19thSFF Catalogue

KATALOG / catalogue

Katalog / Catalogue Urednik / Editor Nada Zdravič Izvori / Sources Emir Pekmez, Altijana Marić, Nataša Govedarica Prevod / Translation Sabina Nikšić, Una Tanović, Aleksandar Brezar Lektura / Proofreading Azra Rizvanbegović (bosanski jezik / Bosnian) Sabina Nikšić, Amira Sadiković (engleski jezik / English ) Grafičko oblikovanje i DTP / Graphic design and DTP BOOM! Produkcija Štampa / Print BLICDRUK d.o.o. Sarajevo Tiraž / Print run 2000

Sarajevo Film Festival Zelenih beretki 12, 71000 Sarajevo, Bosna i Hercegovina Tel. +387 33 209 411; +387 33 221 516, Fax. + 387 33 263 381 programmes@sff.ba, www.sff.ba 4

19. Sarajevo Film Festival l IMPRESSUM

Sadržaj / Contents

6 Festival Introduction 8 Žiri / Jury 19 Nagrade / Awards 21 Takmičarski program - igrani film / Competition Programme - Features 33 Takmičarski program - kratki film / Competition Programme - Shorts 41 Takmičarski program - dokumentarni film / Competition Programme - Documentaries 67 U fokusu / In Focus 79 Novi tokovi / New Currents Novi tokovi - igrani film / New Currents - Features

Novi tokovi - kratki film / New Currents - Shorts

Carte Blanche: Semaine De La Critique, Cannes

Carte Blanche: Vila Do Conde 95 Kinoscope

115 Posvećeno: Cristi Puiu / Tribute to Cristi Puiu 125 Open Air 135 Laško Summer Nights 145 Dječiji program / Children’s Programme 155 TeenArena 163 Operacija kino / Operation Kino 173 Sarajevo grad filma / Sarajevo City of Film 2013 179 Human Rights Day 185 Fondacija Katrin Cartlidge / Katrin Cartlidge Foundation 2013 189 Sarajevo Film Festival Partner Presents

Doha institut za film / Doha Film Institute

195 Sarajevo Film Festival Guests Present

Arapski fond za umjetnost i kulturu / The Arab Fund for Arts and Culture - AFAC

British Council - BAFTA 2013

Gruzijski nacionalni centar za film / Georgian National Film Centre

Filmski Festival Herceg Novi - Montenegro Film Festival

Zagreb Film Festival - Najbolje od Kockica / Best of Checkers

Continental Film

MCF MegaCom Film

HBO Europe predstavlja / HBO Europe Presents

219 BiH FILM 231 Sponzori / Sponsors 267 Hvala / Thank You 268 Index - Films 270 Index - Directors 271 Festival Team

CONTENTS l 19. Sarajevo Film Festival

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19. Sarajevo Film Festival l sponzori

Dobrodošli na 19. Sarajevo Film Festival / Welcome to the 19th Sarajevo Film Festival

Mirsad Purivatra

Po čemu je 19. Sarajevo Film Festival drugačiji od njegovih prethodnih izdanja? Sa stanovišta organizacije, ovo je bila jedna od najtežih godina.

Utjecaj recesije na institucionalne i sponzorske budžete za kulturu značajno je otežao planiranje i realizaciju ovogodišnjeg Festivala.

No, uprkos ili upravo zahvaljujući teškim vremenima, filmskim autorima nije nedostajalo inspiracije. Ovu godinu ćemo pamtiti po rekordnom broju filmova prijavljenih na naše takmičarske programe, njih preko 700 iz regije. Kvalitet prijavljenih radova je bio izuzetno visok, te je odabir takmičarskih programa bio veoma zahtjevan i kompleksan zadatak.

Povjerenje koje nam, kao festivalu, ukazuju filmski autori, nas čini ponosnim. U isto vrijeme ono nas obavezuje i podstiče da već niz godina kreiramo i realiziramo programe kojima je cilj produžiti život filmskom djelu i nakon festivalskih projekcija. Tako, uz postojeće programske i industrijske cjeline, ove godine pokrećemo Industrijsku terasu Sarajevo Film Festivala, kao mjesto okupljanja filmskih profesionalaca, sa željom da bolje koordiniraju i umreže distributerske i prikazivačke strukture u regionu. U isto vrijeme, naš Regionalni forum će inicirati povezivanje javnih i privatnih resursa, što bi uz podršku nacionalnih filmskih fondova, lokalnih zajednica i evropskih fondova poput Eurimagesa i MEDIA fonda, trebalo rezultirati planskom obnovom oko stotinu digitaliziranih kinodvorana u bivšoj Jugoslaviji. Ovaj projekat bi omogućio jednostavniju i efikasniju distribuciju regionalnih i svjetskih art-house filmova.

Već dvije decenije Festival djeluje s misijom promocije regionalnih kinematografija. Smatrajući da su Jugoistočna Evropa i odnedavno nama pridružena regija Južnog Zakavkazja područja izuzetno plodonosnih i originalnih filmskih priča, borimo se da ove kinematografije dobiju zasluženo mjesto na svjetskoj filmskoj sceni. Istovremeno, ne manjim naporom pokušavamo našoj filmskoj publici i profesionalcima otvoriti pogled prema svijetu, prema kinematografijama koje, pod naletom moćnih studijskih blockbustera i njihovih milionskih promotivnih kampanja, najčešće ostaju nedovoljno poznate i priznate. Zbog toga nas veoma raduje što ćemo ove godine, uz brojna ostvarenja evropskog i svjetskog filma, predstaviti i nekoliko izuzetno zanimljivih i uspješnih, savremenih arapskih filmova.

Za to moramo zahvaliti Doha institutu za film (Doha Film Institute - DFI) i AFAC-u (The Arab Fund for Arts and Culture).

Ovu godinu će, svakako, obilježiti i početak našeg strateškog partnerstva s Doha institutom za film. U duhu saradnje i uzajamne dobrobiti, započinjemo povezivanje filmskih profesionalaca iz naših regija, vjerujući da će ta saradnja biti krunisana brojnim zajedničkim filmskim projektima.

Dobro došli na 19. Sarajevo Film Festival, Mirsad Purivatra i festivalski tim

E What makes the 19th Sarajevo Film Festival different from its previous editions? In terms of organization, this was one of the most difficult years.

The impact of recession on institutional and sponsors’ culture budgets made planning for and organization of this year’s Festival significantly more difficult. But despite, or maybe because, of the difficult times, filmmakers were not lacking inspiration. We will remember this year by the record number of films – over 700 from the region – submitted for Festival’s competition programs. The quality of submissions was extremely high, turning the selection of our competition programs’ lineup into a very demanding and complex task.

The trust filmmakers place in us makes us proud. At the same time, it obliges and inspires us to create and accomplish programs each year that extend the life of their films beyond the festival screenings. Therefore, this year, in addition to the already existing program sections and industry events, we are launching the Industry Terrace of the Sarajevo Film Festival to create a place where film professionals can meet, create networks and better coordinate the work of film distribution and exhibition structures in our region. At the same time, our Regional Forum will initiate linking of public and private film funds and - with the support of national film funds, local communities and European film funds such as Eurimages and Media forum - this should result in a planned reconstruction of around 100 digitized cinema venues in the former Yugoslavia. This project should enable simpler and more efficient distribution of regional and art-house films from the world.

For nearly two decades, the mission of our Festival has been to promote regional cinematography. Deeply convinced that Southeast Europe, as well as South Caucasus region that had recently joined our Festival, are very fertile ground for original film stories, we fight to win for their cinematography the well-deserved place on the international film map. We work equally hard to turn the attention of our audiences and filmmakers to the cinematographies of the world that are often neglected and sidelined due to the dominance of studio blockbusters and their multi-million promotion campaigns. We are therefore particularly happy that, apart from the numerous European and world film titles, we will also present this year several very interesting and successful Arab films. We are grateful to Doha Film Institute (DFI) and the Arab Fund for Arts and Culture (AFAC) for enabling this.

This year will certainly be marked by the start of our strategic partnership with Doha Film Institute. In the spirit of cooperation and for the purpose of mutual benefit, we launch this cooperation by bringing together filmmakers from our respective regions in hope that their collaboration will result in numerous joint film projects.

Welcome to the 19th Sarajevo Film Festival, Mirsad Purivatra and the Festival team

FESTIVAL INTRODUCTION l 19. Sarajevo Film Festival

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Žiri Takmičarskog programa – igrani film / Competition Program Jury– Feature Film

DANIS TANOVIĆ Predsjednik žirija, režiser (BiH) / President of the Jury, Director (B&H)

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19. Sarajevo Film Festival l ŽIRI

Danis Tanović je rođen u Zenici, a odrastao je u Sarajevu, gdje je studirao režiju na Akademiji scenskih umjetnosti. Nakon što se Sarajevo našlo pod opsadom, proveo je dvije godine na prvim linijama odbrane snimajući za armiju. Godine 1994. Tanović je u Belgiji nastavio školovanje na filmskoj školi INSAS i počeo raditi kratke i dokumentarne filmove. Njegov debitantski igrani film NIČIJA ZEMLJA iz 2001. dobitnik je više od 40 međunarodnih priznanja, što ga čini najnagrađivanijim debitantskim filmom u historiji. Film, čija je priča smještena u ratom zahvaćenu BiH 1993, nagrađen je Oscarom i Zlatnim globusom za najbolji strani film te nagradama za najbolji scenarij Filmskog festivala u Cannesu i Evropske filmske akademije. Tanović je režirao još dva filma koja se bave ratom i njegovim posljedicama. CIRKUS COLUMBIA smješten je u period neposredno prije rata, a TRIJAŽA, s Colinom Farrellom, bavi se postratnim traumama. Tanović je 2005. snimio igrani film na francuskom jeziku, L´ENFER (HELL), u kojem su uloge ostvarili najznačajniji glumci francuskog filma, kao Emmanuelle Béart, Karin Viard, Marie Gillain, Guillaume Canet, Jacques Gamblin, Jacques Perrin, Carole Bouquet i Jean Rochefort. Njegov posljednji film, EPIZODA U ŽIVOTU BERAČA ŽELJEZA, imao je svjetsku premijeru u okviru Takmičarskog programa Internacionalnog filmskog festivala u Berlinu, gdje je nagrađen dvama Srebrnim medvjedima – za film i za najboljeg glumca (Nazif Mujić), te specijalnim priznanjem Ekumenskog žirija.

E Danis Tanović was born in Zenica, and raised in Sarajevo where he studied film directing at the Sarajevo Academy of Performing Arts.

When Sarajevo fell under siege, he spent two years on the frontline filming for the Army.

Tanović later moved to Belgium to continue his film studies at the INSAS Film School and began making shorts and documentaries. His 2001 debut feature NO MAN’S LAND received over 40 international prizes, making it one of the most awarded first feature films in history.

Set in the midst of Bosnia-Herzegovina’s war in 1993, the film won the Oscar and Golden Globe for best Foreign Language Film, as well as Best Script prizes at the Cannes Film Festival and the European Film Awards. Tanović has made two other films about war and its consequences.

CIRKUS COLUMBIA is set in the period just before the war breaks out in Bosnia-Herzegovina, and TRIAGE - staring Colin Farrell - dealt with post-war trauma. In 2005, Tanović made the French-language feature L’ENFER (HELL), staring many of France’s finest actors, including Emmanuelle Béart, Karin Viard, Marie Gillain, Guillaume Canet, Jacques Gamblin, Jacques Perrin, Carole Bouquet and Jean Rochefort. His latest film AN EPISODE IN THE LIFE OF AN IRON PICKER premiered in the competition program of the Berlin International Film Festival, where it won two Silver Bears - for film and Best Actor Nazif Mujic, as well as a Special Mention by the Ecumenical Jury.

ULIKS FEHMIU glumac (Srbija) / Actor (Serbia)

CHRISTINE A. MAIER direktorica fotografije (Njemačka) / Director of Photography (Germany)

Uliks Fehmiu je diplomirao na Fakultetu dramskih umetnosti u Beogradu. Ostvario je brojne pozorišne uloge u Beogradu i New Yorku, kao i brojne zapažene filmske uloge. Jedan je od osnivača produkcijske kuće West End Productions koja se bavi filmskom, pozorišnom i TV produkcijom u Evropi i SAD. Fehmiu je, brojnim projektima, više puta učestvovao na Sarajevo Film Festivalu, uključujući film DOBRO UŠTIMANI MRTVACI režisera Benjamina Filipovića, koji je otvorio 11. Sarajevo Film Festival, višestruko nagrađivani film SUTRA UJUTRO režisera Olega Novkovića, Novkovićev BELI BELI SVET, u kojem je Fehmiu ostvario glavnu ulogu, a također ga je i producirao (Cinelink Award 2008), te film USTANIČKA ULICA režisera Miroslava Terzića. Fehmiu je za ulogu u filmu USTANIČKA ULICA osvojio nagradu Srce Sarajeva za najboljeg glumca na 18. Sarajevo Film Festivalu. Trenutno živi u New Yorku.

E Uliks Fehmiu graduated from the Faculty of Dramatic Arts at the University of Arts in Belgrade. He has performed extensively in stage productions in Belgrade and New York and appeared in numerous films. He is one of the founders of West End Productions which is involved in film, theater, and TV production in Europe and the United States. Fehmiu is a Sarajevo Film Festival veteran with past appearances including Benjamin Filipović’s feature DOBRO UŠTIMANI MRTVACI that opened the Festival’s 11th edition, award-wining SUTRA UJUTRO directed by Oleg Novković, the winner of 2008 Cinelink Award BELI, BELI SVET also directed by Novković in which Fehmiu played the leading role and which he had also produced, as well as USTANIČKA ULICA directed by Miroslav Terzić.

At the 18th Sarajevo Film Festival, Fehmiu won the Heart of Sarajevo award for Best Actor for his role in USTANIČKA ULICA. He currently lives in New York.

Christine A. Maier je diplomirala na bečkoj Akademiji za muziku i scencke umjetnosti, na Odsjeku za film i televiziju. Maier je bila angažirana u brojnim filmskim projektima koji su prikazivani i nagrađivani na festivalima širom svijeta. Među njima su i filmovi bh. režiserke Jasmile Žbanić: GRBAVICA, NA PUTU, NOĆ JE, MI SVIJETLIMO, NAZAD, NAPRIJED, LOST AND FOUND, LJUBAV JE. Također, Maier potpisuje fotografiju i za novi film režiserke Žbanić, LOVE ISLAND. U svojoj bogatoj karijeri Maier je radila na filmovima: PROVIDENCE, DDR-DDR i BLACK MOON, režiserke Amie Siegel, SATTE FARBEN VOR SCHWARZ režiserke Sophie Heldmann, DIE LIEBE DER KINDER Franza Müllera, ITTY BITTY TITTY COMMITTEE Jamieja Babbita, LUCY režisera Hennera Wincklera, te NORDRAND Barbare Albert.

E Christine A. Maier graduated from the Academy of Music and Performing Art, Film and Television Department, in Vienna, Austria.

She worked on a number of award-wining films that had been screened at festivals around the world, including films by Bosnian director Jasmila Žbanić GRBAVICA; NA PUTU; NOĆ JE, MI SVIJETLIMO; NAZAD NAPRIJED: LOST AND FOUND and LJUBAV JE. Maier also shot Žbanić’s latest film LOVE ISLAND. In her rich career, Maier worked on films directed by Amie Siegel PROVIDENCE, DDR-DDR and BLACK MOON, Sophie Heldmann’s SATTE FARBEN VOR SCHWARZ, DIE LIEBE DER KINDER directed by Franz Müller, Jamie Babbit’s ITTY BITTY TITTY COMMITTEE, Henner Winckler’s LUCY and NORDRAND by Barbara Albert.

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CHARLES TESSON umjetnički direktor programa Critic’s Week Filmskog festivala u Cannesu (Francuska) / Artistic Director of Critic’s Week at Cannes Film Festival (France)

MIRELA OPRISOR glumica (Rumunija) / Actress (Romania)

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Charles Tesson je od 2012. umjetnički direktor programa Critic’s Week Filmskog festivala u Cannesu. Od 1979. radi i kao filmski kritičar u Cahiers du Cinéma, a neko je vrijeme bio i urednik tog časopisa. Profesor je na Sorbonne Nouvelle (Université Paris III), gdje predaje film, historiju i estetiku. Napisao je više knjiga i eseja o filmu, među kojima su Satyajit Ray (1992), Luis Buñuel (1995), El from Luis Buñuel (1996), Photogénie de la Série B (1997), Théâtre et cinéma (2007) i Akira Kurosawa (2008 ). Bio je urednik nekoliko posebnih priloga za Cahiers du Cinéma, uključujući Made in Hong Kong (1984) s Olivierom Assayasom i Made in China (1999), a također je i jedan od kourednika knjige L’Asie à Hollywood (2001).

E Charles Tesson is the Artistic Director of Critic’s Week at Cannes Film Festival since 2012. He is also a film critic in Cahiers du Cinéma since 1979, and a former editor of this magazine.

He teaches cinema, history and esthetics at La Sorbonne Nouvelle (Université Paris III). He is the author of several books and essays on cinema, including Satyajit Ray (1992), Luis Buñuel (1995), El from Luis Buñuel (1996), Photogénie de la Série B (1997), Théâtre et cinéma (2007) and Akira Kurosawa (2008). He edited several special issues for Cahiers du Cinéma - including Made in Hong Kong (1984) with Olivier Assayas and Made in China (1999) - and co-edited the book L’Asie à Hollywood (2001).

Mirela Oprisor je diplomirala na Nacionalnom univerzitetu za pozorište i film u Bukureštu, a trenutno je zaposlena u Teatru Comedy u istom gradu. Oprisor je tokom svoje petnaestogodišnje karijere nastupila u brojnim teatarskim predstavama, a ostvarila je i više uloga na filmu među kojima se ističu uloge u filmovima YOUTH WITHOUT YOUTH režisera Francisa Forda Coppole i TUESDAY AFTER CHRISTMAS Radua Munteana. Dobitnica je nekoliko značajnih nagrada, među kojima je i Srce Sarajeva za najbolju glumicu na 16.

Sarajevo Film Festivalu, te nagrade za najbolju glumicu na festivalima Cine de Gijón i Mar del Plata. Oprisor je 2011. proglašena najboljom glumicom u Rumuniji, a 2012. se našla i u izboru najboljih glumica svijeta američke sedmične publikacije i websitea o filmu Village Voice.

E Mirela Oprisor graduated from the National University of Theater and Film in Bucharest and is currently employed with the Comedy Theater in the same city. During her 15-year-long career, Oprisor performed in various stage productions and appeared in numerous films, most prominently in features directed by Francis Ford Coppola and Radu Muntean YOUTH WITHOUT YOU and TUESDAY AFTER CHRISTMAS respectively.

She is the winner of several prominent awards including the Heart of Sarajevo award for Best Actress of the 16th Sarajevo Film Festival and the Best Actress awards at Cine de Gijón and Mar del Plata festivals. In 2012, Oprisor was declared the best actress in Romania and was also included on the list of best actresses in the world of the New York-based weekly newspaper and news and features website Village Voice.

Žiri Takmičarskog programa – kratki film / Competition Program Jury – Short Film

Paz Lázaro menadžerica programa Panorama Filmskog festivala u Berlinu (Španija, Njemačka) / Program Manager at Berlinale Panorama (Spain, Germany)

Paz Lázaro je diplomirala špansku i englesku filologiju i sociologiju. Menadžerica je programa Panorama, članica selekcijskog odbora Takmičarskog programa i delegat za španski film Međunarodnog filmskog festivala u Berlinu.

Od 2012. angažirana je i kao ekspert Evropske filmske akademije. Članica je Španske komisije za film (ICAA), zadužena za mlade režisere i međunarodnu koprodukciju. Radila je na produkciji brojnih filmova, uključujući igrane filmove NÓMADAS (Španija, 2000), COSA DE BRUJAS (Španija, 2002) i SOBRE EL ARCOIRIS (Španija, 2003), te dokumentarni film FALLEN ANGEL: GRAM PARSONS (Njemačka, 2004). S osnivačicom kompanije Dorky Park, Constanzom Macras, radila je i na produkciji pozorišnih predstava (NO WONDER i SURE).

E Paz Lázaro holds degrees in Spanish and English philology, and sociology. She is the Panorama program manager, a member of the selection committee for competition program and the delegate for Spanish film of the Berlin International Film Festival. Since 2012, she is also an expert of the European Film Academy.

Lázaro is a member of the Spanish Film Commission (ICAA) for young directors and international co-productions. She worked in production of numerous films, including features NÓMADAS (Spain, 2000), COSA DE BRUJAS (Spain, 2002) and SOBRE EL ARCOIRIS (Spain, 2003), as well as documentary FALLEN ANGEL: GRAM PARSONS (Germany, 2004). She also cooperated on theatrical productions of Constanza Macras’s Dorky Park Company (NO WONDER and SURE).

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Mladen Miljanović umjetnik (BiH) / Artist (B&H)

Paul Negoescu režiser (Rumunija) / Director (Romania)

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Mladen Miljanović je diplomirao na Odsjeku za slikarstvo Akademije likovnih umjetnosti u Banja Luci, gdje danas predaje. Njegovi su radovi izlagani na više samostalnih i kolektivnih izložbi u Bosni i Hercegovini, Evropi i svijetu.

Osim u regiji, Miljanović je izlagao i u galerijama i muzejima u SAD-u, Italiji, Njemačkoj, Austriji, Francuskoj, Velikoj Britaniji, Nizozemskoj, Rusiji, Poljskoj i Južnoj Koreji.

Za svoj rad je dobio više nagrada, uključujući Nagradu Henkel Art, Nagradu Zvono za najboljeg mladog umjetnika u BiH, nagradu Muzeja savremene umjetnosti Republike Srpske u Banjoj Luci za najbolji rad na godišnjoj izložbi studenata Akademije umjetnosti Banja Luka.

E Mladen Miljanović holds a degree from the Banja Luka Arts Academy, Department of Painting, where he now works as a lecturer. His works have been displayed in numerous solo and collective exhibitions in Bosnia-Herzegovina, Europe and the World. Apart from regional exhibitions, Miljanović also exhibited his works in galleries and museums in the USA, Italy, Germany, Austria, France, United Kingdom, Holland, Russia, Poland and South Korea. Miljanović received numerous awards for his work, including Henkel Art Award, Zvono award for the best young artist in Bosnia and Herzegovina and the award of the Banja Luka-based Museum of Contemporary Art of Republika Srpska for the best work in annual collective exhibition of students of the Banja Luka Arts Academy.

Paul Negoescu je diplomirao filmsku režiju na Nacionalnoj školi filma u Rumuniji. Režirao je više kratkih filmova koji su nagrađivani na značajnim međunarodnim filmskim festivalima (Cannes, Berlin, Sarajevo, Karlovy Vary, Rotterdam). Dva puta, 2009. i 2011. godine, nominiran je za Nagradu Evropske filmske akademije.

Njegov prvi dugometražni film, A MONTH IN THAILAND, premijerno je prikazan u programu International Critics’ Week Filmskog festivala u Veneciji. Film je osvojio više nagrada, uključujući nagradu FIPRESCI na Međunarodnom filmskom festivalu u Sofiji. Negoescu je osnovao vlastitu kompaniju koja se bavi produkcijom kratkih igranih, dokumentarnih i animiranih filmova.

Također je osnivač Filmskog festivala Timishort, koji se održava u Temišvaru, u Rumuniji.

E Paul Negoescu holds a degree in film directing from the National Film School in Romania.

He directed several short films that have been awarded at a number of important international film festivals (including festivals in Cannes, Berlin, Sarajevo, Karlovy Vary and Rotterdam).

He has been nominated for the European Film Academy award in 2009 and 2011. His first feature A MONTH IN THAILAND premiered in the International Critics’ Week program of the Venice Film Festival. The film received several awards including FIPRESCI Award at the International Film Festival in Sofia. Negoescu founded his own company for production of short, documentary and animated films. He is also the founder of Timishort Film Festival in Timisoara, Romania.

Žiri Takmičarskog programa – dokumentarni film / Competition Program Jury – Documentary Film

Joslyn Barnes scenaristica i producentica (SAD) / screenwriter and producer (USA)

Joslyn Barnes je autorica brojnih scenarija za dugometražne igrane filmove, uključujući scenarij za indijski film THE COSMIC FOREST, čija se premijera uskoro očekuje, te za nagrađivani film BÀTTU režisera Cheikha Oumara Sissokoa, na kojem je, također, radila i kao pomoćnica producenta. Među filmovima na kojima je radila kao producentica ili izvršna producentica od osnivanja produkcijske kuće Louverture Films, gdje je jedan od suosnivača, nalaze se i BAMAKO (nominiran za nagradu César), TROUBLE THE WATER (dobitnik nagrade Sundance Grand Jury, nominiran za Oscara i nagradu Emmy), SOUNDTRACK FOR A REVOLUTION (kandidat za nominaciju za Oscara), bolivudski triler DUM MAARO DUM, nagrađivani BLACK POWER MIXTAPE 1967-1975, THE HOUSE I LIVE IN (dobitnik nagrade Sundance Grand Jury i kandidat za nominaciju za Oscara), te nepalski film HIGHWAY. Kao pomoćnica producenta je radila na filmovima THE TIME THAT REMAINS Elija Suleimana i UNCLE BOONMEE WHO CAN RECALL HIS PAST režisera Apichatponga Weerasethakula, koji je 2010. nagrađen Zlatnom palmom Filmskog festivala u Cannesu.

Trenutno producira filmove THE MESSAGE s Avi Lewisom i Naomi Klein, te THE SHADOW WORLD s Johanom Grimonprezom.

E Joslyn Barnes is the author of numerous screenplays for feature films, including the upcoming Indian feature THE COSMIC FOREST and the award-wining BÀTTU directed by Cheikh Oumar Sissoko, which she had also associate produced. Among the films she has produced or executive produced since co-founding Luverture Films are (César-nominated) BAMAKO, TROUBLE THE WATER (Sundance Grand Jury Prize winner, Oscar and Emmy awards nominee), SOUNDTRACK FOR A REVOLUTION (Oscar shortlisted), Bollywood thriller DUM MAARO DUM, the award-winning BLACK POWER MIXTAPE 1967-1975, THE HOUSE I LIVE IN (Sundance Grand Jury Prize winner, Oscar shortlisted) and the Nepali feature HIGHWAY. She associate produced Elia Suleiman’s THE TIME THAT REMAINS, and the 2010 Cannes Palme d’Or winner UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES directed by Apichatpong Weerasethakul. She is currently producing THE MESSAGE with Avi Lewis and Naomi Klein, and THE SHADOW WORLD with Johan Grimonprez.

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Jasmin Basic filmska historičarka i kustosica (Švicarska) / film historian and curator (Switzerland)

Vibeke Bryld režiserka i scenaristica (Danska) / director and screenwriter (Denmark)

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Jasmin Basic je radila kao koordinatorica i selektorica programa više festivala u Švicarskoj i inostranstvu, uključujući festivale Visions du Réel (Nion), Cinéma Tous Ecrans (Ženeva), Split International Film Festival, NIFFF (Neuchâtel), Animafest Zagreb, International Film Festival and Forum on Human Rights – FIFDH (Ženeva), Solothurn Film Festival i International Animation Festival Fantoche (Baden). Bila je kuratorica retrospektiva Michaela Manna, Charlesa Burnetta, Davida Cronenberga, Michaela Snowa, Haruna Farockija, Atoma Egoyana i crnog talasa jugoslovenskog filma, a radila je i na razvoju programa fokusiranih na međunarodne televizijske serije. Sarađivala je s Univerzitetom za umjetnost i dizajn u Ženevi (HEAD), Kinotekom u Tangieru, Centrom La Virreina u Barseloni, Hrvatskim audiovizualnim centrom, Francuskom kinotekom, Centrom Georges Pompidou, te sa Cahiers du Cinéma i Forum des Images. Radila je i kao savjetnica za televizijske drame i serije pri Švicarskoj državnoj agenciji za kulturu, a članica je i odbora Geneva Film Commission.

E Jasmin Basic has worked as a coordinator and selector for a number of Swiss and international festivals including Visions du Réel (Nyon), Cinéma Tous Ecrans (Geneva), Split International Film Festival, NIFFF (Neuchâtel), Animafest Zagreb, International Film Festival and Forum on Human Rights – FIFDH (Geneva), Solothurn Film Festival and International Animation Festival Fantoche (Baden). She currated Michael Mann, Charles Burnett, David Cronenberg, Michael Snow, Harun Farocki and Atom Egoyan film retrospectives, as well as a retrospective of the Yugoslav black wave films. Basic worked on development programs focusing on international television series. She cooperated with the Head University of Art and Design in Geneva, Tangier Film Archive, La Virreina Center in Barcelona, Croatian Audiovisual Center, Georges Pompidou Center, as well as Cahiers du du Cinéma and Forum des Images. Basic has also worked as a television drama and series consultant at the Swiss National Culture Agency and is a member of the Geneva Film Commission.

Vibeke Bryld je danska filmska autorica, čiji je posljednji film BEDTIME STORIES FROM THE AXIS OF EVIL nominirala Danska filmska akademija za najbolji danski kratki dokumentarac, a premijerno je prikazan na Hot Docs festivalu 2012. Studirala je filozofiju i umjetnost na Univerzitetu u Kopenhagenu, a titulu magistrice dokumentarnog filma stekla je na koledžu Goldsmiths u Londonu. Prethodno je režirala seriju dokumentarnih filmova za TV kanal Al Jazeera English, a producirala je i niz portreta međunarodno priznatih umjetnika u New Yorku, Londonu i Kopenhagenu, kao i eksperimentalni kratki dokumentarac, THROWING PAINT TINS OFF THE ROOF, koji je 2007. na festivalu CPH:DOX nominiran za Nagradu New Vision.

Bryld od 2010. radi u magazinu DOX, u kojem je 2013. postavljena i za glavnu urednicu.

E Vibeke Bryld is a Danish filmmaker whose latest film BEDTIME STORIES FROM THE AXIS OF EVIL has been nominated by the Danish Film Academy for the best Danish short documentary. The film had its international premier in 2012 at Hot Docs Festival. Bryld studied philosophy and arts at the University of Copenhagen and has attained her MA degree in screen documentary from Goldsmiths College in London. She previously directed a series of documentaries for Al Jazeera English TV channel and has produced portraits of internationally acclaimed artists in New York, London and Copenhagen. Bryld produced experimental short THROWING PAINT TINS OFF THE ROOF that has been nominated for New Vision Award at CPH:DOX in 2007. She has been working for the European Documentary Magazine DOX since 2010 and had taken over as its editor in chief in 2013.

Žiri za nominaciju sarajevskog kandidata za nagradu Evropske filmske akademije za 2013. u kategoriji kratki film / Jury for the Selection of the Sarajevo Short Film Nominee for the European Film Awards 2013

Hagar Ben-Asher režiserka, scenaristica i glumica, Izrael / Director, Screenwriter, Actress, Israel

Hagar Ben-Asher je diplomirala s počastima u školi Minshar for Art u Tel Avivu 2007.

Prema vlastitom scenariju je režirala film THE SLUT, u kojem je ostvarila i jednu od uloga. Film je premijerno prikazan u programu Semaine de la Critique Filmskog festivala u Cannesu. Za ovaj film, Asher je nagrađena prvom nagradom za režiju na Jerusalem Film Festivalu. Film je distribuiran u više zemalja, uključujući SAD, Francusku, Njemačku, Brazil i Japan. Asher je, prema vlastitom scenariju, režirala i film PATHWAYS, u kojem je odigrala i glavnu ulogu. Film je prikazan u okviru programa Cinéfondation Filmskog festivala u Cannesu. Prikazan je i na brojnim drugim festivalima širom svijeta, a na festivalima u Stockholmu, Rehovotu i Jerusalemu je osvojio prvu nagradu. Godine 2012. započela je rad na filmu THE BURGLAR, koji bi trebao biti završen u februaru 2014.

E Hagar Ben-Asher graduated with honors in 2007 from the Minshar for Art School and Center, Tel Aviv. She wrote, directed and acted in THE SLUT that premiered in Semaine de la Critique section of the Cannes Film Festival.

The film won the Best Director prize at the Jerusalem Film Festival and has been distributed in a number of countries, including the United States, France, Germany, Brazil and Japan. Asher also wrote, directed and was the leading actress in PATHWAYS that was included in the Cinéfondation selection of the Cannes Film Festival. The film was screened in numerous festivals around the world and has won the first prize in film festivals in Stockholm, Rehovot and Jerusalem. In 2012, she started working on her latest film THE BURGLAR that should be completed in February 2014.

JURY l 19. Sarajevo Film Festival 15

Miguel Dias direktor i selektor Međunarodnog filmskog festivala Curtas Vila do Conde, Portugal / Director and selector of Curtas Vila do Conde International Film Festival, Portugal

Leona Paraminski glumica, Hrvatska / Actress, Croatia

16 19. Sarajevo Film Festival l ŽIRI

Miguel Dias je diplomirao grafički dizajn na Fine Arts School u Portu, 1992. Dias je suosnivač, direktor i selektor Međunarodnog filmskog festivala Curtas Vila do Conde. Također je suosnivač i direktor portugalske Agencije za kratki film, te kinematografske art galerije Solar. Radi i kao selektor godišnjeg programa posvećenog obrazovanju mladih talenata Animar. Dias aktivno učestvuje u brojnim aktivnostima u oblasti grafičkog dizajna, u koje se može svrstati i njegov angažman na produkciji i odabiru programa pri Odjelu za film projekta Porto 2001 – evropska prijestolnica kulture. Kustos je nekoliko filmskih programa u Portugalu i inostranstvu, te selektor na više teatarskih projekata.

E Miguel Dias graduated in graphic design from the Fine Arts School in Porto in 1992. He is the co-founder, director and selector of Curtas Vila do Conde international film festival. Dias is also the co-founder and director of the Portuguese Short Film Agency and Cinematic Art Gallery Solar. He also works as the selector for the annual Animar event aimed at educating young talents. He has been taking part in a number of activities in the field of graphic design, including as producer and programmer for the film department of Porto 2001 – European Capital of Culture. He is the curator of several film programs in Portugal and abroad, as well as the theater selector for a number of theatrical projects.

Leona Paraminski je diplomirala na Akademiji dramskih umjetnosti u Zagrebu, 2001.

Dobitnica je Zlatne arene 2002. za glavnu žensku ulogu u filmu PREZIMITI U RIU. Paraminski je odigrala niz glavnih uloga u značajnim hrvatskim filmovima, a angažirana je i u teatru.

Tokom karijere je sarađivala s više eminentnih hrvatskih režisera, ali je za nju najplodonosnija bila saradnja s Daliborom Matanićem, s kojim i trenutno radi na njegovom omnibusu 6/6. U saradnji s Matanićem, Paraminski je snimila tri višestruko nagrađivana kratka filma, uključujući film TULUM, koji je osvojio dvadesetak nagrada na međunarodno priznatim filmskim festivalima. Paraminski je dobitnica triju međunarodnih nagrada za najbolju glumicu.

Film MEZANIN, u kojem je ostvarila glavnu ulogu, nagrađen je Srcem Sarajeva za najbolji kratki film na 18. Sarajevo Film Festivalu.

E Leona Paraminski graduated from the Zagreb Academy of Drama Arts in 2001. She won the Golden Arena award for the best actress in a leading role at 2002 Pula Film Festival for her performance in PREZIMITI U RIU (WINTER IN RIO). Paraminski was the leading actress in a number of Croatian films and she is also working in theater. She has been working with a number of prominent Croatian directors, but her cooperation with Dalibor Matanić has so far been the most productive. At the moment, she is cooperating with Matanić on his 6/6 omnibus film. She previously appeared in Matanić’s three internationally awarded short films including TULUM (PARTY) that has won some 20 awards from several respected international film festivals. Paraminski has won three international awards for the best actress. She also played the leading role in MEZANIN (MEZZANINE) – the short film that has won the Heart of Sarajevo award at the 18th Sarajevo Film Festival.

Cicae žiri / Cicae Jury

Daniel Lavaud Osnivač Kulturnog centra Cinéma le Balzac, Francuska / Founder of Cultural centre Cinéma le Balzac, France

Tanja Miličić Voditeljica kina Valli, producentica na Pula Film Festivalu, Hrvatska / Head of kino Valli, Producer at Pula Film Festival, Croatia

Balázs Kalmanovits Budapest Film, Mađarska / Budapest Film, Hungary

Cineuropa žiri / Cineuropa Jury

Alberto La Monica Direktor Festival del Cinema Europeo Lecce, Italija / Director of Festival del Cinema Europeo Lecce, Italy

Elisa Cimino Menadžer projekta Cineuropa, Belgija / Cineuropa Project Manager, Belgium

JURY l 19. Sarajevo Film Festival 17

Nagrade / Awards

ZVANIČNE NAGRADE

OFFICIAL AWARDS

Takmičarski program - igrani film

Competition Programme - Feature Film

SRCE SARAJEVA ZA NAJBOLJI FILM Novčanu nagradu u iznosu od 16.000 € osigurava Vijeće Evrope

HEART OF SARAJEVO FOR BEST FILM Financial Award, in the amount of 16,000 €, is provided by the Council of Europe

SPECIJALNA NAGRADA ŽIRIJA Novčanu nagradu od 10.000 € osigurava Agnès B.

SPECIAL JURY PRIZE Financial Award, in the amount of 10,000 €, is provided by Agnès B.

SRCE SARAJEVA ZA NAJBOLJU GLUMICU Novčana nagrada u iznosu od 2.500 €

HEART OF SARAJEVO FOR BEST ACTRESS Financial award in the amount of 2,500 €

SRCE SARAJEVA ZA NAJBOLJEG GLUMCA Novčana nagrada u iznosu od 2.500 €

HEART OF SARAJEVO FOR BEST ACTOR Financial award in the amount of 2,500 €

Takmičarski program - kratki film

Competition Programme - Short Film

SRCE SARAJEVA ZA NAJBOLJI FILM Novčana nagrada u iznosu od 2.500 €

HEART OF SARAJEVO FOR BEST FILM Financial award in the amount of 2,500 €

Takmičarski program - dokumentarni film

Competition Programme - Documentary Film

SRCE SARAJEVA ZA NAJBOLJI FILM Novčanu nagradu u iznosu od 3.000 € osigurava Savezno ministarstvo vanjskih poslova Švicarske

HEART OF SARAJEVO FOR BEST DOCUMENTARY FILM Financial award, in the amount of 3,000 €, is provided by the Swiss Federal Department of Foreign Affairs

SPECIJALNA NAGRADA ŽIRIJA Novčanu nagradu u iznosu od 2.500 € osigurava Al Jazeera Balkans

SPECIAL JURY PRIZE Financial Award, in the amount of 2,500 €, is provided by Al Jazeera Balkans

PARTNERSKE NAGRADE

PARTNERS AWARDS

NOMINACIJA SARAJEVSKOG KANDIDATA ZA EVROPSKU FILMSKU NAGRADU 2013.

Pobjednik ulazi u konkurenciju za Nagradu Evropske filmske akademije (EFA) za najbolji kratki film.

SARAJEVO SHORT FILM NOMINEE FOR THE EUROPEAN FILM AWARDS 2013 The winner receives a nomination for the European Film Academy (EFA) Best Film Award.

NAGRADA ZA LJUDSKA PRAVA Nagrada za ljudska prava dodjeljuje se za najbolji film iz Takmičarskog programa dokumentarni film koji obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3.000 € osigurava Savezno ministarstvo vanjskih poslova Švicarske.

HUMAN RIGHTS AWARD Award for the best film of the Competition Programme - Documentary Film dealing with the subject of human rights. Award in the amount of 3,000 € is provided by the Swiss Federal Department of Foreign Affairs.

EDN TALENT GRANT EDN Talent Grant je ustanovljen kroz saradnju Sarajevo Film Festivala i Evropske dokumentarističke mreže, u svrhu podrške talentovanim autorima dokumentarnog filma iz regije.

EDN TALENT GRANT EDN Talent Grant has been created as co-operation between the Sarajevo Film Festival and the European Documentary Network with the purpose of supporting promising new documentary filmmakers from the region.

CICAE NAGRADA Međunarodna konfederacija umjetničkih kina (CICAE) nagrađuje film u selekciji Takmičarskog programa - igrani film. Nagrađeni film će dobiti posebnu podršku CICAE za distribuciju, prikazivanje filma i kontakt s publikom, putem mreže od 3.000 kina.

CICAE AWARD The International Confederation of Art Cinemas (CICAE) awards a film from the Competition Programme - Features. The awarded film will receive CICAE support in terms of distribution, exhibition and audience outreach, through a network of 3,000 cinemas.

NAGRADA PUBLIKE Partner - HT ERONET

AUDIENCE AWARD Partner - HT ERONET

CINEUROPA NAGRADA Nagradu dodjeljuje Cineuropa portal, posvećen evropskoj kinematografiji i njenim stvaraocima, i to filmu koji, osim što neosporno posjeduje umjetničke kvalitete, također promovira ideje evropskog dijaloga i integracije.

Vrijednost nagrade iznosi 5.000 €.

CINEUROPA AWARD The prize is awarded by the Cineuropa portal, a site dedicated to the European cinema and film professionals, and is given to a film that besides having indisputable artistic qualities also promotes the idea of European dialogue and integration.

The value of this award is 5,000 €.

ATLANTIC GRUPA NAGRADA Novčanu nagradu u iznosu od 2.000 € osigurava Atlantic Grupa.

ATLANTIC GROUP AWARD Financial award in the amount of 2,000 €, is provided by the Atlantic Group.

NAGRADA ZA KRATKI FILM BRITANSKOG SAVJETA Putovanje pobjedniku SGF-a na 19. Encounters Short Film Festival, Bristol.

BRITISH SHORT FILM AWARD Trip for the winner of the SCF to the 19. Encounters Short Film Festival, Bristol.

AWARDS l 19. Sarajevo Film Festival 19

Takmičarski program - igrani film / Competition Programme - Features

24

Când se lasă seara peste Bucureşti sau metabolism / Kada noć padne na Bukurešt, ili metabolizam /

When Evening Falls on Bucharest or Metabolism, Corneliu Porumboiu

25

Carmen / Karmen, Doru Nițescu

26

Grzeli nateli dgeebi / U procvatu / In Bloom, Nana Ekvtimishvili, Simon Groß

27

Lupu / Vuk / Wolf, Bogdan Mustaţă

28

Obrana i zaštita / A Stranger, Bobo Jelčić

29

Runaway Day / Dan bijega, Dimitris Bavellas

30

Sa mamom / With Mom, Faruk Lončarević

31

Soldate Jeannette, Daniel Hoesl

32

Talea, Katharina Mückstein

Da li filmovi predstavljaju stvarnost, ili su dio nje? / Do film represent reality or are they part of it?

Elma Tataragić

Ovo vrlo bitno pitanje iz teorije filma bi moglo jako dobro poslužiti kao podnaslov novog filma Corneliua Porumboiua, kojeg ove godine predstavljamo publici. CÂND SE LASĂ SEARA PESTE BUCUREŞTI SAU METABOLISM / KADA NOĆ PADNE NA BUKUREŠT, ILI METABOLIZAM je Porumboiuov treći igrani film, a prvi koji će se predstaviti u našem Takmičarskom programu.

Njegovi prethodni filmovi su otvarali naš Festival i bili prikazani u okviru našeg programa U FOKUSU. Ovaj film, kao što njegov naslov govori, jeste metafilm, film koji se poigrava s objektivnom i filmskom stvarnošću, pomjerajući granice između njih i time dovodeći u pitanje i teoriju, i praksu. On se, na vrlo upečatljiv način, bavi stvarnošću filma, ali i dokazuje da filmovi nisu samo prikazi stvarnosti, već su dio nje.

Filmovi često oblikuju naše kulturno pamćenje i s vremena na vrijeme pretvaraju stvarnost u ono što mi želimo da ona bude. Ova ideja se, praktično, odnosi i na ostatak selekcije.

Sa devet filmova, koji se ove godine takmiče za nagradu Srce Sarajeva, ulazimo u period zrelosti regionalne kinematografije. Iznenađujuća je činjenica da je Porumboiu jedini autor u ovogodišnjem Takmičarskom programu, koji već ima tri dugometražna filma u svojoj karijeri.

Konkurencija uključuje i dva režisera sa drugim dugometražnim filmovima, dok su ostalih sedam debitanti koji se oslanjaju na ostavštinu savremene svjetske kinematografije. Pored toga, ove godine sa ponosom donosimo četiri regionalne i čak pet svjetskih premijera!

Selekcija donosi tri filma iz Rumunije. Osim već spomenutog, tu su i dva debitantska ostvarenja: LUPU / VUK Bogdana Mustaţăe, s etiketom koprodukcijskog marketa CineLink, te CARMEN Dorua Niţescua. LUPU je priča o novoj generaciji, izgubljenoj u porodičnim problemima, zbunjujućim odnosom oca i sina, pitanjima života i smrti, erotike i ljubavi. CARMEN, s druge strane, ozbiljno flertuje sa stvarnošću, pokazujući da je majka spremna učiniti bilo šta za svoje dijete na samrti, u svijetu kojem već odavno nije stalo. Drugi igrani film Faruka Lončarevića, SA MAMOM, osvjetljava sličan problem, ali iz obrnutog ugla: djevojka gleda majku kako umire dok se njena seksualnost budi, porodica se polako raspada suočena s majčinom bolešću u posljednjem stadiju.

22 19. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - IGRANI FILM

Tu su i dva naslova iz Austrije: vrlo originalan, buntovnički uradak SOLDATE JEANETTE Daniela Hoesla, koji je prethodno prikazan na Sundanceu i u Rotterdamu, otkriva najbolje elemente nezavisne kinematografije u filmu koji donosi snažnu poruku o svijetu u kojem živimo. Osjećaj napuštenosti i moć korupcije materijalnog svijeta čine se glavnom motivacijom za ovaj film.

Drugi austrijski film, TALEA Katharine Mückstein, jeste film o susretu tinejdžerke i njene majke koja je provela nekoliko godina u zatvoru.

TALEA je film o identitetu i potrazi za identitetom, nabijen emocijama, sa nostalgičnim, ali ne i patetičnim prikazom usamljenosti i propuštenih prilika.

Hrvatsko-bosanskohercegovačka koprodukcija OBRANA I ZAŠTITA Bobe Jeličića, film prethodno prikazan u Berlinu, jeste topla priča o dilemama s kojima se suočava običan čovjek u današnjem Mostaru. Istovremeno je to i psihološki portret grada u kojem su još uvijek prisutne poslijeratne podjele. Grčki film RUNAWAY DAY / DAN BIJEGA bit će peti film ove godine koji će u Takmičarskom programu imati svoju svjetsku premijeru. Film, snimljen na 16mm, je prvi igrani film Dimitrisa Bevallasa i donosi priču o Mariji i Loukasu koji, bez nekog osobitog razloga, odluče napustiti svoje domove te lutaju Atenom dok se gradom širi želja za bijegom kod ostalih stanovnika.

S obzirom na to da je od ove godine program otvoren za Gruziju, Moldaviju, Azerbejdžan i Armeniju, s ponosom predstavljamo gruzijski film GRZELI NATELI DGEEBI / U PROCVATU Nane Ekvtimishvili i Simona Großa. Ovo je impresivna priča o odrastanju koja govori o ženskom prijateljstvu, kobnim svađama i porodičnim tenzijama u postsovjetskoj Gruziji.

Svi filmovi otkrivaju snažne likove, opipljive odnose, odlično razumijevanje društvenih problema i slobodno eksperimentiranje sa slikom i vizualnim stilom.

Da li filmovi predstavljaju stvarnost, ili su dio nje? Možda je nemoguće odgovoriti na ovo pitanje, ali ova selekcija je odmakla jako daleko u pokušaju da ponudi odgovore na to pitanje.

E This very important question from film theory could just as well been a log line of Corneliu Porumboiu’s new film we are presenting this year. CÂND SE LASĂ SEARA PESTE BUCUREŞTI SAU METABOLISM / WHEN THE NIGHT FALLS DOWN ON BUCHUREST OR METABOLISM is Porumboiu’s third feature but his first one presented in our Competition Program (his previous films have opened our Festival and have been shown as a part of IN FOCUS program).

The film as its title suggests is a metafilm, playing with reality and film reality, blurring the lines between the two and thus challenging both film theory and practice. It is dealing very strongly with the reality of film but it also proves that films are not reality representations but are a part of our reality, often shaping our cultural memory, and at times transforming reality into something what we want reality to be. This might just as well be the case with the rest of the selection.

With nine films competing with the Heart of Sarajevo Awards this year we are entering the time of maturity of regional cinema. Surprisingly, Porumboiu is the only author in Competition this year with three feature films in his career. The line-up includes two directors with their second features, while the other seven are debut filmmakers who are leaning on the legacy of contemporary world cinema. The selection brings four regional and five world premieres!

The selection brings three films from Romania.

Apart from the already mentioned, there are two debut features: LUPU/ WOLF by Bogdan Mustaţă with our CineLink Coproduction label on it, and CARMEN by Doru Niţescu. LUPU is a story of a new generation lost in the web of their family problems, confusing father-son relationship, life and death issues and eroticism and love. CARMEN on the other hand flirts strongly with reality of showing a woman do anything for her dying child in a world which stopped caring. A similar issue is tackled in Faruk Lončarević’s second feature S MAMOM/ WITH MOM, but with the reverse point of view of a young woman watching her mother dies, her family slowly falling apart eaten by the terminal illness, while her sexuality is awakening at the same time.

There are two titles from Austria: a very original rebellious piece of work SOLDATE JEANNETTE by Daniel Hoesl, shown previously at Sundance and Rotterdam, showing the best of independent filmmaking in a film bringing a strong statement about the world we are living in. The abandonment and corrupting force of the material world seems to be the motivating force behind the film. The second Austrian entry TALEA by Katharina Mückstein is a film about a teenage girl meeting her mother who has spent years in jail. It is an emotionally charged film about identity and quest for it with a nostalgic but never pathetic touch of loneliness and lost chances.

A Croatian-Bosnian and Herzegovinian coproduction OBRANA I ZAŠTITA/ THE STRANGER

by Bobo Jeličić, previously shown in Berlin, is a heart warming story about dilemmas a common man is facing living in Mostar today. At the same time it is a psychological portrait of a city still traumatized by the post-war divisions.

Geek film DAN BIJEGA / RUNAWAY DAY will be the fifth film in this year’s Competition with a world premiere. The film shot in 16mm is debut feature by Dimitris Bavellas and tells the story of Maria and Loukas two people who decide to run away from home for no apparent reason.

They start wandering around the city thus bringing anther portrait of a city, modern-day Athens, while desire to flee spreads among other citizens like a disease.

As the program as of this year is open to Georgia, Moldova, Azerbaijan and Armenia, we are proud to present Georgian entry to the selection with the film GRZELI NATELI DGEEBI/ IN BLOOM by Nana Ekvtimishvili and Simon Groß.

The film is an impressive coming-of-age feature about female friendship, fatal feuds and family friction in post-Soviet Georgia.

All films reveal strong characters, palpable relationships, a strong eye for social issues and free experimenting with the image and visual style.

Do film represent reality or are they part of it?

Maybe it is impossible to answer this question, but this selection has gone very far in giving some choices for an answer.

Elma Tataragić, selektorica Takmičarskog programa - igrani film / Competition Programme - Feature Film Selector

COMPETITION PROGRAMME - FEATURES l 19. Sarajevo Film Festival 23

Când se lasă seara peste Bucureşti sau metabolism / Kada noć padne na Bukurešt, ili metabolizam / When Evening Falls on Bucharest or Metabolism Tokom snimanja filma, Paul, režiser, upušta se u ljubavnu aferu s Alinom, glumicom u sporednoj ulozi. Sutradan je Alinin posljednji dan na setu. Paul odlučuje da snimi scenu seksa s njom. Ali, jutro će promijeniti sve. Paul se budi, suočava se sa vlastitim sumnjama i mijenja plan: umjesto snimanja scene seksa, obavještava producenta da ga muči čir na želucu... Film i život se postepeno sve više prepliću, dovodeći snimanje do neočekivanog obrata.

Corneliu Porumboiu je rođen 1975. u Vasluiju, u Rumuniji. Diplomirao je režiju na Nacionalnom univerzitetu za teatar i kinematografiju. Njegovi kratki filmovi, koje je snimio tokom studija, osvajali su nagrade na velikim filmskim festivalima poput Cannesa i Montpelliera. Godine 2006. snimio je svoj prvi dugometražni film, 12:08 EAST OF BUCHAREST, koji je nagrađen Zlatnom kamerom za debitantski film i nagradom filmskih distributera Label Europe na Filmskom festivalu u Cannesu. POLICE, ADJECTIVE, koji je Corneliu Porumboiu napisao i režirao, osvojio je nagradu FIPRESCI i nagradu žirija na istom festivalu. Ovaj film je, također, dobio brojne nagrade, kako na domaćim, tako i na međunarodnim festivalima.

E It’s the middle of a film shoot; Paul, the director, is having an affair with Alina, an actress playing a supporting role. The next day is Alina’s last day on set. Paul decides to shoot a nude scene with her.

But tomorrow is another day. Paul wakes up in the morning, facing his doubts and changes his plans: instead of shooting the nude scene, he tells the producer that he’s suffering from his stomach ulcer...

Gradually film and life are getting more and more interwoven, taking the shoot to an unexpected turn.

Corneliu Porumboiu was born in 1975, in Vaslui, Romania. He graduated Film Directing at the National University of Theatre and Cinematography. His short films, made while he attended the University, won awards at major film festivals such as Cannes and Montpellier. In 2006 he made his first feature, 12:08 EAST OF BUCHAREST, which was awarded with the Caméra d’Or for debut and the Label Europe, the film distributors’award at Cannes Film Festival. POLICE, ADJECTIVE written and directed by Corneliu Porumboiu, won the FIPRESCI Prize and the Jury Prize also at Cannes Film Festival. The film was also honoured with numerous national and international awards.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, 2013, Colour, 93 min, Romanian Režija / Director: Corneliu Porumboiu Scenarij / Screenplay: Corneliu Porumboiu Direktor fotografije / Director of Photography: Tudor Mircea Montaža / Editor: Dana Bunescu Uloge / Cast: Bogdan Dumitrache, Diana Avramut Producent / Producer: Marcela Ursu, Sylvie Pialat Produkcija / Production: 42 KM FILM Costache Marinescu 15, 011285 Bucharest, ROMANIA, +40740011166 ursuma@yahoo.com, www.42kmfilm.com Kontakt / Contact: Wild Bunch 99, rue de la Verrerie, 75004 Paris, France, +33 1.53.01.50.20, Esther Devos, edevos@wildbunch.eu Filmografija / Filmography 2013 - CAND SE LASA SEARA PESTE BUCURESTI SAU

METABOLISM / WHEN EVENING FALLS ON

BUCHAREST OR METABOLISM 2009 - POLICE, ADJECTIVE 2006 - 12:08 EAST OF BUCHAREST

Carmen / Karmen U malom selu u podnožju planine živi mladi bračni par, Mariana i Puiu, sa dvoje djece, Carmen i Mirceom. Jednog jutra, majka i desetogodišnja kćerka odlaze u Bukurešt, a njihov konačni cilj je – bolnica. Jedan jedini liječnik, dr.Sitaru, vjeruje da za život Carmen, koja više nije u stanju smijati se, ipak postoji šansa. On smatra da može izvesti čudo i spasiti njen život. Boreći se za kćerku, a napustili su je skoro svi kojima je vjerovala, Mariana otkriva da je trudna. Nakon što dr. Sitaru izvede rizičnu operaciju, Carmen se osjeća sve gore. Beznadežna, Mariana napušta bolnicu i žuri da Carmen odvede kući: dok se jedan život gasi, drugi počinje davati znake života.

Doru Nitescu je rođen 1978. u Campulungu, u Rumuniji. Godine 2000. diplomira na Odsjeku za režiju na UNATC-u u Bukureštu. Od tada, također, predaje filmsku režiju. Radio je na nekoliko rumunskih filmova kao 1. i 2. asistent režije, uključujući film Luciana Pintiliea NIKI AND FLO. Godine 2008. doktorira s tezom o Federicu Felliniju. Prorektor je za međunarodne odnose na UNATC-u. CARMEN je njegov prvi igrani film.

E In a small village close to the mountains, Mariana and Puiu are a young family with two children: Carmen and Mircea. One morning, the mother and the ten year-old daughter leave for Bucharest, having a hospital as their destination. One doctor alone, Sitaru, believes that Carmen, who can no longer smile, stands any chances at survival. He believes he can perform a miracle and save Carmen’s life. Struggling for her daughter, abandoned by almost everybody she trusted, Mariana discovers she is pregnant. After dr. Sitaru operates on the little girl, in a risky manner, Carmen begins to feel increasingly worse. Without any hope, Mariana leaves the hospital and rushes to take Carmen home: while one life ends, another one begins to flicker.

Doru Nitescu was born in 1978 in Campulung, Romania. In 2000 he graduated from the Film Directing department at UNATC Bucharest. Since then he has also been teaching film directing. He worked for several Romanian films as 1st and 2nd AD, including Lucian Pintilie’s NIKI AND FLO. In 2008 he received his PhD with a thesis about Federico Fellini. He is vice-rector for international relations of UNATC. CARMEN is his debut feature film.

SVJETSKA PREMIJERA / WORLD PREMIERE Romania, 2013, Colour, 88 min, Romanian Režija / Director: Doru Nițescu Scenarij / Screenplay: Tudor Voican, Doru Nițescu Direktor fotografije / Director of Photography: Silviu Stavilă Montaža / Editor: Dana Bunescu Muzika / Music: Cristian Lolea Zvuk / Sound: Mihai Bogos Scenografija / Production Design: Bob Nicolescu Kostimografija / Costume Design: Cristina Mititelu Uloge / Cast: Rodica Lazăr, Adrian Titieni, Maia Morgenstern, Iulia Lupașcu Producent / Producer: Titi Popescu Produkcija / Production: FILMEX ROMÂNIA Pitar Mos No 9, 1st District, Bucharest, Romania, +40 (0)1 3158913. +40 (0)1 3121388, filmex_film@yahoo.com Filmografija / Filmography 2013 - CARMEN 2009 - TRACKING DOWN THE GEESE (kratki / short) 2008 - IL CINEMA – MENZOGNA

(dokumentarni / documentary) 2007 - FROM WORD TO ACTION

(dokumentarni / documentary) 2006 - ATHANOR. POSSIBLE WORLDS, POSSIBLE

PEOPLE (dokumentarni / documentary) 2005 - LIVE IN MARIENPLATZ

(dokumentarni / documentary) 2000 - FRAGILE (kratki / short) 1999 - SAGRADA FAMILIA (kratki / short)

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Grzeli nateli dgeebi / U procvatu / In Bloom Rane su devedesete u Tbilisiju, glavnom gradu Gruzije, koja je upravo stekla nezavisnost nakon raspada Sovjetskog Saveza. Država se suočava s nasiljem, ratom na obali Crnog mora (u Abhaziji) te fenomenom lične osvete u ime pravde, koja je kao kuga zahvatila društvo. Ali život tek počinje za Eku i Natiu, četrnaestogodišnjakinje i nerazdvojne prijateljice: na ulici, u školi, s prijateljima ili sa starijom sestrom. Iako se već susreću s dominacijom muškaraca, ranim brakom i ljubavnim razočaranjem, za ove dvije djevojke u procvatu život jednostavno ide dalje...

Nana Ekvtimishvili je studirala dramaturgiju na Filmskoj školi u Potsdam-Babeelsbergu, u Njemačkoj.

Nakon što je jedno vrijeme pisala prozu i scenarije, 2011. režirala je kratki film ČEKAJUĆI MAMU. Osnovala je vlastitu produkcijsku kuću Polare Film. Napisala je scenarij, režirala i koproducirala film U PROCVATU 2012. u Gruziji.

Simon Groß je studirao režiju u Filmskoj školi u Münchenu, u Njemačkoj. Nakon što je režirao nekoliko kratkometražnih filmova, 2006. snimio je svoj prvi dugometražni film u ulozi režisera, FATA MORGANA, u Maroku. Osnovao je vlastite produkcijske kuće u Njemačkoj i Gruziji. U PROCVATU je 2012. režirao i producirao u Gruziji.

E Early nineties, in Tbilisi, the capital of the newly independent Georgia after the collapse of the Soviet Union. The country is facing violence, war on the Black Sea coast (Abkhazia) and vigilante justice that plague society. But for Eka and Natia, fourteen year old inseparable friends, life just unfolds; in the street, at school, with friends or the elder sister. Although they are already dealing with men’s dominance, early marriage and disillusioned love, for these two girls in bloom life just goes on...

Nana Ekvtimishvili studied drama and script writing at the film school in Potsdam-Babelsberg, Germany. After writing prose and screenplays, she directed the short film WAITING FOR MUM in 2011. She founded her own production company Polare Film. She wrote, directed and co-produced IN BLOOM in 2012 in Georgia.

Simon Groß studied film directing at the film school in Munich, Germany. After directing several short films, he shot his first feature film FATA MORGANA as director in Morocco 2006. He founded his own production companies in Germany and Georgia. In 2012, he shot IN BLOOM as director and producer in Georgia.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Georgia, 2013, Colour, 102 min, Georgian Režija / Director: Nana Ekvtimishvili, Simon Groß Scenarij / Screenplay: Nana Ekvtimishvili Direktor fotografije / Director of Photography: Oleg Mutu Montaža / Editor: Stefan Stabenow Zvuk / Sound: Paata Godziashvili Scenografija / Production Design: Konstantine Japharidze Kostimografija / Costume Design: Medea Bakradze Uloge / Cast: Lika Babluani, Mariam Bokeria, Zurab Gogaladze, Data Zakareishvili, Ana Nijaradze Producent / Producer: Simon Groß Produkcija / Production: Indiz Film, Beelitz-Fichtenwalde, Germany, info@indizfilm.de Polare Film, Tbilissi, Georgia, polarefilm@yahoo.com Arizona Films, Paris, France, guillaume@arizonafilms.net ZDF – Das kleine Fernsehspiel, Mainz, Germany, +49 6131 7012482, daskleinefernsehspiel@zdf.de Kontakt/Contact: ARTSCOPE a label of MEMENTO FILMS INTERNATIONAL, 9 cité Paradis, 75010 Paris, France +33 1 53 34 90 20 festival@memento-films.com, marion@memento-films.com Filmografija / Filmography Nana Ekvtimishvili 2013 - IN BLOOM 2011 - WAITING FOR MUM (kratkometražni / short) 2007 - LOST MAINLAND

(dokumentarni / documentary) Simon Groß 2013 - IN BLOOM 2006 - FATA MORGANA 2001 - ELATED BY NIGHT (kratkometražni / short) 1998 - FALL OF MAN (kratkometražni / short)

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Lupu / Vuk / Wolf Vuk je zaljubljen u Claru. Ali ona je u vezi s nekoliko drugih muškaraca. Vukova majka je također u vezi s drugim muškarcem. Ona kaže da je zaljubljena u njega. To boli. Zbog toga Vuk razmišlja o svom mrtvom ocu. On mu nedostaje. Ponekad Vuk osjeća da mu je otac prisutan do te mjere da to ne mogu biti samo sjećanja. Da je on ovdje, sve bi bilo uredu. Oni bi bili zajedno. Clara bi zagrlila Vuka i on se ne bi više osjećao samim. Njegova majka bi ga zagrlila, on bi zatvorio oči i osjetio njen miris.

Konačno, svi na okupu. Tako blizu, a tako daleko jedni od drugih. Zagrlivši Vuka, Clara bi razmišljala o nekom drugom muškarcu. Zagrlivši oca, majka bi razmišljala o njenom drugom muškarcu. Svako sanja nekog drugog. Vuk ne može naći utjehu koju traži. Svi su oni na jednom mjestu, ali on više nije siguran da li je Clara stvarna ili ne. Osjeća da je zarobljen u ovom zatvorenom svijetu i da mora pobjeći.

Bogdan Mustata je rođen 1975. Diplomirao je na Rumunskoj školi filma 2001. DANIELA, kratki film koji je snimio za vrijeme studija, nagrađen je na festivalima filmskih škola u Münchenu i Karlovym Varyma 2001. Od 2002. do 2007. Bogdan Mustata je živio u Vijetnamu i Dubaiu, gdje je radio kao scenarista i režiser na nekoliko različitih projekata, TV serijama, dugometražnom filmu, nekoliko televizijskih reklama i programa. U rodnoj Rumuniji njegov scenarij za dugometražni film pod imenom A HEART SHAPED BALOON, napisan u saradnji s režiserom Catalinom Mitulescuom (koji je trenutno u fazi snimanja), nagrađen je u okviru programa CineLink Sarajevo Film Festivala 2006. i Balkanskog fonda Solun 2006, te je učestvovao u programu l’Atelier Cannes 2007. Bogdan Mustata je režirao kratki film A GOOD DAY FOR A SWIM, koji je osvojio Zlatnog medvjeda za najbolji kratki film na Berlinaeu 2008.

E Wolf is in love with Clara. But she is with all these other men. Wolf’s mother is with another man too. She says she is in love with him. This hurts. It makes Wolf think about his dead father. He misses him. Sometimes Wolf feels his father so close to him that it can’t be simply memories. If he was here everything would be alright. They would be together. Clara would hold Wolf and he would not be alone anymore. His mother will hold him and he will close his eyes and he will feel her smell. Finally, all of them here. So close and so far away from each other. Holding Wolf, Clara will think about some other man. Holding the father, the mother will think about her man. Everybody dreaming of somebody else. Wolf can’t find the solace he is looking for. They are all together but he can’t even be sure anymore if Clara is real or not. He feels trapped into this closed world and he has to escape.

SVJETSKA PREMIJERA / WORLD PREMIERE Romania, 2013, Colour, 77 min, Romanian Režija / Director: Bogdan Mustaţă Scenarij / Screenplay: Bogdan Mustaţă Direktor fotografije / Director of Photography: Barbu Balasoiu Montaža / Editor: George Cragg, Stefan Tatu Zvuk / Sound: Kai Tebbel Scenografija / Production Design: Oana Novicov Kostimografija / Costume Design: Alexandra Ungureanu Uloge / Cast: Mihai Vasilescu, Ada Condeescu, Costel Cascaval Producent / Producer: Marcian Lazar Produkcija / Production: Strada Film 41 dr. Staicovici, 050556 Bucharest, Marcian Lazar, marcian.lazar@stradafilm.ro, http://www.stradafilm.ro/ Filmografija / Filmography 2013 - LUPU / WOLF 2008 - A GOOD DAY FOR A SWIM (kratki / short)

Bogdan Mustata was born in 1975. He graduated from the Romanian Film School in 2001. DANIELA, a short film directed during his years of study, received awards in the Munich and Karlovy Vary Festivals of Film Schools in 2001. From 2002 up to 2007, Bogdan Mustata lived in Vietnam and then Dubai where he worked as a scriptwriter and director for several projects: a TV series, a feature film project, several TV commercials and TV programs. Back in Romania, his long feature film script A HEART SHAPED BALLOON, co-written by director Catalin Mitulescu (currently in production), received awards both in Sarajevo CineLink 2006 and Thessaloniki Balkan Fund 2006 and participated in l’Atelier - Cannes 2007. Bogdan Mustata directed the short film A GOOD DAY FOR A SWIM which won the Golden Bear for best short film at the 2008 Belinale.

COMPETITION PROGRAMME - FEATURES l 19. Sarajevo Film Festival 27

Obrana i zaštita / A Stranger Kada je Slavkov dugogodišnji prijatelj Đulaga umro, Slavko osjeća da mora otići na njegovu sahranu.

Ali u njegovom rodnom gradu, Mostaru, ova jednostavna društvena obaveza ga može uplesti u brojne probleme: sa susjedima, ali i s lokalnim političkim glavešinama. Međutim, ukoliko ne ode, njegova supruga će misliti da je kukavica, a ožalošćena porodica mu to nikada neće oprostiti – a možda neće moći oprostiti ni sam sebi. Ovaj film je uvjerljiva priča o svakodnevnom životu u poremećenom društvu, u svijetu u kojem se paranoja, komedija i drama odvijaju istovremeno. To je i pronicljiv psihološki portret čovjeka koji je primoran prijeći nevidljivu granicu koja razdvaja dvije zajednice.

Prije svega, ovo je priča o čovjeku koji je, onog trenutka kada se njegova zemlja raspala, izgubio sve što ga je činilo time što jeste.

Bobo Jelčić je rođen 1964. u Mostaru. Studirao je režiju na Akademiji dramskih umjetnosti u Zagrebu, nakon čega je radio kao pozorišni režiser u Hrvatskoj, Njemačkoj, Švicarskoj i Austriji. Bobo Jelčić također radi kao profesor glume na Akademiji dramskih umjetnosti u Zagrebu. OBRANA I ZAŠTITA je njegov prvi dugometražni film.

E When Slavko’s old friend Đulaga dies, Slavko feels obliged to go to the funeral. But in his hometown of Mostar, in Bosnia and Herzegovina, this simple social obligation has the potential to get him into all kinds of trouble: with his neighbours or even with local political bigwigs. Yet if he does not go, his wife will think he’s a coward, the grieving family will never forgive him – and he might have trouble forgiving himself. This is a compelling tale of everyday life in a fractured society, and a world where paranoia, comedy and drama co-exist. It is also an astute psychological portrait of a man who is forced to cross the invisible line that divides two communities. Above all, it is the story of a man who lost everything that defined him, when his country disintegrated.

Bobo Jelčić was born in 1964 in Mostar, Bosnia and Herzegovina. He studied directing at the Academy of Dramatic Arts in Zagreb, and has since worked as a theatre director in Croatia, Germany, Switzerland and Austria. Bobo Jelčić is also a professor of acting at the Academy of Dramatic Arts in Zagreb. A STRANGER is his first feature film.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Croatia, Bosnia and Herzegovina, 2013, Colour, 87 min, Bosnian, Croatian Režija / Director: Bobo Jelčić Scenarij / Screenplay: Bobo Jelčić Direktor fotografije / Director of Photography: Erol Zubčević Montaža / Editor: Ivana Fumić Zvuk / Sound: Ranko Pauković Scenografija / Production Design: Mario Ivezić Kostimografija / Costume Design: Sanja Džeba Uloge / Cast: Bogdan Diklić, Nada Đurevska, Ivana Roščić, Izudin Bajrović Producent / Producer: Zdenka Gold Produkcija / Production: Spiritus Movens Production, Zagreb, Croatia, +385 1 6145538 zdenka@spiritus-movens.hr, www.spiritus-movens.hr Kontakt / Contact: Rendez-vous Pictures, 2 rue de la Durance, 75012 Paris, France, +33 9 50 70 78 30, +33 1 40 19 07 73 Philippe Tasca, p.tasca@rendezvouspictures.com, www.rendezvouspictures.com Filmografija / Filmograpy 2005 - ONO SVE ŠTO ZNAŠ O MENI / BLACK COFFEE

(co-director with Nataša Rajković) 2013 - OBRANA I ZAŠTITA / A STRANGER

Runaway Day / Dan bijega Maria i Loukas istovremeno, i bez očiglednog razloga, odlučuju pobjeći od kuće. I jedno i drugo se nose s ličnim problemima: Maria je zaglavila u braku s bogatim Dimitrisem i odgaja njihovo dvoje djece; Lukas je nezaposlen i ima mnoštvo dugova. Oboje bježe od kuće iz ličnih razloga, oboje lutaju modernom Atinom. Svjedoci su niza kontroverznih situacija i upoznaju čudne likove. Osim toga, izgleda da im je neko na tragu: Mariju prate dva policajca, dok Loukasa prati Joseph - čudni stranac odjeven u crno – koji, čini se, očajnički želi nešto od njega.

Dimitris Bavellas je rođen u Neos Kosmosu, u Atini. Studirao je filmsku režiju u školi filma Stavrakos u Atini, u Grčkoj. Režirao je više kratkih i dokumentarnih filmova, videoklipova, televizijskih emisija i korporacijskih videa. Također je stekao zvanje magistra filma i filmske produkcije (smjer filmska režija) u školi Northern Film u Leedsu, u Velikoj Britaniji. DAN BIJEGA je njegov prvi igrani film.

E Maria and Loukas decide at the same time and for no apparent reason to run away from their homes. Each of them has to deal with their personal problems: Maria is stuck in a wealthy marriage with Dimitris while raising their two children. Loukas is unemployed and full of debts. Both of them run away from their personal issues, both of them begin wandering in modern-day Athens. They come across a series of controversial events and meet with strange characters. Furthermore, various people seem to be on their track; Maria is followed by two policemen. Loukas is followed by a weird stranger dressed in black, Joseph, who desperately wants something from him.

Dimitris Bavellas was born in Neos Kosmos, Athens. He studied film direction at the Stavrakos Film School in Athens, Greece. He has directed several short films, documentaries, video clips, TV shows and corporate videos. He also took an MA in Film and Moving Image Production (specialization Film Direction) at the Northern Film School in Leeds, UK. Runaway Day is his first feature film.

SVJETSKA PREMIJERA / WORLD PREMIERE Greece, 2013, Black & White, 80 min, Greek Režija / Director: Dimitris Bavellas Scenarij / Screenplay: Dimitris Bavellas Direktor fotografije / Director of Photography: Yannis Fotou Montaža / Editor: Dimitris Tolios Muzika / Music: The Mongrelettes, The Smoking Barrels Zvuk / Sound: Daphne Farazi, Costas Varybopiotis, Makis Asimakopoulos, Kyriakos Poukamisas Scenografija / Production Design: Dimitra Panagiotopoulou Kostimografija / Costume Design: Marli Aleiferi Uloge / Cast: Maria Skoula, Makis Papadimitriou, Eva Vogli, Errikos Litsis, Yvonni Maltezou, Christos Stergioglou, Costas Staridas, Yannis Papadopoulos a.o.

Producent / Producer: Gina Petropoulou, Sotiris Mitsios, Aggelos Argyroulis, Dimitris Bavellas Produkcija / Production: Vox Productions, 2|35, Sklavis Film Lab, Online Recording Masters Kontakt / Contact: Patra Spanou spanoupa@yahoo.de Filmografija / Filmography 2013 - RUNAWAY DAY 2010 - POSITIVE? (kratki / short) 2009 - BEHIND THE CURTAIN (kratki / short) 2007 - ANTICLOCKWISE (kratki / short) 2004 - GUARDIAN ANGELO (kratki / short) 2002 - CRASH TEST (kratki / short) 2001 - AGORAPHOBIA (kratki / short)

COMPETITION PROGRAMME - FEATURES l 19. Sarajevo Film Festival 29

Sa mamom / With Mom U Sarajevu, više od decenije nakon rata, dok se njena socijalistička porodica neizbježno raspada, Berina, mlada umjetnica, pokušava živjeti svoju tek otkrivenu seksualnost i prihvatiti neumoljivu smrt majke. Jasna, dominantna žena, majka, doktorica i stub porodice, ulazi u terminalnu fazu raka dojke s kojim se borila devet godina. Njen muž Mladen ne zna kako se nositi s izvjesnim gubitkom, dok njegova Jasna iščezava iz života. Mlađa kćerka Luna je izrazito povučena i djetinjasta. Međutim, Berina je u potrazi za nadom; ona kopa kroz sjećanja, kroz fotografije sretne porodice srednjeg staleža iz perioda kada je sve bilo sunčano i bijelo u njihovoj kući na moru. Nažalost, sjećanja ne nude rješenje. Živeći u svom svijetu, okružena porodicom s kojom ne umije komunicirati, Berina, za dobro cijele porodice, pokušava spasiti majku na jedini način koji zna – kroz magiju, obrede, vjeru...

Faruk Lončarević je rođen 1975. u Sarajevu. Diplomirao je na Akademiji scenskih umjetnosti u Sarajevu 2000. Pozorišni je i filmski režiser i predavač na filmskim akademijama u Sarajevu i Tuzli.

MAMA I TATA, njegov prvi dugometražni igrani film, osvojio je Specijalnu nagradu žirija na Sarajevo Film Festivalu 2006.

E In Sarajevo, more than a decade after the war, while her socialist family is falling apart, Berina, a young artist, is trying to live out her just discovered sexuality and, at same time, accept her mother’s terminal illness. Jasna, a dominating woman, mother, doctor and pillar of the family, is entering the terminal phase of breast cancer, which she has been fighting against for nine years. Her husband Mladen doesn’t know how to handle the fact that he is losing Jasna. Their younger daughter Luna is extremely introverted and childish. However, Berina is looking for hope; she is digging through her memories, old photos of a happy middle class family from the period when everything was sunny and white in their seaside house. Unfortunately, memories do not offer a solution. Living in her own world, surrounded by a family she cannot communicate with, Berina is trying to save her mother in her own ways: through magic, rituals, fate...

Faruk Lončarević was born in Sarajevo in 1975. He graduated from the Academy of Performing Arts in Sarajevo in 2000. He is a theater and film director and a lecturer of Film History at film acadamies in Sarajevo and Tuzla. His feature debut MUM ‘N’ DAD won the Special Jury Prize at the Sarajevo Film Festival in 2006.

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SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, Slovenija, Germany, 2013, Colour, 80 min, Bosnian Režija / Director: Faruk Lončarević Scenarij / Screenplay: Faruk Lončarević Direktor fotografije / Director of Photography: Oleg Mutu Montaža / Editor: Nataša Damnjanović, Režinald Šimek Zvuk / Sound: Igor Čamo Scenografija / Production Design: Osman Arslanagić Kostimografija / Costume Design: Lejla Graho Uloge / Cast: Marija Pikić, Mira Furlan, Branko Đurić, Sanja Vejnović Producent / Producer: Amra Bakšić Čamo, Adis Đapo Produkcija / Production: SCCA / pro.ba Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba, www.pro.ba Filmografija / Filmography 2013 - SA MAMOM / WITH MOM 2006 - MAMA I TATA / MUM ‘N’ DAD; 2006 - MALI KIJAMET / JUDGMENT DAY – PREVIEW,

dokumentarni / doc.

Soldate Jeannette Fanni je dojadio bogataški život, kojeg napušta da bi živjela u šatoru. Anni je dosta svinja i napušta farmera, koji je samo igla u plastu sijena njenih problema. U novonastaloj situaciji, suočavajući se sa svojim dilemama, Fanni se kocka dok Anna bez razmišljanja ruši sve pred sobom. Odlučuju se na zajedničku pobunu i tako jedna drugoj utiču na životni put. Razlike ih privuku te sretne tako nastavljaju dalje zajedno, na dalekom putovanju prema ostvarenju svojih snova – prema novostečenoj slobodi.

Daniel Hoesl je rođen 1982. Živi i radi u Beču, u Austriji. Osnovao je “Evropsku filmsku zavjeru”, da bi producirao filmove na svoj jedinstveni način, bez budžeta i kao dio većeg kolektiva. Radio je za Ulricha Seidla kao asistent režije na njegovoj trilogiji PARADIES/ RAJ. Daniel Hoesl je najpoznatiji po svojoj kontraverznoj interpretaciji “Zimskog putovanja” Franza Schuberta. Njegova sklonost ka progresivnim konceptima je otvorila put ka njegovom prvom dugometražnom filmu.

E Fanni has had enough of money and leaves to live in a tent. Anna has had enough of pigs and leaves the farmer, one needle in the haystack. Facing their dilemmas, Fanni rolls the dice while Anna does not think twice; she knocks down all the pins. Together they raise their voice and shape each other’s lives. Differences attract, and jolly they move on – together on their distinct journeys, where their dreams are set – towards a newfound liberty.

Daniel Hoesl was born in 1982. He lives and works in Vienna, Austria. He founded “A European Film Conspiracy“ to produce films in his unique no-budget collective style. He worked as Assistant Director to Ulrich Seidl on his PARADIES/ PARADISE trilogy. Daniel Hoesl is best known for his controversial interpretation of Franz Schubert‘s “Winter journey”. His predilection for progressive concepts gave way to his first feature.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Austria, 2013, Colour, 79 min, German Režija / Director: Daniel Hoesl Scenarij / Screenplay: Daniel Hoesl Direktor fotografije / Director of Photography: Gerald Kerkletz Montaža / Editor: Natalie Schwager Muzika / Music: Bettina Köster & Gustav Zvuk / Sound: Klaus Kellermann Scenografija / Production Design: Daniel Hoesl Kostimografija / Costume Design: Alexander Goll Uloge / Cast: Johanna Orsini-Rosenberg, Christina Reichsthaler, Josef Kleindienst, Julia Schranz Producent / Producer: Katharina Posch Produkcija / Production: A European Film Conspiracy, Vienna, Austria, +43 699 11003271, mail@soldatejeannette.com Kontakt / Contact: Premium Films, 130 rue de Turenne, 75003 Paris, France, +33 1 42 77 06 39 kasia.karwan@premium-films.com Filmografija / Filmography 2013 - SOLDATE JEANNETTE 2011 - THE MADNESS OF THE DAY – DIAGONALE (kratki / short)

2006 - LEKTION VON ALLTÄGLICHEM PATHOS –

GEWINNER FILMRISS (kratki / short) 2004 - LEKTION IN TANGO (kratki / short)

COMPETITION PROGRAMME - FEATURES l 19. Sarajevo Film Festival 31

Talea Četrnaestogodišnja Jasmin žudi da bude blizu svoje biološke majke, Eve. Nakon što je njena majka puštena iz zatvora, zajednička ekskurzija na selo postat će prvi test u razvoju odnosa između majke i kćerke. Njih dvije puše, plešu i šetaju skupa – ozračje je obećavajuće.

Ali kako to obično biva, otkrit će se da su njihove potrebe i očekivanja dijametralno suprotna. Trenutno ni Eva ni Jasmin ne djeluju kao da su u stanju pomoći jedna drugoj u potrazi za identitetom i podrškom.

Katharina Mückstein, rođena u Beču 1982, napustila je Austriju s osamnaest godina kako bi radila na filmskim setovima u Hamburgu (Njemačka). Kasnije je nastavila studij filozofije i rodnih nauka u Austriji i Njemačkoj, te radila u prestižnom bečkom Volkstheateru. Od 2004. do 2010. studirala je režiju u klasi Michaela Hanekea na bečkom Univerzitetu za izvedbene umjetnosti, Filmakademie. Godine 2010. postala je jedan od osnivača produkcijske kuće La Banda s namjerom da producira svoje i filmove drugih mladih režisera. TALEA je njen prvi dugometražni film.

E Fourteen-year-old Jasmin longs to be near her biological mother, Eva. Following her mother’s release from prison, an excursion into the country together becomes a first test for the fledgling mother-daughter relationship. They smoke, dance and stroll together – the mood is promising.

But time and again, it is revealed that their needs and expectations are light years apart. For the moment, neither Eva nor Jasmin seem up to the task of fulfilling each other’s quest for identity and support.

Katharina Mückstein, born in 1982 in Vienna, leaves Austria at the age of eighteen to work on filmsets in Hamburg, Germany. She later continued studies of Philosophy and Gender Studies in Austria and Germany and works at the prestigious Vienna Volkstheater. From 2004 to 2010 she studies Film Directing in Michael Haneke’s class at the Vienna University of Performing Arts, Filmakademie. In 2010 she is one of the founders of La Banda Film, a work-collective and filmproduction-venture, to produce her own films as well as those of other aspiring directors. TALEA is her first feature film.

32 19. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - IGRANI FILM

SVJETSKA PREMIJERA / WORLD PREMIERE Austria, 2013, Colour, 75 min, German Režija / Director: Katharina Mückstein Scenarij / Screenplay: Selina Gnos, Katharina Mückstein Direktor fotografije / Director of Photography: Michael Schindegger Montaža / Editor: Natalie Schwager Muzika / Music: Veronika Eberhart, Wolfgang Möstl, Alessandro Mannarino Zvuk / Sound: Johannes Preis Scenografija / Production Design: Katharina Haring, Mira König, Simon Sramek Kostimografija / Costume Design: Monika Buttinger Uloge / Cast: Sophie Stockinger, Nina Proll, Philipp Hochmair, Rita Waszilovics, Eva-Maria Gintsberg Producent / Producer: Flavio Marchetti Produkcija / Production: La Banda Film Heinestrasse 35/19, 1020 Vienna, Austria, +436503010808, flavio@labandafilm.at, http://www.labandafilm.at/ Filmografija / Filmography 2009 - VOM UMGANG MIT DER SCHULD

(sa Sabine Derflingers / with Sabine Derflingers)

(dokumentarni / documentary) 2008 - DIE VEREINIGUNG (kratki / short) 2006 - DAS ERBE (dokumentarni / documentary)

Takmičarski program - kratki film / Competition Programme - Shorts

36

Alerik, Vuk Mitevski

36

Anna, Spiros Charalambous

37

Čest / Čast / Pride, Pavel G. Vesnakov

37

Fotografii de Familie / Porodične fotografije / Family Pictures, Andrei Cohn

38

Orfej / Orpheus, Tina Šmalcelj

38

Rabbitland, Ana Nedeljković, Nikola Majdak, jr.

39

Sin / Son, Ivan Sikavica

39

O umbră de nor / Sjena oblaka / Shadow of a Cloud, Radu Jude

40

Valaki vacsorára / Neko za večeru / Someone for Dinner, Andras György Dési, Gábor Móray

40

Wir Fliegen / Mi letimo / We’re Flying, Ulrike Kofler

Povezani s budućnošću / Linked to the Future

Nije bilo jednostavno finalizirati ovogodišnju listu učesnika u Takmičarskom programu kratkog filma. Primili smo rekordan broj filmova (otprilike 400 prijava), a većina filmova su bili vrlo originalni radovi koje je trebalo uzeti u posebno razmatranje. Odluka je bila teška, ali smo prošli uzbudljivo putovanje kroz novu regionalnu kinematografiju, koja je predstavila često vrlo zanimljiv i veoma originalan pogled na to kako sadašnjost izgleda i kakvom se čini u zemljama kojima je naš program posvećen. Zato je finalni izbor od 10 naslova beskompromisno izvanredan i predstavlja generaciju novih i svježih autora koji su vrlo svjesni svijeta u kojem žive.

Kratki filmovi, koji će biti predstavljeni ove godine, govore o savremenom životu iz perspektive veoma različitih generacija. Time oni bilježe i prošlost i sadašnjost na snažan filmski način, kroz jake priče, višeslojne likove i besprijekoran vizualni jezik.

Program donosi dva animirana filma: RABBITLAND, dobitnika ovogodišnjeg Kristalnog medvjeda na Međunarodnom filmskom festivalu u Berlinu, koji dolazi iz Srbije, te ALERIK, makedonski film Vuka Mitevskog, koji je već ranije bio u našoj selekciji. Imamo i dva filma iz Rumunije: O UMBRĂ DE NOR / SJENA OBLAKA Radu Judea, koji je osvojio naše Srce Sarajeva 2012. u okviru Takmičarskog programa za igrani film, te FOTOGRAFII DE FAMILIE / PORODIČNE FOTOGRAFIJE Andreia Cohna.

Iz Mađarske nam dolazi kratki film o tajnim strastima i smrti VALAKI VACSORÁRA / NEKO ZA VEČERU Andrása György Désija i Gábora Móraya.

Hrvatski film SIN Ivana Sikavice prikazuje epizodu u turbulentnom odnosu oca i sina, dok se bugarski režiser Pavel G. Vesnakov vraća u selekciju svojim novim filmom ЧЕСТ / ČAST, koji se fokusira na sličan muški odnos u različitom porodičnom okruženju, koji ostaje u sjeni tajni i laži. Na našu veliku radost, selekcija ove godine uključuje kratki film s Kipra, ANNA, autora Spirosa Charalambousa, koji govori o kraju života, sjećanjima iz prošlosti i neispunjenoj ljubavi.

Perspektiva najmlađih je veoma prisutna u ovogodišnjoj selekciji. To je posebno slučaj u dva filma: austrijskom WIR FLIEGEN / MI LETIMO autorice Ulrike Kofler, u kojem se prikazuje jedno popodne u životu mlade žene koja radi u vrtiću, a koja mora povesti kući dječaka čiji roditelji nisu došli po njega, te ORFEJ, debitantice Tine Šmaljcelj iz Bosne i Hercegovine, koji pokazuje da nevina dječija igra nije toliko nevina u ratnim okolnostima.

Program ukupno donosi 10 filmova, koji su svi svježi i čvrsto ukorijenjeni u sadašnjost. Ovo je selekcija u kojoj su napredak i pokret veoma prisutni, ali i selekcija sastavljena od radova koji svi imaju originalan vizualni stil i jasne stavove autora prema životu i društvu, te filozofiji.

Svi filmovi iz selekcije su povezani s budućnošću, a istovremeno su vrlo svjesni sadašnjosti i prošlosti.

E It was not an easy task to finalize this year’s Short Film Competition Line-up. There was a record number of the submitted film (about 400 entries) and most of the films were very original pieces of work that needed a special consideration. It was a tough call, but it was also an exciting trip to the world of new regional cinema showing often very interesting and rather original insights of what the present looks or seems like in the countries our program is dedicated to. So therefore, the final selection of 10 titles is uncompromisingly outstanding and presents a generation of new and fresh filmmakers who are very aware of the world they live in.

The short films presented this year are capturing contemporary life through point of view of very different generations. And so, they are capturing both past and the present in a strong cinematic manner, with strong stories, multilayered characters and impeccable visual language.

The program brings two animated films: RABBITLAND, the winner of this year’s Crystal Bear at Berlin International Film Festival from Serbia, and ALERIK, Macedonian entry by Vuk Mitevski who is back to our selection. There are two films from Romania: O UMBRĂ DE NOR/ SHADOW OF A CLOUD by our 2012 Competition Feature Film Heart of Sarajevo winner Radu Jude, and FOTOGRAFII DE FAMILIE/ FAMILY PICTURES by Andrei Cohn. From Hungary it is the short film about secret passions and deathVALAKI VACSORÁRA/ SOMEONE FOR DINNER by AndrásGyörgy Dési and Gábor Móray. Croatian film SIN/ SON by Ivan Sikavica shows an eposide in a turbulent father-son relationship, while Bulgarian director Pavel G. Vesnakov is back to the selection with his new film ЧЕСТ/ PRIDE, focusing on a similar male relationship in a different family setting always overshadowed by secrets and lies. To our great joy the selection includes a short from Cyprus ANNA by SpirosCharalambous, which is dealing with the end of life, memories from the past and unfulfilled love.

The point of view of the youngest is very present in the selection. This is especially the case with two films: Austrian WIR FLIEGEN/ WE’RE FLYING

by Ulrike Kofler, a film showing one afternoon of a young woman working in kindergarten who has to bring home a little boy whom parents have not picked up; and ORFEJ/ ORPHEUS by a newcomer Tina Šmalcelj from Bosnia and Herzegovina showing an innocent children’s game in not so innocent war-time circumstances.

Overall the program brings 10 films, all fresh, deeply rooted in the present.

This is the selection in which progress and movement is present strongly, but also a selection made out of works all with original visual style and clear auteurs’ attitudes toward life, society but philosophy as well.

This is a selection of films all linked to the future while strongly aware of the present and the past.

Elma Tataragić, selektorica Takmičarskog programa - kratki film / Competition Programme - Short Film Selector

COMPETITION PROGRAMME - SHORTS l 19. Sarajevo Film Festival 35

SVJETSKA PREMIJERA / WORLD PREMIERE Macedonia, Germany, 2013, Colour, 17 min, English

Alerik Alerik, 16-godišnji dječak, sanjar, živi s djedom u zaraćenoj zemlji. Kada starac pogine u bombaškom napadu, Alerika obuzima potreba za osvetom. Tada rat konačno preuzima kontrolu nad njim.

Vuk Mitevski je diplomirao 2005. na Bennington Collegeu, u SAD-u, specijalizirajući se za kiparstvo, slikarstvo i scenografiju. Imao je brojne solo izložbe u New Yorku, Napulju, Carlshuetteu i njegovom rodnom Skopju. Njegov animirani film ANGEL je 2008. prikazan na Locarno Film Festivalu i Sarajevo Film Festivalu. Za svoj najnoviji animirani film ALERIK dobio je stipendiju Fondacije Robert Bosh, te ima svoju međunarodnu premijeru na ovogodišnjem Sarajevo Film Festivalu. Trenutno priprema kratkometražni animirani film THE BOY WITH A TORN SOCK IN THE RIGHT HAND. Svi njegovi animirani filmovi su urađeni pod pokroviteljstvom produkcijske kuće Sestre i brat Mitevski, kompanije koju je osnovao 2001. sa svoje dvije sestre.

Režija / Director: Vuk Mitevski Scenarij / Screenplay: Teona Strugar Mitevska Direktor fotografije / Director of Photography: Antoan Bellem, Jana Lulovska Montaža / Editor: Nick Gaster Muzika / Music: Moritz Schmittat Producent / Producer: Labina Mitevska, Teona Mitevska, Katrin Böhringer, Markus Halberschmidt Produkcija / Production: SISTERS AND BROTHER MITEVSKI, Busse & Halberschmidt Kontakt / Contact: SISTERS AND BROTHER MITEVSKI F. Ruzvelt 4-38, 1000 Skopje, R. Macedonia, +38977690688, info@sistersandbrothermitevski.com, www.sistersandbrothermitevski.com Filmografija / Filmography 2013 - ALERIK (kratki / short) 2013 - IYI KI DOGDUN (kratki / short) 2012 - SLOWDANCER (kratki / short) 2008 - ANGEL (animacija / animation) 2006 - BLACK AND WHITE (spot / video)

E Alerik, a moony 16 year-old boy, lives together with his grandfather in a land in a state of war.

When the old man loses his life in a bomb attack, Alerik is gripped by feelings of revenge. Now the war has finally taken possession of him.

Vuk Mitevski has graduated from Bennington College, USA, in 2005, specializing in sculpture, painting and set design. He had numerous solo exhibitions, in New York, Napoli, Carlshuette and his native Skopje. In 2008 his animation ANGEL was screened at the Locarno Film festival and the Sarajevo Film Festival. His last animation ALERIK was awarded the Robert Bosh Foundation grant, and it has the international premiere at the Sarajevo Film Festival. He currently prepares the short animated film THE BOY WITH A TORN SOCK IN THE RIGHT HAND. All his animations are made under the auspices of Sisters and Brother Mitevski Production, a company established in 2001 with his two sisters.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Cyprus, 2012, Black & White, 22 min, Greek

Anna Mary je 30-godišnja Filipinka koja radi u jednom selu na Kipru. Brine o gospodinu Michalisu, 85-godišnjaku koji pati od arteroskleroze. Gospodin Michalis prati TV sapunicu u kojoj glavnu ulogu igra Anna. Čini se kao da je postao opsjednut glavnom glumicom tako da insistira da Mary zove Anna. Kada Mary pronađe staru kutiju, dolazi do znakovitog otkrića. Ime Anna gospodinu Michalisu znači jako puno.

Spiros Charalambous je rođen 1971. u Južnoj Africi. Studirao je film u filmskoj školi Stavrakou u Atini.

Radio je u različitim filmskim produkcijskim kućama u Grčkoj i Kipru. Također je režirao za pozorište i televiziju. ANNA je njegov prvi kratki film.

E Mary, a 30-year-old from Philippines, works in a village in Cyprus. She takes care of Mr. Michalis, an 85-year-old man,who suffers from arteriosclerosis. Mr. Michalis watches a soap opera, starring Anna. It seems that he has acquired a sort of obsession with the protagonist, and he insists on calling Mary with the name of “Anna”. When Mary finds an old box, she make a significant discovery.

The name “Anna” has a strong meaning for Mr. Michalis.

Spiros Charalambous was born in South Africa in 1971. He studied cinema at the Stavrakou Film School in Athens. He has worked in various cinema productions both in Greece and Cyprus. He has also directed for theatre and television. ANNA is his first short film.

