SARA CARCIOTTI ARCHITECT DESIGNER
P T L Copyright
O R F O I O ©
2016 by Sara Carciotti
All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical without permission in writing form the copyright holder.
F A I R D ES I G N
R E T A I L C A F F E
EX HIB ITIO N MUSEUM
R ES E A R C H D ES I G N
P H O T O GRAPHIC
U R B A N LANDSCAPE
F A I R D ES I G N
EXHIBITION NICHE
EXHIBITION SURFACE
INFOPOINT DESK
PLATFORM
SITTING
CARTESIAN GRID
axonometric view - stand for company Oikos
TOUCH FAIR ARCHITECTURE & EXHIBIT SPACE
FAIR AND EXHIBIT
1
masterplan pavilion Benevolo n° 22 - Bologna Fiere, Italy
SNOW
TEMPORARY PERMANENT
The fair stand is three-dimensional marketing tool and represent the company. Marketing and Design must develop together from the beginning. The idea is the basis of the communication strategy and created to the target customers who want to approach the product. The fair stand must be a sensory architecture, a pleasant atmosphere, simple and continuous spaces, progressions and rhythms between the different areas ( information area, social area, exhibition area, business area and private area).
TOUCH FAIR ARCHITECTURE & EXHIBIT SPACE
2
FAIR AND EXHIBIT
STAND
“... Such in our way of thinking we find beauty not in the thing itself but in the patterns of shadows, the light and the darkness, that one thing against another creates ... “ Jun’ichiro Tanizaki, In praise of shadows
STAND
The exhibit object is the surface with different colors and pattern. The light helps to discover and read the thickness of the material.
TOUCH FAIR ARCHITECTURE & EXHIBIT SPACE
FAIR AND EXHIBIT
3
Colors, lights, design and audio-visual effects are used to present products and services. The modular structure, seemingly very complex, is flexible and gives the possibility of plural different solutions. In the project, the modulor isn’t a single immutable element but with using the “folding” technique it allows us to obtain a three-dimensional element from a plan.
R E T A I L C A F E
EPPINGER CENTRALE OFFICE ARCH. BLOCCARI
RETAIL DESIGN
1
We propose a place to spend moments of playful life; our emotions depend also from the places where we spend our time. The organization of space, the use of colours, the choice of furniture and the presence of perfumes should generate welfare in people who use the space. In this cafeteria you should receive a general anaesthetic vision that if it was food could be called “fusion�! Genuineness, care, honesty and respect for the environment should be the ingredients for a successful realization.
ART FUSION
FOOD QUALITY
L I G H T W O O D OLD & NEW DETAIL FLEXIBILITY CONVIVIALITY
SIMPL - ILLY COM P ETITIO N GRAPHIC DESIGN
2
Our motto is Simpl-Illy and Sophisticated. Nothing better than easy sectional boxes. Our idea is combine simplicity to easy assembling without instruction using. There are no square figures, no limits to reach easily any product. The customer attention is focused exclusively on the booth. Recyclable cardboard in two distinctive Illy colours. Easy assembled by one particular junction. Each box overlaps other boxes. Combining to different levels and different rotations. 360 rotation possibility offers the chance to admire and taste best coffee with biscuits. Moreover our boxes are aimed to be multifunctional as Illy products expositor and as high bar table. The customer is in direct contact by what he would buy. The combine box expositor niches contains unique Illy coffee+biscuits packages. Coffee capsules are stored in a strategical niche on the top of the booth between two coffee machines.
CASTLE IN NOGAROLE ROCCA
3
COM P ETITIO N
OFFICE ARCH. BLOCCARI
The revitalization of the castle starts by two points; the subdivision of the castle into four functional wings: museum MIR, educational area, restaurant area and city halls. All the function are linked with the central courtyard which is designed as a meeting space with the underground conference hall. The second point is the new relationship with the territory by 4 tematic path: health, game, historical and botanical.
OFFICE R E A L ES TAT E
OFFICE ARCHT. BLOCCARI
N
E
W
T H I N K I N G
RETAIL DESIGN
4
APROACH IN THE
OFFICE DESIGN
The office is transformed into a hybrid and multifunctional space, a place for socializing, interactive and innovative. A big central table break the barriers between seller and customer. Even the atmosphere is perfectly in work-life balance style: domestic and informal but with the necessary buisiness areas.
