S A R A J AC I N TO PORTFOLIO 2010-2016
02
INDEX
CURRICULUM
04
PROJECT LIST / COLLABORATIONS
07
SELECTED PROJECTS MASTER’S FINAL PROJECT
13
CONTAINER HOTEL
27
SOYO AIRPORT TERMINAL
39
URBAN WATERFRONT REGENERATION
47
HOUSE IN CHÁCARA DO ALGODÃO
57
SOMOS GOMA ASSOCIATION
65
03
SARA JACINTO Born on the 15th September 1987 in Lisbon, Portugal PHONE +351 967647491 EMAIL
sarajacinto.arq@gmail.com SKYPE sarajacintosilva
04
CURRICULUM ACADEMIC QUALIFICATIONS 2005-2010 Lisbon
FACULDADE DE ARQUITECTURA UNIVERSIDADE TÉCNICA DE LISBOA (FAUTL)
2008 Brussels
VRIJE UNIVERSITAT BRUSSEL (VUB)
2002-2005 Funchal
ESCOLA SECUNDÁRIA JAIME MONIZ
Masters degree in Architecture European Erasmus programme Arts, Crafts and Design studies
WORK EXPERIENCE 2016-2017 INDEPENDENT PRACTICE Rio de Janeiro - Lisbon Focus on architecture and interior design projects 2014-2016 Rio de Janeiro
ESTÚDIO GUANABARA - Architect Coordination and development of several urban, architecture and design projects, focusing in social inovation and low impact construction.
2014-2016 Rio de Janeiro
SOMOS GOMA - Partner Member of Goma, an interdisciplinary association of entrepreneurs, people and companies, working together with the aim of promoting social impact businesses and new economy values.
2012-2013 Rio de Janeiro
ERIKA DUARTE ARQUITETURA - Architect Coordination and development of architecture and interior projects, focusing on housing and refurbishment.
2011-2012 Lisbon
MA-SS ATELIER DE ARQUITECTURA - Internship Collaboration in large scale projects in Angola
SKILLS SOFTWARE
LANGUAGES
PERSONAL INTERESTS
Autocad 2d e 3d
Portuguese (native)
Adobe Photoshop and Indesign
English (excelent) Cambridge ESOL-FCE
Travelling, Music, Dance, Art.
Rhinoceros and Grasshopper
Spanish (Fluent)
SketchUP
German (Currently learning) 05
PROJECT LIST | COLLABORATIONS INDEPENDENT PRACTICE
July 2016 - Current
Apartment in Barreiros. Madeira Island. Portugal Refurbishment. Concept and design development. Apartment in Flamengo. Rio de Janeiro Refurbishment and decoration. Concept and design development. Galpão Ladeira das Artes Studio. Rio de Janeiro Interior design. Concept and design development, technical design and detailing. Residential Building in Copacabana. Rio de Janeiro Refurbishment. Technical design and detailing in partnership with OCO Arquitetos. Apartment in Laranjeiras. Rio de Janeiro Refurbishment. Concept and design development in partnership with OCO Arquitetos. Houses in Baleal. Portugal Design development and technical design in partnership with Isabel Vincke Arquitectura. ESTÚDIO GUANABARA
March 2014 - July 2016
Container Hotel. Lapa. Rio de Janeiro Modular system hotel, with 122 rooms Design development, technical design and detailing. Coordination of engineering projects and construction observation. Zuzu Angel Museum. Usina. Rio de Janeiro Restoration and refurbishment of a antique house to accommodate the Instituto Zuzu Angel Collection. Design development, technical design and detailing, coordination of engineering projects. Arca Urbana Coworking. Botafogo. Rio de Janeiro Building refurbishment for coworking spaces. Concept and design development. Goma Association. Saúde. Rio de Janeiro Building adaptation and refurbishment for interdisciplinary association of entrepreneurship. Co-design assistance and construction observation. Onda Verde Furniture. Tinguá. Baixada Fluminense Furniture design for a ONG. Concept, design development and detailing. 07
Urban Waterfront Regeneration. RJ State Flood impact reduction project in 5 cities in the north of the state. Landscape and urban design team coordination, technical design and detailing development. Country house in Secretário. Petrópolis Refurbishment and extension. Concept, design development and technical design. Restaurant in Avenida Atlântica. Rio de Janeiro Interior design, Concept and design development. Ativa Pedaço Urban activation project through placemaking strategies. Strategical development. Apartment in São Conrado. Rio de Janeiro Refurbishment and decoration. Concept, design development and technical design. Stand GloboSat ABTA 2016. São Paulo Scenography. Concept, design development and technical design. MIS-PRO. Lapa. Rio de Janeiro Competition for the new Museum of Image and Sound Collection building. ERIKA DUARTE ARQUITETURA
August 2012 to December de 2013
Two Houses in Chácara do Algodão. Rio de Janeiro Restoration and extension. Concept, design development, tecnhical design and detailing, coordination of engineering projects. Apartment in Horto. Rio de Janeiro Refurbishment. Concept, design development, tecnhical design and detailing. Apartment in Lagoa. Rio de Janeiro Refurbishment. Concept, design development, tecnhical design and detailing. Apartment in Leblon. Rio de Janeiro Refurbishment. Concept, design development, tecnhical design and detailing.. Apartment in Flamengo. Rio de Janeiro Refurbishment. Furniture design, design development, tecnhical design and detailing.
