on NBC’s The Today Show. He’s also performed with the Juilliard and Leipzig String Quartets, Pacifica and Miró Quartets, and Kalichstein-Laredo-Robinson Trio. His recording with the Pacifica Quartet was nominated for a Latin Grammy Award. Mr. Morales serves on the faculty of Temple University. Philip Myers (horn) joined the New York Philharmonic as principal French horn in January 1980, and he retired from the orchestra in 2017. He made his solo debut during his first month with the Philharmonic in the world premiere of William Schuman’s Three Colloquies for Horn and Orchestra, and he appeared as a soloist annually during his 37-year tenure. Mr. Myers began his orchestral career in 1971 with a three-year term as principal horn of the Atlantic Symphony Orchestra in Halifax, Nova Scotia, and he went on to serve as third horn for the Pittsburgh Symphony Orchestra and principal horn for the Minnesota Orchestra. He earned two degrees from Carnegie Mellon University in Pittsburgh, and he’s currently working on a book about the performance of horn parts in Beethoven’s nine symphonies. Natalie Vargas Nedvetsky* (piano) is dedicated to the intertwining of words and music through creative mediums. Originally from Chicago, she studied piano performance at The Juilliard School and creative writing at Columbia University, both in New York City, and she’s currently pursuing her master of music degree at the Peabody Institute at Johns Hopkins University in Baltimore. She’s a laureate of several major international piano competitions, and she’s performed across the United States and Europe in venues such as Carnegie Hall and Alice Tully Hall in New York City and the Concert Noble in Brussels. Ms. Vargas Nedvetsky is also the founder and artistic director of the Literary Music Series, a performing arts organization that champions the intertwining of art forms through livestreamed weekly performances and discussions and promotes their integration into the way we think and live our lives. Additionally, she’s the author of the weekly newsletter Literary Thoughts and the poetry collection I Quiet the World. Paul Neubauer (viola) recently made his Chicago Symphony Orchestra subscription debut and Mariinsky Orchestra

debut, and he also gave the US premiere of a newly discovered Impromptu for Viola and Piano by Shostakovich with pianist Wu Han. When he was 21 years old, he was appointed principal viola of the New York Philharmonic, and he held that position for six years. He’s appeared as a soloist with more than 100 ensembles, and he’s premiered viola concertos by Béla Bartók (a revised version of the Viola Concerto), Reinhold Glière, Gordon Jacob, Henri Lazarof, Robert Suter, Joel Phillip Friedman, Aaron Jay Kernis, Detlev Müller-Siemens, David Ott, Krzysztof Penderecki, Tobias Picker, and Joan Tower. Mr. Neubauer appears with The Chamber Music Society of Lincoln Center and performs as a member of the trio SPA with soprano Susanna Phillips and pianist Anne-Marie McDermott. He’s recorded on numerous record labels and has received two Grammy Award nominations. Mr. Neubauer is artistic director of the Mostly Music series in New Jersey and a faculty member at The Juilliard School and Mannes School of Music.

*Festival debut

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Jacob Nissly* (percussion) is the principal percussionist for the San Francisco Symphony. Previously, he was the

principal percussionist for The Cleveland Orchestra and the Detroit Symphony Orchestra and a fellow at the New World Symphony. Mr. Nissly is the co-chair of the Percussion Department at the San Francisco Conservatory of Music, and he teaches at the Aspen Music Festival and School. In October 2019, he premiered Adam Schoenberg’s percussion concerto Losing Earth with the San Francisco Symphony. Mr. Nissly received bachelor’s degrees in music performance and jazz studies from Northwestern University and his master of music degree from The Juilliard School.

Tara Helen O’Connor (flute) is an Avery Fisher Career Grant recipient, a two-time Grammy Award nominee,

a season artist of The Chamber Music Society of Lincoln Center, and a Wm. S. Haynes Flute Artist. She’s premiered hundreds of new works and is a frequent performer at numerous festivals, including Music@Menlo; Music from Angel Fire; Chamber Music Northwest; and the Santa Fe Chamber Music Festival, Spoleto Festival USA, and Bravo! Vail Music Festival. Ms. O’Connor is a member of the woodwind quintet Windscape and the Bach Aria Group, and she’s a founding member of the Naumburg Award–winning New Millennium Ensemble. She’s on the faculties of the SUNY Purchase Conservatory of Music, Bard College Conservatory of Music, and Manhattan School of Music, and she’s a visiting artist, teacher, and coach at The Royal Conservatory in Toronto. In 2020, Ms. O’Connor was named co-artistic director of Music from Angel Fire with her husband, violinist Daniel Phillips.

The Orion String Quartet is one of the world’s leading chamber music ensembles. They serve as artist members of The Chamber Music Society of Lincoln Center, and for 27 years they were the quartet-in-residence at the Mannes School of Music. They’ve commissioned works by Chick Corea, David Del Tredici, Alexander Goehr, John Harbison, Leon Kirchner, Thierry Lancino, Lowell Liebermann, Peter Lieberson, Wynton Marsalis, and Marc Neikrug, and their past and present collaborators include Pablo Casals, Sir András Schiff, Rudolf Serkin, Peter Serkin, Isaac Stern, Pinchas Zukerman, members of TASHI and the Beaux Arts Trio, and the Budapest, Végh, Galimir, and Guarneri string quartets. During the 2019–20 season, they appeared with The Chamber Music Society of Lincoln Center; Chamber Music Pittsburgh, on a program that included Sebastian Currier’s Études and Lullabies, which they premiered in 2018; and the Philadelphia Chamber Music Society with violist Kim Kashkashian and cellist Marcy Rosen.

Amy Oshiro-Morales* (violin) joined The Philadelphia Orchestra’s second violin section in January 2008. Previously, she served as assistant concertmaster of the St. Louis Symphony Orchestra, associate concertmaster of the Colorado Symphony, and assistant concertmaster of the Grant Park Orchestra. She’s performed as a guest musician with the New York Philharmonic; appeared as a soloist with the St. Louis Symphony Orchestra, Napa Valley Symphony, Minnesota Sinfonia, and other ensembles; and collaborated with such artists as violinists Vadim Repin and Gil Shaham, cellist Alban Gerhardt, and classical guitarist Jason Vieaux. During the summer months, Ms. Oshiro-Morales has been a guest artist at the Sun Valley Music Festival in Idaho, Cactus Pear Music Festival in Texas, Grand Teton Music Festival in Wyoming, National Orchestral Institute and Festival in Maryland, and Innsbrook Institute in Missouri. Daniel Phillips (violin) is a founding member of the Orion String Quartet, which, for 27 years, was the quartet-

in-residence at the Mannes School of Music in New York City and continues to perform regularly with The Chamber Music Society of Lincoln Center. Mr. Phillips has appeared as a soloist with many ensembles, including the Boston, Houston, and Pittsburgh symphony orchestras, and his festival appearances include Chamber Music Northwest, the Spoleto Festival USA, and the Chesapeake Music Festival. He’s performed at the Santa Fe Chamber Music Festival every season since 1979, and he’s participated in the International Musicians Seminar in Cornwall, England, since its inception. His faculty appointments include Mannes and the Aaron Copland School of Music at Queens College, Bard College Conservatory of Music, and Juilliard School as well as the summer faculties of the Heifetz International Music Institute and the St. Lawrence String Quartet Chamber Music Seminar at Stanford. In 2020, Mr. Phillips was named co-artistic director of Music from Angel Fire with his wife, flutist Tara Helen O’Connor.

Jonathan Randazzo* (trombone) was appointed assistant principal trombone of the North Carolina Symphony

in October 2010, while he was pursuing his bachelor of music degree at the New England Conservatory. In August 2017, he was appointed second trombone of The Santa Fe Opera Orchestra, and for the 2021 season, he’s serving as acting principal trombone. Mr. Randazzo is an adjunct trombone professor at NC State University, and he’s in high demand as a private trombone instructor. Over the past several years, he’s been hired as a guest artist-clinician at DePaul University, the University of North Carolina School of the Arts, East Carolina University, Gardner-Webb University, and Appalachian State University. He’s also a founding member of the Santa Fe Trombone Summit, an educational trombone workshop featuring master classes, sectionals, quartet coachings, and performances.

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

*Festival debut

David Robertson* (conductor) has served in numerous artistic leadership positions, including chief conductor

and artistic director of the Sydney Symphony Orchestra and, in a transformative 13-year tenure, music director of the St. Louis Symphony Orchestra. He enjoys a rich and enduring collaboration with the New York Philharmonic, and in the Americas, he conducts other noted ensembles such as the Cincinnati, Dallas, Houston, Montreal, National, Pittsburgh, and São Paulo symphony orchestras. Mr. Robertson continues to build upon his deep conducting relationship with The Metropolitan Opera, which has included leading the orchestra in James Robinson’s premiere production of Gershwin’s Porgy and Bess and the premiere of Phelim McDermott’s production of Mozart’s Così fan tutte. Mr. Robertson conducts at the world’s most prestigious opera houses, including La Scala, Teatro dell’Opera di Roma, Théâtre du Châtelet, and the San Francisco and Santa Fe Operas. Since 2018, he’s served as director of conducting studies, distinguished visiting faculty, of The Juilliard School.

Keith Robinson (cello) is a founding member of the Miami String Quartet. He’s made solo appearances with ensembles such as the American Sinfonietta, New World Symphony, and Miami Chamber Symphony, and he regularly appears at festivals such as Music from Angel Fire; the Santa Fe Chamber Music Festival; the Virginia Arts Festival; and the Kent Blossom, Bravo! Vail, and Savannah music festivals. Recent highlights include performances in New York City at Lincoln Center’s Alice Tully Hall and in Boston, Indianapolis, Los Angeles, New Orleans, Philadelphia, St. Paul, San Francisco, and Seattle. International highlights include appearances in Bern, Cologne, Hong Kong, Istanbul, Lausanne, Mexico City, Montreal, Paris, Rio de Janeiro, Taipei, and Vancouver. Mr. Robinson is a faculty member and performer at Music@Menlo, and he regularly appears with The Chamber Music Society of Lincoln Center. CarlaMaria Rodrigues (viola) has

been principal viola of the San Francisco Opera Orchestra since 1996. Chamber music activities have taken her around the world with such artists as Yehudi Menuhin, Hephzibah Menuhin, Rudolf Serkin, and Pinchas Zukerman. She’s toured in Europe, South America, Israel, and Australia as a member of the Pinchas Zukerman and Friends chamber ensemble, and she’s been an active participant at the Sangat and Santa Fe Chamber Music Festivals; Marlboro, Savannah, and Schleswig-Holstein music festivals; Aldeburgh, Gstaad Menuhin, and Mecklenburg-Vorpommern festivals; and IMS Prussia Cove, among other festivals. Ms. Rodrigues has been a regular guest instructor at the Jerusalem Music Centre, an adjunct professor of viola at the UCLA Herb Alpert School of Music, and a guest faculty artist at the Aspen Music Festival and School. In 2018, she began her association as a lecturer with the Europe-based EUphony, a cooperative project of chamber music and orchestral training.

Theresa Rudolph (viola) is assistant principal viola of the Toronto Symphony Orchestra and a member of The Santa Fe Opera Orchestra. She began her orchestral career at age 21, as the youngest member of the Detroit Symphony Orchestra, and she’s performed with the Vancouver Symphony Orchestra and The Cleveland Orchestra. Her chamber music appearances include the Vancouver and Great Lakes Chamber Music Festivals, Ottawa Chamberfest, and New Music Detroit; she also regularly performs as a member of the TSO Chamber Soloists and has been featured on CBC/ Radio-Canada. Ms. Rudolph serves on the faculty of the University of Toronto, and she’s the viola coach for the Toronto Symphony Youth Orchestra. She earned her bachelor of music degree from the Cleveland Institute of Music. While studying at CIM, she toured and recorded with the Musicians from Ravinia’s Steans Music Institute, was a prizewinner at the Fischoff National Chamber Music Competition, and performed at Carnegie Hall. David Shifrin (clarinet) is one of only three wind players to have been awarded the Avery Fisher Prize. He’s appeared

with the Philadelphia and Minnesota Orchestras and the Dallas, Detroit, Houston, Milwaukee, and Seattle symphony orchestras, among many other ensembles, and served as principal clarinet of the Cleveland Orchestra; American, Dallas, and Honolulu symphony orchestras; Los Angeles Chamber Orchestra; and New York Chamber Symphony. As a recitalist, he’s performed at such venues as the Library of Congress in Washington, DC, and Alice Tully Hall, the 92nd Street Y, and Carnegie Hall’s Weill Recital Hall and Zankel Hall in New York City. He served as artistic director of The Chamber Music Society of Lincoln Center from 1992 to 2004 and Chamber Music Northwest from 1981 to 2020; he’s currently artistic director of the Phoenix Chamber Music Society Winter Festival, Oneppo Chamber Music Series at Yale (where he’s a faculty member), and Yale in New York concert series. Mr. Shifrin also has an acclaimed and extensive discography.

