sarah wong.
e. sarah.wong320@gmail.com | c. 647.403.8801 | BFA
CREATIVE ASSOCIATE Responsible for creating visual content for the company website as well as other collateral such as brochures, website advertisements and promotional emails while maintaining the brand guidelines. I was also given the responsibility of scripting, filming and editing promotional videos and assisting with the finishing of 3D printed products. I collaborated with the marketing department on a daily basis and participated in marketing events.
CORPORATE BRAND -
PROTO3000
These are the guidelines to the basic elements of Proto3000. Have a read, get to know us better.
What We Do Rapid Prototyping
Brand Guildelines
1
About Us
2
Logo
3
Logo Spacing
4
Unauthorized Logos
5
Colours
6
Typeface -Print
7
Typeface
8
Typeface - Web
ABOUT US Proto3000 connects companies and individuals to the digital tools they need in order to achieve greater capability, scalability, and efficiency.
Proto3000 knows rapid prototyping. We have dealt with numerous companies ranging in size from individual entrepreneurs to fortune 500 enterprises. Our rapid prototyping services provides a whole range of solutions with over a hundred material to choose from and multiple rapid prototyping processes.
3D Printing Whether your looking for 3D Printing Services, or to bring the remarkable capabilities of a 3D Printer in-house, Proto3000 has the solution for you. Our range of 3D Printers addresses the major areas of use. We carry 3D Printers for concept creation, 3D Printers for Rapid Prototyping, and 3D Printers for production.
3D Laser Scanning As essential process in product development, 3D laser scanning can put you one step closer to a flawless design. Our 3D Laser Scanners were designed for highly accurate reverse engineering and inspection. Proto3000 has a whole line of 3D Laser Scanners, as well as 3D Laser Scanning services to provide the right solution.
Digital Dental With the changing dental landscape, Proto3000 has partnered with leading dental innovation companies to provide the digital solutions needed to compete. With our Dental Mills, 3D Dental Scanners, and Dental CAD/CAM software, your lab will be capable of handling the increasing digital workflow.
2
proto3000.com
proto3000.com
Do not skew the logo.
Do not rotate the logo.
LOGO
LOGO SPACING
Primary Logo
The secondary logo should only be used for occasions where black and white printing is needed.
UNAUTHORIZED LOGOS Here are some ‘Do Not’s’ for our logo. If you don’t follow them, there will be dire concequences. We’re serious.
To ensure proper brand identity, spacing is essential. Simply use an element inside the logo to create some breathing room.
Do not put the logo on top of a texture.
Secondary Logo
Do not put embellishments on the logo.
PROTO3000 Do not change the colour or font of the logo.
3
proto3000.com
COLOURS
OUR TYPEFACE - print
These are our coporate colours.
Use Titillium Bold for headings and titles, semibold for subtitles and regular for body texts.
Aa
R: 55 G: 183 B: 221 C: 66% M: 6% Y: 7% K: 0% HEX: #37B7DD
Aa
ABCDEFGHIJKLMNOPKRSTUVWXYZ abcdefghijklmnopkrstuvwxyz (,.;’:”<>/?[]{}_+-=!@#$%^&*)1234567890
ABCDEFGHIJKLMNOPKRSTUVWXYZ abcdefghijklmnopkrstuvwxyz (,.;’:”<>/?[]{}_+-=!@#$%^&*)1234567890
6
proto3000.com
5`
proto3000.com
OUR TYPEFACE - print
Our coporate typeface is Titillium.
R: 49 G: 118 B: 188 C: 81% M: 50% Y: 0% K: 0% HEX: #3176BC
proto3000.com
4
proto3000.com
7
proto3000.com
Aa
ABCDEFGHIJKLMNOPKRSTUVWXYZ abcdefghijklmnopkrstuvwxyz (,.;’:”<>/?[]{}_+-=!@#$%^&*)1234567890
8
SOCIAL MEDIA -
YouTube
PROTO3000
OTHER COLLATERAL -
PROTO3000
RAPID PROTOTYPING SERVICES RAPID PROTOTYPING
POLYJET 3D PRINTING Rapid prototyping, as an additive manufacturing technology, drives production of race-ready parts. To accelerate the rollout of new part designs, prototyping with Proto3000 saves you the time and expense traditionally associated with performance improvements.
SLA TECHNOLOGY
3D Printing can accelerate and improve Automotive Design. For beautiful models requiring a wide materials spectrum with a smooth finish right out of the 3D printer, Proto3000 offers PolyJet technology-based 3D printers.
