3 minute read

V3 RESIDENTIAL APARTMENT VERSION 3

Next Article
Market Invisible

Market Invisible

1600 SQ FT, 2 BEDROOM, 1.5 BATHROOM

HALF BATH MASTER BALCONY MASTER BEDROOM KITCHEN BALCONY

Advertisement

[02] Post-Contemporary Bathhouse

Plan Perspective from South Aerial View

[02] Post-Contemporary Bathhouse

Embodied Perspective in the Mixed Lobby Area

The Degenerate Menagerie

Programmed Death of Casa Veritti

Location: Northern Italy

Advisor: Micah Rutenberg

Dynamic: Individual Project

Semester: Fall 2021

Project Statement

The architecture of Carlo Scarpa, a renowned Italian architect, is celebrated for its exceptional craftsmanship and attention to detail. His designs often showcase a harmonious interplay between various materials, with wood being a prominent element. Casa Veritti, one of Scarpa’s masterpieces, exemplifies architectural stratification and captivating materiality, with a particular emphasis on meticulously crafted wood components. The project at hand seeks to honor and build upon Scarpa’s legacy by proposing a unique vision for Casa Veritti that embraces the concept of architectural decay and transformation.

In this proposed intervention, a metaphorical parasite takes center stage—a strangler fig— that engulfs and frames the existing architecture of Casa Veritti. Symbolizing the passage of time and the inherent transience of architectural creations, the parasite acts as both an agent of destruction and a catalyst for reinvention. Just as termites metabolize only dead wood, the decay and disintegration of the building are essential components of the design. The gradual breakdown of Casa Veritti reveals a profound reframing of the structure, with the remnants embodying the spectral presence of Carlo Scarpa himself. The final occupant of Casa Veritti becomes the haunting shadow of a parasite, leaving behind a mesmerizing architectural ghost.

In a poetic gesture, the tectonic circle of the project is completed as the materiality of Casa Veritti is decomposed and returned to its origin— the site—taking on a new form as a living plant. The wood that once shaped the building’s essence is now reintegrated into the natural environment, embodying the cycle of life and decay. This transformation encapsulates Scarpa’s principles and acknowledges the ephemeral nature of architectural creations. He approaches all scales of design with similar rigor, and this extends this philosophy to the temporal realm.

While buildings often present a façade of stability, they are, in reality, in a constant state of active decay from the moment of their construction. This project delves into the philosophy of architectural inertia and asserts that when a site has reached a point of philosophical stagnation, its “death” should be regarded as an integral part of the architectural system. Instead of striving to prevent the inevitable decay, the proposed intervention aims to celebrate the life that architecture breathes into spaces. It challenges conventional preservation tactics within the architectural profession, urging a reevaluation of our understanding of the temporal nature of built environments.

To further explore the implementation of Carlo Scarpa’s design principles, a wooden model has been meticulously crafted. This model embodies the essence of Scarpa’s approach, capturing the intricate detailing, materiality, and craftsmanship characteristic of his work. Each element of the model reflects Scarpa’s signature style, showcasing the interplay of light and shadow, the careful selection of materials, and the juxtaposition of textures. By studying this wooden model, one can gain a deeper appreciation for Scarpa’s design philosophy and the intricate nuances that contributed to the success of his architectural compositions.

The strangler fig, when planted atop a house, utilizes its aerial roots to grow downwards, gradually enveloping the structure. These roots penetrate through open windows and doors, extending their grasp, as the plant establishes a firm hold within the house, slowly constricting and encompassing it.

Stage 02 | Decay of Existing Structure

Growth Decay

The architect deliberately introduces termites to the decaying wooden site, left unprotected for over a decade. The termites meticulously consume the aged wood, systematically removing it. The aftermath reveals a phantom of the former architecture, diminished by their targeted removal.

Existing Ecological Factors in Landscape

Site Context

Site ContextHabenteri, conemqu idiemor inpri publi, sent, crei ser patist nin publiu etem tuisterfeci publius tionloc auceres truntus aceperfit, pritam de essendam hor atum publii tereo, egernum, ceporum ad condium quidit. Ver pulicaedi, quidem, publia vius, nos etil huidem fac mantem teatius, qui furnum quisqua serfendeme

System Demonstration

The architecture demonstration model, crafted with precision using digital fabrication tools like laser cutters, 3D printers, and CNC mills, is an artistic representation of Casa Veritti. Placed within an isolation tank, termites and decomposers gradually degrade the model, transforming its beauty into a gradual state of decay.

The architecture demonstration model ignited a strong and visceral reaction from the review jury, initially filled with outrage at its deliberate act of destruction. However, beneath their initial shock, they grasped the profound intent—a sacrificial provocation. The model symbolized the real house, which would face countless individuals passionately striving to save it amidst the tumult and controversy it would generate.

This article is from: