23rdsff Catalogue by Sarajevo Film Festival

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06/06/2017

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KATALOG / CATALOGUE

GLAVNI SPONZORI

EKSKLUZIVNI SPONZORI

REALIZOVAN UZ PODRÅ KU

FESTIVALSKI PARTNER

KATALOG / CATALOGUE Urednik / Editor Lana Krstić Izvori / Sources Bakir Milić, Lana Krstić, Altijana Marić Đorđević, Asja Krsmanović Prevod / Translation Sabina Nikšić Lektura / Proofreading Jasna Kovo (bosanski jezik / Bosnian) Nicolas Davies (engleski jezik / English) Grafičko oblikovanje i DTP / Graphic design and DTP BOOM! Produkcija Štampa / Print BLICDRUK d.o.o. Sarajevo Tiraž / Print run 2000

SARAJEVO FILM FESTIVAL Zelenih beretki 12, 71000 Sarajevo, Bosna i Hercegovina Tel. +387 33 209 411; +387 33 221 516, Fax. + 387 33 263 381 programmes@sff.ba, www.sff.ba 4

23. Sarajevo Film Festival l IMPRESSUM

Sadržaj / Contents

7 Festival Introduction 8 Žiri / Jury 21 Nagrade / Awards 23 Takmičarski program – igrani film / Competition Programme – Feature Film 37 Takmičarski program – kratki film / Competition Programme – Short Film 47 Takmičarski program – studentski film / Competition Programme – Student Film 59 Takmičarski program – dokumentarni film / Competition Programme – Documentary Film 77 U fokusu / In Focus 87 Open Air 97 Kinoscope 119

Shorts European Shorts Short Matters! Tour 2017 Cinefondation Cannes: Winners 2017 Zagreb Film Festival – najbolje od Kockica / Best Of Checkers

143 Summer Screen 151 Posvećeno / Tribute to Joshua Oppenheimer Oliver Stone 167 Dječiji program / Children’s Programme 185 TeenArena 195 Human Rights Day 201 Suočavanje s prošlošću / Dealing with the Past 209 Sarajevo Film Festival Partner Presents Doha institut za film / Doha Film Institute Made in Qatar 2017 219 Pretpremijere / Avant Premiere 225 Specijalne projekcije / Special Screenings 229 BH Film Programme 245 Sponzori / Sponsors 277 Hvala / Thank You 278 Index – Films 280 Index – Directors 281 Festival Team

CONTENTS l 23. Sarajevo Film Festival

GLAVNI SPONZORI

EKSKLUZIVNI SPONZORI

FESTIVALSKI PARTNER

REALIZOVAN UZ PODRŠKU

ZLATNI SPONZORI

ZVANIČNI IT DOBAVLJAČ

ZVANIČNO VINO

ZLATNI SPONZORI

SREBRENI SPONZORI

PARTNERI

INTERNACIONALNI PARTNER

TEHNIČKA PODRŠKA

23. Sarajevo Film Festival l SPONZORI

PODRŠKA

ZVANIČNA ZAŠTITARSKA AGENCIJA

ZVANIČNI PREVOZNIK FILMOVA

Dobrodošli na 23. Sarajevo Film Festival / Welcome to the 23rd Sarajevo Film Festival U istoriji svakog filmskog festivala postoje godine koje se posebno pamte. Gledaoci ih obično pamte po filmovima i gostima koji su označili pojedinu godinu. Mi, koji osmišljavamo i realiziramo ovaj događaj, posebno pamtimo godine u kojima smo pomicali granice, uvodili nove programe i razvijali Festival do veličine i kvaliteta kakvog poznajete danas.

E In the history of any film festival, there are especially memorable years. Audiences often remember festival editions by films and festival guests; for those of us who organize the Sarajevo Film Festival, the remarkable years are those when we push limits, introduce new sections and grow the Festival in size and calibre.

Izdvojit ću neke od godina koje su, po mom mišljenju, bile presudne za njegov razvoj. Sve je počelo 1995. Bio je to veliki povratak celuloidne trake u opkoljeno Sarajevo bez struje, vode, grijanja i hrane. Organizacija Festivala uslijedila je kao prirodni nastavak onoga što smo građanima Sarajeva nudili u godinama opsade, počevši od 1993. godine, kada smo u našem «ratnom kinu», u podrumu Akademije scenskih umjetnosti, organizirali filmske projekcija sa VHS traka. Danas se u tom istom prostoru odvija sedmodnevni program Talents Sarajevo, koji smo uz pomoć Berlinalea započeli 2007. i koji je namijenjen najtalentovanijim mladim stvaraocima regije.

Some years were particularly important for our growth. It all started in 1995, the year celluloid truly returned to besieged Sarajevo, where people were living without electricity, running water, heating or food. The decision to organise a film festival was a natural extension of what we had been offering to the citizens of Sarajevo during the siege. We started in 1993 by transforming the basement of the Academy of Dramatic Arts into a “war cinema”, where we projected VHS tapes of films. It is in that same space that we now organise a week-long Talents Sarajevo programme, which we launched in 2007 with the support of Berlinale Talents to serve our region’s most talented young filmmakers.

Godine 1996. Festival je dobio svoje prepoznatljive lokacije, koje će postati svojevrsni prostorni logotip Sarajevo Film Festivala i našeg grada. Zahvaljujući izuzetnom zalaganju članova SFF tima i brojnih ljubitelja filma koji su svojim donacijama omogućili izgradnju i opremanje dvije lokacije, te godine gledaoci su mogli uživati u projekcijama u otvorenom kinu u dvorištu Prve gimnazije (Ljetno kino Raiffeisen) i kinu Meeting Point. Uslijedile su godine u kojima smo kreirali programske cjeline koje postoje i danas i čine SFF prepoznatljivim širom Evrope i svijeta. Godine 2000. pokrenut je program «Posvećeno» koji je našoj publici u goste doveo neke od najznačajnijih filmskih autora današnjice. Oni su svojim prisustvom, dijeleći svoje znanje i talenat, dali puni smisao našem nastojanju da inspirišemo nove generacije filmskih stvaralaca Jugoistočne Evrope. Nastojanje da u prvi plan stavimo mlade autore iz regije (Jugoistočne Evrope) konačno je 2003. godine dobilo svoju punu formu u obliku Takmičarskog programa, za igrane i kratke filmove. Iste godine pokrenut je i CineLink koprodukcijski market, kao izraz težnje da regionalnim kreativnim snagama damo izravnu pomoć na putu do realizacije novih filmskih projekata. Godine 2006, uvažavajući činjenicu da naša regija njeguje izvanredno zanimljivu i uspješnu tradiciju dokumentarnog filma, takmičarskim programima dodata je i ova sekcija. Počevši od 2008, u okviru projekta Sarajevo Grad Filma, u nekoliko narednih godina producirali smo 26 kratkih filmova – sa željom da pružimo mogućnost za praktični rad i potaknemo networking učesnika Talents Sarajevo. Snažan razvoj CineLink koprodukcijskog marketa ukazao je na potrebu upotpunjavanja priče o razvoju regionalne filmske prakse. On je danas evoluirao u CineLink Industry Days kojem se, uz koprodukcijski market, dodaju specijalizovani potprojekti, kao što su Regionalni Forum, Work in progress, Docu Rough Cut Boutique, Avantpremiers te CineLink Drama. Danas, pred nama je novi format Festivala koji je nastao kao rezultat nastojanja da integrišemo njegove segmente programiranja, industrije i treninga. Ovi segmenti su sada čvrsto uvezani između sebe u sedam dana intenzivnog djelovanja. Osmi dan festivala ostavljen je za uživanje u filmovima koje će stručni žiri i sarajevska publika odrediti kao one koje vrijedi ponovo gledati. Za Srce Sarajeva, od ove godine, borit će se i najmlađi regionalni autori u okviru novog Takmičarskog programa koji je posvećen budućnosti sedme umjetnosti – današnjim studentima filma. Uživajte u projekcijama, druženju i razgovorima s autorima koje ove godine predvode naši uvaženi gosti John Cleese, Oliver Stone, Joshua Oppenheimer i Michel Franco.

In 1996, we moved to locations that have become symbols of the Festival and of Sarajevo itself. Thanks to the efforts of members of the SFF team and film-lovers who donated funds to construct and equip two screening locations, that year audiences were able to enjoy film projections in an outdoor cinema set up in the playground of the First Sarajevo Grammar School – today, the Raiffeisen Open Air Cinema – and at the Meeting Point Cinema. Over the following years, we developed programme sections that continue today, and that make the Festival recognisable throughout the world. In 2000, we launched the “Tribute to...” section, which has brought prominent contemporary filmmakers to Sarajevo to meet with our audiences. Through their presence and their sharing of their knowledge and talent, these guests have contributed to our mission of inspiring new generations of filmmakers in Southeast Europe. Our resolve to focus on young auteurs from Southeast Europe and the Southern Caucasus came to fruition in 2003, when we introduced competition sections for short and feature-length films. That same year, we initiated the CineLink Co-Production Market to fulfil our goal of helping members of the regional creative community in making new films. In 2006, honouring the lengthy and successful documentary-making tradition of our region, we introduced a competition section for non-fiction films. Since 2008, when we launched the Sarajevo City of Film project, we have produced 26 short films, offering Talents Sarajevo participants the practical experience and networking opportunities. The significant interest in the CineLink Co-Production Market indicated that more needed to be done to help the growth of regional cinema. The market evolved into today’s CineLink Industry Days, which now incorporates a number of specialised sub-projects: Regional Forum, Work in Progress, Docu Rough Cut Boutique, Avant Premieres and CineLink Drama. Now, the Festival has developed a new format to integrate its programming, industry and coaching arms, which are now intertwined during the seven days of the Festival and its Industry Days. The eighth day of the Festival is reserved for enjoyment, featuring repeat screenings of films that our juries and audiences believe deserve to be seen again. As of this year, our youngest auteurs – the film students of our region – compete for the Heart of Sarajevo Awards in a new competition section dedicated to the future of regional cinema. Enjoy the festival screenings, social events and discussions with this year’s guests, among them John Cleese, Michel Franco, Joshua Oppenheimer and Oliver Stone. U ime SFF tima / On behalf of the SFF team, Mirsad Purivatra FESTIVAL INTRODUCTION l 23. Sarajevo Film Festival

Žiri Takmičarskog programa – igrani film / Competition Programme Jury – Feature Film

23. Sarajevo Film Festival l ŽIRI

MICHEL FRANCO Reditelj/Scenarista/Producent (Meksiko) / Director/Writer/Producer (Mexico)

PREDSJEDNIK ŽIRIJA Michel Franco rođen je u Mexico Cityju 1979. Postigao je značajan uspjeh s filmovima na kojima je radio kao scenarista, reditelj i producent, među kojima se izdvajaju AFTER LUCIA, koji je 2012. godine proglašen najboljim filmom programa Un Certain Regard Filmskog festivala u Cannesu, i CHRONIC, s kojim je 2015. godine u Cannesu osvojio nagradu za najbolji scenarij. Kao producent radio je na filmu 600 MILES reditelja Gabriela Ripsteina, koji je 2015. na Međunarodnom filmskom festivalu u Berlinu osvojio Nagradu za najbolji debitantski igrani film, te filmu FROM AFAR reditelja Lorenza Vigasa, koji je 2015. osvojio nagradu Zlatni lav Filmskog festivala u Veneciji. Njegov posljednji film, APRIL´S DAUGHTER / AVRILINE KĆERI, prikazan je u takmičarskom programu ovogodišnjeg Filmskog festivala u Cannesu, gdje je osvojio Nagradu žirija programa Un Certain Regard. U sklopu vlastite kompanije Lucia Films, Franco trenutno priprema nekoliko igranih i TV projekata.

E PRESIDENT OF THE JURY Michel Franco was born in Mexico City in 1979. He has won critical acclaim for the films he has written, directed and produced, among them AFTER LUCIA, which won the award for Best Film in the Un Certain Regard section of the Cannes Film Festival in 2012, and CHRONIC, which took the Best Screenplay award at Cannes in 2015. Franco produced Gabriel Ripstein’s 600 MILES, winner of the Best First Feature award at the Berlin International Film Festival in 2015, and Lorenzo Vigas’s FROM AFAR, which took the Golden Lion at the Venice Film Festival in 2015. His most recent work, APRIL´S DAUGHTER, was part of the Official Selection of the Cannes Film Festival in 2017, where it won the Un Certain Regard Jury Prize. Through his company Lucía Films, he is currently developing several feature-length films and television projects.

JURY l 23. Sarajevo Film Festival

MARK ADAMS Umjetnički direktor Međunarodnog Filmskog Festivala u Edinburghu (Velika Britanija) / Artistic Director of The Edinburgh International Film Festival (UK)

GORAN BOGDAN Glumac (Bosna i Hercegovina, Hrvatska) / Actor (Bosnia and Herzegovina, Croatia)

10 23. Sarajevo Film Festival l ŽIRI

Mark Adams od 2015. godine obavlja funkciju umjetničkog direktora Međunarodnog filmskog festivala u Edinburghu. Prethodno je radio kao glavni filmski kritičar za cijenjeni stručni časopis Screen International, a filmske kritike je pisao i za britanski list The Sunday Mirror. Adams kao filmski kritičar već 25 godina prisustvuje većini vodećih filmskih festivala širom svijeta, a u tom periodu pisao je za Variety, The Hollywood Reporter i Moving Pictures International, kao i za značajan broj novinskih publikacija u Velikoj Britaniji. Adams ima bogato iskustvo rada u filmskoj industriji. Šest godina je bio šef Odjela za planiranje programa Nacionalnog kina u Londonu, a također je obnašao i funkciju direktora Odjela za film Instituta za modernu umjetnost (ICA) u Londonu. Adams je bio selektor na više filmskih festivala i konsultant niza filmskih organizacija.

E Mark Adams is Artistic Director of the Edinburgh International Film Festival, having joined the team in 2015. Previously, he was Chief Film Critic for the respected film trade paper Screen International and was also a film critic for The Sunday Mirror in the UK. He attends most of the key international film festivals; as a film journalist and reviewer for more than 25 years, he has written for Variety, The Hollywood Reporter and Moving Pictures International, as well as for many national newspapers in the UK. Adams has also worked extensively in the film industry: he was Head of Programming at the National Film Theatre in London for six years; Director of Cinema at the Institute of Contemporary Arts in London; and has programmed for film festivals around the world, as well as acting as a consultant for various film organisations.

Goran Bogdan rođen je 1980. godine u Širokom Brijegu, Bosna i Hercegovina. Od 2005. do 2012. godine, kada je stekao zvanje magistra, studirao je na Akademiji dramske umjetnosti u Zagrebu. Bogdan je od 2010. godine stalni član Zagrebačkog kazališta mladih gdje je ostvario niz uloga u predstavama većeg broja značajnih reditelja, koje su izvođene širom svijeta. Pažnju filmske javnosti privukao je ulogama u filmovima Kristijana Milića BROJ 55 (2014), Vlatka Vorkapića SONJA I BIK (2012) i segmentu HRVATSKA PRIČA rediteljice Ivone Juke u filmskom omnibusu NEKE DRUGE PRIČE (2010).

E Goran Bogdan was born in 1980 in Široki Brijeg, Bosnia and Herzegovina. He studied at the Academy of Dramatic Arts in Zagreb from 2005 until 2012, when he received his Master’s degree. Bogdan has been a permanent member of the Zagreb Youth Theatre company since 2010, and has appeared in a number of plays staged internationally by prominent theatre directors. His notable appearances on film include roles in Kristijan Milić’s NUMBER 55 (2014), Vlatka Vorkapić’s SONJA AND THE BULL (2012) and Ivona Juka’s CROATIAN STORY, part of the omnibus film SOME OTHER STORIES (2010).

FATMA AL REMAIHI Direktorica Doha Film Instituta (Katar) / Chief Executive Officer of Doha Film Institute (Qatar)

MELISA SÖZEN Glumica (Turska) / Actress (Turkey)

Fatma Al Remaihi rođena je i živi u Dohi. Diplomirala je englesku književnost na Univerzitetu u Kataru. Funkciju direktorice Doha film instituta obavlja od decembra 2014. godine, a istovremeno je i direktorica inicijative Qumra i Festivala omladinskog filma Ajyal – godišnjih filmskih programa u organizaciji Instituta. Radila je kao kulturna savjetnica na prvom izdanju Doha Tribeca film festivala, a zatim se pridružila Institutu odmah nakon njegovog osnivanja 2009. godine na funkciji voditeljice Odjela za odnose sa javnošću. Al Remaihi je bila inicijatorica uspostave strateškog partnerstva s Filmskim festivalom Giffoni, čiji je model žirija sastavljenog od mladih filmskih stručnjaka poslužio kao predložak za Festival omladinskog filma Ajyal.

E Fatma Al Remaihi, born and raised in Doha, graduated from Qatar University with a degree in English Literature. She was appointed CEO of the Doha Film Institute in December, 2014, and also serves as Director of the Institute’s annual film events, Qumra and the Ajyal Youth Film Festival. After fulfilling the role of Cultural Advisor to the first edition of the Doha Tribeca Film Festival, Al Remaihi joined the Institute at its inception in 2009 to lead a Community Outreach team. She was the driving force behind the establishment of a strategic partnership between the Institute and the Giffoni Film Festival, whose youth jury model informs the Ajyal Youth Film Festival.

Melisa Sözen rođena je u Istanbulu. Obrazovanje je stekla na Visokoj školi za lijepe umjetnosti, a filmsku karijeru započela je u svojoj 14. godini. Sözen je postala poznata po ulozi u filmu WINTER SLEEP, rediteljskom ostvarenju Nurija Bilgea Ceylana nagrađenom Zlatnom palmom Filmskog festivala u Cannesu, te ulogama u filmovima WAITING FOR HEAVEN reditelja Dervişa Zaima i HUNTING SEASON reditelja Yavuza Turgula. Osvojila je više značajnih nagrada za pozorišne i filmske uloge. Trenutno živi na relaciji između Francuske i Turske, a nedavno je sarađivala sa Erichom Rochantom na TV seriji LE BUREAU DES LEGENDS.

E Melisa Sözen was born in Istanbul. She graduated from a fine arts high school, and started her career in a musical at the age of fourteen. As an actor, she is well-known for roles in Nuri Bilge Ceylan’s Palme d’Or-winning WINTER SLEEP, Derviş Zaim’s WAITING FOR HEAVEN and HUNTING SEASON by Yavuz Turgul. Sözen is also an award-winning theatre and television actor. She now lives in France and Turkey, and recently collaborated with Eric Rochant for the television series LE BUREAU DES LEGENDS.

JURY l 23. Sarajevo Film Festival 11

Žiri Takmičarskog programa – kratki film / Competition Programme Jury – Short Film

12 23. Sarajevo Film Festival l ŽIRI

IGOR DRLJAČA Producent i reditelj (Bosna i Hercegovina) / Producer and Director (Bosnia and Herzegovina)

MILICA TOMOVIĆ Rediteljica (Srbija) / Director (Serbia)

FLORIAN WEGHORN Menadžer programa Berlinale Talents (Njemačka) / Programme Manager of Berlinale Talents (Germany)

Igor Drljača rođen je u Sarajevu, a od 1993. godine živi u Kanadi. Zvanje magistra filmske produkcije stekao je na Univerzitetu York. Autor je niza nagrađivanih kratkih filmova, uključujući filmove ŽENA U LJUBIČASTOM i KAKO SAM ZAPALIO SIMONA BOLIVARA, koji su prikazani na više od sto filmskih festivala. Njegov izuzetno dobro primljen dugometražni igrani film KRIVINA premijerno je prikazan na Međunarodnom filmskom festivalu u Torontu 2012. Dvije godine kasnije, koproducirao je film Alberta Shina U NJENOJ KOŽI. Njegov drugi dugometražni film, ČEKAONICA, premijerno je prikazan na Filmskom festivalu u Locarnu, a sjevernoameričku premijeru imao je na Međunarodnom filmskom festivalu u Torontu.

E Igor Drljača was born in Sarajevo, and has lived in Canada since 1993. He completed his Master’s Degree in Film Production at York University. His award-winning short films include WOMAN IN PURPLE and THE FUSE: OR HOW I BURNED SIMON BOLIVAR, which have screened at hundreds of festivals. His critically acclaimed feature film KRIVINA premiered at the Toronto International Film Festival in 2012. In 2014, he co-produced Albert Shin’s IN HER PLACE. THE WAITING ROOM, his second feature, premiered at the Festival del Film Locarno and had its North American premiere at TIFF.

Milica Tomović diplomirala je na Fakultetu dramskih umetnosti u Beogradu s omnibusom OKTOBAR, na kojem je radila s kolegama iz klase. Film je prikazan na brojnim filmskim festivalima, uključujući festivale u Cottbusu, Trstu i Sofiji, kao i festivale Isola Cinema i LIFFe, a osvojio je i Specijalnu nagradu na Festivalu Cinema City u Novom Sadu. Akademija filmske umetnosti i nauke Srbije proglasila je Tomovićkin segment u omnibusu OKTOBAR, pod naslovom DIPLOMIRANJE, jednim od najboljih kratkih filmova snimljenih u Srbiji u posljednje tri godine. Godine 2016. snimila je kratki film TRANZICIJA, koji je premijerno prikazan na Filmskom festivalu u Locarnu, a sjevernoameričku premijeru imao je na Međunarodnom filmskom festivalu u Torontu. Film je osvojio Zlatnu povelju na Festivalu dokumentarnog i kratkog filma u Beogradu, nagradu za najbolju režiju na Međunarodnom festivalu kratkog filma na Kipru, nagradu za najbolji kratki domaći film na Međunarodnom festivalu queer filma Merlinka u Beogradu, a također je proglašen i najboljim filmom u programu Hrabri Balkan Festivala autorskog filma u Beogradu.

E Milica Tomović graduated from Academy of Dramatic Arts in Belgrade with the omnibus film OCTOBER, which she made together with her classmates. The film was shown in Cottbus, Trieste, Sofia Film Meetings, Isola Cinema and LIFFe, as well as at other festivals. The film received a Special Mention at Cinema City – Novi Sad. GRADUATION, her segment in OCTOBER, was nominated as one of the best short films made in Serbia in the previous three years by the Serbian Academy of Motion Pictures and Sciences. In 2016, she finished her short film TRANSITION, which had its international premiere at the Festival del Film Locarno and its North American premiere at the Toronto International Film Festival. The film won the Golden Plaque at the Belgrade Documentary and Short Film Festival, the Heart of Sarajevo for Best Short Film at the Sarajevo Film Festival, the Best Director Award at the International Short Film Festival of Cyprus, was named best film in the Brave Balkans section at the Auteur Film Festival in Belgrade and the award for Best Short Film in the national selection at the Merlinka International Queer Film Festival in Belgrade.

Florian Weghorn, voditelj programa Berlinale Talents, zadužen je za organizaciju godišnjeg okupljanja i profesionalnog usavršavanja perspektivnih filmskih radnika, a također je savjetnik nekoliko inačica programa Berlinale Talents koji se organizuju širom svijeta. Godine 2002. Weghorn se pridružio Međunarodnom filmskom festivalu u Berlinu, a na početku je radio za program Generations. Od 2008. do 2014, bio je jedan od direktora programa Generations i selektor za kratki i igrani film. Weghorn je član odbora za odabir filmova za takmičarski program festivala. Radi kao autor i urednik za više publikacija posvećenih filmu i kulturi mladih.

E Florian Weghorn is the Programme Manager of Berlinale Talents, where he is responsible for the annual summit and talent development event, and serves as the programme advisor for the seven offshoots of Berlinale Talents that take place around the world. He joined the Berlin International Film Festival in 2002, initially working for the Generations section. From 2008 to 2014, he served as the section’s co-director, and as a curator of short and feature-length films. Weghorn is a member of the selection committee for the Berlinale Competition. Weghorn is the author and editor of several publications addressing film and youth culture.

JURY l 23. Sarajevo Film Festival 13

Žiri Takmičarskog programa – studentski film / Competition Programme Jury – Student Film

14 23. Sarajevo Film Festival l ŽIRI

BOAZ FRANKEL Reditelj i montažer (Izrael) / Director and Editor (Israel)

Boaz Frankel rođen je 1985. u gradu Herzliya, Izrael. Diplomirao je na Filmskoj školi Sam Spiegel u Jerusalemu 2016. godine, a videoumjetnost je studirao na Akademiji za umjetnost i dizajn Bezalel. Njegov prvi film, THE MESSENGER, koji je režirao zajedno s Yairom Agmonom, bio je dio velikog školskog projekta zajedničkog naslova FOOTSTEPS IN JERUSALEM, koji je prikazan širom svijeta. Njegov diplomski film, 212, osvojio je Nagradu za najbolji studentski kratki film na Međunarodnom filmskom festivalu u Haifi, a prikazan je i na brojnim drugim filmskim festivalima. Frankel trenutno radi kao montažer na dva izraelska igrana filma, a prethodno je – tokom i po okončanju studija – montirao niz nagrađivanih kratkih filmova.

E Boaz Frankel was born in 1985 in Herzliya, Israel. He graduated from the Sam Spiegel Film School, Jerusalem, in 2016, and studied Video Art at the Bezalel Academy of Arts and Design. His first film, THE MESSENGER (co-directed with Yair Agmon), was part of the large school project FOOTSTEPS IN JERUSALEM, which screened all over the world. During his studies, he also made the short film ONE LAST MEMORY. His diploma film, 212, was named Best Student Short at the Haifa International Film Festival, and was screened in numerous other festivals. Frankel is currently editing two Israeli feature films, and also edited many other award-winning short films during and after his studies.

GUILLAUME DE SEILLE Producent, Arizona Productions (Francuska) / Producer, Arizona Productions (France)

Guillaume de Seille rođen je 1968. u Francuskoj. Nakon što je po vlastitom scenariju režirao dva nagrađivana kratka filma, deset je godina radio pri Odjelu za film francuske kablovske televizije Canal+, gdje je bio zadužen za pretprodaju francuskih i evropskih filmova. Nekoliko godina radio je kao direktor za nabavku programa pri Odjelu za kratki film Canala+, a bio je angažovan i kao umjetnički producent francuskog javnog emitera France 2. De Seille je učesnik EAVE trening programa, član Evropske filmske akademije, Azijsko-pacifičke filmske akademije, te akademija Cesar i SPI u Francuskoj. Direktor je producentske kuće Arizona Productions, sa sjedištem u Parizu, koja prvenstveno producira dugometražne art-house filmove perspektivnih inostranih filmskih autora.

E Guillaume de Seille was born in 1968 in France. After writing and directing two awardwinning short films, he worked for ten years in the cinema department of Canal+, where he dealt with presales of French and European films. He was also a commissioning editor for a number of years in the short film department of Canal+, and an artistic producer for the French public broadcaster France 2. De Seille is an EAVE graduate, and a member of the European Film, Academy, the Asia-Pacific Screen Academy, the César Academy and SPI, an international education organization, in France. He is the head of Arizona Productions, a Paris-based company that mainly produces art-house feature-length films directed by emerging non-French talents.

Teona Strugar Mitevska rođena je 1974. u Skoplju, Makedonija. Mitevska je 2001. godine stekla zvanje magistrice filmske umjetnosti na prestižnoj Tisch školi za umjetnost Univerziteta u New Yorku. Njen debitantski kratki film VETA osvojio je Specijalnu nagradu žirija Filmskog festivala u Berlinu, a njen prvi dugometražni igrani film HOW I KILLED A SAINT prikazan je na više od 50 filmskih festivala i osvojio je niz nagrada širom svijeta. Njen drugi igrani film I AM FROM TITOV VELES prikazan je na više od 80 filmskih festivala širom svijeta i osvojio je preko 20 nagrada, uključujući Specijalnu nagradu žirija Sarajevo Film Festivala. Film je 2008. i 2009. godine uvršten u kino repertoar u 15 zemalja. Njen posljednji film KADA DAN NIJE IMAO IME premijerno je prikazan na ovogodišnjem Filmskom festivalu u Berlinu u okviru programa Panorama, a publika 23. Sarajevo Film Festivala će ga moći pogledati u programu U fokusu.

E Teona Strugar Mitevska was born in 1974 in Skopje, Macedonia. In 2001, she finished the Master of Film Arts programme at New York University’s prestigious Tisch School of the Arts. She made her directorial debut in 2001 with the short film VETA, which received the Special Jury award at the Berlin International Film Festival. Her first feature-length film, HOW I KILLED A SAINT, travelled to more than 50 film festivals and won numerous prizes around the world. Her second film, I AM FROM TITOV VELES, was theatrically released in 15 countries in 20082009, and was screened in the official competition of the Sarajevo Film Festival, where it won a Special Jury Award. The film was invited to more than 80 festivals around the world and won more than 20 international awards. Her latest film WHEN THE DAY HAD NO NAME premiered in the Panorama section at the 2017 Berlinale and will be screened in the In Focus section at the 23rd Sarajevo Film Festival.

TEONA STRUGAR MITEVSKA Rediteljica (Makedonija) / Director (Macedonia)

JURY l 23. Sarajevo Film Festival 15

Žiri Takmičarskog programa – dokumentarni film / Competition Programme Jury – Documentary Film

16 23. Sarajevo Film Festival l ŽIRI

CLAAS DANIELSEN Glavni izvršni direktor Filmskog Fonda „Mitteldeutsche Medienförderung Gmbh” (Mdm) (Njemačka) / Ceo of Mitteldeutsche Medienförderung Gmbh (Mdm) (Germany)

GITTE HANSEN Zamjenica direktorice filmske kompanije „First Hand Films” (Švicarska) / Deputy Director of First Hand Films (Switzerland)

ŽELIMIR ŽILNIK Reditelj (Srbija) / Director (Serbia)

Claas Danielsen rođen je 1966. u Hamburgu. Autor je više dokumentaraca od kojih su neki nagrađivani i prikazani na brojnim međunarodnim filmskim festivalima, te emitovani u programu niza evropskih TV kuća. Danielsen od 1999. obavlja dužnost akademskog direktora Discovery kampusa (u međuvremenu preimenovanog u Dokumentarni kampus). Od 2004. do 2014. bio je umjetnički i generalni direktor Međunarodnog festivala dokumentarnog i animiranog filma DOK Leipzig, koji je pod njegovim vodstvom prerastao u jedan od vodećih svjetskih festivala dokumentarnog filma. Od 2016. godine radi kao generalni direktor regionalnog filmskog fonda „MDM Mitteldeutsche Medienfoerderung” za njemačke savezne države Saxony, SaxonyAnhalt i Thuringia. Član je i konsultant Evropske filmske akademije, član odbora Balkanskog dokumentarističkog centra, a također je bio i član žirija selekcijskih odbora više njemačkih fondacija za film i medije.

E Claas Danielsen was born in 1966 in Hamburg. He has made seven documentaries, of which several were shown extensively at festivals, won international awards and were sold to European broadcasters. In 1999, Danielsen became Head of Studies of Discovery Campus (now Documentary Campus). From 2004 through 2014, he was Artistic and Managing Director of DOK Leipzig, the International Leipzig Festival for Documentary and Animated Films, which he developed into a leading international documentary festival. In 2016, he was appointed Managing Director of the MDM Mitteldeutsche Medienfoerderung, the regional film fund serving Saxony, Saxony-Anhalt and Thuringia. He is a member of and an advisor to the European Film Academy, a board member of the Balkan Documentary Centre, and has served on numerous international festival juries and the selection committees of various German film and media funds.

Gitte Hansen zamjenica je direktorice produkcijske kompanije First Hand Films (FHF). Svakodnevno sarađuje na razvoju filmskih projekata, a također radi kao izvršna producentica, osoba zadužena za finansiranje i prezentaciju projekata, razvoj marketinških strategija, akvizicije i prodaju dokumentarnih filmova i TV serija. U posljednje vrijeme radila je kao izvršna producentica na filmovima NOTHING IS FORGIVEN, JAHA’S PROMISE, PRESENTING PRINCESS SHAW i AMBULANCE. Konsultantica je, predavačica i moderatorica na događajima kao što su Nordic Forum, DOK. incubator, EDN filmske prezentacije i radionice širom Evrope, Pitching du Réel, IDFA, Ex Oriente i Greenhouse. Hansen je bila članica žirija na nekoliko međunarodnih filmskih festivala, a zvanje magistrice filma i retorike stekla je na Univerzitetu u Kopenhagenu.

E Gitte Hansen is Deputy Director of First Hand Films. She works on a daily basis with project development, executive producing, financing and packaging, marketing strategy, sales and acquisition of non-fiction films and series. Recent titles she executive-produced for First Hand include NOTHING IS FORGIVEN, JAHA’S PROMISE, PRESENTING PRINCESS SHAW, AMBULANCE. She serves as a consultant, lecturer and moderator at events such as the Nordic Forum, DOK.incubator, EDN pitches and workshops around Europe, Pitching du Réel, IDFA, Ex Oriente and Greenhouse. Hansen has served on several juries at international film festivals and holds a Master’s degree in Film and Rhetoric from the University of Copenhagen.

Želimir Žilnik međunarodno je priznat reditelj igranih i dokumentarnih filmova i jedan od začetnika žanra doku-drame. Poznat je po filmovima koji su posvećeni savremenim temama i kritički se osvrću na društvena, politička i ekonomska zbivanja. Tema njegovog prvog dugometražnog filma, RANI RADOVI, s kojim je osvojio nagradu Zlatni medvjed Filmskog festivala u Berlinu, bile su studentske demonstracije 1968. godine. Žilnik sredinom sedamdesetih godina prošlog vijeka napušta Jugoslaviju gdje je bio suočen sa cenzurom. Po povratku u Jugoslaviju osamdesetih godina prošloga vijeka, Žilnik režira nekoliko popularnih televizijskih dokudrama, uključujući drame BRUKLIN GUSINJE i STARA MAŠINA, koje su nagovijestile skori raspad Jugoslavije i buđenje nacionalizama. Tokom devedesetih godina prošlog vijeka proizveo je niz nezavisnih dokumentarnih i igranih filmova o napetostima na Balkanu, uključujući filmove. U nedavnom ciklusu filmova, Žilnik problematizira slom sistema vrijednosti u posttranzicijskim zemljama centralne i istočne Evrope, te probleme s kojima se izbjeglice i imigranti suočavaju u novoj „proširenoj” Evropi.

E Želimir Žilnik is an internationally renowned documentary and fiction film director and one of the founders of the docudrama genre. He is noted for his focus on contemporary issues and his critical take on social, political and economic realities EARLY WORKS, his first feature-length film, focused on the 1968 student protests and won the Golden Bear at the Berlin International Film Festival. In the 1970s, Žilnik left Yugoslavia, where he faced censorship. Upon his return to Yugoslavia in the 1980s, he directed several well-received television docudramas, among them BROOKLYN GUSINJE and OLD MACHINE, that predicted the imminent fall of Yugoslavia and the awakening of ethnic nationalism. In the 1990s, he produced a number of independent documentary and fiction films about the Balkan turmoil The breakdown of the system of values in post-transitional Central and Eastern Europe and the problems encountered by migrants and refugees within the new, “enlarged” Europe were the focus of his most recent project cycle.

JURY l 23. Sarajevo Film Festival 17

Ĺ˝iri za evropski kratki film / European Short Film Jury

18 23. Sarajevo Film Festival l Ĺ˝IRI

Jukka-Pekka Laakso je direktor filmskog festivala Tampere i sudjeluje u selekciji filmova za taj festival sve od 2000. godine. Kao jedan od direktora, odgovoran je za strateško planiranje i program Festivala. Laakso je i izvršni direktor lokalnog Filmskog centra Pirkanmaa, neprofitne organizacija koja upravlja jednim alternativnim kinom, distribuira filmove u Finskoj i intenzivno doprinosi medijskom obrazovanju. Član je Evropske filmske akademije.

E Jukka-Pekka Laakso is the director of Tampere Film Festival, where he has been involved with the selection and programming since 2000. As Festival Director, he shares the responsibility of strategic planning and programming with the Co-Director. He acts also as Executive Director of the Pirkanmaa Film Centre, a local film centre in Tampere. Pirkanmaa is a non-profit organisation that runs an art-house cinema, distributes films in Finland and works extensively with media education. Laakso is a member of European Film Academy.

Hana Jušić magistrirala je filmsku i TV režiju na Akademiji dramske umjetnosti u Zagrebu. Do sada je napisala i režirala nekoliko kratkih igranih i dokumentarnih filmova prikazanih na studentskim, ali i na značajnim evropskim festivalima. Potpisala je kratke filmove ZIMICA (međunarodna premijera u natjecateljskom programu uglednog festivalu u Oberhousenu), MUŠICE, KRPELJI I PČELE, nagrađen Oktavijanom i nagradom „Jelena Rajković“, i TERARIJ, nagrađen Oktavijanom za igrani film te nagradom Zlatna kolica u okviru ZFF-a. Napisala je scenarij za dugometražni igrani film ZAGONETNI DJEČAK reditelja Dražena Žarkovića. NE GLEDAJ MI U PIJAT njen je prvi dugometražni igrani film u svojstvu scenaristice i rediteljice. Projekt je razvijan u okviru ugledne scenarističke radionice TorinoFilmLab (programi Script & Pitch i TFLFrameWork), a premijerno je prikazan u okviru Međunarodnog filmskog festivala u Veneciji.

E Hana Jušić obtained a Master’s degree in Film and TV Directing programme from the Academy of Dramatic Arts in Zagreb. She has written and directed several short and documentary films, which have been screened at numerous student and top European film festivals. Jušić’s short films include CHILL, which premiered in competition at the Oberhausen Short Film Festival, GNATS, TICKS AND BEES, which won the Croatian National Oktavian and Jelena Rajković Film Awards, and TERRARIUM, the winner of an Oktavijan Award and the Golden Pram Award at the Zagreb Film Festival. She also wrote the screenplay for Dražen Žarkovic’s feature-length MISTERIOUS BOY. Her screenwriting and directing feature debut QUIT STARING AT MY PLATE had its premiere at the Venice Film Festival. The film was developed at the TorinoFilmLab Script&Pitch and TFL-Frame Work programmes.

Amira Lekić rođena je 1975. u Woodstocku, Kanada. Diplomirala je na Univerzitetu u Windsoru na međunarodnim odnosima. Od 1999. živi u Sarajevu, gdje je radila u međunarodnim razvojnim agencijama, poput nevladine organizacije Save the Children. Godine 2007. počinje raditi u filmskoj kući Deblokada, gdje kao izvršna producentica, između ostalih projekata, učestvuje i u produkciji filmova ZA ONE KOJI NE MOGU DA GOVORE i OTOK LJUBAV Jasmile Žbanić, te CURE – ŽIVOT DRUGE Andree Štake. Od 2015. godine radi kao slobodna izvršna producentica i menadžerica produkcije, te sarađuje sa SCCA/pro.bom na mnogobrojnim projektima, uključujući i film SMRT SARAJEVA Danisa Tanovića, zatim s Deblokadom na filmu MUŠKARCI NE PLAČU Alena Drljevića, kao i s ostalim produkcijama u regionu, poput Embassy Films u Dubrovniku i Division Productions u Ljubljani. Članica je EAVE mreže.

E Amira Lekić was born in 1975 in Woodstock, Canada, and received a BA in International Relations from Windsor University. In 1999, Lekić moved to Sarajevo to work for international development agencies such as Save the Children. In 2007, she joined the Sarajevo-based independent production house Deblokada, where she worked as executive producer on Andrea Štaka’s CURE – THE LIFE OF ANOTHER and Jasmila Žbanić’s FOR THOSE WHO CAN TELL NO TALES and LOVE ISLAND. Lekić started working as an independent executive producer and production manager in 2015, and has since cooperated on numerous projects by SCCA/pro.ba and Deblokada, including Danis Tanović’s DEATH IN SARAJEVO and Alen Drljević’s MEN DON’T CRY, as well as on projects by other production companies in the region, such as Embassy Films in Dubrovnik and Division Productions in Ljubljana. She is a member of the EAVE network.

JUKKA-PEKKA LAAKSO Direktor Tampere Film Festivala (Finska) / Director of Tampere Film Festival (Finland)

HANA JUŠIĆ Rediteljica i scenaristica (Hrvatska) / Director and Screenwriter (Croatia)

AMIRA LEKIĆ Producentica (Bosna i Hercegovina) / Producer (Bosnia and Herzegovina)

JURY l 23. Sarajevo Film Festival 19

Cicae žiri / Cicae Jury

SAMO SENIČAR Programski menadžer, Mestni kino Metropol (Slovenija) / Program director of City cinema Metropol (Slovenia)

GRETA AKCIJONAITĖ Menadžerica kina PASAKA (Litvanija) / Manager of cinema PASAKA (Lithuania)

JAN MAKOSCH Menadžer kina Babylon (Njemačka) / Cinema Manager of Babylon Kino (Germany)

Cineuropa žiri / Cineuropa Jury

ZORAN GALIĆ Producent i rukovodilac Deska Kreativna Europa BiH za potprogram MEDIA (BiH) / Producer and Head of MEDIA sub-programme at CED BH

20 23. Sarajevo Film Festival l ŽIRI

KATALIN VAJDA Festivalski menadžer – Mađarski nacionalni filmski fond (Mađarska) / Festival Manager – Hungarian National Film Fund (Hungary)

Nagrade / Awards

NAGRADE SARAJEVO FILM FESTIVALA

SARAJEVO FILM FESTIVAL AWARDS

POČASNO SRCE SARAJEVA

HONORARY HEART OF SARAJEVO AWARD

Takmičarski program – igrani film

Competition Programme – Feature Film

SRCE SARAJEVA ZA NAJBOLJI IGRANI FILM Novčana nagrada u iznosu od 16.000 €

HEART OF SARAJEVO FOR THE BEST FEATURE FILM Award in the amount of 16,000 €

SRCE SARAJEVA ZA NAJBOLJEG REDITELJA Novčanu nagradu, u iznosu od 10.000 €, obezbjeđuje Agnes B.

HEART OF SARAJEVO FOR THE BEST DIRECTOR Award in the amount of 10,000 €, sponsored by Agnes B.

SRCE SARAJEVA ZA NAJBOLJU GLUMICU Novčanu nagradu, u iznosu od 2.500 €, obezbjeđuje Tondach

HEART OF SARAJEVO FOR THE BEST ACTRESS Award in the amount of 2,500 €, sponsored by Tondach

SRCE SARAJEVA ZA NAJBOLJEG GLUMCA Novčanu nagradu, u iznosu od 2.500 €, obezbjeđuje Tondach

HEART OF SARAJEVO FOR THE BEST ACTOR Award in the amount of 2,500 €, sponsored by Tondach

Takmičarski program – kratki film

Competition Programme – Short Film

SRCE SARAJEVA ZA NAJBOLJI KRATKI FILM Novčana nagrada u iznosu od 2.500 €

HEART OF SARAJEVO FOR THE BEST SHORT FILM Award in the amount of 2,500 €

Takmičarski program – studentski film

Competition Programme – Student Film

SRCE SARAJEVA ZA NAJBOLJI STUDENTSKI FILM Novčana nagrada u iznosu od 1.000 € obezbjeđuje Vijeće za regionalnu saradnju.

HEART OF SARAJEVO FOR THE BEST STUDENT FILM Award in the amount of 1,000 € sponsored by Regional Cooperation Council.

Takmičarski program – dokumentarni film

Competition Programme – Documentary Film

SRCE SARAJEVA ZA NAJBOLJI DOKUMENTARNI FILM Novčanu nagradu, u iznosu od 3.000 €, obezbjeđuje Vlada Švicarske

HEART OF SARAJEVO FOR THE BEST DOCUMENTARY FILM Award in the amount of 3,000 €, sponsored by Government of Switzerland.

NAGRADA ZA LJUDSKA PRAVA

HUMAN RIGHTS AWARD

SPECIJALNA NAGRADA ŽIRIJA

SPECIAL JURY PRIZE

NAGRADA PUBLIKE

AUDIENCE AWARD

PARTNERSKE NAGRADE

PARTNERS AWARDS

NOMINACIJA SARAJEVSKOG KANDIDATA ZA EVROPSKU FILMSKU NAGRADU 2017.

SARAJEVO SHORT FILM NOMINEE FOR THE EUROPEAN FILM AWARDS 2017

EDN TALENT GRANT

CICAE NAGRADA

CICAE AWARD

CINEUROPA NAGRADA

CINEUROPA PRIZE

Nagrada se dodjeljuje u znak priznanja za izuzetan doprinos filmskoj umjetnosti

Nagrada za ljudska prava dodjeljuje se za najbolji film iz Takmičarskog programa – dokumentarni film koji obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3.000 € osigurava Vlada Švicarske.

Novčanu nagradu, u iznosu od 2.500 €, obezbjeđuje Al Jazeera Balkans

Pobjednik ulazi u konkurenciju za nagradu Evropske filmske akademije (EFA) za najbolji kratki film.

EDN Talent Grant je ustanovljen kroz saradnju Sarajevo Film Festivala i Evropske dokumentarističke mreže, u svrhu podrške talentovanim autorima dokumentarnog filma iz regije.

Međunarodna konfederacija umjetničkih kina (CICAE) nagrađuje film u selekciji Takmičarskog programa – igrani film. Nagrađeni film će dobiti posebnu podršku CICAE kada je u pitanju pomoć kod distribucije, prikazivanja filma i dopiranja do publike, putem mreže od 3.000 kina.

Nagradu dodjeljuje Cineuropa portal posvećen evropskoj kinematografiji i njenim stvaraocima i to filmu koji, osim što nesporno posjeduje umjetničke kvalitete, također promovira ideje evropskog dijaloga i integracije. Vrijednost nagrade iznosi 5.000 €.

Award is given in recognition for the exceptional contribution to the art of film

Best film of the Competition Programme - Documentary Film dealing with the subject of human rights. Award in the amount of 3,000 €, sponsored by Government of Switzerland.

Award in the amount of 2,500 €, sponsored by Al Jazeera Balkans

The winner receives a nomination for the European Film Academy (EFA) Best Film Award.

EDN Talent Grant has been created as co-operation between the Sarajevo Film Festival and the European Documentary Network with the purpose of supporting promising new documentary filmmakers from the region.

The International Confederation of Art Cinemas (CICAE) awards a film from the Competition Programme - Features. The awarded film will receive CICAE support in terms of distribution, exhibition and audience outreach, through a network of 3,000 cinemas.

The prize is awarded by the Cineuropa portal, the site dedicated to the European cinema and film professionals, and is given to a film that besides having indisputable artistic qualities also promotes the idea of European dialogue and integration. The value of this award is 5,000 €. AWARDS l 23. Sarajevo Film Festival 21

Takmičarski program – igrani film / Competition Programme – Feature Film

Dita zë fill / Buđenje dana / Daybreak, Gentian Koçi

Grain / Zrno, Semih Kaplanoğlu

Mdzevlebi / Taoci / Hostages, Rezo Gigineishvili

Meda sau Partea Nu Prea Fericită A Lucrurilor / Meda ili ne tako sjajna strana stvari / Meda or The Not So Bright Side of Things, Emanuel Pârvu

O gios tis Sofias / Sofijin sin / Son of Sofia, Elina Psykou

Posoki / Pravci / Directions, Stephan Komandarev

Sashishi Deda / Strašna majka / Scary Mother, Ana Urushadze

Birds Like Us / Ptice kao mi, Faruk Šabanović, Amela Ćuhara

Muškarci ne plaču / Men Don’t Cry, Alen Drljević

Aktivni i savremeni pristup filmu / Active and Contemporary Approach to Film

Elma Tataragić

Ove godine, više nego ikada, svjetska kinematografija bila je suočena s pitanjem kako sačuvati relevantnost u svijetu neprekidnih društvenih i političkih promjena. Taj izuzetno dinamičan ritam promjena konstantno pomjera granice nekadašnjeg pristojnog i nepristojnog, korektnog i nekorektnog, odnosno, granice ljudskosti i neljudskosti, granice dozvoljenog i jednostavno nezamislivog. Danas ne živimo u mirnom svijetu. Svuda su ratovi, patnje, izbjegličke krize i nevjerovatni strah i mržnja. Možemo reći da živimo u eri konstantnog straha i promjena, ali i u eri nevjerovatne apatije. Intelektualna apatija možda je najopasnija od svih, a paraliza koja je razumljiva nastaje od činjenice da su se iscrpili učinkoviti modeli reagovanja. Ipak, čini se da nam je, više nego ikada, potrebna umjetnost da nas upozori i podsjeti koliko je krhak svijet u kojem živimo. Ovogodišnja selekcija, u kojoj se nalazi sedam filmova u konkurenciji za Srce Sarajeva, i dvije gala projekcije nedavno završenih bh. filmova, donosi nam upravo taj trenutak aktivne savremenosti, i pokazuje svijet iz različitih uglova. Program otvara svjetska premijera filma GRAIN / ZRNO turskog reditelja Semiha Kaplanoğlua. Film donosi distopijsku priču, smještenu u bliskoj budućnosti, u kojoj je jedina vrijednost zrno pšenice koje postaje metafora i simbol života, te preživljavanja općenito. Reditelj se hrabro upušta u priču koja je najbliža naučnoj fantastici, s impozantnom fotografijom i snažnim glumačkim ostvarenjima, među kojima se posebno ističu Jean-Marc Barr te bosanskohercegovački glumac Ermin Bravo. Iz Albanije dolazi svjetska premijera filma DITA ZË FILL / RAĐANJE DANA debitanta Gentiana Koçija koji je razvijan kroz CineLink koprodukcijski market. U centru filma nalazi se Leta, samohrana majka jednogodišnjeg djeteta, koja se zbog teške ekonomske situacije useljava kod stare gospođe. Da bi spasila sebe i svoje dijete, Leta staricu mora održavati u životu. U takvoj situaciji postaje spremna na sve. Film postavlja pitanje granica, ali i pitanje u kolikoj mjeri čovjekovo rasuđivanje ovisi o okolnostima u kojima se nalazi. Gruzijski film MZEVLEBI / TAOCI reditelja Reze Gigineishvilija u Takmičarskom programu imat će svoju regionalnu premijeru, a svjetsku

24 23. Sarajevo Film Festival l TAKMIČARSKI PROGRAM – IGRANI FILM

je imao na Filmskom festivalu u Berlinu u programu Panorama Special. Radnja filma smještena je u 1980-im u Sovjetskoj Gruziji i prati istinitu priču kada je grupa mladih Gruzijaca odlučila da otme avion da bi pobjegli iz Sovjetskog Saveza. Film je izuzetno uzbudljiv i dinamičan te na autentičan način postavlja pitanje slobode, njene važnosti i mogućnosti. Ove godine iz Bugarske dolazi film POSOKI / PRAVCI reditelja Stephana Komandareva, premijerno prikazanom na Filmskom festivalu u Cannesu u programu UnCertain Regard. Reditelj kroz niz taksi vožnji tokom jedne noći stvara mozaični portret života u današnjoj Sofiji. Komandarev skače iz jednog taksija u drugi, iz jedne priče u drugu, tako da film često liči na niz kratkih filmova koje povezuje činjenica da svi imaju probleme koje pokušavaju da riješe. Ono što se ističe su egzistencijalni problemi izuzetno karakteristični za ove dijelove svijeta u kojima svaki građanin zna da svi ljudi ipak nisu jednaki. MEDA SAU PARTEA NU PREA FERICITĂ A LUCRURILOR / MEDA ILI NE TAKO SVIJETLA STRANA STVARI debitantski je film reditelja Emanuela Pârvua koji će u Takmičarskom programu imati svjetsku premijeru. Film donosi priču o udovcu koji se mora boriti za djevojčicu čiji staratelj je postao zajedno sa svojom nedavno preminulom ženom. MEDA ILI NE TAKO SVIJETLA STRANA STVARI psihološka je studija o borbi glavnog junaka koja postaje sve intenzivnija i graniči sa egzistencijalnom. O GIOS TIS SOFIAS / SOFIJIN SIN rediteljice Eline Psykou premijerno je prikazan na Tribeca Film Festivalu gdje je nagrađen nagradom za najbolji film. Psykou nam donosi priču o ruskom dječaku koji pokušava da se navikne na svoj novi život u Grčkoj s majkom i njenim novim mužem, starijim Grkom. SOFIJIN SIN bajkovita je priča o odrastanju u kojoj se realnost sudara sa svijetom mašte i fantazije. Iz Gruzije dolazi još jedno ostvarenje, SASHISHI DEDA / STRAŠNA MAJKA, debitantice Ane Urushadze. Film na intrigantan i uzbudljiv način govori o savremenom gruzijskom društvu s posebnim fokusom na žensko-muške odnose unutar porodice. U okviru Takmičarskog programa, ove godine prikazat ćemo i gala projekcije dva nova bosanskohercegovačka filma. MUŠKARCI NE PLAČU / MEN DON’T CRY debitanta Alena

Drljevića donosi priču o ratnim vojnim veteranima dvadeset godina nakon rata, koji za njih nikada nije prestao. Film je nagrađen Specijalnom nagradom žirija na Filmskom festivalu u Karlovym Varyma. Druga gala, s kojom i zatvaramo program, film je BIRDS LIKE US / PTICE KAO MI, reditelja Faruka Šabanovića i Amele Ćuhare. Ovo je prvi bh. igrani dugometražni animirani film, a okupio je sjajnu autorsku i glumačku podjelu. Svaki od odabranih filmova izuzetno aktivno promatra realnost i donosi priče, junake, preokrete koji bude iz apatije i tjeraju na akciju i zauzimanje stava. Selekcija kao da savremenost podiže na još jedan viši i aktivniji nivo. Dobro došli na Takmičarski program 23. Sarajevo Film Festivala. E This year, more than ever, the major issue facing world cinema has been how to remain contemporary – which is to say, how to adapt to an ever-morphing social and political landscape. Accelerating changes keep shifting old rules of what is acceptable and what is not; what is appropriate and what is otherwise – that is, the divide between being human and inhuman, between what is permissible and what is simply unimaginable. We do not live in a peaceful world. Ours is a time of war and suffering, a refugee crisis, and overwhelming fear and hatred. We can say we live in an era marked by perpetual fear and change, as well as a period characterised by deep apathy. Intellectual apathy may well be the most dangerous of all our problems – and the understandable paralysis it brings about is a symptom of the fact that all effective response modules have been exhausted. It appears that we need art now more than ever: creative endeavours as a warning and a reminder of the fragility of the world we live in. The seven films that will vie for the Heart of Sarajevo awards in this year’s Competition Programme are contemporary and actively engaging, and offer a view of the world from several perspectives. The competition programme is complemented by out-of-competition gala screenings of two recently completed Bosnian films.

