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AUGU---I 2015

SARAJEVO Fl LM FESTIVAL POWERED BY

Doha Film Institute is proud to present the third annual

Ajyal Youth Film Festival Save the Date!

29 Novemberâ&#x20AC;&#x201C;5 December, 2015

DFI Ajyal 2015 Save the date ad_Sarajevo Catalogue.indd 1

7/6/15 12:46 PM

KATALOG / CATALOGUE

GENERALNI SPONZOR

GLAVNI SPONZOR

EKSKLUZIVNI SPONZORI

REALIZOVAN UZ PODRÅ KU

FESTIVALSKI PARTNER

KATALOG / CATALOGUE Urednik / Editor Lamija Ćehajić Izvori / Sources Bakir Milić, Lejla Begić Vuletić, Lamija Ćehajić, Altijana Marić, Asja Krsmanović Prevod / Translation Sabina Nikšić, Magdalena Popović Lektura / Proofreading Jasna Kovo, Ivan Šunjić (bosanski jezik / Bosnian) Sabina Nikšić (engleski jezik / English) Grafičko oblikovanje i DTP / Graphic design and DTP BOOM! Produkcija Štampa / Print BLICDRUK d.o.o. Sarajevo Tiraž / Print run 2000

SARAJEVO FILM FESTIVAL Zelenih beretki 12, 71000 Sarajevo, Bosna i Hercegovina Tel. +387 33 209 411; +387 33 221 516, Fax. + 387 33 263 381 programmes@sff.ba, www.sff.ba 4

21. Sarajevo Film Festival l IMPRESSUM

Sadržaj / Contents

7 Festival Introduction 8 Žiri / Jury 19 Nagrade / Awards 21 Takmičarski program - igrani film / Competition Programme - Feature Film 35 Takmičarski program - kratki film / Competition Programme - Short Film 43 Takmičarski program - dokumentarni film / Competition Programme - Documentary Film 69 U fokusu / In Focus 79 Open Air 89 Kinoscope 111 Shorts

European Shorts

Carte Blanche: Shorts Presented by Sundance Film Festival Programmer Kim Yutani

Carte Blanche: Clermont - Ferrand

CINEFONDATION CANNES: Winners 2015

SHORT MATTERS! - European Film Academy Short Film Nominees 2014 EE BAFTA Short Film Nominees 2015: A British Council Touring Programme

137 Laško Summer Nights 145 Dječiji program / Children’s Programme 157 TeenArena 167 Posvećeno / Tribute to

Brillante Mendoza

Atom Egoyan 183 Operacija Kino / Operation Kino 193 Human Rights Day 197 Sarajevo Film Festival Partner Presents

Doha institut za film / Doha Film Institute 205 Sarajevo Film Festival Guests Present

The Morelia International Film Festival (FICM)

Film Factory 213 Dealing With the Past 219 Pretpremijere / Avant Premiere 223 Specijalna projekcija / Special Screening 227 BiH FILM 241 Sponzori / Sponsors 274 Hvala / Thank You 275 Festival Team 276 Index - Films 278 Index - Directors

CONTENTS l 21. Sarajevo Film Festival

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GENERALNI SPONZOR

GLAVNI SPONZOR

EKSKLUZIVNI SPONZORI

REALIZOVAN UZ PODRŠKU

ZVANIČNI PREVOZNIK FILMOVA

FESTIVALSKI PARTNER

ZVANIČNO VINO

ZVANIČNI IT DOBAVLJAČ

ZVANIČNO PIVO

ZLATNI SPONZORI

SREBRENI SPONZORI

SREBRENI SPONZORI

INTERNACIONALNI PARTNERI

TEHNIČKA PODRŠKA

PODRŠKA

6

21. Sarajevo Film Festival l SPONZORI

PARTNERI

TEHNIČKA PODRŠKA

ZVANIČNA ZAŠTITARSKA AGENCIJA

Dobrodošli na 21. Sarajevo Film Festival / Welcome to the 21st Sarajevo Film Festival

Mirsad Purivatra

Dvadeset i prvo izdanje Sarajevo Film Festivala će vam dati priliku da steknete uvid u ono što je značajno obilježilo regionalnu i svjetsku kinematografiju u godini koja je iza nas. Čini se da regija Jugoistočne Evrope nije odavno imala plodonosniju filmsku godinu. Ovogodišnji SFF Takmičarski program igranog filma donosi deset, od kojih su čak šest debitantski naslovi. Činjenica da je čak pet od tih naslova bilo prikazano u programima Filmskog festivala u Cannesu gdje su osvojili četiri prestižne nagrade, dovoljno govori o kvaliteti selekcije. Raduje nas činjenica da su producenti i autori filmova prikazanih u Cannesu odabrali Sarajevo za svoje regionalne premijere i time pokazali koliko im znači dolazak u Sarajevo i borba za nagradu Srce Sarajeva. Kvalitet i raznovrsnost selekcije upotpunjavaju ostvarenja nekolicine mlađih autora, među kojima su i tri debitanta, koji nam donose tri svjetske premjere.

Izvanredno zanimljivo izdanje takmičarskih programa, prati još jedna velika posebnost ovogodišnjeg izdanja festivala. Program Posvećeno... ove godine ima za goste dvojicu istinskih filmskih velikana – Brilliantea Mendozu i Atoma Egoyana. Zanimljivo će biti sagledati uporedo dva filmska opusa, dvojice autora koji su rođeni iste godine, čije je stvaralaštvo obilježeno potpuno drugačijim životnim, geografskim i prije svega filmskim iskustvom.

Poseban programski fokus ove godine je usmjeren na kratki film. Smatramo da je uloga regionalnih festivala od izuzetnog značaja u promociji kratke filmske forme kao osnove za razvoj mladih autora. Projekcijama više od stotinu kratkih filmova te cjelodnevnim susretima autora i filmskih profesionalaca želimo dodatno potaknuti regionalnu scenu na razgovor i saradnju, te time stvoriti atmosferu u kojoj će koprodukcija biti način razmišljanja a ne eksces.

Poseban doprinos tim susretima dat će i gostovanje najboljih kratkih filmova sa prestižnih festivala Sundance i Clermont-Ferrand.

Daleko od očiju javnosti, Hotel Europe je već godinama mjesto okupljanja brojnih predstavnika filmske indutrije. Povjerenje koje nam ukazuje regionalna filmska industrija doživljavajući Sarajevo Film Festival kao neizostavnu tačku u svojim profesionalnim agendama, tjera nas na stalno poboljšavanje i nadopunjavanje postojećih, već etabliranih projekata – CineLink-a i Regionalnog foruma. Najavljeni gosti, njihov broj i kvalitet ukazuju na to da će naš najmlađi projekat, Industry Terrace, upravo ove godine doživjeti svoj puni procvat i opravdati napore koje smo uložili u njegovo uspostavljanje i promociju.

Dobrodošli u Sarajevo i uživajte!

E The 21st edition of the Sarajevo Film Festival will give its audience an insight into the most notable regional and global cinematic achievements of the past year.

The year that is behind us appears to have been the most fruitful one in recent times for Southeast European cinematography.

The Feature Competition Programme of the 21st SFF has lined up ten films, including six debuts. The fact that half of the films selected were screened at the Cannes Film Festival, having won four prestigious awards, is a testament to the quality of our lineup. We are happy that the authors and producers of the films screened at Cannes have chosen to stage their regional premieres in Sarajevo, thus showing how much competing for the Heart of Sarajevo matters to them. Several films by young authors, including three debuts due to have their world premiers in Sarajevo, complement the quality and diversity of our feature competition programme.

This year’s ‘Tribute to...’ programme will host two great names of contemporary cinema – Brillante Mendoza and Atom Egoyan. We will enjoy following the side-by-side retrospectives of films by the two completely different artists, born in the same year, but whose work has been shaped by different living conditions, origin and above all, different film experience.

This year, the Festival focuses on the short film. We believe that the regional film festivals play a vital role in promoting this format as the starting point for the developing film talents.

By screening over a hundred short films and bringing together young filmmakers and seasoned film professionals, we hope to encourage dialogue and cooperation between representatives of national filmmaking communities of our region to create an atmosphere in which regional co-productions become a norm rather than an exception. Contributing to this effort will be the screening of some of the best shorts presented in the prestigious Sundance and Clermont-Ferrand film festivals.

Hotel Europe has for years been the meeting point for numerous film industry representatives.

The trust invested in us by representatives of the regional film industry who perceive the SFF as the crucial spot on their professional agenda inspires us to improve and further develop our CineLink and Regional Forum platforms.

The number and professional standing of guests who confirmed their participation in our youngest project, the Industry Terrace, give us reason to believe that this project will fully bloom and justify the effort we have invested in its development.

Welcome to Sarajevo and enjoy with us!

Mirsad Purivatra and the Festival team FESTIVAL INTRODUCTION l 21. Sarajevo Film Festival

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Žiri Takmičarskog programa – igrani film / Competition Programme Jury– Feature Film

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21. Sarajevo Film Festival l ŽIRI

CĂLIN PETER NETZER Reditelj, Rumunija / Director, Romania

DIANA BUSTAMANTE Umjetnička direktorica Cartagena International Film Festivala, Kolumbija / Artistic Director of Cartagena International Film Festival, Colombia

PREDSJEDNIK ŽIRIJA TAKMIČARSKOG PROGRAMA – IGRANI FILM Călin Peter Netzer rođen je 1975. godine u gradu Petrosani, Rumunija. Sa roditeljima je imigrirao u Njemačku 1983. godine da bi se godinu dana kasnije nastanio u Štutgartu gdje završava osnovnu i srednju školu. Na Univerzitetu za pozorište i fim u Bukureštu 1999. godine diplomirao je filmsku režiju.

Njegovi kratki i igrani film istog imena MARIA prikazani su na prestižnim filmskim festivalima širom svijeta, a nagrađeni su na festivalu u Locarnu (Velika nagrada žirija i nagrada Srebreni leopard za glumce). Igrani film MARIA je 2003. godine nominovan i za nagradu Evropske filmske akademije.

Netzerov naredni igrani film MEDAL OF HONOR je izabran na više od trideset filmskih festivala, a osvojio je nagradu Srebreni Alexander na Filmskom festivalu u Solunu, kao i četiri nagrade na festivalima u Torinu, Majamiju, Duresu, Los Anđelesu i Zagrebu.

Njegov treći igrani film CHILD’S POSE proglašen je najboljim filmom šezdesettrećeg Međunarodnog filmskog festivala u Berlinu, postavši prvi rumunski igrani film u historiji koji je osvojio Zlatnog medvjeda. CHILD’S POSE je bio i najgledaniji film u rumunskim kinima u proteklih petnaest godina i zvanični rumunski kandidat za nagradu Oscar Američke filmske akademije za najbolji film na stranom jeziku.

E PRESIDENT OF THE COMPETITION PROGRAMME – FEATURE FILM JURY Călin Peter Netzer was born in 1975 in Petrosani, Romania. In 1983, he immigrated to Germany with his parents. From 1984 he has been living in Stuttgart where he graduated from high school. He graduated in film directing at the Theatre and Film University of Bucharest in 1999.

His short and feature films both entitled MARIA were screened in prestigious festivals around the world and won awards in Locarno (Grand Prize of the Jury and the Silver Leopards for the actors). The feature film was also nominated for the EFA Awards in 2003.

His next feature, MEDAL OF HONOR, was selected in more than 30 festivals and awarded in Thessaloniki with the Silver Alexander and four other prizes, in Turin, Miami, Durres, Los Angeles, Zagreb.

His third feature film CHILD’S POSE was awarded with the Golden Bear at 63rd Berlin International Film Festival. It was the first Romanian feature ever to receive this award. It’s also the most successful box office Romanian film in the last 15 years and Romania’s official entry for Academy Awards – Best Foreign Language Film.

Diana Bustamante je rođena i odrastala je u Kolumbiji, a proteklih godina je predvodila aktivnosti na međunarodnoj popularizaciji kolumbijske kinematografije. Producirala je niz filmova, uključujući PUTOVANJA VJETRA (2009) Cire Guerra, koji je 2009. uvršten u program Un Certain Regard Filmskog festivala u Cannesu, i ZAMKA ZA GLUPOSTI Oscara Ruiza Navije koji je osvojio FIPRESCI nagradu na Filmskom festivalu u Berlinu, kao i filmove LA PLAYA Juana Andrésa Arangoa i LA SIRGA Williama Vege koji su premijerno prikazani u Cannesu 2012. godine u programima Un Certain Regard i Quinzaine des réalisateurs. Bustamante se 2013. godine vratila u Cannes sa kratkim filmom SOLECITO Oscara Ruíza Navia, a producirala je i njegov posljednji film LOS HONGOS koji je na Filmskom festival u Locarnu osvojio nagradu žirija. Producirala je i posljednji film Jorgea Foreroa VIOLENCIA koji je premijerno prikazan u programu Forum Filmskog festivala u Berlinu. Njen posljednji film LAND AND SHADE u režiji Cesara Acevedoa je osvojio nagradu Zlatna kamera ovogodišnjeg Filmskog festivala u Cannesu. Sa svojom kompanijom Burning Blue je producirala filmove poput filma LOS MEJORES TEMAS Nicolasa Pereda, REFUGEE Diega Lermana i CLIMAS Enrica Pereza.

Uporedo sa radom na produkciji filmova, uspostavila je odjel za film Caracol Televizije kojim je i upravljala od 2008. do 2012. godine.

Od 2013. godine radi za Međunarodni filmski festival Cartagena de Indias (FICCI), a posao kreativne direktorice festivala preuzela je 2015.

E Diana Bustamante, born and raised in Colombia, has led the internationalization of the Colombian cinema over the past years. She produced films such as THE WIND JOURNEYS

by Ciro Guerra, selected in the 2009 Cannes Film Festival section Un Certain Regard & CRAP TRAP by Oscar Ruiz Navia which was the winner of the FIPRESCI award of Berlin 2010. She has also produced LA PLAYA by Juan Andrés Arango and LA SIRGA by William Vega, both of which premiered at the 2012 Cannes Film Festival in sections Un Certain Regard and Quinzaine des réalisateurs, respectively. In 2013, she returned to Cannes with the short film SOLECITO by Oscar Ruíz Navia, for whom she had also produced his film LOS HONGOS, winner of the Locarno’s film festival Jury prize. VIOLENCIA, a recent production directed by Jorge Forero, premiered in the Forum section of the past Berlin Film Festival. Her latest film LAND AND SHADE directed

by Cesar Acevedo was recently awarded with the Camera d’or award on the 2015 Cannes Film Festival. Through her company Burning Blue they’ve co-produced films like LOS MEJORES TEMAS by Nicolas Pereda, REFUGEE by Diego Lerman and CLIMAS by Enrica Perez.

Simoultenaeosly to her work as a film producer she developed and managed the Film department of Caracol Televisión between 2008 and 2012. Since 2013 she has been a member of the International Film Festival of Cartagena de Indias (FICCI). Since 2015, she works as an Artistic Director of the festival.

JURY l 21. Sarajevo Film Festival

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ZRINKA CVITEŠIĆ Glumica, Hrvatska, Velika Britanija / Actress, Croatia, UK

MIKE DOWNEY Producent, Velika Britanija, Irska / Producer, UK, Ireland

10 21. Sarajevo Film Festival l ŽIRI

Zrinka Cvitešić je rođena u Hrvatskoj 1979., a glumačku karijeru je započela u teatru već kao tinejdžerica.

Nakon što je završila srednju muzičku školu i diplomirala glumu na Akademiji dramske umjetnosti u Zagrebu, pridružila se glumačkom ansamblu Hrvatskog narodnog kazališta. Nastupila je u brojnim teatarskim predstavama prije nego što će debitovati na televiziji u TV filmu VELIKO SPREMANJE. Za glavnu ulogu u filmu KONJANIK je dobila odlične kritike i nominovana je za nagrade za najbolju glumicu na festivalima širom svijeta. Za glavnu ulogu u filmu ŠTA JE MUŠKARAC BEZ BRKOVA? je osvojila nagradu Srce Sarajeva za najbolju glumicu Sarajevo Film Festivala, kao i nagradu Zlatna arena za najbolju glumicu festivala u Puli.

Za ulogu u filmu Jasmile Žbanić NA PUTU je nominovana za nagradu Srebreni medvjed filmskog festivala u Berlinu, a na Berlinaleu je i osvojila Shooting Stars nagradu. Cvitešić je 2010. godine nominovana za nagradu Evropske filmske akademije za najbolju evropsku glumicu, a godinu dana kasnije postala je i članica akademije.

Za ulogu u filmu Mihaela Kezele MOJA LIJEPA ZEMLJA je osvojila Bernhard Wicki filmsku nagradu za najbolju glumicu. Na londonskoj teatarskoj sceni je debitovala ulogom u mjuziklu JEDNOM za koju je nagrađena West End pozorišnom nagradom, West End Frame nagradom i nagradom Oliver za najbolju ulogu u mjuziklu. Cvitešić trenutno živi u Londonu.

E Zrinka Cvitešić was born in Croatia in 1979.

She began her acting career in theater as a teenager.

After completing the Music High School and graduating in acting from Zagreb’s Academy of Dramatic Arts, Cvitesic joined the Croatian National Theater. She had an extensive career on stage before making her television debut in THE BIG CLEANING. She received excellent reviews and best actress award nominations at festivals around the world for her appearance in HORSEMAN. Her appearance in the leading role in WHAT IS A MAN WITHOUT A MOUSTACHE? won her the best actress awards at film festivals in Sarajevo and Pula.

Cvitesic’s performance in Jasmila Zbanic’s film ON THE PATH led to her being named the Shooting Star at the 2010 Berlin Film Festival.

For the same role, she was nominated for the Silver Bear Award and has won best actress awards at film festivals around the world. Cvitesic was nominated for European Film Awards for best actress in 2010.

In 2011, she became a member of the European Film Academy.

For her appearance in Mihaela Kezele’s MY BEAUTIFUL COUNTRY, Cvitesic was awarded with Bernhard Wicki Film Award for Best Actress. She made her West End debut as the Girl in the musical ONCE for which role she received the West End Stage Award, West End Frame Award and Oliver Award for Best Actress in a Musical. Cvitesic lives in London.

Mike Downey je producent i izvršni direktor produkcijske kompanije F&ME (Film and Music Entertainment). Producirao je više od 50 igranih filmova.

F&ME je između ostalih radio na filmovima BIJELA MUNJA koji je finasiralo Vijeće za film Velike Britanije, MUŠKARAC X, SMRTNA STRAŽA Saula Metzsteina, koji je nominovan za nagradu Oscar Američke filmske akademije, i PRIJE KIŠE koji je osvojio nagradu Zlatni lav Filmskog festivala u Veneciji. Južnoafrički film ČOVJEKOV SIN na kojem je radio kao producent je, kao i BIJELA MUNJA, premijerno prikazan na Filmskom festivalu Sundance, dok je film ZALJUBLJENI POGLEDI otvorio Filmski festival u Veneciji.

Downey je već dvanaest godina član upravnog odbora Evropske filmske akademije, a poslovna škola MEDIA objavljuje njegove knjige “Priručnik za finansiranje filma – vodič za evropske producente.” Član je umjetničkog odbora Filmskog festivala u Puli, predsjednik Filmskog festivala u Motovunu i umjetnički savjetnik Filmskog festivala u Zagrebu.

Downey surađuje sa organizacijom Amnesty International kako bi na međunarodnim festivalima bila ustanovljena Amnesty International nagrada za ljudska prava, a također je angažovan i kao konsultant na programu za obnovu (filmske) infrastrukture na Balkanu Američke agencije za obnovu i razvoj (USAID).

Downey je služio tri mandata kao član Vijeća britanske akademije za film i televiziju, te jedan mandat u Filmskom vijeću za dodjelu BAFTA nagrada. Član je odbora Zlatnim medvjedom nagrađivane (KARMEN) južnoafričke teatarske kompanije Isango. Naročito je ponosan na činjenicu da je jedan od povjerilaca White Ribbon Fondacije, međunarodne humanitarne organizacije koja radi na smanjivanju stope smrtnosti žena pri porodu u zemljama u razvoju.

E Mike Downey is producer and CEO of Film and Music Entertainment (F&ME). He has produced more than 50 feature films.

F&ME’s catalogue includes UKFC funded WHITE LIGHTNIN’, Saul Metzstein’s GUY X, DEATHWATCH, U.S. Academy Award nominated and Venice Golden Lion winning BEFORE THE RAIN. His award winning South African production SON OF MAN, premiered at Sundance, as did WHITE LIGHTNIN’ while LOVING GLANCES, opened the Venice Film Festival.

Serving his twelfth year as European Film Academy Board Member, Downey’s books The Film Finance Handbooks - a Guide for European Producers are published by the MEDIA Business School.

He is a member of the Artistic Board of The Pula Film Festival also President of the Motovun Film Festival in Croatia and Artistic Advisor to the Zagreb Film Festival. Downey works closely with Amnesty International establishing Amnesty Human Rights Awards at international film festivals as well as being a consultant for USAID, the American government programme rebuilding infrastructure (film) in the Balkans.

Downey has served three terms as member of the Council of the British Academy of Film and Television Arts as well as a term on the BAFTA Film Committee. He is a member of the board of the Berlin Golden Bear winning (CARMEN) South African Theatre Company Isango.

Hi is particularly proud to be a trustee of the White Ribbon Foundation – an international charity which works to eradicate women dying in childbirth in the developing world.

MAJA MILOŠ Rediteljka, Srbija / Director, Serbia

Maja Miloš je rođena 1983. u Beogradu, a 2008. godine je diplomirala filmsku i TV režiju na beogradskom Fakultetu dramskih umjetnosti.

Učestvovala je u Berlinale talent kampusu 2005., a godinu dana kasnije je pohađala školu dokumentarnog filma pri Institutu La Femis u Parizu. Tokom studija je režirala jedanaest kratkih i dokumentarnih filmova od kojih su mnogi osvojili nacionalna i međunarodna priznanja.

Njen prvi dugometražni igrani film KLIP iz 2012. godine je osvojio brojne nagrade, uključujući nagradu Tigar Međunarodnog filmskog festivala u Roterdamu. Bila je članica žirija na brojnim festivalima, uključujući međunarodne filmske festivale u Karlovim Varima (2013) i Rotterdamu (2014). Prošle je godine počela raditi na katedri za filmsku i TV režiju Fakulteta dramskih umjetnosti u Beogradu.

E Maja Miloš was born in 1983 in Belgrade, Serbia. She graduated Film and TV directing from Faculty of Drama Arts in Belgrade in 2008.

In 2005, she took part in the Berlinale Talent Campus and in 2006 she attended the Documentary Film School at La Femis, Paris. During her studies she directed eleven short films and documentaries, many of which nationally and internationally recognized. Her first feature film CLIP from 2012 won numerous prizes after winning the Tiger award at Rotterdam International Film Festival. She has been a jury member in various festivals, among which Karlovy Vary international film festival (2013) and Rotterdam International Film Festival (2014). In 2014 she started working at the Department of Film and Television Directing at the Faculty of Drama Arts in Belgrade.

JURY l 21. Sarajevo Film Festival 11

Žiri Takmičarskog programa – kratki film / Competition Programme Jury – Short Film

12 21. Sarajevo Film Festival l ŽIRI

MARION DÖRING Direktorica Evropske filmske akademije, Njemačka / European Film Academy Director, Germany

UNA GUNJAK Rediteljka i montažerka, Velika Britanija / Director and film editor, UK

Marion Döring je u periodu od 1972. do 1975. studirala francuski i portugalski jezik na Univerzitetu u Meinzu, a od 1976. do 1979. je stažirala, a zatim i radila kao urednica u dnevnim novinama Fuldaer Zeitung i Hessisch/Niedersächsische Allgemeine. Između 1980. i 1985. Döring je radila kao samostalna novinarka u Berlinu, a od 1985. do 1888. kao ataše za štampu organizatora proslave 750 godina od osnivanja Berlina, i projekta Berlin – evropska prestonica kulture 1988. Sa Evropskom filmskom akademijom je povezana od njenog osnivanja 1988., prvo kao predstavnica za štampu Evropskih filmskih nagrada, zatim kao menadžerica projekata i publikacija Akademije, te od 1996. kao direktorica. Od 2004. godine radi i kao producentica projekta dodjele Evropskih filmskih nagrada, od 2006. i kao izvršna direktorica kompanije EFA Produkcije gGmbH koja zajedno sa Evropskom filmskom akademijom producira projekt dodjele nagrada, a od 2012. istovremeno sa ostalim navedenim projektima radi i kao producentica projekta dodjele Nagrade mlade publike Evropske filmske akademije.

E Marion Döring studied French and Portuguese at the University of Mainz from 1972 to 1975 and, from 1976 to 1979, worked as a trainee and later editor at the daily newspapers Fuldaer Zeitung and Hessisch/Niedersächsische Allgemeine. Between 1980 and 1985 she worked as free-lance journalist in Berlin, from 1985 to 1988 as press attaché of the “750 Years Anniversary Berlin 1987“ and “Berlin – European Capital of Culture 1988“. She has been connected to the history of the European Film Academy since its foundation in 1988: first as PR manager of the European Film Awards, then as project manager for the Academy’s activities and publications, and since 1996 as the Academy’s director. Since 2004, she has been the producer of the European Film Awards, since 2006 managing director of EFA Productions GmbH, the company producing the Awards together with the European Film Academy.

Since 2012 she has been the producer of the EFA Young Audience Award.

Una Gunjak je rođena i odrasla u Sarajevu.

Studirala je u Italiji, a zatim u Velikoj Britaniji gdje je magistrirala filmsku montažu pri National Film i TV School, nakon čega je radila primarno kao montažerka drama i dokumentaraca, povremeno režirajući reklame. Njen kratki film KOKOŠKA je, pored prošlogodišnjeg Srca Sarajeva, osvojio Nagradu Evropske Filmske Akademije za najbolji kratki film, nakon što je premijerno prikazan u okviru programa Sedmica Kritike Filmskog Festivala u Cannesu 2014, te na brojnim svjetskim festivalima uključujući Sundance Film Festival te New Films New Directors, u New Yorku.

Trenutno razvija svoj prvi dugometražni film pri Cannes Cinefondation Rezidenciji.

E Una Gunjak was born and raised in Sarajevo.

She studied in Italy and then in the UK, graduating in editing from the National Film and TV School. Previously, Una has extensively worked as drama and documentary editor and has occasionally directed commercials. Her short film THE CHICKEN, aside from winning the last years’ Heart of Sarajevo’, also won the EFA Award for Best European Short, after premiering in Critics’ Week 2014 and screening at more than 150 festivals, including Sundance Film Festival and New Director, New Films. Una Gunjak is currently developing her first feature as part of the Cannes Cinefondation Residence.

Alice Kharoubi je počela saradnju sa organizatorima Filmskog festivala u Cannesu po završetku studija komunikacija u Francuskoj i SAD-u.

Inicijalno je radila za festivalski filmski market Marché du Film, a sada je direktorica Programa krakometražnog filma Court Métrage. Istovremeno radi kao selektor programa za kratki film Filmskog festival u Abu Dhabiju i Festivala Tous Ecrans u Ženevi, Švajcarska. Kharoubi je članica selektorskih komiteta i bila je članica žirija više filmskih festivala širom svijeta.

E After studying communication in France and USA, Alice Kharoubi started to collaborate with the organization of the Festival de Cannes, working for the Marché du Film. She is now Head of Cannes Court Métrage an entity dedicated to Short Films developed by the Festival de Cannes.

Simoultaneously, she has worked as the short film programmer for the Abu Dhabi Film Festival since its creation and is the international shorts programmer for Festival Tous Ecrans in Geneva, Switzerland. Kharoubi is also a member of selection committees and has participated as a jury member at festivals all over the world.

ALICE KHAROUBI Direktorica Programa kratkometražnog filma Filmskog festivala u Kanu, Francuska / Head of Cannes Film Festival Short Films, France

JURY l 21. Sarajevo Film Festival 13

Žiri Takmičarskog programa – dokumentarni film / Competition Programme Jury – Documentary Film

14 21. Sarajevo Film Festival l ŽIRI

BORO KONTIĆ Direktor Mediacentra – Sarajevo, Bosna i Hercegovina / Director of the Media Center in Sarajevo, Bosnia-Herzegovina

JULIANO RIBEIRO SALGADO Reditelj, pisac, Francuska, Brazil / Director, Writer, France, Brasil

ANKA SCHMID Filmska autorica, video umjetnica, Švajcarska / Filmmaker, Videoartist, Switzerland

Boro Kontić je dugogodišnji novinar. Počeo je na Radio Sarajevu, krajem sedamdesetih kao reporter i voditelj slušanih emisija i programa, a svoju je radijsku karijeru okončao kao urednik Drugog programa Radio Sarajeva i autor brojnih dokumentaraca za koje je dobio nagrade na svjetskim festivalima (Prix futura – Berlin, Prix Italia).

Od 1995. vodi Mediacentar – Sarajevo, specijaliziran za edukaciju novinara, medijska istraživanja i digitalizaciju štampe, uključujući dokumentarnu produkciju: www.media.ba.

Producirao je brojne TV dokumentarce (KARNEVAL, ESMA, VJERNICI…) koji su prikazivani na najvećim festivalima, uključujući Sarajevo, IDFA – Amsterdam, Göteborg, New York, Prag, Trst i Zagreb.

Autor je nekoliko dokumentaraca koji govore o ratnom novinarstvu i propagandi (GODINE KOJE SU POJELI LAVOVI), kontraverzama oko nobelovca Ive Andrića (BEZ NASLOVA), poslijeratnom Sarajevu (IZLOŽBA)… prikazanim na brojnim festivalima u regiji.

Dobitnik je ugledne regionalne nagrade Jug Grizelj za istraživačko novinarstvo.

E Boro Kontić is a veteran journalist who began his career in radio in the late seventees working as a reporter and live programme host at Radio Sarajevo and ended it as chief editor of Radio Sarajevo’s Second Programme. He authored several radio documentaries that were awarded in numerous international festivals, including with Prix Futura - Berlin and Prix Italia awards. Since 1995, Kontić has been managing the Media Center in Sarajevo that provides education to journalists, conducts media studies, digitizes print media and runs the www.media.ba website.

Kontić produced numerous TV documentaries (CARNIVAL, ESMA, FAITHFULL etc.) that were screened in some of the leading film festivals including festivals in Sarajevo, Göteborg, New York, Prague, Trieste, Zagreb as well as at the IDFA in Amsterdam.

He is the author of several documentaries dealing with war reporting and propaganda (YEARS EATEN BY LIONS), controversies surrounding the winner of the Nobel Prize for Literature Ivo Andric (UNTITLED) and post-war Sarajevo (EXHIBITION) that were screened in numerous regional festivals.

He is a winner of the prestigious regional Jug Grizelj Award for investigative journalism.

Juliano Ribeiro Salgado je rođen 1974. u Parizu.

Odrastao je u brazilskoj porodici u Francuskoj.

Salgado je 1996. godine za francusko-njemački TV kanal Arte režirao svoj prvi dokumentarni film SUZANA o korištenju vojnih mina u Angoli, a zatim i više drugih kratkih i dokumentarnih filmova za francuske TV kuće snimanih u Etiopiji, Afganistanu i Brazilu. Svoj prvi dugometražni dokumentarac NAURU snimio je 2009. za Arte, a film je uvršten u program više međunarodnih filmskih festivala, uključujući Hotdocs festival u Torontu. Njegov posljednji dugometražni dokumentarac SO ZEMLJE, koji je režirao zajedno sa Wimom Wendersom, osvojio je više nagrada, uključujući Specijalnu nagradu žirija programa Un Certain Regard Filmskog festivala u Cannesu i nagradu publike na Filmskom festivalu u San Sebastijanu. Film je, također, dobio nagradu César za najbolji dokumentarni film i nominiran je za nagradu Oscar za najbolji dokumentarni film Američke filmske akademije za 2015.

E Juliano Ribeiro Salgado was born in 1974 in Paris and grew up in France in a Brazilian household. In 1996 he directed his first documentary for the French German TV channel Arte: SUZANA, about the use of landmines in Angola. New documentaries and short films followed in Ethiopia, Afghanistan and Brazil for French TV networks. His first feature length documentary, NAURU, was produced in 2009 for Arte, and selected for several international festivals including Hotdocs in Toronto. His last feature documentary, THE SALT OF THE EARTH, directed in collaboration with Wim Wenders,is being released worldwide and has won the Special Prize of the Jury Un Certain Regard at the Cannes Film Festival, the Audience Award at the San Sebastian Film Festival, among others.

The film has also been awarded a César for best documentary and has been nominated for an Oscar in 2015 for Best documentary.

Anka Schmid je rođena u Cirihu 1961. Schmid je u periodu od 1984. do 1990. studirala na Njemačkoj akademiji za film i televiziju (DFFB).

Sebe opisuje kao osobu koja prelazi granice između umjetnosti i filma, a pored narativnih i televizijskih filmova, snima eksperimentalne filmove i priprema video instalacije. Schmid je dobitnica više nagrada, a njeni su radovi prikazani na brojnim izložbama i međunarodnim festivalima, uključujući Filmski festival Sundance, te festivale u Locarnu, Nionu i San Francisku.

Između ostalog, režirala je dokumentarne filmove DIVLJE ŽENE - NJEŽNE ZVIJERI, UPRKOS SVEMU, MAGIČNI MATTERHORN, igrane filmove SASTANAK NA SLIJEPO i IZA ZAKLJUČANIH VRATA, te kratki film HABIBI – LJUBAVNO PISMO.

E Anka Schmid was born in Zurich in 1961. She studied at the German Film And TV Academy (DFFB) from 1984 – 1990.

She sees herself as a border crosser between film and art and, in addition to narrative cinema and TV films, she makes experimental films and video installations. Schmid has won various awards and has made numerous exhibitions.

Her films have been screened at international festivals such as Locarno, Nyon, San Francisco, Sundance. Among others she directed documentaries: WILD WOMEN–GENTELBEASTS, AGAINST ALL ODDS, MAGIC MATTERHORN, fiction films BLIND DATE and HINTERVERS CHLOSS ENENTÜREN and short film HABIBI – EIN LIEBESBRIEF.

JURY l 21. Sarajevo Film Festival 15

Žiri za nominaciju sarajevskog kandidata za nagradu Evropske filmske akademije za 2015. u kategoriji kratki film / Jury for the Selection of the Sarajevo Short Film Nominee for the European Film Awards 2015

16 21. Sarajevo Film Festival l ŽIRI

LAURENT CROUZEIX Ko-izvršni direktor Filmskog marketa i Festivala kratkog filma Clermont-Ferrand, Francuska / Co-Executive Director of the Clermont-Ferrand Short Film Festival & Market, France

MARINA KOŽUL Selektorica i producentica Festivala 25 FPS, Hrvatska / 25 FPS Festival film programmer and producer, Croatia

TOM SHOVAL Reditelj, Izrael / Director, Israel

Laurent Crouzeix je ko-izvršni direktor Filmskog marketa i Festivala kratkog filma ClermontFerrand, Francuska. Crouzeix je selektor Međunarodnog takmičarskog programa i projekt menadžer shortfilmdepot.com online platforme. Crouzeix je, također, koordinator Euro Connection koprodukcijskih susreta za kratki film pokrenutih 2009. godine u sklopu Marketa kratkog filma u Clermont-Ferrandu.

Crouzeix organizuje i različite ciljane industrijske sastanke i implementira partnerske aktivnosti sa drugim filmskim festivalima i marketima.

Redovni je učesnik profesionalnih skupova u oblasti filmske industrije u funkciji eksperta za područje Evrope i šire.

E Laurent Crouzeix is Co-Executive Director of the Clermont-Ferrand Short Film Festival & Market. He is Programmer of the International Competition and Project Manager of the shortfilmdepot.com online platform. Crouzeix is also Coordinator of Euro Connection, the coproduction meetings for shorts he launched in 2009 as part of the Short Film Market in ClermontFerrand. He also produces various targeted industry meetings and implements partnerships with other festivals and markets. He’s regularly invited to industry events as expert in Europe and beyond.

Marina Kožul selektorica je i producentica 25 FPS, Udruge za audiovizualna istraživanja iz Zagreba, čiji je najvažniji projekt Festival 25 FPS, međunarodni filmski festival posvećen eksperimentalnom, inovativnom i umjetničkom filmu i videu. Uz festivalsku produkciju Udruga se, također, bavi izdavačkom djelatnošću te neformalnim obrazovanjem iz filmske i medijske umjetnosti. Marina Kožul je uređivala programe za festivale i art-kina u Zagrebu i drugim hrvatskim gradovima, a promovira hrvatski eksperimentalni film, video i animaciju na evropskim i svjetskim filmskim i medijskim događajima.

Od 2012. sarađuje s Međunarodnim filmskim festivalom u Rotterdamu kao savjetnica za kratkometražni film.

E Marina Kožul works for the Croatian nonprofit organization25 FPS Association for AudioVisual Research in Zagreb, whose activities include informal education, publishing, and its main project is 25 FPS Festival, international film festival dedicated to experimental, innovative and artists’ film and video, where she works as one of the programmers and producers. She has curated programs for festivals, art cinemas in Zagreb and other Croatian cities, and promoted Croatian experimental film, video and animation at European and international film and media events. Since 2012 she has collaborated with the International Film Festival Rotterdam as a short film consultant.

Tom Shoval je rođen 1981. godine u Izraelu.

Pohađao je Sam Spiegel školu kinematografije, gdje je diplomirao 2007. godine. Njegovi kratki filmovi GLADNO SRCE, TRAČAK NADE i POPIĆU SVOJE SUZE su višestruko nagrađivani na filmskim festivalima širom svijeta. Shovalov debitantski igrani film MLADOST je premijerno prikazan na festivalu u Berlinu 2013. godine, a potom i na preko stotinu drugih filmskih festivala. Film je nagrađen New talent nagradom Filmskog festivala u Taipeiju, a na Jerusalem Film Festivalu je osvojio tri glavne nagrade. Film MLADOST je nominovan i za izraelsku Ophir nagradu. Shovala je reditelj Alejandro Gonzales Iñárritu odabrao za učešće u Rolex mentori i puleni umjetničkoj inicijativi (Rolex Mentors and protégés Arts Initiative) u sklopu koje će mu tokom ove godine biti mentor. Shoval je koscenarista kratkog filma AYA koji je nominovan za nagradu Oscar Američke filmske akademije.

E Tom Shoval was born in 1981 in Israel. He graduated from the Sam Spiegel School for Cinema in 2007. His short films, THE HUNGRY HEART, SHRED OF HOPE, and I WILL DRINK MY TEARS were screened at film festivals around the world, winning numerous prizes. His first feature YOUTH premiered at the Berlinale 2013.

Afterwards, it has been screened at more than 100 festivals. Film was awarded with New talent award at the Taipei film festival and won three major prizes in the Jerusalem film festival. Film was also nominated for the Israeli Ophir award.

Shoval was chosen for the Rolex Mentors and protégés Arts Initiative by director Alejandro Gonzales Iñárritu who will be working with him as his mentor during this year.

Shoval is the co-writer of short film AYA which was nominated for Academy award.

JURY l 21. Sarajevo Film Festival 17

Cicae žiri / Cicae Jury

SYLVIE DA ROCHA Generalna menadžerica Cinema Le Studio, Francuska / Cinema Le Studio General Manager, France

SILVIA BAHL Programerka Metropol Düsseldorfer Filmkunstkino GmbH, Njemačka / Metropol Düsseldorfer Filmkunstkino GmbH Programmer, Germany

KEVIN DE RIDDER Programer Sphinx Cinema, Belgija / Sphinx Cinema Programmer, Belgium

Cineuropa žiri / Cineuropa Jury

DAVID GONZALES Koordinator uredništva – Cineuropa, Španija / Coordinator editorial – Cineuropa, Spain

ARBEN ZHARKU Direktor Filmskog centra Kosovo, Kosovo* / Director of Kosovo Cinematography Center, Kosovo * Ovaj naziv, bez prejudiciranja statusa Kosova, u skladu je sa Rezolucijom 1244 i mišljenjem MSP-a o deklaraciji o nezavisnosti Kosova. / This label does not prejudge the status of Kosovo and is in accordance with Resolution 1244 and the opinion of the ICJ on Kosovo’s declaration of independence.

18 21. Sarajevo Film Festival l ŽIRI

Nagrade / Awards

ZVANIČNE NAGRADE

OFFICIAL AWARDS

Takmičarski program - igrani film

Competition Programme - Feature Film

SRCE SARAJEVA ZA NAJBOLJI FILM

HEART OF SARAJEVO FOR BEST FILM

Novčanu nagradu u iznosu od 16.000 € osigurava Vijeće Evrope

Financial Award in the amount of 16,000 € is provided by the Council of Europe

SPECIJALNA NAGRADA ŽIRIJA

SPECIAL JURY PRIZE

Novčanu nagradu od 10.000 € osigurava agnès b.

Financial Award in the amount of 10,000 € is provided by agnès b.

SRCE SARAJEVA ZA NAJBOLJU GLUMICU

HEART OF SARAJEVO FOR BEST ACTRESS

Novčana nagrada u iznosu od 2.500 €

Financial award in the amount of 2,500 €

SRCE SARAJEVA ZA NAJBOLJEG GLUMCA

HEART OF SARAJEVO FOR BEST ACTOR

Novčana nagrada u iznosu od 2.500 €

Financial award in the amount of 2,500 €

Takmičarski program - kratki film

Competition Programme - Short Film

SRCE SARAJEVA ZA NAJBOLJI FILM

HEART OF SARAJEVO FOR BEST FILM

Novčana nagrada u iznosu od 2.500 €

Financial award in the amount of 2,500 €

Takmičarski program - dokumentarni film

Competition Programme - Documentary Film

SRCE SARAJEVA ZA NAJBOLJI FILM

HEART OF SARAJEVO FOR BEST DOCUMENTARY FILM

Novčanu nagradu u iznosu od 3.000 € osigurava Savezno ministarstvo vanjskih poslova Švicarske

Financial award in the amount of 3,000 € is provided by the Swiss Federal Department of Foreign Affairs

SPECIJALNA NAGRADA ŽIRIJA

SPECIAL JURY PRIZE

Novčanu nagradu u iznosu od 2.500 € osigurava Al Jazeera Balkans

Financial Award in the amount of 2,500 € is provided by Al Jazeera Balkans

PARTNERSKE NAGRADE

PARTNER AWARDS

NOMINACIJA SARAJEVSKOG KANDIDATA ZA EVROPSKU FILMSKU NAGRADU 2015.

SARAJEVO SHORT FILM NOMINEE FOR THE EUROPEAN FILM AWARDS 2015

Pobjednik ulazi u konkurenciju za Nagradu Evropske filmske akademije (EFA) za najbolji kratki film.

The winner receives a nomination for the European Film Academy (EFA) Best Film Award.

NAGRADA ZA LJUDSKA PRAVA

HUMAN RIGHTS AWARD

Nagrada za ljudska prava dodjeljuje se za najbolji film iz Takmičarskog programa dokumentarni film koji obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3.000 € osigurava Savezno ministarstvo vanjskih poslova Švicarske.

Award for the best film of the Competition Programme - Documentary Film dealing with the subject of human rights. Award in the amount of 3,000 € is provided by the Swiss Federal Department of Foreign Affairs.

EDN TALENT GRANT

EDN TALENT GRANT

EDN Talent Grant je ustanovljen kroz saradnju Sarajevo Film Festivala i Evropske dokumentarističke mreže, u svrhu podrške talentovanim autorima dokumentarnog filma iz regije.

EDN Talent Grant has been created as co-operation between the Sarajevo Film Festival and the European Documentary Network with the purpose of supporting promising new documentary filmmakers from the region.

CICAE NAGRADA

CICAE AWARD

Međunarodna konfederacija umjetničkih kina (CICAE) nagrađuje film u selekciji Takmičarskog programa - igrani film. Nagrađeni film će dobiti posebnu podršku CICAE za distribuciju, prikazivanje filma i kontakt s publikom, putem mreže od 3.000 kina.

The International Confederation of Art Cinemas (CICAE) awards a film from the Competition Programme - Features. The awarded film will receive CICAE support in terms of distribution, exhibition and audience outreach, through a network of 3,000 cinemas.

NAGRADA PUBLIKE

AUDIENCE AWARD

Partner - HT ERONET

Partner - HT ERONET

CINEUROPA NAGRADA

CINEUROPA AWARD

Nagradu dodjeljuje portal Cineuropa, posvećen evropskoj kinematografiji i njenim stvaraocima, i to filmu koji, osim što neosporno posjeduje umjetničke kvalitete, također promovira ideje evropskog dijaloga i integracije.

Vrijednost nagrade iznosi 5.000 €.

The prize is awarded by the Cineuropa portal, a site dedicated to the European cinema and film professionals, and is given to a film that, besides having indisputable artistic qualities also promotes the idea of European dialogue and integration.

The value of this award is 5,000 €.

AWARDS l 21. Sarajevo Film Festival 19

Takmičarski program - igrani film / Competition Programme - Feature Film

24

Acasă la tata / Kod tate kući / Back Home, Andrei Cohn

25

Chevalier, Athina Rachel Tsangari

26

Comoara / Blago / The Treasure, Corneliu Porumboiu

27

Dolanma / Čvor / Entanglement, Tunç Davut

28

Mustang, Deniz Gamze Ergüven

29

Naša svakodnevna priča / Our Everyday Life, Ines Tanović

30

Panama, Pavle Vučković

31

Saul fia / Saulov sin / Son of Saul, László Nemes

32

Superwelt / Supersvijet / Superworld, Karl Markovics

33

Zvizdan / The High Sun, Dalibor Matanić

Jedna dobra godina / A Good Year

Elma Tataragić

Teško je govoriti o regionalnom filmu, a ne govoriti o općem stanju u svjetskoj kinematografiji. Regionalna kinematografija, i po načinu finansiranja i po načinu plasmana, bez dvojbe spada u red europskih kinematografija koje svoj najveći test imaju u samoj distribuciji. Činjenica je da se potencijalno tržište smanjuje, da su kina sve praznija, a prostor za art house film polako nestaje. U takvoj klimi značaj filmskih festivala postaje još veći. Ono što festival nudi nije samo film, već i susret sa onima koji su taj film pravili, a publika cijeni taj kontakt. Interaktivnost festivala nije nikada bila važnija nego sada.

Takmičarski program Sarajevo Film Festivala baziran je upravo na ovom intimnom kontaktu koji ne samo da je važan za publiku, već je jedno snažno i često definirajuće iskustvo za filmske ekipe. To iskustvo je upravo ono zbog čega se autori vraćaju u Sarajevo i baš ono zbog čega novi autori žele doći. Zbog toga u procesu selekcije filmova uvijek u vidu imamo i filmove, ali i publiku kao važan dio Sarajevo Film Festivala.

Za ovogodišnju konkurenciju pogledali smo 196 igranih filmova iz 20 država na koje smo fokusirani. Podatak da se na ovogodišnjem Filmskom festivalu u Cannesu našlo čak 6 igranih filmova iz ove regije potvrđuje činjenicu da u autorskom i umjetničkom smislu ovaj geografski prostor ima šta ponuditi. Od deset filmova koji se takmiče za nagradu Srce Sarajeva i dalje prednjače debitanti kojih je čak šest, dok su preostala tri filma režirali autori koji su ranije imali priliku predstavljati svoje filmove u Takmičarskom programu Sarajevo Film Festivala: Dalibor Matanić iz Hrvatske, Corneliu Porumboiu iz Rumunije i Karl Markovics iz Austrije, a posljednji ali ne i najmanje važan je film Athine Rachel Tsangari iz Grčke.

Matanić predstavlja svoj film ZVIZDAN, jedan od naslova koji je prikazan na Filmskom festivalu u Cannesu gdje je osvojio ne samo fantastične kritike i ovacije publike, već i Specijalnu nagradu žirija programa Izvjestan pogled (Un Certain Regard). Film donosi tri priče tri različite generacije, sve bazirane na ljubavnom zapletu koji prati sličnu matricu balkanske međunacionalne netrpeljivosti i netolerancije. Ovaj film najviše podsjeća na tri priče o Romeu i Juliji, ali sa krajem koji otvara vrata prema dijalogu, pa i eventualnoj sreći. Porumboiu je sa filmom BLAGO (COMOARA) nagrađen Talent Nagradom na Festivalu u Cannesu u okviru istog programa. U ovom filmu se, sa puno humora, tematizira pohlepa i današnji konzumerizam.

Glavni junak odlazi pomoći komšiji u potrazi za njegovim porodičnim blagom, a autor ironizira njegove dobre namjere kao i pitanje blaga

22 21. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - IGRANI FILM

općenito. Laureat Srca Sarajeva Karl Markovics se također vraća u program sa filmom SUPERSVIJET (SUPERWELT), koji je premijerno prikazan u Berlinu. Običnoj domaćici, koja vodi poprilično ugodan, ali robotiziran život, obrati se sam Bog i to uzdrma cijeli njen život, kao i svijet oko nje. Treći igrani film Athine Rachel Tsangari CHEVALIER bavi se pitanjem kontrole, a ispituje granice i prirodu prijateljstva. Ovaj film će nakon premijere u Locarnu bit predstavljen i u našem programu.

Debitant Andrei Cohn iz Rumunije u filmu KOD TATE KUĆI (ACASĂ LA TATA) donosi priču o tridesetogodišnjacima koji se ponovo sreću nakon desetak godina u svom rodnom mjestu.

Glavni junak živi u Bukureštu i doima se da je sretan i uspješan dok su njegov drug iz djetinjstva, kao i simpatija iz mladosti, ostali zarobljeni u provinciji. U bosanskohercegovačkom filmu NAŠA SVAKODNEVNA PRIČA, rediteljica Ines Tanović tematizira istu generaciju, ali suprostavljenu ne samo sa prvom rekapitulacijom životnog uspjeha, nego i sa posljedicama rata. Porodica se raspadne pa ponovo okuplja zbog bolesti majke koja je sve do tada bila ono što ih je držalo na okupu. Turska rediteljica Deniz Gamze Ergüven predstavlja svoj film MUSTANG čija je radnja smještena u udaljenom selu na Crnom moru.

Pet sestara, djevojčica, primorano je da suspreže svoju tek probuđenu senzualnost. Ovaj film je priča o demonizaciji ženske seksualnosti i nemoći žene, a rediteljica se ne fokusira na tradiciju, već donosi uzbudljivu priču o mogućnosti bunta. Film je u Cannesu u okviru programa Quinzaine des realisateurs osvojio nagradu Europa Cinema za najbolji evropski film. Iz Srbije će biti predstavljen film PANAMA, debitanta Pavla Vučkovića, koji je također prikazan premijerno u Cannesu u okviru Specijalnih projekcija u Zvaničnoj selekciji. Film se bavi pitanjem seksualnosti i intimnosti. Autor prati glavnog junaka tokom jednog ljeta u kojem vodi bezbrižan momački život zabavljajući se sa brojnim djevojkama sve dok ne naiđe na jednu koja se čini posebnijom. U nemogućnosti da se suoči sa svojim osjećanjima, udaljava se od nje, a onda ona nestaje. Druga polovina filma odvija se u jesen i zimu dok junak bezglavo traži ono što možda nikada nije ni imao. Debitant Tunç Davut iz Turske se u filmu ČVOR (DOLANMA) također bavi pitanjem ljubavi. Film donosi priču o dva brata koji žive u brvnari usred šume izolirani od ostatka svijeta. Stariji brat je u vezi sa ženom koja unosi dah svježine u njihove živote, a mlađi brat se fatalno zaljubljuje u nju. Reditelj vrlo vješto vodi glumce i suprostavlja prirodu sa neobičnom ljubavnom pričom. Mađarski reditelj László Nemes u svom prvijencu SAULOV SIN (SAUL FIA)

donosi priču o Holokaustu u kojoj nas, isključivo kroz tačku gledišta glavnog junaka, vodi kroz pakao koncentracionog logora. Film je autentičan portret Aušvica u posljednjim danima Drugog svjetskog rata, a glavni junak, bez ikakve nade da će preživjeti, sumanuto i tvrdoglavo želi samo jednu stvar: sahraniti dječaka za kojeg tvrdi da mu je sin. Film je osvojio Grand Prix na Festivalu u Cannesu i već tada postao jedan od značajnijih evropskih filmova 2015. godine.

Sa dvije svjetske, jednom međunarodnom i sedam regionalnih premijera, Takmičarski program pokazuje nadmoć i snagu regionalnih kinematografija. Filmovi su snažni, inteligentni, slojeviti i hrabri, a donose uzbudljive priče koje će publika sigurno prepoznati.

E It is difficult to discuss regional film production without mentioning the state of the world cinema in general. When one looks at the way in which regional films are funded, produced and distributed, it is safe to say that the regional cinema is among those in Europe that face the greatest challenge when they reach the stage of distribution. There is no doubt that the potential film market is shrinking, that movie theaters are increasingly empty and that the space for art house film is slowly diminishing. Under such circumstances, film festivals become increasingly important. Festivals are not just a showcase of film, but also a space where filmgoers meet filmmakers, and appreciate such contact. The interactive nature of film festivals has never been as important as it is now. The Competition Programme of the Sarajevo Film Festival cherishes such intimate contact, which is not only important for the audiences, but can also be a very powerful and often a formative experience for filmmakers as well. That experience is the reason why filmmakers return and why they want to come to Sarajevo for the first time. Thus, when making a selection we always before anything else consider the films, but we also consider the needs of our audience because it is a very important part of the Sarajevo Film Festival.

In the process of selecting films for this year’s Competition Programme we have seen 196 features from 20 countries that are in the focus of this part of the festival. The fact that as many as six feature films from our region have been screened at the Cannes Film Festival this year is the best proof that our region has something to offer in terms of artistic and creative production. Debut features dominate the Competition Programme this year, as six out of the ten selected films that will compete for the Heart of

Sarajevo Award are their authors’ first features.

The remaining three films were authored by directors who already competed in the Sarajevo Film Festival with their previous features, namely Dalibor Matanić from Croatia, Corneliu Porumboiu from Romania, and Karl Markovics from Austria, and the last but not the least is Athina Rachel Tsangari from Greece.

Matanić will present his THE HIGH SUN (ZVIZDAN), one of the titles screened at the Cannes where it received excellent reviews from the critics, a standing ovation from the audience and the Jury Prize of the Festival’s Un Certain Regard competition. The film offers a trio of love narratives in three different generations in the Balkans, each playing out inside the matrix of the Balkan inter-ethnic tensions and intolerance. It most strongly resembles a trio of Romeo and Juliet stories, but with an ending that leaves the door open for dialogue and maybe even a happy ending. Porumboiu’s THE TREASURE (COMOARA) received the Talent Award of the Un Certain Regard programme at the Cannes. This humor-filled film reflects on the greed and consumerism pervading the contemporary society. The film’s main protagonist is helping his neighbor in his quest to find family treasure, but Porumboiu questions his good intentions as well as the very concept of hidden treasure with a dose of irony. The Heart of Sarajevo winner Karl Markovics returns to the Festival with his SUPERWORLD (SUPERWELT) that premiered in Berlin. The film focuses on an ordinary housewife whose routine life and the world around her are shaken after God starts speaking to her. Athina Rachel Tsangari’s third feature CHEVALIER deals with the questions of control and the limits and nature of friendship, and after opening in Locarno Competition will be presented in our Competition as well.

In his first feature BACK HOME (ACASĂ LA TATA), Andrei Cohn from Romania deals with a group in their 30s who reunite in their hometown after a decade-long period of separation. The main protagonist leads an apparently happy life in Bucharest while his best childhood friend and his teenage sweetheart have remained trapped in the parochial world of their native village.

OUR EVERYDAY LIFE (NAŠA SVAKODNEVNA PRIČA) by Bosnia’s Ines Tanović offers a look on the same generation, but the film’s protagonists are not only examining their life achievements, but are also struggling with the legacy of war.

A family falls apart, but they are reunited after the mother, who has kept them together, falls ill. Turkish director Deniz Gamze Ergüven presents her film MUSTANG set in a remote

Turkish village on the shores of the Black Sea, as five young sisters are forced to suppress their blooming sensuality. The film deals with demonization of female sexuality and the powerlessness of women. However, the director does not focus on traditional values, but rather on the possibility of rebellion. The film won Europa Cinema Award for the best European film in the Quinzaine des Realisateurs programme at Cannes Film Festival.

Serbian film in our selection is Pavle Vučković’s debut feature PANAMA that premiered in the Official Selection of the Cannes Film Festival in the Special Screenings. The film examines the questions of sexuality and intimacy as it follows the main protagonist during a carless summer he spends engaging with countless girls until he meets one girl who might be special. Unable to confront his emotions, he distances himself from that girl, but then she disappears. In the second half of the film, set in the fall and winter, the main protagonist furiously searches for something he thinks he lost, but might have never had.

Tunç Davut’s ENTANGLEMENT (DOLANMA) also talks about love. The Turkish director’s first feature tells the story of two brothers living in a wooden shed in a forest isolated from the rest of the world. Older brother is in a relationship with a woman who brings a breath of fresh air into their lives, while younger brother falls deeply in love with her. The author skillfully guides his cast as he contrasts the protagonists’ unusual love story with the nature that surrounds them. The first feature film by Hungarian director László Nemes, SON OF SAUL (SAUL FIA) is a powerful story about Holocaust and the hell of Nazi concentration camps as seen through the eyes of the film’s main protagonist. The film paints an authentic portrait of Auschwitz in the final days of World War II. Left without any hope of survival, the main protagonist stubbornly wants only one thing: to bury a dead boy who he claims is his son. The film won the Grand Prix at the Cannes Film Festival becoming one of the most important European films produced in 2015.

By offering two world premieres, as well as one international and seven regional, this year’s Competition Programme also offers a proof of the supremacy and strength of the regional cinema. The selected films are strong, intelligent, multilayered and brave; the stories they tell are exciting and there is no room for doubt that the audience will recognize their value.

Elma Tataragić Selektorica / Programme Selector

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Acasă la tata / Kod tate kući / Back Home Mladi pisac Robert prolazi kroz teško životno razdoblje kada donosi odluku da se vrati kući u rodno selo, prvi put nakon što mu je tri godine ranije preminula majka. U prethodnih deset godina života svega je par puta posjetio roditelje i tomu se može pripisati i osjetno rezervisan odnos koji Robert ima sa ocem. Kao što to već biva, Robert obnavlja vezu sa dvoje školskih prijatelja: sa svojim nekadašnjim najboljim drugom Petricom, koji je sada oženjen i ima djecu, i sa svojom mladalačkom ljubavlju Paulom. Paula je razvodom okončala nesretan brak i sada radi u lokalnoj prodavaonici. Čini se da je trenutno slobodna...

Andrei Cohn, je rođen prije 40 godina u Rumuniji, a studirao je na Odjelu za slikarstvo Instituta za vizuelne umjetnosti Nicolae Grigorescu u Bukureštu. Karijeru je započeo kao umjetnički direktor u agenciji Darcy, na projektu Connex. Nakon toga je radio u marketinškoj agenciji Scala JWT gdje je upoznao Cristiana Jansena s kojim 2002. godine osniva kreativnu agenciju Cohn i Jansen. Rad na svome prvom igranom filmu POVRATAK KUĆI započeo je nakon što je proglašen rediteljem godine u Rumuniji.

E Robert is a young writer passing through a difficult time in his life. He decides to return home into his native village for the first time since his mother passed away three years ago. In more than 10 years, he paid only few visits to his parents and this fact is reflected by the distant relationship Robert has with his father. As it happens, he meets two former classmates: Petrica - his old best friend, now married with children and Paula - his teenage sweetheart. She is divorced after an unhappy marriage and is now working at a local store. She doesn’t seem to be engaged in a relationship…

Andrei Cohn, born in Romania 40 years ago, studied at the Nicolae Grigorescu Visual Arts Institute in Bucharest, Painting Department. He started working as an art director in Darcy agency, working on Connex project. Later he worked in Scala JWT, where he met Cristina Jansen and together, in 2002, they established the creative agency Cohn and Jansen. BACK HOME is his first feature film. He begun work on the film after being awarded Romanian director of the year.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Romania, 2014, Colour, 91 min, Romanian Režija / Director: Andrei Cohn Scenarij / Screenplay: Mimi Brănescu Direktor fotografije / Director of Photography: Andrei Butică Montaža / Editor: Andrei Iancu Zvuk / Sound: Sorin Neagu Scenografija / Production design: Mihai Dorobantu Producent / Producer: Giuliano Doman Uloge / Cast: Mirela Oprișor, Andi Vasluianu, Alexandru Papadopol Kontakt / Contact: Mandragora srl, www.mandragora.ro, anca@mandragora.ro FILMOGRAFIJA / FILMOGRAPHY 2015 - BACK HOME 2012 - FAMILY PICTURES (kratki / short) 2010 - MOTHER OF GOD FROM THE GROUNDFLOOR

(kratki / short) 2009 - BEFORE AND AFTER 22/12/1989 (kratki / short)

Chevalier Grupa muškaraca vraća se sa zimskog ribolova na jahti. Nakon što ostanu zarobljeni na brodu negdje u Saronskom zaljevu zbog mehaničkog kvara, vrijeme ubijaju igrajući igru koju su sami izmislili i nazvali Chevalier. Chevalier je zabavna i izuzetno takmičarski nastrojena igra. Niko ne želi otići sa jahte prije nego što osvoji titulu pobjednika.

Athina Rachel Tsangari diplomirala je književnost na Univerzitetu Aristotle u Solunu u Grčkoj. Zvanje magistra dramskih umjetnosti stekla je na Školi za umjetnost Tisch Univerziteta u New Yorku, a zvanje magistra primijenjenih umjetnosti, smjer filmska režija, na Teksaškom univerzitetu u Austinu.

Svoj diplomski rad, dugometražni igrani SF film ceste SPORI POSAO KRETANJA (2001), snimala je u šest različitih gradova širom svijeta. Njen drugi igrani film ATTENBERG premijerno je prikazan u Takmičarskom programu Filmskog festivala u Veneciji 2010. Film je Grčka filmska akademija nominirala za nagradu Oscar za najbolji film na stranom jeziku, a također je ušao u finalni izbor za nagradu Evropskog parlamenta za najbolji evropski film LUX za 2011.

E A group of men is returning from a winter fishing trip on a yacht. When a mechanical problem leaves them trapped on their boat, somewhere in the gulf of Saronikos, they kill their time playing a game they devise, called Chevalier. Chevalier is an entertaining and highly competitive game. No one intends to get off the yacht without being crowned its winner.

Athina Rachel Tsangari has a B.A. in Literature from the Aristotle University of Thessaloniki, Greece, an M.A. in Performance Studies from New York University’s Tisch School of the Arts, and an MFA in Film Directing from the University of Texas in Austin. Her graduation thesis feature, THE SLOW BUSINESS OF GOING (2001), was a lo-fi sci-fi road movie shot in nine cities around the world. Her second feature, ATTENBERG, premiered in main competition at the 2010 Venice Film Festival. It was selected as Greek Film Academy’s nominee for the Academy Award for Best Foreign Language Film.

It is one of the finalists for the European Parliament’s 2011 LUX Prize for Best European Film.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Greece, 2015, Colour, 101 min, Greek Režija / Director: Athina Rachel Tsangari Scenarij / Screenplay: Efthymis Filippou, Athina Rachel Tsangari Direktor fotografije / Director of Photography: Christos Karamanis Montaža / Editor: Yorgos Mavropsaridis Zvuk / Sound: Leandros Ntounis Kostimografija / Costume Design: Vasileia Rozana Producent / Producer: Maria Hatzakou, Christos V. Konstantakopoulos Produkcija / Production: Faliro House Productions, Haos Film Uloge / Cast: Sakis Rouvas, Vangelis Mourikis, Panos Koronis, Efthymis Papadimitriou Kontakt / Contact: The Match Factory sergi.steegmann@matchfactory.de FILMOGRAFIJA / FILMOGRAPHY 2015 - CHEVALIER 2013 - VENICE 70: FUTURE RELOADED

(dokumentarni / documentary) 2012 - THE CAPSULE (kratki / short) 2010 - ATTENBERG 2001 - THE SLOW BUSINESS OF GOING 1995 - FIT (kratki / short)

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Comoara / Blago / The Treasure Kosti vodi miran život. Noću voli da čita priče svom šestogodišnjem da bi ga uspavao. Njihova omiljena priča je Robin Hud. Kosti sebe doživljava kao heroja – borca protiv nepravde i branitelja potlačenih. Jedne večeri, neočekivano ga posjeti komšija i podijeli s njim jednu tajnu: siguran je da postoji blago koje je zakopano u bakinom i djedovom vrtu. Ukoliko Kosti iznajmi metalni detektor da mu pomogne da utvrde mjesto gdje se nalazi, on će mu dati polovinu od onoga što pronađu. Kosti je u početku skeptičan, ali ne može da odoli i na kraju pristaje. Ova dva saučesnika imaju jedan vikend da pronađu plijen. Uprkos preprekama, Kosti se ne da obeshrabriti. Za suprugu i sina, on je pravi heroj – ništa i niko ga neće zaustaviti.

Corneliu Porumboiu, rođen 1975. godine, postao je poznat 2006. godine po svom prvom igranom filmu 12:08 ISTOČNO OD BUKUREŠTA, koji je osvojio nagradu za Zlatnu kameru na Kanskom filmskom festivalu, gdje je prikazan u okviru programa Directors’ Fortnight. Zapažen je po tome što se fokusira na precizno oblikovanje i humorističan, inteligentan dijalog, kao u filmu POLICIJSKI, PRIDJEV (2009) – u okviru programa Un Certain Regard (Izvjestan pogled) na Kanskom filmskom festivalu 2009. godine i KAD NOĆ PADA NA BUKUREŠT ILI METABOLIZAM (2013). Njegov film DRUGA UTAKMICA je privukao pažnju na Berlinskom međunarodnom filmskom festivalu 2014. godine.

E Costi leads a peaceful life. At night he likes to read his 6-year-old son stories, to help him sleep.

Their favourite is Robin Hood. Costi sees himself as the hero - righter of wrongs and defender of the oppressed. One evening, his neighbour pays him an unexpected visit and shares a secret: there’s treasure buried in his grandparents’ garden, he’s sure of it. If Costi hires a metal detector to help locate it, he’ll give him half of whatever they get. Sceptical at first, Costi can’t resist and eventually agrees.

The two accomplices have one weekend to locate the loot. Despite the obstacles, Costi refuses to be discouraged. For his wife and son, he’s a real hero - nothing and no one are going to stop him.

Corneliu Porumboiu, born in 1975, became known in 2006 for his first feature, 12:08 EAST OF BUCHAREST, which won the Caméra d’Or award at the Cannes Film Festival where it was shown in Directors’ Fortnight. He is noted for his focus on precise framing and humoristic, intelligent dialogue, as in POLICE, ADJECTIVE (2009) - Un Certain Regard, Cannes FF 2009 and WHEN EVENING FALLS ON BUCHAREST OR METABOLISM (2013). His recent THE SECOND GAME garnered attention at the 2014 Berlin International Film Festival.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, France, 2015, Colour, 89 min, Romanian Režija / Director: Corneliu Porumboiu Scenarij / Screenplay: Corneliu Porumboiu Direktor fotografije / Director of Photography: Tudor Mircea Montaža / Editor: Roxana Szel Zvuk / Sound: Sebastian Zsemlye, Alexandru Dragomir, Mirel Cristea, Thierry Delor Kostimografija / Costume Design: Monica Florescu Scenografija / Production design: Mihaela Poenaru Producent / Producer: Marcela Ursu, Sylvie Pialat, Nadia Turincev, Julie Gayet Produkcija / Production: 42KM Film, Les Films Du Worso, Rouge International Uloge / Cast: Cuzin Toma, Adrian Purcarescu, Corneliu Cozmei, Cristina Toma, Nicodim Toma Kontakt / Contact: Wild Bunch, edevos@wildbunch.eu FILMOGRAFIJA / FILMOGRAPHY 2015 - THE TREASURE 2014 - THE SECOND GAME 2013 - WHEN EVENING FALLS ON BUCHAREST OR

METABOLISM 2009 - POLICE, ADJECTIVE 2006 - 12:08 EAST OF BUCHAREST 2004 - LIVIU’S DREAM (kratki / short) 2003 - A TRIP TO THE CITY 2002 - GONE WITH THE WINE NAGRADE / AWARDS Un Certain Talent nagrada / award - Filmski festival u Cannesu 2015 / Cannes Film Festival 2015

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Dolanma / Čvor / Entanglement Kao sezonski radnici u šumarstvu, braća Kemal i Cemal su suočeni sa neizvjesnom budućnošću i životom u kući koju su naslijedili od oca smještenoj na obodu jednog sela na zapadu Turske uz obalu Crnoga mora. Sa namjerom da započne novi život, čestita žena Nalân jednoga dana dolazi da živi sa Kemalom i ubrzo se počinje ponašati kao u vlastitoj kući. Iako njeno prisustvo tješi Cemala, koji je potresen nedavnom smrću svoje majke, ono istovremeno produbljuje postojeći jaz između dva brata. Neodlučna da li da ode ili ostane, Nalân postaje sve sklonija Cemalovoj suosjećajnoj prirodi.

Zatečeni u toj nerazmrsivo zapletenoj situaciji, troje protagonista sve dublje tonu u vlastiti očaj. U nadi da će se uspjeti pomiriti nakon što ih Nalân napusti, braća nastavljaju živjeti kao dva stranca koja dijele istu kuću.

Tunç Davut je studirao film i televiziju u Eskišeheru i Istanbulu. Njegov prvi kratki film VILJUŠKA zasnovan je na priči Bilge Karasu. Njegova karijera na filmu i u medijskoj industriji uključuje rad na više TV filmova, TV serija i reklama iznimnog kvaliteta. Njegov prvi dugometražni igrani film ČVOR je produciran uz podršku produkcijskog fonda turskog Ministarstva kulture.

E As seasonal forest workers, brothers Kemal and Cemal struggle with an uncertain future, living in a house inherited from their father on the outskirts of a village in the West of Turkey, by the Black Sea. Intending to begin a new life, Nalân, a decent woman, arrives one day with Kemal, and quickly adopts the house as her own. Although her presence soothes Cemal, who feels shaken by his mother’s recent death, it deepens a growing rift between the two brothers. Torn between leaving and staying, Nalân opens herself up to Cemal’s compassionate world. In this inevitably inextricable situation, all three sink into their own despair. Hoping to reconcile their relationship after Nalân’s departure, the brothers carry on living like two strangers sharing the same house.

SVJETSKA PREMIJERA / WORLD PREMIERE Turkey, 2015, Colour, 86 min, Turkish Režija / Director: Tunç Davut Scenarij / Screenplay: Tunç Davut Direktor fotografije / Director of Photography: Ilker Berke Montaža / Editor: Mesut Ulutaș - Tunç Davut Muzika / Music: Murat Asil Zvuk / Sound: Burak Topalakçı - Zound Studio Istanbul Kostimografija / Costume Design: Fadim Űçbaș Scenografija / Production design: Erhan Alabaș Producent / Producer: Sinem Altindağ Produkcija / Production: Tekhne Film Uloge / Cast: Muhammet Uzuner, Defne Halman, Baran Şűkrű Babacan Kontakt / Contact: Tekhne Film, info@tekhnefilm.com, www.tekhnefilm.com

FILMOGRAFIJA / FILMOGRAPHY 2015 - ENTANGLEMENT 1996 - THE FORK (kratki / short)

Tunç Davut studied Cinema and Television in Eskişehir and Istanbul. His first work is a short film THE FORK based on a story by Bilge Karasu. His career in the film and media industry to date includes several TV films, TV series and commercials of exceptional quality. His first feature film ENTANGLEMENT is supported by Ministry Of Culture’s Production Fund.

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Mustang Početak je ljeta. U jednom selu na sjeveru Turske, Lale i njene četiri sestre se na povratku kući iz škole nevino igraju sa dječacima. Navodna pretjerana intimnost njihove igre izaziva skandal sa nesagledivim posljedicama. Porodični dom djevojčica polako se pretvara u zatvor, školu zamjenjuju instrukcije iz kuhanja i domaćinstva, počinju se ugovarati brakovi. Vođene zajedničkom željom za slobodom, pet sestara se suprotstavlja ograničenjima koja su im nametnuta.

Deniz Gamze Ergüven, rođena u Ankari 1978. godine. Nakon što je diplomirala književnost i stekla zvanje magistrice afričke historije u Johanesburgu, Ergüven upisuje studij režije na filmskoj akademiji La Fémis u Parizu. Njen diplomski film KAP VODE je prikazan u Cinéfondation programu Filmskog festivala u Cannesu, a također je osvojio nagradu “Leopardi sutrašnjice” Filmskog festivala u Locarnu.

Nakon što je diplomirala režiju na akademiji La Fémis, Denis Gamze Ergüven je započela rad na svome prvom igranom filmu KRALJEVI. Sa projektom tog filma je učestvovala na Cinéfondation radionici kao i u radu scenarističkog laboratorija Filmskog festival Sundance. Privremeno je zamrznula rad na filmu KRALJEVI kako bi prema scenariju koji je napisala sa Alice Winocour u ljeto 2012. završila film MUSTANG. MUSTANG je snažna priča o ženskoj emancipaciji u modernoj Turskoj ispričana iz ženske perspektive.

E It’s the beginning of the summer. In a village in the north of Turkey, Lale and her four sisters come home from school, innocently playing with boys. The supposed debauchery of their games causes a scandal with unintended consequences. The family home slowly turns into a prison, classes on housework and cooking replace school, and marriages begin to be arranged.The five sisters, driven by the same desire for freedom, fight back against the limits imposed on them.

Deniz Gamze Ergüven, born in Ankara in 1978. She studied directing at La Fémis in Paris, after a BA in literature and an MA in African History at Johannesburg. Her graduation film, BIR DAMLA SU (UNE GOUTTE D’EAU) / A DROP OF WATER, screened at the Cannes Festival Cinéfondation and won a Leopards of Tomorrow Award at the Locarno Festival. After graduating from La Fémis, Denis Gamze Ergüven developed a debut feature. Titled KINGS, the project was selected by the Cinéfondation Workshop and Sundance Screenwriters Lab. it was set to one side in favor of MUSTANG, co-written with Alice Winocour in the summer of 2012. The story of an emancipation, MUSTANG is a powerful, female take on contemporary Turkey.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Turkey, France, Germany, Qatar, 2015, Colour, 94 min, Turkish Režija / Director: Deniz Gamze Ergüven Scenarij / Screenplay: Deniz Gamze Ergüven, Alice Winocour Direktor fotografije / Director of Photography: David Chizalett, Ersin Gök Montaža / Editor: Mathilde Van de Moortel Muzika / Music: Warren Ellis Zvuk / Sound: Damien Guillaume Kostimografija / Costume Design: Selin Sözen Producent / Producer: Charles Gillibert Uloge / Cast: Güneş Sensoy, Doğba Doğuslu, Tuğba Sunguroğlu, Elit Işcan, Ilayda Akdoğan, Nihal Koldaş, Ayberk Pekcan Kontakt / Contact: Kinology, festivals@kinology.eu

FILMOGRAFIJA / FILMOGRAPHY 2014 - MUSTANG 2006 - A DROP OF WATER (kratki / short) 2006 - MON TRAJET PRÉFÉRÉ (kratki / short) NAGRADE / AWARDS Europa Cinemas Label nagrada / award - Filmski festival u Cannesu 2015 / Cannes Film Festival 2015

Naša svakodnevna priča / Our Everyday Life Porodica Sušić živi tipičan bosanski život. Otac Muhamed radi u jednoj uspješnoj kompaniji, a majka Marija je učiteljica u penziji. Njihov sin Saša je mladi ratni veteran, a njegova sestra Senada je napustila Sarajevo kao djevojčica sa konvojem za evakuaciju. Saša je tokom rata oženio novinarku Ninu. Godinama kasnije ona ga je napustila i Saša se vratio u roditeljski dom. Muhamed se lakše sporazumijeva sa prijateljima nego sa članovima svoje porodice, a Marija je ta koja porodicu održava na okupu. Jednoga dana Marija susreće svoju bivšu učenicu Lejlu i poziva je kući na ručak. Lejlina kreativnost i spontanost privlače Sašu. On i Lejla se zaljubljuju i jedno u drugom traže utjehu. Istovremeno, Marija otkriva da ima tumor dojke. Senada, koja je trudna, zbog majčine bolesti se vraća u Sarajevo. Kako se problemi gomilaju, Muhamed i Saša se po prvi put počinju zbližavati shvativši da je porodica ono najvažnije u životu, čovjekovo zadnje utočište.

Ines Tanović je rođena u Sarajevu gdje je i diplomirala na Akademiji scenskih umjetnosti. Tanović je 2006. učestvovala na Berlinale Talent Campusu, a njen projekt ODLUKA je uvršten u konkurenciju za nagradu Berlin danas (Berlin Today) 2011. Tanović je režirala jedan segment dugometražnog igranog omnibusa NEKE DRUGE PRIČE. Autorica je dokumentarnih filmova ŽIVI SPOMENIK (2012), RUDNIK (2012), GETO 59 (2013) i JEDAN DAN NA DRINI (2011). Film JEDAN DAN NA DRINI je 2012. godine osvojio nagradu Veliki pečat za najbolji regionalni film Festivala dokumentarnog filma ZagrebDox. Tanović je 2014. godine osvojila nagradu za postprodukciju svoga prvog dugometražnog igranog filma NAŠA SVAKODNEVNA PRIČA u okviru CineLink Work in Progress programa Sarajevo Film Festivala.

E Sušić family lives the contemporary Bosnian story. The father Muhamed is employed in a respected company, while the mother Marija is a retired teacher. Their son Saša is a young war veteran.

Senada, his sister, left Sarajevo with a convoy, as a young girl. During the war Saša married journalist Nina. Years after, she left him and he came back to live with his parents. Muhamed feels better communicating with his friends than with his family. It is Marija who keeps the family together. She comes across her former pupil Lejla and invites her to their home for a meal. Lejla’s creativity and spontaneity attract Saša. The two of them give in to love, seeking comfort in each other. At the same time, Marija learns that she has breast cancer. Unexpectedly, pregnant Senada returns to Sarajevo becuase of her mother’s illness. As problems start mounting, Muhamed and Saša start bonding for the first time, realizing that it is the family that only matters; the last oasis of a man.

Ines Tanović was born in Sarajevo, BiH, where she graduated from the Academy of Performing Arts in Sarajevo. She participated at Berlinale Talent Campus 2006. and her project DECISION was selected in Berlin Today Award 2011. She directed the Bosnian part of the long feature omnibus SOME OTHER STORIES. Author of documentaries LIVING MONUMENT (2012), COAL MINE, (2012), GETO 59 (2013) and A DAY ON THE DRINA (2011) which received the Big Stamp for Best Film in Regional Competition Program at ZagrebDox International Documentary Film Festival 2012. In 2014 she won the award for postproduction in Work in progress program on SFF- CineLink 2014 for her first feature film OUR EVERYDAY LIFE.

SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, Croatia, Slovenia, 2015, Colour, 90 min, Bosnian Režija / Director: Ines Tanović Scenarij / Screenplay: Ines Tanović Direktor fotografije / Director of Photography: Erol Zubčević Montaža / Editor: Redžinald Šimek Muzika / Music: Halka Zvuk / Sound: Igor Čamo Kostimografija / Costume Design: Sanja Džeba Scenografija / Production design: Mario Ivezić Producent / Producer: Alem Babić Produkcija / Production: Dokument Sarajevo Uloge / Cast: Uliks Fehmiu, Emir Hadžihafizbegović, Jasna Ornela Bery, Maja Izetbegović, Vedrana Seksan, Nina Violić, Marko Mandić, Boro Stjepanović, Goran Bogdan, Goran Navojec, Enis Bešlagić, Aleksandar Seksan, Moamer Kasumović, Mediha Muslimović Kontakt / Contact: Dokument Sarajevo, dokument2@bih.net.ba, www.dokument.ba FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - OUR EVERYDAY LIFE 2014 - GETO 59 (dokumentarni / documentary) 2012 - LIVING MONUMENT

(dokumentarni / documentary) 2011 - A DAY ON DRINA

(dokumentarni / documentary) 2010 - STARTING OVER (omnibus SOME OTHER

STORIES) (kratki / short) 2002 - SUGAR FREE (kratki / short) 1998 - SINDROM (kratki / short)

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Panama Nakon dvije godine izlazaka i flertovanja Jovan odlučuje nastaviti školovanje. Maja, naizgled obična i skromna djevojka, jedna je od cura s kojima se Jovan viđa. Tretira je kao i sve druge djevojke, neobavezno i opušteno. Ali njegov prvi utisak o Maji se mijenja kada otkriva videoklipove iz njenog svakodnevnog života koje ona objavljuje na svome Facebook profilu. Na prvi pogled, stiče se utisak da klipovi prikazuju sasvim obične situacije iz Majinog svakodnevnog života, ali nakon što se u njih malo dublje zagleda Jovan otkriva tragove Majinih nevjerstava i prevara. Iako zbunjen svojom negativnom reakcijom na klipove, Jovan počinje da sumnja u Majina osjećanja i povrjeđuje je kako bi isprovocirao njene stvarne emocije. Njihova međusobna strast jača. Jovanova ljubomora i posesivnost nestaju samo kada je sjedinjen sa Majom u strastvenom seksu.Ali dok se videoklipovi polako isprepliću sa stvarnim životom, Jovan počinje da se gubi u očajničkom nastojanju da shvati ko je zapravo Maja.

Pavle Vučković je rođen 1982. godine u Srbiji. Počeo je režirati kratke filmove tokom studija filma i televizije na Fakultetu dramskih umetnosti u Beogradu. Nakon diplomiranja bavio se režijom videospotova, reklama i TV emisija. Njegov kratki film BEŽI ZEKO, BEŽI je nagrađen prvom Cinefondation nagradom na Filmskom festivalu u Kanu 2003. godine. Vučković se vraća u Kan 2007. godine sa filmom MINUS koji osvaja treću nagradu u istoj kategoriji. PANAMA je njegov prvi dugometražni igrani film.

E After two years of going out and flirting around, Jovan decides to go back to College. Among others girls, Jovan is seeing Maja, seemingly ordinary, modest girl. He treats her casually, no strings attached, like other girls he is dating. But his first impression of Maja shifts when he starts to discover home video clips posted on her Facebook page. At first glance, the clips are just ordinary recordings from Maja’s everyday life. However, when Jovan looks closer, he finds hidden clues of Maja’s deception and infidelity. While confused about why he feels bothered by it, Jovan becomes unsecure about Maja’s feelings, hurting her inorder to provoke her true emotions. The passion between them grows stronger. His jealousy and possessive impulses disappear only when they are one, joined through passionate sex.But as the video clips gradually merge with reality, Jovan loses himself, desperately trying to understand who Maja really is.

Pavle Vučković was born in 1982, in Serbia. He started by directing short films while studying Film and TV at the Faculty of Dramatic Arts in Belgrade.After graduating, he went on to direct music videos, commercials and TV shows. Winner of the 1st Prize Cinefondation award at the Cannes film festival 2003 for the short film RUN RABBIT RUN. In 2007 his short film MINUS won the 3rd Prize in the same category. PANAMA is his first feature film.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Serbia, 2015, Colour, 105 min, Serbian Režija / Director: Pavle Vučković Scenarij / Screenplay: Pavle Vučković, Jelena Vuksanović Direktor fotografije / Director of Photography: Đorđe Arambašić Montaža / Editor: Bojan Kosović Muzika / Music: Milan Sv. Đurđević Zvuk / Sound: Zoran Maksimović, Ognjen Popić Kostimografija / Costume Design: Magdalena Klasnja Scenografija / Production design: Livija Mikić, Bojana Nikolić Producent / Producer: Tatjana Žeželj Gojković Produkcija / Production: Collapse Films Uloge / Cast: Slaven Došlo, Jovana Stojiljković, Miloš Pjevač, Nebojša Milovanović, Tamara Dragičević, Jelisaveta Orašanin, Aleksandar Đurica, Branka Pujić Kontakt / Contact: Wide management, infos@widemanagement.com FILMOGRAFIJA / FILMOGRAPHY 2015 - PANAMA 2011 - PLOT (kratki / short) 2007 - BEGINNING (kratki / short) 2007 - MINUS (kratki / short) 2005 - DOORBELL (kratki / short) 2003 - RUN RABBIT, RUN

(kratki / short)

Saul fia / Saulov sin / Son of Saul Oktobar 1944, Aušvic-Birkenau. Mađar Saul Ausländer je član radnog voda Sonderkommando - grupe jevrejskih zatvorenika izolirane od ostatka logoraša i prisiljene da pomaže nacistima u istrebljenju širokih razmjera. Dok radi u jednom od krematorija, Saul otkriva leš dječaka za koji je ubjeđen da pripada njegovom sinu. Dok članovi voda Sonderkommando planiraju pobunu, Saul na sebe preuzima nemoguć zadatak: da spasi tijelo od plamena, pronađe rabina da izvrši obred pranja pokojnika, te da organizuje adekvatnu sahranu.

László Nemes je rođen 1977. u Budimpešti, Mađarska. Nakon što je u Parizu studirao historiju, međunarodne odnose i scenarij počinje raditi kao pomoćnik reditelja na kratkim i igranim filmovima u Francuskoj i Mađarskoj. Dvije godine je radio kao asistent Béla Tarra, a zatim upisuje studij filmske režije na Tisch školi umjetnosti Univerziteta u New Yorku. Njegovi kratki filmovi UZ MALO STRPLJENJA, PARTNER i GOSPODIN SE POVLAČI su prikazani na više od sto međunarodnih filmskih festivala (uključujući festivale u Veneciji, Palm Springsu, Ghentu, Gijonu i Milanu) i osvojili su 30 različitih nagrada (Angers, Bilbao, Odense, Lisbon). SAULOV SIN je njegov prvi dugometražni igrani film, a premijerno je prikazan u zvaničnom programu Filmskog festivala u Cannesu 2015. gdje je osvojio Veliku nagradu žirija.

E October 1944, Auschwitz-Birkenau. Saul Ausländer is a Hungarian member of the Sonderkommando, the group of Jewish prisoners isolated from the camp and forced to assist the Nazis in the machinery of large-scale extermination. While working in one of the crematoriums, Saul discovers the corpse of a boy he takes for his son. As the Sonderkommando plans a rebellion, Saul decides to carry out an impossible task: save the child’s body from the flames, find a rabbi to recite the mourner’s Kaddish and offer the boy a proper burial.

László Nemes was born in 1977 in Budapest, Hungary. After studying History, International Relations and Screenwriting in Paris, he started working as an assistant director in France and Hungary on short and feature films. For two years, he worked as Béla Tarr’s assistant and subsequently studied film directing at New York University’s Tisch School of the Arts. His shorts WITH A LITTLE PATIENCE, THE COUNTERPART and THE GENTLEMAN TAKES HIS LEAVE have been awarded 30 prizes (Angers, Bilbao, Odense, Lisbon) and participated in more than 100 international film festivals (including Venice, Palm Springs, Ghent, Gijon, Milan). SON OF SAUL is his first feature, which premiered in Cannes’ 2015 Official Competition, where it won the festival’s Grand Prix.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Hungary, 2015, Colour, 107 min, German, Hungarian, Polish, Russian, Yiddish Režija / Director: László Nemes Scenarij / Screenplay: László Nemes, Clara Royer Direktor fotografije / Director of Photography: Mátyás Erdély Montaža / Editor: Matthieu Taponier Muzika / Music: László Melis Zvuk / Sound: Tamás Zányi Scenografija / Production design: László Rajk Producent / Producer: Gábor Sipos, Gábor Rajna Produkcija / Production: Laokoon Filmgroup Uloge / Cast: Géza Röhrig, Levente Molnár, Urs Rechn, Christian Harting, Amitai Kedar Kontakt / Contact: Films Distribution Mercure International, info@filmsdistribution.com FILMOGRAFIJA / FILMOGRAPHY 2015 - SAUL FIA / SON OF SAUL 2010 - THE GENTLEMAN TAKES HIS LEAVE

(kratki / short) 2008 - THE COUNTERPART (kratki / short) 2007 - WITH A LITTLE PATIENCE (kratki / short) NAGRADE / AWARDS Grand Prix 2015 - Filmski festival u Cannesu / Cannes Film Festival

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Superwelt / Supersvijet / Superworld Život Gabi Kovande, udate radnice u supermarketu i tipične predstavnice srednje klase, vrti se oko porodice i posla. Sve do jednoga dana kada se sve mijenja. Odjednom se u njenom životu pojavljuje neko novi, neko koga je i ranije površno poznavala – Bog! SUPERSVIJET je priča o Bogu i o svijetu; svijetu u kojem heroina radi za kasom i Bogu kojega niti vidimo niti čujemo, ali čije prisustvo stalno osjećamo. Glavna glumica Ulrike Beimpold je fantastično i dirljivo odigrala ulogu žene pod božanskim utjecajem, a reditelj Karl Markovics ostaje vjeran realizmu, njegov narativni pristup je često operativan sa kadrovima snimljenim iz ptičije perspektive i upečatljivo postavljenim scenama biblijskih proporcija koje doprinose dojmu Božijeg prisustva.

Karl Markovics je rođen u Beču 1963. Široj javnosti je postao poznat po ulozi detektiva inspektora Stockingera u policijskoj TV seriji KOMESAR REX. Uslijedile su brojne uloge na televiziji i filmu, kao i u pozorištu, operi i mjuziklima. Markovics je kao reditelj i scenarista debitovao 2011. godine sa igranim filmom DISATI koji je osvojio nagradu Srce Sarajeva za najbolji film na sedamnaestom Sarajevo Film Festivalu. SUPERSVIJET, koji je premijerno prikazan na Berlinaleu 2015, njegov je drugi igrani film.

E Married supermarket worker Gabi Kovanda’s lower middle class life revolves around her family and her job. Until, after work one day, everything changes. Suddenly, there’s someone new in her life, someone with whom she had already been casually acquainted: God! SUPERWELT is a story about God and the world: a world whose heroine works the till and a God we never see nor hear, but whose presence we feel throughout the film. Lead actress Ulrike Beimpold delivers a remarkable, moving performance as a woman under divine influence. While director Karl Markovics consistently works in a realistic mode, his narrative approach is often operatic, with elaborate bird’s eye shots and strikingly composed images of biblical proportions that make God’s presence manifest.

Until, that is, the twilight of the gods descends and the heavens come crashing down on the plot.

Karl Markovics was born in Vienna in 1963. He became known to a broader public in the role of Detective Inspector Stockinger in the television police series KOMMISSAR REX. Numerous TV and film roles followed, along with work in theatre, opera, and musicals. Markovics debuted as a director and screenwriter in 2011 with the feature film ATMEN / BREATHING, which was awarded The Heart of Sarajevo Award for Best Film at the 17th Sarajevo Film Festival in 2011. SUPERWELT, that had its premiere at Berlinale 2015, is his second film.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Austria, 2015, Colour, 120 min, German Režija / Director: Karl Markovics Scenarij / Screenplay: Karl Markovics Direktor fotografije / Director of Photography: Michael Bindlechner Montaža / Editor: Alarich Lenz Muzika / Music: Herbert Tucmandl Zvuk / Sound: William Edouard Franck Kostimografija / Costume Design: Caterina Czepek Scenografija / Production design: Isidor Wimmer Producent / Producer: Dieter Pochlatko Produkcija / Production: Epo-Film Uloge / Cast: Ulrike Beimpold, Rainer Wöss, Nikolai Gemel, Angelika Strahser, Thomas Mraz, Sibylle Kos, Michael Scherff, Harri Stojka Kontakt / Contact: Austrian Film Commission, anne.laurent@afc.at

FILMOGRAFIJA / FILMOGRAPHY 2015 - SUPERWORLD 2011 - BREATHING

Zvizdan / The High Sun ZVIZDAN govori o zabranjenoj ljubavi, o njenoj fragilnosti, ali i o njenoj snazi. Ova filmska priča obuhvaća tri desetljeća, a smještena je u dva susjedna sela čija je povijest opterećena sukobima, netrpeljivošću i netolerancijom.

Dalibor Matanić je rođen 1975. godine u Zagrebu. 1993. upisuje Akademiju dramske umjetnosti u Zagrebu, gdje je diplomirao filmsku i TV režiju. Režirao je devet dugometražnih igranih filmova, pet kratkih igranih filmova i nekoliko dokumentarnih. Njegov posljednji dugometražni film ZVIZDAN dobitnik je Nagrade žirija na 68. Filmskom festivalu u Cannesu, u programu “Un Certain Regard” / “Izvjestan pogled”. Dobitnik je brojnih nagrada, uključujući Zlatnu arenu za režiju, Nagradu hrvatskog glumišta za najboljeg reditelja, Večernjakovu ružu za najbolji film te pet nagrada Oktavijan hrvatskih filmskih kritičara. Član je Evropske filmske akademije (EFA).

E THE HIGH SUN is a film about the dangers, but also about the power of forbidden love. The story that spans three decades is set in two neighboring villages burdened by a long history of conflict, tensions and intolerance.

Dalibor Matanić was born in 1975 in Zagreb, Croatia. Matanić graduated in film and TV directing from the Academy of Dramatic Arts in Zagreb. He directed nine feature films, five shorts and several documentaries. His latest feature THE HIGH SUN screened in the Un Certain Regard program at the 68th Cannes Film Festival where it was awarded the Jury Prize. Matanić received numerous awards for his work, including Golden Arena Award of the Pula Film Festival, Croatian Actors’ Guild Award for the best director, Vecernjak’s Rose Award for the best feature and five Croatian Critics’ Octavian Awards for best film. Matanić is a member of the European Film Academy.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Croatia, Serbia, Slovenia, 2015, Colour, 123 min, Croatian, Serbian, Slovenian Režija / Director: Dalibor Matanić Scenarij / Screenplay: Dalibor Matanić Direktor fotografije / Director of Photography: Marko Brdar Montaža / Editor: Tomislav Pavlić Muzika / Music: Alen Sinkauz, Nenad Sinkauz Zvuk / Sound: Julij Zornik Kostimografija / Costume Design: Ana Savić Gecan Scenografija / Production design: Mladen Ožbolt Producent / Producer: Ankica Jurić Tilić Produkcija / Production: Kinorama Uloge / Cast: Tihana Lazović, Goran Marković, Nives Ivanković, Dado Ćosić, Stipe Radoja, Trpimir Jurkić, Mira Banjac Kontakt / Contact: Kinorama, info@kinorama.hr, www.kinorama.hr

FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - THE HIGH SUN 2013 - HANDYMEN 2011 - DADDY 2010 - MOTHER OF ASPHALT 2004 - 100 MINUTES OF GLORY 2002 - FINE DEAD GIRLS NAGRADE / AWARDS Specijalna narada žirija Filmskog festival u Cannesu 2015 / Special Jury Award of Cannes FIlm Festival 2015

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Takmičarski program - kratki film / Competition Programme - Short Film

38

Biserna obala / A matter of will, Dušan Kasalica

38

Çevirmen / Prevodilac / The Translator, Emre Kayiş

39

O faptă bună / Slučajan čin milosrđa / A Random Act of Kindness, Andrei Gruzsniczki

39

Kalo / Damaged Goods, Nermin Hamzagić

40

Mama / Otac / Father, Davit Pirtskhalava

40

Ramona, Andrei Crețulescu

41

Ricsi, Gábor Hörcher

41

Salı / Utorak / Tuesday, Ziya Demirel

42

Sve je više stvari koje dolaze / With Many Things to Come, Jelena Gavrilović

42

Zevs / Zeus, Pavel Vesnakov

10 Veličanstvenih / The Magnificent Ten Kategorija kratkog filma na Sarajevo Film Festivalu nastala je kao pokušaj da se pruži što obuhvatniji pregled produkcije filmova mlađe generacije, ali i da se na taj način stimuliše i promovira kreativnost mladih filmskih profesionalaca u regiji. Ovogodišnji Takmičarski program u kategoriji kratkog filma donosi 10 naslova mladih autora regije. Selekciju smo radili vrlo predano, posebno s obzirom na činjenicu da smo imali 350 naslova na uvidu, od kojih je dobra trećina bila iznad prosječnog nivoa.

E The Short Film Competition Programme of the Sarajevo Film Festival was created to showcase the work of an emerging generation of filmmakers as well as to promote the creative work of young artists from our region. This year, the Short Film Competition Programme presents ten films by young regional filmmakers. We selected the films very carefully as we have received over 350 applications and more than a third were of exceptional quality.

Među prvim naslovima koje smo odabrali bili su kratkometražni igrani filmovi koji su svoje svjetske premijere imali na Filmskom festivalu u Cannesu. Radi se o turskom filmu UTORAK (SALI) reditelja Ziye Demirela, koji je prikazan u Zvaničnoj selekciji Cannesa. Rumunjski film RAMONA, reditelja Andreia Creţulescua prikazan je u Sedmici kritike (Semaine della Critique) gdje je i nagrađen kao najbolji kratki film. Iz Rumunije u ovogodišnjoj selekciji nalazi se i film SLUČAJNI ČIN DOBROTE (O FAPTĂ BUNĂ) reditelja Andreia Gruzsniczkia, koji je zasigurno i najiskusniji reditelj u programu. Iz Turske dolazi još jedan film PREVODILAC (ÇEVIRMEN) reditelja Emrea Kayişa. Rediteljica Jelena Gavrilović predstavit će svoj diplomski film SVE JE VIŠE STVARI KOJE DOLAZE iz Srbije, a mađarski reditelj Gábor Hörcher u ovoj selekciji će prikazati svoj film RICSI (osim u selekciji kratkog filma, Gábor će predstaviti i svoj dokumentarac u Takmičarskom programu za dokumentarni film). Bugarski reditelj Pavel G. Vesnakov vraća se u program sa svojim najnovijim kratkim filmom ZEUS (ZEVS), a mladi crnogorski reditelj Dušan Kasalica premijerno će predstaviti svoj film BISERNA OBALA. Nakon premijere filma na Filmskom festivalu u Locarnu, u Sarajevo dolazi film OTAC (MAMA) Davita Pirtskhalava iz Gruzije.

Posebno nas raduje što ćemo u ovoj izvanrednoj konkurenciji imati priliku prikazati i jedan bosanskohrcegovački film, i to film KALO mladog reditelja Nermina Hamzagića.

Among the first titles selected for the programme were several films which premiered at Cannes Film Festival. These included the Turkish film TUESDAY (SALI) by Ziya Demirel, that screened in Cannes’ Official Selection and the Romanian film RAMONA by Andrei Crețulescu that screened in the Semaine della Critique receiving the Best Short Film Award. We will present another Romanian film, A RANDOM ACT OF KINDNESS (O FAPTĂ BUNĂ) by Andrei Gruzsniczki who is probably the most experienced director competing in this year’s programme. Turkey is also represented by two films, the second being THE TRANSLATOR (ÇEVIRMEN) by Emre Kayiş. Jelena Gavrilović from Serbia will present her graduating film WITH MANY THINGS TO COME (SVE JE VIŠE STVARI KOJE DOLAZE); while Hungarian director Gábor Hörcher will present his RISCI (another of Gábor’s films has been included in the Competition Programme – Documentary Film). Bulgarian director Pavel G. Vesnakov returns to the Festival with his latest short ZEUS (ZEVS) while A MATTER OF WILL (BISERNA OBALA) by Dušan Kasalica from Montenegro will have its premiere in our programme. FATHER (MAMA) by Davit Pirtskhalava from Georgia arrives in Sarajevo after having its premiere at the Locarno Film Festival. We are particularly happy that a Bosnian film DAMAGED GOODS (KALO) by a young director Nermin Hamzagić has also been selected for the programme.

Filmovi se, sa par izuzetaka, bave mlađom generacijom, njihovim problemima, ramišljanjima i preokupacijama, kao i njihovim susretom sa onom starijom generacijom. Izgubljenost i neprilagođenost ove starije generacije posebno se vidi u filmu SLUČAJNI ČIN DOBROTE (O FAPTĂ BUNĂ), kao i u filmovima u kojima se ona pojavljuje kao portret društva. Neki filmovi se dirljivo, a precizno, bave odnosima između djece i roditelja kao predstavnika ove dvije generacije, što je slučaj sa filmovima RICSI, SVE JE VIŠE STVARI KOJE DOLAZE, ZEUS (ZEVS), te sa filmom OTAC (MAMA). Drugi filmovi govore o usamljenosti i o potrazi za ljubavlju te mlade generacije, što se ističe u filmovima UTORAK (SALI), BISERNA OBALA, KALO, PREVODILAC (ÇEVIRMEN) i RAMONA.

With only a few exceptions, all the selected films deal with the young generation, its problems, views and preoccupations, as well as their interactions with their seniors. The older generation’s sense of loss and inability to adapt to the new circumstances are most obvious in THE RANDOM ACT OF KINDNESS (O FAPTĂ BUNĂ), but also in other films where the stories of the older generation are used to paint a portrait of society, like in the films RISCI, WITH MANY THINGS TO COME (SVE JE VIŠE STVARI KOJE DOLAZE), ZEUS (ZEVS) and FATHER (MAMA). Other films tell of loneliness and the search for love by young people, which is particularly the case in TUESDAY (SALI), A MATTER OF WILL (BISERNA OBALA), DAMAGED GOODS (KALO), THE TRANSLATOR (ÇEVIRMEN) and RAMONA.

Ovogodišnji program donosi pet regionalnih, jednu međunarodnu, te četiri svjetske premijere.

This year, the programme includes six regional premieres, as well as one international and three world premieres.

Elma Tataragić Selektorica / Programme Selector

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SVJETSKA PREMIJERA / WORLD PREMIERE Montenegro, 2015, Colour, 24 min, Montenegrin

Biserna obala / A matter of will Ljeto je vrelo, a dani su dugi... naročito u kampu za djecu s poremećajem težine. Kamp je smješten u primorskom ruiniranom odmaralištu, daleko od većeg grada, a vodi ga čovjek poznat kao Trener.

U atmosferi kasnog ljeta, upoznajemo grupu različitih pojedinaca, sa različitim motivima, željama i interesima - grupu bucmastih dječaka i djevojčica koji sanjaju o čokoladi i svojim simpatijama iz susjedne sobe, predvođenu instruktorom čija se ideologija zasniva na magazinu “Men’s Health”. Film je priča o društvu koje živi u maglovitoj nadi da će se stvari promijeniti, svjedočeći, zapravo, da se sve samo ponavlja unedogled.

Dušan Kasalica je rođen 1987. u Nikšiću, Crna Gora. Diplomirao je filmsku i televizijsku režiju na Fakultetu dramskih umjetnosti u Cetinju. Radi kao reditelj, scenarista i asistent reditelja na filmu i televiziji.

Režija / Director: Dušan Kasalica Scenarij / Screenplay: Dušan Kasalica Direktor fotografije / Director of Photography: Igor Đorđević Montaža / Editor: Nataša Pantić, Dušan Kasalica Zvuk / Sound: Ivan Antić Kostimografija / Costume Design: Natalija Vujošević Scenografija / Production design: Natalija Vujošević, Dragana Baćović Producent / Producer: Jelena Mišeljić Produkcija / Production: Cut-Up Production Uloge / Cast: Stefan Bošković, Nikolina Bogdanović, Marija Backović, Dina Nikolić, Novak Nikolić, Miloš Kandić, Ana Savović, Jelena Milošević, Mia Vujović, Maša Kandić, Danilo Otašević, Dušan Vučelić, Luka Mandić, Andrej Vasiljević, Ajla Hodžić Kontakt / Contact: Cut-Up Production, dusan.k4@gmail.com, www.cut-up.me FILMOGRAFIJA / FILMOGRAPHY 2015 - BISERNA OBALA / A MATTER OF WILL 2014 - SHELTERS (kratki / short) 2013 - RATOVI (kratki / short) 2011 - THE ASCENT

E Summer is hot and days are long… Especially in a weight loss camp for children. It is located in a seaside resort and is led by a man known as the Instructor. In the late summer atmosphere, we meet a small group of different characters, who have different motives, desires and interests: a group of chubby boys and girls who dream of chocolate and love interests from across the hall and an instructor with his ideology grounded in “Men’s Health”. This is a story of a society that lives in the hazy hope that things will change, witnessing that everything just repeats endlessly.

Dušan Kasalica was born in 1987 in Nikšić, Montenegro. He graduated Film and TV directing at Faculty of Dramatic Arts in Cetinje, Montenegro. He works as director, writer, assistant director in film and TV productions.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Turkey, 2014, Colour, 23 min, Turkish

Çevirmen / Prevodilac / The Translator Yusuf ima 13 godina i živi kao izbjeglica u malom turskom pograničnom gradu. Radi u kamenolomu kako bi finansijski pomogao svoju porodicu. Život mu čine zanimljivim samo uzgoj golubova i petnaestogodišnja Amina. Jednoga dana Amina moli Yusufa za pomoć i stavlja ga u poziciju jedinstvene moći. Yusuf mora odlučiti da li će tu moć mudro iskoristiti ili će je zloupotrijebiti.

Emre Kayiş je rođen i odgojen u Ankari, Turska. Nakon što je diplomirao pravo, počinje raditi u filmskoj industriji na različitim pozicijama u sektoru produkcije, a nakon što je primljen u Londonsku školu filma preselio se u London. Trenutno radi kao reditelj za Atlantik Film u Istanbulu. Primarno ga zanima pitanje moralnih vrijednosti u različitim društvenim okolnostima, kao i pitanja identiteta i teme poput imigracije i osjećaja nepripadanja određenoj zajednici.

E Yusuf is a 13 years old refugee who lives in a small Turkish border town in exile. He works on a sand quarry to support his family. The only two interesting things in Yusuf’s life are the tumbling pigeons and 15 years old Amina. One day she comes to him asking for his help, which makes him excited but after realizing her intention Yusuf finds himself in a position that gives him unique power. He has to make a decision between using this power wisely and abusing it.

Emre Kayiş was born and raised in Ankara, Turkey. After obtaining a BA in Law, he started to work in the film industry in various production roles and following his acceptance to London Film School, he moved to London. Currently, he is working as a director in Atlantik Film İstanbul. His main interests are to portray moral issues under social circumstances and to explore identity issues and themes such as immigration and the outsider in a community.

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Režija / Director: Emre Kayiş Scenarij / Screenplay: Emre Kayiş Direktor fotografije / Director of Photography: Nick Cooke Montaža / Editor: Ricardo Saraiva Zvuk / Sound: Adel Gamehdar Kostimografija / Costume Design: Billur Turan Scenografija / Production design: Billur Turan Producent / Producer: Oytun Kal Produkcija / Production: Vice Versa Films, London Film School, Turkish General Directorate of Cinema Uloge / Cast: Sherko Ali, Gamze Kaçak, İlke Can Kontakt / Contact: Vice Versa Films, emrkayis@gmail.com FILMOGRAFIJA / FILMOGRAPHY 2014 - THE COUCH (kratki / short) 2014 - ÇEVIRMEN / THE TRANSLATOR (kratki / short) 2013 - WHERE’S MY BROTHER (kratki / short) 2012 - THE PALM (kratki / short)

SVJETSKA PREMIJERA / WORLD PREMIERE Romania, 2015, Colour, 28 min, Romanian

O faptă bună / Slučajan čin milosrđa / A Random Act of Kindness Jedan par pokušava spasiti uličnog psa kojeg je udario auto. Na ovaj su čin ponukani vlastitim shvatanjem dobrote i društvene odgovornosti. Psa vode u kliniku, gdje saznaju da je pretrpio ogromne povrede i nemoguće ga je spasiti. Njih dvoje tako uzimaju učešće u njegovoj eutanaziji, finansijski i emotivno. Na kraju, osjećaju se „kažnjenim“ jer su pokušali učiniti dobro djelo.

