ARCHITECTURE PORTFOLIO Sarah Song
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PORTFOLIO CONTENT
THESIS
[work in progress]
Architecture for Edge Walkers - Foreground and Background in Architecture
NARRATIVE DESIGN Frozen in Motion
EARTHQUAKE MUSEUM Designing with Concrete, Memorial, Structural Integration
NEWTOWN COMMUNITY CENTRE Community, New and Old, Material
DRAWINGS/MODELLING Construction Drawings, Digital Fabrication, Diagramming. (3rd and 4th Year)
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SITE AND CONTEX
EDUCATIONAL PURPOSES- EMPHASISNG THE BU
The current exiting building has a long history. The building s 1948 as Wellington South RSA until 1961 owner changes to, B changes to the current Savlation Army in 1996.
Hero Shot 1 - Inisde
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ARCI 312 Architectural Design Integration Earthquake Museum Sarah Hyemi Song
‘Frozen in Motion’ Render of Strucutral Elements 850
Kitchenette riser
Hot & Cold Water riser
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The main focus of the developed design is the contrast of New and O WC
Kitchenette possible layout
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the new and old structures like the diagram above. This will emphasis Electrical Riseroffsetting making the new structures almost seem like floating off the
Another method is to use contrasting materials. All the new building Female WC be most visually effective in terms of d strong difference. This would
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Fig 1. OffsettingWash New and Existing Structure
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ROCKS AND RUINS Wellington’s ground is mostly built with Greywacke, Chert, Pi stocene Sediments. Displaying these types of rocks along with floor will give an educational, museum-like feeling to occupan
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Ruins are from the old exiting structure and dirts digged
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ARCHITECTURE FOR EDGE WALKERS Excerpts from my MArch Thesis: ‘Diversity’ and ‘Inclusion’ are keywords that are becoming more relevant to the architectural discourse, including a return to question of, otherness. With increasing diversity around the world, there are also increasing number of people with ‘otherness’ within their identity. The term which describes these individuals who walk between the line are called edge walkers. Edge walkers are individuals who walk between the line – could be between two worlds, between binary or bodies who are in shifting grounds – consistently being backgrounded and foregrounded. Key Aim for this research: 1. 2.
To design an architecture for edge walkers To test how design-led research can produce a generative and reflective mode of work
Design Process Through shifting scales – different interpretations of Edge Walkers are investigated. The first phase of the project will produce an installation, the second and third phase will each produce a building responding to the generative process and the research question.
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DOMESTIC The domestic scale investigates the backgrounded body within the architectural process and designing by actively putting them on the foreground. The design launches by scaling up from the installation and adding in site qualities to drive the form for the domestic scale. The group of edge walkers investigated in this scale are individuals with accessibility difficulties. From here I started to map out the entrance points for Frank Kitts Park, and access points where individuals on wheelchairs can access. Final outcome has ramps as its main design quality and hence Frank Kitts Park becomes more accessible towards people on wheelchairs. ^ Process Diagram > Site Plan 6
FRANK KITTS PARK FRANK
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1. Initial Site Drawing 2. Site drawing with Periscope
3. Accessibility Mapping 4. Entrance to Frank Kitts Park
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PUBLIC SCALE Pt. 1 Public scale takes an approach of cultural Edge Walkers. Edge Walkers are individuals who walk between the lines of different cultures. Edge Walkers questions the cultural binary of an individual and community. Emphasis on drawing and mapping is the main design drivers. Sketches were focused around threshold, breaking, pushing and challenging the grid, and how the notion of wall could be challenged. 8
KEY
LANDMARKS GREEN HERITAGE HUMAN FLOW