Joshua Smith (flute) was appointed principal flute of The Cleveland Orchestra at age 20 and regularly appears as

a soloist with the orchestra. He leads the innovative chamber group Ensemble HD, which includes fellow Cleveland Orchestra members and special guests and performs in concert halls and nontraditional venues, and he’s artistic director of Cleveland Ensemble, a chamber orchestra and community-engagement initiative. His chamber music appearances include the Santa Fe, Lake Champlain, Piedmont, and Pensacola chamber music festivals; Philadelphia Chamber Music Society; Marlboro Music Festival; Israeli Chamber Project; and Mainly Mozart Festival. A native of Albuquerque, Mr. Smith studied locally with Frank Bowen before attending the Curtis Institute of Music in Philadelphia, where he studied with Julius Baker and Jeffrey Khaner. He serves on the faculty of the Cleveland Institute of Music, and in 2010 he received a Grammy nomination for his recording Air.

*Festival debut

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Peter Stumpf

(cello) is a professor of cello at the Jacobs School of Music at Indiana University. Previously, he was principal cello of the Los Angeles Philharmonic and associate principal cello of The Philadelphia Orchestra. Mr. Stumpf performed as a member of the Johannes String Quartet, and he’s appeared on the Celebrity Series of Boston, with The Da Camera Society in Los Angeles, and on chamber music series at Carnegie Hall, The Kennedy Center, Walt Disney Concert Hall, the Royal Concertgebouw in Amsterdam, Casals Hall in Tokyo, and concert halls in Cologne. He’s performed at numerous chamber music festivals, and he’s given recitals on the Chamber Music in Historic Sites series in Los Angeles and at the Phillips Collection and Corcoran Gallery of Art in Washington, DC, among other venues. Mr. Stumpf received a bachelor’s degree from the Curtis Institute of Music and an artist’s diploma from the New England Conservatory, and he’s led master classes around the world.

Meng Su (guitar) studied with Chen Zhi at the Central Conservatory of Music in Beijing and Manuel Barrueco at the

Peabody Institute at Johns Hopkins University in Baltimore. She formed the Beijing Guitar Duo with Yameng Wang, and their 2009 debut recording, Maracaípe, which features music by Radamés Gnattali and Sérgio Assad, was nominated for a Latin Grammy Award. An in-demand soloist, Ms. Su’s recent performances include the Chinese premiere of Tan Dun’s concerto Yi2 with the China Philharmonic Orchestra and Rodrigo’s Concierto de Aranjuez with the Baltimore Symphony Orchestra and the Mulhouse Symphony Orchestra in France. In May 2015, Ms. Su became the first woman to win the Gold Medal at the Parkening International Guitar Competition; the following year, she released her first solo recording, Meng, to critical acclaim. Ms. Su teaches at the Hong Kong Academy for the Performing Arts and is artist-in-residence for the Baltimore Classical Guitar Society. In the fall of 2021, she’ll join the faculty at the San Francisco Conservatory of Music.

Mark Tatum (double bass) teaches double bass at the University of New Mexico and is a member of The Santa Fe

Opera Orchestra. He also serves as acting principal double bass for the New Mexico Philharmonic and performs with the Württemberg Chamber Orchestra in Germany. In past years, he’s performed with Opera Southwest, the Cascade Festival of Music, the Moab Music Festival, and numerous regional orchestras throughout the inner mountain West. Mr. Tatum began playing with the Santa Fe Chamber Music Festival in 1989.

Steven Tenenbom (viola) has a distinguished career as a chamber musician, soloist, recitalist, and teacher. A recipient

of the Coleman Chamber Music Award and a former member of the Galimir Quartet, he’s currently a member of the Orion String Quartet, TASHI, and the piano quartet OPUS ONE. He’s worked with composer Lukas Foss and jazz artist Chick Corea, and he’s appeared as a guest artist with ensembles and organizations such as the Guarneri and Emerson String Quartets, the Beaux Arts and Kalichstein-Laredo-Robinson Trios, and The Chamber Music Society of Lincoln Center. Mr. Tenenbom has performed as a soloist with the Utah Symphony, Rochester Philharmonic Orchestra, and Cincinnati Chamber Orchestra, and he’s toured with the Brandenburg Ensemble throughout the United States and Japan. His festival appearances include the Santa Fe Chamber Music Festival; Mostly Mozart; Ravinia; Chamber Music Northwest; Music from Angel Fire; and the Aspen, Marlboro, June, and Bravo! Vail music festivals. Mr. Tenenbom serves on the faculties of the Curtis Institute of Music, Juilliard School, Bard College Conservatory of Music, and Mannes School of Music.

Gilles Vonsattel (piano) is the recipient of an Avery Fisher Career Grant and the Andrew Wolf Chamber Music

Award, and he’s the winner of the Naumburg and Geneva competitions. He’s performed with the Boston, Chicago, Gothenburg, San Francisco, and Vancouver symphony orchestras, and he’s appeared in recital and chamber music concerts at the Ravinia, Lucerne, Gilmore International Keyboard, Bravo! Vail Music, and Santa Fe Chamber Music festivals; Music@Menlo; Bargemusic; La Jolla Music Society’s SummerFest; the Spoleto Festival USA; Tokyo’s Musashino Hall; London’s Wigmore Hall; and Munich’s Gasteig. He’s also toured extensively with The Chamber Music Society of Lincoln Center. During the 2019–20 season, he performed with Camerata Pacifica, The Florida Orchestra, and the Hamburg Philharmonic State Orchestra and at Beare’s Premiere Music Festival in Hong Kong. Mr. Vonsattel is a Steinway Artist and has an acclaimed discography. He serves on the faculty of the University of Massachusetts at Amherst.

Liang Wang (oboe) is principal oboe of the New York Philharmonic, which he joined in 2006, and he’s performed

as a concerto soloist with the orchestra dozens of times. He made his Carnegie Hall solo debut in April 2011, and he’s appeared as a soloist with Les Violons du Roy and the China Philharmonic Orchestra, Shanghai and Guangzhou Symphony Orchestras, and San Francisco Ballet Orchestra, among other ensembles. An active chamber musician, this summer marks Mr. Wang’s 15th season appearing with the Santa Fe Chamber Music Festival. He’s also performed at Music from Angel Fire and the La Jolla Music Society’s SummerFest, where he premiered Sean Shepherd’s Oboe Quartet, and with The Chamber Music Society of Lincoln Center. Mr. Wang enjoys several faculty appointments and has given master classes at the Juilliard School, Mannes School of Music, Manhattan School of Music, and Curtis Institute of Music; Seoul National University; New York University; and the Beijing, Cincinnati, Shanghai, Hanoi, and Singapore conservatories.

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Orion Weiss (piano)

has performed with the Buffalo, Los Angeles, New York, and Israel philharmonics; the Cleveland, National Arts Centre, and Philadelphia orchestras; the Albany, Baltimore, Chicago, Pittsburgh, San Francisco, and Toronto symphony orchestras; and the Orpheus and Saint Paul Chamber Orchestras. His chamber music engagements include, among others, the 92nd Street Y and Lincoln Center in New York City; The Kennedy Center in Washington, DC; The Broad Stage in Santa Monica; the Louvre in Paris; the Aspen, Bard, Bravo! Vail, Grand Teton, Lucerne, and Ravinia music festivals; the Bridgehampton and Santa Fe Chamber Music Festivals; Chamber Music Northwest; the La Jolla Music Society’s SummerFest; The Chamber Music Society of Lincoln Center; and the Seattle Chamber Music Society. Mr. Weiss attended the Cleveland Institute of Music and The Juilliard School. He’s received the Avery Fisher Career Grant, the Gilmore Young Artist Award, The Classical Recording Foundation’s Young Artist of the Year Award, the Mieczyslaw Munz Scholarship, and Juilliard’s Gina Bachauer Scholarship and William Petschek Recital Award.

Peter Wiley (cello) is a member of the piano quartet OPUS ONE, which he co-founded in 1998, and a former member of the Beaux Arts Trio and Guarneri Quartet. After graduating from the Curtis Institute of Music, which he entered at the age of 13, he played with the Pittsburgh Symphony Orchestra for one year before being appointed, at the age of 20, principal cello of the Cincinnati Symphony Orchestra, where he remained for eight years. Mr. Wiley appears at leading festivals around the country, including the Bridgehampton and Santa Fe Chamber Music Festivals, Music from Angel Fire, Chamber Music Northwest, OK Mozart, and the Bravo! Vail Music Festival. He also continues his long association with the Marlboro Music Festival, with which he tours and records. Mr. Wiley’s honors include an Avery Fisher Career Grant and Grammy nominations for recordings with the Beaux Arts Trio and the Guarneri Quartet. He teaches at Curtis and the Bard College Conservatory of Music. Kajsa William-Olsson

(cello) studied in Gothenburg and Stockholm before playing with the Gothenburg Symphony Orchestra. Since 1996, she’s been a member of the Royal Stockholm Philharmonic Orchestra. In 2001, she was awarded Sweden’s Gunnar de Frumerie Prize in Music and made her United States debut at Carnegie Hall’s Weill Recital Hall. As a founding member of the VITALIS and Hanna string quartets, Ms. William-Olsson has performed extensively throughout Europe. As a member of the ARK trio for soprano, cello, and piano, she’s commissioned and performed new pieces for their unique setting. Ms. William-Olsson regularly teaches and performs at the Music Masters Course Japan (MMCJ) festival, and she appears at such festivals as the Aspen Music Festival, Santa Fe Chamber Music Festival, Sangat Festival in Mumbai, and Salt Bay Chamberfest in Maine. Ms. William-Olsson was the featured soloist in Tan Dun’s Cello Concerto, with the composer conducting, in Norway and China, and, as a chamber musician, she’s collaborated with artists such as Eric Kim, Emanuel Ax, Joyce Yang, and her husband, Alan Gilbert.

Haochen Zhang (piano) won the gold medal at the 13th Van Cliburn International Piano Competition in 2009, and

since then, he’s captivated audiences in the United States, Europe, and Asia. He received the Avery Fisher Career Grant in 2017, and his engagements have included the BBC Proms with the China Philharmonic and conductor Yu Long, the Moscow Easter Festival by special invitation of Valery Gergiev, The Philadelphia Orchestra with Yannick Nézet-Séguin, the Munich Philharmonic with Lorin Maazel on a sold-out tour in Munich and China, the Sydney Symphony Orchestra with David Robertson on a tour of China, the NDR Elbphilharmonie Orchestra with Thomas Hengelbrock on a tour of Tokyo, Beijing, and Shanghai, and solo and concerto performances at Carnegie Hall. Mr. Zhang is also an avid chamber musician and has collaborated with colleagues such as the Shanghai, Tokyo, and Brentano string quartets.

Gregory Zuber (percussion) is

the principal percussionist for the Metropolitan Opera Orchestra. He’s toured the United States, Europe, and Japan with the Met, and he’s been featured with the orchestra as a concerto soloist at Carnegie Hall. As a solo recitalist and chamber musician, Mr. Zuber has appeared at Carnegie Hall’s Zankel Hall and Weill Recital Hall, the Verbier Festival, the Leigh Howard Stevens Summer Marimba Seminar, the New York Chamber Music Festival, The Juilliard School’s Summer Percussion Seminar, the Santa Fe Chamber Music Festival, and Music from Angel Fire. He’s also performed regularly with the Met Chamber Ensemble. Mr. Zuber plays chamber music with his wife, flutist Patricia Zuber, as Duo Zuber. They can be heard on their album, Blackbird Redux, and Mr. Zuber can be heard on his solo album, Life Behind Bars: Masterworks for Marimba.