Andrei Gruzsniczki je završio studij teatrologije 1994. Njegov debitantski film DRUGA IRENA je osvojio niz nagrada, uključujući nagradu za najbolji debitantski film na SEE Festu u Los Angelesu i Srebreni atlas za najboljeg reditelja na Međunarodnom filmskom festivalu u Arrasu.

E A couple tries to rescue a stray dog run over by a car. A certain social understanding of what is good, a model of social responsibility that is catching on now tugs at them, and they respond. They take the dog to a clinic. It is too badly hit and cannot be saved. However, the two rescuers come to be involved, both financially and emotionally, in euthanizing the dog. In the end, they feel “punished” for the good deed they tried to do.

Režija / Director: Andrei Gruzsniczki Scenarij / Screenplay: Simona Tache, Andrei Gruzsniczki, Cecilia Felmeri Direktor fotografije / Director of Photography: Radu Aldea Montaža / Editor: Mircea Olteanu Muzika / Music: Cristian Lolea Zvuk / Sound: Marius Leftarache, Titi Fleancu Kostimografija / Costume Design: Viorica Petrovici Scenografija / Production design: Cristi Nicolescu Producent / Producer: Tudor Reu Produkcija / Production: Rollin Studio Uloge / Cast: Adrian Titieni, Medeea Marinescu, Liliana Ghita, Nicoleta Lefter, Șorica Kontakt / Contact: Rollin Studio, gruzsniczki@gmail.com FILMOGRAFIJA / FILMOGRAPHY 2015 - A RANDOM ACT OF KINDNESS (kratki / short) 2013 - QUOD ERAT DEMONSTRANDUM 2009 - THE OTHER IRENE 2007 - CHRONICLE OF A DEATH POSTPONED

(kratki / short) 2006 - MANTULEASA STREET

(dokumentarni / documentary)

Andrei Gruzsniczki obtained a degree in theatre studies 1994. His feature debut THE OTHER IRENE has won a number of awards, including Best Debut Feature at the SEE Fest in Los Angeles and the Silver Atlas for Best Director at the Arras International Film Festival.

SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2015, Colour, 19 min, Bosnian

Kalo / Damaged Goods Tarik živi sam, a radi kao skladištar u jednom supermarketu. Usamljen je i vrijeme ubija u društvu dvojice kolega. U maloj radnji u blizini supermarketa zapošljava se nova radnica. Tariku se ona dopada, pa pod okriljem noći počinje tajno da slika na izlogu radnje, sakriven od radoznalih pogleda društva koje svaku emociju doživljava kao znak slabosti.

Nermin Hamzagić je rođen 1986. Diplomirao je na Akademiji scenskih umjetnosti u Sarajevu. Njegov dokumentarni film SANJARI je uvršten u program petnaestog Sarajevo Film Festivala, a prikazan je i na Filmskom festivalu u Čikagu 2010. godine. Film je, također, nominovan za nagradu Srebreno oko Marketa dokumentarnog filma East Silver u Pragu. Njegov kratki film LIFT je 2009. nagrađen na Međunarodnom filmskom festivalu “Evropa je ovdje” u Plovdivu. Režirao je i četiri dokumentarna filma, SANJARI, POSAO IZ SNOVA, PONIŠTENI i SOUL TRAIN.

Režija / Director: Nermin Hamzagić Scenarij / Screenplay: Asja Krsmanović Direktor fotografije / Director of Photography: Erol Zubčević Montaža / Editor: Redžinald Šimek Zvuk / Sound: Igor Čamo Kostimografija / Costume Design: Vanja Ciraj, Irma Saje Scenografija / Production design: Adisa Vatreš Producent / Producer: Amra Bakšić Čamo, Adis Đapo Produkcija / Production: SCCApro.ba Uloge / Cast: Edin Avdagić, Midhat Hasečić, Adnan Grahić, Aleksandar Seksan, Jasna Diklić, Dunja Tatomirović, Damir Kustura Kontakt / Contact: SCCA/pro.ba, amra@pro.ba, www.pro.ba FILMOGRAFIJA / FILMOGRAPHY 2015 - KALO / DAMAGED GOODS (kratki / short) 2015 - SOUL TRAIN (dokumentarni / documentary) 2014 - CANCELED (dokumentarni / documentary) 2013 - DREAM JOB (dokumentarni / documentary) 2009 - DREAMERS (dokumentarni / documentary) 2008 - LIFT (kratki / short) 2007 - WAHABIS IN TRAM (kratki / short)

E Tarik lives alone and works in the warehouse of a supermarket. He’s lonely and kills time hanging around with two colleagues. New worker comes to the small shop next to the supermarket. Tarik likes her and secretly starts to draw on the glass of the shop, hidden by the night, away from the prying eyes of society in which any kind of emotion is a sign of weakness.

Nermin Hamzagić, born in1986, graduated at Academy of Performing Arts Sarajevo. His documentary DREAMERS has been selected for the 15th Sarajevo Film Festival and Chicago film festival in 2010.

DREAMERS was nominated for the Silver Eye Award at the East Silver Market in Prague. In 2009 his short film LIFT has been awarded at the International Film Festival “Europe is here”, Plovdiv. He also directed four documentary films for Al Jazeera, DREAMERS, DREAM JOB, CANCELED and SOUL TRAIN. COMPETITION PROGRAMME - SHORT FILM l 21. Sarajevo Film Festival 39

REGIONALNA PREMIJERA / REGIONAL PREMIERE Georgia, 2015, Colour, 25 min, Georgian

Mama / Otac / Father Otuđeni otac se nakon dugo vremena neočekivano vraća kući. Glavni lik, devetnaestogodišnji Lado, pokušava od oca dobiti odgovore na pitanja o razlozima njegove dugogodišnje odsutnosti, no otac nema šta da mu kaže i ubrzo odlazi. Iste večeri Lado i njegov mlađi brat proživljavaju avanturu, kroz koju Lado sam pronalazi odgovore na pitanja namijenjena ocu.

David Pirtskhalava je diplomirao i magistrirao na Odjelu za scenarij Gruzijskog državnog univerziteta za pozorište i film Shota Rustaveli. Kratki igrani film OTAC je njegov rediteljski prvijenac.

Režija / Director: Davit Pirtskhalava Scenarij / Screenplay: Davit Pirtskhalava Direktor fotografije / Director of Photography: Shalva Sokurashvili Montaža / Editor: Nodar Nozadze Zvuk / Sound: Nika Paniashvili, Paata Godziashvili Kostimografija / Costume Design: Ana Kalandarishvili Scenografija / Production design: Guram Navrozashvili Producent / Producer: Suliko Tsulukidze Produkcija / Production: Millimeter Film Uloge / Cast: Sandro Kalandadze, Mamuka Kiladze, Vakho Chachanidze, Zviad Pirtskhalava, Mariam Maglaperidze Kontakt / Contact: Millimeter Film, suliko@millimeterfilm.com, www.millimeterfilm.com FILMOGRAFIJA / FILMOGRAPHY 2015 - MAMA / FATHER

E Long gone father returns home unexpectedly. Main character Lado who is 19 tries to get answers from father about his absence, but father has nothing to respond and leaves rapidly. The same evening Lado and his younger brother have an adventure, where Lado himself answers the questions meant for the father.

David Pirtskhalava graduated in screenwriting from Shota Rustaveli Theatre and Film Georgian State University in 2011. Short feature film FATHER (MAMA) is his first work as a director.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, 2015, Colour, 18 min, No Dialogue

Ramona Jedna djevojka. Jedno auto. Jedna noć. Ništa se ne događa slučajno.

Andrei Crețulescu je počeo raditi za HBO Rumunija 1999. godine kao šef odjela ‘’U Programu’’. 2008. godine postao je kreativni direktor odjela “Vlastita produkcija” i na ovoj će poziciji producirati prvi evropski HBO serijal IN DERIVA i devet dokumentarnih filmova, uključujući SVIJET PREMA IONU B. (reditelja Alexandera Nanaua), koji je nagrađen međunarodnom nagradom Emmy za najbolji umjetnički program. RAMONA je njegov treći nezavisni kratki film, a njegov dugometražni igrani prvijenac CHARLTON HESTON je trenutno u fazi postprodukcije.

E One girl. One car. One night. No coincidence.

Andrei Crețulescu started working for HBO Romania in 1999, where he was in charge of the ‘’On Air’’ department. In 2008, he became Creative Manager of the “Original Production” department within the same company and went to produce IN DERIVA, the first HBO european original series, and nine original documentaries, including THE WORLD ACCORDING TO ION B. (by Alexander Nanau), which won the Emmy International Award for the Best Arts Programming. Ramona is his latest independent short. In 2015, His feature debut, CHARLTON HESTON, is currently in postproduction.

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Režija / Director: Andrei Crețulescu Scenarij / Screenplay: Andrei Crețulescu Direktor fotografije / Director of Photography: Andrei Butică Montaža / Editor: Cătălin Cristutiu Muzika / Music: Marius Leftărache Zvuk / Sound: Marius Leftărache, Alexandru Dumitru Kostimografija / Costume Design: Alexandra Ungureanu Scenografija / Production design: Mălina Ionescu Producent / Producer: Andrei Crețulescu, Radu Stancu, Claudiu Mitcu Produkcija / Production: Kinosseur, DeFilm, Wearebasca Uloge / Cast: Rodica Lazăr, Dorian Boguţă, Andi Vasluianu, Şerban Pavlu, Ana Ularu Kontakt / Contact: Kinosseur, andrei@kinosseur.ro, www.kinosseur.ro

FILMOGRAFIJA / FILMOGRAPHY 2014 - KOWALSKI (kratki / short) 2013 - BAD PENNY (kratki / short)

REGIONALNA PREMIJERA / REGIONAL PREMIERE Hungary, 2014, Colour, 15 min, Hungarian

Ricsi Ricsi ide na put i prijatelji su mu noć prije odlaska organizovali oproštajnu zabavu. U međuvremenu, umjesto Ricsija za put se pakuje njegova majka.

Ideja za kratki film RICSI proizašla je iz autorovog dokumentarca LUTALICA. Majka protagoniste filma je njegova prava majka a prijatelji su njegovi pravi prijatelji... To je njihova priča koja se nikada nije desila ali bi se mogla desiti u bilo kojem trenutku. Autorov dokumentarni film LUTALICA je izabran za Takmičarski program dokumentarnog filma na Sarajevo Film Festivalu 2015.

Gábor Hörcher je rođen 1980. godine u Budimpešti. Zajedno sa rediteljem i producentom Marcellom Iványijem je pokrenuo produkcijsku kuću KraatsFilm 2008. Njegov prvi film LUTALICA je premijerno prikazan na Međunarodnom festivalu dokumentarnog filma u Amsterdamu 2014., gdje je osvojio Nagradu za najbolji debitantski film. Njegov kratki film RICSI je premijerno prikazan na festivalu ClermontFerrand, nakon čega je osvojio Nagradu za najbolji mađarski kratki film na Mediawave festivalu 2015.

Režija / Director: Gábor Hörcher Scenarij / Screenplay: Gábor Hörcher, Gergő Nagy V. Direktor fotografije / Director of Photography: Kristóf Becsey Montaža / Editor: Thomas Ernst Muzika / Music: Csaba Kalotás, Fanni Zahár, András Őrsi Zvuk / Sound: Zoltán Vadon Producent / Producer: László Hartai, Gábor Rajna, Gábor Sipos, Marcell Iványi, Gábor Hörcher Produkcija / Production: ELTE Film Department, Laokoon Film, KraatsFilm Uloge / Cast: Richárd Steinbach Kontakt / Contact: KraatsFilm, info@kraatsfilm.com, www.kraatsfilm.com FILMOGRAFIJA / FILMOGRAPHY 2015 - DRIFTER (dokumentarni / documentary) 2014 - RICSI (kratki / short) 2010 - SERVED COLD (kratki / short) 2009 - PEACH (kratki / short) NAGRADE / AWARDS Nagrada za najbolji mađarski kratki film / Best Hungarian Short Film - Mediawave 2015

E Ricsi’s friends have organised a farewell party the night before he needs to go away. Meanwhile, it is his mother instead who is packing for the trip.

The idea behind the short film was inspired by the director’s documentary, titled DRIFTER. The protagonist’s mother is his real mother his friends are his real friends... It’s their story what never happened but could happen anytime. The director’s documentary DRIFTER is in the Competition Programme - Documentary Films at Sarajevo Film Festival 2015.

Gábor Hörcher was born in 1980 in Budapest. He founded KraatsFilm production company with director and producer, Marcell Iványi in 2008. Gábor’s first film DRIFTER premiered at IDFA winning the Best First Appearance Award in 2014. His fiction short film titled RICSI premiered at Clermont-Ferrand and shortly after won the Best Hungarian Short Fiction Prize at Mediawave Film Festival in 2015.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Turkey, France, 2015, Colour, 11 min, Turkish

Salı / Utorak / Tuesday Uobičajeni školski dan tinejdžerke u Istanbulu i njeni susreti sa tri različita muškarca dok ide u školu, igra košarku i vozi se autobusom na povratku kući.

Ziya Demirel je rođen 1988. u Adani u Turskoj. Svoj prvi igrani film NASLOV FILMA snimio je tokom studija industrijskog inžinjeringa na Galatasaray univerzitetu. Nakon što je diplomirao, upisao je studij filmske režije i scenarija na Filmskoj školi u Pragu. Tokom studija u Pragu snimio je uspješni kratki film EVICKO. E An ordinary school day for a teenage girl in Istanbul and her encounters with three different men as she goes to school, plays basketball and takes a bus on the way home.

Režija / Director: Ziya Demirel Scenarij / Screenplay: Ziya Demirel, Buket Coşkuner Direktor fotografije / Director of Photography: Meryem Yavuz Montaža / Editor: Henrique Cartaxo Zvuk / Sound: Murat Öner Kostimografija / Costume Design: Meltem Tolan Producent / Producer: Anna Maria Aslanoğlu Koproducent / Co-producer: Olivier Berlemont, Emilie Dubois Produkcija / Production: Istos Film, Origine Films Uloge / Cast: Melis Balaban, Yonca Hiç, Zeki Ocak, Can Karaçaylı, Artun Özsemerciyan, Başar Sayın, Çağdaş Ekin Şişman Kontakt / Contact: Istos Film, aaslanoglu@gmail.com, www.istosfilm.com FILMOGRAFIJA / FILMOGRAPHY 2015 - SALı / TUESDAY (kratki / short) 2013 - EVICKO (kratki / short) 2012 - PIȘMANIYE (kratki / short) 2010 - FILMIN ADı / THE TITLE OF THE FILM

(kratki / short)

Ziya Demirel was born in 1988, in Adana, Turkey. While studying industrial engineering at Galatasaray University he directed his first short film THE TITLE OF THE FILM. After graduation, he continued studies in film directing and scriptwriting at the Prague Film School. There he made the well-received short film EVICKO.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Serbia, 2015, Colour, 22 min, Serbian

Sve je više stvari koje dolaze / With Many Things to Come Jovana se nedavno odselila iz porodičnog doma i počela živjeti sama. Jednog ljetnog dana odluči da bez najave posjeti roditelje. Zatiče majku utučenu i depresivnu, pa je odluči izvesti na pivo.

Jelena Gavrilović je rođena u Beogradu, gdje studira filmsku i TV režiju. Njen film MOMCI, GDJE STE je 2012. nagrađen sa više nagrada, uključujući Zlatnu medalju za kratki igrani film na Festivalu dokumentarnog i kratkometražnog filma u Beogradu i nagradu za najbolji kratki film na goEast festivalu u Wiesbadenu. Svoj film NEŠTO SLATKO je snimila u okviru programa Sarajevo grad filma.

Jelena je 2013. dobila Satellite nagradu za najbolji originalni novi format u Holivudu, za web seriju #SAMOKAŽEM.

Režija / Director: Jelena Gavrilović Scenarij / Screenplay: Dimitrije Kokanov, Jelena Gavrilović Direktor fotografije / Director of Photography: Igor Đorđević Montaža / Editor: Natasa Pantić Zvuk / Sound: Branko Topalović Kostimografija / Costume Design: Maria Marković Scenografija / Production design: Mila Jovanović Producent / Producer: Sara Andrejević, Nada Savić Produkcija / Production: FDU Belgrade Uloge / Cast: Ana Mandić, Draginja Voganjac Kontakt / Contact: Jelena Gavrilović, jelenanuna@gmail.com FILMOGRAFIJA / FILMOGRAPHY 2015 - WITH MANY THINGS TO COME (kratki / short) 2013 - I AM NOT YOUR FRIEND (kratki / short) 2012 - SOMETHING SWEET (kratki / short) 2011 - BOYS, WHERE ARE YOU (kratki / short) 2011 - BIBI (kratki dokumentarni / short doc.)

E Jovana has recently moved out of her family home to live alone. On a summer’s day, she decides to make a surprise visit to her family. She arrives to find her mother down and depressed, and decides to take her out for a beer.

Jelena Gavrilović was born in Belgrade, where she is studying Film and TV directing. Her film BOYS, WHERE ARE YOU has won several international awards during 2012 such as the Golden Medal for short fiction film at Belgrade short and documentary film festival and the Best Short Film award at goEast Wiesbaden. Her film SOMETHING SWEET was made within the Sarajevo City of Film project. In 2013 she won the Satellite award for best original new format in Hollywood for web series #JUSTSAYING.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Bulgaria, 2015, Colour, 30 min, Bulgarian

Zevs / Zeus Nakon iznenadne smrti svoga oca, Zeus koji je sada glava porodice, mora organizovati pristojnu sahranu. Odluči kontaktirati svoga starijeg polubrata Vassila, bivšeg kriminalca, koji je porodicu napustio prije mnogo godina. Da li će iznenadna smrt oca zbližiti ili zauvijek razdvojiti dva brata?

Pavel G. Vesnakov je rođen u Sofiji 1987. Njegovi filmovi su prikazani na filmskim festivalima u Lokarnu, Sarajevu, Trstu, Tampereu, Lidsu itd. Sa filmom PONOS je osvojio preko 20 nagrada, uključujući Veliku nagradu u Međunarodnom takmičarskom programu Festivala u Clermont-Ferrandu. Film je 2014. nominovan za Nagradu za najbolji kratki film Evropske filmske akademije.

E The sudden death of his father urges Zeus, now head of the family, to organize a decent funeral.

He decides to contact his older half-brother Vassil, a former criminal, who left the family years ago.

Will the unexpected death of their father bring the two brothers together or will it separate them forever?

Pavel G. Vesnakov was born in Sofia in 1987. His films have been screened at international film festivals including Locarno, Sarajevo, Trieste, Tampere and Leeds. His film PRIDE has won over 20 awards, such as the Grand Prix in the International Competition of Clermont-Ferrand. It was nominated for Best Short Film at the 2014 European Academy Awards.

42 21. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - KRATKI FILM

Režija / Director: Pavel Vesnakov Scenarij / Screenplay: Pavel G. Vesnakov, Monica Balcheva Direktor fotografije / Director of Photography: Orlin Ruevski Montaža / Editor: Karen Tonne Zvuk / Sound: Veselin Zografov Kostimografija / Costume Design: Velika Prahova Scenografija / Production design: Sabina Christova Producent / Producer: Monica Balcheva, Knut Jager, Orlin Ruevski, Sebastian Weyland Produkcija / Production: Movimiento, Heimathafen Film & Media GmbH Uloge / Cast: Aleksandar Aleksiev, Valeri Yordanov, Yana Titova Kontakt / Contact: Moviemento, monica.balcheva@gmail.com, www.facebook.com/pridethemovie FILMOGRAFIJA / FILMOGRAPHY 2015 - ZEUS (kratki / short) 2013 - PRIDE (kratki / short) 2012 - THE PARAFFIN PRINCE (kratki / short) 2011 - TRAINS (kratki / short)

Takmičarski program - dokumentarni film / Competition Programme - Documentary Film

46

Artık Hayallerim Var / Kroz moj objektiv / Through My Lens, Nefin Dinç

47

Autorefleksija / Self Reflection, Nedim Alikadić

48

Chuck Norris vs Communism / Chuck Norris u borbi protiv komunizma, Ilinca Calugareanu

49

Dom / Home, Metod Pevec

50

Drifter / Lutalica, Gábor Hörcher

51

Eoha, Vladimir Perović

52

Exotica, Erotica, Etc / Egzotika, erotika itd., Evangelia Kranioti

53

Flotel Europa, Vladimir Tomić

54

Izmaglica Srebrenice / The Fog of Srebrenica, Samir Mehanović

55

Jedan dan u Sarajevu / One Day in Sarajevo, Jasmila Žbanić

56

Káin gyermekei / Kainova djeca / Cain’s Children, Marcell Gerö

57

Krš / Karst, Vladimir Todorović

58

Lijepo mi je s tobom, znaš / Lijepo mi je s tobom, znaš / I Like That Super Most the Best, Eva Kraljević

59

Minor Border / Minorna granica, Lisbeth Kovacic

60

Rus / Russian, Damir Ibrahimović, Eldar Emrić

61

Seb / Povrjeđivanje / Harm, Dénes Nagy

62

Tititá, Tamás Almási

63

Toto şi surorile lui / Toto i njegove sestre / Toto and His Sisters, Alexander Nanau

64

U mraku / In the Dark, Goran Stanković

65

U potrazi za snom / Chasing a Dream, Mladen Mitrović

66

The Unidentified / Nedodirljivi, Marija Ristić, Nemanja Babić

67

Über die Jahre / Tokom godina / Over the Years, Nikolaus Geyrhalter

68

Zeleni zidovi, crna hrana / Green walls, black food, Sandra Gjorgieva

Žeđ za dokumentarizmom / Thirst for filming Odabir filmova ove je godine vjerovatno bio najinspirativniji i najizazovniji zadatak sa kojim sam se susrela od pokretanja našeg dokumentarnog programa.

Rada Šešić

Regionalna dokumentarna ponuda je bogata, raznolika i, u određenoj mjeri, izuzetno dobro producirana, pa čak i adekvatno finansirana.

To je prilična novina za naš region. Podjednako je neuobičajeno, ali i izvrsno, da je toliko puno regionalnih autora tokom proteklih dvanaest mjeseci snimilo dokumentarne filmove. Na našem, kao i na drugim filmskim festivalima, oni se sada međusobno takmiče, pa se kao takmaci pojavljuje čak i više predstavnika pojedinih malih nacionalnih kinematografija. Mađarska, na primjer, ove godine ima zapanjujuće snažnu, te tematski i stilski raznoliku produkciju. Njihova se filmska scena trenutno čini najsvježijom i najdinamičnijom u regionu, praćena filmskom scenom Rumunije i Hrvatske koje već godinama održavaju relativno stabilnu dokumentarnu ponudu.

Tu je naravno i Austrija koja već odavno ima najsnažniju, najbogatiju i najbolje organizovanu dokumentarnu produkciju u ovom dijelu Evrope. Međutim, najveća iznenadjenja su nastala kao rezultat žeđi za dokumentarizmom svojih autora, a ne zahvaljujući sistematskoj podršci i dobrim produkcijskim uslovima u zemljama iz kojih dolaze. Tako su srbijanska i bosanskohercegovačka dokumentaristička žetva ove godine otkrile i nekoliko novih filmskih talenata, uz već poznate autore koji su se vratili dokumentarnom filmu nakon što su neko vrijeme bili fokusirani na igranu produkciju.

Impresivno je da su mnogi od odabranih dokumetaraca snimani pet ili šest godina, a rad na jednom od njih trajao je čak tri desetljeća. Neki su bili izabrani i za ozbiljne evropske platforme i radionice za razvoj dokumentarnih projekata; prezentovani su na najprestižnijim mjestima na svijetu i prikupili su potrebna finansijska sredstva, što je ogroman skok za regionalnu produkciju. Sve ovo dokazuje da se stvaranju dokumentaraca u našem regionu počelo pristupati na ozbiljniji način i da je istrajni kreativni pristup radu talentovanih reditelja i producenata prepoznat i adekvatno vrednovan.

To će moći primjetiti i naši gledatelji koji će

44 21. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - DOKUMENTARNI FILM

prisustvovati projekcijama 23 odabrana filma koje sa ponosom predstavljamo našoj odanoj festivalskoj publici.

Kao i svake godine, u selekciju su uvršteni i kratki filmovi, dužine od 10 do 40 minuta, jer je ovo oduvijek bila najuspješnija dokumentarna forma u našem regionu. Ponosni smo na tu tradiciju i želimo sačuvati kratkometražne dokumentarne filmove u našem programu u nadi da ćemo tako ohrabriti one koji još uvijek vjeruju da ih je potrebno snimati iako su gotovo sasvim zapostavljeni od strane velikih festivala i TV emitera.

Međutim, dužina većine odabranih filmova prilagođena je zahtijevima kino distributera, a neki čak traju i znatno duže od uobičajenih cjelovečernjih dokumentaraca. Ali najvažnije je da svaki film traje baš onoliko koliko autor smatra da je potrebno, a naš Dokumentarni takmičarski program podržava instinkt i slobodu autora da odaberu način koji smatraju najboljim da ispričaju svoje priče, stvore pravu filmsku atmosferu i proizvedu snažan film. Podržavamo filmske stvaraoce koji razmišljaju van zadatih okvira i tražimo originalan autorski filmski izraz.

Ukoliko bi smo tražili zajednički nazivnik cijele selekcije, mogli bi reći da se veliki broj odabranih filmova bavi sjećanjima.

Kroz vrlo uvjerljive autorske priče otkrivamo da su prošlost, sadašnjost i budućnost u ljudskom mozgu snažno povezane, te da je ličnost svakog pojedinca određena načinom na koji njegove uspomene evoluiraju.

Zbog toga odabrani filmovi predstavljaju izazov i za gledaoca jer on kroz tuđe priče uočava da ljudske uspomene imaju manje veze sa onim čega se ljudi sjećaju, a više sa njihovom osobenošću.

Neki od ovih filmova su tako duboko intimni da postaju krajnje konfrontirajući i kod gledaoca izazivaju osjećaj neugode, a što im je zapravo i cilj. Međutim, nakon što pogleda većinu od ovih filmova, gledalac osjeća da je spreman prigrliti povjerenje koje mu oni nude.

Druga zajednička karakteristika filmova u ovogodišnjem programu jeste da pričaju snažne lične priče junaka koje su u rukama filmskih

autora nadrasle same sebe. U velikom broju slučajeva te intimne priče poprimaju univerzalni karakter postajući priče koje se odista tiču svih nas i potrebno ih je dijeliti. Većina filmova tematizira bol - bol pojedinca, porodice ili nacije. Iako su filmske priče ispričane iz lične perspektive, one nadrastaju pojedinačno i dosežu relevantnost opšteg. Što se filmovi više bave ličnim iskustvima sve se više približavaju univerzalnim istinama.

Bez sumnje se može reći da svaki od 23 odabrana filma u sebi krije neku tajnu i postavlja pitanja na koja ne daje odgovore. Riječi ostaju neizgovorene, dok se između onog što je izgovoreno i onog što je pretpostavljeno, ostavlja prazan prostor koji treba da ispune sami gledaoci. Svaki od odabranih dokmentaraca potiče promatrača da uključi maštu, da razmišlja i premišlja, da donosi i preispituje vlastite stavove o prošlim i budućim istinama i uvjerenjima.

Dobro nam došli na filmove iz Dokumentarnog takmičarskog programa!

E This year’s selection was maybe the most inspirational and most challenging to round up.

The Regional documentary harvest was rich, versatile, partially extremely well produced and even reasonably well supported financially.

This is quite a novelty for our region. It is also remarkable and uncommon that many, indeed very many films makers in the region came out with their works within the last twelve months.

Here, as well as at other film festivals, they became competition to each other, even within the (small) national production. Hungarians for example have this year an amazingly strong, topic and style wise versatile production. Their scene seems currently the most fresh and vibrant of the entire region, followed by the Romanian and Croatian scene that maintain a decent and steady documentary production for already several years. Having said this, one has to acknowledge that Austrian documentary production is very strong, large and well organized, as it has been for many years. However, the biggest surprises immerge not as result of

good planning within national cinema but out of an individual thirst for filming. The Serbian documentary harvest as well as our local in Bosnia and Herzegovina catapulted several new talents, or known names that re-visited the documentary practice after having been focused mainly on fiction.

It is remarkable that many of the selected documentaries were in the making for five or six years; one was even made over a period of thirty years. Several of those feature length documentaries went through serious European documentary platforms and workshops; they have been pitched at the most prestigious places in the world and collected financial support, all not so common for the documentary production in this region. Therefore, one can say that the production in the region is taken more seriously and that the meticulous creative methods of talented directors and producers are being recognized. This will all be noticeable for the spectators watching our 23 selected films that we are proudly presenting to the faithful Festival goers.

As every year, some of these films are short, from 10 to 40 minutes and exactly this short form has always been the strongest documentary practice in our region. We are proud of our tradition and want to keep the short doc form within our selection, hoping it might give a boost to those who still believe that short documentaries should be made in spite of the fact that they disappeared almost completely from the big festivals and broadcasters’ slots.

However, most of the films have the length necessary for cinema releases. Some are even exceptionally exceeding this duration. But most important is that a film is as long as it should take. And we, as the Documentary Competition Program support this author’s instinct and freedom to decide what is best for the story to be told, for the cinematic mood to be created, for the film to be strong. We support thinking out of the box and also look for strong personal cinematic expressions.

Through the conveyed film makers’ stories we can see that past, present and future are strongly connected in our brain and we can also notice that the way our memories evolve, tells us a lot about who we are. Even for the spectator, this will be a challenging engagement, because through the stories of others, we observe whether our memories are becoming less about what we remember and more about ourselves.

Some stories are deeply intimate. It is an intimacy that makes the viewer uncomfortable, and it is intended to. At the end of most of the films, we feel that we can embrace this given confidentiality.

The second common denominator of this year’s selection is noted by strong personal stories that in the hands of the makers grew much larger than their initial subjects. For many they become stories that matter and they should be shared. Most of our films deal with pain – of an individual, a family or a nation. Given through a personal point of view, they all become relevant and universal and communicate with all cultures, with all corners of the world where humanity still breaths. The deeper the maker delves into the private sphere, the more universal the truth that is found.

We could easily say that each of the twentythree selected films holds a secret and leaves questions unanswered. Words are left unsaid; between what is told and what is assumed there are invisible spaces for the spectators to fill in. The selected documentaries allow for the audience’s imagination to take off, to consider and re-consider, to think and re-visit thoughts and truths of today and yesterday.

Welcome to the Documentary Competition Programme!

Rada Šešić Selektorica / Programme Selector

If we would look for a common denominator, one could say that this year’s selection is noted by remembering.

COMPETITION PROGRAMME - DOCUMENTARY FILM l 21. Sarajevo Film Festival 45

Artık Hayallerim Var / Kroz moj objektiv / Through My Lens KROZ MOJ OBJEKTIV je film o turskoj omladini koja se bori da se čuje njihov glas. Tokom jedne godine 72 studenta pokušavaju da snime kratke filmove o demokratiji i ljudskim pravima, dva akutna pitanja u Turskoj. Tokom filma publika vidi njihov mladalački pristup važnim pitanjima u Turskoj i ogromne prepreke koje pred njih stalno postavlja stari poredak. Film je poput vrtloga emocija tokom cijelih sat vremena borbe između starog i novog.

Nefin Dinç je do sada producirala šest dokumentarnih filmova, a KROZ MOJ OBJEKTIV je njen najnoviji dokumentarni film i njen prvi dugometražni film. Trenutno radi na svom novom filmu MEMOARI ANTOINEA KÖPEA, dokumentarnom filmu o Prvom svjetskom ratu na Srednjem istoku.

Nefin Dinç je bila i direktorica projekta na Projektu za proizvodnju filmova mladih, u okviru kojeg je podučavala mlade turske studente kako da proizvode kratke filmove. Magistrirala je proizvodnju dokumentarnih filmova na Univerzitetu u Sjevernom Teksasu. Predavala je proizvodnju dokumentarnih filmova na Državnom univerzitetu u New Yorku u Fredoniji od 2005. do 2013. godine.

E THROUGH MY LENS is a film about Turkish youth struggling to make their voices heard. Throughout one year, 72 students try to make short films on democracy and human rights, which are both pressing issues in Turkey. Throughout the film the audience sees their youthful approach to the important issues in Turkey and the huge obstacles the old establishment always creates for them.

The film is like a whirlwind of emotions throughout an hour of fight between the old and new.

Nefin Dinç has produced six documentaries so far, and THROUGH MY LENS is her latest documentary and her first full-length film. She is now working on her new film MEMOIRS OF ANTOINE KÖPE, a documentary on WWI in the Middle East. Nefin Dinç was also the Project Director of Youth Filmmaking Project, teaching young Turkish students how to make short films. She has a MFA degree on documentary filmmaking from University of North Texas. She has taught documentary filmmaking at State University of New York at Fredonia from 2005 until 2013.

46 21. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - DOKUMENTARNI FILM

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Turkey, 2015, Colour, 62 min, Turkish Režija / Director: Nefin Dinç Scenarij / Screenplay: Nefin Dinç Direktor fotografije / Director of Photography: Koray Kesik Montaža / Editor: Nefin Dinç, Natalin Solakoğlu, Naim Kanat Muzika / Music: Various Artists Zvuk / Sound: Taylan Oğuz Producent / Producer: Gamze Paker Produkcija / Production: Atlantik Film Uloge / Cast: Young students from Turkey Kontakt / Contact: Atlantik Film, gamzepaker@atlantikfilm.com, www.atlantikfilm.com FILMOGRAFIJA / FILMOGRAPHY 2015 - THROUGH MY LENS

(dokumentarni / documentary) 2011 - THE OTHER TOWN

(kratki dokumentarni / short doc.)

2006 - VIOLETTE VERDY-THE ARTIST TEACHER

(kratki dokumentarni / short doc.)

2005 - I NAMED HER ANGEL

(kratki dokumentarni / short doc.)

2005 - REBETIKO: THE SONG OF TWO CITIES

(kratki dokumentarni / short doc.)

2000 - REPUBLIC TRAIN

(kratki dokumentarni / short doc.)

Autorefleksija / Self Reflection Autor koristi svoje arhivske snimke i fotografije na kojima su prikazani bitni dijelovi njegovog života, a koji su ga učinili čovjekom kakav je danas. Kroz film prikazuje svoje nevino djetinjstvo, ljubav prema svom pozivu, svoje prve susrete sa kamerom i rat koji ga je otjerao od kuće. Rat je od dječaka napravio vojnika, ostavio iza sebe žrtve, žive i mrtve, sjećanja koja tjeraju na suze i ljutnju, pa i smijeh, zauvijek definisao poglede na život i umalo uništio njegove snove.

Nedim Alikadić je rođen 1975. u Sarajevu, gdje i danas živi sa svojom porodicom. Rat je proveo u rodnom gradu kao tinejdžer i vojnik. Još kao dijete gajio je ljubav prema fotografiji, kameri i montaži.

Student je druge godine Akademije scenskih umjetnosti u Sarajevu na Odsjeku za režiju, smjer audiovizuelne umjetnosti u klasi profesora Harisa Pašovića. Nedimov talent je prepoznat ranih 90-ih godina i on se od tada profesionalno bavi montažom, animacijom i režijom. Radio je na mnogim domaćim i međunarodnim filmskim i TV projektima. Autor je brojnih reklamnih i muzičkih spotova, kratkih i dokumentarnih filmova. Posebno mjesto u njegovom radu zauzima dokumentarni film SJEĆAŠ LI SE SARAJEVA (2002), koji je učestvovao na brojnim filmskim festivalima širom svijeta.

E The author uses his home movies and photographs taken at significant moments of his life that had shaped him into the man he is today. The film presents his innocent childhood, his love for his profession, his first encounters with camera and his experiences during the war that forced him out of his home. The war turned a boy into a soldier and left victims in its wake - both death and alive - as well as memories that provoke tears and anger, but also laughter. The war also defined his take on life and almost destroyed his dreams.

Nedim Alikadić was born in 1975 in Sarajevo where he lives with his family. He spent the war in his hometown as a teenage soldier. He fell in love with photography, cinematography and editing already in his childhood. At the moment, he is completing the second year of theater and film directing studies at the Sarajevo Academy of Dramatic Arts, Audiovisual Arts Department in the class of Professor Haris Pašović. His talents have been recognized since early 1990s when he started working professionally as a video editor, animator and director. He worked on numerous national and international film and TV productions. Nedim is the author of numerous commercial and music videos, as well as short and documentary films. He is particularly proud of his work on documentary film DO YOU REMEMBER SARAJEVO that was screen at numerous film festivals around the globe.

SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2015, Colour and b&w, 10 min, Bosnian Režija / Director: Nedim Alikadić Scenarij / Screenplay: Nedim Alikadić Direktor fotografije / Director of Photography: Nedim Alikadić Montaža / Editor: Nedim Alikadić Muzika / Music: Sikter Band, Giuseppe Verdi Zvuk / Sound: Nedim Alikadić Kostimografija / Costume Design: Nedim Alikadić Scenografija / Production design: Nedim Alikadić Producent / Producer: Akademija scenskih umjetnosti Sarajevo Produkcija / Production: Akademija scenskih umjetnosti Sarajevo Uloge / Cast: Nedim Alikadić Kontakt / Contact: Akademija scenskih umjetnosti Sarajevo, nedim.alikadic@gmail.com FILMOGRAFIJA / FILMOGRAPHY 2015 - SELF REFLECTION 2002 - DO YOU REMEMBER SARAJEVO

COMPETITION PROGRAMME - DOCUMENTARY FILM l 21. Sarajevo Film Festival 47

Chuck Norris vs Communism / Chuck Norris u borbi protiv komunizma Godina je 1985; komunistički diktator Nicolae Ceausescu već dvadeset godina vlada Rumunijom.

Sloboda kreativnog izražavanja je na najnižem zabilježenom nivou, a mediji i industrija zabave su pod strogom državnom kontrolom. Uvođenje i popularizacija kućnih videosistema (VHS) u Rumuniji su u porastu nagovještavajući pojavu tajnog pokreta otpora koji se rađa u tišini. Hiljade filmova sa zapada probija se kroz gvozdenu zavjesu otvarajući prozor ka slobodnom svijetu onima koji se usuđuju da ga traže. Ilegalni prodavač VHS kaseta i jedna hrabra prevoditeljica ljudima su donijeli filmsku magiju i potpalili iskru revolucije. Prvi igrani film rediteljice Ilince Calugareanu je inspirativan i nostalgičan dokumentarno-narativan hibrid koji govori o gerilskom pokretu krijumčara zapadnih filmova, a koji sebi prisvaja zasluge za rušenje komunističkog režima sa vlasti u Rumuniji 1989. godine.

Ilinca Calugareanu je rumunska rediteljica i montažerka sa adresom stanovanja u Londonu. Studirala je film u Granada centru za vizuelnu antropologiju u Mančesteru. Nedavno je završila rad na svome debitantskom igranom filmu CHUCK NORRIS U BORBI PROTIV KOMUNIZMA koji je premijerno prikazan na Filmskom festivalu Sundance 2015. godine. Ilincu privlače snažne i iznenađujuće teme, kao i pomjeranje granica dinamičnog pričanja priča.

E The year is 1985, 20 years into Nicolae Ceausescu’s Communist rule in Romania. Freedom of creative expression is at an all-time low as media and entertainment is heavily policed. The introduction and popularization of the video home system (VHS) in Romania is on the rise — an underground movement that starts off with little more than a whisper. Thousands of Western films smashed through the Iron Curtain opening a window into the free world for those who dared to look. A blackmarket VHS racketeer and a courageous female translator brought the magic of film to the people and sparked a revolution. Director Ilinca Calugareanu’s first feature, an inspiring and nostalgic documentary-narrative hybrid that explores the tale of the guerrilla film-smuggling movement that claims to have toppled the Romanian Communist regime in 1989.

Ilinca Calugareanu is a London-based Romanian director and editor. She studied filmmaking at Manchester’s Granada Centre for Visual Anthropology. She recently completed her debut feature film Chuck Norris vs Communism which premiered at Sundance 2015. Ilinca is interested in compelling and surprising stories and in pushing the boundaries of dynamic storytelling.

48 21. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - DOKUMENTARNI FILM

REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, Germany, United Kingdom, 2015, Colour and b&w, 81 min, Romanian Režija / Director: Ilinca Calugareanu Scenarij / Screenplay: Ilinca Calugareanu Direktor fotografije / Director of Photography: Jose Ruiz Montaža / Editor: Per K. Kirkegaard Muzika / Music: Anne Nikitin & Rob Manning Zvuk / Sound: Jay Price Kostimografija / Costume Design: Alina Morar Producent / Producer: Mara Adina & Brett Ratner Uloge / Cast: Irina Margareta Nistor, Ana Maria Moldovan, Dan Chiorean, Valentin Oncu, Cristian Stanca Kontakt / Contact: Vernon Films, mara@vernonfilms.co.uk, www.vernonfilms.co.uk FILMOGRAFIJA / FILMOGRAPHY 2015 - CHUCK NORRIS VS. COMMUNISM 2014 - VHS VS. COMMUNISM

(dokumentarni / documentary) 2008 - ENDGAMES 2006 - THE WRITING ON THE WALL

Dom / Home Dom je središte, svakodnevno utočište, hram sitnih navika. Ovaj se dokumentarac fokusira na dijametralnu suprotnost pozitivnih konotacija te riječi. Nekadašnji radnički dom kraj željezničke pruge samo je po imenu dom. Nakon bankrota građevinske kompanije Vegrad, posljednjeg vlasnika tog objekta, donesena je iracionalna odluka da se sobe i hodnici radničkog doma prodaju. U domu i dalje žive ljudi, mahom građevinski radnici koji iznajmljuju krevete. Žive sa opasne strane gotovo nevidljive granice, između sive ekonomije i nelegalnosti. Bosanski radnici, koji su tokom tri prosperitetne godine izgradili Sloveniju, sada su fizički oštećeni ili teško pronalaze posao. Film prati svakodnevni život neženja u tri spavaće sobe sa zajedničkim kupatilom i predstavlja njihov pogled na propast Slovenije kao regionalne ekonomske sile. Pogled sa društvenog dna je jednostavan, ali radikalan i iznenađujuće precizan.

Radnicima su se nedavno pridružili novi stanari, ljudi koji su usljed različitih faktora skliznuli niz društvenu ljestvicu. Na prvom spratu, predviđenom za omladinski dom, pričama radnika pridružuju se priče maloljetnika koji su pobjegli iz svojih nefunkcionalnih porodica i sada odrastaju pod nadzorom staratelja u takozvanoj rezidencijalnoj komuni. Uprkos šarolikom sastavu stanovnika, očigledno je da je ova zgrada dom velikom broju pojedinaca u krizi uzrokovanoj ekonomskom krizom.

Metod Pevec je rođen 1958. u Ljubljani. Diplomirao je filozofiju i svjetsku književnost na Fakultetu za umjetnost. Prije i nakon studija je odigrao nekoliko uloga u jugoslovenskim i slovenačkim filmovima (u više navrata surađujući sa film-noir rediteljem Živojinom Pavlovićem). Također je autor više romana: CARMEN (1991), koji je poslužio kao predložak za istoimeni film, MARIJA ANA (1994), po kojem je snimio svoj prvi dugometražni igrani film, i VEČE U DUBROVNIKU (2002). Napisao je i zbirku kratkih priča LUNA, VIOLINE (1994), te nekoliko radiodrama i filmskih scenarija.

E Home is the centre, everyday haven, a temple of small habits. This documentary film focuses on the very opposite of these pleasant connotations. The former home for workers by the railroad track is only called that. As it went bankrupt, its last owner, the Vegrad construction company, irrationally sold out the rooms and floors of this building. The home is still inhabited, mostly by construction workers renting a bed. They live on an almost invisible line, bordering grey economy and illegality at its dangerous side. The Bosnian workers who had built Slovenia in the years of prosperity are now handicapped or difficult to employ. The film follows their everyday bachelor lives in the three bed rooms with joint bathrooms, and presents their outlook on the decline of Slovenia as a model regional economic force. The view from the social bottom is simple but radical and surprisingly precise.

Lately the workers have been joined by quite a few tenants who have slid down the social ladder due to various reasons. On the first floor, the location of a youth home, the stories of workers are joined by the fates of minors, who had escaped from their dysfunctional families and are now growing up under the supervision of their keepers in a so-called residential community. Even though the occupants are diverse it is obvious that this building is home to a large concentration of personal crises caused by the economic crisis.

SVJETSKA PREMIJERA / WORLD PREMIERE Slovenia, 2015, Colour, 82 min, Bosnian, Slovenian Režija / Director: Metod Pevec Scenarij / Screenplay: Metod Pevec Direktor fotografije / Director of Photography: Metod Pevec Montaža / Editor: Janez Bricelj, Jurij Moškon Muzika / Music: Aldo Kumar Zvuk / Sound: Julij Zornik Producent / Producer: Danijel Hočevar Produkcija / Production: Vertigo Kontakt / Contact: Vertigo, info@vertigo.si, www.vertigo.si

FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2014 - HOME (dokumentarni / documentary) 2012 - TANGO ABRAZOS 2011 - GOOD NIGHT, MISSY 2008 - SUMMER HIT 2006 - ESTRELLITA 2003 - BENEATH HER WINDOW 1995 - CARMEN

Metod Pevec was born in 1958 in Ljubljana. He graduated philosophy and world literature at the Faculty of Arts. Before and during his studies, he played several roles in Slovenian and Yugoslavian films (several collaborations with the film-noir director Živojin Pavlović). He also wrote several novels: CARMEN (1991), on which a film with the same title was based, MARIJA ANA (1994), his first feature film and AN EVENING IN DUBROVNIK (2002). He also wrote a collection of short stories LUNA, VIOLINS (1994), several radio plays and several film screenplays.

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Drifter / Lutalica Mladi buntovnik Risci živi život na ivici propasti. Nevolja je njegovo srednje ime. Na očaj njegovih roditelja, vožnja bez vozačke dozvole, krađa i bijeg od policije dio su Riscijeve svakodnevnice. Risci ne trpi rutinu i ne mari za očekivanja svoga beskorisnog oca. Na kraju krajeva, gdje je on bio kada ga je Risci najviše trebao?

LUTALICA je sniman tokom perioda od pet godina te portretira jedinstvenog mladog čovjeka koji život uzima u svoje ruke. Film je inspirisao autora da snimi svoj najnoviji kratki film RICSI. Majka protagoniste njegova je prava majka a prijatelji njegovi pravi prijatelji... RICSI je izabran za Takmičarski program dokumentarnog filma na Sarajevo Film Festivalu 2015.

Gábor Hörcher je rođen 1980. godine u Budimpešti. Zajedno sa rediteljem i producentom Marcellom Iványijem je pokrenuo produkcijsku kuću KraatsFilm 2008. Njegov prvi film LUTALICA je premijerno prikazan na Međunarodnom festivalu dokumentarnog filma u Amsterdamu 2014., gdje je osvojio Nagradu za najbolji debitantski film. Njegov kratki film RICSI je premijerno prikazan na festivalu Clermont-Ferrand, nakon čega je osvojio Nagradu za najbolji mađarski kratki film na Mediawave festivalu 2015.

E The young rebel, Ricsi, lives his life on the edge. Trouble is his middle name. Driving cars without a license, theft and escaping from the cops are all just a part of his daily life much for his parents’ despair. Ricsi won’t stand for routines nor the expectations of his deadbeat father. Afterall, where was he when Ricsi needed him the most?

DRIFTER was shot over a period of five years and is a portrait of a unique young man who takes life in his own hands. The film inspired the director’s latest short film, titled RICSI. The protagonist’s mother is his real mother his friends are his real friends... RICSI is also in the Competition Programme at Sarajevo Film Festival 2015 in the Short Film Competition.

Gábor Hörcher was born in 1980 in Budapest. He founded KraatsFilm production company with director and producer, Marcell Iványi in 2008. Gábor’s first film DRIFTER premiered at IDFA winning the Best First Appearance Award in 2014. His fiction short film titled RICSI premiered at Clermont-Ferrand and shortly after won the Best Hungarian Short Fiction Prize at Mediawave Film Festival in 2015.

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BiH PREMIJERA / B&H PREMIERE Hungary, Germany, 2014, Colour, 72 min, Hungarian Režija / Director: Gábor Hörcher Scenarij / Screenplay: Gábor Hörcher Direktor fotografije / Director of Photography: Kristóf Becsey, Gábor Hörcher Montaža / Editor: Thomas Ernst Muzika / Music: Kalotás Csaba Zvuk / Sound: Várhegyi Rudolf Producent / Producer: Marcell Iványi, Gábor Hörcher, Marieke Bittner Produkcija / Production: KraatsFilm, Weydemann Bros.

Kontakt / Contact: KraatsFilm, info@kraatsfilm.com, www.kraatsfilm.com FILMOGRAFIJA / FILMOGRAPHY 2015 - DRIFTER (dokumentarni / documentary) 2014 - RICSI (kratki / short) 2010 - SERVED COLD (kratki / short) 2009 - PEACH (kratki / short)

Eoha U vanvremenskom pejzažu, koji liči na početak stvaranja svijeta, usred krša Crne Gore, jedan pastir sa svojim velikim narodom, krdom koza i ovaca, komunicira kao sa ljudima. Dvadesetak različitih povika, urlika, grguta, tepanja, coktanja, mumlanja, šapata, zvižduka i drugih oglašavanja, za ljudsko uho jesu nerazumljiva kakofonija, ali za ove koze i ovce to je znak sporazuma, sistem, jezik, ritmizirana propovijed, melodija kojoj se raduju, koju razumiju i kojoj se povinuju. On je znak srođenosti čovjeka sa podnebljem. Kad se kreće po sivom kršu, kao da igra balet. Stalno po visovima, on kao da i život posmatra iz višeg svijeta. A živi život zemni. On i njegovo stado. Komandant i vojska. Ali bez presije, torture, sile.

Ta poslušnost nije strah nego saglasje, ta pripadnost nije prinuda, i, iako dolazi od drugačijeg stvora, to je jezik jasne komunikacije! Ritualizovan i poetizovan, isključivo elementima te stvarnosti, ovaj film nudi jednu misao o svijetu, iskazanu bez riječi, kroz žive istinosne slike ovog života...

Vladimir Perović je rođen na Cetinju. Filmsku i televizijsku režiju diplomirao je u Beogradu na Fakultetu dramskih umetnosti. Radi na TV Vojvodina kao reditelj i urednik dokumentarnog programa i vanredni je profesor dokumentarnog filma na FDU na Cetinju. Režirao je kreativne dokumentarce i povremeno kratke igrane filmove. Filmovi su mu prikazivani na brojnim festivalima širom svijeta.

E In a timeless, rugged Montenegrin landscape apparently unchanged since the dawn of mankind, a shepherd communicates with his large herd of goats and sheep as if animals were human. Some 20 different shouts, screams, gurgles, hums, whispers and other sounds make up a cacophony a human ear cannot decipher, but for goats and sheep it is a language, the means of communication, a rhythmic melody they love, understand and respect. It is a symbol of harmony between men and his surroundings. When the herdsman walks on the rugged terrain, his movements resemble ballet dancing. Always up in the hills, the shepherd seems to be looking at the world from a higher dimension. At the same time he lives a simple, earthly life. Him and his flock. Commander and his army.

But without repression, torture or force. Obedience does not result from fear, but from agreement.

The sense of belonging is not achieved by force; the language of communication is clear although it is shared between different species. Ritualized and poetic, comprised of elements from the given reality, the film offers a unique perception of the world, presented without a word, through lively, true images of this life...

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Montenegro, 2015, Colour, 22 min, No Dialogue Režija / Director: Vladimir Perović Scenarij / Screenplay: Vladimir Perović Direktor fotografije / Director of Photography: Milan Stanić Montaža / Editor: Aleksandar Uhrin Zvuk / Sound: Dora Filipović, Đoko Jablan Producent / Producer: Vladimir Perović Produkcija / Production: Dogma Studio, Podgorica, Crna Gora Kontakt / Contact: Dogma Studio, sosic@dogma.co.me, dogma.co.me FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - EOAH 2010 - TRIALS, TRIBULATIONS & SUSTAINABLE

GROWTH OF A COOK 2007 - THE THIRST OF A STONE SEA 2003 - VANISHING 2001 - SLIGHT MALFUNCTION ON MY SHINY STAR 2000 - THE CLOCK 1997 - TUNING VOICES 1996 - PILGRIMAGE

Vladimir Perović was born in Cetinje. He studied film and TV directing at the Faculty of Dramatic Arts in Belgrade. He is the head of documentary program department and a director at TV Vojvodina, as well as an associate documentary film professor at the Faculty of Dramatic Arts in Cetinje.

Perović directed numerous documentaries and several short fiction films. His films have been screened in many film festivals around the World.

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Exotica, Erotica, Etc / Egzotika, erotika itd.

Mornari su poput terorista. Pristaju u luke sa bombom zvanom ljubav i bacaju je. Znate šta se onda događa? Bomba eksplodira kada oni odu da se nikada ne vrate, nakon što su slomili srca djevojaka iz komšiluka. Kako čudno... voljeti nekoga ko te plaća....

Evangelia Kranioti je vizuelna umjetnica rođena u Grčkoj koja se bavi filmom, fotografijom i umjetničkim instalacijama. Završila je osnovni studij prava na Kapodistrian univerzitetu u Atini, a zvanje bakaleurata vizuelne umjetnosti stekla je na prestižnom Univerzitetu za umjetnost i dizajn (École nationale supérieure des arts décoratifs) u Parizu. Nedavno je završila postdiplomski studij u Fresnoy studiju za modernu umjetnost u Francuskoj u okviru kojeg je završila dvogodišnje audiovizuelno istraživanje koje je nagrađeno Analix Forever nagradom. Dobitnica je stipendija i grantova od niza organizacija, uključujući J. F. Costopoulos Fondaciju, Mediteranski centar za fotografiju, Cité internationale des Arts u Parizu, Capacete Rio de Janeiro i Fonds de Dotation Agnès b. Zastupa je Sator galerija u Parizu. Kranioti je dobitnica RUNAWAY stipendije koju dodjeljuju Bipolar productions i Le Fresnoy, a trenutno je koristi kako bi razvila više projekata za nove medije. EGZOTIKA, EROTIKA ITD. je njen prvi film.

E Sailors are like terrorists. They arrive in ports with a bomb called love and throw it. And do you know what happens? The bomb explodes when they go away and they never come back, breaking the hearts of all the girls in the neighborhood. How strange... To love somebody who pays you...

Evangelia Kranioti is a greek-born visual artist working with film, photography and installations. She holds an LLB in Law from the Kapodistrian University of Athens and a BA Hons in Visual studies from the École nationale supérieure des arts décoratifs of Paris. She has recently graduated from the Fresnoy Studio national des arts contemporains in France, where she completed a 2-year audiovisual research and was awarded with the Analix Forever Prize. The recipient of many other scholarships and grants, such as the J. F. Costopoulos Foundation, the Mediterranean Center of Photography, the Cité internationale des Arts of Paris, Capacete Rio de Janeiro, and the Fonds de Dotation Agnès b. She is represented by the Sator gallery in Paris and is currently developing various new media projects as the recipient of the RUNWAY fellowship, awarded by Bipolar productions and Le Fresnoy.

EXOTICA, EROTICA, ETC. is her first film.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Greece, France, 2015, Colour, 73 min, Greek, Spanish Režija / Director: Evangelia Kranioti Scenarij / Screenplay: Evangelia Kranioti Direktor fotografije / Director of Photography: Evangelia Kranioti Montaža / Editor: Yorgos Lamprinos Muzika / Music: Eric Neveux Zvuk / Sound: Jérôme Gonthier Producent / Producer: Charlotte Vincent, Evangelia Kranioti Produkcija / Production: Aurora Films Kontakt / Contact: Aurora films, contact@aurorafilms.fr, aurorafilms.fr FILMOGRAFIJA / FILMOGRAPHY 2015 - EXOTICA, EROTICA, ETC.

Flotel Europa Godine 1992. talas izbjeglica, iz ratom zahvaćene Bosne i Hercegovine, slijeva se u Dansku. Kako su postojeći izbjeglički kampovi bili dupke puni, Crveni krst je u kopenhaški kanal dovukao ogroman brod po imenu Flotel Europa. Brod je postao privremeni dom za hiljadu ljudi dok su očekivali odluku vlasti o podnesenim zahtjevima za azil. Među njima je bio i dvanaestogodišnji dječak Vladimir koji je iz Sarajeva pobjegao sa majkom i starijim bratom. Njih troje su proveli dvije godine života u privremenosti Flotela Europa. Dvije decenije kasnije Vladimir Tomić nas vodi kroz priču o odrastanju na brodu ispunjenom odjecima rata i drugim stvarima koje čine adolescenciju. Priča o sazrijevanju teče naspram privatnih VHS snimaka koje su načinile izbjeglice dok su dijelile “prostorno-vremenski vakum” Flotela Europa.

Vladimir Tomić je rođen 1980. godine u Sarajevu, Bosna i Hercegovina. Diplomirao je na Danskoj kraljevskoj akademiji za primijenjene umjetnosti u 2009. godine. Živi i radi u Kopenhagenu.

Umjetnički filmovi Vladimira Tomića, uključujući filmove TRILOGIJA (2004), EHO (2005), DOLINA SJENKI (2006) i MOJA IZGUBLJENA GENERACIJA (2009), nastaju u prostoru moderne umjetnosti i eksperimentalne dokumentaristike. Njegovi radovi često u fokusu imaju univerzalne i ljudske tenzije uzrokovane promjenjljivošću društvenih struktura.

E In 1992 a wave of refugees from the war in Bosnia and Herzegovina reached Denmark. With existing refugee camps completely full, the Red Cross pulled a giant ship into the canals of Copenhagen.

The ship, Flotel Europa, became a temporary home for a thousand people waiting for decisions on their asylum applications. Among them was a 12 year old boy, Vladimir, who fled Sarajevo together with his mother and older brother. They spent two years in the limbo of Flotel Europa.Two decades later, Vladimir Tomić takes us on a journey of growing up on this ship filled with echoes of the war — and other things that make up an adolescence. The coming-of-age story is juxtaposed with personal VHS archive material shot by refugees who shared the “space-time vacuum” of the Flotel.

BiH PREMIJERA / B&H PREMIERE Serbia, Denmark, 2015, Colour, 71 min, Bosnian Režija / Director: Vladimir Tomić Scenarij / Screenplay: Vladimir Tomić Montaža / Editor: Srđan Keča Zvuk / Sound: Alex Pavlović Producent / Producer: Selma Jusufbegović, Srđan Keča Produkcija / Production: Selma Jusufbegović Kontakt / Contact: Uzrok, sk@skeca.com, skeca.com FILMOGRAFIJA / FILMOGRAPHY 2015 - FLOTEL EUROPA 2012 - UNFINISHED JOURNEYS 2009 - MY LOST GENERATION 2006 - THE VALLEY OF SHADOWS 2005 - ECHO 2003 / 2004 - THE TRILOGY: DEAD NATURE AND

MOVEMENTS, THE PIANIST, THE MAILMAN

Vladimir Tomić was born in 1980 in Sarajevo, Bosnia and Herzegovina. In 2009 he graduated from the Royal Danish Academy of Fine Arts. He lives and works in Copenhagen. Vladimir Tomić’s art films such as TRILOGY (2004), ECHO (2005), THE VALLEY OF SHADOWS(2006) and MY LOST GENERATION (2009) are played out in the field of contemporary art and experimental documentation. Universal and human tension caused by the changing structure of society is often at the center of his work.

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Izmaglica Srebrenice / The Fog of Srebrenica Jedanaestoga jula svake godine obilježava se godišnjica masakra u Srebrenici, jedinog genocida u Evropi nakon Drugog svjetskog rata. Tokom sedam dana jula 1995, u Srebrenici je ubijeno 8,372 bosanskih muškaraca i dječaka. Iskrene i jednostavne priče koje preživjeli pričaju u IZMAGLICI SREBRENICE navode na ozbiljna i suštinska pitanja o prirodi ljudskog života, ratu i oprostu. Snimljen isključivo u maglovitim predjelima Bosne, film IZMAGLICA SREBRENICE gledaoce upoznaje sa nekim nevjerovatno snažnim ljudima.

Samir Mehanović je bosanskohercegovački filmski i pozorišni reditelj, producent i scenarista.

Mehanovića je u mladosti inspirisao rad pozorišnih kompanija iz istočne Evrope i Rusije. Rat u Bosni i Hercegovini i desetomjesečna opsada Tuzle okončali su Mehanovićevo studiranje. Potom je pokrenuo avangardnu pozorišnu kompaniju JLS u kojoj je usavršio rediteljski zanat, učeći zajedno sa glumcima i postavivši neke revolucionarne predstave. Mehanović napušta Tuzlu u augustu 1995. kako bi na poziv Richarda Demarcoa, suosnivača Teatra Traverse, nastupio na Edinburškom festivalu. Mehanović ostaje u Edinburgu gdje traži azil i kratko je živio na ulici prije nego što je dobio stan u općinskoj zgradi u predgrađu Edinburga, u Niddriei. Mehanović se u Edinburgu nastavio baviti pozorišnom režijom, a 2001. režira i svoj prvi kratki film SVINJE LETE U ROZOM. Mehanović je 2004. stekao zvanje magistra za film i televiziju na Koledžu za umjetnost u Edinburgu, a njegov magistarski film KRAJ IGRE osvojio je nagradu Ingles Allen za najbolji magistarski film. Godinu dana kasnije napisao je i režirao kratki film, KAKO SMO SE IGRALI, o životu dva dječaka različite vjeroispovijesti u periodu na početku rata u Bosni i Hercegovini. Film je nagrađen škotskom BAFTA nagradom za najbolje režiran prvi film (2005) i Srebrenom nagradom Filmskog festivala u Hjustonu (2006). Mehanović je 2014. godine u graničnom prostoru između Libana i Sirije režirao i producirao dokumentarni film TIHI RAT DOLINA BEKAA. E July 11th marks the anniversary of the Srebrenica massacre, the only genocide in Europe since

WWII. Over seven days of July 1995, 8,372 Bosnian men and boys were killed in and arround Srebrenica. Simple and honest stories of the massacre survivors in THE FOG OF SREBRENICA raise some serious and profound questions about the nature of human existence, war and forgiveness. Shot in the foggy exteriors of Bosnia, the haunting story introduces the viewers to some unbelivably strong peope.

Samir Mehanović is a Bosnian film and theatre director, producer, and screenwriter. Young Mehanović was inspired by the work of theatre companies from Eastern Europe and Russia. During the Bosnian War, the 10 month siege of Tuzla put an end to Mehanović’s studies. He established JLS Avantgarde Theatre company, developing his directing craft, learning together with his actors, and creating groundbreaking plays. Mehanović left Tuzla in August 1995 to perform at the Edinburgh Festival Fringe, having been invited by Richard Demarco OBE, co-founder of the Traverse Theatre.

Mehanović remained in Edinburgh and applied for asylum, briefly living on the streets, before finding a council flat in Niddrie, a suburb of Edinburgh. Mehanović continued directing theatre in Edinburgh and in 2001 directed his first short film, PIGS FLYING PINK. In 2004 he completed an MA in Film and TV at the Edinburgh College of Art, winning the Ingles Allen Award (2004) for Best MA Film with GAME OVER. The following year, he wrote and directed the short film, THE WAY WE PLAYED, about two boys from different religious backgrounds at the beginning of the Bosnian war, for which he won the Best First Time Director BAFTA Scotland award (2005), and the Houston Film Festival Silver Award (2006). In 2014, Mehanović filmed, directed and produced SILENT WAR BEKAA VALLEY, a documentary filmed on the Lebanese/Syrian border.

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SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2015, Colour and b&w, 60 min, Bosnian Režija / Director: Samir Mehanović Scenarij / Screenplay: Samir Mehanović Direktor fotografije / Director of Photography: Samir Mehanović, Gavin Wolfe Murray, Davor Vecaj Montaža / Editor: Laura Carreira Muzika / Music: Nigel Osborne Zvuk / Sound: Edvin Buturović Scenografija / Production design: Ivona Zarahović Buturović Producent / Producer: Samir Mehanović, Slobodan Svrzo Produkcija / Production: Face TV Bosnia, Paradiso Films UK Uloge / Cast: Mehmed Hodžić, Hatidža Mehmedović, Ahmed Ustić, Zinahida Mašić Mustafić Kontakt / Contact: Face TV, ssvrzo@facetv.ba, www.facetv.ba FILMOGRAFIJA / FILMOGRAPHY 2015 - IZMAGLICA SREBRENICE/ THE FOG OF

SREBRENICA 2014 - SILENT WAR BEKAA VALLEY 2013 - MOUTH OF HELL (kratki / short) 2009 - CLASS ENEMY: A MESSAGE FROM SARAJEVO

(dokumentarni / documentary) 2008 - RICHARD AND I (dokumentarni / documentary) 2005 - THE WAY WE PLAYED (kratki / short) 2004 - GAME OVER (kratki / short) 2001 - PIGS FLYING PINK (kratki / short)

Jedan dan u Sarajevu / One Day in Sarajevo Prije stotinu godina u Sarajevu se dogodio atentat čiji uzroci i posljedice još uvijek odjekuju evropskom današnjicom. Dana 28. juna. 1914. godine Gavrilo Princip pucao je na prestolonasljednika Austro-Ugarske monarhije Franza Ferdinanda. Atentat je bio povod za Prvi svjetski rat, koji je obilježio početak XX vijeka. Sto godina kasnije u Sarajevu se obilježava ovaj dan. Savremenici mu pripisuju različita tumačenja i u vezi s njim imaju različite emocije. Film JEDAN DAN U SARAJEVU, kroz materijale koji su snimili građani Sarajeva (mobilnim telefonima i malim kamerama), govori o različitim aspektima događaja toga dana, te koristi snimke igranih scena iz filmova o atentatu reditelja iz Austrije, BIH, Velike Britanije i kontrastira im.

Jasmila Žbanić je rođena u Sarajevu 1974. godine. Diplomirala je na Odsjeku za filmsku i pozorišnu režiju na sarajevskoj Akademiji scenskih umjetnosti. Njen igrani film GRBAVICA osvojio je Zlatnog medvjeda na Berlinaleu 2006, Nagradu velikog žirija Američkog filmskog instituta, Grand Prix Odyssey Europskog vijeća i prodan je s velikim uspjehom na 40 teritorija. NA PUTU, Jasmilin drugi igrani film, premijerno je prikazan na Berlinaleu 2010. u takmičarskom programu. Film je osvojio brojne nagrade, uključujući Nagradu za najbolju režiju na Filmkunstfestival Schwerin, Zlatnu marelicu na Međunarodnom filmskom festivalu u Yerevanu – nagradu FIPRESCI, Pula Film Festival 2010 – Zlatnu arenu za najbolju režiju. Jasmilin treći igrani film, ZA ONE KOJI NE MOGU DA GOVORE, imao je svoju svjetsku premijeru na Toronto Film Festivalu i osvojio je nagradu Femme de Cinema za 2013. na Evropskom filmskom festivalu Les Arcs. 2014. godine primila je nagradu KAIROS kojom se odaje priznanje evropskim umjetnicima za čiji rad se smatra da posjeduje vrhunski kulturni i društveni utjecaj.

E Causes and consequences of the assassination that happened in Sarajevo a hundred years ago still continue to reverberate in Europe. On June 28, 1914 Gavrilo Princip assassinated the heir to the throne of the Austro-Hungarian Empire Franz Ferdinand sparking World War I that marked the start of the 20th century. As Sarajevo commemorated the centennial of the assassination, different people had different interpretations of what happened in the city a century ago and different emotions about it. ONE DAY IN SARAJEVO tells about various perspectives of the anniversary in Sarajevo combining and contrasting footage filmed by citizens of Sarajevo (with small cameras and mobile phones) with scenes from feature films about the assassination by directors from Austria, BosniaHerzegovina and the United Kingdom.

SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2015, Colour, 60 min, Bosnian, English Režija / Director: Jasmila Žbanić Scenarij / Screenplay: Jasmila Žbanić Direktor fotografije / Director of Photography: Christine A. Maier Montaža / Editor: Isabel Meier, Ruth Schoenegge Zvuk / Sound: Igor Čamo Producent / Producer: Damir Ibrahimović, Jasmila Žbanić Produkcija / Production: Deblokada, NK Projects Kontakt / Contact: Deblokada, damir@deblokada.ba, www.deblokada.ba FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - ONE DAY IN SARAJEVO 2014 - LOVE ISLAND 2013 - FOR THOSE WHO CAN TELL NO TALES 2009 - ON THE PHAT 2008 - PARTICIPATION

(STORIES ON HUMAN RIGHTS omnibus) 2007 - BUILDER’S DIARY

(dokumentarni / documentary) 2006 - GRBAVICA 2004 - BIRTHDAY (LOST AND FOUND omnibus) 2003 - IMAGES FROM THE CORNER

(dokumentarni / documentary)

Jasmila Žbanić was born in Sarajevo in 1974. She is a graduate of the Sarajevo Academy of Dramatic Arts, Department of Theater and Film Directing. Her feature debut GRBAVICA was awarded the 2006 Berlinale Golden Bear, the American Film Institute Grand Jury Prize, and Grand Prix Odyssey of the European Council and was sold to 40 territories with great success. Jasmila’s second feature ON THE PATH premiered in the competition program of the 2010 Berlin International Film Festival and has won numerous awards including Fimkunstfestival Schwerin Award for Best Director, Golden Apricot of the International Film Festival in Yerevan – FIPRESCI Prize, and Golden Arena for Best Director of the 2010 Pula Film Festival. Jasmila’s third feature FOR THOSE WHO CAN TELL NO TALES made its world premier at the Toronto Film Festival and was awarded 2013 Femme de Cinema award at the European Les Arcs Film Festival. In 2004, Jasmila has won Kairos Prize awarded to the European artists whose work is found to have outstanding cultural and social impact.

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Káin gyermekei / Kainova djeca / Cain’s Children Tri muškarca. Svi su u djetinjstvu počinili ubistvo. Čitavu su mladost proveli u najbrutalnijem zatvoru komunističke Mađarske gdje su prvi put i snimljeni. Na uznemirujućim arhivskim snimcima priznaju detalje zločina koje su počinili i govore o svojim planovima za budućnost. Trideset godina kasnije, autor filma kreće u potragu za njima i otkriva prešućene tajne i jednu drugu, njemu do tada nepoznatu Mađarsku. Sudbina, grijeh i zavještanje - viđeni očima Kainove djece.

Marcell Gerö je diplomirao režiju na Univerzitetu za film i pozorište u Budimpešti, u klasi Janosa Szasza. Njegov diplomski rad ŠOK je višestruko nagrađivan širom svijeta. Gero je 2007. godine sa Sárom László i Tamasom Dobosem osnovao Campfilm. KAINOVA DJECA su njegov prvi igrani film, a prethodno je producirao niz dokumentaraca i kratkih igranih filmova.

E Three men, they all committed murder as children. They passed their entire youth in communist Hungary’s most brutal prison, where they were first filmed. Disturbing archive footage shows them confessing details of their crime, and sharing their plans for the future. Thirty years on, the filmmaker goes out to find them and discovers untold secrets and a Hungary he has never known. Fate, sin, and legacy – seen through the eyes of Cain’s children.

Marcell Gerö graduated from the University of Film and Theatre Arts in Budapest as a director in the class of Janos Szasz. His diploma project KOCOS (SHOCK) gained multiple awards worldwide. In 2007, he co-founded Campfilm together with Sára László and Tamas Dobos. After producing a number of documentary and fiction shorts, he directed CAIN’S CHILDREN, his first feature film.

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BiH PREMIJERA / B&H PREMIERE Hungary, France, 2014, Colour, 104 min, Hungarian Režija / Director: Marcell Gerö Scenarij / Screenplay: Sára László, Marcell Gerö Direktor fotografije / Director of Photography: Rudolf Péter Kiss (second d.o.p.: Zoltán Lovasi) Montaža / Editor: Sylvie Gadmer, Péter Sass Muzika / Music: Dominique Gadmer Zvuk / Sound: Rudolf Varhegyi, Tamás Devenyi, Tamás Szekely Producent / Producer: Sára László, Campfilm, Jacques Bidou, Marianne Domoulin, JBA Production Produkcija / Production: Campfilm, Hungary, JBA Production, France, ARTE France Uloge / Cast: Pal Pasztor, József Gábor Nagy, Zsolt Barcsai Kontakt / Contact: JBA Production, jbaprod@jbaproduction.com, www.jbaproduction.com FILMOGRAFIJA / FILMOGRAPHY 2014 - CAIN’S CHILDREN 2007 - SHOCK 2005 - LUX UR SZABADALMA

Krš / Karst Italijanski diplomata odlučuje izgraditi svoju kuću iz snova u nepristupačnom, ali zapanjujuće lijepom crnogorskom kršu. Na tom zahtjevnom zadatku angažuje arhitektu i porodicu lokalnih zidara. Dok pripitomljavaju neprijateljsku prirodu, oni će naučiti kako da rade zajedno unatoč očiglednim kulturnim razlikama. Na kraju procesa čini se kao da su postali jedna velika porodica. Film prati cijeli proces od početka do kraja, postepeno razotkrivajući ljepotu surovog crnogorskog kraja i njegovih stanovnika.

Vladimir Todorović je rođen 1977. u Zrenjaninu, Srbija. Studirao je vizuelnu umjetnost na Akademiji primenjenih umetnosti u Beogradu i na Kalifornijskom univerzitetu Santa Barbara. Trenutno radi kao asistent na Školi za umjetnost, dizajn i medije, NTU, u Singapuru. Suosnivač je novomedijskog umjetničkog kolektiva Syntfarm u Singapuru i Instituta za fleksibilne kulture i tehnologije NAPON u Novom Sadu. Todorović je filmski autor, novomedijski umjetnik i edukator. Njegovi projekti su prikazani i nagrađeni na brojnim festivalima i izložbama, kao i u muzejima i galerijama, uključujući Međunarodni filmski festival u Busanu, Južna Koreja (39, 40. i 42. izdanje), Festival du Nouveau Cinema, Visions du Reel, L’Alternativa, YIDFF, Siggraph, ISEA (2010, 2008, 2006), Ars Electronica, Transmediale, The Reina Sofia Museum (Madrid) i Japan Media Art Festival.

E An Italian diplomat choses an unapproachable yet breathtaking Montenegrin karst landscape as a perfect spot to build his dream house. He hires an architect and a local stonemason family to accomplish this giant task. While taming this hostile natural environment, they all learn how to work and function together despite obvious cultural differences. Eventually they become like one big family.

This film follows the process from its initiation to the completion, in which the beauty of this harsh landscape and its people gradually reveal themselves.

Vladimir Todorović was born in 1977 in Zrenjanin, Serbia. He studied visual arts at the Academy of Fine Arts in Belgrade and University of California Santa Barbara. Currently, he is working as Assistant Professor at the School of Art, Design and Media, NTU, Singapore. He co-founded the new media art collective called ‘syntfarm’ based in Singapore and the Institute for Flexible Cultures and Technologies ‘NAPON’ in Novi Sad, Serbia. Vladimir Todorović is a filmmaker, new media artist and educator.

His projects have won several awards and screened at many festivals, exhibitions, museums and galleries including: Busan, IFFR(42nd, 40th and 39th), Festival du Nouveau Cinema, Visions du Reel, L’Alternativa, YIDFF, Siggraph, ISEA(2010,2008,2006), Ars Electronica, Transmediale, The Reina Sofia Museum(Madrid), and Japan Media Art Festival.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Serbia, France, 2015, Colour, 80 min, Serbian Režija / Director: Vladimir Todorović Scenarij / Screenplay: Vladimir Todorović Direktor fotografije / Director of Photography: Vladimir Todorović Montaža / Editor: Seamus Haley Muzika / Music: Brian O’Reilly Zvuk / Sound: Gabor Ripli Scenografija / Production design: Adriana Ferrarese Producent / Producer: Adriana Ferrarese Produkcija / Production: Adriana Ferrarese Ceresa Films Kontakt / Contact: Ceresa Films, adriana@ceresa-films.com, www.ceresa-films.com FILMOGRAFIJA / FILMOGRAPHY 2015 - KARST (dokumentarni / documentary) 2013 - THE LIGHTNESS OF A STONE

(kratki dokumentarni / short doc.)

2013 - DISAPPEARING LANDSCAPE

(dokumentarni / documentary) 2011 - WATER HANDS (dokumentarni / documentary)

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Lijepo mi je s tobom, znaš / Lijepo mi je s tobom, znaš / I Like That Super Most the Best Eva i Mia su sestre. Mia je vesela, otvorena, ima Downov sindrom, ne mari previše za modu i voli ljude. Eva kroz deset godina kamerom bilježi svoja druženja s Mijom kako bi pokušala razumjeti njihov odnos. U tom pokušaju nastaje portret dviju sestara, ispunjen radošću, strahom i željom da se prevaziđe malograđanski ukus koji postavlja granice sestrinske ljubavi.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE

Eva Kraljević rođena je 1981. u Zagrebu. Diplomirala je filmsko snimanje na zagrebačkoj Akademiji dramskih umjetnosti, a radi kao snimateljica i fotografkinja. Kao snimateljica radila je na desetak kratkih, deset srednjometražnih i dugometražnih dokumentaraca, TV drama i reportaža, namjenskih filmova i glazbenih spotova. Godine 2009. osvojila je Nagradu za kameru na bijenalnom filmskom festivalu FRKA (ADU) s filmom DANIJEL (2007). Na istom je festivalu dvije godine ranije osvojila istu nagradu za film YOU ARE SO STUPID, STUPID. LIJEPO MI JE S TOBOM, ZNAŠ njezin je rediteljski prvijenac.

Režija / Director: Eva Kraljević Scenarij / Screenplay: Eva Kraljević Direktor fotografije / Director of Photography: Eva Kraljević Montaža / Editor: Hrvoslava Brkušić Muzika / Music: Miro Manojlović, Erol Zejnilović Zvuk / Sound: Ivan Zelić Producent / Producer: Dana Budisavljević, Miljenka Čogelja Produkcija / Production: Hulahop Kontakt / Contact: Hulahop, dana@hulahop.hr, www.hulahop.hr

E Eva and Mia are sisters. Mia is cheerful, friendly, has Down’s syndrome, doesn’t care much for fashion and likes people. Eva has filmed her interactions with Mija over a period of ten years in an attempt to understand their relationship. Along the way she created a portrait of two sisters, filled with joy, fear and desire to overcome bourgeois taste of the society that limits her sister.

Eva Kraljević was born in Zagreb in 1981. Kraljević graduated in cinematography from the Academy of Dramatic Arts in Zagreb and works as a cinematographer and photographer. She was DOP on a number of short, mid-length and feature documentaries, TV films and reports, as well as commissioned films and music videos. In 2007 and 2009 she was awarded the Best Cinematography Award of the biennial FRKA Film Festival (ADU) for the films YOU ARE SO STUPID, STUPID and DANIJEL respectively. I LIKE THAT SUPER MOST THE BEST is her directorial debut.

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Croatia, 2015, Colour, 42 min, Croatian

FILMOGRAFIJA / FILMOGRAPHY 2015 - I LIKE THAT SUPER MOST THE BEST

Minor Border / Minorna granica Od kada je granica između Austrije i Mađarske postala “šengenska granica”, ona kao da je postala beznačajna. Zbog toga se duž nje uklanjaju granični punktovi, uključujući i onaj na “malom graničnom prelazu” u Nickelsdorfu / Hegyeshalomu. Međutim, kulturološka i društvena granica - proistekla iz historijskog nepovjerenja i novih evropskih zakona - opstaje. Dvadeset i pet godina od pada Željezne zavjese, granica još uvijek dijeli ljude različitog imovinskog statusa i životnog standarda. Za one koji žele putovati u Evropu i unutar Evrope granica više nije puka linija razgraničenja.

Gdje god da odu granica ih prati oživljena u formi podataka u elektronskim bazama uz pomoć kojih se svaki njihov korak nadzire i prati. Ljudi povezani sa ovom granicom na vlastitim jezicima govore o njenim i dalje prisutnim manifestacijama.

Lisbeth Kovacic je rođena 1978. godine, a 2011. je sa pohvalama završila studij na Akademiji primijenjenih umjetnosti u Beču, Odjel za fotografiju, i stekla diplomu iz oblasti konceptualne umjetnost (post-konceptualna umjetnička praksa i scenske umjetnosti). Od 2000. godine radi kao slobodni fotograf i fotografija je njeno primarno sredstvo izražavanja. Fotografijom se koristi na živim performansima, u videoradovima i instalacijama kao što su “Problematični bas” (2013), ‘’Herzlich Willkommen’’ (2011) i “Kakav osjećaj / mogu li početi iz početka?” (2008) u kojima se fokusira na politički interesantne teme kao što su migracije i radnička prava.

E Since the border between Austria and Hungary became a “Schengen border” it seems to have lost its meaning. Therefore the border stations, among them the “small border crossing” in Nickelsdorf/ Hegyeshalom are being removed. The border persists culturally and socially, based on historically grown resentments and new European laws. 25 years after the fall of the Iron Curtain, the border still excists as division in income and life standards. And for those who travel to and within Europe without all the necessary papers, the border is not a line to cross anymore. They are carrying it with them wherever they move, in the form of electronic doubles in databases, that are made to watch and control each of their steps.Poeple related to this border talk about the ways it still exists in their own languages.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Austria, 2015, Colour, 25 min, Farsi, German, Hungarian, Pushto Režija / Director: Lisbeth Kovacic Scenarij / Screenplay: Lisbeth Kovacic Direktor fotografije / Director of Photography: Lisbeth Kovacic Montaža / Editor: Lisbeth Kovacic Muzika / Music: Matija Schellander Zvuk / Sound: Oliver Brunbauer Producent / Producer: Lisbeth Kovacic Produkcija / Production: Lisbeth Kovacic Kontakt / Contact: Lisbeth Kovacic, lisbeth@klingt.org, lisbeth.klingt.org

FILMOGRAFIJA / FILMOGRAPHY 2015 - MINOR BORDER

Lisbeth Kovacic was born in 1978. In 2011 she graduated at the College for Photography in Vienna, obtaining a Diploma with distinction in Fine Arts ( Post-Conceptual Art Practices and Performative Arts) at the Academy of Fine Arts Vienna. She has been working as a freelance photographer since 2000 and photography is her most important media of expression. She uses it for live-performances, videos and installations such as ‘’Trouble bass’’ (2013), ‘’Herzlich Willkommen’’(2011), ‘What a feling/ Can I start again’’ (2008), in which she focuses on topics of political interest such as migration and working conditions.

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Rus / Russian RUS je priča o čovjeku koji je u potrazi za ljubavlju tokom cijelog svog života i ta ga potraga vodi kroz život pun uzbuđenja i drame na kraju prošlog i početkom novog stoljeća. Od dječaka izloženog psihičkim i fizičkim torturama od strane njegovog oca, vrlo uspješnog i priznatog člana društva, on postaje narkoman i provalnik, od mladića koji se liječi u klinici za ruske veterane iz afganistanskog rata do ruskog milionera, čovjeka koji odlučuje o ljudskim sudbinama. Posljednjih godina živi u Sarajevu, jedva preživljavajući, što ga dovodi u susret sa pripadnicima sarajevskog podzemlja gdje se zadužuje preko svojih mogućnosti...

Damir Ibrahimović je producent i reditelj rođen u Sarajevu 1965. Diplomirao je na Ekonomskom fakultetu u Sarajevu. Direktor je Udruženja umjetnika Deblokada. Producirao je filmove Jasmile Žbanić: OTOK LJUBAVI (2014), ZA ONE KOJI NE MOGU DA GOVORE (2013), NA PUTU (2010), PARTICIPACIJA (2008), DNEVNIK GRADITELJA (2007), GRBAVICA (2006) i SLIKE SA UGLA (2003), kao i film Andree Štake CURE (2014).

Eldar Emrić je filmski snimatelj i reditelj rođen u Maglaju. Dugogodišnji je saradnik američke novinske i TV agencije Associated Press. Radio je na filmovima: MJESTO KOJE SMO NAPUSTILI (2011), ŠTA OSTAJE (2010), VIDIMO SE U SARAJEVU (2008) i SARAJEVSKI PAS (2002).

E RUSSIAN tells the story of a man who spent his whole life looking for love. At the end of the last and start of the new century, he has been living a life full of excitement and drama. As a boy he was physically and psychologically abused by his father, a successful and respected member of society. He grew up to become a drug addict and a burglar, a patient in a clinic for Russian veterans of the war in Afghanistan and then a Russian millionaire with power to determine peoples’ fate. Finally, he moved to Sarajevo where he is struggling to make ends meet and therefore gets involved with members of the local criminal underground and borrows much more money than he could possibly repay...

Damir Ibrahimović is a producer and director born in 1965 in Sarajevo. He graduated from the Faculty of Economics in Sarajevo and is the leader of the Artists’ Association Deblokada. He produced director Jasmila Žbanić’s hit films LOVE ISLAND (2014), FOR THOSE WHO CAN TELL NO TALES(2013), ON THE PATH (2010), PARTICIPATION (2008), BUILDER’S DIARY (2007), GRBAVICA (2006), IMAGES FROM THE CORNER (2003), and Andrea Štaka’s CURE (2014).

Eldar Emrić is a cinematographer and director born in Maglaj. A long-time collaborator with Associated Press. He worked on the films THE PLACE WE LEFT (2011), WHAT REMAINS (2010), SEE YOU IN SARAJEVO (2008), SARAJEVO DOG (2002).

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Bosnia and Herzegovina, 2015, Colour, 60 min, Bosnian Režija / Director: Damir Ibrahimović, Eldar Emrić Scenarij / Screenplay: Damir Ibrahimović, Eldar Emrić Direktor fotografije / Director of Photography: Eldar Emrić Montaža / Editor: Vladimir Gojun Zvuk / Sound: Igor Čamo Producent / Producer: Damir Ibrahimović, Jasmila Žbanić, Eldar Emrić Produkcija / Production: Deblokada Uloge / Cast: Davud Darko Čengić Kontakt / Contact: Deblokada, damir@deblokada.ba, www.deblokada.ba FILMOGRAFIJA / FILMOGRAPHY Damir Ibrahimović: 2014 - RUSSIAN Eldar Emrić: 2014 - RUSSIAN 2011 - THE PLACE WE LEFT

(dokumentarni / documentary) 2010 - WHAT REMAINS

(kratki dokumentarni / short doc.)

2008 - SEE YOU IN SARAJEVO (kratki / short)

Seb / Povrjeđivanje / Harm Povrjeđivanje znači samopovrjeđivanje. Sa brijačem, nožem, komadom stakla. Samopovrjeđivači obično kriju svoje ožiljke od vanjskoga svijeta. Ali ne samo od svijeta uopće već i od bliskih prijatelja i rodbine. POVRJEĐIVANJE uvodi gledaoca u taj svijet misterije i razumijevanja. Film prati svoje emotivno zarobljene protagoniste u procesu kroz koji pokušavaju prevazići vlastite psihološke probleme.

Spremni su učiniti korak naprijed kako bi sami sebe bolje razumjeli. Spremni su razotkriti vlastitu prošlost sa kojom se nisu pomirili rizikujući da u procesu otkriju neke opasne stvari.

Dénes Nagy je 2009. godine diplomirao na Univerzitetu za film i pozorište u Budimpešti u klasi Janosa Szasza. Kao gostujući student, godinu dana je pohađao Akademiju za film i televiziju, DFFB, u Berlinu. Autor je niza kratkih igranih i dokumentarnih filmova koji su prikazani na više značajnih filmskih festivala u Mađarskoj i u inostranstvu. Njegov kratki igrani film MEKA KIŠA je predstavljen međunarodnoj publici u programu Directors’ Fortnight filmskog festivala u Kanu u maju 2013. Nedavno je završio rad na dokumentarnom filmu NEKA DRUGA MAĐARSKA koji je premijerno prikazan na 43. Filmskom festivalu u Roterdamu. Njegov posljednji dokumentarac POVRJEĐIVANJE je namjenski produciran za HBO Evropa.

E Harming means self-injuring. With a razor blade, a knife, a shard of glass. Harmers usually hide their scars from the outside world. What they do to themselves is not only kept secret from the world, but also from their close friends and relatives. Harm invites the audience into this world of mystery and understanding. It follows its’ emotionally capturing characters in the process of trying to overcome their psychological problems. They are ready to make a step forward in understanding themselves. They are ready to unfold their unsettled past with the risk of discovering dangerous things on the way.

Dénes Nagy graduated at the University of Theatre and Film Arts of Budapest in the class of Janos Szasz in 2009. As a guest student he spent a year at the Berlin Film Academy (Dffb). He has made several short films, both documentary and fiction, that were shown at many significant national and international festivals. His short fiction LAGY ESO/ SOFT RAIN was first presented to the international audience in Cannes in the 45th Directors’ Fortnight selection in May 2013. He recently finished his documentary MASIK MAGYARORSZAG/ ANOTHER HUNGARY, which had its premiere at the 43rd International Film Festival Rotterdam. His latest documentary SEB/ HARM was made as an original production of HBO Europe.

SVJETSKA PREMIJERA / WORLD PREMIERE Hungary, 2015, Colour, 52 min, Hungarian Režija / Director: Dénes Nagy Scenarij / Screenplay: Dénes Nagy Direktor fotografije / Director of Photography: Natasha Pavlovskaya Montaža / Editor: Bernadett Tuza-Ritter Zvuk / Sound: Péter Benjámin Lukács, Tamás Székely Producent / Producer: Sára László, Marcell Gerő (Campfilm), Hanka Kastelicová, Anna Závorszky (HBO Europe) Produkcija / Production: Campfilm Uloge / Cast: Petra, Alexa, Mariann Kontakt / Contact: Campfilm, office@campfilm.eu, www.campfilm.eu FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2013 - ANOTHER HUNGARY 2013 - SOFT RAIN (kratki / short) 2012 - OWN TIME (dokumentarni / documentary) 2010 - REPORT (kratki / short) 2008 - RUSSIAN PLAYGROUND

(kratki dokumentarni / short doc.)

2005 - EVA KOVACS (kratki / short)

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Tititá Anti je devetnaestogodišnji Rom koji voli svirati gitaru. Pruži mu se prilika da napusti zapušteno romsko naselje u udaljenom kutku Mađarske kako bi otišao u Snétberger centar za talentovane muzičare u koji je primljen zajedno sa još šezdeset mladih Roma. Dobio je jedinstvenu priliku za bolji život, ali postavlja se pitanje da li će je znati dobro iskoristiti. Da li će biti sposoban da promijeni svoju naizgled zapečaćenu sudbinu?

Tamás Almási je jedan od najpoznatijih i najuspješnijih mađarskih reditelja dokumentarnog filma.

Diplomirao je filmsku režiju na Akademiji za pozorište i film u Budimpešti 1979. godine. Do sada je snimio više od četrdeset dugometražnih dokumentaraca i nekoliko igranih filmova koji su prikazani na velikom broju prestižnih filmskih festivala u Evropi i svijetu i osvojili su brojne nagrade. Njegovi su filmovi prikazivani u gotovo četrdeset zemalja. Almási od 1999. predaje film na Univerzitetu za pozorište i film u Budimpešti, gdje trenutno radi u zvanju profesora. Stekao je titulu doktora slobodnih umjetnosti 2005.

E Anti is a 19-year-old Roma boy, who loves to play the guitar. He is presented with the opportunity to break out of a rundown Roma slum in a remote corner of Hungary, and travels to the Snétberger Music Talent Center, where he has been selected for his talent, along with sixty other Roma youths.

He now has the chance of a better life. The question is whether he can make the most of this golden opportunity? Does he possess the ability to change his seemingly predestined life?

Tamás Almási is one of the best known and most successful Hungarian documentary film directors.

He graduated film directing at the Academy of Theatre and Film Budapest in 1979. So far he has made more than forty full-length documentaries and some feature films, which have been screened at a number of highly prestigious festivals in Europe and overseas earning him numerous awards.

His films have been screened in almost forty countries. He has also been teaching filmmaking at the University of Theatre and Film Budapest since 1999. In 2005 he obtained his DLA (Doctor of Liberal Arts). Currently he is a professor at this university.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Hungary, 2015, Colour, 85 min, Hungarian Režija / Director: Tamás Almási Scenarij / Screenplay: Tamás Almási Direktor fotografije / Director of Photography: Attila Kékesi Montaža / Editor: László Hargittai Muzika / Music: Ferenc Snétberger, Antal Kuru Zvuk / Sound: Gábor Balázs Producent / Producer: Tamás Almási, Julianna Ugrin Produkcija / Production: A Zene Felemel Ltd. Uloge / Cast: Antal Kuru, Ferenc Snétberger Kontakt / Contact: Éclipse Film Ltd, julianna.ugrin@eclipsefilm.hu, www.facebook.com/eclipsefilmHU FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - TITITÁ (dokumentarni / documentary) 2008 - MARIO THE MAGICIAN 2003 - THE END OF THE ROAD

(dokumentarni / documentary) 1999 - MORE THAN LOVE

(dokumentarni / documentary) 1995 - BARREN

(dokumentarni / documentary) 1980 - GRADUATION 1976 - HOW LONG DOES THE TREE LIVE ?

(kratki / hort)

Toto şi surorile lui / Toto i njegove sestre / Toto and His Sisters TOTO I NJEGOVE SESTRE nam donosi izvanrednu porodičnu priču o Totou (10) i njegovim sestrama Ani (17) i Andrei (15). Za vrijeme zatvoreništva njihove majke, Toto strastveno uči da pleše, čita i piše, dok njegove sestre pokušavaju da sačuvaju porodicu na okupu u svijetu koji je odavno zaboravio kakva treba da bude nedužnost djetinjstva. Šta se događa kada otkrijemo da možemo dobiti više od života u odnosu na ono što roditelji mogu da ponude?

Alexander Nanau je rođen u Bukureštu. Živi u Njemačkoj od 1990. godine. Studirao je filmsku režiju na čuvenoj Akademiji za film i televiziju u Berlinu. Njegov prvi dokumentarni film PETER ZADEK JE POSTAVIO NA POZORNICU PERA GINTA (2006) prikazan je na brojnim međunarodnim filmskim festivalima i u kinima širom Njemačke i Austrije. Dobio je stipendiju Akademije umjetnosti u Berlinu 2007. godine. Kreativni dokumentarni film SVIJET PO JONU B. (2009), koji je režirao u koprodukciji sa HBO iz Rumunije, je izabran na preko 40 međunarodnih filmskih festivala, a osvojio je i nekoliko nagrada kao što je Međunarodna nagrada Emmy za umjetničko programiranje 2010. godine.

E TOTO ŞI SURORILE LUI brings us the astonishing family story of Toto (10), and his sisters, Ana (17) and Andreea (15). During their mother’s imprisonment, Toto passionately learns dancing, reading and writing, while his sisters try to keep the family together in a world that has long forgotten what the innocence of childhood should be. What happens when we discover that we can get more from life than our parents have to offer?

Alexander Nanau was born in Bucharest. He lives in Germany since 1990. He studied film directing at the renowned Film and Television Academy Berlin. His first feature documentary PETER ZADEK INSZENIERT PEER GYNT (2006) was screened at numerous international film festivals and in cinemas across Germany and Austria. In 2007 he received a scholarship of the Academy of Arts Berlin. His creative documentary THE WORLD ACCORDING TO ION B. (2009), co-produced with HBO Romania, was selected in over 40 international film festivals and won several prizes such as the International Emmy Award for Arts Programming in 2010.

BiH PREMIJERA / B&H PREMIERE Romania, 2014, Colour, 93 min, Romanian Režija / Director: Alexander Nanau Scenarij / Screenplay: Alexander Nanau Direktor fotografije / Director of Photography: Alexander Nanau Montaža / Editor: Mircea Olteanu, Alexander Nanau, George Cragg Zvuk / Sound: Matthias Lempert, Florian Ardelean Producent / Producer: Valeriu Nicolae, Catalin Mitulescu, Alexander Nanau, Marcian Lazar Produkcija / Production: Strada Film Kontakt / Contact: Strada Film, alex.nanau@gmail.com, www.autlookfilms.com FILMOGRAFIJA / FILMOGRAPHY 2015 - TOTO ŞI SURORILE LUI

(dokumentarni / documentary) 2009 - THE WORLD ACCORDING TO ION B.

(dokumentarni / documentary) 2006 - PETER ZADEK INSZENIERT PEER GYNT

(dokumentarni / documentary)

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U mraku / In the Dark Dvadesetdvogodišnji Davor želi drugačiji život. Želi napustiti Lubnicu, mali rudarski grad u Srbiji u kojem je proveo čitav život. Naprosto se želi spakovati i otići negdje drugo, negdje gdje može biti stranac. Da radi u rudniku kao njegov otac? Nema šanse, to nije nikakva ambicija. Na žalost, mogućnosti zaposlenja u siromašnoj regiji u kojoj živi su ograničene i jedina opcija koja mu se nudi jeste da uprkos svemu uroni u taj tamni svijet. Ravnodušno prihvata rutinu radne sedmice, a utjehu nalazi u snovima o zanimljivijem životu. Kamera ostaje uz rudare, fokusira se na njihove emocije i razmišljanja. Davor i njegov otac pred kamerom otvoreno govore o svojim sumnjama, ponosu i strahovima vezanim za svoj opasni posao. Film preispituje metaforu djelovanja u mraku i nudi okvir za posmatranje života u današnjoj Srbiji koji je obilježen gubitkom nade i vjere u promjene, i rezignacijom sa kojom ljudi prihvataju novu realnost.

Goran Stanković je diplomirao filmsku i televizijsku režiju u Srbiji, gdje je radio na velikim domaćim i stranim produkcijama. Nedavno je na Američkom filmskom institutu u Los Angelesu magistrirao filmsku režiju, a njegov završni film RAŽ nominovan je za nagradu Studentski Oskar za najbolji kratki film. Njegova dva studentska filma KO ČUVA ČUVARE i POLAZAK prikazana su na preko 50 svjetskih festivala i dobitnici su 17 nagrada. Tokom studija na Američkom filmskom institutu, Goran je bio dobitnik stipendije Holivudskog udruženja stranih novinara (Hollywood Foreign Press). Odnedavno je dobitnik nagrade Franklin J. Schaffner za izvanredna dostignuća u domenu režije. Njegov prvi dugometražni dokumentarni film, U MRAKU, o rudarima u Srbiji imao je svjetsku premijeru na prestižnom Međunarodnom festivalu dokumentarnog filma 2014. u Amsterdamu.

E Twenty-two-year-old Davor wants something different. To leave the small mining town of Lubnica in Serbia, where he has lived his whole life – to just pack up and go somewhere else, to a place where he can be a stranger. Work in the coal mine like his father? No way, that’s no ambition in life. Unfortunately, his career options are limited in this poor region, and the only one left open to him is to descend into that dark world after all. He resignedly drifts through the workweek, taking comfort in his dreams of a more interesting life. The camera stays close to the mineworkers, focusing in on their emotions and contemplations. Davor and his father talk openly to the camera about their doubts, pride and fear carrying out the hazardous work. This film explores the metaphor of working in the dark, it provides us with a frame through which to observe life in Serbia today, the disappearance of hope and belief in changes, and the resignation with which people are approaching the new reality.

Goran Stanković received his bachelor’s degree in film and TV directing in Serbia where he gained experience working on major national and international film productions. He recently graduated with Master’s Degree from the Directing Program at the American Film Institute in Los Angeles and his thesis film WAY IN RYE was nominated for the Student Academy Award for Best Narrative Short.

His two undergraduate films WHO GUARDS THE GUARDIANS and OLD MOUNTAIN were screened at over 50 international film festivals winning 17 awards. During his studies at the American Film Institute, Goran was a recipient of the Hollywood Foreign Press Association scholarship. He was recently awarded the Franklin J. Schaffner Fellow Award in recognition of outstanding film directing. His first feature documentary IN THE DARK about miners in Serbia had its world premiere at the prestigious International Documentary Film Festival in Amsterdam in 2014.

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BiH PREMIJERA / B&H PREMIERE Serbia, 2014, Colour, 60 min, Serbian Režija / Director: Goran Stanković Direktor fotografije / Director of Photography: Dragan Vildović Montaža / Editor: Cyndi Trissel Muzika / Music: Stephen Gallagher Zvuk / Sound: Jakov Munižaba Producent / Producer: Snežana Penev Produkcija / Production: This and That Productions Kontakt / Contact: This and That Productions, snezana@thisandthat.rs, www.thisandthat.rs FILMOGRAFIJA / FILMOGRAPHY 2014 - IN THE DARK (dokumentarni / documentary) 2013 - WAY IN RYE (kratki / short) 2010 - OLD MOUNTAIN 2007 - WHO GUARDS THE GUARDIANS

U potrazi za snom / Chasing a Dream Udar cunamija u Tokiju povezao je reditelja i autorku muzike za njegov prvi film nakon mnogo godina. Jedna tek završena pjesma i poziv na proslavu godišnjice mature u rodnom gradu, pokrenuće čitav tok događaja koji će reditelja nakon višegodišnje samoizolacije vratiti filmu. U želji da nakon 20 godina krene iz početka, on odlučuje da pronađe nekadašnje desetogodišnje glumce iz svog prvog filma, koje je vihor rata odnio iz rodnog grada. Reditelj kreće na put po svijetu u nadi da će tražeći njih istovremeno pronaći i izgubljene djeliće svoje prošlosti. U jednom trenutku sudbina odlučuje da pomiješa njihove živote i okrene putovanje u suprotnom smjeru dovodeći usput sve aktere do kolektivne katarze.

Mladen Mitrović rođen je u Sarajevu 1961. godine na filmskom setu.Filmsku režiju je studirao u Zagrebu. Za vrijeme studija je režirao filmove koji su osvajali najveća evropska i svjetska priznanja.

Nakon studija radi dva TV filma i veliki broj autorskih TV programa. Istovremeno na filmu radi kao prvi asistent režije. Prvi cjelovečernji igrani film HAMBURG ALTONA donosi prve profesionalne nagrade, ali istovremeno dolazi i rat sa kojim počinje period višegodišnje filmske izolacije. Tokom tog perioda bavi se marketingom, snima reklame, korporativne filmove i muzičke spotove. U POTRAZI ZA SNOM je njegov prvi film nakon dvadeset godina pauze.

E A tsunami strikes Tokyo reuniting after many years a film director and a composer who wrote music for his first film. A just finished song and an invitation to a hometown celebration of graduation anniversary will initiate a series of events that will inspire the director to re-embrace film making after many years of self-imposed isolation. In hope to make a fresh start after 20 years, the director decides to find members of the cast of his first film who were 10-year-olds at the time of its filming, but who had since been displaced from their hometown by a war. The director begins his journey around the world longing to also find the missing fragments of his past while searching for those children. At one point, destiny brings their lives together and the journey takes a different turn leading all the participants to a collective catharsis.

SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, Serbia, Croatia, 2015, Colour, 145 min, Bosnian, Croatian, English, Russian, Serbian, Slovenian, Swedish, Turkish Režija / Director: Mladen Mitrović Scenarij / Screenplay: Mladen Mitrović Direktor fotografije / Director of Photography: Zoran Petrović, Mladen Mitrović, Udai Shandal Montaža / Editor: Davor Bosankić Muzika / Music: Jadranka Stojaković, Milan Đurđević Zvuk / Sound: Zoran Tarabanović, Boris Pusić, Dubravka Premar Producent / Producer: Mladen Mitrović Koproducent / Co-producer: Nenad Puhovski Produkcija / Production: Balkan Art Centar, Fabrika snova (Srbija), Factum (Hrvatska) Kontakt / Contact: Balkan Art Centar, mladen@bac.ba

FILMOGRAFIJA / FILMOGRAPHY 2015 - CHASING A DREAM 1989 - HAMBURG ALTONA (kratki / short) 1987 - SMALL DOORWAY 1985 - STAY THE SAME

Mladen Mitrović was born on a film set in Sarajevo in 1961. He studied film and TV directing in Zagreb. While studying, he directed films that won some of the most prestigious European and international film awards. After graduation, Mitrović directed two TV films and numerous TV programs.

At the same time, he worked as the first assistant director on feature films. He made his awarded debut feature HAMBURG ALTONA shortly before the start of the 1992-5 Bosnian war. When the war begun he abandoned filmmaking in favor of advertising. During this period he made commercials, corporate films and music videos. CHASING A DREAM is his first feature film after 20-year-break from filmmaking.

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The Unidentified / Nedodirljivi U proljeće 1999., NATO je započeo bombardovanje Srbije s namjerom zaustavljanja represije predsjednika Jugoslavije Slobodana Miloševića nad albanskom manjinom na Kosovu. Milošević je istovremeno pokrenuo kampanju protiv civila na Kosovu, u kojoj je ubijeno oko 7,000 i protjerano više od 700,000 kosovskih Albanaca. Od aprila do juna 1999., sela Ljubenić, Ćuška, Pavljan i Zahač potpuno su etnički očišćena - žene, starci i djeca protjerani su u Albaniju, dok su muškarci ubijeni.

Neka od tijela su pronađena i u masovnoj grobnici u policijskom centru u Batajnici. Deset godina poslije Srbijansko tužilaštvo je podiglo optužnicu protiv bivših pripadnika paravojnih snaga, takozvanih Šakala. Tokom suđenja utvrđeno je da su optuženi zapravo bili pripadnici Vojske Jugoslavije.

Međutim, Tužilaštvo je složenu vojnu operaciju u selima oko Peći, sa učešćem više od 200 policajaca i vojnika, prikazalo kao niz manjih incidenata. Milošević je umro, ali su svi drugi koji su učestvovali u planiranju rata na Kosovu i dalje na slobodi.

Marija Ristić je studirala njemački jezik i žurnalistiku. Za Balkansku mrežu za istraživačko novinarstvo, BIRN, počela je raditi 2011. kao dopisnica iz Srbije. Marija je prethodno radila kao pomoćnica urednika i novinarka zadužena za naučne teme na Institutu za informacione sisteme i kompjuterske medije pri Tehničkom univerzitetu u Grazu i kao reporterka za jedan od vodećih TV kanala u Srbiji B92.

Dobitnica je nagrada i stipendija OSCE-a, Ministarstva obrazovanja Srbije i Vlade Austrije i drugih.

Nemanja Babić je diplomirao filmsku i TV montažu na Fakultetu dramskih umetnosti u Beogradu. Radio je na brojnim značajnim dokumentarcima, uključujući filmove KOSMA, LICE REVOLUCIJE i druge.

Nemanja je, također, samostalno producirao i režirao dva autorska dokumentarna filma.

E In the spring of 1999, NATO launched an air campaign against Serbia to halt the repression of Albanian minority in Kosovo by Yugoslav president Slobodan Milošević. At the same time, Milošević launched a campaign against Kosovo civilians in which 7,000 Kosovo Albanians were killed and another 700,000 were driven out of their homes. Between April and June 1999, villages of Ljubenić, Ćuška, Pavljan and Zahač have been completely ethnically cleansed - women, children and elderly expelled to Albania and men killed. Bodies of some of the victims were exhumed from a mass grave found at a Serbian police compound in Batajnica. Ten years later, Serbian prosecutors have indicted former members of the Jackals paramilitary unit. During their trial, it was revealed that at time of the Kosovo war they were in fact members of the Yugoslav Army. However, the prosecutors have portrayed what was a complex military operation in the villages around Peć involving over 200 police and army officers as a series of small, unrelated incidents. Milošević is dead, but all the others who took part in the planning for Kosovo war are still free.