For reliable and robust functional prototypes use stereolithography, an additive fabrication process that builds your parts one layer at a time. Achieve your innovative needs and product launch goals with Proto3000.
SLS TECHNOLOGY
FDM TECHNOLOGY 3D Printed Parts have the quality and durability to meet the demands of race cars of all types. For resilient prototypes and parts made from high-performance engineering thermoplastics, Proto3000 offers patented Fused Deposition Modeling (FDM) Technology
Build prototypes that withstand aggressive functional testing with Selective Laser Sintering (SLS), an additive manufacturing process that uses high powered lasers to fuse material particles together. Use the most advanced SLS materials for your automotive prototype applications to achieve heat and chemical resistance.
FUNCTIONAL TESTING SERVICES FUNCTIONAL TESTING In the race for speed and performance, 3D Printing has been a lynchpin for design and testing. Race teams are now revealing that additive manufacturing parts will go far beyond review and evaluation. Save time and reduce costs while testing your prototypes with Proto3000.
DYNAMIC FRICTION COEFFICIENT Simulate the mechanical function of your end-use vehicle by using Polyjet photopolymers while considering precise dynamic friction coefficients. The material variability that Polyjet technology possess will assist in achieving your desired values so you can optimize performance.
Poster
DESIGN VALIDATION Validate and optimize your designs with the Proto3000 Engineering Team. We will ensure that your designs are simulation ready, and that your desired results will be achieved throughout the development process.
WIND TUNNEL TESTING Test your race-carâ&#x20AC;&#x2122;s aerodynamic functionality and make sure that you are always ahead of the game. Trust the Proto3000 Team to get you to cross the finish line first with Wind Tunnel Testing.
Brochure
Tradeshow Banners
ART DIRECTOR As the Art Director of META 2013 the New Media Exhibition, my responsibilities included developing and ensuring a consistent brand throughout the event. I was vin charge of creating the logo and the colour palette, as well as designing the website and any digital or print promotional materials. I also led the Creative Team which included a graphic designer, web developer and the interface team of three. We worked closely with the rest of the curatorial team of fourteen over the course of eight months to ensure a successful art show. I learned a lot about printing, teamwork and leadership. We were also required to communicate with businesses and professional artists which has educated me in the nuances of professionalism in this industry.
CORPORATE BRAND -
META 2013 The META 2013 tagline must always be accompanied by our logo. When needed, the simpler version of our logo may be used.
ACTIVE INGREDIENT:TECHNOLOGY
META2013
ALTERNATIVE LOGOS
META2013
META 2013 is an exhibition that showcases the artwork of fourth year New Media students. We use technology to create innovative works that redefine the way you think about art. We push the limits of interactivity, connectivity and image-making. We understand that people provide the connection between art and technology. What we do today will influence the way you live tomorrow.
ACTIVE INGREDIENT: PEOPLE
OUR VISION
OUR LOGO The blocky structure of our logo illustrates how New Media plays a major role as the building blocks of this digital age. The way it is turned breaking into a deeper plane of space represents motion and movement forward, similar to the way we are progressing towards our careers and aspirations. 2013 is written in pixels to represent the familiar 8-bit pixel generation in which most of us grew up in and would often incorporate into our projects.
OUR TAGLINES
BRAND GUIDELINES
These are some variations of our taglines. Active ingredient must always be written in Futura LT Book and in the META 2013 green and the ‘ingredient’ must always be written in Futura LT Heavy and in the META 2013 blue.
ACTIVE INGREDIENT: ART
ACTIVE INGREDIENT: MOVEMENT
ACTIVE INGREDIENT: INTERACTIVE
ACTIVE INGREDIENT: INNOVATION
BLACK AND WHITE LOGO
ACTIVE INGREDIENT: INNOVATION
META2013
OUR COLOURS
META2013
UNAUTHORIZED LOGOS
ACTIVE INGREDIENT: ART
META2013
ACTIVE INGREDIENT: ENVIRONMENT
To keep with our brand identity, spacing is essential. Simply use an element inside the logo to create some breathing room.
ACTIVE INGREDIENT: ENVIRONMENT
ACTIVE INGREDIENT: TECHNOLOGY BASIC LOGO
LOGO SPACING
ACTIVE INGREDIENT: PEOPLE ACTIVE INGREDIENT: ARTISTS
Our colour palette has been carefully chosen to create a fun yet professional environment.
SECONDARY COLOURS
PRIMARY COLOUR
Do not skew the logo.
Avoid textured backgrounds.