Turkish director Semih Kaplanoğlu’s GRAIN sees its world premiere as the competition’s opening night film. In this dystopian film set in the near future, a grain is the only thing of value –a metaphor and symbol of life and survival. The director dives bravely into a story that bears all the hallmarks of the sci-fi genre, relying on impressive photography and powerhouse performances by a strong cast, most notably Jean-Marc Barr and Bosnian actor Ermin Bravo. DITA ZË FILL / DAYBREAK, the directorial debut of Albania’s Gentian Koçi, which was developed through the CineLinkCo-Production Market, also sees its world premiere here. The film focuses on Leta, the single mother of a one-yearold boy, who is forced by difficult economic circumstances to move in with an elderly woman. In order to save herself and her child, Leta must keep her landlady alive – and she is willing to do whatever it takes to succeed. The film questions the boundaries of socially acceptable behaviour, but also ponders the question of whether, and to what extent, peoples’ actions are dependent upon their living conditions. Georgian director Rezo Gigineishvili’s thriller MZEVLEBI / HOSTAGES has its regional premiere in the competition, after celebrating its world premiere in the Panorama Special section at the Berlinale. Set in the 1980s in the Soviet republic of Georgia, it recounts the true story of a youthful gang of Georgians who decided to hijack a plane in a bid to escape the USSR. HOSTAGES is a dynamic, suspenseful film that authentically examines notions of the importance and possibility of freedom. Bulgaria is represented by Stephan Komandarev’s POSOKI / DIRECTIONS, which premiered in the Un Certain Regard section at the Cannes Film Festival. Komandarev paints a picture of life in modern-day Sofia through a series of taxi rides. He jumps from one taxi into another, from one story into another, creating a work that feels like a mosaic of short films bound together by the fact that each centres on a problem requiring a solution. The most prominent of these are existential problems – typical in our part of the world, where everyone knows that all people are not considered equal. Romanian director Emanuel Pârvu’s featurelength debut, MEDA SAU PARTEA NU PREA FERICITĂ A LUCRURILOR / MEDA OR THE NOT SO

BRIGHT SIDE OF THINGS has its world premiere here in Sarajevo. The film tells the story of a widower who is fighting to retain custody of a girl he took under his wing together with his recently deceased wife. The psychological study of the main character’s fight grows in intensity until it borders on an existential struggle. Elina Psykou’s drama O GIOS TIS SOFIAS / SON OF SOFIA premiered at the Tribeca Film Festival, where it was named Best International Narrative Feature. The film tells the story of a Russian boy who is trying to acclimatise to a new life in Greece with his mother and her new, elderly Greek husband. SON OF SOFIA is a fairytale-esque coming-of-age drama, in which reality commingles with an imaginary world full of fantasy. Ana Urushadze’s first feature, SASHISHI DEDA / SCARY MOTHER, is another Georgian film screening in competition. The film is an intriguing and exciting portrayal of contemporary Georgian society that specifically focuses on male-female relationships in marriage. The programme is rounded off by two out-ofcompetition screenings. Alen Drljević’s fiction feature debut MUŠKARCI NE PLAČU / MEN DON’T CRY brings the story of veterans of Yugoslav wars of the 1990s who are stuck in the past, more than two decades after the end of the conflicts. The film won both the Europa Cinema Label and the Special Jury Prize at the recent Karlovy Vary International Film Festival. The programme closes with a gala screening of PTICE KAO MI / BIRDS LIKE US, the first feature-length animated film from Bosnia and Herzegovina, co-directed by Faruk Šabanović and Amela Ćuhara and featuring an excellent cast and creative team. All the films in this year’s selection actively observe reality, bringing to life stories, heroes and twists that force the viewers to overcome their apathy, and to stand up and take action. It is as though the filmmakers represented here have taken on the task of addressing contemporary issues to a higher and more actively engaging level. Welcome to the Competition Programme of the 23rd Sarajevo Film Festival. Elma Tataragić Selektorica / Programmer

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Dita zë fill / Buđenje dana / Daybreak Leta je u teškoj finansijskoj situaciji i već nekoliko mjeseci nije platila stanarinu. Nakon što ona i njen jednogodišnji sin budu izbačeni iz stana u kojem žive, useljavaju se kod Sophie, nepokretne starice čija je kći Letu upravo angažovala kao majčinu njegovateljicu. Ako želi zadržati posao i krov nad glavom, Leta po svaku cijenu mora održati Sophie na životu. Gentian Koçi rođen je 1979. u Tirani. Zvanje filmskog i TV reditelja stekao je 2009. godine na Akademiji za film i multimedijalne studije Marubi. Njegovi kratki igrani filmovi ANTENNA i JINX IN A JIFFY, te kratki dokumentarni film REVENGE, prikazani su na više međunarodnih filmskih festivala gdje su osvojili niz nagrada. Koçi je 2012. godine snimio i režirao pedesetominutni dokumentarni film NOT A CARWASH, koji je premijerno prikazan u zvaničnoj selekciji Festivala Hot Docs, a iste godine nominiran je za Specijalnu nagradu žirija na Festivalu dokumentarnog filma Sheffield. Njegov dugometražni dokumentarni film AJASO, A PHILOPERFORMANCE premijerno je prikazan na Univerzitetu Paris-Sorbonne. BUĐENJE DANA njegov je prvi igrani film. E Leta is in a difficult economic situation, and has not been able to pay the rent for several months. When she and her one-year-old son are thrown out of their apartment, they move in with Sophie, an immobile elderly woman whose daughter has recently employed Leta as a caretaker. In order to keep her job and their new roof, Leta has to keep Sophie alive at any cost.

Gentian Koçi was born in 1979 in Tirana. He graduated from the Academy of Film and Multimedia Marubi in 2009 with a degree in film and television directing. His short narrative films ANTENNA and JINX IN A JIFFY, and the non-fiction short REVENGE, played at numerous international film festivals and received many awards. In 2012, Koçi shot and directed the 50-minute documentary NOT A CARWASH, which premiered at Hot Docs and was nominated for the Special Jury Award at Sheffield Doc/ Fest in 2012. The premiere of his feature documentary, AJASO, A PHILOPERFORMANCE, was held at the Sorbonne. DAYBREAK is his first feature-length film.

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SVJETSKA PREMIJERA / WORLD PREMIERE Albania, Greece, 2017, Colour, 85 min, Albanian Režija / Director: Gentian Koçi Scenarij / Screenplay: Gentian Koçi Direktor fotografije / Director of Photography: Ilias Adamis Montaža / Editor: Christos Giannakopoulous, Bonita Papastathi Muzika / Music: Mardit B. Lleshi Zvuk / Sound: Xenophon Kontopoulos Kostimografija / Costume Design: Emir Turkeshi Scenografija / Production Design: Ilia Kolka Producent / Producer: Gentian Koçi Produkcija / Production: ARTALB FILM Uloge / Cast: Ornela Kapetani, Suzana Prifti, Kasem Hoxha Kontakt / Contact: Wide Management; festivals@widemanagement.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – DITA ZË FILL / DAYBREAK 2014 – AJASO, UNE PHILOPERFORMANCE / AJASO, A PHILOPERFORMANCE (dokumentarni film / documentary) 2012 – NOT A CARWASH (dokumentarni film / documentary) 2011 – REVENGE (kratki dokumentarni film / short doc.) 2009 – JINX IN A JIFFY (kratki film / short film) 2008 – ANTENNA (kratki film / short film)

Grain / Zrno Professor Erol Erin, stručnjak za genetiku sjemenja, živi u nedefinisanoj bliskoj budućnosti, u gradu koji magnetni zidovi štite od imigranata raznih profila. Iz nepoznatog razloga, poljoprivredni zasadi u gradu zapali su u genetsku krizu. Na sastanku u sjedištu korporacije Novus Vita, Erol saznaje za kolegu genetičara Cemila Akmana koji je napisao rad o cikličnim krizama koje pogađaju genetički modificirana sjemena. Kako bi ga potražio, Erol kreće na put. Put koji će ga natjerati da preispita sva svoja prethodna znanja i stavove. Semih Kaplanoğlu rođen je 1963. godine u Izmiru. Diplomirao je na Odsjeku za film i televiziju Fakulteta za primijenjene umjetnosti Univerziteta Dokuz Eylül. Sa svojim prvim igranim filmom, AWAY FROM HOME, osvojio je brojne festivalske nagrade širom svijeta. Njegov drugi igrani film, ANGEL′S FALL, premijerno je prikazan na Međunarodnom filmskom festivalu u Berlinu 2006, gdje je privukao značajnu pažnju kritičara i publike. Kaplanoğluov treći igrani film, EGG, osvojio je brojne nagrade za najbolji film, scenarij i režiju, a Saadet Aksoy osvojila je Srce Sarajeva za najbolju glumicu. Četvrti film, MILK, premijerno je prikazan na Međunarodnom filmskom festivalu u Veneciji, a zatim i na brojnim drugim festivalima širom svijeta, osvojivši više nagrada, uključujući nagradu FIPRESCI Filmskog festivala u Istanbulu. Godine 2010, film HONEY donio mu je nagradu Zlatni medvjed Filmskog festivala u Berlinu, kao i Golden Wings Diziturk Digital Distribution nagradu na Festivalu turskog filma u Londonu. E In an undefined near future, Professor Erol Erin, a seed geneticist, lives in a city protected from multi-ethnic immigrants by magnetic walls. For unknown reasons, the city’s agricultural plantations have been hit by a genetic crisis. In a meeting at the headquarters of Novus Vita, the corporation that employs him, Erol hears about Cemil Akman, a fellow geneticist who wrote a thesis about the recurrent crises affecting genetically modified seeds. Erol sets out on a journey to find him – a journey that will change everything Erol knew.

Semih Kaplanoğlu was born in 1963 in Izmir. He graduated from the Cinema and Television Department of the Faculty of Fine Arts at Dokuz Eylül University. The first film he directed, AWAY FROM HOME, won numerous awards at international film festivals. Kaplanoğlu′s second feature film, ANGEL′S FALL, premiered at the 2006 Berlin International Film Festival and gained wide interest from international film critics and audiences. His third feature, EGG, won many international awards for best film, best director and best screenplay and Heart of Sarajevo for the Best Actress for Saadet Aksoy. MILK premiered at the Venice International Film Festival, and also screened at festivals around the world, earning him international awards, such as FIPRESCI Prize at the Istanbul International Film Festival. In 2010, he won the Golden Bear at the Berlin International Film Festival, and the Golden Wings Diziturk Digital Distribution Award in the Turkish Film Festival in London for HONEY.

SVJETSKA PREMIJERA / WORLD PREMIERE Turkey, Germany, France, Sweden, Qatar, 2017, Black & White, 127 min, English Režija / Director: Semih Kaplanoğlu Scenarij / Screenplay: Semih Kaplanoğlu, Leyla İpekçi Direktor fotografije / Director of Photography: Giles Nuttgens Montaža / Editor: Ayhan Ergürsel, Osman Bayraktaroğlu, Semih Kaplanoğlu Muzika / Music: Mustafa Biber Zvuk / Sound: Jorg Kidrowski Kostimografija / Costume Design: Naz Erayda Scenografija / Production Design: Naz Erayda Producent / Producer: Nadir Operli, Semih Kaplanoğlu Produkcija / Production: Kaplan Film Poduction Uloge / Cast: Jean-Marc Barr, Ermin Bravo, Grigoriy Dobrygin, Cristina Flutur Kontakt / Contact: The Match Factory; info@matchfactory.de FILMOGRAFIJA / FILMOGRAPHY: 2017 – GRAIN 2010 – BAL / HONEY 2008 – SÜT / MILK 2007 – YUMURTA / EGG 2004 – MELEĞİN DÜŞÜŞÜ / ANGEL’S FALL 2000 – HERKES KENDİ EVİNDE / AWAY FROM HOME

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Mdzevlebi / Taoci / Hostages Sovjetska Socijalistička Republika Gruzija 1983. godine. Pripreme za Nikino i Anino vjenčanje, koje njihove elitne porodice doživljavaju kao veliki dan, u punom su zamahu. Međutim, mladenci i njihovi prijatelji pripreme koriste kao paravan iza kojeg kuju planove za odvažan bijeg iz Sovjetskog Saveza. Njihov cilj je da pobjegnu iz svog klaustrofobičnog okruženja, istraže slobodni svijet i riješe se uskogrudog svjetonazora svojih roditelja. Dan nakon vjenčanja, Nika i Ana odluče sprovesti najrizičniji mogući plan: oteti avion na lokalnoj liniji između Tbilisija i Batumija i prisiliti pilota da sleti u Turskoj, najbližoj destinaciji izvan granica Istočnog bloka. Međutim, nakon što avion uzleti, a pritisak se ubrzano povećava, svi planovi otmičara amatera padaju u vodu. Rezo Gigineishvili rođen je 1982. u Tbilisiju. Studirao je na Institutu za kinematografiju Gerasimov (VGIK). Svoj debitantski igrani film HEAT snimio je 2016. godine. Film je u međunarodnoj distribuciji zaradio 15.7 miliona dolara i još uvijek nosi epitet najprofitabilnijeg filma svih vremena na ruskom kino tržištu. Gigineishvili je 2012. godine u Gruziji napisao i režirao romantičnu komediju LOVE WITH ACCENT. Nastavak tog filma, NO BORDERS, koji je sniman na lokacijama u Gruziji, Armeniji, Rusiji i Kazahstanu, pušten je u opticaj 2015. godine. U svome posljednjem filmu TAOCI u potpunosti se posvetio temama od ličnog interesa za njega kao umjetnika. E Soviet Georgia, 1983. Preparations for Nika and Ana’s wedding are in full swing, and it’s a big day for both of their elite families. For the newlyweds and their friends, however, the celebrations are in fact part of a cover-up, as they have an audacious escape from the Soviet Union plotted out. They plan to flee their claustrophobic daily lives, discover the free world and break away from their parents’ stifling worldview. The day after the wedding, Nika and Ana decide to move forward with their riskiest plan yet: hijacking a local flight from Tbilisi to Batumi and forcing it to land in Turkey, the closest country to Georgia that isn’t part of the Eastern Bloc. But as the plane leaves the ground and the pressure quickly mounts, nothing goes as planned for these amateur would-be hijackers.

Rezo Gigineishvili was born in 1982 in Tbilisi, and studied at the Gerasimov Institute of Cinematography (VGIK). In 2006, he directed his feature debut HEAT. The film to this day remains a box-office leading film in the Russian market. In 2012, Rezo wrote and directed the romantic comedy LOVE WITH ACCENT in Georgia. Its sequel, NO BORDERS, which was shot in Armenia, Georgia, Kazakhstan and Russia, was released in 2015. In HOSTAGES, his most recent film, he focuses fully on the issues that concern him as an artist.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Georgia, Russia, Poland, 2017, Colour, 104 min, Georgian, Russian Režija / Director: Rezo Gigineishvili Scenarij / Screenplay: Lasha Bugadze, Rezo Gigineishvili Direktor fotografije / Director of Photography: Vladislav Opelyants Montaža / Editor: Jaroslav Kaminski, Andrey Gamov Muzika / Music: Gia Kancheli Zvuk / Sound: Gleb Nekhoroshev Kostimografija / Costume Design: Tinatin Kvinikadze Scenografija / Production Design: Kote Japaridze Producent / Producer: Mikhail Finogenov, Tamara Tatishvili, Rezo Gigineishvili, Vladimer Katcharava Produkcija / Production: Kinocompania Nebo, 20 Steps Productions, Ink TV Uloge / Cast: Merab Ninidze, Darejan Kharshiladze, Tina Dalakishvili, Irakli Kvirikadze, Giga Datiashvili, Giorgi Grdzelidze, George Tabidze, Giorgi Khurtsilava, Vakhtang Chachanidze, Ekaterine Kalatozishvili Kontakt / Contact: WestEnd Films; info@westendfilms.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – MDZEVLEBI / HOSTAGES 2015 – BEZ GRANITS / NO BORDERS 2012 – LYUBOV S AKTSENTOM / LOVE WITH ACCENT 2006 – ZHARA / HEAT

Meda sau Partea Nu Prea Fericită A Lucrurilor / Meda ili ne tako sjajna strana stvari / Meda or The Not So Bright Side of Things Doru, drvosječa čija je supruga nedavno preminula, ima još jedan problem. Kao da smrt supruge nije bila dovoljna, Doru u sirotište mora vratiti djevojčicu Medu kojoj je njegova supruga bila surogat majka prethodnih osam godina. Doru bi teoretski mogao usvojiti Medu, ali papirologija koja je za to potrebna je skupa, a on živi u području gdje se novac legalno može zaraditi jedino ukoliko radiš kao drvosječa ili uzgajaš krave. Nakon što je na sve moguće načine pokušao osigurati da Meda ostane s njim, Doru shvata da će možda morati izaći van okvira zakona kako bi ostvario svoj cilj. Emanuel Pârvu rođen je 1979. godine u Rumuniji. Glumu je studirao na Državnom institutu za pozorište i film u Bukureštu. Osim što je glumio u filmovima poznatih rumunskih reditelja, poput Cristiana Mungiua, Pârvu je radio kao pozorišni i filmski reditelj, a stekao je i diplomu doktora dramaturgije. Sa svojim pozorišnim predstavama osvojio je više nagrada, a na Međunarodnom filmskom festivalu Anonimul u Rumuniji nagrađen je i za svoj kratki film CHICKEN, FRIES AND COKE. MEDA ILI NE TAKO SJAJNA STRANA STVARI njegov je debitantski igrani film. E Doru is a lumberjack whose wife has recently died. As if his loss was not bad enough, he now faces another problem: he must send little Meda, a girl for whom his wife had been a maternal assistant for eight years, to the orphanage. There is a possibility that Doru can adopt Meda, but the paperwork is expensive, and he lives in a region where cutting wood and rearing cows are the only legal means of earning money. After trying everything in order to keep Meda, Doru realises he may have to step onto the wrong side of the law in order to succeed.

Emanuel Pârvu was born in 1979 in Romania, and was educated as an actor at the National University for Theatre and Film in Bucharest. Besides portraying roles in films by well-known Romanian filmmakers like Cristian Mungiu, Pârvu is also a film and theatre director, and holds a doctorate in Dramaturgy. He won several prizes for his plays, and also received an award for his short film CHICKEN, FRIES AND COKE at the Anonimul International Film Festival in Romania. MEDA OR THE NOT SO BRIGHT SIDE OF THINGS is his debut feature-length film.

SVJETSKA PREMIJERA / WORLD PREMIERE Romania, 2017, Colour, 82 min, Romanian Režija / Director: Emanuel Pârvu Scenarij / Screenplay: Emanuel Pârvu Direktor fotografije / Director of Photography: Silviu Stavilă Montaža / Editor: Ștefan Pârlog Muzika / Music: Mihai Pocorschi Zvuk / Sound: Dragos Stirbu, Sorin Neagu Kostimografija / Costume Design: Adriana Popa Scenografija / Production Design: Cezara Armasu Producent / Producer: Miruna Berescu Produkcija / Production: FAMart Productions Uloge / Cast: Şerban Pavlu, Adrian Titieni, Florin Zamfirescu, Costel Caşcaval, Ion Sapdaru Kontakt / Contact: FamART; Miruna Berescu, miruna.berescu@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – MEDA SAU PARTEA NU PREA FERICITA A LUCRURILOR / MEDA OR THE NOT SO BRIGHT SIDE OF THINGS 2013 – RETUR / SQUARE ONE (kratki film / short film) 2012 – PUI, CARTOFI PRAJITI SI-O COLA / CHICKEN, FRIES AND COKE (kratki film / short film) 2009 – O FAMILIE / A FAMILY (kratki film / short film)

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O gios tis Sofias / Sofijin sin / Son of Sofia Atina 2004. Olimpijske igre se vraćaju u svoju postojbinu, a desetogodišnji Miša napušta Rusiju kako bi otišao svojoj majci, Sofiji. Sofija mu već pri prvom susretu saopštava da kao njegovateljica radi za starijeg grčkog gospodina Nikosa s kojim će ona i Miša živjeti. Nakon što od Sofije sazna da su ona i gospodin Nikos zapravo vjenčani, Miša se osjeća izdanim i bježi od kuće u očajničkom pokušaju da privuče pozornost. Tokom bijega, Miša otkriva jedan za njega sasvim nepoznat svijet. Elina Psykou rođena je 1977. u Atini. Studirala je režiju na Školi filma Lykourgos Stavrakos u Atini, a sociologiju na Univerzitetu Panteion. Nakon toga je studirala kulturnu historiji na Školi za napredne društevne studije u Parizu. Psykou je 2007. učestvovala na Berlinale Talent Kampusu. E Athens, 2004. The Olympic Games return to their country of origin, and ten-year-old Misha leaves Russia to reunite with his mother, Sofia. She immediately announces they will be living with Mr. Nikos, an older Greek gentleman, whom Sofia has been hired to care for. When Sofia reveals the two of them are married, Misha feels betrayed, and runs away in a desperate plea for attention that introduces him to a whole new world.

Elina Psykou was born in 1977 in Athens. She studied direction at the Lykourgos Stavrakos Film and School and sociology at Panteion University, both in Athens. She then studied cultural history at the École des Hautes Études en Sciences Sociales in Paris. In 2007, she participated in the Berlinale Talent Campus.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Greece, France, Bulgaria, 2016, Colour, 111 min, Greek, Russian Režija / Director: Elina Psykou Scenarij / Screenplay: Elina Psykou Direktor fotografije / Director of Photography: Dionysis Efthimiopoulos Montaža / Editor: Nelly Ollivault Zvuk / Sound: Persefoni Miliou Kostimografija / Costume Design: Marli Aliferi Scenografija / Production Design: Stavros Liokalos Producent / Producer: Giorgos Karnavas, Konstantinos Kontovrakis Produkcija / Production: Heretic Films Uloge / Cast: Victor Khomut, Valery Tscheplanowa, Thanassis Papageorgiou, Artemios Havalits, Areti Seintaridou, Ivonni Maltezou, Maria Filini, Marinos Veslemes, Christos Stergioglou Kontakt / Contact: Heretic, outreach@heretic.gr FILMOGRAFIJA / FILMOGRAPHY: 2016 – O GIOS TIS SOFIAS / SON OF SOFIA 2013 – I AIONIA EPISTROFI TOU ANTONI PARASKEVA / THE ETERNAL RETURN OF ANTONIS PARASKEVAS

Posoki / Pravci / Directions Vlasnik malog preduzeća, koji uporedo vozi taksi da bi zaradio za život, na sastanku sa bankarom saznaje da se iznos mita koji mora platiti da bi dobio kredit udvostručio. Članovi etičkog komiteta, koji je razmatrao njegovu žalbu zbog iznude, žele svoj dio kolača. On gubi živce i ubija bankara, a zatim puca u sebe. Incident pokreće diskusiju u otvorenom programu državnog radija o rastućem građanskom očaju. U međuvremenu, pet taksista sa svojim mušterijama voze se kroz noć, svi u nadi da će pronaći put u svjetliju budućnost. Stephan Komandarev rođen je 1966. godine u Sofiji, Bugarska. Diplomirao je filmsku i TV režiju na Novom bugarskom univerzitetu. Autor je niza dokumentaraca i nagrađivanih igranih filmova. Film THE WORLD IS BIG AND SALVATION LURKS AROUND THE CORNER proglašen je najboljim bugarskim filmom 2010. godine i prvi je film koji je ušao u uži izbor za nagradu Oscar za najbolji film na stranom jeziku. THE WORLD IS BIG AND SALVATION LURKS AROUND THE CORNER i dalje drži titulu najgledanijeg bugarskog filma svih vremena, a na filmskim festivalima širom svijeta osvojio je 35 nagrada. Njegov film THE JUDGEMENT je, također, bio bugarski kandidat za nagradu Oscar 2016. godine. Bio je koproducent filma DOGS reditelja Bogdana Mirice, koji je 2016. godine osvojio nagradu FIPRESCI u programu Un Certain Regard Filmskog festivala u Cannesu. E At a meeting with his banker, a small business owner – who drives a cab to make ends meet – discovers the bribe he will have to pay to get a loan has doubled. The ethics board that reviewed his complaint about extortion now wants its share of the action. At his wit’s end, the man shoots the banker and then himself. The incident sparks national debate on talk radio about how despair has taken over civil society. Meanwhile, five taxi drivers and their passengers move through the night, each hoping to find a brighter way forward.

Stephan Komandarev was born in 1966 in Sofia, Bulgaria. He graduated in Film & TV directing from the New Bulgarian University. His previous works include award-winning documentaries and narrative films, such as THE WORLD IS BIG AND SALVATION LURKS AROUND THE CORNER, which was the first Bulgarian film shortlisted for the Academy Award for Best Foreign Language Film, was the most widely released Bulgarian film to date, and won 35 awards at international film festivals. THE JUDGEMENT was the official Bulgarian submission for the 2016 Academy Awards. He attended the Cannes Film Festival in 2016 as a co-producer of Bogdan Mirica’s DOGS, which won the FIPRESCI Prize in the Un Certain Regard section.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Bulgaria, Germany, Macedonia, 2017, Colour, 103 min, Bulgarian Režija / Director: Stephan Komandarev Scenarij / Screenplay: Stephan Komandarev, Simeon Ventsislavov Direktor fotografije / Director of Photography: Vesselin Hristov Montaža / Editor: Nina Altaparmakova Zvuk / Sound: Markus Krohn Kostimografija / Costume Design: Zaklina Krstevska Scenografija / Production Design: Maria Koycheva Producent / Producer: Stephan Komandarev, Katya Trichkova (Argo Film); Stelios Ziannis, Vera Weit (Aktis Film Production UG); Vladimir Anastasov, Angela Nestorovska (Sektor Film) Produkcija / Production: Argo Film Uloge / Cast: Vasil Vasilev-Zueka, Ivan Barnev, Assen Blatechki, Irini Zhambonas, Vasil Banov, Troyan Gogov, Dobrin Dosev, Guerassim Guerguiev, Dimitar Banenkin, Stephan Denolyubov Kontakt / Contact: ARRI MEDIA INTERNATIONAL; MHemminger@arri.de FILMOGRAFIJA / FILMOGRAPHY: 2017 – POSOKI / DIRECTIONS 2014 – SADILISHTETO / THE JUDGMENT 2010 – THE TOWN OF BADANTE WOMEN (dokumentarni film / documentary) 2008 – SVETAT E GOLYAM I SPASENIE DEBNE OTVSYAKADE / THE WORLD IS BIG AND SALVATION LURKS AROUND THE CORNER 2003 – AZBUKA NA NADEJDATA / ALPHABET OF HOPE (dokumentarni film / documentary) 2002 – HLYAB NAD OGRADATA / BREAD OVER THE FENCE (dokumentarni film / documentary) 1999 – PANSION ZA KUCHETA / DOG’S HOME

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Sashishi Deda / Strašna majka / Scary Mother Pedesetogodišnja domaćica Manana prisiljena je napraviti izbor između porodičnog života i svoje strasti – pisanja, koju je godinama potiskivala. Odlučuje prigrliti svoju strast i baca se na pisanje, ali trpi fizičke i psihičke posljedice svog izbora. Ana Urushadze rođena je 1990. godine u Tbilisiju, Gruzija. Diplomirala je na Univerzitetu Shota Rustaveli 2013. godine. Napisala je i režirala nekoliko kratkih filmova i jedan dugometražni igrani film. E Manana, a 50-year-old housewife, struggles with a dilemma – she has to choose between her family life and her passion for writing, which she has repressed for years. She decides to follow her passion and plunges herself into writing, sacrificing everything to it, both mentally and physically.

Ana Urushadze was born in 1990 in Tbilisi, and graduated from Shota Rustaveli University in 2013. She has written and directed several short films and one feature-length work.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Georgia, Estonia, 2017, Colour, 103 min, Georgian Režija / Director: Ana Urushadze Scenarij / Screenplay: Ana Urushadze Direktor fotografije / Director of Photography: Mindia Esadze Montaža / Editor: Alexander Kuranov Muzika / Music: Nika Pasuri Zvuk / Sound: Paata Godziashvili Kostimografija / Costume Design: Ketevan Kalandadze Scenografija / Production Design: Tea Telia Producent / Producer: Lasha Khalvashi Produkcija / Production: Studio Artizm Uloge / Cast: Nata Murvanidze, Dimitri Tatishvili, Ramaz Ioseliani, Avtandil Makharadze Kontakt / Contact: Studio Artizm; lashafilm@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – SASHISHI DEDA / SCARY MOTHER 2012 – ERT KATS VUQVARDI / ONE MAN LOVED ME (kratki film / short film) 2010 – IDEEBI / IDEAS (kratki film / short film)

Birds Like Us / Ptice kao mi Nakon što iz sigurnog utočišta Birdabada budu izbačeni u svijet kojem stalno prijeti horor, ljupka ptica Hupu, njen tihi muž Hasan, razigrani ptić Mi i tiranin Kondor kreću na epsko putovanje u potrazi za putem koji će ih vratiti kući. Predvođeni enigmatičnim netopirom Batom, čije ih minimalističke izreke čine samo nervoznijim i ljućim, članovi šarolike ptičije družine nevoljko će naučiti da se oslanjaju jedni na druge jer samo zajedno mogu pobjeći Hororu i vratiti se u svoj dom. Faruk Šabanović rođen je 1975. u Sarajevu. Studirao je na sarajevskoj Akademiji likovnih umjetnosti. Radio je na brojnim reklamnim kampanjama, kratkim filmovima, muzičkim spotovima, te animacijskim projektima. Dobitnik je mnoštva nagrada, uključujući Posebno priznanje za razvoj filma PTICE KAO MI na zagrebačkom Animafestu (2007), nagradu za najbolji glazbeni spot na muzičkom festivalu Davorin (2002. i 2003), nagradu za humanitarnu izvrsnost Međunarodnog centra za mir (2003) i nagradu za najbolji filmski scenarij Centra Andre Malraux (2003). Amela Ćuhara diplomirala je na Odsjeku za režiju na Akademiji scenskih umjetnosti u Sarajevu. S dokumentarnim filmom TRAGAČ osvojila je nagradu za najbolji dokumentarni film na Filmskom festivalu Eurasian u New Yorku 2008. Za film PUT LJEPOTE ŽIVOTA dobila je specijalno priznanje programa BH Studentski film Sarajevo Film Festivala 2012. godine. Ćuhara trenutno radi na dječijoj animiranoj seriji TINDILI, te na kratkom animiranom filmu INICIJACIJA. E Flung out of the safe haven of Birdabad into a world tormented by horror, the lovely bird Hupu, her silent husband Hasan, their ever-helpful baby-bird Mi and the bird tyrant Kondor are forced on an epic journey to find their way home. Guided by a blind and enigmatic bat, whose gnomic utterances only make the motley band of birds all the more anxious and angry, they come to rely on each other with utmost reluctance. Only together do they stand a chance of escape.

Faruk Šabanović was born in Sarajevo in 1975. He studied at the Sarajevo Academy of Fine Arts and has worked on a number of marketing campaigns, short films, music videos and animated projects. He is the recipient of numerous awards, including the Special Recognition of the Zagreb Animafest for the development of BIRDS LIKE US, the award for Best Music Video at the Davorin Music Festival in 2002 and 2003, the Humanitarian Excellence Award of the International Peace Centre in 2003, and the Andre Marlaux Centre’s Best Script Award in 2003. Amela Ćuhara graduated from the Directing Department of the Sarajevo Academy of Performing Arts. Her film TRAGAČ won the Best Documentary Film Award at the New York Eurasian Film Festival in 2008. In 2012, her PUT LJEPOTE ŽIVOTA won the Special Recognition of the BH Student Film Programme of the Sarajevo Film Festival. Ćuhara is currently working on TINDILI, an animated film series for children, and the short-animated film INICIJACIJA.

OUT OF COMPETITION / GALA SCREENING Bosnia and Herzegovina, United Kingdom, Turkey, USA, 2017, Colour, 84 min, English Režija / Director: Faruk Šabanović, Amela Ćuhara Scenarij / Screenplay: Olivia Hetreed, Faruk Šabanović Direktor fotografije / Director of Photography: Almir Đikoli Montaža / Editor: Nic Gastor Muzika / Music: Timothy Bruzon Peter Gabriel Zvuk / Sound: Eilam Hoffman Scenografija / Production Design: Prime time Production Producent / Producer: Adnan Ćuhara Produkcija / Production: Prime time Production Uloge / Cast: Alicia Vikander, Jeremy Irons, Khalid Abdalla, Jim Broadbent, Sheridan Smith, Kevin Bishop, Christopher VIlliers, Ella Smith, Jay Villiers, Michele Austin, Dan Stevens, Oliver Villiers, Lola HartstoneKolovich, Catriona Paterson, Antonia Roupell, Harriet Barrow, Noah Hartstone-Kolovich, Janine Wetherall, Mark Spencer, Eli Hartstone-Kolovich, Izudin Bajrović, Zana Marjanović, Ermin Bravo, Jasenko Pašić, Zoka Ćatić, Alija Aljović, Muhamed Hadžović, Arma Tanović, Maja Salkić, Boris Ler, Sanin Milavić, Anur Ćuhara Kontakt / Contact: Prime time Production; Adnan Ćuhara, adnan@primetime.co.ba FILMOGRAFIJA / FILMOGRAPHY: Faruk Šabanović: 2017 – BIRDS LIKE US / PTICE KAO MI Amela Ćuhara: 2017 – BIRDS LIKE US / PTICE KAO MI 2013 – NEK JE ŽIVA GLAVA (kratki film / short film) 2012 – PUT LJEPOTE ŽIVOTA (kratki dokumentarni film / short doc.) 2009 – DJEVA OD JEZERA (dokumentarni film / documentary) 2008 – TRAGAČ (dokumentarni film / documentary)

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Muškarci ne plaču / Men Don’t Cry Bosna i Hercegovina, 15 godina nakon rata. Deset muškaraca su jedini gosti zabačenog, planinskog hotela. Grupu čine jedan trener i devet učesnika radionice koja bi trebalo da im pomogne da se suoče s prošlošću. Svi učesnici su veterani rata, nekadašnji pripadnici više različitih vojski koje su devedesetih godina prošlog vijeka ratovale jedne protiv drugih širom bivše Jugoslavije. Alen Drljević rođen je u Sarajevu, gdje je 2005. diplomirao na Akademiji scenskih umjetnosti. Njegov diplomski kratki film, PRVA PLATA, nominovan je za nagradu Evropske filmske akademije, a dugometražni dokumentarni prvenac, KARNEVAL, uvršten je 2006. u takmičarski program za debitantske filmove Međunarodnog festivala dokumentarnog filma u Amsterdamu, IDFA, gdje je prikazan i u programu „Značajni filmovi“. Radio je kao asistent režije na više filmova, uključujući filmove Jasmile Žbanić GRBAVICA (nagrada Zlatni medvjed na Filmskom festivalu u Berlinu 2006), NA PUTU i ZA ONE KOJI NE MOGU DA GOVORE. E Bosnia and Herzegovina, 15 years after the war. Ten men are the only guests at a remote mountain hotel. The group is made up of one trainer and the nine participants of a workshop whose objective is to come to terms with the past. The men are war veterans, former soldiers of several armies that fought against each other across the former Yugoslavia in the 1990s.

Alen Drljević was born in Sarajevo, and graduated from the Academy of Performing Arts in Sarajevo in 2005. His graduation short fiction film, THE PAYCHECK, was nominated for a European Film Academy Award. CARNIVAL, his feature-length documentary debut, was selected to compete in the IDFA Competition for First Appearance in 2006, and was also screened at IDFA’s Movies that Matter DAY. Drljević has also worked as assistant director on several films, including Jasmila Žbanić’s GRBAVICA, which won the Golden Bear Award at the Berlinale in 2006, ON THE PATH and FOR THOSE WHO CAN TELL NO TALES.

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OUT OF COMPETITION / GALA SCREENING Bosnia and Herzegovina, Slovenia, Croatia, Germany, 2017, Colour, 100 min, Bosnian Režija / Director: Alen Drljević Scenarij / Screenplay: Alen Drljević, Zoran Solomun Direktor fotografije / Director of Photography: Erol Zubčević Montaža / Editor: Vladimir Gojun Zvuk / Sound: Igor Čamo Kostimografija / Costume Design: Sanja Džeba Scenografija / Production Design: Mirna Ler Producent / Producer: Damir Ibrahimović, Jasmila Žbanić Produkcija / Production: Deblokada, Iridium Film, Produkcija Živa, Manderley Films Uloge / Cast: Boris Isaković, Leon Lučev, Emir Hadžihafizbegović, Sebastian Cavazza, Ermin Bravo, Boris Ler, Ivo Gregurević, Primož Petkovšek, Jasna Đuričić, Izudin Bajrović Kontakt / Contact: Deblokada; Mirza Hamzić, mirza@deblokada.ba FILMOGRAFIJA / FILMOGRAPHY: 2017 – MUŠKARCI NE PLAČU / MEN DON’T CRY 2010 – WESTERN BALKANS – 8 STEPS FORWARD (dokumentarni film / documentary) 2008 – ŠOPING / SHOPPING (kratki film / short film) 2007 – ESMA (dokumentarni film / documentary) 2006 – KARNEVAL / CARNIVAL (dokumentarni film / documentary) 2005 – PRVA PLATA / PAYCHECK (kratki film / short film)

Takmičarski program – kratki film / Competition Programme – Short Film

Aktisto Fos / Uništena svjetlost / Unbuilt Light, Efthimis Kosemund Sanidis

Copa-Loca, Christos Massalas

Hinterlant / Predgrađe / Outskirts, Sinan Kesova

Mutluluk / Sreća / Happiness, Necip Çağhan Özdemir

Plan A, Tomislav Luetić

Soa, Dušan Kasalica

Srulkopili shekveta / Savršeni red / The Perfect Order, Anna Sarukhanova, Katalina Bakradze

U plavetnilo / Into the Blue, Antoneta Alamat Kusijanović

Wellness, Virág Szabó

Zabigyerek / Igrom slučaja / Come by Chance, Levente Kölcsey

Sloboda kratke forme / The Creative Freedom of the Short Film Genre Ovogodišnja selekcija u kategoriji kratkog filma donosi 10 regionalnih filmskih ostvarenja koji predstavljaju mladu generaciju autora regije, te samim tim i budućnost regionalne kinematografije. Sam proces izbora bio je izuzetno uzbudljiv i intenzivan, a imali smo uvida u nešto manje od 500 kratkometražnih filmskih ostvarenja. Ono što općenito možemo zaključiti, ne samo na osnovu zvanične selekcije već i na osnovu cijelog procesa odabira, jeste da je primjetan izuzetan skok kako u kvaliteti sadržaja filmova, tako i u nivou same produkcije.

grčkog filma apsurda s izuzetnim humorom, autoironijom, ali i laganim pristupom temama koje nisu bezazlene. Film je premijerno prikazan na Filmskom festivalu u Cannesu u okviru programa Quinzaine des réalisateurs. Drugi film iz Grčke je ostvarenje Efthimisa Kosemunda Sanidisa AKTISTO FOS / UNIŠTENO SVJETLO i donosi priču o posljednja tri mjeseca u životu čovjeka prije njegove finalne transformacije. Ovo ostvarenje, koje će svjetsku premijeru imati u okviru našeg programa, poigrava se s vremenom koje je razapeto između sjećanja, susreta i snova.

Iako najstarija filmska forma, kratki film nastavlja da egzistira i prevazilazi samog sebe. Ova forma, ograničena samo svojim trajanjem, jedna je od najslobodnijih i najuzbudljivijih oblika filmskog izraza. Prostor koji kratki film pruža za umjetničko istraživanje, narativno eksperimentisanje i stilsko izražavanje je neograničen, a upravo tu otvorenost pokazuje ovogodišnja selekcija.

Mađarska je još jedna od kinematografija koja svake godine ponudi možda najveći izbor kvalitetnih kratkih filmova. Ove godine dva filma su u selekciji: WELLNESS i ZABIGYEREK / IGROM SLUČAJA. U filmu WELLNESS autor Virág Szabó u fokus stavlja dvije penzionerke koje su na odmoru, čije prijateljstvo bi mogla narušiti jedna tajna. Priča je izuzetno duhovita i autentična, smještena u prostor wellness centra, a tretira pitanja prijateljstva i iskrenosti. IGROM SLUČAJA studentski je film Leventea Kölcseya, koji na jedan izuzetno zreo i stilski dosljedan način prikazuje okrutnost odrastanja u mađarskoj provinciji.

Zvanična selekcija donosi četiri svjetske, četiri međunarodne te dvije regionalne premijere. Iz bliže regije dolaze nam dva filma iz Hrvatske te jedan iz Crne Gore. Rediteljica Antoaneta Alamat Kusijanović debitira u Takmičarskom programu s filmom U PLAVETNILO, koji je nastao u koprodukciji Hrvatske, Slovenije i Švedske. Svjetska premijera filma održana je na ovogodišnjem Filmskom festivalu u Berlinu, a na Sarajevo Film Festivalu film će doživjeti regionalnu premijeru. Drugi film koji nam stiže iz Hrvatske jeste PLAN A reditelja Tomislava Luetića. Dok se film U PLAVETNILO bavi odrastanjem i prekretnicom u životima mladih ljudi, PLAN A donosi priču o problemima odraslih, bacajući fokus na posao kao egzistencijalno pitanje čovjeka zrele dobi. Crnogorski reditelj Dušan Kasalica vraća se u konkurenciju s kratkim filmom SOA u kojem gradi tenziju na osnovu dvije paralelne priče – dok je u jednoj priči fokus na čovjeku, u drugoj je na prirodi kao bitnom čovjekovom okruženju. Kasalica vješto i neočekivano uspijeva da spoji ova dva narativa. Ova godina bila je izuzetna za grčki kratkometražni film, a u našoj selekciji su se našla dva. COPA-LOCA Christosa Massalasa pravi je predstavnik

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Iz Gruzije ove godine dolazi film SRULKOPILI SHEKVETA / SAVRŠENI RED rediteljskog dvojca Anne Sarukhanove i Kataline Bakradze, koji na duhovit način postavlja pitanje identiteta i potrebe za ljudskim kontaktom. Iz Turske ove godine prikazujemo dva filma. HINTERLANT/ PREDGRAĐE reditelja Sinana Kesova na vrlo suptilan način donosi priču u kojoj tematizira pitanje dobra i zla. Drugi turski film MUTLULUK / SREĆA Necipa Çağhana Özdemira, koji će svjetsku premijeru imati u našem programu, na izuzetno humorističan način govori o ljudskoj prirodi, i možda je najduhovitiji film ovogodišnje selekcije. Selekcija je izuzetno raznovrsna i stilski i tematski, a sveukupno predstavlja jedan dobar presjek regionalnog kratkometražnog stvaralaštva koje ne prestaje da iznenađuje. Ovi kratki filmovi odvest će vas u nove i uzbudljive svjetove te vam zasigurno pokazati nešto što ranije niste vidjeli.

E The 2017 short film selection at the Sarajevo Film Festival includes 10 films from the new generation of filmmakers who represent the future of the cinema of our region. The selection process was very intense and exciting, as we had to select from the nearly 500 short films that were submitted. The films selected, as well as the selection process, indicate that significant progress has been made in the quality of films in our region, in terms of both content and production.

Although it is the oldest of film genres, the short form continues to thrive. It is restrained only by duration, and is thus one of the most liberating and exciting forms of creative expression. The short film genre offers unlimited room for artistic exploration, as well as narrative and stylistic experimentation, and this year’s programme reflects that openness. The line-up of the 2017 competition includes four world, four international and two regional premieres. Three selected films come from our immediate neighbourhood – two from Croatia and one from Montenegro. Antoaneta Alamat Kusijanović’s directorial debut U PLAVETNILO / INTO THE BLUE, a Croatian-Slovenian-Swedish co-production, premiered at this year’s Berlinale before embarking on a tour of international film festivals. The film will have its regional premiere at the Sarajevo Film Festival. The second Croatian film in the selection is Tomislav Luetić’s PLAN A. While INTO THE BLUE is a coming-of-age story focusing on the turning points in the lives of young people, PLAN A is a story about problems of adults, specifically the challenges they face in finding employment. Montenegrin director Dušan Kasalica returns to Sarajevo with his short film SOA, in which suspense is built via two parallel stories – one focused on a man and the other focused on Nature as the human habitat. Kasalica merges the two narrative strands in a very skilful and surprising manner. The past year has proven to be a good period for Greek short films, as is indicated by the two Greek shorts in our selection. Christos Massalas’s COPA-LOCA is a true example of Greek absurdist cinema. A humorous,

ironic film that takes a light approach to serious matters, it premiered in the Directors’ Fortnight at the Cannes Film Festival. The second Greek film is Efthimis Kosemund Sanidis’ AKTISTO FOS / UNBUILT LIGHT, which takes place over three months in the life of a man preceding his final transformation. The film plays with the notion of time, alternating among memories, encounters and dreams. Hungary is a very rich source of quality short films, and is represented in the selection by two films – Virág Szabó’s WELLNESS and Levente Kölcsey’s ZABIGYEREK / COME BY CHANCE. WELLNESS focuses on two elderly friends on vacation whose friendship might be jeopardised by a secret. This funny and authentic story set in a wellness centre explores the concepts of friendship and honesty. The student film COME BY CHANCE exposes the cruelty of life for children in rural Hungary in a very mature and visually consistent manner. Georgian entry SRULKOPILI SHEKVETA / THE PERFECT ORDER, co-directed by Anna Sarukhanova and Katalina Bakradze, questions the concept of identity and the need for human contact in a very comical way. This year also sees two Turkish films. Sinan Kesov’s HINTERLANT / OUSKIRTS uses a very simple story to explore the dichotomy of good and evil. MUTLULUK / HAPPINESS, Necip Çağhan Özdemir’s story about human nature, is probably the funniest film in our selection and is presented as a world premiere. The line-up of the short film programme includes films of great narrative and stylistic variety; as such, it offers a good overview of regional short film output that never ceases to surprise us. These short films will transport you to new and exciting worlds where you will certainly find something that you have never seen before. Elma Tataragić Selektorica / Programmer

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SVJETSKA PREMIJERA / WORLD PREMIERE Greece, France, 2017, Colour, 29 min, Greek

Aktisto Fos / Uništena svjetlost / Unbuilt Light Vrijeme ispunjeno sjećanjima, susretima i snovima. Pozdrav koji se proteže kroz posljednja tri mjeseca u životu jednog čovjeka, uoči njegove konačne transformacije. Efthimis Kosemund Sanidis rođen je 1983. u gradu Mitilene, Grčka. Njegov debitantski kratki film, II, osvojio je nagradu Pack & Pitch programa Sarajevo Film Festivala. Film je premijerno prikazan na Filmskom festivalu u Locarnu, a zatim i na više drugih festivala širom svijeta, gdje je osvojio niz nagrada. Učesnik je programa Talent Campus filmskih festivala u Sarajevu i Berlinu. E Time strung together by recollections, encounters and dreams. A farewell over a man’s last three months before his final transformation.

Efthimis Kosemund Sanidis was born in 1983 in Mytilene, Greece. While in development, his debut short film, II, won the Pack & Pitch Award at the Sarajevo Film Festival. It had its world premiere at the Festival del film Locarno and continued its course through international film festivals around the world, winning numerous awards. Sanidis is an alumnus of both the Berlinale and Sarajevo Talent Campus programmes.

Režija / Director: Efthimis Kosemund Sanidis Scenarij / Screenplay: Elizampetta Ilia Georgiadou, Efthimis Kosemund Sanidis Direktor fotografije / Director of Photography: Christos Voudouris Montaža / Editor: Efthimis Kosemund Sanidis, Lambis Charalambidis Zvuk / Sound: Leandros Ntounis Kostimografija / Costume Design: Katholiki Pitta Scenografija / Production Design: Katholiki Pitta Producent / Producer: Yorgos Tsourgiannis, Efthimis Kosemund Sanidis, Lucie Bercez Produkcija / Production: Horsefly Productions, Greece, Le Fresnoy - Studio National des Arts Contemporains, France Uloge / Cast: Aggelos Skasilas, Karina Neupert Bratos, Rinio Kyriazi, Vana Lambrinou, Titos Bratos, Stelios Voulgarakis, Stelios Bratos, Ippokratis Sanidis, Kostas Stamopoulos, Aris Sifnaios Kontakt / Contact: Efthimis Kosemund Sanidis; efthimis.ks@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – AKTISTO FOS / UNBUILT LIGHT (kratki film / short film) 2016 – ODETTE (kratki film / short film) 2014 – II (kratki film / short film)

REGIONALNA PREMIJERA / REGIONAL PREMIERE Greece, 2017, Colour, 14 min, Greek

Copa-Loca Ovo je priča o Copa-Loci, napuštenom grčkom ljetnom odmaralištu. Paulina je duša Copa-Loce. Svi se brinu o njoj i ona se brine o svima – na sve moguće načine. Christos Massalas rođen je 1986. godine u Grčkoj. Studirao je teoriju filma na Univerzitetu Kingston, a režiju na Londonskoj filmskoj školi (LFS). Njegovi kratki filmovi prikazani su na festivalima širom svijeta i osvojili su niz nagrada. COPA-LOCA je uvršten u selekciju La Quinzaine des Réalisateurs programa Filmskog festivala u Cannesu. E This is the story of Copa-Loca, an abandoned summer resort in Greece. Paulina is the girl at the heart of Copa-Loca. Everyone cares for her and she cares about everyone – in every possible way.

Christos Massalas was born in 1986 in Greece. He studied film theory at Kingston University and Filmmaking at the London Film School. His short films have received prizes and have been screened at numerous international film festivals. COPA-LOCA was selected for the Directors’ Fortnight at the Cannes Film Festival.

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Režija / Director: Christos Massalas Scenarij / Screenplay: Christos Massalas Direktor fotografije / Director of Photography: Konstantinos Koukoulios Montaža / Editor: Christos Massalas Muzika / Music: Σtella Zvuk / Sound: Dimitris Kanellopoulos, George Ramantanis Kostimografija / Costume Design: Marli Aliferi Scenografija / Production Design: Maria Repousi Producent / Producer: Christos Massalas Produkcija / Production: Heretic Uloge / Cast: Elsa Lekakou, Jenny Hiloudaki, Pavlos Iordanopoulos, Talat Iqbal, Stathis Stamoulakatos, Michalis Pitidis, Fotis Stratigos, Nadia Katsoura, Panos Iosifidis, George Ramantanis, Jon Simvonis Kontakt / Contact: Heretic; outreach@heretic.gr FILMOGRAFIJA / FILMOGRAPHY: 2017 – COPA-LOCA (kratki film / short film) 2016 – FLOWERS AND BOTTOMS (kratki film / short film) 2013 – BON-BON (kratki film / short film) 2012 – WOMAN WITH THE PLASTIC FLOWER (kratki film / short film) 2011 – MAKE-UP (kratki film / short film)

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE

Hinterlant / Predgrađe / Outskirts Prodaja naslijeđene kuće uzrok je nerazjašnjene napetosti između Çiğdem i Kerima, para u kasnim tridesetim godinama života, koja ne promiče pažnji njihove kćeri. Sinan Kesova, tursko-francuski reditelj, rođen je 1991. godine. Nakon što je 2012. završio studij na Univerzitetu McGill, Kesova se vraća u Istanbul kako bi započeo karijeru na filmu. Radio je kao asistent mnogih reditelja, uključujući Tayfuna Pirselimoğlua, Nurija Bilgea Ceylana i Mehmeta Cana Mertoğlua. Kesova trenutno priprema svoj prvi dugometražni igrani film.

Turkey, 2017, Colour, 18 min, Turkish Režija / Director: Sinan Kesova Scenarij / Screenplay: Rüya Pamuk, Arda Ekşigil, Sinan Kesova Direktor fotografije / Director of Photography: Meryem Yavuz Montaža / Editor: Ayhan Ergürsel, Eytan İpeker, Sinan Kesova Muzika / Music: Erdem Helvacıoğlu Zvuk / Sound: Cenker Kökten Producent / Producer: Yoel Meranda, Sinan Kesova Produkcija / Production: Kamara Film Uloge / Cast: Sanem Öge, Fatih Al, Murat Kılıç Kontakt / Contact: Yoel Meranda; yoel@kamarafilm.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – HİNTERLANT / OUTSKIRTS (kratki film / short film) 2015 – GELECEK / FUTURE (kratki film / short film) 2012 – GÜNDELİK / QUOTIDIAN (kratki film / short film)

E The sale of an inherited house results in an unspoken tension between Çiğdem and Kerim, a couple in their late thirties, to which their daughter does not seem oblivious.

Sinan Kesova, born in 1991, is a Turkish-French director. After graduating from McGill University in 2012, Kesova returned to Istanbul to pursue his career as a filmmaker. He worked as assistant with directors such as Tayfun Pirselimoğlu, Nuri Bilge Ceylan and Mehmet Can Mertoğlu. Kesova is currently developing his first feature film.

SVJETSKA PREMIJERA / WORLD PREMIERE

Mutluluk / Sreća / Happiness Muškarac zaposlen u automehaničarskoj radionici odbija da bude nesretan uprkos svim problemima i nedaćama s kojima se suočava. Faktori poput siromaštva, terora i psihološkog pritiska, kojima se ljudi međusobno izlažu, predstavljat će najteže prepreke za ovog čovjeka koji pokušava da bude sretan. Necip Çağhan Özdemir scenarista je, producent i reditelj s adresom stanovanja u Los Angelesu. Filmskom produkcijom počeo se baviti 2012, nakon sticanja pozorišnog i filmskog obrazovanja. Njegov prvi projekt bila je američka serija „The Football Show“ na kojoj je radio kao izvršni producent. Svoj prvi kratki film, SREĆA, napisao je, režirao i producirao 2017. godine.

Turkey, USA, 2017, Colour, 12 min, Turkish Režija / Director: Necip Çağhan Özdemir Scenarij / Screenplay: Necip Çağhan Özdemir Direktor fotografije / Director of Photography: Ahmet Sesigürgil Montaža / Editor: Ahmet Can Çakırca Muzika / Music: Uğur Ateş Zvuk / Sound: Suat Onur Ayas Kostimografija / Costume Design: Tuba Coşkun Scenografija / Production Design: Işıl Gürtop Producent / Producer: Necip Çağhan Özdemir Produkcija / Production: NCO Films Uloge / Cast: Aytaç Uşun, Rıza Akın, Barış Kışlak, Kamer Çelenk, Sara Meriç, Cinbarcı İhsan Ustaoğlu, Tayfun Yılmaz, Ali İsmail Delipınar, İpek Arcan, Esra Ergun Kontakt / Contact: Necip Çağhan Özdemir; caghanozdemir@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – MUTLULUK / HAPPINESS (kratki film / short film)

E A man who works in an auto-repair shop keeps trying to resist unhappiness despite all the problems of the world. Factors like poverty, terror and the psychological pressure people put on each other are going to be the hardest obstacles for this man who is just trying to be happy to overcome.

Necip Çağhan Özdemir is a writer, producer and director who resides in Los Angeles. He started producing films in 2012 after his education in film and theatre. His first project was “The Football Show”, a local American series which he took part as an executive producer. In 2017, Özdemir wrote, directed and produced his first short film, HAPPINESS.

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE

Plan A Veliko iznenađenje očekuje arhitekticu zaposlenu u uredu strane tvrtke u Zagrebu. Tomo Luetić rođen je 1984. godine u Splitu, Hrvatska. Diplomirao je na Fakultetu političkih znanosti u Zagrebu. Koautor, koreditelj i glumac u nagrađivanim kratkim igranim filmovima SABONIS (1. nagrada KRAF 2012) i SNIJEG U SPLITU (2. nagrada na Reviji hrvatskog filma 2013). Sarađuje s Blank_ filmskim inkubatorom kao urednik periodika Kiosk i voditelj glumačkih radionica.

Croatia, 2016, Colour, 17 min, Croatian Režija / Director: Tomislav Luetić Scenarij / Screenplay: Tomislav Luetić Direktor fotografije / Director of Photography: Rino Barbir Montaža / Editor: Karlo Vorih Muzika / Music: Tomislav Luetić Zvuk / Sound: Tihomir Vrbanec Kostimografija / Costume Design: Irena Stolla Scenografija / Production Design: Pero Vuković Producent / Producer: Igor Jelinović Produkcija / Production: Blank_filmski inkubator Uloge / Cast: Ksenija Marinković, Jadranka Đokić, Anita Kvaić, Ana Katulić, Franjo Janeš, Aleksandar Bašić Kontakt / Contact: Blank_filmski inkubator; radionice@blankzg.hr FILMOGRAFIJA / FILMOGRAPHY: 2016 – PLAN A (kratki film / short film)

E A big surprise awaits a female architect who is working in the Zagreb bureau of a major international company.

Tomo Luetić was born in 1984 in Split, Croatia, and graduated from the Faculty of Political Sciences in Zagreb. He was a co-author, co-director and actor in the acclaimed short films SABONIS (winner of the First Prize at the 2012 KRAF International Short Film Festival) and SNOW IN SPLIT (which took the Second Prize at the 2013 Revue of Croatian Film and Video). He cooperates with Blank_film incubator as the editor of their periodic magazine Kiosk and leader of their acting workshops.

