YU, SZU-AN PORTFOLIO 2006-2012
CONTENTS
architecture projects [ SENSATION.RAR ] Unzip: Sensation.rar, by slowing down the speed
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[ CYCLE: The Decline and Rebirth ] Cinemetrics International Workshop in Hong Kung
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[ Liquid Perception of Governor’s Residence ] Resident Artists Program in Governor’s Residence in Tainan County
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graphic design [ HUMANE CITIES ] [ CONCEPT CITY ] [ ANNVA’S PIANO RECITAL ] [ REC - RECord, REConstruct, RECode ]
40 41 42 44
photography [ CONCEPT CITY ]
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painting [ Woman with blue hair ] [ Baku ] [ Baku ] [ Sometimes we hide,for preserving the world order of ours ]
66 68 71 72
information chronology resume
76 80
ARCHITECTURE design
[ SENSATION.RAR ] THESIS PROJECT in fourth year of university / Jun. 2009
Unzip: Sensation.rar, by slowing down the speed Before you can tell what that store around the corner is, you have already missed it. It is because you’re moving too fast. Before you figure out the story of weeping girl in the novel that you are reading, you are halfway off your seat to get off the bus. It is because you’re moving too fast. You wish to gain a few more minutes to think through all the things that happened today, but the bus has arrived at your stop.
Someday you may like to spend thirty more minutes to go home, on a slow bus.
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SPEED Sometimes, the city is too fast for me to know it’s face; except the tenseness of people.
SLOW MOVE I found that when I was moving in the city as usual; I was on a bus, going to the next destination. Slow and tortuous movements extended the time and the route of getting along with the city.
CONNECTED SPACE It is opposite to underground-traffic; the spaces could be connected rather than cut off and closed: inside/outside, near/distant. It is easy to connect with the spaces of a city by sight.
MESSAGES Lots of interesting things are happening everyday; the cities, streets, and people, they all have stories. And It is one if the best ways to observe them.
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MOVING/READING We are reading the city through the window of the vehicles while moving. People --> moving mode (first layer of space) --> city (second layer of space) With different moving mode there will be different interpretation.
SENSORY-MOTORS Take the moving mode of the bus as an example: Taking bus constrains people’s behavior from walking or moving to still sitting or standing position. Students or commuters in the bus are detached from their original task. They can do very little in this space for waiting until the bus arrive at their destination, and tend to slow down their pace. At this moment the sensory-motors of people become the vantage point with more thinking, hearing or seeing more the ignored things of the surrounding environment. People have more awareness of environment. Among these relationships, I categorize they into three states: internal, exchange, and external state.
PERCEPTION The sensation as the media connect people and the first layer of surrounding space, people explore and experience the space through their sensory-motor, with different interpretation generated by different perception, while different moving mode through will affect the reading process of the city. People --> perception --> space Especially the speed of physical or mental, high speed could weaken the sensibility, otherwise, low speed could increase it.
EXCHANGE
INTERNAL Internal state refers to one’s own state of mind or thinking activities. For example, a further idea about an event happened today, or thought of something which was ignored before. Because of the limit of the action, we could concentrate more on thinking or imagining and put ourselves into the state of selfreflection.
Exchange is the transition between the closed space and the space outside. The sound and smell outside will spread into the bus when door opens, the temperature and air flow in the car will be affected also. At this time, the inner space and the outside space will be linked and weaken the sense of closure to allow the external information to be passed. And when the door closes, the link is cut off and the space turns closed after a series of interchanges of the information.
EXTERNAL External is the milieu outside ourselves. With our sensorymotor schema we could capture information from external events: listening the dialogue between the passengers next to you, seeing a new office building on the street , identifying one’s profile from the dress, or presuming the rush hour by the density of people on the bus. The building, people and weather are all embedded with message for our perceptions to interpretate.
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http://ngmchina.com.cn/web/?action-viewnews-itemid-168884
SITE Ta i p e i ’s f i r s t e a s t- w e s t e l e v a t e d expressway is the most important traffic line, shadowing a street used to be railway, now buried underneath. It intersects with the other major roads and overpass seven administrative districts.