Hex: #28AAE1 R:40 G:170 B:225 C:70 M:15 Y:0 K:0
Hex: #000000 R:0 G:0 B:0 C:75 M:68 Y:67 K:90
Hex: #ffffff R:255 G:255 B:225 C:0 M:0 Y:0 K:0
Do not move the elements in the logo.
TERTIARY COLOURS Hex: #77BC42 R:119 G:188 B:66 C:58 M:2 Y:100 K:0
Do not rotate the logo.
Do not change the colour or put a texture on the logo.
Futura LT ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890~!@#$%^&*()_+
Aa Light
META2013
1
OUR STATIONARIES
ACTIVE INGREDIENT: INTERACTIVE
FUTURA LT should be used as the primary font. Futura LT book should be used for all body text and Futura LT Heavy should be used when an empahsis is needed. Futura LT is best used in ALL CAPITALS. Headers should always be written in capitals.
ACTIVE INGREDIENT: MOVEMENT
META2013
OUR FONTS
Hex: #FFCE00 R:255 G:206 B:0 C:1 M:18 Y:100 K:0
Here are some examples of our branded stationaries.
Aa Book
Aa
Heavy
ASBEL should be used when quoting and when captions are needed.
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Asbel ABCDE FG HIJKLMNOPQRS TUVWXY Z abcdefghijklmnopqrstuvwxyz 1234567890~!@#$%^&*()_+
SAV
E
TH ED R AT
Aa
E
Regular
TAHOMA should only be used when the other two fonts are not availiable. Eg. Website
3
Tahoma ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890~!@#$%^&*()_+
Aa
Regular
Aa Bold
REGULAR ENVELOPE
LETTERHEAD
V.I.P ENVELOPE
Hex: #F7931D R:247 G:147 B:29 C:0 M:50 Y:100 K:0
Hex: #9C1E60 R:156 G:30 B:96 C:35 M:100 Y:37 K:11
PAMPHLET -
META 2013
fold
fold
12 - Dean Park & Erin Sweeney, Living Within Decay
Living Within Decay is a video installation that documents the process of decomposition within organic materials. When the audience enters the space they will experience a new living organism breathing all around them.
VISITOR TRACE
13 - Ji Woong You, Parallel Play
Visitor Trace is an interactive exhibition interface that rethinks the conventions of the exhibit label, the guestbook and gallery security.
Parallel Play is a video sculpture about causality and synchronicity. Loops of video play continuously on 3 monitors. As the videos play in and out of sync with each other, the viewer perceives moments of ‘meaningful coincidence.’
Interactive Label (& Web App) Scan the QR code with your smart phone or by using one of the available iPads provided at the gallery. This will take you to the artist’s specific page on the META 2013 web app. Here you will find additional information about the artist and their artwork. The app can also be downloaded at meta2013.ca/app.
14 - Amanda Wood, Do Not Disturbed
This Kinect audio installation is a three-dimensional interactive piece that requires individual participation. Do Not Disturbed is an exploration of the future of interaction design and auditory senses.
Digital Guestbook Use your smart phone or the iPads provided at the gallery to access the META 2013 guestbook and post your feedback and comments. Tweet us at our user name @META2013GB and remember to include the hashtag #META2013
14 1 - Rola Kuidar, The False Fact
"Ignorance leads to deception"; this is my project's premise. This installation raises awareness about the media's misinterpretations of Islam. The audience will see images of Muslims speaking for themselves instead of being spoken for.
Security Guard View the movement of gallery visitors on the screen above the bar. Much like a traditional security guard, our Kinect-enabled security guard moves around the gallery observing how long people spend with each artwork, how they interact and the direction of their movement through the gallery. This information is converted into colourful visual pathways that tell the story of the META 2013 audience.
2 - Emily Halberstadt, Essence
THE 4
TH
YEAR
Essence is a piece set in the near future where a machine has been invented that can capture and store the essence of a moment so that the user can transcend time.
9 - Linda Lou, The Story of Princess Friedrike
3
9 6
NEW MEDIA
5
4
The Sola Station is a test site created to determine who might be permitted into an apocalypse shelter built by society’s highest class, the residents of District 1. Test questions consider each applicant’s involvement with social media and their level of addiction to technology.
Play On is an interactive experience in which the user creates a unique real-time soundscape through their body’s physical movement.
10 3
11 - Rachel Brown, Sola Station
8 - Karen Cochrane & Olivia Kolakowski, Play On
11
2
The Johnson’s is a time-based installation that combines sculpture and holograms, and uses juxtaposition to explore the relation of physical and nonphysical realities.