08
MA-SS ATELIER DE ARQUITECTURA
June 2011 to March de 2012
Soyo Airport Terminal. Angola Colaboration in all processes: concept, design development, tecnhical design and detailing. Soyo Airport Control Tower. Angola Collaboration in technical design and detailing projects. Indie Lisboa Festival 2011 Scenography design for the Lisbon Independent Film Festival.
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10
SELECTED PROJECTS
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SITE 12
PUBLIC SPACE AND PUBLIC BUILDING DESIGNING THE CITY UNIVERSITY FORUM OF CAMPO GRANDE M A S T E R S F I N A L P R O J E C T. 1 8 D E G R E E S I N 2 0 . T H E S I S A D V I S O R : P R O F. P E D R O PA C H E C O SELECTED FOR THE SECIL UNIVERSIDADES 2010 PRIZE
This project strives to study the ways in which the public space, and its collective facilities, may contribute to the fortification of social and cultural relationships between individuals that make up a group or society, the development and preservation of societies identity and collective memory. The subsequent fragmentation, dispersal, and privatization of urban areas led to a public space crisis, thus withdrawing itself to be the cornerstone of societies everyday life. Simultaneously, a growing individualism and anonymity is lurking within society, which gives rise to a subsequent alienation of the individual from the community and the space he inhabits. Hence, the underlying intention is to understand how this fundamental link can be restored, and the ways that Architecture can lead to the reconciliation between the individual, the society and the city. Thus, the design of a public building, an University Forum, follows the intention to respond the premises established, accommodating the idea of ‘Public House’. The project falls in a block of a previously determined urban plan for the Campo Grande area, an hybrid building formed by different typologies: a student centre, student housing, 24h study centre, and commercial spaces, gathered around a central courtyard, that agglutinates them, as in a Roman Forum. Therefore, the public building is understood as the extension of this public square, an indoor public space, capable of providing the necessary conditions for the encounter and exchange between individuals, constituting the basis for the emergence of social dynamics. 13
SCHEME
A central square allows the access to the different levels and all urban paths converge to its interior.
A
FÓRUM DE POMPEIA SÉC II a.C.