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

A Song by Mahler

Photo courtesy of Doug Fitch

On August 19, the Festival presents the New Mexico premiere of a powerful new stage work by Artistic Director Marc Neikrug, which features a visionary production designed and directed by Doug Fitch. by Amy Hegarty

An image of Doug Fitch’s design for Marc Neikrug’s A Song by Mahler

A love song by Gustav Mahler is at the center of composer and Festival Artistic Director Marc Neikrug’s new stage work, A Song by Mahler. “Liebst du um Schönheit” (“If You Love for the Sake of Beauty”), from Mahler’s Rückert Lieder, is “a key element to the drama,” Mr. Neikrug says, and, as it “embodies 66

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

the message of love as an aspiration, a self-embodied posture, and a state of being,” speaks to the emotional core of the work as well.

Alzheimer’s” and her husband, “who is also her accompanist,” Mr. Neikrug writes in a program note. The work—which features the talents of mezzo-soprano Jennifer A Song by Mahler centers on Johnson Cano, baritone Kelly the changing realities of two Markgraf, clarinetist David Shifrin, characters: “a concertizing singer and the FLUX Quartet—“is not an who is diagnosed with early-onset attempt at documenting the myriad

Photo by Fay Fox Mezzo-soprano Jennifer Johnson Cano

Baritone Kelly Markgraf

“Liebst du um Schönheit,” which Mahler wrote for his wife, Alma, is a song the singer in this work is especially known for—it’s the last, signature encore she performs at the end of her concerts—and to give audiences some insight into the song itself and into what it means to the singer personally, Mr. Neikrug has her teach it in a master class early in the story. This idea of a last encore is one of the “several elements that converged” in Mr. Neikrug’s thinking and “provided the initial creative impulse for this work,” he says. In addition to being a composer, Mr. Neikrug is a renowned pianist who famously toured the world

as the recital partner of violinist Pinchas Zukerman. One source of inspiration, he says, “was the simple fact that, for 35 years, Pinchas and I finished our recitals with a last encore, which became associated

Photo by Yuki Tei

Photo by Laura Rose

aspects of the disease,” he says. Instead, it’s “an attempt to address the specific emotional evolution of this couple, touching on their love and their particular relationship to music.”

Clarinetist David Shifrin Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Photo by Iannis Delatolas FLUX Quartet

Doug,” he adds, “is an amazingly visionary, multitalented artist. I knew he would understand the dramatic thrust of the piece and could create the set in a way that would exceed my wishes and A Song by Mahler is the third work add a complementary, expanded, Mr. Neikrug has written in a genre visual element.” he describes as “a combination of theater and music.” The text in this Mr. Fitch, who collaborates on A work has both spoken and sung Song by Mahler with lighting designer sections, and “the singing,” Mr. Nicholas Houfek, is known for his Neikrug says, “is felt as a heightened acclaimed and innovative productions emotional level, beyond which of Ligeti’s Le Grand Macabre and speaking would suffice.” While Janáček’s The Cunning Little Vixen composing, he adds, “I saw a way of for the New York Philharmonic, furthering my exploration of music Puccini’s Turandot for The Santa and theater with how the piece Fe Opera, Humperdinck’s Hansel and Gretel for LA Opera, HK could be constructed.” Gruber’s Gloria—A Pig Tale for Joining Mr. Neikrug in that The Metropolitan Museum of Art exploration is longtime friend and in collaboration with the New York collaborator Doug Fitch, who Philharmonic and The Juilliard designed and directs the production. School, and Stravinsky’s L’Histoire “In writing the text for A Song by du soldat for the Festival. “The Mahler,” Mr. Neikrug says, “I always thing about A Song by Mahler,” Mr. considered the music that would Fitch says, “is that there’s nothing come as well as the staging. I wanted else like it. I love how musically a simple, self-contained production and dramatically efficient this that could be sent to places in a opera is and how it reinvents the box, so for that reason, I thought form while being completely of Doug from the beginning. adherent to the storytelling.” with our concert experience.” Another personal inspiration, he says, was that he had “a good friend who had once been a singer and became a victim of Alzheimer’s.”

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Storytelling is a major element in A Song by Mahler, as Mr. Neikrug is drawn to certain kinds of narratives. “I’m interested in stories that have a point of view, a message that I find important,” he says. His hope with this work is that its story and the ways in which it’s conveyed have an impact on concertgoers. “I find the combination of concert music, for want of a better term, and theater to be extremely powerful,” Mr. Neikrug says. “When tied to a subject as profound as love and loss, I would hope that an audience would experience an intellectually and emotionally provoking evening, which would lead to a longer-lasting contemplation.” PRE-CONCERT TALK AND NEW MEXICO PREMIERE Thursday, August 19, 5 p.m. The Lensic Performing Arts Center Pre-concert Talk Composer Marc Neikrug, Director and Designer Doug Fitch, and Lighting Designer Nicholas Houfek Thursday, August 19, 6 p.m. The Lensic Performing Arts Center MARC NEIKRUG A Song by Mahler (2018; New Mexico Premiere) Jennifer Johnson Cano, Mezzo-soprano Kelly Markgraf, Baritone David Shifrin, Clarinet FLUX Quartet (Tom Chiu, violin; Conrad Harris, violin; Max Mandel, viola; Felix Fan, cello) Doug Fitch, Director and Designer Nicholas Houfek, Lighting Designer Amy Hegarty is the Director of Publications for the Santa Fe Chamber Music Festival.

Annual Fund: How YOU Make The Music Happen Dear Festival Friends,

This summer marks the Santa Fe Chamber Music Festival’s 48th season. Every year, we offer our audience an incomparable musical experience by presenting a wide range of chamber music repertoire performed by musicians of the highest caliber from around the world. Your generosity—as donors, patrons, and valued members of our musical family—makes this glorious music possible. Your support also allows us to bring music into the lives of thousands of schoolchildren in Santa Fe, Pecos, Taos, Los Alamos, and Santa Clara Pueblo through our year-round music education programs. Music in Our Schools offers indepth curriculum for pre-K and K–6 teachers as well as curriculum-related in-school concerts performed by Festival musicians. Our bilingual Strings in Our Schools program offers elementary school students free violin lessons on instruments loaned to them by the Festival, and our newest endeavor, the Dream Big Private Lesson Program, provides students in public middle and high schools with subsidized private lessons on the instrument of their choice, including voice. During the summer, our Youth Concerts series presents children of all ages with highly engaging, interactive performances that feature Festival musicians and Festival repertoire. In addition to our concerts and education programs, your generosity supports the creation of important new music, which the Festival commissions every year from today’s leading composers as well as exciting up-and-coming talents, and it allows us to broadcast Festival performances via our national Radio Series on stations around the country and beyond, including in areas where access to classical music may be limited. All of us at the Festival thank you for your ongoing support of our concerts and programs. To make your tax-deductible 2021 donation to the Festival, contact our Director of Development, Cece Derringer, at 505-983-2075, ext. 108, or cderringer@sfcmf.org. You can also mail your donation to the Festival at PO Box 2227, Santa Fe, NM, 87504-2227, or pick up an Annual Fund brochure at the Ticket Office desk—located in our venues’ lobbies during the Festival season— and drop the enclosed donation envelope into the donation box near the Ticket Office desk.

YOUR DONATION MATTERS—NOW MORE THAN EVER!

This year, the Festival is the recipient of two exciting challenge grants. Please consider supporting the music you love with a tax-deductible gift that can be matched through these challenge grants. Still Water Foundation Special Donor Challenge Between now and October 31, 2021, new Festival donors who give $250 or more and returning donors who increase their gifts by $250 or more over last year’s amount will have their gifts matched, dollar for dollar, by the Still Water Foundation—which means that every gift’s impact will double instantly. The Brown Foundation Audience Challenge Between now and October 31, 2021, our generous partners at The Brown Foundation will match all gifts to the Festival at 50 cents on the dollar. This means that a gift of $100, for example, will become $150 toward the Festival’s Annual Fund. Now and always—challenge or no challenge—please know that your generosity in making the music happen is deeply and warmly appreciated. You make a difference. Thank you.

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Annual Fund & Artists’ Circle Donor Benefits Artists' Circle Supporter ($500-$999)

Associate ($1,000-$1,999)

Silver ($2,000-$2,999)

Gold ($3,000-$4,999)

Platinum ($5,000-$9,999)

Diamond ($10,000 +)

Festival Program Book Listing



Invitation to Season Preview Event (2022)

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Invitations to Artists’ Recitals

Four

Priority Ticketing



Donor Hotline

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*Passes for Free Parking

Four

Six

Ten

Unlimited

*Companion Coupons

Two

Four

Six

Ten

Platinum / Diamond Dinner & Recital



*Pre-season Printed & Digital Program Notes (2022)

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Boxed CD Set of Festival Radio Broadcasts

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*Mozart Society Recital Invitation

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Donor Benefits

Free Ticket Exchanges

Sponsorship of Festival Artists

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*New or increased donor benefits For our 2021 season, we're unable to have a Festival gift shop in St. Francis Auditorium at the New Mexico Museum of Art, and we're unable to hold post-concert receptions. We plan to bring those benefits back in 2022. For more information, please contact: Cece Derringer, Director of Development • 505-983-2075, ext. 108 • cderringer@sfcmf.org PO Box 2227, Santa Fe, NM, 87504-2227 • www.sfcmf.org

Artists’ Circle and Annual Fund Contributors The Santa Fe Chamber Music Festival gratefully acknowledges the individuals listed here for their generous gifts. More than half of our annual budget comes from you, our wonderful contributors. We want to especially recognize and thank the loyal members of our Sostenuto Society—indicated here with an asterisk (*)—who’ve made gifts to the Festival for the past five or more consecutive years. We warmly thank everyone who’s contributed to the Festival for the critical role they’ve played and continue to play in helping us make the music happen. The Artists’ Circle This special core group of annual supporters contributing $2,000 or more ensures the Festival’s continued artistic excellence by generously underwriting musicians’ residencies. Their outstanding commitment is deeply appreciated.

Diamond Patrons ($10,000 and above)

Barbara B. and Ronald Davis Balser* Beth Beloff and Marc Geller* Jean and John Berghoff* Sarah and Doug Brown* Elisbeth Challener and Brett Bachman* Kathleen and Robert L. Clarke* Lynn Coneway* Ralph P. Craviso David B. de Wetter Mike and Marty Everett* Sue and Chris Fan* Paula and Steven Fasken David Tausig Frank and Kazukuni Sugiyama* Peter Frank and Leslie Shaw* Steven Goldstein, MD, and Susan Goldstein* Diane and Werner Grob* John Hart and Carol Prins* Michael Stephen Hindus and Lynne Elizabeth Withey* Robert L. Hull and Myra Barker Hull* David K. and Kay Duke Ingalls* Nancy E. and P. Anthony Jacobs Faye and Jonathan Kellerman*

†Deceased

Paul L. King* Ron Lushing and Dan Reid* Anthony and Kay Marks* Kenneth R. Marvel and Robert R. Gardner* David Muck and Cole Martelli* Kathryn O’Keeffe*† Mary Lawrence Porter* Louisa Stude Sarofim* Herman Siegelaar and Cornelia Bryer* Nat and Rebecca Sloane* Sally W. Whiteley and Judy E. Rhymes* Drs. Cheryl Willman and Ross Zumwalt*

Platinum Patrons ($5,000–$9,999)

Anonymous Anonymous* Nancy and Michael Arseneault* Anna Marie Baca Kelley O. and Neil H. Berman* Glenna and Curtis Boyd* Carole and David Brown* Joseph M. Bryan, Jr.* Joan Z. Cohen* Benjamin F. Crane* Michael Freccia and Sheilah Garcia

Caryn Glickman* Joel Goldfrank David Goodrich and Brian Clarke* Bessie Simpson Hanahan* Jeri Berger Hertzman and Phillip Hertzman* Lynne and Joe Horning* Ellen and James Hubbell* Hervey Juris and Leslie Nathanson Juris* Jeanne Kaufmann and Roger Ryan* Sue Kimm and Seymour Grufferman* Mary Lattimore* Alan and Elisabeth Lerner* Harry and Betsey Linneman* Ellen Marder and Wolfgang Schmidt-Nowara* Beth McGown and Russ Toal* Jay W. Oppenheimer* Tom and Jane O’Toole* Steven Ovitsky* Barry and Roberta Ramo* Crennan M. Ray* Dave Rossetti and Jan Avent* Shellie Scott* James R. Seitz, Jr.* Richard and Willa Sisson* David Sontag* Martha B. and David G. Winfield* Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Gold Patrons ($3,000-$4,999)