36 19. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - KRATKI FILM

Režija / Director: Spiros Charalambous Scenarij / Screenplay: Theo Panayides Direktor fotografije / Director of Photography: Harris Charalambous Montaža / Editor: Phillip Blackford, Yiannis Kozakos Muzika / Music: Dimitris Maramis Zvuk / Sound: Marios Violaris Scenografija / Production Design: Marina Zach Uloge / Cast: Spyros Stavrinides, Immy Lysandrou, Mara Constandinou, Marinos Konsolou, Marios Demetriou, Elena Efstathiou Producent / Producer: Spiros Charalambous Produkcija / Production: Seahorse Productions Kontakt / Contact: Spiros Charalambous, Orestiados 4, 8027 Pafos, Cyprus, + 357 99841231, +30 6956808612, spiros.c@email.com Filmografija / Filmography 2012 - ANNA (kratki / short)

REGIONALNA PREMIJERA / REGIONAL PREMIERE Bulgaria, Germany, 2013, Colour, 30 min, Bulgarian

Čest / Čast / Pride Manol - general u penziji i nježni djed - patrijarhalna je osoba čvrstog morala i jakih uvjerenja koje provodi u svom domaćinstvu. Međutim, danas saznaje da je dječak kojeg je odgojio - homoseksualac. Životne odluke njegovih najdražih dovode u pitanje njegove vrijednosti u borbi koju je u startu već izgubio.

Pavel G. Vesnakov je višestruko nagrađivani mladi bugarski autor, čiji su kratki filmovi prikazani na brojnim međunarodnim i domaćim festivalima. Učestvovao je na Talent Campusu u Sarajevu 2011. godine i Berlinu 2012. Trenutno radi na svom prvom dugometražnom filmu.

E Manol - a retired general, a loving grandfather - is a patriarch of firm morals and fixed beliefs,

which he has upheld in his household. But on this day he learns that the boy he raised is gay. The life choices of his loved ones challenge his values in a battle he has lost by default.

Režija / Director: Pavel G. Vesnakov Scenarij / Screenplay: Pavel G. Vesnakov, Vanya Rainova Direktor fotografije / Director of Photography: Orlin Ruevski Montaža / Editor: Karen Tonne Zvuk / Sound: Veselin Zografov Scenografija / Production Design: Nikolai Zlatanov, Mitko Zlatanov Kostimografija / Costume Design: Nikolai Zlatanov, Mitko Zlatanov Uloge / Cast: Mihail Mutafov, Alexandar Aleksiev, Ani Bakalova, Svetlana Yancheva, Kaloia R. Pishmanov Producent / Producer: Vanya Rainova, Sebastian Weyland Produkcija / Production: Portokal - Bulgaria, Director’s Darling - Germany Kontakt / Contact: Portokal 137 Evlogi Georgiev Blvd, 1504 Sofia, Bulgaria, +359887916692, rainova@hotmail.com Filmografija / Filmography 2013 - PRIDE (kratki / short) 2012 - THE PARAFFIN PRINCE (kratki / short) 2011 - TRAINS (kratki / short)

Pavel G. Vesnakov is an award-winning young Bulgarian filmmaker whose short films have been screened at many international and domestic festivals. He is an alumnus of Sarajevo (2011) and Berlin (2012) Talent Campuses. He is currently working on his first feature film.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Romania, 2012, Colour, 26 min, Romanian

Fotografii de Familie / Porodične fotografije / Family Pictures Ovo je priča o porodičnom okupljanju jednog nedjeljnog popodneva. Nakon toga, oni se više nikada neće naći na okupu. Film govori o kraju pojma porodice.

Andrei Cohn je diplomirao na Institutu za likovne umjetnosti u Bukureštu. Režirao je reklame, TV serije VIRTUAL, MOBIL i AGENDA, te kratke filmove.

E It’s the story of a family meeting on a Sunday afternoon. Afterwords, they’ll never meet all together again. The movie is about the end of the family concept.

Režija / Director: Andrei Cohn Scenarij / Screenplay: Andrei Cohn Direktor fotografije / Director of Photography: Alex Sterian Montaža / Editor: Ioachim Stroe Zvuk / Sound: Florin Tabacaru Scenografija / Production Design: Mihai Dorobantu Kostimografija / Costume Design: Nilcole Uloge / Cast: Ileana Puiu, Lucian Ifrim, Gheorghe Ifrim, Ioana Flora, Rodica Lazăr Producent / Producer: Anca Puiu Produkcija / Production: Serban Rogoveanu Kontakt / Contacts: Mandragora, Str. Ghe. Bratianu, no 4, ap 2, 011413 Bucharest, Romania, +40212220558, +40212220557, anca@mandragora.ro, www.mandragora.ro Filmografija / Filmography 2012 - FAMILY PICTURES (kratki / short) 2009 - MOTHER OF GOD FROM THE GROUND FLOOR

(kratki / short) 2008 - BEFORE AND AFTER 22/12/1989 (kratki / short)

Andrei Cohn obtained his diploma from the Fine Arts Institute – Bucharest. He directed commercials, TV series VIRTUAL, MOBIL and AGENDA and short films.

COMPETITION PROGRAMME - SHORTS l 19. Sarajevo Film Festival 37

REGIONALNA PREMIJERA / REGIONAL PREMIERE Bosnia and Herzegovina, 2013, Colour, 4 min, No Dialogue

Orfej / Orpheus Lijep je zimski dan. Četvero djece se igra na mostu, ali u igru se uključuje i peti igrač... Snajperista.

Tina Šmalcelj rođena je u Sarajevu 1986. Diplomirala je na Akademiji scenskih umjetnosti u Sarajevu na Odsjeku za dramaturgiju 2009. Radila je kao koordinatorica CineLinka na Sarajevo Film Festivalu, te je angažirana u nastavnom radu Akademije scenskih umjetnosti u Sarajevu. Radi kao freelance scenaristica i asistentica produkcije.

Režija / Director: Tina Šmalcelj Scenarij / Screenplay: Tina Šmalcelj Direktor fotografije / Director of Photography: Amel Đikoli Montaža / Editor: Redžinald Šimek Scenografija / Production Design: Dragan Denda Kostimografija / Costume Design: Lejla Graho Uloge / Cast: Mak Alijević, Iman Bostandžić, Namik Hadžimuratović, Faris Smajić Producent / Producer: Amra Bakšić - Čamo Produkcija / Production: SCCA / Pro.ba Ćumurija 3, 71000 Sarajevo, +387 33 444 535, adis@pro.ba Filmografija/ Filmography 2012 - ORFEJ / ORPHEUS (kratki / short) 2009 - VOLIM TE... / I LOVE YOU..., (kratki / short)

E It’s a beautiful winter day. Four children are playing on the bridge, but a fifth player enters the game... The sniper.

Tina Šmalcelj was born in Sarajevo in 1986. She graduated dramaturgy in 2009 at the Academy of Performing Arts in Sarajevo. She is the CineLink coordinator at the Sarajevo Film Festival and teaches at the Academy of Performing Arts in Sarajevo. She works as a freelance screenwriter and production assistant.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Serbia, 2013, Colour, 7 min, English

Rabbitland Zečevi žive u Rabbitlandu, savršenom svijetu uređenom u skladu s ratnim zonama i getoima. Sretni su šta god da se desi. Glasaju na slobodnim i demokratskim izborima jednom dnevno, jer je Zemlja zečeva uređena demokratija. Ipak, uskoro se otkriva da su izbore organizirale Zle djevojčice. Film je osvojio nagradu Kristalni medvjed na 63. berlinskom filmskom festivalu.

Ana Nedeljković je diplomirala slikarstvo na Fakultetu likovnih umjetnosti u Beogradu. Završila je i doktorat iz umjetničkih studija na istom fakultetu 2012. Ona je vizualna umjetnica, i radi u mediju crteža, instalacije i animiranog filma, a aktivna je i na polju umjetničkog obrazovanja.

Nikola Majdak jr. je magistrirao na Fakultetu dramskih umjetnosti u Beogradu, na Odsjeku za kinematografiju. Posljednjih 20 godina radi kao freelance kamerman, animator, režiser i predavač.

E Rabbits live in Rabbitland, a perfect world ordered according to the examples of war zones and ghettos. They are happy regardless of what happens. They vote at free and democratic elections once a day, because Rabbitland is an ordered democracy. Nevertheless, it gets disclosed that the elections are organized by the Evil Girls. The film won the Crystal Bear at the 63 Berlin Film Festival.

Ana Nedeljković graduated painting at the Faculty of Fine Arts of in Belgrade. She acquired PhD in art practice from the same faculty in 2012. She is a visual artist working in the media of drawing, installation, animated film, and is active in the field of art education.

Nikola Majdak, jr. has an MFA Degree from the Faculty of Dramatic Arts in Belgrade, Cinematography Department. For the last 20 years he has been working as a freelance cameraman, animator, director and lecturer.

38 19. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - KRATKI FILM

Režija / Director: Ana Nedeljković, Nikola Majdak, jr.

Scenarij / Screenplay: Ana Nedeljković Direktor fotografije / Director of Photography: Nikola Majdak, jr.

Montaža / Editor: Srđan Radmilović Muzika / Music: Dušan Petrović Zvuk / Sound: Vladimir Janković Scenografija / Production Design: Ana Nedeljković Uloge / Cast: Voices: Maša Mileusnić, Natalija Gajić, Vladislava Đorđević Producent / Producer: Jelena Mitrović Produkcija / Production: BAŠ ČELIK Gospodar Jevremova 35, 11 000 Beograd +381113034441, +381113034887, jelena@bascelik.net, www.bascelik.net Filmografija / Filmography 2013 - RABBITLAND (kratki animirani / short animation)

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2012, Colour, 14 min, Croatian Režija / Director: Ivan Sikavica Scenarij / Screenplay: Ivan Skorin Direktor fotografije / Director of Photography: Almir Fakić Montaža / Editor: Nina Velnić Kostimografija / Costume Design: Neda Frank Uloge / Cast: Goran Radaković, Matija Čigir Producent / Producer: Boris T. Matić, Lana Ujdur Produkcija / Production: Propeler Film Varšavska 3, 10 000 Zagreb, Croatia +385 1 492 3580, +385 1 482 7717 info@propelerfilm.com, www.propelerfilm.com

Sin / Son Može li jedan trening otrijezniti i ponovno povezati sina i oca?

Ivan Sikavica je diplomirao na Fakultetu političkih nauka u Zagrebu, te trenutno studira filmsku režiju na Akademiji dramskih umjetnosti u Zagrebu. Njegov film ŠPANSKO CONTINENT je nagrađen na Danima hrvatskog filma 2010. godine. Kratki film SIN, njegov drugi film, dio je ZAGREBAČKIH PRIČA VOL. 2.

Filmografija / Filmography 2012 - SON (kratki / short) 2010 - ŠPANSKO CONTINENT (kratki / short)

E Can a training bring a father and his son to their senses and bond them together again?

Ivan Sikavica graduated from the Zagreb Faculty of Political Science and is now an undergraduate student of Film Directing at the Zagreb Academy of Dramatic Art. His short film ŠPANSKO CONTINENT was awarded at the Days of Croatian Film 2010. The short film SON, his second film, is part of ZAGREB STORIES VOL. 2.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, 2013, Colour, 27 min, Romanian Režija / Director: Radu Jude Scenarij / Screenplay: Florin Lazarescu, Radu Jude Direktor fotografije / Director of Photography: Marius Panduru Montaža / Editor: Catalin F. Cristutiu Uloge / Cast: Alexandru Dabija, Şerban Pavlu, Mihaela Sîrbu, Olga Podaru Producent / Producer: Ada Solomon Produkcija / Production: Hi Film Productions Sf. Stefan nr.7, 023996, Bucharest, Romania +4021 252 48 67, +4021 252 48 66, ada@hifilm.ro, www.hifilm.ro

O umbră de nor / Sjena oblaka / Shadow of a Cloud Jednog olujnog ljetnog dana u Bukureštu, svećenik Florin Florescu biva pozvan da moli za jednu ženu na samrti.

Radu Jude je rođen u Bukureštu 1977. Diplomirao je 2003. na Odsjeku za film Media univerziteta. Radio je kao asistent režije. Njegov kratki film THE TUBE WITH A HAT je osvojio više od 30 međunarodnih nagrada na festivalima kao što su Sundance, San Francisco, Los Angeles, Uppsala, i drugi. Njegov kratki film ALEXANDRA je izabran u program Međunarodnog festivala kratkog filma u Clermont-Ferrandu, te nagrađen na Međunarodnom festivalu kratkog filma u Oberhausenu. Njegov igrani film EVERYBODY IN OUR FAMILY osvojio je Srce Sarajeva za najbolji igrani film 2012.

Filmgrafija / Filmography 2013 - SHADOW OF A CLOUD (kratki / short) 2012 - EVERYBODY IN OUR FAMILY 2009 - THE HAPPIEST GIRL IN THE WORLD 2007 - ALEXANDRA (kratki /short) 2006 - THE TUBE WITH A HAT (kratki / short)

E On a torrid summer day in Bucharest, the priest Florin Florescu is called to a dying woman’s side to say a prayer.

Radu Jude was born in Bucharest, in 1977. He graduated in 2003 from the Filmmaking Department of Media University. He has worked as assistant director. His short film THE TUBE WITH A HAT was awarded with more then 30 international prizes at Sundance, San Francisco, Los Angeles, Uppsala etc. His next short, ALEXANDRA, was selected at Clermont-Ferrand, and awarded at Oberhausen.

His feature EVERYBODY IN OUR FAMILY won Heart of Sarajevo for the best feature at the 2012 Sarajevo Film Festival.

COMPETITION PROGRAMME - SHORTS l 19. Sarajevo Film Festival 39

SVJETSKA PREMIJERA / WORLD PREMIERE Hungary, 2013, Colour, 18 min, Hungarian

Valaki vacsorára / Neko za večeru / Someone for Dinner Gost stiže u stan muškarca. Obojica su čekali dugo na taj trenutak. Imaju isti cilj, ali različite razloge.

Boje se jedan drugog. Drago im je što su se vidjeli. Psihološka borba dvaju muškaraca u malom stanu.

András György Dési je rođen 1967. i živi u Budimpešti. Radi za kompaniju za filmsku distribuciju, piše scenarije po narudžbi (između ostalog, autor je dijaloga za najpopularniju mađarsku TV sapunicu), i/ili iz zabave piše filmske i pozorišne recenzije, stripove i tekstove pjesama, te prevodi knjige. Piše i režira kratke filmove s Gáborom Mórayem.

Gábor Móray je rođen 1959. Studirao je na Akademiji za dramaturgiju i film u Budimpešti od 1988. do 1993. Radi kao freelance scenarista i režiser. Također radi kao autor dijaloga za najpopularniju mađarsku TV sapunicu.

Režija / Director: Andras György Dési, Gábor Móray Scenarij / Screenplay: András György Dési, Gábor Móray Direktor fotografije / Director of Photography: Sándor Csukás Montaža / Editor: Zsolt Hájos Muzika / Music: Peter Ogi Zvuk / Sound: Rudolf Várhegyi Scenografija / Production Design: Rita Dévényi Kostimografija / Costume Design: Rita Dévényi Uloge / Cast: István Znamenák, Illés Nyitrai Producent / Producer: Kata Oláh Produkcija / Production: Makabor Hidász u. 23/b, 1026 Budapest, Hungary +36209166608,+3626355433, kata.csukas@gmail.com, ww.makabor.com Shared Filmography / Zajednička filmografija 2013 - VALAKI VACSORÁRA / SOMEONE FOR DINNER 2011- THE LAST PICTURE 2005 - A 639. BABA / DOLL NO. 639 2003 - JOCÓ / JOCÓ 2002 - HIT ME! / A POFON

E A guest arrives at a man’s flat. They have both waited for a long time. They have the same goal, but for different reasons. They are afraid of each other. They are happy to see each other. A mindgame of two men in a small apartment.

András György Dési (1967) lives in Budapest. He works for a film distribution company, writes scripts for money (among others he is a dialogue writer of the most popular Hungarian daily television soap) and/or for fun, writes film and theatre reviews, comic strips and song lyrics, translates books. Writes and directs short films with Gábor Móray.

Gábor Móray (1959) studied at the Budapest Academy of Drama and Film from 1988 to 1993. He works as a freelance screenwriter and director. He is also a dialogue writer of the most popular Hungarian daily television soap.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Austria, 2013, Colour, 20 min, German

Wir Fliegen / Mi letimo / We’re Flying Mlada odgajateljica u vrtiću, Angelika, planirala je provesti svoje veče drugačije. Međutim, budući da niko nije došao po četverogodišnjeg Nikolausa, ona ga odvodi svojoj kući. U toku ovog nepredviđenog susreta, oni polako i pažljivo razvijaju prisnost, koja se naglo prekida kada Angelikin momak Benno odluči da je neplanirano posjeti. Zasnovano na kratkoj priči Petera Stamma.

Ulrike Kofler je rođena 1974. u Innsbrucku, u Austriji. Diplomirala je fotografiju na Die Graphische, te magistrirala filmsku montažu na Univerzitetu za muziku i scenske umjetnosti u Beču. Nedavno je diplomirala režiju na KHM u Kölnu. Ulrike je radila na montaži nekoliko dugometražnih igranih i dokumentarnih filmova, a WE’RE FLYING predstavlja njen režiserski debi.

E Young kindergarten teacher Angelika had planned her evening differently. But when 4-year-old Nikolaus isn’t picked up, she takes him back home with her. In the course of this involuntary encounter, they slowly and gently develop a rapport that is cut short by Angelika’s boyfriend Benno, who pays her an unexpected visit... Based on a short story by Peter Stamm.

Ulrike Kofler was born in 1974 in Innsbruck Austria. She obtaned the Diploma in Photography from Die Graphische, and MA in Film Editing from the University for Music and Performing Arts Vienna.

She recently graduated directing at KHM Köln. Urlicke edited several feature and documentary films, and WE’RE FLYING is her director’s debut.

40 19. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - KRATKI FILM

Režija / Director: Ulrike Kofler Scenarij / Screenplay: Ulrike Kofler Direktor fotografije / Director of Photography: Robert Oberrainer Montaža / Editor: Christin Veith Muzika / Music: Anna Kohlweis / Squalloscope Zvuk / Sound: Lenja Gathmann Scenografija / Production Design: Nanna Neudeck Kostimografija / Costume Design: Carola Pizzini Uloge / Cast: Magdalena Kronschläger, Nikolaus Hahn, Roman Blumenschein, Barbara Horvath, Klaus Huhle, Maria Urban Producent / Producer: Senad Halilbašić Produkcija / Production: KHM Köln / Senad Halilbašić Contact / Kontakt: Senad Halilbašić, Sobieskigasse 2a-c/1/13, 1090 Wien, Austria +436645346079, senad@witcraft.at Filmografija / Filmography 2013 - WIR FLIEGEN / WE’RE FLYING (kratki / short)

Takmičarski program - dokumentarni film / Competition Programme - Documentaries

44

Aici…Adica acolo / Tu... Mislim, tamo / here... I mean there, Laura Capatana - Juller

45

Autofokus / Autofocus, Boris Poljak

46

Anplagd / Unplugged, Mladen Kovačević

47

Bijeg / Escape, Srđan Keča

48

The Cleaners / Čistači, Konstantinos Georgousis

49

Doğma ocaq / Moja obitelj, moji rođaci / My Kith and Kin, Rodion Ismailov

50

Finding Family / U potrazi za porodicom, Chris Leslie, Oggi Tomić

51

Gangster te voli / Gangster of Love, Nebojša Slijepčević

52

Ja kada sam bila klinac, bila sam klinka / When I Was a Boy, I Was a Girl, Ivana Todorović

53

Jugoslavija, kako je ideologija pokretala naše kolektivno telo / Yugoslavia,

How Ideology Moved Our Collective Body, Marta Popivoda

54

Lud za tobom / Crazy about You, Danilo Marunović

55

Mama Europa / Mother Europe, Petra Seliškar

56

O manavis / Piljar / The Grocer, Dimitris Koutsiabasakos

57

Meine Keine Familie /Moji očevi, moja majka i ja /My Fathers, My Mother & Me, Paul-Julien Robert

58

Pacijent / Patient, Zdenko Jurilj

59

Presuda / The Verdict, Đuro Gavran

60

Regina, Diana Groó

61

Rob / A Slave, Pjer Žalica

62

Screens / Kišobrani, Hanna Slak

63

Sickfuckpeople, Jury Rechinsky

64

U braku sa švicarcem / Married to the Swiss Franc, Arsen Oremović

65

Okupace, 27. obraz / Okupacija, 27. slika / Occupation, the 27th Picture, Pavo Marinković

Dokumentarni film kao povećalo / Documentary as a magnifying glass

Rada Šešić

Dokumentarni film postaje popularniji u svim krajevima svijeta. Čak i evropski festivali, koji ranije nisu imali dokumentarni program, spremni su da prikažu bar nekoliko briljantnih dokumentaraca koji danas nastaju u raznim krajevima svijeta. Neki važni festivali su u posljednjih par godina u svojim takmičarskim segmentima spojili igrani i dokumentarni film i više ne prave žanrovske podjele prilikom nagrađivanja. Izuzetno su spremni ne samo da ih uključe u svoj program već i da predstave projekte u nastajanju, koji su u traganju za dodatnim sredstvima za razvoj produkcije.

Fascinantno je, kada su u pitanju dokumentarci, da ova vrsta filmskog stvaralaštva u nama izaziva snažnu empatiju i omogućava nam da svijet vidimo kroz specijalno povećalo. Zahvaljujući dobrom dokumentarcu mi lakše uvažavamo drugačije stavove, razmatramo i osvještavamo, nama možda strano, drugačije viđenje stvarnosti. Kada se poznate priče i već ranije postavljena pitanja obrađuju u filmu, često ih vidimo iz novog ugla i kroz nov, osoban pristup.

I zaista, ovogodišnja selekcija je puna intimnih priča, veoma emotivnih, suptilno ispričanih na tako izuzetan način da prestaju biti važne samo unutar autorovog okruženja i njegovog lokalnog, nacionalnog miljea. One postaju relevantne za cijeli svijet. Dokumentarni filmovi su sučeljavanje i izazov za društvo; podstiču nas da postanemo aktivni učesnici u njemu. Svaka od ispričanih životnih priča je transponirana na viši nivo kroz dobro promišljen filmski jezik i pomno odabrane strukture pripovijedanja.

Kada je riječ o dokumentarističkoj formi, ovogodišnji takmičarski program je izrazito raznovrstan: od novinarsko-istraživačkih priča, do intimnih porodičnih drama, ličnih unutarnjih previranja, od poetičnog impresionizma do cinéma véritéa, od zanimljive autorske opservacije, gdje je kamera često poput neprimjetne „muhe na zidu“, do veoma lucidnih i kreativno strukturiranih priča ostvarenih isključivo postpukom montaže, korištenjem arhivskog ili home video materijala. Od ove godine, u našu takmičarsku selekciju ulaze i tri zemlje s kavkaskog područja - Azerbejdžan, Armenija i Gruzija. Njihove kinematografije imaju dugu i veoma bogatu tradiciju, ne samo u dokumentarnom, već i u igranom i animiranom filmu. Radeći u veoma nepovoljnim uslovima, autori iz ovih zemalja razvijaju posebne strategije preživljavanja praveći svoje filmove s prijateljima ili sa članovima porodice.

Uz više sreće, neki ostvare i međunarodnu, no još uvijek niskobudžetnu koprodukciju.

Broj aplikacija iz određene zemlje je u direktnoj vezi s političkim problemima, nemirima, turbulentnim događanjima i previranjima u

42 19. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - DOKUMENTARNI FILM

određenoj regiji. Ove godine, turski režiseri su bili svjedoci brojnih značajnih događaja – sa svojim kamerama – te nisu stigli na vrijeme prijaviti filmove. Javljali su se kasnije mailovima i sms porukama. S nestrpljenjem očekujem te važne filmove koji oslikavaju ovogodišnje uzbudljive događaje u Turskoj, i koji će nas dogodine suočiti s dešavanjima koje mi, autsajderi, nismo sigurni kako da protumačimo.

Naš Docu Corner će i ove godine upriličit brojne diskusije s gostima, osvrnut će se na pitanja koja problematiziraju filmovi takmičarskog programa. Četrdesetak mladih ljudi iz regiona ponovo dolazi u organizaciji Inicijative mladih za ljudska prava i našeg programa, da se međusobno upoznaju, ali i da susretnu režisere i producente iz regije. Budući da veliki broj filmova u našoj selekciji govori o veoma osjetljivim pitanjima pripadnosti, potrage za identitetom, načinima kako politička stvarnost utječe na nas, o problemima unutar porodice, o svijetu intimnih snova, strahova i boli, vjerujem da nam oni mogu pomoći da takva pitanja i sami lakše riješimo ili da ih barem svjesno artikuliramo.

Zaista me raduje, što birajući filmove uviđam da odlučnost autora da održe u životu formu kratkog dokumentarca, svake godine raste. Žanr, koji se razvio iz naše istočnoevropske tradicije, iz godine u godinu je bolji i jači: bez riječi, posmatračko oko kamere, poetski pristup, filozofsko razmatranje, snažna metafora, izoštreni i kritički komentari. Ono što ovogodišnju selekciju čini posebnom jeste i prisustvo veoma uspješnih filmova koji su napravljeni isključivo korištenjem arhivskog materijala. Ovo je izuzetno zahtjevna dokumentarna forma, u kojoj sav materijal dolazi iz prošlosti. Autori rade mjesecima, nekad i godinama, ulože dosta truda i provedu mnogo radnih sati u montaži, gdje priče uglavnom i nastaju. S izuzetnom strpljivošću, preciznošću i predanošću, uz neminovne „kill your darlings“ momente, gradeći impresivan dizajn zvuka, tragaju za odgovarajućim, najboljim konceptom. Ovi filmovi u sebi spajaju elemente filmskog eseja, filmske poezije i čiste vizualne povijesti. Koristeći arhivske snimke iz žurnala, propagandnih filmova, amaterskih i profesionalno urađenih starih dokumentaraca, te arhiv vizualne socijalne i političke baštine, oni uranjaju u prošlost da bi stvorili priče koje su u njihovoj kreaciji, relevantne i za današnje društvo.

Naš DOCS GO BIG je bogatiji nego ikad prije.

Osim takmičarskog programa i Docu Cornera, organiziramo i treće izdanje Documentary Rough Cut Boutiquea, gdje će pet timova, okupljenih oko pet moćnih regionalnih projekata, raditi tokom četiri dana s cijenjenim timom mentora eksperata, koji ove godine dolaze iz Evrope

i SAD-a. Ovog puta imat ćemo više sesija unutar Rough Cut Boutiquea, kao i veći broj nagrada. Neki od naših mentora će biti i predavači na Talent Campusu, tako da će duh kreativnog dokumentarnog filma biti prisutan u svim segmentima ovogodišnjeg Festivala. To, također, uključuje naš tradicionalni Dan ljudskih prava, koji ove godine posvećujemo palestinskoj kinematografiji, te enormnoj energiji i trudu autora da na svoj, kreativan način ispričaju važne priče, i da progovore o temama koje se tiču svih nas.

Dakle, segment DOCS GO BIG zaista postaje veći ove godine. Među našim gostima, ove godine ćemo poželjeti dobrodošlicu većem broju značajnih filmskih distributera dokumentarnog filma, kao i kompanijama koje se bave kupoprodajom filma. Interes su pokazale neke televizijske kuće specijalizirane upravo za dokumentarnu produkciju te postoje izgledi da će se i naši regionalni dokumentarci naći na važnim film- skim platformama. Dolazi nam i nekoliko uglednih festivalskih selektora iz oblasti dokumentarnog filma, koji zaista imaju posebno zanimanje za vrstu produkcije koju mi predstavljamo. Želimo od srca svim učesnicima, autorima, profesionalcima, ljubiteljima dokumentaraca i ostalim entuzijastima da uživaju u filmovima koji nam donose uzbudljivu sliku svijeta viđenu kroz kreativnu autorsku lupu. Dobro nam došli!

E Documentaries are becoming an important part of the audience’s interest in almost all parts of the World. In Europe, even the festivals that earlier did not focus on documentary production, are more and more eager to screen at least some of the excellent documentaries that are made today. Several important festivals enthusiastically merge in their competitions both fiction and non-fiction, elsewhere visual artists experiment within both genres and festivals are very keen on not only including them in their program, but also presenting them as work in progress or within the industry sections, helping them to get support in the process of making.

What’s so great about documentaries, is that they evoke empathy and make us see the world through a magnifying glasses, helping us to notice nuances that skipped our attention previously, that did not stuck in our minds or failed to reach our human interest and eagerness to see, learn, understand, act and react. Through a good documentary we adopt a vision seen through someone else’s eyes. Old stories and known issues are projected from a fresh point of view and through a yet unseen, personal approach. And indeed, this year’s selection is bursting with intimate stories, deeply mov-

ing, subtly narrated, made in such a compelling manner that they are important not only for the film maker and his local, national environment, but for the world around all of us as well. Documentary films challenge the world; they challenge us as active participants in this very world. Sometimes we look and we don’t see things, but through the effective means of cinema that magnifies them in an appealing manner, some stories become more vivid, some events more emphasized. Creative documentary reflections become suddenly relevant, we see sharper, we comprehend deeper. These stories are upgraded to a higher level through well thought of cinematic languages and properly chosen narrative structures.

Our selection is this time remarkably diverse regarding documentary approach; from journalistic investigative stories that deal with odd sides of the society, to intimate family dramas, personal journeys, from impressionistic poetry to cinéma vérité, from observational “fly on the wall” camera work to very impressive found footage compositions. From this year on, we include also the Caucasus countries in our selection. Their cinema has a long and very rich tradition, not only in documentaries but in fiction and animation as well. However, due to lack of money documentary makers there are struggling to overcome all hurdles by making films with friends, family members or, if they are lucky, through international, yet (still) low budget, coproduction.

The influx of applications correlates with political unrest, turbulence and excitement. This year, Turkish directors had many important events to attend – hopefully with their cameras – so many of them missed the deadline for our selection. They reacted later on with an email or a sms. So I am already excited about the expected influx next year of important films from Turkey reflecting on political events that we, as outsiders, are often unsure of how to interpret properly on first notice.

Many important discussions about the films in our program will take place again in our Docu Corner, which will be attended by some forty youngsters from the whole Region. Since many of our selected films deal with very sensitive topics of belonging, searching for identity, understanding how the political reality reflects on a personal level, within a family, within one’s intimate dreams, fears and pain, they might help to surpass this kind of issues.

What really warms my heart every year while selecting regional films is the filmmakers’ eagerness to keep the short documentary form alive? The genre that developed from our own

Eastern European tradition is getting every year in better and stronger shape: no words, an observational camera, a poetic approach, a philosophical reflection. What also makes this year’s selection special is the strong presence of well accomplished films made of archive footage only. This is indeed a very special and demanding documentary form, where all material comes from the past. Filmmakers work for months if not years, spending a lot of blood, sweat, tears and working hours in the editing room, where mostly the stories are conceived after having been tremendously patient, killing many “darlings”, creating an impressive sound design and coming up with great concepts. These films merge elements of film essay, film poetry and pure documentation. Using archive footage of newsreels, propaganda films, and amateur films and professionally made old documentaries, as well as documented social and political history, they dig into the past and bring out stories that matter today.

Our DOCS GO BIG segment this year is richer than before. Next to our competition and the Docu Corner, we also have the 3rd edition of the Documentary Rough Cut Boutique where five teams of five potent projects from the region will work during four days with our esteemed team of documentary mentors coming this year from Europe and the U.S. This time, we have more sessions for the Rough Cut projects and even more awards. Some of our mentors will also participate as lecturers at the Talent Campus so the spirit of creative documentary film making will be spread around all festival segments.

That also includes our traditional Human Rights Day that we devote this year to Palestinian cinema and film makers’ efforts to retell in their creative manner important stories, to reflect on issues that matter to all of us.

So DOCS GO BIG is indeed growing big this time.

Among the Industry guests we will welcome this year several important documentary sales agents, film distributers, festival selectors and producers that nourish a special interest in the kind of production that we present. They eagerly come to see new films from the Region, to help them travel further, to make them be seen and talked about. I wish all participants, filmmakers, professionals, documentary lovers and other enthusiasts to enjoy the glance through the magnifying glass and to share and enjoy the festival with us.

Rada Šešić, selektorica Dokumentarnog takmičarskog programa / Competition Programme Documentary Film Programmer

COMPETITION PROGRAMME - DOCUMENTARIES l 19. Sarajevo Film Festival 43

Aici…Adica acolo / Tu... Mislim, tamo / here... I mean there Ani i Sanda su dvije djevojčice iz Maramuresha, odrasle sa svojim bakom i djedom. Njihovi roditelji rade u Španiji, kao i mnogi drugi Rumuni. Kada su otišli, njihova zajednička želja djelovala je obećavajuće: novcem koji zarade u Španiji izgradit će kuću u kojoj će čitava porodica biti sretna.

Nakon više od deset godina pokazuje se da stvari nisu išle po planu, a da velika kuća tek treba biti dovršena.

Laura Capatana Juller je bila uz Ani i Sandu tri godine, prateći pažljivim i talentiranim okom sve probleme ovih dviju djevojčica koje su postale tinejdžerke dok su im roditelji bili odsutni.

Laura Capatana - Juller je diplomirala žurnalistiku, a zatim i magistrirala medijske studije u Frankfurtu i Sofiji. Radila je za njemačke i švicarske printane medije i novinske agencije te napravila brojne priloge s društvenom tematikom za rumunsku nacionalnu TV kuću TVR. Od 2006. radi kao asistent režije za dokumentarne filmove. TU... MISLIM TAMO je njen prvi dugometražni dokumentarni film.

Projekat su razvili ExOriente, EURODOC Rumunija i ljetna škola IDFA. Laura Capatana - Juller je dobila nekoliko nagrada za reportaže na temu marginaliziranja maloljetnika, uključujući Media-Award od Kindernothilfea (Njemačka) za svoj rad DIE ELTERNLOSE GENERATION. E Ani and Sanda are two girls from Maramuresh who grew up with their grandparents. Their

parents are working in Spain, like so many other Romanians. When they left their common project looked promising: with the money earned in Spain they shall build a house in which the whole family will be happy. After more than ten years, things haven’t turned out as planned and the big house is far from being finished.

Laura Capatana Juller accompanied Ani and Sanda for three years, following with a tender and talented eye the struggles of these two girls turned teenagers while their parents were away.

Laura Capatana Juller has a degreein Journalism, as well as an MA in Media Studies in Frankfurt and Sofia. She worked for German and Swiss publications and media agencies and made numerous social reports for the Romanian national television TVR. Since 2006, she has been working as assistant director for documentaries. HERE… I MEAN THERE is her first documentary feature. The project was developed by ExOriente, EURODOC (Romania) and IDFA Summer School. Laura received several awards for her media report on the topic of left-behind minors: Media-Award of Kindernothilfe, Germany for Die elternlose Generation.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Romania, 2012, Colour, 73 min, Romanian Režija / Director: Laura Capatana - Juller Scenarij / Screenplay: Laura Capatana - Juller Direktor fotografije / Director of Photography: Ancuta Iordachescu, Laura Capatana - Juller Montaža / Editor: Dana Bunescu Producent / Producer: Alexandru Solomon Produkcija / Production: Hi Film Productions 7, Sfantul Stefan Street, 1st floor, 023996, Bucharest +40212524867, +40212524866, alecusolomon@hotmail.com Filmografija / Filmography: 2012 - AICI...ADICA ACOLO / HERE...I MEAN THERE

Autofokus / Autofocus Svake godine ljeti, crkva sv. Nikole (12. stoljeće) postaje meta mnogobrojnih turista. Smještena na slikovitom brežuljku s jednim stablom pored, u arkadijski nedirnutom pejzažu, to mjesto kao da se pretvara u svojevrsnu pozornicu na kojoj se izmjenjuju različiti neobični događaji. Tako naši turisti, nesvjesni blizine kamere, svakodnevno postaju glumci u predstavi.

Boris Poljak (1959.) je dugogodišnji je član Kino kluba Split, jedan od pokretača i organizatora Međunarodnog festivala novog filma i videa u Splitu, te dugogodišnji član Izvršnog odbora Hrvatskog filmskog saveza. Od 1991. godine djeluje kao profesionalni snimatelj, te je za svoj rad (preko 40 dokumentarnih filmova, 2 dugometražna igrana filma i preko 200 reklama) nagrađen na brojnim domaćim i međunarodnim festivalima. Režirao je 5 kratkometražnih eksperimentalnih filmova i dokumentaraca.

E Every summer, St. Nicholas Church (12th century) draws large crowds of tourists. Situated in an untouched Arcadian landscape, on a picturesque hill and next to a lone tree, it is as if the site becomes a stage where various unusual events take place. Thus, the tourists, unaware of the proximity of the camera, become performers in a daily show.

Boris Poljak (b. 1959) is a long-term member of the Split Cinematography Club, itself the founder and organizer of the Split International Festival of New Film and Video, as well as a long-term member of the Executive Board of the Croatian Film Association. He has worked as a professional cameraman since 1991 and has been awarded at various local and international festivals for his work (over forty documentary films, two feature films and over two hundred commercials). He has directed five short experimental films and documentaries.

SVJETSKA PREMIJERA / WORLD PREMIERE Croatia, 2013, Colour, 28 min, Croatian Režija / Director: Boris Poljak Direktor fotografije / Director of Photography: Boris Poljak Montaža / Editor: Damir Čučić Zvuk / Sound: Martin Semenčić Producent / Producer: Milva Čučić Produkcija / Production: MILVA film i video Langova 63, 10430 Samobor, Hrvatska Damir.Cucic@Zg.T-Com.Hr Filmografija / Filmography 2013 - AUTOFOKUS / AUTOFOCUS

(dokumentarni / documentary) 2010 - SKY SPIRITS (eksperimentalni / experimental) 2009 - LUČONOŠA (eksperimentalni / experimental) 2009 - SPLITSKI AKVAREL / THE SPLIT WATERCOLOUR (dokumentarni / documentary)

2003 - ONKRAJ / BEYOND

(eksperimentalni / experimental)

COMPETITION PROGRAMME - DOCUMENTARIES l 19. Sarajevo Film Festival 45

Anplagd / Unplugged ANPLAGD je egzistencijalna alegorija o puhanju u listove, kretanju u prostoru između najprimitivnijih instrumenata i najuniverzalnijeg bijega koji muzika nudi. Upoznajte Josipa, pronalazača amatera, čiji je cilj savladati umjetnost muziciranja listovima, te posljednje svirače na listovima – Veru, nekadašnju privatnu detektivku i Peru, seljaka sveznalicu – koji u jesen života još uvijek posežu za zelenim lišćem. Muzika je rijetko kad ovako neuobičajena.

Mladen Kovačević je studirao film u Beogradu, na Međunarodnoj filmskoj školi London, te na Filmskoj i televizijskoj školi Cape Town i filmskoj školi AFDA u Južnoj Africi. Za svoj dugometražni studentski rad SHROUD dobio je nagradu Student godine. Otkako se prije par godina u potpunosti posvetio dokumentarnom filmu, snimio je dva naručena dokumentarca, jedan tematski dokumentarni film DUMBFOUNDED DOG, te tek završeni dugometražni dokumentarni film ANPLAGD. Trenutno započinje snimanje epskog dokumentarca THE WALL OF DEATH, AND ALL THAT. E UNPLUGGED is an existential allegory about blowing into leaves, rattling between the most primitive of instruments and the most universal escapism of music. Meet Josip, amateur inventor set out to decode the artistry of leaf-playing, and the last leaf-players – Vera, ex-private detective, and Pera, the know-it-all peasant – in the autumns of their lives, still going for the verdant leaves. Music has rarely been so offbeat.

Mladen Kovačević has studied film in Belgrade, at LIFS in London, and CTFTVS and AFDA in South Africa. For his feature length student film SHROUD, he earned a “Student of the Year” award.

Since his wholehearted dedication to documentaries a few years ago, he made two commissioned documentaries, one thematic documentary DUMBFOUNDED HOG, and has just finished a debut documentary feature UNPLUGGED. Currently commencing the shoot of an epic documentary THE WALL OF DEATH, AND ALL THAT.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Serbia, 2013, Colour, 52 min, Serbian Režija / Director: Mladen Kovačević Scenarij / Screenplay: Mladen Kovačević Direktor fotografije / Director of Photography: Pablo Ferro Montaža / Editor: Nataša Damnjanović Muzika / Music: Nemanja Mosurović Zvuk / Sound: Aleksandar Protić Producent / Producer: Mladen Kovačević Produkcija / Production: Horopter Film Production, Serbia; Helmi Films, Finland Kontakt / Contact: Horopter Film Production Vardarska 12, 11000 Belgrade, Serbia + 381 11 715 28 90, info@horopter.rs, http://www.horopter.rs/ Filmografija / Filmography: 2013 - ANPLAGD / UNPLUGGED

(dokumentarni / documentary) 2012 - DUMBFOUNDED HOG

(dokumentarni / documentary)

Bijeg / Escape Priča govori o trima Romkinjama: jedna napušta roditelje i školu da bi se udala, druga je ostala sama s djevojčicom o kojoj se mora brinuti, dok treća ne može naći izlaz iz života ispunjenog zlostavljanjem i bolešću.

Srđan Keča je studirao režiju u školi dokumentarnog filma Ateliers Varan i na britanskoj Nacionalnoj školi filma i televizije, te sada živi i radi na relaciji Beograd - London. Srđan Keča je snimao filmove na Balkanu, u Velikoj Britaniji i na Bliskom Istoku. Neke od novijih nagrada uključuju Nagradu za najbolji film Centralne i Istočno Evropski na Jihlava međunarodnom filmskom festivalu 2012, Najbolji dokumentarni film na Festivalu kratkog filma London 2012, Cottbus nagradu za otkriće na Filmfestival Cottbusu 2011 (za film MIRAGE), Najbolji balkanski dokumentarni film na Dokufestu 2011 (za A LETTER TO DAD), kao i nominaciju za nagradu IDF Srebrno oko 2011.

E A story of three Roma women: one runs away from her parents and school to get married, one is abandoned with a little girl to take care of, and one cannot escape from a life of abuse and illness.

Srđan Keča studied filmmaking at the Ateliers Varan and the UK National Film and Television School, and he now lives and works between Belgrade and London. Srđan Keča made films in the Balkans, the UK, and the Middle East. Among his recent recognitions are Best Central and East European Documentary at Jihlava IDFF 2012, Best Documentary at London Short Film Festival 2012 and Cottbus Discovery Award at Filmfestival Cottbus 2011 (for MIRAGE), Best Balkan Documentary at Dokufest 2011 (for A LETTER TO DAD) and a 2011 IDF Silver Eye Award nomination.

SVJETSKA PREMIJERA / WORLD PREMIERE Serbia, Bosnia and Herzegovina, 2013, Colour, 23 min, Bosnian Režija / Director: Srđan Keča Scenarij / Screenplay: Srđan Keča Direktor fotografije / Director of Photography: Srđan Keča Montaža / Editor: Jelena Maksimović Muzika / Music: Molo Zvuk / Sound: Davor Keča, Jakov Munižaba Producent / Producer: Srđan Keča Produkcija / Production: UZROK Mileve Marić 34, 21000 Novi Sad, Serbia sk@uzrok.com Filmografija / Filmography 2013 - BIJEG / ESCAPE (dokumentarni / documentary) 2011 - MIRAGE (dokumentarni / documentary) 2011 - PISMO TATI / A LETTER TO DAD

(dokumentarni / documentary) 2006 - POSLIJE RATA / AFTER THE WAR

(dokumentarni / documentary)

COMPETITION PROGRAMME - DOCUMENTARIES l 19. Sarajevo Film Festival 47

The Cleaners / Čistači U Grčkoj, državi koja se suočava s finansijskom i društvenom propašću, neonacistička stranka Zlatna zora postaje glavni ispušni ventil za javni bijes. Iako su se uz vrlo tijesan rezultat registrirali za izbornu utrku, na opće iznenađenje dobijaju 7% glasova na izborima 2012. godine, te tako prvi put ulaze u grčki parlament. Ovaj film prati grupu članova Zlatne zore tokom njihove predizborne kampanje u centru Atine. Njihova ideologija mržnje i gnjeva, te njihova potraga za dežurnim krivcima zaposjedaju ulice grčke prijestolnice. Nezaustavljivi su u svojoj potjeri za “krivcima” za grčke nemire. Njima trebaju žrtve.

Konstantinos Georgousis je rođen 1980. u Atini, u Grčkoj. Diplomirao je društvenu antropologiju na univerzitetu Pantion u Atini. Godine 2007. je nastavio s postdiplomskim studijem iz vizualne antropologije i etnografskog dokumentarnog filma na Univerzitetu u Manchesteru, u Velikoj Britaniji.

Nakon što je otkrio ljubav prema dokumentarnom filmu, upisao je i Nacionalnu školu filma i televizije. Diplomirao je 2013. godine. Konstantinos Georgousis je snimao filmove i u Grčkoj, i u Velikoj Britaniji. Trenutno ga zanimaju društveni i politički aspekti grčke krize, te posebno uspon grčkog pokreta ekstremne desnice.

E In Greece, a country facing financial and social ruin, the neo-Nazi party Golden Dawn has become the prime outlet for public anger. From barely registering in previous elections they were catapulted to 7% of the popular vote in the 2012 election, entering the Greek parliament for the first time. The film follows a group of Golden Dawn members during their pre-election campaign in central Athens.

Their politics of hatred, resentment and their search for scapegoats haunt the streets of the Greek capital. They are relentless in hunting down the “guilty” for the Greek turmoil. They need victims.

Konstantinos Georgousis was born in Athens, Greece in 1980. He holds a degree in Social Anthropology from Pantion University, Athens. In 2007 he continued his postgraduate studies in Visual Anthropology and Ethnographic Documentary at the University of Manchester, UK. Having discovered his passion for documentary, he joined the National Film and Television School. He graduated from the school in March 2013. Konstantinos made films in Greece and in the United Kingdom. Currently, his focus is on social and political aspects of the Greek crisis and especially the rise of the Greek far-right movement.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Greece, 2012, Colour, 37 min, Greek Režija / Director: Konstantinos Georgousis Scenarij / Screenplay: Konstantinos Georgousis Direktor fotografije / Director of Photography: Konstantinos Georgousis Montaža / Editor: Radoslaw Sienski Zvuk / Sound: Ania Przygoda Producent / Producer: Konstantinos Georgousis Produkcija / Production: NFTS Station Road, Beaconsfield, HP9 1LG Buckinghamshire, United Kingdom + 441494 671234, +441494 674042, kgeorgoussis@gmail.com Filmografija / Filmography 2012 - THE CLEANERS (dokumentarni / documentary) 2011 - THE PARLIAMENT SQUARE DIARIES

(dokumentarni / documentary) 2011 - THE LAST WAR (dokumentarni / documentary) 2011 - KHAOS (dokumentarni / documentary) 2010 - SKIZAFTIKO (dokumentarni / documentary) 2010 - THE FESTIVAL (dokumentarni / documentary) 2010 - GATHERING (dokumentarni / documentary) 2010 - FORESEEING (dokumentarni / documentary)

Doğma ocaq / Moja obitelj, moji rođaci / My Kith and Kin Lolita u sebi nosi dvije različite kulture jer joj je majka Ruskinja, a otac Azerbejdžanac. Ovaj film je lirska priča koja oduzima dah: priča o djevojčici koja prvi put u svom životu odlazi u Azerbejdžan kako bi upoznala roditelje svog oca. Ona želi saznati što je više moguće o tradiciji, kulturi i moralu svojih rođaka iz Azerbejdžana. Njeno upoznavanje s Azerbejdžanom je glavni zaplet ovog dokumentarnog filma.

Rodion Ismailov je rođen u Azerbejdžanu. Diplomirao je 1998. na Državnom univerzitetu St. Petersburg na Odsjeku za kinematografiju i televiziju, specijalizirajući se za filmsku režiju. Ismailov je 1997. godine osnovao Deboshir Film Studio, te je od 2000. do 2005. godine bio predsjednik Fonda za nezavisnu kinematografiju St. Petersburg. Od 2009. radi kao režiser i producent u produkcijskom centru DC Film.

E Lolita is the one who bears two cultures, as her mother is Russian and her father is Azerbaijanian. This is a lyric and breathtaking story about a girl who goes to Azerbaijan for the very first time to meet her father’s parents. She wants to know as much as she can about tradition, culture and morals of her Azerbaijanian relatives. Her first acquaintance with Azerbaijan is the main plot of this documentary movie.

Rodion Ismailov was born in Azerbaijan. In 1998, he graduated from Saint Petersburg State University of Cinematography and Television, specialized in film-directing. Rodion Ismailov founded Deboshir Film Studio in 1997, and from 2000 till 2005, he was the president of Saint Petersburg Independent Cinema Fund. Since 2009 he has been the director and producer in the production centre DC Film.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Azerbaijan, 2012, Colour, 63 min, Azerbaijan, Russian Režija / Director: Rodion Ismailov Scenarij / Screenplay: Rodion Ismailov Direktor fotografije / Director of Photography: Mikhail Gorobchuk Montaža / Editor: Svetlana Lyadvina, Alla Davydova Muzika / Music: Vladimir Kuptsov Zvuk / Sound: Mikhail Alekseenkov Producent / Producer: Rodion Ismailov, Svetlana Dalskaya, Elchin Musaoglu Produkcija / Production: DC FILM, SINEMA EVI Kontakt / Contact: DC FILM, 4B, Yeni Yasamal 2, AZ1112 Baku, Azerbaijan +994124346423, +79153012402, dcfilmstudio@gmail.com Filmografija / Filmography 2012 - MY KITH AND KIN

(dokumentarni / documentary) 2010 - NOMADS (dokumentarni / documentary)

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Finding Family / U potrazi za porodicom Rođen u Sarajevu s vodom na mozgu i prognozom da će umrijeti nakon svega par mjeseci, napušten nakon rođenja, Oggi Tomić nije imao sretan početak života. Uprkos svemu i zahvaljujući ljubaznosti neznanaca, 27 godina kasnije Oggi je zdrav, sretno oženjen i živi u Velikoj Britaniji. Nakon što je djetinjstvo proveo u ratu, na ivici gladi i pod neprestanom opasnošću od granata, i kada se činilo da mu život kreće pravim tokom, Oggija poziva davno izgubljena porodica. To je trenutak o kojem svako siroče sanja. Ali stvari nisu baš jednostavne. Oggi saznaje da su članovi porodice, koju je cijeli život želio pronaći, isti oni „ljudi sa brda“ koji su Sarajevo držali pod opsadom 1300 dana.

Snažna i duboka priča o Oggijevom povratku u Bosnu i nevjerovatnom susretu s porodicom ispričana je u prvom licu. Priča o identitetu i osjećaju pripadnosti, ličnom i nacionalnom.

Chris Leslie je dobio posebnu nagradu za kurs “Majstori dokumentarne fotografije” u okviru projekta “Nada, sjećanja, gubitak i zajednica – predstavljajući skrivene priče o oporavku u Glasgowu”. Radio je za CNN na Haitiju nakon zemljotresa, a angažiran je u dugoročnim projektima snimanja stanja u državnim institucijama za djecu širom Istočne Evrope. Kao vizualni umjetnik, izlagao je fotografije te multimedijalne i društveno angažirane dokumentarne projekte širom Velike Britanije i Evrope.

Oggi Tomić, koji živi u Cambridgeu, višestruko je nagrađivani snimatelj, sineast i fotograf. Diplomirao je na Međunarodnoj filmskoj školi u Walesu. Rođen je 1985. u Bosni i živio je u Domu za nezbrinutu djecu Bjelave tokom opsade Sarajeva. Dobio je brojne nagrade za svoj rad, uključujući nagrade na Sarajevo Film Festivalu, Sheffield Doc/Festu, Irskom filmskom festivalu Corona, Ffreshu, i Grierson Trustu. Specijalizirao se za kamermana, montažera i producenta dokumentaraca i promotivnih filmova.

E Born in Sarajevo, with water on the brain, abandoned at birth and given just months to live, Oggi

Tomić did not get the best start in life. However 27 years later, against the odds, and through the kindness of strangers, he is alive, well and happily married in the UK. After a war torn childhood, plagued by near starvation, shelling, it seems like everything is finally falling into place for Oggi, until one day he receives a call from his long-lost family. It’s the moment every orphan waits for. There’s just one thing. It turns out the family he has waited his entire life to hear from are in fact the same ‘Men in the Hills’ who laid seige to Sarajevo for 1300 days.

A powerful and profound first-person narrative that follows Oggi as he heads back to Bosnia for this extraordinary family reunion. This is a story of identity and belonging, on an individual and national level.

Chris Leslie gained a distinction award for a Masters in Documentary Photography course for his project „Hope, memories, loss and community – telling hidden stories of regeneration throughout Glasgow.“He was documenting post earthquake Haiti for CNN, and working on a long-term project of documenting state institutions for children across Eastern Europe. As a visual artist he has exhibited photography, multimedia and social documentary projects across the UK and Europe.

Oggi Tomić is a Cambridge based, award winning cinematographer, filmmaker and photographer. He has a degree from the International Film School of Wales. He was born in Bosnia in 1985 and lived at “Dom Bjelave” –a publicly run home for abandoned children-during the siege of Sarajevo. Oggi’s most recent achievements include awards from the Sarajevo Film Festival, Sheffield Doc/Fest, the Irish Corona Film Festival, Ffresh and Grierson Trust. He specialises as a camera operator, editor and in producing documentaries and promotional films.

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SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, United Kingdom, 2013, Colour, 56 min, Bosnian, English Režija / Director: Chris Leslie, Oggi Tomić Scenarij / Screenplay: Chris Leslie, Oggi Tomić Direktor fotografije / Director of Photography: Chris Leslie Montaža / Editor: Jim Allison Muzika / Music: Max Ritcher Zvuk / Sound: Savalas Team Producent / Producer: Garret Tankosic - Kelly, Carol Cooke Produkcija / Production: OH! Films C/O Brdo Džamija 6, 71000 Sarajevo, Bosnia and Herzegovina +38763582820, +38733213716, garret@ohfilms.com, garret.tankosic.kelly@gmail.com, www.ohfilms.com/documentary-film Filmografija / Filmography 2013 - FINDING FAMILY

Gangster te voli / Gangster of Love Provodadžija Nediljko Babić, poznatiji kao Gangster, pomaže samohranoj majci Bugarki da pronađe novog muža u Hrvatskoj. Međutim, serija komičnih, ali i katastrofalnih sastanaka otkriva pravu prirodu konzervativnih hrvatskih muškaraca: oni bi radije umrli sami, nego se oženili strankinjom koja već ima dijete.

Nebojša Slijepčević je rođen 1973. u Zagrebu. Diplomirao je 2005. na Odsjeku za režiju Akademije dramskih umjetnosti u Zagrebu. Režirao je brojne televizijske dokumentarce i serije, a surađivao je u kreativnim i autorskim dokumentarnim filmovima, za koje je dobio nagrade na brojnim festivalima, uključujući Zlatnog prosjaka u Košicama (Slovačka), EDN Talent Grant Sarajevo Film Festivala, Nagradu za ljudska prava Sarajevo Film Festivala, nagradu za najboljeg režisera na Verona Film Festivalu i Nagradu publike na ZagrebDoxu. Njegov novi film, GANGSTER TE VOLI, premijerno je prikazan na otvaranju ZagrebDoxa 2013, gdje je osvojio Nagradu publike za najbolji film. Međunarodna premijera filma održana je na festivalu Hot Docs 2013, dok je evropska premijera održana u okviru Takmičarskog programa dokumentarnog filma na filmskom festivalu u Karlovim Varima 2013.

E Matchmaker Nediljko Babić, also known as “Gangster,” helps a Bulgarian single mother find a new husband in Croatia. But a series of comically disastrous dates discloses the true nature of conservative Croatian men: they would rather die alone than marry a foreigner with a child.

Nebojša Slijepčević was born in 1973 in Zagreb, Croatia. In 2005, he completed his studies in Film Directing at the Academy of Dramatic Art in Zagreb. He directed numerous TV documentaries and series, but he also worked on creative and author-driven documentaries, for which he received awards from various festivals, including the Golden Beggar in Košice, Slovakia, EDN Talent Grant at the Sarajevo Film Festival, Human Rights Award at the Sarajevo Film Festival, Best Director at the Verona Film Festival, Audience Award at the Zagreb Dox. His new film GANGSTER OF LOVE premiered as the opening film of the 2013 of Zagreb Dox, where it won the Audience Award for Best Film.

International premiere of the film took place at the 2013 Hot Docs, while thefilm had its European premiere as a part of the documentary competition of the 2013 Karlovy Vary International Film Festival.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Croatia, Germany, Romania, 2013, Colour, 80 min, Croatian, German Režija / Director: Nebojša Slijepčević Scenarij / Screenplay: Nebojša Slijepčević, Vanja Jambrović Direktor fotografije / Director of Photography: Nebojša Slijepčević Montaža / Editor: Nebojša Slijepčević, Iva Kraljević Zvuk / Sound: Vlada Božić, Milan Čekić Producent / Producer: Vanja Jambrović Produkcija / Production: Restart, Trg Vladka Mačeka 1, 10000 Zagreb, Croatia +385 91 8930675, vanja@restarted.hr, www.restarted.hr Kontakt / Contact: Rise and Shine world sales, Schlesische Straße 29/30, 10997 Berlin, Germany +49 30 4737 298 0, +49 30 4737 298 20, stefan.kloos@kloosundco.de, www.kloosundco.de/en/worldsales/ Filmografija / Filmography 2013 - KUTIJA / BOXED, (kratki / short) 2013 - GANGSTER TE VOLI / GANGSTER OF LOVE

(dokumentarni / documentary) 2012 - MUŠKI FILM / REAL MAN’S FILM

(dokumentarni / documentary) 2011 - PAS/ZEC / DOG/RABBIT (animirani / animation) 2009 - ŠAMAR / SLAP IN THE FACE (kratki / short) 2007 - ZA 4 GODINE / IN 4 YEARS

(dokumentarni / documentary) 2004 - 2005 - CITY FOLK – ZAGREB; EBU-HRT,

(dvije dokumentarne epizode /

two documentary episodes) 2002 - 2009 - DIREKT

(dokumentarna serija / documentary series) 2000 - O KRAVAMA I LJUDIMA / OF COWS AND PEOPLE

(dokumentarni / documentary)

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Ja kada sam bila klinac, bila sam klinka / When I Was a Boy, I Was a Girl Goca je transvestit u Beogradu, glavnom gradu države u kojoj je organiziranje ili učestvovanje u gay paradi ponosa zabranjeno. Odgaja kćerku koja je, ustvari, njena nećakinja. Iako joj njen osamnaestogodišnji momak stalno krade novac koji ona zarađuje kao prostitutka i time rizikuje živu glavu, Goca ga ipak voli i uspijeva sačuvati svoj pozitivan i otvoren pogled na svijet. Na svoj trideset deveti rođendan odlučuje otvoreno progovoriti o svojoj seksualnosti na sceni, pred publikom. Tako im ispriča svoju životnu priču: ‘Ja kada sam bila klinac, bila sam klinka’. Tekst ovog kabaretskog nastupa je napisala Goca lično, uz pomoć dramaturginje Olge Dimitrijević.

Par mjeseci nakon završetka snimanja, Goca je počela raditi kao aktivista za prava transseksualaca u Srbiji. Napustila je prostituciju, i još uvijek je u potrazi za srodnom dušom. Njena nećakinja se u međuvremenu udala.

Ivana Todorović je autorica dokumentarnih filmova iz Beograda. U svom radu je potpuno posvećena borbi za društvene promjene. Kao kamermanka i režiserka, provodi jako puno vremena u životima svojih likova i ulazi u suštinu njihovih života. Ovo stilistički rigorozno putovanje u stilu filmske škole „cinéma vérité” uvlači publiku u živote onih koji su odgurnuti na marginu mainstream medija i društva.

Filmovi Ivane Todorović su prikazani na brojnim američkim i evropskim festivalima, poput Traverse City Festivala u Rotterdamu, Palm Springs International Shortfestu, filmskom festivalu u Cannesu (Američki paviljon, Kutak kratkog filma) te osvojili nagrade u SAD-u, Rusiji, Srbiji, Italiji i Kanadi. Film A HARLEM MOTHER je korišten u medijskim kampanjama protiv oružanog nasilja u New Yorku, dok su filmovi RAPRESENT i ROMSKA DECA IZ BLOKA 71 često korišteni u nastavnom planu i programu osnovnih i srednjih škola u Srbiji.

E Goca is a transvestite in Belgrade, the capital city of a country where organising or participating in a gay pride parade is forbidden. She is raising a daughter who is actually her niece. Although her eighteen year-old boyfriend steals the money she risks life and limb to earn as a sex worker, Goca still loves him and manages to retain her sunny, open-minded nature. On her thirty-ninth birthday she decides to celebrate her coming-out on stage in front of a live audience. And so she tells them the story of her life: “When I was a boy, I was a girl.” The text in this cabaré was written by Goca herself, and playwright Olga Dimitrijević.

A months after film was made Goca started to work as an actvist for transsexual issue in Serbia, she left sex work and still search her soul mate. Her niece got married.

Ivana Todorović is a documentary filmmaker from Belgrade, Serbia, with a passion for social change.

As a camerawoman and director, she spends a lot of time in the life of her characters and captures essences of their lives. This stylistically rigorous cinéma vérité journey takes the audience into the lives of those who have been pushed to the margins in mainstream media and society.

Ivana’s films have been shown in a number of US and European festivals, such as Traverse City Festival, Rotterdam, The Palm Springs International Shortfest, the Festival de Cannes (American Pavilion, Short film Corner), etc and won acclaim in USA, Russia, Serbia, Italy, Canada. Film A HARLEM MOTHER is used in media campaigns against youth gun violence in New York and films RAPRESENT and EVERYDAY LIFE OF ROMA CHILDREN FROM BLOCK 71 are often used as part of the educational curriculum in primary and high schools in Serbia.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Serbia, 2013, Colour, 30 min, Serbian Režija / Director: Ivana Todorović Direktor fotografije / Director of Photography: Ivana Todorović Montaža / Editor: Jelena Maksimović Muzika / Music: Draško Adžić Zvuk / Sound: Danijel Milošević Producent / Producer: Miodrag Milošević Produkcija / Production: Academic Film Center, Students Cultural City Akademski Filmski Centar – Dom kulture, Studentski grad, Novi Beograd, Serbia +381 112671525, office@dksg.rs Filmografija / Filmography 2013 - JA KADA SAM BILA KLINAC, BILA SAM KLINKA /

WHEN I WAS A BOY, I WAS A GIRL 2010 - A HARLEM MOTHER 2008 - RAPRESENT 2006 - ROMSKA DECA IZ BLOKA 71 / EVERYDAY LIFE OF

ROMA CHILDREN FROM BLOCK 71

Jugoslavija, kako je ideologija pokretala naše kolektivno telo / Yugoslavia, How Ideology Moved Our Collective Body Film se bavi izvođenjem ideologije u javnom prostoru, putem masovnih performansa. Autorica je analizirala filmske i videozapise iz poslijeratnog perioda Jugoslavije (1945-2000), fokusirajući se na masovne državne izvedbe (omladinske radne akcije, prvomajske parade, proslave Dana mladosti...), kao i na javne proteste (‘68, studentske i građanske demonstracije 90-ih godina; revoluciju 5. oktobra 2000...). Prolazeći kroz medijske slike, film (re)konstruira postepeno iscrpljivanje komunističke ideologije kroz promjene odnosa između ljudi, ideologije i države. Film se završava pred vratima savremene demokratije i neoliberalnog kapitalizma u Srbiji, tražeći da promislimo zašto su građani tako lako napustili zamisli socijalističkog kolektivizma, bratstva i jedinstva, radničkih prava i besplatnog obrazovanja zbog, ponajprije, nacionalizma i rata, a zatim i obećanja slobode i demokratije, za koje se ispostavilo da znače individualizam i „divlji“ kapitalizam.

Marta Popivoda je rođena 1982. u Beogradu. Bavi se filmom, videom i kulturnim radom. Završila je filmsku režiju na Fakultetu dramskih umjetnosti u Beogradu, kao i postdiplomske studije iz eksperimentalnog filma na Univerzitetu umjetnosti u Berlinu. Članica je uredničkog kolektiva TkH (Teorija koja hoda), u okviru kojeg je inicirala i učestvovala u brojnim lokalnim i međunarodnim umjetničkim i kulturnim projektima (kao što je ilegalni bioskop). Njen posljednji film, JUGOSLAVIJA, KAKO JE IDEOLOGIJA POKRETALA NAŠE KOLEKTIVNO TELO, premijerno je prikazan na 63. izdanju Festivala Berlinale.

E The film deals with the question of how ideology performs itself in public space through mass performances. The author collected and analysed film and video footage from the period of postwar Yugoslavia (1945-2000), focusing on mass state performances (youth work actions, May Day parades, celebrations of Youth Day, etc.) as well as public protests (1968, student and civic demonstrations in the 1990s, 5 October 2000 revolution, etc.). Going back through the images, the film traces how communist ideology was gradually exhausted through the changing relations between the people, ideology and the state. The film ends at the doors of contemporary democracy and neoliberal capitalism in Serbia, demanding that we reflect on why citizens abandoned so easily the ideas of collectivism, brotherhood and unity, workers rights and free education, replacing them first with nationalism and war and then with a promise of freedom and democracy which instead turned out to be individualism and “wild” capitalism.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Serbia, France, Germany, 2013, Colour and B&W, 62 min, Serbian, English Režija / Director: Marta Popivoda Scenarij / Screenplay: Ana Vujanović, Marta Popivoda Montaža / Editor: Nataša Damnjanović Zvuk / Sound: Jakov Munižaba Producent / Producer: Marta Popivoda, Alice Chauchat Produkcija / Production: Teorija koja Hoda / TkH (Walking Theory) (RS); Les Laboratoires d’Aubervilliers (FR); Universität Kontakt / Contacts: Teorija koja Hoda / TkH (Walking Theory), Kraljevića Marka 4, 11 000 Belgrade, Serbia marta.popivoda@tkh-generator.net, www.tkh-generator.net Filmografija / Filmography 2013 - JUGOSLAVIJA, KAKO JE IDEOLOGIJA POKRETALA

NAŠE KOLEKTIVNO TELO / YUGOSLAVIA, HOW

IDEOLOGY MOVED OUR COLLECTIVE BODY

(dokumentarni / documentary) 2013 - KULTURNI RADNIK/CA 3 U 1 / CULTURAL

WORKER 3 IN 1 (dokumentarni / documentary) 2011 - ČUVAR / THE GUARD (kratki / short)

Marta Popivoda was born in 1982 in Belgrade. She is a film and video maker and a cultural worker.

She graduated with a degree in film directing at the Academy of Dramatic Arts in Belgrade and has a graduate degree in experimental film from the Berlin University of the Arts. She is a member of the editorial collective TkH (Walking Theory) and as such has initiated and participated in various local and international art and cultural projects (such as illegal_cinema). Her latest film YUGOSLAVIA, HOW IDEOLOGY MOVED OUR COLLECTIVE BODY debuted at the 63rd Berlinale.

COMPETITION PROGRAMME - DOCUMENTARIES l 19. Sarajevo Film Festival 53

Lud za tobom / Crazy about You Film prati živote pacijenata u Zavodu za mentalno zdravlje “Komanski most” tokom jedne godine. U hiperrealističkom maniru, film se bavi najintimnijim aspektima njihovih života. Kroz različite situacije – komične, šokantne i tužne – junaci ovog filma otkrivaju svoje svjetove koji su paralelni s našim, tzv. normalnim. Tema je, prvenstveno, bazirana na dramatičnoj ljubavnoj priči Ismeta i Vladane, nekadašnjih ljubavnika koji su još uvijek u tajnoj vezi, uprkos tome što su, u međuvremenu, pronašli nove partnere.

Danilo Marunović je rođen 1986. u Podgorici. Pozorišnim komadom Eugènea Labichea “Dajte da se zagrlimo, Folvile” je završio osnovne studije pozorišne režije na Fakultetu dramskih umjetnosti na Cetinju. Režirao je dokumentarne filmove SAD SONG, MONTENEGRIN BEAUTY, EVROPA U MOM GRADU i LUD ZA TOBOM. Radio je na nekoliko muzičkih i TV spotova, od kojih je najznačajniji „Mi smo dio ekipe“, spot koji afirmira prava LGBT osoba. Od 2009. godine vodi organizaciju Koala production.

E The film follows the lives of residents in an institution for people with mental disabilities “Komanski most” for a year. In a hyper-realistical way, the film deals with the most intimate aspects of their lives, and through different situations, comical, shocking and sad, the heroes of the film reveal their different world, parallel to ours, so to speak normal. The story is based mostly on a dramatic love story between Ismet and Vladana, the residents who are ex partners, but still in a secret relatioship, despite being with their present partners.

Danilo Marunović was born in 1986 in Podgorica. He graduated from the Department of Theatre Directing at the Faculty of Performing Arts in Cetinje with the play “Let us hug, Folleville” by Eugène Labiche. He has directed the documentary films SAD SONG, MONTENEGRIN BEAUTY, EUROPE IN MY TOWN and CRAZY ABOUT YOU. He has worked on a number of music and TV videos, most notably WE ARE PART OF THE TEAM—a video affirming the rights of the LGBT community. Since 2009, he has been leading the organization of the Koala production.

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SVJETSKA PREMIJERA / WORLD PREMIERE Montenegro, 2013, Colour, 50 min, Montenegrin Režija / Director: Danilo Marunović Scenarij / Screenplay: Danilo Marunović Direktor fotografije / Director of Photography: Vladimir Vučinić Montaža / Editor: Igor Bakić Muzika / Music: Danilo Marunović, Igor Bakić Producent / Producer: Danilo Marunović Produkcija / Production: Koala production Vaka Đurovića, br 5, 81 000 Podgorica, Montenegro 0028269221149, danilomarunovic@yahoo.com Filmografija / Filmography 2013 - SLOBODA I JA (dokumentarni / documentary) 2011 - MONTENEGRIN BEAUTY

(dokumentarni / documentary) 2010 - TUŽNA PJESMA (dokumentarni / documentary) 2010 - EVROPA U MOM GRADU

(dokumentarni / documentary)

Mama Europa / Mother Europe „Misliš li da ptice znaju šta su granice?,“ pita mama kćerku. „Ne,“ odgovori ona. „Kako ti znaš šta su?“ – „Znam to jer sam ljudsko biće!“, odgovori ona, kao da je u pitanju nešto očigledno. MAMA EUROPA je intiman dijalog između majke i njene petogodišnje kćerke, Terre. S obzirom da dolazi iz međuprostora, granice koja dijeli bivšu Jugoslaviju od Zapada, Terra odrasta kao građanka svijeta, ali je spoznala granice onog momenta kada je razumjela da je automobil njene porodice njena dnevna soba. Putovanje kroz Južnu Evropu je prilika za Terru da svojim roditeljima predstavi svoje jedinstveno viđenje svijeta. Punk bend, pustinjak gurman, neki ribari i stogodišnji muškarac su likovi u ovom porodičnom filmu o putovanju poput bajke. Terra će naučiti jako puno o prirodi, državama, politici, historiji „Mame Evrope“ i svim razlikama koje stvaraju granice među ljudima, ali će također biti još više uvjerena da je „planeta Zemlja važnija od svega drugog“.

Petra Seliškar & Brand Ferro su strasni pregaoci dokumentarnog filma. Svoje živote su posvetili isključivo dokumentarcima i malim životnim zadovoljstvima. Petra je rođena u Ljubljani deset godina nakon Branda, koji je rođen u Skopju. Oboje već neko vrijeme rade u filmskoj industriji. Godine 2003. osnovali su svoju produkcijsku kuću, Petra Pan Productions u Sloveniji i Makedoniji. Godine 2010. su pokrenuli jedinstveni festival kreativnog dokumentarnog filma, Make Dox, u Makedoniji. Brand Ferro i Petra Seliškar od tada rade kao kreativni tandem. Njihova stvaralačka snaga se može vidjeti u dokumentarcu THE GRANDMOTHERS OF REVOLUTION, koji je izabran za Međunarodni dokumentarni festival Amsterdam, takmičenje Joris Evens, prikazan je širom svijeta te je dobio i brojne nagrade.

E “Do you think birds know what a border is?”, mum asked her daughter. “No”, she answered. “How

come do you know what it is?”. “Because I am human!”, she answered as if it was obvious. MOTHER EUROPE is an intimate conversation between a mother and her 5 year old daughter Terra. Coming from an in-between place, on the border that divides former Yugoslavia from the Western world, Terra has grown up as a citizen of the world, but got to know borders as soon as she understood that her family car was her living room. A journey through Southern Europe with her family is the occasion for Terra to confront her peculiar vision of the world with her parents. A punk band, a gourmet hermit, some fishermen and a hundred year old man are the characters of a family road movie with the taste of a fairy tale. Terra learns a lot about nature, countries, politics, the history of “Mama Europe” and all the differences that create borders between people, so she is even more convinced that”…the Earth is more important then anything else.”

Participated at Docu Rough Cut Boutique, 2011

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Slovenia, Macedonia, Croatia, 2013, Colour and B&W, 90 min, Slovenian Režija / Director: Petra Seliškar Scenarij / Screenplay: Petra Seliškar, Terra Ferro Seliškar Direktor fotografije / Director of Photography: Brand Ferro Montaža / Editor: Katrin Ebersohn Muzika / Music: Vladimir Rakić Zvuk / Sound: Vladimir Rakić Producent / Producer: Petra Seliškar & Brand Ferro Produkcija / Production: Petra Pan FILM &PPFP Dunajska195, 1000, Ljubljana, Slovenia petra@petrapan.com, www.petrapan.com Filmografija / Filmography: 2013 - MAMA EUROPA (dokumentarni / documentary) 2011 - 20 YEARS OF MACEDONIA

(dokumentarna serija / documentary series) 2010 - 18 MEALS (korežiseri sa Jorhe Coirom /

co-director with Jorhe Coira) 2006 - THE GRANDMOTHERS OF REVOLUTION

(dokumentarni / documentary) 2002 - WINDOW (kratki / short) 2001 - FROM THE DUST OF THE SUN’S RAYS (kratki

dokumentarno-igrani / short documentary fiction) 2001 - CON –FUSION (dokumentarni / documentary) 1999 - ILLUSION (kratki/ short)

Petra Seliškar & Brand Ferro are both passionate documentary filmmakers who have devoted their work entirely to documentaries and small life pleasures. Petra was born in Ljubljana, Slovenia, ten years after Brand, who was born in Skopje, Macedonia. They have been working in the film industry for some time. In 2003 they established their production company, Petra Pan Productions in Slovenia and in Macedonia. In 2010 they also established a unique festival of creative documentary film Make Dox in Macedonia. Brand Ferro and Petra Seliškar have worked as creative tandem ever since. Their creative strength can be seen in their documentary THE GRANDMOTHERS OF REVOLUTION, that has been selected for International Documentary Festival Amsterdam, Joris Evens Competition, and has traveled all over the world, receiving many awards.

COMPETITION PROGRAMME - DOCUMENTARIES l 19. Sarajevo Film Festival 55

O manavis / Piljar / The Grocer Nikos Anastasiou, grčki putujući piljar, kreće se istom rutom sa svojom suprugom Sophiom od 1980.

Jednom sedmično, tokom cijele godine, polazeći iz grada Trikala, obilaze napuštena sela na jugozapadu planina Pindos, udaljena 75 kilometara. Posljednjih par godina im pomažu njihova dva sina, Kostas i Thimios. Ovaj dokumentarac prati njihov put u sva četiri godišnja doba.

Dimitris Koutsiabasakos je rođen 1967. Studirao je televizijsku i filmsku režiju na institutu VGIK u Moskvi. Radio je za televiziju i film, režirajući dokumentarne serije, kratkometražne i dugometražne filmove. Njegovi filmovi su dobili i domaće i međunarodne nagrade.

E Nikos Anastasiou, a Greek travelling grocer, has been making the same itinerary with his wife Sophia since 1980. Once a week, all year long, starting from the city of Trikala they visit the abandoned villages of the southwestern Pindos mountains, a 75 kilometer drive. In the past few years, their two sons Kostas and Thimios help them. This documentary follows their trip during the four seasons of the year.

Dimitris Koutsiabasakos was born in 1967 and studied television and film direction and at VGIK, Moscow. He has worked for television and cinema, directing documentary serials, short and feature films. His works have been received national and international awards.

56 19. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - DOKUMENTARNI FILM

REGIONALNA PREMIJERA / REGIONAL PREMIERE Greece, 2013, Colour, 81 min, Greek Režija / Director: Dimitris Koutsiabasakos Scenarij / Screenplay: Dimitris Koutsiabasakos Direktor fotografije / Director of Photography: Harris Farros Montaža / Editor: Apostolis Agrogiannis Producent / Producer: Dimitris Koutsiabasakos Produkcija / Production: KinoLab Agapinoros 19, Agia Paraskevi,153 43 Athens, Greece +302103461727, Dimitris@koutsiabasakos.gr, www.koutsiabasakos.gr Filmografija / Filmography 2013 - THE GROCER (dokumentarni / documentary) 2006 - THE GUARDIAN’S SON 1998 - HILL 33 (kratki / short) 1997 - HERCULES, ACHELOOS AND MY GRANNY

(dokumentarni / documentary) 1995 - THE BRIDGE (kratki / short) 1993 - YOUNG RUSSIANS

(dokumentarni / documentary) 1992 - HIS BELOVED ONES (kratki / short) 1990 - THE TRAIN CLERK (kratki / short)

Meine Keine Familie /Moji očevi, moja majka i ja /My Fathers, My Mother & Me Zajedničko vlasništvo, seksualne slobode, raspad nuklearne porodice - ovo su osnovni principi Friedrichshofa, najveće komune u Evropi, koju je osnovao bečki aktivista Otto Mühl početkom sedamdesetih.

U filmu MY FATHERS, MY MOTHER & ME, režiser Paul Julien Robert, inače rođen u ovoj komuni, kreće na autentično putovanje u vlastitu prošlost. Prikazujući arhivski materijal, koji je prvi put javno prikazan u ovom filmu, režiser suočava samog sebe i svoju majku sa pitanjem: “Šta je porodica?”

Paul-Julien Robert je rođen u Parizu 1979. Odrastao je u Austriji i Švicarskoj. Od 1998. studirao je na Akademiji likovnih umjetnosti u Beču, na Odsjeku za konceptualnu umjetnost, te na Univerzitetu za umjetnost u Berlinu. Magistrirao je 2003. na Akademiji likovnih umjetnosti u Beču. Učestvovao je u brojnim individualnim i grupnim izložbama fotografije. Režira kratke i dokumentarne filmove.

E Communal property, free sexuality, dissolution of the nuclear family – these were the basic principles of the Friedrichshof, the largest commune in Europe founded by the Viennese Actionist Otto Mühl at the beginning of the 1970s.

In MY FATHERS, MY MOTHER & ME, the director Paul-Julien Robert, who was born into this commune, embarks on a personal journey into his past. Including archive material made public for the first time in this film, the director confronts himself and his mother with the question “What is family?”

Paul-Julien Robert was born in Paris in 1979, and he grew up in Austria and Switzerland. From 1998, he has studied at the Academy of Fine Arts Vienna, department of conceptual art and at the Berlin University of the Arts, and in 2003, he receiveed his MA at the Academy of Fine Arts Vienna. He had numerous solo and group photo exhibitions and he directs shorts and documentaries.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Austria, 2012, Colour, 93 min, German Režija / Director: Paul-Julien Robert Scenarij / Screenplay: Paul-Julien Robert Direktor fotografije / Director of Photography: Klemens Hufnagl, Fritz Ofner Montaža / Editor: Oliver Neumann Muzika / Music: Walter Cikan, Marnix Veenenbos Zvuk / Sound: Sebastian Meise, Oliver Neumann, Till Rollinghof Producent / Producer: Oliver Neumann, Sabine Moser Produkcija / Production: FreibeuterFilm Ziegelofengasse 37/1/9, 1050 Vienna, Austria, +43 720 346510, +43 720 346510-99, welcome@freibeuterfilm.at, www.freibeuterfilm.at Kontakt / Contact: filmdelights, Lindengasse 25/10, 1070 Wien +43 1 944 30 35, +43 1 944 30 35, auderlitzky@filmdelights.com, www.filmdelights.com Filmografija / Filmography 2012 - MEINE KEINE FAMILIE

(dokumentarni / documentary) 2006 - DER AFFE BEIßT, DER MENSCH ERZIEHT

(kratki / short) 2005 - ERLEBT (kratki / short) 2002 - GOOD MORNING SIR (kratki / short)

COMPETITION PROGRAMME - DOCUMENTARIES l 19. Sarajevo Film Festival 57

Pacijent / Patient Film je narativna dokumentarna priča o stanju pacijenta prije, za vrijeme i nakon operacije srca.

Riječ je o filmu atmosfere koji prikazuje univerzalno stanje u kojem se može naći svaki čovjek. Film PACIJENT je inspiriran Kantovom mišlju: “Šta mogu znati, šta moram raditi, čemu se mogu nadati? Šta je čovjek?”

Zdenko Jurilj je novinar koji već 17 godina radi u tiskanim medijima i na radiju. Posljednjih 15 godina radi u “Večernjem listu” kao novinar reporter. Pisao je scenarije i režirao šest dokumentarnih filmova.

E The film is a narrative documentary about the state of the patient before, during and after heart surgery. This is an atmosphere film that represents a universal condition that could happen to anyone. PATIENT is inspired by Immanuel Kant’s thought: “What can I know? What ought I do? For what may I hope? What is it to be human?”

Zdenko Jurilj is a journalist who has been working for 17 years in print media and on the radio.

For the past 15 years he has worked at Večernji List as a reporter. He has written screenplays and directed six documentary films.

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SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2013, Colour, 24 min, Croatian Režija / Director: Zdenko Jurilj Scenarij / Screenplay: Zdenko Jurilj Direktor fotografije / Director of Photography: Antoni Ćorić Montaža / Editor: Tomislav Topić Producent / Producer: Tomislav Bubalo Produkcija / Production: Kadar Film & Video Production Trg širokobrijeških žrtava 1; 88220 Široki Brijeg +387 39 706 992; kadarsb@gmail.com Filmografija / Filmography 2013 - RING OF LIFE / KOLO ŽIVOTA

(dokumentarni / documentary) 2013 - PACIJENT / PATIENT

(dokumentarni / documentary) 2013 - BOLNICA INKOGNITO / HOSPITAL INCOGNITO

(dokumentarni / documentary) 2012 - U IŠČEKIVANJU JUŽINE / WAITING FOR THE

SOUTH WIND (dokumentarni / documentary) 2011 - 3 DANA / 3 DAYS

(dokumentarni / documentary) 2010 - LET IZNAD MINSKOG POLJA / FLIGHT OVER THE

MINEFIELD (dokumentarni / documentary) 2001 - SPORI JAHAČI / SLOW RIDERS

(dokumentarni / documentary)

Presuda / The Verdict Šesnaest godina nakon rata na glavnom zagrebačkom trgu okupilo se nekoliko hiljada ljudi kako bi gledali televizijski prijenos izricanja prvostepene presude hrvatskim generalima. U nizu krupnih kadrova film prati erupciju emocija izazvanih presudom. Đuro Gavran rođen je 1982. u Bjelovaru. Magistrirao je filmsku i televizijsku režiju (smjer dokumentarni film) na Akademiji dramske umjetnosti u Zagrebu. Diplomirao je na Grafičkom fakultetu u Zagrebu. Autor je pet dugometražnih dokumentarnih filmova i dva eksperimentalna filma. Za najnoviji film VELIKI DAN osvojio je Grand Prix i nagradu za najbolju režiju na Danima hrvatskog filma 2012, kao i nagradu publike na DOKU art festivalu u Bjelovaru. Kao snimatelj je radio na dokumentarnim filmovima. Član je ULUPUH-a (Udruga likovnih umjetnika primijenjenih umjetnosti u Hrvatskoj) od 2008. Izlagao je na tri samostalne i tridesetak skupnih domaćih i međunarodnih izložbi.

E Sixteen years after the war, in the main square of Zagreb several thousand people gathered to watch a live broadcast of the verdict to Croatian generals. Through a series of close-ups, the film documents the eruption of emotions caused by the verdict.

Đuro Gavran was born in 1982 in Bjelovar. He is an MA graduate in film and television directing (documentary film) at the Academy of Dramatic Arts in Zagreb. He graduated from the Faculty of Graphic Arts at the University of Zagreb. He is the author of five documentary features and two experimental films. For his latest film, THE BIG DAY, in 2012 he received a Grand Prix and the Award for Best Directing at the Days of Croatian Film and the Audience Award at the DOKUart festival in Bjelovar. As a cinematographer he has worked on documentary films. Since 2008 he has been a member of ULUPUH (Croatian Association of Artists in Applied Arts. He has held three individual and about thirty collaborative national and international exhibitions.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Croatia, 2013, Colour, 11 min, Croatian Režija / Director: Đuro Gavran Direktor fotografije / Director of Photography: Pavel Posavec, Nikola Sučević, Tamara Duganđija, Đuro Gavran Montaža / Editor: Iva Mrkić Zvuk / Sound: Danijel Peić Producent / Producer: Miljenka Čogelja Produkcija / Production: PIPSER d.o.o.

Zoričić Square 5, 10000 Zagreb, Croatia, +385 98 1688 358, djuro@pipser.hr, http://www.pipser.hr Filmografija / Filmography 2013 - PRESUDA / THE VERDICT

(dokumentarni / documentary) 2012 - VELIKI DAN / THE BIG DAY

(dokumentarni /documentary) 2012 - PEDALA NIJE ŠALA / PEDAL IS NOT A JOKE

(TVdokumentarni /TV documentary) 2011 - KELTI / CELTS (dokumentarni / documentary) 2011 - HTJELI SMO RADNIKE, A DOŠLI SU NAM LJUDI /

WE WANTED WORKERS, WE GOT PEOPLE

(dokumentarni / documentary) 2010 - BOJAN / BOJAN (dokumentarni / documentary) 2012 - LIJEPA NAŠA DOMOVINO / OUR BEAUTIFUL

HOMELAND (eksperimentalni / experimental) 2005 - STAKLENA BALERINA / GLASSBALLETDANCER

(eksperimentalni / experimental)

COMPETITION PROGRAMME - DOCUMENTARIES l 19. Sarajevo Film Festival 59

Regina Životna priča Regine Jonas, prve žene rabina na svijetu, rekonstruirana je na temelju jedne jedine fotografije, uz poseban način korištenja arhivskog materijala. Inspirirana je i knjigom Elise Klapheck, “Fräulein Rabbiner Jonas – priča o prvoj ženi rabinu”. Nastao je poetičan dokumentarni film o nevjerovatnoj borbi, posvećenosti, vjeri i ljubavi jedne žene.

Regina Jonas je živjela u Berlinu tridesetih godina prošlog stoljeća, kada po zakonima judaizma žena nije mogla biti rabin. Godine 1935. uspjela je pronaći liberalnog rabina koji je pristao zarediti.

Možda je ironija sudbine bila ta da je uspjela dobiti sinagogu u vrijeme kada je većina njenih kolega ili emigrirala ili bila uhapšena. Kad joj je bilo 37 godina, upoznala je ljubav svog života, rabina Josefa Nordena. Njihova ljubavna pisma su jedino što je nadživjelo Holokaust.

Diana Groó je rođena 1973. u Budimpešti, gdje je diplomirala francuski i hebrejski jezik na Fakultetu za umjetnost, te magistrirala televizijsku i filmsku režiju na Mađarskoj filmskoj akademiji. Jedan je od suosnivača udruženja DocClub (2000) i Madzag Film (2000), te studija Katapult Film (2002). Od 2001. radi kao režiserka i scenaristica za studije Cinema Film i Katapult Film.

Nakon nagrađivanih kratkih i dokumentarnih filmova, 2004. je režirala prvi dugometražni film A MIRACLE IN CRACOW. Od 2001. je radila na seriji filmova o historiji umjetnosti pod nazivom WILD IMAGINATION. Prve četiri epizode ovog serijala prikazane su na otvaranju izložbe savremene umjetnosti u Muzeju Herzliya u Tel Avivu, u Izraelu. Serija je postala dio programa InterMedia na Univerzitetu Haifa, zajedno s radovima Petera Greenawaya, Dereka Jarmana i drugih.

E A life story of Regina Jonas, the first female rabbi of the world, was reconstructed from one single photograph in a special manner of using archives. It was also inspired by the original book by Elisa Klapheck: “Fräulein Rabbiner Jonas - The Story of the First Woman Rabbi.” The result is a poetic documentary film about an extraordinary woman’s struggle, devotion, faith, and love.

Regina Jonas lived in Berlin of the 1930s, when a woman could not be a rabbi according to the laws of the Jewish religion. In 1935, she manages to find a liberal rabbi who will ordain her. It is perhaps fate’s irony that she officially receives her synagogue commissions when most of her rabbi colleagues are emigrating or being arrested. At age 37, she met the love of her life, Rabbi Josef Norden.

Only their love letters survived the Holocaust.

Diana Groó was born in 1973 in Budapest, where she received her education, obtaining a Bachelor degree in French-Hebrew from the Faculty of Arts, followed by a Master in TV and Film Directing at the Hungarian Film Academy. She has co-founded DocClub (2000) and Madzag Film (2001) associations, and Katapult Film (2002). Since 2001 she is director and scriptwriter at the Cinema Film and Katapult Film studios.

After her prize-winning shorts and documentary films, she directed her first feature film, A MIRACLE IN CRACOW in 2004. From 2001 she has been working on the WILD IMAGINATION art-history series.

The first four episodes of the WILD IMAGINATION series opened the contemporary art exhibition in Herzliya Museum, Tel-Aviv, Israel. The series were included into the InterMedia course program at Haifa University along with Peter Greenaway, Derek Jarman and others.

60 19. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - DOKUMENTARNI FILM

REGIONALNA PREMIJERA / REGIONAL PREMIERE Hungary, United Kingdom, Germany, 2013, Black & White, 63 min, English, Hungarian Režija / Director: Diana Groó Scenarij / Screenplay: Diana Groó Montaža / Editor: Ágnes Mógor HSE Muzika / Music: Daniel Kardos Zvuk / Sound: Dánel Böhm Producent / Producer: George Weisz, Iván Angelusz, Diana Groó, Gideon Wittenberg Produkcija / Production: a Malcah (UK), Katapultfilm (HU), TIMEPRINTS (GER) Kontakt / Contact: Malcah Production / Katapultfilm Ltd, George Weisz, Ivan Angelusz, Diana Groó, Katapult Film Filmgyártó és Forgalmazó Kft., H-1023 Budapest, Frankel Leó út 21-23. III/8 + 36/1 787-3558, +3630 9511 222, reginajonasfilm@gmail.com, office@katapultfilm.hu, www.katapultfilm.hu Filmografija / Filmography 2013 - REGINA – THE STORY OF THE FIRST FEMALE RABBI (dokumentarni / documentary); 2010 - VESPA; 2009 - ELDORÁDÓ (kratki / short); 2006 - URLICHT (kratki / short); THE WAY TO THE FUTURE / ELŐTTEM AZ ÉLET (dokumentarni / documentary); WILD IMAGINATION - THE GARDEN OF THE MAGICIAN / TARKA KÉPZELET - A VIRÁGÜNNEP VÉGE (kratki / short); 2004 - WILD IMAGINATION - BRUEGEL’S DREAMS / TARKA KÉPZELET - FLAMAND KÖZMONDÁSOK - BRUEGEL ÁLMAI (kratki / short); WILD IMAGINATION - ROUSSEAU’S DREAMS / TARKA KÉPZELET - ROUSSEAU ÁLMAI (kratki / short); A MIRACLE IN CRACOW / CSODA KRAKKÓBAN; 2003 - WILD IMAGINATION - RENOIR’S DREAMS / TARKA KÉPZELET - RENOIR ÁLMAI (kratki / short); 2001 - WILD IMAGINATION - OVER THE VILLAGE - CHAGALL’S DREAMS / TARKA KÉPZELET - VITYEBSZK FELETT CHAGALL ÁLMAI (kratki / short); WAYS / CÓRESZ (dokumentarni / documentary); 1999 - KAZINCZY STREET / KAZINCZY UTCA (kratki / short); 1998 - BLUE EYES / A KÉKSZEMŰ (televizijski / TV film); 1997 - FROM SOMEWHERE TO SOMEWHERE / VALAHONNAN VALAHOVÁ (kratki / short); OTTAVIO (dokumentarni / documentary); 1996 - UNCLE ZSIGA / ZSIGA BÁCSI (dokumentarni / documentary); 1992 - ANNE / ANNUSKA (kratki / short)

Rob / A Slave Almir Ćehajić Batko je uspješan čovjek. Zubar, glumac, zabavljač, radijski i TV voditelj... Sve se mijenja u trenutku kada saznaje da će mu dijete umrijeti zbog urođene srčane mane ukoliko ne bude operirano u nekoj od renomiranih klinika. Posuđuje novac od koga god stigne, traži, moli, kumi...

Ipak uspijeva nabaviti novac i djevojčica je operirana. Nažalost, ona ubrzo umire. Manje od dva sata nakon pokopa telefon počinje zvoniti. Sluđen nevjericom da mu u tom trenutku neko traži novac, uzima novac od lihvara kamatara, kako bi njime tim ‘prijateljima‘ ‘začepio usta’. Tada počinje pakao.

Deset godina živi na rubu samoubistva. Ipak, uspijeva pronaći snagu i izvući se iz te situacije. Danas je svoj život posvetio radu u NVO koja se bavi prikupljanjem novca za ljude koji su se zatekli u situaciji sličnoj njegovoj. Spasio je više od stotinu ljudskih života.

Pjer Žalica je rođen 1964. godine u Sarajevu. Diplomirao je režiju na Akademiji scenskih umjetnosti u Sarajevu, gdje je profesor režije i prodekan za nastavu. Kao predavač gostovao je na više fakulteta u Evropi i SAD. Žalica je jedan od partnera u producentskoj kući “Refresh”.

Autor je i režiser brojnih TV emisija, serija, reklama, muzičkih i promotivnih spotova, kao i više pozorišnih komada, kratkih igranih i dokumentarnih filmova, te dva dugometražna igrana filma GORI VATRA i KOD AMIDŽE IDRIZA. Producirao je više kratkometražnih i jedan dugometražni film.

Za svoj rad višestruko je nagrađivan u zemlji i inostranstvu. Član je Evropske filmske akademije i Nadzornog odbora Filmskog centra Sarajevo.

E Almir Ćehajić, a.k.a. Batko, is a successful man: a dentist, actor, entertainer, radio and TV host, etc.

Everything changes the moment he finds out that his daughter will die because of a congenital heart defect unless she is operated on in a prestigious clinic. He borrows as much money as he can—seeking, begging, pleading... He manages to put the money together and the girl receives the operation.

Unfortunately, she passes away soon afterwards. Less than two hours after the funeral, the telephone begins to ring. Incredulous at the fact that someone would ask for money at a time like that, he goes to a loan shark in order to “shut up” his “friends”. That is when his own personal hell begins.

For ten years, he lives on the edge of suicide. Still, he manages to find the strength to extract himself from the situation. Today, he has dedicated his life to working for an NGO that collects money for people who have found themselves in a similar situation. He has saved over 100 lives.

Pjer Žalica was born in 1964 in Sarajevo. He graduated from the Department of Directing at the Academy of Performing Arts in Sarajevo, where he now teaches directing and is the dean of academic affairs. He has lectured at various academic institutions in Europe and the US. Žalica is one of the partners in the “Refresh” production company. He is the author and director of various TV shows, series, commercials, music and promotional videos, as well as a number of theatre plays, shorts, documentaries and two feature length films: FUSE and DAYS AND HOURS. He has produced several shorts and one feature film. He has received various local and international awards. He is a member of the European Film Academy and the Supervisory Board of the Sarajevo Film Centre.

SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2013, Colour, 45 min, Bosnian Režija / Director: Pjer Žalica Scenarij / Screenplay: Pjer Žalica Direktor fotografije / Director of Photography: Admir Švrakić Montaža / Editor: Pjer Žalica Muzika / Music: Dino Šukalo Producent / Producer: Gordan Memija, Sead Kreševljaković Produkcija / Production: Foto Art i Al Jazeera Balkans Kontakt / Contact: FOTO ART, Paromlinska 42, 71000 Sarajevo, + 387 33 713 333, gordan@fotoart.ba info@fotoart.ba, www.fotoart.ba Filmografija / Filmography 2013 - ROB / A SLAVE (dokumentarac / documentary) 2011 - ORKESTAR / ORCHESTRA

(dokumentarac / documentary) 2004 - KOD AMIDŽE IDRIZA / DAYS AND HOURS 2003 - GORI VATRA / FUSE 2000 - MOSTAR SEVDAH REUNION

(dokumentarac / documentary) 1998 - KRAJ DOBA NEPRIJATNOSTI / THE END OF

UNPLEASANT TIMES

(dokumentarac / documentary) 1995 - DJECA KAO I SVAKA DRUGA / CHILDREN LIKE

ANY OTHERS (dokumentarac / documentary) 1994 - MGM SARAJEVO (korežija s Ademirom

Kenovićem i Mirzom Idrizovićem / codirected

with Ademir Kenović and Mirza Idrizović) 1993 - GODOT SARAJEVO

(dokumentarac / documentary) 1992 - ČAMAC / BOAT (dokumentarac / documentary)

COMPETITION PROGRAMME - DOCUMENTARIES l 19. Sarajevo Film Festival 61

Screens / Kišobrani Sedamnaest godina nakon genocida u Srebrenici, ljudi se još uvijek jednom godišnje okupljaju da pokopaju svoje voljene. Za neke je to privatna stvar, dok je za druge grupno političko okupljanje.

Kišobrani se koriste kao zaštita: ne samo da štite od jarkog podnevnog sunca već nude i zaštitu od tuđih radoznalih pogleda, a i način su da se suzi vidno polje. Kamere se koriste na sličan način: pomažu da se vidi, ali i da se ne vidi previše toga, te da se održi distanca.

Hanna Slak je Slovenka, rođena 1975. u Varšavi, u Poljskoj. Diplomirala je na Filmskoj akademiji u Ljubljani, u Sloveniji, a živi u Berlinu, u Njemačkoj. Hanna je autorica i režiserka nekoliko međunarodno priznatih kratkih filmova i dokumentaraca, kao i dvaju dugometražnih igranih filmova, SLEPA PEGA iz 2002. i TEA iz 2007. Ona, također, istražuje mogućnosti interaktivnog, improviziranog i eksperimentalnog filma u instalacijama i kombiniranoj tehnici. Hanna Slack radi i za pozorište.

E 17 years after the Srebrenica genocide, people still gather once a year to bury their loved ones.

For some it is an intimate event, for others a collective political gathering. Umbrellas not only protect against the burning midday sun, but also offer protection against the gaze of others, or a way to narrow one’s own field of vision. Cameras are used in a similar way: helping to see, but also helping not to see too much, and to retain the distance.

Hanna Slak is Slovenian, born 1975 in Warsaw, Poland. She is a graduate of Film Academy of Ljubljana, Slovenia, lives in Berlin, Germany. Hanna is the writer and director of several internationally awarded short films and documentaries as well as two feature length films BLIND SPOT (2002) and TEAH (TEA, 2007). She is also researching the possibilities of interactive, improvised and experimental filmmaking in installations and mixed media projects. In addition, Hanna Slak works for theatre.

62 19. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - DOKUMENTARNI FILM

SVJETSKA PREMIJERA / WORLD PREMIERE Slovenia, Bosnia and Herzegovina, Germany, 2013, Colour, 8 min, Bosnian, English Režija / Director: Hanna Slak Direktor fotografije / Director of Photography: Hanna Slak Montaža / Editor: Hanna Slak Zvuk / Sound: Markus Krohn Producent / Producer: Guillaume Cailleau Produkcija / Production: CaSk films, Skalitzer Str. 78, 10997 Berlin, Germany mail@guillaumecailleau.com Filmografija / Filmography 2013 - SCREENS

(kratki dokumentarni / short documentary) 2011 - SONOLOG – SOUND DIARIES

(dokumentarni / documentary) 2009 - SOME OTHER STORIES

(segment igranog filma / episode of feature film) 2007 - TEAH 2005 - MATTER OF TIME

(eksperimentalni / experimental) 2005 - 100% SLOVENIAN

(dokumentarni / documentary) 2004 - DESPERADO TONIC

(segment igranog filma / episode of feature film) 2002 - BLIND SPOT 2001 - SUPER CHICK!

(kratki animirani / short animation) 2000 - DOUBLE LIFE (dokumentarni / documentary) 1999 - STRINGDANCER (kratki / short) 1999 - THE TUNNEL (kratki / short) 1998 - A.M. (kratki / short) 1997 - FREAKQUENCES (Brez štroma)

(kratki dokumentarni / short documentary)

Sickfuckpeople SICKFUCKPEOPLE je dokumentarni triptih o skupini djece, beskućnika, koji su uspjeli preživjeti svoje ovisničko djetinjstvo, odrasli i počeli živjeti kao zreli ljudi. To je priča o dječaku koji traži svoju majku i koji je pri tome suočen s nadrealnim, izopačenim društvom u svom rodnom selu, punom mržnje i sadističkog bijesa. To je priča i o trudnoj djevojci koja želi roditi dijete, iako predosjeća da će njegov život biti gori od njenog. Ali sestre je primoravaju na pobačaj.

Juri Rechinsky je rođen 1986. Studirao je na kijevskom Politehničkom institutu, te u kijevskom Nacionalnom pozorištu I. K. Karpenko-Kary, kao i na Univerzitetu za film i televiziju. Kao freelance montažer radio je na brojnim reklamama, kratkim i dugometražnim filmovima. Dvije godine je radio kao glavni montažer u studiju Mosfilm u Moskvi. Od 2008. režirao je nekoliko kratkih filmova, kratkih dokumentaraca i umjetničkih projekata. Godine 2011. završio je rad na filmu SICKFUCKPEOPLE – KRATKA VERZIJA, koji je poslužio kao osnova za rad na filmu SICKFUCKPEOPLE. SICKFUCKPEOPLE je njegov prvi dugometražni dokumentarni film.

E SICKFUCKPEOPLE is a documentary triptych about a group of homeless kids, who have survived their drug-addicted childhood, grew up and started to live an adult life. It’s a story about a boy facing the surreal, degenerated society of his native village full of hate and sadistic anger while searching for his mother. It’s a story about a pregnant girl who wants to give birth to her child whose childhood will probably be even worse than hers, but her own sisters are forcing her to have an abortion.

Juri Rechinsky was born in 1986. He studied at the Kyiv Polytechnic Institute and at the Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University. As a freelance editor, he made a number of commercials, short and feature films. He worked as an editor-in-chief at one of the Mosfilm studios in Moscow for two years. From 2008 he directed a few short films, short documentaries and art projects. In 2011 he finished SICKFUCKPEOPLE – SHORT VERSION, which was the basis for the work on SICKFUCKPEOPLE. SICKFUCKPEOPLE is his first feature-length documentary.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Austria, 2012, Colour, 74 min, Russian Režija / Director: Jury Rechinsky Direktor fotografije / Director of Photography: Alex Zaporoshchenko, Serhiy Stetsenko Montaža / Editor: Juri Rechinsky Muzika / Music: Anton Baibakov Zvuk / Sound: Anton Baibakov Scenografija / Production Design: Darya Bassel Producent / Producer: Franz Novotny, Alexander Glehr Produkcija / Production: Novotny & Novotny Filmproduktion GmbH Weimarerstrasse 22, 1180 Vienna, Austria +43.1.478 71 70, kino@novotnyfilm.at, www.novotnyfilm.at Filmografija / Filmography 2013 - SICKFUCKPEOPLE

(dokumentarni / documentary) 2011 - SICKFUCKPEOPLE – SHORT VERSION

(dokumentarni kratki / documentary short)

COMPETITION PROGRAMME - DOCUMENTARIES l 19. Sarajevo Film Festival 63

U braku sa švicarcem / Married to the Swiss Franc Ovo je dugometražni dokumentarni film o žrtvama kredita u švicarskim francima (CHF) u Hrvatskoj.

Taj problem, vjerovatno, više nego i jedan drugi odražava nebrigu države za vlastite građane. To je nedostatak spoznaje da je u ovakvim slučajevima intervencija države naprosto obavezujuća. Film govori o problemu kroz sudbine žrtava kredita – tu su raspadi porodica, zabilježen je čak i jedan smrtni slučaj zbog pritiska banke, a u medicinskom spisu je zabilježen kao „nasilna smrt“. Film donosi i objašnjenja stručnjaka o finansijskim, pravnim i političkim aspektima problema, te stav banaka, njihovih vođa, političara... Uz to, on postavlja pitanje kako to da reakcija 120 hiljada prevarenih ljudi ne prerasta u konkretnije izražavanje bunta, kao i suštinsko pitanje jesu li pojmovi „zakon i red“, te „demokratija“, samo fini načini kojima sistem štiti svoj prevarantski karakter.

Arsen Oremović od 1991. radi kao kritičar, novinar, kolumnist i urednik u Večernjem listu. Bio je direktor Filmskog festivala u Puli 1999, član različitih žirija u oblastima filma i muzike, u dva mandata predsjednik Hrvatskog društva filmskih kritičara. Objavio je pet zbirki filmskih kritika, zbirku televizijskih i društvenih komentara, satirički društveni leksikon „Kupujmo hrvatsko“ (2010.) u koautorstvu s Ognjenom Sviličićem. Koscenarist je TV serijala “Naši dani” o historiji hrvatskog pop rocka, scenarist i režiser dugometražnog dokumentarnog filma U BRAKU SA ŠVICARCEM. E This is a feature documentary about the victims of loans in Swiss Francs (CHF) in Croatia. This problem is a shining example that reflects the indifference of the state for its citizens. The problem is a lack of understanding that in cases such as this one the state simply must intervene. The film treats the problem through the fates of victims of the loans—including families falling apart and even the death of one person as a result of pressures from the bank ruled a “violent death” by medical examiners. The film also provides expert commentary on the financial, legal and political aspects of the problem, as well as the position of the banks, their leadership, politicians, etc. At the same time, it raises the question of how the reaction of 120 000 people who have been cheated has not spilled over into a more concrete expression of rebellion, as well as the crucial question of whether terms such as “law and order” and “democracy” are just nice ways for the system to protect its double-dealing character.

Arsen Oremović has worked as a critic, reporter, column writer and editor at the Večernji list since 1991. In 1999, he served as the director of the Pula Film Festival. He has also been a member of various juries in the fields of film and music, as well as a two-time president of the Croatian Society of Film Critics. He is the author of five collections of film reviews, a collection of TV and social commentary and the co-author of the satiric social lexicon “Buy Croatian” (2010) with Ognjen Sviličić. He is one of the writers on the Naši dani TV show on the history of Croatian pop rock and the writer and director of the feature documentary MARRIED TO THE SWISS FRANC.

64 19. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - DOKUMENTARNI FILM

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2013, Colour, 55 min, Croatian Režija / Director: Arsen Oremović Scenarij / Screenplay: Arsen Oremović Direktor fotografije / Director of Photography: Vjekoslav Vrdoljak Montaža / Editor: Slaven Jekauc Muzika / Music: Matej Meštrović Zvuk / Sound: Gordan Antić Producent / Producer: Ivan Maloča Produkcija / Production: Interfilm Nova Ves 45/2, 10 000 Zagreb, Croatia +385 1 466 72 90,+ 385 1 466 70 22, interfilm@interfilm.hr, www.interfilm.hr Filmografija / Filmography 2013 - U BRAKU SA ŠVICARCEM / MARRIED TO THE

SWISS FRANC (dokumentarni / documentary)

Okupace, 27. obraz / Okupacija, 27. slika / Occupation, the 27th Picture Upoznajemo kontraverznog hrvatskog režisera, Lordana Zafranovića, tokom njegovog dobrovoljnog egzila u Pragu. Ovaj film prati njegov uspon od talentiranog autsajdera do proslavljenog jugoslavenskog režisera hvaljenog ratnog filma OKUPACIJA U 26 SLIKA, predstavljenog u Takmičarskom programu u Cannesu 1979. godine. Njegova životna priča je nekonvencionalni prikaz uspona i padova, otkrivajući ustupke koje je Lordan Zafranović napravio kako bi preživio kao umjetnik za vrijeme komunizma, te sve propuštene prilike i loše proračune koji su doveli do njegove nemogućnosti da se prilagodi u kasnijim godinama života. Da li je karizmatični Zafranović izdajnik naroda ili žrtva historijskih okolnosti, zbog toga što je, kako sam kaže, samo htio biti ono što jeste i snimati filmove?

Pavo Marinković je rođen 1967. u Zagrebu. Diplomirao je dramaturgiju na Akademiji dramskih umjetnosti u Zagrebu. Njegove pozorišne predstave, koje su izvođene u Hrvatskoj i inostranstvu, višestruko su nagrađivane. Iz svijeta pozorišta prešao je na televiziju, gdje je radio u Dramskom programu Hrvatske televizije. Od 2006. do danas režirao je tri filma koja su dobila brojne nagrade.

Od njih treba izdvojiti film TREŠETA / TRESSETTE – A STORY OF AN ISLAND, za kojeg je Marinković dobio Ekumensku filmsku nagradu na Međunarodnom filmskom festivalu u Mannheim-Heidelbergu, Grand Prix i Nagradu za najbolju kameru na Međunarodnom filmskom festivalu u Bukureštu, Srebrnu nagradu na Bergamo Film Meetingu, te nagradu Music Feel na Napoli Film Festivalu. Njegov film LJUBAVNI ŽIVOT DOMOBRANA / LOVE LIFE OF A GENTLE COWARD je premijerno prikazan na Festivalu igranog filma u Puli, gdje je osvojio tri Zlatne arene, nakon čega je predstavljen na festivalima širom svijeta.

E We meet the controversial Croatian film director Lordan Zafranović in his voluntary exile in Prague. The film follows his rise from a talented outsider to the celebrated Yugoslav director of the acclaimed war film, AN OCCUPATION IN 26 PICTURES, presented at Cannes Competition in 1979. His life story is an unconventional depiction of a rise and fall that reveals compromises made in order to survive artistically during Communism, as well as the missed opportunities and miscalculations that led to his inability to adapt in later years. Is the charismatic Zafranović a national traitor or a victim of historical circumstances in which the only thing he wanted to do, in his own words, was to be himself and make films?

Pavo Marinković was born in Zagreb, Croatia in 1967. Graduated scriptwriting at the Academy of Dramatic Arts in Zagreb. His plays, performed in Croatia and abroad, have received numerous awards. From the world of theatre he moved to television and he worked for the Drama Department of the Croatian TV. From Since, he has directed 3 films for which he received numerous awards. Among them, for the film TREŠETA / TRESSETTE – a Story of an Island, Marinković received Ecumenical Film Prize at the IFF at Mannheim-Heidelberg, Grand Prix and Best Camera Award at the Bucharest IFF, the Silver Prize at the Bergamo Film Meeting and Music Feel Award at the Napoli Film Festival. His film LJUBAVNI ŽIVOT DOMOBRANA / LOVE LIFE OF A GENTLE COWARD premiered at the Pula Film Festival where it won three Golden Arenas and it was presented at festivals worldwide.

OUT OF COMPETITION GALA SCREENING Czech Republic, Croatia, 2013, Colour and B&W, 71 min, Croatian, Czech, Serbian Režija / Director: Pavo Marinković Scenarij / Screenplay: Pavo Marinković Direktor fotografije / Director of Photography: Mario Marko Krce, Aleš Blabolil, Jan Šuster Montaža / Editor: Dubravko Slunjski Muzika / Music: Hrvoje Crnić Boxer Zvuk / Sound: Ivan Horák Producent / Producer: Julietta Sichel, Pavo Marinković Produkcija / Production: 8Heads Productions (CZ), Mitropa (HR) Kontakt / Contact: 8Heads Productions s.r.o.

Bílkova 868/10, 110 00 Praha 1, Czech Republic +420 602 292 971, info@8heads.com, www.8heads.com Filmografija / Filmography: 2013 - OKUPACIJA, 27. SLIKA / OCCUPATION, THE

27TH PICTURE / OKUPACE, 27. OBRAZ

(dugometražni dokumentarni film /

feature-length documentary) 2009 - LJUBAVNI ŽIVOT DOMOBRANA / LOVE LIFE

OF A GENTLE COWARD / MILOSTNÝ ŽIVOT

NĚŽNÉHO ZBABĚLCE 2006 - TREŠETA / TRESSETTE – A STORY OF AN ISLAND

/ TREŠETA – PŘÍBĚH OSTROVA (korežiser

sa Draženom Žarkovićem / codirector with

Dražen Žarković)

COMPETITION PROGRAMME - DOCUMENTARIES l 19. Sarajevo Film Festival 65

U fokusu / In Focus

70

Araf / Čistilište / Somewhere In Between, Yeşim Ustaoğlu

71

Krivina, Igor Drljača

72

Küf / Vlaga / Mold, Ali Aydın

73

Lamma shoftak / Kada te vidjeh / When I Saw You, Annemarie Jacir

74

Die Lebenden / Mrtvi i živi / The Dead and the Living, Barbara Albert

75

Panihida, Ana Felicia Scutelnicu

76

Paradies: Glaube / Raj: Vjera / Paradise: Faith, Ulrich Seidl

77

Paradies: Hoffnung / Raj: Nada / Paradise: Hope,Ulrich Seidl

78

Paradies: Liebe / Raj: Ljubav / Paradise: Love, Ulrich Seidl

Težiti najboljem / Aiming for the Best

Program U FOKUSU je tokom proteklih godina postao jedan od najdinamičnijih programa na Sarajevo Film Festivalu. Počeo je kao platforma za filmove koji se ne takmiče za nagrade Srce Sarajeva, ali koji zaslužuju da budu prikazani našoj publici kao najrelevantniji regionalni filmovi. Sada se ovaj program razvio uporedo s regionalnom kinematografijom prateći njene trendove, te je postao pravo blago našeg Festivala, koje su prepoznali i priznali profesionalci, kao i publika.

E IN FOCUS program has over the years become one of the most dynamic programs of Sarajevo Film Festival. It started out as a platform for films not competing for Heart of Sarajevo Awards, but which deserve to be shown to our audiences as most relevant regional films. Today the program has developed together with the regional cinema following its trends, and it has become a gem of our festival, recognized both by professionals and audiences.

Ovogodišnji program je također vrlo dinamičan. S obzirom na to da je ova godina bila vrlo uspješna za regionalne filmove i talente, te da je publika proteklih godina pokazala veliki interes za film, ovaj program je svoj sadržaj, umjesto ranijih sedam, proširio na devet filmova. Selekcija je raznovrsna: od igranih filmova – prvijenaca, do filmova poznatih i nezaobilaznih autora moderne svjetske kinematografije. Dakle, ove godine predstavljamo debitantsko ostvarenje KÜF / VLAGA turskog režisera Alija Aydına, poetski film o usamljenosti i nadi koji je osvojio nagradu Luigi De Laurentiis na prošlogodišnjem Filmskom festivalu u Veneciji. Selekcija uključuje i prvi film iz Moldavije, PANIHIDA, debitantice Ane-Felicije Scutelnicu, dobitnice prošlogodišnje nagrade programa Cinema XXI na Filmskom festivalu u Rimu. Bosansko-kanadski režiser Igor Drljača će predstaviti svoj dugometražni prvijenac KRIVINA, film koji je premijerno prikazan na prošlogodišnjem Toronto Film Festivalu i koji se nastavio prikazivati na festivalima širom svijeta. Igor Drljača je, također, učesnik CineLink koprodukcijskog marketa, sa svojim novim igranim filmom u predprodukciji.

This year’s program is quite dynamic as well. As the year had been a very successful for regional films and talents and as the audiences showed a great interest in films last years, the program has expanded to nine titles instead of previously seven. The selection is diverse: from first feature films, to films by recognized and relevant filmmakers of the present world cinema. So, we are presenting a debut film KÜF / MOLD by Turkish filmmaker Ali Aydın, winner of Luigi De Laurentiis Award at last year’s Venice Film Festival, a poetic film about loneliness and hope. The line-up includes the first film from Moldova, PANIHIDA, by debut filmmaker Ana-Felicia Scutelnicu, winner of last year’s Rome Film Festival Cinema XXI Award.

Bosnian-Canadian filmmaker Igor Drljača will present his debut feature KRIVINA, the film, which premiered at Toronto Film Festival last year and continued to successfully tour festivals worldwide (Igor is also a part of CineLink Co-production Market with his new feature in development).

Program dovodi i veliki broj priznatih režisera koji su imali mnogo uspjeha u proteklih godinu dana. Austrijska režiserka Barbara Albert će predstaviti svoj film DIE LEBENDEN / MRTVI I ŽIVI, koji je predstavljen na Međunarodnom filmskom festivalu u San Sebastianu prošle godine; turska režiserka Yeşim Ustaoĝlu je ponovo u Sarajevu sa svojim novim uratkom ARAF / ČISTILIŠTE. Ove godine je tu i posebna poslastica za ljubitelje filma: odlučili smo predstaviti trilogiju režisera Ulricha Seidla, koji je sa svoja nova tri filma uspio ono što su prije njega uspjeli postići rijetki: Seidl je u manje od godinu dana predstavio svoje filmove na tri velika festivala u okviru njihovih takmičarskih programa, predstavivši PARADIES: LIEBE / RAJ: LJUBAV u Cannesu, PARADIES: GLAUBE / RAJ: VJERA u Veneciji, te najnoviji PARADIES: HOFFNUNG / RAJ: NADA u Berlinu. Ova tri filma će biti prava poslastica za sve ljubitelje Seidla, a filmovi će biti prikazani u toku jednog dana u vidu maratona.

Na kraju, posebnu pažnju ove godine privlače uspjesi filmova koji su prethodno prikazani na našim Work-in-Progress sesijama (dio CineLink koprodukcijskog marketa). Osim što ćemo predstaviti KÜF / VLAGA, dobitnika naše nagrade Work-in-Progress 2011, ove godine ćemo imati priliku pogledati i drugi igrani film palestinske režiserke Annamarie Jacir, LAMMA SHOFTAK / KAD TE VIDJEH, koji je bio u ovoj selekciji prošle godine, gdje je i odabran za Berlinski filmski festival 2013.

Mnogo je strasti prema filmu u ovogodišnjem programu U FOKUSU, ali i mnogo strasti prema životu. Program, kao i autori koji su u fokusu, definitivno teže najboljem.

The program is bringing a variety of acclaimed filmmakers who have had a successful year behind them. Austrian filmmaker Barbara Albert will present her film DIE LEBENDEN/ THE DEAD AND THE LIVING presented at San Sebastian International Film Festival last year; Turkish filmmaker Yeşim Ustaoĝlu is back to Sarajevo with her latest work ARAF/ SOMEWHERE IN BETWEEN. There is a special treat for cinema fans this year as we have decided to present entire trilogy by filmmaker Ulrich Seidl, who has with his latest three films managed what very few have succeeded before: Seidl has presented the films at three major festivals in the competitive section in less than a year with PARADIES: LIEBE / PARADISE: LOVE in Cannes, PARADIES: GLAUBE/ PARADISE: FAITH in Venice, and the latest PARADIES: HOFFNUNG/ PARADISE: HOPE in Berlin. The three films will be a true cinephil treat for all Seidl fans, as the films will be shown during one day as a marathon.

And finally, a special attention is drawn this year to the successes made by the films presented previously at our Work-in-Progress sessions (part of CineLink Coproduction Market). Not only are we presenting KÜF, winner of our 2011 Work-in-Progress, but this year we are also showing second feature by Palestinian filmmaker Annamaria Jacir LAMMA SHOFTAK/ WHEN I SAW YOU, presented in this section last year where it had been picked for Berlin Film Festival 2013.

There is a lot of passion for filmmaking in IN FOCUS program this year, but also a lot of passion for life. The program, as the filmmakers in focus, is definitively aiming for the best.

Elma Tataragić, selektorica programa U fokusu / In Focus Programme Selector

IN FOCUS l 19. Sarajevo Film Festival 69

Araf / Čistilište / Somewhere In Between Lijepa Zehra i zgodni Olgun provode veći dio mladosti radeći u kafeteriji benzinske pumpe kraj udaljene autoceste. Predio u kojem žive – nekada bitno industrijsko područje – sada je bezlično mjesto ekonomske propasti u kojem vlada nezaposlenost. Zehra sanja da će je ljubav odvesti daleko, a njenu pažnju privlači stariji vozač kamiona, Mahur. Kako Zehrina žudnja za Mahurom prerasta u tragičnu prvu ljubav, njen buntovni prijatelj Olgun se sve više osjeća zapostavljenim. Zehra i Olgun će iskusiti gorko-slatko odrastanje, u kojem će proći kroz patnju, ali i buđenje. Međutim, dok se budu opraštali sa svojom dječijom nevinošću, ljubav i nada će im pomoći da krenu naprijed.

Yesim Ustaoğlu je svojim filmom PANDORA’S BOX osvojio nagrade Najbolji film i Najbolja glumica na Filmskom festivalu u San Sebastianu. Ona je prvi put nagrađena za svoj film iz 1999, JOURNEY TO THE SUN. U okviru Takmičarskog programa Berlinalea, ovaj film je dobio Plavog anđela i Nagradu za mir. JOURNEY TO THE SUN je osvojio pregršt nagrada na Istanbul Film Festivalu, osvojivši nagrade za najbolji film, najbolju režiju, nagradu FIPRESCI i Nagradu publike. Njen treći film, WAITING FOR THE CLOUDS, dobio je NHK Sundance nagradu za najboljeg međunarodnog filmskog radnika. Njen prvi dugometražni debi bio je film iz 1994. – THE TRACE. E Pretty Zehra and handsome Olgun spend most of their young lives working in a service station cafeteria near a lonely highway. The once important industrial area where they live is now a faceless place of economic waste and unemployment. Zehra dreams that love will take her away and she becomes fascinated by an older truck driver, Mahur. As Zehra’s desire for Mahur turns into a tragic first love, her rebellious friend Olgun becomes more and more frustrated. Zehra and Olgun will experience a bittersweet rite of passage, leading to both suffering and awakening. But as they say goodbye to their childhood innocence, love and hope will help them to move forward.

Yesim Ustaoğlu’s PANDORA’S BOX won Best Film and Best Actress awards at the San Sebastian Film Festival. She first received international recognition for her 1999 film, JOURNEY TO THE SUN. In competition at the Berlin Film Festival, the film received the Blue Angel Award and the Peace Prize. JOURNEY TO THE SUN swept the İstanbul Film Festival by winning Best Film, Best Director, the FIPRESCI Prize and the Audience Award. Her third film, WAITING FOR THE CLOUDS, was awarded the NHK Sundance– International Filmmaker’s Award. She made her feature debut with 1994 THE TRACE.

70 19. Sarajevo Film Festival l U FOKUSU

Turkey, France, Germany, 2012, Colour, 124 min, Turkish Režija / Director: Yeşim Ustaoğlu Scenarij / Screenplay: Yeşim Ustaoğlu Direktor fotografije / Director of Photography: Michael Hammon Montaža / Editor: Mathilde Muyard, Naim Kanat, Svetolik Mića Zajc Zvuk / Sound: Bruno Tarrière Scenografija / Production Design: Osman Özcan Kostimografija / Costume Design: Ayşe Yıldız Uloge / Cast: Neslihan Atagül, Barış Hacıhan, Özcan Deniz, Nihal Yalçın, Ilgaz Kocatürk, Can Başak, Yasemin Çonka, Erol Babaoğlu, Feride Karaman Produkcija / Production: Ustaoglu Film (Turkey), CDP (France), The Match Factory (Germany), ZDF / Arte, TRT Ustaoglu Film: Nergissok. No: 8/7 Kat: 2 AsmalımescitMah. Tünel – Beyoğlu İstanbul- Türkiye 34430 +90 212 249 76 44, +90 212 245 73 97 ustaoglu@ustaoglufilm.com, www.ustaoglufilm.com Kontakt / Contact: The Match Factory, Balthasarstraße 79-81, 50670 Köln, Germany, +49-221-539 709-0, +49 221 539 709-10, info@matchfactory.de, www.the-match-factory.com Filmografija / Filmography 2012 - ARAF / SOMEWHERE IN BETWEEN 2008 - PANDORA’S BOX 2004 - WAITING FOR THE CLOUDS 1999 - GÜNEŞE YOLCULUK / JOURNEY TO THE SUN 1994 - THE TRACE

Krivina Miro, imigrant iz bivše Jugoslavije, živi u Torontu. Teško se veže za druge ljude i nigdje ne ostaje predugo. Kada sazna da se njegov predratni prijatelj Dado, koji se vodio kao nestala osoba skoro čitave dvije decenije, sada traži zbog ratnih zločina, klupko njegovog života počinje se odmotavati. Nakon što sazna da Dado još uvijek posjećuje Žljebove, selo na rubu Sarajeva, Miro kreće na put u Bosnu kako bi pronašao svog prijatelja.

Igor Drljača je rođen u Sarajevu. Zbog rata je 1993. godine s porodicom odselio u Kanadu. Živi na relaciji Sarajevo - Toronto. Godine 2011. je magistrirao filmsku produkciju na postdiplomskom studiju Univerziteta York. Njegov kratki film iz 2010, ŽENA U LJUBIČASTOM, bio je dio programa Sarajevo grad filma i prikazan je na desetinama međunarodnih festivala, uključujući Telluride Film Festival, Tampere Film Festival, Palm Springs Shortfest i Sarajevo Film Festival. KRIVINA je njegov prvi dugometražni igrani film.

E Miro, an immigrant from the former Yugoslavia, lives in Toronto. He has a hard time relating to others and he never stays in one place for too long. When he finds out that his pre-war friend Dado, who has been missing for almost two decades, is now wanted for war-era crimes, his life starts to unravel. Upon hearing that Dado still visits Žljebovi, a village on the outskirts of Sarajevo, Miro embarks on a trip to Bosnia to find his friend.

Igor Drljača was born in Sarajevo, Bosnia and Herzegovina. He moved to Canada in 1993 with his family because of the war and spends his time between Sarajevo and Toronto. He completed his Master’s Degree in Film Production at York University’s graduate programme in 2011. His 2010 short film, Woman in Purple was made as part of the Sarajevo City of Film, and has screened at dozens of international festivals, including Telluride Film Festival, Tampere Film Festival, Palm Springs Shortfest, and Sarajevo Film Festival. KRIVINA is his debut feature film.

Bosnia and Herzegovina, Canada, 2012, Colour, 70 min, Bosnian Režija / Director: Igor Drljača Scenarij / Screenplay: Igor Drljača Direktor fotografije / Director of Photography: Roland Echavarria Montaža / Editor: Igor Drljača, Albert Shin Muzika / Music: Bojan Bodružić Zvuk / Sound: Matthew Chan Uloge / Cast: Goran Slavković, Jasmin Geljo, Edis Livnjak, Minela Jasar, Nebojša Mijatović, Petar Mijatović, Jelena Mijatović, Bogdanka Vujadinović, Milkan Đurović, Erica Chan Producent / Producer: Igor Drljača Produkcija / Production: TimeLapse Pictures 1121 Bay St. Suite#704, Toronto, Ontario, M5S-3L9, Canada, +1416-918-7970, igor@timelapsepictures.ca www.timelapsepictures.ca Kontakt / Contact: Igor Drljača igor@timelapsepictures.ca , +1 416 918 7970 Filmografija / Filmography: 2012 - KRIVINA 2011 - THE FUSE: OR HOW I BURNED SIMON BOLIVAR

(kratki / short) 2010 - WOMAN IN PURPLE (kratki / short) 2009 - ON A LONELY DRIVE (kratki / short)

IN FOCUS l 19. Sarajevo Film Festival 71

Küf / Vlaga / Mold Basri je usamljen čovjek koji ostavlja dojam da se provlači kroz vlastiti život. Posmatra željezničke pruge, hodajući beskrajnim šinama kroz raskošni pejzaž Anadolije. Njegov jedini sin, Sejfi, odveden je u dom prije osamnaest godina, i od tad se nikome nije javio. Nakon smrti žene, Basri se postepeno povukao iz društva. Međutim, u njegovom životu još uvijek postoji nada jer on dvaput mjesečno piše molbe da mu se ponovno dodijeli starateljstvo nad sinom.

Ali Aydın je rođen 1981. Živi u Istanbulu. Studirao je menadžment umjetnosti na Tehničkom univerzitetu Yildiz. Radio je kao asistent režije na brojnim filmovima i televizijskim serijama. Radio je i kao scenarista. MOLD je njegov prvi dugometražni film, u kojem je i režiser i scenarista. Za ovaj projekat je 2011. dobio nagradu za postprodukciju Work in Progress u okviru programa CineLink Sarajevo Film Festivala.

E Basri is a lonely man who seems to be floating in his own life. He watches over the railroads, walking the endless tracks through the abundant landscape of Anatolia. His only son, Seyfi, was taken into custody 18 years ago and no one has heard from him ever since. After the death of his wife, Basri has slowly isolated himself from society. But there is still hope in his life, as he keeps on writing petitions twice a month to look after his son.

Ali Aydın was born in 1981. He lives in Istanbul. He studied art management at Yildiz Technical University. He has worked as an assistant director in various films and television series. He also works as a scriptwriter. MOLD is his first feature film as a scriptwriter and a director. For this project, he received The Work in Progress–Postproduction Award 2011 at the CineLink Programme of the Sarajevo Film Festival.

72 19. Sarajevo Film Festival l U FOKUSU

Turkey, Germany, 2012, Colour, 94 min, Turkish Režija / Director: Ali Aydın Scenarij / Screenplay: Ali Aydın Direktor fotografije / Director of Photography: Murat Tuncel Montaža / Editor: Ayhan Ergursel, Ahmet Boyacioğlu Zvuk / Sound: Umut Senyol Uloge / Cast: Ercan Kesal, Muhammet Uzuner, Tansu Biçer Producent / Producer: Gökçe Isil Tuna, Sevil Demirci, Ali Aydın Produkcija / Production: Motiva Film - Yeni Sinemacilar Emektar sok. Zenel Apt. No: 24/10, 34427 Gumussuyu-Beyoglu, Istanbul, Turkey +90 212 293 81 43, +90 212 293 81 42, +90 555 522 37 37 gokceisil@gmail.com, www.motivafilm.com Kontakt / Contact: Pierre Menahem, + 336 62 08 81 79, pmenahem@mpmfilm.com, MPM FILM, 17 rue Julien Lacroix, 75020, Paris, France, www.mpmfilm.com Filmografija / Filmography: 2012 - KÜF / MOLD

Lamma shoftak / Kada te vidjeh / When I Saw You Svijet je prepun promjena: ispunjen ponovo probuđenom energijom, novim stilovima, muzikom i zaraznim osjećajem nade. U Jordanu se odvija drugačija vrsta promjene dok desetine hiljada izbjeglica prelaze granicu i dolaze iz Palestine. Nakon što je u haosu rata razdvojen od oca, jedanaestogodišnji Tarek i njegova majka Ghaydaa su dio posljednjeg talasa izbjeglica. Smješteni u “privremene” izbjegličke centre napravljene od šatora i montažnih kuća dok ne budu u mogućnosti da se vrate na svoja ognjišta, oni čekaju, kao i generacija prije njih koja je došla 1948. godine. Teško se privikavajući na život u centru Harir i žudeći da se ponovo vidi s ocem, Tarek traži izlaz i otkriva novu nadu koja se s vremenom pojavi. Njegov slobodni duh i znatiželjna priroda vode ga do grupe ljudi na putovanju koje će promijeniti njihove živote.

Annemarie Jacir je vodeća režiserka u regionu i pripada novom talasu arapskih sineasta koji su postali poznati na međunarodnoj sceni. Dva njena filma su premijerno prikazana u službenoj selekciji na Filmskom festivalu u Cannesu, jedan kao finalista za Oscara, a jedan u Veneciji. Njen prvi igrani film, SO OVOG MORA (Cannes 2008.), bio je palestinski kandidat za Oscara za najbolji strani film, te je zapamćen kao prvi dugometražni film koji režirala Palestinka. SO OVOG MORA je, između ostalih, osvojio i prestižnu FIPRESCI nagradu kritičara. Annemarie Jacir predaje dramaturgiju i radi kao urednica i kustosica za film, aktivno promovirajući nezavisnu kinematografiju.

E The world is alive with change: brimming with reawakened energy, new styles, music and an infectious sense of hope. In Jordan, a different kind of change is underway as tens of thousands of refugees pour across the border from Palestine. Having been separated from his father in the chaos of war, Tarek, 11, and his mother Ghaydaa, are amongst this latest wave of refugees. Placed in “temporary” refugee camps made up of tents and prefab houses until they would be able to return, they wait, like the generation before them who arrived in 1948. With difficulties adjusting to life in Harir camp and a longing to be reunited with his father, Tarek searches a way out, and discovers a new hope emerging with the times. Eventually his free spirit and curious nature lead him to a group of people on a journey that will change their lives.

Palestine, Jordan, 2012, Colour, 93 min, Arabic Režija / Director: Annemarie Jacir Scenarij / Screenplay: Annemarie Jacir Direktor fotografije / Director of Photography: Helene Louvart Montaža / Editor: Annemarie Jacir, Panos Voutsaras Muzika / Music: Kamran Rastegar Uloge / Cast: Mahmoud Asfa, Ruba Blal, Saleh Bakri, Firas W. Taybeh Producent / Producer: Ossama Bawardi Produkcija / Production: Philistine Films Kontakt / Contact: The Match Factory GmbH, Germany festivals@matchfactory.de http://www.the-match-factory.com Filmografija / Filmography 2012 - WHEN I SAW YOU 2008 - SALT OF THIS SEA

Annemarie Jacir is a pioneer filmmaker in the region and part of a new wave of Arab filmmakers who have made a name on the international scene. Two of her films have premiered as Official Selections at the Cannes Film Festival, one as an Academy Award finalist, and one in Venice. Her first feature film, SALT OF THIS SEA (Cannes 2008), was Palestine’s Oscar Entry for Best Foreign Film and was noted as the first feature film directed by a Palestinian woman. SALT OF THIS SEA won the prestigious FIPRESCI Critic’s Prize, amongst other awards. Annemarie teaches screenwriting and works as an editor and film curator, actively promoting independent cinema.

IN FOCUS l 19. Sarajevo Film Festival 73

Die Lebenden / Mrtvi i živi / The Dead and the Living Film govori o putovanju 25-godišnje Site u mračnu i kompliciranu prošlost njene porodice za vrijeme Drugog svjetskog rata. Ovo putovanje vodi Situ od Berlina do Beča, preko Varšave do Rumunije.

Mrtvi i živi je film o gubitku domovine, film o samootkrivanju i identitetu, o odgovornosti i nadi.

Barbara Albert je rođena u Beču 1970. Studirala je pozorišne nauke, njemački jezik i žurnalistiku.

Upisala je studij režije i scenarija na Filmskoj akademiji u Beču 1991. Radila je kao asistentica režije, lektorica scenarija, sekretarica režije i asistentica montaže. Glumila je u dugometražnim flimovima MEMORY OF THE UNKNOWN Nathalie Alonso Casale i CRASH TEST DUMMIES Jörga Kalta. Kao spisateljica, radila je zajedno sa autorima i režiserima kao što su Jasmila Žbanić, Andrea Štaka, Michael Glawogger i Ruth Mader. Godine 1999. osnovala je produkcijsku kuću „Coop 99” zajedno s Martinom Gschlachtom, Jessicom Hausner i Antoninom Svobodom. Radila je kao producentica na filmovima GRBAVICA, DARWIN’S NIGHTMARE, SLEEPER i LOVELY RITA. E The film tells the journey of 25-year-old Sita into the dark and loaded past of her family during World War II. The journey leads Sita from Berlin to Vienna, to Warsaw and to Romania. THE DEAD AND THE LIVING is a film about losing your homeland, a film about self-discovery and identity, about responsibility and hope.

Barbara Albert was born in Vienna in 1970. She studied Theatre Science, German language and Journalism. She began her directing and screenwriting studies at the Vienna Film Academy in 1991.

She worked as an assistant director, script/continuity editor and assistant editor. She acted in the feature films MEMORY OF THE UNKNOWN by Nathalie Alonso Casale and CRASH TEST DUMMIES

by Jörg Kalt. As a writer, she worked together with writer/directors Jasmila Žbanić, Andrea Štaka, Michael Glawogger and Ruth Mader. In 1999 she founded the production company “Coop 99“ together with Martin Gschlacht, Jessica Hausner and Antonin Svoboda. She worked as producer on GRBAVICA, DARWIN’S NIGHTMARE, SLEEPER, LOVELY RITA.

74 19. Sarajevo Film Festival l U FOKUSU

Austria, Poland, Germany, 2012, Colour, 100 min, German, English Režija / Director: Barbara Albert Scenarij / Screenplay: Barbara Albert Direktor fotografije / Director of Photography: Bogumił Godfrejów Montaža / Editor: Monika Willi Muzika / Music: Lorenz Dange Zvuk / Sound: Dietmar Zuson Scenografija / Production Design: Enid Löser Kostimografija / Costume Design: Veronika Albert Uloge / Cast: Anna Fischer, August Zirner, Hans Schuschnig, Daniela Sea, Itay Tiran Producent / Producer: Bruno Wagner, Barbara Albert Produkcija / Production: coop99 filmproduktion Wasagasse 12/1/1, A-1090 Vienna +43 1 319 58 25, +43 1 319 58 25-20 welcome@coop99.at, www.coop99.at Kontakt / Contact: FILMS DISTRIBUTION SAS, 34, Rue du Louvre, Fr-75001 Paris, +33 1 53 10 33 99, +33 1 53 10 33 98, www.filmsdistribution.com Filmografija / Filmography 2012 - DIE LEBENDEN / THE DEAD AND THE LIVING 2006 - FALLEN / FALLING 2003 - BÖSE ZELLEN / FREE RADICALS 2002 - ZUR LAGE / STATE OF THE NATION, AUSTRIA IN

6 CHAPTERS (dokumentarna epizoda /

documentary episode) 1999 - NORDRAND 1997 - SLIDIN’ – ALLES BUNT UND WUNDERBAR /

SLIDIN‘ – BRIGHT AND SHINY WORLD

(kratki / short)

Panihida U malom selu u Moldaviji umire starija žena, a za njom ostaju sin Petru i unuka Anisoara. U skladu s tradicijom, cijelo selo je žali i oprašta se od nje. Nakon bdijenja u olujnoj noći, svi kreću ka groblju.

Stariji muškarci nose teški kovčeg preko kamenitih puteljaka do svetog brda. Sunce je visoko na nebu i put izgleda beskrajan, ali tu je vino da utoli žeđ i pjesma da odagna tugu. Tako se u ovom pejzažu rajske ljepote radost miješa s tugom i na kraju život ipak biva iznad smrti.

Ana-Felicia Scutelnicu je rođena u Kišnjevu, u Republici Moldaviji, tadašnjem SSSR-u. Nakon što je četiri godine radila u pozorištu u Beninu (Zapadna Afrika), preselila je u Njemačku, gdje je studirala režiju na filmskoj i televizijskoj akademiji DFFB u Berlinu. Njeni kratki filmovi BETWEEN WALLS i BACKYARD pozvani su na mnoge međunarodne filmske festivale i osvojili su brojne nagrade. Film PANIHIDA je nagrađen Koprodukcijskom nagradom Robert Bosch za najbolji koprodukcijski projekat u suradnji Njemačke i zemalja Istočne Evrope.

E In a small village in the Republic of Moldavia, an old woman dies, leaving her son Petru and her granddaughter Anisoara behind. According to their tradition, the whole village mourns and bids farewell. After the wake during a stormy night they make their way to the cemetery. The old men carry the heavy coffin over stony paths up to the sacred hill. The sun is high and the way seems endless, but against the thirst there is wine and against the grief there is singing. So in this landscape of paradisal beauty, joy mixes with sorrow and in the end, life stands above death.

Ana-Felicia Scutelnicu was born in 1978 in Chisinau in the Republic of Moldova, which was then the USSR. After working for four years in theatre in Benin, West Africa, she moved to Germany and studied film direction at the DFFB (the German Film and Television Academy in Berlin). Her short films BETWEEN WALLS and BACKYARD were invited to many international film festivals and won several prizes. PANIHIDA won her the Robert Bosch Coproduction Prize for best coproduction project between Germany and Eastern Europe.

Moldova, Germany, 2012, Colour, 61 min, Romanian Režija / Director: Ana-Felicia Scutelnicu Scenarij / Screenplay: Ana Felicia Scutelnicu Direktor fotografije / Director of Photography: Tito Molina Montaža / Editor: Tito Molina & Ana-Felicia Scutelnicu Zvuk / Sound: Julian Cropp Scenografija / Production Design: Nicolae Sliusari Uloge / Cast: Anişoara Lisnic, Petru Roşcovan, Nina Răbuş, Valeriu Ţurcanu, Valentin Aga Producent / Producer: Jonas Weydemann, Jakob D. Weydemann Produkcija / Production: Weydemann Bros.

Kottbusser Damm 73, 10967 Berlin, Germany +49 (0)30 67928270 info@weydemannbros.com www.weydemannbros.com Kontakt / Contact: Weydemann Bros., Jonas Weydemann, Kottbusser Damm 73, 10967 Berlin +49 30 67928270, +49 176 80035191, jonas@weydemannbros.com www.weydemannbros.com Filmografija / Filmography: 2012 - PANIHIDA 2010 - HINTERHOF (kratki / short) 2009 - 24 HOURS BERLIN

(TV dokumentarni / TV documentary) 2008 - DIE SPIELERIN (TV kratki / TV short)

IN FOCUS l 19. Sarajevo Film Festival 75

Paradies: Glaube / Raj: Vjera / Paradise: Faith U filmu PARADISE: FAITH Ulrich Seidl istražuje šta znači nositi križ na leđima. Za neudatu Annu Mariju u svojim pedesetim, raj predstavlja Isus. Ona posvećuje ljetni odmor misionarskom radu da bi se Austrija vratila na put vrline. Na svom dnevnom hodočašću kroz Beč, ide od vrata do vrata, noseći sa sobom kip Djevice Marije od trideset centimetara. Jednog dana, nakon godina odsustva, njen suprug, musliman iz Egipta u invalidskim kolicima, dolazi kući, a njen život iskače iz kolosijeka.

Hvalospjevi i molitve su sada izmiješani sa svađama. PARADISE: FAITH nam govori o križnom putu braka i žudnji za ljubavlju. Ovaj film je drugi dio trilogije PARADISE Ulricha Seidla. PARADISE: LOVE, prvi dio trilogije, priča je o Anna Marijinoj sestri Teresi, koja ovozemaljski raj pronalazi u ljubavi s dječacima sa plaža u Keniji.

Ulrich Seidl je austrijski režiser višestruko nagrađivanih dokumentaraca JESUS, YOU KNOW, ANIMAL LOVE i GOOD NEWS. PARADISE: FAITH je 2012. godine osvojio Specijalnu nagradu žirija na Filmskom festivalu u Veneciji. Prije jedanaest godina, Seidlov prvi dugometražni film DOGS DAYS je, također, osvojio istu nagradu na Bijenalu 2001.

Seidl je 2003. osnovao produkcijsku kuću Ulrich Seidl Filmproduktion u Beču, gdje je producirao film IMPORT EXPORT, premijerno prikazan u Takmičarskom programu na Cannesu. Godine 2012. je uslijedila PARADISE trilogija: tri filma o tri žene, snimljena u periodu od četiri godine. Trenutno završava dugometražni dokumentarni film koji istražuje ljude i njihov odnos prema podrumima. IN THE BASEMENT će biti premijerno prikazan 2013. godine.

E In PARADISE: FAITH Ulrich Seidl explores what it means to carry the cross. For Anna Maria, a single womanin her 50s, paradise lies with Jesus. She devotes her summer vacation to doing missionary work, so that Austria may be brought back to the path of virtue. On her daily pilgrimage through Vienna, she goes from door to door, carrying a foot-high statue of the Virgin Mary. One day, when after years of absence, her husband, an Egyptian Muslim confined to a wheelchair, comes home, her life goes off its rails. Hymns and prayers are now joined by fighting. PARADISE: FAITH recounts the stations of the cross of a marriage and the longing for love. The film is the second part of Ulrich Seidl‘s PARADISE trilogy. PARADISE: LOVE, the first part, is about Anna Maria‘ssister Teresa, whose paradise lies with more earthly love – with beach boys in Kenya.

Ulrich Seidl is the Austrian director of numerous award-winning documentaries such as JESUS, YOU KNOW, ANIMAL LOVE and GOOD NEWS. 2012 PARADISE: FAITH won the Special Jury Prize at the Venice Film Festival. Eleven years ago Seidl’s first feature film DOGS DAYS already won in the same category at Biennale 2001.

In 2003 Seidl founded the Ulrich Seidl Filmproduktion in Vienna, where he produced IMPORT EXPORT, premiered in competition at Cannes. He followed it with his PARADISE trilogy (2012): Three films about three women made in four years. He is now completing a documentary feature that explores people and their relationship to basements. IN THE BASEMENT will premiere in 2013.

76 19. Sarajevo Film Festival l U FOKUSU

Austria, France, Germany, 2012, Colour, 113 min, Arabic, German Režija / Director: Ulrich Seidl Scenarij / Screenplay: Ulrich Seidl, Veronika Franz Direktor fotografije / Director of Photography: Wolfgang Thaler, Ed Lachman Montaža / Editor: Christof Schertenleib Zvuk / Sound: Ekkehart Baumung Scenografija / Production Design: Renate Martin, Andreas Donhauser Kostimografija / Costume Design: Tanja Hausner Uloge / Cast: Maria Hofstätter, Nabil Saleh, Natalija Baranova, René Rupnik Producent / Producer: Ulrich Seidl Produkcija / Production: Ulrich Seidl Film Produktion GmbH 1090 Wien, Wasserburgergasse 5/7 +43 1 3102824, +43 1 3195664 office@ulrichseidl.com, www.ulrichseidl.com Kontakt / Contact: Coproduction Office, Rue Lamartine 24, 75009 Paris, France +33 1 56026000, +33 1 56026001 sales@coproductionoffice.eu Filmografija / Filmography 2013 - PARADISE: HOPE / PARADIES: HOFFNUNG 2012 - PARADISE: FAITH / PARADIES: GLAUBE 2012 - PARADISE: LOVE / PARADIES: LIEBE 2007 - IMPORT / EXPORT 2003 - JESUS, YOU KNOW / JESUS, DU WEISST

(dokumentarni / documentary) 2001 - DOG DAYS 1999 - MODELS 1997 - THE BOSOM FRIEND

(TV dokumentarni / TV documentary)

Paradies: Hoffnung / Raj: Nada / Paradise: Hope Treći film u trilogiji Ulricha Seidla PARADISE je priča o Melanie, gojaznoj trinaestogodišnjakinji i njenoj prvoj ljubavi. Dok njena majka Teresa putuje u Keniju (PARADISE: LOVE), a njena tetka radi kao misionarka za Isusa Krista (PARADISE : FAITH), ova tinejdžerka svoj ljetni raspust provodi s ostalim adolescentima u kampu za mršavljenje na selu u Austriji, gdje vladaju striktna pravila. Pored sportskih aktivnosti i savjetovanja nutricionista, tuča jastucima i prvih cigareta, ona se zaljubljuje u direktora kampa, doktora koji je 40 godina stariji od nje. Voli ga bezuvjetno, kako to obično biva s prvom ljubavi, te naivno pokušava da ga zavede. Doktor, svjestan da je ova ljubav nemoguća, suočava se s osjećajem krivnje. Melanie je svoj raj zamislila drugačije.

Ulrich Seidl je austrijski režiser višestruko nagrađivanih dokumentaraca JESUS, YOU KNOW, ANIMAL LOVE i GOOD NEWS. PARADISE: FAITH je 2012. osvojio Specijalnu nagradu žirija na Filmskom festivalu u Veneciji. Prije jedanaest godina, Seidlov prvi dugometražni film DOGS DAYS je, također, osvojio istu nagradu na Bijenalu 2001.

Seidl je 2003. osnovao produkcijsku kuću Ulrich Seidl Filmproduktion u Beču, gdje je producirao film IMPORT EXPORT, premijerno prikazan u Takmičarskom programu na Cannesu. Godine 2012. je uslijedila PARADISE trilogija: tri filma o tri žene, snimljena u periodu od četiri godine. Trenutno završava dugometražni dokumentarni film koji istražuje ljude i njihov odnos prema podrumima. IN THE BASEMENT će biti premijerno prikazan 2013. godine.

E The third film in Ulrich Seidl’s PARADISE trilogy tells the story of Melanie, an overweight 13-yearold, and her first love. While her mother, Teresa, travels to Kenya (PARADISE: LOVE), and her aunt does missionary work for Jesus Christ (PARADISE: FAITH), the teenager spends her summer vacation with other adolescents in a strictly run diet camp in the Austrian countryside. Between sports activities and nutritional counseling, pillow fights and her first cigarettes, she falls in love with the camp director, a doctor 40 years her senior. She loves him with the unconditionality of first love, and tries in total innocence to seduce him. The doctor struggles against the guilt of this love, aware of its impossibility. Melanie had imagined her paradise differently.

Ulrich Seidl is the Austrian director of numerous award-winning documentaries such as JESUS, YOU KNOW,ANIMAL LOVE and GOOD NEWS. 2012 PARADISE: FAITH won the Special Jury Prize at the Venice Film Festival. Eleven years ago Seidl’s first feature film DOGS DAYS already won in the same category at Biennale 2001.

In 2003 Seidl founded the Ulrich Seidl Filmproduktion in Vienna, where he produced IMPORT EXPORT, premiered in competition at Cannes. He followed it with his PARADISE trilogy (2012): Three films about three women made in four years. He is now completing a documentary feature that explores people and their relationship to basements. IN THE BASEMENT will premiere in 2013.

Austria, France, Germany, 2013, Colour, 91 min, German Režija / Director: Ulrich Seidl Scenarij / Screenplay: Ulrich Seidl, Veronika Franz Direktor fotografije / Director of Photography: Wolfgang Thaler, Ed Lachman Montaža / Editor: Christof Schertenleib Zvuk / Sound: Ekkehart Baumung Scenografija / Production Design: Renate Martin, Andreas Donhauser Kostimografija / Costume Design: Tanja Hausner Uloge / Cast: Melanie Lenz, Joseph Lorenz, Michael Thomas, Vivian Bartsch, Verena Lehbauer, Johanna Schmid Producent / Producer: Ulrich Seidl Produkcija / Production: Ulrich Seidl Film Produktion GmbH 1090 Wien, Wasserburgergasse 5/7 +43 1 3102824, +43 1 3195664 office@ulrichseidl.com, www.ulrichseidl.com Kontakt / Contact: Coproduction Office, Rue Lamartine 24, 75009 Paris, France +33 1 56026000, +33 1 56026001 sales@coproductionoffice.eu Filmografija / Filmography: 2013 - PARADISE: HOPE / PARADIES: HOFFNUNG 2012 - PARADISE: FAITH / PARADIES: GLAUBE 2012 - PARADISE: LOVE/ PARADIES:LIEBE 2007 - IMPORT/EXPORT 2003 - JESUS, YOU KNOW /JESUS, DU WEISST

(dokumentarni / documentary) 2001 - DOG DAYS 1999 - MODELS 1997 - THE BOSOM FRIEND

(TV dokumentarni / TV documentary)

IN FOCUS l 19. Sarajevo Film Festival 77

Paradies: Liebe / Raj: Ljubav / Paradise: Love Na plažama Kenije ih zovu „sponzorke”: evropske žene u potrazi za afričkim mladićima koji prodaju ljubav kako bi zaradili za život. Teresa, 50-godišnja Austrijanka, putuje u taj raj za odmor. PARADISE: LOVE je priča o starijim ženama i mlađim muškarcima, o Evropi i Africi, o iskorištenima koji na kraju iskorištavaju druge. Ovo je prvi film iz trilogije PARADISE Ulricha Seidla, film o tri žene i tri odmora, tri priče o potrazi za srećom u ovim vremenima.

Ulrich Seidl je austrijski režiser višestruko nagrađivanih dokumentaraca JESUS, YOU KNOW, ANIMAL LOVE i GOOD NEWS. PARADISE: FAITH je 2012. godine osvojio Specijalnu nagradu žirija na Filmskom festivalu u Veneciji. Prije jedanaest godina, Seidlov prvi dugometražni film DOGS DAYS je, također, osvojio istu nagradu na Bijenalu 2001.

Seidl je 2003. osnovao produkcijsku kuću Ulrich Seidl Filmproduktion u Beču, gdje je producirao film IMPORT EXPORT, premijerno prikazan u Takmičarskom programu na Cannesu. Godine 2012. je uslijedila PARADISE trilogija: tri filma o tri žene, snimljena u periodu od četiri godine. Trenutno završava dugometražni dokumentarni film koji istražuje ljude i njihov odnos prema podrumima. IN THE BASEMENT će biti premijerno prikazan 2013.

E On the beaches of Kenya, they are known as “sugar mamas”: European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian woman, travels to this vacation paradise. PARADISE: LOVE tells of older women and young men, of Europe and Africa, and of the exploited, who end up exploiting others. Ulrich Seidl’s film is the first in his PARADISE trilogy about three women, three vacations and three stories of the longing to find happiness today.

Ulrich Seidl is the Austrian director of numerous award-winning documentaries such as JESUS, YOU KNOW,ANIMAL LOVE and GOOD NEWS. 2012 PARADISE: FAITH won the Special Jury Prize at the Venice Film Festival. Eleven years ago Seidl’s first feature film DOGS DAYS already won in the same category at Biennale 2001.

In 2003 Seidl founded the Ulrich Seidl Filmproduktion in Vienna, where he produced IMPORT EXPORT, premiered in competition at Cannes. He followed it with his PARADISE trilogy (2012): Three films about three women made in four years. He is now completing a documentary feature that explores people and their relationship to basements. IN THE BASEMENT will premiere in 2013.

78 19. Sarajevo Film Festival l U FOKUSU

Austria, France, Germany, 2012, Colour, 120 min, English, German, Swahili Režija / Director: Ulrich Seidl Scenarij / Screenplay: Ulrich Seidl, Veronika Franz Direktor fotografije / Director of Photography: Wolfgang Thaler, Ed Lachmann Montaža / Editor: Christof Schertenleib Uloge / Cast: Margarethe Tiesel, Peter Kazungu, Inge Maux Producent / Producer: Ulrich Seidl Produkcija / Production: Ulrich Seidl Film Produktion GmbH 1090 Wien, Wasserburgergasse 5/7 +43 1 3102824, +43 1 3195664 office@ulrichseidl.com www.ulrichseidl.com Kontakt / Contact: Coproduction Office, Mommsenstr. 27, Berlin 10629, Germany +49 30 3277 7879, festivals@coproductionoffice.eu Filmografija / Filmography: 2013 - PARADISE: HOPE / PARADIES: HOFFNUNG 2012 - PARADISE: FAITH / PARADIES: GLAUBE 2012 - PARADISE: LOVE/ PARADIES: LIEBE 2007 - IMPORT/EXPORT 2003 - JESUS, YOU KNOW /JESUS, DU WEISST

(dokumentarni / documentary) 2001 - DOG DAYS 1999 - MODELS 1997 - THE BOSOM FRIEND

(TV dokumentarni / TV documentary) 1999 - MODELS 1997 - THE BOSOM FRIEND (TV DOCUMENTARY)

Novi tokovi / New Currents

Novi tokovi - igrani film / New Currents - Features 82

Hassel - Privatspanarna / Roland Hassel, Måns Månsson

83

Heli, Amat Escalante

84

Norte, hangganan ng kasaysayan / Norte, kraj historije / Norte, the End of History, Lav Diaz

85

Spring Breakers / Proljetni odmor, Harmony Korine

Novi tokovi - kratki film / New Currents - Shorts 86

The Fix / Vadiona, Ante Novaković

86

I Fink U Freeky / Mislim ti čudan, Roger Ballen

87

Kuuden päivän juoksu / Šestodnevni maraton / Six Day Run, Mika Taanila

87

La lampe au beurre de yak / Lampa na buter od jaka / Butter Lamp, HU Wei

88

The Mass of Men / Ljudska gomila, Gabriel Gauchet

88

Misterio / Misterija / Mystery, Chema Garcia Ibarra

89

Pimean Akas / Nebeski prostor / Celestial Space, Ukrit Sa-Nguanhai

89

Przed Minieciem / Prije pomračenja / Before Passing, Bianca Lucas

90

A Story for the Modlins / Priča za Modlinove, Sergio Oksman

CARTE BLANCHE: SEMAINE DE LA CRITIQUE, CANNES 91

Blue, Stephen Kang

91

Ce n’est pas un film de Cow Boys / To nije kaubojski film / It’s Not a Cowboy Movie, Benjamin Parent

91

Dimanches / Nedjelje / Sundays, Valéry Rosier

92

Middag med familjen / Porodična večera / Family Dinner, Ștefan Constantinescu

92

O Duplo / Doppelgänger, Juliana Rojas

CARTE BLANCHE: VILA DO CONDE 93

Cântico das criaturas / Pjesma svih stvorenja / Canticle of All Creatures, Miguel Gomes

93

Gambozinos / Divlji Haggis / Wild Haggis, João Nicolau

93

Mahjong, João Pedro Rodrigues, João Rui Guerra da Mata

Novi tokovi 2013. / New Currents Introduction 2013

Preispitujući narativne i vizualne granice filmske forme u potrazi za novim osobenim glasovima kinematografije, u petnaesto izdanje programa Novi tokovi uvrstili smo izbor kratkih i dugometražnih naslova čiji su se autori odlučili na izazovan i inventivan pristup filmskom stvaralaštvu.

Philippe Bober

Vanja Kaluđerčić

U svom drugom dugometražnom filmu ROLAND HASSEL švedski filmski stvaralac Måns Månsson nudi nam višeslojan, ozbiljan, a istovremeno komičan pristup detektivskoj priči, fokusirajući se na događaj koji je duboko traumatizirao Švedsku – neriješeno ubistvo premijera Olofa Palmea (1986). Poznati detektiv Roland Hassel, nakon penzionisanja, odlučuje ponovo istražiti slučaj. U “stvarnom životu”, Roland Hassel je policijski inspektor iz švedskog književnog serijala, a glumac koji ga u filmu tumači istu je ulogu igrao i u televizijskoj adaptaciji tog književnog djela. Izmišljeni lik Hassel tako se pojavljuje u Månssonovoj rekonstrukciji stvarnog događaja, čime se zamagljuje granica između dokumentarnog i igranog filma.

Višestruko nagrađivani nezavisni filmski stvaralac Lav Diaz je kreativni portretist filipinske duše, koji nas u svom posljednjem četverosatnom igranom film NORTE, KRAJ HISTORIJE vodi na putovanje epskih proporcija.

Film govori o jednostavnom čovjeku koji biva nepravedno optužen za ubistvo, dok pravi ubica – intelektualac frustiran neprekidnim krugom izdaje u svojoj zemlji – ostaje na slobodi. Iako obuhvata široki vremenski i prostorni raspon, film ostaje intimna priča triju likova i odličan je primjer transcendentalne i fokusirane naracije vrijedne svake sekunde gledanja.

Meksički filmski stvaralac Amat Escalante ove je godine svojim trećim igranim filmom ispunjenim nasiljem, HELI, osvojio Nagradu za najboljeg režisera na Filmskom festivalu u Cannesu. HELI je priča o policijskoj korupciji, trgovini drogom i seksualnoj eksploataciji – fenomenima koji su Mexico pretvorili u jednu od najopasnijih zemalja svijeta. Vizualno snažan, film fantastično oslikava atmosferu terora, straha i rezignacije u kojoj se jedna porodica zatiče bez puno nade da će pronaći izlaz.

80 19. Sarajevo Film Festival l NOVI TOKOVI - IGRANI FILM

Harmony Korine, vjerovatno jedan od najoriginalnijih i najvirtuoznijih američkih režisera, predstavlja nam jedno od svojih do sada najboljih djela i ono bi se moglo opisati kao moderna verzija slika Hieronymusa Boscha. Film prati tri srednjoškolke (koje igraju Disneyeve starlete u usponu), koje odmor na Floridi finansiraju novcem ukradenim u pljački jednog porodičnog restorana. Djevojke započinju avanturu u kojoj je svaka gesta ispunjena seksualnim referencama, a one groteskno pretjeruju s pićem i drogom. Vizualno strastven, a senzorno orgazmičan, film SPRING BREAKERS oslikava potpunu ispraznost i moralnu degradaciju današnje generacije odraslih mladih ljudi.

Dva mjesta u programu su bila rezervisana za odabir kratkih filmova iz selekcije Novi tokovi – kratki film. U duhu naše dugometražne selekcije, pri odabiru kratkih filmova fokusirali smo se na mlade filmske stvaraoce neopterećene klasičnim filmskim kanonima i spremne da istraže različite forme filma i umjetničke ekspresije. Odajući počast različitim filmskim tehnikama i žanrovima, ova dva programa predstavljaju bogat i kreativan izbor novih i obećavajućih talenata koje bi valjalo držati na oku.

U proteklih par godina, Sarajevo Film Festival uveo je praksu pozivanja drugih cijenjenih festivala s prominentnom selekcijom kratkog filma da predstave svoj program u Sarajevu. Predstavljanje se vrši u okviru programa Carte Blanche, a selektorima ovog programa se, pri izboru filmova koje žele predstaviti, daje apsolutna sloboda. Sarajevo je do sada ugostilo neke od najuglednijih selekcija kratkog filma, uključujući selekcije renomiranih festivala u Oberhausenu i Rotterdamu, provokativnog Berlinalea i dobro poznatog festivala Clermont-Ferrand. Ove godine imamo dvije sekcije Carte Blanche: u prvoj predstavljamo Critics’ Week, program Filmskog festivala u Cannesu, o čijoj selekciji odlučuju filmski kritičari i novinari, a u drugoj – selekciju filmova festivala Curtas Vila do Conde, u kojoj su predstavljeni neki od najpoznatijih stvaralaca moderne portugalske kinematografije.

E Exploring the frontiers of narrative and visual forms in search of new distinctive cinematic voices, the 15th edition of New Currents delivers a selection of short and feature titles demonstrating daring and inventive approach to filmmaking.

In his second feature, ROLAND HASSEL, the Swedish filmmaker Måns Månsson develops both serious and comical multilayered exploration of investigative detective story, focusing on the event that profoundly traumatized the country - the unsolved murder of Prime Minister Olof Palme (1986). Roland Hassel, a well-known detective, re-examines the case after his retirement. In “reality”, Roland Hassel is a fictional police officer in a Swedish novel series and its actor is known from the television adaptation.

Hassel is the part of fiction in Månsson’s reconstruction of a real murder, blurring the borders of documentary and fiction filmmaking.

A multi-awarded independent filmmaker, Lav Diaz is a prolific portraitist of the Philippine soul, who takes us on an epic journey in his latest four-hour feature NORTH, THE END OF HISTORY. The film tells a story of a simple man, wrongly accused of a murder, while the real killer, an intellectual frustrated with his country’s never-ending cycle of betrayal, roams free. Told within and across large spaces and expanses of years, this three-person tapestry remains intimate in its respect to the individual characters, bringing us a transcendent and a brilliant piece of focused narrative, worth every second of watching.

Mexican filmmaker Amat Escalante won the award for best director at this year’s Cannes Film Festival with his violent third feature HELI that battles with police corruption, drug trafficking, and sexual exploitation - phenomena that have turned Mexico into one of the most dangerous countries on the planet. Visually powerful, the film brilliantly presents the atmosphere of terror, fear, and resignation in which a family is caught with little hope of finding a way out.

Perhaps the most original and virtuous contemporary US director, Harmony Korine delivers

one of his finest pieces to date, that could be described as a modern version of a Hieronymus Bosch painting. The film follows four college girls (roles played by Disney starlets in bloom), who fund their Florida vacation by robbing a mom-and-pop restaurant. Embarking on an odyssey where every gesture is charged with sexual references, the girls grotesquely overindulge in alcohol and drugs. Visually transcendental and a sensory orgy, SPRING BREAKERS depicts absolute emptiness and moral degradation of today’s generation of young adults.

Two slots in this program were left open for the New Currents Short Film selection. In keeping with our features’ selection, our choice of shorts focuses on the work of young filmmakers who are not burdened with the classic film norms and are prepared to explore the boundaries of different forms of film and different ways of artistic expression. While paying respect to different film techniques and genres, the two programs present a rich pool of creativity, new and promising talent one needs to keep an eye on.

For the past couple of years, the SFF has been inviting other prominent film festivals that have distinctive short film selection to showcase their program in Sarajevo. The program in which this is done is dubbed Carte Blanche and its curators are given absolute freedom to make their own choices that reflect their artistic direction. Sarajevo hosted some of the most prominent short film selections, including the selections of historical Oberhausen and Rotterdam film festivals, provocative Berlinale and well-established Clermont-Ferrand. This year we have two Carte Blanche sections: first presenting the Critics’ Week of the Cannes Film Festival, a section programmed by film critics and journalist and second presenting the selection of Curtas Vila do Conde festival featuring some of the most important filmmakers of contemporary Portuguese cinema.

Philippe Bober&Vanja Kaluđerčić selektori programa Novi tokovi / New Currents Selectors

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Hassel - Privatspanarna / Roland Hassel Umirovljeni policijski detektiv Roland Hassel (Lars - Erik Berenett, koji je osamdesetih godina prošlog vijeka igrao Hassela na televiziji) odlučan je riješiti slučaj ubistva švedskog premijera Olofa Palmea iz 1986. Međutim, bez pristupa policijskoj arhivi, najviše što može učiniti jeste da prisustvuje nevještoj rekonstrukciji atentata u povodu dvadeset pete godišnjice ubistva. Odlučivši se za televizijski stil osamdesetih i obilje fantastičnog mračnog humora, Måns Månsson je uspio napraviti intrigantan prvijenac.

Måns Månsson (rođen 1982.) je stekao zvanje magistra dramskih umjetnosti na Royal College of Art u Stockholmu. Njegovi nagrađivani filmovi su prikazani širom svijeta u sklopu niza filmskih festivala i programa, uključujući EIFF, Berlinale Forum, Međunarodni filmski festival u Rotterdamu, Slamdance, Cinémathèque Française, Sarajevo Film Festival i Međunarodni filmski festival u São Paolu. Månsson je tri puta nominiran za Švedsku nacionalnu filmsku nagradu (Guldbaggen) i glasajući je član Evropske filmske akademije.

E Retired police detective Roland Hassel (Lars-Erik Berenett, who played Hassel on TV in the 1980s) is determined to solve the 1986 assassination of the Swedish Prime Minister Olof Palme. Without access to police files, however, the best he can manage is to attend an inept re-enactment on the 25th anniversary of the murder... Shot to look like 1980s TV and employing deliciously deadpan humour, this is an intriguing first feature from director Måns Månsson.

Måns Månsson (born in 1982) holds an MFA from the Royal College of Art in Stockholm. His awardwinning films have been screened at various festivals and venues throughout the world, including EIFF, the Berlinale Forum, IFF Rotterdam, Slamdance, Cinémathèque Française, Sarajevo Film Festival and São Paolo IFF. Månsson is a three-time Swedish National Film Award (Guldbaggen) nominee and is a voting member of the European Film Academy.

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Sweden, 2012, Colour, 74 min, Swedish Režija / Director: Måns Månsson Scenarij / Screenplay: Måns Månsson Direktor fotografije / Director of Photography: Måns Månsson Montaža / Editor: George Cragg Muzika / Music: Anders Neglin, Louis Hackett Zvuk / Sound: Patrik Strömdahl Scenografija / Production Design: Jovanna Remaeus Jönson Uloge / Cast: Lars-Erik Berenett, Sven Anér, Göran Lambertz, Täppas Fogelberg Producent / Producer: Charlotte Most Produkcija / Production: Anagram Produktion Filmografija / Filmography 2012 - HASSEL - PRIVATSPANARNA 2009 - DOKTOR GLAS (TV film / TV movie) 2008 - MR. GOVERNOR (dokumentarni / documentary) 2005 - KINCHEN

(kratki dokumentarni / documentary short) 2003 - STOCKHOLM STREET

(kratki dokumentarni / documentary short) 2002 - CLYDE

(kratki dokumentarni / documentary short)

Heli Estela je dvanaestogodišnja djevojčica koja se upravo ludo zaljubila u mladog policijskog pitomca koji želi pobjeći s njom kako bi se vjenčali. Dok ona pokušava ostvariti svoj san, njena porodica se suočava s nasiljem koje uništava ovu regiju.

Amat Escalante je samouki režiser iz Guanajuata u Meksiku. Počeo je raditi na filmu kada je imao petnaest godina. Nakon što je snimio dva kratka filma, napisao je, snimio i režirao svoj prvi dugometražni film, UN SANGRE, koji je 2005. premijerno prikazan u okviru zvanične selekcije programa Un Certain Regard u Cannesu. Njegov drugi igrani film, LOS BASTARDOS, je 2008. također premijerno prikazan u okviru iste selekcije, gdje je osvojio FIPRESCI, nagradu međunarodnih kritičara. HELI, njegov treći igrani film, premijerno je prikazan u okviru Takmičarskog programa na Filmskom festivalu u Cannesu, a Amat Escalante je dobio Zlatnu palmu za najbolju režiju.

E Estela is a 12 year old girl who has just fallen crazy in love with a young police cadet who wants to run away with her and get married. Trying to achieve this dream, her family will have to live the violence that is devastating the region.

Amat Escalante is a self-taught filmmaker from the city of Guanajuato (Mexico); he began to work in cinema at the age of 15. After making two short films, he wrote, shot and directed his first film, Un SANGRE, which premiered at Un Certain Regard Official Selection at Cannes 2005. His second feature film LOS BASTARDOS also premiered at Un Certain Regard Official Selection at Cannes 2008, and it was awarded with the FIPRESCI Prize from the International Critics. HELI, his third feature film premiered at the Official Competition at the Cannes Film Festival, and Escalante was awarded the Palme d’Or for the Best Director.

Mexico, France, Germany, Netherlands, 2013, Colour, 105 min, Spanish Režija / Director: Amat Escalante Scenarij / Screenplay: Amat Escalante, Gabriel Reyes Direktor fotografije / Director Of Photography: Lorenzo Hagerman Montaža / Editor: Natalia Lopez Zvuk / Sound: Sergio Díaz Scenografija / Production Design: Daniela Schneider, Catriel Vildosola Uloge / Cast: Armando Espitia, Linda Gonzalez, Juan Eduardo Palacios, Andrea Vergara Produkcija / Production: Mantarraya & Tres Tunas MANTARRAYA PRODUCCIONES Sultepec 47, Hipodromo Condesa, 06170 Mexico City DF, Mexico +5255 5273 0230, info@mantarraya.com www.mantarraya.com Kontakt / Contact: PREMIER PR Liz Miller, +44 207 292 8330, Liz.Miller@premiercomms.com, www.premiercomms.com Filmografija / Filmography 2013 - HELI 2008 - LOS BASTARDOS 2005 - SANGRE 2002 - AMARRADOS (kratki / short)

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Norte, hangganan ng kasaysayan / Norte, kraj historije / Norte, the End of History Nakon što je prekinuo studij prava, mladi intelektualac Fabian odlučuje da je krajnje vrijeme da prestane samo filozofirati, te da svoja ideološka uvjerenja počne provoditi u praksu. Ali njegov ga pokušaj oslobađanja od uvriježenih društvenih i historijskih normi i institucija dovodi do ubistva lokalnog zelenaša. Fabian, međutim, izbjegava pravdu kada nevinog muškarca osude za taj zločin i pošalju u zatvor. Žena ubijenog muškarca ostaje sama i u neimaštini. Film pruža autentičnan uvid u život triju glavnih protagonista i predstavlja javni komentar trenutnog društvenog i ideološkog stanja na Filipinima. Režiser Lav Diaz koristi ovu izvanrednu priču - varijaciju na temu Raskoljnikova iz romana Fjodora Mihajloviča Dostojevskog “Zločin i kazna” - kao empatično upozorenje da bi se skorija historija Filipina pod diktaturom Ferdinanda Marcosa mogla ponoviti. Radi se o dubokom, inventivnom i provokativnom filmu, koji je nakon prikazivanja na Filmskom festivalu u Cannesu privukao značajnu pažnju.

Lav Diaz (rođen 1958. u Datu Paglasu na Filipinima) je režiser poznat po ekstremno dugim filmovima od kojih neki traju više od osam sati. Karijeru je započeo kao muzičar, pjesnik i scenarista lokalne televizije, a kao filmski autor se nametnuo ranih devedesetih godina prošlog vijeka. Njegovi najpoznatiji filmovi uključuju gotovo osmosatni film MELANCHOLIA (2008), kojim je osvojio glavnu nagradu Filmskog festivala u Veneciji, te devetosatni film DEATH IN THE LAND OF ENCANTOS (KAGADANAN SA BANWAAN NING MGA ENGKANTO, 2007). Kako po temama koje obrađuju, tako i po autorskom stilu, Diazovi filmovi duboko su ukorijenjeni u filipinsku kulturu. Tipične estetske odlike njegovih filmova (pored iznimne dužine) uključuju spor ritam, duge kadrove i odsustvo muzike.

Ovakvim pristupom, Diaz nastoji reproducirati specifičnu estetiku karakterističnu za filipinski mentalitet koji ne podliježe zapadnom poimanju vremena.

E After interrupting his law studies, young intellectual Fabian decides to stop merely philosophizing – he longs to put his ideological concepts into practice. But his attempt at a revolutionary liberation from established norms, institutions, and history leads him to murder a local loan shark.

He escapes justice, however, when a man is convicted of the crime and sent to jail, leaving his wife alone and in need. Offering a uniquely compelling perspective on the lives of its three protagonists, Norte presents an open commentary on the contemporary social and ideological situation in the Philippines. Director Lav Diaz uses this exceptional story – a variation on the tale of Raskolnikov from Dostoevsky’s Crime and Punishment – as an emphatic warning that recent Philippine history in the guise of dictator Ferdinand Marcos may well repeat itself. A profound and formally inventive and provocative film that garnered considerable attention following its screening at Cannes.

Lav Diaz (b. 1958, Datu Paglas, Philippines) is a director known for the extreme length of his films, some of which run more than eight hours. He began as a musician, poet, and screenwriter for local television, and established himself as a filmmaker in the early 1990s. His best known works include the almost eight-hour long Melancholia (2008), which won the main prize at the Venice IFF, and the nine-hour DEATH IN THE LAND OF ENCANTOS (KAGADANAN SA BANWAAN NING MGA ENGKANTO, 2007). In both subject matter and style, Diaz’s films are firmly rooted in Filipino culture.

Their typical aesthetic features include (in addition to their long run time) slow pacing, extensive takes, and the absence of music. Using these tools, Diaz tries to reproduce the specific aesthetic peculiar to the Filipino mentality, which is not subject to the Western perception of time.

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Philippines, 2013, Colour, 250 min, Filipino Režija / Director: Lav Diaz Scenarij / Screenplay: Rody Vera, Lav Diaz Direktor fotografije / Director of Photography: Lauro Rene Manda Montaža / Editor: Lav Diaz Zvuk / Sound: Corinne De San Jose Scenografija / Production Design: Perry Dizon Uloge / Cast: Sid Lucero, Angeli Bayani, Archie Alemania Producent / Producer: Raymond Lee Produkcija / Production: Wacky o Productions Filmografija / Filmography 2013 - NORTE, THE END OF HISTORY 2012 - AN INVESTIGATION ON THE NIGHT THAT WON’T

FORGET (dokumentarni / documentary) 2012 - FLORENTINA HUBALDO, CTE 2011 - CENTURY OF BIRTHING 2011 - ELEGY TO THE VISITOR FROM THE REVOLUTION 2011 - WOMAN OF THE WIND 2009 - BUTTERFLIES HAVE NO MEMORIES

(kratki / short) 2009 - PURGATORIO (kratki / short) 2008 - MELANCHOLIA 2007 - DEATH IN THE LAND OF ENCANTOS 2006 - HEREMIAS: UNANG AKLAT - ANG ALAMAT NG

PRINSESANG BAYAWAK 2004 - EVOLUTION OF A FILIPINO FAMILY 2002 - HESUS, REBOLUSYUNARYO 2001 - BATANG WEST SIDE 1999 - HUBAD SA ILALIM NG BUWAN 1999 - BURGER BOYS 1998 - THE CRIMINAL OF BARRIO CONCEPCION

Spring Breakers / Proljetni odmor Četiri privlačne srednjoškolke odlučuju opljačkati fast food kiosk kako bi finansirale svoj proljetni odmor. Ali to je samo početak... Nakon noći ispunjene ludom zabavom, djevojke zaustavlja policijska patrola i hapsi ih zbog sumnje na zloupotrebu narkotika. Djevojke se pojavljuju pred sudijom mamurne i odjevene samo u bikinije kada Alien, zloglasni lokalni kriminalac, iznenada plaća kauciju za njih. Alien ih uzima pod svoje i vodi ih na najluđi proljetni odmor koji su ikad doživjele. Na prvi pogled grubijan, ali nježne duše, Alien osvaja djevojačka srca i vodi ih na proljetni odmor kakav nisu mogle ni zamisliti.

Harmony Korine (rođen 1973) je američki filmski režiser, producent, scenarist, autor i povremeno glumac. Najpoznatiji je kao pisac scenarija za film KIDS i kao režiser filmova GUMMO, JULIEN DONKEY-BOY i MISTER LONELY. Njegov film TRASH HUMPERS premijerno je prikazan na Međunarodnom filmskom festivalu u Torontu gdje je osvojio glavnu nagradu. Film je osvojio i nagradu DOX na Međunarodnom festivalu dokumentarnog filma u Copenhagenu, CPH:DOX, u novembru 2009. Film SPRING BREAKERS je prikazan na Međunarodnom filmskom festivalu u Veneciji gdje je Korine osvojio Future Film Festival Digital Award - specijalni pomen.

E Four sexy college girls plan to fund their spring break getaway by burglarizing a fast food shack.

But that’s only the beginning… During a night of partying, the girls hit a roadblock when they are arrested on drug charges. Hungover and clad only in bikinis, the girls appear before a judge but are bailed out unexpectedly by Alien, an infamous local thug who takes them under his wing and leads them on the wildest Spring Break trip in history. Rough on the outside but with a soft spot inside, Alien wins over the hearts of the young Spring Breakers, and leads them on a Spring Break they never could have imagined.

Harmony Korine (born in 1973) is an American film director, producer, screenwriter, author and occasional actor. He is best known for writing Kids, and for directing GUMMO, JULIEN DONKEY-BOY and MISTER LONELY. His film TRASH HUMPERS premiered at Toronto International Film Festival and won the main prize, the DOX Award, at CPH:DOX in November 2009. His film Spring Breakers was screened at the Venice Film Festival, where Korine won Future Film Festival Digital Award - Special Mention.

USA, 2012, Colour, 94 min, English Režija / Director: Harmony Korine Scenarij / Screenplay: Harmony Korine Direktor fotografije / Director of Photography: Benoît Debie Montaža / Editor: Douglas Crise Muzika / Music: Cliff Martinez, Skrillex Scenografija / Production Design: Elliott Hostetter Kostimografija / Costume Design: Heidi Bivens Uloge / Cast: Selena Gomez, Vanessa Hudgens, Ashley Benson Producent / Producer: Charles-Marie Anthonioz, Jordan Gertner, Chris Hanley, David Zander Produkcija / Production: A MUSE RABBIT, BANDINI, RADAR PRODUCTION Filmografija / Filmography 2012 - SPRING BREAKERS 2012 - LOTUS COMMUNITY WORKSHOP (kratki / short) 2011 - SNOWBALLS (kratki / short) 2011 - UMSHINI WAM (kratki / short) 2010 - ACT DA FOOL (kratki / short) 2010 - MAC AND PLAK (kratki / short) 2009 - TRASH HUMPERS 2009- 42 ONE DREAM RUSH (kratki / short) 2007 - MISTER LONELY 1998 - THE DIARY OF ANNE FRANK PART II

(kratki / short) 1997 - GUMMO

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USA, 2012, Colour, 18 min, English

The Fix / Vadiona Nakon što razočaraju svog kriminalnog vođu iz druge dimenzije, dva sitna kriminalca i prijatelja oduvijek otkrit će da je iskupljenje udaljeno za dužinu metka. Nesposobni da izvrše zadatak koji se činio jednostavnim, dobivaju priliku za oprost u formi pisane poruke - iskupljenje, ali po koju cijenu?

Režija / Director: Ante Novaković Scenarij / Screenplay: Ante Novaković, Kresh Novaković Direktor fotografije / Director of Photography: John Schmidt Montaža / Editor: Victoria Valles Muzika / Music: John Drazic, Andrew Drazic Zvuk / Sound: Alex Lee Scenografija / Production Design: Brandon Polanco Kostimografija / Costume Design: Jami-Lee Hamilton Uloge / Cast: Armand Assante, Kresh Novaković, Luca Pierucci, Peter Tambakis Producent / Producer: Ethan Lee, Ante Novaković, Kresh Novaković, John Drazic Produkcija / Production: A Bronx Boy Production Filmografija / Filmography 2012 - THE FIX

Ante Novaković je rođen i odrastao u Bronxu, u New Yorku. Diplomirao je 2004. na univerzitetu The New School u New Yorku, nakon čega je radio na više teatarskih predstava i dramskih tekstova. Imao je veliku sreću što mu je pružena prilika da radi na preko 50 filmova, a THE FIX je njegov prvi kratki igrani film.

E Redemption is a bullet away as two middling underworld associates and life-long friends quickly come to realize after failing their otherworldly crime figurehead. Not being able to accomplish what was seemingly easy, they’re offered clemency in the form of a note, redemption, but at what price?

Ante Novaković was born and raised in the Bronx New York. He graduated from The New School University in New York in 2004 and worked on various stage plays and screenplays. He also had the great fortune and opportunity to have worked on over 50 films, whereas THE FIX is his short feature debut.

South Africa, 2012, Colour and B&W, 4 min, No Dialogue Režija / Director: Roger Ballen Direktor fotografije / Director of Photography: Melle Van Essen Montaža / Editor: Jannie Hondekom Muzika / Music: Die Antwoord Producent / Producer: Roger Ballen and Ninja Produkcija / Production: Blade Filmografija / Filmography 2013 - I FINK U FREEKY (muzički video / music video)

I Fink U Freeky / Mislim ti čudan Mislim ti čudan, muzički video koji je režirao Roger Ballen, a koji je u aprilu 2013. predstavljen u galeriji Mouche u Los Angelesu, dio je nagrađivanog svijeta viralne videosenzacije Mislim ti čudan Rogera Ballena i Die Antwoorda.

Roger Ballen je jedan od najznačajnijih fotografa svoje generacije. Njegov osobeni vizualni izraz crno-bijele fotografije jednostavnih kvadratnih linija u proteklih je trideset godina doživio pravu evoluciju. Fotografije Rogera Ballena izlagane su i uvrštene u kolekciju nekih od najprestižnijih kulturnih institucija, uključujući Galeriju Tate, Muzej Smithsonian, Centar Georges Pompidou, Muzej Victoria&Albert te Muzej moderne umjetnosti u New Yorku.

E I FINK U FREEKY, a music video clip directed by Roger Ballen, is a part of the award winning viral video sensation I FINK U FREEKY world of Roger Ballen and Die Antwoord, which was presented at Mouche Gallery, Los Angeles in April 2013.

Roger Ballen is one of the most important photographers of his generation. Over the past thirty years his distinctive style of photography has evolved using a simple square format in stark and beautiful black and white. Roger Ballen’s photographs have been shown in, and collected by some of the most prestigious institutions including the Tate, Smithsonian, Centre Georges Pompidou, Victoria & Albert Museum and the Museum of Modern Art in New York.

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Finland, 2013, Colour, 15 min, English Režija / Director: Mika Taanila Direktor fotografije / Director of Photography: Jussi Eerola Montaža / Editor: Mika Taanila Muzika / Music: Circle Zvuk / Sound: Olli Huhtanen Producent / Producer: Cilla Werning, Lasse Saarinen Produkcija / Production: Kinotar Oy

Kuuden päivän juoksu / Šestodnevni maraton / Six Day Run Film o jednom od najzahtjevnijih individualnih sportova koji datira iz sedamdesetih godina devetnaestog stoljeća, a djelimično je utemeljen na biblijskoj Knjizi Postanka (1:1-2:3). Tokom ovog sportskog događaja, 35 učesnika iz različitih zemalja trči u krug po betoniranoj stazi u parku, dugoj jednu milju (1,6 km). Trkači testiraju granice vlastite izdržljivosti i sposobnosti vlastitog organizma da se oporavi od napora neprekidnog kretanja.

Mika Taanila je umjetnik koji uspješno stvara u oblastima dokumentarnog i avangardnog filma, te vizualne umjetnosti. Njegovi se filmovi bave pitanjima urbanog, vještačkog okruženja i futurističkih utopija moderne nauke. Taanilini kratki filmovi prikazani su na više od 300 međunarodnih filmskih festivala i filmskih okupljanja.

E A film about one of the most extreme individual endurance sports dating back to the 1870s is loosely based on the Genesis creation narrative in the Bible (Genesis 1:1 – 2:3). During the event, 35 runners from different countries run laps around a one-mile paved loop in a park. The runners test the limits of their endurance and ability to recover from the stress of constantly moving.

Mika Taanila is an artist working fluently in between documentary film-making, avant-garde cinema and visual arts. His films deal with the issues of urban artificial surroundings and futuristic utopias of contemporary science. Taanila’s short films have been screened altogether at more than 300 international film festivals and special events.

Filmografija / Filmography 2013 - SIX DAY RUN (short / kratki) 2011 - PNEUMA (short / kratki) 2011 - IHMINEN JA TIede (short / kratki) 2010 - LAITOS (documentary / dokumentarni) 2010 - PUIJO (short / kratki) 2006 - TÄYDELLISEN PIMENNYKSEN VYÖHYKE

(short / kratki) 2006 - A SUMMER TRIP (short / kratki) 2005 - OPTICAL SOUND (short / kratki) 2002 - THE FUTURE IS NOT WHAT IT USED TO BE

(documentary / dokmentarni) 2002 - A PHYSICAL RING

(documentary short / dokumentarni kratki) 2000 - ROBOCUP 99: WE HAVE A DREAM

(short / kratki) 1998 - FUTURO: A NEW STANCE FOR TOMORROW

(documentary short / dokumentarni kratki) 1998 - PORI (short / kratki) 1997 - THANK YOU FOR THE MUSIC

(documentary short / dokumentarni kratki) 1992 - MULLA EI OLE MITÄÄN

(documentary / dokumentarni) 1990 - TOIMINTAHÄIRIÖITÄ (video documentary short /

kratki videodokumentarac)

China, 2013, Colour, 23 min, Tibetian Režija / Director: HU Wei Scenarij / Screenplay: HU Wei Direktor fotografije / Director of Photography: Jean Legrand, Stephane Degnieau Montaža / Editor: HU Wei Zvuk / Sound: Liu Cheng, Hervé Guyader Scenografija / Production Design: He tai Kostimografija / Costume Design: HU Wei Uloge / Cast: Genden Punstock Producent / Producer: Julien Feret Produkcija / Production: Ama production

La lampe au beurre de yak / Lampa na buter od jaka / Butter Lamp

Filmografija / Filmography 2013 - LA LAMPE AU BEURRE DE YAK (short / kratki) 2012 - LE PROPRIÉTAIRE (short / kratki) 2009 - SANS TOI (short / kratki)

Mladi, putujući fotograf i njegov asistent predlažu tibetanskim nomadima da ih fotografiraju. Nomadske porodice poziraju fotografu naspram raznolikog i djelimično egzotičnog krajolika. Kroz svoje fotografije fotograf će sa svakim od nomada uspostaviti jedinstvenu vezu.

HU Wei je rođen u Pekingu, u Kini. Živi i radi u Parizu i Pekingu.

E A young itinerant photographer and his assistant suggest to Tibetan nomads to take their picture.

Against diverse and more or less exotic backgrounds, families appear to the photographer. Through these shots, the photographer will weave unique links with each of the various villagers.

HU Wei was born in Beijing of China. He lives and works in Paris and Beijing.

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United Kingdom, 2012, Colour, 16 min, English

The Mass of Men / Ljudska gomila Nezaposleni pedesetpetogodišnjak Richard stiže na sastanak u službi za zapošljavanje kasneći tri minute. Uvjetovana ograničenjima sistema u kojem radi, savjetnica za zapošljavanje ga kažnjava zbog kašnjenja. Kako ne bi zapao u još dublje siromaštvo, Richard je prisiljen poduzeti očajničke mjere.

Gabriel Gauchet je stekao zvanje magistra režije na Nacionalnoj školi za film i televiziju u Velikoj Britaniji. Trenutno živi u Londonu, gdje radi kao režiser i scenarist. Njegov kratki film MWANSA THE GREAT je 2012. godine nominiran za Nagradu za najbolji kratki film BAFTA. Učestvovao je na Berlinale talent kampusu 2010. godine.

Režija / Director: Gabriel Gauchet Scenarij / Screenplay: Gabriel Gauchet, Rungano Nyoni Direktor fotografije / Director of Photography: Nick Cooke Montaža / Editor: Alice Petit Muzika / Music: Matt Kelly Zvuk / Sound: Ania Przygoda Scenografija / Production Design: Will Houghton-Connell Kostimografija / Costume Design: Sian Samuel Uloge / Cast: Peter Faulkne, Jane McDowell Producent / Producer: Emily Morgan Produkcija / Production: Quiddity Films Filmografija / Filmography 2013 - Z1 (kratki / short) 2013 - DIARY OF INCIDENCES (kratki / short) 2012 - THE MASS OF MEN (kratki / short) 2011 - MWANSA THE GREAT (kratki / short) 2010 - EFECTO DOMINÓ (kratki / short) 2009 - DIE KNEIPE (kratki / short)

E Richard, an unemployed 55-year-old, arrives 3 minutes late for his appointment at a job centre.

An advisor, stifled by the limits of the system she works in, has no choice but to penalise him for his tardiness. To avoid plunging further into destitution, Richard takes desperate measures.

Gabriel Gauchet graduated at the National Film and Television School, UK (MA Course Directing) and he currently works as writer/director and lives in London. He was BAFTA Award Nominee 2012 for Best Short Film - MWANSA THE GREAT. In 2010, he was participant at the Berlinale Talent Campus.

Spain, 2013, Colour, 12 min, Spanish

Misterio / Misterija / Mystery Kažu da, ako prisloniš uho na njegov vrat, možeš čuti Blaženu Djevicu kako govori. Majka, otac i sin.

Njih troje je sve bliže krizi u kojoj je razumijevanje samo jedan od načina da izbjegnu slušati jedni druge. Kao u tradiciji španjolskog slikarstva à la Velázquez, slika pokazuje više no što oči vide.

Chema García Ibarra je rođen 1980. godine u Elcheu (Španija), gdje i danas živi i radi. Studirao je marketing na Univerzitetu Alicante. Autor je muzičkih spotova i kratkih filmova koji su prikazani u selekciji gotovo 500 filmskih festivala, uključujući Quinzaine des Réalisateurs, Sundance, AFI fest, Chicago film festival, Ann Arbor i Gijón. Njegova dva prva filma osvojila su gotovo 150 nagrada, uključujući Méliès d’Or za najbolji evropski fantastični kratki film i dva specijalna pomena (honorable mention) Sundance film festivala.