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PUBLIC SCALE Pt. 2 1. Redesign of Frank Kitts Park Topography 2. Literal Investigation of Edge and Walking. The research first sets off in a literal format where I explore the edge condition of sites and the notion of walking to explore the state of being in-between. The thresholds constructed through this exploration constructs a spatial narrative of an edgewalker. Through this investigation, the architecture aims to embody, question, include and embrace the edge-walking identity. Drawing explores the dynamic experience of walking 12
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CONCEPT DRAWING
RE-DESIGN TOPOGRAPHY Responding to feedback received in mid-review, existing infrastructures such as carparks, shops, and amphitheatre has been demolished. The sketches and drawings imagines the new topography of Frank Kitts Park
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CONCEPT SITE PLAN RENDER
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1. Dining Area 2. Untensil Exhibition 3. Communal Kitchen 4. Food Market
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1. Main Entrance 2. Toilet 3. Reception 4. Interpretation Centre
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Final design is a porous structure designed through various thresholds. This creates permeability which transforms the architecture into an urban walking trail. The dynamic facade and form aims to create an exciting experience as well as drawing, leading the users around the space. 15
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1. Main MainEntrance Entrance 1. 2. Reception/Help Reception/HelpDesk Desk 2. 3. 3. Bag BagStorage Storage 4. 4. Waiting/Lobby Waiting/Lobby 5. 5. Toilet Toilet 6. 6. Display Displayspace space1 1 7. Bridge 7. Bridge 8. Main Exhibtion Space 8. Main Exhibtion Space 9. Display space 2 9. Display 10. Platformspace 2 10. Platform Kitchen/Dining Area (Ground Floor) 11. Communal 11. Food Communal 12. Market Kitchen/Dining Area (Ground Floor) 12. Walking Food Market 13. Bridge 13. Dining Walking Bridge 14. Area (Ground Floor) 14. Dining Area (Ground Floor)
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FINAL PUBLIC SCALE FLOOR PLAN ILLUSTRATION + Cultural Interpretation Centre + Communal Kitchen + Food Market Allowing permeability through various thresholds which fluidly connects the city, architecture and the sea. Bridge that connects the three parts of the building is foregrounded and backgrounded throughout the journey. 17
FACADE OF CULTURAL INTERPRETATION CENTRE Constructing occupiable facade
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04.12.2020
INSDIE OF CULTURAL INTERPRETATION CENTRE Challenging movement, Transparent Interior
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LANDMARK ARCHITECTURE Frozen in Motion
Brief: Many cities have a single building that establishes the identity for the entire country, such as the Eiffel Tower in Paris, the Opera House in Sydney, or the Guggenheim Museum in Bilbao. New Zealand has had several opportunities to create such a landmark building, but to date none has achieved this level of design, impact and innovation. What are the formal, contextual and experiential qualities of landmark architecture that enable one design to stand out from all the others and achieve iconic recognition?
Approach: The brief asked to select any prominent building on the Wellington skyline and RE-DESIGN that building as a New Zealand landmark. Conceiving a completely new response to the original site and brief, with the intention of creating a ‘signature’ building for Wellington and New Zealand. The challenge was to design for the present - as well as a speculative future. Michael Fowler Centre: Structure Breakdown 20
Structural Elements of Main Auditorium Buildin ‘Frozen in Motion’ has been designed as a susp in which the cables are almost hanging but su around. Wall structure is surrounding the audi al and acoustic purposes. Inner walls allow ano isolation.
Conceptual Drawing inspired by ‘New Bablyon’
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Site Plan
‘Frozen in Motion’ SITE PLAN (North Arrow and scale bar indicated in d Site Plan at 1:2500
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Plan 1
‘Frozen in Motion’ PLAN (North Arrow and scale bar indicated in drawing) First Floor Plan (Scale indicated in Drawing)
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Hero Shot 1 - Inisde
‘Frozen in Mot 24
Hero Shot 2 - Outer
‘Frozen in Motion’ Ren Left to Right Outer Landmark Machine Form Detail Between the Machine and Landscape Foundation Detail
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Hero Shot 3 - Audi
‘Frozen in Motion’ A Concert Hall Perspective Detail. 26
became a machine that created the cloth ...