SVJETSKA PREMIJERA / WORLD PREMIERE

Soa Film prati muškarca koji sa suprugom živi na zabačenoj farmi. U grubom, planinskom krajoliku njih dvoje vode naporan zemljoradnički život pun rutinskih zadataka i beskonačnih šetnji kroz divlje predjele. Dušan Kasalica rođen je 1987. godine u Nikšiću, Crna Gora. Diplomirao je filmsku režiju na Fakultetu dramskih umjetnosti u Cetinju, gdje je trenutno zaposlen na Odsjeku za filmsku i televizijsku režiju. Njegov kratki film BISERNA OBALA osvojio je nagradu Srce Sarajeva za najbolji kratki film 21. Sarajevo Film Festivala i prikazan je na brojnim vodećim festivalima širom svijeta. Trenutno, po vlastitom scenariju, priprema svoj prvi dugometražni film ELEGIJA O LAUREL. E SOA follows a man who lives in on an isolated farm with his wife. In the rugged mountainous area, they live a normal, tedious rural life, full of routine tasks around the farm and endless wandering through wild landscapes.

Dušan Kasalica was born in 1987 in Nikšić, Montenegro. He graduated in Film Directing from the Faculty of Drama Arts in Cetinje, Montenegro, where he now works in the Department of Film and Television Directing. His short film A MATTER OF WILL won the Heart of Sarajevo for Best Short Film at the Sarajevo Film Festival in 2015, and was screened in other prestigious festivals around the world. He is currently developing THE ELEGY OF A LAUREL, his first feature-length film as writer and director.

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Montenegro, 2017, Colour, 22 min, Montenegran Režija / Director: Dušan Kasalica Scenarij / Screenplay: Dušan Kasalica Direktor fotografije / Director of Photography: Igor Djordjević Montaža / Editor: Nataša Pantić Zvuk / Sound: Jakov Munižaba Kostimografija / Costume Design: Natalija Vujošević Scenografija / Production Design: Natalija Vujošević Producent / Producer: Dušan Kasalica Produkcija / Production: Meander Film Uloge / Cast: Boban Čvorović, Zorica Terzić Kontakt / Contact: Dušan Kasalica; dusan.k4@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – SOA (kratki film / short film) 2015 – BISERNA OBALA / A MATTER OF WILL (kratki film / short film)

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Georgia, 2017, Colour, 14 min, Georgian

Srulkopili shekveta / Savršeni red / The Perfect Order Mlada glumica Mariam radi u kafiću u kojem mušterije mogu izabrati da provedu vrijeme s osobom po vlastitom izboru. Svako može odlučiti da večeru podijeli s najboljim prijateljem, čaj s djedom ili kafu s ljubavnicom. Mariam upoznaje Levana, mladog borca za zaštitu prirode, koji nastoji promijeniti njeno mišljenje o kafiću u kojem radi. Anna Sarukhanova rođena je 1988. u Tbilisiju. Njen kratki film TILL THE END OF THE DAY prikazan je u zvaničnom programu Filmskog festivala u Locarnu 2016. godine. Katalina Bakradze gruzijska je umjetnica i filmska autorica. U saradnji s Annom Sarukhanovom učestvovala je u projektu “Gesamt” kojim je koordinirao Lars von Trier. Bakradze je 2010. osvojila Veliku nagradu godišnjeg Fotografskog festivala “Kolga”. E Mariam is a young actress who works in a café where customers can order any companion they wish. Anyone can have a dinner with a best friend, a cup of tea with a grandfather, or coffee with a lover. One day, Mariam meets Levan, a young environmental activist, who tries to change her point of view about the cafe she’s working in.

Anna Sarukhanova was born in 1998 in Tbilisi. In 2016, her short film TILL THE END OF THE DAY was an official selection of the Festival del Film Locarno. Katalina Bakradze is a Georgian artist and a filmmaker. In cooperation with Anna Sarukhanova, she participated in the project “Gesamt”, supervised by Lars von Trier. In 2010, in the Kolga annual photo festival, she won the Grand Prix.

Režija / Director: Anna Sarukhanova, Katalina Bakradze Scenarij / Screenplay: Anna Sarukhanova, Katalina Bakradze Direktor fotografije / Director of Photography: Danila Goryunkov Montaža / Editor: Nodar Nozadze Muzika / Music: TeTe Noise (Sandri Chinchaladze) Zvuk / Sound: Beso Kacharava Kostimografija / Costume Design: Masha Rohd Scenografija / Production Design: Nina Lominadze Producent / Producer: Suliko Tsulukidze Produkcija / Production: Milimeter Studio Uloge / Cast: Iren Uturgauri, Nino Koridze, Giorgi Rodionov, Irakli Nadirashvili, Janna Sarukhanova, Rafael Akopian, Polina Fomina, Nino Kvernadze Kontakt / Contact: Anna Sarukhanova; sarukhanova11@gmail.com FILMOGRAFIJA / FILMOGRAPHY: Anna Sarukhanova 2017 – SRULKOPILI SHEKVETA / THE PERFECT ORDER (kratki film / short film) 2017 – THE EXHIBITION (kratki film / short film) 2016 – DGIS BOLOMDE / TILL THE END OF THE DAY (kratki film / short film) 2014 – TO GET IN (kratki film / short film) 2013 – ERTIORISAMI / ONETWOTREE (kratki film / short film) 2012 – AWAY (kratki film / short film) 2012 – ELEPHANT’S PLAYGROUND (kratki film / short film) 2010 – SUMMER (kratki film / short film) Katalina Bakradze 2017 – SRULKOPILI SHEKVETA / THE PERFECT ORDER (kratki film / short film)

REGIONALNA PREMIJERA / REGIONAL PREMIERE

U plavetnilo / Into the Blue Trinaestogodišnja Julija i njena majka bježe iz nasiljem ispunjenog doma i pronalaze utočište na idiličnom hrvatskom otoku na kojem je Julija provela djetinjstvo. Emotivno ranjena, Julija očajnički nastoji obnoviti vezu sa nekadašnjom najboljom prijateljicom Anom, ali Ana se zaljubila i Julija više nije centar njenog svijeta. Anina rastuća odbojnost produbljuje Julijine rane i oživljava njena sjećanja na porodičnu dramu, te budi čudovišno nasilje za koje je Julija vjerovala da ga je ostavila iza sebe. Antoneta Alamat Kusijanović rođena je 1985. godine u Dubrovniku, Hrvatska. Magistrirala je režiju na Univerzitetu Columbia u New Yorku. Njen posljednji kratki film U PLAVETNILO osvojio je Specijalnu pohvalu međunarodnog žirija Filmskog festivala u Berlinu 2017. E Thirteen-year-old Julija and her mother flee their abusive household to find refuge on the idyllic Croatian island where Julija grew up. Emotionally scarred, Julija is desperate to reconnect with her best friend Ana. But Ana is in love with a boy and Julija is no longer a priority. Ana’s mounting rejection reignites Julija’s wounds and family history, awakening the monster of violence she thought she had left behind.

Antoneta Alamat Kusijanović was born in 1985 in Dubrovnik, Croatia. She holds an MFA in directing from Columbia University in New York. Her most recent short, INTO THE BLUE, was awarded a Special International Jury Mention at the Berlinale in 2017.

Croatia, Slovenia, Sweden, 2017, Colour, 22 min, Croatian Režija / Director: Antoneta Alamat Kusijanović Scenarij / Screenplay: Christina Lazaridi Direktor fotografije / Director of Photography: Marko Brdar Montaža / Editor: Minji Kang Muzika / Music: Ivan Marinović, Evgueni Galperine Zvuk / Sound: Julij Zornik Kostimografija / Costume Design: Zjena Glamočanin Scenografija / Production Design: Marijo Šimić Producent / Producer: Zoran Dževerdanović, Barbara Vekarić, Vlaho Krile Produkcija / Production: Motion, Blade Production Uloge / Cast: Gracija Filipović, Vanesa Vidaković Natrlin, Dominik Duždević, Andro Režić, Nataša Dangubić, Marija Kohn Kontakt / Contact: Blade Production; Zoran Dževerdanović, dzeverdanovic@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – U PLAVETNILO / INTO THE BLUE (kratki film / short film) 2016 – AKO MORAMO UMRJETI / IF WE MUST DIE (kratki film / short film) 2015 – OKO ZA OKO / EYE FOR AN EYE (kratki film / short film) 2014 – JELKA / CHRISTMAS TREE (kratki film / short film) 2014 – NONINA (kratki film / short film)

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MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE

Wellness WELLNESS je film o odnosu između penzionerki Teri i Ilone, dugogodišnjih prijateljica, koje provode odmor u jednom wellness hotelu. Neprekidnim učešćem u raznim aktivnostima, Teri i Ilona pokušavaju suspregnuti vlastitu anksioznost, pri čemu na površinu izbijaju određene tajne. Na kraju dana, njihovo prijateljstvo, čiju okosnicu čine navika i međusobne tajne, dostiže tačku na kojoj su prisiljene preispitati ono što znaju jedna o drugoj, ali i o sebi samima.

Hungary, 2016, Colour, 16 min, Hungarian Režija / Director: Virág Szabó Scenarij / Screenplay: Virág Szabó Direktor fotografije / Director of Photography: Gábor Tausz Montaža / Editor: Csilla Zsély Zvuk / Sound: Máté Péterffy Kostimografija / Costume Design: Sára Bálint Scenografija / Production Design: Mihály Lukács Producent / Producer: Sándor Csortos Szabó Produkcija / Production: Budapest Film Produkciós Kft Uloge / Cast: Ibolya Csonka, Márta Egri, Zsolt Kovács Kontakt / Contact: Zsófi Herczeg; zsofi@daazo.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – WELLNESS (kratki film / short film) 2013 – ÁLMATLANSÁG / INSOMNIA (kratki film / short film)

Virág Szabó rođena je 1988. u Budimpešti. Pohađala je filmske studije na Univerzitetu za nauku Eötvös Lorand gdje je 2014. stekla zvanje magistrice. Njen prvi kratki, a ujedno i magistarski film INSOMNIA, na kojem je radila kao rediteljica i scenaristica, premijerno je prikazan na Filmskom festivalu Cinema Jove u Valensiji. Iste godine, kao scenaristica učestvovala je u programu Talents Sarajevo. E WELLNESS tells the story of the relationship of Teri and Ilona, two pensioners. The women have been friends for decades and are spending their vacation together in a wellness hotel. Through their constant activity, they try to suppress their anxieties, and during the day some unspoken secrets come to light. By the end of the day their friendship, based on habit and mutual concealment, reaches a point that makes both of them reconsider what they know about each other and themselves.

Virág Szabó was born in 1988 in Budapest. She studied film at Eötvös Lorand Science University and received her Master’s degree in 2014. INSOMNIA, her graduation film, was her first short feature as a director and screenwriter. It had its international premiere in the Cinema Jove Film Festival in Valencia in 2013. The same year, she attended Talents Sarajevo as a screenwriter.

SVJETSKA PREMIJERA / WORLD PREMIERE

Zabigyerek / Igrom slučaja / Come by Chance Adam je poslušno dijete. Ali kada ga majka zamoli da se oslobodi novorođenih kučića, Adam oklijeva. Levente Kölcsey rođen je u Mađarskoj. Studirao je na Akademiji za dramu i film u Budimpešti. IGROM SLUČAJA njegov je diplomski film. E Adam is an obedient child. But when his mother asks him to get rid of some newborn puppies, Adam hesitates.

Levente Kölcsey was born in Hungary, and studied at the Academy of Drama and Film in Budapest. COME BY CHANCE is his diploma film.

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Hungary, 2017, Colour, 20 min, Hungarian Režija / Director: Levente Kölcsey Scenarij / Screenplay: Levente Kölcsey Direktor fotografije / Director of Photography: Krisztián Pamuki, András Táborosi Montaža / Editor: Ágnes Grünvalszky Zvuk / Sound: Péter Terner, Bálint Zándoki, József Kardos Kostimografija / Costume Design: Krisztina Szakos Scenografija / Production Design: Lujza Pócsik Producent / Producer: Gábor Garami Produkcija / Production: Cinema-Film Uloge / Cast: Patrik Grofsits, Rozália Székely, László Felhőfi-Kiss, Tibor Somogyvári Kontakt / Contact: Levente Kölcsey; levente.kolcsey@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – ZABIGYEREK / COME BY CHANCE (kratki film / short film)

Takmičarski program – studentski film / Competition Programme – Student Film

13+, Nikica Zdunić

Čistoća / Clean, Neven Samardžić

Kötelék / Veza / Bond, Judit Wunder

Láthatatlanul / Nevidljivo / Invisibly, Áron Szentpéteri

Ljubav / Love, Dušan Zorić

Ljubljana – München 15:27 / Ljubljana – Munich 15:27, Katarina Morano

Mathias, Clara Stern

Nikog nema / Nobody Here, Jelena Gavrilović

Satseva / Serving God, Inga Kukobat

Second Hand, Noémi Barkóczi

Vulkánsziget / Vulkansko ostrvo / Volcano Island, Anna Katalin Lovrity

Wannabe, Jannis Lenz

Život traje tri dana / Life Lasts Three Days, Katarina Koljević

212, Boaz Frankel

Anna, Or Sinai

Beit Ha’Ilemet / Kuća nijeme žene / The Mute’s House, Tamar Kay

Početak novih priča / The Beginning of New Stories

Asja Krsmanović

Sarajevo Film Festival, kao festival otkrića, već godinama prikazuje studentske filmove u različitim takmičarskim i netakmičarskim sekcijama. Kako bi afirmisali mlade autore na samom početku njihovog stvaralaštva, odlučili smo im dati poseban okvir, zbog čega smo otvorili novu sekciju Takmičarski program – Studentski film. Potvrda neophodnosti ove novine očituje se već u količini prijavljenih filmova – njih 260, od kojih će publika imati priliku vidjeti 16 najboljih – 13 u konkurenciji i 3 filma gostujuće filmske škole. Neopterećeni finansiranjem i plasmanom filma, njegovim formatom i trajanjem, jedino tokom školovanja reditelji imaju posebnu vrstu kreativne slobode. Nesputanog entuzijazma oni pričaju priče koje ih se tiču, pokazujući time da i mlada generacija može artikulisati svoju stvarnost i ispoljiti maštu i kreativnost na zreo i relevantan način. Njihov festivalski život dolazi kao neočekivana nagrada, ali i kao prvi susret sa onim što ih čeka nakon što završe školovanje i krenu putem svog profesionalnog razvoja. U selekciji dominiraju igrani filmovi, njih deset, od kojih je većina nastala kao diplomski ili magistarski rad. Neki od autora ovih filmova naginju formi srednjeg metra, pokazujući time spremnost za snimanje složenijih i komplikovanijih priča. Takav je slučaj sa slovenačkim filmom LJUBLJANA – MÜNCHEN 15:27 / LJUBLJANA – MUNICH 15:27 Katarine Morano sa Akademije za film i pozorište u Ljubljani, koji se našao i u Future Frame selekciji Međunarodnog filmskog festivala Karlovy Vary, i koji na melanholičan način portretira ljudski strah od velikih životnih promjena. Bosanskohercegovački film ČISTOĆA Nevena Samardžića sa Akademije scenskih umjetnosti u Sarajevu tretira problem ovisnosti u tranzicijskoj stvarnosti savremenog Sarajeva, a mađarski film – nastao na Univerzitetu za teatar i film u Budimpešti, a premijerno prikazan u Cinéfondation sekciji filmskog festivala u Cannesu – LÁTHATATLANUL / NEVIDLJIVO Árona Szentpéterija, zanimljiv je uvid u život glavnog junaka koji je slijep. Iako ostaju u formatu kratkog metra, ovoj tendenciji pridružuju se i austrijski filmovi sa Filmske akademije u Beču – WANNABE Jennis

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Lenz i MATHIAS Clare Stern. Oba filma se bave mladim ljudima, prvi tretirajući potrebu za samopotvrđivanjem kroz društvene mreže, a drugi društvenim i privatnim aspektima rodne i spolne tranzicije lika. Film Nikice Zdunić, 13+, nastao na Akademiji dramskih umjetnosti u Zagrebu, još je jedna priča o odrastanju i sazrijevanju. Sa Fakulteta dramskih umetnosti u Beogradu prikazat ćemo diplomski rad Katarine Koljević ŽIVOT TRAJE TRI DANA, i magistarski rad Jelene Gavrilović NIKOG NEMA, koji je svoju međunarodnu premijeru imao u takmičarskoj sekciji Filmskog festivala u Locarnu. Obje autorice suptilno se bave klasnim pitanjima kroz intimne porodične priče. Sa istog fakulteta dolazi i jedan od dva dokumentarna filma u ovogodišnjoj selekciji – LJUBAV Dušana Zornića, jednostavan i efektan portret tinejdžerskog porno glumca koji odrasta u srbijanskoj provinciji. Dokumentarni film Inge Kukobat SATSEVA minuciozno je režiran portret lika, film o usamljenosti i anticipiranju smrti, a dolazi sa Akademije umjetnosti u Banjaluci kao drugi bosanskohercegovački film u selekciji. Sva tri animirana filma u konkurenciji dolaze iz Mađarske i odlikuju ih izuzetna likovnost i animacijska tehnika, ali prije svega velika rediteljska maštovitost i inventivnost. Sa Moholy-Nagy Univerziteta za umjetnost i dizajn stižu filmovi KÖTELÉK / VEZA, rediteljice Judit Wunder i VULKÁNSZIGET / VULKANSKO OSTRVO, diplomski film rediteljice Anne Katalin Lovrity, premijerno prikazan na Filmskom festivalu u Berlinu u programu Generation Kplus. Sa Metropolitan Univerziteta dolazi duhovita animacija rediteljice Noémi Barkóczi SECOND HAND. Van konkurencije prikazat ćemo dva kratkometražna igrana i jedan dokumentarni film gostujuće škole Sam Spiegel iz Jerusalema. ANNA, rediteljice Or Sinai, drama je o ženi koja pokušava da preuzme kontrolu nad svojim životom, i prošlogodišnji pobjednički film programa Cinéfondation Filmskog festivala u Cannesu. Film 212 Boaza Frankela prati radnika noćne smjene u staračkom domu, gdje smrt postaje još jedna od njegovih usputnih obaveza. Dokumentarni film BEIT HA’ILEMET / KUĆA

NIJEME ŽENE Tamar Kay prikazuje rat iz dječije perspektive. I dok možda još uvijek ne možemo definisati jedinstveni glas nove generacije, možemo ustanoviti da ovaj zbor različitih glasova većinski čine žene, njih čak jedanaest. Svi filmovi u ovogodišnjoj selekciji i tematski i stilski su različiti i pokazuju različite pristupe koliko shvatanju samog filma, toliko i shvatanju života i svijeta uopšte. Većina autora bavi se mladima i njihovim problemima, njihovim strahovima i željama, ali svaki od njih radi to na jedinstven i sebi svojstven način. Da je njihov pristup prepoznat kao relevantan, svjedoči i prisustvo nekih od filmova na velikim filmskim festivalima. U njihovim rediteljskim namjerama dostojno ih prati i nova generacija glumaca, scenarista, direktora fotografije i drugih kreativnih saradnika. Sigurni smo da će sa ovim autorima budućnost regionalne kinematografije biti kvalitetna i uzbudljiva. E As a festival on a mission to discover new talents, the Sarajevo Film Festival has long been screened student films in its various competition and non-competition sections. In order to promote filmmakers who are at the beginning of their careers, we introduce a brand-new section: Competition Programme– Student Film, dedicated solely to these young auteurs. There is no doubt that this decision was justified, considering that we received 260 submissions for the new section. The final competition line-up includes 13 films, while three further films produced by students of the Sam Spiegel Film School in Jerusalem will be screened out of competition. Student directors have a unique creative freedom because they do not have to worry about funding or distribution, nor about the format or duration of their films. They tell their stories with unbridled enthusiasm, proving that youngsters can articulate their reality and show their imagination and creativity in a mature and relevant way. Entering the film festival circuit is an added bonus for them, but it also gives them their first taste of the reality that awaits them once they complete their education and begin their professional careers.

The student film line-up is dominated by works of fiction, as it includes 10narrative works, most of which were produced as graduation films.

Inga Kukobat of the Banja Luka Arts Academy, is a carefully directed tale of loneliness and the anticipation of death.

The selection includes some medium-length films that indicate their author’s readiness to delve into more complex and complicated film projects. One such film is LJUBLJANA – MÜNCHEN 15:27 / LJUBLJANA – MUNICH 15:27, by Katarina Morano, a student at the Academy for Film and Television in Ljubljana. A melancholic portrayal of the fear of major life changes, Morano’s film was previously screened in the Future Frame section at the Karlovy Vary Film Festival.

Hungary contributed the three animated films in our line-up, which are characterised by exquisite visual identity and animation techniques, but primarily by the directors’ imagination and ingenuity. Moholy-Nagy University is represented by Judith Wunder’s KÖTELÉK/ BOND and Anne Katalin Lovrity’s VULKÁNSZIGET/ VOLCANO ISLAND, which premiered in the Generation Kplus section at the Berlinale, while Metropolitan University is represented by Noémi Barkóczi’s humorous animated SECOND HAND.

ČISTOĆA / CLEAN by Neven Samardžić, a film student at the Sarajevo Academy of Performing Arts, explores the problem of drug addiction in contemporary Sarajevo, while LÁTHATATLANUL / INVISIBLY, a selection of the Cinéfondation section at the Cannes Film Festival by University of Theatre and Film Arts of Budapest student Áron Szentpéteri, offers an interesting insight into the life of its blind protagonist.

Two shorts and one documentary produced by students of the Jerusalem-based Sam Spiegel Film&Television School will screen out of competition. The shorts are Or Sinai’s ANNA, about a woman who tries to gain control of her life, which was the 2016 winner of the First Prize of the Cinéfondation Selection at Cannes, and Boaz Frankel’s 212, about the night staff at an old people’s home, who perceive death as just another work assignment. The out-of-competition programme is rounded off by Tamar Kay’s documentary BEIT HA’ILEMET / THE MUTE’S HOUSE, which presents war as seen through the eyes of a child.

While remaining faithful to the short film format, Film Academy in Vienna students Jennis Lenz and Clare Stern also show maturity in their respective films WANNABE and MATHIAS. Both films focus on young people, but while the first looks at the ways in which youth use social networks to enhance their self-esteem, the second examines the social and personal impact of gender transition. Nikica Zdunić from the Academy of Dramatic Arts in Zagreb offers another coming-of-age story13+. The Faculty of Dramatic Arts in Belgrade is represented by Katarina Koljević’s graduation film ŽIVOT TRAJE TRI DANA / LIFE LASTS THREE DAYS and Jelena Gavrilović’s Master’s degree film project NOBODY HERE, which premiered in competition at the Festival del Film Locarno. Both directors subtly make use of their intimate family films to explore issues related to class divisions and inequality. One of the two documentary films in the competition is also the work of a student of the Belgrade Faculty, Dušan Zornić. His documentary LJUBAV / LOVE is a simple and effective portrayal of a teenage porn actor growing up in rural Serbia. SATSEVA / SERVING GOD, by

While it might be too early for us to identify the unique voice of the new generation of filmmakers, we can say with certainty that most – in fact 11 of them – are women. The selected filmmakers differ in style and in their choice of stories, but also in their approach to filmmaking and their understanding of the world and life in general. However, most of them focus on young people and their problems, fears and desires. The relevance of their approach is confirmed by the acceptance of their films into some of world’s leading film festivals. These directors are accompanied in their work by a new generation of actors, screenwriters, cinematographers and other creative talents. We have no doubt these filmmakers herald an exciting and excellent future for regional cinema. Asja Krsmanović Selektorica / Programmer

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REGIONALNA PREMIJERA / REGIONAL PREMIERE

13+ Janka je na pragu puberteta i zaokupljena je plesom na koji ide s prijateljicom Zoranom. Dok se Zorana bavi tipičnim tinejdžerskim stvarima – ljubljenjem, odjećom i tulumima – Janka pokušava ostati u dječijem svijetu. Prolazeći kroz probleme i poraze, koji se u očima djevojčice čine velikima, Janka ulazi u svijet tinejdžera htjela to ili ne. Nikica Zdunić rođena je 1988. godine u Gospiću, Hrvatska. Pohađa prvu godinu magistarskog studija filmske i televizijske režije na Akademiji dramske umjetnosti u Zagrebu. Aktivna je članica Kinokluba Zagreb. E Janka is on the verge of puberty. While attending dance class with her friend Zorana, who is preoccupied with topics such as kissing, new clothes and parties, Janka is trying to retain her childish innocence for as long as possible. But she cannot escape the inevitable changes every girl has to undergo.

Croatia, 2016, Colour, 21 min, Croatian Režija / Director: Nikica Zdunić Scenarij / Screenplay: Nikica Zdunić Direktor fotografije / Director of Photography: Mario Pućić Montaža / Editor: Denis Golenja Muzika / Music: Kimekai Zvuk / Sound: Denis Golenja Kostimografija / Costume Design: Iva Maria Jurić, Hana Grebenar Scenografija / Production Design: Iva Maria Jurić, Hana Grebenar Producent / Producer: Tajana Bakota Produkcija / Production: Academy of Dramatic Art, Zagreb Uloge / Cast: Nataša Dangubić, Nika Dolušić, Klara Kovačić Kontakt / Contact: Tajana Bakota; tajana.bakota@yahoo.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – 13+ (kratki film / short film) 2016 – SANJA (kratki dokumentarni / short doc.) 2015 – GENERATION 0 (kratki film / short film) 2014 – BRANCHES AND ROOTS (kratki dokumentarni / short doc.)

Nikica Zdunić was born in 1988 in Gospić, Croatia. She is a first year MA student in the Film and Television Directing programme at the Academy of Dramatic Art in Zagreb. Zdunić is an active member of Kinoklub Zagreb.

SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2017, Colour, 38 min, Bosnian

Čistoća / Clean Fudo je narkoman koji, nakon smrti najboljeg prijatelja, odluči da se skine s heroina i pomiri s majkom. Etiketa narkomana ga i dalje prati i niko ne vjeruje u iskrenost njegove promjene. Otuđen od svoje okoline i moren osjećajem krivice zbog smrti prijatelja, u opasnosti je da se vrati starom životu. Neven Samardžić rođen je 1986. godine u Sarajevu. Diplomirao je na Odsjeku za režiju na Akademiji scenskih umjetnosti u Sarajevu. Autor je nekoliko studentskih kratkih filmova i predstava, kao i nekoliko spotova, a radio je kao reditelj i asistent reditelja na dokumentarnom serijalu “Hoću kući”. ČISTOĆA je njegov diplomski film. E Fudo is a drug addict who decides to quit heroin and reconcile with his mother after his best friend dies. However, people continue to perceive him as an addict and refuse to believe he has really changed. Estranged from the people around him and tortured by feelings of guilt over his best friend’s death, Fudo is at risk of returning to his old life.

Neven Samardžić was born in 1986 in Sarajevo. He graduated from the Directing Department of the Academy of Performing Arts in Sarajevo. He has directed several short student films and plays for theatre, as well as a number of music videos. He worked as a director and an assistant director on the television series “I Want to Go Home”. CLEAN is his graduation film.

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Režija / Director: Neven Samardžić Scenarij / Screenplay: Neven Samardžić Direktor fotografije / Director of Photography: Amel Đikoli Montaža / Editor: Saša Peševski Muzika / Music: Sloven Anzulović Zvuk / Sound: Predrag Doder Kostimografija / Costume Design: Lejla Graho Scenografija / Production Design: Mario Ivezić Producent / Producer: Snežana Marić Produkcija / Production: Academy of Performing Arts, Sarajevo; Refresh Production Uloge / Cast: Nerman Mahmutović, Mirela Lambić, Aleksandar Seksan, Davor Golubović, Benjamin Bajramović, Sanin Milavić, Mirvad Kurić, Admir Šehović Kontakt / Contact: Neven Samardžić; samardzic.neven@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – ČISTOĆA / CLEAN (kratki film / short film)

BiH PREMIJERA / B&H PREMIERE Hungary, 2016, Colour, 10 min, No Dialogue Režija / Director: Judit Wunder Scenarij / Screenplay: Judit Wunder Montaža / Editor: Judit Czakó Muzika / Music: Gergely Buttinger Zvuk / Sound: Tamás Beke Producent / Producer: József Fülöp Produkcija / Production: Moholy- Nagy University of Art and Design Kontakt / Contact: Eszter Glaser; glaser@mome.hu FILMOGRAFIJA / FILMOGRAPHY: 2017 – KÖTELÉK / BOND (kratki animirani / short animated)

Kötelék / Veza / Bond Žena koja živi u apsolutnoj samoći očajnički pokušava pronaći ljubav. Upoznaje čudno stvorenje nalik mački. Uspostavljaju se nove veze nakon što žena na svijet donese tri mačića. Judit Wunder diplomirala je na Odsjeku za animaciju čuvenog Univerziteta za umjetnost i dizajn Moholy-Nagy, gdje je i napravila svoj prvi kratki animirani film VEZA. Kao dizajnerica produkcije radila je na nekoliko kratkih filmova. Wunder je i autorica kratkih animiranih filmova koji su uvršteni u stalne i privremene izložbene postavke muzeja Buda Castle. E A woman who lives in complete solitude is desperately trying to find love. She meets up with a shadow creature that looks like a cat. New bonds evolve as the woman gives birth to three kittens.

Judit Wunder graduated from the Animation Department of the renowned Moholy-Nagy University of Art and Design, where she made her debut short animated film BOND. She has worked on several short films as a production designer, and has made animated short films for the Buda Castle Museum’s permanent and temporary exhibitions.

REGIONALNA PREMIJERA / REGIONAL PREMIERE

Láthatatlanul / Nevidljivo / Invisibly Dvoje ljudi upoznaje se u mraku jedne nevidljive izložbe. Tokom cijeloga filma pratimo kako se međusobno približavaju i udaljavaju, prelazeći slabo definisane granice. Granice koje postoje između ljudi i u ljudima, a koje su uglavnom nevidljive. I to ne samo slijepima. Áron Szentpéteri rođen je 1987. godine. Nakon što je snimio dva kratka filma i stekao diplomu iz kognitivnih nauka, 2015. godine je upisao studij režije na Univerzitetu za pozorište i film u Budimpešti, u klasi profesorice Ildikó Enyedi. Njegov školski film NEVIDLJIVO premijerno je prikazan u maju 2017. u sklopu programa Cinéfondation na Filmskom festivalu u Cannesu. Szentpéteri trenutno priprema svoj diplomski film.

Hungary, 2017, Colour, 32 min, English, Hungarian Režija / Director: Áron Szentpéteri Scenarij / Screenplay: Áron Szentpéteri Direktor fotografije / Director of Photography: Zoltán Dévényi Montaža / Editor: Anna Vághy Muzika / Music: Jerome Li-Thiao-Té Zvuk / Sound: Andor Horváth Kostimografija / Costume Design: Anna Rubi Scenografija / Production Design: Anna Ninausz Producent / Producer: Áron Szentpéteri, Mónika Mécs, András Muhi Produkcija / Production: University of Theatre and Film Art, Budapest Uloge / Cast: Tamás Barkó, Bettina Józsa, Jákob Ladányi, Áron Ócsvári Kontakt / Contact: Gábor Osváth; gosvath@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – LÁTHATATLANUL / INVISIBLY (kratki film / short film) 2014 – DELFINKIRÁLY (kratki film / short film)

E Two people meet in the darkness of an invisible exhibition. Over the course of the film, we follow them as they get closer and move apart from each other, crossing blurry boundaries – the boundaries that exist between and within people, and that are the most invisible. Not only for the blind.

Áron Szentpéteri was born in 1987. Having completed two short films and a degree in Cognitive Science, he started studying Film Directing at the University of Theatre and Film Arts of Budapest (SZFE) in 2015, in the class of Ildikó Enyedi. His school project INVISIBLY debuted at the Cinéfondation of the Cannes Film Festival in 2017. Szentpéteri is currently preparing his graduation film.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE

Ljubav / Love Tinejdžerski porno glumac u potrazi je za uspjehom, ljubavlju i prihvatanjem. Dušan Zorić rođen je 1992. u Zagrebu. Nakon što je kratko vrijeme studirao medicinu, prebacuje se na studij filmske i TV režije na Fakultetu dramskih umetnosti u Beogradu. Trenutno je na trećoj godini studija.

Serbia, 2016, Colour, 16 min, Serbian Režija / Director: Dušan Zorić Scenarij / Screenplay: Dušan Zorić Direktor fotografije / Director of Photography: Milan Petković Montaža / Editor: Olga Košarić Zvuk / Sound: Milan Antić Producent / Producer: Visnja Nikitin Produkcija / Production: Faculty of Dramatic Arts, Belgrade Kontakt / Contact: Nada Savić; nada.savic@fdu.bg.ac.rs FILMOGRAFIJA / FILMOGRAPHY: 2016 – INTERMEZZO (kratki film / short film) 2016 – PARALIZA / PARALYSIS (kratki film / short film) 2016 – LJUBAV / LOVE (kratki dokumentarni film / short doc.)

E A teenage porn actor searches for success, acceptance and love.

Dušan Zorić was born in 1992 in Zagreb. After studying Medicine for a short period, he began studying Film and Television Directing at the Faculty of Dramatic Arts in Belgrade. He is currently in his third year of studies.

BiH PREMIJERA / B&H PREMIERE

Ljubljana – München 15:27 / Ljubljana – Munich 15:27 Mala radi u kopirnici, privremeno, dok ne nađe nešto bolje. Jure radi na građevini, privremeno, da zaradi nešto malo, dok ne nađe nešto bolje. Mala i Jure žive u malom, potkrovnom stanu, privremeno, dok se malo ne snađu i ne nađu nešto bolje. U njihov privremeni život za dva mjeseca ući će dijete. Katarina Morano rođena je 1988. godine u Kranju, Slovenija. S kratkim igranim filmom WHERE TO osvojila je Nagradu žirija Međunarodnog festivala studentskog filma Kinoproba u Rusiji 2013, Specijalnu nagradu za scenarij na Filmskom festivalu u Herceg Novom 2014. i nominaciju za nagradu Studentski Oskar po izboru Studentske filmske akademije u Los Angelesu 2014. LJUBLJANA – MÜNCHEN 15:27 je njen diplomski film. E Mala works in a print shop – temporarily, until she finds something better. Jure works in construction building, temporarily, just to earn some money, until he finds something better. They live in a small attic apartment, temporarily, until things settle and they find something better. Just two more months and little Rubi will come into this temporary world.

Katarina Morano was born in 1988 in Kranj, Slovenia. Her short fiction film WHERE TO took the Diploma of the Jury at the Russian International School Festival Kinoproba in 2013, a Special Award for Best Screenplay at the Film Festival Herceg Novi in Montenegro in 2014, and was nominated for a Student Academy Award in 2014. LJUBLJANA – MUNICH 15:27 is her graduation film. 52 23. Sarajevo Film Festival l TAKMIČARSKI PROGRAM – STUDENTSKI FILM

Slovenia, 2016, Colour, 42 min, Slovenian Režija / Director: Katarina Morano Scenarij / Screenplay: Katarina Morano Direktor fotografije / Director of Photography: Domen Martinčič Montaža / Editor: Andrej Nagode Zvuk / Sound: Peter Žerovnik Kostimografija / Costume Design: Ilina Čolak Scenografija / Production Design: Neža Zinajić Producent / Producer: Nina Robnik Produkcija / Production: Academy for Theater, Radio, Film and Television, Ljubljana Uloge / Cast: Hana Vodeb, Jure Henigman, Tijana Zinajić, Borja Srdić Kontakt / Contact: Lilijana Bibič; Lili.Bibic@agrft.uni-lj.si FILMOGRAFIJA / FILMOGRAPHY: 2016 – LJUBLJANA – MÜNCHEN 15:27 / LJUBLJANA – MUNICH 15:27 (kratki dokumentarni film / short doc.) 2013 – KAM / WHERE TO (kratki film / short film) 2012 – BENJAMIN (kratki dokumentarni film / short doc.)

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE

Mathias Mathias je nekada bio Magda, ali njegove radne kolege to ne trebaju znati. Novi posao je još jedan korak u Mathiasovom životu s novoizabranim identitetom. Iako je njegova odluka o promjeni pola bila ispravna, ona u sve većoj mjeri izaziva teške posljedice. Situacija je slična i u njegovoj dugogodišnjoj vezi s partnericom Marie. Clara Stern rođena je 1987. godine u Beču. Režiju i scenarij studirala je na Filmskoj akademiji u Beču. Stern je 2016. osvojila Carl-Mayer nagradu za scenarij koju dodjeljuje grad Graz. Njen film MATHIAS proglašen je najboljim kratkim igranim filmom na ovogodišnjem Festivalu austrijskog filma Diagonale. E Mathias was once Magda, but he does not mean for his work colleagues to find out. A new job is another step for Mathias in living his chosen identity. Although his transition was the right thing, it increasingly gives rise to difficult consequences, including with regard to his relationship with his long-term partner, Marie.

Clara Stern was born in 1987 in Vienna. She sudied Directing and Screenplay Writing at the Film Academy Vienna. Stern was awarded the Carl Mayer Screenplay Award in the city of Graz in 2016. In 2017, her film MATHIAS was named Best Fiction Short Film at the Diagonale, Festival of Austrian Film.

Austria, 2017, Colour, 30 min, German Režija / Director: Clara Stern Scenarij / Screenplay: Clara Stern, Johannes Höss Direktor fotografije / Director of Photography: Johannes Höss Montaža / Editor: Matthias Writze Muzika / Music: Wobblersound Zvuk / Sound: Theda Schifferdecker, Nora Czamler Kostimografija / Costume Design: Kathi Wolschlager Scenografija / Production Design: Antoinette Höring, Constance Stein Producent / Producer: Silvia Winzinger, Chris Dohr Produkcija / Production: Film Academy Vienna Uloge / Cast: Gregor Kohlhofer, Magdalena Wabitsch, Ahmet Simsek, Michael Edlinger, Brigitta Kanyaro, Barbara Gassner Kontakt / Contact: Katja Jäger; jaeger-ka@mdw.ac.at FILMOGRAFIJA / FILMOGRAPHY: 2017 – MATHIAS (kratki film / short film) 2016 – WARTEZEIT / WAITING TIME (kratki film / short film) 2016 – NACHTLICHT / NIGHT LIGHT (kratki film / short film) 2015 – LEUCHTKRAFT / LUMINANCE (kratki dokumentarni film / short doc.) 2013 – ERNTEZEIT / HARVEST TIME (kratki film / short film)

REGIONALNA PREMIJERA / REGIONAL PREMIERE

Nikog nema / Nobody Here Sara je sedamnaestogodišnjakinja koja je i dalje opsjednuta svojim bivšim dečkom Sergejom. U nedostatku očinske figure, utjehu pronalazi u tjelohranitelju Dušanu. Jelena Gavrilović rođena je 1990. godine u Beogradu. Diplomirala je na Katedri za filmsku i TV režiju na Fakultetu dramskih umetnosti u Beogradu. Njeni kratki studentski filmovi prikazivani su i nagrađivani na mnogobrojnim festivalima. U sklopu platforme Sarajevo grad filma, režirala je film NEŠTO SLATKO 2012. godine. Godinu dana kasnije, Gavrilović je režirala prvu balkansku web seriju “#SamoKažem”, a serija je dobila prestižnu nagradu Satelit u Hollywoodu za najbolji novi originalni format. E Seventeen-year-old Sara is obsessed with her former boyfriend Sergej. To compensate for the absence of a father figure in her life, she finds comfort with Dušan, a bodyguard.

Jelena Gavrilović was born in 1990 in Belgrade. She graduated from the Department of Film and TV Directing of the Faculty of Dramatic Arts in Belgrade. Her short student films were screened and won awards in numerous film festivals. In 2012, she directed NEŠTO SLATKO, a film produced under the Sarajevo City of Film platform. A year later, she directed the first Balkan web series “#SamoKažem”, which won the prestigious International Press Academy’s Satellite Award in Hollywood in the Original New Format category.

Serbia, 2017, Colour, 20 min, Serbian Režija / Director: Jelena Gavrilović Scenarij / Screenplay: Dimitrije Kokanov, Jelena Gavrilović Direktor fotografije / Director of Photography: Igor Đorđević Montaža / Editor: Ana Žugić Zvuk / Sound: Aleksandar Rančić, Danica Maksimović Kostimografija / Costume Design: Vladislava Joldžić Scenografija / Production Design: Livija Mikić Producent / Producer: Nada Savić Produkcija / Production: Film Centre Serbia, Faculty of Dramatic Arts Uloge / Cast: Teodora Janković, Igor Benčina, Miodrag Dragičević, Nina Popović Kontakt / Contact: Jelena Gavrilović; jelenanuna@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – NIKOG NEMA / NOBODY HERE (kratki film / short film) 2017 – IZMEĐU GRANICA (dokumentarni film / documentary) 2015 – SVE JE VIŠE STVARI KOJE DOLAZE / WITH MANY THINGS TO COME (kratki film / short film) 2013 – #SAMOKAŽEM (web serija / web series) 2013 – JA NISAM TVOJ DRUG (kratki film / short film) 2012 – NEŠTO SLATKO / SOMETHING SWEET (kratki film / short film) 2012 – BIBI (kratki dokumentarni film / short doc.) 2012 – MOMCI, GDE STE / BOYS, WHERE ARE YOU (kratki film / short film)

COMPETITION PROGRAMME – STUDENT FILM l 23. Sarajevo Film Festival 53

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE

Satseva / Serving God U monotoniji sopstvene svakodnevnice, na mjestu na kojem se ništa ne dešava, u potpunoj samoći stogodišnja baka iščekuje svoj posljednji čas. Inga Kukobat rođena je 1993. u Prijedoru, Bosna i Hercegovina. Studentica je druge godine filmske i televizijske režije na Akademiji umjetnosti Univerziteta u Banjoj Luci, u klasi profesora Saše Hajdukovića.

Bosnia and Herzegovina, 2017, Black & White, 10 min, Serbian Režija / Director: Inga Kukobat Scenarij / Screenplay: Inga Kukobat Direktor fotografije / Director of Photography: Danijel Špadić Montaža / Editor: Inga Kukobat Zvuk / Sound: Inga Kukobat Producent / Producer: Inga Kukobat, Danijel Špadič Produkcija / Production: Academy of Arts Banja Luka Uloge / Cast: Pava Turudija Kontakt / Contact: Inga Kukobat; ingakukobat@yahoo.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – SATSEVA / SERVING GOD (kratki dokumentarni / short doc.) 2016 – BEZDAN (kratki film / short film)

E A 100-year-old woman lives in a remote area where nothing ever happens and where the daily rituals of her monotonous life are the only story.

Inga Kukobat was born in 1993 in Prijedor, Bosnia and Herzegovina. She is currently in her second year of studies in Film and TV Directing at the Arts Academy of the University of Banja Luka, in the class of Saša Hajduković.

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE

Second Hand Mačak nam priča o uzbudljivom i zahtjevnom životu jednog mačijeg džempera. Priča nam priču o sretnom djetinjstvu, kao i avanturama s mladom hipstericom i mirnom periodu života s jednim penzionerom. Džemper se zaljubljuje u svakog od svojih vlasnika, ali ga oni na kraju uvijek razočaraju. Džemper konačno odluči da bude sam, ali u njemu se opet budi nada kada upozna novu zanimljivu osobu. Noémi Barkóczi je 2017. godine stekla diplomu stručnjakinje za film i medije uz certifikat za bavljenje grafičkim dizajnom. Godinu dana ranije je s filmom SECOND HAND diplomirala animacijski dizajn na Univerzitetu Metropolitan u Budimpešti. E This is a story about the challenging and exciting life of a cat sweater. The cat tells us the story of his life, through which we hear of his early happy years, his adventures with a young hipster girl and a peaceful period living with a pensioner. The jumper falls in love again and again with his owners, but eventually he is disappointed in every one of them. In the end, he decides to remain single, but hope arises again when he meets another interesting person.

Noémi Barkóczi graduated in 2017 as a Film and Media Specialist accompanied by a certificate in Graphic Design. In 2016, she received her diploma from Budapest Metropolitan University as an animation designer for her diploma film, SECOND HAND.

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Hungary, 2016, Colour, 5 min, Hungarian Režija / Director: Noémi Barkóczi Scenarij / Screenplay: Noémi Barkóczi Montaža / Editor: Noémi Barkóczi Muzika / Music: Barna Szőke Zvuk / Sound: Barna Szőke Scenografija / Production Design: Noémi Barkóczi Producent / Producer: Éva M Tóth, Krisztina Holló Leleszi Produkcija / Production: Metropolitan University, Budapest Uloge / Cast: Narration: Gábor Csőre Kontakt / Contact: Janka Barkóczi; jbarkoczi@metropolitan.hu FILMOGRAFIJA / FILMOGRAPHY: 2016 – SECOND HAND (kratki film / short film)

BiH PREMIJERA / B&H PREMIERE

Vulkánsziget / Vulkansko ostrvo / Volcano Island Mlada, naivna tigrica živi na ostrvu u skladu sa samom sobom i prirodom. Nakon što jedan stariji tigar počne primjećivati njenu pupajuću ženstvenost, tigrica biva prisiljena živjeti u sve većem strahu od njegovih žustrih nasrtaja u nemogućnosti da pobjegne s izolovanog otoka. Ali vulkansko ostrvo odražava osjećaje mlade ženke, koja uz pomoć prirode konačno uspijeva ostvariti vlastitu volju. Anna Katalin Lovrity rođena je 1990. u Budimpešti. Zvanje magistrice animacije stekla je 2016. na Univerzitetu Moholy Nagy, a njen diplomski film VULKANSKO OSTRVO premijerno je prikazan na Filmskom festivalu u Berlinu 2017.

Hungary, 2017, Colour, 9 min, No Dialogue Režija / Director: Anna Katalin Lovrity Scenarij / Screenplay: Anna Katalin Lovrity Direktor fotografije / Director of Photography: Anna Katalin Lovrity Montaža / Editor: Judit Czakó Muzika / Music: Bálint Szabó Zvuk / Sound: Péter Benjamin Lukács Kostimografija / Costume Design: Anna Katalin Lovrity Scenografija / Production Design: Anna Katalin Lovrity Producent / Producer: József Fülöp Produkcija / Production: Moholy– Nagy University of Art and Design, Budapest Kontakt / Contact: Eszter Glaser; glaser@mome.hu FILMOGRAFIJA / FILMOGRAPHY: 2017 – VULKÁNSZIGET / VOLCANO ISLAND (kratki animirani / short animated) 2015 – PASSION PANTHER (kratki animirani / short animated) 2013 – TALE SHOP (kratki animirani / short animated) 2012 – PINK GRASS (kratki animirani / short animated)

E A young, naive female tiger lives on an oceanic island in harmony with herself and nature. When her awakening femininity is noticed by an older male tiger, the young tigress is getting more and more scared by his heated approach. But it is impossible to escape on the secluded island. The feelings of the young animal are reflected by the volcano island, and with the help of nature, she can finally act upon her own will.

Anna Katalin Lovrity was born in 1990 in Budapest. She graduated from MOME in 2016 with a MA in Animation, and the premiere screening of her graduation film VOLCANO ISLAND took place at the Berlinale in 2017.

REGIONALNA PREMIJERA / REGIONAL PREMIERE

Wannabe Coco ima 17 godina i očajnički želi postati poznata iako se čini da ne posjeduje ikakav talenat. Kao multimedijalni projekt, spoj filma i online video produkcije, WANNABE govori o mladoj youtuberici koja na Internetu gradi izmišljeni svijet. Jannis Lenz rođen je 1983. godine u Stuttgartu, Njemačka. Sa svojim prvim filmom, SHADOWBOXER, osvojio je više festivalskih nagrada, uključujući nagradu za najbolji kratki film na Festivalu austrijskog filma Diagonale. Lenzov diplomski film s Filmske akademije u Beču, WANNABE, osvojio je EFA nagradu na Filmskom festivalu Clermont-Ferrand i nominaciju za nagrade Evropske filmske akademije za 2017. E Coco is 17 and feels a desperate need to become famous, even though she seems to lack the necessary talent. As a crossmedia project, connecting film with the online video scene, WANNABE tells the story of a young YouTuber who builds herself a fictitious world on the Internet.

Austria, Germany, 2017, Colour, 29 min, German Režija / Director: Jannis Lenz Scenarij / Screenplay: Jannis Lenz, Matthias Writze, Andi Widmer Direktor fotografije / Director of Photography: Andi Widmer Montaža / Editor: Alexander Rauscher Muzika / Music: Mirac, Bendejo, Abgeschirmt Zvuk / Sound: Rudolf Pototschnig, Alexander Rauscher Kostimografija / Costume Design: Eva Zar Scenografija / Production Design: Winnie Küchl Producent / Producer: Lukas Zweng Produkcija / Production: Film Academy Vienna Uloge / Cast: Anna Suk, Simone Fuith, Mathias Dachler, Julia Plach, Merlin Leonhardt, Markus Schleinzer Kontakt / Contact: Katja Jäger; jaeger-ka@mdw.ac.at FILMOGRAFIJA / FILMOGRAPHY: 2017 – WANNABE (kratki dokumentarni film / short doc.) 2015 – SCHATTENBOXER / SHADOWBOXER (kratki film / short film) 2014 – DAHEIM UND DAZWISCHEN (kratki film / short film)

Jannis Lenz was born in 1983 in Stuttgart, Germany. SHADOWBOXER, his first film, won several awards, including the Best Short Fiction prize at the Diagonale-Festival of Austrian Film. WANNABE, his graduation film made at the Filmakademie Vienna, won the EFA Award at the Clermont-Ferrand International Short Film Festival, and is a nominee for the European Film Awards 2017.

COMPETITION PROGRAMME – STUDENT FILM l 23. Sarajevo Film Festival 55

SVJETSKA PREMIJERA / WORLD PREMIERE

Život traje tri dana / Life Lasts Three Days U potrazi za dobrim provodom, Bogdan i njegova dva prijatelja provaljuju u kuću u kojoj Bogdan radi kao čistač bazena. Nakon što se pijani posvađaju, Bogdan ostaje sam da počisti lom koji su napravili. Ujutru ga zatiče Svetlana, vlasnica kuće, bijesna zbog svog života i muža koji je ponovo vara. Iz straha ali i radoznalosti, Bogdan ostaje na doručku sa Svetlanom. Njihova veza tokom ta tri dana prolazi kroz sve faze kroz koje i inače prolaze veze u vanjskom svijetu; oni stvaraju svoj svijet u vakuumu tog prostora. Katarina Koljević rođena je 1993. godine u Beogradu. Godine 2012. upisala je Fakultet dramskih umetnosti, Katedru za filmsku i TV režiju. ŽIVOT TRAJE TRI DANA njen je diplomski film. E Bogdan, a pool cleaner in a luxury villa, breaks there with the intention of having a good time with his two friends. After the drunken brawl, Bogdan is left alone to clean up the resulting mess, but he falls asleep. The next morning, he is discovered there by Svetlana, the house owner, who is mad at her whole life, and mad at her cheating husband. A mix of fear and curiosity makes Bogdan accept Svetlana’s offer to stay for breakfast. The relationship that develops between them over the following three days goes through the same stages as any other relationship in the outside world; they create a world of their own in the vacuum the villa provides.

Serbia, 2017, Colour, 29 min, Serbian Režija / Director: Katarina Koljević Scenarij / Screenplay: Katarina Koljević Direktor fotografije / Director of Photography: Luka Trajković Montaža / Editor: Andrijana Krčmar, Matija Đukanović Muzika / Music: Jovan Marić Zvuk / Sound: Dane Vlaisavljević Kostimografija / Costume Design: Rialda Dizdarević Scenografija / Production Design: Damjan Paranosić Producent / Producer: Tatjana Žeželj, Pavle Vučković Produkcija / Production: Plan 9, Faculty of Dramatic Art, Belgrade Uloge / Cast: Slaven Došlo, Branka Katić, Miloš Timotijević, Milan Marić, Marko Grabež Kontakt / Contact: Katarina Koljević; katakoljevic@hotmail.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – ŽIVOT TRAJE TRI DANA / LIFE LAST FREE DAYS (kratki film / short film) 2015 – IZGLEDA DA SMO SAMI / IT LOOKS LIKE WE ARE ALONE (kratki film / short film) 2014 – POVRATAK (kratki film / short film) 2014 – SAMA (kratki film / short film)

Katarina Koljević was born in 1993 in Belgrade, and has been studying Film and TV Directing at the Faculty of Drama Arts in Belgrade since 2012. LIFE LASTS THREE DAYS is her graduation film.

OUT OF COMPETITION

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE

212 Gotovo uobičajen dan u životu šezdesetdvogodišnjeg Dorona, direktora općinskog staračkog doma u Jerusalemu. Pada kiša, neko mu je zauzeo rezervisano parking mjesto, a starac iz sobe 212, Bela Schorr, tog jutra je preminuo. Boaz Frankel rođen je 1985. godine u gradu Herzliya, Izrael. Svoj prvi film THE MESSENGER, koji je režirao zajedno s Yairom Agmonom, snimio je u sklopu velikog školskog filmskog projekta koji je prikazan širom svijeta pod naslovom FOOTSTEPS IN JERUSALEM. Tokom studija također je snimio I kratki fim ONE LAST MEMORY. 212 je njegov diplomski film. E It’s an almost ordinary winter day in the life of 62-year-old Doron, director of a municipal home for elderly citizens in Jerusalem. It rains; someone takes his reserved parking spot; and Bela Schorr, the occupant of room 212, passed away earlier in the day.

Boaz Frankel was born in 1985 in Herzliya, Israel. His first film, THE MESSENGER (co-directed with Yair Agmon), was part of the large school project FOOTSTEPS IN JERUSALEM, which screened all over the world. During his studies, he also made the short film ONE LAST MEMORY. 212 is his diploma film.

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Israel, 2016, Colour, 20 min, Hebrew Režija / Director: Boaz Frankel Scenarij / Screenplay: Boaz Frankel Direktor fotografije / Director of Photography: Nayef Hammoud Montaža / Editor: Boaz Frankel Zvuk / Sound: Rei Elbaz Producent / Producer: Uri Smoly Produkcija / Production: Sam Spiegel Film & Television School, Jerusalem Uloge / Cast: Moshe Ivgy, Lillian Barreto, Yair Raufman, Ronen Davidov, Adi Avrahami, Samira Saraya, Sasi Mato, Yehuda Cohen Kontakt / Contact: Cara Sposnik, cara@jsfs.co.il FILMOGRAFIJA / FILMOGRAPHY: 2017 – 212 (kratki film / short film) 2014 – ONE LAST MEMORY (kratki film / short film) 2013 – THE MESSENGER (kratki film / short film)

OUT OF COMPETITION

Anna Vreo je ljetni dan, a krojačica Anna ga provodi sama nakon što se prvi put, poslije više godina, razdvojila od svoga sina. Anna slobodnu noć provodi lutajući ulicama malog pustinjskog grada, u potrazi za muškarcem koji bi je dotakao pa makar na jedan tren. Or Sinai rođena je 1985. godine u Kfar Sabi, Izrael. Diplomirala je 2013. godine na Školi za film i televiziju Sam Spiegel u Jerusalemu. Njen debitantski film TWO prikazan je 2011. godine na Jerusalem Film Festivalu i na Međunarodnom festivalu ženskog filma u Yervanu u Armeniji. Sa svojim dokumentarnim filmom VIOLETA MI VIDA osvojila je nagradu Alex Bernstein Jerusalem Film Festivala 2012. godine i nagradu Discovery na Filmskom festivalu u Permu u Rusiji. ANNA je njen diplomski film.