EX HIB ITIO N MUSEUM
MINIMUM HABITABLE SPACE CITE’ DE L’ARCHITECTURE ET DU PATRIMOINE, PARIS OFIS ARHITEKTI
Rok Oman and Spela Videcnik
1 EXHIBIT DESIGN
“The installation at Cite de l’Architecture in Paris represents a basic human necessity, a shelter, Symbol of refuge. The outer form should respect natural resources and minimal impact on the ground. The design of the interior dictates modesty, totally subordinate to the function of the shelter providing basic accommodation. Prototypes of small inhabitable units create different interior spatial conditions and relations. Different agglomerations can adapt to the terrain and site condition and create also spaces of surprise around the envelope. Playing with 3d models, both physical and digital is essential in our work – finding unexpected can create something new and different. Visitors are invited to create their own minimal spaces and put photos on instagram. After the exhibit all different suggestions will be collected and represented in a book.“
ASSOTIATION AIDIA TRIESTE
2
FOTONOTTE NIGHT MARATHON
CERCASI VERDE DISPERATAMENTE
REGEN YOUR CITY Urban living has many advantages, including more and better job opportunities, the diversity and vibrancy of urban life, and other social and economic benefits. However, the very attributes that make them such desirable places to live and invest bring a series of challenges to their sustainability. The group AIDIA works on different topics relating to a new program for consolidation and restoration of public buildings, gathering spaces, public transportation all with use of green in low cost way.
AR CHITECTUR E COM PETITIO N
3
EXTENSION AALTO MUSEUM F I N L A N D
OFFICE MATTEO CAINER ARCHITECTS
Connecting the Alvar Aalto museum with the museum of central Finland, presents a unique opportunity to explore Alvar Aalto’s architectural legacy. Through a refined abstraction of his work, a new and poetic architectural language will weave through time a harmonious and interconnected ensemble, blurring the boundaries between existing and new. It will establish a continuous ‘parcour’ where both space and time will enlighten our understanding of the museum’s collection and Aalto himself. Architecture evolves from thoughts that are executed and lived. When intelligent and transformative, it reacts and adapts to its surroundings, and for the ever-changing demands of the visiting public, we believe that the museum of tomorrow should be experienced as a public parcour, one enriched by diverse functions and offering multiple outcomes. We therefore designed the new extension to acts more as a flexible joint that redistributes flows, while redefining a new permeability and a more
GROUND FLOOR PLAN
PHASING DIAGRAM The proposed extension will not only serve as a connecting gateway between museums, but will also allow the combined body to develop as a unique cultural environment, integrating the aesthetic, functional, and economic goals of a larger and more varied institution through an extended programme of activities. The shops have been located on different levels so as to dialogue both with the public and with the adjacent spaces. The gift shop on the ground floor so as to engage the public atrium and workshops while the bookshop on the upper floor in connection
with the exhibition spaces and with an exterior break out space set into the landscape. The project aims to introduce a new informality through a series of circulation spaces that establish new and engaging public places. This new pumping ‘heart’ will lead to a series of elegantly lit flexible function spaces which include the gift/book shop, the shared auditorium of the Museum of Central Finland, the extended ‘Café Alvar’ of the Alvar Aalto Museum and new working/meeting and education spaces.
F1
F2
F3
FINAL OPEN CRITIC
Final Open Critic Post graduate cours Touch Fair Architecture & Exhibit space - 27 JUNE 2015, University IUAV - Venezia
4
EXHIBIT DESIGN
IUAV 2015
The post graduate course Touch Fair Architecture & Design Exhibit proposes an innovative method of composition and design for fair stands and exhibit spaces. The Final Open Critic is the proof. In the future the few elements of the project can be reshuffled and create other forms for new projects. This exhibition is the proof; the whites volumes have already been used previously in an exhibition designed by architect Laezza for the company Colorcom. Recycling, sustainability, innovation and experimentation are keywords of the project. The purpose are to guide the visitor through space to tell the story of exhibition.
SAVE THE DATE
FROM PAST TO FUTURE OFFICE ARCHT. BORGHI
5
EXHIBIT DESIGN
LLOYD TRIESTINO
1832 - 2013
In the last 10 years the Municipality of Trieste has restored some buildings in the area of “Porto Vecchio di Trieste� the old port of the city, and the Company Lloyd Triestino decided taht this area was the best for his exposition. The boards explains the story of the company wich has an important role in the city of Trieste expecially befor the year 2006. Diuring the vist the visitors can also admire the precious object property of the Company.
R ES E A R C H D ES I G N
OFFICE B LOCCAR I S ETTI MO COSTR UZIONI
R E C YC L A B L E R ES I S TA N T TRANSPORTABLE CUSTOMIZABLE
1
R ES E AR CH IN AR CHITECTUR E
M INI M AL SPACE
STEP 1 TRANSPORT
STEP 3 ELEMENTS ASSEMBLY
STEP 2 ELEMENTS EXTRACTION
WOOD HOUSE OFFICE BLOCCARI
R ESIDENTI A L RESEARCH D E S I G N
2
The house is designed for a family composed of a couple with two children and a dog. The space is divided in two levels and is organized with two wings connected to “L� so as to create a well-defined outdoor space and gives the possibility to have a garden, a small pool or gives the opportunity to create a closed courtyard. The west facade has two covered parking and the main entrance. The entrance hall welcomes immediately the visitors in the heart of the house. This room with a sofa for conversation, TV and fireplace, connects all the spaces of the house. From the lobby you can go to the dining area with through light and double high. In the opposite direction, close to the dining area is the kitchen. It has also the connection with outside dining area and the service area (bathroom, laundry and boiler room with the stairs that connect it with the cellar). The service area is connected with the open gallery with outdoor kitchen and barbecue, woodshed and below kennel for the dog. Upstairs are two bedrooms, both with exit on terrace, bathroom and master bedroom designed with a large bathroom, cloakroom and studio that overlooks the living area.