Bird’s Eye View of New Michael Fowler Centre 27
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EARTHQUAKE MUSEUM
Elevations
Designing with Concrete, Memorial, Structural Integration
Brief: The design brief was to design an Earthquake Museum on Cog Park on Evans Bay, Wellington. Using concrete as the main structural and aesthetical driver of the project, the final architecture should include lobby, staff room, lecture theatre, exhibition spaces, shops, restaurants, and a memorial space.
Approach: Form My design set off from the initial visit to the site. Site being a threshold between the hill and sea, I wanted to design a building which embodied the beautiful horizon line of the landscape. Initial sketches carried out on site which heavily influenced formal design. Planning Internal planning was driven by the narrative of expansion and compression to orient, build up tension for the memorial space.
South-West Facade
Smooth Fi Concrete P Walls North-West Facade
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Smooth Fi Concrete P Roof and C
ARCI 312 Architectural Design Integration Earthquake Museum Sarah Hyemi Song
Rooftop
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Elevations
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t will integrate/harmonize/boost the beauty of the site. o development was the relatively high terrain surrounding the flat site. n a fluid architecture. he site, the gravel, grass, sand and even concrete pavings. The mixture of all ade the walk very interesting.
2. Different attempts to achieve goal of harmonising with stie Initial Impression South-West Facade - AfterHand-sketch many iterations, fluid roof has suited best to my design goals. - The sketch above was the final stage of the concept design, same principle has been carried out to the final design.
Elevations
Smooth Finish Concrete Panel- Light Walls North-West Facade
Smooth Finish Concrete Panel- Dark Roof and Column
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Aggregate Concrete Edge of Facade Wall
Design Process:
South-East Facade
Site Visit Concept through sketches, Structural consideration Programme Massing Development on Rhino/ Maya - roof Visualisation
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Software/Techniques Used: Sketches (Concept) Rhino Maya 3DS Max Photoshop Illustrator InDesign 3D printing Designed to flow along the horizon and blend in with the landscape. 30
South-West Facade
3. Roof Shell Structure - Concrete Shell structure - Column Thickening
Most landscaping kept the same. Addition is the accessible ramps and concrete steps into the building
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Ramps and Vertical Circulation Main reason for using ramps in the museum was to make the Journey around the building enjoyable, (even vertical circulation). Also to allow the users to enjoy the view around the site, the ramp introduce this opportunity of allowing users to enjoy the outside view as well as whats happening inside. Referring back to the initial concept of harmonzing and enhancing the site qualities - which was the view and also the walking experience of the site. The ramp was design to meet NZS 4121:2001, Design for Access and Mobility, therefore there are no ramps steeper than the gradient 1:200. Landing of 1200mm on every 750mm riser point was provided. This has been used as an opportunity to design an exhibtion ramp. As the slope is low the gradient had to begin from the exterior, therefore by the time users reach the main hall they would be 1m above ground level. Another step up leads to be above ground by 2.4m and by the time they reach the end of the main exhibition ramp users would be 5m above ground level (Illustrated in Section and Diagrams). A lift is also located in the main hall leading up to the main flat exhibtion area (highlighted in yellow).
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Structure and Architectural Concept
Exhibition Diagram 3. Level Change Section BB Gradual Level Change
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Thicken Concrete Column Allows to support the weight of the support more firmly. Also enhances the shape of the structure as it get rid of the sharp corners when the roof and the column intersect.
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1m above Ground Structural Concrete WallsResist Torsion and Lateral load. Also expresses architectural qualites that contrasts with columns. Spaces where sense of enclosure (ex. memorial) is expressed, structural walls emphasises this effect.
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Advantage of having Columns is that the seems relatively open plan compared to s walls. Therefore giving mroe opportuniti troduce the view to the users inside.