Israel, 2015, Colour, 24 min, Hebrew, Russian Režija / Director: Or Sinai Scenarij / Screenplay: Michael Labarca Direktor fotografije / Director of Photography: Saar Mizrahi Montaža / Editor: Noy Barak Muzika / Music: Ran Bagno Producent / Producer: Leah Tonic Produkcija / Production: Sam Spiegel Film & Television School, Jerusalem Uloge / Cast: Evgenia Dodina, Mickey Leon, Alon Dahan, Daniel Brusovany Kontakt / Contact: Cara Sposnik, cara@jsfs.co.il FILMOGRAFIJA / FILMOGRAPHY: 2015 – ANNA (kratki film / short film) 2012 – VIOLETA MI VIDA (dokumentarni film / documentary) 2011 – TWO (kratki film / short film)

E It’s a hot summer’s day. For the first time in years, Anna, a sewing workshop employee, unexpectedly finds herself alone, without her son. She sets out for a night of freedom, roaming the streets of her small desert town, looking for a man who will touch her, even just for one brief moment.

Or Sinai was born in 1985 in Kfar Saba, Israel, and graduated from the Sam Spiegel Film & Television School, Jerusalem, in 2013. Her debut film TWO, participated in the 2011 Jerusalem Film Festival and was screened at the International Women’s Film Festival in Yerevan. VIOLETA MI VIDA, a documentary film, received the Alex Bernstein Award at the 2012 Jerusalem Film Festival and the Discovery Award at the Perm Film Festival, Russia. ANNA is her diploma film.

OUT OF COMPETITION Israel, 2015, Colour, 30 min, Arabic, Hebrew Režija / Director: Tamar Kay Scenarij / Screenplay: Tamar Kay Direktor fotografije / Director of Photography: Zvi Landsman Montaža / Editor: Shira Mazuz Muzika / Music: Alon Peretz Zvuk / Sound: Shahaf Wagshall Producent / Producer: Ariel Richter, Tamar Kay Produkcija / Production: Sam Spiegel Film & Television School, Jerusalem Kontakt / Contact: Cara Sposnik, cara@jsfs.co.il

Beit Ha’Ilemet / Kuća nijeme žene / The Mute’s House Napuštenu palestinsku zgradu u Hebronu izraelski vojnici stacionirani u tome gradu i tamošnji turistički vodiči zovu „Kućom nijeme žene”. Gluha žena Sahar i njen osmogodišnji sin Yousef jedini su preostali stanovnici zgrade. Njihovu jedinstvenu priču, obilježenu izraelsko-palestinskim sukobom, pripovijeda harizmatični Yousef koji dane provodi kako u jevrejskim tako i u muslimanskim dijelovima grada.

FILMOGRAFIJA / FILMOGRAPHY: 2015 – BEIT HA’LLEMET / THE MUTE’S HOUSE (kratki dokumentarni film / short doc.)

Tamar Kay rođena je 1985. godine u Jerusalemu. Njen diplomski film KUĆA NIJEME ŽENE osvojio je godišnju školsku nagradu za najbolji studentski film, a premijerno je prikazan na Međunarodnom festivalu dokumentarnog filma u Amsterdamu, gdje je nagrađen Specijalnom nagradom žirija za studentski dokumentarac. E A building in Hebron, which has been deserted by its Palestinian owners, is called “The Mute’s House” by the Israeli soldiers stationed there, as well as the tour guides who pass by. The building’s only occupants are a deaf woman named Sahar and her eight-year-old son, Yousef. This family’s unique story, which unfolds against the backdrop of the Israeli-Palestinian conflict, is told through the eyes of the young and charismatic Yousef, as he goes about his daily routine in both the Jewish and Muslim areas of a city.

Tamar Kay was born in 1985 in Jerusalem. Her graduation film, THE MUTE’S HOUSE, received the award for the school’s most outstanding film of the year, as well as the Special Jury Award for Student Documentary at IDFA, where it had its world premiere. COMPETITION PROGRAMME – STUDENT FILM l 23. Sarajevo Film Festival 57

Takmičarski program – dokumentarni film / Competition Programme – Documentary Film

Avec L’Amour, Ilija Cvetkovski

Dom / Home, Zdenko Jurilj

Družina / Obitelj / The Family, Rok Biček

Gözyaşina Yer Yok / Za suze mjesta nema / No Place for Tears, Reyan Tuvi

Kada dođu svinje / When Pigs Come, Biljana Tutorov

Kinders / Djeca, Riahi Brothers

Mr. Gay Syria, Ayse Toprak

Mzis Qalaqi / Grad sunca / City of the Sun, Rati Oneli

Planeta Petrila, Andrei Dascalescu

Playing Men, Matjaž Ivanišin

Slatko od Ništa / In Praise of Nothing, Boris Mitić

Ultra, Balázs Simonyi

Undercovered, Nejra Latić Hulusić, Sabrina Begović-Ćorić

Vodič kroz crnu rupu / Guidance Through the Black Hole, Zlatko Pranjić, Aleksandar Nikolić

Dom, pripadnost, uspomene i strast: sazrijevanje regionalnog dokumentarnog filma / Home, Belonging, Memory and Passion: Regional documentaries come of age

Rada Šešić

Dokumentarni filmovi postaju sve cjenjeniji širom svijeta, pa čak i u okvirima popularne filmske industrije. Oni se danas, više nego ikada ranije, prikazuju na vodećim filmskim festivalima, poput festivala u Cannesu, Berlinu ili Veneciji, i sve češće osvajaju značajne nagrade. Dokumentarni žanr privlači sve više slavnih umjetnika poput Leonarda di Caprija, koji je s Netflixom sarađivao na dokumentarnim filmovima i serijama, ili Seana Penna koji se pronašao u ulozi producenta dokumentarnih filmova. Dokumentarci se u kinima uspješno bore za publiku s igranim art filmovima; emituju se u programu ne samo javnih već i privatnih televizija, a kritičari o njima pišu na stranicama vodećih novina. Iako se takav razvoj situacije na prvi pogled može učiniti čudnim, on je zapravo mogao biti i očekivan. Kada stvarnost nalikuje igranom filmu, hororu ili nevjerovatnoj drami, dokumentaristi osjećaju snažan nagon da istraže uzroke šokantnih događanja i uznemirujućih činjenica s kojima se susrećemo u svakodnevnom životu. Regionalni dokumentaristi bez sumnje idu u korak sa svijetom. Posljednja sezona obiluje izuzetnim uspjesima. Njihovi filmovi imali su svjetske premijere na vrhunskim festivalima poput Berlinalea, Sundancea, Locarna i kanadskog Hot Docsa, da ni ne pominjemo prestižne evropske festivale dokumentarnog filma poput IDFA-e, Dok Leipziga i Visions du Réela. Ali uspjeh nije došao preko noći – autori su predano radili, često i više godina na pronalaženju odgovarajuće narativne strukture, upečatljivog vizualnog izraza i originalnog autorskog filmskog jezika. Upravo je to bila sudbina bh. filma UNDERCOVERED koji je pripreman punih šest godina. Rediteljice Sabrina Begović Ćorić i Nejra Latić Hulusić govore o ženama svoje generacije, baveći se temom koja nije značajna samo za BiH, već i za cijelu Evropu. Poetični filmski esej Ratija Onelija MZIS QALAQI / GRAD SUNCA govori o nekad moćnom industrijskom gruzijskom gradu koji je danas gotovo apokaliptično mjesto puno duhova, po čemu dijeli ekonomsku sudbinu mnogih tranzicijskih zemalja na istoku i jugoistoku Evrope. Sličnu sudbinu prati film talentovanog Andreija Dăscălescua PLANETA PETRILA, koji na originalan način donosi priču o poznatom rudarskom gradu u Rumuniji čiju slavu danas čuvaju samo umjetničke slike i intrigantni grafiti. Zanimljivo je da se čak nekoliko odabranih filmova na veoma kreativan i duboko promišljen

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način bave idejom doma i osjećaja pripadanja. U svom intimnom dokumentarcu VODIČ KROZ CRNU RUPU Zlatko Pranjić i Aleksandar Nikolić prate životnu priču umjetnika i boema Suleta, koji je emigrirao iz BiH i danas živi u Velikoj Britaniji. Film saosjećajno preispituje koncepte doma i pripadanja, ali i zaborava i sjećanja. U svom poetičnom dokumentarcu GÖZYAŞINA YER YOK / ZA SUZE MJESTA NEMA rediteljica Reyan Tuvi – inače sjajno novo ime turske kinematografije – s puno dostojanstva se fokusira na imigrantsku zajednicu iz sirijskog grada Kobanea. Još jedna turska rediteljica, Ayşe Toprak, u filmu MR. GAY SYRIA, također se na zanimljiv način bavi izbjeglicama i njihovom borbom da pronađu novi smisao života i ponovo izgrade doživljaj doma i osjećaj pripadanja. U kojoj mjeri i na koji način mjesta na kojima živimo u određenim periodima svoga života doživljavamo kao dom? Dirljiv i dramaturški izuzetno precizan austrijski film braće Riahi KINDERS / DJECA fokusira se na najmlađe i prati njihove mentalne procese kroz muzičku terapiju. Čin sjećanja se uvijek odvija u sadašnjosti, a trenutno okruženje onoga koji se prisjeća, neminovno oblikuje njegove uspomene koje po definiciji pripadaju prošlosti. U svom šarmantnom, duhovitom filmu KADA DOĐU SVINJE srbijanska rediteljica Biljana Tutorov prati svoju tetku koja je živjela u četiri različite države a da se skoro nikad nije ni pomakla iz vlastite kuće. DOM, šokantni hrvatski cinéma-vérité film, hercegovačkog reditelja Zdenka Jurilja, također preispituje ideju doma. Njegova kamera se uvijek nalazi na pravom mjestu u pravo vrijeme; u samom je središtu zbivanja, čak i kada prati apsurdne i užasno bolne policijske intervencije. Slovenački reditelj Rok Biček je za svoj film DRUŽINA / OBITELJ više od deset godina pratio intimu, odrastanje i porodične probleme jednog pubertetlije, te njegovu transformaciju u mladića i obiteljskog čovjeka. Neki od filmova doimaju se kao ljubavna pisma životnim strastima. PLAYING MEN slovenačkog reditelja Matjaža Ivanišina autorski je esej koji priziva sjećanja na igre razigranih muškaraca u različitim dijelovima južne Evrope, potcrtavajući pri tome kako strastvenost igranja tako i tragove usamljenosti. Nemoguće je ne upitati se da li usamljenost i želja za bijegom od stvarnosti tjeraju ljude da učestvuju u 246 km dugoj trci Spartatlon o kojoj govori impresivni mađarski film ULTRA. Reditelj filma, Balázs Simonyi, i sam je jedan od učesnika trke, a njegova lična,

hrabra i krajnje otvorena priča uvodi gledaoce u svijet o kojem većina nas vjerovatno malo zna. Šarmantni i prilično duhoviti film AVEC L’AMOUR makedonskog reditelja Ilije Cvetkovskog saga je o običnom čovjeku s velikom strašću koja nam otkriva puno toga i o društvu u kojem živimo. Izuzetnom strastvenošću odlikuje se i satirična dokumentarna parabola SLATKO OD NIŠTA srbijanskog sineaste Borisa Mitića, koji je na ovom dugo godina pripremanom filmskom eseju sarađivao s desetinama snimatelja širom svijeta, a kao lucidnog naratora u ulozi Ničega angažovao Iggy Popa. Uzbudljive priče, zanimljivi autorski pristupi kao i relevantna društvena pitanja – sve to možete pronaći u naših 14 odabranih filmova. Velika nam je čast što će veliki broj filmova iz naše selekcije imati svjetsku premijeru u Sarajevu. Želimo srdačnu dobrodošlicu kako autorima tako i vama, dragi poklonici dokumentaraca. Radujemo se uzbudljivim diskusijama nakon projekcije filmova u kinu kao i na našem uvijek dinamičnom Docu Corneru. Dobro nam došli! E Worldwide, even within the mainstream film industry, documentary films have gained a great deal of respect in recent years. Nowadays more than ever, they are represented at toptier film festivals in Cannes, Berlin and Venice, and they increasingly win the main awards. Big industry names like Leonardo di Caprio, who has partnered with Netflix on individual and serial documentaries, or Sean Penn, who has produced topical non-fiction pieces, among others, are keen to engage with the documentary scene. Often, documentaries find themselves competing in cinemas with well-respected art-house narrative films; they are reviewed in the film pages of major national newspapers and are broadcast not only on public television stations, but also on private channels. At first glance, this may seem odd, but in fact it is to be expected. When reality looks like a fiction film – often amazingly hard-to-believe drama, or even something straight out of the horror genre, documentary makers are obliged to observe the origins of the shocking events and astonishing facts we encounter in our day-to-day lives. Doc makers from close to home – Southeast Europe and the Southern Caucasus – are certainly catching up. The results are to be admired: last

season was extremely successful for docs from our region – they saw their premieres at prestigious festivals like the Berlinale, Sundance, Locarno and Hot Docs, not to mention IDFA, DOK Leipzig, Visions du Réel and many others. However, this success did not come about overnight – on most of the productions, the teams struggled to find narrative lines, visual styles and their authors’ fresh and remarkable approaches to cinema. This was very much the trajectory of the Bosnian film UNDERCOVERED, which was in the making for six years. Generation Y directors Sabrina Begović Ćorić and Nejra Latić Hulusić take a look at the issues facing some of their female peers, tackling a topic relevant not only to Bosnia and Herzegovina, but also to the whole of Europe. A seemingly post-apocalyptic ghost town in Georgia is depicted in the poetic essay film CITY OF THE SUN. This remarkable feature-length debut by director Rati Oneli reflects an economic situation seen in many transitional countries in East and Southeast Europe. Similarly, a famous former mining town in Romania is only to be celebrated in paintings and elaborate graffiti, as we see in PLANETA PETRILA, by talented Andrei Dăscălescu. Several films tackle the notion of home and belonging in a creative and deeply considered manner. Zlatko Pranjić and Aleksandar Nikolić, in their intimate documentary GUIDANCE THROUGH THE BLACK HOLE, observe the life story of Sule, a Bosnian artist and bohemian who emigrated to the UK. The film deals compassionately with these ideas of how to make a home and become part of a community, but also considers remembering and forgetting. Similarly, director Reyan Tuvi – a significant new female voice in Turkish cinema – zooms in on the migrants of Kobanî, observing this community with dignity and a poetic eye in her NO PLACE FOR TEARS. MR. GAY SYRIA, by Ayşe Toprak – another female Turkish director is an interesting take on the migrant community, and their struggle to find new directions in life and establish themselves in a new home. How do we experience the places where we live at certain points in our lives as “home”? Brothers Riahi’s compelling and remarkably precise Austrian film KINDERS focuses on the world of children taking part in a music education programme, through which they develop from outsiders into confident young people. The act of remembering takes place in the present and all input of the current reality is shaping

someone’s memories that per definition belong to the past. In her charming, humorous featurelength debut WHEN PIGS COME, Serbian director Biljana Tutorov observes her aunt, who has lived in four different states while always making her home in the same house. The idea of home is also depicted in the amazingly disturbing Croatian cinéma-vérité drama HOME by Herzegovinian director Zdenko Jurilj. Always in the right place at the right time, his camera finds its topic in medias res, even during the most absurd and painful police interventions. Slovenian director Rok Biček’s THE FAMILY observes an adolescent and his peculiar family over more than ten years, with amazing access to the youth’s everyday life. Several films can be seen as love letters to the beauty of living with passion. PLAYING MEN, by Slovenian director Matjaž Ivanišin, is an author-driven essay film that evokes memories of games performed by men in different parts of Southern Europe, a subject that brings traces of loneliness to the surface. After watching the compelling Hungarian film ULTRA, one will no doubt ponder whether it is loneliness or escapism that is triggering people to run the 246km Spartathlon. Director Balázs Simonyi is one of the race participants, and his personal, bold and confronting story opens up a universe that is very likely unknown to most of us. A different take on passion is explored in the delightfully engaging and at times very funny AVEC L’AMOUR, by Macedonia’s Ilija Cvetkovski. This saga about a common man with a huge passion tells us also a lot about society. A lot of passion & wit has been invested in the satirical documentary parable IN PRAISE OF NOTHING by Serbian cineaste Boris Mitic, filmed by dozens of cinematographers from around the globe and narrated by Iggy Pop, in the role of Nothing. Important stories, new voices, relevant debates: all are to be found in our selection of fourteen films, of which several will have world premieres here in Sarajevo. We are pleased to extend a warm welcome to this year’s documentary filmmakers and to you, our audience and we look forward to the discussions they are sure to inspire after the screenings and during our always lively Docu Corner debates. Welcome! Rada Šešić Selektorica / Programmer

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Avec L’Amour Dionis je nastavnik biologije pred penzijom. Posjeduje više od stotinu zahrđalih, starih auta od kojih većina više i ne radi, i svake noći spava pokraj njih i sanja da otvori muzej za svoju neobičnu kolekciju. Ali njegova strast i njegovi snovi traže svoj danak. Ilija Cvetkovski rođen je 1990. u Negotinu, Makedonija. Nakon što je studirao arhitekturu u Montpellieru, obrazovanje nastavlja na Akademiji ESRA u Skoplju. Svoj prvi kratki film, DUSHAN, koji je prikazan na brojnim festivalima studentskog filma, snimio je 2012. godine. AVEC L’AMOUR, njegov prvi dokumentarni film, premijerno je prikazan na HotDocs Toronto festivalu 2017. godine. E Dionis is a retiring biology teacher. He owns more than 100 rusty old cars, most of which don’t even work, and every night he sleeps next to them, dreaming of turning this unusual collection into a museum. But his passion and his dreams come with a price.

Ilija Cvetkovski was born in 1990 in Negotino, Macedonia. After studing Architecture in Montpellier, he continued his education at ESRA in Skopje. He made his first short film, DUSHAN, which was shown at numerous student festivals, in 2012. His first documentary AVEC L’AMOUR premiered at Hot Docs in 2017.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Macedonia, 2017, Colour, 66 min, Macedonian Režija / Director: Ilija Cvetkovski Scenarij / Screenplay: Atanas Georgiev, Ilija Cvetkovski Direktor fotografije / Director of Photography: Dragan Pakovski, Samir Ljuma, Ilija Cvetkovski, Sotir Ivanovski, Dimo Popov, Jane Jankov Montaža / Editor: Atanas Georgiev Muzika / Music: Foltin Zvuk / Sound: Aleksandar Gjorgevic, Zoran Prodanov, Ivica Jankulovski, Viktor Atanasov Producent / Producer: Atanas Georgiev Produkcija / Production: Trice Films Uloge / Cast: Dionis and Goca Pashlakovi Kontakt / Contact: TRICE FILMS; tricefilms@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – AVEC L’AMOUR (dokumentarni film / documentary) 2012 – DUSHAN (kratki film / short film)

Dom / Home Zbog nemogućnosti plaćanja kredita ili režija, uslijed gubitka posla i bolesti, svaka dvadeseta porodica u Hrvatskoj ostaje bez stana ili kuće. Rigorozni zakoni o izvršenju omogućili su bankama i ostalim institucijama da lakše dođu u posjed nekretnine. Kad zakaže sistem, kad se građanin više nema kome obratiti i kad ga beskrupulozna administracija izbacuje iz kuće ili stana, tada u pomoć stižu mladi aktivisti koji svojim tijelima sprečavaju provedbu deložacija. Film kamerama s lica mjesta evidentira mučne scene u kojima kordoni specijalne policije silom odvlače mlade, starce, žene, djecu, a čija je jedina želja ostati živjeti u svom jedinom domu. Zdenko Jurilj rođen je 1972. u Širokom Brijegu, Bosna i Hercegovina. U svijetu sedme umjetnosti našao se nakon studija historije i žurnalistike. Dugo je radio kao novinar izvještavajući o situaciji u bivšoj Jugoslaviji i širem regionu Jugoistočne Evrope. Proteklih sedam godina radi kao scenarista i reditelj u produkcijskoj kući „Kadar“ u Širokom Brijegu. Njegovi dokumentarni filmovi prikazani su na više međunarodnih filmskih festivala, a pojedini i u programu nekoliko regionalnih televizija. Režirao je desetine dokumentarnih i promotivnih filmova, te radio kao koproducent na nagrađivanim igranim filmovima. E One in five families in Croatia lose their apartment or house due to being unable to pay back credit or keep up with overhead expenses. The rigorous Seizure Law has provides banks and other institutions with an easier way of gaining real estate. When the system fails, when a citizen has nowhere to apply for assistance and when the unscrupulous administration dislodges them from their flats or houses, then young activists arrive to help and with their bodies prevent the execution of the eviction. HOME has recorded grievous scenes from the very places where the cordons of special police use force to drag away children, women, the young and the old... whose one and only wish is to stay and live in their only home.

Zdenko Jurilj was born in 1972 in Široki Brijeg, Bosnia and Herzegovina. He studied History, then Journalism, but ended up in the world of the seventh art. He worked for a long time as a reporter, following the situation in the former Yugoslavia and in the wider region of Southeast Europe. For the last several years, he has worked for the production house Kadar in Široki Brijeg as a writer and director. His documentaries have been screened at several international festivals, and some have been shown on regional television. He has directed dozens of documentaries and promotional films, and worked as co-producer on award-winning feature films.

SVJETSKA PREMIJERA / WORLD PREMIERE Croatia, Bosnia and Herzegovina, 2017, Colour, 40 min, Croatian Režija / Director: Zdenko Jurilj Scenarij / Screenplay: Zdenko Jurilj Montaža / Editor: Tomislav Topić Muzika / Music: Ivo Mikulić Zvuk / Sound: Tomislav Topić Producent / Producer: Vera Robić-Škarica Produkcija / Production: Hrvatski filmski savez, Kadar film & Video Production Kontakt / Contact: Kadar Film & Video Production; info@kadar.ba FILMOGRAFIJA / FILMOGRAPHY: 2017 – DOM / HOME (dokumentarni film / documentary) 2016 – DRUGA OBITELJ / A SECOND FAMILY (dokumentarni film / documentary) 2015 – HERCEGOVINA (dokumentarni film / documentary) 2015 – DA CAPO (dokumentarni film / documentary) 2013 – PACIJENT / PATIENT (dokumentarni film / documentary) 2013 – BOLNICA INKOGNITO / HOSPITAL INKOGNITO (dokumentarni film / documentary) 2011 – 3 DANA / THREE DAYS (dokumentarni film / documentary)

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Družina / Obitelj / The Family Film OBITELJ prati mladića Mateja tokom deset godina njegovog života. Matej se još kao tinejdžer morao starati o starijem bratu i roditeljima, koji su imali intelektualnih poteškoća. Nakon što je u dvadesetoj godini života i sam postao otac, činilo se kao da će moći zasnovati vlastitu porodicu. Međutim, obrasci njegovog ponašanja i razmišljanja, koji su rezultat odrastanja u disfunkcionalnom okruženju, narušavaju Matejev porodični mir. Rok Biček rođen je 1985. godine u Novom mestu, Slovenija. Diplomirao je na Univerzitetu u Ljubljani, a u svijet filma ulazi kao prominentni učenik PoEtike, neformalne filmske akademije poznatog slovenskog filmaša Janeza Lapajne. Njegov igrani prvenac, RAZREDNI SOVRAZNIK / CLASS ENEMY, premijerno je prikazan i nagrađen u program Critics’ Week Filmskog festivala u Veneciji 2013. godine, gdje je osvojio nagradu FEDEORA. E THE FAMILY follows Matej over the course of 10 years. As a teenager, he already had to take care of his mentally challenged parents and elder brother. When he became a father at the age of 20, it seemed as if he would be able to create a family of his own. However, his behaviour and personality patterns that arise from living in a dysfunctial family disrupt his new young family’s peace...

Rok Biček was born in 1985 in Novo Mesto, Slovenia, and graduated from the University of Ljubljana. Biček entered the world of cinema as a prominent student at Janez Lapajne’s PoEtika, an occasional academy for researching the art of film directing. CLASS ENEMY, his feature-length debut, had its premiere in the Critics’ Week at the Venice Film Festival, where it won the FEDEORA Award.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Slovenia, Austria, 2017, Colour, 106 min, Slovenian Režija / Director: Rok Biček Direktor fotografije / Director of Photography: Rok Biček Montaža / Editor: Rok Biček, Yulia Roschina Muzika / Music: Doris Day, David Guetta, Siddharta Zvuk / Sound: Julij Zornik Producent / Producer: Erna Gorše Biček Produkcija / Production: Cvinger film Uloge / Cast: Matej Rajk, Nia Kastelec, Barbara Kastelec, Alenka Rajk, Mitja Rajk, Boris Rajk, Ivka Gruden, Emanoela Škulj, Robert Krese, Aleksej Kastelec, Estera Dvornik, Gabrijela Simetinger Kontakt / Contact: Cvinger film; Info@cvinger-film.si FILMOGRAFIJA / FILMOGRAPHY: 2017 – DRUŽINA / THE FAMILY (dokumentarni film / documentary) 2013 – RAZREDNI SOVRAZNIK / CLASS ENEMY 2009 – LOV NA RACE / DUCK HUNTING (kratki film / short film) 2008 – DAN V BENETKAH / DAY IN VENICE (kratki film / short film)

Gözyaşina Yer Yok / Za suze mjesta nema / No Place for Tears Okupacijske, džihadističke trupe ISIS-a su u septembru 2014. započele brutalan napad na kurdski grad Kobane u Siriji. Kurdske jedinice narodne zaštite YPG-a do tada su neporaženom ISIS-u pružile herojski otpor te su nakon 134 dana uličnih borbi i uz pomoć zračnih udara međunarodnih koalicijskih snaga uspjele u potpunosti osloboditi Kobane. Stanovnici Kobanea, koji su utočište od rata pronašli u susjednoj Turskoj, bili su prisiljeni s distance pratiti borbe za svoj grad. Danima, sedmicama i mjesecima stajali su na tursko-sirijskoj granici čekajući vijesti o svojim sinovima, kćerima i rodbini koji su ostali da brane Kobane. Kada je ratom razoreni grad konačno oslobođen, 26. januara 2016, njegove stanovnike čekala je nova borba: borba da obnove život na ruševinama svojih domova. Reyan Tuvi rođena je 1967. godine. Studirala je engleski jezik i književnost na Univerzitetu Bogazici, a zvanje magistrice za proizvodnju dokumentarnog programa stekla je na Sjevernoj školi za medije u Sheffieldu u Velikoj Britaniji. Tuvi živi u Istanbulu gdje radi kao nezavisna autorica dokumentarnog filma. E In September, 2014, the Kurdish Kobanê Canton in Syria, was violently attacked by occupying ISIS gangs. The YPG / YPJ forces showed exemplary resistance against ISIS, who had never been defeated during previous occupations. After 134 days of street fighting and the bombing of coalition planes, the city of Kobanê was liberated. During the war, some of the people of Kobanê escaped and took shelter on the Turkish side of the border, where they had to observe the fighting from afar. They waited for days, weeks and months at the border, where the sounds of war were always present, expecting to hear from their sons, daughters and relatives who were defending the city. As war-torn Kobanê was liberated on January 26, 2016, another tough struggle was awaiting the people: building a new life on top of the ruins.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Turkey, 2017, Colour, 84 min, Kurdish, Turkish Režija / Director: Reyan Tuvi Direktor fotografije / Director of Photography: Sinan Kesgin Montaža / Editor: Thomas Balkenhol Muzika / Music: Arto Tunçboyacıyan, Uğur Işık Zvuk / Sound: Bülent Yurttaş Scenografija / Production Design: Ümit Kıvanç Producent / Producer: Reyan Tuvi Produkcija / Production: Reyan Tuvi; noplacefortears@gmail.com Kontakt / Contact: CAT&Docs; maelle@catndocs.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – GÖZYAŞINA YER YOK / NO PLACE FOR TEARS (dokumentarni film / documentary) 2013 – YERYÜZÜ AŞKIN YÜZÜ OLUNCAYA DEK / LOVE WILL CHANGE THE EARTH (dokumentarni film / documentary) 2010 – OFFSIDE (dokumentarni film / documentary)

Reyan Tuvi was born in 1967. She studied English Language and Literature at Bogazici University and obtained a Master’s degree from the Documentary Production Programme of the Northern Media School in Sheffield. She lives and works in İstanbul as an independent documentary filmmaker.

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Kada dođu svinje / When Pigs Come Dragoslava ima četiri TV aparata, troje unučadi, dvije najbolje prijateljice, i muža s kojim se stalno otima za daljinski upravljač. Ima i vlastitu kolekciju uspomena na sve ključne događaje u skorijoj historiji pet država u kojima je živjela, a da se pri tome nikada nije selila iz svoga stana. Prošla je obuku za izbornog posmatrača i strastveno brani svoje pravo da bude pripadnica manjine, ali njen očaj raste sve više kako se približavaju još jedni prijevremeni izbori. Biljana Tutorov rođena je 1971. u Bačkoj Palanci, Srbija. Nakon što je diplomirala arheologiju i historiju umjetnosti na Katoličkom univerzitetu u Louvainu u Belgiji, studirala je antropologiju filma na Školi za napredne humanističke studije (EPHE) u Parizu, kao i dramu na Međunarodnoj školi za teatar Jacques Lecoq. Tokom 2006. tri mjeseca je pohađala rezidencijalni program za dokumentarni film u centru Maison du Doc u Lussasi, Francuska. Autorica je više igranih i dokumentarnih filmova, video instalacija i performansa. Godine 2010. osnovala je nezavisnu produkcijsku kuću Wake Up Film, koja se bavi razvojem i produkcijom kreativnih dokumentarnih, animiranih i igranih filmova. E Dragoslava has four TV sets, three grandchildren, two best friends, and a husband with whom she fights over a remote control. She keeps her private archive of memories of all major events in recent political history of five countries in which she has lived, without ever moving from her apartment. She is a trained poll monitor, passionate about her right to be in the minority, but more and more desperate as another early election approach.

Biljana Tutorov was born in 1971 in Bačka Planka, Serbia. After graduating in Archaeology and Art History from the Catholic University in Louvain, Belgium, she studied Film Anthropology at the École Pratique des Hautes Études, and Drama at the École Internationale de Théâtre Jacques Lecoq in Paris. In 2006, she spent three months in documentary filmmaking residency at Maison du Doc in Lussas, France. Tutorov is the author of several narrative and documentary films, video installations and performances. In 2010, she founded the independent film production Wake Up Films to conceptualise and produce creative documentaries, animated works and fiction films.

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SVJETSKA PREMIJERA / WORLD PREMIERE Serbia, Croatia, Bosnia and Herzegovina, 2017, Colour, 72 min, Serbian Režija / Director: Biljana Tutorov Scenarij / Screenplay: Biljana Tutorov Direktor fotografije / Director of Photography: Orfeas Skutelis Montaža / Editor: Thomas Ernst, Ana Lagator, Nataša Pantić Muzika / Music: Various Zvuk / Sound: Frano Homen Producent / Producer: Biljana Tutorov Produkcija / Production: Wake Up Films Uloge / Cast: Dragoslava Aleksić, Nataša i Dušan Bošnjak, Lena Gordič, Svetlana Zeković, Malina Vrbaški, Dragan Aleksić Kontakt / Contact: Slingshot films, Manuela Buono; manuela@slingshotfilms.it FILMOGRAFIJA / FILMOGRAPHY: 2017 – KADA DOĐU SVINJE / WHEN PIGS COME (dokumentarni film / documentary) 2005 – AKASHA (kratki film / short film) 1999 – PLUM WAR (kratki dokumentarni / short doc.)

Kinders / Djeca U filmu DJECA pratimo djecu i adolescente različitih profila tokom njihovog teškog, zbunjujućeg i smiješnog svakodnevnog života, upoznajući se s njihovim stavovima i viđenjima svijeta. U fokusu filma jedinstveni je muzički obrazovni program (superar), koji su pokrenuli Karitas, Bečki koncertni dom i Hor bečkih dječaka, a koji „nevidljivim“ i odbačenim članovima društva pomaže da izrastu u samouvjerene mlade ljude. Zbog prilike da zajedno pjevaju i uče svirati, životi ovih socijalno ugroženih mladih ljudi dobijaju iznenađujuć, uzbudljiv i kreativan karakter. Arash T. Riahi rođen je 1972. u Iranu, a od 1982. godine živi u Beču. Studirao je film i umjetnost, a od 1995. do 2000. godine radio je za ORF. Njegovi filmovi THE SOUVENIRS OF MR. X, EXILE FAMILY MOVIE, EVERYTHING WILL NOT BE FINE, MISSISSIPPI i multimedijalni projekt EVERYDAY REBELLION (The Riahi Brothers) osvojili su preko 70 međunarodnih nagrada. Njegov prvi igrani film, FOR A MOMENT FREDOM, bio je austrijski kandidat za nagradu Oscar Američke filmske akademije 2010. godine. Arman T. Riahi rođen je u Iranu, a odrastao u Beču. Sa svojim prvim kino dokumentarcem, SCHWARZKOPF, osvojio je Nagradu publike na Austrijskom državnom filmskom festivalu Diagonale i Specijalnu nagradu žirija na Međunarodnom festivalu dokumentarnog filma Docudays u Bejrutu. Njegov drugi kino dokumentarac, EVERYDAY REBELLION, koji je režirao zajedno s bratom Arashem, prikazan je na preko 60 međunarodnih filmskih festivala i osvojio je nekoliko nagrada. Nedavno je završio rad na svom prvom igranom filmu, THE MIGRUMPIES, koji bi se tokom ove godine trebao početi prikazivati u kinima. E In KINDERS we accompany children and adolescents from different backgrounds throughout their difficult, confusing and funny day-to-day lives, and come to know their perspectives and stances. The central theme is the edgy musical education programme ((superar)), founded by Caritas, Wiener Konzerthaus and the Vienna Boysʼ Choir, in which the children are transformed from “invisible” outsiders into self-confident young people. Through their singing together and learning to play musical instruments, the lives of these socially disadvantaged young people also take on an extremely surprising, vibrant and creative dimension.

Arash T. Riahi was born in 1972 in Iran, and has lived in Vienna since 1982. He studied Film and the Arts, and worked for ORF from 1995 to 2000. His films THE SOUVENIRS OF MR. X, EXILE FAMILY MOVIE, EVERYTHING WILL NOT BE FINE, MISSISSIPPI and the cross-media project EVERYDAY REBELLION (The Riahi Brothers) have won more than 70 international awards. His first fiction film, FOR A MOMENT FREDOM, was Austria’s entry for the Academy Awards in 2010. Arman T. Riahi was born in Iran and grew up in Vienna. His first documentary film, SCHWARZKOPF, won the Audience Choice Award at the National Austrian Film Festival Diagonale, and the Special Jury Mention Award at the Docudays Beirut International Documentary Festival. His second documentary, EVERYDAY REBELLION, co-directed with his brother Arash, was screened at more than 60 international film festivals and won several awards. Riahi has recently finished his first narrative feature film, THE MIGRUMPIES, which is scheduled for release in 2017.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Austria, 2016, Colour, 95 min, Bosnian, English, German, Turkish Režija / Director: Riahi Brothers (Arash T. Riahi, Arman T. Riahi) Scenarij / Screenplay: Riahi Brothers (Arash T. Riahi, Arman T. Riahi) Direktor fotografije / Director of Photography: Mario Minichmayr, Riahi Brothers Montaža / Editor: David Arno Schwaiger Zvuk / Sound: Claus Benischke, Hjalti BagerJonathansson Producent / Producer: Arash T. Riahi, Karin C. Berger, Sabine Gruber Produkcija / Production: Golden Girls Filmproduktion & Filmservices GmbH Kontakt / Contact: Golden Girls Filmproduktion & Filmservices GmbH; office@goldengirls.at FILMOGRAFIJA / FILMOGRAPHY: Arash T. Riahi 2016 – KINDERS (dokumentarni flim / documentary) 2013 – EVERYDAY REBELLION (dokumentarni flim / documentary) 2013 – THAT HAS BEEN BOTHERING ME THE WHOLE TIME (kratki film / short film) 2013 – THIS HUMAN WORLD (kratki film / short film) 2012 – EVERYTHING WILL NOT BE FINE (dokumentarni flim / documentary) Arman T. Riahi 2017 – DIE MIGRANTIGEN / THE MIGRUMPIES 2016 – KINDERS (dokumentarni flim / documentary) 2013 – EVERYDAY REBELLION (dokumentarni flim / documentary) 2013 – THIS HUMAN WORLD (kratki film / short film) 2011 – SCHWARZKOPF

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Mr. Gay Syria Husein radi kao frizer u Istanbulu, i vodi dvostruki život rastrzan između konzervativne porodice i vlastite homoseksualnosti. Mahmoud je osnivač sirijskog LGBTI pokreta i živi u Berlinu kao izbjeglica. Ono što ih spaja jeste zajednički san da učestvuju na međunarodnom natječaju ljepote kako bi pobjegli od monotonije svakodnevnog života i prestali se osjećati nevidljivim. Hoće li uspjeti ostvariti svoj san, ili će ga izbjeglička kriza i oštre reakcije na homoseksualnost u muslimanskom društvu razbiti u paramparčad? Ayşe Toprak filmska je autorica s adresom stanovanja u Istanbulu. Diplomu iz primijenjenih umjetnosti stekla je na Odsjeku za film i televiziju u školi Tisch Univerziteta u New Yorku, a zvanje magistrice na Univerzitetu The New School. Radila je na Kanalu 13 javnog RTV servisa (PBS) u New Yorku, te kao producentica za televiziju Al Jazeera u Dohi, Istanbulu i Londonu. E Husein, a barber in Istanbul, lives a double life between his conservative family and his gay identity. Mahmoud is the founder of Syria’s LGBTI movement and is a refugee in Berlin. What brings them together is a dream: to participate in an international beauty contest, both as an escape from the confines of their lives and as an answer to their invisibility. Will the dream come true? Or will the refugee crisis and the harsh consequences of being gay in the Muslim world shatter it to pieces?

Ayşe Toprak is a filmmaker based in Istanbul. She received her BFA in Film & TV from New York University’s Tisch School of the Arts, and an MA from the New School. Her work experience includes Channel Thirteen/PBS in New York, and producing for Al Jazeera in Doha, Istanbul and London.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Turkey, France, Germany, 2017, Colour, 84 min, Arabic, English, German, Turkish Režija / Director: Ayşe Toprak Scenarij / Screenplay: Ayşe Toprak Direktor fotografije / Director of Photography: Hajo Schomerus, Anne Misselwitz Montaža / Editor: Nadia Ben Rachid Muzika / Music: Zeid Hamdan Zvuk / Sound: Vincent Rozenberg Producent / Producer: Antoine Simkine, Christine Kiauk, Ekin Calisir Produkcija / Production: Les Films d’antoine, COIN FILMS, Toprak Films Uloge / Cast: Husein, Mahmoud Hassino, Omar, Nader, Wissam, Samer, Ayman Menem, Bradley Secker, Ahmed, Suma, Issam, William, Salam, Muhammed, Hussam, The Tea and Talk Group, Jad Kontakt / Contact: Taskovski Films; Anna Berthollet, salestf@taskovskifilms.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – MR GAY SYRIA (kratki film / short film) 2014 – ANOTHER SPRING IN IRAQ (kratki film / short film) 2014 – THE COVER STORY (kratki film / short film) 2013 – SCHOOLS ON THE EDGE (kratki film / short film) 2013 – LAND TIES (kratki film / short film) 2012 – DON’T TELL US FAIRYTALES (kratki film / short film)

Mzis Qalaqi / Grad sunca / City of the Sun Gotovo polovina ukupne količine globalno korištenog metala mangana nekada se crpila u gradu Chiatura u zapadnoj Gruziji. Chiatura danas nalikuje postapokaliptičnom gradu duhova. GRAD SUNCA prati živote nekoliko preostalih stanovnika ovoga grada. Zurab, po profesiji nastavnik muzičkog, ogoljava oronule betonske zgrade kako bi ostvario dodatni prihod prodajom željezne armature. Archil je još uvijek zaposlen u rudniku, ali strašću ga ispunjava rad u lokalnom amaterskom pozorištu. Uprkos neuhranjenosti, dvije lokalne sportistkinje i dalje stoički treniraju za naredne Olimpijske igre. Rati Oneli rođen je 1977. godine u Tbilisiju. U periodu od 1999. do 2014, živio je u New Yorku, a potom se vratio u Gruziju kako bi snimio dokumentarni film GRAD SUNCA. Diplome iz bliskoistočnih studija i međunarodnih odnosa stekao je na Slobodnom univerzitetu u Tbilisiju i Univerzitetu Columbia u New Yorku. Oneli je 2014. godine producirao kratki film INVISIBLE SPACES, na kojem je radio i kao jedan od montažera. Film je premijerno prikazan u okviru takmičarskog programa na Filmskom festivalu u Cannesu. Njegov sljedeći producentski uradak iz 2016, kratki film LETHE, također je premijerno prikazan na Filmskom festivalu u Cannesu u programu Director’s Fortnight. GRAD SUNCA njegov je prvi dugometražni dokumentarni film. E Up to 50 percent of the world’s manganese, a vital metal across the globe, used to be mined in Chiatura, in western Georgia. Today, it resembles an apocalyptic ghost town. CITY OF THE SUN portrays a few of the remaining inhabitants. Music teacher Zurab dismantles ramshackle concrete buildings by hand and sells the iron girders to make some money on the side. Archil still works in the mine, but his real passion is the local amateur theatre group. Despite being malnourished, two young female athletes train stoically for the next Olympic Games.

Rati Oneli was born in 1977 in Tbilisi. He lived in New York City from 1999 to 2014, when he moved back to Georgia in order to make his documentary CITY OF THE SUN. He specialised in Middle East Studies, as well as International Affairs, at the Free University Tbilisi and at Columbia University in New York. In 2014, he produced and co-edited INVISIBLE SPACES, a short film that premiered at the Cannes Film Festival and was nominated for the Palme d’Or. In 2016, his next production, LETHE premiered at the Directors’ Fortnight at Cannes. CITY OF THE SUN is Oneli’s first feature-length documentary.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Georgia, USA, Qatar, Netherlands, 2017, Colour, 103 min, Georgian Režija / Director: Rati Oneli Scenarij / Screenplay: Dea Kulumbegashvili, Rati Oneli Direktor fotografije / Director of Photography: Arseni Khachaturan Montaža / Editor: Ramiro Suarez Muzika / Music: Various Zvuk / Sound: Andrey Dergachev Producent / Producer: Dea Kulumbegashvili, Rati Oneli Produkcija / Production: Office of Film Architecture Uloge / Cast: Zurab Gelashvili, Archil Khvedelidze, Mariam Pkhaladze, Irina Pkhaladze Kontakt / Contact: Syndicado; Jasmina Vignjevic, admin@syndicado.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – MZIS QALAQI / CITY OF THE SUN (dokumentarni film / documentary) 2012 – LEITMOTIF (kratki film / short film) 2011 – THEO (kratki film / short film)

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Planeta Petrila Dok se rudari u rumunskom gradu Petrila spremaju da posljednji put siđu u okno, umjetnik i bivši rudar Ion Barbu predano radi na tome da gradski rudnik uglja sačuva kao kulturno nasljeđe. Međutim, gradske vlasti planiraju u potpunosti uništiti rudnik kako bi ispoštovali relevantna pravila Evropske unije. Ukoliko se njihov plan ostvari, naprasno će biti okončana dugogodišnja rudarska tradicija za koju je lokalna zajednica još uvijek jako vezana, ali za koju vlasti, naizgled, ni najmanje ne mare. Barbu odbija da odustane od svoje misije i radi sve što je u njegovoj mogućnosti da očuva uspomenu na rudnik i identitet svog rodnog grada – slika murale na administrativnim zgradama rudnika i organizuje predstave, ulične proteste, podzemni pozorišni festival i tajno snimanje filma. Njegova upornost jednaka je upornosti onih kojima se suprotstavlja, a njegova djela, koja obilato posuđuju iz historije umjetnosti, prožeta su apsurdnošću koja odgovara situaciji. Međutim, Barbuovi postupci prerastaju u nešto više od banalnog protesta i postaju sredstvo kolektivnog žalovanja za granom industrije koja izumire. Andrei Dăscălescu rođen je 1984. godine u Piatra Neamțu, Rumunija. Studirao je montažu i zvuk na Fakultetu za film u Bukureštu, a prije nego što je počeo snimati vlastite filmove, imao je jedinstvenu priliku da radi kao pomoćnik legendarnog montažera Waltera Murcha. Sa svojim prvim dokumentarcem, CONSTANTIN AND ELENA, osvojio je nagradu za najbolji debitantski film Festivala dokumentarnog filma u Amsterdamu, kao i nekoliko drugih nagrada. Njegovi kratki dokumentarci GYURI i AN AWESOME FILM, kao i kratki igrani film FLY, prikazani su na više filmskih festivala. Za vrijeme studiranja, Dăscălescu je učestvovao i na brojnim radionicama u Sarajevu, Amsterdamu, Lisabonu, Londonu, Berlinu i Rijeci. PLANETA PETRILA njegov je drugi dugometražni dokumentarni film. E As coalminers in Petrila go down into the depths of the earth for the last time, artist and ex-miner Ion Barbu is working on his mission of preserving the Romanian town’s mine as a symbol of cultural heritage. But in accordance with EU agreements on the closure of the facility, the authorities are committed to demolishing it. This would bring about an abrupt end to a history with which the mining community still feels deep affinity, but one that does not appear to interest politicians in the slightest. Barbu refuses to back down, doing all he can to keep the memories of the mine – and the identity of his hometown – alive. He covers the mine buildings in murals and organises performances, street protests, an underground theatre festival and a clandestine film. His resolve is a match for that of his opponents, and his art, which samples freely from art history, is charged with an absurdism that is well suited to the situation. Nonetheless, his actions prove to be more than just a frivolous protest; they become a channel for the collective mourning of a redundant industry.

Andrei Dăscălescu was born in 1984 in Piatra Neamț, Romania. He studied Editing and Sound at the Film Faculty in Bucharest, and had the chance to work as an assistant to the legendary editor Walter Murch. He then moved on to make his own films, having an acclaimed documentary debut with CONSTANTIN AND ELENA, that won an IDFA First Appearance Award as well as several other prizes. His other works to appear on the festival circuit include the short documentaries GYURI and AN AWESOME FILM, and the short fiction film FLY. Besides his film studies, Dăscălescu has taken part in numerous workshops in Amsterdam, Berlin, Lisbon, London, Rijeka and Sarajevo. PLANETA PETRILA is his second feature-length documentary.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, 2016, Colour, 80 min, Romanian Režija / Director: Andrei Dăscălescu Scenarij / Screenplay: Andrei Dăscălescu Direktor fotografije / Director of Photography: Andrei Dăscălescu Montaža / Editor: Mircea Olteanu, Stefan Pirlog, Andrei Dăscălescu Muzika / Music: George Petrosel, Codin Oraseanu Zvuk / Sound: Dan-Stefan Rucareanu, Ioan Filip Producent / Producer: Anamaria Antoci Produkcija / Production: FILMLAB Uloge / Cast: Ion Barbu, Catalin Cenusa Kontakt / Contact: Anamaria Antoci; anamaria.antoci@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – PLANETA PETRILA (dokumentarni film / documentary) 2013 – AN AWSOME FILM (dokumentarni film / documentary) 2011 – GYURI (kratki dokumentarni film / short doc.) 2008 – CONSTANTIN AND ELENA (dokumentarni film / documentary) 2007 – FLY (kratki film / short film)

Playing Men PLAYING MEN esejistički je dokumentarac o muškarcima s područja Mediterana koji prati njihove obrasce zabave i igre kojih se igraju. Film je snimljen u formi putopisa kroz južnu Evropu (Slovenija, Hrvatska, Italija i Turska) i predstavlja muškarce, mlade i stare, koji se susreću iz istih razloga kao i njihovi pretci, kako bi igrali razne igre. Međutim, za vrijeme snimanja, reditelj filma iznenada zapada u jaku kreativnu krizu te objektiv kamere okreće prema sebi i pretvara film u razigranu posvetu apsurdnim situacijama. Matjaž Ivanišin rođen je 1981. godine u Mariboru, Slovenija. Godine 2007. diplomirao je filmsku i TV režiju na Akademiji za pozorište, radio, film i televiziju u Ljubljani. Režirao je nekoliko igranih i dokumentarnih filmova s kojima je osvojio određeni broj slovenačkih i međunarodnih filmskih nagrada. E PLAYING MEN is a documentary essay about the relationships among Mediterranean men and their games. The film takes the form of a travelogue across Croatia, Italy, Slovenia and Turkey, and examines men, young and old, who come together like their ancestors did – to play games. During filming, however, the director suddenly faces a serious creative crisis and turns the camera on himself, turning the film into a playful homage to absurdity.

Matjaž Ivanišin was born in 1981 in Maribor, Slovenia. He graduated as a film and television director from the Academy for Theatre, Radio, Film and Television in Ljubljana in 2007. He has directed several fiction and documentary films, for which he has won national and international awards.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Slovenia, Croatia, 2017, Colour, 61 min, Croatian, German, Italian, Slovenian Režija / Director: Matjaž Ivanišin Scenarij / Screenplay: Matjaž Ivanišin Direktor fotografije / Director of Photography: Gregor Božič Montaža / Editor: Matic Drakulić Zvuk / Sound: Ivan Antić, Borna Buljević Producent / Producer: Marina Gumzi Produkcija / Production: Nosorogi Kontakt / Contact: Marina Gumzi; marina@nosorogi.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – PLAYING MEN (dokumentarni film / documentary) 2017 – EVERY GOOD STORY IS A LOVE STORY (dokumentarni film / documentary) 2014 – HIŠKE / LITTLE HOUSES (dokumentarni film / documentary) 2013 – KARPOPOTNIK / KARPOTROTTER (dokumentarni film / documentary) 2011 – HIŠA NA JURČKOVI / A HOUSE ON JURČKOVA STREET (kratki film / short film) 2009 – ŠENTILJ – SPIELFELD: MEJNI PREHOD, KI GA NI VEČ / ŠENTILJ – SPIELFELD: A BORDER CROSSING THAT ONCE WAS (dokumentarni film / documentary) 2005 – QUICK VIEW (kratki film / short film)

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Slatko od Ništa / In Praise of Nothing Satirična dokumentarna parabola u kojoj Ništa vraća Sve na svoje mesto. Boris Mitić rođen je 1977. u Leskovcu, Srbija. Živio je na nekoliko kontinenata, radio nekoliko godina za najveće svjetske medije, dok nije shvatio nekoliko stvari i posvetio ostatak života kreativnom roditeljstvu, kreativnom fudbalu i kreativnim dokumentarcima. Njegova tri filma prikazana su na preko 150 festivala, bila nagrađena 25 puta i emitovana na preko 20 TV stanica. E A satirical documentary parable about Nothing, narrated – in simple childlike verse – by Iggy Pop.

Boris Mitić was born in 1977 in Leskovac, Serbia. He lived on a few continents, settled back in Belgrade, worked for a few years for top-level international media, understood a few things and dedicated the rest of his life to creative parenting, creative football and creative documentaries. His films have been shown on 20 television channels and at more than 150 festivals around the world, and have won 25 awards.

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REGIONALNA PREMIJERA / REGIONAL PREMIERE Serbia, Croatia, France, 2017, Colour, 78 min, English Režija / Director: Boris Mitić Scenarij / Screenplay: Boris Mitić Direktor fotografije / Director of Photography: Sebastian Alfie, David Batty, Nedžad Begović, Attila Boa, Roman Bondarchuk, Dušan Brković, Alicia Cano, Rodolfo Castillo-Morales, Sorin Dragoi, Amlan Dutta, Aleksandr Elkan, Eleftherios Fylaktos, Eduard Georgadze, Michael Glawogger, Sinisa Glogoski, Ed Godsell, Marino Grgurev, Mohammed Hashem, Miloš Jačimović, Olivier Jourdain, Goran Jović, Jessica Kingdon, Justin Kramer, Niklas Kullstrom, Edmond Laccon, Branko Lazić, Petr Lom, Vitaly Mansky, Zoran Marinović, Jovana Milanko, Boris Mitić, Lucian Muntean, Chingiz Narynov, Boris Poljak, Maja Rasic, Ranajit Ray, Francesco Scarel, Rui Silveira, Aleksey Solodunov, Andrijana Stojković, Dmitriy Stoykov, Katia Suvorova, Oleksandr Techinski, Riho Vastrik, Ana Maria Vijdea, Anna Zaboeva, Teco Wong Muzika / Music: Pascal Comelade, The Tiger Lillies Producent / Producer: Boris Mitić, Fabrizio Polpettini Produkcija / Production: Dribbling Pictures, Anti-Absurd, La Bête Uloge / Cast: Iggy Pop – Narration Kontakt / Contact: Dribbling Pictures, Boris Mitić; boris@dribblingpictures.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – IN PRAISE OF NOTHING / SLATKO OD NIŠTA (dokumentarni film / documentary) 2009 – GOODBYE, HOW ARE YOU? (dokumentarni film / documentary) 2004 – UNMIK TITANIK (dokumentarni film / documentary) 2003 – PRETTY DYANA (dokumentarni film / documentary)

Ultra Godinu za godinom trkači iz svih dijelova svijeta učestvuju u jednoj od najtežih i najprestižnijih trka, 246 kilometara dugom Spartatlonu od Atine do Sparte, koji moraju istrčati za manje od 36 sati. Svaki od trkača, među kojima je i reditelj filma Balázs Simonyi, ima vlastiti razlog za učešće u ovom ekstremnom sportskom poduhvatu. Niko od njih ne zna da li će uspjeti završiti trku, ali od ključne im je važnosti da pokušaju ostvariti taj naizgled nemoguć cilj. Film govori o atletama koji testiraju granice vlastitih mogućnosti i pri tome liječe svoju dušu i oslobađaju se ličnih demona. Balázs Simonyi rođen je 1980. godine u Budimpešti. Studirao je književnost i film, a trenutno završava doktorat iz teorije umjetnosti. Njegovi filmovi učestvovali su na nekim od vodećih filmskih festivala, uključujući festivale u Cannesu, Karlovym Varyma, Krakówu, Aspenu, St. Louisu, Seattleu i Vancouveru. Simonyi je dobitnik više nagrada, uključujući nagradu CamerImage, Nagradu publike Filmskog festivala Asiana i nagradu francuskih kino-distributera (GRAC). Simonyi je, također, i jedan od organizatora i selektora Festivala kratkog filma u Budimpešti. E Year after year, runners from around the world participate in one of the most prestigious and challenging of races, the Spartathlon – 246km from Athens to Sparta in under 36 hours. The film’s subjects and its director, Balázs Simonyi, each have their own personal reasons for participating in the extreme run. None of them knows if they will ever be able to finish, but they do know that it is crucial for them to try – and possibly accomplish the seemingly impossible. These are everyday athletes who test their limits, heal their souls and release their demons.

Balázs Simonyi was born in 1980 in Budapest. He studied Literature and Film, and is currently completing his PhD in Art Theory. His films have been screened at major festivals in Cannes, Karlovy Vary, Cracow, Aspen, St. Louis, Seattle and Vancouver, among others. Simonyi has won several awards, including the CamerImage, the Audience Award at the Asiana Film Festival, and the French Cinema Distributors’ (GRAC) prize. Simonyi is also an organizer and programmer at the Budapest Short Film Festival.