13
12 1
10 - Samar Hejazi, The Johnson’s
7
The Story of Princess Friederike is an "escape the room" RPG that retells a dark and twisted version of the fairy tale Maid Maleen.
8
EXHIBITION 3 - Kathryn Barrett, A World Left Over
A World Left Over is an installation about a fictional post-disaster future. In it, common bird species have been forced to adapt to the abandoned urban environment that has become their habitat.
VISITOR TRACE COLOUR LEGEND ARTA GALLERY The yellow represents MOVEMENT
Opening Night Reception Thrusday, March 28 5pm - 11pm
The orange represents ENVIRONMENT The magenta represents MARVEL.
for more information visit: META2013.CA
Outside
Gallery Hours Friday, March 29 10am - 6pm Saturday, March 30 10am - 6pm
4 - Zaid Edghaim, Here Here
Here Here consists of three small mechanically activated sculptures that produce sounds. By raiding the visual vocabulary of Duchamp this piece raises the Cageian question of where the boundary between sound and music lies.
5 - Jamie Chirico, Cereal Questions
Cereal Questions is a participatory, multi-screen video installation designed for single user interaction. The user enters the installation space and is confronted by a table, chair, and cereal spread, all facing a wall of digital video portraits.
6 - Cristal Sung, Aspire
Inspired by a news story about a 17 year-old boy who exchanged his kidney for an iPad, Aspire is a vending machine that raises the question: what is the price of our material and status aspirations? 7 - Alex Jordan, At Risk At Risk is a data visualization of over 1,800 species of mammals catalogued by the International Union for the Conservation of Nature (IUCN) that are currently in danger of becoming extinct or suffering unrecoverable population loss.
Inside
OUR VISION META 2013 is an exhibition that showcases the artwork of fourth year New Media students. We use technology to create innovative works that redefine the way you think about art. We push the limits of interactivity, connectivity and image-making. We understand that people provide the connection between art and technology. What we do today will influence the way you live tomorrow.
PROMOTIONAL MATERIALS -
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META 2013
W
meet us at THE HUB (the cafeteria in Jorgenson Hall)
at 11AM, FEB 14 it’s a bake sale.
ACTIVE INGREDIENT:
PEOPLE
V-day Bake Sale Promotional Poster General Promotional Poster
INVITES -
META 2013
YOU ARE CORDIALLY INVITED TO ATTEND
META2013 MARCH.28.2013
R
5:00PM - 11:00PM
ARTA GALLERY
14 DISTILLERY LANE
5
28.03.2013 - 30.03.2013 ry S
St
St E
t
Trinity
ryersonmeta2013@gmail.com
EXHIBITION
Front
Mill St ne
ry La
Distille
ent St
PROJECT COORDINATOR
NEW MEDIA
Parliam
PLEASE RSVP TO: HELAENA PARKES
St E Cher
Front
THE 4TH YEAR
Regular Invite
THANK YOU TO ALL OUR SPONSORS:
HAMSAR, OFFICE OF THE PRESIDENT - RYERSON UNIVERSITY, RYERSON IMAGE ARTS, P-FACS, MILL ST., CLEAR CHANNEL, RSU, FCAD, ZOOM MEDIA, AKIMBO, CLEAR CHANNEL, BALZAC’S COFFEE
VIP Invite
ARTA GALLERY 14 DISTILLERY LANE TORONTO, ON M5A 3C4
WEBSITE & SOCIAL MEDIA -
META 2013
Website
GRAPHIC DESIGN & WEB ASSISTANT As the Graphic Design & Web Assistant, a few of my major tasks includes promoting the Ryerson Rams varsity teams by creating posters and updating their website regularly. I also created rosters as well as programs for athletics events and splash pages for the website.
PROMOTIONAL POSTERS -
RYERSON RAMS
*Photo credit: Winston Chow and Stephen Kassim
SPLASH PAGES -
RYERSON RAMS
*Photo credit: Stephen Kassim
MARKETING AND SPONSORSHIP LEAD As the Marketing and Sponsorship Lead of the Ryerson Orientation Team, my main responsibilities included: the orientation logo, branding package, organizing the t-shirt program, the maintenance of the website, execution of sponsorships which included sponsorship packages, door-to-door, emails and phone calls and marketing the event through print material and social media. The Orientation Team has helped me improve my ability to multitask as well as my time and resource management. We branded, marketed, fund raised, recruited over one hundred volunteers and created a whole weekâ&#x20AC;&#x2122;s worth of events in just four months.