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Programmes on Ground Level 1. Main Hall Programmes on Ground Level 2. Exhibition Ramp 1. Main Hall 3. Memorial Threshold 2. Exhibition Ramp 4. Memorial 3. Memorial Threshold 5. Reception 4. Memorial 6. Security Room 5. Reception 7. Lift 6. Security Room 8. W/C 7. Lift 9. Accessible W/C 8. W/C (as per G1 of the W/C NZBC ) 9. AS1 Accessible 10. Open(asPlan Office for per G1 AS1 of5the NZBC ) 11. Private 10.Office Open Plan Office for 5 12. Meeting Room Office 11. Private 13. Building Equipment room 12. Meeting Room 14. IT room 13. Building Equipment room 15. Educational space for 100 14. IT room 16. Educational Space forspace 56 w/ 15. Educational forBackstage 100 17. Educational Space forSpace approx. 30 w/ Backstage 16. Educational for 56 18. Shop17. Educational Space for approx. 30 19. Restaurant 18. Shop 19. Restaurant
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Light weight Concrete RoofExpressing the design Concept (Harmonizing with the surrounding)
*All ramps are 1:12
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Diagram 2. Circulation of Ramp The ramp leads the users 360 degrees around the site while enjoying the view and the exhibition. As exhibition areas should accomodate different types ,scale works, an open plan exhibtion area is the end of the ramp journey where the users that took different paths from the exhibtion ramp can cross over.
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Diagram 1. Dimension of Ramps All ramps are wide enough to avoid congestion, crashing between users. Especially the main exhibition ramp which is the main access way to all spaces around the museum, the width has been stretched. KEY
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Programmes on Ground Level on Level 1 1.Programmes Main Hall 2.20. Exhibition Ramp Exhibition Ramp Continued. 3.Programmes Memorial Threshold on Level 1 21. Threshold 4.20. Memorial Exhibition Ramp Continued. 22. Open Plan Exhibition Area 5.21. Reception Threshold 23. Ramp Exhibition Area Continued. 6.22.Security RoomExhibition Area Plan 24.Open Exhibition/Cross-over area 7.23.LiftRamp Exhibition Area Continued. 25. Staff Room 8.24.W/C Exhibition/Cross-over area 26. Open Plan 9.25. Accessible W/C Office for 3 Staff Room 27.perPrivate Office (as G1 AS1 the NZBC 26. Open PlanofOffice for 3 ) 28. Meeting Room 10. Open Plan Office for 5 27. Private Office 11. Office 29.Private Accessible W/C 28. Meeting Room 12. (asMeeting per G1 Room AS1 29. Accessible W/Cof the NZBC ) 13. Building Equipment room 30. W/C (as per G1 AS1 of the NZBC ) 14. room 31.ITW/C Lift 30. 15. Educational space for 100 31. Lift 16. Educational Space for 56 w/ Backstage 17. Educational Space for approx. 30 18. Shop 19. Restaurant
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NEWTOWN COMMUNITY CENTRE Preservation, Juxtaposition, Contrast, Material
The ‘New’ Newtown Community Centre on the corner of Rintoul and Colombo street represents the past, present and future. To represent this concept, the architecture has been designed to show the harmony of the old and new structure by contrasting colours and materials. Ground floor and Second floor exterior cladding are concrete blocks from the old Salvation Army building on site with the addition of white plaster walls. The community centre focus on embracing the recreational spaces and its occupants. The plan has been left open to enhance the sense of community and the main atrium stairs allow unexpected social encounters to occur. Parts of the wall has been demolished and the ruins from it has been displayed underneath the glass floor of the art gallery and library space. 38
Fig 1. Off
OFFSET
The mai the new offsettin
Another strong d
RUINS
Ruins ar out from floor hen the ruin ing. As t a library focused displaye as well.
SYNOPSIS
The community centre on the corner of Rintoul and Colombo Street, Newtown represents the past, present and future. The architecture shows the harmony of the old and new structure by contrasting the colours and materials. Most of the ground floor and second floor exterior cladding is the concrete blocks from the old Salvation Army as the architect recognise that it would be worth showing rough texture to contrast with the new while plaster walls. The community centre focus heavily on recreational spaces and the occupants. The plans has been left open to enhance the sense of community and the main atrium stairs allow unexpected meetings to occur. Parts of the wall has been demolished and the ruins from it has been displayed underneath the glass floor on the art gallery and library space. This is to add value to the space and also enhancing the old building as well.