Marija Ristić studied German language and journalism. She joined BIRN in 2011 as a journalist and reporter covering Serbia. Prior to BIRN, Marija worked as an assistant editor and science journalist at the Institute for Informatics Systems and Computer Media at the Technical University of Graz, and as a news reporter at leading Serbian broadcaster B92. She has received awards and scholarships from the OSCE, the Serbian Ministry of Education, the Austrian government, among others.

Nemanja Babić graduated from the Faculty of Dramatic Arts with a degree in film and TV editing and has been engaged in the production of numerous prominent documentary films such as KOSMA, THE FACE OF A REVOLUTION and others. Nemanja has produced and directed two documentaries of his own.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Bosnia and Herzegovina, Serbia, Kosovo*, 2015, Colour, 40 min, Albanian, English, Serbian Režija / Director: Marija Ristić, Nemanja Babić Scenarij / Screenplay: Marija Ristić, Gordana Igrić Direktor fotografije / Director of Photography: Astrit Perani Montaža / Editor: Nemanja Babić, Romana Vujasinović, Janko Baljak Muzika / Music: Janja Lončar Zvuk / Sound: McGuffin produkcija Producent / Producer: Gordana Igrić Produkcija / Production: Balkanska istraživačka mreža, BIRN Kontakt / Contact: Balkanska istraživačka mreža; BIRN, marija.ristic@birn.eu.com, www.birn.eu.com FILMOGRAFIJA / FILMOGRAPHY Marija Ristić: 2015 - THE UNIDENTIFIED 2013 - MAJORITY STARTS HERE Nemanja Babić: 2015 - THE UNIDENTIFIED 2012 - THE SHOVEL IS TOO SMALL 2007 - THE OLD PRICKS

* Ovaj naziv, bez prejudiciranja statusa Kosova, u skladu je sa Rezolucijom 1244 i mišljenjem MSP-a o deklaraciji o nezavisnosti Kosova. / This label does not prejudge the status of Kosovo and is in accordance with Resolution 1244 and the opinion of the ICJ on Kosovo’s declaration of independence.

Über die Jahre / Tokom godina / Over the Years Deset iznenađujućih godina. U zimu 2004. niko ne može reći koliko dugo će opstati stara fabrika tekstila u sjevernoj regiji Waldviertel. Kada fabrika konačno zatvori svoja vrata, za njene nekadašnje uposlenike počinje period radikalnih promjena. Bivši radnici, koji žive na selu, traže novi smisao u životu. Druga radna mjesta, neplaćeni rad, više vremena da se posvete hobijima, pomognu rad lokalne vatrogasne brigade ili da povedu brigu o rođacima. Novi početak i promjene. Život ide dalje.

Nikolaus Geyrhalter je austrijski filmski autor. Rođen je u Beču 1972, a kada je imao 22 godine pokreće vlastitu produkcijsku kompaniju Nikolaus Geyrhalter Filmproduktion. Režirao je, producirao, snimio i napisao scenarij za više dokumentaraca. Svoj prvi dokumentarni film, NASUKANI NA OBALU, o životu na Dunavu je snimio 1994. Uslijedili su njegovi nagrađivani filmovi: GODINA NAKON DEJTONA (1997), PRIPYAT (1999) - crno-bijeli film o ljudima koji žive u blizini zone isključenja oko Černobila u Ukrajini, NEGDJE DRUGDJE (2001) - putopis o nekoliko različitih mjesta širom svijeta i KRUH NAŠ SVAGDAŠNJI (2005), u kojem je istraživao mehaniziranu proizvodnju hrane.

E Ten surprising years. In the winter of 2004, no one can tell how long the old textile factory in the northern Waldviertel will still be able to survive. When the factory ultimately shuts its doors, its employees embark upon a time of radical change. The workers, who live in the countryside, seek new directions. Other work, unpaid work, more time to engage in hobbies, to become involved in the local fire department or to care for relatives. New beginnings and changes. Life goes on.

Nikolaus Geyrhalter is an Austrian filmmaker. He was born in Vienna in 1972. He formed his own production company, Nikolaus Geyrhalter Filmproduktion, at the age of 22. He has directed, produced, written and worked as cinematographer for numerous documentaries. His first documentary was the 1994 film WASHED ASHORE / ANGESCHWEMMT about the life on the Danube. He has won awards for DAS JAHR NACH DAYTON / THE YEAR AFTER DAYTON (1997), PRIPYAT (1999) - a blackand-white look at residents who live near the Chernobyl Exclusion Zone in Ukraine, ELSEWHERE (2001)- a travelogue to a dozen different places in the world and OUR DAILY BREAD (2005), in which he explored mechanical food production.

BiH PREMIJERA / B&H PREMIERE Austria, 2015, Colour, 188 min, German Režija / Director: Nikolaus Geyrhalter Scenarij / Screenplay: Nikolaus Geyrhalter, Wolfgang Widerhofer Direktor fotografije / Director of Photography: Nikolaus Geyrhalter Montaža / Editor: Wolfgang Widerhofer Zvuk / Sound: Ludwig Löckinger, Andreas Hamza, Oliver Schneider , Gerald Piesch, Simon Graf Producent / Producer: Nikolaus Geyrhalter, Michael Kitzberger, Wolfgang Widerhofer, Markus Glaser Produkcija / Production: NGF Nikolaus Geyrhalter Filmproduktion GmbH Kontakt / Contact: Nikolaus Geyrhalter Filmproduktion GmbH, office@geyrhalterfilm.com, www.geyrhalterfilm.com FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - OVER THE YEARS

(dokumentarni / documentary) 2013 - CERN (dokumentarni / documentary) 2012 - DANUBE HOSPITAL

(dokumentarni / documentary) 2008 - 7915 KM (dokumentarni / documentary) 2005 - OUR DAILY BREAD 2001 - ELSEWHERE 1997 - THE YEAR AFTER DAYTON

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Zeleni zidovi, crna hrana / Green walls, black food Kratki dokumentarni film o mizernim uslovima u studentskom domu Goce Delčev u Skopju u kojem živi 1.200 studenata. Priča o ovom studentskom domu priča je o svim studentskim domovima u Makedoniji. Zeleni zidovi, crna hrana, hladna voda, zapuštene sobe i toaleti. Sve to je dio svakodnevnice studenata koji nisu rođeni u glavnom gradu, a nemaju novca da iznajme stan. Dugo je godina ova ogromna zgrada nagrađenog arhitektonskog dizajna bila elitni smještaj za studente iz svih krajeva svijeta. Danas je sramotno da u njoj žive studenti. Glavni problem predstavljaju strah i pasivnost usljed kojih studenti ne govore o uslovima u kojima žive. Njihova moć prilagođavanja naprosto zapanjuje. Film treba da skrene pažnju javnosti na ovaj problem i pozove studente da se usprotive i zahtijevaju da im se obezbijedi adekvatan smještaj.

Sandra Gjorgieva ima 21 godinu. Studentica je na Fakultetu dramskih umjetnosti Univerziteta u Skoplju, gdje studira filmsku i TV montažu. Dok je bila tinejdžerka, počela je snimati kratke filmove i tako je otkrila svoj interes za montažu. Na FDU unapređuje znanje o metodama i tehnikama montiranja, istražujući dijapazon kreativne upotrebe videomaterijala. Glavnu inspiraciju pronalazi u skandinavskoj kinematografiji, a naročito u djelu Larsa von Triera.

E A short documentary about the miserable life and the bad conditions of 1200 students who live in the student dormitory “Goce Delčev” in Skopje. The representation of this horrible dormitory is a representation of all the student dormitories in Macedonia. Green walls, black food, cold water, ruined rooms and toilets. This is an everyday picture of a student who is not from the capital and does not have money to pay for an apartment. A very long time ago this enormous building was an elite acommodation for students all over the world, having won a prize for Best Architecture. Today it is a shame for a student to live there. The main problem is the passivity and the fear students have to speak up for their conditions there. The power to adapt is simply stunning. This film is eye opening for the public and a call for the students to speak up and demand their right to live in an appropriate home.

Sandra Gjorgieva is 21 years old. She is a student at the the Skopje University’s Faculty of Dramatic Arts, where she studies Film and TV editing. When she was a teenager, she started making short videos and discovered her interest in editing. At FDA in Skopje, she is upgrading her knowledge of editing methods and techniques, expanding the creative use of video materials. Her main inspiration is Scandinavian cinematography, especially Lars von Trier.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Macedonia, 2015, Colour and b&w, 17 min, Macedonian Režija / Director: Sandra Gjorgieva Scenarij / Screenplay: Gjorgieva Sandra Direktor fotografije / Director of Photography: Marko Dimitrievski Montaža / Editor: Gjorgieva Sandra Muzika / Music: Trajko Simonovski Zvuk / Sound: Gjorgieva Sandra Kostimografija / Costume Design: Jovana Mishkoska Scenografija / Production design: Jovana Mishkoska Producent / Producer: Jovana Mishkoska Produkcija / Production: FDA-Skopje Uloge / Cast: Georgi Konstantinovski, students who live in the dormitory “Goce Delčev” Kontakt / Contact: FDA-Skopje, jokikju@gmail.com FILMOGRAFIJA / FILMOGRAPHY 2015 - GREEN WALLS, BLACK FOOD

(dokumentarni / documentary)

U fokusu / In Focus

72

Aferim!, Radu Jude

73

Ich seh, Ich seh / Laku noć, mamice / Goodnight Mommy, Severin Fiala, Veronika Franz

74

Ničije dete / Ničije dijete / No One`s Child, Vuk Ršumović

75

Sivas, Kaan Müjdeci

76

Ti mene nosiš / You Carry Me, Ivona Juka

77

Un etaj mai jos / Sprat niže / One Floor Below, Radu Muntean

78

Urok / Lekcija / The Lesson, Petar Valchanov, Kristina Grozeva

U fokusu / In Focus Ovogodišnji program U fokusu donosi sedam naslova koji su obilježili i svjetsku i regionalnu kinematografiju u proteklih 12 mjeseci.

E This year, the In Focus Programme presents seven titles that have left a mark on the world and regional cinema in the past 12 months.

Već prošle godine u Veneciji u Zvaničnom programu prikazana su dva filma: debitantski igrani film SIVAS, reditelja Kaana Müjdecia i austrijski debitantski film LAKU NOĆ, MAMICE (ICH SEH ICH SEH), rediteljskog dvojca Veronike Franz (inače dugogodišnje scenaristice filmova Ulricha Seidla) i Severina Fiale. SIVAS donosi uzbudljivu i dirljvu priču o odnosu čovjeka i psa, sa naglaskom na ljudsku prirodu koja je često bestijalnija od životinjske. Film LAKU NOĆ, MAMICE je psihološki triler sa elementima strave i užasa, u kojem autori vješto suprotstavljaju savršeni svijet sa iskrivljenom percepcijom, pažljivo vodeći publiku kroz izolirani svijet junaka. U Veneciji je također prikazan i nagrađen film iz Srbije NIČIJE DIJETE (NIČIJE DETE) debitanta Vuka Ršumovića. Ovaj film donosi istinitu priču o dječaku koji je pronađen u šumi te njegovoj bolnoj socijalizaciji u jednom beogradskom sirotištu. Sva tri filma nastavila su uspješne festivalske turneje tokom godine, baš kao i film LEKCIJA (UROK), debitantskog dvojca Kristine Grozeve i Petra Valchanova iz Bugarske, koji je svjetsku premijeru imao u Zvaničnoj selekciji Filmskog festivala u San Sebastianu. Ovaj film govori o nastavnici koja ne samo da mora naučiti djecu poštenju i časti, već i proći put u kojem je i njena čast, kao i poštenje, pod testom okolnosti i vremena.

Two of these films were presented in the official competition programme of the Venice Film Festival 2014: Kaan Müjdeci’s first feature SIVAS, and GOODNIGHT MOMMY (ICH SEH ICH SEH) - the feature debut by the directing duo Veronika Franz (long-term scriptwriter on Ulrich Seidl’s films) and Severin Fiala. SIVAS tells a compelling story about the relationship between a human being and a dog, focusing on how human nature is often more bestial than that of an animal. GOOD NIGHT MOMMY (ICH SEH ICH SEH) is a psychological thriller with flavors of a horror film that successfully contrasts the perfect world with its twisted perception, and carefully guides the viewer through its protagonist’s isolated world. NO ONE’S CHILD (NIČIJE DETE), the debut feature by Serbia’s Vuk Ršumović, was also screened and awarded in Venice. Based on a real story, the film focuses on a feral child found in a forest with a pack of wolves and his painful socialization in a Belgrade orphanage. All three films were a success on the festival circuit. The same is true for THE LESSON (UROK), a debut feature co-directed by Bulgaria’s Kristina Grozeva and Petar Valchanov that premiered in the Official Competition program of the San Sebastian Film Festival. The film tells the story of a teacher who has to teach children the values of honor and honesty while having her own values put on test.

Program dalje prati uspjeh regije sa filmom AFERIM!, rumunjskog reditelja Radu Judea, dobitnika i Srca Sarajeva 2013. godine, koji je premijerno na Filmskom festivalu u Berlinu prikazan u Zvaničnoj selekciji gdje je i nagrađen prestižnom nagradom Srebreni Medvjed. Ovaj neobični i ambiciozni film je crna komedija o ljudima koji su zatočeni rasizmom svog vremena u drugoj polovini 19. Vijeka u feudalnoj Europi.

Rumunjski reditelj Radu Jude također se sa svojim novim filmom SPRAT NIŽE (UN ETAJ MAI JOS) vraća u Sarajevo nakon što je film predstavio u programu Izvjestan pogled Filmskog festivala u Cannesu. Film postavlja pitanje na koji način i koliko dugo treba šutjeti o tajni zbog koje je neko postao žrtva, a u ovom slučaju je i ubijen. Autor temi pristupa iz tišina, izuzetno minimalistički, čineći priču gotovo pa dokumentarnom.

Iz Hrvatske se u programu našao i debitantski film TI MENE NOSIŠ rediteljice Ivone Juke, koji je premijerno prikazan na Filmskom festivalu u Karlovim Varima. Rediteljica Ivona Juka donosi tri priče kroz koje beskompromisno analizira savremeno hrvatsko društvo u svom sjaju i bijedi.

U filmu značajne uloge imaju tri sjajne glavne glumice Nataša Dorčić, Nataša Janjić i Lana Barić.

The programme further focuses on the regional filmmaking success stories, with AFERIM! by the 2013 Heart of Sarajevo Award winner Radu Jude. The film premiered in the official selection of the Berlin Film Festival where it won the Silver Bear Award. It is an unusual and ambitious dark comedy set in a racist, feudal Europe during the second half of the 19th century. Radu Muntean returns to Sarajevo with his latest feature ONE FLOOR BELOW (UN ETAJ MAI JOS) after first presenting it in the Un Certain Regard section at Cannes. The question posed by the film is how long secrets should be kept especially those that might turn someone into a victim or, in this case, cost them their life. Muntean embraces a very minimalist approach, giving the film an almost documentary feel. Croatia is represented by Ivona Juka’s debut feature YOU CARRY ME (TI MENE NOSIŠ) that premiered in Karlovy Vary. Through its three narratives, the film offers an uncompromising analysis of contemporary Croatian society in all its glory and misery. Starring in the film are three exceptional actresses: Nataša Dorčić, Nataša Janjić and Lana Barić.

Program U fokusu ove godine donosi jedan izuzetan i uzbudljiv, žanrovski i stilski raznolik, a kvalitetan presjek regionalne kinematografije.

This year, In Focus Programme presents a very exciting range of films from different genres and styles and as such offers an excellent overview of regional film production.

Elma Tataragić Selektorica / Programme Selector

IN FOCUS l 21. Sarajevo Film Festival 71

Aferim!

Istočna Evropa, godina 1835. Dva muškarca, žandar Costandin i njegov sin, jašu kroz ogoljeli krajolik centralne Vlaške. Tragaju za “robom ciganinom” koji je pobjegao od svoga plemenitog gospodara i sumnja se da je imao aferu sa gospodarevom suprugom. Dok smireni Costandin svaku situaciju komentariše vedrim aforizmom njegov sin dublje promišlja svijet oko sebe. Na putovanju sreću ljude različitih nacionalnosti i uvjerenja: Turke i Ruse, kršćane i jevreje, Rumune i Mađare. Svi oni o drugima gaje predrasude koje se prenose sa koljena na koljeno. Čak i nakon što pronađu ‘roba’ Garfina, ne nazire se kraj njihove avanture...Film je emotivna, poučna priča o Evropi kasnog feudalnog doba, zasnovana na historijskim dokumentima i pjesmama. Priča o ondašnjim strukturama moći i hijerarhijama, shvatanjima ljudi o sebi samima i drugima, o njihovim interakcijama s manjinama i rezultirajućim konfliktima. Crno-bijeli balkanski vestern koji upečatljivo oživljava kakofoniju prošlog vremena i istražuje tematska pitanja relevantna za današnji trenutak.

Radu Jude je rođen u Bukureštu, Rumunija, 1977. godine. Diplomirao je film na Medijskom univerzitetu u Bukureštu 2003. godine. Tokom studija je radio kao asistent reditelja. Međunarodnu pažnju je privukao svojim debitantskim igranim filmom NAJSRETNIJA DJEVOJKA NA SVIJETU, koji je prikazan na Berlinalu 2009. godine u okviru programa Forum. Njegov naredni igrani film SVI U NAŠOJ PORODICI premijerno je prikazan u programu Forum na festivalu Berlinale 2012. godine, a s njim je osvojio i nagrade na filmskim festivalima u Sarajevu i Namuru. Za film AFERIM! osvojio je Srebrnog medvjeda za režiju na festivalu Berlinu 2015. godine.

E Eastern Europe, 1835. Two riders cross a barren landscape in the middle of Wallachia. They are the gendarme Costandin and his son. They are searching for a ‘gypsy slave’ who has run away from his nobleman master and is suspected of having an affair with the noble’s wife. Whilst the unflappable Costandin comments on every situation with a cheery aphorism, his son takes a more contemplative view of the world. On their odyssey they encounter people of different nationalities and beliefs: Turks and Russians, Christians and Jews, Romanians and Hungarians. Each harbours prejudices against the others which have been passed down from generation to generation. Even when the ‘slave’ Garfin is found, the adventure is far from over...A moving parable about late-feudal Europe developed from historical documents and songs: its power structures and hierarchies, people’s ideas of themselves and others, interaction with minorities and the resulting conflicts. A Balkan Western in black-and-white which brings the cacophony of the times strikingly to life and explores the thematic arcs which stretch into the present.

Radu Jude was born in Bucharest, Romania in 1977, he graduated with a degree in film from Bucharest’s Media University in 2003. He worked as an assistant director whilst still studying, before coming to worldwide attention with his debut feature film THE HAPPIEST GIRL IN THE WORLD, which was screened in the Berlinale Forum section in 2009. His second feature film, EVERYBODY IN OUR FAMILY premiered in the Berlinale Forum in 2012 and won awards at Sarajevo and Namur film festivals. For his film AFERIM!, Jude was awarded with the Silver Bear for Best Director at Berlinale 2015.

72 21. Sarajevo Film Festival l U FOKUSU

Romania, Bulgaria, Czech Republic, France, 2015, Black & White, 108 min, Romanian, Turkish Režija / Director: Radu Jude Scenarij / Screenplay: Radu Jude, Florin Lăzărescu Direktor fotografije / Director of Photography: Marius Panduru Montaža / Editor: Cătălin Cristuțiu Zvuk / Sound: Momcil Bozhkov Kostimografija / Costume Design: Dana Paparuz Scenografija / Production design: Augustina Stanciu Producent / Producer: Ada Solomon Produkcija / Production: Hi Film Productions Uloge / Cast: Teodor Corban, Mihai Comănoiu, Alexandru Dabija, Luminiţa Gheorghiu, Victor Rebengiuc, Alberto Dinache, Mihaela Sîrbu, Alexandru Bindea, Adina Cristescu, Şerban Pavlu Kontakt / Contact: Beta Cinema, beta@betacinema.com

FILMOGRAFIJA / FILMOGRAPHY 2015 - AFERIM! 2014 - IT CAN PASS THROUGH THE WALL

(kratki / short) 2013 - SHADOW OF A CLOUD (kratki / short) 2012 - EVERYBODY IN OUR FAMILY 2011 - A FILM FOR FRIENDS 2009 - THE HAPPIEST GIRL IN THE WORLD 2007 - ALEXANDRA (kratki / short) 2006 - THE TUBE WITH A HAT (kratki / short) NAGRADE / AWARDS Srebrni medvjed za režiju / Silver Bear for Best Director - Berlinale 2015

Ich seh, Ich seh / Laku noć, mamice / Goodnight Mommy Vrelo ljeto. Seoska kuća na osami između šume i polja kukuruza. Desetogodišnji blizanci čekaju mamu da se vrati kući. Kada mama konačno stigne, glave zamotane zavojima nakon plastične operacije, ništa više nije isto kao prije. Odjednom stroga i suzdržana, majka izoluje porodicu od vanjskoga svijeta. Blizanci počinju da sumnjaju da je ta žena zaista njihova majka i odlučni su da otkriju istinu na bilo koji način, uključujući i povremeno nepoštivanje njenih naređenja. Žena pod zavojima počinje primjenjivati brutalnu silu nad dječacima. Da li će prevršiti mjeru? Film vas vodi na putovanje sa majkom i njenim sinovima u ponor samoprezira i očaja, poniženja i torture, na kojem ni u jednom trenutku niste sigurni ko je još uvijek živ, a ko je uskrsnuo iz mrtvih. LAKU NOĆ, MAMICE, prikazan na 71. izdanju Međunarodnog filmskog festival u Veneciji, te na 44. Međunarodnom filmskom festivalu u Rotterdamu.

Severin Fiala je rođen u Beču 1985. godine. Studirao je na Filmskoj akademiji u Beču. Zajedno sa Ulrike Putzer je režirao film SLONOVSKA KOŽA (2009). Fiala je prvi put surađivao sa Veronikom Franz 2012. godine kada su zajedno režirali film KERN o višestruko talentovanom, legendarnom austrijskom filmskom radniku Peteru Kernu.

Veronika Franz je rođena u Beču 1965. godine. Scenaristica i rediteljica, također piše i o filmu. Prethodno filmska kritičarka, pomoćnica reditelja, menadžerica glumačke podjele, studentica filozofije i prodavačica. Radila je kao ko-scenaristica i umjetnička saradnica na svim filmovima Ulricha Seidla još od filma BLISKI PRIJATELJ (1997).

E The heat of the summer. An isolated house in the countryside between woods and corn fields.

Ten-year-old twins wait for their mother. When she comes back, with her head wrapped in bandages after plastic surgery, nothing is as it used to be. Stern and distant now, she shuts the family off from the outside world. Starting to doubt that this woman is actually their mother, the twins are determined to find the truth by any means and don’t always obey her. The bandaged woman resorts to brute force, pushing the boys - maybe too far? A trip with a mother and her sons into an abyss of self-debasement and despair, humiliation and torture, where it’s never clear who’s actually still among the living and who’s back from beyond. GOODNIGHT MOMMY, screened at the 71st Venice International Film Festival and 44th International Film Festival Rotterdam.

Severin Fiala was born in Vienna in 1985. He studied at the Film Academy in Vienna. He has codirected the short film ELEPHANT SKIN (2009) with Ulrike Putzer. He co-directed with Veronika Franz for the first time in 2012 the feature documentary KERN, about the legendary Austrian hyphenate Peter Kern.

Veronika Franz was born in Vienna in 1965. A screenwriter and director, she also writes about films.

Former film journalist, assistant director, casting director, philosophy student, saleswoman. She has been co-scriptwriter and artistic collaborator on all of Ulrich Seidl’s films since THE BOSOM FRIEND / DER BUSENFREUND (1997).

Austria, 2014, Colour, 99 min, German Režija / Director: Severin Fiala, Veronika Franz Scenarij / Screenplay: Veronika Franz, Severin Fiala Direktor fotografije / Director of Photography: Martin Gschlacht Montaža / Editor: Michael Palm Muzika / Music: Olga Neuwirth Zvuk / Sound: Klaus Kellermann Kostimografija / Costume Design: Tanja Hausner Scenografija / Production design: Hannes Salat, Hubert Klausner Producent / Producer: Ulrich Seidl Produkcija / Production: Ulrich Seidl Film Uloge / Cast: Susanne Wuest, Lukas Schwarz, Elias Schwarz, Hans Escher, Elfriede Schatz, Karl Purker, Georg Deliovsky, Christian Steindl, Christian Schatz, Erwin Schmalzbauer Kontakt / Contact: Austrian Film Commission, anne.laurent@afc.at FILMOGRAFIJA / FILMOGRAPHY Severin Fiala: 2014 - GOODNIGHT MOMMY 2013 - THE END OF WALNUT GROVE 2012 - KERN (dokumentarni / documentary) 2009 - ELEPHANT SKIN Veronika Franz: 2014 - GOODNIGHT MOMMY 2013 - THE END OF WALNUT GROVE 2012 - KERN (dokumentarni / documentary) 2007 - IMPORT-EXPORT 2001 - DOG DAYS NAGRADE / AWARDS FIPRESCI nagrada / FIPRESCI award Međunarodni filmski festival u Solunu 2015 / Thessaloniki International Film Festival 2015

IN FOCUS l 21. Sarajevo Film Festival 73

Ničije dete / Ničije dijete / No One`s Child U proljeće 1988. divlji dječak je pronađen među vukovima u bosanskim planinama. Nasumično ga nazivaju Haris i šalju u sirotište u Beograd gdje o njemu brine staratelj Ilke. Zbližava se sa drugim dječakom Žikom i polako pokazuje znake napretka. Godine 1992., nakon što je postao prilično socijalizovan mladić, lokalne vlasti ga šalju nazad u ratom zahvaćenu Bosnu. Radnja filma NIČIJE DETE zasnovana je na istinitoj priči.

Vuk Ršumović rođen je u Beogradu 1975. godine. Završio je dramaturgiju na Fakultetu dramskih umetnosti u Beogradu. Također je završio studije analitičke psihologije. Pisao je scenarije za dokumentarne, kratke i animirane filmove. Pored iskustva na filmu i televiziji radi i kao dramaturg u srpskim pozorištima. 2007. godine osniva producentsku kuću BaBoon Production koja je producirala nekoliko kratkih i dokumentarnih filmova. NIČIJE DETE, premijerno prikazan na 71. Međunarodnom filmskom festivalu u Veneciji, je njegov rediteljski prvijenac.

E In the spring of 1988 a wild boy is found living with wolves in the mountains of Bosnia. He is randomly given the name Haris and sent to an orphanage in Belgrade to be taken care of by orphanage worker Ilke. He becomes inseparable with another boy Žika and slowly starts to show signs of progress. In 1992, after he became quite a socialized young man, local authorities send him back to war-torn Bosnia. The plot of NO ONE’S CHILD is based on a true story.

Vuk Ršumović was born in Belgrade in 1975. He graduated in dramaturgy from the Faculty of Dramatic Arts in Belgrade. He also holds a degree in analytical psychology. Ršumović wrote scripts for documentary, short and animated films. Besides his work in cinema and television, Ršumović also works as dramaturge for several Serbian theaters. In 2007 he founded his own production company, BaBoon Production, that has produced several short and documentary films. NO ONE’S CHILD, that had its premiere at the 71st Venice International Film Festival, is his directorial debut.

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Serbia, Croatia, 2014, Colour, 97 min, Serbian Režija / Director: Vuk Ršumović Scenarij / Screenplay: Vuk Ršumović Direktor fotografije / Director of Photography: Damjan Radovanović Montaža / Editor: Mirko Bojović Muzika / Music: Jura Ferina, Pavao Miholjević Zvuk / Sound: Dubravka Premar Kostimografija / Costume Design: Maja Mirković Scenografija / Production design: Jelena Sopić Producent / Producer: Miroslav Mogorović Produkcija / Production: Art&Popcorn Uloge / Cast: Denis Murić, Pavle Čemerikić, Isidora Janković, Miloš Timotijević Kontakt / Contact: Art&Popcorn, mogorovic@artandpopcorn.com, www.artandpopcorn.com FILMOGRAFIJA / FILMOGRAPHY 2014 - NO ONE’S CHILD NAGRADE / AWARDS Najbolji scenario / Best Screenplay award Međunarodni filmski festiva u Veneciji 2014 / Venice International Film Festival2014

Sivas Smješten u sumornom selu u Anadoliji, u istočnoj Turskoj, SIVAS govori o snažnoj vezi između jedanaestogodišnjeg dječaka Aslana i okorjelog borbenog psa Sivasa kojeg je on pronašao u kanalu gdje je ostavljen da umre. Istovremeno, u pozadini filma dominira priča o pripremama za izvedbu školske predstave Snjeguljica i sedam patuljaka. Aslan je razočaran što je uloga princa u predstavi pripala Osmanu, njegovom rivalu u ljubavi i sinu seoskog starješine. Dva dječaka bore se za ljubav seoske „princeze“ Ajše, a u toj borbi Osman ima više uspjeha. Aslan pokušava impresionirati Ajšu sa svojim novopronađenim prijateljem Sivasom. Nakon što mu je Aslan spasio život, Sivas pobjeđuje u svim borbama pasa u kojima učestvuje i tako popravlja izglede svoga novog vlasnika kod Ajše. Kako Sivasovi borbeni uspjesi privlače sve veću pažnju seoskog starješine, uloge se suptilno mijenjaju i Aslan dobija neočekivanu lekciju o odrastanju, ostavljajući princezu iza sebe.

Kaan Müjdeci je rođen u Ankari, Turska. Seli se u Berlin 2003. godine kako bi studirao režiju. Više TV stanica otkupilo je prava na njegov kratki film DAN NJEMAČKOG JEDINSTVA (2010), a njegov školski kratki film JERRY, snimljen u sklopu studija na Filmskoj akademiji u New Yorku, prikazan je na Berlinale Talent Campusu koji je pohađao 2011. Svoj dokumentarni film OČEVI I SINOVI, o borbama pasa u centralnoj Anadoliji, Müjdeci je iskoristio kao predložak da napiše i režira svoj prvi dugometražni igrani film SIVAS. Film je premijerno prikazan u glavnom takmičarskom programu na 71. Filmskom festivalu u Veneciji gdje je nagrađen Velikom nagradom žirija.

E Establishing a bleak Anatolian village in Eastern Turkey as its setting, SIVAS features the story of an eleven year old boy Aslan and a weathered fighting dog Sivas who develop a strong relationship after Aslan finds Sivas wounded in a ditch, left to die. Meanwhile, a school play of the Snow White and the Seven Dwarves dominates the background as Aslan is disappointed in losing the role of the prince to Osman, his rival-in-love and son of the village head. While Osman gets ahead in the two boys’ race to win the hand of Ayşe, the “princess” of the village, Aslan tries to impress her with his new-found friend. And Sivas, having found a new lease on life, wins one fight after another, strengthening Aslan’s hand against Osman. However, as Sivas’s success at the fighting ground attracts more attention by the village head, the roles subtly change and Aslan finds himself in an unexpected crash-course into adulthood, leaving the princess behind.

Turkey, Germany, 2014, Colour, 97 min, Turkish Režija / Director: Kaan Müjdeci Scenarij / Screenplay: Kaan Müjdeci Direktor fotografije / Director of Photography: Armin Dierolf, Martin Hogsnes Svang Montaža / Editor: Yorgos Mavropsaridis Muzika / Music: Cevdet Erek Zvuk / Sound: Samet Yılmaz Kostimografija / Costume Design: Ayşe Yıldız Scenografija / Production design: Engin Sivrioğlu Producent / Producer: Yasin Müjdeci Produkcija / Production: Coloured Giraffes, Kaan Film Uloge / Cast: Doğan Izci, Muttalip Müjdecii, Okan Avcı, Banu Fotocan Kontakt / Contact: Coloured Giraffes, info@sivasfilm.com, sivasfilm.com FILMOGRAFIJA / FILMOGRAPHY 2014 - SIVAS 2012 - FATHERS AND SONS

(kratki dokumentarni / short doc.)

2011 - JERRY (kratki / short) 2010 - DAY OF GERMAN UNITY (kratki / short) NAGRADE / AWARDS Specijalna nagrada žirija / Special Jury Prize Međunarodni filmski festival u Veneciji 2014 / Venice International Film Festival 2014

Kaan Müjdeci was born in Ankara, Turkey. He moved to Berlin in 2003 in order to study film directing. His short film, DAY OF GERMAN UNITY was bought by several TV channels; and JERRY, his thesis film at the New York Film Academy, was screened within the scope of Berlinale’s Talent Campus, which he attended in 2011. Müjdeci’s documentary BABALAR VE OĞULLARI / FATHERS AND SONS, about dog fights in central Anatolia, served as a platform to write and direct his first feature film entitled SIVAS. On its world premiere in 71st Venice Film Festival in the main competition section, SIVAS was awarded with the Grand Jury Prize.

IN FOCUS l 21. Sarajevo Film Festival 75

Ti mene nosiš / You Carry Me Dora je zanemarena djevojčica koja želi postati nogometna menadžerica. Dane provodi proučavajući lik i djelo Zdravka Mamića, nogometnog menadžera u kojem pronalazi uzor, te sadržaje neprimjerene djetetu: o korupciji, suđenjima i sukobima u nogometnom svijetu. Njen mlađi brat vrijeme provodi gledajući sapunicu na kojoj njihova majka Lidija radi kao šminkerica. U Dorin život se vraća otac koji godinama nije bio kod kuće. Lidija ne podnosi otuđenog muža niti vlastitu djecu. Dora zato u ocu pronalazi ljubav, pažnju i brigu. Ives nema predaha. Danju režira popularnu sapunicu, a navečer se vraća kući i ocu koji ima Alzheimer. U osamljeničkom životu, koji se vrti samo oko posla i brige o ocu, gubi tlo pod nogama te upada u konflikte s drugim ljudima. Nataša uspješno producira popularnu sapunicu. Trudna je s Marinom, s kojim je povezuje samo zajednički posao. Kroz probleme koje rješava, oslobađa se strahova i ograničenja. Kao u sapunici koja ih povezuje, tri žene bore se za iskupljenje i nove prilike.

Ivona Juka je diplomirala filmsku i TV režiju na Akademiji dramskih umjetnosti u Zagrebu. Režirala je višestruko nagrađivani dokumentarni film ŠTO SA SOBOM PREKO DANA - najbolji dokumentarni film goEast u Wiesbadenu, Srce Sarajeva na SFF-u, Grand Prix na DHF-u itd. Njen kratki film POGLED IZ BUNARA također je osvojio niz nagrada, između ostalih za najbolju rediteljicu te za najbolju sporednu ulogu na American International Film Festivalu 2010. godine. Izabrana je od strane Evropske filmske akademije kao jedna od pet evropskih studenata da režira kratki film za dodjelu nagrada Evropske filmske akademije.

E Dora is a neglected girl who wants to become a football manager. She spends her days studying the personality and work of a man who inspires her - football manager Zdravko Mamić, as well as other content unsuitable for a child: on corruption, court trials and clashes in the world of football.

Her younger brother spends his time watching a soap opera on which their mother Lidija works as a makeup artist. Dora’s father who has been separated from his family for years re-enters her life.

Lidija cannot stand her estranged husband or her children. Thus, Dora finds in her father love, care and attention. Ives has no time to rest. During the day she directs a popular soap opera and at night she returns home to her father who has Alzheimer’s disease. She lives a lonely life centered on her job and her sick father and soon loses ground under her feet and starts entering into conflict with other people. Nataša successfully produces the popular soap opera; she is pregnant with Marin although their job is the only thing the two of them have in common. While solving problems, she relieves herself of her fears and restraints. Just like in the plot of the soap opera that connects them, the three women fight for redemption and a new chance in life.

Ivona Juka graduated film and TV directing from the Academy of Dramatic Arts in Zagreb. Her documentary FACING THE DAY received multiple awards, including the Best Documentary Film Award at goEast Festival in Wiesbaden, the Heart of Sarajevo Award at the Sarajevo Film Festival, Grand Prix at DHF and others. Her short film VIEW FROM A WELL also received numerous awards, including the Best Director Award and Best Support Actress Award at the 2010 American International Film Festival. The European Film Academy selected her among five European students to direct a short film for its awards presentation ceremony.

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Croatia, Slovenia, Serbia, Montenegro, 2015, Colour, 155 min, Croatian Režija / Director: Ivona Juka Scenarij / Screenplay: Ivona Juka Direktor fotografije / Director of Photography: Mario Oljača Montaža / Editor: Vladimir Gojun Muzika / Music: Teho Teardo Zvuk / Sound: Studio Nazor d.o.o., Studio 100 d.o.o Kostimografija / Costume Design: Ivana Zozoli Vargović Scenografija / Production design: FM Marketing, Lirnes Design, Art Centar, Vladimir Đurović, Ivan Ivan Producent / Producer: Anita Juka Produkcija / Production: Četiri Film d.o.o.

Uloge / Cast: Lana Barić, Vojislav Brajović, Helena Beljan, Goran Hajduković, Nataša Janjić, Juraj Dabić, Nataša Dorčić, Filip Križan, Sebastian Cavazza Kontakt / Contact: Četiri Film d.o.o, aj@4film.hr, www.4film.hr FILMOGRAFIJA / FILMOGRAPHY 2015 - YOU CARRY ME 2010 - VIEW FROM A WELL

(SOME OTHER STORIES omnibus) (kratki / short) 2006 - FACING THE DAY (dokumentarni / documentary) 2006 - POSTCARD FROM CROATIA - EDITING

(kratki / short) 2005 - BLUE PONY (dokumentarni / documentary) 2003 - GARBAGE (kratki / short) 2003 - NOTHING ELSE (kratki / short)

Un etaj mai jos / Sprat niže / One Floor Below Patrascu je vjerovatno u pedesetim godinama života. Tokom prvog sata filma ne znamo mu ni lično ime jer ga čak i supruga Olga samo zove Patrascu. Po prezimenu ga znaju i njegovi klijenti. Trebate registrovati auto? Izgubili ste dokumentaciju za registraciju? Nazovite Patrascua. On će se za sve pobrinuti. Jednog petka ujutro, dok se penje uz stepenice do svoga stana, Patrascu iza vrata jednoga stana na drugom spratu čuje muškarca i ženu kako se burno svađaju. Buka iznenada prestaje i iz stana izlazi Vali, njegov komšija sa drugog sprata. Patrascu mu mehanički klimne glavom i penje se do svoga stana. Presvlači se, organizira fascikle sa dokumentima koji će mu trebati tog dana i odlazi.

Na povratku sa posla dočekuje ga iznenađujući prizor - komšije i policija okupljeni su oko ulaza u zgradu. Laura, mlada žena sa drugoga sprata, pronađena je mrtva sa tragovima udarca u glavu.

Radu Muntean je rođen u Bukureštu 1971. U rodnom gradu je 1994. diplomirao na Akademiji za pozorište i film i snimio svoje prve kratke filmove. Njegov prvi igrani film FURIJA (2002) je prikazan na više festivala i proglašen je najboljim filmom od strane rumunskog Udruženja filmskih radnika.

Film PAPIR ĆE BITI PLAV, koji je režirao 2006, premijerno je prikazan na Filmskom festivalu u Locarnu i Sarajevu i privukao je značajnu međunarodnu pažnju. Njegov naredni film, BUGI (2008), dobio je odlične kritike na festivalima u Cannesu, Karlovim Varima i na IndieLisboa festivalu u Lisabonu.

Uspjeh je potvrdio filmom UTORAK NAKON BOŽIĆA (2010) koji je premijerno prikazan na Filmskom festivalu u Kanu, u programu Un Cetain Regard. SPRAT NIŽE je njegov peti igrani film, a drugi koji je uvršten u zvaničnu konkurenciju Filmskog festivala u Kanu.

E Patrascu is probably in his 50s. The first hour of the film we don’t know his first name, since even

his wife Olga only calls him Patrascu.That’s how the clients know him as well. You wan’t to register your car? Have you lost your registration papers? Call Patrascu. He takes care of everything. On a Friday morning, as he climbs up the stairs home, Patrascu hears from inside one of the apartments on the second floor a violent conflict between a woman and a man. The noise suddenly stops, and out comes Vali, his neighbor from the second floor. Patrascu gives an automatic nod and walks up the stairs to his apartment. He changes, organizes his folder with the papers he will need that day and off he goes. When he comes back from work, he is surprised to see neighbours and police swarming around the building entrance. Laura, the young woman from the second floor, was found dead, following a blow to the head.

Romania, France, Germany, Sweden, 2015, Colour, 93 min, Romanian Režija / Director: Radu Muntean Scenarij / Screenplay: Alexandru Baciu, Radu Muntean, Răzvan Rădulescu Direktor fotografije / Director of Photography: Tudor Lucaciu Montaža / Editor: Alexandru Radu Muzika / Music: Electric Brother Zvuk / Sound: André Rigaut Kostimografija / Costume Design: Eliza Frone Scenografija / Production design: Sorin Dima Producent / Producer: Dragos Vilcu Produkcija / Production: Multi Media Est Uloge / Cast: Teodor Corban, Iulian Postelnicu, Oxana Moravec, Ioana Flora Kontakt / Contact: Films Boutique, valeska@filmsboutique.com FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - ONE FLOOR BELOW 2010 - TUESDAY AFTER CHRISTMAS 2008 - BOOGIE 2006 - THE PAPER WILL BE BLUE 2002 - FURIA

Radu Muntean was born in Bucharest in 1971. In 1994 he graduated from the Film and Theatre Academy in the city of his birth, where he made his first short films. His first work, FURIA (2002), was presented at several festivals and won the Best Film award from the Romanian Filmmakers Union. In 2006 THE PAPER WILL BE BLUE premiered at Locarno and Sarajevo and was paid extensive international attention. His next film, BOOGIE (2008), received excellent critics at Cannes, Karlovy Vary and IndieLisboa, a prestige he confirmed with TUESDAY AFTER CHRISTMAS (2010), premiered in the Un Certain Regard section at Cannes. ONE FLOOR BELOW (2015) is Radu Muntean’s fifth feature, and his second film that was in an official selection of the Cannes FF.

IN FOCUS l 21. Sarajevo Film Festival 77

Urok / Lekcija / The Lesson Nadežda upozorava svoje učenike da se među njima krije školski lopov. Izjavljuje da će lopovu, kada ga uhvati, “očitati lekciju”. Po povratku kući dočekuje je novi problem: predstavnik suda prijeti joj zapljenom stana. Njen muž nije platio par rata kredita koji je podigao kako bi kupio korišteni transportni kamion sa namjerom da ga popravi i proda. Nadežda posuđuje novac od zelenaša vjerujući da će ga vratiti nakon što kamion bude prodan. Ali vrijeme leti, a kamion se ne može popraviti. Nakon što zelenaš zaprijeti da će joj povrijediti dijete ukoliko ne vrati dug, Nadežda u očaju pljačka banku.

Ubrzo potom otkriva identitet školskog lopova, ali više ne zna kakvu bi ga lekciju trebala naučiti.

Petar Valchanov je 2008. godine diplomirao filmsku i TV režiju na Nacionalnoj akademiji za pozorište i film u Bugarskoj. Njegov kratki film PORODIČNA TERAPIJA osvojio nagradu za najbolji igrani studentski film na Međunarodnom filmskom festivalu u Wiesbadenu 2009. i nagradu JAMESON za najbolji bugarski kratki film na Filmskom festivalu u Sofiji 2008. godine. Sa Kristinom Grozevom je zajednički režirao dokumentarni film PARABOLA O ŽIVOTU (2009) i TV dramu PRINUDNO SLIJETANJE (2010). Napisali su i režirali kratki film SKOK koji je nominovan za Evropsku filmsku nagradu na Međunarodnom festivalu kratkog filma Clermont-Ferrand 2013.

Kristina Grozeva je 2005. diplomirala filmsku i TV režiju na Nacionalnoj akademiji za pozorište i film u Bugarskoj. Sa svojim kratkim filmovima je osvojila brojne nagrade, uključujući nagradu Bugarske filmske akademije za najbolji debitantski igrani film (2008), za film RAJSKE PTICE, kao i nagrade PREMIOS 7° Festivala studentskog filma u Montevideu, Urugvaj, i nagradu za najbolji film Međunarodnog festivala jednominutnog filma Filminuta u Velikoj Britaniji (2007), za film IGRA. E Nadezhda warns her students that the school thief is in her sights. She declares that once she catches him she’ll teach him a “good lesson”. On her return home - another problem: an officer of the court threatens her with foreclosure. Her husband has missed several loan repayments for the cargo truck he bought intending to repair and sell it. Nadezhda borrows money from a loan shark expecting to return it on the sale of the truck. But time flies and the truck is beyond repair. When the loan shark threatens to hurt her child, desperate Nadezhda robs a bank to pay back the debt.

She then finds out who the school thief is. But now has no idea what kind of lesson to teach him.

Petar Valchanov graduated in Film and TV Directing from NATFA in 2008. His short film FAMILY THERAPY was awarded Best student fiction film of International Film Festival Wiesbaden 2009 and JAMESON award for the best Bulgarian short film at Sofia Film Fest 2008. He has directed the documentary PARABLE OF LIFE (2009) and the TV feature FORCED LANDING (2010) with Kristina Grozeva. They also wrote and directed the short film JUMP which was nominated for the European Film Awards 2013 at Clermont-Ferrand International Short Film Festival 2013.

Kristina Grozeva graduated in Film and TV Directing from NATFA in 2005. She’s received numerous awards for her short films, such as Best Fiction Debut at the Bulgarian Film Academy Awards 2008 for BIRDS OF HEAVEN; PREMIOS 7° Festival de Escuelas de Cine, Montevideo, Uruguay and The Best Film of International One-Minute Film Festival – FILMINUTE, UK, 2007 for GAME.

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Bulgaria, Greece, 2014, Colour, 107 min, Bulgarian Režija / Director: Petar Valchanov, Kristina Grozeva Scenarij / Screenplay: Petar Valchanov, Kristina Grozeva Direktor fotografije / Director of Photography: Krum Rodriguez Montaža / Editor: Petar Valchanov Zvuk / Sound: Dobromir Hristoskov, Vesselin Zografov Kostimografija / Costume Design: Kristina Tomova Scenografija / Production design: Vanina Geleva Producent / Producer: Petar Valchanov, Kristina Grozeva Produkcija / Production: Abraxas Film Ltd Uloge / Cast: Margita Gosheva, Ivan Burnev, Ivan Savov, Deya Todorova, Stefan Denolyubov Kontakt / Contact: Abraxas Film Ltd, festivals@widemanagement.com, widemanagement.com FILMOGRAFIJA / FILMOGRAPHY Petar Valchanov: 2014 - THE LESSON 2013 - JUMP (kratki / short) 2009 - PARABLE OF LIFE

(dokumentarni / documentary) 2009 - FAMILY THERAPY (kratki / short) 2005 - CAPTURED (kratki / short) 2003 - RESURRECTION (kratki / short) 2001 - SHOCK (kratki / short) Kristina Grozeva: 2014 - THE LESSON 2013 - JUMP (kratki / short) 2009 - PARABLE OF LIFE

(dokumentarni / documentary) 2008 - BIRDS OF HEAVEN (kratki / short) 2007 - GAME (kratki / short) NAGRADE / AWARDS Nagrada Kutxa za najboljeg reditelja debitanta / Kutxa New Directors’ Award - Filmski festival San Sebastian / San Sebastian Film Festival 2014

Open Air

80

Chronic / Hronični, Michel Franco

81

Dheepan, Jacques Audiard

82

Fúsi / Virgin Mountain, Dagur Kári

83

Irrational Man / Nerazuman čovjek, Woody Allen

84

Que Horas Ela Volta? / Druga majka / The Second Mother, Anna Muylaert

85

A Perfect Day / Savršen dan, Fernando León de Aranoa

86

Ricki and the Flash / Ricki, Jonathan Demme

87

Takva su pravila / These are the Rules, Ognjen Sviličić

88

Tigers / Tigrovi, Danis Tanović

Chronic / Hronični David je medicinski brat koji radi sa smrtno bolesnim pacijentima. Uspješan i posvećen svom zanimanju, razvija jake i čak bliske veze sa svakim pacijentom o kojem brine. Ali, van posla, David je bezuspješan, nespretan i povučen. Jasno je da mu je potreban svaki njegov pacijent jednako koliko i on njima.

Michel Franco je rođen u Mexico Cityju 1979. godine. Počeo je snimati kratke filmove nakon medijskih studija. Film KAD PORASTEM, koji je snimljen za antikorupcijsku kampanju, prikazan je u 500 kina širom Meksika 2001. godine. Film IZMEĐU DVOJE je 2003. godine osvojio Veliku nagradu na Festivalu u Huesci i nagradu za najbolji kratki film na Festivalu u Dresdenu. Njegov prvi igrani film DANIEL I ANA je izabran za program Directors’ Fortnight u Cannesu 2009. godine. Film je kasnije učestvovao na različitim međunarodnim festivalima i distribuiran je u mnogim zemljama, uključujući Meksiko, Španiju, Francusku i SAD. Film DANIEL I ANA je dobio pohvale kritike, ali je bio jednako uspješan i kod publike. Scenarij za njegov drugi film NAKON LUCIJE je urađen uz podršku Filmske fondacije u Cannesu u okviru programa Résidence (Rezidencija) u proljeće 2010. godine.

E David is a nurse who works with terminally ill patients. Efficient and dedicated to his profession, he develops strong and even intimate relationships with each person he cares for. But outside of his work David is ineffectual, awkward, and reserved. It is clear that he needs each patient as much as they need him.

Michel Franco was born in Mexico City in 1979. He started making short films after his media studies. In 2001, CUANDO SEA GRANDE, made for an anti-corruption campaign, was released in 500 cinemas all over Mexico. In 2003, ENTRE DOS, won the Grand Prize of the Festival of Huesca and received the prize for the Best Short Film at the Festival of Dresden. In 2009, DANIEL AND ANA, his first feature, was selected for the Directors’ Fortnight in Cannes. The film subsequently participated at a variety of international festivals and was distributed in many territories including Mexico, Spain, France and the US. Praised by the critics, DANIEL AND ANA was just as successful with the audience.

The screenplay of his second feature AFTER LUCIA was developed with the support of the Cinéfondation de Cannes at the Résidence de la Cinéfondation in spring 2010.

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Mexico, France, 2015, Colour, 92 min, English Režija / Director: Michel Franco Scenarij / Screenplay: Michel Franco Direktor fotografije / Director of Photography: Yves Cape, AFC, SBC Montaža / Editor: Michel Franco, Julio C. Perez IV Muzika / Music: Lynn Fainchtein Zvuk / Sound: Frank Gaeta Kostimografija / Costume Design: Diaz Scenografija / Production design: Matthew Luem Producent / Producer: Gabriel Ripstein, Michel Franco, Moisés Zonana, Gina Kwon Produkcija / Production: Lucia Films, Videocine, Vamonos Films, Stromboli Films Uloge / Cast: Tim Roth, Sarah Sutherland, Robin Bartlett, Rachel Pickup, Michael Cristofer, David Dastmalchian, Bitsie Tulloch, Nailea Norvind Kontakt / Contact: Wild Bunch International Sales, www.wildbunch.biz FILMOGRAFIJA / FILMOGRAPHY 2013 - A LOS OJOS 2012 - AFTER LUCIA 2009 - DANIEL AND ANA 2003 - ENTRE DOS (kratki / short) 2003 - ASI NOS GUSTA VIVIR (kratki / short) 2002 - CUANDO SEA GRANDE (kratki / short) 2001 - EL SOLDADO (kratki / short) 1998 - ORPHANS (kratki / short)

Dheepan Dheepan je tamilski borac za slobodu, tigar. Građanski rat u Šri Lanci primiče se kraju i poraz je blizu.

Dheepan odlučuje da bježi, vodeći sa sobom dvije nepoznate osobe – jednu ženu i jednu djevojčicu – u nadi da će lakše dobiti azil u Evropi. Nakon dolaska u Pariz, „porodica“ se seli iz jednog privremenog doma u drugi dok Dheepan ne nađe posao kao domar jednog zapuštenog stambenog bloka u predgrađu. On radi da bi izgradio novi život i pravi dom za svoju „ženu“ i „kćerku“, ali svakodnevno nasilje sa kojim se suočava brzo ga primorava da ponovo oživi svoje ratničke instinkte kako bi zaštitio osobe za koje se nada da će postati njegova prava porodica.

Jacques Audiard je rođen u Parizu 1952. godine. Osamdesetih je napisao scenarije za nekoliko uspješnih filmova kao što su MORTELLE RANDONNEE, SAXO, FREQUENCE MEURTRE i GROSSE FATIGUE. Većinu ovih filmova režirali su ugledni reditelji poput Claudea Millera i Michela Blanca.

Zahvaljujući uspjehu ovih filmova mogao je da snimi svoj prvi film GLEDAJ KAKO LJUDI PADAJU 1994. godine, mračni film ceste u kojem glume dva najvažnija francuska glumca: Mathieu Kassovitz i Jean Louis Trintignant. Film je osvojio tri Cezara Francuske akademije za najbolju montažu, najboljeg novog režisera i najboljeg novog glumca. Njegov drugi film DISKRETNI HEROJ prikazan je na Filmskom festivalu u Cannesu 1996. godine, gdje je osvojio nagradu za najbolji scenarij. Treći film NA MOJIM USNAMA snimio je 2001. godine, a film je osvojio tri Cezara (za najbolju glumicu, zvuk i scenarij).

Audiard je postao novi majstor francuskog trilera i nasljednik velikih francuskih režisera kao što su Jean-Pierre Melville i Henri Georges-Clouzot.

E Dheepan is a Tamil freedom fighter, a Tiger. In Sri Lanka, the Civil War is reaching its end, and the defeat is near. Dheepan decides to flee, taking with him two strangers - a woman and a little girl hoping that they will make it easier for him to claim asylum in Europe. Arriving in Paris, the ‘family’ moves from one temporary home to another until Dheepan finds work as the caretaker of a rundown housing block in the suburbs. He works to build a new life and a real home for his ‘wife’ and his ‘daughter’, but the daily violence he confronts quickly forces him to reconnect with his warrior instincts to protect the persons he hopes will become his true family.

Jacques Audiard was born in Paris in 1952. In the eighties he wrote the screenplays of some successful movies like MORTELLE RANDONNEE, SAXO, FREQUENCE MEURTRE and GROSSE FATIGUE. Most of those films were directed by prestigious filmmakers like Claude Miller and Michel Blanc. Thanks to the success of those movies he was able to make his first movie REGARDE LES HOMMES TOMBER in 1994, a somber road movie starred by two of the most important French actors: Mathieu Kassovitz and Jean Louis Trintignant. It won 3 Cesars of the French academy for best editing, best new director and best new actor. His second movie UN HEROS TRES DISCRET was released in the Festival de Cannes in 1996 where it won the award for best screenplay. In 2001 he made his third movie SUR MES LEVRES, which has also won three Cesars (best actress, sound and screenplay). Audiard has become the new master of the French thriller and inheritor of other great French directors like JeanPierre Melville and Henri Georges-Clouzot.

France, 2015, Colour, 109 min, English, French, Tamil Režija / Director: Jacques Audiard Scenarij / Screenplay: Jacques Audiard, Thomas Bidegain, Noé Debré Direktor fotografije / Director of Photography: Éponine Momenceau Montaža / Editor: Juliette Welfling Muzika / Music: Nicolas Jaar Zvuk / Sound: Jérôme Chenevoy, Daniel Sobrino Kostimografija / Costume Design: Chattoune Scenografija / Production design: Michel Barthélémy Producent / Producer: Pascal Caucheteux Produkcija / Production: Why Not Productions Uloge / Cast: Jesuthasan Antonythasan, Kalieaswari Srinivasan, Claudine Vinasithamby, Vincent Rottiers, Marc Zinga Kontakt / Contact: Celluloid Dreams / Wild Bunch, www.celluloid-dreams.com, hengameh@celluloid-dreams.com FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - DHEEPAN 2012 - RUST AND BONE 2009 - A PROPHET 2005 - THE BEAT THAT MY HEART SKIPPED 2001 - READ MY LIPS 1996 - A SELF-MADE HERO 1994 - SEE HOW THEY FALL

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Fúsi / Virgin Mountain Četrdesettrogodišnji Fúsi prolazi kroz život kao da hoda u snu. Njegov posao radnika zaduženog za prtljage na aerodromu baš ga i ne opterećuje, a nikada nije imao djevojku. Jedina stvar koja ga zaista interesira su bitke iz Drugog svjetskog rata, koje pažljivo rekonstruiše koristeći male makete tenkova i vojnika kod kuće, u majčinom stanu koji je ujedno njegovo sklonište i zatvor. Kad Fúsi primi kupon za plesnu školu, upoznaje Sjöfn, sličnu usamljenu dušu sa dubokim psihičkim ranama. Nenaviknut na interakciju sa drugim ljudima, Fúsi instinktivno odlučuje da preuzme njihove živote u svoje ruke.

Barem malo. Ali to je već nešto za ovog diva sa naizgled uskim vidokrugom, ali velikim srcem.

Dagur Kári se tiho i nježno približava svom glavnom liku otkrivajući ljepotu njegove ličnosti i opisujući njegovo oslobađanje od unutrašnje stagnacije i spoljašnjih ograničenja. Uprkos tužnijim trenucima, film slavi nezamisliva iznenađenja u svakom pojedinačnom životu.

Dagur Kári je rođen u Francuskoj 1973. godine od roditelja Islanđana. Diplomirao je na Danskoj državnoj filmskoj školi 1999. godine sa umjetničkim (art house) kratkim filmom IZGUBLJENI VIKEND. Kao reditelj debitirao je 2003. godine sa uspješnim filmom ALBINO NOI, nakon kojeg je uslijedio TAMNI KONJ, koji je prikazan u sekciji Izvjestan pogled (Un Certain Regard) na Filmskom festivalu u Cannesu 2005. godine. Od 2013. godine vodi program za režiju na Danskoj državnoj filmskoj školi.

E 43-year-old Fúsi is sleepwalking through life. His work as an airport baggage handler does not exactly stretch him and he has never had a girlfriend. The only thing that really interests him are World War II battles, which he painstakingly reconstructs using small model tanks and soldiers at home, in his mother’s flat which is both his refuge and his prison. When Fúsi receives a coupon for a dance school, he meets Sjöfn, a similarly lonely soul with deep psychological wounds. Unused to interacting with other people, Fúsi instinctively decides to take both their lives in hand. At least just a little bit. But that is quite something for this giant with a seemingly small horizon but a big heart.

Dagur Kári quietly and tenderly gets close to his protagonist, revealing the beauty of his character and describing his emancipation from internal stagnation and external constraints. In spite of its sadder moments, the film celebrates the unimagined surprises in every single life.

Dagur Kári was born in France in 1973 to Icelandic parents. He graduated from the National Film School of Denmark in 1999, with art house short movie LOST WEEKEND. He made his directing debut in 2003 with the successful NOI THE ALBINO, which was followed by VOKSNE MENNESKER/ DARK HORSE, which was screened in the Un Certain Regard section at the 2005 Cannes Film Festival.

Since 2013 he has led the directing programme at the National Film School of Denmark.

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Iceland, Denmark, 2015, Colour, 94 min, Icelandic Režija / Director: Dagur Kári Scenarij / Screenplay: Dagur Kári Direktor fotografije / Director of Photography: Rasmus Videbæk Montaža / Editor: Andri Steinn Gudjónsson, Olivier Bugge Coutté, Dagur Kári Muzika / Music: slowblow Zvuk / Sound: Ingvar Lundberg Kostimografija / Costume Design: Helga Rós V. Hannam Scenografija / Production design: Hálfdán Pedersen Producent / Producer: Baltasar Kormákur, Agnes Johansen Produkcija / Production: RVK Studios Uloge / Cast: Gunnar Jónsson, Ilmur Kristjánsdóttir, Sigurjón Kjartansson, Franziska Una Dagsdóttir, Margrét Helga Jóhannsdóttir, Arnar Jónsson, Thórir Saemundsson, Ari Matthíasson, Fridrik Fridriksson, Ingunn Jensdóttir Kontakt / Contact: BAC Films, Paris, sales@bacfilms.fr, www.bacfilms.com/international

FILMOGRAFIJA / FILMOGRAPHY 2015 - VIRGIN MOUNTAIN 2009 - THE GOOD HEART 2005 - DARK HORSE 2003 - NOI THE ALBINO 1999 - LOST WEEKEND (kratki / short) 1998 - OLD SPICE (kratki / short)

Irrational Man / Nerazuman čovjek Profesor filozofije Abe dotaknuo je dno emotivnog života, ne može da pronađe smisao ili radost u životu. Abe osjeća da sve što je pokušao da radi, od političkog aktivizma do predavačkog posla, nije napravilo nikakvu razliku. Nakon što dobije mjesto fakultetskog predavača u jednom gradiću, Abe se uskoro spetlja sa dvije žene: Ritom, usamljenom profesoricom koja želi da je spasi od nesretnog braka i Jill, najboljom studenticom koja postaje i njegov najbliži prijatelj. I dok Jill voli svog momka Roya, neodoljivi su joj Abeova izmučena umjetnička ličnost i egzotična prošlost. Ipak, kad pokuša da njihov odnos pretvori u romantičnu vezu, on je odbije. Čista slučajnost promijeni sve kada razgovor jednog neznanca, koji slučajno čuju, privuče Abea i Jill. Abe u potpunosti može da ponovo prigrli život kada napravi konačan izbor. Ali njegova odluka pokreće čitav niz događaja koji će zauvijek uticati na njega, Jill i Ritu.

Woody Allen je rođen 1935. godine u New Yorku. On je režiser, scenarist, glumac, komičar, dramski pisac i autor, najpoznatiji po svojim gorko-slatkim komičnim filmovima koji u sebi sadrže elemente parodije, burleske i apsurdnog, ali je isto tako snimao i uticajne drame, često sa mračnim temama i tmurnim okruženjem, koje podsjećaju na rad švedskog režisera Ingmara Bergmana - koji je možda više nego ijedan drugi režiser uticao na Allenov rad. Allen je poznat i po tome što je režiser naklonjen ženama, za koje je pisao jake i jasno definisane likove. Do kraja sedamdesetih Allen je već naširoko smatran jednim od najuspješnijih režisera na svijetu. Ostao je značajan, izvanredan i plodonosan režiser i u 21. vijeku.

E Philosophy professor Abe is at rock bottom emotionally, unable to find any meaning or joy in life.

Abe feels that everything he’s tried to do, from political activism to teaching, hasn’t made any difference. Soon after arriving to teach at a small town college, Abe gets involved with two women: Rita, a lonely professor who wants him to rescue her from her unhappy marriage; and Jill, his best student, who becomes his closest friend. While Jill loves her boyfriend Roy, she finds Abe’s tortured, artistic personality and exotic past irresistible.Still, when she tries to make their relationship a romantic one, he rebuffs her. Pure chance changes everything when Abe and Jill overhear a stranger’s conversation and become drawn in. Once Abe makes a profound choice, he is able to embrace life to the fullest again. But his decision sets off a chain of events that will affect him, Jill and Rita forever.

USA, 2015, Colour, 96 min, English Režija / Director: Woody Allen Scenarij / Screenplay: Woody Allen Direktor fotografije / Director of Photography: Darius Khondji Montaža / Editor: Alisa Lepselter Kostimografija / Costume Design: Suzy Benzinger Scenografija / Production design: Santo Loquasto Producent / Producer: Letty Aronson, Stephen Tenenbaum, Edward Walson Uloge / Cast: Jamie Blackley, Joaquin Phoenix, Parker Posey, Emma Stone Kontakt / Contact: Filmnation Entertainment, www.filmnation.com FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - IRRATIONAL MAN 2011 - MIDNIGHT IN PARIS 2008 - VICKY CRISTINA BARCELONA 1997 - DECONSTRUCTING HARRY 1990 - ALICE 1986 - HANNAH AND HER SISTERS 1977 - ANNIE HALL 1972 - EVERYTHING YOU ALWAYS WANTED TO KNOW

ABOUT SEX*BUT WERE AFRAID TO ASK 1969 - TAKE THE MONEY AND RUN

Woody Allen was born in 1935 in New York. He is a director, screenwriter, actor, comedian, playwright, and author, best known for his bittersweet comic films containing elements of parody, slapstick, and the absurd but who also made weighty dramas, often with dark themes and bleak landscapes reminiscent of the work of Swedish director Ingmar Bergman—who, perhaps more than any other filmmaker, influenced Allen’s work. Allen was also known as a sympathetic director for women, writing strong and well-defined characters for them. By the late seventees Allen was already widely regarded as one of the world’s most-accomplished filmmakers. He remained a significant, extraordinarily prolific filmmaker well into the 21st century.

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Que Horas Ela Volta? / Druga majka / The Second Mother Nakon što je ostavila svoju kćer da je odgaja rodbina u jednom gradiću u Pernambucou, Val narednih 13 godina provodi radeći kao Fabinhova dadilja u Sao Paulou. Finansijski je stabilna, ali živi sa krivicom što nije odgajala svoju kćer Jessicu. U vrijeme Fabinhovih prijemnih ispita za fakultet, javlja joj se kćer i izgleda da dobija drugu šansu. Jessica također želi da dođe u Sao Paolo na prijemne ispite za fakultet. Puna radosti, ali i bojazni, Val se priprema, uz bezrezervnu podršku svojih poslodavaca, za trenutak o kojem je toliko dugo sanjala – trenutak susreta sa svojom kćeri. Međutim, kada Jessica stigne, ne ponaša se u skladu sa onim što se od nje očekuje i počinje da stvara napetost u kući…

Anna Muylaert je rođena u Sao Paolu 1964. godine. Nakon što je diplomirala na Univerzitetu u Sao Paolu 1984. godine, započela je karijeru kao pomoćna režiserka. Na televiziji je počela raditi 1989. godine. Napisala je scenario za film O MENINO, A FAVELA E AS TAMPAS DE PANELA, koji je bio dio projekta Otvori vrata (Open a Door) za BBC, sa kojim je osvojila mnoge međunarodne nagrade. Njen prvi igrani film DURVAL PLOČE iz 2001. godine osvojio je 7 nagrada na Filmskom festivalu u Gramadu i izabran je za mnoge festivale, uključujući Montreal, Rotterdam i Torino, gdje je osvojila Zlatnu nagradu za najbolji scenario. Napisala je mnoge scenarije za priznate režisere, između ostalih, za Cao Hamburgerov GODINA KAD SU MOJI RODITELJI OTIŠLI NA ODMOR, koji je bio brazilski zvanični kandidat za nagradu Oscar 2007. godine.

E After leaving her daughter in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of not having raised her daughter Jessica herself. As Fabinho’s college entrance exams roll around though, her daughter calls and gives her what seems to be a second chance. Jessica wants to come to São Paulo to take her college entrance exams as well. Filled with joy as well as apprehension, Val gets ready, with the wholehearthed support of her employers, for the moment she has dreamt of for so long - the moment of reunion with her daughter. But when Jessica arrives, she doesn’t behave in conformity to what is expected of her and starts to create tension inside the household...

Anna Muylaert was born in São Paulo in 1964. After graduating from the University of São Paulo in 1984, she began her career as an assistant director. She began working in television in 1989. She wrote the script for the film O MENINO, A FAVELA E AS TAMPAS DE PANELA, which was part of the project Open a Door for the BBC, winning many international awards. In 2001 she released her first feature-length film, DURVAL RECORDS, winner of 7 awards at the Gramado Film Festival and selected for many festivals, including Montreal, Rotterdam, and Torino, where she won the Holden Prize for Best Screenplay. She has written many scripts for acclaimed directors, among them, Cao Hamburger’s THE YEAR MY PARENTS WENT ON VACATION, Brazil’s official selection for the 2007 Academy Awards.

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Brazil, 2015, Colour, 114 min, Portugese Režija / Director: Anna Muylaert Scenarij / Screenplay: Anna Muylaert Direktor fotografije / Director of Photography: Barbara Alvarez Montaža / Editor: Karen Harley Muzika / Music: Fabio Trummer, Vitor Araujo Zvuk / Sound: Miriam Biderman, ABC, Ricardo Reis Kostimografija / Costume Design: Andre Simonetti, Claudia Kopke Scenografija / Production design: Marcos Pedroso, Thales Junqueira Producent / Producer: Caio Gullane, Fabiano Gullane, Debora Ivanov, Anna Muylaert Produkcija / Production: Gullane Uloge / Cast: Regina Case, Michel Joelsas, Camila Mardila, Karine Teles, Lourenco Mutarelli, Helena Albergaria Kontakt / Contact: The Match Factory, info@matchfactory.de, www.the-match-factory.com FILMOGRAFIJA / FILMOGRAPHY 2015 - THE SECOND MOTHER 2009 - SMOKE GETS IN YOUR EYES 2002 - DURVAL RECORDS 1995 - A ORIGEM DOS BEBÊS SEGUNDO KIKI

CAVALCANTI (kratki / short)

A Perfect Day / Savršen dan Grupa humanitarnih radnika pokušava da ukloni leš iz bunara u zoni oružanog sukoba. Leš je bačen u bunar da zagadi vodu i da se prekine snabdijevanje lokalnog stanovništva vodom. Ali okolnosti uskoro pretvaraju jednostavan zadatak u nemoguću misiju. Radnici prolaze kroz pomahnitali ratni pejzaž kao pokusni kunići u labirintu, iz kojeg možda nema izlaza. Rat unutar rata, u kojem bi jedini neprijatelj mogao biti nerazumnost. Kriza koju pokušavaju da riješe je humanitarna, ali oni su samo ljudi. Humor, drama, nježnost, rutina, opasnost, nada: sve to se uklapa u savršen dan. Jedini žanr ovog filma je sam život. Poput ruske lutke babuške, drama je to unutar komedije, unutar filma ceste, unutar ratnog filma.

Fernando León de Aranoa je rođen u Madridu 1968. godine. Nakon duge karijere scenariste, režirao je svoj prvi igrani film PORODICA, koji je osvojio nagradu Španske filmske akademije Goja za najboljeg novog režisera. Uslijedili su filmovi KOMŠILUK, PONEDJELJKOM NA SUNCU, PRINCEZE i AMADOR, koji su zajedno osvojili dvanaest nagrada Goja, od čega pet za najboljeg režisera i scenaristu. Osvojili su i Zlatnu školjku za najbolji film na Filmskom festivalu u San Sebastijanu i Srebrenu školjku za najboljeg režisera, kao i tri nagrade po izboru kritičara Fipresci, nagradu Ariel od Meksičke filmske akademije, te nagradu Luis Buñuel za najbolji iberoamerički film. Njegovi filmovi su često premijerno prikazivani na Berlinskom filmskom festivalu i Festivalu nezavisnog filma u Sundanceu. Snimio je nekoliko dokumentarnih filmova, između ostalog LAKU NOĆ, OUMA (dio omnibusa kratkih dokumentarnih filmova NEVIDLJIVI), koji je osvojio nagradu Goja za najbolji dokumentarni film 2007. godine.

E A group of aid workers tries to remove a cadaver from a well in an armed conflict zone. The body was thrown into the well to contaminate the water and cut the water supply to the local population.

But circumstances soon turn a simple task into an impossible mission. The workers cross the frenzied war landscape like guinea pigs in a maze, and there might be no way out. A war inside another war, in which the only enemy could be irrationality. The crisis they’re trying to solve is humanitarian, but they’re only human. Humor, drama, tenderness, routine, danger, hope: it all fits into a perfect day. This film’s only genre is life itself. Like a Russian doll, it’s a drama inside a comedy, inside a road movie, inside a war movie.

Fernando León de Aranoa was born in Madrid in 1968. After a long career as a screenwriter, he directed his first feature film, FAMILIA, which won the Spanish Film Academy Goya for Best New Director. Later came BARRIO, MONDAYS IN THE SUN, PRINCESAS and AMADOR, which combined have won twelve Goya awards, five of them for Best Director and Screenwriter. They have also won the Golden Shell for Best Film at the San Sebastian Film Festival and the Silver Shell for Best Director, as well as three Fipresci Critics’ Choice Awards, an Ariel from the Mexican Film Academy, and the Luis Buñuel Award for Best Iberoamerican Film. His films have premiered frequently at the Berlin Film Festival and at the Sundance Independent Film Festival. He has made several documentaries, among them BUENAS NOCHES, OUMA (segment from short documentaries omnibus INVISIBLES) awarded with Goya for Best Documentary in 2007.

Spain, 2015, Colour, 105 min, Bosnian, English, French, Spanish Režija / Director: Fernando León de Aranoa Scenarij / Screenplay: Fernando León de Aranoa, Diego Farias, Paula Farias Direktor fotografije / Director of Photography: Alex Catalán A.E.C. Montaža / Editor: Nacho Ruiz Capillas Muzika / Music: Arnau Bataller Zvuk / Sound: Iván Marín, Daniel Peña, Alfonso Raposo Kostimografija / Costume Design: Fernando García Scenografija / Production design: César Macarrón Producent / Producer: Fernando León de Aranoa, Jaume Roures Produkcija / Production: Reposado, Mediapro Uloge / Cast: Benicio Del Toro, Tim Robbins, Olga Kurylenko, Mélanie Thierry, Feđa Štukan, Eldar Residović, Sergi López Kontakt / Contact: Mediapro, www.mediapro.es FILMOGRAFIJA / FILMOGRAPHY 2015 - A PERFECT DAY 2013 - REFUGIADOS (kratki dokumentarni / short doc.)

2011 - SABINA 2010 - AMADOR 2007 - INVISIBLES - BUENAS NOCHES, OUMA (kratki

dokumentarni omnibus / short doc. omnibus) 2005 - PRINCESAS 2002 - MONDAYS IN THE SUN 2001 - CAMINANTES (dokumentarni / documentary) 1998 - BARRIO 1996 - FAMILIA 1994 - SIRENAS (kratki / short)

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Ricki and the Flash / Ricki Trostruka dobitnica prestižne nagrade Oskar Meryl Streep ove godine pojavljuje se u potpuno novoj ulozi – glumi rock pjevačicu i gitaristicu u najnovijem filmskom uratku reditelja Jonathana Demmea (dobitnik Oskara za film KAD JAGANJCI UTIHNU) i scenaristice Diablo Cody (dobitnica Oscara za film JUNO) – RICKI AND THE FLASH. U filmu ispunjenom muzikom i nastupima uživo, Streep glumi muzičarku Ricki – rock heroinu koja se odrekla svega kako bi ostvarila svoj san o rokerskoj slavi, ali koja se sada vraća kući kako bi pokušala ispraviti svoje odnose sa obitelji. Uz Streep, u ostalim ulogama pojavljuju se Rick Springfield i Kevin Kline.

Jonathan Demme je rođen 1944. godine u New Yorku. Nakon što je diplomirao, Demme je radio kao filmski kritičar za male novine u Coral Gablesu, dok nije upoznao producenta Josepha E. Levinea koji ga je zaposlio kao publicista u svojoj organizaciji. Dok je boravio u Londonu 1970. godine, preporučen je Rogeru Cormanu, nezavisnom producentu/reditelju, koji je ubrzo dao priliku Demmeu da za njega napiše motociklistički projekat. Promijenio je premisu filma Rashomon u motociklistički film ANGELS HARD AS THEY COME. Nakon još nekoliko filmova za Cormana, Demme je režirao film MELVIN I HOWARD 1980. godine. Iako je film ostvario samo skroman komercijalni uspjeh, Krug njujorških filmskih kritičara proglasio ga je najboljim filmom 1980. godine. Film iz 1991. godine KAD JAGANJCI UTIHNU izbacio je Demmea među vodeće američke reditelje, a film mu je donio Oskara za najboljeg reditelja. Ostvario je još jedan veliki uspjeh sa filmom MANDŽURIJSKI KANDIDAT 2004. godine. Film u kojem glume Denzel Washington, Meryl Streep, Liev Schreiber i Jon Voight uglavnom je dobio pozitivne kritike. Također je i politički aktivist, te kolekcionar haićanske umjetnosti.

E A three-time Academy Award winner Meryl Streep this year takes on a whole new role - a hardrocking singer and guitarist in the latest film by director Jonathan Demme (Oscar-winner for THE SILENCE OF THE LAMBS) and screenwriter Diablo Cody (Oscar-winner for JUNO) – RICKI AND THE FLASH. In a film loaded with music and live performance, Streep stars as Ricki, a rock guitar heroine who gave up everything for her dream of rock-and-roll stardom, but is now returning home to make things right with her family. In this movie Streep stars opposite Rick Springfield and Kevin Kline.

Jonathan Demme was born in 1944 in New York. After finishing college, Demme continued as a film critic for a small paper in Coral Gables, until he met the producer Joseph E. Levine, who gave him a job as a publicist in his organisation. While in London in 1970, he was recommended to Roger Corman, the independent producer/director, who soon gave Demme the opportunity to write a motorcycle project for him. He turned the premise of Rashomon into a biker film, ANGELS HARD AS THEY COME. After several more films for Corman, Demme directed MELVIN AND HOWARD in 1980.

While the film was only a modest commercial success, the New York Film Critics Circle named it the Best Film of 1980. It was 1991’s THE SILENCE OF THE LAMBS that propelled Demme into the first rank of American filmmakers, earning him an Oscar for Best Director. He hit it big once more with THE MANCHURIAN CANDIDATE in 2004. The movie starring Denzel Washington, Meryl Streep, Liev Schreiber and Jon Voight received largely positive reviews. He is also a political activist and a collector of Haitian art.

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USA, 2015, Colour, 101 min, English Režija / Director: Jonathan Demme Scenarij / Screenplay: Diablo Cody Direktor fotografije / Director of Photography: Declan Quinn Montaža / Editor: Wyatt Smith Zvuk / Sound: Wyatt Sprague Kostimografija / Costume Design: Ann Roth Scenografija / Production design: Stuart Wurtzel Producent / Producer: Ronald M. Bozman, Mason Novick, Marc Platt Uloge / Cast: Meryl Streep, Mamie Gummer, Sebastian Stan, Kevin Kline, Rick Springfield, Ben Platt, Charlotte Rae Kontakt / Contact: TriStar Pictures, Sony Pictures, www.sonypictures.com FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - RICKI AND THE FLASH 2011 - NEIL YOUNG JOURNEYS

(dokumentarni / documentary) 2004 - THE MANCHURIAN CANDIDATE 1993 - PHILADELPHIA 1991 - THE SILENCE OF THE LAMBS 1988 - MARRIED TO THE MOB 1984 - STOP MAKING SENSE

(dokumentarni / documentary)

Takva su pravila / These are the Rules Ivo i Maja žive mirnim životom u sumornom predgrađu Zagreba. Jedne noći njihovog sina jedinca Tomicu nasilnički napadne drugi tinejdžer, pretuče ga i ostavi teško povrijeđenog. Ruši se njihov svijet lažne sigurnosti. Dok prolaze kroz nepodnošljivu muku, primorani su da preispitaju svoje živote i dovedu u pitanje sve u šta su vjerovali.

Ognjen Sviličić je rođen 1971. godine u Splitu, u Hrvatskoj. Diplomirao je na Akademiji dramske umjetnosti u Zagrebu i započeo karijeru režirajući TV filmove. Njegov prvi igrani film dobio je nagradu filmskih kritičara za najbolji hrvatski igrani film na Pulskom filmskom festivalu. Sviličić je nastavio rad sa filmom OPROSTI ZA KUNG FU, koji je imao svjetsku premijeru na 55. berlinskom filmskom festivalu (Forum sekcija) i osvojio nekoliko međunarodnih nagrada. OPROSTI ZA KUNG FU prodan je za pozorišno prikazivanje i dvd distribuciju u Njemačkoj, SAD-u i Francuskoj. Njegov peti igrani film ARMIN imao je svjetsku premijeru na Berlinskom filmskom festivalu. Prikazan je na više od 50 festivala i primio je brojne nagrade. Ognjen Sviličić radi kao scenarista i profesor na Akademiji dramske umjetnosti u Zagrebu od 2008. godine. Bio je član žirija na šest međunarodnih filmskih festivala, između ostalih u Sarajevu i Varšavi.

E Ivo and Maja live a quiet life in a dull suburb of Zagreb. One night their only son Tomica is violently attacked on the street by another teenager, beaten and left severely injured. Their world of false security collapses. As they go through an unbearable ordeal, they are forced to re-examine their lives and question everything they believed in.

Ognjen Sviličić was born in 1971 in Split, Croatia. He graduated from the Academy of Dramatic Arts in Zagreb and began his career directing TV movies. His first feature film was awarded Best Croatian motion picture at the national film festival in Pula by film critics. Sviličić continued with SORRY FOR KUNG FU, that was screened in a world premiere at 55th Berlin Film Festival (Forum), and won several international awards. SORRY FOR KUNG FU was sold for theatrical and dvd release in Germany, USA and France. His fifth feature-film ARMIN had its world premiere at Berlin Film festival. It has been shown on more than 50 festivals and has received numerous awards. Ognjen Sviličić also works as a scriptwriter and a professor at the Academy of Dramatic Arts in Zagreb since 2008. He has been a jury member at six international film festivals, among them Sarajevo and Warsaw.

Croatia, France, Serbia, Macedonia, 2014, Colour, 78 min, Croatian Režija / Director: Ognjen Sviličić Scenarij / Screenplay: Ognjen Sviličić Direktor fotografije / Director of Photography: Crystel Fournier Montaža / Editor: Atanas Georgiev Muzika / Music: Ivan Veljača Zvuk / Sound: Tomislav Gašparić, Jean-Guy Veran Kostimografija / Costume Design: Katarina Zaninović Scenografija / Production design: Ivan Veljača Producent / Producer: Hrvoje Habeković, Janja Kralj, Svetozar Ristovski, Damir Teresak, Nikolina Vučetić Produkcija / Production: MaXima Film, KinoElektron, Biberche Productions, Trice Films Skopje Uloge / Cast: Ljubomir Bandović, Emir Hadžihafizbegović, Goran Bogdan, Mira Banjac, Stjepan Perić, Jasna Žalica Kontakt / Contact: Maxima Film, info@maxima-film.hr, www.maximafilm.hr; Kino Elektron, info@kinoelektron.com, www.kinoelektron.com FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2014 - THESE ARE THE RULES 2010 - TWO SUNNY DAYS 2007 - ARMIN 2004 - SORRY FOR KUNG-FU 1999 - WISH I WERE A SHARK

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Tigers / Tigrovi Gledajući ga kako se muči da proda nemarkirane domaće farmaceutske proizvode, supruga ubjeđuje Ajana da pokuša da dobije posao za prestižnu multinacionalnu kompaniju - Lasta Foods, poznatu po svojim formulama za bebe. Na njegovo čuđenje, i uprkos tome što nije završio fakultet, dobija posao.

Ajan ozbiljno shvata Lastinu obuku o pristupu borbenog tigra i on uskoro postaje jedan od najboljih prodavača, a njegov život bolji. Faiz, jedan od Ajanovoih novih prijatelja doktora, odlazi u Karači da izučava pitanja javnog zdravstva. Nekoliko godina kasnije vraća se kao drugi čovjek. On dovlači Ajana u sobu dječije hitne pomoći. Bebe umiru, a doktor za sve optužuje Ajana.

Danis Tanović je rođen 1969. godine. Zbog opsade Sarajeva, primoran je da prekine studije na Akademiji scenskih umjetnosti 1992. Čim je izbio rat osnovao je malu filmsku ekipu koja je pratila Armiju Bosne i Hercegovine do kraja 1994. godine. Materijal koji su snimili od tada je korišten u brojnim filmovima i informativnim izvještajima o opsadi Sarajeva i ratu u Bosni. Studije je završio u Briselu 1997. Njegov prvi filmski projekat NIČIJA ZEMLJA je 2001. premijerno prikazan na Filmskom festivalu u Cannesu, gdje je osvojio nagradu za najbolji scenario. Film NIČIJA ZEMLJA ukupno je osvojio 42 nagrade, uključujući Oscara za najbolji strani film, nagradu za najbolji scenario Evropske filmske akademije, nagradu César za najbolji igrani film i Zlatni globus za najbolji strani film 2002. godine. Film je široko prihvaćen zbog mračne humoristične i napete priče o apsurdnosti rata. Tanović je bio član žirija na Filmskom festivalu u Canessu 2003. Radi kao profesor filmske režije na Akademiji scenskih umjetnosti u Sarajevu.

E Seeing him struggle to sell unbranded local pharmaceuticals, Ayan’s wife persuades him to try for a job with a prestigious multinational - Lasta Foods, known for their infant formulas. To his amazement, and despite his lack of a college diploma, he’s hired. Ayan takes Lasta’s fighting tiger attitude training to heart and soon he’s the star salesman and his life is better. Faiz, one of Ayan’s new doctor friends, goes off to Karachi to study public health issues. When he returns a couple of years later, he’s a changed man. He hauls Ayan into a children’s emergency room. Babies are dying and the doctor says it’s all Ayan’s fault.

Danis Tanović was born in 1969. Due to the Siege of Sarajevo, he was forced to stop his studies at the Academy of Performing Arts in 1992. When the war broke out he formed a film crew that followed the Army of Bosnia and Herzegovina until late 1994. The material that Tanović and the film crew produced has since been used in numerous films and news reports about the Siege of Sarajevo and the Bosnian war. In 1997, he completed his studies in Brussels. His first movie project NO MAN’S LAND premiered in 2001 at the Cannes Film Festival, where it won the Award for Best Screenplay. In total, NO MAN’S LAND won 42 awards, including the Oscar for Best Foreign Language Film, the European Film Academy Award for Best Screenplay, the César for the Best First Feature film and the Golden Globe Award for Best Foreign Language Film in 2002. The film was widely embraced for its darkly humorous and gripping tale on the absurdity of war. Tanović was a member of the jury at the 2003 Cannes Film Festival.

He works as a professor of film directing at Academy of Performing Arts in Sarajevo.

88 21. Sarajevo Film Festival l OPEN AIR

India, France, United Kingdom, 2014, Colour, 90 min, English, German, Hindi Režija / Director: Danis Tanović Scenarij / Screenplay: Danis Tanović, Andy Paterson Direktor fotografije / Director of Photography: Erol Zubčević Montaža / Editor: Prerna Saigal Muzika / Music: Pritam Zvuk / Sound: Anthony B.J. Ruban Kostimografija / Costume Design: Niharika Khan Scenografija / Production design: Rachna Rastogi, K.K. Murlidharan Producent / Producer: Prashita Chaudhary, Kshitij Chaudhary, Guneet Monga, Anurag Kashyap, Andy Paterson, Cat Villiers, Čedomir Kolar, Marc Baschet Produkcija / Production: Cinemorphic Pvt Ltd (India), Sikhya Entertainment Pvt Ltd (India) Koprodukcija / Co-production: ASAP Films (France) Uloge / Cast: Emraan Hashmi, Geetanjali, Khalid Abdalla, Adil Hussain, Satyadeep Misra, Maryam D’Abo, Heino Ferch, Sam Reid, Vinod Nagpal, Supriya Pathak Kontakt / Contact: info@matchfactory.de FILMOGRAFIJA / FILMOGRAPHY 2014 - TIGERS 2013 - AN EPISODE IN THE LIFE OF AN IRON PICKER 2010 - CIRKUS COLUMBIA 2009 - TRIAGE 2005 - HELL 2001 - NO MAN’S LAND

Kinoscope

92

45 Years / 45 godina, Andrew Haigh

93

El abrazo de la serpiente / Zagrljaj zmije / Embrace of the Serpent, Ciro Guerra

94 B-Movie: Lust & Sound in West-Berlin / B-film: požuda i zvuci Zapadnog Berlina 1979-1989, Jörg A. Hoppe, Klaus Maeck, Heiko Lange 95

Fidelio, l’odyssée d’Alice / Fidelio: Alisino putovanje / Fidelio, Alice’s Journey, Lucie Borleteau

96

A Girl Walks Home Alone at Night / Djevojka se sama vraća kući noću, Ana Lily Amirpour

97

Gôkudo Daisensô / Apokalipsa jakuza / Yakuza Apocalypse, Takashi Miike

98

Green Room / Zelena soba, Jeremy Saulnier

99

Killing Time: Entre Deux Fronts / Ubijanje vremena: između dva fronta, Lydie Wisshaupt-Claudel

100 The Lobster / Jastog, Yorgos Lanthimos 101 Mot naturen / Izvan prirode / Out of Nature, Ole Giæver, Marte Vold 102 Nobi / Vatre u ravnici / Fires on the Plain, Shinya Tsukamoto 103 La obra del siglo / Projekt stoljeća / The Project of the Century, Carlos Quintela 104 Phoenix / Feniks, Christian Petzold 105 Risttuules / Na udaru vjetra / In the Crosswind, Martti Helde 106 The Russian Woodpecker / Ruski djetlić, Chad Gracia 107 The Show of Shows: 100 years of Vaudeville, Circuses and Carnivals / Predstava o

predstavama: stoljeće vodvilja, cirkusa i karnevala, Benedikt Erlingsson 108 Taxi, Jafar Panahi 109 Tikkun, Avishai Sivan 110 Viaje / Putovanje, Paz Fábrega

Uvod / Introduction

Mike Goodridge

Mathilde Henrot

Alessandro Raja

90 21. Sarajevo Film Festival l KINOSCOPE

Pri izboru za ovogodišnji Kinoscope, naglasak smo nesvjesno stavili na filmove mladih autora na usponu karijere, što smo osvijestili tek pri kompletiranju programa - 12 od 19 odabranih filmova prvijenci su ili tek drugi filmovi svojih autora. Gledano sa distance, to možda i nije iznenađujuće jer filmske selektore u principu ushićuju i iznenađuju novi autorski glasovi i svježe kreativne vizije.

Međutim, to ne znači da u programu nije bilo mjesta za filmove nekih od najpoznatijih svjetskih autora. Prvog dana festivala prikazat ćemo filmove TAXI i JASTOG, koji su proslavljene reditelje Jafara Panahija i Yorgosa Lanthimosa doveli u centar pažnje na svjetskim festivalima.

TAXI je nagrađen Zlatnim medvjedom u Berlinu, a JASTOG Nagradom žirija u Kanu. U program smo sa zadovoljstvom uvrstili i djela plodonosnog njemačkog reditelja Christiana Petzolda (FENIKS) i još plodonosnijeg Takashija Miikea (APOKALIPSA JAKUZA) iz Japana. Radi se o autorima svježeg izraza koji tragajući za novim uzbudljivim idejama odbacuju tradicionalne tehnike filmske naracije.

Cijeli program je proslava eksperimentalnih filmskih formi i naracija. Nije li fascinantno da je Martti Helde iz Estonije svoju snažnu dramu NA UDARU VJETRA u cjelosti izgradio od živih slika (tableaux vivants) - glumci su statični, a kamera istražuje svaku kompleksnu scensku postavku - izazivajući gledaoca da se fokusira na svaki pojedinačni bolni istorijski trenutak? Veliko je zadovoljstvo vidjeti rad ZAGRLJAJ ZMIJE Cira Guerra iz Kolumbije i način na koji epsku priču o istraživanju Amazona vodi u neočekivanim smjerovima, pri čemu iz historijske prerasta u egzistencijalnu i metafizičku avanturu.

Zadovoljstvo odabira filmova za ovako bogat festivalski program i sarajevsku publiku, filmski pismenu i radoznalu, počiva na stalnoj mogućnosti iznenađenja. Nijedan živući reditelj nije u stanju ispričati zapletenije priče od Grka Yorgosa Lanthimosa. U svom posljednjem djelu JASTOG, inače njegovom prvom filmu na engleskom jeziku, Lanthimos i njegov koscenarista Efthymis Filippou predstavljaju svoj dosad najčudniji koncept. Tipično lanthimosovski, JASTOG gledaoca uvodi u svijet u kojem vladaju čudna pravila i instantno u potpunosti okupira njegovu pažnju.

Neki od odabranih filmova svedeni su na najjednostavniju moguću formu, ali to ih ne čini ništa manje intrigantnim. IZVAN PRIRODE Olea Giævera zabavan je portret norveškog muškarca izgubljenog u vlastitom provincijalnom životu. Giæver nastupa i u ulozi anksioznog glavnog junaka Martina, većim dijelom i

jedinog lika na ekranu. Paz Fabrega iz Kostarike predstavlja svoje očaravajuće PUTOVANJE, film jednako bogate kinematografske teksture o dva mlada ljubavnika koji par dana provode sami u zabačenom kostarikanskom krajoliku. U oba filma likovi pokušavaju pobjeći u prirodu, ali nisu u stanju da svoje probleme ostave iza sebe.

Fantastična Ariane Labed u fascinantnom filmu francuskinje Lucie Borleteau FIDELIO, ALISINA ODISEJA provodi život izbjegavajući da upadne u kolotečinu. Kao inžinjerka na teretnom brodu seli se od luke do luke i od ljubavnika do ljubavnika, ostavljajući emotivni haos iza sebe.

Mnogi od ovogodišnjih učesnika programa odlučili su da svoje priče ispričaju u crno-bijeloj tehnici. Pet filmova je snimljeno u crno-bijeloj tehnici ili u kombinaciji crno-bijelog i kolor filma.

PROJEKT STOLJEĆA Carlosa Quintele, fascinantna priča o planu kubanskih vlasti da izgrade nuklearni grad, snimljen je u kombinovanoj tehnici.

DJEVOJKA SE SAMA VRAĆA KUĆI NOĆU Ane Lily Amirpour, proslavljeni iranski vampirski film (snimljen u Kaliforniji), oslanja se na visokokontrastnu crno-bijelu fotografiju dočaravajući jezivi svijet sjenki. Sličnom se fotografijom odlikuje i hrabra izraelska drama Avishaia Sivana TIKKUN, ostvarujući potpuno drugačiji efekat.

Katastrofalni svjetski događaji uobičajeno nalaze svoje mjesto na filmu, te iznimku ne čine ni ovogodišnji filmovi u programu, kojima provejavaju ljudske katastrofe 20. stoljeća. NA UDARU VJETRA govori o deportaciji žena i djece iz baltičkih država u sibirske radne kampove četrdesetih godina prošloga stoljeća. Jedan od dokumentaraca u programu, RUSKI DJETLIĆ Chada Gracije, preispituje katastrofalne posljedice černobilske nuklearne katastrofe, sugerišući da je nesreća bila rezultat zloćudne sovjetske zavjere. Film FENIKS sve brilijantnijeg njemačkog reditelja Christiana Petzolda melodramatični je triler o ženi (igra je uvijek odlična Nina Hoss) koja preživljava užase Aušvica i vraća se kući kako bi se suočila sa mužem koji ju je tamo poslao. VATRE U RAVNICI, novelu iz 1951. o užasnim iskustvima japanskih vojnika na Filipinima pred kraj Drugog svjetskog rata, filmski je oživio Shiny Tsukamoto. Ovaj japanski glumac i reditelj, najpoznatiji po svojim fernetičnim Tetsuo filmovima, haotični je autorski pečat ostavio i u ovoj ratnoj priči, postižući upečatljiv efekat.

Najaktuelniji među odabranim filmovima je lirski dokumentarac Lydie Wisshaupt-Claudel UBIJAJUĆI VRIJEME o grupi američkih marinaca na dopustu iz afganistanske misije u gradiću 29 Palms u kalifornijskoj pustinji.

Preostala se dva dokumentarca bave nešto lakšim temema. B-FILM: POŽUDA I ZVUCI

ZAPADNOG BERLINA 1979-1989 deliričan je videodnevnik engleskog muzičkog promotera Marka Reedera o otkrivanju divljeg života i muzičke scene Zapadnog Berlina kratko prije pada Zida. Film NAJBOLJE PREDSTAVE NA SVIJETU, islandskog reditelja Benedikta Erlingssona (čij je film O KONJIMA I LJUDIMA prikazan na prošlogodišnjem Kinoskopu), kojim ćemo zatvoriti program, uzbudljiv je sedamdesetominutni kolaž videozapisa cirkuskih predstava, zabavnih parkova i zabavljača snimljenih tokom prošloga stoljeća.

DJEVOJKA SE SAMA VRAĆA KUĆI NOĆU jedna je od naše tri ponoćne projekcije, dok su druge dvije Mikkeova urnebesno otkačena APOKALIPSA JAKUZA, čiji naslov dovoljno govori o sadržaju, te igrani film američkog reditelja Jeremija Saulniera, krvlju prožeta ZELENA SOBA. Sva tri filma nastanjuju čudovišta u ljudskom ili drugim oblicima, od zombija do vampira, japanskih gangster i američkih neonacista.

Poslastica koju ne treba propustiti na kraju je film Andrewa Haigha 45 GODINA. Virtuozne uloge Charlotte Rampling i Toma Courtenaya donijele su im nagrade za najbolju glumicu i glumca na ovogodišnjem Berlinaleu.

Raznovrsnost ovogodišnjeg izbora odraz je stanja svjetske filmske produkcije koju smo imali privilegiju pregledati u procesu odabira učesnika.

Nadamo se da će 19 naslova koje predstavljamo u Sarajevu 2015. zadovoljiti glad publike za celuloidnim poslasticama proizvedenim u različitim krajevima svijeta tokom protekle godine.

E In programming Kinoscope this year, we found ourselves unconsciously veering towards work from young new film-makers. We only realized this when the programme was complete – 12 out of the 19 features are from first- and second-time directors – but perhaps the nature of a festival programmer is to be surprised and delighted by fresh visions and new voices, so in retrospect it’s perhaps not that much of a shock.

That’s not to say that we haven’t included some of the world’s most celebrated names. Our opening day films – TAXI and THE LOBSTER – come from the renowned Jafar Panahi and Yorgos Lanthimos respectively and both were event films at this year’s major festivals: TAXI won the Golden Bear at Berlin and THE LOBSTER the jury prize at Cannes. We are also pleased to present titles by Germany’s prolific Christian Petzold (PHOENIX) and Japan’s even more prolific Takashi Miike (YAKUZA APOCALYPSE). But then these film-makers often behave like fresh voices, constantly seeking out exciting new ideas and

subverting traditional storytelling techniques.

Throughout the programme, you will see experimentation with form and narrative. How extraordinary that Martti Helde from Estonia shoots his powerful drama IN THE CROSSWIND entirely in tableaux vivants – his actors stationary, his camera exploring each complex set-up – and challenges the viewer to focus on each painful moment of history. And how pleasing that Ciro Guerra from Colombia takes his Amazon exploration epic THE EMBRACE OF THE SERPENT in such unexpected directions. What starts out as a historical adventure story ends as an adventure into existence and metaphysics.

Surprise. That’s the pleasure of programming a section as rich as Kinoscope and one which we bank on the highly cineliterate and curious Sarajevo audience to respond to. No director alive today comes up with storylines as mind-bending as Greece’s Yorgos Lanthimos. In his latest opus THE LOBSTER – which is his first film in English – he and his screenwriting partner Efthymis Filippou have devised their most oddball concept yet but it is no less engaging for being complex.

Some of our films avoid complexity altogether to no less intriguing effect. Ole Giæver’s OUT OF NATURE, a droll portrait of a man at sea in his suburban Norwegian life, stars Giæver himself as the angst-ridden hero Martin who is the sole character on screen for most of the duration.

Paz Fabrega from Costa Rica creates a similarly rich cinematic texture in her intoxicating Viaje, a two-hander between two young lovers over a few days alone in the countryside. In both cases, nature acts as a place of escape for the characters although they cannot leave their problems behind.

The superb Ariane Labed spends her life escaping a settled existence in Lucie Borleteau’s fascinating FIDELIO, ALICE’S ODYSSEY FROM FRANCE. As an engineer on a freighter, she goes from port to port and lover to lover leaving emotional chaos in her wake.

Many of the film-makers in this year’s selection have chosen to use black-and-white to tell their stories. Five films are shot in black-andwhite or a combination of black-and-white and colour. Carlos Quintela’s THE PROJECT OF THE CENTURY – a fascinating glimpse into Cuba’s plans to build a nuclear city - switches between the two. Ana Lily Amirpour’s A GIRL WALKS HOME ALONE AT NIGHT, the much-celebrated Iranian vampire movie (shot in California) uses its highly contrasted b/w cinematography to create a haunting world of shadows as does Avishai Sivan’s bold Israeli drama TIKKUN, albeit to considerably different effect.

As always in the medium of cinema, catastrophic events in 20th century history are writ large on our programme. IN THE CROSSWIND examines the exportation of women and children from the Baltic states to Siberian labour camps in the 1940s. One of our four documentaries The Russian Woodpecker from director Chad Gracia explores the devastation wrought by the Chernobyl nuclear disaster and suggests that a sinister Soviet conspiracy caused it. And PHOENIX, from the increasingly brilliant German director Christian Petzold, is a melodramatic thriller about a woman (the ever-excellent Nina Hoss) who returns from Auschwitz to confront the husband who sent her there. The 1951 novel FIRES ON THE PLAIN about the harrowing experiences of Japanese soldiers in the Philippines at the end of World War II gets a new harrowing screen treatment from Shinya Tsukamoto.

Most contemporary of all is Lydie WisshauptClaudel’s lyrical documentary Killing Time which follows a group of US marines on home leave from Afghanistan in 29 Palms in the California desert.

We’re happy to say that two of our documentaries are more playful. B-MOVIE: LUST & SOUND IN WEST BERLIN 1979-1989 is the delirious memoir of English music promoter Mark Reeder before the fall of the Wall, while our closing film THE SHOW OF SHOWS sees Iceland’s Benedikt Erlingsson (whose Of Horses And Men was in Kinoscope last year) create a thrilling 70 minute montage of footage about the world of the circus and the fairground and the entertainers therein.

A GIRL WALKS HOME ALONE AT NIGHT is one of our three midnight movies. The others are Miike’s gloriously batty YAKUZA APOCALYPSE, which speaks for itself, and GREEN ROOM, the brilliant, blood-spattered second feature from US director Jeremy Saulnier (Blue Ruin). Each film is filled with monsters, humans or otherwise, from zombies and vampires to Japanese gangsters and American neo-Nazis.

Finally, a treat not to be missed is Andrew Haigh’s 45 YEARS which won the actress and actor prizes at the Berlinale this year for Charlotte Rampling and Tom Courtenay.

The diversity in Kinoscope this year is reflective of the world cinema we are privileged to view in order to select our programme. We hope that the 19 films we have brought to Sarajevo 2015 will give you a satisfying taste of the celluloid riches produced around the world this year.

Mike Goodridge, Mathilde Henrot and Alessandro Raja, selektori / Programmers KINOSCOPE l 21. Sarajevo Film Festival 91

45 Years / 45 godina Kate je usred priprema za četrdeset petu godišnjicu braka kada njen suprug Geoff iznenada prima vijest koja će ga vratiti u prošlost. Prije pedeset godina, njegova tadašnja djevojka doživjela je fatalnu nesreću u švicarskim Alpama. Njeno tijelo je konačno pronađeno, zamrznuto u ledu i vremenu. Kate i Geoff su podjednako šokirani, ali nisu spremni da jedno sa drugim podijele vlastitu nesigurnost.

On se još dublje povlači u osamljeni svijet uspomena dok se Kate bori da pragmatizmom uguši narastajuću ljubomoru i anksioznost. Ona se mora fokusirati na organizaciju zabave za godišnjicu braka. Stvari su naizgled iste kao i uvijek, ali kamera oprezno bilježi kako dobro uigrana koegzistencija ispada iz tračnica. Film 45 godina govori o dvoje ljudi koji su prisiljeni da se izbore sa neočekivanim emocijama i u procesu kao da izvlače tepih pod vlastitim nogama. Nakon 45 godina, koje će emocije prevladati na godišnjicu njihovog braka?

Andrew Haigh je mladi engleski reditelj, scenarista i producent. Započeo je svoju filmsku karijeru kao asistent montažera na filmovima GLADIJATOR i PAD CRNOG JASTREBA, a svoj filmski debi imao je kratkim ostvarenjem ULJE. Prije šest godina režirao je svoj prvi dugometražni film GRK PIT koji se bavi muškom prostitucijom. Njegov posljednji film 45 GODINA bio je u glavnoj konkurenciji za 65.

Berlinski filmski festival i osvojio je nagrade za glavnu mušku i žensku ulogu.

E Kate is in the middle of preparations for her 45th wedding anniversary when her husband Geoff suddenly receives news which pulls him back into the past. Fifty years ago his then girlfriend had a fatal accident in the Swiss Alps. Now, finally, her body has been found, frozen in ice and time. Kate and Geoff are both shocked but are unable to share their insecurity with each other. He retreats ever more into a distant world of memories whilst Kate endeavours to suppress her burgeoning jealousy and anxiety with pragmatism. She needs to concentrate on taking care of the arrangements for the party. Outwardly, everything is business as usual. But the camera cautiously registers how a well-tuned coexistence is going out of kilter. 45 YEARS tells the story of two people who, caught up in unexpected emotions, are forced to bolster themselves against unfamiliar feelings and, in doing so, have the rug pulled out from under their feet. After 45 years, which feeling will prevail on the couple’s big day?

Andrew Haigh is a young English film director, screenwriter and producer. He begun his film career as an assistant editor on films such as GLADIATOR and BLACK HAWK DOWN before debuting as writer/ director with the short film OIL. Six years ago, Haig directed his first feature-length film about male prostitution GREEK PETE. His latest fim, 45 YEARS, premiered in the main competition program at the 64th Berlin International Film Festival where it won the acting prizes for its male and female leads.

92 21. Sarajevo Film Festival l KINOSCOPE

United Kingdom, 2015, Colour, 93 min, English Režija / Director: Andrew Haigh Scenarij / Screenplay: Andrew Haigh Direktor fotografije / Director of Photography: Lol Crawley Montaža / Editor: Jonathan Alberts Muzika / Music: Connie Farr Zvuk / Sound: IvorTalbot Kostimografija / Costume Design: Suzie Harman Scenografija / Production design: Sarah Finlay Producent / Producer: Tristan Goligher Produkcija / Production: The Bureau Uloge / Cast: Charlotte Rampling, Tom Courtenay, Geraldine James, Dolly Wells, David Sibley, Sam Alexander, Richard Cunningham, Rufus Wright, Hannah Chalmers, Camille Ucan Kontakt / Contact: The Bureau, mail@thebureau.co.uk, thebureau.co.uk

FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - 45 YEARS 2014 - LOOKING 2011 - WEEKEND 2009 - GREEK PETE 2009 - FIVE MILES OUT (kratki / short) 2005 - CAHUENGA BLVD (kratki / short) 2003 - OIL (kratki / short)

El abrazo de la serpiente / Zagrljaj zmije / Embrace of the Serpent Moćni amazonski vrač Karamakate, posljednji preživjeli iz svog naroda, živi u dobrovoljnoj izolaciji duboko u džungli. Decenije samoće pretvorile su ga u chullachaqui, praznu ljušturu čovjeka lišenog uspomena i osjećaja. Njegov prazan život uzdrman je dolaskom Evana, američkog etnobotaničara u potrazi za Yakrunom, moćnom svetom biljkom sposobnom da poučava kako sanjati. Zajedno kreću na putovanje u srcu Amazona u kojem su isprepleteni prošlost, sadašnjost i budućnost, a gdje će Karamakate polako početi da vraća svoje izgubljene uspomene.