E They say that if you put your ear to the back of his neck, you can hear the Virgin speak. Mother, father and son. The trio is heading for a crisis in which understanding is only one way of not listening to each other. As in the tradition of Spanish painting à la Velázquez, there is more to the image than meets the eye.

Chema García Ibarra was born in Elche (Spain) in 1980, city where he is still living and working. He studied Advertising in the Alicante University. He has made music videos and the short films, who where selected in almost 500 film festivals, including the Quinzaine des Réalisateurs, Sundance, AFI fest, Chicago Film Festival, Ann Arbor or Gijón. His 2 early films have won almost 150 awards, including the Méliès d’Or to the best fantastic european short film and two honorable mentions in Sundance.

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Režija / Director: Chema Garcia Ibarra Scenarij / Screenplay: Chema García Ibarra Direktor fotografije / Director of Photography: Alberto Gutiérrez Montaža / Editor: Chema García Ibarra Muzika / Music: Julio Posadas Zvuk / Sound: José Marsilla Scenografija / Production Design: Leonor Díaz Uloge / Cast: Angelita López, Asun Quinto, Josefa Sempere, Antonio Blas Molina, José Manuel Ibarra, Luismi Bienvenido, Susi Martínez, Josette Mora Producent / Producer: Chema García Ibarra, Leonor Díaz Produkcija / Production: Chema García Ibarra Filmografija / Filmography 2013 - MISTERIO (kratki / short) 2009 - PROTOPARTÍCULAS (kratki / short) 2008 - EL ATAQUE DE LOS ROBOTS DE NEBULOSA-5

(kratki / short)

Thailand, 2012, Colour, 28 min, Thai Režija / Director: Ukrit Sa-Nguanhai Direktor fotografije / Director of Photography: Parnupong Kamsan Montaža / Editor: Ukrit Sa-Nguanhai Uloge / Cast: Somboon Srimaduea, Ruk Tardpiboon Producent / Producer: Kullanard Worraratkrittikorn Filmografija / Filmography 2012 - PIMEAN AKAS (kratki / short) 2012 - GHOSTS IN THE CLASSROOM (kratki / short)

Pimean Akas / Nebeski prostor / Celestial Space Priča o noćima Raka i Noi, ljubavnika i građevinskih radnika koji slobodno žive uz neko tipično gradilište. Sve se čini uobičajenim. Međutim, njihove prve bračne noći Rak iz nekog razloga ne može voditi ljubav sa Noi i čini se kao da su oboje zaglavili u mraku noći.

Ukrit Sa-Nguanhai je jedan od tajlandskih režisera koji kao da instinktivno znaju da se tremor i zvuci lova mogu osjetiti, a tuga i tihi bijes čuti, samo ako se dovoljno približimo tlu. Njegovi su raniji filmovi prikazivani na Festivalu eksperimentalnog filma u Bangkoku, vodećem tajlandskom festivalu nezavisnog, eksperimentalnog i art filma.

E A story of the night time of Rak and Noi. They are construction worker lovers who live freely in a typical construction camp site somewhere. Everything seems to be normal. However, in their wedding night, Rak couldn’t perform a usual sexual intercourse with Noi for some reasons and it looks like both of them are stuck in the darkness of night.

Ukrit Sa-Nguanhai is one of filmmakers from Thailand who seem to know by instinct the necessity of crouching close enough to the ground to feel the tremor and haunting, and to hear the grief and the silent rage. His previous work has been screened at The Bangkok Experimental Film Festival which is Thailand’s leading festivals for independent, experimental and artist-made moving image.

Poland, 2012, Black & White, 16 min, Polish Režija / Director: Bianca Lucas Scenarij / Screenplay: Bianca Lucas Direktor fotografije / Director of Photography: Wojciech Rytel Montaža / Editor: Wojciech Janas Zvuk / Sound: Sinan Berksöz, Szymon Orfin Scenografija / Production Design: Małgorzata Dąbrowska Uloge / Cast: Natalia Powada, Sylwana Skarżyńska-Rutledge, Zbigniew Swat, Bolesław Ciesielski, Ewa Kania, Barbara Sadurska Producent / Producer: Bianca Lucas

Przed Minieciem / Prije pomračenja / Before Passing

Filmografija / Filmography 2013 - Before Passing (kratki / short)

Radnja se odvija dan uoči pomračenja mjeseca - astronomskog fenomena koji, izgleda, brine samo desetogodišnju Mariju. Lokalna porodica bavi se banalnim svakodnevnim aktivnostima, ali mala Maria se trudi razumjeti predstojeći gubitak. Dok je zaleđena šuma vuče sebi, Maria traži društvo devedesetogodišnjeg otpadnika… Kako će Maria zaštititi ono što će zauvijek pojesti mrak?

Bianca Jadwiga Lucas (1989, Švicarska) je autorica poljsko-australskih korijena, odrastala u Švicarskoj, Norveškoj i Poljskoj. Studirala je medije i komunikaciju na koledžu Goldsmiths u Londonu. Nakon diplomiranja, radila je kao kustosica u Berlinu, a zatim na različitim pozicijama u više produkcijskih kompanija. Ove godine je u Sarajevu upisala trogodišnji studij filma ‘film.factory’ pod vođstvom Béle Tarra.

E It is the day before the ‘Lunar Passing’- a cosmic phenomenon that seems only to worry 10-year old Maria. A local family turns their attention to the banalities of everyday routine, but little Maria tries to make sense of her impending loss. As the frozen forest summons her in, she seeks out the company of a 90 year-old outcast... How will Maria safeguard what is about to pass forever?

Bianca Jadwiga Lucas (1989, Switzerland) has Polish and Australian roots and grew up in Switzerland, Norway and Poland. She studied Media and Communication at Goldsmiths College in London.

After graduating, she worked as a curator in Berlin and then for several production offices in various positions. In 2013, she begins the ‘film.factory’ threeyear filmmaking programme in Sarajevo under the leadership of Béla Tarr.

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Spain, 2012, Colour, 26 min, English Režija / Director: Sergio Oksman Scenarij / Screenplay: Carlos Muguiro, Emilio Tomé, Sergio Oksman Direktor fotografije / Director of Photography: Migue Amoedo Montaža / Editor: Fernando Franco, Sergio Oksman Zvuk / Sound: Carlos Bonmatí Producent / Producer: Sergio Oksman Produkcija / Production: Dok Films

A Story for the Modlins / Priča za Modlinove Nakon pojavljivanja u filmu Romana Polanskog ROSEMARINA BEBA, Elmer Modlin s porodicom bježi u daleku zemlju gdje se na trideset godina zatvaraju u mračan stan.

Sergio Oksman je rođen u Brazilu 1970. Studirao je novinarstvo u Sao Paulu i film u New Yorku. Od 1998. je, u okviru TV serijala EL PARTIDO DEL SIGLO, režirao brojne kratke televizijske dokumentarce.

Od 2000. radi kao direktor produkcijske kompanije Dok Films.

E After appearing in the film Rosemary’s Baby, by Roman Polanski, Elmer Modlin ran away with his family to a distant land, where they shut themselves inside a dark apartment for thirty years.

Sergio Oksman was born in Brazil in 1970. He studied journalism in Sao Paulo and film in New York.

Staring from 1998 he directed numerous short TV documentaries within serias EL PARTIDO DEL SIGLO. He has run the production company Dok Films since 2000.

90 19. Sarajevo Film Festival l NOVI TOKOVI - KRATKI FILM

Filmografija / Filmography 2013 - A STORY FOR THE MODLINS

(kratki dokumentarni / documentary short) 2009 - NOTES ON THE OTHER (kratki / short) 2007 - ALEXANDRA

(TV dokumentarni / TV documentary) 2006 - GOODBYE, AMERICA

(dokumentarni / documentary) 2005 - A ESTETICISTA (dokumentarni / documentary) 2004 - BENFICA NA MEMÓRIA

(TV dokumentarni / TV documentary) 2002 - GAUDÍ EN LA FAVELA

(TV dokumentarni / TV documentary) 2001 - RESTOS DE NOCHE

(dokumentarni / documentary) 2000 - AZNAR-ALMUNIA: DIARIO DE CAMPAÑA

(dokumentarni / documentary) 2000 - VOTO BLANCO (dokumentarni / documentary)

Blue New Zealand, 2011, Colour, 14 min, English Režija / Director: Stephen Kang Scenarij / Screenplay: Stephen Kang Direktor fotografije / Director of Photography: Virginia Loane Montaža / Editor: Luke Haigh Muzika / Music: Joost Langeveld, Chris van der Geer, Mike Newport Zvuk / Sound: Andy Morton, Chris Burt Scenografija / Production Design: Ross McGarva Uloge / Cast: Hanna Lee, Gary Young, Tuyet Nguyen, Yip Yi Hoa, Willie Ying, Niamh Peren Producent / Producer: Tara Riddell Produkcija / Production: AKA & Curious Film

BLUE je svojevremeno radio kao čupava maskota dječijeg TV programa, ali sada je konobar u azijskom restoranu i bori se da sačuva posao. Dok poslužuje hranu, uvijek je nasmijan. Neki ga ljudi prepoznaju iz ranijih vremena, ali uglavnom su ga zaboravili. Jednoga dana stiže loša vijest.

E BLUE used to work as a fluffy TV mascot on a children’s program but now he is a waiter in an Asian restaurant trying keep his job. He always keeps a smiley face on as he serves food. Some people recognise him from the old days but most people have forgotten him. One day bad news arrives.

Ce n’est pas un film de Cow Boys / To nije kaubojski film / It’s Not a Cowboy Movie France, 2012, Colour, 12 min, French Režija / Director: Benjamin Parent Scenarij / Screenplay: Benjamin Parent, Joris Morio Direktor fotografije / Director of Photography: Nicolas Loir Montaža / Editor: Béatrice Herminie Muzika / Music: SARH (Thomas Parent, José Réis Fontao, Marie Flore) Zvuk / Sound: Arnaud Julien Scenografija / Production Design: Guillaume Deviercy Uloge / Cast: Malivaï Yakou, Finnegan Oldfield, Leïla Choukri, Garance Marillier, Damien Pinto-Gomes Produkcija / Production: SYNECDOCHE

Na televiziji su prethodne noći emitirali BROKEBACK MOUNTAIN. Vincent je gledao film i pod snažnim je utiskom. Koristi školski odmor kako bi prijatelju iz razreda Moussi na dirljiv i naivan način prepričao film. Jessica, koju je film također dirnuo, u ženskom toaletu bombardira prijateljicu Nadiju čudnim pitanjima o njenom ocu homoseksualcu.

E Brokeback Mountain was aired on TV last night. Vincent watched it and has been completely shattered. He takes advantage of the recess to describe the film in a touching and naïve way to his classmate, Moussa. In the girls bathroom, Jessica also deeply moved by the film, bombards her best friend Nadia with awkward questions about her gay father.

Dimanches / Nedjelje / Sundays Belgium, 2011, Colour, 16 min, No Dialogue Režija / Director: Valéry Rosier Scenarij / Screenplay: Valéry Rosier Direktor fotografije / Director of Photography: Olivier Boonjing Montaža / Editor: Nicolas Rumpl Muzika / Music: Jurgen Biller Zvuk / Sound: Arnaud Calvar Scenografija / Production Design: Juliette Fassin Uloge / Cast: Germaine Dervaux, André Caron, André Lefèbvre, Jean-Louis Lejeune, André Delcroix Produkcija / Production: Ultime razzia productions

Nedjelje ili kako se ljudska vrsta nosi s protokom vremena.

Slobodno vrijeme koje po svaku cijenu želimo ispuniti.

Vrijeme koje gledamo kako prolazi, dok se smijemo ili dosađujemo.

E Sundays or how Mankind faces the passage of time.

That free time we are trying to fill at all costs.

That same time we look at passing by, with laughter or boredom.

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Middag med familjen / Porodična večera / Family Dinner Sweden, 2012, Colour, 15 min, Swedish Režija / Director: Ștefan Constantinescu Scenarij / Screenplay: Ștefan Constantinescu, Xandra Popescu Direktor fotografije / Director of Photography: Alexandru Timosca Montaža / Editor: Rasmus Ohlander Zvuk / Sound: Tobias Rönnertz Scenografija / Production Design: Louise Gylling Uloge / Cast: Fanny Risberg, Michael Jansson, Fanny Garanger Produkcija / Production: ATMO MEDIA NETWORK

U stanu porodice Christiansson dešavaju se čudne stvari. Dok otac i kći pripremaju večeru, majka je u kadi i preko mobilnog telefona s nekim razmjenjuje nastrane poruke. Čak i kada joj se na telefonu istroši baterija, ne može se natjerati da prestane.

E In the apartment of the Christiansson family, strange things are going on. While father and daughter are preparing dinner, in the bathtub, mother is exchanging kinky messages on her mobile phone. Even when her phone is out of battery, she cannot bring herself to stop.

O Duplo / Doppelgänger Brazil, 2012, Colour, 26 min, Portugese Režija / Director: Juliana Rojas Scenarij / Screenplay: Juliana Rojas Direktor fotografije / Director of Photography: Flora Dias Montaža / Editor: Manoela Ziggiatti Zvuk / Sound: Gabriela Cunha Scenografija / Production Design: Fernando Zuccolotto Uloge / Cast: Sabrina Greve, Gilda Nomacce, Majeca Angelucci, Henrique Rabelo, Daniel Ribeiro, Sara Silveira Produkcija / Production: ITINERANTE FILMES

Silvia je mlada učiteljica u osnovnoj školi. Jednog dana Silvijin čas biva prekinut kada njeni učenici s druge strane ulice uoče njenu dvojnicu.

Silvija pokušava ignorirati ukazanje, ali se ovaj čudnovati događaj počinje uvlačiti u njenu svakodnevnicu i mijenjati njenu ličnost.

92 19. Sarajevo Film Festival l Carte Blanche: Semaine De La Critique, CANNES

E Silvia is a young teacher at an elementary school. One day, her class is interrupted when the students notice her double walking on the other side of the street. Silvia tries to ignore the apparition, but this strange event begins to permeate her daily life and transform her personality.

Cântico das criaturas / Pjesma svih stvorenja / Canticle of All Creatures Portugal, 2006, Colour, 24 min, Portugese Režija / Director: Miguel Gomes Scenarij / Screenplay: Miguel Gomes Direktor fotografije / Director of Photography: Rui Poças Montaža / Editor: João Nicolau, Miguel Gomes Muzika / Music: Mariana Ricardo Zvuk / Sound: Miguel Martins Uloge / Cast: João Nicolau, Mariana Ricardo, Paolo Manera Producent / Producer: Luis Urbano, Sandro Aguilar Produkcija / Production: O Som e a Fúria

Assisi 2005: trubadur šeta ulicama rodnoga grada Svetog Franje Asiškog svirajući i pjevajući “Pjesmu brata Sunca” ili “Pjesmu stvorenja”, koju je spjevao Sv. Franjo. Šume Umbrije, 1212: Tokom jedne propovijedi pticama, Sv. Franjo iznenada pada u nesvijest. Nakon što ga Sveta Klara reanimira, svetac djeluje čudno, zamišljeno i ničega se ne sjeća.

E Assisi 2005: a troubadour walks the streets of St. Francis of Assisi hometown,singing and playing the Song of Brother Sun or Song of the Creatures, written by St. Francis. Woods of Umbria, 1212: during one preaching to the birds, St. Francis suddenly faints. Reanimated by St. Clare, the saint looks strange and absent and he doesn’t remember anything.

Gambozinos / Divlji Haggis / Wild Haggis Portugal, France, 2013, Colour, 20 min, Portugese Režija / Director: João Nicolau Scenarij / Screenplay: João Nicolau Direktor fotografije / Director of Photography: Mário Castanheira Montaža / Editor: João Nicolau, Telmo Churro Muzika / Music: Eels, Mariana Ricardo Zvuk / Sound: Vasco Pimentel Scenografija / Production Design: Bruno Duarte Uloge / Cast: Ana Sofia Ribeiro, Isabel Portugal, Paulo Duarte Ribeiro, Pedro Leitão, Tomás Franco Producent / Producer: Luis Urbano, Sandro Aguilar Produkcija / Production: O Som e a Fúria

Desetogodišnji dječak se u ljetnom kampu suočava sa životnim izazovima.

Nije lako kada te ignorira djevojčica koja ti se sviđa ili kad posmatraš mlade propalice dok uništavaju tvoju spavaonicu. Srećom, Divlji Haggis je odlučan da ostane daleko od njihovih očiju, skriven u šumi.

E A ten year-old boy faces up to the struggles of life in a summer camp.

It’s not easy to be ignored by the girl of his heart or seeing his dormitory vandalised by adolescent thugs. Fortunately, in the forest, the Wild Haggis insists on remaining out of sight.

Mahjong Portugal, 2013, Colour, 33 min, Portugese Režija / Director: João Pedro Rodrigues, João Rui Guerra da Mata Scenarij / Screenplay: João Pedro Rodrigues, João Rui Guerra da Mata Direktor fotografije / Director of Photography: José Magro Montaža / Editor: Mariana Gaivão Muzika / Music: Luís Fernandes Zvuk / Sound: Adrian Santos, Nuno Carvalho Uloge / Cast: Anne Pham, Fernando Vhou, João Pedro Rodrigues, João Rui Guerra da Mata Producent / Producer: Dario Oliveira Produkcija / Production: Curtas Metragens CRL

Varziela, Vila do Conde, najveći kineski kvart u Portugalu.

Muškarac sa šeširom i nestala žena. Cipela s visokom potpeticom, plava perika i kineska haljina.

Sukob Istočnog vjetra i Crvenog zmaja, ključne pozicije postavljene kao u vrhunskoj igri mahjonga.

E Varziela, Vila do Conde, the biggest Chinatown in Portugal.

A man wearing a hat and a missing woman. A high-heeled shoe, a blond wig and a Chinese dress.

The confrontation between the East Wind and the Red Dragon; the cardinal points switched as in an ultimate Mahjong game.

CARTE BLANCHE: VILA DO CONDE l 19. Sarajevo Film Festival 93

Kinoscope

98

2 automnes, 3 hivers / 2 jeseni, 3 zime / 2 Autumns, 3 Winters, Sebastien Betbeder

99

The Act of Killing / Čin ubijanja, Joshua Oppenheimer, Christine Cynn, Anonymous

100 Alì ha gli occhi azzurri / Plavooki Ali / Alì Blue Eyes, Claudio Giovannesi 101 Äta sova dö / Jedi, spavaj, umri / Eat Sleep Die, Gabriela Pichler 102 Borgman, Alex van Warmerdam 103 The Congress / Kongres, Ari Folman 104 Gloria, Sebastián Lelio 105 L’inconnu du lac / Stranac s jezera / Stranger by the Lake, Alain Guiraudie 106 L’intervallo / Interval / The Interval, Leonardo di Costanzo 107 The Selfish Giant / Sebični Div, Clio Barnard 108 Shom’ray Ha’Saf / Čuvari kapije / The Gatekeepers, Dror Moreh 109 Short Term 12, Destin Daniel Cretton 110 Stop the Pounding Heart / Zaustavi udare srca, Roberto Minervini 111 Tian zhu ding / Dodir grijeha / A Touch of Sin, Jia Zhang-Ke 112 Uroki garmonii / Časovi harmonije / Harmony Lessons, Emir Baigazin 113 La vie d’Adèle / Plava je najtoplija boja / Blue is the Warmest Color, Abdellatif Kechiche 114 Wakolda, Lucía Puenzo

Uvod / Introduction

U svojoj drugoj godini, program Kinoscope Sarajevo Film Festivala predstavlja raznovrsnu ponudu provokativnih i inspirativnih filmova snimljenih izvan jugoistočne Evrope. Stoga ne iznenađuje da smo se kao selektori suočili s vrtoglavim izazovom da program ograničimo na svega 17 filmova.

Mike Goodridge

Mathilde Henrot

Godinu dana gledanja na stotine filmova te razgovori o njima, u festivalskom kontekstu i izvan njega, rezultirali su izborom 15 igranih i dvaju dokumentarnih filmova. Naš izbor uključuje neke od najželjnije iščekivanih filmova koji su bili teme brojnih razgovora: pobjednički film ovogodišnjeg Festivala u Cannesu – BLUE IS THE WARMEST COLOR ili THE CONGRESS, prvi film Arija Folmana nakon što je 2008. predstavio WALTZ WITH BASHIR, te nove naslove režisera svjetskog renomea, kao što su Alex Von Warmerdam, Lucia Puenzo, Alain Guiraudie i ljubimac Sarajeva, Jia Zhang-ke.

Međutim, naporno smo radili da otkrijemo i neke nove autore čiji bismo rad predstavili uz radove njihovih poznatijih kolega. Tako je naš izbor, naprimjer, prvijenac švedskog režisera Gabriela Pichlera, EAT SLEEP DIE, koji svježe i jezgrovito portretira balkanske imigrante u Švedskoj. Emir Baigazin iz Kazahstana je ostvario fantastičan debi filmom HARMONY LESSONS, koji je studija bolnog mladalačkog odrastanja u najtežim uvjetima.

Amerikanac Destin Daniel Cretton nudi nam svoj zapanjujuće dobar drugi igrani film SHORT TERM 12: priču o životu u ustanovi za brigu o djeci bez roditeljskog staranja. Britanka Clio Barnard napravila je fantastičan igrani prvijenac THE SELFISH GIANT, naizgled jednostavnu priču o dva mladića snažnog emotivnog naboja.

Italijan Leonardo Di Constanzo također samouvjereno napušta dokumentarni žanr u svom igranom prvijencu THE INTERVAL, još jednoj priči dvaju likova, smještenoj u zapuštenoj napuljskoj zgradi.

Alessandro Raja

Mnogi od ovih filmova preispituju bol (i radost) mladosti, temu koja se često pojavljuje u igranim prvijencima, ali rijetko biva obrađena s preciznošću pokazanom u filmovima naše selekcije.

Ove smo godine organizirali program tako da smo u parove udružili filmove prema zemlji njihovog porijekla ili njihovoj temi. Dva italijanska filma – THE INTERVAL i živopisni ALI BLUE EYES Claudia Giovannesija – koji su na programu 22.

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augusta, predstavljaju nova lica italijanskog filma.

Dva američka filma – SHORT TERM 12 i STOP THE POUNDING HEART italijanskog režisera s adresom stanovanja u Americi Roberta Minervinija – prikazuju se 21. augusta. Na početku i na kraju programa odlučili smo se za filmove koji se bave porodičnim krizama. Briljantna, nadrealistična priča Alexa Von Warmerdama, BORGMAN, o sretnoj holandskoj porodici koju rastura tajanstveni glavni lik iz naslova filma, otvara program 17. augusta, dok se WAKOLDA Lucije Puenzo – historijska drama o razdoru unutar jedne porodice zbog prisustva nacističkog ratnog zločinca dr.

Josefa Mengelea u njihovom domu – prikazuje posljednjeg dana programa, 24. augusta.

Selekcija uključuje i dva francuska filma koja se bave temom homoseksualnih veza. BLUE IS THE WARMEST COLOR, s kojim je Abdellatif Kechiche ove godine trijumfirao u Cannesu, na programu je 23. augusta, a Guiraudiejev STRANGER BY THE LAKE, jedan od filmova o kojima se također mnogo govorilo u Cannesu, prikazuje se dan kasnije, 24. augusta. Oba filma nepokolebljivo i izravno govore o seksualnosti istospolnih parova, pri čemu se prvi fokusira na vezu između dvije žene, a drugi na vezu između dva muškarca.

Bez obzira na kontroverze, koje su izazvali zbog golišavih scena i grafičkog prikaza seksa, ovi su filmovi, suštinski, perceptivne studije ljudske potrebe za ljubavlju i bliskošću. Nadamo se da će dirnuti i obradovati sarajevsku publiku.

Treći francuski film u selekciji, 2 AUTUMS, 3 WINTERS Sébastiena Betbedera, također se bavi intimnom vezom, doduše heteroseksualnom, i mada je ton ovog filma prvenstveno komičan, a stil razigraniji, on nije ništa manje obilježen romantičnom melanholijom.

U našem su se izboru našla i dva dokumentarna filma – izraelski THE GATEKEEPERS Drora Moreha i THE ACT OF KILLING Joshue Oppenheimera, dansko-britansko-norveška produkcija snimljena u Indoneziji. Moreh je za svoju priču o izraelskoj tajnoj službi Shin Bet odabrao klasični dokumentaristički pristup koji kombinira intervjue s arhivskim snimcima. Svojom inteligentnošću i elegancijom, film pruža snažan uvid u samu jezgru izraelske tajne službe. S druge strane, THE ACT OF KILLING je u potpunosti protresao dokumentarnu formu tako što je autor naveo članove odreda smrti, koji su ugušili ljevičarsku pobunu u Indoneziji 1965. godine, da pred kamerom rekonstruiraju i odigraju zvjerstva koja su počinili. To je, naprosto, jedan od najfascinantnijih filmova koje ćete ikada vidjeti.

Kad smo već kod eksperimentiranja dokumentarističkom formom, spomenut ćemo i Minervinijev STOP THE POUNDING HEART, zanimljiv hibrid igranog i dokumentarnog filma u kojem stvarni Teksašani igraju sami sebe u delikatnoj storiji o tinejdžerki koja preispituje budućnost koju joj je zacrtala njena porodica.

Ovi zanimljivi eksperimenti konvencionalnom dokumentarističkom formom vjerovatno su među najstimulativnijim filmovima koji su ušli u našu ovogodišnju selekciju.

Izvrstan primjerak nove čileanske kinematografije, film GLORIA Sebastiána Lelioa, portret je slobodoumne žene pedesetih godina koju izvrsno tumači Paulina Garcia. Ne bi trebalo propustiti pogledati ovu duhovitu priču koja odiše živošću i dobrim raspoloženjem, a koja je izazvala senzaciju na ovogodišnjem filmskom festivalu u Berlinu.

Bili smo obradovani reakcijom publike na prvi Kinoscope program prošle godine, a gostujući su filmski autori – od kojih su neki stalni posjetioci većine svjetskih filmskih festivala – osjetili da je Sarajevo Film Festival ostao vjeran svojoj reputaciji jedinstvenog filmskog festivala. Radujemo se što ćemo i ove godine u Vatrogascu i Kinu Meeting Point, koji su središnja tačka Kinoscopea, ugostiti gledaoce, filmske autore i glumce.

E The second year of the Kinoscopeprogramme at SFF offers a diverse selection of provocative and inspiring voices from the world outside southeastern Europe. And it will come as no surprise to learn that, as programmers, we were faced with the dizzying challenge of narrowing down our programme to just 17 films.

The final lineup of 15 narrative features and two documentaries reflects a rich year of watching and discussing hundreds of films in a festival context and outside. Our selection consists of some of the most eagerly awaited and talked about films of the year like Cannes Palme d’Or winner BLUE IS THE WARMEST COLOUR, Ari Folman’s THE CONGRESS – his first film since Waltz With Bashir in 2008 – and new titles from world-class directors like Alex Von Warmerdam, Lucia Puenzo, Alain Guiraudie and Sarajevo favourite Jia Zhang-ke.

But we also worked hard to deliver some notable discoveries to stand alongside more established film-makers. Sweden’s EAT SLEEP DIE from first time film-maker Gabriela Pichler,

for example, possesses a notable freshness and vigour in its portrait of Balkan immigrants in Sweden. Emir Baigazin from Kazakhstan has made an extraordinary debut with HARMONY LESSONS, a study of painful adolescence in the harshest of conditions.

Destin Daniel Cretton from the US delivers a startlingly good second feature in SHORT TERM 12 about life in a foster care facility. The UK’s Clio Barnard has made a stunning first narrative feature in THE SELFISH GIANT, an ostensibly simple story of two young boys which delivers a mighty emotional impact. And Italian Leonardo Di Costanzo also shifts confidently from documentary with his first narrative film THE INTERVAL, another insightful two-hander set in the grounds of a crumbling Neapolitan building.

Many of these films explore the pain (and joy) of youth, a theme which is often visited in first features but rarely with the acuity on display in our selection.

This year, we have designed the programme specifically to offer double bills linking nationalities or themes. The two Italian films – THE INTERVAL and Claudio Giovannesi’s vibrant ALI BLUE EYES – are both on Aug 22 representing new faces of Italian cinema. The two US films in the selection – SHORT TERM 12 and STOP THE POUNDING HEART from US-based Italian director Roberto Minervini – play on Aug 21. The theme of family intrusions will bookend the festival – Alex Von Warmerdam’s brilliant surreal fiction BORGMAN in which a complacent Dutch family is torn asunder by the mysterious title character kicks the programme off on Aug 17 while Lucia Puenzo’s WAKOLDA, a true period drama about a family divided by the presence of Nazi war criminal Dr Josef Mengele in their home, plays at the very end on Aug 24.

Two French films both focusing on gay relationships will screen on Aug 23 and 24 respectively. On Aug 23, Abdellatif Kechiche’s Cannes triumph BLUE IS THE WARMEST COLOUR and on Aug 24, Guiraudie’s STRANGER BY THE LAKE, which was also one of the most talked about films in Cannes this year. Both are unflinching and unapologetic in their depictions of same-sex sexuality, the former between women and the latter between men. But despite all the controversy about nudity and graphic sex scenes they have generated, these two films are fundamentally perceptive explorations of the human desire for love and companionship

which we hope will move and delight Sarajevo audiences.

A third French film 2 AUTUMNS, 3 WINTERS from SébastienBetbeder also deals with relationships, this time heterosexual, and while its tone is more comic and its style more playful, it is no less engrained with romantic melancholy.

We have two documentaries in the selection – Dror Moreh’s THE GATEKEEPERS from Israel and Joshua Oppenheimer’s THE ACT OF KILLING, a Denmark-UK-Norway production set in Indonesia. The former assumes the classic documentary form of interviews and archival footage in its exploration of Israeli internal security service Shin Bet. Its intelligence and elegance create some powerful insight into the heart of Israel’s security forces. THE ACT OF KILLING, on the other hand, turns the documentary form upside down by asking members of the death squads that quashed the coup of 1965 to re-enact their atrocities. It’s simply one of the most astonishing films you’ll ever see.

Talking of experimenting with the documentary form, Minervini’s STOP THE POUNDING HEART is a curious hybrid of fiction and documentary in which real Texas people play themselves in a slight narrative about a teenage girl questioning the path being laid out to her by her family. These exciting instances of experimentation with traditional documentary conventions make for some of our most stimulating selections this year.

GLORIA, a fine example of new Chilean cinema, is Sebastián Lelio’s portrait of a free-spirited woman in her fifties played beautifully by Paulina Garcia. The film was the sensation of this year’s Berlin Film Festival and it’s a funny, feelgood, life-affirming movie not to be missed. We were thrilled with the audience response to the first Kinoscope programme last year and our visiting filmmakers, many of who were on epic tours of the world’s festival circuit, all felt that Sarajevo lived up to its reputation as a uniquely special film festival. We look forward to welcoming audiences, film-makers and actors again this year to the glorious evening venue Vatrogasac and the Meeting Point cinema which act as the hub of Kinoscope.

Mike Goodridge, Mathilde Henrot and Alessandro Raja, selektori programa Kinoscope / Kinoscope Programmers KINOSCOPE l 19. Sarajevo Film Festival 97

2 automnes, 3 hivers / 2 jeseni, 3 zime / 2 Autumns, 3 Winters U trideset trećoj godini života, Arman odlučuje da je došlo vrijeme za promjene u njegovom životu.

Za početak, jedne subote odluči da ide džogirati u parku. Skrenuvši iza ugla, sudara se sa Amélie. Prvi sastanak je šok; drugi će biti više poput noža u srce. Benjamin je Armanov najbolji drug. Jedne večeri on se srušio i pao u žbunje. Doktori dijagnosticiraju moždani udar. U periodu između dvije jeseni i tri zime, životi Amélie, Armana i Benjamina se prepliću, ispunjeni sastancima, nezgodama, ljubavnim pričama i sjećanjima.

Sébastien Betbeder je rođen 1975. u mjestu Pau, na jugozapadu Francuske. Nakon što je diplomirao na Fakultetu likovnih umjetnosti u Bordeauxu, upisao se u Nacionalni studio savremenih umjetnosti Le Fresnoy. Režira filmove od 1999, piše priloge za radiostanicu France Culture. Predavao je od 2008. do 2011. godine na Školi za umjetnost i dizajn u Ženevi.

E At the age of 33, Arman decides it’s time to change his life. To begin, one Saturday he goes jogging in a park. As he turns a corner, he bumps into Amélie. The first meeting is a shock; the second will be like a stab in the heart. Benjamin is Arman’s best friend. One evening he collapses and falls over into a hedgegrow. Doctors diagnose a stroke. Between two autumns and three winters, the lives of Amélie, Arman and Benjamin intermingle and are filled with meetings, accidents, love stories and memories.

Sébastien Betbeder was born in 1975 in Pau, in the southwest of France. After obtaining his degree in the Ecole des Beaux Arts de Bordeaux, he joined Le Fresnoy, The National Studio of Contemporary Arts. He directs movies since 1999, writes features for the radio channel France Culture and taught in the Art and Design School of Geneva from 2008 to 2011.

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France, 2013, Colour, 90 min, French Režija / Director: Sébastien Betbeder Scenarij / Screenplay: Sébastien Betbeder Direktor fotografije / Director of Photography: Sylvain Verdet Montaža / Editor: Julie Dupré Muzika / Music: Bertrand Betsch Zvuk / Sound: Roman Dymny Scenografija / Production Design: Mélodie Nishida Kostimografija / Costume Design: Anne Billette Uloge / Cast: Vincent Macaigne, Maud Wyler, Bastien Bouillon, Audrey Bastien, Thomas Blanchard, Jean Quentin Chatelain, Philippe Crespeau, Marie-Claude Roulin Producent / Producer: Frédéric Dubreuil Produkcija / Production: Envie de Tempête Productions Filmografija / Filmography 2013 - 2 AUTOMNES, 3 HIVERS /

2 AUTUMNS, 3 WINTERS 2012 - LES NUITS AVEC THÉODORE 2012 - JE SUIS UNE VILLE ENDORMIE 2010 - YOSHIDO (LES AUTRES VIES) 2008 - LA VIE LOINTAINE 2007 - NUAGE 2006 - LES MAINS D’ANDRÉA

The Act of Killing / Čin ubijanja Kada je 1965. vojska svrgla vladu Indonezije, Anwar i njegovi prijatelji su se od sitnih kriminalaca, koji su preprodavali kinoulaznice «na crno», preobrazili u vođe odreda smrti. Vojsci su pomogli da u manje od godinu dana pobije više od milion navodnih komunista, etničkih Kineza i intelektualaca.

Kao izvršitelj u jednom od najozloglašenijih odreda smrti u svome gradu, Anwar je vlastitim rukama ubio na stotine ljudi.

Joshua Oppenheimer rođen u Texasu, u SAD-u, 1974, je više od jedne decenije surađivao s pripadnicima policije, odreda smrti i njihovim žrtvama, kako bi istražio vezu između političkog nasilja i javnih predodžbi. Obrazovanje je stekao na Harvardu i koledžu Central St. Martins u Londonu.

E When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the exe¬cutioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.

Joshua Oppenheimer born 1974, Texas, USA, has worked for over a decade with militias, death squads and their victims to explore the relationship between political violence and the public imagination. Educated at Harvard and Central St Martins, London.

Denmark, Norway, Sweden, United Kingdom, Finland, 2012, Colour, 115 min, English, Indonesian Režija / Director: Joshua Oppenheimer, Christine Cynn, Anonymous Scenarij / Screenplay: Torstein Grude, Nishtha Jain Direktor fotografije / Director of Photography: Carlos Arango de Montis, Lars Skree Montaža / Editor: Niels Pagh Andersen, Janus Billeskov Jansen, Mariko Montpetit Muzika / Music: Karsten Fundal Zvuk / Sound: Elin Øyen Vister Kostimografija / Costume Design: Anonymous Uloge / Cast: Nils Pagh Andersen, Erik Andersson, Charlotte Munch Bengtsen, Janus Billeskov Jansen, Ariadna Fatjó-Vilas, Mariko Montpetit Producent / Producer: Signe Byrge Sørensen Produkcija / Production: Final Cut for Real Filmografija / Filmography 2013 - THE ACT OF KILLIN 2007 - SHOW OF FORCE (kratki / short) 2003 - THE GLOBALIZATION TAPES

(dokumentarni / documentary)

KINOSCOPE l 19. Sarajevo Film Festival 99

Alì ha gli occhi azzurri / Plavooki Ali / Alì Blue Eyes Prvi igrani film Claudija Giovannesija je očaravajuća priča o odrastanju koja prati sedam dana u životu problematičnog šesnaestogodišnjaka Nadera, imigranta koji je spreman na sve kako bi se uklopio u životni stil italijanskih tinejdžera uprkos pritisku porodice da ostane vjeran svojim egipatskim i muslimanskim korijenima. Nadir upada u tuče, drogira se, krade i zavodi Italijanke, uprkos majčinim prijetnjama da će ga se odreći. Film je prekrasna studija – koja ne iznosi svoj sud - o mladiću u procjepu između dvaju svjetova – arapskog i italijanskog, između djetinjstva i zrelosti, ispravnog i pogrešnog – kao i o životnim lekcijama koje on usvaja. Glumačka izvedba naturščika, od kojih većina igra uloge veoma slične vlastitom životu, doprinijela je da ovaj film bude izvanredan primjer italijanskog neorealizma. Giovannesi je za ovaj film nagrađen Specijalnom nagradom žirija na Filmskom festivalu u Rimu.

Claudio Giovannesi rođen u Rimu 1978, diplomirao je režiju na Centro Sperimentale di Cinematografia. Od 2001. do 2004. radio je za TV program Blob (Rai Tre). Njegov prvi dugometražni film LA CASA SULLE NUVOLE (2009) osvojio je niz nagrada uključujući Specijalnu nagradu žirija na Filmskom festivalu u Bruxellesu 2009, Amilcar du Jury Jeune na festivalu italijanskog filma Villerupt i nagradu Italia nel Cinema na festivalu MedFilm 2009. Iste godine snimio je i dokumentarni film FRATELLI D’ITALIA koji je osvojio Special mention na Filmskom festivalu u Rimu u programu EXTRA te ušao u finalni izbor za Silver Ribbon Award za najbolji dokumentarni film 2010.

E Claudio Giovannesi’s first dramatic feature is an engrossing coming-of-age story following one week in the life of sixteen-year-old troublemaker Nader, an immigrant teenager who stops at nothing to fit into Italian youth culture despite his family’s insistence that he respect his Egyptian and Muslim roots. He gets into fights, does drugs, steals and pursues an Italian girlfriend against his mother’s threats to disown him. It is a wonderfully non-judgmental study of a young man caught between conflicting states—Arab and Italian, childhood and adulthood, right and wrong—and the lesson he learns. The performances from the non-professional cast, most of whom are playing close versions of themselves, contribute to the work as being a stunning example of Italian Neorealism.

Giovannesi won a special jury prize at the Rome Film Festival for this film.

Claudio Giovannesi born in Rome in 1978, obtained a degree in directing at the Centro Sperimentale di Cinematografia. From 2001 to 2004 he worked for the TV programme Blob (Rai Tre). LA CASA SULLE NUVOLE (2009), his first feature-length film, won numerous awards, such as the Special Jury Prize at the 2009 Brussels Film Festival; the Amilcar du Jury Jeune at the 2009 Festival du Film Italien de Villerupt; and the Italia nel Cinema Award at the 2009 MedFilm Festival. In 2009 he also made the documentary FRATELLI D’ITALIA, which received a special mention at the Rome Film Festival/Extra section in 2009, and was a finalist for best documentary at the 2010 Silver Ribbon Awards.

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Italy, 2012, Colour, 94 min, Italian Režija / Director: Claudio Giovannesi Scenarij / Screenplay: Claudio Giovannesi, Filippo Gravino Direktor fotografije / Director of Photography: Daniele Ciprì Montaža / Editor: Giuseppe Trepiccione Muzika / Music: Claudio Giovannesi, Andrea Moscianese Zvuk / Sound: Fabio Chiossi Scenografija / Production Design: Daniele Frabetti Kostimografija / Costume Design: Medile Siaulytyte Uloge / Cast: Nader Sarhan, Stefano Rabatti, Brigitte Apruzzesi, Marian Valenti Adrian, Cesare Hosny Sarhan, Fatima Mouhaseb Producent / Producer: Fabrizio Mosca Produkcija / Production: ACABA PRODUZIONI, RAI CINEMA Filmografija / Filmography 2012 - ALI BLUE EYES / ALÌ HA GLI OCCHI AZZURRI 2009 - FRATELLI D’ITALIA

(dokumentarni / documentary) 2009 - LA CASA SULLE NUVOLE

Äta sova dö / Jedi, spavaj, umri / Eat Sleep Die Da li ste ikada razmišljali ko u plastičnu ambalažu pakira svježu salatu koju ste jeli za ručak? Ko su ljudi koji ostaju bez posla u fabrikama, u malim gradovima i zabitima? Jeste li spremni posjetiti „novu” Švedsku?

Kada Raša, snažna mlada Šveđanka, muslimanka s Balkana i radnica u fabrici koja „ne daje nikome pardona“, izgubi posao, suočava se s društvenim fenomenom nezaposlenosti. Bez diplome srednje škole, bez posla – ali s čizmama na kojima su još mrlje od blata iz gradića u kojem je odrasla – Raša se zatekne u nesporazumu s društvom i njegovim kontradiktornim mjerilima i očekivanjima. Glumci amateri, koji su prvi put na filmu, glume sve glavne likove u filmu.

Gabriela Pichler je rođena u radničkoj porodici, u raslojenom predgrađu Stockholma. Njeni roditelji, koji su porijeklom iz Bosne i Austrije, kasnije su se preselili u provinciju u kojoj je odrasla. Da bi mogla studirati na Školi za filmsku režiju u Gothenburgu, Gabrijela je napustila stalni posao u fabrici keksa. Godine 2009. njen diplomski rad, kratki film SCRATCHES, nagrađen je švedskom nacionalnom filmskom nagradom Guldbaggen. Film je osvojio nekoliko međunarodnih nagrada, uključujući nagradu Najbolji film na Fresh Film Festu Karlovy Vary. Filmovi Gabriele Pichler se fokusiraju na društvene klase i kulturni identitet. Njen rad otkriva autentične i neočekivane pojedinosti u svakodnevnom životu te često angažira glumce amatere. EAT SLEEP DIE je njen prvi dugometražni film.

E Ever wondered who packs the fresh plastic-sealed salad you are having for lunch? Who the people losing their factory jobs in dead end small towns would be? Ready for a visit to the “new” Sweden?

When the forceful young Muslim Swedish/Balkan “take-no-shit” factory worker Raša loses her job, she faces the system of unemployment. With no high school diploma, no job – but her boots deeply stained with the mud of the small town she grew up in – Raša finds herself on a collision course with society and its contradictable values and expectations. First-time amateur actors play all of the main characters in the film.

Gabriela Pichler was born to working class parents in a segregated suburb of Stockholm. Her Bosnian and Austrian born parents later moved the family out to the provincial countryside where she grew up. To attend the School of Film Directing in Gothenburg, Gabriela left her stable job at a cookie factory. In 2009, her graduation project, the short film SCRATCHES, was awarded the Swedish national film award “Guldbaggen.” Internationally, the film won several awards, among them Best Film at the Fresh Film Fest in Karlovy Vary. Gabriela Pichler’s films focus on social class and cultural identity. Her work searches for authenticity and the unexpected in everyday life and often incorporates amateurs. EAT SLEEP DIE is her debut feature film.

Sweden, 2012, Colour, 104 min, Montenegrin, Serbian, Swedish Režija / Director: Gabriela Pichler Scenarij / Screenplay: Gabriela Pichler Direktor fotografije / Director of Photography: Johan Lundborg Montaža / Editor: Gabriela Pichler, Johan Lundborg Muzika / Music: Andreas Svensson, Jonas Isaksson Zvuk / Sound: Martin Hennel Kostimografija / Costume Design: Sandra Woltersdorf Uloge / Cast: Nermina Lukač, Milan Dragišić, Jonathan Lampinen, Peter Fält Producent / Producer: China Åhlander Produkcija / Production: Anagram Film Lilla Fiskaregatan 5, S-222 22 Lund, Sweden +46 70 576 59 59, china@anagramproduktion.se www.anagramproduktion.se Kontakt / Contact: The Yellow Affair Götgatan 8, S-116 46 Stockholm, +46-8-645 12 12, Miira Paasilinna, +46-76-199-31-66, miira@yellowaffair.com, www.yellowaffair.com Filmografija / Filmography 2012 - EAT SLEEP DIE / ÄTA SOVA DÖ 2008 - SCRATCHES / SKRAPSÅR (kratki / short) 2008 - TOVA & TESS – KING & QUEEN OF THE WORLD

(kratki / short) 2007 - UNDERGROUND PARTY (kratki / short) 2007 - BOREDOM / LEDA (kratki / short) 2005 - MAN MÅSTE VA FRISK FÖR ATT ORKA HA ONT

(kratki dokumentarni / short documentary) 2004 - NÅNGÅNG

(kratki dokumentarni / short documentary)

KINOSCOPE l 19. Sarajevo Film Festival 101

Borgman Borgman je glavni lik u mračnoj, zloslutnoj basni Alexa van Warmerdama. Da li je on san ili demon, izokrenuta alegorija previše stvarnog otjelotvorenja naših strahova?

Borgman predstavlja zlokoban dolazak u zatvorene ulice modernih predgrađa. Njegovo prisustvo oslobađa egoizam i izopačenost oko pažljivo izgrađene fasade koju je napravio arogantni bogati par, njihovo troje djece i njihova dadilja.

Alex van Warmerdam, pisac, dizajner, režiser i glumac, rođen je 1952. u Haarlemu, u Nizozemskoj.

Nakon završetka Škole za grafički dizajn, studirao je na Akademiji Gerrit Rietveld u Amsterdamu, gdje je diplomirao grafički dizajn i slikarstvo. Jedan je od osnivača pozorišne trupe Hauser Orkater, a 1980. je osnovao pozorišnu trupu De Mexicaanse Hond. Snimio je kratki film DE STEDELING, i nakon toga dugometražne filmove ABEL (1986), koji je osvojio Nagradu kritičara na Venecijanskom filmskom festivalu, THE NORTHERNERS (1992), koji je 1992. osvojio tri nagrade Felix za muziku, najbolju scenografiju i najbolji film, te THE DRESS (1996), koji je osvojio nagradu FIPRESCI na Venecijanskom filmskom festivalu i Nagradu nizozmskih filmskih kritičara. THE DRESS je distribuiran u preko 25 država. LITTLE TONY (1998) je osvojio Nagradu filmfesta (Annet Malherbe) na Ludwigsburg/Stuttgart Film Festivalu, te je nominiran za Evropsku filmsku nagradu 1998. u kategorijama Najbolja glumica i Najbolji scenario. GRIMM (2003) je prikazan na festivalima širom svijeta.

E Borgman is the central character in Alex van Warmerdam’s dark, malevolent fable. Is he a dream or a demon, a twisted allegory or an all-too-real embodiment of our fears?

BORGMAN is a sinister arrival in the sealed-off streets of modern suburbia. His presence unleashes a crowing gallery of distortion around the careful façade constructed by an arrogant, comfortable couple, their three children and nanny.

Alex van Warmerdam, writer, designer, director and actor, was born in 1952 in Haarlem, the Netherlands. After attending the School of Graphic Design, he went to study at the Gerrit Rietveld Academy in Amsterdam, where he graduated in graphic design and painting. He was co-founder of the MusicTheatre Company Hauser Orkater and in 1980 he set up De Mexicaanse Hond Theatre Company.

He made the short film DE STEDELING and after that, the feature films: ABEL (1986), which won the critic’s award at the Venice film Festival, THE NORTHERNERS (1992), which won three Felix awards in 1992 for music, art direction and best film, and THE DRESS (1996), winner of the FIPRESCI Award at the Venice Film Festival, and the Dutch Film Critic’s Award. THE DRESS was sold to over 25 territories. LITTLE TONY (1998), which won the Prize of the Filmfest (Annet Malherbe) at the Ludwigsburg/ Stuttgart Film Festival and was nominated for the European Film Awards 1998 in the categories Best Actress and Best Script. GRIMM (2003) has been screened at several festivals worldwide.

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Netherlands, Belgium, Denmark, 2013, Colour, 113 min, Dutch Režija / Director: Alex van Warmerdam Scenarij / Screenplay: Alex van Warmerdam Direktor fotografije / Director of Photography: Tom Erisman Montaža / Editor: Job ter Burg Muzika / Music: Vincent van Warmerdam Zvuk / Sound: Peter Warnier Scenografija / Production Design: Geert Paredis Kostimografija / Costume Design: Stine Gudmundsen-Holmgreen Uloge / Cast: Jan Bijvoet, Hadewich Minis, Jeroen Perceval, Alex van Warmerdam Producent / Producer: Marc van Warmerdam Produkcija / Production: Graniet Film, Angel Films, Epidemic GRANIET FILM, Archangelkade 15, 1013BE Amsterdam, Netherlands, +3120 6060 630 - info@granietfilm.nl Kontakt / Contact: FORTISSIMOFILMS +31 20 627 3215, info@fortissimo.nl, www.fortissimofilms.com Filmografija / Filmography 2013 - BORGMAN 2009 - THE LAST DAYS OF EMMA BLANK 2006 - WAITER 2003 - GRIMM 1998 - LITTLE TONY 1996 - THE DRESS 1992 - THE NORTHERNERS 1986 - ABEL

The Congress / Kongres Robin Wright, koja u filmu glumi samu sebe, dobija ponudu od velikog filmskog studija da proda svoj filmski identitet: bit će numerički skenirana i uzorkovana tako da njen alias može biti korišten – bez ograničenja – u svim holivudskim filmovima, čak i onim najkomercijalnijim, u kojima je ranije odbijala nastupiti. Zauzvrat dobija gomilu novca i, što je još važnije, studio pristaje da njen digitalizirani lik u svim budućim filmovima ostane zauvijek mlad. Ugovor ostaje na snazi 20 godina.

KONGRES prati Robin po isteku ugovora i njen povratak u svijet fantastičnog filma budućnosti.

Ari Folman je izraelski režiser, scenarist i kompozitor filmske muzike. Karijeru je započeo kao producent dokumentarnih filmova. Njegov drugi film SHA’ANAN SI, koji je 1991. režirao s Ori Silvanom, osvojio je nagradu Ophir (izraelski Oscar) i niz međunarodnih filmskih nagrada. Njegov film SAINT CLARA iz 1996, koji je također režirao s Ori Silvanom, osvojio je Specijalnu nagradu Međunarodnog filmskog festivala Karlovy Vary, Nagradu za najbolji film na Haifa međunarodnom filmskom festivalu i šest Ophira. Također je, 2001. napisao i režirao film MADE IN ISRAEL, koji je nominiran za Ophir nagradu u kategoriji za najboljeg režisera.

Folmanov film iz 2008, WALTZ WITH BASHIR, prati njegova nastojanja da, uz pomoć psihoterapije i kroz razgovor s prijateljima s kojima je služio vojsku tokom Libanonskog rata 1982, kao i s drugim Izraelcima koji su za vrijeme tog sukoba boravili u Beirutu, oživi sjećanja iz tog perioda. WALTZ WITH BASHIR je osvojio 18 filmskih nagrada uključujući Ophir, nagradu Američkog udruženja režisera za izuzetan režiserski uspjeh u dokumentarnom filmu, te Zlatni globus za najbolji film na stranom jeziku.

E Robin Wright, playing the role of herself, gets an offer from a major studio to sell her cinematic

identity: she’ll be numerically scanned and sampled so that her alias can be used with no restrictions in all kinds of Hollywood films - even the most commercial ones that she previously refused. In exchange she receives loads of money, but more importantly, the studio agrees to keep her digitalized character forever young - for all eternity - in all of their films. The contract is valid for 20 years.

The Congress follows Robin as she makes her comeback after the contract expires, straight into the world of future fantasy cinema.

Israel, Germany, Poland, Luxembourg, France, Belgium, 2013, Colour, 122 min, English Režija / Director: Ari Folman Scenarij / Screenplay: Ari Folman Direktor fotografije / Director of Photography: Michal Englert Montaža / Editor: Nili Feller Muzika / Music: Max Richter Zvuk / Sound: Aviv Aldema Scenografija / Production Design: David Polonsky Kostimografija / Costume Design: Mandi Line Uloge / Cast: Robin Wright, Harvey Keitel, Jon Hamm, Paul Giamatti, Kodi Smit-McPhee Producent / Producer: Sébastien Delloye, David Grumbach, Eitan Mansuri Produkcija / Production: Bridgit Folman Film Gang, Pandora Film, Opus Film, ARP Selection, Entre Chien et Loup, Paul Thiltges Distribution Filmografija / Filmography 2013 - THE CONGRESS 2008 - WALTZ WITH BASHIR

(dokumentarni / documentary) 2001 - MADE IN ISRAEL 1996 - SAINT CLARA 1991 - COMFORTABLY NUMB

Ari Folman is an Israeli director, screenwriter, and film score composer. Folman began his film career with producing documentaries. SHA’ANAN SI, his second film, was directed with Ori Sivan in 1991 and won an Ophir Award (Israeli Oscar Award), and multiple international film awards. His 1996 film, SAINT CLARA, also directed with Ori Sivan, won a special award at the Karlovy Vary International Film Festival, the best film award at the Haifa International Film Festival, and six Ophir. He also wrote and directed the 2001 film MADE IN ISRAEL, for which he was nominated for another Ophir Award for best director.

His 2008 film, WALTZ WITH BASHIR, follows his attempt to regain his memories of the war through therapy and conversations with friends he served with, as well as other Israelis who were present in Beirut during the war. WALTZ WITH BASHIR won 18 awards including Ophir Awards, the Directors Guild of America award for Outstanding Directorial Achievement in Documentary, and a Golden Globe for best foreign language film.

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Gloria Gloria ima 58 godina i razvedena je. Njena su djeca napustila porodični dom, ali ona nema namjeru dane i noći provoditi sama. Odlučna da pobijedi godine i usamljenost, Gloria bez ustručavanja uskače u vrtlog zabava za samce u potrazi za instant zadovoljenjem, što rezultira nizom razočarenja i osjećajem praznine. Ali onda upoznaje Rodolfa, bivšeg oficira mornarice, sedam godina starijeg od nje, prema kojem počinje gajiti romantična osjećanja. Čak počinje i zamišljati dugotrajnu vezu s njim.

Međutim, njihov susret donosi neočekivane izazove i Gloria postepeno biva prisiljena suočiti se s vlastitim mračnim tajnama.

Treći igrani film Sebastiána Lelioa je tragikomična priča o krhkim nadama i bolnim istinama, portret moćne žene koja, uprkos vrtlogu oprečnih emocija, uspijeva sačuvati snagu i nezavisnost. Priča se odvija u pozadini aktuelnih političkih zbivanja u Čileu, uključujući i mračne strane proteklih četrdeset godina čileanske historije.

Sebastián Lelio rođen je u Čileu 1974. Diplomirao je na Escuela de Cine de Chile, a njegov debitantski igrani film LA SAGRADA FAMILIA prikazan je na Filmskom festivalu San Sebastian 2006. Njegov treći igrani film EL ANO DEL TIGRE uvršten je u zvanični program Locarno film festivala 2011. godine.

Lelio je 2012. bio gost programa DAAD Artists-in Berlin.

E Gloria is a 58 year old divorcée. Her children have all left home but she has no desire to spend her days and nights alone. Determined to defy old age and loneliness, she rushes headlong into a whirl of singles parties on the hunt for instant gratification – which just leads repeatedly to disappointment and emptiness. But then she meets Rodolfo, an ex-naval officer seven years her senior to whom she feels romantically inclined. She even begins to imagine a permanent relationship. However, the encounter presents unexpected challenges and Gloria gradually finds herself being forced to confront her own dark secrets.

Sebastián Lelio’s third feature film is a tragicomedy of fragile hopes and painful truths, a portrait of a powerful woman who manages to assert her own strength and independence in spite of a maelstrom of conflicting feelings. The story unfolds against the backdrop of current political developments in Chile, incorporating the murky waters of forty years of Chilean history.

Sebastián Lelio was born in Chile in 1974, he graduated from Escuela de Cine de Chile. His feature film debut LA SAGRADA FAMILIA screened at the San Sebastián Film Festival in 2006. He has taken part in the Locarno competition programme with his third feature film EL ANO DEL TIGRE in 2011.

Lelio was a guest of the DAAD Artists-in Berlin Programme in 2012.

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Chile, Spain, 2013, Colour, 110 min, Spanish, English Režija / Director: Sebastián Lelio Scenarij / Screenplay: Sebastián Lelio, Gonzalo Maza Direktor fotografije / Director of Photography: Benjamín Echazaretta Montaža / Editor: Soledad Salfate, Sebastián Lelio Scenografija / Production Design: Marcela Uribi Kostimografija / Costume Design: Eduardo Castro Uloge / Cast: Paulina García, Sergio Hernández, Diego Fontecilla, Fabiola Zamora Producent / Producer: Juan de Dios Larraín, Pablo Larraín, Luis Collar, Jorge Moreno Produkcija / Production: Fabula, Nephilim Producciones Fabula Santiago de Chile, Chile, +56 2 3440908 contact@fabula.cl, Nephilim Producciones Madrid, Spain, +34 91 56430152 www.nephilimproducciones.com Kontakt / Contact: Funny Ballons Paris, France, +33 1 40130585 info@funny-balloons.com Filmografija / Filmography 2012 - GLORIA 2011 - EL ANO DEL TIGRE 2009 - NAVIDAD 2005 - LA SAGRADA FAMILIA 2003 - CARGA VITAL 2002 - FRAGMENTOS URBANOS (kratki / short) 2000 - SMOG (kratki / short) 1996 - CUATRO (kratki / short) 1995 - 4 (kratki / short)

L’inconnu du lac / Stranac s jezera / Stranger by the Lake Ljeto. Mjesto za zavođenje muškaraca, skriveno na obali jezera. Franck se zaljubljuje u Michela, zgodnog, moćnog i smrtno opasnog muškarca. Franck je svega svjestan, ali uprkos tome želi izraziti svoju strast.

Alain Guiraudie, rođen 1964. u Villefranche-de-Rouergue (Francuska), je glumac, režiser i pisac.

Rođen u porodici zemljoradnika, vrlo mlad je zavolio folk kulturu. Prvi kratki film HEROES NEVER DIE režirao je 1990. Specifičnim stilom i sadržajem priče u filmu THAT OLD DREAM THAT MOVES nastojao je predstaviti život radničke klase. Film je osvojio Prix Jean Vigo, a 2001. prikazan je u programu Director’s Fortnight Filmskog festivala u Cannesu. Jean-Luc Godard je tom prilikom izjavio da se radilo o «najboljem filmu na Filmskom festivalu u Cannesu». Alain Guiraudie je nakon toga svoju pažnju preusmjerio na igrani film i još uvijek snima na Jugoistoku. STRANGER BY THE LAKE, njegov film iz 2013, prikazan je u okviru programa Un Certain Regard Filmskog festivala u Cannesu, gdje je osvojio Nagradu za najboljeg režisera.

E Summertime. A cruising spot for men, tucked away on the shores of a lake. Franck falls in love with Michel. An attractive, potent and lethally dangerous man. Franck knows this, but wants to live out his passion anyway.

Alain Guiraudie, born in 1964 in Villefranche-de-Rouergue (France), is an actor, director and writer.

Born into a farming family, he developed a passion for very young folk culture. In 1990, he directed his first short film, HEROES NEVER DIE. In a picaresque style and tone of the tale, he strives to represent the working class in the film THAT OLD DREAM THAT MOVES, winner Prix Jean Vigo and presented in 2001 at the Directors Fortnight.

Jean-Luc Godard spoke on this occasion that it was the “Best Film at Festival de Cannes.” Alain Guiraudie then passes to feature film, and is still filming in the Southwest. His 2013 film STRANGER

BY THE LAKE was screened in the Un Certain Regard section at the 2013 Cannes Film Festival where he won the award for Best Director.

France, 2013, Colour, 97 min, French Režija / Director: Alain Guiraudie Scenarij / Screenplay: Alain Guiraudie Direktor fotografije / Director of Photography: Claire Mathon Montaža / Editor: Jean-Christophe Hym Zvuk / Sound: Philippe Grivel, Nathalie Vidal Scenografija / Production Design: Roy Genty, François-Renaud Labarthe, Laurent Lunetta Uloge / Cast: Pierre Deladonchamps, Christophe Paou, Patrick d’Assumçao Producent / Producer: Sylvie Pialat Produkcija / Production: Les Films du Worso, M141 Productions, Films de Force Majeure Filmografija / Filmography 2013 - STRANGER BY THE LAKE 2009 - THE KING OF ESCAPE 2008 - ON M’A VOLÉ MON ADOLESCENCE (TV) 2005 - TIME HAS COME 2003 - NO REST FOR THE BRAVE 2001 - THAT OLD DREAM THAT MOVES 2001- DU SOLEIL POUR LES GUEUX 1998 - LA FORCE DES CHOSES (kratki / short) 1994 - TOUT DROIT JUSQU’AU MATIN (kratki / short) 1990 - LES HÉROS SONT IMMORTELS /

HEROES NEVER DIE (kratki / short)

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L’intervallo / Interval / The Interval Djevojčica i dječak zaključani su u ogromnoj napuštenoj zgradi u zapuštenom kraju. Ona je zatočenica, a njega je vođa lokalnog klana prisilio da bude njen čuvar. Uprkos mladosti, njih su dvoje prerano odrasli. Veronica se ponaša kao zrela i slobodoumna žena, a Salvatore kao muškarac koji želi sačuvati posao i živjeti mirnim životom. Upravo zbog toga, dvoje mladih ljudi različito reagira na silom nametnuto zatočeništvo u kojem su se zatekli: Veronica je nemirna i buntovna, a Salvatore pomirljiv i susretljiv, bilo iz straha ili svoje racionalnosti. I jedno i drugo su žrtve, ali kao da se uzajamno okrivljuju za zatočenost na koju su prisiljeni. Međutim, kako vrijeme prolazi, njihovo neprijateljstvo prerasta u neizbježnu intimnost koja se izražava uzajamnim otkrivanjem i povjeravanjem. Među zidovima izoliranog i zastrašujućeg mjesta na kojem borave, Veronica i Salvatore pronalaze način da ožive adolescentske snove i ideje koje su prerano bili prisiljeni zapostaviti. Oni počinju uživati u odmoru od vlastitih života prerano odraslih osoba i na kraju dolaze u iskušenje da svoj zamišljeni bijeg pretvore u stvarnost prije nego što klan Veronici saopšti svoju presudu.

Leonardo Di Constanzo je rođen u Ischiji, a živi na relaciji između Pariza i Napulja. Radi kao predavač u slavnom Atelier Varans u Parizu. Režirao je mnoge dokumentarne filmove koji suprikazivani i nagrađivani na nekim od najznačajnijih međunarodnih filmskih festivala.

E A boy and a girl are locked in an enormous abandoned building in a rundown area. She is a pris-

oner and the local clan leader has forced him to be her warder. Despite their youth, both of them have grown up too fast. Veronica acts like a mature and open-minded woman whilst Salvatore is like a man who wants to hold on to his job and lead a quiet life. Thus, when faced with the violence of this incarceration, the two young people have different reactions: Veronica is restless and rebellious; Salvatore is more remissive and accommodating, either out of fear or realism. They are both victims but it is almost as though each blames the other for their reclusion. However, as the hours go by, their mutual hostility is transformed into an inevitable intimacy, consisting of reciprocal discoveries and confessions. Between the walls of that isolated and frightening place, Veronica and Salvatore find a way to rekindle those adolescent dreams and ideas put aside too soon. Thus the two of them enjoy a break from their prematurely adult lives and in the end are tempted to transform their imaginary escape into a real one before the gang presents Veronica with its verdict.

Leonardo Di Costanzo was born in Ischia, and lives between Paris and Naples. He teaches at the famous Atelier Varans in Paris and has directed many documentaries, which have been presented and have won various prizes in some of the most important international festivals.

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Italy, Switzerland, Germany, 2012, Colour, 90 min, Italian Režija / Director: Leonardo di Costanzo Scenarij / Screenplay: Leonardo di Costanzo, Mariangela Barbanente, Maurizio Braucci Direktor fotografije / Director of Photography: Luca Bigazzi Montaža / Editor: Carlotta Cristiani Scenografija / Production Design: Luca Servino Kostimografija / Costume Design: Kay Nigg-Devanthey Uloge / Cast: Francesca Riso, Alessio Gallo, Carmine Paternoster, Salvatore Ruocco Producent / Producer: Carlo Cresto - Dina Produkcija / Production: Tempesta, Amka Films Productions, Rai Cinema Filmografija / Filmography 2012 - THE INTERVAL 2011 - CADENZA D’INGANNO

(dokumentarni / documentary) 2007 - L’ORCHESTRA DI PIAZZA VITTORIO: I DIARI DEL

RITORNO (dokumentarni / documentary)

(segment “Houcine”) 2006 - ODESSA (dokumentarni / documentary) 2004 - UN CAS D’ÉCOLE (dokumentarni / documentary) 2003 - AT SCHOOL (dokumentarni / documentary) 1998 - PROVE DI STATO (TV film / TV movie)

The Selfish Giant / Sebični Div SEBIČNI DIV je moderna priča o trinaestogodišnjem Arboru (kojeg glumi Conner Chapman) i njegovom najboljem prijatelju Swiftyju (Shaun Thomas). Izbačeni iz škole i autsajderi u vlastitom naselju, dva dječaka upoznaju Kittena (Sean Gilder), trgovca starim željezom iz neposredne blizine – Sebičnog Diva. Počinju skupljati staro željezo za njega uz pomoć konjske zaprege. Swifty ima prirodnu sklonost ka konjima, dok se Arbor počinje ponašati kao Kitten u pokušaju da ga zadivi i zaradi novac. Ipak, Kittenu je draži Swifty, zbog čega se Arbor osjeća povrijeđenim i zapostavljenim, što dovodi do razdora među dječacima. Arbor postaje sve pohlepniji, koristoljubiviji i sličniji Kittenu. Napetosti rastu, što dovodi do tragičnog događaja koji će ih sve promijeniti.

Clio Barnard je odrasla blizu Bradforda, u West Yorkshireu, u Engleskoj. Ona je umjetnica/režiserka, čiji se radovi bave odnosom dokumentarnog i igranog filma, posebno subjektivnošću sjećanja. Njeni radovi su prikazivani u kinima, na međunarodnim filmskim festivalima i u galerijama, kao što su Tate Modern i Tate Britain u Londonu i MoMA u New Yorku. Njeni filmovi su prikazani na kanalu Channel 4, te na nekoliko međunarodnih televizijskih stanica. Dobitnica je nagrade Paul Hamlyn 2005, te nagrade Jerwood/Artangel Open 2007, prestižne stipendije za dugometražni igrani film. Njen izvanredni dugometražni debi DRVORED, eksperimentalni dokumentarac o dramskoj spisateljici iz Bradforda, Andrei Dunbar, 2010. godine je u krugovima kritičara doživio veliki uspjeh. Dobio je brojne nagrade, uključujući Nagradu Douglas Hickox u okviru britanske nagrade za nezavisnu kinematografiju BIFA. Njen drugi igrani film, SEBIČNI DIV, je osvojio nagradu Europa Cinema kao najbolji evropski film u selekciji Director’s Fortnight na Filmskom festivalu u Cannesu 2013.

E THE SELFISH GIANT is a contemporary fable about 13 year old Arbor (Conner Chapman) and his best friend Swifty (Shaun Thomas). Excluded from school and outsiders in their own neighbourhood, the two boys meet Kitten (Sean Gilder), a local scrap dealer – the Selfish Giant. They begin collecting scrap metal for him using a horse and cart. Swifty has a natural gift with horses while Arbor emulates Kitten – keen to impress him and make some money. However, Kitten favours Swifty, leaving Arbor feeling hurt and excluded, driving a wedge between the boys. Arbor becomes increasingly greedy and exploitative, becoming more like Kitten. Tensions build, leading to a tragic event, which transforms them all.

United Kingdom, 2013, Colour, 90 min, English Režija / Director: Clio Barnard Scenarij / Screenplay: Clio Barnard Direktor fotografije / Director of Photography: Mike Eley Montaža / Editor: Nick Fenton Muzika / Music: Harry Escott Zvuk / Sound: Tim Barker Scenografija / Production Design: Helen Scott Kostimografija / Costume Design: Matthew Price Uloge / Cast: Conner Chapman, Shaun Thomas, Sean Gilder, Lorraine Ashbourne, Steve Evets, Siobhan Finneran Producent / Producer: Tracy O’Riordan Produkcija / Production: Moonspun Films 82 Wakeman Road, NW10 5DH London, +44 20 8960 2035, www.moonspunfilms.com Filmografija / Filmography 2013 - THE SELFISH GIANT 2010 - THE ARBOR (dokumentarni / documentary) 2003 - FLOOD (kratki / short) 2002 - RANDOM ACTS OF INTIMACY

(TV kratki / TV short) 2000 - LAMBETH MARSH

(dokumentarni kratki / documentary short)

Clio Barnard grew up near Bradford, West Yorkshire, England. She is an artist/film-maker whose work deals with the relationship between documentary and fiction, in particular the subjectivity of recollection. Her work has been shown in cinemas, at international film festivals and at galleries including Tate Modern and Tate Britain, London, and MoMA, New York. Her films have been screened on Channel 4 television and have had several international broadcasts. She was the recipient of a Paul Hamlyn Award in 2005 and the 2007 Jerwood/Artangel Open, a major commission for a feature length film. Her outstanding feature debut THE ARBOR, an experimental documentary about Bradford playwright Andrea Dunbar, achieved huge critical success on its release in 2010 and received numerous awards including The Douglas Hickox Award at the British Independent Film Awards (BIFAs). Her second feature THE SELFISH GIANT has won the Europa Cinemas as Best European film in the Directors’ Fortnight section, at Cannes Film Festival 2013.

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Shom’ray Ha’Saf / Čuvari kapije / The Gatekeepers ČUVARI KAPIJE je dokumentarni film o izraelskoj tajnoj službi Shin Bet snimljen 2012, u kojem o službi govori njenih šest preživjelih nekadašnjih direktora.

Film je kolaž iscrpnih intervjua, arhivskih snimaka i kompjuterskih animacija koji oslikavaju ulogu Shin Beta u odbrani sigurnosti Izraela još od Šestodnevnog rata pa do danas.

Film je 2013. nominiran za Oskara u kategoriji dugometražnog dokumentarnog filma, a osvojio je i niz prestižnih međunarodnih nagrada uključujući nagradu Cinema for Peace.

Dror Moreh je karijeru započeo kao direktor fotografije. Postavši jedan od vodećih izraelskih direktora fotografije, snimio je filmove kao što su URBAN FEE (uvršten u zvaničnu selekciju Berlinalea 1988.) i DESPERADO SQUARE (proglašen najboljim filmom na Filmskom festivalu u Montpellieru 2001.).

Film ČUVARI KAPIJE je 2013. nominiran za Oskara u kategoriji dugometražnog dokumentarnog filma.

E THE GATEKEEPERS is a 2012 documentary that tells the story of the Israeli Shin Bet from the perspective of all six surrving former heads of Israel’s secretive internal security service.

The film combines in-depth interviews with archival footage and computer animation to recount the role that the group played in Israel’s security from the Six-Day War to the present. The film was nominated for Best Documentary Feature at the 85th Academy Awards and received several international awards i.e. Cinema for Peace Award.

Dror Moreh began his career as a cinematographer. Being one of the leading Israel’s DOP he shot a number of feature films such as URBAN FEE (Berlinale official competition 1988) and DESPERADO SQUARE (Winner of the Best Film Award at the Montpellier film festival 2001). The Gatekeepers were nominated for the 2013 Oscars.

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Israel, France, Germany, Belgium, 2012, Colour and B&W, 101 min, English, Hebrew Režija / Director: Dror Moreh Direktor fotografije / Director of Photography: Avner Shahaf Montaža / Editor: Oron Adar Muzika / Music: Ab Ovo, Regis Baillet, Jérôme Chassagnard Zvuk / Sound: Alex Claude Scenografija / Production Design: Doron Koren Producent / Producer: Dror Moreh, Estelle Fialon, Philippa Kowarsky Filmografija / Filmography 2012 - THE GATEKEEPERS

(dokumentarni / documentary) 2008 - SHARON (dokumentarni / documentary)

Short Term 12 Grace je dvadesetogodišnja supervizorka u Short Term 12, ustanovi za smještaj tinejdžera sklonih problematičnom ponašanju. Ona jako voli svoj posao i sjajno se brine o djeci, iako se bori sa vlastitom problematičnom prošlošću. Kada Jayden, talentirani, buntovni tinejdžer dođe u ustanovu, Grace otkriva da više nije u stanju ignorisati vlastite probleme iz djetinjstva, što narušava i inače krhku ravnotežu između njenog života i posla. Ona mora pronaći način da prevaziđe to stanje koje je ujedno tjera na rub i omogućava joj da otkrije neočekivani tračak nade.

Destina Daniela Crettona je svojim kratkim filmom SHORT TERM 12 osvojio Nagradu žirija na Sundance Film Festivalu 2009. godine. Dugometražni film SHORT TERM 12 sa istom tematikom dobio je stipendiju za pisanje scenarija Nicholl od američke Akademije filmskih umjetnosti i nauka. Prvi dugometražni film Destina Daniela I AM NOT A HIPSTER je premijerno prikazan na Sundanceu 2012.

E Grace is a 20-something supervisor at Short Term 12, a foster-care facility for at-risk teenagers.

She is passionate about her work and takes great care of the kids, though she struggles with her own troubled past. When Jayden, a gifted, restless, teenager arrives at the facility, Grace finds herself no longer able to ignore the difficulties of her own childhood - and it puts the delicate balance of her life and work at risk. She must find her way through a crisis that both pushes her to the edge and allows her to discover unexpected glimmers of hope.

Destin Daniel Cretton’s short film, SHORT TERM 12 , won the Jury Prize at the 2009 Sundance Film Festival. The feature, SHORT TERM 12, from the same subject matter, was awarded a Nicholl Screenwriting Fellowship from the Academy of Motion Picture Arts & Sciences. Destin’s feature film debut, I AM NOT A HIPSTER, premiered at Sundance in 2012.

USA, 2013, Colour, 96 min, English Režija / Director: Destin Daniel Cretton Scenarij / Screenplay: Destin Daniel Cretton Direktor fotografije / Director of Photography: Brett Pawlak Montaža / Editor: Nat Sanders Muzika / Music: Joel P West Zvuk / Sound: Onnalee Blank Scenografija / Production Design: Rachel Myers Kostimografija / Costume Design: Mirren GordonCrozier, Joy Cretton Uloge / Cast: Brie Larson, John Gallagher jr., Kaitlyn Dever, Rami Malek, Keith Stanfield, Kevin Hernandez, Melora Walters, Stephanie Beatriz, Lydia Du Veaux, Alex Calloway Producent / Producer: Asher Goldstein, Maren Olson, Joshua Astrachan, Ron Najor Produkcija / Production: ANIMAL KINGDOM 555 W 25th Street, 5th Floor,New York, New York 10001, 212 206 1801, info@animalkingdomfilms.com Kontakt / Contact: MEMENTO FILMS INTERNATIONAL 9 cité Paradis, 75010 Paris, +33 1 53 34 90 33 sales@memento-films.com, festival@memento-films.com Filmografija / Filmography 2013 - SHORT TERM 12 2012 - I AM NOT A HIPSTER 2008 - SHORT TERM 12 (short / kratki) 2007 - DEACON’S MONDAYS (short / kratki) 2006 - ARTHOLOMEW’S SONG (short / kratki)

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Stop the Pounding Heart / Zaustavi udare srca Sara je mlada djevojka odrasla u porodici uzgajivača koza. Njeni su roditelji svoje dvanaestero djece školovali kod kuće, uz striktno poštivanje Biblije. Kao i njene sestre, Sara je učena da bude pobožna, poslušna prema muškarcima, te da svoju emotivnu i fizičku čistoću sačuva do braka. Nakon što upoznaje Colbya, mladog rodeo jahača amatera, Sara zapada u krizu i počinje preispitivati svoj način života, jedini koji je do tada poznavala. ZAUSTAVI UDARE SRCA je fascinantan portret moderne Amerike i izoliranih zajednica rasutih širom te zemlje. Film istražuje pitanja adolescencije, porodičnih i društvenih vrijednosti, rodnih uloga i religije u ruralnim krajevima američkog juga.

Roberto Minervini je filmski režiser, pisac i predavač rođen u Italiji, a živi u Americi. Zvanje magistra medijskih studija je stekao na Univerzitetu New School u New Yorku, a trenutno priprema doktorat iz historije filma na Universidad Autonoma u Madridu, u Španiji. Živi i radi na relaciji Italija - Sjedinjene Američke Države.

E Sara is a young girl raised in a family of goat farmers. Her parents homeschool their twelve children, rigorously following the precepts of the Bible. Like her sisters, Sara is taught to be a devout woman, subservient to men while keeping her emotional and physical purity intact until marriage.

When Sara meets Colby, a young amateur bull rider, she is thrown into crisis, questioning the only way of life she has ever known. In a stunning portrayal of contemporary America and the insular communities that dot its landscape, Stop the Pounding Heart is an exploration of adolescence, family and social values, gender roles, and religion in the rural American South.

Roberto Minervini is an Italian born, US-based film director, writer and lecturer. He holds a Master in Media Studies from the New School University, New York, and is pursuing a PhD in Cinema History at the Universidad Autónoma of Madrid, Spain. He lives and works between Italy and the United States.

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USA, Italy, Belgium, 2013, Colour, 100 min, English Režija / Director: Roberto Minervini Scenarij / Screenplay: Roberto Minervini Direktor fotografije / Director of Photography: Diego Romero Suarez - Llanos Montaža / Editor: Marie - Hélène Dozo Zvuk / Sound: Ingrid Simon, Thomas Gauder Scenografija / Production Design: Riccardo Minervini Uloge / Cast: Sara Carlson, Colby Trichell Producent / Producer: Denise Lee, Luigina Smerilli, João Leite Produkcija / Production: PULPA, POLIANA PRODUCTIONS, ONDAROSSA FILM Filmografija / Filmography 2013 - STOP THE POUNDING HEART 2012 - LOW TIDE 2011 - THE PASSAGE 2006 - THE FIREFLIES (kratki / short) 2005 - COME TO DADDY (kratki / short) 2005 - VOODOO DOLL (kratki / short) 2005 - NOTES (kratki / short)

Tian zhu ding / Dodir grijeha / A Touch of Sin Ljutiti rudar se buni protiv korumpiranih seoskih vođa.

Radnik iz dijaspore, koji je došao kući na odmor povodom novogodišnjih praznika, otkriva neograničene mogućnosti koje pruža vatreno oružje.

Lijepa recepcionarka u sauni biva gurnuta na rub izdržljivosti nakon što je napada bogati klijent.

Mladi fabrički radnik mijenja poslove nastojeći poboljšati svoj život. Četvero ljudi u četiri različite provincije.

Ovo je prikaz moderne Kine, ekonomskog giganta kojeg nasilje lagano izjeda.

Jia Zhang-Ke je rođen 1970. u Fenyangu, u kineskoj provinciji Shanxi. Svoj prvi igrani film, XIAO WU, snimio je 1998. nakon što je diplomirao na filmskoj akademiji u Pekingu. Trenutno živi u Pekingu i aktivno djeluje na filmskoj sceni cijele Kine. S filmom STILL LIFE je osvojio Zlatnog lava (za najbolji film) na 63. međunarodnom filmskom festivalu u Veneciji 2006. godine.

E An angry miner revolts against the corruption of his village leaders.

A migrant worker at home for the New Year discovers the infinite possibilities a firearm can offer.

A pretty receptionist at a sauna is pushed to the limit when a rich client assaults her.

A young factory worker goes from job to job trying to improve his lot in life.

Four people, four different provinces.

A reflection on contemporary China: that of an economic giant slowly being eroded by violence.

Jia Zhang-Ke was born in 1970 in Fenyang, Shanxi Province of China. He graduated from the Beijing Film Academy and made his first feature film Xiao Wu in 1998. He is now settled in Beijing and actively involved in the filmmaking scene throughout China. STILL LIFE won the Golden Lion Award (Best Film) at the 63rd Venice International Film Festival in 2006.

China, 2013, Colour, 133 min, Mandarin Režija / Director: Jia Zhang-Ke Scenarij / Screenplay: Jia Zhang-Ke Direktor fotografije / Director Of Photography: Yu Lik-Wai Montaža / Editor: Matthieu Laclau, Xudong Lin Muzika / Music: Lim Giong Zvuk / Sound: Yang Zhang Scenografija / Production Design: Liu Weixin Uloge / Cast: Jiang Wu, Meng Li, Lanshan Luo, Baoqiang Wang Producent / Producer: Shozo Ichiyama Produkcija / Production: Xstream Pictures, Office Kitano, Shanghai Film Group Corporation Filmografija / Filmography 2013 - A TOUCH OF SIN 2010 - I WISH I KNEW (dokumentarni / documentary) 2008 - 24 CITY 2007 - USELESS (dokumentarni / documentary) 2006 - STILL LIFE 2006 - DONG (dokumentarni / documentary) 2004 - THE WORLD 2002 - UNKNOWN PLEASURES 2001 - IN PUBLIC (dokumentarni / documentary) 2000 - PLATFORM 1998 - XIAO WU

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Uroki garmonii / Časovi harmonije / Harmony Lessons Na ljekarskom pregledu 13-godišnji Aslan je ponižen naočigled velike skupine svojih školskih drugova. Ovaj incident u njemu izaziva latentni poremećaj ličnosti. Mučen sumnjom u sebe, počinje težiti ka čistoći i savršenstvu, te postaje opsjednut pokušajima da kontrolira sve oko sebe. Aslan živi s bakom na selu u Kazahstanu, i ta opsesivnost ga dovodi u sve kompliciranije situacije. Mrzi činjenicu da je većina njegovih školskih drugova privučena kriminalnom shemom u koju je, također, uvučen i Bolat, jedan od Aslanovih mučitelja. Bolat uzima reket mlađoj djeci u zamjenu za zaštitu. On apsolutno prezire izopćenog Aslana.

U svom prvom dugometražnom filmu, Emir Baigazin opisuje sukob između pojedinca i mehanizma marginalizacije i nasilja. Prikazujući rastuću surovost u domenu javnog života, kroz seriju britkih slika i simboličnih scena iz životinjskog carstva, ova priča govori o dječaku koji se usuđuje uzvratiti udarac.

Time se dovodi u situaciju da rizikuje uništiti i samog sebe.

Emir Baigazin je rođen u Kazahstanu, 1984. Bio je pozorišni glumac u Aktobeu, u Kazahstanu, u periodu od 2002. do 2004, nakon čega je studirao filmsku i televizijsku režiju na Kazačkoj nacionalnoj akademiji umjetnosti. Godine 2007. učestvovao je u radu Azijske filmske akademije u Busanu, u Južnoj Koreji. Također je učestvovao i na Berlinale Talent Campusu 2008.

E During a medical examination, 13-year-old Aslan is humiliated in front of a load of his fellow pupils. The incident unleashes his latent personality disorder. Plagued by self-doubt, he strives for cleanliness and perfection and is obsessed with trying to control everything around him. His compulsion draws Aslan, who lives with his grandmother in a village in Kazakhstan, into increasingly difficult situations. He abhors the way most of his fellow pupils are held in the sway of a criminal scheme, in which Bolat, one of Aslan’s tormentors, is also involved. Bolat blackmails the younger children into paying him protection money; he has nothing but contempt for ostracised Aslan.

In his first feature-length drama, Emir Baigazin delineates the clash between an individual and the mechanisms of marginalisation and violence. Set against the growing brutalisation of public life, and told in a series of austere tableaux and symbolic scenes from the animal kingdom, the story unfolds of a boy who dares to fight back, and in doing so could well destroy himself.

Emir Baigazin was born in Kazakhstan in 1984. He was a theatre actor in Aktobe, Kazakhstan between 2002 and 2004, before studying film and television directing at the Kazakh National Academy of Arts. In 2007 he participated in the Asian Film Academy in Busan, South Korea. He is also an alumnus of the 2008 Berlinale Talent Campus.

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Kazakhstan, Germany, France, 2013, Colour, 110 min, Kazakh, Russian Režija / Director: Emir Baigazin Scenarij / Screenplay: Emir Baigazin Direktor fotografije / Director of Photography: Aziz Zhambakiyev Montaža / Editor: Emir Baigazin Zvuk / Sound: Markus Krohn, Sergey Lobanov Scenografija / Production Design: Yuliya Levitskaya Kostimografija / Costume Design: Ulan Nugumanov Uloge / Cast: Timur Aidarbekov, Aslan Anarbayev, Mukhtar Anadassov, Anelya Adilbekova, Beibitzhan Muslimov Producent / Producer: Anna Katchko Produkcija / Production: JCS Kazakhfilm Almaty, Kasachstan, +8 727 3131125 kzf.kim@gmail.com Kontakt / Contact: Films Distribution Paris, Frankreich, +33 1 53103399, info@filmsdistribution.com Filmografija / Filmography 2013 - HARMONY LESSONS (kratki / short) 2009 - JEAN’S VIDEO DIARY (kratki / short) 2008 - FATSHEDDER (kratki / short) 2007 - STEPPE (kratki / short) 2006 - CHEERFUL AND OFFENDED

La vie d’Adèle / Plava je najtoplija boja / Blue is the Warmest Color Petnaestogodišnja Adele to ne dovodi u pitanje: djevojke izlaze sa momcima. Njen život se zauvijek promijeni kada upozna Emmu, djevojku plave kose, koja će joj otkriti požudu, pa će postati i žena, i odrasla osoba. Naočigled drugih, Adele raste, traži se, gubi se, i pronalazi se...

France, 2013, Colour, 179 min, French

E At 15, Adele doesn’t question it: girls go out with boys. Her life is changed forever when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself...

Režija / Director: Abdellatif Kechiche Scenarij / Screenplay: Abdellatif Kechiche, Ghalya Lacroix Direktor Fotografije / Director Of Photography: Sofian El Fani Montaža / Editor: Albertine Lastera, Camille Toubkis, Jean-Marie Lengellé, Ghalya Lacroix Zvuk / Sound: Jérôme Chenevoy Scenografija / Production Design: Diana Angulo Uloge / Cast: Léa Seydoux, Adèle Exarchopoulos, Salim Kechiouche, Mona Walravens Producent / Producer: Olivier Thery Lapiney, Laurence Clerc Produkcija / Production: Alcatraz Films

Abdellatif Kechiche is a Tunisian-French actor, film director and screenwriter. He made his directorial debut in 2000 with LA FAUTE À VOLTAIRE/ BLAME IT ON VOLTAIRE (aka POETICAL REFUGEE), which he also wrote. He also directed GAMES OF LOVE AND CHANCE, which won a César Award for Best Film and Best Director. He presented THE SECRET OF THE GRAIN at the 64th Mostra del Cinema in Venice for which he was awarded the Special Jury Prize, the FIPRESCI Prize, such as later the Louis Delluc Prize and others César Awards for Best Film and Best Director. His 2013 film BLUE IS THE WARMEST COLOUR won the Palme d’Or and the FIPRESCI Prize at the 2013 Cannes Film Festival.

Filmografija / Filmography 2013 - BLUE IS THE WARMEST COLOR 2010 - BLACK VENUS 2008 - SUEUR (kratki / short) 2007 - THE SECRET OF THE GRAIN 2003 - GAMES OF LOVE AND CHANCE 2000 - POETICAL REFUGEE

Abdellatif Kechiche je tunižansko-francuski glumac, filmski režiser i scenarista. Svoj režiserski debi je imao 2000. filmom BLAME IT ON VOLTAIRE (poznat i kao POETICAL REFUGEE), za koji je, također, napisao i scenarij. Režirao je i film GAMES OF LOVE AND CHANCE, koji je osvojio nagrade César za najbolji film i najboljeg režisera. Predstavio je film THE SECRET OF THE GRAIN na 64. filmskom festivalu u Veneciji, za koji je dobio Posebnu nagradu žirija, nagradu FIPRESCI, a kasnije i Nagradu Louis Delluc i dvije nagrade – César za najbolji film i najboljeg režisera. Njegov film iz 2013, PLAVA JE NAJTOPLIJA BOJA, osvojio je Zlatnu palmu i nagradu FIPRESCI na Filmskom festivalu u Cannesu 2013.

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Wakolda Patagonija, 1960. Ljekar Nijemac upoznaje argentinsku porodicu i pridružuje im se na putovanju dugom, napuštenom cestom prema gradiću Bariloche gdje Eva, Enzo i njihovo troje djece otvaraju motel kraj jezera Nahuel Huapi. Ova savršena porodica – a naročito dvanaestogodišnja Lilith koja je premala za svoje godine - pobuđuje njegovu opsjednutost genetskom čistoćom i savršenstvom.

Nesvjesni njegovog istinskog identiteta, oni primaju doktora kao prvog gosta svoga motela.

Ovaj karizmatični čovjek ih postepeno osvaja i ostaju očarani njegovim uglađenim manirima, obrazovanjem i bogatstvom sve dok ne otkriju da žive s jednim od najvećih zločinaca svih vremena.

Lucía Puenzo, argentinska autorica i režiserka rođena je Buenos Airesu 1973. Studirala je književnost na Univerzitetu u Buenos Airesu, a zatim je obrazovanje nastavila na Nacionalnom institutu za film (INCAA). Puenzo je svoj prvi film XXY režirala 2007. Film XXY je osvojio više nagrada, uključujući tri nagrade Udruženja argentinskih filmskih kritičara 2008, te nagradu Goya 2008. godine za najbolji film na španskom jeziku. Njen film WAKOLDA je 2013. prikazan u okviru programa Un Certain Regard Filmskog festivalu u Cannesu.

E Patagonia, 1960. A German physician meets an Argentinean family and follows them on the long desert road to Bariloche where Eva, Enzo and their three children are going to open a lodging house by the Nahuel Huapi lake. This model family reawakens his obsession with purity and perfection, in particular Lilith, a 12 year-old with a body too small for her age. Unaware of his true identity, they accept him as their first guest. They are all gradually won over by this charismatic man, by his elegant manners, his scientific knowledge and his money — until they discover they are living with one of the biggest criminals of all times.

Lucía Puenzo was born in Buenos Aires in 1973. She is an Argentinian author and film director. She studied literature at the University of Buenos Aires, followed by the National Film Institute (INCAA).

In 2007 Puenzo directed her first film XXY. The film won several awards including three awards at the 2008 Argentine Film Critics Association Awards and the 2008 Goya award for best for Best Spanish Language Foreign Film. Her 2013 film WAKOLDA was screened in the Un Certain Regard section at the 2013 Cannes Film Festival.

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Argentina, France, Spain, Norway, 2013, Colour, 93 min, German, Hebrew, Spanish Režija / Director: Lucía Puenzo Scenarij / Screenplay: Lucía Puenzo Direktor fotografije / Director of Photography: Nicolás Puenzo Montaža / Editor: Hugo Primero Muzika / Music: Andrés Goldstein, Daniel Tarrab Zvuk / Sound: Fernando Soldevila Scenografija / Production Design: Marcelo Chaves Uloge / Cast: Florencia Bado, Alex Brendemühl, Alan Daicz, Natalia Oreiro, Ana Pauls, Diego Peretti, Guillermo Pfening, Elena Roger Producent / Producer: Gudny Hummelvoll, Stan Jakubowicz, José María Morales, Lucía Puenzo, Fabienne Vonier Produkcija / Production: Historias Cinematograficas Cinemania, Cine.Ar, Moviecity, P&P Endemol Argentina Filmografija / Filmography 2013 - WAKOLDA 2010 - MÁS ADELANTE (kratki / short) 2009 - THE FISH CHILD 2008 - LOS INVISIBLES (kratki / short) 2007 - XXY

Posvećeno: Cristi Puiu / Tribute to Cristi Puiu

119 Aurora, Cristi Puiu 120 Avant le petit déjeuner / Prije doručka / Before Breakfast, Cristi Puiu 121 Un cartuş de kent şi un pachet de cafea / Cigarete i kafa / Cigarettes and Coffee, Cristi Puiu 122 Marfa şi banii / Lova i još ponešto / Stuff and Dough, Cristi Puiu 123 Moartea domnului Lazarescu / Smrt gospodina Lazarescua / The Death of Mr. Lazarescu, Cristi Puiu 124 Trois exercices d’interprétation / Tri vježbe interpretacije / Three Exercises of Interpretation, Cristi Puiu

Posvećeno: Cristi Puiu / Tribute to Cristi Puiu

Cristi Puiu

116 19. Sarajevo Film Festival l POSVEĆENO: CRISTI PUIU

Iako se njegovi prvi filmovi uzimaju kao temeljci “novog rumunskog filma”, Cristi Puiu (Bukurešt, 1967) ne pristaje na status rodonačelnika ovog “talasa”, kao ni na pretpostavku da novi rumunski filmovi odražavju neku vrstu nacionalnog duha. “To nisu rumunske priče, nego priče iz Rumunije,” upozorava u jednom intervjuu, odbijajući da svoje filmove svede na alegorije o stanju rumunske nacije na početku novog milenija.

Njegovi filmovi svakako mogu biti tumačeni na taj način. Cjelovečernji debi LOVA I JOŠ PONEŠTO / MARFA ŞI BANII (2001) donosi isječak iz života mladića Ovidiua koji shvata da je njegov naizgled obični radni zadatak zapravo zločin, a poslodavac opasni kriminalac s ništa manje opasnom konkurencijom. Nije li to alegorija društva u kome je nasilje postalo dijelom svakodnevice protiv koga nema lijeka?

I kratki igrani film CIGARETE I KAFA / UN CARTUŞ DE KENT ŞI UN PACHET DE CAFEA (2004), nudi se kao alegorija. Radnik kojem prijeti otkaz iz firme koja treba biti privatizirana, traži pomoć od sina, rumunske varijanta japija, koji se očigledno pobjegao od radničkog backgrounda porodice. No, iako postsocijalistička realnost dovodi do klasnog raslojavanja i pucanja tradicionalnih porodičnih veza, i u njoj preživljavaju običaji socijalističke prošlosti poput mita. Da bi ocu našao novi posao, sin mora podmititi eventualne poslodavce: kao i u eri Ceauşescua, šteka skupih cigareta i pakovanje kafe ostaju simboli kapilarne korupcije.

Najpoznatiji primjer ovakvog alegorijskog pristupa nude brojne kritike SMRTI GOSPODINA LAZARESCUA / MOARTEA DOMNULUI LAZARESCU (2005), Puiuovog drugog cjelovečernjeg filma, kojim je započeo ciklus ŠEST PRIČA IZ PREDGRAĐA BUKUREŠTA. Dante Lazarescu je šezdesettrogodišnji samac i alkoholičar koji se jednog dana osjeća dovoljno loše da poziva Hitnu pomoć, da bi preostale sate svog života proveo po čekaonicama bukureštanskih bolnica u kojima ne dobija adekvatnu pomoć.

Međunarodna kritika film je, generalno, opisivala kao oštru i satiričnu kritiku rumunske društvene sadašnjosti, u kojoj su bukureštanske bolnice koje obilazi Lazarescu alegorija nebrige i ravnodušnosti postsocijalističke Rumunije prema vlastitim građanima. No, iako su takve kritike u principu hvalile film, Puiu ih je napao kao lijene i nespremne da odu s onu stranu najpovršnijih stvari, upozoravajući da potku SMRTI GOSPODINA LAZARESCUA ne čini sociologija savremene Rumunije, koliko ontologija ljudskog postojanja, usamljenost, nemogućnost komunikacije, i konačno – samo umiranje.