LOGO -
RYERSON ORIENTATION 2011
Primary Logo
Single Colour Logo
PROMOTIONAL POSTERS -
RYERSON ORIENTATION 2011
WEB BANNERS -
RYERSON ORIENTATION 2011
APPAREL -
RYERSON ORIENTATION 2011
Orientation Team Sweater
Orientation Team T-Shirt
Volunteer T-Shirt
CREATIVE ASSISTANT Throughout my four years of university at Ryerson, I was involved in several student groups as the creative assistant or graphic designer. I was an active member of SIFE Ryerson where I attended weekly marketing meetings and contributed to marketing strategies. During my time at SIFE I created several promotional posters as well as a giant novelty check. I was also involved in the student group Women In Leadership. I assisted with the creation of the logo and other promotional materials. I was also commissioned by Maximum Exposure the Art Exhibition to create a catalog and wall labels for their gallery. During my fourth year, several classmates and I created a fake television show to promote as a project. I was in charge of creating the logo and other promotional materials.
PROMOTIONAL MATERIALS -
SIFE RYERSON
PROMOTIONAL MATERIALS -
WOMEN IN LEADERSHIP
Inaugural Ryerson Women in Leadership Conference Friday March 8th, 2013 (International Women's Day) Ted Rogers School of Management Ryerson University @RWILeadership | #RWIL
Logo
MARCH 8TH, 2013 INTERNATIONAL WOMEN’S DAY
@RWILeadership | #RWIL
RYERSON WOMEN IN
LEADERSHIP
Ryerson Women in Leadership (RWIL) is a student group lead by undergraduate students within the Ted Rogers School of Management (TRSM) at Ryerson University that focuses on mentoring young, female professionals. We are committed to connecting a network of influential women, and women in leadership in their respective fields to Ryerson University students, as well as streamlining all undergraduate women-affiliated groups within the TRSM. We seek to gather the women in leadership for discussion at our annual conference held in the second semester of the school year. Our mission is to serve as a platform for female leaders to mentor, and share their experiences, wisdom, and successes to help students and each other solve business problems, and power conflicts within their organizations for actionable results.
Poster
Lunch and Registration
12:00-12:10PM
Opening Plenary
12:10-12:30PM
Opening Keynote: Lesya McQueen, VP Retail and E-Commerce, adidas Group Canada
12:30-12:50PM
Speaker #1: Amber Kanwar, Report/Anchor, Business News Network (BNN)
12:55-1:05PM
Speaker #2: Theresa Laurico, Founder, SociaLIGHT
1:05-1:10PM
Questions for Keynote and Speakers #1, #2
1:10-1:55PM
Speed Networking (Group Activity)
1:55-2:25PM
Open Networking and Break Optional (2:10-2:20): Re-energizing Yoga, Gillian B., Nywood Yoga
2:30-3:00PM
Break Out Session #1: Profit from Your Passion - Diana Chan, Founder, Magnify Your Marketability, TRS 2-109
2
Panel Discussion: Breaking Your Glass Ceiling Panelists: • • • • •
@RWILeadership | #RWIL
Diana is a Personal Branding & Career Coach, Speaker and Trainer. She founded Magnify Your Marketability with a mission to discover and develop top talent. She has a track record of helping people getting hired in record time and getting paid more by tapping into the hidden job market through effective networking. In 2012, she provided over 300 hours of coaching where she helped people get into top MBA schools and top companies,such as Google, Microsoft, Deloitte, BCG, L’Oreal, Bell, Rogers, TELUS etc. Diana has over 10 years of experience in recruiting, training, leadership development, coaching and mentoring and have worked at top tier firms including Google, Accenture, Ivey and TELUS. She was the first and only Recruiter based in Toronto for Google Canada, where she achieved the highest number of hires globally.