Ciro Guerra je rođen 1981. u Río de Orou, Kolumbija. Njegova prva dva filma, LA SOMBRA DEL CAMINANTE i THE WIND JOURNEYS, izabrana su na mnogim međunarodnim filmskim festivalima, uključujući Cannes, Toronto, San Sebastian, Rotterdam i Locarno, a osvojili su 40 međunarodnih nagrada. Oba filma su izabrana za kolumbijske kandidate za nagradu Oscar, a komercijalno su distribuirani u 20 zemalja. ZAGRLJAJ ZMIJE njegov je treći film.

E Karamakate, a powerful Amazonian shaman, last survivor of his people, dwells deep in the jungle, in voluntary isolation. Decades of solitude have turned him into a chullachaqui, an empty shell of a human, devoid of memories and emotion. His hollow life is shaken with the arrival of Evan, an American ethnobotanist in search of the Yakruna, a powerful sacred plant, capable of teaching how to dream. Together they embark on a journey into the heart of the Amazon in which past, present and future are intertwined, and in which Karamakate will slowly begin to regain his lost memories.

Ciro Guerra was born in Río de Oro, Colombia in 1981. His first two films, LA SOMBRA DEL CAMINANTE and THE WIND JOURNEYS, were selected in many international film festivals, including Cannes, Toronto, San Sebastián, Rotterdam and Locarno, winning 40 international awards. Both films were chosen as Colombia’s entry for the Oscars and were released commercially in 20 countries.

EMBRACE OF THE SERPENT is his 3rd film.

Columbia, Venezuela, Argentina, 2015, Colour and b&w, 125 min, Catalan, German, Latin, Portugese, Spanish Režija / Director: Ciro Guerra Scenarij / Screenplay: Ciro Guerra, Jacques Toulemonde Direktor fotografije / Director of Photography: David Gallego Montaža / Editor: Etienne Boussac, Cristina Gallego Muzika / Music: Nascuy Linares Zvuk / Sound: Marco Salavarria Kostimografija / Costume Design: Catherine Rodríguez Scenografija / Production design: Angelica Perea Producent / Producer: Cristina Gallego Produkcija / Production: A Production of Ciudad Lunar (Colombia), in coproduction with NorteSur (Venezuela), MC Producciones (Argentina), Buffalo Films (Argentina) in association with Caracol Televisión and Dago García Producciones, with the support of FDC, INCAA, CNAC, Ibermedia and Hubert Bals.

Uloge / Cast: Jan Bijvoet, Brionne Davis, Nilbio Torres, Antonio Bolivar, Yauenkü Migue Kontakt / Contact: Films Boutique, www.filmsboutique.com, contact@filmsboutique.com FILMOGRAFIJA / FILMOGRAPHY 2015 - EMBRACE OF THE SERPENT 2009 - THE WIND JOURNEYS 2005 - LA SOMBRA DEL CAMINANTE

KINOSCOPE l 21. Sarajevo Film Festival 93

B-Movie: Lust & Sound in West-Berlin 1979-1989 / B-film: požuda i zvuci Zapadnog Berlina 1979-1989 B-FILM je dokumentarac o muzici, umjetnosti i haosu u Zapadnom Berlinu osamdesetih godina prošloga vijeka: zidom ograđen grad u gradu postao je kreativni kotao sub i pop kulture. Očaran njemačkom elektronskom muzikom, mančesterski muzičar Mark Reeder napušta legendarnu muzičku scenu predvođenu Joy Divisionom kako bi živio u Zapadnom Berlinu...

Jörg A. Hoppe je jedan od suosnivača filmske i TV produkcijske kompanije Me, Myself & Eye (MME).

Hoppe je 1996. osvojio nagradu Zlatna jabuka za dokumentarni film o Nicku Caveu RAVNO NA VAS. Za svoj opšti doprinos TV muzici nagrađen je ECHO nagradom (2002), a za B-FILM: POŽUDA I ZVUCI ZAPADNOG BERLINA osvojio je Heiner Carow nagradu na Filmskom festivalu u Berlinu 2015. godine.

Klaus Maeck je rođen u Hamburgu 1954. Maeck je 1984. producirao igrani film DEKODER, zasnovan na djelima W.S.Burroughsa, u kojem je cijenjeni pisac nastupio u jednoj od gostujućih uloga. Maeck je 2003. sa proslavljenim filmskim rediteljem Fatihom Akinom osnovao produkcijsku komapniju Corazón International. Maeck je 2013. osnovao svoju novu produkcijsku komapaniju Interzone Pictures.

Heiko Lange je rođen 1976., a 2000. je počeo raditi kao reditelj, scenarista i producent. Lang je 2011. osnovao filmsku produkcijsku kompaniju Scenes From. Njegov prvi samostalno producirani dokumentarac ZVUCI KAIRA (2001) osvojio je nagradu publike za najbolji dokumentarni film na Moscars film festivalu u Kairu. Lange je 2013. nagrađen Nagradom za montažu na Filmskom festivalu Ujedinjenih Nacija u San Francisku. Kompanija Scenes From je koproducirala B-FILM: POŽUDA I ZVUCI ZAPADNOG BERLINA 1979-1989.

E B-MOVIE is a documentary about music, art and chaos in the West-Berlin of the 1980s: the walled-in city which became the creative melting pot for the sub and pop culture. Mark Reeder, a musician from Manchester, fascinated by German electronic music, leaves Joy Division’s legendary music scene to come to West Berlin...

Jörg A. Hoppe co-founded the film and TV production company Me, Myself & Eye (MME). In 1996 he was awarded with the Golden Apple Award for the documentary STRAIGHT TO YOU about Nick Cave. For his general contributions to popular music in TV he was awarded with the ECHO award (2002). At the Berlinale 2015, he was awarded with the Heiner Carow Award for the film B-MOVIE: LUST AND SOUND IN WEST BERLIN. Klaus Maeck was born in Hamburg in 1954. In 1984 he produced a feature film DECODER, based on W.S.Burroughs writings and starring the prominent writer in a guest role. In 2003 he co-founded the production company Corazón International with acclaimed film director Fatih Akin. In 2013 Maeck founded his new film production company Interzone Pictures.

Heiko Lange was born in 1976. In 2000, he started working as a director, writer and producer. In 2011 he started the film production company Scenes From. His first independently produced documentary THE NOISE OF CAIRO (2011) was honored with the Audience Award for Best Documentary at the Moscars Film Festival in Cairo. At the United Nations Film Festival in San Francisco in 2013, he received the Edit Award. Scenes From co-produced B-MOVIE: LUST AND SOUND IN WEST-BERLIN 1979-1989.

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Germany, 2015, Colour and b&w, 92 min, English Režija / Director: Jörg A. Hoppe, Klaus Maeck, Heiko Lange Scenarij / Screenplay: Jörg A. Hoppe, Heiko Lange, Klaus Maeck Montaža / Editor: Alexander Von Sturmfeder Muzika / Music: Guido Schulz Zvuk / Sound: Jan Mikoleit, Mark Reeder, Elias Struck, Ireneusz Szumlanski, Tonfabrik Audio Productions Producent / Producer: Jörg A. Hoppe, Heiko Lange, Klaus Maeck Produkcija / Production: DEF Media GmbH, ZDF/ARTE, Interzone Pictures, Scenes From Uloge / Cast: Blixa Bargeld, Gudrun Gut, Annette Humpe, Mark Reeder Kontakt / Contact: DEF Media GmbH, kontakt@def-media.com, www.def-media.com FILMOGRAFIJA / FILMOGRAPHY Jörg A. Hoppe: 2015 - B-MOVIE: LUST AND SOUND IN WEST-BERLIN

1979-1989 (dokumentarni / documentary) 1996 - STRAIGHT TO YOU

(dokumentarni / documentary) Klaus Maeck: 2015 - B-MOVIE: LUST AND SOUND IN WEST-BERLIN

1979-1989 (dokumentarni / documentary) 1993 - LIEBESLIEDER: EINSTÜRZENDE NEUBATEN

(dokumentarni / documentary) 1991 - WILLIAM S. BURROUGHS: COMMISSIONER OF

SEWERS (dokumentarni / documentary) Heiko Lange: 2015 - B-MOVIE: LUST AND SOUND IN WEST-BERLIN

1979-1989 (dokumentarni / documentary) 2011 - THE NOISE OF CAIRO

(dokumentarni / documentary)

Fidelio, l’odyssée d’Alice / Fidelio: Alisino putovanje / Fidelio, Alice’s Journey Alice je tridesetogodišnja mornarka, zaljubljena je, ali neudata. Dok je partner Felix čeka na kopnu, ona isplovljava kao drugi mehaničar na Fideliju, starom teretnom brodu. Na brodu otkriva ne samo da mijenja nedavno preminulog mehaničara, već i to da je kapetan broda niko drugi nego njena prva velika ljubav - Gael. U svojoj kabini Alice pronalazi dnevnik bivšeg mehaničara i čitajući njegov sadržaj - opis tehničkih problema, seksualnih osvajanja i ljubavnih patnji - uviđa da je u njemu dobrim dijelom opisano i njeno vlastito putovanje. I dok brod posjećuje razne luke, Alice se nosi životom na brodu sa muškom posadom i svojim ćudljivim romantičnim osjećajima, pokušavajući ostati na pravom putu.

Lucie Borletau je rođena 1980. godine. Studirala je kinematografiju na Univerzitetu Saint-Denis Paris 8. Od završetka studija zaposlena je na filmu – radi produkciju, sarađuje na pisanju scenarija ili radi postavljanje na scenu sa režiserima kao što su Claire Denis, Arnaud Desplechin i Lou Ye. Pojavila se kao glumica u nekoliko filmova i na pozorišnoj sceni. Nakon tri srednjemetražna filma, FIDELIO, ALICINO PUTOVANJE njen je prvi igrani film.

E Alice is a 30 year-old sailor, in love but unmarried. While her companion Félix waits for her ashore, she sets off as second mechanic on the Fidelio, an old freighter. On board, she discovers not only that she replaces a recently deceased mechanic, but also that the Captain is none other than her first great love, Gael. In her cabin Alice comes across the diary of the former mechanic, and by reading its content –accounts of technical problems, sexual conquests and lovelorn emotions – she finds, oddly, that they echo her own journey. As the ship calls on various ports, Alice deals with life aboard with an all-male crew and the swings of her romantic feelings, while trying to stay on the course.

Lucie Borletau was born in 1980. She studied cinema at Saint-Denis Paris 8 University. Since graduation, she has worked in film - producing, collaborating on scriptwriting or staging with directors such as Claire Denis, Arnaud Desplechin and Lou Ye. She appeared as an actress in several movies, as well as on theatre stage. After three medium-length films, FIDELIO, ALICE’S ODYSSEY is her first feature.

France, 2014, Colour, 95 min, English, French, Norwegian, Romanian, Tagalog Režija / Director: Lucie Borleteau Scenarij / Screenplay: Lucie Borleteau, Clara Bourreau Direktor fotografije / Director of Photography: Simon Beaufils Montaža / Editor: Guy Lecorne Muzika / Music: Thomas De Pourquery Zvuk / Sound: Edouard Morin Kostimografija / Costume Design: Sophie Bégon Scenografija / Production design: Sidney Dubois Producent / Producer: Pascal Caucheteux, Marine Arrighi de Casanova Produkcija / Production: Apsara Films & Why Not Productions Uloge / Cast: Ariane Labed, Melvil Poupaud, Anders Danielsen Lie, Pascal Tagnati, Jean-Louis Coulloc’h Kontakt / Contact: Pyramide International, www.pyramidefilms.com, distribution@pyramidefilms.com FILMOGRAFIJA / FILMOGRAPHY 2014 - FIDELIO, ALICE’S JOURNEY 2012 - LA GRÈVE DES VENTRES 2008 - LES VŒUX 2004 - NIEVALIACHKA, LA POUPÉE QUI NE TOMBE PAS

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A Girl Walks Home Alone at Night / Djevojka se sama vraća kući noću Čudne se stvari dešavaju u Lošem Gradu. Iranski grad koji prostitutke, narkomani, svodnici i druge posrnule duše zovu domom smrdi na smrt i beznađe, usamljeni vampir uhodi najneukusnije stanovnike. Ali kada momak upozna djevojku, počinje da buja neobična ljubavna priča. Debitantski film Ane Lilly Amirpour, prvi iranski vampirski vestern, odiše čistom radošću šunda. Radosna mješavina žanrova, arhetipova i ikonografije, snažno inspirisana širokim spektrom utjecaja od špageti vesterna, stripova i horor filmova do iranskog novog talasa. Prozračni, anamorfni, crno-bijeli vizuelni identitet ovog filma i umjetnički razrađene scene kao da su mješavina tinjajuće tenzije Sergia Leonea i čudnog nadrealizma Davida Lyncha.

Ana Lily Amirpour je iransko-američka filmska rediteljica, scenaristica, producentica i glumica.

Rođena je u Engleskoj 1980. godine. Diplomirala je na UCLA školi za pozorište, film i televiziju. Najpoznatija je po svome dugometražnom igranom prvijencu, DJEVOJKA SE SAMA VRAĆA KUĆI NOĆU, koji je premijerno prikazan na Filmskom festivalu Sundance 2014. godine, a zasnovan je na kratkom igranom filmu istoga naziva koji je prethodno režirala i napisala i s kojim je 2012. godine osvojila nagradu za najbolji kratki film na iranskom Filmskom festivalu Noor.

E Strange things are afoot in Bad City. The Iranian ghost town, home to prostitutes, junkies, pimps and other sordid souls, is a place that reeks of death and hopelessness, where a lonely vampire is stalking the towns most unsavoury inhabitants. But when boy meets girl, an unusual love story begins to blossom.The first Iranian Vampire Western, Ana Lily Amirpour’s debut feature basks in the sheer pleasure of pulp. A joyful mash-up genre, archetype, and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave. Its airy, anamorphic, black-and-white aesthetic and artfully drawn-out scenes combine the simmering tension of Sergio Leone with the weird surrealism of David Lynch.

Ana Lily Amirpour is an Iranian-American film director, screenwriter, producer and actor. She was born in England in 1980. She graduated from the UCLA School of Theatre, Film and Television. She is best known for her feature film debut, A GIRL WALKS HOME ALONE AT NIGHT, that made its debut at the Sundance Film Festival in 2014, which was based on a previous short film she wrote and directed with the same title that won the ‘’Best Short Film’’ at the 2012 Noor Iranian Film Festival.

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USA, 2015, Black & White, 101 min, Farsi Režija / Director: Ana Lily Amirpour Scenarij / Screenplay: Ana Lily Amirpour Direktor fotografije / Director of Photography: Lyle Vincent Montaža / Editor: Alex O’Flynn Zvuk / Sound: Gary Day Kostimografija / Costume Design: Natalie O’Brien Scenografija / Production design: Sergio De La Vega Producent / Producer: Justin Begnaud, Sina Sayyah, Ana Lily Amirpour Produkcija / Production: Say Yah Production Uloge / Cast: Sheila Vand, Arash Marandi, Marshall Manesh Kontakt / Contact: Kinology, festivals@kinology.eu, kinology.eu FILMOGRAFIJA / FILMOGRAPHY 2014 - A GIRL WALKS HOME ALONE AT NIGHT 2012 - I FEEL STUPID (kratki / short) 2011 - PASHMALOO (kratki / short) 2010 - KETAB (kratki / short) 2010 - ANA LILY AMIRPOUR LIKES THIS

(kratki dokumentarni / short doc.)

Gôkudo Daisensô / Apokalipsa jakuza / Yakuza Apocalypse U okrutnom podzemnom svijetu jakuza, nema veće legende od šefa Kamijure. Glasine kruže da je nepobjediv, a istina je da je šef jakuza zapravo vampir! U Kamijurinoj bandi njegov je najodaniji pomoćnik Kagejama. Međutim, ostali u bandi omalovažavaju i ismijavaju Kagejamu. Jednog dana, ubice koje znaju tajnu šefa Kamijure stižu iz inostranstva i postavljaju mu ultimatum: da se vrati u međunarodni sindikat koji je napustio prije mnogo godina ili da umre. Kamijura odbija i u žestokoj borbi sa majstorom borilačkih vještina Kojenom biva rastrgan. Kamijura svojim umirućim dahom ujede Kagejamu i tako prenese svoje vampirske moći na bezazlenog jakuzu. Kako postaje svjestan svojih novonastalih sposobnosti, Kagejama, u želji za osvetom za ubistvo šefa Kamijure, kreće u nasilno suočavanje sa misterioznim i naizgled nezaustavljivim vođom stranog sindikata.

Takashi Miike je rođen u Osaki. Karijeru je počeo kao pomoćni režiser čuvenog režisera Šohei Imamure, a svoj prvi film TOPPUU! MINIPATO TAI - AIKYACCHI JANKUSHO (EYECATCH JUNCTION) režirao je 1991. godine. Miike je privukao međunarodnu pažnju 1999. godine kada je objavljen film AUDICIJA, koji se danas smatra klasikom u žanru horora. Miike je nakon toga nanizao uspjehe sa naslovima kao što su MRTAV ILI ŽIV, UBICA IČI i 13 UBICA, između mnogih drugih. Kao neko ko je režirao skoro stotinu igranih filmova, Miike je stekao ugled prvoklasnog režisera neiscrpne energije koji može da ostvari kvalitetan rad u bilo kojem žanru i to vrtoglavom, naizgled neljudskom brzinom.

E In the ruthless underground world of the yakuza, no one is more legendary than boss Kamiura.

Rumored to be invincible, the truth is he is a vampire - a bloodsucking yakuza vampire boss! Among Kamiura’s gang is Kageyama, his most loyal underling. However, the others in the gang view Kageyama with disdain and ridicule him. One day, assassins aware of boss Kamiura’s secret arrive from abroad and deliver him an ultimatum: Return to the international syndicate he left years ago, or die.

Kamiura refuses and is torn limb from limb during a fierce battle with martial arts expert Kyoken.”

With his dying breath, Kamiura bites Kageyama, passing on his vampire powers to the unsuspecting yakuza. As he begins to awaken to his newfound abilities, Kageyama’s desire to avenge the murder of boss Kamiura sets him on a course for a violent confrontation with the foreign syndicate’s mysterious and seemingly unstoppable leader.

Japan, 2015, Colour, 115 min, Japanese Režija / Director: Takashi Miike Scenarij / Screenplay: Yoshitaka Yamaguchi Direktor fotografije / Director of Photography: Hajime Kanda Montaža / Editor: Kenji Yamashita Muzika / Music: Kôji Endô Zvuk / Sound: Jun Nakamura Scenografija / Production design: Akira Sakamoto Producent / Producer: Yoshinori Chiba, Shinichiro Masuda, Shinjiro Nishimura, Misako Saka Uloge / Cast: Hayato Ichihara, Yayan Ruhian, Riri Furanki, Mio Yûki Kontakt / Contact: WTFilms, sonia@wtfilms.fr FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - YAKUZA APOCALYPSE 2010 - 13 ASSASSINS 2003 - ONE MISSED CALL 2001 - ICHI, THE KILLER 2001 - THE HAPPINESS OF KATAKURIS 1999 - DEAD OR ALIVE 1999 - AUDITION

Takashi Miike was born in Osaka. He started his career as an assistant director to renowned filmmaker Shohei Imamura, and directed his first film, TOPPUU! MINIPATO TAI - AIKYACCHI JANKUSHO (EYECATCH JUNCTION) in 1991. In 1999, Miike garnered international notice with the release of AUDITION, a film today considered to be a classic of the horror genre. Miike followed this up with a string of successes that include titles such as DEAD OR ALIVE, ICHI, THE KILLER, AND 13 ASSASSINS, among many others. Having directed nearly one hundred features, Miike has earned a reputation as a world-class, powerhouse director able to produce quality work in any genre and at a dizzying, seemingly inhuman pace.

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Green Room / Zelena soba Članovi punk-rock benda The Ain’t Rights, koje je napustila sreća, na brzinu pristaju da održe koncert u klubu uz ivicu ceste negdje u zabitima Oregona i na sebe neočekivano navlače bijes nasilne rasističke, bjelačke bande. Nakon što završe nastup u bezimenom skinhed klubu, članovi benda slučajno nabasaju na jezivu scenu ubistva i postaju meta okrutnog vlasnika kluba i njegovih snagatora odlučnih da eliminišu svjedoke zločina. Znatno malobrojniji i slabije naoružani, preplašeni se muzičari zabarikadiraju iza scene kako bi kupili vrijeme potrebno za organizaciju pokušaja bijega.

Nakon što do zuba naoružana milicija izvodi smrtonosan napad na klub, preživjeli sakupljaju snagu za posljednji pokušaj spasa iznenadivši svoje protivnike neočekivanom domišljatošću i hrabrošću.

Jeremy Saulnier je reditelj i filmski snimatelj sa adresom stanovanja u Bruklinu. Proveo je mladost sa Super-8 kamerom u ruci snimajući akcione filmiće sa prijateljima u predgrađima Alexandrije u Virdžiniji, a kasnije je studirao film na Univerzitetu u Njujorku. Igrani film koji je snimio na drugoj godini studija, PLAVA RUŠEVINA, premijerno je prikazan u Director’s Fortnight programu Filmskog festivala u Cannesu gdje je nagrađen nagradom FIPRESCI. Saulnier je prethodno režirao i snimio nagrađivani kratki film KORAK RAKA i kultnu horor komediju UBITAČNA ZABAVA. Značajniji filmovi na kojima je radio kao snimatelj uključuju SEPTIEN (Sundance, Rotterdam 2010), te HAMILTON, PUTTY HILL i NEKADA SAM BIO DARKER reditelja Matthewa Porterfielda.

E Down-on-their-luck punk rockers The Ain’t Rights agree to a last-minute gig in a backwoods Oregon roadhouse only to find themselves caught in the crosshairs of a violent white-supremacist gang. After finishing their set in the no-name skinhead club, the band members stumble upon a grisly murder scene and are targeted by a ruthless club owner and his henchmen, determined to eliminate all witnesses. Hopelessly outmanned and outgunned, the terrified musicians barricade themselves backstage to buy time for an escape attempt. As a heavily armed militia mounts a deadly assault, the survivors pull together in a last-ditch effort, surprising their opponents with unexpected ingenuity and courage.

Jeremy Saulnier is a director and cinematographer based in Brooklyn. He spent his youth making Super-8 action flicks with his friends in the suburbs of Alexandria, Virginia, and later studied film at NYU. His sophomore feature, BLUE RUIN, premiered at Cannes in the 2013 Director’s Fortnight and won the FIPRESCI Prize. Saulnier previously directed and photographed the award-winning short CRABWALK and the cult horror-comedy MURDER PARTY. Notable cinematography credits include SEPTIEN (Sundance, Rotterdam 2010) and his critically acclaimed collaborations with director Matthew Porterfield: HAMILTON, PUTTY HILL and I USED TO BE A DARKER.

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USA, 2015, Colour, 94 min, English Režija / Director: Jeremy Saulnier Scenarij / Screenplay: Jeremy Saulnier Direktor fotografije / Director of Photography: Sean Porter Montaža / Editor: Julia Bloch Muzika / Music: Brooke Blair and Will Blair Zvuk / Sound: Roland Vajs Kostimografija / Costume Design: Amanda Needham Scenografija / Production design: Ryan Warren Smith Producent / Producer: Neil Kopp, Anish Savjani, Victor Moyers Uloge / Cast: Anton Yelchin, Alia Shawkat, Joe Cole, Callum Turner, Mark Webber, Eric Edelstein, Macon Blair, Kai Lennox, Patrick Stewart Kontakt / Contact: Westend Films, nadine@westendfilms.com FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - GREEN ROOM 2013 - BLUE RUIN 2007 - MURDER PARTY 2004 - CRABWALK (kratki / short) 1998 - GOLDFARB (kratki / short)

Killing Time: Entre Deux Fronts / Ubijanje vremena: između dva fronta / Killing Time Duboko u stjenovitoj kalifornijskoj pustinji nalazi se vojni gradić Twentynine Palms. Iznikao uz veliku vojnu bazu američkih marinaca, gradić tokom cijele godine dočekuje trupe na povratku iz Iraka i Afganistana. Bilo da su na dopustu ili već ponovo na pripremama, ovi mladići sa svojom braćom po oružju ili sa članovima svojih porodica ubijaju vrijeme u okruženju koje ih neprekidno podsjeća na ratnu zonu iz koje su se netom vratili. Banalnost njihovog svakodnevnog života pokazuje koliko će se ovim muškarcima biti teško navići na svoj stari život koji će im se zauvijek činiti tuđim i stranim.

Lydie Wisshaupt-Claudel je studirala filmsku montažu na Akademiji za pozorište i film Insas u Briselu.

Praktično iskustvo je stekla 2006. godine kada je režirala film IL Y A ENCORE DE LA LUMIÈRE, samostalni putopis snimljen na Islandu koji se bavi pitanjem usamljenosti. Film SPOREDNI PUTEVI, u kojem je prikazala mnoštvo različitih lica američke istorije i kulture, snimila je tokom dugog putovanja zapadnom obalom Sjedinjenih Američkih Država. Lydie svoje filmove i režira i montira jer smatra da se ta dva posla međusobno dopunjuju i obogaćuju.

E Deep in the rocky Californian desert lies a small military town named Twentynine Palms. Neighbouring a large marine corps base, it welcomes troops coming back from Iraq and Afghanistan all year around. On leave or already back to training, these young man kill time by themselves, among brothers in arms or with their family, in a surrounding constantly reminding them of the warzone they just left behind. The banality of everyday life shows how difficult it will be for these men to reclaim a life that will seem forever foreign.

France, Belgium, 2015, Colour, 88 min, English Režija / Director: Lydie Wisshaupt-Claudel Direktor fotografije / Director of Photography: Colin Lévêque Muzika / Music: Cyrille Lauwerier Zvuk / Sound: Félix Blume Producent / Producer: Aurélien Lévêque & Sébastien Téo Produkcija / Production: Cellulo Prod Kontakt / Contact: Les productions du Verger, info@lesproductionsduverger.be FILMOGRAFIJA / FILMOGRAPHY 2015 - KILLING TIME

(dokumentarni / documentary) 2012 - SIDEROADS (dokumentarni / documentary) 2006 - IL Y A ENCORE DE LA LUMIÈRE

(dokumentarni / documentary)

Lydie Wisshaupt-Claudel received film editing eduction at Insas in Brussels. She acquired practical experience by engaging in directing in 2006 with IL Y A ENCORE DE LA LUMIÈRE, a solo travel journal dealing with loneliness, shot in Iceland. During a long round-trip along the west coast of United States, she made SIDEROADS, revealing many faces of the American history and culture. She both directs and edits her films, believing that these two complement and enrich each other.

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The Lobster / Jastog Ljubavna priča smještena u blisku budućnost kada će se slobodni pojedinci u skladu sa pravilima Grada hapsiti i prebacivati u Hotel. Tamo će biti prisiljeni da u 45 dana pronađu srodnu dušu. Ukoliko u tome ne uspiju, biće pretvoreni u životinju po vlastitom izboru i pušteni u Šumu. Iako se to protivi pravilima, očajni Muškarac iz Hotela bježi u Šumu gdje žive Usamljenici i zaljubljuje se.

Yorgos Lanthimos je rođen u Atini, Grčka. Režirao je više plesnih videa snimljenih u saradnji sa grčim koreografima, kao i niz TV reklama, muzičkih spotova, kratkih filmova i pozorišnih predstava. Njegov prvi dugometražni igrani film KINETTA je prikazan na festivalima u Torontu i Berlinu gdje je pobrao pohvale kritike. Sa svojim drugim igranim filmom DOGTOOTH je osvojio Nagradu programa Un Certain Regard na Filmskom festivalu u Cannesu 2009, kao i niz drugih nagrada na festivalima širom svijeta. Film je 2011. godine nominovan za nagradu Oscar Američke filmske akademije za najbolji film na stranom jeziku. Sa filmom ALPS je osvojio nagradu Osella za najbolji scenarij na Filmskom festivalu u Veneciji 2011. godine, kao i nagradu za najbolji film na Filmskom festivalu u Sydneyu 2012. JASTOG je njegov prvi film na engleskom jeziku.

E A love story set in the near future where single people, according to the rules of The City, are arrested and transferred to The Hotel. There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal of their choosing and released into The Woods. A desperate Man escapes from The Hotel to The Woods where The Loners live and falls in love, although it is against their rules.

Yorgos Lanthimos was born in Athens, Greece. He has directed a number of dance videos in collaboration with Greek choreographers, in addition to TV commercials, music videos, short films and theatre plays. KINETTA, his first feature film, played at Toronto and Berlin film festivals to critical acclaim. His second feature DOGTOOTH, won the “Un Certain Regard prize” at the 2009 Cannes film festival, followed by numerous awards at festivals worldwide. It was nominated for a Best Foreign Language Film Academy Award (Oscar) in 2011. ALPS won the “Osella for best screenplay” at the 2011 Venice film festival and Best Film at the Sydney film festival in 2012. THE LOBSTER is his first English-language film.

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Ireland, United Kingdom, Greece, France, Netherlands, 2015, Colour, 118 min, English Režija / Director: Yorgos Lanthimos Scenarij / Screenplay: Yorgos Lanthimos, Efthimis Filippou Direktor fotografije / Director of Photography: Thimios Bakatakis Montaža / Editor: Yorgos Mavropsaridis Muzika / Music: Amy Ashworth Zvuk / Sound: Johnnie Burn Kostimografija / Costume Design: Sarah Blenkinsop Scenografija / Production design: Jacqueline Abrahams Producent / Producer: Ed Guiney, Lee Magiday, Ceci Dempsey, Yorgos Lanthimos Produkcija / Production: Element Pictures, Scarlet Films, Faliro House Productions SA Haut et Court / Lemming Film The British Film Institute / Channel Four Television Corporation 2015 Uloge / Cast: Colin Farrell, Jessica Barden, Rachel Weisz, Olivia Colman, Ashley Jensen, Ariane Labed, Angeliki Papoulia, John C. Reilly, Léa Seydoux, Michael Smiley, Ben Whishaw Kontakt / Contact: Continental Film, hrvoje.stipanov@continental-film.hr

FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - THE LOBSTER 2013 - VENICE 70: FUTURE RELOADED

(dokumentarni / documentary) 2011 - ALPS 2009 - DOGTOOTH 2005 - KINETTA 2002 - URANISCO DISCO (kratki / short)

Mot naturen / Izvan prirode / Out of Nature OUT OF NATURE / IZVAN PRIRODE je putovanje unutar Martinove glave i u divljoj prirodi van nje.

Martin je sam na planinarenju i čujemo sve njegove nesputane misli i brutalno iskrene komentare o samom sebi i ljudima koji ga okružuju. Ispunjen mislima i fantazijama, u rasponu od trivijalnih i infantilnih do egzistencijalnih i dubokih, IZVAN PRIRODE je iskren i smiješan portret mladog muškarca koji ne želi da se uklapa u kalupe.

Ole Giæver je rođen 1977. Studirao je film na Školi za umjetnost i film Norland, a zatim na Umjetničkoj akademiji Konstfack u Štokholmu gdje je diplomirao 2005. Dvije godine po stjecanju diplome, Giæver je napisao i režirao nagrađivani kratki film TOMMY koji je, između ostalog, nominiran za nagradu za najbolji kratki film Evropske filmske akademije. Svoj prvi dugometražni igrani film PLANINA je režirao 2011. Film je iste godine premijerno prikazan u programu Panorama Filmskog festivala u Berlinu. IZVAN PRIRODE je njegov drugi igrani film. Premijerno je prikazan na Međunarodnom filmskom festivalu u Torontu 2014. i bio je prvi film uvršten u Panorama program Filmskog festivala u Berlinu 2015. godine, gdje je i imao evropsku premijeru. Giæver je na filmovima PLANINA i IZVAN PRIRODE radio i kao reditelj i kao scenarista, a u filmu IZVAN PRIRODE, također, glumi glavnog lika Martina.

Marte Vold je rediteljica i filmska snimateljica rođena 1976. u Tromsøu, Norveška. Diplomirala je na Umjetničkoj akademiji u Oslu 2005. i Norveškoj školi međunarodnog filma u Lillehameru 2008.

Radila je kao rediteljica, fotografkinja i dizajnerica svjetla. Vold je 2014. godine sa Oleom Giæverom ko-režirala film IZVAN PRIRODE koji je uvršten u program posljednjeg izdanja Međunarodnog filmskog festivala u Torontu.

E OUT OF NATURE / MOT NATUREN is a journey inside Martin’s head and out into the wild nature.

Martin is alone on a hiking trip in the mountains and we hear all of hisuncensored thoughts and brutally honest observations about himself and the people around him. With thoughts and fantasies ranging from the trivial and infantile to theexistential and profound, OUT OF NATURE is an honest and funny portrait of a young man wanting to break the mold.

Norway, 2014, Colour, 80 min, Norwegian Režija / Director: Ole Giæver, Marte Vold Scenarij / Screenplay: Ole Giæver Direktor fotografije / Director of Photography: Øystein Mamen Montaža / Editor: Frida Eggum Michaelsen Muzika / Music: Ola Fløttum Zvuk / Sound: Bent Holm Scenografija / Production design: Julie Lozach Asskildt Producent / Producer: Maria Ekerhovd Produkcija / Production: Mer Film AS Uloge / Cast: Ole Giæver, Marte Magnusdotter Solem, Sivert Giæver Solem, Rebekka Nystabakk, Ellen Birgitte Winther, Per Kjerstad, John Sigurd Kristensen, Kim Sørensen, Hege Aga Edelsteen, William Valle Bache-Wiig, Trond Peter Stamsø Munch, Frida Helland Kontakt / Contact: Mer Film AS, maria@merfilm.no, www.merfilm.no FILMOGRAFIJA / FILMOGRAPHY Ole Giæver: 2014 - OUT OF NATURE 2011 - THE MOUNTAIN 2008 - SUMMERS PAST 2007 - TOMMY (kratki / short) Marte Vold: 2014 - OUT OF NATURE

Ole Giæver was born in 1977. He studied film at Nordland Art- and Film School before attending Konstfack Art Academy in Stockholm where he graduated in 2005. In 2007 he wrote and directed the award-winning short film TOMMY, which was also nominated for best short film at the European Film Awards. In 2011 he made his feature film debut THE MOUNTAIN (FJELLET), which had its international premiere at the Panorama program of the Berlin International Film Festival in 2011.

OUT OF NATURE is the second feature film by Ole Giæver. It had its world premiere at the Toronto International Film Festival 2014 and was the first film selected for the Panorama program of the 2015 Berlinale, where it had its European premiere. Both THE MOUNTAIN and OUT OF NATURE are written and directed by Giæver, and in OUT OF NATURE he also plays the lead role as Martin.

Marte Vold is a director and cinematographer born in 1976 in Tromsø, Norway. She graduated from The Art Academy in Oslo in 2005 and The Norwegian International Film School in Lillehammer in 2008. She has experience in directing, photography and light-design. In 2014, she co-directed OUT OF NATURE with Ole Giæver, which was selected within the latest edition of Toronto International Film Festival.

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Nobi / Vatre u ravnici / Fires on the Plain Pred kraj Drugog svjetskog rata japanska okupaciona vojska na Filipinima ubrzano gubi prevlast, istovremeno suočena sa lokalnim pokretom otpora i američkom vojnom ofanzivom. Par posljednjih preživjelih japanskih vojnika prelazi u stanje svijesti u kojem nema prijatelja, neprijatelja ili Boga.

Shinya Tsukamoto je rođen u Tokiju 1960. Njegov veliki filmski uzor je Akira Kurosawa. Tsukamoto važi za ključnog predstavnika japanskog cyberpunka. U većini svojih filmova nastupa i kao glumac, sa izuzetkom filmova na kojima je radio kao “reditelj za novac” (GOBLIN HIRUKO i GEMINI). Tsukamoto je 1989. sa svojim igranim prvijencem TETSUO: ČOVJEK OD ŽELJEZA osvojio Glavnu nagradu Međunarodnog festivala filma fantastike u Rimu. Kao glumac je nastupao i u filmovima niza drugih reditelja, uključujući filmove Takashija Miikea ŽIV ILI MRTAV 2: PTICE (2002) i UBICA ICHI (2001).

Također, uspješno posuđuje glas za TV reklame u Japanu.

E In the final stages of WWII, the Japanese occupation army in the Philippines is rapidly losing ground, facing local resistance combined with an American offensive. The final few Japanese survivors, almost wiped out, have now crossed over the threshold into a realm where there are no friends, enemies or God.

Shinya Tsukamoto was born in Tokyo in 1960. His big cinematic influence is Akira Kurosawa. He is considered the definite example of Japanese cyberpunk. Tsukamoto acts in nearly all of his films, with the exception of those that he worked on as a “director for hire” (HIRUKO THE GOBLIN and GEMINI). He won the Grand Prize at Rome International Fantastic Film Festival for his feature film debut TETSUO: THE IRON MAN in 1989. Tsukamoto has appeared in many other directors’ films as well, such as Takashi Miike’s DEAD OR ALIVE 2: BIRDS (2000), and ICHI THE KILER (2001). He is also a successful voiceover artist for TV advertising in Japan.

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Japan, 2014, Colour, 87 min, Japanese Režija / Director: Shinya Tsukamoto Scenarij / Screenplay: Shinya Tsukamoto Direktor fotografije / Director of Photography: Shinya Tsukamoto, Satoshi Hayashi Montaža / Editor: Shinya Tsukamoto Zvuk / Sound: Masaya Kitada Kostimografija / Costume Design: Hitomi Okabe Producent / Producer: Shinya Tsukamoto Produkcija / Production: Kaijyu Theater Uloge / Cast: Shinya Tsukamoto, Lily Franky, Tatsuya Nakamura, Yusaku Mori, Yuko Nakamura Kontakt / Contact: The Coproduction Office, festivals@coproductionoffice.eu FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2014 - FIRES ON THE PLAIN 2013 - VENICE 70: FUTURE RELOADED

(dokumentarni / documentary) 2011 - KOTOKO 2009 - TETSUO: THE BULLET MAN 2002 - A SNAKE OF JUNE 1995 - TOKYO FIST 1989 - TETSUO: THE IRON MAN

La obra del siglo / Projekt stoljeća / The Project of the Century Izgradnja prve nuklearne elektrane u karipskom pojasu, poznate pod imenom Elektro-nuklearni Grad, bila je grandiozni sovjetsko-kubanski projekt započet osamdesetih godina prošlog stoljeća. Nakon propasti SSSR-a projekt je u potpunosti obustavljen. Dvadeset godina kasnije, projekt koji je u vrijeme pokretanja prozvan projektom stoljeća, i dalje nije završen. Ostaci nedovršene nuklearne elektrane dio su života stanovnika područja oko nje, takozvanog Elektro-nuklearnog grada. Dok se na TV ekranima u Elektro-nuklearnom gradu emituje paljenje olimpijskog plamena, tri usamljena muškarca prate pojavljivanje kubanske delegacije na Olimpijskim igrama u Londonu. Leo, muškarac tridesetih godina, se, nakon što je prekinuo vezu sa djevojkom, vratio u porodični stan gdje živi sa ocem i dedom. Njegov deda Otto je opsjednut svojim skromnim imetkom i dane provodi neprekidno se svađajući sa svima.

Leov otac Rafael jedan je od mnogih radnika koji su ostali bez budućnosti nakon propasti projekta. Tri muškarca su suputnici, taoci nuklearnog grada, nevoljni protagonisti radioaktivne balade posvećene usamljenim muškarcima. Nuklearni grad i njegov zlokobni brat Černobil ispisali su alternativnu historiju u kojoj se nameće pitanje: šta bi bilo da je projekt stoljeća zaista bio uspješan?

Carlos Quintela je rođen 1984. u Havani na Kubi. Carlos je studirao film i komunikacije na Visokoškolskom institutu za umjetnost (ISA, FAMCA), dok je scenarij studirao pri Međunarodnoj školi za film i televiziju San Antonio de los Banos (EICTV). Tokom studentskih dana je napisao i režirao nekoliko kratkih filmova koji su nagrađivani na brojnim filmskim festivalima. Njegov debitantski dugometražni igrani film BAZEN je premijerno prikazan na 63. Međunarodnom filmskom festivalu u Berlinu u programu Panorama. PROJEKT STOLJEĆA je njegov drugi dugometražni igrani film.

E The Electro-Nuclear City formed part of the grand Soviet-Cuban undertaking in the 1980’s to build the Caribbean’s first nuclear power plant. With the collapse of the USSR, the project came to a complete halt. Twenty years have now passed and the Project of the Century, as it was called in its moment, remains unfinished. The remnants of the power plant colour the lives of the inhabitants of the ENC. As the television sets of the ENC glow with the image of the Olympic flame, three solitary men watch the Cuban delegation’s arrival at the London Olympic Games. Leo, a young man of 30 has returned to the family apartment, where his grandfather and father still live, after splitting up with his girlfriend. Otto, the grandfather,is obsessed with his scant material possessions and spends his days in constant fights with everyone and everything. Leo’s father, Rafael, was one of the many workers left without a future by the failure of the nuclear project. The three men are fellow travellers, hostages of the Nuclear City, unwilling protagonists of this radioactive ballad to solitary men.

The Nuclear City and her volatile sister Chernobyl have formed an alternate history in which we ask: what would have happened if the Project of the Century had indeed begun to work?

Argentina, Cuba, Germany, Switzerland, 2015, Colour and b&w, 100 min, Spanish Režija / Director: Carlos Quintela Scenarij / Screenplay: Abel Arcos, Carlos M. Quintela Direktor fotografije / Director of Photography: Marcos B. Bohorquez Montaža / Editor: Yan Vega Muzika / Music: Vicente Rojas Zvuk / Sound: Ezequiel Saralegui Kostimografija / Costume Design: Alicia Arteaga Ramirez Producent / Producer: Natacha Cervi, Hernan Musaluppi, Pablo Chernov Produkcija / Production: Rizoma Uloge / Cast: Mario Balmaseda, Mario Guerra, Leonardo Gascon Kontakt / Contact: Rizoma, musa@rizomafilms.com.ar, rizomafilms.com.ar FILMOGRAFIJA / FILMOGRAPHY 2015 - THE PROJECT OF THE CENTURY 2014 - BUEY (kratki / short) 2011 - THE SWIMMING POOL 2008 - CONTENEDORES (kratki / short) 2007 - STAND BY (kratki / short) 2006 - CITY ON WHEELS

(kratki dokumentarni / short doc.)

Carlos Quintela was born in La Habana, Cuba in 1984. Carlos studied Film and Communications at the Higher Institute of Arts (ISA, FAMCA) and Script Writing at the International School of Cinema & TV of San Antonio de los Banos (EICTV). During his student years he wrote and directed several short films that obtained awards in numerous film festivals. His debut feature film LA PISCINA / THE SWIMMING POOL, had its premiere at the 63rd Berlinale, as a part of Panorama program. LA OBRA DEL SIGLO is his second feature film.

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Phoenix / Feniks Juni je 1945. godine. Teško ranjena i uništena lica, Nelly se vraća u svoj rodni grad Berlin nakon što je preživjela zatočeništvo u Aušvicu. Prati je Lene, uposlenica Jevrejske agencije i prijateljica iz predratnih dana.Nakon što se jedva oporavila od operacije lica, Nelly ignoriše Lenina upozorenja i kreće u potragu za svojim suprugom Johnnijem, ljubavlju svoga života koji ju je dugo vremena štitio od nacističkog progona odbivši da raskine njihov brak. Članovi Nelline porodice su ubijeni u Holokaustu.

Johhny je ubijeđen da je i Nelly mrtva. Nakon što ga ona konačno pronalazi, Johnny je svjestan samo njene uznemirujuće ‘sličnosti’ sa njegovom suprugom i ne može vjerovati da je to stvarno ona. Kako bi dobio porodično naslijeđe, Johnny predlaže Nelly da preuzme identitet njegove ‘pokojne’ supruge.

Nelly pristaje da glumi samu sebe. Želi otkriti da li ju je Johnny volio i da li ju je izdao. Nelly želi vratiti svoj stari život.

Christian Petzold je rođen u Hildenu 1960. godine. Studirao je njemači jezik i pozorišnu umjetnost na Slobodnom univerzitetu u Berlinu, a zatim - u periodu od 1988. do 1994. godine - pohađa studij režije na Njemačkoj akademiji za film i televiziju, DFFB, u Berlinu. Njegovi nagrađivani radovi uključuju filmove PILOTI, KUBA LIBRE, SEKS KRADLJIVAC, STANJE U KOJEM SE NALAZIM, NEŠTO DA ME PODSJEĆA, WOLFSBURG, DUHOVI, YELLA (2007, dobitnik Srebrenog medvjeda na Berlinaleu), JERICHOW i BOLJE OD SMRTI. Sa filmom BARBARA je osvojio više nagrada, uključujući nagradu Srebreni medvjed za najbolju režiju Filmskog festivala u Berlinu 2012. godine. Film je nominovan za nagradu Evropske filmske akademije i srebrenu nagradu Njemačke akademije za film.

E June, 1945. Badly injured, her face destroyed, Auschwitz survivor Nelly returns to her hometown, Berlin. She’s accompanied by Lene, a Jewish Agency employee and Nelly’s friend from pre-war days.

Having barely recovered from facial surgery, Nelly ignores Lene’s warnings and sets out to find her husband, Johnny – the love of her life who, by refusing to abandon their marriage, protected her from Nazi persecution for so long. Nelly’s family has been murdered in the Holocaust. Johnny is convinced that his wife, too, is dead. When Nelly finally tracks him down, he recognizes nothing but an unnerving resemblance and doesn’t believe it could really be her. Hoping to secure her family’s inheritance,Johnny suggests to Nelly that she take on the identity of his late wife. Nelly agrees: She becomes her own imposter. She wants to know whether Johnny loved her – and whether he betrayed her. Nelly wants her old life back.

Christian Petzold was born in Hilden in 1960. He studied German and Theater at the “Free University of Berlin’’, then, from 1988 to 1994, Film Directing at the DFFB (“German Film and Television Academy Berlin”). His award-winning films include PILOTS, CUBA LIBRE, THE SEX THIEF, THE STATE I AM IN, SOMETHING TO REMIND ME, WOLFSBURG, GHOSTS, YELLA (2007; winner of the Silver Bear at the Berlinale), JERICHOW and BEATS BEING DEAD. Christian Petzold’s film BARBARA won prizes including the Silver Bear for Best Director at the 2012 Berlinale. The film’s further accolades include a nomination for the European Film Award and a silver German Film Award.

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Germany, Poland, 2014, Colour, 98 min, English, German Režija / Director: Christian Petzold Scenarij / Screenplay: Christian Petzold Direktor fotografije / Director of Photography: Hans Fromm, BVK Montaža / Editor: Bettina Böhler Muzika / Music: Stefan Will Zvuk / Sound: Dominik Schleier Kostimografija / Costume Design: Anette Guther Scenografija / Production design: K.D. Gruber Producent / Producer: Florian Koerner von Gustorf, Michael Weber Produkcija / Production: A Schramm Film Koerner & Weber Uloge / Cast: Nina Hoss, Ronald Zehrfeld, Nina Kunzendorf, Trystan Pütter, Michael Maertens, Imogen Kogge Kontakt / Contact: A Schramm Film Koerner & Weber, koerner@schrammfilm.de, www.schrammfilm.de FILMOGRAFIJA / FILMOGRAPHY 2014 - PHOENIX 2012 - BARBARA 2008 - JERICHOW 2007 - YELLA 2005 - GHOSTS 2003 - WOLFSBURG 2002 - SOMETHING TO REMIND ME 2001 - THE STATE I AM IN

Risttuules / Na udaru vjetra / In the Crosswind 14. juni 1941; desetine hiljada ljudi u Estoniji, Latviji i Litvaniji bez upozorenja je istjerano iz svojih domova. Muškarci bez suđenja završavaju u zatvoreničkim logorima, a žene i djeca se deportuju u Sibir. Cilj ove nevjerovatne operacije, izvršene po naredbi sovjetskog vođe Josifa Staljina, bio je da se baltičke zemlje očiste od domicilnog stanovništva. Erna, sretno udata majka male djevojčice, deportovana je u Sibir. Dok se u nehumanim uslovima bori protiv gladi i poniženja, njena duša traži i pronalazi utjehu u pismima koje šalje svome mužu zatvorenom u logoru. Ipak, tokom godina provedenih u Sibiru, Erna nije izgubila samo svoju mladost već i nešto znatno dragocjenije.

Martti Helde je rođen u Talinu, Estonija. Diplomirao je na Baltičkoj školi za film i medije, a trenutno pohađa Estonsku akademiju za muziku i teatar. Marttijev debitantski igrani film NA UDARU VJETRA premijerno je prikazan na prošlogodišnjem Filmskom festivalu u Torontu. Film je osvojio niz nagrada, uključujući Nagradu ekumenskog žirija Međunarodnog filmskog festivala u Varšavi, te nagrade na festivalima u Geteburgu i Solunu, Mannheim Heilderberg Festivalu, Festivalu crne noći u Talinu, te Camerimage filmskom festivalu 2014. Film je prikazan u kinima u Francuskoj u distribuciji kompanije ARP Selection. Martti trenutno piše scenarij za svoj naredni film i priprema teatarsku predstavu po drami STARAC I MORE. E June 14th, 1941. Without warning tens of thousands of people in Estonia, Latvia and Lithuania

were removed from their homes. Without any sort of trial men faced being sent to prison camps and women and children were deported to Siberia. The aim of this extraordinary operation – carried out on the orders of Soviet leader Joseph Stalin – was to purge the Baltic countries of their native inhabitants. Erna, happily married and mother of a young daughter, is sent to Siberia. For her, time takes on another dimension. Fighting starvation and humiliation in inhuman conditions, her soul seeks and finds freedom in the letters she sends to her husband who has been sentenced to prison camp. Even so, the years in Siberia rob Erna of something much more precious than just her youth.

Estonia, 2014, Black & White, 87 min, Estonian Režija / Director: Martti Helde Scenarij / Screenplay: Martti Helde Direktor fotografije / Director of Photography: Erik Pollumaa Montaža / Editor: Liis Nimik Muzika / Music: Pärt Uusberg Zvuk / Sound: Janne Laine Kostimografija / Costume Design: Anna Liisa Liiver Scenografija / Production design: Reet Brandt Producent / Producer: Pille Rünk, Piret Tibbo-Hudgins Produkcija / Production: Allfilm Uloge / Cast: Laura Peterson, Mirt Preegel, Tarmo Song, Ingrid Isotamm, Einar Hillep Kontakt / Contact: Allfilm, pille@allfilm.ee, allfilm.ee FILMOGRAFIJA / FILMOGRAPHY 2014 - IN THE CROSSWIND 2014 - SUPERBIA (kratki / short) 2010 - BURNT MISTAKES (kratki / short) 2009 - THIBAUT (kratki / short) 2008 - DAY WHEN I GREW UP (kratki / short)

Martti Helde was born in Tallinn, Estonia. He graduated from the Baltic Film and Media School at Tallin University and is currently attending the Estonian Academy of Music and Theatre. Last fall Martti premiered his debut feature IN THE CROSSWIND at the Toronto Film Festival and received the Ecumenical Jury Award at the Warsaw IFF, followed by Gotheburg IFF, Thessaloniki, Mannheim Heidelberg, Black Nights FF Tallinn, Camerimage IFF 2014 and theatrical release in France, distributed

by ARP Selection. Currently Martti is writing his next feature film and working on his visual theatre stage play OLD MAN AND THE SEA.

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The Russian Woodpecker / Ruski djetlić Fedor Alexandrovič je radioaktivan čovjek. Imao je četiri godine kada je 1986. izložen toksičnim zračenjima nakon havarije u Černobilu i kada je bio prisiljen napustiti svoj dom. Sada ima 33 godine, radi kao umjetnik u Ukrajini, ima radioaktivni stroncij u kostima i samo jednu opsesiju - da otkrije zašto se zapravo desila katastrofa koja je promijenila njegov svijet. Da li su sovjetske vlasti otkrile cijelu istinu ili su sakrili neke činjenice? I najznačajnije od svih pitanja, kakve je sve to imalo veze sa ogromnom, misterioznom čeličnom piramidom udaljenom svega par kilometara od mjesta nesreće, a koja sada lagano trune. Piramida je zapravo impozantno hladnoratovsko oružje poznato pod imenom Duga i nadimkom “ruski djetlić” koje emituje kuckave radiosignale. U dokumentarnom trileru zavjere Chada Gracije, Alexandrovič se vraća u grad duhova u radioaktivnoj zoni isključenja kako bi potražio odgovore na svoja pitanja i kako bi odlučio da li vrijedi rizikovati život kako bi ih pronašao dok nad Ukrajinom viju vjetrovi revolucije i rata.

Chad Gracia je gotovo 20 godina radio u Njujorškom teatru kao producent, dramaturg i scenarista specijaliziran za stihovane dramske tekstove. Njegovi su tekstovi postavljeni na scenu u raznim gradovima širom Sjedinjenih Američkih Država i Evrope. U saradnji sa Pulitzerom nagrađenim autorom Yusefom Komuyakovim je napisao dramu GILGAMEŠ zasnovanu na sumerskom epu, a dugo godina je surađivao i sa priznatim američkim dramaturgom Kirkom Woodom Bromleyem. RUSKI DJETLIĆ je njegov prvi igrani film.

E Fedor Alexandrovich is a radioactive man. He was four years old in 1986, when he was exposed to the toxic effects of the Chernobyl nuclear meltdown and forced to leave his home. Now 33, he is an artist in Ukraine, with radioactive strontium in his bones and a singular obsession with the earthchanging catastrophe - why did it actually happen? Was there more to the story than the Soviet government let on? And, most importantly, what did this all have to do with the giant, mysterious steel pyramid now rotting away 2 miles from the disaster site: a hulking Cold War weapon known as the Duga and nicknamed “the Russian Woodpecker” for the strange, constant clicking radio frequencies that it emits? In Chad Gracia’s documentary/conspiracy thriller, Alexandrovich returns to the ghost towns in the radioactive Exclusion Zone to try to find answers - and to decide whether to risk his life by revealing them, amid growing clouds of Ukraine’s emerging revolution and war.

Chad Gracia has worked in New York theater for nearly 20 years as a producer, dramaturg, and playwright, with a focus on plays in verse. His works have seen productions in various cities in the United States and Europe. He co-wrote GILGAMESH, a drama based on the Sumerian epic, with Pulitzer-Prize winning author Yusef Komunyakaa, and has long collaborated with the American verse playwright Kirk Wood Bromley. THE RUSSIAN WOODPECKER is his first film.

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Ukraine, United Kingdom, USA, 2015, Colour, 82 min, English, Russian Režija / Director: Chad Gracia Direktor fotografije / Director of Photography: Artem Ryzhykov Montaža / Editor: Chad Gracia, Devin Tanchum Muzika / Music: Katya Mihailova Zvuk / Sound: John Gideon Producent / Producer: Mike Lerner, Chad Gracia, Ram Devineni Uloge / Cast: Fedor Alexandrovich, Vladimir Komarov, Vladimir Usatenko, Georgy Kopchinski, Vladimir Musiets, Vadim Prokofiev, Natalia Baranovskaya Kontakt / Contact: Triconentinental/Beldocs, mladen@beldocs.rs

FILMOGRAFIJA / FILMOGRAPHY 2015 - THE RUSSIAN WOODPECKER

The Show of Shows: 100 years of Vaudeville, Circuses and Carnivals / Predstava o predstavama: stoljeće vodvilja, cirkusa i karnevala Navali narode, navali narode na nezaboravno iskustvo! Ovo je film o putujućim cirkuskim izvođačima, kabare nastupima, vodvilju i i sajamskim atrakcijama. U ovom filmu zabilježeni su rijetki i nikad ranije viđeni snimci sajmišta, cirkuske zabave, prikazivanje nakaza, različiti nastupi, dvoranska i primorska zabava iz 19. i 20. Vidjećemo rane nastupe koji su oduševili svijet i kućne filmove najvećih cirkuskih porodica. Reditelj Benedikt Erlingsson vraća nas u vrijeme kad su najčudnije, najspretnije i zapanjujuće predstave putovale svijetom.

Benedikt Erlingsson, rođen 1969. godine, jedan je od najuspješnijih reditelja u posljednjih deset godina na Islandu, a nekoliko je puta nagrađen kao reditelj, autor i glumac. Kao glumac nastupio je u niz uloga na islandskim pozornicama. Na islandskoj televiziji najpoznatiji je po pisanju i glumi u komičnoj TV seriji KRVNA BRAĆA. Benedikt je kao glumac također učestvovao i u brojnim filmovima i TV serijama, između ostalih, u filmu ŠEF SVEGA Larsa von Triera. Njegove monodrame ”Wormstongue - ljubavna priča”’ i ‘’Gospodin Skallagrímsson’’ među najvažnijim su dugotrajnim uspjesima u historiji islandskog pozorišta. Njegov prvi kratki film HVALA dobio je Nagradu žirija i Nagradu publike na BeFilm festivalu u New Yorku 2008. godine. THE NAIL, njegov drugi kratki film, dobio je posebno priznanje na Međunarodnom festivalu kratkog filma Clermont - Ferrand 2008. godine. O KONJIMA I LJUDIMA njegov je prvi dugometražni film.

E Roll up, roll up for an unforgettable experience! This film tells the story of itinerant circus performers, cabaret acts and vaudeville and fairground attractions. In this film, rarities and never-before seen footage of fairgrounds, circus entertainment, freak shows, variety performances, music hall and seaside entertainment are chronicled from the 19th and 20th century. We will see early shows that wowed the world and home movies of some of the greatest circus families. Director Benedikt Erlingsson takes us back to the days when the most outlandish, skillful and breathtaking acts traveled the world.

Iceland, United Kingdom, 2015, Colour and b&w, 72 min, No Dialogue Režija / Director: Benedikt Erlingsson Montaža / Editor: Davíð Alexander Corno Muzika / Music: Georg Holm and Orri Páll Dýrason of Sigur Rós, Hilmar Örn Hilmarsson and Kjartan Dagur Holm Producent / Producer: Margrét Jónasdóttir, Heather Croall, Mark Atkin, Vanessa Toulmin Produkcija / Production: Sagafilm, Crossover Labs, National Fairground Archive Kontakt / Contact: Dogwoof Global, www.dogwoofglobal.com, ana@dogwoof.com FILMOGRAFIJA / FILMOGRAPHY 2015 - THE SHOW OF SHOWS

(dokumentarni / documentary) 2013 - OF HORSES AND MAN 2008 - THE NAILS (kratki / short) 2007 - THANKS (kratki / short)

Benedikt Erlingsson, born in 1969, is one of the most successful directors of the last decade in Iceland and has been awarded several times for his work as a director, author and actor. As an actor he has played number of roles on the stages of the Icelandic scenes. In Icelandic TV he is best known for his writing and acting in the comedy TV Series BLOOD BROTHERS. Benedikt has also participated in numerous films and TV-series as an actor, among others Lars von Trier’s film THE BOSS OF IT ALL. His solo performance playes ‘’Wormstongue–A Love Story’’ and ‘’Mr. Skallagrímsson’’ were one of the most long lasting successes in Icelandic Theater history. His first short film THANKS received the Jury Prize and Audience Award at the BE-Film Festival in New York in 2008.THE NAIL, his second short film received a Special Mention at the International Short Film Festival Clermont Ferrand in 2008. OF HORSES AND MEN is his first feature film.

KINOSCOPE l 21. Sarajevo Film Festival 107

Taxi Žuti taksi vozi se živim i šarenim ulicama Teherana. U njega ulaze različiti putnici, svaki iskreno izražava svoje stavove dok razgovaraju sa vozačem koji nije niko drugi nego režiser Jafar Panahi.

Njegova kamera, postavljena na šoferšajbu njegovog mobilnog filmskog studija, snima duh iranskog društva kroz ovu komičnu i dramatičnu vožnju...

Jafar Panahi je rođen 1960. u Mianehu, Iran. Studirao je filmsku i TV režiju u Teheranu. Osvojio je Zlatnog lava na Filmskom festivalu u Veneciji 2000. sa filmom KRUG i Srebrnog medvjeda na Berlinaleu 2006. sa filmom OFSAJD. Danas je priznat kao jedan od najvažnijih nezavisnih režisera u Iranu.

Bio je pozvan da bude član žirija na Berlinaleu 2011. godine. Međutim, zabranjeno mu je napuštanje Irana, te je okrivljen je za „propagandu protiv sistema“, osuđen na šest godina zatvora i dvadeset godina zabrane karijere i putovanja. U znak solidarnosti, na Berlinaleu je prikazano pet njegovih filmova 2011.

E A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…

Jafar Panahi was born in Mianeh, Iran in 1960. He studied film and television directing in Tehran. He won a Golden Lion at the Venice Film Festival in 2000for DAYEREH and a Silver Bear at the Berlinale in 2006 for OFFSIDE. Recognised today as one of the most important independent filmmakers in Iran, in 2011 he was invited to be a member of the Berlinale jury. However, he was forbidden from leaving Iran and, found guilty of ‘propaganda against the system‘, sentenced to six years in prison and a 20 year career and travel ban. The Berlinale sections screened five of his films in 2011 as a sign of solidarity.

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Iran, 2015, Colour, 82 min, Persian Režija / Director: Jafar Panahi Scenarij / Screenplay: Jafar Panahi Direktor fotografije / Director of Photography: Jafar Panahi Montaža / Editor: Jafar Panahi Zvuk / Sound: Jafar Panahi Producent / Producer: Jafar Panahi Produkcija / Production: Jafar Panahi Film Production Uloge / Cast: Jafar Panahi Kontakt / Contact: 2i Film d.o.o, www.2ifilm.hr, publicity@2ifilm.hr FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - TAXI 2013 - CLOSED CURTAIN 2011 - THIS IS NOT A FILM

(dokumentarni / documentary) 2006 - OFFSIDE 2003 - CRIMSON GOLD 2000 - THE CIRCLE 1997 - THE MIRROR

Tikkun Haim-Aaron je bistar, ultrakonzervativan jevrejski teolog koji živi u Jerusalemu. Njegovi talenti i duhovna posvećenost predmet su opšte zavisti. Jedne noći, nakon samonametnutog posta, HaimAaron kolabira i gubi svijest. Doktori ga proglašavaju mrtvim, ali njegov otac nastavlja sa pokušajima da ga oživi i Haim-Aaron se, suprotno svim očekivanjima, vraća u život. Haim-Aaron se nakon nesreće uzaludno trudi da oživi vlastiti interes za duhovni nauk. Teško se nosi sa neočekivanim buđenjem svoga tijela iz vječitog sna i vjeruje da ga Bog stavlja na kušnju. Počinje da se pita da li da skrene sa propisanog puta i potraži novi način da pobudi svoja vjerska osjećanja…

Israel, 2015, Black & White, 120 min, Hebrew, Yiddish

Avishai Sivan je filmski autor, vizualni umjetnik i književnik rođen u Izraelu 1977. Njegov prvi igrani film LUTALICA je 2010. premijerno prikazan na Filmskom festivalu u Cannesu u programu Directors’ Fortnight. Film je iste godine na Festivalu u Jerusalemu osvojio Nagradu za najbolji debitantski film i Nagradu za najbolju kameru. Njegov drugi igrani film VIZA je 2013. godine proglašen najboljim nezavisnim igranim filmom na Filmskom festivalu Cinema South. Sivan je 2010. osvojio Nagradu za film Ministarstva kulture Izraela. Svoju prvu knjigu “Razmišljanja o filmu tokom vožnje biciklom kroz grad” objavio je 2011. Sivan trenutno radi na novom igranom filmu PIRAT, inače špijunskom trileru prema romanu Nira Hezronija “Miris plavog svjetla”. Sivan također izlaže umjetničke radove u izraelskim i inostranim galerijama i muzejima.

Režija / Director: Avishai Sivan Scenarij / Screenplay: Avishai Sivan Direktor fotografije / Director of Photography: Shai Goldman Montaža / Editor: Nili Feller, Avishai Sivan Zvuk / Sound: Alfred Tesler Kostimografija / Costume Design: Malky Fogel Producent / Producer: Ronen Ben-Tal, Avishai Sivan, Moshe Edery, Leon Edery Produkcija / Production: The Mouth Agape, Plan B, United King Films Uloge / Cast: Aharon Traitel, Khalifa Natour, Riki Blich, Omri Fuhrer, Dani Kedem, Shani Ben Haim Kontakt / Contact: Plan B Productions, www.planb-productions.com, ronenbental@gmail.com

E Haim-Aaron is a bright, ultra-orthodox religious scholar living in Jerusalem. His talents and devotion are envied by all. One evening, following a self-imposed fast, Haim-Aaron collapses and loses consciousness. The paramedics announce his death, but his father takes over resuscitation efforts and, beyond all expectations, Haim-Aaron comes back to life. After the accident, try as he might, Haim-Aaron remains apathetic to his studies. He feels overwhelmed by a sudden awakening of his body and suspects this is God testing him. He wonders if he should stray from the prescribed path and find a way to rekindle his faith...

FILMOGRAFIJA / FILMOGRAPHY 2015 - TIKKUN 2013 - VISA 2011 - THE UZBEK TRILOGY

(dokumentarni / documentary) 2010 - RETURNEE (kratki / short) 2010 - THE WANDERER

Avishai Sivan was born in Israel in 1977. He is a filmmaker, visual artist and published author. Sivan’s first feature film, THE WANDERER, premiered at Cannes Film Festival 2010, in the Directors’ Fortnight section. The film won Best First Feature Film and Best Cinematography at the Jerusalem Film Festival 2010. His second film VISA won Best Independent Feature Film at the Cinema South Festival 2013. In 2010 Sivan received the Israel Ministry of Culture’s Cinema Prize. His first book, “Musings on Filmmaking whilst Cycling through the City”, was published in 2011. Sivan is currently developing his next feature film entitled “The Pirate”, a spy thriller based on the novel “The Smell of Blue Light”

by Nir Hezroni. Sivan also exhibits artwork in galleries and museums in Israel and abroad.

KINOSCOPE l 21. Sarajevo Film Festival 109

Viaje / Putovanje Pedro i Lucijana upoznaju se na žurci i na kraju provedu noć zajedno. Sljedećeg dana on treba da krene na put u Rincón de la Vieja, vulkansko područje u Kostarici, gdje radi na svom naučnom projektu. S obzirom da ona uskoro odlazi na putovanje u inostranstvo, možda se neće više nikada vidjeti, osim ako ona ne krene s njim za vikend. PUTOVANJE je film o prvom zajedničkom vikendu. Dvoje stranaca usred ničega, pred kojima je još jedan dan koji će provesti zajedno. Nekada se jedan vikend može činiti kao više od par dana.

Paz Fábrega je studirala komunikologiju na Univerzitetu u Kostarici i fotografiju na Univerzitetu u Alajueli. Magistrirala je na Londonskoj filmskoj školi u decembru 2005. godine. Njen magistarski rad, film TEMPORAL, takmičio se na mnogim festivalima, uključujući i festivale Clermont - Ferrand i Tampere, a dobio je i nagradu Grand Prix na Filmskom festivalu u Biarritzu. Scenario za prvi igrani film HLADNA MORSKA VODA osvojio je nagradu ARTE u okviru programa Buenos Aires Lab, a podržali su ga i Fond Huberta Balsa, Cinergia, Fond za film Festivala u Torinu, Ibermedia i Fondacija GAN. Bio je i u finalu za Sundance NHK nagradu, a bio je i dio sekcije Cine en Construcción (Filmovi u toku) na Festivalu u San Sebastianu. Tokom rada na filmu HLADNA MORSKA VODA snimila je još jedan kratki film - CUILOS, koji je osvojio četiri nagrade na Međunarodnom filmskom festivalu Ikar u Srednjoj Americi (Icaro Film Festival). HLADNA MORSKA VODA je premijerno prikazan na Međunarodnom filmskom festivalu u Roterdamu 2010. godine, gdje je osvojio nagradu Tigar. Nagrađen je u Limi, Londonu i Parizu. Njen naredni projekat, MI SVI, izabran je od strane Filmske fondacije u Cannesu gdje je učestvovala u programu Résidence (Rezidencija) za razvoj.

E Pedro and Luciana meet at a party and end up spending the night together. The next day, he has to make a trip up to Rincón de la Vieja, a volcano area in Costa Rica, where he is working on his scientific thesis project. Since she’s leaving on a trip abroad soon, they may never see each other again… unless she goes along with him for the weekend. VIAJE is about this first weekend together.

Two strangers in the middle of nowhere, with one more day ahead of them to spend together.

Sometimes, one weekend can feel like more than a couple of days.

Paz Fábrega studied Communications at the University of Costa Rica and Photography at the Colegio Universitario de Alajuela.In December 2005, she earned an MA at the London Film School. Her graduation film TEMPORAL has been in competition at many festivals including Clermont Ferrand and Tampere, and received the Grand Prix at the Biarritz Film Festival. The script for her first feature film, AGUA FRÍA DEL MAR, won the ARTE prize at the Buenos Aires Lab, and received support from the Hubert Bals Fund, Cinergia, the Torino Film Fund, Ibermedia and Fondation GAN. It was also a finalist for the Sundance NHK Award and was part of Cine en Construcción in San Sebastián. During the development of AGUA FRÍA DEL MAR, she shot another short film - CUILOS, which won four awards at the Icaro Film Festival. AGUA FRÍA DEL MAR premiered at the 2010 International Film Festival Rotterdam, where it won the Tiger Award. It has received prizes in Lima, London and Paris.

Her next project, TODOS NOSOTROS, was selected by the Cannes Cinéfondation where she was part of its Résidence for development.

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USA, 2015, Black & White, 71 min, Spanish Režija / Director: Paz Fábrega Scenarij / Screenplay: Paz Fábrega Direktor fotografije / Director of Photography: Paz Fábrega, Esteban Chinchilla Montaža / Editor: Paz Fábrega, Sebastián Sepúlveda Muzika / Music: Alejandro Fernandez Zvuk / Sound: Alexandra Latishev, Nancy Zavala, Jose Rommel Tuñón Kostimografija / Costume Design: Stephanie Mora Scenografija / Production design: Stephanie Mora Producent / Producer: Paz Fábrega, Kattia Gonzalez Produkcija / Production: Temporal Films Uloge / Cast: Kattia González, Fernando Bolaños Kontakt / Contact: FiGa Films, sandro@figafilms.com, figafilms.com FILMOGRAFIJA / FILMOGRAPHY 2015 - VIAJE 2010 - COLD WATER OF THE SEA 2007 - CUILOS (kratki / short) 2005 - TEMPORAL (kratki / short)

Shorts

EUROPEAN SHORTS 114 114 115 115 116 116 117 117 118 118

Architektura / Arhitektura / Architecture, Ulu Braun Ferdinand Knapp, Andrea Baldini Fernweh / Čežnja za daljinom, Ena Sendijarević The Lawes of the Marches / Zakon primirja, Katie Davies Onder Ons / Među nama / Among Us, Guido Hendrikx Pebbles at Your Door / Kamenčići na tvom pragu, Vibeke Bryld Rate Me / Ocijeni me, Fyzal Boulifa Teeth / Zubi, Daniel Gray, Tom Brown Varicella / Vodene kozice / Chickenpox, Fulvio Risuelo Wrona / Vrana / The Crow, Przemyslaw Jan Chrobak

CARTE BLANCHE: Shorts Presented by Sundance Film Festival Programmer Kim Yutani 119 119 119 120 120 120 121

Every Day / Svaki dan, Gabe Spitzer Kokoška / The Chicken, Una Gunjak Mulignans, Shaka King Prends-Moi / Uzmi me / Take Me, Anaïs Barbeau-Lavalette, André Turpin Saturday / Subota, Mike Forshaw SMILF, Frankie Shaw World of Tomorrow / Svijet sutrašnjice, Don Hertzfeldt

CARTE BLANCHE: Clermont - Ferrand 122 122

122 123 123

Carapace / Oklop / Shell, Flora Molinié Cuentos Excepcionales de un Equipo Juvenil Femenino. Capítulo I: Las Arácnidas / Nevjerovatne priče mlade ženske ekipe. Poglavlje I: Paučice / Exceptional tales from a young female team. Chapter I: Arachnids, Tom Espinoza Filme Som / Filmski zvuk / Film Sound, Alexandre Moura, Cesar Gananian Grace Under Water / Grace pod vodom, Anthony Lawrence A Million Miles Away / Milion milja daleko, Jennifer Reeder

CINEFONDATION CANNES: Winners 2015 124 124 125 125

Locas Perdidas / Izgubljene kraljice / Lost Queens, Ignacio Juricic Merillán Le Retour D’Erkin / Erkinov povratak / The Return of Erkin, Maria Guskova Share, Pippa Bianco Victor XX / Viktor XX, Ian Garrido

SHORT MATTERS! - European Film Academy Short Film Nominees 2014 126 126 127 127 128 128 129 129 130 130

131 131 132

Dinola, Mariam Khatchvani Fal / Zid / Wall, Simon Szabó Hätäkutsu / Hitni pozivi / Emergency Calls, Hannes Vartiainen, Pekka Veikkolainen Hvalfjordur / Dolina kitova / Whale Valley, Gudmundur Arnar Gudmundsson Ich hab noch Auferstehung_ / Ostalo je još_života / Still Got Lives_, Jan-Gerrit Seyler Kokoška / The Chicken, Una Gunjak Lato 2014 / Ljeto 2014 / Summer 2014, Wojciech Sobczyk The Missing Scarf / Nestali šal, Eoin Duffy Pat-Lehem / Svakodnevni hljeb / Daily Bread, Idan Hube Pequeño bloque de cemento con pelo alborotado conteniendo el mar / Mali cementni blok razbarušene kose koja sadrži more / Little Block of Cement with Dishevelled Hair Containing the Sea, Jorge López Navarrete Pride / Ponos, Pavel G. Vesnakov Shipwreck / Brodolom, Morgan Knibbe Taprobana, Gabriel Abrantes

EE BAFTA SHORT FILM NOMINEES 2015: A British Council Touring Programme 133 133 133 134 134

134 135 135

The Bigger Picture / Šira slika, Daisy Jacobs Boogaloo and Graham / Boogaloo i Graham, Michael Lennox Emotional Fusebox / Emocionalni prekidač, Rachel Tunnard The Karman Line / Karmanova linija, Oscar Sharp Monkey Love Experiments / Majmunski ljubavni eksperimenti, Will Anderson, Ainslie Henderson My Dad / Moj tata, Marcus Armitage Slap / Šamar, Nick Rowland Three Brothers / Tri brata, Aleem Khan

Bogat izbor stranog kratkog filma na 21. Sarajevo Film Festivalu / A Rich Pool of International Shorts at the 21st Sarajevo Film Festival

Vanja Kaluđerčić

U skladu sa dugogodišnjom tradicijom, Sarajevo Film Festival i u svome dvadesetprvom izdanju publici nudi bogatu ponudu kratkometražnog filma. Program EVROPSKOG KRATKOG FILMA će i u svojoj drugoj godini postojanja publici predstaviti najtalentovanije mlade autore iz svih krajeva Evrope. Program će obilježiti jedinstven izbor autorskih djela snažnih, originalnih i nekonvencijalnih umjetnika i filmskih stvaralaca.

Filmovi uvršteni u program EVROPSKOG KRATKOG FILMA će se zajedno sa kratkim filmovima iz Takmičarskog programa natjecati za nominaciju za Evropsku filmsku nagradu. Te su dvije selekcije pripremljene na način da promovišu regionalnu i evropsku kinematografiju, pri čemu je njihov prioritetni cilj promocija mladih autora koji su prevazišli brojne kreativne izazove da bi u potpunosti iskoristili potencijal kratke filmske forme.

Zadovoljstvo nam je da najavimo nastavak saradnje sa Cinéfondation programom Filmskog festivala u Cannesu. Četiri filma koja su ove godine nagrađena u Cinéfondation programu će biti prikazana na Sarajevo Film Festivalu, a predstaviti će ih direktor Cinéfondation programa Georges Goldenstern. Na taj ćemo način obilježiti drugu godinu saradnje sa ovim prestižnim programom iz Cannesa koji je posvećen mladim i talentovanim filmskim autorima iz svih dijelova svijeta. Sarajevska publika će imati jedinstvenu priliku da pogleda izbor kratkometražnih, dugometražnih i filmova srednje dužine mladih autora na početku karijere.

Petu godinu za redom publici nudimo i Carte Blanche program u kojem prikazujemo presjek filmova po izboru nekih od najprestižnijih i najstarijih svjetskih filmskih festivala. Prethodnih su godina selektori nekih od najznačajniji filmskih festivala, uključujući selektore festivala u Rotterdamu, Berlinu, Tampereu, Moreliji, te selektore programa Critics’ Week i Director’s Fortnight Filmskog festivala u Cannesu Sarajevskoj publici predstavili vlastiti izbor zaista izvrsnih filmova.

Ove godine imamo zadovoljstvo da prestavimo

112 21. Sarajevo Film Festival l SHORTS

izbor kratkog filma dva visoko cijenjena festivala, Filmskog festivala Sundance i ClermontFerrand Festivala.

Međunarodni festival Clermont-Ferrand je vodeći svjetski festival kratkometražnog filma.

Održava se svake godine u Clermont-Ferrrandu i drugi je po veličini filmski festival u Francuskoj sa stanovišta broja posjetilaca i filmskih profesionalaca koje privlači. Festival prikazuje širok izbor filmova različitog žanra - uključujući igrani, dokumentarni, eksperimentalni i animirani film - te svake godine organizuje i filmski market koji se smatra jednim od najznačajnijih mjesta na kojima je moguće otkriti talentovane, mlade filmske autore.

Sundance je jedan od najznačajnijih filmskih festivala u svijetu. Poznat je po tome što je poslužio kao odskočna daska za mnoge međunarodne filmske autore, a tokom godina je postao i jedno od njaznačajnijih američkih tržišta za promociju i distribuciju filma. Sundance posvećuje puno pažnje svom programu kratkog filma za koji se prijavljuju hiljade filmova kako iz Amerike tako i iz svih krajeva svijeta.

Sa ponosom najavljujemo da ćemo kao rezultat saradnje sa Evropskom filmskom akademijom (EFA) publici u četiri programske cjeline po prvi put predstaviti sve filmove nominovane za EFA nagrade u 2014. godini, uključujući i nagrađeni film KOKOŠKA Une Gunjak.

Zadovoljstvo nam je nastaviti suradnju sa British Councilom u Bosni i Hercegovini, kroz prikazivanje izbora kratkih filmova nominiranih za BAFTA-u.

Na kraju, sveobuhvatna festivalska platforma Minimarket pokrenuta kako bi okupila, ohrabrila i promovisala autore kratkog filma čiji su filmovi uvršteni u festivalski program, u Sarajevu će predstaviti široku ponudu panel diskusija, predavanja i mogućnosti za umrežavanje koje imaju za cilj da mlade filmske autore povežu sa cijenjenim stručnjacima industrije kratkog filma.

E In keeping with its tradition, the Sarajevo Film Festival will in its 21st edition offer a rich selection of short films to its audiences. In its second year, the Festival’s EUROPEAN SHORTS programme will present the work of the most talented young filmmakers from around Europe. The programme lineup is dominated by powerful, original and nonconventional films that will compete, along with the short films from the Festival’s Competition programme, for a nomination for the European Film Award in the Best Short Film category. The above two Festival programmes were designed to promote regional and European cinematography with special focus on young filmmakers who overcame numerous creative challenges in order to fully harness the potential of the short film format.

We also have the pleasure to announce the continuation of our collaboration with the Cinéfondation program of the Cannes Film Festival.

The Sarajevo Film Festival will screen four award-winning films from the 2015 Cinéfondation program. The films will be presented in Sarajevo by the Cinéfondation Director Georges Goldenstern. In this way, we will mark the second anniversary of our cooperation with this prestigious program of the Cannes Film Festival dedicated to the young, talented filmmakers emerging from film schools worldwide. The Sarajevo audiences will have a unique opportunity to see a selection of short and medium length films by some of the most promising young filmmakers.

For fifth year in a row we will also run our CARTE BLANCHE programme. The programme lineup includes a selection of short films made by some of the oldest and most prestigious international film festivals that is representative of their programming profiles. For previous editions of our programme, the programmers of some of the most important festivals and festival programs, including the Critics’ Week and Directors Fortnight programmes of the Cannes

Film Festivals, as well as Rotterdam, Berlin, Tampere and Morelia Film Festivals, have come up with wonderful lineups which they had personally presented to the Sarajevo audiences.

In this edition of the programme, we have the pleasure to host the short films selected by two highly esteemed festivals: the Clermont-Ferrand and the Sundance.

encourage and promote the makers of short films that have been included in our selection will offer a rich programme of panels, lectures and networking events aimed at introducing emerging filmmakers with well-established and respected short film industry representatives.

Vanja Kaluđerčić selektorica / Programmer

The Clermont-Ferrand International Short Film Festival is the world’s leading film festival dedicated to short films. It is held annually in Clermont-Ferrand, France, as the second largest film festival in France, after Cannes, in terms of audience and professional attendance. The festival screens a wide array of genres, from fiction to documentary, experimental to animation, and holds a yearly short film market which is reputed to be one of the most important international venues for tracking new talent.

The Sundance Film Festival is one of the most significant film festivals in the world. It is known for launching the careers of many international filmmakers and has over the years become the most influential market for film promotion and distribution in the Americas.

Sundance devotes a lot of attention to its short film programme, which is comprised of a comprehensive yet exclusive selection - sifted out of thousands of submissions - of both national and international films.

Within the framework of our partnership with the European Film Academy, we are also thrilled to announce the first ever four-part presentation of all 2014 EFA Short Film Nominees, including Una Gunjak’s award-winning THE CHICKEN. We are delighted to continue our cooperation with The British Council in Bosnia and Herzegovina and once again screen the selection of BAFTA nominated short films.

Finally, the festival’s umbrella platform Minimarket - founded in order to bring together,

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Germany, 2015, Colour, 15 min, English, German

Architektura / Arhitektura / Architecture U početku bijaše cigla, koja je letjela kroz prostor. Proletjevši pored nebodera u jednom gradu u Aziji, nastavlja se nanovo pojavljivati tokom cijelog filma o gradnji i uništenju. Cigla na ciglu - kuda to na kraju vodi?

Režija / Director: Ulu Braun Scenarij / Screenplay: Ulu Braun Direktor fotografije / Director of Photography: Ulu Braun, Valentin Lorenz Montaža / Editor: Ulu Braun Zvuk / Sound: Patric Catani Producent / Producer: Ulu Braun Produkcija / Production: Ulu Braun

FILMOGRAFIJA / FILMOGRAPHY 2015 - ARCHITECTURE (kratki / short) 2014 - BIRDS (kratki dokumentarni / short doc.)

2013 - FORST (kratki / short) 2010 - MARIA THERESIA AND HER CHILDREN

(kratki / short) 2004 - FLOODING OF THE VIKTORIA PLAINS

(kratki / short)

Ulu Braun je rođen 1976. u Njemačkoj. Studirao je eksperimentalni film u Beču, a diplomirao je filmske studije na Univerzitetu za film i televiziju u Potsdamu, Njemačka. Od 2000. živi u Berlinu.

Njegovi video i filmski uratci često su poređeni sa djelima Andreija Tarkowskog, Michela Gondryja te Hieronymusa Boscha. Redovno izlaže u muzejima i galerijama.

E In the beginning there was a brick, which flew through space. It flew past skyscrapers in a city in Asia and keeps reappearing in this film about construction and destruction. Brick by brick, where will that ultimately lead?

Ulu Braun was born in Germany in 1976. He studied experimental film in Vienna, Austria and graduated in Film in 2006 from the University for Film and Television in Potsdam, Germany. Since 2000 he has lived in Berlin. His video and film works are often compared to works by Andrei Tarkowski, Michel Gondry and Hieronymus Bosch. His works are regularly exhibited in museums and galleries.

France, Italy, 2014, Black & White, 15 min, French

Ferdinand Knapp Ferdinand Knapp je istaknuti glumac francuskog pozorišta kojeg svi obožavaju. Dok se priprema za ulogu u novoj predstavi, tekst uloge počinje da se muti između njegove ličnosti i ličnosti zlobnog lika kojeg glumi. Njegov dvojnik pretvara njegovu stvarnost u noćnu moru i primorava ga da počini nepopravljivo djelo…

Andrea Baldini je rođen u Italiji i živi u Parizu. Nakon studija kinematografije u Pizi, režirao je nekoliko kratkih filmova i video instalacija u Italiji koji su bili izabrani za festivale širom Evrope. Njegov kratki film FERDINAND KNAPP izabran je za 71. Međunarodni filmski festival u Veneciji. Trenutno priprema novi kratki film i prvi igrani film.

E Ferdinand Knapp is the pre-eminent actor of French theatre, revered by all. While preparing for a role in a new play, the lines between his character’s malevolent personality and his own begin to blur. His double warps his reality into a nightmare and compels him to commit an irredeemable act...

Andrea Baladini was born in Italy and lives in Paris. After studying Cinema in Pisa, he has directed several short films and video installations in Italy which were selected for festivals around Europe.

His short film FERDINAND KNAPP was selected for the 71st Mostra Internazionale d’Arte Cinematografica di Venezia. He is currently preparing a new short film and his first feature film.

114 21. Sarajevo Film Festival l EUROPEAN SHORTS

Režija / Director: Andrea Baldini Scenarij / Screenplay: Andrea Baldini, Thomas Compère-Morel Direktor fotografije / Director of Photography: Philippe Piffeteau (AFC) Montaža / Editor: Alice Moine Muzika / Music: Edgar Varèse Zvuk / Sound: César Mamoudy Kostimografija / Costume Design: Sarah Patris Scenografija / Production design: Jean-Pierre Gavignet Producent / Producer: Duncan Way, Louis Le Bayon Produkcija / Production: Lieurac Productions Uloge / Cast: Dominique Pinon, Phiippe Du Janerand, Dominique Uber FILMOGRAFIJA / FILMOGRAPHY 2014 - FERDINAND KNAPP (kratki / short) 2007 - FILM LUMIÈRE, COULEUR, MATIÈRE

(kratki / short) 2005 - IL MIGLIORE (kratki / short) 2000 - IL SAPORE DELLA PENA (kratki / short)

Netherlands, 2014, Colour, 14 min, Dutch

Fernweh / Čežnja za daljinom Mlada djevojka istražuje nepoznati svijet svoje hraniteljske porodice i oprezno pokušava da u novom mjestu stvori svoj dom. Međutim, čini se da ona žudi za nečim drugim.

Ena Sendijarević je rođena u Bosni i Hercegovini 1987. godine. Studirala je film u Amsterdamu i Berlinu, prije nego što je diplomirala na Holandskoj filmskoj akademiji 2014. godine. Njen debitantski kratki film PUTNICI U NOĆ osvojio je nekoliko međunarodnih nagrada i izabran je za festivale širom svijeta. Njen diplomski film FERNWEH premijerno je prikazan na Holandskom filmskom festivalu.

Režija / Director: Ena Sendijarević Scenarij / Screenplay: Ena Sendijarević, Guido Hendrikx Direktor fotografije / Director of Photography: Aafke Beernink Montaža / Editor: Jorien Voogt Muzika / Music: Ella van der Woude Zvuk / Sound: Robin Berk Scenografija / Production design: Myrte Beltman Producent / Producer: Zinzy Nimako & Jonne Roos Produkcija / Production: Netherlands Film Academy Uloge / Cast: Shona Smit, Sidney Staalsmid, Bien de Moor, Matthias Maat Kontakt / Contact: ena.sen@gmail.com FILMOGRAFIJA / FILMOGRAPHY 2014 - FERNWEH (kratki / short) 2013 - FEBRUARIES (kratki / short) 2013 - TRAVELLERS INTO THE NIGHT (kratki / short)

E A young girl explores the unknown world of her new foster family and cautiously tries to make this new place her home. However, she seems to keep longing for something else.

Ena Sendijarević was born in Bosnia and Herzegovina in 1987. She studied film in Amsterdam and Berlin, before graduating from the Netherlands Film Academy in 2014. Her debut short TRAVELLERS INTO THE NIGHT won several international awards and has been selected for festivals around the world. Her graduation film FERNWEH premiered at the Netherlands Film Festival.

United Kingdom, 2015, Colour, 16 min, English Režija / Director: Katie Davies Direktor fotografije / Director of Photography: Katie Davies Montaža / Editor: Katie Davies Producent / Producer: Katie Davies Produkcija / Production: Katie Davies Kontakt / Contact: katiecathrynanne@hotmail.com

The Lawes of the Marches / Zakon primirja

FILMOGRAFIJA / FILMOGRAPHY 2015 - THE LAWES OF THE MARCHES

(kratki dokumentarni / short doc.)

2012 - THE SEPARATION LINE

(dokumentarni / documentary)

ZAKON PRIMIRJA prikazuje drevnu tradiciju zajedničke konjaničke manifestacije Common Ridings koja se svake godine održavana granici između Engleske i Škotske. Jahanje na području Marchesa, kojim se obilježava i prisjeća na burne prošlosti, značajno je danas jednako kao što je to bilo i u svojim prvim danima.

Katie Davies je filmska stvarateljka koja predaje medije i kulturu u praksi na Univerzitetu u Bristolu.

Zanimaju je političke transformacije koje utiču na društva, teritorije te političke debate. Njeni filmski uratci i instalacije prikazuju tanku liniju između pričanja priča i ispisivanja historije, promišljajući kako i zašto se prošlost koristi kao dokaz za sadašnji trenutak, da bi se predložile alternativne poveznice između socijalnih, historijskih i ekonomskih perioda.

E THE LAWES OF THE MARCHES documents the ancient border tradition of the Common Ridings all along the border of England and Scotland. These ridings are about marking and commemorating the past with as much relevance today as when they began in the 1500’s.

Katie Davies is a filmmaker and a lecturer in Media, Culture and Practice and Media at UWE Bristol.

Attracted by political transformations that dictate how society, territory, and political debate are controlled, her film works and installations expose the fine line between the telling of stories and the writing of history, questioning how and why the past is used as evidence for the present moment, in order to propose alternative relations between social, historical, and economic episodes.

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Netherlands, 2014, Black & White, 25 min, Dutch Režija / Director: Guido Hendrikx Direktor fotografije / Director of Photography: Emo Weemhoff Montaža / Editor: Lot Rossmark Muzika / Music: Ella van der Woude Zvuk / Sound: Tijn Hazen, Django Kroon Producent / Producer: Erik Glijnis, Zinzy Nimako, Jonne Roos Kontakt / Contact: info@someshorts.com

Onder Ons / Među nama / Among Us

FILMOGRAFIJA / FILMOGRAPHY 2014 - AMONGST US (kratki / short) 2013 - STUDYFACTORY (kratki / short) 2013 - ESCORT (kratki / short) 2010 - DAY IS DONE* (kratki / short)

Tri samosvjesna, visokoobrazovana pedofila pružaju šokantan uvid u svoja iskustva. Kako se nositi sa seksualnom orjentacijom koji i društvo u kojem živite i vi sami smatrate morbidnom?

Guido Hendrikx (1987) je studirao Slobodne umjetnosti i nauke na Univerzitetu u Utrechtu. Tokom studija radio je kao freelance novinar za nekoliko medija. 2010. njegov filmski debi DAN JE GOTOV je bio izabran za IDFA (Međunarodni festival dokumentarnog filma Amsterdam), te je započeo studije dokumentarne režije na Holandskoj filmskoj akademiji.

E Three self-conscious, highly educated paedophiles give a shocking insight into their experiences.

How do you cope with a sexual orientation that’s considered morbid by society and yourself?

Guido Hendrikx (1987) studied liberal Arts and Sciences at the University of Utrecht. During this time he worked as a freelance journalist for several media. In 2010 his film debut DAY IS DONE was selected for IDFA (International Documentary Festival Amsterdam), and he began his studies as a documentary film director at the Dutch Film Academy.

Denmark, 2015, Colour, 19 min, Korean Režija / Director: Vibeke Bryld Scenarij / Screenplay: Vibeke Bryld Direktor fotografije / Director of Photography: Lis Dyre Montaža / Editor: Ezra Geelmyeden Pertan Zvuk / Sound: Sune Kaarsberg Producent / Producer: Heidi Elise Christensen, Signe Byrge Produkcija / Production: Final Cut For Real Kontakt / Contact: heidi@final-cut.dk

Pebbles at Your Door / Kamenčići na tvom pragu Žena iz sjevernokorejske elite se suočava sa realnošću svog veselog djetinjstva i sa nemogućim zadatkom da zacijeli život čije su niti pokidane od samog rođenja.

Vibeke Bryld je danska rediteljka i spisateljica. Diplomirala je komparativnu književnost i filozofiju te magistrirala dokumentaristiku na Goldsmiths koledžu Univerziteta u Londonu. Režirala je nekoliko dokumentarnih filmova prikazanih na DR2, Al Jazeeri, TVZulu te na TV3.

E A woman from the North Korean elite faces the reality of her once-beloved childhood paradise and the impossible task of healing a life that has been torn from birth.

Vibeke Bryld is a Danish filmmaker and writer. She has a bacground in Comparative Literature, and Philosophy, and holds an MA in Screen Documentary from Goldsmiths College, University of London.

She has directed several documentaries screened on DR2, Al Jazeera English, TVZulu, and TV3.

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FILMOGRAFIJA / FILMOGRAPHY 2015 - PEBBLES AT YOUR DOOR

(kratki dokumentarni / short doc.)

2011 - BEDTIME STORIES FROM THE AXIS OF EVIL

(kratki dokumentarni / short doc.)

2007 - THROWING PAINT TINS OFF THE ROOF

(kratki dokumentarni / short doc.)

United Kingdom, 2015, Colour and b&w, 17 min, English

Rate Me / Ocijeni me Portret tinejdžerke Coco koja radi kao eskort djevojka.

Fyzal Boulifa britanski je reditelj marokanskog porijekla. OCIJENI ME, kao i njegov prethodni film PROKLETSTVO, osvojio je Illy, nagradu za najbolji kratki film sekciji Petnaest dana režisera (Quinzaine des Réalisateurs) u Cannesu 2012. i 2015. godine.

E A portrait of teenage escort, Coco.

Fyzal Boulifa is a British filmmaker of Moroccan origin. RATE ME, and his previous film, THE CURSE, have both won the Illy Prize for Best Short at Cannes Quinzaine des Réalisateurs (2012 and 2015).

Režija / Director: Fyzal Boulifa Scenarij / Screenplay: Fyzal Boulifa Direktor fotografije / Director of Photography: Taina Galis Montaža / Editor: Fyzal Boulifa, Taina Galis Muzika / Music: Felicita Zvuk / Sound: Anna Bertmark Kostimografija / Costume Design: Clare Rose Scenografija / Production design: Tilly Shiner Producent / Producer: Taina Galis, Fyzal Boulifa Produkcija / Production: Sara Jimenez Criado Uloge / Cast: Zehra Zorba, Leo Hatton, James Pierce, Terry Noble, Rytis Sadauskas, Zoe Price, Ellie Gardner, Clark Curran, Robert J Francis, Cecilia Noble, Debra Marie Mawdsley, George Welton, Demilade Adesanya, Natalie Callaghan, Zoie Smith, Saskia Chohan, Alex Morrison, Ava Sabrine Rosenthal FILMOGRAFIJA / FILMOGRAPHY 2015 - RATE ME (kratki / short) 2012 - THE CURSE (kratki / short) 2010 - BURN MY BODY (kratki / short) 2009 - COMING BACK (kratki / short) 2008 - WHORE (kratki / short)

United Kingdom, Hungary, USA, 2015, Colour, 6 min, English

Teeth / Zubi Stvari koje se zapuste često se izgube zauvijek. Alegorijska priča o životu čovjeka zabilježena kroz gubitak zuba.

Daniel Gray i Tom Brown rediteljski je dvojac iz Ujedinjenog Kraljevstva. Upoznali su se u Velškoj filmskoj školi 2003. godine. Njihov diplomski film T.O.M. osvojio je brojne nagrade na međunarodnim filmskim festivalima, uključujući Sundance, Ottawu, Annecy te Britanske nagrade za animaciju. Od tada rade zajedno pod imenom Holbrooks.

Režija / Director: Daniel Gray, Tom Brown Scenarij / Screenplay: Daniel Gray, Tom Brown Direktor fotografije / Director of Photography: Daniel Gray, Tom Brown Montaža / Editor: Daniel Gray, Tom Brown Zvuk / Sound: Antfood NYC Scenografija / Production design: Daniel Gray, Tom Brown Producent / Producer: Daniel Gray and Tom Brown Produkcija / Production: UK, Hungary, USA Uloge / Cast: Richard E Grant Kontakt / Contact: Holbrooks films, www.holbrooksfilms.com, info@holbrooksfilms.com FILMOGRAFIJA / FILMOGRAPHY 2014 - TEETH (kratki / short) 2007 - T.O.M. (kratki / short)

E Things that are neglected are often lost forever. An allegorical tale of a man’s life chronicled through the loss of his teeth.

Daniel Gray and Tom Brown are a UK-born directing duo. They met in a Welsh film school in 2003.

Their graduation film, T.O.M. won numerous awards across international film festivals, including Sundance, Ottawa, Annecy, and the British Animation Awards. They have been working together ever since under the name of Holbrooks.

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Italy, 2015, Colour, 15 min, Italian

Varicella / Vodene kozice / Chickenpox

Režija / Director: Fulvio Risuelo Scenarij / Screenplay: Fulvio Risuelo Direktor fotografije / Director of Photography: Juri Fantigrossi Montaža / Editor: Ilenia Zincone Produkcija / Production: Revok Film Kontakt / Contact: open@theopenreel.com

FILMOGRAFIJA / FILMOGRAPHY 2015 - CHICKENPOX (kratki / short) 2014 - SOURDOUGH (kratki / short) 2014 - REPORTAGE BIZARRE

(kratki dokumentarni / short doc.)

2013 - SARDONIC GRIN (kratki / short)

Vodene kozice su beznačajna stvar kada ste mali. Međutim, za odrasle mogu biti veoma opasne.

Kada mama to shvati, počne da brine za Carla, njenog sina, koji ih još nije prebolovao. Pošto brzo raste, nešto mora da se poduzme. Ona mora naći način da ga ‘’zarazi’’. No, hoće li se tata složiti?

Fulvio Risuleo rođen je u Rimu 1991. 2013. je diplomirao na Nacionalnoj školi filma u Rimu. 2014. je njegov kratki film TIJESTO osvojio Treću nagradu u sekciji Cinéfondation na festivalu u Cannesu.

E Chickenpox is not a big deal if you’re young. But if you’re a grown-up it can be very dangerous.

When Mommy finds out, she starts worrying about Carlo, her son, who still isn’t sick. He’s growing fast, something must soon be done. She needs to find a way to ‘make him’ sick. But does Daddy agree?

Fulvio Risuleo was born in Rome in 1991. In 2013, he graduated from the Centro Sperimentale di Cinematografia - Italian National Film School, in Rome. In 2014 his short SOURDOUGH won the 3rd prize in the Cinéfondation section at Cannes IFF.

Poland, 2014, Black & White, 10 min, No Dialogue Režija / Director: Przemyslaw Jan Chrobak Direktor fotografije / Director of Photography: Przemyslaw Jan Chrobak Montaža / Editor: Przemyslaw Jan Chrobak Producent / Producer: Przemyslaw Jan Chrobak Produkcija / Production: Przemyslaw Jan Chrobak Kontakt / Contact: chrobak.przemek@gmail.com

FILMOGRAFIJA / FILMOGRAPHY 2014 - THE CROW (kratki / short)

Wrona / Vrana / The Crow Ovaj film je kaleidoskop ljudskog ponašanja uzrokovanog neobičnim događajem na jednom od varšavskih imanja.

Przemyslaw Jan Chrobak rođen je 1985. godine u Niemodlinu u Poljskoj. Neovisni je filmski stvaralac. Trenutno studira filozofiju na Univerzitetu Kardinal Stefan Wyszynski u Varšavi.

E The film is a kaleidoscope of human behavior to the unusual event on one of Warsaw’s estates.

Przemyslaw Jan Chrobak was born in 1985 in Niemodlin, Poland. He is an independent filmmaker.

Currently studying philosophy at the University of Cardinal Stefan Wyszynski in Warsaw.

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Every Day / Svaki dan USA, 2015, Colour, 12 min, English Režija / Director: Gabe Spitzer Direktor fotografije / Director of Photography: Sean Porter Montaža / Editor: David Terry Fine Muzika / Music: West Dylan Thordson Zvuk / Sound: Paul Urmson Producent / Producer: Drew Houpt, Dan Janvey Kontakt / Contact: gabe@belugapictures.com

Sa navršenih 86 godina, Joy Johnson je 2013. postala najstarija žena koja je ikada trčala na Njujorškom gradskom maratonu. Priča o inspirativnoj sportistkinji koju krasi nevjerovatna strast za sportom, i za životom.

E At 86, Joy Johnson was the oldest woman to run the 2013 New York City Marathon. The story of an inspiring athlete with an uncommon passion for her sport, and for life.

Kokoška / The Chicken Germany, Croatia, 2014, Colour, 15 min, Bosnian Režija / Director: Una Gunjak Scenarij / Screenplay: Una Gunjak Direktor fotografije / Director of Photography: Matthias Pilz Montaža / Editor: Anja Siemens Muzika / Music: Bernd Schurer Zvuk / Sound: Sebastian Morsch ­Raoul Brand Scenografija / Production Design: Ivana Škrabalo Kostimografija / Costume Design: Ivana Škrabalo Producent / Producer: Jelena Goldbach Koproducent / Co-producer: Siniša Juričić Produkcija / Production: Zak Film Productions Uloge / Cast: Iman Alibalić, Esma Alić, Mirela Lambić, Mario Knezović Kontakt / Contact: Distribution Salaud Morisset, festival@salaudmorisset.com

Na dar za šesti rođendan Selma dobija kokoš. Nakon što shvati da će životinja biti ubijena kako bi je porodica pojela, Selma odlučuje da je spasi i oslobodi, nesvjesna opasnosti koje taj poduhvat sa sobom nosi. Dok traga za nestalom kokoškom, Selminu majku pogađa snajper. Radnja je smještena u Sarajevo, godina je 1993.

E As a present for her sixth birthday, Selma gets a live chicken. When she realises the animal is going to be killed to feed the family, she decides to save it and set it free, unaware of the high stakes such action will lead to.

While trying to bring back the missing chicken, Selma’s mum becomes the target of a sniper shoot. Sarajevo, 1993.

Mulignans USA, 2015, Colour, 5 min, English Režija / Director: Shaka King Scenarij / Screenplay: Shaka King, Kristan Sprague Direktor fotografije / Director of Photography: Daniel Patterson Montaža / Editor: Kristan Sprague Producent / Producer: Shaka King Uloge / Cast: Shaka King, Cavalier, Jerard Anderson, China Shavers, David Andalman, Scott Thorough Kontakt / Contact: shaka.king@gmail.com

mulignan(s) /moo.lin.yan(s)/ 1. Italo-američki žargonski izraz za crnca.

Porijeklo vodi od italijanske dijalektske riječi za “patlidžan”. Pogledati i pod: moolie. Izvor: Urbani riječnik i gotovo svaki ikada snimljen mafijaški film.

E mulignan(s) /moo.lin.yan(s)/ n. 1. Italian-American slang for a black man. Derived from Italian dialect word for “eggplant.” See also: moolie.

Source: Urban Dictionary and pretty much every mob movie ever.

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Prends-Moi / Uzmi me / Take Me Canada, 2014, Colour, 10 min, French Režija / Director: Anaïs Barbeau-Lavalette, André Turpin Scenarij / Screenplay: Anaïs Barbeau-Lavalette, André Turpin Direktor fotografije / Director of Photography: André Turpin Montaža / Editor: Elric Robichon Zvuk / Sound: Sylvain Bellemare, Bernard Gariépy Strobl Producent / Producer: François Bonneau Uloge / Cast: Maxime D. Pomerleau, Alexandre Vallerand, Mani Soleymanlou, Marika Lhoumeau Kontakt / Contact: Travelling, www.travelling-productions.com

Bolničar zaposlen u centru za osobe sa invaliditetom prinuđen je da preispita vlastite principe nakon što dobije zahtjev za jednu posebnu uslugu.

E A male nurse working at a center for the disabled is confronted by his principles when he’s asked to accomplish a particular task.

Saturday / Subota United Kingdom, 2015, Colour, 15 min, English Režija / Director: Mike Forshaw Scenarij / Screenplay: Mike Forshaw, Greg Forshaw Direktor fotografije / Director of Photography: Brian Fawcett Montaža / Editor: Sam Blair Zvuk / Sound: Gunnar Oskarsson Kostimografija / Costume Design: Marie Miller Scenografija / Production design: Anna Levelle Producent / Producer: Jessica Levick Produkcija / Production: Magnified Pictures Limited Uloge / Cast: Harrison Vaughan, Elizabeth Berrington, Neil Fitzmaurice, Paul Duckworth, Bradley Thompson Kontakt / Contact: Really Epic Dog, http://reallyepicdog.com, info@reallyepicdog.com

15. april 1989: jedna fudbalska utakmica zauvijek mijenja Liamov život i grad Liverpool…ovaj film govori o iskustvu jedne porodice iz Merseysidea u Engleskoj sa katastrofom na Hilsborough stadionu u kojoj je 96 navijača fudbalskog kluba Liverpool izgubilo život.

E April 15, 1989: A football match changes Liam’s life and the city of Liverpool forever… This fictional account relates how the Hillsborough Stadium disaster—which claimed the lives of 96 Liverpool supporters— unfolded for a family in Merseyside, England.

SMILF USA, 2015, Colour, 9 min, English Režija / Director: Frankie Shaw Scenarij / Screenplay: Frankie Shaw Direktor fotografije / Director of Photography: Quyen Tran Montaža / Editor: Joi McMillon Zvuk / Sound: Ugo Derouard Producent / Producer: Mitch Yapko, Elizabeth Destro, Zach Strauss Uloge / Cast: Thomas Middleditch, Luna Dukic, Frankie Shaw Kontakt / Contact: Jwiles@icmpartners.com, KCrotty@icmpartners.com

Mlada žena pokušava uskladiti svoj nekadašnji bezbrižni život sa novim životom mlade samohrane majke. Kriza nastupa tokom jednog popodnevnog odmora kada Bridgette u posjetu poziva starog prijatelja.

E A young single mother struggles to balance her old life of freedom with her new one as mom. It all comes to a head during one particular naptime when Bridgette invites an old friend over for a visit.

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World of Tomorrow / Svijet sutrašnjice USA, 2015, Colour, 17 min, English Režija / Director: Don Hertzfeldt Scenarij / Screenplay: Don Hertzfeldt Direktor fotografije / Director of Photography: Don Hertzfeldt Montaža / Editor: Don Hertzfeldt Zvuk / Sound: Don Hertzfeldt Scenografija / Production design: Don Hertzfeldt Producent / Producer: Don Hertzfeldt Uloge / Cast: Julia Pott, Winona Mae Kontakt / Contact: bitterfilms@hotmail.com

Mala djevojčica kreće na zapanjujuće putovanje kroz daleku budućnost.

E A little girl is taken on a mind-bending tour of the distant future.