Ono čime je Puiu uvijek podrivao alegorijska

tumačenja ne krije se u filmskoj priči nego u formi, kojom je uvijek volio eksperimentirati.

On je već prvim filmom radikalno iznevjerio konvencije krimi žanra: tamo gdje bi drugi autori gradili suspens, Puiu insistira na prizorima svakodnevnice. Najveći dio filma je road movie, a kamera smještena na stražnjem sjedalu kombija koji voze Ovidiu i njegov prijatelj snima cestu i krajolike pokraj nje: Puiuov realizam se ne usteže istaknuti monotono i banalno, nikad ne posežući za spektakularnošću. Čak je i jedina scena nasilja lišena glamura i spektakularnosti koji su karakteristični za kriminalistički ili akcioni žanr: nasilje je sasvim običan, svakodnevan fenomen, i zato ga film ne treba fetišizirati.

Najveći iskorak u istraživanju forme Puiu je načinio u drugom dijelu planiranog ciklusa.

AURORA (2010) prati Viorela, usamljenog muškarca srednjih godina, koji počinjava nekoliko ubistava. Film najvećim dijelom prikazuje postupke protagoniste (kojeg glumi sam režiser), ali ih ne objašnjava, odnosno ne nudi jasne motive za njegov zločin. Puiu ne koristi standardnu hronološko-kauzalnu montažu, i na taj način destabilizira očekivanja gledalaca o smjeru kojim se zbivanja u filmu odvijaju.

Odbacio je i psihološki pristup junaku, koji bi pretpostavljao da filmski lik – kao i stvarna osoba – može u potpunosti objasniti svoje motive i postupke. Zato ni konačni iskaz kojim Viorel objašnjava zločine nije zadovoljavajući.

Ono prije pokazuje da i Viorel njime želi dati neki smisao svojim djelima, i tako prikriti njihovu istinsku traumatičnost, činjenicu da su ona zaista neuračunljiva.

Stvarnost, podsjeća Puiu, nikad ne možemo potpuno uobličiti u smislenu priču. Događaji oko nas ne odvijaju se prema zakonima kauzalnosti, niti ljudi slijede psihološke zakonitosti.

Filmovi najčešće ne prikazuju stvarnost u njenoj traumatičnoj haotičnosti, nego je pojednostavljuju i objašnjavaju, a to je upravo ono što Puiu želi izbjeći. Njegovi filmovi podcrtavaju praznine i lomove u ljudskom iskustvu stvarnosti, kao i načine na koje ljudi koriste fikciju – priče o sebi samima – da bi izašli na kraj s haosom svijeta oko sebe ali i haosom u sebi.

Puiuovu odanost eksperimentu pokazuje i njegov najnoviji film TRI VJEŽBE INTERPRETACIJE / TROIS EXERCISES D’INTERPRETATION / THREE EXERCISES OF INTERPRETATION (2012). Svaki dio ovog triptiha – MAČKA JE NA STOLICI / LE CHAT EST SUR LA CHAISE / THE CAT IS ON THE CHAIR, MAJMUN JE NA GRANI / LE SINGE EST SUR LA BRANCHE / THE MONKEY IS ON THE BRANCH, i MIŠ JE POD STOLOM / LA SOURIS EST SOUS LA TABLE / THE MOUSE IS UNDER THE TABLE – inscenira razgovor četvero ljudi usko

povezanih porodičnim ili prijateljskim vezama.

Dok se ti razgovori odvijaju na tri (simultana) ručka, u završnom susretu svih dvanaestero ljudi se okuplja na spiritističkoj seansi. Film je rezultat Puiuove radionice s francuskim glumačkim ansamblom Chantiers Nomades, koji su razgovore gradili oko dijelova “Tri razgovora: o ratu, moralu i religiji”, filozofskog traktata Vladimira Solovjova, ruskog pisca i filozofa iz 19. stoljeća.

Svojim francuskim setingom, TRI VJEŽBE iskaču izvan ciklusa o pričama iz bukureštanskih predgrađa, no s njima dijele isti estetski i etički svjetonazor. U njemu je film dragocjeni medij za istraživanje stvarnosti, a ta stvarnost je uvijek, prije ili poslije, određena ljudskošću. Film, kao ni ljudskost, nikad nisu apsolutno definirani, a rad Cristia Puiua pokazuje da, svaki put kada redefiniramo film, stvaramo i jedno novo viđenje ljudskoga.

E Despite the widespread belief that his early films had been instrumental for the emergence of the “New Romanian Cinema”, Cristi Puiu (Bucharest, 1967) rejects being considered the father of the new “wave”, as well as the assumption that the new Romanian films somehow reflect the national spirit. “They are not Romanian stories, but stories from Romania,” he warned in one interview, refusing to accept that his films are nothing but an allegory of the state of Romanian nation at the start of the new millennia.

But his films can certainly be interpreted in such a way. Puiu’s feature debut STUFF AND DOUGH/ MARFA ŞI BANII (2001) shows a segment from the life of a young man Ovidiu who realizes that a seemingly ordinary job he has taken is actually of criminal nature and that his employer is a dangerous criminal with equally dangerous competition. Is not that an allegory of a society where violence has become a part of everyday life for which there is no cure?

His short CIGARETTES AND COFFEE/UN CARTUŞ DE KENT ŞI UN PACHET DE CAFEA (2004) can also be read as an allegory. A worker facing the prospect of losing his job at a company that is soon to be privatized seeks help from his son - the Romanian version of a yuppie – who has obviously distanced himself from his working class background. But while the post-socialist reality creates the social class gap and weakens traditional family ties, the customs from the socialist past - such as bribery - have survived the change. In order to find a job for his father - any kind of a job - the son must bribe prospective employers: like during the Ceaușescu era, a box of expensive cigarettes and a pack of coffee still

remain the symbols of capillary corruption.

The best example of such allegorical reading of Puiu’s work can be found in numerous reviews of his sophomore feature THE DEATH OF MR. LAZARESCU (2005) - conceived as the first in a series of six films under the shared title SIX STORIES FROM THE BUCHAREST SUBURBS. The film tells the story of Dante Lazarescu - a 63-year-old alcoholic living on his own - who does not feel well one day so he calls for an ambulance only to end up spending the remaining hours of his life in ambulances and waiting rooms of Bucharest hospitals where he does not get proper care. International critics almost unanimously described the film as a sharp and satirical condemnation of Romanian reality, in which the hospitals that Lazarescu visits serve as an allegory of careless and indifferent treatment the post-socialist Romania offers to its citizens.

But while most such reviews had praised the film, Puiu dismissed them as lazy and shallow, warning that the central theme of THE DEATH OF MR.LAZARESCU is not the sociology of modern Romania as much as ontology of human existence, loneliness, inability to communicate and finally the death itself.

What Puiu has always relied on to undermine such lazy interpretations is not hidden in the plot of his films, but rather in their form with which he likes to experiment. Already in his first feature, Puiu radically betrayed the conventions of the crime genre: where other authors would build suspense, Puiu insisted on images from the everyday life. For most part, STUFF AND DOUGH is a road movie. Camera is placed in the back seat of the van driven by Ovidiu and his friend and it is filming the road and surrounding landscapes: Puiu’s realism means not shying away from focusing on that which is monotonous and banal, and never reaching for spectacular. Even the only scene of violence in the film is stripped of glamour and spectacle characteristic for crime and action films: violence is the usual, every day and in no way remarkable phenomena and film should thus not fetishize it.

Puiu has made the greatest leap in his experiments with the film form in AURORA (2010), the second in his planned six-film series. AURORA follows Viorel, a lonely, middle aged man, who commits several murders. Film mostly shows the actions of Viorel (played by Puiu himself) without explaining them, that is, without explaining his motives in a way that would be immediately clear. In his edit, Puiu does not use the standard chronological-casual timeline, but rather chooses elliptical structure that radically destabilizes the viewer’s expectations for the

order of events in the film. He also rejects psychological approach to the main protagonist which assumes that a film character – just like a real person – can fully explain his motivations and actions. Therefore, the final explanation that Viorel offers for his crimes is also not satisfactory. It is meant to help him make sense of his actions, thus hiding their truly traumatic and irrational nature.

Reality, Puiu reminds us, is determined by breaking points and ruptures which can never be fully arranged into a rational story. Events around us do not unfold according to the principle of causality and people do not really conform to the laws of psychology. Films usually do not portray the reality in all its tragic disarray, but are instead simplifying and explaining it, which is exactly what Puiu wants to avoid. His films underline the empty spaces and breaks in the human experience of reality, as well as the ways how people use fiction - the stories about themselves - to cope with the chaotic world around and inside them.

Puiu’s latest film THREE EXERCISES OF INTERPRETATION/ TROIS EXERCISES D’INTERPRETATION (2012) also attests to his dedication to experiment. Each segment of this trilogy - THE CAT IS ON THE CHAIR/LE CHAT EST SUR LA CHAISE, THE MONKEY IS ON THE BRANCH/LE SINGE EST SUR LA BRANCHE and THE MOUSE IS UNDER THE TABLE/LA SOURIS EST SOUS LA TABLE - centers around a conversation between four people who are linked by complex friendships or family ties. While the three conversations involving different protagonists unravel over three (simultaneous) lunches, at the end of the day all 12 observed people gather for a spiritual séance. The film is a product of a workshop Puiu has held with members of the French acting ensemble Chantiers Nomades who had built the film conversations and characters around Three Conversation: About War, Morality and Religion, a classical treatise by 19th century Russian writer and philosopher Vladimir Solovyov.

With its French setting, THREE EXCERCISES is not a part of Puiu’s six stories from the Bucharest suburbs, but it shares with them the same aesthetics and ethical beliefs system. It is the beliefs system that sees film as a valuable media for the research of reality which in turn is always determined by human nature. Film as well as human nature are never fully defined and Cristi Puiu’s films show that every time we redefine film we also create a new perception of the human nature.

Nebojša Jovanović, filmski teoretičar i istoričar / Film theorist and historian TRIBUTE TO CRISTI PUIU l 19. Sarajevo Film Festival 117

Biografija i filmografija / Biography and filmography

Cristi Puiu je rođen u Bukureštu 1967. godine. Nakon pada komunizma, 1992. upisuje studij slikarstva na Visokoj školi vizualnih umjetnosti u Ženevi, nakon čega se počinje baviti filmskim stvaralaštvom. Tokom studija snimio je nekoliko kratkih filmova i dokumentaraca. Nakon povratka u Rumuniju nastavio se baviti slikarstvom, napisao je nekoliko scenarija u saradnji s Razvanom Radulescuom i 2000. režirao svoj prvi dugometražni film, STUFF AND DOUGH. Ovaj road movie, snimljen tehnikom kamere s ramena i u skoro dokumentarističkom stilu, dobio je pozivnicu na Directors’ Fortnight (la Quinzaine des Réalisateurs) u Cannesu, te osvojio više nagrada na različitim festivalima, od kojih je najvažnija ona u Solunu, u Grčkoj. Godine 2004. osvojio je Zlatnog medvjeda na Festivalu u Berlinu za kratki film CIGARETTES AND COFFEE. THE DEATH OF MR. LAZARESCU je njegov drugi dugometražni film i prvi dio serijala SIX STORIES FROM THE BUCHAREST SUBURBS. Cristi Puiu živi s porodicom u dijelu Bukurešta u kojem je “najveća briga ljudi kako zaraditi novac na crno, a ne raspravljati o španskom baroku”. Ta sredina je njegova inspiracija.

E Cristi Puiu was born in Bucharest in 1967. In 1992, after the fall of communism, he started studying painting at the Ecole Supérieure d’Arts Visuels in Geneva before going into filmmaking. During his studies, he made several short films and documentaries. After returning to Romania, he continued to paint, co-wrote scripts with Razvan Radulescu and directed his first feature STUFF AND DOUGH in 2000. This road movie, filmed with a shoulder-held camera in an almost documentary style, was invited to the Directors’ Fortnight (la Quinzaine des Réalisateurs) in Cannes and won prizes at festivals, notably in Thessaloniki (Greece). In 2004 he won the Golden Bear at the Berlin Festival for his short film CIGARETTES AND COFFEE. THE DEATH OF MR. LAZARESCU is his second feature and the first part of the series SIX STORIES FROM THE BUCHAREST SUBURBS. Cristi Puiu lives with his family in a district of Bucharest where “peoples’ main preoccupation is how to make money under the table and not discussing Spanish baroque”. This is the basis of his inspiration.

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Filmografija / Filmography 2011 - TROIS EXERCISES D’INTERPRETATION 2010 - AURORA, FEATURE FILM, FICTION 2008 - SEVEN SKETCHES 2005 - THE DEATH OF MR. LĂZĂRESCU, 2004 - COFFEE AND CIGARETTES (kratki / short) 2001 - STUFF AND DOUGH 1995 - BEFORE BREAKFAST (kratki / short)

Aurora Kuhinja u stanu: muž i žena tiho razgovaraju o Crvenkapici, pazeći da ne probude djevojčicu koja spava u susjednoj sobi. Pustoš na rubu grada: iza napuštenih prikolica čovjek u tišini posmatra ono što bi trebalo predstavljati porodicu. Isti grad, isti čovjek: vožnja kroz grad s dvije ručno rađene udarne igle za lovačku pušku. Čovjek ima 42 godine, zove se Viorel. Pritisnut mračnim mislima, vozi kroz grad na odredište poznato samo njemu.

E An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping in the next room. A wasteland on the city’s outskirts: behind a line of abandoned trailers, the man silently watches what seems to be a family. The same city, the same man: driving through traffic with two hand-made firing pins for a hunting rifle. The man is 42 years old, his name - Viorel. Troubled by obscure thoughts, he drives across the city to a destination known only to him.

Romania, France, Switzerland, Germany, 2010, Colour, 181 min, Romanian Režija / Director: Cristi Puiu Scenarij / Screenplay: Cristi Puiu Direktor fotografije / Director of Photography: Viorel Sergovici Montaža / Editor: Ion Ioachim Stroe Zvuk / Sound: Andre Rigaut Uloge / Cast: Gelu Colceag, Catrinel Dumitrescu, Luminita Gheorghiu, Gheorghe Ifrim, Valentin Popescu, Ileana Puiu, Cristi Puiu, Valeria Seciu, Clara Voda Producent / Producer: Bobby Păunescu, Anca Puiu Produkcija / Production: MANDRAGORA Bucharest, 8 A.P. Cehov Str., district 1, 011998 bucharest@mandragoramovies.com

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Avant le petit déjeuner / Prije doručka / Before Breakfast BEFORE BREAKFAST je prvi igrani film Cristija Puiua, snimljen 1995. Film prati par čija se veza raspada, dok njih dvoje proživljava propast.

E BEFORE BREAKFAST is the first Cristi Puiu’s fiction film, filmed in 1995. The story follows the char-

acters of a broken couple as they live a story of disaster.

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Romania, Switzerland, 1995, Colour, 22 min, Romanian Režija / Director: Cristi Puiu Scenarij / Screenplay: Cristi Puiu Direktor fotografije / Director of Photography: Hans Schuermann Montaža / Editor: Karine Sudan Muzika / Music: Frankie Avalon, The Crewcuts Produkcija / Production: ESAV Genève

Un cartuş de kent şi un pachet de cafea / Cigarete i kafa / Cigarettes and Coffee Stariji muškarac ulazi u restoran u Bukureštu. Sjeda za sto za kojim mladić, koji izgleda kao da bi mogao biti uspješan poslovni čovjek, već jede desert. Razgovaraju o mogućem radnom mjestu za starijeg čovjeka koji je već dvije godine nezaposlen. Ovih dana, međutim, na razgovor za posao nije dobro doći praznih ruku. Čak i ako vas intervjuira vlastiti sin.

E An old man enters a restaurant in Bucharest. He takes a seat at a table where a younger man who looks like he could be a successful businessman is already eating dessert. Their conversation revolves around a job opening for the older man, who has been out of work for two years. However, if you want work these days, it’s no good coming empty handed. Even if it’s your son whose doing the employing.

Romania, 2003, Colour, 13 min, Romanian Režija / Director: Cristi Puiu Scenarij / Screenplay: Cristi Puiu Direktor fotografije / Director of Photography: Oleg Mutu Montaža / Editor: Dana Bunescu Zvuk / Sound: Mihai Bogos, Dana Bunescu Kostimografija / Costume Design: Cristina Barbu Uloge / Cast: Victor Rebengiuc, Mimi Branescu, Mihai Bratila Producent / Producer: Cristina Ionescu Produkcija / Production: Temple Film

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Marfa şi banii / Lova i još ponešto / Stuff and Dough Mladić po imenu Ovidiu živi s roditeljima i ostarjelom bakom u Constanti, prodavajući grickalice i sokove s kioska improviziranog u njihovom stanu u prizemlju. Želja mu je da kupi štand i osamostali se, ali nema novca za to. Lokalni moćnik nudi mu jednostavan i dobro plaćen posao: sve što treba uraditi jeste da se odveze u Bukurešt i dostavi torbu na određenu adresu. U torbi su, navodno, lijekovi. Ovidiu odmah kreće na put i sa sobom vodi par prijatelja. Međutim, uskoro im postaje jasno da bezbrižan put u glavni grad ima svoju cijenu. Naime, putem ih prati crveni kamion čiji im vozač očigledno ne misli dobro. Ali tek na povratku kući, Ovidiu shvata da se umiješao u nešto puno ozbiljnije i da je prekasno za povlačenje.

E A young man named Ovidiu lives with his parents and aged grandmother in Constanta, selling snacks and drinks from a window in their ground floor flat. Although he’d like to buy a stand and be on his own, he doesn’t have enough money. A local ‘boss’ offers him a simple and well-paid job: all he has to do is drive to Bucharest and deliver a bag to a certain address. The packages he’s carrying allegedly contain medicine. Ovidiu immediately sets out, taking along a couple of friends. Soon enough it’s clear that the carefree trip to the capital won’t come off without a hitch: they are followed by a red truck driven by men who assuredly don’t have their best interests at heart. But only during the return trip home does the young man realise that he’s become mixed up in something way over his head – and that it’s too late to back out.

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Romania, 2001, Colour, 90 min, Romanian Režija / Director: Cristi Puiu Scenarij / Screenplay: Razvan Radulescu, Cristi Puiu Direktor fotografije / Director of Photography: Silviu Stavila Montaža / Editor: Ines Barbu Kostimografija / Costume Design: Adriana Iurascu Uloge / Cast: Alexandru Papadopol, Dragos Bucur, Ioana Flora, Luminita Heorghiu, Razvan Vasilescu, Costica Draganescu, Petre Pletosu Produkcija / Production: Rofilm, Romanian Studio for Cinematic Creation at The Ministry of Culture

Moartea domnului Lazarescu / Smrt gospodina Lazarescua / The Death of Mr. Lazarescu Te noći, boraveći u kući sam, gospodin Lazarescu se ne osjeća dobro. Hitna pomoć napokon stiže i vodi ga na nesvakidašnje i dugo putovanje. Ustanovljavaju mu različite oprečne dijagnoze, a liječenje se stalno odgađa. Doktori ostaju opušteni i svojeglavi, dok gospodin Lazarescu tone sve dublje u bukureštansku noć.

E At home alone one night Mr. Lazarescu feels unwell. An ambulance finally arrives that takes him on an incongruous odyssey. Various contradictory diagnoses are pronounced and treatment is incessantly delayed. The doctors remain cool and obstinate while Mr. Lazarescu descends deeper into the Bucharest night.

Romania, 2005, Colour, 153 min, Romanian Režija / Director: Cristi Puiu Scenarij / Screenplay: Cristi Puiu, Razvan Radulescu Direktor fotografije / Director of Photography: Oleg Mutu Montaža / Editor: Dana Bunescu Muzika / Music: Andreea Paduraru Zvuk / Sound: Constantin Fleancu, Cristian Tarnovetchi Scenografija / Production Design: Cristina Barbu Kostimografija / Costume Design: Cristina Barbu Uloge / Cast: Ion Fiscuteanu, Luminta Gheorghiu, Gabriel Spahiu, Doru Ana Producent / Producer: Alexandru Munteanu Produkcija / Production: MANDRAGORA 8 A.P. Cehov Str., district 1, 011998, Bucharest, Romania, + 40 21 252 73 60, office@mandragora.ro, http://www.mandragoramovies.com/ Kontakt / Contact: THE COPRODUCTION OFFICE, Rue Lamartine 24, 75009 Paris, France + 331 56 02 6000, + 331 56 02 6001 info@thecopro.de

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Trois exercices d’interprétation / Tri vježbe interpretacije / Three Exercises of Interpretation Tri filma zasnovana na knjizi “Tri razgovora” ruskog književnika i filozofa Vladimira Solovyova.

Glumačke “vježbe” pretvorene u minimalističku trilogiju o kinematografiji i književnosti, društvenom i duhovnom životu, glumi na filmu i u stvarnom životu. Čisti intelektualni i kinematografski užitak.

Ova trilogija (sastavljena od filmova Mačka je na stolici, Miš je pod stolom i Majmun je na grani) nastala je u okviru radionice u francuskom umjetničkom studiju Chantiers Nomades. Puiua je inspirirao tekst “Tri razgovora”, remek djelo ruskog filozofa Vladimira Solovyova iz 19. stoljeća. Traktat s podnaslovom “O ratu, moralu i religiji” je integralni dio rafinirane studije karaktera. Dio Puiuovog smirenog filmskog izraza jeste stalno stavljanje težišta na glumce. U Mački, Anne-Marie i njena kći Ludivine na ručku ugoste stare prijatelje Dianu i Bernabéa. U Mišu, akademik Ugo izvodi svog prijatelja iz djetinjstva, vojnika Jean-Benoîta, na ručak s Patrickom i njegovom suprugom Marion. U Majmunu, prijateljice Hillary, Perrine, Anne i Nathalie razgovaraju za ručkom. Teme svih razgovora su život, prijateljstvo, rat i vjera. Tri se grupe sastaju uvečer u iskričavoj sceni u kojoj imaju seansu.

E Three films based on Three Conversations by Russian writer and philosopher Vladimir Solovyov.

The actors’ ‘exercises’ developed into a minimalistic trilogy on cinema and literature, social and spiritual life, acting in film and in real life. A pure intellectual and cinematic pleasure.

This trilogy (consisting of the films The Cat is On the Chair, The Mouse is Under the Table and The Monkey is On the Branch) is the result of a workshop at the French artists’ studio Chantiers Nomades. Puiu was inspired by Three Conversations, the masterpiece by 19th-century Russian philosopher Vladimir Solovyov. The treatise, subtitled ‘About War, Morality and Religion’, is embedded in refined character studies. In his subdued cinematography, Puiu always puts the acting first.

In The Cat... Anne-Marie and her daughter Ludivine receive their old friends Diana and Bernabé for lunch. In The Mouse… the academic Ugo takes his childhood friend Jean-Benoit, a soldier, out to lunch with Patrick and his wife Marion. In The Monkey... we see the girlfriends Hillary, Perrine, Anne and Nathalie talk as they have lunch. All discuss life, friendship, war and faith. In the evening, all the groups meet in a light-footed scene in which they hold a séance.

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France, 2012, Colour, 157 min, French Režija / Director: Cristi Puiu Scenarij / Screenplay: Cristi Puiu Direktor fotografije / Director of Photography: Luchian Ciobanu Montaža / Editor: Dragos Apetri, Thomas Johannsen Zvuk / Sound: Jean-Paul Bernard Uloge / Cast: Ludivine Anbérrée, Marion Bottollier, Ugo Broussot, Anne-Marie Charles, Anne Courpron, Perrine Guffroy, Hillary Keegin, Nathalie Meunier, Barnabé Perrotey, Jean-Benoît Poirier, Diana Sakalauskaite, Patrick Vaillant Producent / Producer: Cristi Puiu, Chantiers Nomades Produkcija / Production: Chantiers Nomades

Open Air

126 Before Midnight / Prije ponoći, Richard Linklater 127 Blancanieves, Pablo Berger 128 Blue Jasmine, Woody Allen 129 Dabba / Kutija za užinu / The Lunchbox, Ritesh Batra 130 Epizoda u životu berača željeza / An Episode in the Life of an Iron Picker, Danis Tanović 131 Krugovi / Circles, Srdan Golubović 132 Omar, Hany Abu-Assad 133 Prince Avalanche / Princ Avalanche, David Gordon Green

Before Midnight / Prije ponoći Iskrenošću su osvojili naša srca 1995. u filmu PRIJE ZORE. Isti magični utisak ostavili su i u filmu PRIJE SUMRAKA. Sada nas Richard Linklater, u željno očekivanom nastavku priče o Jessi i Celine, koji bi mogao biti kraj savršene trilogije, vodi u period devet godina nakon posljednjeg susreta ovog zlosretnog para. Duhoviti, iskreni dijalozi, glatko ukomponirani s osobenim dugim kadrovima karakteriziraju priču o još jednom raskršću na kojem se našla nestabilna, pa ipak strastvena veza ovoga dvojca.

Uporedo sa Jesse i Celine, sazrijevale su i bliskost i iskrenost među njima. Prisnost, životni usponi i padovi, pa i sam protok vremena, dodaju rafiniranost i novi lirski kvalitet posljednjem od njihovih susreta.

Film se na opušten i inteligentan način dotiče bitnih i manje bitnih životnih tema, a izazovi veze o kojoj govori prikazani su uz dozu briljantne iskrenosti, iskričavosti i humora.

Richard Linklater je samouki pisac, režiser i producent, koji je bio jedan od prvih i najuspješnijih talenata koji su stupili na scenu u vrijeme renesanse američkog nezavisnog filma 1990. Pored rada na filmu, Linklater je i umjetnički direktor Austin Film Society, koje je ustanovio 1985. kako bi u Austinu organizirali projekcije filmova iz raznih dijelova svijeta, a koji najčešće nisu prikazivani pred tamošnjom publikom. Austin Film Society je podržalo filmske autore iz Texasa grantovima u vrijednosti preko 1,2 miliona američkih dolara i 1999. je za podršku, koju pruža umjetnosti, osvojilo priznanje DGA, Američkog udruženje režisera.

E In 1995, they won our hearts with the honesty of Before Sunrise. In 2004, that resonant magic was revisited in Before Sunset. Now, in the eagerly anticipated third chapter in the star-crossed tale of Jesse and Celine, Richard Linklater fast-forwards to nine years after the last meeting in what just may be the ending to the perfect trilogy.

Witty heartfelt dialogue seamlessly mixes with signature long takes to bring this couple to yet another crossroads in a twisting but passionate relationship. As Jesse and Celine have matured, so has their bond and candor, as familiarity, life’s ups and downs and time itself add refinement and a fresh lyrical quality to this most recent encounter.

The film casually and intelligently touches on matters big and small while the challenges of this relationship are spun with brilliant honesty, wit and humor.

Richard Linklater is a self-taught writer, director and producer, who was among the first and most successful talents to emerge during the American independent film renaissance of the 1990s. In addition to his work on films, Richard Linklater also serves as the Artistic Director for the Austin Film Society, which he founded in 1985 to showcase films from around the world that were not typically shown in Austin. The Austin Film Society has given out over $1,200,000 in grants to Texas filmmakers and in 1999, received the DGA Honor which was given by the Directors Guild of America in recognition of its support of the arts.

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USA, 2013, Colour, 109 min, English, French, Greek Režija / Director: Richard Linklater Scenarij / Screenplay: Richard Linklater, Julie Delpy, Ethan Hawke Direktor fotografije / Director of Photography: Christos Voudouris Montaža / Editor: Sandra Adair Muzika / Music: Graham Reynolds Scenografija / Production Design: Anna Georgiadou Kostimografija / Costume Design: Vasileia Rozana Uloge / Cast: Ethan Hawke, Julie Delpy, Xenia Kalogeropoulou, Ariane Labed, Athina Rachel Tsangari, Seamus Davey-Fitzpatrick Producent / Producer: Richard Linklater, Christos V. Konstantakopoulos, Sara Woodhatch Produkcija / Production: Sony Pictures Classics Filmografija / Filmography 2013 - BEFORE MIFNIGHT 2012 - UP TO SPEED (TV) 2012 - BERNIE 2009 - ME AND ORSON WELLES 2008 - INNING BY INNING: A PORTRAIT OF A COACH

(dokumentarni / documentary) 2006 - FAST FOOD NATION 2006 - A SCANNER DARKLY 2005 - BAD NEWS BEARS 2004 - BEFORE SUNSET 2003 - SCHOOL OF ROCK 2003 - LIVE FROM SHIVA’S DANCE FLOOR

(kratki / short) 2001 - WAKING LIFE 2001 - TAPE 1998 - THE NEWTON BOYS 1997 - SUBURBIA 1995 - BEFORE SUNRISE 1993 - DAZED AND CONFUSED 1991 - SLACKER 1988 - IT’S IMPOSSIBLE TO LEARN TO PLOW BY

READING BOOKS

Blancanieves U Španiji dvadesetih godina prošlog stoljeća, poznati matador Antonio Villalta sprema se ući u arenu, dok ga njegova trudna supruga, čedna Carmen de Triana, gleda u iščekivanju. Nakon što njen suprug nastrada, Carmen se počinje porađati, što uvodi seriju tragičnih događaja koji će imati dugotrajne posljedice na ovu porodicu. Inspiriran pričom braće Grimm, Pablo Berger nudi gotičku, crno-bijelu interpretaciju mita o Snjeguljici. Tiha melodrama s likom izrazitog zlikovca, skupinom poduzetnih patuljaka, snalažljivom junakinjom i raskošnim produkcijskim dizajnom, BLANCANIEVES nudi čulno putovanje u mitsku i filmsku prošlost. BLANCANIEVES se također može pohvaliti i izuzetno originalnom muzikom, koju je napisao Alfonso de Vilallonga (čiji prethodni radovi uključuju TRANSIBERIAN Brada Andersona i MY LIFE WITHOUT ME Isabel Coixet), a pritom ova maštovita obrada klasične bajke donosi dio duha Tima Burtona u romantične pejzaže južne Španije.

Pablo Berger je započeo režisersku karijeru kultnim filmom MAMA. Nakon što je osvojio brojne nagrade, dobio je stipendiju baskijske vlade da studira na Univerzitetu New York, gdje je magistrirao film. Berger je predavao predmete o filmu na Cambridgeu, Princetonu, Yaleu i Sorbonnei, te je radio kao predavač na njujorškoj Filmskoj akademiji. TORREMOLINOS 73, njegov prvi dugometražni film, premijerno je prikazan na Malaga Film Festivalu 2003, gdje je osvojio četiri nagrade. Ovaj film je, po broju prodatih karata, jedan od najuspješnijih filmova u Španiji. Međunarodna premijera na Međunarodnom filmskom festivalu u Edinburgu je bila veoma uspješna, kao i festivalska prikazivanja u Toulouseu, Palm Springsu i drugdje. TORREMOLINOS 73 je prikazan širom svijeta. Godine 2008. je snimljen i kineski remake ovog filma koji je postigao veliki uspjeh.

E In 1920s Spain, renowned matador Antonio Villalta prepares to go into the ring while his pregnant wife, the saintly Carmen de Triana, watches in anticipation. As her husband suffers a goring, Carmen goes into childbirth, unleashing a series of tragic events that have long-lasting consequences for the family. Taking its inspiration from the Brothers Grimm story, Pablo Berger offers a gothic, blackand-white treatment of the myth of Snow White. A silent melodrama with a suitably malevolent villain, a chorus of enterprising dwarfs, a resourceful heroine and sumptuous production design, BLANCANIEVES offers a sensory journey into a mythical and cinematic past. Boasting an outstanding original score by Alfonso de Vilallonga (whose previous soundtracks include Brad Anderson’s Transiberian and Isabel Coixet’s My Life Without Me), this imaginative refashioning of a classic fairytale brings something of the spirit of Tim Burton to the romantic landscape of Southern Spain.

Spain, France, Belgium, 2012, Black & White, 104 min, Spanish Režija / Director: Pablo Berger Scenarij / Screenplay: Pablo Berger Direktor fotografije / Director of Photography: Kiko de la Rica Montaža / Editor: Fernando Franco Muzika / Music: Alfonso de Vilallonga Zvuk / Sound: Felipe Aragó Scenografija / Production Design: Alain Bainée Kostimografija / Costume Design: Paco Delgado Uloge / Cast: Maribel Verdú, Daniel Giménez Cacho, Ángela Molina Producent / Producer: Ibon Cormenzana, Jerôme Vidal, Pablo Berger Produkcija / Production: Arcadia Motion Pictures Ciutat de Granada 45, 1º 1º, 08005. Barcelona + 34 93 414 30 71, + 34 93 414 25 60 Kontakt / Contact: 6 Sales Real Baja 18, 1º C, Majadahonda, 28220 Madrid, Spain, +34 911 723 734 mar@6sales.es, www.6sales.es Filmografija / Filmography 2012 - BLANCANIEVES 2003 - TORREMOLINOS 73 1995 - TRUTH AND BEAUTY (kratki / short) 1995 - TREVOR (kratki / short) 1988 - MAMÁ (kratki / short)

Pablo Berger began his directorial career with the cult film MAMA. After winning numerous awards, he received a scholarship from the Basque Government to attend New York University, where he earned an MFA in film. Berger has taught Film courses at Cambridge, Princeton, Yale and La Sorbonne and served as a lecturer at New York Film Academy. TORREMOLINOS 73, his debut feature, premiered at the 2003 Malaga Film Festival where it received 4 awards. The film was one of the top box office successes in Spain. Its international premiere at the Edinburgh International Film Festival was a great success, as were festivals’ screenings at Toulouse, Palm Springs and many others.

TORREMOLINOS 73 was had a worldwide release, and in 2008 a Chinese remake was successfully broadcasted.

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Blue Jasmine Nakon što se sve u njenom životu počinje raspadati, uključujući i njen brak s bogatim poslovnim čovjekom Halom (Alec Baldwin), elegantna ljubimica društvene scene New Yorka, Jasmin (Cate Blanchett), seli se u skromni stan svoje sester Ginger (Sally Hawkins) u San Franciscu kako bi ponovo pokušala “stati na noge”.

Woody Allen je jedan od trenutno najpoznatijih i najcjenjenijih filmskih stvaralaca. Iza njega je bogata karijera scenariste, režisera, glumca i producenta, duga preko trideset godina i još uvijek u usponu. Prije nego je 1966. napisao scenarij za broadwayski hit DON’T DRINK THE WATER, Woody Allen je pisao tekstove za nastupe komičara i radio kao zabavljač u noćnim klubovima. Njegovi rani filmovi, kao što su BANANAS (1971) i SLEEPER (1973), predstavljali su kombinaciju intelektualne komedije i gega. U svojim kasnijim romantičnim komedijama, kao što su ANNIE HALL (1977), za koju je nagrađen dvama Oscarima, i MANHATTAN (1979), crtao je gorko-slatku sliku života u New Yorku.

Njegovi ostali istaknuti filmovi uključuju HANNAH AND HER SISTERS (1986), CRIMES AND MISDEMEANORS (1989), BULLETS OVER BROADWAY (1994), MATCH POINT (2005) i VICKY CRISTINA BARCELONA (2008). Allen je filmom MIDNIGHT IN PARIS (2011) sedmi put nominiran za Oscara za najboljeg režisera, a četrnaesti (i rekordni) put za isti je film nominiran i za Oscara za najbolji originalni scenarij, kojeg je i osvojio.

E After everything in her life falls to pieces, including her marriage to wealthy businessman Hal (Alec Baldwin), elegant New York socialite Jasmine (Cate Blanchett) moves into her sister Ginger’s (Sally Hawkins) modest apartment in San Francisco to try to pull herself back together again.

Woody Allen is one of the most well known and respected names in the movie industry. His career of being a writer, director, actor and producer spans over 30 years and still thrives.After writing routines for comedians and performing as a nightclub comic, he wrote the Broadway play DON’T DRINK THE WATER (1966). His early films, such as BANANAS (1971) and SLEEPER (1973), combined highbrow comedy and slapstick. Later romantic comedies such as ANNIE HALL (1977), which won him two Academy Awards, and MANHATTAN (1979) offered a bittersweet view of New York life.

His other notable films include HANNAH AND HER SISTERS (1986), CRIMES AND MISDEMEANORS (1989), BULLETS OVER BROADWAY (1994), MATCH POINT (2005), and VICKY CRISTINA BARCELONA (2008). For MIDNIGHT IN PARIS (2011) Allen received his 7th Oscar nomination for best director and his 14th (a record) for best original screenplay; he won the latter award.

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USA, 2013, Colour, 98 min, English Režija / Director: Woody Allen Scenarij / Screenplay: Woody Allen Direktor fotografije / Director of Photography: Javier Aguirresarobe Montaža / Editor: Alisa Lepselter Scenografija / Production Design: Santo Loquasto Kostimografija / Costume Design: Suzy Benzinger Uloge / Cast: Cate Blanchett, Alec Baldwin, Louis C.K., Sally Hawkins, Bobby Cannavale Producent / Producer: Letty Aronson, Stephen Tenenbaum, Edward Walson Produkcija / Production: Perdido Productions Filmografija nakon 2000. godine / Filmography after 2000.

2013 - BLUE JASMINE 2012 - TO ROME WITH LOVE 2011 - MIDNIGHT IN PARIS 2010 - YOU WILL MEET A TALL DARK STRANGER 2009 - WHATEVER WORKS 2008 - VICKY CRISTINA BARCELONA 2007 - CASSANDRA’S DREAM 2006 - SCOOP 2005 - MATCH POINT 2004 - MELINDA AND MELINDA 2003 - ANYTHING ELSE 2002 - HOLLYWOOD ENDING 2001 - SOUNDS FROM A TOWN I LOVE 2001 - THE CURSE OF THE JADE SCORPION 2000 - SMALL TIME CROOKS

Dabba / Kutija za užinu / The Lunchbox Domaćica Ila, pripadnica srednje klase, iznova pokušava začiniti svoj brak, ovog puta putem kuhinje.

Ona ne zna da je posebni ručak koji je pripremila greškom došao u ruke nesretnog činovnika Saajana, usamljenog čovjeka koji je pred penzijom. Zaintrigirana nedostatkom reakcije svog supruga, Ila sljedećeg dana stavlja malu poruku u kutiju za ručak u nadi da će saznati šta se desilo. Ovo pokreće razmjenu niza poruka u kutiji za ručak između Saajana i Ile, a utjeha od anonimnog komuniciranja sa strancem uskoro prerasta u neočekivano prijateljstvo. Oboje otkrivaju nove aspekte svoje ličnosti i pronalaze podršku jedno u drugom u Mumbaiju, velikom gradu koji tako često ruši nade i snove. Iako se još uvijek nisu ni upoznali, Ila i Saajan se gube u virtualnom odnosu koji bi mogao ugroziti njihove stvarne živote.

Ritesh Batra je rođen i odrastao u Mumbaiju, te sada živi na relaciji Mumbai – New York. Kratki filmovi Ritesha Batre su prikazani na mnogim međunarodnim filmskim festivalima i u umjetničkim galerijama. Njegov kratki film na arapskom jeziku, CAFÉ REGULAR, CAIRO, prikazan je na preko 40 filmskih festivala, te je osvojio 12 nagrada, uključujući FIPRESCI, nagradu međunarodnih filmskih kritičara u Oberhausenu, kao i Specijalnu plaketu žirija na festivalima Tribeca i onom u Chicagu.

Njegov scenarij za dugometražni film THE STORY OF RAM je bio dio laboratorije scenarista i režisera na festivalu Sundance 2009. THE LUNCHBOX je prvi dugometražni film Ritesha Batre. Svoju svjetsku premijeru doživio je na Critics Week na filmskom festivalu u Cannesu 2013.

E Middle-class housewife Ila is trying once again to add some spice to her marriage, this time through her cooking. Unknowing to her is that the special lunchbox she prepared has been mistakenly delivered to miserable office worker Saajan, a lonely man on the verge of retirement. Curious about the lack of reaction from her husband, Ila puts a little note in the following day’s lunchbox, in the hopes of getting to the bottom of the mystery. This begins a series of lunchbox notes between Saajan and Ila, and the mere comfort of communicating with a stranger anonymously soon evolves into an unexpected friendship. They each discover a new sense of self and find an anchor to hold on to in the big city of Mumbai that so often crushes hopes and dreams. But still strangers physically, Ila and Saajan become lost in a virtual relationship that could jeopardize both their realities.

India, France, Germany, USA, 2013, Colour, 104 min, Hindi, English Režija / Director: Ritesh Batra Scenarij / Screenplay: Ritesh Batra Direktor fotografije / Director of Photography: Michael Simmonds Montaža / Editor: John Lyons Muzika / Music: Max Richter Zvuk / Sound: Michael Kaczmarek Scenografija / Production Design: Shruti Gupte Uloge / Cast: Irrfan Khan, Nawazuddin Siddiqui, Nimrat Kaur, Denzil Smith Producent / Producer: Guneet Monga, Anurag Kashyap, Arun Rangachari Produkcija / Production: Sikhya Entertainment, Dar Motion Pictures Kontakt / Contact: THE MATCH FACTORY Balthasarstraße 79–8, 50670 Cologne – Germany +49–221–53 97 09 –0, +49–221–53 97 09 –10, info@matchfactory.de www.the-match-factory.com Filmografija / Filmogrphy 2013 - THE LUNCHBOX 2012 - CAFÉ REGULAR, CAIRO (kratki / short) 2010 - GAREEB NAWAZ’S TAXI (kratki / short) 2008 - THE MORNING RITUAL (kratki / short)

Ritesh Batra was born and raised in Mumbai, and he now lives between Mumbai and New York.

Batra’s short films have been shown at many international film festivals and fine arts venues. His recent Arab language short CAFÉ REGULAR, CAIRO, screened at over 40 international film festivals and won 12 awards including the International Critics Prize (FIPRESCI) at Oberhausen, and Special Jury Mentions at Tribeca and Chicago. His feature script THE STORY OF RAM was part of the Sundance Screenwriters and Directors labs in 2009. THE LUNCHBOX is Ritesh Batra’s debut feature. Its world premiere was at the Critics Week at the 2013 Cannes Film Festival.

OPEN AIR l 19. Sarajevo Film Festival 129

Epizoda u životu berača željeza / An Episode in the Life of an Iron Picker Nazif izdržava porodicu skupljajući staro gvožđe, ali jedva sastavlja kraj sa krajem. Svaki dan skuplja otpadni metal, dok njegova žena Senada brine o njihovom domu i dvije kćerke. Treće dijete je na putu. Nakon dugog radnog dana, Nazif se vraća kući i zatiče Senadu na krevetu, u bolovima. Narednog dana posuđuje automobil kako bi je odvezao u najbliži dom zdravlja. Senadina dijagnoza je spontani pobačaj - petomjesečni fetus koji nosi je mrtav. Stanje je kritično i Senadi je potrebna hitna operacija u gradskoj bolnici. Senada nema zdravstveno osiguranje i bolnica traži od nje da za tretman plati 980 KM - cijelo bogatstvo za skromnog skupljača željeza. Uprkos Nazifovim molbama, Senadu ne žele operirati i ona se mora vratiti kući. Narednih deset dana Nazif pokušava učiniti sve što je u njegovoj moći da spasi Senadin život - očajnički skupljajući još otpadnog metala, tražeći pomoć od nevladinih i državnih institucija... Narednih deset dana Nazif i Senada će u pravom smislu riječi iskusiti okrutnost savremenog društva.

Danis Tanović je rođen 1969. u Zenici. Za svoj prvijenac NIČIJA ZEMLJA dobio je nagradu za najbolji scenarij na Cannes Film Festivalu 2001. i Oscar za najbolji strani film 2002. godine. Film NIČIJA ZEMLJA je osvojio ukupno 42 nagrade, što je ovaj film učinilo jednim od najnagrađivanijih debitantskih filmova u historiji filmografije. Trenutno živi u Sarajevu, gdje radi kao profesor režije na Akademiji scenskih umjetnosti.

E Nazif barely makes ends meet as an iron picker to support his family. He searches daily for scrap

metal while his partner Senada tends to their home and their two young daughters. A third baby is on the way. After a long day’s work, Nazif finds Senada laid up in pain. The following day, he borrows a car to drive her to the nearest clinic. The diagnosis is that Senada has miscarried and is still carrying her dead five-month-old fetus. The condition is critical and Senada needs immediate treatment at a faraway city hospital. Because she does not have a state-issued health insurance card, the hospital requests that Senada pay 980 Bosnian marks (500 euros), a fortune for a modest iron picker.

Despite Nazif’s pleas, Senada is denied the crucial surgery and forced to return home to their Roma community in central Bosnia and Herzegovina. For the next ten days, Nazif will do everything he can to try and save Senada’s life—desperately searching for more scrap metal, seeking help from state institutions… For the next ten days, Nazif and Senada will be fully exposed to the callousness of contemporary society.

Danis Tanović was born in 1969 in Zenica, Bosnia and Herzegovina. His debut feature NO MAN’S LAND was awarded the Best Screenplay Award at the Cannes Film Festival in 2001 and the 2002 American Academy Award for Best Foreign Language Film. NO MAN’S LAND won a total of 42 awards, making it one of the most highly awarded debut films in the history of filmmaking. He currently lives in Sarajevo and is Professor of Directing at the Sarajevo Academy of Performing Arts.

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Bosnia and Herzegovina, France, Slovenia, 2013, Colour, 75 min, Bosnian Režija / Director: Danis Tanović Scenarij / Screenplay: Danis Tanović Direktor fotografije / Director of Photography: Erol Zubčević Montaža / Editor: Timur Makarević Zvuk / Sound: Samir Fočo Uloge / Cast: Senada Alimanović, Nazif Alimanović Producent / Producer: Amra Bakšić Čamo, Čedomir Kolar Produkcija / Production: SCCA / Pro.ba (BiH), A.S.A.P. Films (France) Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo +387 33 444 535, adis@pro.ba Filmografija / Filmography 2012 - EPIZODA U ŽIVOTU BERAČA ŽELJEZA /

AN EPISODE IN THE LIFE OF AN IRON PICKER 2011 - PRTLJAG / BAGGAGE (kratki / short) 2010 - CIRKUS COLUMBIA 2009 - TRIAGE 2005 - L’ENFER / PAKAO / HELL 2002 - 11’9’’01 SEPTEMBER 11 (omnibus) 2001 - NO MAN’S LAND / NIČIJA ZEMLJA 1999 - BUĐENJE (dokumentarni / documentary) 1996 - L’AUBE (dokumentarni / documentary) 1994 - PORTRET UMJETNIKA U RATU /

A PORTRAIT OF THE ARTIST IN WAR

(dokumentarni / documentary)

Krugovi / Circles Bosna 1993. godine. U jeku rata u Bosni, srpski vojnik Marko svjedoči brutalnom napadu trojice svojih suboraca na Harisa, muslimanskog civila. Marko reagira i spašava Harisa, ali ga bijesni vojnici prebijaju na smrt. Godina je 2008. Rat je završen, ali ratne rane još nisu zacijelile. Markov otac obnavlja crkvu. Pomoć mu nudi sin jednog od Markovih ubica i on je oklijeva prihvatiti. Markov prijatelj, poznati beogradski hirurg, suočava se s užasnim izborom kada treba operirati jednog od triju vojnika koji je na ivici smrti. Haris sada živi u Njemačkoj i ima jedinstvenu priliku da se oduži svom spasiocu.

Srdan Golubović je rođen 1972. u Beogradu, u Srbiji. Studirao je režiju na Fakultetu dramskih umjetnosti u Beogradu. Njegov prvi igrani film APSOLUTNIH STO uvršten je u takmičarski program preko 30 međunarodnih filmskih festivala (San Sebastian, Toronto, Thessaloniki, Cottbus, Rotterdam, Pusan…) i osvojio je 10 međunarodnih i 19 domaćih filmskih nagrada. Njegov drugi igrani film KLOPKA premijerno je prikazan 2007. na Filmskom festivalu u Berlinu (Forum) i osvojio je preko 20 međunarodnih filmskih nagrada. Uvršten je u uži izbor za Oscara za najbolji strani film. Film KRUGOVI je uvršten u izbor L’Ateliera za Filmski festival u Cannesu 2011. i osvojio je ARTE nagradu za međunarodne odnose, kao i Specijalnu nagradu žirija na Sundance film festivalu, te nagradu publike na Međunarodnom filmskom festivalu u Sofiji. Golubović trenutno predaje režiju na Fakultetu dramskih umjetnosti u Beogradu.

E Bosnia – 1993. In the midst of the Bosnian war, Marko, a Serbian soldier, witnesses the brutal aggression of Haris, a Muslim civilian, by three fellow soldiers. Marko interferes and saves Haris, but is beaten to death by the infuriated soldiers.

2008. The war is over but the wounds of the conflict are still open. Marko’s father is rebuilding a church, he is offered help by one of Marko’s killers’ son and hesitates about accepting it. Marko’s friend, a renowned surgeon in Belgrade, faces terrible choices when told to operate on one of the three soldiers on the verge of death. As for Haris, he now lives in Germany and is faced with a unique opportunity to repay his debt to his savior.

Srdan Golubović was born in 1972 in Belgrade, Serbia. He studied Film Directing at the Faculty of Dramatic Arts in Belgrade. His first feature film ABSOLUTE HUNDRED (APSOLUTNIH STO) participated in the main sections of over 30 international film festivals (San Sebastian, Toronto, Thessaloniki, Cottbus, Rotterdam, Pusan…) and won 10 international and 19 local awards. His second feature film THE TRAP (KLOPKA), had its world premiere in 2007 in Berlin (Forum) and has won over 20 international awards. It was shortlisted for Oscar for Best Foreign Film. CIRCLES has participated at L’Atelier at the 2011 Cannes Film Festival and has won International Relations ARTE prize, as well as Special Jury Prize at the Sundance Film Festival and Audience Award at the Sofia International Film Festival.

He also currently teaches Film Directing at the Faculty of Dramatic Arts in Belgrade.

Serbia, Germany, France, Slovenia, Croatia, 2012, Colour, 112 min, German, Serbian Režija / Director: Srdan Golubović Scenarij / Screenplay: Srđan Koljević, Melina Pota Koljević Direktor fotografije / Director of Photography: Aleksandar Ilić Montaža / Editor: Marko Glušac Muzika / Music: Mario Schneider Zvuk / Sound: Julij Zornik Scenografija / Production Design: Goran Joksimović Kostimografija / Costume Design: Liljana Petrović Uloge / Cast: Leon Lučev, Nebojša Glogovac, Nikola Rakočević, Aleksandar Berček, Hristina Popović, Boris Isaković, Vuk Kostić Producent / Producer: Jelena Mitrović, Alexander Ris, Emilie Georges, Boris T. Matić, Danijel Hočeva Produkcija / Production: Film House Baš Čelik, Neue Mediopolis Filmproduktion, La Cinéfacture, Vertigo, Propeler Film Kontakt / Contact: Memento Films International, Paris, France +33 1 53349020, sales@memento-films.com Filmografija / Filmography 2012 - CIRCLES / KRUGOVI 2007 - THE TRAP / KLOPKA 2001 - ABSOLUTE HUNDRED / APSOLUTNIH STO 1995 - PAKET ARANŽMAN (treći dio omnibusa /

third segment of the omnibus) 1994 - TROJKA (kratki / short)

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Omar Omar je navikao izbjegavati svjetleće rakete dok preskače granični bedem kako bi posjetio svoju tajnu ljubav Nadiju. Ali jednostavna ljubav i jednostavan rat su nepoznanica u okupiranoj Palestini.

S druge strane zida, osjetljivi mladi pekar Omar postaje borac za slobodu prisiljen na teške odluke o životu i muškosti. Kada je Omar uhvaćen nakon smrtonosnog čina otpora, prisiljen je na igru mačke i miša s vojnom policijom. Sumnje i izdaja ugrožavaju povjerenje koje gaji prema svojim saučesnicima i prijateljima iz djetinjstva, Amjadom i Tarekom, militantno nastrojenim Nadijinim bratom. Omarove emocije ubrzo postaju podjednako podijeljene kao Palestina. Ali uskoro postaje jasno da sve što čini, čini iz ljubavi prema Nadiji.

Hany Abu-Assad je rođen 1961. u Nazaretu, u Palestini. Nakon što je nekoliko godina studirao i radio kao avioinžinjer u Holandiji, Abu-Assad je 1994. ušao u svijet filma kao producent igranog filma režisera Rashida Masharawija CURFEW. Četiri godine kasnije, 1998, režirao je svoj prvi film THE FOURTEENTH CHICK prema scenariju Arnona Grunberga. Slijede dokumentarac NAZARETH 2000, a zatim njegov drugi igrani film RANA’S WEDDING, te još jedan dokumentarac, FORD TRANSIT. Abu-Assadov film PARADISE NOW je 2006. nominiran za Oscara za najbolji film na stranom jeziku.

S ovim je filmom iste godine osvojio Zlatni globus za najbolji film na stranom jeziku. Abu-Assad je 2011. završio rad na svom holivudskom filmu THE COURIER, u kojem su nastupili Jeffery Dean Morgan, Til Schweiger i Mickey Rourke. Za film OMAR nagrađen je Specijalnom nagradom žirija na Filmskom festivalu u Cannesu.

E Omar is accustomed to dodging surveillance bullets to cross the separation wall to visit his secret love Nadia. But occupied Palestine knows neither simple love nor clear-cut war. On the other side of the wall, the sensitive young baker Omar becomes a freedom fighter who must face painful choices about life and manhood. When Omar is captured after a deadly act of resistance, he falls into a cat-and-mouse game with the military police. Suspicion and betrayal jeopardize his longtime trust with accomplices and childhood friends Amjad and Tarek, Nadia’s militant brother. Omar’s feelings quickly become as torn apart as the Palestinian landscape. But it’s soon evident that everything he does is for his love of Nadia.

Hany Abu-Assad was born in Nazareth, Palestine in 1961. After having studied and worked as an airplane engineer in The Netherlands for several years, Abu-Assad entered the world of cinema as a producer and produced the feature film CURFEW, directed by Rashid Masharawi, in 1994.

In 1998 he directed his first film, THE FOURTEENTH CHICK, from a script by writer Arnon Grunberg, followed by his documentary NAZARETH 2000, his second feature film RANA’S WEDDING and his second documentary FORD TRANSIT. In 2006 his film PARADISE NOW was nominated for the Academy Award for Best Foreign Language Film. The film won the Golden Globe for Best Foreign language film in 2006. In 2011 Abu-Assad finished working on THE COURIER, a Hollywood movie starring Jeffery Dean Morgan, Til Schweiger and Mickey Rourke. For OMAR, Abu-Assad received Special Jury Prize at the Cannes Film Festival.

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Palestine, 2013, Colour, 97 min, Arabic Režija / Director: Hany Abu-Assad Scenarij / Screenplay: Hany Abu-Assad Direktor fotografije / Director of Photography: Ehab Assal Montaža / Editor: Martin Brinkler, Eyas Salman Zvuk / Sound: Hamada Attalah Scenografija / Production Design: Nael Kanj Uloge / Cast: Adam Bakri, Samer Bishara, Ehab Hourani, Leem Lubani, Waleed Zuaiter Producent / Producer: Hany Abu-Assad, David Gerson, Waleed F. Zuaiter Produkcija / Production: Company ZBROS Filmografija / Filmography 2013 - OMAR 2011 - THE COURIER 2005 - PARADISE NOW 2002 - FORD TRANSIT

(dokumentarni / documentary) 2002 - RANA’S WEDDING 2000 - NAZARETH 2000

(dokumentarni / documentary) 1998 - THE 14TH CHICK

Prince Avalanche / Princ Avalanche Alvin i Lance ljeto 1988. provode u opustošenoj, požarom poharanoj šumi na monotonom zadatku ponovnog iscrtavanja saobraćajne signalizacije na beskonačno dugoj ruralnoj cesti. Lance se teško nosi sa samačkim životom u divljini, daleko od djevojaka i zabava, za razliku od ozbiljnog Alvina koji piše strastvena pisma svojoj djevojci, inače Lanceovoj starijoj sestri. Kada god ima slobodnog vremena, Alvin zalazi još dublje u pustu šumu u potrazi za duhovima i uništenim kućama. Dok tumaraju šumom u malom vozilu, on i Lance se svađaju, raspravljaju i mire. Tokom cijelog dugog, napornog ljeta upoznaju samo jednog čovjeka – misterioznog kamiondžiju koji ih opskrbljuje domaćom rakijom, a zatim nestaje jednako naglo kao što se i pojavio. U ovom remakeu filma EITHER WAY islandskog autora Hafsteinna Gunnara Sigurðssona, režiser David Gordon Green uspio je ispričati priču koja je dijelom jezgrovita komedija, a dijelom filozofski road movie, kao i vratiti se poetičnom vizualnom izrazu, karakterističnom za njegove rane, nezavisne filmove.

David Gordon Green je rođen u Little Rocku, u Arkansasu, 1975, a odrastao je u Richardsonu, u Texasu. Studirao je filmsku režiju u North Carolina School of Arts, a debitantski igrani film GEORGE WASHINGTON snimio je 2000. Osvojio je mnoštvo nagrada za svoj rad, uključujući Srebrnog medvjeda za najboljeg režisera Filmskog festivala u Berlinu 2013. Trenutno živi u New Orleansu.

E Alvin and Lance spend the summer of 1988 in a deserted, fire-damaged forest, their monotonous task to repaint the markings on an endless country road. Lance finds it hard to cope with their isolation in the wilderness far away from parties and girls – as opposed to serious Alvin who writes passionate letters from afar to his girlfriend, Lance’s elder sister. Whenever he has time off, Alvin enjoys heading still further into the desolate forest on the hunt for ghosts and derelict houses. He and Lance meander through the woods in a little vehicle, argue, fight, and make up. Throughout the long, oppressive summer they only meet one other person – a mysterious lorry driver who plies them with homemade booze and then disappears as suddenly as he appeared.

In this remake of the Icelandic film Either Way by Hafsteinn Gunnar Sigurðsson, director David Gordon Green has succeeded in creating a piece that is part laconic comedy, part philosophical road movie and exudes the visual poetry of his own early independent films.

USA, 2013, Colour, 94 min, English Režija / Director: David Gordon Green Scenarij / Screenplay: David Gordon Green, Hafsteinn Gunnar Sigurðsson (original story) Direktor fotografije / Director of Photography: Tim Orr Montaža / Editor: Colin Patton Muzika / Music: Explosions in the Sky, David Wingo Zvuk / Sound: Will Files Scenografija / Production Design: Richard A. Wright Kostimografija / Costume Design: Jill Newell Uloge / Cast: Paul Rudd, Emile Hirsch, Lance Legault, Joyce Payne, Gina Grande Producent / Producer: Lisa Muskat, Derrick Tseng, Craig Zobel, James Belfer, David Gordon Green Produkcija / Production: To Get To The Other Side Filmografija / Filmography: 2013 - PRINCE AVALANCHE 2011 - BLACK JACK (TV film) 2008 - PINEAPPLE EXPRESS 2007 - SNOW ANGELS 2004 - UNDERTOW 2003 - ALL THE REAL GIRLS 2000 - GEORGE WASHINGTON 1998 - PHYSICAL PINBALL (kratki / short) 1997 - PLEASANT GROVE (kratki / short)

David Gordon Green was born in Little Rock, Arkansas in 1975, and he grew up in Richardson, Texas.

After high school, he studied film directing at North Carolina School of the Arts and made his feature debut in 2000 with GEORGE WASHINGTON. Among many awards, he won Silver Berlin Bear as the best director of Berlinale Film Festival in 2013. He currently lives in New Orleans.

OPEN AIR l 19. Sarajevo Film Festival 133

Laško Summer Nights

136 ¡Cuatro!, Tim Wheeler 137 The African Cypher / Afrički ritam, Bryan Little 138 The Broken Circle Breakdown / Slom slomljenog kruga, Felix Van Groeningen 139 Good Vibrations / Dobre vibracije, Lisa Barros D’Sa, Glenn Leyburn 140 The Great Hip Hop Hoax / Velika hip-hop prevara, Jeanie Finlay 141 Harry Dean Stanton: Partly Fiction / Harry Dean Stanton: dijelom fikcija, Sophie Huber 142 Only Lovers Left Alive / Samo su ljubavnici preživjeli, Jim Jarmusch 143 Pokazatelnyy protsess: Istoriya Pussy Riot / Pussy Riot: punk molitva /

Pussy Riot: A Punk Prayer, Mike Lerner, Maxim Pozdorovkin

¡Cuatro!

U dokumentarnom filmu ¡Cuatro! pratimo grupu Green Day tokom rada na demo snimcima, probama i prilikom snimanja materijala za njihovu album trilogiju ¡Uno! ¡Dos! ¡Tré!. Film prikazuje kreativni proces izrade nekih od numera, kao što su “Missing You”, “Nightlife” i “Lady Cobra”, te otkriva koliko je vremena i napora bend uložio u ova tri albuma. Posebno - koliko su se dobro zabavljali radeći na njima.

Film nam pokazuje kako je trio Green Day napravio kolekciju albuma ¡Uno!, ¡Dos! i ¡Tre!, na kojoj su se vratili svojim korijenima.

Tim Wheeler je stekao iskustvo na filmu radeći kao snimatelj, montažer, producent i režiser na mnoštvu projekata - često preuzimajući više od jedne spomenute uloge na pojedinačnim projektima.

Vremenom je Wheels stekao reputaciju pouzdanog naratora, dokazavši se radom na dokumentarcima kao što su ¡CUATRO!, 180° SOUTH i THE WHITE STRIPES: UNDER GREAT WHITE NORTHERN LIGHTS. Njegova životna strast prema muzici, kombinirana s njegovim osobenim pristupom filmu, rezultirala je uspješnom i još uvijek aktivnom saradnjom s umjetnicima kao što su Jack White, Jack Johnson i članovi grupe Green Day. Njegova sklonost ka eksterijerima i odlično poznavanje više filmskih žanrova jasno su vidljivi u reklamnim spotovima koje je snimio za Ford, The North Face, Dick’s Sporting Goods i Acuru.

E ¡Cuatro! is a documentary that follows Green Day around during their demoing, rehearsing, and recording of material for their ¡Uno! ¡Dos! ¡Tré! trilogy of albums. The film shows the creative process of some tracks, such as “Missing You,” “Nightlife,” and “Lady Cobra,” and shows how much time and effort the band put into the albums. Specifically how much fun they had doing it.

A look at how Green Day’s three-album collection - ¡Uno! ¡Dos! and ¡Tre! - came together as the trio went back to its roots.

Tim Wheeler gain his experience in filmmaking working as camera operator, editor, producer, and director on a variety of projects–oftentimes wearing several of these mantles at once. Over time, this brought Wheels a reputation as a reliable storyteller as seen in his work on such documentaries as ¡CUATRO!, 180° SOUTH, and THE WHITE STRIPES: UNDER GREAT WHITE NORTHERN LIGHTS. Wheels’ lifelong passion for music matched with his signature approach to filmmaking has led to successful and ongoing collaborations with artists such as Jack White, Jack Johnson, and Green Day. His affinity for the outdoors and keen dexterity in multiple film genres is evident in spots he has shot for Ford, The North Face, Dick’s Sporting Goods, and Acura.

136 19. Sarajevo Film Festival l LAŠKO SUMMER NIGHTS

USA, 2012, Colour, 75 min, English Režija / Director: Tim Wheeler Direktor fotografije / Director of Photography: Joseph Aguirre, Chris Dugan, Alex Kopps, Greg Schneider Montaža / Editor: Tim Wheeler Muzika / Music: Green Day Producent / Producer: Tim Lynch Produkcija / Production: Farm League Filmografija / Filmography 2012- ¡CUATRO! (dokumentarni / documentary) 2010 - SELENA GOMEZ: GIRL MEETS WORLD

(videodokumentarac / video documentary)

The African Cypher / Afrički ritam Ovaj nagrađivani dokumentarac pruža uvid u izuzetne stilove uličnog plesa širom Južne Afrike, udubljujući se u filozofiju plesne kreacije. Prikaz je to fizičke prirode plesa, čuda tijela koje lebdi u prostoru, premeće se, vrti i klizi kao da želi poroditi novo sredstvo ličnog izražaja. U gradovima i predgrađima širom Južne Afrike ples je već odavno ogledalo zajednice, sredstvo prenošenja obrazovnih, ali i zabavnih alegoričnih priča. Bryan Little jaše na valu energije jedinstvenih i raznolikih plesnih stilova od isiPantsula i sBhujwa do Krumpa i B-Boya. Kriminal i siromaštvo dio su njihove teške stvarnosti u predgrađima, ali plesači predstavljeni u ovom filmu objašnjavaju kako im je umjetnost obogatila živote i otvorila nove puteve, te kako vraćaju dug toj umjetnosti radeći s mladima kao mentori i učitelji plesa, razbijajući krug nasilja i ulijevajući nadu.

Bryan Little, filmski umjetnik iz Južne Afrike, autor je videospotova, reklama i videoklipova za MTV, kao i dokumentarnog filma o južnoafričkom punk bendu snimljenog 2009, FOKOFPOLISIEKAR: FORGIVE THEM FOR THEY KNOW NOT WHAT THEY DO, s kojim je osvojio Nagradu za najbolji film na Jedanaestom međunarodnom festivalu dokumentarnog filma Encounters. Little je suosnivač produkcije Fly On The Wall. Njegov posljednji dugometražni dokumentarac THE AFRICAN CYPHER naišao je na topao prijem filmskih kritičara, kod kuće i u inostranstvu, te napunio kinodvorane. Film je proglašen najboljim južnoafričkim dokumentarcem na Međunarodnom filmskom festivalu u Durbanu i najboljim južnoafričkim filmom na Međunarodnom festivalu dokumentarnog filma Encounters. Film se trenutno prikazuje na festivalima širom svijeta.

South Africa, 2012, Colour, 88 min, English Režija / Director: Bryan Little Direktor fotografije / Director of Photography: Grant Appleton Montaža / Editor: Grant Birch Zvuk / Sound: Simon Kohler Producent / Producer: Filipa Domingues Produkcija / Production: Fly on the Wall Filmografija / Filmography 2012 - THE AFRICAN CYPHER

(dokumentarni / documentary) 2009 - FOKOFPOLISIEKAR: FORGIVE THEM FOR THEY

KNOW NOT WHAT THEY DO

(dokumentarni / documentary)

E A survey of the extraordinary street dance styles across South Africa, this award-winning documentary drills deeper into the philosophy of the dancer’s creation. This is the physicality of the dance; the awe of a body flowing through space, flipping, spinning, and snaking as if giving birth to a new means of self-expression. Across South African cities and townships, dance has long been a mirror of the community, replaying allegorical stories that both educate and entertain. Bryan Little harnesses the energy of the unique and diverse performance styles of isiPantsula and sBhujwa to Krump and B-boy. Crime and poverty may be a challenging reality in township life, but the dancers featured describe how their art has enriched their lives with new avenues, and pay it forward by engaging with youth through mentorship and dance training that breaks the cycle of crime and offers hope.

Bryan Little, South African filmmaker, has filmed music videos, advertisements, clips for MTV, and a 2009 documentary FOKOFPOLISIEKAR: FORGIVE THEM FOR THEY KNOW NOT WHAT THEY DO about a South African Punk band, which won best Documentary at the 11th Encounters Documentary Festival. Little is the cofounder of the production company Fly On The Wall Productions. His latest feature documentary THE AFRICAN CYPHER has been critically acclaimed in numerous local and international publications and has had an enthusiastic public response, playing to sold out audiences.

It won Best South African Documentary at the Durban International Film Festival and Best South African Film at the Encounters International Documentary Festival, the film is now featuring on the international festival circuit in 2013.

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The Broken Circle Breakdown / Slom slomljenog kruga Elise i Didier su proveli sedam strastvenih godina zajedno. Kada se njihova mala kći suoči s teškom bolešću, kroz glavu im prolaze sve prekretnice u njihovoj intenzivnoj i dirljivoj vezi. Prisjećaju se zaljubljivanja na prvi pogled, međusobnog udvaranja i strasti, kako ih je zbližio zajednički bluegrass bend, dana kada su se odlučili na brak, neplanirane trudnoće i, konačno, radosti roditeljstva nakon rođenja njihove prelijepe Maybell. Kompletan krug sreće ovog vrlo nekonvencionalnog para…

Ali kada stres i tuga Maybellinog tretmana počinju uzimati danak, Didier i Elise počinju reagirati na sasvim različite načine. Zajedno se bore za svoje dijete dok se nadaju da ih ljubav neće izdati u trenutku kada im je najpotrebnija. Ljubav može biti jača od sudbine, ali ponekad i nije…

Felix Van Groeningen je svojim četvrtim igranim filmom THE BROKEN CIRCLE BREAKDOWN postigao ogroman uspjeh na kinoblagajnama u Belgiji i Holandiji. Felixov film THE MISFORTUNATES (DE HELAASHIED DER DINGEN) iz 2009. privukao je međunarodnu pažnju nakon premijere u Cannesu (u programu Directors’ Fortnight). Film je bio apsolutni flamanski hit, a uspjeh je postigao i u inostranstvu, osvojivši brojne nagrade, kao što je istanbulski Golden Tulip. Felix Van Groeningen je 2000. godine diplomirao na KASK Royal Academy of Fine Arts u Ghentu stekavši zvanje magistra audiovizualne umjetnosti. Napisao je i režirao više pozorišnih predstava za svoju teatarsku grupu Kung Fu. Na sva svoja četiri filma surađivao je s producentom Dirkom Impensom (Menuet).

E Elise and Didier have been together for seven passionate years. When their little girl Maybelle must face a serious illness, all the turning points in their intense and moving relationship seem to flash by. They remember their love at first sight, courtship and passion,coming closer through their bluegrass music band, braving marriage, unexpected pregnancy and eventually the joy of parenthood after the birth of beautiful Maybelle. A complete circle of happiness for this very unconventional couple…

But as the stress and sorrow of Maybelle’s treatment takes its toll, Didier and Elise begin to respond in different ways. They fight together for their child, as they hope love will not let them down when they need it most. Love can conquer fate, but sometimes not.

Felix Van Groeningen‘s fourth feature film THE BROKEN CIRCLE BREAKDOWN has been a boxoffice hit in Belgium and the Netherlands. Felix’s 2009 film THE MISFORTUNATES (De helaasheid der dingen) received international attention after making its world premiere in Cannes (Directors’ Fortnight). This movie was a number one Flemish cinema hit and also successful abroad, collecting awards like Istanbul’s Golden Tulip. Felix Van Groeningen graduated in 2000 from KASK (Royal Academy of Fine Arts) in Ghent with a Masters of Audiovisual Arts. He has also written and directed theatre plays with Ghent’s theatre group Kung Fu. All four of his feature films have been collaborations with producer Dirk Impens (Menuet).

138 19. Sarajevo Film Festival l LAŠKO SUMMER NIGHTS

Belgium, 2012, Colour, 110 min, Dutch Režija / Director: Felix Van Groeningen Scenarij / Screenplay: Carl Joos, Felix van Groeningen Direktor fotografije / Director of Photography: Ruben Impens Montaža / Editor: Nico Leunen Muzika / Music: Bjorn Eriksson, TBCB BAND Zvuk / Sound: Jan Deca Scenografija / Production Design: Kurt Rigolle Kostimografija / Costume Design: Ann Lauwerys Uloge / Cast: Veerle Baetens, Johan Heldenbergh, Nell Cattrysse Producent / Producer: Dirk Impens Produkcija / Production: Menuet – Belgium Filmografija / Filmography 2012 - THE BROKEN CIRCLE BREAKDOWN 2009 - THE MISFORTUNATES /

DE HELAASHEID DER DINGEN 2007 - WITH FRIENDS LIKE THESE /

DAGEN ZONDER LIEF 2004 - STEVE + SKY

Good Vibrations / Dobre vibracije Terri Hooley je radikal, buntovnik i ljubitelj muzike iz sredine sedamdesetih godina prošlog vijeka kada sukob poznat pod nazivom “Troubles” paralizira njegov grad, Belfast. Dok svi njegovi prijatelji zauzimaju strane i uzimaju oružje, Terri na pola milje najžešće bombardiranog prostora u Evropi otvara dućan s pločama i daje mu naziv “Dobre vibracije”. Zahvaljujući dućanu, Terri otkriva snažan glas otpora nasilju među pripadnicima gradske underground punk scene u nastajanju. Podstičući mlade muzičare na akciju, Terri neočekivano postaje vođa šarolike grupe omladinaca i pankera koji se pridružuju njegovoj misiji da stvore novu zajednicu, alternativni Ulster, kako bi vratili život u svoj grad.

Lisa Barros D’Sa je rođena u Sjevernoj Irskoj, a studirala je engleski jezik na Oxfordu. Stekla je zvanje magistrice scenarija na University of the Arts u Londonu. Osvojila je više nagrada za svoj rad kao režiserka, montažerka i producentica. Između ostalog, zajedno s Glennom Leyburnom, nagrađena je za film GOOD VIBRATIONS na Međunarodnom filmskom festivalu u Corku i na festivalu Galaway Film Fleadh.

Glenn Leyburn je rođen u Sjevernoj Irskoj. Radio je kao grafički dizajner i stekao zavidnu reputaciju za rad u muzičkoj industriji, prevashodno za djela nastala u još uvijek aktivnoj saradnji s kompozitorom Davidom Holmesom. Radio je kao režiser i umjetnički direktor na više muzičkih spotova.

Zajedno s Lisom Barros D’Sa je režirao dva igrana i jedan kratki film. Prvi igrani film koji je samostalno režirao, CHERRYBOMB, premijerno je prikazan 2009. na Filmskom festivalu u Berlinu, u programu Generation. Film je osvojio Nagradu publike na Filmskom festivalu u Belfastu, a Universal ga je počeo distribuirati u Velikoj Britaniji 2009.

United Kingdom, Ireland, 2012, Colour, 103 min, English Režija / Director: Lisa Barros D’Sa, Glenn Leyburn Scenarij / Screenplay: Colin Carberry, Glenn Patterson Direktor fotografije / Director of Photography: Ivan McCullough Montaža / Editor: Nick Emerson Muzika / Music: David Holmes Scenografija / Production Design: Derek Wallace Kostimografija / Costume Design: Maggie Donnelly Uloge / Cast: Richard Dormer, Jodie Whittaker, Adrian Dunbar, Liam Cunningham, Karl Johnson, Dylan Moran Producent / Producer: Chris Martin, Andrew Eaton, David Holmes, Bruno Charlesworth Produkcija / Production: Canderblinks Film and Music, Revolution Fillms, Northern Ireland Screen Filmografija / Filmography 2012 - GOOD VIBRATIONS 2009 - CHERRYBOMB 2006 - THE 18TH ELECTRICITY PLAN (kratki / short)

E Terri Hooley is a radical, rebel and music-lover in 1970s Belfast when the bloody conflict known as the Troubles shuts down his city. As all his friends take sides and take up arms, Terri opens a record shop on the most bombed half-mile in Europe and calls it Good Vibrations. Through it he discovers a compelling voice of resistance in the city’s nascent underground punk scenes. Galvanising the young musicians into action, he becomes the unlikely leader of a motley band of kids and punks who join him in his mission to create a new community, an alternative Ulster, to bring his city back to life.

Lisa Barros D’Sa was born in Northern Ireland, and studied English at Oxford University. She has an MA in Screenwriting from the London University of the Arts. For her for as director, editor, and producer she received several awards. Among them, for GOOD VIBRATIONS, she won, together with Glenn Leyburn, prizes at the Cork International Film Festival and Galway Film Fleadh.

Glenn Leyburn was born in Northern Ireland and has worked as a graphic designer, establishing an outstanding reputation in this field, predominantly for his work in the music industry, and in particular his ongoing collaborations with soundtrack composer David Holmes. He has directed and art-directed several music videos. With Lisa Barros D’Sa, he co-directed two features and one short.

Lisa Barros D’Sa and Glenn Leyburn’s first directorial feature film was CHERRYBOMB, which Universal released in the UK in 2009. It premiered in competition at the 2009 Berlinale Generations and won the Belfast Film Fest Audience Award.

LAŠKO SUMMER NIGHTS l 19. Sarajevo Film Festival 139

The Great Hip Hop Hoax / Velika hip-hop prevara Kalifornijski hip-hop duo Silibil n’ Brains trebao je postati velika zvijezda. Međutim, niko nije znao da su oni zapravo studenti iz Škotske s lažnim američkim akcentom i lažnim identitetom.

VELIKA HIP-HOP PREVARA je film o istini, lažima i zaostavštini dvojca koji je lagao o svemu u očajničkoj potrazi za slavom. Priču o američkom snu su ispričali ljudi koji nikada nisu bili u Americi.

Jeanie Finlay je britanska umjetnica i filmska autorica koja stvara intimne, duhovite i autentične dokumentarce i umjetnička djela. Fokusirana je na pravljenje dirljivih portreta i ima opsesivnu potrebu da ispriča priče drugih ljudi.

Njeni radovi uključuju THE GREAT HIP HOP HOAX, produciran za BBC Scotland i BBC Storyville; dokumentarni portret posljednje prodavnice ploča u Teessideu SOUND IT OUT (zvanični film Record Store Day); dugometražni dokumentarac GOTH CRUISE produciran za Independent Film Channel (IFC) koji je postao jedan od najčešće sa interneta preuzimanih naslova IFC-a; veoma hvaljen dokumentarac TEENLAND te nagrađivani interaktivni dokumentarac HOME-MAKER. E Californian hip-hop duo Silibil n’ Brains were going to be massive. What no-one knew was the pair were really students from Scotland, with fake American accents and made up identities.

The Great Hip Hop Hoax is a film about truth, lies and the legacy of faking everything in the desperate pursuit of fame. The American dream, told by people who’d never even been to America.

Jeanie Finlay is a British artist and filmmaker who creates intimate, funny and personal documentary films and artworks. Her focus is on creating compelling portraits and is obsessed with telling other people’s stories.

Her work includes THE GREAT HIP HOP HOAX for BBC Scotland and BBC Storyville, SOUND IT OUT a documentary portrait of the the very last vinyl record shop in Teesside (official film of Record Store Day), feature documentary GOTH CRUISE for the Independent Film Channel which became the most downloaded title ever on IFC, critically acclaimed documentary Teenland and award winning interactive documentary HOME-MAKER.

140 19. Sarajevo Film Festival l LAŠKO SUMMER NIGHTS

United Kingdom, 2013, Colour, 88 min, English Režija / Director: Jeanie Finlay Direktor fotografije / Director of Photography: Roger Knott-Fayle Montaža / Editor: Jim Scott Zvuk / Sound: Pip Norton Producent / Producer: Jeanie Finlay, Al Morrow Produkcija / Production: A GLIMMER FILMS, MET FILM Filmografija / Filmography 2013 - THE GREAT HIP HOP HOAX

(documentary / dokumentarac) 2011 - SOUND IT OUT (documentary / dokumentarac) 2010 - NOTTINGHAM LACE

(TV documentary /TV dokumentarac) 2008 - GOTH CRUISE (documentary / dokumentarac) 2007 - TEENLAND (documentary / dokumentarac) 2003 - LOVE TAKES

(documentary short / kratki dokumntarac)

Harry Dean Stanton: Partly Fiction / Harry Dean Stanton: dijelom fikcija Glumačka ikona u intimnim trenucima, s isječcima iz nekih od njegovih 250 filmova i njegovim srceparajućim izvedbama američke folk muzike. U kombiniranoj crno-bijeloj i kolor tehnici snimio ga je Seamus McGarvey. Film preispituje glumčevo zagonetno poimanje vlastitog života i njegov neiskorišteni muzički talenat, te uključuje scene s Davidom Lynchom, Wimom Wendersom, Samom Shepardom, Krisom Kristoffersonom i Debbie Harry.

Sophie Huber je rođena u Bernu, u Švicarskoj. Nakon studija glume na Institutu Lee Strasberg u Los Angelesu, nastupala je u nekoliko teatarskih i filmskih produkcija u Švicarskoj i Njemačkoj prije nego što će postati jedna od suosnivačica berlinskog filmskog kolektiva Hangover Itd*. Bila je koscenaristica i korežiserka na svim filmovima Hangover Itd* kolektiva, za koje je također i komponirala muziku.

HARRY DEAN STANTON: DJELIMIČNO FIKCIJA je njen prvi samostalni režiserski uradak.

E An iconic actor in his intimate moments, with film clips from some of his 250 films and his own heart-breaking renditions of American folk songs. Lensed in colour and b/w by Seamus McGarvey, the film explores the actor’s enigmatic outlook on his life, his unexploited talents as a musician, and includes scenes with David Lynch, Wim Wenders, Sam Shepard, Kris Kristofferson and Debbie Harry.

USA, 2012, Colour, 77 min, English Režija / Director: Sophie Huber Scenarij / Screenplay: Sophie Huber Direktor fotografije / Director of Photography: Seamus McGarvey Montaža / Editor: Angelo Corrao, Russell Greene & Jason Brandenberg Muzika / Music: Harry Dean Stanton, Jamie James Zvuk / Sound: Eric A. Bautista Producent / Producer: Christian Davi, Chiemi Karasawa, Christof Neracher, Thomas Thümena Produkcija / Production: Hugofilm Productions GmbH Filmografija / Filmography 2012 - HARRY DEAN STANTON: PARTLY FICTION

Sophie Huber was born in Bern, Switzerland. After studying acting at The Lee Strasberg Institute in Los Angeles she worked as a performer for several theater and film productions in Switzerland and Germany before she co-founded Berlin film collective hangover ltd.*. She co-wrote and co-directed and composed music for all hangover ltd.* films. HARRY DEAN STANTON: PARTLY FICTION is Sophie Huber’s solo directing debut.

LAŠKO SUMMER NIGHTS l 19. Sarajevo Film Festival 141

Only Lovers Left Alive / Samo su ljubavnici preživjeli U romantičnom i zapuštenom okruženju Detroita i Tangiera, underground muzičar, teško deprimiran stanjem ljudskog roda, ponovo se ujedinjuje sa svojom izdržljivom i enigmatičnom ljubavnicom.

Njihova neslavna ljubav izdržala je već nekoliko stoljeća, ali će je divlja i nedokazna mlađa sestra ljubavnice uskoro dovesti u iskušenje.

Mogu li ovo dvoje mudrih, ali krhkih autsajdera nastaviti život dok se moderni svijet oko njih urušava?

Jim Jarmusch se već dugo smatra nezaobilaznom figurom nezavisne američke kinematografije.

Njegovi su filmovi često hvaljeni zbog svog transcendentalnog minimalizma i činjenice da naglavačke izvrću tradicionalne filmske žanrove poput road movieja, vesterna, krimića i detektivskog filma.

Rođen u Akronu (Ohio), Jarmusch je pohađao Univerzitet Columbia, gdje je kod poznatih pjesnika njujorške škole poezije, Kennetha Kocha i Davida Shapiroa, studirao književnost i poeziju. Međutim, njegovu strast za film pobudio je semestar studija u Parizu, tokom kojeg je često posjećivao Cinémathèque Française. Po povratku u Ameriku, Jarmusch upisuje poznati filmski studij na Školi umjetnosti Tisch pri univerzitetu u New Yorku. Tokom studija je asistirao holivudskoj legendi Nicholasu Rayu i napisao te režirao svoj prvi film, PERMANENT VACATION (1980).

Njegova filmografija danas uključuje jedanaest igranih filmova, jedan dokumentarac, šest muzičkih videa i četiri kratka filma. Jarmusch je, pored toga, radio na još par filmova, a u više navrata se na filmu pojavljivao i kao glumac, i tumačeći samog sebe.

E Set against the romantic desolation of Detroit and Tangier, an underground musician, deeply depressed by the direction of human activities, reunites with his resilient and enigmatic lover.

Their love story has already endured several centuries at least, but their debauched idyll is soon disrupted by her wild and uncontrollable younger sister.

Can these wise but fragile outsiders continue to survive as the modern world collapses around them?

Jim Jarmusch has long been considered a seminal figure in American independent cinema. His films are often noted for their transcendent minimalism and upturning of traditional genres such as the road movie, western, crime-film, and detective story.

Born in Akron, Ohio, Jarmusch attended Columbia University where he studied literature and poetry with renowned New York School poets Kenneth Koch and David Shapiro. But it was a semester abroad in Paris frequenting the Cinémathèque Française thatignited Jarmusch’s passion for filmmaking. Upon his return to the US, Jarmusch enrolled in the esteemed filmmaking program at New York University’s Tisch School of the Arts. There he assisted Hollywood legend Nicholas Ray and wrote and directed his first film, PERMANENT VACATION (1980).

Today, his filmography includes eleven feature films, a documentary, six music videos and four short films. In addition, Jarmusch has worked on several other films, and has appeared on screen on multiple occasions as an actor and as himself.

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United Kingdom, Germany, France, Cyprus, USA, 2013, Colour, 123 min, English Režija / Director: Jim Jarmusch Scenarij / Screenplay: Jim Jarmusch Direktor fotografije / Director of Photography: Yorick Le Saux Montaža / Editor: Affonso Gonçalves Muzika / Music: Jozef van Wissem, SQÜRL Zvuk / Sound: John Midgley Scenografija / Production Design: Marco Bittner Rosser Kostimografija / Costume Design: Bina Daigeler Uloge / Cast: Tom Hiddleston, Tilda Swinton, Mia Wasikowska, John Hurt Producent / Producer: Jeremy Thomas, Reinhard Brundig Produkcija / Production: Recorded Picture Company Filmografija / Filmography 2013 - ONLY LOVERS LEFT ALIVE 2009 - THE LIMITS OF CONTROL 2005 - BROKEN FLOWERS 2003 - COFFEE AND CIGARETTES 1999 - GHOST DOG: THE WAY OF THE SAMURAI 1997 - YEAR OF THE HORSE

(dokumentarni / documentary) 1995 - DEAD MAN 1991 - NIGHT ON EARTH 1989 - MYSTERY TRAIN 1986 - DOWN BY LAW 1984 - STRANGER THAN PARADISE 1980 - PERMANENT VACATION

Pokazatelnyy protsess: Istoriya Pussy Riot / Pussy Riot: punk molitva / Pussy Riot: A Punk Prayer U zimu 2011, nakon kontroverznih izbora, Vladimir Putin ponovo je postavljen za predsjednika Rusije. Stotine hiljada ruskih građana izašlo je na proteste širom zemlje osporavajući legitimitet njegove vladavine. Među njima je bila i grupa radikalnih mladih feministica i punk rokerica, poznatijih kao Pussy Riot. Lica sakrivenih maskama u boji, odjevene u helanke i ljetne haljine, ušetale su u najpoznatiji pravoslavni hram u Moskvi i usudile se da otpjevaju “Sveta Marijo, otjeraj Putina!”.

Postale su žrtve “fingiranog” suđenja. Britanski filmski stvaralac Mike Lerner i ruski autor Maxim Pozdorovkin udružili su snage kako bi napravili film o malom činu pobune koji je privukao pažnju cijele nacije i prerastao u međunarodnu aferu o kršenju ljudskih prava. Kako bi pobuni dali ljudsko lice, pronašli su tri užasnute žene, blokirane zatvorskim rešetkama i kamerama, ipak spremne da brane svoje postupke bez obzira na cijenu. U ovom filmu čut ćete njihovu priču.

Mike Lerner već 25 godina radi kao autor dokumentarnih filmova, a za svoju produkciju je nominiran i za Oscara. Njegovi prethodni filmovi uključuju AFGHAN STAR nagrađen Nagradom World Cinema Documentary Audience na Sundance film festivalu 2009, HELL AND BACK AGAIN, koji je osvojio nagradu žirija dokumentarnog filma na istom festivalu 2011. i SMASH AND GRAB. PUSSY RIOT: A PUNK PRAYER je prvi dugometražni film na kojem je radio kao režiser.

Maxim Pozdorovkin je nagrađivani filmski autor, pisac i medijski umjetnik s adresom stanovanja u New Yorku. Pozdorovkinov prvi dugometražni film CAPITAL je moderna simfonija o utopijskom gradu Astanu u Kazahstanu. Trenutno priprema dokumentarni film o međunarodnom trgovcu oružjem, Viktoru Boutu.

Russia, United Kingdom, 2013, Colour, 88 min, Russian Režija / Director: Mike Lerner, Maxim Pozdorovkin Direktor fotografije / Director of Photography: Antony Butts Montaža / Editor: Esteban Uyarra Muzika / Music: Simon Russell, Simon Barker Producent / Producer: Mike Lerner, Maxim Pozdorovkin Produkcija / Production: Roast Beef Productions Zajednička filmografija / Joint Filmography 2012 - PUSSY RIOT: A PUNK PRAYER

(dokumentarni / documentary)

E In the winter of 2011, after a controversial election, Vladimir Putin was reinstalled as president of Russia. In response, hundreds of thousands of citizens rose up all over the country to challenge the legitimacy of Putin’s rule. Among them were a group of young, radical-feminist punk rockers, better known as Pussy Riot. Wearing colored balaclavas, tights, and summer dresses, they entered Moscow’s most venerated cathedral and dared to sing “Mother Mary, Banish Putin!” Now they have become victims of a “show” trial. British filmmaker Mike Lerner and Russian Maxim Pozdorovkin collaborate to chronicle the way one small act of protest captured a nation’s attention and grew to become an international story of human-rights abuse. Putting a personal face on a rebellion, they track three bewildered women who are imprisoned by jail bars and cameras but prepared to defend their actions no matter what it may cost them. This film tells their epic story.

Mike Lerner, Acadmey Award–nominated producer, has been a documentary filmmaker for 25 years. His previous work includes AFGHAN STAR, which won the World Cinema Documentary Audience Award at the 2009 Sundance Film Festival; HELL AND BACK AGAIN, which won the documentary Jury Prize at the 2011 Festival; and SMASH AND GRAB. PUSSY RIOT—A PUNK PRAYER is his first feature as director.

Maxim Pozdorovkin is an award-winning filmmaker, writer and media artist based in New York.

Pozdorovkin’s first feature, CAPITAL, is a modern-day symphony about the utopian city of Astana, Kazakhstan. He is currently creating a documentary about the international arms dealer Viktor Bout.

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Dječiji program / Children’s Programme

146 Marco Macaco / Marko Makako, Jan Rahbek 147 Nono, het Zigzag Kind / Nono, cik-cak dječak / Nono, the Zigzag Kid, Vincent Bal 148 Planes / Avioni, Klay Hall 149 The Smurfs 2 / Štrumpfovi 2, Raja Gosnell 150 Die Vampirschwestern / Sestre vampirice / Vampire Sisters, Wolfgang Groos 151 Zagonetni dječak / The Mysterious Boy, Dražen Žarković 152 Donut / Krofna, Seoyeun Lee 152 Köttbullarna och gaffeltrollet / Mesne ćufte i Strašna Viljuška /

Meatballs and Fork Beast, Johan Hagelbäck

153 Mali debeli rakun / The Little Raccoon, Barbara Vekarić 153 Mi Abuela / Baka / Grandmother, Carlos Eduardo Smith Róvira 154 Mit o Bosni i Hercegovini v. 2 / The Myth of Bosnia and Herzegovina v. 2, Saša Peševski 154 Le petit blond avec un mouton blanc / Mali plavi dječak s bijelom ovcom /

The Little Blond Boy With a White Sheep, Eloi Henriod

Marco Macaco / Marko Makako Marko Makako je obični policajac na plaži, ali uglavnom mašta o tome da postane poznati detektiv i rješava teške zločine. Pokušava i osvojiti srce lijepe Lulu. Jednog dana, na Markovo ostrvo stiže Karlo i postaje njegov suparnik. Karlo na Markovoj plaži gradi veliki kasino u obliku majmuna i Lulu je fascinirana. Ljubomorni Marko počinje istraživati Karla i otkriva da on planira osvojiti cijelo ostrvo.

Problemi nastaju kada Marko pokuša uhapsiti Karla. „Majmuni su naj kul od svih životinja. Također imaju veoma važnu ulogu u kinematografiji; pogledajte samo King Konga“, kaže režiser filma MARKO MAKAKO. Ovaj film podjednako je zabavan mlađoj i starijoj djeci.

Jan Rahbek (1980) je animator, scenarista i režiser. Diplomirao je režiju animiranog filma na Danskoj nacionalnoj školi filma. Poznat je po tome što u njegovim filmovima glavnu ulogu igraju majmuni.

Tokom studija je snimio kratke filmove POOR BOB (2005), MAMBO GRILL (2006) i svoj diplomski film SPACE MONKEYS (2008), koji je osvojio niz filmskih nagrada u Danskoj. Animirana porodična komedija MARCO MACACO (2012) je njegov prvi dugometražni igrani film.

E Marco Macaco is an ordinary beach policeman, but he spends most of his time dreaming of becoming a famous detective and solving serious crimes. He is also trying to win the heart of beautiful LULU. One day, Carlo arrives in the island and becomes Marco’s rival. Carlo is building a huge monkey-shaped casino right on Marco’s beach and impresses Lulu. Driven by jealousy, Marco begins to investigate Carlo and discovers his plan to conquer the whole island. Problems arise when Marko attempts to arrest Carlo.

“Monkeys are the coolest of all animals. They also have an important role in the history of him; just remember King Kong,” says the director of MARCO MACACO. This film is equally interesting for small and for big children.

Jan Rahbek (1980) is an animator, screenwriter, director, and graduate of animated film directing from the National Film School of Denmark. His films are known for having monkeys in the leading role. At university he shot the short films (POOR BOB, 2005), MAMBO GRILL (2006), and his graduation film SPACE MONKEYS (2008), which won a number of awards in Denmark. The animated family comedy MARCO MACACO (2012) is his feature film debut.

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Denmark, 2012, Colour, 80 min, Danish, English Režija / Director: Jan Rahbek Scenarij / Screenplay: Jan Rahbek, Thomas Borch Nielsen Montaža / Editor: Jan Rahbek, Kirsten Skytte Muzika / Music: Jonas Severin Uloge / Cast: Toke Lars Bjarke, Mille Lehfeldt, Jess Ingerslev Producent / Producer: Thomas Borch Nielsen Produkcija / Production: Nice Ninja ApS Filmografija / Filmography 2012- MARCO MACACO 2008 - SPACE MONKEYS (kratki / short) 2006 - MAMBO GRILL (kratki / short) 2005 - POOR BOB (kratki / short)

Nono, het Zigzag Kind / Nono, cik-cak dječak / Nono, the Zigzag Kid Nono želi biti poput svog oca, najboljeg detektiva na svijetu, ali stalno upada u nevolje. Dva dana prije njegove Bar micve, Nonu šalju kod ujaka Sjmoela koji bi ga trebao „smiriti“. Tokom vožnje vozom, Nono dobija posljednju šansu da se dokaže. Zajedno s vrhunskim provalnikom Felixom Glickom, starim poznanikom svoga oca, zaustavlja voz i ulazi u svijet prerušavanja, potjera, francuskih šansona i Zohare – misteriozne žene čije će mu tajne zauvijek promijeniti život.

Vincent Bal je rođen 1971. u Belgiji, a studirao je režiju na fakultetu Sint-Lukas u Bruxellesu. Režirao je kratke filmove TOUR DE FRANCE (1995) i THE BLOODY OLIVE (1997), te dugometražne filmove MAN OF STEEL (1999), MISS MINOES (2001) i NONO, THE ZIGZAG KID (2012). Njegov film NONO, THE ZIGZAG KID je prikazan na više međunarodnih filmskih festivala, uključujući festivale u Berlinu i Torontu.

E Nono wants to be like his father - the best police inspector in the world - but he constantly gets in trouble. Two days before his Bar Mitzvah, he is sent away to his uncle Sjmoel, who is supposed to get him back on track. However, during the train ride Nono gets one last chance to prove himself...

Together with master-burglar Felix Glick - an old acquaintance of his father - he stops the train and enters a world of disguises, chases, French chansons and Zohara, a mysterious woman whose secrets will change Nono’s life forever.