Anonymous* Anonymous* Richard C. Bentley* Mrs. Duncan E. Boeckman* David Bulfer and Kelly Pope* Mary Lou and Kenneth Cain Philip Cook* Mary and David Cost* Kay Crawford Richard and Margaret Cronin* Patricia Marcus Curtis and Robert Curtis* Susan and Conrad De Jong* Janet Desforges* Mr. and Mrs. Ronald Dubin* Halley Faust* David and Pam Fleischaker* Maria and Edward Gale Valerie and Bud Hamilton Donna and Hal Hankinson* Ronald and Sandy Hanson Catherine Hapka and Andrew Siegel Joanna Hess* Lynne Hohlfeld and Michael Crockett Jeanne and Van Hoisington* Olga and Jim Hutson-Wiley* Elizabeth and Albert Kidd* Phyllis Lehmberg Richard Leonardon* Jani and Jeff Leuschel* Margaret and Barry Lyerly Ginnie Maes, Kanter Kallman Foundation* Dee Ann McIntyre* Elaine Meyerhoffer* Heather Z. Miles Susan and Charles Mize* Jane G. Morrison and Michael Tobias Lisa and John Overbey* Wyckliffe Pattishall* Robert and Mary Platt* Gay P. and Graham J. Sharman* Diana and John Stege Barbara Teichert Nancy Meem Wirth* 72

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Silver Patrons ($2,000–$2,999)

Michael and Ann Anastasio* Anonymous Yoko and Thomas Arthur* Jocelyn and Donald Blair* Virginia and Morgan Boatwright* Brian Braa and Andy Eiseman Mike and Diane Cannon Terry and Pamela Carter* Douglas and Ruth Chaney Cynthia and Alan Coleman* Dr. Ron Costell and Marsha Swiss* Thomas and Joan Dalbey* Joan Dayton and Richard Curless Cece Derringer Nancy and Chris Deyo Martha Anne Dorminy and Stewart Gardner* Christine and Daniel Fallon* Nancy Feiner Judi Flom Susan Foote and Stephen Feinberg Doris Francis-Erhard Dr. Phillip Fuselier* Sophia O. Garrett John L. Gray Dr. Sheila Hafter Gray* Paula Greer* Pamela and Richard Hanlon* Deborah Helitzer and David Sklar* Edward and Patricia Hymson* Sherry and Robert Johnson Kim Jordan* Nancy Langsan Diane and John Lenssen* Van Mabee* Marilyn Macbeth and Forrest Carlton* Juliet Mattila and Robin Magowan* Steve Moise* Judy Naumburg and Stuart Bluestone Clair and Carol Nielson* Yehuda and Nurit Patt* Penelope Penland* Katie and Gerald Peters Dr. John Petricciani* Jane Phillips-Conroy and Glenn Conroy

Gary and Lois Podolny* Sasha and Alexandra Pyle* Marcia Recktenwald Roberta Robinson William Rogers* Grace and John Rosenquist* Nancy Scanlan Jacqueline and Richard Schmeal* Molly and Fred Seibel* Judy and Bob Sherman* Samuel Shorstein* Marvin Sloves and Thom Von Buelow* David and Maureen Smith* Lea and David Soifer Marcia Southwick* Alex C. and Silvia Speyer III* Caroline S. Swinson Richard Tang* Evelyne Thomas* Suzanne M. Timble Jill Cooper Udall and Tom Udall* Linda Westerberg John and Jan Wilcynski Kathleen Winslow Elizabeth Yasek Leshek Zavistovski* Nancy Zeckendorf* The Annual Fund

Festival Associates ($1,000-$1,999)

James B. Alley III Anonymous Anonymous* Cindy Aloi and Irwin Sugarman* Mikaela Barnes* Patricia Barron* David L. Bass Catherine Binns Wayne Bladh and Billy Halsted La Merle Boyd and Frank Hoback* Eleanor P. Brenner Donna and Lee Dirks* Carlota Dwyer Yoko and Michael Gilbert* Anita and Joseph Ginocchio Gail and James Goodwin Brooke Suzanne Gray

Lynn and William Herbert Richard Hughes Nancy E. and P. Anthony Jacobs* Jo and Bill Jagoda* Greg and Martha Jay Thomas King Linda Klosky and Lu Rojas Donna and Trevor Lumb Beverly and George Martin* Shelley McGehee Helen T. Murphy and Mary S. Riebold* Frances and Dan Namingha Leon Podles Jack and Clare Ratliff* Dr. Robert and Kathleen Reidy Susan and Stephen Robeck Sally and Don Roberts* Carol Romero-Wirth Bruce S. Ross and Eileen Gallo-Ross Brenda and Larry Smith Bruce R. Smith and Gordon Davis Sarah Billinghurst Solomon and Howard Solomon Susan Stafford Jay F. Stein Margo Thoma Marilynn and Carl Thoma* John L. Van Horn and Charles R. Owens Willard R. Wadt* Kristin and Mac Watson Jane Ann and Jasper Welch* Dan Winske* Dr. Dean Yannias

Festival Supporters ($500-$999)

Anne Lamberton Alley Scott Allocco and Douglas Clark* Anonymous Anonymous Anonymous* Josephine and James Ball Christine Bassett and Carey Alexander* Rachel Belash and Robert Burman Sarah Bienvenu Dona Bolding and Roger Hamilton

Oonagh and John Boppart* Brenda F. Brand Tish Butler* Lorna Calles Tee Campion Elaine and Ken Cole* Mary and Richard Covington Miggie E. Cramblit Katherine Dalsimer Anya Darrow and Louise Harrison Sue Ellen de Beer Raul Delgado* Harry Dewey Bruce Donnell* Yolanda and Abram Eisenstein John and Jay Elder Bonnie Ellinger and Paul Golding* Rachel Epstein James Faris Gail and Douglas Fine Natalie Fitz-Gerald Sandy Fitzpatrick* Janet Fleckman Harlan Flint Natalie Foster* Julian Friedman Nancy and Jay Fries Albert Glover Jeffrey and Barbara Griffith* David Hawkanson Linda Burns Herman and Jill Herman Megan L. Hill Maya Hoffman* Craig Hoopes Elaine and Arnold Horwitch Family Peggy and Tom Hubbard* Charlene and Charles Hyle Betty Jordan Arthur J. Kerr, Jr.* Jack Kitzmiller and Linda Dean Eugene Kornblum* Linda Krull Maria and Stephen Lans* Richard Lenz Mary Jean Little* Michael Lubin Nancy and Fred Lutgens* Craig McChesney

Esta Mitchell Leigh Moiola and Charles Dale Frances Walton Moore* Judy Moore-Kraichnan James Orth* Gwendolyn and Thomas Paine* Thomas C. Pinney Sarah Plimpton Lynn Pollock* Wendy and George Powell* Terese Sanchez Gene and Barbara Sanger Suzanne Sarason* Richard Schacht and Judith Rowan Dru Sherrod* Larri Short and Steve Reilly* Harriet Silverman and Hon. Paul Smelkinson* Susan Steinhauser* Carl W. Stern and Holly Hayes Renee and Larry Stevens Jennifer Taylor Lore Thorpe William Thurston Dr. Marge Tillman and Dr. Bill Watson Scott B. Tiras Marcia Torobin* Joan Vernick* Adair Waldenberg and Jon Peck* David L. Walther* Mary Wells and John McCabe Lynn Wolf Linda and Owen Youngman Sterling Zinsmeyer

Festival Contributors ($250-$499)

Kathy and Rick Abeles Herb and Jillian Adcock Glenn Addleman and Monnie Parker* Robert C. Anderson* Mary Andrews Bob and Pat Anker* Anonymous* Anonymous* Anonymous* Anonymous* Thomas Appelquist Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Marilyn and Robert Arensman Patricia Armbruster Bill and Julie Ashbey Martha Asti Ryan and Melanie Bailey Thomas Bak Scott Baker John O. and Elizabeth Baxter Ellen L. Bayard and James P. O’Neill Anne and Jeff Bingaman Joseph Blackburn Rachel Blank* Alan Bowers Barbara Boyd Susan Brake Keri and Michael Brinegar* Helen and Douglas Brooks Ingrid Y. Bucher Mimi Bull* Jack Burk John Burks Barbara Buttrey Elissa and Paul Cahn Eleanor Caponigro Lesley Carlson Richard Chase Stephen Chiulli Dr. and Mrs. Michael B. Clayman Eve Cohen Roberta Colton Kathy Corbera and Donald Quest Drs. John and Lois Crowe* Pamela Culwell and Charles Case* Rebecca Dempsey Eudice and Les Daly* Leslie Dilworth Bill and Nancy Doolittle* Douglas and Marcia Dworkin* Lesley Dyer Ariane Eberhardt Bobbie Elliott* David and Ellen Evans* Frank Farrow Sarah Fleming Barbara Forslund* Louise Frank Kerry Frumkin Ralph and Gwen Fuller* Richard Gaddes 74

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

John R. George Julanna Gilbert and Robert Coombe Ruth Grant and Howard Schwartz Stephanie Greene Susan and Kim Grossman Cynthia and Roger Gullickson Martha Haile and Don Wilson Kathleen Hall Mr. and Mrs. Howard Hallam* Mary Jo and James B. Hartle Judy and Ed Hildebrand Jessie Otto Hite and Frank Bash* Tony Holcomb Bernhard B. Holzapfel* Helen and Marc Hudson Clark and Carolyn Hulse Marcia Hymer* Joyce Idema Jerald Johnson Marjorie Eddy Johnson* Michael Kalkstein and Susan English Robin and Julius Kaplan* J. H. B. Kean and Toby E. Mayman* Gaynl Keefe Michael B. Kentor Eslee Kessler Fran and B. A. King, Jr.* Robin King Ira Kirkendoll* Mary Helen Klare Elaine Kramer Andrew Kull Dina Kuntz Ellen Kurnit* Carol Lakin Craig Lamb Barry Lapidus Frans Leppanen Susan Lindeborg Paula Lozar Robert Lynn and Janet Braziel Ali MacGraw Kimberly Macloud Dr. and Mrs. Robert Marcus* Jessica McAllen Patrick McCabe Susan McGreevy

Katherine and Andre Mesi Doris Meyer and Richard Hertz Carol Moder and Brewster Fitz Suzanne Molnar Julia Moore* Susan More Donna and Alec Morgan Dick Morreoo Sana Morrow* Dorenda Morse Dede and Paul Natale* Scott Obenshain Victoria and Howard Palefsky* Janet Peacock Diana Petitti P. M. Power Elizabeth and William Ranck Lewis Rappaport* Diane and Robert Reid Robert Roach and Patrick Carr* Linda Rosencranz Pamela and Mike Ryan Saville Ryan and Charles Marsh Irwin Sarason Jeffrey Schamis and Eva Eves* Carol and Nicholas Seeds* Donna Seifert John Serkin and Catherine Kurland Barbara Shaklee Allan and June Shapiro Julie and Jary Shimer William S. Singer Ellen Smith* Meredith Speers and Seamus Malin Eric Springsted Phyllis Stern Kiyoshi Tamagawa James Taylor Scott Temple Zelda Tenenbaum Jane Thompson Mike and Sue Thompson Ling Tong and Robert Hilgendorf* Mel Twist David van Winkle Carolyn Vantress Barbara Wagner and Charles Palmer* Kimberly Walker

Mayor Alan Webber and Frances Diemoz Mona Wecksung William Werner Marilyn Whitney Judith Williams Gertrude de G. Wilmers Dr. Suzanne Martin Wollter Rita Wood Ellen Yarrell Vernon Yenne Jane Yuster

Festival Donors ($100-$249)

Elie Abemayor Kristina Alley and Timothy Farrell Damaris Ames and Peter Lloyd Sally and Ken Anderson* Eugene B. and Ellen Andes* Dr. and Mrs. John C. Andrus Anonymous Anonymous Anonymous* Betsy and Harvey Applebaum* Sara E. Aster Kim Bakkum Suzanne and Enrico Bartolucci* Michael Baten Barbara Beames and Michael Liebman Carol Beck Anne E. Beckett Nancy and William Bergner Howard and Joy Berlin* Henry Bierwirth Penelope Bingham Nina Binin Christine Boss Joan Bowden Peggy Bracewell Kathryn Braziel Harry Bremund Stuart Brown Cynthia Bryant Stephen Bubul Porfirio Bueno Irene and John Bush* Nina Butts Christophe Caillot