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DRAWINGS/MODELLING Construction Drawings, Digital Fabrication, Diagramming. (2nd, 3rd and 4th Year)
This chapter includes: a. Digital Fabrication Model (3rd Year) b. Architecture Diagram (4th Year) c. Construction Drawing (3rd & 4th Year)
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a. Digital Fabrication Model (3rd Year) 43
5/ Breathe through gills and feed through a mouth
Initial InitialResearch ResearchProject Project22Digital DigitalDesign DesignMethodologies Methodologies
6/ Only gets once change to find a nice home, once its fasten on a spot it stays there forever
Inspired by the above precedent the following are some initial research/concept we have come up and some elements were carried out until the last development of the model: Inspired Inspiredbybythe theabove aboveprecedent precedentthe thefollowing followingare aresome someinitial initialresearch/concept research/conceptwe wehave havecome comeup upand andsome someelements elementswere werecarried carried out outuntil untilthe thelast lastdevelopment developmentofofthe themodel: model:
a. Digital Fabrication Model (3rd Year) - Detail Photos
Foot
7/ Achieves their enormous proportions by consuming the sugars and proteins produced by the billions of algae that live in their tissues
Breaking down aspects of the Giant Clam (Diagrams and research done by Sarah)
Model inspired by the giant clam using simple Grasshopper definitions (Models created by Hettie and Kerry)
BiologicalRole RoleModel: Model:Giant GiantClam Clam Biological
Biological Inspiration- Giant Clam Biological Role Model: Giant Clam Digital Fabrication Process
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GiantClam Clam- -Information Information Giant
Process: Project 2 Digital Design Methodologies
Process: Project 2 Digital Design Methodologies
Void Void
Giant Clam - Information After the test print of individuals, we have gathered as group to finalise the module, combining ideas that following module has been finalised:
Mantle Mantle
After the test print of individuals, we have gathered as group to finalise the module, combining ideas that following module has been finalised:
Void
Process: Project 2 Digital Design Methodologies
After the test print of individuals, we have gathered as group to finalise the module, combining ideas that following module has been finalised:
Mantle Mantle Edge Mantle Edge
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After the Finalisation of the module, the following grasshopper definition was created to moph the modules on to the curved surface inspired by the shape of a giant clam grasshopper definition was created to moph the modules on to the curved surface inspired by After the Finalisation of the module, the following
Shell Shell
the shape of a giant clam
Shell
GiantClam Clam Giant Large leaf like fluted scalees shells- used - usedasasshelter shelter 1/1/ Large leaf like fluted scalees onon itsits shells
After the Finalisation of the module, the following grasshopper definition was created to moph the modules on to the curved surface inspired by the shape of a giant clam
Mantle: normally brown, generally mottledwith withvivid vividgreen greenand andblue bluespots spots 2/2/Mantle: normally brown, generally mottled
Giant Clam Giant Clam
Muscles opening and closing their shell 3/3/ Muscles forfor opening and closing their shell Foot attaching themseleves rocks 4/4/ Foot forfor attaching themseleves toto rocks
Giant Clam
Breathe through gills and feed through mouth 5/5/ Breathe through gills and feed through a amouth
1/ Large leaf like fluted scalees on its shells - used as shelter
Foot Foot
Only gets once change find a nice home,once onceitsitsfasten fastenonona aspot spotit it 6/6/ Only gets once change toto find a nice home, stays there forever stays there forever
Giant Clam
Scripting
2/ Mantle: normally brown, generally mottled with vivid green and blue spots
Achieves their enormous proportions consumingthe thesugars sugarsand andproteins proteins 7/7/ Achieves their enormous proportions bybyconsuming produced the billions algae that live theirtissues tissues produced byby the billions ofof algae that live inintheir
3/ Muscles for opening and closing their shell
Breakingdown downaspects aspectsofofthe theGiant GiantClam Clam(Diagrams (Diagramsand andresearch researchdone donebybySarah) Sarah) Breaking
4/ Foot for attaching themseleves to rocks 5/ Breathe through gills and feed through a mouth 6/ Only gets once change to find a nice home, once its fasten on a spot it stays there forever
Foot
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7/ Achieves their enormous proportions by consuming the sugars and proteins produced by the billions of algae that live in their tissues
Loft
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Breaking down aspects of the Giant Clam (Diagrams and research done by Sarah) page #
1: 5 Scale Fabrication: Project 2 Digital Design Methodolog
Module Morphed
Module Morphed and Culled
1: 5 Scale Fabrication: Project 2 Digital Design Methodologies
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1: 5 Scale Fabrication: Project 2 Digital Design Methodologies
Module Morphed
Module Morphed and Culled
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Module Morphed
Module Morphed and Culled
The 1:5 modules will be heavier. If the modules were printed in 1: scale the acutal weight will be lighter as it is less dense.