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Fusing S.Rd
MRT - Muzha Line
Commerce Shops
ay . - High W Civic Blvd . Civic Blvd
High Way
Civic Blvd.
MRT
High Way
Shops Shops
Shops Park
Commerce Shops
In the downtown area it intersects with the MRT system creating the high speed and high volume traffic flow and busy commercial districts.
MRT - Muzha Line Fusing S.Rd Civic Blvd. - High Way Civic Blvd. Commerce Shops
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DETACHED / RE-STRUCTURE In this high speed and high volume traffic flow, the site is on the traffic island area which is detached from high speed surroundings. In this context with slow paced space, three states of internal, exchange, and external are infilled into the site and re-structure the urban spaces through the interaction of perceptions.
Internal Compression, closed, cohesive.
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Exchange Linked, conditionally changing.
External Possibility of a variety of activity, message passing.
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Commerce Shops
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Commerce Shops
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[ CYCLE: The Decline and Rebirth ] CINEMETRICS PROJECT in fourth year of university / Mar. 2009
Cinemetrics International Workshopin Hong Kong 2009 What role does the Central Market play at the bottom of Central-Mid-Levels Escalator and Walkway System in 21st century? How about the function of Central Market and walkways nowadays?
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CINEMETRICS In Cinemetrics International Workshop, we discussed the three directors who has different styles: Yasujiro Ozu, Jean Luc Godard, and John Cassavetes. The still camera frames Ozu’s cinema are just like architectural drawings. Directions of camera are perpendicular to each other. And these still camera frames creating images are similar to making elevations or sections in architectural skills. As to Jean Luc Godard, he used panning and tilting way. Through those techniques, the view is extended; and it follows the actions of people or events. And the third director, Cassavetes, was using hand-held camera skill. This makes the images more active, unstable, and close to humans’ sight. In addition to the styles of moving camera, we also practice “perception images (long distance)”, “action images (medium distance)”, and “affection images (close up)”. In perception images, we can realize the relation between people, objects, and space. Action images are going to show the behavior of human or objects clearly. Refer to affection images, it usually focus on someone’s face or particular objects to reveal the emotions or specific meanings.
DEVELOPMENT / REDEFINED SPACE From the history of development in this site, it can be divided into three period: 1939, the central market was built; 1991, the Hang Sheng Bank appeared and 2003, IFC came out. Now there are two elevated walkways between the three buildings, which were established in different generations. Due to the emergence of new elevated walkway, the function of Central Market was redefined again by the new activities. In the past, there is as a market to sell vegetables and daily things. But nowadays, it doesn’t open any more since its decline. From the photos, we can discover that there are many imported laborers gathering on weekend even street performers, homeless and beggars. Thus their activities create the new space in Central Market and change its original function. They make the space in this area more vivid and dramatic.
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OVERLAP and FEEDBACK From the expanding new areas and the alteration of development focus in history, to the decline of Central Market and rebirth given by new activities, it shows an interesting phenomenon among them. Especially comparing to the cycle of people’s gathering and passing on weekend and weekdays, it shapes an overlap and a feedback. This project is to try to make a film using Ozu’s camera style and describe the characteristics of the space under the background given by above.
Ineternational Finance Centre
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39
Central Market
Hang Seng Bank New Headquarters Building
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91
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20 03
Ineternational Finance Centre
Central Market Hang Seng Bank New Headquarters Building
1939
DECLINE
1991
/
2003
REBIRTH
NO ACTIVITY
weekday
OCCUPIED
weekend
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[ Liquid Perception of Governor’s Residence] COMPETITION PROJECT / Nov. 2010
Resident Artists Program in Governor's Residence in Tainan County Through this installation inspired from the thought of water, we expressed the concern of the relations between liquid perception, urban space, and daily life. And the images taken from the surrounding of Governor ’s Residence in Tainan County reflected the interactions between people and the spaces. We tried to provide a new aspect to understand the place where we were.