Ann Caldwell and Rebecca Royall Marguerite Adams Cameron Roberto L. Ceriani and Pedro Surroca* Celia Cloney Robbin and Don Close* Victor Cook and Sarah Tyson Jonathan Cottin Christopher and Chase Crouch Anne D’Alessandro and Lawrence Lyons Trayton Davis Mandy Dealey Linda Duritz The Reverend Dr. Suzanne and William Ebel Tom Farer Rosemary Fetter James Foster Michael Francis Elizabeth French John and Cathy Frey Lydia Garmaier William Gates and Helen Lamberton David Gee Pamela J. George Suzan Glickman James and Adele Glimm* Janice and Larry Goldstein Hartford P. Gongaware Kate Gormley Gerald and Diane Gulseth Beverly and Dudley Hafner Jacquelyn Hall Barbara and William Haney Lynne Harkel-Rumford and Rick Rumford Marie F. Harper* Maya and Jeffrey Harvey Steve Haskin Sheila Heighway Leonard Heil Jill Herman Winston Himsworth Adelma Hnasko Joseph Hohlfeld Constance Holderer Deirdre Howley and Ira Eisenstadt* Edward Ingraham

Mark Jacobs Brenda Jerome Ian Johnson Terre and Polly Jones Mark Joseph Marcia Kaplan and Michael Privitera Plato and Dorothy Karayanis Marc and Elizabeth Killbride Diana and Neil King Allene Kleweno Shell and Wyck Knox Karen Kolbert-Richelli Corinne Kratz* Susan Krell and Robert Wax Anne and Harry Lamberton Donald and Jean Lamm Ruth LaNore James Leak Jessica Lee Lynn Lee Berit J. Leonard and William Swift Paula and Steve Letbetter Steven Loeshelle Todd Lustgarten Richard Makman Martha Jo Malins Joseph Mallof Daniel Marcus Dara Mark Stephen Massad Barbara Matens Evelyn McClure* Rubi McGori David E. McNeel George and Elecive Mellott Michael Merchant Stephan and Ruth Metzger Paula Millar Dwight Miller Gerald Miller Sara Montgomery and Dylan O’Reilly* Ellen Monticello Ann Mumford James Murphy Linda and Max Myers Kenneth Nichols John Nitzel William Oakes Nancy O’Brien-Malmuth Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Kay and Jose Ofman* Flora Ida Ortiz Anne Ortiz-Harris and Dahl Harris Chris Gordon Owen Susan Parker Terri Pease Patricia Pedersen Phillip Phibbs Jill Plumbley Frederick Poppe Jr. John and Sue Prange Mary Lou Pringle and John Williams Pamela Quay Barbara Rabkin Melissa Rae Tahlia Rainbolt Robert R. Reid David Rogers Phyllis and Elliot Ross Nancy Rowland Bernard and Ann Rubenstein Deborah Sacks Edward Scarcelle Michael Schippling Cynthia Schmidt-Schilling Marjorie Shapiro and Ian Hinchliffe Gale Sharpe Joan Sheski Kathie Shultz Sally Simerson Dr. Roger and Leslie K. Simon Anne F. Sinks Louise K. Smith* Paul Smith Lois Snyderman Elisabeth Spanhoff Rick Spence Lynne P. Spivey* Patricia Stalgren Ann Steadman Jane Stecher Paul Sternweis Anita Stevenson Grace Stocking Cathy Sweetman Corinne and Robert Sze Alexis Tappan Richard Taub and Betty Farrell 76

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Ann Teitelbaum Jessica Thackston Helen Thompson Peter Threadgill Elizabeth Tilkian Claire Tuttle Barbara Voorhies James Wagner Patricia Wallace Samuel Warner Kevin Wass Wolfgang Wawersik Chase and Judy Weaver Steven and Alison Weinstein Donna Welensky Ronald Werner Namalie Wham Alvina Wheeler Bill and Janislee Wiese* Linda Williams Dawn Ahlen Willis and Robert Willis Edna Reyes Wilson and Harvey Wilson Fred and Donna Winters* Glory and Lynn Witherspoon Marylou Witz Chester Wood Sharon Yang Gloria J. Zamora

Gifts Made in Tribute In Memory of Stuart Brand Jocelyn and Donald Blair In Memory of Al Brenner Lois Snyderman In Memory of Nancy Cain Mary Lou and Kenneth Cain In Honor of Robbin Close in Support of Strings in Our Schools Susan Kanowith-Klein In Memory of Edgar Foster Daniels Anonymous Barbara Teichert

In Memory of Gail Factor Dr. Ron Costell and Marsha Swiss In Memory of James Fitzpatrick David Hawkanson In Memory of Helen Lamberton Gates Anne Lamberton Alley James B. Alley III Bill and Julie Ashbey Sara E. Aster John O. and Elizabeth Baxter Anne and Harry Lamberton Dr. and Mrs. Robert Marcus Abel Montez Gertrude de G. Wilmers In Memory of Oscar Gray Dr. Sheila Hafter Gray In Honor of Joseph Hohlfeld Dona Bolding and Roger Hamilton In Memory of Barbara Holzapfel Bernhard B. Holzapfel In Memory of Tom Margittai Eugene Kornblum In Memory of Beth Moise Barbara B. and Ronald Davis Balser Beth Beloff and Marc Geller Kathleen and Robert L. Clarke Kathy Corbera and Donald Quest Patricia Marcus Curtis and Robert Curtis David Tausig Frank and Kazukuni Sugiyama Peter Frank Suzan Glickman John Hart and Carol Prins Michael Stephen Hindus and Lynne Elizabeth Withey Beth McGown and Russ Toal Jay W. Oppenheimer Steven Ovitsky Francine and Fred Pevow RVK, Inc. Gene and Barbara Sanger

Leslie Shaw Judy and Bob Sherman Herman Siegelaar and Cornelia Bryer The Tenenbaum Family Jessica Thackston

Margo Scholin Shellie Scott Pamalah and Stephen Tipps Scott B. Tiras Don and Wanda Tolman Joyce Ulrich

In Honor of Jay Oppenheimer and Todd King Ann Caldwell and Rebecca Royall

In Memory of Carol Toobin Bobbie Elliot

In Honor of Lee and Maddie Podles Penelope Bingham In Memory of Barun Roy and Bodh Loomba Anonymous In Honor of Louisa Stude Sarofim Mimi Bull In Memory of Rufus Scott Jeanne and Steve Armstrong Sue and Jerry Botts Miggie E. Cramblit Christopher and Chase Crouch Richard Dauphin John Dennis and Sharon Kay Jones John and Cathy Frey Lynne Harkel-Rumford and Rick Rumford Ellen Heller Michael Stephen Hindus and Lynne Elizabeth Withey Susan Krell and Robert Wax Paula and Steve Letbetter Steven Loeshelle Martin and Clara Loperena Stephen Massad Steven Ovitsky Sharon Reed and Lindsay Reed Townsend

In Memory of Jack Weinberg Deb Weinberg Special thanks to the Santa Fe Community Foundation, The Club at Las Campanas, Beth Beloff and Marc Geller, and Al Antonez for funds raised at the Beth Moise Memorial Golf Tournament.

In Memoriam Barry Beller Former board officer, donor, and patron Richard Brandt Donor and patron John S. Catron Donor and patron James Cohen Donor and patron Leonora (Lee) Feitelson Volunteer, patron, and donor Barry Goldfarb Patron

Loren Jacobson Patron Manuel Jaramillo Patron Tom Margittai Donor and patron Donald Meyer Donor and patron Rabbi Ben Morrow Donor and patron Kathryn O’Keeffe Donor and patron Joann Phillips Former advisory council member, donor, and patron Joseph Pisacane Donor and patron Willow Powers Donor and patron Donald Sandstrom Patron Norma Scott Donor and patron Richard Shapiro Patron Charles M. Weiss Former board member, patron, and donor

Robert Hillman Patron

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Celebrating the Lives of Lorlee and Arnold Tenenbaum Anyone who’s been involved with the Festival over the past decade has met or felt the influence of Lorlee and Arnold Tenenbaum, both of whom passed away in 2020. Arnold, with Lorlee’s steadfast support and encouragement, embodied all the qualities of a great board member as well as a great leader and friend of the Festival. In 2019, the Festival honored Lorlee and Arnold with The Gifford Phillips Award, which recognizes individuals who’ve supported both the Festival and the local performing arts scene with integrity, leadership, and generosity. This year, in honor of Lorlee and Arnold, a memorial fund has been created to underwrite the presentation of the Festival’s Music at Noon concert series for the next 10 years. Underwriting Music at Noon is a felicitous way to honor Lorlee, Arnold, and the Tenenbaum family and their love of chamber music. To inquire about or contribute to this memorial fund, please contact the Festival’s Director of Development, Cece Derringer, at 505-983-2075, ext. 108, or cderringer@sfcmf.org.

In Memory of Lorlee and Arnold Tenenbaum Anonymous Barbara B. and Ronald Davis Balser Brenda F. Brand Janet Desforges Mike and Marty Everett Doris Francis-Erhard David Tausig Frank and Kazukuni Sugiyama

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Hartford P. Gongaware Bessie Simpson Hanahan John Hart and Carol Prins Jeri Berger Hertzman and Phillip Hertzman Nancy E. and P. Anthony Jacobs Hervey Juris and Leslie Nathanson Juris Shell and Wyck Knox Ron Lushing and Dan Reid

Elizabeth McGown and Russell Toal Steve Moise Lynn Pollock Judy and Bob Sherman The Tenenbaum Family

Corporate, Foundation, and Government Support Support received by the Santa Fe Chamber Music Festival from local and national businesses, corporations, foundations, and government agencies is critical to its ongoing success. The Festival expresses its profound gratitude to the following entities for so generously recognizing the importance of music to the Santa Fe community and the artistic significance of the Festival nationally and internationally. Corporate Support

Act 1 Tours Allan Houser, Inc. Arroyo Vino Baker Botts, LLP Dougherty Real Estate Drury Plaza Hotel in Santa Fe Eldorado Hotel & Spa Enterprise Bank & Trust Hawaiian Hotels & Resorts La Fonda on the Plaza LewAllen Galleries Los Poblanos Historic Inn & Organic Farm Neil Lyon Group Pulakos CPAs RVK, Inc. Total Wine & More Windsor Betts Art Brokerage Woods Design Builders, Inc. Woody Creek Productions

Corporate Matching Gifts

Boeing Company Eli Lilly and Company Foundation ExxonMobil Foundation IBM International Foundation Johnson & Johnson Family of Companies Miller Stratvert, PA, Law Offices Pfizer Foundation Matching Gifts Company Texas Instruments Foundation

Foundation Support

Alexandra Pyle Charitable Fund, Fidelity Charitable Ann and Gordon Getty Foundation Beloff and Geller Family Fund, Santa Fe Community Foundation Berkman Family Charitable Trust Boeckman Family Foundation Bolding Hamilton Charitable Fund, Fidelity Charitable Brown Foundation, Inc.