1: 5 Scale Fabrication: Project 2 Digital Design Methodologies
Rod
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Module Morphed and Culled
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1:2 Scaled Module printed to show structure
The 1:5 modules will be heavier. If the modules were printed in 1:1 scale the acutal weight will be lighter as it is less dense.
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b. Architecture Diagram (ARCI 412- 4th Year)
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This programme massing has focused on the required programmes from the brief and the market space. This particular iteration was successful in terms of freeing up the space ofr the market. However in terms of the programme layout itself, the main gallery is 2 storeys above the ground level which loses the connection between people and may cause difficulty of transferring art works. The store is also located at the very top level which could potentially lead to poor business as less human traffic is involved. The location of the bar could be ideal as it provides a view along the waterfront as it is elevated. Problem amy be that it is too high up hence it is not visible from the outside. Also transferring ingredients up and down may be a hassle.
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The store has been moved next to the main gallery for a more natural movement into the store. Bar/Restaurant has been moved to the ground floor to test its spatial arrangement on ground level. It certainly enable natural circulation around and it is more visible for by passers. Although the store has been moved adjacent to the gallery the gallery is still elevated high up.
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For this iteration the buliding has been broken into two buildings and connected with a bridge between them. The breakage enable circulation flow between the building which makes the musuem even more visible from the outside. The ground floor of both buliding is elevated hence the ground floor is a void or market space or gathering space. However, this allowed too much free space that could be a waste during weekdays. Although the buliding is more visible due to the corridor the two buildings create, it is ideal for the gallery to be moved further down.
Waita ngi Pa rk
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For previous iterations the recpetion area was concentrated on 1st level, however this iteration foucsed all the recption and staff area to the ground level and place the art gallery right above it. This has lowered the gallery and has a closer relationship to the ground plane. Goods about this iteration is that although the gound floor is taken up by the recpetion and staff area the surrounding is empty for the public to use. Although there are no significant disadvantage in this buliding the layout is too basic and linear. Dynamics of floor plan could be tested further.
= Store
= Store = Construction Workshop = Smaller galleries = Public Toilet = Entrance = Foyer = Storage = Bathroom = IT Room = Main Gallery = Offices = Kitchen = Market/Void = Bar/Restaurant
= Store = Construction Workshop = Smaller galleries = Public Toilet = Entrance = Foyer = Storage = Bathroom = IT Room = Main Gallery = Offices = Kitchen = Market/Void = Bar/Restaurant
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= Construction Workshop = Smaller galleries = Public Toilet = Entrance = Foyer = Storage = Bathroom = IT Room = Main Gallery = Offices = Kitchen = Market/Void = Bar/Restaurant
CIRCULATION Te Pa pa
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= Construction Workshop = Smaller galleries = Public Toilet = Entrance = Foyer = Storage = Bathroom = IT Room = Main Gallery = Offices = Kitchen
PUBLIC- BY LIFT
= Construction Workshop = Smaller galleries = Public Toilet = Entrance = Foyer = Storage = Bathroom = IT Room = Main Gallery = Offices = Kitchen = Market/Void = Bar/Restaurant
= Market/Void = Bar/Restaurant
STAFF ONLY CIRCULATION - WALKING
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--/60/60 FRR
90
90x45mm timber framed wall, 13mm GIB Aqualine board fixed on both sides of the wall.
