18thsff Catalogue by Sarajevo Film Festival

KATALOG / catalogue

GENERALNI SPONZOR

EKSKLUZIVNI SPONZORI

GLAVNI SPONZORI

Katalog / Catalogue Urednik / Editor Nada Zdravič Izvori / Sources Emir Pekmez, Altijana Marić, Bojana Vidosavljević Prevod / Translation Amira Sadiković, Selma Đuliman Lektura / Proofreading Azra Rizvanbegović (bosanski jezik / Bosnian) Amira Sadiković (engleski jezik / English ) Grafičko oblikovanje i DTP / Graphic design and DTP BOOM! Produkcija Štampa / Print BLICDRUK d.o.o. Sarajevo Tiraž / Print run 2000

Sarajevo Film Festival Zelenih beretki 12, 71000 Sarajevo, Bosna i Hercegovina Tel. +387 33 209 411; +387 33 221 516, Fax. + 387 33 263 381 programmes@sff.ba, www.sff.ba 4

18. Sarajevo Film Festival l IMPRESSUM

Sadržaj / contents 7 Uvod / Introduction 8 Žiri / Jury 19 Nagrade / Awards 21 Takmičarski program – igrani film / Competition Programme – Features 33 Takmičarski program – kratki film / Competition Programme – Shorts 41 Takmičarski program – dokumentarni film / Competition Programme – Documentaries 69 U fokusu / In Focus 81 Novi tokovi / New Currents 90 Novi tokovi – kratki film / New Currents – Shorts 99 Kinoscope 121 Posvećeno: Todd Solondz / Tribute to Todd Solondz 133 Open Air 141 Dječiji program / Children’s Programme 149 TeenArena 159 All Shorts / Sarajevo grad filma / Sarajevo City of Film 2012 161 All Shorts / Carte Blanche: Directors’ Fortnight, Cannes 164 All Shorts / Carte Blanche: International Film Festival Rotterdam 167 All Shorts / Civil Liberty / Human Right Days 170 All Shorts / Nagrada Evropske Filmske Akademije - nominacije 2012 - selekcija /

European Film Academy Award - Nominees 2012 - Selection

175 All Shorts / Bafta 2012. nominirani i nagrađeni kratkometražni filmovi /

Bafta 2012 Short Film Nominees And Winners

179 Operacija kino / Operation Kino 185 Laško Summer Nights 193 Specijalne projekcije / Special Screenings 202 6. Sarajevo Talent Campus 205 BiH FILM 217 Sponzori / Sponsors 252 Hvala / Thank You 253 Festival Team 254 Index - Films 256 Index - Directors

SADRŽAJ / CONTENTS l 18. Sarajevo Film Festival

18. Sarajevo Film Festival l SPONZORI

Dobrodošli na 18. Sarajevo Film Festival / Welcome to the 18th Sarajevo Film Festival

Pred nama je 18. Sarajevo Film Festival. Iza nas je decenija otkako je, u okviru Takmičarskog programa i koprodukcijskog marketa CineLink, regionalna kinematografija i zvanično dospjela u središte našeg Festivala. Za ovo relativno kratko razdoblje, Festival je kroz različite programe postao nezaobilazna stanica u karijerama filmskih talenata iz jugoistočne Evrope. Budući da je prošla decenija jedna od najplodonosnijih u dugoj povijesti kinematografije ovog dijela svijeta, neskromno ćemo ustvrditi da smo, ako ništa drugo, na vrijeme uočili njen kreativni potencijal. Mirsad Purivatra

Ove godine slavimo još jednu desetogodišnjicu - programa Tribute to. Velika nam je čast u ovom jubilarnom izdanju ugostiti jednog od najznačajnih režisera američke nezavisne scene, Todda Solondza, s njegovom kompletnom kinematografijom. Dok u nekim programima slavimo jubileje, ovogodišnji Festival označit će početak jednog novog programa pod nazivom Kinoscope. Filmski znalci i zaljubljenici filma, Mathilde Henrot, Mike Goodridge i Alessandro Raja, u prvom izdanju Kinoscopea predstavljaju 18 filmova iz ovogodišnje, bogate svjetske produkcije. Znajući da Festivalu donose novi kvalitet i energiju, s velikim uzbuđenjem čekamo njihovo predstavljanje i prve susrete s festivalskom publikom. Ovogodišnja zemlja partner Festivala je ne samo kolijevka filma, nego i država koja i danas predvodi strategiju očuvanja i promocije autorskog filma u svijetu. Naravno, riječ je o Francuskoj, koja se predstavlja filmovima vlastite produkcije, te koprodukcijama s brojnim zemljama svijeta. Preko 50 filmskih profesionalaca, predvođenih uvaženim gostima, čelnicima najrelevantnijih institucija francuske filmske industrije, CNC, ARTE i Unifrance, dolazi u Sarajevo prenijeti svoje iskustvo i znanje, ali i ostvariti kontakte s novim talentima iz Regiona. U znak sjećanja na masakr počinjen nad stanovništvom Sreberenice, kojeg je Međunarodni krivični sud za bivšu Jugoslaviju (ICTY) imenovao genocidom, Sarajevo Film Festival 2012. će 11. jula prirediti program posvećen upravo ljudskim pravima. Naša je želja srebreničku tragediju obilježiti razgovorom o stanju ljudskih prava u svijetu danas, s nadom da se ona više neće ponoviti, nikome i nigdje. Dobro došli na 18. Sarajevo Film Festival! Mirsad Purivatra i SFF tim

E The 18th Sarajevo Film Festival is in front of us. Behind us is a decade of the Festival’s focus on regional filmmaking, through our Competition Programme and the CineLink coproduction market. In this relatively short time, with its different programmes, the Festival has become an essential step in the careers of film talents from Southeast Europe. Since the past decade has also been one of the most fruitful in the long history of filmmaking in this part of the world, allow us to claim that – if nothing else – we recognised its creative potential at the right time.

This year, we are marking yet another tenth anniversary – that of our Tribute to programme. In this anniversary edition, we are honoured to host one of the most prominent directors of the American independent scene, Todd Solondz, and his entire oeuvre. While some of our programmes celebrate anniversaries, this year’s Festival will also mark the beginning of a new programme – Kinoscope. In the very first edition of Kinoscope, film connoisseurs and film lovers Mathilde Henrot, Mike Goodridge an Alessandro Raja will present 18 films from this year’s rich international production. Knowing that they will bring new quality and new energy to the Festival, we are excited to see their presentation and the initial meetings with the Festival audience. This year the partner country of the Festival is not only the birthplace of film, but also a country that leads the effort to preserve and promote auteur film around the world. It is France, of course, presenting films from its own production, as well as coproductions with numerous countries from across the globe. More than 50 film professionals, led by the heads of the most important institutions of the French film industry, CNC, ARTE, and Unifrance, are coming to Sarajevo not only to share their knowledge and experience, but also to establish contacts with new talents from the region. To commemorate the massacre of the population of Srebrenica, defined as genocide by the International Criminal Tribunal for Former Yugoslavia (ICTY), on 11 July the Sarajevo Film Festival will present a programme dedicated to human rights. It is our desire to mark the Srebrenica tragedy with a debate on the state of human rights in the world today, with the hope that it will never happen again – not ever, not to anyone, not anywhere. Welcome to the 18th Sarajevo Film Festival! Mirsad Purivatra and the SFF team FESTIVAL INTRODUCTION l 18. Sarajevo Film Festival

Žiri Takmičarskog programa – igrani film / Competition Programme Jury – Feature Film

KORNÉL MUNDRUCZÓ Predsjednik žirija / Režiser, Mađarska President of the Jury / Director, Hungary

18. Sarajevo Film Festival l ŽIRI

Kornél Mundruczó je rođen 1975. Pripada grupi mladih, progresivnih mađarskih režisera za koje kritika često kaže da su pokretači novog vala u mađarskoj, ali i evropskoj kinematografiji. Njegov prvi dugometražni film, PLEASANT DAYS, nagrađen je Srebrnim leopardom na Filmskom festivalu u Locarnu 2002. Uslijedili su filmovi JOHANNA, premijerno prikazan u Cannesu 2005, višestruko nagrađivani film DELTA 2008. (nagrada FIPRESCI u Cannesu; Nagrada Don Quijote u Cottbusu, Nagrada CICAE na 14. Sarajevo Film Festivalu, Nagrada Golden Reel za najbolji film na 39. sedmici mađarskog filma, Nagrada Gene Moskowitz za najbolji igrani film u izboru inostrane kritike...). Režirao je i TENDER SONTHE FRANKENSTEIN PROJECT, koji je također uvršten u takmičarsku selekciju Cannesa 2010, a nagrađen je Specijalnom nagradom žirija 16. Sarajevo Film Festivala… Mundruczó je režirao i jednako uspješne kratkometražne filmove: THE LITTLE APOCRYPHA NO. 2, LITTLE APOCRYPHA NO. 1, JOAN OF ARC ON THE NIGHT BUS, AFTA - DAY AFTER DAY, LOST AND FOUND - SHORT LASTING SILENCE… Osim filmskom režijom, Mundruczó se aktivno bavi i pozorištem. Od 2003. je režirao, između ostalih, predstave: The Ice, FrankensteinProjekt, Hard To Be A God, Judasevangelium, Eszter Solymosi Of Tiszaeszlar... koje se izvode u pozorištima u Mađarskoj, ali i diljem svijeta, te osvajaju nagrade na brojnim svjetskim teatarskim festivalima. Kornél Mundruczó je od 2004. član Evropske filmske akademije.

E Hungarian director Kornél Mundruczó was born in 1975. He is one of Hungary’s young, progressive directors, described by film critics as initiators of the New Wave in Hungarian, as well as in European film. His first feature-length film was PLEASANT DAYS, which won a Silver Leopard at the Locarno Film Festival in 2002. Mundruczó’s next film was JOHANNA premiered at Cannes 2005 in 2005. DELTA followed in 2008 and also was premiered in Cannes. (FIPRESCI award, Don Quixote Award at Cottbus, CICAE award at the 14th Sarajevo Film Festival, the Golden Reel for Best Film at the 2008 Hungarian Film Week, the Gene Moskowitz award for best film by the foreign critics...) Mundruczó’s film TENDER SON – THE FRANKENSTEIN PROJECT was also a part of the Cannes Film Festival’s Competition Programme in 2010 and it won the Special Jury Award at the 16th Sarajevo Film Festival… Kornél Mundruczó’s short films are just as successful. Some of them include THE LITTLE APOCRYPHA NO. 2 (AIRED IN Cannes in 2002 Cinefondation Section), LITTLE APOCRYPHA NO. 1, JOAN OF ARC ON THE NIGHT BUS (Director’s Fortnight – Cannes 2003), AFTA - DAY AFTER DAY, LOST AND FOUND - SHORT LASTING SILENCE. Mundruczó is also very successful in theatre, directing on stage since 2003. His plays, some of which include THE ICE, FRANKENSTEINPROJECT, HARD TO BE A GOD, JUDASEVANGELIUM, ESZTER SOLYMOSI OF TISZAESZLAR, are played at Hungarian theatres as well as all over the world, and have won many awards at the international theatre festivals. He has been a member of the European Film Academy since 2004.

FREDERIC BOYER Umjetnički direktor Filmskog festivala Tribeca, Francuska / SAD / Tribeca Film Festival Artistic Director, France/USA

ADA CONDEESCU Glumica, Rumunija / Actress, Romania

Frederic Boyer je 1994. osnovao Videosphere, najveću evropsku videoteku posvećenu umjetničkom filmu. Od 2003. obavljao je funkciju višeg selektora u odboru selekcije programa Director’s Fortnight na Filmskom festivalu u Cannesu, s posebnim osvrtom na SAD, Veliku Britaniju, Australiju, zemlje Istoka i Skandinaviju, a nakon toga je imenovan za umjetničkog direktora programa Director’s Fortnight. Tu funkciju je obnašao 2010. i 2011. Frederic Boyer je umjetnički direktor Evropskog filmskog festivala u Les Arcu, posvećenog evropskim autorima i koprodukcijama, a 2011. imenovan je i za umjetničkog direktora Filmskog festivala Tribeca.

E Frederic Boyer created Videosphere in 1994, a video store dedicated to the Arthouse cinéma and actually the largest in Europe. He was senior programmer in the Cannes Director’s Fortnight Committee since 2003, with a special focus on the US, the UK, Australia, East Countries and Scandinavia. He was the Artistic Director for the Cannes Director’s Fortnight in 2010 and 2011. He is the Artistic Director of the European Film Festival in Les Arcs, a festival dedicated to the European filmmaker and co-productions. Since 2011 he is Artistic Director of the Tribeca Film Festival since 2011.

Ada Condescu je diplomirala glumu na Nacionalnom univerzitetu za teatar i film u Bukureštu. Širom svijeta je učestvovala u brojnim programima za glumu i koreografiju. Radila je u pozorištu, a svoju prvu filmsku ulogu je ostvarila 2010, u izuzetno uspješnom filmu IF I WANNA WHISTLE, I WHISTLE. Taj je film osvojio Veliku nagradu žirija i nagradu Alfred Bauer na Berlinaleu 2010. Narednu ulogu ostvarila je u dugometražnom filmu LOVERBOY (2011) režisera Catalina Mitulescua, za koju je nagrađena Srcem Sarajeva za najbolju glumicu. Iste godine ostvarila je i ulogu u filmu WOLF Bogdana Mustate. Projekat je predstavljen i nagrađen na koprodukcijskom marketu CineLink priznanjem EURIMAGES i na Torino Film Labu. Film će biti premijerno prikazan ove godine.

E Ada Condeescu is a graduate of acting from the National University of Theatre and Film in Bucharest. She has participated in many acting and choreography classes around the world. She works on stage and has made her film debut in 2010 with the acclaimed IF I WANNA WHISTLE, I WHISTLE (Jury Grand Prix and the Alfred Bauer Award in Berlinale, 2010). Her second role in a feature film was in LOVERBOY (2011) directed by Catalin Mitulescu. For this role Ada Condescu won The Heart of Sarajevo Award for Best Actress. In 2011 she also appeared in WOLF by Bogdan Mustata – presented and awarded with EURIMAGES Prize at coproduction market CineLink. Project was also awarded at the Turin Film Lab. Film will be released this year.

JURY l 18. Sarajevo Film Festival

Prije osnivanja kompanije Elle Driver, Eva Diederix je 10 godina radila u kupovini i međunarodnoj prodaji igranih filmova: od 1998. u odjelu za kino u madridskom Sogecableu, a nakon toga, od 2002, kao šef međunarodne prodaje pariškog UGC-a. Nakon toga je, početkom 2008, osnovala kompaniju Elle Driver, koja je udružena s kompanijom Wild Bunch. Elle Driver se trenutno smatra jednom od vodećih svjetskih kuća za prodaju i kupovinu filma.

E Before the creation of Elle Driver, Eva Diederix accumulated 10 years of experience in feature film acquisitions and international sales starting at Sogecable in Madrid at the Cinema department in 1998, moving to head international sales at UGC in Paris in 2002. Then she co-founded foreign sales company Elle Driver early 2008, which is an affiliate company of Wild Bunch. Elle Driver is currently considered one of the leading sales and acquisition outfits worldwide.

Igor Martinović je direktor fotografije igranih i dokumentarnih filmova. Živi i radi u New Yorku. Bio je direktor fotografije brojnih višestruko nagrađivanih filmova, kao što je Oscarom nagrađeni MAN ON WIRE Jamesa Marsha, koji je osvojio i nagradu BAFTA za najbolji britanski film, te nagradu žirija i publike Filmskog festivala Sundance. S istim režiserom sarađivao je i na filmu RED RIDING: 1980. Martinović je bio direktor fotografije u filmovima poput: SANGRE DE MI SANGRE režisera Christophera Zalla, nagrađenom nagradom žirija na Filmskom festivalu Sundance; BUICK RIVIERA režisera Gorana Rusinovića, FRAULEIN u režiji Andree Štake, kao i u serijalu WALLANDER Kennetha Branagha... Tokom protekle godine bio je angažiran na tri filmska projekta: FREELANCERS Jessy Terrero s Robertom De Nirom i Forestom Whitakerom u glavnim ulogama, SILENT HOUSE Laure Lau sa Elizabeth Olsen, te SUNLIGHT JR. Laurie Collyer s Naomi Watts i Mattom Dillonom u glavnim ulogama.

E Igor Martinovic is a New York based cinematographer of feature and documentary films. Igor photographed Academy Award winning MAN ON WIRE by James Marsh, which also won the BAFTA for Best British Film as well as the Sundance Grand Jury Prize and Audience Award of 2008. Another film he shot with James Marsh was RED RIDING: 1980 He was also the Director of Photography of the Sundance Grand Jury Prize winner SANGRE DE MI SANGRE directed by Christopher Zalla. Other work of note includes WALLANDER starring Kenneth Branagh, BUICK RIVIERA directed by Goran Rusinovic, and FRAULEIN directed by Andrea Staka. Last year Igor photographed three feature films: FREELANCERS featuring Robert De Niro and Forest Whitaker, SILENT HOUSE by Laura Lau, starring Elizabeth Olsen and SUNLIGHT JR. starring Naomi Watts and Matt Dillon.

EVA DIEDERIX Suosnivačica i generalna direktorica, Elle Driver, Francuska / Cofounder, Managing Director, Elle Driver, France

IGOR MARTINOVIĆ Direktor fotografije, SAD / Cinematographer, USA

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Žiri Takmičarskog programa – kratki film / Competition Programme - Short Film Jury

ERMIN BRAVO glumac, Bosna i Hercegovina / Actor, Bosnia and Herzegovina

Ermin Bravo je jedan od najnagrađivanijih glumaca u Bosni i Hercegovini. Diplomirao je 2003. na Akademiji scenskih umjetnosti u Sarajevu, gdje je nastavio raditi, najprije kao docent, a kasnije kao profesor glume. Angažiran je podjednako i na filmu i u teatru. Kao studentu ASU dodijeljena mu je glavna uloga u filmu REMAKE Dine Mustafića, a ostvario je i glavnu ulogu u predstavi ROMEO I JULIJA Harisa Pašovića. Ermin Bravo je ostvario niz uloga u teatarskim predstavama, za koje je osvojio i brojne prestižne nagrade na festivalima diljem svijeta. Sa bh. režiserkom Jasmilom Žbanić sarađivao je na njena dva filma, GRBAVICA i NA PUTU, a ostvario je uloge i u filmovima Oskarom nagrađenog režisera Danisa Tanovića, CIRKUS COLUMBIA i PRTLJAG. Posljednju ulogu ostvario je u režiserskom debiju Angeline Jolie U ZEMLJI KRVI I MEDA.

E Ermin Bravo is one of the most awarded actors in Bosnia and Herzegovina. He graduated from the Academy of Performing Arts in Sarajevo in 2003 and continued working first as an assistant professor and later as professor of Acting. He has worked extensively in both theatre and film. As an undergraduate he was cast for the lead role in the film REMAKE, directed by Dino Mustafić, and he was also chosen to play Romeo in ROMEO AND JULIET, directed by Haris Pašović. Ermin Bravo has made a number of roles in theater productions for which he won prestigious awards at festivals around the world. He worked with Jasmila Žbanić on both her feature films, the internationally critically acclaimed GRBAVICA and ON THE PATH and his recent work in film includes CIRCUS COLOMBIA and BAGGAGE by the Oscar-winning director Danis Tanović. His latest role was in Angelina Jolie’s directorial debut IN THE LAND OF BLOOD AND HONEY.

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NIKOLA LJUCA režiser, Srbija / Director, Srbia

LAURENCE REYMOND članica selekcijskog komiteta Directors’ Fortnight u Cannesu, Francuska / Member of the selection committee for the Directors’ Fortnight, Cannes, France

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Nikola Ljuca diplomirao je na Fakultetu dramskih umetnosti u Beogradu. Učestvovao je u brojnim međunarodnim projektima i radionicama, uključujući i Sarajevo Talent Campus 2010. Iste godine je bio nominiran i za koprodukcijsku nagradu Robert Bosch. Njegovi kratki filmovi učestvovali su na brojnim festivalima, uključujući Uppsalu, Cork, CameraImage, Glasgow, Tampere, OutFest, Young Cuts Film Festival Montréal, St. Petersburg, Skena Up u Prištini, a osvojili su nekoliko međunarodnih i domaćih nagada (Montréal, Banja Luka, Beograd, Novi Sad). Kao asistent i direktor castinga, sarađuje na igranim filmovima i TV programima, a kao videoumjetnik radi na brojnim teatarskim projektima i projektima savremene umjetnosti. Trenutno priprema svoj prvi igrani film, HUMIDITY, koji je dobio podršku Fonda Hubert Bals, te je na CineLinku 2011. osvojio nagradu International Relations ARTE, a ove godine u Rotterdamu i nagradu Eurimagea za razvoj koprodukcija.

E Nikola Ljuca graduated from the Faculty of Dramatic Arts in Belgrade. He has participated in many international projects and workshops, among others the Sarajevo Talent Campus 2010. He was also the Robert Bosch Co-production prize nominee for the same year. His short films have participated in a number of festivals, including Uppsala, Cork, CameraImage, Glasgow, Tampere, OutFest, Young Cuts Film Festival Montreal, St. Petersburg, Skena Up in Prishtina, and won several international and domestic awards (Montreal, Banja Luka, Belgrade, Novi Sad). He works as an assistant and casting director on feature films, TV shows and as a video artist in many theater and contemporary art projects. He is currently developing his first feature film “Humidity”, which was supported by the Hubert Bals Fund and awarded the Arte International Relations Prize at CineLink 2011, and the Eurimages Co-production Development Award in Rotterdam this year.

Proteklih osam godina svoje karijere, Laurence Reymond je bila angažirana u različitim distribucijskim kućama poput Ad Vitam, gdje se bavila kinima u Francuskoj, ili Le Pacte, gdje je bila angažirana na poslovima koprodukcija. Tokom 2011. imenovana je za selektoricu European Middle Lenght Film Meetings u Briveu. Reymond se bavi i filmskom kritikom, te objavljuje u brojnim filmskim časopisima i na web portalima poput Cinéastes, Score i Fluctuat.net.

E For eight years, Laurence Reymond worked for different distribution companies such as Ad Vitam where she dealt with the theatres in France, and the Le Pacte, where she was part of the acquisition department and in charge of co-productions. A year ago she was a programmer for the European Middle Length Film Meetings of Brive, today she is the programmer of the short films section of Directors’ Fortnight at Cannes Festival. She is also a film critic, with reviews published in several magazines and websites such as Cinéastes, Score and Fluctuat.net.

Žiri Takmičarskog programa – dokumentarni film / Jury Of The Competition Programme – Documentary Film

THOMAS IMBACH režiser, producent, Švicarska / Director, Producer, Switzerland

Thomas Imbach je nezavisni filmski autor koji živi i radi u Zurichu. Do 2007. realizirao je svoje filmove u vlastitoj producentskoj kući Bachim Films. Nakon toga, zajedno sa režiserkom i producenticom Andreom Štaka osniva Okofilm. Dobitnik je brojnih nagrada, kako u Švicarskoj, tako i u inostranstvu. Filmovima WELL DONE i GHETTO utemeljio je svoj jedinstveni audiovizualni stil, koji se bazira na kombinaciji rada kamerom u stilu cinéma vérité i brze kompjuterske montaže. Imbachovi filmovi HAPPINESS IS A WARM GUN (nominiran za Zlatnog leoparda u Locarnu 2001), LENZ (2006), te I WAS A SWISS BANKER premijerno su prikazani na Međunarodnom filmskom festivalu u Berlinu.

E Thomas Imbach is an independent filmmaker based in Zurich. With his production company Bachim Films he produced his own work until 2007. He then founded Okofilm together with Director/Producer Andrea Štaka. He has won numerous awards for his work, both in Switzerland and abroad. With WELL DONE (1994) and GHETTO (1997) he established his trademark audiovisual style based on a combination of cinéma-vérité camera-work and fast-paced computer-controlled editing. His fiction feature films HAPPINESS IS A WARM GUN (which was nominated for the Golden Leopard at Locarno in 2001), LENZ (2006) and I WAS A SWISS BANKER (2007) all premiered at the Berlin International Film Festival.

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AUDRIUS STONYS režiser, producent, Litvanija / Director, Producer, Lithuania

DAMIR ŠAGOLJ novinar, Bosna i Hercegovina / Journalist, Bosnia and Herzegovina

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Nezavisni filmski režiser i producent, Audrius Stonys, u filmografiji ima 19 filmova. Njegova ostvarenja nagrađena su brojnim priznanjima širom svijeta. Film EARTH OF THE BLIND dobitnik je Nagrade Evropske filmske akademije za najbolji dokumentarni film 1992. godine. Od 2004. do 2005. predavao je na Evropskom filmskom koledžu u Danskoj. Predavao je i držao masterclasse u Calcutti, Tokiju, Moskvi, Beogradu, Barceloni, San Franciscu, Carpi Modeni i Parizu. Član je Evropske dokumentarističke mreže i Evropske filmske akademije.

E Audrius Stonys made 19 films as an independent director and producer. His films won many international film awards. EARTH OF THE BLIND received European Film Academy Award for Best European Documentary of the Year. He was a documentary teacher at the European Film College, Denmark from 2004 to 2005. Stonys lectures and master classes in Calcutta, Tokyo, Moscow, Belgrade, Barcelona, San Francisco, Carpi Modena, Paris. He is a member of European Documentary Network and European Film Academy.

Damir Šagolj trenutno je stacioniran u Bangkoku kao glavni fotograf agencije Reuters za Thailand i Jugoistočnu Aziju. Njegovi prvi međunarodni angažmani u 90-im bili su pokrivanje historijskih događaja na Balkanu. Nakon smirivanja situacije u regionu, sve češće odlazi na Bliski istok – u Iran, Libanon i Izrael. Nakon izvještavanja iz New Yorka 11. septembra 2001. pokriva zbivanja u Afganistanu i Iraku. Za izvještavanje o koalicijskim trupama u Iraku, uz brojna priznanja, nominiran je i za Pulitzerovu nagradu kao drugi novinar iz neameričkog medija u historiji te nagrade. U proteklom periodu izvještavao je o tsunamiju u Japanu, poplavama u Pakistanu i Thailandu, gladi u Sjevernoj Koreji, Međunarodnom sudu za ratne zločine u Hagu, demokratskim promjenama u Myanmaru... Fotografije Damira Šagolja objavljivane su u vodećim svjetskim časopisima i novinama. Dobitnik je brojnih međunarodnih priznanja za fotonovinarstvo, uključujući i World Press Photo, POYi, NPPA nagrade... Predstavio se i na brojnim izložbama, uključujući i veliku samostalnu izložbu na Visa D’or u Perpignanu.

E Damir Šagolj is currently based in Bangkok as the Reuters chief photographer for Thailand and southeast Asia. His first international assignments in 1990s were the historical events in Balkan. As the Balkan was calming down, he started traveling to the Middle East more often - Iran, Lebanon and Israel. After covering 9/11 in New York he moved to Afghanistan and Iraq. His coverage of the coalition troop’s invasion of Iraq was, among other awards, nominated for the Pulitzer Prize as the only second reporter for the non-American media in the history of that prize. Most recently he covered the Japan’s tsunami, Pakistan and Thailand floods, hunger crisis in North Korea, the war crimes tribunal in the Hague, democratic changes in Myanmar... Šagolj’s photographs have been published by world’s leading magazines and newspapers. He is the recipient of several international awards for photojournalism including World Press Photo, POYi, NPPA... He has numerous exhibitions, including a big solo show at Visa D’or in Perpignan.

Žiri za nominaciju sarajevskog kandidata za Evropsku filmsku nagradu 2012 za kratki film / Sarajevo Short Film Nominee For The European Film Awards 2012

ARTA DOBROSHI glumica / Actress, Kosovo*

Arta Dobroshi rođena je na Kosovu, a odrastala je između Prištine, Tirane i Sjeverne Karoline. Tokom studija na Akademiji scenskih umjetnosti u Prištini bila je angažirana u brojnim pozorišnim predstavama, kao i u kratkim i igranim filmovima. Međunarodna publika ovu glumicu primijetila je u ulozi Lorne u LE SILENCE DE LORNA, u režiji Jean-Pierrea i Luca Dardennea, a za svoj izvanredan rad na ovoj ulozi Dobroshi je bila nominirana za Nagradu za najbolju glumicu na Filmskom festivalu u Cannesu. U kategoriji za najbolju glumicu bila je nominirana i za Nagradu Evropske filmske akademije. Kritika i struka je s pravom svrstavaju među najtalentiranije mlade glumce. Dobroshi je ambasadorica dobre volje Razvojnog programa Organizacije Ujedinjenih naroda. Trenutno je angažirana u filmu ATIS Daniela Mulloya, s kojim također surađuje na filmu A COLD DAY (za Focus Features). Ulogu je ostvarila i u filmu TROIS MONDES, koji je premijerno prikazan na ovogodišnjem Filmskom festivalu u Cannesu.

E Arta Dobroshi was born in Kosovo and grew up between Prishtina, Tirana and North Carolina. Whilst at the Acting Academy in Prishtina, she played in numerous theater plays, short films and feature films. Dobroshi shot to international renown for her depiction of Lorna in LE SILENCE DE LORNA directed by Jean-Pierre and Luc Dardenne. Dobroshi was nominated in Cannes for her remarkable work on the role. Dobroshi was also nominated in the Best Actress category at the European Academy Awards and is widely regarded as one of the most talented new actors. Dobroshi is a Goodwill Ambassador for the United Nations Development Program and is currently starring in and producing the film ATIS, in collaboration with the director Daniel Mulloy, with whom she is also collaborating in A COLD DAY (for Focus Features). Dobroshi’s new film TROIS MONDES premiered in Cannes Film Festival this year.

*Ovaj naziv, bez prejudiciranja statusa Kosova, u skladu je s Rezolucijom 1244 i mišljenjem MSP-a o deklaraciji o nezavisnosti Kosova. / This label does not prejudge the status of Kosovo and is in accordance with Resolution 1244 and the opinion of the ICJ on Kosovo’s declaration of independence. JURY l 18. Sarajevo Film Festival 15

JAVIER MARTÍN-DOMÍNGUEZ scenarist, režiser, Španija / Screenwriter, director, Spain

PETER VAN HOOF selektor programa kratkog filma Međunarodnog filmskog festivala u Rotterdamu, Nizozemska / Short Film Section Programmer of International Film Festival Rotterdam, Netherlands

16 18. Sarajevo Film Festival l ŽIRI

Javier Martín-Domínguez je ostvario karijeru u novinarstvu, na televiziji i u filmu, kao režiser, producent i scenarista. Od 2008. do 2012. bio je umjetnički direktor Evropskog filmskog festivala u Sevilli. Njegovo posljednje ostvarenje je biografski film britanske umjetnice Leonore Carrington. Režirao je i producirao brojne dokumentarne filmove. Njegov je igrani film WITHIN THE SKIN osvojio prvu nagradu na Filmskom festivalu u Pamploni. Radio je za špansku državnu televiziju TVE, gdje je bio direktor razvojnih i tematskih kanala, a 2005. je postao generalni sekretar TVE. Preko deset godina je bio dopisnik iz New Yorka za špansku državnu radioteleviziju, a za novine La Vanguardia iz Barselone radio je kao dopisnik s Dalekog istoka, sa sjedištem u Tokiju. Bio je glavni i odgovorni urednik časopisa Comunicacion XXI, a trenutno piše sedmičnu kolumnu o filmu i medijima za španske novine.

E Javier Martín-Domínguez has developed a career in journalism, television and film, as director, producer and screenwriter. He was the artistic director of the Seville European Film Festival from 2008 till 2012. His last film is a biopic of the British artist Leonora Carrington. He had directed and produced numerous documentaries. With his fiction film WITHIN THE SKIN, he won the first prize of the Pamplona Festival. Martín-Domínguez worked for TVE – the main group of television in Spain, where he became director of development and thematic channels and then in 2005 secretary general of TVE. He was a correspondent for Spanish public radio and television in New York for a decade, and Far East correspondent, based in Tokyo, for the Barcelona newspaper La Vanguardia. He was also the editor-in-chief of the magazine Comunicacion XXI, and currently writes a weekly column about cinema and media for the Spanish press.

Peter Von Hoof najprije je radio za Squat Cinema Filmhuis Cavia, nakon čega osniva Cinema De Balie, odjeljenje za nezavisni film u centru za političku kulturu De Balie, u samom srcu Amsterdama, gdje radi i kao selektor. Jedan je od osnivača i još uvijek je aktivan u Stichting De Filmbanku, maloj organizaciji za promociju i distribuciju holandskog eksperimentalnog filma, koja se nedavno pripojila nizozemskom filmskom institutu Eye Film. Selektor je za kratki film Međunarodnog filmskog festivala u Rotterdamu, gdje je i na čelu Komiteta za kratki film.

E Peter Van Hoof first worked at the Squat Cinema Filmhuis Cavia and after that as founder and programmer of Cinema De Balie, the independent cinema department of political cultural center De Balie in the heart of Amsterdam. He is one of the founders of Stichting De Filmbank: a small organization for promoting and distribution of Dutch Experimental Cinema that recently merged into the Eye Film Institute Netherlands. As programmer for the IFFR he is responsible for programming the Short Film section and as such he heads the Short Film selection committee.

Cicae žiri / Cicae Jury

EVELIN STARK Asistent direktora Međunarodnog filmskog festivala u Innsbrucku, Austrija / Assistant director at International Film Festival Innsbruck, Austria

ALGIRDAS RAMASKA Izvršni direktor Kino Pavasaris – Međunarodni filmski festival u Vilniusu, Litvanija / Executive Director Kino Pavasaris – Vilnius International Film Festival, Lithuania

Edit Csenki Menadžer i programer art kina Otthon, Mađarska / Managing Director and Programmer of the Art Cinema Otthon, Hungary

JURY l 18. Sarajevo Film Festival 17

Cineuropa žiri / Cineuropa Jury

ALBERTO LA MONICA Direktor Lecce Film Festivala, Italija / Lecce Film Festival Director, Italy

18 18. Sarajevo Film Festival l ŽIRI

Vitor Pinto Koordinator Cineuropa, Portugal / Cineuropa’s Editorial Coordinator, Portugal

Nagrade / Awards

ZVANIČNE NAGRADE

OFFICIAL AWARDS

Takmičarski program - igrani film

Competition Programme - Feature Film

SRCE SARAJEVA ZA NAJBOLJI FILM Novčanu nagradu u iznosu od 16.000 € osigurava Vijeće Evrope

HEART OF SARAJEVO FOR BEST FILM Financial Award, in the amount of 16,000 €, is provided by the Council of Europe

SPECIJALNA NAGRADA ŽIRIJA Novčanu nagradu od 10.000 € osigurava Agnes B.

SPECIAL JURY PRIZE Financial Award, in the amount of 10,000 €, is provided by Agnes B.

SRCE SARAJEVA ZA NAJBOLJU GLUMICU Novčana nagrada u iznosu od 2.500 €

HEART OF SARAJEVO FOR BEST ACTRESS Financial award in the amount of 2,500 €

SRCE SARAJEVA ZA NAJBOLJEG GLUMCA Novčana nagrada u iznosu od 2.500 €

HEART OF SARAJEVO FOR BEST ACTOR Financial award in the amount of 2,500 €

Takmičarski program - kratki film

Competition Programme - Short Film

SRCE SARAJEVA ZA NAJBOLJI FILM Novčana nagrada u iznosu od 2.500 €

HEART OF SARAJEVO FOR BEST FILM Financial award in the amount of 2,500 €

DVIJE SPECIJALNE PLAKETE ŽIRIJA

TWO SPECIAL JURY MENTIONS

Takmičarski program - dokumentarni film

Competition Programme - Documentary Film

SRCE SARAJEVA ZA NAJBOLJI FILM Novčanu nagradu u iznosu od 3.000 € osigurava Savezno ministarstvo vanjskih poslova Švicarske

HEART OF SARAJEVO FOR BEST DOCUMENTARY FILM Financial award, in the amount of 3,000 €, is provided by the Swiss Federal Department of Foreign Affairs

PARTNERSKE NAGRADE

PARTNERS AWARDS

NOMINACIJA SARAJEVSKOG KANDIDATA ZA EVROPSKU FILMSKU NAGRADU 2012. Pobjednik ulazi u konkurenciju za Nagradu Evropske filmske akademije (EFA) za najbolji kratki film.

SARAJEVO SHORT FILM NOMINEE FOR THE EUROPEAN FILM AWARDS 2012 The winner receives a nomination for the European Film Academy (EFA) Best Film Award.

NAGRADA ZA LJUDSKA PRAVA Nagrada za ljudska prava dodjeljuje se za najbolji film iz Takmičarskog programa dokumentarni film koji obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3.000 € osigurava Savezno ministarstvo vanjskih poslova Švicarske.

HUMAN RIGHTS AWARD Award for the best film of the Competition Programme - Documentary Film dealing with the subject of human rights. Award in the amount of 3,000 € is provided by the Swiss Federal Department of Foreign Affairs.

EDN TALENT GRANT EDN Talent Grant je ustanovljen kroz saradnju Sarajevo Film Festivala i Evropske dokumentarističke mreže, u svrhu podrške talentovanim autorima dokumentarnog filma iz regije.

EDN TALENT GRANT EDN Talent Grant has been created as co-operation between the Sarajevo Film Festival and the European Documentary Network with the purpose of supporting promising new documentary filmmakers from the region.

CICAE NAGRADA Međunarodna konfederacija umjetničkih kina (CICAE) nagrađuje film u selekciji Takmičarskog programa - igrani film. Nagrađeni film će dobiti posebnu podršku CICAE za distribuciju, prikazivanje filma i kontakt sa publikom, putem mreže od 3.000 kina.

CICAE AWARD The International Confederation of Art Cinemas (CICAE) awards a film from the Competition Programme - Features. The awarded film will receive CICAE support in terms of distribution, exhibition and audience outreach, through a network of 3,000 cinemas.

NAGRADA PUBLIKE Partner - HT ERONET

AUDIENCE AWARD Partner - HT ERONET

CINEUROPA NAGRADA Nagradu dodjeljuje Cineuropa portal, posvećen evropskoj kinematografiji i njenim stvaraocima, i to filmu koji, osim što neosporno posjeduje umjetničke kvalitete, također promovira ideje evropskog dijaloga i integracije. Vrijednost nagrade iznosi 5.000 €.

CINEUROPA AWARD The prize is awarded by the Cineuropa portal, a site dedicated to the European cinema and film professionals, and is given to a film that besides having indisputable artistic qualities also promotes the idea of European dialogue and integration. The value of this award is 5,000 €.

ATLANTIC GRUPA NAGRADA Novčanu nagradu u iznosu od 2.000 € osigurava Atlantic Grupa.

ATLANTIC GROUP AWARD Financial award in the amount of 2,000 €, is provided by the Atlantic Group.

JURY l 18. Sarajevo Film Festival 19

Takmičarski program - igrani film / Competition Programme - Features

Babamin sesi / Glas moga oca / Voice of My Father, Orhan Eskiköy, Zeynel Doğan

Djeca / Children of Sarajevo, Aida Begić

Grenzgänger / Na granici / Crossing Boundaries, Florian Flicker

Şimdiki zaman / Sadašnje vrijeme / Present Tense, Belmin Söylemez

Tepenin ardı / Iza brda / Beyond The Hill, Emin Alper

Toată lumea din familia noastră / Svi iz naše porodice / Everybody In Our Family, Radu Jude

Ustanička ulica / Redemption Street, Miroslav Terzić

What Is Love / Šta je ljubav, Ruth Mader

The Woman Who Brushed Off Her Tears / Žena koja je obrisala suze, Teona Strugar Mitevska

Deseto izdanje Takmičarskog programa! / Competition Programme In Its 10th Edition!

Elma Tataragić

Ove godine slavimo deset godina od kako je Sarajevo Film Festival odlučio predstaviti Takmičarski program koji je u potpunosti posvećen kinematografiji i talentima Jugoistočne Europe. Mnogo se toga promijenilo u međuvremenu. Filmska industrija iz regije je stasala kao relevantna, obećavajuća snaga. Filmovi iz ovog kraja svijeta su prepoznatljivi i priznati. Jugoistočna Evropa je postala moćno tržište i neočekivana platforma za koprodukciju i saradnju. Prije deset godina, režiseri iz ovog kraja svijeta mogli su samo sanjati o učešću na međunarodnim filmskim festivalima u Cannesu, Berlinu ili Veneciji. Nije bilo valjanog polazišta za obrazovanje i povezivanje producenata, a bilo je potrebno mnogo vremena kako bi se priveli kraju brojni značajni projekti, dok su mogućnosti za njihovu promociju bile krajnje oskudne. Takmičarski program Sarajevo Film Festivala stvoren je s namjerom da popuni ovu prazninu, da pruži dom svim autorima koji stvaraju filmove pod teškim uvjetima, otvarajući im prostor gdje se mogu povezivati sa drugima i promovirati postojeće projekte, te pripremati buduće. Slika industrije se promijenila od tada do danas na najdinamičniji način. Od 2003. pojavila su se brojna nova i obećavajuća imena; imena koja ne samo da su promijenila izgled regionalne kinematografije, već i imena koja mijenjaju i perspektivu svjetskog filma danas. Ove godine obljetnicu obilježavamo selekcijom zrelih filmova koje je snimila generacija režisera koji su stasali manje-više zajedno s našim Festivalom. To je generacija već afirmiranih autora, kao i debitanata na koje tek treba obratiti pažnju. U ovogodišnjoj selekciji su četiri filma koja su režirale žene, što pokazuje u kojoj se mjeri regionalna kinematografija promijenila u odnosu na period prije deset godina, kada je to uistinu bilo nemoguće. Bosanskohercegovački autori nas uvijek iznenade. Jedini igrani film snimljen ove godine u Bosni i Hercegovini prikazan je u okviru programa Un Certain Regard, u Cannesu. Film DJECA režiserke Aide Begić, u kojem glume izvrsni debitanti predvođeni Marijom Pikić, snažna je priča o siročadi koja živi u grubom, brutalnom, tranzicijskom Sarajevu. Ovaj će film otvoriti ne samo Sarajevo Film Festival, nego i Takmičarski program. Iz Srbije nam dolazi film USTANIČKA ULICA debitanta Miroslava Terzića. To je politički triler o mladom, ambicioznom čovjeku koji se zatekne u opasnoj priči koja otkriva ratne zločince i korupciju u današnjoj Srbiji. Emin Alper prvi put učestvuje na Sarajevo Film Festivalu svojim debitantskim filmom IZA BRDA,

22 18. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - IGRANI FILM

premijerno prikazanim i nagrađenim na Filmskom festivalu u Berlinu. Klaustrofobična priča filma smještena je u zabačene predjele Turske, a stilom podsjeća na špageti vestern. Drugi film iz Turske je GLAS MOGA OCA, Orhana Eskiköya i Zeynela Doğana. To je snažna i poetična priča o jednom narodu i nestajanju njegovog nasljeđa. Ovaj film prati historiju kurdske porodice od 1979. do 2009, koristeći mješavinu dokumentarnog i igranog pristupa, sa izvanrednom vizualnom poezijom i porodičnim snimcima (audiotrake koje otac šalje iz inostranstva), koji upotpunjavaju osnovni filmski narativ o represiji nad Kurdima, imigrantskom radu i jeziku koji nestaje. Treći film iz Turske je prvijenac rediteljice Belmin Söylemez SADAŠNJE VRIJEME, a donosi dirljivu priču o nezaposlenoj, usamljenoj i nesretnoj ženi koja štedi za odlazak u SAD. Film postavlja pitanje usamljenosti u velikom gradu, te, kroz tradicionalno gledanje sudbine u fildžanu, premošćuje prošlost, budućnost i sadašnjost. Rumunski režiser Radu Jude se vraća u Sarajevo sa svojim drugim filmom SVI IZ NAŠE PORODICE, tragikomičnom pričom o čovjeku koji je doveden na rub živaca, kada ga bivša žena spriječi da ode na ranije dogovoreni odmor sa kćerkom. Ovaj film govori o ljudskim odnosima i istražuje njihove granice. Film NA GRANICI austrijskog režisera Floriana Flickra doživjet će svjetsku premijeru u sklopu Takmičarskog programa, a radnja je smještena u pogranično austrijsko selo i ispituje odnose u bizarnom i opasnom ljubavnom trouglu. Stefan Pohl, Andreas Lust i Andrea Wenzl briljantno su odigrali uloge u ovom izuzetno režiranom i snimljenom filmu. Drugi film iz Austrije je ŠTA JE LJUBAV, u kojem su također kombinirani elementi dokumentarnog i igranog filma sa pet priča koje na različite načine istražuju život i odnose u savremenom svijetu, postavljajući isto pitanje: Šta je to dobar život? ŽENA KOJA JE OBRISALA SUZE makedonske autorice Teone Mitevske je neobična priča o dvije žene koje spaja potraga za ljubavlju i smislom života, iako dolaze iz sasvim različitih dijelova svijeta te iz potpuno različitih okruženja. U suštini, 10. izdanje Takmičarskog programa Sarajevo Film Festivala donosi uzbudljiv pregled dešavanja u kinematografiji Jugoistočne Evrope. Sa četiri debitantska filma i četiri filma koja su režirale žene, ovo je istinska proslava zrelosti regionalnog filma.

E It has been 10 years since Sarajevo Film Festival has decided to introduce the Competition Programme as a programme entirely dedicated to the promotion of cinema and talent from South East Europe. Many things have changed in the meantime, the industry has consolidated into a powerful and potential force and the films from this part of the world have gained recognition. South East Europe has become a very potential market and a surprising platform for co-productions and collaborations. Ten years ago, filmmakers from this part of the world could only dream of participating at film festivals in Cannes, Berlin or Venice. There were no platforms dedicated to the education and introduction to networking opportunities for producers, and therefore so many important and powerful projects took many years to finalize, while the platforms for their promotion were scarce. Sarajevo Film Festival Competition Programme was created with an aim to fill up this void, to give home to all filmmakers making films under difficult conditions, thus giving all of them a place where they could network and promote their existing works and prepare for the next ones. The image of the industry has changed since then, in a most dynamic way. Since 2003, many new and strong names have appeared; names that not only changed the façade of regional cinema, but names which are changing the perspective of world cinema today. This year we celebrate with a mature line-up of films made by a generation which has more or less grown up together with our festival. This is a generation of filmmakers, who have already made their way and the debut filmmakers who are the names to look out for in the near future. This year’s selection presents four films directed by female directors which also show how the face of regional cinema has changed in the past ten years back when this would not have been possible. Filmmakers from Bosnia and Herzegovina never seize to surprise, as the only feature film finished in the country this year was picked up by Cannes’s Un Certain Regard. With an amazing newcomer cast headed by a brilliant young actress Marija Pikić, the film CHILDREN OF SARAJEVO directed by Aida Begić brings a powerful story of orphans living in a tough and brutal transitional Sarajevo. This film is not only opening the Festival but also the Competition Programme. From Serbia we will present the film REDEMPTION STREET by debutant Miroslav Terzić, a political thriller about an ambitious young man getting mixed up in a dangerous

story, which reveals war criminals and corruption in contemporary Serbia. Emin Alper is debuting in Sarajevo with his film BEYOND THE HILL, which premiered and was awarded at Berlin Film Festival. This film brings a claustrophobic story set in the remote Turkish wilderness, which in style reminds very much of spaghetti westerns. Second entry from Turkey is VOICE OF MY FATHER by Orhan Eskiköy and Zeynel Doğan, which is a poetic and powerful story about a nation and its inheritance disappearing. This film follows the history of a Kurdish family from 1979 until 2009, utilizing a mix of documentary and fiction with extraordinary visual poetry and personal sound recordings (tapes sent from the father abroad), which embellish the film’s narrative about the repression of Kurds, immigrant labour, and a language about to disappear. The third entry from Turkey is a debut film PRESENT TENSE by Belmin Söylemez and it brings a subtle story about an unemployed, lonely and unhappy woman who saves money in order to go to the United States. The film brings out a question of loneliness in a big city and bridges over the past, the future and today through coffee reading. Romanian filmmaker Radu Jude returns to Sarajevo with his second feature film EVERYBODY IN OUR FAMILY, a tragicomic story about a man brought to his limits when his ex-wife does not allow him a prearranged vacation with his daughter. This film deals with human relationships and explores its limits. CROSSING BOUNDARIES by Florian Flicker is an Austrian entry celebrating World Premiere in the Competition Programme with a film set in Austrian countryside on a border, but with a film exploring a bizarre and dangerous love triangle, with extraordinary roles by Stefan Pohl, Andreas Lust and Andrea Wenzl, and powerful directing and cinematography. The second entry from Austria is Ruth Mader’s WHAT IS LOVE, which also plays with fiction and documentary form and brings five stories which in different ways explore life and relationships in the contemporary world, all posing a question: What makes a good life? WOMAN WHO BRUSHED OFF HER TEARS by Teona Mitevska is this year’s entry from Macedonia and is a peculiar story about two women whose search for love and meaning of life brings them together even though they are from very different parts of the world and backgrounds. Overall, the 10th edition of our Competition Programme brings an exciting crossover of what is happening in South East European cinema

today. With four debut films and four films directed by female directors, this is a true birthday of matureness of regional cinema. Elma Tataragić, selektorica Takmičarskog programa / Competition Feature Film Programme Selector

COMPETITION PROGRAMME - FEATURES l 18. Sarajevo Film Festival 23

Babamin sesi / Glas moga oca / Voice of My Father Basê čeka svog starijeg sina Hasana da se vrati kući nakon osam godina odsustva. Razlozi Hasanovog odlaska su oni isti zbog kojih je njen muž, Mustafa, otišao raditi daleko od kuće. Iako Mustafa, svojim glasom snimljenim na audiotrakama, ne može utjecati na živote svoje djece, on i dalje progoni Basê. Kada njen mlađi sin Mehmet sazna da će postati otac, shvata da vlastitog oca nikada nije upoznao, te počinje tražiti audiosnimke s očevim glasom. Orhan Eskiköy je, zajedno s Özgürom Doğanom, osnovao produkcijsku kuću Perişan Film. ON THE WAY TO SCHOOL je njegov prvi dugometražni dokumentarni film, kojeg su podržali fondovi Sundance i Jan Vrijman. Ovaj film je doživio veliki uspjeh u Turskoj, gdje je dobio više festivalskih nagrada. GLAS MOGA OCA je Eskiköyev prvi dugometražni igrani film. Zeynel Doğan je nezavisni kurdski režiser dokumentarnih filmova. Njegovi ostali projekti su prepoznatljivi po kontrastima, naprimjer prikazivanje djece kako se igraju u snijegu u neposrednoj blizini naoružanih vojnika. Sarađuje s medijskom kućom Diyarbakır, koja podučava lokalne mlade ljude savremenoj videoprodukciji. I on je dio produkcijske inicijative Perişan Film. GLAS MOGA OCA je Doğanov prvi dugometražni igrani film. E Basê waits for her older son Hasan to come home after years of not seeing him. The reasons for Hasan leaving are the same as those that drove her husband Mustafa to work far from home. Although Mustafa can’t touch the lives of his children through his voice recordings, he continues to haunt Basê. When Mehmet, Basê’s younger son, learns that he’s to be a father, he reflects that he never knew his own father and starts hunting down the tapes.

Orhan Eskiköy founded Perişan Film with Özgür Doğan in 2010. ON THE WAY TO SCHOOL is his first feature documentary film. It is supported by Sundance and Jan Vrijman Funds and selected to many prestigious festivals. This film was a big success in Turkey with various festival awards. VOICE OF MY FATHER is his first feature length film. Zeynel Doğan is an independent Kurdish documentary filmmaker. His other projects embrace the art of contrasts, juxtaposing images of children playing with snowballs and soldiers with guns. He coordinates the Diyarbakır Media Center, which trains local youth in contemporary video practice. He is also part of the filmmaker initiative Perişan Film. VOICE OF MY FATHER is his first feature length film.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Turkey, Germany, France, 2012, 35 mm, Colour, 88 min, Kurdish, Turkish Režija / Director: Orhan Eskiköy, Zeynel Doğan Scenarij / Screenplay: Orhan Eskiköy Direktor fotografije / Director of Photography: Emre Erkmen Montaža / Editor: Orhan Eskiköy, Cicek Kahraman Uloge / Cast: Zeynel Doğan, Basê Doğan, Gülízar Doğan Producent / Producer: Özgür Doğan Produkcija / Production: Perişan Film, Riva Film, Arizona Films Kontakt / Contact: Perişan Film; Mumhane Cad. 39/1 Karakoy, 34425 Istanbul, Turkey, tel/fax: +90212 243 89 76, info@perisanfilm.com, perisanfilm.com Filmografija / Filmography Orhan Eskiköy 2012 - BABAMIN SESI / VOICE OF MY FATHER 2008 - IKI DIL BIR BAVUL / ON THE WAY TO SCHOOL (dokumentarni / doc) 2007 - HICRAN (kratkometražni film / short) 2006 - ANNELER VE COCUKLAR / MOTHERS AND CHILDREN (kratkometražni dokumentarni / doc short) 2004 - SURGUN / EXILE (kratkometražni dokumentarni / doc short) 2003 - SANCI / SUFFERING (kratkometražni dokumentarni / doc short) 2001 - HAYALLER BIRER KIRIK AYNA / EACH DREAM IS A SHATTERED MIRROR (kratkometražni dokumentarni / doc short) Zeynel Doğan 2012 - BABAMIN SESI / VOICE OF MY FATHER 2007 - ÇENE DERSIM / THE GIRLS OF DERSIM (kratkometražni dokumentarni / doc short) 2007 - KALO (kratkometražni dokumentarni / doc short) 2005 - YOK (kratkometražni dokumentarni / doc short) 2002 - ÇEK ÇEK (kratkometražni dokumentarni / doc short)

Djeca / Children of Sarajevo Rahima (23) i Nedim (13) su ratna siročad. Žive u Sarajevu, gradu koji pati od bolesti društva u tranziciji, u kojem su sve vrijednosti poremećene, pa tako i odnos prema djeci onih koji su dali život za slobodu grada. Rahima, nakon tinejdžerskih godina ispunjenih kriminalom, pronalazi smisao života u islamu. Nada se da će njen mlađi brat krenuti istim stopama. Njihov život, sveden na puko preživljavanje, usložnjava se kada Nedim u tuči razbije skupocjeni mobitel sina lokalnog moćnika. Taj događaj će Rahimu dovesti do otkrića da njen brat vodi dvostruki život. Aida Begić je rođena 1976. u Sarajevu. Diplomirala je režiju na Akademiji scenskih umjetnosti u Sarajevu. Njen diplomski film PRVO SMRTNO ISKUSTVO prikazan je u zvaničnoj selekciji Cinéfondation Filmskog festivala u Cannesu, a osvojio je i brojne nagrade širom svijeta. 2003. je napisala scenarij i režirala kratki igrani film SJEVER JE POLUDIO. Njen debitantski dugometražni igrani film SNIJEG prikazan je na Filmskom festivalu u Cannesu, u programu Semaine de la Critique i osvojio je Grand Prix. Dobitnik je više od dvadeset nagrada u svijetu, a nominiran je i za Otkriće godine Evropske filmske akademije. Aida Begić je 2009. osnovala nezavisnu produkcijsku kuću Film House. Kratki film OTELO(O) režirala je 2010. u sklopu omnibusa UNUTMA BENI ISTANBULI. Iste godine ju je eminentna izdavačka kuća Phaidon uvrstila u izbor od stotinu najperspektivnijih režisera/režiserki današnjice. Njen drugi dugometražni film DJECA premijerno je prikazan u selekciji Un Certain Regard 65. festivala u Cannesu, gdje je osvojio Specijalno priznanje žirija. E Rahima (23) and Nedim (14) are orphans of the Bosnian war. They live in Sarajevo, a transitional society that has lost its moral compass, including in the way it treats children of the people who were killed fighting for the freedom of their city. After crime-prone adolescent years, Rahima has found comfort in Islam and she hopes her brother will follow in her footsteps. Their life of bare survival becomes even more difficult after Nedim gets into a fistfight with the son of a local strongman and breaks his expensive mobile phone. This incident triggers a chain of events leading Rahima to the discovery that her brother leads a double life.

Aida Begić was born in Sarajevo in 1976. She graduated directing at the Sarajevo Academy of Performing Arts. Her graduation film FIRST DEATH EXPERIENCE was presented at The Cinéfondation Official Selection of the 2001 Cannes Film Festival and won numerous awards at festivals worldwide. In 2003 she wrote and directed her second short film NORTH WENT MAD. Her debut feature film SNOW premiered at Cannes 2008 - Semaine de la Critique where the film won the Grand Prix and after that more then 20 festival awards all around the world. Snow was nominated for European Academy Award - Discovery Section. In 2009 she founded an independent production company FILM HOUSE. In 2010 she wrote and directed short fiction OTEL(O) as part of omnibus UNUTMA BENI ISTANBUL. The same year she was featured in “Take 100”, a compendium of one hundred most promising emerging directors from around the world published by Phaidon. Her second feature film CHILDREN OF SARAJEVO premiered in Un Certain Regard - Official Selection of the Cannes Film Festival 2012 where it won Special Distinction of the Jury.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Bosnia and Herzegovina, Germany, France, Turkey, 2012, 35 mm, Colour, 90 min, Bosnian Režija / Director: Aida Begić Scenarij / Screenplay: Aida Begić Direktor fotografije / Director of Photography: Erol Zubčević Montaža / Editor: Miralem S. Zubčević Zvuk / Sound: Igor Čamo Scenografija / Production Design: Sanda Popovac Kostimografija / Costume Design: Sanja Džeba Uloge / Cast: Marija Pikić, Ismir Gagula, Nikola Đuričko, Jasna Ornela Bery, Bojan Navojec, Aleksandar Seksan, Staša Dukić, Mirela Lambić, Vedran Đekić, Sadžida Šetić, Velibor Topić Producent / Producer: Aida Begić Produkcija / Production: Film House Sarajevo Kontakt / Contact: Pyramide International Paris; 5, rue du Chevalier de Saint George, 75008 Paris, France, tel: 33(0) 1 42 96 02 20, lgarzon@pyramidefilms.com Filmografija / Filmography 2012 - DJECA / CHILDREN OF SARAJEVO 2010 - OTEL(O) (kratkometražni / short) 2008 - SNIJEG / SNOW 2003 - SJEVER JE POLUDIO / NORTH WENT MAD (kratkometražni / short) 2001 - PRVO SMRTNO ISKUSTVO / FIRST DEATH EXPERIENCE (kratkometražni / short)

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Grenzgänger / Na granici / Crossing Boundaries Žena i dva muškaraca: muž traži od svoje žene da zavede drugog muškarca, ne bi li mu tako odvukla pažnju da ne sazna da njih dvoje krijumčare ljude. Drugi muškarac pristaje na flert sa ženom ne bi li se domogao dokaza o njihovim ilegalnim radnjama. Ipak, oni se zaljubljuju - žena, izmanipulisana sa obje strane – napokon izabere jedini mogući put... Florian Flicker je rođen 1965. u Salzburgu, a sada živi i radi u Beču. Njegov prvi igrani film HALBE WELT je osvojio, između ostalih, i Specijalnu nagradu žirija na Filmskom festivalu Geradmer Fantasy, dok je njegov drugi film, SUZIE WASHINGTON, osvojio nagradu Carl Mayer za najbolji scenarij, kao i Nagradu za najbolji austrijski igrani film. Flicker je 1998. dobio Nagradu Austrije za unapređenje filmske umjetnosti. E A woman - two men: her husband wants her to flirt with the other man to distract him from finding out about the couple’s activities as people smugglers. The other man wants to flirt with the woman to get some evidence about the illegal things they do. They fall in love - the woman, being manipulated by both men, finally chooses the only possible way out...

Florian Flicker was born in Salzburg, in 1965, but now lives and works in Vienna. His first feature film, HALBE WELT, won, among others, the Special Jury Prize at the Geradmer Fantasy Film Festival, while his second, SUZIE WASHINGTON, received the Carl Mayer-Preis for best screenplay, as well as an award for best Austrian fiction film. In 1998, Flicker was honoured with the Austrian prize for the encouragement of cinematic art.

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SVJETSKA PREMIJERA / WORLD PREMIERE Austria, 2012, 35 mm, Colour, 90 min, German Režija / Director: Florian Flicker Scenarij / Screenplay: Florian Flicker based on a play by Karl Schönherr Direktor fotografije / Director of Photography: Martin Gschlacht Uloge / Cast: Andrea Wenzl, Andreas Lust, Stefan Pohl Producent / Producer: Viktoria Salcher, Mathias Forberg Produkcija / Production: Prisma Film-und Fernsehproduktion; Rathausstraße 3/18, A-1010 Vienna, Austria, tel: (+43 1) 406 37 70, fax: (+43 1) 406 37 70-20, office@prismafilm.at, www.prismafilm.at Filmografija / Filmography 2012 - GRENZGÄNGER / CROSSING BOUNDARIES 2006 - NO NAME CITY (dokumentarni / doc.) 2000 - DER ÜBERFALL / HOLD-UP 1998 - SUZIE WASHINGTON 1993 - HALBE WELT

Şimdiki zaman / Sadašnje vrijeme / Present Tense Mlada nezaposlena žena se prijavljuje na posao u kafani u kojoj se proriče budućnost. Dok ženama gleda u šoljice kafe, pokušava se i sama snaći. Razvela se, prekinula veze s porodicom, a sada je izbacuju iz stana. Život ove mlade žene je pun problema. Odlučila je: pobjeći će u Ameriku, baš kao što je to davno uradila njena buntovna tetka. Ali kako? Potrebni su joj novac, dokumenti i viza. Kroz obrise, koji se naziru u šoljicama, ona vlastite frustracije i želje dovodi u vezu sa svojim strankama. U međuvremenu, druga gatara i buntovni šef kafane pokušavaju ovu mladu ženu osloboditi stega. Da li će ona biti u stanju izvući se iz sadašnjeg vremena i iskušati sreću u budućnosti? Belmin Söylemez je rođena u Istanbulu. Radila je kao copy writer, urednica, producentica kompanija poput njemačke TV stanice ARD (ured u Istanbulu) i BBA (Nezavisna novinska agencija u Istanbulu). Režirala je i producirala muzičke spotove i reklame. Njeni kratkometražni i dokumentarni filmovi prikazani su na međunarodnim filmskim festivalima poput Toronta, Göteborga i Sarajeva. Osvojili su niz nacionalnih i međunarodnih nagrada. Njeni su filmovi prikazivani na TV kanalima poput ARTE (Francuska/Njemačka), SVT (Švedska), YLE (Finska), SBS (Australija). Također, prikazani su i na izložbama poput Call Me Istanbul, ZKM Karlsruhe, u Njemačkoj, te Free Kick – 9. Biennale u Istanbulu. SADAŠNJE VRIJEME je njen prvi igrani film. E A young unemployed woman applies to a fortune-telling café lying that she has experience. While she reads the coffee cups of many different women, she also tries to find a way out herself. She divorced her husband, severed the ties with her family, and now is being thrown out of her flat. She is surrounded with troubles. Her mind is made up: she will escape to America like her rebellious aunt did some years ago. But how? She needs money, papers and a visa. Through the shapes emerging in coffee cups, she expresses her own frustrations and desires to match with those of the customers. Meanwhile, the other young fortuneteller and the rebellious boss at the cafe try to bring her out of her shell. Will she be able to get away from present tense and try her luck for the future?

Belmin Söylemez was born in Istanbul. She worked as copy writer, editor, producer for companies like ARD German TV (Istanbul Office) and BBA (Independent Press Agency Istanbul). She made music videos and promotion films as a director and producer. Her short films and documentaries have been screened in international film festivals like Toronto, Göteborg, Sarajevo and recieved a number of awards nationally and internationally. Her films were broadcasted on TV Channels such as ARTE France/Germany, SVT (Sweden), YLE (Finland), SBS (Australia). Her films have also participated in exhibitions such as Call me Istanbul, ZKM Karlsruhe, Germany and Free Kick - the 9th Istanbul Biennial. PRESENT TENSE is her first fiction feature film.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Turkey, 2012, 35 mm, Colour, 110 min, Turkish Režija / Director: Belmin Söylemez Scenarij / Screenplay: Belmin Söylemez, Haşmet Topaloğlu Direktor fotografije / Director of Photography: Peter Roehsler Montaža / Editor: Ali Aga, Belmin Söylemez Zvuk / Sound: Seçkin Kaştaş Uloge / Cast: Sanem Öge, Şenay Aydin, Ozan Bilen, Suat Oktan, Nesrin Yildirim, Erdi Kement, Mesut Yilmaz Producent / Producer: Haşmet Topaloğlu Produkcija / Production: Filmbüfe Film Production; PK 244 Beyoglu, 34431 Istanbul, Turkey, tel/fax: +90 212 2527255, info@filmbufe.com, www.filmbufe.com, http://www.simdikizaman.com Filmografija / Filmography 2012 - ŞIMDIKI ZAMAN / PRESENT TENSE 2008 - WHAT A “BEAUTIFUL” DEMOCRACY! (dokumentarni / doc.) 2005 - 34 TAXI (dokumentarni / doc.) 2002 - WINDOWS (kratkometražni / short) 2001 - WAVES (kratkometražni / short) 2000 - ZAP! (kratkometražni / short) 2000 - THE MOUSTACHE (kratkometražni / short) 1999 - STATE OF SLEEP (kratkometražni / short)

COMPETITION PROGRAMME - FEATURES l 18. Sarajevo Film Festival 27

Tepenin ardı / Iza brda / Beyond The Hill Ljetni je dan i Faik, šumar u penziji, dočekuje goste u svojoj kući na selu. Njegov sin Nusret dolazi u posjetu s Faikovim unucima, Canerom i Zaferom. Uprkos ljetnom ozračju, raspoloženje je prilično tmurno. Faik ima problema s lokalnim nomadima i stalno je na oprezu. Ovu malu skupinu upotpunjuje porodica Mehmeta i Meryem. Do izražaja dolaze njihovi različiti temperamenti i društveni staleži. Međutim, sukobi se izbjegavaju: za sve je kriv neko drugi, oduvijek nevidljivi neprijatelji nomadi. Emin Alper je rođen 1974. u Ermeneku, u Karamanu. Studirao je ekonomiju i historiju na Univerzitetu Bogazici u Istanbulu i doktor je nauka iz oblasti moderne turske historije. Napisao je i režirao kratkometražne filmove RIFAT (2006.) i THE LETTER (2005.). Predaje na Tehničkom univerzitetu u Istanbulu, na Odsjeku za društvene nauke. Njegov prvi dugometražni film IZA BRDA osvojio je nagradu Caligari, kao i Posebnu pohvalu za najbolji dugometražni film prvijenac na Festivalu Berlinale 2012. E It’s a summer day and a retired forester Faik is receiving visitors at his country home. His son Nusret has come to visit with Faik’s two grandsons Caner and Zafer. Despite the summer setting however, the mood remains oddly muted. Faik is having problems with the local nomads and is constantly on his guard. This small group is completed by the family of Mehmet and Meryem and brings together different temperaments and social classes. But conflicts are avoided: it’s all someone else’s fault, that of the nomads, who remain an invisible foe.

Emin Alper was born in 1974 in Ermenek, Karaman. Trained in economics and history at Bogazici University-Istanbul, Alper holds a Ph.D. degree in Turkish Modern History. He is the writer and director of the short films, RIFAT (2006) and THE LETTER (2005). He teaches at Istanbul Technical University’s Humanities and Social Sciences Department. His first feature BEYOND THE HILL, received Caligari Film Prize and Special Mention for Best 1st Feature at Berlinale 2012.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Turkey, Greece, 2012, DCP, Colour, 94 min, Turkish Režija / Director: Emin Alper Scenarij / Screenplay: Emin Alper Direktor fotografije / Director of Photography: George Chiper-Lillemark Montaža / Editor: Özcan Varda Muzika / Music: Volkan Akmehmet, Inanc Sanver Zvuk / Sound: Fatih Aydogdu Scenografija / Production Design: Ismail Durmaz Uloge / Cast: Tamer Levent, Reha Özcan, Mehmet Özgür, Berk Hakman, Banu Fotocan, Furkan Berk Kiran, Sercan Gümüs, Sevval Kus Producent / Producer: Enis Köstepen, Seyfi Teoman Produkcija / Production: Bulut Film; Fecri Ebcioglu Sokak Vural Apt. 14/4, 34340 Istanbul, Turkey, tel: +90 5326905636, kostepen@bulutfilm.com, www.bulutfilm.com Filmografija / Filmography 2012 - TEPENIN ARDI / BEYOND THE HILL 2006 - RIFAT (kratkometražni / short) 2005 - MEKTUP / THE LETTER (kratkometražni / short)

Toată lumea din familia noastră / Svi iz naše porodice / Everybody In Our Family Marius je u kasnim tridesetim i razveden je. Njegova bivša žena Otilia se udala za računovođu. Sofia, njihova petogodišnja kćerka, živi s majkom, što Mariusa veoma frustrira. Zakon nalaže da on sa svojom kćerkom može provoditi samo ograničeno vrijeme. Jednog dana, Marius odlazi po kćerku koju želi povesti na kratak odmor na moru, ali shvata da njegova bivša žena nije kod kuće, a rečeno mu je da je kćerka bolesna. Marius u to ne vjeruje i pokušava Sofiju silom povesti sa sobom. Ispostavit će se da je ovaj mali incident okidač silovite i emotivne bujice, a svi članovi porodice sudjeluju u priči u kojoj se prepliću humor, nasilje, djetinjaste pjesme, policijske intervencije, izjave ljubavi, krv i haiku poezija. Radu Jude je rođen 1977. u Bukureštu. Diplomirao je 2003. na Odsjeku za režiju Fakulteta za medije. Godine 2006. snimio je kratkometražni film THE TUBE WITH A HAT, koji je dobitnik nekoliko glavnih nagrada na festivalima u Sundanceu, San Franciscu, Los Angelesu, Grimstadu, Hamburgu zatim u Cracowu, Almeriai, Valenciji i Uppsali. Iskustvo režiranja više od 100 reklama poslužilo mu je kao inspiracija za prvi dugometražni film THE HAPPIEST GIRL IN THE WORLD, prikazan u okviru programa Forum na Berlinaleu 2009, gdje je osvojio nagradu CICAE, a potom je prikazan na festivalima u Torontu, Solunu, Sarajevu i Londonu. Film SVI IZ NAŠE PORODICE ušao je u selekciju programa Forum na Berlinaleu. E Marius is a divorced man in his late thirties. His ex-wife, Otilia, remarried an accountant. Their 5 years old daughter, Sofia, lives with her mother, causing Marius a deep frustration. According to the law, Marius can spend with his daughter only a limited amount of time. The day Marius goes to take his daughter in a short holiday to the seaside, he finds out that his ex-wife is not at home and he is told that his daughter is sick. He doesn’t believe it and tries to take Sofia by force. This small incident proves to be the trigger for a violent and emotional rollercoaster, all the people in the family taking part in a story which mixes humour, violence, childish songs, police interventions, love statements, blood and a haiku.

Radu Jude was born in Bucharest in 1977. Graduated in 2003 the Department of Filmmaking at Media University. In 2006 he directed his short film THE TUBE WITH A HAT, which won main prizes in Sundance, San Francisco, Los Angeles, Grimstad, Hamburg, Cracow, Almeria, Valencia and Uppsala. Inspired by his experience with more than 100 advertising commercials, in 2009 Radu debuted with the feature THE HAPPIEST GIRL IN THE WORLD in Berlinale Forum, claiming the CICAE Prize, after which the film was shown at the festivals in Toronto, Thessaloniki, Sarajevo and London among 50 others. EVERYBODY IN OUR FAMILY was selected for Berlinale Forum 2012.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, 2012, 35 mm, Colour, 108 min, Romanian Režija / Director: Radu Jude Scenarij / Screenplay: Radu Jude, Corina Sabău Direktor fotografije / Director of Photography: Andrei Butică Montaža / Editor: Cătălin F. Cristuţiu Zvuk / Sound: Dana Bunescu, Simone Galavazi Scenografija / Production Design: Elsje De Bruijn Kostimografija / Costume Design: Augustina Stanciu Uloge / Cast: Șerban Pavlu, Sofia Nicolaescu, Mihaela Sîrbu, Gabriel Spahiu, Tamara Buciuceanu– Botez, Stela Popescu, Alexandru Arșinel Producent / Producer: Ada Solomon Produkcija / Production: HiFilm Kontakt / Contact: Films Boutique, Skalitzerstr. 54a, 10997 Berlin, Germany, tel: +49 30 695 378 50, fax: +49 30 695 378 51, info@filmsboutique.com Filmografija / Filmography 2012 - TOATĂ LUMEA DIN FAMILIA NOASTRĂ / EVERYBODY IN OUR FAMILY 2011 - FILM PENTRU PRIETENI / A FILM FOR FRIENDS (srednjemetražni / middle-length) 2009 - CEA MAI FERICITA FATA DIN LUME / THE HAPPIEST GIRL IN THE WORLD 2007 - LAMPA CU CACIULA / THE TUBE WITH A HAT (kratkometražni / short)

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Ustanička ulica / Redemption Street Dušan, mladi zamjenik tužioca za ratne zločine, dobija zadatak da istraži paravojnu jedinicu Prva pionirska, koja je djelovala na ratištima u Hrvatskoj, Bosni i Hercegovini te na Kosovu, gdje joj se gubi svaki trag. Dušan je odlučan u namjeri da zaključi slučaj i pokaže svom ocu, čuvenom profesoru prava u mirovini, ali i svom šefu, glavnom tužiocu za ratne zločine, da je sposoban obavljati ovaj posao. Ovo za Dušana postaje mnogo više od običnog slučaja – to je vlastito suočavanje. Miroslav Terzić rođen je 1969. u Beogradu. Diplomirao je međunarodno pravo na Univerzitetu u Beogradu. Diplomirao je na Akademiji za film i dramu Univerziteta u Beogradu. Od 2000. radi kao slobodni umjetnik: režiser i scenarist. Sarađivao je s najpoznatijim reklamnim agencijama u regiji (Media Plus, Leo Burnett, Ogilvy & Mather, Spectra, Kreativa, Incognito, Idea plus DDB, Young & Rubicam / Milan etc.), u nekim od najvećih reklamnih kampanja. E Dušan, a young deputy war crimes prosecutor, is given the task to investigate a paramilitary formation, the First Pioneer’s unit, that was operating on the battlefields in Croatia, Bosnia and Herzegovina and Kosovo, where they disappeared without a trace. Dušan is determined to bring the case to an end and to show his father, a famous retired professor at the law faculty, but to his boss too, that he is capable for this job. This becomes for Dušan much more than a simple case – it becomes a personal confrontation.

Miroslav Terzić was born in 1969 in Belgrade, Serbia. He graduated International law at the University of Belgrade. He has attended bachelor degree studies at the Belgrade Academy for Film & Drama, Belgrade University. As of 2000 he has worked as a freelance artist - director and screenwriter. He cooperated with the biggest advertising agencies in the region (Media Plus, Leo Burnett, Ogilvy & Mather, Spectra, Kreativa, Incognito, Idea plus DDB, Young & Rubicam/ Milan etc.) for some of the major advertising campaigns.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Serbia, 2012, 35 mm, Colour, 97 min, Serbian Režija / Director: Miroslav Terzić Scenarij / Screenplay: Đorđe Milosavljević, Nikola Pejaković Direktor fotografije / Director of Photography: Miladin Čolaković Montaža / Editor: Dejan Urošević Muzika / Music: Ivan Brkljačić Uloge / Cast: Gordan Kičić, Uliks Fehmiu, Rade Šerbedžija, Petar Božović, Predrag Ejdus, Jelena Đokić, Milica Mihajlović Producent / Producer: Gordan Kičić Produkcija / Production: Filmkombajn d.o.o Kontakt / Contact: Fortissimo Films, Van Diemenstraat 100 Amsterdam 1013 CN tel.: +31 20 627 3215, www.fortissimofilms.com Filmografija / Filmography 2012 - USTANIČKA ULICA / REDEMPTION STREET 2009 - FREEDOM AND THE LAST DAYS (dokumentarni film / doc.)

What Is Love / Šta je ljubav Ovaj film je portret života, portret ljudi različitih životnih planova. Ispituje značenje života, kako popuniti prazninu između rođenja i smrti i značenje sreće. Kratki igrani i dokumentarni segmenti su priče o izuzetno različitim protagonistima jedne generacije: od porodice koja je vlasnik šume i živi u velikoj kući, do svakodnevnog života jedne radnice u fabrici. Ruth Mader je rođena 1974. u Beču. Studirala je režiju na Odsjeku za film i televiziju Univerziteta za muziku i izvedbene umjetnosti u Beču. ŠTA JE LJUBAV je dugometražni film nastao nakon niza kratkometražnih filmova i prvog dugometražnog filma STRUGGLE. E This film is a portrait of life, a portrait of people with varying life plans. It asks the meaning of life, about how to fill the gap between birth and death, and what is happiness. Short fiction and documentary pieces tell the stories of some very different protagonists of a generation: from the forest-owning family in their stately home to the factory worker following her daily routine.

Ruth Mader was born in Vienna in 1974. She studied Film Direction at the Film and Television Department at the University of Music and Performing Arts in Vienna. WHAT IS LOVE is her second feature-length film after a series of short films and her first feature film STRUGGLE.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Austria, 2012, Colour, 80 min, German Režija / Director: Ruth Mader Scenarij / Screenplay: Ruth Mader Direktor fotografije / Director of Photography: Jörg Gönner Montaža / Editor: Niki Mossböck Muzika / Music: Manfred Plessl Uloge / Cast: Saskia Maca, Helene Bubna, Michael Bubna, Thomas Rath, Walter Scalet, Eva Suchy Producent / Producer: Gabriele Kranzelbinder Produkcija / Production: KGP Kranzelbinder Gabriele Production Kontakt / Contact: KGP Kranzelbinder Gabriele Production GmbH, Seidengasse 15/3/19, A-1070 Vienna tel: +43 1 5222221, fax.: +43 1 5222221-18, tappero@kgp.co.at, www.kgp.co.at Filmografija / Filmography 2012 - WHAT IS LOVE 2003 - STRUGGLE 2001 - NULL DEFIZIT (kratkometražni / short) 1998 - GFRASTA (kratkometražni / short) 1997 - READY FOR WHAT (dokumentarni / doc.) 1994 - KILOMETER 123,5 (kratkometražni / short) 1993 - GATSCH (kratkometražni / short) 1992 - ENDSTATION OBDACHLOS (dokumentarni / doc.)

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The Woman Who Brushed Off Her Tears / Žena koja je obrisala suze Radnja filma ŽENA KOJA JE OBRISALA SUZE počinje u Francuskoj, odakle ide sve do dubokih makedonskih šuma. U Parizu, Helenin sin je tragično preminuo. Očajnički želeći da kompenzira gubitak sina, ona pokušava da učini Luciana, koji je deportovan iz svoje zemlje, dijelom svog života. Kao njegova supervizorica, ona uspijeva da ga otme i ona, njen muž i Lucian putuju u Makedoniju gdje par želi da prospe pepeo svog sina. U Makedoniji, Lucijanova ljubavnica Ajsun se bori za svoju nezavisnost. Ona i Lucijan imaju malog sina, ali Ajsunin otac je sada prodao svoju kćerku drugom čovjeku kako bi je zaštitio od sramote koju nosi vanbračno dijete. I Ajsun i Helena moraju pokušati ostati pri svome u svijetu u kojem dominiraju muškarci. Teona Strugar Mitevska je rođena 1974. u Skoplju, u Makedoniji. Njen prvi kratki film VETA iz 2001. osvojio je Specijalnu nagradu žirija na Međunarodnom filmskom festivalu u Berlinu. HOW I KILLED A SAINT je njen prvi igrani film premijerno je prikazan na Filmskom festivalu u Rotterdamu 2004, u kategoriji za nagradu Tiger, a osvojio je i brojne nagrade širom svijeta. Njen film I AM FROM TITOV VELES distribuiran je u 15 zemalja u 2008/2009, uključujući i SAD, a prikazan je u okviru zvanične takmičarske selekcije na Berlinskom filmskom festivalu u programu Panorama, Sarajevo Film Festivalu, gdje je osvojio i Specijalnu nagradu žirija. E THE WOMAN WHO BRUSHED OFF HER TEARS begins in France and follows its protagonists deep into the forests of Macedonia.In Paris, Helena’s son dies tragically. Desperate to compensate for her loss, she tries to make Lucian, a deportee, a part of her life. As his supervisor, she succeeds in abducting the young man. And so Helena, her husband and Lucian travel to Macedonia where the couple have decided to scatter their son’s ashes. In Macedonia Lucian’s lover Ajsun is struggling for her independence. She and Lucian have a young son, but Ajsun’s father has now sold his daughter to another man in order to protect her from the shame of having an illegitimate child. Both Ajsun and Helena must try to hold their own in a male-dominated world.

Teona Strugar Mitevska was born in 1974 in Skopje, Macedonia. She made her debut as short film director in 2001 with VETA, which received the Special Jury award at the Berlin Film Festival. HOW I KILLED A SAINT is her first feature film, which premiered at the 2004 Rotterdam Film festival, Tiger Competition and has won numerous prizes around the world. Her film I AM FROM TITOV VELES has been theatrically distributed in 15 countries in 2008/2009, including in the USA, and was screened in the official competition at the following festivals: Berlin Film Festival - Panorama Section; Sarajevo Film Festival, where it won Special Jury Award.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Macedonia, Germany, Slovenia, Belgium, 2012, 35 mm, Colour, 103 min, French, Turkish, Macedonian Režija / Director: Teona Strugar Mitevska Scenarij / Screenplay: Teona Strugar Mitevska Direktor fotografije / Director of Photography: Matyas Erdely Montaža / Editor: Nicolas Gaster Uloge / Cast: Victoria Abril, Labina Mitevska, Jean-Marie Galay, Arben Bajraktaraj Producent / Producer: Labina Miteveska Produkcija / Production: Sister and Brother Mitevski, Ostlicht Filmproduktion, Vertigo / Emotionfilm, Entre Chien et Loup Kontakt / Contact: Urban Distribution int; 14, rue du 18 Aout, 93100 Montreuil-sous-Bois, France, tel: +33 1 48 70 73 83, fax: + 33 49 72 04 21, udi@urbandistrib.com Filmografija / Filmography 2012 - THE WOMAN WHO BRUSHED OFF HER TEARS 2008 - JAS SUM OD TITOV VELES / I AM FROM TITOV VELES 2004 - KAKO UBIV SVETEC / HOW I KILLED A SAINT 2001 - VETA (kratkometražni / short)

Takmičarski program - kratki film / Competition Programme - Shorts

180/100, Nandor Lőrincz, Bálint Nagy

Kthimi / Povratak / The Return, Blerta Zeqiri

Momci, gde ste / Momci, gdje ste / Boys, Where Are You, Jelena Gavrilović

Orizont / Horizont / Horizon, Paul Negoescu

Parafinenit princ / Parafinski princ / The Paraffin Prince, Pavel G. Vesnakov

Prva dama Dubrave / First Lady of Dubrava, Barbara Vekarić

Sotonin sin / The Son of Satan, Marko Dješka

Sve to / All of That, Branislav Milatović

Tatăl meu e cel mai tare / Tata je glavni / Daddy Rulz, Radu Potcoava

Unser Lied / Naša pjesma / One Song, Catalina Molina

Pogled u budućnost / Looking Out For The Future

Ukoliko smatramo da kroz radove mladih autora možemo vidjeti kako će izgledati kinematografija za deset godina, onda s ponosom možemo najaviti ovogodišnju selekciju Takmičarskog programa kratkog filma i nadati se svijetloj budućnosti. Budući da smo dobili rekordan broj prijava i da je općenito bilo puno snimljenih kratkih filmova u regiji tokom prošle godine dana, od početka je bilo očigledno da će nam biti neophodne smjernice koje će odrediti pravac cijele selekcije. Ovogodišnji je ton selekciji, u svakom slučaju, dala nova generacija mladih autora koji su na samom početku karijere. Važno je istaknuti da se ti autori, svojim specifičnim pristupom i načinom, bave nevoljama i patnjama svoje generacije, u kompliciranom i brzom svijetu ljubavi, mržnje, virtualne stvarnosti, seksa, nasilja i usamljenosti. Većina filmova se bavi potragom za identitetom u svijetu koji nudi raznolike mogućnosti, ali je i prepun lažnih vrijednosti i nemorala. Baš kao što je slučaj i sa selekcijom Takmičarskog programa - igranog filma, otkrili smo iznenađujuće veliki broj mladih režiserki i u ovom programu – četiri su filma režirale mlade žene iz regije. To su filmovi MOMCI, GDJE STE Jelene Gavrilović iz Srbije, PRVA DAMA DUBRAVE Barbare Vekarić iz Hrvatske, JEDNA PJESMA Cataline Moline iz Austrije i POVRATAK kosovske režiserke Blerte Zeqiri (koji je premijerno prikazan na filmskom festivalu Sundance). Svih deset izabranih filmova su hrabri, iskreni, nepretenciozni i dirljivi te zajedno čine kolaž glavnih tema današnjeg društva i načina na koji ta pitanja i problemi utječu na novu generaciju koja pokušava naći svoje mjesto u svijetu. Filmovi su vizualno rafinirani, sročeni smjelim filmskim jezikom i snažnim naracijama kojima se režiseri odvažno igraju i eksperimentiraju. Neki su filmovi dirljivi i prilično ozbiljni u pristupu, poput filma SVE TO Branislava Milatovića iz Crne Gore, PARAFINSKI PRINC Pavela Vesnakova iz Bugarske, HORIZONT Paula Negoescua iz Rumunije (premijerno prikazan na programu Sedmica kritike filmskog festivala u Cannesu). Drugi, opuštenijeg pristupa, su humorom ispunjeni filmovi TATA JE ZAKON Radua Potcoava iz Rumunije, 180/100 Nándora Lönicza i Bálinta Nagyja iz Mađarske te, posebno ironičan, animirani film SOTONIN SIN Marka Dješka iz Hrvatske. Bio je pravi izazov napraviti ovu selekciju, ali konačno, imamo deset uvjerljivih kratkometražnih filmova koji uključuju tri regionalne, pet međunarodnih i dvije svjetske premijere filmova mladih režisera koji će nas, sigurno, ponovno iznenaditi i u budućnosti.

E If we believe that the cinema in ten years from now can be seen through the works of young filmmakers, then we can proudly announce this years line-up for Competition Short Programme and look out for the bright future. As there was a record number of entries and short films made during the year in the region, it was obvious from the beginning that there should be a certain guide line which would set the tone to the entire selection. This year this tone is definitively set by a new up-coming generation of very young filmmakers just at the beginning of their careers. What is more important is that all films are, in their own specific approach and way, dealing with troubles and pains of this young generation in messy and fast world of love, hate, virtual reality, sex, violence and loneliness. Most films deal with the search for identity in a world full of choices, but also full of superficial values and morality. As with the feature film line-up, there is a surprising number of female filmmakers in this section as well - there are actually four films directed by young woman filmmakers from the region. These are BOYS, WHERE ARE YOU by Jelena Gavrilović from Serbia, FIRST LADY OF DUBRAVA by Barbara Vekarić from Croatia, ONE SONG by Catalina Molina from Austria and THE RETURN by Kosovo filmmaker Blerta Zeqiri (premiered at Sundance Film Festival). All ten films that are selected are brave, honest, unpretentious and moving. Together they make a collage of main issues in today’s society and how these issues and problems influence a new generation which is trying to find its place in the world. The films are visually refined with a bold cinematic language and strong narratives with which the filmmakers are not afraid to experiment and play with. Some of the films are rather serious and moving in their approach such as ALL OF THAT by Branislav Milatović from Montenegro, THE PARAFFIN PRINCE by Pavel Vesnakov from Bulgaria, HORIZON by Paul Negoescu from Romania (premiered earlier at Cannes Film Festival Critics’ Week). Others are more relaxed in their apporaches to the stories and are filled with humour in films DADDY RULZ by Radu Potcoava from Romania, 180/100 by Nándor Lönicz and Bálint Nagy from Hungary, and especially ironic in THE SON OF SATAN, animated film by Marko Dješka from Croatia. It was a real challange to make this selection and finally we have a powerful ten short films which include 3 Regional, 5 International and 2 World Premiers of young filmmakers that will not sieze to surpise in the future.

Elma Tataragić, selektorica Takmičarskog programa - kratki film / Competition Short Film Programme Selector

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Hungary, 2012, DVD, Colour, 25 min, Hungarian

180/100 Roli je nervozan tip koji pati od visokog pritiska. Doktor mu daje aparat da u naredna 24 sata prati ritam srca. Međutim, djevojka ga ostavlja, i taj dan se pretvara u Rolijevu najgoru noćnu moru. Nándor Lőrincz i Bálint Nagy su zajedno pohađali srednju školu, a diplomirali su na Univerzitetu za pozorište i film (Budimpešta, Mađarska). Lőrincz je studirao scenarij, a Nagy je diplomirao snimanje. Zajedno su napisali scenarije i režirali sve svoje filmove, a Nagy je bio i direktor fotografije. Prethodna dva kratka filma (ONE NIGHT STAND, EMERGENCY CALL) prikazani su prvi put na 41. međunarodnom filmskom festivalu u Mađarskoj. Godine 2011. su zajedno režirali proslavljenu web seriju Gimi (‘Srednja škola’) za kanal TV2. Trenutno rade na svom prvom dugometražnom filmu, tinejdžerskom hororu, posvećenom klasičnim filmovima Johna Hughesa iz 1980-ih.