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Carapace / Oklop / Shell France, 2014, Colour, 16 min, French Režija / Director: Flora Molinié Scenarij / Screenplay: Flora Molinié Direktor fotografije / Director of Photography: Stephane Piera Montaža / Editor: Flora Molinié, Stéphane Piera Muzika / Music: Marc Piera Zvuk / Sound: Marc Piera Producent / Producer: Wendy Griffiths Produkcija / Production: Dark Prince Uloge / Cast: Juliette Lamboley, Laurent Delbecque, Cecile Combes, Alexandra Chateauneuf, Paul Lapierre Kontakt / Contact: wendyg@darkprince.fr

Lili je zaljubljena, ali ne može voditi ljubav. Ni sama ne zna zbog čega. Leo je pun razumijevanja, no Lili je frustrirana, očajna i prije svega u strahu da njihova veza neće potrajati ukoliko se nešto ne promijeni. Tako počinje njena borba da preuzme kontrolu nad svojim tijelom i sudbinom.

E Lili is in love, but can’t make love. She has no idea why. Leo is full of empathy, but Lili is frustrated, desperate, and above all scared that their relationship can’t last like this. Thus begins her quest to take charge of her body and her destiny.

Cuentos Excepcionales de un Equipo Juvenil Femenino. Capítulo I: Las Arácnidas / Nevjerovatne priče mlade ženske ekipe. Poglavlje I: Paučice / Exceptional tales from a young female team. Chapter I: Arachnids Argentina, Venezuela, 2015, Colour and b&w, 10 min, Spanish Režija, scenarij / Director, Screenplay: Tom Espinoza Direktor fotografije / Director of Photography: Manuel Rebella Montaža / Editor: Leandro Aste Muzika / Music: Pablo Borghi Producent / Producer: Tom Espinoza, Walter Flores, Aldana Aprile Uloge / Cast: Sofía Girotto, Mora Escolá Kontakt / Contact: Other Voices, Cinzia, cinzia.spironello@other-voices.com

“Arahnide” (paučice) je tim sinhronog plivanja sastavljen od pet tinejdžerki. Nova članica tima, Nina, otkriva mračnu vezu između svojih drugarica i gnijezda tarantula.

E “Arachnids” is a synchronized swimming team made up of five teenagers girls. One day, Nina, the new team member, discovers a dark connection between her companions and a nest of tarantulas.

Filme Som / Filmski zvuk / Film Sound Brazil, 2014, Colour, 9 min, English Režija / Director: Alexandre Moura, Cesar Gananian Scenarij / Screenplay: Alexandre Moura, Cesar Gananian Direktor fotografije / Director of Photography: Camila Picolo, Athanassios Khalogiannis Montaža / Editor: Alexandre Moura, Cesar Gananian Muzika / Music: Cesar Gananian, Roberto Michelino, Alexandre Moura Zvuk / Sound: Dino Vicente Producent / Producer: Cesar Gananian, Ana Lisboa Produkcija / Production: Film Design Uloge / Cast: Roberto Michelino Kontakt / Contact: cesargananian@hotmail.com

Roberto Michelino je izumitelj muzičkih instrumenata koji se kreće kroz grad okružen zvukovima koje sam proizvodi. Vizuelne i zvučne kompozicije pozivaju gledaoca da se prepusti hipnotičkom i kinestetičnom iskustvu.

Film u kojem se vidi zvuk i čuju slike.

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E Roberto Michelino is an inventor of musical instruments who goes through the city surrounded by the sounds he creates himself. The visual and sound compositions invite the audience to immerse in a hypnotic and kinesthetic experience. A film in which one sees the sound and listens to the images.

Grace Under Water / Grace pod vodom Australia, 2014, Colour, 8 min, English Režija / Director: Anthony Lawrence Scenarij / Screenplay: Chrissie McMahon Direktor fotografije / Director of Photography: Anthony Lawrence Montaža / Editor: Cindy Clarkson Muzika / Music: Phil Okerstrom Zvuk / Sound: Phil Okerstrom Producent / Producer: Anthony Lawrence Produkcija / Production: Plasmation Uloge / Cast: Zoe Carides, Lola Carlton, John Howard, Colette Mann Kontakt / Contact: Plasmation, plasmotv@optusnet.com.au

Lou polako gubi hladni rat koji vodi sa svojom tvrdoglavom i misterioznom posvojenom kćerkom Grace kad jednog toplog, sanjivog poslijepodneva na lokalnom bazenu nastane novi izazov. Duhovi prošlosti se počinju nadvijati nad sadašnjošću u trenutku kada je Lou prisiljena da se suoči sa istinom o samoj sebi.

E Lou is losing the cold war with her stubborn and enigmatic stepdaughter Grace when an unexpected challenge arises from the depths of a warm, dreamy afternoon at the local pool. Shadows from the past bear down on the present as Lou is forced to face the truth about herself.

A Million Miles Away / Milion milja daleko USA, 2014, Colour, 28 min, English Režija / Director: Jennifer Reeder Scenarij / Screenplay: Jennifer Reeder Direktor fotografije / Director of Photography: Christopher Rejano Montaža / Editor: Mike Olenick Muzika / Music: Jenne Lennon Zvuk / Sound: Paul Dickinson Scenografija / Production design: Steven Hudosh Produkcija / Production: Steven Hudosh, Forevering Films Uloge / Cast: Kelsey Ashby-Middleton, Jennifer Estlin

Prepuštanje melanholiji je strategija preživljavanja na američkom Srednjem Zapadu: odrasla žena, dirigentica, na granici propasti i grupa mladih djevojaka, hor, istovremeno doživljavanju natprirodnu verziju punoljetstva.

E Melancholy as a survival strategy in the American Midwest: an adult woman - the conducter on the edge of falling apart and a group of teenage girls - the choir, simultaneously experience a supernatural version of coming-of-age.

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Chile, 2015, Colour, 28 min, Spanish Režija / Director: Ignacio Juricic Merillán Scenarij / Screenplay: Ignacio Juricic Merillán Direktor fotografije / Director of Photography: Danillo Miranda Montaža / Editor: Valentina Ruiz Sierra Scenografija / Production design: Cati Ezurmendia Álvarez Producent / Producer: Mariana Tejos Martignoni Uloge / Cast: Andrew Bargsted, Roxana Campos, Rodrigo Perez, Catalina Vasquez, Macarena Lagos, Maite Neira Kontakt / Contact: tejosmariana@gmail.com

Locas Perdidas / Izgubljene kraljice / Lost Queens

FILMOGRAFIJA / FILMOGRAPHY 2015 - LOST QUEENS (kratki / short)

Rodrigo (18), koji radi u klubu kao transvestit, uhapšen je tokom policijske racije koju je prenijela televizija. Vraća se kući u strahu da će ga porodica vidjeti na vijestima. Dok se svi spremaju za zabavu, on planira bijeg sa svojim partnerom Mauriciom (48), frizerom i porodičnim prijateljem.

Ignacio Juricic Merillán studira filmsku režiju na Univerzitetu u Santiagu u Čileu. Njegov filmski prvijenac, kratki film IZGUBLJENE KRALJICE osvojio je Drugu nagradu u sklopu Cinéfondation selekcije na Filmskom festivalu u Cannesu 2015.

E In 1996, Rodrigo (18) is arrested by the police in a televised raid on the club where he works as a drag queen. He goes back home, fearful that his family will see him on the news. While they are all getting ready for a party, he plans to run away with his partner, a hairdresser and friend of the family.

Ignacio Juricic Merillán studies Film Directing at the University of Santiago de Chile. His debut short LOCAS PERDIDAS / LOST QUEENS received the Second prize within the Cinéfondation Selection of the Cannes Film Festival 2015.

Russia, 2015, Colour, 28 min, Russian Režija / Director: Maria Guskova Scenarij / Screenplay: Maria Guskova Direktor fotografije / Director of Photography: Dennis Guskov Montaža / Editor: Maria Guskova, Anna Arlanova Produkcija / Production: Big Fish Production Uloge / Cast: Kahramonjon Mamasaliyev Kontakt / Contact: cineditor@gmail.com

Le Retour D’Erkin / Erkinov povratak / The Return of Erkin Erkin izlazi iz zatvora i želi da se vrati svom starom životu. Ali, sve se promijenilo i ne zna da li može živjeti kao slobodan čovjek.

Maria Guskova je rođena 1982.. Diplomirala je na Odsjeku za filologiju na Moskovskom državnom univerzitetu 2006. godine. Zatim je počela studirati režiju u Švedskoj, a kasnije i filmsku režiju na Višim kursevima za pisanje scenarija i filmsku režiju u Moskvi, u Rusiji. U septembru 2011. godine učestvovala je na radionici Tonina Guerre u Pennabilliju u Italiji.

E Erkin gets out of prison and wants to return to his former life. But everything has changed and he does not know if he can live as a free man.

Maria Guskova was born in 1982. She graduated from the Moscow State University’s philological department in 2006. After that, she began studying filmmaking in Sweden and later film directing at the Higher Courses for Scriptwriters and Film Directors in Moscow, Russia. In September 2011 she took part in Tonino Guerra’s workshop in Pennabilli, Italy.

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FILMOGRAFIJA / FILMOGRAPHY 2015 - THE RETURN OF ERKIN (kratki / short) 2012 - NEIGHBOUR (kratki dokumentarni / short doc.)

2011 - LADDER (kratki / short) 2010 - AQUA (kratki / short) 2009 - ATTENTION, THE DOORS ARE CLOSING

(kratki / short)

USA, 2015, Colour, 11 min, English Režija / Director: Pippa Bianco Scenarij / Screenplay: Pippa Bianco Montaža / Editor: Oliver Harwood Producent / Producer: Tyler Byrne, Danielle Oexmann, A.J. Kelly, Carly Hugo Uloge / Cast: Taissa Farmiga, Keir Gilchrist, Madisen Beaty, Andre Royo Kontakt / Contact: tylerjbyrne@gmail.com FILMOGRAFIJA / FILMOGRAPHY 2015 - SHARE (kratki / short) 2015 - PICTURING BARBARA KRUGER

(kratki dokumentarni / short doc.)

Share Petnaestogodišnja djevočica se vraća u školu nakon što je neko objavio snimak koji ju prikazuje u eksplicitnom kontekstu.

Pippa Bianco je studirala film i fotografiju na Univerzitetu Yale. Njena dva filma su premijerno prikazana na SXSW (South by Southwest festival) 2015., kratki dokumentarac ZAMIŠLJAJUĆI BARBARU KRUGER, koji je naručio Muzej umjetnosti okruga Los Angeles, i film SHARE, koji je osvojio posebno priznanje žirija za narativni kratki film. Nedavno je film SHARE osvojio prvu nagradu u sekciji Cinéfondation na Filmskom festival u Cannesu 2015. Ova pobjeda osigurava joj da njen prvi dugometražni film bude službeno izabran u Cannesu.

E A fifteen-year-old girl returns to school after someone shares an explicit video of her.

Pippa Bianco studied film and photography at Yale University. She premiered two films at SXSW 2015, the short documentary PICTURING BARBARA KRUGER, commissioned by the Los Angeles County Museum of Art, and SHARE, which won Special Jury Recognition for narrative shorts. Most recently, SHARE won First Prize in the Cinéfondation selection at the 2015 Cannes Film Festival. This win ensures Bianco’s first feature film a Cannes Official Selection berth.

Spain, 2015, Colour, 20 min, Spanish Režija / Director: Ian Garrido Scenarij / Screenplay: Ian Garrido Direktor fotografije / Director of Photography: Sandra Formatger Montaža / Editor: Mireia Sánchez Produkcija / Production: ESCAC FILMS Uloge / Cast: Alba Martinez, Sheima Benzidour Kontakt / Contact: info@marvinwayne.com

FILMOGRAFIJA / FILMOGRAPHY 2015 - VICTOR XX (kratki / short)

Victor XX / Viktor XX Victor voli eksperimentisati sa svojim spolom. Ne zna da li se osjeća kao muško ili žensko. Živi u malom primorskom mjestu u Almeriji, sa majkom Mari Angeles i djevojkom Rahmom. Nakon što dođe u grad, zaštićen anonimnošću, on otkriva sebe. Ali tajne ne traju vječno i Victor će se morati suočiti sa majkom i djevojkom kako bi se zauzeo za stvarnu sliku koju vidi u ogledalu.

Ian Garrido je rođen u Granadi 1988. godine. Odlučio se za prelazak na drugi spol 2014., godine koja se poklapa sa krajem njegovih studija filmske režije i sa snimanjem njegova dva završna projekta u karijeri: probne televizijske serije naslova QUEER i kratkog igranog filma VICTOR XX: priče o transseksualacu koji živi u malom ribarskom mjestu na jugu zemlje.

E Victor likes to experiment with his gender. He doesn’t know if he feels like a boy or a girl. He lives in a small seaside village in Almeria, with his mother Mari Angeles and his girlfriend Rahma. Once in the city, protected by anonymity, he discovers his true self. However, secrets do not last forever and Victor will have to face his mother and girlfriend in order to stand up for the real image reflected in his mirror.

Ian Garrido was born in Granada in 1988. In 2014 he decide to go through a sex change, the year that coincides with the end of his studies in film directing and also with the shooting of his two most recent projects: televison series pilot called QUEER and a short fiction film VICTOR XX: a story about a transsexual guy living in a small fishing village in the south of the country.

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Georgia, 2013, Colour, 15 min, Georgian

Dinola Svaneti je najviši planinski predio u Gruziji. Selo Ushuguli, visokim snjegovima izolovano od ostatka svijeta, najviše je naseljeno mjesto u Evropi. Jedna je žena prekršila stroga gorštačka pravila i protiv želje roditelja se udala iz ljubavi. Ali kada njen voljeni suprug umre, prisiljena je da se uda za prvog muškarca koji je zaprosi.

Mariam Khatchvani je rođena 1986. u Gruziji. Studirala je filmsku režiju na Državnom univerzitetu za pozorište i film Shota Rustaveli. DINOLA je njen prvi kratki igrani film. Učestvovao je na brojnim filmskim festivalima, uključujući 36. međunarodni festival kratkog filma Clermont-Ferrand i 37. norveški festival kratkog filma u Grimstadu gdje je nominovan za nagradu Evropske filmske akademije za 2014. godinu.

Režija / Director: Mariam Khatchvani Scenarij / Screenplay: Mariam Khatchvani Direktor fotografije / Director of Photography: Constantine (Mindia) Esadze Montaža / Editor: Levan Kukhashvili Zvuk / Sound: Ivane Gvaradze, Nika Paniashvili Kostimografija / Costume Design: Ketie Kalandadze Scenografija / Production design: Dimitri Arsanis Producent / Producer: Vladimer Katcharava Produkcija / Production: 20 Steps Productions Uloge / Cast: Nutsi Khaptani, Katie Lortkipanidze, Vakhtang Chachanidze, Datuna Guledani Kontakt / Contact: European Festivals Association, www.efa-aef.eu, info@efa-aef.eu FILMOGRAFIJA / FILMOGRAPHY 2013 - DINOLA (kratki / short) 2009 - LICHANISHI AND KVIRIKOBA

(kratki dokumentarni / short doc.)

2007 - BEYOND THE WINDOW

(kratki dokumentarni / short doc.)

2006 - VERDZOBA (kratki dokumentarni / short doc.)

E Svaneti is the highest mountainous part of Georgia. Isolated by heavy snowfalls stands the Ushguli village, the highest settlement in Europe. A woman breaks the strict laws of the mountains and marries for love against her family’s will. But when her beloved husband dies, she is forced to marry the first man who proposes to her.

Mariam Khatchvani was born in 1986 in Georgia. She studied film directing at the Shota Rustaveli Theatre and Film State University. DINOLA is her first fiction short. It has been selected for numerous film festivals such as the 36th Clermont-Ferrand International Short Film Festival and the 37th Norwegian Short Film Festival in Grimstad, where it was nominated for the European Film Academy Short Film Award in 2014.

Hungary, 2013, Colour, 11 min, Hungarian

Fal / Zid / Wall Laci je šesnaestogodišnji romski dječak koji živi od povremenih poslova. Jednog ga dana, zajedno sa malom grupom radnika, pokupe na ulici za jedan građevinski posao. Mora raditi na završetku zida koji okružuje niz stambenih zgrada. Na kraju, upravo od njega se traži da završi posao. Po prvi put ima priliku pogledati preko zida, gdje se za njega krije neobično otkriće.

Simon Szabó, rođen 1979., poznati je glumac, reditelj i muzičar/DJ. Osvojio je nagradu za najbolji kratki film LET’S ROLL na Mađarskoj sedmici filma 2008., a nagradu Sándor Simo za svoj prvi dugometražni igrani fillm AVIONI OD PAPIRA osvojio je 2009.

E Laci is a 16-year old gypsy boy, who lives doing casual jobs. One day, he gets picked up from the streets along with a small group of workers for a construction job. He has to participate in the completion of a wall that surrounds a series of tenement buildings. In the end, Laci is asked to complete the work. He now takes his first look beyond the wall, which holds an unusual revelation for him.

Simon Szabó was born in 1979. He is a well-known actor, director and musician/DJ. He won the price for the best short film for LET’S ROLL at the Hungarian Film Week in 2008 and in 2009 he WON the Sándor Simó Award for his first feature PAPER PLANES.

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Režija / Director: Simon Szabó Scenarij / Screenplay: Simon Szabó Direktor fotografije / Director of Photography: Albert Czomba Montaža / Editor: Albert Czomba Muzika / Music: Ekaros Ekaros Zvuk / Sound: Alex Hunyadi Kostimografija / Costume Design: Judit Sinkovics Scenografija / Production design: Judit Sinkovics Producent / Producer: Julia Berkes Produkcija / Production: Proton Cinema KFT. Uloge / Cast: Sándor Tóth Kontakt / Contact: ProductionProton Cinema, www.protoncinema.hu, berkesjuli@protoncinema.hu

FILMOGRAFIJA / FILMOGRAPHY 2013 - WALL (kratki / short) 2012 - MAGYARORSZÁG 2011 / HUNGARY 2011 2009 - PAPER PLANES 2007 - LET’S ROLL (kratki / short) 2003 - ZSEBZSÖTEM (kratki / short)

Finland, 2013, Colour, 15 min, Finnish

Hätäkutsu / Hitni pozivi / Emergency Calls Ljudska bića imaju krhku i kratkotrajnu mogućnost da iskuse život i svemir koji ih okružuje. Suočeni sa preovlađujućom tamom, samo jedni u drugima možemo naći podršku i utjehu. Ovaj je film zasnovan na stvarnim hitnim pozivima i radio komunikaciji.

Hannes Vartiainen je rođen 1980, a 2004. je diplomirao filmsku režiju na Politehničkom univerzitetu u Helsinkiju.

Pekka Veikkolainen je rođen 1982, a studirao je grafički dizajn na Univerzitetu za umjetnost i dizajn u Helsinkiju. Animacijom i ilustracijom se bavi od 2000. godine. Pekka Veikkolainen i Hannes Vartiainen su 2008. pokrenuli vlastitu produkcijsku kompaniju.

E Being human is a fragile and fleeting opportunity to experience life and the universe around us.

In the face of overwhelming darkness all we can do is to rely on and find solace in one another. This film is based on authentic emergency calls and radio traffic.

Režija / Director: Hannes Vartiainen, Pekka Veikkolainen Scenarij / Screenplay: Pekka Veikkolainen, Hannes Vartiainen Direktor fotografije / Director of Photography: Hannes Vartiainen, Pekka Veikkolainen Montaža / Editor: Hannes Vartiainen, Pekka Veikkolainen Muzika / Music: Joonatan Portaankorva Zvuk / Sound: Joonatan Portaankorva Scenografija / Production design: Hannes Vartiainen, Pekka Veikkolainen Producent / Producer: Hannes Vartiainen, Pekka Veikkolainen Uloge / Cast: Juha Hippi, Lauri Hynninen, Eeva Putro, Jonna Uhrman Kontakt / Contact: European Festivals Association, www.efa-aef.eu, info@efa-aef.eu FILMOGRAFIJA / FILMOGRAPHY Hannes Vartiainen and Pekka Veikkolainen: 2013 - EMERGENCY CALLS

(kratki dokumentarni / short doc.)

2012 - GATES OF LIFE (kratki / short) 2010 - THE DEATH OF AN INSECT

(kratki dokumentarni / short doc.)

2009 - HANASAARI A

(kratki dokumentarni / short doc.)

Hannes Vartiainen, born in 1980, graduated film directing from the Helsinki Polytechnic Stadia in 2004.

Pekka Veikkolainen, born in 1982, studied graphic design at the University of Art and Design Helsinki. He has worked in the fields of animation and illustration since 2000. Pekka Veikkolainen and Hannes Vartiainen started their own production company in 2008.

Denmark, Iceland, 2013, Colour, 15 min, Icelandic

Hvalfjordur / Dolina kitova / Whale Valley Ovo je film o čistoj ljubavi između dva brata koja sa roditeljima žive na udaljenom islandskom fjordu.

Mlađi brat, dječak, svjedoči trenutku između života ili smrti starijeg brata, što pokreće mogućnost za veliku tragediju ili pak prekretnicu za bolja vremena u njihovim životima.

Gudmundur Arnar Gudmundsson je rođen u Rejkjaviku na Islandu 1982. godine. Diplomirao je likovnu umjetnost na Islandskoj umjetničkoj akademiji, a pisanje scenarija studirao je u Danskoj.

Trenutno radi kao reditelj i honorarni predavač iz oblasti scenarija, režije i videoumjetnosti.

E The film shows a pure love story between two brothers who live in a remote Icelandic fjord with their parents. When the younger brother, a little boy, witnesses a life or death moment involving his big brother it sets in motion the possibility of either a great tragedy or a turning point to better times in both of their lives.

Režija / Director: Gudmundur Arnar Gudmundsson Scenarij / Screenplay: Gudmundur Arnar Gudmundsson Direktor fotografije / Director of Photography: Gunnar Audunn Jóhannsson Montaža / Editor: Anders Skov Zvuk / Sound: Gunnar Óskarsson Kostimografija / Costume Design: Helga Rós Hannam Scenografija / Production design: Júlía Embla Katrínardóttir Producent / Producer: Anton Máni Svansson, Gudmundur Arnar Gudmundsson Produkcija / Production: Fourhands Film ApS, FRÆ films Uloge / Cast: Ágúst Örn B. Wigum, Einar Jóhann Valsson, Valdimar Örn Flygenring, Unnur Ösp Stefánsdóttir Kontakt / Contact: Danish Film Institute, kurstein@dfi.dk

FILMOGRAFIJA / FILMOGRAPHY 2014 - ÁRTÚN (kratki / short) 2013 - WHALE VALLEY (kratki / short) 2009 - JEFFREY & BETH (kratki / short) 2005 - HIDEBOUND (kratki / short)

Gudmundur Arnar Gudmundsson was born in Reykjavik, Iceland in 1982. He has a Fine Arts Degree from the Icelandic Art Academy and he also studied screenwriting in Denmark. He now works as a filmmaker and a part time lecturer in screenwriting, directing and video art.

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Germany, 2013, Colour, 23 min, German

Ich hab noch Auferstehung_ / Ostalo je još_života / Still Got Lives_ Marco i Lisa se vole. U virtualnom svijetu rame uz rame bore se protiv strašnih čudovišta, ali Lisa u stvarnom životu odbija da upozna Marca. Kada Lisa jednog dana prestane igrati kompjutersku igru, Marko odluči da je potraži. Tek tada otkriva pravu strahotu.

Jan-Gerrit Seyler je rođen 1979. Proteklih deset godina radio je na brojnim kratkim filmovima u Njemačkoj i Danskoj kao reditelj, tonac, montažer, direktor produkcije i glumac. Svoj prvi kratki film snimio je 2007., a zatim je dvije godine studirao film na Evropskom filmskom koledžu u Danskoj.

Postdiplomski studij režije završio je 2012. godine u Školi za medije u Hamburgu u Njemačkoj.

Režija / Director: Jan-Gerrit Seyler Scenarij / Screenplay: Katarina Kokstein Direktor fotografije / Director of Photography: Jürgen Kemmer Montaža / Editor: Max Mittelbach Muzika / Music: Stefan Paul Goetsch Zvuk / Sound: Hartmut Teschemacher Kostimografija / Costume Design: Miriam Aksoy Scenografija / Production design: Sabine Kasch Producent / Producer: Thorsten Heger Uloge / Cast: Bazon Rosengarth, Swantje Kohlhof, Jochen Nikkel, Tina Eschmann Kontakt / Contact: European Festivals Association, www.efa-aef.eu, info@efa-aef.eu FILMOGRAFIJA / FILMOGRAPHY 2013 - STILL GOT LIVES_ (kratki / short) 2012 - MÖHRCHEN (kratki dokumentarni / short doc.)

2011 - COWBOYS AND INDIANS (kratki / short) 2011 - THE PHILATELIST (kratki / short) 2009 - CAMILLE (kratki / short) 2009 - THE EMPIRE OF THE COMMUNE

(kratki dokumentarni / short doc.)

2007 - HANDYCAP (kratki / short)

E Marco and Lisa are in love. Online, they fight side by side against dreadful monsters. However, Lisa refuses to meet Marco in real life. When one day she stops showing up for the game, Marco decides to go searching for her. He finds a new world. And learns real dread.

Jan-Gerrit Seyler was born in 1979. He has taken part in numerous short film projects in Germany and Denmark during the last ten years as a director, sound technician, editor, production manager and actor. He made his first short film in 2007. During 2008 and 2009 he studied film at the European Film College in Denmark. He completed his postgraduate studies in film directing at the Hamburg Media School in Germany in 2012.

Germany, Croatia, 2014, Colour, 15 min, Bosnian

Kokoška / The Chicken Na dar za šesti rođendan Selma dobija kokoš. Nakon što shvati da će životinja biti ubijena kako bi je porodica pojela, Selma odlučuje da je spasi i oslobodi, nesvjesna opasnosti koje taj poduhvat sa sobom nosi. Dok traga za nestalom kokoškom, Selminu majku pogađa snajper. Radnja je smještena u Sarajevo, godina je 1993.

Una Gunjak je rediteljica i montažerka rođena u Sarajevu, a trenutno živi u Londonu. Studirala je film na Univerzitetu u Torinu, kao i režiju pri Nacionalnoj školi za film i TV u Velikoj Britaniji, gdje je stekla i zvanje magistrice. Filmovi koje je Una montirala prikazivani su na najprestižnijim međunarodnim festivalima, uključujući Cinéfondation u Cannesu, HotDocs i TIFF. Unin kratki film KOKOŠKA je nagrađen filmskom nagradom Robert Bosch i uvršten je u program Critic’s Week Filmskog festivala u Cannesu 2014. godine.

E As a present for her sixth birthday, Selma gets a live chicken. When she realises the animal is going to be killed to feed the family, she decides to save it and set it free, unaware of the high stakes such action will lead to. While trying to bring back the missing chicken, Selma’s mum becomes the target of a sniper shoot. Sarajevo, 1993.

Una Gunjak is a Sarajevo born, London based director and editor. She studied film at the University of Turin and editing at the National Film and TV School in UK, where she graduted with an MA. Una’s editing work was screened at the world’s most prestigious festival screens, from Cannes Cinefondation, to HotDocs and TIFF. Una’s short film THE CHICKEN, winner of the Robert Bosch Film Prize, was selected for the Critic’s Week at the Cannes Film Festival 2014.

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Režija / Director: Una Gunjak Scenarij / Screenplay: Una Gunjak Direktor fotografije / Director of Photography: Matthias Pilz Montaža / Editor: Anja Siemens Muzika / Music: Bernd Schurer Zvuk / Sound: Sebastian Morsch ­Raoul Brand Scenografija / Production Design: Ivana Škrabalo Kostimografija / Costume Design: Ivana Škrabalo Producent / Producer: Jelena Goldbach Koproducent / Co-producer: Siniša Juričić Produkcija / Production: Zak Film Productions Uloge / Cast: Iman Alibalić, Esma Alić, Mirela Lambić, Mario Knezović Kontakt / Contact: European Festivals Association, www.efa-aef.eu, info@efa-aef.eu Filmografija / Filmography 2014 - THE CHICKEN (kratki / short)

Poland, 2014, Black & White, 12 min, Polish Režija / Director: Wojciech Sobczyk Scenarij / Screenplay: Wojciech Sobczyk Direktor fotografije / Director of Photography: Wojciech Sobczyk Montaža / Editor: Wojciech Sobczyk Muzika / Music: Bartosz Chajdecki Zvuk / Sound: Michal Fojcik, Michal Jankowski Producent / Producer: Wojciech Sobczyk Kontakt / Contact: European Festivals Association, www.efa-aef.eu, info@efa-aef.eu

Lato 2014 / Ljeto 2014 / Summer 2014

FILMOGRAFIJA / FILMOGRAPHY 2014 - SUMMER 2014 (kratki / short) 2000 - SPRING 1999 (kratki / short) 1997 - A LADDER (kratki / short)

Pesimističan osvrt na ljudsku sudbinu, univerzalna priča o svijetu u kojem vlada zlo. Isti se komad zemlje prikazuje više puta u različitim scenama. Ponavljanje je bolno i pesimistično, a svijet je zarobljen u okrutnom krugu zla iz kojeg ne može da se otrgne.

Wojciech Sobczyk je reditelj animiranih filmova, ilustrator i fotograf rođen 1974. Diplomirao je na Katedri za grafičku umjetnost pri Akademiji primijenjenih umjetnosti u Krakovu u čijem studiju animiranog filma trenutno radi. Njegovi animirani filmovi MERDEVINE i PROLJEĆE 1999 su prikazani na brojnim filmskim festivalima u Poljskoj i u inostranstvu.

E A pessimistic view of the human fate, a universal tale of the world possessed by evil. The same piece of land is shown multiple times in different scenes. The repetition is painful and pessimistic and the world, trapped in a vicious cycle of evil, is unable to break free.

Wojciech Sobczyk is an animated film director, illustrator and photographer. He was born in 1974.

He graduated from the Faculty of Graphic Arts at the Academy of Fine Arts in Krakow where he currently works at the Animated Film Studio. His animated films A LADDER and SPRING 1999 have been screened at numerous film festivals in Poland and abroad.

Ireland, 2013, Colour, 7 min, English

The Missing Scarf / Nestali šal Vjeverica Albert otkriva nešto zapanjujuće…prazno mjesto gdje je nekada stajao njegov omiljeni šal.

Odlazi u šumu gdje uviđa da se svako bavi vlastitim brigama...

Režija / Director: Eoin Duffy Scenarij / Screenplay: Eoin Duffy Direktor fotografije / Director of Photography: Eoin Duffy Montaža / Editor: Eoin Duffy Muzika / Music: Tobias Norberg, Gavin Little Zvuk / Sound: Gavin Little, Joe McHugh Kostimografija / Costume Design: Eoin Duffy Scenografija / Production design: Eoin Duffy Producent / Producer: Jamie Hogan Uloge / Cast: George Takei Kontakt / Contact: European Festivals Association, www.efa-aef.eu, info@efa-aef.eu FILMOGRAFIJA / FILMOGRAPHY 2013 - THE MISSING SCARF (kratki / short) 2012 - ON DEPARTURE (kratki / short)

Eoin Duffy je rođen u Irskoj. Inicijalno je studirao vizualne komunikacije na Institutu za tehnologiju u Dublinu, ali je zapostavio sve ostale medije kako bi se posvetio animaciji. Njegov film NESTALI ŠAL ušao je u uži izbor za nagradu Oscar na 86. dodjeli nagrada Američke filmske akademije i nominovan je za Nagradu za najbolji kratki film Evropske filmske akademije 2014. Filmovi su mu nagrađeni na Međunarodnom filmskom festivalu u San Francisku, Filmskom festivalu u Savani, Međunarodnom filmskom festival u Dalasu i na mnogim drugim filmskim festivalima.

E Albert the Squirrel makes a startling discovery...an empty space where once his favourite scarf lay.

He heads off into the forest only to find everyone else is preoccupied with worries of their own...

Eoin Duffy was born in Ireland. Eoin originally studied Visual Communication in DIT Dublin, but sidelined all media involved in favour of animation. His work has been shortlisted for an Oscar at the 86th Academy Awards and nominated for Best Short Film at the 27th European Film Awards. His films have won awards at the San Francisco International Film Festival, Savannah Film Festival, Dallas International Film Festival and many others.

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Israel, 2014, Colour, 20 min, Hebrew Režija / Director: Idan Hube Scenarij / Screenplay: Idan Hubel Direktor fotografije / Director of Photography: David Stagmeister Montaža / Editor: Idan Hubel Zvuk / Sound: Moshe Silver Kostimografija / Costume Design: Shai Friedman Scenografija / Production design: Estee Nemeth Producent / Producer: Kobi Azran Uloge / Cast: Adam Shmidt Kontakt / Contact: European Festivals Association, www.efa-aef.eu, info@efa-aef.eu

Pat-Lehem / Svakodnevni hljeb / Daily Bread Jonathan voli čokoladu. Jednoga dana ukrade posljednji preostali komad čokolade iz tegle. Nakon što ga maćeha uhvati na djelu, a braća otjeraju iz kuće, Jonathan odluči pobjeći od kuće. Kada počne da pada noć, hladnoća i glad ga mame da se vrati kući. Međutim, počne ga privlačiti privlači treptaj svjetla u mraku...

FILMOGRAFIJA / FILMOGRAPHY 2014 - DAILY BREAD (kratki / short) 2012 - THE CUT OFF MAN 2011 - GABY IS VERY HUNGRY (kratki / short) 2004 - PLEADING (kratki / short) 2002 - FATHERSON (kratki / short)

Idan Hubel je izraelski filmski autor. Sa počastima je diplomirao na Školi za film i televiziju Sam Spiegel u Jerusalemu. Njegov prvi igrani film, ISKLJUČIVAČ, 2012. godine premijerno je prikazan u programu Orizzonti Filmskog festivala u Veneciji i pobrao je odlične kritike kako u Izraelu tako i širom svijeta. Trenutno radi na svome sljedećem igranom filmu VEOMA VELIKO SVJETLO. E Jonathan loves chocolate. One day he steals the last remaining chocolate in the jar. When his stepmother catches him and his brothers ostracize him, he decides to run away. Night falls and the cold and the hunger beckon him to return home. But a glimmer of light in the darkness draws him nearer...

Idan Hubel is an Israeli film maker. He graduated with honors from the Sam Spiegel School of Film and Television in Jerusalem. His first feature film, THE CUT OFF MAN, premiered at the 2012 Venice Film Festival, in the Orizzonti section, receiving excellent reviews both in Israel and worldwide. At the moment he is working on his next feature film VERY BIG LIGHT.

Spain, Ecuador, 2013, Black & White, 16 min, No Dialogue

Pequeño bloque de cemento con pelo alborotado conteniendo el mar / Mali cementni blok razbarušene kose koja sadrži more / Little Block of Cement with Dishevelled Hair Containing the Sea Pas i kobila zajedno kreću na put. Sa svakim korakom koji pređu razlike među njima postaju sve vidljivije. Uprkos tome, duboko međusobno razumijevanje koje postižu kako vrijeme prolazi ukazuje na mogućnost da zajedno iskuse jedan blistav trenutak.

Jorge López Navarrete je rođen u Barseloni. 2011. stekao je zvanje magistra digitalne video produkcije na Univerzitetu Pompeu Fabra u Barseloni. MALI CEMENTNI BLOK RAZBARUŠENE KOSE KOJA SADRŽI MORE je njegov magistarski rad - niskobudžetni film finansiran vlastitim sredstvima.

E A dog and a mare embark on a voyage together. With every step they take, the differences between them become inevitably clearer yet the profound mutual understanding they develop over time shows the potential to suddenly produce a luminous moment between the two.

Jorge López Navarrete was born in Barcelona. In 2011 he earned on MA in Digital Video at the Pompeu Fabra University in Barcelona. His thesis project was a low-budget and self-financed short film LITTLE BLOCK OF CEMENT WITH DISHEVELLED HAIR CONTAINING THE SEA. 130 21. Sarajevo Film Festival l SHORT MATTERS! - European Film Academy Short Film Nominees 2014

Režija / Director: Jorge López Navarrete Scenarij / Screenplay: Jorge López Navarrete Direktor fotografije / Director of Photography: Carlos Mora Montaža / Editor: Jorge López Navarrete Muzika / Music: Carlo Marchionni Zvuk / Sound: Cristina Arias Scenografija / Production design: Carlos Enríquez, Cristina Martínez Producent / Producer: Jorge López Navarrete Uloge / Cast: Kinara, Tomi Kontakt / Contact: European Festivals Association, www.efa-aef.eu, info@efa-aef.eu FILMOGRAFIJA / FILMOGRAPHY 2013 - LITTLE BLOCK OF CEMENT WITH DISHEVELLED

HAIR CONTAINING THE SEA (kratki / short)

Bulgaria, 2013, Colour, 30 min, Bulgarian Režija / Director: Pavel G. Vesnakov Scenarij / Screenplay: Vanya Rainova, Pavel Vesnakov Direktor fotografije / Director of Photography: Orlin Ruevski Montaža / Editor: Karen Tonne Zvuk / Sound: Veselin Zografov Scenografija / Production design: Nikolai Zlatanov Producent / Producer: Vanya Rainova Uloge / Cast: Aleksandar Aleksiev, Ani Bakalova, Mihail Mutafov, Kaloian R. Pishmanov Kontakt / Contact: European Festivals Association, www.efa-aef.eu, info@efa-aef.eu

Pride / Ponos Manol je general u penziji i brižni djed strogih patrijarhalnih nazora i zacementiranih vrijednosti čije poštivanje očekuje od članova svoga domaćinstva. Jednoga dana Manol saznaje da je dječak kojeg je odgojio homoseksualac. Životni izbori osoba koje Manol voli sukobljavaju se sa njegovim vlastitim vrijednostima u bitci iz koje će Manol neizbježno izaći kao gubitnik.

FILMOGRAFIJA / FILMOGRAPHY 2015 - ZEUS (kratki / short) 2013 - PRIDE (kratki / short) 2012 - THE PARAFFIN PRINCE (kratki / short) 2011 - TRAINS (kratki / short)

Pavel G. Vesnakov je magistar filmske umjetnosti rođen u Sofiji 1987. Njegovi su filmovi prikazivani na brojnim filmskim festivalima, uključujući festivale u Locarnu, Sarajevu, Trstu, Tampereu i Leedsu.

Sa filmom PONOS je osvojio preko 20 nagrada, uključujući Veliku nagradu žirija glavnog takmičarskog programa Festivala u Clermont-Ferrandu. Film je 2014. nominovan za nagradu za najbolji kratki film Evropske filmske akademije.

E Manol, a retired general and a loving grandfather is a patriarch of firm morals and fixed beliefs, which he has upheld in his household. But on this day he learns that the boy he raised is gay. The life choices of his loved ones challenge his values in a battle he has lost by default.

Pavel G. Vesnakov, born in Sofia in 1987, holds a Master’s Degree in Film Arts. His films have been screened at international film festivals including Locarno, Sarajevo, Trieste, Tampere and Leeds.

His film PRIDE has won over 20 awards, such as the Grand Prix in the International Competition of Clermont-Ferrand. It was nominated for Best Short Film at the 2014 European Academy Awards.

Netherlands, Italy, 2014, Colour, 15 min, Italian, Tigrigna Režija / Director: Morgan Knibbe Direktor fotografije / Director of Photography: Morgan Knibbe Montaža / Editor: Morgan Knibbe Muzika / Music: Carlos Dalla-Fiore Zvuk / Sound: Vincent Sinceretti, Noah Pepper, Taco Drijfhout Producent / Producer: Jos de Putter, Wink de Putter Kontakt / Contact: European Festivals Association, www.efa-aef.eu, info@efa-aef.eu

Shipwreck / Brodolom 3. oktobra 2013. brod sa 500 izbjeglica iz Eritreje potonuo je u blizini obale italijanskog otoka Lampedusa. Više od 360 osoba se utopilo. Dok se stotine mrtvačkih kovčega utovara na vojni brod, u luci nastaje haos.

FILMOGRAFIJA / FILMOGRAPHY 2014 - SHIPWRECK (kratki dokumentarni / short doc.)

2014 - THOSE WHO FEEL THE FIRE BURNING

(dokumentarni / documentary) 2012 - A TWIST IN THE FABRIC OF SPACE

(kratki dokumentarni / short doc.)

Morgan Knibbe je diplomirao na Holandskoj filmskoj akademiji 2012. sa eksperimentalnim dokumentarcem PREOKRET U TKANJU PROSTORA. Film je uvršten u program Međunarodnog festivala dokumentarnog filma u Amsterdamu i osvojio je Wildcard Holandskog fonda za film, koja mladim rediteljima pruža priliku da razviju vlastiti kreativni izraz. Iskoristio je tu priliku kako bi snimio film ONI KOJI OSJEĆAJU KAKO VATRA GORI koji je 2014. godine osvojio nagradu Srebreni leopard Filmskog festival u Lokarnu i nominovan je za Evropsku filmsku nagradu.

E On 3 October 2013, a boat carrying 500 Eritrean refugees sunk off the coast of the Italian island Lampedusa. More than 360 people drowned. Chaos breaks loose at the harbour, whilst hundreds of coffins are being loaded onto a military ship.

Morgan Knibbe graduated from the Dutch Film Academy in 2012 with the experimental documentary A TWIST IN THE FABRIC OF SPACE. It was selected for IDFA and won a Wildcard from the Netherlands Film Fund, which gives young directors the opportunity to develop their own signature. He seized this opportunity to make THOSE WHO FEEL THE FIRE BURNING. It was awarded a Silver Leopard at the Locarno International Film Festival 2014 and it was nominated for a European Film Award.

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Portugal, Sri Lanka, Denmark, 2014, Colour, 24 min, French, Portugese

Taprobana Luis Vaz de Camões, najslavniji portugalski renesansni pjesnik, prolazi kroz kreativnu krizu dok piše svoje remek-djelo Os Lusiadas. Putuje od kakofonije indijske džungle do granica raja i pakla gdje se suočava sa svojim fantazijama: slavom i besmrtnošću.

Gabriel Abrantes je rođen 1984. Studirao je na Državnoj školi za umjetnost i na Državnom studiju za modernu umjetnost La Fresnoy u Francuskoj. Film ISTORIJA MEĐUSOBNOG POŠTOVANJA, koji je režirao zajedno sa Danielom Schmidtom, osvojio je nagradu Zlatni leopard za najbolji strani kratki film Filmskog festivala u Locarnu. FRATELLI, koji je 2011. režirao sa Alexandrom Melom, nagrađen je na Vila do Conde Film Festivalu, a njegov posljednji film TAPROBANA svjetsku premijeru imao je u Takmičarskom programu Filmskog festivala u Berlinu 2014. Gabriel živi u Lisabonu.

E Luis Vaz de Camões, the greatest Portuguese renaissance poet, struggles creatively as he writes his masterpiece Os Lusiadas. He travels from the cacophony of the Indic jungles to the frontier of Heaven and Hell, where he is confronted by his fantasy: fame and immortality.

Gabriel Abrantes was born in 1984. He studied at L’ École National des Beaux-Arts and Le Fresnoy Studio National des Arts Contemporains, France. A HISTORY OF MUTUAL RESPECT, co-directed with Daniel Schmidt, was awarded the Golden Leopard for Best International Short Film in Locarno. In 2011, FRATELLI, co-directed with Alexandre Melo, was awarded in Curtas Vila do Conde. TAPROBANA world premiered in Berlin’s shorts competition section in 2014. He lives in Lisbon.

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Režija / Director: Gabriel Abrantes Scenarij / Screenplay: Gabriel Abrantes Direktor fotografije / Director of Photography: Gabriel Abrantes Montaža / Editor: Natxo Checa Zvuk / Sound: Daniel Gries, Hugo Leitão Scenografija / Production design: Natxo Checa Producent / Producer: Natxo Checa, Patricia Drati, Tine Fischer, Vimukthi Jayasundara, Marta Furtado, Gabriel Abrantes Produkcija / Production: A Mutual Respect Productions Uloge / Cast: Natxo Checa, Jani Zhao Kontakt / Contact: European Festivals Association, www.efa-aef.eu, info@efa-aef.eu FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2014 - TAPROBANA (kratki / short) 2013 - ENNUI ENNUI (kratki / short) 2012 - ZWAZO / BIRDS (kratki / short) 2011 - PALACES OF PITY 2011 - LIBERDADE (kratki / short) 2011 - FRATELLI (kratki / short) 2010 - A HISTORY OF MUTUAL RESPECT (kratki / short) 2009 - VISIONARY IRAQ (kratki / short)

The Bigger Picture / Šira slika United Kingdom, 2014, Colour, 8 min, English Režija / Director: Daisy Jacobs Scenarij / Screenplay: Daisy Jacobs, Jennifer Majka Direktor fotografije / Director of Photography: Max Williams Montaža / Editor: Vera Simmonds Muzika / Music: Huw Bunford Zvuk / Sound: Jonas Andreas Jensen Scenografija / Production design: Elo Soode Producent / Producer: Chris Hees Uloge / Cast: Anne Cunningham, Christopher Nightingale, Alisdair Simpson Kontakt / Contact: BAFTA, www.bafta.org, info@bafta.org

Inovativni animirani likovi u prirodnoj veličini pričaju upečatljivu crnohumornu priču o brizi za ostarjelog roditelja.

E Innovative life-size animated characters tell the stark and darkly humorous tale of caring for an elderly parent.

Boogaloo and Graham / Boogaloo i Graham United Kingdom, 2014, Colour, 14 min, English Režija / Director: Michael Lennox Scenarij / Screenplay: Ronan Blaney Direktor fotografije / Director of Photography: Mark Garrett Montaža / Editor: Lívia Serpa Muzika / Music: Jered Sorkin Zvuk / Sound: Steve Bond Kostimografija / Costume Design: Susan Scott Scenografija / Production design: Niall McEvoy Producent / Producer: Brian J.Falconer Kontakt / Contact: BAFTA, www.bafta.org, info@bafta.org

Sedamdesetih godina prošloga vijeka dva dječaka u Belfastu otkrivaju životne istine uz pomoć svojih ljubimica kokoši.

E In 1970’s Belfast, two young boys discover the facts of life with the help of their pet chickens.

Emotional Fusebox / Emocionalni prekidač United Kingdom, 2014, Colour, 14 min, English Režija / Director: Rachel Tunnard Scenarij / Screenplay: Rachel Tunnard Direktor fotografije / Director of Photography: Bet Rourich Zvuk / Sound: Raoul Brand Producent / Producer: Michael Berliner Uloge / Cast: Jodie Whittaker, Lorraine Ashbourne, Rachael Deering, Edward Hogg Kontakt / Contact: BAFTA, www.bafta.org, info@bafta.org

Ana vodi samotnjački život u baštenskoj kućici svoje majke. Tu želi ostati, ali njena majka ima drugačije planove.

E Anna lives a hermit’s life in her Mum’s garden shed. She wants to stay there but her Mum has other plans.

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The Karman Line / Karmanova linija United Kingdom, 2014, Colour, 24 min, English Režija / Director: Oscar Sharp Scenarij / Screenplay: Dawn King Direktor fotografije / Director of Photography: Robbie Ryan Montaža / Editor: Alex Berry, Claudia Wass Muzika / Music: Bjarni Biering Scenografija / Production design: Jerry Bland Producent / Producer: Beaton Campbell, Hanby Tiernan Uloge / Cast: Olivia Colman, Shaun Dooley, Chelsea Corfield, David Cann Kontakt / Contact: BAFTA, www.bafta.org, info@bafta.org

Jedna majka obolijeva od neobične bolesti uslijed koje se postepeno podiže u zrak dok članovi njene porodice pokušavaju da se nose s tim.

E A mother contracts an unusual condition that causes her to rise gradually into the air, as her family struggles to cope.

Monkey Love Experiments / Majmunski ljubavni eksperimenti United Kingdom, 2014, Colour, 9 min, No Dialogue Režija / Director: Will Anderson, Ainslie Henderson Scenarij / Screenplay: Will Anderson, Ainslie Henderson Direktor fotografije / Director of Photography: Ruan Seuss Montaža / Editor: Neil Jack Muzika / Music: Atzi Zvuk / Sound: John Cobban, William Cory Producent / Producer: Cameron Frazer Kontakt / Contact: BAFTA, www.bafta.org, info@bafta.org

Inspirisan ljubavlju, zabludjeli majmun vjeruje da mu je suđeno da ode na mjesec.

E Inspired by love, a misguided monkey believes he is destined for the moon.

My Dad / Moj tata United Kingdom, 2014, Colour, 6 min, English Režija / Director: Marcus Armitage Scenarij / Screenplay: Marcus Armitage Zvuk / Sound: Laura Jane Stacey Uloge / Cast: Divian Ladwa Kontakt / Contact: BAFTA, www.bafta.org, info@bafta.org

Očev utjecaj počinje da mijenja svijet jednog mladića.

E A Dad’s influence begins to take hold on a young boy’s world.

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Slap / Šamar United Kingdom, 2014, Colour, 25 min, English Režija / Director: Nick Rowland Scenarij / Screenplay: Nick Rowland, Islay Bell-Webb Direktor fotografije / Director of Photography: Sverre Sordal Montaža / Editor: Mark Hammill Muzika / Music: Terence Dunn Zvuk / Sound: Matis Rei Kostimografija / Costume Design: Gabriella Morpeth Scenografija / Production design: Laura Mickiewicz Producent / Producer: Michelangelo Fano Uloge / Cast: Joe Cole, Stephen Bent, Elliott Tittensor, Skye Lourie Kontakt / Contact: BAFTA, www.bafta.org, info@bafta.org

Jedan se tinejdžer, bokser, konačno mora pomiriti sa istinom o samom sebi.

E A teenage boxer must finally come to terms with his true colours.

Three Brothers / Tri brata United Kingdom, 2014, Colour, 17 min, English Režija / Director: Aleem Khan Scenarij / Screenplay: Aleem Khan Direktor fotografije / Director of Photography: Craig Dean Devine Montaža / Editor: Alice Petit Zvuk / Sound: Mary Walsh Scenografija / Production design: Paulina Rzeszowska Producent / Producer: Matthieu de Braconier, Stephanie Paeplow Uloge / Cast: Kulvinder Ghir, Yousuf Hussain, Zain Muhammad Zafar, Muhammad Mujahid-Ali Shahzad Kontakt / Contact: BAFTA, www.bafta.org, info@bafta.org

Nakon što ih otac napušta kako bi otišao u Pakistan, Hamid se nađe u teškoj situaciji u kojoj mora da se brine o svojoj mlađoj braći. Film je inspirisan stvarnim događajima.

E Hamid struggles to provide and care for his younger brothers after their father abandons them in order to go to Pakistan. A story inspired by true events.

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Laško Summer Nights

138 Amy, Asif Kapadia 139 Citizenfour, Laura Poitras 140 Cobain: Montage of Heck / Cobain: Montaža pakla, Brett Morgen 141 Une jeunesse allemande / Jedna njemačka mladost / A German Youth,

Jean-Gabriel Périot 142 Paco de Lucía: la búsqueda / Paco de Lucía: Potraga / Paco de Lucía: A Journey,

Curro Sánchez 143 The Wolfpack / Čopor, Crystal Moselle

Amy Amy Winehouse, talenat koji se rađa jednom u generaciji, odmah je privukla svjetsku pažnju. Istinska jazz umjetnica u pravom smislu riječi - pisala je i pjevala iz srca te pomoću svog muzičkog talenta analizirala vlastite probleme. U kombinaciji sirove iskrenosti i vrhunskog talenta nastale su jedinstvene i obožavane pjesme modernog vremena. Tragično, neumorna medijska pažnja u kombinaciji sa Amynim problematičnim vezama, globalni uspjeh i opasan način života doveli su do njene propasti.

Kao društvo, slavili smo njen ogromni uspjeh, ali smo bili brzi u osudi njenih nedostataka kada nam je to odgovaralo. Iako je u početku predstavljao spas, talenat koji ju je krasio vremenom je postao okidač za njen slom.

Asif Kapadia poznat je po svojim vizuelno upečatljivim filmovima. Režirao je sveopšte hvaljeni dokumentarni film SENNA za Working Title, koji govori o legendi Formule 1 Ayrtonu Senni. SENNA je najuspješniji dokumentarni film Ujedinjenog Kraljevstva svih vremena, a osvojio je međunarodne nagrade, uključujući i dvije nagrade BAFTA za najbolji dokumentarni film i najbolju montažu, a bio je nominiran i za najbolji britanski film. Film je osvojio nagradu publike World Cinema na Filmskom festivalu u Sundanceu 2011., pored Britanske nezavisne filmske nagrade za najbolji dokumentarni film. Kapadiju zanima istraživanje života “autsajdera”, ljudi koji žive u bezvremenskim, ekstremnim ili nepopustljivim okolnostima ili okruženjima. Rođen u Hackneyu, u Londonu, 1972., studirao je režiju na Kraljevskom koledžu za umjetnost, gdje je prvi put dobio priznanje za svoj kratki film KRADLJIVAC OVACA koji je osvojio drugu nagradu na Međunarodnom filmskom festivalu u Cannesu 1998.

(Cinéfondation). Kapadijin prvi dugometražni film RATNIK osvojio je dvije nagrade BAFTA za najbolji britanski film godine. Njegov DALEKI SJEVER, snimljen na Arktiku, imao je svjetsku premijeru na Filmskom festivalu u Veneciji.

E A once-in-a-generation talent, Amy Winehouse instantly captured the world’s attention. A pure jazz artist in the most authentic sense - she wrote and sung from the heart using her musical gifts to analyse her own problems. The combination of her raw honesty and supreme talent resulted in some of the most unique and adored songs of modern era. Tragically, relentless media attention coupled with Amy’s troubled relationships, her global success and precarious lifestyle saw her life fall apart.

As a society, we celebrated her huge successes but were quick to judge her failings when it suited us.

The talent that was initially her salvation eventually became the trigger for her disintegration.

Asif Kapadia is known for his visually striking films. He directed the universally acclaimed SENNA for Working Title, a documentary on Formula One legend Ayrton Senna. SENNA is the highest grossing UK documentary of all time and has won international prizes including two BAFTAs for Best Documentary and Best Editing and was nominated for Best British Film. The film won the World Cinema Audience Award at Sundance 2011, along with the British Independent Film Awards for Best Documentary. Kapadia has an interest in exploring the lives of ‘outsiders’, characters living in timeless, extreme and unforgiving circumstances or landscapes. Born in Hackney, London in 1972, Kapadia studied filmmaking at the Royal College of Art where he first gained recognition with his short film THE SHEEP THIEF that won Second Prize at the Cannes International Film Festival 1998 (Cinefondation). Kapadia’s first feature THE WARRIOR won two BAFTA awards for Outstanding British Film of the Year. His FAR NORTH shot in the high Arctic had its world premiere at the Venice Film Festival.

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USA, United Kingdom, 2015, Colour and b&w, 128 min, English Režija / Director: Asif Kapadia Montaža / Editor: Chris King Muzika / Music: Antonio Pinto Zvuk / Sound: Emma-Louise Payne Producent / Producer: James Gay-Rees Uloge / Cast: Amy Winehouse, Yasiin Bey, Mark Ronson, Pete Doherty, Mitch Winehouse, Pete Doherty, Tony Bennett Kontakt / Contact: Focus Features International, www.focusfeatures.com FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - AMY (dokumentarni / documentary) 2013 - STANDARD OPERATING PROCEDURE

(kratki / short) 2012 - THE ODYSSEY (kratki dokumentarni / short doc.)

2010 - SENNA (dokumentarni / documentary) 2007 - FAR NORTH 2001 - THE WARRIOR 1996 - THE WAITING ROOM (kratki / short)

CITIZENFOUR CITIZENFOUR gledateljima omogućava pristup hongkonškom susretu filmske autorice Laure Poitras i novinara Glenna Greenwalda sa Edwardom Snowdenom, a tokom kojeg im je on predao povjerljive dokumente o masovnom kršenju prava na privatnost od strane američke Nacionalne sigurnosne agencije, NSA. Kada ju je Snowden kontaktirao u januaru 2013. godine koristeći se pseudonimom CITIZENFOUR, Poitras je već dvije godine radila na filmu o nadzoru komunikacija. Snowden je odlučio da stupi u kontakt sa Poitras jer je znao da je ona dugo vremena bila pod nadzorom vlade i da nije dozvolila da je to zaplaši. Kada joj je Snowden otkrio da je bivši visokopozicionirani obavještajni analitičar voljan da razotkrije masovni nezakoniti nadzor američkih građana od strane NSA-a, Poitras ga je ubijedila da joj dozvoli snimiti njihov susret. CITIZENFOUR vas uvodi u prostoriju u kojoj su Poitras, Greenwald i Snowden bili prisiljeni donositi brze odluke koje će utjecati na njihove živote i živote njima bliskih ljudi u nastojanju da prežive medijsku buru koja je bjesnila napolju. CITIZENFOUR vam neće samo prikazati kakvu opasnost predstavlja narušavanje prava na privatnost od strane vlade, već će vas natjerati i da je osjetite. Nakon što pogledate film zauvijek ćete drugačije gledati na vaš telefon, e-mail, kreditnu karticu, web pretraživač ili online profil.

Laura Poitras je filmska dokumentaristkinja i novinarka. Njeni su filmovi prikazani na festivalima širom svijeta i osvojili su brojne nagrade. Njen film o ratu u Iraku MOJA ZEMLJA, MOJA ZEMLJA je nominovan za nagrade Oscar i Emmy. Film ZAKLETVA o zatvoru Guantanamo je nagrađen nagradom za kinematografiju Filmskog festivala Sundance i prvom nagradom žirija za dokumentarni film Filmskog festivala u Edinburgu. Dva gore pomenuta filma su dio njene trilogije o Americi nakon 11. septembra 2001. godine, a koja je kompletirana filmom CITIZENFOUR. Izvještaji o aktivnostima NSA-a Laure Poitras su doprinijeli odluci da se nagrada Pulitzer za novinarstvo u službi javnosti 2014. godine dodijeli Guardianu i Washington Postu. Poitras živi u Berlinu.

USA, Germany, United Kingdom, 2014, Colour, 114 min, English, German, Portugese Režija / Director: Laura Poitras Scenarij / Screenplay: Laura Poitras Direktor fotografije / Director of Photography: Kirsten Johnson, Trevor Paglen, Laura Poitras, Katy Scoggin Montaža / Editor: Mathilde Bonnefoy Muzika / Music: Hans Schumann Zvuk / Sound: Frank Kruse Producent / Producer: Laura Poitras, Mathilde Bonnefoy, Sara Bernstein, Dirk Wilutzky Produkcija / Production: HBO Uloge / Cast: Edward Snowden, Glen Greenwald, Julian Assange, Laura Poitras, Barack Obama, Jeremy Scahill Kontakt / Contact: Delta Video, info@deltavideo.rs FILMOGRAFIJA / FILMOGRAPHY 2014 - CITIZENFOUR 2010 - THE OATH 2006 - MY COUNTRY, MY COUNTRY

E CITIZENFOUR gives audiences access to filmmaker Laura Poitras and journalist Glenn Greenwald’s encounters with Edward Snowden in Hong Kong, as he hands over classified documents providing evidence of mass illegal invasions of privacy by the National Security Agency (NSA). Poitras had already been working on a film about surveillance for two years when Snowden contacted her, using the name “CITIZENFOUR,” in January 2013. He reached out to her because he knew she had long been a target of government surveillance and had refused to be intimidated. When Snowden revealed he was a high-level analyst driven to expose the massive surveillance of Americans by the NSA, Poitras persuaded him to let her film. CITIZENFOUR places you in the room with Poitras, Greenwald, and Snowden as they attempt to manage the media storm raging outside, forced to make quick decisions that will impact their lives and all of those around them. CITIZENFOUR not only shows you the dangers of governmental surveillance—it makes you feel them. After seeing the film, you will never think the same way about your phone, email, credit card, web browser, or profile, ever again.

Laura Poitras is a documentary filmmaker and journalist. Her films have premiered at festivals worldwide and have received multiple honors. MY COUNTRY, MY COUNTRY focused on the Iraq War was nominated for an Academy Award and an Emmy Award. THE OATH, about Guantánamo, won the Sundance Cinematography Award and Edinburgh Film Festival Documentary Jury Award. These two films comprise the first two parts of her post-9/11 America trilogy, of which CITIZENFOUR is the final part. Poitras’ NSA reporting contributed to a Pulitzer Prize for Public Service awarded to The Guardian and Washington Post. She lives in Berlin.

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Cobain: Montage of Heck / Cobain: Montaža pakla Mladi Kurt je odrastao u Aberdeenu, država Washington. Bio je sretno, šarmantno dijete čiji je zapanjujući kreativni potencijal bio očigledan od rane dobi: slikao je, pravio muziku i pisao. Ovaj dokumentarni film, prvi koji je odobrila njegova porodica, priča njegovu priču - od početaka do nevjerovatnog uspjeha kao pjevača grupe Nirvana. Film opisuje njegov pad, nesigurnosti, drogu, depresiju i prerani kraj. Uz fotografije iz njegovog djetinjstva, koje su po prvi put stavljene na raspolaganje za ovaj film, kao i prethodno nepoznate arhivske snimke, razgovore sa roditeljima, rodbinom i prijateljima, onima koji su kasnije postali njegovi muzički savremenici i udovicom Courtney Love, Brett Morgen je napravio intiman prikaz života i umjetnosti ovog legendarnog pjevača koji se rijetko otvarao medijima.

Brett Morgen je rođen u SAD-u 1968. Studirao je američku mitologiju na Hampshire koledžu u Amherstu, Massachusetts, a zatim magistrirao film na Tisch školi za umjetnost u Njujorku. Njegov diplomski film ON THE ROPES (korežiran sa Nanette Burstein) dokumentarac je o mladim bokserima i njihovom treneru. Njegov portret legendarnog producenta Roberta Evansa, THE KID STAYS IN THE PICTURE (također surežirao sa Nanette Burstein), osvojio je brojne nagrade u SAD-u. Režirao je brojne reklame i muzičke spotove. Njegov film iz 2013. o grupi Rolling Stones, CROSSFIRE HURRICANE, nominiran je za nagradu Emmy.

E Young Kurt grew up in Aberdeen, Washington. A happy, winning child, his astonishing creative

potential is evident from an early age: he paints, makes music, and writes. This documentary, the first to be authorised by his family, tells his story – from his beginnings to his unbelievable success as Nirvana’s lead singer. The film also describes his fall, his insecurities, the drugs, his depression and his untimely end. Making use of photographs from his childhood that were made available for the first time for this film, as well as previously unknown archive footage, interviews with his parents, relatives and friends, those who later became his musical contemporaries, and his widow Courtney Love, Brett Morgen composes an intense, intimate portrait of the life and art of this legendary singer who rarely opened up to the media.

Brett Morgen was born in the USA in 1968. He studied American mythology at Hampshire College in Amherst, Massachusetts and then took an MFA in film at the Tisch School of the Arts in New York.

His graduation film ON THE ROPES (co-directed with Nanette Burstein) was a documentary about young boxers and their trainer. His portrait of legendary producer Robert Evans, THE KID STAYS IN THE PICTURE (also co-directed with Nanette Burstein) won numerous awards in the USA. He has directed a number of commercials and music videos. In 2013 his Rolling Stones film, CROSSFIRE HURRICANE, was nominated for an Emmy.

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USA, 2015, Colour, 132 min, English Režija / Director: Brett Morgen Scenarij / Screenplay: Brett Morgen Direktor fotografije / Director of Photography: Eric Edwards, Jim Whitaker, Nicole Hirsch Whitaker Montaža / Editor: Joe Beshenkovsky, Brett Morgen Muzika / Music: Kurt Cobain, Nirvana Zvuk / Sound: Jon Michaels Producent / Producer: Brett Morgen, Danielle Renfrew Behrens Produkcija / Production: End of Movie Uloge / Cast: Kurt Cobain, Wendy O’Connor, Don Cobain, Jenny Cobain, Kimberly Cobain, Tracy Marander, Krist Novoselic, Courtney Love Kontakt / Contact: Cinetic, sales@cineticmedia.com FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - COBAIN: MONTAGE OF HECK

(dokumentarni / documentary) 2012 - CROSSFIRE HURRICANE

(dokumentarni / documentary) 2007 - CHICAGO 10 (dokumentarni / documentary) 2002 - THE KID STAYS IN THE PICTURE

(dokumentarni / documentary) 1999 - ON THE ROPE (dokumentarni / documentary)

Une jeunesse allemande / Jedna njemačka mladost / A German Youth Mlada demokratija Zapadne Njemačke 1960-ih stidi se svoje nacističke prošlosti i uvučena je u ulogu imperijalističke i kapitalističke predstraže koja se suočava sa svojim komunističkim dvojnikom.

Poslijeratna generacija, u direktnom sukobu sa očevima, pokušava pronaći svoje mjesto. Studentski pokret je eksplodirao 1966. godine. Pas de deux između studenata i vlade se pogoršao i radikalizirao učesnike u postepenoj eskalaciji nasilja i odmazdi. Pva uzavrela omladina iznjedrila je novinara Ulrikea Meinhofa, režisera Holgera Meinsa, studente Andreasa Baadera i Gudrun Ensslin, te advokata Horsta Mahlera. Kad se studentski pokret srušio krajem 1968. godine, ostali su izolirani u svom radikalizmu i očajnički su tražili načine za nastavak revolucionarne borbe...

Jean-Gabriel Périot stvara djelo koje osvjetljava polimorfno stanje nasilja u našim društvima. Sve je prikazano kroz moć slika, bez govora ili komentara: kino-misao. Jean-Gabriel Périot kroz svoje se instalacije i videosnimke igra manipulacijom slika, voli sinkopiranu montažu, ostavlja da estetika radi na govoru - neizbježno političkom - izlazi iz slike da se bavi prostorom. Voli da podigne dimnu zavjesu i umnoži funkcije i medije da idu tamo gdje to ne očekujemo. Njegovi filmovi su izabrani i nagrađeni na festivalima širom svijeta.

E In the 1960s, the young democracy of West Germany was embarrassed by its Nazi past, and ingrown in its role as imperialist and capitalist outpost faced by its communist double. The postwar generation, in direct conflict with their fathers, was trying to find its place. The student movement exploded in 1966. The pas de deux between students and the government deteriorated, and radicalized those involved in a gradual escalation of violence and reprisals. From this seething youth emerged the journalist Ulrike Meinhof, filmmaker Holger Meins, students Andreas Baader and Gudrun Ensslin, as well as the lawyer Horst Mahler. When the student movement collapsed at the end of ’68, they remained isolated in their radicalism, and desperately sought ways to continue the revolutionary struggle...

France, Switzerland, Germany, 2015, Colour and b&w, 93 min, French, German Režija / Director: Jean-Gabriel Périot Scenarij / Screenplay: Jean-Gabriel Périot Montaža / Editor: Jean-Gabriel Périot Muzika / Music: Alan Mumenthaler Zvuk / Sound: Etienne Curchod Producent / Producer: Nicolas Brevière Produkcija / Production: Local Films Kontakt / Contact: Films Boutique, simon@filmsboutique.com

FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - A GERMAN YOUTH

(dokumentarni / documentary) 2012 - THE DEVIL (kratki dokumentarni / short doc.)

2011 - LOOKING AT THE DEAD (kratki / short) 2008 - ENTRE CHIENS AT LOUPS (kratki / short) 2006 - UNDER TWILIGHT (kratki / short) 2005 - UNDO (kratki / short) 2004 - WE ARE WINNING DON’T FORGET

(kratki dokumentarni / short doc.)

Jean-Gabriel Périot builds a work that reflects on the polymorphous status of violence in our societies. Everything goes through the power of pictures, without any speech or comment : a cinemathought. Through his installations and videos, Jean-Gabriel Périot plays with the manipulation of pictures, is fond of syncopated editings, leaves the aesthetics to work on the speech – inevitably political – goes out of the image to deal with space. He likes to put up a smokescreen and to multiply functions and media to go where we don’t expect him. His films have been selected and rewarded in festivals all around the world.

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Paco de Lucía: la búsqueda / Paco de Lucía: Potraga / Paco de Lucía: A Journey Gitarista Paco de Lucia kreće na jedanaestodnevnu turneju po Evropi u junu 2012. godine. Film počinje prikazom “rutine umjetnika”, ali se razvija kao putovanje u njegovu prošlost, uspomene i glavne događaje koji su doveli do toga da revolucionizira flamenco. Usponi i padovi tokom jednog simboličnog dana na turneji, od zore pa sve do trenutka kada Paco i njegovi muzičari sviraju završnicu koncerta, daju okvir priči o jednom od najznačajnijih muzičara 20. vijeka. Ovo nije samo fizičko putovanje, ovo je putovanje duboko u Pacovu dušu: sjećanja i stvari koje mu smetaju i koje ga uznemiravaju, koje ga zanimaju ili koje ga nasmijavaju. Vraćanjem u prošlost uz Paca kao jedinog pripovjedača, pratimo ga hronološki od djetinjstva do posljednjih dana na Majorci gdje je napravio zadnje izmjene na albumu koji je posthumno objavljen.

Curro Sánchez Varela je rođen u Madridu. Radi kao producent, publicista i filmski snimatelj. Diplomirao je audiovizuelnu komunikaciju na Univerzitetu CEU u San Pablu i filmsku režiju na Njujorškoj filmskoj akademiji. Autor je dokumentarnog filma DOBRO DOŠAO, GOSPODINE HOLLYWOOD i kratkog filma PRIVATNI TRENUCI. Osnovao je producentsku kuću Ziggurat Films, preko koje je producirao, kao filmski snimatelj i kao sin, svoj dokumentarni film PACO DE LUCÍA: POTRAGA, u kojem otkriva aspekte i nepoznate činjenice o umjetničkom životu i putu.

E In june 2012, guitar player Paco de Lucía embarks on an 11-day-tour throughout Europe. What begins as a part of his ‘’artistic routine’’, will become a journey into his past, his memory and the key elements that have led him to revolutionize Flamenco. The highs and lows during one symbolic day of the tour, from the dawn until the moment when Paco and his musicians play the closing theme of the concert, function as a framework of the story of one of the most important musicians of the twentieth century. It is not just a physical accompaniment, it is a voyage deep into Paco’s soul: his memories, things that bother and upset him, things that interest him or the ones that make him laugh his heart out. Through flashbacks and with Paco as a sole narrator, we follow him chronologically from his childhood until his final days in Mallorca, where he made final adjustments for his posthumous album.

Curro Sánchez Varela was born in Madrid. He works as a producer, publicist and cinematographer.

He graduated in Audiovisual Communications from the University San Pablo CEU as well as in Film Directing from the New York Film Academy. He is the author of the documentary BIENVENIDO MR HOLLYWOOD / WELCOME MR HOLLYWOOD and of the short film PRIVATE MOMENTS. He founded a production company, Ziggurat Films, through which he produced, as a cinematographer and as a son, his documentary PACO DE LUCÍA: LA BÚSQUEDA, in which he reveals the aspects and the unknown facts of the artist’s life and artistic path.

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Spain, 2014, Colour, 92 min, Spanish Režija / Director: Curro Sánchez Scenarij / Screenplay: Casilda Sánchez, Curro Sánchez Direktor fotografije / Director of Photography: Alejandro Garcia Flores, Carlos Garcia de Dios Montaža / Editor: Jose M.G. Moyano, Darío Garcia Muzika / Music: Paco de Lucia Zvuk / Sound: Tony Kremer Producent / Producer: Casilda Varela Ampuero Produkcija / Production: Ziggurat Films Uloge / Cast: Paco de Lucia, Pepe de Lucia, Alberto Gavira, Ricardo Modrego, Alejandro Sanz, Carlos Santana Kontakt / Contact: Ziggurat Films, info@zigguratfilms.com, www.zigguratfilms.com FILMOGRAFIJA / FILMOGRAPHY 2014 - PACO DE LUCÍA: A JOURNEY

(dokumentarni / documentary) 2010 - PRIVATE MOMENTS (kratki / short) 2008 - WELCOME MR HOLLYWOOD

(kratki dokumentarni / short doc.)

The Wolfpack / Čopor ČOPOR je dokumentarni film o braći Angulo koji kompletno djetinjstvo provode u stanu na Manhattanu, potpuno izolirani od društva, učeći o svijetu isključivo putem filmova koje gledaju. Cijelo djetinjstvo braća provode izvodeći scene iz svojih omiljenih filmova, koristeći pritom materijale koji su im dostupni isključivo u stanu, bez prijatelja i živeći od socijalne pomoći, a svoju znatiželju, kreativnost i maštu zadovoljavaju isključivo gledanjem filmova koji im pomažu da pobjegnu od stvarnosti ispunjenom izolacijom i usamljenošću. Međutim, sve se u potpunosti mijenja kada jedan od njih odluči pobjeći iz stana, a zatim i ostala braća požele izaći u svijet i prilagoditi se društvu o kojem su dotad učili samo preko televizijskog ekrana. ČOPOR je istinski primjer snage kojom filmovi mijenjaju svijet i spašavaju živote.

Crystal Moselle redateljica je iz Njujorka koja posljednjih desetak godina radi na kratkim pričama. Časopis The New York Times izabrao je njenu seriju SOMETHING BIG, SOMETHING SMALL u kojoj glume Pharrel Williams, Aurel Schmidt i Shepard Fairey. Producirala je i igrano-dokumentarni film EXCAVATING TAYLOR MEAD, koji govori o umjetniku iz centra grada i Warholovoj superzvijezdi (Warhol Superstar), prikazan na Whitney bijenalu savremene umjetnosti (Whitney Biennial) 2006. ČOPOR je njen prvi dugometražni dokumentarni film, dobitnik Velike nagrade žirija na Sundance Film Festivalu.

E The six Angulo brothers have spent their entire lives locked away from society in an apartment on the Lower East Side of Manhattan. Nicknamed THE WOLFPACK they’re all exceedingly bright, are home schooled, have no acquaintances outside their family and have practically never left their home. All they know of the outside world is gleaned from the films they watch obsessively and recreate meticulously, using elaborate homemade props and costumes. For years this has served as a productive creative outlet and a way to stave off loneliness - but after one of the brothers escapes the apartment (wearing a Michael Meyers mask for protection), the power dynamics in the house are transformed, and all the boys begin to dream of venturing out. THE WOLFPACK is a true example of the power of movies to transform and save lives.

USA, 2015, Colour, 84 min, English Režija / Director: Crystal Moselle Direktor fotografije / Director of Photography: Crystal Moselle Montaža / Editor: Enat Sidi Muzika / Music: Danny Bensi, Saunder Jurriaans, Aska Matsumiya Zvuk / Sound: Tom Paul Producent / Producer: Hunter Gray, Alex Orlovsky, Izabella Tzenkova Uloge / Cast: Bhagavan Angulo, Govinda Angulo, Jagadisa Angulo, Krsna Angulo,Mukunda Angulo, Narayana Angulo Kontakt / Contact: Magnolia Pictures, international@magpictures.com, www.magpictures.com FILMOGRAFIJA / FILMOGRAPHY 2015 - THE WOLFPACK (dokumentarni / documentary)

Crystal Moselle is a New York-based director working with short form storytelling for the past decade. Her series SOMETHING BIG, SOMETHING SMALL featuring Pharrel Williams, Aurel Schmidt, and Shepard Fairey was picked up by The New York Times. She also produced the feature documentary, EXCAVATING TAYLOR MEAD, a portrait of the downtown artist and Warhol Superstar which was part of the 2006 Whitney Biennial. THE WOLFPACK is her first feature length documentary, that has won the Grand Jury Prize at the Sundance Film Festival.

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Dječiji program / Children’s Programme

146 Antboy: Den Røde Furies Hævn / Antboy: Osveta crvene furije /

Antboy 2: Revenge of the Red Fury, Ask Hasselbalch 147 Cykelmyggen Og Minibillen / Mini i komarci / Mini and the Mozzies,

Flemming Quist Møller, Jannik Hastrup 148 Kahlil Gibran’s The Prophet / Prorok Khalila Gibrana, Roger Allers 149 Paper Planes / Avioni od papira, Robert Connolly 150 Il ragazzo invisibile / Nevidljivi dječak / The Invisible Boy, Gabriele Salvatores 151 Song of the Sea / Pjesma mora, Tomm Moore 152 Giovanni en het water ballet / Giovanni i balet na vodi /

Giovanni and the Waterballet, Astrid Bussink 152 Igramo se priče - Cvrčak i Mrav / Let’s Play a Story - The Grasshopper and the Ant,

Marina Andree Škop 153 Der kleine Vogel und das Blatt / Ptičica i list / The Little Bird and the Leaf,

Lena von Döhren 153 Der kleine Vogel und das Eichhörnchen / Ptičica i vjeverica /

The Little Bird and the Squirrel, Lena von Döhren 154 Messages dans l’air / Zračna pošta / Air-Mail, Isabelle Favez 154 Moulton Og Meg / Ja i moj Moulton / Me and My Moulton, Torill Kove 155 The Tie / Kravata, An Vrombaut

Antboy: Den Røde Furies Hævn / Antboy: Osveta crvene furije / Antboy 2: Revenge of the Red Fury Dječak Mravac popularaniji je nego ikad. Njegov suparnik Albert Gæmelkrå, zvani Buha, poražen je i sada provodi dane u samici na Institutu Dragsborg. Pelle je upravo napunio trinaest godina i uživa u životu superheroja. Pelleova drugarica Ida u idealnom svijetu bila bi njegova djevojka. Međutim, stvarni svijet je komplikovan i sada Pelle ima neočekivanog suparnika u borbi za Idinu ljubav: novi se dječak u školi, koji je na svoj način opasniji protivnik nego što je Buha ikada bio, ozbiljno namjerio da mu glatko preotme Idu...

Ask Hasselbach je rođen u Danskoj 1979. godine. Magistrirao je na Kraljevskoj danskoj akademiji likovnih umjetnosti 2010. godine. Iste godine je završio studij režije na Super16, filmskoj školi u Kopenhagenu. Izabran je 2013. godine za učesnika na forumu Nordic Film Lab kao jedan od 16 perspektivnih reditelja iz Skandinavije. Njegov debitantski film DJEČAK MRAVAC premijerno je prikazan u Torontu 2013. godine, a prodan je u više od 35 zemalja. DJEČAK MRAVAC je osvojio Roberta, nagradu Danske akademije, za najbolji film za djecu i mlade.

E Antboy is more popular than ever. His nemesis, Albert Gæmelkrå, aka The Flea, is defeated and now spends his days in a padded cell at the Dragsborg institute. Just turned 13, Pelle is enjoying life as a superhero. In an ideal world, Pelle’s pal Ida would be his girlfriend. But the real world is complicated and now Pelle has an unexpected rival for Ida’s affections: a new boy in school who, in his own way, is a more formidable foe than The Flea ever was, a smooth operator who is fully intent on luring Ida away from him...

Ask Hasselbach was born in Denmark in 1979. He graduated with a masters degree from the Royal Danish Academy of Fine Arts in 2010, the same year he completed his studies in directing at the Super16 film schoo in Copenhagen. In 2013 he was one of 16 up-and-coming filmmakers from Scandinavia selected to participate in the Nordic Film Lab. His feature debut, ANTBOY, premiered at Toronto in 2013 and has been sold to more than 35 countries. ANTBOY won a Robert – the Danish Academy Award – for Best Children and Youth Film.

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Denmark, Germany, 2014, Colour, 84 min, Danish, English Režija / Director: Ask Hasselbalch Scenarij / Screenplay: Anders Ølholm Direktor fotografije / Director of Photography: Niels Reedtz Johansen Montaža / Editor: Peter Brandt Muzika / Music: Peter Peter Zvuk / Sound: Thomas Huus, Bo Asdal Kostimografija / Costume Design: Louize Nissen Scenografija / Production design: Sabine Hviid Producent / Producer: Eva Jakobsen Produkcija / Production: Nimbus Film Uloge / Cast: Oscar Dietz, Samuel Ting Graf, Amalie Kruse Jensen, Astrid Juncher-Benzon, Boris Aljinovic, Marcuz Jess Petersen, Johannes Jeffries Sørensen, Hector Brøgger Andersen, Cecilie Alstrup Tarp, Nicolas Bro Kontakt / Contact: Attraction Distribution, info@attractiondistribution.ca, www.attractiondistribution.ca FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2014 - ANTBOY: REVENGE OF THE RED FURY 2013 - ANTBOY 2010 - THE CROSSING (kratki / short) 2009 - THE OTHER SIDE (kratki / short) 2008 - YOU’RE THE BEST (kratki / short)

Cykelmyggen Og Minibillen / Mini i komarci / Mini and the Mozzies Minijaturna buba Mini pojavljuje se u cirkusu buha zajedno sa Egonom i Dagmarom. Djevojka buha Miranda kinji Minija i na prevaru ga upetlja u Dagmarin ples, tako da ona padne i ugane nogu. Duboko postiđen, Mini bježi i pridružuje se bandi pljačkaša. Bandu predvodi buba Basse koji naređuje Miniju da provali u zalihe pčelinjeg meda, ali uhvate ga bube vojnici i osude na doživotni prisilni rad.

On se svidi bubama princezama i one ga usvoje kao svog kućnog ljubimca, dok ne pobjegne i ne potraži sklonište među pljačkašima...

Jannik Hastrup snimio je crtane filmove koje vole djeca mnogih generacija, a brojni su postali danski klasici, uključujući CIRCLEEN, BENNY’S BATHTUB, SAMSON I SALLY i filmove o Egonu, komarcu biciklistu. Hastrup je poznat po tome što pravi realistične i iskrene filmove za djecu.

Flemming Quist Møller je rođen 1942. godine u Danskoj. On je muzičar, umjetnik, scenarista, te autor i ilustrator knjiga za djecu. Korežirao je (sa Jannikom Hastrupom) vrlo popularan dječiji klasik BENNY’S BATHTUB, film iz 1971. u kojem i danas uživaju mladi. Koscenarista je na tri igrana filma Andersa Refna, reditelj i scenarista dva filma o Juri, koja su ostvarila veliki uspjeh na kinoblagajnama.

Prvi film JURA IZ DŽUNGLE osvojio je tri nagrade u Montevideou.

E The minibeetle Mini appears in a flea circus together with Egon and Dagmar. The flea-girl Miranda bullies Mini and tricks him into interfering in Dagmar’s line dancing so she falls and sprains her foot.

Deeply ashamed, Mini runs away and joins a gang of robbers. The gang is led by the Beetle called Basse, who orders Mini to break into the honey bee stock. But the bee-soldiers catch him, and he is sentenced to life-long hard labour. The bee- Princesses find him cute and adopt him as their pet until he flees and asks for sanctuary among the robbers...

Jannik Hastrup has directed animated films which have been loved by children through many generations. Hastrup is the creator of numerous animated films which have become Danish classics, including CIRCLEEN, BENNY’S BATHTUB, SAMSON AND SALLY and the films about the bicycling mosquito Egon. Hastrup has always been known for making realistic and honest films for children.

Flemming Quist Møller was born in 1942, Denmark. He is a musician, artist, screenplay writer, and author and illustrator of books for children.Co-director (with Jannik Hastrup) on the immensely popular children’s classic BENNY’S BATHTUB (1971), a film still enjoyed by young people today.

Co-writer on three of Anders Refn’s feature films. Director and writer on the two Jungo-movies, both successes at the boxoffice: the first film AMAZON JACK / JUNGLEDYRET was a triple winner at Montevideo.

Denmark, 2014, Colour, 76 min, Danish Režija / Director: Flemming Quist Møller, Jannik Hastrup Scenarij / Screenplay: Flemming Quist Møller Muzika / Music: Jesper Mechlenburg Zvuk / Sound: Niels Arild Producent / Producer: Marie Bro Produkcija / Production: Dansk Tegnefilm Kontakt / Contact: TrustNordisk, www.trustnordisk.com, info@trustnordisk.com FILMOGRAFIJA / FILMOGRAPHY Jannik Hastrup: Izbor / Selected 2014 - MINI AND THE MOZZIES 2013 - ASYLBARN - JAMILA, GID JEG KUNNE FLYVE

(kratki / short ) 2010 - CIRKELINE I FANDANGO (kratki / short ) 2005 - YOU’VE GOT SUGAR (kratki / short ) 2004 - CIRKELINE OG VERDENS MINDSTE SUPERHELT 1990 - FUGLEKRIGEN Flemming Quist Møller: Izbor / Selected 2014 - MINI AND THE MOZZIES 2007 - CYKELMYGGEN OG DANSEMYGGEN 1996 - JUNGLEDYRET HUGO - DEN STORE FILMHELT 1993 - JUNGLEDYRET 1988 - SKYGGEN AF EMMA 1982 - DET USYNLIGE PATTEBARN

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Kahlil Gibran’s The Prophet / Prorok Khalila Gibrana Nestašna osmogodišnja djevojčica Almitra na izmišljenom otoku Orphales upoznaje Mustafu, političkog zatvorenika u kućnom pritvoru. Iz ovog slučajnog susreta rađa se nevjerovatno prijateljstvo.

Međutim, tog kobnog dana kada se upoznaju, Mustafu vlasti obavještavaju da ga konačno puštaju, a stražari ga odmah prate do broda koji će ga vratiti u njegovu zemlju. Mustafa usput dijeli svoju mudrost i pjesme sa ljudima otoka Orphalese, dok ga Almitra krišom prati. Kada shvati da su vlasti pripremile vrlo mračno iznenađenje za Mustafu, ona mora učiniti sve što može da mu pomogne.

Roger Allers snimio je svoj debitanski dugometražni film KRALJ LAVOVA nakon plodne karijere u mediju animacije duge dvije decenije tokom koje je radio sve - od crtanja likova i animacija do knjiga snimanja sa crtežima kadrova (storyboard). Odigrao je značajnu ulogu u oblikovanju strukture i dijaloga za šest Disneyevih animiranih dugometražnih filmova prije nego što je snimio film KRALJ LAVOVA, uključujući filmove MALA SIRENA, LJEPOTICA I ZVIJER, ALADIN I ČAROBNA LAMPA. Rođen je u New Yorku, a radio je na izradi priče za film Mali Nemo u Zemlji snova, japanskog animacijskog studija Tokyo Film Shinsha. Nakon perioda putovanja od Japana do Nepala, Allers se vratio u Los Angeles i započeo karijeru za Walt Disney Feature Animation. Režirao je i animirani kratki film DJEVOJČICA SA ŠIBICAMA, prema priči Hansa Christiana Andersena. Film je bio nominovan za Oskara 2006. godine. Film PROROK KHALILA GIBRANA surežirao je sa Tommom Mooreom, Joanom Gratzom, Ninom Paley, Billom Plymptonom, Paulom Brizzije, Gaetanom Brizzijem, Michalom Sochom, Joann Sfar i Mohammedom Saeed Haribom.

E On the fictional island of Orphalese, a mischievous, eight-year-old girl, Almitra, meets Mustafa, a political prisoner under house arrest. From this chance encounter, an unlikely friendship is born.

But on this fateful day that they meet, Mustafa is told by the authorities that he is finally being released—and guards immediately escort him towards the ship that will take him back to his own country. Along the way, Mustafa shares his wisdom and poems with the people of Orphalese, while Almitra secretly follows him. When she realizes that the authorities have a very dark surprise in store for Mustafa, she must do everything she can to help him.

Roger Allers made his feature-film directing debut with THE LION KING, following a prolific two-decade career in the animation medium that included everything from character design and animation to storyboarding. He was instrumental in shaping the structure and dialogue for the six Disney animated features made before The Lion King, including THE LITTLE MERMAID, BEAUTY AND THE BEAST, The Prince and ALADDIN. Born in New York, he did story development for Tokyo Movie Shinsha’s Little Nemo in Slumberland. After a period of travel from Japan to Nepal, Allers returned to Los Angeles and began his career at Walt Disney Feature Animation. He also directed the animated short THE LITTLE MATCH GIRL, based on the Hans Christian Andersen tale. It was nominated for an Academy Award in 2006. He co-directed KHALIL GIBRAN’S THE PROPHET with Tomm Moore, Joan Gratz, Nina Paley, Bill Plympton, Paul Brizzi, Gaetan Brizzi, Michal Socha, Joann Sfar, Mohammed Saeed Harib.

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USA, France, Canada, Lebanon, Qatar, 2014, Colour, 84 min, English Režija / Director: Roger Allers Korežija / Co-directors: Tomm Moore, Joan Gratz, Nina Paley, Bill Plympton, Paul Brizzi, Gaetan Brizzi, Michal Socha, Joann Sfar, Mohammed Saeed Harib Scenarij / Screenplay: Roger Allers Direktor fotografije / Director of Photography: Bjarne Hansen Montaža / Editor: Jennifer Dolce Muzika / Music: Gabriel Yared, Damien Rice, Glen Hansard, Lisa Hannigan, Featued Cello Solos by Yo-Yo Ma Zvuk / Sound: James Wallace Producent / Producer: Clark Peterson, Salma HayekPinault, José Tamez, Ron Senkowski Uloge / Cast: Quvenzhané Wallis, Salma Hayek-Pinault, Liam Neeson, Alfred Molina, Frank Langella, John Krasinski Kontakt / Contact: Wild Bunch Films, www.wildbunch.biz FILMOGRAFIJA / FILMOGRAPHY 2014 - KHALIL GIBRAN’S THE PROPHET 2006 - OPEN SEASON 2006 - THE LITTLE MATCHGIRL (kratki / short ) 1994 - THE LION KING

Paper Planes / Avioni od papira AVIONI OD PAPIRA porodični je film o strasti za letenjem mladog australijskog dječaka i njegovom putovanju na takmičenje na svjetskom prventstvu aviona od papira u Japanu. Jedanaestogodišnji Dylan upoznaje japanskog juniorskog prvaka Kimija na državnom prventstvu aviona od papira u Sydneyu u Australiji. Između njih se razvija bliska veza i jedan drugom su izazov u kreiranju aviona kakav dosad nije viđen. Film je režirao jedan od vodećih australijskih reditelja Robert Connolly, sniman je na popularnim lokacijama, ima simpatične likove i snažnu priču o prijateljstvu između dvije zemlje. U filmu glume svjetski poznati glumci, između ostalih, Sam Worthington i Ed Oxenbould.

Robert Conolly je rođen u Sydneyu u Australiji 1967. Reditelj je, scenarista i producent. Dobio je četiri nagrade od Australijskog filmskog instituta za filmove, uključujući TRI DOLARA (2005.) i BALIBO (2009.). Učestvovao je na Međunarodnom filmskom festivalu u Berlinu 2014. kao producent i jedan od režisera epizodnog filma THE TURNIING. Koproducent je australijske TV miniserije GALLIOPI koja će se emitovati 2015. godine.

E PAPER PLANES is a family film that tells the story of a young Australian boy’s passion for flight and his journey to compete in the world paper plane championships in Japan. Eleven-year-old Dylan meets the junior Japanese champion Kimi in the national paper plane championships in Sydney, Australia. They develop a close bond, challenging each other to create a plane that has never been seen before. Directed by one of Australia’s leading filmmakers Robert Connolly, the film is set in iconic locations, with engaging characters and a powerful story of friendship between two countries.

It stars globally renowned cast including Sam Worthington and Ed Oxenbould.

Robert Conolly was born in Sydney, Australia in 1967. He is a director, screenwriter and producer.

He has received four awards from the Australian Film Institute for films including THREE DOLLARS (2005) and BALIBO (2009). In 2014 he appeared at the Berlin IFF as the producer and one of the directors of the episodic film THE TURNING. He is co-producer of GALLIPOLI, an Australian TV miniseries due to air in 2015.

Australia, 2015, Colour, 96 min, English Režija / Director: Robert Connolly Scenarij / Screenplay: Robert Connolly, Steve Worland Direktor fotografije / Director of Photography: Tristan Milani Montaža / Editor: Nick Meyers Muzika / Music: Nigel Westlake Zvuk / Sound: Chris Goodes Kostimografija / Costume Design: Lien See Leong Scenografija / Production design: Clayton Jauncey Producent / Producer: Robert Connolly, Maggie Miles, Liz Kearney Produkcija / Production: Arenamedia Uloge / Cast: Sam Worthington, Ed Oxenbould, Deborah Mailman, Ena Imai, Nicholas BakopoulosCooke, Julian Dennison, Terry Norris, Peter Rowsthorn, David Wenham Kontakt / Contact: Arclight Films, www.arclightfilms.com FILMOGRAFIJA / FILMOGRAPHY 2014 - PAPER PLANES 2009 - BALIBO 2005 - THREE DOLLARS 2001 - THE BANK

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Il ragazzo invisibile / Nevidljivi dječak / The Invisible Boy Michele ima trinaest godina, stidljiv je, nepopularan među djecom u školi i zaljubljen u Stellu. Nakon što odjene specijalni kostim za zabavu povodom Noći vještica, otkriva da je nevidljiv.

Gabriele Salvatores je rođen u Napulju 1950. Počeo je raditi kao pozorišni reditelj 1972. kada je osnovao Teatar dell’Elfo u Milanu u kojem je do 1989. na scenu postavio nekoliko avangardnih dramskih komada. Svoj treći igrani film MARAKEŠ EKSPRES režirao je 1989., a godinu dana kasnije režirao je film TURNÉ. Uloge u oba spomenuta filma odigrala je grupa njegovih prijatelja glumaca, između ostalih i Diego Abatantuono i Fabrizio Bentivoglio, koji će nastupiti i u mnoštvu njegovih kasnijih filmova. Film TURNÉ je 1990. prikazan u programu Un Certain Regard Filmskog festivala u Kanu. MEDITERRANEO iz 1991. pobrao je veoma pozitivne kritike u inostranstvu, a nagrađen je i Oskarom za najbolji film na stranom jeziku. Film je također osvojio tri nagrade David di Donattelo, inače najznačajnije filmske nagrade u Italiji. Godinu dana kasnije režirao je film SUD, kritički osvrt na političku i društvenu situaciju u južnoj Italiji iz perspektive nezaposlenih i osoba na marginama društva. Osnovna tema Salvatoresovih scenarija je bijeg od realnosti koju je nemoguće prihvatiti ili razumjeti, kao i beskonačna putovanja.

E Michele is thirteen year old, shy, unpopular at school, and in love with Stella. After wearing a costume for a Halloween party, he finds out that he’s invisible.

Gabriele Salvatores was born in Naples in 1950. He debuted as a theatre director in 1972, founding in Milan the Teatro dell’Elfo, for which he directed several avant-garde pieces until 1989. The same year, he directed his third feature film, MARRAKECH EXPRESS, which was followed in 1990 by TURNÉ. Both films shared a group of actor-friends, including Diego Abatantuono and Fabrizio Bentivoglio, who would be present in many of his later movies. TURNÉ was screened in the Un Certain Regard section at the 1990 Cannes Film Festival. In 1991, Salvatores received great international praise for MEDITERRANEO, which won an Academy Award as best foreign film. It also won three David di Donatello, the most important award for Italian cinema.The following year he directed SUD, an attempt to denounce the political and social situation of the Mezzogiorno of Italy seen from the point of view of the unemployed and those at the margins of society. The main themes of Salvatores’ screenplays are escape from a reality that cannot be accepted or understood and voyages that never end.

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Italy, France, 2014, Colour, 100 min, Italian Režija / Director: Gabriele Salvatores Scenarij / Screenplay: Alessandro Fabbri, Ludovica Rampoldi, Stefano Sardo Direktor fotografije / Director of Photography: Italo Petriccione Montaža / Editor: Massimo Fiocchi Muzika / Music: Goffredo Gibellini Zvuk / Sound: Marialuna Cipolla Kostimografija / Costume Design: D’Agostin Sara Scenografija / Production design: Rita Rabassini Producent / Producer: Carlotta Calori, Francesca Cima, Nicola Giuliano Uloge / Cast: Ludovico Girardello, Valeria Golino, Fabrizio Bentivoglio, Kseniya Rappoport, Noa Zatta, Laura Sampedro, Aleksey Guskov Kontakt / Contact: Pathé International, www.patheinternational.com FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - THE PROMISE (kratki / short) 2014 - THE INVISIBLE BOY 2014 - ITALY IN A DAY (dokumentarni / documentary) 2013 - DEADLY CODE 2008 - AS GOD COMMANDS 2003 - I’M NOT SCARED 1993 - SUD 1991 - MEDITERRANEO

Song of the Sea / Pjesma mora Zasnovan na irskoj legendi o Selkijima, PJESMA MORA je film o Saorise, posljednjem djetetu-tuljanu i njenom bratu Benu, koji kreću na epsko putovanje da spase svijet čarolije i otkriju tajne svoje prošlosti. Dok ih progoni vještica sova Macha i mnoštvo starih i mitskih bića, Saoirse i Ben utrkuju se s vremenom da probude Saoirsine moći i da spriječe da duhovni svijet zauvijek nestane. Jednako očaravajuć za odrasle, kao i za mlađu i stariju djecu, PJESMA MORA divan je film čarobnog pripovijedanja i vizuelne raskoši kojem je suđeno da postane klasik.

Ireland, Denmark, Belgium, Luxembourg, France, 2014, Colour, 93 min, English, Irish, Scottish Gaelic

E Based on the Irish legend of the Selkies, SONG OF THE SEA tells the story of the last seal-child, Saoirse, and her brother Ben, who go on an epic journey to save the world of magic and discover the secrets of their past. Pursued by the owl witch Macha and a host of ancient and mythical creatures, Saoirse and Ben race against time to awaken Saoirse’s powers and keep the spirit world from disappearing forever. As enthralling for adults as it is for children young and old, SONG OF THE SEA is a wonder of magical storytelling and visual splendor that is destined to become a classic.

Režija / Director: Tomm Moore Scenarij / Screenplay: Will Collins Montaža / Editor: Darragh Byrne Muzika / Music: Bruno Coulais, Kíla Zvuk / Sound: Felix Davin, Alexandre Jaclain Producent / Producer: Tomm Moore, Ross Murray & Paul Young, Stephan Roelants, Serge & Marc Umé, Isabelle Truc, Clément Calvet & Jérémie Fajner, Frederik Villumsen & Claus Toksvig Kjaer Produkcija / Production: Cartoon Saloon, Melusine Productions, The Big Farm, Superprod, NØRLUM Uloge / Cast: David Rawle, Brendan Gleeson, Fionnula Flanagan, Lisa Hannigan, Lucy O’Connell, Jon Kenny, Pat Shortt, Colm Ó’Snodaigh, Liam Hourican, Kevin Swierszcz Kontakt / Contact: WestEnd Films, info@westendfilms.com, www.westendfilms.com

Tomm Moore was born in Newry, Northern Ireland. He studied animationat Ballyfermot College in Dublin. He co-founded the animation studio Cartoon Saloon and has written, produced, animated and directed short films and commercials. He directed the animated feature THE SECRET OF KELLS, which was nominated for an Academy Award for Best Animated Feature. SONG OF THE SEA is his second feature.

FILMOGRAFIJA / FILMOGRAPHY 2014 - SONG OF THE SEA 2014 - KHALIL GIBRAN’S THE PROPHET (segment) 2009 - THE SECRET OF KELLS

Tomm Moore je rođen u Newryiju u Sjevernoj Irskoj. Studirao je animaciju na Koledžu Ballyfermot u Dublinu. Suosnivač je animacijskog studija Cartoon Salon, a radi kao pisac, producent, animator i reditelj kratkih filmova i reklama. Režirao je dugometražni animinirani film TAJNA KELLSA koji je bio nominovan za Oskara za najbolji dugometražni animirani film. PJESMA MORA njegov je drugi dugometražni film.

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Netherlands, 2014, Colour, 17 min, Dutch Režija / Director: Astrid Bussink Direktor fotografije / Director of Photography: Diderik Evers, Dirk-Jan Kerkkamp, Sal Kroonenberg Montaža / Editor: Femke Klein Obbink Zvuk / Sound: Tim van Peppen, Bouk Bouwmeester Producent / Producer: Hasse van Nunen, Renko Douze Produkcija / Production: Een van de jongens Kontakt / Contact: Een van de jongens, hasse@eenvandejongens.nl, eenvandejongens.nl

Giovanni en het water ballet / Giovanni i balet na vodi / Giovanni and the Waterballet Desetogodišnji Giovanni sanja o učešću na holandskom prvenstvu u sinhronizovanom plivanju. Pošto se njegova disciplina tradicionalno smatra ženskom, Giovanni baš ne uživa apsolutnu podršku. Ali on slijedi svoju viziju, a prijateljica Kim ga podržava. Kada su sami, njih dvoje razgovaraju o budućnosti.

Da li će Giovanni iskoristiti Kiminu podršku i uspjeti se kvalifikovati za prvenstvo?

FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - GIOVANNI AND THE WATERBALLET 2013 - WOOL FEVER (kratki dokumentarni / short doc.)

2012 - MR AND MRS GUNYA

(kratki dokumentarni / short doc.)

2008 - THE LOST COLONY

(dokumentarni / documentary) 2005 - THE ANGELMAKERS

(kratki dokumentarni / short doc.)

Astrid Bussink je rođena 1975. Studirala je na Umjetničkoj akademiji AKI u Enschedeu i na Koledžu za umjetnost u Edinburgu, Škotska. Tokom studija je snimila nagrađivani dokumentarac ANĐELOTVORCI. Producirala je dječiji dokumentarac SKROVIŠTE sa kojim je osvojila nagradu Zlatno tele za najbolji kratki dokumentarac na Holandskom filmskom festivalu. Bussink živi u Amsterdamu.

E Ten-year old Giovanni has a dream to compete in the Dutch Synchronized Swimming Championships. Because his chosen field is viewed as typically one for girls, not everybody is as understanding as they could be. But Giovanni runs his own race and Kim, his (girl)friend supports him. When they are alone they chat about the future. Will Kim’s support help Giovanni make it to the Championships?

Astrid Bussink was born in 1975. She studied at the Academy of Fine arts AKI in Enschede and at the Edinburgh College of Art in Scotland. During her studies she made the award-winning documentary THE ANGELMAKERS. She produced children’s documentary THE HIDEOUT, that has won the Golden Calf for Best Short Documentary at the Netherlands Film Festival. She lives in Amsterdam.

Croatia, 2015, Colour, 7 min, Croatian

Igramo se priče - Cvrčak i Mrav / Let’s Play a Story - The Grasshopper and the Ant Vrijeme je za krevet i majka svome sinu Tomi čita priču o cvrčku i mravu. Likovi iz priče ožive i vode nas u svoj magični animirani svijet. Međutim, Toma nije zadovoljan razvojem priče i odluči ispričati svoju verziju u kojoj likovi poprimaju drugačije osobine i zaplet se neočekivano mijenja.

Marina Andree Škop, rođena 1973, je producentica, redateljica i suvlasnica je hrvatske produkcijske kuće Studio dim. Njen dokumentarni film SEVDAH osvojio je nagradu publike na Sarajevo Film Festivalu 2009. godine kao i nekoliko drugih međunarodnih nagrada. U Studiju dim Marina trenutno priprema igrani film za djecu MOJ DEDA JE SVEMIRAC i TV serijal IGRAMO SE PRIČE (nagrada za najbolji projekt Cinekid dječijeg koprodukcijskog marketa 2014).

E It’s bed time and Mother reads to her son Toma a story about a Grasshopper and an Ant. The characters in the book come to life and take us to the magical animated world of the fable. However, Toma is not happy of the way the story unfolds and decides to tell his own version in which the characters get new traits and the story takes an unexpected turn.

Marina Andree Škop, born in 1973, is a director, producer and co-owner of Croatian production company Studio dim. Her documentary SEVDAH won the Audience Award at Sarajevo Film Festival 2009 together with several other international awards. With Studio dim Marina is currently developing fiction film for children MY GRANDPA IS AN ALIEN and TV series LET’S PLAY A STORY (Best Project Award at JCM Cinekid 2014).

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Režija / Director: Marina Andree Škop Scenarij / Screenplay: Pavlica Bajsić, Marina Andree Škop Direktor fotografije / Director of Photography: Filip Tot Montaža / Editor: Marina Andree Škop Muzika / Music: Animajungle Zvuk / Sound: Josip Klobučar Scenografija / Production design: Darija Kulenović Gudan Producent / Producer: Darija Kulenović Guda, Nynne Selin Eidnes, Petar Milić, Marina Andree Škop Produkcija / Production: Studio dim Koproducenti / Co-production: New York Dub (SAD), First Lady Film (Danska) Uloge / Cast: Dijana Vidušin, Roko Duplančić Kontakt / Contact: Studio dim, petar@dim.hr, www.dim.hr

FILMOGRAFIJA / FILMOGRAPHY 2014 - LET’S PLAY A STORY - THE GRASSHOPPER AND

THE ANT (kratki / short) 2009 - SEVDAH (dokumentarni / documentary)

Switzerland, 2012, Colour, 4 min, No Dialogue Režija / Director: Lena von Döhren Scenarij / Screenplay: Lena von Döhren Montaža / Editor: Fee Liechti Zvuk / Sound: Christof Steinmann, Producent / Producer: Ruedi Schick, Catherine Ann Berger Produkcija / Production: Swiss Effects Kontakt / Contact: Magnetfilm, www.magnetfilm.de, info@magnetfilm.de

Der kleine Vogel und das Blatt / Ptičica i list / The Little Bird and the Leaf

FILMOGRAFIJA / FILMOGRAPHY 2015 - THE LITTLE BIRD AND THE SQUIRREL

(kratki / short ) 2012 - THE LITTLE BIRD AND THE LEAF (kratki / short ) 2009 - LOVESTORY 2 (kratki / short )

Zima je. Na vrhu grane visi jedan usamljeni list. Crna ptičica prilazi da zalije list, ali list opada. Vjetar ga podiže i sa njim pleše kroz snijegom prekrivenu šumu. Oduševljena ptičica im se pridružuje, ali vatrenocrvena lisica krije se iza drveta i već se oblizuje.

Lena von Döhren je rođena u Berlinu 1981. Studirala je vizuelne komunikacije u Amsterdamu, a zvanje magistra stekla je na Univerzitetu za primijenjene nauke i umjetnost HSLU u Lucernu.

E It’s winter. At the end of a branch hangs a single leaf. A little black bird comes along to water the leaf, but it falls off. The wind lifts the leaf and dances with it through the snowy wood. The little bird joins in, delighted. But the fiery red fox behind the tree is already licking his lips.

Lena von Döhren was born in Berlin in 1981. She studied visual communications in Amsterdam and graduated with a master’s degree in design from Lucerne University of Applied Sciences and Arts HSLU.

Switzerland, 2014, Colour, 5 min, No Dialogue Režija / Director: Lena von Döhren Scenarij / Screenplay: Lena von Döhren Montaža / Editor: Fee Liechti Muzika / Music: Martin Waespe Zvuk / Sound: Christof Steinmann Producent / Producer: Gerd Gockell, Ted Sieger, Jochen Ehmann Produkcija / Production: Schattenkabinett Kontakt / Contact: Magnetfilm, www.magnetfilm.de, info@magnetfilm.de

Der kleine Vogel und das Eichhörnchen / Ptičica i vjeverica / The Little Bird and the Squirrel

FILMOGRAFIJA / FILMOGRAPHY 2015 - THE LITTLE BIRD AND THE SQUIRREL

(kratki / short) 2012 - THE LITTLE BIRD AND THE LEAF (kratki / short) 2009 - LOVESTORY 2 (kratki / short)

Jesen je. Na kraju duge grane visi posljednji preostali šareni list. Crna ptičica bi ga htjela zaliti, ali vjeverica joj ukrade vodu i sa njom počinje skakutati sa drveta na drvo. Ptičica prati drsku kradjivicu, ali joj se tada prišunja vatrenocrvena lisica. Vjevericu ne zanima kantica za zalijevanje. Ona vreba ptičicu i vjevericu...