REGIONALNA PREMIJERA / REGIONAL PREMIERE Hungary, Greece, 2017, Colour, 84 min, English, French, German, Hungarian Režija / Director: Balázs Simonyi Direktor fotografije / Director of Photography: Csaba Hernáth Montaža / Editor: Thomas Ernst Muzika / Music: Balázs Alpár Zvuk / Sound: Peter Benjamin Lukacs Producent / Producer: László Józsa, Balázs Simonyi Produkcija / Production: Speak Easy Project Uloge / Cast: Bela Szabo, Balazs Simonyi, Judit Tancsics, Annett Bahlcke, Herbert Ziefle, and Francoise, Angel & Gilles Pallaruelo Kontakt / Contact: Cat N‘ Docs; cat@catndocs.com, maelle@catndocs.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – ULTRA (dokumentarni film / documentary) 2016 – INDIÁN (kratki film / short film) 2015 – TERMINAL (kratki film / short film) 2014 – SENIOR’S NOT DEAD (dokumentarni film / documentary) 2011 – FINALE (kratki film / short film) 2011 – ABDUCTED – ABOUT EX-CHILD SOLDIERS (dokumentarni film / documentary) 2011 – SCRAMBLE FOR FISH (dokumentarni film / documentary) 2009 – OUT-AND-OUTER – PORTRAIT OF THE DRUMMER GERGÖ BORLAI (dokumentarni film / documentary) 2009 – TOUR (kratki film / short film) 2008 – TANGERINE (kratki film / short film) 2006 – THE LIFE OF A SALESMAN (dokumentarni film / documentary) 2006 – ORIGINÁL LÁGER / ORIGINAL LAGER (kratki film / short film) 2003 – (TEREP)SZEML / LOCATION HUNTING (kratki film / short film)

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Undercovered U svijetu postoji komad odjeće koji je postao skandalozan nakon terorističkih napada u New Yorku 2001. godine. Marama. Velike debate o tome treba li dozvoliti muslimankama da nose maramu na javnim mjestima stalno se vode u svijetu. Sada, s rastom terorističke grupe ISIL, koja se predstavlja kao islamistička i prijeti slobodnom svijetu uništenjem, marama na glavi žene se sve više posmatra kao prijeteća zastava terorizma. U međuvremenu, u postkomunističkoj i postratnoj Bosni i Hercegovini, mlade žene se sve češće odlučuju na pokrivanje kao izraz slobode vjere i uvjerenja, a ponekad i kao izraz pobune protiv kapitalističke vizije slobodne žene. UNDERCOVERED je film koji govori o takvim ženama. Nejra Latić Hulusić rođena je 1985. godine u Sarajevu. Diplomirala je na Odsjeku za režiju na Akademiji scenskih umjetnosti u Sarajevu. Režirala je kratki film U PLAVO, kratki dokumentarni film HER CINEMA LOVE, koji je prikazan na najvažnijim festivalima dokumentarnog filma (HOTDOCS, Visions du Reel, DOK Leipzig, ZagrebDOX, Dokufest, MakeDOX), nekoliko dokumentarnih filmova za BHT1 te TV serijale i magazine. Osnivačica je i članica Udruženja za afirmaciju žena kroz umjetnost i kulturu HAVA. Sabrina Begović-Ćorić rođena je 1986. godine u Sarajevu. Diplomirala je na Odsjeku za režiju na Akademiji scenskih umjetnosti u Sarajevu. Za kratki dokumentarni film SUNČANA DJECA dobila je nagradu UNICEF-a i Sarajevo Talent Campusa, a isti film prikazan je na brojnim festivalima, naročito u programima posvećenim osobama sa smetnjama u razvoju. Predaje na različitim filmskim školama za mlade unutar programa Sarajevo Film Festivala, Pravo Ljudski Film Festivala, te Malog Magacina Kabare. Osnivačica je i članica Udruženja za afirmaciju žena kroz umjetnost i kulturu HAVA. E Following the 2001 terrorist attacks on New York City, one item of clothing has gained a scandalous global reputation: the headscarf. All over the world, a major debate is going on about whether Muslim women should be allowed to wear the headscarf in public. Meanwhile, young women in post-communist, post-war Bosnia and Herzegovina are increasingly embracing the wearing of the hijab as a symbol of freedom of religion and conviction, and sometimes as an act of rebellion against the capitalist vision of female liberation. UNDERCOVERED is a film about some of these women. Nejra Latić Hulusić was born in 1985 in Sarajevo, and graduated from the Directing Department of the Sarajevo Academy of Performing Arts. Her previous work as a director includes the short feature film U PLAVO; the short documentary HER CINEMA LOVE, which was screened at leading documentary film festivals including Hot Docs, Visions du Réel, DOK Leipzig, ZagrebDOX, Dokufest and MakeDOX; a number of documentary films produced for BHT1; and several television series and magazine programmes. She is a founder and a member of the Association for Promotion of Women through Art and Culture HAVA. Sabrina Begović-Ćorić was born in 1986 in Sarajevo, and graduated from the Directing Department of the Sarajevo Academy of Performing Arts. Her short documentary SUNČANA DJECA received UNICEF and Sarajevo Talent Campus awards, and was screened in numerous film festivals, particularly in festival programmes dedicated to persons with developmental disabilities. She works as a trainer in filmmaking for youth programmes with the Sarajevo Film Festival, the Pravo Ljudski Film Festival and Mali Magacin Kabare. She is a founder and a member of the Association for Promotion of Women through Art and Culture HAVA.

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SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2017, Colour, 53 min, Bosnian Režija / Director: Nejra Latić Hulusić, Sabrina Begović-Ćorić Scenarij / Screenplay: Nejra Latić Hulusić, Sabrina Begović-Ćorić Direktor fotografije / Director of Photography: Amel Đikoli Montaža / Editor: Nejra Latić Hulusić, Sabrina Begović-Ćorić Muzika / Music: Mirza Šišić Zvuk / Sound: Mirza Šišić Producent / Producer: Nejra Latić Hulusić, Sabrina Begović-Ćorić Produkcija / Production: HAVA Sarajevo Uloge / Cast: Tesnim Karišik, Lejla Hidić-Elezović, Amina Ajanović, Đermana Šeta, Merjem Aganović Veladžić, Nusejba Mehmedović Kontakt / Contact: Sabrina Begović-Ćorić; hava.film@gmail.com FILMOGRAFIJA / FILMOGRAPHY: Nejra Latić Hulusić 2015 – UNDERCOVERED (dokumentarni film / documentary) 2014 – U PLAVO (kratki film / short film) 2012 – DJECA BEZ PRAVA NA IME (kratki dokumentarni film / short doc.) 2011 – HER CINEMA LOVE (kratki dokumentarni film / short doc.) 2008 – SVJEDOK (kratki dokumentarni film / short doc.) Sabrina Begović-Ćorić 2015 – UNDERCOVERED (dokumentarni film / documentary) 2015 – TREBA BITI LAV (kratki dokumentarni film / short doc.) 2012 – DJECA BEZ PRAVA NA IME (kratki dokumentarni film / short doc.) 2009 – SUNČANA DJECA (kratki dokumentarni film / short doc.) 2008 – STARICE (kratki film / short film) 2008 – KAKO SAM PRVI PUT IZLOŽIO RAD U UMJETNI ČKOJ GALERIJI BIH (kratki film / short film)

Vodič kroz crnu rupu / Guidance Through the Black Hole Sule je pjesnik, umjetnik i posljednji boem na Portobello Roadu. Njegov najveći san je da se jednog dana vrati u svoj voljeni rodni grad Banja Luku, ali sam sebe neprekidno sabotira u pokušajima da ostvari taj cilj. U dubini duše Sule je svjestan da zapravo treba da izgladi odnose sa sinom. Savršena prilika za to mu se ukazuje kada bh. ambasada u Londonu ponudi da organizuje izložbu njegovih slika pod naslovom “Vodič kroz crnu rupu”. Datum izložbe je utvrđen, ali slike još nisu gotove, i Suletu je jasno da mora odbaciti vlastite poroke. Aleksandar Nikolić rođen je 1979. u Beogradu. Godine 1991. s porodicom seli u London gdje stiče zvanje magistra kompjuterske grafike. Dosad je producirao i režirao pet kratkih filmova koji su prikazani na brojnim filmskim festivalima, uključujući festivale Brief Encounters u Bristolu i Kino Film u Manchesteru. Nikolić je 2014. okončao rad na svom prvom dugometražnom dokumentarnom filmu THE SERBIAN LAWYER, koji je prikazan u preko 20 zemalja, uključujući i Njemačku gdje je ostvario značajan kino uspjeh. Trenutno radi na scenariju za igrani film i na nekoliko kreativnih dokumentaraca. Zlatko Pranjić rođen je 1965. godine u Zenici. Studirao je filozofiju i sociologiju u Sarajevu, a 1993. u Zagrebu je radio kao slobodni novinar i učestvovao u protivratnoj kampanji. Pranjić je 1993. uhapšen, da bi ga misija Ujedinjenih nacija po oslobađanju evakuisala u London, gdje i danas živi. Pranjić je 2004. osnovao pozorišnu trupu “Pozorište s akcentom” i u prvoj godini njenog postojanja režirao je političku predstavu “Helverova noć” s Juliette Binoche u jednoj od uloga. E Sule is a poet, an artist and the last bohemian in London’s Portobello Road. His greatest dream is to go back to his beloved Banja Luka one day, but he keeps sabotaging his chances. Deep down, Sule understands that what he really needs is to mend his relationship with his son. A perfect opportunity arises when the Bosnian embassy invites him to put on an exhibition called “Guidance Through the Black Hole”. The date is set, but the paintings are not finished, and Sule knows that he must first overcome his vices. Aleksandar Nikolić was born in 1979 in Belgrade. In 1991, together with his family, he moved to London, where he continued his education and eventually graduated with a Master’s degree in Computer Graphics. To date, he has produced and directed five short films, which have been screened at various international film festivals including Brief Encounters in Bristol and Kino Film in Manchester. In 2014, he completed his first feature documentary, THE SERBIAN LAWYER, which has screened in more than 20 countries, and saw an acclaimed cinema run in Germany. Nikolić is currently developing a feature-length script and several creative documentaries. Zlatko Pranjić was born in 1965 in Zenica, Bosnia, and studied Philosophy and Sociology in Sarajevo. In 1993, he was a freelance journalist in Zagreb and took a part in an anti-war campaign in Zagreb. During the summer of 1993, he was arrested, then evacuated by the UN to London, where he now lives. In 2004, he started the theatre group The Theatre with Accent. In the first year, he directed the political play “Helver’s Night”, with Juliette Binoche taking part in the project.

SVJETSKA PREMIJERA / WORLD PREMIERE Serbia, Bosnia and Herzegovina, United Kingdom, 2017, Colour and b&w, 74 min, Bosnian, English, Serbian Režija / Director: Zlatko Pranjić, Aleksandar Nikolić Scenarij / Screenplay: Zlatko Pranjić, Aleksandar Nikolić Direktor fotografije / Director of Photography: Aleksandar Nikolić Montaža / Editor: Aleksandar Nikolić Muzika / Music: Vesna Josic Zvuk / Sound: Niclola Medic Producent / Producer: Monika Braid Produkcija / Production: Braidmade Films, The Theatre With Accent Kontakt / Contact: Braidmade Films; monika.braid@googlemail.com FILMOGRAFIJA / FILMOGRAPHY: Aleksandar Nikolić 2017 – GUIDANCE THROUGH THE BLACK HOLE (dokumentarni film / documentary) 2014 – THE SERBIAN LAWYER (dokumentarni film / documentary) 2010 – VOICES (kratki film / short film) 2007 – THROUGH SKIN AND BONE (kratki film / short film) 2005 – CARVING OF ICHTUS (kratki film / short film) Zlatko Pranjić 2017 – GUIDANCE THROUGH THE BLACK HOLE (dokumentarni film / documentary)

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U fokusu / In Focus

80 Chemi bednieri ojakhi / Moja sretna porodica / My Happy Family, Nana&Simon 81

Jupiter Holdja / Jupiterov mjesec / Jupiter’s Moon, Kornél Mundruczó

Koga denot nemaše ime / Kada dan nije imao ime / When the Day Had no Name, Teona Strugar Mitevska

Ne gledaj mi u pijat / Quit Staring at My Plate, Hana Jušić

Rekvijem za gospođu J. / Requiem for Mrs. J., Bojan Vuletić

Testről és lélekről / O tijelu i duši / On Body and Soul, Ildikó Enyedi

U fokusu / In Focus 2017 Ovogodišnji program U fokusu donosi šest filmova koji su obilježili proteklih dvanaest mjeseci u svijetu filma.

E This year’s In Focus section showcases six films that define the past 12 months in the world of cinema.

U Veneciji 2016. godine, u programu Venice Days, premijerno je prikazan debitantski film Hane Jušić NE GLEDAJ MI U PIJAT / QUIT STARING AT MY PLATE. Nakon što autoritativni otac postane nepokretan zbog moždanog udara, njegova dvadesetčetverogodišnja kći polako počinje da izlazi iz sjene svoje porodice koja se svakom minutom filma pokazuje kao sve disfunkcionalnija. Glavna junakinja najzad preuzima kontrolu nad svojim životom.

Hana Jušić’s feature-length debut, NE GLEDAJ MI U PIJAT / QUIT STARING AT MY PLATE premiered in Venice Days at the Venice Film Festival in 2016. It tells the story of a 24-year-old woman who slowly emerges from the shadow of her increasingly dysfunctional family after her despotic father is left bedridden by a stroke. The woman is finally taking control of her life.

Na Filmskom festivalu u Sundanceu premijerno je prikazan film Nane Ekvtimshvili i Simona Grossa CHEMI BEDNIERI OJAKHI / MOJA SRETNA PORODICA. Glavna junakinja, zrela žena s odraslom djecom i mužem, odlučuje da napusti svoju porodicu. Film, s dugim porodičnim scenama, u kojima svi pričaju naglas, a ne slušaju jedni druge, i s dokumentarističkim stilom kamere, podsjeća na najbolje primjere rumunskog novog talasa, dok autori nastavljaju da seciraju gruzijsko savremeno društvo. Kao što je bio slučaj i s njihovim prvencem IN BLOOM, nagrađenim Srcem Sarajeva. Makedonska rediteljica Teona Strugar Mitevska ovaj put se vraća u program Sarajevo Film Festivala s filmom KOGA DENOT NEMAŠE IME / KADA DAN NIJE IMAO IME, nakon što je film premijerno prikazan u Panorama Special programu Filmskog festivala u Berlinu. Mitevska kao okvir svoje priče koristi istinit događaj – neriješeno ubistvo četiri tinejdžera – i od toga pravi kondenzovanu dramu koju smješta u vremenski okvir od jednog dana. Film je strukturiran kao ansambl film koji kroz priču o šest tinejdžera istražuje duboki mačoizam balkanskog društva, kao i opću agresiju i tenzije u društvu. Drugi igrani film Bojana Vuletića REKVIJEM ZA GOSPOĐU J., također prikazan u programu Panorama Special, prati nesretnu i depresivnu udovicu koja se odlučuje na ekstremne mjere te se priprema da si okonča život. No REKVIJEM ZA GOSPOĐU J. nije tragedija već više kafkijanska komedija koju reditelj naziva savremenom bajkom o današnjoj Srbiji. Dobitnica Zlatnog medvjeda na ovogodišnjem Filmskom festivalu u Berlinu Ildikó Enyedi s filmom TESTRŐL ÉS LÉLEKRŐL / O TIJELU I DUŠI donosi neobičnu priču o ljubavi, žanrovski smještenu u brutalnu romantičnu dramu. Enyedi miješa realistični humor sa stiliziranom senzualnošću u priči o dvoje usamljenih ljudi koji rade u klaonici i na neobičan način završe skupa. Iz selekcije Filmskog festivala u Cannesu donosimo film JUPITEROV MJESEC / JUPITER’S MOON reditelja Kornéla Mundruczóa. Film se fokusira na aktuelnu izbjegličku krizu, no vrlo brzo postaje nešto mnogo više od očekivane priče o izbjeglicama. Mundruczó ponovo uspijeva da iznenadi i ovaj put pravi film pun akcije i uzbuđenja kroz vizuelno izuzetan film. Da zaključimo, ove godine donosimo priče o ljubavnicima, depresivnim ženama, neumornim tinejdžerima, izbjeglicama i profiterima, filmove o mladim i zrelim ženama – a svi ovi likovi zapravo su u potrazi za slobodom u društvima koja se raspadaju i odražavaju sveopći kolaps pravih vrijednosti.

CHEMI BEDNIERI OJAKHI / MY HAPPY FAMILY by Georgian directing duo Nana Ekvitimshvili and Simon Gross premiered at Sundance. It is a sociological drama about a middle-aged married woman and mother of two who decides to leave her family. With its long family argument scenes, in which everyone talks and nobody listens, and documentary-style lensing, the film is reminiscent of the Romanian New Wave. As was the case with their debut film IN BLOOM, the helmers’ second feature is an examination of contemporary Georgian society. Macedonian director Teona Strugar Mitevska returns to Sarajevo with WHEN THE DAY HAD NO NAME, which premiered in the Panorama Special section at the Berlinale. The film is a condensed drama that plays out over the course of one day, closely based on the unsolved real-life murder of four teenagers. Structured as an ensemble film, WHEN THE DAY HAD NO NAME uses the story of six teenagers to survey ingrained machismo, aggression and cultural tension in the Balkans. Bojana Vuletić’s second feature REKVIJEM ZA GOSPOĐU J. / REQUIEM FOR MRS. J., which also screened in the Panorama Special programme, follows a depressed widow as she prepares to commit suicide. Rather than a tragedy, however, the film is a Kafkaesque comedy, described by Vuletić as a fairytale about modern-day Serbia. Ildikó Enyedi’s ON BODY AND SOUL, the winner of the Golden Bear for Best Film at the 2017 Berlin International Film Festival, is an unusual love story that plays out in a brutal setting. Enyedi mixes realist humor and stylised sensuality in her tale of two lonely slaughterhouse employees who take an unusual path to end up together. Another film that screened at the Cannes is Kornél Mundruczó’s JUPITER’S MOON, which revolves around today’s refugee crisis, but soon expands well outside the conventional refugee tale model. As he has in the past, Mundruczó manages to surprise with this action-packed, exciting and visually stunning movie. In conclusion, this year we present to you films about lovers, depressed women, restless teenagers, refugees and profiteers, about young and middle-aged women – but all these characters are in the pursuit of happiness in societies that are falling apart and that reflect the collapse of the values we hold dear. Elma Tataragić Selektorica / Programmer

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Chemi bednieri ojakhi / Moja sretna porodica / My Happy Family U noći svog pedeset i drugog rođendana, gruzijska nastavnica književnosti Manana neočekivano obavještava članove svoje porodice da odlazi. Manana već 30 godina živi s mužem, roditeljima, dvoje djece i kćerkinim mužem u istom trosobnom stanu u Tbilisiju. Ukućani njenu odluku u početku ne shvataju ozbiljno. Međutim, Manana pakuje kofere i odlazi. Porodica je šokirana i zbunjena i pitaju se gdje to ona ide i ko ju je uznemirio. Na kraju krajeva, „prestara je za razvod“, a ima dobrog muža koji ne pije, ne drogira se i ne tuče je. Nana Ekvtimishvili rođena je 1978. u Tbilisiju. Studirala je dramske umjetnosti i scenarij na filmskoj školi u Potsdam-Babelsbergu. Godine 2011. režira kratki film WAITING FOR MUM, a godinu dana kasnije osniva produkcijsku kompaniju Polare Film sa Simonom Grossom, s kojim potom zajednički piše, režira i producira film IN BLOOM. Film je osvojio preko 30 međunarodnih festivalskih nagrada, kao i Srce Sarajeva za najbolji film, a 2014. godine bio je gruzijski kandidat za nagradu Oscar za najbolji film na stranom jeziku. Njen drugi igrani film, MOJA SRETNA PORODICA, koji je, također, režirala zajedno sa Simonom Grossom, premijerno je prikazan na ovogodišnjem Filmskom festivalu Sundance. Simon Gross rođen je 1976. godine u Berlinu. Studirao je režiju na Univerzitetu za televiziju i film u Münchenu. Nakon što je režirao nekoliko kratkih filmova, snima svoj prvi igrani film FATA MORGANA. Saradnju s Nanom Ekvtimishvili počeo je tokom rada na istom filmu. Njegov posljednji film, MOJA SRETNA PORODICA, koji je također režirao zajedno sa Nanom, premijerno je prikazan na ovogodišnjem Filmskom festivalu Sundance. E On the evening of her 52nd birthday, Georgian literature teacher Manana unexpectedly announces to her family that she is leaving. She has been married for 30 years and lives in a three-bedroom flat in Tbilisi with her husband, parents, two children and her son-in-law. Initially, the family members do not take Manana’s decision seriously. But then she packs her suitcase and leaves. The family is shocked and incredulous: where is she going? Who has upset her? She is past ‘divorce age’, after all, and has a good husband who doesn’t drink, take drugs or beat her.

Nana Ekvtimishvili was born in 1978 in Tbilisi. She studied Dramatics and Screenwriting at the film school in Potsdam-Babelsberg. She directed the short film WAITING FOR MUM in 2011. Ekvtimishvili founded her own production company Polare Film with Simon Gross and wrote, co-directed and coproduced IN BLOOM in Georgia in 2012. The film won 30 awards at international festivals, including Heart of Sarajevo for the Best Film and was Georgia’s submission for the Academy Award for Best Foreign Language Film in 2014. MY HAPPY FAMILY, her second feature-length film (co-directed with Simon Gross) premiered at the Sundance Film Festival in 2017. Simon Gross was born in 1976 in Berlin. He studied Directing at the University of Television and Film Munich. After directing several short films, he shot his first feature-length film, FATA MORGANA, during which time his cooperation with Nana Ekvtimishvili started. His latest film, MY HAPPY FAMILY, also co-directed with Ekvtimishvili, had its world premiere at the Sundance Film Festival in 2017.

80 23. Sarajevo Film Festival l U FOKUSU

Georgia, Germany, France, 2016, Colour, 119 min, Georgian Režija / Director: Nana&Simon Scenarij / Screenplay: Nana Ekvtimishvili Direktor fotografije / Director of Photography: Tudor Vladimir Panduru Montaža / Editor: Stefan Stabenow Muzika / Music: Andreas Hildebrandt Zvuk / Sound: Medea Bakradze Kostimografija / Costume Design: Medea Bakradze Scenografija / Production Design: Kote Japharidze Producent / Producer: Jonas Katzenstein, Maximilian Leo, Simon Gross Produkcija / Production: Augenschein Filmproduktion Uloge / Cast: Ia Shugliashvili, Merab Ninidze, Berta Khapava, Tsisia Qumsashvili, Giorgi Khurtsilava, Giorgi Tabidze, Goven Cheishvili, Dimitri Oragvelidze. Kontakt / Contact: Memento Films International; sata@memento-films.com FILMOGRAFIJA / FILMOGRAPHY: Nana Ekvtimishvili: 2017 – CHEMI BEDNIERI OJAKHI / MY HAPPY FAMILY 2013 – GRZELI NATELI DGEEBI / IN BLOOM 2011 – DEDA / WAITING FOR MUM (kratki film / short film) Simon Gross: 2017 – CHEMI BEDNIERI OJAKHI / MY HAPPY FAMILY 2013 – GRZELI NATELI DGEEBI / IN BLOOM 2007 – FATA MORGANA 2002 – NACHTRAUSCH / ELATED BY NIGHT (kratki film / short film) 1999 – SÜNDENFALL (kratki film / short film)

Jupiter Holdja / Jupiterov mjesec / Jupiter’s Moon Mladi imigrant je ustrijeljen tokom ilegalnog prelaska granice. Užasnut i šokiran, ranjeni Aryan otkriva da iznenada može levitirati kad god to poželi. Aryan završava u izbjegličkom kampu iz kojeg ga izvlači cinični dr. Stern, odlučan da iskoristi njegove nevjerovatne sposobnosti. Inspirisan Aryanovim nevjerovatnim moćima, Stern se odlučuje na skok vjere u svijetu u kojem se čuda prodaju za sitan novac. Kornél Mundruczó rođen je 1975. godine u Gödöllőu, Mađarska. Sa svojim prvim igranim filmom, PLEASANT DAYS, osvojio je nagradu Srebreni leopard na Filmskom festivalu u Locarnu 2002. godine. Njegov drugi igrani film, JOHANNA, prikazan je u programu Un Certain Regard Filmskog festivala u Cannesu 2005. U Cannes se vraća 2008. s filmom DELTA, koji je prikazan u takmičarskoj konkurenciji i nagrađen nagradom FIPRESCI. Film je osvojio i nagradu Gene Moskowitz, kao i glavnu nagradu Zlatni točak na festivalu Sedmica mađarskog filma. Mundruczó je 2014. s filmom WHITE GOD osvojio nagradu Un Certain Regard programa Filmskog festivala u Cannesu. E A young immigrant is shot down while illegally crossing a border. Terrified and in shock, the wounded Aryan can now mysteriously levitate at will. Thrown into a refugee camp, he is smuggled out by cynical Dr. Stern, who is intent on exploiting Aryan’s extraordinary secret. Inspired by Aryan’s amazing powers, Stern takes a leap of faith in a world where miracles are trafficked for small change...

Kornél Mundruczó was born in 1975 in Gödöllő, Hungary. PLEASANT DAYS, his first feature film, was awarded the Silver Leopard at the Festival del Film Locarno in 2002. His second feature, JOHANNA, was presented at the Cannes Film Festival in the Un Certain Regard section in 2005. DELTA was in the Official Competition at Cannes in 2008, and was awarded the FIPRESCI prize, the Gene Moskowitz Award and the “Golden Reel“ Main Prize at the Hungarian Film Week. In 2014, his film WHITE GOD won the Un Certain Regard Prix at Cannes.

Hungary, Germany, 2017, Colour, 123 min, English, Hungarian Režija / Director: Kornél Mundruczó Scenarij / Screenplay: Kata Wéber, Kornél Mundruczó Direktor fotografije / Director of Photography: Marcell Rév Montaža / Editor: Dávid Jancsó Muzika / Music: Jed Kurzel Zvuk / Sound: Gábor Balázs, Michael Kaczmarek Kostimografija / Costume Design: Sabine Greunig Scenografija / Production Design: Márton Ágh Producent / Producer: Viktória Petrányi, Viola Fügen, Michael Weber, Michel Merkt Produkcija / Production: Proton Cinema Production Uloge / Cast: Merab Ninidze, Zsombor Jéger, György Cserhalmi, Móni Balsai Kontakt / Contact: The Match Factory GmbH; info@matchfactory.de FILMOGRAFIJA / FILMOGRAPHY: 2017 – JUPITER HOLDJA / JUPITER‘S MOON 2014 – FEHÉR ISTEN / WHITE GOD 2010 – A FRANKENSTEIN-TERV / TENDER SON – THE FRANKENSTEIN PROJECT 2008 – DELTA 2005 – JOHANNA 2002 – SZÉP NAPOK / PLEASANT DAYS

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Koga denot nemaše ime / Kada dan nije imao ime / When the Day Had no Name Milan i njegov najbolji prijatelj Petar se sa grupom drugih tinejdžera iz skopskih predgrađa pripremaju za uzbudljiv izlet. Puni su adrenalina i spremni za noć opijanja i zezanja prije jutarnjeg odlaska na pecanje. Kao i svi tinejdžeri, seksualno i emotivno su frustrirani, i zaokupljeni materijalnim problemima. Ponekad se ponašaju kao vragovi, a ponekad kao anđeli. Žude da budu odrasli, ali se uglavnom i dalje ponašaju kao djeca. Svi su u lošim odnosima sa roditeljima i tipični su predstavnici generacije koja odrasta u vrijeme tranzicije i upitnih društvenih vrijednosti. Etničke tenzije i posjeta maloljetnoj prostitutki, koja se neće odvijati po planu, zasjenit će njihov noćni izlazak. Teona Strugar Mitevska rođena je 1974. u Skoplju, Makedonija. Mitevska je 2001. godine stekla zvanje magistrice filmske umjetnosti na prestižnoj Tisch školi za umjetnost Univerziteta u New Yorku. Njen debitantski kratki film VETA osvojio je Specijalnu nagradu žirija Filmskog festivala u Berlinu, a njen prvi dugometražni igrani film HOW I KILLED A SAINT prikazan je na više od 50 filmskih festivala i osvojio je niz nagrada širom svijeta. Njen drugi igrani film I AM FROM TITOV VELES prikazan je na više od 80 filmskih festivala širom svijeta i osvojio je preko 20 nagrada, uključujući Specijalnu nagradu žirija Sarajevo Film Festivala. Film je 2008. i 2009. godine uvršten u kino repertoar u 15 zemalja. E Milan and his best friend Petar prepare an adventurous excursion with some other teenagers from the outskirts of Skopje. They are full of adrenaline for a boys’ night out of drinking and horseplay before an early morning fishing expedition – typical teenagers full of sexual and romantic tensions, and angst about money and material things. They are sometimes devilish and sometimes angelic; hungry to be adults, yet they still mostly act like children. All have dysfunctional relationships with their parents, and they represent a whole generation of youth raised in a time of transition and questionable values. Their night of fun is tainted by ethnic tensions and a visit to a teenaged prostitute that goes wrong...

Teona Strugar Mitevska was born in 1974 in Skopje, Macedonia. In 2001, she finished the Master of Film Arts programme at New York University’s prestigious Tisch School of the Arts. She made her directorial debut in 2001 with the short film VETA, which received the Special Jury award at the Berlin International Film Festival. Her first feature-length film, HOW I KILLED A SAINT, travelled to more than 50 film festivals and won numerous prizes around the world. Her second film, I AM FROM TITOV VELES, was theatrically released in 15 countries in 2008-2009, and was screened in the official competition of the Sarajevo Film Festival, where it won a Special Jury Award. The film was invited to more than 80 festivals around the world and won more than 20 international awards.

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Macedonia, Belgium, Slovenia, 2017, Colour, 84 min, Macedonian Režija / Director: Teona Strugar Mitevska Scenarij / Screenplay: Teona Strugar Mitevska, Elma Tataragić Direktor fotografije / Director of Photography: Agnès Godard afc Montaža / Editor: Stefan Stanbenow, Sophie Vercruysse Muzika / Music: Jean Paul Dessy Zvuk / Sound: Thomas Gauder, Paul Heymans Kostimografija / Costume Design: Monika Lorber Scenografija / Production Design: Vuk Mitevski Producent / Producer: Labina Mitevska Produkcija / Production: Sisters and Brother Mitevski Uloge / Cast: Leon Ristov, Hanis Bagashov, Stefan Kitanovic, Dragan Mishevski, Ivan Vrtev Soptrajanov, Igorco Postolov, Perunika Kiselički, Ines Hodic, Erina Poplavska, Labina Mitevska Kontakt / Contact: Cercamon; sebastien@cercamon.biz FILMOGRAFIJA / FILMOGRAPHY: 2017 – KOGA DENOT NEMAŠE IME / WHEN THE DAY HAD NO NAME 2012 – THE WOMAN WHO BRUSHED OFF HER TEARS 2008 – JAS SUM OD TITOV VELES / I AM FROM TITOV VELES 2004 – KAKO UBIV SVETEC / HOW I KILLED A SAINT 2001 – VETA (kratki film / short film)

Ne gledaj mi u pijat / Quit Staring at My Plate Htjela ona to ili ne, Marijanina se svakodnevica vrti isključivo oko njene obitelji. Petkovići žive doslovno jedan na drugome u minijaturnom stanu, međusobno se dovodeći do ludila. Nakon što dominantni otac obitelji doživi moždani udar i ostane prikovan za krevet, Marijana preuzima ulogu vođe čopora. Dok njena neodgovorna majka i brat sa poteškoćama u razvoju situaciju čine sve težom, Marijana radi dva posla kako bi održala obitelj. Kada stvari postanu nepodnošljive, ona počinje iskušavati svoje osobne granice kroz susrete s nepoznatim muškarcima: ovaj, za nju nov, okus slobode navodi je da granice pomiče još dalje. Odlučiti šta bi zapravo trebala s tom slobodom, sad kad je napokon ima, Marijani je veliko iskušenje. Hana Jušić rođena je 1983. u Šibeniku, Hrvatska. Magistrirala je filmsku i TV režiju na Akademiji dramske umjetnosti u Zagrebu. Njeni kratki filmovi prikazani su i višestruko nagrađivani na značajnim domaćim i međunarodnim festivalima. Napisala je scenarije za dugometražne filmove ZAGONETNI DJEČAK reditelja Dražena Žarkovića i UZBUNA NA ZELENOM VRHU rediteljice Čejen Černić. NE GLEDAJ MI U PIJAT njen je prvi dugometražni igrani film. E Whether she likes it or not, Marijana’s daily life revolves around her family. The members of the Petković family share their days crammed into a tiny flat, where they drive each other crazy. When her overbearing father is bedridden after suffering a stroke, Marijana takes over his role as head of the household. She has to work two jobs to keep her family afloat, while her irresponsible mother and mentally impaired brother make her life increasingly difficult. When her troubles become too much to bear, Marijana starts testing her own boundaries through flings with unknown men, but the taste of freedom only makes her push the limits all the more. After she has finally won her freedom, it is a huge challenge for Marijana to decide what to do with it.

Hana Jušić was born in 1983 in Šibenik, Croatia. She finished the Master of Film and TV Directing programme at the Academy of Dramatic Art in Zagreb. Her short films were screened at numerous national and international film festivals, where they won several awards. She wrote the screenplays for Dražen Žarković’s THE MISTERIOUS BOY and Čejen Černić’s THE MISTERY OF GREEN HILL. QUIT STARING AT MY PLATE is her first feature-length film.

Croatia, Denmark, 2016, Colour, 105 min, Croatian Režija / Director: Hana Jušić Scenarij / Screenplay: Hana Jušić Direktor fotografije / Director of Photography: Jana Plećaš Montaža / Editor: Jan Klemsche Muzika / Music: Hrvoje Nikšić Zvuk / Sound: Roar Skau Olsen Kostimografija / Costume Design: Katarina Pilić Scenografija / Production Design: Mathilde Ridder-Nielsen Producent / Producer: Ankica Jurić Tilić Produkcija / Production: Kinorama (HR), Beofilm (DK), Hrvatska radiotelevizija (HR) Uloge / Cast: Mia Petričević, Nikša Butijer, Arijana Čulina, Zlatko Burić, Karla Brbić Kontakt / Contact: New Europe Film Sales; festivals@neweuropefilmsales.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – NE GLEDAJ MI U PIJAT / QUIT STARING AT MY PLATE 2015 – DA JE KUĆA DOBRA I VUK BI JE IMAO / NO WOLF HAS A HOUSE (kratki film / short film) 2012 – ZIMICA / CHILL (kratki film / short film) 2012 – TERARIJ / TERRARIUM (kratki film / short film) 2012 – MUŠICE, KRPELJI, PČELE / GNATS, TICKS AND BEES (kratki film / short film) 2010 – PAMETNICE / SMART GIRLS (kratki film / short film)

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Rekvijem za gospođu J. / Requiem for Mrs. J. Jeleni je dosadio život. Godinu dana ranije, umro joj je muž i Jelena se, bez obzira što živi sa svoje dvije kćeri i svekrvom, neprestano osjeća usamljeno i umorno. Na kraju sedmice, na godišnjicu muževljeve smrti, odlučuje se na samoubistvo. Jelena je već pripremila pištolj, ali prije toga ima dosta za obaviti: naći klesara koji će uklesati sliku na nadgrobni spomenik, te ovjeriti zdravstvenu knjižicu. Da bi to uradila, potrebno je da donese potvrdu da je proteklih dvadeset godina bila zaposlena i dobijala platu. U zemlji, koja se stalno nalazi u procjepu između patnje i tranzicije, ova tiha, skromna žena polako počinje shvatati da ništa nije onako jednostavno kakvim se na početku čini. Vlast je preopterećena, Jelenina nekadašnja firma je bankrotirala, a preostali zaposlenici samo trate vrijeme. A kraj sedmice sve je bliži. Bojan Vuletić rođen je 1977. godine u Beogradu. Studirao je filmsku i TV režiju na Fakultetu dramskih umetnosti. Njegov nagrađivani igrani prvenac, PRAKTIČAN VODIČ KROZ BEOGRAD SA PEVANJEM I PLAKANJEM, premijerno je prikazan na Međunarodnom fimskom festivalu u Karlovym Varyma. Njegov drugi igrani film, REKVIJEM ZA GOSPOĐU J., premijerno je prikazan u programu Panorama Special ovogodišnjeg Filmskog festivala u Berlinu. E Jelena has had enough of life. Her husband died a year ago, and she feels tired and lonely – in spite of her two daughters and her mother-in-law, all of whom share her flat. She has decided that at the end of the week, on the anniversary of her husband’s death, she will commit suicide. She has a pistol ready for the job. But there are a number of things to sort out beforehand: she needs to get a mason to put her portrait photograph on her gravestone and renew her health insurance card. In order to do so, Jelena needs proof she has been a salaried employee for the past 20 years. Gradually, this quiet, humble woman begins to realise that nothing is simple in a country that is constantly swinging back and forth between torment and transition. The authorities are unable to cope, Jelena’s former employers are now bankrupt and the remaining staff are just killing time. And the end of the week is drawing near.

Bojan Vuletić was born in 1977 in Belgrade. He studied Film and Television Directing at the Faculty of Dramatic Arts in Belgrade. His feature film debut PRACTICAL GUIDE TO BELGRADE WITH SINGING AND CRYING premiered at the Karlovy Vary International Film Festival and went on to win several awards. His second feature REQUIEM FOR MRS. J. had its world premiere at the Berlinale in the Panorama Special section in 2017.

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Serbia, Bulgaria, Macedonia, Russia, France, 2017, Colour, 94 min, Serbian Režija / Director: Bojan Vuletić Scenarij / Screenplay: Bojan Vuletić Direktor fotografije / Director of Photography: Jelena Stanković Montaža / Editor: Vladimir Pavlovski Zvuk / Sound: Boris Trayanov Kostimografija / Costume Design: Lana Pavlović Scenografija / Production Design: Zorana Petrov Producent / Producer: Nenad Dukić, Pavlina Jeleva, Tomi Salkovski Produkcija / Production: SEE Film Pro, Geopoly Film, Skopje Film Studio Uloge / Cast: Mirjana Karanović, Jovana Gavrilović, Danica Nedeljković, Vučić Perović, Mirjana Banjac, Boris Isaković, Srđan Todorović, Valčo Karamašev Kontakt / Contact: Soul Food Films; info@soulfoodfilms.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – REKVIJEM ZA GOSPOĐU J. / REQUIEM FOR MRS. J. 2011 – PRAKTIČAN VODIČ KROZ BEOGRAD SA PEVANJEM I PLAKANJEM / PRACTICAL GUIDE TO BELGRADE WITH SINGING AND CRYING

Testről és lélekről / O tijelu i duši / On Body and Soul Čudnovato lijepa ljubavna priča odvija se u jednoj klaonici u Budimpešti. Tik nakon što preuzme posao kontrolorke kvalitete, Mária postaje predmet ogovaranja. Tokom ručka u sterilnoj kantini, ova mlada žena uvijek bira sto za kojim će moći sjediti sama i jesti svoj obrok u tišini. Posao shvata izuzetno ozbiljno i čvrsto se pridržava pravila, te za svaki suvišni gram sala dodjeljuje kaznene bodove. Njen svijet sastoji se od brojki i podataka koji su joj usađivani u glavu još od ranoga djetinjstva. Márijin nešto stariji šef Endre također je samozatajan tip. Njih dvoje se oprezno i postepeno počinju upoznavati. Nakon što spoznaju svoju duhovnu bliskost, sa iznenađenjem otkrivaju da noću sanjaju čak i iste snove, te ih pažljivo pokušaju pretvoriti u stvarnost. Ildikó Enyedi rođena je 1955. u Budimpešti. Studirala je ekonomiju i film na Univerzitetu u Budimpešti, a zatim i u Montpellieru, Francuska. Nakon rada na više eksperimentalnih i narativnih kratkih filmova, Enyedi je od 1989. godine snimila šest igranih filmova s kojima je osvojila više značajnih nagrada. S filmom MY 20TH CENTURY osvojila je nagradu Zlatna kamera za najbolji debitantski film na Filmskom festivalu u Cannesu, dok su njeni filmovi MAGIC HUNTER i TAMÁS AND JUL prikazani u zvaničnoj konkurenciji Filmskog festivala u Veneciji 1995. i 1997. godine. Njen film O TIJELU I DUŠI premijerno je prikazan na ovogodišnjem Filmskom festivalu u Berlinu gdje je osvojio nagradu Zlatni medvjed. E A slaughterhouse in Budapest is the setting for a strangely beautiful love story. No sooner does Mária start work as the new quality controller than the whispers begin. At lunchtime, the young woman always chooses a table on her own in the sterile canteen, where she sits in silence. She takes her job seriously and adheres strictly to the rules, deducting penalty points for every excess ounce of fat. Hers is a world that consists of figures and data that have imprinted themselves on her memory since early childhood. Her slightly older boss Endre is also the quiet type. Tentatively, they begin to get to know each other. Recognising their spiritual kinship, they are amazed to discover that they even have the same dreams at night. Carefully, they attempt to make them come true.

Hungary, 2017, Colour, 116 min, Hungarian Režija / Director: Ildikó Enyedi Scenarij / Screenplay: Ildikó Enyedi Direktor fotografije / Director of Photography: Máté Herbai Montaža / Editor: Károly Szalai Muzika / Music: Ádám Balázs Zvuk / Sound: János Kőporosy Kostimografija / Costume Design: Judit Sinkovics Scenografija / Production Design: Imola Láng Producent / Producer: Monika Mécs, András Muhi, Ernő Mesterházy Produkcija / Production: Inforg – M&M Film KFT; Budapest, Hungary Uloge / Cast: Alexandra Borbély, Géza Morcsányi, Réka Tenki, Zoltán Schneider, Ervin Nagy, Itala Békés, Éva Bata, Pál Mácsai, Zsuzsa Járó, Nóra Rainer-Micsinyei Kontakt / Contact: Films Boutique; contact@filmsboutique.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – TESTRŐL ÉS LÉLEKRŐL / ON BODY AND SOUL 1999 – SIMON MÁGUS / SIMON, THE MAGICIAN 1997 – TAMÁS ÉS JULI / TAMÁS AND JULI 1995 – BÜVÖS VADÁSZ / MAGIC HUNTER 1989 – AZ ÉN XX. SZÁZADOM / MY 20TH CENTURY

Ildikó Enyedi was born in 1955 in Budapest. She studied Economics and Filmmaking at the University of Budapest and later in Montpellier, France. After making a number of experimental and narrative short films, since 1989 she has created six feature films that have gained several renowned awards. In 1989, Enyedi received the Camera d’Or for Best First Film at the Cannes Film Festival for MY 20TH CENTURY. With MAGIC HUNTER and TAMÁS AND JULI, she took part in the Official Competition of the Venice Film Festival in 1995 and 1997. Enyedi’s film ON BODY AND SOUL premiered at the 67th Berlin International Film Festival, where it won the Golden Bear.

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Open Air

Aus dem Nichts / Niotkuda / In the Fade, Fatih Akin

Baby Driver / Vozač, Edgar Wright

The Big Sick / Velika bolest, Michael Showalter

Good Time / Pravo vrijeme, Josh Safdie, Benny Safdie

A Fish Called Wanda / Riba zvana Wanda, Charles Crichton

Las Hijas de Abril / Avrilina kćerka / April’s Daughter, Michel Franco

Toivon tuolla puolen / Druga strana nade / The Other Side of Hope, Aki Kaurismäki

Žaba / The Frog, Elmir Jukić

Aus dem Nichts / Niotkuda / In the Fade Katjin život zauvijek se promijeni kada se DNK analizom ustanovi da ostaci pronađeni na mjestu bombaškog napada pripadaju njenom mužu i sinu. Nedugo zatim, policija privodi dvoje mladih neonacista osumnjičenih za napad. Da bi bila sigurna da krivci neće izbjeći kaznu, Katja uzima pravdu u svoje ruke. Fatih Akin rođen je 1973. godine u Hamburgu, Njemačka. Studirao je na Univerzitetu za lijepe umjetnosti. Svoj prvi dugometražni igrani film SHORT SHARP SHOCK snimio je 1998. godine. Film je ostvario izuzetan uspjeh i osvojio niz nagrada, uključujući nagradu Bronzani leopard Filmskog festivala u Locarnu i nagradu Udruženja filmskih radnika Bavarije za najboljeg mladog reditelja. Slijedili su filmovi IN JULY, DENK ICH AN DEUTSCHLAND – WIR HABEN VERGESSEN ZURÜCKZUKEHREN, SOLINO, te HEAD-ON, s kojim je osvojio nagradu Zlatni medvjed Filmskog festivala u Berlinu. Godine 2007. s filmom THE EDGE OF HEAVEN osvaja nagradu za najbolji scenarij Filmskog festivala u Cannesu, nagradu za najboljeg reditelja Udruženja filmskih reditelja Bavarije, Evropsku filmsku nagradu za najbolji scenarij, i mnoge druge. Njegov film NIOTKUDA premijerno je prikazan na ovogodišnjem Filmskom festivalu u Cannesu. E Katja’s life changes forever after DNA analysis reveals that the remains found on the site of a bomb attack belong to her husband and son. Shortly after, police arrest two young neo-Nazi sympathisers suspected of the crime. In order to ensure the suspects will not escape punishment, Katja takes justice into her own hands.

Fatih Akin was born in 1973 in Hamburg, Germany. He studied at the University of Fine Arts. He directed his first full-length feature film SHORT SHARP SHOCK in 1998. The film saw immediate success and won several awards, including the Bronze Leopard at the Festival del Film Locarno and the Bavarian Film Award for Best Young Director. It was followed by IN JULY, DENK ICH AN DEUTSCHLAND – WIR HABEN VERGESSEN ZURÜCKZUKEHREN, SOLINO and his Golden Bear-winning feature-length film HEAD-ON in 2004. In 2007, his drama THE EDGE OF HEAVEN won the Best Screenplay award at the Cannes Film Festival, as well as a number of other prizes, including Best Director at the Bavarian Film Awards and Best Screenplay at the European Film Awards. IN THE FADE premiered at Cannes in 2017.

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Germany, 2017, Colour, 106 min, English, German Režija / Director: Fatih Akin Scenarij / Screenplay: Fatih Akin, Hark Bohm Direktor fotografije / Director of Photography: Rainer Klausmann Montaža / Editor: Andrew Bird Muzika / Music: Joshua Homme Scenografija / Production Design: Tamo Kunz Producent / Producer: Ann-Kristin Homann, Nurhan Şekerci-Porst, Fatih Akin, Herman Weigel Produkcija / Production: Bombero International GmbH&Co KG, Warner Bros Film Productions Germany, Macassar Productions, Pathé Uloge / Cast: Diane Kruger, Denis Moschitto, Johannes Krisch, Samia Chancrin, Numan Acar, Ulrich Tukur, Rafael Santana, Hanna Hilsdorf, Ulrich Friedrich Brandho Kontakt / Contact: The Match Factory, Michael Weber; michael.weber@matchfactory.de FILMOGRAFIJA / FILMOGRAPHY: 2017 – AUS DEM NICHTS / IN THE FADE 2016 – TSCHICK / GOODBYE BERLIN 2014 – THE CUT 2012 – MÜLL IM GARTEN EDEN / GARBAGE IN THE GARDEN OF EDEN (dokumentarni film / documentary) 2009 – SOUL KITCHEN 2007 – AUF DER ANDEREN SEITE / THE EDGE OF HEAVEN 2005 – CROSSING THE BRIDGE: THE SOUND OF ISTANBUL (dokumentarni film / documentary) 2004 – GEGEN DIE WAND / HEAD-ON 2002 – SOLINO 2001 – DENK ICH AN DEUTSCHLAND – WIR HABEN VERGESSEN ZURUCKZUKEHREN (dokumentarni film / documentary) 2000 – IM JULI / IN JULY 1998 – KURZ UND SCHMERZLOS / SHORT SHARP SHOCK 1996 – GETÜRKT / WEED (kratki film / short film) 1995 – SENSIN – DU BIST ES! / SENSIN... YOU’RE THE ONE! (kratki film / short film)

Baby Driver / Vozač Baby, talentovani mladi vozač auta za bijeg, oslanja se na ritam muzike koju neprestano sluša kako bi bio najbolji u igri. Kad upozna djevojku svojih snova, odluči napustiti svijet kriminala i početi život iz početka. Međutim, Baby biva prisiljen raditi za jednog od šefova podzemlja, a nakon jedne neuspjele pljačke, morat će se suočiti s posljedicama vlastitih izbora i pokušati da otkloni opasnost koja se nadvila nad njegovim životom, ljubavi i slobodom. Edgar Wright rođen je 1974. godine u Pooleu, Velika Britanija. Filmski je reditelj, scenarista, producent i glumac. Još kao tinejdžer snimio je nekoliko amaterskih filmova, a u svojoj 20. godini snima dugometražni igrani prvenac, niskobudžetni film A FISTFUL OF FINGERS. Rad za televiziju, a naročito angažman na mjestu reditelja kultne serije „Spaced“ (1999-2001), na kojoj je sarađivao sa Simonom Peggom i Jessicom Stevenson, predstavljao je prekretnicu u njegovoj karijeri. Postaje poznat kao autor filmske trilogije THREE FLAVORS CORENTTO, koja je uključivala filmove SHAUN OF THE DEAD, HOT FUZZ i THE WORLD’S END, na kojima se poigrao s konvencijama različitih filmskih žanrova. Podjednako subverzivni su i njegov kratki film DON’T, koji je uključen u filmski projekat GRINDHOUSE Quentina Tarantina i Roberta Rodrigueza, i njegova filmska adaptacija stripa SCOTT PILGRIM VS. THE WORLD. E A talented young getaway driver relies on the beats of his personal soundtrack to be the best in the game. When he meets the girl of his dreams, Baby sees a chance to ditch his criminal life and make a clean getaway. But after being coerced into working for a crime boss, he must face the music when a doomed heist threatens his life, love and freedom.

Edgar Wright was born 1974 in Poole, UK. He is a film director, screenwriter, producer, and actor. As a teen in the 1980s, he shot several short amateur films before making his feature-length debut at the age of 20 with the low-budget A FISTFUL OF FINGERS. An important milestone in his career was his work for television, in particular as director of the cult series “Spaced” (1999-2001), on which he collaborated with Simon Pegg and Jessica Stevenson. He first gained wider recognition as the creator of the THREE FLAVOURS CORNETTO trilogy, in which he toyed with and exploded various genre conventions: SHAUN OF THE DEAD, HOT FUZZ and THE WORLD’S END. Equally subversive were his short film DON’T, which was included in Quentin Tarantino and Robert Rodriguez’s GRINDHOUSE, and his comic-book adaptation SCOTT PILGRIM VS. THE WORLD.

USA, 2017, Colour, 115 min, English Režija / Director: Edgar Wright Scenarij / Screenplay: Edgar Wright Direktor fotografije / Director of Photography: Bill Pope Montaža / Editor: Jonathan Amos, Paul Machliss Muzika / Music: Steven Price Zvuk / Sound: Julian Slater Kostimografija / Costume Design: Courtney Hoffman Scenografija / Production Design: Marcus Rowland Producent / Producer: Tim Bevan, Eric Fellner, Nira Park Produkcija / Production: Big Talk Productins, Double Negative, Media Rights Capital, Working Title Films Uloge / Cast: Ansel Elgort, Kevin Spacey, Lily James, Jon Bernthal, Eiza González, Jon Hamm, Jamie Foxx Kontakt / Contact: Sony Pictures Entertainment; info@sonypictures.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – BABY DRIVER 2013 – THE WORLD’S END 2010 – SCOTT PILGRIM VS. THE WORLD 2007 – HOT FUZZ 2004 – STRAIGHT 8 2004 – FUNKY PETE (kratki film / short film) 2004 – THE MAN WHO WOULD BE SHAUN (kratki film / short film) 2004 – SHAUN OF THE DEAD 1995 – A FISTFUL OF FINGERS 1993 – DEAD RIGHT (kratki film / short film)

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The Big Sick / Velika bolest Pakistanski komičar Kumail na jednom od svojih stand-up nastupa upoznaje američku studenticu Emily. Njihova veza cvjeta, ali Kumaila uskoro počinje brinuti da li će članovi njegove tradicionalne muslimanske porodice prihvatiti Emily. Kada Emily iznenada oboli i padne u komu, Kumail neočekivano gradi blizak odnos s njenim duboko zabrinutim roditeljima. Michael Showalter rođen je 1970. godine u Princetonu, New Jersey, SAD. Bio je koscenarista i reditelj filma HELLO, MY NAME IS DORIS, koji je osvojio Nagradu publike na Filmskom festivalu South by Southwest. Jedan je od osnivača komičarskih grupa The State i Stella. Glumio je u filmovima THE BAXTER, WET HOT AMERICAN SUMMER i THEY CAME TOGETHER. Jedan je od autora filma WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP AND SEARCH PARTY, a trenutno priprema nastavak pod naslovom WET HOT AMERICAN SUMMER: TEN YEARS LATER. Njegov film VELIKA BOLEST premijerno je prikazan na ovogodišnjem Filmskom festivalu Sundance. E Kumail is a Pakistani comic who meets an American graduate student named Emily at one of his stand-up shows. As their relationship blossoms, Kumail soon becomes worried about what his traditional Muslim parents will think of Emily. When she suddenly comes down with an illness that leaves her in a coma, Kumail finds himself developing a bond with her deeply concerned mother and father.

Michael Showalter was born in 1970 in Princeton, USA. He co-wrote and directed the SXSW Audience Award-winning film HELLO, MY NAME IS DORIS. He is a founding member of the comedy groups The State and Stella. Showalter’s films as an actor include THE BAXTER, WET HOT AMERICAN SUMMER and THEY CAME TOGETHER. He co-created WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP AND SEARCH PARTY, and he is currently working on WET HOT AMERICAN SUMMER: TEN YEARS LATER. His film THE BIG SICK had its premiere at the Sundance Film Festival.

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USA, 2017, Colour, 119 min, English, Urdu Režija / Director: Michael Showalter Scenarij / Screenplay: Emily V. Gordon, Kumail Nanjiani Direktor fotografije / Director of Photography: Brian Burgoyne Montaža / Editor: Robert Nassau Muzika / Music: Michael Andrews Kostimografija / Costume Design: Sarah Mae Burton Scenografija / Production Design: Brandon TonnerConnolly Producent / Producer: Judd Apatow, Barry Mendel Produkcija / Production: Filmnation Entertainment, Apatow Productions Uloge / Cast: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher, Zenobia Shroff, Adeel Akhtar Kontakt / Contact: FilmNation Entertainment; info@wearefilmnation.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – THE BIG SICK 2015 – HELLO, MY NAME IS DORIS 2005 – THE BAXTER

Good Time / Pravo vrijeme Nakon što mu mlađi brat završi u zatvoru zbog neuspjele pljačke banke, Konstantin kreće na opasno putovanje kroz gradski kriminalni milje ne bi li brata izbavio iz zatvora. U samo jednoj noći, žureći da spasi i brata i sebe, Konstantin upada u besmislen vrtlog nasilja i razaranja, savršeno svjestan da im obojici život visi o koncu. Josh i Benny Safdie rođeni su i odrasli u Queensu i na Manhattanu, New York. Dobitnici su brojnih festivalskih nagrada, uključujući nagrade FIPRESCI i nezavisne filmske nagrade Spirit i Gotham. Filmovi su im premijerno predstavljeni na značajnim međunarodnim filmskim festivalima, poput festivala u Cannesu, Locarnu, Torontu i Veneciji, kao i na Filmskom festivalu Sundance i SXSW. Prije tri godine su sa Sebastianom Bear-McClardom i Oscarom Boysonom pokrenuli filmski studio Elara Pictures. E After a botched bank robbery lands his younger brother in prison, Constantine embarks on a twisted odyssey through the city’s underworld in an increasingly desperate attempt to get his brother out of jail. Over the course of one night, Constantine finds himself on a mad descent into violence and mayhem as he races against the clock to save his brother and himself, all the while knowing their lives hang in the balance.