The analogy to the Roman Forum is crucial for the development of the project, since this is the meeting place par excellence. The intention is to create a place that can structure the urban dynamics and provide the social encounter. 0 14
15
30m
B 3.00
+84.00 4.00
+84.00 4.00
2.50
A
B
PLAN - COURTYARD LEVEL 15
MODEL AND SKETCH 16
ACCESS TO ROOF GARDENS STUDENT HOUSING
ADMINISTRATION 24H STUDY CENTRE
COMMERCIAL AREAS
LIBRARY
STUDENT HOUSING ACCESS
CAFETERIA
PARKING
AUDITORIUM AND EXHIBITION AREAS ATRIUM
0
5
10
20m
AXONOMETRIC PERSPECTIVE 17
18
0
6
12m
0
6
12m
SECTION A
SECTION B 19
20
COURTYARD 21
0 22
1.5
3m
ATRIUM SECTION 23
Legend
1
1. Limestone roofing
2 3
2. Concrete wall with wood form work 40cm
4
3. Grass 4. Organic Layer 50cm 5. Mineral Layer 100cm 6. Draining layer (gravel) 7. Drain Blanket 8. Waterproofing 9. Thermal insulation - roofmate 10cm 10. Screed 1% 11. Vapour barrier 12. Concrete slab with wood form work 50cm 13. Thermal insulation - wallmate 5cm
13
14. Concrete wall with wood formwork 15cm 15. Dripper
14
16. Glazed rail
17 15
17. Solid wood frames 18. Transparent glass 19. Wooden floor
18
16
20. Elastic base 21. Calcium Sulphate Flooring Module
19
22. Rock wool insulation 5cm
20
23. Concrete slab with wood formwork 40cm 24. Adjustable metal structure for raised floor 25. Pivot door in wood 26. Stainless steel handle 27. Slab layer 28. Waterproofing
25
29. Carpet 30. Perforated drain 31. Foundation 26
32. Regularization concrete 33. Sidewalk 34. Rainwater drainage gutter 35. Stonework in ‘ataíja azul’ 5cm tick
33
34
35
36
37
38
27
39
28
29
23
36. Porous concrete 3cm 37. Porous concrete 7cm 38. Tout-venant
7
39. Earth
8
6 30
31 32
0 24
6
12m
FAÇADE CONSTRUCTIVE DETAIL
ATRIUM 25
SITE 26
HOTEL CONTAINER ESTÚDIO GUANABARA . 2014
LOCATION LAPA. RIO DE JANEIRO. BRAZIL CLIENT OTIS HOTELS TEAM ANDRÉ DAEMON, DANILO FILGUEIRAS, CARINA CARMO, LUISA BOGOSSIAN, THIAGO BARROS, SARA JACINTO, FRANCISCO SAMPAIO. COLABORATION DESIGN DEVELOPMENT, TECHNICAL DESIGN AND DETAILING. PROJECT MANAGEMENT AND COORDINATION OF ENGINEERING PROJECTS. PROTOTYPE CONSTRUCTION OBSERVATION.
Rio de Janeiro, Olympic city, has a deficit of 20 thousand hotel rooms, and the hotel offer is outdated and of poor quality. The project tries do respond to this demand, with the creation of a temporary hotel with 120 bed unities, capable of been built in a quick and economic way. It is inserted in the cultural corridor of Rua do Lavradio, in the historical district of Lapa, where most of the buildings have the typology of a 19th century townhouse, implanted in narrow and deep lots, without frontal or lateral spacing, generating an urban environment of spatial continuity. The project is proposes the construction of 3 blocks interspersed by dense gardens of endemic vegetation. The main facade recreates the proportion and rhythm of the houses, so as to fit in the context of the Cultural Corridor, creating a harmony between ancient and contemporary architecture. The room is designed as a minimum livable unit, enough to sleep comfortably. By using containers do accommodate each room, the speed of construction is improved, since the construction of the rooms can be fabricated apart from the rest. Thus, it allows the building to be relocated with ease, creating a modular system that can be set back in another location, minimizing the impact of the construction on the site. The materials used are choose carefully to be from Brazil, minimizing the time needed for importation and bureaucracies, and Thought to create an intimate space, providing comfort and cosiness, constructing with the highly industrial construction process.
27
28
FAÇADE RHYTHM
LAVRADIO STREET FAÇADE 29
CORRIDORS AND ACCESSES
GARDEN VIEW 30
Taking advantage of the overlay system, the facilities follow the same logic. With a dedicated area facilities within the module, by overlapping them, all systems are concentrated in the same place. This facilitates assembly and access to systems for maintenance. The shaft has been dimensioned to receive: Hydraulics, Electricity, Air Conditioning, Exhaust and Sewage.
31
A
B
C
D
E
D'
01
02
03 1
2
3
4
5
6 7
PROJEÇÃO 2º PAVIMENTO
04
04'
05
18
07
08
09
10
11
12
GENERAL PLAN - GROUND FLOOR
LONGITUDINAL SECTION 32
RAMPA i=6.84%
06
PROJEÇÃO MEZANINO
F
I
H
G
J
L
M
N
O
P
Q
R'
25
13
26
14
15
27
16
17 28
SHAFT
18'
19
2 1
3
4
5
7 6
20
29
30
21
22
23
24
08
09
01
10
07
02
11
06
03
12
05
04
13
04
05
14
03
06
15
02 07
16
01
33
METAL FRAME Metal structure to be added to the main structure, in order to receive the common circulation flooring and upper closure.