Vincent Bal was born in 1971. in Belgium, and studied directing on Sint-Lukas college in Brussels. He directed short movies TOUR DE FRANCE (1995) and THE BLOODY OLIVE (1997), and feature-length MAN OF STEEL (1999), MISS MINOES (2001) and NONO, THE ZIGZAG KID (2012). His feature NONO, THE ZIGZAG KID was broadcasted at the Berlinale Film Festival and TIFF - Toronto International Film Festival, among the others.

Netherlands, Belgium, 2012, Colour, 95 min, Dutch, English, French Režija / Director: Vincent Bal Scenarij / Screenplay: Vincent Bal, Jon Gilbert, David Grossman Direktor fotografije / Director of Photography: Walther Vanden Ende Montaža / Editor: Peter Alderliesten Muzika / Music: Thomas de Prins Scenografija / Production Design: Vincent de Pater Kostimografija / Costume Design: Bernadette Corstens Uloge / Cast: Isabella Rossellini, Camille De Pazzis, Burghart Klaußner, Fedja van Huêt, Eric Larcin, Eric De Kuyper, Jessica Zeylmaker, Heidi Groen, Thomas Simon Producent / Producer: Burny Bos, Els Vandervorst Produkcija / Production: Bos Bros. Film & TV Productions, N279 Entertainment, Benelux Film Distributors Filmografija / Filmography 2013 - NONO, THE ZIGZAG KID 2004 - 10 JAAR LEUVEN KORT 2001 - MISS MINOES 1999 - MAN OF STEEL 1997 - THE BLOODY OLIVE (kratki / short) 1997 - ONE DANCE, ONE SONG (TV serija / TV series) 1997 - JOLI MÔME (kratki / short) 1995 -TOUR DE FRANCE (kratki / short) 1993 - AAN ZEE (kratki / short)

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Planes / Avioni Iz svijeta koji nam je predstavio AUTOMOBILE stižu nam Disneyjevi AVIONI, akcijsko-avanturistička 3D animirana komedija u kojoj upoznajemo Dustyja, avion koji sanja da će jednoga dana postati veliki zračni trkač.

Ali Dusty zapravo nije napravljen za utrke, a uz to se i boji visina. Zato se obraća iskusnom pilotu koji će mu pomoći da se kvalificira za zahtjevno prvenstvo na kojem će izazvati aktuelnog šampiona avioutrka. Dok se Dusty pokušava vinuti do neslućenih visina, njegova hrabrost će biti stavljena na veliko iskušenje, a čarobni će svijet mašte dobiti prostora da razmaše svoja krila.

Klay Hall je američki režiser animiranih filmova koji je radio na nizu televizijskih serija i igranih filmova. Klay je karijeru započeo kao animator na filmovima AMAZING STORIES, COOL WORLD i MIGHTY MOUSE: THE NEW ADVENTURES, nakon čega je radio kao režiser na serijalima THE SIMPSONS i FAMILY DOG. Klay je zatim bio supervizor režije na 89 epizoda serijala KING OF THE HILL u produkciji studija animiranog filma Film Roman. Prvi kompjuterski urađen animirani film, koji je Klay režirao, bio je FATHER OF THE PRIDE u produkciji studija Dreamworks Animation i s animacijom u izradi Imagi Studiosa. Klaya je Disney Toon Studios angažirao 2005. kao urednika njihovog prvog dugometražnog kompjuterski animiranog filma TINKER BELL, a nakon toga je režirao TINKER BELL AND THE LOST TREASURE, na kojem je John Lasseter radio kao izvršni producent, a Sean Lurie kao producent. Hall je upravo završio rad na filmu PLANES, svom posljednjem uratku za Disney Toon Studios.

E From above the world of CARS comes Disney’s PLANES, an action-packed 3D animated comedy adventure featuring Dusty (voice of Dane Cook), a plane with dreams of competing as a high-flying air racer.

But Dusty’s not exactly built for racing—and he happens to be afraid of heights. So he turns to a seasoned naval aviator who helps Dusty qualify to take on the defending champ of the race circuit.

Dusty’s courage is put to the ultimate test as he aims to reach heights he never dreamed possible, giving a spellbound world the inspiration to soar.

Klay Hall is an American animation director who is credited on multiple television series and feature films. Klay launched his animation career on AMAZING STORIES, COOL WORLD, AND MIGHTY MOUSE: THE NEW ADVENTURES, before working as director on THE SIMPSONS, and FAMILY DOG. Klay later became supervising director of 89 episodes of KING OF THE HILL at Film Roman. Klay’s first direction on a CG property was the series FATHER OF THE PRIDE, produced by Dreamworks Animation and animated at Imagi Studios. In 2005 Klay was hired by Disney Toon Studios as story editor for their first CG feature, TINKER BELL, followed by directing TINKER BELL AND THE LOST TREASURE, which was executive produced by John Lasseter and produced by Sean Lurie. Hall has just finished his 2013 film at Disney Toon Studios, entitled Planes.

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USA, 2013, Colour, 92 min, English Režija / Director: Klay Hall Scenarij / Screenplay: Jeffrey M. Howard Montaža / Editor: Jeremy Milton Muzika / Music: Mark Mancina Scenografija / Production Design: Ryan L. Carlson Uloge / Cast: Voices: Val Kilmer, Julia Louis-Dreyfus, Teri Hatcher Producent / Producer: Graham Walters Produkcija / Production: DisneyToon Studios, Prana Animation Studios Filmografija / Filmography 2013 - PLANES 2009 - TINKER BELL AND THE LOST TREASURE

The Smurfs 2 / Štrumpfovi 2 Zli čarobnjak Gargamel stvara par zločestih štrumpfolikih stvorenja nazvanih Vragolani, u nadi da će uz njihovu pomoć osvojiti svemoguću, magičnu srž štrumpfosti. Nakon što otkrije da mu u tome može pomoći samo pravi Štrumpf, a da samo Štrumpfeta poznaje tajnu čaroliju koja Vragolane može pretvoriti u prave Štrumpfove, Gargamel otima Štrumpfetu i odvodi je u Pariz gdje je već zadobio divljenje miliona ljudi koji ga smatraju najvećim čarobnjakom na svijetu. Papa Štrumpf, Trapavi, Mrgud i Licko moraju se vratiti u svijet ljudskih bića i pronaći svoje ljudske prijatelje Patricka i Grace Winslow kako bi je spasili.

Da li će Štrumpfeta, koja se uvijek osjećala pomalo drugačijom od ostalih Štrumpfova, razviti poseban odnos s Vragolanima Vexy i Hackusom, ili će je Štrumpfovi uspjeti uvjeriti da je njihova ljubav prema njoj prava stvar?

Raja Gosnell je rođen i odrastao u Los Angelesu. Krajem sedamdesetih godina prošlog stoljeća, Gosnell je s Robertom Altmanom stažirao u kompaniji Lions Gate Films. Nakon što je na Altmanovim filmovima QUINTET, A PERFECT COUPLE i H.E.A.L.T.H. radio kao asistent montaže, na muzičkoj komediji POPEYE unaprijeđen je na mjesto montažera. Gosnell je, zatim, na više filmova asistirao Oscarom nagrađenom montažeru Wiliamu Reynoldsu prije nego što će prvi put samostalno raditi kao montažer na akcionom kratkom filmu THE SILENCE, nominiranom za Oscara. Gosnell je kao montažer sarađivao s više proslavljenih režisera, uključujući Barrya Levinsona, Johna Hugesa i Garrya Marshalla. Međutim, tek ga je dugogodišnja saradnja s Chrisom Columbusom lansirala u sam vrh montažerske profesije. Njih su dvojica zajedno napravila neke od najuspješnijih komedija devedesetih godina prošlog stoljeća, uključujući HOME ALONE, ONLY THE LONELY, HOME ALONE 2: LOST IN NEW YORK, Mrs. DOUBTFIRE i NINE MONTHS. Pored dva nastavka ŠTRUMPFOVA, režirao je još sedam dugometražnih igranih filmova.

E The evil wizard Gargamel creates a couple of mischievous Smurf-like creatures called the Naughties that he hopes will let him harness the all-powerful, magical Smurf-essence. But when he discovers that only a real Smurf can give him what he wants, and only a secret spell that Smurfette knows can turn the Naughties into real Smurfs, Gargamel kidnaps Smurfette and brings her to Paris, where he has been winning the adoration of millions as the world’s greatest sorcerer. It’s up to Papa, Clumsy, Grouchy, and Vanity to return to our world, reunite with their human friends Patrick and Grace Winslow, and rescue her! Will Smurfette, who has always felt different from the other Smurfs, find a new connection with the Naughties Vexy and Hackus or will the Smurfs convince her that their love for her is True Blue?

USA, 2013, Colour, 105 min, English Režija / Director: Raja Gosnell Scenarij / Screenplay: J. David Stem, David N. Weiss, Jay Scherick, David Ronn, Karey Kirkpatrick Direktor fotografije / Director of Photography: Phil Meheux Montaža / Editor: Sabrina Flisco Muzika / Music: Heitor Pereira Zvuk / Sound: Randle Akerson Scenografija / Production Design: Bill Boes Kostimografija / Costume Design: Véronique Marchessault, Rita Ryack Uloge / Cast: Hank Azaria, Neil Patrick Harris, Brendan Gleeson, Jayma Mays, Nancy O’Dell Glasovi / Voices: Jonathan Winters, Fred Armisen, Katy Perry, Alan Cumming, Anton Yelchin, George Lopez, John Oliver, Christina Ricci, J.B. Smoove, Mario Lopez, Jimmy Kimmel, Kevin Lee Producent / Producer: Jordan Kerner Produkcija / Production: Columbia Pictures, Sony Pictures Animation Filmografija / Filmography 2013 - THE SMURFS 2 2011 - THE SMURFS 2008 - BEVERLY HILLS CHIHUAHUA 2005 - YOURS, MINE AND OURS 2004 - SCOOBY DOO 2: MONSTERS UNLEASHED 2002 - SCOOBY-DOO 2000 - BIG MOMMA’S HOUSE 1999 - NEVER BEEN KISSED 1997 - HOME ALONE 3

Raja Gosnell was born and raised in Los Angeles, Gosnell apprenticed at Lions Gate Films in the late 1970s with Robert Altman. After serving as an assistant editor on Altman’s QUINTET, A PERFECT COUPLE and H.E.A.L.T.H., he graduated to editor on the musical-comedy Popeye. Gosnell then went on to assist Oscar-winning editor William Reynolds on a number of films before earning his first solo credit for the Oscar-nominated live action short THE SILENCE. As an editor, Gosnell collaborated with such renowned directors as Barry Levinson, John Hughes and Garry Marshall. Yet it was his long-term association with director Chris Columbus that catapulted Gosnell to the top of the editing field. Together they created some of the most memorable and successful comedies of the 1990’s, including HOME ALONE, ONLY THE LONELY , HOME ALONE 2: LOST IN NEW YORK, Mrs. DOUBTFIRE and NINE MONTHS. Next to 2 sequances of THE SMURFS, he directed 7 features.

CHILDREN’S PROGRAMME l 19. Sarajevo Film Festival 149

Die Vampirschwestern / Sestre vampirice / Vampire Sisters Jednog lijepog sunčanog dana, kamion za selidbe zaustavlja se u mirnoj ulici grada Bindburga. Iz kamiona izlaze četiri čudne osobe: otac, majka i dvije dvanaestogodišnje djevojčice. Majka izgleda prilično svakidašnje, ali ostalo troje je blijedo i jako čudno odjeveno. To su gospodin i gospođa Tepes, i njihove dvije kćeri. Majka je ljudsko biće, otac je vampir, a djevojčice ne samo da su poluvampirice već su i blizanke. Nakon što su dvanaest godina živjeli u Transilvaniji, odlučili su se preseliti u Njemačku kako bi usrećili majku.

Djevojčice se moraju navikavati na uobičajeni ljudski život: tokom dana idu u školu zaštićene sunčanim naočalama i debelim slojem kreme za sunčanje. Najgore je to što nemaju prijatelja i što stalno moraju biti na oprezu da se ne odaju. Niko ne smije otkriti da su vampirice jer bi istina, ako se pročuje, mogla ugroziti njihov miran život.

Film je zasnovan na motivima popularnih romana Franziske Gehm.

Wolfgang Groos je rođen u Kasselu 1968. Radio je kao asistent režije i studirao produkciju na njemačkoj Akademiji za film i televiziju u Berlinu (DFFB), gdje je diplomirao 2003. Režirao je kratki film WENN ZWEI SICH STREITEN (2004) i brojne TV programe kao što su FREUNDE FÜR IMMER (2005), SWITCH RELOADED (2006) i RUDI – THE RACING PIG (RENNSCHWEIN RUDI RÜSSEL, 20072009). Njegov nagrađivani dugometražni igrani prvijenac HANGTIME je distribuiran u kinima 2009, a dvije godine kasnije snimio je CROCODILES - ALL FOR ONE (VORSTADTKROKODILE 3 – FREUNDE FÜR IMMER).

E It is a lovely summer’s day, when a furniture van stops along a quiet street in the town of Bindburg. Four strange figures clamber out: father, mother and two 12-year-old girls. The mother looks quite normal, but the other three are pale and dressed rather weirdly. It is Mr. and Mrs. Tepes with their two daughters. Mother is a human-being, father is a vampire, and the girls are not only half-vampires but also twins. Having lived for twelve years in Transylvania, they have now moved to Germany to please their mother.

The girls have to start getting used to everyday human life: going to school during the day, wearing sunglasses, putting on thick layers of sun-protection cream. But worst of all, they have no friends and always have to be careful not to betray themselves. No one may find out that they are vampires; if word of that got out, their tranquil existence would be put at risk.

The film was based on the bestselling novels by Franziska Gehm.

Wolfgang Groos was born in 1968 in Kassel. He worked as an assistant director and studied Production at the German Film and Television Academy Berlin (dffb), graduating in 2003. He directed the short WENN ZWEI SICH STREITEN (2004) and various TV shows such as FREUNDE FÜR IMMER (2005), SWITCH RELOADED (2006) and RUDI – THE RACING PIG (RENNSCHWEIN RUDI RÜSSEL, 20072009). In 2009, his award-winning debut feature HANGTIME was released theatrically, followed by CROCODILES – ALL FOR ONE (VORSTADTKROKODILE 3 – FREUNDE FÜR IMMER) in 2011.

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Germany, 2012, Colour, 97 min, German Režija / Director: Wolfgang Groos Scenarij / Screenplay: Ursula Gruber Direktor fotografije / Director of Photography: Bernhard Jasper Montaža / Editor: Stefan Essl Muzika / Music: Helmut Zerlett Zvuk / Sound: Jan Petzold Scenografija / Production Design: Anette Ingerl Kostimografija / Costume Design: Anke Winckler Uloge / Cast: Marta Martin, Laura Antonia Roge, Christiane Paul Producent / Producer: Uli Putz, Jakob Claussen Produkcija / Production: Claussen Wöbke Putz Filmproduktion, Deutsche Columbia Pictures Film Produktion Filmografija / Filmography 2012 - SYSTEMFEHLER - WENN INGE TANZT /

VAMPIRE SISTERS 2011 - VORSTADTKROKODILE 3 2008 - 2010 RUDI THE RACING PIG

(TV serijal / TV series) 2009 - HANGTIME - KEIN LEICHTES SPIEL 2004 - WENN ZWEI SICH STREITEN (kratki / short)

Zagonetni dječak / The Mysterious Boy ZAGONETNI DJEČAK je priča o domišljatom i spretnom četrnaestogodišnjaku Koku koji, uz pomoć prijatelja, rješava još jednu misteriju. Kokov prijatelj Tomo nedavno se doselio u grad i čežne za pustolovinama. Njihovu pažnju privlači novi učenik koji se neobično ponaša. Zajedno s Marijanom, prijateljicom iz razreda, korak po korak razotkrit će njegovu dobro čuvanu tajnu.

Jesu li Koko i prijatelji dorasli ovom zadatku? Hoće li miješanje u tuđe tajne ugroziti njihovo prijateljstvo?

Je li rješenje strašnije no što su mogli pretpostaviti?

Dražen Žarković rođen je 1970. u Zagrebu, u Hrvatskoj, gdje je odrastao, te pohađao osnovnu i srednju školu. Nakon završenog srednjoškolskog obrazovanja mašinskog smjera, od 1989. do 1992. radio je u studiju za animirani film “Zagreb film”, te je u početku kao fazer, a zatim i kao animator, učestvovao u realizaciji desetak crtano-filmskih projekata. Godine 1992. upisao je studij filmske i TV režije na Akademiji dramske umjetnosti u Zagrebu, gdje je i diplomirao. Od 1993. honorarno radi na Hrvatskoj televiziji u čijoj je produkciji kao scenarist i režiser realizirao čitav niz igranih i dokumentarnih projekata. Član je Hrvatskog društva filmskih djelatnika i Hrvatske zajednice samostalnih umjetnika. Radio je i kao pomoćnik režije na dugometražnom igranom filmu. Rekreativno se bavi montažom i kolor korekcijom.

E Koko – a resourceful and skillful 14-year-old boy – solves another mystery with the help of his friends. Koko’s friend Tomo recently moved into the town and now he carves adventure. Koko’s and Tomo’s attention is drawn by a new boy in school who is acting strange. Together with their homeroom friend Marijana they gradually disclose the boy’s well-guarded secret.

Are Koko and his friends up to the task ? Will meddling in the secrets of others hurt their friendship?

Is the truth they will discover more frightening than what they could have thought?

Dražen Žarković was born in Zagreb, Croatia, in 1970. He grew up in Zagreb where he completed primary and secondary education. In the period between 1989 and 1992 he worked for Zagreb Film’s Studio for Animated Film - first as a phaser and then as an animator – and has cooperated on about a dozen of its cartoons. He graduated film directing from the Zagreb Academy of Dramatic Arts. Since 1993, he has been working as a freelance scriptwriter and director for Croatian national television and has completed a number of documentary and feature projects for them. Žarković is a member of Croatian Association of Film Workers and the Association of Independent Artists of Croatia. He also has the experience of work as assistant director on feature films. In his free time, he is also interested in film editing and color correction.

Croatia, 2013, Colour, 88 min, Croatian Režija / Director: Dražen Žarković Scenarij / Screenplay: Hana Jušić Direktor fotografije / Director of Photography: Mario Sablić Montaža / Editor: Slaven Zečević Muzika / Music: Dinko Appelt Zvuk / Sound: Dubravka Premar Scenografija / Production Design: Ivan Veljača Kostimografija / Costume Design: Emina Kušan Uloge / Cast: Antonio Parač, Karlo Maloča, Toma Budanko, Vanja Markovinović, Filip Ružić, Nina Mileta, Kristian Bonačić Producent / Producer: Ankica Jurić - Tilić Produkcija / Production: Kinorama, HRT Filmografija / Filmography 2013 - ZAGONETNI DJEČAK / THE MYSTERIOUS BOY 2008 - ŽIVOT U SJENI / LIFE IN THE SHADOW

(dokumentarni / documentary) 2007 - NARODNA MEDICINA / FOLK MEDICINE

(dokumentarni serijal / documentary serial) 2006 - OTOK TAJNI / THE ISLAND OF SECRETS

(dokumentarni / documentary) 2006 - OD JUTRA DO MRAKA / FROM EARLY MORNING

TO THE NIGHT (dokumentarni / documentary) 2006 - TREŠETA / TRESETTE CARD GAME

(dokumentarni / documentary) 2003 - 2004 GLAS NARODA / 2004 VOX POPULI

(dokumentarni serijal / documentary serial) 2001 - AJMO ŽUTI! / LET’S GO YELLOW!

(dokumentarni / documentary) 2001 - ŠALTER / THE COUNTER

(dokumentarni / documentary) 1997 - NOVOGODIŠNJA PLJAČKA /

THE NEW YEAR’S ROBBERY 1994 - SAMOPOTJERA/ SELFCHASE (kratki / short) 1992 - ČAKAJ ME / WAIT FOR ME (kratki / short)

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Germany, 2012, Colour, 2 min, English Režija / Director: Seoyeun Lee Scenarij / Screenplay: Seoyeun Lee Direktor fotografije / Director of Photography: Seoyeun Lee Montaža / Editor: Seoyeun Lee Muzika / Music: Gyeongseonng Han Zvuk / Sound: Steffen Martin Scenografija / Production Design: Seoyeun Lee Producent / Producer: Seoyeun Lee, Kunsthochschule Kassel Produkcija / Production: Seoyeun Lee, Kunsthochschule Kassel

Donut / Krofna U Krofnogradu se dogodila strašna nesreća. Jedna od filovanih krofni je povrijeđena. Ona je postala krofna s rupom u sredini. Povrijeđena krofna i ostali stanovnici Krofnograda ne znaju kako da se nose s novonastalom situacijom. Ovoj krofni se svi smiju i izbjegavaju je. Jedino rješenje je spakovati se i otići.

Filmografija / Filmography 2012 - DONUT (kratki animirani / short animation) 2009 - REVENGE (kratki animirani / short animation) 2007 - TIC (kratki animirani / short animation)

Seoyeuna Leeja profesionalno najviše zanima animacija. Studirao je scensku umjetnost na Kaywon School of Art & Design, a vizualni dizajn na Univerzitetu YongDong u Koreji. Specijalizirao se za animaciju na Kunsthochschule Kassel u Njemačkoj.

E In Donuttown an awful accident happens. One of the filled donuts gets hurt. Now he is a ring donut. He and also the other inhabitants can’t handle the new situation. They avoid him and laugh about him. The only way out is to up and leave.

Seoyeun Lee is mostly interested in animation. He studied performing space art at the Kaywon School of Art & Design and visual communication Design YongDong University in Korea. He specialized animation in Kunsthochschule Kassel in Germany.

Sweden, 2012, Colour, 5 min, No Dialogue Režija / Director: Johan Hagelbäck Scenarij / Screenplay: Johan Hagelbäck Producent / Producer: Johan Hagelbäck Produkcija / Production: Johan Hagelbäck Tecknad Film AB

Köttbullarna och gaffeltrollet / Mesne ćufte i Strašna Viljuška / Meatballs and Fork Beast Jako je dobro biti jak. Ali biti mali, hrabar i spasiti svoje prijatelje vjerovatno je još bolje.

Johan Hagelbäck je u periodu od 1964. do 1968. pohađao umjetničku školu, smjer grafičkog dizajna, a film je studirao na Univerzitetu u Stockholmu. Radio je kao scenograf u Londonu i Amsterdamu, a zatim je, početkom sedamdesetih godina prošlog stoljeća, pristupio kompaniji GK Film AB u kojoj je, na osnovu vlastitih ideja, snimio više kratkih filmova za djecu koji su osvojili mnoštvo svjetskih nagrada. Nakon toga, započeo je s produkcijom vlastitih filmova.

E Being strong is really good. But being small, brave and saving your friends is probably even better.

Johan Hagelbäck was educated at the School of Art, department for graphic design 1964­1968.

Studied film at the University of Stockholm. He worked as Art Director in London and Amsterdam, and joined GK Film AB in the beginning of the 1970s where he made some shorts for children based on his own original ideas. These shorts won prizes internationally. After this he began producing his own films.

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Filmografija / Filmography 2013 - KÖTTBULLARNA OCH MOBBÅNGRARNA

(kratki / short) 2009 - ALFRED (kratki / short) 2009 -TIMMARNA (kratki/short) 2007 - POISON ARROW FROGS (kratki / short) 2002 - ULLA THE CUCKOO (kratki / short) 2001 - CHARLES BONNET (kratki / short) 1997 - HASSE OCH DÖDENS LAMMUNGE 1990 - I SKOG OCH MARK 1983 - HISTORIEN OM LILLA OCH STORA KANIN

(kratki / short) 1983 - MAMMAN OCH DEN VILDA BEBIN 1982 - PRECIS VARJE MORGON (kratki / short) 1980 - WHO WILL COMFORT TOFFLE? (kratki / short)

Croatia, 2013 , Colour, 25 min, Croatian

Mali debeli rakun / The Little Raccoon S radnjom smještenom u Dubrovnik 1991, film MALI DEBELI RAKUN je priča o ratu i bombama iz perspektive osmogodišnje Lili, djevojčice koja se sprema za bijeg sa svojom trudnom majkom i oprašta se od voljenog oca koji ostaje u gradu.

Barbara Vekarić je rođena u Dubrovniku, u Hrvatskoj. Diplomirala je na Akademiji dramske umjetnosti i na Fakultetu humanističkih i društvenih znanosti Univerziteta u Zagrebu. Barbara Vekarić je napisala i režirala više kratkih filmova (PRVA DAMA DUBRAVE, ADIEU i NINA, MOLIM TE) koji su učestvovali na mnogobrojnim filmskim festivalima u Hrvatskoj i inostranstvu. Trenutno radi na svom prvom igranom filmu ČEKAJUĆI ALEKSI.

Režija / Director: Barbara Vekarić Scenarij / Screenplay: Barbara Vekarić Direktor fotografije / Director of Photography: Filip Tot Montaža / Editor: Monika Drahotuski Muzika / Music: Ozren K. Glaser, Mario Mataković Zvuk / Sound: Ivan Zelić Scenografija / Production Design: Ines Nezirović Kostimografija / Costume Design: Iva Šimunović Uloge / Cast: Gracija Filipović, Nikša Butijer, Angela Bulum, Nataša Dangubić, Gabrijela Tutek - Primorac, Perica Martinović, Vanesa Vidaković - Natrlin Producent / Producer: Marko Krmek, Ivana Marinić Kragić, Barbara Vekarić Produkcija / Production: Akademija dramskih umjetnosti (ADU), Filmska udruga Motion (FUM) Filmografija / Filmography 2013 - MALI DEBELI RAKUN / THE LITTLE RACCOON

(kratki / short) 2011- FIRST LADY OF DUBRAVA (kratki / short)

E Set in 1991. in wartime Dubrovnik, THE LITTLE RACCOON shows the perspective of 8-years-old Lily as the bombs begin to fall. She prepares to evacuate from her hometown with her pregnant mother, leaving her beloved father behind.

Barbara Vekarić was born in Dubrovnik, Croatia. She graduated from the Academy of Dramatic Arts and Faculty of Humanities and Social Sciences, University of Zagreb. Barbara is a writer and director of several short films (FIRST LADY OF DUBRAVA, ADIEU, and NINA, PLEASE) which participated in numerous national and international film festivals. Currently she is developing her first feature film WAITING FOR ALEXI.

Columbia, 2012, Colour, 9 min, No Dialogue Režija / Director: Carlos Eduardo Smith Róvira Scenarij / Screenplay: Carlos Eduardo Smith, Libia Stella Gómez Direktor fotografije / Director of Photography: Luis Uribe Montaža / Editor: José Gerardo Arce Muzika / Music: Sebastián Villanueva, Urián Sarmiento Zvuk / Sound: Jefferson Rosas, Andrés Felipe Herrera Producent / Producer: Carlos Eduardo Smith Róvira Produkcija / Production: HIERROanimación

Mi Abuela / Baka / Grandmother Sedmogodišnja djevojčica iz grada provodi vikend na selu u kući svoje bake. Užasava je bakina naborana koža i zamišlja baku kao veliko čvornato drvo. Kako bi se zbližila s bakom, djevojčica će morati prevladati svoj strah.

Filmografija / Filmography 2012 - MI ABUELA (kratki animirani / short animation) 2011 - CUENTOS DE VIEJOS (animirani dokumentarni /

animated documentary) 2011 - MUSEU DE CIENCIES NATURALS DE BARCELONA

(kratki animirani / short animation) 2006 - LO UNICO REAL ES LA REVOLUCION

(kratki animirani / short animation)

Carlos Eduardo Smith Róvira je autor animiranih filmova i producent. Produkcijom video i animiranih filmova bavi se od 1993. godine. S Annom Ferrer je 2010. osnovao HIERROanimación, u Bogoti, a s Jaime Smithom je 1996. osnovao Smith&Smith, također u Bogoti. S Marcelom Demateijem je u periodu od 2002. do 2004. koordinirao magistarski studij kompjuterske animacije na Institut Universitari de L’audiovisual (UPF) u Barceloni.

E A 7 year old city girl spends a weekend at her grandmother´s place in the countryside. She´s terrified of her wrinkled skin and imagines her as a big knotty tree. The little girl will have to overcome her fear in order to get closer to her.

Carlos Eduardo Smith Róvira is animation filmmaker and producer. He is involved in video and animation production since 1993. he is founder of, together with Anna Ferrer, 2010 and founder of, together with Jaime Smith, 1996. He has coordinated the Master’s Degree in Computer Animation, Institut Universitari de L’audiovisual (UPF), Barcelona, together with Marcelo Dematei, 2002-2004.

CHILDREN’S PROGRAMME l 19. Sarajevo Film Festival 153

Bosnia and Herzegovina, 2013, Colour, 33 min, Bosnian Režija / Director: Saša Peševski Muzika / Music: Haris Saračević Uloge / Cast: Faris Malokas, Lena Marković, Kajsa Zinhasović, Eman Šabotić, Aidan Abaspahić, Amila Čengić, Eda Baralić, Asja Bajramović, Issa-Osman Bajrić, Isma Selesković, Lamija Berisalić, Indira Rudić, Meliha Vranić, Hanna Helać, Hana Salkić Producent / Producer: Zana Marjanović, Feđa Hadžifejzović Produkcija / Production: Magacin Kabare, Face TV

Mit o Bosni i Hercegovini v. 2 / The Myth of Bosnia and Herzegovina v. 2

Filmografija / Filmography 2013 - MIT O BOSNI I HERCEGOVINI V.1 /

THE MYTH OF BOSNIA AND HERZEGOVINA V.1 2013 - MIT O BOSNI I HERCEGOVINI V.2 /

THE MYTH OF BOSNIA AND HERZEGOVINA V.2

MIT O BOSNI I HERCEGOVINI je priča o djeci, polaznicima Radionice kreativnosti i mašte „Mali Magacin Kabare“, koja, kroz razgovore i intervjue sa starijim generacijama iz svoje okoline, traga za istinom o Bosni i Hercegovini i njenoj historiji. Nezadovoljna ponuđenim odgovorima, djeca pokreću vlastitu istragu. Prave vremeplov kroz fantastičnu historiju svoje domovine, koji ih vodi nazad u doba prahistorije, ratova, čudnovatih vladara i pobuna.

Saša Peševski rođen je u 1986. u Sarajevu, gdje završava studij režije. Od 2011. jedan je od režisera i edukatora Magacina Kabare. Svoje projekte, predstave i kratke igrane i dokumentarne filmove, predstavio je na brojnim festivalima u BiH i inostranstvu.

E MYTH OF BOSNIA AND HERZEGOVINA is a story about children who participate in the creative workshop Mali Magacin Kabare and are looking for the truth about Bosnia and Herzegovina and it’s history through mutual discussions and interviews with elders around them. Dissatisfied with the answers they are getting, kids launch their own investigation. They go on a time travel through the fantastic history of their homeland that takes them back to the prehistoric times, the times of wars, of strange rulers and rebellions.

Saša Peševski was born in Sarajevo in 1986. He graduated film directing in Sarajevo and has been working since 2011 as one of Magacin Kabare’s directors and educators. His projects that include fiction films and documentaries have been presented at numerous festivals in Bosnia-Herzegovina and abroad.

France, 2013, Colour, 8 min, French Režija / Director: Eloi Henriod Scenarij / Screenplay: Eloi Henriod Montaža / Editor: Eloi Henriod Muzika / Music: Fred Pallem Zvuk / Sound: Yan Volsy Produkcija / Production: Metronomic Filmografija / Filmography 2013 - THE LITTLE BLOND BOY WITH A WHITE SHEEP

(kratki / short)

Le petit blond avec un mouton blanc / Mali plavi dječak s bijelom ovcom / The Little Blond Boy With a White Sheep Vrijeme je za školu. Tokom kontrolnog iz pisanja, Pierre u mislima bježi iz sive školske zgrade prisjećajući se sretnih praznika provedenih sa svojom ovcom.

Eloi Henriod je rođen 1987. u Lausannei (Švicarska). Preselio je u Francusku 2005. kako bi upisao studij 2D animacije u Školi primijenjene umjetnosti LISAA u Parizu. Nakon tri godine studija, pridružuje se produkciji Metronomic, prvo kao stažista, a zatim kao animator i jedan od direktora. LE PETIT BLOND AVEC UN MOUTON BLANC je njegov prvi kratki film zasnovan na stripu pisca Pierrea Richarda i crtača Gwendala Le Beca.

E It’s school time again. During a writing test, Pierre escapes his grey school by recalling the happy memories of his holidays spent with his sheep.

Eloi Henriod was born in 1987 in Lausanne, Switzerland.He comes to Paris in 2005 to follow a 2D animator formation in LISAA. After three years of studies, he comes into Metronomic, first as trainee, then as animator and co-director. THE LITTLE BLOND BOY WITH A WHITE SHEEP is his first short film, based on the comic written by Pierre Richard and drawn by Gwendal Le Bec.

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TeenArena

156 15 años y un día / 15 godina + jedan dan / 15 Years + 1 Day, Gracia Querejeta 157 Blackbird / Crna ptica, Jason Buxton 158 Dance Off “The Movie” / Plesni okršaj “Film”, Andrew Veluz Resurreccion 159 You & Me Forever / Ti i ja zauvijek, Kaspar Munk 160 Äta lunch / Ručak / Eating Lunch, Sanna Lenken 160 Auschwitz On My Mind / Auschwitz u mojim mislima, Assaf Machnes 161 Good Night / Dobra noć, Muriel d’Ansembourg 161 On the Beach / Na plaži, Marie-Elsa Sgualdo 162 Whaled Women / Žene kitovi, Ewa Einhorn, Jeuno Je Kim

15 años y un día / 15 godina + jedan dan / 15 Years + 1 Day Film je priča o odnosu između problematičnog tinejdžera Jona i njegovog djeda Maxa, penzionisanog vojnog lica koji živi u jednom od sela smještenih duž Costa de la Luz u Andaluziji. Nakon što je Jon izbačen iz škole, majka odluči poslati ga Maxu u nadi da će mu djed održati životnu lekciju. Međutim, to neće biti tako lako. Jon rado očijuka s opasnošću, a Max se već navikao na udoban i miran život. I unuk i djed će biti prisiljeni da se suoče s vlastitim strahovima i ograničenjima.

Gracia Querejeta je španska režiserka i kći filmskog producenta Elíasa Querejeta. Rođena je u Madridu 1962, a studirala je prapovijest na Universidad Complutense de Madrid. Bavila se različitim zanimanjima u oblasti filma dok se 1994. prvi put nije okušala kao režiserka na dokumentarnom filmu EL TRABAJO DE RODAR. E The film depicts the relationship between Jon, a troubled teenager and his grandfather Max, a retired military man who lives in a village on the Costa de la Luz. After Jon is expelled from school, his mother decides to send him away with Max to teach him a lesson. But it won’t be that simple, Jon likes to flirt with danger and the veteran has now settled down into a comfortable life. Both characters will have to confront their fears and limitations.

Gracia Querejeta, was born in Madrid, in 1962, is a Spanish film director. Her father is the film producer Elías Querejeta. She studied Ancient History in the Universidad Complutense de Madrid.

She worked in several film crafts until she debuted in direction with the documentary EL TRABAJO DE RODAR (1994).

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Spain, 2013, Colour, 96 min, Spanish Režija / Director: Gracia Querejeta Scenarij / Screenplay: Gracia Querejeta, Antonio Mercero Santos Direktor fotografije / Director of Photography: Juan Carlos Gómez Montaža / Editor: Ignacio Ruíz Capilla Scenografija / Production Design: Laura Musso Uloge / Cast: Tito Valverde, Maribel Verdú, Aaron Piper, Belén López, Susi Sánchez Producent / Producer: Gerardo Herrero, Mariela Besuievsky Produkcija / Production: Castafiore Films, Instituto de Crédito Oficial (ICO), Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA), Tornasol Films Filmgrafija / Filmography 2013 - 15 YEARS + 1 DAY 2007 - FRENCH BILLIARDS SEVEN 2004 - HECTOR 1998 - PRIMARY korežiran s Fernandom León de

Aranom i Azucenom Rodriguez / co-directed

by Fernando León de Aranoa and Azucena

Rodriguez (dokumentarni / documentary) 1994 - THE ROLLING WORK / EL TRABAJO DE RODAR

(dokumentarni / documentary)

Blackbird / Crna ptica BLACKBIRD je film o problematičnom tinejdžeru Seanu Randallu koji je lažno optužen da je u školi planirao izvesti masakr sličan onom počinjenom u školi Columbine. Sve počinje kada Sean i popularna djevojka Deanna Roy uspostavljaju neuobičajeno prijateljstvo. Deannin momak se osjeća jako ugrožen vezom između nje i Seana, što rezultira žestokim konfliktom. U nadi da će se na taj način zaštititi, Sean na internetu objavljuje prijetnju smrću i ubrzo zatim biva uhapšen. U pretresu Seanove kuće policija pronalazi puške, pištolje i municiju koji su vlasništvo Seanovog oca Rickyja, inače strastvenog lovca. Također pronalaze i navodni “plan osvete”, sa imenima preko dvadeset osoba koje su maltretirale Seana. Policija i mediji objavljuju da je za dlaku spriječen masakr poput onog u školi Columbine i Sean ubrzo biva suočen s prijetnjom zatočenja u kazneno-popravnom domu za maloljetnike. Može se spasiti jedino ako Deanni i ostatku zajednice dokaže svoju nevinost i tako se riješi stečene loše reputacije.

Jason Buxton je scenarist i režiser s preko dvadeset godina iskustva rada na filmu i televiziji. U svojim filmovima se bavi pitanjima identiteta, osjećaja gubitka i izolacije. Buxtonov prvi kratki film, A FRESH START, prikazan je na mnogobrojnim međunarodnim filmskim festivalima, uključujući festival u Torontu i festival Clermont-Ferrand. Njegov film THE GARDEN je premijerno prikazan na festivalu u Torontu, a THE DRAWING je prikazan na mnogo međunarodnih filmskih festivala. Ovaj iskusni filmski autor je snimio brojne kratke i srednje duge filmove, uključujući TUCKED INTO BEDLAM koji je nominiran za kanadsku filmsku nagradu GEMINI. BLACKBIRD je njegov prvi dugometražni igrani film. Buxton trenutno radi na dva projekta, dugometražnoj komediji ORDINARY JOE i filmskoj drami BLOOD.

Canada, 2012, Colour, 103 min, English Režija / Director: Jason Buxton Scenarij / Screenplay: Jason Buxton Direktor fotografije / Director of Photography: Stéphanie Anne Weber Biron Montaža / Editor: Kimberlee McTaggart Muzika / Music: Shehab Illyas Scenografija / Production Design: William Fleming Kostimografija / Costume Design: Kate Rose Uloge / Cast: Connor Jessup, Alexia Fast, Michael Buie Producent / Producer: Marc Almon, David Miller Produkcija / Production: A71 Productions, Story Engine Pictures, Festina Lente Productions Filmografija / Filmography 2012 - BLACKBIRD 2004 - THE DRAWING (kratki / short) 2003 - THE GARDEN (kratki / short) 2001 - A FRESH START (kratki / short)

E BLACKBIRD is a film about a troubled teen, Sean Randall, who is falsely accused of planning a Columbine shooting scenario. It all begins when an unlikely bond forms between Sean and a preppy teenage girl named Deanna Roy. Deanna’s boyfriend is deeply threatened by Sean and Deanna’s friendship, resulting in a violent confrontation. Seeking to protect himself, Sean issues a death threat online, and is swiftly arrested. When the police raid Sean’s home, they find rifles, shotguns, knives and ammunition – all property of Sean’s father Ricky, an avid hunter. They also find a supposed “revenge plan” targeting over twenty people who have tormented Sean. The authorities and the media proclaim another Columbine situation has been narrowly averted, and soon Sean faces a terrifying imprisonment in a youth detention facility. Sean’s only hope is to overcome his dark image, and prove his innocence to Deanna and to his community.

Jason Buxton is a writer-director with over twenty years experience in the film and television industry. His films focus on themes of identity, loss, and isolation. His first short, A FRESH START was shown at various international festivals, including the Toronto International and Clermont-Ferrand.

THE GARDEN premiered at the Toronto International Film Festival, and THE DRAWING has played in over a dozen international festivals. An accomplished cinematographer, Buxton has shot numerous short and mid-length narratives, most notably the Gemini-nominated TUCKED INTO BEDLAM. BLACKBIRD is his first feature film. Buxton is currently developing two projects, the feature length comedy ORDINARY JOE and the dramatic feature BLOOD.

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Dance Off “The Movie” / Plesni okršaj “Film” To je trenutak o kojem svi sanjaju. Trenutak u kojem se život, koji ste oduvijek živjeli, pretvara u život o kojem ste oduvijek sanjali. Sara Rheinfeld je taj trenutak iskusila na plesnom takmičenju Dance Off. Pametna i simpatična Sara je sa svoje dvije sestre rasla u porodici u kojoj su naučene da u životu nema ničeg bitnijeg od putovanja i dobrog obrazovanja. Za Sarinog oca, međunarodnog univerzitetskog profesora, postoji samo jedan izbor: Princeton. On čini sve da Saru upiše na ovaj elitni univerzitet. Posebno nakon majčine smrti, trudi se da svojim kćerkama pruži samo najbolje.

Ipak, u dubini svoje duše, Sara je uvijek voljela ples, a njena velika strast je ulični ples. Kako to već u životu biva, Sara jedne večeri u noćnom klubu upoznaje Nica de Marca, vođu plesne grupe ID8.

Njeni prioriteti se ubrzo mijenjaju, te u svijetu plesa nalazi nove prijatelje i nove vrijednosti. Da li će Sarin otac ostati dosljedan svojim uvjerenjima i uvjeriti kćer da nastavi s obrazovanjem ili će se Sara odazvati svom plesnom pozivu?

Andrew Veluz Resurreccion je rođen u Texasu, rastao je u Marylandu, a studirao na Univerzitetu San Diego State u Kaliforniji. Nakon studija se seli u Cirih u Švicarskoj, gdje je proveo trinaest godina.

Nedavno se vratio u SAD i trenutno živi u Los Angelesu. Kada mu je 2010. ponuđeno da režira svoj prvi film, odlučio je upisati četverosedmični kurs filma na Filmskoj akademiji u New Yorku, u sklopu kojeg je napravio završni kratki film pod imenom MY DREAM. Zahvaljujući sjajnoj reakciji svog profesora režije, film je odlučio prijaviti na mnogobrojne filmske festivale. Film je, u konačnici, 2010. osvojio jednu od nagrada California Film Awards. Nakon toga je napisao svoj prvi scenarij naslovljen NATALIA, koji je nagrađen specijalnim pomenom na Festivalu filma i scenarija u Los Angelesu.

E Everyone dreams of this one moment. A moment that changes the life you have always known into a life you always dreamt about. For Sara Rheinfeld this moment happened at Dance Off. The smart and funny young woman and her two sisters come from a respectable family where she learnt that traveling and a good education are the most important things in life. For Sara’s father, the international visiting scholar, there is only one choice: Princeton. He does everything to get Sara into this elite university. Especially after the death of their mother, he tries to give his daughters only the best. However deep down Sara always loved dancing, she has real passion for Street Dance. As life would have it, Sara bumps one evening in a dance club into Nico de Marco, the leader of the ID8 dance group. Many of her priorities change quickly and Sara finds in the world of dance new strength and new friends. Will Sara’s father keep to his convictions and push his daughter into higher education or will Sara continue on her dancing path?

Andrew Veluz Resurreccion was born in Texas, raised in Maryland, studied in San Diego, California at the San Diego State University, later moved to Zürich, Switzerland, in which he spent the last 13 years, and just recently returned back to the USA, and now resides in Los Angeles, California. In 2010, when Veluz Resurreccion was asked to direct his first movie, he decided to take a 4 week Film making class at the New York Film Academy. His final Student Short Film was titled MY DREAM. With great feedback from his Directing teacher, Andrew decided to enter his short film into varies film festivals. Eventually he won an award at the California Film Awards 2010. Afterwards he wrote his first screenplay titled NATALIA in which he was awarded an Honorable mention at the Los Angeles Film & Script Festival.

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Switzerland, 2011, Colour, 113 min, Swchweizerdeutsch Režija / Director: Andrew Veluz Resurreccion Scenarij / Screenplay: Andrew Veluz Resurreccion Direktor fotografije / Director of Photography: Stephan Huwyler Montaža / Editor: Oliver Reim Muzika / Music: Sergio Fertitta Uloge / Cast: Sabrina Götti, Andre Silva, Nadja Wildi, Alexandra Simone Maurer, Selin Spühler, Reinhard Trummer, Perry Sidi, Rithiely Pereira Producent / Producer: Oliver Reim Produkcija / Production: Reim Film Production Filmografija / Filmography 2012 - DANCE OFF 2010 - MY DREAM (kratki / short)

You & Me Forever / Ti i ja zauvijek Laura i Kristina oduvijek su bile najbolje prijateljice. Jednoga dana upoznaju tajanstvenu i fascinantnu Mariju, i njihovo prijateljstvo biva dovedeno u iskušenje. U Laurinim očima, poznanstvo s Marijom mijenja svijet za koji je mislila da ga odlično poznaje. Priča o prijateljima i neprijateljima, ranjivosti i neobuzdanosti, ljubavi i seksu.

Kaspar Munk je rođen u Danskoj 1971. Prije nego je 1999. upisao studij filma na Univerzitetu u Kopenhagenu, gdje je i diplomirao, pohađao je kurseve metoda glume u New Yorku i u Nacionalnoj školi filma u Danskoj. U periodu od 2003. do 2006. pohađao je i nastavu u Alternativnoj školi filma SUPER16. Munkov debitantski dugometražni igrani film HOLD ME TIGHT iz 2010. je osvojio srca mlade publike od Indije do Evrope. Film je u Rimu nagrađen Nagradom Marc’ Aurelio za najbolji debitantski film, dok je u Tallinu proglašen najboljim filmom, a na Festivalu Mannheim-Heidelberg je osvojio dvije počasne nagrade.

E Laura and Christine are best friends. They have been best friends forever. One day they meet the mysterious and fascinating Maria, and their friendship is put to the test. For Laura it is a meeting that changes the world she thought she knew so well. A story about friends and enemies, vulnerability and wildness, love and sex.

Kaspar Munk was born 1971, Denmark. Took courses in New York in method acting, and courses at the National Film School of Denmark prior to studying and graduating with a B.A. in film studies at Copenhagen University, 1999. Trained at the alternative Film School Super16 2003-06. Munk’s feature film debut HOLD ME TIGHT (2010) touched the hearts of young audiences from as faraway as India to Europe, taking the Marc ‘Aurelio Award for Best Debuting Feature in Rome, the Best Feature Film Award in Tallin, and two honours at Mannheim-Heidelberg.

Denmark, 2012, Colour, 82 min, Danish Režija / Director: Kaspar Munk Scenarij / Screenplay: Kaspar Munk, Jannik Tai Mosholt Direktor fotografije / Director of Photography: Søren Bay Montaža / Editor: Marlene Billie Andreasen, Nanna Frank Møller Muzika / Music: Sara Savery Zvuk / Sound: Peter Albrechtsen Scenografija / Production Design: Louise Lönborg Uloge / Cast: Julie Andersen, Frederikke Dahl Hansen, Emilie Kruse, Benjamin Wandschneider Producent / Producer: Anders Toft Andersen, Bo Ehrhardt, Birgitte Haldm Produkcija / Production: Nimbus Film Productions Filmografija / Filmography 2012 - YOU & ME FOREVER 2010 - HOLD ME TIGHT 2006 - EMBRACE ME (kratki / short) 2005 - TINY DEATH (kratki / short) 2003 - KISSES (kratki / short) 2003 - ØJE-BLINK (kratki / short) 2001 - PASSING BY (kratki / short)

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Sweden, 2013, Colour, 13 min, Swedish Režija / Director: Sanna Lenken Scenarij / Screenplay: Sanna Lenken Direktor fotografije / Director of Photography: Iga Mikler Montaža / Editor: Marinella Angusti Uloge / Cast: Elina Sandberg, Julia Sporre, Hanna Frelin, Sara Runsten, Jonas Blom, Julia Marko-Nord Producent / Producer: Annika Rogell Produkcija / Production: Story AB

Äta lunch / Ručak / Eating Lunch Petnaestogodišnja Klara i još četiri dječaka i djevojčice istih godina ručaju pod nadzorom medicinskih sestara u centru za liječenje prehrambenih poremećaja. Imaju samo 30 minuta da završe sa jelom.

Filmografija / Filmography 2013 - EATING LUNCH (kratki / short) 2010 - YOGHURT (kratki / short) 2009 - TRAVEMUNDE TRELLEBORG (kratki / short) 2008 - VALBORG (kratki / short) 2008 - MELLAN 11 OCH 12 (TV film) 2004 - SKALLGÅNG (kratki / short)

Sanna Lenken je rođena u Gothenburgu, u Švedskoj. Prije no što je počela raditi na filmu, studirala je i radila u pozorištu u Londonu i Malmeu. Nakon što je na raznim igranim filmovima radila kao prvi i drugi asistent režije, upisala je studij režije na Dramatiska Institutet (2005-2008). Do sada je režirala kratki film YOGHURT, kao i TV seriju DUBELLIV za Sveriges Television (SVT).

E 15-year-old Klara and four girls and boys of the same age are to eat lunch under the supervision of nurses at a centre for eating disorders. They have just 30 minutes to eat up.

Sanna Lenken was born in Gothenburg, Sweden. Studied and worked with theatre in London and Malmö before starting working with film. After working as second and first AD on various feature films she went on to study directing at Dramatiska Institutet (2005-2008). Since then she directed the short YOGHURT as well as the TV-series DUBELLIV for Sveriges Television (SVT).

Israel, Poland, United Kingdom, 2012, Colour, 16 min, Hebrew

Auschwitz On My Mind / Auschwitz u mojim mislima Mladi Izraelac Roy, u okviru školske ekskurzije, obilazi koncentracione logore i spomenike u Poljskoj.

Ali sjećanje na Holokaust za njega nije jedini cilj putovanja. Royu se sviđa djevojka iz razreda, Vered.

Priča o njegovim pokušajima da osvoji Veredinu naklonost neprekidno prelazi iz tragičnog u zabavno, i obrnuto, u rascjepu između opsjednutosti prošloću društva u kojem živi i opsjednutošću seksom njegovih prijatelja.

Assaf Machnes je rođen 1987. u Izraelu. Obrazovao se u Školi filma Met u Londonu, gdje je u oktobru 2012, uz počasti, stekao diplomu iz oblasti primijenjenog filma, sa specijalizacijom iz kinematografije. U svome radu miješa kompleksna okruženja sa skrivenim humorom.

E Roy, a young Israeli teenager, visits Poland on a school trip between death camps and memorials.

However, for Roy, Holocaust remembrance is not the only purpose of the Journey; he fancies Vered, girl from his class. Torn between his society’s obsession with its past and his friends’ obsession with sex, Roy’s attempts to win Vered’s affection create an ambiguous story constantly shifting from the tragic to the entertaining.

Assaf Machnes was born in 1987 in Israel. In October 2012, he has completed his studies at the Met film school in London, earning a BA with honors in practical Filmmaking, specializing in cinematography. His work blends complex environments with hidden humor.

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Režija / Director: Assaf Machnes Scenarij / Screenplay: Assaf Machnes Direktor fotografije / Director of Photography: Itay Gross Montaža / Editor: Guy Natanel Zvuk / Sound: Stephen Goldsmith Scenografija / Production Design: Amit Mager, Marcin Sliwinski Kostimografija / Costume Design: Shir Stiva Uloge / Cast: Yoav Rottman, Inbal Erez, Myrav Osofsky Producent / Producer: Assaf Machnes, Kuba Kubicki i Jonny Persey Produkcija / Production: Propeller Film (Warsaw), Met Film School (London) Filmografija / Filmography 2012 - THE AUDITION (short / kratki) 2012 - GRENADE (short / kratki) 2012 - AUSCHWITZ ON MY MIND (short / kratki) 2011- SLUGS (short / kratki) 2011 - NATURE IS EVER AT WORK (short / kratki) 2011 - BLIND DATE ( short / kratki) 2010 - MEAT (short / kratki) 2009 - STAIRS (short / kratki)

United Kingdom, 2012, Colour, 24 min, English

Good Night / Dobra noć GOOD NIGHT je intiman portret dviju tinejdžerki čija probuđena seksualnost, tokom jednog tajnog noćnog izlaska, počinje ugrožavati njihovu dječiju naivnost. Dok muškarcima koje susreću šalju pomiješane signale, granica između naivne igre i opasnog zavođenja počinje da blijedi.

Režija / Director: Muriel d’Ansembourg Scenarij / Screenplay: Muriel d’Ansembourg Direktor fotografije / Director of Photography: Arturo Vasquez Montaža / Editor: Una Gunjak Muzika / Music: Jody Jenskins Zvuk / Sound: Jonny Masters, Joe Harris Scenografija / Production Design: Beck Rainford Kostimografija / Costume Design: Beck Rainford Uloge / Cast: Anna Hogarth, Rosie Day, Jay Taylor, Dave McRae, Michael Stevenson Producent / Producer: Eva Sigurdardottir Produkcija / Production: Blindeye films, London Film School Filmografija / Filmography 2012 - GOOD NIGHT (kratki / short) 2008 - PLAY (kratki / short) 2007 - JUST ANOTHER DAY (kratki / short)

Muriel d’Ansembourg je diplomirala scenarij u Nizozemskoj, a u skorije vrijeme je, uz počasti, stekla zvanje magistrice režije i filma na London Film School. Kratki filmovi koje je napisala i režirala tokom studija osvojili su brojne nagrade širom svijeta. GOOD NIGHT je osvojio Nagradu žirija na Međunarodnom festivalu kratkog filma u Palm Springsu, Nagradu za najboljeg režisera na Festivalu nezavisnog evropskog filma ÉCU i Nagradu za najbolji studentski film na Festivalu nezavisnog filma u Kaliforniji. Film je, također, nominiran za Nagradu britanske filmske akademije 2013.

E GOOD NIGHT is an intimate portrait of two teenage girls on a secret night out where their childhood innocence is threatened by an awakening sexuality. Giving mixed signals to the men they meet, the boundaries between innocent play and dangerous seduction begin to blur.

Muriel d’Ansembourg earned her BA in screenwriting in The Netherlands and more recently graduated with Distinction from the MA course in Directing and Filmmaking at the London Film School.

The short films she has written and directed during her studies have won numerous awards worldwide. GOOD NIGHT, her LFS graduation film, received a Jury Award at the Palm Springs International Short Film Festival, won Best Director at the ÉCU The European Independent Film Festival and Best Student Film at the California Independent Film Festival and has been nominated for the British Academy Film Awards 2013.

Switzerland, 2012, Colour, 15 min, French Režija / Director: Marie-Elsa Sgualdo Scenarij / Screenplay: Marie-Elsa Sgualdo Direktor fotografije / Director of Photography: Gabriel Lobos Montaža / Editor: Thomas Marchand Zvuk / Sound: Guilhèm Donzel Scenografija / Production Design: Céline Masson Kostimografija / Costume Design: Céline Masson Uloge / Cast: Joelle Nussbaum, Alessio Balossi, Amadou Awana Soumare Producent / Producer: Elena Tatti, Elodie Brunner Produkcija / Production: Box Productions

On the Beach / Na plaži Emancipacija petnaestogodišnje Sare tokom ljetnjeg odmora.

Film je premijerno prikazan na Locarno film festivalu 2012, a zatim je u periodu od šest mjeseci uvršten u program 25 međunarodnih festivala uključujući Namur, gdje je osvojio nagradu za najbolji film.

Filmografija / Filmography 2012 - ON THE BEACH (short / kratki) 2009 - VAS-Y JE T’AIME (short / kratki) 2010 - BAL TCHAK (short / kratki)

Marie-Elsa Sgualdo je rođena 1986. u La Chaux-de-Fonds, u Švicarskoj. Diplomirala je film na Univerzitetu za umjetnost i dizajn (HEAD) u Ženevi, a trenutno završava master studij iz pisanja scenarija na institutu INSAS u Bruxellesu. Uporedo s režiranjem više kratkih filmova, radila je i kao asistent režije za Christelle Lheureux, Dalphine Jacquet, Ursulu Meier i Emmanuelle Antille.

E The emancipation of 15-year-old Sara during summer holidays.

Premiered at Locarno Film Festival 2012 and has already been selected in 25 international festivals in 6 months, including Namur where it has won the best film award.

Marie-Elsa Sgualdo, born in 1986 in La Chaux-de-Fonds, Switzerland, graduated from the HEAD in Geneva (Film dept) and is currently studying at the INSAS in Bruxelles (screen-writing Masters). In parallel with her work as a director on several short films, she assists such directors as Christelle Lheureux, Delphine Jacquet, Ursula Meier or Emmanuelle Antille.

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Sweden, 2013, Colour, 9 min, English Režija / Director: Ewa Einhorn, Jeuno Je Kim Scenarij / Screenplay: Andreas Jakobsson, Ewa Einhorn, Jeuno Je Kim Montaža / Editor: Ewa Einhorn Muzika / Music: Olof Dreijer, Jeuno Je Kim Zvuk / Sound: Henrik Meierkord Uloge / Cast: Anna Blomberg, Inga Cristina Campos, Magnus Mark Producent / Producer: Ewa Einhorn, Jeuno Je Kim Produkcija / Production: Monkey Machine Film

Whaled Women / Žene kitovi SchlopSchlop i KK dvije su iritantne žene koje žive u gradiću u koji sve nordijske zemlje šalju svoje nepoželjne građane. Jednog dana, čudna stvorenja nasuču se na obalu, a SchlopSchlop i KK dobivaju zadatak da riješe problem.

Ewa Einhorn je vizualna umjetnica i režiserka koja se bavi animacijom, satiričnim crtežom i dokumentarnim filmom. Diplomirala na Umjetničkoj akademiji u Beču, zvanje magistra je stekla na Umjetničkoj akademiji u Malmeu, a pohađala je i Nezavisni studijski program Whitney u New Yorku.

Jeuno Je Kim je spisateljica i umjetnica čije kreacije uključuju performanse i videoradove. Diplomu je stekla na koledžu Oberline, a na Univerzitetu Harvard je magistrirala teologiju feminističkog oslobođenja. Također je stekla i zvanje magistra umjetnosti na Univerzitetu Illinois u Chicagu.

E SchlopSchlop and KK are two annoying women who live in a small town located in an undefined arctic region where all the Nordic countries send their undesirables. One day, strange creatures become stranded on its shores. SchlopSchlop and KK are assigned to deal with the situation.

Ewa Einhorn is a visual artist and filmmaker working with animation, satirical drawing and documentary film. Einhorn received her BA from Vienna Art Academy, MA from Malmö Art Academy and attended the Whitney Independent Study Program in NY. Jeuno Je Kim is a writer and an artist working with performance and video. She received her BA from Oberlin College, and completed her MA in Feminist Liberation Theology from Harvard University, and MFA at the University of Illinois at Chicago.

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Filmografija / Filmography Ewa Einhorn 2013 - WHALED WOMEN (kratki / short) 2007 - MILKBAR (dokumentarni / documentary) Jeuno Je Kim 2013 - WHALED WOMEN (kratki / short)

Operacija kino / Operation Kino

166 The Bambi Molesters: A Night in Zagreb, M.A. Littler 167 A csendesek / Oni tihi / Silent Ones, Ricky Rijneke 168 L’étoile du jour / Jutarnja zvijezda / Morning Star, Sophie Blondy 169 Hide Your Smiling Faces / Sakrijte svoja nasmijana lica, Daniel Patrick Carbone 170 Villegas, Gonzalo Tobal 171 Buhar / Iščezli u plavo / Vanished Into Blue, Abdurrahman Öner 171 The Flight / Let, Desislav Angelov 172 Kružni tok / Roundabout, Orsi Nagypál 172 O umbră de nor / Sjena oblaka / Shadow of a Cloud, Radu Jude

Uvod / Introduction

Ena Đozo

Filmski festivali iz Transilvanije, Sofije, Istanbula i Sarajeva, u okviru zajedničkog projekta Operacija kino, koji je nastao uz podršku programa MEDIA Mundus, nastoje privući što veći broj gledalaca u kino dvorane, predstavljajući dio svog programskog sadržaja i festivalske atmosfere publici u drugim gradovima tokom cijele godine.

Osim toga, u suradnji sa Reelport GmbH, dio naslova iz programa je također dostupan na VoD (video-on-demand) platformi Operacije kino.

Cilj projekta jeste doprinijeti razvoju filmske industrije, unaprijediti obrazovni i kulturni utjecaj kinematografije, ali i osigurati pristup što većem broju ljubitelja filma sa željom da se stvori nova generacija filmske publike.

Punk Cinema, programska cjelina nastala u okviru Operacije kino u Bosni i Hercegovini, nastoji ohrabriti i podržati mlade talente i ljubitelje filma, koji u okviru ovog projekta imaju mogućnost razviti i promovirati svoje radove.

Tokom devetnaestog Sarajevo Film Festivala, Operacija kino će predstavit četiri pobjednička kratka filma sa prethodno spomenutih festivala: SHADOW OF A CLOUD (SJENA OBLAKA) Radu Jude, THE FLIGHT (LET) Desislava Angelova, VANISHED INTO THE BLUE (IŠČEZLI U PLAVO) Abdurrahmana Önera i ROUNDABOUT (KRUŽNI TOK) Orsi Nagypal.

Predstavit ćemo i šest kratkih filmova neafirmiranih autora, koji su u toku 2012/2013. pobijedili na takmičenju programa Punk Cinema: DREAM ABOUT WINNING (SAN O POBJEDI) Mirze Derviševića, COMING HOME (POVRATAK KUĆI) Sare Ristić, MY COLOR PATH (MOJ OBOJENI PUT) Bojana Josića, Camille Seccaud i Barclay Martina, PK/12/SA Dražena Grujića, FACEBOOK TAKEOVER (PREUZIMANJE FACEBOOKA) Malika Kurta i Almina Vranca, te 4 Tine Balte, Arnele Sarkinović i Iris Bevande.

Operacija kino, će u suradnji sa globalnom filmskom mrežom Eye on Films predstaviti i četiri dugometražna igrana filma: VILLEGAS Gonzala Tobala, MORNING STAR (JUTARNJA ZVIJEZDA) Sophie Blondy, SILENT ONES (ONI TIHI) Ricky Rijneke i HIDE YOUR SMILING FACES (SAKRIJTE SVOJA NASMIJANA LICA) Daniela Patricka Carbone.

Ovogodišnji program Operacije kino će biti otvoren koncertnim filmom The Bambi Molesters: A Night in Zagreb autora Marka Littlera.

E Under the label Operation Kino, established with the support of MEDIA Mundus, Transilvania, Sofia, Istanbul and Sarajevo Film Festival, are focusing on accessing wider audiences for theatrical distribution and bring, throughout the year, a part of their programme and atmosphere to audiences in other towns in their countries.

Also, in cooperation with Reelport GmbH, a number of participating titles are offered on the Operation Kino Video on Demand platform.

The project is aiming at developing the film industry, enhancing the educational and cultural aspect of cinema, as well as providing access to wider targets with the goal of creating a new generation of audience.

A specified programme section within Operation Kino in Bosnia and Herzegovina, Punk Cinema, aims at encouraging and supporting young talents and film lovers, who are given the chance to promote and develop their works.

During the 19th Sarajevo Film Festival Operation Kino will present four short film winners, from the aforementioned festival platforms, namely SHADOW OF A CLOUD by Radu Jude, THE FLIGHT by Desislav Angelov, VANISHED INTO THE BLUE by Abdurrahman Öner and ROUNDABOUT by Orsi Nagypal.

We will also present six short films of unestablished filmmakers, who won the Punk Cinema competition 2012/2013, DREAM ABOUT WINNING by Mirza Dervišević, COMING HOME

by Sara Ristić, MY COLOR PATH by Bojan Josić, Camille Seccaud and Barclay Martin, PK/12/SA

by Dražen Grujić, FACEBOOK TAKEOVER by Malik Kurt and Almin Vranac, and 4 by Tina Balta, Arnela Sarkinović and Iris Bevanda.

Operation Kino, in partnership with the global network of film professionals Eye on Films, will also present four feature films, VILLEGAS

by Gonzalo Tobal, MORNING STAR by Sophie Blondy, SILENT ONES by Ricky Rijneke and HIDE YOUR SMILING FACES by Daniel Patrick Carbone.

This year’s Operation Kino programme will be opened with the concert film The Bambi Molesters: A Night in Zagreb by Mark Littler.

Ena Đozo, rukovoditeljica projekta Operacija Kino / Operation Kino Manager

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The Bambi Molesters: A Night in Zagreb Početkom 2011. The Bambi Molesters su se otisnuli na mini turneju diljem Hrvatske i Slovenije, u sklopu koje im je zagrebačka pozornica Teatra &TD poslužila kao platforma na kojoj će snimiti svoj prvi live album, ali i prvi koncertni film sniman u HD rezoluciji. To snažno jedrenje kroz sedamnaest godina uspješne karijere, The Bambi Molesters i režiser M.A. Littler iz Slowboat Filmsa pretočili su u DVD/2CD izdanje objedinjeno pod nazivom „A Night in Zagreb“. Odlično posložene snimke u režiji Littlera, gledaoca će, u nešto manje od dva sata, prenijeti u energičan, precizno uigran i savršeno odigran muzički film noir u kojem žive entuzijasti The Bambi Molesters. Littler je minimalističkim zahvatima njihov nastup obogatio snimcima glavnih junaka (članova The Bambi Molesters) u Zagrebu, koji je, kroz maglu u njegovim očima, postao mračni surf city tajanstvene atmosfere u kojem živi jedan odličan bend. Nema razgovora, nema riječi, nema priče o njima… Samo njihov nastup.

M.A. Littler, njemački režiser, sve je traženije ime nove njemačke filmske scene. Iza sebe ima čitav niz muzičkih dokumentaraca kao što su VOODOO RHYTHM - THE GOSPEL OF PRIMITIVE ROCK ‘N’ ROLL, THE DEAD BROTHERS - DEATH IS NOT THE END, ZOWNIR - RADICAL MAN, THE FOLK SINGER - A TALE OF MEN, MUSIC & AMERICA i THE KINGDOM OF SURVIVAL. Autor je egzistencijalnog igranog filma noir THE ROAD TO NOD, snimljenog u crno-bijeloj tehnici, u kojem je koristio muziku The Bambi Molestersa. Nakon te saradnje, napravio je spot za njihov singl ‘As the Dark Wave Swells’ s istoimenog studijskog albuma, a potom su realizirali zajednički muzičko-filmski projekat THE BAMBI MOLESTERS: A NIGHT IN ZAGREB. E Early in 2011, The Bambi Molesters embarked on a mini-tour of Croatia and Slovenia. They used the performance on the stage of &TD Theater in Zagreb to make recordings for their first live album and a concert film in HD. In cooperation with director M.A.Litter of Slowboat Films, they turned the recorded material – a powerful glide through their successful 17-year-long career - into a DVD/2CD pack under the name “A Night in Zagreb”. Perfectly sequenced under Litter’s direction, the recorded material turned into a vibrant, precise and perfectly performed film noir. Litter’s minimalist intervention included adding the shots of main protagonists (members of The Bambi Molesters) filmed in Zagreb to the bands’ filmed stage performance. Seen through his fog-filled eyes, Zagreb transformed for the film into a dark surf city of secretive atmosphere where members of an excellent band live.

There are no dialogues, no words, no talking about the band….just their performance.

M.A. Litter, a German director, is an increasingly sought-after member of the new German film scene. He has already made a number of documentaries including VOODOO RHYTHM – THE GOSPEL OF PRIMITIVE ROCK’N’ROLL, THE DEAD BROTHERS – DEATH IS NOT THE END, ZOWNIR – RADICAL MAN, THE FOLK SINGER – A TALE OF MEN, MUSIC & AMERICA and THE KINGDOM OF SURVIVAL. He is the author of THE ROAD TO NOD – an existential, black and white, full-length film noir in which he had used The Bambi Molesters’ music. After their cooperation on that film, Litter has made a music video for the band’s single As the Dark Wave Swells from their studio album of the same name. THE BAMBI MOLESTERS: A NIGHT IN ZAGREB is the latest product of their cooperation.

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Croatia, 2012, Colour, 90 min, No Dialogue Režija / Director: M.A. Littler Direktor fotografije / Director of Photography: Philip Koepsell Montaža / Editor: M.A. Littler, Philip Koepsell Muzika / Music: The Bambi Molesters Produkcija / Production: Dancing Bear Records Filmografija / Filmography 2013 - THE BAMBI MOLESTERS: A NIGHT IN ZAGREB 2011- THE KINGDOM OF SURVIVAL

(dokumentarni / documentary) 2008 - THE FOLK SINGER: A TALE OF MEN, MUSIC &

AMERICA 2007 - THE ROAD TO NOD 2006 - ZOWNIR: RADICAL MAN

(dokumentarni / documentary)

A csendesek / Oni tihi / Silent Ones Csilla, mlada žena iz istočne Evrope, i njen mali brat Isti putuju zajedno bez jasnog cilja, u potrazi za boljim životom. Csilla se jednog dana budi usred nedođije, u autu uništenom u sudaru, ne znajući gdje joj je brat. On je nestao bez traga. Uznemirena i usamljena, ne izgovorivši ni riječi, Csilla se ukrcava na teretni brod na putu za zapadnu Evropu. Kako bi ispunila obećanje koje je dala bratu, napušta svoju zemlju i svoju prošlost putujući ka tužnom i samotnom životu. Ali svijet koji ostavlja iza sebe nije spreman da je tako lako pusti. Tokom plovidbe se ispostavlja da je Gábor, samozvani biznismen koji je Csillu uvjerio da radi za njega na brodu, zapravo grubijan i pijanica. Kada je on napada i oduzima joj posljednju uspomenu na Istija, Csilla potpuno gubi kontrolu nad vlastitim životom.

Plovidba se pretvara u nadrealno putovanje po tankoj crti između života i smrti.

Ricky Rijneke je, uz počasti, stekla zvanje magistrice evropskih medija. Njen prvi dugometražni igrani film SILENT ONES (A CSENDESEK) je 2013. nominiran za glavnu nagradu Međunarodnog filmskog festivala u Rotterdamu. Njen prvi kratki igrani film, WING, THE FISH THAT TALKED BACK, nominiran je za takmičenje talentiranih mladih autora “Leopards of Tomorrow” i premijerno je prikazan na Međunarodnom filmskom festivalu u Locarnu. Ovaj nagrađivani kratki film stekao je međunarodno priznanje, a prikazan je na više od pedeset festivala, uključujući i Ghent (Prix UIP, takmičarski program), San Francisco (Golden Gate Award, takmičarski program), Hamburg, Denver, Bilbao, Toronto i Rotterdam. Film je, također, prikazan u sklopu programa Short Film Corner Filmskog festivala u Cannesu.

Netherlands, Hungary, 2013, Colour, 97 min, Hungarian Režija / Director: Ricky Rijneke Scenarij / Screenplay: Ricky Rijneke Direktor fotografije / Director of Photography: Jean-Paul de Zaetijd, Gergely Pohárnok Montaža / Editor: Nina Petrovna, Ricky Rijneke Muzika / Music: Andrey Dergachev Uloge / Cast: Fatih Dervisoglu, Roland Rába, Orsolya Tóth Producent / Producer: Dick Rijneke, Mildred Van Leeuwaarden Produkcija / Production: Rotterdam Films Filmografija / Filmography 2013 - SILENT ONES 2007 - WING: THE FISH THAT TALKED BACK

(kratki / short)

E The young Eastern European woman Csilla and her little brother Isti are travelling together without a clear destination, looking for a better life. One day Csilla wakes up inside a crashed car, in the middle of nowhere, not knowing where her brother Isti is. He is vanished without a trace. Upset and alone, without saying a word, Csilla leaves aboard a cargo ship heading to Western Europe. She flees her country and her past to a cold and lonely life to keep a promise she made to him. But the world she’s left behind won’t let her go that easily. At sea Gábor, a self-proclaimed business man who convinced her to work for him on the ship, turns out to be a brute and a drunk. When Gábor assaults her and takes her last souvenir of Isti, Csilla loses grip on her life completely. The journey turns into a surreal trip on the fragile edge of life and death.

Ricky Rijneke graduated as Master of Arts in European Media with honors. Her first feature film SILENT ONES (A CSENDESEK) is nominated for ‘the Tiger Award’ of the Rotterdam Film Festival 2013.

Her first short work of fiction WING, THE FISH THAT TALKED BACKWAS nominated for the ‘Leopards of Tomorrow’ competition for young talent and premiered at the Locarno International Film Festival.

This award winning film gained international acclaim at more then fifty international film festivals, such as Ghent (competition Prix UIP), San Francisco (Golden Gate Award competition) Hamburg, Denver, Bilbao, Toronto, Rotterdam and it was screened in the Short Film Corner Cannes.

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L’étoile du jour / Jutarnja zvijezda / Morning Star Trupa malog cirkusa zatječe se među pješčanim dinama u blizini Sjevernog mora. To je tužno mjesto i nema dovoljno publike.

Plesačica Angele živi s klaunom Eliotom kojeg progoni vlastita savjest.

Vođa cirkusa Heroy je okrutan i šizofren muškarac. Međutim, ni on nije neosjetljiv na šarm plesačice.

Heroy moli mađioničara Zephyra i ciganku Zohru da mu pomognu osvojiti Angelino srce. Da li će Angelino srce biti osvojeno u ovoj tajnoj zavjeri Zephyra i Heroya?

Sophie Blondy se školovala za glumicu, balerinu i pozorišnu režiserku, postavivši na scenu djela Johna Berrya. Nakon toga, a prije završetka filmskih studija, sarađivala je s više režisera uključujući Andrzeja Żuławski, Brunu Nuyttena i Tran Anh Hunga. Svoj prvi igrani film, ELLE ET LUI AU 14EME ETAGE, s Guillaumeom Depardieuom, režirala je 2000. U narednim je godinama režirala tri srednje duga igrana filma i svoj drugi dugometražni igrani film, L’ETOILE DU JOUR. E A small circus and its company find themselves in the dunes near the North Sea. It is a brooding place and there is not enough audience.

Angele, the dancer lives with Elliot, the clown who is haunted by his own Conscience.

Heroy, the circus ringmaster is a cruel and schizophrenic person. However, he is not insensitive to the dancer’s charms.

Heroy asks Zephyr, the magician and Zohra the gypsy to help him win the heart of Angele. Will Angele’s heart be won by this secret plot between Zephyr and Heroy?

Sophie Blondy trained as an actress, a ballerina, and a theatre director, putting on stage John Berry’s works. She then worked with directors like Andrzej Żuławski, Bruno Nuytten and Tran Anh Hung before majoring in film studies; in 2000 she directed her first feature film ELLE ET LUI AU 14EME ETAGE with Guillaume Depardieu. In the following years she directed three medium-length features and L’ETOILE DU JOUR, her second full-length feature.

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France, 2012, Colour, 100 min, French Režija / Director: Sophie Blondy Scenarij / Screenplay: Philippe Benkemoun, Sophie Blondy Direktor fotografije / Director of Photography: Nathalie Durand Montaža / Editor: Anaïs Enshaian Muzika / Music: Steve Mackay, Jim Peuvrel Scenografija / Production Design: Nikos Meletopoulos Kostimografija / Costume Design: Clémentine Dupret Uloge / Cast: Denis Lavant, Iggy Pop, Tchéky Karyo, Béatrice Dalle, Natacha Régnier, Bruno Putzulu Producent / Producer: Alain Peyrollaz Produkcija / Production: Good Lap Production Filmografija / Filmography 2012 - L’ETOILE DU JOUR / MORNING STAR 2000 - ELLE ET LUI AU 14EME ETAGE

Hide Your Smiling Faces / Sakrijte svoja nasmijana lica Sakrijte svoja nasmijana lica slikovito opisuje život dva mlada brata u trenutku kada naglo sazrijevaju uslijed misteriozne smrti njihovog druga. Događaj uzburka njihov mali grad uznemirujući braću i njihove prijatelje na način koji ne mogu u potpunosti razumjeti. U svjetlu tragičnog događaja, nekada uobičajene interakcije poprimaju sumoran ton navodeći četrnaestogodišnjeg Erica i devetogodišnjeg Tommija da se povuku u svoje divlje okruženje. Dok se braća naglas suočavaju s pitanjima o smrtnosti, istovremeno i jedan i drugi sami sa sobom vode tihe debate koje ih dovode do naizgled nepremostivih moralnih visina. Sakrijte svoja nasmijana lica pruža iskren, cjelovit uvid u osjetljivi mladalački duh, kao i u ožiljke koje mnogima ostavljaju nerazjašnjeni događaji iz prošlosti.

Daniel Patrick Carbone diplomirao je na Tisch School of the Arts pri Univerzitetu u New Yorku, a trenutno živi u Brooklinu. Sa svojim kratkim filmom FERAL je 2008. osvojio filmsku nagradu Warner Bros., kao i više nagrada festivala filma NYU First Run. Film FERAL je prikazan na više međunarodnih filmskih festivala. Sa svojim prvim dugometražnim igranim filmom, Sakrijte svoja nasmijana lica, 2012. je izabran za učešće u programu IFP Narrative Labs, Emerging Visions, kao i u Artists Academy Filmskog festivala u New Yorku. Film je osvojio prvu nagradu u programu US-in-Progress, Američkog filmskog festivala u Wroclawu, u Poljskoj, a svjetsku premijeru imao je na Međunarodnom filmskom festivalu u Berlinu 2013. Carbone trenutno završava postprodukciju dugometražnog dokumentarnog filma PHANTOM COWBOYS, na kojem je radio kao snimatelj i jedan od režisera. Film je inače dobio finansijsku podršku Cinereacha.

USA, 2013, Colour, 81 min, English Režija / Director: Daniel Patrick Carbone Scenarij / Screenplay: Daniel Patrick Carbone Direktor fotografije / Director of Photography: Nick Bentgen Montaža / Editor: Daniel Patrick Carbone Muzika / Music: Robert Donne Zvuk / Sound: Chris Foster Scenografija / Production Design: Charlotte Royer Uloge / Cast: Ryan Jones, Nathan Varnson, Colm O’Leary, Thomas Cruz, Christina Starbuck, Chris Kies Producent / Producer: Matthew Petock, Zachary Shedd, Daniel Patrick Carbone, Jordan Bailey-Hoover Produkcija / Production: FLIES COLLECTIVE Filmografija / Filmography 2013 - HIDE YOUR SMILING FACES 2008 - FERAL (kratki / short)

E HIDE YOUR SMILING FACES vividly depicts the young lives of two brothers as they abruptly come of age through the experience of a friend’s mysterious death. The event ripples under the surface of their town, unsettling the brothers and their friends in a way that they can’t fully understand. Once familiar interactions begin to take on a macabre tone in light of the tragic accident, leading Eric, 14, and Tommy, 9, to retreat into their wild surroundings. As the two brothers vocally face the questions they have about mortality, they simultaneously hold their own silent debates within their minds that build into seemingly insurmountable moral peaks. Hide Your Smiling Faces is a true, headlong glimpse into the raw spirit of youth, as well as the calluses that one often develops as a result of an unfiltered past.

Daniel Patrick Carbone is a graduate of New York University’s Tisch School of the Arts, currently residing in Brooklyn, NYC. In 2008, he received the Warner Bros. Film Award and multiple NYU First Run Film Festival awards for his short, FERAL, which went on to screen at film festivals internationally. In 2012, he was selected for the IFP Narrative Labs, Emerging Visions program, and the New York Film Festival’s Artists Academy for his debut feature film, HIDE YOUR SMILING FACES. The film took the top prize at the US-in-Progress section of the American Film Festival in Wroclaw, Poland and it premiered at the Berlin International Film Festival in 2013. He is currently in postproduction on PHANTOM COWBOYS, a feature-length documentary and Cinereach grantee, which he co-directed and shot.

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Villegas Nakon što se dugo nisu vidjeli, Esteban i Pipa, dva rođaka, zajedno se voze na sahranu svog djeda u Villegasu, malom gradiću u unutrašnjosti Argentine u kojem su odrasli. Povratak u grad njihovog djetinjstva brzo se pretvara u intenzivno emotivno putovanje, obilježeno ponovnim susretima, ozračjem prošlosti i kraja jednog perioda.

Gonzalo Tobal je rođen u Argentini, 1981. U periodu od 2003. do 2009. napisao je i režirao kratke filmove TO SHUT THE LID, FAMILY ALBUM IN FOUR INSTALLMENTS, NOW EVERYBODY SEEMS TO BE HAPPY i CYNTHIA STILL GOT THE KEYS, koji su prikazani na brojnim filmskim festivalima širom svijeta pobudivši značajnu pažnju. Njegov film AHORA TODOS PARECEN CONTENTOS je, između ostalih nagrada, 2007. osvojio prvu nagradu programa Cinéfondation Filmskog festivala u Cannesu, dok je film CYNTHIA STILL GOT THE KEYS premijerno prikazan na istom festivalu u programu Critics’ Week 2010.

Za razvoj i produkciju svog prvog dugometražnog igranog filma VILLEGAS dobio je podršku više fondova, uključujući Hubert Bals Fund (Nizozemska) i INCAA (Argentina). Film je doživio međunarodnu premijeru u okviru zvanične selekcije Filmskog festivala u Cannesu 2012, a argentinsku premijeru je imao na Međunarodnom festivalu nezavisnog filma u Buenos Airesu (BAFICI), gdje ga je argentinsko udruženje filmskih kritičara proglasilo najboljim filmom.

E After a long time without seeing each other, two cousins, Esteban and Pipa, have to drive together to their grand-father’s funeral in Villegas, small inland town where they grew up together.

This coming back soon turns into an intense emotional journey, punctuated by the reunions, the weight of the past and the end of an era.

Gonzalo Tobal was born in Argentina in 1981. From 2003 to 2009 wrote and directed the short films TO SHUT THE LID, FAMILY ALBUM IN FOUR INSTALLMENTS, NOW EVERYBODY SEEMS TO BE HAPPY and CYNTHIA STILL GOT THE KEYS, getting great exposure at numerous film festivals worldwide.

AHORA TODOS PARECEN CONTENTOS received the First Prize of the Cinéfondation at Cannes 2007, amongst others. And CYNTHIA STILL GOT THE KEYS was premiered at the Cannes Critics’ Week 2010.

His first feature film VILLEGAS received several supports for development and production including Hubert Bals Fund (Netherlands) and INCAA (Argentina). It had its International Premiere at Cannes Film Festival’s Official Selection 2012, and Argentinian Premiere at Bafici, where it got the Price to the Best Film by the Argentinian Film Critics Association.

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Argentina, Netherlands, France, 2012, Colour, 98 min, Spanish Režija / Director: Gonzalo Tobal Scenarij / Screenplay: Gonzalo Tobal Direktor fotografije / Director of Photography: Lucas Gaynor Montaža / Editor: Delfina Castagnino Muzika / Music: Nacho Rodríguez Zvuk / Sound: Francisco Pedemonte Scenografija / Production Design: Julieta Dolinsky Kostimografija / Costume Design: Sandra Fink Uloge / Cast: Esteban Lamothe, Esteban Bigliardi, Mauricio Minetti Producent / Producer: Benjamín Doménech, Juan Villegas, Santiago Gallelli Produkcija / Production: Rei Cine, Tresmilmundos Cine, PBK Cine Filmografija / Filmography 2012 - VILLEGAS 2010 - CYNTHIA TODAVÍA TIENE LAS LLAVES /

CYNTHIA STILL GOT THE KEYS (kratki / short) 2007 - AHORA TODOS PARECEN CONTENTOS /

NOW EVERYBODY SEEMS TO BE HAPPY

(kratki / short) 2005 - ALBUM FAMILIAR / FAMILY ALBUM IN FOUR

INSTALLMENTS (kratki / short) 2003 - CERRAR LA TAPA

(kratki dokumentarni / documentary short)

Turkey, 2012, Black & White, 12 min, Turkish Režija / Director: Abdurrahman Öner Scenarij / Screenplay: Meryem Yavuz Montaža / Editor: Mustafa Taşıtman Zvuk / Sound: Özkan Coşgun Producent / Producer: Abdurrahman Öner

Buhar / Iščezli u plavo / Vanished Into Blue Stara, sjenovita soba posmatrana s praga. U sobi se nalazi stari kauč, trpezarijski sto, TV aparat, stara peć i, odmah uz nju, ogledalo. Na TV je upravo na programu emisija koji pomaže usamljenim ženama da pronađu muškarca. Prikazuje žene koje govore kako bi se voljele udati, a zatim prati razgovore o udaji i djeci. Jedna žena priprema večeru za muža. Mrtvačku tišinu sobe prekidaju samo zvuci s televizora. Cijeli film, snimljen u jednom kadru, nudi izrazito pristrasan odgovor na decenijama staro pitanje bračne netrpeljivosti.

Filmografija / Filmography 2012 - Buhar – Vanished into Blue (kratki / short) 2011 - Daraban - Rosary (kratki / short) 2011 - Çirkin Ördek Yavrusu – Bird of Passage

(dokumentarni / documentary) 2009 - Kocaman Eller – Big Hands

(dokumentarni / documentary) 2009 - Kıvırcık Saçlı Bir Adam – A Curly Man

(dokumentarni / documentary) 2009 - Piamono (kratki / short) 2009 - Styx’i Geçmek – Crossing River Styx

(eksperimentalni / experimental) 2008 - Bakış - Look (kratki / short) 2007 - Yitik - Lost (kratki / short) 2006 - Yolculuk - Passenger (kratki / short)

Abdurrahman Öner rođen je u Mersinu (Turska), 1984. godine. Studirao je matematiku na Univerzitetu Dicle. Dobio je stipendiju za školovanje na İstanbul Kültür Üniversity, gdje je i diplomirao 2011.

Trenutno završava magistarski studiji na Univerzitetu Kadir Has, za koji je također dobio stipendiju.

E It is an old shady room seen from the room’s threshold. There is and old couch, a dining table, a TV set, an old stove, and a mirror right next to it. TV is broadcasting a matchmaking program for women. The program shows the speeches of women who want to marry and there are dialogues about marriage and children. A woman prepares dinner for her husband. The room is dead silent with the exception of TV. The camera turns with a non stop motion through the room. It is a single shot film where the final resolution to decades of marital hostility is solved with extreme prejudice.

Abdurrahman Öner was born in Mersin (Turkey) in 1984. He studied on mathematics in Dicle University. He won a scholarship about film directing in İstanbul Kültür Üniversity and graduated at 2011. He is doing his master at Kadir Has University with scholarship.

Bulgaria, 2013, Colour, 3 min, No Dialogue Režija / Director: Desislav Angelov Montaža / Editor: Desislav Angelov Muzika / Music: Alexander Ivanov Zvuk / Sound: Desislav Angelov Producent / Producer: Desislav Angelov Produkcija / Production: Val Volegna Filmografija / Filmography 2013 - THE FLIGHT (kratki animirani / short animation)

The Flight / Let Ovo je priča o pilotu koji odbacuje vlastitu stvarnost i granicu između prohujale mladosti i zrelog doba.

Prestaje brinuti o životu u ime svoje najveće strasti. Let od djetinje igre do njegovog vječnog sna.

Desislav Angelov (Val Volegna) je fotograf, grafički dizajner i animator. U svom radu u domenu videoumjetnosti fokusira se i na muziku. Njegov kratki animirani film THE FLIGHT osvojio je prvu nagradu na festivalu Sofia Short Challenge.

E A story of a pilot, renouncing his own reality and the boundary between a former youth and a ripe old age. The disregard of life in the name of his greatest passion. A flight from a child’s game to his eternal dream.

Desislav Angelov (Val Volegna) is photographer, graphic designer, and animator. His work in the field of video art is also focused on music. THE FLIGHT, a short animation, won 1st prize at the Sofia Short Challenge.

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Bosnia and Herzegovina, Hungary, 2012, Colour, 18 min, English, Bosnian

Kružni tok / Roundabout Suočen s krizom srednjih godina i propalim brakom, muškarac se zaljubljuje u ženski glas sa svoga GPS-a.

Orsi Nagypál je mađarska filmska autorica koja je pobjegla iz glamuroznog svijeta reklama kako bi studirala na Londonskoj školi filma. Diplomirala je scenarij i režiju s kratkim filmom NAKED PACT. Njen naredni kratki film, COLD SHOWER, je 2011. uvršten u takmičarski program Međunarodnog festivala kratkog filma Clermont-Ferrand. S kratkim filmom ROUNDABOUT Orsi je na 18. Sarajevo Film Festivalu osvojila Nagradu Atlantic Grupe.

Režija / Director: Orsi Nagypál Scenarij / Screenplay: Elizampetta Ilia - Georgiadou, Orsi Nagypál Direktor fotografije / Director of Photography: Máté Herbai Montaža / Editor: Gábor Divinyi Uloge / Cast: Leon Lučev, Adnan Beširović, Irina Dobnik Producent / Producer: Dragana Jovović, Milena Džambasović, Nándor Lovas Izvršni producenti / Executive Producers: Izeta Građević, Mirsad Purivatra Direktor filma / Line Producer: Almir Palata Producent za razvoj projekta / Development Producer: Alex Trăilă Koordinatorica projekta Sarajevo grad filma / Sarajevo City of Film Project Coordinator: Ivana Pekušić Produkcija / Production: Obala Art Centar Filmografija / Filmography 2013 - EAST OF PARIS (kratki / short) 2012 - ROUNDABOUT (kratki / short) 2010 - HIDEGZUHANY (kratki / short) 2010 - PAKTUM (kratki / short)

E While struggling with midlife crisis and a wrecked marriage, a man falls in love with the female voice in his GPS.

Orsi Nagypál is a Hungarian filmmaker, who escaped the glitzy world of advertising to study at the London Film School. She graduated as writer/director with the short film NAKED PACT. Her next short, COLD SHOWER was selected into the International Competition of Clermont-Ferrand in 2011.

For her short ROUNDABOUT, Orsi won the Atlantic Group Award at the 18th Sarajevo Film Festival.

Romania, 2013, Colour, 27 min, Romanian Režija / Director: Radu Jude Scenarij / Screenplay: Florin Lazarescu, Radu Jude Direktor fotografije / Director of Photography: Marius Panduru Montaža / Editor: Catalin F. Cristutiu Uloge / Cast: Alexandru Dabija, Şerban Pavlu, Mihaela Sîrbu, Olga Podaru Producent / Producer: Ada Solomon Produkcija / Production: Hi Film Productions Sf. Stefan nr.7, 023996, Bucharest, Romania +4021 252 48 67, +4021 252 48 66, ada@hifilm.ro, www.hifilm.ro

O umbră de nor / Sjena oblaka / Shadow of a Cloud Jednog olujnog ljetnog dana u Bukureštu, svećenik Florin Florescu biva pozvan da moli za jednu ženu na samrti.

Radu Jude je rođen u Bukureštu 1977. Diplomirao je 2003. na Odsjeku za film Media univerziteta. Radio je kao asistent režije. Njegov kratki film THE TUBE WITH A HAT je osvojio više od 30 međunarodnih nagrada na festivalima kao što su Sundance, San Francisco, Los Angeles, Uppsala, i drugi. Njegov kratki film ALEXANDRA je izabran u program Međunarodnog festivala kratkog filma u Clermont-Ferrandu, te nagrađen na Međunarodnom festivalu kratkog filma u Oberhausenu. Njegov igrani film EVERYBODY IN OUR FAMILY osvojio je Srce Sarajeva za najbolji igrani film 2012.

E On a torrid summer day in Bucharest, the priest Florin Florescu is called to a dying woman’s side to say a prayer.

Radu Jude was born in Bucharest, in 1977. He graduated in 2003 from the Filmmaking Department of Media University. He has worked as assistant director. His short film THE TUBE WITH A HAT was awarded with more then 30 international prizes at Sundance, San Francisco, Los Angeles, Uppsala etc. His next short, ALEXANDRA, was selected at Clermont-Ferrand, and awarded at Oberhausen. His feature EVERYBODY IN OUR FAMILY won Heart of Sarajevo for the best feature at the 2012 Sarajevo Film Festival.

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Filmgrafija / Filmography 2013 - SHADOW OF A CLOUD (kratki / short) 2012 - EVERYBODY IN OUR FAMILY 2009 - THE HAPPIEST GIRL IN THE WORLD 2007 - ALEXANDRA (kratki /short) 2006 - THE TUBE WITH A HAT (kratki / short)

Sarajevo grad filma / Sarajevo City of Film

176 Godišnji na moru / Holiday at the Seaside, Cristina Groşan 176 Jutarnje molitve / Morning Prayers, Konstantina Kotzmani, Katarina Stanković 177 Moja! Moja! Moja sobica! / My! My! My little room!, Barbara Vekarić

Sarajevo grad filma 2013 Sarajevo City of Film 2013

Ivana Pekušić

Sarajevo grad filma je projekat koji, u svojoj šestoj godini postojanja, nastavlja otkrivati i promovirati autore “mlade” regionalne filmske scene. I ove godine su timove, okupljene oko produkcije filmova, sačinjavali režiseri, glumci, producenti i scenaristi, učesnici prethodna dva izdanja Sarajevo Talent Campusa.

E Sarajevo City of Film is a project that, in its 6th year, continues to discover and promote authors of the “young” regional film scene. Once again this year, the teams gathered around our film productions comprised directors, actors, producers and scriptwriters – participants in the last two editions of the Sarajevo Talent Campus.

Tokom proljeća ove godine, učesnici odabranih projekata imali su mnogo izazova pred sobom: tri dana snimanja po filmu, jednaku opremu i budžet na raspolaganju, stranu ekipu i relativno nepoznat grad. Na izazove su smjelo odgovorili stvaranjem triju kratkometražnih filmova: JUTARNJE MOLITVE, GODIŠNJI NA MORU, MOJA! MOJA! MOJA SOBICA! Autorice Katarina Stanković i Konstantina Kotzamani, Cristina Groşan, te Barbara Vekarić su dokazale da mogu djelovati u zadanim okvirima, odgovoriti na eventualne jezičke barijere i dovršiti filmove u rokovima, i pored činjenice da su filmske ekipe internacionalnog sastava i da učesnici dolaze iz Bosne i Hercegovine, Grčke, Hrvatske, Mađarske i Srbije. Premijerna prikazivanja njihovih filmova sa zadovoljstvom iščekujemo na velikom platnu tokom trajanja 19. Sarajevo Film Festivala.

In the spring this year, participants in selected projects faced numerous challenges: three filming days per film, same equipment and budget on their disposal, a foreign crew and a relatively foreign city. They responded to these challenges with courage and creativity of their three short films: MORNING PRAYERS, Holiday at the Seaside and MY!MY!MY!MY LITTLE ROOM! Authors Katarina Stanković and Konstantina Kotzamani, Cristina Groşan and Barbara Vekarić have proven that they can function within a set framework, overcome possible language barrier and complete films by deadline despite working with international film crews comprising participants from Bosnia-Herzegovina, Greece, Croatia, Hungary and Serbia. We eagerly await the big screen premiers of their films during the 19th Sarajevo Film Festival.

Uspješna saradnja s glavnim partnerom projekta, Atlantic Grupom, omogućit će i ove godine da autorica ili autorski dvojac bude nagrađena / nagrađen te će se na taj način podstaknuti njen ili njihov daljnji rad.

Due to successful cooperation with the main partner on this project, Atlantic Group, the best author or a group of authors will again be awarded this year and thus encouraged in their future work.

Pored spomenuta tri naslova projekta Sarajevo grad filma 2013, dva iskusnija autora će nas iznenaditi svojim ostvarenjima, snimljenim krajem 2012. u okviru izdanja Sarajevo grad filma Specijal. Povod ovom posebnom izdanju je bilo obilježavanje malog jubileja - petogodišnjice postojanja projekta, dok je primarni cilj bio prikazati filmove koji će poslužiti kao inspiracija autorima koji tek dolaze. Možemo reći: i inspiracija autoricama Sarajevo grad filma 2012, ekipama okupljenim oko njihovih filmova, autorima u usponu, svim učesnicima sedmog izdanja Sarajevo Talent Campusa i ostaloj zainteresiranoj publici. Radujemo se projekcijama filmova pod okriljem brenda Sarajevo Film Festivala i projekta Sarajevo grad filma.