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LIQUID PERCEPTION Because of the extremely change of climate in recent years, the liquid perception of Taiwan becomes different with the collapse of the mighty nature. We want to make a series of experimental images and space-arts about the interpretation of liquid and reflect on the new perception and the possibilities of design by the relationship between body and different view level. We capture a variety of images and films about the liquid perception of Taiwan from the surroundings, such as the real urban space, the images of the city, the history of the city, and the changing information to represent the liquid perception. In this project, we use a new observing way to take the images of Tainan, the ancient governor’s resident, and its surroundings to present the relationship between the history and people’s lives.
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graphic design
[ HUMANE CITIES ]
JAN.2012 420mm X 594mm
Continuing the idea of “CONCEPT CITY”, a human-like shape is bearing the three tetrahedrons as his brain. The pyramids in the center are like fluctuation charts of brain waves.
REC to. 70263 台南市健康路一段351號
time. 12/18 - 1/15 venue. REC 台南市健康路一段351號 Concept City. 概念城市
STAMP HERE
by. 呂佳卉 + 林書楷 + 俞思安 + 陳維剛 + 郭哲宏 + 龔柏閔 www.facebook.com/RECoding
協辦.德鴻畫廊
[ CONCEPT CITY ] Dec. 2011 150mm x 100mm
A tetrahedron is a polyhedron with the minimum number of edges, which is the base shape in three-dimension. It means even a great city needs to construct from tiny elements. And the number of tetrahedrons is three, presenting the quantities of components of a city.
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www.facebook.com/RECoding free entry !
/ Bach / Prelude and Fugue No.18 g# minor, BWV 887 Beethoven / Piano Sonata No.27, Op.90 : First & Second movements Liszt / Rhapsody no.15 Rakoczy March Debussy / suite pour le piano :Toccata Witold Lutoslawski / Bukolische Weisen Chopin / Etudes Op. 10 No. 9 & Op. 25, No. 9 "Butterfly" time 12/19 Mon 19:30 venue REC 台南市健康路一段351號 artist 葉妍君
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Musician / Freelance Illustrator NCKU, Architecture, Tainan Working Experience: Viola, The Chiayi Civil Orchestra/ Piano, The Chiayi Civil Choir/ Viola, National Taiwan University Symphony Orchestra/ Designer, EDS Group Exhibition: TCM Unexpected Cover Show, Taipei, 2007/ Chew all (95), TADA Center, Taichung, 2006
A tetrahedron is a polyhedron with the Annva Kay is a young musician, who is mystic but graceful as well as her music. She is leaving us for studying abroad in this Christmas season. It is just a beautiful solitude.
[ ANNVA’ S PIANO RECITAL]
Dec.2011 140mm x 125mm, 420mm x 594mm
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[REC – RECord, REConstruct, RECod ] Aug.2011 594mm x 420mm
Memories of that moment will be retained; but when you see them, you will create a new one.