Lena von Döhren je rođena u Berlinu 1981. Studirala je vizuelne komunikacije u Amsterdamu, a zvanje magistra stekla je na Univerzitetu za primjenjene nauke i umjetnost HSLU u Lucernu.

E It is autumn. There is one last colourful leaf hanging at the end of a long branch. The little black bird would like to water it, but the squirrel snatches away the watering can and begins hopping with it from tree to tree. The little bird follows the cheeky thief but then the fiery red fox comes stalking.

He is not interested in the watering can. He wants the bird and the squirrel...

Lena von Döhren was born in Berlin in 1981. She studied visual communications in Amsterdam and graduated with a master’s degree in design from Lucerne University of Applied Sciences and Arts HSLU.

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Switzerland, 2015, Colour, 6 min, French

Messages dans l’air / Zračna pošta / Air-Mail Djevojka se zaljubljuje u boksera kojega nema šanse da upozna, ali ptice pismonoše će zauvijek promijeniti njenu sudbinu. Da li će poruke u zraku dovesti do ostvarenja njenih snova?

Režija / Director: Isabelle Favez Scenarij / Screenplay: Isabelle Favez Montaža / Editor: Fee Liechti Muzika / Music: Mario Batkovic Zvuk / Sound: Loic Moniotte Producent / Producer: Nicolas Burlet Produkcija / Production: Nadasdy Film Kontakt / Contact: Nadasdy Film, info@nadasdyfilm.ch, www.nadasdyfilm.ch

FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - MESSAGES DANS L’AIR 2012 - AU COEUR DE L’HIVER 2006 - TARTE AUX POMMES 2003 - CASA LUNATICA 2003 - CIRCUIT MARINE 1999 - REPLAY 1995 - KINO

Isabelle Favez je rođena 1974. u Bernu, Švicarska. U periodu od 1994. do 1999. studirala je na Ciriškom univerzitetu za umjetnost ZHdK, Odjel za film i video, gdje je i stekla diplomu. Radi kao nezavisna autorica animiranog filma.

E A girl falls in love with a boxer she can never hope to meet, but the letter-birds will change her destiny forever.Will the messages in the air make her dreams come true?

Isabelle Favez was born in 1974 in Bern, Switzerland. From 1994 until 1999 she attended ZHdK (Zürcher Hochschule der Künste), Film and Video Department. In 1999 she graduated from ZHdK. Works as an independent animation filmmaker.

Canada, Norway, 2014, Colour, 14 min, English Režija / Director: Torill Kove Scenarij / Screenplay: Torill Kove Montaža / Editor: Alison Burns Muzika / Music: Kevin Dean Zvuk / Sound: Hakon Lammetun Producent / Producer: Lise Fearnley, Marcy Page Produkcija / Production: Mikrofilm AS, NFB Kontakt / Contact: KurzFilmAgentur Hamburg, www.shortfilmsales.com

Moulton Og Meg / Ja i moj Moulton / Me and My Moulton Intimna animirana priča o djevojčici koja želi da joj roditelji poklone bicikl, no dobije nešto sasvim drugačije. Priča ukazuje na različite stvarnosti u kojima žive djeca i odrasli.

Torill Kove je rođena i odrastala u Norveškoj, nakon čega zatim se u Kanadu. Studirala je animaciju na Univerzitetu Concordia u Montrealu. MOJA JE BAKA PEGLALA KRALJEVE KOŠULJE jedanaestominutni je kratki film, ujedno i prvi koji je Kove napisala, režirala i animirala. Film je osvojio više međunarodnih nagrada i nominiran je za Oskara. Njen kratki film snimljen 2014. JA I MOJ MOULTON također je nominiran za Oskara u januaru 2015.

E A personal animated story about a girl which wishes a bicycle from her parents, but gets something completely different, showing the different reality in which children and grown ups live in.

Torill Kove was born and raised in Norway but moved to Canada. She studied animation at Montréal’s Concordia University. The first professional film Kove wrote, directed and animated was the 11-minute MY GRANDMOTHER IRONED THE KING’S SHIRTS. It won numerous international awards and was nominated for an Academy Award®. Her 2014 short, ME AND MY MOULTON received an Oscar® nomination in January of 2015.

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FILMOGRAFIJA / FILMOGRAPHY 2014 - ME AND MY MOULTON (kratki / short ) 2013 - HOCUS POCUS ALFIE ATKINS 2006 - THE DANISH POET (kratki / short ) 2001 - MY GRANDMOTHER IRONED THE KING’S SHIRTS

(kratki / short )

Belgium, 2014, Colour, 9 min, No Dialogue

The Tie / Kravata Na pustoj planeti luta mala žirafa koju ignorišu više žirafe. Mala žirafa zatim sreće žirafu koja ima vrlo dugačak vrat i koja nosi vrlo dugačku kravatu. Mala žirafa se popne uz kravatu I dvije žirafe se igraju zajedno. Odjednom se pojavi zlobni oblak i pocijepa kravatu na dva dijela…

Režija / Director: An Vrombaut Scenarij / Screenplay: An Vrombaut Direktor fotografije / Director of Photography: An Vrombaut Montaža / Editor: An Vrombaut Muzika / Music: Frederik Sioen Zvuk / Sound: Frederik Sioen Kostimografija / Costume Design: An Vrombaut Scenografija / Production design: An Vrombaut Producent / Producer: Annemie Degryse Produkcija / Production: Lunanime Kontakt / Contact: Lunanime, mail@lunanime.be, www.lunanime.be

FILMOGRAFIJA / FILMOGRAPHY 2015 - THE TIE (kratki / short) 1996 - WHEN I GROW UP I WANT TO BE A TIGER

(kratki / short) 1992 - LITTLE WOLF (kratki / short)

An Vrombaut je rođena 1967. Magistrirala je animaciju na Kraljevskom koledžu za umjetnost u Londonu. Njen drugi kratki film KAD PORASTEM ŽELIM BITI TIGAR izabran je za Berlinski filmski festival, a najnoviji film KRAVATA animiran je u slikarskom stilu kompjuterske grafike. An je najpoznatija po tome što je napravila crtanu TV seriju ZOOLOŠKI PRILAZ BR. 64, jednu od najgledanijih emisija na BBC-jevom kanalu za predškolski uzrast.

E On a barren planet roams a small giraffe who is ignored by the taller giraffes. Then the small giraffe meets a giraffe with a very long neck, wearing a very long tie. He climbs up the tie and the two giraffes play together. But suddenly, a malicious cloud appears and tears the tie in two...

An Vrombaut was born in 1967. She earned an MA in animation at the Royal College of Art in London.

Her second short WHEN I GROW UP I WANT TO BE A TIGER was selected for the Berlin Film Festival.

Her most recent film THE TIE was animated in a painterly CG style. An is best known for creating the animated TV series 64 ZOO LANE, one of the highest-rating shows on BBC’s pre-school channel.

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TeenArena

158 14+, Andrey Zaytsev 159 Beautiful Girl / Prelijepa djevojka, Dominik Hartl 160 Min Lilla Syster / Moja mršava sestra / My Skinny Sister, Sanna Lenken 161 Prins / Princ / Prince, Sam de Jong 162 Utrip ljubezni / Ritam ljubavi / The Beat of Love, Boris Petković 163 Agnes, Anja Lind 163 Coach / Autobus, Ben Adler 164 Kääntöpaikka / Okretište / Turnaround, Aino Suni 164 Nelly, Chris Raiber 165 Obok mnie / Uz mene / Next To Me, Marta Prus 165 Piknik / Picnic, Jure Pavlović 166 TeenAction

14+ Priča o prvoj ljubavi dvoje četrnaestogodišnjaka u predgrađu velikog grada. Priča o modernom Romeu i Juliji koja se odvija na društvenim mrežama i na ulici koji nameću svoja pravila neprihvatljiva za mlade ljubavnike. Kako bi bili zajedno junaci filma moraju prevazići mnoge prepreke. Među njihovim školama vlada netrpeljivost, a njihov komšiluk i njihova zajednica od samoga početka njihovu ljubav doživljavaju kao čin izdaje. Naši junaci moraju da se nose sa nespremnošću svojih roditelja na kompromis i njihovim odbijanjem da shvate da djeca brzo odrastaju i da tinejdžeri imaju pravo na vlastite izbore. Mladi se ljubavnici istvoremeno bore sa vlastitom nesigurnošću i sumnjom u same sebe, te sa strahom od poduzimanja prvog poteza i osude. Ali njihova ljubav sve pobjeđuje.

Andrey Zaytsev je rođen 1975. Diplomirao je na Odjelu za žurnalizam Moskovskog državnog univerziteta Lomonosov i u klasi Alexandera Mitte na Višoj školi za režiju i scenarij. Stekao je zvanje diplomiranog reditelja igranog i dokumentarnog filma. Dva puta je osvojio nagradu Zlatni orao Ruske državne akademije za igrani film i nauku, kao i Laurel Branch nagradu za dokumentarni film i TV program. Također je dobitnik nagrade za kulturni doprinos Vlade Ruske Federacije za 2012. Zaytsev je glavni izvršni direktor Studija Septembar, specijaliziranog za produkciju TV programa, dokumentarnih i igranih filmova.

E A story of first love between two fourteen-year-olds that happened in a big city suburb. A story of modern Romeo and Juliet lived out in social networks and in the streets imposing the rules that lovers refuse to follow. To be together the main characters have to overcome many obstacles. There is bad blood between their schools and from the very beginning this love is a betrayal of their neighborhood and their community. Our heroes have to deal with their parents’ refusal to compromise or to acknowledge that children grow up quickly and a teenager is a personality with a right to choose.

They will deal with insecurity and self-doubts; face the fears of making the first step and being forsaken. But true love conquers all.

Andrey Zaytsev was born in 1975. Graduated from the Faculty of Journalism of the Lomonosov Moscow State University and Alexander Mitta’s class at the Higher Courses for Directors and Scriptwriters. Has a degree in directing of fiction films and documentaries. Two-time winner of the Golden Eagle Award by the National Academy of Motion Pictures Arts and Sciences of Russia and Laurel Branch Award for non-fiction films and TV works. Awarded by the Government of the Russian Federation for the Cultural Achievements in 2012. CEO of September Studio specialized in TV programs, documentaries and fiction films.

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Russia, 2015, Colour, 106 min, Russian Režija / Director: Andrey Zaytsev Scenarij / Screenplay: Andrey Zaytsev Direktor fotografije / Director of Photography: Kirill Bobrov, Shandor Berkeshi Montaža / Editor: Andrey Zaytsev, Yulia Batalova Zvuk / Sound: Vladimir Golovnitsky Kostimografija / Costume Design: Alana Snetkova Scenografija / Production design: Olga Khlebnikova Producent / Producer: Olga Granina, Andrey Zaytsev Produkcija / Production: September Studio Uloge / Cast: Gleb Kalyuzhny, Ulyana Vaskovich, Olga Ozollapinya, Alexey Filimonov, Dmitry Barinov, Xenia Pakhomova Kontakt / Contact: September Studio, natasha.reysner@gmail.com FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2012 / 2014 - MY GREAT WAR

(dokumentarni serijal / doc. series) 2012 / 2013 - A BRIDGE OVER THE ABYSS

(dokumentarni serijal / doc. series) 2011 - LAYABOUTS 2006 - POSTER 2002 - GLEB (dokumentarni / documentary)

Beautiful Girl / Prelijepa djevojka Petnaestogodišnja Charlotte misli da je odnos između njenih roditelja savršen. Utoliko njihov razvod na nju djeluje još više iznenađujuće, što predstavlja njenu prvu životnu lekciju o tome koliko bolna ljubav može biti. Charlotte mora da se preseli i da ide u novu školu. Tamo upoznaje dva dječaka, Sulzera i Carla, koji su najbolji prijatelji. Sulzer je površni ženskaroš kojeg djevojke obožavaju, a Carlo je njegova potpuna suprotnost. Njih troje nakon sudbonosnog susreta postaju nerazdvojni prijatelji.

Međutim, ostaje pitanje da li se u prijateljstvu ove trojke krije ljubav...

Dominik Hartl je rođen 30. septembra 1983. godine u Schladmingu u Austriji. Studirao je režiju i pisanje scenarija na Bečkoj filmskoj akademiji u Austriji gdje je u proljeće 2012. završio diplomski film VIENNA WAITS FOR YOU, kratku horor-komediju. Film je osvojio nekoliko nagrada i prikazan je na najvažnijim žanrovskim filmskim festivalima širom svijeta. Njegov prvi dugometražni film LIJEPA DJEVOJKA drama je o sazrijevanju koja će biti prikazan u kinima u oktobru 2015. Radio je i kao umjetnički direktor za jednu od najvećih austrijskih oglašivačkih kompanija.

E Fifteen-year-old Charlotte thinks her parents’ relationship is perfect. It’s all the more surprising for her when they get separated. Her parents’ separation is her first lesson in life on how painful love can be. Charlotte has to move and go to a new school. Here she meets two boys, Sulzer and Carlo, who are best friends. While Sulzer is a shallow lady’s man adored by girls, Carlo is his exact opposite.

Their fateful meeting makes three inseparable friends out of them. But the question remains if love isn’t hiding in the friendship of this trio...

Dominik Hartl was born on September 30th 1983 in Schladming, Austria. He studied directing and scriptwriting at the Film Academy Vienna, Austria, where he completed his bachelor-thesis film VIENNA WAITS FOR YOU, a horror-comedy short, in spring 2012. The film won several awards and was screened by the most important Genre-Film Festivals around the globe. His first feature film BEAUTIFUL GIRL a coming-of-age drama, will have it’s cinematic release in October 2015. He also worked as an art-director for one of the biggest Austrian advertising companies.

Austria, 2015, Colour, 95 min, German Režija / Director: Dominik Hartl Scenarij / Screenplay: Dominik Hartl, Claudia Kolland, Agnes Pluch Direktor fotografije / Director of Photography: Xiaosu Han, Andreas Thalhammer Montaža / Editor: Ingrid Koller, Christoph Loidl Muzika / Music: Paul Gallister, Matthias Weber Zvuk / Sound: Thomas Szabolcs Kostimografija / Costume Design: Monika Buttinger Scenografija / Production design: Maria Gruber Producent / Producer: Helmut Grasser, Constanze Schumann Produkcija / Production: Allegro Film Uloge / Cast: Jana McKinnon, Marlon Boess, Giacomo Pilotti FILMOGRAFIJA / FILMOGRAPHY 2015 - BEAUTIFUL GIRL 2014 - TURNING COLD (kratki / short ) 2012 - VIENNA WAITS FOR YOU (kratki / short ) 2012 - SIBLINGS (kratki / short ) 2010 - DROPIN (kratki dokumentarni / short doc. ) 2008 - IRON & BUTERFLY (kratki / short )

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Min Lilla Syster / Moja mršava sestra / My Skinny Sister Stella je djevojka koja samo što nije ušla u uzbudljivi i zastrašujući svijet adolescencije. Živi u sjeni starije sestre Katje, talentovane i lijepe umjetničke klizačice koja djeluje kao miljenica roditelja. Stella se trudi da oponaša svoju sestru kako bi zadobila više pažnje. Dok pažljivo posmatra svoju sestru, Stella shvata da nešto nije u redu. Katja krije poremećaj u ishrani koji je preuzeo kontrolu nad njenim životom i primorava ju da čuva tajnu. Stella je uvučena u začarani krug manipulacije i laži...

Sanna Lenken je diplomirala filmsku režiju, a magistrirala pisanje scenarija na Institutu dramskih umjetnosti Švedske državne filmske škole 2009. Snimila je nekoliko nagrađenih kratkih filmova, režirala DUPLI ŽIVOT, dvije sezone serije za mlade za Švedsku televiziju. Njen najnoviji kratki film RUČAK premijerno je prikazan u Takmičarkom programu Međunarodnog filmskog festivala u Gothenburgu u januaru 2013., nakon međunarodne premijere u konkurenciji Generation 14 plus na Berlinskom filmskom festivalu i Tribeca Film Festivalu.

E Stella is a girl just about to enter the exciting and scary world of adolescence. She lives in the shadow of her older sister Katja, a talented and beautiful figure-skater who her parents seem to adore. Stella is trying hard to imitate her sisters behavior to get more attention. While watching her sister close, Stella realizes something is wrong. Katja is hiding an eating disorder which has taken over her life. Stella is forced by Katja to keep it a secret, and is dragged into a vicious circle of manipulation and lies...

Sanna Lenken raduated film directing with a master in screenwriting at the Dramatiska institutet, the National film school of Sweden 2009. She’s made several of prize winning short films and has directed DOUBLE LIFE, a youth series in two seasons for Swedish Television. Her latest short film EATING LUNCH premiered in competition at Gothenburg International Film Festival in January 2013 followed by International Premiere at Berlinale Generation 14 plus competition and Tribeca.

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Sweden, Germany, 2015, Colour, 95 min, English, Swedish Režija / Director: Sanna Lenken Scenarij / Screenplay: Sanna Lenken Direktor fotografije / Director of Photography: Moritz Schultheiß Montaža / Editor: Hanna Lejonqvist Muzika / Music: Per Störby Jutbring Zvuk / Sound: Gustaf Berger Kostimografija / Costume Design: Mimmi Harms Oredsson Scenografija / Production design: Ellen Oseng Producent / Producer: Annika Rogell Produkcija / Production: Tangy, Fortune Cookie Film, Film i Väst, Sveriges Television, ZDF, Arte, Story Uloge / Cast: Rebecka Josephson, Amy Deasismont, Annika Hallin, Henrik Norlén, Maxim Mehmet, Ellen Lindbom, Åsa Janson, Hugo Wijk, Karin de Frumerie Kontakt / Contact: Wide, Paris, info@widemanagement.com FILMOGRAFIJA / FILMOGRAPHY 2015 - MY SKINNY SISTER 2013 - EATING LUNCH (kratki / short ) 2010 - YOGHURT 2009 - TRAVEMUNDE TRELLEBORG (kratki / short ) 2008 - VALBORG (kratki / short)

Prins / Princ / Prince PRINC je priča o Ayoubu, sramežljivom i mršavom sedamnaestogodišnjaku koji brzo odrasta na granici kriminalnog podzemlja u velikom gradu i koji je potpuno lud za Laurom, ljepoticom iz komšiluka.

Nažalost, Laura je već sa najopakijim dečkom u gradu. Ayoub se hrabro bori da osvoji Laurino srce, ali prije nego što bude princ, mora naučiti da bude čovjek.

Sam de Jong je rođen u Amsterdamu 1986. Studirao je na Holandskoj filmskoj akademiji. Njegov diplomski film MAGNEZIJ, koji je premijerno prikazan na Sundance Film Festivalu 2013., osvojio je nekoliko međunarodnih nagrada i bio je holandski kandidat za Studentskog Oskara 2013. godine.

Njegov je kratki film MARC JACOBS predstavljen 2014. godine u konkurenciji kratkih filmova u Berlinu (Berlinale Shorts). Također snima dokumentarce, muzičke spotove i reklame. PRINC je njegov debitantski dugometražni film.

E Prince is the story of Ayoub – a shy, lanky 17-year-old boy growing up fast on the cusp of the criminal underworld of the big city, and completely crazy about neighbourhood beauty Laura. Unfortunately, Laura’s already with the baddest boy in town. Valiantly, Ayoub fights to win Laura’s heart, but before he can be a prince he has to learn to be a man.

Sam de Jong was born in Amsterdam in 1986. He studied at the Netherlands Film Academy. His graduation film MAGNESIUM premiered at the Sundance Film Festival in 2013, won several international awards and was the Dutch entry for the 2013 Student Oscars. In 2014 his short film Marc Jacobs was presented in the competition of Berlinale Shorts. He also makes documentaries, music videos and commercials. PRINS is his feature film debut.

Netherlands, 2015, Colour, 78 min, Dutch Režija / Director: Sam de Jong Scenarij / Screenplay: Sam de Jong Direktor fotografije / Director of Photography: Paul Özgür Montaža / Editor: Mieneke Kramer Muzika / Music: Palmbomen Zvuk / Sound: Noah Pepper Kostimografija / Costume Design: Nedda Nagel Scenografija / Production design: Sanne Schat Producent / Producer: Gijs Kerbosch, Roel Oude Nijhuis, Gijs Determeijer Produkcija / Production: 100% Halal, Vice Media, Premier, Mongrel International Uloge / Cast: Ayoub Elasri, Jorik Scholten, Achraf Meziani, Oussama Addi, Elsie de Brauw, Sigrid ten Napel, Olivia Lonsdale, Chaib Massaoudi, Dean Liedermooy, Peter Douma, Colin George, Vincent van de Waal, Freddy Tratlehner Kontakt / Contact: Mongrel Media, info@mongrelmedia.com, www.mongrelmedia.com FILMOGRAFIJA / FILMOGRAPHY 2015 - PRINCE 2014 - MALAGUTI PHANTOM (kratki / short ) 2014 - MARC JACOBS (kratki / short ) 2012 - MAGNESIUM (kratki / short ) 2012 - YOUTH OF TODAY 2009 - WE GO EUROPE INSHA’ALLAH

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Utrip ljubezni / Ritam ljubavi / The Beat of Love Bruno, Leon i Zoki su mladići koji žive u Ljubljani i koji sve slobodno vrijeme troše na rimovanje i crtanje grafita. Bruno honorarno radi kao maser i vrlo je popularan kod mušterija. Jedne noći na zabavi upoznaje Ninu, mladu studenticu violine, te među njima odmah zaiskri ljubav. To traje do trenutka kada Nina uhvati Brunu u teškoj situaciji s njenom majkom Kristinom. Da bi dokazao svoju ljubav prema Nini, Bruno mora zaboraviti ko je i odakle dolazi, te svojom kreativnošću otkriti jedan potpuno novi svijet...

Boris Petković je rođen 1971. godine u Zenici. Diplomirao je na Višoj saobraćajnoj školi u Portorožu 1996. godine, a 2005. filmsku režiju na filmskoj školi EICAR u Parizu, gdje je predavao naredne tri godine. 2008. godine se vratio Sloveniju gdje trenutno živi i radi. Njegov dokumentarni film U GODINI HIP HOPA prikazan je na mnogim međunarodnim festivalima (Toronto, Beograd, Prizren ...), a nagrađen je na Međunarodnom festivalu DORF 2012. u Hrvatskoj.

E Bruno, Leon and Zoki are young men living in Ljubljana, spending all their free time in inventing rhymes and drawing graffiti. Bruno has a part-time job as a masseur and is very popular among customers. One night at a party he meets Nina, a young violin student, and love sparks immediately.

It lasts unti the moment when Nina catches Bruno in a difficult situation with her mother Kristina.

In order to prove his love for Nina, Bruno has to forget who he is and where he comes from, and to discover a whole new world with his own creativity...

Boris Petković was born in 1971 in Zenica. He graduated from the Higher Traffic School in Portorož in 1996, in 2005 he graduated film directing at the film school EICAR in Paris, where he taught during the following three years. In 2008 he returned to Slovenia where he currently lives and works. His documentary IN THE YEAR OF HIP HOP was shown at many international festivals (Toronto, Belgrade, Prizren...) and it was awarded at the International Festival DORF 2012 in Croatia.

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Slovenia, 2015, Colour, 77 min, Slovenian Režija / Director: Boris Petković Scenarij / Screenplay: Boris Petković Direktor fotografije / Director of Photography: Marko Brdar Producent / Producer: Frenk Celarc Produkcija / Production: Gustav Film, RTV Slovenia, MB Grip, Studio Rhytm, Media Pact Uloge / Cast: Judita Franković, Jernej Gašperin, Zlatan Čordić - Zlatko, Jožica Avbelj Kontakt / Contact: Gustav Film, distribucija@gustavfilm.si, http://gustavfilm.si

FILMOGRAFIJA / FILMOGRAPHY 2015 - THE BEAT OF LOVE 2011 - IN THE YEAR OF HIP HOP

(dokumentarni / documentary) 1998 - FORWARD

Sweden, 2014, Colour, 15 min, Swedish

Agnes

Režija / Director: Anja Lind Scenarij / Screenplay: Anja Lind Direktor fotografije / Director of Photography: Isabel Herlöfsson Montaža / Editor: Anja Lind Muzika / Music: Anders Isacson Zvuk / Sound: Anders Lind, Johan Johnson Kostimografija / Costume Design: Franciska Svenson Scenografija / Production design: Ida Thomasdotter Producent / Producer: Anja Lind, Simon af Wetterstedt Produkcija / Production: Plain Pictures Uloge / Cast: Sigrid Johnson, Joel Schmidt, Jenny Jernberg, Annie Fasth Kontakt / Contact: Plain Pictures, contact@plainpictures.se

Brat male Agnes deset je godina stariji od nje. Kad otkrije da on ima djevojku, Agnes zapravo ne razumije šta to njoj znači. Ona stvarno voli svog brata. Važniji joj je od dosadne mame koja provodi vrijeme čitajući. Kad prvi put dovede djevojku kući, Agnes je skeptična…

FILMOGRAFIJA / FILMOGRAPHY 2014 - AGNES (kratki / short)

Anja Lind je rođena u Kopomu, u Švedskoj, 1988. godine. Studirala je teoriju filma na Univerzitetu u Štokholmu, proizvodnju filmova na Akademiji dramske umjetnosti i pisanje scenarija na Nordijskoj visokoj narodnoj školi Biskup Arno u blizini Štokholma, gdje od 2008. godine živi i vodi producentsku kuću Plain Pictures.

E Little Agnes’ brother is ten years older than her. When he announces that he has a girlfriend, Agnes does not really understand what this means to her. She really loves her brother. He is more important to her than her boring mother who spends her time reading. When he brings home his girlfriend for the first time, Agnes is sceptical...

Anja Lind was born in Koppom, Sweden in 1988. She studied film theory at Stockholm University, filmmaking at the Dramatiska Institutet and scriptwriting at Biskops Arnö Nordens Folkhögskola near Stockholm. Since 2008 she has lived in Stockholm where she heads a production company called Plain Pictures.

France, United Kingdom, 2015, Colour, 14 min, English

Coach / Autobus Otac vodi sina na fudbal u Pariz, ali šta se dogodi kad im se auto pokvari i prihvate da se voze u autobusu punom engleskih navijača?

Ben Adler je studirao režiju u New Yorku, Pragu i Parizu. Njegovi kratki filmovi su izabrani na filmskim festivalima širom svijeta, između ostalih i na Londonskom festivalu kratkih filmova i Azijskom festivalu kratkih filmova, te su prodani kanalu France 2. Distributirao ih je Shorts International. Trenutno radi na igranim projektima. Radio je sa Wesom Andersonom kao pomoćni reditelj.

Režija / Director: Ben Adler Scenarij / Screenplay: Ben Adler, Aćim Vasić Direktor fotografije / Director of Photography: Julien Roux Montaža / Editor: Angelos Angelidis Muzika / Music: Yiannis Plastiras Zvuk / Sound: Simon Apostolou, Romain le Bras, Alix Clement Kostimografija / Costume Design: Marthe Dumas Scenografija / Production design: Chloé Zobel Producent / Producer: Gaëlle Mareschi Produkcija / Production: Thomas Schober Uloge / Cast: Conner Chapman, Stuart McQuarrie, Ben Batt Kontakt / Contact: Fluxus Films, Paris, gmareschi@kinology.com FILMOGRAFIJA / FILMOGRAPHY 2015 - COACH (kratki / short ) 2013 - PACT (kratki / short ) 2012 - FIRST DAYS (dokumentarni / documentary) 2009 - BAGATELLE (kratki / short ) 2007 - JOYEUX NOEL (kratki / short )

E A father takes his son to football in Paris but what happens when their car breaks down and they accept a ride from a coach full of traveling England supporters?

Ben Adler studied filmmaking in New York, Prague, and Paris. His short films have been selected at film festivals around the world including The London Short Film Festival and Short Shorts Film Festival Asia among others and have been sold to France 2. They are distributed by Shorts International.

Ben is currently developing feature projects. He worked as an assitant director with Wes Anderson.

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Finland, 2015, Colour, 9 min, Finnish

Kääntöpaikka / Okretište / Turnaround Dvanaestogodišnjakinja Sini ima simpatiju na internetu i on predlaže sastanak. Ona se iskrada sa zabave svojih roditelja da bi se sastala s njim na okretištu. Tamo je čeka tridesetogodišnji muškarac Henri. Sini slaže koliko ima godina i nakratko se osjeća kao da je u snu: dok sjedi do Henrija, dok se voze kroz komšiluk. Kad Henri parkira vozilo na šumskom putu, ona shvata da se od nje očekuje da ispuni neizgovoreno obećanje.

Režija / Director: Aino Suni Scenarij / Screenplay: Aino Suni Direktor fotografije / Director of Photography: Kerttu Hakkarainen Montaža / Editor: Jussi Sandhu Muzika / Music: Archieve Zvuk / Sound: Jarkko Kela Kostimografija / Costume Design: Liisa Pesonen Scenografija / Production design: Fabian Nyberg Producent / Producer: Ilona Tolmunen Produkcija / Production: Production company MADE Uloge / Cast: Alina Räkköläinen, Tomi Alatalo Kontakt / Contact: Production company MADE, ilona@made.fi, www.made.fi FILMOGRAFIJA / FILMOGRAPHY 2015 - TURNAROUND (kratki / short) 2015 - NEXT LEVEL (kratki / short) 2014 - LUNACHICKS (kratki / short) 2012 - WOLF CARVER (kratki / short)

Aino Suni je režiserka i scenaristica iz Helsinkija. Njen kratki film REZBAR VUKOVA bio je u selekciji Festivala u Clermont-Ferrandu 2012. godine i emitovan na kanalu Canal+. Suni je magistrirala filmsku scenaristiku na Univerzitetu u Salfordu 2014. godine.

E Twelve-year-old girl Sini has an internet-crush, who proposes a date. She ducks out of her parents’ party to meet him at a turnaround. There a thirty-year-old man, Henri, is waiting. Sini lies about her age and for a brief moment Sini feels like she is living her dream: sitting next to Henri, driving through the neighbourhood. When Henri parks the car on a forest road, she realizes she is expected to redeem an unspoken promise.

Aino Suni is a Helsinki-based director and screenwriter. Her short film WOLF CARVER was selected to Clermont-Ferrand festival in 2012 and was broadcasted by Canal+. In 2014 Suni obtained a Master’s degree in Film Screenwriting at University of Salford.

Austria, 2015, Colour, 17 min, German

Nelly Auto vozi kroz snijeg. Iza volana je Nelly. Ona ima 13 godina. Nelly želi ići kući. Od cilja je razdvajaju tri pitanja, dva ključa, vodena skakaonica i užurbano srce.

Chris Raiber je rođen 1973. u Beču, Austrija. Prvo iskustvo na filmu je stekao radeći za austrijsku televiziju, a zatim je upisao studij režije i dramaturgije u Los Angelesu. Svoj specifični narativni i vizuelni stil je izbrusio tokom 15 godina rada na reklamama, muzičkim spotovima, kratkim filmovima, dugim i kratkim knjigama.

E A car drives through the snow. Behind the wheel is Nelly. She is thirteen years old. Nelly wants to go home. Separating her from her goal are three questions, two keys, a diving tower and a racing heart.

Chris Raiber was born in 1973 in Vienna, Austria. He gained his first film experience with Austrian television before deciding to study directing and dramaturgy in Los Angeles. Through the creation of commercials, music videos, short films, long and short books he has shaped and moulded his own particular narrative and visual style over the last 15 years.

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Režija / Director: Chris Raiber Scenarij / Screenplay: Chris Raiber Direktor fotografije / Director of Photography: Mario Minichmayr Montaža / Editor: Roland Rathmair Muzika / Music: Karwan Marouf Zvuk / Sound: Franz Moritz Kostimografija / Costume Design: Anett Jäger Scenografija / Production design: Julia Grevenkamp Producent / Producer: Nikolaus Klingohr Produkcija / Production: Intersport Film Uloge / Cast: Antonella Lenauer, Steffen Höld, Gudrun Tielsch, Ann Birgit Höller, Peter Glonek, Max Mayer, Fanny Herzog Kontakt / Contact: Interspot Film GmbH, nikolaus.klingohr@interspot.at, www.interspot.at FILMOGRAFIJA / FILMOGRAPHY 2015 - NELLY (kratki / short) 2011 - DER LETZTE BLICK WAR LIEBE (kratki / short) 2011 - CATERINA & FRED (kratki / short)

Croatia, Poland, 2014, Colour, 14 min, Polish Režija / Director: Marta Prus Scenarij / Screenplay: Marta Prus Direktor fotografije / Director of Photography: Maciej Twardowski Montaža / Editor: Wojciech Janas Zvuk / Sound: Ewa Bogusz Producent / Producer: Ankica Tilić, Marcin Malatyński Produkcija / Production: Kinorama Uloge / Cast: Kinga Malaniuk, Tomasz Kot Kontakt / Contact: Lodz Film School, mg@filmschool.lodz.pl, filmschool.lodz.pl

Obok mnie / Pokraj mene / Next To Me Dvanaestogodišnju djevojčicu na povratku iz prodavnice na uglu uznemiravaju dvije starije djevojčice. Počinju da je prate kroz naselje. Na kraju se pojavljuje otac mlađe djevojčice. Želi ih naučiti lekciju, ali prevršit će mjeru. Film je parabola o kompleksnosti ljudske prirode - dotiče se pitanja izvora zla i agresivnosti. Koliko dobro poznajemo one koji su nam najbliži?

Marta Prus je rođena 1987. u Varšavi. Studentica je na Odjelu za režiju Poljske državne škole za film u Łódźu od 2009. Prethodno je studirala historiju umjetnosti na Univerzitetu u Varšavi. Završila je kurs dokumentarnog filma na Master školi filmske režije Andrzej Wajda.

FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - NEXT TO ME 2014 - TEEN MOM. POLAND

(dokumentarni serijal / doc. series) 2012 - EIGHTEENTH BIRTHDAY

(kratki dokumentarni / short doc.)

2010 - VAKHA AND MAGOMED

(kratki dokumentarni / short doc.)

E A twelve year old girl who’s leaving a corner food shop is bothered by two girls, older than her.

They start to follow her around the apartment blocks. At the end the father of the younger girl appears. Wanting to teach them a lesson he crosses the borders though. The film is the parable of the complex human nature – it touches upon the source of evil and aggression. Do we know those who are most close to us?

Marta Prus was born in 1987 in Warsaw. Since 2009 she is a student of directing departement at the Polish National Film School in Łódź. She previously studied art history at the University of Warsaw.

She graduated from documentary course at Andrzej Wajda Master School of Film Directing.

Croatia, 2015, Colour, 13 min, Bosnian

Piknik / Picnic Najprometniji dio dana u Sarajevu. Petnaestogodišnji Emir u društvu socijalnog radnika putuje na Igman kako bi proveo vikend sa svojim ocem Safetom koji tamo služi kaznu u zatvoru poluotvorenog tipa. Zbog saobraćajne gužve kasne...

Jure Pavlović je rođen 1985. Diplomirao je filmsku i TV režiju na Akademiji dramske umjetnosti u Zagrebu, a značajno iskustvo je stekao radeći kao asistent režije na više dugometražnih filmova, te učestvujući u radu niza međunarodnih filmskih radionica i talent kampusa, uključujući Berlinale Talents, Sarajevo Talent Campus, MAIA, Microvawe Film London Micro School itd. Njegovi su kratki filmovi POLA URE ZA BAKU i KIŠOBRAN prikazani na preko 50 filmskih festivala osvojivši šest nagrada. Njegov treći kratki film PIKNIK premijerno je prikazan na 65. Međunarodnom filmskom festivalu u Berlinu u programu Generacija 14plus.

Režija / Director: Jure Pavlović Scenarij / Screenplay: Jure Pavlović, Džejna Avdić Direktor fotografije / Director of Photography: Almir Fakić Montaža / Editor: Dragan Von Petrović Zvuk / Sound: Vladimir Božić Kostimografija / Costume Design: Emina Sulejmani Scenografija / Production design: Emina Sulejmani Producent / Producer: Luka Venturin Produkcija / Production: Sekvenca Uloge / Cast: Emir Mušić, Aleksandar Seksan, Senad Alihodžić Kontakt / Contact: Sekvenca, luka@sekvenca.hr, www.sekvenca.hr FILMOGRAFIJA / FILMOGRAPHY 2015 - PIKNIK / PICNIC (kratki / short) 2012 - KIŠOBRAN / UMBRELLA (kratki / short) 2010 - POLA URE ZA BAKU / HALF AN HOUR FOR

GRANDMA (kratki / short)

E Sarajevo, rush hour. Fifteen-year-old Emir, accompanied by a social worker, is on his way to meet his father Safet for a weekend picnic at Igman, a semi-open penitentiary. Due to the heavy traffic they are late...

Jure Pavlović, born in 1985, graduated film and TV directing at the Academy of Dramatic Art in Zagreb.

He worked as an assistant director on several feature films gaining precious experience and took part in different international workshops and talent venues like Berlinale Talents, Sarajevo Talent Campus, MAIA, Microvawe Film London Micro School, etc. His short films HALF AN HOUR FOR GRANDMA and UMBRELLA were shown on more then 50 festivals winning 6 awards. His third short film PICNIC premiered at 65th Berlinale – Berlin International Film Festival in Generation 14plus programme.

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FILMOVI IZABRANI OVE GODINE / FILMS SELECTED THIS YEAR:

TeenAction TeenAction pruža mogućnost tinejdžerima Bosne i Hercegovine da se kroz film kreativno izraze o temi srodnoj njihovom uzrastu.

Projekt TeenAction namjenjen je tinejžerima do 19 godina koji svoje stavove, razmišljanja, ideje i kreativnost žele izraziti u formi kratkog filma. Mladim autorima pruža se prilika da svoja ostvarenja prikažu u kinu pred hiljadama vršnjaka u skopu programa TeenArena te da po završetku Sarajevo Film Festivala u sklopu Operacije Kino, odnosno programa TeenAction Meets Punk Cinema, njihov film vidi publika diljem Bosne i Hercegovine.

E Teen Action gives teenagers of Bosnia and Herzegovina an opportunity to creatively express themselves through film about topics that interest them.

The TeenAction project is intended for teenagers who want to express their opinions, thoughts, ideas and creativity through short film. Young authors are given the opportunity to screen their films in a cinema in front of thousands of peers as part of the TeenArena programme. Also, after the Sarajevo Film Festival, their film will be seen by audiences across Bosnia and Herzegovina as part of Operacija Kino, i.e. the TeenAction Meets Punk Cinema programme.

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· ZA OCJENU VIŠE, Amar Komić · LIVING NIGHTMARES, Amer Prevljak · RICORDO, Ana Milijević · SIJALICA, Benjamin Konjicija · NOVI POČETAK SA POZORIŠTEM, Darko Dragić, Siniša Radusinović · HOLDING HANDS, Lamija Lagumdžija · KLACKALICA ŽIVOTA, Lamija Nović, Nejra Kravić, Boško Krljaš · TEST OF TIME, Robert Buzuk · MUŠKO DOBA, Sanja Milović, Emina Đapo · THIS IS IT, Sara Ristić · JA MISLIO ON LOPOV, Selmin Delić · ALEJA KESTENOVA, Semin Škodrić-Novalić · A LUNAR ADVENTURE, Zahid Lagumdžić

Posvećeno / Tribute To

POSVEĆENO / TRIBUTE TO BRILLANTE MENDOZA 171 Kinatay / Iskasapljena / Butchered: The Execution of P.,

Brillante Mendoza 172 Lola / Baka / Grandmother, Brillante Mendoza 173 Sapi / Zaposjednutost / Possession, Brillante Mendoza 174 Serbis / Servis / Service, Brillante Mendoza 175 Taklub / Zamka / Trap, Brillante Mendoza

POSVEĆENO / TRIBUTE TO ATOM EGOYAN 179 Ararat, Atom Egoyan 180 Exotica / Egzotika, Atom Egoyan 181 The Sweet Hereafter / Slatka budućnost, Atom Egoyan

Posvećeno: Brillante Mendoza / Tribute To Brillante Mendoza

Brillante Mendoza

Brillante Mendoza smatra se predvodnikom „trećeg zlatnog doba“ filipinske kinematografije.

Iako naše vrijeme karakterizira potreba da svrstavamo i poistovjećujemo nove kreativne glasove sa određenim talasima koji navodno održavaju momentum onih koji ih jašu, takva kvalifikacija možda unizuje rad Brillantea Mendoze. On je, naime, tokom godina dokazao da lično održava vlastiti momentum ne mareći za uzuse trenutne mode, i to sasvim sigurno ne slučajno. Zbog toga nam je iznimno zadovoljstvo što ćemo ove godine ugostiti Brillantea Mendozu i sigurni smo da je izbor njegovih filmova, kojim ćemo mu odati počast, dovoljan dokaz Mendozine osvježavajuće autentičnosti koja je osvojila ljubitelje filma širom svijeta.

Rođen 1960., Mendoza je inicijalno ostvario uspješnu karijeru u reklamnoj industriji kao dizajner produkcije. Filmom se počeo baviti relativno kasno – svoj prvi igrani film režirao je u 45. godini života. Međutim, u nevjerovatno kratkom periodu uspio je postići nešto što mnogi ne postižu ni za čitav život. U samo deset godina režirao je 16 filmova, uključujući filmove kao što su MASER, VRELINA LJETA, MANORO, USVOJENO DIJETE, PRAĆKA i ZAROBLJENIK. Iako imenovani filmovi nisu ušli u našu selekciju, oni su prikazani na festivalima širom svijeta, uključujući festivale u Berlinu i Kanu, te su tako doprinijeli procvatu Mendozine karijere.

U okviru ovogodišnje retrospektive u Sarajevu, moći ćete pogledati pet igranih filmova Brillante Mendoze. Hronološki gledano, prvi je film SLUŽBA. Njime je Mendoza privukao značajnu međunarodnu pažnju 2008., nakon što je film prikazan na Festivalu u Cannesu, i to kao njegov prvi film uvršten u ekskluzivni festivalski takmičarski program. Smješten u kino koje svoje posjetioce bolno podsjeća na davno izgubljeno glamurozno, a zatim zapušteno porno gledalište, SERVIS duboko zaranja u svijet prevara zahvaljujući kojima taj porodični biznis na jedvite jade opstaje.

Za Medozu se bez sumnje može reći da je u potpunosti iskoristio sve prednosti sve lakše filmske tehnologije. Zahvaljujući svome neopterećenom, dinamičnom kinematografskom stilu, Mendoza pravi filmove koji zrače senzualnošću i gledaocima pružaju rijedak uvid u njima dalek, pa ipak nevjerovatno realan svijet. Mendoza se drži takvog pristupa od početka svoje filmske karijere, a SERVIS je bez sumnje potvrdio da se radi o zanimljivom, novom filmskom glasu: reditelju koji će prikazati obične ljude u neobičnim situacijama istovremeno rješavajući umjetnički veoma zahtjevan zadatak – da blisko oslika svoje protagoniste, a da pritom ne iznosi sud o njima. Svega godinu dana

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nakon SERVISA, dakle 2009. godine, Brillante Mendoza se vratio u Cannes kako bi se filmom ISKASAPLJENA uključio u utrku za Zlatnu palmu i trijumfovao osvojivši nagradu za najboljeg reditelja. I u tom je filmu Mendoza zaronio u tmurni, podzemni svijet kriminala i siromaštva.

Beskompromisno prezentiranje brutalnosti u filmu ISKASAPLJENA među kritičarima je izazvalo popriličnu pometnju. U centru filmske priče je mladić po imenu Peping koji uskoro treba da se oženi. Kako bi zaradio nešto novca i tako postao pogodan za ženidbu i osnivanje porodice, Peping počinje saradnju sa okrutnim kriminalcima čij je zadatak da održe lekciju jednoj zaduženoj prostitutki. Neki su film odbacili pod optužbom da je previše mračan i da svojim protagonistima ne nudi nikakvu mogućnost iskupljenja.

Međutim, Mendoza je uprkos kritikama ostao vjeran svojoj originalnoj ideji. Čini se da je njegov cilj upravo da svojim likovima ne ponudi malo vjerovatan, iskupljujući kraj, već da istraži uvjete u kojima zlo postaje poput plašta koji prekrije i zarobi naizgled „sasvim obične“ ljude.

Mendoza i nakon ovog filma ostaje iznimno plodotvoran. Zapravo, iste se godine sa filmom LOLA takmiči za nagradu Zlatni lav na Filmskom festivalu u Veneciji. LOLA nudi nešto jasniju postavku za moralnu dilemu. Zaplet se vrti oko svađe dvije bake – jedne koja oplakuje smrt svoga ubijenog unuka dok nastoji pronaći novac za njegovu sahranu i druge koja svoga unuka, okrivljenog za to ubistvo, očajnički želi spasiti od zatvorske kazne. Osnovna ideja je briljantna, simetrija suprotnosti dodatno obogaćena Mendozinim specifičnim autorskim stilom. Bez obzira na nešto dihotonomičniju narativnu liniju, Mendoza protagoniste filma posmatra van jasno zadatih kategorija ispravnog i pogrešnog, tjerajući nas da sami procijenimo kako bismo se mi ponašali u tako delikatnoj situaciji.

Naredni film u našem izboru nešto je drugačiji od gore spomenutih, ali ilustruje Mendozin kreativni raspon i njegovu spremnost da istupi van zadatih okvira. U horor filmu SAPI, napravljenom prvenstveno za filipinsko tržište, Mendoza ponovo otkriva tendenciju da zamuti liniju između fikcije i stvarnosti nudeći nam zastrašujuće efektivan prikaz TV ekipe koja istražuje niz ritualnih istjerivanja đavla.

Naravno, Mendoza je i ovaj film nastanio moralno upitnim likovima, poigravajući se sa pitanjem medijske prezentacije događaja i potencijala medijskih pretpostavki da se zaista i ostvare.

Na kraju, posljednji film uključen u retrospektivu, ujedno i njegov zadnji film je ZAMKA. U filmu Mendoza slika intiman portret posljedica tajfuna Yolanda koji je devastirao gusto naseljeni grad Tacloban. Opravdano suptilniji od Mednozinih

prethodnih filmova, ZAMKA se fokusira na svakodnevnu rutinu grupe ljudi koja se skromno gura kroz život zaokupljena svakodnevnim preživljavanjem dok se svijet oko nje ruši.

Mendoza, koji nikada ne bježi od toga da prikaže mnoštvo međusobno suprotstavljenih strana svakog pojedinačnog čovjeka, u ovom filmu predstavlja mrežu ljudi koji čine sve što mogu kako bi drugima pružili pomoć i pokazali saosjećanje, što nije nimalo lagan zadatak u okruženju koje vapi za bržim oporavkom i u kojem svako očajnički želi zaštititi ono malo stvari koje su mu preostale.

Kao i uvijek, Mendoza blagonaklono posmatra svoje protagoniste, nikada ih ne izolira snimajući ih iz ruke, ali isto tako nikada im ne nameće moralizirajući ton.

Program SFF-a posvećen Brillanteu Mendozi gledaoce će povesti na pomalo neravan put prokrčen kroz grubi krajolik društvenog otpada i više će nas nego jednom pozvati da posjetimo tamnu stranu ljudskog roda. Međutim, taj put sigurno neće biti dosadan, a publiku će nagraditi uznemirujućom ljepotom koja je karakteristična za rad ovog jedinstvenog umjetnika.

E They say that filipino director Brillante Mendoza marks the emergence of a ‘third golden era’ in filipino cinema. What is certainly typical of this age is our need to categorise and indentify a newcoming voice as part of a wave -something bigger- that sustains momentum for whoever surfs it. But this may perhaps be an undermining of Brillante Mendoza’s work.

He has shown us, over the years, that he has sustained a momentum of his own, regardless of fashion or chance.

With this in mind, we are thrilled to welcome Brillante Mendoza among us this year, and are positive that the selection of films with which we will pay tribute to him are proof enough of the refreshing authenticity that captivated cinema-lovers the world over.

Born in 1960, Mendoza initially forged a successful career in advertising as a production designer. He changed course relatively late- he was 45 when he first directed a feature film.

Yet whithin a remarkably short time span he managed to achieve what few would in a whole lifetime: within 10 years, he would come to direct 16 films. Among them are films such as MASAHISTA, SUMMER HEAT, MANORO, FOSTER CHILD, SLINGSHOT, CAPTIVE. While these are not part of our line-up, they all contributed to the flourishing of Mendoza’s career, being screened in prestigious festivals around the world, including Berlin and Cannes.

As part of this year’s retrospective, however, you will be able to see five of Brillante Mendoza’s feature films in Sarajevo. First in chronological order is SERBIS / SERVICE, with which Brillante Mendoza came to considerable international attention when, in 2008, he was again featured at the Cannes Film Festival, but this time in the exclusive selection of the competition section. Set in a downtrodden cinema that painfully reminds its audience of a long-lost glamour -turned- ramshackle porn venue, SERBIS delves deep into the world of trickery that only just barely keeps this family-owned business afloat.

What is true of Mendoza is that he has absolutely taken advantage of the ever-growing possibilities that lightweight cinema technology offers. And it is with his completely unencumbered, dynamic cinematic style that he lends an immediate sensuality to his films, giving us a rare glimpse into a world so far removed, and yet so tangibly real.

Such has been the case since the beginning of his cinematic endeavours, and certainly with SERBIS the promise of an interesting, fresh talent being born is cemented: here is a director that will show ordinary people in extraordinary situations, but will achieve what is invariably difficult in any art. That is to stay close to one’s protagonists whilst avoiding to judge them.

It is only a year later (2009) that Brillante Mendoza competes for the Palme D’or in Cannes again, this time triumphing with a Best Director award for KINATAY. As Mendoza takes us, once again, into the gritty underworld of crime and poverty, KINATAY’S uncompromising depiction of brutality causes quite a stir among critics. The film revolves around a young man named Peping who is about to get married. In a bid to earn a little more cash so as to be eligible enough for a bride and family, Peping gets involved with heavy-handed criminals whose task it is to teach an indebted prostitute ‘a lesson’. Some damned the film for being unrelentingly immersed in darkness without any prospect of redemption. However, whatever the critiques, the director remained consistent with his original vision. His aim seems notably not to serve up a likely unrealistic, redeeming resolution to his characters’ plight, but rather to explore the conditions in which evil can become like a cloak that befalls and envelops the most seemingly ‘normal’ people.

In this period, the director remains extremely prolific. In fact, the same year saw the director nominated for a Golden Lion at the Venice Film Festival for LOLA / GRANDMOTHER. LOLA portrays a more clear-cut setup for a morally tricky situation. The film’s tension is derived from the confrontation of two grandmothers- one who is griev-

ing the death of her murdered grandson as she struggles to raise money for his funeral, and the other who is herself desperately trying to save her grandson from a prison sentence, as he becomes accused of the aforementioned murder. The premise is brilliant, a symmetry through opposition which is further complimented by Mendoza’s trademark style. Yet despite the more dichotomous narrative, he still manages to exempt his protagonists from a strict framework of right and wrong, forcing us to evaluate what we ourselves would do in such delicate circumstances.

The next film in our tribute line-up stands out a little from the thus-far detailed selection, but serves to illustrate Mendoza’s range, as well as his will to draw outside the lines. SAPI, a horror film made primarily for the local filipino market, utilises the director’s skillful tendency to blur the border between fiction and reality towards a terrifyingly effective depiction of a TV crew investigating a string of exorcisms. Of course, the filmmaker continues to imbue his work with a morally challenging character, playing with issues around media representation and their potential for self-fulfilling prophecies.

Finally, the last addition to our retrospective is Brillante Mendoza’s most recent film, TAKLUB. This new work takes an initimate look at the aftermath of typhoon Yolanda, which devasted the highly populated town of Tacloban. Approprietly more subtle in its representation than Mendoza’s previous films, TAKLUB focuses in on the routines of a group of people who are humbly soldiering on, absorbed by issues of day to day survival, while a landscape of destruction reigns around them. Mendoza, who never shies away from the many conflicting sides a single human can harbour, depicts a web of people who try their best to be helpful and compassionate- a feat that is not easy in an environment that screams out for a faster recovery, and in which everyone is desperately trying to hang on to whatever they have left. As always, the filmmaker offers a generous eye to his protagonists, never isolating them throughout a handheld-camera rendering, but also never once imposing a moralising tone on them.

The SFF 2015 tribute to Brillante Mendoza will take audiences on a somewhat tumultuous journey. Its path will be beaten out in the roughness of a societal underbelly, and will ask us, on more than one occasion, to visit the dark side of humanity. However, it will never once be stale, and will ultimately reward its audience with an uncanny beauty, one that can only be characteristic of this unique artist.

Vanja Kaluđerčić

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Biografija i filmografija / Biography and filmography

Brillante Ma Mendoza je živuće nacionalno blago filipinske nezavisne kinematografije. On je prvi Filipinac koji se takmičio i pobijedio na tri najznačajnija međunarodna filmska festivala, prikazujući svijetu autentične filipinske priče.

Njegov film ZATOČENIK takmičio se na prestižnom Berlinskom međunarodnom filmskom festivalu 2012. godine, dok je film STRIJELAC osvojio filmsku nagradu Caligari 2007. godine na istom festivalu.

S druge strane, film TVOJA UTROBA je osvojio nagradu La Navicella Venezia na jednako prestižnom Venecijanskom filmskom festivalu 2012. godine, dok je film LOLA bio nominovan za nagradu Zlatni lav za najbolji film prikazan u takmičarskom programu na istom festivalu 2009. godine.

Međutim, njegov najznačajniji uspjeh je osvajanje prestižne nagrade za najboljeg režisera na Filmskom festivalu u Cannesu, za film ISKASAPLJENA 2009. godine. Godinu dana ranije, njegov film SERVIS bio je nominovan za priznatu nagradu Zlatna palma.

Poznat među kolegama kao Dante, karijeru je počeo kao scenograf na raznim filmovima i televizijskim reklamama. Osnovao je nezavisnu filmsku produkcijsku kuću Center Stage Productions (CSP) 2005., čiji je cilj da iznova pokrene razvoj filipinske kinematografije snimanjem smislenih i značajnih filmova. Njegov debitantski film, MASER, osvojio je nagradu Zlatni Leopard na Međunarodnom filmskom festivalu u Locarnu u Švajcarskoj 2005. godine i otvorio put za razvoj alternativne kinematografije na Filipinima. Od tada je Mendoza, zajedno sa kućom Center Stage Productions, stvorio opus koji je dobio nagrade i priznanja na lokalnim i međunarodnim filmskim festivalima, uključujući najnovije postignuće, Azijsko-pacifičku filmsku nagradu za film TVOJA UTROBA. Njegovi radovi su pokrenuli godišnju retrospektivu u Evropi, Aziji i Rusiji, kroz koju ga svjetski filmski kritičari opisuju kao ‘’neorealistu’’ jer prikazuje društvenu stvarnost i živote običnih ljudi u vanrednim situacijama. Nedavno je od francuske vlade dobio orden Viteza reda umjetnosti i književnosti.

Mendozini filmovi se komercijalno prikazuju u Evropi, što evropskoj kino publici pruža odličan uvid u savremeno filipinsko društvo.

Brojni filmski festivali širom svijeta su pozivali Mendozu da bude ne samo član, već i predsjednik žirija.

Danas, Mendoza nastavlja da snima društveno značajne filmove i dokumentarce koji prikazuju živote Filipinaca i marginaliziranih dijelova društva. Jedan od takvih je njegov film MANORO koji je Filipinski sektor za obrazovanje usvojio kao dio zvaničnog modula za učenike 8. razreda.

E Brillante Ma Mendoza is a living national treasure of the Philippine independent cinema. He is the first Filipino to compete and win in 3 major international film festivals, showing authentic Filipino stories to the world.

His film, CAPTIVE, competed in coveted Berlin International Film Festival in 2012, while TIRADOR / SLINGSHOT won the Caligari Film Award of the same festival in 2007.

THY WOMB, won the La Navicella Venezia Cinema Award in the equally prestigious Venice Film Festival in 2012, while LOLA was nominated for the Best Film (the Golden Lion Award) at the same festival in 2009.

However, his most notable achievement has been winning the elusive Best Director in the wellrenowned Cannes Film Festival for the film KINATAY in 2009. The year before, his film, SERBIS / SERVICE was nominated for the acclaimed “Golden Palm” award.

Known to his peers as Dante, he started as a Production Designer in various films and Television advertisements. In 2005, he founded Center Stage Productions (CSP), an independent film production outfit that aims to rethink and reinvent Filipino cinema by producing meaningful and relevant films. His debut film, MASAHISTA / THE MASSEUR won the Golden Leopard Award in the 2005 Locarno International Film Festival in Switzerland and paved the way for the rise of Alternative Cinema in the Philippines. Since then, Mendoza, in co-operation with Center Stage Productions has produced a body of work that garnered awards and recognitions from local and international film festivals, including his recent achievement in the Asia-Pacific Screen Awards for THY WOMB. His works launched a yearly retrospective in Europe, Asia and Russia where the world’s film critics regard him as a “neorealist” for depicting social realities and lives of ordinary people in extraordinary situations. Recently, the French government decorated Brillante Ma. Mendoza with the Knight of the Order of Arts and Letters.

Mendoza’s films are commercially shown in Europe, affording the cinema-loving European audience a glimpse of contemporary Philippine society.

Various film festivals all over the world have invited Mendoza to sit not only as Jury Member, but as Jury President as well.

Today, Mendoza continues to make socially relevant films and documentaries that depict the lives of the Filipinos and the marginalized sectors of society. His film MANORO is now a part of Philippine Department of Education’s formal module for Grade 8 students.

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FILMOGRAFIJA / FILMOGRAPHY 2015 - TAKLUB / TRAP 2013 - SAPI / POSSESSION 2013 - VENICE 70: FUTURE RELOADED 2013 - ANG KAMERA (kratki / short) 2012 - SINAPUPUNAN / THY WOMB 2012 - CAPTIVE 2011 - 60 SECONDS OF SOLITUDE IN YEAR ZERO 2011 - QUATTRO HONGKONG 2 (segment PURPLE) 2011 - PURPLE (kratki / short) 2011 - MAALAALA MO KAYA (TV serija / TV series epizoda / episode TUNGKOD) 2010 - AYOS KA (kratki / short) 2009 - LOLA / GRANDMOTHER 2009 - KINATAY / BUTCHERED 2008 - SERBIS / SERVICE 2007 - TIRADOR / SLINGSHOT 2007 - PANTASYA - kao / as Dante Mendoza 2006 - MANORO (dokumentarni / documentary) 2006 - SUMMER HEAT 2005 - MASAHISTA / THE MASSEUR

Kinatay / Iskasapljena / Butchered: The Execution of P. Peping će danas sretno oženiti mladu majku njihove novorođene bebe. Kao siromašni student policijske akademije i ne pomišlja na to da odbije priliku da zaradi novac. Već naviknut na zaradu sa strane kroz sitno krijumčarenje droge, Peping naivno prihvata ponudu korumpiranog prijatelja za dobro plaćeni posao. Uskoro upada u iscrpljujuće putovanje u tamu dok učestvuje u otmici i mučenje lijepe prostitutke. Prestravljen i bespomoćan tokom cjelonoćne mučne operacije kojom upravlja psihotični ubica, Peping je primoran da se preispita da li je i on sam ubica...

E Today Peping will happily marry the young mother of their newborn baby. For a poor police academy student, there is no question of turning down an opportunity to make money. Already accustomed to side profits from a smalltime drug ring, Peping naively accepts a well-paid job offer from a corrupt friend. Peping soon falls into an intense voyage into darkness as he experiences the kidnapping and torture of a beautiful prostitute. Horrified and helpless during the nightmarish allnight operation directed by a psychotic killer, Peping is forced to search his soul to find out if he too is a killer...

France, Philippines, 2009, Colour, 105 min, Filipino, Tagalog Režija / Director: Brillante Mendoza Scenarij / Screenplay: Armando Lao Direktor fotografije / Director of Photography: Odyssey Flores Montaža / Editor: Kats Serraon Muzika / Music: Teresa Barrozo Scenografija / Production design: Dante Mendoza Producent / Producer: Didier Costet Uloge / Cast: Coco Martin, Julio Diaz , Mercedes Cabral, Maria Isabel Lopez, John Regala, Jhong Hilario Kontakt / Contact: The Match Factory, info@matchfactory.de, www.the-match-factory.com

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Lola / Baka / Grandmother Otimač mobilnog telefona ubio je unuka bake Sepe. Osim što je očajna zbog neočekivanog nasilja, ona mora da snosi teret organizovanja sahrane. Porodica je siromašna i nema dovoljno novca za mrtvački sanduk i za zakonito gonjenje osumnjičenog ubice. Ali starica je spremna čak i da traži kredit od banke kako bi osigurala pristojnu sahranu i pravdu za svog voljenog unuka. Baka Puring odlučna je da unuka Matea izbavi iz zatvora, iako je optužen da je besmisleno ubio unuka bake Sepe.

Ali, siromašna starica nema novca za kauciju. Svaki put kad posjeti unuka u zatvoru da mu donese pristojan obrok, srce joj se slama kad vidi da trati život iza rešetaka. Dvije bake se moraju suočiti na prvom suđenju. Obje su slabašne i siromašne, a svaka je odlučna da učini sve što je potrebno za svoga unuka. Budućnost slučaja zavisi od ljubavi dviju baka…

E Lola Sepa’s grandson has been killed by a cell phone snatcher. Despite being devastated by the sudden violence, she must bear the burden of making the funeral arrangements. She and her family are poor, and there is not enough money for the coffin nor the legal pursuit against the suspected murderer. But the elderly woman is ready to seek a bank loan to secure a proper burial and justice for her beloved grandson. Grandma Puring is committed to getting her grandson Mateo out of jail,although he has been accused of senselessly murdering grandma Sepa’s grandson. But the poor aged woman doesn’t have the money for bail. Each time she visits her grandson in prison to bring him proper meals, it breaks her heart to see him wasting his life behind bars. At the first court hearing, the two grandmothers must face one another. Both frail and poor, the two women are determined to do everything necessary for their grandsons. The future of the case is dependent on grandmotherly love...

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France, Philippines, 2009, Colour, 110 min, Filipino, Tagalog Režija / Director: Brillante Mendoza Scenarij / Screenplay: Linda Casimiro Direktor fotografije / Director of Photography: Odyssey Flores Montaža / Editor: Kats Serraon Muzika / Music: Teresa Barrozo Zvuk / Sound: Albert Michael Idioma, Addiss Tabong Scenografija / Production design: Dante Mendoza Producent / Producer: Ferdinand Lapuz Uloge / Cast: Anita Linda, Rustica Carpio, Tanya Gomez, Jhong Hilario, Ketchup Eusebio Kontakt / Contact: The Match Factory, info@matchfactory.de, www.the-match-factory.com

Sapi / Zaposjednutost / Possession Sa konkurentskim Filipinskim televizijskim kanalom PBC (Philippine Broadcasting Channel) koji osvaja najveći dio TV publike, Televizijskoj mreži Sarimanok (Sarimanok Broadcasting Network - SBN) je potrebno čudo da bi opstala u konkurenciji. SNB-ova ekipa vijesti u tom vremenu ludila i straha zaključuje da bi dokumentovanje stvarne duhovne zaposjednutosti moglo biti njihova jedina nada.

Međutim, čini se da im čudo izmiče. Posjećuju daleka mjesta, škole, provincijska područja, religiozne grupe i vjerske iscjelitelje samo da bi snimili slučaj masovne zaposjednutosti. Da stvar bude gora, kamerman konkurentske mreže PBC jedini je uspio da snimi pojedinačni slučaj demonske zaposjednutosti srednjoškolske nastavnice Ruby. Da bi ispunili svoj zadatak upuštaju se u dogovor koji je mnogo strašniji od potresne scene paranormalne zaposjednutosti. Da bi došli do potrebnog snimka, kupuju neiskorištene snimke Rubyinog slučaja. Stvarnost egzorcizma počinju da shvataju sa rastućim efektom u kojem se odražava politički sistem koji upravlja TV mrežom.

E With the rival station Philippine Broadcasting Channel (PBC) eating up the TV audiences’ major share, Sarimanok Broadcasting Network (SBN) needs a miracle to stay alive in the competition. In these mad and fearful times, SBN’s news team finds that documenting an actual spiritual possession would be their only hope. However, the miracle seems to evade them. They go to distant places, schools, provincial areas, religious groups, and faith healers, just to cover the case of mass possession. Worse, a cameraman of the rival network PBC, is the one who was able to capture the isolated case of demonic possession that involved a high school teacher Ruby. To fulfill their task, they enter into a deal that is more profoundly horrifying than the harrowing scene of paranormal possession. To acquire the needed footage, they buy the outtakes of the Ruby possession case. An exorcising reality dawns on them with a spiralling effect that mirrors the political system governing the TV network.

Philippines, 2013, Colour, 102 min, Filipino, Tagalog Režija / Director: Brillante Mendoza Scenarij / Screenplay: Henry Burgos Direktor fotografije / Director of Photography: Jeffrey Dela Cruz, Brillante Mendoza Montaža / Editor: Kats Serraon Muzika / Music: Gian Gianan Zvuk / Sound: Albert Michael Idioma, Addiss Tabong Scenografija / Production design: Brillante Mendoza Producent / Producer: Larry Castillo, Brillante Mendoza, Wilson Tieng Uloge / Cast: Meryll Soriano, Baron Geisler, Dennis Trillo, Ruby Ruiz Kontakt / Contact: Solar Entertainment Corporation, www.solarentertainmentcorp.com

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Serbis / Servis / Service Porodica Pineda vodi zapušteno kino u jednom gradu u provinciji u kojem se prikazuju po dva stara erotska filma za cijenu jednog. Žena i glava porodice Nanay Flor, njena kćerka Nayda, zet Lando i usvojena kćerka Jewel smjenjuju se na šalteru za prodaju karata i u kantini. Njeni nećaci Alan i Ronald su slikar reklamnih postera, odnosno kino-operater. Nanay Flor je podnijela slučaj dvoženstva protiv svog otuđenog muža i prisustvuje suđenju danas kada će, nakon nekoliko godina, konačno biti donesena presuda. Priča se razvija u ovom kontekstu. I dok ostali članovi obavljaju svoje svakidašnje aktivnosti, gledamo kako pate i kako se nose sa grijesima i porocima drugih – u odnosima, ekonomiji i seksu. Zaokupljeni svojim ličnim demonima, članovi porodice su nesmotreni i ne vide da se u kinu dešava druga vrsta posla između „servis” dječaka (muških prostitutki) i mušterija homoseksualaca.

E The Pineda family operates a run-down movie house in a city in the province which shows dated sexy double-feature films. The matriarch Nanay Flor, her daughter Nayda, son-in-law Lando and adopted daughter Jewel take turns manning the ticket booth and the canteen. Her nephews Alan and Ronald are the billboard painter and projectionist respectively. Nanay Flor had filed a bigamy case against her estranged husband and is attending the court hearing today when, after a number of years, the decision will be finally handed down. It is within this context that the story unfolds. As the rest of the members go about their daily activities, we get a glimpse of how they suffer and deal with each other’s sins and vices; relational, economic or sexual. Preoccupied with their personal demons, the family is unmindful that inside the movie theater, another kind of business is going on between the “serbis” boys (male prostitutes) and the gay patrons.

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France, Philippines, 2008, Colour, 94 min, Filipino, Tagalog Režija / Director: Brillante Mendoza Scenarij / Screenplay: Armando Lao Direktor fotografije / Director of Photography: Odyssey Flores Montaža / Editor: Claire Villa-Real Muzika / Music: Gian Gianan Zvuk / Sound: Emmanuel Nolet Clemente Scenografija / Production design: Benjamin Padero, Carlo Tabije Producent / Producer: Ferdinand Lapuz Produkcija / Production: Centerstage Productions, SWIFT Productions Uloge / Cast: Gina Pareño, Jaclyn Jose, Julio Diaz, Coco Martin, Kristofer King, Dan Alvaro, Mercedes Cabral, Roxanne Jordan Kontakt / Contact: Fortissimo Films, info@fortissimo.nl, www.fortissimofilms.com

Taklub / Zamka / Trap Nakon velikog tajfuna Haijan, koji je grad Tacloban na Filipinima ostavio u strašnom stanju, isprepliću se Bebethin, Larryjev i Erwinov život. Bebeth traži ostatke svoje troje djece u nadi da će pronaći podudarnost DNK među onima koji su sahranjeni u masovnoj grobnici. Larry, koji je izgubio ženu, tješi se pridruživanjem grupi pobožnih katolika koji nose krst prirodne veličine po gradu. Erwin i njegov stariji brat pokušavaju da sakriju od svoje male sestre istinu o smrti roditelja. Kao da tuga za gubitkom voljenih nije dovoljna, niz događaja nastavlja da iskušava njihovu izdržljivost zajedno sa ostalim ljudima koji čekaju da vrijeme obriše te spore, odvratne suze.

E After the Supertyphoon Haiyan, which changed the city of Tacloban in the Philippines into its horrendous state, the lives of Bebeth, Larry and Erwin intertwine. Bebeth searches for the remains of three of her children with the hope of finding a match among the DNA records of those buried at the mass grave. Larry, who lost his wife, consoles himself by joining a group of devout Catholics carrying a life size cross around the city. Erwin and his elder brother try to hide the truth about their parents’ death from their little sister. As if grieving from the loss of their loved ones was not enough, a series of events continue to test their endurance along with the rest of the people, waiting for a time to wipe those slow repugnant tears.

Philippines, 2015, Colour, 97 min, Filipino, Tagalog Režija / Director: Brillante Mendoza Scenarij / Screenplay: Mary Honeylyn, Joy Alipio Direktor fotografije / Director of Photography: Odyssey “Odie” Flores Montaža / Editor: Kats Serraon Zvuk / Sound: Addiss Tabong, Andrew Milallos Scenografija / Production design: Dante Mendoza Producent / Producer: Loreto “Larry” F. Castillo Uloge / Cast: Nora Aunor, Julio Diaz, Aaron Rivera, Rome Mallari, Shine Santos, Lou Veloso, Ruby Ruiz Kontakt / Contact: Films Distribution, Paris, info@filmsdistribution.com

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Photo: Tina Rowden

Posvećeno: Atom Egoyan / Tribute To Atom Egoyan

Atom Egoyan

Sve i da je ovogodišnji program POSVEĆENO... u cjelosti bio posvećen Atomu Egoyanu, teško da bi obuhvatio većinu važnih aspekata njegovog opusa. Stvaralački univerzum kanadskog reditelja armenskog porijekla složen je i labirintski poput njegovih priča. Iako dugometražni igrani filmovi – ukupno četrnaest u trideset godina – s pravom čine njegov najpoznatiji segment, on obuhvata i kratke i dokumentarne filmove, rad na televiziji, operu i muziku uopšte. Ishodište tog univerzuma, pak, nalazi se u teatru: Egoyan je prve drame napisao još kao tinejdžer, a pozorište je jednom prigodom nazvao svojim maternjim jezikom. Kako su okolnosti htjele da ga SFF ugosti skupa s filipinskim kolegom Brillanteom Mendozom, sam Egoyan je za sarajevsku publiku odabrao tri filma - EXOTICA (1994), THE SWEET HEREAFTER (1997), i ARARAT (2002) - koja u destiliranom obliku nude ono što su kritičari hvalili kao jedinstvenu i mnogo puta nagrađivanu „egojanovsku“ formulu.

EXOTICA zaokružuje prvu deceniju Egoyanovog rada na dugometražnom filmu. Filmovi iz tog perioda nedvosmisleno su ukazali da je svjetski film dobio novog autora s autentičnim stilskim potpisom i tematskim preokupacijama. Pored prvijenca NEXT OF KIN (1984), tu su i FAMILY VIEWING (1987), SPEAKING PARTS (1989) i CALENDAR (1993), dok se uz EXOTICU kao još jedno neupitno remek djelo izdvaja THE ADJUSTER (1991). Tekst ove vrste i dužine ne može dovoljno jasno sažeti kompleksne, mozaično isprepletene priče i interpersonalne odnose koje gradi Egoyan. No dovoljno je reći da EXOTICA, film o ljudima čije se životne priče sijeku u naslovnom striptiz klubu, sintetizira cijeli niz motiva koji će ostati karakteristični egojanovski elementi: identitet; trauma, gubitak bližnjih i žalovanje; dijaspora; porodica; novi audiovizualni mediji; pornografija; incest između oca i kćeri; nasilje. Kroz njih, Egoyan preispituje cijeli niz suprotnosti - tradicionalno/ moderno, intimno/javno, sjećanje/zaborav, i pristajanje/otpor - razotkrivajući da one nisu nepremostivo suprotstavljene, nego uhvaćene u složenu dijalektiku. THE SWEET HEREAFTER, po mnogima njegov magnum opus, ove elemente raspoređuje u sasvim novi mozaik, smješten u mali gradić s prividno idiličnom svakodnevicom.

No, makar se na prvi pogled znatno razlikuje od polusvijeta noćnih barova EXOTICE, i taj će ambijent pokazati svoje opsceno naličje kada ga uzdrma lokalna katastrofa: smrt velikog broja djece u saobraćajnoj nesreći. Naravno, poentira Egoyan, to je naličje bilo tu i prije te traume: ona ga je samo razotkrila, ne i prouzročila.

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Iako također sadrži mnoge od ovih elemenata, ARARAT je po mnogo čemu atipičan Egoyanov film. Za razliku od većine njegovih filmova, koji od pozorišta baštine određenu komornost pa i klaustrofobičnost, ARARAT je film epskog zamaha. Istodobno, to je film čijoj središnjoj temi – genocid nad Armenima i potonje poricanje tog zločina – reditelj prilazi neposrednije i didaktičnije nego što to inače radi. No, čak i kad je najepskiji i najdidaktičniji, Egoyanov film ostaje komorniji, tjeskobniji i neuhvatljiviji od mnogih. Film upozorava da su genocid i njegovo negiranje historijske činjenice, ali tu ne staje nego postavlja pitanje odnosa prema njima: Kako uobličiti sjećanje na historijsku traumu, koja i danas progoni i Armene i Turke?

Propitujući mogućnost umjetnosti da posreduje historijske istine, film prati osobe koje povezuju dva umjetnička djela: slika koju je naslikao armenski slikar, neposredni svjedok i žrtva genocida, a koju pokušava interpretirati savremena historičarka umjetnosti, i sama armenskog porijekla, te film koji, skoro cijelo stoljeće nakon zločina, snimaju filmaši iz sjevernoameričke armenske dijaspore, a koji i pored njihovih najboljih namjera da razotkriju zanijekanu historijsku istinu, pati od kiča i netačnih detalja.

ARARAT nas vodi do svojevrsnog srca Egoyanovog univerzuma. To je pretpostavka da interpretacija – potraga za istinom nekog događaja – nije čin koji poduzimamo sa distance, nego nešto što direktno zadire u sam taj događaj.

Ubrzo uviđamo da nas naša vlastita tumačenja uvlače u zbivanja koja pokušavamo objasniti.

Zato je jedno od centralnih pitanja Egoyanovih filmova odgovornost onoga ko nudi reinterpretaciju neke priče/događaja. Kako je sam reditelj sažeo u jednom intervjuu, ono što ga fascinira u pripovijedanju jesu upravo moralne konsekvence reinterpretacije neke priče. Ta moralna odgovornost, na prvi pogled inherentna umjetnicima/intelektualcima, zapravo je dio univerzalnog ljudskog stanja, obzirom da svi pričamo priče, oblikujući pomoću njih svoj identitet, pogled na svijet i svoju poziciju u njemu.

Za Egoyana, publika nije na sigurnoj distanci koja bi je potpuno dijelila od zbivanja na filmu. Od nje se očekuje da bude aktivna i da neprestano preispituje priče koje, uostalom, neprekidno propituju i same protagonistkinje i protagonist filma, nikad potpuno sigurni gdje se krije istina – kako se, programski, zove jedan od Egoyanovih filmova (WHERE THE TRUTH LIES, 2005). Do kakvih god otkrića, značenja i zaključaka došli njegovi protagonisti (to mogu biti čisti klišeji, poput “ubica je batler” raspleta

u WHERE THE TRUTH LIES, ili čak i nerazjašnjeni zločni, kao u DEVIL’S KNOT, 2013), od publike se očekuje da nastavi preispitivati te zaključke.

Egoyanovu definiciju i tretman publike kao instance koja nije iznad ili s onu stranu filmske priče, sjajno ilustrira i način na koji Egoyan koristi humor. Dok humor na filmu, u najvećem broju slučajeva, ima za cilj ugoditi publici, Egoyan humor u svojim filmovima opisuje kao, sasvim suprotno, “humor nauštrb ugode gledalaca”.

Umjesto da pozove publiku da se smije situacijama i likovima u filmu, on je podsjeća da je i ona sama sastavni dio filmskog vica.

Ta neugoda ukazuje na konačni horizont Egoyanovog rada: glavna svrha njegovih labirintskih priča i njihovih još labirintskijih čitanja jeste nebrušena emocija. Do istine/rješenja možemo ali i ne moramo doći, ali ono što pritom osjećamo jeste ono što je uistinu važno.

E Even if this year’s TRIBUTE TO programme were dedicated solely to Atom Egoyan, it would be impossible for it to encompass all important elements of his work. The creative universe of Atom Egoyan, a Canadian film director of Armenian descent, is as complex and labyrinthine as are the stories he tells. Although his 14 feature films produced over a period of 30 years are rightfully the best known segment of his work, Egoyan’s works also includes short and documentary films, TV programmes, theatre and opera productions. However, the centre of his creative universe is the theatre: Egoyan wrote his first plays while he was still a teenager and on one occasion he stated that theatre was his mother tongue. Since he was to share this year’s SFF Tribute to... programme with his Filipino colleague Brillante Mendoza, Egoyan has himself chosen three of his films for the Sarajevo audience: EXOTICA (1994), THE SWEET HEREAFTER (1997) and ARARAT (2002). These three films represent a distillate of Egoyan’s unique and widely acclaimed moviemaking “formula”.

EXOTICA rounds off the first decade of Egoyan’s cinematic work. His films from that period were a clear evidence that the international cinematography had found a new, authentic author with unique thematic focus and storytelling style. In addition to his debut feature NEXT OF KIN (1984), Egoyan’s early works also include FAMILY VIEWING (1987), SPEAKING PARTS (1989) and CALENDAR (1993), as well as THE ADJUSTER (1991) - another masterpiece standing shoulder to shoulder with EXOTICA. In a text

like this one it is impossible to sum up all of the complex, mosaiclike stories and interpersonal relations created by Egoyan. It suffices to say that EXOTICA is a film about a group of people whose lives overlap in the strip bar EXOTICA, after which the film is titled. It presents an assortment of Egoyan’s typical motifs recurrent in his later work - identity, trauma, loss of loved ones and mourning, diaspora, family, new audiovisual media, pornography, incest between father and daughter, and violence – to show that they are not permanently opposed to one another, but rather entangled in a complex dialectics. THE SWEET HEREAFTER, which many believe to be Egoyan’s magnum opus, rearranges the same elements to create a completely new puzzle set in a small city where people live an apparently idyllic life. At first glance the setting appears to be a world apart from the underground strip club scene of EXOTICA, but it reveals its obscene side after it is shaken by a tragedy – the death of a large number of local children in a traffic accident. Naturally, Egoyan points out that the obscene side had always been there: it was not caused, but only exposed by the trauma.

Although it includes many of the above elements, ARARAT is in many ways an atypical Egoyan movie. Unlike most of his films that have inherited a chamber-like and even claustrophobic theatrical disposition, ARARAT is a film of epic proportions. Egoyan approaches the central theme of the film – the Armenian genocide and its denial – in a more direct and didactic manner than the one he usually deploys. But even this epic and didactic, Egoyan remains more chamber-like, anxious and elusive than most other filmmakers. In this film, Egoyan warns that the genocide and its denial are historic facts, but he does not stop there. Instead, he poses questions about the ways in which we relate to those facts, questions about how to shape the memory of a historic trauma that still haunts Armenians and Turks. Exploring the capacity of art to mediate historic truths, the film follows people linked by two works of art: a present day art historian of Armenian origin who is interpreting a painting by an Armenian painter who was a direct victim of and a witness to genocide, and a North American film crew of Armenian descent making a film about the bloody events which suffers from inaccuracies and resorts to kitsch despite the filmmakers’ noble desire to disclose the hidden historical truth. ARARAT takes us to the very heart of Egoyan’s universe. It suggests that the interpretation of a certain event – the search for the assumed truth about it – is not

something that can be done from afar, but only if we penetrate the event itself. While we think that we are doing it from a privileged distance, we soon discover that our own interpretations draw us into the events we are trying to interpret. Therefore, the main question Egoyan poses in his films is the question of the responsibility of those who offer reinterpretations of stories/ events. As Egoyan’s himself once said: the thing about storytelling that fascinates him the most are the moral consequences of reinterpreting events and stories from the past.

This moral responsibility which is apparently inherent to artists/intellectuals is in fact a part of the universal human condition since we all tell stories and rely on them to help us shape our personal identity, as well as our view of the world and our place in it.

For Egoyan, the audience is not supposed to be at a safe distance that completely separates it from the events playing out on the screen.

He expects from a viewer to be active and selfaware, and to constantly question the stories that are, after all, constantly questioned by protagonists of his films who are never certain where the truth lies, as is reflected in the title of one of Egoyan’s films (WHERE THE TRUTH LIES, 2005). Regardless of conclusions and the values embraced by the protagonists of his films (even when those are nothing but clichés such as “butler is the killer” resolution in WHERE THE TRUTH LIES or even unresolved crimes such as in DEVIL’S KNOT, 2013), viewers are expected to continue questioning those values and conclusions. Egoyan’s definition and treatment of audiences as an instance that is neither above nor on the opposite side of the story and protagonists of his films is best illustrated by the manner in which he deploys humor. While filmmakers typically use humor in order to please the audiences, Egoyan perceives the humor in his films in a completely different way; his humor is “the humor at the expense of the viewer’s comfort”.

Instead of inviting the viewers to laugh at film protagonists and the situations they find themselves in, Egoyan reminds the viewers that they too are an integral part of the film’s joke.

The aforementioned discomfort points to the horizons of Egoyan’s work: the bottomline of his labyrinthine stories and their even more labyrinthine interpretations is to provoke raw emotions. We may or may not eventually reach the truth/solution; the only thing that matters is how we feel while we search for it.

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Biografija i filmografija / Biography and filmography

Atom Egoyan je, sa opusom od petnaest dugometražnih filmova te brojnih drugih rediteljskih projekata, osvojio brojne nagrade na međunarodnim filmskim festivalima širom svijeta, uključujući Glavnu nagradu i Nagradu međunarodnog udruženja filmskih kritičara na Filmskom festivalu u Cannesu, dvije nominacije za nagradu Oscar te brojna druga odlikovanja. Njegovi filmovi nagrađeni su sa ukupno dvadesetpet nagrada Genies – uključujući tri nagrade za najbolji film – kao i nagradu za najbolju filmsku adaptaciju književnog djela od Sajma knjige u Frankfurtu.

Egoyanovi filmovi predstavljeni su kroz brojne retrospektive širom svijeta, uključujući cjelokupan pregled njegove karijere u Pompidou centru u Parizu, nakon čega su uslijedili slični programi u Španskoj filmoteci u Madridu, Muzeju pokretnih slika u Njujorku te u Kraljevskoj kinoteci u Briselu.

Njegov cjelokupan umjetnički opus – uključujući pozorišne i muzičke predstave te umjetničke instalacije - bavi se pitanjima sjećanja, napuštanja poznatog okruženja i uticaja tehnologije i medija na savremeni život.

Njegov najnoviji dugometražni igrani film, REMEMBER, svjetsku premijeru će imati na festivalima u Veneciji i Torontu ovog septembra, sa Christopherom Plummerom u glavnoj ulozi.

Egoyanovi umjetnički projekti predstavljeni su širom svijeta, uključujući prezentacije na Venecijanskom bijenalu i u Artangel zakladi u Londonu. Njegov STEENBECKETT je uvršten u Artangel kolekciju nastalu u inovativnoj saradnji sa Galerijom Tate. Umjetnička instalacija Auroras nedavno je prikazana u berlinskom teatru Maxim Gorki u sklopu programa obilježavanja stogodišnjice genocida nad Armencima. Egoyanova adaptacija televizijskog djela Samuela Becketta Eh Joe prikazana je u teatru The Gate u Dublinu, gdje je nagrađena nagradom The Irish Times/ESB za najbolju režiju, a zatim u londonskom teatru na West Endu i na Festivalu Lincoln Centra u New Yorku.

Egoyan je 2012. režirao i savremenu kinesku operu Feng Yi Teng za Spoleto Festival u Charlestonu i Festival Lincoln Centra u New Yorku. Opera je izvedena na Luminato festivalu 2013. Nakon toga je sa Kanadskom opernom trupom radio na obradi Salome Richarda Straussa. Egoyan je 2014. sa Kanadskom opernom trupom režirao novu postavku Mozartovog djela Cosí Fan Tutte. Njegova nagrađivana produkcija Wagnerovog Die Walküre izvedena je početkom 2015, a nagrađena je priznanjem Dora Mavor Moore za najbolju režiju.

Egoyan je član Akademije za filmsku umjetnost, Kanadskog i američkog udruženja reditelja, kao i udruženja scenarista, i Kanadske kraljevske akademije za umjetnost. Nosilac je Ordena Kanade, a 2015. je dobio nagradu Generalnog guvernera Kanade za dramsku umjetnost.

E Atom Egoyan’s fifteen features and related projects, have won numerous prizes at international film festivals including the Grand Prix and International Critics Awards from the Cannes Film Festival, two Academy Award® nominations, and many other honours. His films have won twenty-five Genies - including three Best Film Awards – and a prize for Best International Film Adaptation from The Frankfurt Book Fair. Egoyan’s films have been presented in numerous retrospectives across the world, including a complete career overview at the Pompidou Centre in Paris, followed by similar events at the Filmoteca Espagnol in Madrid, the Museum of The Moving Image in New York and the Royal CINEMATEK in Brussels.

His body of work – which includes theatre, music, and art installations - delves into issues of memory, displacement, and the impact of technology and media in modern life.

His latest feature, REMEMBER, stars Christopher Plummer and premieres at the Venice Film Festival and Toronto International Film Festival this September.

Egoyan’s art projects have been presented around the world including The Venice Biennale and Artangel in London. STEENBECKETT became part of The Artangel Collection, an innovative alliance with the Tate. His installation, Auroras, was recently on view at the Maxim Gorki Theater in Berlin, in a program commemorating the centennial of the Armenian Genocide.

Egoyan’s adaptation of Samuel Beckett’s EH JOE was presented by The Gate Theatre in Dublin, where it won The Irish Times/ESB Award for Best Direction before transferring to London’s West End and The Lincoln Center Festival in New York.

Egoyan directed the contemporary Chinese opera Feng Yi Teng for the 2012 Spoleto Festival in Charleston and the Lincoln Center Festival, New York. It was performed at the Luminato Festival in 2013, following the remount of Richard Strauss’s Salome with the Canadian Opera Company.

Egoyan directed a new production of Mozart’s Cosí fan tutte for the COC in 2014. His award-winning production of Wagner’s Die Walküre was performed in early 2015, earning Egoyan the Dora Mavor Moore Award for Best Direction.

Egoyan is a member of The Academy of Motion Picture Arts and Sciences, the Directors Guild of Canada and USA, the Writers Guild of Canada and USA, and the Royal Canadian Academy of Art. He is an Officer of the Order of Canada. Egoyan is honoured with a 2015 Governor General’s Performing Arts Award.

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FILMOGRAFIJA / FILMOGRAPHY 2014 - THE CAPTIVE 2013 - DEVIL’S KNOT 2013 - VENICE 70: FUTURE RELOADED 2012 - MUNDO INVISÍVEL (segment YEREVAN) 2009 - CHLOE 2008 - ADORATION 2007 - TO EACH HIS OWN CINEMA

(segment ARTAUD DOUBLE BILL) 2006 - CITADEL (dokumentarni / documentary) 2005 - WHERE THE TRUTH LIES 2002 - ARARAT 2001 - CLOSE (kratki / short) 2001 - DIASPORA (kratki / short) 2000 - THE LINE (kratki / short) 2000 - KRAPP’S LAST TAPE 1999 - FELICIA’S JOURNEY 1997 - YO-YO MA INSPIRED BY BACH

(TV serija / TV series) 1997 - BACH CELLO SUITE #4: SARABANDE 1997 - THE SWEET HEREAFTER 1995 - A PORTRAIT OF ARSHILE

(kratki dokumentarni / short doc.)

1994 - EXOTICA 1993 - CALENDAR 1993 - GROSS MISCONDUCT: THE LIFE OF BRIAN

SPENCER 1991 - MONTRÉAL VU PAR... (segment EN PASSANT) 1991 - THE ADJUSTER 1989 - SPEAKING PARTS 1988 - LOOKING FOR NOTHING (kratki / short) 1987 - FAMILY VIEWING 1985 - IN THIS CORNER 1985 - MEN: A PASSION PLAYGROUND (kratki / short) 1984 - NEXT OF KIN 1982 - OPEN HOUSE (kratki / short) 1981 - PEEP SHOW (kratki / short) 1980 - AFTER GRAD WITH DAD (kratki / short) 1979 - HOWARD IN PARTICULAR (kratki / short) 1977 - LUST OF A EUNUCH (kratki / short)

Ararat Umjetnik slika potret svoje majke. Reditelj snima film o svom životu. Adolescent prelazi državnu granicu. Mlada žena želi da shvati kako je nestao njen otac. Predavačica koristi historiju kako bi zaboravila vlastitu prošlost. Glumac glumi negativca ne razmatrajući posljedice. Jedna priča povezuje sve njih: priča o Armeniji.

E An artist paints his mother’s portrait. A director makes the film of his life. An adolescent crosses a border. A young woman wants to understand how her father vanished. A lecturer uses History to forget her own past. An actor plays a villain without considering the consequences. A single story binds them all: the story of Armenia.

France, Canada, 2002, Colour, 115 min, Armenian, English, French, German, Turkish Režija / Director: Atom Egoyan Scenarij / Screenplay: Atom Egoyan Direktor fotografije / Director of Photography: Paul Sarossy Montaža / Editor: Susan Shipton Muzika / Music: Mychael Danna Zvuk / Sound: Steve Munro Kostimografija / Costume Design: Beth Pasternak Scenografija / Production design: Phillip Barker Producent / Producer: Atom Egoyan, Robert Lantos Uloge / Cast: Simon Abkarian, Charles Aznavour, Christopher Plummer, Arsinée Khanjian, David Alpay Kontakt / Contact: Ego Film Arts, www.egofilmarts.com

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Exotica / Egzotika Eric i Christina rade u noćnom klubu poznatom kao Exotica. Dijele složenu zajedničku prošlost od prije mnogo godina. Francis, danju poreski inspektor, a noću gost u klubu Exotica, nada se da će u klubu ispuniti prazninu koju je u njegovom životu ostavila odsutna porodica. Zoe, trudna vlasnica i poslovođa Exotice, upravlja klubom kao što upravlja svojim životom – naređivački i bezosjećajno. Thomas, vlasnik prodavnice za kućne ljubimce, opčinjen je egzotičnim životinjama i egzotičnim ljudima.

E Eric and Christina both work at the night club known as Exotica. They share a complex history that dates back many years. Francis, tax auditor by day, and Exotica patron by night, relies on the club to fill the emptiness left in his life by his absent family. Zoe, the pregnant owner and operator of Exotica, runs the club as she runs her life- marshalled and emotionless. Thomas, the pet shop owner, is infatuated with exotic animals and exotic people.

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Canada, 1994, Colour, 103 min, English, Hebrew Režija / Director: Atom Egoyan Scenarij / Screenplay: Atom Egoyan Direktor fotografije / Director of Photography: Paul Sarossy Montaža / Editor: Susan Shipton Muzika / Music: Mychael Danna Zvuk / Sound: Steve Munro Kostimografija / Costume Design: Linda Muir Scenografija / Production design: Linda Del Rosario, Richard Paris Producent / Producer: Atom Egoyan, Camelia Frieberg Uloge / Cast: Don McKeller, Mia Kirshner, Arsinée Khanjian, Elias Koteas, Bruce Greenwood, David Hemblen Kontakt / Contact: Ego Film Arts, www.egofilmarts.com

The Sweet Hereafter / Slatka budućnost Mala planinska zajednica u Kanadi očajna je nakon što u nesreći školskog autobusa pogine više od desetak djece. Advokat iz velikog grada dolazi da pomogne porodicama preživjelih i poginulih da pripreme zajedničku tužbu, ali čini se da njegov trud samo još više razdvaja građane. Istodobno, tinejdžerka koja je preživjela nesreću mora da se nosi sa gubitkom nevinosti koju je donijela druga vrsta štete.

E A small mountain community in Canada is devastated when a school bus accident leaves more than a dozen of its children dead. A big-city lawyer arrives to help the survivors’ and victims’ families prepare a class-action suit, but his efforts only seem to push the people of the time further apart.

At the same time, one teenage survivor of the accident has to reckon with the loss of innocence brought about by a different kind of damage.

Canada, 1997, Colour, 112 min, English Režija / Director: Atom Egoyan Scenarij / Screenplay: Atom Egoyan, Russell Banks Direktor fotografije / Director of Photography: Paul Sarossy Montaža / Editor: Susan Shipton Zvuk / Sound: Steve Munro Kostimografija / Costume Design: Beth Pasternak Scenografija / Production design: Phillip Barker Producent / Producer: Atom Egoyan, Camelia Frieberg Uloge / Cast: Ian Holm, Caerthan Banks, Sarah Polley, Tom McCamus, Gabrielle Rose, Arsinée Khanjian Kontakt / Contact: Ego Film Arts, www.egofilmarts.com

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Operacija Kino / Operation Kino

186 Il Gesto Delle Mani / Potezi ruke / Hand Gestures, Francesco Clerici 187 Rastres de sàndal / Tragovi sandalovine / Traces of Sandalwood, Maria Ripoll

ZAGREB FILM FESTIVAL NAJBOLJE OD KOCKICA / BEST OF CHECKERS 188 Manjača, Tin Žanić 188 Polufinale / Semifinals, Tomislav Šoban 189 Šake / Hands, Jasna Nanut 189 Tlo pod nogama / On Shaky Ground, Sonja Tarokić

FESTIVAL MEDITERANSKOG FILMA SPLIT / MEDITERRANEAN FILM FESTIVAL SPLIT 190 Ana Trg / Ana Square, Jelena Novaković 190 Dan Marjana / Marjan Hill Day, Igor Jelinović 191 Lako pokojnima / The Dead Have It Easy, Matea Šarić 191 Medo mali / Little Bear, Igor Jelinović 192 Vrilo / Well, Ivan Šušnjar

Operacija Kino / Operation Kino Već petu godinu zaredom Operacija Kino ide u susret svojoj publici nudeći im novo i drugačije filmsko iskustvo kroz pažljivo pripremjene aktivnosti, sa posebnim fokusom na promociju i razumijevanje filma, bilježeći značajne rezultate razvoja publike i nove generacije talenata. Uz lokalnu i prekograničnu suradnju, projekat posebno naglašava značaj kulturnog uticaja kinematografije i dodatnog obrazovanja.

Operacija Kino tijekom godine, izvan festivalskih datuma i lokacija, posjeti više od 40 gradova, promovirajući najnovija svjetska i europska filmska ostvarenja, te publici širom Bosne i Hercegovine donosi dio programa i atmosfere Sarajevo Film Festivala.

Primjenjujući različite modele nastojimo privući pažnju i pristupiti ljubiteljima filma, te nudimo priliku svima onima koji žele proširiti svoje znanje, da se uključe u naše aktivnosti. Stoga smo izuzetno sretni da ćemo i ove godine, za vrijeme Sarajevo Film Festivala, okupiti više od stotinu mladih ljubitelja filma iz svih dijelova Bosne i Hercegovine, koji će imati priliku iskusiti jedinstvenu festivalsku atmosferu i uživati u programu posebno pripremljenom za njih.

Program Operacija Kino će ove godine ugostiti dva programa, izbor kratkih filmova partnerskih festivala – „Kockice“ Filmskog festivala u Zagrebu i kolekciju filmova iz Takmičarskog programa „Ješke“ Festivala mediteranskog filma u Splitu.

Osim kratkih filmova, prikazat ćemo i igrani film redateljice Marije Ripoll TRAGOVI SANDALOVINE i dugometražni dokumentarac POTEZI RUKE redatelja Francesca Clericija.

Nadamo se da ćete tijekom 21. Sarajevo Film Festivala uživati u programu Operacija Kino.

E For five years already, Operation Kino approaches audiences, bringing new and diverse cinema experiences through tailor made activities. These activities are related to the promotion and understanding of films, with significant results in the development of wider audiences and a new generation of talents. They especially advocate the importance of an enhanced educational and cultural aspect of cinema through respective local and cross-border cooperation.

Outside the Festival’s dates and venues, the project reaches out to more than 40 cities across the country, bringing a part of the Sarajevo Film Festival programme and atmosphere to audiences across the country.

Our aim is to attract and encourage film lovers who are eager to expand their knowledge, to engage in our activities. Therefore, we are delighted to have, again this year, more than hundred participants from all over Bosnia and Herzeogvina during the Sarajevo Film Festival, experiencing the unique Festival atmosphere and enjoying of the programme created for them.

The Operation Kino programme will welcome a selection of short films from two partnering programmes, namely the Zagreb Film Festival’s Checkers Programme and the collection of the “Ješke” competition programme of the Mediterranean Film Festival Split.

Aside from the short film selection, we will also screen the feature film TRACES OF SANDALWOOD by Maria Ripoll and feature documentary HAND GESTURES by Francesco Clerici.

We hope that you will enjoy the Operation Kino programme during the 21st Sarajevo Film Festival!

Ena Rahelić

OPERATION KINO l 21. Sarajevo Film Festival 185

Il Gesto Delle Mani / Potezi ruke / Hand Gestures Film prati nastanak jedne od slavnih skulptura Vitalija Velascoa, od izrade modela u vosku do njenog izlijevanja u bronzi u umjetničkoj livnici Battaglia u Milanu. Posmatramo rad grupe vještih zanatlija u ovoj staroj livnici i otkriva tradicionalne tehnike izrade bronzane skulpture. Da bi se napravila skulptura u bronzi danas, poduzimaju se koraci jednaki kao i u šestom stoljeću prije nove ere. Oni zahtijevaju vještine koje se ne uče u školi, već ih zanatlije prenose sa koljena na koljeno. Film prati rad zanatlija u umjetničkoj livnici Battaglija, mjestu gdje se od davnina pa sve do danas izvode isti pokreti. Italijanski skulptor Giacomo Manzù običavao je reći da umjetnost skulpture počiva na potezima ruke, potezima ljubavi. Stari Grci nisu pravili razliku između zanata i umjetnosti. I za jedno i za drugo koristili su izraz „techné“. Umjetnik koji pravi skulpturu i izrađuje model u vosku tretira se jednako kao i zanatlija koji taj model pretače u bronzu: oni stoljećima prave iste poteze, a prikazujući svoj rad pred kamerom otkrivaju „skokove“ u vremenu.

Francesco Clerici (Italija, 1983) stekao je zvanje magistra historije umjetnosti na Univerzitetu u Milanu. Od 2003. predaje filmski jezik i radi za Udruženje Barz i Hippo kao koordinator Foruma za obrazovanje i film. Također radi i kao umjetnički asistent i projekt menadžer italijanskog umjetnika Velascoa Vitalija. Francesco od 2009. surađuje sa Međunarodnom federacijom art kina CICAE na dokumentovanju i razvoju trening programa za izlagače u Veneciji. Njegov kratki film PRIČE O CEMENTU iz 2011. je osvojio nagradu Italijanske fondacije za umjetnost na Filmskom festivalu u Milanu. POTEZI RUKE je njegov prvi dugometražni dokumentarni film.

E The film follows the process of creating one of Velasco Vitali’s famous sculptures, from wax to glazed bronze, at Fonderia Artistica Battaglia (Battaglia Artistic Foundry), in Milan. It observes the work of a group of skilled artisans in this old foundry and reveals the ancient traditions of bronze sculpture making. Even today, in order to create a sculpture in bronze, the same steps are taken as in the sixth century BC. These steps are not taught in school, but are passed on through apprenticeships from artisans. The film observes the work of Fonderia Artistica Battaglia: a place where the past and present share the same gestures. Historic Italian sculptor Giacomo Manzù used to say that the sculpture is a hand gesture, a gesture of love. Ancient Greeks did not distinguish between art and craft. Techné covered both. An artist who sculpts, who works the waxes, is treated in the same way as a craftsman who turns that wax into bronze: they have been making the same gestures for centuries, and by showing this to the camera they reveal “jumps” in time.

Francesco Clerici (Italy, 1983) earned a Master’s Degree in Art History and Criticism from the University of Milan. Since 2003 he has taught Film Language and worked for Barz and Hippo society as an Education and Film Forum Coordinator. He is the artistic assistant and project manager for the Italian artist Velasco Vitali. Since 2009 Francesco has collaborated with CICAE (International Federation of Arthouse Cinemas), documenting and developing training for exhibitors in Venice each year. His 2011 short film CEMENT STORIES won the Italian Artistic Foundation prize at the Milano FF. HAND GESTURES is first feature documentary.

186 21. Sarajevo Film Festival l OPERACIJA KINO

Italy, 2015, Colour and b&w, 77 min, Italian Režija / Director: Francesco Clerici Scenarij / Screenplay: Francesco Clerici Direktor fotografije / Director of Photography: Francesco Clerici Montaža / Editor: Francesco Clerici Muzika / Music: Claudio Gotti Zvuk / Sound: Michele Brambilla, Mattia Pontremoli, Fortuna Fontò, Francesco Mangini, Emanuele Pullini, Massimo Marian Producent / Producer: Jon Barrenechea, Matteo Visconti di Modrone Produkcija / Production: Velasco Vitali, Fonderia Artistica Battaglia Uloge / Cast: Andreas Boccone, Nicolae Ciortan, Mario Conti, Luigi Contino, Simion Marius Costel, Ilaria Cuccagna, Lino De Ponti, Tommaso Rossi, Caled Saad, Antonio Serra, Elia Alunni Tullini, Velasco Vitali Kontakt / Contact: Francesco Clerici, ilgestodellemani.com FILMOGRAFIJA / FILMOGRAPHY 2015 - HAND GESTURES

(dokumentarni / documentary) 2010 - CEMENT STORIES

(kratki dokumentarni / short doc.)

Rastres de sàndal / Tragovi sandalovine / Traces of Sandalwood Unatoč slavi i bogatstvu koje posjeduje, uspješna bombajska glumica Mina ne može da zaboravi svoju mlađu sestru Situ od koje je, nakon smrti njihove majke, bila prinudno razdvojena u djetinjstvu.

Trideset godina poslije saznaje da je Sita živa i zdrava, te da je nastanjena u Barceloni. Međutim, Sitini posvojitelji uspjeli su izbrisati sve tragove njene prošlosti. Sada se zove Paula, radi kao biologinja i uopće se ne sjeća svoje prošlosti u Indiji niti Mine. Suočena sa šokantnim otkrićem istine o svojoj prošlosti, Paula kreće na dugo putovanje samootkrivanja, čemu doprinosi i svježa romansa sa zgodnim indijskim imigrantom Prakashom.

Maria Ripoll je studirala režiju i scenaristiku na Univerzitetu u Los Angelesu i na Američkom filmskom institutu u Los Angelesu. Njen prvi dugometražni film BILO JEDNOM JUČER (1996), snimljen u Londonu sa Penelope Cruz u glavnoj ulozi, dobio je Veliku nagradu publike na Filmskom festivalu Sitges i na Seattle Film Festivalu, a ona je nominirana za nagradu Goya u kategoriji Najbolji novi reditelj.

Njen film SUPA OD TORTILJA (2001), produciran od strane studija Samuel Goldwin, snimljen je u Los Angelesu i nominiran za nagradu Alma u devet kategorija. Ripoll predaje u Kinematografskom centru u Madridu. Producirala je i režirala PETI HROMOSOM, dokumentarac u koprodukciji sa TVE, koji je bio izabran za filmski festival u Malagi 2013.

E Despite her fame and fortune, Mina, a successful Indian actress in Mumbai, can’t forget her little sister Sita, from whom she was forced to separate in childhood after their mother’s death. Thirty years later she will finally find out that Sita is alive and well in Barcelona. However, Sita’s adoptive parents have erased all traces of her past. She is now called Paula, works as a biologist and has no recollection of her Indian background, let alone of Mina. Faced with the shocking truths of her past, Paula begins a long journey of self-discovery, aided along the way by her budding romance with the handsome Indian immigrant Prakash.

Maria Ripoll studied directing and scriptwriting at the UCLA and at the American Film Institute in Los Angeles. Her first feature film LLUVIA EN LOS ZAPATOS/TWICE UPON A YESTERDAY (1996), shot in London and starring Penélope Cruz, received the Grand Audience Award at Sitges Film Festival and Seattle Film Festival, and is nominated for a Goya award as Best New Director. Her film TORTILLA SOUP (2001), produced by Samuel Goldwin Studio was shot in Los Angeles and obtained nine Alma Awards nominations. She teaches at Central de Cine in Madrid. She produced and directed CROMOSOMA CINCO, a documentary film in co-production with TVE, selected at Malaga Film Festival 2013.

Spain, India, France, 2014, Colour, 95 min, Catalan, English Režija / Director: Maria Ripoll Scenarij / Screenplay: Anna Soler-Pont Direktor fotografije / Director of Photography: Raquel Fernández Nuñez Montaža / Editor: Irene Blecua Muzika / Music: Anele Onyekwere Zvuk / Sound: Eva Valiño Kostimografija / Costume Design: Anna Güell, Shahnaz Vahanavaty Scenografija / Production design: Anna Pujol Tauler Producent / Producer: Josep Amorós, Uday Singhwala, Anna-Soler Pont Produkcija / Production: Pontas Films Uloge / Cast: Nandita Das, Aina Clotet, Naby Dakhli, Subodh Maskara, Vaibhavi Hankar, Rosa Novell Kontakt / Contact: Imagina International Sales, www.imaginasales.com

FILMOGRAFIJA / FILMOGRAPHY 2015 - AHORRA O NUNCA 2014 - TRACES OF SANDALWOOD 2006 - YOUR LIFE IN 65 2003 - UTOPIA 2001 - TORTILLA SOUP 1998 - TWICE UPON A YESTERDAY 1987 - BAR (kratki / short)

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Croatia, 2014, Colour, 23 min, Croatian

Manjača MANJAČA je film o mladiću koji po prvi puta odlučuje uzeti svoj život u svoje ruke. Pokušavajući se oduprijeti starim navikama, useljava se kod svoga djeda.

Tin Žanić rođen je 1986. Već deset godina aktivan je u Kinoklubu Zagreb kao scenarist, redatelj i producent. Njegov kratkometražni film KOMBA osvojio je na 9. ZFF-u Zlatna kolica u programu Kockice.

Film MANJAČA premijerno je prikazan na Sarajevo Film Festivalu.