UPPER CLOSURE Plywood closure for the circulation ceilings
CIRCULATION FLOORING Prefabricated concrete panels
34
INSTALLATIONS Hydraulics Electrical Sewer Ventilation Air conditioning STRUCTURAL FRAME Structural reinforcement for creation of installation shaft of the room access door
INTERNAL WALLS Wooden panel lined with thermo-acoustic insulation in PET wool
ACCESS DOOR
CONTAINER
Wooden panel with room number dyed
Naval container 20´HI painted black
35
PLAN - ROOM TYPE 01
INTERNAL VIEW ROOM TYPE 01 36
0
2
4m
0
5
10cm
DETAILED SECTION 37
SITE 38
SOYO AIRPORT TERMINAL BUILDING MASS ATELIER DE ARQUITECTURA + PEDRO MARIGUESA ARQ. + SOARCO . 2O12
TECHNICAL INFORMATION LOCATION SOYO. ANGOLA CLIENT ENANA TEAM ANA MIGUEL, SOFIA SARAIVA, PEDRO MARIGUESA, RUI CUNHA, HUGO FORMIGA, ANA MORGADO, SARA JACINTO, CATARINA MATOS, PAULO IRIA
The development of Angolan cities, supported by the country’s economic growth, has led to the need to readapt existing infrastructures. The former passenger terminal at Soyo Airport has become obsolete and unable to respond to needs, and the creation of a new building is critical. The new terminal is at the culmination of an important avenue designed in the process of expansion of the city, affirming itself as a horizontal landmark in the landscape, through the design of an undulating cover that “floats” on the ground. It is the coverage that is assumed as a key part of the building, welcoming the various functions of the terminal: Departures, Arrivals, Commercial Area, Administration, Protocol Area.
COLABORATION CONCEPT AND DESIGN DEVELOPMENT, TECHNICAL DESIGN AND DETAILING.
39
40
GROUND FLOOR PLAN
FRONT FAÇADE 41
42
DETAILED SECTION 43
STRUCTURAL SOLUTION FOR THE ROOF
EXTERNAL VIEW 44
VISTA EXTERNA DO TERMINAL
DETAILED SECTION 45
MG
ES LAJE DO MURIAÉ
ITALVA
RJ CARDOSO MOREIRA
SANTO ANTÓNIO DE PÁDUA
SITE. NORTHERN RIO DE JANEIRO STATE 46
URBAN WATERFRONT REGENERATION ESTÚDIO GUANABARA + EMBYA. 2015
TECHNICAL INFORMATION LOCATION NORTHERN RJ STATE. BRAZIL CLIENT COBA BRASIL TEAM LUISA BOGOSSIAN, CAMILA VIANNA, SARA JACINTO, FRANCISCO SAMPAIO. PIERRE MARTIN, DUARTE VAZ, ELENA GEPPETI, GABRIEL TISI, ANDREA BARAN, ISADORA RIKER. COLABORATION TEAM COORDINATION, TECHNICAL DESIGN AND DETAILING.
This project is part of the flood mitigation master plan in the north of the state of Rio de Janeiro, and includes four cities of the river Muriaé and Pomba: Laje de Muriaé, Cardoso Moreira, Italva and Santo António de Pádua. Due to the necessity of construction of concrete infrastructures and embankments to minimize the flooding in the cities, implanted along the riversides, the relationship between the city and the river was compromised, creating an huge impact on the landscape and the dynamics of its public spaces. Thus, a set of urban and landscape design solutions were presented, that sought to qualify the infrastructures, integrating them to the dynamics of the cities, and allowing the access of the people to the river banks through the creation of public walks and leisure areas. Principles were followed that guided the development of the projects: Integration of the new infrastructures with the existing urban fabric; Connection between pedestrian and cycle paths; Creation of leisure areas and contemplation of the landscape; Possibility of connection with water; And improvement of microclimate and contact with nature. The project sought to respond to technical and economic challenges through simple modular solutions that could be easily be implement, adding urban and landscape value to the flood containment infrastructure. Through the creation of interventions on both sides, and the integration with existing public spaces along the river, the offer of public recreation areas was extended, returning the river to the cities.