BREAK OUT SESSION #2
Break Out Session #2: Secrets to Her Success - Natalie Gokchenian, Manager, Executive Development, TD Bank Group, Cara Commons 3:10-4:10PM
BREAK OUT SESSION #1 Diana Chan, Founder, Magnify Your Marketability
11:00-12:00PM
Jany Jang, Co-Chair, Ryerson Women in Leadership (RWIL)
Andrea Romero, Co-Chair, Ryerson Women in Leadership (RWIL)
@RWILeadership | #RWIL
AGENDA
Erica Tait, Litigation Lawyer, Stikeman Elliott LLP Nadia Baldwin, Manager, Talent Programs, TD Canada Trust Hazel Claxton, most recently PwC Janice Dawes, Senior Director, Canadian Breast Cancer Foundation Carolyn Van, Founder, ThirdOcean, Venus Ventures
Natalie Gokchenian, Manager, Executive Development, TD Bank Group Natalie Gokchenian is an accomplished communicator and has worked as a corporate spokesperson for some of Canada’s largest brands including Hudson’s Bay Company, Winners and TD Bank Group. As a journalism graduate of Ryerson University, Natalie started her career as a freelancer for the Toronto Star and worked as a reporter at the New York Times and Reuters. Eventually moving into public relations, Natalie appeared on national outlets, such as Global News, Canada AM and Breakfast Television, as an expert in the retail industry. Currently the Manager of Executive Development at TD, Natalie supports the leadership training portfolio for the Bank’s executive audience. In her spare time, she teaches Business Etiquette and Corporate Protocol and has facilitated etiquette training to some of Canada’s largest corporate environments. She is the founder of The School of Modern Etiquette based in Toronto, Ontario.
Moderator:
Shanta R. Nathwani, B.Com., MCP
4:10-4:20PM
Questions for the Panel
4:20-5:00PM
World Café Style Networking with Panelists
5:00-5:20PM
Closing Keynote: Diane Francis, Editor-at-Large, National Post
5:20-5:25PM
Questions for Closing Keynote
5:25-5:30PM
Closing Ceremony
@RWILeadership | #RWIL
PANELISTS
THANK YOU TO OUR SPONSORS
Erica Tait, Litigation Lawyer, Stikeman Elliott LLP Erica Tait is an associate practising in the Litigation Group of the Toronto office of Stikeman Elliott. Ms. Tait has a general corporate/commercial litigation practice with experience in the following areas: contract disputes, shareholder and director/officer disputes, employment disputes, professional negligence, and bankruptcy and insolvency. She also practices class action litigation, principally in the area of securities litigation and has appeared before all levels of courts in Ontario, as well as the Court of Queen’s Bench for Alberta and the Nova Scotia Supreme Court. Prior to embarking on her legal career, Ms. Tait owned a health and fitness consulting company in Calgary, Alberta serving a wide range of corporate and individual clients.
“
A woman is like a tea bag: you cannot tell how strong she is until you put her in hot water.
”
- Nancy Reagan
Nadia Baldwin, Manager, Talent Programs, TD Canada Trust Nadia started her career at TD Bank after receiving the TD Canada Trust Scholarship for Outstanding Community Leadership. Since then, she has built a fulfilling and diverse career at TD holding increasingly senior roles in Retail Branch Banking, Marketing, Communications and Human Resources. Having what she says is “the best job in the bank”, she is currently the Manager of Talent Programs in Organization Development, where she leads the Management Associate Program and the HR Associate Program. Her goal is to recruit, develop and retain diverse talent for TDCT businesses, ensure talent capability is aligned with business strategies and priorities, and to continue to build the leadership bench.
“
Don’t Be Your ‘First, Worst’ Critic.
”
OREGON CAPITAL
“
Don’t compromise yourself. You are all you’ve got.
”
- Janis Joplin
– Virginia Rometty, CEO, IBM
5
3 @RWILeadership | #RWIL
6 DESIGNED BY: SARAH WONG & JANY JANG
@RWILeadership
Event Program
CATALOG & WALL LABELS -
MAXIMUM EXPOSURE
ARTIST: DANIELLE BOSSIO
ARTISTS: KAREN COCHRANE & OLIVIA KOLAKOWSKI
ARTIST: XHENSILA ZEMBLAKU
PROJECT TITLE: THE KOIORA SPECTACLE, 2012
PROJECT TITLE: STAGES OF CAPITALISM, 2012
PROJECT TITLE: DAEDALUM, 2012
THE KOIORA SPECTACLE IS A SCULPTURAL PIECE PORTRAYING A SPECIES CALLED THE ONEKINA, A SEMI-AQUATIC MAMMAL ENDEMIC TO NEW ZEALAND. THE PIECE REFLECTS ON THE GENESIS OF LIFE, PROVOKING THE VIEWER TO QUESTION THE NATURE OF EXISTENCE, ALL WHILE ONE’S CREDULITY IS BEING TESTED.
