2
3
4
5
THE FOOD MARKET THE CONCEPT IS TO CREATE THE CITYS LUNGS AND BREATHING SPACE INORDER FOR PEOPLE TO COME SOCIALIZE,EAT ENJOY FRESH PRODUCE THE FIRST AIM OF THE PROJECT WAS TO CREATE A SPACE THE ENHANCES THE SENSE OF COMMUNITY, BELONGING AND HUMAN SOCIAL TIES. THE MAIN KEY IN ENHANCING THE COOMUNITY IS TO GIVE PEOPLE A REASON TO GO AND STAY INORDER TO CREATE A BRETAHING SPACE PARTS OF THE WALLS NEEDED TO BE DISSOLVED AND SOME WALLS PERFORATED TO CREATE A BLENDING OF OUT AND IN AND TO GIVE THE EFFECT OF NATURE (LIGHT THROUGH TREES THIS WILL STIMULATE THE URBAN FABRIC AND CREATE A BLENDING WITH THE OUTSIDE ADDING GREEN ZONES AND LARGE MEETING POINTS AIDS THE ACT OF ENHANCING THE COMMUNITY. SITE : HANGER AND GALLERY AT RAS AL AIN
6
7
Fluid design organising the market stalls to create a route that allows the customers to go through the complete experience without having to head directly to one location Systematic approach to services creating an organised system to connect the stalls with the storage and services area making it a whole process oute creating a route that translates into different purposes on each level.ground circulation translates to upper ground market
8
9
The main aim of the market was not to have one homogenous outcome but a different style at every point. There are stalls of different kinds as you walk though the market, each providing a different type of service. On the first floor there are different stalls serving food and fresh produce. On the second floor there is the flower market, greenhouse and cafe.
10
SECTION A-A
The market is dominated with neutral colors all of natural tones in order to resemble nature and the environment. Also to make the food the main focus of the market allowing its colors only to pop out.
11
GROUND FLOOR
A
A
12
FIRST FLOOR
A
A
13
14
15
CONTAINER RESIDENCE THE AIM OF THIS PROJECT IS TO CREATE A RESIDENCE THAT USES CONTAINERS INORDER TO SAVE RESOURCES. THE CONTAINERS CAN BE STRENGTHENED WITH BUILT MATERIAL TO ACT AS INTERIOR OR EXTERIOR WALLS THE CONCEPT IS TO CREATE A FANCY HOME YET STILL USE THE CONTAINERS. THE CHOICE OF COLOR OF THE NAVY BLUE CONTAINERS CAN BE A SUCCESSFUL CHOICE TO KEEP THE HOME FANCY. I HAVE USED THE MIX OF CONTAINERS WITH COMPLETELY BUILT MATERIAL FOR THE AESTHETIC. THE UNDERGROUND FLOOR THAT CONSISTS OF THE BEDROOMS IS MADE OF CONTAINERS WHILE THE TOP/OVERRDING FLOOR IS BUILT OF BUILDING MATERIAL.
16
A
GROUND FLOOR
B
UNDERGROUND FLOOR
A
B B
B
17 A
A
SECTION B-B
18
SECTION A-A
19
FURNITURE AND MATERIALS
20
21
STRAND BOUTIQUE HOTEL THE AIM OF THIS PROJECT WAS TO REUSE AN EXISTING BUILDING LOCATED IN THE DOWNTOWN OF AMMAN, AND CREATE A BOUTIQUE HOTEL FOR A CHOSEN CLIENT. CLIENT PROFILE: LOCAL AND INTERNATIONAL FASHION DESIGNERS LOOKING FOR A PLACE TO STAY. INSPIRING THEM WHILE PROVIDING A WORKING SPACE. CLOSE TO THE DOWNTOWN FROM WHICH THEY CAN PURCHASE ALL THEIR MATERIALS. CONCEPT: TOOK PATTERNS FROM THE EXISTING BUILDING.PATTERN: CENTRAL FOCAL POINT IDEA: FOCUSED ON THE TREE IN THE COURTYARD AND DISPERSED FROM THERE THE SECOND PART OF THIS PROJECT WAS TO CREATE A SPACE FOR THE ARTISTS IN RESIDENCE WHICH IS ALSO PART OF THE HOTEL. I DESIGNED FOUR STUDIOS THAT CAN INSPIRE AND MOTIVATE THE ARTISTS. I HAVE USED THE SAME “GREEN” COLOR WITH DIFFERENT TONES TO MAINTAIN THE HOTEL’S IDENTITY. WITH FEATURE, CUBIC LIGHTS AND THE GOLDEN WALLPAPER AN ATMOSPHERE THAT RESEMBLES NATURE IS CREATED. AS FOR THE LIBRARY WHICH WAS ALSO USED TO SERVE THE HOTEL, I CREATED A CENTRAL ELEMENT OF THE SAME COLORS AND MATERIALS OF THE ROOMS TO LET IN THE LIGHT AND MAKE THE LIBRARY A SERENE PLACE TO BE IN .ALSO THE EXTENSIVE USE OF WOOD HAS KEPT THE RESEMBLANCE OF THE NATURAL ENVIRONMENT.
22
23
24
25
26
27
INTERNSHIP WORK DURING MY INTERNSHIP IN STUTTGART, GERMANY AT AMP ARCHITEKTEN OFFICES I WORKED ON AN INTERNATIONAL COMPETITION, EXPANDING AND RENOVATING THE “WIEN MUSEUM” IN VIENNA. I WORKED WITH A COLLEAGUE TO CREATE A SCHEMATIC SOLUTION. WE WORKED ON REDESIGNING THE INTERIOR OF THE EXISTING MUSEUM AND CREATING A ROOF TOP FLOOR, THE REST OF THE EXTENSION WAS CREATED UNDERGROUND.
28
29
30
31
COLOR PRINCIPLES COLOR, LIGHT AND SPACE FOR THIS COURSE I STUDIED THE BASIC COLOR PRINCIPLES. I STARTED BY EXPERIMENTING WITH THE TONE, HUE AND SATURATION OF PRIMARY THEN SECONDARY COLORS. FOR THIS PROJECT SPECIFICALLY I CREATED A PATTERN BY EXTRACTING IT FROM A REAL LIFE IMAGE. THEN BY USING DIFFERENT COLOR SCHEMES (COMPLIMENTARY, ANALOGOUS, SPLIT COMPLIMENTARY, TRIADIC, WARM AND COOL) THE PATTERN COULD APPEAR IN MANY DIFFERENT WAYS. BY CHANGING THE BACKGROUND AND FOREGROUND HUES AND SATURATION THE PATTERN IS BROUGHT FORWARD OR TAKEN BACKWARDS.
32
33
MODEL MAKING
34
35
PHOTOGRAPHY
36
37
38
39
40