（給你
01 王思云 Graphic Designer / Freelance designe
Education: National Kaohsiung University of Applied Sciences department of cultural activities development Award: Nominated for Guidelines for theWow! eye Taiwan Video Contest /music video /2008, Nominated for 4A creative Award/ student TV Commercial /2009, Stunning performances/ Timesawards Graphic and Advertising Design Award / student TV Commercial /2009, Superior / Timesawards Graphic and Advertising Design Award/ Advertisement /2009 University final project： female documentary film/ elephant /2010 Working Experience: Kidz At The Disco - graphic designer Handmade filmmaking company –assistant producer
02 甘芳穎 Graphic Designer / Photographer Education: NTUA, Graphic Communication Arts, Taipei Working Experience: Assistant, Files Design Group/ Graphic Designer & Co-Owner, Kidz At The Disco/ Package Designer, Hob/ Graphic Designer, PHANTACi Award: Masterpiece, Photograph Images Of Women Workers Association, 2009, Superior, Photo Competition Lomo Market, 2008
03 杜漫舷 Sculptor / Metal & Jewelry Designer
04 吳中平 Artist / Photographer Education: University Of Cumbria, Fine Art, Carlisle Working Experience: Director, Badger Badger Gallery/ Photographer, Taipei Representative Office In The UK, Edinburgh Office Exhibition: i.t.Taiwan & Brazil Exhibit Exchange Of Young Artists, Taipei, 2011/ Geisai Taiwan #2, Taipei, 2010/ Ban-Doh FORMOSA, Westminster Academy, London, 2010/ Ban-Doh FORMOSA, Candid Gallery, London, 2010/ Geisai Taiwan, Taipei, 2009/ Art Emperor Young Artists Festival, Taipei, 2009/ Carlisle Art Festival, Bank Gallery, Carlisle, 2009/ Degree Show: This Side Of Somewhere, Carlisle, 2009
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林念慈 Fashion Designer / Fashion Stylist Education: SCU, Fashion Design, Taipei FIDM, Fashion Design Graduate, LA Working Experience: Sales Stylist, Banana Republic/ Co-Owner, Kidz At The Disco
Education: NCKU, Architecture, Tainan Working Experience: Designer, NCKU Architecture Office/ Teaching Assistant, NCKU Architecture Office/ Intern, Sheng Yuan Huang Architects + Field Office Exhibition: Resident Artists Program, Tainan, 2010/ Post Babel, Huashan 1914, Taipei, 2009
07 陳彥旭 Filmmaker / Photographer / Artist / Interior Designer
10 葉妍君 Musician / Freelance Illustrator Education: NCKU, Architecture, Tainan Working Experience: Viola, The Chiayi Civil Orchestra/ Piano, The Chiayi Civil Choir/ Viola, National Taiwan University Symphony Orchestra/ Designer, EDS Group Exhibition: TCM Unexpected Cover Show, Taipei, 2007/ Chew all (95), TADA Center, Taichung, 2006
11 楊芷涵 Graphic & Animation Designer / Fashion Designer
Education: CYCU, Architecture, Taoyuan HSNU
Education: MCU, Commercial Design, Taoyuan CJCU, Computer Aided Media Design, Tainan
Working Experience: Photographer, Soft Lipa x Jabberloop Live In Legacy Taipei/ Painter, Mural Of Zee & Ku’s Kitchen/ Painter, Mural Of Coffee Inn/ Interior Designer, Project Of Royal Mode Clothing Store/ Intern, D.more Studio
Working Experience: Interactive Artist, Taipei County Turning Off Lights for Environmental Protection/ Interactive Artist, Taipei County Starry Sky Film Festival/ Taiwan Animation Alliance CIS Design/ Taiwan Election Campaign Advertising Of Online Commercial/ msQueena Cosmetics CI Design And Web Design
Exhibition: Profile, Sheltering Sky Gallery, Taipei, 2010/ Post Babel, Huashan 1914, Taipei, 2009/ 10 20 30, HSNU, Taipei, 2004