Carl and Marilynn Thoma Foundation Carter Family Fund, Tulsa Community Foundation Caryn Glickman Charitable Fund, Fidelity Charitable Coneway Family Foundation Dave Rossetti and Jan Avent Philanthropic Fund David K. Ingalls Charitable Lead Trust Earl M. and Margery C. Chapman Foundation Edgar Foster Daniels Foundation Fasken Foundation Fay Shwayder Foundation Faye and Jonathan Kellerman Foundation Fred and Eve Simon Charitable Foundation Halley and Ruth Anne Faust Charitable Fund, Schwab Charitable Hoffman-Bravy Charitable Foundation Hutson Wiley and Echevarria Foundation, Inc. Ira N. Langsan and Lillian Langsan Philanthropic Fund James N. Cost Foundation Jane Phillips-Conroy and Helen Cohn Charitable Fund Jo Kurth Jagoda Charitable Fund, Fidelity Charitable John H. Hart Foundation Kantar Kallman Foundation Little Charitable Fund, Tulsa Community Foundation Marcia Southwick Charitable Fund, Fidelity Charitable Martha Anne Dorminy Fund, The Boston Foundation Mickey Inbody Charitable Foundation, Inc. Moise Family Fund, Santa Fe Community Foundation Muzik 3 Foundation Nathanson/Juris Family Fund, Fidelity Charitable

Paul L. King Charitable Foundation Peters Family Art Foundation Santa Fe Community Foundation Special Relativity Education Foundation Still Water Foundation Mr. and Mrs. Thomas F. O’Toole Fund, Communities Foundation of Texas Tulsa Community Foundation Turnip Top Foundation United Way of Central New Mexico Welch Family Fund, Vanguard Charitable

Government Support

City of Santa Fe Arts and Culture Department National Endowment for the Arts New Mexico Arts

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

The Endowment: Investing in the Festival’s Future In 1998, the Santa Fe Chamber Music Festival created a permanent endowment to ensure that its rich tradition of presenting the world’s finest chamber music could continue for generations to come. Through bequests and outright gifts large and small from many donors over the years, the Endowment has grown to nearly $11 million today, and the Festival is deeply grateful to the donors who have so generously participated in this important effort. You, too, can make a lasting impact on the Festival and play a crucial role in its future by contributing to the general Endowment or establishing your own Named Fund. (Please see the Perpetual Sponsorships section of this program book for a list of current Named Funds.) Named Funds can support an exciting range of Festival activities, including artists’ and composers’ residencies, unique education and outreach programs, and special Festival projects, such as recordings and national radio broadcasts. Gifts of any amount—whether made today or as part of your estate plans—are welcome and deeply appreciated. For more information, please contact the Festival’s Director of Development, Cece Derringer, at 505-983-2075, ext. 108, or cderringer@sfcmf.org. Endowment Board of Directors Peter B. Frank, President Albert Kidd, Treasurer Robert L. Clarke, Secretary Douglas M. Brown Richard Cronin Paul L. King Kenneth R. Marvel Herman Siegelaar Nat Sloane Jill Cooper Udall Michael Everett, Ex officio Donors of Distinction Anonymous Anonymous Brown Foundation, Inc., of Houston Nancy C.† and Kenneth C. Cain David T. Frank and Kazukuni Sugiyama Kay Duke Ingalls and David K. Ingalls Diane B. Jergins† Mara† and Charles† Robinson Guarantors Quarrier† and Philip Cook John Hart and Carol Prins Nancy E. and P. Anthony Jacobs David Muck and Cole Martelli

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Mr.† and Mrs.† Gifford Phillips Herman Siegelaar and Cornelia Bryer Benefactors Deborah L. Berkman† Susan Black† Carole and David Brown Mr. and Mrs. Robert L. Clarke Ralph P. Craviso Mike and Marty Everett Susan Gardner and Devon Ross Michael Stephen Hindus Jacqueline Hoefer† Susan† and David† Horowitz Betty Gardner Meyers† National Endowment for the Arts Kathryn O’Keeffe† Crennan M. Ray Nat and Rebecca Sloane The Tenenbaum Family Thaw Charitable Trust Jane Ann and Jasper Welch Nancy and Bill† Zeckendorf Sponsors Wood Arnold II Barbara B. and Ronald Davis Balser Dr. Barry and Natalie Beller Sarah and Doug Brown

Elisbeth Challener and Brett Bachman Lynn and Peter† Coneway Coneway Family Foundation Patricia Marcus Curtis and Robert Curtis Judy† and Lee Dirks Edgar Foster Daniels Foundation William E. and Tina Santi Flaherty Susan Foote Peter and Eleanor† Frank Susan and Steven J. Goldstein, MD David Goodrich and Brian Clarke Stanton Hirsch† Robert L. Hull and Myra Barker Hull Barry Lapidus Ron Lushing and Dan Reid Kenneth R. Marvel and Robert R. Gardner Faith B. Meem† Bob and Vicki Midyett Mary Mill, Mill Atelier Foundation Beth† and Steve Moise Judy Naumburg Jay W. Oppenheimer Mary Lawrence Porter Bruce S. Ross and Eileen Gallo-Ross James Clois Smith, Jr.

†Deceased

Endowment Fund Contributors (continued) Marianne and Michael† O’Shaughnessy Jane and Thomas O’Toole Steven Ovitsky Joseph and Anne Ponce Jean S. Potter Carolyn and Bill Rainer Roberta and Barry Ramo, MD Margaret Robson† Partners Betsy and Ted Rogers Anonymous Dave Rossetti and Jan Avent Jean and John Berghoff Paul Ira Rubinfeld† Donald and Jocelyn Blair Alicia Schachter† and Drs. Glenna and Curtis Boyd Sheldon Rich Richard† and Eleanor P. Brenner Lorraine Schechter† Robert and Nancy Carney Sidney and Sadie Cohen Joan and David Clark Foundation James and Linda Cohen Eve and Fred† Simon Joan Z. Cohen Marvin Sloves Sally† and Ben Crane Richard J. and Margaret A. Cronin Jane and Arthur† Stieren Ling Tong and Robert Hilgendorf Florence Dapples† Erich Vollmer Stan and Zu Davis B. J. and Bob Weil Douglas† and Joan Dayton Joseph M. and Eileen Wells Anne Dean† and John W.† Turk Sol and Marsha Wiener Marthanne Dorminy and Dr. Cheryl Willman and Stewart Gardner Dr. Ross Zumwalt Mrs. Avery Fisher† Adeline† and Richard† Fleischaker Estelle B.† and S. P.† Yates Helen C. and Bertram† Gabriel, Jr. Toni† and Leshek Zavistovski Diane and Werner Grob Friends Hal and Donna Hankinson Richard D. Alby† Lynn and William Herbert Joyce and Tom Allen Susan Herter Anonymous Phillip A. Hertzman and Anonymous Jeri Berger Hertzman Anonymous Leda Hirsch† Horace W. Goldsmith Foundation Linda and Lance Armer William and Julia Ashbey Irving Harris Foundation Anna Marie Baca Virginia and Ira† Jackson Hervey Juris and Leslie Nathanson Jane and John Bagwell Jeff Ballowe Virginia L. Kahn Mikaela and Craig† Barnes Edward B. Kaufmann Marie Baum Sarah Lawless Richard K. Beaubien Alan and Elisabeth Lerner Stephen Benjamin Margot and Robert Linton Jane and Charles Berger Foundation, Inc. Judith and Sam Berger Marthanne Dorminy Fund Gisela and Laurence Berns Balene Cross McCormick† The Honorable Patricia A. McFate† Katherine† and Bruce Besser Eleanor and M. H. Blakemore Ann and James† McGarry Maxine and Sidney Bloom Charles and Beth Miller Elizabeth and Duncan† Boeckman Philip H. Naumburg† Amy Bourret New Mexico Community Susan and Donald Bowey Foundation Jill Cooper Udall and Tom Udall Professors Emeriti Charles M. and Shirley F.† Weiss William Randolph Hearst Foundation Nancy Meem Wirth and John Wirth†

†Deceased

Dr. and Mrs. Ralph Bransky Joseph M. Bryan, Jr. Natalie Smith Buck Jean and Waldo Burnside Marcella† and Clifford† Burton Tish Butler Helen and Julius Cahn Ann and Lynn Carrozza Vincent Carrozza Ann Casady Robbin and Donald H. Close Corinne and Dan Collins Gloria Cordova and Dan Winske Harry R. Courtright Gloria R. and Philip R. Cowen Mr.† and Mrs. William W. Crawford John and Lois Crowe Scott Cuming† Hope Curtis Mollie and Robert Custer Sherry and Jim Davis Anne Hunt Deal† and Family Lisl and Landt Dennis Cece Derringer Ellen and Ralph Digneo John and Cynthia Dobson Susan Dupépé Dr. Nader D. Ebrahimi and John K. Wheeler Robert† and Brenda Edelson Edward and Ann C. Levy Charitable Remainder Trust Dr. Bernice Elkin Bobbie Elliott Eleanor and Frank Evans Sandra and James Fitzpatrick Nancy M. Folger and Sydney Werkman, M.D. Barbara Forslund A. Charles Forte Loulie M. Fox John V. Frank Letitia E. Frank† Laurel and Orrie Friedman Marjorie Garber William Gates and Helen Lamberton Amy and Philip Geier Sheila Gershen Robert Glick and Jacquelyn Helin Mary Goodman Carmoline† and William Grady Kathleen and Alan Grainger Brooke Suzanne Gray Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Endowment Fund Contributors (continued) Dolly H. Gray-Bussard Geneva Griffin Clara Keyes Hardin Marie F. Harper Dorothy S. Harroun Hascoe Family Foundation Milton S. Heath, Jr. Jackie and Jack Heise Beth and C. Wolcott Henry Joanna Hess Thomas G. D. Hesslein David Hillson and Eileen Grevey Hillson Joseph Hohlfeld Theodora Hooten Mr. and Mrs. Gerald Hotchkiss Robert L. Houget Jane Hunt Houston Jo Kurth Jagoda and Bill Jagoda Barbara and Perry Jeffe Dr. Cone Johnson Fred and Kim Johnson Susan D. Jones Hilde and Ernest Kahn Mr. and Mrs. Jeffrey H. Kahn Audrey† and Norman Kaplan, MD Julius and Robin Kaplan Louise and Jerome Kaplan Timothy D. Karsten Lisa and Paul Kaufman Brian Kern Alice and Jerry Kessler Carola Kieve, MD Dr.† and Mrs. Morton M. Kligerman Helen Kornblum Andrea Kroh Nancy and Martin Kuckly Edwin F. LeGard, Jr. Joan and Harold Leinbach Michael and Nancy Levin Audrey Lewis Erika† and Fred Little Galen S. Lockwood Melanie S. and Peter K. Maier Mary Jean Manning Tom Margittai† Marlene Nathan Meyerson Foundation Jerome Marshak Michael G. McCafferty Marilyn and John McConnell Milo L. McGonagle Susan McGreevy 82

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Marguerite McGregor Janet and James McKay Martha B. McLanahan William H. Mears, Jr. Alicia and Bill Miller Ellen and Roger Miller Susan and Charles Mize Marjorie and David Morehead Barbara-lyn† and Tom Morris Sana Morrow Jackie M. and Michael Motley Gardner M. Mundy Rochelle and Edward Nanas Lee J. Nash Peg Nelson Scott Nelson New Mexico Concierge Association Bridget and Bob Nurock Michael Ogg and Barbara Doroba-Ogg Ellen S. O’Gorman Richard T. Okinaka Dolores† and Frank† Ortiz Estate of Katya Overhage† Madeline C. Papile Stu Patterson and Ellie Schrader Paul and Elissa Cahn Foundation Katie and Gerald Peters Ann and Felix Phillips Mary Claire† and Charles Phipps Joseph Pisacane Mary Polhemus Mary and James Polk Lynn and Lewis Pollock Maya Pool Lisa S. and John A. Pritzker Gail and Owen† Quattlebaum Joan Cuming Read Arden Reed and Drury Sherrod Kathie and Tom Reed Diane and Robert Reid Ed Reid and Ellen Bradbury-Reid Reynolds Family Foundation Dr. and Mrs. Pete Rhymes Mr. and Mrs. Frank Brooks Robinson Ann† and Alan Rolley Rolley Foundation Carol Romero-Wirth and Peter F. Wirth Janet and Tony Rousselot Mr.† and Mrs. Ian Russell Charles Ryskamp†

Santa Fe Art Foundation Santa Fe Weaving Gallery Sol Schreiber Mary and Robert Schuyler Ernest and Edith Schwartz Michael and Noreen† Scofield David A. Shepard Jr. and Tori Warner Shepard Rev. F. G. Sherrill David Silverman, EA Jane Silverman Dr. Roger M. and Leslie K. Simon Helene and Herman Singer Richard and Willa Sisson Charlotte Ferguson Sloan† Marianna Smith† Drury Spurlock Nadine Stafford Drew Stewart Sutin, Thayer and Browne Steffi and Don Tashjian Kyla and Roger Thompson Ellen Tipton Deborah Ungar Kristin and Mac Watson Barbara and Paul Weiss Charles “Charley” West† Jane A. Wetzel Charlotte and Gould Whaley Dale and Ellen Wilde Ernamarie T. Williams Robert A. Willis Cynthia and Tom Wilson Thea Witt and Tom Maguire Lena and James Wockenfuss Barbara and Clark Woolley Linda Wright B. Wyckliffe and Libby S. Pattishall Memorial and Honorarium Gifts Gift in Honor of Barry Beller by: Robert L. Hull and Myra Barker Hull Gift in Memory of Eleanor Frank by: Peter Frank Gift in Honor of Carol Deal Schaefer in Memory of Her Parents, Anne and Lanham Deal, by: Kathleen and Alan Grainger