Režija / Director: Tin Žanić Scenarij / Screenplay: Tin Žanić Direktor fotografije / Director of Photography: Jana Plećaš Montaža / Editor: Jan Klemsche Zvuk / Sound: Martin Semenčić Kostimografija / Costume Design: Jana Plećaš Producent / Producer: Tena Gojić Produkcija / Production: Kinoklub Zagreb Uloge / Cast: Matija Ferlin, Vjenceslav Kapural, Roberta Milevoj, Tin Žanić Kontakt / Contact: Kinoklub Zagreb, kkz@kkz.hr, www.kkz.hr

FILMOGRAFIJA / FILMOGRAPHY 2014 - MANJAČA (kratki / short) 2011 - KOMBA (kratki / short) 2008 - JUSUF (kratki / short) 2006 - MASCHINER LAND (kratki / short)

E MANJAČA is a film about a young man who decides for the first time to gain control of his own life. Trying to resist his old habits, he moves to his grandfather’s place.

Tin Žanić was born in 1986. As a member of Zagreb Cinema Club he has been writing, directing and producing films for ten years. His short film KOMBA won a Golden Pram in Checkers programme at the 9th ZFF. MANJAČA premiered at the Sarajevo Film Festival.

Croatia, 2014, Colour, 17 min, Croatian

Polufinale / Semifinals Uz Svebora, na juniorskom prvenstvu Hrvatske u mačevanju prvi put će nastupiti i njegov mlađi brat Kristian. Dok je Kristian neopterećen rezultatom, Svebor ima visoka očekivanja.

Tomislav Šoban je rođen 1981. Aktivan je član Kinokluba Zagreb. Za svoj animirano-eksperimentalni film NAJMANJI primio je nagradu Vedran Šamanović na Pulskom filmskom festivalu te posebno priznanje za inovativan pristup na Danima hrvatskog filma. Studira filmsku i TV režiju na Akademiji dramske umjetnosti u Zagrebu.

E For the first time, Kristian will join his older brother Svebor in Croatian Juniors’ Fencing Championship. While Kristian merely wants to participate, Svebor has great expectations.

Tomislav Šoban was born in 1981. He is an active member of Zagreb Cinema Club. His experimental animated film THE TINIEST won him Vjeran Šamanović Award at Pula Film Festival and Special Mention for Innovative Approach at Croatian Film Days. He studies Film and TV Directing at the Academy of Dramatic Arts in Zagreb.

188 21. Sarajevo Film Festival l ZAGREB FILM FESTIVAL - NAJBOLJE OD KOCKICA

Režija / Director: Tomislav Šoban Scenarij / Screenplay: Tomislav Šoban Direktor fotografije / Director of Photography: Matija Pekić Montaža / Editor: Bojan Ocvirek Mijatović Muzika / Music: Jurica Marković Zvuk / Sound: Srđan Popović Kostimografija / Costume Design: Katarina Pilić Scenografija / Production design: Arsen Anton Ostojić Producent / Producer: Tena Gojić Produkcija / Production: Akademija dramske umjetnosti Uloge / Cast: Svebor Kamenski Bačun, Kristian Bonačić, Jadranka Đokić, Barbara Nola, Ivor Cindrić, Tesa Litvan, Korana Ugrina, Dušan Gojić, Andrew Bailey Kontakt / Contact: Akademija dramske umjetnosti, web@adu.hr, www.adu.hr

FILMOGRAFIJA / FILMOGRAPHY 2014 - SEMIFINALS (kratki / short) 2013 - THE TINIEST (kratki / short) 2013 - TAXIMETER (kratki / short) 2010 - SAVE TO CONTACTS (kratki / short)

Croatia, 2014, Colour, 30 min, Croatian Režija / Director: Jasna Nanut Scenarij / Screenplay: Jasna Nanut Direktor fotografije / Director of Photography: Tomislav Sutlar Montaža / Editor: Tomislav Stojanović Zvuk / Sound: Tihomir Vrbanec, Luka Mustać Kostimografija / Costume Design: Aleksandra Koluder Scenografija / Production design: Denis Rubinić Producent / Producer: Tibor Keser Produkcija / Production: Akademija dramske umjetnosti Uloge / Cast: Dado Ćosić, Goran Bogdan, Vedran Živolić, Damir Šaban, Zvonimir Jurić Kontakt / Contact: Akademija dramske umjetnosti, web@adu.hr, www.adu.hr

Šake / Hands Nakon kratke i intenzivne veze, Mišel ostaje sam. Zbunjen i razočaran, počinje tražiti ljubav, ali na krivim mjestima...

Jasna Nanut rođena je u Zagrebu 1975. Nakon petnaest godina rada na televiziji, odlučila se posvetiti režiranju filmova. Trenutno pohađa master studij filmske i televizijske režije na Akademiji dramske umjetnosti u Zagrebu.

FILMOGRAFIJA / FILMOGRAPHY 2014 - HANDS (kratki / short) 2014 - TOGETHER (kratki / short) 2014 - THE CLEANUP (kratki / short)

E After a short and intense relationship, Marko suddenly leaves Mišel, without any explanation.

Broken and lost, Mišel decides that a new love is what will help him recover. However, he seeks it in wrong places...

Jasna Nanut was born in Zagreb in 1975. After 15 years of working on TV she decided to switch to film directing. She is currently working toward her MA degree in Film and TV Directing at the Academy of Dramatic Arts in Zagreb.

Croatia, 2014, Colour, 29 min, Croatian

Tlo pod nogama / On Shaky Ground TLO POD NOGAMA prikaz je jedne obitelji čija se bliskost i opuštenost počinje raspadati nakon što otac zapadne u ozbiljnu depresiju zbog određenih financijskih poteza koje je dotad tajio. U nizu događaja smještenih u dva vremenski udaljena, sparna lipanjska popodneva, pratimo kako dotad neuobičajeno očevo ponašanje utječe na ostale ukućane. Film je premijerno prikazan na ovogodišnjem festivalu u Rotterdamu.

Sonja Tarokić rođena je 1988. Magistrirala je filmsku režiju na Akademiji dramske umjetnosti. U sklopu programa Kockice na ZFF-u dosad je prikazala dva svoja filma: JA SAM SVOJ ŽIVOT POSLOŽILA i CRVENO. Za TLO POD NOGAMA osvojila je na Danima hrvatskog filma nagradu Jelena Rajković za najboljeg autora do 30 godina starosti.

Režija / Director: Sonja Tarokić Scenarij / Screenplay: Sonja Tarokić Direktor fotografije / Director of Photography: Danko Vučinović Montaža / Editor: Martin Semenčić Muzika / Music: Borna Buljević Zvuk / Sound: Borna Buljević Kostimografija / Costume Design: Katarina Pilić Producent / Producer: Isa Živanović Produkcija / Production: R44 Uloge / Cast: Tamara Šoletić, Stojan Matavulj, Roko Sikavica, Karla Brbić, Raul Brzić, Petra Težak, Mila Sopta, Lina Blažević, Bojan Brajčić Kontakt / Contact: isazivanovic@gmail.com FILMOGRAFIJA / FILMOGRAPHY 2014 - ON SHAKY GROUND (kratki / short) 2013 - BIRTHDAY PARTY (kratki / short) 2012 - I’M A SELF-MADE WOMAN (kratki / short) 2011 - YOU BITCH! (kratki / short) 2010 - SMART GIRLS (kratki / short) 2009 - RED (kratki / short)

E ON SHAKY GROUND is a film about a family that starts falling apart after the father becomes a victim of the depression resulting from some clandestine financial decisions of his. Taking place in two separate, humid June afternoons, the sequence of events shows the effect that father’s unusual behavior has on the other family members. The film premiered at Rotterdam Film Festival this year.

Sonja Tarokić was born in 1988. Obtained MA degree in Film Directing from the Zagreb Academy of Dramatic Art. Two of her films have been shown in ZFF Checkers program so far: I’M A SELF-MADE WOMAN and RED. ON SHAKY GROUND won her Jelena Rajković Award for Best Author under 30 Years of Age at Croatian Film Days.

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Croatia, 2015, Colour, 25 min, Croatian

Ana Trg / Ana Square

Režija / Director: Jelena Novaković Scenarij / Screenplay: Jelena Novaković Direktor fotografije / Director of Photography: Wolfram Huke Montaža / Editor: Hrvoslava Brkušić Muzika / Music: bend I-TAL JAM Zvuk / Sound: Filip Sertić Producent / Producer: Vanja Jambrović, Oliver Sertić Produkcija / Production: Restart laboratorij Kontakt / Contact: www.restarted.hr, vanja@restarted.hr

FILMOGRAFIJA / FILMOGRAPHY 2014 - ANA SQUARE (kratki dokumentarni / short doc.)

Ana svakog dana već 40 godina dolazi pred crkvu prodavati religijske kalendare i krunice. Njena konkurencija je Zorka koja s Anom živi u neobičnoj simbiozi — obje međusobno spuštaju cijene i tako zadržavaju kupce. Iako u neprestanom sukobu ne mogu jedna bez druge.

Jelena Novaković rođena je 1980 u Zagrebu. Diplomirala je sociologiju i informatologiju na Filozofskom fakultetu Sveučilišta u Zagrebu. Zaposlena je u British Councilu na projektima reforme državne uprave. 2009. godine bila je polaznik Attack-Medika Filmske radionice, a Restartovu školu dokumentarnog filma završila je 2011. godine. Volontirala je na ZagrebDox-u.

E Every day for the past 40 years, Ana has been selling religious calendars and prayer beads in front of a church. Zorka is her only competitor and the two of them simultaneously lower the prices of their merchandise. They are in a state of perpetual conflict, but would be unable to function without each other.

Jelena Novaković was born in Zagreb in 1980. She graduated in sociology and information science at the Faculty of Philosophy of the Zagreb University. She is currently working for the British Council on state administration reform projects. In 2009 she attended Attack-Medika Film Workshop and in 2011 she completed the Restart School of Documentary Film. She volunteered for ZagrebDox Festival.

Croatia, 2014, Colour, 9 min, Croatian Režija / Director: Igor Jelinović Scenarij / Screenplay: Igor Jelinović Direktor fotografije / Director of Photography: Marko Jerbić Montaža / Editor: Vedran Senjanović Zvuk / Sound: Višeslav Laboš Producent / Producer: Dario Juričan Produkcija / Production: Blank_filmski inkubator Uloge / Cast: Ana Ledenko, Josip Lukić Kontakt / Contact: Blank_filmski inkubator, www.blankzg.hr

Dan Marjana / Marjan Hill Day Dan Marjana posljednji je dan u tjednu u kojem se obilježava proslava Svetog Duje, zaštitnika Splita.

Na taj dan, Ana i Josip, baš kao većina njihovih sugrađana, odlučili su protegnuti noge i prošetati Marjanom.

Igor Jelinović rođen je u Splitu 1984. godine. Autor je nekoliko kratkih igranih filmova. Film ‘Sabonis’ nagrađen je glavnom nagradom na KRAF-u (koautor Tomislav Luetić) 2012. godine. Živi i radi u Zagrebu.

E The Marjan Hill Day is the last day of a week-long celebration of St.Duje, the patron saint of Split.

Just like the most of other Split citizens, Ana and Josip have decided to use that day to go to Marjan to stretch their legs and take a stroll.

Igor Jelinović was born in Split in 1984. He is the author of several short features. His feature film SABONIS (co-authored with Tomislav Luetić) won the main prize of the 2012 KRAF Film Festival.

Jelinović lives and works in Zagreb.

190 21. Sarajevo Film Festival l FESTIVAL MEDITERANSKOG FILMA SPLIT

FILMOGRAFIJA / FILMOGRAPHY 2014 - LITTLE BEAR (kratki / short) 2014 - MARJAN HILL DAY (kratki / short) 2013 - SNOW IN SPLIT (kratki / short) 2011 - SABONIS (kratki / short) 2010 - ROOMS (kratki / short) 2009 - CHILD (kratki / short)

Croatia, 2015, Colour, 20 min, Croatian

Lako pokojnima / The Dead Have It Easy Ive zarađuje čisteći i ukrašavajući grobove pokojnika čije obitelji i potomci žive u inozemstvu. Grobove uređuje, međutim, samo kada zna da će obitelj doći. Sve se zakomplicira kad se na groblju nađe član obitelji pokojnice kojeg Ive tad nije očekivao...

Matea Šarić je filmska i TV rediteljica i fotografkinja. Rođena je u Šibeniku 1988. a 2011. je diplomirala filmsku i TV režiju na Akademiji dramske umjetnosti u Zagrebu gdje je i diplomirala 2011.

Trebutno živi u Rijeci i studira fotografiju na Akademiji primjenjenih umjetnosti.

E Ive makes a living by cleaning and decorating the graves of the deceased whose families live abroad. But he cleans the graves only when he knows that the families of the dead will come to visit. Situation gets complicated when a grandson of a deceased woman suddenly shows up at the cemetery without informing Ive.

Režija / Director: Matea Šarić Scenarij / Screenplay: Ivana Vuković Direktor fotografije / Director of Photography: Tomislav Sutlar Montaža / Editor: Karla Folnović Muzika / Music: Vid Adam Hribar Zvuk / Sound: Luka Gamulin Kostimografija / Costume Design: Sara Lovrić Caparin Scenografija / Production design: Julia Martinović Producent / Producer: Julia Martinović Produkcija / Production: Akademija dramske umjetnosti Uloge / Cast: Siniša Popović, Jakov Bilić, Anđelko Babačić, Jasminka Antić, Ivan Šupe, Nola Lozić Kontakt / Contact: www.adu.hr, dekanat@adu.hr FILMOGRAFIJA / FILMOGRAPHY 2014 - THE DEAD HAVE IT EASY (kratki / short) 2012 - PLAGUE IN ŠIBENIK (kratki / short) 2011 - MY CITY WILL BE HAPPY TOO

(dokumentarni / documentary) 2010 - GUARDIANS OF SILENCE

(dokumentarni / documentary) 2010 - A JUGO ĆE (kratki / short)

Matea Šarić is a film and TV director, and a photographer. She was born in Šibenik in 1988. She graduated in film and TV directing from the Academy of Dramatic Arts in Zagreb in 2011. She currently lives in Rijeka and studies photography at the Academy of Applied Arts.

Croatia, 2015, Colour, 20 min, Croatian Režija / Director: Igor Jelinović Scenarij / Screenplay: Igor Jelinović Direktor fotografije / Director of Photography: Rino Barbir Montaža / Editor: Iva Gavrilović Zvuk / Sound: Tihomir Vrbanec Kostimografija / Costume Design: Dominika Mandić Scenografija / Production design: Jana Piacun Producent / Producer: Tibor Keser, Lorena Vlahovski Produkcija / Production: Akademija dramske umjetnosti Uloge / Cast: Josip Lukić, Bruna Bebić, Mia Anočić-Valentić, Jakov Lerotić Kontakt / Contact: www.adu.hr, dekanat@adu.hr

Medo mali / Little Bear Medo Mali živi s mamom. Kao svaka mama, i njegova je zabrinuta za njega. Smišlja način kako da mu pomogne.

Igor Jelinović rođen je u Splitu 1984. godine. Autor je nekoliko kratkih igranih filmova. Film SABONIS nagrađen je glavnom nagradom na KRAF-u (koautor Tomislav Luetić) 2012. godine. Živi i radi u Zagrebu.

FILMOGRAFIJA / FILMOGRAPHY 2014 - LITTLE BEAR (kratki / short) 2013 - SNOW IN SPLIT (kratki / short) 2011 - SABONIS (kratki / short) 2010 - ROOMS (kratki / short) 2009 - CHILD (kratki / short)

E Little Bear lives with his Mum. As every mum, his mum worries. She is figuring out how she could help him.

Igor Jelinović was born in Split in 1984. He is the author of several short features. His feature film SABONIS (co-authored with Tomislav Luetić) won the main prize of the 2012 KRAF Film Festival.

Jelinović lives and works in Zagreb.

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Croatia, 2014, Colour, 3 min, Croatian Režija / Director: Ivan Šušnjar Scenarij / Screenplay: Ivan Šušnjar Direktor fotografije / Director of Photography: Ivan Šušnjar Montaža / Editor: Paula Skelin Producent / Producer: Ivan Šušnjar Uloge / Cast: Ana Dragičević, Ana Franulić, Ruža Bertičević, Mirjana Papić, Anka Gjorek, Domina Jakšić, Ursula Hržić, Ksenija Hržić, Margarita Cvitanić, Mira Žuljević Kontakt / Contact: ivan.susnjar5@gmail.com

Vrilo / Well Na otoku Braču, u Supetru, svako popodne vruće ljetne sezone ispunjeno je rutinom umirovljenih žena. Čakula i tombola njihove su glavne zanimacije, a žene koje je igraju prikazuju njenu čar i ritualnost u ovom filmu.

Ivan Šušnjar rođen je 1989. u Imotskom u Hrvatskoj. Student je Umjetničke akademije u Splitu, smjer Film i video. Snimio je četiri kratkometražna filma, igrana i dokumentarna.

E In a small town by the name of Supetar on the Island of Brač, retired women spend hot summer afternoons talking and playing raffle. Raffle is their favorite pastime. The women who play ruffle show the magic and rituals of that game in this film.

Ivan Šušnjar was born in 1989 in Imotski, Croatia. He is a student at the Academy of Arts in Split, Film and Video department. He has directed four short films, fiction and documentaries.

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FILMOGRAFIJA / FILMOGRAPHY 2014 - WELL (kratki / short)

Dan ljudskih prava / Human Rights Day 2015

196 Those Who Feel the Fire Burning / Oni koji osjeÄ&#x2021;aju da vatra gori,

Morgan Knibbe

Dan ljudskih prava / Human Rights Day 2015 U saradnji sa Ambasadom Švicarske u BiH i Saveznim ministarstvom vanjskih poslova Švicarske, već sedmu godinu zaredom Sarajevo Film Festival će biti domaćin Dana ljudskih prava.

E In cooperation with the Embassy of Switzerland and the Swiss Federal Department of Foreign Affairs, the Sarajevo Film Festival will host the Human Rights Day for the seventh year in a row.

U okviru obilježavanja Dana ljudskih prava, koje će biti upriličeno u utorak 18. avgusta 2015. godine, Sarajevo Film Festival će organizirati poseban program u sklopu kojeg će u Multiplexu Cinema City biti prikazan film THOSE WHO FEEL THE FIRE BURNING Morgana Knibbea i održana panel diskusija.

As part of the activities marking the Human Rights Day, which will be held on Tuesday, 18 August 2015, the Sarajevo Film Festival will organize a special programme, including a screening of the film THOSE WHO FEEL THE FIRE BURNING, by Morgan Knibbe.and a panel at the Multiplex Cinema City.

SRUŠIMO OGRADE tema je ovogodišnjeg panela Dana ljudskih prava.

Imajući u vidu situaciju na Bliskom istoku i jednu od najvećih humanitarnih kriza nakon Drugog svjetskog rata, hiljade imigranata nastoji se domoći Evrope i zatražiti azil jer su njihova osnovna ljudska prava u zemljama iz kojih dolaze ugrožena. Iako se još uvijek čekaju konačni rezultati o migracionim trendovima za 2014. godinu, podaci iz proteklih godina pokazuju veliki rast u broju imigranata koji pokušavaju dobiti azil u zemaljama Evropske unije. Većina onih koji uspiju doći do EU molbu za azil predaje u Njemačkoj, Švedskoj, Italiji, Francuskoj i Velikoj Britaniji. Što se pak porijekla azilanata tiče, većinom se radi o osobama iz Sirije, Eritreje i Afganistana. Migracija je velika i unutar same Evrope, gdje građani iz zemalja „Zapadnog Balkana“ koje nisu dio Evropske unije ili pak južnih djelova Evropske unije (Grčka, Španjolska, Portugal) odlaze prema zemljama središnje i sjeverne Evrope u nadi da će sebi i svojoj obitelji omogućiti bolje uvjete života.

Skoro 65% svih smrtnih slučajeva, odnosno 3,279 osoba, na granici EU se dešava zbog potopljenih brodova koji prevoze ilegalne imigrante. Porast ilegalnih imigranata je trend koji se nastavlja, a u posljednjim mjesecima 2014. godine zabilježen je problem prelaska građana Kosova na teritoriju EU na srpsko-mađarskoj granici.

Pitanje rješavanja imigrantske krize jedno je od najvećih s kojim se Evropa danas suočava, no zajedničkog rješenja nema. No, kako smo došli do toga? Da li je dugotrajna ekonomska kriza doprinijela strahu „od drugih i drugačijih“? Gdje je nestala solidarnost i nazire li se rješenje krize samo su neka od pitanja na koja ćemo pokušati naći odgovor na ovogodišnjem panelu Dana ljudskih prava Sarajevo Film Festivala.

Sarajevo Film Festival i kroz svoj Takmičarski program - dokumentarni film prikazuje filmove inspirisane različitim aspektima ljudskih prava, a obilježavanjem ovog značajnog dana nastoji se dodatno skrenuti pažnja na važnost filma kao bitnog i moćnog medija u promociji ljudskih prava.

Filmovi i teme koji se svake godine biraju za obilježavanje Dana ljudskih prava pružaju učesnicima panel diskusija, publici i medijima priliku da razgovaraju o akutnim problemima pojedinaca ili zajednica u današnjem svijetu.

Na svečanoj ceremoniji dodjele nagrada Sarajevo Film Festivala biće uručena i Nagrada za ljudska prava koja se dodjeljuje filmu iz Takmičarskog programa – dokumentarni film koji na najbolji način obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3.000 eura osigurava Savezno ministarstvo vanjskih poslova Švicarske.

The topic for this year’s Human Rights Panel is TAKE DOWN THE FENCES. Because of the situation in the Middle East described as one of the greatest humanitarian crisis since World War II, thousands of migrants are trying to reach Europe and seek asylum there because they are deprived of the basic human rights in their home countries. Although precise data on immigration trends for 2014 are still unavailable, information from previous years indicates that there is a huge rise in the number of migrants seeking asylum in the countries of the European Union. Majority of migrants who reach the EU apply for asylum in Germany, Sweden, Italy, France and the United Kingdom. Most of the asylum seekers come from Syria, Eritrea and Afghanistan. Migration within Europe is also significant, with citizens of the non EU-member countries of “West Balkans” and southern EU-member countries (Greece, Spain, Portugal) moving to the countries of central and northern Europe in hope to secure better living conditions for themselves and their families.

Estimates show that some 65 percent or 3,279 of migrants who died at EU borders died when ships the human smugglers transported them in sank in the Mediterranean. The number of illegal immigrants continues to grow. In the final months of 2014 a growing number of Kosovo citizens have also been registered crossing into the EU at the border between Serbia and Hungary.

The immigration crisis is one of the greatest problems faced by Europe today, but is there a common solution for it? How have we reached this point? Has the long-term economic crisis contributed to the growing fear of “others and those who are different”? Has the sense of solidarity disappeared and is the end of the crisis in sight? These are just some of the questions we will try to answer at this year’s panel debate organized within the Human Rights Day of the Sarajevo Film Festival.

The Competition Programme – Documentary Film of the Sarajevo Film Festival showcases films inspired by various aspects of human rights and by marking this special day we aim to further emphasise the importance of film as a significant and powerful media for the promotion of human rights. The films and topics chosen each year for marking the Human Rights Day provide an opportunity for panel participants, the audience and the media to discuss pressing problems currently faced by individuals or communities in the world.

Also, the Human Rights Prize will be awarded at the official awards ceremony of the Sarajevo Film Festival for film in the Competition Programme – Documentary Film that best deals with human rights. The prize of 3.000 Euros is provided by the Swiss Federal Department of Foreign Affairs.

HUMAN RIGHTS DAY l 21. Sarajevo Film Festival 195

Those Who Feel the Fire Burning / Oni koji osjećaju da vatra gori Dok grupa izbjeglica pokušava da brodom uđe ilegalno u Evropu, iznenada dolazi oluja i nastaje pakao kada jedan starac s broda padne u more. Njegova percepcija se premješta u drugu dimenziju: mračno, halucinantno mjesto. Nošena misterioznom snagom i očajničkom potragom za svojim voljenim, njegova duša prolazi pored svakidašnje stvarnosti mnogih izbjeglica brodolomaca na granici navodnog raja, Evrope. Starčeva duša posmatra ljude na ulici koje tjeraju kao pse, prati ilegalnog radnika i majku narkomanku i uvlači se u pretrpana izbjeglička skloništa. Lutajući kroz ovaj limb, starac dovodi u pitanje smisao svog postojanja.

Morgan Knibbe diplomirao je na Holandskoj filmskoj akademiji 2012. godine sa eksperimentalnim dokumentarnim filmom A TWIST IN THE FABRIC OF SPACE. Izabran je za Međunarodni festival dokumentarnog filma u Amsterdamu (IDFA) i osvojio je Wildcard Holandskog filmskog fonda, koji pruža priliku mladim rediteljima da razviju vlastiti autorski izričaj. Tu je priliku iskoristio da snimi fim ONI KOJI OSJEĆAJU DA VATRA GORI. Osvojio je nagradu Srebreni leopard na Međunarodnom filmskom festivalu u Lacarnu 2004. godine i nominovan je za Evropsku filmsku nagradu.

E As a group of refugees tries to enter Europe illegally by boat, a storm suddenly appears and all hell breaks loose when an old man falls overboard. His perception shifts into another dimension: a dark, hallucinatory place. Driven by a mysterious power and desperately in search of his loved ones, his soul passes by the everyday reality of many castaway refugees at the border of the alleged paradise, Europe. The old man’s spirit observes people on the street being chased away like dogs, follows an illegal worker and a drug-addicted mother and slips inside crowded refugee shelters. Wandering through this limbo, the old man questions the meaning of his existence.

Morgan Knibbe graduated from the Dutch Film Academy in 2012 with the experimental documentary A TWIST IN THE FABRIC OF SPACE. It was selected for IDFA and won a Wildcard from the Netherlands Film Fund, which gives young directors the opportunity to develop their own signature. He seized this opportunity to make THOSE WHO FEEL THE FIRE BURNING. It was awarded a Silver Leopard at the Locarno International Film Festival 2014 and it was nominated for a European Film Award.

196 21. Sarajevo Film Festival l DAN LJUDSKIH PRAVA

Netherlands, Greece, Italy, 2014, Colour, 74 min, Arabic, Bengali, Farsi, Greek, Italian, Tigrigna, Wolof Režija / Director: Morgan Knibbe Scenarij / Screenplay: Morgan Knibbe Direktor fotografije / Director of Photography: Morgan Knibbe Montaža / Editor: Xander Nijsten Muzika / Music: Carlos Dalla-Fiore, Juho Nurmela Zvuk / Sound: Taco Drijfhout, Vincent Sinceretti Producent / Producer: Katja Draaijer, Frank Hoeve Produkcija / Production: BALDR Film FILMOGRAFIJA / FILMOGRAPHY 2014 - SHIPWRECK (kratki dokumentarni / short doc.)

2014 - THOSE WHO FEEL THE FIRE BURNING

(dokumentarni / documentary) 2012 - A TWIST IN THE FABRIC OF SPACE

(kratki dokumentarni / short doc.)

Sarajevo Film Festival Partner Presents Doha Film Institute

200 Itar el-layl / Uzani ram ponoći / The Narrow Frame of Midnight,

Tala Hadid 201 Theeb / Vuk / Wolf, Naji Abu Nowar 202 Waves ‘98 / Talasi ‘98, Ely Dagher

MADE IN QATAR 203 10%, Yousef Al Moadhadi 203 dRAIN / Voda, Papanapattu Ganesh, Imad Antoine Hachem 204 Hind’s Dream / Hindin san, Suzannah Mirghani 204 T Boy / Konobar, Maryam Al Sahli

198 21. Sarajevo Film Festival l DOHA FILM INSTITUTE

Doha Film Institute “Doha institut za film je nezavisna, neprofitna kulturna institucija osnovana 2010. Institut pomaže razvoj lokalne filmske zajednice kroz unapređenje stručnog znanja, njegovanje ljubavi prema filmu i doprinos razvoju samoodržive kreativne filmske industrije u Kataru. Aktivnosti instituta uključuju finansiranje i produkciju lokalnih, regionalnih i međunarodnih filmova, obrazovnih programa i filmskih projekcija, kao i organizovanje Filmskog festivala mladih Ajyal i Qumra film festivala.

Institut se u svome radu fokusira na kulturu, razvoj lokalnih zajednica i obrazovanje, a trajno je posvećen ostvarenju vizije Katara da se do 2030. godine nametne kao ekonomija utemeljena na znanju.”

E “Doha Film Institute is an independent, not-for-profit cultural organisation established in 2010. It supports the growth of the local film community by enhancing knowledge, cultivating film appreciation and contributing to the development of sustainable creative industries in Qatar. The Institute’s platforms include funding and production of local, regional and international films, educational programmes, film screenings, the Ajyal Youth Film Festival and Qumra. With culture, community, education and entertainment at its foundation, the Institute is committed to supporting Qatar’s 2030 vision for the development of a knowledgebased economy.”

DOHA FILM INSTITUTE l 21. Sarajevo Film Festival 199

Itar el-layl / Uzani ram ponoći / The Narrow Frame of Midnight Siroče Aiša našla se sama u šumama srednjeg Maroka. Njena prošlost otkriva hrabar pokušaj odlučnosti. Uzeta i prodata iz svoje kuće u brdima planine Atlas, Aiša je prepuštena na milost i nemilost Abasa, sitnog kriminalca i njegove djevojke Nadie. Uskoro im se ukrste putevi sa Zakarijem, marokansko-iračkim piscem, koji je napustio sve, uključujući i strastvenu vezu sa učiteljicom Džudit, da bi krenuo u potragu za svojim nestalim bratom. Oni kreću na put koji će ih odvesti od Maroka do Istanbula, preko ravnica Kurdistana, do Iraka i dalje.

Tala Hadid je rođena 1974. godine u Londonu od majke Marokanke i oca Iračanina. Koproducirala je i režirala svoj prvi dugometražni film dok je studirala na Univerzitetu Brown. Diplomirala je na Fakultetu za umjetnost Univerziteta Kolumbija u Njujorku. Hadid je 2005. godine završila svoj diplomski film TVOJA TAMNOKOSA IHSAN. Ovaj film, snimljen u sjevernom Maroku na planinama Rif, osvojio je nagradu Cinecolor/Kodak 2005. godine, a u februaru 2006. osvojio je Nagradu za najbolji kratki film u okviru programa Panorama na Berlinskom filmskom festivalu. Hadid je učestvovala u radionici za režisere na Sundance Institutu.

E A young orphan, Aicha, is found alone in the forests of central Morocco. She has a personal history that reveals a courageous attempt at self-determination. Taken and sold from her home in the hills of the Atlas mountains, Aicha finds herself at the mercy of Abbas, a petty criminal, and his girlfriend, Nadia. They soon cross paths with Zacaria, a Moroccan-Iraqi writer, who has left everything behind- including a passionate relationship with a teacher, Judith, to search for his missing brother.

The group embarks on a journey that will lead them from Morocco, to Istanbul, across the plains of Kurdistan, to Iraq and beyond.

Tala Hadid was born in 1974 in London to a Moroccan mother and an Iraqi father. She coproduced and directed her first full-length film while studying as an undergraduate at Brown University. She graduated from Columbia University School of the Arts in New York. In 2005 Hadid completed her thesis film, YOUR DARK HAIR IHSAN. The film, shot in Northern Morocco and in the Rif Mountains, was awarded the 2005 Cinecolor/Kodak Prize and in February 2006 it won the Panorama Best Short Film Award at the Berlin Film Festival. Hadid participated at the Sundance Institute Directors Lab.

200 21. Sarajevo Film Festival l DOHA FILM INSTITUTE

Morocco, United Kingdom, USA, Qatar, France, 2014, Colour, 93 min, Arabic, French Režija / Director: Tala Hadid Scenarij / Screenplay: Tala Hadid Direktor fotografije / Director of Photography: Alexander Burov Montaža / Editor: Joëlle Hache Zvuk / Sound: Jamie McPhee, Alexej Mungersdorff, Chips Paul Kostimografija / Costume Design: Myriam Laraki Scenografija / Production design: Dominique Lacloche Producent / Producer: Khadija Alami, Joslyn Barnes, Cat Villiers Koproducent / Co-producers: Tala Hadid, Čedomir Kolar, Marc Bashet Produkcija / Production: K Films (MA), Louverture Films (USA), ASAP (France) and Autonomous (UK) Uloge / Cast: Khalid Abdalla, Marie-Josee Croze, Fadwa Boujouane, Hocine Choutri, Majdouline Idrissi Kontakt / Contact: Wide, widemanagement.com

FILMOGRAFIJA / FILMOGRAPHY 2014 - THE NARROW FRAME OF MIDNIGHT 2005 - YOUR DARK HAIR IHSAN (kratki / short) 2001 - SACRED POET 2001 - WINDSLEEPERS

Theeb / Vuk / Wolf Godina je 1916, mladi Theeb i njegov stariji brat Hussein žive u malom beduinskom kampu u regiji Hejaz u Arabijskoj pustinji. Istovremeno, u Evropi bjesni Prvi svjetski rat, Osmansko carstvo se raspada, a pobuna Arapa uskoro će zauvijek promijeniti život na Arapskom poluostrvu. Kada u kamp stiže misteriozni britanski vojnik u potrazi za Theebovim i Husseinovim ocem, pokojnim šejkom, Husseina beduinski kodeks gostoljubivosti obavezuje da usliši njegov zahtjev i odvede ga do prastarog izvora na putu za Meku. Theeb ne želi ostati sam i odlučuje se da ih potajno prati ubrzo shvativši da je putovanje na koje je krenuo mnogo značajnije nego što je mogao i zamisliti. Okosnicu glumačke postave filma čine naturščici beduini, a uz njihovu je pomoć reditelj Naji Abu Norway ispričao dirljivu, životnu priču o odrastanju koja odiše epskim duhom klasičnog vesterna. Film je prekrasan spomenik zapanjujućoj ljepoti Arabijske pustinje i jednom gotovo zaboravljenom načinu života.

Naji Abu Nowar je rođen u Velikoj Britaniji, a živi i radi u Amanu. Napisao je i režirao kratki film SMRT BOKSERA (2009) koji je prikazan na filmskim festivalima u Palm Springsu, Dubaiju i Majamiju.

Njegov dugometražni igrani prvijenac THEEB je premijerno prikazan na 71. Filmskom festivalu u Veneciji gdje je osvojio nagradu za najbolju režiju u programu Orizzonit. Film je osvojio i nagradu Crni biser Filmskog festivala u Abu Dabiju, a Abu Nowara je magazin Variety proglasio arapskim rediteljem godine za 2014.

E In 1916, in a small Bedouin encampment in the Hejaz region of the Arabian desert, young Theeb and his elder brother Hussein go about their daily lives. Meanwhile, the First World War is consuming Europe, the Ottoman Empire is disintegrating, and the Arab Revolt is about to change life on the Arabian peninsula forever. When a mysterious British soldier arrives at the camp in search of the boys’ father, late sheikh Hussein is obliged by the Bedouin code of hospitality to honour the man’s request to be taken to an ancient well situated on the route to Mecca. Unwilling to be left behind, Theeb follows the men in secret – only to find that he is on a far more significant journey than he ever could have imagined. Employing a cast made up almost entirely of non-professional Bedouin actors, director Naji Abu Nowar organically creates an affecting coming-of-age story inflected with the epic scope of a classic Western. The result is a wonderful celebration of the astonishing beauty of the Arabian desert and of a way of life that has been all but forgotten.

Jordan, Qatar, United Arab Emirates, United Kingdom, 2014, Colour, 100 min, Arabic, English Režija / Director: Naji Abu Nowar Scenarij / Screenplay: Naji Abu Nowar, Bassel Ghandour Direktor fotografije / Director of Photography: Wolfgang Thaler Montaža / Editor: Rupert Lloyd Muzika / Music: Jerry Lane Zvuk / Sound: Jussi Honka, Andrea King, Adam Mendez Kostimografija / Costume Design: Jamila Aladdin Scenografija / Production design: Anna Lavelle Producent / Producer: Bassel Ghandour, Rupert Lloyd Produkcija / Production: Bayt Al Shawareb, Noor Pictures Uloge / Cast: Jacir Eid Al-Hwietat, Hussein Salameh Al-Sweilhiyeen, Hassan Mutlag Al-Maraiyeh, Jack Fox, Marji Audeh Kontakt / Contact: MCF, igor.stankovic@mcf.rs, www.mcf.rs

FILMOGRAFIJA / FILMOGRAPHY 2014 - THEEB 2012 - TILL DEATH 2009 - DEATH OF A BOXER (kratki / short)

Naji Abu Nowar was born in the UK and lives and works in Amman. He wrote and directed the short film DEATH OF A BOXER (2009), which screened at international film festivals in Palm Springs, Dubai and Miami. THEEB, his feature film debut, premiered at the 71st Venice Film Festival, where he was named Best Director in the Orizzonti section. The film also won a Black Pearl Award at the Abu Dhabi Film Festival, and Abu Nowar was named Variety’ magazine’s Arab Filmmaker of the Year in 2014.

DOHA FILM INSTITUTE l 21. Sarajevo Film Festival 201

Lebanon, Qatar, 2015, Colour, 15 min, Arabic

Waves ‘98 / Talasi ‘98 Razočaran vlastitim životom u predgrađima Bejruta, Omar osjeća kako uzalud troši svoje tinejdžerske godine. Tokom uobičajene školske pauze za ručak otkriva nešto lijepo i čudno što se ističe u sivom krajoliku. Zahvaljujući ogromnom otkriću odlazi u grad i otvara se za jedan potpuno novi svijet…

Ely Dagher je rođen 1985. u Bejrutu u Libanonu. Živi na relaciji Brisel-Bejrut. Obrazovao se na Goldmiths koledžu u Londonu gdje je 2009. stekao zvanje magistra novih medija i moderne umjetnosti.

Ely se u radu koristi različitim medijskim platformama i propituje odnose i mogućnosti proizišle iz poigravanja sa različitim kulturama, historijama i maštom.

E Disillusioned with his life in the suburbs of Beirut, Omar feels his teenage years are being wasted away. On his usual lunch break atop his school building, he spots something strange and beautiful sticking out from the grey landscape. This giant discovery draws him into the city and opens his mind to a whole new world...

Ely Dagher was born in 1985 in Beirut, Lebanon. He lives between Brussels and Beirut. He graduated from Goldmiths College in London with an MA in New media and contemporary Art Studies in 2009.

Working through cross media platforms, his work explores the correlation and possibilities created through the play between cultures, histories and fiction.

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Režija / Director: Ely Dagher Scenarij / Screenplay: Ely Dagher Direktor fotografije / Director of Photography: Ely Dagher Montaža / Editor: Ely Dagher Muzika / Music: Matthew wilcock Zvuk / Sound: Zelig sound Kostimografija / Costume Design: Ely Dagher Scenografija / Production design: Ely Dagher Producent / Producer: Ely Dagher Produkcija / Production: BeaverAndBeaver Kontakt / Contact: BeaverAndBeaver, elydagher@gmail.com, elydagher.com FILMOGRAFIJA / FILMOGRAPHY 2015 - WAVES ‘98 (kratki / short) 2007 - BEIRUT (kratki / short)

Qatar, 2014, Colour, 7 min, Arabic

10%

Režija / Director: Yousef Al Moadhadi Scenarij / Screenplay: Abdullaziz Al-Saddi Direktor fotografije / Director of Photography: Yousef Al Moadhadi Montaža / Editor: Yousef Al-Madadi Muzika / Music: Audio Network Zvuk / Sound: Abdullaziz Al-Saddi, Omar Badori Producent / Producer: Omar Badori Produkcija / Production: Hazawi Kontakt / Contact: almadadi.yousef@gmail.com

FILMOGRAFIJA / FILMOGRAPHY 2015 - 10 % (kratki / short)

Mladić je opsjednut svojim mobilnim telefonom. Zabrinut što mu je baterija skoro prazna, zapada u razne nevolje zbog svoje omiljene spravice - gubi posao, slupa auto i čak upadne u kanalizaciju! Da li je ovo kraj ljubavne veze između čovjeka i mašine ? Ispričan kroz duhovite flashback-ove, 10% je duhovito viđenje opšte zavisnosti o mobilnom telefonu koje zvuči pravovremeno i istinito.

Yousaf Al Moadadi je talentovani režiser kojem se mogu pripisati mnogi hvaljeni kratki filmovi i korporativne promocije. Šest godina je radio za dokumentarni program na Al Jazeeri. Njegovi filmovi su ostavili pozitivan trag među Katarcima i šire.

E A young man is obsessed with his mobile phone. Worried because his battery is running low, he gets into all kinds of trouble because of his beloved gadget – losing his job, crashing his car and even falling into a sewage pit ! Is this the end of the love affair between man and machine ? Told in hilarious flashbacks, 10% is a witty take on everyone’s dependence on mobiles that rings timely and true.

Yousaf Al Moadhadi is a talented filmmaker, with many acclaimed short films and corporate promotions to his credit. He has worked for Al Jazeera Documentary for 6 years. His films left a positive mark amongst the people of Qatar and beyond.

Qatar, 2014, Colour, 2 min, No Dialogue Režija / Director: Papanapattu Ganesh, Imad Antoine Hachem Scenarij / Screenplay: Papanapattu Ganesh Direktor fotografije / Director of Photography: Jocelyne Abi Gebrayel Montaža / Editor: Rolan Majarucon Muzika / Music: Rolan Majarucon Producent / Producer: Papanapattu Ganesh Produkcija / Production: Ali Bin Ali Establishment Uloge / Cast: Gyan, Dom Kontakt / Contact: ganeshpk@hotmail.com, Imad.Hashim@alibinali.com

dRAIN / Voda

FILMOGRAFIJA / FILMOGRAPHY 2014 - dRAIN (kratki / short)

Ovo je film o očuvanju vode. Glavni lik pozitivno djeluje na gledaoca pokazujući kako i mali napori mogu napraviti razliku. On povezuje vodu koju ispušta klima uređaj sa saksijama u kojima su zasađene biljke i paradajz. Ovo je poduhvat da se gledalac uključi u očuvanje vode na nezastrašujući način.

Papanapattu Ganesh je rođen 1967. Odrastao je u Chennaiju u Indiji, u kojem žive ljudi iz različitih dijelova Indije, koji su u ovo mjesto donijeli veliku kulturnu raznolikost. Diplomirao je trgovinu, a magistrirao javnu upravu na Univerzitetu u Madrasu. Radi kao direktor finansija u vodećoj korporaciji u Kataru.

Imad Antoine Hachem je rođen u Beirutu 1969. Diplomirao je marketing na Univerzitetu Notre Dame. Sada je direktor za korporativnu komunikaciju u jednoj od vodećih katarskih kompanija.

E This is a film about water conservation. The protagonist makes a psotive impact on the viewer by showing how small efforts can make a difference. He connects the air conditioning drain water to potted plants and grows tomatoes. The effort is to engage the viewer in water conservation in a non-intimidating manner.

Papanapattu Ganesh was born in 1967 and grew up in Chennai, India, where people from different parts of India, bring great cultural diversity. He acquired his BA in Commerce and MA in Public Administration from Madras University. He works as the Group General Manager Finance of a leading corporate house in Qatar.

Imad Antoine Hachem was born in 1969 in Beirut. He graduated from NDU University with a BA in Advertising. He is currently a Corporate Communications Manager of one of Qatar’s leading companies.

MADE IN QATAR l 21. Sarajevo Film Festival 203

Qatar, 2014, Colour, 9 min, Arabic

Hind’s Dream / Hindin san

Režija / Director: Suzannah Mirghani Scenarij / Screenplay: Suzannah Mirghani Direktor fotografije / Director of Photography: Suzannah Mirghani Producent / Producer: Haya Al Romaihi, Dwaa Osman, Rodney Sharkey, Julietta Mirghani Produkcija / Production: Georgetown University Qatar Uloge / Cast: Asli Altinisik, Athanasios Sardellis Kontakt / Contact: suzannahmirghani@gmail.com

FILMOGRAFIJA / FILMOGRAPHY 2014 - HIND’S DREAM (kratki / short) 2011 - HAMOUR (kratki / short)

HINDIN SAN je priča koja odražava istoriju, savremenost i folklor Katara. Hind je mlada beduinka koja provodi sedmice sama u šatoru dok je njen muž u lovu. U zamršenom pejzažu sna i stvarnosti, ona se prisjeća čudnog sna o tome kako je lutala sama po pustinji, srela starog proroka i vidjela grad Doha u budućnosti. Ispod gole pustinje Hindine stvarnosti ključa gusta crna tvar njene podsvijesti, poput nafte koja izbija u mjehurićima na naftnim poljima koja je okružuju, i izlazi na površinu ovog pejzaža iz sna.

Suzannah Mirghani je diplomirala komunikacije i medije, a kao nezavisna režiserka radi na tome da istakne priče iz Dohe. Kao neko ko je multikulturalnog porijekla, zainteresovana je za istraživanje međusobne povezanosti etničkih pripadnosti i bogatstvo multikulturalnih susreta koji se događaju u tradicionalnom i kosmopolitskom mjestu kao što je Katar, gdje trenutno radi i živi.

E HIND’S DREAM is a story that reflects the history, modernity, and folklore of Qatar. Hind is a bedouin girl who spends weeks alone in a tent while her husband is hunting. In a tangled landscape of dream and reality, she recounts a strange dream about wandering alone in the desert, meeting an old oracle, and glimpsing a future Doha city. Beneath the barren desert of Hind’s reality the thick black matter of her subconscious is brewing—and just like the bubbling oil in the gas fields around her, rises to the surface of this dreamscape.

Suzannah Mirghani is a Communication and Media studies graduate and an independent filmmaker working on highlighting stories from Doha. Being of multicultural background, she is interested in exploring the interconnectedness of ethnicities and the wealth of multicultural encounters that occur in a traditionally cosmopolitan place like Qatar, where she currently works and resides.

Qatar, 2014, Colour, 7 min, English, Hindi Režija / Director: Maryam Al Sahli Scenarij / Screenplay: Maryam Al Sahli, Zakie Khan Direktor fotografije / Director of Photography: Suhaib Abou Doulah Montaža / Editor: Maryam Al Sahli Producent / Producer: Maryam Al Sahli Uloge / Cast: Zakie Khan, Osama Zboun Kontakt / Contact: maryamalsahli@gmail.com

FILMOGRAFIJA / FILMOGRAPHY 2914 - T BOY (kratki / short)

T Boy / Konobar Sam, dječak koji poslužuje čaj u firmi za informacijske tehnologije, imao je vjere kad je odlučio da napusti svoj rodni gradić u Indiji i došao da radi u Zalivu. Otkrio je da zgrabiti priliku ne znači i da je to dobra prilika. Može li ga razgovor sa jednim radnikom firme dovesti korak bliže ostvarenju njegovih snova?

Maryam Al-Sahli je montažerka filmova i video snimaka. Radila je za Institut za film u Dohi, na Al Jazeera-inom kanalu za djecu i za kompaniju Innovation Films. Radila je kao urednik i producent na nekoliko projekata, uključujući televizijske dokumentarne filmove, reklame, i nezavisne kratke filmove, uključujući BIDOON i CRAZY CALM. Otkako je diplomirala masovnu komunikaciju na Univerzitetu u Kataru u januaru 2011., Maryam je prva žena iz Katara koja se profesionalno bavi filmskom montažom. KONOBAR je njen prvi režiserki pokušaj.

E Sam, a tea boy in an information technology firm, took a leap of faith when he decided to leave his little hometown in India and come to work in the Gulf. He finds out that grabbing an opportunity does not necessarily mean it is a good one. Can a simple conversation with a company employee get him a step closer to achieving his dreams?

Maryam Al-Sahli is a film and video editor. She has worked with Doha Film Institute, Al Jazeera Children Channel and Innovation Films. She has worked as an editor and producer on several projects including TV documentaries, advertisments and independent shorts including BIDOON and CRAZY CALM. Having graduated from Qatar University with a Bachelor’s degree in Mass Communications in 2011, Maryam is the first Qatari female professional in film editing. T BOY is her directorial debute.

204 21. Sarajevo Film Festival l MADE IN QATAR

Sarajevo Film Festival Guests Present

THE MORELIA INTERNATIONAL FILM FESTIVAL 208 Carmin Tropical, Rigoberto Perezcano

FILM FACTORY 210 Aragane / Ruda, Kaori Oda 211 Kvota / Quota, Namsuk Kim 212 Consummate / Besprijekoran, Grant Gulczynski 212 The Empty Nest / Prazno gnijezdo, Marta Hernaiz Pidal

Međunarodni filmski festival Morelia (FICM) i Sarajevo / FICM and Sarajevo Međunarodni filmski festival Morelia sa zadovoljstvom će 2015. godine produbiti i ojačati svoje partnerstvo sa Sarajevo Film Festivalom. Osim što je SFF jedan od najznačajnijih festivala u Evropi koji se svake godine može pohvaliti izvrsnim programom, grad Sarajevo od iznimnog je značaja za međunarodnu filmsku scenu kao dom proslavljenog programa Béle Tarra film.factory, koji obrazuje talentovane filmske autore iz svih krajeva svijeta, uključujući i neke mlade meksičke reditelje.

E The Morelia International Film Festival (FICM) is delighted to strengthen and develop its partnership with the Sarajevo Film Festival in 2015. Aside from being one of the most important film festivals in Europe - boasting an outstanding programme of films each year - Sarajevo itself holds a vital position in the world of international cinema, being home to Béla Tarr’s renowned Film Factory, which offers film courses to talented filmmakers from around the world, including some young Mexican directors.

Meksiko je bio zemlja gost 20. izdanja SFF-a 2014. godine kada su u Sarajevu prikazani neki od najboljih novijih dugometražnih igranih meksičkih filmova, uključujući filmove GÜEROS (2014) Alonsa Ruizpalaciosa, RADNICI (2013) Joséa Luisa Vallea, ZLATNI KAVEZ (2013) Diega Quemada-Dieza, PASJA LJUBAV (2000) Alejandra Gonzáleza Iñárritua, kao i selekcija kratkih filmova prikazanih na 11. Međunarodnom filmskom festivalu Morelija.

Također, Gael Garcija Bernal bio je specijalni gost prošlogodišnjeg Sarajevo Film Festivala i dobitnik festivalske nagrade Počasno Srce Sarajeva.

In 2014 Mexico was the guest country at the festival’s 20th edition, which included a program of some of the best of Mexican cinema from recent years, including Alonso Ruizpalacios’ GÜEROS (2014), José Luis Valle’s WORKERS (2013), Diego Quemada-Diez’s LA JAULA DE ORO (2013), Alejandro González Iñárritu’s AMORES PERROS / LOVE’S A BITCH (2000), and a selection of short films from the 11th edition of FICM. The festival also welcomed Gael Garcia Bernal as its honorary guest and recipient of the Honorary Heart of Sarajevo Award.

Naša dva festivala dogovorila su ove godine razmjenu, pa će tako jedan nagrađeni film Sarajevo Film Festivala biti prikazan u sklopu 12. izdanja FICM-a u oktobru, dok će publika u Sarajevu moći uživati u filmu Rigobeta Pérezcana CARMIN TROPICAL, koji je prošle godine proglašen najboljim igranim filmom Festivala u Moreliji.

This year, the festivals will participate in an exchange; an award-winning film from the Sarajevo Film Festival will be screened at the 12th edition of FICM in October; while audiences in Sarajevo will have the opportunity to enjoy Rigoberto Pérezcano’s CARMIN TROPICAL, winner of the Best Feature Film Award in Morelia last year.

Pérezcanov film, koji je nominovan za devet nagrada Ariel, a osvojio je nagradu za najbolji scenarij, suptilno propituje suštinu pola, nasilja i porodičnih veza fokusirajući se na zajednicu transrodnih žena u južnoj meksičkoj državi Oaxaci.

Pérezcano’s film, which was also nominated for nine Ariel awards, winning the prize for Best Screenplay, is a nuanced exploration of gender, violence and family ties, focusing on a community of transgender women in the southern Mexican state of Oaxaca.

Sarajevo Film Festival međunarodnoj filmskoj zajednici daje jedinstven primjer originalnog, kvalitetnog programa. Naša dva festivala dijele jedan ključni cilj: promoviranje rada lokalnih filmskih umjetnika istovremeno proslavljajući širok raspon najvećih djela međunarodne kinematografije.

Presretni smo nastavkom bliske saradnje sa Sarajevo Film Festivalom i unapređenjem kontinuiranog i obostrano korisnog partnerstva zasnovanog na zajedničkoj strasti.

The Sarajevo Film Festival offers an outstanding example of original, quality programming to the international film community. Our festivals share a key aim: to promote the work of local filmmakers whilst at the same time celebrating the best of a diverse range of world cinema. We are delighted to continue working closely with the festival, allowing our mutual passions to consolidate an ongoing and mutually beneficial relationship.

THE MORELIA INTERNATIONAL FILM FESTIVAL l 21. Sarajevo Film Festival 207

Carmin Tropical Mabel, uspješna transseksualna pjevačica koja nastupa u noćnim klubovima, vraća se u svoj rodni grad u Meksiku kako bi istražila ubistvo svoje najbolje prijateljice Daniele. U nedostatku pravog traga i usljed manjka informacija o Danielinoj smrti, Mabel je prisiljena sve dublje kopati po prijateljičinoj prošlosti. U procesu traganja, sa nelagodom otkriva u kojoj se mjeri njen odgoj i prošlost preklapaju sa onima njene ubijene prijateljice. Kako bi u potpunosti shvatila šta se dogodilo Danieli, Mabel mora prigrliti svijet koji je očajnički nastojala ostaviti iza sebe. Potentna mješavina nostalgije i strepnje, CARMIN TROPICAL pažljivo razotkriva fascinantnu i narastajuće zlokobnu misteriju koja nas stavlja pred pitanje da li je moguće pobjeći od vlastite sudbine.

Rigoberto Perezcano je rođen u Zaachili, u meksičkoj pokrajini Oaxaca. Karijeru je započeo kao reditelj dokumentarnih filmova, ali su ga uvijek fascinirale dramaturške i igrane mogućnosti unutar dokumentarnog žanra. Njegov film XV U ZAACHILI je prikazan na mnogobrojnim festivalima osvojivši različite nagrade u zemlji i inozemstvu. Perezcano je 2001. primljen na staž u Rockefeller-MacArthur Ford fondaciji kako bi razvio scenarij za film CARMIN TROPICAL. Njegov prvi dugometražni igrani film DEZORIJENTIRAN je bio uvršten u četrnaesto izdanje „Construction Film“ programa Međunarodnog filmskog festivala u San Sebastianu. Film je osvojio tri nagrade: nagradu filmske industrije, špansku televizijsku nagradu i nagradu Casa América. Perezcano je nedavno završio rad na filmu CARMIN TROPICAL. E Successful trans nightclub singer Mabel returns to her hometown in Mexico to investigate the

murder of her best friend Daniela. With no leads and little insight into Daniela’s death, Mabel digs deeper into her friend’s past, realizing how her own upbringing and past life overlap unnervingly with that of her murdered friend. In order to fully comprehend what happened to Daniela, Mabel must embrace a world she desperately tried to leave behind. Directed with a potent mixture of nostalgia and dread, CARMIN TROPICAL carefully unveils a fascinating and increasingly sinister mystery that questions whether or not we can escape our own fate.

Rigoberto Perezcano was born in Zaachila, Oaxaca, Mexico. He started directing documentaries, but was always in awe with the dramatic and fictional possibilities that lie within the genre. His film XV IN ZAACHILA participated in different festivals, receiving various national and international awards.

In 2001, he worked as an intern for Rockefeller-MacArthur Ford to write the script of the project titled CARMIN TROPICAL. NORTEADO was his first fiction film, and it was part of the 14th edition of “Construction Film” in the San Sebastian International Film Festival. The movie won three awards: “Industry Award”, “Spanish Television Award”, and “Casa América Award”. Recently, he has finally completed CARMIN TROPICAL.

208 21. Sarajevo Film Festival l THE MORELIA INTERNATIONAL FILM FESTIVAL

Mexico, 2014, Colour, 80 min, Spanish Režija / Director: Rigoberto Perezcano Scenarij / Screenplay: Rigoberto Perezcano, Edgar San Juan Direktor fotografije / Director of Photography: Alejandro Cantú Montaža / Editor: Miguel Schverdfinger Muzika / Music: Luca Ortega Zvuk / Sound: Ruy García, PabloTamez Producent / Producer: Rigoberto Perezcano, Jaime B. Ramos, Christian Valdelièvre, Cristina L. Velasco Produkcija / Production: Cinepantera, Foprocine, Tiburón Filmes Uloge / Cast: Luis Alberti, Juan Carlos Medellín, José Pescina, Marco Pétriz, Everardo Trejo Kontakt / Contact: The Open Reel, open@theopenreel.com, www.theopenreel.com FILMOGRAFIJA / FILMOGRAPHY 2014 - CARMIN TROPICAL 2009 - NORTHLESS 2003 - XV IN ZAACHILA

(kratki dokumentarni / short doc.)

film.factory Studijski program film.factory kreirao je Béla Tarr, a zvanično je pokrenut u februaru 2013. godine u okviru Sarajevske škole za nauku i tehnologiju. film.factory nudi tri vrste aktivnosti.

Prva aktivnost je organizacija praktičnih radionica u trajanju od jedne ili dvije sedmice, a koje drže iskusni i proslavljeni filmski stvaraoci, umjetnici i stručnjaci. Predavači blisko surađuju sa mladim filmskim autorima koji se obrazuju u tvornici filma i sa njima dijele svoje poznavanje zanata i praktične vještine. Lista gostujućih mentora neprekidno se proširuje (Fred Kelemen, Gus Van Sant, Carlos Reygadas, Apichatpong Wheersethakul, Brothers Quay, Pedro Costa, Guy Maddin, Tilda Swinton, Cristian Mungiu, Edward Lachman, Kinga Keszthelyi , Gael Garcia Bernal, Juliette Binoche, Meinolf Zurhorst, Jean-Christophe Simon, Khavn dela Cruz, Laszlo Rajk, Sanja Džeba, Boris Lehman, Agnieszka Holand, Zeki Demirkubuz i James Benning).

U teoretskom dijelu programa film.factory, film izučavamo tako što gledamo značajna djela kinematografije, a zatim ih analiziramo i o njima diskutujemo. Mentori ovog dijela programa uključuju neke od vodećih svjetskih teoretičara, historičara i kritičara filma (Jean-Michel Frodon, Jonathan Romney, Jonathan Rosenbaum, Thierry Garrel, Manuel Grosso, Andras Renyi, Jytte Jensen, Kirill Razlogov, Ulrich Gregor, Shozo Ichiyama, Enrico Ghezzi, Rasha Salti, Alin Tasciyan, Tanja Vrvilo).

Treći i posljednji dio programa film.factory je razvoj i produkcija filmova učesnika obuke. Svi mladi filmski autori uključeni u program dobijaju priliku da tokom prve dvije godine studija snime po jedan kratki film. U završnoj godini doktorskog studija kandidati rade na realizaciji vlastitih dugometražnih filmova pod mentorskim nadzorom Béle Tarra.

U programu učestvuje više od 30 mladih filmskih stvaralaca iz više od 20 zemalja sa četri različita kontinenta. Svi su se oni preselili u Sarajevo u potrazi za stvaralačkom slobodom i ispunjenjem vlastite vizije za budućnost filma. Zbog svega toga, film.factory nije klasična škola filma, već nešto sličnije Bauhaus pokretu – laboratorija uspostavljena kako bi oslobodila fantaziju i energiju nove generacije autora.

E The film.factory programme was created by Béla Tarr and officially began its work in February 2013 within the Sarajevo Sarajevo School of Science and Technology.

film.factory has three types of activity.

Part of the programme consists of practical work in form of workshops.

Experienced, renowned filmmakers, film artists and experts join the programme in intensive one to two week sets. They work closely with the film.factory young filmmakers, sharing their craft and practical knowledge through a collaborative process. The list of such visiting mentors is continuously expanding (Fred Kelemen, Gus Van Sant, Carlos Reygadas, Apichatpong Wheersethakul, Brothers Quay, Pedro Costa, Guy Maddin, Tilda Swinton, Cristian Mungiu, Edward Lachman, Kinga Keszthelyi , Gael Garcia Bernal, Juliette Binoche, Meinolf Zurhorst, Jean-Christophe Simon, Khavn dela Cruz, Laszlo Rajk, Sanja Džeba, Boris Lehman, Agnieszka Holand, Zeki Demirkubuz and James Benning).

In theoretical section of film.factory we study cinema through screenings, film analysis and discussions. Mentors for this part of the film.factory programme are some of the world’s most prominent film theorists, film historians and critics (Jean-Michel Frodon, Jonathan Romney, Jonathan Rosenbaum, Thierry Garrel, Manuel Grosso, Andras Renyi, Jytte Jensen, Kirill Razlogov, Ulrich Gregor, Shozo Ichiyama, Enrico Ghezzi, Rasha Salti, Alin Tasciyan, Tanja Vrvilo).

The third and final part of the programme is the development and production of films by the film.factory. All young filmmakers shoot short films during the first two years of the programme. The final year of the programme for the DLA (PhD) candidates involves work on the realization of their feature films. All films are mentored by Béla Tarr.

Over 30 young filmmakers from all corners of the world participate in the programme, spanning four continents and over twenty countries. They’ve all moved to Sarajevo in pursuit of artistic freedom and fulfilment of their own vision of the future of cinema. All this makes film.factory not a traditional film school, but something akin to the Bauhaus movement – a laboratory set up with a goal to liberate the fantasy and the energy of the new generation.

FILM FACTORY l 21. Sarajevo Film Festival 209

Aragane / Ruda Rudari u bosanskom rudniku. Kamera tiho posmatra rudare koji neumorno rade okruženi neprestanom bukom i treperavim svjetlom lampi. Rediteljičina pažnja potpuno je usmjerena na njih.

Bosnia and Herzegovina, Japan, 2015, Colour, 68 min, Bosnian

Kaori Oda je rođena 1987 u Hirakati, blizu Osake u Japanu. Nakon što je zavrđila Gaidai koledž, pohađala je i završila kurseve filma na Univerzitetu Hollins. Trenutno je studentica na film.factory akademiji u Sarajevu pod vodstvom Bele Tarra.

Režija / Director: Kaori Oda Direktor fotografije / Director of Photography: Kaori Oda Montaža / Editor: Kaori Oda Zvuk / Sound: Kaori Oda, Grant Gulczynski, Sunčica Fradelić Scenografija / Production design: Mersiha Halilović Producent / Producer: Shinji Kitagawa, Emina Ganić Produkcija / Production: film.factory, FieldRain Kontakt / Contact: zihuatanejo@live.jp

E Miners in a Bosnian coal mine. The camera silently watches over the miners working tirelessly amidst endless noise and the flickering light of lanterns. The director follows the miners with her undivided attention.

Kaori Oda was born in 1987 in Hirakata, Osaka. After graduating from Kansai Gaidai Junior College, Oda studied at Hollins University, where she completed film courses in 2011. She is currently a student at film.factory academy in Sarajevo mentored by Bela Tarr.

210 21. Sarajevo Film Festival l FILM FACTORY

FILMOGRAFIJA / FILMOGRAPHY 2015 - ARAGANE 2014 - LOST IN BOSNIA (dokumentarni / documentary) 2012 - TAMOTORU (kratki/ short)

Kvota / Quota Grupa mladih uličnih buntovnika rođenih tokom rata u Bosni sanjaju o pristojnom životu...međutim sve vrijeme su na ulici, upadajući u iskušenja...

Namsuk Kim je rođen 1986. godine. Odrastao je u Južnoj Koreji i Sjedinjenim Američkim Državama.

Filmsku karijeru započeo je u Njujorku 2009. godine. Nakon što je diplomirao na Hunter koledžu, preselio se u Sarajevo da nastavi edukaciju na akademiji film.factory. 2011. je suosnovao produkcijsku kuću Segaji Video.

E Born during the Bosnian war, a gang of young street rebels of Sarajevo dreams to live a decent life...but they’re always out on the street, slowly falling into temptation...

Namsuk Kim was born in 1986. He grew up in both South Korea and United States and began his film career in New York in 2009. After he graduated from Hunter College, he moved to Sarajevo to pursue his graduate study at film.factory. In 2011 he co-founded a production company called Segaji Video.

Bosnia and Herzegovina, 2015, Colour, 74 min, Bosnian Režija / Director: Namsuk Kim Scenarij / Screenplay: Namsuk Kim Direktor fotografije / Director of Photography: Namsuk Kim Montaža / Editor: Namsuk Kim Zvuk / Sound: Kaori Oda, Gaetano Liberti, Graeme Cole, Haris Pijuk, Salvador Palma Scenografija / Production design: Namsuk Kim Producent / Producer: Namsuk Kim Produkcija / Production: film.factory Uloge / Cast: Emir Lačević, Haris Pijuk, Faruk Gadžeri, Filip Slavnić, Aldin Begović, Rizah Junuzović, Dino Bektić, Dženan Tanović, Aldin Bilić, Adnan Jačević, Milan Paunović, Naris Šatrović, Faruk Sokol, Tarik Đozo, Almir Karahasanović Kontakt / Contact: kimnamsuk.work@gmail.com FILMOGRAFIJA / FILMOGRAPHY 2015 - QUOTA 2014 - LOST IN BOSNIA (dokumentarni / documentary) 2012 - TODAY’S SPECIAL (kratki / short)

FILM FACTORY l 21. Sarajevo Film Festival 211

Bosnia and Herzegovina, United Kingdom, 2015, Colour and b&w, 23 min, Bosnian, English

Consummate / Besprijekoran BESPRIJEKORAN je slobodna adapracija nezavršenog djela Franza Kafke ‘’Pripreme za vjenčanje na selu’’. Prebacujući perspektivu, sa protagonista teksta iz ranog dvadesetog stoljeća - heteroseksualnog Nijemca koji se sprema za vjenčanje sa svojom zaručnicom, na onu savremenog Bosanca homoseksualca koji se nalazi u istoj situaciji. Film je ispričan u dva dijela kombinujući arhivske snimke i živu radnju.

Režija / Director: Grant Gulczynski Scenarij / Screenplay: Grant Gulczynski Direktor fotografije / Director of Photography: Grant Gulczynski Montaža / Editor: Grant Gulczynski Kostimografija / Costume Design: Aapo Nieminen Scenografija / Production design: Aapo Nieminen Producent / Producer: film.factory Produkcija / Production: film.factory Uloge / Cast: Adi Hrustemovic, Sabina Mrgan Kontakt / Contact: gulczynski@live.co.uk

FILMOGRAFIJA / FILMOGRAPHY 2015 - CONSUMMATE (kratki / short) 2013 - ADIN AND AJNA (A HOTEL ROOM IN SARAJEVO)

(kratki / short) 2012 - ALEX AND ALICE, A COUPLE (kratki / short) 2012 - NATURE BOY (kratki / short)

Grant Gulczynski je mladi višestruko nagrađivani britanski reditelj, čiji su radovi prikazivani na Festivalu kratkog filma u Londonu te na festival Susreti kratkog filma I animacije. Trenutno je student doktorskog programa u školi Béle Tarra film.factory u Sarajevu.

E CONSUMMATE is a loose adaptation of Franz Kafka’s unfinished work ‘’Wedding Preparations in the Country’’. Shifting perspective from the text’s early twentieth century protagonist, a heterosexual German off to marry his fiancée, to that of a contemporary homosexual Bosnian in the same circumstance. The film is told in two parts mixing montaged archive footage and live action.

Grant Gulczynski is a young award winning British director whose work has screened at both London Short FIlm Festival and Encounter’s Short Film and Animation Festival. Currently he is a Ph.D student at Béla Tarr’s film.factory programme in Sarajevo.

Bosnia and Herzegovina, Mexico, 2015, Colour, 30 min, Bosnian

The Empty Nest / Prazno gnijezdo Nakon što saznaje da njen sin neće provesti svoj rođendan sa njom, Nadia nastavlja svoj monotoni život. Dok skuplja prljavu odjeću, pere, objeduje ili pije kafu sa komšijama, Nadia osjeća duboku prazninu; svoju usamljenost.

Marta Hernaiz Pidal je diplomirala na Centru za dizajn, kinematografiju i televiziju u Meksiko Sitiju 2011. Njen diplomski rad bio je kratki film POLLITO PILE GALLINA KOKOŠKA. Od tada je učestvovala u raznim filmskim projektima kao asistentica reditalja i producentica, uključujući igrani film SILVA, reditelja Juana Roche. Na film.factory akademiji je pohađala radionice i predavanja sa rediteljima kao što su Carlos Reygadas, Fred Kelemen, Pedro Costa i Cristian Mungiu.

E After receiving the news that her son won’t spend his birthday with her, Nadia continues her monotonous life. Picking up dirty clothes, washing, eating or having coffee with her neighbours, Nadia feels a deep emptiness; the loneliness of her life.

Marta Hernaiz Pidal graduated with honours from the Centro de Diseño, Cine y Televisión (Design, Cinema and TV Centre) in Mexico City 2011. Her thesis film was a short POLLITO CHICKEN, GALLINA HEN. She has since participated in different projects as an assistant director and producer, including the feature film SILVA directed by Juan Rocha. As a student of film.factory academy in Sarajevo, she has attended workshops with directors such as Carlos Reygadas, Fred Kelemen, Pedro Costa and Cristian Mungiu.

212 21. Sarajevo Film Festival l FILM FACTORY

Režija / Director: Marta Hernaiz Pidal Scenarij / Screenplay: Marta Hernaiz Pidal Direktor fotografije / Director of Photography: Kaori Oda Montaža / Editor: Marta Hernaiz Pidal Muzika / Music: Jorge Bolado Zvuk / Sound: Fernando Gómez Scenografija / Production design: Aleksandra Niemczyk Producent / Producer: Mersiha Halilović, Gustavo Vega, Marta Hernaiz Pidal Produkcija / Production: film.factory Uloge / Cast: Milica Zecic, Mirveta Rećica, Rasca Pamuković, Fehima Balaš, Amir Osmanović Kontakt / Contact: martad5a7@gmail.com FILMOGRAFIJA / FILMOGRAPHY 2015 - THE EMPTY NEST (kratki / short) 2011 - POLLITO CHICKEN, GALLINA HEN (kratki / short)

1995 – 2015.

Suočavanje s prošlošću / Dealing with the past

216 The Diplomat / Diplomata, David Holbrooke 217 Massakren i Dvor / 15 minuta - Masakr u Dvoru /

15 minutes - The Dvor Massacre, Kasper Vedsmand, Georg Larsen 218 Les Voix de Srebrenica / Glasovi Srebrenice / The Voices of Srebrenica,

Nedim Lončarević

1995 – 2015.

Suočavanje s prošlošću / Dealing with the past „Proglašenje nezavisnosti Slovenije od Republike Jugoslavije 1991. godine označio je početak raspada bivše Jugoslavije. Za njom su uslijedile Hrvatska i Bosna i Hercegovina (BiH). Sukob između Slovenije i Jugoslovenske narodne armije trajao je samo 10 dana, ali brutalni ratovi su se vodili u Hrvatskoj i BiH (započeli su 1991., odnosno 1992. godine) sve do 1995. godine. Sukob na Kosovu je trajao od 1998. do 1999. godine.

E “Slovenia’s declaration of independence from the Republic of Yugoslavia in 1991 marked the start of the dismantlement of the former Yugoslavia. Croatia and Bosnia and Herzegovina (BiH) followed suit. The battles between Slovenia and the Yugoslav People’s Army lasted only 10 days, but the brutal wars fought in Croatia and BiH (begun in 1991 and 1992 respectively) dragged on until 1995. Battles in Kosovo lasted from 1998 to 1999.

Sukobi su uključivali rasprostranjene napade na civile, protjerivanje stanovništva, sistemsko silovanje i koncentracione logore. Većina masakara se dogodila u BiH, Hrvatskoj i na Kosovu. Tokom sukoba u regiji oko 140.000 ljudi je poginulo, a skoro 4.000.000 ljudi je raseljeno.”

Izvor: ICTJ (Međunarodni centar za tranzicijsku pravdu)

The conflicts included widespread attacks against civilians, population expulsions, systematic rape and the use of concentration camps. Most of the massacres occurred in BiH, Croatia and Kosovo. About 140,000 people were killed in the region during the conflicts, and almost 4 million others were displaced.”

Source: ICTJ (The International Center for Transitional Justice)

Imajući u vidu obilježavanje 20. godišnjice od masakra u Srebrenici, 20 godina od operacije „Oluja” i Dejtonskog sporazuma, Sarajevo Film Festival priprema poseban program za ovu godinu sa kojim se osvrćemo na zvjerstva počinjena tokom balkanskih ratova 1990-ih godina i odajemo počast žrtvama.

This year marks the 20th anniversary of the Srebrenica massacre, the Operation Storm, and the signing of the Dayton peace agreement. Sarajevo Film Festival has created a special program for its 21st edition to reflect on the atrocities of the Balkan wars in the 1990s and pay tribute to the victims.

1995 - 2015 DEALING WITH THE PAST l 21. Sarajevo Film Festival 215

The Diplomat / Diplomata Sa svojim dobro potkovanim i prosvjetljujućim dokumentarcem DIPLOMATA, David Holbrook pokušava ispuniti naizgled nemoguć zadatak: oslikati zaostavštinu svoga impozantnog oca, ambasadora Richarda Holbrooka, putujući širom planete u nastojanju da pruži pogled iznutra na američku spoljnu politiku. Holbrookova karijera je obuhvatila pedeset godina američke spoljne politike. Dokumentarac nas vodi iza scene u svijet visoke diplomatije u kojem se u brojnim zemljama, uključujući VIjetnam, BiH, Afganistan i Kosovo, pokreće mir i završavaju ratovi. Kroz intervjue sa impresivnim brojem svjetskih lidera, David pokušava da pomiri Holbrookov privatni i profesionalni imidž, kreirajući nježan portret očinstva, ambicije i moći potrebne da se promijeni tok stvari u raznim krajevima svijeta. Film DIPLOMATA uključuje intervjue sa bivšom američkom državnom sekretarkom Hillary Clinton, američkim državnim sekretarom Johnom Kerryijem, bivšim američkim državnim sekretarima Madeleine Albright i Henryijem Kissingerom, predsjednikom Billom Clintonom, potpredsjednikom Alom Gorom, američkom ambasadoricom pri UN-u Samanthom Power i mnogim drugima.

David Holbrooke je filmski autor i direktor Mountainfilm festivala u Telluridu. Njegov prethodni film ČVRST KAO STIJENA je u decembru 2007. prikazan na HBO-u. David je, također, autor dokumentarnih filmova ČUDACI KAO JA, VRIJEME ZA NOVOG BOGA i REDWOOD RASTE U BRUKLINU, koji su dio njegovog nezavršenog serijala ORIGINALNI MISLIOCI. Njegovi ostali istaknuti projekti uključuju TV film DUŠA OZDRAVLJENJA sa Deepakoom Choprom i MUKE HENRYJA KISSINGERA na kojem je radio kao koproducent. Prije nego što se počeo baviti filmom, David je dugo godina radio u informativnom TV programu kao producent dugih priloga za THE TODAY SHOW, CBS i CNN. Njegova produkcijska kompanija Giraffe Partners trenutno priprema nekoliko narativnih igranih filmova i više dokumentaraca.

E With the insightful and revealing documentary THE DIPLOMAT, David Holbrooke attempts the seemingly insurmountable: capturing the legacy of his larger-than life father, Ambassador Richard Holbrooke, while traveling across the globe to reveal an inside view of U.S. foreign policy. Holbrooke’s career spanned fifty years of American foreign policy. The documentary takes us behind the scenes of high stakes diplomacy where peace is waged and wars are ended, including in Vietnam, Bosnia, Kosovo and Afghanistan. Interviewing an impressive array of world leaders, David grapples with Holbrooke’s public versus private personas, creating a sensitive portrait of fatherhood, ambition and the force required to affect change throughout the world. THE DIPLOMAT features interviews with former Secretary of State Hillary Clinton, Secretary of State John Kerry, former Secretaries of State Madeleine Albright and Henry Kissinger, President Bill Clinton, Vice President Al Gore, UN Ambassador Samantha Power and many more.

David Holbrooke is a filmmaker and Festival Director of Mountainfilm in Telluride. His last film, HARD AS NAILS, aired on HBO in December 2007. Other documentaries include FREAKS LIKE ME, TIME FOR A NEW GOD and A REDWOOD GROWS IN BROOKLYN. All are part of an ongoing series he created called ORIGINAL THINKERS. Other notable projects include THE SOUL OF HEALING with Deepak Chopra and co-producing THE TRIALS OF HENRY KISSINGER. Before he became a filmmaker, David previously worked extensively in television news, producing long- form pieces for THE TODAY SHOW, CBS News and CNN. His production company, Giraffe Partners, is developing narrative features and several documentaries.

216 21. Sarajevo Film Festival l 1995 - 2015. SUOČAVANJE S PROŠLOŠĆU

USA, 2015, Colour, 104 min, English Režija / Director: David Holbrooke Scenarij / Screenplay: David Holbrooke Direktor fotografije / Director of Photography: Adam Vardy, Richard Dallett, Jim Hurst, Bao Nguyen Montaža / Editor: Seth Bomse Muzika / Music: Graham Reynolds Zvuk / Sound: Heather Gross Producent / Producer: Stacey Reiss Produkcija / Production: Giraffe Partners, Stacey Reiss Productions, HBO Documentary Films Uloge / Cast: Richard Holbrooke, Diane Sawyer, Hillary Rodham Clinton, Al Gore, Henry Kissinger, Christiane Amanpour, Madeleine Albright, John Kerry, Kofi Annan, Bakir Izetbegović Kontakt / Contact: Stacey Reiss Productions, stacey@staceyreiss.com, www.staceyreiss.com

FILMOGRAFIJA / FILMOGRAPHY 2015 - THE DIPLOMAT (dokumentarni / documentary) 2007 - HARD AS NAILS (dokumentarni / documentary)

Massakren i Dvor / 15 minuta - Masakr u Dvoru / 15 minutes - The Dvor Massacre Nekoliko minuta prije nego što je devet osoba s invaliditetom ubijeno u napuštenoj školi 8. avgusta 1995. godine, danski oficir je trebao donijeti presudnu odluku: da izda naredbu da se interveniše ili ne. Komandir Jørgen Kold odlučio je da ne izda naredbu za stupanje u akciju protiv neidentifikovanog muškarca koji je ušao u školu u blizini danskog vojnog kampa. Devet osoba s invaliditetom, Srba i Hrvata, ubijeni su jedno po jedno dok je 200 danskih vojnika ostalo nepomično u svom kampu.

Ujedinjene nacije su rasporedile danske vojnike u kamp Dannevirke da prate primirje između Srba i Hrvata. U ljeto 1995. godine Hrvatska vojska je prekršila primirje i oko 250.000 Srba je bilo primorano da bježi tokom Operacije Oluja. Kad više nije bilo primirja za praćenje, mirovne trupe UN-a su upozorile danske vojnike da se ne miješaju u sukob. Odluka je to koja je u potpunosti bila u okviru mandata koji je dobio od Ujedinjenih nacija, ali odluka s kojom Kold živi već 20 godina. 15 MINUTA MASAKR U DVORU prati bivšeg komandira i njegov povratak na Balkan gdje se suočava sa onima koji su učestvovali, sa ožalošćenima i sa svojom fatalnom odlukom koja muči njegovu savjest posljednjih dvadeset godina.

Kasper Vedsmand završio je žurnalistiku 2010. godine i od tada radi kao istraživački novinar za novine i TV. Surežirao je svoj debitantski film 15 MINUTA – MASAKR U DVORU zajedno sa Georgom Larsenom.

Georg Larsen je rođen 1968. godine. Radi za Dansku državnu televiziju. Samouki je scenarist i reditelj dokumentarnih filmova. U svojim filmskim uratcima se uglavnom bavi temom ratova i sukoba, uglavnom onih na Srednjem Istoku.

E Minutes before nine disabled people were executed in an abandoned school on August 8, 1995, it was up to one Danish officer to make the crucial decision: to give orders to intervene or not.

Company Commander Jørgen Kold opted to not give an order to take action against the unidentified men who had entered the school, which was located adjacent to the Danish encampment. The nine disabled people, both Serbians and Croatians, were executed one by one while the 200 Danish soldiers remained immobile inside their camp. The Danish soldiers in Camp Dannevirke were assigned by the United Nations to monitor the ceasefire between the Serbs and the Croats. In the summer of 1995, the Croatian Army ceasefire broke and about 250,000 Serbs were forced to flee during ”Operation Storm.” Once there was no longer a ceasefire to monitor, UN peacekeeping forces warned Danish soldiers to not intervene in the conflict. A decision that was entirely within the mandate that he had received from the United Nations, yet the one Kold has subsequently lived with for 20 years.

THE MASSACRE IN DVOR follows former company commander and his trip back to the Balkans to confront those involved, the bereaved, and his fatal decision that has plagued his conscience for the last twenty years.

Denmark, 2015, Colour, 58 min, Croatian, Danish, English, Serbian Režija / Director: Kasper Vedsmand, Georg Larsen Scenarij / Screenplay: Georg Larsen, Kasper Vedsmand Direktor fotografije / Director of Photography: Lars Skree Montaža / Editor: Janus Billeskov Jansen, Anne Østerod Muzika / Music: Frithjof Toksvig Zvuk / Sound: Frano Homen Producent / Producer: Monica Hellström, Anne Köhncke Produkcija / Production: Heidi Elise Christiensen Kontakt / Contact: Final Cut For Real, anne@final-cut.dk, www.final-cut.dk

FILMOGRAFIJA / FILMOGRAPHY Kasper Vedsmand 2015 - 15 MINUTES - THE DVOR MASSACRE Georg Larsen 2014 - THE DVOR MASSACRE

(dokumentarni / documentary) 2008 - AN ARAB COMES TO TOWN

(dokumentarni / documentary) 2007 - BEAUTIFUL BEIRUT

(dokumentarni / documentary)

Kasper Vedsmand completed his education as a journalist in 2010 and has since worked as an investigative journalist for both newspapers and TV. He co-directed his debut film 15 MINUTES THE DVOR MASSACRE with Georg Larsen.

Georg Larsen was born in 1968. He works for Denmark’s national broadcasting corporation. He is a self-taught screenwriter and director of documentary films. In his films, he focuses on war and conflict, mostly in the Middle East.

1995 - 2015 DEALING WITH THE PAST l 21. Sarajevo Film Festival 217

Les Voix de Srebrenica / Glasovi Srebrenice / The Voices of Srebrenica Intimna i dirljiva priča o preživjelima iz Srebrenice, problematizira razloge očiglednog ignoriranja međunarodne zajednice koje je na kraju dovelo do onoga što je danas priznato kao čin genocida.

France, 2015, Colour, 50 min, Bosnian, Dutch, English, French

Nedim Lončarević je novinar, dokumentarista i pisac. Karijeru je započeo kao novinar u Jugoslaviji, gdje je uređivao dokumentarni časopis Crno na bijelo više od deset godina prije nego što je postao glavni urednik na Televiziji Sarajevo pred sami početak rata. Režirao je nekoliko nagrađivanih dokumentaraca, uključujući TUNEL I SARAJEVSKI ATENTAT. Živi u Francuskoj gdje i dalje snima filmove.

Režija / Director: Nedim Lončarević Scenarij / Screenplay: Nedim Lončarević, François-Xavier Destors Montaža / Editor: Cécile Fernandez Muzika / Music: Adnan Dado Mušanović Zvuk / Sound: Frederique Dhavernas Producent / Producer: Cyrille Perez, Gilles Perez Produkcija / Production: 13 Production, France Télévisions Kontakt / Contact: 13 productions, contact@13productions.fr, www.13productions.fr

E An intimate and moving tale of the survivors of Srebrenica, bringing into question the reasons behind the apparent negligence of the international community that has lead to what is today recognised as an act of genocide.

Nedim Lončarević is a journalist, documentary filmmaker and writer. He began his career as a journalist in Yugoslavia, where he was in charge of the documentary magazine Black on White for more than ten years before becoming the chief editor of television in Sarajevo just before the war broke out. He has directed several awarded documentaries including THE TUNNEL and THE SARAJEVO ASSASSINATION. He now lives in France where he continues to make films.

218 21. Sarajevo Film Festival l 1995 - 2015. SUOČAVANJE S PROŠLOŠĆU

FILMOGRAFIJA / FILMOGRAPHY 2015 - VOICES OF SREBRENICA

(dokumentarni / documentary) 2014 - THE SARAJEVO ASSASSINATION

(dokumentarni / documentary) 2011 - THE TUNNEL (dokumentarni / documentary) 1994 - THE TRIAL THAT WILL NEVER HAPPEN

(dokumentarni / documentary) 1993 - FLIGHT OVER BOSNIA

(dokumentarni / documentary) 1990 - THE END OF AN EMPIRE

(dokumentarni / documentary)

Pretpremijere / Avant Premiere

220 Do balčaka / To the Hilt, Stole Popov 221 Hiljadarka / Thousand, Nenad Đurić 222 Pored mene / Next To Me, Stevan Filipović

Do balčaka / To the Hilt Makedonija, mala zemlja u srcu Balkana, je petsto godina bila pod turskim jarmom. Radnja se odvija u krvavom postrevolucionarnom periodu nakon 1903. godine, tačnije u prvoj deceniji 20. vijeka. DO BALČAKA je ljubavni četverokut između okrutnog, ali romantičnog buntovnika, nemilosrdnog naturalizovanog turskog službenika, obrazovanog sina bogatog oca i lucidne, razmažene, ali avangardne Evropljanke koja želi da svu trojicu vrti oko malog prsta. Film otkriva grubu, ali romantičnu priču u kojoj se vidi vječni makedonski uzrok vlastitog identiteta i nezavisnosti iz ugla iluzije i relativnosti slobode, pravde, ljubavi, sreće, žrtve, prevare i izdaje. Ukratko, cijela priča je obilježena tipičnim balkanskim paradoksom podignutim na nivo neosporne filozofske maksime: “Jebeš život ako niste spremni umrijeti za njega.” To je film o dijalektičkom susretu između mitova i antimitova, film u kojem se legende i pripovijedanju ogledaju u okrutnoj stvarnosti svakodnevnog života u Makedoniji.

Stole Popov je rođen 1950. u Skopju, Republika Makedonija. Diplomirao je filmsku režiju na Akademiji za pozorište, film i televiziju u Beogradu. Trenutno je profesor filmske režije na Fakultetu dramskih umjetnosti u Skopju i šefa za studije filmske režije. Član Evropske filmske akademije od 1997. godine. Stole Popov je osvojio više od 50 visokih evropskih i svjetskih nagrada i značajnih priznanja, posebno se ističe 8 glavnih nagrada na različitim međunarodnim festivalima i dvije nominacije, za Oscar (nagrada Američke filmske akademije) i Felix (nagrada Evropske filmske akademije).

E Macedonia, a small country in the heart of the Balkans, has been under Ottoman occupation for 500 years. The film is set in the bloody period following a failed anti-Ottoman uprising in the first decade of the 20th century. It is a love story involving four people: a cruel, but romantic rebel; a ruthless naturalized Turkish clerk; a well-educated son of a wealthy father and a lucid, spoiled but avant-garde European woman who has all three men wrapped around her finger. It is a rough, but romantic story about Macedonia’s everlasting search for identity and independence, seen through the prism of the deceptive and relative nature of freedom, justice, love, happiness, sacrifice, treason and betrayal. In short, the film is reflective of a Balkan paradox that has been translated into a clearly philosophical maxim: “Screw life if you are not ready to die for it.” It is a film about the dialectic meeting of myths and anti-myths, in which legends and old tales are mirrored in the historic cruelty of everyday life in Macedonia.

Stole Popov was born in 1950 in Skopje, Macedonia. He graduated in film directing from the Academy for Theater, Film and Television in Belgrade. He currently teaches film directing at the Faculty of Dramatic Arts in Skopje where he also heads the Department for Film Directing Studies. Popov has been a member of the European Film Academy since 1997. He received more than 50 prestigious European and international awards and recognitions, including 8 top awards of various international film festivals, as well as one nomination each for the Oscar Award of the American Academy of Motion Picture Arts and Sciences and for the Felix Award of the European Film Academy.

220 21. Sarajevo Film Festival l PRETPREMIJERE

Macedonia, 2014, Colour, 165 min, English, French, Macedonian, Turkish Režija / Director: Stole Popov Scenarij / Screenplay: Goran Stefanovski, Stole Popov Direktor fotografije / Director of Photography: Apostol Trpeski Montaža / Editor: Atanas Georgiev, Blagoja Nedelkovski Muzika / Music: Duke Bojadziev Kostimografija / Costume Design: Emilija Ivanovska Scenografija / Production design: Milenko Jeremić Producent / Producer: Danco Chevreski, Milivoe Gjorgjevic Produkcija / Production: Triangle Film Uloge / Cast: Inti Sraj, Sasko Kocev, Martin Jordanoski, Toni Mihajlovski, Iskra Veterova, Senko Velinov, Miki Manojlovic, Nikola Kojo, Nikola Ristanovski, Dragan Spasov – Dac, Gorast Cvetkovski Kontakt / Contact: www.stolepopov.com

FILMOGRAFIJA / FILMOGRAPHY Izbor / Selected 2015 - TO THE HILT 1997 - GIPSY MAGIC 1992 - TATTOO 1986 - HAPPY NEW ‘49 1980 - THE RED HORSE 1979 - DAE (dokumentarni / documentary) 1974 - FIRE (dokumentarni / documentary)

Hiljadarka / Thousand Bosna, 1955. Atif Kurtović, sin penzionisanog rudara, prvi put silazi u rudarsku jamu kada mu saopštavaju vijest da je odabran za lice koje će ukrasiti najvrijedniju novčanicu u državi. Niko ne zna kako su baš njega odabrali. Atif odlazi u Beograd, upoznaje Tita, a kada se vraća u svoje malo rudarsko mjesto, dobija posao kakav zaslužuje. Atif se zaljubljuje u lokalnu prostitutku, prelijepu, ali posrnulu mladu ženu, koju svi zovu Hiljadarka po cijeni koju je odredila za pružanje svojih usluga.

Uživajući u svojim privilegijama, Atif napušta posao i odaje se porocima. Atif i Hiljadarka padaju u nemilost društva. Da li će Titova iznenadna posjeta rudniku još jednom promijeniti Atifov život?

Nenad Đurić diplomirao je na Filozofskom fakultetu u Sarajevu. NEBO IZNAD KRAJOLIKA, njegov prvi igrani film, premijerno je prikazan na Sofia Film Festivalu, gdje je osvojio Posebnu pomen. Nenad Đurić režira na Federalnoj televiziji.

E Bosnia, 1955. Atif Kurtović, son of a retired miner, goes down the mining pit for the first time when he receives the news that he has been chosen as the face of the most valuable banknote in the country. Nobody knows why he was chosen. Atif goes to Belgrade, he meets Tito, and when he returns to his little town, he gets a job he deserves. Atif falls in love with a local prostitute, a beautiful but troubled young woman, whom everyone calls “Thousand” by the price she demands for services. Enjoying his privileges, Atif quits his job and turns to vice. Atif and Thousand are rejected from society. Will Tito’s sudden visit to the mine change Atif’s life once again?

Nenad Đurić finished his studies at Faculty of Philosophy at Sarajevo University. SKIES ABOVE THE LANDSCAPE, his first feature film, was premiered at Sofia Film Festival where it was awarded with Special Mention. Nenad Đurić directs for Federal Television of Bosnia and Herzegovina.

Bosnia and Herzegovina, 2015, Colour, 94 min, Bosnian Režija / Director: Nenad Đurić Scenarij / Screenplay: Zilhad Ključanin Direktor fotografije / Director of Photography: Dušan Joksimović Montaža / Editor: Antonio Toni Ilić Muzika / Music: Vlado Podany Zvuk / Sound: Branko Đorđević Kostimografija / Costume Design: Marijela Margeta Hašimbegović Scenografija / Production design: Narcis Babić Producent / Producer: Almir Šahinović Produkcija / Production: Heft Uloge / Cast: Branislav Trifunović, Aida Bukva, Moamer Kasumović, Goran Kostić, Vanesa Glođo, Siniša Udovičić, Mima Karadžić, Slaven Knezović, Edhem Husić, Nenad Tomić, Irina Dobnik, Vlado Kerošević, Damir Mahmutović, Irfan Kasumović, Željko Pervan, Nikola Kojo, Nikolina Jelisavac, Armin Omerović, Mehmed Jahić, Fuad Mistrić, Mona Muratović, Alisa Brkić Kontakt / Contact: Continental Film Zagreb, www.continental-film.hr FILMOGRAFIJA / FILMOGRAPHY 2015 - THOUSAND 2006 - SKIES ABOVE LANDSCAPE 2002 - CORRIDOR OF DEATH

(dokumentarni / documentary)

AVANT PREMIERE l 21. Sarajevo Film Festival 221

Pored mene / Next To Me Olja je gimnazijska profesorica historije, mlada, puna entuzijazma i zainteresovana za alternativne metode edukacije. Živi u braku sa slikarom Uglješom, čija je posljednja izložba izazvala burne reakcije javnosti. Grupa huligana upravo tu izložbu vidi kao povod za napad. Snimak napada stavljaju na internet. Narednog dana Olja otkriva da je to uradio neko od njenih učenika...

Stevan Filipović je filmski režiser, scenarista i montažer iz Beograda, Srbija. Njegov prvi dugometražni film ŠEJTANOV RATNIK je bio njegov diplomski film na Fakultetu dramskih umjetnosti u Beogradu.

Kombinujući žanrovske elemente iz filmova izosamdesetih, kao I u savremene fantazijske kinematografije, dobio je pohvale kritičara i gledalaca u kinima, a označio je početak novog vala u srpskoj kinematografiji, koji se često spominje kao Nova srpska kinematografija. ŠEJTANOV RATNIK je prikazan na brojnim festivalima u Srbiji i širom svijeta, te je osvojio glavnu nagradu na Grossmann festivalu fantastičnog filma u Sloveniji 2006. godine. Njegov sljedeći film ŠIŠANJE, politička drama o ekstremnim desničarskim huliganima u Srbiji, i njihovim vezama sa političarima i policijom, doživio je najveći uspjeh na domaćim kino blagajnama te godine. Distribuiran je u Velikoj Britaniji i Njemačkoj. ŠIŠANJE je okosnica šire kampanje u borbi protiv nasilja i fašizma u Srbiji, a autori su prisustvovali na brojnim panelima i javnim raspravama u cijeloj zemlji. Film je prikazan u Parlamentima Srbije i Vojvodine, kao u Britanskom parlamentu (Portcullis House) i na Oksfordskom univerzitetu. On je koautor (sa Mirjanom Karanović) scenarija za film DOBRA ŽENA, koji je bio u selekciji CineLink na Sarajevo Film Festivalu i osvojio je prestižnu nagradu Arte za razvoj projekta.

E Olja is a high school history teacher, young, enthusiastic and interested in alternative methods of education. She is married to painter Uglješa, whose last exhibition provoked strong public reactions.

A group of hooligans sees the exhibition as a chance for attack. They post a video of the attack on the Internet. The next day, Olja discovers that some of her students are the perpetrators...

Stevan Filipović is a film director, screenwriter and editor from Belgrade, Serbia.His first feature film SHAITAN’S WARRIOR was his graduation movie at Faculty of Dramatic Arts in Belgrade. Combining genre elements from the eightees, as well as those of contemporary fantasy cinema, it was hailed by both the critics and cinemagoers, and it marked the beginning of a new wave in Serbian cinematography, often referred to as the New Serbian Cinema. Shaitan’s Warrior was screened at numerous festivals in Serbia and worldwide, and won Grand Prix at Grossmann Fantasy Film Festival in Slovenia in 2006. His next film SKINNING, a political drama about extreme right-wing hooligans in Serbia, and their connections with the politicians and police, was the biggest domestic box office hit that year. It was distributed in UK and Germany. SKINNING was the backbone of a wider campaign against violence and fascism in Serbia, and the authors have participated in numerous panels and public discussions throughout the country. The film was screened in the Parliaments of Serbia and Vojvodina, as well as in the British Parliament (Portcullis House) and Oxford University. He co-wrote the screenplay for the film A GOOD WIFE Mirjana Karanović, which was a part of the Sarajevo Film Festival CineLink selection, and won the prestigious Arte award for project development.

222 21. Sarajevo Film Festival l PRETPREMIJERE

Serbia, 2015, Colour, 95 min, Serbian Režija / Director: Stevan Filipović Scenarij / Screenplay: Stevan Filipović, Milena Bogavac Direktor fotografije / Director of Photography: Maja Radosevic Montaža / Editor: Stevan Filipović Zvuk / Sound: Slobodan Mihajlovic Kostimografija / Costume Design: Ivana Stankovic Scenografija / Production design: Ivana Karisik Producent / Producer: Branislav Jević Produkcija / Production: Hypnopolis with support of Serbian Film Center Uloge / Cast: Hristina Popović, Mirjana Karanović, Dragan Mićanović, Nikola Glišić, Milica Majkić, Matea Milosavljević, Katarina Pešić, Rastko Vujisić, Marko Panajotović, Milivoje Miša Stanimirović, Darko Ivić, Jovan Zdravković, Nikola Dragutinović, Uroš Novović, Alek Surtov, Slaven Došlo, Jelena Puzić, Andrej Pipović, Gorica Regodić, Vibor Kreković, Jelena Kesić, Milica Petrović, Anđelko Beroš Kontakt / Contact: Tuck, office@tuck.rs

FILMOGRAFIJA / FILMOGRAPHY 2015 - NEXT TO ME 2010 - SKINNING 2006 - SHAITAN’S WARRIOR

Specijalna projekcija / Special Screening

225 Leaves of The Tree / Lišće drveta, Ante Novaković

Leaves of The Tree / Lišće drveta Tajnovito drvo, obavijeno velom religijskog predanja, dovodi nekada moćnog i uspješnog advokata pogođenog smrtonosnom bolešću, na zabačeni kraj Sicilije. On pokušava da otkrije tajnu ljekovitog lišća drveta. Drvo sublimira nadu, sumnju i vjeru za sve one koji dođu u dodir sa njegovom jedinstvenom iscjeliteljskom moći.

Ante Novaković, dijete imigranata, rođen je i odrastao u Bronxu. Diplomirao je književnost na Univerzitetu New School u Njujorku. Sklonost pisanju pokazao je kroz nekoliko predstava koje je napisao i režirao, uključujući predstave ‘’Sin imigranata’’ i ‘’Soba puna ničega’’. Karijeru je započeo radeći uz Harveya Keitela i Colina Farrella. U njihovim produkcijskim kućama je imao priliku da radi na preko 60 dugometražnih igranih filmova, najviše u segmentima pretprodukcije, fotografije i postprodukcije. Na ovaj način je stekao praktično znanje o načinu rada, logistici i koordinaciji potrebnoj da bi se uspješno realizovao projekt snimanja dugometražnog filma. Svoj lični stil kao reditelj definisao je kroz TV uratke i kratke filmove TAMMY i THE FIX, fokusiranim na likove. LIŠĆE DRVETA je njegov prvi igrani dugometražni film.

E A mystical tree, shrouded in religious lore, leads a once powerful lawyer sidelined by a life threatening disease to a remote corner of Sicily. He struggles to discover the secret of the tree’s medicinal leaves. The Tree intersects faith, doubt and belief for all those that come into contact with its unique ability to heal.

Ante Novaković was born and raised to immigrant parents in the Bronx. He graduated from the New School University in New York with a degree in literature. His affinity for storytelling reflects in several plays he wrote and directed, such as “The Immigrants’ Son” and “A Room Full of Nothing”.

He began his career in film working alongside Harvey Keitel and Colin Farrell. As an associate in their respective production companies, he worked on over 60 feature films with a focus on pre- production, photography and post-production. This provided him with a working insight into the craft of feature films with a practical understanding of the logistics and coordination necessary to complete a project. He has come to define his individual style of directing through character driven short films THE FIX, TAMMY and television work. LEAVES OF THE TREE is Ante’s first feature film.

USA, Italy, 2015, Colour, 96 min, English, Italian Režija / Director: Ante Novaković Scenarij / Screenplay: David Healey, Ante Novaković Direktor fotografije / Director of Photography: John Scmidt Montaža / Editor: Ulysses Guidotti Muzika / Music: Randy Edelman Zvuk / Sound: Christopher Koch Kostimografija / Costume Design: Samuela Cirrone Scenografija / Production design: Nicola Sferruzza Producent / Producer: Joanna Lu, Perla Montemayor, David Healey, Rebecca Healey, Kresh Novaković, Marc Jacobson, Donna Mckenna, Ante Novaković Produkcija / Production: Gogi Productions LLC Uloge / Cast: Branko Đurić, Eric Roberts, Sean Young, Armand Assante, Federico Castelluccio, Kresh Novaković, Marisa Brown, Gaetano Sciortino, Ozman Sirgood, Sarah Sebastiana, Patrick Gorman, Tanja Ribič, Colin Walker, Sewell Whitney, Tyler Hollinger Kontakt / Contact: antenovakovic@yahoo.com

FILMOGRAFIJA / FILMOGRAPHY 2015 - LEAVES OF THE TREE 2013 - TAMMY (kratki / short) 2013 - THE FIX (kratki / short)

SPECIAL SCREENING l 21. Sarajevo Film Festival 225

Bosanskohercegovački Film Festival / BiH Film Festival

230 Igrani filmovi / Feature Films 230 Dokumentarni filmovi / Documentary Films 234 Kratki i animirani filmovi / Short and Animated Films 235 Studentski filmovi / Student Films

* Podaci preuzeti iz kataloga “Bh. Film 2014 / 2015” / Information taken from the catalogue “B&H Film 2014/2015”

Deseto Izdanje / The Tenth Edition Ove godine slavimo 10. izdanje programa bosanskohercegovačkog filma.

Počeli smo skromno sa samo tri dugometražna i tri kratkometražna igrana filma 2003. godine, a ove godine predstavljamo selekciju od čak 61 filma snimljenog u proteklih 12 mjeseci. Udruženje filmskih radnika BiH poseban fokus stavlja na Studentski takmičarski program u okviru kojeg ćemo predstaviti 14 filmova koji se takmiče za studentske nagrade Bosanskohercegovačkog Film Festivala i Udruženja filmskih radnika BiH.

E This year we are celebrating the tenth edition of Bosnian-Herzegovinian Film Programme. This program began modestly with only three feature and three short films presented in 2003, while this year we will showcase 61 films produced over the past 12 months. The Association of Filmmakers of Bosnia and Herzegovina draws special attention to the Student Film Competition in which 14 films will compete for the best student film awards given during the program.

Ovaj rast produkcije ne služi na čast samo nama organizatorima, već prije svega, filmskim radnicima Bosne i Hercegovine, autorima i producentima koji ulažu vlastita sredstva, često rade besplatno, ali sa strašću koju publika priznaje i nagrađuje. Filmovi u Bosni i Hercegovini, kao i sve aktivnosti koje su vezane za njihovu promociju i plasman, za sada nastaju u izuzetno teškim uslovima, tako da je zaista čudo vidjeti ovakvu raznovrsnost koju ovogodišnji progam donosi.

This significant growth in film production is not only the result of our work as organizers but above all it is the result of filmmakers, authors and producers in Bosnia and Herzegovina who passionately continue to make films in difficult circumstances, often with no funds but with enthusiasm recognized and rewarded by our audience. Films from our countries as well as the activities related to their promotion and distribution at the time being are often carried out under a lot of stress so it is a miracle of a sort to have such diversity and variety in this year’s programme.

Dio ove priče čine i ostale aktivnosti Udruženje filmskih radnika u kreiranju svijesti, strategije i platformi za razvoj bosanskohercegovačkog filma. Osim Programa bosanskohercegovačkog filma, koji je ujedno i jedini program koji okuplja cjelokupnu bh. filmsku produkciju, Udruženje svake godine dodjeljuje nagradu “Ivica Matić”, organizira odabir bh. kandidata za Oscara, nagradu Američke akademije filmskih umjetnosti i nauka, te obavlja niz aktivnosti na promociji bh. filma nadomještajući nedostatak filmskog centra u BiH. Osim toga, Udruženje svake godine izdaje publikaciju gdje su predstavljeni svi filmovi i sve institucije koje se bave porizvodnjom ili promocijom filma, a sve informacije dostupne su i na našoj web stranici bhfilm.ba, koja je ujedno i jedina stranica posvećena isključivo našoj kinematografiji.

I to nije sve! Udruženje filmskih radnika BiH aktivno se bavi razvojnom strategijom naše kinematografije, te u posljednje vrijeme i zaštitom autorskih prava. Sve aktivnosti nastaju iz profesionalne potrebe da se kinematografija, koja neosporno niže uspjehe, što bolje organizira, ustroji i zakonski reguliše, uz mnogo entuzijazma članova Udruženja iz kancelarije koja je manja od 20 kvadratnih metara.

Ovom prilikom ponosno objavljujemo da je Udruženje ove godine na Filmskom festivalu u Cannesu postalo predstavnik Bosne i Hercegovine u organizaciji “Evropske filmske promocije” (European Film Promotion) i da će ovo članstvo još više pomoći prisutnosti naših autora i talenata na evropskoj i svjetskoj filmskoj sceni.

Dobrodošli na 10. program bosanskohercegovačkog filma!

Another part of this story are the activities carried out by the Association of Filmmakers of Bosnia and Herzegovina in order to create a certain level of conscience, strategies and platforms for the development of BH film.

Apart from this programme which is the only film programme presenting entire BIH film production, the Association annually presents the “Ivica Matić” award, organizes the selection of the BH candidate for the American Academy of Motion Picture Arts and Sciences Awards, The Oscars, as well as a number of other activities dedicated to the promotion of BH film making up for the absence of a state film center. We also annually publish the catalogue of BH. cinema presenting the entire film production as well as all the institutions and companies involved in film production and promotion, while all information can be found on our website www.bhfilm.ba which is the only site dedicated to national cinema.

And that is not all! Association of Filmmakers of Bosnia and Herzegovina is actively engaged in developing strategies for the growth of BH. film, and recently in protecting film authors’ rights. All these activities emerge from our professional need to organize, systematize and legally position our industry, which without a doubt is very successful. All this is done enthusiastically by our members, from an office that measures less than 20 square meters.

We are also proud to announce that this year, at the Cannes Film Festival, the Association became the representative of Bosnia and Herzegovina in the European Film Promotion, which will further enhance the presence of our authors on European and world film scene.

Welcome to the 10th BH. Film Programme.