In addition to the three above mentioned films produced within the 2013 Sarajevo City of Film program, two experienced authors will surprise us with their films made at the end of 2012 as part of the Sarajevo City of Film Special edition.

Approach of a small jubilee – the fifth anniversary of the project – was the reason to organize a special edition, but our main aim was to screen films that will inspire future authors, but also serve as an inspiration to the participants of the 2012 Sarajevo City of Film program, crews gathered around their projects, authors on their way up, participants of the 7th edition of the Sarajevo Talent Campus and general audience.

We are looking forward to screening of the films produced under the Sarajevo Film Festival label and within the Sarajevo City of Film project.

Ivana Pekušić, koordinatorica programa Sarajevo grad filma / Coordinator of the Sarajevo City of Film Programme

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Bosnia and Herzegovina, Romania, 2013, Colour, 16 min, Romanian

Godišnji na moru / Holiday at the Seaside Trinaestogodišnja Amalia na dan prije odlaska na more s roditeljima prvi put dobija menstruaciju.

Pošto joj je majka previše brižna, a istovremeno suzdržana, Amalia odluči da se sama pobrine za taj “problem”. Nije ni svjesna da će to uskoro postati najmanji od svih njenih problema.

Režija / Director: Cristina Groşan Scenarij / Screenplay: Cristina Groşan, Ştefan Statnic Direktor fotografije / Director of Photography: Ákos Nyoszoli Montaža / Editor: Anna Meller Uloge / Cast: Mara Purza, Andreea Vasile, Ştefan Statnic, Andreea Lavinia Onuţă Producent / Producer: Dóra Nedeczky, Dragana Jovanović, Luka Venturin Izvršni producenti / Executive Producers: Izeta Građević, Jovan Marjanović, Mirsad Purivatra Direktor film / Line Producer: Alex Trăilă Development Producer: Alex Trăilă Koordinatorica projekta Sarajevo grad filma / Sarajevo City of Film Project Coordinator: Asja Makarević Producentska kuća / Production Company: Obala Art Centar

E Amalia, a girl of thirteen, gets her first period one day before leaving for the seaside with her parents. Having an over-caring but distant mother, she decides to take care of the “issue” by herself.

Little does she know that soon, this will be the smallest problem she has.

Bosnia and Herzegovina, Greece, Serbia, 2013, Colour, 21 min, Bosnian

Jutarnje molitve / Morning Prayers Djevojka i momak upoznaju se u toaletu jednog kluba. Oboje na drogama, besciljno šetaju ulicama Sarajeva. Završavaju u nekom stanu, izvode ludosti i maze se. Sve dok bezbrižnu atmosferu ne prekine prisustvo treće osobe.

E A boy and a girl meet in club’s toilet. High on drugs, they walk the streets of Sarajevo aimlessly.

They end up in an apartment, fooling around, making out. Until this careless atmosphere is interrupted by someone else’s presence.

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Režija / Director: Konstantina Kotzmani, Katarina Stanković Scenarij / Screenplay: Konstantina Kotzamani, Maša Seničić, Katarina Stanković Direktor fotografije / Director of Photography: Giorgos Karvelas Montaža / Editor: Smaro Papaevangelou Uloge / Cast: Ismir Gagula, Hana Pašić, Serafedin Redžepov Producent / Producer: Dragana Jovanović, Luka Venturin, Dóra Nedeczky Izvršni producenti / Executive Producers: Izeta Građević, Jovan Marjanović, Mirsad Purivatra Direktor filma / Line Producer: Alex Trăilă Producent za razvoj projekta/Development Producer: Alex Trăilă Koordinatorica projekta Sarajevo grad filma / Sarajevo City of Film Project Coordinator: Asja Makarević Producentska kuća / Production Company: Obala Art Centar

Bosnia and Herzegovina, Croatia, 2013, Colour, 15 min, Bosnian

Moja! Moja! Moja sobica! / My! My! My little room!

Najstarija sestra sprema se za studij u inostranstvu dok mlađi brat i sestra započinju borbu oko njene sobice. Oboje žele iseliti iz velike sobe u kojoj spavaju s roditeljima, te konačno dobiti malo privatnosti.

Režija / Director: Barbara Vekarić Scenarij / Screenplay: Barbara Vekarić Direktor fotografije / Direktor of Photography: Filip Tot Montaža / Editor: Monika Drahotuski Uloge / Cast: Larisa Gagula, Ismir Gagula, Gordana Boban, Izudin Bajrović, Ena Kurtalić, Ravijojla Jovančić - Lešić Producent/ Producer: Dragana Jovanović, Luka Venturin, Dora Nedeczky Izvršni producenti / Executive Producers: Izeta Građević, Jovan Marjanović, Mirsad Purivatra Direktor filma / Line Producer: Alex Trăilă Producent za razvoj projekta / Development Producer: Alex Trăilă Koordinatorica projekta Sarajevo grad filma / Sarajevo City of Film Project Coordinator: Asja Makarević Producentska kuća / Production Company: Obala Art Centar

E The oldest sister is moving abroad for college, and her younger brother and sister start a battle for her little room. They both want to move out of the big room where they sleep with their parents and finally get some privacy.

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Human Rights Day

182 L’escale / Usputna stanica / Stop-Over, Kaveh Bakhtiari 183 Mutasalilun / Infiltratori / Infiltrators, Khaled Jarrar 184 Though I Know the River Is Dry / Iako znam da je sve presuťilo, Omar Robert Hamilton

Human Rights Day

Dan ljudskih prava na Sarajevo Film Festivalu Sarajevo Film Festival će, već petu godinu zaredom, biti domaćin Dana ljudskih prava, koji se organizira u saradnji s Ambasadom Švicarske i Saveznim ministarstvom vanjskih poslova Švicarske.

Dan ljudskih prava bit će obilježen u ponedjeljak, 19. augusta 2013. godine.

Tim povodom, u multiplex kinu Cinema City bit će upriličene projekcije dvaju filmova: THOUGH I KNOW THE RIVER IS DRY, režisera Omara Roberta Hamiltona i INFILTRATORS u režiji Khaleda Jarrara. Nakon projekcije režiseri filmova učestvovat će u razgovoru s publikom.

Nakon projekcije filmova, u saradnji s Ambasadom Švicarske, bit će također održana i panel diskusija pod nazivom „Do You Remember Palestine?“. Moderatorica panela bit će Sabina Čudić, politologinja.

E Human Rights Day at the Sarajevo Film Festival For the fifth consecutive year, the Sarajevo Film Festival will host the Human Rights Day organized in cooperation with the Embassy of Switzerland and the Swiss Federal Department of Foreign Affairs.

Human Rights Day will be held on Monday, August 19, 2013.

On that occasion, two films—THOUGH I KNOW THE RIVER IS DRY directed

by Omar Robert Hamilton and Khaled Jarrar’s INFILTRATORS —will be screened at the Cinema City multiplex. After the screenings, the directors will take part in a discussion with the audience.

After the screenings, a panel debate entitled “Do You Remember Palestine?” will also be held. The debate organized in cooperation with the Swiss Embassy to Bosnia-Herzegovina will be moderated by political scientist Sabina Čudić.

Dan obilježavanja ljudskih prava okončat će se projekcijom filma STOP – OVER, režisera Kaveha Bakhtiaria. Film će biti prikazan u saradnji s International Film Festival & Forum on Human Rights iz Ženeve.

Sarajevo Film Festival kroz svoj Takmičarski program – dokumentarni film prikazuje filmove inspirirane različitim aspektima ljudskih prava, te ovim posebnim događajem, obilježavanjem Dana ljudskih prava, Sarajevo Film Festival nastoji dodatno skrenuti pažnju na važnost filma kao značajnog i moćnog medija u promociji ljudskih prava.

The Human Rights Day will close with the screening of Kaveh Bakhtiari’s STOP-OVER. The film will be screened in cooperation with the Geneva Film Festival and the Human Rights Forum.

The Sarajevo Film Festival’s Competition Program - Documentary Film is a showcase for documentaries inspired by various human rights issues, but with its special Human Rights Day, the Festival aims to further emphasize the importance of film as a powerful and significant media for the promotion of human rights.

Filmovi i teme, koje se svake godine biraju za obilježavanje Dana ljudskih prava, pružaju šansu učesnicima panel diskusija, gledaocima i medijima da diskutuju o akutnim problemima pojedinca ili zajednice u današnjem svijetu.

Each year, the films and topics are chosen for the Human Rights Day that inspire panel participants, the audience and the media to focus on and discuss the pressing problems faced by individuals and communities around the world.

Na svečanoj ceremoniji dodjele nagrada Sarajevo Film Festivala bit će dodijeljena i Nagrada za ljudska prava. Ova nagrada dodjeljuje se za najbolji film iz Takmičarskog programa – dokumentarni film, koji obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3000 eura osigurava Savezno ministarstvo vanjskih poslova Švicarske.

The Sarajevo Film Festival also presents in its’ final awards ceremony a special Human Rights Award. The award is given to the best film that deals with a human rights issue from the Competition Program – Documentary Film section of the festival. The monetary prize of 3,000 Euros is provided by the Swiss Federal Department of Foreign Affairs.

HUMAN RIGHTS DAY l 19. Sarajevo Film Festival 181

L’escale / Usputna stanica / Stop-Over U Atini Amir, iranski imigrant, ima skroman stan koji je postao tranzitno mjesto za imigrante koji su odlučili napustiti svoju državu. Ali Grčka je samo usputna stanica, jer se svi oni nadaju da će doći do drugih zapadnih država. Svi su zaglavili kod Amira, nadajući se da će nabaviti dokumente, uspostaviti kontakte i naći krijumčara u čije ruke bi mogli prepustiti svoju sudbinu.

Kaveh Bakhtiari je rođen u Teheranu, a odrastao je u Švicarskoj, gdje se doselio kad mu je bilo osam godina. Nakon studija filma na ECAL u Lausannei od 1999. do 2003, Bakhtiari je prvi put privukao pažnju na sebe svojim kratkim filmom THE SUITCASE, koji je pozvan na mnoge festivale širom svijeta, gdje je osvajao i nagrade, uključujući Ženevu (Nagrada za najbolji švicarski kratki film), Regensburg (Nagrada publike), Trst, Tampere, Edinburg, Sydney, Festroiu, Cine Jove Valence, Ficfa Moncton i Badalonu. Godine 2009. nominiran je za NHK, međunarodnu nagradu filmskih nagrada instituta Sundance. STOP-OVER, koji je izabran da bude prikazan u okviru programa Quinzaine des Réalisateurs na festivalu u Cannesu 2013, njegov je prvi dugometražni dokumentarni film.

E In Athens, Amir, an Iranian immigrant, has a modest flat which has become a place of transit for migrants have chosen to leave their country. But Greece is only a stop-over, all of them hoping to reach other Western countries. They find themselves stuck at Amir’s, hoping for ID documents, contacts and the smuggler to whom they might entrust their destiny.

Kaveh Bakhtiari was born in Tehran, and grew up in Switzerland, where he moved at the age of 8.

After his film studies at ECAL in Lausanne (1999-2003), Bakhtiari first drew attention with his first short film, THE SUITCASE, which was selected for and won awards in many festivals around the world: Geneva (Award for Best Swiss short film), Regensburg (Audience award), Trieste, Tampere, Edinburg, Sydney, Festroia, Cine Jove Valence, Ficfa Moncton, Badalona...In 2009, he was nominated for the Sundance Institute-NHK International Filmmaker’s Award. STOP-OVER, selected for presentation as part of the Directors’ Fortnight (Quinzaine des Réalisateurs) at the Cannes Festival 2013, is his first feature-length documentary.

Selected by: FIFDH Geneve 182 19. Sarajevo Film Festival l HUMAN RIGHTS DAY

Switzerland, France, 2013, Colour, 100 min, French, Persian Režija / Director: Kaveh Bakhtiari Direktor fotografije / Director of Photography: Kaveh Bakhtiari Montaža / Editor: Kaveh Bakhtiari, Charlotte Tourres, Sou Abadi Zvuk / Sound: Kaveh Bakhtiari Producent / Producer: Elisabeth Garbar, Heinz Dill Produkcija / Production: Louise Productions, Kaleo Films Louise Productions, Elisabeth GARBAR & Heinz DILL, Avenue de France 60, 1004 Lausanne, Switzerland +41 21 624 6116, info@louiseproductions.ch www.louiseproductions.ch Kaléo Films, Olivier CHARVET & Sophie GERMAIN, 24 impasse Mousset, 75012 Paris, +331 48 01 86 50 contact@kaleo-films.com, www.kaleo-films.com Kontakt / Contact: DOC & FILM INTERNATIONAL +33 1 42 77 56 87, Sales@docandfilm.com, www.docandfilm.com Filmografija / Filmography 2007 - LA VALISE / THE SUITCASE (kratki / short) 2013 - L’ESCALE / STOP-OVER

(dokumentarni / documentary)

Mutasalilun / Infiltratori / Infiltrators Kontrolni punkt je zatvoren; “Okolo, okolo”, zagalamio je taksista, najavljujući početak još jednog nesigurnog traženja načina kako zaobići prepreke čija je svrha ograničiti kretanje Palestinaca na Zapadnoj obali. INFILTRATORS je instinktivni road movie koji bilježi svakodnevne muke Palestinaca najrazličitijih životnih iskustava u potrazi za načinima prolaska kroz, ispod, oko i preko izluđujuće kompliciranih prepreka.

Nakon ove vrlo rizične “igre” mačke i miša snimljene tehnikom kamere iz ruke, dokumentarac Khaleda Jarrara je postigao zapažen uspjeh na Međunarodnom filmskom festivalu u Dubaiju 2012, gdje je osvojio Muhr nagradu za najbolji arapski dokumentarni film, Posebnu nagradu žirija i Nagradu međunarodnih kritičara.

Khaled Jarrar, rođen u Jeninu, diplomirao je dizajn interijera na Politehničkom univerzitetu u Palestini 1996, te se potom počeo baviti fotografijom 2004. godine. Godine 2011. diplomirao je vizualnu umjetnost na Međunarodnoj akademiji za umjetnost u Palestini. Njegova prva izložba održana je u javnim prostorima na kontrolnim punktovima u Howarri i Qalandyi. Jarrar je počeo snimati filmove i spotove 2008, uključujući i JOURNEY 110. Učestvovao je na međunarodnim umjetničkim manifestacijama kao što su Art Basel 41, Instant Video, London Film Festival, te na Međunarodnom sajmu savremene umjetnosti FIAC u Parizu, berlinskom Bijenaleu 7 2012, i Sharjah Bijenaleu 11 2013.

Palestine, United Arab Emirates, Lebanon, 2012, Colour, 70 min, Arabic Režija / Director: Khaled Jarrar Direktor fotografije / Director of Photography: Khaled Jarrar Montaža / Editor: Gaeten Harem Zvuk / Sound: Carl Svensson Producent / Producer: Sami Said, Mohanad Yaqubi Produkcija / Production: Idioms Film Sami Said, +970 598 959 714, Sami@idiomsfilm.com www.idiomsfilm.com Filmografija / Filmography 2013 - INFILTRATORS (dokumentarni / documentary) 2009 - JOURNEY 110 (dokumentarni / documentary)

E The checkpoint is closed: “Detour, detour!” shouts a taxi driver, announcing the beginning of yet another uncertain search for a way around the barriers curtailing Palestinian movement in the West Bank. INFILTRATORS is a visceral “road movie” that chronicles the daily travails of Palestinians of all backgrounds as they seek routes through, under, around, and over a bewildering matrix of barriers.

Following this high stakes “game” of cat and mouse with a handheld video camera, Khaled Jarrar’s documentary was the standout success at the 2012 Dubai International Film Festival, winning the Muhr Arab Documentary Prize, the Special Jury Prize, and the International Critics Prize.

Khaled Jarrar, born in Jenin, completed his studies in Interior Design at the Palestine Polytechnic University in 1996, and then entered the field of photography in 2004. In 2011 he graduated as visual artist from the International Academy of Art - Palestine. His first exhibition took place in public space at the checkpoints of Howarra and Qalandya. Jarrar started making films and videos in 2008, among them JOURNEY 110. He took part in international art events such as Art Basel 41, Instant video, London Film Festival, the International Contemporary Art Fair “FIAC” in Paris, Berlin Biennale 7 in 2012 and Sharjah Biennial 11 in 2013.

HUMAN RIGHTS DAY l 19. Sarajevo Film Festival 183

Egypt, Palestine, Qatar, United Kingdom, 2013, Colour, 19 min, Arabic

Though I Know the River Is Dry / Iako znam da je sve presušilo Priča počinje po njegovom povratku u Palestinu. Na svom putu kroz zemlju, on ponovo proživljava traume iz prošlosti i izbor koji ga je odveo do Amerike – izbor između pasoša za njegovo nerođeno dijete i utočišta za njegovog brata, aktivistu.

Omar Robert Hamilton je nezavisni filmski radnik, producent Palestinskog festivala književnosti i osnivač kolektiva Mosireen u Kairu. Njegov prvi kratki film MAYDOUM, rađen je po scenariju autora bestselera Ahdaf Soueifa. Drugi film WHEN I STRETCH FORTH MINE HAND, prikazan je na međunarodnim festivalima. Od 2011. godine snimio je desetine dokumentarnih filmova o Egipatskoj revoluciji, zbog čega je Mosireen postao najgledaniji neprofitni YouTube kanal svih vremena u Egiptu.

E The strory started when he returned to Palestine. On his journey through the country he relives the trauma of his past and the choice that sent him to America - a choice between a passport for his unborn child and a safe haven for his activist brother.

Omar Robert Hamilton is an independent filmmaker, producer of the Palestine Festival of Literature and a founding member of the Mosireen Collective in Cairo. His first short, MAYDOUM, is based an original script written with best-selling author, Ahdaf Soueif. His second, WHEN I STRETCH FORTH MINE HAND was shown at several international festivals. Since 2011 he has made dozens of documentaries on the Egyptian Revolution, helping to make Mosireen the most watched non-profit YouTube channel in Egypt of all time.

184 19. Sarajevo Film Festival l HUMAN RIGHTS DAY

Režija / Director: Omar Robert Hamilton Scenarij / Screenplay: Omar Robert Hamilton Direktor fotografije / Director of Photography: Omar Robert Hamilton Montaža / Editor: Omar Robert Hamilton Zvuk / Sound: Basel Abbas Scenografija / Production Design: Bashar Hasouneh Uloge / Cast: Kais Nashef, Maya Abu Alhayyat, Selwa Nakkara, Hussam Ghosheh Producent / Producer: Louis Lewarne Produkcija / Production: RiverDry Film www.riverdryfilm.com Filmografija / Filmography 2013 - THOUGH I KNOW THE RIVER IS DRY

(kratki / short) 2012 - THE PEOPLE DEMAND THE FALL OF THE REGIME

(kratki dokumentarni / short documentary) 2011 - THE CAMEL BATTLE

(kratki dokumentarni / short documentary) 2011 - THE MOSIREEN COLLECTIVE 2010 - MAYDOUM (kratki / short) 2010 - WHEN I STRETCH FORTH MINE HAND

(kratki / short)

Fondacija Katrin Cartlidge / Katrin Cartlidge Foundation

Fondacija Katrin Cartlidge 2013. / Katrin Cartlidge Foundation 2013

Motivirana inspirativnim likom i djelom Katrin Cartlidge, namjera Fondacije je da novim talentima, perspektivama i stavovima pruži priliku da se vide i čuju. Posljednjih devet godina, Fondacija je iz kruga Katrininih brojnih prijatelja i kolega birala kustosa, koji bi odabrao dobitnika godišnje stipendije. Dobitnik je uvijek novi filmski glas čiji rad, na neki način, utjelovljuje Katrinin integritet duha i predanost nezavisnom filmu.

Zahvalni smo na velikodušnosti i vizijama kustosa koji su pridonijeli dosadašnjem radu Fondacije: glumcima Charlotte Rampling, Emily Watson, Jeremyju Ironsu i Stellanu Skarsgårdu, režiserima Mikeu Leighu, Simonu McBurneyu i Danisu Tanoviću, kao i Johnu Lyonsu, Annie Nocenti i fotografu Jürgenu Telleru.

E Motivated by Katrin’s inspiring presence, the Foundation’s work is to give new voices, new perspectives and visions a chance to be seen and heard. For the last nine years the Foundation has appointed a curator, selected from Katrin’s eclectic and extensive friends and colleagues, who in turn chooses a recipient for the annual bursary. The recipient is a new cinematic voice whose work, in some way, embodies Katrin’s integrity of spirit and commitment to independent film.

We are grateful for the generosity and vision of our curators to date; The actors Charlotte Rampling, Emily Watson, Jeremy Irons and Stellan Skarsgard, directors Mike Leigh, Simon McBurney and Danis Tanovic, as well as John Lyons, Annie Nocenti and photographer Jürgen Teller.

Ovogodišnji dobitnik nagrade će biti predstavljen 22. augusta na posebnoj gala manifestaciji u !hej kinu Open Air.

This years Award recipient will be presented on August 22nd at !hej Open Air Cinema gala event.

Danny Glover – kustos Fondacije Katrin Cartlidge 2013.

Sarajevo Film Festival s velikim zadovoljstvom objavljuje da je ovogodišnji kustos Katrin Cartlidge Fondacije – Danny Glover. Eminentni glumac, producent i humanitarac, pridružit će nam se u Sarajevu, gdje će predstaviti ovogodišnjeg dobitnika nagrade Fondacije Katrin Cartlidge.

Danny Glover se pojavljuje na teatarskim pozornicama i malim i velikim ekranima već više od 25 godina. Kao glumac igra u blockbusterima poput LETHAL WEAPON, sve do malih, nezavisnih filmova, od kojih je neke i sam producirao. Posljednjih godina je igrao u brojnim filmovima, od odlično prihvaćenog DREAMGIRLS, režisera Billa Condona, do futurističke priče 2012, režisera Rolanda Emmericha. Uz to, Glover je i veoma popularan javni govornik čija se obraćanja i dirljivi govori mogu čuti u koledžima, na sindikalnim skupovima i poslovnim konferencijama.

Danny Glover Curator of Katrin Cartlidge Foundation 2013 Sarajevo Film Festival has great pleasure to announce that Danny Glover is curating the Katrin Cartlidge Foundation Award for 2013. The prominent actor producer and humanitarian will join us in Sarajevo to present this year’s Katrin Cartlidge Foundation Award Winner.

Danny Glover has been a commanding presence on screen, stage and television for more than 25 years. As an actor, his film credits range from the blockbuster LETHAL WEAPON franchise to smaller independent features, some of which Glover also produced. In recent years he has starred in an array of motion pictures including the critically-acclaimed DREAMGIRLS directed by Bill Condon and in the futuristic 2012 for director Roland Emmerich. In addition to his film work, Glover is highly sought after as a public speaker, delivering inspiring addresses and moving performances in such diverse venues as college campuses, union rallies and business conventions.

Glover je veoma cijenjen i zbog svog aktivizma i dobrotvornog rada, posebno kroz programe koji zagovaraju ekonomsku sigurnost, pružanje zdravstvene njege i obrazovanje u Sjedinjenim Američkim Državama i Africi.

DYANA GAYE, DOBITNICA NAGRADE KATRIN CARTLIDGE FONDACIJE 2013.

Glover has gained respect for his wide-reaching community activism and philanthropic efforts, with a particular emphasis on advocacy for economic justice and access to health care and education programs in the United States and Africa.

DYANA GAYE, KATRIN CARTLIDGE FOUNDATION AWARD RECIPIENT 2013

KATRIN CARTLIDGE FOUNDATION l 19. Sarajevo Film Festival 187

Deweneti Iako živi kao prosjak na ulicama Dakara, mladi učač Kur’ana Ousman osmijehom nagrađuje prolaznike koji mu ukažu milost i spuste novčić u njegovu posudu za prošnju. Zahvalan za milostinju koju dobija, Ousman jednoga dana odluči napisati pismo Djedu Mrazu kako bi ga zamolio da vrati dobročinstvo njegovim dobročiniteljima. Ali dječaku koji ne zna pisati ni čitati takvu je odluku lakše donijeti nego ostvariti. DEWENETI (što na jeziku wolof znači sretni praznici) je nagrađivani film koji slavi sposobnost osjećanja i iskazivanja zahvalnosti.

Dyana Gaye je rođena u Parizu 1975, a zvanje magistrice filma stekla je na Univerzitetu VIII - SaintDenis u Parizu. Gaye je 1999. osvojila Louis Lumière - Villa Medicis Hors les murs, stipendiju za svoj scenarij UNE FEMME POUR SOULEYMANE, za koji je također nagrađena na više međunarodnih festivala. U međuvremenu, Gaye je nekoliko godina radila kao urednica programa pri Agenciji za distribuciju nezavisnog filma ACID. Gaye je 2004. napravila J’AI DEUX AMOURS, jedan od 15 kratkih filmova u sklopu omnibusa pod zajedničkim naslovom PARIS, LA MÉTISSE . Njen posljednji kratki film DEWENETI je osvojio više nagrada, a nominiran je i za nagradu César u kategoriji kratkog filma 2008.

E Despite being a beggar on the streets of Dakar, the young koranic student Ousmane still has a smile to spare for the passersby who take pity on the little boy with his begging bowl. Grateful for the generosity he encounters, he one day decides to write a letter to Father Christmas to ask him for help to give back to his benefactors. This is easier said than done however for a boy who does not know how to read and write.

DEWENETI (Season’s Greetings in Wolof) is an award-winning short film that celebrates the ability to express and feel gratitude.

Dyana Gaye was born in Paris in 1975, and graduated from the University of Paris VIII - Saint-Denis with a Master of Film Studies. In 1999, she won the Scholarship Louis Lumière - Villa Medicis Hors les murs for her screenplay UNE FEMME POUR SOULEYMANE and which will obtain numerous awards at international festivals. Meanwhile, Dyana Gaye worked as a programmer to ACID (Agency for the Independent Film Distribution) for several years. In 2004, she realized J’AI DEUX AMOURS that is part of a series of 15 short films titled PARIS, LA MÉTISSE. Her latest short film, DEWENETI has received numerous awards and was nominated for the César for short film in 2008.

188 19. Sarajevo Film Festival l FONDACIJA KATRIN CARTLIDGE

Senegal, France, 2006, Colour, 15 min, Wolof Režija / Director: Dyana Gaye Scenarij / Screenplay: Rémi Mazet Direktor fotografije / Director of Photography: Rémi Mazet Montaža / Editor: Gwen Mallauran Muzika / Music: Baptiste Bouquin Zvuk / Sound: Alioune M’Bow Uloge / Cast: Abbase Ba, Omar Seck, Nianga Diop Producent / Producer: Eric Idriss Kanango Produkcija / Production: Andolfi, Ika 964 Filmografija / Filmography 2013 - DES ÉTOILES 2010 - UN TRANSPORT EN COMMUN 2006 – DEWENETI (kratki / short) 2005 - J’AI DEUX AMOURS (kratki / short) 2000 - UNE FEMME POUR SOULEYMANE

Sarajevo Film Festival Partner Presents Doha Film Institute

192 La saintetĂŠ / Svetinja / Sanctity, Ahd 193 A World Not Ours / Svijet koji nije naĹĄ, Mahdi Fleifel

190 19. Sarajevo Film Festival l Doha Film Institute

Doha Film Institute

Doha institut za film Doha institut za film (DFI) je nezavisna i neprofitna kulturna institucija osnovana 2010. Institut pomaže razvoju lokalne filmske zajednice unapređenjem stručnog znanja, njegovanjem ljubavi prema filmu i doprinosom razvoju samoodrživih kreativnih industrija u Kataru.

Aktivnosti Instituta uključuju finansiranje i produkciju lokalnih, regionalnih i međunarodnih filmova, obrazovnih programa, prikazivanje filmova, te organizaciju Filmskog festivala za mlade Ajyal i Filmskog festivala Qumra.

Primarno usmjeren na kulturu, razvoj zajednice, obrazovanje i zabavu, Institut služi kao centar filmske industrije u Dohi, kao i regionalni i svjetski filmski centar za resurse. DFI je predan viziji Katara da se do 2030. ostvari kao ekonomija zasnovana na znanju.

E About Doha Film Institute: Doha Film Institute (DFI) is an independent, not-for-profit cultural organisation established in 2010. It organically supports the growth of the local film community by enhancing industry knowledge, cultivating film appreciation and contributing to the development of sustainable creative industries in Qatar.

DFI’s platforms include funding and production of local, regional and international films, educational programmes, film screenings, the Ajyal Film Festival for the Young and the Qumra Film Festival.

With culture, community, education and entertainment at its foundation, DFI serves as an all-encompassing film hub in Doha, as well as a resource for the region and the rest of the world.

DFI is committed to supporting Qatar’s 2030 vision for the development of a knowledge-based economy.

Puni naziv / Full name: DOHA FILM INSTITUTE Adresa / Address: KATARA CULTURAL VILLAGE, P.O. BOX 23473, DOHA, QATAR Telefon / Telephone number: +974 44200505 E-mail: info@dohafilminstitute.com Web: www.dohafilminstitute.com Doha Film Institute l 19. Sarajevo Film Festival 191

La sainteté / Svetinja / Sanctity Saudijska Arabija. Mlada trudnica Areej iznenada ostaje udovica. U skladu s tradicijom, pošto je Areej siroče, porodica njenog preminulog supruga trebala bi je izdržavati. Ali Abdullah, njen djever, ne mari za to. Abdullahu je brat dugovao novac i on zahtijeva od Areej da otplati dug zaprijetivši da će joj, u suprotnom, oduzeti kuću.

Areej pokušava pronaći posao, ali to je u Saudijskoj Arabiji težak zadatak za siromašnu ženu kao što je ona. Stvari se mijenjaju kada Areej upoznaje Alija, mladog beskućnika iz Jemena.

Ahd, rođena u Saudijskoj Arabiji, nagrađivana je filmska autorica i glumica koja radi na relaciji između New Yorka i arapskog svijeta. Njen prvi film AL GONDOJRI / OBUĆAR proglašen je najboljim bliskoistočnim kratkim filmom na Međunarodnom festivalu u Beirutu i nagrađen je festivalskom nagradom Zlatni alef. Istim je filmom osvojila i nagrade na međunarodnim filmskim festivalima u Dubaiju i Oranu, u Alžiru. AL GONDOJRI / OBUĆAR je uvršten u takmičarski program niza međunarodnih filmskih festivala, uljučujući i prestižni Međunarodni festival kratkog filma u Clermont-Ferrandu, u Francuskoj. Ahd je za svoj glumački debi u filmu RAZAN osvojila nagradu Golden Gate Međunarodnog filmskog festivala u San Franciscu. Ostvarila je i ulogu u filmu WADJDA, prvom saudijskom igranom filmu koji je premijerno prikazan na Međunarodnom filmskom festivalu u Veneciji. Po završetku svog drugog kratkog filma SANCTITY / SVETINJA, Ahd je započela rad na svom prvom igranom filmu.

E Saudi Arabia. Areej, a pregnant young woman, suddenly becomes a widow. Since she’s an orphan and according to the tradition she should be supported financially by her in-laws. But Adbullah, her brother in law, doesn’t care. His brother owed him money and he asks Areej to repay the debt in question, otherwise he will take her house.

Areej tries to get a job but in Saudi Arabia, for a poor woman like her, it’s tough, until she bumps into Ali, a young homeless yemeni.

Ahd, a native of Saudi Arabia, is an award winning filmmaker and actress working between New York City and the Arab world. Her first film, AL GONDOJRI / THE SHOEMAKER, won The Golden Aleph for Best Middle Eastern Short at Beirut International Film Festival, and prizes at the Gulf Film Festival, Dubai, and Oran, Algeria. The short competed at over a dozen international film festivals including the prestigious Clermont-Ferrand Short Film Festival in France. In her acting debut RAZAN, she won the Golden Gate Award at the San Francisco International Film Festival. Ahd co-stars in WADJDA, Saudi first feature film which premiered at Venice International Film Festival. She also completed her second short SANCTITY. She is currently developing her first feature.

Curated by Doha Film Institute

192 19. Sarajevo Film Festival l Doha Film Institute

France, Saudi Arabia, 2013, Colour, 37 min, Arabic Režija / Director: Ahd Direktor fotografije / Director of Photography: Tristan Tortuyaux Montaža / Editor: Léa Masson Muzika / Music: Jonsi and Alex Zvuk / Sound: Laurent Blahay Uloge / Cast: Ahd, Mohammed Baker, Mohammed Osman Producent / Producer: Jerome Bleitrach Produkcija / Production: BIZIBI Filmografija / Filmography 2013 - LA SAINTETÉ / SANCTITY (kratki / short) 2009 - AL GONDOJRI / THE SHOEMAKER (kratki / short) 2006 - THREE QUEENS (kratki / short)

A World Not Ours / Svijet koji nije naš SVIJET KOJI NIJE NAŠ je intiman i duhovit portret triju generacija jedne porodice u izbjegličkom centru Ain el-Helweh, u južnom Libanu. Zasnovan na obilju privatnih snimaka, porodičnih arhiva i historijskog videomaterijala, film je nježna i prosvjetljujuća studija pitanja pripadnosti, prijateljstva i porodice.

Uradak koji su preko dvadeset godina snimali pripadnici više generacija iste porodice – SVIJET KOJI NIJE NAŠ je više od običnog porodičnog portreta. To je pokušaj da se sačuva ono što se počelo zaboravljati, da se označi ono što ne bi trebalo nestati iz kolektivnog sjećanja.

Film, također, govori o Fleifelovom dugogodišnjem prijatelju Abu Eyadu. Dva muškarca dijele strast prema palestinskoj politici, melanholičnoj muzici i nogometu. Tokom svjetskog prvenstva u nogometu, Palestinci utakmice gledaju na televiziji u dućanu sa sportskom opremom. Tokom par sedmica postaju Brazilci, Nijemci ili Italijani. Ali dok Fleifel može doći u centar i otići iz njega kad god poželi, Abu Eyadu preostaje samo odluka da pobjegne.

Mahdi Fleifel je rođen u Dubaiu 1979. godine. Odrastao je u Ain al-Hilweh, izbjegličkom centru u Libanu, a kasnije u predgrađima Elsinorea u Danskoj. Fleifel je 2009. diplomirao na Nacionalnoj školi za film i televiziju u Londonu, gradu u kojem trenutno živi i radi. Film, koji je snimio na prvoj godini studija, ARAFAT & I, prikazan je na filmskim festivalima širom svijeta i osvojio je brojne nagrade. Fleifel se 2010. godine udružio s irskim producentom Patrickom Campbellom. U Londonu su osnovali zajedničku produkcijsku kompaniju Nakba Filmworks. SVIJET KOJI NIJE NAŠ je Fleifelov prvi dugometražni dokumentarac kojim je osvojio nagradu Peace Film na Filmskom festivalu u Berlinu 2013. godine.

Lebanon, United Kingdom, Denmark, 2012, Colour, 93 min, Arabic, English Režija / Director: Mahdi Fleifel Scenarij / Screenplay: Mahdi Fleifel Direktor fotografije / Director of Photography: Mahdi Fleifel Montaža / Editor: Michael Aaglund Muzika / Music: Jon Opstad Zvuk / Sound: Zhe Wu Producent / Producer: Mahdi Fleifel, Patrick Campbell Produkcija / Production: Nakba FilmWorks Filmografija / Filmography 2012 - A WORLD NOT OURS

(dokumentarni / documentary) 2009 - 4 WEEKS (kratki / short) 2008 - ARAFAT & I (kratki / short) 2004 - HAMOUDI & EMIL (kratki / short) 2003 - SHADI IN THE BEAUTIFUL WELL (kratki / short)

E A World Not Ours is an intimate, humorous portrait of three generations of exile in the refugee camp of Ain el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive and illuminating study of belonging, friendship, and family.

Filmed over more than 20 years by multiple generations of the same family, A World Not Ours is more than just a family portrait; it is an attempt to record what is being forgotten, and mark what should not be erased from collective memory.

The film also tells the story of Mahdi Fleifel’s long-time friend Abu Eyad. The two men share a passion for Palestinian politics, melancholic music and football. During the football world cup, the Palestinians watch the matches on a TV in a sports shop. For a few weeks, they become Brazilians, Germans or Italians. But whereas Fleifel may enter and leave the camp as he pleases, Abu Eyad is left only with his decision to escape.

Mahdi Fleifel was born in Dubai in 1979. He was raised in Ain al-Hilweh refugee camp in Lebanon and later in the suburbs of Elsinore in Denmark. In 2009, Fleifel graduated from the National Film and Television School in London, where he now lives and works. His first-year film, ARAFAT & I, screened at festivals around the world and won numerous awards. In 2010 Fleifel teamed up with Irish producer Patrick Campbell. Together they set up the London based production company Nakba Filmworks. A WORLD NOTOURS is Fleifel‘s first feature length documentary, for which he won Peace Film Award at the Berlinale Film Festival in 2013.

Curated by Doha Film Institute Doha Film Institute l 19. Sarajevo Film Festival 193

Sarajevo Film Festival Guests Present

Arapski fond za umjetnost i kulturu / The Arab Fund for Arts and Culture - AFAC 198 Al-khoroug lel-nahar / Istina u toku dana / Coming Forth by Day, Hala Lotfy 199 Ya man aach / I bi bolje sutra / It Was Better Tomorrow, Hinde Boujemaa 200 Nation Estate / Državna imovina, Larissa Sansour 200 A Very Dangerous Man / Veoma opasan muškarac, Mazen Khaled

British Council - BAFTA 2013 202 The Curse / Prokletstvo, Fyzal Boulifa 202 Good Night / Dobra noć, Muriel d’Ansembourg 202 Here to Fall / Na putu da padnem, Kris Kelly 203 I’m Fine Thanks / Dobro sam, hvala, Eamonn O’Neill 203 The Making of Longbird / Kako je nastao Longbird, Will Anderson 203 Tumult / Graja, Johnny Barrington 204 The Voorman Problem / Problem Voorman, Mark Gill

Gruzijski nacionalni centar za film / Georgian National Film Centre 206 Manqana, romelic kvelafers gaaqrobs / Mašina koja čini da sve nestaje /

The Machine Which Makes Everything Disappear, Tinatin Gurchiani

Filmski Festival Herceg Novi – Montenegro Film Festival 208 As pik - loša sudbina / Ace of Spades - Bad Destiny, Draško Đurović

Zagreb Film Festival - Najbolje od Kockica / Best of Checkers 210 Babysitter / Dadilja, Ivan Sikavica 210 Komba, Tin Žanić 210 Onda vidim Tanju / Then I See Tanja, Juraj Lerotić 211 Terarij / Terrarium, Hana Jušić

Continental Film 213 Adria Blues, Miroslav Mandić

MCF MegaCom Film 215 Odumiranje / Withering, Miloš Pušić

HBO Europe predstavlja / HBO Europe PRESENTs 217 Horící ker / Gorući grm / Burning Bush, Agnieszka Holland

Arapski fond za umjetnost i kulturu - AFAC / The Arab Fund for Arts and Culture- AFAC

Arapski fond za umjetnost i kulturu (AFAC) je 2007, vlastitom inicijativom, osnovala grupa filantropa i ljubitelja kulture. Fond u oblasti filma, dramske umjetnosti, književnosti, muzike i vizualne umjetnosti finansijski podržava pojedince i organizacije, a istovremeno podstiče kulturnu razmjenu, istraživanja i saradnju širom arapskog svijeta i globalno. AFAC trenutno ima tri programa kroz koje pruža finansijsku i profesionalnu podršku filmskom stvaralaštvu: godišnji Opći poziv za filmske projekte, za sve vrste filma, te dva specijalna programa - Dokumentarni fond (ADP), namijenjen arapskim dokumentarnim projektima koji se bave socijalnim temama, te Crossroads, namijenjen arapskim režiserima koji rade na projektima vezanim za otvaranje novih mogućnosti i promjene.

E The Arab Fund for Arts and Culture (AFAC) was established in 2007 by local cultural philanthropists as an independent initiative that funds individuals and organizations in the fields of cinema, performing arts, literature, music and visual arts, while facilitating cultural exchange, research and cooperation across the Arab world and globally. In the field of cinema, AFAC currently has three programs offering financial and professional support: a yearly General Call for Cinema for all film types, and two special programs - a documentary fund (ADP) for Arab documentary projects tackling social realities and Crossroads for emerging Arab directors working on projects related to possibility and change.

AFAC 5th floor, Gardenia Building (Wardieh Pharmacy), Sourati Street, Hamra P.O.Box Beirut 13-5290, Beirut, Lebanon Tel: +961.1.747.761 /2, Fax: +961.1.747.762 E-mail: info@arabculturefund.org The Arab Fund for Arts and Culture- AFAC l 19. Sarajevo Film Festival 197

Al-khoroug lel-nahar / Istina u toku dana / Coming Forth by Day Usjedjelica u kasnim tridesetim živi s majkom, medicinskom sestrom, i ocem, koji je nakon moždanog udara uglavnom nesvjestan svijeta oko sebe. Nije zaposlena; ostaje kod kuće kako bi se brinula o ocu. Porodična dinamika se lagano razotkriva kroz niz svakodnevnih situacija. Hranjenje i kupanje apatičnog oca, tenzije između majke i kćerke, neugodna posjeta rođaka. Neodlučni pokušaj kćerke da se uključi u život koji bi za nju bio naizgled prikladniji dovodi do katastrofalnih posljedica...

Oni koji su u potpunosti vladali svojim tijelom ne mogu biti pokorni. A šta je s onima kod kojih to nikada nije bilo tako? Mogu li preživjeti usamljeničko ropstvo i impotentno prihvatanje stvari koje ne mogu ni promijeniti niti prigrliti? Ovo je priča o svakodnevnici dviju žena koje se brinu o svom bolesnom muškarcu.

Hala Lotfy, filmska autorica iz Egipta, studirala je film na Filmskom institutu u Kairu, gdje je diplomirala s počastima 1999. U periodu od 2001. do 2004. snimila je tri nezavisna dokumentarca i sedam TV dokumentaraca za Al Jazeeru. Rad na svom prvom nezavisnom, dugometražnom igranom filmu, COMING FORTH BY DAY, započela je 2007. Projekt je nakratko prekinula da bi ga završila nakon revolucije u Egiptu. Hala Lofty je 2011. osvojila prestižnu nagradu Fondacije Katrin Cartlidge, koja se dodjeljuje za novi glas kinematografije koji predstavlja integritet nezavisnog filma. Film je premijerno prikazan na Filmskom festivalu u Abu Dhabiju 2012, a nagrađen je nagradom Fipresci za najbolji film i Nagradom za najboljeg arapskog režisera. Hala Lofty je 2010. osnovala nezavisnu produkcijsku kompaniju, Hassala Productions, s ciljem da pomogne mladim umjetnicima u realizaciji projekata o kojima sanjaju.

E A spinster in her mid-thirties lives with her mum, a nurse, and her father, who is mostly unaware of the world after a stroke. She doesn’t work; she stays home to take care of her father. Through minute actions the family dynamic slowly unravels. Feeding and cleaning of the apathic father, frustrations between the daughter and mother, an awkward visit of a relative. A hesitant attempt of the daughter to engage with a life that might be more her own, seems to lead to a disastrous outcome...

Those who have fully enjoyed their bodies cannot be submissive. And those who never have? Can they survive the slavery of solitude and impotent acceptance of what they can’t change or embrace?

This is the everyday story of two women taking care of their sick man.

Hala Lotfy, an Egyptian filmmaker, studied filmmaking at the Cairo Film Institute and graduated with an honor degree in 1999. She made 3 documentaries independently from 2001 to 2004, and 7 TV documentaries for the Al Jazeera channel. In 2007 she began producing her feature debut COMING FORTH BY DAY totally independenty. The project was suspended for sometime and was resumed after the revolution. In July 2011, Hala received the prestigious Katrin Cartlidge Foundation Award, given to a new cinematic voice reflecting integrity of spirit in independent film. The film premiered in 2012 Abu Dhabi FF, and received the Fipresci Award for best film and best director in the Arab world award. In 2010, Hala founded “Hassala productions”, an independent company aiming to support young artists to achieve their dream projects.

198 19. Sarajevo Film Festival l Arapski fond za umjetnost i kulturu - AFAC

Egypt, United Arab Emirates, 2012, Colour, 96 min, Arabic Režija / Director: Hala Lotfy Scenarij / Screenplay: Hala Lotfy Direktor fotografije / Director of Photography: Mahmoud Lotfy Montaža / Editor: Heba Othman Zvuk / Sound: Abdul Rahman Mahmoud Scenografija / Production Design: Chahira Mouchir Kostimografija / Costume Design: Naira Dahshoury Uloge / Cast: Donia Maher, Salma Al-Naggar, Ahmad Lutfi Producent / Producer: Hala Lotfy Produkcija / Production: Hassala Productions Filmografija / Filmography 1998 - A REHERSAL (dokumentarni / documentary) 1998 -THAT BEAUTIFUL VOICE (kratki / short) 1999 - FOUR SCENES (dokumentarni / documentary) 1999 - NO WAITING PLEASE (kratki / short) 2000 - GREETING PATERN

(dokumentarni / documentary) 2001 - IMAGES OF WATER AND EARTH

(dokumentarni / documentary) 2005 - FEELING COLD (dokumentarni / documentary) 2012 - COMING FORTH BY DAY

Ya man aach / I bi bolje sutra / It Was Better Tomorrow I BI BOLJE SUTRA prati Tunižanku Aidu koja – dok u njenoj zemlji ključa revolucija – mora ponovo izgraditi svoj život želeći ostaviti prošlost iza sebe. Aida provodi vrijeme u selidbama iz jednog siromašnog kvarta u drugi. Vođena željom da za sebe i svoju djecu osigura krov nad glavom, Aida se ne osvrće na historijske događaje koji se odvijaju oko nje. Njen jedini cilj je pronaći izlaz iz teške situacije i uvjerena je da je revolucija blagoslov. I BI BOLJE SUTRA prati netipično putovanje ove odlučne i hrabre žene u najžešćem periodu revolucije u njenoj zemlji.

Hinde Boujemaa je diplomirala marketing na Institut Economique u Bruxellesu, a zatim studirala scenarij na Educatel-Paris. Po završetku školovanja, Boujemaa je surađivala na izradi scenarija za niz tuniških igranih filmova. Svoj prvi kratki film režirala je 2008. Sa scenarijem BELLOW PARADISE je učestvovala na scenarističkim radionicama MEDIA FILM DEVELOPMENT i SUD ECRITURE. Također je režirala promotivne filmove za Carthage film festival 2008. i 2010. godine.

E Through the hubbub of a revolution, It was better tomorrow follows Aida, a Tunisian woman who has to rebuild her entire life and who does not wish to look backwards. She spends her time moving from one poor neighborhood to another. Driven by the will to find a roof over her head and for her children, she takes no notice of the historical events taking place around her. Her only goal is to find a way out and she is convinced that the revolution is a blessing. It was better tomorrow shows the atypical journey of this brazen and bold woman in the intense interval of a country’s revolution.

Tunisia, 2012, Colour, 74 min, Arabic Režija / Director: Hinde Boujemaa Direktor fotografije / Director of Photography: Mehdi Bouhlel, Hatem Nechi, Siwar Ben Hassine Montaža / Editor: Naima Bachiri, Mehdi Barsaoui Zvuk / Sound: Houssem Ksouri, Chokri Marzouki, Yassine Akremi, Abderraouf Jelassi Producent / Producer: Habib Attia, Dora Bouchoucha Produkcija / Production: Cinétéléfilms, Nomadis Images Filmografija / Filmography 2013 - IT WAS BETTER TOMORROW

(dokumentarni / documentary)

Hinde Boujemaa graduated marketing from the Institut Economique de Bruxelles, followed by training in screenwriting with Educatel-Paris. She then contributed to scripts of several Tunisian feature films. She directed her first short film in 2008. She took part with her feature film script BELLOW PARADISE in the training programmes MEDA FILM DEVELOPMENT and SUD ECRITURE. She directed the promotional films for the Carthage Film Festival in 2008 and 2010.

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Denmark, Palestine, 2012, Colour, 9 min, Arabic, English

Nation Estate / Državna imovina DRŽAVNA IMOVINA je devetominutni naučnofantastični film koji nudi klinički distopičan, pa ipak duhovit, pristup pat poziciji na Bliskom istoku. Film propituje vertikalno rješenje problema palestinske državnosti: u jedan kolosalan neboder se nastanila cjelokupna palestinska populacija i sada konačno živi na visokoj nozi.

Larissa Sansour je rođena u Jerusalemu, a dramsku umjetnost je studirala u Kopenhagenu, Londonu i New Yorku. Njeni su radovi interdisciplinarni, usmjereni na trenutni politički dijalog, a od umjetničkih formi koristi videoumjetnost, fotografiju, eksperimentalni dokumentarac, prozne oblike i internet. Njen kratki film A SPACE EXODUS je nominiran za prvu nagradu na Međunarodnom filmskom festivalu u Dubaiju.

E Nation Estate is a 9-minute sci-fi short offering a clinically dystopian, yet humorous approach to the deadlock in the Middle East. The film explores a vertical solution to Palestinian statehood: one colossal skyscraper housing the entire Palestinian population – now finally living the high life.

Režija / Director: Larissa Sansour Scenarij / Screenplay: Søren Lind Direktor fotografije / Director of Photography: Jesper Tøffner Montaža / Editor: William Dybeck Sørensen Muzika / Music: Aida Nadeem Zvuk / Sound: Roar Skau Olsen Kostimografija / Costume Design: Line Frank Uloge / Cast: Larissa Sansour, Leila Sansour, Maxim Sansour Producent / Producer: William Dybeck Sørensen Produkcija / Production: Redeye Film Filmografija / Filmography 2012 - NATION ESTATE (kratki / short) 2012 - FEAST OF THE INHABITANTS (kratki / short) 2011 - TRESPASS THE SALT (eksperimentalni

dokumentarni / experimental documentary) 2011 - FALAFEL ROAD (eksperimentalni dokumentarni

/ experimental documentary) 2009 - A SPACE EXODUS (kratki / short) 2008 - SBARA (kratki / short) 2008 - RUN LARA RUN (kratki / short) 2007 - SOUP OVER BETHLEHEM (eksperimentalni

dokumentarni / experimental documentary) 2006 - HAPPY DAYS (kratki / short) 2005 - BETHLEHEM BANDOLERO (kratki / short)

Larissa Sansour was born in Jerusalem, and studied Fine Art in Copenhagen, London and New York. Her work is interdisciplinary, immersed in the current political dialogue and utilises video art, photography, experimental documentary, the book form and the internet. Her short film A SPACE EXODUS was nominated in the Best Short category at the Dubai International Film Festival.

Lebanon, 2012, Colour, 16 min, No Dialogue Režija / Director: Mazen Khaled Scenarij / Screenplay: Mazen Khaled Direktor fotografije / Director of Photography: Michael Lagerwey Montaža / Editor: Michele Tyan Muzika / Music: 3ubwa by Masrou3 Leila, b-root production Zvuk / Sound: Alexy Chemaly, Judith Talj Uloge / Cast: Kassem Hatoum, Faraj Aoun, Salim Mourad, Christine Fawaz, Joseph Aoun, Lara Saba

A Very Dangerous Man / Veoma opasan muškarac Beirut, ljeto 2012: život se odvija onoliko normalno koliko je u tom gradu moguće. Ali nešto ključa ispod površine. Dok ljudi žive svoje živote, u ulicama živopisnog predgrađa Hamra traje potjera za jednim mladićem. U međuvremenu, sumnjiva torba prelazi iz ruke u ruku i kreće ka nepoznatom odredištu u prepunom kafiću.

Mazen Khaled je rođen u Beirutu, u Libanu. Nakon što je neko vrijeme radio kao politički analitičar i istraživač, prelazi u reklamnu industriju, te kao kreativni direktor piše scenarije i režira niz TV reklama. Mazen je bio scenarista i režiser više kratkih filmova koji su prikazani na mnogobrojnim međunarodnim festivalima.

E Beirut, summer, 2012: Life here seems as normal as this city can provide. Something is bubbling underneath, though. As people go about their lives, a young man gets chased around the streets of the eclectic Hamra district. Meanwhile, a suspicious-looking bag changes hands, and heads to an unknown destination around a busy cafe.

Mazen Khaled was born in Beirut, Lebanon.After a period spent in policy analysis and research, he moved into advertising where he wrote and directed a number of TV ads, as part of his work as creative director. Mazen has written and directed a number of short films, which have travelled to various international festivals.

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Filmografija / Filmography 2013 - HYPNOPOMPIC (eksperimentalni /

plesni – Experimental / Dance) 2012 - A VERY DANGEROUS MAN (kratki / short) 2012 - MY QUEER SAMSARA (kratki / short) 2011 - OUR GENTLEMAN OF THE WINGS

(kratki / short) 2002 - CADILLAC BLUES (kratki / short)

Nominacije za program kratkometražnog filma BAFTA 2013: partnerski program British Councila / BAFTA 2013 Short Film Nominees: A British Council touring programme

British Council stvara kreativni međunarodni okoliš za umjetnike u Ujedinjenom Kraljevstvu i drugim zemljama, te gradi povjerenje među njima širom svijeta. Mi to nazivamo izgradnjom kulturalnih veza.

E The British Council creates international opportunities for the people of the UK and other countries and builds trust between them worldwide. We call this work cultural relations.

Vjerujemo da je umjetnost provodnik razvoja međunarodnog razumijevanja. U umjetnosti radimo s najboljim britanskim i međunarodnim umjetničkim i kreativnim talentima, razvijajući saradnju koja povezuje hiljade umjetnika, organizacija i publiku širom svijeta. Mi povezujemo filmove i filmske autore Ujedinjenog Kraljevstva s međunarodnom publikom.

Pronalazimo mogućnosti za kreativne razmjene između britanskih filmskih autora i njihovih međunarodnih partnera.

We believe that art is a catalyst for developing international understanding. In the Arts we work with the best of British and international artistic and creative talent to develop collaborations which connect thousands of artists, organisations and audiences worldwide. We provide the link between UK films and filmmakers and new international audiences. We work to find opportunities for creative exchange between UK filmmakers and international counterparts.

Kao partner British Academy of Film and Television Arts (BAFTA), a u saradnji sa Sarajevo Film Festivalom, ponosno predstavljamo program kandidata za 2013. u obje BAFTA kategorije: najbolji kratki igrani film (Live Action) i najbolji kratki animirani film (Animation). Ujedinjeno Kraljevstvo ima dugu tradiciju stvaralaštva kratkih filmova svjetske klase, a BAFTA i British Council uočili su značaj njegovanja raznovrsnosti i međunarodnog predstavljanja talenta koji pokazuju autori kratkih filmova.

As the ‘cultural partner’ of the British Academy of Film and Television Arts (BAFTA), we are happy to present the programme of 2013 nominees in both Best Short (Live Action) and Best Short (Animation) BAFTA categories at Sarajevo Film Festival. The UK has a long tradition of producing world class short film and both BAFTA and British Council recognise the value of nurturing this diversity and talent and promoting the best of British short filmmaking internationally.

Contacts: British Council, Ljubljanska 9, 71000 Sarajevo, Bosnia and Herzegovina T: +387 (0)33 250 228 British.Council@britishcouncil.ba www.britishcouncil.ba BAFTA 2013 Short Film Nominees and the Winner l 19. Sarajevo Film Festival 201

The Curse / Prokletstvo United Kingdom, Morocco, 2012, Colour, 16 min, Arabic Režija / Director: Fyzal Boulifa Scenarij / Screenplay: Fyzal Boulifa Direktor fotografije / Director of Photography: Taina Galis Montaža / Editor: Fyzal Boulifa, Taina Galis Zvuk / Sound: Sebastian Dale Scenografija / Production Design: Ibtissam Zabara Uloge / Cast: Ibtissam Zabara Producent / Producer: Gavin Humphries Produkcija / Production: Quark Films

Fatine je otišla daleko od sela da se nađe sa starijim ljubavnikom.

Međutim, kada je uhvati jedan dječak, sve što želi je da se vrati kući.

E Fatine has ventured far from the village to meet her older lover. When she is caught by a small boy, all she wants to do is go home.

Good Night / Dobra noć United Kingdom, 2012, Colour, 24 min, English Režija / Director: Muriel d’Ansembourg Scenarij / Screenplay: Muriel d’Ansembourg Direktor fotografije / Director of Photography: Arturo Vasquez Montaža / Editor: Una Gunjak Muzika / Music: Jody Jenskins Zvuk / Sound: Jonny Masters, Joe Harris Scenografija / Production Design: Beck Rainford Kostimografija / Costume Design: Beck Rainford Uloge / Cast: Anna Hogarth, Rosie Day, Jay Taylor, Dave McRae, Michael Stevenson Producent / Producer: Eva Sigurdardottir Produkcija / Production: Blindeye films, London Film School

GOOD NIGHT je intiman portret dviju tinejdžerki čija probuđena seksualnost, tokom jednog tajnog noćnog izlaska, počinje ugrožavati njihovu dječiju naivnost. Dok muškarcima koje susreću šalju pomiješane signale, granica između naivne igre i opasnog zavođenja počinje da blijedi.

E GOOD NIGHT is an intimate portrait of two teenage girls on a secret night out where their childhood innocence is threatened by an awakening sexuality. Giving mixed signals to the men they meet, the boundaries between innocent play and dangerous seduction begin to blur.

Here to Fall / Na putu da padnem Ireland, United Kingdom, 2012, Colour, 6 min, English Režija / Director: Kris Kelly Scenarij / Screenplay: Kris Kelly Montaža / Editor: Jim Agnew Muzika / Music: Michael Fleming Producent / Producer: Evelyn McGrath Produkcija / Production: Black North

Nakon što primi poziv od svoga oca, djevojka započinje frenetično putovanje kroz haotični svijet.

E When a girl receives a call from her father she is set on a frantic journey through a chaotic world.

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I’m Fine Thanks / Dobro sam, hvala Ireland, United Kingdom, 2011, Colour, 5 min, English Režija / Director: Eamonn O’Neill Scenarij / Screenplay: Eamonn O’Neill Zvuk / Sound: Joseph Tate Glas posudili / Voiced by: Paul Thomas, Joseph Tate, Simon Roberts Producent / Producer: Eamonn O’Neill Produkcija / Production: Royal College of Art

Jesi dobro?

E Are you ok?

The Making of Longbird / Kako je nastao Longbird United Kingdom, 2011, Colour, 16, English Režija / Director: Will Anderson Scenarij / Screenplay: Will Anderson, Ainslie Henderson Direktor fotografije / Director of Photography: Will Anderson Muzika / Music: Atzi Muramatsu Producent / Producer: Donald Holwill

Pogled “iza scene” na animatora / filmadžiju u trenutku kako se muči s likom iz svog filma.

E A ‘behind-the-scenes’ look at an Animator / Filmmaker as he struggles with his character.

Tumult / Graja United Kingdom, 2012, Colour, 13 min, Icelandic Režija / Director: Johnny Barrington Scenarij / Screenplay: Johnny Barrington Direktor fotografije / Director of Photography: Manuel Alberto Claro Montaža / Editor: Maya Maffioli Scenografija / Production Design: Laurel Wear Kostimografija / Costume Design: Anna Robbins Uloge / Cast: Jean-Marc Chautems, Eileen Dunwoodie, Gísli Örn Garðarsson Producent / Producer: Rhianna Andrews

Okrvavljen i ranjen, vođa plemena nordijskih ratnika na korak je do smrti i sprema se predati vlast svome sinu kada se vojska posebne vrste... obrušava na njih.

E Bloodied and wounded, a tribe of Norse warriors’ chief is near death and about to hand over power to his son when an army of a completely different kind… descends upon them.

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The Voorman Problem / Problem Voorman United Kingdom, 2011, Colour, 13 min, English Režija / Director: Mark Gill Scenarij / Screenplay: Mark Gill Direktor fotografije / Director of Photography: Phil Wood Montaža / Editor: Mark Gill, Baldwin Li Scenografija / Production Design: Helen Watson Kostimografija / Costume Design: Thomas Stott Uloge / Cast: Martin Freeman, Tom Hollander, Simon Griffiths Producent / Producer: Baldwin Li Produkcija / Production: Honlodge Productions

Psihijatar biva upućen u zatvor kako bi pregledao zatvorenika koji pati od neobičnog poremećaja - vjeruje da je Bog.

E A psychiatrist is sent to a prison to examine an inmate with a peculiar affliction – he believes he is a god.

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Gruzijski nacionalni centar za film / Georgian National Film Centre

Gruzijski nacionalni centar za film (GNFC) je javna institucija osnovana u okviru gruzijskog Ministarstva za kulturu i zaštitu spomenika. GNFC formulira državnu javnu politiku u oblasti filma i osigurava njenu praktičnu primjenu.

Cilj GNFC-a je osigurati i koordinirati državnu pomoć za razvoj gruzijske kinematografije u fazama razvoja, produkcije i promocije projekata, te u domenu međunarodne saradnje. GNFC, također, djeluje kao lokalna komisija za film i na taj način nastoji promovirati Gruziju kao zemlju pogodnu za filmsko stvaralaštvo.

Osnovni ciljevi Gruzijskog nacionalnog centra za film uključuju: određivanje strateškog kursa za razvoj filmskog sektora u Gruziji, pružanje podrške filmskim projektima u zemlji - kako nacionalnim produkcijama tako i filmovima nastalim u međunarodnoj koprodukciji, podržavanje kontinuiranog profesionalnog usavršavanja filmskih radnika, razvijanje međunarodnih poslovnih veza i otvaranje pristupa profesionalnim mrežama, podržavanje projekata čiji je cilj zaštititi gruzijsko filmsko naslijeđe, podržavanje filmskih festivala i drugih sličnih događanja u zemlji, stvaranje uvjeta za nacionalnu i internacionalnu distribuciju filma, promoviranje Gruzije kao atraktivne zemlje za rad međunarodnim filmskim producentima.

E Georgian National Film Center (GNFC) is a legal entity of public law under the Ministry of Culture and Monument Protection of Georgia. GNFC sets national public policy and ensures its practical implementation.

The GNFC seeks to secure and coordinate state support for the development of Georgian cinema on the levels of development, production, promotion and international cooperation. GNFC also acts as local film commission – thus, positioning Georgia as a film friendly country.

The main objectives of the Georgian National Film Center are: Determining the strategic course for the development of the Georgian film sector; Supporting of local film production - national films and co-productions; Supporting continuous professional training in film; Developing international business relations and unlocking access of professional networking; Supporting projects aimed at protecting Georgia’s film heritage; Supporting film festivals and other national events, Developing film export at the local and international levels; Promoting Georgia as an attractive filming territory for international producers.

Gruzijski nacionalni centar za film / Georgian National Film Center Adresa / Address: 4. Z. Gamsakhurdia Sanapiro Str. Tbilisi, Georgia 0105 Telefon / Phone: 00 995 322 99 92 00, Fax: 00 995 322 99 91 02 Info@gnfc.ge www.gnfc.ge Kontakt osoba / Contact person: Khatuna Gogua, Administrativna podrška / Administrative Assistant Mob: 00 995 577 550 559 kh.gogua@gnfc.ge Georgian National Film Centre l 19. Sarajevo Film Festival 205

Manqana, romelic kvelafers gaaqrobs / Mašina koja čini da sve nestaje / The Machine Which Makes Everything Disappear Filmska režiserka oglašava audiciju za mlade starosti od 15 do 23 godine. Potraga je vodi na različita mjesta – u sela i gradove. Mnogi se javljaju na oglas: neki žele nastupiti u filmu, drugi su spremni podijeliti vlastite intimne priče ili traže ohrabrenje da realiziraju svoje najvažnije odluke. Oni, koji se pokažu dovoljno zanimljivim, praćeni su kroz različite dramatične situacije. Film govori o tome kako život može biti lijep, ali i težak – kada sanjate da postanete heroj. Protagonisti ovoga filma žive i sanjaju o tom junaštvu, bilo da bježe od stvarnosti ili se s njom suočavaju otvorenih očiju.

Tinatin Gurchiani je rođena u Tbilisiju. Studirala je slikarstvo, ples i psihologiju u Tbilisiju i Grazu, a zatim i filmsku režiju u Potsdamu. Film MAŠINA KOJA ČINI DA SVE NESTAJE je nagrađen za najbolju režiju dokumentarnog filma na filmskom festivalu Sundance 2013, te je proglašen najboljim gruzijskim filmom na Međunarodnom filmskom festivalu u Tbilisiju 2012.

E A film director announces a casting for 15-23-year old youths. This search brings her to different locations: villages and cities. Here are many people who answer the call: some are interested in becoming part of a film, others are ready to share their sentimental stories or seek the strength to carry out their major resolutions. Those who prove to be interesting enough are followed through various dramatic situations. A film about how beautiful life can be and how difficult when you dream of being a hero. The protagonists of this film live and dream this heroism, whether they run from reality orface it head-on.

Tinatin Gurchiani was born in Tbilisi. She studied painting, dance and psychology in Tbilisi and Graz, then Film Direction at Potsdam. THE MACHINE WHICH MAKES EVERYTHING DISAPPEAR won her an award for Best Documentary Directing at Sundance Film Festival 2013 and Award for Best Georgian Film at the Tbilisi International Film Festival in 2012.

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Georgia, Germany, 2012, Colour, 97 min, Georgian Režija / Director: Tinatin Gurchiani Direktor fotografije / Director of Photography: Andreas Bergmann Montaža / Editor: Nari Kim Muzika / Music: Mahan Mobashery, Marian Mentrup Producent / Producer: Tamar Gurchiani Produkcija / Production: Alethea and TTFilm / Georgia Filmografija / Filmography 2012 - MANQANA, ROMELIC KVELAFERS GAAQROBS /

THE MACHINE WHICH MAKES EVERYTHING

DISAPPEAR (dokumentarni / documentary) 2011 - FORT – SXVAGAN

(dokumentarni / documentary) 2008 - ZEIT DER SEELEN

(dokumentarni / documentary) 2007 - FRAUENBILDER (dokumentarni / documentary) 2006 - KILLER (dokumentarni / documentary) 2004 - SUNDAY IN BERLIN

(dokumentarni / documentary)

Filmski Festival Herceg Novi / Montenegro Film Festival

Filmski festival u Herceg Novom prvi put je održan 1987. kao Jugoslovenski festival filmske režije, i od tada zauzima posebno mjesto u kulturnom kalendaru grada. Zamišljen kao manifestacija koja vrednuje najznačajniji segment filmske umjetnosti – režiju, Festival je vremenom počeo da procjenjuje i nagrađuje sve kategorije filmskog stvaralaštva.

Danas Filmski festival Herceg Novi – Montenegro Film Festival, u tri takmičarske selekcije, dodjeljuje Veliku zlatnu mimozu Grand prix za najbolji film, te zlatne mimoze za režiju, najbolju mušku i žensku ulogu, scenarij, kameru, studentski i dokumentarni film. Nagradu dodjeljuje i Fondacija Živko Nikolić. U ime sjećanja na osnivača Festivala, dodjeljujemo i Nagradu Milan Žmukić za izuzetan doprinos afirmaciji manifestacije.

FFHN MFF se organizira prve sedmice augusta, a od 2009. predstavlja manifestaciju od posebnog značaja za kulturu Crne Gore. U ovom periodu FFHN MFF uspostavlja saradnju sa SFF-om, a partner je i Filmskog festivala jugoistočne Evrope u Parizu.

Umjetnički direktor Festivala je režiser Srdan Golubović, poslovni direktor je producent Zoran Živković, a predsjednik Savjeta je dramski pisac i scenarista profesor Stevan Koprivica.

E Film Festival in Herceg Novi/Montenegro Film Festival (FFHN MFF) was first held in 1987 as a Yugoslav festival of film directing and has since secured a special place on the city’s culture events calendar. Developed as an event that places special importance on the most important segment of film production - film directing - the Festival has over time begun to also value and award other different aspects of cinematic creation.

Today, the festival has three competitive programs and gives out its special Big Mimosa Grand Prix award for the best film, as well as Big Mimosa awards for best director, best actress and actor, best screenplay, best camera and best student and documentary film. Prizes are awarded by Živko Nikolić Foundation. In memory of the Festival founder, a special Milan Žmukić prize is also awarded for contribution to the promotion of the Festival.

FFHN MFF is held in the first week of August and since 2009 it has been recognized as an event of special importance for the culture of Montenegro. In the recent period, the Festival has established cooperation with the Sarajevo Film Festival and it is also a partner of the South-East European Film Festival in Paris.

Film director Srdan Golubović is currently the Festival’s art director, while producer Zoran Živković and writer Stevan Koprivica act as the Festival’s business director and president of the Festival’s advisory board respectively.

FFHN MFF Njegoševa bb, 85340 Herceg Novi, Crna Gora Tel +382 (0) 31 322 098, +382 (0) 67 509 032 zoranfest@t-com.me www.ffhn.me Montenegro Film Festival l 19. Sarajevo Film Festival 207

As pik - loša sudbina / Ace of Spades - Bad Destiny Jugoslavija se raspala. Beli, pripadnik paravojnih formacija u ratu tokom devedesetih godina, bježi u Italiju s mlađim bratom Kentom. Ali Kenta susreće Sanju, izbjeglicu iz Sarajeva, a ratni drugovi traže Beloga. Može li se pobjeći od devedesetih?

Draško Đurović je rođen 1962. u Titogradu (Podgorici), u bivšoj SFRJ. Diplomirao je filmsku i TV režiju u Beogradu, a radi kao predavač na Fakultetu dramskih umjetnosti na Cetinju, u Crnoj Gori. Režirao je nagrađivane kratke igrane filmove - FOTOGRAF i SPECIJALNA JEDINICA. Režirao je TV film ROĐENI SJUTRA. Njegov igrani film DESANT NA PRČEVO je 2009. nagrađen za najbolji scenerij na Internacionalnom festivalu ratnih filmova u Rostovu (Rusija). Iste godine, na Filmskom festivalu nezavisnih filmova u New Yorku, DESANT NA PRČEVO je nagrađen kao najbolji strani akcioni film. Naredni film, AS PIK - LOŠA SUDBINA, nagrađen je na filmskom festivalu u Herceg Novom 2012. Na festivalu SEE à Paris (South-East European Film Festival) Nagradu za najboljeg glumca osvojio je Branimir Popović, jedan od glumaca u filmu AS PIK - LOŠA SUDBINA. Za autorski pristup ovaj film je nagradio i žiri Balkan New Film Festivala – BaNeFF-a 2013. u Stockholmu.

E Yugoslavia fell apart. Beli, who was a paramilitary soldier during the 1990s war, escapes to Italy with his younger brother Kenta. But Kenta meets Sanja, a refugee from Sarajevo, and war buddies are looking for Beli. Is it possible to escape the 1990s?

Draško Đurović born in 1962 in Titograd, in the then Socialist Federal Republic of Yugoslavia, obtained a degree in directing in Belgrade and currently works as a lecturer at the Dramatic Arts Faculty in Cetinje, Montenegro. He directed two awarded short films - FOTOGRAF and SPECIJALNA JEDINICA. Đurović also directed TV drama ROĐENI SJUTRA. His feature film DESANT NA PRČEVO received the Best Screenplay Award at the 2009 International War Film Festival in Rostov (Russia). That same year, DESANT NA PRČEVO received the Best Foreign Action Film Award of the Independent Film Festival in New York. Đurović’s second feature film AS PIK – LOŠA SUDBINA, was awarded at the 2012 Herceg Novi Film Festival. Actor Branimir Popović received the Best Actor Award of the SEE à Paris (South-East European Film Festival) for his role in AS PIK – LOŠA SUDBINA. The film received the special award for the extraordinary achievement in movie art of the jury of the Balkan New Film Festival, BaNeFF in Stockholm in 2013.

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Montenegro, 2012, Colour, 96 min, Montenegrin Režija / Director: Draško Đurović Scenarij / Screenplay: Obrad Nenezić Direktor fotografije / Director of Photography: Savo Jovanović Montaža / Editor: Ivan Zirojević, Igor Bakić Muzika / Music: Zoran Kraljevski, Dalibor Nedović, Rastko Janković Zvuk / Sound: Nenad Vukadinović, Jovo Kljajić Scenografija / Production Design: Mia Karailo Kostimografija / Costume Design: Slobodanka Martinović Uloge / Cast: Branimir Popović, Peđa Bjelac, Michael Madsen, Momčilo Otašević, Jelena Simić Producent / Producer: Goran Đokić, Predrag Kalezić Produkcija / Production: UDRUŽENJE FILMSKIH STVARALACA CRNE GORE Filmografija / Filmography 2012 - AS PIK / LOŠA SUDBINA 2008 - DESANT NA PRČEVO 1997 - ROĐENI SJUTRA (TV)

Zagreb Film Festival Najbolje od Kockica / Best of Checkers

Zagreb Film Festival se održava jednom godišnje, u trećoj sedmici oktobra, u Zagrebu, glavnom gradu Hrvatske. Glavni cilj Festivala je predstaviti publici debitantske – prve ili druge – filmove režisera u kategoriji dugometražnog i kratkometražnog igranog te dokumentarnog filma.

Zagreb Film Festival je takmičarski festival i uz nagradu Zlatna kolica dodjeljuje i novčanu nagradu najboljim filmovima prema odluci žirija.

Festival veliku pažnju usmjerava na nove autore i podsticanje filmskog stvaralaštva.

Oko stotinu filmova prikaže se tokom osam dana u takmičarskom programu i nekoliko popratnih programa te izložbi i prezentacija. Prošle godine festival je dosegao brojku od 30 000 gledalaca te 60 000 posjetilaca, što ga čini jednim od najvećih i najposjećenijih kulturnih događanja u Hrvatskoj.

Zagreb Film Festival pokrenuo je distribuciju nezavisnih naslova kroz repertoare Kina “Europa” u Zagrebu te mreže nezavisnih kina u zemlji s ciljem da podstakne distribuciju kvalitetnih nezavisnih i evropskih filmova.

E Zagreb Film Festival is an annual event held in the Croatian capital Zagreb in the third week of October. The main goal of the festival is to present to its audience the first or second films - long and short, documentaries and fictional films - of the selected directors. It is a competitive festival and its main prize GOLDEN PRAM is accompanied with a cash award. Specific aims of the Festival include promoting new authors and encouraging film production.

Over eight days of the festival some 100 films are typically shown in its competition program and several side programs and events. Last year the festival attracted some 60,000 people making it one of the biggest and most popular cultural events in Croatia.

With the aim to encourage distribution of European and other quality independent films, the Zagreb Film Festival has begun distributing independent films by placing them on the repertoire of the cinema Europa in Zagreb and a network of independent cinemas throughout the country.

INFO: Zagreb Film Festival Varšavska 3, 10 000 Zagreb, Croatia Tel. +385 1 4923 580 E-mail. info@zagrebfilmfestival.com Program and distribution: program@zagrebfilmfestival.com www.zagrebfilmfestival.com Zagreb Film Festival - Best of Checkers l 19. Sarajevo Film Festival 209

Babysitter / Dadilja Croatia, 2012, Colour, 24 min, Croatian Režija / Director: Ivan Sikavica Scenarij / Screenplay: Ivan Sikavica, Ivan Skorin Direktor fotografije / Director of Photography: Danko Vučinović Montaža / Editor: Daniel Pejić Zvuk / Sound: Daniel Pejić, Višeslav Laboš Scenografija / Production Design: Marija Šimoković-Sikavica Uloge / Cast: Matija Čigir, Dag Vajdić, Bernard Tomić, Ivan Pašalić, Areta Ćurković, Nikola Nedić, Lana Vatsel Producent / Producer: Hana Hribar Produkcija / Production: AKADEMIJA DRAMSKE UMJETNOSTI

Čiks misli da je uvijek bolje biti na nekom drugom mjestu od onoga na kojem trenutno jeste.

E Čiks thinks that life is always better somewhere else, other than where he is.

Komba Croatia, 2011, Colour, 15 min, Croatian Režija / Director: Tin Žanić Scenarij / Screenplay: Tin Žanić Direktor fotografije / Director of Photography: Darko Herič Montaža / Editor: Jan Klemsche Uloge / Cast: Kristijan Jaić, Tibor Knežević, Filip Lozić Producent / Producer: Zoran Garača, Miroslav Kosanović, Tin Žanić Produkcija / Production: Kino Klub Zagreb, Leptir.tv

Svako ima svoje navike. Čini se da je Mihova navika neprestano ponavljanje svega. Miha vrijeme provodi s Edom. Oni nisu prijatelji, samo imaju zajedničke interese. Nakon današnjeg dana više neće imati ništa zajedničko.

E Everyone has their habits. It seems that Miha’s habit is constant repetition. Miha spends his time with Edo. They are not friends, they just have the same interests. After today they will have nothing in common.

Onda vidim Tanju / Then I See Tanja Croatia, 2010, 34 min, Croatian Režija / Director: Juraj Lerotić Scenarij / Screenplay: Juraj Lerotić Direktor fotografije / Director of Photography: Jakov Lerotić Montaža / Editor: Marko Ferković Muzika / Music: Christian Biegai Uloge / Cast: Marin Radman, Ena Mašić, Niko Gamulin - Vilogorac, Mirjana Rogina Producent / Producer: Olinka Vištica, Dana Budisavljević Produkcija / Production: Hulahop Film, Art Production

Šesnaestogodišnji Željko konačno mora preuzeti inicijativu i upoznati Tanju, te mora pronaći novac da svojoj bolesnoj majci kupi periku. Pravu periku, od prirodne kose. Ako to uspije, možda sve opet krene nabolje...

210 19. Sarajevo Film Festival l Zagreb Film Festival - Najbolje od Kockica

E Željko (16) must finally take initiative and meet Tanja and he must find money to buy a wig for his sick mother. A real one, made of natural hair. If he manages to do that, things could get better again...

Terarij / Terrarium Croatia, 2012, 25 min, Croatian Režija / Director: Hana Jušić Scenarij / Screenplay: Hana Jušić, Sonja Tarokić Direktor fotografije / Director of Photography: Jana Plećaš Montaža / Editor: Jan Klemsche Zvuk / Sound: Igor Šegović Scenografija / Production Design: Jana Plećaš Kostimografija / Costume Design: Katarina Pilić Uloge / Cast: Tena Cingel, Tibor Knežević, Lena Politeo Producent / Producer: Tina Tišljar, Tena Gojić Produkcija / Production: ADU / Academy of Dramatic arts

Tina i njen bratić Maks ne mogu okusiti bakinu lošu juhu, ubija ih ljetna žega i stravična dosada. Oboje bi da su negdje drugdje, s nekim drugim ljudima, no nažalost imaju samo jedno drugo.

E Tina and her cousin Max cannot stand their Grandma’s bad soup, scorching summer heat and utmost boredom any more. Both of them wish they were somewhere else, with some other people. Unfortunately, they only have each other.

Zagreb Film Festival - Best of Checkers l 19. Sarajevo Film Festival 211

Continental Film

Tvrtka Continental film d.o.o. osnovana je 1991. u Zagrebu. To je prva privatna tvrtka koja je potpisala ugovor za distribuciju filmova u Hrvatskoj i Sloveniji s holivudskom kompanijom – tadašnjom Columbia TriStar Pictures. Od svog osnutka, Continental film proširio je svoju distribuciju filmova na teritorije Makedonije, Bosne i Hercegovine, Kosova i Albanije.

Osim toga, Continental film također distribuira i filmove kompanije Walt Disney Company u Hrvatskoj i Makedoniji.

E Continental Film was founded in 1991 in Zagreb. It is the first private company that has signed an agreement to distribute films in Croatia and Slovenia with one Hollywood company – Columbia TriStar Pictures.

Since its establishment, Continental film has expanded its agreement to distributing Sony Pictures movies to Macedonia, Bosnia and Herzegovina, Kosovo and Albania. Besides Sony Pictures, Continental film is distributing Walt Disney Company’s releases in Croatia and Macedonia.

Pored distribucije filmova velikih holivudskih kompanija, Continental film bavi se distribucijom nezavisnih filmova iz regije i svijeta. Na popisu najvećih uspjeha do danas u pogledu kino distribucije nezavisnih filmova svakako su Svećenikova djeca, Ljubav, Coco Chanel, District 9 i mnogi drugi.

Besides theatrical distribution of big Hollywood company movies, Continental film is also distributing Independent movies from the region and all over the world. Until today some of the biggest successes in the theatres were Priests’s children, Amour, Coco Chanel, Disctrict 9 and many others.

Address: Zavrtnica 17, Zagreb Telephone: ++385 1 6194 660 E-mail: recepcija@continental-film.hr Web: www.continental-film.hr 212 19. Sarajevo Film Festival l Continental Film

Adria Blues Toni Riff je bivši roker koji je doselio u Sloveniju za vrijeme rata u Bosni i oženio svoju obožavateljku, Soniu. On već dvije decenije ne radi, oslanjajući se na suprugu koja ih izdržava. Sonia zarađuje za život kao radnica u servisu za telefonski seks, što Tonija nervira i dovodi ga do ljubomornih ispada.

Jedan od njenih redovnih klijenata, vlasnik hotela po imenu Max, nudi joj da organizira koncert za bivšu zvijezdu. Nakon dolaska u hotel, šokiran najavom koncerta, Toni se sakriva u sobu koja je nazvana po njemu. Sonia ga moli da nastupi, vjerujući da je koncert jedini izlaz iz njegove depresije.

Miroslav Mandić je rođen u Sarajevu. Nakon što je diplomirao na filmskoj školi Univerziteta Columbia u New Yorku, pisao je scenarije i režirao filmove koji su prikazivani, među ostalim, na festivalima u Locarnu, Chicagu, New Yorku, Oberhausenu, Pragu, Linzu i Hofu. Njegov dugometražni film ŽIVOT RADNIKA osvojio je nagrade na Međunarodnom filmskom festivalu u Krakovu (Grand Prix) i Melbourneu (Nagrada publike). WALKING ON THE WATER je nagrađen na Filmskom festivalu u Strasbourgu (Grand Prix), dok je LJUBAV NA GRANICI nagrađen Nagradom za ljudska prava na Sarajevo Film Festivalu, te nagradom Najbolji dokumentarni film na Međunarodnom filmskom festivalu u Münchenu.

Od 2005. godine živi i radi u Ljubljani.

E Toni Riff is an ex-rocker who moved to Slovenia during the war in Bosnia and married his fan Sonia. He has been inactive for the past two decades, relying on his wife to support them. To Toni’s annoyance and fits of jealousy, Sonia earns a living as a phone-sex operator. One of her regular clients, a hotel owner, Max, offers to organize a concert for the former star. Upon arrival to the hotel, shocked by the concert announcement, Toni hides in a room called after him. Sonia begs him to play, believing a concert is the only way out of his depression.

Miroslav Mandić was born in Sarajevo, Bosnia and Herzegovina. After graduating from Columbia University Film School in New York, he wrote screenplays and directed films which have played at festivals in Locarno, Chicago, New York, Oberhausen, Prague, Linz, Hof etc. His feature, WORKER’S MARRIAGE won at Cracow IFF (Grand Prix) and at Melbourne IFF (Audience Prize). WALKING ON WATER was awarded at Strasbourg EFF (Grand Prix), and BORDERLINE LOVERS at Sarajevo FF (Human Rights award) and at Munich IFF (Best documentary). Since 2005 he has lived and worked in Ljubljana, Slovenia.

Slovenia, 2013, Colour, 91 min, Bosnian, Slovenian Režija / Director: Miroslav Mandić Scenarij / Screenplay: Miroslav Mandić Direktor fotografije / Director of Photography: Jure Černec Montaža / Editor: Stanko Kostanjevec Muzika / Music: Aldo Kumar Zvuk / Sound: Samir Fočo Scenografija / Production Design: Matjaž Pavlovec Kostimografija / Costume Design: Emil Cerar Uloge / Cast: Senad Bašić, Mojca Funkl, Peter Musevski, Maja Taraniš Producent / Producer: Frenk Celarc, Miroslav Mandić, Ida Weiss Produkcija / Production: GUSTAV FILM, FILMOSTOVJ, SENCA STUDIO GUSTAV FILM, Stegne 7, 1000 Ljubljana, Slovenia +386 41 605 506, almir.flisar@gmail.com Kontakt / Contact: Slovenian Film Centre Miklošičeva 38, 1000 Ljubljana, Slovenia +386 1 23 43 200, +386 1 23 43 219, info@film-center.si Filmografija / Filmography 2013 - ADRIA BLUES 2009 - SEARCHING FOR JOHNNY

(dokumentarni / documentary) 2005 - LJUBAV NA GRANICI / BORDERLINE LOVERS

(dokumentarni / documentary) 1987 - ŽIVOT RADNIKA / WORKER’S MARRIAGE 1985 - BRAK RADNIKA (kratki / short) 1984 - TOP LISTA NADREALISTA (TV serija / TV series)

Continental Film l 19. Sarajevo Film Festival 213

MCF MegaCom Film

MCF MegaCom Film je najmlađa distributerska kuća u Srbiji. Ekskluzivni je zastupnik holivudskog studija 20th Century Fox za teritorije Srbije, Bosne i Hercegovine, Crne Gore i Makedonije, a zastupništvom nezavisnih filmskih kuća pokriva i cijelu teritoriju bivše Jugoslavije. MCF je distribuirao veliki broj filmova u kinima i brojna ostvarenja prikazala na domaćim televizijama, a uspješno se bavi i organizacijom festivala. MCF trenutno radi i na razvoju VOD platforme, IPTV i servisnih sadržaja za mobilne telefone.

E MCF MegaCom Film is the youngest distribution company in Serbia.

MCF is well known for the distribution of European film, independent, arthouse films and holds exclusive rights for 20th Century Fox movies.

MCF covers film rights for Serbia, Bosnia and Herzegovina, Montenegro and Macedonia. Company’s main focus is film distribution for cinema, television and video, but MCF activities expand to production, festival organization, VOD, IPTV & mobile content services.

Za samo devet godina, od kako je osnovan, MCF MegaCom Film je postao jedan od najznačajnijih distributera u regionu. Brzom razvoju i konstantnom napretku doprinosi sjajna selekcija filmova, vrijedan tim, kreativni promotivni pristup i bliska saradnja s regionalnim i lokalnim kinima.

In just a nine years, since it’s foundation, MCF has become one of the most relevant distributors in this region. It’s fast and constant progress is due to a great film selection, hard working team, close connection to regional and local cinemas and creative promotional approach.

Uspjeh MCF MegaCom Filma potvrđuje učestvovanje odabranih filmova na svim važnijim filmskim festivalima na Balkanu i šire. Selekcija filmova podrazumijeva blockbustere (VULVERIN 3D, X-MEN: PRVA KLASA, LEDENO DOBA 4: POMJERANJE KONTINENATA, STAR WARS: EPIZODA STAR WARS EPIZODA I: FANTOMSKA PRIJETNJA 3D...), nagrađivane nezavisne filmove (ANĐEOSKI DIO, LJUBAV, ČELIČNA LEJDI, AVR....) i značajna domaća ostvarenja (KAD SVANE DAN, KAKO SU ME UKRALI NEMCI, FALSIFIKATOR...)

MCF has successfully operated in regional markets, appearing notably at all major film festivals across the Balkans and beyond. Our film selection is consisted of blockbusters (WOLVERINE 3D, X-MEN: FIRST CLASS, ICE AGE4: CONTINENTAL DRIFT, STAR WARS: EPISODE I – THE PHANTOM MENACE 3D”...), prominent independent films (ANGELS’ SHARE, AMOUR, THE IRON LADY, LE HAVRE and high profile domestic films (KAD SVANE DAN Oscar contender for best foreign language film, HOW I WAS STOLEN BY THE GERMANS, FALSIFIKATOR).

Distributerska kuća “MCF MegaCom Film” je producent triju filmskih festivala – Dječijeg filmskog festivala KIDS FESTA, Festivala autorskog filma i Ljetne revije filmskih hitova BLOCKBUSTER. Posljednjih osam godina KIDS FEST je mjesto gdje djeca mogu vidjeti najbolje igrane, animirane i dokumentarne filmove za najmlađe i okušati se u različitim vrstama umjetnosti, sportovima i aktivnostima koje se održavaju u okviru organiziranih radionica.

MCF MegaCom Film Marka Oreškovića 1, 11120 Belgrade, Serbia T&F: +381.11.7821.113, T&F: +381.11.7821.227 E-mail: info@mcf.rs, Website: mcf.rs Facebook: https://www.facebook.com/MCFSrbija Twitter: https://twitter.com/MegaComFilm Youtube: http://www.youtube.com/user/MegaComFilm 214 19. Sarajevo Film Festival l MCF MegaCom Film

MCF is the producer of two film festivals - Children film festival KIDS FEST and Auteur Film Festival. For eight years now, KIDS FEST has been the place where kids can see the best feature, animated and documentary films for children and experience different arts, crafts, sports and activities in organized workshops.

Odumiranje / Withering Nakon godina provedenih u Beogradu, gdje je naporno radio za malo novca, Janko se vraća kući, u svoje zabačeno selo. Namjerava prodati zemlju i odseliti u Švicarsku u nadi da će se tamo konačno izvući iz finansijskih problema. Njegova usamljena majka Milica (50) se nadala da će se Janko u selo vratiti sa ženom i tu zasnovati porodicu. Spremna je na sve kako bi ga navela da promijeni odluku.

Milici u tome pomaže Strahinja, usamljeni stanovnik napuštenog sela, idealista pun života i snage. Ali Janko ne odustaje od svoga nauma. Preduzet će sve kako bi osigurao svoju budućnost - čak i prodati očev grob.

Miloš Pušić je rođen 1980. Diplomirao je režiju na Akademiji umjetnosti u Novom Sadu. Pušić je 2007, prema motivima iz priče Aleksandra Tišme, režirao kratki igrani film LULLABY FOR A BOY (USPAVANKA ZA DEČAKA). Film je prikazan na više festivala kratkog filma i osvojio je nekoliko nagrada. S Borisom Kovačem je režirao srednje dugi muzički film BEFORE AND AFTER... APOCALYPSE, kojim su 2009. osvojili Nagradu Deutschen Schallplattenkritik.

Njegov prvi dugometražni igrani film AUTUMN IN MY STREET (JESEN U MOJOJ ULICI) premijerno je prikazan u okviru glavnog takmičarskog programa Sarajevo Film Festivala, a azijsku premijeru je doživio na Međunarodnom filmskom festivalu u Singapuru. Film je 2009. na festivalu Cinemacity u Srbiji nagrađen prvom Nagradom za fotografiju i Specijalnom nagradom žirija za filmove iz novog vala srbijanske kinematografije.

E Janko comes home to his godforsaken village after several years of living in Belgrade, where he worked hard for little money. Janko’s intention is to sell his land and go to work in Switzerland, believing that he would finally get out of financial problems. His lonely mother Milica (50) has been hoping that Janko would be back with a wife and have a family there. She will do everything to make him change his mind. Strahinja, a lonely inhabitant of the deserted village, and an idealist, but a man full of strength and the will to live is helping Milica. But, Janko will not give up on his plan. He is willing to do anything to secure his future — even to sell his fathers grave.

Serbia, Switzerland, 2013, Colour, 109 min, Serbian Režija / Director: Miloš Pušić Scenarij / Screenplay: Dušan Spasojević Direktor fotografije / Director of Photography: Aleksandar Ramadanović Montaža / Editor: Ivan Knežević Muzika / Music: Dejan Kostić Scenografija / Production Design: Zorana Petrov Kostimografija / Costume Design: Marina Sremac Uloge / Cast: Branislav Trifunović, Boris Isaković, Dara Džokić, Jasna Djuričić, Milica Janevska, Emir Hadžihafizbegović Producent / Producer: Branislav Trifunović Produkcija / Production: Hit and Run Production Filmografija / Filmography 2007 - USPAVANKA ZA DEČAKA / LULLABY FOR A BOY

(kratki / short) 2009 - JESEN U MOJOJ ULICI / AUTUMN IN MY STREET 2013 - ODUMIRANJE / WITHERING

Miloš Pušić was born in 1980. He graduated film directing at the Academy of arts in Novi Sad, Serbia. He directed short fiction LULLABY FOR A BOY in 2007, based on a story by Aleksandar Tišma.

It was screened on numerous short film festivals and won a few awards. He co­directed music mid length film with Boris Kovač BEFORE AND AFTER… APOCALYPSE, which won Preis der Deutschen Schallplattenkritik in 2009.

AUTUMN IN MY STREET, his first feature, had its international premiere in the main competition program of the Sarajevo Film Festival, whereas its Asian premiere was at Singapore international film festival. On Cinemacity festival 2009 (Serbia) it won best photography award, and the special jury award for new wave in Serbian cinematography.

MCF MegaCom Film l 19. Sarajevo Film Festival 215

HBO Europe

O HBO-u EUROPE Home Box Office, vodeća američka televizijska mreža, pruža osnovni i prošireni paket televizijskih kanala namijenjenih zabavi za kablovsku televiziju te za platforme Direct-to-Home i MMDS. HBO Europe, čiji je vlasnik Home Box Office Inc., trenutno pruža osnovni i prošireni paket kanala u petnaest zemalja: Mađarskoj, Republici Češkoj, Slovačkoj, Poljskoj, Rumunjskoj, Nizozemskoj, Bugarskoj, Moldaviji, Sloveniji, Hrvatskoj, Srbiji, Kosovu, Crnoj Gori, Makedoniji te Bosni i Hercegovini. U Nizozemskoj HBO Europe nudi HBO HD i SD kanale, HBO On Demand i HBO GO preko HBO Netherlanda, zajedničkog projekta HBO-a i Ziggo BV-a.

E ABOUT HBO EUROPE Home Box Office, America’s leading premium television network, provides basic and premium pay television entertainment channels for cable TV, Direct-to-Home and MMDS platforms. HBO Europe - owned by Home Box Office, Inc. - currently provides basic and premium channels to 15 countries: Hungary, the Czech Republic, Slovakia, Poland, Romania, the Netherlands, Bulgaria, Moldova, Slovenia, Croatia, Serbia, Kosovo, Montenegro, Macedonia and Bosnia and Herzegovina. In the Netherlands, HBO Europe provides HBO HD and SD channels, HBO On Demand and HBO GO through HBO Nederland, a joint venture between HBO and Ziggo BV.

HBO Europe nudi pet visokokvalitetnih filmskih kanala (HBO, HBO2, HBO Comedy, Cinemax i Cinemax 2) i šest HD kanala (HBO HD, HBO2 HD, HBO3 HD, HBO Comedy HD, Cinemax HD i Cinemax2 HD), kao i pretplatničku uslugu video-on-demand i HBO-ovu širokopojasnu SVOD uslugu, HBO GO.

HBO Europe offers five high quality movie channels (HBO, HBO2, HBO Comedy, Cinemax and Cinemax2) and six high definition channels (HBO HD, HBO2 HD, HBO3 HD, HBO Comedy HD, Cinemax HD and Cinemax2 HD), as well as the subscription video on demand service HBO ON DEMAND, and the broadband SVOD service, HBO GO.

HBO, Cinemax, njihovi multipleksi i usluge s dodatnom vrijednošću, donose u domove svojih gledalaca najveće kinohitove, nagrađivane originalne produkcije, serije, ekskluzivne događaje, filmske klasike, hitove s filmskih festivala te međunarodne i evropske filmove.

HBO and Cinemax and their multiplexes and value-added services bring the biggest blockbusters, award winning original productions, series, exclusive events, evergreen movies, film festival hits, international and European movies into viewers’ homes.

HBO Europe ima sjedište u Budimpešti, u Mađarskoj.

HBO Europe is headquartered in Budapest, Hungary.

HBO ADRIA d.o.o.