†Deceased

The Mozart Society Play a part in the future of the Santa Fe Chamber Music Festival through your planned gift. The group of passionate Festival supporters we call The Mozart Society comprises chamber music lovers who wish to leave a permanent legacy of support for the Festival in their wills or other estate plans. Like the enduring beauty of Mozart’s music, the generosity of our Mozart Society members lives on, ensuring that future generations can enjoy and be inspired by the Festival’s world-class chamber music performances. Your gift of any size is truly meaningful. Legacy gift options are varied, and we can work with you to find a plan that best suits you and your family. If you’ve already made a provision for a bequest or another planned gift, please let us know so that we can welcome you into The Mozart Society and acknowledge and honor your commitment. And to our current Mozart Society members, we extend our heartfelt thanks. The Mozart Society Members Barbara B. and Ronald Davis Balser Natalie and Barry† Beller Beth Beloff and Marc Geller Gayle S. Bishop Susan Black† Carole and David Brown Doug and Sarah Brown Marcella† and Cliff† Burton Nancy C.† and Kenneth C. Cain Elisbeth Challener and Brett Bachman Susan A. Chittim† Joan Z. Cohen Quarrier† and Philip Cook Harry R. Courtright Ralph P. Craviso Edgar Foster Daniels† Dr. Nader D. Ebrahimi and John K. Wheeler Robert Eickmeyer† Mike and Marty Everett Halley Faust David Tausig Frank and Kazukuni Sugiyama Helen Gabriel

Susan Gardner and Devon Ross Steven J. Goldstein, MD Phyllis L. Goodman and John F. Simpson Diane and Werner Grob Donna and Hal Hankinson Jane Hardeman† John Hart and Carol Prins Susan Herter Michael Stephen Hindus Leda Hirsch† Stanton Hirsch† Jacqueline Hoefer† Susan† and David† Horowitz David K. and Kay Duke Ingalls Nancy E. and P. Anthony Jacobs Diane B. Jergins† Diane Kravif Barry Lapidus Sarah Lawless† Edward Levy† Ron Lushing and Dan Reid Marilyn Macbeth and Forrest Carlton Kenneth R. Marvel and Robert R. Gardner

Balene C. McCormick† Henry Meisels† Betty Gardner Meyers† Vicki and Bob Midyett David Muck and Cole Martelli Jane and Thomas O’Toole Katya Overhage† Steven Ovitsky Cinda and Spence Perry Crennan M. Ray Mara† and Charles† Robinson Paul I. Rubinfeld† Ted Ruskin Lorraine Schechter† Herman Siegelaar and Cornelia Bryer Fred† and Eve Simon James Clois Smith, Jr. Drew Stewart William Tierney and Barry Weiss Ling Tong and Robert Hilgendorf Jill Cooper Udall Shirley† and Charles† Weiss Toni† and Leshek Zavistovski Nancy and Bill† Zeckendorf

For more information on endowed and planned gifts and the many other ways you can contribute to the Festival, please contact the Festival’s Director of Development, Cece Derringer, at 505-983-2075, ext. 108, or cderringer@sfcmf.org. †Deceased

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

Photos by Joseph Hohlfeld (l) and Steven Ovitsky (r)

Education and Outreach

The Santa Fe Chamber Music Festival upholds a passionate commitment to the artistic needs of its local community by providing enrichment programs for children, youth, and adults in Santa Fe and northern New Mexico. Our music education programs are strategically structured for efficacy and reach. Repeated experiences over a period of several years—coupled with sequential, spiral, and research- and standards-based curriculum—have a long-range, transformative impact on students’ school attendance and graduation rates as well as on their worldviews, career choices, and potential for success in life. We light the fire of learning by educating both the hearts and minds of our children.

Music in Our Schools

Music in Our Schools is a series of themed, in-school chamber music concerts for students in pre-K and grades K–6 at 14 schools in Santa Fe, Taos, Los Alamos, Pecos, and Santa Clara Pueblo. The program reaches nearly 6,000 students annually and introduces them to traditional and contemporary classical chamber music. In keeping with the Festival’s commitment to world-class quality, the concerts are always performed by the finest artists. Prior to each concert, music and classroom teachers attend a Festival-run workshop, where they receive training, lesson plans, and materials related to the upcoming performance. The teachers return to their schools and introduce the music to their students, helping them experience it through research-based and ageappropriate learning sequences. 84

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

When musicians arrive on concert day, the students are already familiar with the music—its sounds, melodies, characteristics, instruments, and composers. This preconcert experience makes each school performance personal, safe, intellectually accessible, and profoundly meaningful.

Strings in Our Schools

Strings in Our Schools offers small-group violin instruction in four elementary schools in Santa Fe and Pecos, serving students in grades 3–6. The free program provides students with violins and materials. Instruction is sequential, age-appropriate, standards-based, and individualized for unique learning needs. Strings in Our Schools students go on to enroll in their public-school orchestra programs at the middle school level, taking their musical study to ever-higher levels.

Without Strings in Our Schools, these elementary-level students would miss the opportunity to learn the violin or be fully prepared to play in middle school orchestras.

Guitar in Our Schools

The Santa Fe Chamber Music Festival created Guitar in Our Schools in 2016 to provide elementary school students with sequential instruction in classical guitar. The program is based at the Kha’p’o Community School at Santa Clara Pueblo and serves students in grades 3–6. As an initiative providing direct instruction, Guitar in Our Schools allows students to learn multiple aspects of guitar playing through twice-weekly lessons. Students also perform in two concerts every school year at special Kha’p’o Community School events.

Photos by Joseph Hohlfeld

Education and Outreach (continued)

Dream Big Private Lesson Program

The Dream Big Private Lesson Program caters to low-income, underserved music students in public middle and high schools. It offers weekly subsidized private lessons taught at school by accomplished, professional musicians on each student’s chosen instrument, including voice. Public-school performing ensembles— such as band, choir, guitar ensemble, or string orchestra—require students to carry sophisticated parts with accurate and precise musical independence. Private lessons enable students to master their parts and perform with confidence and artistry, contributing to their ensembles as valued team members. Dream Big students rise to the top of their performing groups and play for honors ensembles at the regional and state levels. Dream Big students often continue music study at the university level, pursuing music as their life path. Perhaps most importantly, Dream Big also gives students one more caring, capable adult they can bond with and rely upon during vulnerable teenage years. Dream Big students are hopeful that musicianship will be a way for them to express themselves and contribute to their communities as adults. Dream Big fuels that hope and enables them to achieve their dreams.

Youth Concerts

A mainstay since 1983, the Festival’s Youth Concerts are enduringly popular events that make classical music fun and accessible for youth of all ages. Interactive concerts are held during the Festival’s summer season at St. Francis Auditorium in the New Mexico Museum of Art. The concerts feature Festival musicians engaging children with fascinating storytelling—about composers, instruments, music, and musical styles—as well as performing repertoire drawn directly from the Festival’s regular programming. The concerts delight and inspire our youngest audiences while also building their knowledge and curiosity about the world of music. They draw individual children of all ages, plus their family members or guardians, as well as hundreds of students from public schools and summer camps.

Youth Concerts Schedule

St. Francis Auditorium in the New Mexico Museum of Art, 10 a.m. Monday, July 26 MENDELSSOHN PIANO TRIO Cecile Licad, piano Paul Huang, violin Peter Stumpf, cello Monday, August 2 HAYDN STRING QUARTET Miami String Quartet Benny Kim, violin Cathy Meng Robinson, violin Scott Lee, viola Keith Robinson, cello

Youth Concerts are generously sponsored by

Open Rehearsals

Open Rehearsals—which are free and open to the public—offer a behind-thescenes look at how Festival artists and staff put together a performance. Due to the coronavirus pandemic, the Festival isn’t offering Open Rehearsals this summer. For more information about the music education programs featured here, contact Leanne DeVane, Director of Education and Outreach, at ldevane@sfcmf.org. Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

2021 Business Partners The Santa Fe Chamber Music Festival gratefully recognizes its generous business partners and encourages you to support these fine companies, establishments, and organizations. Albuquerque Piano & Organ Service Allan Houser, Inc. Arroyo Vino Century Bank CHRISTUS St. Vincent Del Norte Credit Union Douglas Cardwell Percussion Enterprise Rent-a-Car Inn on the Alameda JAME American Cleaning John Day Law La Fonda on the Plaza Monsoon Design Neil Lyon Group

Nusenda Credit Union Otra Vez en Santa Fe Pro Piano Pulakos CPAs Santa Fe Bar & Grill Santa Fe Drum Source Santa Fe Symphony Orchestra & Chorus ServiceMaster Clean Video Magic Wayne Scheiner & Co. Windsor Betts Art Brokerage Woods Design Builders Zen Movers

2021 Community Hosts The Santa Fe Chamber Music Festival also gratefully acknowledges the following businesses and organizations for generously accommodating Festival musicians’ rehearsal and housing needs and generously hosting Artists’ Circle and other donor events. Casas de Guadalupe Center for Contemporary Arts Club at Las Campanas Eldorado Hotel & Spa First Presbyterian Church of Santa Fe Gerald Peters Project La Fonda on the Plaza School for Advanced Research

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

2021 Festival Volunteers As we work to present an unforgettable Festival experience in the face of unprecedented and unpredictable challenges, we offer a heartfelt Thank You to our intrepid volunteers—a dedicated group of hard-working people who generously donate their time, energy, and expertise to help ensure that every concert is a success and every special event runs smoothly. We couldn’t do what we do without these invaluable friends. Lenore Alarid Marilyn Batts Sue Benedict Kim Bey Carl Bogenholm Christine Boss John Burke Deborah Casillas Charlotte Chavez Lucie Church Donna Clark Elaine Coleman Judy Costlow Joalie Davie Mark Davis Rebecca Dempsey

Delphine Douglass Donna Eagles Bobbie Elliot Bill Epstein Bill Fajman Jeanne Flannery Roxanne Fleszar Barbara Forslund Nora Gluck Gail Goldey Michael Goldey Eda Gordon Anna Griswold Barbara Hadley Mary Ann Hale Jane Halpern

Barbara Hays Judy Henry Gina Hopely Bonney Hughes Anna Jamrosz Hanna Kaiser Lisa Kantor Penny Kapin Stephen Kapin Mike Keller Dale Kellogg Linda Koran Maggie Lee Edwina Lieb Darby Long Anne Maglisceau

Sharon McCawley Karen Miller Linda Miller Paula Miller Ann Moon Ann Parks Janet Peacock Gail Perazzini Randy Perazzini David Ponder Madeline Pryor Nilou Rahimi Eileen Rhine Mark Robyn Barbara Roush Frank Shelton

Michael Simon Ruth Singer Sandra Smith Janet Steinberg Ellen Stelling Milton Stockmyer Susan Stockmyer Erin Taylor Michael Thompson Sue Thompson Deborah Tulchin Jim Werbel Nancy Yankura

We also want to thank and honor the memory of longtime Festival volunteer Carol Toobin (1947–2020), whom we greatly miss.