--/60/60 FRR
DB Board
1820
Access panel to risers
150
as per G1 AS1 of the NZBC
850
Electrical Riser
200mm thick Reinforced Cocnrete Shear Wall
Accessible WC
990
850
Kitchenette possible layout
990
2890
3730
WC riser
2820
Wash Hand Basin
850
--/60/60 FRR
600mm depth for connection
90
WC
600
WC
Toilet Exhaust
850
850
WC
850
Hot & Cold Water riser
Kitchenette riser
90
650
100
B
250
500x500mm Reinforced Concrete Columns. Refer to Structural Engineers drawings
90x45 timber framed wall with 13mm Standard GIB board and 13mm GIB Aqualine board fixed on wall facing WC
520
1220
6070
HVAC
10
9
8
7
Escape Stairs
HVAC
Riser : 180mm Tread : 310mm Landing: 1050mm
Stair pressurisation
Carpark Extract
2100
Ground Floor Retail Riser
11
1000
Fire Sprinkler
2310
1 A106
DN 13
14
15
16
17
18
19
20
250
90
250
250 920
SHMS Architects
48
Project:
SARC 321 Project 1, Core Design
: 200mm Reinforced concrete shear wall, Refer to structural engineer for reinfocing details : 90x45mm Timber framed wall with 2 layers of 10mm GIB Fyreline Board on both sides
: Void
21
12
C
With of stair run as the safety radius
100
2420
200
Wall Legends or otherwise specified --/60/60 FRR fire rated door
Additional Notes All reinforcing details refer to specified Engineer
10500 Drawing:
Core - Typical Floor Plan, 1
Drawn Scale:
1 : 50
Sheet No:
A101
Drawn By:
Sarah Hyemi Song, 300312837
Date:
08/01/16
Level 3 7400
Air duct
13mm GIB Fyreline Board on Rondo system , Refer to reflected ceiling plan 13m GIB Aqualine ceiling, Refer to reflected ceiling plan 90x45 timber framed wall with 2 layers of 10mm GIB Fyreline on each side with Pink Batt Silencer Acoutic Insulation. Refer to Engineer
WC Seperation wall, 90x45mm timber framed wall, 13mm GIB Aqualine Board fixed on both sides
500x500mm Reinforced Concrete conlumns. Refer to Struc. Engineer
4 A108
2450
Office Area
Core Hallway
Escape Stairs
400mm Stahlton Shell beam wih reinforcing, Refer to Structural Engineer
Access panel to bathroom services
Concrete Corbel. Reinforcing refer to Engineer
3 A108
350mm deep Double tee with 75mm concrete topping. Refer to Engineer
Level 2 3700 90x45mm Timber framed partition wall with 2 layers of 10mm GIB Fyreline on each side with Acoutic Insulation. Wall seperating access into basement and upper floors from ground level.
SHMS Architects
2 1 A107
Project:
SARC 321 Project 1, Core Design
Drawing:
Cross section
A107 Air duct
Drawn Scale:
1 : 20
Sheet No:
A104
Drawn By:
Sarah Hyemi Song, 300312837
Date:
07/31/16
49
Desig Notes:
TU BR A
ST SA (H SO A
2
1
3
5500
5500
4 5100
Detail Area 2: Roof
2 A103
14800
1
Level 4
A103
Ref.