Josh and Benny Safdie were born and raised in Queens and Manhattan in New York City. Their work has earned them numerous festival jury awards, FIPRESCI Prizes, and Independent Spirit and Gotham Awards. Their films have been released all over the world, premiering at international film festivals in Cannes, Locarno, Toronto and Venice, as well as at Sundance and SXSW. In 2014, along with Sebastian Bear-McClard and Oscar Boyson, they started Elara Pictures.

USA, 2017, Colour, 100 min, English Režija / Director: Josh Safdie, Benny Safdie Scenarij / Screenplay: Josh Safdie, Ronald Bronstein Direktor fotografije / Director of Photography: Sean Price Williams Montaža / Editor: Benny Safdie, Ronald Bronstein Muzika / Music: Oneohtrix Point Never Zvuk / Sound: Patrick Southern, Evan Mangiamele Kostimografija / Costume Design: Mordechai Rubinstein Scenografija / Production Design: Samuel Lisenco Producent / Producer: Oscar Boyson, Sebastian Bear-McClard, Terry Dougas, Jean-Luc de Fanti, Paris Kasidokostas Latsis Produkcija / Production: Elara Pictures, Rhea Films Uloge / Cast: Robert Pattinson, Benny Safdie, Jennifer Jason Leigh, Barkhad Abdi, Buddy Duress, Taliah Webster, Peter Verby, Gladys Mathon, Necro Kontakt / Contact: Memento Films International; sales@memento-films.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – GOOD TIME 2014 – HEAVEN KNOWS THAT 2013 – LENNY COOKE (dokumentarni film / documentary) 2012 – TROPHY HUNTER (kratki film / short film) 2011 – STRAIGHT HUSSLE (kratki dokumentarni film / short doc.) 2011 – BUTTONS (dokumentarni film / documentary) 2009 – DADDY LONGLEGS

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A Fish Called Wanda / Riba zvana Wanda Kad se spoje četiri lukava kradljivca dragulja, tri jokširska terijera, par čvrstih grudi i jedan tipični britanski advokat, dobije se mješavina koja osigurava „neprekidan slijed beskrajno smiješnih obrata i nevjerovatnih glumačkih izvedbi“. U ovoj nevjerovatno smiješnoj filmskoj farsi, žena po imenu Wanda, u nastojanju da se dočepa dragulja, mora prevariti plaćenog ubicu koji voli životinje, smotanog advokata i svoga momka koji obožava citirati Nietzschea. Charles Crichton rođen je 1910. godine u Walleseyju, Velika Britanija. Tokom tridesetih godina prošlog vijeka radio je kao filmski montažer i sarađivao na filmovima u produkciji Alexandera Korde SANDERS OF THE RIVER, THINGS TO COME, ELEPHANT BOY i THE THIEF OF BAGDAD. Režijom se počeo baviti 1941. snimivši kratki film THE YOUNG VETERANS. Svoj prvi dugometražni film snimio je 1944. u filmskom studiju Ealing, a godinu dana kasnije u sklopu horor omnibusa DEAD OF NIGHT režira smiješno-strašni kratki film THE GOLFING STORY. Crichton je najveći uspjeh postigao sa svojim komedijama, prvenstveno s filmovima HUE AND CRY, THE LAVENDER HILL MOB, THE TITFIELD THUNDERBOLT i THE BATTLE OF THE SEXES. Šezdesetih godina prošlog vijeka preusmjerio je pažnju na televiziju, ali se 1988. godine izuzetno uspješno vraća filmu s crnom komedijom RIBA ZVANA WANDA. E Four conniving jewel thieves… three Yorkshire terriers… two heaving bosoms and one proper British barrister. It all adds up to “a non-stop barrage of …outrageous plot twists and over-the top performances” when a woman called Wanda tries to deceive her Nietzsche-quoting boyfriend, an animal-loving hitman and an embarrassment-prone counsellor out of a fortune in jewels in this hilariously funny farce!

Charles Crichton was born in 1910 in Wallasey, UK. He was a film editor in England during the ‘30s and worked on the Alexander Korda productions SANDERS OF THE RIVER, THINGS TO COME, ELEPHANT BOY and THE THIEF OF BAGDAD. He began directing in 1941 with the short film THE YOUNG VETERANS. At Ealing, he made his first feature in 1944; the following year he directed the comic chiller THE GOLFING STORY in the classic horror anthology DEAD OF NIGHT. Crichton reached his height in comedy, most notably with HUE AND CRY, THE LAVENDER HILL MOB, THE TITFIELD THUNDERBOLT and THE BATTLE OF THE SEXES. He shifted his attention to television in the ‘60s, but enjoyed a cinema renaissance in 1988, directing the black comedy A FISH CALLED WANDA.

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United Kingdom, USA, 1988, Colour, 108 min, English, French, Italian, Russian Režija / Director: Charles Crichton Scenarij / Screenplay: Charles Crichton, John Cleese Direktor fotografije / Director of Photography: Alan Hume Montaža / Editor: John Jympson Muzika / Music: John Du Prez Kostimografija / Costume Design: Hazel Pethig Scenografija / Production Design: Roger Murray-Leac Producent / Producer: Michael Shamberg Produkcija / Production: Metro-Goldwyn-Mayer (MGM), Prominent Features Uloge / Cast: John Cleese, Kevin Kline, Jamie Lee Curtis, Michael Palin, Maria Aitken, Tom Georgeson, Patricia Hayes Kontakt / Contact: Park Circus Limited; info@parkcircus.com FILMOGRAFIJA / FILMOGRAPHY: 1988 – A FISH CALLED WANDA 1965 – HE WHO RIDES A TIGER 1964 – THE THIRD SECRET 1960 – THE BOY WHO STOLE A MILLION 1960 – THE BATTLE OF SEXES 1959 – FLOODS OF FEAR 1958 – LAW AND DISORDER 1957 – THE MAN IN THE SKY 1954 – THE DIVIDED HEART 1954 – THE LOVE LOTTERY 1953 – THE TITFIELD THUNDERBOLT 1952 – HUNTED 1951 – THE LAVENDER HILL MOB 1950 – DANCE HALL 1949 – TRAIN OF EVENTS 1948 – ANOTHER SHORE 1948 – AGAINST THE WIND 1947 – HUE AND CRY 1945 – PAINTED BOATS 1944 – FOR THOSE IN PERIL

Las Hijas de Abril / Avrilina kćerka / April’s Daughter Sedamnaestogodišnja Valerija zatrudnjela je sa svojim maloljetnim momkom, ali o tome nije obavijestila svoju majku Avril. Kada njena sestra Clara u tajnosti nazove Avril, njihova majka dolazi puna brige, podrške i nježnosti. Ali, kratko nakon rođenja bebe, postaje jasno zašto je Valerija željela držati Avril što dalje od sebe. Michel Franco rođen je 1979. u Ciudad de Méxicu. Kratke filmove počeo je snimati po završetku medijskih studija. Njegov film CUANDO SEA GRANDE, snimljen za potrebe antikorupcijske kampanje, prikazivao se u 500 kino dvorana širom Mexica 2001. godine. S filmom ENTRE DOS osvojio je Veliku nagradu Filmskog festivala u Huesci 2003. godine, kao i nagradu za najbolji kratki film na Filmskom festivalu u Dresdenu. Njegov prvi dugometražni igrani film, DANIEL AND ANA, uvršten je u Directors’ Fortnight program Filmskog festivala u Cannesu 2009. godine, da bi potom bio prikazan na brojnim festivalima širom svijeta, kao i u kinima niza zemalja, uključujući Meksiko, Španiju, Francusku i Sjedinjene Američke Države. Francov drugi dugometražni igrani film, AFTER LUCIA, osvojio je nagradu Un Certain Regard programa Filmskog festivala u Cannesu 2012. godine. CHRONIC, njegov treći film, također je prikazan u takmičarskom programu Filmskog festivala u Cannesu 2015, gdje je osvojio nagradu za najbolji scenarij. E Seventeen-year-old Valeria got pregnant with her teenage boyfriend, but she has not yet informed her absent mother, April. Valeria’s sister Clara goes behind her back and calls April, who arrives with displays of concern, support and tenderness. But once the baby is born, it soon becomes clear why Valeria wanted to keep April as far away as possible.

Michel Franco was born in 1979 in Mexico City. He started making short films after media studies. In 2001, CUANDO SEA GRANDE, made for an anti-corruption campaign, was released in 500 cinemas across Mexico. In 2003, ENTRE DOS won the Grand Prize of the Festival of Huesca and received the prize for Best Short Film at the Filmfest Dresden. In 2009, DANIEL AND ANA, his first feature-length film, was selected for the Directors’ Fortnight at the Cannes Film Festival. It subsequently appeared at several international festivals and was distributed in numerous territories including France, Mexico, Spain and the USA. In 2012, his second feature, AFTER LUCIA, won the Un Certain Regard Prize at Cannes, while his third feature film, CHRONIC, saw his work in competition once again at Cannes, where it won the award for Best Screenplay.

Mexico, 2017, Colour, 103 min, Spanish Režija / Director: Michel Franco Scenarij / Screenplay: Michel Franco Direktor fotografije / Director of Photography: Yves Cape Montaža / Editor: Jorge Weisz Zvuk / Sound: Alejandro De Icaza Producent / Producer: Michel Franco, Lorenzo Vigas, Moises Zonana Produkcija / Production: Lucia Films Uloge / Cast: Emma Suárez, Ana Valeria Becerril, Enrique Arrizon, Joanna Larequi, Hernán Mendoza Kontakt / Contact: Protagonist Pictures; vanessa@protagonistpictures.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – LAS HIJAS DE ABRIL / APRIL’S DAUGHTER 2015 – CHRONIC 2013 – A LOS OJOS 2012 – DESPUÉS DE LUCÍA / AFTER LUCIA 2009 – DANIEL AND ANA 2003 – ENTRE DOS (kratki film / short film) 2003 – ASI NOS GUSTA VIVIR (kratki film / short film) 2002 – CUANDO SEA GRANDE (kratki film / short film) 2001 – EL SOLDADO (kratki film / short film) 1998 – ORPHANS (kratki film / short film)

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Toivon tuolla puolen / Druga strana nade / The Other Side of Hope Bježeći iz ratom razorene zemlje, s planom da u Finskoj zatraži azil, Sirijac Khaled stiže u helsinšku luku sakriven u kontejneru s ugljem. Zbunjen i frustriran monolitnim birokratskim aparatom s kojim se suočava, Khaled bježi iz azilantskog centra. Lutajući ulicama upoznaje Wikströma, bivšeg prodavača košulja, koji je nedavno napustio ženu alkoholičarku i započeo novi život kao vlasnik ugostiteljskog lokala. Njih dvojica će se međusobno pomagati u prevazilaženju problema s kojim se suočavaju u svojim nepoznatim i često zbunjujućim novim životima. Aki Kaurismäki rođen je 1957. godine u Orimattili, Finska. Karijeru je započeo kao koreditelj na filmovima svog starijeg brata Mike Kaurismäkija. Njegov prvi samostalni rediteljski uradak bio je film CRIME AND PUNISHMENT, zasnovan na istoimenoj knjizi Fjodora Mihajloviča Dostojevskog, ali s radnjom smještenom u savremeni Helsinki. Značajniju međunarodnu slavu stekao je zahvaljujući saradnji na više svojih filmova s rock bendom Leningrad Cowboys. Njegov najpoznatiji film THE MAN WITHOUT A PAST je 2002. godine osvojio Veliku nagradu i Nagradu ekumenskog žirija Filmskog festivala u Cannesu, a 2003. godine nominiran je za nagradu Oscar za najbolji film na stranom jeziku. S filmom DRUGA STRANA NADE osvojio je nagradu Srebreni medvjed za najbolju režiju Filmskog festivala u Berlinu 2017. godine. E Khaled arrives at the port of Helsinki concealed inside a coal container, fleeing war-torn Syria to seek asylum in Finland. Dazed and frustrated by the monolithic administration he encounters at the detention centre, he makes a break for it and heads out onto the streets. There he meets Wikström, a former shirt salesman who has recently left his alcoholic wife for a new life as a bachelor restaurateur. Together, the two men help each other navigate the adversities they face in these unfamiliar and often baffling new worlds.

Aki Kaurismäki was born in 1957 in Orimattila, Finland. He started his career as a co-director on the films of his elder brother Mika Kaurismäki. His debut as an independent director was CRIME AND PUNISHMENT, an adaptation of Dostoyevsky’s novel set in modern Helsinki. Through his collaboration with the rock band the Leningrad Cowboys in several of his films, his worldwide fame has increased. Kaurismäki’s most acclaimed film is THE MAN WITHOUT A PAST, which won the Grand Prix and the Prize of the Ecumenical Jury at the 2002 Cannes Film Festival and was nominated for the Academy Award for Best Foreign Language Film in 2003. His 2017 film THE OTHER SIDE OF HOPE won the Silver Bear for Best Director at the 67th Berlin International Film Festival.

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Finland, Germany, 2017, Colour, 98 min, Arabic, English, Finnish Režija / Director: Aki Kaurismäki Scenarij / Screenplay: Aki Kaurismäki Direktor fotografije / Director of Photography: Timo Salminen Montaža / Editor: Samu Heikkilä Zvuk / Sound: Tero Malmberg Kostimografija / Costume Design: Tiina Kaukanen Scenografija / Production Design: Ville Grönroos, Heikki Häkkinen, Markku Pätilä Producent / Producer: Aki Kaurismäki Produkcija / Production: Sputnik Oy Uloge / Cast: Sherwan Haji, Sakari Kuosmanen, Janne Hyytiäinen, Ilkka Koivula, Nuppu Koivu, Simon Hussein Al-Bazoon, Niroz Haji, Kaija Pakarinen Kontakt / Contact: The Match Factory; info@matchfactory.de FILMOGRAFIJA / FILMOGRAPHY: 2017 – TOIVON TUOLLA PUOLEN / OTHER SIDE OF HOPE 2011 – LA HAVRE 2002 – MIES VAILLA MENNEISYYTTÄ / THE MAN WITHOUT A PAST 1999 – JUHA 1996 – KAUAS PILVET KARKAAVAT / DRIFTING CLOUDS 1990 – TULITIKKUTEHTAAN TYTTÖ / THE MATCH FACTORY GIRL 1990 – I HIRED THE CONTRACT KILLER 1989 – LENINGRAD COWBOYS GO AMERICA 1988 – ARIEL 1986 – VARJOJA PARATIISISSA / SHADOWS IN PARADISE 1985 – CALAMARI UNION 1983 – RIKOS JA RANGAISTUS / CRIME AND PUNISHMENT

Žaba / The Frog Zeko, brico i bivši borac sa PTSP-om, poziva brata Bracu i prijatelja Švabu na Bajram. Namjerava da iskoristi praznično raspoloženje, te brata, kockara i alkoholičara, nagovori da se promijeni. Braco ga ne želi slušati i ne shvata priču ozbiljno. Zeko uzima britvu i prislanja je na Bracin vrat, te silom iznudi od njega obećanje da će se promijeniti. Braco bijesan odlazi, ne želeći ga više ikad vidjeti, a Švabo predlaže Zeki da posjeti psihijatra. Kad ostane sam, bez jedinog prijatelja i brata, Zeko uzima bombu. Izvjesno samoubistvo sprečava dolazak Mukija, mladića koji ide od vrata do vrata i prodaje knjige. Elmir Jukić rođen je 1971. godine u Sarajevu. Diplomirao je na Akademiji scenskih umjetnosti u Sarajevu, 2000. godine. Režirao je u pozorištu i na televiziji. Objavio je nekoliko tekstova u bosanskohercegovačkim magazinima. Predaje režiju na Akademiji scenskih umjetnosti u Sarajevu. E Zeko, a barber and ex-soldier suffering from Post-Traumatic Stress Disorder, invites his brother Braco and his friend Švabo to Eid festivities. He intends to take advantage of the festive mood and ask his brother, a gambler and alcoholic, to change his ways. Braco doesn’t want to listen and will not take the conversation seriously. Zeko puts a razor under his brother’s neck, forcing him to promise he will change; furious, Braco leaves, telling Zeko he will never see him again, while Švabo suggests that Zeko see a psychiatrist. Alone, without his only friend and his brother, Zeko decides to kill himself – until Muki, a young man selling books door-to-door, stops him.

Elmir Jukić was born in 1971 in Sarajevo. He graduated in Directing from the Academy of Performing Arts in Sarajevo in 2000, and has directed work for theatre and television. He has published several texts in magazines in Bosnia and Herzegovina, and teaches Directing at the Academy of Performing Arts in Sarajevo.

Bosnia and Herzegovina, Macedonia, Serbia, Croatia, 2017, Colour, 78 min, Bosnian Režija / Director: Elmir Jukić Scenarij / Screenplay: Pjer Žalica, Elmir Jukić Direktor fotografije / Director of Photography: Dejan Dimeski Kostimografija / Costume Design: Lejla Graho Scenografija / Production Design: Mario Ivezić Producent / Producer: Ademir Kenović Produkcija / Production: Refresh Sarajevo, Skopje Film Studiom (MK), Living Pictures (SR), Propeler Film (HR) Uloge / Cast: Emir Hadžihafizbegović, Aleksandar Seksan, Mirsad Tuka, Moamer Kasumović, Selma Alispahić, Boro Stjepanović, Ilir Tafa, Nermin Omić, Alisa Čajić-Drmać, Vlasta Velisavljević, Sadžida Šetić, Mugdim Avdagić Kontakt / Contact: Refresh Sarajevo; fresh@bih.net.ba FILMOGRAFIJA / FILMOGRAPHY: 2017 – ŽABA / FROG 2009 – MAJKA / MOTHER (kratki film / short film) 2005 – RAM ZA SLIKU MOJE DOMOVINE / FRAME FOR THE PICTURE OF MY HOMELAND (kratki film / short film) 1998 – ČOVJEK KOJI JE KUĆU ZAMIJENIO ZA TUNEL / THE MAN WHO EXCHANGED HIS HOME FOR THE TUNNEL (dokumentarni film / documentary)

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Kinoscope

100 Ava, Léa Mysius 101 Estiu 1993 / Ljeto 1993. / Summer 1993, Carla Simón 102 Gabriel e a montanha / Gabriel i planina / Gabriel and the Mountain, Fellipe Gamarano Barbosa 103 A Ghost Story / Priča jednog duha, David Lowery 104 Grave / Sirovo / Raw, Julia Ducournau 105 Happy End / Sretan kraj, Michael Haneke 106 Jeune femme / Mlada žena / Montparnasse Bienvenüe, Léonor Serraille 107 Menashe, Joshua Z Weinstein 108 Nelyubov / Bez ljubavi / Loveless, Andrey Zvyagintsev 109 Nocturama / Nokturama, Bertrand Bonello 110 Prevenge / Trudosveta, Alice Lowe 111 The Rider / Jahač, Chloé Zhao 112 The Square / Trg, Ruben Östlund 113 Taste of Cement / Ukus cementa / Taste of Cement, Ziad Kalthoum 114 Western, Valeska Grisebach 115 The Work / Rad, Jairus McLeary, Gethin Aldous 116 Yi Lu Shun Feng / Sretan put / Godspeed, Mong-Hong Chung

Uvod / Introduction Dobrodošli u Kinoscope – našu godišnju smotru filmova proizvedenih van granica jugoistočne Evrope. Od stotinu pregledanih filmova, odabrali smo 17 naslova koje ćemo predstaviti sarajevskoj publici. Prošla godina u svijetu filma bila je plodonosna, ali kao što već postaje uobičajeno za festivale koji vole film, odlučili smo da djela već priznatih filmskih umjetnika upotpunimo iznenađujućim i uzbudljivim naslovima novih autora iz raznih dijelova svijeta. Otkrivanje novih talenata zapravo i jeste razlog postojanja filmskih festivala. Mike Goodridge

Mathilde Henrot

Alessandro Raja

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Naravno, bilo bi pogrešno smatrati da već etablirani reditelji nisu u stanju ponuditi svježe ideje i vizije. Uzmite za primjer Andreya Zvyagintseva, ruskog reditelja koji je svoj sjajni opus (THE RETURN, LEVIATHAN i dr.) upravo dodatno obogatio novim filmom NELYUBOV / BEZ LJUBAVI. BEZ LJUBAVI postiže ono što uspijeva samo istinski sjajnim djelima: kroz intimnu i angažovanu priču daje širi pogled na društvo u kojem je radnja smještena. Autorova razorna vizija moderne Rusije govori o otuđenom bračnom paru suočenom s misterioznim nestankom dvanaestogodišnjeg sina. Sličan je slučaj i s Rubenom Östlundom čije su filmske kritike društva uvijek začinjene dozom oštrog humora. THE SQUARE / TRG, njegov posljednji film, vjerovatno je njegov najambiciozniji dosadašnji projekat. Iznimno smiješan, nefokusiran i često okrutan, TRG u konačnici govori o dubokom jazu između bogatih i siromašnih kao, vjerovatno, ključnoj odrednici modernog društva. Jedan od velikana evropske kinematografije Michael Haneke u filmu HAPPY END / SRETAN KRAJ kritički se osvrće na malograđanštinu i političku korektnost bogatih. Njegova posljednja priča o ispraznim likovima koji ne znaju kako komunicirati jedni s drugima, uprkos neograničenom pristupu brojnim komunikacijskim uređajima i društvenim mrežama, zaigranija je od većine njegovih prethodnih filmova slične tematike. Ne samo iskusni, već i mladi autori u svoje filmove suptilno preslikavaju današnji haotični svijet. Odličan primjer toga je THE RIDER / JAHAČ kineske rediteljice Chloé Zhao. Film prati dvadesetogodišnjeg kauboja iz Južne Dakote koji nakon povrede mozga pokušava prihvatiti činjenicu da se vjerovatno više neće moći baviti poslom koji voli, niti provoditi vrijeme s konjima. Kroz nježni portret jednog mladića, ovaj film pruža uvid u život zapuštenih krajeva ruralne Amerike, koje su zapostavili centri moći, a čije stanovnike je osvojila retorika Donalda Trumpa.

Ovogodišnje izdanje Kinoscopea donosi nekoliko prekrasnih karakternih drama koje nas navode da se upitamo kakav je to osjećaj biti čovjek u svijetu lažnih vijesti, široko rasprostranjenog terorizma i masovnih migracija. THE WORK / RAD, emotivni dokumentarac Gethina Aldousa i Jairusa McLearyja, prati četverodnevnu radionicu u zloglasnom kalifornijskom zatvoru Folsom. Radi se o sjajnom filmu koji zalazi iza nasilne, mačo-maske osuđenika i razotkriva nježne duše kojima nikad nije pružena prava šansa. Vizuelno snažni i poetični dokumentarac Ziada Kalthouma, TASTE OF CEMENT / UKUS CEMENTA, na drugom kraju svijeta prati drugu grupu muškaraca, redom sirijskih izbjeglica, koji rade kao građevinski radnici u Bejrutu. Ovi muškarci, koji su iza sebe ostavili razrušenu domovinu, bore se da izađu na kraj s posttraumatskim stresom, odvojeni od svojih voljenih i suočeni s neizvjesnom budućnošću. Još jedan od filmova u našem programu fokusiran isključivo na muškarce je WESTERN Valeske Grisebach. Ovaj igrani film prati grupu njemačkih fizičkih radnika koji se tokom rada u Bugarskoj sukobljavaju s lokalnim stanovništvom. WESTERN je klasična priča o modernoj Evropi i kulturnim razlikama koje nas definišu. Ovogodišnje kasnonoćne projekcije neće biti ništa manje smislene ili umjetnički vrijedne zbog eksperimentisanja s različitim filmskim žanrovima. Naime, prilikom izbora filmova nismo mogli odoljeti sjajnom horor-prvencu GRAVE / SIROVO francuske rediteljice Julije Ducournau. Kanibali nikada nisu bili tako kompleksni i ranjivi kao u ovom filmu. Alice Lowe u svom rediteljskom prvencu PREVENGE igra ženu u visokom stadiju trudnoće koju njeno nerođeno dijete uspješno nagovara na seriju ubistava. Film na metaforičan način govori o anksioznosti kao sastavnom dijelu trudnoće. Meditativna drama američkog reditelja Davida Loweryja, A GHOST STORY / PRIČA JEDNOG DUHA, govori o tugovanju žene nakon smrti supruga, prikazujući njega kao duha zaogrnutog čaršafom koji je uhodi. Francuski filmski vizionar reditelj Bertrand Bonello u filmu NOCTURAMA / NOKTURAMA gledaoce upoznaje s grupom radikalnih mladih bogataša koji noć provode skriveni u pariskoj robnoj kući nakon što su prethodnog dana izvršili seriju besmislenih terorističkih napada. Kinoscope donosi još nekoliko filmskih poslastica, uključujući uzbudljivi film Léonor Serraille JEUNE FEMME / MLADA ŽENA s fantastičnom mladom glumicom Laetitijom Dosch u ulozi

žene koja pokušava ponovo izgraditi život nakon što je okončala desetogodišnju vezu. U programu se našlo mjesta i za film AVA još jedne mlade francuske rediteljice Leae Mysius koja nas vodi u francusko primorsko odmaralište, gdje je tvrdoglava trinaestogodišnja djevojčica upravo saznala da će izgubiti vid. Carla Simon iz Španije osvrće se na vlastiti život u svome izvanrednom i sjetnom filmu ESTIU 1993. / LJETO 1993. o šestogodišnjoj djevojčici koja se, nakon što joj je majka umrla od AIDS-a, seli kod ujne i ujaka. U filmu GABRIEL E A MONTANHA / GABRIEL I PLANINA, Fellipe Barbosa nas vodi u Afriku kako bismo pratili putovanje jednog Brazilca. Film ceste kineskog reditelja Mong-hong Chunga, YI LU SHUN FENG / SRETAN PUT, uzdržana je komedija o vozaču taksija koji slučajno upada u svijet kriminala nakon što u neznanju poveze jednog narko-dilera. Joshua Z. Weinstein nas u svome filmu MENASHE, priči o smotanom udovcu koji se s bratom svoje pokojne supruge bori za starateljstvo nad vlastitim sinom, upoznaje s ultrakonzervativnom jevrejskom zajednicom u Brooklynu, New York. Kao i uvijek, Kinoscope vam donosi obilje priča iz raznih zemalja i različitih kultura širom svijeta. Ponosni smo što se u našoj selekciji našlo sedam filmova koje su režirale žene, što je siguran pokazatelj sve veće otvorenosti i raznolikosti moderne svjetske kinematografije.

E Welcome to Kinoscope 2017, our annual programme of cinema from the world outside Southeast Europe. The 17-film selection is highly curated from hundreds of titles viewed and considered for discerning Sarajevo audiences. It has been a rich year for film but, as has become customary at such a film-loving festival, we found ourselves complementing work from established auteurs with the surprising and exciting visions of new voices from around the world. Discovery, after all, is the raison d’être of any film festival.

You can never discount established directors from delivering new cinematic ideas and visions. Take Andrey Zvyagintsev, the Russian filmmaker whose increasingly dazzling œuvre (THE RETURN, LEVIATHAN, etc) just got even better with NELYUBOV / LOVELESS. LOVELESS does what the best cinema does: it tells an intimate and involving story while at the same

time taking a much wider view of the society in which it is set. This devastating vision of contemporary Russia shows an estranged couple confronted with the mysterious disappearance of their 12-year-old son. Likewise, Ruben Östlund, whose films have always laced their social critiques with acerbic comedy, comes up with his most ambitious film to date in THE SQUARE. Hilarious, meandering and often savage, THE SQUARE ultimately addresses the gulf between rich and poor that perhaps defines today’s world. Michael Haneke, one of cinema’s great European masters, takes pot-shots at the bourgeoisie and the politically correct arrogance of the prosperous in HAPPY END. Haneke’s latest tableau of empty characters who are unable to communicate with each other – here despite the plethora of social media devices at their fingertips – is more playful than most of his films. Moving away from veteran directors, today’s chaotic world is subtly reflected in the work of younger filmmakers. Take Chloé Zhao’s THE RIDER, a tender and moving film about a 20-year-old cowboy in South Dakota struggling with a brain injury and the threat of no longer being able to work with his beloved horses. Her tender portrait of the cowboy gives us insight into a world of disenfranchised heartland Americans who are neglected by coastal powerbases and who felt connected to the rhetoric of Donald Trump. Indeed, this year’s Kinoscope features several beautiful character studies that lead us to consider what it means to be human in a world of fake news, widespread terrorism and vast migration. Gethin Aldous and Jairus McLeary’s emotional documentary THE WORK shows a four-day workshop in California’s infamous Folsom Prison. This is a tearful film that strips away these men’s violent masculinity to reveal sensitive souls that never had a chance. On the other side of the world, another group of men – all Syrian refugees – labour on a building site in Beirut in Ziad Kalthoum’s visually arresting and poetic documentary TASTE OF CEMENT. These men struggle with the post-traumatic stress of leaving their country in ruins, separation from their loved ones and an uncertain future. In a third film exclusively about groups of men, Valeska Grisebach’s narrative feature WESTERN is the story of a bunch of German labourers who clash with locals in Bulgaria. WESTERN is a classic tale of modern Europe and the cultural differences that define us all. Our late-night screenings this year are no less

cinematic or profound for experimenting with the tropes of genre filmmaking. We could not resist programming Julia Ducournau’s delicious horror debut GRAVE / RAW from France. Cannibals have never been this complex or vulnerable. Alice Lowe is a very pregnant murderess encouraged in her killing spree by the voice of her unborn child in Lowe’s directorial debut PREVENGE, a metaphor for the anxiety of pregnancy. And David Lowery’s meditative US drama A GHOST STORY addresses a woman’s grief for her late husband by having him haunt her as a ghost covered by a sheet. Meanwhile, visionary French director Bertrand Bonello takes us on a night of debauchery as a gang of affluent radical youths hide out in a Paris department store after a day of committing random terrorist acts in NOCTURAMA. There are several more gems to savour in Kinoscope, including Leonor Serraille’s exhilarating JEUNE FEMME / MONTPARNASSE BIENVENÜE, which stars the glorious young actor Laetitia Dosch as a woman trying to re-establish herself after ending a 10-year relationship. In AVA, Lea Mysius, another young French director, takes us to a French seaside resort where a spiky 13-year-old girl has just been told she is going to lose her eyesight. Carla Simon from Spain tells her own story as a six-year-old relocated to live with her uncle and aunt after her parents die of AIDS in the extraordinary and evocative ESTIU 1993 / SUMMER 1993. From further afield, Fellipe Barbosa takes us to Africa to follow a Brazilian traveller on the road in GABRIEL E A MONTANHA / GABRIEL AND THE MOUNTAIN. Mong-hong Chung’s Chinese road movie YI LU SHUN FENG / GODSPEED is a dead pan comedy about a cab driver who inadvertently enters a world of crime when he takes on a drug-peddling customer. And Joshua Z Weinstein takes us into the ultra-Orthodox Jewish community of Brooklyn, New York, where a klutzy widower battles his late wife’s brother over custody of his son in MENASHE. As ever, Kinoscope offers a world of stories from countries and cultures around the world. We are proud that seven of the 17 films in the selection are directed by women, a mark of the increasingly diverse palette of storytelling in world cinema today. Mike Goodridge, Mathilde Henrot and Alessandro Raja Selektori / Programmers KINOSCOPE l 23. Sarajevo Film Festival 99

Ava Tokom ljetovanja na obali Atlanskog okeana, trinaestogodišnja Ava saznaje da će izgubiti vid prije nego što je očekivala. U namjeri da kćeri priušti najbolje ljetovanje u životu, njena majka odluči da se ponaša kao da se ništa ne dešava. Ava se s problemom suočava na vlastiti način: od mladića u bijegu, krade velikog crnog psa. Léa Mysius rođena je 1989. u Bordeauxu, Francuska. Nakon studija književnosti, diplomirala je scenaristiku na pariskoj filmskoj školi La Fémis 2014. godine. Režirala je tri kratka filma koja su prikazana na brojnim festivalima: CADAVRE EXQUIS, zatim LES OISEAUX-TONNERRE, koji je prikazan u takmičarskoj selekciji Cinéfondation programa Filmskog festivala u Cannesu, i L’ÎLE JAUNE, koji je režirala zajedno s Paulom Guilhaumom. AVA je njen prvi dugometražni igrani film. E Thirteen-year-old Ava is spending the summer on the Atlantic coast when she learns she will lose her sight sooner than previously expected. Her mother decides to act as though everything were normal so as to spend the best summer ever. Ava confronts the problem in her own way: she steals a big black dog that belongs to a young man on the run...

Léa Mysius was born in 1989 in Bordeaux, France. After studying Literature, she graduated from the La Fémis screenwriting department in 2014. She has directed three award-winning short films, which were selected for a number of festivals: CADAVRE EXQUIS; LES OISEAUX-TONNERRE, which was selected for the Cannes Cinéfondation Award; and L’ÎLE JAUNE, co-directed with Paul Guilhaume. AVA is her feature-length debut.

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France, 2017, Colour, 105 min, French Režija / Director: Léa Mysius Scenarij / Screenplay: Léa Mysius, Paul Guilhaume Direktor fotografije / Director of Photography: Paul Guilhaume Montaža / Editor: Pierre Deschamps Muzika / Music: Florencia Di Concilio Zvuk / Sound: Yolande Decarsin, Alexis Meynet, Victor Praud Kostimografija / Costume Design: Elisa Ingrassia Scenografija / Production Design: Esther Mysius Producent / Producer: Jean-Louis Livi, Fanny Yvonnet Produkcija / Production: F Comme Film, Trois Brigands Productions Uloge / Cast: Noée Abita, Laure Calamy, Juan Cano, Tamara Cano, Daouda Diakhate, Baptiste Archimbaud, Franck Beckmann, Ismaël Capelot, Valentine Cadic Kontakt / Contact: BAC Films International, Gilles Sousa; g.sousa@bacfilms.fr FILMOGRAFIJA / FILMOGRAPHY: 2017 – AVA 2016 – L’ÎLE JAUNE (kratki film / short film) 2014 – LES OISEAUX-TONNERRE / THUNDERBIRDS (kratki film / short film) 2013 – CADAVRE EXQUIS (kratki film / short film) 2012 – TOUT LE PLAISIR ÉTAIT POUR TOI / ALL THE PLEASURE WAS FOR YOU (kratki film / short film)

Estiu 1993 / Ljeto 1993. / Summer 1993 Nakon smrti roditelja, šestogodišnja Frida se u ljeto 1993. iz Barcelone seli u katalonsku provinciju kako bi živjela s ujnom i ujakom koji su postali njeni zakonski skrbnici. Život na selu za Fridu predstavlja izazov – tu vrijeme teče drugačije nego u Barceloni, a priroda koja je okružuje misteriozna je. Sada ima mlađu sestru za koju se mora brinuti i prisiljena je da se nosi s novim osjećajima poput ljubomore. Frida često naivno vjeruje da bi bijeg od kuće bio najbolje rješenje za njene probleme. Međutim, njeni rođaci rade sve što je u njihovoj moći da postignu novi, iako osjetljiv, balans i uspostave normalan život. Povremene posjete lokalnim festivalima, odlasci na bazen, kuhanje ili slušanje jazza u bašti predstavljaju trenutke sreće. Frida postepeno shvata da će tu morati ostati i da se mora prilagoditi novom okruženju. Prije kraja ljeta, Frida mora izaći na kraj sa svojim emocijama, a njeni novi roditelji moraju naučiti da je vole kao što vole vlastitu kćerku. Carla Simón rođena je 1986. godine u Barceloni. Nakon što je godinu dana studirala na Univerzitetu u Kaliforniji, diplomirala je audiovizuelne komunikacije na Univerzitetu Autònoma u Barceloni. Poslije sticanja diplome završava studij TV drame u sklopu kursa u organizaciji Katalonske televizije, a zatim i u Školi filma u Londonu. Njeni kratki filmovi prikazani su na brojnim festivalima. Uporedo s radom na vlastitim projektima, Simón u Barceloni drži časove filma za djecu, u okviru školskog programa Cinema en Curs. E In the summer of 1993, following the death of her parents, six-year-old Frida moves from Barcelona to the Catalan countryside to live with her aunt and uncle, who are now her legal guardians. Country life is a challenge for Frida – time passes differently in her new home and the nature that surrounds her is mysterious. She now has a little sister to take care of, and has to deal with new feelings like jealousy. Often, Frida is naively convinced that running away would be the best solution to her problems. However, the family do what they can to achieve a new, if fragile, balance, and bring normality to daily life. Occasional family outings to a local fiesta or a swimming pool, cooking or listening to jazz in the garden bring moments of happiness. Slowly, Frida realises that she is here to stay, and that she must adapt to her new environment. Before the season is over, she has to cope with her emotions and her new parents have to learn to love her as their own daughter.

Spain, 2016, Colour, 96 min, Catalan Režija / Director: Carla Simón Scenarij / Screenplay: Carla Simón Direktor fotografije / Director of Photography: Santiago Racaj Montaža / Editor: Didac Palou, Ana Pfaff Zvuk / Sound: Roger Blasco Scenografija / Production Design: Mireia Graell Producent / Producer: Valérie Delpierre Produkcija / Production: Inicia Films Uloge / Cast: Laia Artigas, Paula Robles, Bruni Cusí, David Verdaguer, Fermi Reixacha Kontakt / Contact: New Europe Film Sales, Ewa Bojanowska; festivals@neweuropefilmsales.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – ESTIU 1993 / SUMMER 1993 2015 – LAS PEQUEÑAS COSAS (kratki film / short film) 2013 – LIPSTICK (kratki film / short film) 2012 – BORN POSITIVE (kratki film / short film) 2010 – LOVERS (kratki film / short film)

Carla Simón was born in 1986 in Barcelona. She graduated in Audiovisual Communication from the Universitat Autònoma in Barcelona after spending a year studying at the University of California. She then studied TV Fiction on a course organised by Catalan Television, and subsequently at the London Film School. Her short films have screened at numerous festivals. While developing her projects, she teaches film to children through Cinema en Curs in Barcelona.

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Gabriel e a montanha / Gabriel i planina / Gabriel and the Mountain Prije nego započne studij na prestižnom američkom univerzitetu, Gabriel Buchmann odlučuje, s ruksakom punim snova, godinu dana putovati svijetom. Nakon 10 mjeseci provedenih na putu, stiže u Keniju i planira istražiti afrički kontinent, sve dok ne stigne do svog konačnog odredišta – vrha planine Mulanje u Malaviju. Fellipe Gamarano Barbosa rođen je 1980. godine u Rio de Janeiru. Njegovi kratki filmovi LA MUERTE ES PEQUEÑA i SALT KISS prikazani su na brojnim filmskim festivalima, uključujući Filmski festival u New Yorku, festivale Sundence i Clermont-Ferrand, kao i Međunarodni filmski festival u Guadalahari. Barbosa je scenarij za film CASA GRANDE, koji je premijerno prikazan na Filmskom festivalu u Rotterdamu 2014, razvio 2008. godine u okviru scenarističke radionice Filmskog festivala Sundance. GABRIEL I PLANINA njegov je drugi dugometražni igrani film. E Before entering a prestigious American university, Gabriel Buchmann decided to travel the world for one year, his backpack full of dreams. After 10 months on the road, he arrived in Kenya, determined to discover the African continent – until he reached the top of Mount Mulanje, Malawi, his final destination.

Fellipe Gamarano Barbosa was born in 1980 in Rio de Janeiro. He directed the short films LA MUERTE ES PEQUEÑA and SALT KISS, which was selected for the New York and Sundance Film Festivals, the Clermont-Ferrand International Short Film Festival, and the Guadalajara International Film Festival. In 2008, he developed the screenplay of CASA GRANDE at the Sundance Screenwriters Lab; the film premiered in competition at the International Film Festival Rotterdam in 2014. GABRIEL AND THE MOUNTAIN is his second feature-length fiction film.

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Brazil, France, 2017, Colour, 127 min, Chichewa, English, French, Portugese, Swahili Režija / Director: Fellipe Gamarano Barbosa Scenarij / Screenplay: Fellipe Barbosa, Lucas Paraizo, Kirill Mikhanovsky Direktor fotografije / Director of Photography: Pedro Sotero Montaža / Editor: Théo Lichtenberger Zvuk / Sound: Pedro Sá Earp, Waldir Xavier Kostimografija / Costume Design: Arthur B. Gillette Scenografija / Production Design: Ana Paula Cardoso Producent / Producer: Rodrigo Letier, Roberto Berliner, Clara Linhart, Yohann Cornu Produkcija / Production: TV Zero, Damned Films, Films Boutique Uloge / Cast: João Pedro Zappa, Caroline Abras, Alex Alembe, Lenny Siampala, John Goodluck, Rashidi Athuman, Rhosinah Sekeleti, Luke Mpata, Lewis Gadson Kontakt / Contact: Dogwoof Global, Luke Brawley; luke@dogwoof.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – GABRIEL E A MONTANHA / GABRIEL AND THE MOUNTAIN 2014 – CASA GRANDE 2011 – LAURA (dokumentarni film / documentary) 2007 – SALT KISS (kratki film / short film) 2005 – LA MUERTE ES PEQUEÑA (kratki film / short film)

A Ghost Story / Priča jednog duha Duh nedavno preminulog muškarca vraća se u svoj dom u predgrađu kako bi tješio ožalošćenu suprugu, ali otkriva da se u bestjelesnom stanju slobodno kreće kroz vrijeme, te biva prisiljen da pasivno posmatra kako mu život koji je poznavao i žena koju je volio izmiču iz ruku. Dok gubi uporište sve više, duh kreće na kosmičko putovanje kroz sjećanja i historiju, na kojem će se suočiti s nerješivim životnim pitanjima i veličinom postojanja. David Lowery rođen je 1980. godine u Milwaukeeju, SAD. Njegov prvi dugometražni igrani film, ST NICK, prikazan je na Međunarodnom filmskom festivalu u Dallasu, gdje je osvojio Veliku nagradu žirija programa Teksaškog igranog filma. Njegov kratki film, PIONEER, također je prikazan na Festivalu u Dallasu. Loweryjev drugi dugometražni igrani film, AIN’T THEM BODIES SAINTS, premijerno je prikazan na Filmskom festivalu Sundance, gdje je nominovan za Veliku nagradu žirija. Lowery je 2016. režirao film PETE’S DRAGON u produkciji Walt Disney studija. Njegov posljednji dugometražni igrani film, PRIČA JEDNOG DUHA, premijerno je prikazan na Filmskom festivalu Sundance. E Recently deceased, a ghost returns to his suburban home to console his bereft wife, only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away. Increasingly unmoored, the ghost embarks on a cosmic journey through memory and history, confronting life’s ineffable questions and the enormity of existence.

David Lowery was born in 1980 in Milwaukee, USA. His feature directorial debut, ST NICK, played at the Dallas International Film Festival, where it won the Texas Feature Grand Jury Prize. His short film, PIONEER, was also screened there. Lowery’s second feature, AIN’T THEM BODIES SAINTS, premiered at the Sundance Film Festival and was nominated for the Grand Jury Prize. In 2016, he directed Walt Disney Studios’ PETE’S DRAGON. His latest feature, A GHOST STORY, premiered at the Sundance Film Festival.

USA, 2017, Colour, 93 min, English Režija / Director: David Lowery Scenarij / Screenplay: David Lowery Direktor fotografije / Director of Photography: Andrew Droz Palermo Montaža / Editor: David Lowery Muzika / Music: Daniel Hart, John Congleton Zvuk / Sound: Johnny Marshall Kostimografija / Costume Design: Annell Brodeur Scenografija / Production Design: Jade Healy, Tom Walker Producent / Producer: Toby Halbrooks, James M. Johnston, Adam Donaghey Produkcija / Production: Sailor Bear, Zero Trans Fat Productions, Ideaman Studios, Scared Sheetless Uloge / Cast: Casey Affleck, Rooney Mara, McColm Sephas Jr., Kenneisha Thompson, Grover Coulson, Liz Cardenas Franke, Barlow Jacobs Kontakt / Contact: Mongrel Media; info@mongrelmedia.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – A GHOST STORY 2016 – PETE’S DRAGON 2014 – UNTIL WE COULD (kratki film / short film) 2013 – AIN’T THEM BODIES SAINTS 2011 – PIONEER (kratki film / short film) 2009 – ST. NICK 2008 – A CATALOG OF ANTICIPATIONS (kratki film / short film) 2007 – THE OUTLAW SON (kratki film / short film) 2006 – SOME ANALOG LINES (kratki film / short film) 2005 – DEADROOM 2003 – STILL (kratki film / short film) 2000 – LULLABY (kratki film / short film)

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Grave / Sirovo / Raw Svi članovi Justinine porodice su veterinari. I vegetarijanci. Sa 16 godina, ona je briljantna studentica koja puno obećava. Nakon što upiše školu za veterinare, Justine ulazi u dekadentan, bešćutan i opasno zavodljiv svijet. Tokom prve sedmice školovanja, u sklopu inicijacijskih rituala kroz koje sve novajlije moraju proći kako bi bili prihvaćeni u društvo, gonjena očajničkom potrebom da se uklopi bez obzira na cijenu, Justine odstupa od porodičnih principa i prvi put u životu jede sirovo meso. Nedugo nakon toga, na površinu isplivava njena prava priroda i Justine se suočava s užasnim i neočekivanim posljedicama svojih postupaka. Julia Ducournau rođena je 1983. godine u Parizu. Studirala je scenaristiku na prestižnoj pariskoj filmskoj školi La Fémis. Njen kratki film JUNIOR uvršten je 2011. godine u selekciju programa Semaine de la Critique Filmskog festivala u Cannesu, gdje je osvojio nagradu Petit Rail d’Or. Njen debitantski igrani film, SIROVO, također je premijerno prikazan u programu Semaine de la Critique, gdje su ga filmski kritičari odlično prihvatili. E Everyone in Justine’s family is a veterinarian. And a vegetarian. At 16, she’s a brilliant and promising student. When she starts at veterinary school, she enters a decadent, merciless and dangerously seductive world. During the first week of hazing rituals, desperate to fit in whatever the cost, she strays from her family principles when she eats raw meat for the first time. Justine will soon face the terrible and unexpected consequences of her actions when her true self begins to emerge.

Julia Ducournau was born in 1983 in Paris. She attended La Fémis and studied screenwriting. In 2011, her short film JUNIOR was selected for the Critics’ Week at the Cannes Film Festival, where it won the Petit Rail d’Or. RAW, her first feature-length film, received international acclaim after its world premiere at the Critics’ Week.

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France, Belgium, 2016, Colour, 98 min, French Režija / Director: Julia Ducournau Scenarij / Screenplay: Julia Ducournau Direktor fotografije / Director of Photography: Ruben Impens Montaža / Editor: Jean-Christophe Bouzy Muzika / Music: Jim Williams Zvuk / Sound: Mathieu Descamps, Séverin Favriau, Stéphane Thiébaut Kostimografija / Costume Design: Elise Ancion Scenografija / Production Design: Laurie Colson Producent / Producer: Jean des Forêts, Julie Gayet, Nadia Turincev Produkcija / Production: Petit Film Uloge / Cast: Garance Marillier, Ella Rumpf, Rabah Naït Oufella, Laurent Lucas, Joana Preiss, Bouli Lanners, Marion Vernoux Kontakt / Contact: Wild Bunch; Esther Devos, edevos@wildbunch.eu FILMOGRAFIJA / FILMOGRAPHY: 2016 – GRAVE / RAW 2011 – JUNIOR (kratki film / short film)

Happy End / Sretan kraj SRETAN KRAJ je filmska drama o dobrostojećoj francuskoj porodici koja živi u zatvorenom buržujskom okruženju na sjeveru Francuske, nesvjesna ljudske patnje u migrantskim kampovima u lučkom gradu Calaisu, udaljenom svega nekoliko kilometara od njihovog doma. Michael Haneke rođen je 1942. u Münchenu. Na Univerzitetu u Beču studirao je filozofiju, psihologiju i teatrologiju, inače akademske discipline koje su obilježile veći dio njegovog rediteljskog opusa. Karijeru je započeo 1969. radeći kao scenarista za televiziju Südwestfunk (ARD), a 1970. godine počinje raditi kao nezavisni televizijski i pozorišni reditelj. Njegov prvi igrani film, THE SEVENT CONTINENT, prikazan je na Filmskom festivalu u Cannesu, kao i na Filmskom festivalu u Locarnu, gdje je osvojio nagradu Ernest Artaria. U Cannesu je osvojio nagradu Ekumenskog žirija za film CODE UNKNOWN, Veliku nagradu žirija za film THE PIANO TEACHER, nagradu FIPRESCI i nagradu za najboljeg reditelja za film CACHÉ. Osvojio je još jednu nagradu FIPRESCI i Zlatnu palmu za film THE WHITE RIBBON te Zlatnu palmu za film AMOUR, koji je, također, osvojio i nagradu Oscar Američke filmske akademije za najbolji film na stranom jeziku. E HAPPY END is a drama about a well-off French family living in a bourgeois bubble in northern France, oblivious to the human misery unfolding in migrant camps around the port town of Calais, a few kilometres from their home.

Michael Haneke was born in 1942 in Munich. At the University of Vienna, Haneke studied Philosophy, Psychology and Theatre – academic interests which have defined much of his directorial work. He began his career as a playwright for the Südwestfunk (ARD) in 1967 and started working as a freelance director for television and theatre in 1970. His first feature, THE SEVENTH CONTINENT, screened at the Cannes Film Festival and won the Ernest Artaria Award at the Festival del Film Locarno. At Cannes, Haneke won the Prize of the Ecumenical Jury for CODE UNKNOWN, the Grand Prize of the Jury for THE PIANO TEACHER, the FIPRESCI Prize and Best Director award for CACHÉ, another FIPRESCI Prize and the Palme d’Or for THE WHITE RIBBON and the Palme d’Or for AMOUR, which also won the Awademy Award for Best Foreign Language Film.

France, Austria, Germany, 2017, Colour, 107 min, French Režija / Director: Michael Haneke Scenarij / Screenplay: Michael Haneke Direktor fotografije / Director of Photography: Christian Berger Montaža / Editor: Monika Willi Zvuk / Sound: Guillaume Sciama, Jean-Pierre Laforce, Denise Gerrard Kostimografija / Costume Design: Catherine Leterrier Scenografija / Production Design: Olivier Radot Producent / Producer: Margaret Menegoz, Stefan Arndt, Veit Heiduscka, Michael Katz Produkcija / Production: Les Films du Losange, X Filme Creative Pool, Wega Film Uloge / Cast: Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz Kontakt / Contact: Les Films du Losange, Bérénice Vincent; b.vincent@filmsdulosange.fr FILMOGRAFIJA / FILMOGRAPHY: 2017 – HAPPY END 2012 – AMOUR 2009 – DAS WEIßE BAND – EINE DEUTSCHE KINDERGESCHICHTE / THE WHITE RIBBON 2007 – FUNNY GAMES 2005 – CACHÉ 2003 – LE TEMPS DU LOUP / TIME OF THE WOLF 2001 – LA PIANISTE / THE PIANO TEACHER 2000 – CODE INCONNU: RÉCIT INCOMPLET DE DIVERS VOYAGES / CODE UNKNOWN 1997 – FUNNY GAMES 1994 – 71 FRAGMENTE EINER CHRONOLOGIE DES ZUFALLS / 71 FRAGMENTS OF A CHRONOLOGY OF CHANCE 1992 – BENNY’S VIDEO 1989 – DER SIEBENTE KONTINENT / THE SEVENTH CONTINENT

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Jeune femme / Mlada žena / Montparnasse Bienvenüe Paula se, nakon dugog odsustva, vraća u Pariz, ne posjedujući ništa osim mačke i zatičući samo vrata koja joj se stalno zatvaraju pred nosom. Dok upoznaje različite ljude, Paula ostaje odlučna u namjeri da krene iz početka i to sa stilom i dostojanstveno! Léonor Serraille francuska je rediteljica i scenaristica. Studirala je scenaristiku na prestižnoj pariskoj filmskoj školi La Fémis. Njen prvi film, BODY, prikazan je na Filmskom festivalu Brive, a njen dugometražni igrani prvenac, MLADA ŽENA, u programu Un Certain Regard Filmskog festivala u Cannesu, gdje je postala druga rediteljica u historiji koja je osvojila prestižnu festivalsku nagradu Zlatna palma. E Broke, with nothing but her cat to her name and doors closing in her face, Paula is back in Paris after a long absence. As she meets different people along the way, there is something she knows for sure: she’s determined to make a new start, and she’ll do it with style and panache!

Léonor Serraille is a French writer and director. She studied Screenwriting at La Fémis. Her first film, BODY, screened at the Brive Film Festival; her debut feature-length film, MONTPARNASSE BIENVENÜE, was selected for the Un Certain Regard section of the Cannes Film Festival, where she was the second female director ever to win the Caméra d’Or.

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France, Belgium, 2017, Colour, 97 min, French Režija / Director: Léonor Serraille Scenarij / Screenplay: Léonor Serraille Direktor fotografije / Director of Photography: Émilie Noblet Montaža / Editor: Clémence Carré Muzika / Music: Julie Roué Zvuk / Sound: Anne Dupouy Kostimografija / Costume Design: Hyat Luszpinski Scenografija / Production Design: Valérie Valéro Producent / Producer: Sandra de Fonseca Produkcija / Production: Blue Monday Productions Uloge / Cast: Laetitia Dosch, Grégoire Monsaingeon, Souleymane Seye Ndiaye, Léonie Simaga, Nathalie Richard, Erika Sainte, Lilas-Rose Gilberti-Poisot, Audrey Bonnet Kontakt / Contact: Be for Films, Pamela Leu; pamela@beforfilms.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – JEUNE FEMME / MONTPARNASSE BIENVENÜE 2016 – BODY (kratki film / short film)

Menashe Ljubazni Menashe radi kao prodavač u zelenari, u srcu ultrakonzervativne zajednice hasidskih Jevreja u New Yorku. Nakon smrti svoje žene Leahe, pokušava sastaviti kraj s krajem i biti dobar otac maloljetnom sinu Rievenu. U skladu s tradicijom, Menashe sina ne smije odgajati sam te uz ogromnu žalost pristaje da Rievena usvoji strogi ujak. Iako se čini da se Menashe spotiče o svaku prepreku koja mu se nađe na putu, njegov rabin mu daje priliku da s Rievenom provede sedam dana uoči Leahine komemoracije. Joshua Z Weinstein rođen je 1983. godine u New Yorku, a filmske studije završio je na Univerzitetu u Bostonu. Osim što režira vlastite filmove, Weinstein radi i kao direktor fotografije. MENASHE je njegov dugometražni igrani prvenac, a prethodno je režirao tri dokumentarna filma. E Deep in the heart of New York’s ultra-orthodox Hasidic Jewish community, Menashe, a kind grocery store clerk, struggles to make ends meet and responsibly parent his young son, Rieven, following his wife Leah’s death. Tradition prohibits Menashe from raising his son alone, so Rieven’s strict uncle adopts him, leaving Menashe heartbroken. Although Menashe seems to bungle every challenge in his path, his rabbi grants him one special week with Rieven before Leah’s memorial.

Joshua Z Weinstein was born in 1983 in New York City, and studied film at Boston University. In addition to directing his own films, he also works as a director of photography. Following three documentaries, MENASHE is his first feature-length fiction film.