08 陳維揚 Product Designer / Freelance Designer / Spatial Interaction Designer Education: NTUST, Industrial Design, Taipei Working Experience: Painter, Painting Project x Big Size Exhibition: City Yeast Creative Transformation, Gong Guan Shopping District, 2010/ Dream Generation Project, Sample House, Tainan, 2009
09 張容瑱 Illustrator / Artist / Graphic Designer / Toy Designer Education: SVA, Graphic Design, NY Working Experience: Freelance Designer, Phalanx Studio/ Intern, O.O.P.S. Office Of Paul Sahre/ Intern, Runner Collective/ Designer, Coin Coin Bunny Bun Exhibition: 2010 Kaoshung Design Festival, Kaoshung, 2010/ 2010 SVA AD/GD Department Spring Exhibition@ADC, NY, 2010/ Enjoy Rody!! Exhibition in Taiwan, Taipei, 2010/ DWR Tools For Living 2010 Spring Window, SoHo, NY, 2010/ 18 Copper Men, Collaboration With Pizza Cut Five, Taipei, 2009/ Taipei Toy Festival, Taipei, 2006 - 2009/ Singapore Design Festival, Singapore, 2007/ HK Asia Toys Expo, Hong Kong, 2006 Award: Gold Award, 2nd Designer Toy Character Design Contest, 2006/ Superior, 3rd 4th Designer Toy Character Design Contest, 2007 - 2008/ Superior, A Better Tomorrow Design Contest by Coca Cola x Trexi Toys, 2007
Exhibition: Graduation Exhibition of Commercial Design, Taipei, 2009/ World Vision Child Protection Advocacy, Taipei, 2008 Award: 1st, Young Times Awards Commercial Graphics, 2008 - 2009/ Graduated 1st School Of Design, 2009/ Materpiece, Freelance Commercial Innovation Award for Best Commercial Graphics, 2008/ Materpiece, Information Technology Month Poster Competition, 2008
樹林街
南寧街
南門路
Award: Niche Award Final List (Out Of 800 Contestants), 2010 - 2011/ Meeh-Yang Fishkin Scholarship in Metal, 2009/ Max Gatov Award, 2008
06 俞思安 Photographer / Environmental Designer / Artist
忠義路一段
Exhibition: Niche Award Final List, Pennsylvania Convention Center, PHI, 2010 2011/ Metal Metal Show, Werby Gallery, Long Beach, 2010/ Student Show, Yuma Fine Arts, Yuma, 2010/ Side By Side, Dutzi Gallery, Long Beach, 2009/
永福路一段
Working Experience: Fabricate Custom Jewelry For The IKO IKO Boutique/ Technician, Metal Lab/ Personal Assistant, Kelly Nye Studio
西門路一段
Education: CSULB, Metal And Jewelry Design, Long Beach
五妃街
健康路
12 劉沛盈 Photographer / Interior Designer Education: CYCU, Interior Design, Taoyuan Working Experience: Freelance Interior Designer/ Interior Designer, Tiens Studio Interior Design Exhibition: 21 x 21 Crossover, Eslite Xinyi Book Store, Taipei, 2009/ Interactive Design Of Kid Space, CYCU, Taoyuan, 2006/ Bamboo Installation Art, CYCU, Taoyuan, 2005
13 藍祺聖 Photographer / Director
opening. 8/6, 14:00 period. 8/6-10/1, 2011 time. 14:00-20:00 venue. 台南市健康路一段351號
6 REC
Sat.
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/RECord, REConstruct, RECode
健康路351號，一棟實驗的房子。
記錄、重新組構之後重新編碼， 用各自的表述； 在台南市健康路351號。
然後
現
現在你也在
那裡
了
）
/there
you are
///////////////////////////////////// photograph + graphic /
sian.yu
/there
you are
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sian.yu
/there
you are
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sian.yu/REC
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/there
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sian.yu
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[REC – RECord, REConstruct, RECode ]
Aug. 2011 594mm x 840mm, 184mm x 112mm
The irregular polyhedron represents the aggregate artists, who all create and take REC as a topic but in different ways. The pointy part of this polyhedron is just like a pen which is writing/record and also a needle which is reading/reconstruct. There is an inverted image of the polyhedron; it means people will have reflections when they received the messages from our creations, and that is recode.