Elma Tataragić Udruženje filmskih radnika BiH / Association of Filmmakers of BiH

BIH FILM FESTIVAL l 21. Sarajevo Film Festival 229

IGRANI FILMOVI / FEATURE FILMS

HILJADARKA / THOUSAND Bosnia and Herzegovina, 2015, DCP, 105 min • Režija / Director: Nenad Đurić • Scenarij / Screenplay: Zilhad Ključanin • Direktor fotografije / Director of Photography: Dušan Joksimović • Montaža / Editor: Antonio Toni Ilić • Scenograf / Set Design: Narcis Babić • Kostimografija / Costume Designer: Marijela Hašimbegović • Muzika / Music: Vlado Podany • Uloge / Cast: Branislav Trifunović, Aida Bukva, Moamer Kasumović, Goran Kostić, Vanesa Glođo, Siniša Udovičić, Mima Karadžić, Slaven Knezović, Edhem Husić, Nenad Tomić, Irina Dobnik, Vlado Kerošević, Damir Mahmutović, Irfan Kasumović, Željko Pervan, Nikola Kojo, Nikolina Jelisavac, Armin Omerović, Mehmed Jahić, Fuad Mistrić, Mona Muratović, Alisa Brkić • Producent / Producer: Almir Šahinović • Producentska kuća / Production Company: Heft • Koproducenti / Coproduction Companies: RTV Federacije BiH, CINEPLANET Beograd (Serbia) • Kontakt / Contact: Heft, Čekaluša 21, 71000 Sarajevo; tel. +387 61 812 888, e-mail: almir@heft.ba, www.heft.ba

Bosna, 1955. Atif Kurtović, sin penzionisanog rudara, prvi put silazi u rudarsku jamu kada mu saopštavaju vijest da je odabran za lice koje će ukrasiti najvrjedniju novčanicu u državi. Niko ne zna kako su baš njega odabrali. Atif odlazi u Beograd, upoznaje Tita, a kada se vraća u svoje malo rudarsko mjesto, dobija posao kakav zaslužuje. Atif se zaljubljuje u lokalnu prostitutku, prelijepu, ali posrnulu mladu ženu koju svi zovu Hiljadarka, po cijeni koju je odredila za pružanje svojih usluga. Uživajući u svojim privilegijama, Atif napušta posao i odaje se porocima. Atif i Hiljadarka padaju u nemilost društva. Da li će Titova iznenadna posjeta rudniku još jednom promijeniti Atifov život?

Bosnia, 1955. Atif Kurtović, son of a retired miner, goes down the mining pit for the first time when he gets the news that he has been chosen for the face of the most valuable banknote in the country. Nobody knows why he has been chosen. Atif goes to Belgrade, he meets Tito, and when he returns to his little town, he gets a job he deserves. Atif falls in love with a local prostitute, a beautiful but troubled young woman, whom everyone calls Thousand by the price she demands for services. Enjoying his privileges, Atif quits his job and turns to vice. Atif and Thousand are rejected from society. Will Tito’s sudden visit to the mine once again change Atif’s life?

NAŠA SVAKODNEVNA PRIČA / OUR EVERYDAY LIFE Bosnia and Herzegovina / Slovenia / Croatia, 2015, DCP, color, 89 min. • Režija i scenarij / Director and Screenplay: Ines Tanović • Direktor fotografije / Director of Photography: Erol Zubčević • Scenografija / Set Design: Mario Ivezić • Kostimografija / Costume Design: Sanja Džeba • Montaža / Editor: Režinald Šimek • Dizajn zvuka / Sound Designer: Igor Čamo • Uloge / Cast: Uliks Fehmiu, Emir Hadžihafizbegović, Jasna Ornela Beri, Maja izetbegović, Vedrana Seksan, Nina Violić, Marko Mandič, Boro Stjepanović, Moamer Kasumović, Goran Bogdan, Mediha Musliović, Goran Navojec, Mirvad Kurić, Aleksandar Seksan, Enis Beslagić, Božo Vrećo • Producent / Producer: Alem Babić • Koproducentice / Co-Producers: Dunja Klemenc, Zdenka Gold • Producentska kuća / Production Company: Dokument Sarajevo • Kontakt / Contact: Dokument Sarajevo, Logavina 12, 71000 Sarajevo, tel. / fax.: +387 33 570 210, dokument2@bih.net.ba, www.dokument.ba

Porodica Sušić živi svakodnevnu bosansku priču. Otac Muhamed (63) je zaposlen u jednoj uglednoj firmi, majka Marija (60) je u penziji. Sin Saša (35), koji je rat proveo u Armiji BiH, živi kod roditelja, a kćerka Senada (40) u Sloveniji. Njihov život se počinje raspadati očevim nezadovoljstvom zbog rasprodaje njegove firme na berzi, Sašinim nemarnim odnosom prema poslu i porodici, Marijinim otkrivanjem raka na dojci. Kada se problemi počinju redati, Muhamed i Saša shvataju da je zapravo samo porodica važna, da je ona posljednja čovjekova oaza.

Family Sušić lives everyday Bosnian story. Father Muhamed (63) is employed in a reputable company; mother Marija (60) is retired. Son Saša (35), who spent the war in Army of Bosnia and Herzegovina, lives with his parents, while their daughter Senada (40) lives in Slovenia. Their life begins to fall apart because of father’s dissatisfaction after his company is sold on the stock exchange, Saša’s negligent attitude towards work and family, Marija’s breast cancer diagnose. When problems begin to line up Muhamed and Saša realize that only family is truly important, that it is man’s last oasis.

230 21. Sarajevo Film Festival l BOSANSKOHERCEGOVAČKI FILM FESTIVAL

SABINA K. Bosnia and Herzegovina / USA, 2014, DCP, color, 124 min. • Režija i scenarij / Director and Screenplay: Cristóbal Krusen • Direktor fotografije / Director of Photography: Almir Đikoli • Scenografija / Set Design: Vedran Hrustanovic • Kostimografija / Costume Design: Ina Arnautalic• Montaža / Editor: Sarah Krusen, Pato Corona• Dizajn zvuka / Sound Designer: Tom Hambleton • Muzika / Music: John Sponsler • Uloge / Cast: Alena Džebo, Fedja Štukan, Dragan Mićanović, Senad Bašić, Tatjana Šojić, Enis Bešlagić, Saša Petrović, Alban Ukaj, Jasna Diklić, Vesna Mašić, Hasija Borić, Miralem Zupčević• Producenti / Producers: Fedja Štukan, Cristóbal Krusen • Koproducent / CoProducer: Laurence Jackson • Producentska kuća / Production Company: Messenger Films, Relative Pictures • Kontakt / Contact: Relative Pictures, Alipašina 7/4, 71000 Sarajevo, tel. +387 62648666, fedjas@me.com

Sabina se zaljubljuje u starog prijatelja kojeg poznaje još od rata u Bosni.

Njih dvoje planiraju vječanje, ali stvari ne idu po planu... Sabina K. je priča o dvije ljubavi - ljudskoj ljubavi, koja spotiče i posrće, i božanskoj ljubavi, koja liječi i preobražava... Film Sabina K. inspirisan je istinitom pričom čija se radnja desila u Bosni i Hercegovini.

Sabina falls in love with an old friend from the Bosnian war. The two plan to marry, but things go terribly wrong. Sabina K. is a story of two loves - human love, which stumbles and falters, and divine love, which heals and transforms. Sabina K. is inspired by a true story set in Bosnia and Herzegovina.

DOKUMENTARNI FILMOVI / DOCUMENTARY FILMS

ADIL Bosnia and Herzegovina, 2015, HD, color, 26 min. • Režija i scenarij / Director and Screenplay: Rijad Gvozden • Direktor fotografije / Director of Photography: Romano Kuduzović • Montaža / Editor: Rijad Gvozden, Romano Kuduzović • Muzika / Music: Zlatan Bejdić • Producent / Producer: Ivan Ožegović • Producentska kuća / Production Company: Sanchez Production • Kontakt / Contact: rijad.gvozden@gmail.com

Srebrenica...8372 nevine žrtve....11. juli kao dan koji je zauvijek promijenio tok bosanskohercegovačke historije, ali i sudbine onih koji su imali sreću da prežive i trajno nastave suočavanje sa nemjerljivim gubicima, potragom za pravdom i pokušajima da sakupe krhotine života i nastave dalje. Priča o Adilu je priča o jedanaestogodišnjem dječaku koji je preživio užase srebreničkog genocida i priča o mladom čovjeku koji nosi teret gubitka i težinu života sa spoznajom da više nikada ništa neće biti isto.

Srebrenica ... 8.372 innocent victims .... July 11th as a day that forever changed the course of Bosnian-Herzegovina history, but also the fate of those who were lucky to survive, but had to continue facing immeasurable losses, seeking justice for their loved ones and trying to gather the shards of their lives and move on. Adil’s story is the story of an elevenyear-old boy who survived the horrors of Srebrenica genocide and the story of a young man who carries the burden of losses and difficulties of living with the knowledge that nothing will ever be the same again.

AUTOREFLEKSIJA / SELF REFLECTION Bosnia and Herzegovina, 2015, HD, color, 10 min. • Režija i scenarij / Director and Screenplay: Nedim Alikadić • Direktor fotografije / Director of Photography: Nedim Alikadić • Montaža / Editor: Nedim Alikadić • Producentska kuća / Production Company: Akademija scenskih umjetnosti Sarajevo • Kontakt / Contact: Akademija scenskih umjetnosti Sarajevo, Obala Kulina Bana 11, 71000 Sarajevo; nedim.alikadic@gmail.com

Autor koristi svoje arhivske snimke i fotografije na kojima su prikazani bitni dijelovi njegovog života, a koji su ga učinili čovjekom kakav je danas. Kroz film prikazuje svoje nevino djetinjstvo, ljubav prema svom pozivu, svoje prve susrete sa kamerom i rat koji ga je otjerao od kuće. Rat je od dječaka napravio vojnika, ostavio iza sebe žrtve, žive i mrtve, sjećanja koja tjeraju na suze i ljutnju, pa i smijeh, zauvijek definisao poglede na život i umalo uništio njegove snove.

The author uses his archival footage and photos that show essential moments of his life, the ones that made him the man he is today. Throughout the film he shows his innocent childhood, his love for his job, his first encounters with the camera and the war that drove him from home. The war that made the soldier out of a boy, left behind the victims, living and dead, memories that might cause tears and anger and even laughter, forever defined views on life and almost destroyed his dreams.

BITI ILI NE, IVAN HITI / TO BE OR NOT TO BE, IVAN HITI Bosnia and Herzegovina, 2015, HD, color, 52 min. • Režija i scenarij / Director and Screenplay: Branko Lazić • Direktor fotografije / Director of Photography: Ljubomir Tešinić • Montaža / Editor: Mladen Marijanović • Ton / Sound: Vladimir Vladetić • Producent / Producer: Aleksandar Šević • Producentska kuća / Production Company: Radio televizija Republike Srpske • Kontakt / Contact: Radio television Republic of Srpska, Trg Republike Srpske 9, 78000 Banja Luka, tel: 38765526524, branko.lazic@rtrs.tv

1992., Hrvatska. Vojnik Hrvatske vojske Ivan Hiti dobija naređenje da spali najstariju i najveću biblioteku Srpske pravoslavne crkve u Hrvatskoj.

Umjesto da biblioteku uništi, on organizuje sklanjanje i premještanje knjiga u Zagreb. Po povratku u jedinicu, zbog neizvršavanja naređenja, izbačen je iz vojske, istjeran sa posla i nikada više nije radio u javnoj službi.

1992, Croatia. A soldier of the Croatian Army Ivan Hiti received the order to burn down the oldest and largest library of Serbian Orthodox Church in Croatia. Rather than destroying the library, he organized sheltering and moving books to Zagreb. After returning to the unit for having disobeyed orders he was expelled from the army and he never worked in the public service again…

BOLNICA INKOGNITO / HOSPITAL INCOGNITO Bosnia and Herzegovina, 2014, HD, color, 60 min. • Režija i scenarij / Director and Screenplay: Zdenko Jurilj • Direktor fotografije / Director of Photography: Antoni Ćorić • Montaža / Editor: Tomislav Topić • Producenti / Producers: Ante Kvesić, Tomislav Bubalo • Producentska kuća / Production Company: Kadar d.o.o. SKB Mostar • Kontakt / Contact: Kadar, Trg širokobrijeških žrtava 1, 88220 Široki Brijeg, tel. / fax.: +387 39 706 992; kadarsb@gmail.com

Komunističke vlasti 1978. godine donose odluku o izgradnji Kliničkog centra u Mostaru. Čim su krenuli prvi radovi na njegovoj izgradnji, počinje politički, a potom i krvavi raspad bivše Jugoslavije. Nedovršeno prizemlje Kliničkog centra pretvara se u kirurške dvorane, sklonište, te skladište za lijekove i medicinsku opremu. U podrumskim prostorijama bolnice nadljudskim naporima spašeno je više od 5000 ljudskih života, svih nacionalnosti i uzrasta. Nakon trideset godina, tri države, dva politička sustava i jednog krvavog rata, izgradnja bolnice se konačno dovršava. “Bolnica Inkognito” ogledni je prikaz povijesti društva.

In 1978 the communist authorities decided to build Clinical hospital in Mostar. As soon as the first construction works started, the political and then the bloody disintegration of the former Yugoslavia began. Unfinished ground floor of the Clinical hospital turned into surgical department, shelter and supply room for medications and medicine equipment. Over 5 000 human lives, regardless of nationality and age, was saved with a superhuman effort in the basement spaces of the hospital. After thirty years, three states, two political systems and one bloody war...the construction of the hospital has finally been finishing. ‘Hospital Incognito’ is a demonstration of the history of the society.

FINDING BOSNIA / PRONALAŽENJE BOSNE USA / Bosnia and Herzegovina, 2015, HD, color, 90 min. • Režija, montaža, produkcija / Directors, Editors, Producers: Ivana Horvat, Adrian Hopffgarten • Executive Producers / Izvršna produkcija: Mirko Jelčić, Jerry Purvis • Muzika / Music: Evan Feenstra, David Dresin, Martin Selasco, Michael Hansen • Producentska kuća / Production Company: A LLAMAMAMA Productions film • Kontakt / Contact: ivana14horvat@gmail.com

FINDING BOSNIA predstavlja intimno i lično putovanje jedne mlade žene koja traži svoj izgubljeni bosanski identitet. Ivana Horvat dijeli svoju jedinstvenu priču o životu, smrti i duhovnom pomoću kućnih videa sinmljenih u periodu od 20 godina, a koji uključuju i snimke današnje Bosne i Hercegovine. Njeno iskustvo pronalaženja Bosne slavi ovu zemlju i njen narod.

Finding Bosnia presents the intimate and personal journey of a young woman who is seeking to strengthen a lost identity by living in Bosnia and Herzegovina for the first time as a young adult. Ivana Horvat shares her unique story of life, death and spirit using home videos shot over a period of 20 years and footage of present day Bosnia and Herzegovina.

Her experience FINDING BOSNIA celebrates this country and its people worldwide.

FLOTEL EUROPA Denmark / Serbia / Bosnia and Herzegovina, 2015, HD, color, 71 min. • Režija i scenarij / Director and Screenplay: Vladimir Tomić • Montaža / Editor: Srđan Keča • Zvuk / Sound: Alex Pavlović • Producenti / Producers: Selma Jusufbegović, Srđan Keča • Producentska kuća / Production Company: UZROK • Kontakt / Contact: vladimirtomic80@gmail.com; www.vladimirtomic.com

Koristeći privatne VHS materijale koji su snimile bosanske izbjeglice naseljene u velikom brodu smješetnom u kopenhagenskoj luci, u periodu između 1992. i 1994., Flotel Europa priča o rediteljevom odrastanju u okolini u kojoj su bili osjetni odjeci rata, ali i o drugim stvarima koje čine jednu adolescenciju…

Using personal VHS archive material shot by Bosnian refugees who lived on a giant ship in the port of Copenhagen between 1992-1994, Flotel Europa tells the story of the director’s growing up in an environment filled with echoes of war — and other things that make up an adolescence.

GENIZA NAŠIH SNOVA / THE GENIZAH OF OUR DREAMS Bosnia and Herzegovina, 2015, HD, color, 15 min. • Režija i scenarij/ Director and Screenplay: Lida Lidija Hrgić • Direktor fotografije / Director of Photography: Ozren Nestorović • Montaža / Editors: Media Pro • Producentica / Producer: Lida Lidija Hrgić • Producentske kuće / Production Companies: Jevrejsko kulturno-prosvjetno I humanitarno društvo La benevolencija • Kontakt / Contact: altruistinc@gmail.com

Film govori o starom jevrejskom, gotovo zaboravljenom, obredu sahranjivanja knjiga. Djevojka se vraća u Sarajevo da bi ispunila posljednju želju svoje bake da sahrani knjigu i mezuzu. Ljudi su kao knjige i knjige su kao ljudi i zaslužuju da ih, kada za to dođe vrijeme, s poštovanjem vratimo majci zemlji.

This film is a story about an old Jewish, almost forgotten, ritual of books burial. The girl returnes to Sarajevo in order to fulfill her grandmother’s last wish to make a funeral for the book and mezuzah. People are like books and books are like people and deserve to be, once the time comes, respectfully given back to the Mother Earth.

GOOD NIGHT SARAJEVO Spain, 2015, color, 63 min. • Režija i scenarij / Directora and screenplay: Edu Marin, Olivier Algora• Direktor fotografije / Director of Photography: Davide Giorni • Montaža / Editor: Ricardo Gallego Cambronero • Muzika / Music: Jorge García • Dizajn Zvuka / Sound Designer: Dani Cabrera • Producenti / Producers: Victor Gulias, Alvaro Ripoll • Producentska kuća / Production Company: Taco de Perro • Kontakt / Contact: goodnightsarajevo@yahoo.com

GOOD NIGHT SARAJEVO je priča o glasu, glasu bosanskog novinara Bobana Minića i Radio Sarajeva za vrijeme opsade njegovog grada, glas koji je iz noći u noć sklanjao svoje slušaoce daleko od brutalnosti rata. Boban Minić je odlučio da ostane u Sarajevu, da brani svoj grad i postane vojnik bez puške. Njegovo jedino oružje su riječi. Danas, u egzilu u Španiji i vođen novom misijom, Minić se vraća u Sarajevo.

GOOD NIGHT SARAJEVO is the story of a voice. The voice of the Bosnian journalist Boban Minić and Radio Sarajevo during the siege of his city in the Bosnian war. A voice that night after night moved its listeners away from the brutality. Boban Minić decided to stay in Sarajevo to defend his city and become a soldier without a rifle. His only weapons were words. Today, exiled in Spain and guided by a new mission, Minić, returns to Sarajevo.

HERCEGOVINA / HERZEGOVINA Bosnia and Herzegovina, 2015, DCP, color, 15 min. • Režija / Director: Ivo Čolak, Zdenko Jurilj • Scenarij / Screenplay: Ivo Čolak • Direktor fotografije / Director of Photography: Antoni Ćorić • Montaža / Editor: Tomislav Topić • Zvuk / Sound: Tomislav Bubalo, Tomislav Topić, Marko Mandić • Producentska kuća / Production Company: Kadar d.o.o. za JICA Project (2015) • Kontakt / Contact: Kadar, Trg širokobrijeških žrtava 1, 88220 Široki Brijeg, tel. / fax.: +387 39 706 992; kadarsb@gmail.com

Hercegovina je nikla iz kamena. Cijela je povijest vezana za njegovu snagu. Trajnost kamena govorit će i u budućnosti o prošlim vremenima.

Voda je taloženjem i kalciniranjem u pećinama sačuvala slojevite tragove čovjekova postojanja. Kamen i voda su od prapovijesti bili povezani. U ovome je filmu Hercegovina prikazana kroz male stvari, male ljude, rituale bliske svakome čovjeku, bez pompoznosti i veličanja ljudi i događaja. Svi hercegovački simboli poput rijeke, kamena, čovjeka, aluminija, duhana, vina, sira, vune, drva, običaja, sunca... predstavljeni su kroz 4 faze: ROĐENJE – ODRASTANJE – ZRELOST – BESKRAJ. BIH FILM FESTIVAL l 21. Sarajevo Film Festival 231

Herzegovina emerged from the stone. All it’s history is tied to the power od stone. The durability of the stone will speak in the future about the past. Water preserved layered traces of human existence by its deposition and calcination in caves. Stone and water are connected since prehistoric times. In this film Herzegovina is shown by the little things, the little people, rituals close to every person, without pomposity and glorification of people and events. All Herzegovina symbols like a river, stone, man, aluminum, tobacco, wine, cheese, wool, wood, tradition, sun ... are represented through four phases: BIRTH - GROWING - MATURITY – INFINITY.

HEROJI BITKE ZA RANJENIKE / HEROES OF THE BATTLE FOR WOUNDED Bosnia and Herzegovina / Serbia, 2015, color, 55 min. • Režija i scenarij / Director and screenplay: Aleksandar Reljić • Direktor fotografije / Director of Photography: Aleksandar Reljić • Montaža / Editor: Boris Havran • Dizajn Zvuka / Sound Designer: • Producent / Producer: Dinko Gruhonjić • Producentske kuće / Production Companies: Udruženje BH novinari, Nezavisno društvo novinara Vojvodine • Kontakt / Contact: bhnovinari@bhnovinari.ba

Film govori o ljudima koji su spašavali ranjenike u ratnom Goraždu tokom devedesetih godina prošlog vijeka, o velikoj hrabrosti doktorice Dušanke Vujasić i Predraga Pera Dacića koji su poginuli u bosanskom ratu spašavajući ranjenike iz Kantonalne bolnice u Goraždu. Film je dio projekta “Živeti zajedno”.

The film tells a story about the people who helped the wounded in wartime Goražde during the nineties, about the great courage of Dr. Dušanka Vujasić and Predrag Pera Dacić who died in the Bosnian war, saving the wounded from the Cantonal Hospital. The film is part of the project LIVING TOGETHER.

HORIZON / HORIZONT Austria / Bosnia and Herzegovina / Hungary, 2015, color, 29 min. • Režija i scenarij / Director and screenplay: Marko Šipka • Direktor fotografije / Director of Photography: Marko Šipka • Montaža / Editor: Miguel Lopez Beraza, Marko Šipka • Dizajn Zvuka / Sound Designer: Dragan Bošnjak • Producenti / Producers: Szakacs Emese Biborka,Zoran Galić • Producentske kuće / Production Companies: Vizart, Unlocked Films, Doc Nomads • Kontakt / Contact: Vizart, vizart@vizartfilms.com

Gabi (15) živi u malom selu na jugu Mađarske. Iz dana u dan vrijeme provodi uobičajno teško radeći, ali misli su joj negdje drugdje. Ona čita SF romane, sanja o dalekim svjetovima i putovanju kroz vrijeme. U velikoj ravnici južne Mađarske postoje porodice koje žive na izoliranim farmama, daleko od modernog, urbanog života i bez mnogo kontakta sa ostatkom svijeta.

Gabi is 15 years old. She lives in a small village in the big southern Hungarian plain. Day after day, time is passing in ordinary hard-working atmosphere, but her thoughts are somewhere else. She reads science-fiction novels and dreams about distant worlds and time-travelling. In the great plain of Southern Hungary, there is a family living on an isolated farm, far away from modern, urban life and without much contact with the rest of the world.

IZGUBLJENO DUGME / LOST BUTTON Bosnia and Herzegovina / Austria / Croatia, 2015, HD, color, 92 min. • Reditelji / Directors: Renato Tonković, Marijo Vukadin, Robert Bubalo • Scenarij / Screenplay: Robert Bubalo • Snimatelji / Cameramen: György Farkas, Markus Hörmanseder, Philipp Rusch, Vitomir Turbić, Aleksandar Stojanović, Predrag Milašinović, Adnan Sahbaz, Krešimir Supek • Montaža / Editors: Tomislav Topić, Marijo Vukadin • Producenti / Producers: Marijo Vukadin, Renato Tonković, Robert Bubalo • Producentske kuće / Production Companies: Olimp, Kadar d.o.o., One Sand • Kontakt / Contact: Kadar, Trg širokobrijeških žrtava 1, 88220 Široki Brijeg, tel. / fax.: +387 39 706 992; kadarsb@gmail.com

IZGUBLJENO DUGME uzbudljiva je biografska priča o Goranu Ipi Ivandiću, tragičnom bubnjaru najvećeg rock sastava s prostora bivše Jugoslavije Bijelog dugmeta. Film grebe duboko u prošlost kad je Ipe, još kao klinac, upao u bend koji je u tjedan dana pokorio zemlju s više od 20 milijuna stanovnika, otkriva kako je ovaj mladić izgradio imidž glazbene senzacije već u 20. godini života i zašto su njegove solo dionice bile najspektakularniji dio njihovih koncerata. Njegova slava prekinuta je na vrhuncu karijere… Tajna njegove smrti nikada nije razjašnjena. Službeno, Ipe se ubio skokom s osmog kata hotela Metropol. Neslužbeno, Ipe je ubijen...

LOST BUTTON is an exciting biographic story about Goran Ipe Ivandić, the tragic drummer of the greatest rock band from the former Yugoslavia – 232 21. Sarajevo Film Festival l BOSANSKOHERCEGOVAČKI FILM FESTIVAL

Bijelo Dugme. The film goes back to the past when Ipe, still a child, joined the band, which captivated the country with the population over 20 million in a week. It reveals how this young man created the image of a music sensation when he was only 20 years old and why his solos were the most spectacular part of their concerts. His glory was interrupted at the peak of his career… The secret of his death has never been cleared up. Officially, Ipe killed himself by jumping from the eighth floor of the Metropol Hotel.

Unofficially, Ipe was murdered…

IZMAGLICA SREBRENICE / THE FOG OF SREBRENICA Bosnia and Herzegovina, 2015, color, 60 min. • Režija i scenarij / Director and screenplay: Samir Mehanović • Direktori fotografije / Directors of Photography: Samir Mehanović, Gavin Wolfe Murray, Davor Vecaj • Montaža / Editor: Laura Carreira • Muzika / Music: Nigel Osborne • Dizajn Zvuka / Sound Designer: Edvin Buturović • Producenti / Producers: Samir Mehanović, Slobodan Svrzo • Producentske kuće / Production Companies: FACE TV, Paradiso Films UK • Kontakt / Contact: Face TV, Milana Preloga 12A, 7100 Sarajevo, tel.: +38733922199, ssvrzo@facetv.ba

11. jula obilježava se godišnjica genocida u Srebrenici, najgoreg u Evropi nakon Holokausta u Drugom svjetskom ratu. 8.372 bošnjačkih muškaraca i dječaka ubijeno je u samo nedelju dana. U ovom filmu čujemo jednostavne i iskrene priče, priče koje postavljaju ozbiljna i duboka pitanja o prirodi ljudskog postojanja, ratu i oprostu. Slike snimljene u potpunosti u maglovitim eksterijerima Bosne vode nas kroz priču o onima koji su preživjeli, upoznajući nas sa zadivljujuće jakim karakterima…

The 11th July marks anniversary of the Srebrenica genocide, the only holocaust in Europe since WWII. 8,372 Bosnian men and boys were killed in one week. In this film we hear the stories told in simple and honest way, the stories that raise serious and profound questions about the nature of human existence, war and forgiveness. The haunting footage filmed entirely in the fog exteriors of Bosnia leads you through the story of survivors and we meet amazingly strong characters.

JA MOGU DA GOVORIM / I CAN SPEAK Bosnia and Herzegovina, 2015, color, 34 min. • Režija i scenarij / Director and screenplay: Mirza Skenderagić • Direktor fotografije / Director of Photography: Amel Đikoli • Montaža / Editor: Saša Karakaš • Dizajn Zvuka / Sound Designer: Dragan Bošnjak • Producent / Producer: Zoran Galić • Producentska kuća / Production Company: Vizart • Kontakt / Contact: Vizart, vizart@vizartfilms.com

28-godišnji Mirza, koji nikada nije pokušao da liječi svoju govornu manu mucanja, odlazi kod logopeda i počinje terapiju. U međuvremenu pronalazi četiri osobe različitih starosnih dobi, koje također mucaju i zajedno sa njima kreće u njihove prošlosti, do trenutka kada su počeli mucati. Govoreći o sebi i svojim problemima, oni pronalaze i sjećanja koja su potisnuli i popravljaju ih. Njihovo „putovanje“ u prošlost postaje sklapanje životnih albuma, a umjesto fotografija, preuzimaju zvučne zapise njihovih glasova.

28-year-old Mirza who never tried to cure his stuttering speech impediment, decides to visit a speech therapist and start therapy. Meanwhile, he finds four people of different ages, who also stutter, and with them he embarks on a journey to their past, until the moment when the stuttering began. Speaking about themselves and their problems, they find their pushed away memories and repair them. Their “journey” into the past becomes the conclusion of life albums, and instead of photos, there are audio recordings of their voices.

JEDAN DAN U SARAJEVU / ONE DAY IN SARAJEVO Bosnia and Herzegovina / Austria, 2015, DCP, color, 60 min. • Režija / Director: Jasmila Žbanić • Producentska kuća / Production Company: Deblokada • Kontakt / Contact: Damir Ibrahimović, Kranjčevića 43, 71000 Sarajevo, tel. / fax.: +387 33 668 559, deblok@bih.net.ba, info@deblokada.ba

Film JEDAN DAN U SARAJEVU, kroz materijale koji su snimili građani Sarajeva (mobilnim telefonima i malim kamerama), govori o različitim aspektima događaja toga dana, te koristi snimke igranih scena iz filmova o atentatu reditelja iz Austrije, BIH, Velike Britanije kao kontrast. Ovo je priča o jednom posebnom danu, ali i svakodnevnom životu u Sarajevu, gdje se dešavaju svadbe, sahrane, ljubavi, zvanične ceremonije, politički protesti… Kroz umjetničku interpretaciju rediteljice Jasmile Žbanić, film je zabavan dokument o ljudskoj prirodi, o događaju i gradu u kojem je započeo i završio evropski XX vijek.

The film ONE DAY IN SARAJEVO talks about various aspects of events that happened on that day. It tells the story through materials that are filmed by citizens of Sarajevo (with mobile phones and small cameras) and uses the scenes from feature films about Sarajevo assassination made by directors from Austria, Bosnia and Herzegovina, Great Britain as contrast.

It is a story about one special day, but everyday life in Sarajevo, where weddings, funerals, love, official ceremonies, political protests occur...

Through artistic interpretation by director Jasmila Žbanić, the film is an amusing document about human nature, about the event and the city where the European twentieth century started and finished.

LJEPOTICA I OSMIJEH / BEAUTY AND HER SMILE Bosnia and Herzegovina, 2015, color, 7 min. • Režija i scenarij / Director and screenplay: Anja Kavić • Montaža / Editor: Dario Đuraković • Producent / Producer: Zoran Galić • Producentska kuća / Production Company: Vizart • Kontakt / Contact: Vizart – Banja Luka, vizart@vizartfilms.com

Pogled na običnu svakodnevicu iz ugla jedne neobične djevojke po imenu Biljana, koja je od rođenja vezana za invalidska kolica.

It’s a unusual girl’s point of view of a very ordinary everyday life. Her name is Biljana and she lives in a wheelchair all of her life.

MARGARET Bosnia and Herzegovina, 2015, color, 7 min. • Režija i scenarij / Director and screenplay: Lamia Šabić • Direktor fotografije / Director of Photography: Lamia Šabić • Montaža / Editor: Lamia Šabić, Siniša Žigić • Dizajn Zvuka / Sound Designer: Mirza Tahirović •Producent / Producer: Zoran Galić • Producentska kuća / Production Company: Vizart • Kontakt / Contact: Vizart – Banja Luka, vizart@vizartfilms.com

Mlada Margaret (22) polaže svoje prve zavjete i pristupa časnim sestrama.

We observe young Margaret, age 22, as she takes her first vows and joins the monastic community.

PRIČA O POSTANKU / STORY OF ORIGIN Bosnia and Herzegovina, 2015, color, 25 min. • Režija i scenarij / Director and screenplay: Bojan Josić • Direktor fotografije / Director of Photography: Pero Pavlović • Montaža / Editor: Siniša Žigić • Dizajn zvuka / Sound Designer: Dragan Bošnjak • Producent / Producer: Zoran Galić • Producentska kuća / Production Company: Vizart • Kontakt / Contact: Vizart – Banja Luka, vizart@vizartfilms.com

Željko i Milijana su u braku već sedam godina. Njihov zajednički život nije savršen, ali oni se vole i drže zajedno, bez obzira na sve. Poput mnogih drugih, i oni idu na ljetovanje, predveče se šetaju po gradu i jedno drugo iznenađuju poklonima. Međutim, slika njihove svakodnevnice je prožeta suptilnim razlikama koje odjekuju velikim problemom: Željko i Milijana ne mogu da imaju potomstvo. Film prati borbu mladog para kojem nedostaje potomstvo u svijetu koji je zasnovan na ostvarivanju potomstva kao glavnog uslova za uspješan život. Željko and Miljana have been married for seven years. Their life together isn’t perfect, but they love each other and stick to each other, no matter what happens. Like many other couples, they go to sea side, take a walk through town at night, surprise each other with presents. However, their daily routine is imbued with subtle differences that resonate big problem: Željko and Milijana can not have children. The film follows the struggle of a young couple lacking children in a society which sees parenthood as the main condition for a successful life.

PUT U NEZABORAV / A ROAD TO REMEMBRANCE Bosnia and Hezegovina, 2015, HD, color, 12 min.• Režija / Director: Nejra Latić Hulusić • Prema ideji / Idea: Emir Zametica • Direktor fotografije / Director of Photography: Davor Tomić • Montaža / Editor: Nermin Komarica • Dizajn zvuka / Sound Design: Mirza Šišić • Producentica / Producer: Emina Daut • Produkcija / Production Company: BHRT • Kontakt / Contact: : BHRT, Bulevar Meše Selimovića 12; 71 000 Sarajevo; tel: +387 33 255 250; nejra.latic@gmail.com; www.bhrt.ba

tri dana za maraton sa ostalim učesnicima, pa su krenuli u osvajanje 500 km dugog puta za samo 24 sata.

A ROAD TO REMEMBRANCE is a film about Hasan Gušić cyclist from Srebrenica and Benjamin Murić from Velika Kladuša, who have been participating in cycling marathon Bihać-Srebrenica for ten years. In 2014 their work obligations have not allowed them to take three days off in order to participate in the marathon, so they decided to go to 500 km long journey in just 24 hours.

RUS / RUSSIAN Bosnia and Herzegovina, 2015, HD CAM, color, 80 min. • Režija / Director: Damir Ibrahimović, Eldar Emrić • Direktor fotografije / Director of Photography: Eldar Emrić • Montaža / Editor: Vlado Gojun • Dizajn Zvuka / Sound Designer: Igor Čamo • Učestvuju / Participating: Davud Čengić, Tomi Janežić, Leon Lučev, Amer Isanović Kvrga, Nermin Karačić, Samir Muslić Mepac, Nedžad Hadžialić, Mahmut Kuldija Maso • Producenti / Producers: Jasmila Žbanić, Eldar Emrić, Damir Ibrahimović • Producentska kuća / Production Company: Deblokada • Kontakt / Contact: Kranjčevićeva 43, 71000 Sarajevo, tel.: +387 33 668 559, info@deblokada.ba

RUS je priča o čovjeku koji je u potrazi za ljubavlju tokom cijelog svog života i ta ga potraga vodi kroz život pun uzbuđenja. Od dječaka izloženog psihičkim i fizičkim torturama od strane njegovog oca, vrlo uspješnog i priznatog člana društva, on postaje narkoman i provalnik, od mladića koji se liječi na klinici za ruske veterane iz afganistanskog rata do ruskog milionera, čovjeka koji odlučuje o ljudskim sudbinama. Posljednjih godina živi u Sarajevu jedva preživljavajući, što ga dovodi u susret sa pripadnicima sarajevskog podzemlja gdje se zadužuje preko svojih mogućnosti. Po prvi put je u bezizlaznoj situaciji i ne zna kako se nositi s tim.

RUS is a story about a man who has been looking for love all his life and this quest lead him through a life full of excitement. From the boy whose father tortured mentally and physically, he became a drug addict and thief; from a young man being treated at a clinic for Russian veterans of the Afghanistan war to the Russian millionaire, a man who decides about peoples fates. In the past few years he has lived in Sarajevo. He is barely surviving, and that brings him to meet the members of the Sarajevo underground where he is borrowing more money that he can ever give back. For the first time, he is hopeless and does not know how to deal with it.

SARAJEVO 1914 Bosnia and Herzegovina, 2015, HD, color, min. • Režija i scenarij / Director and Screenplay: Goran Dujaković • Direktor fotografije / Director of Photography: Draško Gajić • Montaža / Editor: Predrag Solomun • Zvuk / Sound: David Mastikosa• Producentska kuća / Production Company: Asocijacija za vizuelne umjetnosti FENI AR • Kontakt / Contact: Asocijacija za vizuelne umjetnosti FENI AR, Vida Nježića 68, 78000 Banja Luka; tel./fax: + 38751429126; email: fenixart@teol.net, www.fenixart.com

Dokumentarni film o sarajevskom atentatu kroz prizmu knjige Vladimira Dedijera Sarajevo 1914 , u kontekstu novih pogleda na te događaje.

Documentary about Assassination of Archduke Franz Ferdinand shown through the book by Vladimir Dedijer “Sarajevo 1914” using new contexts and new new view of the events.

SJETI ME SE / REMEMBER ME Bosnia and Herzegovina, 2014, HD, color, 20 min. • Režija / Director: Azra Hodžić • Direktor fotografije / Director of Photography: Edin Ramulić • Montaža / Editor: Azra Hodžić • Muzika / Music: Nermin Alukić • Producentska kuća / Production Company: Udruženje Prijedorčanki ‘Izvor’ • Kontakt / Contact: Udruženje Prijedorčanki ‘Izvor’, Muharema Suljanovića br. 52; tel./fax: 052/215-635; email: izvorpd@gmail.com; www.videoarhivprijedor.org

Hasema je imala samo dvije godine kada joj je otac Esad odveden u logor Keraterm, a Lejla samo dva mjeseca kada joj je otac Nedžad nestao. SJETI ME SE služi kao snažan podsjetnik na razaranje porodica i dugoročno stanje žalosti, koje uzrokuje ova uznemirujuća praksa nestajanja.

Hasema was only two when her father was taken away to the concentration camp Keraterm, and Lejla was only two months when her father Nedžad was taken away. REMEMBER ME is a strong reminder of family destruction and a long term grief that causes the practice of disappearance.

PUT U NEZABORAV je film o Hasanu Gušiću biciklista iz Srebrenice i Benjaminu Murić iz Velike Kladuše koji već deset godina voze biciklisticki maraton Bihać-Srebrenica. 2014. godine radi obaveza nisu mogli odvojiti BIH FILM FESTIVAL l 21. Sarajevo Film Festival 233

SOUL TRAIN Bosnia and Herzegovina, 2015, HD, color, 85 min. • Režija i scenarij / Director and Screenplay: Nermin Hamzagić • Direktor fotografije / Director of Photography: Amel Đikoli • Montaža / Editor: Redžinald Šimek • Zvuk / Sound: Alan Omerović • Muzika / Music: Adis Kutkut - Billain • Producent / Producer: Amra Bakšić Čamo • Producentska kuća / Production Company: SCCA / pro.ba • Kontakt / Contact: SCCA / pro.ba, Isa bega Ishakovića 6, 71000 Sarajevo, tel.: +387 33 444 535, adis@pro.ba

U četiri dana reperi Frenkie i Kontra, DJ Soul i muzički producent Billain proputovali su više od 500 kilometara posjetivši Tuzlu, Banja Luku, Zenicu, Sarajevo, Konjic i Mostar, susrećući se pritom sa muzičarima iz BiH. U pokretnom studiju bilježili su zvuk i stvarali nove pjesme.

In four days rappers Frankie and Kontra, DJ Soul and music producer Billain traveled more than 500 kilometers, visiting Tuzla, Banja Luka, Zenica, Sarajevo, Mostar and Konjic, meeting musicians from Bosnia and Herzegovina. In this road studio they recorded sounds and created new songs.

UZDAH ŽIVOTA SREBRENICA / BREATH OF LIFE SREBRENICA Bosnia and Herzegovina, 2015, HD, color, 3 min. • Režija i scenarij / Director and Screenplay: Ado Hasanović • Direktor fotografije / Director of Photography: Ado Hasanović • Montaža / Editor: Ado Hasanović • Muzika / Music: Marius Arcioni • Zvuk / Sound: Boris Riccardo D’Agostino • Producenti / Producers: Ado Hasanović, Sead Delić • Produkcija / Production Company: Admon • Kontakt / Contact: admon@adohasanovic.com

Sead Delić (1971) je rođen u regiji Srebrenica. Trenutno radi kao vozač kamiona u Americi. Povodom 20 godina Genocida u Srebrenici, Sead dolazi na Memorijalni centar u Potočare. On tamo “posjećuje i obilazi” svoju rodbinu koja je ubijena 1995. godine u srebreničkom genocidu.

Sead Delić was born in 1971 in Srebrenica. He currently works as a truck driver in United States. On 20th Anniversary of Srebrenica’s Genocide, Sead comes to the Memorial Center in Potočari. There he visites graves of his family killed in 1995.

STUPICA NEVIDLJIVOG DJETETA / AN INVISIBLE CHILD’S TRAP Bosnia and Herzegovina, 2015, HD, color, 90 min. • Režija i scenarij / Director and Screenplay: Šemsudin Gegić • Direktor fotografije / Director of Photography: Samir Neimarlija, Edin Bosankić • Muzika / Music: Jan Depreter, Sanel Redžić • Montaža / Editor: Damir Pirić • Uloge / Cast: Alen Muhić, Armin Omerović, Vedrana Šimić •Producenti / Producers: Rasim Muratović, Šemsudin Gegić • Producentska kuća / Production Company: FAVIC: Filmski i audio video centar: Institut za istraživanje zločina protiv čovječnosti i međunarodnog prava Univerziteta u Sarajevu • Kontakt / Contact: semsudin.gegic@hotmail.com

Alen Muhić riješio je da stavi tačku na prošlost. Nakon što je rođen i ostavljen u goraždanskoj ratnoj bolnici, on je usvojen. Ali 21 godinu kasnije, praćen kamerom, krenuo je da potraži i upozna biološke roditelje: majku Muslimanku i oca Srbina, koji ju je silovao na početku rata u Bosni i Hercegovini.

KRATKI I ANIMIRANI FILMOVI / SHORT AND ANIMATED FILM

AH, ŠTO ĆEMO LJUBAV KRITI / WHY HIDE LOVE Bosnia and Herzegovina / Serbia, 2015, DCP, color, 24 min. • Režija i scenarij / Director and Screenplay: Duško Mazalica • Direktor fotografije / Director of Photography: Igor Šamara • Montaža / Editor: Aleksandar Bundalo • Kostim / Costume Designer: Jelena Karanović • Zvuk / Sound: Predrag Blagojević • Uloge / Cast: Duško Mazalica, Božana Bijelić, Đorđe Janković, Ljubiša Savanović, Aleksandar Blanić • Producent / Producer: Mladen Đukić • Producentske kuće / Production Companies: Aeon (Banja Luka), FDU (Beograd)• Kontakt / Contact: mladen.djukic@aeonproduction.com, www.aeonproduction.com

Alen Muhić has decided to put an end to the past. He was born and abandoned in war hospital in Goražde, and then adopted. However, 21 years later, followed by a camera, he set out to find and meet his biological parents: a Muslim mother and a Serb father who raped her at the beginning of the war in Bosnia and Herzegovina.

Kroz ljubavnu priču ispričanu bez dijaloga, ali uz pjesmu, predstavljaju se običaji i kulturna baština našeg naroda.

TREBA BITI LAV / LIONHEART

ČETVRTAK / THURSDAY

Bosnia and Herzegovina, 2015, HD, color, 24 min. • Režija / Director: Sabrina Begović Ćorić • Scenarij / Screenplay: Bojan Josić • Direktor fotografije / Director of Photography: Amel Đikoli • Montaža / Editor: Dejan Ćorić • Senografija i kostimografija / Set and Costume Designer: Adisa Vatreš Selimović • Produkcija / Production Company: Hava Film • Kontakt / Contact: Hava Film, Grbavička 14a, 71000 Sarajevo, hava.film@gmail.com, www.hava.ba

Nakon rata, u Bosni i Hercegovini vladaju bezakonje i loša organizacija organa izvršne vlasti, što otvara poligon za djelovanje lanaca trgovine ženama. Djevojke iz Moldavije, Ukrajine, Rumunije na prevaru bivaju dovedene u Bosnu i Hercegovinu, kako bi postale robinje vlasnika noćnih klubova. Glavni lik je žena iz Moldavije koja je, u potrazi za boljim životom, upala u lanac trgovine ženama, te dospjela u Bosnu i Hercegovinu.

Naizgled uspijeva da se izvuče iz nevolja kada je zaprosi jedan klijent koji se zaljubio u nju. No, u braku ona postaje žrtva nasilja u porodici.

After the war in Bosnia and Herzegovina rules the anarchy and bad management of executive authorities, so that situation has created a perfect platform for the development of human trafficking business. Girls from Moldova, Ukraine and Romania are being tricked and transported to Bosnia and Herzegovina where they become slaves to the night club owners. The main character is a woman from Moldova, who, looking for a better life for herself, became a victim of human trafficking. She ended up in Bosnia. It seemed like she was going to get out of it when one of her clients fell in love with her and proposed. But once married, she becomes a domestic violence victim.

Through a love story told without dialogue, only using music, the film represents traditions and cultural heritage of our nation.

Bosnia and Herzegovina, 2015, 44 min., DCP, color • Režija i scenarij / Directors and Screenplay: Šejla Kamerić, Anocha Suwichakornpong • Fotografija / Photography: Boonyanuch Kraithong, Erol Zubčević, Wichanon Somumjarn, Vladimir Trivić, Ming Kai Leung, Timur Makarević, Philip Fleischer, Admir Švrakić • Montaža / Editors: Katatorn Suknin, Dejan Ćorić • Dizajn zvuka / Sound Designer: Igor Čamo • Uloge / Cast: Busarin Seengam, Džana Pinjo, Witchuta Watjanarat, Maja Izetbegović, Maja Jurić • Producentske kuće / Production Companies: SCCA / pro.ba, Electric Eel Films • Kontakt / Contact: SCCA / pro.ba, Isa-bega Ishakovića 6, 71000 Sarajevo, tel.: +387 33 444 535, adis@pro.ba

Film ČETVRTAK je sniman tokom godinu dana u osam zemalja i sastoji se od četiri segmenta: Ljeto-jesen, Godina, Kiša i Putovanje. Sva četiri segmenta su sastavljena od, na prvi pogled, nepovezanih scena. Svaka scena je vizuelno iskustvo koje izaziva gledatelja da uplovi u vlastita sjećanja.

Scene postaju fragmenti, “savršene slike” momenata zamrznutih u našem sjećanju.

THURSDAY was filmed throughout one year in eight countries and consists of four segments: SUMMER-AUTUMN, YEAR, RAIN and JOURNEY. All four segments are composed of, at first glance, unrelated scenes. Each scene is a visual experience that causes viewers to enter the own memories. Scene become fragments, “perfect images”, frozen moments in our memory.

KAFA / COFFEE Bosnia and Herzegovina, 2015, DCP, color, 8 min. • Režija i scenarij / Director and Screenplay: Aid Bešić • Direktor fotografije / Director of Photography: Aid Bešić • Montaža / Editor: Aid Bešić • Uloge / Cast: Omer Bešić • Producent / Producer: Aid Bešić • Kontakt / Contact: twistteryt@gmail.com

Kroz ovaj film ispričana je priča o starcu koji nam pokazuje način na koji se tradicija ispijanja kafe razvijala kroz period njegovog života.

This film tells a story about an old man who shows us the way in which tradition of coffee drinking is developed over a period of his life.

234 21. Sarajevo Film Festival l BOSANSKOHERCEGOVAČKI FILM FESTIVAL

KALO / DAMAGED GOODS

VISKI I MLIJEKO / WHISKEY AND MILK

Bosnia and Herzegovina, 2015, HD, color, 17 min. • Režija / Director: Nermin Hamzagić • Scenarij / Screenplay: Asja Krsmanović, Nermin Hamzagić • Direktor fotografije / Director of Photography: Erol Zubčević • Montaža / Editor: Redžinald Šimek • Scenografija / Production Designer: Adisa Vatreš • Costume Designer: Irma Saje • Uloge / Cast: Edin Avdagić Koja, Dunja Pašić, Adnan-Ali Grahić, Midhat Hasečić, Jasna Diklić, Aleksandar Seksan, Damir Fišo; Damir Kustura; Reuf Kamenčić; Nedim Branković • Producenti / Producers: Amra Bakšić Čamo & Adis Đapo • Producentska kuća / Production Company: SCCA / pro.ba • Kontakt / Contact: SCCA / pro.ba, Isa-bega Ishakovića 6, 71000 Sarajevo, tel.: +387 33 444 535, adis@pro.ba

Bosnia and Herzegovina, 2015, 25 min., DCP, color • Režija i scenarij / Director and Screenplay: Mandić Miroslav • Direktor fotografije / Director of Photography: Erol Zubčević • Montaža / Editor: Andrej Nagode • Scenografija i kostim / Production & Costume Designer: Emina Kujundžić • Muzika / Music: Igor Čamo • Uloge / Cast: Luna Zimić Mijović, Amar Čustović, Senad Bašić, Sabrina Noack, Mediha Musliović, Faktea S. Avdagić, Sanela Krsmanović, Šaban Mujkanović • Producentica / Producer: Amra Bakšić Čamo • Producentska kuća / Production Company: SCCA / pro.ba • Kontakt / Contact: SCCA / pro.ba, Isa-bega Ishakovića 6, 71000 Sarajevo, tel.: +387 33 444 535, adis@pro.ba

Tarik (25) je mladić koji radi u magacinu supermarketa na Alipašinom polju.

Sa dvojicom kolega provodi pauze pušeći ispred magacina i komentarišući prolaznike. Njegova jednolična svakodnevnica se mijenja kad u optičarsku radnju preko puta magacina dođe nova prodavačica. Nemajući hrabrosti da joj priđe, Tarik počinje noću u tajnosti crtati crteže na izlogu optike.

Glavna junakinja ovog filma želi biti glumica. Ta ambicija joj daje okvir i podsvjesni argument za anarhično ponašanje. Ona vjeruje u bezuslovnu slobodu. Tihi antagonist je mladić čije ponašanje definišu tradicionalni postulati dobra. Ljubav prema Lini relativizira norme u koje vjeruje, za nju je spreman učiniti sve.

Tarik is a 25-year-old man who works in the storage of a supermarket. He spends his time smoking in front of the market with his two colleagues commenting on the passersby. His routine is changed when a young woman starts working at the optical shop across them. Tarik has no courage to approach her and so he starts to make drawings on the shop’s window during the night.

The heroine of this film wants to be an actress. This ambition gives her subconscious argument for anarchic behavior. She believes in unconditional freedom. Pacific antagonist is a young man whose behavior define traditional postulates of what’s good. Love he has for Lina loosens norms in which he believes, and he is willing to do anything for her.

ONE WAY TICKET / JEDNOSMJERNA KARTA Bosnia and Herzegovina, 2015, DCP, color, 10 min. • Režija i scenarij / Director and Screenplay: Jasmin Pivić • Direktor fotografije / Director of Photography: Dino Šehić • Montaža / Editor: Dino Šehić • Scenografija i kostim / Production & Costume Designer: Jasmin Pivić • Muzika / Music: Dino Šehić • Uloge / Cast: Almir Kulačić, Haris Hadžisejdić • Producenti / Producers: Jasmin Pivić, Dino Šehić • Producentska kuća / Production Company: Epic Videos • Kontakt / Contact: jasminpivic_91@hotmail.com

Priča prati oca i sina koji imaju potpuno različit pogled na svijet… Obojica vode svoje bitke, jedan protiv države za koju se borio, a drugi za vlastitu egzistenciju.

Story about father and son, who see the world in two totally different ways… They both fight their battles, one against the country he fought for and the other for his own existence.

POSLJEDNJI POGLED / LAST PERSPECTIVE Bosnia and Herzegovina / Serbia, 2015, DCP, color, 13 min. • Režija i scenarij / Director and Screenplay: Mladen Đukić • Direktor fotografije / Director of Photography: Siniša Stjepanović • Montaža / Editor: Mladen Đukić, Aleksandar Bundalo • Kostim / Costume Designer: Željka Đukić • Zvuk / Sound: Igor Suzić • Muzika / Music: Tom Quick, Bob Bradley, Adam Skinner, James Brett (Audio Network)• Uloge / Cast: Slađana Zrnić, Nikolina Jelisavac, Nataša Perić, Zlatan Vidović, Stevan Šerbedžija, Duško Mazalica • Producent / Producer: Mladen Đukić • Producentske kuće / Production Companies: Aeon (Banja Luka), FDU (Beograd)• Kontakt / Contact: mladen.djukic@aeonproduction.com, www.aeonproduction.com

Tri sestre se prerušavaju u zombije da bi preživjele u postapokaliptičnom svijetu. Usred haosa dobijaju priliku da dokažu da su ljudi.

Three sisters dress up as zombies to survive in the post apocalyptic world.

In that chaos they have a chance to prove that they are human beings.

TESTAMENT / THE LAST WILL Bosnia and Herzegovina, 2015, DCP, color, 1 min. • Režija i scenarij / Director and Screenplay: Zoran Ćatić • Direktor fotografije / Director of Photography: Damir Bašić • Montaža / Editor: Mirza Ajnadžić • Produkcija / Production: sIAeTV i DTM Qatar • Kontakt / Contact: urednik@efm.ba

Najstariji član porodice je na samrti. Najbliži srodnici su se okupili u iščekivanju njegovih posljednjih riječi...

The oldest member of a family is dying… His closest relatives are gathered waiting to hear his last words…

WATCHING THE BALL / GLEDANJE UTAKMICE Bosnia and Herzegovina / Estonia / Germany / Russia / Serbia, 2015, 12 min., DCP, color • Režija / Directors: Martin Kleinmichel, Ivan Ramadan, Anastasia Tasić, Tatiana Moshkova, • Scenarij / Screenplay: Anastasia Tasic, Ivan Ramadan, Katre Haav, Nenad Krstic, Tatiana Moshkova, Till Laßmann, mMartin Kleinmichel • Direktori fotografije / Directors of Photography: Anastasia Tasic, Ivan Ramadan, Katre Haav, Nenad Krstic, Tatiana Moshkova, Till Laßmann, Martin Kleinmichel • Montaža / Editor: Martin Kleinmichel• Scenografija i kostim / Production & Costume Designer: Anastasia Tasic, Ivan Ramadan, Katre Haav, Nenad Krstic, Tatiana Moshkova, Krunoslav Jovic, Till Laßmann, Martin Kleinmichel • Muzika / Music: Henning Schärfke, Martin Kleinmichel • Producenti / Producers: Michael Schwertel, Martin Kleinmichel • Producentska kuća / Production Company: Projector23 KG, Power Toons • Kontakt / Contact: martin@projector23.de

WATCHING THE BALL nastao je kao saradnja animatora iz pet različitih zemalja oslikavajući fascinaciju i opasnosti ekstremnog gledanja fudbalskih utakmica.

WATCHING THE BALL is a collaboration of animators from five different countries portraying the fascination and dangers of extreme football watching.

STUDENTSKI FILMOVI / STUDENT FILMS

AKADEMIJA SCENSKIH UMJETNOSTI SARAJEVO / SARAJEVO ACADEMY OF PERFORMING ARTS Kontakt / Contact: asu@asu.unsa.ba

BALKON / BALCONY Bosnia and Herzegovina, 2015, DCP, color, min. • Režija i scenarij / Director and Screenplay: Ilda Bisić • Direktor fotografije / Director of Photography: Mustafa Mustafić • Montaža / Editor: Adnan Zilić • Muzika / Music: Adnan Zilić • Uloge / Cast: Deni Mešić, Andrea Aković, Amar Čustović, Admir Karup

Tri dana u životu ludo zaljubljenog Denisa.

Three days in the life of a madly in love Denis.

NORA Bosnia and Herzegovina, 2015, DCP, color, 10 min. • Režija i scenarij / Director and Screenplay: Amina Huseinčehajić • Direktor fotografije / Director of Photography: Eldar Nurković • Montaža / Editor: Saša Peševski • Muzika / Music: Adis Kutkut Billain • Uloge / Cast: Nadia Cvitanović, Aleš Kranjec

Ovo je priča o ženi koja je cijelog života zanemarivala sebe radeći stvari za druge i koja je konačno odlučila preuzeti odgovornost i donijeti prvu samostalnu odluku u životu. Koja je cijena slobode i šta se desi kada prestanemo živjeti u iluziji i poželimo neki sasvim nov, ali svoj život?

BIH FILM FESTIVAL l 21. Sarajevo Film Festival 235

This is the story of a woman who has been doing things for others all her life, putting her own needs aside, and who finally decided to take responsibility and make the first independent decision in her life. What is the price of freedom and what happens when we stop living in an illusion, when we want a completely new, but our own life?

VEJDA: ZAČARANI SVIJET VILA / VEJDA: ENCHANTED WORLD OF FAIRIES Bosnia and Herzegovina, 2015, DCP, color, 20 min. • Režija i scenarij / Director and Screenplay: Julia Klier • Direktor fotografije / Director of Photography: Admir Švrakić, Eldar Nurković • Montaža / Editor: Dražen Krešić

IMPERATIV / IMPERATIVE Bosnia and Herzegovina, 2015, 7 min., DCP, color • Režija i scenarij / Director and Screenplay: Jelena Ilić Todorović • Direktor fotografije / Director of Photography: Aleksandar Svitić • Montaža / Editor: Jelena Ilić Todorović

Predizborni miting na ulici. Ljudi poslušno izlaze i vjerno slušaju nova obećanja onih kojima žele dati svoj glas. Političari im serviraju priče od kojih padaju u trans i stanje euforije. Kad se sve završi i izbori prođu, surova svakodnevica je sve što im ostaje.

A pre-election rally in the street. People obediently go out and listen to new promises of those whom they wish to vote for. Politicians serve stories which make them fall into a trance and euphoria. When it’s all over and the elections are over, a harsh everyday reality is all that remains.

Vejda (7) boluje od rijetkog poremećaja u razvoju, Williams sindroma, tzv. vilenjačke bolesti. Vesela je, hipersenzibilna i zaljubljena u muziku, no potpuno ovisna o majci Edini, čija ljubav i požrtvovanost predstavljaju temu filma.

Dijete s poteškoćama u razvoju jednako je vrijedno i jednako snažno osjeća.

IZ DANA U DAN / DAY BY DAY

Vejda (7) suffers from a rare disorder, Williams syndrome, the so-called elf disease . She’s happy and in love with the music, but totally dependent on her mother, whose love and sacrifice are the main theme of the film. A child with disabilities is equally valuable and feels the same emotions.

Svakodnevica starih ljudi na selu, koji su u iščekivanju poziva svojih najbližih.

WOYZECK Bosnia and Herzegovina, 2015, DCP, color, 12 min. • Režija / Director: Adi Selimović • Scenarij / Screenplay: Mirza Skenderagić • Direktor fotografije / Director of Photography: Eldar Nurković • Montaža / Editor: Adi Selimović • Uloge / Cast: Aleš Kranjec, Kemal Rizvanović, Helena Vuković • Producent / Producer: Benjamin Čengić

Radnja se odvija u jednom prostoru u kojem je glavni lik zatvoren već nekoliko godina, sam sa televizorom, puškom i kamerom preko koje održava komunikaciju sa doktorom. Glavni junak prinuđen je da gleda propagandne filmove, radi vojne vježbe i jede samo grašak…

Film takes place in one room where the main character is imprisoned for several years, he has a television, a gun and a camera through which he communicates with the Doctor. The main character is forced to watch propaganda films, do military exercises and eat only peas ...

ŽIVOT BICIKLISTE U TIRANI / BIKE LIVING IN TIRANA Bosnia and Herzegovina, 2015, HD, color, 10 min. • Režija / Director: Emin Hajrić • Scenarij / Screenplay: Keti Gjipali • Direktor fotografije / Director of Photography: Almir Đikoli • Montaža / Editor: Mišo Ždinjak

Uvid u živote biciklista iz užurbanog grada Tirane. Omladina Tirane je počela bicikle da koristi kao svoje glavno prijevozno sredstvo, međutim, mnogi problemi stoje na njihovom putu.

A look into the lives of bicycle drivers in the busy city of Tirana. Tirana’s youth have taken to getting around in bicycles, but many problems stand in the way of this becoming the main source of transport…

Bosnia and Herzegovina, 2015, 7 min., DCP, color • Režija i scenarij / Director and Screenplay: Dragan Daničić • Direktor fotografije / Director of Photography: Janja Bijelić • Montaža / Editor: Dragana Mitrić

Life of eldery people in the countryside on daily bases, who are expecting call from their loved ones.

OBILIĆI / THE OBILIĆ FAMILY Bosnia and Herzegovina, 2015, 11 min., DCP, color • Režija i scenarij / Director and Screenplay: Ana Stanarević • Direktor fotografije / Director of Photography: Radivoj Rudić • Montaža / Editor: Jaglika Jovanović, Dragan Majkić

Priča o jednoj banjalučkoj familiji kojoj se neuspjesi generacijski ponavljaju – od zemljotresa 1969. do poplava 2014.

The story of one family in Banja Luka where the failures are genetically repetitive - from the 1969 earthquake to floods in 2014.

NO WORDS / BEZ RIJEČI Bosnia and Herzegovina, 2015, 9 min., DCP, color • Režija i scenarij / Director and Screenplay: Anja Kavić • Direktor fotografije / Director of Photography: Jelena Vujasinović • Montaža / Editor: Dario Đuraković

Osnovnu komunikaciju u društvu danas je preuzela tehnologija. Svakim danom postajemo sve više introvertni, svijet više nije onakav kakav izgleda, ljudi glume i ne žele da iskazuju svoja osjećanja. Ne žele da razgovaraju. Komunikacija među ljudima dobila je jednu potpuno novu, ali pogrešnu dimenziju.

Technology took over communication in today’s society. Every day we become more introverted, the world is not as it seems to be, people act and do not want to express their true feelings. They do not want to talk.

Communication between people has received a completely new, but completely wrong dimension.

SVAKODNEVICA / DAY IN DAY OUT AKADEMIJA UMJETNOSTI BANJA LUKA / ACADEMY OF ARTS BANJA LUKA

Bosnia and Herzegovina, 2014, 6 min., DCP, color • Režija / Director: Igor Đurović • Scenarij / Screenplay: Mario Ćulum • Animacija / Animation: Igor Đurović • Montaža / Editor Igor Đurović

Kontakt / Contact: aubl@inecco.net

SVAKODNEVICA se bavi svakodnevnim rutinama koje pritišću čovjeka.

2000 KILOMETARA / 2000 KILOMETERS Bosnia and Herzegovina, 2015, 10 min., DCP, color • Režija i scenarij / Director and Screenplay: Saša Karanović • Direktor fotografije / Director of Photography: Dejan Škipina • Montaža / Editor: Ognjen Topić

Studenti iz Sirije koji su azil našli na neobičnom mestu - Bosni.

Students from Syria have found asylum in a strange place - Bosnia.

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DAY IN DAY OUT deals with the usual routines of everyday life that stress a man.

FAKULTET DRAMSKIH I FILMSKIH UMJETNOSTI / FACULTY OF DRAMA AND FILM ARTS Kontakt / Contact: studentska@sinergija.edu.ba; profesori@sinergija.edu.ba

PANTA REI / PANTA RHEI Bosnia and Herzegovina, 2015, DCP, color, 12 min. • Režija i scenarij / Director and Screenplay: Katarina Živanović • Direktor fotografije / Director of Photography: Katarina Živanović • Montaža / Editor: Nemanja MIlojević • Muzika / Music: Janko Pješivac

Dirljiva priča o ocu, teškom dijabetičaru čija bolest rapidno napreduje i zahtijeva operaciju i porodici koja pokušava da nastavi život u novim okolnostima.

A touching story of a diabetic father whose disease progresses rapidly and requires a surgery, and his family trying to resume their life under the new circumstances.

ŽIVELA SAM I JA TEBE / I LIVED YOU TOO

BALADA / BALAD Bosnia and Herzegovina, 2014, DCP, color, 63 min. • Režija i scenarij / Director and Screenplay: Anton Petersen • Direktor fotografije / Director of Photography: Rógvi Rasmussen • Montaža / Editor: Anton Petersen/Béla Tarr • Uloge / Cast: Ana-Mia Milić, Filip Krizan, Admir Glamočak

Posljednji pokušaj žene da održi svoj identitet sa svojim momkom u njihovom stanu, prije nego što se raziđu sljedećeg jutra.

A woman’s last fight to keep her identity in the form of her boyfriend and their apartment, before they separate early next morning.

CENTAUR Bosnia and Herzegovina, 201, DCP, color, 42 min. • Režija / Director: Aleksandra Niemczyk • Scenarij / Screenplay: Graeme Cole • Direktor fotografije / Director of Photography: Kim Namsuk • Montaža / Editor: Aleksandra Niemczyk • Uloge / Cast: Snežana Alić, Vladimir Kajević, Anton Petersen, Dražen Dizdarević, Hare Metak, Vladimir Vlado Grizelj, Jesse Erin, Patrick Marshall

Paralizirani Vlado više ne želi biti teret svojoj mladoj supruzi. CENTAUR je film o neobičnom i teškom licu ljubavi. Priča o borbi da se voli i da se bude voljen onda kada je tijelo voljene osobe zarobljeno paralizom.

Bosnia and Herzegovina, 2015, DCP, color, 10 min. • Režija i scenarij / Director and Screenplay: Aleksandar Čečavac • Direktor fotografije / Director of Photography: Aleksandar Čečavac • Montaža / Editor: Aleksandar Čečavac

Polio paralyzed Vlado, no longer wants to be a burden to his young wife.

CENTAUR is a film about an unusual, difficult face of love. The story of a struggle to love and be loved, when the body of beloved one is struck with paralysis.

Mlada Jasmina boluje od Ehlers Danlosovog sindroma, jako retke genetske bolesti. Jasminina snaga u borbi sa opakom bolešću i posvećenost fotografiji pokazuju njenu volju i veliku energiju za životom.

ELEANOR

Young Jasmine suffers from Ehlers Danlos syndrome, a very rare genetic disease. Jasmina’s strength in the struggle with malignant disease and love for photography shows her will and great energy for life.

SARAJEVSKA FILMSKA AKADEMIJA / SARAJEVO FILM ACADEMY Kontakt / Contact: info@sfa.ba

BIĆE ŠTA BUDE / WHAT WILL BE, WILL BE Bosnia and Herzegovina, 2015, DCP, color, 12 min. • Režija i scenarij / Director and Screenplay: Esma Sarić • Direktor fotografije / Director of Photography: Admir Švrakić • Montaža / Editor: Gorčin Zec • Uloge / Cast: Admir Šehović, Edin Avdagić, Nermin Tulić

Bosnia and Herzegovina, 2015, DCP, color, 22 min. • Režija i scenarij / Director and Screenplay: Petr Makaj • Direktor fotografije / Director of Photography: Admir Švrakić • Montaža / Editor: Petr Makaj • Uloge / Cast: Marina Radmilć, Emina Muftić, Adnan Novo, Šaban Mujkanović

Tridesetogodišnjakinja koja radi kao elitna prostitutka voli sanjariti. Ipak, samo jedan pogrešan korak može je odvesti do prave noćne more. Može li joj umaći?

A 30-year-old woman who works as an exclusive prostitute likes to get lost in her daydreams. However, just one wrong step and she finds herself amidst a nightmare instead. Can she escape?

JASMIN, 30 YEARS OLD, NOVEMBER / JASMIN, 30 GODINA, NOVEMBAR Bosnia and Herzegovina, 2015, DCP, color, 10 min. • Režija i scenarij / Director and Screenplay: Mélanie Rappo • Direktor fotografije / Director of Photography: Mélanie Rappo • Montaža / Editor: Mélanie Rappo

Mladi pljačkaš pokuša da opljačka starca da bi, na kraju, ponio sa sobom nešto mnogo vrednije od novca.

Ovo je svojevrsna razglednica Sarajeva, ali i portret tattoo umjetnika Jasmina.

A young thug tries to rob an old man but in the end he takes away with him something much more valuable than money.

This is a sort of a postalcard of Sarajevo and a portrait of a tattoo artist, Jasmin.

FILM FACTORY

KAKO PREŽIVJETI DAN / HOW TO SURVIVE A DAY

www.filmfactory.ba

AMONGST US / MEĐU NAMA Bosnia and Herzegovina, 2015, DCP, color, 18 min. • Režija i scenarij / Director and Screenplay: Gonzalo Escobar Mora • Direktor fotografije / Director of Photography: Patrick Marshall • Montaža / Editor: Gonzalo Escobar Mora • Uloge / Cast: Mirjana Đan, Edin Avdagić, Jesse Erin, Arman Soldin

Trenutak u životu para koji se održava otvorenom vezom je u suprotnosti sa neuobičajenim liječenjem.

Bosnia and Herzegovina, 2014, DCP, color, 12 min. • Režija i scenarij / Director and Screenplay: Fernando Nogari • Direktor fotografije / Director of Photography: Fernando Nogari • Montaža / Editor: Fernando Nogari • Uloge / Cast: Ana Malkoč, Amar Prašović, Anida Murić, Ajla Murić, Benjamin Karić, Emir Prašović, Josip Malkoč, Nejla Nidal, Sara Murić, Tina Keserovi

Djeca se igraju oko srušene zgrade koja je prije 19 godina bila mjesto nekih od najstrašnijih poglavlja opsade Sarajeva.

Children play around a destroyed building that 19 years ago was the site of one of the most violent chapters during the siege in Sarajevo.

A moment in the life of a couple that maintains an open relationship is contrasted with an unorthodox medical treatment.

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OLUJA / STORM Bosnia and Herzegovina, 2015, DCP, color, 13 min. • Režija i scenarij / Director and Screenplay: Gustavo Vega • Direktor fotografije / Director of Photography: Emerson Zárate • Montaža / Editor: Marta Hernaiz, Sergio Flores • Uloge / Cast: Vesna Mašić, Adnan Novo, Salih Palo

Dva brata se uvijek, nanovo, vraćaju domu; dva brata vole istu majku.

Two brothers repeatedly keep returning home; two brothers in love with the same mother.

RAZMAK / SPACE Bosnia and Herzegovina, 2014, DCP, color, 10 min. • Režija i scenarij / Director and Screenplay: Aleksandra Niemczyk • Direktor fotografije / Director of Photography: Aleksandra Niemczyk • Montaža / Editor: Aleksandra Niemczyk

Ovaj film je eksperimentalna poema o Sarajevu. Jedan dan u životu ulica i ljudi u Sarajevu.

This film is an experimental film poem about Sarajevo. One day from in the life of people in the streets of Sarajevo.

WHAT THE NIGHT BRINGS / ŠTA NOĆ DONOSI Bosnia and Herzegovina, 2014, DCP, color, 20 min. • Režija i scenarij / Director and Screenplay: Lea Triboulet • Direktor fotografije / Director of Photography: Andre Gil Mata • Montaža / Editor: Tomas Baltazar • Uloge / Cast: Maja Izetbegović, Bojan Dimitrijević, Adnan Omerović

Koliko je teško komunicirati i znati šta zapravo želimo? Svakodnevni život gradi rutine zbog kojih zaboravimo šta zaista trebamo. Postajemo svojevrsni duhovi.

How difficult is it to communicate and to know what we want? Everyday’s life creates routines in our lives and we forget what it is that we really need. We become ghosts alike.

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241 Sponzori / Sponsors 274 Hvala / Thank You 275 Festival Team 276 Index - Filmovi / Films 278 Index - ReĹžiseri / Directors

POKROVITELJI FESTIVALA

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Switzerland - Sarajevo Film Festival: the story of a friendship continues Switzerland is pleased to continue to support the Festival’s Documentary Competition through two awards: “Heart of Sarajevo for the Best Documentary” and “Human Rights Award”.

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THE EUROPEAN FLAG IS 60 YEARS OLD A symbol for the whole of Europe The European flag was created by the Council of Europe in 1955, and later adopted by the European Union in 1985.

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Recepte s Podravka temeljcima potražite na www.podravka.com i www.coolinarika.com *Podravka temeljci osvojili su priznanje izvrsnosti i kvalitete Superior Taste Award 2014. u Bruxelessu za sva tri okusa; Goveđi temeljac STA**, Povrtni temeljac STA** i Kokošji temeljac STA*.

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Hvala / Thank You

Nedžad Ajnadžić, Frank Albers, Jesica Andres, Anđelija Andrić, Mirsada Arnaut, dr. Jasmina Aždajić, Aida Bajramović, Marta Benyi, Nedžad Borišić, Amina Čadro, Enver Čaušević, Vahid Čosić, Adnan Dedović, Emir Dedović, Amina Deljković, Hamdija Dizdar, Semir Efendić, Zoran Galić, Halid Ganija, Mike Goodridge, Mersid Grbović, Ognjen Grujić, Elvir Hadžiahmetović, Ibrahim Hadžibajrić, Denis Hajdarević, Nataša Hajdarević, Fahrudin Halać, Suad Handagić, Mathilde Henrot, Bisera Hotić, Gordana Hrenovica, Gorica Jovanović, Nebojša Jovanović, Ramiz Kadić, Igor Kamočaji, Emir Kazić, Asmir Kedić, Stefan Kitanov, Elmedin Dino Konaković, Mustafa Krasnić, Aldijana Kršlak, Amela Kuskunović, Anne Laurent, Liza Linadou, Adnan Mršović, Azem Mujan, Lejla Mujkić, Amela Mulavdić, Hajrija Mulić, Hajrudin Mulić, Kenan Novalija, Nerma O’Hara, Hajrudin Omerović, Dr. Vedad Papović, Lejla Pašović, Sanja Pejčinović, Marijo Pejić, Igor Rahelić, Marin Raspudić, Elvir Resić, Amira Sadiković, Sunita Samarah, Karin Angela Schyle, Martin Schweighofer, Bianca Shiflish, Nasir Spahić, Hrvoje Stipanov, Džemal Šaković, Elvedina Šehović, Edina Šeta, Danis Tanović, Ines Tanović Sijerčić, Jasmin Terović, Christine Troestrum, Mirela Varagić, Cat Villiers, Florian Weghorn, Sabina Zvirac, Pjer Žalica

2i Film, Austrian Film Commission, Blitz film i video distribucija, Continental Film, Delta Video, Discovery, Editus, Filmski centar Srbije, Federalni hidrometeorološki zavod Sarajevo, Five stars film distribution, Fond Memorijala, Greek Film Center, Hrvatski audiovizualni centar, Kean & Kolar Communications, Magyar Filmunio, MegaCom Film, Ministarstvo saobraćaja Kantona Sarajevo, Porezna Uprava Stari Grad, Prva gimnazija - Sarajevo, The Match Factory, Turistički Informativni Centar - Sarajevo, Udruženje filmskih radnika BiH

274 21. Sarajevo Film Festival l HVALA

Advisory Board Izeta Građević Jovan Marjanović Creative Director Izeta Građević Head of Programming Amer Bećirbegović Programmers Elma Tataragić, Competition Features, Competition Shorts and In Focus and Editor of BH Film Festival Rada Šešić, Competition Documentaries Vanja Kaluđerčić, Shorts Mike Goodridge, Kinoscope Alessandro Raja, Kinoscope Mathilde Henrot, Kinoscope Festival Consultant Philippe Bober, Consultant Mikel Olaciregui, Consultant for Spain Andrea Stavenhagen, Consultant for Latin America Industry Jovan Marjanović, Head of Industry Ena Đozo, Industry Manager CineLink Jovan Marjanović, Head of Industry Amra Bakšić Čamo, Head of CineLink Talents Asja Makarević, Programme Manager Assistants: Zenon Marković, Nejra Branković Minimarket Vanja Kaluđerčić, Programme Manager Rough Cut Boutique Rada Šešić, Head of Competition Programme – Documentary Film and coorganizer of the new platform Docu Rough Cut Boutique Martichka Bozhilova, Director of the Balkan Documentary Center and coorganizer of the new platform Docu Rough Cut Boutique Operation Kino Ena Đozo, Head of Operation Kino Nađa Vražalica, Josip Perić, Sinan Ribić, Team International Relations Lejla Karišik, Head of International Relations Nataša Stupar, International Relations Executive Producer Almir Palata, Technical Director Mersiha Halilović, Assistant Technical Director Selma Delić, Coordinator for title movies Budget Planner – Analyst and Internal Audit Sabina Branković, Chief Financial Officer Lamija Muminović, Assistant Administrative Office Dževad Mujan, Administrative director Hajrudin Ajkunić, Accountant Aida Memović, Secretar Adna Tucak, Melika Bašić, Iman Brčić, Administration Assistant Volunteers: Ajša Kulovac, Emina Adremović, Adisa Čopra, Mahira Gojak Ivana Petrović, Director’s Assistant Talents Sarajevo Office Asja Makarević, Programme Manager Selection: Amra Bakšić Čamo, Gabriele Brunnenmeyer, Gyula Gazdag, Izeta Građević, Nebojša Jovanović, Fred Kelemen, Jovan Marjanović, Elma Tataragić Talent Administration and Guest Management: Zenon Marković, Nejra Branković Ahmed Alić, Tecnical Coordinator Rusmir Efendić, Location Manager (ASU) Field Technicians: Amer Alić, Amer Ćosović, Mirza Begić Nataša Hemon, Pack&Pitch Coordinator Valerie Snehotta, Script Station Coordinator Jakub Salihović, Talent Press Coordinator Benjamin Čengić, Camera Studio Coordinator Adna Aličić, Info Desk Danko Bevanda, Video Documentation Notebook: Nebojša Jovanović, Ivana Kalember, Vanja Kaluđerčić, Asja Makarević

CineLink Office Armin Hodžić, CineLink Coordinator Tobias Pausinger, Work in Progress Consultant Ognjen Džinić, Avant Premieres Programme Coordinator Asa Garnet, Industry PR Ana Neveščanin, Industry Terrace Coordinator Alex Traila, Work in Progress Coordinator Riad Hasović, Avant Premiere Programme Assistant Andrej Hamzić, Sarajevo City of Film Fund Assistant, Industry Events Ishak Jalimam, Docu Rough Cut Boutique Coordinator Mladen Ungar, Industry Statistics & Analysis Maša Marković, CineLink Meetings Coordinator Milica Tomašević, CineLink Industry Hospitality Desk Competition Feature and Short Program Office Asja Krsmanović, Competition Programme Coordinator, Pre-selection for Competition Programme - Short Film Melina Alagić, BH Film Festival Coordinator Bojana Vidosavljević, Jury Coordinator Nataša Govedarica, Programme Assistant and In Focus q&a moderator Assistants: Džejna Avdić, Rijad Bešlija, Ivor Doder, Staša Dukić, Jasmina Durmišević, Aida Hadžihasanović, EminaHadžiredžepović, Rejhana Kasumović, Emina Kutlovac, Tarik Kutlovac, Selma Muharemović, Lejla Muratčauš, Emina Omerović, Ana Tankosić Volunteers: Merjem Cernica, Azra Gordy, Matea Perović, Emina Zubčević Competition Documentary Programme Office Amra Mehić, Coordinator of Competition ProgrammeDocumentarny Film Riad Hasović, Coordinator of DocuCorner and Rough Cut Boutique Sponsorship Department Anja Mušanović, Manager Zlata Grabovac, Account Assistants: Samir Leskovac, Amina Ramić Programmes Coordinator Bakir Milić TeenArena, Children’s Programme Amila Čirkinagić, TeenArena & Children’s Programme Coordinator Mak Mujezinović, TeenArena & Children’s Programme Event Coordinator Amina Sulejmanagić, TeenArena & Children’s Programme Assistant Press Office Altijana Marić, Head of Press Office Alma Hadžić, Press Officer Edin Muftić, Press Centre Manager Vanja Lazić, Jasminka Hamza, Interview Protocol/ Press Accreditations Nebojša Jovanović, Press Conferences Graphic Design Boom produkcija!

Lejla Begić Vuletić, Jasenka Bećirbegović, Dejan Ćorić SFF Daily Journalists: Marinela Domančić, Namir Ibrahimović Una Tanović, Translators Zorica Pandžić, (DTP) Festival TV Novagenus: Craig Mason, Emir Šehanović, Irfan Brković, Adnan Hatić, Jasmin Jatić, Interviews, Cameramen and Editing Andi Gvožđar, Amel Aladžuz, Online Editors Alen Piplica, Cameraman Samir Lačević, Elvis Ališehović, Ali Šabanović, Support Photographers Almin Zrno, Senad Gubelić, Jasmin Brutus, Nikola Blagojević

Guest Relations: Hana Mavrić, Samra Čomor, Faris Koldžo Adna Rokša, Travel Reservations Sanja Hrenovica, Accommodation Edina Čomor, Visas and Excursions Events Managemen Mersel Bujan, Manager Mak Krstić, Assistant Manager Assistants: Lejla Omerović, Lejla Mulić Protocol Office Nihad Branković, Head of protocol Mak Muftić, Protocol Coordinator Protocol Officers: Sajra Mujan, Nina Đumrukčić, Nina Karahasanović Goran Kučera, I Heart Film Coordinator IT Department Nedim Kovač, IT and System Manager IT Tehnicians: Bakir Husović, Tarik Husović, Mirza Ćutuk Festival Square Alma Gutić

FESTIVAL TEAM

Director Mirsad Purivatra

Accreditations Ines Lučić, Ena Alečković Golden Cards Ana Jurišić Box Office Managemant Feđa Purivatra, Box Office Manager Box Office Manager Assistants: Bakir Husović, Mirza Ćutuk Assistants: Anja Miljanović, Sanela Alić, Mirela Milak, Elma Arnautović, Sabina Memišević, Aldijana Selimbegović, Meliha Hadžimehmedagić, Edin Alihodžić, Kenan Kalisi, Vildana Čormehmedović, Džana Demić, Emina Imamović, Lamija Madžarević, Sanel Šurković, Leila Lizde, Berina Kazić, Elma Sofić, Amila Pezo, Ajdin Lušija, Mahir Ćutuk, Amir Uzunović, Anja Ćetojević Translators Advan Košarić, Aida Gadžo, Aleksandar Brezar, Alma Gačanin, Asja Hafner, Belma Selimović, Daniel Polimac, Dženana Preljević, Dževida Šehić, Gorana Mlinarević, Haris Hadrović, Lejla Gadžo, Lejla Kadrispahić, Milan Vuković, Mirsad Čeligija, Sanja Papo Kulić, Sanja Vrzić, Selma Hadžić, Una Tanović Location Managers Adis Memović, HT Eronet Open Air Cinema Elvir Pandžić, Svjetlana Kupusović, National Theatre Izudin Isić, Benjamin Mahmić, Meeting Point Cinema Edib Kadić, Laško Summer Nights Fikret Pandžić, Multiplex Cinema City Aldijana Ahmedhodžić, Cinema Novi Grad Hamid Sofitić, BKC Projectionists Ajdin Purivatra, HT Eronet Open Air Cinema Sulejman Kadić, National Theatre Josip Perić, Sinan Ribić, Meeting Point Cinema and Laško Summer Nights Print Checking Emir Nalo, Tarik Hadžović, Kemal Zulović Video Tehnicians Maroje Sardelić Technical Department Abid Ahmetagić, Technical Support Alden Ahmetagić, Almed Memović, Adnan Ahmetagić, Ramiz Memović, Almedin Hodžić, Jasmin Čakal, Irfan Vražalica, Almedin Džaferović, Admir Žero, Jasmin Okanović, Nijaz Karaman Audience Award Coordinator Haris Serdarević

Press Conferences Nebojša Jovanović

Volunteers Coordination Aida Šehić, Project Manager Assistants: Mia Varivoda, Elvira Subašić

SFF Website Gordan Petrović, Web Editor Dijala Hasanbegović, Lejla Kalamujić, Editors

Drivers Nedim Hasanbegović, Head of Transport Logistics: Sejad Ahmetagić

Festival Shop Boom produkcija!

Sellers: Dino Tahirović, Amina Bečirević, Denisa Tahirović, Erna Kalić, Lejla Pešto Una Omeragić, Accountant Assistant

Caffè Jasmina Bajramović, Dragi Novaković, Svjetlana Sušić, Almira Jahić, Domagoj Dudjak

Hospitality Team Nedim Čengić, Hospitality Service Manager

Security Sevice Securitas BH d.o.o.

Maintenance Sadiha Murtić, Vasvija Oćuz, Amela Jahić

TESTIVAL TEAM l 21. Sarajevo Film Festival 275

FILMS - ORIGINAL TITLE

10% 203 14+ 158 2000 KILOMETARA 236 45 YEARS 92

A ABRAZO DE LA SERPIENTE, EL 93 ACASĂ LA TATA 24 ADIL 230 AFERIM! 72 AGNES 163 AH ŠTO ĆEMO LJUBAV KRITI 234 AMONGST US 237 AMY 138 ANA TRG 190 ANTBOY: DEN RØDE FURIES HÆVN 146 ARAGANE 210 ARARAT 179 114 ARCHITEKTURA ARTIK HAYALLERIM VAR 46 47, 230 AUTOREFLEKSIJA

B BALADA BALKON BEAUTIFUL GIRL BIGGER PICTURE, THE BISERNA OBALA BIT ĆE ŠTA BUDE BITI ILI NE, IVAN HITI B-MOVIE: LUST & SOUND IN WEST-BERLIN 1979-1989 BOLNICA INKOGNITO BOOGALOO AND GRAHAM

237 235 159 133 38 237 231 94 231 133

C CARAPACE 122 CARMIN TROPICAL 208 CENTAUR 237 38 ÇEVIRMEN CHEVALIER 25 80 CHRONIC CHUCK NORRIS VS COMMUNISM 48 139 CITIZENFOUR COACH 163 COBAIN: MONTAGE OF HECK 140 COMOARA 26 212 CONSUMMATE CUENTOS EXCEPCIONALES DE UN EQUIPO JUVENIL FEMENINO. CAPÍTULO I: LAS ARÁCNIDAS 122 CYKELMYGGEN OG MINIBILLEN 147

Č ČETVRTAK

234

D DAN MARJANA DHEEPAN DINOLA DIPLOMAT, THE DO BALČAKA DOLANMA DOM DRAIN DRIFTER

190 81 126 216 220 27 49 203 50

E ELEANOR EMOTIONAL FUSEBOX EMPTY NEST, THE EOHA EVERY DAY EXOTICA EXOTICA, EROTICA, ETC

237 133 212 51 119 180 52

F FAL FAPTĂ BUNĂ, O

FERDINAND KNAPP 114 FERNWEH 115 FIDELIO, L’ODYSSÉE D’ALICE 95 FILME SOM 122 FINDING BOSNIA 231 FLOTEL EUROPA 53, 231 FÚSI 82

G GENIZA NAŠIH SNOVA GESTO DELLE MANI, IL GIOVANNI EN HET WATER BALLET GIRL WALKS HOME ALONE AT NIGHT, A GÔKUDO DAISENSÔ GOOD NIGHT SARAJEVO GRACE UNDER WATER GREEN ROOM

231 186 152 96 97 231 123 98

H HÄTÄKUTSU 127 231 HERCEGOVINA HEROJI BITKE ZA RANJENIKE 232 HILJADARKA 221, 230 HIND’S DREAM 204 HORIZON 232 127 HVALFJORDUR

I ICH HAB NOCH AUFERSTEHUNG_ 128 73 ICH SEH, ICH SEH IGRAMO SE PRIČE 152 CVRČAK I MRAV IMPERATIV 236 IRRATIONAL MAN 83 ITAR EL-LAYL 200 236 IZ DANA U DAN 232 IZGUBLJENO DUGME IZMAGLICA SREBRENICE 54, 232

J JA MOGU DA GOVORIM 232 JASMIN, 30 YEARS OLD, NOVEMBER 237 JEDAN DAN U SARAJEVU 55, 232 JEUNESSE ALLEMANDE, UNE 141

K KÄÄNTÖPAIKKA 164 234 KAFA KAHLIL GIBRAN’S THE PROPHET 148 KÁIN GYERMEKEI 56 237 KAKO PREŽIVJETI DAN KALO 39, 235 KARMAN LINE, THE 134 KILLING TIME: ENTRE DEUX FRONTS 99 KINATAY 171 KLEINE VOGEL UND DAS BLATT, DER 153 KLEINE VOGEL UND DAS 153 EICHHÖRNCHEN, DER KOKOŠKA 119, 128 KRŠ 57 KVOTA 211

L LAKO POKOJNIMA 191 LATO 2014 129 LAWES OF THE MARCHES, THE 115 LEAVES OF THE TREE 225 LIJEPO MI JE S TOBOM, ZNAŠ 58 LOBSTER, THE 100 LOCAS PERDIDAS 124 LOLA 172

LJ 126 39

LJEPOTICA I OSMIJEH

276 21. Sarajevo Film Festival l FILMS - ORIGINAL TITLE

233

M MAMA 40 MANJAČA 188 MARGARET 233 MASSAKREN I DVOR 217 MEDO MALI 191 MESSAGES DANS L’AIR 154 MILLION MILES AWAY, A 123 160 MIN LILLA SYSTER MINOR BORDER 59 MISSING SCARF, THE 129 MONKEY LOVE EXPERIMENTS 134 MOT NATUREN 101 MOULTON OG MEG 154 MULIGNANS 119 28 MUSTANG MY DAD 134

N NAŠA SVAKODNEVNA PRIČA

29, 230 NELLY 164 74 NIČIJE DETE NO WORDS 236 NOBI 102 NORA 235

O OBILIĆI OBOK MNIE OBRA DEL SIGLO, LA OLUJA ONDER ONS ONE WAY TICKET

236 165 103 238 116 235

P PACO DE LUCÍA: LA BÚSQUEDA 142 PANAMA 30 237 PANTA REI PAPER PLANES 149 130 PAT-LEHEM PEBBLES AT YOUR DOOR 116 PEQUEÑO BLOQUE DE CEMENTO CON PELO ALBOROTADO 130 CONTENIENDO EL MAR PERFECT DAY, A 85 104 PHOENIX PIKNIK 165 POLUFINALE 188 235 POSLJEDNJI POGLED PORED MENE 222 120 PRENDS-MOI PRIČA O POSTANKU 233 PRIDE 131 PRINS 161 PUT U NEZABORAV 233

Q QUE HORAS ELA VOLTA?

84

R RAGAZZO INVISIBILE, IL 150 RAMONA 40 RASTRES DE SÀNDAL 187 RATE ME 117 RAZMAK 238 124 RETOUR D’ERKIN, LE RICKI AND THE FLASH 86 RICSI 41 RISTTUULES 105 RUS 60, 233 RUSSIAN WOODPECKER, THE 106

S SABINA K. SALI SAPI SARAJEVO 1914 SATURDAY SAUL FIA SEB

230 41 173 233 120 31 61

SERBIS 174 SHARE 125 SHIPWRECK 131 SHOW OF SHOWS: 100 YEARS OF VAUDEVILLE, CIRCUSES AND CARNIVALS, THE 107 SIVAS 75 233 SJETI ME SE SLAP 135 SMILF 120 SONG OF THE SEA 151 SOUL TRAIN 234 STUPICA NEVIDLJIVOG DJETETA 233 SUPERWELT 32 236 SVAKODNEVNICA SVE JE VIŠE STVARI KOJE DOLAZE 42 SWEET HEREAFTER, THE 181

Š ŠAKE

189

T T BOY TAKLUB TAKVA SU PRAVILA TAPROBANA TAXI TEETH TESTAMENT THEEB THOSE WHO FEEL THE FIRE BURNING THREE BROTHERS TI MENE NOSIŠ TIE, THE TIGERS TIKKUN TITITÁ TLO POD NOGAMA TOTO ŞI SURORILE LUI TREBA BITI LAV

204 175 87 132 108 117 235 201 196 135 76 155 88 109 62 189 63 234

U U MRAKU 64 U POTRAZI ZA SNOM 65 ÜBER DIE JAHRE 67 77 UN ETAJ MAI JOS UNIDENTIFIED, THE 66 UROK 78 UTRIP LJUBEZNI 162 UZDAH ŽIVOTA SREBRENICA 234

V VARICELLA 118 VEJDA: ZAČARANI SVIJET VILA 236 VIAJE 110 VICTOR XX 125 VISKI I MLIJEKO 235 218 VOIX DE SREBRENICA, LES VRILO 192

W WATCHING THE BALL WAVES ‘98 WHAT THE NIGHT BRINGS WOLFPACK, THE WORLD OF TOMORROW WOYZECK WRONA

235 202 238 143 121 236 118

Z ZELENI ZIDOVI, CRNA HRANA 68 ZEVS 42 ZVIZDAN 33

Ž ŽIVELA SAM I JA TEBE ŽIVOT BICIKLISTE U TIRANI

237 236

A ADIL AFERIM! AGNES AIR-MAIL AMONG US AMONGST US AMY ANA SQUARE ANTBOY 2: REVENGE OF THE RED FURY ARAGANE ARARAT ARCHITECTURE

230 72 163 154 116 237 138 190 146 210 179 114

B BACK HOME BALAD BALCONY BEAT OF LOVE, THE BEAUTIFUL GIRL BEAUTY AND HER SMILE BIGGER PICTURE, THE BIKE LIVING IN TIRANA B-MOVIE: LUST & SOUND IN WEST-BERLIN 1979-1989 BOOGALOO AND GRAHAM BREATH OF LIFE SREBRENICA BUTCHERED: THE EXECUTION OF P.

24 237 235 162 159 233 133 236 94 133 234 171

C CAIN’S CHILDREN 56 CARMIN TROPICAL 208 CENTAUR 237 65 CHASING A DREAM CHEVALIER 25 119, 128 CHICKEN, THE CHICKENPOX 118 CHRONIC 80 CHUCK NORRIS VS COMMUNISM 48 139 CITIZENFOUR COACH 163 COBAIN: MONTAGE OF HECK 140 COFFEE 234 212 CONSUMMATE CROW, THE 118

D DAILY BREAD 130 DAMAGED GOODS 39, 235 DAY BY DAY 236 236 DAY IN, DAY OUT DEAD HAVE IT EASY, THE 191 DHEEPAN 81 DINOLA 126 DIPLOMAT, THE 216 DRAIN 203 DRIFTER 50

E ELEANOR 237 EMBRACE OF THE SERPENT 93 EMERGENCY CALLS 127 EMOTIONAL FUSEBOX 133 EMPTY NEST, THE 212 ENTANGLEMENT 27 EOHA 51 EVERY DAY 119 EXCEPTIONAL TALES FROM A YOUNG FEMALE TEAM. CHAPTER I: ARACHNIDS 122 EXOTICA 180

EXOTICA, EROTICA, ETC

52

F FATHER 40 FERDINAND KNAPP 114 FERNWEH 115 FIDELIO, ALICE’S JOURNEY 95 FILM SOUND 122 FINDING BOSNIA 231 FIRES ON THE PLAIN 102 FLOTEL EUROPA 53, 231 FOG OF SREBRENICA, THE 54, 232

G GENIZAH OF OUR DREAMS, THE 231 GERMAN YOUTH, A 141 GIOVANNI AND THE WATERBALLET 152 GIRL WALKS HOME ALONE AT NIGHT, A 96 GOOD NIGHT SARAJEVO 231 GOODNIGHT MOMMY 73 GRACE UNDER WATER 123 GRANDMOTHER 172 98 GREEN ROOM GREEN WALLS, BLACK FOOD 68

H HAND GESTURES HANDS HARM HEROES OF THE BATTLE FOR WOUNDED HERZEGOVINA HIGH SUN, THE HIND’S DREAM HOME HORIZON HOSPITAL INCOGNITO HOW TO SURVIVE A DAY

186 189 61 232 231 33 204 49 232 231 237

I I CAN SPEAK 232 I LIKE THAT SUPER MOST THE BEST 58 I LIVED YOU TOO 237 IMPERATIVE 236 IN THE CROSSWIND 105 IN THE DARK 64 INVISIBLE BOY, THE 150 INVISIBLE CHILD’S TRAP, AN 233 IRRATIONAL MAN 83

LOBSTER, THE LOST BUTTON LOST QUEENS

M MANJAČA 188 MARGARET 233 MARJAN HILL DAY 190 MATTER OF WILL, A 38 ME AND MY MOULTON 154 MILLION MILES AWAY, A 123 MINI AND THE MOZZIES 147 MINOR BORDER 59 MISSING SCARF, THE 129 MONKEY LOVE EXPERIMENTS 134 MULIGNANS 119 MUSTANG 28 MY DAD 134 160 MY SKINNY SISTER

N NARROW FRAME OF MIDNIGHT, THE 200 NELLY 164 NEXT TO ME 165, 222 74 NO ONE`S CHILD NO WORDS 236 235 NORA

O OBILIĆ FAMILY, THE ON SHAKY GROUND ONE DAY IN SARAJEVO ONE FLOOR BELOW ONE WAY TICKET OUR EVERYDAY LIFE OUT OF NATURE OVER THE YEARS

P

J

Q QUOTA

K KARMAN LINE, THE 134 KARST 57 KHALIL GIBRAN’S THE PROPHET 148 KILLING TIME 99

L LAST PERSPECTIVE 235 LAST WILL, THE 235 LAWES OF THE MARCHES, THE 115 LEAVES OF THE TREE 225 LESSON, THE 78 LET’S PLAY A STORY - THE GRASSHOPPER AND THE ANT 152 LIONHEART 234 LITTLE BEAR 191 LITTLE BIRD AND THE LEAF, THE 153 LITTLE BIRD AND THE SQUIRREL, THE 153 LITTLE BLOCK OF CEMENT WITH DISHEVELLED HAIR CONTAINING THE SEA 130

236 189 55, 232 77 235 29, 230 101 67

PACO DE LUCÍA: A JOURNEY 142 30 PANAMA PANTA RHEI 237 PAPER PLANES 149 116 PEBBLES AT YOUR DOOR PERFECT DAY, A 85 PHOENIX 104 PICNIC 165 173 POSSESSION PRIDE 131 PRINCE 161 PROJECT OF THE CENTURY, THE 103

JASMIN, 30 YEARS OLD, NOVEMBER

237

100 232 124

211

R RAMONA 40 RANDOM ACT OF KINDNESS, A 39 RATE ME 117 REMEMBER ME 233 124 RETURN OF ERKIN, THE RICKI AND THE FLASH 86 RICSI 41 ROAD TO REMEMBERANCE, THE 233 RUSSIAN 60, 233 RUSSIAN WOODPECKER, THE 106

S SABINA K. SARAJEVO 1914 SATURDAY SECOND MOTHER, THE SELF REFLECTION SEMIFINALS SERVICE SHARE SHELL SHIPWRECK

230 233 120 84 47, 230 188 174 125 122 131

SHOW OF SHOWS: 100 YEARS OF VAUDEVILLE, CIRCUSES AND CARNIVALS, THE 107 SIVAS 75 SLAP 135 SMILF 120 SON OF SAUL 31 151 SONG OF THE SEA SOUL TRAIN 234 SPACE 238 STILL GOT LIVES_ 128 STORM, THE 238 233 STORY OF ORIGIN SUMMER 2014 129 32 SUPERWORLD SWEET HEREAFTER, THE 181

T T BOY 204 TAKE ME 120 TAPROBANA 132 TAXI 108 TEETH 117 THESE ARE THE RULES 87 THOSE WHO FEEL THE FIRE BURNING 196 THOUSAND 221, 230 THREE BROTHERS 135 THROUGH MY LENS 46 THURSDAY 234 TIE, THE 155 TIGERS 88 TIKKUN 109 TITITÁ 62 TO BE OR NOT TO BE, IVAN HITI 231 TO THE HILT 220 TOTO AND HIS SISTERS 63 TRACES OF SANDALWOOD 187 TRANSLATOR, THE 38 175 TRAP TREASURE, THE 26 TUESDAY 41 164 TURNAROUND

FILMS - ENGLISH TITLE

10% 203 14+ 158 15 MINUTES - THE DVOR MASSACRE 217 2000 KILOMETERS 236 45 YEARS 92

U UNIDENTIFIED, THE

66

V VEJDA: ENCHANTED WORLD OF FAIRIES 236 VIAJE 110 VICTOR XX 125 VIRGIN MOUNTAIN 82 VOICES OF SREBRENICA, THE 218

W WALL 126 WATCHING THE BALL 235 WAVES ‘98 202 192 WELL WHALE VALLEY 127 WHAT THE NIGHT BRINGS 238 WHAT WILL BE, WILL BE 237 WHISKEY AND MILK 235 WHY HIDE LOVE 234 WITH MANY THINGS TO COME 42 WOLF 201 WOLFPACK, THE 143 WORLD OF TOMORROW 121 WOYZECK 236

Y YAKUZA APOCALYPSE YOU CARRY ME

97 76

Z ZEUS

42

FILMS - ENGLISH TITLE l 21. Sarajevo Film Festival 277

DIRECTORS

A

G

A. Hoppe Jörg Abrantes Gabriel Abu Nowar Naji Adler Ben Al Moadhadi Yousef Al Sahli Maryam Algora Olivier Alikadić Nedim Allen Woody Allers Roger Almási Tamás Amirpour Ana Lily Anderson Will Andree Škop Marina Armitage Marcus Audiard Jacques

94 132 201 163 203 204 231 47, 230 83 148 62 96 134 152 134 81

B Babić Nemanja Baldini Andrea Barbeau-Lavalette Anaïs Begović - Ćorić Sabrina Bešić Aid Bianco Pippa Bisić Ilda Borleteau Lucie Boulifa Fyzal Braun Ulu Brizzi Gaetan Brizzi Paul Brown Tom Bryld Vibeke Bubalo Robert Bussink Astrid

66 114 120 234 234 125 135 95 117 114 148 148 117 116 232 152

C Calugareanu Ilinca Chrobak Przemyslaw Jan Clerici Francesco Cohn Andrei Connolly Robert Crețulescu Andrei

48 118 186 24 149 40

Č Čečavac Aleksandar Čolak Ivo Ćatić Zoran

237 231 235

D Dagher Ely Davies Katie Davut Tunç de Aranoa Fernando León de Jong Sam Demirel Ziya Demme Jonathan Dinç Nefin Duffy Eoin Dujaković Goran

202 115 27 85 161 41 86 46 129 233

Đ Đukić Mladen Đurić Nenad Đurović Igor

235 221, 230 236

E Egoyan Atom 179, 180, 181 Emrić Eldar 60, 233 Erlingsson Benedikt 107 Escobar Mora Gonzalo 237 Espinoza Tom 122

F Fábrega Paz Favez Isabelle Fiala Severin Filipović Stevan Forshaw Mike Franco Michel Franz Veronika

110 154 73 222 120 80 73

278 21. Sarajevo Film Festival l DIRECTORS

G. Vesnakov Pavel 42, 131 Gamze Ergüven Deniz 28 Gananian Cesar 122 Ganesh Papanapattu 203 Garrido Ian 125 Gavrilović Jelena 42 Gegić Šemsudin 233 Gerö Marcell 56 Geyrhalter Nikolaus 67 Giæver Ole 101 Gjorgieva Sandra 68 Gracia Chad 106 Gratz Joan 148 Gray Daniel 117 Grozeva Kristina 78 Gruzsniczki Andrei 39 Gudmundsson Gudmundur Arnar 127 Guerra Ciro 93 Gulczynski Grant 212 Gunjak Una 119, 128 Guskova Maria 124 Gvozden Rijad 230

H Hadid Tala 200 Hachem Imad Antoine 203 92 Haigh Andrew Hajrić Emin 236 Hamzagić Nermin 39, 234, 235 Harib Mohammed Saeed 148 Hartl Dominik 159 234 Hasanović Ado Hasselbalch Ask 146 Hastrup Jannik 147 Helde Martti 105 Henderson Ainslie 134 116 Hendrikx Guido Hernaiz Pidal Marta 212 Hertzfeldt Don 121 Hodžić Azra 233 216 Holbrooke David Hopffgarten Adrian 231 41, 50 Hörcher Gábor Horvat Ivana 231 Hrgić Lida Lidija 231 Hube Idan 130 235 Huseinčehajić Amina

I Ibrahimović Damir Ilić Todorović Jelena

60, 233 236

J Jacobs Daisy 133 Jelinović Igor 190, 191 Josić Bojan 233 Jude Radu 72 76 Juka Ivona Juricic Merillán Ignacio 124 Jurilj Zdenko 231

K Kamerić Šejla Kapadia Asif Karanović Saša Kári Dagur Kasalica Dušan Kavić Anja Kayiş Emre Khan Aleem Khatchvani Mariam Kim Namsuk King Shaka Kleinmichel Martin Klier Julia Knibbe Morgan Kovacic Lisbeth

234 138 236 82 38 233, 236 38 135 126 211 119 235 236 131, 196 59

Kove Torill Kraljević Eva Kranioti Evangelia Krusen Cristóbal

154 58 52 230

L Lange Heiko Lanthimos Yorgos Larsen Georg Latić Hulusić Nejra Lawrence Anthony Lazić Branko Lenken Sanna Lennox Michael Lind Anja Lončarević Nedim López Navarrete Jorge

94 100 217 233 123 231 160 133 163 218 130

M Maeck Klaus 94 237 Makaj Petr Mandić Miroslav 235 Marin Edu 231 Markovics Karl 32 Matanić Dalibor 33 234 Mazalica Duško Mehanović Samir 54, 232 Mendoza Brillante 171, 172...175 Miike Takashi 97 Mirghani Suzannah 204 Mitrović Mladen 65 122 Molinié Flora Moore Tomm 148, 151 140 Morgen Brett Moselle Crystal 143 235 Moshkova Tatiana Moura Alexandre 122 Müjdeci Kaan 75 77 Muntean Radu Muylaert Anna 84

N Nagy Dénes Nanau Alexander Nanut Jasna Nemes László Niemczyk Aleksandra Nogari Fernando Novaković Ante Novaković Jelena

61 63 189 31 237, 238 237 225 190

O Oda Kaori

210

P Paley Nina Panahi Jafar Pavlović Jure Perezcano Rigoberto Périot Jean-Gabriel Perović Vladimir Petersen Anton Petković Boris Petzold Christian Pevec Metod Pirtskhalava Davit Pivić Jasmin Plympton Bill Poitras Laura Popov Stole Porumboiu Corneliu Prus Marta

148 108 165 208 141 51 237 162 104 49 40 235 148 139 220 26 165

Q Quintela Carlos Quist Møller Flemming

103 147

R Raiber Chris Ramadan Ivan Rappo Mélanie

164 235 237

Reeder Jennifer Reljić Aleksandar Ripoll Maria Ristić Marija Risuelo Fulvio Rowland Nick Ršumović Vuk

123 232 187 66 118 135 74

S Salvatores Gabriele Sánchez Curro Sarić Esma Saulnier Jeremy Selimović Adi Sendijarević Ena Seyler Jan-Gerrit Sfar Joann Sharp Oscar Shaw Frankie Sivan Avishai Skenderagić Mirza Sobczyk Wojciech Socha Michal Spitzer Gabe Stanarević Ana Stanković Goran Suni Aino Suwichakornpong Anocha Sviličić Ognjen Szabó Simon

150 142 237 98 236 115 128 148 134 120 109 232 129 148 119 236 63 164 234 87 126

Š Šabić Lamia Šarić Matea Šipka Marko Šoban Tomislav Šušnjar Ivan

233 191 232 188 192

T Tanović Danis Tanović Ines Tarokić Sonja Tasic Anastasia Todorović Vladimir Tomić Vladimir Tonković Renato Triboulet Lea Tsangari Athina Rachel Tsukamoto Shinya Tunnard Rachel Turpin André

88 29, 230 189 235 57 53, 231 232 238 25 102 133 120

V Valchanov Petar Vartiainen Hannes Vedsmand Kasper Vega Gustavo Veikkolainen Pekka Vold Marte von Döhren Lena Vrombaut An Vučković Pavle Vukadin Marijo

78 127 217 238 127 101 153 155 30 232

W Wisshaupt - Claudel Lydie

99

Z Zaytsev Andrey

158

Ž Žanić Tin Žbanić Jasmila Živanović Katarina

188 55, 232 237