USA, Israel, 2017, Colour, 82 min, English, Hebrew, Spanish, Yiddish Režija / Director: Joshua Z Weinstein Scenarij / Screenplay: Joshua Z Weinstein, Alex Lipschultz, Musa Syeed Direktor fotografije / Director of Photography: Joshua Z Weinstein, Yoni Brook Montaža / Editor: Scott Cummings Muzika / Music: Aaron Martin, Dag Rosenqvist Zvuk / Sound: Ian Stynes Producent / Producer: Joshua Z Weinstein, Alex Lipschultz, Traci Carlson, Yoni Brook, Daniel Finkelman Produkcija / Production: Shtick Film, LLC Uloge / Cast: Menashe Lustig, Ruben Niborski, Yoel Weisshaus, Meyer Schwartz Kontakt / Contact: Mongrel Media International, Charlotte Mickie; Charlotte@mongrelmedia.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – MENASHE 2013 – I BEAT MIKE TYSON (kratki dokumentarni film / short doc.) 2012 – DRIVERS WANTED (dokumentarni film / documentary) 2009 – REDS (kratki film / short film) 2008 – FLYING ON ONE ENGINE (dokumentarni film / documentary)

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Nelyubov / Bez ljubavi / Loveless Zhenya i Boris prolaze kroz neprijateljski razvod obilježen gorčinom, frustracijom i međusobnim optuživanjem. Oboje su nestrpljivi da počnu život iz početka sa svojim novopronađenim partnerima. Žele okrenuti novu stranicu, čak i ako zbog toga moraju prijetiti da će napustiti svog dvanaestogodišnjeg sina Alyoshu. A, onda, nakon što prisustvuje jednoj od njihovih svađa, Alyosha nestaje... Andrey Zvyagintsev rođen je 1964. godine u Novosibirsku, u nekadašnjem Sovjetskom Savezu. Godine 1990. diplomirao je na Odsjeku za glumu Ruskog univerziteta za pozorišne umjetnosti (GITIS), da bi zatim glumio u brojnim nezavisnim teatarskim predstavama i ostvario manje uloge na televiziji i filmu. Zvyagintsev 2010. počinje raditi za REN TV i režira tri epizode njihove serije THE BLACK ROOM. Svoj prvi dugometražni igrani film, THE RETURN, režirao je 2003. Film je osvojio više priznanja, uključujući i nagradu Zlatni lav Filmskog festivala u Veneciji. Njegov drugi igrani film, THE BANISHMENT, premijerno je prikazan 2007. na Filmskom festivalu u Cannesu, gdje je bio nominovan za nagradu Zlatna palma. Zvyagintsev se u Cannes vraća 2011. godine s filmom ELENA koji je osvojio Nagradu žirija programa Un Certain Regard. Njegov film LEVIATHAN bio je u konkurenciji za nagradu Zlatna palma Filmskog festivala u Cannesu 2014, na kojem su Zvyagintsev i Oleg Negin osvojili nagradu za najbolji scenarij. LEVIATHAN je naknadno osvojio nagradu Zlatni globus za najbolji film na stranom jeziku, a u istoj kategoriji nominovan je i za nagradu Oscar Američke filmske akademije. Njegov posljednji film, BEZ LJUBAVI, osvojio je Nagradu žirija ovogodišnjeg Filmskog festivala u Cannesu. E Zhenya and Boris are going through an acrimonious divorce marked by resentment, frustration and recriminations. Already embarking on new lives, each of them with a new partner, they are impatient to start again, to turn the page – even if it means threatening to abandon their 12-year-old son Alyosha. Then, after witnessing one of their fights, Alyosha disappears…

Andrey Zvyagintsev was born in 1964 in Novosibirsk in the former USSR. In 1990, he graduated from the acting programme at the Russian University of Theatre Arts (GITIS). He went on to take part in independent theatre productions and had bit parts on television shows and films. In 2000, he began working for REN TV and directed three episodes of the television series “The Black Room”. In 2003, he directed his first feature-length film, THE RETURN, which received several awards, including a Golden Lion at the Venice Film Festival. THE BANISHMENT, his second feature film, premiered at the 2007 Cannes Film Festival and was nominated for the Palme d’Or. ELENA premiered at Cannes in 2011 in the Un Certain Regard section, where it won the Jury Prize. LEVIATHAN was selected to compete for the Palme d’Or in the Official Competition section at Cannes in 2014, where Zvyagintsev and Oleg Negin won the award for Best Screenplay for the film. LEVIATHAN went on to win the Golden Globe for Best Foreign Language Film and was nominated for the Academy Awards in the same category. LOVELESS, his most recent film, took the Jury Prize at Cannes this year.

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Russia, France, Belgium, Germany, 2017, Colour, 128 min, Russian Režija / Director: Andrey Zvyagintsev Scenarij / Screenplay: Oleg Negin, Andrey Zvyagintsev Direktor fotografije / Director of Photography: Mikhail Krichman Montaža / Editor: Anna Mass Muzika / Music: Evgeni Galperin Zvuk / Sound: Andrey Dergachev Kostimografija / Costume Design: Anna Bartuli Scenografija / Production Design: Andrey Ponkratov Producent / Producer: Alexandre Rodnyansky, Serguey Melkumov Produkcija / Production: Non-Stop Production, Why Not Production, Arte France Cinema, Westdeutscher Rundfunk, Les Films du Fleuve, Fetisoff Illusion, Senator Film Produktion Uloge / Cast: Maryana Spivak, Alexey Rozin, Matvey Novikov, Andris Keishs, Marina Vasilyeva, Alexey Fateev Kontakt / Contact: Wild Bunch, Eva Diederix; ediederix@wildbunch.eu, sales@wildbunch.eu FILMOGRAFIJA / FILMOGRAPHY: 2017 – NELYUBOV / LOVELESS 2014 – LEVIAFAN / LEVIATHAN 2011 – ELENA 2007 – IZGNANIE / THE BANISHMENT 2003 – VOZVRASHCHENIE / THE RETURN

Nocturama / Nokturama Jutro u Parizu. Grupa adolescenata različitih društvenih profila. Svako za sebe, započinje čudni ples kroz labirint linija podzemne željeznice i gradskih ulica. Čini se kao da se kreću prema zadatom planu. Kretnje su im precizne, gotovo opasne. Okupljaju se na istom mjestu, u robnoj kući, u vrijeme zatvaranja. Noć počinje... Bertrand Bonello rođen je 1968. godine u Nici. Njegov prvi igrani film, SOMETHING ORGANIC, prikazan je u programu Panorama Filmskog festivala u Berlinu. Njegov drugi igrani film, THE PORNOGRAPHER, na kojem je sarađivao s Jean-Pierreom Léaudom, uvršten je u selekciju programa International Critics’ Week Filmskog festivala u Cannesu, gdje je osvojio nagradu FIPRESCI. U filmu TIRESIA, prikazanom u takmičarskoj selekciji Filmskog festivala u Cannesu, nametnuo se jedinstvenim filmskim jezikom i vizijom svijeta. U Cannes se vraća i 2015. godine s kratkim filmom CINDY, THE DOLL IS MINE. Njegov film ON WAR, za koji je i komponovao muziku, uvršten je u selekciju programa Directors’ Fortnight Filmskog festivala u Locarnu. E One morning in Paris. A fistful of adolescents, from different backgrounds. Individually, they begin a strange dance through the labyrinth of the metro and the streets of the capital. They seem to be following a plan. Their gestures are precise, almost dangerous. They come together in the same place, a department store, at closing time. The night begins...

Bertrand Bonello was born in 1968 in Nice. His first feature film, SOMETHING ORGANIC, was presented in the Panorama section of the Berlin International Film Festival. THE PORNOGRAPHER, his second feature-length film, was co-directed with Jean-Pierre Léaud and was selected for the Critics’ Week section at the Cannes Film Festival, where it won the FIPRESCI Prize. Bonello imposed his singular voice and worldview with TIRESIA, which was selected for the Official Competition at Cannes. In 2005, he returned to Cannes with a short film, CINDY, THE DOLL IS MINE. ON WAR, film for which he also composed the soundtrack, was selected for the Directors’ Fortnight of the Festival del Film Locarno.

France, 2016, Colour, 130 min, French Režija / Director: Bertrand Bonello Scenarij / Screenplay: Bertrand Bonello Direktor fotografije / Director of Photography: Léo Hinstin Montaža / Editor: Fabrice Rouaud Muzika / Music: Bertrand Bonello Zvuk / Sound: Nicolas Cantin Kostimografija / Costume Design: Sonia Philouze Scenografija / Production Design: Katia Wyszkop Producent / Producer: Edouard Weil, Alice Girard Produkcija / Production: Rectangle Productions Uloge / Cast: Finnegan Oldfield, Vincent Rottiers, Hamza Meziani, Manal Issa, Martin Guyot, Jamil McCraven, Rabah Nait Oufella, Laure Valentinelli, Ilias Le Doré, Robin Goldbronn, Luis Rego, Hermine Karagheuz, Adèle Haene Kontakt / Contact: Wild Bunch International; Carole Baraton, cbaraton@wildbunch.eu FILMOGRAFIJA / FILMOGRAPHY: 2016 – NOCTURAMA 2014 – SAINT LAURENT 2012 – INGRID CAVEN: MUSIC AND VOICE 2011 – L’APOLLONIDE (SOUVENIRS DE LA MAISON CLOSE) / HOUSE OF TOLERANCE 2008 – DE LA GUERRE / ON WAR 2005 – CINDY: THE DOLL IS MINE (kratki film / short film) 2003 – TIRESIA 2001 – LE PORNOGRAPHE / THE PORNOGRAPHER 1998 – QUELQUE CHOSE D’ORGANIQUE / SOMETHING ORGANIC

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Prevenge / Trudosveta TRUDOSVETA prati trudnicu Ruth na ubistvenom pohodu, jednako komičnom koliko i okrutnom. Ruthinim djelovanjem rukovodi njeno nerođeno dijete, mizantrop, koje krivi čovječanstvo za činjenicu da neće imati oca. Dijete se Ruth obraća iz maternice, instruirajući je kako da namami, a zatim i ubije svoje naivne žrtve. Rastrzana između vlastite savjesti, usamljenosti i čudnog pretporođajnog ludila, Ruth u trenutku ostvarenja majčinstva mora napraviti izbor između pokajanja i destrukcije. Alice Lowe rođena je 1977. godine u Coventryju, Velika Britanija. Diplomirala je na Kraljevskom koledžu Univerziteta Cambridge, a zatim se posvetila pozorišnoj glumi. Za film se odlučila nakon što je napisala prvi scenarij za SIGHTSEERS, u kojem je ostvarila i jednu od uloga. SIGHTSEERS je premijerno prikazan na Filmskom festivalu u Cannesu, a zatim je osvojio niz nagrada, uključujući nagrade za najbolju žensku ulogu i najbolji scenarij. Filmski magazin Empire proglasio ga je najboljim britanskim filmom u 2013. godini. Na svom rediteljskom prvencu, TRUDOSVETA, Lowe je radila kao scenaristica i glumica, a film je nominovan za nagradu BIFA za najbolje debitantsko rediteljsko ostvarenje. E PREVENGE follows Ruth, a pregnant woman, on a killing spree that is as funny as it is vicious. Her misanthropic unborn baby is dictating Ruth’s actions, holding society responsible for the absence of a father. The child speaks to Ruth from the womb, coaching her to lure and ultimately kill her unsuspecting victims. Struggling with her conscience, loneliness and a strange strain of prepartum madness, Ruth must ultimately choose between redemption and destruction at the moment of motherhood.

Alice Lowe was born in 1977 in Coventry, UK. She graduated from King’s College, Cambridge, and began acting for the theatre. She made her move into film with her screenwriting debut SIGHTSEERS, in which she also starred. After its premiere at the Cannes Film Festival, SIGHTSEERS received several accolades, was named Empire’s Best British Film, and garnered acting and screenwriting awards. PREVENGE is her feature-length directorial debut. The dark comedy, which Lowe wrote, directed and starred in, earned her a BIFA nomination for Best Debut Director.

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United Kingdom, 2016, Colour, 88 min, English Režija / Director: Alice Lowe Scenarij / Screenplay: Alice Lowe Direktor fotografije / Director of Photography: Ryan Eddelston Montaža / Editor: Matteo Bini Muzika / Music: Toydrum (Pablo Clements, James Griffith) Zvuk / Sound: Martin Pavey Kostimografija / Costume Design: Sarah-Jane Perez Scenografija / Production Design: Blair Barnette Producent / Producer: Vaughan Sivell, Jennifer Handorf, Will Kane Produkcija / Production: Western Edge Production (for the Gennaker Group) Uloge / Cast: Alice Lowe, Gemma Whelan, Kate Dickie, Jo Hartley, Kayvan Novak, Dan Renton Skinner, Tom Davis, Mike Wozniak Kontakt / Contact: Western Edge Pictures, Elisabeth Watts; elisabethwatts@westernedgepictures.co.uk FILMOGRAFIJA / FILMOGRAPHY: 2016 – PREVENGE 2014 – SOLITUDO (kratki film / short film)

The Rider / Jahač Mladi kauboj Brady, nekadašnja rodeo zvijezda u usponu, nakon tragične nesreće na jahanju saznaje da su njegovi takmičarski dani odbrojani. Po povratku kući, Brady se počinje pitati čemu život ako ne može raditi ono što ga ispunjava – jahati i takmičiti se. U pokušaju da povrati kontrolu nad svojim životom, Brady nastoji izgraditi novi identitet i redefinisati svoje stavove o tome kakav bi muškarac trebao biti da ga se u srcu Amerike smatra pravim muškarcem. Chloé Zhao, nagrađivana rediteljica i producentica, rođena je u Pekingu, a odrastala je u Engleskoj i Americi. Njen prvi dugometražni dokumentarac, SONGS MY BROTHER TAUGHT ME, nominovan je za nagradu Zlatna kamera Filmskog festivala u Cannesu, Veliku nagradu žirija Filmskog festivala Sundance i nagradu Independent Spirit. Njen drugi film, JAHAČ, premijerno je prikazan u programu Directors’ Fortnight ovogodišnjeg Filmskog festivala u Cannesu, gdje je osvojio nagradu Art Cinema. E Once a rising star of the rodeo circuit, young cowboy Brady is warned that his competition days are over after a tragic riding accident. Back home, Brady finds himself wondering what he has to live for when he can no longer do what gives him a sense of purpose: riding and competing. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of what it means to be a man in the heartland of the United States.

Chloé Zhao, born in Beijing and raised in the UK and the USA, is an award-winning director and producer. Her first feature-length documentary, SONGS MY BROTHER TAUGHT ME, was nominated for the Caméra d’Or at the Cannes Film Festival, the Grand Jury Prize at Sundance, and an Independent Spirit Award. Her second feature, THE RIDER, premiered at Cannes as part of the Directors’ Fortnight selection and won the Art Cinema Award.

USA, 2017, Colour, 104 min, English Režija / Director: Chloé Zhao Scenarij / Screenplay: Chloé Zhao Direktor fotografije / Director of Photography: Joshua James Richards Montaža / Editor: Alex O’Flinn Muzika / Music: Nathan Halpern Zvuk / Sound: Paul Knox Producent / Producer: Bert Hamelinck, Sacha Ben Harroche, Mollye Asher, Chloé Zhao Produkcija / Production: Caviar Films, Highwayman Films Uloge / Cast: Brady Jandreau, Tim Jandreau, Lilly Jandreau, Lane Scott, Cat Clifford, Terri Dawn Pourier Kontakt / Contact: Protagonist Picture; info@protagonistpictures.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – THE RIDER 2015 – SONGS MY BROTHER TAUGHT ME 2011 – BENACHIN (kratki film / short film) 2010 – DAUGHTERS (kratki film / short film) 2009 – THE ATLAS MOUNTAINS (kratki film / short film) 2008 – POST (kratki film / short film)

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The Square / Trg Christian je respektabilan kustos u jednom muzeju moderne umjetnosti. Razveden je i ima dvoje djece kojoj je u potpunosti posvećen. Christian vozi električni auto i podržava plemenite ciljeve. Trenutno radi na postavci umjetničke instalacije „Trg“, u sklopu koje slučajne prolaznike poziva na iskazivanje altruizma i podsjeća ih na njihovu ulogu odgovornih ljudskih bića. Ali ponekad je teško živjeti u skladu s vlastitim ubjeđenjima, te Christiana njegova besmislena reakcija na krađu telefona dovodi u niz sramotnih situacija. U međuvremenu, marketinška agencija koja radi za njegov muzej osmišljava neočekivanu kampanju za „Trg“. Javnost na tu kampanju reaguje pretjerano burno, što Christiana, ali i muzej, dovodi u krizu. Ruben Östlund rođen je 1974. godine na Styrsöu, malom otoku na zapadu Švedske. Studirao je grafički dizajn, a zatim upisao studij na Univerzitetu u Göteborgu. Devedesetih godina prošlog vijeka počeo je režirati skijaške filmove, da bi se, kratko nakon toga, upisao na Školu filma u Göteborgu, gdje je i diplomirao 2001. godine. Sa svojim prvim dugometražnim igranim filmom, THE GUITAR MONGOLOID, osvojio je nagradu FIPRESCI na Međunarodnom filmskom festivalu u Moskvi, dok je za kratki film INCIDENT BY A BANK, 2011. godine dobio nagradu Zlatni medvjed na Filmskom festivalu u Berlinu i Veliku nagradu Filmskog festivala Tampere. Östlundov film FORCE MAJEURE prikazan je u programu Un Certain Regard Filmskog festivala u Cannesu, gdje je osvojio Nagradu žirija. Na ovogodišnjem Filmskom festivalu u Cannesu, osvojio je prestižnu nagradu Zlatna palma za film TRG. E Christian, the respected curator of a contemporary art museum, is a divorced but devoted father of two who drives an electric car and supports good causes. His next show is “The Square”, an installation that invites passers-by to altruism, reminding them of their role as responsible fellow human beings. But sometimes, it is difficult to live up to your own ideals: Christian’s foolish response to the theft of his phone drags him into shameful situations. Meanwhile, the museum’s PR agency has created an unexpected campaign for ”The Square”. The response is overblown and sends Christian, as well as the museum, into an existential crisis.

Ruben Östlund was born in 1974 in Styrsö, a small island on the West coast of Sweden. He studied Graphic Design before enrolling at the University of Gothenburg. He started as a director of skiing films in the 1990s, and eventually went on to study at the film school in Gothenburg, from which he graduated in 2001. THE GUITAR MONGOLOID, his first feature-length fiction film, won the FIPRESCI Prize at the Moscow International Film Festival. His short film INCIDENT BY A BANK won the Golden Bear for Best Short Film at the Berlin International Film Festival and the Grand Prix at the Tampere Film Festival in 2011. Östlund’s film FORCE MAJEURE was selected to compete in the Un Certain Regard section of the Cannes Film Festival, where it won the Jury Prize. In 2017, his film THE SQUARE won the prestigious Palme d’Or at Cannes.

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Sweden, Germany, France, Denmark, 2017, Colour, 142 min, Danish, English, Swedish Režija / Director: Ruben Östlund Scenarij / Screenplay: Ruben Östlund Direktor fotografije / Director of Photography: Fredrik Wenzel Montaža / Editor: Ruben Östlund, Jacob Secher Schulsinger Muzika / Music: Andreas Franck, Bent Holm Zvuk / Sound: Andreas Franck Kostimografija / Costume Design: Sofie Krunegård Scenografija / Production Design: Josefin Åsberg Producent / Producer: Erik Hemmendorff, Philippe Bober Produkcija / Production: Plattform Produktion AB, Essential Film, Parisienne, Coproduction Office Uloge / Cast: Claes Bang, Elisabeth Moss, Dominic West, Terry Notary, Christopher Laessø, Marina Schiptjenko, Elijandro Edouard, Daniel Hallberg, Martin Sööder Kontakt / Contact: Coproduction Office; market@coproductionoffice.eu FILMOGRAFIJA / FILMOGRAPHY: 2017 – THE SQUARE 2014 – TURIST / FORCE MAJEURE 2011 – PLAY 2010 – HÄNDELSE VID BANK / INCIDENT BY A BANK (kratki film / short film) 2008 – DE OFRIVILLIGA / INVOLUNTARY 2005 – SCEN NR: 6882 UR MITT LIV / AUTOBIOGRAPHICAL SCENE NUMBER 6882 (kratki film / short film) 2004 – GITARRMONGO / THE GUITAR MONGOLOID

Taste of Cement / Ukus cementa / Taste of Cement Sirijski građevinski radnici grade neboder u Bejrutu dok im vlastite kuće u domovini granatiraju. Libanski građanski rat je završen, ali konflikt u Siriji i dalje traje. Radnici su zarobljeni na gradilištu, budući da im je libanska vlada zabranila kretanje nakon 7 sati navečer nametnuvši izbjeglicama policijski sat. Kontakt sa spoljnim svijetom ostvaruju samo preko otvora kroz koji se penju svakog jutra kako bi započeli novi radni dan. Odsječeni od domovine, radnici se svake večeri okupljaju oko malog TV prijemnika da bi čuli vijesti iz Sirije. Ophrvani brigom i neizvjesnošću, i uskraćeni za osnovna ljudska i radnička prava, oni nastavljaju da se nadaju drugačijem životu. Ziad Kalthoum rođen je 1981. godine u Homsu, Sirija. Svoj prvi kratki dokumentarac, OH, MY HEART, režirao je 2011, a film je prikazan na Carthage Film Festivalu. Kalthoumov prvi dugometražni dokumentarni film, THE IMMORTAL SERGEANT, prikazan je na Filmskom festivalu u Locarnu 2014. i na Međunarodnom filmskom festivalu u Fribourgu 2015. godine. Njegov film UKUS CEMENTA osvojio je nagradu za najbolji film na Festivalu dokumentarnog filma Visions du Réel, a platforma Doc Alliance ga je 2017. nominovala za Evropsku filmsku nagradu za najbolji film. E In Beirut, Syrian construction workers are building a skyscraper, while at the same time their own houses at home are being shelled. The Lebanese Civil War is over, but conflict in Syria rages on. The workers are locked in the building site. They are not allowed to leave it after 7pm, as the Lebanese government has imposed a night-time curfew on refugees. The only contact these Syrian workers have with the outside world is via the hole they climb out of each morning to begin a new day of work. Cut off from their homeland, they gather at night around a small TV set to get the news from Syria. Tormented by anguish and anxiety, while suffering the deprivation of the most basic human and workers rights, they keep hoping for a different life.

Germany, Lebanon, Syria, United Arab Emirates, Qatar, 2017, Colour, 85 min, Arabic Režija / Director: Ziad Kalthoum Direktor fotografije / Director of Photography: Talal Khoury Montaža / Editor: Alex Bakri, Frank Brummundt Muzika / Music: Sebastian Tesch Zvuk / Sound: Rayan Al Obeydine, Makram Al Halabi, Rawad Hobeika, Cedric Kayem, Carine Bacha Producent / Producer: Ansgar Frerich, Eva Kemme, Tobias Siebert Produkcija / Production: Bidayyat for Audiovisual Art, BASIS BERLIN Filmproduktion Kontakt / Contact: Syndicado, Aleksandar Govedarica; aleksandar@syndicado.com FILMOGRAFIJA / FILMOGRAPHY: 2015 – TASTE OF CEMENT (dokumentarni film / documentary) 2014 – AL-RAKIB AL-KHALED / THE IMMORTAL SERGEANT (dokumentarni film / documentary) 2011 – AYDIL / OH, MY HEART (kratki dokumentarni film / short doc.)

Ziad Kalthoum was born in 1981 in Homs, Syria. In 2011, he directed his first short documentary, OH, MY HEART, which was selected for the Carthage Film Festival. THE IMMORTAL SERGEANT, Kalthoum’s first feature-length documentary, was screened at the Festival del Film Locarno in 2014 and the Fribourg International Film Festival in 2015. TASTE OF CEMENT won the Best Film Award at Visions du Réel and has been nominated for the prize for Best European Film at the 2017 Doc Alliance Awards.

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Western Grupa njemačkih građevinskih radnika započinje naporan posao na izolovanom gradilištu u bugarskoj provinciji. Život u stranoj zemlji pobuđuje njihov avanturistički duh, ali ih istovremeno suočava sa vlastitim predrasudama i manjkom povjerenja koji su posljedica kulturnih razlika i nepoznavanja lokalnog jezika. Valeska Grisebach rođena je 1968. godine u Bremenu, Njemačka. Filozofiju i germanistiku studirala je u Berlinu, Münchenu i Beču. Njen diplomski film, BE MY STAR, 2002. godine nominovan je za nagradu Adolf Grimme, a osvojio je Nagradu kritike na Međunarodnom filmskom festivalu u Torontu, kao i Veliku nagradu žirija Filmskog festivala u Turinu. Njen drugi dugometražni igrani film, LONGING, premijerno je prikazan u takmičarskom program Filmskog festivala u Berlinu 2006. godine. Film je osvojio više nagrada, uključujući Specijalnu nagradu žirija festivala u Buenos Airesu, Veliku nagradu Asturias Međunarodnog filmskog festivala u Gijonu i Specijalnu nagradu žirija Međunarodnog filmskog festivala u Varšavi. E A group of German construction workers start a tough job at a remote site in the Bulgarian countryside. The foreign land awakens the men’s sense of adventure, but they are also confronted with their own prejudice and mistrust due to the language barrier and cultural differences.

Valeska Grisebach was born in 1968 in Bremen, Germany. She studied Philosophy and German Studies in Berlin, Munich and Vienna. Her graduation film BE MY STAR was nominated for the Adolf Grimme Award in 2002, and received the Critics’ Award at the Toronto International Film Festival as well as the Grand Jury Award at the Turin Film Festival. Her second feature-length film, LONGING, premiered in 2006 in the Competition at the Berlinale. The film received several awards, including the Special Jury Award in Buenos Aires, the Grand Prix Asturias at the Gijón International Film Festival and the Special Jury Award at the Warsaw International Film Festival.

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Germany, Bulgaria, Austria, 2017, Colour, 119 min, Bulgarian, English, German Režija / Director: Valeska Grisebach Scenarij / Screenplay: Valeska Grisebach Direktor fotografije / Director of Photography: Bernhard Keller Montaža / Editor: Bettina Böhler Zvuk / Sound: Fabian Schmidt Kostimografija / Costume Design: Veronika Albert Scenografija / Production Design: Beatrice Schultz Producent / Producer: Jonas Dornbach, Janine Jackowski, Maren Ade Valeska Grisebach, Michel Merkt Produkcija / Production: Komplizen Film Uloge / Cast: Meinhard Neumann, Reinhardt Wetrek, Syuleyman Alilov Letifov, Veneta Frangova, Vyara Borisova Kontakt / Contact: Films Boutique; contact@filmsboutique.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – WESTERN 2006 – SEHNSUCHT / LONGING 2001 – MEIN STERN / BE MY STAR

The Work / Rad U potpunosti snimljen u jednoj prostoriji unutar zatvora Folsom, film prati tri muškarca koji su u zatvor došli izvana kako bi učestvovali u četverodnevnoj terapijskoj radionici s najozloglašenijim zatvorenicima. Tokom radionice svaki od učesnika dobija priliku da detaljno preispita vlastitu prošlost. Sirov i ogoljavajući proces kroz koji zatvorenici prolaze prevazilazi očekivanja slobodnih muškaraca, gura ih van njihove zone komfora i navodi da sebe i zatvorenike promotre u novom svjetlu. Jairus McLeary sudski je snimatelj i filmski autor. RAD je njegov prvi dokumentarni film, a snimio ga je nakon što je više godina gradio odnos sa zatvorenicima i osvajao njihovo povjerenje. Gethin Aldous režira pokretne sekvence za jednu od vodećih kompanija za proizvodnju video igrica. Nakon što je i sam boravio u Folsomu, udružio je snage s Jairusom McLearyjem. RAD je njegov drugi dugometražni dokumentarac. E Set inside a single room in Folsom Prison, THE WORK follows three men from the outside as they participate in a four-day group-therapy retreat with level-four convicts. Over the four days, each man in the room takes his turn at delving deep into his past. The raw and revealing process the incarcerated men go through exceeds the expectations of the free men, ripping them out of their comfort zones and forcing them to see themselves and the prisoners in unexpected ways.

Jairus McLeary is a court videographer and filmmaker. THE WORK is his first documentary film. He spent several years gaining the trust of the convicts in order to film them. Gethin Aldous directs motion capture for a major video-gaming company. After his own experiences at Folsom, he joined forces with Jairus McLeary. This is his second feature-length documentary.

USA, 2017, Colour, 87 min, English Režija / Director: Jairus McLeary, Gethin Aldous Direktor fotografije / Director of Photography: Arturo Santamaria Montaža / Editor: Amy Foote Muzika / Music: Adrian Miller Zvuk / Sound: Thomas Curley Producent / Producer: Alice Henty, Jairus McLeary, Angela Sostre, Eon McLeary, Miles McLeary Produkcija / Production: Blanket Fort Media, McLeary Brothers Uloge / Cast: Vegas, Rick, Dark Cloud, Brian, Charles, Chris Kontakt / Contact: The Film Sales Company, Andrew Herwitz; andrew.herwitz@filmsalescorp.com FILMOGRAFIJA / FILMOGRAPHY: Jairus McLeary: 2017 – THE WORK (dokumentarni film / documentary) Gethin Aldous: 2017 – THE WORK (dokumentarni film / documentary) 2008 – RENZO GRACIE: LEGACY (dokumentarni film / documentary)

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Yi Lu Shun Feng / Sretan put / Godspeed Na Dow za transport droge koristi taksi; u istom danu taksijem ide na jug i vraća se nazad. Jednog dana nevoljko ulazi u oronuli taksi koji vozi bezbrižni i naivni Xu. Xu je na Taiwan stigao prije 20 godina i nekako odlučio da ostane. Napad članova jedne bande remeti Na Dowov plan da se promijeni i Xuov da vodi miran život. Droga i novac su nestali, a Na Dow i Xu su zarobljeni u gepeku automobila. Mong-Hong Chung rođen je 1965. godine u Ping-Tongu, Tajvan. Diplomirao je kompjuterski inžinjering na tajvanskom Državnom univerzitetu Caho Tung, a zvanje magistra filma stekao je na Institutu za umjetnost u Chicagu. Njegov prvi dugometražni igrani film, PARKING, prikazan je 2008. godine u programu Un Certain Regard Filmskog festivala u Cannesu. Sa svojim drugim igranim filmom, THE FOURTH PORTRAIT, osvojio je Nagradu za najbolju režiju na Festivalu Golden Horse 2010. godine, a film je prikazan i na filmskim festivalima u Locarnu i Torontu. Njegov treći dugometražni igrani film, SOUL, također je prikazan na festivalima u Torontu, Tokiju i Busanu. GODSPEED je njegov četvrti dugometražni igrani film. E Na Dow carries out his drug-delivering routine by taking a cab south and returning in the same cab on the same day. One day he reluctantly gets into a shabby taxi driven by the carefree, innocent Xu, who came to Taiwan more than 20 years ago and somehow decided to stay. Na Dow’s plan to reform himself and Xu’s wish for a peaceful life take a wrong turn when they become the target of a mob attack. The drugs and the money are gone, and both Na Dow and Xu are held hostage in the trunk of a car.

Mong-Hong Chung was born in 1965 in Ping-Tong, Taiwan. He received his BSc in Computer Engineering from National Chao Tung University in Taiwan, and his MFA in Filmmaking from the School of the Art Institute of Chicago. In 2008, his first feature-length film PARKING was selected for the Cannes Film Festival in the Un Certain Regard section. His second feature film, THE FOURTH PORTRAIT, won the Best Director Golden Horse Award in 2010, and was selected for the Festival del Film Locarno and the Toronto International Film Festival. His third feature film, SOUL, was also selected for TIFF, as well as the Tokyo and Busan International Film Festivals. GODSPEED is his fourth feature film.

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Taiwan, 2016, Colour, 111 min, Cantonese, Mandarin, Taiwanese, Thai Režija / Director: Mong-Hong Chung Scenarij / Screenplay: Mong-Hong Chung Direktor fotografije / Director of Photography: Nagao Nakashima Montaža / Editor: Hsiu-Hsiung Lai Muzika / Music: Si-Ming Tseng Zvuk / Sound: Li-Chi Kuo Kostimografija / Costume Design: Li-Wen Hsu Scenografija / Production Design: Shih-hao Chao Producent / Producer: Jufeng Yeh, Shao-Chien Tseng Produkcija / Production: Creamfilm Production Uloge / Cast: Michael Hui, Na Dow, Leon Dai, Chung-Hua Tou, Matt Wu, Yi-Wen Chen, Vincent Liang, Vithaya Pansringarm, Chien-Wei Huang, Yi-Tseng Chuang, Mei-Hsiu Lin, Yu-Hsun Chen Kontakt / Contact: MandarinVision; desmond@mandarinvision.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – GODSPEED 2013 – SOUL 2010 – THE FOURTH PORTRAIT 2008 – PARKING 2006 – DOCTOR (dokumentarni film / documentary)

Shorts EUROPEAN SHORTS 122 1000 Smiles Per Hour / 1000 osmijeha na sat, Fabian Altenried 122 Artificial Sunshine / Vještačko sunce, Conor Rollins 123 Conseil d’Etat / Državni savjet, Fanny Zaman 123 Le frère / Brat / The Brother, Léa Triboulet 124 Die Herberge / Hostel / The Hostel, Ulu Braun 124 Martin Pleure / Martin plače / Martin Cries, Jonathan Vinel 125 Meryem, Reber Dosky 125 Min börda / Teret / The Burden, Niki Lindroth von Bahr 126 Miss Holocaust / Miss Holokaust, Michalina Musielak, Irena Siedlar 126 Passée l’Aube / Nakon svitanja / After Dawn, Nicolas Graux 127 Polonez / Poloneza / Polonaise, Agnieszka Elbanowska 127 Titan, Johannes Frese

SHORT MATTERS! TOUR 2017 128 9 Days – From My Windows in Aleppo / 9 dana – pogled sa moga prozora u Halepu, Floor van der Meulen, Thomas Vroege, Issa Touma 128 90 Grad Nord / 90 stepeni sjeverno / 90 Degrees North, Detsky Graffam 129 El Adiós / Zbogom / The Goodbye, Clara Roquet 129 Amalimbo, Juan Pablo Libossart 130 Edmond, Nina Gantz 130 Home / Dom, Daniel Mulloy 131 In the Distance / U daljini, Florian Grolig 131 Limbo, Konstantina Kotzamani 132 L’Immense Retour (Romance) / Punoća vremena (Romansa) / The Fullness of Time (Romance), Manon Coubia 132 A Man Returned / Čovjek, vraćen, Mahdi Fleifel 133 Le Mur / Zid / The Wall, Samuel Lampaert 133 Padashta Zvezda / Zvijezda padalica / Shooting Star, Lyubo Yonchev 134 Small Talk / Ćaskanje, Even Hafnor, Lisa Brooke Hansen 134 Tout le monde aime le bord de la mer / Svi volimo morsku obalu / We All Love the Seashore, Keina Espiñeira 135 Yo No Soy De Aquí / Nisam odavde / I’m Not from Here, Giedrė Žickytė, Maite Alberdi

CINEFONDATION CANNES: Winners 2017 136 Deux égarés sont morts / Umrlo je dvoje mladih / Two Youths Died, Tommaso Usberti 136 Heyvan / Životinja / Animal, Bahram & Bahman Ark 137 Paul est là / Došao je Paul / Paul is Here, Valentina Maurel

ZAGREB FILM FESTIVAL – NAJBOLJE OD KOCKICA / BEST OF CHECKERS 138 Čistačica / The Cleaning Lady, Matija Vukšić 138 Med i mliko / Milk and honey, Marko Jukić 139 Mliječni zub / Baby Tooth, Saša Ban 139 Po čovika / Half a Man, Kristina Kumrić 140 Tanja / Tanya, Jasna Nanut

Uvod / Introduction

Bianca Lucas

Ovogodišnja selekcija naslova za “Evropski kratki” program Sarajevo Film Festivala predstavlja strogi odabir desetak hrabrih, kratkih filmova čiji su autori odbacili standardnu filmsku formulu u korist jedinstvenog filmskog izraza. Ovaj program obično nema određenu tematiku kojom bi se selektori rukovodili prilikom odabira filmova. Međutim, ove godine uočavaju se naznake organski nastale, suptilne tematske niti. Naime, sve odabrane filmove karakteriše određena doza brutalnosti. Mnogi od njih rasvjetljavaju različite forme nasilja koje uslovljavaju opća kretanja u našim društvima. Filmove čini brutalnim odbijanje njihovih autora da pristanu na kompromis, ali ta autorska odlučnost u svom jezgru krije nešto nevjerovatno nježno. Mora da je to odraz vremena u kojem živimo, jer teško da je postojalo bolje doba za pažljivo, iskreno preispitivanje mehanizama, izvora i posljedica nasilja ili nasilnog života. Dvanaest filmova iz sedam evropskih zemalja će se, uz filmove iz regionalnog Takmičarskog programa – kratki film, natjecati za nominaciju za nagradu Evropske filmske akademije. Program će otvoriti film MISS HOLOKAUST koji istražuje zaostavštinu jednog od najbrutalnijih činova u ljudskoj historiji. Kakav je značaj današnjeg obilježavanja te tragedije i na koji način mu pristupiti kako bi mlade generacije “usvojile” sjećanje na nju? Film HOSTEL, animirano putovanje kroz pustoš ljudske kreacije, dodatno preispituje nasilnu prirodu ikonografije kojom se čovječanstvo služi, od biblijskih simbola do simbola pop kulture. Senzualni, audiovizualni esej CONSEIL D’ETAT / DRŽAVNI SAVJET problematizira državno nasilje i državotvornu mitologiju, dok TITAN govori o začaranom krugu nasilja u kojem žrtva nema drugog izbora nego da postane zločinac. Napad

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je najbolja odbrana, ili bar tako kažu. MERYEM se bavi sličnom temom: nasiljem kao vidom samoodbrane; u ženskoj izvedbi. Film prati harizmatičnu predvodnicu grupe gerilki koje se u Iraku bore protiv ISIS-a i prisiljava nas da se po ko zna koji put upitamo može li se rat zaista opravdati kao “borba za slobodu”? Ovo pitanje postaje još kompleksnije kada se odgovor na njega traži iz ženske vizure jer žene su prisiljene nositi dvostruki teret: rizikuju život za budućnost svoje zemlje, ali i za budućnost pripadnica svog pola. PASSÉE L’AUBE / NAKON SVITANJA nježan je portret nasilnog potencijala potisnutih strasti, dok je MARTIN PLEURE / MARTIN PLAČE je nabijen okrutnim osjećajem usamljenosti u doba virtualne stvarnosti. POLONEZ / POLONEZA nudi smiren i duhovit osvrt na zadovoljenje silne i očajničke potrebe za “pripadanjem” kroz usvajanje nacionalnog identiteta. ARTIFICIAL SUNSHINE / VJEŠTAČKO SUNCE problematizira kontradiktorne vizije britanskog nacionalnog identiteta, predstavljene kroz nostalgične slike i prizore različitih oblika zabave, te na taj način pruža jedinstven uvid u uzroke trenutačnog meteža na britanskoj političkoj sceni. 1000 SMILES PER HOUR / 1000 OSMIJEHA NA SAT uspijeva da uhvati suštinu nasilnog, ali istovremeno nedefinisanog ličnog gubitka. LE FRÈRE / BRAT je njegov simbolični brat blizanac – delikatni ukras filma o tugovanju i osjećaju praznine koji ostaju nakon nasilno oduzetog života. Na kraju, ali ne manje bitan, film MIN BÖRDA / TERET trešnja je na vrhu kolača napravljenog od različitih uzoraka stanja ljudskog društva. Patnja je neizbježan, brutalan dio ljudskog života, pa ipak u svemu se može naći doza humora. Ono po čemu će 2017. Biti posebna godina za nas jeste otvaranje „Kuće kratkog filma“,

specijalnog prostora u okviru SFF-a posvećenog kratkom filmu. Svi programi kratkog filma bit će održani pod jednim krovom, a isti prostor postat će utočište za sve autore iz svijeta kratkog filma, kako početnike tako i veterane. Program će obogatiti posebni prateći događaji i diskusije posvećeni kratkom filmu! Ovo je moja prva godina na mjestu selektorice programa evropskog kratkog filma i osjećam se počašćenom što mi se pružila prilika da vas upoznam s gornjim naslovima. Spoznaja da će se neki od vas možda zaljubiti u neke od ovih filmova i pohraniti ih u dubinama svojih sjećanja kako bi ih izvlačili na površinu kada vam zatrebaju moralni kompas i inspiracija, daje istinski smisao trudu uloženom u oblikovanje ovog programa. Želim da vas ovo izdanje SFF-a inspiriše i pomogne vam da otvorite srce za sve neočekivane puteve na koje vas filmovi mogu povesti.

E This year’s European Shorts section is a tight selection of no more than a dozen films, favouring bold, fresh voices over films that follow the beaten path of formula-based cinema. There is usually no theme that defines the programme, yet this year, an ever-so-subtle thread emerged organically throughout the selection process. Namely, there is a certain brutality to this collection of films. In many cases, they highlight forms of violence that dictate the movements of our societies. The films themselves are brutal in their refusal to compromise, but at the same time, something incredibly tender dwells at the core of their makers’ determination. This is surely a sign of the times; there may arguably be no better time to lend a keen, honest eye to reflect upon the mechanisms, sources, and legacies of violence, or violent existence.

Twelve films from seven European countries are competing – alongside the regional Competition – Short Film programme – to be awarded a European Film Academy nomination. MISS HOLOCAUST kicks off the programme with an exploration of the legacy of one of the most violent acts in the history of mankind. What does it mean to commemorate tragedy nowadays, and what form must such commemoration take for memory to be “consumed” by younger generations? THE HOSTEL further explores the violence of iconography, from biblical to pop-culture symbolism, in an incomparable animated journey through the wastelands of our creations. CONSEIL D’ÉTAT, a sensual, audio-visual essay, addresses the violence of the state, and of state-run mythology. Meanwhile, TITAN is an exposé of the vicious circle of violence, in which the victim has no choice but to become the aggressor. Offence is the best defence – or so they say. In the same vein is MERYEM: violence as selfdefence, women’s version. The film follows the charismatic leader of a group of female guerrillas fighting ISIS in Iraq, forcing us to ask ourselves, yet again: Can a war really be justified as “freedom-fighting”? The female perspective makes the question all the more complex – these women handle a doubly heavy burden, as they are risking their lives for the meaning of their land, and of their gender. PASSÉE L’AUBE / AFTER DAWN is a tender portrait of the violence of suppressed desire, and MARTIN PLEURE / MARTIN CRIES explodes with the violence of loneliness in this cyber-world age. POLONEZ / POLONAISE fixes a cool, humorous gaze on the violent and desperate need to “belong” through national identity. ARTIFICIAL SUNSHINE paints a portrait of confused British

identity through nostalgia and leisure – key insight into some of the causes of the UK’s current political turmoil. 1000 SMILES PER HOUR captures the essence of a violent yet undeterminable personal loss. LE FRÈRE / THE BROTHER is its symbolic neighbour – a delicate vignette of grief and absence in the wake of a life extinguished by violence. Last, but certainly not least, MIN BÖRDA / THE BURDEN places the cherry on the cake of the human condition. Suffering is an inescapable, brutal feature of human existence, and yet humour can still be found in everything. What makes 2017 a special year for short films at the Sarajevo Film Festival is the opening of our flagship venue, the House of Shorts. All short-film programmes will be united under one roof, which will also be a safe haven for all filmmakers navigating the short film form – whether they be veterans or newcomers. The programme is embellished with events and talks that will put short films on a tall pedestal! In my first year as head programmer of European Shorts, I am both honoured and humbled by the possibility of bringing these titles to you, our audience. Knowing that some of you may fall in love with some of these films, tucking them away in the pleats of your memory to serve as inspiration and moral guidance for years to come, makes it all, truly, worth the effort. I wish you an inspiring edition of SFF, and an open heart to all the many avenues down which cinema may lead you. Bianca Lucas Selektorica / Programmer

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1000 Smiles Per Hour / 1000 osmijeha na sat Sastanak u sumrak, dok kruži po vanjskim rubovima betonskog krajolika, melanholičnom performeru narušava dragocjeni trenutak povezanosti unutar hladno apatičnih granica grada. Fabian Altenried rođen je 1987. godine u Berlinu. Od 2007. do 2013. godine studirao je umjetnost na Umjetničkoj akademiji u Düsseldorfu, a filozofiju i književnost na Univerzitetu Humboldt u Berlinu. Njegov kratki film 1000 OSMIJEHA NA SAT premijerno je prikazan na Međunarodnom filmskom festivalu u Edinburghu u junu 2017. godine.

Germany, 2016, Black & White, 15 min, English, German Režija / Director: Fabian Altenried Scenarij / Screenplay: Anne-Kathrin Heier Direktor fotografije / Director of Photography: Smina Bluth Montaža / Editor: Antonella Sarubbi Muzika / Music: Victor Tricard Zvuk / Sound: Kai Holzkämper, Kristof Gerega Kostimografija / Costume Design: Daeng Khamlao Producent / Producer: Fabian Altenried, Lea Gamula, Sophie Ahrens Produkcija / Production: Schuldenberg Films, btf GmbH Uloge / Cast: E., Alex Wissel, Julie Trappett Kontakt / Contact: Schuldenberg Films; contact@schuldenbergfilms.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – 1000 SMILES PER HOUR (kratki film / short film) 2014 – OILFIELDS MINES HURRICANES

E A twilight meeting engenders a precious moment of connection for the melancholy performer, who is drifting across the outer edges of a concrete landscape amid the coldly apathetic city limits.

Fabian Altenried was born in 1987 in Berlin. He studied Art at the Dusseldorf Art Academy and Philosophy and Literature at Humboldt University in Berlin from 2007 until 2013. His short film,1000 SMILES PER HOUR, premiered at Edinburgh International Film Festival in 2017.

Artificial Sunshine / Vještačko sunce Preispitivanje kontradiktornih sjećanja na Blackpool, grad koji ispunjava čula i u kojem prirodni i vještački svijet žive jedan kraj drugoga, ali ne uvijek u harmoniji. Conor Rollins je producent i reditelj iz Batha, Velika Britanija. Rollins je 2016. godine diplomirao na Odsjeku za dokumentarni film Univerziteta za umjetnost u Bournemouthu. Filmovi su mu emitovani na različitim video platformama, poput kanala NOWNESS, web platformi Clash Magazina i Britanskog instituta za film, kao i na brojnim festivalima, uključujući Sheffield Doc/Fest, Filmski festival u Lisabonu, Međunarodni filmski festival u Seattleu i mnogim drugim. E An exploration of contradictory memories of Blackpool, a town that saturates the senses, where natural and artificial worlds sit side by side, not always in harmony.

Conor Rollins is a producer and director from Bath, UK. He graduated from the Arts University of Bournemouth in 2016, specialising in Documentary Filmmaking. His films have had appearances on platforms such as NOWNESS, Clash Magazine, the BFI, Sheffield Doc/Fest, the Lisbon Film Festival, SIFF and others.

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United Kingdom, 2016, Colour, 18 min, English Režija / Director: Conor Rollins Direktor fotografije / Director of Photography: Louis Hollis Montaža / Editor: Meenu Sureshlal, Conor Rollins Muzika / Music: Isaac Magner Zvuk / Sound: Ella Rowberry Producent / Producer: Conor Rollins Produkcija / Production: Conor Rollins Kontakt / Contact: Conor Rollins; conorrollins94@googlemail.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – ARTIFICIAL SUNSHINE (kratki dokumentarni film / short doc.) 2015 – F. T. S. T. Y. (kratki film / short film) 2014 – HER SINKING SIN (kratki film / short film)

Conseil d’Etat / Državni savjet Prizori sa svjetske izložbe EXPO održane u Briselu 1958. godine odišu vjerom u modernizam, budućnost i tehnološki napredak. Zvučnu podlogu čine zvuci serije napada koji su uznemirili Belgiju osamdesetih godina prošloga vijeka. U filmu se sudaraju slike i zvuci, strah i optimizam.

Belgium, 2016, Colour and b&w, 8 min, French Režija / Director: Fanny Zaman Scenarij / Screenplay: Fanny Zaman Direktor fotografije / Director of Photography: Gerard De Boe, Paul Flon, Paul Haesaerts Montaža / Editor: Fanny Zaman Zvuk / Sound: Fanny Zaman Producent / Producer: Fanny Zaman Produkcija / Production: trope-editions Kontakt / Contact: trope-editions; tropeeditions@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – CONSEIL D’ETAT (kratki film / short film) 2015 – ALGORITHM (kratki film / short film) 2012 – DPLUSONE (kratki film / short film) 2010 – SONG MOUNTAIN AREA, THE CENTRE DIRECTION (kratki film / short film) 2008 – SURFACE (kratki film / short film)

Fanny Zaman rođena je 1972. godine u Antwerpenu. Uglavnom stvara instalacije i kratke filmove, ali zainteresovana je i za odnos između filma i teatarske umjetnosti. Njeni filmovi SURFACE i SONG MOUNTAIN AREA, THE CENTRE DIRECTION prikazani su na Festivalu dokumentarnog filma FidMarseille 2008. i 2010. godine, gdje je i njen film ALGORITHM doživio svjetsku premijeru 2015. godine. Zaman je završila trogodišnji specijalistički program na Višem institutu za primijenjene umjetnosti (HISK) u Ghentu i šestomjesečni specijalistički program u galeriji moderne umjetnosti Wiels (Brisel) 2012. godine. E Images from Expo ‘58 in Brussels exude faith in modernity, the future and the possibilities of technology. This film’s soundtrack is from the 1980s, when a series of attacks unsettled Belgium. Sound and image, fear and optimism collide.

Fanny Zaman was born in 1972 in Antwerp. She mostly makes installations and short films, but is also interested in the relation between film and performance. Her films SURFACE and SONG MOUNTAIN AREA, THE CENTRE DIRECTION were screened at FIDMarseille in 2008 and in 2010; ALGORITHM had its world premiere there in 2015. Zaman attended a three-year residence programme at the Higher Institute of Fine Arts (HISK) in Ghent, as well as a six-month residency in Wiels, a contemporary art gallery in Brussels, in 2012.

Le frère / Brat / The Brother Tri sestre nastavljaju voditi svoje svakodnevne živote u odsustvu brata koji se vodi kao nestao. Film je inspirisan pričama iz New Orleansa. Léa Triboulet rođena je 1987. godine u Montpellieru, Francuska. Studirala je scenografiju na Višoj školi za dizajn i umjetnost u Strasbourgu. Autorica je nekoliko kratkih filmova koji su prikazani na brojnim međunarodnim filmskim festivalima. Triboulet se 2013. godine pridružila akademskom programu Film Factory koji se pod rukovodstvom mađarskog reditelja Béle Tarra implementira u okviru Sarajevske filmske akademije. Godine 2016, završila je rad na svom kratkom filmu BRAT, a trenutno radi na scenariju za svoj prvi igrani film pod naslovom I WILL DRINK WITH THE BEES.

France, 2016, Colour, 9 min, English Režija / Director: Léa Triboulet Scenarij / Screenplay: Léa Triboulet Direktor fotografije / Director of Photography: Paavo Hanninen Montaža / Editor: Léa Triboulet Muzika / Music: Thomas Rochard Zvuk / Sound: Renaud Natkin Producent / Producer: Léa Triboulet, Kira Akerman Produkcija / Production: Léa Triboulet, Kira Akerman Uloge / Cast: Clay’Jel Irvin, Alania Gorden, Keira Gorden, Jonelle Everett Kontakt / Contact: Léa Triboulet; lea.triboulet@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – LE FRÈRE / THE BROTHER (kratki film / short film) 2015 – SOFIA B. DORMAIT MAL (kratki film / short film) 2014 – WHAT THE NIGHT BRINGS (kratki film / short film)

E Three sisters go about their everyday lives in the absence of their missing brother. Inspired by stories from New Orleans.

Léa Triboulet was born in 1987 in Montpellier, France, and studied Scenography at the École Supérieure des Arts Décoratifs de Strasbourg. She has made several short films, which were shown at various international film festivals. In 2013, she attended the Film Factory, led by Hungarian director Béla Tarr and housed at the Sarajevo Film Academy. In 2016, she released the short film THE BROTHER. She is currently developing the script for her first feature-length film, I WILL DRINK WITH THE BEES.

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Die Herberge / Hostel / The Hostel Na mjestu na kojem se spajaju biblijski krajolici i zapadnjačka mitologija stoji kuća koja je dijelom okupljalište bajkera, a dijelom planinska farma. Kuća pruža gostoprimstvo svim bićima koji prolaze nepristupačnim predjelima. U filmu HOSTEL spajaju se prošlost i budućnost, a najdublji očaj i rekreacija međusobno se ne isključuju. Ulu Braun rođen je 1976. godine u Schongau, Njemačka. Slikarstvo i eksperimentalni film studirao je na Univerzitetu za primijenjene umjetnosti u Beču, a animaciju na Filmskom univerzitetu Babelsberg u Potsdamu. Njegovi filmovi prikazani su na brojnim međunarodnim festivalima, uključujući festivale u Rotterdamu, Berlinu, Sarajevu, Oberhausenu, Hong Kongu, meksičkoj saveznoj državi Guanajuatou te festival 25 FPS u Zagrebu. E In a place where a biblical landscape and western myths converge, there is a house that is part biker hangout, part mountain farm. It welcomes all beings who traverse this inhospitable landscape. In THE HOSTEL, past and future merge into one place, and deepest misery and recreation are not mutually exclusive.

Germany, 2017, Colour, 15 min, No Dialogue Režija / Director: Ulu Braun Scenarij / Screenplay: Ulu Braun Direktor fotografije / Director of Photography: Ulu Braun Montaža / Editor: Ulu Braun Zvuk / Sound: Max Knoth Kostimografija / Costume Design: Lisa Baumgarten, Kerstin Krüger Scenografija / Production Design: Ulu Braun, Rike Glandorf Producent / Producer: Ulu Braun Uloge / Cast: Asef Hussaini, Lisa Baumgarten, Evelyn Kobusingye, Alexander Tripitsis, Eckhart Liss, Klaus Krüger, Alexandra Faruga, Michel Amin Dickler, Rajab Haidari, Fabian Hoffmann, Daniel Hewekerl, Timm Busche Kontakt / Contact: Ulu Braun; film@ulubraun.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – DIE HERBERGE / THE HOSTEL (kratki film / short film) 2015 – ARCHITEKTURA (kratki film / short film) 2014 – BIRDS (kratki film / short film) 2013 – FORST (kratki film / short film) 2013 – VERTIKALE 2012 – TOWER OF INVINCIBILITY 2010 – MARIA THERESIA AND HER 16 CHILDREN (kratki film / short film) 2004 – DIE FLUTUNG VON VIKTORIA / FLOODING OF THE VIKTORIA PLAINS (kratki film / short film)

Ulu Braun was born 1976 in Schongau, Germany. He studied Painting and Experimental Film at the University of Applied Arts in Vienna, and animation at the Film University Babelsberg in Potsdam. His works have been shown at Festivals including the International Film Festival Rotterdam, the Berlinale, the Sarajevo Film Festival, Kurzfilmtage Oberhausen, the Guanajuato and Hong Kong International Film Festivals and 25 FPS Zagreb.

Martin Pleure / Martin plače / Martin Cries Zamislite da se jednog dana probudite i otkrijete da su svi vaši prijatelji nestali. Trebalo bi da su tu, ali ih nema… Počnete da ih tražite, svuda ih tražite; pročešljate čitav grad, sve rijeke i močvare. Tražite ih, ali ih ne možete naći. Jonathan Vinel rođen je 1988. godine u Toulouseu, Francuska. Studirao je filmsku montažu na filmskoj školi La Fémis u Parizu, a kratke filmove počeo je snimati još tokom studija. Film koji je režirao zajedno s Caroline Poggi, AS LONG AS SHOTGUNS REMAIN, osvojio je nagradu Zlatni medvjed za najbolji kratki film Filmskog festivala u Berlinu 2014. godine. Njihov drugi zajednički kratki film, OUR LEGACY, također je prikazan u Berlinu 2016. Vinel i Poggi trenutno pripremaju svoj prvi dugometražni igrani film. E Imagine you wake up one day, and all your friends have disappeared. They should be there, but they are gone... So you look. You look everywhere – every hiding place, each inch of the city, all the marshes, all the rivers. You look, but you cannot find them.