47
ITL
Italva
ITALVA (ITL)
VIEW OF CARDOSO MOREIRA WITH LOW RIVER LEVEL 48
LMU
Laje do Muriaé
LAJE DO MURIAÉ (LMU)
CMO
Cardoso Moreira
03
CARDOSO MOREIRA (CMO)
SANTO ANTÓNIO DE PÁDUA (SAP)
PHYSICAL ACTIVITY
LEISURE RESTING AREAS
LANDSCAPE DESIGN
CONTEMPLATION AREAS
RIVER ACCESS
PREMISES OF THE URBAN PLANNING / LANDSCAPING PROJECT 49
População 2010 Área da unidade territorial (km²) Densidade demográfica (hab/km²)
40.589 603,357 67,27 IBGE 2010
ÁREA DE INUNDAÇÃO SITUAÇÃO NATURAL TR 25 ANOS
LOCALIZAÇÃO DO MUNICÍPIO
10,5min
7,5min
4,5min
1,5min
CENTRALIDADE URBANA
RIO BA M PO
100m SANTO ANTÓNIO DE 500m PÁDUA. TECHNICAL DATA
50
S_A
TRE CHO 1 ACESSO AO DIQUE POR RAMPAS
S_B
TR EC HO
ACESSO AO PASSEIO JUNTO AO RIO
2
ARQUIBANCADA VOLTADA PARA O RIO
PARQUE INFANTIL
ESTAR
GINÁSTICA
HO 3 TREC
ACESSO AO PASSEIO JUNTO AO RIO
S_C
ACESSO AO DIQUE POR RAMPAS
LEGENDA INTERVENÇÕES PROPOSTAS: - ÁREAS DE ACESSO - ÁREAS DE LAZER PROJETO ENEGENHARIA - MURO DE CONCRETO - DIQUE DE ATERRO
SANTO ANTÓNIO DE PÁDUA. PROPOSALS FOR THE SOUTHERN RIVERSIDE 51
CONCRETE DAM + RETAINING WALL
ARTIFICIAL EMBANKMENT + CONCRETE WALL
ARTIFICIAL EMBANKMENT + BLEACHER
EXAMPLES OF ADOPTED SOLUTIONS - ISOMETRICS 52
CONCRETE DAM + RETAINING WALL
ARTIFICIAL EMBANKMENT + CONCRETE WALL
ARTIFICIAL EMBANKMENT + BLEACHER
EXAMPLES OF ADOPTED SOLUTIONS - SECTIONS 53
POMBA RIVER
ROCKFILL
PROMENADE EMBANKMENT
GARDEN
BIKE LANE
STREET
PLAN DETAIL - ARTIFICIAL EMBANKMENT 54
MURO DIQUE EM CONCRETO APARENTE
BANCO METÁLICO EM CHAPA DE AÇO GALVANIZADA DOBRADA 3,5mm CHUMBADO À PAREDE DO DIQUE, ACABAMENTO EM PINTURA ELETROESTÁTICA A PÓ COR CINZA ANTRACITE RAL 7016
SCHEME - URBAN FURNITURE PROPOSED
GRAMA/VEGETAÇÃO
1 SOLO COM COMPOSTO ORGÂNICO
1,5
GEOTÊXTIL GEODRENO Ø150MM
BRITA
DETAIL - BIO DRAINAGE PISO EM BLOCO DE CONCRETO INTERTRAVADO RETANGULAR COR NATURALVER TABELA DE ESPECIFICAÇÃO DE MATERIAIS
BANCO DE CONCRETO PRÉ-MOLDADO S/ENCONSTO 400x50cm - ENGEMOLDE VER TABELA DE ESPECIFICAÇÃO DE MATERIAIS GUIA DE JARDIM EM CONCRETO PRÉ- MOLDADO
DETAIL - TRANSITION PROMENADE/GARDEN 55
SITE 56
HOUSE EXTENSION IN CHÁCARA DO ALGODÃO ERIKA DUARTE ARQUITETURA. 2013
TECHNICAL INFORMATION LOCATION HORTO. RIO DE JANEIRO. BRASIL CLIENT PRIVATE TEAM ERIKA DUARTE, SARA JACINTO, MARGARIDA FERNANDES COLABORATION CONCEPT, DESIGN DEVELOPMENT, TECHNICAL DESIGN AND DETAILING, COORDINATION OF ENGINEERING PROJECTS.
The area known as Chácara do Algodão, located in the Jardim Botânico neighbourhood, is what remains of what used to be a working village built in 1889, belonging to the Company of Wiring and Weaving Carioca. The Architectural Complex that previously presented a coherence and harmony, typical of the working-class towns of the 18th century. XIX, was de characterized over time. The facades and roofs were modified, windows were opened at random, attachments were built without criterion. The house in question had totally lost its initial character, and the first task was to restore its harmony. The program was simple: a house for an artist, able to function occasionally as an exhibition space. The original house has been restored, functioning on the 1st floor as an open-space social and exhibition. In the house extension, constructed from ground, the intimate areas are located and the transition between the original house and this is done by the kitchen, which in turn communicates directly with the patio garden, and can extend outside. On the second floor there is a mezzanine living room, creating variations of heights and allowing the light flow and ventilation of the space.
57
VOLUMETRIC SCHEME
FAÇADE. IN CONSTRUCTION 58
0
1.25
2.5m
GROUND FLOOR PLAN
0
1.25
2.5m
1ST FLOOR PLAN
0
1.25
2.5m
ROOF PLAN 59
60
0
1.25
2.5m
0
1.25
2.5m
LONGITUDINAL SECTION AA
0
LONGITUDINAL SECTION BB
0
1.25
1.25
2.5m
2.5m
SECTION DD
SECTION CC 61
COURTYARD AND EXTENSION IN CONSTRUCTION 62
ENTRANCE IN CONSTRUCTION 63
MATÉRIA BRASIL ZEBU DECCATO
TERRA VIXTA UNA ARQ GOMA MALOCA
ESTÚDIO GUANABARA
IN-RIO CARIOTECA
SITE 64
SOMOS GOMA ASSOCIATION ESTÚDIO GUANABARA 2014-16
TECHNICAL INFORMATION LOCATION SÁUDE. RIO DE JANEIRO. BRAZIL CLIENT ASSOCIAÇÃO SOMOS GOMA TEAM DANILO FILGUEIRAS, ANDRÉ DAEMON, LUISA BOGOSSIAN, THIAGO BARROS, SARA JACINTO COLABORATION CO-DESIGN ORIENTATION AND COACHING, TECHNICAL ASSISTANCE, AND CONSTRUCTION SUPERVISION
GOMA is an interdisciplinary network entrepreneurship association focused on social innovation, creative economics and sustainable design, located in the port zone of Rio de Janeiro. The challenge of enabling a project like this, faced with scarce and selfmanaged resources, prompted Estúdio Guanabara to rethink the architect’s role. Faced with a dynamic and inconstant situation, a series of architectural strategies were proposed that fit and also direct the ways of inhabiting and relating in space. As a result, each associate relates to the space with a sense of belonging, guided by premisses established during the co-design processes. Thus, the environments are the expression of the individualities that constitute it, a kind of spatial bricolage, that reflects also the multidisciplinary character of the Association. In this way, Goma presents itself as a laboratory of new forms of relationship between people and entrepreneurs, and new ways of sharing spaces and responsibilities. CLIPPING
https://www.publico.pt/mundo/noticia/goma-um-cowork-carioca-1634186 http://projetodraft.com/goma-rj/ http://oglobo.globo.com/rio/uma-juventude-conectada-comcidade-11874745 65
For the occupation of the headquarters of the association started in 2013, there was an internal collective financing, capable of kicking off the construction of basic infrastructure, guided by architects.
FAÇADE 66
INTERNAL ORGANIZATION SCHEME 67
OCCUPY THE INCOMPLETE
Through the orientation and passage of knowledge of the architect, people spontaneously appropriated space. Construction site and people coexist in the sense that space is in appropriation and all are actors in the its construction.
PARTICIPATORY DRAWING - CODESIGN
Together, associates set priorities for investment and work, and are geared to think their workplace, so that it meets their needs and the Association needs.
CONSTRUCTION ON LAYERS
The architect defines the basic infrastructures required, with the approval of the Association, and a layered investment plan is drawn up. Over time, and as the funding allows, the “work� is being completed, and new priorities are defined. The space is thus in constant mutation, a direct reflection of the people who inhabit it.
68
FIRST MEETINGS
CO-DESIGN MEETINGS
CONSTRUCTION ON LAYERS 69
SARA JACINTO T +351 967647491 M sarajacinto.arq@gmail.com SKYPE sarajacintosilva