IN TODAY’S SOCIETY IT IS IMPORTANT TO QUESTION CAPITALISM. A LOT OF THE STRESS AND AGONY IN TODAY’S SOCIETY IS CREATED BY THE ECONOMY AND CAPITALISM. IT SEEMS IN TODAY’S SOCIETY RELATIONSHIPS AND HAPPINESS CAN ALL DEPEND ON MONEY. IN THE PIECE, WE QUESTION THE USER’S RELATIONSHIP WITH MONEY AND THE RIDICULOUSNESS OF HOW PEOPLE ACT AROUND MONEY, THROUGH A SERIES OF PIGGY BANKS. WHEN RESEARCHING, WE NOTICED THE SIMILARITIES OF THE KUBLER-ROSS’ MODEL KNOWN AS THE FIVE STAGE OF GRIEF (DENIAL, ANGER, BARGAINING, DEPRESSION, AND ACCEPTANCE) IN ACCORDANCE WITH DEATH HAVE TO DO WITH HOW PEOPLE REACT AROUND MONEY.
DAEDALUM IS A KINETIC SCULPTURE THAT AIMS TO CREATE A DREAM-LIKE EXPERIENCE IN A CONSCIOUS STATE. THE SHORT, REAL-TIME ANIMATED SEQUENCE OF A SERIES OF 3-DIMENSIONAL SCULPTURES APPEARS TO BE TRANSFORMING BEYOND THE LAWS OF PHYSICS, CONFLICTING LOGIC AND SENSORY PERCEPTION, AND BLURRING THE LINE BETWEEN REAL AND IMAGINARY.
WEBSITE: IMAGEARTS.RYERSON.CA/DBOSSIO/
WEBSITE: XHENSILAZEMBLAKU.CO.CC
WEBSITE: KARENANNECOCHRANE.COM
RYERSON UNIVERSITY IMAGE ARTS PRESENTS
MAXIMUM EXPOSURE NON/LINEAR Catalog ARTIST: DANIELLE BOSSIO
ARTISTS: KAREN COCHRANE & OLIVIA KOLAKOWSKI ARTIST: DANIELLE BOSSIO
ARTISTS: KAREN COCHRANE & OLIVIA KOLAKOWSKI ARTIST: BOSSIO ARTIST: DANIELLE CONNOR CRAWFORD
PROJECT TITLE: THE KOIORA SPECTACLE, 2012
PROJECT TITLE: STAGES OF CAPITALISM, THE KOIORA SPECTACLE,2012 2012
PROJECT OF 2012 THE KOIORA SPECTACLE, 2012 PROJECT TITLE: TITLE: STAGES UNTITLED BYCAPITALISM, UNTITLED, 2012
THE KOIORA SPECTACLE IS A SCULPTURAL PIECE PORTRAYING A SPECIES CALLED THE ONEKINA, A SEMI-AQUATIC MAMMAL ENDEMIC TO NEW ZEALAND. THE PIECE REFLECTS ON THE GENESIS OF LIFE, PROVOKING THE VIEWER TO QUESTION THE NATURE OF EXISTENCE, ALL WHILE ONE’S CREDULITY IS BEING TESTED.
IN TODAY’S IT IS IMPORTANT TO QUESTION CAPITALISM. THE KOIORASOCIETY SPECTACLE IS A SCULPTURAL PIECE PORTRAYING A LOT OF THE STRESS AGONY IN TODAY’S SOCIETY IS SPECIES CALLED THE AND ONEKINA, A SEMI-AQUATIC MAMMAL CREATED BY NEW THE ECONOMY AND PIECE CAPITALISM. IT SEEMS IN ENDEMIC TO ZEALAND. THE REFLECTS ON THE TODAY’S SOCIETY RELATIONSHIPS AND HAPPINESS CAN THE ALL GENESIS OF LIFE, PROVOKING THE VIEWER TO QUESTION DEPEND ON EXISTENCE, MONEY. IN THE PIECE, ONE’S WE QUESTION THEISUSER’S NATURE OF ALL WHILE CREDULITY BEING RELATIONSHIP WITH MONEY AND THE RIDICULOUSNESS OF HOW TESTED. PEOPLE ACT AROUND MONEY, THROUGH A SERIES OF PIGGY BANKS. RESEARCHING, WE NOTICED THE SIMILARITIES OF WEBSITE:WHEN IMAGEARTS.RYERSON.CA/DBOSSIO/ THE KUBLER-ROSS’ MODEL KNOWN AS THE FIVE STAGE OF GRIEF (DENIAL, ANGER, BARGAINING, DEPRESSION, AND ACCEPTANCE) IN ACCORDANCE WITH DEATH HAVE TO DO WITH HOW PEOPLE REACT AROUND MONEY.