SUN 4 ICE
3
COM P ETITIO N HOLCIM AWARDS
OFFICE ARCH. BLOCCARI SETTIMO COSTRUZIONI
We have designed a processing plant and refrigeration storage of fresh and frozen food in BarranquillaColombia. This project meets the need to preservation view of the growing demand of fresh food. In a hot country the ice is a luxury product and our idea reduces the cost of production and transforms it into an object of daily use. The consumption of fresh and healthy frozen food will spread for the general welfare of the population. The photovoltaic system captures solar energy and transforms it into ice. For the design we started with the idea of the shape and aggregation of ice crystals. Thinking back the crystal shape, we have developed a belt that embraces the shed, with the composition of triangular slopes shiny and opaque. At certain points the shed reaches the ground and ends in a pool deep few centimeters with constant recirculation of the same water.The building reflects itself in water . On the wing of offices, the plants will be able to take advantage of the perforated surfaces as support to climb.
The project respects the rule of 8R : 1.Redistribute of natural resources 2.Reuse lengthening the life cycle of products 3.Recycle 4.Reduce the impact on the biosphere 5.Re-locate to promote the consumption of local products 6.Renovate and conform to new functions of life 7.Re-contextualise the concept of wealth and poverty 8.Re-evaluate and revise the values we believe
P H O T O GRAPHIC
1 PHOTO DESIGN
S I L E N T S KYLIGHT
“... Such in our way of thinking-we find beauty not in the thing itself but in the patterns of shadows, the light and the darkness, that one thing against another creates ... “ Jun’ichiro Tanizaki, In praise of shadows
The photos are the sum of the research how light and shadow distinctly influenced each landscape. The project start from the Trieste’s sunshine. The sun in front of the camera give a special environment make out of light and shadows. When I admire an landscape like this, I al-
ways try to see not only the objects but also the space that they occupy. Looking at the intricate differences among the photos on the next page, it became easier to see how physical and emotional environments could have shaped the artistic variance.
LOGO
WHEN
WHERE
WHAT
WHO
2
GRAPHIC DESIGN
CIRCLE OF WAT E R SPO RTS
PHOTO DESIGN
3
W H AT IS THE CONTEMPORARY ? “Appartiene veramente al suo tempo, è veramente contemporaneo colui che non coincide perfettamente con esso né si adegua alle sue pretese ed è perciò, in questo senso inattuale ma proprio per questo, proprio attraverso questo scarto e questo anacronismo egli è capace più degli altri di predire e afferrare il suo tempo” Giorgio Agamben, Che cosa è il contemporaneo? Sassi Nottetempo, Roma, 2008
PHOTOGRAPHY SARA CARCIOTTI Jardin du Luxemburg, Paris 25/01/2015
PARAMETRICO
VS
CARTESIANO
L’ARCHITETTURA FIERISTICA non è più un oggetto da scoprire poco a poco, ma è un oggetto che si mostra nella sua INTEREZZA e TRASPARENZA, un LUOGO DA VIVERE con tutti i sensi, e da PERCORRERE come un libro dalle pagine traslucide, dove persino l’illusione e l’effimero concorrono a creare un’idea di spazio.
4
PHOTO DESIGN ARHITECTURE CRITIC
EXPO 2015 Milano Japan pavilion
Quale sarà l’idea di spazio che meglio rappresenterà la nostra era? Questo lento cambiamento dell’architettura fa riflettere se rimanere nella tradizione o accettare la sfida; cercare NUOVE FORME, NUOVE SPAZIALITÀ’ e una NUOVA ESTETICA per l’architettura della nostra era. La nuova estetica è caratterizzata dal dominio dell’ IMMATERIALITÀ’ della COMUNICAZIONE, delle NUOVE TECNOLOGIE, dei nuovi bisogni della società e dell’immagine.