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

The Santa Fe Chamber Music Festival’s 2021 Radio Broadcasts Every year, the Santa Fe Chamber Music Festival airs 13 radio broadcasts on stations around the country as well as on its website. The broadcasts are part of the Festival’s national Radio Series, which is produced and distributed by the WFMT Radio Network, and feature high-quality recordings of live performances from the previous year’s Festival season. This year, because we canceled our 2020 season due to the worldwide coronavirus pandemic, and because we’re beginning to look to our 50th anniversary season in 2023, our 2021 Radio Broadcasts spotlight performances from 1999 through 2019, in celebration of our rich artistic history. The repertoire spans six centuries—from Dowland’s seminal 16th-century song “Come, Heavy Sleep” to Knussen’s 21st-century masterpiece Requiem: Songs for Sue—and the performances showcase many cherished friends of the Festival, such as cellist Lynn Harrell, pianists Leon Fleisher and Peter Serkin, violinist Ida Kavafian, flutist Tara Helen O’Connor, the Dover Quartet, and the Orion String Quartet, among others. As always, the broadcasts include commentary from the series’s hosts—WFMT’s Kerry Frumkin and the Festival’s Artistic Director, Marc Neikrug—as well as Festival musicians. For more information, visit RadioNetwork.WFMT.com/programs. To stream our 2021 Radio Broadcasts—as well as broadcasts that go all the way back to 2007—visit SantaFeChamberMusic .com/radio-programs. Here are just a handful of highlights from our 2021 broadcasts: ANTONÍN DVOŘÁK Piano Quintet in A Major, Op. 81 Peter Serkin, piano Dover Quartet Joel Link, violin Bryan Lee, violin Milena Pajaro-van de Stadt, viola Camden Shaw, cello Performed on August 22, 2016, at The Lensic Performing Arts Center

FRANZ SCHUBERT String Quintet in C Major, D. 956 Tokyo String Quartet Martin Beaver, violin Kikuei Ikeda, violin Kazuhide Isomura, viola Clive Greensmith, cello Lynn Harrell, cello Performed on August 20, 2012, at The Lensic Performing Arts Center

CÉSAR FRANCK Piano Quintet in F Minor Kirill Gerstein, piano Martin Beaver violin Benjamin Beilman, violin Lily Francis, viola Clive Greensmith, cello Performed on August 3, 2015, at St. Francis Auditorium in the New Mexico Museum of Art

ERICH WOLFGANG KORNGOLD Suite for Piano Left Hand, Two Violins, and Cello, Op. 23 Leon Fleisher, piano Cho Liang Lin, violin Ariel Shamai, violin Gary Hoffman, cello Performed in August 1999 at St. Francis Auditorium in the New Mexico Museum of Art

EDWARD ELGAR Piano Quintet in A Minor, Op. 84 Jeremy Denk, piano Tokyo String Quartet Martin Beaver, violin Kikuei Ikeda, violin Kazuhide Isomura, viola Clive Greensmith, cello Performed on August 19, 2012, at The Lensic Performing Arts Center

SZYMON LAKS String Quartet No. 5 Dover Quartet Joel Link, violin Bryan Lee, violin Milena Pajaro-van de Stadt, viola Camden Shaw, cello Performed on August 16, 2017, at The Lensic Performing Arts Center

FRANZ SCHUBERT Fantasy in C Major for Violin and Piano, D. 934 Daniel Phillips, violin Haochen Zhang, piano Performed on July 17, 2018, at St. Francis Auditorium in the New Mexico Museum of Art LEO ORNSTEIN Piano Quintet, Op. 92 Marc-André Hamelin, piano Johannes String Quartet Soovin Kim, violin Jessica Lee, violin Choong-Jin Chang, viola Peter Stumpf, cello Performed on August 14, 2015, at St. Francis Auditorium in the New Mexico Museum of Art JOHANNES BRAHMS Piano Quartet in G Minor, Op. 25 Kirill Gerstein, piano Martin Beaver, violin Tien-Hsin Cindy Wu, viola Peter Wiley, cello Performed on July 24, 2019, at St. Francis Auditorium in the New Mexico Museum of Art

The Santa Fe Chamber Music Festival Radio Broadcasts are supported, in part, by generous underwriting from the National Endowment for the Arts—Art Works; New Mexico Arts; and the Santa Fe Arts and Culture Department. 88

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Artwork on Our Stages At St. Francis Auditorium in the New Mexico Museum of Art and at The Lensic Performing Arts Center

Allan Houser, Spirit of the Wind (Small), 1992, bronze, edition of 10, 38” x 21” x 21” © Chiinde, LLC* Loan courtesy of Allan Houser, Inc. *Chiinde is a Houser/Haozous Family company that owns copyrights to all Allan Houser artworks. Purchase information: Allan Houser, Inc., 505-471-9667

Patron Information CONCERT VENUES Santa Fe Chamber Music Festival concerts take place in St. Francis Auditorium at the New Mexico Museum of Art, 107 W. Palace Ave., and The Lensic Performing Arts Center, 211 W. San Francisco St. Both venues are in downtown Santa Fe. TICKET PURCHASES AND TICKET OFFICE HOURS Tickets may be purchased with any major credit card by phone at 505-982-1890 or 888-221-9836, ext. 102, or in person at the Festival’s Ticket Office, which, from mid-July to August 22, is in the lobby of the New Mexico Museum of Art (107 W. Palace Ave., Santa Fe; daily, 10 a.m.–4 p.m.). On concert days, the Ticket Office remains open until after intermission or until the start of the concert if there is no intermission. From August 23 until next summer, the Ticket Office is at 208 Griffin St., in Santa Fe, and is open Monday–Friday, 10 a.m.–4 p.m. LOST OR MISPLACED TICKETS If you lose or misplace your tickets, call the Ticket Office to arrange for replacements for free. Call 505-982-1890 or 888-221-9836, ext. 102. TICKET EXCHANGES AND REFUNDS All ticket sales are final. There are no refunds or cancellations. The Festival permits ticket exchanges for most concerts up to 48 hours prior to the concert date. This service is free to subscribers; an exchange fee per ticket applies to nonsubscribers. Exchanges are subject to availability. For more information or to exchange your tickets, please contact the Ticket Office at 505982-1890 or 888-221-9836, ext. 102. IF YOU CAN’T ATTEND, CONSIDER DONATING YOUR TICKETS If you’re unable to attend a performance, 90

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please consider donating the cash value of your tickets to the Festival, which is a 100 percent tax-deductible contribution. Prior to the performance, you can donate your tickets in person at the Festival’s Ticket Office (see address in previous column) or via email at tickets@sfcmf.org. When emailing, please include the name of the person who purchased the tickets, the date and time of the performance, the number of seats to be donated (and the seat numbers, if possible), and the order number, if possible. The Festival cannot accept donated tickets via phone. We appreciate receiving your ticket donations as soon as possible so that we can increase our chance of reselling the tickets. You’ll receive a receipt for tax purposes, and you’ll give other music lovers the opportunity to hear a live Santa Fe Chamber Music Festival performance. Please note: Once you donate a ticket, your donation is final, and the ticket is instantly made available for resale. COVID SAFETY PROTOCOLS The Santa Fe Chamber Music Festival, with guidance from medical experts and local public health authorities, has developed best-practice COVID safety protocols that meet or exceed recommendations from the Centers for Disease Control and Prevention (CDC) and the New Mexico Department of Health. All Santa Fe Chamber Music Festival staff members are fully vaccinated. Vaccinations are strongly encouraged, but they’re not required for entry to Festival concerts. Face masks are required inside our venues at all times, regardless of your vaccination status. Musicians will perform onstage without masks. For details and further information about the Festival’s COVID safety protocols, please visit SantaFeChamberMusic.com/CovidUpdates.

PATRONS WITH SPECIAL NEEDS The Festival provides wheelchair seating, accommodations for guide dogs and walkers, and other assistance. Please notify the Ticket Office of your needs when ordering tickets. EMERGENCIES Medical or other emergencies should be brought to the attention of a museum guard, a Festival volunteer (look for their teal-colored sash), or a Festival staff member. RECORDING AND ELECTRONIC DEVICES The use of cameras and other recording and electronic devices is not permitted in the Festival’s concert halls. Out of consideration for the Festival’s musicians and your fellow concertgoers, please turn off your cell phone, alarm watch, pager, and other electronic devices before your concert begins. LATE SEATING Concerts begin promptly at indicated times. Out of consideration for the Festival’s musicians and your fellow concertgoers, and to minimize distractions, latecomers or those leaving a performance in progress will not be readmitted to the concert until an appropriate time as determined by a member of the Festival’s staff or a Festival volunteer. Please remember that traffic, parking, and weather can affect your arrival time. We suggest arriving 30 minutes prior to the concert to allow time to find your seat and get ready for the performance. The Festival assumes no responsibility for portions of any concert missed due to lateness and cannot make any adjustment to the ticket price. Your understanding and cooperation are appreciated.

INCLEMENT WEATHER The Festival is committed to honoring its concert schedule; therefore, performances proceed on time regardless of weather conditions or traffic delays. The Festival regrets that tickets not used due to inclement weather or traffic delays cannot be refunded, exchanged, or returned for a tax receipt. LENGTH OF CONCERTS Performance length varies, but most evening concerts last about two hours, including intermission. Noon and Saturday concerts last about one hour and do not have an intermission. CHILDREN ATTENDING CONCERTS Children ages five and older may attend concerts with tickets purchased for them; however, concerts are best suited for children ages ten and older. The Festival offers a free Youth Concert series designed especially for children. APPLAUSE Although most artists appreciate applause at any time during a performance, audiences should wait until the end of a piece to clap. This is considered respectful to the performers’ concentration and mindful of musical continuity. If you’re unsure about when to applaud, a good rule of thumb is to follow the lead of other audience members.

COUGHING If you’re prone to coughing, please have unwrapped throat lozenges ready when the concert begins or try to cough during a loud passage of music. If you begin to cough a lot, it’s perfectly acceptable to leave the hall; a member of the Festival’s staff or a Festival volunteer will readmit you to the hall during an appropriate part of the performance. SMOKING, FOOD, AND BEVERAGES Smoking, food, and beverages are not permitted inside the concert halls or in any part of the New Mexico Museum of Art building. Food and drinks are permitted in the museum’s courtyard during intermission. Refreshments are available for purchase in The Lensic Performing Arts Center lobby before concerts and during intermission.

FOR MORE INFORMATION If you want to receive future Festival mailings, such as our 2022 season brochure, or if you want to stay in touch with the Festival through our monthly electronic newsletter, visit our website at SantaFeChamberMusic.com. Please note: all programs, artists, and performance dates are subject to change.

JEWELRY AND FRAGRANCES Please avoid wearing jewelry and accessories that make noise and any scented personal products that can compromise the health and comfort of other concertgoers. LOST AND FOUND Lost articles may be claimed at the New Mexico Museum of Art’s information desk and at The Lensic Performing Arts Center’s box office during regular business hours.

Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |

2022 Season Preview

Courtesy of the Escher String Quartet

Join us next summer for more great chamber music when we present our 2022 season from July 17 through August 22. Five beloved ensembles—the Dover, Escher, FLUX, Miami, and Orion string quartets—return to the Festival to perform a wide range of repertoire, while the ChienKim-Watkins Trio makes their highly anticipated debut playing the full cycle of the groundbreaking Beethoven Piano Trios.

Kirill Gerstein, Haochen Zhang, Gilles Vonsattel, Benjamin Hochman, and Zoltán Fejérvári appear in solo piano recitals, while mezzo-soprano Fleur Barron and pianist Julius Drake make their Festival debuts with a piano-vocal recital. Festival-commissioned premieres in 2022 include works by Kaija Saariaho, Shulamit Ran, Detlev Glanert, and the two participants in the annual Young Composers String Quartet Project, and the Festival also presents the New Mexico premiere of a piano quintet by Artistic Director Marc Neikrug, performed by pianist Haochen Zhang and the Dover Quartet.

Photo by Marco Borggreve

Superstar violinist Leila Josefowicz gives a solo recital featuring works by Bach and Matthias Pintscher and joins forces with pianist Kirill Gerstein, cellist Paul Watkins, and clarinetist Ricardo Morales for Messiaen’s Quartet for the End of Time. Mr. Morales also solos in Stravinsky’s Three Pieces for Solo Clarinet.

Escher String Quartet

John Storgårds

Photo by Chris Lee

John Storgårds, chief guest conductor of the BBC Philharmonic and principal guest conductor of Canada’s National Arts Centre Orchestra, conducts Knussen’s Requiem: Songs for Sue and Schoenberg’s Chamber Symphony in E Major, and he plays violin in Shostakovich’s Piano Trio in E Minor.

Leila Josefowicz

Details plus subscription and ticket information will be available on our website, SantaFeChamberMusic.com, in the early fall, so please stay tuned. We look forward to seeing you in 2022. 92

| Santa Fe Chamber Music Festival 2021 ∙ The 48th Season

Lisa-Marie Mazzucco (left, center), Paul Marc Mitchell (right)

Pianist Nicolas Namoradze makes his Festival debut on two programs, while returning artists include violinists Martin Beaver, Paul Huang, and Ida Kavafian; violists Che-Yen Chen and Paul Neubauer; cellists Eric Kim and Peter Wiley; flutist Tara Helen O’Connor; oboist Liang Wang; and bassoonist Christopher Millard.

Chien-Kim-Watkins Trio

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Program Book Credits

Allan Houser, Inc................................................................. 4 Century Bank..................................................................... 15 CHRISTUS St. Vincent....................................................... 14 Classical Music Festivals of the West.................................. 20 Del Norte Credit Union........................................................ 9 John Day Law....................................................................... 8 Nusenda Credit Union......................................................... 2 Otra Vez en Santa Fe.......................................................... 89

Editor Amy Hegarty Contributors Angelica Bernaert Cece Derringer Leanne DeVane Valerie Guy Joseph Hohlfeld Yavar Moradi Marc Neikrug Steven Ovitsky Johnnyangel Pineda Nancy Steedman Design, Production, and Advertising Sales Impressions Advertising, Inc. Publisher Impressions Advertising, Inc. Santa Fe Chamber Music Festival 2021 ∙ The 48th Season |