900
5
Detail Area 1: West Facade - Precast Concrete
Detail Area 3: East Facade Double skin facade
10200
2
Level 3
900
A102
1 A102
3
4100
Design intent: The building was designed in the course ARCI412 under the stream ‘ARCISCAPE’ which the brief was to design a hybrid building which is comprised of a fixed programme, the contemporary art gallery plus another programme. In this project the additional programme was selected to be the market therefore, leading to the building to be long and narrow. The site is the carpark adjacent to Te Papa and Waitangi Park. Due to the high traffic a decorative façade has been designed along the most seen side and the precast concrete panels on the other for acoustic isolation. The highest level has a unique ceiling which follows the pattern of the roof. The ground level the outer bays are thoroughfare for people – encourage user circulation on site.
2900
A102
West Facade: 200mm precast concrete panels are installed on the west facade. 2nd level has a glazing to allow light in.
A102
3 A104
5200
Level 2
900
Roof: The roof is made of steel portal frames spanning 10m by 5.5m for spacious gallery space. C-purlins, insulations, and metal cladding has been used to build up the roof. Roof detail will be further shown in page A103
1
2
A104
4100
East facade: Double skin facade: Stainless steel curved strips are constrained by steel beams
A104
Your Com Project:
AR AR
0
Address:
Ente
Level 1
Refer to Engineers Specification for foundation details
50
1
Section AA 1 : 50
Client:
S
Reduced Scales:
Un
Design sh Notes:
1
TU BR
4
STU SA (HY SO
Thermosash PW400 100mm mullion sill tray with flashing. Bespoke Stainless Steel bolted on to intermediate steel beam Secondary pressure bar flashing
TrayDec Ultra Span 80 floor system. 200mm reinforced concrete topping. Refer to Engineers specification
14800 Level 4
200
COLORSTEEL DRIDEX metal roof cladding
Steel bracket with Steel bolts. Refer to Structural Engineers Specification Steel I beam tapered end
10200 Level 3
Extended floor slab with reinforcing. Reinforcing indicative only. Refer to Structural Engineer's detail
Pressure bar flashing with sealant Steel I beam with 13mm Gib Fyreline
Roof flashing fixed with nail
Thermosash PW400 100mm head with flashing
Underlay 45mm Top hat Rigid Insulation
GIB Rondo Metal Batten Suspended Ceiling System
140mm Steel C-Purlin @ 700mm Centres
Ref.
Vapour Barrier Safety Mesh 200mm Precast Concrete Panel fixed to steel I beam with steel plate
Thermosash PW400 100mm transom with flashing
Steel I beam with 13mm Gib Fyreline Cavity Insulation
300
Internal Lining
Roof to precast concrete detail 5 flashing 1 : 10 Double skin facade - support 2 detail 1 : 10 Timber Internal Lining Cavity Insulation Sealant TrayDec Ultra Span 80 floor system. 200mm reinforced concrete topping. Refer to Engineers specification Steel grating MINIB Trench heating Randiator L-shaped steel plate for panel support with nuts and washers Cavity Insulation Fire stop Extended floor slab with reinforcing. Reinforcing indicative only. Refer to Structural Engineer's detail
Customised stainless steel curved facade.
10200 Level 3
Adjustable tie back connection, slotted insert Steel plate Steel I beam with 13mm Gib Fyreline with steel plate attahced with screw.
Steel Threaded rod with nuts and washers Steel I beam with 13mm Gib Fyreline 200mm Precast Concrete SpandrelPanel, Tapers at end.
Tapered I-beam fixed to intermediate structure with steel plate and screw
Your Compa Project:
GIB Rondo Metal Batten Suspended Ceiling System
ARC ART
Steel C-Plate primary connecting the stainless steel strip facade. Steel plate and screw to fix back to the tapered I-beam.
Thermosash PW400 100mm Mullion, Double glazed head.
Address:
Enter
Client:
1
Window Head detail 1 : 10
Double skin facade support detail 3 intermediate 1 : 10
Sa
Reduced Scales:
51
1 1
Unn
52
THANK YOU 53