IN TODAY’S SOCIETY IT IS EXPLORES IMPORTANT TO ISSUE QUESTION CAPITALISM. THE KOIORA SPECTACLE IS A SCULPTURAL PIECE “UNTITLED BY UNTITLED” THE OF PORTRAYING AUTHORSHIP A LOT OF THE STRESS AND IN TODAY’S IS SPECIES CALLED THE ONEKINA, A SEMI-AQUATIC MAMMAL AND IDENTITY OR LACK THERE OFAGONY ONLINE. ONCE ONLINE,SOCIETY ANYTHING CREATED BY IS THE ECONOMY AND CAPITALISM. IT SEEMS IN ENDEMIC TO NEW ZEALAND. PIECE REFLECTS ON THE YOU CREATE NOW INFINITELYTHE COPYABLE, DOWNLOADABLE, TODAY’S SOCIETY RELATIONSHIPS AND HAPPINESS CAN ALL GENESIS OF LIFE, PROVOKING THE VIEWER TO QUESTION THE AND MALLEABLE. THIS SENSE OF INVISIBILITY IN THE ORIGINAL DEPEND ON MONEY. IN IN THE PIECE, WE QUESTION NATURE OF ALL ONE’S CREDULITY ISUSER’S BEING CREATOR IS EXISTENCE, EXPLORED A WHILE PERFORMATIVE VIDEO.THE ANYONE IS RELATIONSHIP WITH MONEY AND THE RIDICULOUSNESS OF HOW TESTED. ALSO ENCOURAGED TO DOWNLOAD THE VIDEO THEMSELVES, PEOPLE ACT AROUND MONEY, THROUGH A SERIES OF PIGGY AND ACTIVELY TAKE PART IN CHALLENGING THE OWNERSHIP OF BANKS. WHEN RESEARCHING, WE NOTICED THE SIMILARITIES OF WEBSITE: IMAGEARTS.RYERSON.CA/DBOSSIO/ THIS VERY PIECE. THE KUBLER-ROSS’ MODEL KNOWN AS THE FIVE STAGE OF GRIEF (DENIAL, ANGER, BARGAINING, DEPRESSION, AND ACCEPTANCE) WEBSITE: CONNORCRAWFORD.COM IN ACCORDANCE WITH DEATH HAVE TO DO WITH HOW PEOPLE REACT AROUND MONEY.
WEBSITE: KARENANNECOCHRANE.COM
WEBSITE: KARENANNECOCHRANE.COM
WEBSITE: IMAGEARTS.RYERSON.CA/DBOSSIO/
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*Photo Credit: Winston Chow and someone on Google
FUN THINGS -
PERSONAL PROJECTS MISCONCEPTION OF MADNESS “individual approach”
HOW SCIENCE SEES IT
“moves focus away from collective madness and towards mental disorder”
“chemical unbalance” “find the disease through symptomatology”
HOW THE DSM SEES IT
“people that don’t belong” “dangerous or criminal”
“terms are fluid and changes over time”
“fix them with medication”
“put them in the asylum”
“they are violent”
“drugs are the cure”
“anomalous to group irrational behaviour”
“terms changes as the behaviours change”
HOW THE DICTIONARY SEES IT
HOW SOCIETY SEES IT
“they are out of control” “they are not normal”
“they can not run things”
“they can not work” “It is a disease”
“dangerousness is a criterion for civil commitment”
WHAT IS MADNESS
“sanism is unacceptable”
“mad people should be respected in court”
MAD PRIDE
HOW MORTIN BIRNBAUM SAW IT
HOW EMILE DURKIEIM SAW IT
“being mad is a serious illness that needs to be taken care of immediately”
MAD PRIDE
“focus on what is wrong with the world and not what is wrong with the individual”
“mental illness can be affected by social causes”
HOW DON WEITZ & THOMAS SZASZ SAW IT
“not acting like the status quo? You must be mad”
“look past casual factors, look at how mental illness is dealt with”
“humans are social beings therefore, human behaviour should be understood in a larger context”
“most are living under poverty line, which is causing them stress”
“the medical model is wrong”
“the psychiatry system is flawed” sarah wong
HOW THE MEDIA SEES IT
HOW THE SOCIAL MODEL SEES IT
HOW AN EX-PATIENT SEES IT
“see it as a bigger group and not individually”
“what kind of support do they need?”
“let’s consider the effects of their environments”
WHAT MADNESS REALLY IS
sarah wong e. sarah.wong320@gmail.com c. 647.403.8801