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PHOTOGRAPHY
Barcelona, 2011 OLYMPUS OM-1 G.Zuiko 50mm F1.4 FUJIFILM X-TRA 400
Barcelona, 2011 OLYMPUS OM-1 G.Zuiko 50mm F1.4 PARADE 100
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London, 2011 OLYMPUS OM-1 G.Zuiko 50mm F1.4 KODAK Tri-X 400TX
Barcelona, 2011 OLYMPUS OM-1 G.Zuiko 50mm F1.4 KODAK Tri-X 400TX
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London, 2011 OLYMPUS OM-1 G.Zuiko 50mm F1.4 KODAK Tri-X 400TX
Tokyo, 2009 OLYMPUS OM-1 G.Zuiko 50mm F1.4 FUJIFILM X-TRA 400
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Tokyo, 2011 MINOX GT-E KODAK Tri-X 400TX
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[ CONCEPT CITY ]
Exhibition at REC, Tainan, Taiwan. Dec 18, 2011 to Jan 15, 2012
Barcelona, 2011 OLYMPUS OM-1 G.Zuiko 50mm F1.4 PARADE 100 wood window frame, digital print SIZE: 490mm x 440mm x 50mm
London, 2011 OLYMPUS OM-1 G.Zuiko 50mm F1.4 KODAK Tri-X 400TX wood window frame, digital print SIZE: 490mm x 440mm x 50mm
Nantou, 2011 MINOX GT-E EFINITI UXI 200 Digital print SIZE: 650mm x 390mm x 50mm
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London, 2011 OLYMPUS OM-1 G.Zuiko 50mm F1.4 KODAK Tri-X 400TX wood window frame, digital print SIZE: 490mm x 440mm x 50mm
London, 2011 OLYMPUS OM-1 G.Zuiko 50mm F1.4 KODAK Tri-X 400TX wood window frame, digital print SIZE: 490mm x 440mm x 50mm
London, 2011 OLYMPUS OM-1 G.Zuiko 50mm F1.4 KODAK Tri-X 400TX wood window frame, digital print SIZE: 490mm x 440mm x 50mm
London, 2011 OLYMPUS OM-1 G.Zuiko 50mm F1.4 KODAK Tri-X 400TX wood window frame, digital print SIZE: 490mm x 440mm x 50mm
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Barcelona, 2011 OLYMPUS OM-1 G.Zuiko 50mm F1.4 PARADE 100 wood frame, digital print SIZE: 610mm x 410mm x 170mm
Tokyo, 2011 MINOX GT-E KODAK 500T wood frame, digital print SIZE: 460mm x 310mm x 100mm
Yilan, 2011 MINOX GT-E KODAK Tri-X 400TX wood frame, digital print SIZE: 460mm x 310mm x 100mm
Barcelona, 2011 OLYMPUS OM-1 G.Zuiko 50mm F1.4 PARADE 100 wood frame, digital print SIZE: 410mm x 410mm x 130mm
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PAINTING
Woman with blue hair, 2011 oil painting 320mm x 410mm
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Baku, 2011 oil painting 530mm x 460mm
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Baku, 2010 oil painting 240mm x 190mm
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Sometimes we hide, for preserving the world order of ours, 2012 oil painting 1500mm x 1500mm
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INFORMATION
CHRONOLOGY / ACADEMIC DESIGN PROJECTS 2006 - 2009 [ PUBLIC LAVATORY ] [ DORMITARY – ADAPTIVE USE ] [ ARTIST PRIVATE HOUSING ] [ PROGRAMING – PROBLEM SEEKING ] [ CONGREGATE HOUSING ] [ RE-PROGRAMING GREEN BUILDING ] [ LO, MAN-FEI MONUMENT ] [ COMMUNITY LIBRARY ] [ IDEAL PRIVATE HOUSING ] [ COUNTRY HOUSING ] [ ELEMENTARY SCHOOL ] [ NCKU ART CENTER ] [ ELDER, DOG AND PARK ] [ SENSATION.RAR ]
year 1 / physical model 1/50 year 2 / physical model 1/50 year 2 / physical model 1/100 year 2 / physical model 1/50 year 2 / physical model 1/100 / 3d model year 3 / physical model 1/100 year 3 / physical model 1/100 year 3 / physical model 1/100 / 3d model year 3 / physical model 1/100 / 3d model year 3 / 3d model year 3 / physical model 1/200 / 3d model year 3 / physical model 1/100 / 3d model year 4 / physical model 1/50 year 3 / physical model 1/500, 1/250, 1/100 / 3d model