Režija / Director: Nandor Lőrincz, Bálint Nagy Scenarij / Screenplay: Nándor Lőrincz, Bálint Nagy Direktor fotografije / Director of Photography: Bálint Nagy Montaža / Editor: Péter Akar Muzika / Music: LGT Zvuk / Sound: Dániel Böhm Kostimografija / Costume Design: Juli Szlávik Uloge / Cast: Lehel Kovács, Gusztáv Molnár, Benjámin Tzafetás, Zita Téby Producent / Producer: Gábor Osváth, Ferenc Szohár, Andrea Kuczkó, Lajos Tóth Produkcija / Production: Cinemart Kft., Csokonai Művelődési Központ Kontakt / Contact: Cinemart; Róna utca 174, 1145 Budapest, Hungary, tel: +36306677613, gosvath@gmail.com Filmografija / Filmography 2012 - 180/100 (kratkometražni / short) 2010 - EMERGENCY CALL (kratkometražni / short) 2010 - ONE NIGHT STAND (kratkometražni / short)

E Roli is a nervous guy, and has a high blood pressure. His doctor gives him a 24-hour machine to monitor his heart. However, this day turns out to be Roli’s worst nightmare when his girlfriend dumps him.

Nándor Lőrincz and Bálint Nagy are former high school friends, graduated from the University for Theatre and Film (Budapest, Hungary). Nándor studied screenwriting, while Bálint got his degree as a cinematographer. They are co-writing and co-directing all of their films, with Bálint also serving as the DOP. Their previous two short films (ONE NIGHT STAND; EMERGENCY CALL) debuted at the 41st Hungarian Film Festival. In 2011, they co-directed the acclaimed web-series Gimi (‘High School’) for TV2. Currently they are setting up their first feature film, a teen horror in the vein of the classic ‘80s John Hughes movies.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Kosovo*, 2011, HD CAM (HDTV), Colour, 20 min, Albanian

Kthimi / Povratak / The Return Mladić, nasumično uhapšen tokom rata na Kosovu i smatran mrtvim, vraća se kući iz srpskog zatvora. Pokušava se vratiti životu od prije četiri godine. Međutim, rat je ostavio veće posljedice nego što je on mislio i objašnjenja s mukom izlaze na vidjelo. Blerta Zeqiri je rođena 1979. u Suvoj Reci, na Kosovu. Nagrađivana je kosovska režiserka i scenaristica. Radila je na brojnim kratkometražnim i dugometražnim filmovima. Njeni su filmovi prikazivani na mnogim međunarodnim festivalima, uključujući i Međunarodni festival kratkog filma Oberhausen, Filmski festival u Bradfordu i Međunarodni filmski festival u New Yorku.

Režija / Director: Blerta Zeqiri Scenarij / Screenplay: Shefqet Gjocaj Direktor fotografije / Director of Photography: Sevdije Kastrati Montaža / Editor: Kreshnik Berisha Zvuk / Sound: Pellumb Ballata Uloge / Cast: Adriana Matoshi Lulzim Bucolli Producent / Producer: Blerim Gjoci Produkcija / Production: The Group / Prishtina Film; Qamil Hoxha 2/3 Kati i III, 10000 Prishtina, Kosovo, tel: +37744500723, bgjoci@yahoo.com, www.thegroup-ks.com/kthimi Filmografija / Filmography 2011 - KTHIMI / THE RETURN (kratkometražni / short) 2011 - KOSOVA 2011 (kratkometražni / short) 2011 - FËMIJËT / CHILDREN (kratkometražni / short) 2009 - DARKA / THE DINNER (kratkometražni / short) 2008 - OK (kratkometražni / short) 2005 - EXIT (kratkometražni / short)

E A young man, arrested at random during the war in Kosovo and thought dead, returns home from a Serb prison looking for a way back into his life of four years earlier. But the war has touched more than he may know and explanations come hard.

Blerta Zeqiri was born in Suhareka, Kosovo, in 1979. She is an award-winning Kosovar director and screenwriter. She has worked on a number of shorts and feature films. Her films have participated in many international festivals, including Oberhausen International Short Film Festival, Bradford Film Festival, and the New York International Film Festival.

* Ovaj naziv, bez prejudiciranja statusa Kosova, u skladu je sa Rezo-

lucijom 1244 i mišljenjem MSP-a o deklaraciji o nezavisnosti Kosova / This label does not prejudge the status of Kosovo and is in accordance with Resolution 1244 and the opinion of the ICJ on Kosovo’s declaration of independence

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Serbia, 2011, DigiBeta, Colour, 11 min, Serbian

Momci, gde ste / Momci, gdje ste / Boys, Where Are You Lena ima 23 godine i živi s majkom. Kada je sama kod kuće, Vlada joj dolazi u posjetu. Iako još uvijek ne zna šta je ispravno učiniti, Lena donosi odluku. Jelena Gavrilović je rođena 1990. u Beogradu. Trenutno studira film i režiju na Fakultetu dramskih umjetnosti u Beogradu. E Lena is 23 years old girl living with her mother. While she’s home alone, Vlada is visiting her. Even though she still doesn’t know what would be the right thing to do, Lena makes a decision.

Režija / Director: Jelena Gavrilović Scenarij / Screenplay: Jelena Gavrilović Direktor fotografije / Director of photography: Ivan Marković Montaža / Editor: Uroš Maksimović Zvuk / Sound: Aleksandar Rančić, Jovan Matić Scenografija / Production Design: Dunja Jovanović Kostimografija / Costume Design: Marija Janošević Uloge / Cast: Ana Mandić, Filip Žarković, Snežana Momčilović Producent / Producer: Dunja Lazić, Anita Mitić, Viktor Vilotijević Produkcija / Production: Faculty of Dramatic Arts; Bulevar umetnosti 20, 11070 Belgrade, Serbia, tel: + 381652419333, kadporastembicutv@gmail.com Filmografija / Filmography 2011 - MOMCI, GDE STE / BOYS, WHERE ARE YOU (kratkometražni / short) 2011 - THREE (kratkometražni / short) 2011 - BIBI (kratkometražni / short)

Jelena Gavrilović was born in 1990, in Belgrade. She is currently studying Film and TV directing at Faculty of Dramatic Arts in Belgrade.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, 2012, DCP, Colour, 11 min, No Dialogue Režija / Director: Paul Negoescu Scenarij / Screenplay: Paul Negoescu Direktor fotografije / Director of Photography: Andrei Butica Montaža / Editor: Dragos Apetri Uloge / Cast: Mihai Cismaru Producent / Producer: Radu Stancu Produkcija / Production: deFilm; Calea Victoriei 126, Bucharest, Romania, tel: +40 740 226 054, radu@defilm.ro, www.defilm.ro

Orizont / Horizont / Horizon Ako ribar misteriozno nestane u dubinama Crnog mora i nema nikoga ko bi ga mogao čuti, da li se on ipak oglašava? Paul Negoescu je rođen 1984. u Bukureštu. Diplomirao je režiju na Državnoj filmskoj školi (UNATC). Režirao je nekoliko kratkih filmova za koje je nagrađen na mnogim međunarodnim filmskim festivalima (Cannes, Berlinale, Karlovy Vary, Rotterdam, London, Slamdance). Dva puta, 2009. i 2011, bio je nominiran za Evropsku filmsku nagradu. Nedavno je završio svoj prvi igrani film i umjetnički je direktor Filmskog festivala Timishort. E If a fisherman mysteriously disappears in the depth of the Black Sea and there is nobody around to hear him, does he make a sound?

Filmografija / Filmography 2012 - UN AN NOU / A NEW YEAR 2012 - ORIZONT / HORIZON (kratkometražni / short) 2010 - DERBY (kratkometražni / short) 2009 - RENOVARE / RENOVATION (kratkometražni / short) 2008 - SCURTA PLIMBARE CU MASINA / A SHORT RIDE (kratkometražni / short) 2007 - TARZIU / LATE (kratkometražni / short) 2007 - ACASA / HOME (kratkometražni / short) 2006 - EXAMEN / EXAM (kratkometražni / short)

Paul Negoescu was born in 1984, in Bucharest. He graduated film directing at the national film school (UNATC). He directed several shorts selected and awarded in many international film festivals (Cannes, Berlinale, Karlovy Vary, Rotterdam, London, Slamdance). He was twice nominated at the European Film Academy Awards, in 2009 and 2011. He has recently finished his first feature film and he is the artistic director of the Timishort Film Festival.

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SVJETSKA PREMIJERA / WORLD PREMIERE Bulgaria, 2012, HD CAM (HDTV), Colour, 23 min, Bulgarian

Parafinenit princ / Parafinski princ / The Paraffin Prince Kada Yavor uviđa da se njegov svijet ruši, prvo što mu pada na pamet je da se nađe sa svojim najboljim prijateljem Fertijem u kraju gdje su odrastali. U očaju, dvojica mladića nalaze utjehu u sjećanjima i drogama. Pavel G. Vesenkov je rođen 1987. u Sofiji. Nagrađivani je režiser, poznat po izuzetno realističnim i provokativnim filmovima u kojima istražuje propadanje savremenog bugarskog društva.

Režija / Director: Pavel G. Vesnakov Scenarij / Screenplay: Pavel G. Vesnakov Direktor fotografije / Director of Photography: Orlin Ruevski Montaža / Editor: Pavel G. Vesnakov Muzika / Music: MD Beddah Uloge / Cast: Aleksandar Aleksiev, Valery Yordanov, Yana Titova, Antoaneta Petrova, Diana Kyosseva Producent / Producer: Monica Balcheva, Orlin Ruevski, Pavel G. Vesnakov Produkcija / Production: Tatiyana Films; Mladost 2, bl.220A, vh.3, et.7, ap.53, 1799 Sofia, Bulgaria, tel/fax: 00 359 87888 9283, pavelgvesnakov@gmail.com, www.facebook.com/theparaffinprince Filmografija / Filmography 2012 - THE PARAFFIN PRINCE (kratkometražni / short) 2011 - TRAINS (kratkometražni / short)

E When Yavor realizes that his world is falling apart, the first thing that strikes his mind is the need to meet his best friend Ferti - in the neighborhood where they have grown up together. Driven to desperation the two boys find comfort in memories and drugs.

Pavel G. Vesnakov is born in Sofia in 1987. He is an award-winning film director famous with his highly realistic and provocative ideas, exploring the degradation of contemporary bulgarian society.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Croatia, 2011, DigiBeta, Colour, 20 min, Croatian

Prva dama Dubrave / First Lady of Dubrava Amra je privlačna, talentirana tinejdžerica iz predgrađa Zagreba koja je, zahvaljujući svojim provokativnim rap pjesmama, postala jako popularna u susjedstvu. Dina je njena bucmasta, nespretna i razmažena mlađa sestra koja boluje od astme i često se pretvara ili pretjeruje u svojoj bolesti, samo kako bi Amru satjerala u ćošak. Amra i njen menadžer žele snimiti muzički videospot, koji bi je učinio glavnom curom u kraju, ali ona u posljednjem trenutku sazna da mora čuvati mlađu sestru, jer njihovi roditelji odlaze u Bosnu. Ne želeći propustiti svoju veliku priliku, Amra vodi Dinu sa sobom i njen život izlaže opasnosti. Barbara Vekarić je rođena 1987. u Dubrovniku. Trenutno je studentica druge godine postdiplomskog studija iz režije na Akademiji dramske umjetnosti u Zagrebu. E Amra is an attractive and talented teenager living in the outskirts of Zagreb whose dirty rap made her quite popular in the neighborhood. Dina is her chubby, clumsy and spoiled younger sister who suffers from asthma and often feigns or exaggerates her illness to drive her older sister up the wall. Amra and her ‘manager’ plan to shoot a hot music video for her big breakthrough hit to be ‘Girl from da hood’, but she learns last minute that she’s to babysit Dina instead, while her parents go to Bosnia. Not willing to sacrifice her ‘big chance’, Amra takes Dina along and puts her life at risk.

Barbara Vekarić was born in 1987. in Dubrovnik. She is currently student of 2nd year of MA film direction on Academy of Dramatic Arts, Zagreb.

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Režija / Director: Barbara Vekarić Scenarij / Screenplay: Barbara Vekarić Direktor fotografije / Director of Photography: Filip Tot Montaža / Editor: Sara Gregorić Muzika / Music: Ajla Ćustović Ayllah, Dino Brazzoduro Uloge / Cast: Tena Pataky, Marija Piliškić, Asim Ugljen, Lana Barić, Slavica Knežević Producent / Producer: Marijana Martelock, Ivana Grubišić Perišić Produkcija / Production: Academy of Dramatic Arts; Trg maršala Tita 5, 10000 Zagreb, Croatia, tel: +385 48 28 506, fax: +385 48 28 508, info@adu.hr, www.adu.unizg.hr Filmografija / Filmography 2011 - PRVA DAMA DUBRAVE / FIRST LADY OF DUBRAVA (kratkometražni / short); ADIEU, N (kratkometražni / short) 2010 - NINA, PLEASE (kratkometražni / short)

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2012, DigiBeta, Colour, 10 min, no dialogue Režija / Director: Marko Dješka Scenarij / Screenplay: Marko Dješka Animacija / Animation: Marko Dješka Montaža / Editor: Marko Dješka Muzika / Music: Bianca Ban Produkcija / Production: Akademija likovnih umjetnosti, Ustanova Zagreb film Kontakt / Contact: Hrvatski audiovizualni centar, Nova ves 18, 10 000 Zagreb, Croatia, tel.: +387 1 6041 080, fax.: +387 1 4667 819, ivana.ivisic@havc.hr

Sotonin sin / The Son of Satan Dobroćudni demon, duboko razočaran životom u paklu i pijanim ocem, jednog dana odluči napustiti dom. Marko Dješka je rođen 1983. u Osijeku. 1998. završio je Srednju školu primijenjenih umjetnosti i dizajna, smjer slikarstvo. Upisao je Akademiju likovnih umjetnosti 2002. u Zagrebu, a 2011. magistrirao na smjeru animacija. Njegov film KOLINJE je postigao značajan uspjeh na festivalima širom Evrope, a njegovi se stripovi redovno objavljuju u magazinu StripOS. Trenutno radi kao 2D animator.

Filmografija / Filmography 2012 - SOTONIN SIN / THE SON OF SATAN (kratkometražni animirani / short animation) 2010 - KOLINJE / SLAUGHTERED (kratkometražni animirani / short animation) 2010 - VEČERA ZA 6 (kratkometražni animirani / short animation)

E A good demon, deeply disappointed with the life in hell and a drunken father, decides one day to leave his home.

Marko Dješka was born in 1983 in Osijek. In 1998 he finished High School for Applied Arts and Design, majoring in Painting. In 2002 he enrolled in Academy of Fine Arts in Zagreb and in 2011 he has finished his Master’s degree in Animation. His movie SLAUGHTERED achieved notable success on festivals across the Europe and his comics are being published in magazine StripOS on a regular basis. Currently he works as 2D animator.

SVJETSKA PREMIJERA / WORLD PREMIERE Montenegro, 2012, 35 mm, Colour, 27 min, Montenegrin

Sve to / All of That Danilova drugarica iz razreda je preminula. Njegov otac ga vodi na izlet, ne bi li mu odvukao pažnju od sahrane. Zaštititi svoje dijete od neprijatnog iskustva smrti postaje za oca mnogo teži zadatak nego što je očekivao. Branislav Milatović je rođen 1985. godine u Podgorici u Crnoj Gori. Nedavno je završio studije na katedri za filmsku i TV režiju na Fakultetu dramskih umjetnosti na Cetinju, u Crnoj Gori. E Danilo’s friend from classroom passed away. Father wants to withdraw boy’s attention from the

funeral and the obligations as a president of classroom by going on daily holiday. For father, protecting his own child from a brutal experience of a funeral by going fishing, becomes much more a difficult task than he expected. Branislav Milatović was born in 1985 in Podgorica, Montenegro. He recently finished Film and TV directing at Faculty of Dramatic Arts Cetinje, Montenegro.

Režija / Director: Branislav Milatović Scenarij / Screenplay: Branislav Milatović, Ognjen Spahić Direktor fotografije / Director of Photography: Ivan Kostić Montaža / Editor: Vladimir Radovanović Muzika / Music: Milivoje Pićurić Zvuk / Sound: Novica Jankov, Bobo Stanišić Uloge / Cast: Slavko Štimac, Momo Pićurić, Jovan Miranović Producent / Producer: Slobodan Milatović, Ivan Đurović Produkcija / Production: Montenegro Art Production, Artikulacija Kontakt / Contact: Montenegro Art Production; Malo brdo Vila 1/10, 20000 Podgorica, Montenegro, tel: +382 67 481 057, milatovicdab@t-com.me Filmografija / Filmography 2012 - SVE TO / ALL OF THAT (short) 2011 - PRVA LJUBAV / FIRST LOVE (short) 2010 - JUTROS NA STANICI / THIS MORNING AT THE STATION (short) 2009 - BOJE U MORU / THE COLORS IN THE SEA (short) 2008 - MODNI SALON / FASHION SALON (short)

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Romania, 2012, DVD, Colour, 30 min, Romanian

Tatăl meu e cel mai tare / Tata je glavni / Daddy Rulz Osvanuo je veliki dan za trinaestogodišnjeg Andrewa: dogovara tuču s glavnom facom iz susjedstva, inače njegovim uzorom kada je u pitanju život ulice. Andrewov otac uskoro saznaje za to. I zna šta treba uraditi kako bi spasio sina. Čak i ako to znači ponovno suočavanje s duhovima iz vlastite prošlosti… Radu Potcoava je diplomirao režiju na Univerzitetu Hyperion u Bukureštu. Nakon toga je završio studij u BINGER FILMLABU, koji je dio Akademije umjetnosti u Amsterdamu. Učestvovao je na brojnim radionicama i specijalizacijama, od Berlina (radionica Babylon, Nipkow Programm), Hamburga, Helsinkija, Istanbula i Rotterdama, sve do programa The New Romanian Shorts Filmskog festivala u Cannesu, koji pruža podršku mladim snimateljima. E The big day has arrived for Andrew (13): he sets up a score with the neighborhood hotshot, his role-model when it comes to street life. Andrew’s father quickly finds out about it. He knows what to do in order to save his son. Even if this means confronting again the ghosts from his own past…

Režija / Director: Radu Potcoava Scenarij / Screenplay: Radu Potcoava Direktor fotografije / Director of Photography: Mihai Tanase Montaža / Editor: Catalin Cristutiu Zvuk / Sound: Mirel Cristea Scenografija / Production Design: Maria Peici Kostimografija / Costume Design: Maria Peici Uloge / Cast: Alfred Wegeman, Gavril Patru, Ioana Flora, Stefan Iancu, Emilian Oprea, Alex Fifea, Vali Popescu, Dragonu Florin, Roata Bogdan Dumitrescu, Alexandru Georgescu, Oliver Toderita Producent / Producer: Andrei Boncea Produkcija / Production: MediaPro Pictures; 1 Studioului Street, 070000 Ilfov, Buftea, Romania, tel: +40318251840, fax: +40318251196, aboncea@mediasat.ro, www.mediapropictures.com Filmografija / Filmography 2012 - TATăL MEU E CEL MAI TARE / DADDY RULZ (kratkometražni / short) 2008 - DANUT PLEACA PE VAPOR / TIGER DANNY (kratkometražni / short) 2006 - HAPPY END 2002 - ACEEASI GARA PENTRU DOI / THE SAME RAILWAY STATION (kratkometražni / short)

Radu Potcoava completed his studies in Amsterdam, at BINGER FILMLAB, affiliated Amsterdam School of Arts, after graduating Directing in the University Hyperion in Bucharest. He participated on various workshops and specializations, from Berlin (Babylon Workshop, Nipkow Programm), Hamburg, Helsinky, Istambul or Rotterdam, to Cannes Programme The New Romanian Shorts that supports the young cinematographers.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Austria, 2012, HD CAM (HDTV), Colour, 30 min, German

Unser Lied / Naša pjesma / One Song Otac danju, muzičar noću: Coni, samohrani roditelj, jedva sastavlja kraj s krajem. Izblijedjela fotografija je jedina uspomena na majku njegove kćeri. Ali, jednog dana, ona se opet pojavljuje, i to nedugo nakon što je Coni prebolio. Catalina Molina je rođena u Buenos Airesu. Studira scenarij i režiju kod Michaela Hanekea. Njen posljednji film TALLERES CLANDESTINOS osvojio je brojne nagrade, bio je nominiran i za EFA-u, a osvojio je i Njemačku filmsku nagradu za ljudska prava. Film NAŠA PJESMA je premijerno prikazan na festivalu Diagonale 2012. i osvojio je Nagradu za najbolji kratkometražni film. E Father by day and musician by night; as a single parent, Coni barely gets by. A faded photograph is the only reminder of his daughter’s mother. But one day, shortly after Coni seems to be over her, she shows up again.

Catalina Molina was born in Buenos Aires. She is studying screenwriting and directing under Michael Haneke. Her last film TALLERES CLANDESTINOS won numerous awards, including an EFA nomination as well as the German Human Rights Film Prize. ONE SONG premiered at the Diagonale 2012, where it won the Best Short Film Award.

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Režija / Director: Catalina Molina Scenarij / Screenplay: Catalina Molina Direktor fotografije / Director of Photography: Klemens Hufnagl Montaža / Editor: Matthias Halibrand Muzika / Music: Conrado Molina Zvuk / Sound: Laura Endres Scenografija / Production Design: Nina Salak, Laura Nasmyth Kostimografija / Costume Design: Hannah Follert Uloge / Cast: Conrado Molina, Namiya Ettl, Emily Cox, Natalie Assmann, Michael Fuith Producent / Producer: David Bohun, Senad Halilbašić Produkcija / Production: Witcraft, Sobieskigasse 2a-c/1/13, 1090 Vienna, Austria, tel: 00436645346079, senad@witcraft.at, www.witcraft.at Filmografija / Filmography 2012 - UNSER LIED / ONE SONG (kratkometražni / short) 2008 - ZEITFELD (kratkometražni / short)

Takmičarski program - dokumentarni film / Competition Programme - Documentaries

24 găleţi, 7 şoareci, 18 ani / 24 kante, 7 miševa, 18 godina / 24 Buckets, 7 Mice, 18 Years, Marius Iacob

Boris sa i / Boris with an i, Vesna Marić

The Boy Who Was a King / Dječak koji je bio kralj, Andrey Paounov

Čedo, Nikola Strašek

Dolge počitnice / Dugi odmor / The Long Vacation, Damjan Kozole

Dvije peći za udarnika Josipa Trojka / Two Furnaces for Udarnik Josip Trojko, Goran Dević

Fant, pobratim smrti 2 / Dječak, pobratim smrti 2 / Boy, Bloodbrother Of Death 2, Maja Weiss

Ich Liebe Dich / Volim te / I Love You, Emine Emel Balci

Izložba / Exhibition, Boro Kontić

L.E.F., Goran Trbuljak

Lice revolucije / The Face of a Revolution, Vladimir Milovanović

Mama Illegal, Ed Moschitz

Mustafa’s Sweet Dreams / Mustafini slatki snovi, Angelos Abazoglou

Muški film / Real Man’s Film, Nebojša Slijepčević

Német Egység @ Balatonnál / Njemačko jedinstvo @ Balaton / German Unity @ Balaton, Péter Forgács

Nije ti život pjesma Havaja / Family Meals, Dana Budisavljević

Sofia’s Last Ambulance / Posljednja ambulantna kola u Sofiji, Ilian Metev

Sumnje i tajne / Secrets and Doubts, Želimir Gvardiol

Trains of Thoughts / Vozovi misli, Timo Novotny

Turn Off The Lights / Ugasi svjetlo, Ivana Mladenović

Veliki dan / The Big Day, Đuro Gavran

Životna uloga / The Role of My Life, Nađa Mehmedbašić

10 godina filmskog osluškivanja stanja čovjeka / 10 Years of Examining The Human Condition

Rada Šešić

Takmičarski dokumentarni program ove godine slavi značajan jubilej – deset godina postojanja. Počeli smo 2003, skromno, sa samo nekoliko termina za prikazivaznje, bez takmičarskog predznaka, da bismo na narednom festivalu uveli Specijalnu nagradu za najbolji film koji se bavi pitanjima ljudskih prava. Takmičarsku selekciju smo proširili 2006. i uveli još dvije nagrade: zvaničnu nagradu Srce Sarajeva te Specijalnu nagradu EDN Talent Grant. Osvrćući se na protekle decenije, postaje jasno da su dokumentarni filmovi iz regije bili, i još uvijek jesu, stvaralački izraz posebnog značaja: dokumentarna produkcija prevazilazi značajke samog filmskog stvaralaštva i ostvaruje se kao suptilni glas nacionalnog i regionalnog traganja za identitetom, odražavajući puls društva, analizirajući socijalne strukture i signalizirajući razine dostignute demokratije. Film nam, zapravo, kao nijedna druga umjetnička forma, daje priliku da svijet pojmimo na produbljeniji način, da bolje razumijemo druge ljude, kulture ili specifične priče, i ono što ih okružuje. Režiseri filmova u ovoj selekciji posmatraju i razmišljaju iznutra, iz pozicije onog što istražuju, bilo da je to određeno društvo, socijalna skupina, porodica ili pojedinac. Često, prateći svoje junake i njihove priče po nekoliko godina, autori ostvaruju izuzetnu prisnost, otvorenost i direktnost koja nam omogućava jedinstven uvid u intimu ljudskih života. Nerijetko je to konfrontirajuće i za gledaoce, no nudi nam priliku da shvatimo kakav je to osjećaj “biti u tuđoj koži”. Uz to, film postaje naročito upečatljiv onda kad režiser uspije ispričati priču sopstvenim autorskim jezikom. Možemo reći da je upravo to suština selekcije Takmičarskog dokumentarnog programa Sarajevo Film Festivala: dati prostor stvaralaštvu kojeg obilježava snažni autorski pečat, onaj koji nosi osobnost kreativnog filmskog izraza. Vjerujem da se svako, bez obzira na geografske, političke ili društvene granice, može identificirati s filmom kojeg krasi kreativan pristup i u kojem autor svoju ljudskost dijeli sa svijetom. Program se sastoji od 22 intrigantna filma: neki su vrlo kratki, a neki imaju trajanje televizijskog formata; ostali su cjelovečernji dokumentarci čija se kinodistribucija očekuje barem u vlastitoj zemlji, ako ne i u cijeloj Evropi. Dokumentarci se, doista, često prikazuju u kinima u Evropi. Na svu sreću. Ta stvaralačka forma sve se više cijeni, o dokumentarcima se piše, govori, uvažavaju se i finansijski pomažu. Jedan od filmova koji će, svakako, ići u kinodistribuciju i doživjeti brojna prikazivanja u svijetu,

jeste bugarsko-hrvatsko-njemačka koprodukcija SOFIA’S LAST AMBULANCE, režisera Iliana Meteva i producenta Siniše Juričića. Naročito smo ponosni na ovaj izvrstan dokumentarac, jer je prošle godine bio jedan od pet projekata našeg prvog izdanja radionice Butik grubog šnita. A onda je ovog proljeća imao veličanstvenu premijeru na Filmskom festivalu u Cannesu. Kao što svi znate, ovaj prestižni festival samo ponekad izabere dokumentarni film u konkurenciju, i tada to znači da se radi o doista posebnom djelu. Film je u Cannesu osvojio i nagradu te su ga odmah uočili selektori desetina uglednih festivala iz cijelog svijeta. Iskrene čestitke upućujemo ekipi filma i oduševljeni smo što regionalna dokumentaristička scena napreduje tako sigurnim koracima. Filmovi u našoj selekciji su, u velikoj mjeri, odvažni i provokativni dokumentarci, otvaraju brojna pitanja, a gledaoce nadahnjuju i podstiču na daljnja razmišljanja. Od nekih se može očekivati da otvore brojna pitanja na samom Festivalu, ali i izvan filmskih krugova. Raduje i to da se u posljednje vrijeme na sceni pojavilo nekoliko novih autora u čijim se djelima progovara svježim filmskim jezikom, poput esejiste Tima Novotnyja iz Austrije, Ivane Mladenović i Mariusa Iacoba iz Rumunije, Nikole Strašeka i Đure Gavrana iz Hrvatske, te Vladimira Milovanovića iz Srbije, čiji je dokumentarnoigrani film začet na radionici u beogradskom Muzeju moderne umjetnosti. Ugodno je i saznanje da nekoliko iskusnih režisera starije generacije još uvijek pravi uzbudljive filmove i prihvata izazov da se takmiči u našem Dokumentarnom programu; naprimjer, Goran Trbuljak, ugledni direktor fotografije i vizualni umjetnik koji svaki put iznenadi svojim rafiniranim kreativnim pogledom na svijet. Filmski alhemičar Péter Forgács koji, također, dolazi iz svijeta vizualnih medija u najširem smislu, pokazuje istinsko zanimanje za stvaranje novih tekstura i istraživanje novih koncepata unutar arhivskog materijala i nađenih amaterskih snimaka. Veteranka Nađa Mehmedbašić, koja je karijeru izgradila stvarajući brojne televizijske dokumentarce, vraća se s potresnom pričom na kojoj je radila dugi niz godina, a Želimir Gvardiol iz Srbije, koji je osamdesetih bio zapažen po svojoj britkoj kritici društva, vraća se s kratkim dokumentarcem prepoznatljivog autorskog stila. Praveći odabir između 155 filmova iz regije, postalo je jasno da je austrijska dokumentarna produkcija potpuno zasebna kategorija. Moglo bi se reći da je razlog tome novac uložen u dokumentarnu produkciju u Austriji, koji se ne

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može niti porediti sa sumama koje se troše u zemljama poput Bosne i Hercegovine, Hrvatske, Makedonije ili Srbije. I jeste tako. Ipak, da nije baš sve u novcu, potvrđuje hrvatska dokumentarna scena, koja je postala jedna od najvitalnijih i najuzbudljivijih, skoro poput austrijske, ne po broju velikih filmova i izuzetno dotjeranih produkcija, nego po dinamici i svježini unutar same scene, po entuzijazmu autora i onih koji su uključeni u usmjeravanje, praćenje i produkciju tih filmova, ljudi koji su itekako značajni po svojoj stručnosti i kreativnom nadzoru. Postdiplomski studij dokumentarnog filma na ADU u Hrvatskoj, kao i izvrstan festival Zagreb Dox, pokazuju da pedantan rad i godine angažiranog usmjeravanja novih, posvećenih talenata na kraju daju izuzetno pozitivne rezultate. Ove godine imamo radove studenata ADU rame uz rame s radovima njihovih profesora. Bosna i Hercegovina, sa svoje dvije filmske akademije u Sarajevu i još nekoliko u drugim dijelovima zemlje, pojavila se s većim brojem prijava. To, svakako, pokazuje male korake napretka koji će se, vjerujemo, dalje kristalizirati i biti vidljiviji i u selekciji naredne godine. Nova imena i novi filmski interesi očigledno se pojavljuju, i možemo reći da ti talenti svakako zaslužuju da ih se drži na oku. Samo se pitam da li će ti sada studenti, sutra režiseri, za dvije ili tri godine biti dovoljno ustrajni da ostanu na dokumentarnom filmu ili dokumentarce koriste samo kao odskočnu dasku prema igranom filmu. Kad se razmišlja o ovome, mora se imati na umu da su u mnogim zemljama koje imaju izvrsnu dokumentarnu produkciju, poput Danske ili Nizozemske, čak i Austrije i Rumunije, autori dokumentarnih filmova isključivo – i duboko – uključeni u polje kojim se bave. Čak i snimatelji i montažeri, a naročito režiseri i producenti, posebno su cijenjeni upravo po onome što rade u dokumentaristici, dakle po svom umjetničkom izrazu upravo unutar ove forme. Osjetivši da postoji potreba da se pomogne regionalnim autorima dokumentarnih filmova koji se nemaju kome obratiti niti odakle crpiti resurse, prošle godine smo pokrenuli Butik grubog šnita koji – za razliku od mnogih drugih radionica u Evropi – ne naplaćuje učešće, a čak osigurava i smještaj za učesnike. Kao i svaki drugi butik, odabire mali broj projekata, ali su svi unikatni i posebnog kvaliteta, dobro zamišljeni i autorski obojeni. Mi nudimo pojedinačni mentorski rad, stručne savjete i pristup stručnjacima koji bi mogli imati ključni utjecaj na unapređenje projekata u završnoj fazi. Uz izuzetni, već pomenuti film SOFIA’S LAST AM-

BULANCE, prošle godine smo u Butiku grubog šnita imali i FAMILY MEALS Dane Budisavljević, još jedan film koji ćete ove godine vidjeti u našem Takmičarskom programu. Ova intimna priča, uz vrlo osviještenu i artikuliranu osobnu ispovijest i specifičnu naraciju, u završnici je, nakon našeg Butika, stekla izuzetnan kvalitet i već je osvojila nekoliko nagrada. Ono što krasi ovogodišnju selekciju jeste i zastupljenost nekoliko snažnih kratkih dokumentarističkih formi. Vjerujući u ovaj izraz kao vrlo vitalan, izazovan i kreativan, te njegujući istočnoevropsku tradiciju stvaranja ekspresivnih, često neverbalnih, poetičnih ili esejističkih filmova, naš Takmičarski program nastoji dati prostora i filmovima koji su kraći i od deset minuta, a za koje veliki svjetski festivali često nemaju mnogo sluha. Usprkos malaksalosti ekonomije u mnogim dijelovima Regije, dokumentarna scena napreduje sitnim, ali sigurnim koracima - vidi se to i iz statističkih podataka: nekoliko filmova u našoj selekciji su svjetske premijere imali na najvećim festivalima: recimo, film koji otvara naš program, MUSTAFA’S SWEET DREAMS Angelosa Abazoglua, premijerno je prikazan na festivalu u Berlinu, MAMA ILLEGAL Eda Moschitza pokazao se svijetu na prestižnom IDFA festivalu u Amsterdamu, TURNED OFF THE LIGHTS Ivane Mladenović predstavljen je na ovogodišnjem festivalu Tribeca, zatim THE BOY WHO WAS A KING Andreja Paunova na Filmskom festivalu u Torontu, i ranije spomenuti SOFIA’S LAST AMBULANCE u Cannesu. Dođite da proslavimo deseti jubilej tako što ćemo zajedno uživati u ovim i drugim dokumentarnim filmovima u našoj selekciji, u izuzetnim ostvarenjima koja nam daju nov i uzbudljiv pogled na svijet i stanje čovjeka u njemu, sa stvarnim životnim junacima koji nisu samo borci, nego i mislioci – obični ljudi koji se odlučuju za izazovni put kroz današnji svijet u stalnoj promjeni.

E The Documentary Competition Program reaches this year an important landmark, celebrating its ten year’s anniversary. We started in 2003 modestly with only few slots and have introduced a year later a special award for the best film treating human rights issues. In 2006, we expanded our competition and introduced two more important awards, the official SFF Heart of Sarajevo and a Special EDN Talent Grant award. Looking back over the last decade, it becomes evident that regional documentaries

44 18. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - DOKUMENTARNI FILM

have been and still are impregnated with a special importance that surpasses mere cinematic expression; they are a sophisticated voice in the national and regional search for identity, clearly recording the pulse of society, dissecting the social structures and benchmarking the levels of democracy. In fact, cinema, like no other art form, gives us the opportunity to perceive the world in a new way, to better understand other cultures or specific stories and backgrounds. The directors of the films in this selection observe and contemplate from within the realm they are investigating, whether it is a particular society, social group, family or individual. Often following their subjects for a long time, they achieve an openness and directness that grants us a profound insider’s look into people’s lives. This may be confronting, but offers us the challenge to try to understand how it feels to be “in the other man’s skin”. Furthermore, a film becomes especially powerful, when the director manages to articulate the story in his own authorial voice. That is exactly what the Regional Documentary Program of Sarajevo Film Festival stands for: to give room to the aesthetic force of creative cinema with a strong author’s signature. I believe that anyone, regardless of geographical, political or social boundaries, can relate well to a film that shows a clear personal handwriting in which the author shares his humanness with the world. The program consists of 22 intriguing films, some very short, others television length; the rest are feature docs obviously hoping for a theatrical release at least in their own country, if not in the whole of Europe. In Europe, it does happen. Luckily. Documentaries have become more appreciated, talked about, taken into account and financially supported. One of those films that will certainly be widely screened and released in cinemas is the Bulgarian/Croatian/German coproduction SOFIA’S LAST AMBULANCE, directed by Ilian Metev and produced by Siniša Juričić. We are especially proud of this strong, compelling documentary since it was last year one of the five projects at our first edition of the Documentary Rough Cut Boutique. This spring it had a glorious world premiere in the competition of the prestigious Cannes film festival. As you all know, Cannes invites only occasionally documentaries for the competition, which means these have to be very special films. Moreover, the film received an award in Cannes and was immediately spotted by dozens of esteemed film festivals around the world. We sincerely congratulate the whole

team of the film and are very thrilled that the regional documentary scene is clearly moving forward. The selected films are documentaries representing daring, brave and provocative cinema that poses many questions and leaves the audience both inspired and puzzled. Some of the documentaries can be expected to raise plenty of debates at the festival and outside cinema circles as well. Entering the scene lately are several new names, in whose work an inspiring, refreshing cinematic language is spoken, like essayist Timo Novotny from Austria, Ivana Mladenović and Marius Iacob from Romania, Nikola Strašek and Đuro Gavran from Croatia as well as Vladimir Milovanović from Serbia, whose docu-fiction was conceived at a workshop at the Belgrade Museum of Modern Arts. A comforting thought is that several experienced directors from an older generation are still making exciting films and take up the challenge to compete in our documentary program. For example Goran Trbuljak, renown director of photography and visual artist, surprises us each time with his refined creative look on the world. Having an arts background as well, the cinema alchemist Péter Forgács shows a profound interest in creating new textures and exploring exciting concepts in found footage and archive material. Veteran Nađa Mehmedbašić, who spent her life career making numerous television documentaries, is back with a moving story on which she worked for many years, as well as Želimir Gvardiol from Serbia who got noticed in the 1980-ties for his sharp social criticism. While choosing from 155 films from the region, it became obvious that Austrian documentary production is a separate league all together. One could argue that this is because of the money invested into documentary production that is incomparable to the amounts spend in let us say the southern states like Bosnia & Herzegovina, Croatia, Macedonia or Serbia. Indeed, it is. However, the Croatian documentary scene is one of the most vital, vibrant and exciting ones, almost matching Austria’s, not by the number of big films or glossy productions, but certainly by the dynamics within the scene, the commitment of film makers and those involved in coaching, following and producing these films, people who are remarkable for their expertise and creative supervision. The Master Studies for documentary film making at ADU in Croatia as well as their strong Zagreb Dox festival, shows that meticulous work and years

of engaged guiding of new devoted talents eventually pays off with tremendously positive results. This year, we have student works beside works of their professor. Bosnia and Herzegovina, with its two film academies in Sarajevo and several more in other parts of the country, turned up with an increased number of applications. That certainly shows small steps of improvement that hopefully will crystallite further and be more visible in our next year’s program. New names and new cinematic interests have appeared and I am glad to say that these upcoming talents are worth keeping an eye on. I only wonder whether in two-three years time these students, future directors, will still be intrigued to make documentaries or whether they use documentary only as a springboard for fiction. Reflecting on this, one has to keep in mind that in many countries that have established a successful documentary scene, like Denmark or The Netherlands and even Austria or Romania, documentary makers are exclusively – and very deeply – involved in their field. Even cinematographers, editors and especially directors and producers are appreciated particularly for the work they do within documentary and the specific approach they have for this type of cinema.

That the documentary landscape in the region is over all becoming brighter – once could say ’against all odds’ considering the economic malaise – is shown by shear statistics: several of our films have had world premieres at the big festivals, including our opening film MUSTAFA’S SWEET DREAMS, by Angelos Abazoglou, that opened at the Berlinale, MAMA ILLEGAL by Ed Moschitz that premiered at IDFA Amsterdam, while TURNED OFF THE LIGHTS by Ivana Mladenović, was launched this spring at Tribecca FF. Then there was THE BOY WHO WAS A KING by Andrei Paunov at the Toronto IFF and the already mentioned SOFIA’S LAST AMBULANCE opening at Cannes. Come celebrate our 10 year jubilee by watching these and the other documentaries in our selection, great films that give us new and exciting views on the human condition, with heroes that are not only fighters: they are also thinkers – ordinary people choosing a challenging road in the changing world of today. Rada Šešić, selektorica Dokumentarnog takmičarskog programa / Selector of the Documentary Competition Program

Sensing that there is a need to give a hand to documentary makers in the region who don’t have that many resources to turn to, we have started last year our Docu Rough Cut Boutique that – unlike so many other workshops in Europe – does not charge for participation and even provides accommodation. And as any boutique, we do not have many pieces, but they are all unique and of a great quality, well conceived and thought through. We offer coaching, expert advice and access to decisionmakers that can have a crucial influence on forwarding a project towards its final stage. Apart from the great, already mentioned film SOFIA’S LAST AMBULANCE, we had at Rough Cut Boutique last year FAMILY MEALS by Dana Budisavljević, a film that you can see this year in our competition program as well. This personal intimate story with its conscious self expression and specific narrative came out so well that it received several awards already. Keeping faith in short documentary as a very challenging and creative form and nourishing the East European tradition of making expressive, often non verbal and rather poetic or essayists films, the competition of SFF presents also several strong shorts. COMPETITION PROGRAMME - DOCUMENTARIES l 18. Sarajevo Film Festival 45

24 găleţi, 7 şoareci, 18 ani / 24 kante, 7 miševa, 18 godina / 24 Buckets, 7 Mice, 18 Years Jedinstven način života koji se svaki dan ponavlja pretvorio je Imrea i Pirosku u muzejske eksponate. U tihom, izoliranom svijetu upoznajemo par čije postojanje polako počinje zavisiti od interakcije s posve drugačijim svijetom i apsurdom unutar njega. Njihov ih je posao pretvorio u lokalnu atrakciju, a strani turisti dolaze da vide “medvjede” i da se s njima fotografiraju. Njihov život miruje, poput muzejske diorame, iz koje pokušavaju iskočiti. Marius Iacob je snimatelj, a režirao je kratkometražne filmove prikazane na mnogim međunarodnim festivalima. Bio je fotograf na filmu OXYGEN (2010, režiserke Adine Pintilie), i THE FLYING SHEPARD (2008), nagrađenom na Filmskom festivalu u Locarnu, kao i na mnogim drugim nagrađivanim kratkometražnim filmovima. 2009. bio je jedan od osnivača produkcijske kuće Manekino Film. Ovo je prvi film kojeg je režirao, a drugi kojeg je producirala kuća Manikeno Film. E A unique way of life repeating itself every day, slowly transformed Imre and Piroska in some museum exhibits. In a quiet and isolated world we meet a couple whose existence begins to depend on the interaction with a different world and the absurd within. Their line of work turned them into a sort of local attraction, and vacationing foreigners are brought to see “the bears” and photograph themselves with them. Their life stands still, like in a museum diorama, from which they are trying to break through.

Marius Iacob has worked as a cinematographer and has also co-directed short films that were screened in many international festivals. He provided the photography for OXYGEN (2010, director Adina Pintilie), the Locarno Award-winning documentary THE FLYING SHEPARD (2008) and for many other award-winning shorts. In 2009, he co-founded the production company Manekino Film. This is his first film as a director and producer and the second produced by the Manekino Film.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, 2012, HD CAM (HDTV), Colour, 39 min, Romanian Režija / Director: Marius Iacob Scenarij / Screenplay: Marius Iacob Direktor fotografije / Director of Photography: Marius Iacob Montaža / Editor: Marius Iacob, Vlad Voinescu Producent / Producer: Adina Pintilie Produkcija / Production: Manekino Film; Banu Manta 18, 11226 Bucharest, Romania, tel: 0040722413005, marius.iacob@manekinofilm.ro, www.manekinofilm.ro Filmografija / Filmography 2012 - 24 GĂLEŢI, 7 ŞOARECI, 18 ANI / 24 BUCKETS, 7 MICE, 18 YEARS (dokumentarni / doc.)

Boris sa i / Boris with an i Boris Ciković, rođen u Sarajevu 1991, napušta grad s majkom u maju 1992, bježeći od granata koje su zasipale njegovo rodno mjesto. Otac se pridružuje ženi i sinu u Hrvatskoj dvije godine poslije, te svi odlaze u Kanadu, u Toronto. Žele započeti novi život u miru, daleko od rata zbog kojeg su postali izbjeglice. Život protječe sve do Borisove sedamnaeste godine, kada biva ubijen u ”mirnom, sigurnom” dijelu Toronta. Ubio ga je maloljetni huligan pokušavajući ga opljačkati. Ožalošćeni roditelji su vratili Borisovu urnu u Sarajevo. U Torontu, zajedno s lokalnim članom kanadskog Parlamenta, bore se da budu pooštrene mjere uvjetnog oslobađanja prijestupnika optuženih za ubistvo. Vesna Marić je, nakon završetka studija komparativne književnosti s teatrologijom na Filozofskom fakultetu u Sarajevu 1979, počela raditi u televizijskoj industriji. Pisala je scenarije i režirala televizijske dokumentarce, od kojih su najzapaženije bile serije LJUDI OD MRAMORA i VRIJEME PROŠLO, VRIJEME SADAŠNJE. Osim toga, radila je dječije i edukativne programe, te zabavni program uživo, seriju NEDJELJOM ZAJEDNO. Pisala je članke o filmu, televiziji i videoindustriji za mnoge časopise za kulturu. Radi kao nezavisna producentica/scenaristica/režiserka u Engleskoj, uglavnom na dokumentarnim i edukativnim filmovima. Sarađuje s bosanskohercegovačkom BHT1 radeći na dokumentarnim filmovima o Bosancima koji žive u inostranstvu. E Boris Ciković, born in Sarajevo, in 1991, leaves the city with his mother in May 1992 fleeing the heavy shelling. The father joins his wife and son in Croatia two years later, and the three of them move to Toronto, Canada. They wish to start a new life in peace, away from the war which turned them into refugees. Life went on until Boris turned 17, when he was killed in “a peaceful, safe part” of Toronto. He was killed by a minor hooligan in an attempt of robbery.The grieving parents returned Boris’ urn to Sarajevo. In Toronto, together with a local MP, they are fighting to strengthen measures of conditional release for offenders convicted of murder.

Vesna Marić completed the studies of comparative literature and theatre studies at the Sarajevo Faculty of Philosophy in 1979 and then went on to work in the TV industry. She wrote scripts and directed TV documentaries, the most important of which were Ljudi od mramora and Vrijeme prošlo, vrijeme sadašnje. She also worked on children’s and educational programs, as well as on a live entertainment program called Nedjeljom zajedno. She wrote articles on film, but also on the television and video industry for a number of cultural magazines. She works as an independent producer/ scriptwriter/director in England, mostly on documentary and educational films. She cooperates with BHT1 from BiH working on documentaries about Bosnians living abroad.

SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2012, DVD, Colour, 30 min, Bosnian Režija / Director: Vesna Marić Scenarij / Screenplay: Vesna Marić Montaža / Editor: Darko Predanić Zvuk / Sound: Dado Džihan Producent / Producer: Haris Kulenović Produkcija / Production: BHRT1; Bulevar Meše Selimovića 12, 71000 Sarajevo, Bosnia and Herzegovina, tel: +387 33 454 897, fax: + 387 33 461 559, alma.mesanovic@bhrt.ba, www.bhrt.ba Filmografija / Filmography 2012 - BORIS SA I / BORIS WITH AN I (dokumentarni / doc.) 2012- PORED ULICE FINCHLEY / OFF FINCHLEY ROAD (dokumentarni / doc.) 2009 - PRIČA O CAMDENU / THE STORY OF CAMDEN (dokumentarni / doc.) 2008 - ODRASTATI U ENGLESKOJ (dokumentarni / doc.) 2007- DRVEĆE I SVETOST / THE TREES AND THE SACRED (dokumentarni / doc.) 2006 - DVA DANA U PARIZU (dokumentarni / doc.) 2005 - ŽIVJETI OVAKO U LONDONU (dokumentarni / doc.) 2003 - ZBUNJEN SAM, MANJE ILI VIŠE / I AM PUZZLED, MORE OR LESS (dokumentarni / doc.) 2002 - ISTINITA PJESMA O SOUTHWARK-u / THE TRUE SONG OF SOUTHWARK (dokumentarni / doc.) 2001 - JARKA SVJETLA, TMURNI GRAD / BRIGHT LIGHTS, MURKY CITY (dokumentarni / doc.) 2000 - ANIMA (kratki / short) 1990 - VIDEO NAŠ NASUŠNI (dokumentarni / doc.) 1990 – BOŠNJAČKI INSTITUT U CIRIHU (dokumentarni / doc.) 1989 - VUK TU OKO NAS (dokumentarni / doc.) 1988 - DAME SA ULICE (dokumentarni / doc.) 1988 - SARAJEVO NOĆU (dokumentarni / doc.) 1987 - GODINE NJEŽNJOSTI I RADA (dokumentarni / doc.) 1987 - ENGLEZI U KONAVLJU (dugometražni dokumentrani) 1985 - ODIJELO ČINI ČOVJEKA (dokumentarni / doc.) 1983 - ALIENA (dokumentarni / doc.)

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The Boy Who Was a King / Dječak koji je bio kralj Prošlost opsjeda sadašnjost, činjenice se susreću s maštom, a mit se utrkuje sa stvarnošću kako bi ispričali fascinantnu priču o Simeonu Saxe-Coburg-Gothi, od njegovog egzila u djetinjstvu, dok je bio kralj, do slavnog povratka kao republikanskog političara i pada u nemilost u jednom od najvećih eksperimenata demokratije danas. Andrey Paounov je snimio svoj prvi dokumentarni film GREGORI AND THE BUTTERFLIES (www.georgiandthebutterflies.com), prikazan na više od 80 filmskih festivala širom svijeta, a osvojio je nagradu Srebrni vuk na festivalu IDFA 2004, te još 12 međunarodnih nagrada. Njegov drugi dugometražni film, THE MOSQUITO PROBLEM AND OTHER STORIES, premijerno je prikazan na Festivalu u Cannesu 2007 – SIC, a u Sjevernoj Americi je prikazan prvi put na Međunarodnom filmskom festivalu u Torontu. Do sada je osvojio 19 međunarodnih nagrada, uključujući i nagradu Grierson na Filmskom festivalu u Londonu, te Veliku nagradu na međunarodnom marketu dokumentarnog filma Sunny Side of the Doc 2008 (www.themosquitoproblem.com). E Past haunts present, fact meets fiction and myth rivals reality to tell the fascinating story of Simeon Saxe-Coburg-Gotha, from his exile as a boy-king through his glorious return as a republican politician to his fall from grace in one of the greatest experiments of democracy today.

Andrey Paounov made his first documentary GEORGI AND THE BUTTERFLIES (www.georgiandthebutterflies.com) presented at more than 80 film festivals all over the world, won the Silver Wolf at IDFA 2004 and 12 other international awards. His second feature documentary, THE MOSQUITO PROBLEM AND OTHER STORIES, premiered worldwide in Cannes 2007 - SIC, and had its North American premiere at Toronto International Film Festival. So far it got 19 international awards among which Grierson Award - London FF 2007 and Grand Prix - Sunny Side of the Doc 2008 (www.themosquitoproblem.com).

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Bulgaria, Germany, 2011, HD CAM (HDTV), Colour and b&w, 90 min, Bulgarian, English Režija / Director: Andrey Paounov Scenarij / Screenplay: Andrey Paounov Direktor fotografije / Director of Photography: Boris Missirkov, Georgi Bogdanov Montaža / Editor: Svetla Neykova, René Frölke, Georgi Bogdanov, Andrey Paounov Muzika / Music: Ivo Paunov Zvuk / Sound: Momchil Bozhkov Producent / producer: Martichka Bozhilova Kontakt / Contact: Agitprop; Trappelgasse 4/17, 1040 Vienna, Austria, tel: +43720 346 934, festival@autlookfilms.com Filmografija / Filmography 2011 - THE BOY WHO WAS A KING (dokumentarni / doc.) 2007 - THE MOSQUITO PROBLEM AND OTHER STORIES (dokumentarni / doc.) 2005 - GEORGI AND THE BUTTERFLIES (dokumentarni / doc.)

Čedo Ovo je dokumentarni film o četrdesetpetogodišnjem Čedi Šarabi, čovjeku s margina kakvog svakodnevno viđamo po ulicama, parkovima i tramvajima kako sakuplja plastične boce i “žica novac”. Čedo je beskućnik, alkoholičar i narkoman, bez legalnih izvora prihoda, dijete iz miješanog braka - majka mu je Hrvatica, a otac Crnogorac - i to mu je, uz ‘nesretno’ odabrano ime, u velikoj mjeri odredilo život. Otac mu je poginuo u bizarnoj nesreći: pri iskakanju iz voza udario je u banderu. Čedi je već sa šesnaest godina dijagnosticiran alkoholizam, nakon smrti majke postaje ovisan o heroinu, a u zatvoru je bio više od 25 puta. Pa ipak, ČEDO je film o jednom izrazito inteligentnom, senzibilnom i nesretnom čovjeku. Nikola Strašek (Zagreb,1978) studirao je komparativnu književnost i latinski jezik na Filozofskom fakultetu u Zagrebu, te filmsku i TV režiju na Akademiji dramske umjetnosti u Zagrebu. Studentski dokumentarac UBIL BUM TE! sudjelovao je na više svjetskih festivala. Prvi film u profesionalnoj produkciji VAJT režirao je za produkcijsku kuću Factum, Nenada Puhovskog. Radio je na Hrvatskoj televiziji gdje je bio TV režiser. U međuvremenu, napravio je kratki dokumentarni film KRATKI PREGLED RASPADANJA, kojeg su mnogi kritičari proglasili za najbolje filmsko ostvarenje na 20. danima hrvatskog filma, gdje je imao premijeru. Objavio je esej o Werneru Herzogu u Hrvatskom filmskom ljetopisu te niz filmskih kritika za portal www.filmovi.hr. Član je Hrvatskog društva filmskih redatelja. E This is a documentary about the 45-year-old Čedo Šaraba, a man from the margins of the society the likes of which we see on the streets, in the parks and in trams every day collecting plastic bottles and scrounging for change. Čedo is homeless, alcoholic and a drug addict, with no legal income, and comes from a mixed marriage – he was born to a Croatian mother and a Montenegrin father – and that, along with the ‘misfortunately chosen’ name, has largely determined his life. His father died in a bizarre accident – he hit a post while jumping out of a train. Čedo was a diagnosed alcoholic at the age of 16, and he became a heroin addict after the death of his mother. He has been imprisoned more than 25 times. Still, ČEDO is a film of a highly intelligent, sensible and misfortunate man.

SVJETSKA PREMIJERA / WORLD PREMIERE Croatia, 2012, DigiBeta, Colour, 52 min, Croatian Režija / Director: Nikola Strašek Scenarij / Screenplay: Nikola Strašek Direktor fotografije / Director of Photography: Dragan Šiša Montaža / Editor: Iva Mrkić Zvuk / Sound: Davor Tatić Producent / Producer: Nenad Puhovski Produkcija / Production: Factum; Nova Ves 18, 10000 Zagreb, Croatia, tel: +385 1 4854 821 Filmografija / Filmography 2012 - ČEDO (dokumentarni / doc.) 2012 - IVO (dokumentarni / doc.) 2010 - KRATKI PREGLED RASPADANJA (dokumentarni / doc.) 2009 - VAJT (dokumentarni / doc.) 2007 - UBIL BUM TE! (dokumentarni / doc.)

Nikola Strašek (Zagreb, 1978) studied comparative literature and Latin at the Faculty of Philosophy in Zagreb, as well as film and TV directing at the Academy of Dramatic Art in Zagreb. He participated at several international film festivals with his student documentary UBIL BUM TE!. He directed his first professionally produced film VAJT for Nenad Puhovski’s production house Factum. He worked at the Croatian National Television as director. In the meantime, he made a short documentary KRATKI PREGLED RASPADANJA considered by many critics to be the best film presented at the 20th Days of Croatian Film, where it premiered. He published an article on Werner Herzog in the Croatian Film Annual, as well as several film reviews for the filmovi.hr portal. He is a member of the Croatian Film Directors Guild.

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Dolge počitnice / Dugi raspust / The Long Vacation Trinaestogodišnji Alex je otišao na raspust u Srbiju. Četiri godine se nije mogao vratiti u zemlju u kojoj je rođen. Ostao je ‘na raspustu’ dvadeset godina. Nisveta je iz Bosne došla prije trideset godina. Nakon proglašenja nezavisnosti, rodila je kćerku koja nije zvanično postojala prve dvije godine svog života. Još kao tinejdžerka, Katarina je izgubila roditelje, stan, dokumente… Tri priče mladih ljudi koje je, u februaru 1992, država Slovenija izbrisala iz svih matičnih knjiga, samo pola godine nakon što je proglasila nezavisnost. Oni su postali tzv. “izbrisani”. Kao i približno 20.000 drugih ljudi. Damjan Kozole je rođen 1964. u Brežicama, u Sloveniji (nekadašnja Jugoslavija), i jedan je od najpoznatijih slovenačkih režisera. Časopis Sight & Sound je svrstao njegov film SPARE PARTS (2003) među 10 najvažnijih filmova Nove Evrope. Američki institut za film je 2005. upriličio retrospektivni prikaz njegovih ostvarenja u SAD i Kanadi. Film LABOUR EQUALS FREEDOM (2005) premijerno je prikazan na Međunarodnom filmskom festivalu u Locarnu i osvojio je Veliku nagradu i Nagradu za najboljeg režisera u Valenciji. Film FOREVER premijerno je prikazan na Međunarodnom filmskom festivalu u Rotterdamu 2008, a njegov najnoviji igrani film SLOVENIAN GIRL je premijerno prikazan na festivalima u Sarajevu, Torontu i Pusanu 2009, te je dobio dvije nagrade za najbolju glumicu i distribuiran je ili će biti distribuiran u više od trideset zemalja svijeta (uključujući Francusku, SAD, Njemačku i UK). E Thirteen year-old Alex went on vacation to Serbia. For four years, he was unable to return home to the country where he was born. He stayed on ‘vacation’ for twenty years. Nisveta arrived from Bosnia thirty years ago. After the independence, she gave birth to a daughter who did not officially exist for the first two years of her life. When she was a teenager, Katarina lost her parents, her flat, and her documents… Three stories of young people whom the state of Slovenia erased from all records in February 1992, just over half a year after it gained independence. They became the socalled “erased”. So did approximately 20.000 others.

Damjan Kozole was born in 1964, Brežice, Slovenia (then Yugoslavia) is one of the most recognized Slovenian filmmakers. Sight & Sound ranked his SPARE PARTS (2003) among 10 most important films of the New Europe. In 2005, his retrospective took part in the US and Canada, hosted by American Film Institute. His LABOUR EQUALS FREEDOM (2005) premiered at Locarno IFF and was awarded Grand Prix and Best Director Award in Valencia. His FOREVER premiered at Rotterdam IFF 2008, while his latest feature SLOVENIAN GIRL opened in Sarajevo, Toronto and Pusan in 2009, received two best actress awards and has been or will be released in more than 30 countries (incl. France, USA, Germany and UK).

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Slovenia, 2012, DCP, Colour and b&w, 80 min, Slovenian Režija / Director: Damjan Kozole Scenarij / Screenplay: Damjan Kozole Direktor fotografije / Director of Photography: Rok Plešnar Montaža / Editor: Jurij Moškon Muzika / Music: Aleksandar Jovanović – Ingredient Producent / producer: Danijel Hočevar Produkcija / Production: Vertigo / Emotionfilm; Zavod za kulturne dejavnosti, Kersnikova 4, 1000 Ljubljana, Slovenia, tel: +386 1 439 7080, fax: +386 1 430 3530, info@vertigo.si, www.emotionfilm.si Filmografija / Filmography 2012 - DOLGE POČITNICE / THE LONG VACATION (dokumentarni / doc.) 2009 - SLOVENKA / SLOVENIAN GIRL 2008 - JESENICE: DETROIT (dokumentarni / doc.) 2008 - ZA VEDNO / FOREVER 2005 - DELO OSVOBAJA / LABOUR EQUALS FREEDOM 2003 - REZERVNI DELI / SPARE PARTS 2000 - PORNO FILM / PORN FILM 1997 - STEREOTIP / STEREOTYPE 1988 - REMINGTON 1987 - USODNI TELEFON / THE FATAL TELEPHONE

Dvije peći za udarnika Josipa Trojka / Two Furnaces for Udarnik Josip Trojko DVIJE PEĆI ZA UDARNIKA JOSIPA TROJKA prikazuje ostatke nekada velike industrije željeza, te prati demontiranje i rezanje čuvene peći Siemens-Martin, koja je bila samo središte bivše željezare. S tom su peći radnici nekoliko puta postigli svjetski rekord u proizvodnji željeza. Ne sakrivajući emocije, sinovi tih radnika polako uništavaju peć, čije ostatke tovare na kamionet koji napušta željezaru. Goran Dević je 1971. rođen u Sisku, u Hrvatskoj. Studirao je pravo, arheologiju i film na Akademiji dramske umjetnosti Univerziteta u Zagrebu, u Hrvatskoj. U njegovoj filmografiji se nalazi nekoliko dokumentarnih i kratkih filmova, a režirao je i napisao scenarij za jedan igrani film. Osnivač je produkcijske kuće Petnaesta umjetnost. Predaje dokumentarni film na Akademiji dramske umjetnosti u Zagrebu. Živi i radi u Zagrebu. E TWO FURNACES FOR UDARNIK JOSIP TROJKO shows the remains of what used to be a large iron industry, follows the disassembling and cutting into pieces a famous Siemens-Martin furnace which used to be the heart of former forge. In that furnace, the workers beat the world record several times in producing steel. Sons of those workers, with unhidden emotions, are slowly destroying the furnace, cramming it into a goods van which leaves the forge.

Goran Dević was born in Sisak, Croatia, in 1971. He studied law, archaeology and film art at Academy of Dramatic Art, University of Zagreb, Croatia. His filmography includes several documentaries and short films; he is also a director and script writer of one feature film. He is the founder of the 15th Art Production (Petnaesta umjetnost) - a film production company. Teaches documentary film at the Academy of Dramatic Arts. Lives and works in Zagreb.

SVJETSKA PREMIJERA / WORLD PREMIERE Croatia, 2012, 16 mm, Colour and b&w, 32 min, Croatian Režija / Director: Goran Dević Scenarij / Screenplay: Goran Dević Direktor fotografije / Director of Photography: Jure Černec Montaža / Editor: Vanja Siruček Producent / Producer: Hrvoje Osvadić, Vanja Jambrović, Goran Dević Produkcija / Production: Petnaesta umjetnost; Domagojeva 14, 10000 Zagreb, Croatia, tel: +385 91 2188480, hrvoje.osvadic@15art.hr, www.15art.hr Filmografija / Filmography 2012 - DVIJE PEĆI ZA UDARNIKA JOSIPA TROJKA / TWO FURNACES FOR UDARNIK JOSIP TROJKO (dokumentarni / doc.) 2010 - POPLAVA / THE FLOD (dokumentarni / doc.) 2010 - DON JUANI: OPROSTITE GOSPODIČNA / DON JUANS: EXCUSE ME MISS (dokumentarni / doc.) 2009 - CRNCI / THE BLACKS 2009 - SRETNA ZEMLJA / HAPPY LAND (dokumentarni / doc.) 2009 - SUSJEDI / NEIGHBOURS (dokumentarni / doc.) 2008 - MA SVE ĆE BITI U REDU / IT’LL ALL BE ALL RIGHT (dokumentarni / short) 2008 - PARK U IZGRADNJI / PARK UNDER CONSTRUCTION (dokumentarni / doc.) 2008 - TRI / THREE (dokumentarni / doc.) 2006 - NEMAM TI ŠTA REĆI LJEPO / NOTHING NICE TO SAY TO YOU (dokumentarni / doc.) 2004 - UVOZNE VRANE / IMPORTED CROWS (dokumentarni / doc.) 2004 - KNIN 2004 (dokuemntarni / doc.) 2004 - JESAM LI SE ZAJEBO? / DID I FUCK UP? (dokumentarni / doc.)

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Fant, pobratim smrti 2 / Dječak, pobratim smrti 2 / Boy, Bloodbrother Of Death 2 Černobil, 25 godina poslije… Šta se dešavalo u međuvremenu, od prve nuklearne kataklizme i u iščekivanju sljedeće? Gdje je nestala međunarodna pomoć, gdje su milioni namijenjeni obnovi sarkofaga koji propada? Gdje me to život vodi? Kakvo naslijeđe ostavljam svom sinu? To su samo neka pitanja na koja Anatoliy Rizhov – Tolya, nekadašnji dječak iz Černobila, a sada odrastao muškarac, pokušava dati odgovor, 20 godina nakon što je snimljen prvi dokumentarni film o njemu. Maja Weiss je rođena 1965. Diplomirala je filmsku i TV režiju na Filmskoj akademiji u Ljubljani, AGRFT. Ona je prva slovenačka režiserka koja je snimila dugometražni igrani film GUARDIAN OF THE FRONTIER. Taj je film, između ostalih, dobio i nagradu Manfred Salzgeber za najinovativniji evropski film na Berlinaleu 2002 (program Panorama). Maja Weiss je i jedna od najistaknutijih slovenačkih autorica dokumentarnih filmova. Njeni su dokumentarni filmovi prikazivani na festivalima širom svijeta, uključujući i IFDA-u. DJEČAK, POBRATIM SMRTI je 1992. osvojio Zlatnu nagradu Metod Badjura za najbolji slovenački film, nagradu Golden Bird, te 2 nagrade na Međunarodnom festivalu dokumentarnog filma u Leipzigu (nagrade Silberne Taube i Egon Erwin Kisch). E Chernobyl 25 years later… What has been happening since the first nuclear cataclysm, while another one is pending? Where have all the international relief funds disappeared and where are the millions, intended for the reconstruction of the decaying sarcophagus? Where is my life taking me? What legacy am I leaving to my son… These are just some of the questions that the little boy from Chernobyl Anatoliy Rizhov - Tolya, now a grown-up, is trying to answer 20 years after the first documentary about him was made.

Maja Weiss was born in 1965. She graduated from film and television directing at the Ljubljana film academy AGRFT. She is the first Slovenian female film director to direct a full-length fiction film - GUARDIAN OF THE FRONTIER. Among other awards, her film received the Manfred Salzgeber Award for the most innovative European film at the 2002 Berlinale (Panorama). She is also one of the most prominent Slovenian documentary filmmakers. Her documentary films participated at festivals worldwide, including IDFA. In 1992 BOY, BLOODBROTHER OF DEATH received Golden Prize Metod Badjura for Best Slovene Film, Golden Bird and 2 awards at Leipzig Documentary Film Festival (Silberne Taube and Egon-Erwin Kisch Prize).

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SVJETSKA PREMIJERA / WORLD PREMIERE Slovenia, 2012, HD CAM (HDTV), Colour, 51min, Ukrainan, Russian Režija / Director: Maja Weiss Scenarij / Screenplay: Gorazd Perko, Maja Weiss Direktor fotografije / Director of Photography: Bojan Kastelić Montaža / Editor: Peter Braatz, Maja Weiss, Tilen Čufer Muzika / Music: Chris Eckman Producent / Producer: Ida Weiss Produkcija / Production: Bela Film; Beljaška 32, 1000 Ljubljana, Slovenia, tel: +386 599 49342, ida@belafilm.si, www.belafilm.si Filmografija / Filmography 2012 - FANT, POBRATIM SMRTI 2 / BOY, BLOOD- BROTHER OF DEATH 2 (dokumentarni / doc.) 2012 - EYES AND EARS OF GOD - VIDEO SURVEILLANCE OF SUDAN (dokumentarni / doc.) 2011 - ODKRIVANJE SKRITEGA SPOMINA ANGELE VODE / DISCOVERING HIDDEN MEMORY OF ANGELA VODE (dokumentarni / doc.) 2010 - KAM JE IZGINIL DELAVSKI RAZRED? / WHERE HAS THE WORKING CLASS GONE? (dokumentarni / doc.) 2009 - SKRITI SPOMIN ANGELE VODE / HIDDEN MEMORY OF ANGELA VODE 2008 - DAR FUR – VOJNA ZA VODO / DAR FUR – WAR FOR WATER (dokumentarni / doc.) 2007 - INSTALACIJA LJUBEZNI / INSTALLATION OF LOVE 2004 - CHILD IN TIME (kratkometražni / short) 2002 - VARUH MEJE / GUARDIAN OF THE FRONTIER 2000 - NUBA – ČISTI LJUDJE / NUBA – PURE PEOPLE (dokumentarni / doc.) 1999 - CESTA BRATSTVA IN ENOTNOSTI / ROAD OF FRATERNITY AND UNITY (dokumentarni / doc.) 1998 - ADRIAN 1996 - FOTO FILM 2001 (dokumentarni / doc.) 1994 - VAŠKI UČITELJ / VILLAGE TEACHER 1992 - FANT POBRATIM SMRTI / BOY – A BLOOD- BROTHER OF DEATH (dokumentarni / doc.) 1991 - BALKANSKI REVOLVERAŠI / BALKAN GUNFIGHTERS (kratkometražni / short)

Ich Liebe Dich / Volim te / I Love You Godinama muškarci iz jugoistočne Turske odlaze u Njemačku na rad. Neki ostanu jako dugo. Neki na bilo način nastoje pronaći mogućnost da im se pridruže žene i djeca. Međutim, za to je potrebno mnogo više od novca. Pred ženama, koje se žele pridružiti svojim muževima, stoji nova prepreka. Od 2008. njemačko zakonodavstvo nalaže da supruge moraju poznavati ‘osnove njemačkog jezika’ kako bi im izdali dozvolu za boravak u Njemačkoj. Širom regije, mnoge zaručene i udate žene po seoskim školama pohađaju tečajeve njemačkog jezika. Kada dobiju potvrde o pohađanju časova, pred njima je još jedan test: moraju putovati u veliki grad i polagati ispit iz njemačkog u konzulatu Republike Njemačke. Tečaj drži turski učitelj koji govori njemački jezik. Mnoge žene idu na časove. Svaka od njih suočena je s izazovima. Emine Emel Balci rođena je 1984. u Turskoj. Diplomirala je na Akademiji lijepih umjetnosti na Univerzitetu Mimar Sinan, na Odsjeku za film i TV. Karijeru je započela kao prva pomoćnica jednog od najvećih turskih režisera, Memduha Üna (CINEMA IS A MIRACLE, 2007). Autorica je nagrađivanih kratkih priča, koje su objavljivane u časopisima. Radila je s grupama scenarista i počela je snimati vlastite igrane i dokumentarne filmove. E For years the men of southeastern Turkey have gone to Germany for work. Some of them are away for a long time. Others try hard to have their wives and children join them. It takes more than money. There is a new obstacle for women to rejoin their husbands. German legislation in 2008 obliges wives to have ‘basic German competence’ before they can get permission to stay in Germany. Across the region many engaged and married women fill the classrooms of their village school taking a German course. Once they earn their certificate they have one final test: they must travel to the big city to take a language exam in the German Consulate. The language courses are conducted by a German-speaking Turkish teacher. The courses attract a wide range of women. Each faces challenges.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Turkey, Germany, 2012, HD CAM (HDTV), Colour, 74 min, Turkish, Kurdish, German Režija / Director: Emine Emel Balci Scenarij / Screenplay: Emine Emel Balci Direktor fotografije / Director of Photography: Murat Tuncel Montaža / Editor: Emine Emel Balci, Ayhan Hacifazlioglu Producent / Producer: Gokce Isil Tuna, Titus Kreyenberg Produkcija / Production: Motiva Film; Omer Avni Mah. Emektar Sok. Zenel Apt. No:24/10 Gumussuyu, 34427 Istanbul, Turkey, tel/fax: +90 555 522 3737, gokce@motivafilm.com Filmografija / Filmography 2012 - ICH LIEBE DICH (dokumentarni / doc.) 2008 - BEKLEYIS / THE WAITING (kratkometražni / short) 2007 - GOLUN KADINLARU / WOMEN OF THE LAKE (dokumentarni / doc.)

Emine Emel Balci was born in 1984, Turkey. She graduated from Mimar Sinan Fine Arts University Film-TV Department. She worked on feature films and tv series, as 1st assistant director. Started her carreer as 1st assistant director of Memduh Ün (Cinema is a Miracle, 2007) who is one of the masters in Turkish Cinema. She wrote short stories which have been published in magazines and won prizes, worked in sciptwriting groups and began to shoot her own films both fiction and documentaries.

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Izložba / Exhibition U Sarajevu je 29. 2. 2012. otvorena izložba fotografija Milomira Kovačevića Strašnog. Radi se o fotosima koji su nastali između aprila 1986. i maja 1992, uglavnom u Sarajevu. To je vrijeme burnih političkih i društvenih promjena, koje će dovesti do rata i opsade Sarajeva. Ljudi koji se pojavljuju na fotografijama uglavnom su snimljeni u trenucima mirovnih protesta i na manifestacijama kojima su pokušavali zaustaviti rat. Dokumentarac kroz fotografije i sjećanja ljudi predstavlja neku vrstu reminiscencije na vrijeme od prije dvije decenije, te prikazuje kako ljudi i prizori sa slika izgledaju danas. Boro Kontić je od 1995. direktor Mediacentra Sarajevo. Bio je reporter produkcijske kuće Refresh. Autor je brojnih TV serijala o situaciji u bh. medijima. Radio je kao dopisnik iz Sarajeva za Voice of America. Također je bio član UO RTVBiH tokom prve godine rata. Na festivalima Prix Futura - Berlin i Prix Italija, dobio je Grand Prix za radiodokumentarac JAZZTIME. Kao koproducent, dobio je Grand Prix za radiodokumentarac SNAJPER. Bio je glavni i odgovorni urednik drugog programa Radio Sarajeva, kao i glavni i odgovorni urednik specijalnog Omladinskog programa na istom radiju. Prije rata je producirao i vodio radioprogram PRIMUS, koji je bio jedan od najznačajnijih medijskih projekata u bivšoj Jugoslaviji. E An exhibition of photographs by Milomir Kovačević – Strašni opened in Sarajevo on February 29 2012. The photographs were shot in Sarajevo between April 1986 and May 1992. That was a time of political turmoil and social change that eventually led to war and the siege of Sarajevo. The photographs mainly depict people during peace protests and events held in an effort to stop the war. This documentary is reminiscence through photographs and memories of that time 20 years ago, and it shows how the sites from those images and the people look today.

Boro Kontić has been the director of Mediacenter Sarajevo since 1995. He was a reporter for the Refresh production company. He is the author of many TV series on the situation in BiH media. He was a Sarajevo correspondent for the Voice of America. In the first year of the war, he was a member of the Steering Board at the BiH Radio and Television. He was awarded a Grand Prix for the radio documentary Jazz Time, at the festivals Prix Futura – Berlin and Prix Italia. As a coproducer, he won a Grand Prix for the radio documentary Sniper. He was the editor-in-chief of Radio Sarajevo’s Second Program, as well as the editor-in-chief of a special youth program at Radio Sarajevo. Before the war, he produced and hosted the Primus radio show which was on of the most important media projects in former Yugoslavia.

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SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2012, Mini DV, Colour, 33 min, Bosnian, Croatian, Serbian Režija / Director: Boro Kontić Scenarij / Sreenplay: Boro Kontić Direktor fotografije / Director of Photography: Almir Đikoli Montaža / Editor: Elvedin Zorlak Muzika / Music: Indexi Zvuk / Sound: Bogdan Zurovac Producent / Producer: Maja Hadžiosmanović Produkcija / Production: Mediacentar Sarajevo Filmografija / Filmography 2012 - IZLOŽBA / EXHIBITION (dokumentarni / doc.) 2010 - GODINE KOJE SU POJELI LAVOVI / YEARS EATEN BY LIONS (dokumentarni / doc.)

L.E.F. Liberté, égalité, fraternité. Je li vrijeme da ove riječi zamijenimo nekim drugim, ili je vrijeme da se mi promijenimo? U manje od deset minuta, na njemu svojstven oštar, kritički i zajedljiv način, Goran Trbuljak ističe neke od najvažnijih problema savremenog svijeta: njegovu unutarnju strukturu, (ne) pravednost i odnos prema idealima Francuske revolucije, na koju se svi još uvijek pozivamo, makar samo deklarativno. Film se sastoji od nekoliko scena, snimljenih u različitim gradovima i na različitim kontinentima, a koje uvijek prikazuju isto: kontejnere i ljude koji u njima traže ostatke hrane. Poklopci kontejnera se otvaraju i zatvaraju, a svaki od njih skriva jednu od tri riječi dobro poznatog ‘triptiha’: ‘Liberté, égalité, fraternité’. Autor postavlja pitanje: Da li je vrijeme da ove riječi zamijenimo nekim drugim, ili je vrijeme da se mi promijenimo? Goran Trbuljak je rođen 1948. Grafiku je diplomirao 1972. na Akademiji likovnih umjetnosti u Zagrebu. Nakon dvije godine naprednog tečaja slikarstva na Ecole Nationale des Beaux Arts u Parizu, vraća se u Zagreb. 1980. je diplomirao kinematografiju na Akademiji dramskih umjetnosti. Od 1988. radi kao profesor na tom istom odsjeku. Bio je direktor fotografije u 25 filmova. Bavi se fotografijom, videoumjetnošću i slikarstvom. Višestruko je nagrađivan. E Liberté, égalité, fraternité. Has the time come to replace these words with some other, or has the time come for us to change? In less than ten minutes and in his sharp, critical and pungent way, Goran Trbuljak deals with some of the most important problems of the modern world: its internal structure, (un)fairness and relation to the ideals of the French Revolution which all of us still invoke, even only declaratively. The film consists of several scenes, shot in various cities and on various continents, always showing the same: garbage containers and people digging out food scraps from them. Container covers slide open and closed and each of them hides one of the three words of the well-known ‘triptych’: ‘Liberté, égalité, fraternité’. The author asks the question: Has the moment come to replace these words with some other, or has the moment come for us to change?

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2012, DigiBeta, Colour, 9 min, No Dialogue Režija / Director: Goran Trbuljak Scenarij / Screenplay: Goran Trbuljak Direktor fotografije / Director of Photography: Bau, Rosalie Hübl, Antoni-Jordi Owusu, Bruno Reart, Kong Qui, Grgur Kulijaš, Goran Trbuljak Montaža / Editor: Višnja Skorin Producent / Producer: Nenad Puhovski Produkcija / Production: Factum; Nova Ves 18, 10000 Zagreb, Croatia, tel: +385 1 4854 821 Filmografija / Filmography 2012 - L.E.F. (dokumentarni / doc.) 2011 - POW’S POV (kratkometražni / short)

Goran Trbuljak was born in 1948. He graduated graphic design at the Zagreb Academy of Fine Arts in 1972. After two years of advanced training in painting at the Ecole Nationale des Beaux Arts in Paris, he returned to Zagreb. In 1980, he obtained a degree in cinematography at the Academy of Dramatic Arts. Since 1988, he has been a professor of cinematography at the same department. He is credited as director of photography on 25 films. He is also involved in photography, video and painting. He won numerous awards for his works.

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Lice revolucije / The Face of a Revolution Branko Ilić je bio jedan od predvodnika pobune protiv Miloševićevog režima u Srbiji u periodu 1998 - 2000. i lider studentskog pokreta Otpor. Hapšen je i pretučen nekoliko desetina puta, a za svoju borbu je 2000, u ime Otpora, primio MTV nagradu Free your mind. Tačno deset godina poslije petooktobarske revolucije, Branko se vraća u Beograd iz dobrovoljnog izgnanstva u rodnom Arilju. Zapošljava se kao šanker i privremeno useljava kod Švabe, starog prijatelja iz vremena protesta. Za to vrijeme, poznata marketinška agencija u kojoj je Švabo zaposlen užurbano priprema veliku kampanju za promociju potrošačkih kredita. Vladimir Milovanović (1981), pravnik i oglašivač, radio je u proteklih dvanaest godina na različitim poslovima u domaćim i stranim organizacijama. Od 2009. posvetio se montaži i filmu. LICE REVOLUCIJE je njegov debitantski film koji potpisuje kao scenarista, režiser i producent. E Branko Ilić was one of the leaders of the uprising against Milošević’s regime in Serbia in 19982000 and the leader of the student resistance movement Otpor. He was arrested and beaten several dozens of times, and received the MTV Free Your Mind award on behalf of Otpor in 2000. Exactly ten years after the October 5th Revolution, Branko returned to Belgrade from voluntary exile in his birthplace Arilje. He starts working as a bartender and moves in temporarily with Švabo, an old friend from the protest era. At the same time, a well-known advertising agency where Švabo works is hastily preparing a big campaign for promoting consumer loans.

Vladimir Milovanović (1981), a lawyer and advertiser, has worked in the past 12 years on different jobs for domestic and foreign organizations. Since 2009, he has focussed on editing and film. THE FACE OF REVOLUTION is his debut, in which he appears as scriptwriter, director and producer.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Serbia, 2012, HD CAM (HDTV), Colour, 53 min, Serbian Režija / Director: Vladimir Milovanović Scenarij / Screenplay: Vladimir Milovanović Direktor fotografije / Director of Photography: Vladimir Miladinović Piki Montaža / Editor: Nemanja Babić Muzika / Music: Boris Mladenović Zvuk / Sound: Danijel Milošević, Luka Jocić Producent / Producer: Marija Nikolić Produkcija / Production: Propaganda Film; Jovana Đaje 5a, 11000 Belgrade, Serbia, tel: +38163354666, nikolic.a.marija@gmail.com, www.propagandafilm.rs Filmografija / Filmography 2012 - LICE REVOLUCIJE / THE FACE OF A REVOLUTION (dokumentarni / doc.)

Mama Illegal Krijumčarima su dale sav novac i riskirale život prelazeći državne granice: tri žene iz jednog malog grada u Moldaviji sada žive u Austriji kao čistačice. Pored toga što rade tako težak posao, one godinama žive u ilegali bez dokumenata, daleko od svoje djece i porodica. Ed Moschitz je rođen 13.6.1968. u Judenburgu, Austrija. Sada živi u Beču, sa ženom i dvoje djece. Od 2006. predaje na Univerzitetu Krems na programu postdiplomskog studija za „kvalitetno novinarstvo“. On je i reporter, i novinar dokumentarnog programa na Austrijskom javnom servisu (ORF). Istraživao je, osmislio i nadzirao realizaciju 100 TV programa dužine 30-45 minuta. E They gave the smugglers all their money and risked their life on their journey across borders: three women from a small town in Moldavia, living now in Austria as cleaning women. On top of their hard job, they live a life in illegality without documents, far away from their children and family for years.

Ed Moschitz was born on 13. 06. 1968 in Judenburg, Austria. He lives with his wife and two children in Vienna. Since 2006, he has been a lecturer at the University of Krems for the master studies program for “quality journalism”. He is also a reporter and journalist of the documentary program at the Austrian Broadcasting Corporation. He carried out research, design and review of 100 TV programs 30-45 minutes long.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Austria, 2011, HD CAM (HDTV), Colour, 94 min, Romanian, German, Russian, Italian Režija / Director: Ed Moschitz Scenarij / Screenplay: Ed Moschitz Direktor fotografije / Director of Photography: Sandra Merseburger, Michael Svec, Michael Schindegger, Manfred Aistleitner, Robert Holzinger, Dominik Spritzendorfer Montaža / Editor: Alexandra Löwy Muzika / Music: Zdob şi Zdub Producent / Producer: Arash T. Riahi, Michael Seeber Produkcija / Production: Golden Girls Filmproduktion & Filmservices GmbH; Seidengasse 15/20, 1070 Vienna, Austria, tel: +43 1 810 56 36, fax: +43 1 810 59 49, office@goldengirls.at, www.goldengirls.at Filmografija / Filmography 2011 - MAMA ILLEGAL (dokumentarni / doc.)

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Mustafa’s Sweet Dreams / Mustafini slatki snovi U malom gradu Gaziantepu šesnaestogodišnji Mustafa želi postati majstor pravljenja baklava. Ovaj dirljivi i maštoviti dokumentarni film prikazuje Mustafu kako usred stroge obuke sanjari o životu s one strane granica zacrtanih očekivanjima njegovih prijatelja. Angelos Abazoglou je rođen u Maroussi, 15. 1. 1966. Karijeru je započeo kao glumac u Théâtre de l’Acte de Toulouse-Grenier u Toulouseu. Studirao je pozorišnu i filmsku režiju na I.N.S.A.S.-u, u Bruxellesu. Režira pozorišne predstave i dokumentarne filmove. E In the small Turkish town of Gaziantep, 16-year-old Mustafa wants to become a master in the art of making baklava. Amidst the strict training regime, Mustafa dreams of a life beyond the confines of the expectations of his friends and family in a documentary that is both moving and innovative.

Angelos Abazoglou was born in Maroussi on 15.01.66. He began as an actor at the Théâtre de l’Acte de Toulouse-Grenier in Toulouse. Theatre and Film direction studies at the I.N.S.A.S, Brussels. He has directed several theatre plays and documentaries.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Greece, United Kingdom, Turkey, 2012, HD CAM (HDTV), Colour, 83 min, Turkish Režija / Director: Angelos Abazoglou Scenarij / Screenplay: Angelos Abazoglou Montaža / Editor: Fanny Ziozia Producent / Producer: Olga Abazoglou Produkcija / Production: Cyclope Productions; tel: 00 917 734 4570, douglas@cyclopsproductions.com, www.cyclopsproductions.com Filmografija / Filmography 2012 - MUSTAFA’S SWEET DREAMS (dokumentarni / doc.) 2003 - THE ICON (dokumentarni / doc.) 2002 - ART CINEMA (dokumentarni / doc.) 1998 - OLIVE OIL, WATER AND TOMATO... (kratkometražni dokumentarni / doc. short) 1996 - AVRIO THA EINAI OLA KALYTERA / TOMORROW THINGS WILL BE BETTER (dokumentarni / doc.)

Muški film / Real Man’s Film Situacija na terenu je krajnje ozbiljna: puške i pištolji su u svakoj ruci. Koncentracija naoružanja je dosegla kritičnu tačku. I najmanji incident bi bio poguban po ovaj krhki mir! Samo jedan nervozni prst na obaraču bi pokrenuo nezaustavljiv haos… Nebojša Slijepčević je 1973. rođen u Zagrebu. Trideset godina kasnije, diplomirao je režiju na Akademiji dramskih umjetnosti, također u Zagrebu. E The situation on the ground is serious: there are rifles and pistols in every hand. Concentration of arms has reached a critical point. Even the smallest incident would be disastrous to this fragile peace! Just one nervous finger on the trigger could start off unstoppable chaos...

Nebojša Slijepčević was born in Zagreb in 1973. Thirty years later he graduated as film director at Academy of Dramatic Arts, also in Zagreb.

SVJETSKA PREMIJERA / WORLD PREMIERE Croatia, 2012, DigiBeta, Colour, 11 min, Croatian Režija / Director: Nebojša Slijepčević Scenarij / Screenplay: Nebojša Slijepčević Direktor fotografije / Director of Photography: Nebojša Slijepčević Montaža / Editor: Nebojša Slijepčević Zvuk / Sound: Davor Tatić Scenografija / Production Design: Irena Mihalinec Producent / Producer: Vanja Jambrović Produkcija / Production: Restart; Katančićeva 3, 10000 Zagreb, Croatia, tel: +385918930675, fax: +38515573860, vanja@restarted.hr, www.restarted.hr Filmografija / Filmography 2012 - MUŠKI FILM / REAL MAN’S FILM (dokumentarni / doc.) 2011 - PAS / ZEC (animirani / animation) 2008 - ŠAMAR (kratkometražni / short) 2007 - ŽENA ZMAJ (kratkometražni dokumentarni / short doc.) 2007 - ZA 4 GODINE (kratkometražni / short doc.) 2000 - O KRAVAMA I LJUDIMA (kratkometražni dokumentarni / short doc.)

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Német Egység @ Balatonnál / Njemačko jedinstvo @ Balaton / German Unity @ Balaton Rekonstrukcija sačinjena od amaterskih filmova, fotografija, muzike i dokumenata iz dosjea istočnonjemačke tajne obavještajne službe STASI i mađarskog Ministarstva unutrašnjih poslova, a koja sadrži i neke izmišljene elemente. Péter Forgács (1950) je medijski umjetnik i nezavisni režiser iz Budimpešte. Od 1978. je snimio više od 40 filmova i medijskih instalacija. Najpoznatiji je po nagrađivanoj seriji filmova PRIVATE HUNGARY, zasnovanoj na evropskim kućnim filmovima iz perioda dvadesetih i osamdesetih godina prošlog stoljeća. Oni predstavljaju živote običnih ljudi koje strašna historijska dešavanja, koja se odigravaju mimo filma, u potpunosti poremete. Forgács je postao poznat u svijetu s filmom THE BARTOS FAMILY (1988). Od tada je dobio nekoliko relevantnih međunarodnih festivalskih nagrada. Od 2000. do 2001. Forgács je bio rezidentni umjetnik u Muzeju Getty / Institutu za istraživanje Getty. Tada je u saradnji sa The Labirynth Project (USC) napravio instalaciju The Danube Exodus. Njegovi video i drugi radovi mogu se naći u nekoliko muzeja i u javnim kolekcijama širom svijeta. Forgács je 2007. dobio vrlo prestižnu nagradu, holandski Erasmus, za značajni doprinos evropskoj kulturi. Péter Forgács je 2009. predstavljao Mađarsku na Venecijanskom bijenalu, gdje je izlagao instalaciju Col Tempo - The W. Project. E A reconstruction composed from amateur films, interviews, photographs, music, and documents from German Stasi and Hungarian Internal Ministry files, incorporating fictional elements.

Péter Forgács (1950) is a media artist and independent filmmaker, Budapest. Since 1978 he has made more than forty films and media installations. Forgacs is best known for the PRIVATE HUNGARY series of award winning films based on European home movies from the 1920s and 1980s, which document ordinary lives that were soon to be ruptured by an extraordinary historical trauma that occurs off screen. Forgacs’ international debut came with The Bartos Family (1988). Since then he has received several major international festival awards. In 2000-2001 Forgacs as artist in residence at The Getty Museum/Getty Research Institute, Los Angeles he created - in collaboration with The Labyrinth Project (USC) - “The Danube Exodus” installation. His video and works can be found in several museums and public collections around the world. In 2007 Forgács was awarded with the most prestigious Dutch Erasmus Prize for his notable contributions to European culture. In 2009 Péter Forgács represented Hungary at the Venice Biennale, exhibiting the “Col Tempo- The W. Project” installation.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Hungary, 2011, HD CAM (HDTV), Colour, 79 min Režija / Director: Péter Forgács Scenarij / Screenplay: Péter Forgács Direktor fotografije / Director of Photography: Gusztáv Hámos Montaža / Editor: Péter Sass Muzika / Music: Mihály Vígh, Károly Cserpes Zvuk / Sound: Tamás Zányi Producent / Producer: László Kántor Produkcija / Production: Új Budapest Filmstúdió; Donáti u. 59, 1015 Budapest, Hungary, tel: +3630-919-6687, Fax: +361-316-0943, ujbpfilm@ujbudapestfilmstudio.hu, www.ujbudapestfilmstudio.hu Filmografija / Filmography 2011 - NÉMET EGYSÉG @ BALATONNÁL / GERMAN UNITY @ BALATON (dokumentarni / doc.) 1988 - 2008 - PRIVATE HUNGARY

Nije ti život pjesma Havaja / Family Meals Sjećate li se kada ste zadnji put razgovarali s roditeljima? O čemu ste razgovarali? Jeste li otišli korak dalje od vremenske prognoze i dnevne politike? Pet godina nakon zadnjeg susreta rođendanska proslava ponovno okuplja članove obične četveročlane porodice. Počinju se pitati zašto su okrenuli leđa jedni drugima... Može li im razgovor o zakopanim porodičnim tajnama pomoći da ubuduće jedu bez grča u želucu? Može li im neuspjela rođendanska torta pomoći da prevladaju prošlost? Film kroz rituale porodičnih ručaka govori o tome koliko je važno osjećati se prihvaćenim od onih koje volimo. Dana Budisavljević rođena je u Zagrebu 1975. godine. Diplomirala je filmsku i televizijsku montažu na zagrebačkoj Akademiji dramskih umjetnosti. Radila je kao montažerka, režiserka i producentica kreativnih dokumentarnih filmova i TV-serija. Pet godina radila je za dokumentarni filmski projekt Factum kao pomoćnica, a kasnije i kao zamjenica direktora Nenada Puhovskog, s kojim je 2005. pokrenula ZagrebDox. S kolegicom Olinkom Višticom 2006. osnovala je filmsku i umjetničku produkciju Hulahop. E Remember the last time you talked to your parents? What did you talk about? Did you go a step further than talking about the weather and daily politics? A family of four assembles after five years for a birthday party. They start wondering why they’ve turned their backs on one another… Can discussing buried family secrets help them overcome embitterment? Can a birthday cake gone wrong help them overcome the past? Through rituals of family meals, the film talks about the importance of feeling accepted by the ones we love.

Dana Budisavljević was born in Zagreb, 1975. She graduated film and TV editing at the Zagreb Academy of Dramatic Arts. She worked as editor, director and producer of creative documentaries and TV series. She worked for five years for a documentary film project Factum, and later as deputy director Nenad Puhovski, with whom she initiated the ZagredDox in 2005. In 2006, she founded a film and artistic production company Hulahop with her colleague Olinka Vištica.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2012, HD CAM (HDTV), Colour, 50 min, Croatian Režija / Director: Dana Budisavljević Scenarij / Screenplay: Dana Budisavljević Direktor fotografije / Director of Photography: Ana Opalić, Tamara Cesarec, Eva Kraljević Montaža / Editor: Marko Ferković, Dana Budisavljević Muzika / Music: Christian Biegai Zvuk / Sound: Dubravka Premar, Gordan Fučkar Producent / Producer: Olinka Vištica, Sophie de Hijes Produkcija / Production: Hulahop; Nova Ves 18, 10000 Zagreb, Croatia, tel: +385 1 390 7074, Fax: +385 1 466 6443, distribution@hulahop.hr, www.hulahop.hr Filmografija / Filmography 2012 - NIJE TI ŽIVOT PJESMA HAVAJA / FAMILY MEALS (dokumentarni / doc.) 2005 - SVE 5! (dokumentarni / doc.)

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Sofia’s Last Ambulance / Posljednja ambulantna kola u Sofiji U gradu, u kojem 13 ambulantnih vozila uz nadljudske napore opslužuje 2 miliona ljudi, Krassi, Mila i Plamen ni po čemu ne liče na heroje: ne ispuštaju cigarete iz usta, pršte od humora i neumorno spašavaju živote uprkos svih očekivanja. Ipak, sistem koji ne funkcionira uzima svoj danak. Koliko dugo će moći izdržati pomažući povrijeđenim članovima društva prije nego izgube suosjećajnost prema njima? Ilian Metev je rođen 1981. u Sofiji, u Bugarskoj. U početku je bio violinist i tako je postao opsjednut spajanjem muzičkih oblika i filmskog jezika filma. Studij umjetnosti je nastavio u Londonu, a magistrirao je režiju dokumentarnog filma u National Film and Television School. Njegov završni diplomski rad, film GOLESHOVO (2008), prikazan je na preko 60 festivala i dobio je 17 nagrada, uključujući i Development Award BBC-ja, Nagradu Don Quixote u Krakowu, te nagradu Talent Dove na Festivalu dokumentarnog i animiranog filma u Leipzigu. POSLJEDNJA AMBULANTNA KOLA U SOFIJI njegov je prvi igrani film. Metev trenutno živi na relaciji Oxford – Sofia. E In a city where 13 ambulances struggle to serve 2 million people, Krassi, Mila and Plamen are our unlikely heroes: chain-smoking, filled with humour and relentlessly saving lives against all odds. Yet, the strain of a broken system is taking its toll. How long can they keep on fixing society’s injured until they lose their empathy?

Ilian Metev was born in Sofia, Bulgaria in 1981. He initially pursued a career as a concerting violinist and became obsessed with melding musical form and film language. He went on to study Fine Art in London, followed by an MA in Documentary Direction at the National Film and Television School. His graduation film GOLESHOVO (2008) has been screened at over 60 festivals and received 17 awards, including a BBC Development Award, the Don Quixote Award in Krakow and the Talent Dove at DOK Leipzig film festival. SOFIA’S LAST AMBULANCE is his first feature film. Ilian is currently based between Oxford and Sofia.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Bulgaria, Croatia, Germany, 2012, DCP, Colour, 75 min, Bulgarian Režija / Director: Ilian Metev Scenarij / Screenplay: Ilian Metev Direktor fotografije / Director of Photography: Ilian Metev Montaža / Editor: Ilian Metev, Betina Ip Zvuk / Sound: Tom Kirk Producent / Producer: Dimitar Gotchev, Siniša Juričić, Ingmar Trost, Ilian Metev Produkcija / Production: Sutor Kolonko, Nukleus Film, SIA Kontakt / Contact: Films Boutique, Köpenicker Strasse 184, 10997 Berlin, Germany, tel: +49 30 6953 7850, fax: + 49 30 6053 7851, info@filmsboutique.com, www.filmsboutique.com Filmografija / Filmography 2012 - SOFIA’S LAST AMBULANCE (dokumentarni / doc.) 2008 - GOLESHOVO (dokumentarni kratkometražni / doc. short)

Sumnje i tajne / Secrets and Doubts Napušteni, stari ljudi, usamljeni i ljuti na najbližu rodbinu, pristaju na riskantne pravne poteze i često upadaju u nevolje. Nemoralni ljudi na visokim pozicijama u zemlji često zloupotrebljavaju stare ljude u nevolji. Čak i kada se sud umiješa, nije uvijek moguće sagledati šta se, zapravo, desilo. Stari ljudi nekritički misle da su upravu, a razočaraju se i izgube povjerenje u državne službenike na visokim pozicijama. Konflikt i nesporazum između starije generacije i njihove djece otvaraju prostor nečasnim sudijama koji predlažu – “uvijek prema svojoj savjesti” – da stariji ljudi otkupe svoje nekretnine. Vješti u pravnim pitanjima, sudije lako manipuliraju i sve uklapaju u zakonite okvire, tako da je izuzetno teško i gotovo nemoguće ispraviti propuste i otkriti prevare. Takvi slučajevi uglavnom ostanu obavijeni velom tajne i zauvijek ostaje nejasno šta se, zapravo, desilo. Ko i kako štiti stare ljude od njih samih? Ko može i ko smije postati sudija? I ti odgovori ostaju tajna… Želimir Gvardiol diplomirao je filmsku i TV režiju na Praškoj filmskoj akademiji (FAMU). Njegovi su dokumentarni filmovi prikazani su od 1991. na festivalima priznatim od Međunarodne federacije udruženja filmskih producenata (FIAPF): Berlin – Berlinale, Bolbao, Krakow, Oberhausen, San Sebastian, Tampere. Od 1991. učestvuje na festivalima dokumentarnog filma: Dok u Leipzigu, Cinéma du Réel u Parizu, Hot Docs u Torontu, FID u Marseilleu... E Abandoned old people, alone and angry with their closest relatives, agree on risky legal action

and often end up in trouble. Immoral people holding high positions in the state often misuse old people in troubled situations. Even when the court steps in, it is not always possible to comprehend what had really happened. Old people uncritically believe to be right, and get disappointed and lose faith in high ranking civil servants. Conflict and misunderstanding between the older generation and their children leave room for dishonest judges who propose – “always according to conscience” – the old people to buy their real estate. Cunning in legal matters, judges can easily manipulate and fit everything into lawful schemes, so it is very difficult, and almost impossible, to correct the failures and reveal the frauds. Such events mainly remain a mystery and for ever cast doubt over what had really happened. Who and how is protecting old people from themselves? Who can and who may become the judge in a state? Answers will also remain a secret… Želimir Gvardiol graduated film&tv direction from the Film and TV School Academy of Performing (FAMU) in Prague. His documentaries participated in film festivals recognized by FIAPF from 1991: Berlin- Berlinale; Bilbao; Cracow; Oberhauzen; San Sebastian; Tampere. Participated in documentary film festivals from 1991: Leipzig-Dok; Paris-Cinéma du Réel; Toronto-Hot Docs; FIDMarseille...

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Serbia, 2011, Beta Sp, Colour, 14 min, Serbian Režija / Director: Želimir Gvardiol Scenarij / Screenplay: Želimir Gvardiol Direktor fotografije / Director of Photography: Stefan Lakić Montaža / Editor: Branimir Živković Muzika / Music: Damjan Ćirilović Zvuk / Sound: Damjan Ćirilović Producent / Producer: Biljana Stanojević Produkcija / Production: Pradok; Ljube Vučkovića 1, 11000 Belgrade, Serbia, tel: +38163345986, fax: +381116143457, office@pradok.org.rs Filmografija / Filmography 2011 - SUMNJE I TAJNE / SECRETS AND DOUBTS (dokumentarni / doc.) 2011 - THE UNTOUCHABLES (dokumentarni / doc.) 2009 - TRAITOR VS. WAR CRIMINAL (dokumentarni / doc.) 2003 - IT’S ONLY MINE (dokumentarni / doc.) 2001 - RAVENS (dokumentarni / doc.) 1998 - A FATHER, A SON, A HOLY GHOST (dokumentarni / doc.) 1994 - I DON’T KNOW WHERE, OR WHEN, OR HOW (dokumentarni / doc.) 1990 - CRIME AND PUNISHMENT (dokumentarni / doc.) 1990 - THE WAY WE ARE (dokumentarni / doc.)

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Trains of Thoughts / Vozovi misli Voz misli, tok misli ili niz misli odnosi se na međuodnos u slijedu ideja izraženih u povezanom diskursu ili misli, kao i na sam taj slijed, posebno u diskusiji o načinu na koji taj slijed vodi od jedne do druge ideje. Film VOZOVI MISLI je audiovizualni esej koji se osvrće na metrosisteme širom svijeta i poredi ih. To je istraživanje svijeta unutar svijeta, kao i osjećaja: fascinacije, opsesije, straha, te tema: preživljavanja, kontrole i tišine – koje ga pokreću. Timo Novotny (rođen 1973. u Böblingenu, u Njemačkoj) studirao je na Akademiji primijenjenih umjetnosti u Beču. Jedan je od osnivača i članova benda Vidok ili Sofa Surfers. Živi i radi u glavnom gradu Austrije. Njegovi su filmovi prikazani na različitim izložbama i festivalima, uključujući i one u Clermont-Ferrandu, Mexico Cityju, Sarajevu, New Yorku i Montréalu. E The train of thought, stream of thought or chain of thought refers to the interconnection in the sequence of ideas expressed during a connected discourse or thought, as well as to the sequence itself, especially in discussion how this sequence leads from one idea to another. TRAINS OF THOUGHTS is an audio-visual essay, which reflects upon and compares metro-systems around the world. It is an exploration of a world inside the world as well as the feelings - fascination, obsession, fear, and themes - of survival, control and silence - that revolve it.

Timo Novotny (b. 1973, Böblingen, Germany) studied at the University of Applied Arts in Vienna. He is the co-founder and a member of Vidok or Sofa Surfers. He lives and works in the Austrian capital. His films have been included in various exhibitions and festivals, including Clermont-Ferrand, Mexico City, Sarajevo, New York and Montréal.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Austria, 2011, DCP, Colour, 84 min, English, Japanese, Cantonese, Russian, Italian Režija / Director: Timo Novotny Scenarij / Screenplay: Timo Novotny Direktor fotografije / Director of Photography: Timo Novotny Montaža / Editor: Timo Novotny, Jakob Barth, Martin Kaindl, Georg Scherlin, Claudia Tschabuschnig Muzika / Music: Sofa Surfers Producent / Producer: Ulrich Gehmacher Produkcija / Production: Orbrock; Schottenfeldgasse 56/23, 1070, Vienna, Austria, tel/fax: 004315222588, gehmacher@orbrock.com, www.orbrock.com Filmografija / Filmography 2011 - TRAINS OF THOUGHTS (dokumentarni / doc.) 2006 - LIFE IN LOOPS (A MEGACITIES RMX) (dokumentarni / doc.) 2003 - NEON (kratki/ short) 1999 - CARGO (kratki/ short) 1997 - THE PLAN (kratki / short)

Turn Off the Lights / Ugasi svjetlo Mladi Romi izlaze iz zatvora u kojem su proveli nekoliko godina. Nakon jako emotivnog rastanka od ostalih zatvorenika, nalaze se sa svojim radosnim porodicama i slave povratak kući uz salve suza, novca i plesa. Iako mladići prešutno prihvataju divljenje, nisu spremni za ono što život izvan zatvora od njih traži. Ponovno otkrivaju agresivnost i aroganciju. Jedan od njih je Alex, zanimljiv, karizmatičan mladić, koji o svojoj prošlosti govori sa zabrinjavajuće blaziranim stavom prema nasilju, ženama i osjećaju krivice. Osuđen je zbog ubistva svoje djevojke, a čini se da godine provedene u zatvoru ne utječu na njegovu mizoginu osobnost. Lik Alexa usmjerava ovaj izuzetni dokumentarni film autorice Ivane Mladenović. Film pruža rijetku mogućnost uvida u savremenu romsku kulturu i predstavlja tri sasvim različita bivša zatvorenika koja pokušavaju pomiriti vanjski svijet sa sivim zonama morala, s kojima se svaki od njih bori. UGASI SVJETLO prikazuje čahuru njihovog ranijeg bivstvovanja u zatvorskoj prostoriji, u oštroj suprotnosti s stvarnošću njihove zajednice izvan ustanove; to je prikaz reintegracije u društvo u kojem su niske strasti, nasilje i pretjerivanje – pitanje opstanka. Ivana Mladenović je rođena u Kladovu, u Srbiji. Preselila je u Bukurešt na studij režije na UNTAC I.L. Caragialeu, gdje je i magistrirala 2011. E After years behind bars, three young Roma men are released from prison. Bidding an emotional farewell to their fellow inmates, they exit to find their rejoicing families celebrating their homecoming with showers of tears, money, and dancing. Though the men accept the adoration with numbed excitement, they are unaccustomed to the expectations of existence on the outside and, consequently, begin to rediscover lives of aggression and arrogance. Among them is Alex, a captivating figure who charismatically addresses his past with a disturbingly blasé attitude toward violence, women, and guilt. Convicted of murdering his girlfriend – his misogynistic persona seemingly unaffected by years of incarceration – Alex drives Ivana Mladenović’s compelling documentary. This film, offering a rare peek into contemporary Roma culture, paints a picture of the three very different ex-cons try to reconcile the outside world with the gray-shaded areas of morality with which they all struggle. Showing the cocoon of their former one-room existence painted in stark contrast to the realities of their outside community, TURN OFF THE LIGHTS is a portrait of reintegration in a society where indulgence, violence, and excess are a matter of survival.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, 2011, HD CAM (HDTV), Colour, 71 min, Romanian Režija / Director: Ivana Mladenović Scenarij / Screenplay: Ivana Mladenović, Bianca Oana Direktor fotografije / Director of Photography: Luchian Ciobanu, Claudiu Ciprian Popa Montaža / Editor: Ana Iliesiu Zvuk / Sound: Vlad Voinescu Producent / Producer: Catalin Mitulescu, Daniel Mitulescu Produkcija / Production: Strada Film; Dr. Staicovici 41 sector 5, 050556 Bucharest, Romania, tel: +40214118099, daniel@stradafilm.ro, www.stradafilm.ro Filmografija / Filmography 2011 - TURN OFF THE LIGHTS (dokumentarni / doc.) 2008 - PIZZA LOVE (kratkometražni / short) 2007 - MILKYWAY (kratkometražni dokumentarni / doc. short) 2007 - IN THE VILLAGE (kratkometražni dokumentarni / doc. short)

Ivana Mladenović was born in Kladovo, Serbia. She moved to Bucharest to study film directing at UNATC I.L. Caragiale and graduated with a master’s in 2011.

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Veliki dan / The Big Day Vjenčanje je poseban dan u ljudskom životu. Za jedno klasično vjenčanje potrebno je napraviti detaljne i opsežne pripreme kako bi taj dan bio onakav kakvog su ga mladenci zamislili. Film pokazuje na što su sve mladenci spremni pristati, koju cijenu za to plaćaju i za koje želje ne postoji kompromis kada je u pitanju vlastito vjenčanje. Kako želje mladenaca bujaju, razvija se i tržište koje ispunjava te želje. Ovo je film o ljudima koji dan vjenčanja pretvaraju u Veliki dan. Đuro Gavran je diplomirao na Grafičkom fakultetu Sveučilišta u Zagrebu. 2009. je upisao diplomski studij filmske i TV režije na Akademiji dramskih umjetnosti Sveučilišta u Zagrebu (smjer dokumentarni film). Od 2001. do 2006. sudjeluje u osnivanju i radu kreativnog kolektiva N,JAB - Novi, jako alternativni bend. N,JAB je pokret (njabizam) čiji sljedbenici izražavaju svoje ideje, misli i osjećaje nezavisno od medija, poznavanja medija i konačnog rezultata. Jedan je od osnivača udruženja Priroda i društvo. Član ULUPUH-a, odsjek multimedija, postao je 2008. Radio je kao režiser i snimatelj na desetak filmskih projekata. Živi i radi u Zagrebu kao freelancer u oblasti multimedija (design, fotografija, kamera, dokumentarni film). E Wedding is a special day in a man’s life. Detailed and extensive preparations are needed in order for the big day to be just as the bride and the groom had imagined it. The film is about everything a couple is ready to do, the price they pay for it and the wishes they will never accept to compromise on when it comes to their own wedding. As the couples’ wishes develop, so does the market fulfilling them. This is a film about people who turn their wedding day into the Big Day.

Đuro Gavran completed his BA studies at the Faculty of Graphic Arts, University of Zagreb. In 2009, he enrolled the postgraduate course in Film and Television Directing at the Academy of Dramatic Arts, University of Zagreb (the course of documentary film directing). From 2001 to 2006, he participated in the establishment and activities of a creative collective N, JAB – Novi, jako alternativni bend (a New, Very Alternative Band). Followers of this movement (njabism) express their ideas, thoughts and feelings independent of medium, knowledge of the medium and final result. He is also one of the founders of the Priroda i društvo association. He became a member of ULUPUH (Croatian Association of Visual Artists) in 2008. He has also worked as a director and cinematographer on a dozen film projects. He lives in Zagreb and works as a freelance multimedia artist (design, photography, camera, documentary film).

66 18. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - DOKUMENTARNI FILM

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2012, DigiBeta, Colour, 53 min, Croatian Režija / Director: Đuro Gavran Scenarij / Screenplay: Đuro Gavran Direktor fotografije / Director of Photography: Pavel Posavec Montaža / Editor: Iva Mrkić Muzika / Music: Etno orkestar Zvuk / Sound: Ivan Zelić Producent / Producer: Isa Živanović Produkcija / Production: Academy of Dramatic Arts; Trg maršala Tita 5, 10000 Zagreb, Croatia, tel/fax: 0981688358, adu@adu.hr, www.adu.hr Filmografija / Filmography 2012 - VELIKI DAN / THE BIG DAY (dokumentarni / doc.) 2012 - LIJEPA NAŠA DOMOVINO / OUR BEAUTIFUL HOMELAND (exp.) 2011 - KELTI / CELTS (dokumentarni / doc.) 2011 - HTJELI SMO RADNIKE, A DOŠLI SU NAM LJUDI / WE WANTED WORKERS, WE GOT PEOPLE (dokumentarni / doc.) 2010 - BOJAN (dokumentarni / doc.) 2005 - STAKLENA BALERINA / GLASSBALLETDANCER (exp.)

Životna uloga / The Role of My Life Priča počinje 1991. u Sarajevu, uoči početka rata u BiH, kada mladi i talentirani glumac Nermin Tulić igra glavnu ulogu u pozorišnoj predstavi „Bašeskija, san o Sarajevu”. Predstava je bila na repertoaru samo jednu sezonu, jer je počela agresija na BiH, a Sarajevo je u opsadi svakodnevno granatirano... Ova istinita priča o glumcu Nerminu Tuliću, kojem je sudbina dodijelila tešku ulogu u stvarnom životu, odigrala se za vrijeme rata u Bosni i Hercegovini. U suštini, ona prevazilazi vrijeme i prostor, predstavlja jedinstveno svjedočanstvo o ljudskoj hrabrosti, nemjerljivoj ljepoti i snazi ljubavi, od kojih zavisi život. Nađa Mehmedbašić je poznata bosanskohercegovačka novinarka i autorica mnogih televizijskih dokumentarnih filmova. Ona je sigurno jedina bosanskohercegovačka novinarka s tako velikim brojem prvih međunarodnih nagrada na festivalima televizijskih dokumentarnih filmova. Među njima izdvajamo: nagradu Sjever-Jug francusko-švicarske televizije, te nagradu Pierre-Alain Donier (za najhumaniji pristup viđen u filmovima), grada Ženeve. Film SARAJEVSKI SPOMENAR dobitnik je jedne od najprestižnijih nagrada međunarodnog televizijskog festivala u Japanu - Prix Japon - nagrade UNICEFa. Osnovna preokupacija u radu Nađe Mehmedbašić i danas ostaje dokumentarni film. E The story begins in Sarajevo, in 1991, at the brink of war in BiH, when a young talented actor Ner-

min Tulić played the lead role in a theatre play “Bašeskija, san o Sarajevu”. The play was performed for only one season as the aggression against BiH started and the besieged Sarajevo was subjected to everyday shelling. This true story of actor Nermin Tulić, to whom fate had given a difficult role in real life, unfolded during the war in Bosnia and Herzegovina. In fact, this is a story transcending time and space; it stands as unique testimony of human courage, of endless beauty and strength of love upon which life itself depends. Nađa Mehmedbašić is a well-known BiH journalist and author of many television documentaries. She is certainly the only BiH journalist to have won such a large number of international awards at documentary film festivals. Some of the awards include: the North-South Award of the French-Swiss television, as well as the City of Geneva’s Pierre-Alain Donier Award (for the most humane approach seen in films). Her film SARAJEVO AUTOGRAPH BOOK won one of the most prestigious awards of the Television festival in Japan – the Prix Japan – the UNICEF award. Nađa Mehmedbašić remains dedicated to filming documentaries.

SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2012, DVD, Colour, 70 min, Bosnian Režija / Director: Nađa Mehmedbašić Scenarij / Screenplay: Nađa Mehmedbašić Montaža / Editor: Ekrem Mulahasanović Muzika / Music: Bela Samardžić Produkcija / Production: BHRT i KULT B Kontakt / Contact: BHRT1; Bulevar Meše Selimovića12, 71000 Sarajevo, Bosnia and Herzegovina, tel: +387 33 454 897, fax: + 387 33 461 559, alma.mesanovic@bhrt.ba, www.bhrt.ba Filmografija / Filmography 2012 - ŽIVOTNA ULOGA / THE ROLE OF MY LIFE (dokumentarni / doc.) 2009 - PONTANIMA (dokumentarni / doc.) 2008 - DOBRI DUH STAROG MOSTA / GOOD GHOST OF OLD BRIDGE (dokumentarni / doc.) 2008 - CRN SI SVIJETE BIJELI / WHITE WORLD HOW BLACK YOU ARE (dokumentarni / doc.) 2002 - OKUĆNICA DUŠE / PLOT OF SOUL (dokumentarni / doc.) 1999 - PONOVI SVOJE IME / REPEAT YOUR NAME (dokumentarni / doc.) 1997 - KUĆA IZA DUGE / HOUSE BEHIND THE RAINBOW (dokumentarni / doc.) 1996 - SARAJEVSKI SPOMENAR / SARAJEVO SCRAPBOOK (dokumentarni / doc.) 1996 - TRI / THREE (dokumentarni / doc.) 1993 - BEZ RAT HAŠEM (dokumentarni / doc.) 1991 - VANZEMALJAC / ALIEN (dokumentarni / doc.) 1990 - NEBESKA BERBA / HEAVENLY HARVEST (dokumentarni / doc.) 1989 - UBI NAS RAZVOJ / OUR PROGRESS IS KILLING US (dokumentarni / doc.) 1988 - PROZOR NA KRAJU GRADA/A WINDOW AT THE END OF THE TOWN (dokumentarni / doc.) 1987 - UNA JEDINA / UNA, THE ONLY (dokumentarni / doc.)

COMPETITION PROGRAMME - DOCUMENTARIES l 18. Sarajevo Film Festival 67

U fokusu / In Focus

Alpis / Alpe / Alps, Yorgos Lanthimos, Yorgos Lanthimos

Amour / Ljubav / Love, Michael Haneke

Csak a szél / Samo vjetar / Just the Wind, Bence Fliegauf

După dealuri / Iza brda / Beyond the Hills, Cristian Mungiu

Klip / Clip, Maja Miloš

Magyarország 2011 / Mađarska 2011 / Hungary 2011, András Jeles, Ágnes Kocsis, Ferenc Török, Simon Szabó,

Márta Mészáros, Péter Forgács, László Siroki, György Pálfi, Bence Fliegauf, András Salamon, Miklós Jancsó

Paradies: Liebe / Raj: Ljubav / Paradise: Love, Ulrich Seidl

Tatil Kitabi / Ljetna zadaća / Summer Book, Seyfi Teoman

Regija i svijet u fokusu / Region And The World In Focus

Program U fokusu tradicionalno donosi najbolja ostvarenja iz prošlogodišnje regionalne produkcije i predstavlja filmove koji su postigli zavidan uspjeh na filmskim festivalima širom svijeta ili na lokalnim filmskim marketima. Ovogodišnji sadržaj programa U fokusu iznova pokazuje zrelost regionalne kinematografije i rediteljskog talenta svih generacija kroz osam filmova koje prikazujemo. Jedini debitantski film u ovom programu je KLIP Maje Miloš, mlade režiserke iz Srbije. KLIP je prikazan na Filmskom festivalu u Rotterdamu ove godine i osvojio je nagradu Tigar za najbolji film. To je hrabar i grub prikaz generacije mladih ljudi koji se nesmotreno prepuštaju destruktivnom ponašanju, punom droge, seksa i nasilja, čemu svjedoče sveprisutni društveni mediji. Dobitnik Specijalne nagrade žirija na Sarajevo Film Festivalu za film OČNJAK, Yorgos Lanthimos vraća se u Sarajevo sa svojim drugim igranim filmom ALPE, premijerno prikazanim prošle godine u Takmičarskom programu Filmskog festivala u Veneciji. „Alpe“ je preduzeće koje nudi usluge porodicama nedavno preminulih. Uposlenici tog preduzeća doslovno obuvaju cipele pokojnika i glume ga sve dok se porodica ne osjeti spremnom oprostiti se s njim. Film postavlja pitanje šta je, u suštini, stvarnost i šta bi se desilo kada bismo stekli još jedan identitet. Da li bismo o njemu brinuli više nego o vlastitom? Mađarski režiser Bence Fliegauf će predstaviti svoj najnoviji film SAMO VJETAR, koji je premijerno prikazan na Takmičarskom programu Filmskog festivala u Berlinu, gdje je nagrađen Srebrnim medvjedom. Ovaj film, sa estetikom koja poptuno okupira, uz reduciranu naraciju govori o životu jedne romske porodice koja trpi rasističke napade. Ovo je hrabar prikaz rasizma u današnjoj Evropi. Rumunski režiser Cristian Mungiu predstavio je svoj novi film IZA BRDA u okviru zvanične selekcije Filmskog festivala u Cannesu, gdje ga je kritika ocijenila pozitivno, a žiri dodijelio nagradu u kategoriji za najbolji scenarij, dok su glavne glumice Cosmina Stratan i Cristina Flutur osvojile Zlatnu palmu za najbolje glumice ovogodišnjeg festivala u Cannesu. IZA BRDA je dojmljiva tragikomedija o seksualnoj histeriji, a Mungiu se usredotočio na krivicu, ljubav i izbor, te na sve ono što ljudi rade u ime uvjerenja. Austrijski reditelj Ulrich Seidl ove godine u Cannesu predstavio je prvi dio svoje trilogije RAJ: LJUBAV, koji tematizira pitanje ljubavi, identiteta kroz provokativnu i kontroverznu priču o seks turizmu, dotičući se i pitanja globalizacije. Osim ovog austrijskog reditelje, u okviru programa U fokusu prikazat ćemo i film dobitnika Zlatne palme i vjerovatno jednog od najznačajnijih režisera današnjice, Michaela Hanekea – LJUBAV. Film govori o nesumnjivo teškoj temi: šoku zbog smrti voljene osobe, ali i mučnom pitanju opravdanosti eutanazije radi okončanja patnje. Film propituje ljubav i njena iskušenja sve do zadnjeg trenutka. Predstavit ćemo i omnibus koji je producirao još jedan relevantan autor, Béla Tarr, koji je se udružio sa svojim kolegama i studentima te su svi skupa snimili film MAĐARSKA 2011, kao vapaj u zemlji u kojoj desničarska vlada sve više ograničava kulturu i film. Sarajevo Film Festival se ove godine prisjeća dragog prijatelja i talentiranog filmskog autora Seyfija Teomana, koji je tragično preminuo u aprilu ove godine. I Seyfi je bio jedan od autora koji su odrasli s našim Festivalom i od kojeg smo mnogo naučili. Iako nas je Seyfi napustio prerano, zauvijek će ostati u našim srcima, a njegov talenat, radost i osmijeh nikada nećemo zaboraviti. Stoga ćemo u okviru programa U fokusu prirediti hommage našem dragom Seyfiju ponovnim prikazivanjem njegovog debitantskog filma LJETNA ZADAĆA iz 2008, koji ga je predstavio kao novo obećavajuće ime, a ovaj film će ostati jedan od najuspješnijih debitantskih filmova iz regije. Zbogom, Seyfi!

E In Focus programme traditionally brings the best from regional cinema from the past year, showcasing films which made considerable success at films festivals worldwide or at their local markets. This year’s line-up of In Focus only once again proves the maturity of regional cinema and its filmmaking talent in all generations of filmmakers through eight films we are presenting. The only debut film in this section is CLIP by young female filmmaker from Serbia, Maja Miloš. CLIP premiered at Rotterdam this year and won the Tiger Award for best film at this festival. It is a bold and raw portrayal of a generation of young teens who indulge without limits in destructive group behaviour involving drugs, sex and violence, all witnessed by the ever-presence of social media. The winner of Sarajevo Film Festival Special Jury Prize for his film DOGTOOTH, Yorgos Lanthimos is back to Sarajevo with his second feature, ALPS, which premiered in the Venice Competition Programme last year. “Alps” is the name of a company that provides bespoke services for relatives of the recently deceased. The operatives of “Alps” literally fill the shoes of the dearly departed and play their parts until the family is ready to let go. It poses the question of what reality actually is and what would happen if we were given another identity, would we care for it more than our own? Hungarian filmmaker Bence Fliegauf will present his most recent film JUST THE WIND that premiered at the Berlin Competition this year and was awarded the Silver Bear. This film presents a day in the life of a Romany family menaced by a series of racist attacks - aesthetically absorbing, with a scaled-down narrative approach - it is a brave depiction of racism in Europe today. Romanian filmmaker Cristian Mungiu presented his new film BEYOND THE HILLS in the Cannes Film Festival Official Competition and the film was critically acclaimed and awarded by the Jury for Best Screenplay, while the main actresses Cristina Flutur and Cosmina Stratar won the Golden Palm for best actresses at this year’s Cannes. BEYOND THE HILLS is a captivating tragicomedy of sexual hysteria, but Mungiu focuses on the guilt concerned with love and choices, with the things people do in the name of their beliefs. Austrian director Ulrich Seidl presented his first part of trilogy in Cannes Competition this year PARADISE: LOVE, a film which poses questions about love, identity through a provocative and controversial story on sex tourism which also touches the issue of globalisation. From Austria, the programme In Focus will also bring the Golden Palm winner and probably one of the most important filmmakers in the world today, Michael Haneke, and his new film LOVE. The film deals with an unquestionably difficult topic: the shock of seeing a loved one die, but it also tackles the issue of the validity of choosing euthanasia as a respite for suffering. It also questions love, and challenges it until the very last moment. We are also presenting an omnibus produced by yet another important filmmaker, Béla Tarr, who has teamed up with his colleagues and students and created the film HUNGARY 2011 as an outcry in a country where the right-wing government is increasingly restricting culture and film. This year Sarajevo Film Festival is remembering a dear friend and a talented filmmaker, Seyfi Teoman, who died tragically in April this year. Seyfi has been one of the filmmakers who grew up with our festival and from whom we have also learned a lot. Even though Seyfi left us far too early, he will always be close to our hearts and we will never forget his talent, joy and smile. In Focus will therefore present an hommage to our dear Seyfi by presenting his debut film SUMMER BOOK from 2008, the film that launched him as a new name to look out for, and a debut film which will be remembered as one of the most successful debut films from the region. So long, Seyfi! Elma Tataragić, selektorica programa U fokusu / In Focus Selector

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Alpis / Alpe / Alps Medicinska sestra, bolničar, gimnastičarka i njen trener osnivaju preduzeće za pružanje usluga. Po pozivu porodice, prijatelja ili kolega umrlog, oni glume pokojnika. Preduzeće se zove Alpe. Njihov vođa, bolničar, sebe naziva Mont Blanc. Iako članovi kompanije Alpe funkcioniraju pod disciplinskim režimom njihovog vođe, medicinska sestra se ne ponaša u skladu s tim. Yorgos Lanthimos je rođen u Atini, gdje je studirao filmsku i televizijsku režiju. Od 1995. režirao je niz videospotova za plesne i pozorišne kompanije, zatim TV reklame, muzičke spotove i pozorišne predstave. Njegov prvi film KINETTA (2005) prikazan je na filmskim festivalima u Torontu i Berlinu, a kritika ga je pohvalila. Njegov drugi igrani film DOGTOOTH je osvojio nagradu Un Certain Regard na Filmskom festivalu u Cannesu 2009, a nakon čega je osvojio Specijalnu nagradu žirija na Sarajevo Film Festivalu, te Srce Sarajeva za najbolje glumice. Film je nominiran i za Oskara u kategoriji Najbolji film na stranom jeziku 2011. E A nurse, a paramedic, a gymnast and her coach have formed a service for hire. They stand in for dead people by appointment, hired by the relatives, friends or colleagues of the deceased. The company is called Alps. Their leader, the paramedic, calls himself Mont Blanc. Although the Alps’ members operate under a disciplinary regime demanded by their leader, the nurse does not.

Yorgos Lanthimos was born in Athens, where he studied directing for film and television. Since 1995, he has directed a series of videos for dance-theatre companies, television commercials, music videos, short films and theatre plays. His first film KINETTA (2005) screened at the Toronto and Berlin Film Festivals to critical acclaim. His second feature DOGTOOTH won the Un Certain Regard prize at the 2009 Cannes Film Festival, followed by Special Jury Prize at Sarajevo Film Festival and Heart of Sarajevo Award for Best Actresses. It was also nominated for the Best Foreign Language Film Oscar at the 2011 Academy Awards.

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Greece, 2011, 35 mm, Colour, 93 min, Greek Režija / Director: Yorgos Lanthimos Scenarij / Screenplay: Yorgos Lanthimos, Efthimis Filippou Direktor fotografije / Director of Photography: Christos Voudouris Montaža / Editor: Yorgos Mavropsaridis Zvuk / Sound: Leandros Ntounis Scenografija / Production Design: Anna Georgiadou Kostimografija / Costume Design: Thanos Papastergiou, Vassilia Rozana Uloge / Cast: Aggeliki Papoulia, Aris Servetalis, Johnny Vekris, Ariane Labed Producent / Producer: Athina Rachel Tsangari, Yorgos Lanthimos Produkcija / Production: A Haos Film Production Kontakt / Contact: The Match Factory GmbH, Balthasarstr. 79-81, 50670 Cologne, Germany, tel: +49 221 539 709-0, fax: +49 221 539 709-10, info@matchfactory.de, www.the-match-factory.com Filmografija / Filmography 2011 - ALPIS / ALPS 2009 - KYNODONTAS / DOGTOOTH 2005 - KINETTA 2001 - URANISCO DISCO (kratkometražni / short)

Amour / Ljubav / Love Georges i Anne su u osamdesetim godinama života. Oboje su vrlo obrazovani nastavnici muzike u penziji. Njihova kćerka je također muzičarka i s porodicom živi u inostranstvu. Jednog dana, Anne doživi moždani udar. Njihova se ljubav suočava sa teškim izazovom. Michael Haneke je rođen 1942. u Münchenu. Reditelj i scenarist, najpoznatiji je po mračnom i uznemirujućem stilu. Pohađao je Bečki univerzitet, gdje je studirao filozofiju, psihologiju i dramske umjetnosti, nakon što se neuspješno okušao u glumi i pjevanju. Nakon diplome postaje filmski kritičar. Od 1967. do 1970. radi kao urednik i dramaturg na njemačkoj televizijskoj stanici Südwestfunk. Kao televizijski reditelj debitirao je 1973. godine. Svoj prvi dugometražni film SEDMI KONTINENT (DER SIEBENTE KONTINENT) režirao je 1989. i njime oblikovao svoj žestoki i naglašeni stil koji će narednih godina procvjetati. Tri godine kasnije, kontroverzni BENNYJEV VIDEO (BENNY’S VIDEO) proslavio je Hanekeovo ime. Njegovi filmovi često govore o problemima i promašajima modernog društva. Haneke je, osim na televiziji i filmu, radio i u pozorištu. Predaje režiju na Bečkoj filmskoj akademiji. E Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple’s bond of love is severely tested.

Michael Haneke, a scriptwriter and director, best known for his bleak and disturbing style, was born in Munich in 1942. He attended the University of Vienna, where he studied philosophy, psychology and drama, after failing to achieve success in acting and singing. After graduation, Haneke became a film critic and, in the period from 1967 to 1970, he worked as an editor and dramaturg on the German television station Südwestfunk. He made his debut as a film director in 1973. In 1989, he directed his first feature film THE SEVENTH CONTINENT (DER SIEBENTE KONTINENT), which served to trace out the violent and bold style that would bloom in later years. Three years later, the controversial BENNY’S VIDEO put Haneke’s name on the map. His films often document problems and failures in the modern society. Haneke has also worked in theatre, alongside television and film. He teaches film directing at the Vienna Film Academy.

France, Germany, Austria, 2012, 35 mm, Colour, 125 min, French Režija / Director: Michael Haneke Scenarij / Screenplay: Michael Haneke Direktor fotografije / Director of Photography: Darius Khondji Montaža / Editor: Nadine Muse, Monika Willi Zvuk / Sound: Jean-Pierre Laforce, Guillaume Sciama Uloge / Cast: Jean-Louis Trintignant, Emmanuelle Riva, Isabelle Huppert, Alexandre Tharaud Producent / Producer: Margaret Mene, Stefan Arndt, Veit Heiduschka, Michael Katz Produkcija / Production: Les Films du Losange Kontakt / Contact: Les Films du Losange, 22, avenue Pierre 1er de Serbie, 75116 Paris, France, t.petit@FilmsduLosange.fr Filmografija / Filmography 2012 - AMOUR / LOVE 2009 - DAS WEISSE BAND / THE WHITE RIBBON 2005 - CACHÉ / HIDDEN 2003 - LE TEMPS DU LOUP 2001 - LA PIANISTE 2000 - CODE INCONNU 1997 - FUNNY GAMES 1994 - 71 FRAGMENTE EINER CHRONOLOGIE DES ZUFALLS 1992 - BENNY’S VIDEO 1989 - DER 7 KONTINENT

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Csak a szél / Samo vjetar / Just the Wind Vijest o ubistvu romske porodice u jednom mađarskom selu brzo se širi. Počinioci su u bjekstvu i niko ne zna ko bi oni mogli biti. Za romsku porodicu koja živi u blizini, ovo ubistvo samo potvrđuje njihove skrivene, pažljivo potiskivane strahove. U dalekoj Kanadi, glava te porodice donosi odluku da mu se žena, djeca i njihov djed što prije pridruže. Živeći u strahu od rasističkog terora koji ih okružuje, i osjećajući da ih je tiha većina napustila, porodica pokušava preživjeti dan nakon napada. Kada padne noć i tama se spusti na selo, primiču krevete bliže nego inače. Međutim, njihova nada u bijeg postaje iluzorna. Na osnovu serije ubistava koji su se uistinu dogodili u Mađarskoj, i u kojima je živote izgubilo 8 ljudi, Bence Fliegauf stvara atmosferu pogroma koja pothranjuje takvo nasilje. Kamera u stopu slijedi protagoniste, što eskalaciju događaja čini opipljivom. Bence Fliegauf je rođen 1974. u Budimpešti, u Mađarskoj. Obrazovao se kao scenograf od 1995. do 1998. Radi kao režiser i urednik za nabavku programa na mađarskoj televiziji. Na Berlinaleu je prvi put učestvovao 2004. godine sa filmom DEALER. Za film MILKY WAY 2007. je osvojio Zlatnog leoparda za savremene režisere na Filmskom festivalu u Locarnu. E News quickly spreads of the murder of a Romany family in a Hungarian village. The perpetrators have escaped and nobody claims to know who might have committed the crime. For another Romany family living close by, the murder only serves to confirm their latent, carefully repressed fears. Far away in Canada the head of the family decides that his wife, children and their grandfather must join him as soon as possible. Living in fear of the racist terror that surrounds them and feeling abandoned by the silent majority, the family tries to get through the day after the attack. By nightfall when darkness descends on the village the family pushes the beds closer together than usual. Yet their hope of escaping the madness proves illusory. Based on an actual series of killings in Hungary that claimed the lives of eight people in less than a year, Bence Fliegauf portrays the pogrom-like atmosphere which breeds such violence. The camera stays hot on the heels of the protagonists, making the breathless escalation of events physically palpable.

Bence Fliegauf was born in Budapest in Hungary in 1974. He was trained as a stage designer from 1995-98. A director and commissioning editor for Hungarian television, his first Berlinale outing was in 2004 with DEALER. He won the Golden Leopard for contemporary directors at the Locarno Film Festival in 2007 for MILKY WAY.

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Hungary, Germany, France, 2011, Colour, 91 min, Hungarian Režija / Director: Bence Fliegauf Direktor fotografije / Director of Photography: Zoltán Lovasi Montaža / Editor: Xavier Box Muzika / Music: Bence Fliegauf, Tamás Beke Zvuk / Sound: Tamás Beke Kostimografija / Costume Design: Sosa Juristovszky Uloge / Cast: Lajos Sárkány, Katalin Toldi, Gyöngyi Lendvai, György Toldi Producent / Producer: Mónika Mécs, András Muhi Produkcija / Production: Inforg M&M Film Kontakt / Contact: The Match Factory, Köln, Deutschland, tel: +49 221 5397090, info@matchfactory.de, www. matchfactory.de Filmografija / Filmography 2011 - CSAK A SZÉL / JUST THE WIND 2010 - MÉH / WOMB 2007 - TEJÚT / MILKY WAY 2005 - TRANCE (kratkometražni / short) 2004 - DEALER • A SOR 2003 - RENGETEG • 2001 - VAN –E ÉLET A HALÁL ELŐTT (dokumentarni / doc.) 2001 - HYPNOS (kratkometražni / short) 2000 - BESZÉLÖ FEJEK (kratkometražni / short) 1999 - HATÁRVONAL (dokumentarni / doc.)

După dealuri / Iza brda / Beyond the Hills Voichita traži Alinu na željezničkoj stanici u gradiću u rumunskim brdima. Djevojke su odrasle zajedno u sirotištu i bile su jedina porodica jedna drugoj još od prvog razreda. Kada je Alina imala 19 godina, jedna porodica je preuzela brigu o njoj, a kasnije je otišla raditi u Njemačku. Voichita je utočište našla u pravoslavnom manastiru i zaredila se. Tamo je pronašla ne samo Boga, nego i porodicu koju nikada nije imala. Alina se u zadnje vrijeme osjeća otuđeno i bolesno. Pokušava Voichitu ponovno uključiti u svoj život. Voichita traži dozvolu da ode na neko vrijeme, kako bi utješila svoju prijateljicu u nevolji, ali sveštenikov odgovor je jasan: kada se jednom odlučiš za put Gospoda, više nema povratka. Voichita nije spremna napustiti svoj tek stečeni mir, a Alina je potpuno zbunjena njenom odlukom. Šta se to desilo s djevojkom koju je poznavala? Cristian Mungiu je rođen 1968. u Iaşiju, u Rumuniji. Njegov prvi dugometražni film, OCCIDENT, premijerno je prikazan u selekciji Directors’ Fortnight u Cannesu 2002. Njegov drugi dugometražni film, 4 MJESECA, 3 SEDMICE I 2 DANA je 2005. nagrađen Zlatnom palmom. Režirao je i napisao scenarij za svoj treći film, IZA BRDA. E Voichita looks for Alina in the railway station of this small hilly Romanian town. The girls grew up together in an orphanage and they were family for each other since first grade. At 19, Alina was taken into custody by a social family and later decided to go and work in Germany. Voichita found refuge in an Orthodox Monastery and become a nun. She found there not only God but the family she never had. Alina feels estranged and sick lately and strives to include Voichita back in her life. Voichita asks permission to leave for a while to comfort her disturbed friend but the Priest’s answer is firm: once you take the path of Christ there are no second guesses. Voichita is not prepared to abandon her newly found peace while Alina is baffled by her decision: what on earth happened with the girl she knew?

Cristian Mungiu was born in Iaşi, Romania in 1968. His first feature, OCCIDENT, premiered in the Directors’ Fortnight at Cannes in 2002. In 2005, his second feature, 4 MONTHS, 3 WEEKS AND 2 DAYS, was awarded the Golden Palme. BEYOND THE HILLS is his third film as writer-director.

Romania, 2012, 35 mm, Colour, 150 min, Romanian Režija / Director: Cristian Mungiu Scenarij / Screenplay: Cristian Mungiu Direktor fotografije / Director of Photography: Oleg Mutu Montaža / Editor: Mircea Olteanu Zvuk / Sound: Mircea Olteanu, Dana Bunescu, Marius Leftărache Uloge / Cast: Cosmina Stratan, Cristina Flutur, Valeriu Andriuţă, Dana Tapalagă, Cătălina Harabagiu, Gina Ţandură, Vica Agache, Nora Covali, Dionisie Vitcu, Ionuţ Ghinea, Liliana Mocanu, Doru Ana, Costache Babii, Luminiţa Gheorghiu, Alina Berzunţeanu, Teodor Corban, Călin Chirilă, Cristina Cristian,Tania Popa, Petronela Grigorescu, Radu Zetu, Ion Sapdaru, Diana Chirilă Ignat, Liana Petrescu Producent / Producer: Cristian Mungiu Produkcija / Production: Mobra Films; Intrarea Serdarului, 5, 011377 Bucharest, Romania, tel/fax: +40 21 6664827, cristian@mobrafilms.ro, www.mobrafilms.ro Kontakt / Contact: Wild Bunch, 99 rue de la Verrerie, 75004 Paris, France, tel.: +33 1 53 01 50 20, fax.: +33 1 53 01 50 49 Filmografija / Filmography 2012 - DUPĂ DEALURI / BEYOND THE HILLS 2007 - 4 LUNI, 3 SAPTAMÂNI SI 2 ZILE / 4 MONTH, 3 WEEKS AND 2 DAYS 2002 - OCCIDENT 2000 - CORUL POMPIERILOR (kratkometražni / short) 2000 - NICI O ÎNTÂMPLARE (kratkometražni / short) 2000 - ZAPPING (kratkometražni / short)

IN FOCUS l 18. Sarajevo Film Festival 75

Klip / Clip Jasna ima šesnaest godina i ide u srednju školu. Njen otac boluje od opake bolesti u poodmakloj fazi. Jasna gleda svog potpuno bespomoćnog oca koji zbog jakih lijekova gubi dodir sa stvarnošću. Jasna ne želi učestvovati u svakodnevnim problemima koje život s ozbiljno bolesnim čovjekom donosi. Zaljubljena je u Đoleta, osamnaestogodišnjaka s kojim ide u školu. Stidi se da pokaže bilo kakva osjećanja prema njemu. Međutim, oni započinju vezu u kojoj je jedina komunikacija snimanje tokom seksa. Jasna često s prijateljima odlazi na žurke gdje se zabavlja, pije i drogira. Ljuta je na sve i svakoga. Ipak, ljubav i nježnost u izuzetno okrutnom okruženju izbijaju na površinu. Maja Miloš je rođena 1983. u Beogradu. Diplomirala je 2008. na Fakultetu dramskih umjetnosti u Beogradu, na Odsjeku za film i televiziju. Tokom studija režirala je 11 kratkometražnih i dokumentarnih filmova. Od 2005. radi i na igranim filmovima, i to na odabiru glumaca te kao pomoćnica režisera. KLIP je njen prvi igrani film. E Jasna is a sixteen year old girl, a high school student. Her father is at an advanced stage of a grave illness. Jasna sees her father completely helpless and losing touch with reality due to strong medications he’s on. She doesn’t want to take part in everyday problems life with a seriously ill man brings about. Jasna is in love with Djole - an eighteen year old boy she goes to school with. She’s shy of showing any kind of affection towards him. In spite of this, they start a relationship in which their only communication is filming themselves during sex. With her friends, Jasna often goes to parties where she has fun, drinks a lot and uses drugs. Jasna is angry with everyone and everything. Still, love and tenderness emerge in a very harsh environment.

Maja Miloš was born in Belgrade, on May 16 1983. She graduated from the Department of Film and Television Directing of the Faculty of Drama Arts in Belgrade in 2008. During her studies she directed 11 short films and documentaries. Since 2005 she also works on feature films, as a casting director and assistant director. CLIP is her first feature film.

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Serbia, 2012, DigiBeta, Colour, 102 min, Serbian Režija / Director: Maja Miloš Scenarij / Screenplay: Maja Miloš Direktor fotografije / Director of Photography: Vladimir Simić Montaža / Editor: Stevan Filipović Scenografija / Production Design: Zorana Petrov Kostimografija / Costume Design: Senka Kljakić, Marijana Radović, Monika Ratković Uloge / Cast: Isidora Simijonović, Vukašin Jasnić, Sanja Mikitišin, Jovo Maksić, Monja Savić, Katarina Pešić, Sonja Janičić, Jovana Stojiljković, Vladimir Gvojić, Nikola Dragutinović, Mihajlo Nikolić Producent / Producer: Jelena Mitrović, Srđan Golubović Produkcija / Production: Baš Čelik; Gospodar Jevremova 35, 11000 Belgarde, Serbia, tel: +381113034441, fax: +381113034887, jelena@bascelik.net, www.bascelik.net Kontakt / Contact: Wide Management, 40 rue Sainte Anne, 75002 Paris, tel.: +33 1 53950464, fax.: +33 1 95 04 65, infos@widemanagement.com Filmografija / Filmography 2012 - KLIP / CLIP 2008 - PRAH / DUST (kratkometražni / short) 2006 - LES COUSINS / COUSINS (kratkometražni / short) 2004 - SI TU TIMAŽIN / SI TU T’IMAGINES (kratkometražni / short) 2003 - INTERVAL (kratkometražni / short)

Simon Szabó Film

Magyarország 2011 / Mađarska 2011 / Hungary 2011 Béla Tarr, dobitnik Srebrnog medvjeda 2011. za film A TORINÓI LÓ, s još 11 mađarskih režisera producirao je antologijski film MAGYARORSZÁG 2011. Film je krik zemlje u kojoj desničarska vlada sve više ograničava rad u oblasti kulture i filma. Producent Béla Tarr o filmu: „U situaciji koja je zadesila mađarsku kinematografiju, jedini način da pokažemo da postojimo je serija video klipova, koja skreće pažnju gledalaca na činjenicu da smo još uvijek u stanju raditi i izraziti misli, reakcije i osjećanja. Ovi su filmovi snimljeni, doslovno, za sitan novac. Autori su prihvatili rad bez naknade uz korištenje najjeftinije moguće tehnike.“ E Béla Tarr, winner of the Silver Bear for A TORINÓI LÓ in 2011, has produced the anthology film MAGYARORSZÁG 2011 together with eleven filmmakers from Hungary. The film is an outcry in a country where the right wing government is increasingly restricting cultural and film work.

SPECIJALNA PROJEKCIJA / SPECIAL SCREENING Hungary, 2012, HD CAM (HDTV), Colour, 75 min, Hungarian Režija / Director: András Jeles, Ágnes Kocsis, Ferenc Török, Simon Szabó, Márta Mészáros, Péter Forgács, László Siroki, György Pálfi, Bence Fliegauf, András Salamon, Miklós Jancsó Produkcija / Production: T.T. Filmmühely Kft, H-1145 Róna utca 174. Budapest, Hungary, tel: +36 1 251 99 69, ttfilmmuhely@t-online.hu

Producer Béla Tarr about the film: “In the situation that evolved around Hungarian film we see no other possibility to prove our existance than with the help of a video series calling the viewers’ attention to the fact that we are still capable of working and expressing our thoughts, reflections and feelings. These films are produced on virtual cents. The creators accepted to work without receiving any kind of payment and to use the most inexpensive technique possible.“

Filmografija / Filmography András Jeles 2004 - JÓZSEF ÉS TESTVÉREI - JELENETEK A PARASZTBIBLIÁBÓL / JOSEPH AND HIS BROTHERS; 1993 - SENKIFÖLDJE / PARALLEL LIVES; 1989 - ÁLOMBRIGÁD; 1984 - ANGYALI ÜDVÖZLET / THE ANNUNCIATION; 1979 - A KIS VALENTINÓ / LITTLE VALENTINO Ágnes Kocsis 2010 - PÁL ADRIENN / ADRIENN PAL; 2006 - FRISS LEVEGÖ / FRESH AIR Ferenc Török 2011 - ISZTAMBUL / ISTANBUL; 2007 - OVERNIGHT; 2004 - SZEZON / EASTERN SUGAR; 2001 - MOSZKVA TÉR / MOSCOW SQUARE Simon Szabó 2009 - PAPÍRREPÜLÖK / PAPER PLANES Márta Mészáros, Selekcija / Selection: 2009 - UTOLSÓ JELENTÉS ANNÁRÓL / THE LAST REPORT ON ANNA; 2004 - A TEMETETLEN HALOTT / THE UNBURIED MAN; 1996 - A HETEDIK SZOBA / THE

SEVENTH CHAMBER; 1990 - NAPLÓ APÁMNAK, ANYÁMNAK / DIARY FOR MY FATHER AND MOTHER; 1987 - NAPLÓ SZERELMEIMNEK / DIARY FOR MY LOVES; 1984 - NAPLÓ GYERMEKEIMNEK / DIARY FOR MY CHILDREN; 1980 - ÖRÖKSÉG / THE INHERITANCE; 1975 - ÖRÖKBEFOGADÁS / ADOPTION Péter Forgács, Selekcija / Selection: 2011 - GERMAN UNITY @ BALATON – HONEYLAND; 2009 - HUNKY BLUES – THE AMERICAN DREAM; 2006 - MISS UNIVERSE 1929; 1988 – 2002 - “PRIVATE HUNGARY” 1-14 László Siroki 2011 - TÚLÉLÖK / SURVIVORS (dokumentarni / doc.); 2011 - E-NÉLKÜL ÜRESEK VAGYUNK / WE ARE EMPTY WITHOUT E (dokumentarni / doc.); 2011 - RÁCZ JOCÓ / JOCÓ RÁCZ (dokumentarni / doc.) György Pálfi 2012 - FINAL CUT – HÖLGYEIM ÉS URAIM / FINAL CUT – LADIES AND GENTLEMEN; 2009 - NEM VAGYOK A BARÁTOD / I AM NOT YOUR FRIEND;

2005 - TAXIDERMIA; 2002 - HUKKLE Bence Fliegauf 2012 - CSAK A SZÉL / JUST THE WIND; 2010 - WOMB – MÉH / WOMB; 2007 - TEJÚT / MILKY WAY; 2004 - DEALER; 2003 - RENGETEG / FOREST András Salamon 2004 - GETNO; 1997 - KÖZEL A SZERELEMHEZ / CLOSE TO LOVE; 1991 - ZSÖTEM / J’TAIME Miklós Jancsó, Selekcija / Selection: 1999 - NEKEM LÁMPÁST ADOTT KEZEMBE AZ ÚR, PESTEN / LORD’S LANTERN IN BUDAPEST; 1987 - SZÖRNYEK ÉVADJA / SEASON OF MONSTERS; 1979 - MAGYAR RAPSZÓDIA / HUNGARIAN RHAPSODY; 1972 - MÉG KÉR A NÉP / RED PSALM; 1967 - CSILLAGOSOK, KATONÁK / THE RED AND THE WHITE; 1967 - CSEND ÉS KIÁLTÁS / SILENCE AND CRY; 1966 - SZEGÉNYLEGÉNYEK / THE HOPELESS ONES; 1958 - A HARANGOK RÓMÁBA MENTEK / THE BELLS HAVE GONE TO ROME

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Paradies: Liebe / Raj: Ljubav / Paradise: Love Na plažama Kenije ih zovu „darežljive gospođe“: evropske žene u potrazi za afričkim mladićima koji prodaju ljubav kako bi zaradili za život. Teresa, 50-godišnja Austrijanka, putuje u taj raj na odmor. RAJ: LJUBAV je priča o starijim ženama i mladim muškarcima, o Evropi i Africi, o iskorištenima koji na kraju iskorištavaju druge. Ovo je prvi film iz trilogije RAJ Ulricha Seidla, film o tri žene i tri odmora, tri priče o potrazi za srećom u ovim vremenima. Ulrich Seidl je rođen 1952. Živi u Beču, Austrija. Režirao je brojne nagrađivane dokumentarne filmove, poput JESUS, DU WEIßT (JESUS, YOU KNOW), MODELS i TIERISCHE LIEBE (ANIMAL LOVE). Njegov prvi dugometražni igrani film DOG DAYS osvojio je Specijalnu nagradu žirija na Filmskom festivalu u Veneciji 2001. IMPORT EXPORT, prvi film kojeg je i producirao, premijerno je prikazan u takmičarskom programu Filmskog festivala Cannes 2007. Njegov najnoviji film RAJ: LJUBAV uvršten je u Zvaničnu selekciju u Cannesu 2012. E On the beaches of Kenya, they are known as “sugar mamas”: European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian woman, travels to this vacation paradise. PARADISE: LOVE tells of older women and young men, of Europe and Africa, and of the exploited, who end up exploiting others. Ulrich Seidl’s film is the first in his PARADISE-Trilogy about three women, three vacations and three stories of the longing to find happiness today.

Ulrich Seidl was born 1952, lives in Vienna, Austria. He is the director of numerous award-winning documentaries such as JESUS DU WEIßT (JESUS, YOU KNOW), MODELS and TIERISCHE LIEBE (ANIMAL LOVE). His first fiction feature DOG DAYS won the Special Grand Jury Prize at the 2001 Venice Film Festival. IMPORT EXPORT, the first film he also produced, premiered in competition in Cannes in 2007. His latest feature, PARADISE: LOVE was at the Official Selection of Cannes Film Festival 2012.

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Austria, Germany, France, 2012, 35 mm, Colour, 120 min, German, English Režija / Director: Ulrich Seidl Scenarij / Screenplay: Ulrich Seidl, Veronika Franz Direktor fotografije / Director of Photography: Wolfgang Thaler, Ed Lachmann Montaža / Editor: Christof Schertenleib Uloge / Cast: Margarethe Tiesel, Peter Kazungu, Inge Maux Producent / Producer: Ulrich Seidl Produkcija / Production: Ulrich Seidl Film Produktion Gmbh; Wasserburgergasse 5-7, 1090 Vienna, Austria, tel: +4313102824, fax: +4313195664, office@ulrichseidl.com, www.ulrichseidl.com Kontakt / Contact: Coproduction Office, Mommsenstr. 27, Berlin 10629, Germany, tel.: +49 30 3277 7879, festivals@coproductionoffice.eu Filmografija / Filmography 2012 - PARADIES: LIEBE / PARADISE: LOVE 2007 - IMPORT EXPORT 2003 - JESUS, DU WEIßT / JESUS, YOU KNOW (dokumentarni / doc.) 2001 - DOG DAYS 1998 - MODELS (dokumentarni / doc.) 1997 - THE BOSOM FRIEND (TV)

Tatil Kitabi / Ljetna zadaća / Summer Book Mustafa je vrijedan i ambiciozan poljoprivredni trgovac, hladan i strog prema porodici. Jednog dana na poslovnom putu doživi moždani udar i nakon operacije pada u komu. Guler pretpostavlja da je muž vara. Vejsel, njihov sin, adolescent, želi napustiti vojnu akademiju i studirati poslovnu administraciju. Ali, njihov desetogodišnji sin, mora se boriti s agresivnim drugom iz razreda, kao i sa žvakaćom gumom koju mora prodavati. Mustafin mlađi brat Hasan je nakon razvoda odlučio živjeti samotnjački, a oduvijek se izdvajao iz porodice. Sada, kad mu je brat u komi, uključuje se u porodične stvari. Hasan mora riješiti misteriju Mustafine ljubavnice i novca nestalog tokom putovanja. Seyfi Teoman rođen je 1977. u Kayseriju, Turska. Studirao je ekonomiju na Univerzitetu Bogazici u Istanbulu. Dvije godine je živio u Lodzu, u Poljskoj, gdje je studirao režiju na Nacionalnoj filmskoj školi. Njegov kratki film APARTMENT (2004) ušao je u selekciju brojnih renomiranih međunarodnih festivala, a osvojio je Nagradu za najbolji igrani film Nacionalnog festivala kratkog filma IFSAK u Turskoj. Svoj prvi igrani film LJETNA ZADAĆA snimio je u septembru 2007. Seyfi Teoman poginuo je u saobraćajnoj nesreći u aprilu 2012. godine. E Mustafa is a hard-working and ambitious agricultural merchant who is cold and austere towards his family. One day he has a brain hemorrhage on a business trip and goes into a coma after the operation. Güler is suspicious of her husband having an affair. Veysel, their teenage son, wants to leave the military academy and study business administration. Ali, their 10-year-old son, has to cope both with his bully classmate and the chewing gums he has to sell. Hasan, Mustafa’s younger brother, chose to live a life in solitude after getting a divorce, and has always been an outsider to the family. But now, with his brother in coma, he finds himself involved in family affairs. Hasan has to solve the mystery about Mustafa’s mistress and the money lost during his trip.

Turkey, 2008, 35 mm, Colour, 90 min, Turkish Režija / Director: Seyfi Teoman Scenarij / Screenplay: Seyfi Teoman Direktor fotografije / Director of Photography: Arnau Valls Colomer Montaža / Editor: Çiçek Kahraman Zvuk / Sound: Ismail Karadaş Uloge / Cast: Taner Birsel, Ayten Tökün, Osman İnan, Harun Özüağ, Tayfun Günay Producent / Producer: Yamaç Okur, Nadir Öperli Produkcija / Production: Bulut Film; Boğaziçi Universitesi Mithat Alam Film Merkezi, Bebek, Istanbul, Turkey. tel: + 90 533 661 7737, fax: (90-212) 287 7086, info@bulutfilm.com, www.bulutfilm.com Filmografija / Filmography 2011 - BIZIM BÜYÜK ÇARESIZLIGIMIZ / OUR GRAND DESPAIR 2008 - TATIL KITABI / SUMMER BOOK 2004 - APARTMAN / APARTMENT (kratkometražni / short)

IN MEMORIAM 1977 - 2012

Seyfi Teoman was born in Kayseri, Turkey in 1977. After studying economics at Bogazici University in Istanbul, he lived in Lodz, Poland for two years, studying film directing at Polish National Film School. He shot his short film, APARTMENT in 2004 which has been screened in many international film festivals. He directed his first feature SUMMER BOOK in September 2007. He died in an accident in April 2012.

IN FOCUS l 18. Sarajevo Film Festival 79

Novi tokovi - igrani film / New Currents - Features

Kotoko, Shinya Tsukamoto

Mondomanila, Khavn

Nana, Valérie Massadian

Shapito-Shou / Chapiteau-Show, Sergei Loban

Two Years at Sea / Dvije godine na moru, Ben Rivers

Whores’ Glory / Slava kurvi, Michael Glawogger

Novi tokovi - kratki film / New Currents - Shorts

1989 (Dengang jeg var 5 ar gammel) / 1989 (Kada mi je bilo 5 godina) /

1989 (When I was 5 Years Old), Thor Ochsner

663114, Isamu Hirabayashi

Bradley Manning Had Secrets / Bradley Manning je imao tajne, Adam Butcher

The Centrifuge Brain Project / Projekat centrifugalni mozak, Till Nowak

Chroniques de la poisse / Ljepljivi završeci / Sticky Ends, Osman Cerfon

Conference: Notes on Film 05 / Konferencija: Bilješke o filmu 05, Norbert Pfaffenbichler

Documentary III - Slot Machine / Dokumentarac III – Poker mašina, Chang-Jung Wu

Isla Alta, Federico Adorno

Iz Tokio / Iz Tokija / From Tokyo, Alexey German Jr.

Malody, Phillip Barker

The Man That Got Away / Čovjek koji se izvukao, Trevor Anderson

Meteor / Meteor, Christoph Girardet, Matthias Müller

Ninifuni, Tetsuya Mariko

Rafa, Joao Salaviza

Rigid Regime / Rigidni režim, Erkka Nissinen

Supercargo, Christoph Schwarz

Novi tokovi – dugometražni i kratkometražni / New Currents Features & Shorts

Philippe Bober

Vanja Kaluđerčić

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Režiseri okupljeni u programu Novi tokovi se izuzetno ističu, svaki na svoj način, po izrazito autentičnom kinematografskom jeziku. Izlažući se brojnim rizicima, ti režiseri konstantno proširuju naše razumijevanje kinematografije, često prevazilazeći kanone konvencionalnog snimanja filmova. Kao rezultat toga, njihova jedinstvena vizija kinematografije publiku suočava s inspirativnim mislima, idejama, kreativnošću i ljepotom, zahvaljujući čemu na koncu pronicljivije promatramo svijet. U filmu DVIJE GODINE NA MORU, Ben Rivers prikazuje jedinstven i samotnjački život pustinjaka Jakea, koji živi u izolaciji usred zabačene šume na sjeveroistoku Škotske. Namjerno se udaljio od društva kako bi vodio skoro potpuno samodostatan život. Film prikazuje trenutke istinske ljepote, te Jakea vidimo tokom svih godišnjih doba kako živi svoj radikalni san iz mladosti: san zbog kojeg je radio dvije godine na moru kako bi ga ostvario. Film ne objašnjava ništa, ali govori mnogo. Nećemo mnogo saznati o Jakeovom prethodnom životu, ali ćemo postati dijelom njegove intime koju je Ben Rivers vrlo vješto režirao. Zapitat ćemo se o našem odnosu prema prirodi, o našoj ovisnosti o svemu modernom, o izolaciji koju društvo donosi. Teško je zamisliti ljepši dijalog između ovog nježnog materijala i našeg prisustva u svijetu. Veliki austrijski filmski autor Michael Glawogger predstavlja posljednji dio trilogije o globalnom tržištu rada, pod nazivom SLAVA KURVI. Film je osmišljen kao trilogija i predstavlja svijet prostitucije u tri različita grada, bez predrasuda koje su, uglavnom, povezane s ovom temom. Ovo vizualno zapanjujuće, jako iskustvo, obogaćeno moćnom muzikom (PJ Harvey i Coco Rosie), mračna je poema o ljepoti koja nastanjuje najtragičnija ljudska iskustva. Dvadeset osmi po redu film najproduktivnijeg filipinskog autora Khvana de la Cruza, MONDOMANILA, ujedno je i jedan od njegovih najboljih filmova. Utemeljen na romanu Normana Wilcaycoa, koji je osvojio tri nagrade Palance (2002), na kratkoj priči (2000) i na scenariju (2002), MONDOMANILA, prema riječima De la Cruza, predstavlja „postmodernu viziju romana Edgarda Reyesa ‘Sa Mga Kuko ng Liwa nag’. Ovaj film ne istražuje samo Manilu i ljude koji tamo žive, nego zadire u logični smisao koji se nalazi iza potpuno iracionalnog svakodnevnog života ovih ljudi.“ Ovo je, vjerovatno, vrhunac De la Cruzovog niza filmova kojim krši pravila. Iznenađujuće je uglađen (u poređenju sa svim njegovim ranijim filmovima), čudnovato elegantan, otmeno šokantan. Naizmjenično prikazujući ekstremno nasilje i

nježnost, psihološkim hororom KOTOKO vraća se veliki Shinya Tsukamoto, sigurno najproduktivniji japanski režiser, te nas uvodi u jedinstveno ludilo u kojem se prepliću otuđenje i gubitak kontrole. Shinya Tsukamoto se pojavio na međunarodnoj filmskoj sceni sa svojim prvim dugometražnim filmom TETSUO THE IRON MAN (1989), kojim je izvršio veliki utjecaj na mnoge filmske autore širom svijeta. U svom novom filmu, iako se drži svog prepoznatljivog stila, Tsukamoto ide u novom pravcu. I u njegovim ranim filmovima bile su uobičajene scene rata i nasilja. Ovaj put, kroz konvencionalnu priču o majci i djetetu, ove scene poprimaju zastrašujuću moć. Film nije preporučljiv za mlade majke. Nekoliko ovogodišnjih filmova predstavljaju radikalne izazove za nas gledatelje. Nagrađivani film NANA mlade umjetnice/fotografkinje Valérie Massadian stavlja nas u poziciju četverogodišnje djevojčice, koja se jednog dana nađe sasvim sama na svijetu. Ovaj čudnovati i lijepi film prikazuje mladalačko istraživanje svijeta i prihvatanje smrti. Ova je francuska režiserka uradila izuzetan posao s četverogodišnjom glumicom u filmu gdje dječija igra i mašta otkrivaju intimni i zadivljujući dugometražni prvijenac koji briše granice između dokumentarnog i igranog filma. Film CHAPITEAU-SHOW, koji je već izuzetno popularan u Rusiji iz koje je i potječe, inventivna je i lagana priča koja na veseo način razbija sva pravila; to je film koji prikazuje četiri međusobno povezane kratke priče o odnosima koji nastaju unutar misterioznog cirkuskog šatora na obali Crnog mora. Miješajući muziku kabarea, strukturu labirinta i zdravu dozu nestašnog nadrealizma, režiser Sergey Loban stvara nekonvencionalnu postmodernističku priču o slobodi i očajnoj želji da se bude svoj. U bogatoj selekciji kratkometražnih filmova, jedan se film nalazi između kratkometražne i dugometražne forme. Naslov NINIFUNI potječe iz budističkog koncepta (obično se prevodi kao „dva [u pojavi], ali ne dva [u suštini]“), te se dvije priče Marika Testuye o savremenom Japanu, u trajanju od 42 minute, preklapaju: pljačka salona arkadnih igara i njen (suicidalni) epilog tokom snimanja muzičkog videa. U svakom kadru, pokretu i precizno određenom rezu, ovaj film se istovremeno odnosi i na materijalizaciju sadašnjeg trenutka i na duhovnu rezonancu (ili strašnu prazninu koja ih okružuje); ovo je rad koji pokazuje izuzetan talent. Uvijek imajući na umu izbor kratkih filmova, koji bi na najbolji način obuhvatili idiosinkratične ideje i umjetničke preferencije, koje se, u ovoj ili onoj formi, uklapaju u program Novi tokovi,

princip kojim smo se rukovodili bio je da se prvenstveno usredotočimo na mlade i dolazeće filmske talente i režisere. Uz ove dvije selekcije izuzetnog broja kratkih filmova, režiseri su ponudili uznemiravajuće, lijepe, ali istovremeno i složene slike i teme, ponudivši bogat raspon različitih perspektiva, a pritom istražujući nove pristupe filmu kao mediju.

E The directors gathered in the New Currents programs highly distinct themselves, each in their own personal way with the utmost authentic cinematic language. Taking many risks these filmmakers permanently expand our understanding of cinema often transgressing the canons of conventional filmmaking. As a result their unique vision of cinema confronts the audience with inspiring thoughts, ideas, creativity and beauty, which subsequently lets us reflect on this world more insightfully. In the TWO YEARS AT THE SEA Ben Rivers captures the unique and solitary everyday life of Jake, a hermit living in isolation in the middle of a remote forest in northeastern Scotland. He has deliberately moved away from the society to lead, nearly, self-sufficient life. Capturing moments of profound beauty Jake is seen in all seasons, living the radical dream he had as a younger man, a dream he spent two years working at sea to realize. The film explains nothing, but tells a lot. We will not know much about Jake’s earlier life, nor of his thoughts, but we will become part of his intimacy, which so skillfully directed by Ben Rivers. One wonders about our relationship to nature, our dependence on modernity, and isolation that is brought by society. Difficult to imagine more beautiful dialogue between this fragile material and our presence in the world. An Austrian helmer filmmaker Michael Glawogger presents his last piece in a trilogy about the global labor market entitled WHORES’ GLORY. The film itself constructed as a trilogy depicts the world of prostitution exploring three different cities, beyond all prejudices generally associated with its subject. This visually stunning and strong experience, enhanced with a powerful soundtrack (PJ Harvey and Coco Rosie), is a dark poem about the beauty that resides within the most tragic human experience. In MONDOMANILA his 28th feature, Philippine most productive filmmaker Khavn de la Cruz, presents one of his best films up to date. Based on Norman Wilcayco’s triple-Palanca-winning novel (2002), short story, (2000) and screenplay (2003), MondoManila, says dela Cruz

“is a post-modern version of Edgardo Reyes’ ‘Sa Mga Kuko ng Liwa nag’. It not only explores Manila and its humanity, it also delves into the whole rationale behind the irrational lives these people experience every day.” This is probably the pinnacle of de la Cruz’s streak of rule-breaking films. It is surprisingly sleek (compared to all of de la Cruz’s previous works), weirdly elegant, and nobly shocking. Shifting between the extreme violence and delicacy in the psychological horror KOTOKO a returning master, and certainly, today’s most prolific Japanese filmmaker Shinya Tsukamoto introduces us to the unique madness varied with themes such as alienation and loss of control. Shinya Tsukamoto burst onto the international film scene with Tetsuo the Iron Man (’89), his first feature film that greatly influenced many creators around the world. In this new film, while keeping the recognizable Tsukamoto style, he embarks on a new direction. From his early works on, the images of war and violence have been a running constant. This time through the iconic story of a mother and child, these images come to wield a frightening power. Rather unsuitable for young mothers. Several of this year’s films radically challenge our position as spectators. The prize-winning film of artist/photographer Valérie Massadian’s NANA, puts us in a 4-year-old girl’s shoes, when she one day finds herself alone in the world. Strange and beautiful the film portraits the youthful exploration of the world and coming to terms with death. The French director made impressively thorough work the four year old actress, where the child play and the fantasy are revealing an intimate and overwhelming debut that blurs the boundaries between the documentary and fiction. Already a huge hit in its native Russia, an inventive and light-hearted epic that gleefully breaks all the rules CHAPITEAU-SHOW, tells four interconnected short stories about relationships, all emerging from within a mysterious circus tent on the coast of the Black Sea. Mixing cabaretstyle musical numbers, a labyrinthine structure, and a healthy dose of playful surrealism, the director Sergey Loban created an off beat postmodern tale on freedom and the despair of being yourself. In the rich selection of the short film program one film stands halfway between the feature and the short format. The title NINIFUNI comes from a Buddhist concept (usually translated as “two [in phenomena], but not two [in essence]”), and in Mariko Testuya’s 42-minute two stories from contemporary Japan

intersect—an amusement arcade robbery and its (suicidal) aftermath with the shooting of a garish pop music video. With every frame, movement and cut precisely judged, this is both attuned to the materiality of the present moment and to spiritual resonances (or the horrible void surrounding them): a work that indicates a major talent. Whilst reflecting on a short film selection that would best embrace idiosyncratic ideas and artistic preferences that in one form or another relate to the New Currents program, the guiding principle was to primarily focus on young and upcoming talents and directors. With these two selections of exceptional number of short films the directors have come up with haunting, beautiful, yet complex images and subjects, offering a rich variety of different perspectives while exploring the new approaches to the medium of cinema. Philippe Bober&Vanja Kaluđerčić, selektori programa Novi tokovi / New Currents Selectors

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Kotoko KOTOKO je priča o majci koja pati od dvostrukih slika. Vidi kako se osoba razdvaja na dvoje… na pozitivnu i negativnu ličnost. Zbog toga se nikad ne osjeća lagodno, a briga o bebi je izluđuje i na kraju dovodi do nervnog sloma. Stvari izmiču kontroli, osumnjiče je za zlostavljanje djeteta i oduzmu joj ga. Kad pjeva, ne vidi dvostruke slike. Samo tad se njen svijet ujedinjuje, a ona bude mirna. Zbliži se s čovjekom koji je očaran njenim pjevanjem, ali na kraju svako odlazi svojim putem. Shinya Tsukamoto je rođen 1. 1. 1960. u Tokiju, u Japanu. Počeo je snimati filmove još u srednjoj školi. Diplomirao je slikarstvo uljanim bojama na Univerzitetu Nihon. Nakon toga se zaposlio u jednom produkcijskom studiju. Dok je radio na tom poslu, bavio se pozorišnom umjetnošću, s ljudima koji će kasnije postati glumci i ekipa njegovog filma TETSUO THE IRON MAN. Tim filmom je odmah došao u središte pažnje međunarodne javnosti kao režiser s originalnom vizijom i stilom. Filmovi, koje je snimio iza toga, dobili su odlične kritike i osvojili su mnoge nagrade. A SNAKE OF JUNE je osvojio Nagradu žirija na Venecijanskom filmskom festivalu (u sekciji ControCorrente). Filmom TETSUO THE BULLET MAN, koji je uvršten u takmičarski program Venecijanskog filmskog festivala, završio je trilogiju o Tetsuu. E KOTOKO is a story of a mother who suffers from double vision. She sees a person splitting into two…a negative person and a positive person. Because of this, she never feels at ease and caring for her baby is a nerve-wrecking task that eventually leads her to a nervous breakdown. Things get out of control and subsequently she is suspected of being a child abuser and her baby is taken away. She doesn’t see double when she is singing. It is the only time in which her world becomes united and her mind is at peace. She becomes intimate with a man who is enchanted with her singing but the two eventually go their separate ways.

Shinya Tsukamto was born in Tokyo, Japan on Jan 1, 1960. He started making films when he was a junior high school student. He graduated from Nihon University, majoring in oil painting. After graduating the university, he was employed by a commercial film production. While working for the production, he participated in stage activity along with the people who became both the cast members and film crew for his film, TETSUO THE IRON MAN. The film instantly put him in the limelight as a filmmaker with an original vision and style in the international film scene. The films that followed TETSUO received many rave reviews and prizes. A SNAKE OF JUNE won the Jury’s Prize (Contro Corrente section) at the Venice Int’l Film Festival. He recently completed his trilogy of Tetsuo films, with TETSUO THE BULLET MAN, which entered the competition at the Venice Int’l Film Festival.

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Japan, 2011, DCP, Colour, 91 min, Japanese Režija / Director: Shinya Tsukamoto Scenarij / Screenplay: Shinya Tsukamoto Direktor fotografije / Director of Photography: Shinya Tsukamoto Montaža / Editor: Shinya Tsukamoto Muzika / Music: Cocco Scenografija / Production Design: Cocco Uloge / Cast: Cocco, Shinya Tsukamoto Producent / Producer: Shinya Tsukamoto Produkcija / Production: Kaijyu Theater Co. Filmografija / Filmography 2011 - KOTOKO 2010 - THE WHISTLER 2009 - TETSUO THE BULLET MAN 2008 - NIGHTMARE DETECTIVE 2 2006 - NIGHTMARE DETECTIVE 2005 - HAZE-ORIGINAL LONG VERSION 2004 - TAMAMUSHI / FEMALE (kratkometražni / short) 2004 - VITAL 2002 - A SNAKE OF JUNE 1999 - GEMINI 1998 - BULLET BALLET 1995 - TOKYO FIST 1992 - TETSUO II THE BODY HAMMER 1990 - HIRUKO, THE GOBLIN 1989 - TETSUO THE IRON MAN 1987 - ADVENTURE OF DENCHU KOZO

Mondomanila Tony de Guzman je antiheroj. On smatra da je život kratak, brutalan i nikada nije na tvojoj strani. Zgrabi šta možeš, kada možeš. Poravnaj račune. Budi pohotan. Prkosi pravilima. Varaj sistem. Zaoštri. Tony zna samo za život u turobnom cirkusu straćara koje on naziva dom. Ovo je njegova priča i priča o onom u čemu živi: o beznadežnom, zatvorenom, nestabilnom, oronulom svijetu. MONDOMANILA je odvažan i duhovit pogled na život u podzemlju urbane dijaspore… uz pjesme. Khvan De La Cruz je višestruko nagrađivan i međunarodno priznat režiser, kompozitor i pisac. Snimio je 31 dugometražni i preko 100 kratkometražnih filmova, uključujući i SQUATTERPUNK (Filmski festival u Rotterdamu, 2007), THE MUZZLED HORSE OF AN ENGINEER IN SEARCH OF MECHANICAL SADDLES (Berlinale, 2008) i MANILA IN THE FANGS OF DARKNESS (Viennale, 2008). Smatraju ga začetnikom filipinske digitalne kinematografije. Bio je član žirija na Berlinaleu, na Festivalu kratkometražnog filma u Clermont-Ferrandu, CPH:DOX-u, na festivalu u Jeonjuu, u Jihlavi te na Festivalu dokumentarnog i animiranog filma u Leipzigu. Khavn je bio član žirija i na dodjeli Državne nagrade za književnost Don Carlos Palanca, koju je i sam dobio za poeziju i prozu. Tri puta je izabran u Državnu radionicu pisaca i bio je pozvan na stipendiju za pisce u Međunarodni dom pisaca u Ventspilsu, u Latviji. Objavljeno je pet njegovih knjiga, uključujući i Ultraviolins, koja važi za prvu postmodernističku knjigu priča na filipinskom jeziku. Khavn je i nagrađivani muzičar, a nastupao je na koncertima u Evropi, SAD i u Australiji, sam, ili s jednim od svoja tri benda Fando & Lis, The Brockas i Vigo. Krajem devedesetih, bio je vlasnik među umjetnicima popularnog Ora Café, a sada je predsjednik nezavisne filmske, muzičke i izdavačke kuće Kamias Road, kao i direktor Međunarodnog filmskog, muzičkog i književnog festivala MOV, prvog digitalnog festivala na Filipinima. E Tony de Guzman is an anti-hero. According to him, life is short, brutal and it is never on your side. Grab what you can, when you can. Settle scores. Be randy. Defy the rules. Cheat the system. Tough it out. Tony knows nothing but tough times in the bleak circus of the slums he calls home. This is his story and the story of the world he lives in: a hopeless, closed-in decrepit world gone to seed. MONDOMANILA is an unflinching and unflinchingly funny look at life in the underbelly of the urban diaspora … with songs.

Philippines, Germany, 2012, HD CAM (HDTV), Colour, 75 min, Filipino, Tagalog Režija / Director: Khavn Scenarij / Screenplay: Norman Wilwayco, Khavn Direktor fotografije / Director of Photography: Albert Banzon Montaža / Editor: Lawrence S. Ang Muzika / Music: Malek Lopez, Khavn Zvuk / Sound: Corinne De San Jose Scenografija / Production Design: Dante Perez, Roland Rubenecia Kostimografija / Costume Design: Mei Bastes Uloge / Cast: Tim Mabalot, Marife Necesito, Palito, Alex Tiglao, Stefan Punongbayan, Jonathan Reyes, Whitney Tyson, Tony Hunt, Pango, Jim Rocky Tangco, Rodney Aquino Producent / Producer: Khavn Filmografija / Filmography 2012 - MONDOMANILA 2011 - THE ONE AND ONLY CONCERT OF THE AMAZING COMBO OF KOMMANDER KULAS AND HIS POOR CARABAO IN THE LONG AND UNWINDING ROAD OF KAMYAS 2010 - SON OF GOD (dokumentarni / doc.) 2010 - CAMEROON LOVE LETTER (FOR SOLO PIANO) 2009 - THE MIDDLE MYSTERY OF KRISTO NEGRO 2007 - 3 DAYS OF DARKNESS 2004 - MONDOMANILA (kratkometražni / short)

Khavn De La Cruz is a multi-awarded and internationally renowned filmmaker, composer, and writer. He has thirty-one features and more than a hundred short films under his belt, including SQUATTERPUNK (Film Festival Rotterdam 2007), THE MUZZLED HORSE OF AN ENGINEER IN SEARCH OF MECHANICAL SADDLES (Berlinale 2008) and MANILA IN THE FANGS OF DARKNESS (Viennale 2008). Considered the father of Philippine digital filmmaking, Khavn has served as jury member at the Berlinale, Festival du Court Métrage Clermont-Ferrand, CPH:DOX, Jeonju, Jihlava & DOK Film Leipzig film festivals. Khavn has judged in the Palanca National Literary Awards, as well, and also won it for his poetry and fiction. He has been selected thrice in the National Writers Workshop and was invited to a writing residency in Ventspils International Writers House, Latvia. Five of his books have been published, including ‘Ultraviolins’, which has been hailed the first postmodern book of stories in Filipino. Khavn is also an award-winning musician and has performed his original compositions, either as a solo pianist or with one of his three bands Fando & Lis, The Brockas and Vigo in Europe, the United States and Australia. Once the proprietor of the late 90s go-to place for local artists Ora Café, Khavn is now the president of Kamias Road, an independent film, music and publishing company and the festival director of .MOV International Film, Music, & Literature Festival, the first digital film festival in the Philippines. NEW CURRENTS l 18. Sarajevo Film Festival 85

Nana Nana ima četiri godine i živi u kamenoj kući iza šume. Kada se jednog popodneva vrati iz škole, zatekne samo tišinu u svom domu. Put u noć njenog djetinjstva. Valérie Massadian se počela baviti obradom slike kroz fotografiju, posebno kroz saradnju s Nan Goldin, a uradila je prikaze fotografija u nizu (The Link, Mary Go Round, Journal de Bord) koje su predstavljene na izložbama u Tokiju, Londonu i Portu. Ono što je zadržala, kad je u pitanju fotografija, jesu sloboda i strogost frontalnog kontakta. Isti taj pristup je primijenila u saradnji s nekoliko režisera, i to od samog početka do kraja projekta. Iz toga je proizašla i potreba da i sama snimi film, NANA, koji je osvojio nagradu za Najbolji prvi igrani film na Filmskom festivalu u Locarnu, 2011, kao i Nagradu za najbolji strani igrani film na Međunarodnom filmskom festivalu u Valdiviji, u Čileu. E Nana is 4 years old and lives in a stone house beyond the forest. Back from school, a late afternoon, all she finds is silence in the house. A journey into the night of her childhood.

Valérie Massadian came to image-making through photography, and notably her collaboration with Nan Goldin, creating slide- show screenings (The Link, Mary Go Round, Journal de Bord), exhibited in Tokyo, London and Porto. What she has retained from photography is its freedom and the rigor of frontal contact. She has taken this same approach, committing to a project from concept to completion, in her collaborations with several film directors. From there came the need of her own film, NANA, which won the Price for Best First Feature Film at the Locarno Film Festival 2011, as well as the Price for Best International Feature Film at the Festival Internacional de Ciné de Valdivia.

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France, 2011, DCP, Colour, 68 min, French Režija / Director: Valérie Massadian Scenarij / Screenplay: Valérie Massadian Direktor fotografije / Director of Photography: Léo Hinstin, Valérie Massadian Montaža / Editor: Dominique Auvray, Valérie Massadian Zvuk / Sound: Olivier Dandré Uloge / Cast: Kelyna Lecomte, Alain Sabras, Marie Delmas Producent / Producer: Sophie Erbs Filmografija / Filmography 2011 - NANA

Shapito-Shou / Chapiteau Show CHAPITEAU-SHOW je film kojeg sačinjavaju četiri priče: Ljubav, Prijateljstvo, Poštovanje i Saradnja. Radnja svake priče se dešava u malom turističkom gradu pored Crnog mora, a svi se likovi nalaze na životnim prekretnicama. I dok oni proživljavaju osobne drame, nadrealna predstava zauzima grad i sve njih stavlja u centar epske izvedbe. Sergei Loban (3. 9. 1972) je rođen u Moskvi. Diplomirao je na moskovskom Institutu za elektroniku i matematiku. 1995. osnovao je alternativni klub koji je naredne dvije godine bio centar neformalne kulture u Moskvi. Radio je na kanalu ORT, kao urednik programa „...under 16 and older“. Tada je Loban upoznao Marinu Potapovu i Dimitryja Medela, učesnike kontrakulturnog umjetničkog saveza ‘zAiBi’ (ime znači ‘za anonimnu i slobodnu umjetnost’). S prijateljima iz ovog saveza, Loban je osnovao kreativnu uniju SVOI-2000. Na traženje bjeloruskog časopisa Navinki, Loban je 2002. snimio film SLUCHAY S PATSANOM. To je prvi nezavisni bjeloruski film, a osvojio je glavnu nagradu na moskovskom filmskom festivalu To Love Cinema. Iste godine snimio je i kratkometražni film SOSI BOBAN. Loban je 2005. snimio dramu PYL’ / DUST, koja je osvojila nekoliko nagrada, uključujući i priznanje žirija filmskih kritičara Rusije na 27. međunarodnom filmskom festivalu u Moskvi. Taj je film osvojio i glavnu nagradu na 20. filmskom festivalu Kinoshok u Rusiji. E CHAPITEAU-SHOW is 4 short stories titled Love, Friendship, Respect and Cooperation. All 4 parts

take place in a small resort town by the Black Sea where characters of each chapter are facing the turning moments of their life. And while they are going through their personal dramas a surreal show is taking over the city, bringing all of them together in the center of an epic performance.

Russia, 2011, DCP, Colour, 207 min, Russian Režija / Director: Sergei Loban Scenarij / Screenplay: Marina Potapova Direktor fotografije / Director of Photography: Ivan Mamonov, Evgeniy Tsvetkov Muzika / Music: Jacques Polyakov Zvuk / Sound: Anatoliy Brandorf Scenografija / Production Design: Alena Kudrevich Uloga / Cast: Vera Strokova, Aleksey Podolskiy, Aleksey Znamenskiy, Sergey Kuz’menko, Petr Mamonov, Stepan Devonin, Sergey Volzhin-Yastrebov, Sergey Popov, Stas Baretskiy, Yuliya Govor, Dmitriy Novikov, Dmitriy Bogdan Producent / Producer: Aleksey Ageev, Mikhail Sinyov Produkcija / Production: Organic Films Filmografija / Filmography 2011 - SHAPITO-SHOU / CHAPITEAU-SHOW 2005 - PYL’ / DUST 2002 - SOSI BANAN (kratkometražni / short) 2001 - SLUCHAY S PATSANOM

Sergei Loban (3.9.1972) was born in Moscow. Graduated from Moscow Institute of electronics and mathematics. In 1995 he founded an underground club, which became the center of informal culture in the city for the two following years. Worked as director on the channel ORT - on the program “...under 16 and older”. It was then when Loban met Marina Potapova and Dmitry Medel, the participants of the countercultural art alliance called ‘zAiBi’ (which decrypts as ‘For anonymous and free art’). Together with his friends from this alliance he founded creative union called SVOI2000. In 2001 through the request from Belorussian paper Navinki Loban made the film SLUCHAY S PATSANOM. The film became the first independent Belorussian film and received Grand-Prix at Moscow Film Festival To Love Cinema. In 2002 he made a short film SOSI BANAN. In 2005 Loban made feature drama PYL’ / DUST, which received multiple awards, including the diploma of Russian cinema critics Jury on the XXVII Moscow International Film Festival. The film received the Grand-Prix of the 20th Kinoshok Film Festival in Russia.

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Two Years at Sea / Dvije godine na moru Čovjek po imenu Jake živi usred šume. Ide u šetnju bez obzira na vremenske prilike pa zadrijema na poljima i u šumama prepunim magle. Napravio je splav kako bi provodio vrijeme na vodi. Vozi ulupani džip da bi prikupio zalihe drveta. Viđaju ga tokom svih godišnjih doba, živi krajnje štedljivo, a vrijeme provodi u čudnovatim projektima, sa željom da ostvari iskonski san kojeg je imao još kao mladić: provesti dvije godine radeći na moru.

United Kingdom, 2011, 16 mm, black&white, 88 min, No Dialogue

Ben Rivers je rođen 1972. u Somersetu, u Engleskoj, a živi i radi u Londonu.

Filmografija / Filmography 2011 - TWO YEARS AT SEA 2011 - SLOW ACTION (kratkometražni / short) 2008 - AH, LIBERTY! (kratkometražni / short)

E A man called Jake lives in the middle of the forest. He goes for walks in whatever the weather, and takes naps in the misty fields and woods. He builds a raft to spend time sitting in a loch. Drives a beat-up jeep to pick up wood supplies. He is seen in all seasons, surviving frugally, passing the time with strange projects, living the radical dream he had as a younger man, a dream he spent two years working at sea to realise.

Ben Rivers was born 1972 in Somerset, England, lives and works in London.

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Režija / Director: Ben Rivers Uloge / Cast: Jake Williams

Whores’ Glory / Slava kurvi SLAVA KURVI je kinematografski triptih o prostituciji: tri zemlje, tri jezika, tri religije. Na Tajlandu, žene čekaju klijente u izlogu i gledaju svoj odraz u staklu. U Bangladešu, muškarci odlaze u ljubavna geta, gdje njihove neostvarene želje ispunjavaju ugovorom vezane djevojke. U Meksiku, žene se mole ženskoj smrti da izbjegnu suočenje sa vlastitom stvarnošću. U svjetovima, gdje je najintimniji čin postao proizvod, ove su žene iskusile sve što se može desiti između muškarca i žene. Za sve to one dobiju novac, ali je njihov život bogatiji samo za priče. Michael Glawogger je režiser, pisac i snimatelj, a njegov rad je, u svim ovim segmentima, izuzetno širokog spektra njegova . Njegova najnovija ostvarenja kreću se od adaptacije književnog djela u KILL DADDY GOODNIGHT i neobičnih komedija SLUGS i CONTACT HIGH, do esejističkih dokumentarnih filmova MEGACITIES i WORKINGMAN’S DEATH. Ne samo da prelazi iz jednog filmskog žanra u drugi, nego i iz filma u fotografiju i pisanje – i iz nježnijih u grublje tonove. Filmom WHORES’ GLORY završava trilogiju o svijetu rada. E WHORES’ GLORY is a cinematic triptych on prostitution: three countries, three languages, three religions. In Thailand, women wait for clients behind glass panes, staring at reflections of themselves. In Bangladesh, men go to a ghetto of love to satisfy their unfulfilled desires on indentured girls. And in Mexico, women pray to a female death to avoid facing their own reality. In worlds where the most intimate act has become a commodity, these women have physically and emotionally experienced everything that can happen between a man and a woman. For this they have always received money, but it has not made their lives rich in anything but stories.

Michael Glawogger is a director, writer and cinematographer and his work in each of these roles displays a broad spectrum. His recent works range from the literary adaptation KILL DADDY GOOD NIGHT and the quirky comedies SLUGS and CONTACT HIGH to his essayist documentaries MEGACITIES and WORKINGMAN’S DEATH. He not only moves back and forth between cinematic forms and genres, but also between filmmaking, photography and writing - and between gentler and more forceful tones. With WHORES’ GLORY he completes his trilogy on the world of work.

Austria, Germany, 2011, 35 mm, Colour, 115 min, Bengali, Thai, Spanish Režija / Director: Michael Glawogger Scenarij / Screenplay: Michael Glawogger Direktor fotografije / Director of Photography: Wolfgang Thaler Montaža / Editor: Monika Willi Zvuk / Sound: Paul Oberle, Ekkehart Baumung Producent / Producer: Erich Lackner, Tommy Pridnig, Peter Wirthensohn, Mirjam Quinte, Pepe Danquart Produkcija / Production: Lotus Film Filmografija / Filmography 2011 - WHORES’ GLORY 2009 - CONTACT HIGH 2009 - KILL DADDY GOOD NIGHT 2006 - SLUMMING 2005 - WORKINGMAN’S DEATH (dokumentarni / doc.) 2004 - SLUGS 2002 - STATE OF THE NATION (dokumentarni / doc.) 1999 - FRANCE, HERE WE COME! (dokumentarni / doc.) 1998 - MEGACITIES (dokumentarni / doc.) 1996 - MOVIES IN THE MIND (dokumentarni / doc.) 1995 - DIE AMEISENSTRASSE

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Denmark, 2010, DCP, Colour, 11 min, Danish Režija / Director: Thor Ochsner Scenarij / Screenplay: Thor Ochsner Animacija / Animation: Thor Ochsner Montaža / Editor: Thor Ochsner Muzika / Music: Martin Juel Dirkov Zvuk / Sound: Oskar Skriver Uloge / Cast: Thor Ochsner Producent / Producer: Jacob Jarek

1989 (Dengang jeg var 5 ar gammel) / 1989 (Kada mi je bilo 5 godina) / 1989 (When I was 5 Years Old)

Filmografija / Filmography 2010 - 1989 (DENGANG JEG VAR 5 AR GAMMEL) / 1989 (WHEN I WAS 5 YEARS OLD) (kratkometražni / short)

Oktobarsko je veče 1989. Petogodišnji dječak (Thor Ochsner) s ocem ide na aerodrom po mamu. Otac vozi, pada kiša i rade brisači. Odjednom, dolazi do saobraćajne nesreće i petogodišnji Thor ostaje sam i mora smisliti šta da radi. 1989 (KADA MI JE BILO 5 GODINA) je kratkometražni animirani dokumentarni film u kojem su rekonstruirana traumatična sjećanja na automobilsku nesreću koju je režiser doživio kada mu je bilo 5 godina. Thor Ochsner je rođen u Kopenhagenu. Završio je Evropsku školu u Luxembourgu i Evropski koledž za film u Danskoj. Radio je kao montažer u produkcijskim kućama TjuBang Film, Zentropa, Freeport Film, Mastiff, DDB, Strix Television, Super16. Trenutno studira filmsku montažu u Danskoj državnoj školi za film. 1989 (KADA MI JE BILO 5 GODINA) je njegov prvi kratkometražni film. E It is an evening in October 1989. A five-year-old boy (Thor Ochsner) is on his way to pick up his mom at the airport. His father is driving the car, it is raining and the windscreen wipers move back and forth. All of a sudden a car accident happens - and the five-year-old Thor is left alone, and has to figure out what to do. 1989 (WHEN I WAS 5 YEARS OLD) is a short animated documentary reconstructing the traumatic memories of a car accident that the director experienced when he was 5 years old.

Thor Ochsner was born in Copenhagen. He graduated from the European School in Luxembourg and the European Film College in Denmark. He worked as an editor at TjuBang Film, Zentropa, Freeport Film, Mastiff, DDB, Strix Television, Super16. He currently studies as a film editor at The National Film School of Denmark. 1989 (WHEN I WAS 5 YEARS OLD) is his first short.

Japan, 2011, HD CAM (HDTV), Colour, 8 min, Japanese Režija / Director: Isamu Hirabayashi Muzika / Music: Takashi Watanabe Zvuk / Sound: Keitaro Iijima Producent / Producer: Isamu Hirabayashi Filmografija / Filmography 2011- 663114 (kratkometražni / short) 2010 - SHIKASHA (kratkometražni / short) 2009 - ARAMAKI (kratkometražni / short) 2008 - BABIN (kratkometražni / short) 2006 - DORON (kratkometražni / short) 2003 - TEXTISM (kratkometražni / short)

663114 Ja sam šezdesetšestogodišnji cvrčak. Bio je veliki zemljotres. Bio je veliki tsunami. Bila je i velika nesreća. Isamu Hirabayashi je rođen 1972. u prefekturi Shizouka, u Japanu. Nakon što je diplomirao na Umjetničkoj akademiji u Musashinu, počeo je raditi kao grafički dizajner za jednu oglašivačku produkcijsku kuću. Napustio je posao i postao slobodni režiser. Producirao je mnoge reklame u Japanu. Dok je radio na reklamama, počeo je producirati eksperimentalne filmove. E I am a 66 year old cicada. There was a big earthquake. There was a big tsunami. There also was a big accident.

Isamu Hirabayashi was born in 1972 in Shizuoka Prefecture, Japan.After graduating from Musashino Art University, he became a graphic designer at an advertising production company. He then left this job and became a freelance film director. He has worked on the production of numerous commercials in Japan. While working on these commercials he set out to produce experimental films.

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United Kingdom, 2011, HD CAM (HDTV), Colour, 6 min, English Režija / Director: Adam Butcher Scenarij / Screenplay: Adam Butcher Direktor fotografije / Director of Photography: Alisdair Cairns, Alec Milne Animacija / Animation: Ben Claxton, Adam Butcher Muzika / Music: Blair Mowat Uloge / Cast: Danny Mahoney, Angus Dunican Producent / Producer: Adam Butcher

Bradley Manning Had Secrets / Bradley Manning je imao tajne Ovo je priča o Bradleyju Manningu, ali ne kao ‘haktivisti’ Wikileaksa, nego kao mladom američkom vojniku, koji istovremeno proživljava krizu savjesti i krizu spolnog identiteta. Animiran u rotoskopiranom piksel art stilu, uz korištenje dijaloga iz Bradleyjevih online razgovora, film istražuje pitanja ličnih i političkih tajni, digitalnog identiteta i otuđenja.

Filmografija / Filmography 2011 - BRADLEY MANNING HAD SECRETS (kratkometražni / short) 2010 - INTERNET STORY (kratkometražni / short) 2009 - SHADOW LINE “MAKING OF” (kratkometražni / short) 2009 - THE NOUGHTS & CROSSES BAND (kratkometražni / short) 2008 - ARCADIA (kratkometražni / short) 2006 - UNANSWERED (kratkometražni / short)

Adam Butcher je nagrađivani režiser, koji trenutno snima kratkometražne filmove i muzičke spotove, s ambicijom da u skorijoj budućnosti počne snimati i dugometražne filmove. On je pisac i režiser, ali svoj talenat rado koristi i u montaži, animaciji, kao i režiranju umjetničkih filmova. Pored snimanja filmova, njegovi stvaralački interesi, također, uključuju dizajniranje i programiranje kompjuterskih igara i komponiranje muzike. Trenutno radi za produkcijsku kuću Red Bee, pri kojoj piše i režira reklame za BBC i druge kanale u UK. E The story of Bradley Manning, not as a Wikileaks ‘hacktivist’, but as a young American soldier simultaneously going through a crisis-of-conscience and a crisis-of-gender-identity. Animated in a rotoscoped pixel-art style and using dialogue from Bradley’s online conversations, the film explores issues of personal and political secrets, digital identity and alienation.

Adam Butcher is award-winning filmmaker, currently creating short films and music videos, with his sights set on making feature films in the near future. He is writer and director, but also love to use his talents for editing, animation and art direction. Aside from filmmaking, other creative interests include designing and programming computer games, and composing music. He is currently working as a Creative with Red Bee Media, writing and directing promos for BBC and UKTV channels.

Germany, 2011, 35 mm, Colour, 7 min, English Režija / Director: Till Nowak Scenarij / Screenplay: Till Nowak Direktor fotografije / Director of Photography: Ivan Robles Mendoza Montaža / Editor: Till Nowak Zvuk / Sound: Andreas Radzuweit Uloge / Cast: Leslie Barany Producent / producer: Till Nowak

The Centrifuge Brain Project / Projekat centrifugalni mozak

Filmografija / Filmography 2011 - THE CENTRIFUGE BRAIN PROJECT (kratkometražni / short) 2005 - DELIVERY (kratkometražni / short)

Od sedamdesetih godina naučnici izvode eksperimente s bizarnim vožnjama u zabavnim parkovima kako bi ispitali na koji način one utječu na ljudski mozak. Primjenjujući estetiku televizijskog dokumentarnog filma, ovaj kratki film na šaljiv način prikazuje čovjekovu konfuznu potragu za srećom i slobodom. Ovo je film o potrazi za srećom i našim, ponekad pogrešnim, načinima tog traganja. Till Nowak, rođen 1980, još od 1999. radi u svom studiju za digitalnu umjetnost i animaciju FrameboX. Živi u Hamburgu, u Njemačkoj. Kratkometražnim animiranim filmom DELIVERY (2005) skrenuo je pažnju međunarodne filmske javnosti osvojivši više od 35 nagrada, te nominaciju za Nagradu Evropske filmske akademije. E Since the 1970’s scientists are conducting experiments with bizarre amusement rides to study their effects on the human brain. It is a film about the search for happiness and our, sometimes wrong ways of looking for it.

Till Nowak, born 1980, is running his own studio „frameboX” for digital art and animation since 1999. He is based in Hamburg, Germany. His animated short film DELIVERY (2005) brought him inter¬national¬ attention by winning more then 35 awards, including nomination for the European Film Awards. NEW CURRENTS SHORTS l 18. Sarajevo Film Festival 91

France, 2011, DigiBeta, Colour, 7 min, No Dialogue Režija / Director: Osman Cerfon Scenarij / Screenplay: Osman Cerfon Animacija / Animation: Osman Cerfon, Grégory Duroy, Ulrich Totier Montaža / Editor: Osman Cerfon, Franck Ekinci Muzika / Music: Jean-Paul Guigue Zvuk / Sound: Denis Vautrin Producent / Producer: Franck Ekinci, Violette Teyssier Dumon Produkcija / Production: Je Suis Bien Content

Chroniques de la poisse / Ljepljivi završeci / Sticky Ends

Filmografija / Filmography 2011 - CHRONIQUES DE LA POISSE / STICKY ENDS (kratkometražni / short) 2007 - TÊTE-À-TÊTE / HEAD-TO-HEAD (kratkometražni / short)

Jinx je čovjek s ribljom glavom. Balončići nesreće izlaze iz njegovih usta. Kada jedan od tih balončića krene za nekim, tu osobu snalazi nesreća i dolazi do ljepljivog završetka… Osman Cerfon je prvo studirao grafički dizajn u Chaumontu, a onda Akademiju likovnih umjetnosti u Épinalu, i, konačno, animaciju u školi La Poudrière u Valenceu, gdje je i diplomirao 2007. filmom HEAD TO HEAD. Od 2007. radi na različitim projektima kao scenarist ili tehničar animacije. LJEPLJIVI ZAVRŠECI će sigurno postati zbirka kratkometražnih filmova. E Jinx is a man with the head of a fish. Misfortune bubbles escape from his mouth. When one of them follows somebody, he becomes dogged by bad luck, and comes to a sticky end…

Osman Cerfon first studied graphic design in Chaumont, then Fine Arts in Épinal, and finally animation in La Poudrière school in Valence, where he graduated in 2007 with the film (HEAD-TO-HEAD). Since 2007, he works on various projects as a scriptwriter or as an animation technician. STICKY ENDS is bound to become a collection of short films.

Austria, 2011, 35 mm, Colour, 8 min, No Dialogue Režija / Director: Norbert Pfaffenbichler Scenarij / Screenplay: Norbert Pfaffenbichler Muzika / Music: Bernhard Lang Producent / Producer: Norbert Pfaffenbichler

Conference: Notes on Film 05 / Konferencija: Bilješke o filmu 05 U ovom grotesknom found footage filmu pojavljuje se 65 glumaca koji glume Adolfa Hitlera u filmovima snimljenim tehnikom kadar / kontrakadar od 1940. do danas. Ni o jednoj historijskoj ličnosti 20. stoljeća nije snimljeno toliko filmova s tolikim brojem glumaca kao o Adolfu Hitleru. (Samo se Isus Krist javlja više puta u historiji kinematografije). U ovoj grotesknoj, nadasve čudnoj paradi identiteta, Adolf Hitler je predstavljen oživljen a personificira ga zabrinjavajući broj prikaza. Norbert Pfaffenbichler je rođen 1967. u Steyru u Austriji. Pohađao je postdiplomski studij iz medija na Akademiji primijenjenih umjetnosti. Umjetnik je i kustos. Jedan je od osnivača kompanija Vidok i Lanolin. E In this grotesque found-footage-film close-ups of 65 actors playing Adolf Hitler in movies created between 1940 and today are combined in shot/countershot-manner. No other historical figure of the 20th century was portrayed more often in movies and by so many different actors than Adolf Hitler. (Only Jesus Christ has more appearances in cinema´s history) In this grotesque and uncanny identity parade Adolf Hitler is presented as an undead who is impersonated by an alarming number of revenants.

Norbert Pfaffenbichler was born 1967 in Steyr, Austria. He attended University of Applied Arts, MK for Media. He is artist and curator. He is founding member of Vidok and Lanolin. 92 18. Sarajevo Film Festival l NOVI TOKOVI - KRATKI FILM

Filmografija / Filmography 2011 - CONFERENCE: NOTES ON FILM 05 (kratkometražni / short) 2011 - GIT CUT NOISE (kratkometražni / short) 2007 - MOSAIK MÉCANIQUE (kratkometražni / short) 2006 - NOTES ON FILM 02 (kratkometražni / short) 2006 - A1B2C3 (kratkometražni / short) 2003 - NOTES ON MAZY (kratkometražni / short) 2002 - QUADRO (kratkometražni / short) 2001 - 36 (kratkometražni / short) 1998 - SANTORA (kratkometražni / short) 1998 - TRAXDATA (kratkometražni / short) 1997 - WIREHEAD (kratkometražni / short)

Taiwan, 2010, HD CAM (HDTV), Colour, 3 min, No Dialogue

Režija / Director: Chang-Jung Wu Scenarij / Screenplay: Chang-Jung Wu Direktor fotografije / Director of Photography: Chang-Jung Wu Montaža / Editor: Chang-Jung Wu Producent / Producer: Chang-Jung Wu Filmografija / Filmography 2010 - DOCUMENTARY III - SLOT MACHINE

Documentary III - Slot Machine / Dokumentarac III – Poker mašina Ovaj film je zapis jednog bitnog aspekta umjetnika koji radi u svinjcu – parenja i uzgajanja svinja. Kako bi se povećali prihodi svinjske farme, umjetna oplodnja je zamijenila prirodno parenje. Treba proteći oko šest mjeseci kako bi se mogli utvrditi rezultati umjetne oplodnje. Pod stalnim ekonomskim pritiskom i u želji da što bolje iskoristi vlastito vrijeme i napor tokom procesa oplodnje i iščekivanja rezultata, umjetnica svaku umjetnu oplodnju svinje vidi kao igru na poker mašini. Wu Chang-Jung je rođena 1974. Trenutno živi i radi na Tajvanu. Wu pohađa postdiplomski studij iz figurativne umjetnosti Odsjeka za umjetnost Univerziteta na Tajvanu. Preporučena je mlada umjetnica Umjetničkog sajma Art Taipei 2010. E This film is a record of an important aspect of the artist working at the pigsty - the mating and breeding of pigs. To raise the financial returns on a pig farm, artificial insemination has replaced natural mating methods. It takes about six months before the results of an artificial insemination effort can be determined. Being under constant economic pressure, and wanting to maximize her own time and effort, during the process of inseminating a pig and then waiting for results, the artist felt it was like playing the slot machines each time she artificially inseminated a pig.

Wu Chang-Jung was born in 1984. She currently lives and works in Taiwan. Wu is currently attending a postgraduate programme in plastic art at the Tainan National University of the Arts in Taiwan. She was the recommended new artist of Art Taipei 2010.

Paraguay, 2011, DigiBeta, Colour, 14 min, No Dialogue Režija / Director: Federico Adorno Scenarij / Screenplay: Federico Adorno Direktor fotografije / Director of Photography: Gabriela Zuccolillo Montaža / Editor: Federico Adorno Zvuk / Sound: José Bogado Uloge / Cast: Rogelia Rodríguez, Margarita Armoa, Adriana Casco, Herminio Espínola, José Cabrera Producent / Producer: Roberto Cardozo, Federico Adorno

Isla Alta Bogati paragvajski rančer je nestao. U blizini njegovog ranča, seljaci iz sela Isla Alta posmatraju bogatu porodicu koja traga za nestalim rančerom.

Filmografija / Filmography 2011 - ISLA ALTA (kratkometražni / short) 2009 - UNA APROXIMACIÓN A PUERTO CASADO (kratkometražni / short) 2007 - SIN DECIR TE AMO (kratkometražni / short) 2006 - LA VIVENCIA PIZZURNO (kratkometražni / short)

Federico Adorno (1982, Paragvaj) studirao je komunikologiju na Univerzitetu u Asunciónu, a pohađao kurseve glume i pozorišne režije. Nakon diplome, osnovao je produkcijsku kuću Adentro Cine i počeo režirati i producirati kratkometražne filmove. Adorno je 2011. učestvovao u radionici Rotterdam Lab Međunarodnog filmskog festivala u Rotterdamu, a 2012. na 10. Talent Campusu Filmskog festivala u Berlinu. Trenutno radi na svom prvom dugometražnom filmu. E A wealthy Paraguayan rancher has gone missing. Near the ranch, peasants from the village of Isla Alta observe the rich family searching for the missing rancher.

Federico Adorno (1982, Paraguay) studied Communication Sciences at the University of Asunción, and followed courses in acting and theatre direction. After graduating, he founded his own production company, Adentro Cine, and started directing and producing short films. In 2011 Adorno took part in IFFR’s Rotterdam Lab and in 2012 in the 10th Berlinale Talent Campus. He is currently developing his first feature.

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Russia, 2011, DCP, Colour, 10 min, Russian Režija / Director: Alexey German Jr. Scenarij / Screenplay: Alexey German Jr. Uloge / Cast: Merab Ninidze, Ksenia Kutepova, Chulpan Khamatova Producent / Producer: Metrafilms

Iz Tokio / Iz Tokija / From Tokyo

Filmografija / Filmography 2011 - UNDER ELECTRIC CLOUDS 2011 - IZ TOKIO / FROM TOKYO (kratkometražni / short) 2008 - BUMAZHNYY SOLDAT / PAPER SOLDIER 2003 - POSLEDNIY POEZD / THE LAST TRAIN 2001 - LITTLE FOOLS

Ovaj film je vrlo kratka priča o bivšem spasiocu iz Tokija - o izuzetno uspješnom čovjeku koji je, nakon što je čuo za još jedan zemljotres u Japanu, sve ostavio i otišao pomagati. Vraća se kući u skoro praznom avionu s jednim starim Japancem kojeg je spasio - taj je čovjek ostao sasvim sam na svijetu, izgubio je svoju porodicu. I njih dvojica su se nekako ‘našli’. Možda zato što je naš glavni lik također usamljen. S njima u avionu lete i oni koji više nisu tu. Oni koji nisu preživjeli katastrofu. Alexey German Jr. (1976) je rođen u Moskvi, a odrastao je u Sankt Peterburgu. THE LAST TRAIN, njegov prvi dugometražni film, prikazan je na Međunarodnom filmskom festivalu u Rotterdamu 2004, gdje je osvojio nagradu Amnesty, a na festivalu u Veneciji je dobio Specijalno priznanje žirija za najbolji prvijenac. E This film is a very short story about a former rescue worker returning from Tokyo - a man who is quite successful in his everyday life, and who, after hearing about another earthquake in Japan, dropped everything and went there to help. He is flying back home in an almost empty plane with a very elderly Japanese man he had just saved - the man is now all alone in the world, his family had died. And the two men somehow clicked. Perhaps because our main character is also lonely. Also flying with them on the plane are those who are no longer here. Those who did not survive the disaster.

Alexey German Jr. (1976) was born in Moscow, but grew up in St. Petersburg. THE LAST TRAIN, his feature debut was screened at the 2004 International Film Festival Rotterdam, where it received an Amnesty Award, and in Venice it received Special Mention of the Jury for Best Debut.

Canada, 2012, HD CAM (HDTV), Colour, 13 min, English Režija / Director: Phillip Barker Scenarij / Screenplay: Phillip Barker Direktor fotografije / Director of Photography: Kris Belchevski Montaža / Editor: Roland Schlimme Muzika / Music: Tom Third Zvuk / Sound: Tom Third Kostimografija / Costume Design: Erika Connor Uloge / Cast: Alex Paxton-Beasley, Thomas Hauff, Ashleigh Warren, Ryan Granville-Martin Producent / Producer: Amanda Gordon, Phillip Barker

Malody U restoranu pored ceste, bolesna žena u svom odrazu u ogledalu vidi sebe kao djevojčicu. Taj je restoran smješten u velikom drvenom točku i doslovno se kotrlja prostorom. Kako se svijet preokreće, promjena gravitacijskog polja stvara haos i pokreće sudbinski niz događaja. Phillip Baker se bavi art instalacijom; filmski autor, pozorišni i filmski dizajner. Njegovi su filmovi prikazivani na mnogim međunarodnim festivalima i osvojili su brojne nagrade, uključujući i Nagradu za najbolji eksperimentalni film na Međunarodnom filmskom festivalu u Melbourneu, te Nagradu za najbolji kratkometražni film na Filmskom festivalu Atlantic. Njegov film SOUL CAGES je bio nominiran za nagradu Genie u kategoriji za najbolji kratkometražni igrani film. Cinematique Ontario je priredio retrospektivu njegovih filmova i instalacija u Umjetničkoj galeriji u Ontariju. E Set inside a roadside diner, a sick woman meets herself as a little girl in the reflection of a mirror. The diner is inside a large wooden wheel and is literally rolled through a space. As the world turns upside down, the changing gravitational pull creates chaos and sets off a fateful chain of events.

Phillip Barker is an installation artist, filmmaker and designer for film and theater. His films have been widely shown internationally and have won numerous awards including Best Experimental Film at The Melbourne International Film Festival, and Best Short Film at The Atlantic Film Festival. His film SOUL CAGES received a Genie Award nomination for Best Live Action Short Film. A retrospective of his films and installations was produced by Cinematheque Ontario, at the Art Gallery of Ontario, Canada. 94 18. Sarajevo Film Festival l NOVI TOKOVI - KRATKI FILM

Filmografija / Filmography 2012 - MALODY (kratkometražni / short) 2010 - SLOW BLINK (kratkometražni / short) 2009 - APPLIANCE (kratkometražni / short) 2008 - NIGHT VISION (kratkometražni / short) 2002 - REGARDING (kratkometražni / short) 1999 - SOUL CAGES (kratkometražni / short) 1998 - I AM ALWAYS CONNECTED (kratkometražni / short) 1996 - A TEMPORARY ARRANGEMENT (kratkometražni / short)

Canada, 2012, HD CAM (HDTV), Colour, 25 min, English Režija / Director: Trevor Anderson Scenarij / Screenplay: Trevor Anderson Direktor fotografije / Director of Photography: Mike McLaughlin Montaža / Editor: Justin Lachance Muzika / Music: Bryce Kulak Kostimografija / Costume Design: Leona Brausen Uloge / Cast: Aryn McConnell, Bryce Kulak, Noam Gagnon, Connie Champagne Producent / Producer: Katie Weekley, Trevor Anderson

The Man That Got Away / Čovjek koji se izvukao Muzički dokumentarni film koji u šest originalnih pjesama priča istinitu životnu priču o Trevorovom praujaku. Trevor Anderson je samouki nezavisni režiser. Njegovi su filmovi prikazani na najznačajnijim međunarodnim filmskim festivalima, uključujući i Sundance, te one u Berlinu i Torontu. Njegov najnoviji film ČOVJEK KOJI SE IZVUKAO premijerno je prikazan na Međunarodnom filmskom festivalu u Berlinu (Berlinale), gdje je osvojio DAAD-ovu nagradu za kratki film. U januaru 2012. Anderson je izabran da kod slavnog režisera Wernera Herzoga pohađa filmsku školu Rouge. Anderson je, također, pozorišni režiser i dramski pisac. Pored toga što se bavi filmom i pozorištem, jedan je od osnivača kanadskog rock benda The Wet Secrets.

Filmografija / Filmography 2012 - THE MAN THAT GOT AWAY (kratkometražni / short) 2010 - THE HIGH LEVEL BRIDGE (kratkometražni / short) 2010 - FIGS IN MOTION (kratkometražni / short) 2009 - PUNCHLINES (kratkometražni / short) 2009 - THE ISLAND (kratkometražni / short) 2008 - CARPET DIEM (kratkometražni / short) 2008 - GET YOUR OWN APARTMENT (kratkometražni / short) 2008 - DINX (kratkometražni / short) 2007 - ROCK POCKETS (kratkometražni / short) 2005 - RUGBURN (kratkometražni / short)

E A musical documentary that tells the true life story of Trevor’s great-uncle Jimmy in six original songs.

Trevor Anderson is a self-taught, independent filmmaker. His work has screened at many major international film festivals, including Sundance, Berlin, and Toronto. His newest film THE MAN THAT GOT AWAY premiered at the Berlin International Film Festival (Berlinale) where it won the DAAD Short Film Prize. In January 2012, Anderson was selected to study under master filmmaker Werner Herzog at his Rogue Film School. Anderson is also a stage director and playwright. Aside from film and theatre, Anderson is co-founder of the Canadian rock’n’roll band The Wet Secrets. Germany, 2011, 35 mm, Colour and b&w, 15 min, No Dialogue Režija / Director: Christoph Girardet, Matthias Müller Scenarij / Screenplay: Christoph Girardet, Matthias Müller Direktor fotografije / Director of Photography: Christoph Girardet, Matthias Müller Montaža / Editor: Christoph Girardet, Matthias Müller Muzika / Music: Giacomo Puccini Zvuk / Sound: Christoph Girardet, Matthias Müller Uloge / Cast: John Smith Producent / Producer: Christoph Girardet, Matthias Müller

Meteor / Meteor Kombinirajući elemente igranog filma, trenutke iz bajke koji su se oteli kontroli, i stare motive naučne fantastike, METEOR vodi publiku na putovanje od dječije sobe do svemira. Christoph Girardet i Matthias Müller uspješno sarađuju još od prvog filma PHOENIX TAPES, koji je 1999. bio značajan doprinos velikoj izložbi Notorious - Alfred Hitchcock and Contemporary Art u Muzeju savremene umjetnosti u Oxfordu. Film je premijerno prikazan na Venecijanskom filmskom festivalu. Rad ovih umjetnika prikazan je i na filmskim festivalima u Cannesu, Veneciji, Berlinu, Rotterdamu, Torontu, New Yorku, Oberhusenu, Vila do Condeu i mnogim drugim.

Filmography / Filmografija 2011 - METEOR (kratkometražni / short) 2009 - MAYBE SIAM (kratkometražni / short) 2008 - LOCOMOTIVE (kratkometražni / short) 2006 - KRISTALL (kratkometražni / short) 2005 - CATCH (kratkometražni / short) 2003 - MIRROR (kratkometražni / short) 2003 - PLAY (kratkometražni / short) 2002 - BEACON (kratkometražni / short) 1999 - PHOENIX TAPES

E Embracing elements of feature films, fairy-tale moments gone astray, and vintage science fiction motifs, Meteor takes its viewers along on a voyage from the children’s room to outer space.

Christoph Girardet and Matthias Müller have been successfully collaborating since their found footage work, PHOENIX TAPES, a high-profile contribution to Notorious - Alfred Hitchcock and Contemporary Art at the Oxford Museum of Modern Art in 1999. Phoenix Tapes was premiered at the Venice International Film Festival. The artists’ work has been screened at the film festivals of Cannes, Venice, Berlin, Rotterdam, Toronto, New York, Oberhausen, Vila do Conde, and many others.

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Japan, 2011, HD CAM (HDTV), Colour, 42 min, Japanese Režija / Director: Tetsuya Mariko Scenarij / Screenplay: Tetsuya Mariko Direktor fotografije / Director of Photography: Yuta Tsukinaga Montaža / Editor: Tetsuya Mariko Zvuk / Sound: Shinya Takata Uloge / Cast: Masaru Miyazaki, Takashi Yamanaka, Momoiro Clover Producent / Producer: Toshikazu Nishigaya, Yuki Nishimiya, Yoshihisa Kino

Ninifuni Tanaka, čovjek koji živi na selu, s prijateljem provali u salon arkadnih videoigara, opljačka sef i pobjegne automobilom vlasnika radnje. Nakon lutanja autoputem, dolazi do jedne usamljene plaže. Poslije nekoliko dana, djevojke iz grupe Momorio Clover dođu na plažu snimiti muzički video i zateknu njegov automobil u grmlju…

Filmografija / Filmography 2012 - ONAJI HOSHI NO SHITA, SOREZORE NO YORU 2011 - NINIFUNI (kratkometražni /short) 2009 - IERÔ KIDDO / YELLOW KID 2009 - RASSHU RAIFU / A LUSH LIFE

Tetsuya Mariko, rođen 1981, privukao je pažnju kratkometražnim filmom FAR EAST APARTMENT. Svoj prvi igrani film YELLOW KID predstavio je 2009, dok je još bio student na Akademiji likovnih umjetnosti u Tokiju. Film je gostovao na 16 filmskih festivala, uključujući i Međunarodni filmski festival u Vancouveru 2009, festivale u Rotterdamu 2010, u Hong Kongu 2010, te Festival 3 Continents u Nantesu. E Tanaka, a man lives in the countryside, breaks into a game arcade with his friend, rob the safe and runs away with the store owner’s car. After straying on a highway route, he finally ends up a lonesome beach. A few days later, a girls’ idle group, Momoiro Clover, visits the beach for their music video shoot, and find his car in the bush…

Tetsuya Mariko, born in 1981, received attention in 2003 with his short FAR EAST APARTMENT. He made his feature debut in 2009 with YELLOW KID (2009) while he was still a student at Tokyo Unversity of the Arts. The film was invited by 16 film festivals including Vancouver Int’ Film Festival 2009, Rotterdam Int’ Film Festival 2010, Hong Kong Int’ Film Festival 2010 and Nantes 3 Contenents Festival.

Portugal, France, 2012, HD CAM (HDTV), Colour, 25 min, Portugese Režija / Director: Joao Salaviza Scenarij / Screenplay: Joao Salaviza Direktor fotografije / Director of Photography: Vasco Viana Montaža / Editor: Joao Salaviza Uloge / Cast: Rodrigo Perdigao, Joana Verona Producent / Producer: Maria Joao Mayer Produkcija / Production: Filmes Do Tejo II

Rafa Rafa ima trinaest godina i živi s majkom, sestrom i malenim nećakom u malom stanu, s druge strane jednog velikog mosta, u predgrađu južno od Lisabona. Jednog jutra – majke nema. Nije se vratila nakon što je provela još jednu noć s tim čovjekom. Zabrinut, Rafa je krene tražiti. Joao Salaviza je rođen 1984. u Lisabonu, u Portugalu. Pohađao je Državnu akademiju za film i pozorište u Lisabonu i Filmsku akademiju u Buenos Airesu. Njegov kratkometražni film ARENA je osvojio Zlatnu palmu u Cannesu 2009, a prikazan je na preko 50 filmskih festivala širom svijeta. E Rafa is thirteen and lives with his mother, sister and his little nephew in a tiny flat in one of the suburbs just south of Lisbon on the other side of the big bridge. One morning, his mother isn’t there. She didn’t return after spending another night with that man. Worried, Rafa sets off to find her.

Joao Salaviza was born in Lisbon, Portugal in 1984. He attended the ESTC National Film and Theatre School in Lisbon and the Universidad del Cine in Buenos Aires. His short film ARENA won the Golden Palm in Cannes in 2009 and screened at over fifty film festivals all over the world.

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Filmografija / Filmography 2012 - RAFA (kratkometražni / short) 2011 - STROKKUR (kratkometražni / short) 2010 - CERRO NEGRO (kratkometražni / short) 2010 - CASA NA COMPORTA (kratkometražni / short) 2010 - HOTEL MULLER (kratkometražni / short) 2009 - ARENA (kratkometražni / short) 2004 - DUAS PESSOAS (kratkometražni / short)

Hong Kong, China, 2012, HD CAM (HDTV), Colour, 14 min, English Režija / Director: Erkka Nissinen Scenarij / Screenplay: Erkka Nissinen Direktor fotografije / Director of Photography: Erkka Nissinen Montaža / Editor: Erkka Nissinen Zvuk / Sound: Erkka Nissinen Producent / Producer: Erkka Nissinen

Rigid Regime / Rigidni režim Spoljni posmatrač bez ruku helikopterom dolazi nadahnuti lokalnu zajednicu. Erkka Nissinen je rođen 1975. u Finskoj. Studirao je na Školi likovne umjetnosti Slade u Londonu, te 2001. stekao magisterij iz likovnih umjetnosti na Akademiji likovnih umjetnosti u Helsinkiju, u Finskoj. Godine 2007. je pohađao Rijksakademie u Amsterdamu. Njegovi su radovi predstavljeni na međunarodnim izložbama, naprimjer na Ellen de Bruijne Project Space u Amsterdamu, Smart Project Space u Amsterdamu, u Galeriji Kluuvin Muzeja umjetnosti Grada Helsinkija i u galeriji 1646 u Den Haagu. Ekka je 2011. osvojio prestižnu nagradu Illy na Sajmu umjetnosti u Rotterdamu. On je i direktor studija Handkerchief Production. To je kreativni studio i modna linija sa sjedištem u Hong Kongu, a bavi se interdisciplinarnim eksperimentima u arhitekturi, umjetnosti i dizajnu.

Filmografija / Filmography 2012 - RIGID REGIME (kratkometražni / short) 2011 - NAME ME ME MAN, RED NEGATIVE EVITA GENDER (kratkometražni / short) 2010 - WEST PROJECT (kratkometražni / short) 2008 - VANTAA (kratkometražni / short) 2007 - NIGHT SCHOOL (kratkometražni / short) 2005 - THE SOCIAL CONSTRUCTION OF REALITY (kratkometražni / short) 2002 - DUPLICATOR 1 (kratkometražni / short) 2002 - DUPLICATOR 2 (kratkometražni / short) 2001 - HELSINKI 2000, EPISODE 2 (kratkometražni / short) 2001 - A MAN AND A CARROT (kratkometražni / short) 2000 - HELSINKI 2000 (kratkometražni / short) 1997 - ONION (kratkometražni / short)

E An armless outside observer arrives by helicopter to inspire the local community.

Erkka Nissinen was born in 1975 in Finland. He has studied in the Slade School of Fine Art in London and gained an MFA degree from the Academy of Fine Arts in Helsinki, Finland in 2001. In 2007 he went to Rijksakademie art residency in Amsterdam. His works have been exhibited internationally, for example in Ellen de Bruijne Project Space in Amsterdam, Smart Projects Space in Amsterdam, Helsinki City Art Museum’s Kluuvin Gallery and 1646 in Den Haag. During 2011 Rotterdam Art Fair Erkka won acclaimed Illy Prize. Erkka is also the director of Handkerchief Production. It’s a creative studio and a fashion brand based in Hong Kong dedicated to interdisciplinary experiments in architecture, art and design.

Austria, China, 2011, HD CAM (HDTV), Colour, 13 min, Chinese Režija / Director: Christoph Schwarz Filmografija / Filmography 2012 - RHODOPIA (kratkometražni / short) 2011 - GIFT ECONOMY WORKER (kratkometražni / short) 2011 - SUPERCARGO (kratkometražni / short) 2009 - VIENNA – HANOI (eksperimentalni / experimental) 2008 - EUROPEAN ADVERTISING AGENCY (pseudodokumentarni / mockumentary)

Supercargo Christoph Schwarz je iskoristio priliku putovati teretnim brodom od Evrope do Kine. Kao pomoćnik na brodu MS Confidence – koji plovi pomoću autopilota – najveći dio puta on je i jedina osoba na brodu. Kako bi prevazišao usamljenost i dosadu, počinje praviti videozapis svog putovanja. Christoph Schwarz je četveročlana umjetnička skupina iz Beča. Svi se bave umjetnošću, kulturom, medijima i rekreacijom – bave se izradom, produkcijom i promocijom projekata koji „nisu vezani za određeni medij“ i „imaju sklonost prema ljepoti svakodnevnog“. E Christoph Schwarz took the opportunity to travel on a container freighter from Europe to China. As a ship steward on the MS Confidence - operating on a semi-automatic routine - he was the only person on board for the longest parts of the voyage. To overcome isolation and boredom he began to document his trip on video.

Christoph Schwarz is a collaborative art group involving four individual art / culture / media / leisure workers from Vienna, Austria - developing, producing and promoting projects „not bound to a specific media“ and „affection for beauty in the mundane“.

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Kinoscope

102 Un amour de jeunesse / Zbogom, prva ljubavi / Goodbye First Love, Mia Hansen-Love 103 Avalon, Axel Petersén 104 Beasts of the Southern Wild / Zvijeri južne divljine, Benh Zeitlin 105 Himizu, Shion Sono 106 Holy Motors / Sveti motori, Leos Carax 107 Kebun binatang / Razglednice iz zoološkog vrta / Postcards from the Zoo, Edwin 108 L’estate di Giacomo / Giacomovo ljeto / Summer of Giacomo, Alessandro Comodin 109 The Loneliest Planet / Najusamljenija planeta, Julia Loktev 110 Los salvajes / Divlji / The Wild Ones, Alejandro Fadel 111 El lugar más pequeño / Najmanje mjesto / The Tiniest Place, Tatiana Huezo Sánchez 112 Marina Abramović: The Artist Is Present / Marina Abramović: Umjetnica je prisutna, Matthew Akers 113 My Brother the Devil / Moj brat, đavo, Sally El Hosaini 114 Pojktanten / She-Male puževi / She Male Snails, Ester Martin Bergsmark 115 Portret v sumerkakh / Portret sumraka / Twilight Portrait, Angelina Nikonova 116 Tabu, Miguel Gomes 117 La terre outragée / Zemlja zaborava / Land of Oblivion, Michale Boganim 118 O som ao redor / Zvukovi susjedstva / Neighbouring Sounds, Kleber Mendonça Filho 119 Saya-Zamurai / Samuraj bez mača / Scabbard Samurai, Hitoshi Matsumoto

Kinoscope

Dobrodošli u Kinoscope, novi program Sarajevo Film Festivala, u kojem filmove biraju tri selektora koja su se pridružila festivalskom timu. Ovaj se program sastoji od 16 međunarodnih dugometražnih filmova i dva filma u posebnoj projekciji. Naš je zadatak predstaviti filmove iz cijelog svijeta, pored onih iz južnoevropske regije u takmičarskoj selekciji. To je veliki izazov, imajući u vidu da smo morali birati filmove iz gotovo cijelog svijeta.

Mike Goodridge

Alessandro Raja

Mathilde Henrot

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Za sve nas ovo je bila godina koja nas je izuzetno obogatila, ne samo zato što smo pogledali jako mnogo filmova, nego i zato što smo zajedno suzili izbor na samo njih 18. Dobro sarađujemo kao tim, imamo uglavnom isti ukus kada je u pitanju kinematografija, ali nam se mišljenja razlikuju kada su u pitanju specifični filmovi. Bili smo jednoglasni u konačnom izboru filmova, a nadamo se da će ovdašnja publika pozitivno reagirati na tematski i kinematografski rizik na koji smo se odlučili. Mi smo neobičan trio, iz triju evropskih zemalja, i vjerovatno zastupamo tri različita stajališta. Mike Goodrige iz Ujedinjenog Kraljevstva, iskusni filmski kritičar i pisac, urednik je filmskog časopisa Screen International. Alessandro Raja iz Italije i Mathilde Henrot iz Francuske veterani su međunarodne distributerske scene, a prodaju filmove nekih od najvećih svjetskih autora. Sada su na čelu kompanije Festival Scope iz Pariza, inovativne web platforme, osmišljene kako bi filmskoj industriji, drugim festivalima i medijima ponudila pristup ambicioznim umjetničkim filmovima s festivala širom svijeta. Sve nas oduševljava iznošenje priča i filmsko stvaralaštvo na način kojim se ne libi biti drugačiji, različit. Eksperimentiranjem narativnim konvencijama i oblicima, zvukom, muzikom, tempom i glumom, režiseri u programu Kinoscope pomjeraju granice medija na, po nama, vrlo inspirativan način. Samo uzmite za primjer naveliko hvaljen film ZVIJERI JUŽNE DIVLJINE Benha Zeitlina, koji pripovijeda priču o primitivnim i mističnim elementima čovječanstva i prirode u savremenim Sjedinjenim Američkim Državama, a koja se mogla desiti i u Africi, Aziji ili Južnoj Americi. Nije ni čudo što je taj film osvojio nagradu Caméra d’Or u Cannesu ove godine i Veliku nagradu žirija nešto ranije na Festivalu Sundance. Ovaj film je eksplozija na platnu i iznenađenje na način na koji prosječan američki nezavisni film rijetko kad iznenadi gledatelja.

10 od 18 filmova su prvijenci, poput Zeitlinovog filma, što je možda znak da smo tražili neke nove perspektive. Ali, s druge strane, nismo mogli odoljeti nekolicini veterana koji i dalje pomjeraju granice. SVETI MOTORI Leosa Caraxa – još jedna senzacija na ovogodišnjem festivalu u Cannesu – film je koji se mora gledati potpuno otvorenog uma. Carax, francuski wunderkind koji je snimio MAUVAIS SANG i LES AMANTS DU PONTNEUF, nije snimio dugometražni film od 1999. Međutim, vrijedilo je čekati SVETE MOTORE. Upočetku zabavan, duhovit, misteriozan i, na koncu, dirljiv, ovaj film je oda kinematografiji. Jedni će ga mrziti, drugi obožavati. Ali, samo najbolji filmovi izazivaju takvu podjelu. HIMIZU, najnovije ostvarenje Japanca Siona Sonoa (u Sarajevu se predstavio 2009. epohalnim filmom LOVE EXPOSURE), hrabra je adaptacija popularnog japanskog stripa (manga), u koju je Sono uključio dešavanja nakon tragičnog tsunamija i zemljotresa, koji je 11. marta prošle godine Japan bacio na koljena. Zapravo, ukoliko postoji nešto što labavo povezuje sve ove filmove, onda je to izmještanje – bilo zbog prirodne katastrofe, kao u filmovima HIMIZU i ZVIJERI JUŽNE DIVLJINE, zbog katastrofe koju izazove čovjek, kao u ZEMLJI ZABORAVA, zbog rata, kao u filmu NAJMANJE MJESTO ili zbog bijega, kao u filmu DIVLJI. Naravno, mnogi su likovi u filmovima izolirani i sami u svom svijetu: etničke i seksualne manjine filma MOJ BRAT ĐAVO, koji će otvoriti ovaj program, potom film koji dovodi u pitanje spol SHE MALE SNAILS, dječak koji ne govori u filmu GIACOMOVO LJETO, emigranti u Africi iz filma TABU, odbačeni ljubavnik u filmu ZBOGOM PRVA LJUBAVI, žrtva silovanja iz filma PORTRET SUMRAKA. Svi ovi likovi su zarobljeni u divljini otuđenja koje izaziva najdublje konflikte. Ponosni smo što će filmovi NAJMANJE NEŠTO i ZEMLJA ZABORAVA biti prikazani 11. jula, na Dan sjećanja. NAJMANJE MJESTO je prelijep, izuzetno dirljiv dokumentarni film o trajnim posljedicama građanskog rata u El Salvadoru (1980 – 1992), a ZEMLJA ZABORAVA je moćna drama o posljedicama koje je 1986. izazvala černobilska katastrofa. Ova dva filma posebno ilustriraju žilavost ljudi kada se suoče sa, naočigled, nesavladivom

tragedijom – to je tema koja se javlja u mnogim filmovima programa Kinoscope. Ako govorimo o univerzalnosti kinematografije, onda 18 međunarodnih filmova iz programa Kinoscope pokazuju upravo to – iz koje god zemlje ili vremena dolazimo, sve nas zajedno povezuju iste ljudske osobine.

E Welcome to Kinoscope, a new programme at SFF programmed by three programmers new to the festival team. The section consists of 16 international features and two films in special screenings. Our mandate is to bring in titles from all around the world outside the southeastern Europe region that composes competition. That’s a big challenge bearing in mind that we had most of the world to choose from.

It’s been an incredibly enriching year for all of us, not just to see a multitude of movies, but to work together to whittle down our choices to just 18. We work well together as a team, sharing generally similar tastes in cinema but also constantly differing in our opinions on specific films. We all were unanimous in the films we finally selected and hope that audiences here will respond to the thematic and cinematic risktaking to which we did. We are a curious troika, representing three different European countries and perhaps different points of view. Mike Goodridge from the UK is the editor of Screen International, a seasoned film critic and writer. Alessandro Raja from Italy and Mathilde Henrot from France are both veterans of the international sales scene, selling films by some of the world’s greatest auteurs. They are now running Paris-based company Festival Scope, an innovative online platform designed to offer access to ambitious art films from festivals around the world to industry, other festivals and media. What appeals to all of us is storytelling and film-making which dares to be different. By experimenting with narrative conventions and form, sound, music, pacing and performance, the film-makers in Kinoscope push the boundaries of the medium in ways which we found inspiring. Take the much-praised closing night film Beasts Of The Southern Wild by Benh Zeitlin which told a story in the contemporary United States addressing primitive and mythical elements of humanity and nature that could have taken place in Africa, Asia or Latin

America. No wonder it won the Camera d’Or in Cannes this year and the Grand Jury Prize earlier at Sundance. It explodes off the screen and surprises you in ways that your average American independent film rarely does. 10 out of the 18 films are by first time filmmakers like Zeitlin, perhaps indicative that we were looking for fresh perspectives. But then we couldn’t resist a couple by veterans who continue to push the limits.

These two films especially illustrate the resilience of humans in the face of apparently insurmountable tragedy - a theme that emerges in many of the other Kinoscope films. When people talk about the universality of cinema, the 18 international films in Kinoscope demonstrate just that - wherever the country, whatever the era, we can all relate to the same human characteristics. Mike Goodridge, Alessandro Raja and Mathilde Henrot

Leos Carax’s Holy Motors - another sensation at Cannes this year - requires an entirely open mind. Carax, the French wunderkind behind Mauvais Sang and Les Amants Du Pont-Neuf, hasn’t made a feature since 1999, but Holy Motors is worth the wait. At once playful, witty, mysterious and finally moving, it is an ode to cinema itself. Some will loathe it, others will adore it. But only the best cinema creates those kinds of divisions. And Himizu, the latest from Japan’s Sion Sono (at Sarajevo in 2009 with his epic Love Exposure), is a bold adaptation of a popular manga into which Sono incorporated the aftermath of the tragic March 11 tsunami and earthquake that brought Japan to its knees last year. In fact if there is a theme which loosely unite the films, it is that of displacement - be it because of natural cataclysm like in Himizu or Beasts Of The Southern Wild, man-made disaster as in Land Of Oblivion, war like in The Tiniest Place or flight as in Los Salvajes. And many characters in the films are of course isolated by society and in their landscape. The ethnic and sexual minorities of our opening night film My Brother The Devil, the challengers of gender in She Male Snails, the wordless boy in Summer Of Giacomo, the émigrés in Africa in Taboo, the rejected lover in L’Amour De Jeunesse, the rape victim in Twilight Portrait. These characters are trapped in a wilderness of alienation that makes for the most compelling conflicts. We are proud that The Tiniest Place and Land Of Oblivion will screen on Memorial Day on July 11, the former a beautiful and devastating documentary about the lasting impact of the 1980-1992 civil war in El Salvador, the latter a powerful drama about the human impact of the 1986 Chernobyl nuclear disaster.

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Un amour de jeunesse / Zbogom, prva ljubavi / Goodbye First Love Pariz, zima 1999. Camille ima 15, a Sullivan 19 godina. Iako se strastveno vole, Sullivan želi otputovati u Južnu Afriku na godinu dana – to je plan koji Camille baca u očaj. Krajem ljeta, Sullivan odlazi, a nakon par mjeseci prestaje joj pisati. Na proljeće se Camille pokušava ubiti. Godina je 2003, Camille se potpuno posvetila studiju arhitekture. Upoznaje poznatog arhitektu Lorenza, koji joj vraća vjeru u sebe. Zaljubljuje se u njega. Camille i Lorenz su 2007. u stabilnoj vezi. Camille je njegova asistentica, ali osjeća da će uskoro biti spremna pokrenuti vlastitu agenciju. I tada se opet susreće sa Sullivanom. Uprkos čudnom i hladnom prvom susretu, Camille se ponovo nalazi s njim i nastavljaju tamo gdje su stali. Nikada ga nije prestala voljeti; on postaje njen ljubavnik. Ona sada dijeli svoje srce između dviju ljubavi svog života. Mia Hansen-Love (1981, Pariz, Francuska) kao tinejdžerica je glumila u filmovima Oliviera Assayasa. Nakon toga je od 2001. do 2003. studirala dramsku umjetnost u Parizu. Dok je režirala kratkometražne filmove, radila je i kao filmski kritičar za filmski magazin Cahiers du Cinéma, od 2003. do 2005. Režirala je ALL IS FORGIVEN, FATHER OF MY CHILDREN i ZBOGOM, PRVA LJUBAVI. E Paris, winter 1999. Camille is 15, Sullivan is 19. Although they love each other passionately, Sullivan wants to go travel in South America for a year - a plan that fills Camille with despair. At the end of the summer, Sullivan leaves and a few months later he stops writing to Camille. In the spring, Camille makes a suicide attempt. 2003. Camille is fully devoted to her architectural studies. She meets a well-known architect, Lorenz, who makes her once again feel confident in herself. She falls in love with him. 2007. Camille and Lorenz form a solid couple. Camille is his assistant, but she feels that she will soon be ready to start her own agency. It is then that Sullivan once more crosses her path. Despite an awkward and cold first encounter, Camille sees him again, picking things up where they left off. She has never stopped loving him; he becomes her lover. Her heart is now divided between the two loves of her life.

Mia Hansen-Love (1981, Paris, France) has acted in her teens in Olivier Assayas’ films. After that she was educated in dramatic art in Paris from 2001 to 2003. While she was directing short films, she also worked as a critic for Cahiers du Cinéma from 2003 to 2005. As a director she made ALL IS FORGIVEN, FATHER OF MY CHILDREN and GOODBYE FIRST LOVE.

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France, Germany, 2011, 35 mm, Colour, 110, French, German, Danish Režija / Director: Mia Hansen-Love Scenarij / Screenplay: Mia Hansen-Love Direktor fotografije / Director of Photography: Stéphane Fontaine Montaža / Editor: Marion Monnier Zvuk / Sound: Vincent Vatoux, Olivier Goinard Scenografija / Production Design: Mathieu Menut, Charlotte de Cadeville Kostimografija / Costume Design: Bethsabée Dreyfus Uloge / Cast: Lola Créton, Sebastian Urzendowsky, Magne - Hĺvard Brekke, Valérie Bonneton, Serge Renko, Özay Fecht Producent / Producer: Philippe Martin, David Thion Produkcija / Production: Les Films Pelleas, Razor Film Filmografija / Filmography 2011 - UN AMOUR DE JEUNESSE / GOODBYE FIRST LOVE 2009 - LE PÈRE DE MES ENFANTS / FATHER OF MY CHILDREN 2007 - TOUT EST PARDONNÉ / ALL IS FORGIVEN 2005 - PLATONOV, LA NUIT EST BELLE 2005 - LAISSE PASSER L’ÉTÉ 2005 - CONTRE-COUP (kratkometražni / short) 2004 - UN PUR ESPRIT (kratkometražni / short) 2003 - APRÈS MÛRE RÉFLEXION (kratkometražni / short)

Avalon Nakon što je odslužio kaznu s elektronskom narukvicom, Janne, bivši promotor klubova, odlazi u Båstad s namjerom da otvori ekskluzivni noćni klub i ponovno organizira svoj život. Axel Petersén (1979) režirao je nekoliko primijećenih kratkometražnih filmova, a njegov najnoviji film THE TRACKS OF MY TEARS 2 premijerno je prikazan na Filmskom festivalu u Veneciji, u okviru programa Orizzonti 2011. Prošle godine, Axelov kratkometražni film A GOOD FRIEND OF MR. WORLD nominiran je za nagradu Guldbagge. Axel je pohađao češku školu filma FAMU i Švedsku kraljevsku akademiju umjetnosti. E After serving time with an ankle bracelet, Janne, a former club promoter, travels to Båstad to open an exclusive nightclub and get his life back on track.

Axel Petersén (1979) is the director of several acclaimed short films and his latest film THE TRACKS OF MY TEARS 2 has its premiere in Venice Orizzonti 2011. Last year Axel was Guldbagge-nominated for his short A GOOD FRIEND OF MR. WORLD. Axel is trained at the Czech film school FAMU and the Royal Swedish Academy of Arts.

Sweden, 2011, DCP, Colour, 79 min, Swedish, English Režija / Director: Axel Petersén Scenarij / Screenplay: Axel Petersén Direktor fotografije / Director of Photography: Måns Månsson Montaža / Editor: Theis Schmidt Muzika / Music: Julian Hruza Zvuk / Sound: Matias la Cour, Supersonic Svendborg Scenografija / Production Design: Ellen Oseng Kostimografija / Costume Design: Denise Östholm Uloge / Cast: Johannes Brost, Peter Carlberg, Léonore Ekstrand Producent / Producer: Erika Wasserman, Jesper Kurlandsky Produkcija / Production: Idyll and Fasad Filmografija / Filmography 2012 - AVALON 2011 - A GOOD FRIEND OF MR. WORLD (kratkometražni / short) 2011 - THE TRACKS OF MY TEARS 2 (kratkometražni / short) 2007 - NUMEROLOGEN / THE NUMEROLOGIST (kratkometražni / short)

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Beasts of the Southern Wild / Zvijeri južne divljine U zaboravljenoj, ali prkosnoj močvarnoj zajednici, odsječenoj od svijeta rastućim nasipom, šestogodišnja Hushpuppy raste skoro kao siroče. Majke odavno nema, a njen voljeni otac Wink je divljak koji se stalno opija, pa je mala Hushpuppy prepuštena sama sebi u izoliranom kompleksu punom poludivljih životinja. Prirodni svijet doživljava kao krhku mrežu stvari koje žive, dišu i prskaju, u kojoj cijeli univerzum zavisi od toga da se sve uklapa kako treba. Kada oluja stoljeća podigne vodu oko njenog grada, a otac se odjednom razboli, strašna stvorenja iz prahistorije se probude iz zaleđenih grobova da napadnu sve širom planete, i Hushpuppy vidi kako se ruši prirodni slijed svega što joj je drago. U očajničkoj želji da popravi svoj svijet kako bi spasila oca na samrti i dom koji tone, ova sićušna heroina mora naučiti da preživi nezaustavljivu katastrofu epskih razmjera. Behn Zeitlin je filmski autor, kompozitor, animator i jedan od osnivača produkcijske kuće Court 13. Njegovi kratkometražni filmovi su EGG, ORIGINS OF ELECTRICITY, I GET WET i GLORY AT SEA. Behnov prvi igrani film ZVIJERI JUŽNE DIVLJINE osvojio je Veliku nagradu žirija na Međunarodnom filmskom festivalu Sundance 2012, a ušao je u selekciju programa Un Certain Regard u Cannesu. Živi u New Orleansu, u Louisiani, s čoporom divljih životinja. E In a forgotten but defiant bayou community cut off from the rest of the world by a sprawling

levee, six year-old Hushpuppy exists on the brink of orphanhood. Her mother long gone, and her beloved father Wink a wildman on a perpetual spree, Hushpuppy is left to her own devices on an isolated compound filled with semi-feral animals. She perceives the natural world to be a fragile web of living, breathing, squirting things, in which the entire universe depends on everything fitting together just right. So when a hundred year storm raises the waters around her town, her daddy is suddenly stricken with illness, and fierce pre-historic creatures awaken from their frozen graves to come charging across the planet, Hushpuppy sees the natural order of everything she holds dear collapsing around her. Desperate to repair the structure of her world in order to save her ailing father and sinking home, this tiny hero must learn to survive an unstoppable catastrophe of epic proportions. Behn Zeitlin is a filmmaker, composer, animator, and founding member of Court 13. His award-winning shorts include EGG, ORIGINS OF ELECTRICITY, I GET WET, and GLORY AT SEA. Benh’s first feature BEASTS OF THE SOUTHERN WILD won the Grand Jury Prize at Sundance 2012 and was selected for Un Certain Regard at Cannes. He lives in New Orleans, Louisiana, with a pack of wild animals.

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USA, 2012, HD CAM (HDTV), Colour, 92 min, English Režija / Director: Benh Zeitlin Scenarij / Screenplay: Lucy Alibar, Benh Zeitlin Direktor fotografije / Director of Photography: Ben Richardson Montaža / Editor: Crockett Doob, Muzika / Music: Dan Romer, Benh Zeitlin Scenografija / Production Design: Alex Digerlando Kostimografija / Costume Design: Stephani Lewis Uloge / Cast: Quvenzhané Wallis, Dwight Henry Producent / Producer: Michael Gottwald, Dan Janvey, Josh Penn Produkcija / Production: Cinereach, Court 13 Pictures, Journeyman Pictures Filmografija / Filmography 2012 - BEASTS OF THE SOUTHERN WILD 2008 - GLORY AT SEA (kratkometražni / short) 2006 - THE ORIGINS OF ELECTRICITY (kratkometražni / short) 2005 - EGG (kratkometražni / short)

Himizu Životna ambicija srednjoškolca Sumidae je postati običan čovjek. U njega je jako zaljubljena Chazawa, s kojom ide u razred. Njen veliki san je voljeti i biti voljena. Sumidaov otuđeni otac dolazi kući samo kada mu treba novac. Majka dodatno pogoršava situaciju kada pobjegne s ljubavnikom i ostavi svog mladog sina bez novca i oslonca. Uz pomoć Chazawae, Sumidain život se prilično smiruje, ali jedne noći njegov otac opet dolazi i proklinje ga, kao i uvijek. Sin više ne može suzdržati osjećanja i u afektu ubije oca. Shvativši da mu se san nikada neće ostvariti, Sumida postaje opsjednut kažnjavanjem zlih ljudi u društvu. Da li će ispuniti svoju novu mračnu želju, ili će njegova duša opet oživjeti uz pomoć Chazawaine ljubavi i ugledati svjetlost sunca? Shion Sono je rođen u Aichiu, u Japanu. Njegov film OTOKO NO HANAMICHI je 1987. osvojio glavnu nagradu na Filmskom festivalu Pia. BICYCLE SIGHS (1990) je premijerno prikazan na Međunarodnom filmskom festivalu u Berlinu. Šokantni film SUICIDE CLUB (2001) je 2003. godine osvojio Nagradu žirija za film sa najviše inovacija na Međunarodnom filmskom festivalu Fantasia. LOVE EXPOSURE je 2009. osvojio nagradu FIPRESCI i nagradu Caligari na Međunarodnom filmskom festivalu u Berlinu. Sljedeći njegov film, COLD FISH, svjetsku premijeru je doživio na Međunarodnom filmskom festivalu u Veneciji u okviru programa Orizzonti 2010, a najnoviji film, GUILTY OF ROMANCE, premijerno je prikazan 2011. u Cannesu u okviru programa Director’s Fortnight. Njegova su ostvarenja međunarodno priznata, a obožavatelji širom svijeta s nestrpljenjem očekuju njegove nove filmove. E For a junior high schooler Sumida, the life’s ambition is to become an ordinary man. His classmate Chazawa has a major crush on Sumida and her big dream is to care for and be cared by a loved one. Sumida’s long-gone father only comes back home when in need of extra cash. The mother, worsening the situation, runs off with her lover, leaving the young son without money or anybody to rely on. Things seem to calm down around Sumida with the help of Chazawa; but when Sumida’s father shows up again one night, cursing him just as always, the son cannot contain his emotions anymore, so he impulsively kills the father. Realizing that his dream can never come true, Sumida becomes obsessed with taking sanctions against evil people in the society; will he fulfill his new dark desire, or will his soul relive with the help and love of Chazawa and see the sunshine in his life once again?

Shion Sono was born in Aichi, Japan. In 1987, Otoko no Hanamichi won the Grand Prize at Pia Film Festival. Bicycle Sighs (1990) premiered at the Berlin International Film Festival. A shocking film Suicide Club (2001) won the Jury Prize for Most Ground-Breaking Film in Fantasia International Film Festival 2003. In 2009, Love Exposure won FIPRESCI Prize and Caligari Film Award at Berlin International Film Festival. His next film Cold Fish had its world premiere as part of the Orizzonti Programme at the Venice International Film Festival in 2010, and his latest film Guilty of Romance premiered at the Cannes Directors’ Fortnight 2011. His works have been highly appraised internationally, and the fans around the world are always on the lookout for his latest work.

Japan, 2011, 35 mm, Colour, 129. min, Japanese Režija / Director: Shion Sono Scenarij / Screenplay: Shion Sono Direktor fotografije / Director of Photography: Sohei Tanikawa Montaža / Editor: Junichi Ito Muzika / Music: Tomohide Harada Uloge / Cast: Shota Sometani, Fumi Nikaidou, Tetsu Watanabe, Mitsuru Fukikoshi, Megumi Kagurazaka, Ken Mitsuishi Denden, Yosuke Kubozuka Producent / Producer: Haruo Umekawa, Masashi Yamazaki Produkcija / Production: “Himizu” Film Partners Filmografija / Filmography 2011 - HIMIZU 2011 - KOI NO TSUMI / GUILTY OF ROMANCE 2010 - TSUMETAI NETTAIGYO / COLD FISH 2009 - BE SURE TO SHARE 2008 - AI NO MUKIDASHI / LOVE EXPOSURE 2007 - EKUSUTE / EXTE: HAIR EXTENSIONS 2006 - KIKYU CLUB, SONOGO 2006 - HAZARD 2006 - NORIKO NO SHOKUTAK / NORIKO’S DINNER TABLE 2005 - KIMYÔ NA SÂKASU / STRANGE CIRCUS 2005 - YUME NO NAKA E / INTO A DREAM 2004 - OTONA NI NATTARA 2001 - JISATSU SÂKURU / SUICIDE CLUB 2001 - KAZE (short) 2000 - SEIGI NO TATSUJIN: NYOTAI TSUBO SAGURI 1999 - UTSUSHIMI (DOCUMENTARY) 1999 - 0CM4 (SHORT) 1998 - DANKON –THE MAN 1997 - KEIKO DESUKEDO 1995 - BAD FILM 1993 - THE ROOM 1990 - JITENSHA TOIKI / BICYCLE SIGHS 1988 - KESSEN! JOSHI-RYO TAI DANSHI-RYO 1986 - OTOKO NO HANAMICHI 1986 - AI (short) 1985 - ORE WA SONO SION DA! / I AM SION SONO! (kratki dokumentarni film / doc. short)

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Holy Motors / Sveti motori Pratimo nekoliko sati, od zore do mraka, u životu gospodina Oscara, tajanstvenog lika koji putuje iz jednog u drugi život. On je naizmjenično i šef proizvodnje, i ubica, i prosjak, i čudovište, i porodični čovjek… Izgleda da glumi, svakoj se ulozi potpuno predaje – ali, gdje su kamere? Gospodin Oscar je sam, s njim je samo Céline, vitka plavuša za volanom velikog automobila kojim ga prevozi po Parizu. On je poput posvećenog ubice koji se kreće od žrtve do žrtve. U potrazi je za prekrasnom gestom, tajanstvenom pokretačkom silom, ženama i duhovima iz prošlih života. Ali, gdje se nalazi njegov pravi dom, njegova porodica, njegov smiraj? Leos Carax je snimio nekoliko kratkih filmova, a bavio se i filmskom kritikom. S 24 godine je snimio izuzetno snažan dugometražni film BOY MEETS GIRL, prikazan 1984. na Filmskom festivalu u Cannesu, gdje je doživio izvrsne kritike. To je utrlo put za njegov drugi dugometražni film BAD BLOOD, koji je značio ogroman korak naprijed, u smjeru kojim je krenuo njegov prvi film. Oba su filma bila vizuelno zapanjujuća, a tema im je bila mlada ljubav i otuđenje. LOVERS ON THE BRIDGE rezultat je kompleksne trogodišnje produkcije. Nakon toga, Carax se povukao u egzil koji je trajao osam godina. Vratio se s filmom POLA X. Carax je poznat po poetičnom stilu i mučnim prikazima ljubavi. E From dawn to dusk, a few hours in the life of Monsieur Oscar, a shadowy character who journeys

from one life to the next. He is, in turn, captain of industry, assassin, beggar, monster, family man... He seems to be playing roles, plunging headlong into each part - but where are the cameras? Monsieur Oscar is alone, accompanied only by Céline, the slender blonde woman behind the wheel of the vast engine that transports him through and around Paris. He’s like a conscientious assassin moving from hit to hit. In pursuit of the beautiful gesture, the mysterious driving force, the women and the ghosts of past lives. But where is his true home, his family, his rest? Leos Carax made several short films and also wrote film criticism. Then at the age of 24 years made a very strong first feature BOY MEETS GIRL. The film played at the 1984 Cannes film festival and was a critical triumph. It paved the way for Carax’s second feature BAD BLOOD. That film was a giant step forward in the same direction that he was going in with his first film. Both films were visual stunning and focused on young love and also alienation. His next feature, LOVERS ON THE BRIDGE was the result of three long years of a very difficult production. After that, Carax went into an a 8 year long exile, but finally returned with POLA X. Carax is noted for his poetic style and his tortured depictions of love.

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France, 2012, DCP, Colour, 115 min, French Režija / Director: Leos Carax Scenarij / Screenplay: Leos Carax Direktor fotografije / Director of Photography: Caroline Champetier, Yves Cape Montaža / Editor: Nelly Quettier Muzika / Music: The Divine Comedy Zvuk / Sound: Erwan Kerzanet, Katia Boutin, Josefina Rodriguez, Emmanuel Croset Uloge / Cast: Denis Lavant, Edith Scob, Eva Mendes, Kylie Minogue, Elise Lhomeau, Michel Piccoli, Jeanne Disson Producent / Producer: Martine Marignac Produkcija / Production: Pierre Grise Productions Filmografija / Filmography 2012 - HOLY MOTORS 2009 - 42 ONE DREAM RUSH (kratkometražni / short) 2006 - MY LAST MINUTE (kratkometražni / short) 1999 - POLA X 1997 - SANS TITRE (kratkometražni / short) 1991 - LES AMANTS DU PONT-NEUF / THE LOVERS ON THE BRIDGE 1986 - MAUVAIS SANG 1984 - BOY MEETS GIRL 1980 - STRANGULATIONS BLUES (kratkometražni / short)

Kebun binatang / Razglednice iz zoološkog vrta / Postcards from the Zoo Ovo je priča o Lani. Njeno sjećanje seže 20 godina unazad, kada je otac ostavio u zoološkom vrtu. Punih 20 godina su je tamo odgajali ljudi koji skrbe za životinje, također stanovnici zoološkog vrta. Zvuk koraka nilskog konja, ušiju slona, čudnovati zvuk nalik flauti koji proizvode žirafe; zoološki vrt je jedini svijet kojeg Lana poznaje. S vremenom zaboravlja oca. Jednog dana neki zgodni mladić dolazi u zoološki vrt. To je šarmantni ulični mađioničar koji poznaje mnogo trikova, i Lana se zaljubljuje. Napušta ljude koji skrbe za životinje i zoološki vrt, da bi sa svojim mađioničarem lutala ulicama Džakarte. Postaje njegova pomoćnica, prodaje ljekarije i izvodi trikove. Jednog dana mađioničar usred izvođenja trika - nestaje, a Lana ostane sama. Prodaju je u Planet Spa, gdje radi kao maserka i pruža dodatne usluge. Njene stranke je vole, ali Lana je očajna – žudi za mađioničarem i uposlenicima iz zoološkog vrta. Bježi iz banje i vraća se u zoološki vrt, ali tamo nema više nikoga. Opet se našla sama u zoološkom vrtu – zvuk koraka nilskog konja, ušiju slona, čudnovati zvuk nalik flauti koji proizvode žirafe. Edwin je prije 31 godinu rođen u Surabayai u Indoneziji. Studirao je film na Institutu za umjetnost u Džakarti. Njegov kratkometražni film KARA, ANAK SEBATANG POHON je bio prvi indonežanski kratkometražni film prikazan u okviru programa Directors’ Fortnight u Cannesu 2005. BLIND PIG WHO WANTS TO FLY, njegov prvi dugometražni film, svjetsku je premijeru doživio na Međunarodnom filmskom festivalu u Pusanu (Južna Koreja). BLIND PIG WHO WANTS TO FLY osvojio je i brojne nagrade, uključujući, između ostalih, Nagradu Fipresci na Međunarodnom filmskom festivalu u Rotterdamu 2009, Posebnu pohvalu žirija na Međunarodnom filmskom festivalu u Singapuru 2009, NETPAC na Filmskom festivalu Golden Horse u Taipeiu 2009, Srebrnu nagradu na Festival 3 Continents, itd.

Indonesia, Germany, Hong Kong, 2012, 35 mm, Colour, 96 min, Indonesian Režija / Director: Edwin Scenarij / Screenplay: Edwin, Daud Sumolang, Titien Wattimena Direktor fotografije / Director of Photography: Sidi Saleh Montaža / Editor: Herman Kumala Panca Muzika / Music: Dave Lumenta Uloge / Cast: Ladya Cheryl, Nicholas Saputra, Adje Nur Ahmad, Klarysa Aurelia Raditya Producent / Producer: Meiske Taurisia, Lorna Tee, Thanassis Karathanos, Karl Baumgartner, Sari Mochtan, Kemal Arsjad Filmografija / Filmography 2012 - KEBUN BINATANG / POSTCARDS FROM THE ZOO 2008 - BLIND PIGS WHO WANTS TO FLY 2008 - HULAHOOP SOUNDINGS (kratkometražni / short) 2005 - KARA, ANAK SEBATANG POHON (kratkometražni / short)

E This is a story of Lana. Her memories started 20 years ago, when her father abandoned her in the zoo. For 20 years, she was raised by animal trainers who also lived at the zoo. The sound of the Hippo’s steps, the flapping of the Elephant’s ears, the strange, flute-like sound of the Giraffe; the zoo is the only world she knows. Over time, Lana forgets her father.One day, a handsome boy, comes to the zoo. He is a charming street magician with many tricks, and Lana falls in love. She leaves the trainers and the zoo to wander the streets of Jakarta with her magician. She becomes his assistant, selling medicine and performing magic. One day, the Magician disappears while performing his magic and Lana is left alone. Lana is sold to the Planet Spa and works as a masseuse ‘with benefits.’ Her customers love her, but Lana is miserable - longing for the magician and the animal trainers at the zoo. Lana escapes the spa and returns to the zoo, but when she arrives, no one else is there. She finds herself alone once again in the zoo - the sound of the Hippo’s steps, the flapping of the Elephant’s ears, the strange, flute-like sound of the Giraffe.

Edwin was born in Surabaya, Indonesia 31 years ago. He studied film at The Jakarta Institute of Arts. His short film KARA, ANAK SEBATANG POHON became the first Indonesian short film screened at the Director’s Fortnight, Cannes 2005. BLIND PIG WHO WANTS TO FLY, his feature film debut, made its world premiere at 13th Pusan IFF in South. BLIND PIG WHO WANTS TO FLY won numerous awards including the Fipresci Award, IFF Rotterdam 2009; Special Jury Mention, Singapore IFF 2009; NETPAC, Taipei Golden Horse IFF 2009; Silver Award, Festival3 Continents, 2009; Youth Film Award, Festival 3 Continents, 2009, amongst others. KINOSCOPE l 18. Sarajevo Film Festival 107

L’estate di Giacomo / Giacomovo ljeto / Summer of Giacomo Radnja se dešava na selu na sjeveroistoku Italije u ljeto. Giacomo, devetnaestogodišnji mladić, gluhonijem od djetinjstva, i Stefania, njegova šesnaestogodišnja prijateljica od malih nogu, odlaze do rijeke na izlet. Kao u bajci, u šumi se izgube i dođu na čudesno mjesto, sami i slobodni, tokom poslijepodneva koje izgleda kao dugo ljeto. Spoznaja čulima: bez dodira, a opet, sve je koža, dah i uzdasi. Senzualnost prati njihove igre iz djetinjstva sve dok Stefania i Giacomo ne shvate da je avantura koju su upravo iskusili ništa do sjećanje na izgubljeno vrijeme. Priča o ljubavi i odrastanju, u kojoj se sadašnjost prepliće sa sjećanjem, a prošlost se uzdiže s jasnoćom i zadivljujućim osjećajem prvog puta. Sjećanja nisu samo ono što svako od nas nosi u sebi i odjednom ih se prisjeti, ona su i istinska otkrovenja. Moramo znati da stvari nikada ne uočimo isprva, nego uvijek tek iz drugog puta. Tako ih otkrivamo i pamtimo zajedno. Alessandro Comodin je rođen 5. 6. 1982. u mjestu San Vito al Tagliamento, u Italiji. Diplomirao je režiju na Institut National Supérieur des Arts de Spectacle (INSAS, 2004 - 2008) u Bruxellesu, u Belgiji. E It’s summer in the countryside of northeastern Italy. Giacomo, nineteen, deaf since childhood and Stefania, his childhood friend, sixteen, go to the river for a picnic. Like in an enchanted fairy tale they get lost in the woods and find themselves in a heavenly place, alone and free, during an afternoon that seems to last a whole summer. An apprenticeship of senses: there is no touching, yet it is all skin, breath and sighs. The sensuality accompanies their games from childhood until Stefania and Giacomo feel the adventure that they have just experienced is nothing more than a bittersweet memory of a lost time. A story of love and initiation into adulthood where the present is mixed with memory and the past rises with the clarity and amazement of the first time. The memories are not only those that each of us carry within ourselves and suddenly remember, they are also real discoveries. We have to know that we never see things the first time, but always the second. So we discover them and remember them together.

Alessandro Comodin was born on June 5, 1982 in San Vito al Tagliamento, Italy. He graduated in cinema direction from Institut National Supérieur des Arts de Spectacle (INSAS, 2004 - 2008) in Brussels, Belgium.

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Italy, Belgium, France, 2011, HD CAM (HDTV), Colour, 78 min, Italian Režija / Director: Alessandro Comodin Scenarij / Screenplay: Alessandro Comodin Direktor fotografije / Director of Photography: Tristan Bordmann Montaža / Editor: Joao Nicolau, Alessandro Comodin Zvuk / Sound: Julien Courroye Uloge / Cast: Giacomo Zulian, Stefania Comodin, Barbara Colombo Producent / Producer: Paolo Benzi, Alessandro Comodin, Marie Géhin, Réjane Michel, Valérianne Boué Produkcija / Production: Faber Film, Les Films Nus, Les Films d’ici Filmografija / Filmography 2011 - L’ESTATE DI GIACOMO / SUMMER OF GIACOMO 2008 - JAGDFIEBER

The Loneliest Planet / Najusamljenija planeta Alex i Nica su mladi, zaljubljeni i zaručeni. Ljeto prije vjenčanja odlaze na planinarenje na Kavkaz u Gruziji. Unajme lokalnog vodiča i s njim se otisnu u zapanjujuću divljinu, pejzaž koji je istovremeno nevjerovatno otvoren i zastrašujuće zatvoren. Satima šetaju, pričaju anegdote i igraju se da im brže prođe vrijeme. A onda – pogrešan korak; pokret koji traje samo dvije, tri sekunde, pokret koji se završio čim je počeo. Međutim, povratka nema. I sada prijeti da upropasti sve što su mislili jedno o drugom i o sebi samima. A sve to vrijeme nisu sami. Uvijek su s vodičem koji posmatra svaki njihov pokret. Julia Loktev je rođena u Lenjingradu (Sankt Peterburgu), u Rusiji. Kada joj je bilo devet godina, njena porodica je imigrirala u SAD, u grad Loveland, u Coloradu. Nakon završetka studija u Montréalu i šestomjesečnog putovanja po srednjoj Aziji, seli se u New York. Julijin prvi dugometražni film, dokumentarac MOMENT OF IMPACT, prikazan na Sedmici kritičara u Locarnu, osvojio je nekoliko nagrada, uključujući i nagradu za režiju na Sundance festivalu, Veliku nagradu na festivalu Cinéma du Reél u Parizu, Nagradu za najbolji dokumentarni film na Filmskom festivalu u Karlovym Varyma. Njen prvi igrani film DAY NIGHT DAY NIGHT premijerno je prikazan 2006. na Filmskom festivalu u Cannesu u okviru programa Directors’ Fortnight, gdje je osvojio i Youth Prize. Nakon toga je osvojio i nagradu Louve D’Or na Festivalu novog filma u Montréalu, Nagradu za najboljeg novog režisera na Međunarodnom filmskom festivalu u Chicagu, te nagradu Someone to Watch u okviru nagrada Independent Spirit. Film je bio nominiran za dvije nagrade Gotham, za najboljeg novog režisera i najboljeg novog glumca. Julia Loktev snima i videoinstalacije na nekoliko ekrana koje su prikazane u okviru vizualnih umjetnosti, uključujući i galeriju Tate Modern u Londonu, P.S.1 u New Yorku, Haus der Kunst u Minhenu, Bienal de Valencia, te Mito Art Tower u Japanu. Nedavno joj je dodijeljena Stipendija Guggenheim.

USA, Germany, 2011, 35 mm, Colour, 113 min, English Režija / Director: Julia Loktev Scenarij / Screenplay: Tom Bissell, Julia Loktev Direktor fotografije / Director of Photography: Inti Briones Montaža / Editor: Michael Taylor, Julia Loktev Muzika / Music: Richard Skelton Uloge / Cast: Gael Garcia Bernal, Hani Furstenberg, Bidzina Gujabidze Producent / Producer: Jay Van Hoy and Lars Knudsen, Helge Albers, Marie-Therese Guirgis Produkcija / Production: Parts and Labor, Flying Moon Filmografija / Filmography 2012 - THE LONELIEST PLANET 2006 - DAY NIGHT DAY NIGHT 1998 - MOMENT OF IMPACT (doc.)

E Alex and Nica are young, in love and engaged to be married. The summer before their wedding, they are backpacking in the Caucasus Mountains in Georgia. The couple hire a local guide to lead them on a camping trek, and the three set off into a stunning wilderness, a landscape that is both overwhelmingly open and frighteningly closed. Walking for hours, they trade anecdotes, play games to pass the time of moving through space. And then, a momentary misstep, a gesture that takes only two or three seconds, a gesture that’s over almost as soon as it begins. But once it is done, it can’t be undone. Once it is done, it threatens to undo everything the couple believed about each other and about themselves. All the while, they are not alone. They are always with the guide, who witnesses their every move.

Julia Loktev was born in Leningrad (St. Petersburg), Russia. When she was nine, her family immigrated to the U.S., settling in Loveland, Colorado. Following university in Montreal and half a year traveling alone through Central Asia, she moved to New York. Julia’s first feature, the documentary MOMENT OF IMPACT, which screened in Locarno Critics’ Week, won several prizes including the Directing Award at Sundance, the Grand Prize at Cinéma du Reél in Paris, Best Documentary at Karlovy Vary. Her fiction debut DAY NIGHT DAY NIGHT premiered in Directors’ Fortnight at Cannes in 2006, where it won the Youth Prize, and went on to win the Louve D’Or at the Montreal Festival du Nouveau Cinéma, Best New Director at the Chicago International Film Festival, and the Someone to Watch prize at the Independent Spirit Awards. It was nominated for two Gotham Awards, Breakthrough Director and Breakthrough Actor. Julia also makes multiple-screen video installations that have been exhibited in a visual art context, including at Tate Modern in London, P.S.1 in New York, Haus der Kunst in Munich, Bienal de Valencia, Mito Art Tower in Japan. She was recently awarded a Guggenheim Fellowship. KINOSCOPE l 18. Sarajevo Film Festival 109

Los salvajes / Divlji / The Wild Ones Poput vesterna, ovaj film počinje bijegom. Pet tinejdžera nasilničkog ponašanja bježi iz škole za delinkvente u jednoj argentinskoj provinciji. Putuju pješice, preko brda, stotinu kilometara, u potrazi za novim domom. Nose nešto zaliha i pušku. Love kako bi se prehranili, pljačkaju kuće na koje naiđu, drogiraju se, kupaju u rijeci, bore se međusobno i vode ljubav: njihov je bijeg evolutivno putovanje u divljinu, putovanje koje brzo preraste u mističnu priču o hrabrosti i ljepoti. Alejandro Fadel je rođen 1981. u Tunuyánu (Mendoza, Argentina). Studij je započeo na Universidad del Cine (FUC) i tu je režirao prve kratkometražne filmove: FELIPE (2002, za kojeg je dobio nagradu BAFICI za najbolji kratkometražni film), SÁBADO A LA NOCHE, DOMINGO A LA MAÑANA (2003, za koji je nagrađen Prvom nagradom na videofestivalu Georges Méliès). Režirao je i videospotove za nekoliko umjetnika. 2004. je kao pisac počeo razvijati projekte za film i televiziju. Između ostalog, napisao je scenarij za filmove LEONORA (uvršten u Takmičarski program Filmskog festivala u Cannesu 2008), CARANCHO (uvršten u selekciju Un Certain Regard Filmskog festivala u Cannesu, 2010), a oba filma je režirao Pablo Trapero; zatim za film CIMARRÓN, kojeg je napisao za izraelskog režisera Adriána Caetanoa, i za film LA REPRESENTACIÓN, za Jorgea Gaggeroa. Trenutno piše scenarij za film TERRA Waltera Sallesa, u produkciji kuća Tu vas voir i K&S Films. Alejandro Fadel se na Filmskom festivalu u Cannesu 2012. predstavio s tri filma: kao scenarist za film ELEFANTE BLANCO Pabla Trapera, te scenarist kratkometražnog filma za omnibus 7 DAYS IN HAVANA, u kojem glavnu ulogu igra Emir Kusturica (ostali režiseri su Laurent Cantet, Julio Medem, Benicio del Toro, Elia Suleiman i Gaspar Noé). Oba su ova filma bila u selekciji Un Certain Regard. LOS SALVAJES je premijerno prikazan u okviru programa La Semaine de la Critique, a producirala ga je Fadelova produkcijska kuća La Unión de los Ríos. Tu se Fadel prvi put javlja kao režiser. E Like a western, it starts with an escape. Five teenagers violently escape a reform school in an Argentinean province. They travel by foot, across hills, a hundred kilometres, for the promise of a new home. They carry a few supplies and a shotgun. They hunt to feed, rob the homes they pass, get high, bathe in the river, fight with each other and make love: Their trip is an evolutionary voyage into the wilderness, one that soon becomes a mystic fable about courage and grace.

Alejandro Fadel was born in Tunuyán (Mendoza, Argentina) in 1981. He began his studies at Universidad del Cine (FUC) where he directed his first short films: FELIPE (2002, Best Short film BAFICI), SÁBADO A LA NOCHE, DOMINGO A LA MAÑANA (2003, First Mention of the Georges Méliès Video Festival). He also directed videos for different artists. In 2004 he started to develop projects as a writer for film and television. Among other titles he has worked on, he wrote LEONERA (Cannes’ Official Competition 2008) and CARANCHO (Un Certain Regard, 2010), both directed by Pablo Trapero; CIMARRÓN, written for Israel Adrián Caetano; and LA REPRESENTACIÓN for Jorge Gaggero. He’s currently writing TERRA, a film by Walter Salles, produced by Tu vas voir and K&S Films. Alejandro Fadel was in Cannes 2012 with three titles: As a writer, Pablo Trapero’s ELEFANTE BLANCO and the short film, stared by Emir Kusturica, included in the collective film 7 DÍAS EN LA HABANA, (other directors include Laurent Cantet, Julio Medem, Benicio del Toro, Elia Suleiman and Gaspar Noé), both in Un Certain Regard. LOS SALVAJES, premiering in La Semaine de la Critique and produced by his own company La Unión de los Ríos, marks his debut feature as a director.

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Argentina, 2012, DCP, Colour, 119 min, Spanish Režija / Director: Alejandro Fadel Scenarij / Screenplay: Alejandro Fadel Direktor fotografije / Director of Photography: Julian Apezteguia Montaža / Editor: Andrés P. Estrada, Delfina Castagnino Muzika / Music: Sergio Chotsourian, Santiago Chotsourian Uloge / Cast: Sofia Brito, Leonel Arancibia, Roberto Cowal, Martin Cortari, Cesar Roldan Producent / Producer: Agustina Llambi Campbell Produkcija / Production: La Unión de los Ríos Filmografija / Filmography 2012 - LOS SALVAJES / THE WILD ONES 2005 - EL AMOR - PRIMERA PARTE 2002 - BOLERO 2002 - FELIPE (kratkometražni / short) 2002 - MORENO 342 2002 - SÁBADO A LA NOCHE, DOMINGO A LA MAÑANA (kratkometražni / short) 2000 - ¿QUÉ HACEMOS CON PABLITO? (kratkometražni / short) 1999 - LA FAMILIA PETERSON

El lugar más pequeño / Najmanje mjesto / The Tiniest Place Priča o sposobnosti čovjeka da se nakon tragedije uzdigne, izgradi i ponovo pronađe sebe. Priča o ljudima koji su naučili živjeti s tugom; o uništenom gradu koji se uzdiže snagom i snažnom ljubavlju građana za zemlju i ljude. Maleno mjesto, smješteno u vlažnoj salvadorskoj džungli. Tatiana Huezo Sánchez je rođena 9. 01. 1972. u San Salvadoru. Od svoje četvrte godine je živjela i studirala u Mexico Cityju. Ona je režiserka i snimateljka. Diplomirala je na Centro de Capacitación Cinematográfica. Režirala je nekoliko kratkometražnih i dokumentarnih filmova. Dobila je novčanu podršku Državnog fonda za umjetnost i kulturu za snimanje dokumentarnog filma FAMILY PORTRAIT, kao i stipendiju za postdiplomski studij dokumentarnog filma na Univerzitetu Pompeu Fabra u Barceloni, u Španija (period od 2004. do 2006). THE TINIEST PLACE je njena opera prima. E A story about man’s ability to rise, rebuild and reinvent himself after surviving a tragedy. A story about a people that have learned to live with their sorrow; an annihilated town that re-emerges through the strength and deep love of its inhabitants for the land and the people. A tiny place nestled in the mountains amidst the humid Salvadorian jungle.

Tatiana Huezo Sánchez was born January 9th, 1972 in San Salvador. When she was four years old she moved to Mexico City where she lived and studied. She is a director and cinematographer. She is a graduate of the Centro de Capacitación Cinematográfica. She has directed several short films and documentaries. She received a grant from the National Culture and Arts Fund to produce the documentary: FAMILY PORTRAIT and a scholarship for a master’s degree in Documentary Filmmaking at the University of Pompeu Fabra in Barcelona, Spain from 2004-2006. THE TINIEST PLACE is her opera prima.

Mexico, 2011, 35 mm, Color, 108 min, Spanish Režija / Director: Tatiana Huezo Sánchez Scenarij / Screenplay: Tatiana Huezo Sánchez Direktor fotografije / Director of Photography: Ernesto Pardo Montaža / Editor: Paulina Del Paso, Tatiana Huezo Sánchez, Lucrecia Gutiérrez Muzika / Music: Leonardo Heiblum, Jacobo Lieberman Zvuk / Sound: Federico González Producent / Producer: Nicolás Celis Produkcija / Production: Centro de Capacitación Cinematográfica, FOPROCINE Filmografija / Filmography 2011 - EL LUGAR MÁS PEQUEÑO / THE TINIEST PLACE (dokumentarni / doc.) 2008 - RETRATO DE FAMILIA / FAMILY PORTAIT (dokumentarni / doc.) 2001 - EL OMBLIGO DEL MUNDO / THE COREO OF THE EARTH (kratkometražni / short) 1998 - TIEMPO CAÚSTICO / CAUSTIC TIME (kratkometražni / short)

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Marina Abramović: The Artist Is Present / Marina Abramović: Umjetnica je prisutna Zavodljiva, neustrašiva i neobuzdana Marina Abramović redefinira umjetnost skoro 40 godina. Koristeći tijelo kao sredstvo, ona neprestano prevazilazi samu sebe – ponekad pri tome riskirajući vlastiti život. Stvara izvedbe koje provociraju, šokiraju i ostavljaju duboke dojmove. MARINA ABRAMOVIĆ: UMJETNICA JE PRISUTNA prati umjetnicu dok se priprema za možda najvažniji trenutak u svom životu: veliku retrospektivu vlastitog stvaralaštva, koja će biti prikazana u Muzeju moderne umjetnosti u New Yorku. Retrospektiva stvaralaštva u jednom od najznačajnijih svjetskih muzeja je najsretniji trenutak u karijeri umjetnika. Za Marinu to znači mnogo više: priliku da konačno utihne pitanje koje sluša već četrdeset godina: “Ali, zašto je ovo umjetnost?” Matthew Askers je režiser i snimatelj filma MARINA ABRAMOVIĆ: UMJETNICA JE PRISUTNA, dugometražnog dokumentarca o legendarnoj umjetnici performansa, premijerno prikazanog na Filmskom festivalu Sundance, kao i na TV kanalu HBO 2012. On je bio snimatelj i nagrađivanog filma LEMON, o inovativnom pjesniku, trostrukom osuđeniku i dobitniku nagrade Tony – Lemonu Andersenu. Askers je producirao i snimio CIRCUS, dokumentarnu seriju od 6 epizoda koja je prikazana u novembru 2010. na PBS-u. Bio je producent i kamerman na seriji CARRIER od 10 epizoda, koja je u produkciji PBS-a osvojila i nagradu Emmy, a premijerno je prikazana 2008. Pored toga, Askers je bio kinematograf i na brojnim drugim dugometražnim dokumentarnim filmovima, uključujući i dokumentarce kuće HBO: BACK IN THE HOOD: GANG WAR II, HEIR TO AN EXECUTION i ELAINE STRITCH: AT LIBERTY. E Seductive, fearless, and outrageous, Marina Abramović has been redefining what art is for nearly 40 years. Using her own body as a vehicle, pushing herself beyond her limits - and at times risking her life in the process - she creates performances that challenge, shock, and move us. MARINA ABRAMOVIĆ THE ARTIST IS PRESENT follows the artist as she prepares for what may be the most important moment of her life: a major new retrospective of her work, taking place at The Museum of Modern Art. To be given a retrospective at one of the world’s premier museums is the most exhilarating sort of milestone. For Marina, it is far more: it is the chance to finally silence the question she has been hearing over and over again for four decades: “But why is this art?”

Matthew Akers is the Director and Cinematographer of MARINA ABRAMOVIĆ THE ARTIST IS PRESENT, a feature documentary about the legendary performance artist that had its world premiere at the Sundance Film Festival and air on HBO in 2012. He was the cinematographer of the award winning documentary film LEMON, about the pioneering poet, three-time felon, and one-time Tony award winner Lemon Andersen. Akers produced and was the cinematographer of CIRCUS, a six-part documentary series that aired in November 2010 on PBS. Matthew was a producer and a camera operator on CARRIER, the 10-part Emmy Award-winning PBS television series that premiered in April 2008. In addition, he has been the cinematographer of numerous other feature documentaries including the HBO documentaries, BACK IN THE HOOD: GANG WAR II, HEIR TO AN EXECUTION and ELAINE STRITCH: AT LIBERTY. 112 18. Sarajevo Film Festival l KINOSCOPE

USA, 2012, HD CAM (HDTV), Colour and b&w, 104 min, English Režija / Director: Matthew Akers Scenarij / Screenplay: Matthew Akers Direktor fotografije / Director of Photography: Matthew Akers Montaža / Editor: E. Donna Shepherd Muzika / Music: Nathan Halpern Producent / Producer: Jeff Dupre, Maro Chermayeff Produkcija / Production: Show Of Force, Dakota Group, AVRO Television Filmografija / Filmography 2012 - MARINA ABRAMOVIĆ: THE ARTIST IS PRESENT (dokumentarni film / doc.)

My Brother the Devil / Moj brat, đavo Mo je dječak koji odrasta u tradicionalnoj egipatskoj porodici, ali izvan skromnog porodičnog stana u Londonu nalazi se jedan potpuno drugačiji svijet – ulice Hackneya. Povodljivi Mo idealizira svog zgodnog starijeg brata Rashida i želi biti poput njega. Međutim, Rashid, karizmatični i lukavi član lokalne bande, želi drugačiji život za svog malog brata te rastura drogu u nadi da će poslati Moa na koledž. Jednog ljeta punog događanja, Rashidovo seksualno buđenje prisiljava Moa da se suoči sa sopstvenim strahovima i fobijama, te prijeti da dovede u pitanje odnos između dva brata. Sally El Hosaini je egipatska i velška scenaristica i režiserka. Njen prvijenac MOJ BRAT ĐAVO je ušao u selekciju Takmičarskog programa na festivalu Sundance 2012, gdje je osvojio Nagradu za najbolju kinematografiju (World Dramatic) i Nagradu Worldview/Sundance Impact (Sundance London). Također je osvojio i Nagradu za najbolji evropski film – Europa Cinema Label na Filmskom festivalu u Berlinu 2012, gdje je prikazan u okviru programa Panorama Special. Časopis Screen International je proglasio El Hosaini jednom od Zvijezda sutrašnjice Ujedinjenog Kraljevstva za 2009. Njen kratkometražni film THE FIFTH BOWL osvojio je regionalnu nagradu BAFTA. Kratkometražni film HENNA NIGHT je uvršten u selekciju Lezbejskog i gay filmskog festivala u Londonu, u Takmičarski program na roterdamskom festivalu i festivalu Raindance, a prikazan je na ICA-u i BAFTA-i. El Hosaini je napisala dio scenarija za iransko-američki dugometražni film CAMELIA. Prije nego što je počela pisati scenarije i režirati, bila je saradnica na scenariju i specijalna saradnica na mini seriji HOUSE OF SADDAM, u produkciji kuća HBO Films i BBC Drama, a koja je osvojila nagrade BAFTA i EMMY. Prije toga bila je koordinatorica produkcije dugometražnih filmova i radila je na nekoliko dokumentarnih filmova o Bliskom Istoku. E Mo is a young boy growing up in a traditional Egyptian household, but beyond the front door of the family’s modest London flat is a completely different world - the streets of Hackney. The impressionable Mo idolizes his handsome older brother Rashid and wants to follow is his footsteps. However, Rashid, a charismatic and shrewd member of a local gang, wants a different life for his little brother and deals drugs hoping to put Mo through college. One eventful summer, Rashid’s sexual awakening forces Mo to confront his own fears and phobias and threatens to tear the brothers apart.

United Kingdom, 2012, 35 mm, Colour, 111 min, English Režija / Director: Sally El Hosaini Scenarij / Screenplay: Sally El Hosaini Direktor fotografije / Director of Photography: David Raedeker Montaža / Editor: Iain Kitching Muzika / Music: Stuart Earl Zvuk / Sound: Jovan Ajder Scenografija / Production Design: Stéphane Collonge Kostimografija / Costume Design: Rob Nicholls Uloge / Cast: Said Taghmaoui, James Floyd, Fady Elsayed, Aymen Hamdouchi, Ashley Thomas, Anthony Welsh, Arnold Oceng, Letitia Wright, Amira Ghazalla, Elarica Gallacher, Nasser Memarzia Producent / Producer: Gayle Griffiths, Julia Godzinskaya, Michael Sackler Produkcija / Production: Wild Horses Film Company, Rooks Nest Entertainment Filmografija / Filmography 2012 - MY BROTHER THE DEVIL 2009 - HENNA NIGHT (kratkometražni / short) 2008 - THE FIFTH BOWL (kratkometražni / short)

Sally El Hosaini is an Egyptian/ Welsh screenwriter & director. Her debut feature, MY BROTHER THE DEVIL, was in competition at Sundance Film Festival 2012 where it won Best Cinematography (World Dramatic) and the Worldview/ Sundance Impact Award (Sundance London). It also won Best European Film - Europa Cinema Label Award at Berlinale 2012 where it played in the Panorama Special section. El Hosaini was one of Screen International’s UK Stars of Tomorrow 2009. Her short, THE FIFTH BOWL, won a regional BAFTA. Another short, HENNA NIGHT was officially selected for London Lesbian & Gay Film Festival, in competition at Rotterdam and Raindance, and screened at the ICA and BAFTA. El Hosaini has also co-written the Iranian/American feature film CAMELIA. Prior to writing and directing she script edited and was the specialist researcher on BAFTA& EMMY winning, HBO Films/ BBC Drama mini - series House Of Saddam. Before that she was a production coordinator in features and worked on several Middle East documentaries.

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Pojktanten / She-Male puževi / She Male Snails SHE-MALE PUŽEVI je magičan, jedinstven i tankoćutan hibridni film o različitim aspektima androginog tijela koje se mijenja. Svaka osoba ima mnogo više aspekata nego što golo oko vidi. Čitav život tražimo ravnotežu između seksualnih identiteta i tijela koje se mijenja od djetinjstva, kroz pubertet i tokom zrelog doba. Ovo je film o borbi za pronalaženje te ravnoteže, a možda i mira. Kroz niz intimnih razgovora u kadi, koje vode režiser Ester Martin Bergsmark i pisac Eli Levén, film prikazuje priču o preživljavanju, tamo gdje se susreću surova stvarnost i izmišljeni svijet. Krenite na put u obećanu zemlju She-Male puževa – dokumentarnu bajku o ljudskom biću između dva spola, koje, da bi preživjelo, stvara treći. Ester Martin Bersgmark se školovao na švedskom Univerzitetskom koledžu umjetnosti i dizajna. Privremeno je prekinuo studije kako bi radio na filmskim projektima. Trenutno živi u Berlinu. Već četiri godine blisko sarađuje sa Markom Hammarbergom. MAGGIE IN WONDERLAND (2008) je njihov prvi dugometražni film. Osvojio je nagradu Doc Alliance za najbolji evropski dokumentarni film u 2009, te Guldbaggea za najbolji švedski dokumentarni film. Ester Martin Bergsmark je sam režirao FRUITCAKE (2010), što je dio eksperimentalnog feminističkog porno filma DIRTY DIARIES. Njegov najnoviji film SHE-MALE PUŽEVI dobio je Nagradu publike, Nagradu za najbolju kinematografiju te Posebno priznanje za najbolji nordijski film na Međunarodnom filmskom festivalu u Gothenburgu. E She Male Snails is a magic, unique and sensitive hybridfilm on the different aspects of a changing androgynous body. There are more aspects to a person than the eye can see. We spend our whole life trying to find a balance between sexual identities and a body that changes from childhood, to puberty, through adulthood. This is a film about the struggle finding that balance and maybe peace. Through a series of intimate bathtub conversations between the director Ester Martin Bergsmark and the writer Eli Levén, the film tells a story about survival where harsh reality get mixed up in a fictive world. Come along on a journey to the promised land of the She Male Snails - a documentary fairytale about a human between two genders, that in order to survive creates a third one.

Ester Martin Bersgmark is trained at the Swedish University College of Arts Crafts and Design. Right now he is taking a break in his studies to work on his film projects. He currently lives in Berlin. He and Mark Hammarberg have been working closely together for four years. MAGGIE IN WONDERLAND (2008) is their feature film debut. It has been awarded the Prize for Best European documentary, Doc Alliance 2009 and a Guldbagge for Best Swedish Documentary. Ester Martin Bergsmark made FRUITCAKE (2010) part of the experimental feminist porn suite DIRTY DIARIES. His latest film SHE MALE SNAILS won the Audience Award, Prize for Best Cinematography and Honorary Mention for Best Nordic Film at Gothenburg International Film Festival.

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Sweden, Denmark, 2012, HD CAM (HDTV), Colour, 72 min, Swedish Režija / Director: Ester Martin Bergsmark Scenarij / Screenplay: Ester Martin Bergsmark Direktor Fotografije / Director Of Photography: Minka Jakerson, Ester Martin Bergsmark Montaža / Editor: Britta Norell, Ester Martin Bergsmark, Björn Kessler Muzika / Music: Magnus Engstedt, Mirejam Shala Zvuk / Sound: Peter Albrechtsen Producent / Producer: Anna-Maria Kantarius Produkcija / Production: Upfront Films Filmografija / Filmography 2012 - POJKTANTEN / SHE MALE SNAILS (dokumentarni / doc.) 2010 - DIRTY DIARIES (segment FRUITCAKE) 2008 - MAGGIE IN WONDERLAND (dokumentarni / doc.) 2007 - SWALLOW IT (kratkometražni / exp. short)

Portret v sumerkakh / Portret sumraka / Twilight Portrait Marina, socijalna radnica i dječiji psiholog, u krizi je srednjih godina. Ranjava je policajac. Ona se želi osvetiti. Kada konačno upozna osobu koja je uzrokovala taj dramatični događaj, Marina odluči upotrijebiti svoje stručne vještine umjesto oružja. Angelina Nikonova je rođena i odrasla u Rostovu na Donu, u Rusiji. Diplomirala je 2001. u Školi vizualnih umjetnosti u New Yorku, iz oblasti filma i videa. Napisala je TWILIGHT PORTRAIT s Olgom Dihovichnayaom. Angelina i Olga su odlučile zajedno napraviti film, tako da ga je Angelina režirala, a Olga je igrala glavnu ulogu. Iskustvo rada na brojnim filmskim poslovima pomoglo je Angelini da produkciju filma okonča uz minimalni budžet. E A social worker, a child psychologist in the middlelife crisis, Marina, gets injured by policemen. She seeks revenge. When she finally meets the initiator of the dramatic event, she decides to use her professional skills instead of common weapons.

Angelina Nikonova was born and raised in Rostov-on-Don, in the south of Russia. In 2001 she graduated from the School of Visual Arts in New York, Film and Video major. TWILIGHT PORTRAIT was co-written with Olga Dihovichnaya. Angelina and Olga decided to produce the film together, with Angelina directing it and Olga playing the lead role. The experience of working in quite a few film positions helped Angelina to execute the production within the “close-to-nothing” budget.

Russia, 2011, HD CAM (HDTV), Colour, 105 min, Russian Režija / Director: Angelina Nikonova Scenarij / Screenplay: Olga Dihovichnaya, Angelina Nikonova Direktor fotografije / Director of Photography: Eben Bull Montaža / Editor: Elena Afanasyeva Uloge / Cast: Olga Dihovichnaya, Sergei Borisov, Roman Merinov, Sergey Golyudov, Anna Ageeva Producent / Producer: Leonid Ogaryov, Angelina Nikonova, Olga Dihovichnaya Produkcija / Production: Baraban Films Filmografija / Filmography 2011 - PORTRET V SUMERKAKH / TWILIGHT PORTRAIT

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Tabu Starija Protugalka Aurora i njena kućna pomoćnica iz Cape Verdea žive vrata do vrata uz Pilar, čiji je životni cilj činiti dobro. Ona ne dobija zauzvrat nikakvu zahvalnost za svoj trud – a posebno ne od podozrive Aurore, koja želi provesti ostatak života u gubljenju mršave ušteđevine za stolovima kasina Estoril. Kada starica umre, Pilar pronalazi njenog starog ljubavnika. Za režisera Miguela Gomaza nezamislivo je snimiti film, a ne osvrnuti se na filmsku historiju, tako da nije slučaj da ovaj film nosi isto ime kao i TABU Friedricha Wilhelma Murnaua. U svom trećem dugometražnom filmu, Gomes na zabavan način interpretira i reorganizira historijske događaje: dok je prvi dio ovog filma snimljen u crno-bijeloj tehnici i prikazuje društvo koje se utapa u nostalgiji, drugi dio filma kroz potresnu melodramu, slapstick komediju, paralelan prikaz scena i strast predstavlja sve za čim ti ljudi žude. Miguel Gomes je rođen 1972. u Lisabonu. Studirao je na Školi za film i pozorište u Lisabonu, a od 1996. do 2000. je radio kao filmski kritičar za portugalske novine. Režirao je nekoliko kratkometražnih filmova koji su nagrađeni na festivalima u Oberhausenu, Belfortu i Vila do Condeu. THE FACE YOU DESERVE je njegov prvi dugometražni film. OUR BELOVED MONTH OF AUGUST prikazan je na Međunarodnom filmskom festivalu u Cannesu, u okviru programa Directors’ Forthnight, a nakon toga film je ušao u selekciju više od četrdeset međunarodnih festivala, na kojima je osvojio i brojne nagrade. Međunarodni filmski festivali Viennale u Beču (Austrija, 2008), Baficiju (Argentina, 2009), kao i Centro de Artes e Imaxes da Corunha (Španija, 2009) ponudili su retrospektivni pregled njegovih filmova. TABU je Gomesov treći dugometražni film. E Aurora, an elderly Portuguese woman and her Cape Verdean housekeeper live next door to Pilar, who has made it her aim in life to do good. Not that she receives any gratitude for her efforts – and certainly not from the notoriously mistrustful Aurora, who prefers to spend her remaining years losing her meagre savings at the tables of Estoril casino. When the old lady dies, Pilar gets on the track of an old lover. Making a film without referring to film history is unthinkable for director Miguel Gomes, and it’s no coincidence that his film has the same title as Friedrich Wilhelm Murnau’s TABU. In his third feature film outing Gomes playfully interprets and rearranges historical events: whilst the first part of his film is in black-and-white and portrays a society wallowing in nostalgia, the second part delivers everything they long for: stirring melodrama, slapstick, juxtaposition and passion.

Miguel Gomes was born in Lisbon in 1972. He studied at the Lisbon Film and Theatre School and worked as film critic for the Portuguese press between 1996 and 2000. He directed several short films awarded in festivals such as Oberhausen, Belfort and Vila do Conde. THE FACE YOU DESERVE (2004) was his first feature film. OUR BELOVED MONTH OF AUGUST was presented in the Directors’ Fortnight at the Cannes Festival, which was subsequently selected in more than forty international festivals where he won over a dozen prizes. The Viennale (Austria, 2008), Bafici (Argentina, 2009) and the Centro de Artes e Imaxes da Corunha (Spain, 2009) included retrospectives of his films. TABU is his third feature film.

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Portugal, Germany, Brazil, France, 2012, 35 mm, Black & White, 110 min, Portugese Režija / Director: Miguel Gomes Scenarij / Screenplay: Miguel Gomes, Mariana Ricardo Direktor fotografije / Director of Photography: Rui Poças Montaža / Editor: Telmo Churro, Miguel Gomes Zvuk / Sound: Vasco Pimentel Scenografija / Product Design: Bruno Duarte Kostimografija / Costume Design: Silvia Grabowski Uloge / Cast: Teresa Madruga, Laura Soveral, Ana Moreira, Henrique Espírito Santo, Carloto Cotta, Isabel Cardoso, Ivo Müller, Manuel Mesquita Producent / Producer: Sandro Aguilar, Luís Urbano Produkcija / Production: O Som e a Fúria Filmografija / Filmography 2012 - TABU 2008 - AQUELE QUERIDO MÊS DE AGOSTO / OUR BELOVED MONTH OF AUGUST 2006 - CÁNTICO DAS CRIATURAS (kratkometražni / short) 2004 - A CARA QUE MERECES / THE FACE YOU DESERVE 2003 - 31 (kratkometražni / short) 2000 - INVENTÁRIO DE NATAL / CHRISTMAS INVENTORY (kratkometražni / short) 1999 - ENTRETANT / MEANWHILE (kratkometražni / short)

La terre outragée / Zemlja zaborava / Land of Oblivion Kada nuklearna katastrofa zadesi Černobil, vjenčanje mladog para se pretvara u katastrofu koja će zauvijek promijeniti njihove živote. On je vatrogasac pozvan u pakao. Nekoliko godina nakon toga, ona zarađuje za život kao turistički vodič na uništenom području. Zarobljeno između odlaska i ostanka, lokalno stanovništvo polako izumire. Michale Boganim je rođena u Izraelu, a školovala se na Sorbonnei u Parizu. Nakon studija filozofije i historije na Hebrejskom univerzitetu u Jerusalemu, studirala je režiju na Nacionalnoj školi za film i televiziju u Londonu. Njeni hvaljeni kratkometražni filmovi, među kojima su DUST i ODESSA... ODESSA!, često obrađuju teme egzila, egzodusa i suočavanja s prošlošću. ZEMLJA ZABORAVA je njen prvi igrani film. E When the nuclear accident at Chernobyl arrives, a young couple finds that their wedding day turns into a day of disaster, destined to change their lives forever. He is a fireman called into the inferno. Years later she makes a living leading tours for tourists to the ravaged area. Caught between staying and leaving, the locals live in a state of suspended animation.

Michale Boganim was born in Israel and schooled at the Sorbonne in Paris. After studying philosophy and history at the Hebrew University of Jerusalem, she went on to pursue directing at the National Film and Television School in London. Her acclaimed short films, including DUST and ODESSA… ODESSA!, frequently deal with themes of exile, exodus and the vagaries of memory. LAND OF OBLIVION is her first feature.

France, Germany, Poland, Ukraine, 2011, 35 mm, Colour, 115 min, French, Ukrainian, Russian Režija / Director: Michale Boganim Scenarij / Screenplay: Michale Boganim Direktor fotografije / Director of Photography: Yorgos Arvanitis, Antoine Héberlé Montaža / Editor: Anne Weil, Thierry Derocles Muzika / Music: Leszek Mozdzer Zvuk / Sound: Frédéric de Ravignan, François Waledisch Uloge / Cast: Olga Kurylenko, Illya Iosivof, Andrzej Chyra, Vyacheslav Slanko Producent / Producer: Laetitia Gonzalez, Yaël Fogiel, Hanneke Van der Tas, Dariusz Jablonski Produkcija / Production: Les Films du Poisson, Vandertastic, Apple Films Filmografija / Filmography 2011 - LA TERRE OUTRAGÉE / LAND OF OBLIVION 2005 - ODESSA… ODESSA! (kratkometražni / short) 2004 - MACAU SEM REGRESSO (dokumentarni / doc.) 2002 - MÉMOIRES INCERTAINES (kratkometražni dokumentarni / doc. short) 2001 - DUST (kratkometražni / short)

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O som ao redor / Zvukovi susjedstva / Neighbouring Sounds Život u radničkom kraju današnjeg Recifea u Brazilu neočekivano se mijenja dolaskom nezavisnog privatnog osiguravajućeg preduzeća. Prisustvo tih ljudi pruža osjećaj sigurnosti, ali i zebnje kulturi koja je zasnovana na strahu. U međuvremenu, Bia, udata majka dvoje djece, mora izaći na kraj s neprestanim lajanjem i zavijanjem susjedovog psa. Ovo je djelić ‘Braziliane’, osvrt na historiju, nasilje i buku. Kleber Mendonça Filho je rođen 1968. u Recifeu, u sjeveroistočnom Brazilu. Diplomirao je žurnalistiku i dugo vremena radio kao filmski kritičar u najboljem alternativnom kinu u Recifeu, ‘Cinema da Fundação Joaquim Nabuco’. Devedesetih godina prošlog vijeka snimao je dokumentarne, eksperimentalne i igrane filmove. U posljednjih deset godina, njegovi kratki filmovi THE LITTLE COTTON GIRL, GREEN VINYL, ELETRODOMÉSTICA FRIDAY NIGHT SATURDAY MORNING i COLD TROPICS osvojili su preko 100 nagrada u Brazilu i u inostranstvu, a ušli su u selekcije festivala u Karlovym Varyma, na festivalu BAFICI, zatim u Rotterdamu (gdje je 2007. upriličena retrospektiva njegovih filmova), na Festivalu južnoameričkog filma u Toulouseu, na filmskim festivalima IndieLisboa, Clermont-Ferrand i u okviru programa Director’s Fortnight u Cannesu. Njegov prvi dugometražni film CRITICO (2008), kroz seriju ličnih intervjua snimanih tokom 8 godina, govori o komplikovanom odnosu između režisera i filmskih kritičara. NEIGHBOURING SOUNDS je njegov prvi dugometražni igrani film. E Life in a middle-class neighbourhood in present day Recife, Brazil, takes an unexpected turn after the arrival of an independent private security firm. The presence of these men brings a sense of safety and a good deal of anxiety to a culture which runs on fear. Meanwhile, Bia, married and mother of two, must find a way to deal with the constant barking and howling of her neighbour’s dog. A slice of ‘Braziliana’, a reflection on history, violence and noise.

Kleber Mendonça Filho was born in 1968 in Recife, northeastern Brazil. He graduated in journalism and has worked extensively as a film critic and also as a film programmer in Recife’s top alternative cinema, ‘Cinema da Fundação Joaquim Nabuco’. In the 90s, he made documentaries, experimental films and fiction as a videomaker. Over the last decade, his short films THE LITTLE COTTON GIRL, GREEN VINYL, ELETRODOMÉSTICA FRIDAY NIGHT SATURDAY MORNING and COLD TROPICS have won over 100 awards in Brazil and abroad, with selections in Karlovy-Vary, BAFICI, Rotterdam (where a retrospective of his films was part of the 2007 programme), Rencontres Cinémas d’Amérique Latine de Toulouse, IndieLisboa, Clermont-Ferrand and Cannes (Director’s Fortnight). His first feature, the documentary CRÍTICO (2008), focused on the troubled relationship between filmmakers and critics through a personal series of interviews recorded over a period of eight years. NEIGHBOURING SOUNDS is his first fiction feature.

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Brazil, 2012, 35 mm, Colour, 131 min, Portuguese, English, Mandarin Režija / Director: Kleber Mendonça Filho Scenarij / Screenplay: Kleber Mendonça Filho Direktor fotografije / Director of Photography: Pedro Sotero, Fabricio Tadeu Montaža / Editor: Kleber Mendonça Filho, João Maria Muzika / Music: DJ Dolores Zvuk / Sound: Kleber Mendonça Filho, Pablo Lamar, Nicolas Hallet, Simone Dourado Kostimografija / Costume Design: Ingrid Mata Uloge / Cast: Irandhir Santos, Gustavo Jahn, Maeve Jinkings, W.J. Solha, Irma Brown, Lula Terra, Yuri Holanda, Clébia Souza, Albert Tenório, Nivaldo Nascimento, Felipe Bandeira, Clara Pinheiro De Oliveira, Sebastião Formiga, Mauricéia Conceição Producent / Producer: Emilie Lesclaux Produkcija / Production: CinemaScópio Filmografija / Filmography 2012 - O SOM AO REDOR / NEIGHBOURING SOUNDS 2010 - RECIFE FRIO / COLD TROPICS (kratki / short) 2009 - LUZ INDUSTRIAL MÁGICA (kratki / short) 2008 - CRÍTICO (dokumentarni film / doc.) 2006 - NOITE DE SEXTA, MANHÃ DE SÁBADO / FRIDAY NIGHT, SATURDAY MORNING (kratki / short) 2005 - ELETRODOMÉSTICA (kratki / short) 2004 - VINIL VERDE / GREEN VINYL (kratki / short) 2003 - A MENINA DO ALGODÃO / THE LITTLE COTTON GIRL (kratki / short) 1997 - ENJAULADO / CAGED IN (kratki / short)

Saya-Zamurai / Samuraj bez mača / Scabbard Samurai Kanjuro Nomi je stari samuraj koji ima samo koricu mača. U prošlosti je morao baciti mač i odbiti da se bori, a sada s jedinom kćerkom, Tae, putuje u nepoznato. Kanjuro postaje bjegunac, jer je napustio svog gospodara i osuđen je na ‘tridesetodnevni izazov’: dobija težak zadatak da opet nasmije tužnog princa kojem je umrla majka. Ima trideset dana da ispuni zadatak i jednu šansu dnevno. Ukoliko uspije, bit će slobodan čovjek. Ako ne uspije, mora počiniti seppuku (ritualno samoubistvo u Japanu, koje se izvodi tako što se mač zarije u trbuh). Atmosfera postaje usijana jer Kanjuro i Tae riskiraju život u bici mudrosti, bez mača. Da li će samuraj sebi i svojoj kćerki spasiti život? Hitoshi Matsumoto je rođen u Amagasakiju, u Japanu. Prvi put se okušao kao glumac 1982, u komičarskom duu Downtown. Od tada se pojavljivao u brojnim, popularnim televizijskim komedijama. Važi za inovatora japanske komedije, što se može i vidjeti u kolekciji parodija pod nazivom VISUALBUM (98). Pored glume, Matsumoto je napisao scenarije i režirao niz svojih televizijskih projekata. Autor je filmova BIG MAN JAPAN, koji je prikazan na Filmskom festivalu u Cannesu, u programu Directors’ Fortnight, i SYMBOL, koji je premijerno prikazan na Filmskom festivalu u Torontu. E Kanjuro Nomi is an aging samurai who only has a scabbard. With a past that made him throw away his sword and refuse to fight, he now journeys to nowhere with Tae, his only daughter. Kanjuro becomes a wanted man for deserting his lord and is sentenced to ‘The Thirty-Day Feat’: a formidable task to restore a smile to the sad prince who has lost his mother. He has thirty days to complete his assignment and one chance per day; if he succeeds, he walks free. If he fails, he must commit seppuku (the Japanese ritual suicide by disembowelment). The pressure is on as Kanjuro and Tae risk their lives in a battle of wits without a sword. Will the samurai be able to save himself and his beloved daughter?

Japan, 2011, DCP , Colour, 103 min, Japanese Režija / Director: Hitoshi Matsumoto Scenarij / Screenplay: Hitoshi Matsumoto Direktor fotografije / Director of Photography: Ryuto Kondo Montaža / Editor: Yoshitaka Honda Muzika / Music: Yasuaki Shimizu Zvuk / Sound: Tatehiro Okamoto Kostimografija / Costume Design: Masae Miyamoto Uloge / Cast: Takaaki Nomi, Sea Kumada, Itsuji Itao, Tokio Emoto, Ryo, ROLLY, Zennosuke Fukkin, Shuma Shimizu, Kazuo Takehara, Masatoh Ibu, Jun Kunimura Producent / Producer: Akihiko Okamoto Produkcija / Production: Yoshimoto Kogyo Co. Filmografija / Filmography 2011 - SAYA-ZAMURAI / SCABBARD SAMURAI 2009 - SHINBORU / SYMBOL 2007 - DAI-NIHONJIN / BIG MAN JAPAN

Hitoshi Matsumoto was born in Amagasaki, Japan, and made his acting debut in 1982 as part of the comedy duo Downtown. Since then, he has appeared in numerous popular television comedies. He is considered an innovator in Japan’s comedy scene, as evidenced in the collection of skits entitled Visualbum (98). And not only acting, but his credit also includes as a writer and director in number of his own TV projects. His feature films are BIG MAN JAPAN which was screened at Directors’ Fortnight section at the Cannes International Film Festival, and SYMBOL which was premiered at Toronto International Film Festival.

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Posvećeno: Todd Solondz / Tribute to Todd Solondz

126 Dark Horse / Tajni adut, Todd Solondz 127 Happiness / Sreća, Todd Solondz 128 Life During Wartime / Život u ratno doba, Todd Solondz 129 Palindromes / Palindromi, Todd Solondz 130 Storytelling / Pripovijedanje, Todd Solondz 131 Welcome to the Dollhouse / Dobrodošli u kuću lutaka, Todd Solondz 132 Babysitter / Dadilja, Todd Solondz 132 Feelings / Osjećaji, Todd Solondz

Posvećeno: Todd Solondz / Tribute to Todd Solondz

Todd Solondz

Sa svojih sedam filmova, Todd Solondz (1959, Newark, New Jersey), neosporni je filmski majstor neglamuroznog i neurotičnog američkog predgrađa. Već kratki filmovi koje je snimio kao student na NYU Film School, donose mu ugovor za tri filma s Twentieth-Century Foxom. No, iskustvo prvog filma FEAR, ANXIETY, AND DEPRESSION (1989) bilo je nepovoljno u mjeri da ga odvrati od režije na neko vrijeme, koje je proveo, između ostalog, podučavajući engleski jezik emigrante u New Yorku. Njegov pravi proboj bio je WELCOME TO THE DOLLHOUSE (DOBRODOŠLI U KUĆU LUTAKA) (1995), nježna off-beat komedija o mukama odrastanja neugledne tinejdžerke iz predgrađa, Dawn Wiener. Film je posjedovao mnogo od onoga što će i naredna ostvarenja potvrditi kao odlike Solondzove poetike: protagonisti su obični i neprivlačni ljudi suočeni kako s vlastitim ograničenjima i nedostacima, tako i nesimpatijama okoline; priča je smještena u predgrađe New Jerseyja (Solondzov rodni kraj) i ispričana spojem tuge i duhovitosti čija bezizražajna receptura i nakon svih ovih godina ostaje Solondzova tajna. Film je osvojio Veliku nagradu žirija na Sundance Film Festivalu, a bio je nagrađen i na Berlinskom međunarodnom filmskom festivalu. HAPPINESS (SREĆA) (1998) je opravdano proširio Solondzovu reputaciju među kritičarima: ostajući u istom svijetu predgrađa Istočne obale, film je donio novi korak u gradaciji trauma suvremene američke porodice iz srednje klase, među kojima se našla i ona sporno najveća – pedofilija. Solondz ostaje vjeran registru bezizražajnog registra komedije, te na Međunarodnom filmskom festivalu u Cannesu osvaja nagradu Međunarodnog udruženja filmskih kritičara i novinara, a bio je nominovan i za Zlatni globus za Nagradu za najbolji scenario. Uspjeh filma se ogledao ne toliko u nagradama i nominacijama koje je osvojio, koliko u temama i pristupu koji je pustio iz boce. Koliko je od toga profitirao i holivudski mainstream pokazuje i Oscar naredne godine, na kojem je trijumfirala AMERICAN BEAUTY (AMERIČKA LJEPOTA), neuspjela, sladunjava imitacija SREĆE, koja je poziv na empatiju zamijenila samosažaljenjem. Možda je upravo takvo zaslađivanje potaknulo Solondza da u filmovima nastavi posezati za socijalno neuralgičnim temama, ali i da počne uvoditi određene formalne eksperimente. STORYTELLING (PRIPOVIJEDANJE) (2001) se tako sastoji od dvije zasebne priče – ‘Fikcija’ i ‘Nefikcija’ – koje ispituju odnos istine i umjetnosti, kao i odgovornosti umjetnika. Film je otud

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svojevrsno Solondzovo promišljanje vlastite pozicije reditelja koji je nakon DOLLHOUSE (KUĆE LUTAKA) i posebno nakon HAPPINESS (SREĆE) bio optuživan da potencira nakaznost svojih junaka, te eksploataciju trauma i nesreće. Od kritičara koji su mu pripisivali okrutnost, mizantropiju i beskrupuloznost, Solondza su možda više šokirali oni kritičari koji su mu pripisali iste karateristike, ali su u njima vidjeli – vrline. Otud i njegova paradoksalna izjava: „Moji filmovi nisu za svakoga, pogotovu ne za ljude kojima se oni dopadaju“. Solondz odbacuje još jedno opće mjesto o sebi: to da secira svoje likove na bezdušan, klinički, hladnorazumski način. Solondz odbija i tu tvrdnju, objašnjavajući kako je distanciran od likova samo u mjeri u kojoj je to neophodno, da bi mogao iskreno pisati o njima. „Priznajem da u svim mojim radovima ima jedan element brutalnosti – to je dio istine o ljudskom postojanju koji sam oduvijek želio da istražim – ali posljednje što želim da uradim je da predstavim paradu nakaza, pozivajući ljude da se naslađuju bolom i poniženjem drugih ljudi“. U PALINDROMES (PALINDROMIMA) (2004), priči o djevojčici koja u potrazi za ljubavlju odluči postati majka, najpovršniji kritičari su krivo prepoznali eksploataciju maloljetničke trudnoće i abortusa kao jedne od traumatičnih tema koje polariziraju američko mnijenje. No, većina je ipak analizirala to kako je film dodatno proširio i zakomplicirao Solondzov svijet. Film se otvara hommageom Dawn Wiener, protagonistici DOLLHOUSE (KUĆE LUTAKA), i njezinim pogrebom, da bi se onda fokusirao na Dawninu rođaku Avivu, glavnu junakinju PALINDROMES (PALINDROMA). Solondza je intrigiralo to da su se s junakinjom DOLLHOUSE (KUĆE LUTAKA) poistovjećivale osobe koje ne samo da na prvi pogled fizički nisu nalikovale liku u filmu, nego su i međusobno bile vrlo različite. To ga je potaknulo na ključni eksperiment u PALINDROMIMA: Avivu kroz film igra osam osoba različite starosti, rase, tjelesne konstrukcije, čak i spola (u jednom trenutku je glumi dječak). PALINDROMI otud govore o složenosti odnosa publike i filmskih junaka, u kojem se identifikcija i simpatije pojavljuju s onu stranu očiglednih sličnosti i pozitivnih normi. Osim toga, priča o djetetu koje napušta dom i odluta u nepoznato sama po sebi priziva žanr bajke, a smjenjivanje više osoba u istoj ulozi samo je doprinijelo magičnosti te postavke. LIFE DURING WARTIME (ŽIVOT U RATNO DOBA) (2009) namrgodio je jedan broj kritičara svojim

besprimjernim konceptom. Bio je to “kvazinastavak” SREĆE, koji prikazuje njegove likove kako se nakon deset godina nose s posljedicama događaja prikazanih u tom filmu. Ovaj koncept je, međutim, uključivao još jedan eksperiment u kastingu: Maplewood familiju glume sasvim drugi glumci, pri čemu su neki od njih bili nalik na svoje parnjake iz SREĆE (npr. Allison Janney u ulozi Trish koju je prvobitno glumila Cynthia Stevenson), dok su drugi doživjeli radikalne promjene (npr. lik Allena kojeg je glumio Philip Seymor Hoffman sada je igrao mladi afroamerički glumac Michael Kenneth Williams). S onu stranu formalnih izmjena, film se bavi oprostom i zaboravom kao prorađivanjem traume, definitivnim temama u Americi posle 11. septembra. U projekciji nacionalnih trauma na mikrokozmos jedne rasute porodice ležala je i politička oštrica filma, istaknuta već u njegovom naslovu. Politički podtekst je omogućio neke od besmrtnih Solondzovih dosjetki, poput: „Oprostiti i zaboraviti – to je poput slobode i demokratije. Na kraju će Kina sve preuzeti, i ništa od ovog neće biti važno.” Solondz sasvim sigurno nije zagovornik slobodne volje, izbora, i potrage za srećom. Još manje zastupa ideologiju da je samo nebo granica kada je u pitanju samoostvarenje pojedinca, i da je volja sve što je potrebno da bi se postigao društveni uspjeh ili postigao unutrašnji mir. Nalik jednom drugom slavnom jevrejskom ekspertu za humor, on prije smatra da je određena količina svakodnevne nesreće ključni sastojak ljudskog postojanja. No, to ga ne čini nihilistom. Ograničenja i nedostaci, kako naši osobni, tako i oni na koje smo osuđeni našim kontekstom, nisu nužno loša stvar: oni također mogu biti kreativni, oslobađajući i, nesumnjivo, duhoviti. Otud Solondz i preferira smijeh utemeljen u pesimizmu s pokrićem, umjesto onog utemeljenog u optimizmu bez pokrića.

E With his seven films, Todd Solondz (1959, Newark, New Jersey) is unquestionably a film master of non-glamorous and neurotic American suburbia. Already his short films that he made as a student at NYU Film School brought him three-picture deal with Twentieth-Century Fox. However, his experience with the first film FEAR, ANXIETY, AND DEPRESSION (1989) was unfortunate to such an extent that he gave up directing for some time, during which he, among other things, taught English to the New York immigrants. His real breakthrough was WELCOME TO THE DOLLHOUSE (1995), a gentle

off-beat comedy about growing pains of an obscure suburban teenage girl Dawn Wiener. Film had much of what his next realizations will confirm as the characteristics of Solondz’s poetics: protagonists are ordinary and nonattractive people faced both with their own limits and shortcomings as well as with the nonfavorable surrounding; the story takes place in the New Jersey suburbia (Solondz’s home neighborhood), and is told with a combination of sadness and wittiness whose deadpan formula after all these years remains Solondz’s secret. This film won the Grand Jury Prize at the Sundance Film Festival, and was awarded at the Berlin International Film Festival as well. HAPPINESS (1998) righteously extended Solondz’s reputation among critics: remaining in the same universe of the East Coast suburbia, the film brought a new stage in grading the trauma of contemporary American middle class family, among which arguably the most supreme one – pedophilia – found its place. Solondz remained faithful to the register of deadpan comedy. However, this film won the International Critics Prize at the Cannes International Film Festival and was nominated for a Golden Globe Award for Best Screenplay. Success of the film did not reflect only in awards and nominations it won, but in topics and approach he freed from the bottle. How much Hollywood mainstream profited from it shows the next year’s Oscars, at which the American Beauty triumphed, a failed, saccharine imitation of HAPPINESS which replaced the appeal to empathy with the self-remorse. Maybe it was just such sugarcoating that gave spurs to Solondz to continue reaching socially neuralgic topics in his films, but also to start including certain formal experiments. STORYTELLING (2001) consists thus of two separate stories – ‘Fiction’ and ‘Non-Fiction’ – which explore the relation between truth and art, as well as the artist’s responsibility. This film is thus a peculiar Solondz’s consideration of the director’s proper position, who was after the DOLLHOUSE and especially after the HAPPINESS accused for stressing the freakiness of his heroes, as well as for exploitation of trauma and misery. More than the critics who ascribed him the cruelty, misanthropy, and unscrupulousness, Solondz was, perhaps, shocked by the critics who ascribed him the same characteristics but seeing in them – virtues. Therefore his paradoxical statement: “My movies are not for everybody, especially for people who like

them”. Solondz rejects one more general thing about himself: that he dissects his characters in a heartless, clinical, coldly reasonable way. Solondz rejects this statement as well, explaining that he is detached from the characters only in the extent in which it is necessary in order to write about them sincerely. “I admit there’s an element of brutality in all my work – it’s part of the truth about human existence I always want to explore – but the last thing I’m trying to do is put on some kind of freak show, inviting people to get off on the other people’s pain and humiliation.” In PALINDROMES (2004), a story about a girl who, while searching for love, decides to become a mother, the most superficial critics wrongly recognized the exploitation of the underage pregnancy and abortion as one of the traumatic topics polarizing American public opinion. However, the majority analyzed it as a film which additionally extended and complicated/made intricate Solondz’s universe. This film is opened up with the homage to Dawn Wiener, the protagonist of the DOLLHOUSE, and her funeral, to focus later on Dawn’s relative Aviva, the protagonist of PALINDROMS. Solondz was intrigued by the fact that with the protagonist of the DOLLHOUSE identified persons who at the first sight not only did not look like the character in the film, but were also very different from each other. This gave him spurs for the key experiment in PALINDROMS: throughout the film Aviva is played by eight persons of different age, race, physical features, and even sex (in one moment she is played by a boy). PALINDROMS speaks thus about the complexity of relation between the audience and film characters, in which identification and sympathies appear beyond obvious similarities and positive norms. Beside this, a story about a child who leaves her home and wanders off to the unknown invokes itself a garner of a fairytale while interchange of several persons in the same role only contributed to the magical character of the setting up. LIFE DURING WARTIME (2009) raised more than one critic’s eyebrow with its unprecedented concept. It was a “quasi-sequel” to HAPPINESS, which shows its characters dealing, ten years later, with the consequences of the events shown in the film. The concept, however, included one more experiment in casting: the Maplewood family is acted by entirely different actors, while some resembled their counterparts from HAPPINESS (e.g. Allison Janney in TRIBUTE TO TODD SOLONDZ l 18. Sarajevo Film Festival 123

the role of Trish, originally played by Cynthia Stevenson), the others went through radical changes (e.g. the character of Allen played by Philip Seymor Hoffman was now played by the young Afro-American actor Michael Kenneth Williams). Beyond formal changes, the film dealt with forgiving and forgetting as the working out of trauma, definitive topics of the post 9/11 America. In the projection of national trauma to the micro-cosmos of a dispersed family there is also a political blade of the film, emphasized already in the title. Political subtext made possible some of Solondz’s eternal wits, such as: “Forgive and forget – it’s, like, freedom and democracy. In the end China will take over, and none of this will matter.” Surely, Solondz is not the advocate of free will, choice, and pursuit for happiness. Even less, he stands for ideology that sky is the only limit when it comes to self-realization of a person, and that the will is all we need to achieve social success or accomplish the inner peace. Like another famous Jewish expert for humor, he rather thinks that a certain amount of everyday misfortune is the key ingredient of human existence. This, however, does not make him a nihilist. Limits and shortcomings, both our personal ones and the ones we are destined to with our context, are not necessarily a bad thing: they can also be creative, freeing and, undoubtedly, witty. That is way Solondz prefers laugher based on pessimism with a backing, to the one based on optimism without a backing. Nebojša Jovanović, Filmski teoretičar i istoričar / Film theorist and historian

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Biografija i filmografija / Biography and filmography

Todd Solondz je rođen u Newarku (New Jersey) i odrastao je u predgrađu. Dodiplomski studij je završio na Univerzitetu Yale. Pohađao je postdiplomski studij filma i televizije na Univerzitetu u New Yorku, ali ga nije završio. Dugometražni film DOBRODOŠLI U KUĆU LUTAKA, kojeg je napisao, režirao i producirao, 1996. je osvojio je Veliku nagradu žirija na Međunarodnom filmskom festival Sundance, kao i mnoge druge nagrade. Solondz je potom napisao i režirao film SREĆA (1998), koji je osvojio Međunarodnu nagradu filmskih kritičara na Filmskom festivalu u Cannesu. Film je bio nominiran i za nagradu Zlatni globus® za najbolji scenarij. Njegov sljedeći film, PRIPOVIJEDANJE, premijerno je prikazan na Filmskom festivalu u Cannesu 2001, a New York Times ga je svrstao među 10 najboljih filmova godine. Film PALINDROMI premijerno je prikazan 2004. na Filmskom festivalu u Veneciji, u okviru Takmičarskog programa, a prikazan je i na filmskim festivalima u Tellurideu, New Yorku i Torontu. Solondz je napisao i režirao film ŽIVOT U RATNO DOBA, koji je osvojio Nagradu za najbolji scenarij na Filmskom festivalu u Veneciji 2009, kao i mnoge druge nagrade.

Filmografija / Filmography 2011 - DARK HORSE 2009 - LIFE DURING WARTIME 2006 - CINEMA16: AMERICAN SHORT FILMS (kratkometražni video / video short) 2004 - PALINDROMES 2001 - STORYTELLING 1998 - HAPPINESS 1995 - WELLCOME TO THE DOLLHOUSE 1989 - FEAR, ANXIETY & DEPRESSION 1985 - SCHATT’S LAST SHOT (kratkometražni / short) 1984 - FEELINGS (kratkometražni / short)

E Todd Solondz was born in Newark, New Jersey, and grew up in the suburbs. He earned his undergraduate degree in English from Yale and attended New York University’s (NYU) Graduate MFA Program in film and television, but did not complete a degree. In 1996, WELCOME TO THE DOLLHOUSE, a feature he wrote, directed and produced, won the Grand Jury Prize at the Sundance Film Festival as well as many other awards. Next, Solondz wrote and directed HAPPINESS (1998), which won the International Critics Prize at the Cannes Film Festival. It was also nominated for a Golden Globe Award® for Best Screenplay. His next film, STORYTELLING, premiered at the 2001 Cannes Film Festival and was named one of the 10 best films of the year by The New York Times. Solondz’s PALINDROMES made its premiere in competition at the 2004 Venice Film Festival and was seen at the Telluride, New York and Toronto film festivals. Solondz wrote and directed LIFE DURING WARTIME, which won the best screenplay award at the 2009 Venice Film Festival as well as numerous other awards.

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Dark Horse / Tajni adut Pisac i režiser Todd Solondz se u filmu TAJNI ADUT bavi neumitno izgubljenom mladošću i nemilosrdnim prolaskom vremena. U ovoj melanholičnoj i idiosinkratičnoj komediji glavne uloge tumače Justin Bartha, Selma Blair, Mia Farrow, Jordan Gelber, Donna Murphy, Oskarom nagrađeni Christopher Walken, Zachary Booth i Aasif Mandvi. U tridesetim godinama života, Abe (Jordan Gelber) se ne razdvaja od predmeta iz svog djetinjstva, uključujući i kolekciju igračaka i figurica akcijskih junaka koji i dalje krase njegovu dječačku sobu. Abe još uvijek živi sa roditeljima Jackijem (Christopher Walken) i Phyllis (Mia Farrow). Radi za svog, sve više razočaranog, oca, a večeri provodi u igri tavle s majkom, koju uvijek pobjeđuje. Uspjeh njegovog starijeg brata Richarda (Justin Bartha), liječnika u Californiji, samo povećava Abeov otpor i bijes prema porodici, zbog njegovih vlastitih neuspjeha. Kada upozna Mirandu (Selma Blair), koju su njeni privatni i poslovni neuspjesi prisilili da se vrati u sigurnost roditeljskog doma u predgrađu, Abe uviđa mogućnost ostvarenja istinske ljubavi. Proganja Mirandu, koja je pod moćnim sedativima, i, nakon kratkog udvaranja, nagovori je da se uda za njega. Međutim, dok se par sprema započeti zajednički život, film skreće u Abeovu podsvijest. On sumnja u samog sebe i mračni strahovi počinju potkopavati njegov skoro ostvareni san o ispunjenijem životu. Podgrijavajući svoj prepoznatljivi reski humor neočekivanom nježnošću, Solondz stvara mučan i provokativan portret zarobljenog čovjeka djeteta i njegove rasturene porodice – priču o čovjeku koji je dugo bio autsajder, a sad se pokušava probiti naprijed. E Writer and director Todd Solondz examines the irretrievability of youth and the mercilessness of time passing in DARK HORSE, a melancholy and idiosyncratic comedy starring Justin Bartha, Selma Blair, Mia Farrow, Jordan Gelber, Donna Murphy, Academy Award® winner Christopher Walken, Zachary Booth and Aasif Mandvi. In his mid-30s, Abe (Jordan Gelber) clings to the trappings of his adolescence, including the extensive collection of toys and action figures adorning his boyhood bedroom. Still living with his parents Jackie (Christopher Walken) and Phyllis (Mia Farrow), Abe works for his increasingly disappointed Dad and spends evenings ruthlessly trouncing his Mom at backgammon. His older brother Richard’s (Justin Bartha) success as a California doctor only feeds Abe’s resentment and rage at his family over his failures. When Abe meets Miranda (Selma Blair), whose personal and professional disasters have sent her scrambling back to the safety of her parents’ suburban home, he sees what he thinks is a chance at true love. Abe throws himself into pursuing the overmedicated Miranda, convincing her to marry him after a whirlwind courtship. But, as the couple haltingly prepares to start a new life together, the film swerves into Abe’s subconscious, where his crippling self-doubt and dark fears begin to undermine his nearly realized dream of a fuller life. Tempering his trademark lacerating humor with unexpected tenderness, Solondz creates a poignant and provocative portrait of a besieged man-child and his fractured family-the story of a longtime dark horse struggling to come from behind.

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USA, 2011, 35 mm, Colour, 84 min, English Režija / Director: Todd Solondz Scenarij / Screenplay: Todd Solondz Direktor fotografije / Director of Photography: Andrij Parekh Montaža / Editor: Kevin Messman Zvuk / Sound: Eric Offin Scenografija / Production Design: Alex DiGerlando Kostimografija / Costume Design: Kurt and Bart Uloge / Cast: Justin Bartha, Selma Blair, Mia Farrow, Jordan Gelber, Donna Murphy, Christopher Walken, Zachary Booth, Aasif Mandvi Producent / Producer: Ted Hope, Derrick Tseng Produkcija / Production: Double Hope Films

Happiness / Sreća Nakon što mlada žena odbije debelog udvarača u restoranu, on neočekivano baci kletvu na nju. Radnja se potom usmjerava na njene sestre. Jedna je sretno udata za psihijatra i ima troje djece. Nažalost, njen muž postane nepoćudno fasciniran drugovima iz razreda njihovog 11-godišnjeg sina, fantazira o masovnom ubistvu u parku i masturbira gledajući časopise za tinejdžere. Jedan njegov pacijent gaji neuzvraćena osjećanja za treću sestru. U međuvremenu, naizgled stabilni 40-godišnji brak roditelja triju sestara odjednom se raspadne kada otac odluči da mu je svega dosta. Priprema se otići na Floridu i živjeti kao pustinjak. Film je, očito, blago uvrnut u vlastitu poziciju promatranja i prikazuje nenormalne odnose među svim likovima. E When a young woman rejects her current overweight suitor in a restaurant, he unexpectedly places a curse on her. The film then moves on to her sisters. One is a happily married woman with a psychiatrist husband and three kids. Unfortunately the husband develops an unnatural fascination for his 11 year old son’s male classmates, fantasizes about mass killing in a park, and masturbates to teen magazines. One of his patients has an unrequited fascination for the third sister. Meanwhile the apparently stable 40 year marriage of the sister’s parents suddenly unravels when he decides he has had enough and wants to live a hermit’s life in Florida. Obviously, the whole movie is slightly warped in its viewpoint and certainly presents abnormal relationships among all of its parties.

USA, 1998, 35 mm, Colour, 134 min, English Režija / Director: Todd Solondz Scenarij / Screenplay: Todd Solondz Direktor fotografije / Director of Photography: Maryse Alberti Montaža / Editor: Alan Oxman Muzika / Music: Robbie Kondor Scenografija / Production Design: Therese DePrez Kostimografija / Costume Design: Kathryn Nixon Uloge / Cast: Jane Adams, Dylan Baker, Lara Flynn Boyle, Philip Seymour Hoffman, Cynthia Stevenson, Jared Harris, Ben Gazzara, Louise Lasser, Camryn Manheim Producent / Producer: Ted Hope, Christine Vachon Produkcija / Production: Good Machine, Killer Films

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Life During Wartime / Život u ratno doba Dijelom nastavak, dijelom varijacija kontroverznog filma SREĆA, kojeg je pozdravila strana filmska kritika, ŽIVOT U RATNO DOBA slavnog režisera Todda Solondza okuplja vrstan glumački ansambl koji sačinjavaju Allison Janney, Shirley Henderson, Paulom Reubensom, Michaelom Kennethom Williamsom, Ally Sheedy, Charlotte Rampling, i Ciáranom Hindsom, u urnebesnom istraživanju granica oprosta, porodice i ljubavi. Deset godina je prošlo od šokantnih otkrića koja su rasturila porodicu Jordan, i sada se sestre Joy (Henderson), Trish (Janney) i Helen (Sheedy), svaka zapletena u vlastite dileme, bore za svoje mjesto u nepredvidivom i nestalnom svijetu. Sada prošlost doslovno i metaforički proganja njihovu porodicu i ugrožava budućnost. Naizmjenično urnebesno smiješan i tragičan, silovit i bolan, ŽIVOT U RATNO DOBA je smjela komedija neočekivanog odjeka. E Part sequel, part variation on his acclaimed and controversial HAPPINESS, LIFE DURING WARTIME from celebrated director Todd Solondz assembles an amazing ensemble cast including Allison Janney, Shirley Henderson, Paul Reubens, Michael Kenneth Williams, Ally Sheedy, Charlotte Rampling, and Ciáran Hinds in an utterly hilarious exploration of the boundaries of forgiveness, family, and love. Ten years have passed since shocking revelations shattered the world of the Jordan family, and now sisters Joy (Henderson), Trish (Janney), and Helen (Sheedy), each embroiled in their own unique dilemmas, struggle to find their place in an unpredictable and volatile world. The past now haunts their family both literally and otherwise, and jeopardizes the future. Alternately hilarious and tragic, outrageous and poignant, LIFE DURING WARTIME is an audacious comedy with unexpected resonance.

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USA, 2009, 35 mm, Colour, 98 min, English Režija / Director: Todd Solondz Scenarij / Screenplay: Todd Solondz Direktor fotografije / Director of Photography: Ed Lachman Montaža / Editor: Kevin Messman Scenografija / Production Design: Roshelle Berliner Kostimografija / Costume Design: Catherine George Uloge / Cast: Shirley Henderson, Ciáran Hinds, Allison Janney, Michael Lerner, Chris Marquette, Rich Pecci, Charlotte Rampling, Paul Reubens, Ally Sheedy, Dylan Riley Snyder, Renée Taylor, Michael Kenneth Williams Producent / Producer: Christine Kunewa Walker, Derrick Tseng Produkcija / Production: Werc Werk Works

Palindromes / Palindromi Film PALINDROMI je priča o nevinosti: trinaestogodišnja Aviva Victor želi postati majka. Čineći sve što može, ona u tome gotovo i uspijeva, ali je sprječavaju njeni razumni roditelji. Aviva bježi od kuće, i dalje odlučna zatrudniti na bilo koji način, ali se odjednom nađe u nekom izgubljenom svijetu, možda manje osjećajnom, mada punom čudnovatih mogućnosti. Kao i brojna druga putovanja, ovo je putovanje s povratkom i teško da Aviva ikada više može biti ista. Pretpostavljamo da će ljudi biti ponukani da protumače poteze Avive, njene majke i odraslih, koje susreće na svom putovanju, kao neki površni komentar na savremeni američki moral, ali to bi bilo pogrešno. Film PALINDROMI, uvršten u zvaničnu selekciju festivala u Tellurideu, Torontu, Veneciji i New Yorku, sadrži možda najviše Solondzovih političkih i filozofskih stavova, ali je sigurno i njegov najnježniji film do sada. E PALINDROMES is a fable of innocence: 13-year-old Aviva Victor wants to be a Mom. She does all she can to make this happen, and comes very close to succeeding, but in the end her plan is thwarted by her sensible parents. So she runs away, still determined to get pregnant one way or another, but instead finds herself lost in another world, a less sensible one, perhaps, but one pregnant itself with all sorts of strange possibility. Like so many trips, this one is round-trip, and it’s hard to say in the end if she can ever be quite the same again, or if she can ever be anything but the same again. We imagine people will be tempted to take the actions by Aviva, her mother, and the adults Aviva meets on her journey as some kind of glib comment on the contemporary American moral landscape, but this would be a mistake. An official selection at the 2004 Telluride, Toronto, Venice and New York Film Festivals, PALINDROMES may be Solondz’ most political and philosophical film yet, but in many ways it is also his most tender.

USA, 2004, 35 mm, Colour, 100 min, English Režija / Director: Todd Solondz Scenarij / Screenplay: Todd Solondz Direktor fotografije / Director of Photography: Tom Richmond Montaža / Editor: Mollie Goldstein, Kevin Messman Muzika / Music: Nathan Larson Scenografija / Production Design: Dave Doernberg Kostimografija / Costume Design: Victoria Farrell Uloge / Cast: Matthew Faber, Angela Pietropinto, Bill Buell, Emani Sledge, Ellen Barkin, Valerie Shusterov, Richard Masur, Hillary B. Smith, Danton Stone, Robert Agri, Hannah Freiman, Stephen Singer, Rachel Corr, Stephen Adly Guirgis, Will Denton, Sharon Wilkins, Alexander Brickel, Ashleigh Hertzig, Risa Jaz Rifkind, Dontae Huey, Debra Monk, Walter Bobbie, Tyler Maynard, Courtney Walcott, Joshua Eber, Khush Kirpalani, Sydney Matuszak, David Castro, Richard Riehle, Shayna Levine, Ebrahim Jaffer, Jennifer Jason Leigh, Andrea Demosthenes, John Gemberling Producent / Producer: Mike S. Ryan, Derrick Tseng Produkcija / Production: Extra Large Pictures

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Storytelling / Pripovijedanje PRIPOVIJEDANJE se sastoji od dviju različitih priča. Prvi, 26-minutni segment pod nazivom ‘Fiction’, govori o Marcusu (Leo Fitzpatrick), koji želi postati pisac, a koji je zbog cerebralne paralize rođen s tjelesnim deformitetima. Bezuspješno pokušava pročitati novu kratku priču svojoj djevojci Vi (Selma Blair). Prekine s njom nakon što njegove kolege iz razreda i nastavnik, g. Scott, afroamerički dobitnik Pulitzerove nagrade, na sličan način kritiziraju priču. Jedne noći u baru Vi prilazi g. Scottu (Robert Wisdom) i pristaje s njim poći kući, što je iskustvo koje će ona opisati u vidu priče na sljedećem satu. ‘Nonfiction’ je priča o Tobyju Oxmanu (Paul Giamatti), jadniku od trideset i nešto godina, kojem pada na pamet da snimi dokumentarni film o savremenom životu tinejdžera iz predgrađa. U potrazi za glumcima naiđe na Scoobyja, nezadovoljnog, mračnog mladića koji sanja da postane TV zvijezda. Scoobyjeva porodica – sa strogim ocem (John Goodman), izvještačenom majkom (Julie Hagerty), bratom nogometašem (Noah Fleiss) i mlađim bratom Mickeyjem (Jonathan Osser), koji flertuje sa Consuelo, kućnom pomoćnicom koju svi iskorištavaju – uopće ne funkcionira. Zbog veze s Mikeyjem, Consuelo uskoro izbacuju iz domaćinstva i ona postaje izopćenik, baš kao i Scooby. E STORYTELLING is broken into two separate stories. The first is a 26-minute segment entitled ‘Fiction,’ which highlights the life of Marcus (Leo Fitzpatrick), an aspiring writer who was born with deformities due to cerebral palsy. He unsuccessfully tries to read a new short story to his girlfriend Vi (Selma Blair), and leaves her after the story is similarly dismissed by his fellow students and teacher, Mr. Scott (Robert Wisdom), a black Pulitzer Prize winner. Vi approaches Mr. Scott in a bar one night and agrees to go home with him, recalling a ‘fictional’ account of their experience in the next class. The second segment, titled ‘Nonfiction,’ follows Toby Oxman (Paul Giamatti), a thirtysomething sad sack who gets the idea to make a documentary of contemporary suburban teenage life. Looking for subjects, he runs into Scooby (Mark Webber), a disaffected, dim young man who dreams of being a TV star. Scooby’s home life is highly dysfunctional, with a strict father (John Goodman), a prim and proper mother (Julie Hagerty), a football player brother (Noah Fleiss), and a younger brother Mikey (Jonathan Osser), who continually chats up the family’s put-upon maid Consuelo (Lupe Ontiveros). Consuelo is soon banished from the household due to her involvement with Mikey, becoming an outcast just like Scooby.

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USA, 2001, 35 mm, Colour, 87 min, English, Spanish Režija / Director: Todd Solondz Scenarij / Screenplay: Todd Solondz Direktor fotografije / Director of Photography: Frederick Elmes Montaža / Editor: Alan Oxman Muzika / Music: Nathan Larson Scenografija / Production Design: James Chinlund Kostimografija / Costume Design: John A. Dunn Uloge / Cast: John Goodman, Leo Fitzpatrick, Paul Giamatti, Robert Wisdom, Selma Blair Producent / Producer: Christine Vachon, Ted Hope Produkcija / Production: New Line Cinema, Killer Films, Good Machine

Welcome to the Dollhouse / Dobrodošli u kuću lutaka DOBRODOŠLI U KUĆU LUTAKA je oštra komedija o djevojčici iz predgrađa, jedanaestogodišnjoj Dawn Weiner, srednjem po redu djetetu koje pohađa srednju školu u središtu New Jerseya. Ponekad omražena, često kuđena, rijetko shvaćena, Dawn uzalud pokušava da se, osmijehom na licu, izbori s onim što izgleda da će biti dugi pubertet. Život je uglavnom grozan, a ponekad postaje i gori. Ipak, Dawn uspijeva pronaći trenutke sreće usred ponižavajućih iskustava sa svojim prvim ljubavima, i uskoro se počinje pitati nije li život van New Jerseya možda bolji... E WELCOME TO THE DOLLHOUSE is a stark suburban comedy about eleven-year-old Dawn Weiner, a middle child in middle school in the middle of New Jersey. Sometimes hated, often reviled, seldom understood, Dawn tries in vain to put on a happy face as she struggles through the onset of what looks to be a long puberty. Life is generally grim, and sometimes it only gets grimmer. Nevertheless, she does find moments of grace amidst the humiliation of her first series of frustrated love affairs, and soon Dawn begins to wonder if life might not be better outside of New Jersey...

USA, 1995, 35 mm, Colour, 88 min, English Režija / Director: Todd Solondz Scenarij / Screenplay: Todd Solondz Direktor fotografije / Director of Photography: Randy Drummond, Gabor Szitanyi Montaža / Editor: Alan Oxman Muzika / Music: Jill Wisoff Zvuk / Sound: Alex Wolfe Scenografija / Production Design: Susan Block Kostimografija / Costume Design: Melissa Toth Uloge / Cast: Heather Matarazzo, Matthew Faber, Daria Kalinina, Brendan Sexton Jr., Eric Mabius, Victoria Davis, Christina Brucato, Christina Vidal, Amouris Rainey, Siri Howard,Telly Pontidis,Herbie Duarte, Jared Solano, Scott Coogan, Josiah Trager, Ken Leung, Dimitri Iervolino, Rica Martens Producent / Producer: Todd Solondz Produkcija / Production: Suburban Pictures

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USA, 1984, 9 min, English Režija / Director: Todd Solondz Scenarij / Screenplay: Todd Solondz Produkcija / Production: NYU Film School

Babysitter / Dadilja Jedan dječak otkrije da i nije baš pametan kako je mislio. E A boy discovers he’s not quite as smart as he thinks he is.

USA, 1984, DVD, Black & White, 3 min, English Režija / Director: Todd Solondz Scenarij / Screenplay: Todd Solondz Direktor fotografije / Director of Photography: Andy Day Montaža / Editor: Todd Solondz Uloge / Cast: Jan Meredith, Todd Solondz Produkcija / Production: NYU Film School

Feelings / Osjećaji OSJEĆAJI je prvi zvučni film Todda Solondza, traje dvije i po minute, a snimljen je kao školski zadatak na Akademiji za film Univerziteta u New Yorku. Sam Solondz igra glavnu ulogu osjetljivog mladića koji shvata da ne može više živjeti bez svoje voljene. Fotografiju je radio Andy Day, a film je Solondzova interpretacija pjesme Osjećaji Morrisa Alberta. Asistent kamere je bio Cedric Klapisch (THE SPANISH APARTMENT, UN AIR DE FAMILLE), koji je uključio Solondza u svoj film, IN TRANSIT, također snimljen za NYU akademiju. E Todd Solondz’s first film shot with sound, FEELINGS is a two and a half minute movie made as an NYU film school assignment in 1984. Solondz himself takes the lead role of a sensitive young man who finds he can no longer endure life without his beloved. Photographed by Andy Day, the film is set to Todd Solondz’s personal rendition of the song Feelings by Morris Albert. Cedric Klapisch (THE SPANISH APARTMENT, UN AIR DE FAMILLE), who included Solondz in his own NYU film IN TRANSIT, worked on this production as assistant cameraman.

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Open Air

134 The Angels’ Share / Anđeoski dio, Ken Loach 135 Cesare deve morire / Cezar mora umrijeti / Caesar Must Die, Paolo Taviani, Vittorio Taviani 136 Et maintenant on va où? / A gdje sada? / Where Do We Go Now?, Nadine Labaki 137 I, Anna / Ja, Anna, Barnaby Southcombe 138 Intouchables / Nedodirljivi / The Intouchables, Olivier Nakache, Eric Toledano 139 Les rebelles du foot / Fudbaleri buntovnici / Football Rebels, Gilles Rof, Gilles Perez 140 Smrt čoveka na Balkanu / Smrt čovjeka na Balkanu / Death of a Man in the Balkans, Miroslav Momčilović

The Angels’ Share / Anđeoski dio Ovo je gorka komedija o mladiću iz Glasgowa, koji se pokušava iščupati iz porodične svađe u koju je umiješan. Kada se Robbie ušunja u porodilište da posjeti svoju mladu djevojku Leonie i prvi put uzme u ruke svog tek rođenog sina Lukea, preplavljuju ga osjećaji. Zaklinje se da Luke nikada neće morati živjeti gubitničkim životom poput njegovog. Služeći kaznu društveno korisnog rada, Robbie upoznaje Rhinoa, Alberta i Moa, za koje je, kao i za njega, posao skoro pa neostvariv san. Robbie nije mogao ni zamisliti da bi živote mogli promijeniti ako se okrenu piću – ne jeftinom, pojačanom vinu, nego najboljem viskiju na svijetu. I šta će to značiti za Robbieja? Još više nasilja i prevara, ili bolju budućnost uz to piće, ‘Uisge Beatha’, odnosno ‘vodu života’? Samo anđeli znaju… Ken Loach je, baš kao i italijanski neorealisti (posebno Vittorio De Sica, koji mu je bio inspiracija), stekao reputaciju vodećeg društveno osviještenog režisera u Britaniji. Loach je prvo privukao pažnju kratkometražnim filmovima UP THE JUNCTION I CATHY COMES HOME. Potom se okrenuo dugometražnim filmovima, i POOR COW mu je bio prvi takav film. Skupa s Tonyjem Garnettom, Loach je snimio nekoliko prodornih, društveno osviještenih filmova poludokumentarnog tipa, u kojima često glume dobro odabrani glumci amateri. KES je bolna studija o usamljenom tinejdžeru, koji se buni protiv ograničenja jorkširskog obrazovnog sistema, i njegovom ljubimcu sokolu. Dolaskom na vlast Margaret Tatcher, novac za snimanje filmova, kakve je Loach želio, nije više bio dostupan. Polako je odustajao od igranih filmova i usmjerio se na konvencionalnije dokumentarne filmove. Početkom devedesetih Loach se ponovo vratio snimanju igranih filmova. Komedija/drama FIRR-RAFF prvi je od njegova tri filma koja govore o posljedicima politike Margaret Thatcher na radničku klasu. Loach je, u nešto umjerenijem ritmu, snimio diptih LAND AND FREEDOM i CARLA’S SONG. E A bittersweet comedy about a Glasgow boy locked in a family feud who just wants a way out. When Robbie sneaks into the maternity hospital to visit his young girlfriend Leonie and hold his newborn son Luke for the first time, he is overwhelmed. He swears that Luke will not lead the same stricken life he has led. On community service Robbie meets Rhino, Albert and Mo for whom, like him, work is little more than a distant dream. Little did Robbie imagine that turning to drink might change their lives - not cheap fortified wine, but the best malt whiskies in the world. What will it be for Robbie? More violence and vendettas or a new future with ‘Uisge Beatha,’ the ‘Water of Life’? Only the angels know...

Ken Loach, like the Italian neo-realists (especially Vittorio De Sica) who served as his inspiration, has acquired a reputation as the leading socially conscious director working in Britain. Loach first garnered attention for short films UP THE JUNCTION and CATHY COMES HOME. Loach moved into features with POOR COW. Partnered with Tony Garnett, Loach went on to turn out several stark, socially-conscious films noted for their semi-documentary quality and often performed by well-cast non-professional actors. KES was a poignant study of a teenaged loner, his pet kestrel falcon and his rebellion against the restrictions of the local Yorkshire school system. With the rise of Margaret Thatcher, the monies for the kinds of films Loach wanted to direct was not as available. He began to drop the use of dramatizations and began making more conventional documentaries. By the 90s. Loach had returned in force to feature work. The comedy/drama RIFF-RAFF was the first of three films to examine the ramifications of Thatcher’s policies on the working-class. In a slight change of pace, Loach handled the diptych LAND AND FREEDOM and CARLA’S SONG.

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United Kingdom, France, 2012, 35 mm, Colour, 101 min, English Režija / Director: Ken Loach Scenarij / Screenplay: Paul Laverty Direktor fotografije / Director of Photography: Robbie Ryan Montaža / Editor: Jonathan Morris Scenografija / Production Design: Fergus Clegg Uloge / Cast: Gary Maitland, Jasmin Riggins, John Henshaw, Paul Brannigan, Roger Allam, Siobhan Reilly, William Ruane Producent / Producer: Rebecca O’Brien Produkcija / Production: Entertainment One, Sixteen Films, Why Not Productions, Wild Bunch Filmografija / Filmography 2012 - THE ANGELS’ SHARE 2010 - ROUTE IRISH 2009 - LOOKING FOR ERIC 2007 - IT’S A FREE WORLD... 2006 - THE WIND THAT SHAKES THE BARLEY 2005 - TICKETS 2002 - SWEET SIXTEEN 2001 - THE NAVIGATORS 2000 - BREAD AND ROSES 1996 - CARLA’S SONG 1995 - LAND AND FREEDOM 1994 - LADYBIRD LADYBIRD 1993 - RAINING STONES 1991 - RIFF-RAFF 1990 - HIDDEN AGENDA 1986 - SINGING THE BLUES IN RED 1980 - THE GAMEKEEPER 1979 - BLACK JACK 1971 - FAMILY LIFE 1969 - KES 1967 - POOR COW

Cesare deve morire / Cezar mora umrijeti / Caesar Must Die Predstava Julije Cezar Williama Shakespearea se završila i glumci su nagrađeni gromoglasnim aplauzom. Svjetla se gase; glumci odlaze sa scene i vraćaju se u svoje ćelije. Svi su oni zatvorenici u rimskom zatvoru Rebibbia. Jedan od njih kaže: „Otkad sam otkrio umjetnost, ova ćelija je postala pravi zatvor“. Režiseri Paolo i Vittorio Taviani proveli su šest mjeseci na probama ove predstave; njihov film pokazuje kako univerzalnost Shakespeareovog jezika pomaže glumcima da razumiju svoje uloge i da se užive u međusobno preplitanje prijateljstva i izdaje, moći, neiskrenosti i nasilja u predstavi velikog barda. Ovaj dokumentarni film se ne zasniva na zločinima koje su počinili ti ljudi u svojim ‘stvarnim’ životima, nego povlači paralele između klasične drame i današnjeg svijeta i opisuje predanost svih ljudi koji učestvuju u predstavi, pokazujući kako se njihova lična nadanja i strahovi pretapaju s glumom. Nakon premijere, Cezar, Brutus i ostali ostaju iza zatvorenih vrata. Svi ti ljudi se osjećaju ponosni i na čudan način dirnuti, kao da je predstava i njima samima otkrila ponore njihovih osobnih prošlosti. Vittorio i Paolo Taviani su rođeni 1929. i 1931. u Italiji. Vittorio je studirao pravo u Pisi, a njegov brat umjetnost. Počeli su se zanimati za film 1954, kada su snimili svoj prvi zajednički kratkometražni film o svom selu, SAN MINIATO, LUGLIO ‘44. Filmom PADRE PADRONE iz 1977. probili su se na međunarodnu scenu. Film LA MASSERIA DELLE ALLODOLE, kojeg su snimili u evropskoj koprodukciji, prikazan je na Međunarodnom filmskom festivalu u Berlinu 2007, u okviru programa Specijalne projekcije. E The performance of Shakespeare’s Julius Caesar comes to an end and the performers are rewarded with rapturous applause. The lights go out; the actors leave the stage and return to their cells. They are all inmates of the Roman maximum security prison Rebibbia. One of them comments: ‘Ever since I discovered art this cell has truly become a prison’. Filmmakers Paolo and Vittorio Taviani spent six months following rehearsals for this stage production; their film demonstrates how the universality of Shakespeare’s language helps the actors to understand their roles and immerse themselves in the bard’s interplay of friendship and betrayal, power, dishonesty and violence. This documentary does not dwell on the crimes these men have committed in their ‘real’ lives; rather, it draws parallels between this classical drama and the world of today, describes the commitment displayed by all those involved and shows how their personal hopes and fears also flow into the performance. After the premiere the cell doors slam shut behind Caesar, Brutus and the others. These men all feel proud and strangely touched, as if the play has somehow revealed to them the depths of their own personal history.

Vittorio and Paolo Taviani were born in Italy in 1929 and 1931 respectively. Vittorio studied law in Pisa and his brother, art. Their interest in film began in 1954 when they made their first joint short film about their village entitled SAN MINIATO, LUGLIO ‘44. They made a name for themselves internationally with the 1977 work PADRE PADRONE. Their European coproduction LA MASSERIA DELLE ALLODOLE was presented in a special screening at the 2007 Berlinale.

Italy, 2011, DCP, Colour and b&w, 76 min, Italian Režija / Director: Paolo Taviani, Vittorio Taviani Scenarij / Screenplay: Paolo Taviani, Vittorio Taviani Direktor fotografije / Director of Photography: Simone Zampagni Montaža / Editor: Roberto Perpignani Muzika / Music: Giuliano Taviani, Carmelo Travia Zvuk / Sound: Benito Alchimede, Brando Mosca Uloge / Cast: Cosimo Rega, Salvatore Striano, Giovanni Arcuri, Antonio Frasca, Juan Dario Bonetti, Vincenzo Gallo, Rosario Majorana, Francesco De Masi, Gennaro Solito, Vittorio Parrella, Pasquale Crapetti, Francesco Carusone, Fabio Rizzuto, Fabio Cavalli, Maurilio Giaffreda Producent / Producer: Grazia Volpi Produkcija / Production: Kaos Cinematografica Filmografija / Filmography 2011 - CESARE DEVE MORIRE / CAESAR MUST DIE 2007 - LA MASSERIA DELLE ALLODOLE / THE LARK FARM 1998 - TU RIDI / YOU LAUGH 1996 - LE AFFINITÀ ELETTIVE / ELECTIVE AFFINITIES 1993 - FIORILE 1990 - IL SOLE ANCHE DI NOTE / NIGHT SUN 1987 - GOOD MORNING, BABYLON 1984 - KAOS 1982 - LA NOTTE DI SAN LORENZO / THE NIGHT OF THE SHOOTING STARS 1979 - IL PRATO 1977 - PADRE PADRONE 1974 - ALLONSANFAN 1972 - SAN MICHELE AVEVA UN GALLO 1969 - SOTTO IL SEGNO DELLO SCORPIONE 1967 - I SOVVERSIVI 1962 - UN UOMO DA BRUCIARE

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Et maintenant on va où? / A gdje sada? / Where Do We Go Now? Radnja filma A GDJE SADA? odvija se u selu, u kojem su crkva i džamija jedna do druge, i u kojem žene pokušavaju odvratiti svoje podivljale muževe od vjerskog rata. Žene žale za sinovima, muževima i očevima koje su izgubile u prethodnim sukobima, i ujedinjuju se kako bi zbunile svoje muževe zanimljivim trikovima, od lažnog čuda do unajmljivanja ukrajinskih striptizeta. Nadine Labaki je rođena 1974. u Libanonu. Srednju školu je završila 1993. u Bejrutu. Nakon što je diplomirala film na Univerzitetu Saint-Joseph (IESAV) u Bejrutu, 1997. je režirala 11 RUE PASTER, kao njen završni projekat. 1998. taj je film osvojio nagradu u kategoriji za najbolji kratkometražni film na Bijenalu arapskog filma na pariškom Institutu arapskog svijeta. Nadine je nakon toga režirala reklame i mnoge muzičke videospotove za poznate pjevače sa Srednjeg Istoka, a za njih je 2002. i 2003. osvojila i nagrade. 2004. je učestvovala je u programu Residency Filmskog festivala u Cannesu, gdje je nastavila rad na scenariju za film CARAMEL, njen prvi dugometražni igrani film kojeg je režirala 2006. CARAMEL je prikazan u okviru programa Directors’ Fortnight na Međunarodnom filmskom festivalu u Cannesu 2007, a uspješno je distribuiran u Francuskoj, u ljeto 2007 (BAC FILMS – 500 000 ulaznica). Film je distribuiran u mnogim zemljama širom svijeta, a Nadine Labaki je bila na promotivnoj turneji 2008. godine. E Set in a remote village where the church and the mosque stand side by side, WHERE DO WE GO NOW? follows the antics of the town’s women to keep their blowhard men from starting a religious war. Women heartsick over sons, husbands and fathers lost to previous flare-ups unite to distract their men with clever ruses, from faking a miracle to hiring a troop of Ukrainian strippers.

Nadine Labaki was born in 1974 in Lebanon. She received her high school diploma in Beirut in 1993. Having obtained a degree in film studies at Beirut’s Saint-Joseph University (IESAV), she directed her final end of year project, 11 RUE PASTEUR, in 1997 which won the award for the best short film of the Biennale of Arabic Cinema held at Paris’ Institut du Monde Arabe (Institute of the Arabic World) in 1998. Nadine then went on to direct commercials and many music videos for well famed Middle Eastern singers for which she was awarded further prizes in 2002 and 2003. In 2004, she participated in the Cannes Film Festival’s Residency where she continued her scriptwriting work on CARAMEL, her first long feature which she directed in 2006. CARAMEL was presented at the Director’s Fortnight in Cannes in 2007 and was successfully released in France in the summer of 2007 (BAC FILMS - 500 000 admissions). The film was sold to many territories worldwide and Nadine went on a promotional tour of the film throughout 2008.

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France, Lebanon, Egypt, Italy, 2011, DCP, Colour, 110 min, Arabic, Russian, English Režija / Director: Nadine Labaki Scenarij / Screenplay: Rodney Al Haddid, Thomas Bidegain, Jihad Hojeily, Nadine Labaki, Sam Mounier Direktor fotografije / Director of Photography: Christophe Offenstein Montaža / Editor: Véronique Lange Muzika / Music: Khaled Mouzanar Scenografija / Production Design: Cynthia Zahar Kostimografija / Costume Design: Caroline Labaki Uloge / Cast: Claude Baz Moussawbaa, Leyla Hakim, Nadine Labaki, Yvonne Maalouf, Antoinette Noufaily, Julian Farhat, Ali Haidar, Kevin Abboud, Petra Saghbini Producent / Producer: Nadine Labaki, Anne-Dominique Toussaint Produkcija / Production: Les Films des Tournelles, Pathé, Les Films de Beyrouth, United Artistic Group, France 2 Cinéma, Chaocorp, Ginger Beirut Productions Filmografija / Filmography 2011 - ET MAINTENANT ON VA OU? / WHERE DO WE GO NOW? 2007 - SUKKAR BANAT / CARAMEL 1997 - 11 RUE PASTEUR (kratkometražni / short)

I, Anna / Ja, Anna Glavni inspektor Bernie Reid sedmicama ne spava. Nedavno se rastao od žene i sina te besciljno luta usnulim gradom. Odazvao se na poziv da ode u stan, u kojem je zatekao razvedenog i na smrt pretučenog Georgea Stonea. U blizini mjesta zločina Bernijevu pažnju poremetit će susret sa prolaznicom, koja na njega ostavlja upečatljiv utisak: Anna. Slijedi Annu i, kada se konačno sretnu na zabavi za samce, odmah osjete uzajamnu privlačnost, iako se Anna ne sjeća ni Bernieja, niti noći kada su se prvi put sreli. Kako dokazi sve više upućuju na Anninu umiješanost u Stoneovo ubistvo, Bernijeva profesionalna etika se počinje boriti s njegovom željom za bliskošću i ljubavlju. Tajna skrivena duboko u Anninom umu konačno se otkriva i pokazuje nepodnošljivo bolnu istinu. Ovaj dojmljivi film noir ispričan je iz ugla intrigantne žene, glavne osumnjičene u slučaju ubistva. Ona postaje opsesija detektiva koji vodi istragu. Barnaby Southcombe je započeo režisersku karijeru u pozorištu francuskom adaptacijom Izdaje Harolda Pintera, u studiju Champs-Elysées u Parizu. Potom se usmjerio na snimanje muzičkih spotova i reklama u Londonu, a onda su ga pozvali da oživi kultnu TV dramu TEACHERS, na Kanalu 4. Potom je režirao AS IF, emisiju za tinejdžere, također za Kanal 4, lansirao je TOP BUZZER, prvu igranu seriju na MTV-ju. Režirao je i pilot epizodu serije WATERLOO ROAD, koja je emitovana u udarnom terminu za igrane serije na kanalu BBC1. Nedavno je za kanal ITV radio na seriji GOLD, satiri o agentima za nekretnine, te medicinskoj seriji HARLEY STREET, a radio je i na seriji HOLBY BLUE za BBC1. Southcombe je napisao scenarij za film JA, ANNA, po romanu američke spisateljice Else Lewin i režirao ga za produkcijsku kuću Embargo. Također bi trebao režirati i TRIVIAL PURSUITS Toma Nasha. Hugo Young iz kuće Independent je njegov agent u Ujedinjenom Kraljevstvu.

United Kingdom, Germany, France, 2012, 35 mm, Colour, 93 min, English Režija / Director: Barnaby Southcombe Scenarij / Screenplay: Barnaby Southcombe Direktor fotografije / Director of Photography: Ben Smithard Montaža / Editor: Peter Boyle Muzika / Music: Christopher Slaski Scenografija / Production Design: Tom Burton Kostimografija / Costume Design: Pam Downe Uloge / Cast: Charlotte Rampling, Gabriel Byrne, Hayley Atwell, Eddie Marsan, Jodhi May, Ralph Brown, Max Deacon, Honor Blackman Producent / Producer: Felix Vossen, Christopher Simon Produkcija / Production: Embargo Films Filmografija / Filmography 2012 - I, ANNA

E Detective Chief Inspector Bernie Reid hasn’t slept for weeks. Recently separated from his wife and son, he prowls the city as it sleeps. He fields a call to an apartment, where he finds divorcee George Stone bludgeoned to death. Near the scene of the crime, Bernie is distracted by an encounter with a female passer-by, who leaves a lasting impression: Anna. He follows Anna and when they finally meet at a singles’ party, the mutual attraction is instant, although Anna has no recollection of Bernie, nor of the night they first met. As evidence begins to point to Anna’s involvement in Stone’s murder, Bernie’s professional judgement battles with his desire for intimacy and love. When the mystery deep within Anna’s mind finally unravels, it reveals a truth too painful to bear. An absorbing film noir told from the perspective of an intriguing woman, a key suspect in a murder case, who becomes an obsession for the detective in charge of the investigation.

Barnaby Southcombe began his directing career in theatre with a French adaptation of Harold Pinter’s „Betrayal“ at the Studio des Champs-Elysées in Paris. He then segued into music promo and commercials production in London before being brought in to revamp Channel 4’s cult TV Drama series TEACHERS. He subsequently directed teen show AS IF‚ also for Channel 4, launched MTV’s first ever drama series TOP BUZZER‚ and directed the pilot episode for WATERLOO ROAD, an award-winning peak time drama for BBC1. He has recently worked on estate agents satire SOLD, risqué medical drama HARLEY STREET, both for ITV1 and HOLBY BLUE for BBC1. Barnaby wrote the screenplay for I, ANNA, based on the US novel by Elsa Lewin and directed it for Embargo Films. He is also attached to direct Tom Nash’s. TRIVIAL PURSUITS. He is represented in the UK by Hugo Young at Independent.

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Intouchables / Nedodirljivi / The Intouchables Ovo je dovitljiva komedija o neočekivanom prijateljstvu dvoje ljudi koji nemaju ništa zajedničko. Milioner, koji je ostao nepokretan nakon nesreće, i imigrant iz pariškog predgrađa, tek pušten iz zatvora, unajmljen je da se o njemu brine. Njih dvojica potpuno različito gledaju na život i doživljavaju svijet oko sebe. Eric Toledano (Pariz, 1971) i Oliver Nakache (Suresnes, 1973), duo u kojem su obojica autora istovremeno i pisci scenarija i režiseri, već je ostavio traga u svijetu kratkometražnog filma, posebno svojim drugim ostvarenjem, LES PETITS SOULIERS, nagrađenim Nagradom publike na Filmskom festivalu u Parizu. Od tada, snimili su JE PRÉFÈRE QU’ON RESTE AMIS, THOSE HAPPY DAYS i TELLEMENT PROCHES. E A witty comedy on the unexpected friendship arising between two people with nothing in common and very different ways of understanding life: a millionaire left tetraplegic after an accident and the man hired as his carer, an immigrant from the Parisian suburbs recently released from prison.

Eric Toledano (Paris, 1971) and Oliver Nakache (Suresnes, 1973), the screenwriter/director duo, already made their mark in the short film field, particularly when their second work, LES PETITS SOULIERS, landed the Audience Award at Paris Film Festival. Since then, they have helmed the features JE PRÉFÈRE QU’ON RESTE AMIS, THOSE HAPPY DAYS and TELLEMENT PROCHES.

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France, 2011, 35 mm, Colour, 112 min, French Režija / Director: Olivier Nakache, Eric Toledano Scenarij / Screenplay: Olivier Nakache, Eric Toledano Direktor fotografije / Director of Photography: Mathieu Vadepied Montaža / Editor: Doriane Rigal-Ansous Muzika / Music: Ludovico Einaudi Uloge / Cast: François Cluzet, Omar Sy Producent / Producer: Nicolas Duval Adassovsky, Yann Zenou, Laurent Zeitoun Produkcija / Production: Quad Filmografija / Filmography 2011 - INTOUCHABLES / THE INTOUCHABLES 2009 - TELLEMENT PROCHES 2006 - NOS JOURS HEUREUX / THOSE HAPPY DAYS 2005 - JE PRÉFERE QU’ON RESTE AMIS 1999 - LES PETITS SOULIERS (kratkometražni / short)

Les rebelles du foot / Fudbaleri buntovnici / Football Rebels Fantastična dostignuća vrhunskih igrača na fubalskim terenima nikada ne prođu nezapažena. Od nevjerovatnih golova Didiera Drogbe do serije udaraca Carlosa Caszleyja – njihov izvanredni talenat je već dugo vremena u središtu medijske pažnje. Međutim, ko zna za njihove rezultate izvan fudbalskog terena, gdje se bore, nekada na smrt, protiv društvene i političke nepravde i brane potlačene i ugnjetavane? Ovih pet priča govori o nekolicini fudbalskih zvijezda koje su digle svoj glas za ono što su smatrale pravednim i rekle NE! Voditelj i domaćin serijala je legendarni Eric Cantona. Gilles Rof je bio reporter, glavni urednik i šef kulturne redakcije u listu Marseille L’Hebdo (La Provence). Bio je pomoćni urednik sportskih vijesti u listu Le Provençal. Radio je kao slobodni izvjestitelj za Radio France i Europe 1. Radio je i kao slobodni novinar za mnoge novine i časopise (Le Monde, L’Express, Libération, Géo, Groove, Rock Sound…). Osvojio je drugu nagradu Fondacije Varenne 2004. u kategoriji Regional Weekly Press Newspapers. Predaje na Univerzitetu Provence. Gillez Perez je objavio četiri knjige: FLNC Generation, Husband’s Cooking, The Right Hand of Good and Quills in the Dark. Bio je međunarodni reporter i ratni izvještač za Radio France Internationale, France Info i France Culture. Osvojio je prvu nagradu Bayeux-Calvados za ratno izvještavanje 2001, prvu nagradu Fondacije Varenne 2001, kao i treću nagradu Bayeux-Calvados za ratno izvještavanje 1996. i 1999. E The amazing feats and achievements of star players on the football pitch never go unnoticed. From the amazing shots on goal by Didier Drogba to the serial kicker Carlos Caszely - their breathtaking talent has been the long-standing focus of media attention. But who knows about their achievements off the pitch, where they fight, sometimes to death, against social and political injustice, and defend the underdog and the oppressed? These five stories recount how a handful of football stars stood up for what they thought was right and said “NO !” The story line will be given by the legendary Eric Cantona’s character as the narrator and host of the series.

Gilles Rof was reporter, editor in chief of and also in charge of culture department of Marseille L’Hebdo (La Provence). He was sub-editor of sports news for Le Provençal. He worked as freelance reporter for Radio France and Europe 1. He worked as freelance journalist for many newspapers and magazins (Le Monde, L’Express, Libération, Géo, Groove, Rock Sound…). He won 2nd prize of the Varenne Foundation 2004 in the category Regional Weekly Press Newspapers. He is teacher at the Provence University. Gilles Perez has published four books: FLNC Generation, Husband’s Cooking, The Right Hand of Good and Quills in the Dark. He was international reporter and war correspondent Radio France Internationale, France Info and France Culture. He won 1st prize Bayeux-Calvados Award for War Correspondents 2001, 1st Prize Varenne Foundation 2001 and 3rd prize Bayeux-Calvados Award for War Correspondents 1996 and 1999.

France, 2012, DCP, Colour, 90 min, French, English, Spanish, Portugese Režija / Director: Gilles Rof, Gilles Perez Scenarij / Screenplay: Gilles Rof, Gilles Perez Direktor fotografije / Director of Photography: Feinstein Patrick, Gherdoussi Sylvain Luini Montaža / Editor: Emmanuel Besnard, Laurence Generet Animacija / Animation: Emmanuel Desbouiges Producent / Producer: Cyrille Perez, Gilles Perez Produkcija / Production: 13 Productions, Canto Bros, Arte France Filmografija / Filmography Gilles Rof 2012 - LES REBELLES DU FOOT / FOOTBALL REBELS (dokumentarni / doc.) 2008 - L’AFFAIRE SANTOS / SANTOS’ CASE (dokumentarni / doc.) Gilles Perez 2012 - LES REBELLES DU FOOT / FOOTBALL REBELS (dokumentarni / doc.) 2010 - THE FARMERS 2008 - L’AFFAIRE SANTOS / SANTOS’ CASE (dokuemntarni / doc.) 2008 - L’ODYSSEE DE I’OM / OM, FOREVER WINNERS (dokumentarni / doc.) 2008 - ALL BLACK OR WHITE (dokumentarni / doc.) 2007 - FRENCH SETTLERS, STORY OF WOUND (dokumentarni / doc.) 2005 - AIDS, YOUNG PEOPLE’S WORDS (dokumentarni / doc.) 2005 - BORN WITH CONDOM (dokumentarni / doc.)

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Smrt čoveka na Balkanu / Smrt čovjeka na Balkanu / Death of a Man in the Balkans SMRT ČOVEKA NA BALKANU je igrani film o događajima nakon smrti umjetnika, susjeda koji nije imao rođaka ni bliže rodbine. Tokom tugovanja, njegovi susjedi, skupa s nekim gradskim službenicima, otkrivaju istinsku prirodu i identitet pokojnika, ali i sebe samih. Miroslav Momčilović je rođen 1969. u Beogradu. Diplomirao je dramaturgiju na Fakultetu dramskih umetnosti (FDU) u Beogradu, u Srbiji. Autor je scenarija za film WHEN I GROW UP I’LL BE A KANGAROO (2004). E DEATH OF A MAN IN THE BALKANS is a feature movie about events after death of the artistic neighbor who had no relatives or close friends. During the hours of grief his neighbors along with some city officers reveal true nature and identity of decedent and themselves.

Miroslav Momčilović was born in Belgrade in 1969. He graduated dramaturgy at Faculty of Drama Arts in Belgrade, Serbia (FDU). He is the author of screenplay for the film WHEN I GROW UP I’LL BE A KANGAROO (2004).

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Serbia, 2012, DCP, Colour, 80 min, Serbian Režija / Director: Miroslav Momčilović Scenarij / Screenplay: Miroslav Momčilović Direktor fotografije / Director of Photography: Miladin Čolaković Montaža / Editor: Ivan Vladimirov Muzika / Music: Predrag Šarović Uloge / Cast: Emir Hadžihafizbegović, Radoslav Milenković, Bojan Žirović, Nataša Ninković, Anita Mančić, Ljubomir Bandović, Branislav Trifunović Producent / producer: Miroslav Momčilović Produkcija / Production: Brigada Filmografija / Filmography 2012 - SMRT ČOVEKA NA BALKANU / DEATH OF A MAN IN BALKANS 2009 - ČEKAJ ME, JA SIGURNO NEĆU DOĆI / WAIT FOR ME AND I WILL NOT COME 2006 - SEDAM I PO / SEVEN AND A HALF

Dječiji program / Children’s Programme

142 Brave / Merida Hrabra, Mark Andrews, Brenda Chapman 143 Ella & Aleksi – Yllätyssynttärit / Ella & Aleksi, Juuso Syrjä 144 Ice Age: Continental Drift / Ledeno doba 4: Zemlja se trese, Steve Martino, Mike Thurmeier 145 Kapitän Hu / Kapetan Hu / Captain Hu, Basil Vogt 146 Knerten gifter seg / Twigson se ženi / Twigson Ties the Knot, Martin Lund 147 Lotte ja kuukivi saladus / Lotte i tajna Mjesečevog kamena / Lotte and the Moonstone Secret,

Heiki Ernits, Janno Poldma

148 Risto Räppääjä ja villeä Venla / Reper Ricky i cool Wendy / Ricky Rapper and Cool Wendy, Mari Rantasila

Brave / Merida Hrabra Priče o epskim bitkama i mističnim legendama od davnina su se prenosile kroz generacije na brdovitim i tajnovitim škotskim visoravnima. U filmu MERIDA HRABRA savremena priča se spaja s usmenom predajom, kada se hrabra Merida suprotstavi tradiciji, sudbini i najstrašnijoj zvijeri. Merida, žestoka kćerka kralja Fergusa i kraljice Elinor, vješt je strijelac. Odlučna je u želji da sama odredi svoj životni put. Prkosi drevnom običaju, kojeg svetim smatraju gospodari zemlje: kolosalni Lord MacGuffin, mrzovoljni Lord Macintosh i zajedljivi Lord Dingwall. Meridini postupci nehotice izazovu haos i bijes u kraljevstvu, a kada zatraži pomoć od stare, ekscentrične Vještice, ona joj ispuni zlokobnu želju. Nastala katastrofa primorava Meridu da otkrije značenje istinske hrabrosti, kako bi, prije nego što bude prekasno, prekinula zlokobni tok sudbine. Mark Andrews je režiser, pisac i autor knjiga snimanja u kompaniji Pixar. Bio je supervizor scenarija za THE INCREDIBLES, režirao je kratki film ONE MAN BRAND i koautor je scenarija kratkometražnih filmova JACK-JACK ATTACK i ONE MAN BAND. Brenda Chapman je autorica knjige snimanja, spisateljica i režiserka. Bila je pripravnica na Disneyjevom animiranom filmu THE LITTLE MERMAID. Jedna je od glavnih autorica knjige snimanja na Disneyjevom animiranom filmu BEAUTY AND THE BEAST. Kasnije je bila voditeljica knjige snimanja na Disneyjevom dugometražnom animiranom filmu THE LION KING. Brenda Chapman je radila na knjigama snimanja i u produkciji drugih Disneyjevih animiranih filmova, poput THE RESCUERS DOWN UNDER i THE HUNCHBACK OF NOTRE DAME. Priključila se kompaniji DreamWorks na samom početku 1994, a sada radi za Pixar. Brenda Chapman je, pored Stevea Hicknera i Simona Wellsa, radila na animiranom filmu THE PRINCE OF EGYPT. Bila je prva žena koju je veliki studio angažirao da režira animirani dugometražni film. E Since ancient times, stories of epic battles and mystical legends have been passed through the generations across the rugged and mysterious Highlands of Scotland. In BRAVE, a new tale joins the lore when the courageous Merida confronts tradition, destiny and the fiercest of beasts. Merida is a skilled archer and impetuous daughter of King Fergus and Queen Elinor. Determined to carve her own path in life, Merida defies an age-old custom sacred to the uproarious lords of the land: massive Lord MacGuffin, surly Lord Macintosh and cantankerous Lord Dingwall. Merida’s actions inadvertently unleash chaos and fury in the kingdom, and when she turns to an eccentric old Witch for help, she is granted an ill-fated wish. The ensuing peril forces Merida to discover the meaning of true bravery in order to undo a beastly curse before it’s too late.

Mark Andrews is a director, writer and story artist at Pixar. He was the story supervisor for THE INCREDIBLES, directed the short film ONE MAN BAND and co-wrote the short films JACK-JACK ATTACK and ONE MAN BAND. Brenda Chapman is a story artist, writer and director. She was a story trainee on Disney’s animated film THE LITTLE MERMAID. She was one of several key story artists on Disney’s BEAUTY AND THE BEAST. She later served as head of story for the Disney animated feature film, THE LION KING. Chapman also worked in story and development for other Disney animated films such as THE RESCUERS DOWN UNDER and THE HUNCHBACK OF NOTRE DAME. She joined DreamWorks Animation at its inception in 1994, and is now working at Pixar. Chapman was one of a team of three directors who worked on THE PRINCE OF EGYPT, along with Steve Hickner and Simon Wells. She became the first woman to land a directing role in an animated feature by a major studio. 142 18. Sarajevo Film Festival l DJEČIJI PROGRAM

USA, 2012, 35 mm, Colour, 100 min, English Režija / Director: Mark Andrews, Brenda Chapman Scenarij / Screenplay: Mark Andrews, Steve Purcell, Brenda Chapman, Irene Mecchi Animacija / Animation: Emma Coats, Mark Cordell Holmes, Jason Merck, Nick Sung Montaža / Editor: Nicholas C. Smith Muzika / Music: Patrick Doyle Uloge / Cast: Judita Franković, Ljubo Zečević, Ksenija Pajić, Slavica Knežević, Draško Zidar, Sreten Mokrović, Livio Badurina, Mirela Brekalo Popović, Iva Vučković, Goran Malus, Hrvoje Klobučar, Ozren Grabarić, Marko Makovičić, Denin Serdarević, Ozren Grabarić Producent / Producer: Katherine Sarafian Produkcija / Production: Pixar Animation Studios, Walt Disney Pictures Filmografija / Filmography Mark Andrews 2012 - BRAVE 2007 - VIOLET (kratkometražni / short) 2005 - ONE MAN BAND (kratkometražni / short) Brenda Chapman 2012 - BRAVE 1998 - THE PRINCE OF EGYPT

Ella & Aleksi – Yllätyssynttärit / Ella & Aleksi Ella i Aleksi su brat i sestra koji ulaze u brojne avanture sa svojim psom, Inspektorom Dogsonom. Bili oni kod kuće ili u gradu, upoznaju nove prijatelje. Aleksi je pametni stariji brat, koji zna mnogo o svijetu. Ella je mlađa, impulsivna sestra puna kreativnih ideja. Uz pomoć mašte i avantura, njih dvoje odrastaju i razumijevaju jezik životinja... Juuso Syrja je finski, višestruko nagrađivani režiser, koji je svoj osebujni pečat dao i u marketinškom sektoru. Rođen je 12. 6. 1975. u Tampereu, a njegovi prvi poslovi su bili vezani za televiziju. Kao filmski režiser počinje raditi 1998, a do sada je napravio preko 300 projekata. Režirao je i nekoliko popularnih reklama za kompanije poput Nokie, Schweppesa, Adidasa, Snickersa i Samsunga. E Ella and Aleksi are siblings, who experience many adventures with their dog, Inspector Dogson. Be it at home, in the city or in nature, all the while they’re making new friends. Aleksi is a smart older brother who knows a lot about the world. Ella is a younger, impulsive sister, full of creative solutions. With the help of their imagination and adventures, the two are growing up and are able to understand the language of animals.

Juuso Syrja is an award-winning director from Finland, who has also made significant and original contribution in the marketing sector. He was born on 12 July 1975 in Tampere, and his first business encounters were related to television. In 1998, he started working as a film director, and has by now made over 300 projects. He has directed several popular commercials for companies like Nokia, Schweppes, Adidas, Snickers and Samsung.

Finland, 2011, 35 mm, Colour, 48 min, Finnish Režija / Director: Juuso Syrjä Scenarij / Screenplay: Katri Manninen Direktor fotografije / Director of Photography: Heli Ellis Montaža / Editor: Ilmari Hakkola, Juuso Syrjä, Mari Tolkkinen Muzika / Music: Sampo Haapaniemi, Markus Koskinen Zvuk / Sound: Magnus Axberg, Markus Degerman Kostimografija / Costume Design: Iva Šimunović Uloge / Cast: Jesse Fryckman, Ilmari Hakkola, Anttu Harlin, Jukka Helle, Markus Selin, Essi Suomel Producent / Producer: Nick Dorra, Ritva Eskelinen Produkcija / Production: Bronson Club Filmografija / Filmography 2011 - ELLA & ALEKSI – YLLÄTYSSYNTTÄRIT / ELLA & ALEKSI

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Ice Age: Continental Drift / Ledeno doba 4: Zemlja se trese Scrattova suluda potjera za ukletim žirom, za kojim traga od početka vremena, dovodi do globalne posljedice – kontinentalne kataklizme, koja pokreće do sada najveću avanturu Mannyja, Diega i Sida. Ti događaji Sida ponovo spajaju s njegovom zajedljivom bakom, a čopor se susreće s ruljom gusara koji im žele onemogućiti povratak kući. Steve Martino je najpoznatiji kao režiser animiranog filma HORTON HEARS A WHO! Radio je scenografiju za film ROBOS. Također je radio kao konsultant u produkciji za animirani film ICE AGE: THE MELTDOWN. Mike Thurmeier je autor animacije i režiser u studiju Blue Sky. Najpoznatiji je kao jedan od režisera kratkometražnog filma NO TIME FOR NUTS i ICE AGE: DAWN OF THE DINOSAURS. Bio je autor animacije na filmu FIGHT CLUB i seriji THE SOPRANOS. Kasnije je bio direktor animacije na filmovima ICE AGE, ROBOTS i ICE AGE: THE MELTDOWN. Prvi režiserski posao je dobio 2006, kao jedan od režisera kratkog animiranog filma NO TIME FOR NUTS. Potom je radio na kompjuterskoj animaciji za film HORTON HEARS A WHO! E Scrat’s nutty pursuit of the cursed acorn, which he’s been after since the dawn of time, has worldchanging consequences - a continental cataclysm that triggers the greatest adventure of all for Manny, Diego and Sid. In the wake of these upheavals, Sid reunites with his cantankerous Granny, and the herd encounters a ragtag menagerie of seafaring pirates determined to stop them from returning home.

Steve Martino is best known as Director of HORTON HEARS A WHO! He worked as art director at film ROBOTS. He was Pre-Production Consultant for ICE AGE: THE MELTDOWN. Mike Thurmeier is an animator and director at Blue Sky Studios. He is most famous for co-directing a short film NO TIME FOR NUTS and ICE AGE: DAWN OF THE DINOSAURS. He served as an animator for FIGHT CLUB and THE SOPRANOS. He later served as a supervising animator for ICE AGE, ROBOTS, and ICE AGE: THE MELTDOWN. His first directing job was in 2006 when he co-directed a short animated film, NO TIME FOR NUTS. He then worked on the computer animated version of HORTON HEARS A WHO!

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USA, 2012, 35 mm, Colour, 94 min, English Režija / Director: Steve Martino, Mike Thurmeier Scenarij / Screenplay: Michael Berg, Jason Fuchs Direktor fotografije / Director of Photography: Renato Falcao Montaža / Editor: James Palumbo, David Ian Salter Muzika / Music: John Powell Uloge / Cast: Edo Majka, Tarik Filipović, Darija Knez, Ljubo Kerekeš Producent / Producer: John C. Donkin, Lori Forte Produkcija / Production: Blue Sky Studios, Twentieth Century Fox Filmografija / Filmography Steve Martino 2012 - ICE AGE: CONTINENTAL DRIFT 2011 - SCRAT’S CONTINENTAL CRACK-UP: PART 2 (kratkometražni / short) 2010 - SCRAT’S CONTINENTAL CRACK-UP (kratkometražni / short) 2008 - HORTON HEARS A WHO! Mike Thurmeier 2012 - ICE AGE: CONTINENTAL DRIFT 2011 - SCRAT’S CONTINENTAL CRACK-UP: PART 2 (kratkometražni / short) 2010 - SCRAT’S CONTINENTAL CRACK-UP (kratkometražni / short) 2009 - ICE AGE: DAWN OF THE DINOSAURS 2006 - NO TIME FOR NUTS (kratkometražni / short)

Kapitän Hu / Kapetan Hu / Captain Hu Nakon snažne oluje, brod kapetana Hua nasuče se na Alpima. Farmer, koji mu pritekne u pomoć, pronalazi novi način korištenja ronilačke opreme. Međutim, tu kapetan Hu povlači crtu. Basil Vogt je rođen 1965. u Bruggu. Studirao je socijalnu pedagogiju. Godine 1990. osniva produkcijsku kuću Trickbüro i bavi se animiranim filmovima i grafikom. Od 2000. predaje na Visokoj školi za dizajn i umjetnost u Luzernu (Hochschule Luzern, Design & Kunst), Švicarska. E After a violent storm Captain Hu is stranded with his ship in the Alps. A helpful farmer finds new uses for the deep-sea equipment. However, Captain Hu draws the line at that.

Basil Vogt was born in 1965 in Brugg. Studied Social Pedagogy. 1990 founds Trickbüro and works with animation films and graphics. Since 2000, he is a lecturer at the HSLU (Hochschule Luzern, Design & Kunst), Switzerland.

Switzerland, 2011, 35 mm, Colour, 9 min, No Dialogue Režija / Director: Basil Vogt Scenarij / Screenplay: Basil Vogt Animacija / Animation: Simon Eltz, Jesús Péres, Basil Vogt, Ursula Ulmi, Dustin Ree Montaža / Editor: Simon Eltz, Basil Vogt Muzika / Music: Hipp Mathis Uloge / Cast: Dieter Bucher, Siegfried Terpoorten, Philipp Stengele, Barbara Terpoorten Producent / Producer: Trickbüro, Basil Vogt Filmografija / Filmography 2011 - KAPITÄN HU / CAPTAIN HU (kratkometražni / short)

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Knerten gifter seg / Twigson se ženi / Twigson Ties the Knot TWIGSON SE ŽENI je priča o istraživanju zločina, kao i priča o zaljubljenosti. Ovaj film krase fantastična animacija i humor, te brojne avanture junaka. Twigson sreće Karolinu, grančicu breze, baš kao što je to i on, i u njoj vidi izvanrednu djevojku koja mu sasvim odgovara, jer grančice poput Twigsona ne rastu na drveću. Junior u međuvremenu sanja svoj novi bicikl, a njegova mama doživljava saobraćajnu nesreću. Martin Lund, rođen 1979, a primljen je u režiserski program Norveške filmske škole u Lillehameru, gdje je 2009. diplomirao s kratkim filmom BALOON MOODS. Pet godina prije snimio je HOME GAME, prikazan na brojnim festivalima širom svijeta, uključujući i Sundance. Veliki uspjeh ostvaruje filmom TWIGSON SE ŽENI, nastavkom filmskog serijala Twigson, koji predstavlja jedno od najuspješnijih ostvarenja u filmskoj historiji Norveške. E TWIGSON TIES THE KNOT is a story about solving a crime, as well as a story of being in love. The film contains superb animation and humor, as well as many adventures of the heroes. Twigson meets Karoline, a birch wood twig, just as he is, and in her he sees an extraordinary girl who is a perfect match for him, for twigs like Twigson do not grow on trees. In the meantime, Junior is fantasizing about his new bike, while his mom has an accident.

Martin Lund was born in 1979 and was accepted into a program for directors at the Norwegian Film School in Lillehamer, where he graduated with a short film BALOON MOODS in 2009. Five years earlier, he had filmed HOME GAME, screened at many festivals, including Sundance. His great success was TWIGSON TIES THE KNOT, a sequel of the Twigson franchise, one of the most successful creations of the Norwegian film history.

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Norway, 2010, 35 mm , Colour, 78 min, Norwegian Režija / Director: Martin Lund Scenarij / Screenplay: Birgitte Bratseth Montaža / Editor: Steinar Stalsberg Muzika / Music: Magnus Beite Zvuk / Sound: Marius Berntzen, Hugo Ekornes, Bent Erik Holm, Mads Olsen, Erik S. Watland Scenografija / Production Design: Paradox Film AS Kostimografija / Costume Design: Christina Lovery Uloge / Cast: Adrian Gronnevik Smith, Petrus A. Christensen, Pernille Sorensen, Jan Gunnar Roise Producent / Producer: Finn Gjerdrum, Stein B. Kvae Produkcija / Production: Norwegian Film Institute, Paradox Film AS Filmografija / Filmography 2012 - THE ALMOST MAN 2010 - KNERTEN GIFTER SEG / TWIGSON TIES THE KNOT 2009 - BALOON MOODS (kratkometražni / short) 2007 - PISTACHIO (kratkometražni / short) 2007 - SHALL WE DANCE? (kratkometražni / short) 2004 - HOME GAME

Lotte ja kuukivi saladus / Lotte i tajna Mjesečevog kamena / Lotte and the Moonstone Secret Lotte ima zanimljive prijatelje - dva zeca koja žive na Mjesecu. Oni se mogu vratiti kući samo uz pomoć tri čarobna Mjesečeva kamena. Zato je Lotte odlučila otkriti tajnu Mjesečevog kamenja i krenuti na put sa svojim prijateljima. Ali, tu je i Pol, mačka koja je, iz nekog razloga, veoma zainteresirana za kamenje. Njeno uplitanje neće spriječiti Lotte da pomogne svojim prijateljima pronaći put do kuće. Heiki Ernits je rođen 24. 3. 1953. u Tallinu. Na Pedagoškom institutu u Tallinu stekao je diplomu profesora umjetnosti. Radio je kao fotograf, profesor i režiser. Dizajnirao je omote za knjige, plakate, letke, te radioreklame. Imao je veliki broj samostalnih umjetničkih izložbi. Janna Poldma je rođen 7. 11. 1950. u Tallinu. Od 1973. je radio kao asistent kamermana u Tallinnfilm Studiu. Njegov režiserski prvijenac je bio lutkarski film BROTHER AND SISTERS iz 1991. 1985. godine je napisao knjigu Judo Boys. E Lotte has some interesting friends – two rabbits living on the Moon. Only with the help of three magical stones from the Moon can they go back home. That is why Lotte is determined to discover the secret of the Moon stones and begins a voyage with her friends. However, Pol the Cat is also very interested in the stones for some reason. Her interference will not prevent Lotte from helping her friends find a way home.

Heiki Ernits was born on 24 March 1953 in Tallin. He graduated at the Tallin Pedagogical Institute as art professor. He has worked as a photographer, professor and director. He has designed book covers, posters, fliers, as well as commercials. He’s had a number of solo exhibitions. Janna Poldma was born on 7 January 1950 in Tallin. He’s been working as an assistant cameraman since 1973 in Tallinnfilm Studio. His first directed a puppet film BROTHER AND SISTERS in 1991. In 1985, he wrote a book Judo Boys.

Estonia, Latvia, 2011, DCP, Colour, 75 min, Estonian Režija / Director: Heiki Ernits, Janno Poldma Scenarij / Screenplay: Janno Poldma, Heiki Ernits, Andrus Kivirähk Montaža / Editor: Janno Poldma Muzika / Music: Sven Grünberg Zvuk / Sound: Horret Kuus Uloge / Cast: Evelin Pang, Margus Tabor, Mait Malmsten, Mikk Jürjens, Tõnu Oja, Lembit Ulfsak Producent / Producer: Vilnis Kalnaellis, Riina Sildos, Kalev Tamm Produkcija / Production: Eesti Joonisfilm, Rija Films Filmografija / Filmography Heiki Ernits 2011 - LOTTE AND THE MOONSTONE SECRET 2007 - MUST LAGI (kratkometražni / short) 2006 - LOTTE FROM GADGETVILLE 2002 - CONCERT FOR A CARROT PIE (kratkometražni / short) 2001 - LADYBIRDS’ CHRISTMAS 1997 - TOM JA FLUFFY 1995 - TALLINNA LEGENDID (kratkometražni / short) 1994 - JAAGUP JA SURM (kratkometražni / short) 1991 - ÄRASÕIT (kratkometražni / short) Janno Poldma 2011 - LOTTE AND THE MOONSTONE SECRET 2007 - MUST LAGI (kratkometražni / short) 2006 - LOTTE FROM GADGETVILLE 2002 - CONCERT FOR A CARROT PIE (kratkometražni / short) 2001 - LADYBIRDS’ CHRISTMAS 1999 - ON THE POSSIBILITY OF LOVE (kratkometražni / short) 1997 - TOM JA FLUFFY

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Risto Räppääjä ja villeä Venla / Reper Ricky i cool Wendy / Ricky Rapper and Cool Wendy Porodična muzička komedija o reperu Rickyju i Wendy priča je o prijateljstvu, usamljenosti i toleranciji, a zasnovana je na istinitim događajima. Reper Ricky i Nelly idu na ostrvo, gdje Fanny Fraiser radi kao hostesa u ljetnom kampu. Među gostima je i Wendy, koja je malo starija od Rickyja i Nelly. Kada se ona pojavljuje, prijateljstvo Rickyja i Nellyja stavljeno je na kušnju. Mari Rantasila je studirala teatar na Finskoj filmskoj akademiji od 1983. do 1987. E A family musical comedy based on a true story about Ricky Rapper and Wendy; a story of friendship, loneliness and tolerance. Ricky Rapper and Nelly go to an island where Fanny Friaser works as a hostess in a summer camp. One of the guests is Wendy, who is a little older than Ricky and Nelly. When she appears, the friendship of Ricky and Nelly is put to the test.

Mari Rantasila studied theatre at the Finnish Film Academy from 1983 to 1987.

Finland, 2012, 35 mm, Colour, 72 min, Finnish Režija / Director: Mari Rantasila Scenarij / Screenplay: Sinikka Nopola Montaža / Editor: Tuuli Kuittinen Muzika / Music: Iiro Rantala Zvuk / Sound: Risto Iissalo, Tomi Kolistaja, Pietu Korhonen, Heikki Kossi, Olli Pärnänen, Tapio Liukkonen Scenografija / Production Design: Tuula Nikkola, Antti Peltoranta Kostimografija / Costume Design: Suvi Hänninen, Susa Moilanen, Teija Rissanen Uloge / Cast: Lauri Karo, Venni Uotila, Olivia Ainali, Annu Valonen, Ulla Tapaninen, Martti Suosalo, Juha Muje Producent / Producer: Lasse Saarinen, Risto Salomaa Produkcija / Production: Finnish Film Foundation Filmografija / Filmography 2012 - RISTO RÄPPÄÄJÄ JA VILLEÄ VENLA / RICKY RAPPER AND COOL WENDY 2008 - RISTO RÄPPÄÄJÄ / RICKY RAPPER

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TeenArena

150 The Amazing Spiderman / Nevjerovatni Spiderman, Marc Webb 151 Bacalar, Patricia Arriaga-Jordán 152 Ballet Story / Baletska priča, Daria Belova 153 Naiv Sein Und Wissen Dass Das Ein Weg Ist / Biti naivan i znati da je to OK /

To Be Naive and to Know It’s Ok, Friederike Hoppe

154 Razend / Gnjevan, Dave Schram 155 Der Verdingbub / Posvojenik / The Foster Boy, Markus Imboden 156 Vorstadt Krokodile 3: Freunde Für Immer / Krokodili 3: Svi za jednoga /

The Crocodiles 3: All for One, Wolfgang Groos

The Amazing Spiderman / Nevjerovatni Spiderman NEVJEROVATNI SPIDERMAN je priča o Peteru Parkeru, izopćenom srednjoškolcu, kojeg su roditelji napustili dok je bio dječak. Odgojili su ga ujak Ben i ujna May. Kao i većina tinejdžera, Peter pokušava shvatiti ko je on ustvari i kako je postao to što jeste. Peter se pokušava svidjeti svojoj prvoj simpatiji, Gwen Stacy. Njih dvoje se zajedno se bore s ljubavlju, odanosti i tajnama. Kada Peter otkrije tajanstvenu aktovku svog oca, započinje istragu o nestanku svojih roditelja. Aktovka ga dovodi direktno do Oscorpa i laboratorije dr. Cruta Connorsa, očevog nekadašnjeg partnera. I kad Spiderman krene u sukob sa Connorsovim alter egom, Gušterom, Peter će donijeti odluke koje će mu promijeniti život i odrediti sudbinu heroja. Marc Preston Webb je rođen 1974. On je američki režiser muzičkih spotova, kratkometražnih filmova i igranih filmova koji su postigli veliku uspjeh. Režirao je romantičnu komediju i dramu (500) DAYS OF SUMMER, te NEVJEROVATNI SPIDERMAN, obradu Spidermana. Webb je rođen u Bloomingtonu. Kada mu je bilo 18 mjeseci, njegova porodica se preselila u Madison, u Wisconsinu, gdje je i odrastao. Završio je srednju školu Madison West, a diplomirao je engleski jezik na koledžu Colorado. Njegov prvi dugometražni igrani film (500) DAYS OF SUMMER, s Josephom Gordon-Lewittom i Zooey Deschanel u glavnim ulogama, izišao je 2009. godine i dobio izuzetne pohvale od strane kritike. E THE AMAZING SPIDERMAN is the story of Peter Parker, an outcast high schooler who was abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben and Aunt May. Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. Peter is also finding his way with his first high school crush, Gwen Stacy, and together, they struggle with love, commitment, and secrets. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents’ disappearance - leading him directly to Oscorp and the lab of Dr Curt Connors, his father’s former partner. As Spider-Man is set on a collision course with Connors’ alter-ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.

Marc Preston Webb (born in 1974) is an American music video, short film and major motion picture director. He directed the romantic comedy-drama (500) DAYS OF SUMMER and Spider-Man reboot THE AMAZING SPIDERMAN. Webb was born in Bloomington. When he was eighteen months old, Webb’s family moved to Madison, Wisconsin, where he was raised. He graduated from Madison West High School, and subsequently attended Colorado College, from which he graduated with an English degree. His feature length debut, (500) DAYS OF SUMMER, starring Joseph Gordon-Levitt and Zooey Deschanel, was released in July 2009 to an extremely positive critical reception.

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USA, 2012, 35 mm, Colour, 136 min, English Režija / Director: Marc Webb Scenarij / Screenplay: James Vanderbilt, Alvin Sargent, Steve Kloves Direktor fotografije / Director of Photography: John Schwartzman Montaža / Editor: Alan Edward Bell, Michael McCusker, Pietro Scalia Muzika / Music: James Horner Scenografija / Production Design: J. Michael Riva Kostimografija / Costume Design: Kym Barrett Uloge / Cast: Emma Stone, Andrew Garfield, Rhys Ifans, Martin Sheen, C. Thomas Howell, Embeth Davidtz, Chris Zylka, Sally Field, Stan Lee, Denis Leary Producent / Producer: Avi Arad, Matthew Tolmach, Laura Ziskin Produkcija / Production: Columbia Pictures, Laura Ziskin Productions, Marvel Enterprises, Marvel Studios Filmografija / Filmography 2012 - THE AMAZING SPIDER-MAN 2009 - (500) DAYS OF SUMMER 2003 - SEASCAPE (kratkometražni / short)

Bacalar Santiago i Mariana, dvanaestogodišnjaci koji žele postati detektivi, bivaju svjedoci otmice mladunaca ugrožene rase meksičkog vuka. Ulijeću u akciju kako bi vratili mladunčad u lokalni prirodni rezervat. Kako su im lokalne vlasti za petama, naši junaci se moraju oslanjati na timski rad, sposobnost promatranja i malo pomoći životinjskih duhova kako bi obavili posao! Patricia Arriaga-Jordán je režiserka, producentica i spisateljica. Diplomirala je komunikacijske nauke na Univerzitetu Iberoamericana, a doktorirala političku ekonomiju u New Yorku. Započela je karijeru na televiziji sa Sesame Street i 1992. je postala direktorica Channel Eleven Pictures. Patricia ArriagaJordán 2006. režira svoj prvi igrani film, LA ÚLTIMA MIRADA, koji je dobitnik nekoliko nacionalnih i međunarodnih nagrada. E Twelve-year-old Santiago and Mariana, who would like to become detectives, witness the kidnapping of the Mexican wolf pups, an endangered species. They take action so as to bring the cubs back to the nature reserve. Since the local authorities are after them, our heroes must rely on team work, monitoring skills, as well as on some help from the animal spirits in order to get the job done!

Patricia Arriaga-Jordán is a director, producer and a writer. She graduated communicology at the Iberoamericana University and earned a PhD in political economy in New York. She started her career on television, in the Sesame Street. In 1992, she became director at Channel Eleven Pictures. Patricia Arriaga-Jordán directed her first live action film, entitled LA ÚLTIMA MIRADA in 2006, which won several national and international awards.

Mexico, 2011, 35 mm, Colour, 96 min, Spanish Režija / Director: Patricia Arriaga-Jordán Scenarij / Screenplay: Patricia Arriaga-Jordán Montaža / Editor: Felipe Gómez Muzika / Music: Rodrigo Sigal Zvuk / Sound: Jaime Baksht, Ricardo Cabrera, Michelle Couttolens, Javier Umpierrez Scenografija / Production Design: Hania Robledo Kostimografija / Costume Design: Roberto Pizarro Uloge / Cast: Michael Ronda, Dianella Centeno, Marisol Centeno Producent / Producer: Patricia Arriaga-Jordán Produkcija / Production: NAO Films i Miravista Filmografija / Filmography 2011 - BACALAR 2006 - LA ULTIMA MIRADA

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Ballet Story / Baletska priča Još jedan dan u baletskoj školi. Časovi se odvijaju kao i obično, kada Sophie napolju, na ulici, primjećuje nekog mladića. I jučer je bio tu. Misli da je tajanstven, možda joj se sviđa, ali se ne usuđuje bilo šta preduzeti. Okružena svojim brbljivim drugaricama iz razreda, shvata da druga djevojka brže donosi odluke pa se Sophie zatječe u vrtlogu boli i agresije. Daria Belova je rođena 1982. u Sankt Peterburgu, u Rusiji. Studirala je književnost i filozofiju na državnom univerzitetu u Sankt Peterburgu (diplomirala je na temi strukture kratkih priča Vladimira Nabokova). Bila je TV urednica analitičkih izvještaja o kulturi i društvu (SPB, 5 Kanal), kao i urednica u časopisima u Sankt Peterburgu i Moskvi (Afisha, Big City, Zagorod). Ona je videoumjetnica. Učestvovala je na nekoliko izložbi savremene umjetnosti u Sankt Peterburgu. Od oktobra 2008. studira režiju na Njemačkoj visokoj školi za film i TV u Berlinu (DFFB). Radi kao dopisnik iz Berlina za moskovske časopise Snob i Afisha-Mir. E Another day at the ballet school. Classes routine goes as usual, when Sophie notices a boy

outdoors, on the street. He was here yesterday already. She finds him mysterious, maybe she likes him, but doesn’t dare to do anything with it. Surrounded by her frivolously chattering classmates, she realizes that another girl is faster making decisions, and Sophie finds herself caught in a vortex of grief and aggression. Daria Belova was born in 1982, Saint-Petersburg, Russia. Studies of literature and philosophy at the Saint-Petersburg State University (thesis on composition in the short stories of Vladimir Nabokov). Editor at the TV (SPB, 5 Kanal) for analytical reports on culture and society. Editor for magazines in Saint-Petersburg and Moscow (Afisha, Big city, Zagorod). Video artist. Participation in several exhibitions of contemporary art in St. Petersburg. Since October 2008 she studies film direction at the DFFB, working as a Berlin correspondent for the Moscow magazines Snob and Afisha-Mir.

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Germany, 2011, DVD, Colour, 9 min, German Režija / Director: Daria Belova Scenarij / Screenplay: Daria Belova, Pascal Yorcks Direktor fotografije / Director of Photography: Max Preiss Montaža / Editor: Wolfgang Niederhoffer, Daria Belova Zvuk / Sound: Ingo Reiter Uloge / Cast: Luise Engel, Elena Lekovic, Leon Louis Producent / Producer: Kirill Krasovskiy, Philipp Reuter Produkcija / Production: German Film and Television Academy Filmografija / Filmography 2011 - BALLET STORY (kratkometražni / short) 2010 - MARTHA (kratkometražni / short) 2009 - BRMR (kratkometražni / short) 2008 - WIR SIND ZU HAUSE (kratkometražni / short) 2007 - DAS ANDERE (kratkometražni / short) 2006 - ICH-ERZÄHLUNG (kratkometražni / short) 2006 - TRANSFORMER (kratkometražni / short)

Naiv Sein Und Wissen Dass Das Ein Weg Ist / Biti naivan i znati da je to OK / To Be Naive and to Know It’s Ok Tu su mlađa sestra i stariji brat, i njihovi stariji roditelji. Stariji roditelji istinski uživaju u pletenju i priči o promjenama cijena u supermarketima. Također vole mir u kući. Njihova kćerka, mlađa sestra – to ne voli. Međutim, ona ni ne zna tačno šta joj toliko nedostaje – njen stariji brat možda (koji je davno napustio tu tihu kuću i dugo vremena izbjegavao povratak). Friederike Hoppe je rođena 1992. u Kielu. BITI NAIVAN I ZNATI DA JE TO OK je njen prvi film, za kojeg je 2011. osvojila Nagradu za najboljeg mladog njemačkog režisera na Filmskom festivalu u Hannoveru. E There’s a little sister and a big brother and their senior parents. The senior parents really enjoy knitting and talking about supermarket price changes. They also like the quiet in their house. Their daughter, the little sister – does not. But however, she doesn’t even know what she is missing so much – her big brother for example (who left that quiet house long time ago and avoided coming back for quite a while).

Germany, 2011, DVD, Colour, 30 min, German Režija / Director: Friederike Hoppe Scenarij / Screenplay: Friederike Hoppe Direktor fotografije / Director of Photography: Friederike Hoppe Montaža / Editor: Friederike Hoppe Uloge / Cast: Charlotte Reinicke, Samuel Eberenz, Margot Hoppe, Klaus Hoppe, Wulf-Henning Steffen Producent / Producer: Friederike Hoppe Filmografija / Filmography 2011 - NAIV SEIN UND WISSEN DASS DAS EIN WEG IST / TO BE NAIVE AND TO KNOW IT’S OK

Friederike Hoppe was born 1992 at Kiel. TO BE NAIVE AND TO KNOW IT’S OK is her first film, for which she won Young German Film Prize 2011 at Hannover Film Festival.

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Razend / Gnjevan Petnaestogodišnji Sven je režiser, okupiran uploadovanjem videa na Youtube koji prikazuju njegove prijatelje u slobodnom trčanju. Sven od njih uspijeva sakriti modrice koje ima, jer je kod kuće fizički zlostavljan. Moli Roosmarijn da radi s njim na njegovom prvom filmu, te tu njihov odnos počinje cvjetati. Jednoga dana bježi kod bake, propušta rođendan i navodi Roosmarijn na pomisao kako mu se ona više ne sviđa. Ona istražuje sve kako bi saznala istinu o Svenovim problemima, dok se Sven bori shvatiti razloge zbog kojih ga otac zlostavlja. Dave Schram je rođen 23. 8.1958. u Amstelveenu. U tinejdžerskim godinama, s prijateljem Erwinom Stoneom, pravi filmsku kompaniju. Upisuje Filmsku akademiju, te 1980. diplomira produkciju, gdje se za diplomski rad koncentrisao na kratki film. Godine 1987. otvara produkcijsku kuću Shooting Star Filmcompany, s Mariom Peters i Hansom Posom. E Fifteen-year-old Sven is a director, occupied with uploading on YouTube videos of his friends Free Running. Sven manages to hide from them the bruises, which are a result of family abuse. He asks Roosmarijn to help him with his first film, and their relationship begins to flourish. One day, he runs away to his grandma’s, misses a birthday and that makes Roosmarijn think he no longer likes her. She explores everything only to find out the truth about Sven’s problems, while Sven struggles to understand the reasons why his father abuses him.

Dave Schram was born on 23 August 1958 in Amstelveen. He formed a film company in his teens, with a friend, Edwin Stone. He enrolled the Film Academy, where he graduated production in 1980. His diploma work focused on short film. He started the Shooting Star Filmcompany production company in 1987, with Maria Peters and Hans Poso.

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Netherlands, 2011, 35 mm, Colour, 90 min, Dutch Režija / Director: Dave Schram Scenarij / Screenplay: Carry Slee, Dick van den Heuvel, Maria Peters Montaža / Editor: Ot Louw Muzika / Music: Maarten Spruijt Zvuk / Sound: James Shannon Kostimografija / Costume Design: Kitty Albers Uloge / Cast: Ko Zandvliet, Abbey Hoes, Ariane Schluter, Thjis Römer Producent / Producer: Hans Pos, Danielle Guirguis Produkcija / Production: Shooting Star Filmcompany Filmografija / Filmography 2011 - RAZEND 2010 - SONNY BOY 2010 - BLIJF 2008 - FILMSPOT 2007 - KAPITEIN ROB EN HET GEHEIM VAN PROFESSOR LUPARDI 2006 - ONGEWISSE TIJD 2005 - FILM(S)HIT 2003 - PIETJE BELL 2: DE JACHT OP DE TSARENKROON 2002 - SPAGAAT 2002 - BELLA BETTIEN 2001 - EERSTE KIND OP DE MAAN 1999 - JOHNNY ATB 1997 - LOVELY LIZA

Der Verdingbub / Posvojenik / The Foster Boy Max je siroče koje je udomila farmerska porodica. Njegovi udomitelji ga tretiraju kao slugu, dok njihov sin hvata svaku priliku kako bi ga ponizio. Sviranje harmonike je jedina stvar koju Max ima samo za sebe. No, kada se novi učitelj zauzme za Maxa, i tako već loše stanje postaje mnogo gore. Jedina stvar koja održava njegovu volju za životom jeste prijateljstvo s Berteli, koja je također dovedena kako bi radila na farmi. Max s njom sanja o Argentini – svijetu mašte u kojem su, navodno, i vile napravljene od srebra. Markus Imboden (rođen 17. 10. 1955. u Interlakenu) je švicarski režiser i scenarist. Filmom THE HIRELING je ostvario do sada najveći uspjeh pred švicarskom publikom. Bio je pomoćnik režisera u pozorištu Schauspielhaus u Zürichu, kao i u pozorištu u Kölnu. Od 1986. radi kao slobodni režiser i scenarist. Član je Njemačke filmske akademije. Profesor je scenografije za film na Univerzitetu umjetnosti u Zürichu (ZHdK). Od 2012. je direktor Postdiplomskog studija za film na Univerzitetu umjetnosti u Zürichu. E Max is an orphan adopted by a farmer family. His foster parents treat him like a servant while

their biological son uses every opportunity to humiliate the boy. The only joy Max has is playing accordion. However, once a new teacher stands up for Max, a very bad situation becomes even worse. Friendship with Berteli, who has also been brought to the farm to work, is the only reason why Max hasn’t lost a will to live. With her, Max is dreaming of Argentina: a world of fantasy in which even villas are allegedly made of silver.

Switzerland, 2011, 35 mm, Colour, 108 min, Swiss, German Režija / Director: Markus Imboden Scenarij / Screenplay: Plinio Bachmann Montaža / Editor: Ursula Höf Muzika / Music: Benedikt Jeger Uloge / Cast: Katja Riemann, Stefan Kurt, Maximilian Simonischek, Max Hubacher, Lisa Brand, Miriam Stein Producent / Producer: Peter Reichenbach, Claudia Schröder Produkcija / Production: C-Films AG, Bremedia Produktion Filmografija / Filmography 2011 - DER VERDINGBUB / THE FOSTER BOY 1990 - BINGO 1987 - BLUES, BLACK & WHITE (kratkometražni / short)

Markus Imboden (born 17 October 1955 in Interlaken) is a Swiss film director and screenwriter. The movie THE HIRELING is his biggest audience success in Switzerland so far. He was assistant director at the Schauspielhaus in Zurich and Cologne Theatre. Since 1986, he has been working as a freelance film director and screenwriter. He is a member of the German Filmakadamie. Professor of cinematic staging at the Zurich University of the Arts (ZHdK). Since 2012, Director of MA Studies in Film at the ZHdK.

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Vorstadt Krokodile 3: Freunde Für Immer / Krokodili 3: Svi za jednoga / The Crocodiles 3: All for One KROKODILI proslavljaju Hannesov rođendan i početak najboljeg ljetnog odmora svih vremena. Iako su djeca narasla i zanimaju ih različite stvari, društvo se drži na okupu i u dobru i u zlu. Kai ide u košarkaški kamp, Ollie ide na odmor s djevojkom, a ostatak klape – Hannes, Maria, Frank, Jorgo i Peter - vrtoglavim brzinama jurcaju karting automobilima. Tokom jedne takve utrke, dožive strašnu saobraćajnu nesreću, a Frank završi u bolnici. Život mu je u opasnosti: da bi preživio, potrebna je transplantacija organa nekog bliskog srodnika. Jedini mogući donator je njegov brat, delinkvent Dennis, kojeg su Krokodili stavili iza rešetaka skupa s njegovim ortakom Kevinom. Vrijeme ističe, ali pravi prijatelji nikada ne odustaju! Uz Jennynu pomoć i pomoć Hannesove mame, ekipa kuje odvažni plan… Wolfgang Groos je rođen 1968. u Kasselu. Filmsku karijeru je započeo bez ičije pomoći, i to kao vozač, potom vođa snimanja, a zatim i kao pomoćnik režisera. 2003. je studirao produkciju u Njemačkoj visokoj školi za film i televiziju u Berlinu (DFFB). Njegov diplomski rad, kratkometražni film WENN ZWEI SICH STREITEN, osvojio je Nagradu kritičara na Međunarodnom filmskom festivalu u Meksiku. Od 2005, režirao je brojne TV produkcije, uključujući i serije Rudi the Racing Pig (2009 / 2008 / 2007), parodiju Switch Reloaded (2006) i seriju Friends for Ever (2005). Njegov prvi igrani film HANGTIME je prikazan u jesen 2009. E THE CRODODILES are celebrating Hannes’s birthday and the beginning of the best summer vacation ever. Even though the kids have grown older and developed different interests, the gang still sticks together through thick and thin. Kai is going to basketball camp, while Ollie is going on vacation with his girlfriend, while the rest of the gang - AKA Hannes, Maria, Frank, Jorgo and Peter - roar around in go-karts at breakneck speed. During an out-of-control race, they have a terrible accident, and Frank is taken to the hospital in an ambulance. His life is in danger: He needs an organ transplant by a close relative to save his life. The only possible donor is his delinquent brother Dennis - whom the Crocodiles put behind bars with his buddy Kevin. Time is running out, but real friends never give up! With the help of Jenny and Hannes’ mom the gang comes up with a daring plan…

Wolfgang Groos, born 1968 in Kassel. He began his movie career from the ground up, as driver, set manager and assistant director. In 2003, he studied Producing at Berlin film school DFFB. His graduating short WENN ZWEI SICH STREITEN won the Press Critics Award at the Festival International de Cine in Mexico. Starting in 2005, he has directed numerous TV productions, including series Rudi the Racing Pig (2009 / 2008 / 2007), TV spoof Switch Reloaded (2006), as well as Friends for Ever (2005). His first theatrical feature HANGTIME was released in Fall 2009.

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Germany, 2011, 35 mm, Colour, 83 min, German Režija / Director: Wolfgang Groos Scenarij / Screenplay: Thomas Bahmann, Ralf Hertwig, Christian Ditter Direktor fotografije / Director of Photography: Bernhard Jasper Montaža / Editor: Ueli Christen, Sandy Saffeels, Martin Wolf Muzika / Music: Heiko Maile, Christoph Zirngibl Scenografija / Production Design: Thorsten Sabel Kostimografija / Costume Design: Caroline Sattler Uloge / Cast: Nick Romeo Reimann, Fabian Halbig, Leonie Tepe, Manuel Steitz, Javidan Imani, Robin Walter, David Hürten, Ella-Maria Gollmer, Axel Stein, Jacob Matschenz, Nora Tschirner, Michael Kessler, Horst Lichter, Christian Durstewitz Producent / Producer: Christian Becker, Lena Schömann Produkcija / Production: Rat Pack Filmproduktion GmbH, Westside Filmproduktion GmbH Filmografija / Filmography 2011 - VORSTADT KROKODILE 3: FREUNDE FÜR IMMER / THE CROCODILES 3: ALL FOR ONE 2009 - HANGTIME - KEIN LEICHTES SPIEL 2004 - WENN ZWEI SICH STREITEN (kratkometražni / short)

All Shorts

159 Sarajevo grad filma / Sarajevo City of Film 2012 161 Carte Blanche: Directors’ Fortnight, Cannes 164 Carte Blanche: International Film Festival Rotterdam 167 Civil Liberty / Human Right Days 170 Nagrada Evropske Filmske Akademije - nominacije 2012 - selekcija /

European Film Academy Award - Nominees 2012 - Selection

175 Bafta 2012. nominirani i nagrađeni kratkometražni filmovi /

Bafta 2012 Short Film Nominees And Winners

Sarajevo grad filma 2012 Sarajevo City of Film

Ivana Pekušić

I ove godine Sarajevo Film Festival je nastavio sa svojim namjerama da, okupljajući mlade regionalne autore u Sarajevu i pružajući im priliku da zajedno rade i snime kratke filmove, učini Sarajevo istinskim gradom filma. U okviru tri dana snimanja, s istom opremom i budžetom na raspolaganju te kroz rad s kolegama s Talent Campusa i međunarodnom ekipom, mladim režiserkama Orsi Nagypal iz Mađarske i Jeleni Gavrilović iz Srbije pružena je prilika da pokažu svoj talenat. Sarajevo Film Festival je započeo ovaj projekat prije pet godina s jasnim ciljevima: otkriti i promovirati talenat mladih regionalnih autora, ali su se između ostalih ciljeve ubrzo i dva nova imperativa – „podstaći“ i „inspirirati“. Uspješna saradnja s glavnim partnerom projekta, Atlantic Grupom, i ove godine će omogućiti da jedna od autorica bude nagrađena te na taj način će potaknuti njen budući rad. Nakon prvog dijela ovogodišnjeg izdanja projekta u okviru kojeg su snimljena dva filma slijedi produkcija još dvaju filmova regionalnih režisera koji će snimanju pristupiti pod istim uvjetima kao i njihove kolege, s tim da jedan od njih ima bogatije prethodno radno iskustvo. S ovim planom dolazimo i do krajnjeg cilja projekta – inspirirati. Mladi filmski autori moći će vidjeti način i rezultat rada etabliranog režisera u okviru projekta Sarajevo grad filma, te će na taj način biti inspirisani za svoje buduće stvaralaštvo. Do tada, nudimo filmove NEŠTO SLATKO (Jelena Gavrilović) i KRUŽNI TOK (Orsi Nagypal) da budu inspiracija svim festivalskim gostima i ljubiteljima filma.

E This year again the Sarajevo Film Festival has continued with its intentions to, by bringing together regional authors in Sarajevo and giving them the opportunity to work together and make short films, make Sarajevo a truly city of film. Within three days of shooting, with the same equipment and budget at their disposal, and through the work with their colleagues from the Talent Campus and international crew, young directresses Orsi Nagypal (Hungary) and Jelena Gavrilović (Serbia) were offered the opportunity to demonstrate their talent. The Sarajevo Film Festival initiated this project five years ago with clear goals: to discover and promote the talent of young authors from the region, but among the goals two additional imperatives were immersed very soon: “to motivate” and “to inspire”. Successful cooperation with the main partner of the project, the Atlantic Group, this year again will make it possible that one of the authoresses be awarded and thus motivated for her future work. After the first part of this year’s edition of the project, within which two films were made, what follows is the production of two more films by the directors from the region who will approach the shooting under the same conditions as their colleagues, but one of them with a richer previous working experience. With this plan we come to the final goal of the project – to inspire. Young film authors will be able to see methods and results of the work of the established director within the Sarajevo City of Film Project, and thus be inspired for their future creativity. Until then, we offer films SOMETHING SWEET (Jelena Gavrilović) and ROUNDABOUT (Orsi Nagypal) as the inspiration for all the Festival guests and film admirers.

Ivana Pekušić, koordinatorica programa Sarajevo grad filma / Coordinator of the Sarajevo City of Film Programme

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Bosnia and Herzegovina, Hungary, 2012, HD CAM (HDTV), Colour, 18 min, English

Kružni tok / Roundabout U nastojanju da izađe nakraj s krizom srednjih godina i propalim brakom, čovjek se zaljubljuje u ženski glas s GPS-a. E As a man struggles to deal with his early mid-life crisis and a wrecked marriage, he falls in love with the female voice in his GPS.

Režija / Director: Orsi Nagypal Scenarij / Screenplay: Elizampetta Ilia-Georgiadou, Orsi Nagypal Direktor fotografije / Director of Photography: Máté Herbai Montaža / Editor: Gábor Divinyi Uloge / Cast: Leon Lučev, Adnan Beširović, Irina Dobnik Producent / Producer: Dragana Jovović, Milena Džambasović, Nándor Lovas Izvršni producenti / Executive Producers: Izeta Građević, Mirsad Purivatra Direktor filma / Line Producer: Almir Palata Development Producer: Alex Trăilă Koordinatorica projekta Sarajevo grad filma / Sarajevo City of Film Project Coordinator: Ivana Pekušić Produkcija / Production: Obala Art Centar

Bosnia and Herzegovina, Serbia, 2012, HD CAM (HDTV), Colour, 19 min, Bosnian

Nešto slatko / Something Sweet Desetogodišnja Ena živi sa svojom mladom mamom i bakom, i stalno ima potrebu da jede nešto slatko. Ona to, zapravo, nikada ne uspijeva dobiti, ali na kraju dana doživjet će drugačije „kulinarsko“ iskustvo s prijateljem Adom, koji se uskoro seli u Frankfurt. E Ena, a 10 year old girl, who lives with her young mother and grandmother, has a constant urge to eat something sweet, and she never actually gets to eat some, by the end of the day ending up having a different “culinary”experience with her friend Ado who is in the eve of moving to Frankfurt.

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Režija / Director: Jelena Gavrilović Scenarij / Screenplay: Tanja Šljivar, Jelena Gavrilović Direktor fotografije / Director of Photography: Ivan Marković Montaža / Editor: Uroš Maksimović Uloge / Cast: Sara Dacić, Mak Alijević, Ana Mandić, Jasna Đuričić, Rijad Gvozden, Adi Hrustemović, Selma Ćosić, Hana Kalač, Dora Glinac Producent / Producer: Dragana Jovović, Milena Džambasović, Nándor Lovas Izvršni producenti / Executive Producers: Izeta Građević, Mirsad Purivatra Direktor filma / Line Producer: Almir Palata Development Producer: Alex Trăilă Koordinatorica projekta Sarajevo grad filma / Sarajevo City of Film Project Coordinator: Ivana Pekušić Producentska kuća/ Production Company: Obala Art Centar

Carte Blanche: Directors’ Fortnight / Quinzaine des réalisateurs

Već treću godinu zaredom, Sarajevo Film Festival selektorima kratkog filma uglednih filmskih festivala daje Carte Blanche da naprave odabir filmova koji je jedna vrsta uredničkog izbora iz ukupne selekcije. Laurence Reymond, selektorica programa Directors’ Fortnight, pripremila je izbor kratkometražnih filmova prikazanih na prestižnom Filmskom festivalu u Cannesu 2012. Program Directors’ Forthight, nastao malo nakon događaja u maju 1968, pomaže filmskim autorima i omogućava im da dopru i do publike i do kritike. Od prvog izdanja 1969. ovaj program se udružio s avangardom (slavnih sedamdesetih), pa čak i stvarao prostor u kojem je Filmski festival u Cannesu redovno pronalazio prestižne autore. Od početka je Directors’ Fortnight prikazivao filmske prvijence, režisera poput Wernera Herzoga, Rainera Wernera Fassbindera, Nagise Oshime, Georgea Lucasa, Martina Scorsesea, Kena Loacha, Jima Jarmuscha, Michaela Hanekea, Chantal Akerman, Spikea Leea, Luca i Jean-Pierrea Dardennea, Sofije Coppole… Pozivao je, između ostalih, i Roberta Bressona, Manoela de Oliveira, Stephena Frearsa, Jerzyja Skolimowskog, Williama Friedkina, Francisa Forda Coppolu i mnoge druge. Ono što selekciju Directors’ Fortnight čini drugačijom od ostalih programa na Filmskom festivalu u Cannesu jeste njen nezavisan duh, netakmičarska priroda i želja da privuče i one koji nisu profesionalna kanska publika, one koji u slobodnoj prodaji mogu kupiti komplet karata za cijeli program od dvije sedmice ili samo karte za pojedinačne projekcije. Uz težnju da bude eklektičan i prijemčiv za sve oblike filmskog izraza, program Directors’ Fortnight posebnu pažnju posvećuje godišnjoj produkciji dugometražnih igranih, kratkih i dokumentarnih filmova jačanju nezavisnog filma, pa čak i savremenim popularnim žanrovima, pod uvjetom da su ti filmovi izraz individualnog talenta i originalnog stila režisera.

E For the third year in a row, Sarajevo Film Festival gives a Carte Blanche to short film curators of distinguished festivals to come up with a selection of films, which can represent the editorial line of the programming. Laurence Reymond, short film programmer of Directors’ Fortnight, prepared a selection of short films that were presented in the latest, 2012 edition of this prestigious Cannes Film Festival section. Created by the French Directors Guild in the wake of the events of May ’68, the Directors’ Fortnight seeks to aid filmmakers and contribute to their discovery by the critics and audiences alike. From its initial program in 1969, it cast its lot with the avant-garde (the glorious seventies), even as it created a breeding ground where the Cannes Festival would regularly find its prestigious auteurs. Since its inception, the Directors’ Fortnight has showcased the first films of Werner Herzog, Rainer Werner Fassbinder, Nagisa Oshima, George Lucas, Martin Scorsese, Ken Loach, Jim Jarmusch, Michael Haneke, Chantal Akerman, Spike Lee, Luc et Jean-Pierre Dardenne, Sofia Coppola, … invited Robert Bresson, Manoel de Oliveira, Stephen Frears, Jerzy Skolimowski, William Friedkin, Francis Ford Coppola... among others. Among the various sections at the Cannes Film Festival, the Directors’ Fortnight is distinguished by its independent-mindedness, its noncompetitive nature and its concern to cater to non-professional Cannes audiences, which can buy a subscription for the entire Fortnight program or purchase tickets for individual screenings. Striving to be eclectic and receptive to all forms of cinematic expression, the Directors’ Fortnight pays particular attention to the annual production of fiction features, short films and documentaries, to the emergence of independent fringe filmmaking, and even to contemporary popular genres, provided these films are the expression of an individual talent and an original directorial style.

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The Curse / Prokletstvo United Kingdom, Morocco, 2012, HD CAM (HDTV), Colour, 16 min, Arabic Režija / Director: Fyzal Boulifa Scenarij / Screenplay: Fyzal Boulifa Direktor fotografije / Director of Photography: Taina Galis Montaža / Editor: Fyzal Boulifa, Taina Galis Zvuk / Sound: Sebastian Dale Uloge / Cast: Ibtissam Zabara Producent / Producer: Gavin Humphries Produkcija / Production: Quark Films

Fatine je otišla daleko od sela da se nađe sa starijim ljubavnikom. Međutim, kada je uhvati jedan dječak, sve što želi je da se vrati kući.

E Fatine has ventured far from the village to meet her older lover. When she is caught by a small boy, all she wants to do is go home.

Königsberg France, 2012, DCP, Colour, 18 min, French Režija / Director: Philipp Mayrhofer Scenarij / Screenplay: Philipp Mayrhofer Direktor fotografije / Director of Photography: Marc Gómez del Moral Montaža / Editor: Carole Le Page Uloge / Cast: Paul Bandey, Karina Beuthe, Alice Isaaz Producent / Producer: Igor Wojtowicz Produkcija / Production: Sarl Ferris & Brockman

G. Königsberg je vlasnik male papirnice. Iako je zadovoljan svojim životom, proganja ga neuhvatljiva melanholija i muči reputacija lošeg lovca. Kada krene u sedmični lov, odluči promijeniti sudbinu.

E Mr Königsberg is the owner of a small paper business. Despite his satisfying life, he is haunted by a vague melancholy and suffers from his reputation as a terrible hunter. Whilst leaving for his weekly hunt, he decides to reverse destiny.

Porcos raivosos / Podivljale svinje / Enraged Pigs Brazil, 2012, DCP, Colour, 10 min, Portugese Režija / Director: Leonardo Sette, Isabel Penoni Scenarij / Screenplay: Isabel Penoni Direktor fotografije / Director of Photography: Leonardo Sette Montaža / Editor: Leonardo Sette Muzika / Music: Kuikuro culture Zvuk / Sound: Leonardo Sette Scenografija / Production Design: Isabel Penoni, Leonardo Sette Uloge / Cast: Amanhatsi Kuikuro, Aulá Kuikuro, Aunalu Kuikuro, Kehesu Kuikuro, Jauá Kuikuro, Tahuma Kuikuro Producent / Producer: Leonardo Sette, Isabel Penoni

Kada shvate da su im se muževi misteriozno pretvorili u podivljale svinje, žene iz sela odlučuju nešto poduzeti.

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E After they find out that their husbands have mysteriously transformed into raging pigs the women of the village decide to take action.

Rodri France, 2012, HD CAM (HDTV), Colour, 23 min, Spanish Režija / Director: Franco Lolli Scenarij / Screenplay: Franco Lolli Direktor fotografije / Director of Photography: Sébastien Hestin Montaža / Editor: Nicolas Desmaison Zvuk / Sound: Matthieu Perrot, Samuel Aichoun Uloge / Cast: Rodrigo Gomez, Leticia Gomez Produkcija / Production: Les films du Worso

Rodrigo već osam godina ne radi. A uskoro će napuniti 47.

E Rodrigo hasn’t worked in eight years. He’ll be 47 soon.

Tram / Tramvaj France, Czech Republic, 2012 DCP, Colour, 7 min, No Dialogue Režija / Director: Michaela Pavlátová Animacija / Animation: Michaela Pavlátová Montaža / Editor: Michaela Pavlátová, Milos Krejcar Muzika / Music: Petr Marek (MIDI LIBI) Zvuk / Sound: Daniel Nemec Produkcija / Production: Sacrebleu Productions

Još jedan dosadan radni dan kondukterke u tramvaju. Kao i svakog jutra, ljudi idu tramvajem na posao, jedan za drugim, svi slični, tihi, sivi, apatični. Međutim, tog dana, zbog treskanja tramvaja i vibracija sa ceste, te zbog ritma poništavanja karata, kondukterka se uzbuđuje i cijeli tramvaj postaje erotičan. Žudnja kondukterke pretvara stvarnost u nadrealnu faličnu fantaziju. Ona se zatim provoza na velikim, uzavrelim penisima. Maestro, muzika!

E It’s the humdrum daily routine for Tram’s conductress. As every morning, men get on the tram to go to work, one after another, all similar, quiet, grey, apathetic. And yet, on that day, following the jolts and the road’s vibrations, to the rhythm of the tickets inserted in the ticket-stamping machine, the conductress gets turned on and the vehicle gets erotic. The tram conductress’ desire turns the reality into a surrealistic and phallic fantasy. She then takes a ride on the passengers’ giant and blushing penises. Music maestro!

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Carte Blanche: International Film Festival Rotterdam

Već treću godinu zaredom, Sarajevo Film Festival selektorima kratkog filma uglednih filmskih festivala daje Carte Blanche da naprave odabir filmova koji je jedna vrsta uredničkog izbora iz ukupne selekcije. Peter van Hoof, selektor kratkometražnog filma Međunarodnog filmskog festivala u Rotterdamu, pripremio je selekciju najboljih kratkometražnih filmova prikazanih na ovom Festivalu 2012. Uprava Međunarodnog filmskog festivala u Rotterdamu u prvi plan ističe raznolikost filmskog programa i jačanje odnosa između režisera i publike. Umjesto događaja poput crvenog tepiha, ovaj Festival prednost daje kontaktu režisera s posjetiocima. Rezultat toga je, kako kažu na Festivalu, „jedinstvena atmosfera“ i „izuzetno odani sljedbenici“ iz zemlje i inostranstva – oko 90% karata proda se redovnim posjetiocima. Kroz svoje odvažne, izvorne i posebne programe, Festival u prvi plan stavlja nove režisere i nove pravce savremenog filma, a primjer za to je takmičenje za nagradu Tiger, za autore prvog i drugog dugometražnog filma (tri nagrade od 15.000 eura). Za ovaj Festival se kaže da je ozbiljno posvećen ljubiteljima filma i režije – projekcije se održavaju bez ‘pauza za kokice’, bez reklamnih isječaka filmova ili drugih komercijalnih sadržaja. Ovaj osjećaj svrsishodnosti ima ključni zadatak privući najbolje režisere, kojima se tako omogućava da izgrade svoje ime u raznolikosti, otkrićima i inovativnosti. Prvo izdanje festivala – koji se tada zvao ‘Film International’ – održano je u junu 1972, pod vodstvom Huberta Balsa. Logo Međunarodnog filmskog festivala u Rotterdamu je tigar, dijelom zasnovan na lavu kompanije M.G.M. Ovaj Festival se od početka predstavljao kao promotor alternativnih, inovativnih i nekomercijalnih filmova, s naglaskom na Daleki Istok i zemlje u razvoju. Negdje oko 1983. Festival je utemeljio CineMart, „stalno filmski tržište“, a kasnije je taj poslovni model pretvoren u „koprodukcijsko tržište“, koje pomaže filmskim producentima da se povežu s potencijalnim koproducentima i sponzorima svojih projekata. Nakon iznenadne smrti osnivača Festivala, utemeljena je fondacija koja nosi njegovo ime (Fondacija Hubert Bals), a ona pruža podršku režiserima iz zemalja u razvoju. Netakmičarski karakter Festivala je izmijenjen 1995, kada su uvedene VPRO nagrade Tiger – tri godišnje nagrade za mlade filmske radnike koji su snimili svoj prvi ili drugi film. Sljedeće godine, Simon Field, nekadašnji direktor za film pri Institutu za savremenu umjetnost u Londonu, postao je direktor Festivala. Sandra den Hamer je 2004. preuzela tu funkciju, a od septembra 2007. na čelu Festivala je Rutger Wolfson. Uprkos finansijskim poteškoćama iz osamdesetih godina prošlog stoljeća, ovaj je Festival polako rastao i 2010. privukao 353.000 posjetilaca.

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E For the third year in a row, Sarajevo Film Festival gives a Carte Blanche to short film curators of distinguished festivals to come up with a selection of films, which represents the editorial line of the festival. Peter van Hoof, short film programmer of International Film Festival Rotterdam, prepared a selection of short film highlights that were presented in the 2012 edition. The International Film Festival Rotterdam management emphasizes diversity in its film programming and on building relationships with and between film-makers and audiences. Rather than red-carpet events, the festival’s design is to encourage film makers to mingle with attendees. As a result, the festival claims having “a unique atmosphere” and a “fiercely loyal following” locally and internationally - around 90% of tickets are sold to regular supporters. With its adventurous, original &distinctive programming the festival highlights new directors & new directions in contemporary world cinema, exemplified by its Tiger Awards Competition for 1st & 2nd feature film makers (3 prizes of Euro 15,000). The festival is described as having “a serious commitment to film lovers and film making - screenings are shown without ‘popcorn breaks’, trailers or other commercials. This sense of purpose plays a crucial role in attracting the best directors to the event, allowing it to forge a reputation for diversity, discovery and innovation. The first festival — then called ‘Film International’ — was organized in June 1972 under the leadership of HubertBals. The IFFR’s logo is a tiger, loosely based on the M.G.M. lion. From the beginning, the festival has profiled itself as a promoter of alternative, innovative and non-commercial films, with an emphasis on the Far East and developing countries. Around 1983, the festival founded CineMart to serve as a “regular film market,” and later modified the business model to serve instead as a “coproduction market”, which helps a selected number of film producers connect with possible co-producers and funders for their film projects. After the festival founder’s sudden death in 1988, a fund was initiated and named after him (Hubert Bals Fund), used for supporting filmmakers from developing countries. The non-competitive character of the festival changed in 1995, when the VPRO Tiger Awards were introduced—three yearly prizes for young filmmakers making their first or second film. The next year, Simon Field, formerly Cinema Director at the London Institute of Contemporary Arts, became director of the festival. In 2004 Sandra den Hamer took over as director of the festival, and since September 2007, the leadership is in the hands of RutgerWolfson. Despite financial difficulties in the mid-1980s, the festival has grown steadily, reaching 353,000 visitors in 2010.

5,000 Feet Is The Best / 5000 stopa je najbolje USA, France, Ireland, 2011, HD CAM (HDTV), Colour, 27 min, English Režija / Director: Omer Fast Scenarij / Screenplay: Omer Fast Direktor fotografije / Director of Photography: Yon Thomas Montaža / Editor: Omer Fast Zvuk / Sound: Jochen Jezussek Scenografija / Production Design: Anthony Stabley Uloge / Cast: Denis O’Hare, Gabriel Gutierrez, Eddie B. Smith Producent / Producer: Daniel Desure Produkcija / Production: Commonwealth Projects

Film se temelji na susretima s anonimnim američkim vojnicima koji upravljaju bespilotnim letjelicama Predator iznad Afganistana i Pakistana. Upravljač letjelice opisuje svoj tipičan dan. On izvan dometa kamere i u neslužbene svrhe opisuje česte incidente u kojima je bespilotnom letjelicom otvarana vatra na vojnike, ali i na civile. Govori i o psihološkim poteškoćama koje je trpio kao posljedice toga. Režiser Fast prepliće činjenice i fikciju, spaja dokumentarne snimke iz ratnih zona s veselim filmskim scenama iz Las Vegasa. On briše stvarnost osmišljavajući vlastitu koja je, i pored toga, istinita.

E Film based on meetings with anonymous Predator drone pilots from the US military, operating the un-manned flights over Afghanistan and Pakistan. A drone operator discusses his daily routine. Off camera and off the record, he describes recurring incidents in which the unmanned plane fired at both militants and civilians - and the psychological difficulties he experienced as a result. Director Fast mixes fact and fiction, merging documentary shots of war zones with happy Las Vegas feature-film images. He erases reality by inventing his own, which is nonetheless true.

De Bunker - Het Wennen - Het Wachten - Het Licht / Bunker navikavanje - iščekivanje - svjetlo / The Bunker - The Habituation The Wait - The Light Netherlands, 2011, MPEG, Colour and b&w, 15 min, Dutch Režija / Director: Jonas Staal Scenarij / Screenplay: Jonas Staal, based on a concept by Fleur Agema Direktor fotografije / Director of Photography: Jonas Staal Montaža / Editor: Sjoerd Oudman Zvuk / Sound: Richard Beukelaar Uloge / Cast: Jonas Staal Producent / Producer: Mihnea Mircan Produkcija / Production: Extra City Antwerpen

Film o „Zatvorenoj arhitekturi“, konceptu nove vrste zatvora kojeg je osmislila desničarska političarka Fleur Agema, jasno ilustrira njeno shvatanje čovječanstva. Ovo je trezven prikaz društva kontrole, u kojem su ljudi prisiljeni služiti redu, učinkovitosti i produktivnosti, nadzirani kako bi svi bili oblikovani da budu uzorni građani. ‘Društvo kojem zatvori više ne trebaju, ali koje je samo po sebi postalo zatvor’, kaže Staal.

E Film about “Closed Architecture”, a concept for a new type of prison by right-wing PVV politician Fleur Agema, clearly illustrates her take on humanity. Sober portrayal of the ‘control society’ in which people are conditioned to serve order, efficiency and productivity, but are also watched to shape everyone into a model citizen. ‘A society that doesn’t need prisons any more, but has itself become a prison,’ according to Staal.

Manque de preuves / Nedostatak dokaza / Lack of Evidence France, 2011, HD CAM (HDTV), Colour, 9 min Režija / Director: Hayoun Kwon Scenarij / Screenplay: Hayoun Kwon Direktor fotografije / Director of Photography: Guillaume Brault Montaža / Editor: Lee Oh Eun, Hayoun Kwon Muzika / Music: Robin Rimbaud-Scanner Zvuk / Sound: Robin Rimbaud-Scanner Uloge / Cast: Christiane Cavallin-Carlut, Bakary Diallo Producent / Producer: Eric Prigent Produkcija / Production: Le Fresnoy

NEDOSTATAK DOKAZA je tragična priča o ocu iz Nigerije, koji vjeruje da su njegovi blizanci prokleti, te jednog od njih žrtvuje u ceremonijalnom ubistvu. Drugi brat u posljednjem trenutku uspijeva pobjeći, te kreće na dugi put u Evropu, gdje se zapetlja u birokratskoj proceduri zahtjeva za azil, jer nema dokaza o onome što se desilo. Ovaj dosije, s pričom u koju niko ne vjeruje, temelj je ove nekonvencionalne animirane rekonstrukcije.

E LACK OF EVIDENCE tells the tragic story of a father in Nigeria who believes that his twins are cursed and therefore kills one of his sons ceremonially. The other brother manages to escape just in time, after which he embarks on a long journey to Europe, where he becomes embroiled in bureaucratic asylum procedures because he has no proof of what happened. This file, with the story that is repeatedly not believed, is the foundation of this unconventional animated re-construction. ALL SHORTS / INTERNATIONAL FILM FESTIVAL ROTTERDAM l 18. Sarajevo Film Festival 165

the meaning of style / značenje stila Malaysia, 2011, HD CAM (HDTV), Colour, 5 min, No Dialogue Režija / Director: Phil Collins Scenarij / Screenplay: Phil Collins Direktor fotografije / Director of Photography: Hideho Urata Montaža / Editor: Shantha Kumar Muzika / Music: Gruff Rhys & Y Niwl Producent / Producer: Phil Collins, Fran Borgia Produkcija / Production: Shady Lane Productions, Akanga Film Asia

Ovo je prividno kompleksna malezijska sanjarija, u kojoj su u prvom planu i u savršenoj harmoniji skinhedsi, leptiri i zvukovi Gruffa Rhysa i Y Niwla. Snimljen s malezijskim skinhedsima u Pennangu, ovaj film je introspektivna fantazija o znakovima, signalima i leptirima, koji vode do britkog razmišljanja o, kako kaže autor, ‘odnosu britanske kolonijalne historije i popularne kulture jugoistočne Azije’. I, da citiramo Josea Da Silvu: ‘Jebote, kako je lijepo.’

E A deceptively complex Malaysian reverie featuring a cast of skinheads, butterflies and the sounds of Gruff Rhys and Y Niwl in perfect harmony. Shot with Malaysian skinheads in Penang, it’s a meditative fantasy on signs, signals and butterflies, leading to pointed reflections on ‘the relationship between British colonial history and popular culture in South-East Asia’, says its maker, and to quote Jose Da Silva: ‘Fuck, it’s beautiful.’

Postcard from Somova, Romania / Razglednica iz Somove u Rumuniji Austria, 2012, HD CAM (HDTV), Colour, 20 min, Romanian Režija / Director: Andreas Horvath Scenarij / Screenplay: Andreas Horvath Direktor fotografije / Director of Photography: Andreas Horvath Montaža / Editor: Andreas Horvath Muzika / Music: Ralph Vaughan Williams Producent / Producer: Andreas Horvath

Neprimijetan drvored i nekoliko grmova, negdje uz obalu rijeke na delti Dunava. Vrijeme ovdje kao da je stalo. U malim događajima, koji se odvijaju pred našim očima, uočavamo neočekivani sklad. I životinje koje su se ovdje nastanile i izgledaju osuđene jedna na drugu, i umorni ribari u čamcima koji povremenim povicima remete mir, i sav taj materijal u raspadanju – poprimaju blistavo filmsko značenje.

E An inconspicuous row of trees and some bushes, somewhere on a riverbank on the edge of the Danube Delta. Time seems to have stood still here. In the minor events that then emerge, we see an unexpected coherence. The animals that have found their homes here and seem condemned to each other, the tired fishermen who chug up in their boat and disrupt the peace and the crumbling material in general all acquire a glowing cinematographic meaning.

Springtime / Proljeće Netherlands, 2012, 35 mm, Colour, 19 min, Dutch Režija / Director: Jeroen Eisinga Scenarij / Screenplay: Jeroen Eisinga Direktor fotografije / Director of Photography: Benito Strangio Montaža / Editor: Jeroen Eisinga Uloge / Cast: Jeroen Eisinga Producent / Producer: Jeroen Eisinga

Čovjek, sto, kamera i dvadeset pet kila pčela: ova se avantura završila u bolnici. Filmski performans PROLJEĆE umjetnika Jeroena Eisinge savremeni je ritual koji neće ostaviti ravnodušnim ni autora niti gledatelja. Kroz podrobno napravljen tableau vivant, autor pčelarevu zabavu pravljenja brade od pčela prenosi na višu razinu. Pčele polako preuzimaju njegovo tijelo, njegov i naš um. 166 18. Sarajevo Film Festival l ALL SHORTS / INTERNATIONAL FILM FESTIVAL ROTTERDAM

E A man, a table, a camera and twenty-five kilos of bees: this adventure ended in hospital. Artist Jeroen Eisinga’s film performance SPRINGTIME is a contemporary rite of passage that leaves neither him nor the viewer unmoved. In his meticulously crafted tableau vivant the maker takes the beekeepers’ sport of bee bearding to the next level. The bees slowly take over his body, and his and our minds.

Civil Liberty / Human Rights Day

Za Sarajevo Film Festival odabrao Internacionalni festival kratkog filma Oberhausen / Curated by International Short Film Festival Oberhausen for Sarajevo Film Festival

Građanska sloboda je oduvijek ugrožena, i na Zapadu, i na Istoku. Ovaj program, iz arhive Međunarodnog festivala kratkog filma Oberhausen, predstavlja pet novijih filmskih ostvarenja o gubitku individualne slobode u represivnim političkim sistemima. Petnaest godina nakon raspada Demokratske Republike Njemačke, ironija postaje prevladavajuće stilsko sredstvo, dok je kolateralna šteta modernog lova na teroriste na Zapadu i dalje ubitačno ozbiljna stvar.

E Civil liberty has always been at stake, in the east and in the west. This programme from the archive of the International Short Film Festival Oberhausen presents five recent works on the loss of individual freedom in repressive political systems. 15 years after the decay of the German Democratic Republic (GDR) irony becomes a prevalent stylistic device, whereas the collateral damages of the modern terrorist hunt in the west remain a deadly serious matter.

U formalnom, sadržajnom ili estetskom smislu, u kratkometražnom filmu sve je moguće. Kratkometražni filmovi, koje je teško svrstati u određenu kategoriju, izuzetno su otvoreni – i zato beskrajno fascinantni – te ostaju neiscrpan izvor s kojeg se, novim vizualnim jezicima, napajaju film, televizija, internet, pa čak i muzeji. Međunarodni festival kratkog filma Oberhausen spada među glavna raskršća kratkog filma, jedinstven u obimu formi i žanrova koje predstavlja publici, a posebno poznat po tome što je usredotočen na eksperimente.

In short film, anything is possible: formally, content-wise, or aesthetically. Hard to pin down, extremely open – and for that reason endlessly fascinating – short film remains an inexhaustible reservoir from which cinema, television, Internet and even the museum cull new visual languages. The International Short Film Festival Oberhausen is one of the major international crossroads for the short form, unique in the range of forms and genres it presents to the public, and particularly well known for its spotlight on experiments.

Svi su filmovi iz arhiva Festivala Oberhausen.

All films from Oberhausen film archive.

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Beide Arme Nach Oben / Obje ruke u zrak / Both Arms Moving Upwards Germany, 2001, Blu-ray, Colour, 3 min, No Dialogue Režija / Director: Marc Lutz Produkcija / Production: Elixir GmbH, Stuttgart

Proslavljanje sporta. Muzički video za ‘Gym-Nastix’.

E A celebration of sport. Music video for ‘Gym-Nastix’.

Detektive / Detektivi / Detectives Germany, 2006, Blu-ray, Black & White, 20 min, German Režija / Director: Andreas Goldstein Scenarij / Screenplay: Andreas Goldstein, Olga Fedianina Direktor fotografije / Director of Photography: Jakobine Motz Montaža / Editor: Jakobine Motz Produkcija / Production: Next Film Filmproduktion, Berlin

Kada mala zemlja dozvoli sebi da ima veliku službu državne sigurnosti, riskira da će, prije ili kasnije, svi morati raditi za nju. A kada ta služba državne sigurnosti mora sama proizvesti svoje državne neprijatelje, kada prelijepe djevojke tretiraju tajne agente kao pse, onda privatni detektivi postaju umorni i mrzovoljni.

E When a small country allows itself a very large state security service it runs the risk that sooner or later everybody has to work for it. When this security service has to produce its own public enemies, when beautiful girls treat secret agents as if they were pet dogs then private investigators get tired and morose.

Hit the Floor / Na pod Germany, 2006, Blu-ray, Colour, 11 min, English Režija / Director: Kays Khalil Scenarij / Screenplay: Kays Khalil Direktor fotografije / Director of Photography: Jeremy Fueser Montaža / Editor: Kays Khalil Muzika / Music: Johannes Klein Producent / Producer: Kays Khalil

Film je istinita priča o Jeanu Menezesu, kojeg su ubili londonski policajci, zbog nesporazuma i netačnih informacija, 7. 7. 2005, nakon bombaških napada.

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E The film tells the true story of Jean Menezes who was shot and killed by London police officers in the aftermath of the 7 July 2005 London bombings due to misunderstandings and misinformation.

Palau / Plavo nebo / Blue Sky Germany, 2011, Blu-ray, Colour, 13 min, English Režija / Director: Daniel Matzke Scenarij / Screenplay: Christoph Faulhaber Direktor fotografije / Director of Photography: Daniel Matzke Montaža / Editor: Daniel Matzke Producent / Producer: Christoph Faulhaber

Šestorici osuđenika američkog zatvora u zaljevu Guantánamo data je dozvola za boravak u Republici Palau. Ti su zatvorenici Ujguri, pripadnici ugnjetavane kineske muslimanske manjine. Nije im dozvoljeno napustiti otok Južnog mora gdje žive kao zatvorenici u raju.

E Six convicts from the US prison in Guantánamo Bay were given permission to stay in the State of Palau. These men are part of China’s repressed Uighur Muslim minority. They aren’t allowed to leave the South Sea Island, and are living as prisoners in paradise.

Radfahrer / Biciklist / Cyclist Germany, 2008, Blu-ray, Black & White, 28 min, German Režija / Director: Marc Thümmler Scenarij / Screenplay: Marc Thümmler Montaža / Editor: Marc Thümmler Muzika / Music: Daniel Schellongowski Producent / Producer: Marc Thümmler

Harald Hauswald, fotograf iz Demokratske Republike Njemačke, svjesno je odabrao motive koji nisu u skladu s idealima Socijalističke partije jedinstva Njemačke (SED). Zato je neprestano bio pod prismotrom STASI-ja (Ministarstva državne sigurnosti), koje mu je 1983. dalo pseudonim Biciklist. Hauswaldove fotografije prikazane su uporedo s tekstovima iz njegovog dosijea iz STASI-ja.

E GDR based photographer Harald Hauswald chose his motifs consciously off the ideals propagated by the Socialist Unity Party of Germany (SED). That’s why he had been regularly observed by the Stasi (Ministry of State Security) under the alias of ‘cyclist’ since 1983. Hauswald’s photos are juxtaposed to the texts from his Stasi files.

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France, 2011, DigiBeta, Colour, 16 min, French Režija / Director: Pauline Gay Scenarij / Screenplay: Pauline Gay, Benjamin Goby Direktor fotografije / Director of Photography: Chloé Lesueur Montaža / Editor: Julie Léna Uloge / Cast: Céline Grün, Mélodie Ulla Producent / Producer: Jeremy Durand Produkcija / Production: La Fémis

Demain, ça sera bien / Sutra će biti dobro / Tomorrow Will Be Good Portret dviju izgubljenih djevojčica…

Filmografija / Filmography 2011 - DEMAIN, ÇA SERA BIEN / TOMORROW WILL BE GOOD (kratkome tražni / short) 2010 - LA BALLADE DE JEAN-PAUL (kratkometražni / short) 2009 - UN PLAN, UNE FICTION (kratkometražni / short) 2009 - LES GOLDEN GIRLS DE THORIGNY SUR MARNE (kratkometražni / short) 2008 - LA CAGE (kratkometražni / short)

Pauline Gay je rođena 1982. Nakon što je diplomirala na Univerzitetu Paris VIII, studirala je na filmskoj školi La fémis. Nakon toga je 2011. studirala na CalArtsu (Institut za umjetnost u Kaliforniji). Potječe iz radničke porodice i voli istraživati porijeklo različitih ljudi. SUTRA ĆE BITI DOBRO je njen diplomski rad. E Portrait of two lost girls…

Pauline Gay was born in October 1982. After graduating from the University Paris VIII, she studied in La fémis. Afterwards, she studied at CalArts (California Institute of the Arts) in 2011. She is from a working class and likes to explore different family backgrounds. TOMORROW WILL BE GOOD is her graduation film.

Austria, 2011, 35 mm, Colour, 23 min, No Dialogue Režija / Director: Albert Sackl Scenarij / Sreenplay: Albert Sackl Direktor fotografije / Director of Photography: Albert Sackl Montaža / Editor: Albert Sackl Uloge / Cast: Albert Sackl Producent / Producer: Albert Sackl

Im Freien / Na otvorenom / In the Open Naziv filma NA OTVORENOM treba shvatiti doslovno slijedeći kameru koja se usmjerava na detalje oskudnog netaknutog pejzaža koji služi kao filmsko platno za istraživanje kinematografske aparature, te (de)konstrukciju kinematografskog prostora, vremena i pokreta. Albert Sackl analizira ove veze kroz radikalan i eksperimentalan pristup: snimanje je rađeno brzinom od jedne slike u svake tri minute, tokom ljeta do početka jeseni, na sjevernoj polulopti. Ovaj susret predvidive, metrički definirane strukture i nepredvidivih zbivanja u prirodi koristi okruženje, ne gubeći se u njemu niti se predajući fascinaciji njegove ljepote.

Filmografija / Filmography 2011 - IM FREIEN / IN THE OPEN (kratkometražni / short) 2008 - STEIFHEIT II (kratkometražni / short) 2006 - VOM INNEN; VON AUSSEN (kratkometražni / short) 1999 - 5 10 5; SOMMER 99 (SELBSTNACHSTELLUNGEN) (kratkometražni / short) 1998 - GUT EIN TAG MIT VERSCHIEDENEM (kratkometražni / short)

Albert Sackl je rođen 1977. u Grazu. Studirao je filozofiju i historiju umjetnosti u Beču, film na Städelschule u Frankfurtu na Majni i umjetnost na Akademiji likovnih umjetnosti u Beču. Od 2007 predaje u Školi za nezavisni film u Beču. E The title IN THE OPEN should be taken literally as the camera turns to details of a meager and untouched landscape, which serves as projection surface for exploring the cinematic apparatus, and (de)constructing cinematic space, time, and movement. Albert Sackl analyzes these connections in the framework of a radical experimental set-up: filming took place with a continuous time-lapse interval of one image every three minutes during the northern summer until the start of autumn. This encounter of predictable, metrically defined structure and unpredictable natural processes uses the surroundings without becoming lost in them or succumbing to their aesthetic fascination.

Albert Sackl was born 1977 in Graz. He studied philosophy and art history in Vienna, film at Städelschule Frankfurt/Main and art at the Academy for Fine Arts, Vienna. Since 2007 he teaches at the School for Independent Film, Vienna. ALL SHORTS / EUROPEAN FILM ACADEMY AWARD - NOMINEES 2012 - SELECTION l 18. Sarajevo Film Festival 171

Switzerland, Belgium, 2011, HDV, Colour, 16 min, French, Polish Režija / Director: Jan Czarlewski Scenarij / Screenplay: Jan Czarlewski Direktor fotografije / Director of Photography: Jan Czarlewski Montaža / Editor: Jan Czarlewski Muzika / Music: Minuet in G dur Op. 14, No.1 by Ignacy Paderewski, performed by: Michal Szymanowski Zvuk / Sound: Jan Czarlewski Producent / Producer: Lionel Baier Produkcija / Production: ECAL/DAVI

L’ambassadeur & moi / Ambasador i ja / The Ambassador & Me

Filmografija / Filmography 2011 - L’AMBASSADEUR & MOI / THE AMBASSADOR & ME (dokumentarni / doc.) 2011 - TOMEK (kratkometražni / short)

Otac, sin. Prvi drži kameru, a drugi titulu ambasadora. Kamera se trese, ambasador ostaje miran. Jan Czarlewski je rođen 1988. u Parizu. Poljskog je porijekla. Obje kulture - francuska i poljska - su mu jednako bliske. Diplomirao je 2009. film i televiziju na Univerzitetu Sorbonne Nouvelle. Trenutno studira na Odsjeku za film Ecole cantonale d’art de Lausanne u Švicarskoj. E A son, a father. The first one holds a camera; the second one holds the title of ambassador. The camera trembles, the ambassador remains still.

Jan Czarlewski was born in Paris in 1988 to Polish parents and grew up imbued with both cultures. He graduated in film and television from the Sorbonne Nouvelle in 2009. He is currently studying at the ECAL/Ecole cantonale d’art de Lausanne in the film department, Switzerland.

Finland, 2010, 35 mm, Colour, 19 min, Finnish, Thai Režija / Director: Elina Talvensaari Scenarij / Screenplay: Elina Talvensaari, Mauro Farinas Direktor fotografije / Director of Photography: Joonas Pulkkanen Montaža / Editor: Markus Leppälä Muzika / Music: Pinja Kuusela Zvuk / Sound: Pinja Kuusela Producent / Producer: Elina Talvensaari Produkcija / Production: Aalto University

Miten marjoja poimitaan / Kako brati bobičasto voće / How to Pick Berries

Filmografija / Filmography 2010 - MITEN MARJOJA POIMITAAN / HOW TO PICK BERRIES (dokumentarni / doc.) 2008 - PALMU / PALM TREE (dokumentarni / doc.) 2008 - NÄKYMÄTÖN KÄSI / INVISIBLE HAND (dokumentarni / doc.)

Posjetioci iz daleka se pojavljuju na prostorima maglovitih močvara sjeverne Finske. Lokalno stanovništvo postaje uznemireno – sve se mijenja, otkrivena su tajna mjesta s bobičastim voćem i sve postaje neugodno. Ko je kriv i ko profitira na račun svega ovog? KAKO BRATI BOBIČASTO VOĆE istraživanje je finskog mentaliteta i apsurda globalne ekonomije. Elina Talvensaari je započela studij antropologije i sociologije na Univerzitetu u Helsinkiju. Pri samom kraju postdiplomskog studija prebacila se na studij filma, smjer režija. KAKO BRATI BOBIČASTO VOĆE je njen završni rad na dodiplomskom studiju na Univerzitetu Aalto u Helsinkiju. E Visitors from a distant place appear in the misty swamps of Northern Finland. The locals grow restless - things are changing, secret berry spots are revealed and everything is getting uncomfortable. Who is to blame and who is profiting from all this? HOW TO PICK BERRIES is an exploration of Finnish mind and the absurdities of global economy.

Elina Talvensaari began her studies with anthropology and sociology at Helsinki University. While finishing her Master’s Degree she switched to film studies, majoring in documentary directing. HOW TO PICK BERRIES is her film for Bachelor’s Degree at Aalto University, Helsinki.

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Romania, 2011, DigiBeta, Colour, 11 min, Romanian Režija / Director: Tudor Giurgiu Scenarij / Screenplay: Doru Lupeanu Direktor fotografije / Director of Photography: Adrian Silisteanu Montaža / Editor: Eugen Kelemen Uloge / Cast: Bogdan Zsolt, Aaron Serban, Ovidiu Crisan, Elena Ivanca Producent / Producer: Tudor Giurgiu Produkcija / Production: Libra Film Productions

Superman, Spiderman sau Batman / Superman, Spiderman ili Batman / Superman, Spiderman or Batman

Filmografija / Filmography 2011 - SUPERMAN, SPIDERMAN OR BATMAN (kratkometražni / short) 2008 - NUNTI MUZICI SI CASETE VIDEO / WEDDINGS, MUSIC AND VIDEOTAPES (dokumentarni / doc.) 2006 - LEGATURI BOLNAVICIOASE 2001 - POPCORN STORY (kratkometražni / short) 1993 - VECINI

Petogodišnji Aron kreće na put sa svojim zabrinutim ocem. Na kraju puta želi, kao i superheroji iz stripova, spasiti majku koja je srčani bolesnik. Tudor Giurgiu je osnivač produkcijske kuće Libra Film, filmske distribucijske kuće Transilvania Film te časopisa za film i muziku, Re:publik. Jedan je od osnivača Cityplexa – lokalnog lanca kinodvorana. Osnivač je i počasni predsjednik transilvanijskog filmskog festivala TIFF. Od 2005. do 2007. bio je predsjednik i generalni direktor SRTV-a, javnog rumunskog emitera. Utemeljitelj je godišnjih nagrada za najbolja dostignuća lokalne kinematografije – GOPO. Član je Evropske filmske akademije. E Aron, a 5-year-old boy, sets together with his worried father on a journey at the end of which he wishes, like the superheroes in the comic books, to save his mother suffering from a heart condition.

Tudor Giurgiu is a founder of the production company Libra Film, film distribution company Transilvania Film and film/music magazine Re:publik; co-founder of Cityplex - local cinema chain. He is also a founder and Honorary president of Transilvania Int’l Film Festival - TIFF. Between 2005-2007, he was President-General Director for SRTV / Romanian Television, the public broadcaster in Romania. He is initiator of the GOPO Awards, annual awards for best achievements in local filmmaking. He is member of the European Film Academy.

Ireland, 2011, DigiBeta, Colour, 17 min, English

Photo by Allen Kiely

Two Hearts / Dva srca Lorna se jako trudila ostati na ispravnom putu. Ali, kada čovjeka iz njene prošlosti puste iz zatvora, osjećaji joj izmiču kontroli i ona biva nepovratno uvučena u zabranjeni život i zabranjenu ljubav.

Režija / Director: Darren Thornton Scenarij / Screenplay: Colin Thornton Direktor fotografije / Director of Photography: Ruairi O’Brien Montaža / Editor: Anna Maria O’ Flanagan Muzika / Music: Stephen Rennicks Scenografija / Production Design: Kieran McNulty Kostimografija / Costume Design: Louise Stanton Uloge / Cast: Roxanna Nic Liam, Jonny Ward, Sophie Fay, Sam Keely, Andrea Irvine, Ciaran McCabe, Emmet Kirwan, Robyn Dempsey Producent / Producer: Collette Farrell Filmografija / Filmography 2011 - TWO HEARTS (kratkometražni / short) 2007 - FRANKIE (kratkometražni / short)

Darren Thornton je 1994. osnovao filmsku i pozorišnu kuću Calipo, u kojoj je i danas umjetnički direktor. Jedan je od autora scenarija TV drame iz šest dijelova LOVE IS THE DRUG, koju je režirao za RTE 2004. Njegov kratkometražni film FRANKIE osvojio je i nagradu Evropske filmske akademije za najbolji kratkometražni film 2008. u Kopenhagenu. Pokrenuo je i prekogranični filmski projekat SHARP FOCUS za kuću Calipo, u kojem iskusni režiseri rade s mladima na produkciji originalnih kratkometražnih filmova. Thornton će uskoro režirati i svoj prvi dugometražni film 10 DEATHS WITH MAD MARY. E Lorna has worked hard to stay on the right track. But when a man from her past is released from prison, her emotions spiral out of control, and she finds herself inextricably drawn back to a life, and a love, that’s forbidden.

Darren Thornton founded Calipo Theatre and Picture Company in 1994 and has been Artistic Director since then. He co-wrote and directed LOVE IS THE DRUG for RTE in 2004. His short film FRANKIE has won multiple awards including the European Academy Award for Best Short in 2008 in Copenhagen. He also established the SHARP FOCUS project for Calipo, a cross-border film project where established filmmakers work with teenagers on the production of original short films. Darren will soon direct his first feature film 10 DATES WITH MAD MARY. ALL SHORTS / EUROPEAN FILM ACADEMY AWARD - NOMINEES 2012 - SELECTION l 18. Sarajevo Film Festival 173

France, 2011, 35 mm, Colour, 30 min, French Režija / Director: Justine Triet Scenarij / Screenplay: Justine Triet Direktor fotografije / Director of Photography: Tom Harari Montaža / Editor: Damien Maestraggi Zvuk / Sound: Julien Brossier Uloge / Cast: Laetitia Dosch, Thomas Lévy-Lasne, Serge Riaboukine Producent / Producer: Emmanuel Chaumet Produkcija / Production: ECCE Films

Vilaine fille mauvais garçon / Dva broda / Two Ships

Filmografija / Filmography 2011 - VILAINE FILLE MAUVAIS GARÇON / TWO SHIPS 2010 - DES OMBRES DANS LA MAISON (dokumentarni / doc.) 2009 - SOLFÉRINO (dokumentarni / doc.) 2007 - SUR PLACE (dokumentarni / doc.)

Kada izgladnjeli umjetnik upozna ludu glumicu polete iskre. Ali, privatnost ostaje iluzija za Laetitiju i Thomasa dok plove kroz noć ludu i neobuzdanu noć, sve dok ih jedan ozbiljan, neočekivan događaj ne zbliži. Justine Triet je diplomirala na Akademiji lijepih umjetnosti u Parizu. Režirala je nekoliko filmova snimljenih videotehnikom, a u njima je ispitivala poziciju pojedinca u grupi: SUR PLACE (2007), snimljen tokom studentskih demonstracija, i SOLFÉRINO (2008), snimljen u periodu predsjedničkih izbora. Tokom kulturne razmjene u Brazilu 2009. režirala je DES OMBRES DANS LA MAISON u Sao Paolu. Njeni su filmovi predstavljeni u Centru Pompidou, na Bijenalu savremene umjetnosti u Lyonu i u Muzeju lijepih umjetnosti u Parizu. DVA BRODA je njen prvi kratkometražni film. E When a starving artist meets a loony actress, sparks fly. But privacy proves illusive for Laetitia and Thomas as they navigate the night with levity and gravity until a serious, unexpected event brings them closer together.

Justine Triet graduated from the Ecole Nationale Supérieure des Beaux-Arts in Paris. She has directed several films on video, examining the place of the individual within a group: SUR PLACE (2007), shot during student demonstrations, SOLFÉRINO (2008), shot during presidential elections. During a 2009 cultural exchange with Brazil, she directed DES OMBRES DANS LA MAISON in a township of Sao Paolo. Her films have been presented at the Pompidou Center, the Lyon Biennial of Contemporary Art and the Musée des Beaux Arts in Paris. TWO SHIPS is her first short fiction film.

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Nominacije za program kratkometražnog filma BAFTA 2012: Partnerski program British Councila / BAFTA 2012 Short Film Nominees: A British Council touring programme

British Council je odnedavno ‘kulturni partner’ Britanske akademije za filmsku i televizijsku umjetnost (BAFTA-e), te u okviru prve od niza inicijativa sada zajedno radimo na međunarodnoj promociji najboljih britanskih kratkometražnih filmova. Ujedinjeno Kraljevstvo ima dugu tradiciju snimanja prvorazrednih kratkometražnih filmova, a BAFTA i British Council su uočili vrijednost njegovanja raznolikosti i talenta kojeg pokazuju režiseri kratkometražnih filmova. A sada, predstavljanjem nominacija 2012 u BAFTA-inim kategorijama Najbolji kratkometražni film (igrani) i Najbolji kratkometražni film (animirani), naš cilj je pronaći međunarodnu publiku za ovakve filmove i njihove režisere. Publika u Bosni i Hercegovini će moći pogledati ovaj program zahvaljujući našem stalnom partnerstvu u polju umjetnosti i kulture sa Sarajevo film festivalom.

E British Council Film has recently been named as the ‘cultural partner’ of the British Academy of Film and Television Arts (BAFTA) and in the first of a number of different initiatives, we’ve now teamed up to promote the best of British short filmmaking internationally. The UK has a long tradition of producing world class short film and both BAFTA and British Council recognise the value of nurturing the diversity and talent demonstrated by short filmmakers producing short film. Now, drawing from the 2012 nominees in both Best Short (Live Action) and Best Short (Animation) BAFTA categories we aim to find new international audiences for the films and their filmmakers. Audiences in Bosnia and Herzegovina will be able to see this programme through our continued partnership in arts and culture with Sarajevo Film Festival.

BAFTA Nagrađeni filmovi u 2012. godini Kao ugljen crna pljačka, Najbolji kratkometražni igrani film Jutarnja šetnja - Najbolji kratkometražni animirani film

BAFTA Winners in 2012 Pitch Black Heist - Best Short (Live Action) A Morning Stroll - Best Short (Animation) British Council

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Abuelas United Kingdom, 2011, DVD, Colour, 9 min, English, Spanish Režija / Director: Afarin Eghbal Scenarij / Screenplay: Afarin Eghbal, Francesca Gardiner Direktor fotografije / Director of Photography: Claire Buxton Montaža / Editor: Katherine Lee Muzika / Music: Lennert BuschAnimacija / Animation: Afarin Eghbal Uloge / Cast: Alexia James, Joy McBrinn, Geraldine McEwan, Lukasz Platkowski, Jenney Surelia Producent / Producer: Kasia Malipan

U jednom malom stanu u Buenos Airesu stara žena nestrpljivo očekuje svoje unuče. Međutim, stravične okolnosti će dovesti do toga da će morati čekati više od 30 godina.

E In a small apartment in Buenos Aires, an old woman eagerly awaits the birth of her grandchild. However, horrific circumstances mean she will be forced to wait over 30 years.

Bobby Yeah United Kingdom, 2011, DVD, Colour, 23 min, English Režija / Director: Robert Morgan Scenarij / Screenplay: Robert Morgan Animacija / Animation: Robert Morgan Montaža / Editor: Robert Morgan Muzika / Music: Z. No Producent / Producer: Robert Morgan

Bobby Yeah je sitni kriminalac koji svoje bijedno bivstvovanje olakšava tučama i krađom. Jednog dana, krade kućnog ljubimca nekih izuzetno opasnih ljudi i nađe se u velikoj nevolji.

E Bobby Yeah is a petty thug who lightens his miserable existence by brawling and stealing stuff. One day he steals the favourite pet of some extremely dangerous individuals, and finds himself in deep trouble.

Chalk / Kreda United Kingdom, 2010, DVD, Colour, 19 min, English Režija / Director: Martina Amati Scenarij / Screenplay: Ilaria Bernardini, Martina Amati Direktor fotografije / Director of Photography: Charlotte Bruus Christensen Montaža / Editor: Benedetto Lanfranco Scenografija / Production Design: Marie Lanna Kostimografija / Costume design: Kate Forbes Uloge / Cast: Lillie Buttery, Katie Lyons, Nicole Pavier Producent / Producer: James Bolton, Gavin Emerson Produkcija / Production: Cowboy Films, Film4, UK Film Council

Kada gimnastičarku izaberu za državni trening kamp, ona otkriva nešto novo o tijelima, momcima i prijateljstvu.

E When a gymnast is selected for the National training camp she discovers something new about bodies, boys and friendship.

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A Morning Stroll / Jutarnja šetnja United Kingdom, 2011, DVD, Colour, 7 min, English Režija / Director: Grant Orchard Scenarij / Screenplay: Grant Orchard Animacija / Animation: Grant Orchard, Max Stöhr Montaža / Editor: Nic Gill Producent / Producer: Sue Goffe

Kada Njujorčanin usred jutarnje šetnje prođe pored kokoške, zapitamo se ko je od njih, zapravo, prava gradska faca.

E When a New Yorker walks past a chicken on his morning stroll, we’re left to wonder which one is the real city slicker.

Mwansa the Great / Mwansa veliki United Kingdom, Zambia, 2011, DVD, Colour, 23 min, Bemba Režija / Director: Rungano Nyoni Scenarij / Screenplay: Rungano Nyoni Direktor fotografije / Director of Photography: Andrzej Krol Montaža / Editor: Gabriel Gauchet, Rungano Nyoni Scenografija / Production Design: Ricardo Hernandez Uloge / Cast: Mwansa Bwalya, Anna Mithi, Samuel Mwale, Owas Ray Mwape, Becky Ngoma, Lackie Phiri Producent / Producer: Rungano Nyoni Produkcija / Production: Icreatefilms

Osmogodišnji dječak, koji želi postati heroj, krene na put da dokaže svoju veličinu, ali s neočekivanim posljedicama.

E An eight-year-old boy who aspires to be a hero embarks upon a journey to prove his greatness, with unexpected consequences.

Only Sound Remains / Samo zvuk ostaje Iran, United Kingdom, 2010, DVD, Colour, 15 min, Persian Režija / Director: Arash Ashtiani Scenarij / Screenplay: Arash Ashtiani Direktor fotografije / Director of Photography: Pierre-Alain Giraud Montaža / Editor: Aliocha, Pierre-Alain Giraud Uloge / Cast: Maryam Davari, Payam Hoseinian, Ashraf Rezaei Producent / Producer: Anshu Poddar

Neposredno nakon nasilnih postizbornih protesta u Iranu, muškarac i njegova žena, Babak i Nahid, od bake pokušavaju sakriti strašne vijesti o nestanku Babakovog brata.

E In the wake of the violent post-election protests in Iran, a man and his wife, Babak and Nahid, try to hide the devastating news from Babak’s grandmother that his brother is missing.

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Pitch Black Heist / Kao ugljen crna pljačka United Kingdom, 2011, DVD, Black & White, 12 min, English Režija / Director: John Maclean Scenarij / Screenplay: John Maclean Direktor fotografije / Director of Photography: Robbie Ryan Montaža / Editor: John Maclean Muzika / Music: Bryan Michael Mills Scenografija / Production Design: Sarah Finlay Producent / Producer: Gerardine O’Flynn

Liam (Liam Cunningham) i Michael (Michael Fassbender) su profesionalni obijači sefova koji se nađu na jednostavnom zadatku: opljačkati sef iz jednog ureda. Problem je alarmni sistem kojeg aktivira svjetlost.

E Liam (Liam Cunningham) and Michael (Michael Fassbender) are professional safe crackers who meet on a simple job to relieve an office safe from its contents. The catch is a light-activated alarm system.

Two & Two / Dva i dva United Kingdom, 2011, DVD, Colour, 8 min. Režija / Director: Babak Anvari Scenarij / Screenplay: Babak Anvari, Gavin Cullen Direktor fotografije / Director of Photography: Kit Fraser Montaža / Editor: Anthony Bairstow Scenografija / Production Design: Andrew Paul Littlefair Uloge / Cast: Bijan Daneshmand Producent / Producer: Kit Fraser, Babak Anvari

U jednoj strogoj školi, učenicima je rečeno da ono, što su uvijek usvajali kao činjenicu, više nije istina. Ali, kada sumnjičavi učenici progovore, prisiljeni su otkriti koliko su daleko spremni ići u borbi za svoja uvjerenja.

E In a school governed by a strict regime, the pupils are informed that what they had always been taught as fact is no longer true. But when the incredulous students speak out, they are forced to question how far they will go to stand up for their beliefs.

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Operacija kino / Operation Kino

182 Ha-shoter / Policajac / Policeman, Nadav Lapid 183 Blu, Nicolae Constantin Tanase 183 Dua / Molitva / The Prayer, Tuna Balkan 183 Weather Protocol, Galina Dimitrova, Fabian Herkenhoener

Operacija kino / Operation Kino

Ena Đozo

Otkad su filmski festivali iz Transilvanije, Sofije, Istanbula i Sarajeva uz podršku programa MEDIA Mundus uspostavili projekat Operacija kino, cilj je bio da se kinodistribucijom stranih i evropskih kratkometražnih i dugometražnih filmova predstavi audiovizualni rad novoj publici, koja se formira u zemljama jugoistočne Evrope; treće izdanje ovog programa neće biti izuzetak. Operacija kino putuje ka svojoj publici i širi obrazovni i kulturološki aspekt kinematografije, u područjima u kojima su audiovizualni sadržaji na filmskom platnu nedovoljno eksponirani. Osnovna zamisao je da se stvori nova dimenzija iskustva filmske umjetnosti s raznolikim programskim sadržajem, te da se na taj način ojača odnos između gledalaca i filmskih autora, s ciljem da se doprinese formiranju nove generacije režisera i publike. U saradnji s platformom ReelportGmbH, u okviru platforme Video on Demand Operacije kino ponudit će se niz filmova. Također, određeni su filmovi na raspolaganju digitalnim kinima širom svijeta u okviru paketa Cinema on Demand, pod rukovodstvom projekta Europe’s Finest, koji je dio platforme Reelport. U ovom izdanju Sarajevo Film Festivala, imat ćete priliku pogledati tri kratka filma, snimljena uz pomoć gore spomenutih platformi za mlade talente, te dugometražne filmove koji će nastaviti turneju kroz 15 zemalja širom Bosne i Hercegovine tokom iduće godine.

E Since the establishment of the joint project between Transilvania, Sofia, Istanbul and Sarajevo Film Festival and under the support of MEDIA Mundus, Operation Kino, with its third edition, still aims at introducing audiovisual works to new audiences for theatrical distribution of foreign and European short and feature films, in the emerging territories of Southeast Europe. Operation Kino travels towards its audience, enhancing the educational and cultural aspect of cinema in areas where the audio-visual content on the big screen is underexposed. The idea is to create a new dimension of experiencing the film art, with a significant programme variety, strengthening the relation between the viewers and film authors, with the aim to contribute the establishment of a new generation of filmmakers and audience. In cooperation with Reelport GmbH, a number of participating titles are offered on the Operation Kino Video on Demand platform. Also, a selected number of titles are on offer to digital cinemas across the world as an Operation Kino Cinema on Demand package, operated under Reelport’s Europe’s Finest label. During this edition of the Sarajevo Film Festival you will have the chance to see short films, made within the aforementioned festival platforms for emerging talents, as well as feature films that will continue its tour through fifteen cities across Bosnia and Herzegovina in the following year.

Ena Đozo Manager Operacije kino / Operation Kino Manager

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Ha-shoter / Policajac / Policeman Policajac Yaron je u samom centru grupe elitnih policajaca, koji su dio izraelske antiterorističke jedinice. On i ostali članovi te jedinice predstavljaju oružje; oružje koje država okreće protiv svojih protivnika, protiv ‘arapskog neprijatelja’. Yaron je uzbuđen, jer mu je žena pred porodom, svakog bi trenutka mogao postati otac. Jedan će ga susret s radikalnom, nasilnom, izuzetnom skupinom suočiti s izraelskim klasnim ratom, te ratom u njegovoj duši. Nadav Lapid je rođen 1975. u Izraelu. Studirao je historiju i filozofiju u Tel Avivu, a onda film u Školi za film i televiziju Sam Spiegel u Jerusalemu. Snimio je nekoliko kratkometražnih filmova, uključujući i BORDER PROJECT (2004) te ROAD (2005), koji su prikazani na mnogim festivalima. Njegov diplomski rad, film EMILE’S GIRLFRIEND (2006) distribuiran je u Francuskoj. Učestvovao je u programu Festival de Cannes Residence, gdje je i napisao scenarij za film POLICAJAC. Projekt je osvojio jednu od glavnih nagrada na Filmskom festivalu u Jerusalemu i na Filmskom festivalu u Solunu 2008. POLICAJAC je prvi igrani film Nadava Lapida, a uvršten je u glavni takmičarski program na Filmskom festivalu u Locarnu. E The Policeman, Yaron, stands in the center of a group of elite policeman, belonging to the Israeli Anti-Terrorist unit. He and his fellow unit members are the weapon; the gun the state is pointing at its opponents, the ‘Arab enemy’. Yaron is excited, his wife is expecting their baby very soon; he could become a father any minute. An encounter with a radical, violent, extraordinary group, will confront him with the Israeli class war as well as with the war within his own soul.

Nadav Lapid was born in 1975 in Israel. He studied history and philosophy in Tel Aviv, then film at the Sam Spiegel Film & Television School in Jerusalem. He made several shorts including BORDER PROJECT (2004) and ROAD (2005), which were selected for numerous festivals. His graduation film EMILE’S GIRLFRIEND (2006) was distributed in France. He participated in the Festival de Cannes Residence, where he wrote the script for POLICEMAN. The project won the pitching price at the Jerusalem Film Festival and at the Thessaloniki film festival in 2008. POLICEMAN is Nadav Lapid’s feature debut and was selected for the Main Competition at FF Locarno.

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Israel, 201, DCP, Colour, 105 min, Hebrew, English Režija / Director: Nadav Lapid Scenarij / Screenplay: Nadav Lapid Direktor fotografije / Director of Photography: Shai Goldman Montaža / Editor: Era Lapid Zvuk / Sound: Aviv Aldema Uloge / Cast: Yiftach Klein, Yaara Pelzig, Michael Mushonov, Menashe Noi Yiftach Klein, Yaara Pelzig, Michael Mushonov, Menashe Noi Producent / Producer: Itai Tamir Produkcija / Production: HOT, Laila Films, Rabinovich Film Fund Cinema Project Filmografija / Filmography 2011 - HA-SHOTER / POLICEMAN 2006 - HA-CHAVERA SHELL EMILE / EMILE’S GIRLFRIEND 2005 - KVISH / ROAD (kratkometražni / short) 2004 - PROYECT GVUL / BORDER PROJECT (kratkometražni / short)

Blu Romania, 2012, DVD, Colour, 20 min, Romanian Režija / Director: Nicolae Constantin Tanase Scenarij / Screenplay: Raluca Manescu Direktor fotografije / Director of Photography: Daniel Kosuth Montaža / Editor: Codrin Iftodi Muzika / Music: Cari Tibor Zvuk / Sound: Dan Stefan Rucareanu, Radu Stancu Uloge / Cast: Madalina Craiu, Rodica Negrea, Dan Condurache Producent / Producer: Radu Stancu Produkcija / Production: deFilm

Stari porodični automobil se pokvari i Mara ga, s roditeljima, pokušava popraviti kako bi barem došli do kuće. Međutim, važnije od motora jeste popravljanje njihovog odnosa.

E The old car of the family breaks down and Mara and her parents try to repair it at least to get it home. But more important than the broken engine, becomes making their relationships work.

Dua / Molitva / The Prayer Turkey, 2011, DVD, Colour, 15 min, No Dialogue Režija / Director: Tuna Balkan Scenarij / Screenplay: Tuna Balkan, Hafize Balkan Direktor fotografije / Director of Photography: Mehmet Y. Zengin Montaža / Editor: Çiçek Kahraman Zvuk / Sound: Imaj Online Uloge / Cast: Çetin Akcan Producent / Producer: Bahadir Tumba

On je tužni grobar na jednom prigradskom groblju, saživljen s prirodom i tišinom. Zdravlje mu se pogoršava zbog starosti. Pokušava zgrabiti život, ali ga proganja jedna pomisao – smrt. Uprkos svemu, on živi sa gorkim osjećajem pripadnosti svijetu tišine tog velikog groblja.

E He is a cheerless grave digger in a cemetery on the outskirts of the city, nested in nature and silence. His health has deteriorated, as he started growing old. He is only trying to clutch onto the life; but, he is haunted by the thought of “death”. Despite everything, he lives through the sour sense of belonging in the world of silence in the big cemetery.

Weather Protocol Bulgaria, Germany, 2012, DVD, Black & White, 4 min, No Dialogue Režija / Director: Galina Dimitrova, Fabian Herkenhoener Scenarij / Screenplay: Galina Dimitrova Direktor fotografije / Director of Photography: Galina Dimitrova Montaža / Editor: Galina Dimitrova, Fabian Herkenhoener Uloge / Cast: Fabian Herkenhoener Producent / Producer: Galina Dimitrova

U gradskom metežu, ljubav se rađa ni iz čega i pronalazi put kroz apokaliptični scenarij. U svom posljednjem filmu, režiserka pronalazi balans između ljubavne priče i katastrofalne poplave na pažljivo osmišljen, satirični i metaforični način, prikazujući jedinstven aspekt moderne svijesti.

E Settled in an environment of urban turmoil, love spreads out of nothing and finds is way through an apocalyptic scenario. In her latest movie G.D. balances between romantic love story and flood disaster in an attentive satirical and metaphorical manner and delivers a unique piece of modern consciousness.

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186 From the Sky Down, Davis Guggenheim 187 El Gusto, Safinez Bousbia 188 Iron Sky / Čelično nebo, Timo Vuorensola 189 Re:Generation Music Project / Re:generacija Muzički projekt, Amir Bar-Lev 190 Searching for Sugar Man / U potrazi za čovjekom od šećera, Malik Bendjelloul 191 This Must Be the Place / Ovo mora da je to mjesto, Paolo Sorrentino 192 Vinylmania: When Life Runs at 33 Revolutions Per Minute /

Vinilmanija: Kada život teče na 33 obrtaja u minuti, Paolo Campana

From the Sky Down Na dvadesetu godišnjicu svog inovativnog albuma Achtung Baby, Oskarom nagrađeni režiser Davis Guggenheim detaljno istražuje proces snimanja albuma, kao i okolnosti koje su dovele do njega. Guggenheim, Bono, Edge, Larry Mullen i Adam Clayton se vraćaju u Berlin, gdje su i snimali album u vrijeme pada Berlinskog zida. Guggenheim otkriva da je uspjehu albuma prethodila kreativna kriza. Rijetki materijali sa snimanja i intervjui s članovima grupe i legendarnim producentom Brianom Enom otkrivaju i ranjivu, ne toliko poznatu stranu jedne od najuspješnijih grupa na svijetu. Očajna potraga za novim smjerom kulminirala je historijskim albumom sa neprikosnovenom fuzijom rock i elektronske muzike. Davis Guggenheim je režiser i izvršni producent Oskarom nagrađenog dugometražnog dokumentarnog filma AN INCONVENIENT TRUTH sa nekadašnjim potpredsjednikom SAD, Alom Goreom. On je producent i režiser serije DEADWOOD za kanal HBO, koja je osvojila nagradu Emmy. U njegova režiserska ostvarenja za televiziju spadaju, između ostalog, i pilot epizoda serije na kanalu CBS – THE UNIT, kao i neke epizode serija NUMBERS, THE SHIELD, ALIAS, 24, te serije NYPD BLUE, ER i PARTY OF FIVE, koje je kritika pozdravila. Izvršni je producent filma TRAINING DAY i direktor filma GOSSIP, kompanije Warner Brothers. Režirao je i producirao dugometražni film GRACIE, koji je izašao u junu 2007. Guggenheim je 1999. započeo ambiciozni projekt snimanja nastavnika pripravnika za vrijeme njihove prve godine u službi. Rezultat ovog dubokog poniranja u sistem javnog obrazovanja u školama Los Angelesa su dva dokumentarna filma: THE FIRST YEAR i TEACH. Oba su filma snimljena s ciljem da se naglasi ogromna potreba za kvalificiranim nastavnicima u Kaliforniji i širom SAD-a, da se probudi svijest o toj krizi te da se nove generacije podstaknu za odabir nastavničkog poziva. E On the 20th anniversary of U2’s innovative album Achtung Baby, Oscar winning director Davis Guggenheim recreates in detail the making of the album and the circumstances that led to its recording. Guggenheim, Bono, Edge, Larry Mullen and Adam Clayton return to Berlin, where the album was recorded at the time of the fall of the Berlin wall. He discovers that behind the success story laid a creative crisis. Rare materials from recording sessions and interviews with the band and legendary producer Brian Eno reveal a vulnerable and not so well known aspect of one of the world’s most successful bands. A desperate search for a new direction culminated in a historic album with an unprecedented fusion of rock and electronic music.

Davis Guggenheim was the director and executive producer of the Academy Award winning documentary feature AN INCONVENIENT TRUTH with former Vice President, Al Gore. He was producer and director of the Emmy Award winning HBO series DEADWOOD. His television directing credits include the pilot of the CBS show THE UNIT as well as episodes of NUMBERS, THE SHIELD, ALIAS, 24, and such critically acclaimed programs as NYPD BLUE, ER, and PARTY OF FIVE. He was an executive producer of TRAINING DAY and director of the film GOSSIP for Warner Brothers. He directed and produced the feature film GRACIE, which came out in June of 2007. In 1999, Guggenheim undertook an ambitious project documenting the challenging first year of several novice public school teachers. The result of this intensive immersion into Los Angeles’ public school system is two documentary films: THE FIRST YEAR and TEACH. Both films were made to address the tremendous need for qualified teachers in California and nationwide, to create awareness of the crisis as well as inspire the next generation to become teachers.

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USA, United Kingdom, 2011, HD CAM (HDTV), Colour and b&w, 90 min, English Režija / Director: Davis Guggenheim Scenarij / Screenplay: Davis Guggenheim Direktor fotografije / Director of Photography: Erich Roland Montaža / Editor: Géraud Brisson, Jay Cassidy Muzika / Music: Michael Brook, U2 Producent / Producer: Belisa Balaban, Brian Celler, David Diliberto, Ted Skillman Produkcija / Production: Documentary Partners Filmografija / Filmography 2011 - FROM THE SKY DOWN (dokumentarni / doc.) 2010 - WAITING FOR ‘SUPERMAN’ (dokumentarni / doc.) 2008 - IT MIGHT GET LOUD (dokumentarni / doc.) 2008 - A MOTHER’S PROMISE: BARACK OBAMA BIO FILM (dokumentarni /doc.) 2007 - GRACIE 2006 - AN INCONVENIENT TRUTH (dokumentarni / doc.) 2000 - GOSSIP 1999 - THE ART OF NORTON SIMON (dokumentarni / doc.) 1992 - BREAKING AND ENTERING (kratkometražni / short)

El Gusto Ovaj ambiciozni i dirljivi dokumentarni film Safineze Bousbiae predstavlja nevjerovatnu priču o ponovnom ujedinjenju i pomirenju grupe muzičara islamske i jevrejske vjeroispovijesti, pedeset godina nakon što ih je razdvojio alžirski građanski rat. Film prati njihov ponovni susret kako bi sastavili novi orkestar El Gusto i održali izvanredan koncert u Francuskoj. Pet desetljeća nakon što su počeli školovanje na alžirskom konzervatoriju kod legendarnog maestra El Hadj M’Hamed El Ankae, članovi grupe El Gusto prisjećaju se burne prošlosti Alžira i njihove vječne strasti za “Chaabi” – jedinstveni ritmički koktel flamenka, andaluzijskih, berberskih i arapskih muzičkih tradicija. Chabi je izvorna muzika alžirske kazbe, muzika ulice, kafana i vjenčanja, koja je prkosila ujedinjujući sve one koje su vjera, društvene klase i etnije podijelili. Safinez Bousbia je rođena u Alžiru, a obrazovala se u Švicarskoj, Ujedinjenom Kraljevstvu i Ujedinjenim Arapskim Emiratima. U svijet filma je ušla 2003, nakon što je karijeru započela kao arhitektica. U Dublinu je 2004. osnovala produkcijsku kuću Quidam Productions, čiji je cilj pronaći neispričane priče i prenijeti ih na ekran. Iste godine je napisala, režirala i producirala X-KIDS, 52-minutni dokumentarni film. Producirala je i režirala EL GUSTO, muzički igrani film vrijedan 2.5 miliona eura, kojeg je montirala Oskarom nagrađena francuska montažerka Françoise Bonnot. U sklopu projekta, oformila je orkestar „El Gusto“ i organizirala nekoliko koncerata u renomiranim dvoranama širom svijeta. Dvije trijumfalne projekcije filma EL GUSTO priređene su na Filmskom festivalu u Abu Dhabiju, a film je dobio dvije nagrade – Nagradu za najboljeg režisera iz arapskog svijeta i Međunarodnu nagradu filmskih kritičara (FIPRESCI).

France, United Arab Emirates, Ireland, Algeria, 2011, HD CAM (HDTV), Colour, 93 min, French, Arabic Režija / Director: Safinez Bousbia Scenarij / Screenplay: Safinez Bousbia Direktor fotografije / Director of Photography: Nuria Roldos Montaža / Editor: Françoise Bonnot, A.C.E, Julien Villacampa Muzika / Music: Sodi Marciszewer, El Gusto Zvuk / Sound: Sebastien Pierre Producent / Producer: Safinez Bousbia, Heidi Egger Produkcija / Production: Quidam Production, El Gusto Filmografija / Filmography 2011 - EL GUSTO (dokumentarni / doc.) 2004 - X-KIDS (dokumentarni / doc.)

E Safinez Bousbia’s ambitious and moving documentary tells the amazing story of the reunion and reconciliation of a group of Muslim and Jewish musicians fifty years after their separation during the Algerian Civil War and follows their story as they are brought back together to form a new orchestra, “El Gusto,” and perform at an extraordinary concert in France. Five decades after their first lessons at the Conservatory of Algiers under the legendary master El Hadj M’Hamed El Anka, the members of El Gusto now recount the country’s turbulent history and their undying passion for “Chabbi” - a rhythmic and unique cocktail of Andalusian, Berber, Arabic and Flamenco music traditions. Chabbi was the homegrown music of the Algerian Casbah; the music of the streets, the coffee shops and weddings that united (and defied) religion, class, and ethnicity.

Safinez Bousbia was born in Algeria and educated in Switzerland, the United Kingdom and the UAE. She entered the world of film in 2003 after working as an architect. In 2004, she set up Quidam Productions, a Dublin-based production company, dedicated to finding untold stories and bringing them to the screen. In the same year, she wrote, directed and produced X-KIDS, a 52-minute documentary. She produced and directed EL GUSTO, a 2.5 million euros feature length musical film, edited by legendary Academy Award-winning French editor Françoise Bonnot. As part of the project, she formed the El Gusto orchestra and produced a series of concerts in legendary venues worldwide. EL GUSTO triumphantly played at the Abu Dhabi Film Festival where it won two prizes; Best Director from the Arab World, and the International Film Critics Prize (FIPRESCI).

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Iron Sky / Čelično nebo U posljednjim trenucima Drugog svjetskog rata, tajni nacistički svemirski program opstaje zahvaljujući bijegu na tamnu stranu Mjeseca. Tokom 70 godina i u strogoj tajnosti, nacisti grade ogromnu svemirsku tvrđavu, s velikom armadom letećih tanjira. Kada američki astronaut James Washington prizemlji svoju lunarnu letjelicu isuviše blizu nacističkoj tajnoj bazi, Mjesečev Führer odluči da je slavni trenutak ponovnog osvajanja Zemlje stigao brže nego što je bilo očekivano. Washington tvrdi da je misija samo javna predstava za predsjednika Sjedinjenih Američkih Država, ali šta bi drugo taj čovjek mogao biti nego izviđač za skori napad snaga sa Zemlje? Četvrti Reich mora djelovati! Dva nacistička oficira, nemilosrdni Klauss Adler i idealist Renate Richter, putuju na Zemlju da pripreme invaziju. Na kraju, kada nacistička Mjesečeva armada NLO-a zatamni nebo, spremna napsti nepripremljenu Zemlju, svaki muškarac, žena i nacija moraju preispitati svoje prioritete. Timo Vuorensola je finski režiser. Sedam godina je radio na svom prvom dugometražnom filmu, naučnofantastičnoj komediji STAR WRECK: IN THE PIRKINNING. Vuorensola je režirao i kratkometražne filmove, muzičke spotove i reklame. Zanimaju ga novi pristupi filmskoj industriji, a putuje svijetom s ciljem da online zajednice uključi u filmsku produkciju. E In the last moments of World War II, a secret Nazi space program evaded destruction by fleeing to the Dark Side of the Moon. During 70 years of utter secrecy, the Nazis construct a gigantic space fortress with a massive armada of flying saucers. When American astronaut James Washington puts down his Lunar Lander a bit too close to the secret Nazi base, the Moon Führer decides the glorious moment of retaking the Earth has arrived sooner than expected. Washington claims the mission is just a publicity stunt for the President of the United States, but what else could the man be but a scout for the imminent attack by Earth forces? The Fourth Reich must act! Two Nazi officers, ruthless Klaus Adler and idealistic Renate Richter, travel to Earth to prepare the invasion. In the end when the Moon Nazi UFO armada darkens the skies, ready to strike at the unprepared Earth, every man, woman and nation alike, must re-evaluate their priorities.

Timo Vuorensola is a Finnish director. He spent seven years on his first feature-length film, the science fiction comedy STAR WRECK: IN THE PIRKINNING. Timo has also directed short films, music videos and adverts. He’s interested in finding new ways to approach the film industry, and has traveled the world talking about engaging online communities in film production.

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Finland, Germany, Australia, 2012, HD CAM (HDTV), Colour, 93 min, English, German Režija / Director: Timo Vuorensola Scenarij / Screenplay: Michael Kalesniko, Jarmo Puskala, Johanna Sinisalo Direktor fotografije / Director of Photography: Mika Orasmaa Montaža / Editor: Suresh Ayyar Muzika / Music: Laibach Scenografija / Production Design: Ulrika von Vegesack Kostimografija / Costume Design: Jake Collier Uloge / Cast: Julia Dietze, Götz Otto, Christopher Kirby, Tilo Prückner, Udo Kier, Peta Sergeant, Stephanie Paul Producent / Producer: Oliver Damian, Tero Kaukomaa, Samuli Torssonen Produkcija / Production: Blind Spot Pictures Oy, 27 Films Production, New Holland Pictures, Tuotantoyhtiö Energia, Yleisradio (YLE) Filmografija / Filmography 2012 - IRON SKY 2005 - STAR WRECK: IN THE PIRKINNING 1998 - NORJALAINEN HUORA (kratkometražni / short)

Re:Generation Music Project / Re:generacija Muzički projekt Pokretač muzičke inovacije, RE:GENERACIJA MUZIČKI PROJEKT, prikazuje pet DJ-eva / producenata elektronske muzike koji sarađuju s nekim od najutjecajnijih muzičara svih vremena, iz pet različitih muzičkih žanrova. Pred izazovom da predstave svoju jedinstvenu kreativnu viziju, DJ Premier, The Crystal Method, Pretty Lights, Mark Ronson i Skrillex pokušavaju nanovno osmisliti specifičan muzički žanr i stvoriti originalnu traku. Ovaj dokumentarni film režisera Amira Bar-Leva slavi prošlost, sadašnjost i budućnost muzike, nepristrano otkrivajući kreativni proces umjetnika koji koriste tehnologiju kako bi pomiješali muzičke stilove različitih generacija i predstavili ih u originalnom svjetlu elektronske muzike. Amirov Bar-Levijev rediteljski prvijenac FIGHTER časopisi Newsweek, Rolling Stone i Village Voice proglasili su jednim od najboljih dokumentaraca godine. FIGHTER je osvojio šest nagrada na međunarodnim filmskim festivalima. Sony Pictures Classics je 2007. distribuirao njegov drugi film, MY KID COULD PAINT THAT, a prikazan je i na kanalima Starz, A&E i BBC. Ovaj je film u TV emisiji o filmu At The Movies With Ebert and Roeper nazvan „jednim od najboljih dokumentarnih filmova ove i bilo koje druge godine“. Bar-Lev je bio koproducent i izvršni producent emisija na CNN-u, na kanalima Sundance, VH1, MTV, Spike! i na Weather Channelu, a režirao je brojne nagrađivane kratkometražne filmove. Priprema se za režiranje svog prvog igranog filma po scenariju, biografski prikaz Jerryja Garcie iz grupe The Greatful Dead.

USA, 2012, HD CAM (HDTV), Colour, 82 min, English Režija / Director: Amir Bar-Lev Scenarij / Screenplay: Amir Bar-Lev Direktor fotografije / Director of Photography: Nelson Hume Montaža / Editor: Dan Swietlik, Darrin Navarro Producent / Producer: Jules Daly, Tom Dunlap Produkcija / Production: GreenLight Media and Marketing, RSA Films Filmografija / Filmography 2012 - RE:GENERATION MUSIC PROJECT (dokumentarni / doc.) 2010 - THE TILLMAN STORY (dokumentarni / doc.) 2007 - MY KID COULD PAINT THAT (dokumentarni / doc.) 2002 - KID PROTOCOL (kratkometražni dokumentarni / doc. short) 2000 - FIGHTER (dokumentarni / doc.)

E A catalyst of musical innovation, RE:GENERATION MUSIC PROJECT follows five electronic DJs/ Producers as they collaborate with some of the of the most influential artists of all time from five different genres. Challenged to bring forth their unique creative vision, DJ Premier, The Crystal Method, Pretty Lights, Mark Ronson and Skrillex each set out to re-imagine a specific genre of music and create an original track. The documentary, directed by Amir Bar-Lev, celebrates music’s past, present and future by candidly revealing the artists’ creative process as they use technology to mix the musical styles of generations and bring to light the originality of electronic music.

Amir Bar-Lev’s directorial debut FIGHTER was named one of the top documentaries of the year by Newsweek, Rolling Stone, and Village Voice among others. FIGHTER won six international festival awards. Bar-Lev’s second film, MY KID COULD PAINT THAT, was released internationally by Sony Pictures Classics in 2007, with broadcast on Starz, A&E and BBC. According to “At The Movies With Ebert and Roeper”, it was “one of the best documentaries of this or any other year.” Bar-Lev served as co-producer on the film TROUBLE THE WATER, which was a 2009 Academy Award Nominee. Most recently, Bar-Lev directed THE TILLMAN STORY, a feature documentary about NFL safety Pat Tillman, who joined the Army Rangers in 2002 and was killed in a friendly fire incident two years later. This film was named the top documentary of 2010 by The San Francisco Critics’ Circle, The Florida Critics’ Circle, and The St. Louis Critics’ Circle. Bar-Lev has produced and executive produced shows for CNN, the Sundance Channel, VH1, MTV, Spike!, and The Weather Channel, as well as directed numerous award-winning short films. He is currently slated to direct his first scripted feature, a bio-pic about Jerry Garcia of the Grateful Dead.

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Searching for Sugar Man / U potrazi za čovjekom od šećera Krajem šezdesetih godina prošlog stoljeća dva slavna producenta otkrila su muzičara u jednom baru u Detroitu. Bili su dirnuti njegovim proročanskim stihovima i muzikom punom duše. Snimili su album za koji su smatrali da će ga ustoličiti kao jednog od najvećih muzičara svoje generacije. Međutim, album je doživio neuspjeh, a pjevač nestao sa scene. Pratile su ga glasine o stravičnom samoubistvu na bini. Ipak, snimak je stigao i do Južne Afrike iz doba aparthejda. Narednih 20 godina ovaj je muzičar postao fenomen. Dva južnoafrička obožavatelja su odlučila saznati šta se zapravo desilo s njihovim idolom. Istraga ih je dovela do priče o umjetniku zvanom Rodriguez, daleko uzbudljivije od bilo kojeg poznatog mita. Ovo je priča o nadi, inspiraciji i prodornoj moći muzike. Malik Bendjelloul već 12 godina režira dokumentarne filmove koji uglavnom govore o muzičarima. Bendjelloul je 2001. režirao prvi ikada snimljeni dokumentarni film o pionirima njemačke elektronske scene, grupi Kraftwerk. Snimio je i dokumentarni serijal o historiji heavy metal muzike, te neke zasebne filmove, sarađujući pri tome s muzičkim ikonama kao što su Björk, Sting, Elton John, Rod Stewart, Madonna, Mariah Carey, U2 i Kylie Minogue. Prošle jeseni Bendjelloul je režirao i snimio koncert s Princeom. Snimio je profil Alfreda Merhana, čovjeka koji je 18 godina živio na aerodromu Charles de Gaulle, i koji je poslužio kao inspiracija za Spielbergov film THE TERMINAL. Njegovi ostali sadržaji uključuju i kontroverznu priču o britanskoj pop grupi KLF, čiji su članovi spalili milion funti, zatim film koji istražuje glasine o smrti Paula McCartneya. E In the late ‘60s, a musician was discovered in a Detroit bar by two celebrated producers who were struck by his soulful melodies and prophetic lyrics. They recorded an album that they believed was going to secure his reputation as one of the greatest recording artists of his generation. In fact, the album bombed and the singer disappeared into obscurity amid rumors of a gruesome on-stage suicide. But a bootleg recording found its way into apartheid South Africa and, over the next two decades, it became a phenomenon. Two South African fans then set out to find out what really happened to their hero. Their investigation led them to a story more extraordinary than any of the existing myths about the artist known as Rodriguez. This is a film about hope, inspiration and the resonating power of music.

Malik Bendjelloul has been directing documentaries for twelve years, primarily based on musicians. In 2001, Bendjelloul directed the first ever documentary about German electronic pioneers Kraftwerk. He has also made a documentary series about the history of heavy metal as well as some single documentaries, collaborating with such iconic artists as Björk, Sting, Elton John, Rod Stewart, Madonna, Mariah Carey, U2 and Kylie Minogue. This past fall Bendjelloul directed a filmed concert with Prince. He made a profile on Alfred Merhan, a man who has been living in Charles de Gaulle airport for 18 years and who became the inspiration for Steven Spielberg’s THE TERMINAL. Other subjects have included the controversial story of British pop band The KLF burning a million pounds, and a film exploring the rumours surrounding Paul McCartney’s death.

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Sweden, United Kingdom, 2012, HD CAM (HDTV), Colour, 85 min, English Režija / Director: Malik Bendjelloul Scenarij / Screenplay: Malik Bendjelloul Direktor fotografije / Director of Photography: Camilla Skagerström Montaža / Editor: Malik Bendjelloul Muzika / Music: Sixto Rodriguez Zvuk / Sound: Per Nyström, Fredrik “Frippe” Jonsäter Producent / Producer: Simon Chinn, Malik Bendjelloul Produkcija / Production: A Red Box Films, Passion Pictures Filmografija / Filmography 2012 - SEARCHING FOR SUGAR MAN (dokumentarni / doc.)

This Must Be the Place / Ovo mora da je to mjesto Cheyenne je nekadašnja rock zvijezda. Sa svojih 50 godina i dalje se oblači u stilu gotičke subkulture i u Dublinu živi od tantijema. Smrt oca, s kojim nije govorio, ponovo ga dovodi u New York. Saznaje da mu je otac imao opsesiju: osvetiti se za poniženja koja je pretrpio. Cheyenne odluči nastaviti očevim stopama i svojim tempom kreće na put Amerikom. Paolo Sorrentino je rođen 1970. u Napulju. Njegov dugometražni film ONE MAN UP je 2001. ušao u selekciju Filmskog festivala u Veneciji, bio je nominiran u tri kategorije za nagradu David di Donatello (italijanski ekvivalent Oscaru), a osvojio je nagradu Nastro d’Argento (nagrada italijanskih filmskih kritičara) za najbolju režiju. 2004. je režirao THE CONSEQUENCES OF LOVE, koji je ušao u Takmičarski program Filmskog festivala u Cannesu. Film je osvojio mnogo relevantnih italijanskih nagrada, uključujući i pet nagrada David di Donatello: za najbolji film, režiju, scenarij, glavnog glumca i kinematografiju. Tri godine kasnije, i njegov treći film, THE FAMILY FRIEND, ušao je u selekciju Takmičarskog programa Filmskog festivala u Cannesu. Film IL DIVO, kojeg je snimio opet u saradnji sa Tonijem Servillom, treći je Sorrentinov film koji je 2008. ušao u Takmičarski program Filmskog festivala u Cannesu i osvojio Nagradu žirija. Film je nominiran u kategoriji za najbolju šminku na nagradama Filmske akademije, a osvojio je i sedam nagrada David di Donatello, pet nagrada Ciak d’Oro, i pet nagrada Nastri d’Argento. OVO MORA DA JE MJESTO je prvi Sorrentinov igrani film na engleskom jeziku, i njegov četvrti film koji je osvojio Nagradu ekumenskog žirija u Takmičarskom programu na Filmskom festivalu u Cannesu. E Cheyenne is a former rock star. At 50 he still dresses ‘Goth’ and lives in Dublin off his royalties. The death of his father, with whom he wasn’t on speaking terms, brings him back to New York. He discovers his father had an obsession: to seek revenge for a humiliation he had suffered. Cheyenne decides to pick up where his father left off, and starts a journey, at his own pace, across America.

Paolo Sorrentino was born in Naples in 1970. His first full-length feature ONE MAN UP, was selected at the 2001 Venice Film Festival, achieved three nominations for the David di Donatello (the Italian Academy Awards) and won the Nastro d’Argento (the Italian cinema journalists Academy Award) for Best First Time Director. In 2004 he directed THE CONSEQUENCES OF LOVE, selected in Competition at the Cannes Film Festival. The film won many important Italian awards, including five David di Donatello awards: for Best Film, Director, Screenplay, Actor and Cinematography. Three years later his third film THE FAMILY FRIEND was also selected in Competition at Cannes. In 2008 another collaboration with Toni Servillo, IL DIVO, became his third film to be selected in Competition at Cannes, winning the Prix du Jury. The film was nominated for Best Make-Up at the Academy Awards and won seven David di Donatello, five Ciak d’Oro and five Nastri d’Argento awards. THIS MUST BE THE PLACE, Sorrentino’s first English language feature, his fourth film won Prize of the Ecumenical Jury at the Competition at Cannes.

Italy, France, Ireland, 2011, 35 mm , Colour, 118 min, English, Hebrew Režija / Director: Paolo Sorrentino Scenarij / Screenplay: Paolo Sorrentino, Umberto Contarello Direktor fotografije / Director of Photography: Luca Bigazzi Montaža / Editor: Cristiano Travaglioli Muzika / Music: David Byrne, Will Oldham Zvuk / Sound: Srdjan Kurpjel Scenografija / Production Design: Stefania Cella Kostimografija / Costume Design: Karen Patch Uloge / Cast: Sean Penn, Eve Hewson, Frances McDormand, Harry Dean Stanton, Judd Hirsch, Kerry Condon, Shea Whigham Producent / Producer: Nicola Giuliano, Francesca Cima, Andrea Occhipinti Produkcija / Production: Indigo Film, Lucky Red, Medusa Film Filmografija / Filmography 2011 - THIS MUST BE THE PLACE 2009 - LA PARTITA LENTA (kratkometražni / short) 2008 - IL DIVO: LA SPETTACOLARE VITA DI GIULIO ANDREOTTI 2006 - L’AMICO DI FAMIGLIA / THE FAMILY FRIEND 2004 - LE CONSEGUENZE DELL’AMORE / THE CONSEQUENCES OF LOVE 2001 - LA NOTTE LUNGA (kratkometražni / short) 2001 - L’UOMO IN PIÙ / ONE MAN UP 1998 - L’AMORE NON HA CONFINI (kratkometražni / short)

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Vinylmania: When Life Runs at 33 Revolutions Per Minute / Vinilmanija: Kada život teče na 33 obrtaja u minuti U VINILMANIJI režiser Paolo Campana vodi nas brazdama predmeta koji nikada nije izgubio dušu. Istražuje šta je to što čini gramofonsku ploču legendom u svijetu kojim dominira tečna muzika. Da li je to nostalgija? Posjedovanje? Potraga za identitetom? Da li je to krik protiv instant muzike? Digitalna rijeka nema ni srce ni dušu, nego samo jedinice i nule… Od Tokija do New Yorka, Londona, Pariza i Praga, susrećemo se s plemenima sakupljača, s DJ-evima, muzičarima i umjetnicima. Istražujemo prodavnice gdje se strast pretvara u groznicu i tvornice koje su obnovile štampanje miliona primjeraka. Gramofonske ploče su se vratile! Paolo Campana ima dvojnika DJ-a koji još uvijek pušta muziku s gramofonskih ploča. On ima i dugogodišnje iskustvo na lokalnim radiostanicama, u čijim emisijama pušta filmsku i egzotičnu muziku. Rođen je 1968. u Torinu, u Italiji, gdje i živi. Završio je dodiplomski studij kinematografije. Studije je završio na Univerzitetu Paris 8 i u Sjevernoj Irskoj. Njegov prvi kratki film je sjećanje na Krvavu nedjelju, a prikazan je 1997. na Filmskom festivalu u Aix-en-Provenceu, u kategoriji New British Cinema. Paolo Campana je radio za italijanski javni emiter RAI TRE. Za njih je režirao kratkometražne filmove za djecu, a radio je i kao reporter za McSat, satelitski kanal u Monte Carlu. VINILMANIA je Paolov prvi dugometražni film. To je svojevrsna posveta njegovoj vječitoj strasti, muzici, kao i njegovoj ljubavi, gramofonskoj ploči. E In VINYLMANIA, director Paolo Campana guides us through the grooves of an object that has never lost its soul. He investigates what makes it so legendary in a world dominated by liquid music: Simple nostalgia? Possession? The search for an identity? A cry against the fast food music? The digital river that has no heart or soul, just ones and zeros… From Tokyo to New York, London, Paris and Prague we meet a tribe of collectors, Djs, musicians and artists. We explore the stores where passion is transformed into fever and the factories that have resumed stamping millions of copies. Vinyl records are back!

Paolo Campana has a DJ as doppelgänger who still plays music on vinyl records. He also has a long experience on the independent local radio scene with his shows filled with film soundtracks and exotic-music. Born in 1968 in Turin, Italy, where he lives, he graduated with a Bachelors degree in Cinema. He completed his studies at the University of Paris-8 and in Northern Ireland. His first short film, a tribute to Bloody Sunday, was presented at the New British Cinema in the Aix-en-Provence Film Festival in 1997. Paolo has worked for the Italian public broadcaster RAI TRE directing short films for children, and as a reporter for McSat, a satellite channel in Monte Carlo. VINYLMANIA is Paolo’s first full-length film, a testament to the filmmaker’s undying passion for music and his sweetheart, vinyl.

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Italy, France, Germany, 2011, HD CAM (HDTV), Colour, 76 min, English, Italian, French, Japanese, Czech Režija / Director: Paolo Campana Scenarij / Screenplay: Paolo Campana Direktor fotografije / Director of Photography: Paolo Campana Montaža / Editor: Andrea Pierri Muzika / Music: Marco Torrisi Zvuk / Sound: Fa Ventilato Producent / Producer: Elena Filippini, Edoardo Fracchia, Stefano Tealdi Produkcija / Production: Stefilm Filmografija / Filmography 2011 - VINYLMANIA: WHEN LIFE RUNS AT 33 REVOLUTIONS PER MINUTE (dokumentarni / doc.)

Specijalne projekcije / Special Screenings

194 Burning Man / Čovjek u vatri, Jonathan Teplitzky 195 Djeca kao i sva druga / Children Like Any Other, Pjer Žalica 196 Good Luck for You Every Day: The Incredible Story of Peng Phan /

Sretno ti bilo svaki dan: Nevjerovatna priča Peng Phan, Raul Gallego Abellan,

197 Al juma al akheira / Prošli petak / The Last Friday, Yahya Alabdallah 198 Palio sam noge / I Burnt Legs, Srđan Vuletić 199 Schindler’s List / Schindlerova lista, Steven Spielberg 200 Šanghaj / Šangaj / Shanghai Gypsy, Marko Naberšnik 201 Ulica pod opsadom / Sarajevo: A Street Under Siege, Patrice Barrat, Ademir Kenović

Burning Man / Čovjek u vatri ČOVJEK U VATRI je bezbrižna, privlačna, duhovita i, iznad svega, životu naklonjena priča o Tomu, britanskom kuharu u restoranu na sidnejskoj plaži Bondi. Tom je, kako se čini, odlučio da više neće poštovati pravila. Ljudi oko njega su, izgleda, spremni tolerirati sve što mu padne na um. Kako Tom tone u tamu, na površinu izranjaju fragmenti drugačije priče. Sve žene u njegovom svijetu, svaka na sebi svojstven način, pokušavaju mu pomoći ponovno stati na noge. Jonathan Teplitzky trenutno radi na predprodukciji filma THE RAILWAY MAN, koji će režirati i u kojem glume Oscarom nagrađeni Colin Firth i Rachel Weisz. Film se temelji na istinitoj epskoj priči o Ericu Lomaxu. Njegov najnoviji film je ČOVJEK U VATRI, koji je i napisao i režirao. Film je međunarodnu premijeru imao na Međunarodnom filmskom festivalu u Torontu 2011. Teplitzky je studirao film i televiziju u Londonu, na univerzitetu Middlesex, gdje je 1989. s pohvalom diplomirao. Nakon što je više od deset godina živio i radio u inostranstvu, vratio se u Australiju, kako bi napisao i režirao svoj prvi film, BETTER THAN SEX, s Davidom Wenhamom i Susie Porter u glavnim ulogama. Jonathan je režirao više od 100 reklama i muzičkih videospotova, a zastupa ga svjetski poznata produkcijska kuća Partizan. Radi i kao direktor fotografije i snimatelj, što je odraz njegove ljubavi prema fotografiji i kompoziciji. Njegove fotografije su prikazane na nekoliko izložbi u Sydneyju, Londonu i New Yorku. E BURNING MAN is the reckless, sexy, funny, moving and ultimately life-affirming story of Tom, a British chef in a Bondi restaurant, who seems to have decided there are no longer any rules he needs to obey. Whatever Tom is up to, his actions seem to be tolerated by those around him. As Tom descends into darkness, fragments of a different story begin to emerge. All the women in his world are trying in their own, very different ways to help put him back together.

Jonathan Teplitzky is currently in preproduction to direct THE RAILWAY MAN, starring Oscar winners Colin Firth and Rachel Weisz, and based on the epic true story of Eric Lomax. His most recent film is BURNING MAN, which he wrote and directed. The film had its international premiere at the 2011 Toronto International Film Festival. Teplitzky studied film and television at Middlesex University, London, graduating in 1989 with First Class Honours. After spending more than a decade living and working overseas, he returned to Australia to write and direct his first feature film, BETTER THAN SEX, starring David Wenham and Susie Porter. Jonathan has directed more than 100 commercials and music videos, and has been represented by internationally renowned production company, Partizan. He has worked as a director of photography and camera operator, reflecting his love of photography and composition. His photographs have been included in several exhibitions in Sydney, London and New York.

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Australia, 2011, DCP, Colour, 149 min, English Režija / Director: Jonathan Teplitzky Scenarij / Screenplay: Jonathan Teplitzky Direktor fotografije / Director of Photography: Garry Phillips Montaža / Editor: Martin Connor Muzika / Music: Lisa Gerrard Uloge / Cast: Matthew Goode, Bojana Novaković, Essie Davis, Kerry Fox, Rachel Griffiths Producent / Producer: Andy Paterson, Jonathan Teplitzky Produkcija / Production: Archer Street / Meercat Films Filmografija / Filmography 2011 - BURNING MAN 2003 - GETTIN’ SQUARE 2000 - BETTER THAN SEX

Djeca kao i sva druga / Children Like Any Other Ovo je film koji pokazuje portrete troje djece koja su živjela u Sarajevu tokom opsade grada koja je trajala tri i po godine. Kroz njihove priče, film pokušava dati sliku mališana koji žive u ratu i te njihove napore da tu traumu prevaziđu. Priče su naizgled odvojene, ali motiv koji ih povezuje jeste trogodišnji dječak koji na svom triciklu neprestano luta sarajevskim ulicama, prolazi svuda i vidi uvijek sve. On nas vodi od jednog do drugog djeteta, prikazujući nam sliku gotovo bizarnog života djece u Sarajevu. Pjer Žalica je diplomirao na Akademiji scenskih umjetnosti u Sarajevu, gdje sada predaje. Dobitnik je brojnih nagrada na međunarodnim festivalima. On i Ademir Kenović su autori prvog bosanskohercegovačkog poslijeratnog filma SAVRŠENI KRUG (1997). E This is a film portraying three children who lived in Sarajevo during the siege. Through images of these children, the film is trying to present the children who lived in war for three and a half years, as well as their efforts to overcome the trauma. These are the three seemingly separate stories, but the thread connecting them is a three-year-old boy who constantly roams the streets of Sarajevo on his tricycle, going everywhere, seeing almost everything. He is taking us from one child to the other, presenting almost a bizarre life of children in Sarajevo.

Pjer Žalica obtained his degree from the Sarajevo Academy of Performing Arts, where he now teaches. He has received numerous awards at international festivals. He and Ademir Kenović are the co-authors of the first Bosnian post-war film, PERFECT CIRCLE (1997).

Bosnia and Herzegovina, 1995, DVD, Colour, 23 min, Bosnian Režija / Director: Pjer Žalica Scenarij / Screenplay: Pjer Žalica Direktor fotografije / Director of Photography: Milenko Uherka Montaža / Editor: Almir Kenović Producent / Producer: Ismet Arnautalić, Ademir Kenović Produkcija / Production: SaGA Filmografija / Filmography 2011 - ORKESTAR / ORCHESTRA 2004 - KOD AMIDŽE IDRIZA / DAYS AND HOURS 2003 - GORI VATRA / FUSE 2000 - MOSTAR SEVDAH REUNION (dokumentarni / doc.) 1998 - KRAJ DOBA NEPRIJATNOSTI / THE END OF UNPLEASANTNESS (kratkometražni / short) 1995 - DJECA KAO I SVA DRUGA / CHILDREN LIKE ANY OTHER (dokumentarni / doc.) 1993 - GODOT SARAJEVO (dokumentarni / doc.) 1992 - ČAMAC / THE MAN CALLED BOAT (dokumentarni / doc.)

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Good Luck for You Every Day: The Incredible Story of Peng Phan / Sretno ti bilo svaki dan: Nevjerovatna priča Peng Phan Peng Phan je živjela za vrijeme brutalnog i represivnog režima kambodžanskog diktatora Pola Pota. Jedna je od rijetkih koji su utekli smrti. Masakrirane su stotine ljudi oko nje, čak i djeca. Pošto je progone sjećanja na ubijenu djecu, Peng Phan je odlučila posvetiti život kambodžanskoj djeci, a svoj dom pretvoriti u sirotište. Raul Gallego Abellan je nagrađivani novinar i režiser. Karijeru je izgradio izvještavajući o najvažnijim konfliktima u proteklih deset godina, a istovremeno je snimao kratkometražne i dugometražne dokumentarne filmove. Jedan je od začetnika dokumentarnog izvještavanja preko interneta. Marc Martinez Sarrado svoje prirodno okruženje pronalazi u kreativnim dokumentarnim filmovima i serijama, te reportažama. Nagrađivani je direktor fotografije i režiser dokumentarnih filmova. Godine 1996. je završio studij u centru Calassanç (sada ESCAC) u Barceloni, gdje je studirao snimanje. Snimao je u više od 40 zemalja širom svijeta, uglavnom u siromašnim područjima. Bio je ne samo snimatelj, nego i producent na terenu, snimatelj zvuka i montažer. Sastavni dio njegove profesionalne vizije jeste jak, kreativan novinarski instinkt, kao i uvjerljivo obraćanje međunarodnoj publici. Mnogi od njegovih novijih radova su nagrađeni zbog umjetničke vrijednosti i važnosti ispričane priče. E Peng Phan lived through the brutally repressive regime of Cambodian dictator, Pol Pot. She came close to death but was one of just a few that managed to escape. Hundreds around her, including many children, were massacred. Haunted by her memories of child after child being murdered by the Khmer Rouge, Peng Phan decided to devote her life to Cambodia’s children and turn her home into an orphanage.

Raul Gallego Abellan is an award winning journalist filmmaker. He made his career covering the most important conflicts of the last decade and at the same time making short and long documentary films. He has been a pioneer in the online documentay story telling. Marc Martinez Sarrado’s natural habitat are creative documentaries, documentary series and reportage. Award-winning Director of Photography and Documentary Filmmaker. In 1996, he ends his studies at Centre Calassanç (now ESCAC) in Barcelona, where he studied cinematography. He has filmed in more than forty countries all over the globe, mainly in poverty-stricken areas. His responsibility often included not only shooting but also field producing, sound recording and editing. Integral to his professional vision is a strong creative and journalistic instinct, as well as compelling non-fiction storytelling for international audiences. Among his works, many of his last films have been awarded in recognition of the artistic values and the importance of the told story.

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Spain, Cambodia, 2010, HD CAM (HDTV), Colour, 58 min, Central Khmer Režija / Director: Raul Gallego Abellan, Marc Martinez Sarrado Scenarij / Screenplay: Raul Gallego Abellan Direktor fotografije / Director of Photography: Raul Gallego Abellan, Marc Martinez Sarrado Montaža / Editor: Raul Gallego Abellan, Marc Martinez Sarrado Muzika / Music: Ian Mader Producent / Producer: Angel García, Marc Martinez, Raul Gallego Produkcija / Production: On The Record Filmografija / Filmography Raul Gallego Abellan 2010 - GOOD LUCK FOR YOU EVERY DAY: THE INCREDIBLE STORY OF PENG PHAN (dokumentarni / doc.) 2009 - THE BEST AND WORST YEARS OF MY LIFE (dokumentarni / doc.) 2009 - STRIKE OF THE SWORD DIARIES (dokumentarni / doc.) 2009 - WARDAK SOLDIERS-FOOT PATROL II. ‘’ WHAT HAPPENS TO A SOLDIER WHEN WAR BECOMES A FRUSTRATING FIGHT AGAINST AN INVISIBLE ENEMY?’’ (dokumentarni / doc.) 2007 - FOOTPATROL. ‘’WHAT IS IN THE MIND OF A US SOLDIER FIGHTING IN AFGHANISTAN?’’ (dokumentarni / doc.) Marc Martinez Sarrado 2011 - FORMENTERA, L’HIVERN DE LA SARGANTANa (dokumentarni / doc.) 2010 - GOOD LUCK FOR YOU EVERY DAY: THE INCREDIBLE STORY OF PENG PHAN (dokumentarni / doc.) 2009 - THE TURNAROUND (dokumentarni / doc.) 2008 - LA CHAMPIONS DEL VATICANO (dokumentarni / doc.) 2007 - WINGS OVER ANTARCTICA (dokumentarni / doc.) 2006 - LA RUMBATOMBA (dokumentarni / doc.)

Al juma al akheira / Prošli petak / The Last Friday Nakon razvoda, taksista Youssef živi izoliran i usamljen, jer mu je žena odvela jedinog sina. Željno iščekuje dan u sedmici kada će ga opet vidjeti, sam igra tavle, sam pije i jede, sam odlazi na duge vožnje ulicama Amana ili se nalazi s prijateljima kojima priča na šta misli i šta ga tišti. Život mu se naglo preokrene kada mu doktor kaže da u roku od četiri dana mora ići na operaciju testisa. To ga dovodi u dilemu da li ići na operaciju ili kupiti svom sinu psa kojeg je želio, i to prije nego mu ga kupi očuh. On zapada u svijet izolacije dok se vozi ulicama Amana, pritisnut očajem, usamljenošću, i osjećajem poraza jer živi u vremenu ekonomske depresije i socijalnih pritisaka. Yahya Alabdallah je rođen 1978. u Libiji, a odrastao je u Saudijskoj Arabiji. Pisac je, režiser, producent i književni kritičar s dva magisterija – iz književnosti i filma – završena na Školi za film EICAR u Parizu. Snimio je mnogo kratkometražnih filmova, a napisao je i kritiku Alienation: An analytic study of Taher Benjelloun’s Fictitious Characters. Alabdallah je napisao scenarij i režirao osam filmova koji su osvajali nagrade i prikazivani su širom svijeta. Trenutno radi na nekoliko scenarija za igrani film. Učestvovao je na radionicama MFD, IWP, SudEcriture, Talent Campus Berlinalea, Produire au sud producentskoj mreži Cannes 2008 i na koprodukcijskom forumu Filmskog festivala u Solunu. Alabdallah je osnovao nezavisnu produkcijsku kuću ME Films 2005, sa sjedištem u Amanu, u Jordanu, čiji je cilj pružanje usluga nezavisnoj filmskoj industriji. E After his divorce Youssef, a taxi driver, lives in isolation and loneliness after his wife took their only son to live with her. He counts the days until he sees his son once a week, playing gammon by himself, drinking and eating, taking long drives by himself in his taxi through the streets of Amman or meeting up with his friends to share his thoughts and troubles. Suddenly his life is turned upside down, when the doctors tell him about the necessity of having a testicular surgery within four days, forcing him into the dilemma of having the surgery or getting his estranged son the dog that he wanted, before his stepfather buys it for him. Falling into a world of isolation, as he drives through the streets of Amman forced by his despair, loneliness and his feeling of defeat from living the time of economic depression and social pressures.

Jordan, 2011, HD CAM (HDTV), Colour, 88 min, Arabic Režija / Director: Yahya Alabdallah Direktor fotografije / Director of Photography: Rachel Aoun Montaža / Editor: Mohammad A. Sulieman Muzika / Music: Le Trio Jubran Uloge / Cast: Fadi Arida, Yasmine Elmasri, Nabil Kawni, Nadira Omran, Taghreed Al Rushuq, Amin Safi, Shadi Salah, Lara Sawalha, Abdul Kareem Abu Zayad Producent / Producer: Rula Nasser, Majd Hijawi, Yahya Alabdallah Produkcija / Production: The Royal Film Commission Filmografija / Filmography 2011 - AL JUMA AL AKHEIRA / THE LAST FRIDAY 2009 - SMS (kratkometražni / short) 2008 - PUMMELO (kratkometražni / short) 2006 - A MAN IN A CUP (kratkometražni / short) 2004 - SIX MINUTES (kratkometražni / short) 2004 - THE NICE GRANDMOTHER (kratkometražni / short)

Yahya Alabdallah was born in Libya 1978, raised in Saudi Arabia. He is a writer, director, producer and a literary critic with two Masters Degrees in literature and film from EICAR Cinema School in Paris. He has made many short films as well as written a critique entitled Alienation: An analytic study of Taher Benjelloun’s Fictitious Characters. Yahya wrote and directed eight short films that won and travelled around the world. Yahya is working on several feature screenplays. He was part of MFD, IWP, SudEcriture, Berlinale Talent campus, produire au sud, producers network Cannes 2008 and also attended a Co-Production Forum Thessaloniki Film Festival. Yahya founded ME Films 2005, an independent production company based in Amman-Jordan to cater the independent film industry.

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Palio sam noge / I Burnt Legs Ovo je dokumentarni film o ratnim stradanjima, prikazan kroz ispovijest studenta režije, koji je u ratu radio kao bolničar i, između ostalog, nosio amputirane dijelove tijela u peć za kremaciju. Dječaku bez ruke najveći je problem što ne može napraviti tvrdu i veliku grudvu; mladić bez nogu hoda, a kroz ispovijest režisera ovoga filma, kao i kroz sam film, shvatamo poremećaj koji se desio u glavama Sarajlija. Srđan Vuletić je studirao na Akademiji scenskih umjetnosti u Sarajevu, gdje je režirao četiri drame i počeo snimati kratkometražne studentske filmove. 1992. radio je kao bolničar, što je iskustvo koje je služilo kao inspiracija za njegov uspješni film PALIO SAM NOGE (1993; dobitnik Felixa, najveće evropske nagrade za film 1994). Kao član SaGA-e (sarajevske grupe autora), režirao je nekoliko dokumentarnih filmova, a kasnije i televizijski putopis o bosanskim gradovima sa scenaristom Abdulahom Sidranom. Njegov prvi dugometražni film LJETO U ZLATNOJ DOLINI je svjetsku premijeru doživio na Filmskom festivalu u Torontu, a osvojio je i brojne nagrade, uključujući i nagradu VPRO Tigar i nagradu Moviezone na Filmskom festivalu u Rotterdamu. 2005. Udruženje filmskih radnika Bosne i Hercegovine ga je proglasilo režiserom godine. Trenutno radi na Akademiji scenskih umjetnosti, na Odsjeku za režiju. E This is a documentary about the horrors of war shown through the testimony of a film directing student who worked as a paramedic technician during the war and who, among other things, carried amputated limbs to the incinerator. The biggest problem for a boy who lost his arm is that he cannot make a hard, big snowball; a young man without legs is walking. Through the director’s testimony, as well as through the very film, we come to realize the disorder that had occurred in the minds of the people of Sarajevo.

Srđan Vuletić studied at the Academy of Performing Arts Sarajevo, where he directed four plays as well as began making short student films. In 1992, he joined a hospital crew as a paramedic technician, an experience that was later to inspire the acclaimed documentary I BURNT LEGS (1993, winner of a Felix, the highest European film award, in 1994). As a member of SaGA (Sarajevo Group of Authors), he directed several documentaries, and later created a travelogue television program about Bosnian cities with screenwriter Abdulah Sidran. His first feature film, SUMMER IN THE GOLDEN VALLEY, made its world premiere at the Toronto Film Festival, and won numerous honors such as the VPRO Tiger Award and Moviezone Award at Rotterdam Film Festival. In 2005, he was named Filmmaker of the Year by the Filmworkers Union of Bosnia-Herzegovina. He is currently a faculty member of the film directing program at the Academy of Performing Arts Sarajevo.

198 18. Sarajevo Film Festival l SPECIJALNE PROJEKCIJE

Bosnia and Herzegovina, 1993, DVD, Colour, 10 min, Bosnian Režija / Director: Srđan Vuletić Scenarij / Screenplay: Srđan Vuletić Direktor fotografije / Director of Photography: Almir Kenović Montaža / Editor: Almir Kenović Zvuk / Sound: Oliver Todorović Producent / Producer: Ademir Kenović Produkcija / Production: SaGA Filmografija / Filmography 2007 - TEŠKO JE BITI FIN / IT’S HARD TO BE NICE 2003 - LETO U ZLATNOJ DOLINI / SUMMER IN THE GOLDEN VALLEY 1999 - TROSKOK / HOP, SKIP & JUMP (kratkometražni / short) 1998 - PUT NA MJESEC / A TRIP TO THE MOON (kratkometražni / short) 1993 - PALIO SAM NOGE / I BURNT LEGS (dokumentarni / doc.)

Schindler’s List / Schindlerova lista Film SCHINDLEROVA LISTA je remek djelo Stevena Spielberga, nevjerovatni dobitnik brojnih nagrada – duboko šokantna, bespoštedna, na činjenicama zasnovana trosatna priča o košmaru holokausta. Dokumentarnom autentičnošću, ovaj film prikazuje tamni, zastrašujući period Drugog svjetskog rata, kada su Jevrejima u Krakowu pod nacističkom okupacijom prvo bila oduzeta preduzeća i domovi, zatim su preseljeni u geta i logore za prisilni rad u Plaszowu, te na kraju, deportirani u koncentracione logore na pogubljenje. Oskar Schindler je bio sudetski Nijemac, nacist, ženskaroš, inteligentni oportunist, industrijalac i ratni profiter, koji je upočetku koristio jevrejsku/poljsku jeftinu radnu snagu u uspješnoj tvornici emajliranog posuđa, da bi na kraju spasio više od hiljadu radnika od sigurne smrti u logorima smrti. Jednoglasno hvaljen, film je osvojio sedam Oscara, uključujući i Oscara za najbolji film, režiju (Spielbergov prvi Oscar za režiju), fotografiju, adaptirani scenarij, originalnu muziku, montažu i scenografiju. Prvi put je, nakon filma APARTMENT (1960), jedan crno-bijeli film osvojio Oscara. Ovo je i komercijalno najuspješniji crno-bijeli film u historiji kinematografije. Steven Spielberg je rođen 1946. u Cincinnatiju, u Ohiou. Kao dijete, amaterski se bavio filmom. Kasnije je postao izuzetno uspješan režiser čiji su filmovi nagrađivani Oscarom. To su filmovi: SCHINDLEROVA LISTA, E.T: VANZEMALJAC i SPAŠAVANJE VOJNIKA RYANA. Spielberg sa saradnicima 1994. osniva studio Dreamworks SKG, kojeg 2005. kupuje filmska kompanija Paramount. E Schindler’s List is Steven Spielberg’s unexpected award-winning masterpiece - a profoundly shocking, unsparing, fact-based, three-hour long epic of the nightmarish Holocaust. Its documentary authenticity vividly re-creates a dark, frightening period during World War II, when Jews in Nazi-occupied Krakow were first dispossessed of their businesses and homes, then placed in ghettos and forced labor camps in Plaszow, and finally resettled in concentration camps for execution. Oskar Schindler was an enterprising, womanizing Nazi Sudeten-German industrialist/opportunist and war profiteer, who first exploited the cheap labor of Jewish/Polish workers in a successful enamelware factory, and eventually rescued more than one thousand of them from certain extinction in labor/ death camps. The unanimously-praised film won seven Academy Awards, including Best Picture, Best Director (the first for Spielberg), Best Cinematography, Best Adapted Screenplay, Best Original Score, Best Editing, and Best Art Direction. It was the first black/white film since THE APARTMENT (1960) to win the Best Picture Academy Award, and the most commercially-successful B/W film in cinematic history.

Steven Spielberg was born 1946, in Cincinnati, Ohio. An amateur filmmaker as a child, Spielberg went on to become the enormously successful and Academy Award-winning director of such films as SCHINDLER’S LIST, E.T: THE EXTRA-TERRESTRIAL, and SAVING PRIVATE RYAN. In 1994, he cofounded the studio Dreamworks SKG, which was purchased by Paramount Pictures in 2005.

USA, 1993, 35 mm, Colour and b&w, 195 min, English, Hebrew, German, Polish Režija / Director: Steven Spielberg Scenarij / Screenplay: Steven Zaillian, Thomas Keneally (book) Direktor fotografije / Director of Photography: Janusz Kaminski Montaža / Editor: Michael Kahn Muzika / Music: John Williams Scenografija / Production Design: Allan Starski Kostimografija / Costume Design: Anna Biedrzycka-Sheppard Uloge / Cast: Liam Neeson, Ben Kingsley, Ralph Fiennes, Caroline Goodall, Jonathan Sagall, Embeth Davidtz Producent / Producer: Branko Lustig, Gerald R. Molen, Steven Spielberg Produkcija / Production: Universal Pictures, Amblin Entertainment Filmografija / Filmography 2011 - WAR HORSE 2008 - INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL 2005 - WAR OF THE WORLDS 2004 - THE TERMINAL 2002 - CATCH ME IF YOU CAN 2001 - A.I. ARTIFICIAL INTELLIGENCE 1998 - SAVING PRIVATE RYAN 1993 - SCHINDLER’S LIST 1993 - JURASSIC PARK 1991 - HOOK 1989 - INDIANA JONES AND THE LAST CRUSADE 1987 - EMPIRE OF THE SUN 1984 - INDIANA JONES AND THE TEMPLE OF DOOM 1982 - E.T.: THE EXTRA-TERRESTRIAL 1977 - CLOSE ENCOUNTERS OF THE THIRD KIND 1975 - JAWS 1971 - DUEL

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Šanghaj / Šangaj / Shanghai Gypsy Igrani film ŠANGHAJ je ljubavna priča. Glavni protagonisti su članovi jedne romske porodice. Priču o četiri generacije pripovijeda glavni lik, romski kralj, koji je odlučio izgraditi vlastito romsko selo. Naziva ga Šangaj. Krijumčarenjem zarađuje za život, a njegova moć i utjecaj rastu. Čak lokalni policajci i političari staju na njegovu stranu, a to mu pomaže da ostane izvan dohvata zakona. Ali, s propašću Jugoslavije, krijumčarenje robe zamjenjuje krijumčarenjem oružja. Iako unosan, ovaj posao počinje dovoditi u opasnost njegov privatni život i romski kralj se nađe na životnoj raskrsnici. Marko Naberšnik (1973, Maribor, Slovenija) je 1996. pohađao režiju na Filmskoj akademiji u New Yorku. Tamo je režirao i svoj prvi kratkometražni film THE BEGINNING kojim je položio prijemni ispit i započeo studij filmske i TV režije na Akademiji za pozorište, radio, film i televiziju (AGRFT) Univerziteta u Ljubljani. 2002. je završio je postdiplomski studij. Marko Naberšnik radi kao docent na Akademiji. Režiser je više filmova, dokumentaraca i TV emisija. Naberšnik je 2007. režirao svoj prvi dugometražni igrani film ROOSTER’S BREAKFAST koji je, sa 183.000 prodanih karata, jedan od najgledanijih slovenačkih filmova svih vremena, a osvojio je i mnoge domaće te međunarodne nagrade. E Feature film SHANGHAI GYPSY is a love story. The main protagonists are members of gypsy family. A story about four generations is narrated by main character, a gypsy king, who decided to establish his own gypsy village. He names it Shanghai. He makes a living on smuggling and his power and influence grow large. He even gets local police and politics on his side and that helps him to become untouchable for law. But with the downfall of Yugoslavia, smuggling of goods is being replaced by smuggling of the arms. Though lucrative, the business starts to threaten his personal life and he finds himself at the crossroads.

Marko Naberšnik (1973, Maribor, Slovenia) attended a film directing course at the New York Film Academy in 1996. There he made his first short film THE BEGINNING and it was with this film that he passed the entrance exam and began with studies of film and TV directing at the Ljubljana Academy for Theatre, Radio, Film and Television (AGRFT), University of Ljubljana. In 2002 he graduated from the Academy in film and TV directing, and in 2010 he completed his Masters Degree. Marko has been working as a Assistant Professor at the Academy, and as a director of films, documentary films and various TV shows. In 2007 Marko directed his first fiction feature film ROOSTER’S BREAKFAST, which is with 183.000 tickets sold one of the most viewed Slovenian films ever and a receiver of many film awards at home and abroad.

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Slovenia, 2012, DCP, Colour, 124 min, Romani, Bosnian, Italian, Slovenian Režija / Director: Marko Naberšnik Scenarij / Screenplay: Marko Naberšnik Direktor fotografije / Director of Photography: Miloš Srdić Montaža / Editor: Janez Bricelj Muzika / Music: Saša Lošić Uloge / Cast: Visar Vishka, Asli Bayram, Senad Bašić, Jasna Diklić, Miki Trifunov, Bojan Emeršič, Marjuta Slamič, Saša Petrović, Vlado Novak, Ivo Ban, Anđelo Kontrec, Dominik Kontrec, Mišo Kontrec, Senko Velinov, Emir Hadžihafizbegović, Haris Burina, Saša Pavlin Stošić, Voja Brajović, Goran Navojec, Marko Sosič, Sergej Ferrari, Blaž Valič, Barbara Jakopič – Kraljevič, Bine Matoh, Zvone Funda, Suzana Grau, Lara Komar, Andrej Murenc, Rastko Krošl, Janez Starina, Tone Kuntner, Andrej Nahtigal, Aleš Ravnik, Shanell Rama, Alojz Domnik Producent / Producer: Franci Zajc Produkcija / Production: Arsmedia d.o.o. Filmografija / Filmography 2012 - ŠANGHAJ / SHANGHAI GYPSY 2010 - HODNIK / CORIDOR 2007 - PETELINJI ZAJTRK / ROOSTER’S BREAKFAST 2005 - ISKANJE IZGUBLJENE LJUBEZNI / SEARCHING LOST LOVE (dokumentarni / doc.) 2004 - IZKUŠNJA RAZLIKE / EXPERIENCING DIFFERENCE (dokumentarni / doc.) 2001 - PAVLE (kratkometražni / short) 2000 - Z LJUBEZNIJO / WITH LOVE (kratkometražni / short) 1999 - DESETI PLANET / THE 10TH PLANET (dokumentarni / doc.) 1996 - ZAČETEK / THE BEGINNING (kratkometražni / short)

Ulica pod opsadom / Sarajevo: A Street Under Siege U koprodukciji sa producentskim kućama Point du Jour (Francuska) i BBC2 (Engleska) realizirana je serija dvominutnih priča pod nazivom ULICA POD OPSADOM. Radi se o zanimljivim pričama ratne svakodnevnice stanovnika sarajevske ulice Muse Ćazima Ćatića. Serija bilježi svakodnevne probleme i ljudske sudbine koje čine izuzetnu hroniku grada pod opsadom. To je bilo vrijeme stradanja, ali i herojskog otpora agresiji. Ademir Kenović je jedan od najuspješnijih bh. reditelja i producenata. Od 1989. je profesor režije na Akademiji scenskih umjetnosti u Sarajevu. Njegov prvi film, OVO MALO DUŠE otvorio je 1991. Quinzaine des Réalisateurs“ u Cannesu. Drugi film, KUDUZ, bio je nominiran u tri kategorije za Felix. U ratnim godinama snimio je preko 50 dokumentarnih filmova - SARAJEVSKI VIZUALNI DNEVNIK, te seriju dokumentarnih zapisa ULICA POD OPSADOM. 1997. nastaje njegov SAVRŠENI KRUG, koji osvaja brojne internacionalne nagrade. Producirao je filmove GORI VATRA, KOD AMIDŽE IDRIZA i ORKESTAR Pjera Žalice, LJETO U ZLATNOJ DOLINI i TEŠKO JE BITI FIN Srđana Vuletića, KARAULA Rajka Grlića, ARMIN Ognjena Sviličića, te TRAKTOR, LJUBAV I ROCK`N`ROLL Branka Đurića... Patrice Barrat je novinar, televizijski producent, režiser, te generalni direktor multimedijske produkcijske kuće Article Z iz Pariza. U 29 godina bavljenja novinarstvom osvojio je mnoge nagrade, uključujući i Nagradu Amnesty Internationala, nagradu BAFTA, Zlatnu nagradu FIPA-e, te Nagradu Adolf Grimme za dokumentarne filmove FAMINE FATIGUE, SARAJEVO: A STREET UNDER SIEGE i THE OTHER ALGERIA. Njegovi su filmovi prikazani na filmskim festivalima u Cannesu, Locarnu i Rotterdamu. E A series of two-minute stories entitled A STREET UNDER SIEGE was realized in coproduction with Point du Jour (France) and BBC2 (England). These interesting war stories follow the everyday lives of citizens living in the Musa Ćazim Ćatić Street. The series documents the daily problems and human fates that comprise an extraordinary chronicle of the city under siege. That was a time of suffering, dying, but also a time of a heroic resistance against the aggression.

Bosnia and Herzegovina, 1993, 1994, DVD, Colour, 40 min, Bosnian Režija / Director: Patrice Barrat, Ademir Kenović Producent / Producer: Ismet Arnautalić, Ademir Kenović Produkcija / Production: SaGA, Point du Jour, BBC2 Filmografija / Filmography Ademir Kenović 2004 - SECRET PASSAGE 1997 - SAVRŠENI KRUG / THE PERFECT CIRCLE 1994 - MGM SARAJEVO: ČOVJEK, BOG, MONSTRUM (documentary / doc.) 1991 - OVO MALO DUŠE 1989 - KUDUZ Patrice Barrat 2008 - LE DÉBUT DE LA FAIM (dokumentarni / doc.) 2004 - ELLEN ET LE TERRORISME (dokumentarni / doc.) 2003 - Y A-T-IL UN TERRORISTE DANS L’AVION? (dokumentarni / doc.) 2002 - GÉRALDO: À QUI PROFITE LE PROFIT? (dokumentarni / doc.) 1994 - ULICA POD OPSADOM / SARAJEVO A STREET UNDER SIEGE (dokumentarni / doc.)

Ademir Kenović is one of the most successful BiH directors and producers. He has been a professor of film directing at the Sarajevo Academy of Performing Arts. His first film, OVO MALO DUŠE, opened the directors’ Fortnight section at the International Film Festival in Cannes, in 1991. His second film, KUDUZ, was nominated in three categories for the Felix award. He filmed over 50 documentaries during the war – THE SARAJEVO VISUAL DIARY, as well as a series of documentary chronicles A STREET UNDER SIEGE. In 1997, he released THE PERFECT CIRCLE, a film which won many international awards. He produced GORI VATRA, KOD AMIDŽE IDRIZA and ORKESTAR by Pjer Žalica, LJETO U ZLATNOJ DOLINI and TEŠKO JE BITI FIN by Srđan Vuletić, KARAULA by Rajko Grlić, ARMIN by Ognjen Sviličić, as well as TRAKTOR, LJUBAV I ROCK’N’ROLL by Branko Đurić... Patrice Barrat is journalist, a TV producer/director, and managing director of Article Z, a Paris-based multimedia production company. He has won many awards in 29 years of journalism, including the Amnesty International award, BAFTA award, FIPA Golden Award, and Adolf Grimme Preis for the documentaries FAMINE FATIGUE, SARAJEVO: A STREET UNDER SIEGE and THE OTHER ALGERIA. His films have been featured at the Cannes Film Festival and in Locarno and Rotterdam. SPECIAL SCREENINGS l 18. Sarajevo Film Festival 201

6. Sarajevo Talent Campus

S ponosom predstavljamo 6. izdanje Sarajevo Talent Campusa, u okviru kojeg će stvaraoci savremenog filma i mladi umjetnici imati priliku istražiti temu Film i moguće budućnosti, ne samo u smislu društvenih i tehnoloških promjena, koje se velikom brzinom odvijaju pred našim očima, nego i u smislu niza mogućnosti koje ove promjene donose.

Asja Makarević

Od samog početka, svake godine, Sarajevo Talent Campus raste i postaje sadržajno bogatiji, stoga od ove godine, pored kandidata iz Jugoistočne Evrope, učestvovat će i kandidati iz zemalja šire regije: iz Armenije, Azerbejdžana, Gruzije i Moldavije, pa će svojim prisustvom i raznolikim pristupima filmskoj umjetnosti obogatiti Campus. Ove godine, također, pored postojećih programa za glumce, producente, režisere i scenariste, Sarajevo Talent Campus predstavit će i program za filmske kritičare, s ciljem da se formira kritična grupa, čiji će rad, vremenom, pratiti i poboljšati rad mladih filmskih umjetnika. Talent Campus će i ove godine ponuditi niz zanimljivih sadržaja: od predavanja, panel diskusija, razgovora svih učesnika, već uhodanih radionica za svaku grupu umjetnika, do prilika

202 18. Sarajevo Film Festival l SARAJEVO TALENT CAMPUS

za ‘umrežavanje’ koje organiziramo u vidu sastanaka ‘speed matching’, speed dating’ i ‘one on one’, a u saradnji s našim partnerom, Fondacijom Robert Bosch. Ti sastanci će omogućiti učesnicima da se predstave jedni drugima, ali i grupi od 10 njemačkih producenata. Nastavljamo s programom ‘Pack&Pitch’, kojim pružamo mogućnost izabranim učesnicima da pod stručnim mentorstvom nauče analizirati i pripremiti projekte za prezentaciju, te kako primijeniti znanje stečeno tokom prezentacija iskusnih filmskih radnika, gostiju Sarajevo Film Festivala, kao i učesnika koprodukcijskog marketa CineLink. Prikazivanje filmova u okviru novog programa Kinoscope, te programa Open Air i Novi tokovi, kao i takmičarskih programa, prethodit će sesijama na kojima će učesnici upoznati autore trenutno najpopularnijih filmova, kao i brojne goste festivala: Todda Solondza, Aidu Begić, Orhana Eskikoya, Zeynela Dogana, Tatianu Huezo, Eyala Sivana, Benedeka Fliegaufa, Cosminu Stratan, Cristinu Flutur, Philippea Bobera, Nancy Bishop, Leona Lučeva, Liciu Eminenti, Oliviu Hetreed, Kate Leys, Sydney Levine, Petera Belesita, Rémija Bonhommea i mnoge druge.

Radujemo se još jednom regionalnom sastanku punom učenja i druženja.

E We proudly present you the 6th edition of

the Sarajevo Talent Campus within which creators of today’s film and young film artists will have an opportunity to explore the topic “Film and Possible Futures”, not only in the sense of social and technological changes happening rapidly before our eyes, but also in the sense of multiple possibilities these changes bring. With each year of its existence, the Sarajevo Talent Campus keeps growing and enriching its content, and thus from this year, in addition to candidates from countries of Southeast Europe, the Talent Campus will include participants from four countries of the broader region: Armenia, Azerbaijan, Georgia, and Moldova, whose presence will enrich the Campus with their diversity of approach to the art of film. Also, this year, alongside the already existing programmes for actors, producers, directors, and scriptwriters, the Sarajevo Talent Campus introduces a programme for film critics, in order to form a critical group whose work will, in the

course of time, follow and improve the work of young film artists. This year again, the Talent Campus offers a handful of interesting contents consisting of lectures, panel discussions, and conversations for all the participants, already smoothly running workshops scheduled for each group of artists, as well as a ‘networking’ opportunity organized in cooperation with our partner the Robert Bosch Foundation, such as ‘speed matching’, ‘speed dating’ and ‘one on one’ meetings, which will give the opportunity to the participants to present themselves to each other, but also to the group of ten German producers. We continue with the programme segment ‘Pack&Pitch’ giving an opportunity to the selected participants to learn, under professional mentorship, how to analyze and prepare projects for presentation, and how to apply the knowledge they have gained through presentations to experienced film professionals, guests of the Sarajevo Film Festival, and participants of the CineLink coproduction market. Screenings of the new programme Kinoscope, Open Air and New Currents programmes, as well as the Competition programmes will precede the sessions during which the participants

will meet the authors of the currently most actual films, as well as numerous guests of the festival: Todd Solondz, Aida Begić, Orhan Eskikoy, Zeynel Dogan, Tatiana Huezo, Eyal Sivan, Benedek Fliegauf, Cosmina Stratan, Cristina Flutur, Philippe Bober, Nancy Bishop, Leon Lučev, Licia Eminenti, Olivia Hetreed, Kate Leys, Sydney Levine, Peter Belesito, Rémi Bonhomme and many others. We are looking forward to one more opportunity for a regional meeting full of learning and companionship. Asja Makarević menadžerica projekta / Sarajevo Talent Campus Manager

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BiH Film

208 Igrani film / Feature Film 208 Dokumentarni filmovi / Documentary Films 210 Kratki filmovi / Short Films 211 Studentski filmovi / Students Films 212 PosveÄ&#x2021;eno: Srebrenica / Tribute to Srebrenica

Bh. Film Festival 2012. / Bh Film Festival 2012

Nikada nije bilo teže napisati uvodnik o situaciji u bosanskohercegovačkom filmu danas. Sa jedne strane, finansijski aspekti i dalje izgledaju mračni, ako ne i mračniji nego ikada, dok se, s druge strane, filmski profesionalci sve više prilagođavaju novim načinima produkcije, produkcije koja je sve više slična gerilskom niskobudžetnom snimanju filmova. Godina je, uistinu, počela sjajno: finalizacijom pregovora i pristupanjem programu MEDIA Evropske unije, koji je sada otvoren i za producente iz naše zemlje. Rezultati ove promjene sigurno će vrlo brzo imati utjecaja na razvoj bosanskohercegovačkog filma i pomoći će domaćim producentima da bolje i brže razvijaju i finansiraju svoje filmske projekte. Ovogodišnje izdanje Festivala donosi 34 novih filmova, ali od toga samo dva završena igrana dugometražna filma, među kojima je samo jedan bh. film, dok je drugi rezultat koprodukcije s Austrijom. Nevjerovatno je da je upravo taj jedan jedini film odabran za program Un Certain Regard ovogodišnjeg Cannes Film Festivala! Radi se o drugom igranom filmu rediteljice Aide Begić – DJECA, koji je bio jedini predstavnik BiH, ali i šire regije Balkana. Ponovo će se u okviru ovog programa prikazati veliki broj dokumentarnih filmova, što samo govori kako je dokumentarna produkcija izuzetno živa među autorima u BiH. Posebna pažnja se ove godine poklanja studentskim filmova s tri bh. akademije, dvije iz Sarajeva i jedne iz Banja Luke. Udruženje filmskih radnika BiH će u okviru programa obilježiti i godišnjicu genocida u Srebrenici s 10 filmova koji će biti prikazani 11. jula, u sklopu niza aktivnosti koji organizira ovogodišnji Sarajevo Film Festival. BH. Film Festival prikazat će filmove rađene u BiH na temu genocida: 2 kratka filma, 7 dokumentarnih filmova te jedan igrani. Među tim filmovima su filmovi sada priznatih autora, kao što su: Danis Tanović, Jasmila Žbanić, Alen Drljević, Ahmed Imamović, Ines Tanović, a filmovi su snimani u periodu od 1999. godine do danas. Sa ukupno 35 novih filmova, a s obzirom na produkcijsku krizu u kojoj se Bosna i Hercegovina nalazi, ovo na kraju ipak neće biti tako loša godina.

E It has never been more difficult to write an introductory text about the situation in BiH film today. On one hand, the financial aspects are still gloomy, if not the gloomiest ever, and, on the other hand, film professionals have started to adjust more and more to the new ways of production, which increasingly resembles guerilla low-budget filming. The year started on a high note with the finalization of negotiations and accession to the EU MEDIA program, which is now open to producers from our country. The results of this change will certainly have an almost immediate impact on the development of BiH film, and will help our producers to better and more quickly develop and finance their film projects. This year’s edition of the festival will present 34 new films, but only two completed features, one of them a BiH film and the other a result of co-production with Austria. The fact that this one and only film was selected for this year’s Un Certain Regard program of the Cannes Film Festival is simply remarkable! It is Aida Begić’s second feature CHILDREN, and it was the only representative of BiH and the broader Balkan region. Many documentaries will be screened as part of this program this year as well, and this shows how vibrant the documentary production is with BiH authors. This year, special attention will be given to films made by students from the three BiH academies, two from Sarajevo and one from Banja Luka. As part of this program and as part of a series of activities organized by the Sarajevo Film Festival this year, the BiH Association of Filmmakers will commemorate the anniversary of the Srebrenica genocide with 10 films that will be screened on 11 July. The Film Festival will screen films made in BiH on the topic of genocide, including 2 shorts, 7 documentaries and one feature film. Among these are also films made by our now distinguished authors such as Danis Tanović, Jasmila Žbanić, Alen Drljević, Ahmed Imamović, and Ines Tanović. All the films were made between 1999 and the present day. With a total of 35 films and considering the production crisis in BiH, this year will not be a bad one after all. Elma Tataragić, urednica programa / programme editor

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IGRANI FILM / FEATURE FILM

Djeca / Children of Sarajevo

dalje sve do Borisove sedamnaeste godine kada ga u ”mirnom, sigurnom” dijelu Toronta ubije tinejdžerski huligan koji je pokušao da ga opljačka... Boris Ciković and his family moved to Toronto, Canada, to start a new life far away from the war which made them refugees. And life was going on until Boris was seventeen and was killed in a “peaceful, safe” area of Toronto by a teenage thug who had tried to rob him...

BiH / Turkey / France / Germany, 2012, 35 mm, color, 87 min. Režija / Director: Aida Begić Scenarij / Screenplay: Aida Begić Uloge / Cast: Marija Pikić, Ismir Gagula, Nikola Đuričko, Bojan Navojec, Jasna Ornela Bery, Aleksandar Seksan, Sanela Pepeljak, Armin Avdić, Sadžida Šetić, Mirela Lambić, Staša Dukić, Mario Knezović, Vedran Đekić, Producenti / Producers: Aida Begić Produkcija / Production: Film House (BiH), Les Films de l’Après Midi (France), Kaplan Film (Turkey), Rohfilm (Germany) Kontakt / Contact: Film House; Antuna Hangija 65, 71000 Sarajevo, tel.: +387 33 200 542, info@filmhouse.ba Agent / Sales Agent: Pyramide Intl.

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Rahima (23) i Nedim (13) su ratna siročad. Žive u Sarajevu, gradu koji pati od bolesti društva u tranziciji, u kojem su sve vrijednosti poremećene, pa i odnos prema djeci onih koji su dali život za slobodu grada. Rahima, nakon tinejdžerskih godina ispunjenih kriminalom, pronalazi smisao života islamu. Nada se da će njen mlađi brat krenuti istim stopama. Njihov život, sveden na puko preživljavanje, usložnjava se kada Nedim u tuči razbije skupocijeni mobitel sina lokalnog moćnika. Taj događaj će Rahimu dovesti do otkrića da njen brat vodi dvostruki život.

Prema podacima Svjetske zdravstvene organizacije, deset procenata stanovništva u BiH ima dijagnosticiran PTSP. Kao bivši logoraš kojem je dijagnosticiran PTSP, Husnija ima pravo na mjesečnu penziju u iznosu od 296 KM. Njegova supruga je nezaposlena tako da cijela porodica živi od te penzije.

Rahima (23) and Nedim (14) are orphans of the Bosnian war. They live in Sarajevo, a transitional society that has lost its moral compass, including the way it treats children of the people who were killed fighting for the freedom of their city. After crime-prone adolescent years, Rahima has found comfort in Islam and she hopes her brother will follow in her footsteps. Their life of bare survival becomes even more difficult after Nedim gets into a fistfight with the son of a local strongman and breaks his expensive mobile phone. This incident triggers a chain of events leading Rahima to the discovery that her brother leads a double life.

DOKUMENTARNI FILMOVI / DOCUMENTARY FILMS

3 dana / 3 Days BiH, 2011, HD, color, 81 min. Režija i scenarij / Director and Screenplay: Zdenko Jurilj Producent / Producer: Tomislav Bubalo Produkcija / Production: Kadar d.o.o., Sarajevo Kontakt / Contact: Kadar d.o.o.: Trg širokobrijeških žrtava 1; 88220 Široki Brijeg, tel. / fax.: +387 39 706 992; kadarsb@gmail.com

U jedan sat iza pola noći, 6. maja 1991, zapovjednik 4. korpusa JNA generalmajor Milovan Zorc iz generalštaba u Beogradu dobiva tajnu depešu u kojoj mu se naređuje da iz Mostara premjesti dio 10. oklopne mehanizirane brigade i spoji je s ostatkom tenkovskih jedinica u Sinju, u Hrvatskoj. Oko 15 kilometara udaljeno od Mostara, tenkovska kolona nailazi na višekilometarsku barikadu sastavljenu od građana, teških kamiona i osobnih vozila... Hour and a half after midnight, on 6 May 1991, the commander of the 4th Corpus of JNA general-major Milovan Zorc received a secret dispatch from the supreme command in Belgrade (Serbia), where he was ordered to move a part of the 10th Armoured mechanized brigade from Mostar and join it to the rest of the tank units in Sinj (Croatia). Some15 kilometres away from Mostar, the tank column came across the kilometres long barricade formed of civilians, heavy trucks and passenger cars...

Boris sa i / Boris with an i BiH, 2012, DVD, color, 30 min. Režija i scenarij / Director and Screenplay: Vesna Marić Producent / Producer: Haris Kulenović Producentska kuća / Production Company: BHRT Kontakt / Contact: BHRT, Bulevar Meše Selimovića 12, 71000 Sarajevo, tel.: +387 33 454 897, alma.mesanovic@bhrt.ba

Boris Ciković i njegova porodica odlaze u Kanadu, u Toronto, da započnu novi život u miru, daleko od rata zbog kojeg su postali izbjeglice. Život teče 208 18. Sarajevo Film Festival l BiH FILM - IGRANI / DOKUMENTARNI FILMOVI

BiH, 2012, HD, color, 29 min. Režija / Director: Enes Zlatar Scenarij / Screenplay: Amina Milić Producenti / Producers: Amra Bakšić Čamo, Merdijana Sadović, Zoran Ćatić Produkcija / Production: SCCA / Pro.ba, IWPR, eFM Sarajevo Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, adis@pro.ba

According to the data gathered from the World Health Organization, ten percent of population of Bosnia and Herzegovina has the diagnosis of PTSD, post-traumatic stress disorder. Husnija, ex-concentration camp prisoner diagnosed with PTSD, receives a pension in the amount of 296 KM (150 euro). His wife is unemployed and so his whole family is living of his pension.

Izložba / Exhibition BiH, 2012, Mini DV, Colour, 33 min, Bosnian, Croatian, Serbian Režija / Director: Boro Kontić Scenarij / Screenplay: Boro Kontić Producent / Producer: Maja Hadžiosmanović Produkcija / Production Company: Mediacentar Sarajevo Kontakt / Contact: Mediacentar Sarajevo; Kolodvorska 3, 71 000 Sarajevo; tel.: + 387 33 715 840; fax.: 715 850; maja@media.ba; www.media.ba

Dokumentarac prati tri faze jednog projekta: pripremu izložbe fotografija, traganje za ljudima koji se nalaze na nekim od fotografija, odnosno pokušaj da se pojedini fotosi ‘ožive’, te zatvaranje izložbe. This documentary follows the three phases of the project: the preparation of the photo exhibition, process of looking for people who are on some of the photos, or the attempt to make some photos ‘come alive’ and the closing of the exhibition.

Jugonostalgija / Yugonostalgia BiH, 2012, HD, color, 27 min. Režija / Director: Timur Makarević Producenti / Producers: Amra Bakšić Čamo, Merdijana Sadović, Zoran Ćatić Produkcija / Production: SCCA / Pro.ba, IWPR, eFM Sarajevo Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, adis@pro.ba

Iako je prošlo više od dvije decenije nakon raspada SFRJ, mnogi je se još uvijek sjećaju i žale za prošlim vremenima. Jedan od najneobičnijih fenomena bivše Jugoslavije je jugonostalgija među mladima, onima koji nikad nisu živjeli u SFRJ, ili su bili premladi da bi se sjećali nje. Although it has been more than two decades after the dissolution of Yugoslavia, people still remember and mourn for the past. One of the strangest phenomena of the former Yugoslavia is Yugonostalgia among young people, those who have never lived in Yugoslavia, or were too young to remember how it was.

Krupno u totalu / Close-up in Total BiH, 2012, BETA SP, color, 70 min. Režija i scenarij / Director and Screenplay: Slaviša Mašić Producent / Producer: Josip Pejaković Produkcija / Production: Allmanah Production, Sarajevo

Film KRUPNO U TOTALU nastao je od inserata iz 207 emisija TV serijala “U ime naroda” autora Josipa Pejakovića i PU Dramskog studija Allmanah. Film svoju dramatiku gradi na djelićima priča, na mrvicama sudbina preko 500 aktera. The film CLOSE-UP IN TOTAL is made out of 207 episodes of TV series “In the Name of the People” by Josip Pejaković and drama studio Allmanah. The film builds to its dramatic quality at a fraction of the life story of over 500 people.

Mirza Delibašić – legenda / Mirza Delibašić, the Legend BiH, 2012, DVD, color, 85 min. Režija i scenarij / Director and Screenplay: Miro Benković Producent / Producer: Miro Benković Produkcija / Production: Scart media Kontakt / Contact: mbmiro@yahoo.com

Ovo je priča o najvećem bosanskom košarkašu, Mirzi Delibašiću. Osim dokumentarnih zapisa iz arhive, film govori i o Mirzinim suvremenicima, prijateljima, poznanicima, porodici... This is a story about the most successful Bosnian basketball player Mirza Delibašić. Besides archive footage, the film shows Mirza’s friends, people who knew him personally, his family...

Neki drugi svijet / Some Other World BiH, 2012, color, 59 min. Režija i scenarij / Director and Screenplay: Mustafa Hadžiibrahimović, Naida Ribić

Film je intiman filmski portret sela Halilbeyli, koje je udaljeno četrdesetak kilometara od turskog grada Izmira. Većina stanovnika ovog sela, koje broji oko 2.300 mještana, pored turskog govori i izvornim bosanskim jezikom. SOME OTHER WORLD is a documentary film conceived as an intimate portrayal of the Halilbeyli village that is approximately 40 kilometers from the Turkish city of Izmir. Besides the Turkish language, the majority of the 2,300 people living in the village also speak an old variant of the Bosnian language.

NGO/NVO BiH, 2012, HD, color, 29 min. Režija i scenarij / Director and Screenplay: Igor Bararon Producenti / Producers: Amra Bakšić Čamo, Merdijana Sadović, Zoran Ćatić Produkcija / Production: SCCA / Pro.ba, IWPR, eFM Sarajevo Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, adis@pro.ba

Kroz seriju intervjua s čelnicima nevladinih organizacija u BiH, te dokumentiranjem aktivnosti s terena ili unutar prostorija organizacija, autor želi približiti pristupe i načine na koji odabrane nevladine organizacije djeluju unutar svojih zajednica i slijede vlastite osnivačke namjere. Through series of interviews with heads of non-governmental organizations in Bosnia and Herzegovina, and through documenting of activities in field and inside the spaces of organizations, the author wants to show ways in which selected NGOs act within their communities and in which way they follow their own missions.

The Place We Left BiH, 2012, HD, color, 61 min. Režija i scenarij / Director and Screenplay: Clarissa Thieme Produkcija / Production: Weltfilm, Deblokada, Wien Kontakt / Contact: Amira Lekić, Deblokada, Kranjčevićeva 43, 71000 Sarajevo, amira@deblokada.ba

THE PLACE WE LEFT je dokumentarni film o šest osoba iz Sarajeva, koje su napustile grad, uglavnom zbog rata. Neki su ostali vani, a neki su se vratili. Film je priča o njihovim iskustvima, o tome kako su napustili grad, smjestili se negdje drugo ili ostali negdje ‘između’. THE PLACE WE LEFT is a film about six people, all born in sarajevo, who left the city mostly due to the war. some stayed abroad, some came back. They talk about their experiences leaving their city, settling down somewhere else, or being caught in the middle.

Vaši i naši / Yours and Ours BiH, 2012, HD, color, 27 min. Režija i scenarij / Director and Screenplay: Timur Makarević Producenti / Producers: Amra Bakšić Čamo, Merdijana Sadović, Zoran Ćatić Produkcija / Production: SCCA / Pro.ba, IWPR, eFM Sarajevo Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, adis@pro.ba

Kada je u decembru 2010. Evropska Unija odlučila ukinuti vize za građane Bosne i Hercegovine, očekivalo se da će mladi ljudi putovati u inostranstvo mnogo češće nego do tada. Ali, bilo je jasno da vizna liberalizacija ni na koji način neće doprinijeti zbližavanju mladih ljudi unutar BiH. After European Union has decided to liberate citizens of Bosnia and Herzegovina from visas in December 2010, it was expected that young people would travel much more often than before. But, it was clear that visa liberation would not contribute to bringing closer youngsters from different parts of BiH.

ZIKS BiH, 2012, HD, color, 22 min. Režija i scenarij / Director and Screenplay: Enes Zlatar Producenti / Producers: Amra Bakšić Čamo, Merdijana Sadović, Zoran Ćatić Produkcija / Production: SCCA / Pro.ba, IWPR, eFM Sarajevo Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, adis@pro.ba

U Bosni i Hercegovini postoje i paralelno funkcionišu četiri pravna sistema. Problem postaje još veći ako se uzme u obzir položaj osoba osuđenih u slučajevima ratnih zločina. Za ista, odnosno slična krivična djela, razlike u kaznama mogu iznositi i do 20 godina, u zavisnosti od toga pred kojim sudom se vodio postupak. In Bosnia and Herzegovina four different legal systems exist and function in parallel. The problem becomes even greater taking in consideration the position of persons convicted of war crimes. For same or similar crimes the differences in imprisonment can even be 20 years depending on the fact which court has lead the trial.

Živi spomenik / Living Monument BiH, 2012, HD, color, 24 min. Režija i scenarij / Director and Screenplay: Ines Tanović Producenti / Producers: Amra Bakšić Čamo, Merdijana Sadović, Zoran Ćatić Produkcija / Production: SCCA / Pro.ba, IWPR, eFM Sarajevo Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, adis@pro.ba

Spomenik nije samo građevina, spomenik nije samo niz činjenica u fotografijama i papirima. Spomenik je, prije svega, ljudska sudbina. Film je sačinjen od ispovijesti bivših logoraša, žena silovanih u ratu, porodica koje i danas traže svoje najbliže, preživjelih učesnika Marša smrti iz Srebrenice.

BiH FILM - DOCUMENTARNY FILMS l 18. Sarajevo Film Festival 209

A monument is not only a construction; it is not only sum of facts in images and papers. A monument is a human destiny above all. The film consists of testimonies of former concentration camp prisoners, women who were raped during the war, families who still look for the remains of their loved ones, people who have survived the Srebrenica March of Death.

Životna uloga / The Role of My Life BiH, 2012, DVD, color, 70 min. Režija i scenarij / Director and Screenplay: Nađa Mehmedbašić Producenti / Producers: Samira Gorančić, Alma Mešanović Produkcija / Production: KULT-B, BHRT Kontakt / Contact: BHRT, Bulevar Meše Selimovića 12, 71000 Sarajevo, tel.: +387 33 454 897, alma.mesanovic@bhrt.ba

Priča počinje u Sarajevu 1991, pred sami rat u Bosni i Hercegovini, kada mladi i talentirani glumac Nermin Tulić igra glavnu ulogu u premijernoj pozorišnoj predstavi Bašeskija, san o Sarajevu. Nažalost, predstava je prikazivana samo jednu sezonu, jer je već naredne započela agresija na Bosnu i Hercegovinu, a Sarajevo je tokom opsade granatirano svaki dan... The story begins in Sarajevo in 1991, as the war started in Bosnia, when young and talented actor Nermin Tulić plays main character in Bašeskija, a dream of Sarajevo. Unfortunately, the play was on programme for one season only, since the next year agression on Bosnia started, and Sarajevo was held under siege and shelled on a daily basis...

KRATKI FILMOVI / SHORT FILMS

A Story of Four BiH, 2012, HD, color, 4’ 35’’ Režija / Director: Midhat Mujkić Produkcija / Production: Udruženje modnih djelatnika i kostimografa Modiko

Modni film istražuje emotivna putovanja četiri različite žene kroz njihova stanja očaja, zbunjenosti, raskida i novih početaka, sugestivno aludirajući na ljubavni ili životni ciklus. Fashion film explores the emotional journey of four different women through their state of despair, confusion, and termination of new beginnings, suggestive refering to love or life cycle.

Akumulator BiH, 2012, HD, color, 26 min. Režija / Director: Aleš Kurt Scenarij / Screenplay: Ivan Kordić Uloge / Cast: Tatjana Šojić, Mirsad Tuka, Belma Lizde – Kurt, Alban Ukaj, Mirela Lambić, Irma Alimanović, Almir Imširević, Amina Begović, Senad Alihodžić Producent / Producer: Šemsudin Čengić Produkcija / Production: Flash Kontakt / Contact: Flash, Azize Šaćirbegović 20, tel.: +387 33 231 217, fax.: +387 33 712 092

Treća je godina rata, a Sarajlije su umorne i nervozne. Objavljen je prekid vatre. U jednoj zgradi sa šest stanova mladi par čeka prinovu. Čitav komšiluk s uzbuđenjem iščekuje rađanje nove bebe. Ispod prozora zgrade se pojavljuju Romi, svirajući, pjevajući i tako pokušavajući da uvesele ovaj prekid vatre. It is the third year of war and Sarajevans are nervous and tired. Ceasefire is announced. In one building with six apartments a young couple is about to have a baby and entire neighborhood is waiting for the birth of the baby with excitement. Roma are singing and playing, trying to celebrate the ceasefire.

210 18. Sarajevo Film Festival l BiH FILM - DOKUMENTARNI / KRATKI FILMOVI

Kratka priča / A Short Story BiH, 2011, HD, color, 10 min. Režija / Director: Ibro Hasanović Scenarij / Screenplay: Ibro Hasanović Uloge / Cast: Muhamed Hadžović Producent / Producer: Jacky Lautem Produkcija / Production: Le Fresnoy – Studio national des arts contemporains, Tourcoing (France) Koproducent / Co-producer: Academy of film and multimedia Marubi, Tirana (Albania)

Tajnoviti lik priča priču (pripovijest porijeklom iz istočne Bosne), koja se više od pola stoljeća prenosi s koljena na koljeno. Ova misteriozna priča počinje u Drugom svjetskom ratu i budi događaje koji su se desili i one koji će se tek desiti... An enigmatic character tells the story (a prophecy originating from Eastern Bosnia) that has been transmitted mouth to mouth for over half a century. This mysterious story starts at the beginning of 2nd World War and evokes historical events that happened since and are yet to come...

Mi / Us BiH, 2012, Beta SP, color, 7 min. Režija / Director: Midhat Ajanović Ajan Scenarij / Screenplay: Midhat Ajanović Ajan Producent / Producer: Ismet Arnautalić Nuno Produkcija / Production: SaGa Kontakt / Contact: SAGA, Hakije Kulenovića 7, 71000 Sarajevo; tel. / fax.: +387 33 666 811; saga@sagafilm.com; www.sagafilm.ba

Nizom kratkih satiričnih scena, animirani film MI gradi pesimističnu alegoriju o nasilnoj ljudskoj prirodi i historiji ljudskog društva kao knjizi čije su sve stranice mračne. With the series of short satiric scenes, animated film US makes a pessimistic allegory for a violent human nature and history of mankind comparing it to the book where every page is dark.

Porodični kabare / Family Cabaret BiH, 2012, HD, color, 6 min. Režija / Director: Damir Bašić Scenarij / Screenplay: Damir Bašić Direktor fotografije / Director of Photography: Goran Lizdek Uloge / Cast: Meša Muratović, Inga Tvrtković, Mladen Tvrtković Producent / Producer: Damir Bašić Kontakt / Contact: damirduka@hotmail.com

Dječak se vraća iz škole vidno raspoložen i bezbrižan. Kući ga dočekuju roditelji koji mu spremaju iznenađenje... Bojeći stan u šarene boje, spremaju ga za svoj porodični kabare. Da li idila zaista postoji? The boy returns from school cheerful and carefree. He is welcomed home by his parents, who prepared a surprise for him ... They are coloring their home preparing it for their family cabaret. Does idyll really exist?

Priča bez kraja / Neverending Story BiH, 2012, HD, color, 15 min. Režija / Director: Elvir Muminović Scenarij / Screenplay: Elvir Muminović Uloge / Cast: Selma Alispahić, Mirsad Tuka, Vanes Glođo, Semir Krivić, Azra Hodžić Producent / Producer: Feđa Štukan Producentska kuća / Production Company: Relative Pictures, Akademija scenskih umjetnosti Sarajevo Kontakt / Contact: asu@asu.unsa.ba

Bračni par, Njemica Kirsten i Bosanac Emir, nakon saznanja da ne mogu dobiti potomstvo, odlučuju se na usvajanje. Oni usvajaju djevojčicu Jasminu iz sirotišta u Sarajevu. Stvari se usložnjavaju onda kada saznaju da je Jasmina dijete iz Republike Srpske. Emir, inače ratni amputirac, ne može

prihvatiti činjenicu da odgaja dijete svojih ratnih neprijatelja, a Kirsten je šokirana promjenom koju primjećuje na svom suprugu... A married couple, Kirsten (German) and Emir (Bosnian), find out that they would not be able to have children, so they decide to adopt a child. They are adopting a little girl, Jasmina, from the Sarajevo orphanage. Things get complicated when they find out that Jasmina is a child from Republic of Srpska. Emir, war amputee, cannot accept to raise a child of his war enemies, and Kirsten is shocked with her husband’s new behavior...

take it to his mother and sisters. In this aim he encounters numerous obstacles.

Vilinska prašina / Fairy Dust BiH, 2012, DVD, color, 19 min. Režija / Director: Staša Dukić Uloge / Cast: Ajla Hamzić; Vedran Đekić, Edin Avdagić, Davor Šabo,

Ena Kurtalić Producent / Producer: Armin Hadžić, Staša Dukić, Rusmir Efendić

Prtljag / Baggage BiH / Italy, 2011, HD, color, 26’30’’ Režija i scenarij / Director and Screenplay: Danis Tanović Uloge / Cast: Boris Ler, Rijad Gvozeden Producentica / Producer: Amra Bakšić Čamo Producentska kuća / Production Company: SCCA / Pro.ba Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, adis@pro.ba

Amir se vraća u Bosnu i Hercegovinu nakon mnogo godina izbivanja, s namjerom da preuzme posmrtne ostatke svojih roditelja ubijenih tokom rata u Bosni i Hercegovini, čiji ostaci sve do danas nisu pronađeni. Umjesto da se vrati kući u Švedsku, Amir odlučuje posjetiti mjesto u kojem je rođen. Pored srušene kuće, dočekuje ga i zaboravljeni stari prijatelj, kao i oni koji o njemu znaju više nego on sam. Being away for many years, Amir returns to Bosnia and Herzegovina in order to take custody of his parent’s remains. They had been murdered during the war but their bodies have not been recovered so far. Instead of returning back to Sweden, Amir also decides to visit the place of his birth. There, besides a ruined house, he also finds a forgotten friend and those who know about him more than he knows about himself.

Nakon pokušaja samoubistva, Mia leži u bolnici... Ni tu ne uspijeva pobjeći od sjećanja. Mia is in the hospital after the suicide attempt... Neither there she can escape from her memories.

Poisession BiH, 2012, DVD, color, 12 min. Režija i scenarij / Director and Screenplay: Rijad Gvozden Uloge / Cast: Nađa Josimović, Bakir Silajdzić, Rijad Gvozden, Dina Mušanović, Merima Hadzikadunić, Anđela Kusić, Marko Braić Producent / Producer: Amer Čanković

U želji da svoju djevojku Selmu zadrži samo za sebe, Senad nesvjesno pravi grešku koja ga stoji njegove najveće ljubavi. Wanting to keep girlfriend Selma only for himself, Senad unconsciously makes mistake that will cost him his greatest love.

Iskustvo / Experience STUDENTSKI FILMOVI / STUDENT FILMS

AKADEMIJA SCENSKIH UMJETNOSTI SARAJEVO / SARAJEVO ACADEMY OF PERFORMING ARTS Kontakt / Contact: asu@asu.unsa.ba

Lupus BiH, 2012, DVD, color, 19 min. Režija / Director: Ajla Hamzić Uloge / Cast: Maja Izetbegović, Staša Dukić, Alen Muratović, Ena Kurtalić, Narcisa Cvitanović Producent / Producer: Ajla Hamzić, Armin Hadžić

Ovo je priča o dvije djevojke koje su u ljubavnoj vezi. Jedna od njih je oboljela od lupusa. Druga djevojka, glumica, učinit će sve da dođe do novca za liječenje svoje ljubavnice. It is a story about two girls who are engaged in love relationship. One of them is very sick because she was diagnosed with lupus disease. The other one, who is an actress, will do anything to earn enough money to pay for the medical treatment for her lover.

Ukradena sreća / Stolen Happiness BiH, 2012, color, 13 min. Režija / Director: Hari Šečić Scenarij / Screenplay: Tijana Jozić Produkcija / Production: Akademija scenskih umjenosti Sarajevo, Akademija umjetnosti Banja Luka, asu@asu.unsa.ba

Desetogodišnji dječak, dijete iz porodice slabijeg imovnog stanja, noć provodi na pijaci pod jednim štandom. Po svaku cijenu želi nabaviti hljeb koji bi odnio majci i sestrama, a u ostvarenju tog plana nailazi na brojne prepreke. A ten-year-old boy from a poor family spends a night on the food market under a stall. He wants to get some bread no matter what, so he can

BiH, 2012, DVD, color, 5 min. Režija / Director: Senad Šahmanović Scenarij / Screenplay: Nedjeljka Mojaš Uloge / Cast: Nikša Sentić, Barbara Gustin, Anka Mojaš, Niko Mage, Ivica Mojaš Producent / Producer: Nedjeljka Mojaš

Svađa mladog bračnog para završava dokazivanjem da jedno od njih može obaviti posao puno bolje od drugog. Djevojka ide u potezanje ribarskih mreža, dok mladić pravi tradicionalnu morsku večeru... Argue of a young couple ends up proving that one can do a much better job then the another. Girl goes into pulling fishing nets, while the young man is prepraring a traditional mediteranien dinner...

Crv / Worm BiH, 2012, DVD, color, 3 min. Režija / Director: Armin Hadžić Uloge / Cast: Dževida Hadžić Producent / Producer: Armin Hadžić

Maleni crv se našao u usred pripremanja voćne salate. Da li će preživjeti? A little worm is caught in the middle of the making of a fruit salad. Will he get out alive?

Slatko od dunja BiH, 2012, DVD, color, 5’30’’ Režija i scenarij / Director and Screenplay: Aida Huseinović Uloge / Cast: Džana Pinjo, Ševala Fikica Hasanbegović, Damir Kustura, Ena Kurtalić Producent / Producer: Aida Huseinović

Dilema da li prodati staru kuću javlja se onda kada u njoj ožive najslađe uspomene... Dilemma whether to sell the old house begins when the sweetest memories revive in it...

BiH FILM - SHORT / STUDENT FILMS l 18. Sarajevo Film Festival 211

AKADEMIJA UMJETNOSTI BANJA LUKA / ACADEMY OF ARTS BANJA LUKA Kontakt / Contact: aubl@inecco.net

Okoštalo zlato BiH, 2012, DVD, color, 7 min. Režija / Director: Danijel Pavlović

Jedno partizansko sklonište, dva čovjeka s različitim ideologijama, žena i sveštenik, pretvorit će olujnu noć u pakao gladi, izdaje i smrti. A partisan shelter, two men with different ideologies, a woman and a priest, will turn a stormy night into hunger, betrayal and death hell.

Plavi Viking u Sarajevu / The Blue Viking In Sarajevo BiH, 2012, HDV, color, 16 min. Režija / Director: Ado Hasanović

Emilio se, sa svojih 19 godina, počeo baviti uličnim performansom u Čileu. Obišao je 65 država širom svijeta, a zatim se pojavio i na ulicama Sarajeva. Glavni grad, Sarajevo, postaje njegov dom, a novi prijetelji – njegova porodica. Emilio began with a street performance in Chile when he was 19. He visited 65 countries around the world, and then appeared on the streets of Sarajevo. The capital Sarajevo became his home and his new friends became his family.

Omega BiH, 2012, DVD, color, 13 min. Režija / Director: Igor Tešić

Rat. Jedno sklonište. Dva naizgled obična vojnika s morbidnom i teškom misijom. War. A shelter. Two seemingly common soldiers with a morbid and difficult mission.

SARAJEVSKA FILMSKA AKADEMIJA / SARAJEVO FILM ACADEMY Kontakt / Contact: info@sfa.ba

Legenda s juga / Legend of The South BiH, 2012, HDV, 19 min. Režija / Director: Nedim Karalić Producent / Producer: Hamdija Karalić

Dokumentarac LEGENDA S JUGA govori o Dževadu Begiću Đildi, osnivaču Manijaka, navijačke skupine FK Željezničar, koji je poginuo u odbrani Sarajeva u julu 1992. No, film istovremeno govori i o otvorenoj, čistoj i poštenoj ljubavi prema svom klubu i fudbalu. The documentary LEGEND OF THE SOUTH, is telling the story about Dževad Begić Đilda, founder of the Maniacs, Football Club Željezničar Fan Group, who was killed in defense of Sarajevo in July 1992. But the film also talks about an open, honest and pure love for his club and for football.

Put ljepote života / The Road of Life’s Beauty BiH, 2012, HD, color, 28 min. Režija / Director: Amela Ćuhara Producent / Producer: Adnan Ćuhara

Enver Hadžiomerspahić, direktor Art Depoa Ars Aevi u Sarajevu, posvetio je 20 godina svog života nastojanju da Sarajevo dobije Muzej savremene umjetnosti. Jedino oružje kojim se može boriti protiv mnogih prepreka na svom putu ljepote života jeste – ljubav. Enver Hadžiomerspahić, the director of the Art Depot Ars Aevi in Sarajevo, devoted 20 years of his life trying to get Sarajevo the Museum of Contemporary Art. The only weapon, which can fight against many obstacles on his road of life’s beauty, is love.

POSVEĆENO: SREBRENICA / TRIBUTE TO SREBRENICA

Belvedere BiH, 2010, 35 mm, color / b&w, 90 min. Režija i scenarij / Director and screenplay: Ahmed Imamović Uloge / Cast: Sadžida Šetić, Nermin Tulić, Minka Muftić, Armin Rizvanović, Adis Omerović Producent / Producer: Samir Smajić Producentska kuća / Production Company: Comprex Kontakt / Contact: Comprex, comprex@bih.net.ba

Ovo je priča o onima koji su ‘mrtviji’ od svih svojih mrtvih. Ovo je intimna pripovijest o onima koji su preživjeli genocid u Srebrenici, a sada se suočavaju s realnošću punom kontrasta. Realnost njihove neumorne portage za istinom sudara se s trivijalnošću svakodnevice tranzicijskog društva opsjednutog produkcijom reality showa, koji formira pojedince površnog karaktera. Kada se ova dva svijeta sudare u potpuno disfunkcionalnom društvu, počinje odbrojavanje... This is a tale of those that are more dead than all the dead of their kin. This is an intimate story of the survivors of Srebrenica genocide facing the world of contrasts. On one hand there is their relentless search for the truth, while, on the other, there are trivialities of everyday realities of transitional society obsessed with reality shows used as a device to fabricate individuals characterized by superficiality. And when these two worlds collide in a dysfunctional society a bomb starts its countdown.

Bezdan / The Abyss BiH, 2000, Beta Sp, color, 14 min. Režija i scenarij / Director and screenplay: Adis Bakrač Produkcija / Production: F.I.S.T.

Režiser, zajedno s Amorom Mašovićem i ekipom, publici otkriva krajišku jamu Bezdan, u kojoj su 1992. srpski zločinci na svirep način ubili 84 nevina čovjeka. Rodbina ubijenih identificira žrtve... Director together with Amor Mašović and his crew, discovers Bezdan, a mass grave in Krajina, in which 84 innocent men were cruely killed by Serbian criminals in 1992. Their families are trieing to indentiy the victims.

Crvene gumene čizme / Red Rubber Boots BiH, 2001, color, 18 min. Režija i scenarij / Director and Screenplay: Jasmila Žbanić Producenti / Producers: Jasmila Žbanić, Damir Ibrahimović, Sabina Arslanagić Produkcija / Production: Deblokada Kontakt / Contact: Deblokada Film Production, Kranjčevićeva 43, 71000 Sarajevo, amira@deblokada.ba

Jasna P. traži svoju djecu: četverogodišnjeg Amara i devetomjesečnu Ajlu, koje je srpska vojska ubila i zakopala u masovnoj grobnici. Jasna provjerava sve dostupne informacije i obilazi ekshumacije masovnih grobnica, 212 18. Sarajevo Film Festival l BiH FILM - STUDENTSKI FILMOVI / POSVEĆENO: SREBRENICA

nadajući se da će naći crvene gumene čizme koje je njen sin Amar nosio tog dana kada je otet. Jasna P. is searching for her children: four-year-old boy Amar and nine months old girl Ajla, who were killed and buried in the mass grave by Serbian Army. Jasna is checking all available information and inspecting all mass grave sites, hoping to find the red rubber boots that her son was wearing when he was abducted and taken from her.

Dobre duše / Good Souls BiH, 2010, BETA Sp, color, 8 min. Režija / Director: Nedim Hrbat Scenarij / Screenplay: Nedim Hrbat Produkcija / Production: RTVFBiH

U zabačenom selu u okolini Srebrenice, tri starice i dalje žive za svoje mrtve. One ih sanjaju na javi, vjeruju da ih oni obilaze, s njima provode svoju svakodnevnicu.

Majka / Mother BiH, 2009, HD, color, 15 min. Režija i scenarij / Director and screenplay: Elmir Jukić Uloge / Cast: Jasna Žalica, Moamer Kasumović Producent / Producer: Ademir Kenović Produkcija / Production: Refresh

MAJKA je film o samoći i snažnoj majčinskoj potrebi jedne Srebreničanke da ponovo okupi porodicu. Majka isijeca likove svojih sinova i muža sa starih fotografija i pravi sasvim novu, nikada snimljenu, ali predivnu zajedničku fotografiju svoje prodice, usred ružama, u nekom zamišljenom raju. MOTHER is a film about loneliness and the strong maternal need of one Srebrenica woman to gather her family again. Mother cuts the faces of her sons and husband from old photos. She makes a completely new, beautiful family photo, which was never actually shot, among roses in an invented paradise.

In a distant village near Srebrenica, three old ladies still live for their dead ones. They are daydreaming, believing that their loved ones are visiting them, and that they are with them on every day basis.

Srebrenički kenotaf / Srebrenica’s Cenotaph

Esma

BiH, 2008, Beta SP, color, 32 min. Režija / Director: Haris Prolić Scenarij / Screenplay: Haris Prolić Producent / Producer: Emir Čengić Produkcija / Production: FLASH PRODUCTION

BiH, 2007, BETA Sp, color, 26 min. Režija / Director: Alen Drljević Scenarij / Screenplay: Šeki Radončić Producent / Producer: Boro Kontić Produkcija / Production: Mediacentar Sarajevo

Tokom službenih pregovora 1995. u Žepi, zoni koju štiti OUN, bosanski Srbi oteli su pukovnika Avdu Palića, pregovarača Armije Bosne i Hercegovine. Od tada počinje duga potraga njegove supruge Esme za svojim nestalim mužem.

Tokom srebreničkog Marša života, Šemsudin Salihović bio je očevidac smrti poznatog snimatelja iz Srebrenice. Salihović je zakopao njegovu kameru. Nakon rata iskopao je potpuno uništenu kameru... During the Srebrenica March for Life, Šemsudin Salihović was an eyewitness to the death of a famous cameraman from Srebrenica. After the cameraman’s death, Salihović buried the camera in the ground. After the war, Salihović unearthed the completely destroyed camera...

In 1995, during official negotiations inside a UN protected area in Zepa, the Bosnian Serb Army abducted Colonel Avdo Palic, the Bosnia and Herzegovina Army negotiator. As of then began the long search by his wife, Esma, for her missing husband.

Izjava 710399 / Statement 710399 BiH, 2006, Beta SP, color, 54 min. Režija / Director: Refik Hodžić Scenarij / Screenplay: Refik Hodžić Producent / Producer: Aldin Arnautović Produkcija / Production: XY Films Sarajevo

Priča o ocu, koji pokušava saznati šta se dogodilo njegovom petnaestogodišnjem sinu, koji mu se istrgao iz ruke i nestao tokom genocida u Srebrenici, ustvari je priča o Bosni i Hercegovini, zemlji zauvijek obilježenoj ratnim zločinima i njihovim posljedicama. The story of a father trying to find out what happened to his 15-year-old son who slipped out of his hand and disappeared during the Srebrenica genocide is, in fact, a story about Bosnia and Herzegovina, a country permanently marked by war crimes and their legacy.

Jedan dan na Drini / Day On Drina BiH, 2011, BETA SP, color, 17 min. Režija / Director: Ines Tanović Producent / Producer: Alem Babić Produkcija / Production: Dokument Sarajevo

Jedan dug ljetni dan na rijeci Drini… Ovo može zvučati kao bezbrižan izlet… I bio bi, da se rijeka nije povukla u svoje korito… A long summer day on river Drina... This may sound like a serene picnic... And it would be, hadn’t the river retreated to its riverbed...

BiH FILM - TRIBUTE TO SREBRENICA l 18. Sarajevo Film Festival 213

215 Sponzori / Sponsors 252 Hvala / Thank You 253 Festival Team 254 Index - Filmovi / Films 256 Index - Reditelji / Directors

POKROVITELJI FESTIVALA

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SPONSORS l 18. Sarajevo Film Festival 219

S LJUBAVLJU GA PROIZVODIMO OD 1825. 220 18. Sarajevo Film Festival l SPONZORI

Sarajevo Film Festival

SPONSORS l 18. Sarajevo Film Festival 221

Potpuno mirni uz Securitas Securitas BH je najveća grupacija agencija za zaštitu ljudi i imovine u BiH. Imamo više od 1700 zaposlenih i 2000 klijenata za koje štitimo preko 3700 objekata. Dio smo globalnog preduzeća Securitas AB koje ima preko 300.000 zaposlenih u 51 zemlji svijeta. Samo uz Securitas možete biti potpuno mirni jer ste zaista sigurni.

www.securitas.ba

222 18. Sarajevo Film Festival l SPONZORI

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Deutche Post DHL - The Mail & Logistics Group

EXCELLENCE. SIMPLY DELIVERED.

224 18. Sarajevo Film Festival l SPONZORI

AIR FOR ART CineLink, Sarajevo Film Festival 2012

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ARTE pARTnER of ThE SARAjEvo film fESTivAl InternatIonal relatIons arte PrIze CInelInK

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228 18. Sarajevo Film Festival l SPONZORI

20 godina, velike energetske, cjenovne i ekološke uštede

20 godina, svoju energiju usmjeravamo ka kreiranju ekološko prihvatljivih printera. Još 1992 godine, uveli smo ECOSYS tehnologiju s ciljem smanjenja informatičkog otpada, potrošnje elektične energije i uštede na cijeni printanja. Naša tehnologija, koja mijenja način igre, bazirana je na korištenju dugovječnih komponenti kao što su amorfno silicijski bubanj i specijalno dizajnirani toner, ovo su samo dvije od inovacija koje naša rješenja u printanju čini tako prepoznatljivo štedljivim. Nismo stali sa inovacijama i nikada nećemo. Sa Kyocerom nema praznih obećanja – samo najzelenija ušteda.

KYOCERA. RAČUNAJTE NA NAS. Molimo kontaktirajte: XENON FORTE d.o.o. Sarajevo – www.xenon-forte.ba

KYOCERA Document Solutions B.V. – www.kyoceradocumentsolutions.eu

KYOCERA Document Solutions Inc. – www.kyoceradocumentsolutions.com

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IT’S NOT SCOTCH. IT’S NOT BOURBON.

It s Jack. Ponosni sponzor SARAJEVO FILM FESTIVALA

Mi smo vodeća osiguravajuća kompanija u Bosni i Hercegovini Osiguravajuća zaštita koju pružamo bazira se na uslugama: • Osiguranje života • Osiguranje osoba • Osiguranje imovine • Osiguranje kargo • Osiguranje kasko • Osiguranje odgovornosti • Finansijsko osiguranje

NA[E KLIJENTE JE LAKO PREPOZNATI 232 18. Sarajevo Film Festival l SPONZORI

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Innovation isn‘t about molecules. It‘s about people.

We Innovate Healthcare

ROCHE d.o.o.- ROCHE Ltd. • Zmaja od Bosne br. 7/II, Sarajevo • Tel. +387 33 568 450 • Fax.+387 33 568 495 • www.roche.ba

234 18. Sarajevo Film Festival l SPONZORI

Switzerland - Sarajevo Film Festival: the story of a friendship continues Switzerland is pleased to continue to support the Festival’s Documentary Competition through two awards: “Heart of Sarajevo for the Best Documentary” and “Human Rights Award”.

SPONSORS l 18. Sarajevo Film Festival 235

ZVANIČNI PARTNER HOTEL SARAJEVO FILM FESTIVALA DOMAĆIN CINELINKA I REGIONALNOG FORUMA

236 18. Sarajevo Film Festival l SPONZORI

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240 18. Sarajevo Film Festival l SPONZORI

O O

CINELINK COPRODUCTION MARKET DEVELOPMENT GRANT

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THE POST REPUBLIC GMBH Schlesische Str. 20 10997 BERLIN Germany T +49-30-616-517-515 F +49-30-616-517-519

242 18. Sarajevo Film Festival l SPONZORI

THE POST REPUBLIC HALLE GMBH Mansfelder Str. 56 06108 HALLE Germany T +49-30-616-517-515 F +49-30-616-517-519

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13. FESTIVAL OF CENTRAL AND EASTERN EUROPEAN FILM WIESBADEN 10.04.TO 16.04.2013 / call for entries

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Hvala / Thank You

Ido Abram, Azur Ajanović, Frank Albers, Aida Bajramović, Darko Bašeski, David Bauduin, Fatos Berisha, Amela Borovac, Ahmet Boyacioĝlu, Martichka Bozhilova, Sarah Calderon, Till Cussmann, Sehad Čekić, Ivo Čolak, Emir Dedović, Amina Deljković, Adnan Džindo, Una Domazetoski, Ellis Driessen, Ivan Đurović, Marit Van den Elshout, Zoran Galić, Eric Garandeau, Rebekka Garrido, Tudor Giurgiu, Mersid Grbović, Jasna Hadžimurtezić, Fikreta Harba, Sonja Heinen, Hrvoje Hribar, Ivana Ivišić, Ramiz Kadić, Igor Kamočaji, Amer Kapetanović, Salmir Kaplan, Emir Kazić, Stefan Kitanov, Matthijs Wouter Knol, Nerina T. Kocjančić, Vladimir Komijenko, Aida Koristović, Unkas Kupusović, Mirsad Kurtović, Anne Laurent, Antti Lauronen, Waldemar Lichter, Aida Lušničkić, Dariusz Maczka, Bojan Mastilović, Artan Minarolli, Ahmed Mulaibrahimović, Amela Mulavdić, Hajrudin Mulić, Mariam Naqvi, Mirsad Nikšić, Nerma O’Hara, Roberto Olla, Meliha Osmanagić, Vedran Padalović, Tolke Palm, Sanja Pejčinović, Marten Rabarts, Franz Rodenkirchen, Jožko Rutar, Amira Sadiković, Adis Salkić, Sunita Samarah, Tilman Scheel, Katriel Schory, Karin Angela Schyle, Martin Schweighofer, Aviva Silver, Irina Orssich Slavetich, Igor Stanković, Dimče Stojanovski, Naliha Šabanović, Edina Šeta, Merima Šetić, Bianca Taal, Azize Tan, Tamara Tatishvili, Lorna Tee, Fabrice Testa, Gulun Ustun, Jacobine van der Vloed, Miroljub Mića Vučković, Alexander Wieser, Andrea Wink, Aida Mahić Zec

Albanian National Center of Cinematography, Artificial Eye, Austrian Film Commission, Backup Films, Balkan Fund & Crossroads, Blitz, Centar kontrole zračnog prometa Sarajevo, Centar za kinematografiju Kosovo, Continental Film, Demiurg, Discovery Film, Entertainment Film Distributors, Filmski centar Srbije, Focus Features, Fondacija za kinematografiju BiH, Fortissimo Films, Georgian National Film Center, HAVC, Hrvatski audiovizualni centar, Hungarian National Film Fund, Macedonian Film Fund, The Match Factory, MegaCom Film, Ministarstvo sigurnosti BiH, Ministarstvo vanjskih poslova BiH, Prva gimnazija Sarajevo, Slovenian Film Center, Tamasa Distribution, Udruženje filmskih radnika BiH, The Walt Disney Company

252 18. Sarajevo Film Festival l HVALA / THANK YOU

Director Mirsad Purivatra Creative Director Izeta Građević Industry Jovan Marjanović, Head of Industry Ena Đozo, Industry Manager Head of Programming Amer Bećirbegović Programmers Elma Tataragić, Competition Features, Competition Shorts and In Focus Rada Šešić, Competition Documentaries Philippe Bober, New Currents Vanja Kaluđerčić, New Currents Shorts Mike Goodridge, Kinoscope Alessandro Raja, Kinoscope Mathilde Henrot, Kinoscope

Yara Schöler Castanheira, Minimarket Volunteer Zsuzsi Bayer, Minimarket Volunteer Competition Feature and Short Program Office Asja Krsmanović, Coordinator Malka Alić, Event Coordinator Sanela Krsmanović, Jury Coordinator Melina Alagić, BH Film Festival Coordinator Nataša Govedarica, Q&A Coordinator Assistants: Staša Dukić, Emina Hadžiredžepović, Nađa Josimović, Rejhana Kasumović, Emina Kutlovac, Selma Muharemović, Ensar Sulejmanagić, Bojana Vidosavljević

Budget Planner – Analyst and Internal Audit Sabina Branković Lamija Muminović, Assistant

Box Office Managemant Ermin Čakal, Box Office Manager Ermin Dedović, Bakir Husović, Box Office Manager Assistants Adi Tunović, Consultant Assistants: Belma Varupa, Edin Alihodžić, Lejla Deljkić, Jasmina Brdarić, Nina Čarvk, Amela Hajdarević, Mirza Hujić, Vildana Mamić, Anja Miljanović, Aida Džambasović, Aldijana Selimbegović, Amra Dragnić, Sabina Memisević, Elma Arnautović, Kenan Kalisić, Dalila Fejzagić, Inda Hadžović

Sponsorship Department Anja Mušanović, Manager Jelena Pojužina, Manager Aida Karić, Assistant

Delegate for Midle East Racha Salti

Children’s Programme, TeenArena Adisa Čančar, Manager Nađa Čengić, Program Assistant Anadin Butković, Program Assistant Adnan Čomor, Technical Coordinator

Sarajevo City of Film Ivana Pekušić, Project Manager Alex Traila, Development Producer

Press Office Altijana Marić, Manager Alma Hadžić, Manager Edin Muftić, Head of Press Centre Vanja Lazić, Interview Protocol

International Relations Lejla Karišik, Head of International Relations Nejra Kozarić, Assistent

SFF Daily Dijala Hasanbegović, Editor Daily Team: Lejla Kalamujić, Mario Hibert, Monja Šuta, Marinela Domančić, Segor Hadžagić, Namir Ibrahimović Selma Đuliman, Amir Đuliman, Translators Zorica Pandžić, DTP

Executive Producer Almir Palata Mersiha Halilović, Assistant

Photographers Almin Zrno, Amer Kuhinja, Senad Gubelić, Danko Stjepanović

Administrative Office Dževad Mujan

SFF Website Lejla Kalamujić

Sarajevo Talent Campus Office Project Coordinators: Ivana Kalember, Ivana Pekušić Selection: Amra Bakšić Čamo, Izeta Građević, Jovan Marjanović, Elma Tataragić, Gabriele Brunnenmeyer, Nebojša Jovanović Rusmir Efendić, Location Manager (ASU) Guest Management: Aldina Bukva – Mahmutović, Alen Munitić Ahmed Alić, Tecnical Coordinator Goran Akrap, Field Tehnican Project Assistants: Luna Zimić Mijović, Lamija Muminović Aziz Čeho, Video Documentation STC Notebook: Nebojša Jovanović, Ivana Kalember, Asja Makarević Info Desk: Nadina Habibović, Nejra Branković, Amer Ćosović, Zerina Hodžić, Benjamin Halimić

Festival TV Craig Mason, TV Crew Director Emir Šehanović, Cameraman Irfan Brković, Cameraman Ziijah Jusufović, Cameraman Adnan Hatić, Editor Anja Maričić, Online Editor Filip Kenović, Online Editor Nedim Mehić, IT technician

Minimarket Vanja Kaluđerčić, Programme Manager

CineLink Office Tina Šmalcelj, CineLink Coordinator Asa Garnert, CineLink PR Maegene Fabias, Meetings Coordinator Ena Đozo, Industry Manager and Regional Forum Coordinator Tobias Pausinger, Work in Progress Consultant Alex Traila, Work in Progress Coordinator Tina Hajon, CineLink Line Producer Armin Hadžić, CineLink Assistant Snežana Marić, Matchmaker and State of the Region Editor Ellena Giuffrida, Matchmaker Nedjeljka Mojaš, CineLink Hospitality Manager Jadranka Ćuzulan, CineLink Hospitality and Video Bar Coordinator Minimarket Office Ivana Pekušić, Minimarket Coordinator

Festival Square Lejla Jusić, Bojan Skočajić Accreditations Feđa Purivatra, Ines Lučić

Submition Coordinator Emir Pekmez

Sarajevo Talent Campus Asja Makarević, Project Manager

IT Department Nedim Kovač, IT and System Manager Ermin Dedović, IT Tehnician Emir Mehić, IT Tehnician Bakir Husović, IT Tehnician Adnan Efendić, IT Tehnician

Competition Documentary Programme Office Nino Karamehmedović, Coordinator Miranda Myrberg, Coordinator of DocuCorner Bojan Popić, Assistant

Delegate for Spain and Latin America Mikel Olaciregui

CineLink Jovan Marjanović, Head of Industry Amra Bakšić Čamo, Head of CineLink

Zerina Terzić, Protocol Officer Sajra Mujan, Assistant for Director’s Dinners Mak Muftić, Administration Assistant

Festival Shop Dino Hadžija, Salesman Dino Tahirović, Salesman Festival Administration Office Hajrudin Ajkunić, Accountant Aida Memović, Secretar Jasmina Bajramović, Administration Assistant Ivana Petrović, Director’s Assistant Hospitality Team Nedim Čengić, Hospitality Service Manager Nađa Kečo, Guest Relations Ana Nevešćanin, Guest Relations Nadir Abaza, Travel Reservations Armin Mešinović, Accommodation Ivan Perić, Visas and Excursions Events Managemen: Nedim Iljazović, Manager Ida Smailbegović, Manager Neven Rodić, Assistant Protocol Office Nihad Branković, Coordinator Senad Šabanović, Protocol Officer Marina Duletić, Protocol Officer

Golden Cards Ana Jurišić, Ada Arnautović

festival team

Board Izeta Građević, Creative Director Jovan Marjanović, Head of Industry Philippe Bober, New Currents Programmer

Graphic Design BOOM Produkcija! Lela Begić Vuletić, Dejan Ćorić, Jasenka Bećirbegović Volunteers Coordination Srđan Duletić, Head of Volunteers Lejla Slugić, Assistant Translators Amira Sadiković, Una Tanović, Aleksandar Brezar, Alma Gačanin, Sanja Vrzić, Sanja Papo Kulić, Gorana Mlinarević, Daniel Polimac, Aida Gadžo, Belma Selimović, Iris Brkić, Đenana Preljević, Nebojša Jovanović, Samir Omerović, Advan Košarić, Mirsad Čelegija, Asja Hafner, Selma Hodžić, Nevena Sijeričić, Selma Đuliman, Amir Đuliman Proofreaders Amira Sadiković, Dževida Šehić, Milan Vuković, Azra Rizvanbegović Location Managers Adis Memović, !hej Open Air Cinema Danko Bevanda, National Theatre Ermin Selimović, Meeting Point Mersiha Halilović, Meeting Point Darko Arsenovski, Open Air Cinema Vatrogasac Faruk Jasenković, Multiplex Cinema City Fikret Pandžić, Novi Grad Open Air Cinema Hamid Sofitić, BKC Jasmina Hašimbegović, Laško Cinema Projectionists Adis Memović, Almed Memović Video Tehnicians: Elvis Memović, Amel Fetahović, Aldin Avdović Ismar Hodžić, Tehnical Support Technical Department Abid Ahmetagić, Head of Technical Support Almir Mušinović, Alden Ahmetagić, Amil Tuzlak, Amel Tuzlak, Aladin Škaljić, Ramiz Memović, Elvis Memović, Almed Memović, Fatmir Kardašević, Muamer Bajko, Arnel Aljukić Drivers Nedim Hasanbegović, Head of Transport Sejad Ahmetagić, Logistics Zejnil Plakalo, Driver Malik Haseta, Driver Faruk Sadiković, Driver Caffè Goran Kujundžić Bimbo, Svjetlana Šušić, Darija Kovačević, Irma Rogo, Dragan Nikolić Maintenance Sadiha Murtić, Vasvija Oćuz, Azra Šahović, Amela Rokić, Amela Jahić Security Sevice Securitas BH d.o.o.

FESTIVAL TEAM l 18. Sarajevo Film Festival 253

FILMS - ORIGINAL TITLE

180/100 36 1989 (DENGANG JEG VAR 5 AR GAMMEL) 90 24 GĂLEŢI, 7 ŞOARECI, 18 ANI 46 3 DANA 208 165 5,000 FEET IS THE BEST 663114 90

A ABUELAS AKUMULATOR AL JUMA AL AKHEIRA ALPIS AMAZING SPIDER-MAN, THE AMBASSADEUR & MOI, L’ AMOUR ANGELS’ SHARE, THE AVALON

176 210 197 72 150 172 73 134 103

B BABAMIN SESI 24 132 BABYSITTER BACALAR 151 152 BALLET STORY BEASTS OF THE SOUTHERN WILD 104 BEIDE ARME NACH OBEN 168 212 BELVEDERE BEZDAN 212 BLU 183 176 BOBBY YEAH BORIS SA I 47, 208 BOY WHO WAS A KING, THE 48 BRADLEY MANNING HAD SECRETS 91 BRAVE 142 BURNING MAN 194

CENTRIFUGE BRAIN PROJECT, THE 91 CESARE DEVE MORIRE 135 CHALK 176 92 CHRONIQUES DE LA POISSE CONFERENCE: NOTES ON FILM 05 92 CRV 211 212 CRVENE GUMENE ČIZME CSAK A SZÉL 74 CURSE, THE 162

Č 49

D DARK HORSE 126 DE BUNKER - HET WENNEN - HET WACHTEN - HET LICHT 165 DEMAIN, ÇA SERA BIEN 171 DETEKTIVE 168 DJECA 25, 208 DJECA KAO I SVA DRUGA 195 DOBRE DUŠE 213 DOCUMENTARY III 93 SLOT MACHINE DOLGE POČITNICE 50 DUA 183 DUPĂ DEALURI 75 DVIJE PEĆI ZA UDARNIKA JOSIPA TROJKA 51

E ELLA & ALEKSI – YLLÄTYSSYNTTÄRIT

F F43.1 FANT, POBRATIM SMRTI 2 FEELINGS FROM THE SKY DOWN

208 52 132 186

G GOOD LUCK FOR YOU EVERY DAY: THE INCREDIBLE STORY OF PENG 196 PHAN GRENZGÄNGER 26 GUSTO, EL 187

H HA-SHOTER HAPPINESS HIMIZU HIT THE FLOOR HOLY MOTORS

182 127 105 168 106

I, ANNA 137 ICE AGE: CONTINENTAL DRIFT 144 ICH LIEBE DICH 53 IM FREIEN 171 INTOUCHABLES 138 IRON SKY 188 ISKUSTVO 211 ISLA ALTA 93 IZ TOKIO 94 IZJAVA 71039 213 IZLOŽBA 54, 208

143

JEDAN DAN NA DRINI JUBILARNA BEBA JUGONOSTALGIJA

213 212 208

K KAPITÄN HU KEBUN BINATANG KLIP KNERTEN GIFTER SEG KÖNIGSBERG KOTOKO KRATKA PRIČA KRUPNO U TOTALU KRUŽNI TOK KTHIMI

145 107 76 146 162 84 210 209 160 36

L L.E.F. LEGENDA SA JUGA LICE REVOLUCIJE LIFE DURING WARTIME LONELIEST PLANET, THE LOTTE JA KUUKIVI SALADUS LUGAR MÁS PEQUENO, EL LUPUS

55 212 56 128 109 147 111 211

M MAGYARORSZÁG 2011 77 MAJKA 213 94 MALODY MAMA ILLEGAL 57 MAN THAT GOT AWAY, THE 95 MANQUE DE PREUVES 165 MARINA ABRAMOVIC: THE ARTIST IS PRESENT 112 MEANING OF STYLE, THE 166

254 18. Sarajevo Film Festival l FILMS - ORIGINAL TITLE

METEOR 95 MI 210 MIRZA DELIBAŠIĆ – LEGENDA 209 MITEN MARJOJA POIMITAAN 172 37 MOMCI, GDE STE MONDOMANILA 85 MORNING STROLL, A 177 MUŠKI FILM 59 MUSTAFA’S SWEET DREAMS 58 MWANSA THE GREAT 177 MY BROTHER THE DEVIL 113

SOTONIN SIN SPRINGTIME SREBRENIČKI KENOTAF STORY OF FOUR, A STORYTELLING SUMNJE I TAJNE SUPERCARGO SUPERMAN, SPIDERMAN SAU BATMAN SVE TO

39 166 213 210 130 63 97 173 39

Š N

ŠANGHAJ

NAIV SEIN UND WISSEN DASS DAS EIN WEG IST 153 NANA 86 NEKI DRUGI SVIJET 209 NÉMET EGYSÉG @ BALATONNÁL 60 NEŠTO SLATKO 160 NGO 209 NIJE TI ŽIVOT PJESMA HAVAJA 61 96 NINIFUNI

ČEDO

ESMA 213 108 ESTATE DI GIACOMO, L’ ET MAINTENANT ON VA OU? 136

O SOM AO REDOR OKOŠTALO ZLATO OMEGA ONLY SOUND REMAINS ORIZONT

118 212 212 177 37

200

T TABU TATAL MEU E CEL MAI TARE TATIL KITABI TEPENIN ARDI TERRE OUTRAGÉE, LA THIS MUST BE THE PLACE TOATA LUMEA DIN FAMILIA NOASTRA TRAINS OF THOUGHTS TRAMVAJ TURN OFF THE LIGHTS TWO AND TWO TWO HEARTS TWO YEARS AT SEA

116 40 79 28 117 191 29 64 163 65 178 173 88

U P PALAU PALINDROMES PALIO SAM NOGE PARADIES: LIEBE PARAFINENIT PRINC PITCH BLACK HEIST PLACE WE LEFT, THE PLAVI VIKING U SARAJEVU POISESSION POJKTANTEN PORCOS RAIVOSOS PORODIČNI KABARE PORTRET V SUMERKAKH POSTCARD FROM SOMOVA, ROMANIA PRIČA BEZ KRAJA PRTLJAG PRVA DAMA DUBRAVE PUT LJEPOTE ŽIVOTA

169 129 198 78 38 178 209 212 211 114 162 210 115 166 210 211 38 212

R RADFAHRER 169 RAFA 96 RAZEND 154 RE:GENERATION MUSIC PROJECT 189 REBELLES DU FOOT, LES 139 RIGID REGIME 97 RISTO RÄPPÄÄJÄ JA VILLEÄ VENLA 148 RODRI 163

S SALVAJES, LOS 110 SAYA-ZAMURAI 119 SCHINDLER’S LIST 199 SEARCHING FOR SUGAR MAN 190 SHAPITO-SHOU 87 SIMDIKI ZAMAN 27 SLATKO OD DUNJA 211 SMRT ČOVEKA NA BALKANU 140 SOFIA’S LAST AMBULANCE 62

UKRADENA SREĆA ULICA POD OPSADOM UN AMOUR DE JEUNESSE UNSER LIED USTANIČKA ULICA

211 201 102 40 30

V VAŠI I NAŠI 209 66 VELIKI DAN VERDINGBUB, DER 155 VILAINE FILLE MAUVAIS GARÇON 174 VILINSKA PRAŠINA 211 VINYLMANIA: WHEN LIFE RUNS AT 33 REVOLUTIONS PER MINUTE 192 VORSTADT KROKODILE 3: FREUNDE FÜR IMMER 156

W WEATHER PROTOCOL 183 WELCOME TO THE DOLLHOUSE 131 WHAT IS LOVE 31 WHORES’ GLORY 89 WOMAN WHO BRUSHED OFF HER TEARS, THE 32

Z ZIKS

209

Ž ŽIVI SPOMENIK ŽIVOTNA ULOGA

209 67, 210

A ABUELAS ABYSS, THE ALL OF THAT ALPS AMAZING SPIDER-MAN, THE AMBASSADOR & ME, THE ANGELS’ SHARE, THE AVALON

176 212 39 72 150 172 134 103

B BABYSITTER 132 151 BACALAR BAGGAGE 211 152 BALLET STORY BEASTS OF THE SOUTHERN WILD 104 BELVEDERE 212 28 BEYOND THE HILL BEYOND THE HILLS 75 BIG DAY, THE 66 183 BLU BLUE SKY 169 BLUE VIKING IN SARAJEVO, THE 212 BOBBY YEAH 176 BORIS WITH AN I 47, 208 BOTH ARMS MOVING UPWARDS 168 BOY WHO WAS A KING, THE 48 BOY, BLOODBROTHER OF DEATH 2 52 BOYS, WHERE ARE YOU 37 BRADLEY MANNING HAD SECRETS 91 BRAVE 142 THE BUNKER – THE HABITUATION – THE WAIT – THE LIGHT 165 BURNING MAN 194

C CAESAR MUST DIE 135 CAPTAIN HU 145 ČEDO 49 CENTRIFUGE BRAIN PROJECT, THE 91 CHALK 176 CHAPITEAU-SHOW 87 CHILDREN LIKE ANY OTHER 195 CHILDREN OF SARAJEVO 25, 208 CLIP 76 CLOSE-UP IN TOTAL 209 CONFERENCE: NOTES ON FILM 05 92 CROCODILES 3: ALL FOR ONE, THE 156 CROSSING BOUNDARIES 26 CURSE, THE 162 CYCLIST 169

D DADDY RULZ 40 DARK HORSE 126 DAY ON DRINA 213 DEATH OF A MAN IN BALKANS 140

DETECTIVES DOCUMENTARY III SLOT MACHINE

168 93

E ELLA & ALEKSI 143 ENRAGED PIGS 162 ESMA 213 EVERYBODY IN OUR FAMILY 29 EXHIBITION 54, 208 EXPERIENCE 211

F F43.1 FACE OF A REVOLUTION, THE FAIRY DUST FAMILY CABARET FAMILY MEALS FEELINGS FIRST LADY OF DUBRAVA FOOTBALL REBELS FOSTER BOY, THE FROM THE SKY DOWN FROM TOKYO

208 56 211 210 61 132 38 139 155 186 94

LUPUS

211

M MALODY 94 MAMA ILLEGAL 57 MAN THAT GOT AWAY, THE 95 MARINA ABRAMOVIC: THE ARTIST 112 IS PRESENT MEANING OF STYLE, THE 166 METEOR 95 MIRZA DELIBAŠIĆ, THE LEGEND 209 85 MONDOMANILA MORNING STROLL, A 177 MOTHER 213 MUSTAFA’S SWEET DREAMS 58 MWANSA THE GREAT 177 113 MY BROTHER THE DEVIL

N NANA NEIGHBOURING SOUNDS NEVERENDING STORY NINIFUNI NVO

86 118 210 96 209

G GERMAN UNITY @ BALATON 60 GOOD LUCK FOR YOU EVERY DAY: THE INCREDIBLE STORY OF PENG 196 PHAN GOOD SOULS 213 GOODBYE FIRST LOVE 102 GUSTO, EL 187

H HAPPINESS HIMIZU HIT THE FLOOR HOLY MOTORS HORIZON HOW TO PICK BERRIES HUNGARY 2011

127 105 168 106 37 172 77

I I BURNT LEGS 198 I, ANNA 137 I LOVE YOU 53 ICE AGE: CONTINENTAL DRIFT 144 IN THE OPEN 171 INTOUCHABLES, THE 138 IRON SKY 188 ISLA ALTA 93

J JUBILEE BABY JUST THE WIND

212 74

K KÖNIGSBERG KOTOKO

162 84

L L.E.F. 55 LACK OF EVIDENCE 165 LAND OF OBLIVION 117 LAST FRIDAY, THE 197 LEGEND OF THE SOUTH 212 LIFE DURING WARTIME 128 LIVING MONUMENT 209 LONELIEST PLANET, THE 109 LONG VACATION, THE 50 LOTTE AND THE MOONSTONE SECRET 147 LOVE 73

O OMEGA ONE SONG ONLY SOUND REMAINS

212 40 177

P PALINDROMES PARADISE: LOVE PARAFFIN PRINCE, THE PITCH BLACK HEIST PLACE WE LEFT, THE POISESSION POLICEMAN POSTCARD FROM SOMOVA, ROMANIA POSTCARDS FROM THE ZOO PRAYER, THE PRESENT TENSE

129 78 38 178 209 211 182 166 107 183 27

R RAFA 96 RAZEND 154 RE:GENERATION MUSIC PROJECT 189 REAL MAN’S FILM 59 RED RUBBER BOOTS 212 REDEMPTION STREET 30 RETURN, THE 36 RICKY RAPPER AND COOL WENDY 148 RIGID REGIME 97 ROAD OF LIFE’S BEAUTY, THE 212 RODRI 163 ROLE OF MY LIFE, THE 67, 210 ROUNDABOUT 160

SOMETHING SWEET SON OF SATAN SPRINGTIME SREBRENICA’S CENOTAPH STATEMENT 71039 STICKY ENDS STOLEN HAPPINESS STORY OF FOUR, A STORYTELLING SUMMER BOOK SUMMER OF GIACOMO SUPERCARGO SUPERMAN, SPIDERMAN OR BATMAN

160 39 166 213 213 92 211 210 130 79 108 97 173

T TABU 116 191 THIS MUST BE THE PLACE TINIEST PLACE, THE 111 TO BE NAIVE AND TO KNOW IT’S 153 OK TOMORROW WILL BE GOOD 171 64 TRAINS OF THOUGHTS TRAM 163 TURN OFF THE LIGHTS 65 TWIGSON TIES THE KNOT 146 TWILIGHT PORTRAIT 115 178 TWO AND TWO TWO FURNACES FOR UDARNIK 51 JOSIP TROJKO TWO HEARTS 173 TWO SHIPS 174 TWO YEARS AT SEA 88

FILMS - ENGLISH TITLE

180/100 36 1989 (WHEN I WAS 5 YEARS OLD) 90 24 BUCKETS, 7 MICE, 18 YEARS 46 3 DAYS 208 5,000 FEET IS THE BEST 165 90 663114

U US

210

V VINYLMANIA: WHEN LIFE RUNS AT 33 REVOLUTIONS PER MINUTE 192 VOICE OF MY FATHER 24

W WEATHER PROTOCOL 183 WELCOME TO THE DOLLHOUSE 131 WHAT IS LOVE 31 WHERE DO WE GO NOW? 136 89 WHORES’ GLORY WILD ONES, THE 110 WOMAN WHO BRUSHED OFF HER TEARS, THE 32 WORM 211

Y YOURS AND OURS YUGONOSTALGIA

209 208

Z ZIKS

209

S SARAJEVO: A STREET UNDER SIEGE 201 SCABBARD SAMURAI 119 SCHINDLER’S LIST 199 SEARCHING FOR SUGAR MAN 190 SECRETS AND DOUBTS 63 200 SHANGHAI GYPSY SHE MALE SNAILS 114 SHORT STORY, A 210 SOFIA’S LAST AMBULANCE 62 SOME OTHER WORLD 209 FILMS - ENGLISH TITLE l 18. Sarajevo Film Festival 255

directors

A Abazoglou Angelos Adorno Federico Ajanović Midhat Akers Matthew Alabdallah Yahya Alper Emin Amati Martina Anderson Trevor Andrews Mark Anvari Babak Arriaga-Jordán Patricia Ashtiani Arash

G 58 93 210 112 197 28 176 95 142 178 151 177

B Bakrač Adis Balci Emine Emel Balkan Tuna Bar-Lev Amir Bararon Igor Barker Phillip Barrat Patrice Bašić Damir Begić Aida Belova Daria Bendjelloul Malik Benković Miro Bergsmark Ester Martin Boganim Michale Boulifa Fyzal Bousbia Safinez Budisavljević Dana Butcher Adam

212 53 183 189 209 94 201 210 25, 208 152 190 209 114 117 162 187 61 91

Gallego Abellan Raul Gavran Đuro Gavrilović Jelena Gay Pauline German Jr. Alexey Girardet Christoph Giurgiu Tudor Glawogger Michael Goldstein Andreas Gomes Miguel Groos Wolfgang Guggenheim Davis Gvardiol Želimir Gvozden Rijad

M 196 66 37, 160 171 94 95 173 89 168 116 156 186 63 211

H Hadžić Armin Hadžibrahimović Mustafa Hamzić Ajla Haneke Michael Hansen-Love Mia Hasanović Ado Hasanović Ibro Herkenhoener Fabian Hirabayashi Isamu Hodžić Refik Hoppe Friederike Horvath Andreas Hrbat Nedim Huezo Tatiana Huseinović Aida

211 209 211 73 102 212 210 183 90 213 153 166 213 111 211

I C Campana Paolo Carax Leos Cerfon Osman Chapman Brenda Collins Phil Comodin Alessandro Czarlewski Jan

192 106 92 142 166 108 172

Ć Ćuhara Amela

212

D Dević Goran Dimitrova Galina Dješka Marko Dogan Zeynel Drljević Alen Dukić Staša

51 183 39 24 213 211

107 176 166 113 147 24

F Fadel Alejandro Fast Omer Flicker Florian Fliegauf Bence Fliegauf Bence Forgács Péter Forgács Péter

46 209 212 155

J Jancsó Miklós Jeles András Jude Radu Jukić Elmir Jurilj Zdenko

77 77 29 213 208

E Edwin Eghbal Afarin Eisinga Jeroen El Hosaini Sally Ernits Heiki Eskiköy Orhan

Iacob Marius Ibrahimović Naida Imamović Ahmed Imboden Markus

110 165 26 74 77 60 77

256 18. Sarajevo Film Festival l DIRECTORS

Karalić Nedim Kenović Ademir Khalil Kays Khavn Kocsis Ágnes Kontić Boro Kozole Damjan Kurt Aleš Kwon Hayoun

212 201 168 85 77 54, 208 50 210 165

L Labaki Nadine Lanthimos Yorgos Lapid Nadav Loach Ken Loban Sergei Loktev Julia Lolli Franco Lőrincz Nandor Lund Martin Lutz Marc

136 72 182 134 87 109 163 36 146 168

Maclean John 178 31 Mader Ruth Makarević Timur 208, 209 Marić Vesna 47, 208 96 Mariko Tetsuya Martinez Sarrado Marc 196 144 Martino Steve Mašić Slaviša 209 Massadian Valerie 86 119 Matsumoto Hitoshi Matzke Daniel 169 162 Mayrhofer Philipp Mehmedbašić Nađa 67, 210 Mendonça Filho Kleber 118 77 Mészáros Márta Metev Ilian 62 212 Mijović Luna Milatović Branislav 39 Miloš Maja 76 56 Milovanović Vladimir Mladenović Ivana 65 Molina Catalina 40 140 Momčilović Miroslav Morgan Robert 176 57 Moschitz Ed Mujkić Midhat 210 Müller Matthias 95 210 Muminović Elvir Mungiu Cristian 75

N Naberšnik Marko Nagy Bálint Nagypal Orsi Nakache Olivier Negoescu Paul Nikonova Angelina Nissinen Erkka Novotny Timo Nowak Till Nyoni Rungano

200 36 160 138 37 115 97 64 91 177

Schram Dave 154 97 Schwarz Christoph Seidl Ulrich 78 162 Sette Leonardo Siroki László 77 Slijepčević Nebojša 59 126, 127, Solondz Todd 128, 129, 130, 131, 132 Sono Sion 105 191 Sorrentino Paolo Southcombe Barnaby 137 27 Söylemez Belmin Spielberg Steven 199 Staal Jonas 165 49 Strašek Nikola Strugar Mitevska Teona 32 143 Syrjä Juuso Szabó Simon 77

Š Šahmanović Senad Šečić Hari

211 211

T Talvensaari Elina 172 183 Tanase Nicolae Constantin Tanović Danis 211 Tanović Ines 209, 213 135 Taviani Paolo 135 Taviani Vittorio 79 Teoman Seyfi Teplitzky Jonathan 194 30 Terzić Miroslav Tešić Igor 212 Theime Clarissa 209 173 Thornton Darren Thümmler Marc 169 144 Thurmeier Mike Toledano Eric 138 Török Ferenc 77 55 Trbuljak Goran 174 Triet Justine Tsukamoto Shinya 84

O Ochsner Thor Orchard Grant

90 177

P Pálfi György Paounov Andrey Pavlátová Michaela Pavlović Danijel Pejaković Josip Penoni Isabel Perez Gilles Petersén Axel Pfaffenbichler Norbert Poldma Janno Potcoava Radu Prolić Haris

77 48 163 212 209 162 139 103 92 147 40 213

R Rantasila Mari Rivers Ben Rof Gilles

Vekarić Barbara Vesnakov Pavel G. Vogt Basil Vuletić Srđan Vuorensola Timo

38 38 145 198 188

W Webb Marc Weiss Maja Wu Chang-Jung

150 52 93

Z Zeitlin Benh Zeqiri Blerta Zlatar Enes

104 36 208, 209

Ž 148 88 139

S Sackl Albert Salamon András Salaviza Joao

171 77 96

Žalica Pjer Žbanić Jasmila

195 212