Av. Većeslava Holjevca 40, 10010 Zagreb, Hrvatska Tel: +385 1 66 81 591 www.hbo.eu 216 19. Sarajevo Film Festival l HBO Europe predstavlja

Horící ker / Gorući grm / Burning Bush Čehoslovačka, 1969: Jan Palach se spaljuje u centru Praga u znak protesta protiv sovjetske okupacije svoje zemlje. Ovaj student, koji će ubrzo postati slavan, u svom oproštajnom pismu tvrdi da će drugi mladi ljudi pratiti njegov primjer ukoliko se okupacija ubrzo ne okonča. Dok se studentskom zajednicom širi nemir, vlada Palachov čin pokušava prikazati kao nesretan slučaj. Oplakujući sina, Palachova majka odbija pomiriti se s tim, te angažira posvećenog advokata Dagmara Burešová kako bi skinula ljagu s imena svog sina.

Ova trodijelna serija napravljena za HBO bavi se tim značajnim trenutkom čehoslovačke historije i događajima vezanim za Praško proljeće. U saradnji sa snimateljem Martinom Štrbom, Holland je napravila vizualno i filmski privlačnu seriju koja se bavi univerzalnim temama kao što su borba za slobodu, samožrtvovanje i pravda. Produkcijski je svaki, pa i najsitniji detalj ove priče zasnovane na stvarnim događajima – apsolutno savršen.

Agniezka Holland (rođena 1948. u Poljskoj) je pohađala studij na filmskoj školi u Pragu. U periodu od 1972. do 1981. godine je bila dio kolektiva Andrzeja Wajde. Nakon svog debitantskog filma (PROVINCIAL ACTORS) iz 1979, kojim je osvojila nagradu u Cannesu, ova poljska autorica je izgradila međunarodni ugled i nastavila snimati filmove o „poljskim“ historijskim temama. Njeni su filmovi i serije osvojili značajne nagrade, uključujući nominaciju za Oscara za film EUROPE EUROPE (1990).

Ukupno je snimila 35 naslova, uključujući igrane, kratke, dokumentarne i TV filmove i serije.

E Czechoslovakia, 1969: in the middle of Prague, Jan Palach sets fire to himself. It is Palach’s alarming protest against the Soviet occupation of his country. In his farewell letter, the student who would soon be famous promises that other young people will follow his action if the occupation does not end quickly. While unrest soon stirs within the student community, the government tries to suggest Palach’s deed was an accident. Palach’s mourning mother refuses to accept that and involves the committed lawyer Dagmar Burešová to clear her son’s name.

This three-part series for HBO focuses on that important moment in the history of the country and on events surrounding the Prague Spring. Together with cameraman Martin Štrba, Holland presents a visually attractive and cinematographic series with universal themes such as the fight for freedom, self -sacrifice and justice. The production design of this story based on true events is perfect right down to the last detail.

Agniezka Holland (born 1948, Poland) studied at the film school in Prague. From 1972 to 1981, she was a member of a collective led by Andrzej Wajda. Since her debut in 1979 (Provincial Actors), which won a prize in Cannes, the Polish filmmaker has built up an enormous international oeuvre.

She has also continued to film ‘Polish’, historic themes. In the course of her career she has won several prizes for her films and series, including an Oscar nomination for Europe Europe (1990) and directed 35 titles. It includes featuers, short films, documentaries, TV films and serias.

Czech Republic, 2013, Colour, 240 min, Czech Režija / Director: Agnieszka Holland Scenarij / Screenplay: Štepán Hulík Direktor fotografije / Director of Photography: Martin Štrba Montaža / Editor: Pavel Hrdlicka Muzika / Music: Antoni Komasa - Lazarkiewicz Zvuk / Sound: Petr Cechák Scenografija / Production Design: Milan Bycek Uloge / Cast: Tatiana Pauhofová, Ivan Trojan, Martin Huba, Vojtech Kotek, Jaroslava Pokorná Producent / Producer: Tereza Polachová Produkcija / Production: HBO Czech Republic Filmografija / Filmography (nakon 2000 / after 2000) 2013 - BURNING BUSH (TV mini serija / TV mini-series) 2011 - 2012 THE KILLING (TV serija – 3 epizode /

TV series – 3 episodes) 2011 - IN DARKNESS 2010 - 2011 TREME (TV serija – 3 epizode /

TV series – 3 episodes) 2009 - JANOSIK: A TRUE STORY 2004 - 2009 COLD CASE (TV serija / TV series) 2004 - 2008 THE WIRE (TV serija – 4 epizode /

TV series – 4 episodes) 2007 - EKIPA (TV serija – 2 epizode /

TV series - 2 episodes) 2006 - COPYING BEETHOVEN 2006 - A GIRL LIKE ME: THE GWEN ARAUJO STORY

(TV film / TV movie) 2002 - JULIE WALKING HOME 2001 - SHOT IN THE HEART (TV film / TV movie) 2001 - GOLDEN DREAMS (kratki / short)

HBO Europe presentS l 19. Sarajevo Film Festival 217

BiH Film

222 Igrani film / Feature Film 223 Dokumentarni film / Documentary Film 224 Kratki igrani film / Short Film 225 Studentski film / Student Film 228 Specijalne projekcije / Special Screenings 228 Event

* Podaci preuzeti iz kataloga “Bh. Film 2012 / 2013” / Information taken from the catalogue “B&H Film 2012/2013”

BiH Film 2013

BiH Film program organiziran je u saradnji sa Udruženjem filmskih radnika BiH i predstavlja bosanskohercegovačke autore i njihove filmove snimljene u proteklih 12 mjeseci. Ove godine predstavlja šest igranih filmova, deset dokumentaraca, pet kratkih filmova (od čega je jedan animirani film). Osim toga čak 27 studentskih filma takmiči sa za nagrade Najbolji studentski film, Specijalnu nagradu žirija i Posebno priznanje. Sa još dvije specijalne projekcije, BH Film program ove godine predstavlja 50 naslova recentne bh. filmske produkcije.

E BiH Film Program is co-organized by Association of Filmmakers of Bosnia and Herzegovina. It presents BiH filmmakers and their films completed in the past 12 months. The program will this year bring six feature films, ten documentaries, five short films (one animated film among them). Besides this, 27 student films are competing for Best Student Film Award, Special Jury Prize and Special Mention. With additional two special screenings, the BH Film program will present 50 titles from recent BiH film production.

Elma Tataragić, urednica programa / programme editor

BiH FILM - introduction l 19. Sarajevo Film Festival 221

BiH FILM – IGRANI FILM / FEATURE FILM

SA MAMOM / WITH MOM Bosnia and Herzegovina / Germany / Slovenia, 2013, color, DCP, 80 min. • Režija i scenarij / Director and Screenplay: Faruk Lončarević • Direktor fotografije / Director of Photography: Oleg Mutu • Scenografija / Set Design: Osman Arslanagić • Kostimografija / Costume Design: Lejla Graho • Montaža / Editor: Nataša Damnjanović, Režinald Šimek • Dizajn zvuka / Sound Designer: Igor Čamo • Uloge / Cast: Marija Pikić, Mira Furlan, Branko Đurić, Sanja Vejnović • Producenti / Producers: Amra Bakšić Čamo, Adis Đapo • Producentska kuća / Production Company: SCCA / pro.ba (BiH) • Kontakt / Contact: SCCA / pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba

U Sarajevu, više od decenije nakon rata, dok se njena socijalistička porodica neizbježno raspada, Berina, mlada umjetnica, pokušava da proživi svoju tek otkrivenu seksualnost i prihvati neizbježnu smrt majke. Jasna, dominantna žena, majka, ljekar i stub porodice, ulazi u terminalnu fazu raka dojke koji nosi 9 godina. Njen muž Mladen ne zna kako da se nosi sa izvjesnim gubitkom, dok mu Jasna iščezava iz života. Mlađa kćerka Luna je izrazito povučena i djetinjasta. Međutim, Berina je u potrazi za nadom; ona kopa kroz sjećanja, kroz fotografije sretne porodice srednjeg staleža iz perioda kada je sve bilo sunčano i bijelo u njihovoj kući na moru. Nažalost, sjećanja ne nude rješenje. Živeći u svom svijetu, okružena porodicom s kojom ne umije komunicirati, Berina, za dobro cijele porodice, pokušava spasiti majku na jedini način koji zna – kroz magiju, obrede, vjeru...

In Sarajevo, more than a decade after the war, while her socialist-oriented family is falling apart, Berina, a young artist, is trying to live out her just discovered sexuality and, at the same time, accept her mother’s fatal illness.

Jasna, a dominating woman, mother, a doctor and the polar of the family, is entering terminal phase of breast cancer that she has been fighting against for nine years. Her husband Mladen doesn’t know how to handle the fact he is losing Jasna. Thier younger daughter Luna is extremely introverted and childlish. However, Berina is looking for hope; she is digging through her memories, old photos of a happy middle class family from the period when everything was sunny and white in their sea side house.

Unfortunately, memories do not offer a solution. Living in her own world, surrounded by the family she cannot communicate with, Berina is trying to save her mother in her own ways: through the magic, rituals, fate...

EPIZODA U ŽIVOTA BERAČA ŽELJEZA / AN EPISODE IN LIFE OF AN IRON PICKER Bosnia and Herzegovina, France, Slovenia, 2013, color, DCP, 75 min. • Režija i scenarij/ Director and Screenplay: Danis Tanović • Direktor fotografije / Director of Photography: Erol Zubčević • Montaža / Editor: Timur Makarević • Dizajn zvuka / Sound Designer: Samir Fočo • Uloge / Cast: Senada Alimanović, Nazif Alimanović • Producenti / Producers: Amra Bakšić Čamo, Čedomir Kolar • Koproducent / Co-producer: Danijel Hočevar • Producentska kuća / Production Company: SCCA / Pro.ba (BiH), A.S.A.P. Films (France) • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, adis@pro.ba

Nazif izdržava porodicu skupljajući staro gvožđe, ali jedva sastavlja kraj sa krajem. Svaki dan on skuplja otpadni metal, dok njegova supruga Senada brine o njihovom domu i dvoje djece. Treće dijete je na putu. Nakon dugog radnog dana, Nazif se vraća kući i zatiče Senadu na krevetu i u bolovima.

Narednog dana, posuđuje auto kako bi ju odvezao u najbliži dom zdravlja.

Senadina dijagnoza je spontani pobačaj - petomjesečni fetus koji nosi je mrtav. Stanje je kritično i Senadi je potrebna hitna operacija u gradskoj bolnici. Senada nema zdravstveno osiguranje i bolnica traži od nje da za tretman plati 980 konvertibilnih maraka - cijelo bogatstvo za skromnog skupljača željeza. Uprkos Nazifovim molbama Senadu ne žele operisati i ona se mora vratiti kući. Narednih deset dana, Nazif će uraditi sve što je u njegovoj moći da spasi Senadin život - očajnički skupljajući još otpadnog metala, tražeći pomoć od nevladinih i državnih institucija... Narednih deset dana Nazif i Senada će u potpunosti iskusiti okrutnost savremenog društva.

Nazif barely makes ends meet as an iron picker to support his family. He searches daily for scrap metal while his partner Senada tends to their home and their two young daughters. A third baby is on the way.After a long day’s work, Nazif finds Senada laid up in pain. The following day, he borrows a car to drive her to the nearest clinic. The diagnosis is that Senada has miscarried and is still carrying her dead five-month old fetus. The condition is critical and Senada needs immediate treatment at a faraway city hospital.

Because she does not have a state-provided health insurance card, the hospital requests that Senada pay 980 Bosnian marks (500 euros), a fortune for 222 19. Sarajevo Film Festival l BiH FILM – IGRANI FILM

a modest iron picker. Despite Nazif’s begging, Senada is denied the crucial surgery and forced to return home to their Roma community in central Bosnia and Herzegovina.For the next 10 days, Nazif will do everything he can to try and save Senada’s life – desperately searching for more scrap metal, seeking help from state institutions… For the next 10 days, Nazif and Senada will be fully exposed to the callousness of contemporary society.

DIM /SMOKE Bosnia and Herzegovina, 2013, HD, color, 115 min. • Režija i scenarij / Director and screenplay: Ismar Mujezinović • Direktor fotografije / Director of Photography: Ismar Mujezinović • Montaža / Editor: Ismar Mujezinović • Muzika / Music: Ismar Mujezinović • Uloge / Cast: Mateja Bajda, Urška Justin, Helena Byrne, Mario Dragojevič, Adis Krečo, Petra Jurjec, Zala Bajda, Živa Bajda, Ismar Mujezinović • Producenti / Producers: Ismar Mujezinović, Jasmin Duraković • Producentska kuća / Production Company: Depo • Kontakt / Contact: Depo, tel. / fax.: +387 33 660 580, www.depo.ba

Djevojka traži i dobija posao kod čudnog starijeg tipa koji sa njom želi samo da razgovara, što izaziva podozrenje kod njih prijateljica. Da li je tip neki perverzni čudak ili tek osoba željna ljudske komunikacije…

Girl seeks and gets a job with weird older man that only wants to talk to her, which aroused suspicion among her friends. Is this man some kind of perverted freak or just a lonely person seeking for human communication...

ADRIA BLUES Slovenia / Bosnia and Herzegovina, 2013, DCP, 91 min. • Režija i scenarij / Director and Screenplay: Miroslav Mandić • Direktor fotografije / Director of Photography: Jure Černec • Scenografija / Set Designer: Matjaž Pavlovec • Kostimografija / Costume Designer: Emil Cerar • Uloge / Cast: Senad Bašić, Mojca Funkl, Peter Musevski, Gregor Zorc, Iva Babić, Maja Tarnisa, Franjo Dijak Branko Završan, Lotos Šparovec, Nataša Tic Ralijan, Jernej Čampelj, Inti Šraj, Valentina Plaskan • Producenti / Producers: Frenk Celarc, Miroslav Mandić, Ida Weiss • Koproducenti / Co-Producers: Boris T. Matić, Amra Bakšić Čamo • Producentske kuće / Production Companies: GUSTAV FILM (Slo), FILMOSTOVJE(Slo), Senca STUDIO (Slo), Slovenski filmski centar, Viba Film (Slo), RTV Slovenije, Propeler Film (Cro), SCCA / Pro.ba (BiH) • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, adis@pro.ba

Toni Riff, bosanska rok zvijezda osamdesetih, doselio je u Sloveniju tokom rata i oženio svoju obožavateljicu Soniu. Dva desetljeća nije radio, oslanjajući se na svoju ženu, koja ih izdržava. Sonia radi na sex telefonu što Tonija muči i čini ga ljubomornim. Jedan od njenih redovnih mušterija je vlasnik hotela Max, strastveni obožavatelj novog vala osamdesetih. On nudi da organizira concert “povratka” bivšoj rok zvijezdi. Po dolasku u hotel, šokiran najavom koncerta, Toni se krije u sobi nazvanoj po njemu. Sonia ga preklinje da svira, vjerujući da je taj koncert jedini izlaz iz njegove depresije.

Toni Riff, a Bosnian rock star back in the 1980’s, came to Slovenia during the war and married his fan Sonia. He has been inactive for the past two decades, relying on his wife to support them. To Toni’s annoyance and fits of jealousy, Sonia works as a phone-sex operator. One of her regular clients is a hotel owner Max, an avid fan of the 80’s New Wave. He offers to organize a come-back concert for the former star. Upon arrival to the hotel, shocked by the concert announcement, Toni hides in a room called after him. Sonia begs him to play, believing a concert is the only way out of his depression.

OBRANA I ZAŠTITA / A STRANGER Bosnia and Herzegovina / Croatia, 2013, 35 mm, 83 min • Režija i scenarij / Director and Screenplay: Bobo Jelčić • Direktor fotografije / Director of Photography: Erol Zubčević • Montaža / Editor: Ivana Fumić • Scenografija / Set Designer: Mario Ivezić • Kostimografija / Costume Designer: Sanja Džeba • Uloge / Cast: Bogdan Diklić, Nada Đurevska, Ivana Roščić, Izudin Bajrović, Vinko Kraljević, Rakan Rushaidat, Nermin Tulić, Hadžija Hadžibajramović, Šerif Aljić, Nermin Karačić, Sadžida Šetić, Ivo Krešić, Selma Alispahić, Slaven Knezović, Velimir Njirić, Robert Pehar, Saša Oručević, Mirsad Elezi, Snježana Martinović, Maja Lasić, Goran Lozo, Merima Ovčina, Sanda Krgo Soldo, Sergej Trifunović • Producent / Producer: Zdenka Gold, Tomislav Bubalo, Tomislav Topić • Producentska kuća / Production Company: Kadar d.o.o. (BiH), Spiritus Movens (Croatia) • Kontakt / Contact: Kadar d.o.o.,Trg širokobrijeških žrtava 1; 88220 Široki Brijeg, tel. / fax.: +387 39 706 992; kadarsb@gmail.com

Intimna priča malog čoveka u današnjem Mostaru. Đulagina smrt i sahrana izazivaju kod njegovog prijatelja Slavka snažnu reakciju. Sam sebi postavlja niz pitanja o njihovom prijateljstvu i zajedničkim pogledima na život. Počinje da preispituje i bliskost s Đulagom. Nesiguran je i zbog trenutne političke situacije, te mogućih posledica odlaska ili neodlaska na sahranu. Slavko je Hrvat i katolik, a Đulaga Bosanac musliman.

An intime story of a young man in contemporary Mostar. Đulagas’ death and the funeral causes his friend*s Slavko to have a strong reaction. He asks himself questions about their friendship and their mutual understanding. He starts to question even his closeness to Đulaga. He is feeling insecure because of political situation and possible consequences of his attending or unattending the funeral. Slavko is a Croat and a Catholic while Đulaga was a Bosnian Muslim.

KRIVINA Canada / Bosnia and Herzegovina, 2012, HD, 70 min. • Režija i scenarij / Director and Screenplay: Igor Drljača • Direktor fotografije / Director of Photography: Roland Echavarria • Muzika / Music: Bojan Bodruzić • Dizajn zvuka / Sound Design: Matthew Chan • Montaža / Editors: Igor Drljača, Albert Shin • Uloge / Cast: Goran Slavković, Jasmin Geljo, Edis Livnjak, Minela Jašar, Nebojša Mijatović, Petar Mijatović, Jelena Mijatović, Milkan Đurovic, Bogdanka Vujadinović, Erica Leung • Producent / Producer: Igor Drljača, Albert Shin • Producentske kuće / Production Companies: TimeLapse Pictures • Kontakt / Contact: Igor Drljača, tel.: +1 416 918 7970, e-mail: igor@timelapsepictures.ca

Miro, izbjeglica iz bivše Jugoslavije, živi u Torontu. Kada sazna da je njegov prijeratni prijatelj Dado, koji je nestao prije skoro dvadeset godina, sada tražen zbog ratnih zločina, njegov se život počinje raspadati. Nakon što čuje da Dado još uvijek posjećuje selo na periferiji Sarajeva, Miro se vraća u Bosnu u potrazi sa svojim prijateljem.

Miro, an immigrant from the former Yugoslavia lives in Toronto. When he finds out that his pre-war friend Dado, who has been missing for almost two decades, is now wanted for war-era crimes, his life starts to unravel.

Upon hearing that Dado still visits a village on the outskirts of Sarajevo, Miro embarks on a trip back to Bosnia to find his friend.

BiH FILM – DOKUMENTARNI FILM / DOCUMENTARY FILM

APOLLO: PRVO RATNO KINO / APOLLO: FIRST WAR CINEMA Bosnia and Herzegovina, 2013, DCP, color , 14 min. • Autori / Authors: Šejla Kamerić, Mark Cousins • Materijale snimio / Matherials filmed by: Srđan Vuletić • Dizajn zvuka / Sound Design: Igor Čamo • Montaža / Editor: Timur Makarević • Producent / Producer: Almir Palata • Producentska kuća / Production Company: Blowup • Kontakt / Contact: Blowup, almir.palata@blowup.ba, www.blowup.ba

1993. godine Sarajevo je grad pod opsadom. Usprkos svemu mala grupa entuzijasta otvara prvo ratno kino. Za njih to kino predstavlja razliku između preživljavanja i življenja. Nakon dvadeset godina tragovi tog življenja izlaze na površinu.

In 1993 Sarajevo was under the siege. Against all odds a small group of enthusiasts managed to open the First War Cinema in Sarajevo. For them this cinema was a distinction between surviving and being alive. Twenty years afterwards the marks of being alive resurface.

BEŠKO Bosnia and Herzegovina, 2013, Beta Sp, color, 26 min. • Režija / Director: Nedžad Begović • Scenario / Screenplay: Nedžad Begović • Direktor fotografije / Director of Photography: Igor Ciković • Montaža / Editor: Ensar Džubur • Protagonista / Protagonist: Adnan Beširović BEŠKO • Producent / Producer: Edin Lonić • Produkcija / Production Company: FTV

Filmadžija BEŠKO je savremeni momak koji pripada novom vremenu sarajevskih “Valtera”. Unutar elipse i pjesme posvećene Najljepšoj, Beško se prisjeća za njega bitnih detalja svoga „Time line-a“. Beškova sjećanja su i sjetna i duhovita, i lucidna i osvještena. Beško svoje iskustvo “zakucava” izjavom da ga ne zanima kako su nekad neke generacije nešto.... nego kako on danas nešto sa svojom generacijom. I tu bitan prosotor osvaja sa grupom “20ORICA” koji pjesmom izvrću ruglu svakodnevnicu i loše pojave u društvu. Ko zna Beška - zna da je Beško odgovorni momak “od strasti” prema filmu, sportu, Najljepšoj...

Filmmaker Beško is a modern guy who belongs to the new generation of Sarajevo “Walters”. Within the ellipse and songs dedicated to the Prettiest Girl, Beško recalls the most important details from his „Time line“. Beško’s memories are sad and humorous, lucid and enthusiastic. Beško says that he is not interested in how some generation ones used to do something, but how he does something with his generation. He sings in the band

20ORICA songs that make fun of everyday life and social conditions. Who knows Beško - knows that he is responsible guy with passion for cinema, sports, the Prettiest Girl...

CRNA KRALJICA / THE BLACK QUEEN Bosnia and Herzegovina, 2013, DVD, color, 21 min. • Režija i scenarij / Director and Screenplay: Nisvet Hrustić • Saradnik na scenariju / Screenplay Consultant: Prof. Sead Hrustić • Direktor fotografije / Director of Photography: Nisvet Hrustić • Montaža / Editor: Nisvet Hrustić • Muzika / Music: Amer Šehić • Uloge / Cast: Fatima Hrustić • Producent / Producer: Nisvet Hrustić • Kontakt / Contact: Nisvet Hrustić, nisvet.hrustic@tel.net.ba, www.nisvet-hrustic.com

Crna, čudesna, tajnovita... bodljikava, nedostupna, ukusna... ljekovita, veličanstvena, moćna... Crna kupina je kraljica šumskog voća.

Black, wonderful, mysterious... thorny, unavailable, delicious... healthy, magnificent, powerful... Blackberry is the queen of forest fruits.

U POTRAZI ZA PORODICOM / FINDING FAMILY Bosnia and Herzegovina / United Kingdom, 2013, HD CAM, color, 56 min. • Režija i scenarij / Director and Screenplay: Chris Leslie, Oggi Tomic • Direktor fotografije / Director of Photography: Chris Leslie • Montaža / Editor: Jim Allison • Muzika / Music: Max Ritcher • Producenti / Producers: Garret Tankosic - Kelly, Carol Cooke • Producentska kuća / Production Company: OH! Films • Kontakt / Contact: OH! Films; C/O Brdo Džamija 6, 71000 Sarajevo, Bosnia and Herzegovina; tel.: +38763582820, +38733213716; garret@ohfilms.com, garret.tankosic.kelly@gmail.com, www.ohfilms.com/documentary-film

Rođen u Sarajevu s hidrocefalusom i prognozom da će umrijeti nakon svega par mjeseci, napušten po rođenju - Oggi Tomić nije imao sretan početak života. Uprkos svemu i zahvaljujući ljubaznosti neznanaca, 27 godina kasnije Oggi je zdrav, sretno oženjen i živi u Velikoj Britaniji. Nakon što je djetinjstvo puno patnje proveo u ratu, na ivici gladi i pod neprestanom opasnošću od granata, i baš kada se činilo da mu život kreće pravim tokom, Oggi prima telefonski poziv od svoje davno izgubljene porodice. To je trenutak o kojem svako siroče sanja. Ali stvari nisu baš tako jednostavne. Oggi saznaje da su članovi njegove porodice, koju je cijeli život želio pronaći, isti oni „ljudi sa brda“ koji su Sarajevo držali pod opsadom 1300 dana. U POTRAZI ZA PORODICOM je snažna i duboka priča ispričana u prvom licu, priča o Oggijevom povratku u Bosnu i nevjerovatnom ponovnom susretu s porodicom. To je priča o identitetu i osjećaju pripadnosti, ličnom i nacionalnom.

Born in Sarajevo, with water on the brain, abandoned at birth and given just months to live, Oggi Tomić did not get the best start in life. However 27 years later, against the odds, and through the kindness of strangers, he is alive, well and happily married in the UK. After a war torn childhood, plagued by near starvation, shelling and continuous suffering it seems like everything is finally falling into place for Oggi until one day he receives a phone call from his long lost family. It’s the moment every orphan waits for. There’s just one thing. It turns out the family he has waited his entire life to hear from are in fact the same ‘Men in the Hills’ who laid seige to Sarajevo for 1300 days. FINDING FAMILY is a powerful and profound first person narrative that follows Oggi as he heads back to Bosnia for this extraordinary family reunion. This is a story of identity and belonging, on an individual and national level.

NEPOKRET / NON-MOVEMENT Bosnia and Herzegovina, 2013, HD, color, 46 min. • Režija i scenarij / Director and Screenplay: Enes Zlatar • Direktor fotografije / Director of Photography: Renato Foder • Montaža / Editor: Enes Zlatar • Zvuk / Sound: Nedim Zlatar • Učestvuju / Participating: Denis Bajramović, Boris Ćućilović, Juriša Boras, Ahmed Burić, Nedžad Sladić Slada, Igor Vukašinović Rogi, Peđa Bajramović, Nebojša Šerić Shoba, Branko Trninić Krto, Haris Nezirović, Davor Tadić Dava Tada, Nedim Zlatar Basheskia, Enes Zlatar Bure, Almir Kurt Kugla, Dušan Vranić Duco, Petar Kraljević • Izvršni producent / Executive Producer: Adnan Beširović • Producentica / Producer: Asja Hafner • Producentska kuća / Production Company: SCCA / pro.ba (BiH) • Kontakt / Contact: SCCA / pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, office@pro.ba

Kakav pokret je bio Nepokret? Ko su bili njegovi pokretači i članovi? Kakve ideje su zastupali? Kakvu su muziku svirali? Da li je Nepokret (neprepoznata) avangarda sa značenjem prethodnice novog vremena ili utopija? San o „idealnom društvu“ koje se uvijek lakše realizuje u manjem kotekstu u ovom slučaju njegove fizičke granice granice su jednog sarajevskog kvarta – Džidžikovca.

BiH FILM – FEATURE FILM / BiH FILM – DOCUMENTARY FILM l 19. Sarajevo Film Festival 223

What kind of movement was the Non-Movement? Who were its initiators and its members? What ideas they represented? What music did they play? Is the Non-Movement n unrecognized avant-garde with the vision of new time, or a utopia? Dream of a “better society” is always easier to be realized in a small context – in this case its physical border is the border of a Sarajevan quarter – Džidžikovac.

PACIJENT / PATIENT Bosnia and Herzegovina, 2013, HD, color, 24 min. • Režija i scenarij / Director and Screenplay: Zdenko Jurilj • Direktor fotografije / Director of Photography: Antoni Ćorić • Montaža / Editor: Tomislav Topić • Producent / Producer: Tomislav Bubalo • Producentska kuća / Production Company: Kadar Film & Video Production • Kontakt / Contact: Kadar; Trg širokobrijeških žrtava 1; 88220 Široki Brijeg, tel. / fax.: +387 39 706 992; kadarsb@gmail.com

Film je narativna dokumentarna priča o stanju pacijenta prije, za vrijeme i nakon operacije srca. Riječ je o filmu atmosfere koji prikazuje stanje u kojem se može naći svaki čovjek. Pacijent je film nadahnut Kantovom mišlju: Što mogu znati? Što moram raditi? Čemu se mogu nadati? Što je čovjek?

This film is a narrative documentary story about a patient before, during and after a heart surgery. The film shows a situation in which every person can find himself. Patient is a film basically inspired by the thoughts of Imannuel Kant:”What can I know? What ought I to do? What may I hope?

What is the man?”

ROB / A SLAVE Bosnia and Herzegovina, 2013, DCP, color, 45 min. • Režija i scenarij / Director and Screenplay: Pjer Žalica • Direktor fotografije / Director of Photography: Admir Švrakić • Montaža / Editor: Pjer Žalica • Muzika / Music: Dino Šukalo • Producenti / Producers: Gordan Memija, Sead Kreševljaković • Producentska kuća / Production Company: Foto Art; Al Jazeera Balkans • Kontakt / Contact: FOTO ART, Paromlinska 42, 71000 Sarajevo, + 387 33 713 333, gordan@fotoart.ba, info@fotoart.ba, www.fotoart.ba

Almir Ćehajić Batko je uspješan čovjek. Stomatolog, glumac, zabavljač, radijski i TV voditelj... Sve se mijenja u trenutku kada saznaje da će mu dijete umrijeti zbog urođene srčane mane ukoliko ne bude operirano u nekoj od renomiranih klinika. Posuđuje novac od koga god stigne, traži, moli, kumi... Ipak uspijeva nabaviti novac i djevojčica je operirana.

Nažalost, ona ubrzo umire. Manje od dva sata nakon pokopa telefon počinje zvoniti. Sluđen nevjericom da mu u tom trenutku neko traži novac, uzima novac od lihvara kamatara, kako bi njime tim “prijateljima” ‘začepio usta’. Tada počinje pakao. Deset godina živi na rubu samoubistva. Ipak, uspijeva pronaći snagu i izvući se iz te situacije. Danas je svoj život posvetio radu u NVO koja se bavi prikupljanjem novca za ljude koji su se zatekli u situaciji sličnoj njegovoj. Spasio je više od stotinu ljudskih života.

Almir Ćehajić, a.k.a. Batko, is a successful man: a dentist, actor, entertainer, radio and TV host, etc. Everything changes the moment he finds out that his daughter will die because of a congenital heart defect unless she is operated on in a prestigious clinic. He borrows as much money as he can—seeking, begging, pleading... He manages to get the money together and the girl receives the operation. Unfortunately, she passes away soon afterwards. Less than two hours after the funeral, the telephone begins to ring. Incredulous at the fact that someone would ask for money at a time like that, he goes to a loan shark in order to “shut up” his “friends”. That is when his own personal hell begins. For ten years, he lives on the edge of suicide. Still, he manages to find the strength to extract himself from the situation. Today, he has dedicated his life to working for an NGO that collects money for people who have found themselves is a similar situation.

He has saved over 100 lives.

RUDNIK / COAL MINE Bosnia and Herzegovina, 2012, HD, color, 30 min. • Režija i scenarij / Director and Screenplay: Ines Tanović • Izvršni producent / Executive producer: Edin Lonić • Direktor fotografije / Director of Photography: Almir Čaušević • Montažer / Editor: Dževad Skenderagić • Producentska kuća / Production Company: FTV

Rudnik uglja Kakanj 2012. godine, BiH. Rudari se spremaju da siđu u jamu. Sve je prekriveno prašinom od uglja, izgleda kao da je zustavljeno u vremenu. Jedan po jedan nakon prozivke, rudari silaze u jamu. Ulaze u utrobu zemlje i kao na nema povratka nazad. Negdje duboko pod zemljom se kopa ugalj… Postavljanje dinamita u mokru, crnu masu. Strepnja pred eksploziju. Jedno udaljeno “bum”. Sve je dobro prošlo. Završava se smjena... Sutra je novi radni dan.

Coal Mine in Kakanj, 2012, BiH. Miners are getting ready to go down into the pit. Everything is covered in coal dust, it looks like the time stopped.

One by one, after the announcement, the miners go down into the pit.

The enter the earth, and it looks as there is no going back. Somewhere deep underground they are digging coal ... Setting dynamite in a wet, black mass. Anxiety before the explosion. One distant “boom.” Everything went well. The shift ends... Tomorrow is a new day.

ZEITGESCHICHTEN / THE MARCH OF TIME Bosnia and Herzegovina, 2013, HD, color, 40 min. • Režija i scenarij / Director and Screenplay: Katarina Tubonjić • Direktor fotografije / Director of Photography: Florian Wurzer • Montaža / Editor: Raffaela Schnabel • Muzika / Music: Olaf Schuberth • Producent / Producer: Katarina Tubonjić • Producentska kuća / Production Company: Black Coffee Productions• Kontakt / Contact: Black Coffee Productions; Kettenbrueckengasse 13/18, 1050 Vienna, AUSTRIA; Tel.: + 43 650 26 24 403; katarina@blackcoffee.at; www.blackcoffee.at

Rat je ostavio neizbrisiv trag na narod i zemlja. Namir, bivši advokat koji je radio za Crveni križ tokom sukoba u Bosni, bio je uključen u austrijski karitas od 1992. Kao koordinator i voditelj projekta omogućava ljudima raseljenim u ratu da se vrate kući I izgrade novi život. Ado je na početku rata bio dijete, a djetinjstvo je proveo kao izbjeglica u vlastitoj zemlji.

Nakon što se vratio u Srebrenicu, radi za lokalnu organizaciju Prijatelji Srebrenice. Tu su frizer, mlinar i pekar, a svi oni imaju isti cilj: vratiti normalan život u gradu.

The war has indelibly marked the people and the land itself. Namir, a former lawyer who worked for the Red Cross during the Bosnian conflict, has been involved with the Austrian charity since 1992. As coordinator and project manager he has enabled those displaced during the conflict to return home and build a new life. At the start of the war Ado was a child and spent his childhood as a refugee in his own country. Having returned to Srebrenica he now works for local organization, Friends of Srebrenica.

There are also barber, mill owner, and baker, all of whom seek the same goal: to help return the town to a life of normality.

ZIZI Bosnia and Herzegovina, 2013, Beta Sp, color, 26 min. • Režija / Director: Nedžad Begović • Scenario / Screenplay: Nedžad Begović • Direktor fotografije / Director of Photography: Igor Ciković • Montaža / Editor: Ensar Džubur • Protagonista / Protagonist: Zijad Redžić Zizi • Producent / Producer: Edin Lonić • Produkcija / Production Company: FTV

Zijad Redžić Zizi igrajući bilijar nastoji participirati u pozitivnoj promociji države. Za njega je onaj bilijarski triangl u kojem se skupljaju kugle, savršeni i oblik i karakter BiH, a kugle koje po redu i po pravilima ulaze u svoje rupe obavljaju svoju “političku funkciju” dolaska do pobjede. U jednom od svojih mečeva, Zizi, “u bosanskom folu”, pobjeđuje jednog od najvećih igrača današnjice.

Zijad Redžić Zizi is trying to make the positive promotion of his country by playing pool. For him, the pool triangle which collects balls,makes a perfect shape and shows the character of Bosnia and Herzegovina, and balls by the rules of entering into their holes perform their “political function” on their road to victory. In one of his games, Zizi in his Bosnian maner overcomes one of the greatest players in the world.

BiH FILM - KRATKI IGRANI FILM / SHORT FILM

KIRUNA-KIGALI Sweden / Rwanda, 2012, HD, color, 15 min. • Režija / Director: Goran Kapetanović • Scenarij / Screenplay: Maria Nygren, Goran Kapetanović • Direktor fotografije / Director of Photography: Tobias Höiem-Flyckt • Montaža / Editor: Erlend Kristoffersen • Uloge / Cast: Malin Crépin, Assad Kasasa, Mukundente Fiona • Producenti / Producers: Helena Danielsson, Goran Kapetanović •Producentska kuća / Production Company: Hepp Film, Kapetanovich Film Production • Kontakt / Contact: goran@kapetanovich.com www.kirunakigali.com

Mlada žena u Ruandi se porađa. Beba je okrenuta u krivom smjeru i njen život je u opasnosti. U isto vrijeme puca vodenjak trudnici u Švedskoj. Ona je odlučila da će se sama nositi s time, odbija prihvatiti bilo kakvu pomoć.

Ove dvije priče o ženama koje se porađaju prožimaju se međusobno, odvijaju se simultano na dva potpuno različita kraja svijeta.

224 19. Sarajevo Film Festival l BiH FILM – DOKUMENTARNI FILM / BiH FILM - KRATKI IGRANI FILM

A young woman in Rwanda is about to give birth. The baby is turned the wrong way and her life is in danger. At the same time the water breaks for a woman in Sweden. She decides that she will cope with it herself; she refuses to accept any help. These two stories of women giving birth are woven into each other and appear to go on simultaneously in two completely different parts of the world.

ORFEJ / ORPHEUS Bosnia and Herzegovina, 2013, HD, color, 4 min. • Režija / Director: Tina Šmalcelj • Scenarij / Screenplay: Tina Šmalcelj • Direktor fotografije / Director of Photography: Amel Đikoli • Montaža / Editor: Redžinald Šimek • Scenografija / Set Design: Dragan Denda • Kostimografija / Costume Designer: Lejla Graho • Uloge / Cast: Mak Alijević, Iman Bostandžić, Namik Hadžimuratović, Faris Smajić • Producent / Producer: Amra Bakšić Čamo • Producentska kuća / Production Company: SCCA / Pro.ba • Kontakt / Contact: SCCA / Pro.ba, Ćumurija 3, 71000 Sarajevo, tel.: +387 33 444 535, adis@pro.ba

Lijep je zimski dan. Četvero djece se igra na mostu, ali u igru se uključuje i peti igrač... Snajperista.

It’s a beautiful winter day. Four children are playing on the bridge, but fifth actor enters the game... The sniper.

RANA KOJA SE KRIJE / A WOUND THAT IS HIDDEN Bosnia and Herzegovina, 2013, HD, color, 14 min. • Režija / Director: Una Kreso • Scenarij / Screenplay: Una Kreso • Direktor fotografije / Director of Photography: Christian Paulussen • Montaža / Editor: Una Kreso • Uloge / Cast: Fatima Zukić, Dina Mušanović, Miodrag Miki Trifunov • Producentska kuća / Production Company: AKV St. Joost, Akademija scenskih umjetnosti u Sarajevu• Kontakt / Contact: unakreso@hotmail.com

Sanja je tokom rata izbjegla sa majkom iz Sarajeva. Nakon 18 godina vraća se u potrazi za identitetom. Odgovore na pitanja “ko sam?” i “odakle dolazim?” Sanja traži u svom rodnom gradu, te upoznaje svu njegovu ljepotu, ali i surovost.

Sanja escaped from Sarajevo with her mother during the war. 18 years later, she returns looking for her identity. Answers to the questions “Who am I?” and “Where do I come from?” Sanja seeks in her hometown, which she sees in all its beauty, but also cruelty.

STEPENIŠTE / STAIRCASE Bosnia and Herzegovina, 2012, Beta SP, color, 35 min. • Režija / Director: Petar Bilbija • Scenario / Screenplay: Petar Bilbija, Marko Bilbija • Animacija / Animation: Petar Bilbija • 3D animacija / 3D Animation: Marko Bilbjija • Scenografija / Set Design: Simo Bilbija • Kostimograf / Costume Design: Jelena Karanović • Uloge / Cast: Miodrag Krivokapić, Sergej Tešanović, Ljubiša Savanović, Sandro Radulj • Producent / Producer: Zoran Galić • Producentska kuća / Production Company: VizArt • Kontakt / Contact: VizArt Production, Jovana Dučića 23a , 78000 Banja Luka, tel.: +387 51 340 637, fax.: +387 51 340 641, vizart@vizartfilms.com, www.vizartfilms.com

STEPENIŠTE je priča o moralnim dilemama pojedinca dovedenog u sukob sa okolinom i samim sobom. Priča prati porodicu prepunu devijantnih odnosa uspostavljenih očevim agresivnim tretiranjem dvaju sinova, od kojih je jedan autističan, te je zbog toga primoran da život provodi zaključan u ormaru.

STAIRCASE is a story about moral dilemmas of an individual fed into conflict with the environment and oneself. The story follows a family full of deviant relations, established by father’s harsh treatment of his two sons, one of whom is autistic, and therefore he is forced to spend his life locked in a closet.

SVJETLA GRADA / LIGHTS OF CITY Bosnia and Herzegovina, 2013, HD, color, 47 min. • Režija i scenarij / Director and Screenplay: Kenan Musić • Direktor fotografije / Director of Photography: Sanela Babić • Montaža / Editor: Admir Šljivnjak • Muzika / Music: Munir Mešanović, Osman Abdelmukaram • Uloge / Cast: Albert Michael Ramirez, Lana Stanišić, Muhamed Dupovac, Edin Ličina, Nela Đenisijević, Adnan Novo, Armin Fazlić, Benjamin Banda, Benjamin Muhić • Producenti / Producers: Edin Ličina, Kenan Musić • Kontakt / Contact: noke.msc@gmail.com

Priča o dječaku koji, sa svojom majkom, doseljava iz manjeg mjesta u veliki grad. Dječak je oduševljen gradom, ali uskoro, on dobija drugačiju sliku velike sredine; društvo ga počinje iskorištavati i maltretirati. Promjenu

u njegov život unosi susret sa starijim mladićem, Arčijem, koji ga izvlači iz problema, ali uvlači u pravu životnu dramu iz koje izlaz dječak mora pronaći sam.

A story about Boy who moves from a small town to the big city with his mother. The boy is thrilled and amazed by the city, but soon, he gets a different picture of the big city: his mates begin to abuse him. The older guy, Archy, brings a change into his life, and helps him get out of his problems, but he also pulls him in the real life drama from which he needs to find the way out himself.

BiH FILM - STUDENTSKI FILM / STUDENT FILM

AKADEMIJA SCENSKIH UMJETNOSTI SARAJEVO / SARAJEVO ACADEMY OF PERFORMING ARTS Kontakt / Contact: asu@asu.unsa.ba

KRATKI SPOJ / SHORT CIRCUIT Bosnia and Herzegovina, 2013, DVD, color, 7 min. • Režija / Director: Admir Švrakić • Uloge / Cast: Adnan Hasković, Nina Đogo, Darko Ostojić, Dražen Krešić

Dvoje policajaca dolazi u devastiranu i naizgled napuštenu kuću kako bi ispitali Mileta Popova, čovjeka koji uporno šalje pisma upozorenja. Da li je moguće da ima neke istine u Miletovim predviđanjima? Da li su vanzemaljci među nama?

Two police officers come to destroyed and seemingly abandoned house to interrogate Mile Popov, the man who is sending them letters for some time already. Is it possible that there is some truth in Mile’s stories? Are aliens among us?

KRIK / SCREAM Bosnia and Herzegovina, 2013, DVD, color, 12 min. • Režija / Director: Redžinald Šimek • Uloge / Cast: Edin Avdagić, Adnan Kreso, Ivana Vojinović

Maksim živi klasičnim životom sitnog kriminalca – ubire reket, pije, provodi vrijeme sa prostitutkama – ali jedna prostitutka će poremetiti njegov lagodan život. Ona je vidjela njegovu tetovažu ranije. Njen otac ju je imao.

Davno su ga spalili. Maksim odlazi jedinoj osobi koja ga može razumjeti, Silviju.

Maksim is living classic life of a petty criminal – racketeering, drinking, spending time with prostitutes – but one prostitute brings disturbance into his easy life. She saw his tattoo earlier. Her father had the same one.

He was burned to death long time ago. Maksim goes to the only person who could understand him, to Silvio.

NAJLJEPŠA DJEVOKA U GRADU / MOST BEAUTIFUL GIRL IN TOWN Bosnia and Herzegovina, 2013, DVD, color, 17 min. • Režija / Director: Faris Lukovac • Uloge / Cast: Alen Muratović, Ilda Bisić, Dino Sarija

Daco, pisac i alhokoličar u nastajanju, jednu noć u kafani sreće prelijepu djevojku. Kako njihova veza postaje sve ozbiljnija, on postepeno otkriva njene ružnije strane.

Daco, writer and budding alcoholic, meets a beautiful girl in a bar one night. As their relationship slowly becomes more and more serious he discovers her far less beautiful sides.

REDIKUL / RIDICULOUS Bosnia and Herzegovina, 2013, DVD, color, 19 min. • Režija / Director: Mirjana Đan • Direktor fotografije / Director of Photography: Vanja Ban • Uloge / Cast: Igor Skvarica, Gren Pitt, Zoran Kačić – Bartulović, Frane Modrić, Juraj Vujnović

“Ko ima, daće mu se; ko nema, uzeće mu se i ono što ima.”

“For he that has, to him shall be given: and he that has not, from him shall be taken even that which he has.”

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SAMO TATA / DADDY COOL Bosnia and Herzegovina, 2012, DVD, color, 15 min. • Režija / Director: Damir Mujagić

ZVAO JE TVOJ LJUBAVNIK / YOUR LOVER JUST CALLED

Damir je u minulom ratu bio jedan od najboljih boraca. Sada se bori u jednako teškom ratu, živi kao samohrani otac.

Bosnia and Herzegovina, 2013, DVD, color, 12 min. • Režija / Director: Faris Bajrić • Uloge / Cast: Alisa Čajić, Sanjin Arnautović, Mak Čengić

Damir fought in the recent war among the most elite soldiers. Now he fights an equally tough war, he is a single dad.

Mirni i uobičajeni dan bračnog para. Pokušavajući život učiniti zanimljivijim oni počinju zamišljati da imaju ljubavnike. U kom trenutku prestaje igra i počinje stvarnost? Da li izmišljeni ljubavnici mogu postati stvarni i ako mogu, šta onda?

SNAŽ(E)NE / STRONG Bosnia and Herzegovina, 2012, DVD, color, 15 min. • Režija / Director: Neven Samardžić

Ovo je dokumentarac o tri žene koje žive u različitim sredinama i različitim okolnostima, ali se svejedno susreću sa istim problemima.

This is a documentary about three women coming from different backgrounds and living in different circumstances but still facing same issues.

SRETNA NOVA GODINA / HAPPY NEW YEAR Bosnia and Herzegovina, 2013, DVD, color, 8 min. • Režija / Director: Almir Đikoli • Uloge / Cast: Senad Bašić, Jasna Žalica

Bračni par se priprema za proslavu Nove godine, ali supruga pati od poznatog ženskog problema: nema šta da obuče. Dok se ona predomišlja šta da obuče, vrijeme polako prolazi...

Married couple is preparing for New Year celebration, but Wife is suffering from well known female problem: she has nothing to wear. While she is changing her mind what to wear, time is slowly passing...

UBICE / THE KILLERS Bosnia and Herzegovina, 2013, DVD, color, 10 min. • Režija / Director: Nidal Magrabi • Uloge / Cast: Aleksandar Seksan, Sabit Sejdinović, Muhamed Hadžović, Vedran Đekić, Rijad Gvozden

U inače miran, mali hotel jednu noć dolaze ubice. Uzbuđeni recepcioner i zaštitar pokušavaju nešto učiniti kako bi pomogli svom stalnom gostu da se spasi neminovne smrti ni ne sanjajući da meta ne planira bježati.

One night killers come to a calm, little hotel. Scared receptionist and security are trying to help their regular guest escape near death not thinking of possibility that mark has no intention of running from her killers.

USKI PROLAZ / NARROW PASSAGE Bosnia and Herzegovina, 2013, DVD, color, 15 min. • Režija / Director: Elvedin Zorlak • Uloge / Cast: Admir Šehović, Damir Kustura, Ena Kurtalić, Rijad Gvozden, Zlatko Mekić

Karlo, radnik obezbjeđenja na klizalištu, upoznaje prekrasnu Lidiju i njenog muža Mirsada. Kada ga pozovu da s njima slavi Novu Godinu, Karlo je siguran da mu se sreća osmijehnula i da naivni Mirsad ne primjećuje da Lidija s njim koketira. Međutim, Lidija i Mirsad imaju nešto drugačije planove za proslavu Nove Godine.

Karlo, security at skating rink, meets beautiful Lidija and her husband Mirsad. When they invite him to celebrate New Year with them, Karlo is sure that his luck turned and naive Mirsad doesn’t notice Lidija is flirting with him. However, Lidija and Mirsad have a bit different plan for New Year celebration.

VARIJACIJA / VARIATIONS Bosnia and Herzegovina, 2012, DVD, color, 14 min. • Režija / Director: Hari Šečić

Svijet u kojem živimo stalno postavlja određene standarde fizičke ljepote i ideale kao način mjerenja stvari. Za razliku propagande uniformnosti, filmovi prikazuju prirodne raznolikosti.

The world we live in constantly sets a certain physical ideals as standards of beauty and as the way to measure things. In contrast to propagated uniformity the films shows natural diversity.

226 19. Sarajevo Film Festival l BiH FILM - STUDENTSKI FILM

Peaceful and common day of a married couple. Trying to make their lives more interesting they start imagining they have lovers. At what point does game end and reality starts? Can imagined lovers become real and if they can, what then?

SARAJEVSKA FILMSKA AKADEMIJA / SARAJEVO FILM ACADEMY Kontakt / Contact: info@sfa.ba mailto:info@sfa.ba

BILO JEDNOM U POČITELJU / ONCE UPON A TIME IN POČITELJ Bosnia and Herzegovina, 2013, HD, color, 15 min. • Režija i scenarij / Director and Sreenplay : Gorčin Zec • Direktor fotografije / Director of Photography: Gorčin Zec • Muzika / Music: The Brotehrs Four

1975. godine slikar Safet Zec i njegova supruga Ivanka slučajno otkrivaju srednjovjekovni grad Počitelj, zaljubljuju se u mjesto i odljučuju kupiti jednu staru napuštenu kuću. Restauracija i adaptacija kuće je duža i kompleksnija nego su očekivali, ali san o boravku u Počitelj na kraju postaje stvarnost. U devedestim godinama Počitelj biva devastiran tokom rata, te se Safet odlučuje ne vraćati u stari grad. Ipak, ljubav prema gradu ga na kraju dovodi nazad, u stari, restaurirani Počitelj.

1975: painter Safet Zec and his wife Ivanka discover the medieval town of Počitelj, in Herzegovina, fall in love with the place, and decide to buy an old abandoned house there. The restoration process proves to be longer and more difficult than expected, but in the end they manage to create a living place in Počitelj. In the 90’s Počitelj is devastated by the ex-Yugoslavian war, and Safet decides not to return to the old town. But his love for the place eventually brings him back, in the old, restored, Počitelj.

KAKO SAM JE UPOZNAO / HOW I MET HER Bosnia and Herzegovina, 2013, HDV, color, 12 min. • Režija / Director: Jasmin Gluhić • Screenplay: Jasmin Gluhić • Direktor fotografije / Director of Photography: Ado Hasanović

Jasmin i Viktoria se upoznaju online, na web stranici koja povezuje potpune strance radi zabave. Kako vrijeme prolazi, njih dvoje postaju sve bliži… Nakon godinu dana, napokon dogovaraju susret uživo u Jasminovom gradu, Sarajevu.

Jasmin and Viktoria meet online, over a website that hooks you up with random strangers, for the purpose of entertainment. As time passes, their communication grows. After one year they finally arrange a date for their first live encounter, in Jasmin’s hometown, Sarajevo.

KWON MOON Bosnia and Herzegovina, 2013, HDV, color, 15 min. • Režija / Director: Benjamin Dizdarević • Screenplay: Benjamin Dizdarević • Direktor fotografije / Director of Photography: Benjamin Dizdarević

Kwon Moon je dvadesetsedmogodišnji Koreanac koji dolazi u Sarajevo studirati režiju na Sarajevskoj filmskoj akademiji… Kwon istražuje Sarajevo, dio po dio, fotografiše i upija kulturu ovog grada, a u isto vrijeme vijesti o lošoj situaciji u Koreji prate ga gdje god krene…

Kwon Moon is a 27 year old Korean who has just arrived to Sarajevo to study film directing at Sarajevo Film Academy… Kwon explores the city of Sarajevo piece by piece, taking pictures and absorbing the culture – at the same time news about the critical situation in Korea is broadcasted everywhere he goes.

MAMA / MUM Bosnia and Herzegovina, 2013, HD, color, 20 min. • Režija / Director: Ado Hasanović • Screenplay: Mohammadreza Farzad, Ado Hasanović • Direktor fotografije / Director of Photography: Almir Đikoli • Muzika / Music: Marius Arcioni• Uloge / Cast: : Gordana Boban, Ena Kurtalic, Emir Fejzic

Žena, nakon što je bila optužena za ubistvo svog muža, izlazi iz zatvora nakon 13 godina. Dolazi kući i nailazi na svog sina i na njegovu trudnu djevojku. Sa spakovanim koferima i avionskim kartama u njihovim rukama, mladi par je spreman da se odseli u Australiju kako bi započeli novi život…

Woman, after she was accused of killing her husband, is released from prison after 13 years. She comes home and meets her Son and his pregnant Girlfriend. They are standing with packed suitcases and plane tickets in their hands... The young couple is ready to move to Australia and start a new life...

NEK JE ŽIVA GLAVA / AT LEAST WE SURVIVED Bosnia and Herzegovina, 2013, HD, color, 20 min. • Režija / Director: Amela Ćuhara • Screenplay: Amela Ćuhara • Direktor fotografije / Director of Photography: Almir Đikoli • Uloge / Cast: Ermin Sijamija, Arma Tanović, Izudin Bajrović

Pathological jealousy is turning into anger and paranoia. The story follows young lovers.

MAT Bosnia and Herzegovina, 2012, DVD, color, 11 min. • Režija / Director: Igor Tešić • Direktor fotografije / Director of Photography: Dejan Grujčić • Montaža / Editor: Saša Karakaš

Jedna simbolična partija šaha postaje igra života i smrti, grijeha i iskupljenja.

A symbolic chess game becomes a game of life and death, sin and redemption.

NAPRIJED U PROŠLOST / FORWARD TO THE PAST Bosnia and Herzegovina, 2013, DVD, color, 6 min. • Režija i scenarij / Director and Screenplay: Dragan Majkić • Direktor fotografije / Director of Photography: Pavle Ivanović • Montaža / Editor: Dragan Majkić

Film o mladosti i starosti, njihovim sličnostima i razlikama, o prolaznosti vremena i života.

Nakon što je razmijenjen u šumi, Edhem dolazi u Sarajevo da nađe svoju suprugu Zehru i njihovu zajedničku kćerku Hatidžu. Od familije u Sarajevu doznaje adresu na kojoj ona živi sa novim suprugom Hamedom. Vrata mu otvara Hatidža i ne prepoznaje ga… U njegovoj porodici više nema mjesta za njega…

A film about youth and old age, their similarities and differences, the passage of time and life.

After he has been exchanged in the forest, Edhem comes to Sarajevo to find his wife Zehra and their daughter Hatidža. His relatives in Sarajevo give him the address where Zehra lives with her new husband Hamed.

Hatidža opens the door and does not recognize him… There is no more place for him in his family…

Bosnia and Herzegovina, 2013, DVD, color, 5 min. • Režija i scenarij / Director and Screenplay: Dragan Vranjković • Direktor fotografije / Director of Photography: Srđan Šipka, Simo Iljić, Dragan Vranjković • Montaža / Editor: Dragan Vranjković

VITA MULIER Bosnia and Herzegovina, 2013, HDV, color, 13 min. • Režija / Director: Mirna Dizdarević • Screenplay: Mirna Dizdarević • Direktor fotografije / Director of Photography: Gorčin Zec

Ovo je priča o dvije balerine koje se generacijski razlikuju ali ih čeka ista sudbina kada je riječ o baletnoj umjetnosti, i koje se bore da opstanu u svom gradu koji njihovu umjetnost itekako ne zna da cijeni. Ovo je priča o opstanku. Ovo je priča o prijateljstvu i poštovanju između dva ljudska bića…

This is the story of two ballerinas. They belong to different generations, but they share the fate when it comes to the art of ballet. The two of them are struggling to survive in the city that does not value their art.

This is a story about survival, about friendship and respect between two human beings...

AKADEMIJA UMJETNOSTI BANJA LUKA / ACADEMY OF ARTS BANJA LUKA Kontakt / Contact: aubl@inecco.net

BEZ GRANICA / WITHOUT BORDERS Bosnia and Herzegovina, 2013, DVD, color, 9 min. • Režija i scenarij / Director and Screenplay: Srđan Šipka • Direktor fotografije / Director of Photography: Simo Iljić, Srđan Šipka • Montaža / Editor: Srđan Šipka

Priča o grupi mladića, koja novi i atraktivni sport koristi kako bi spasila omladinu od poroka i pokazala im pravu stranu ulice.

A story about a group of young men who use a new and attractive sport to draw young people from vices and show them the other side of the street.

INDIGO DJEČAK / INDIGO BOY Bosnia and Herzegovina, 2012, DVD, color, 6 min. • Režija i scenari/ Director and Screnplay: Anja Kavić • Direktor fotografije / Director of Photography: Jelena Vujasinović • Montaža / Editor: Srđan Šipka

OPSTANAK / SURVIVAL

Dokumentarni film o gradu i ljudima koji su postali sjenke i stapaju se sa betonom koji raste i dominira nad zanemarenom i uništenom prirodom.

The film about people who turned into shadows blending with asphalt growing around and dominating over the nature that is being neglected and destroyed.

PRAZNOVANJE / HOLIDAYING Bosnia and Herzegovina, 2013, DVD, color, 14 min. • Režija i scenarij / Director and Screenplay: Dajan Javorac • Direktor fotografije / Director of Photography: Simo Iljić • Montaža / Editor: Srđan Šipka

Hladan je zimski dan na planini. U malo selo se vraća Milenko. Danas on i majka moraju završiti nekoliko obaveza da bi se pripremili za Božić.

It’s a cold day on the mountain. Milenko returns to the little village. He and his mother have to prepare for Christmas celebration.

SAM SA SVIMA / ALONE WITH EVERYBODY Bosnia and Herzegovina, 2012, DVD, color, 20 min. • Režija i scenarij / Director and screenplay: Mladen Marijanović • Direktor fotografije / Director of Photography: Siniša Stjepanović • Animacija / Animation: Mladen Marijanović • Montaža / Editor: Mladen Marijanović, Nemanja Ivanović • Uloge / Cast: Dean Batoz, Vanja Ševa, Siniša Vučićević, Zenit Đozić

Dušan se zapošljava u policiji. Mlad, talentovan i željan dokazivanja, prihvata težak zadatak. Treba da sazna što više podataka o novopečenom kriminalcu koji hara gradom, takozvanom Frizeru. Njegov identitet je nepoznat. Dušan se vješto ubacuje u Frizerovu bandu i saznaje informacije o sljedećoj akciji Frizera. Dobija zadatak da uhvati Frizera na djelu, međutim, ne odvija se sve onako kako su planirali...

Dušan starts to work in the police. Young, talented and eager to prove himself he accepts a difficult assignment. His job is to find out everything about a new criminal in town called Barber, whose true identity is unknown. Dušan infiltrates Barber’s gang and finds out the details about the next action. He’s assigned to catch Barber red-handed, but not everything goes as planned..

Bolesna ljubomora se polako pretvara u bijes i paranoju. Priča prati mladi ljubavni par.

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SPOMENIK / MONUMENT Bosnia and Herzegovina, 2013, DVD, color, 4 min. • Režija i scenarij / Director and Screenplay: Dario Đuraković • Direktor fotografije / Director of Photography: Jelena Vuković • Montaža / Editor: Dario Đuraković

Simbol jednog grada, koji se stoljećima odupire mržnji, ponovo se podiže iz pepela.

Symbol of one city that was resisting hatred for centuries, rises from the ashes again.

SREĆA JE TOPLO KUČE / LUCK IS A WARM PUPPY Bosnia and Herzegovina, 2013, DVD, color, 11 min. • Režija i scenarij / Director and Screenplay: Jaglika Jovanović • Direktor fotografije / Director of Photography: Jelena Vujasinović • Montaža / Editor: Jaglika Jovanović

Dokumentarni film o tri nesrećne pseće priče sa srećnim završetkom, o okrutnosti i humanizmu, o tamnoj i svijetloj strani čovjeka kao gospodara ove planete. Ako je pas čovjekov najvjerniji prijatelj, šta je onda čovjek psu?

Documentary presenting three sad dog stories with a happy ending. This film is about the cruelty and humanism, the dark and the bright side of human as the master of the Planet. If a dog is man’s best friend, then what is the man to the dog?

is a story about children, workshop participants, who, through mutual discussion and interviews with elders from their environment, are searching for the truth about Bosnia and Herzegovina and it’s history. Dissatisfied by offered answers, kids run their own investigation. They run time machine through the fantastic history of their homeland, which takes them back to the era of pre-history, wars, weird rulers and rebellion.

SAMO JEDAN LET: PRIČA ZLATNOG LEPTIRA / A SINGLE FLIGHT: GOLDEN BUTTERFLY STORY *Samo za akreditovane goste festivala / Acreditation only Bosnia and Herzegovina, 2013, color, 70 min. • Režija / Director: Ibrahim Jakić • Scenarij / Screenplay: Ibrahim Jakić • Direktor fotografija / Director of Photography: Muharem Osmanagić • Uloge / Cast: Selma Jakić, Zoran Laketa, Samra Mlinar, Danko Dangubić, Malik Jakić, Ibrahim Jakić • Producent / Producer: Ibrahim Jakić • Producentska kuća / Production Company: I. B. Jakić Šejla Fond Zlatnog leptira

SAMO JEDAN LET jedinstveno je filmsko ostvarenje napravljeno prema istinitoj priči i legendi. Na jedan originalan, ljudski, iskren način govori o Mostaru, njegovim legendama, ljepotama i tugama.

A SINGLE FLIGHT is a unique film based on the true story and the true legend. In one authentic, decent and honest style this film talks about Mostar, it’s legends, it’ beauty and it’s sorrows.

ŠUMA / FOREST Bosnia and Herzegovina, 2012, DVD, color, 14 min. • Režija / Director: Dajan Javorac • Direktor fotografije / Director of Photography: Simo Iljić • Montaža / Editor: Srđan Šipka

Poslije smrti majke, Ružica se vraća u rodno selo. U pripremi za sahranu, pokušava se izboriti sa sjećanjima, ali prošlost je sustiže u liku komšije Svete koji pokušava da se osveti za smrt sestre u kojoj je učestvovala i Ružica.

After her mother’s death, Ružica returns to her home village. While preparing the funeral, she is trying to get in peace with her past but it comes hunting her down when her neighbour Sveta tries to avenge his sister’s death.

SPECIJALNE PROJEKCIJEPROJEKCIJE / special screenings BiH FILM - SPECIJALNE / special screenings

MIT O BOSNI I HERCEGOVINI V.1 / MYTH OF BOSNIA AND HERZEGOVINA V.1 Bosnia and Herzegovina, 2013, HD, color, 42 min. • Režija / Director: Saša Peševski • Muzika / Music: Haris Saračević • Kostimografkinja / Costume Designer: Adisa Vatreš • Autori / Authors: Vedad Tatić, Emir Mušić, Arman Dizdarević, Emin Kapetanović, Alan Ovčina, Tajra Ljubović, Ida Savić, Nina Kapetanović, Hana Obhođaš, Leda Šantić, Sergej Lemez, Tajra Ibrić, Jan Skoko, Lena Andrić• Izvršna producentica / Executive Producer: Dijana Salihagić • Producenti / Producers: Zana Marjanović, Feđa Hadžifejzović • Producentska kuća / Production Company: Magacin Kabare, Face TV • Kontakt / Contact: Magacin Kabare, Čekaluša 14, 71000 Sarajevo, BiH; Tel: +387 (0)66 935016; info@magacinkabare.com; www.magacinkabare.com

EVENT PRIME TIME PREDSTAVLJA / PRIME TIME PRESENTS:

AŽDAJA - SUMMONING THE BOSNIAN DRAGON Ovo je mali pogled u proces kreiranja nadolazećeg kratkog filma Ivana Ramadana.Autor će prikazati trailer, kao i nekoliko sekvenci iz filma, dajući nam tehnički osvrt i objašnjenja o tome kako su one napravljene.

AŽDAJA se temelji na legendi o bosanskom planinskom zmaju, a kombinacija je animiranog i igranog filma sa složenim ispreplitanjem ove dvije tehnike. Ivan Ramadan je odgovoran za režiju, koncept i svu animaciju, tako da će publika će imati priliku iz prve ruke steći uvid u to što će nam ovaj mnogo očekivani film donijeti.

Ovo je prvi projekat ove vrste u Bosni i Hercegovini, a nastaje u produkciji producentske kuće Prime Time.

A sneak peek into the creation of the upcoming short film by Ivan Ramadan. The author will screen the trailer as well as a sequence from the final film, followed by the in-depth technical explanation of how it was made.

AŽDAJA, meaning “The Dragon” is based on the legend of the Bosnian mountain dragon, and is half animated and half live action film with complex intertwining of the two techniques. Ivan Ramadan is responsible for directing, concept and all the animation, so the audience will have the chance to get the first hand glimpse into this much anticipated film.

This is the first project of this kind in Bosnia and Herzegovina. It is produced by “Prime Time” production.

MIT O BOSNI I HERCEGOVINI je dječiji dokumentarno-igrani film. Nastao je kao finalni produkt drugog ciklusa Radionice kreativnosti i mašte – Mali Magacin Kabare, namijenjenoj djeci od 6 – 14 godina, koja objedinjuje časove glume, plesa, scenskog pokreta, režije i dizajna, sa ciljem istraživanja i upoznavanja svijeta primjenom dramskih tehnika. MIT O BOSNI I HERCEGOVINI je priča o djeci, polaznicima Radionice kreativnosti i mašte Mali Magacin Kabare, koja kroz međusobni razgovor i intervjue sa starijim generacijama iz svoje okoline tragaju za istinom o Bosni i Hercegovini i njenoj historiji. Nezadovoljni ponuđenim odgovorima djeca pokreću vlastitu istragu. Prave vremeplov kroz fantastičnu historiju domovine, koji ih vodi nazad u doba prahistorije, ratova, čudnovatih vladara i pobuna.

MYTH OF BOSNIA AND HERZEGOVINA is feature-documentary film for children. It was created as the final product of the Second Cycle of workshops Creativity and Imagination – little Magacin Kabare, for children aged 6-14 years. Workshops combine acting classes, dance, stage movement, directing and design, with the goal to teach children to explore and learn about the world using drama techniques. MYTH OF BOSNIA AND HERZEGOVINA 228 19. Sarajevo Film Festival l BiH FILM - STUDENTSKI FILM / BiH FILM - SPECIJALNE PROJEKCIJE / EVENT

231 Sponzori / Sponsors 267 Hvala / Thank You 268 Index - Filmovi / Films 270 Index - ReĹžiseri / Directors 271 Festival Team

POKROVITELJI FESTIVALA

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ZVANIČNI PARTNER HOTEL SARAJEVO FILM FESTIVALA DOMAĆIN CINELINKA I REGIONALNOG FORUMA

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CINELINK COPRODUCTION MARKET DEVELOPMENT GRANT

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Hvala / Thank You

Ido Abram, Almir Ajdinović, Zlatko Akšamija, Anđelija Andrić, David Bauduin, Nedžad Borišić, Ahmet Boyacioĝlu, Edhem (Edo) Branković, Mirsad Buzar, Zvezdana Cvijetić, Biljana Čamur, Ivo Čolak, Elma Čomić, Igor Davidović, Amina Deljković, Jovan Divjak, Hamdija Dizdar, Ellis Driessen, Ognjen Džinić, Amela Efendić, Semir Efendić, Zoran Galić, Eric Garandeau, Rebekka Garrido, Tudor Giurgiu, Mersid Grbović, Ognjen Grujić, Amra Hadžiosmanović, Zakira Hasović, Hordila Cristian, Hrvoje Hribar, Eva Hubert, Ivana Ivišić, Lejla Kablar, Ramiz Kadić, Amela Kalčo Sokolović, Amer Kapetanović, Salmir Kaplan, Marin Kariz, Emir Kazić, Asmir Kedić, Stefan Kitanov, Nikola Knežić, Mustafa Krasnić, Anne Laurent, Antti Lauronen, Vlado Ljevar, Dariusz Maczka, Loic Magneron, Aida Mahić – Zec, Marina Maslać, Bojan Mastilović, Paweł Mrugacz, Amela Mulavdić, Hajrudin Mulić, Mariam Naqvi, Cristian Nicolescu, Kirsten Niehuus, Ivan Novak, Roberto Olla, Irina Orssich-Slavetich, Vedran Padalović, Tobias Pausinger, Rifet Planinčić, Jasmina Polić, Angelina Pudar, Marten Rabarts, Igor Rahelić, Selma Ridžanović, Franz Rodenkirchen, Gabriele Röthemeyer, Adis Salkić, Nevenka Savić, Tilman Scheel, Manfred Schmidt, Katriel Schory, Martin Schweighofer, Aviva Silver, Amra Smajlović, Igor Stanković, Dimče Stojanovski, Merima Šetić, Tina Šmalcelj, Bianca Taal, Azize Tan, Tamara Tatishvili, Snježana Tolić, Tina Trapp, Mirela Varagić, Rijad Vojniković, Alexander Wieser, Fadil Zolota

Albanian National Film Center of Cinematography, Austrian Film Comission, Austrian Film Commission, Centar kontrole zračnog prometa Sarajevo, Centar za kinemarografiju Kosovo, Continental Film, Coproduction Office, Demiurg, Digital Cube, Eye on Films, Filmski centar Srbije, Fondacija za kinematografiju, Fortissimo Films, Georgian National Film Center, Greek Film Center, Hrvatski audiovizualni centar, JU “Centar za sport i rekreaciju/FIS, Macedonian Film Fund, Magyar Filmunio, MegaCom Film, Ministarstvo odbrane BiH, Ministarstvo privrede Kantona Sarajevo, Ministarstvo saobraćaja Kantona Sarajevo, Ministarstvo sigurnosti BiH, Ministarstvo vanjskih poslova BiH, Ministarsvo unutrašnjih poslova Kantona Sarajevo, Protagonist Pictures, Raiffeisen banka dd BiH, Romanian Film Promotion, Slovenian Film Center, The Match Factory, The Walt Disney Company, Udruženje filmskih radnika BiH, UniCredit Banka, WIDE Management, Misija BiH pri EU u Bruxellesu

Thank You l 19. Sarajevo Film Festival 267

FILMS - ORIGINAL TITLE

¡Cuatro!

15 años y un día 2 automnes, 3 hivers

136 156 98

Escale, L’ étoile du jour, L’

182 168

F A A csendesek 167 99 Act of Killing, The Adria Blues 213, 222 137 African Cypher, The Aici…adica acolo 44 36 Alerik Alì ha gli occhi azzurri 100 Al-khoroug lel-nahar 198 36 Anna Anplagd 46 Apollo: prvo ratno kino 223 Araf 70 208 As pik - loša sudbina Äta lunch 160 101 Äta sova dö Aurora 119 160 Auschwitz On My Mind Autofokus 45 Avant le petit dejeuner 120

B Babysitter 210 Bambi Molesters: A Night in 166 Zagreb, The Before Midnight 126 Beško 223 Bez granica 227 47 Bijeg Bilo jednom u Počitelju 226 157 Blackbird Blancanieves 127 Blue 91 Blue Jasmine 128 Borgman 102 Broken Circle Breakdown, The 138 Buhar 171

Finding Family 50, 223 86 Fix, The Flight, The 171 37 Fotografii de Familie

G Gambozinos 93 51 Gangster te voli 104 Gloria Godišnji na moru 176 161, 202 Good Night Good Vibrations 139 Great Hip Hop Hoax, The 140 Grzeli nateli dgeebi 26

N

H Harry Dean Stanton: Partly Fiction 141 Hassel - Privatspanarna 82 83 Heli Here to Fall 202 Hide Your Smiling Faces 169 Horící ker 217

I I Fink U Freeky I’m Fine Thanks inconnu du lac, L’ Indigo dječak Intervallo, L’

Manqana, romelic kvelafers gaaqrobs 206 146 Marco Macaco Marfa şi banii 122 88 Mass of Men, The Mat 227 57 Meine Keine Familie Mi Abuela 153 92 Middag med familjen Misterio 88 Mit o Bosni i Hercegovini V.1

228 Mit o Bosni i Hercegovini v.2

154 Moartea domnului Lazarescu

123 Moja! Moja! Moja sobica! 177 183 Mutasalilun

86 203 105 227 106

J Ja kada sam bila klinac, bila sam klinka 52 Jugoslavija, kako je ideologija pokretala naše kolektivno telo 53 176 Jutarnje molitve

Najljepša djevoka u gradu

225 Naprijed u prošlost 227 200 Nation Estate Nek je živa glava 227 223 Nepokret Nono, het Zigzag Kind 147 Norte, hangganan ng kasaysayan 84

O obrana i zaštita 28, 222 O Duplo 92 Odumiranje 215 Okupacija, 27. slika 65 Omar 132 On the Beach 161 210 Onda vidim Tanju Only Lovers Left Alive 142 Opstanak 227 Orfej 38, 225

K

Când se lasă seara peste Bucureşti sau Metabolism 24 Cântico das criaturas 93 Carmen 25 cartuş de kent şi un pachet de cafea, Un 121 Ce n’est pas un film de Cow Boys 91 Cleaners, The 48 103 Congress, The Crna kraljica 223 Curse, The 202

Kako sam je upoznao 226 Kiruna-Kigali 224 Komba 210 Köttbullarna och gaffeltrollet 152 Kratki spoj 225 225 Krik Krivina 71, 223 Krugovi 131 Kružni tok 172 Küf 72 Kuuden päivän juoksu 87 Kwon Moon 226

Č Čеsт

37

D Dabba Dance Off “The Movie” Deweneti Dim Dimanches Doğma ocaq Donut

129 158 188 222 91 49 152

E Epizoda u životu berača željeza 130, 222

L Lamma shoftak lampe au beurre de yak, La Lebenden, Die Lud za tobom Lupu

73 87 74 54 27

M Mahjong 93 Making of Longbird, The 203 Mali debeli rakun 153 Mama 227 Mama Europa 55 manavis, O 56

268 19. Sarajevo Film Festival l FILMS - ORIGINAL TITLE

Pacijent 58, 224 Panihida 75 Paradies: Glaube 76 Paradies: Hoffnung 77 Paradies: Liebe 78 petit blond avec un mouton blanc, Le 154 Pimean Akas 89 Planes 148 Pokazatelnyy protsess: Istoriya Pussy Riot 143 Praznovanje 227 Presuda 59 133 Prince Avalanche Przed Minieciem 89

R Rabbitland Rana koja se krije Redikul Regina Rob Rudnik Runaway Day

38 225 225 60 61, 224 224 29

S Sa mamom Sainteté, La Sam sa svima

228 226 62 107 108 109 63 39 149 226 31 228 85 228 226 225 110 90 225

Š Šuma

228

T Talea 32 211 Terarij Though I Know the River Is Dry 184 111 Tian zhu ding Trois exercices d’interpretation 124 Tumult 203

U U braku sa švicarcem 64 Ubice 226 umbră de nor, O 39, 172 Uroki garmonii 112 Uski prolaz 226

V

P C

Samo jedan let: priča zlatnog leptira Samo tata Screens Selfish Giant, The Shom’ray Ha’Saf Short Term 12 Sickfuckpeople Sin Smurfs 2, The Snaž(e)ne Soldate Jeannette Spomenik Spring Breakers Sreća je toplo kuče Sretna Nova godina Stepenište Stop the Pounding Heart Story for the Modlins, A Svjetla grada

30, 222 192 227

Valaki vacsorára Vampirschwestern, Die Varijacija Very Dangerous Man, A vie d’Adele, La Villegas Vita Mulier Voorman Problem, The

40 150 226 200 113 170 227 204

W Wakolda Whaled Women Wir Fliegen World Not Ours, A

114 162 40 193

Y Ya man aach You & Me Forever

199 159

Z Zagonetni dječak Zeitgeschichten Zizi Zvao je tvoj ljubavnik

151 224 224 226

136 156 98

A Ace of Spades - Bad Destiny

208 Act of Killing, The 99 213, 222 Adria Blues African Cypher, The 137 36 Alerik 100 Alì Blue Eyes Alone With Everybody 227 36 Anna Apollo: First War Cinema 223 227 At Least We Survived Aurora 119 160 Auschwitz On My Mind Autofocus 45

50, 92 37 223 86 171 228 227

G Gangster of Love 51 108 Gatekeepers, The Gloria 104 161, 202 Good Night Good Vibrations 139 153 Grandmother Great Hip Hop Hoax, The 140 Grocer, The 56

H

B Babysitter 210 Bambi Molesters: A Night in 166 Zagreb, The Before Breakfast 120 126 Before Midnight Before Passing 89 223 Beško Black Queen, The 223 157 Blackbird Blancanieves 127 Blue 91 Blue Is the Warmest Color

113 Blue Jasmine 128 Borgman 102 Broken Circle Breakdown, The 138 Burning Bush 217 Butter Lamp 87

C Canticle of All Creatures Carmen Celestial Space Cigarettes and Coffee Circles Cleaners, The Coal Mine Coming Forth By Day Congress, The Crazy About You Curse, The

F Family Dinner Family Pictures Finding Family Fix, The Flight, The Forest Forward To The Past

93 25 89 121 131 48 224 198 103 54 202

D Daddy Cool 226 Dance Off “The Movie” 158 Dead and the Living, The 74 Death of Mr. Lazarescu, The

123 Deweneti 188 Doppelgänger 92 152 Donut

E Eat Sleep Die 101 Eating Lunch 160 Episode in the Life of an Iron Picker, An 130, 222 Escape 47

Happy New Year 226 112 Harmony Lessons Harry Dean Stanton: Partly Fiction 141 83 Heli Here to Fall 202 44 Here... I Mean There Hide Your Smiling Faces 169 176 Holiday at the Seaside Holidaying 227 How I Met Her 226

I I Fink U Freeky I’m Fine Thanks In Bloom Indigo Boy Infiltrators Interval, The It Was Better Tomorrow It’s Not a Cowboy Movie

86 203 26 227 183 106 199 91

K Killers, The Kiruna-Kigali Komba Krivina Kwon Moon

226 224 210 71, 223 226

L Lights Of City 225 Little Blond Boy With a White Sheep, The 154 Little Raccoon, The 153 Luck Is a Warm Puppy 228 Lunchbox, The 129

M Machine Which Makes Everything Disappear, The 206 Mahjong 93 Making of Longbird, The 203 224 March Of Time, The 146 Marco Macaco Married to the Swiss Franc

64 Mass of Men, The 88 Mat 227 Meatballs and Fork Beast 152 Mold 72 Monument 228 Morning Prayers 176

168 Morning Star Most Beautiful Girl in Town

225 Mother Europe 55 227 Mum My Fathers, My Mother & Me

57 49 My Kith and Kin My! My! My Little Room! 177 151 Mysterious Boy, The Mystery 88 Myth of Bosnia and Herzegovina V.1, The 228 Myth of Bosnia and Herzegovina v.2, The 154

N Narrow Passage 226 200 Nation Estate Non-Movement 223 147 Nono, the Zigzag Kid Norte, the End of History 84

85 Spring Breakers Staircase 225 Stop the Pounding Heart 110 Stop-over 182 Story for the Modlins, A 90 Stranger, A 28, 222 105 Stranger by the Lake 226 Strong Stuff and Dough 122 91 Sundays Survival 227

T Talea 32 211 Terrarium Then I See Tanja 210 Though I Know the River Is Dry 184 Three Exercises of 124 Interpretation Touch of Sin, A 111 203 Tumult

O

U

Occupation, the 27th Picture 65

132 Omar On the Beach 161 Once Upon a Time in Počitelj

226 142 Only Lovers Left Alive Orpheus 38, 225

Unplugged

P Panihida 75 Paradise: Faith 76 Paradise: Hope 77 Paradise: Love 78 Patient 58, 224 Planes 148 Pride 37 Prince Avalanche 133 Pussy Riot: A Punk Prayer 143

R Rabbitland Regina Ridiculous Roland Hassel Roundabout Runaway Day

38 60 225 82 172 29

FILMS - ENGLISH TITLE

¡Cuatro!

15 Years + 1 Day 2 Autumns, 3 Winters

46

V Vampire Sisters Vanished Into Blue Variations Verdict, The Very Dangerous Man, A Villegas Vita Mulier Voorman Problem, The

150 171 226 59 200 170 227 204

W Wakolda 114 We’re Flying 40 Whaled Women 162 When Evening Falls on Bucharest or Metabolism 24 When I Saw You 73 When I Was a Boy, I Was a Girl

52 Wild Haggis 93 With Mom 30, 222 Withering 215 Without Borders 227 Wolf 27 World Not Ours, A 193 Wound That Is Hidden, A 225

S Sanctity 192 Scream 225 Screens 62 Selfish Giant, The 107 Shadow of a Cloud 39, 172 225 Short Circuit Short Term 12 109 Sickfuckpeople 63 Silent Ones 167 Single Flight: Golden Butterfly Story, A 228 Six Day Run 87 61, 224 Slave, A Smoke 222 Smurfs 2, The 149 Soldate Jeannette 31 Someone for Dinner 40 Somewhere in Between 70 Son 39

Y You & Me Forever 159 Your Lover Just Called 226 Yugoslavia, How Ideology Moved Our Collective Body

53

Z Zizi

224

FILMS - ENGLISH TITLE l 19. Sarajevo Film Festival 269

directors

A Abu-Assad Hany Ahd Albert Barbara Allen Woody Anderson Will Angelov Desislav Anonymous Aydın Ali

G 132 192 74 128 203 171 99 72

B Baigazin Emir Bajrić Faris Bakhtiari Kaveh Bal Vincent Ballen Roger Barnard Clio Barrington Johnny Barros D’Sa Lisa Batra Ritesh Bavellas Dimitris Begović Nedžad Berger Pablo Betbeder Sébastien Bilbija Petar Blondy Sophie Boujemaa Hinde Boulifa Fyzal Buxton Jason

112 226 182 147 86 107 203 139 129 29 223, 224 127 95 225 168 199 202 157

C Capatana-Juller Laura Carbone Daniel Patrick Charalambous Spiros Cohn Andrei Constantinescu Ștefan Cousins Mark Cynn Christine

44 169 36 37 92 223 99

Ć Ćuhara Amela

227

D d’Ansembourg Muriel Daniel Cretton Destin Dési András György di Costanzo Leonardo Diaz Lav Dizdarević Benjamin Dizdarević Mirna Drljača Igor

161, 202 109 40 106 84 226 227 71, 223

Đ Đan Mirjana Đikoli Almir Đuraković Dario Đurović Draško

225 226 228 228

E Eduardo Carlos Smith Róvira 153 Einhorn Ewa 162 26 Ekvtimishvili Nana Escalante Amat 83

F Finlay Jeanie Fleifel Mahdi Folman Ari

140 193 103

270 19. Sarajevo Film Festival l DIRECTORS

G. Vesnakov Pavel García Ibarra Chema Gauchet Gabriel Gavran Đuro Gaye Dyana Georgousis Konstantinos Gill Mark Giovannesi Claudio Gluhić Jasmin Golubović Srdan Gomes Miguel Gosnell Raja Green David Gordon Groó Diana Groos Wolfgang Groşan Cristina Groß Simon Guerra da Mata João Rui Guiraudie Alain Gurchiani Tinatin

37 88 88 59 188 48 204 100 226 131 93 149 133 60 150 176 26 93 105 206

Lerner Mike Lerotić Juraj Leslie Chris Leyburn Glenn Linklater Richard Little Bryan Littler M.A. Lončarević Faruk Lotfy Hala Lucas Bianca Lukovac Faris

M

Hagelbäck Johan 152 Hall Klay 148 184 Hamilton Omar Robert Hasanović Ado 226, 227 154 Henriod Eloi 31 Hoesl Daniel Holland Agnieszka 217 223 Hrustić Nisvet Huber Sophie 141

Machnes Assaf Magrabi Nidal Majdak,jr. Nikola Majkić Dragan Mandić Miroslav Månsson Måns Marijanović Mladen Marinković Pavo Marunović Danilo Minervini Roberto Mitevski Vuk Móray Gábor Moreh Dror Mückstein Katharina Mujagić Damir Mujezinović Ismar Munk Kaspar Musić Kenan Mustață Bogdan

I

N

H

Ismailov Rodion

49

J Jacir Annemarie Jakić Ibrahim Jarmusch Jim Jarrar Khaled Javorac Dajan Je Kim Jeuno Jelčić Bobo Jovanović Jaglika Jude Radu Jurilj Zdenko Jušić Hana

73 228 142 183 227, 228 162 28, 222 228 39, 172 58, 224 211

K Kamerić Šejla Kang Stephen Kapetanović Goran Kavić Anja Kechiche Abdellatif Keča Srđan Kelly Kris Khaled Mazen Kofler Ulrike Korine Harmony Kotzmani Konstantina Koutsiabasakos Dimitris Kovačević Mladen Kreso Una

223 91 224 227 113 47 202 200 40 85 176 56 46 225

L Lee Seoyeun Lelio Sebastián Lenken Sanna

152 104 160

143 210 50, 223 139 126 137 166 30, 222 198 89 225

Nagypál Orsi Nedeljković Ana Nicolau João Nițescu Doru Novaković Ante

160 226 38 227 213, 222 82 227 65 54 110 36 40 108 32 226 222 159 225 27

172 38 93 25 86

90 203 171 99 64

91 154, 228 101 45 53 24 143 114 119 - 124 215

Q Querejeta Gracia

156

R Rahbek Jan Rechinsky Juri Rijneke Ricky Robert Paul-Julien Rodrigues João Pedro Rojas Juliana

S Samardžić Neven 226 Sa-Nguanhai Ukrit 89 200 Sansour Larissa Scutelnicu Ana-Felicia 75 76, 77, 78 Seidl Ulrich 55 Seliškar Petra Sgualdo Marie-Elsa 161 39, 210 Sikavica Ivan Slak Hanna 62 51 Slijepčević Nebojša 176 Stanković Katarina

Š Šečić Hari Šimek Redžinald Šipka Srđan Šmalcelj Tina Švrakić Admir

226 225 227 38, 225 225

T Taanila Mika Tanović Danis Tanović Ines Tešić Igor Tobal Gonzalo Todorović Ivana Tomić Oggi Tubonjić Katarina

87 130, 222 224 227 170 52 50, 223 224

Ustaoğlu Yeşim

70

V Van Groeningen Felix 138 Van Warmerdam Alex 102 Vekarić Barbara 153, 177 Veluz Resurreccion Andrew 158 Vranjković Dragan 227

W Wei HU Wheeler Tim

87 136

Z

P Parent Benjamin Peševski Saša Pichler Gabriela Poljak Boris Popivoda Marta Porumboiu Corneliu Pozdorovkin Maxim Puenzo Lucía Puiu Cristi Pušić Miloš

91

U

O Oksman Sergio O’Neill Eamonn Öner Abdurrahman Oppenheimer Joshua Oremović Arsen

Rosier Valéry

146 63 167 57 95 92

Zec Gorčin Zhang-Ke Jia Zlatar Enes Zorlak Elvedin

226 111 223 226

Ž Žalica Pjer Žanić Tin Žarković Dražen

61, 224 210 151

Advisory Board Izeta Građević, Creative Director Jovan Marjanović, Head of Industry Philippe Bober, New Currents Programmer Creative Director Izeta Građević Head of Programming Amer Bećirbegović Programmers Elma Tataragić, Competition Features, Competition Shorts and In Focus Rada Šešić, Competition Documentaries Philippe Bober, New Currents Vanja Kaluđerčić, New Currents Shorts Mike Goodridge, Kinoscope Alessandro Raja, Kinoscope Mathilde Henrot, Kinoscope Mikel Olaciregui, Delegate for Spain and Latin America Racha Salti, Delegate for Midle East Industry Jovan Marjanović, Head of Industry Ena Đozo, Industry Manager CineLink Jovan Marjanović, Head of Industry Amra Bakšić Čamo, Head of CineLink Sarajevo Talent Campus Asja Makarević, Project Manager Sarajevo City of Film Ivana Pekušić, Project Manager Alex Traila, Development Producer Minimarket Vanja Kaluđerčić, Programme Manager Rough Cut Boutique Rada Šešić, Head of Competition Programme – Documentary Film and Coorganizer of Docu Rough Cut Boutique Martichka Bozhilova, Director of the Balkan Documentary Center and Coorganizer of Docu Rough Cut Boutique Operation Kino Ena Đozo, Head of Operation Kino Ana Franjčević, Operation Kino Coordinator International Relations Lejla Karišik, Head of International Relations Nejra Kozarić, Assistant Executive Producer Almir Palata Selma Delić, Assistant Mersiha Halilović, Assistant Budget Planner – Analyst and Internal Audit Sabina Branković Lamija Muminović, Assistant Administrative Office Dževad Mujan Sarajevo Talent Campus Office Ivana Pekušić, Project Coordinator Selection: Amra Bakšić Čamo, Izeta Građević, Jovan Marjanović, Elma Tataragić, Gabriele Brunnenmeyer, Nebojša Jovanović Talent Administration and Guest Management: Zsuzsanna Bayer, Nadina Habibović Ahmed Alić, Tecnical Coordinator Rusmir Efendić, Location Manager (ASU) Amer Alić, Amer Ćosović, Muhamed El-Mordeha, Field Technicians Yara Castanheira, STC Pack&Pitch Coordinator Project Assistants: Maire Ryan, Valerie Snehotta Info Desk: Nejra Branković, Adna Aličić, Maja Bradarić Aziz Čeho, STC Video Documentation STC Notebook: Nebojša Jovanović, Ivana Kalember, Asja Makarević CineLink Office Armin Hodžić, CineLink Coordinator Asa Garnet, CineLink PR

Maša Marković, Meetings Coordinator Tobias Pausinger, Work in Progress Consultant Alex Traila, Work in Progress Coordinator Tina Hajon, CineLink Line Producer Adnan Čomor, Industry Assistant Zlatko Karahodžić, CineLink Assistant Mladen Ungar, CineLink Assistant Competition Feature and Short Program Office Asja Krsmanović, Coordinator Sanela Krsmanović, Jury Coordinator Melina Alagić, BH Film Festival Coordinator Assistants: Džejna Avdić, Ivor Doder, Staša Dukić, Jasmina Durmišević, Nataša Govedarica, Alisa Hadžihasanović, Alisa Hadžimehmedagić, Emina Hadžiredžepović, Hana Karadža, Emina Kutlovac, Selma Muharemović, Lejla Muratčauš, Ena Omerović, Ensar Sulejmanagić, Bojana Vidosavljević Competition Documentary Programme Office Bojan Popić, Coordinator of Competition ProgrammeDocumentarny Film Mario Piragić, Coordinator of DocuCorner and Rough Cut Boutique Sponsorship Department Anja Mušanović, Manager Jelena Pojužina, Manager Šerif Hajduk, Assistant Programmes Coordinator Emir Pekmez Children’s Programme, TeenArena Asja Makarević, Project Coordinator Nađa Čengić, Senior Assistant Sead Karaahmetović, Program Assistant Benjamin Čengić, Technical Coordinator Press Office Altijana Marić, Manager Alma Hadžić, Manager Edin Muftić, Press Centre Manager Vanja Lazić, Interview Protocol/Press Accreditations Graphic Design Boom produkcija! Lela Begić Vuletić, Jasenka Bećirbegović, Dejan Ćorić SFF Daily Dijala Hasanbegović, Editor Daily Team: Marinela Domančić, Monja Šuta, Segor Hadžagić, Namir Ibrahimović, Journalists Translators: Una Tanović, Aleksandar Brezar Zorica Pandžić, (DTP) Festival TV Craig Mason, Interviews Filip Kenović, on-line editor Irfan Brković, TV crew Adnan Hatić, TV crew Emir Šehanović, TV crew Zijah Jusufović, TV crew Kenan Kalić, technical support Samir Lačević, technical support Photographers Almin Zrno, Senad Gubelić, Jasmin Brutus, Nermin Čolić SFF Website Lejla Kalamujić, Administrator Festival Shop Sales Managers: Dino Tahirović, Dino Hadžiabdić, Dino Dizdarević Assistants: Amila Kiso, Hana Mavrić, Džana Mehmedović, Ajdin Purivatra Festival Administration Office Hajrudin Ajkunić, Accountant Aida Memović, Secretary Mia Varivoda, Administration Assistant Ena Bašić, Director’s Assistant Hospitality Team Nedim Čengić, Hospitality Service Manager Gabrijela Zlatunić, Guest Relations Ana Martinović, Guest Relations Faris Koldžo, Guest Relations Bakir Milić, Travel Reservations Eldin Buljubašić, Accommodation Edina Čomor, Visas and Excursions

Events Managemen: Ida Smailbegović, Manager Mak Krstić, Assistant Minela Sačić, Assistant Protocol Office Nihad Branković, Head of protocol Mak Muftić, Protocol Coordinator Sanjin Hadžiomerović, Protocol Officer Marina Medić, Protocol Officer Nataša Stupar, Protocol Officer Ana Maglajlić, Protocol Officer Sajra Mujan, Protocol Assistant IT Department Nedim Kovač, IT and System Manager IT Technicians: Ermin Dedović, Bakir Husović, Nedim Mehić, Mirza Ćutuk, Kenan Hadžić, Zlatan Bašić Festival Square Srđan Duletić, Alma Gutić, Bojan Skočajić

festival team

Director Mirsad Purivatra

Accreditations Ines Lučić, Ena Alečković, Sandra Mehmedović Golden Cards Ana Jurišić, Almina Kajević Box Office Managemant Feđa Purivatra, Box Office Manager Ermin Dedović, Bakir Husović, Box Office Manager Assistants Assistants: Belma Varupa, Lejla Deljkić, Jasmina Brdarić, Nina Čavrk, Amela Hajdarević, Vildana Mamić, Anja Miljanović, Aldijana Selimbegović, Amra Dragnić, Elma Arnautović, Kenan Kalisi, Dalila Fejzagić, Inda Hadžović, Sanela Alić, Edin Alihodžić, Mirela Milak Volunteers Coordination Vildana Abaz, Assistant Lejla Slugić, Assistant Translators Amira Sadiković, Una Tanović, Aleksandar Brezar, Alma Gačanin, Sanja Vrzić, Sanja Papo Kulić, Gorana Mlinarević, Daniel Polimac, Aida Gadžo, Belma Selimović, Iris Brkić, Đenana Preljević, Nebojša Jovanović, Samir Omerović, Advan Košarić, Mirsad Čelegija, Asja Hafner, Selma Hodžić, Nevena Sijeričić, Selma Đuliman, Amir Đuliman Proofreaders Amira Sadiković, Dževida Šehić, Milan Vuković, Azra Rizvanbegović Audience Award Coordinator Haris Serdarević Location Managers Adis Memović, !hej Open Air Cinema Danko Bevanda, National Theatre and Laško Cinema Mersiha Halilović, Meeting Point Fikret Pandžić, Novi Grad Open Air Cinema Darko Arsenovski, Open Air Cinema Vatrogasac Ensar Omičević, Multiplex Cinema City Hamid Sofitić, BKC Projectionists Adis Memović, Video Tehnicians: Ensad Omičević, Amel Fetahović, Aldin Avdović Ismar Hodžić, Tehnical Support Print Checking Tarik Hadžović Technical Department Abid Ahmetagić, Head of Technical Support Almir Mušinović, Alden Ahmetagić, Amil Tuzlak, Ramiz Memović, Muamer Bojko, Almed Memović, Jasmin Okanović, Nedžad Bićić, Admir Zero, Dino Halilović Drivers Nedim Hasanbegović, Head of Transport Sejad Ahmetagić, Logistics Caffè Jasmina Bajramović, Svjetlana Sušić, Dragan Nikolić, Đina Đino Maintenance Sadiha Murtić, Amela Jahić Security Sevice Securitas BH d.o.o.

FESTIVAL TEAM l 19. Sarajevo Film Festival 271