[ PUBLIC LAVATORY ]
[ DORMITARY – ADAPTIVE USE ]
[ ARTIST PRIVATE HOUSING ]
[ PROGRAMING – PROBLEM SEEKING ]
[ CONGREGATE HOUSING ]
[ RE-PROGRAMING GREEN BUILDING ]
[ LO, MAN-FEI MONUMENT ]
[ COMMUNITY LIBRARY ]
[ IDEAL PRIVATE HOUSING ]
[ COUNTRY HOUSING ]
[ ELEMENTARY SCHOOL ]
[ NCKU ART CENTER ]
[ ELDER, DOG AND PARK ]
[ SENSATION.RAR ]
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CHRONOLOGY / EXHIBITIONS, WORKSHOPS, COMPETITIONS 2009 - 20012
2009
2009
2009
2009
2011
2011
2011
2011
2009 Cinemetrics International Workshop HK
“ Post Babel ” Cheng-Kung, Chun-Yuan and Tung-Hai Architecture Graduation Exhibition “ Party of Crossroad ” NCKU Architecture Graduation Exhibition “Dynamic Eco-Patch” INTA, Idea for Action Kaohsiung 2010 “Liquid Perception of Governor’s Residence ” 2011 Advanced Cinemetrics : Generating Space Form, Movement & Time Images
TsuenWan, HK
Advanced NCKU Achievements Books + Exhibition “ REC –RECord, REConstruct, RECode ” “ My Dear Crocodile “ The Venice Biennial 13th International Architecture Exhibition Taiwan Pavilion “ Concept City “ 2012 “ WWWXREC “
2010
2011
2011
2012
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resume
EDUCATION Sep 2005 - Jun 2009 / Bachelor of Science in Architecture, College of Planning & Design, National Cheng-Kung University (NCKU), Tainan, Taiwan
PROFESSIONAL EXPERIENCE Aug 2011 – Present / REC Alternative Space & Curating Team / Visual Director Nov 2010 – Jul 2011 / Department of Architecture, NCKU / Project Assistant Sep 2010 – Jan 2011 / Department of Architecture, NCKU / Teaching Assistant Feb 2010 – Aug 2010 / Côte à Côte Café + Gallery / Service Stewardess Dec 2009 – Jan 2010 / KYLEYU Photography Studio / Assistant Jul 2008 – Aug 2008 / SHENG-YUAN, HUANG + FIELD OFFICE / Intern
WORKSHOP “ Advanced Cinemetrics : Generating Space Form, Movement & Time Images / TsuenWan, HK ” Mar 2011 “ Cinemetrics International Workshop / HK ” Mar 2009
COMPETITION The Venice Biennial, 13th International Architecture Exhibition, Taiwan Pavilion / Final List, Oct 2010 – Nov 2011 INTA, Idea for Action Kaohsiung, dynamic eco-patch / Honorable Mention, Jul 2009 – Oct 2009
EXHIBITION “ Concept City “ Exhibition of REC Dec 2011 – Jan 2012 “ My Dear Crocodile “ Exhibition of REC Oct 2011 –Nov 2011 “ REC – RECord, REConstruct, RECode ” Exhibition of REC Aug 2011 – Oct 2011 “ Liquid Perception of Governor’s Residence ” Resident Artists Program in Governor’s residence in Tainan County Nov 2010 – Dec 2010 “ Party of Crossroad ” NCKU Architecture Graduation Exhibition Jun 2009 “ Post Babel ” Cheng-Kung, Chun-Yuan and Tung-Hai Architecture Graduation Exhibition May 2009
EXTRACURRICULAR ACTIVITIES Team Leader of Propaganda, Associated Graduate Affairs Student Union 2009 Team Leader of Design and Activity Relevance, Summer Camp 2008 Chief of Girl Basketball Team, Physical Student Union 2008 Chief of Art and Design, Associated Student Union 2008
YU, SZU-AN
Date of birth / 28 Sept, 1986 Address / 5F., No.107, Ln. 113, Donghu Rd., Neihu Dist., Taipei City 114, Taiwan (R.O.C.) Mobile / +886-912-583-010 E-mail / sanyu928@hotmail.com
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