EXPO 2015 M ILAN O
5
PHOTOGRAPHIC COM PETITIO N
lim MIND = DOESN’T EXIST MIND -> GYMNAST SOFIA CARCIOTTI
With immense sacrifice and with the effort which the gymnast has learned to realize the exercises with equal strain will wipe out the mental limit. Whether it’s mental or geographical boundaries would be ideal to recognize the limitations that are nationalistic or subjective and understand the possibility of the existence of mentality and different thoughts and not adverse. What in the past have been real barriers, today are architecture objects, which lend themselves to playful and carefree games of this gymnast and anyone else want to have fun. The photographic sequence captures individual short actions that together lead to the execution of a single gesture complete.
U R B A N LANDSCAPE
ARCH. BLOCCARI, CARCIOTTI, VISINTINI
1 COM P ETITIO N
WATER SQUARE SANT ANTONIO
VENICE’S UNIQUENESS
2
COM P ETITIO N
VENICE TO THE WORLD
The project represents Venice through the reinterpretation of its main elements, which make this city universally recognisable: the water, the wooden poles, the historical column in Piazza San Marco and the texture of the Venetian colorful fabrics. The project can be viewed through double sense: the macro view where you see the sheet of water with the reflections and the bases which represent the Venice’s district
and the micro view where you can see also the pillars; the new entrance of the city for the people of different countries. The white metal pillars are covered by a texture captured from the Venetians fabrics. In the middle of the roundabout is placed the eolic turbine for justify the energy for the pomp of the water recirculation and the light.technique it allows us to obtain a threedimensional element from a plan.
S A I N T CH AP EL H O T E L OFFICE ARCHT. BLOCCARI
IDEA PROJECT
3
The purpose of the chapel is to create a space which captures the visitors with a vast sense of wellbeing. As a testament to minimalist architecture, the crosses void in the main wall is the only prominent religious symbol present in the church. At the left of the sacred space there is the
altar and through it leading to the sacristy. The altar is illuminated by natural light come by the big cross behind it. As a modern, minimalist structure the chapel emits an architectural purity that is found in the details.
THE LANDSCAPE GARDEN MONTE CIMONE
RECOVER
MASTER’S DEGREE
4
This is a project for places and people, which gives back to community, in terms of social use, a territory which has been isolated, degraded and abandoned for several years. The matter includes the most debated issues that characterize the contemporary architectural culture: from the reuse and enhancements projects and renewable energy to natural conversion of land through original means such as agriculture, horticulture and gardening.
STITCH
CUT
CONNECT
LANDSCAPE GARDEN FOR ALL PEOPLE
JOINT SQUARE MODELS MASTERPLAN AND DETAILS
UNIVERSITY EXAM
COMPOSITION’S
5
The square of Casa Rossa is a hub area between Italy and Slovenia. The project consists in the creation of a square of events in which you can do fair, concerts, markets and exhibitions. The area out of the square of events is apparently a maze of trails even if the paths have been studied with some logical functions to avoid confusion. The heart of the maze is represented by cubic volumes that are repeated throughout the area. The module used is 5x5x5 and which can be accopiabile. The functions of the volumes are 4: outdoor activities, culture and social, sports and restaurations. The volumes diversify by type of exterior finish and shape; a form of C that rotates and moves in space form 4 types of different volumes.
MODULOR
C FORM STRUCTURE
WASTE E CO
STEP1 railway
6
UNIVERSITY EXAM
STEP 2 areas of interest
URBAN PROJECT
+
STEP 3 stops
STEP 4 fields of application
The transformation project dealt with the “border place� which is located between the major urban centres and is in fact the result of their continuous expansion. The transformation backdrop is the attention against waste and/or excesses and it is implemented through integration strategies and concentration of compatible services. In so doing it facilitates the formation of economies of scale, the focus of development poles along the cross-border railway line to ensure sustainable accessibility, as well as the development of renewable energy sources as a further facilitation to investment operations.
BOULEVARD FOR THE PUBLIC CITY The structure of the city is characterized by link road that connects the sea with the Carso hill and going trough different urban structures. Although such Boulevard is conceptually uniform, when analyzed in detail it is modified by the real needs and characteristics of single areas. This project is seeking to recognize shifts at urban scale and its target is the re-education of citizens to a more conscious use of the city, with a moderate use of cars.
B ACH ELO R ’ S DEGREE 2009
7
The Boulevard in the roadway consists of three basic elements: a driveway called “fast road”, a pedestrian road near buildings called “slow road” and, between the two, a hybrid band which can be used indifferent ways called “stop road”.
UNIVERSITY EXAM
8
LANDSCAPE
LANDSCAPE This landscape project has a multidisciplinary approach, incorporating aspects of botany, horticulture, the fine arts, architecture, industrial design, sustainability, environmental psychology, geography, and ecology.
EOLIC SYSTEM WITH THE FRUIT THREE GARDEN
P T L Copyright
O R F O I O Š
2016 by Sara Carciotti
All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical without permission in writing form the copyright holder.
T H A N K YO U
ARCHITECT SARA CARCIOTTI architectcarciotti@gmail.com