Jonathan Vinel was born in 1988 in Toulouse, France. He studied Film Editing at La Fémis in Paris, and started making short films while still a student. In 2014, he and Caroline Poggi won the Golden Bear in the Berlinale Shorts section with AS LONG AS SHOTGUNS REMAIN. Their short film OUR LEGACY screened in the same section in 2016 and the two are currently working on their first feature-length film together.

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France, 2017, Colour, 16 min, English, French Režija / Director: Jonathan Vinel Scenarij / Screenplay: Jonathan Vinel Montaža / Editor: Caroline Poggi, Jonathan Vinel Zvuk / Sound: Lucas Doméjean Produkcija / Production: AKA Productions Uloge / Cast: Paul Hamy (Voice of Martin) Clémence Diard (Narrator) Sarah-Megan Allouch (Voice of Louna) Kontakt / Contact: AKA Productions, Louise Rinaldi; productionsaka@yahoo.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – MARTIN PLEURE / MARTIN CRIES (kratki film / short film) 2015 – NOTRE HÉRITAGE / OUR LEGACY (kratki film / short film) 2014 – TANT QU’IL NOUS RESTE DES FUSILS À POMPE / AS LONG AS SHOTGUNS REMAIN (kratki film / short film) 2013 – NOTRE AMOUR EST ASSEZ PUISSANT / OUR LOVE IS POWERFUL ENOUGH (kratki film / short film) 2012 – PRINCE PUISSANCE SOUVENIRS / PRINCE POWER MEMORIES (kratki film / short film) 2011 – PLAY (kratki film / short film)

Meryem Snimljen tokom bitke za Kobani, MERYEM je priča o ženama u središtu borbe protiv Islamske države. Ove žene se, sa stoičkom izdržljivošću i uz pomoć američkih zračnih udara, bore za slobodu. Reber Dosky rođen je 1975. godine u Dohuku, Kurdistan. Od 1998. godine živi u Holandiji, gdje je studirao na Holandskoj filmskoj akademiji. Diplomirao je s filmom THE CALL, koji progovara o utjecaju rata i izbjeglištva na odnos oca i sina, osvojivši više nagrada na međunarodnim filmskim festivalima. Međunarodno priznanje stekao je s filmom THE SNIPER OF KOBANI, osvojivši niz značajnih festivalskih nagrada.

Netherlands, 2017, Colour, 15 min, Kurdish Režija / Director: Reber Dosky Scenarij / Screenplay: Reber Dosky Direktor fotografije / Director of Photography: Reber Dosky Montaža / Editor: Rémi van der Heiden Zvuk / Sound: Taco Drijfhout, Huibert Boon Producent / Producer: Jos de Putter Produkcija / Production: Dieptescherpte BV Kontakt / Contact: Some Shorts, Wouter Jansen; info@someshorts.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – MERYEM (kratki dokumentarni film / short doc.) 2016 – RADIO KOBANÎ (dokumentarni film / documentary) 2015 – THE SNIPER OF KOBANI (dokumentarni film / documentary) 2014 – 4EVER (dokumentarni film / documentary) 2013 – LOKROEP / THE CALL (dokumentarni film / documentary) 2012 – MIJN GELUK IN AUSCHWITZ / MY GOOD FORTUNE IN AUSCHWITZ (dokumentarni film / documentary)

E Filmed during the battle of Kobanî, MERYEM reveals the women at the heart of the fight against ISIS. With stoic perseverance and the aid of American airstrikes, it is they who are leading the fight for freedom.

Reber Dosky was born in 1975 in Dohuk, Kurdistan and has lived in the Netherlands since 1998. He studied Film Direction at the Netherlands Film Academy. He completed his studies with THE CALL, which explored the impact of war and displacement on the relation between a father and son. The film won several awards at international film festivals. The short documentary THE SNIPER OF KOBANÎ brought about Dosky’s international breakthrough and won prizes at a number of festivals.

Min börda / Teret / The Burden Mračan mjuzikl postavljen na modernoj tržnici smještenoj uz veliki autoput. Zaposlenici različitih trgovina bore se protiv dosade i egzistencijalne anksioznosti tako što izvode vesele muzičke numere. Niki Lindroth von Bahr rođena je 1984. godine u Štokholmu. Scenski dizajn i izradu rekvizita studirala je na Nordijskoj školi za scenografiju u Skellefteåu, a animaciju i eksperimentalni film na Akademiji Diagonal u Štokholmu. Vlasnica je nezavisnog studija za animaciju i izradu rekvizita i lutaka u Štokholmu. Njen film TERET prikazan je u programu Directors’ Fortnight ovogodišnjeg Filmskog festivala u Cannesu, kao i na Filmskom festivalu u Göteborgu, gdje je osvojio Nagradu za najbolji švedski kratki film i Nagradu publike u kategoriji kratkog filma.

Sweden, 2017, Colour, 14 min, Swedish Režija / Director: Niki Lindroth von Bahr Scenarij / Screenplay: Niki Lindroth von Bahr Direktor fotografije / Director of Photography: Niki Lindroth von Bahr Muzika / Music: Hans Appelqvist Zvuk / Sound: Hans Appelqvist Scenografija / Production Design: Niki Lindroth von Bahr, Nicklas Nilsson, Malin Gullstrand Producent / Producer: Kalle Wettre Produkcija / Production: Malade AB Uloge / Cast: Olof Wretling, Mattias Fransson Sven Björklund, Carl Englén Kontakt / Contact: Theo Tsappos; theo.tsappos@filminstitutet.se FILMOGRAFIJA / FILMOGRAPHY: 2017 – MIN BÖRDA / THE BURDEN (kratki film / short film) 2014 – SIMHALL / BATH HOUSE (kratki film / short film) 2010 – TORD OCH TORD / TORD AND TORD (kratki film / short film) 2007 – EN NATT I MOSKVA / ONE NIGHT IN MOSCOW (kratki film / short film)

E A dark musical enacted in a modern marketplace that is situated beside a large freeway. The employees of the various commercial venues deal with boredom and existential anxiety by performing cheerful musical turns.

Niki Lindroth von Bahr was born in 1984 in Stockholm. She studied Set Design and Propmaking at Nordiska Scenografiskolan in Skellefteå, and Animation and Experimental Film at Diagonalakademin in Stockholm. She works as a freelance propmaker, puppetmaker and animator with a studio in Stockholm. Her short film THE BURDEN was selected for the Directors’ Fortnight at the Cannes Film Festival in 2017, and screened at the Gothenburg Film Festival, where it won the Best Swedish Short Award and was voted the audience favourite in the short film category.

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Miss Holocaust / Miss Holokaust Od 2012. godine u Haifi, Izrael, svake godine održava se natjecanje u ljepoti. Između 300 prijavljenih žena, od kojih su sve starije od 75 godina, bira se između 13 i 15 natjecateljica koje potom prolaze intenzivan proces priprema. Izabranice, u skladu sa svojim mogućnostima, uče kako da se kreću na sceni i kako da se predstave u najljepšem svjetlu.

Poland, Germany, 2017, Colour, 22 min, Hebrew Režija / Director: Michalina Musielak, Irena Siedlar (Co-Director) Scenarij / Screenplay: Michalina Musielak, Monika Dembińska Direktor fotografije / Director of Photography: Beata Rakoczy Montaža / Editor: Irena Siedlar Zvuk / Sound: Anna Rok Producent / Producer: Karolina Galuba, Malgorzata Malysa Produkcija / Production: Furia Film Uloge / Cast: Sara Israel, Rita Berkowitz, Chava Hershkovitch, Judith Rosenzweig, Libreta Michalchov Kontakt / Contact: Karolina Galuba, Furia Film; karolina.galuba@furiafilm.pl FILMOGRAFIJA / FILMOGRAPHY: 2017 – MISS HOLOCAUST (kratki dokumentarni film / short doc.)

Michalina Musielak rođena je 1990. godine u Wrocławu, Poljska. Dokumentarni film studirala je na Varšavskom univerzitetu, a humanističke nauke na Univerzitetu u Tel Avivu. Njen kratki dokumentarni prvenac, MISS HOLOKAUST, premijerno je prikazan u programu kratkog filma ovogodišnjeg Filmskog festivala u Berlinu. E Since 2012, an annual beauty contest has been held in Haifa, Israel. From around 300 woman, all of whom are at least 75 years of age, a pre-selection is made of 13 to 15 contestants who subsequently undergo an intensive preparation process. The women learn, within their range of possibilities, how to present themselves and how to move.

Michalina Musielak was born in 1990 in Wrocław, Poland. She studied Documentary at the University of Warsaw as well as Liberal Arts at Tel Aviv University. Her first short documentary, MISS HOLOCAUST, had its premiere at the Berlinale this year.

Passée l’Aube / Nakon svitanja / After Dawn Poljska. Razdvojenost i daljina očvrsnuli su Pawelovo srce. Ili se bar njemu tako čini... Do jednog kišnog poslijepodneva i jedne neočekivane posjete. Nicolas Graux rođen je 1988. godine u Liègeu, Belgija. Nakon što je njegov diplomski film, BOY WITH THE DEVIL, prikazan na više filmskih festivala širom Evrope, Graux 2016. godine u Poljskoj snima kratki film NAKON SVITANJA. Njegov dugometražni dokumentarni prvenac, TRACES OF A VILLAGE, sniman je u belgijsko-francuskoj koprodukciji u jednom izolovanom selu u džunglama Laosa. E Poland. Separation and distance have hardened Pawel’s heart. Or so it seemed to him... Until one rainy afternoon. And an unexpected visitor.

Nicolas Graux was born in 1988 in Liège, Belgium. His graduation film, BOY WITH THE DEVIL, was selected for several festivals across Europe. His short film AFTER DAWN was shot in Poland in 2016. Graux’s first feature-length documentary, TRACES OF A VILLAGE, is a Belgian-French co-production, set in a remote village in the Laotian jungle.

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Belgium, 2016, Colour, 24 min, English, Polish Režija / Director: Nicolas Graux Scenarij / Screenplay: Nicolas Graux Direktor fotografije / Director of Photography: Thomas Schira Montaža / Editor: Lenka Fillnerova Muzika / Music: Krzysztof Dzikowski, Wiktor Stroinski, Maciej Kossowski Zvuk / Sound: Luis Trinques Kostimografija / Costume Design: Hélène Honhon Scenografija / Production Design: Théodore Brisset Producent / Producer: Thomas Meys, Valérie Bournonville, Joseph Rouschop Produkcija / Production: Tarantula Uloge / Cast: Piotr Biedroń, Tijmen Govaerts, Izabela Gwizdak, Lydia Indjova, Jakub Kesy Kontakt / Contact: Thomas Meys; thomas@tarantula.be FILMOGRAFIJA / FILMOGRAPHY: 2017 – TRACES D’UN VILLAGE / TRACES OF A VILLAGE (dokumentarni film / documentary) 2016 – PASSÉE L’AUBE / AFTER DAWN (kratki film / short film) 2013 – LA COLONIE PLATE (kratki film / short film)

Poland, 2016, Colour, 16 min, Polish Režija / Director: Agnieszka Elbanowska Scenarij / Screenplay: Agnieszka Elbanowska Direktor fotografije / Director of Photography: Paweł Chorzępa Montaža / Editor: Agnieszka Elbanowska Producent / Producer: Ewa Jastrzebska Produkcija / Production: Studio Munka Kontakt / Contact: Katarzyna Wilk, Krakow Film Foundation; katarzyna@kff.com.pl

Polonez / Poloneza / Polonaise Grad Aleksandrów Kujawski nekad je ležao na granici između Pruskog i Ruskog carstva. Danas se svi njegovi stanovnici smatraju Poljacima i taj im je identitet toliko značajan da svake godine organizuju takmičenje u patriotizmu na kojem lokalni gradonačelnik, svećenik i pjesnikinja biraju patriotu godine. Agnieszka Elbanowska poljska je rediteljica, montažerka i fotografkinja. Talijanski jezik i književnost diplomirala je na Univerzitetu u Varšavi, a historiju, teoriju i kritiku filma na Univerzitetu Roma Tre u Rimu. Sarađivala je s poljskom televizijom i bila koautorica nekoliko dokumentarnih filmova snimljenih za kanal TVP Polonia.

FILMOGRAFIJA / FILMOGRAPHY: 2016 – POLONEZ / POLONAISE (kratki dokumentarni film / short doc.) 2016 – PIERWSZY POLAK NA MARSIE / FIRST POLE ON MARS (kratki dokumentarni film / short doc.) 2013 – NIEWIADOMA HENRYKA FASTA / THE LOVE EQUATION OF HENRY FAST (dokumentarni film / documentary)

E The town of Aleksandrów Kujawski was once on the border between the Prussian and Russian empires. Today, its residents are all Polish; so Polish, in fact, that they find they have no choice but to hold a patriotism contest, where the local mayor, priest and poetess select the Patriot of the Year.

Agnieszka Elbanowska is a director, editor and photographer. She graduated Italian from the University of Warsaw, and film history, theory and criticism from the Roma Tre University in Rome. Elbanowska collaborated with Polish Television and has coauthored several documentary films produced for TVP Polonia.

Titan Na rubu zloglasne četvrti, maloljetni Titan napada me flašom. U kvartu u kojem vlada zakon jačeg, pristupam porodici najslabijeg člana zajednice.

Germany, 2017, Colour and b&w, 25 min, French Režija / Director: Johannes Frese Direktor fotografije / Director of Photography: Johannes Frese Montaža / Editor: David Gómez Alzate Zvuk / Sound: Branimir Petev Producent / Producer: Johannes Frese Produkcija / Production: Johannes Frese Kontakt / Contact: Johannes Frese; jofre1@gmx.de FILMOGRAFIJA / FILMOGRAPHY: 2017 – TITAN (kratki dokumentarni film / short doc.) 2014 – MILKYWAY FACES (kratki dokumentarni film / short doc.) 2011 – LAGOMORPHA (kratki dokumentarni film / short doc.)

Johannes Frese rođen je 1991. godine nedaleko od Frankfurta. Filmske studije završio je na Univerzitetu Karlstad i Univerzitetu za fine umjetnosti u Hamburgu. E On the outskirts of a disreputable neighbourhood, the adolescent Titan attacks me with a bottle. In a quarter ruled by the law of the jungle, I approach the family of its weakest member.

Johannes Frese was born in 1991 near Frankfurt. He studied film at Karlstad University and at the University of Fine Arts of Hamburg.

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9 Days – From My Windows in Aleppo / 9 dana – pogled sa moga prozora u Halepu U ljeto 2012, proslavljeni sirijski fotograf Issa Touma proveo je devet dana zabarikadiran u svome stanu fotografišući zbivanja na ulicama Aleppa. Floor van der Meulen (1989) na međunarodnoj dokumentarističkoj sceni debitirala je 2014. s filmom STORMING PARADISE, koji je premijerno prikazan na Festivalu dokumentarnog filma DokLeipzig. Thomas Vroege (1988) s Floor van der Meulen i sirijskim fotografom Issom Toumom snimio je film 9 DANA – POGLED SA MOGA PROZORA U HALEPU sa kojim su osvojili nagradu za najbolji kratki film Evropske filmske akademije. Issa Touma je fotograf; živi u Halepu. Njegov rad može se naći u međunarodnim zbirkama, uključujući i zbirku muzeja Victoria & Albert u Londonu. E In the summer of 2012, renowned Syrian photographer Issa Touma spent nine days holed up in his apartment recording what was happening in the streets of Aleppo.

Netherlands, Syria, 2015, Colour, 13 min, Arabic Režija / Director: Floor van der Meulen, Thomas Vroege, Issa Touma Scenarij / Screenplay: Issa Touma Direktor fotografije / Director of Photography: Issa Touma Montaža / Editor: Thomas Vroege, Floor van der Meulen Zvuk / Sound: Tom Jansen Producent / Producer: Jos de Putter Produkcija / Production: Deepfocus Webdocs Kontakt / Contact: Some Shorts; Wouter Jansen, info@someshorts.com FILMOGRAFIJA / FILMOGRAPHY: Floor van der Meulen: 2016 – IN VRIJHEID (TV film) 2016 – 9 DAYS – FROM MY WINDOWS IN ALEPPO (kratki dokumentarni film / short doc.) 2014 – STORMING PARADISE (dokumentarni film / documentary) 2012 – YOU & I (kratki film / short film) Thomas Vroege: 2016 – 9 DAYS – FROM MY WINDOWS IN ALEPPO (kratki dokumentarni film / short doc.) 2015 – SO HELP ME GOD (kratki film / short film) 2014 – THE SON & THE STRANGER (kratki dokumentarni film / short doc.) Issa Touma: 2016 – 9 DAYS – FROM MY WINDOWS IN ALEPPO (kratki dokumentarni film / short doc.)

Floor van der Meulen (1989) made her international debut as a documentary filmmaker with STORMING PARADISE, which had its premiere at DokLeipzig. Thomas Vroege (1988), together with Syrian photographer Issa Touma and Floor van der Meulen made the film 9 DAYS – FROM MY WINDOWS IN ALEPPO, which won the European Film Award for Best Short Film. Issa Touma is a photographer based in Aleppo. His work can be found in international collections, including the Victoria & Albert Museum, London.

90 Grad Nord / 90 stepeni sjeverno / 90 Degrees North Tačno je: kada se na semaforu upali crveno svjetlo, dobri Nijemci čekaju zeleno. Ali šta se desi kada zeleni čovječuljak na semaforu nikako da se pojavi? U potpunosti snimljen na najopasnijem zamislivom pješačkom prelazu, 90 STEPENI SJEVERNO je izvrsna, duhovita, poučna priča koja nudi ekstreman pogled na koncept nužnosti poštivanja pravila civiliziranog društva. Detsky Graffam radio je kao reditelj i urednik za BBC, Channel 4, Nickelodeon i Comedy Central. Osvojio je više nagrada i priznanja za svoje kratke filmove PEACE OF MY MIND, HOW I LEARNED TO LOVE RICHARD GERE, SLITHER i DOWN UNDER. E It’s a fact: good Germans wait at red traffic lights. But what to do when the green man simply doesn’t appear? Taking place almost entirely on the most pernicious traffic island imaginable, 90 DEGREES NORTH is a humorous, fantastical parable offering an extreme take on the notion of following the rules of civil society.

Detsky Graffam has worked as a director and editor for the BBC, Channel 4, Nickelodeon and Comedy Central. His short films PEACE OF MY MIND, HOW I LEARNED TO LOVE RICHARD GERE, SLITHER and DOWN UNDER have won several awards. 128 23. Sarajevo Film Festival l SHORT MATTERS! Tour 2017

Germany, 2015, Colour, 21 min, German Režija / Director: Detsky Graffam Scenarij / Screenplay: Detsky Graffam Direktor fotografije / Director of Photography: Hanno Moritz Kunow Montaža / Editor: Karl Peglau Muzika / Music: Mathieu Karsenti Zvuk / Sound: Charlotte Lewis Kostimografija / Costume Design: Madeleine Edis Scenografija / Production Design: Merlin Ortner Producent / Producer: Marianne Graffam Produkcija / Production: K17 Films Uloge / Cast: Carsten Clemens, Stefan Dietrich, Jürgen Haug Kontakt / Contact: Kurzfilm Agentur Hamburg; Stine Wangler, stine@shortfilm.com FILMOGRAFIJA / FILMOGRAPHY: 2015 – 90 GRAD NORTH, 90 DEGREES NORTH (kratki film / short film) 2015 – MINISTRY OF GUILT (kratki film / short film) 2008 – DOWN UNDER (kratki film / short film) 2008 – SLITHER (kratki film / short film) 2007 – HOW I LEARNED TO LOVE RICHARD GERE (kratki film / short film) 2006 – PEACE OF MIND (kratki film / short film) 2000 – THE HOSTESS (kratki film / short film) 1999 – ME, MYSELF AND I (kratki film / short film) 1999 – TABLETALK (kratki film / short film)

El Adiós / Zbogom / The Goodbye Bolivijka Rosana proteklih je deset godina života provela radeći kao kućna pomoćnica za stariju gospođu Angelu, glavu porodice Vidal. Na dan Angeline sahrane, Rosani nije dopušteno da tuguje s ostatkom porodice. Naprotiv, od nje se očekuje da radi. Clara Roquet rođena je 1988. godine u Španiji. S rediteljem Carlosom Marques-Marcetom napisala je scenarij za dugometražni igrani film 10.000KM s kojim su osvojili nagradu Gaudí za najbolji scenarij. Film je prikazan na više prestižnih filmskih festivala i našao se u izboru tri filma koja su predstavljala Španiju na izboru za nagradu Oscar Američke filmske akademije 2015. godine. Scenarij za njen prethodni film, S. L. FAMILIA, osvojio je Specijalnu nagradu žirija Julio Alejandro Fondacije SGAE. Roquet je koautorica scenarija za kratki film SUBMARINE, koji je 2016. prikazan na Filmskom festivalu u Cannesu. Film ZBOGOM njen je rediteljski prvenac.

Spain, 2015, Colour, 15 min, Catalan, Spanish Režija / Director: Clara Roquet Scenarij / Screenplay: Clara Roquet Direktor fotografije / Director of Photography: Gris Jordana Montaža / Editor: Mounia Akl, Carlos Marques-Marcet Muzika / Music: Paul Tyan Zvuk / Sound: Diego Casares Kostimografija / Costume Design: Vinyet Escobar, Laura Bruy Scenografija / Production Design: Evelin Hernandez, Ana Pons-Formosa Producent / Producer: Sergi Moreno, Tono Folguera Produkcija / Production: Lastor Media Uloge / Cast: Jenny Rios, Mercè Pons, Júlia Danés Kontakt / Contact: Marvin & Wayne Short Film Distribution, Pablo Menéndez; pablo@marvinwayne.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – LES BONES NENES / THE GOOD GIRLS (kratki film / short film) 2015 – EL ADIÓS / THE GOODBYE (kratki film / short film)

E Rosana, a Bolivian maid, has worked for Angela, the elder matriarch of the Vidal family, for the last 10 years. On the day of the funeral of her beloved Angela, Rosana is not allowed to grieve with the rest of the family. On the contrary: she is forced to work.

Clara Roquet was born in Spain in 1988. She co-wrote the feature film 10.000KM with director Carlos Marques-Marcet; they received a Gaudí Award for Best Screenplay for the film, which screened at numerous prestigious film festivals and was shortlisted as one of three candidates to represent Spain at the 2015 Academy Awards. Her previous screenplay, S.L. FAMILIA, won a Special Prize from the jury of the VIII SGAE Julio Alejandro Screenwriting Awards. Roquet recently co-wrote the short film SUBMARINE, which screened at the 2016 Cannes Film Festival. THE GOODBYE is her directorial debut.

Amalimbo

Sweden, Estonia, 2016, Colour, 15 min, Swedish Režija / Director: Juan Pablo Libossart Scenarij / Screenplay: Juan Pablo Libossart Montaža / Editor: Juan Pablo Libossart Muzika / Music: Åsa Carlson, Anders Kjellberg Zvuk / Sound: Gustaf Berger, Lars Wignell Scenografija / Production Design: Roland Seer Producent / Producer: Johanna Lind Uloge / Cast: Margaretha Ulfendahl, Anna Odell Kontakt / Contact: Fasad; Johanna Lind, johanna@fasad.se FILMOGRAFIJA / FILMOGRAPHY: 2016 – AMALIMBO (kratki film / short film)

AMALIMBO je film o petogodišnjoj djevojčici Tipuani koja, u očajničkom nastojanju da se ujedini sa svojim nedavno preminulim ocem, iskusi boravak u limbu nakon što pokuša „preći na drugu stranu“. AMALIMBO je kratka priča smještena na nedefinisano mjesto u podjednako nedefinisanoj budućnosti. Juan Pablo Libossart filmski je producent, reditelj i scenarista rođen 1978. u Argentini. Evropsko zvanje magistra za audiovizuelni menadžment stekao je na Poslovnoj školi MEDIA, a 2013. godine završio je i Evropsku produkcijsku radionicu (EAVE). Kratki film AMALIMBO, koji je režirao i za koji je napisao scenarij, prikazan je u takmičarskoj konkurenciji Filmskog festivala u Veneciji 2016, gdje je i nominovan za nagradu Evropske filmske akademije. E AMALIMBO is the tale of Tipuana, a five-year-old girl who experiences limbo when she tries to pass to “the other side” in a desperate urge to meet again with her recently deceased father. It is a short story that takes place in an undefined place – and also in an undefined future.

Juan Pablo Libossart is a film producer, director and screenwriter born in 1978 in Argentina. He received a European Master in Audiovisual Management degree from the MEDIA Business School and completed the European Producers Workshop (EAVE) in 2013. Libossart wrote and directed the short film AMALIMBO, which competed in Venice in 2016 and was nominated for a European Film Award.

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Edmond EDMOND je film rađen u tehnici stop animacije o neobičnom krpenom liku koji u potrazi za samospoznajom kroz procijep u podu sklizne u prošlost i u dubine vlastite psihe.

United Kingdom, 2015, Colour, 9 min, English Režija / Director: Nina Gantz Scenarij / Screenplay: Nina Gantz Direktor fotografije / Director of Photography: Ian Forbes Montaža / Editor: Nina Rac Muzika / Music: Terence Dunn Zvuk / Sound: Rob Turner Kostimografija / Costume Design: Eva Roelfs Scenografija / Production Design: Laura Mickiewicz, Paulina Wieczorek, Aoife Blair Producent / Producer: Emilie Jouffroy Kontakt / Contact: NFTS; Nina Gantz, ninagantz1@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2015 – EDMOND (kratki film / short film) 2010 – ZALIGER (kratki film / short film)

Nina Gantz rođena je u Amsterdamu. Godine 2010. diplomirala je na Akademiji za umjetnost i dizajn St. Joost u Bredi s kratkim animiranim filmom ZALIGER, s kojim je osvojila nagradu Zlatna panda na Televizijskom festivalu u Sichuanu u Kini. S lutkarskim filmom EDMOND, rađenim u tehnici stop animacije, diplomirala je na Državnoj školi za televiziju i film u Beaconsfieldu 2015. godine. S istim filmom osvojila je više nagrada, uključujući nagradu za najbolji kratki animirani film na Filmskom festivalu Sundance i nagradu BAFTA Britanske akademije za filmsku i televizijsku umjetnost. E A stop-motion film about an oddball felted character who slips through floors into the past and the deepest parts of his psyche in his pursuit of self-understanding.

Nina Gantz was born in Amsterdam. In 2010, she graduated from the Akademie voor Kunst en Vormgeving St. Joost in Breda with the short animation film ZALIGER, which won a Golden Panda at the Sichuan TV Festival. In 2015, she graduated from the National Film and Television School in Beaconsfield with EDMOND, a stop-motion film with puppets. Among other awards, the film won a BAFTA and the prize for Best Short Animated Film at the Sundance Film Festival.

Home / Dom U trenutku kada se dobrostojeća engleska porodica sprema otići na odmor, hiljade muškaraca, žena i djece očajnički se bore da uđu u Evropu. Film ispituje načine na koji strah utiče na ljude i iz njih izvlači najbolje i najgore osobine. Daniel Mulloy rođen je 1977. u Londonu. Studirao je primijenjene umjetnosti u Londonu i New Yorku. Sa svojim prvim filmom, DANCE FLOOR, osvojio je niz nagrada, uključujući BAFTA Cymru nagradu za najboljeg debitanta velškog ogranka Britanske akademije za filmsku i televizijsku umjetnost. Njegov drugi kratki film, SISTER, osvojio je nagradu BAFTA i mnoštvo drugih. ANTONIO’S BREAKFAST, njegov treći film, osvojio je niz međunarodnih priznanja, donijevši mu i treću nagradu BAFTA za najbolji kratki film. Njegov posljednji kratki film, HOME, donio mu je, između ostalih, još jednu nagradu BAFTA i nagradu Međunarodnog festivala kratkog filma Clermont-Ferrand. E Thousands of men, women and children struggle to get into Europe, while a comfortable English family leaves on what appears to be a holiday. An exploration of how fear can bring out the best and worst in all of us.

Daniel Mulloy was born in 1977 in London. He studied Fine Art in London and New York. His first short film, DANCE FLOOR, won many accolades, including a BAFTA Cymru for Best Newcomer. His second short, SISTER, won a BAFTA and a number of other awards. ANTONIO’S BREAKFAST has won more than a dozen awards at international festivals, including his third BAFTA win for Best Short Film. His latest short is HOME, which took another BAFTA and a prize at the Clermont-Ferrand International Short Film Festival, among many other awards. 130 23. Sarajevo Film Festival l SHORT MATTERS! Tour 2017

Kosovo, United Kingdom, 2016, 20 min, English Režija / Director: Daniel Mulloy Scenarij / Screenplay: Daniel Mulloy Direktor fotografije / Director of Photography: Victor Seguin, Paul Mackay Montaža / Editor: Philip Currie Zvuk / Sound: Jon Clarke Kostimografija / Costume Design: Holly Rebecca Scenografija / Production Design: Mrinë Godanca Producent / Producer: Afolabi Kuti, Shpat Deda, Chris Watling, Scott O’Donnell, Tim Nash Uloge / Cast: Jack O’Connell, Holliday Grainger, Tahliya Lowles, Zaki Ramadani Kontakt / Contact: Broedmachine; Afolabi Kuti, afolabi@thebroedmachine.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – HOME (kratki film / short film) 2015 – ATIS (kratki film / short film) 2010 – BABY (kratki film / short film) 2007 – SON (kratki film / short film) 2006 – DAD (kratki film / short film) 2005 – ANTONIO’S BREAKFAST (kratki film / short film) 2004 – SISTER (kratki film / short film) 2001 – DANCE FLOOR (kratki film / short film)

In the Distance / U daljini

Germany, 2015, Colour, 7 min, No Dialogue Režija / Director: Florian Grolig Scenarij / Screenplay: Florian Grolig Montaža / Editor: Florian Grolig Zvuk / Sound: Tobias Boehm, Christian Wittmoser Producent / Producer: Florian Grolig Kontakt / Contact: Kurz Film Agentur Hamburg e.V.; Stine Wangler, shortfilmsales.com FILMOGRAFIJA / FILMOGRAPHY: 2015 – IN THE DISTANCE (kratki film / short film) 2010 – DIE FLASCHENPOST / MS. FOUND IN A BOTTLE (kratki film / short film)

Iznad oblaka je mirno i opušteno, ali u daljini vreba haos koji se svake noći sve više približava. Florian Grolig rođen je 1980. u Frankfurtu. Nezavisni je filmski animator i dizajner videoigara. Diplomirao je na Školi za umjetnost i dizajn u Kasselu, kreirao je nekoliko nagrađivanih kratkih filmova i kompjuterskih igara, radio kao agent za nabavku animiranih sadržaja i jedan je od suosnivača Black Pants studija za izradu videoigara. Trenutno živi i radi u Berlinu. E It’s calm and peaceful above the clouds. But chaos lurks in the distance, and each night, it draws closer.

Florian Grolig was born in 1980 in Frankfurt. He is an independent animated filmmaker and game designer. He graduated from the School of Arts and Design in Kassel. He has directed award-winning short films and computer games, commissioned animated work, and he co-founded the Black Pants Game Studio. He lives and works in Berlin.

Limbo Leopard će leći s kozom, vukovi će živjeti s janjcima, a jedan će im dječak biti vođa. Konstantina Kotzamani rođena je 1983. u Komotini, Grčka. Diplomirala je na Odsjeku za film i primijenjene umjetnosti Univerziteta u Solunu. Grčka filmska akademija proglasila je njen film WASHINGTONIA najboljim grčkim filmom za 2014, a film je nominovan i za Evropsku filmsku nagradu 2015. godine. Njen posljednji kratki film LIMBO premijerno je prikazan u programu Semaine de la Critique Filmskog festivala u Cannesu 2016. godine, a osvojio je nagrade na Festivalu kratkog filma Palm Springs i na Međunarodnom festivalu kratkog filma Curtas Vila do Conde. E The leopard shall lie down with the goat. The wolves shall live with the lambs. And the young boy will lead them.

France, Greece, 2016, Colour, 30 min, Greek Režija / Director: Konstantina Kotzamani Scenarij / Screenplay: Konstantina Kotzamani Direktor fotografije / Director of Photography: Yorgos Karvelas Montaža / Editor: Yannis Chalkiadakis Muzika / Music: Lawrence English Zvuk / Sound: Alexandros Sidiropoulos Kostimografija / Costume Design: Vasileia Rozana Scenografija / Production Design: Dafni Kalogianni Producent / Producer: Ron Dyens, Maria Drandaki Uloge / Cast: Felix Margenfeld, Aggelos Ntanos, Lucjano Cani, Haris Fountas, Hristos Psihramis, David Szymczak Kontakt / Contact: Sacrebleu Productions; Ron Dyens, distribution@sacrebleuprod.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – LIMBO (kratki film / short film) 2015 – YELLOW FIEBER (kratki film / short film) 2014 – WASHINGTONIA (kratki dokumentarni film / short doc.) 2013 – JUTARNJE MOLITVE / MORNING PRAYERS (kratki film / short film) 2012 – ARUNDEL (kratki film / short film) 2012 – ZODIAC (kratki film / short film) 2011 – PIGS (kratki film / short film)

Konstantina Kotzamani was born in 1983 in Komotini, Greece. She graduated from the Film Department of Fine Arts of Thessaloniki. Her film WASHINGTONIA was named Best Short Film by the Hellenic Film Academy in 2014, and was nominated for the Best Short Film award at the European Film Academy Awards in 2015. Her latest short, LIMBO, had its world premiere at the Critics’ Week of the Cannes Film Festival in 2016, and won awards at the Palm Springs Shortfest and the Curtas Vila do Conde International Short Film Festival.

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L’Immense Retour (Romance) / Punoća vremena (Romansa) / The Fullness of Time (Romance) Sjedila je na ivici ponora dugo, predugo, čekajući da joj planina vrati njenog ljubavnika, zarobljenika leda. Manon Coubia rođena je 1979. godine u Thonon-les-Bainsu, Francuska. Diplomirala je filmsku režiju na Institutu INSAS u Belgiji i članica je Udruženja filmskih autora Voa Films u Briselu. Režirala je niz filmova, uključujući studentski film SONATE BLANCHE i dokumenatrac BLEU CERISE. Njen film PUNOĆA VREMENA (ROMANSA) prikazan je 2016. godine u programu Pardi Di Domani Filmskog festivala u Locarnu, gdje je osvojio nagradu Zlatni leopard za najbolji strani kratki film.

Belgium, France, 2016, Colour, 14 min, French Režija / Director: Manon Coubia Scenarij / Screenplay: Manon Coubia Direktor fotografije / Director of Photography: Nicolas Rincon Gille Montaža / Editor: Manon Coubia Zvuk / Sound: Aline Huber Producent / Producer: Nicolas Rincon Gille Produkcija / Production: Voa Films Uloge / Cast: Malika el Barkani, Annie Alonso Kontakt / Contact: CBA, Javier Packer-Comyn; mail@cbadoc.be FILMOGRAFIJA / FILMOGRAPHY: 2017 – LES ENFANTS PARTENT A L’AUBE (kratki film / short film) 2016 – L’IMMENSE RETOUR (ROMANCE) / THE FULLNESS OF TIME (ROMANCE) (kratki film / short film) 2012 – BLEU CERISE (dokumentarni film / documentary) 2007 – SONATE BLANCHE (kratki film / short film)

E Seated on the edge of the gaping rift, she waited so long – too long for the mountain to give back her lover, a prisoner of the ice.

Manon Coubia was born in 1979 in Thonon-les-Bains, France. She obtained a degree in Film Direction at INSAS, Belgium, and is a member of the cinéaste collective Voa Films in Brussels. Coubia has directed a number of films, including SONATE BLANCHE, a student film, as well as the mediumlength documentary BLEU CERISE. In 2016, she received the Golden Leopard Pardi Di Domani for Best International Short Film at the Festival del Film Locarno THE FULLNESS OF TIME (ROMANCE).

United Kingdom, Lebanon, Denmark, Netherlands, 2015, Colour, 30 min, Arabic Režija / Director: Mahdi Fleifel Direktor fotografije / Director of Photography: Mahdi Fleifel Montaža / Editor: Michael Aaglund Zvuk / Sound: Dario Swade Producent / Producer: Patrick Campbell Produkcija / Production: Nakba FilmWorks Kontakt / Contact: Nakba FilmWorks; Patrick Campbell, patrick@nakbafilmworks.com

A Man Returned / Čovjek, vraćen Reda ima 26 godina. Njegov san o bijegu iz palestinskog izbjegličkog kampa Ain El-Hilweh okončan je neuspjehom nakon što je tri godine bio zaglavljen u Grčkoj. Mahdi Fleifel rođen je 1979. godine u Dubaiju, a odrastao je u izbjegličkom kampu u Libanu. Diplomirao je 2009. godine na Državnoj školi za film i televiziju Velike Britanije. S kratkometražnim prvencem SHADI IN THE BEAUTIFUL WELL i svojim najuspješnijim filmom, komedijom ARAFAT & I, osvojio je više značajnih nagrada. Njegov dugometražni igrani prvenac A WORLD NOT OURS naišao je na izuzetno dobar prijem osvojivši brojne značajne nagrade, uključujući nagrade filmskih festivala u Berlinu i Edinburugu te nagradu Festivala DOC NYC. E Reda is 26 years old. His dreams of escaping the Palestinian refugee camp of Ain El-Hilweh failed after he was trapped in Greece for three years.

Mahdi Fleifel was born in 1971 in Dubai, and raised in a Palestinian refugee camp in Lebanon. He graduated from the UK National Film and Television School in 2009. His first short film, SHADI IN THE BEAUTIFUL WELL, and his most successful comedy, ARAFAT & I, have won several awards. A WORLD NOT OURS, his debut feature, was widely acclaimed, earning more than thirty awards, including prizes at the Berlinale, the Edinburgh International Film Festival and DOC NYC.

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FILMOGRAFIJA / FILMOGRAPHY: 2017 – A DROWNING MAN (kratki film / short film) 2016 – A MAN RETURNED (kratki dokumentarni film / short doc.) 2013 – XENOS (kratki film / short film) 2012 – A WORLD NOT OURS (dokumentarni film / documentary) 2009 – FOUR WEEKS (kratki film / short film) 2008 – ARAFAT & I (kratki film / short film) 2007 – THE WRITER (kratki film / short film) 2004 – HAMOUDI & EMIL (kratki film / short film) 2003 – SHADI IN THE BEAUTIFUL WELL (kratki film / short film)

Le Mur / Zid / The Wall Hong Kong. Obilje betonskih nebodera, bez karaktera, u kojima anonimni ljudi provode život u skučenim stančićima. Sve dok neženja Chung jednog dana ne odluči okačiti sliku na zid... Samuel Lampaert rođen je 1968. godine u Briselu. Autor je pet kratkih filmova koji su prikazani na brojnim filmskim festivalima i na televiziji. Njegov posljednji film, ZID, proglašen je najboljim evropskim kratkim filmom na Filmskom festivalu u Gentu i osvojio je nagradu publike na Međunarodnom festivalu kratkog filma u Leuvenu. E Hong Kong. A multitude of concrete skyscrapers without personality. Inside, cramped studios where the anonymous live among themselves. Until the day Chung, a bachelor, decides to hang up a picture…

Belgium, 2015, Colour, 8 min, Chinese Režija / Director: Samuel Lampaert Scenarij / Screenplay: Samuel Lampaert Direktor fotografije / Director of Photography: Bernard Vervoort Montaža / Editor: Nicolas Bier Muzika / Music: Pierre Gillet Zvuk / Sound: Aline Gavrois Kostimografija / Costume Design: Lily Beca Scenografija / Production Design: Marc Ridremont Producent / Producer: Nicolas George Produkcija / Production: Les Films du Carré Uloge / Cast: Yves Yan, Steven Eng, Cathy Min Jung Kontakt / Contact: Origines Films, Olivier Berlemont; olivier@originefilms.fr FILMOGRAFIJA / FILMOGRAPHY: 2015 – LE MUR / THE WALL (kratki film / short film) 2013 – 30 MINUTES PAR JOUR (kratki film / short film) 2009 – VOODOO (kratki film / short film) 2007 – DERRIERE LA TETE (kratki film / short film) 2004 – ON NE PEUT PAS TOUT PREVOIR (kratki film / short film) 2002 - HO! CAMARADES (kratki film / short film)

Samuel Lampaert was born in Brussels in 1968. He has made five short films, which screened at numerous international festivals and were broadcast on television. His most recent film, THE WALL, was named Best European Short Film at the Film Fest Gent and won the Audience Award at the Leuven International Short Film Festival.

Padashta Zvezda / Zvijezda padalica / Shooting Star Lilly je razvedena majka dvoje djece: Martina, koji je nedavno postao punoljetan, i male Alexandre. Jedne hladne zimske noći Martin odlazi u obdanište po Alexandru. Dok se vraćaju kući kroz mračne ulice svoga kvarta, njih dvoje učestvuju u tragičnoj nesreći koju teško da će moći zaboraviti. Lilly i njena djeca prisiljeni su donijeti teške odluke čije će posljedice zauvijek promijeniti njihov život. Lyubo Yonchev rođen je 1983. godine u Plevenu, Bugarska. Yonchev je napisao, producirao i režirao nekoliko kratkih studentskih filmova koji su prikazani i nagrađeni na brojnim međunarodnim filmskim festivalima. Član je Udruženja filmskih radnika Bugarske (UBFM – Filmska akademija), a od 2014. radi kao direktor i selektor Festivala studentskog filma „New Wave“.

Bulgaria, Italy, 2015, Colour, 28 min, Bulgarian Režija / Director: Lyubo Yonchev Scenarij / Screenplay: Lyubo Yonchev, Yassen Genadiev Direktor fotografije / Director of Photography: Damian Dimitrov Montaža / Editor: Lyubo Kirov Muzika / Music: Alexander Kostov Zvuk / Sound: Dimitar Rusev Kostimografija / Costume Design: Hristina Dyakova Scenografija / Production Design: Hristina Dyakova Producent / Producer: Lyubo Yonchev, Lyubo Kirov, Carola Jessica De Lucia Produkcija / Production: Crystal Frame Ltd. Uloge / Cast: Stefka Yanorova, Stefan Popov, Kalia Kamenova Kontakt / Contact: Crystal Frame Ltd.; info@crystal-frame.com FILMOGRAFIJA / FILMOGRAPHY: 2015 – PADASHTA ZVEZDA / SHOOTING STAR (kratki film / short film) 2014 – THE LAST ATTEMPT (kratki film / short film) 2014 – CAIN (kratki film / short film) 2013 – DANGEROUSLY CLOSE (kratki film / short film) 2009 – THEY ARE WAITING (kratki film / short film)

E Lilly is a divorced mother of two – Martin, who has recently come of age, and little Alexandra. One cold winter evening, Martin picks up Alexandra from kindergarten. In the dark streets of the neighbourhood, they become involved in a tragic accident that can hardly be forgotten or erased. Lilly and her kids have to make tough decisions, the consequences of which will change their life for good.

Lyubo Yonchev was born in 1983 in Pleven, Bulgaria. He is the producer, writer and director of several short student films that have been selected for and won awards at at numerous international festivals. A member of the Union of Bulgarian Filmmakers (UBFM – Film Academy), Yonchev has been the manager and programmer of the International Student Film Festival “NEW WAVE” since 2014. SHORT MATTERS! Tour 2017 l 23. Sarajevo Film Festival 133

Small Talk / Ćaskanje Dobrodošli u porodicu Dvergsnes! U ovom kratkom filmu pratimo ih od Kristiansanda, Norveška, kroz tri događaja koja su se odigrala tokom jeseni i zime 2014. Even Hafnor rođen je 1985, a od 2011. godine snima kratke filmove, reklame i muzičke spotove. Svoj nagrađivani kratki film, MONEY BACK, PLEASE, snimio je 2013. godine. Lisa Brooke Hansen živi u Oslu. Radi kao naučnica na Institutu za osnovne medicinske studije Univerziteta u Oslu. E Welcome to the Dvergsnes family! This short film follows them from Kristiansand, Norway, through three events that took place during the fall and winter of 2014.

Even Hafnor was born in 1985. Since 2011, he has been making short films, commercials and music videos. In 2013, he made the award-winning short film MONEY BACK, PLEASE. Lisa Brooke Hansen lives in Oslo. She works as a scientist at the Institute of Basic Medical Sciences at the University of Oslo.

Tout le monde aime le bord de la mer / Svi volimo morsku obalu / We All Love the Seashore Grupa muškaraca čeka na rubu šume uz obalu mora kako bi krenuli na put ka Evropi. Čekanje na privremenom pragu se odužuje. Legende iz kolonijalne prošlosti sudaraju se s prizorima iz sadašnjosti; uspomene preživljavaju. Keina Espiñeira rođena je 1983. godine u Španiji. Zvanje magistrice režije i produkcije dokumentarnog filma stekla je pri Udruženju za dokumentarni film u Madridu. Radila je kao istraživačica na društvenim studijama u Kaliforniji, Holandiji i Maroku. SVI VOLIMO MORSKU OBALU njen je prvi film. E A group of men wait at the fringes of a coastal woodland to take the journey to Europe, and get trapped in a temporal threshold. A film is shot there, with the men playing themselves. Legends from the colonial past collide with the present time; memory survives.

Keina Espiñeira was born in 1983 in Spain. She holds a Master’s degree in the Direction and Production of Documentary Films from the Documentary Film Association in Madrid. She has also worked as social researcher in the Morocco, the Netherlands, Spain and the USA. WE ALL LOVE THE SEASHORE is her first film.

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Norway, 2015, Colour, 21 min, Norwegian Režija / Director: Even Hafnor, Lisa Brooke Hansen Scenarij / Screenplay: Even Hafnor Direktor fotografije / Director of Photography: Steivan Hasler Montaža / Editor: Erik Andersson Zvuk / Sound: Marius Ytterdal Scenografija / Production Design: Liz Grunwald Producent / Producer: Jon Michael Puntervold Produkcija / Production: J.M. Puntervold Filmproduksjon Uloge / Cast: Elisabeth Robstad, Espen Gustensen, Eivind Bøksle Kontakt / Contact: Kurz Film Agentur Hamburg e.V., Stine Wangler; stine@shortfilm.com FILMOGRAFIJA / FILMOGRAPHY: Even Hafnor: 2017 – REKONSTRUKSJON (kratki film / short film) 2015 – SMALL TALK (kratki film / short film) 2013 – MONEY BACK, PLEASE (kratki film / short film) 2012 – FROM THIS DAY FORWARD (kratki film / short film) 2012 – THOMAS F (kratki film / short film) 2011 – DET NORSKE SPRÅK (kratki film / short film) Lisa Brooke Hansen: 2017 – REKONSTRUKSJON (kratki film / short film) 2015 – SMALL TALK (kratki film / short film)

Spain, 2016, Colour, 17 min, French Režija / Director: Keina Espiñeira Scenarij / Screenplay: Keina Espiñeira, Samuel Delgado Direktor fotografije / Director of Photography: Jose Alayón Montaža / Editor: Samuel Delgado Zvuk / Sound: Raul Espiñeira Scenografija / Production Design: Lourdes Pérez Producent / Producer: Lourdes Perez Produkcija / Production: El Viaje Films Uloge / Cast: Boubacar Barry, Aliou Diallo, Mohamed Diakité, Abdoulaye Diallo Kontakt / Contact: El Viaje Films, Lourdes Pérez; lourdes@elviaje.es FILMOGRAFIJA / FILMOGRAPHY: 2016 – TOUT LE MONDE AIME LE BORD DE LA MER / WE ALL LOVE THE SEA SHORE (kratki film / short film)

Yo No Soy De Aquí / Nisam odavde / I’m Not from Here Rođena Baskijka koja živi među Čileancima, Josebe, muči se da svoje uspomene i svoj maternji jezik podijeli sa nezainteresovanim, usporenim muškarcima. U osamdesetoj godini života, sa sve slabijom krakotrajnom memorijom i u društvu svojih istogodišnjaka, Josebe kao da gubi pojam o vremenu. Giedrė Žickytė, litvanska rediteljica i producentica, rođena je 1980. u Moskvi. Njen dokumentarni film MASTER AND TATYANA osvojio je četiri prestižne nagrade Srebreni ždral Litvanske filmske akademije. Maite Alberdi rođena je 1983. u Santijagu. Njen prvi igrani film, THE LIFEGUARD, premijerno je prikazan na Međunarodnom festivalu dokumentarnog filma u Amsterdamu 2011. godine. E A Basque Country native among Chileans, Josebe struggles to share her memories and mother tongue with uninterested, somnolent men. As an 88-year-old with a fading short-term memory and equally elderly company, she finds that time dissolves.

Chile, Denmark, Lithuania, 2015, Colour, 26 min, Spanish Režija / Director: Giedrė Žickytė, Maite Alberdi Scenarij / Screenplay: Giedrė Žickytė Direktor fotografije / Director of Photography: Pablo Valdés Montaža / Editor: Juan Eduardo Murillo Scenografija / Production Design: Maite Alberdi Producent / Producer: Patricio Gajardo, Maite Alberdi, Giedrė Žickytė Kontakt / Contact: Micromundo Producciones; Patricio Gajardo, pato.r.gajardo@gmail.com FILMOGRAFIJA / FILMOGRAPHY: Giedrė Žickytė: 2016 – YO NO SOY DE AQUÍ / I’M NOT FROM HERE (kratki dokumentarni film / short doc.) 2014 – MEISTRAS IR TATJANA / MASTER AND TATYANA (dokumentarni flim / documentary) 2011 – KAIP MES ZAIDEME REVOLIUCIJA / HOW WE PLAYED THE REVOLUTION (dokumentarni flim / documentary) Maite Alberdi: 2016 – THE GROWN-UPS (dokumentarni flim / documentary) 2016 – YO NO SOY DE AQUÍ / I’M NOT FROM HERE (dokumentarni flim / documentary) 2014 – TEA TIME (dokumentarni flim / documentary) 2011 – THE LIFEGUARD (dokumentarni flim / documentary) 2007 – THE HAIRDRESSERS (kratki film / short film)

Giedrė Žickytė, a Lithuanian film director and producer, was born in 1980 in Moscow. Her documentary film MASTER AND TATYANA won four major Silver Crane Lithuanian National Film Awards. Maite Alberdi was born in 1983 in Santiago de Chile. In 2011, her first feature-length film, THE LIFEGUARD, had its premiere at IDFA.

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Deux égarés sont morts / Umrlo je dvoje mladih / Two Youths Died Vera i Matteo odlaze u divljinu na prvi ljubavni sastanak. Djevojčin otac ih zatiče i napada mladića. Na kraju žestoke borbe, Matteo onesvješćuje starijeg muškarca. Vera moli Mattea da je odvede na ples, ali on, potresen, bježi.

France, 2017, Colour, 27 min, Italian Režija / Director: Tommaso Usberti Scenarij / Screenplay: Tommaso Usberti Direktor fotografije / Director of Photography: Mathieu Kauffmann Montaža / Editor: Souliman Schelfout Zvuk / Sound: Léonard Accorsi Producent / Producer: Marie-Mars Prieur Produkcija / Production: La Fémis Uloge / Cast: Piero Usberti, Luàna Bajrami, Massimiliano Balduzzi, Claudio Casadio, Elisabetta Dini, Andrea Traversi, Maurizio Campani, Mario Maiorano Kontakt / Contact: La Fémis, Géraldine Amgar; g.amgar@femis.fr FILMOGRAFIJA / FILMOGRAPHY: 2017 – DEUX EGARES SONT MORTS / TWO YOUTH DIED (kratki film / short film) 2016 – LE SERPENT / SNAKE (kratki film / short film) 2016 – 5 ANS MEME PAS (kratki dokumentarni film / short doc.)

Tommaso Usberti rođen je u Firenci, Italija. Prije nego što je napunio 23 godine, živio je na potezu između Toskane i Lombardije. Filmove je počeo snimati kao samouki reditelj odmah po završetku srednje škole. Diplomirao je književnost, a potom upisao studij na Odsjeku za film francuske državne škole La Femis. UMRLO JE DVOJE MLADIH njegov je diplomski film. E In a wild landscape, Vera and Matteo have their first love date. Vera’s father surprises them and assaults Matteo, who knocks the older man down after a fierce fight. Vera asks Matteo to take her out dancing; shaken, Matteo runs away.

Tommaso Usberti was born in Florence, Italy, and lived between Tuscany and Lombardy until the age of 23. A self-taught filmmaker, since finishing high school he has directing several short films. He graduated with a degree in Literature Studies before attending La Fémis in the filmmaking department. TWO YOUTHS DIED is his graduation film.

Heyvan / Životinja / Animal Muškarac koji želi preći granicu lovi ovna i odlučuje pobjeći maskiran u životinju. Bahman i Bahram Ark rođeni su 1989. u Tabrizu, Iran. Njihov kratki film ŽIVOTINJA osvojio je drugu nagradu žirija programa Cinéfondation Filmskog festivala u Cannesu. E A man who wants to cross the border hunts a ram and decides to escape disguised as the animal.

Bahman and Bahram Ark were born in 1989 in Tabriz, Iran. Their short film ANIMAL won the Second Jury Prize at Cannes Cinéfondation.

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Iran, 2017, Colour, 15 min, Farsi Režija / Director: Bahram & Bahman Ark Scenarij / Screenplay: Bahram & Bahman Ark Direktor fotografije / Director of Photography: Ali Abpak Montaža / Editor: Ali Moslemi Muzika / Music: Mehdi Naderi Zvuk / Sound: Hasan Salmani Kostimografija / Costume Design: Bahram & Bahman Ark Scenografija / Production Design: Rasoul Iranzad Producent / Producer: Ali Imani Rad Produkcija / Production: Iranian National School of Cinema Uloge / Cast: Davoud Nourpour Kontakt / Contact: Iranian National School of Cinema, Rouhollah Hosseini; info@mmciran.com FILMOGRAFIJA / FILMOGRAPHY: Bahram & Bahman Ark 2017 – HEYVAN / ANIMAL (kratki film / short film) 2015 – SOYUQ / COLDNESS (kratki film / short film) 2014 – NAJES / THE UNCLEAN (kratki film / short film)

Paul est là / Došao je Paul / Paul is Here Došao je Paul. Poput koraka unazad, kao da vam duh kuca na vrata. Došao je, a njegovo iritantno prisustvo poremetit će Jeannin svakodnevni život. Valentina Maurel rođena je 1988. godine u San Joséu, Costa Rica. Godine 2008. seli se u Belgiju, gdje završava studij produkcije na Slobodnom univerzitetu u Briselu, HELB, da bi na Institutu INSAS stekla i zvanje magistrice režije. S diplomskim filmom DOŠAO JE PAUL osvojila je prvu nagradu programa Cinéfondation ovogodišnjeg Filmskog festivala u Cannesu.

Belgium, 2016, Colour, 24 min, Dutch, French Režija / Director: Valentina Maurel Scenarij / Screenplay: Valentina Maurel Direktor fotografije / Director of Photography: Julien Ramirez Hernan Montaža / Editor: Bertrand Conard Muzika / Music: Paradisio Zvuk / Sound: Helene Clerc Denizot Kostimografija / Costume Design: Valentina Maurel Scenografija / Production Design: Yann Wauters Producent / Producer: Vincent Canart Produkcija / Production: INSAS Uloge / Cast: Sarah Lefevre, Bart Cambier Kontakt / Contact: INSAS, Giulia Desidera; giulia.desidera@insas.be FILMOGRAFIJA / FILMOGRAPHY: 2016 – PAUL EST LÀ / PAUL IS HERE / DOŠAO JE PAUL (kratki film / short film) 2015 – HOTEL HANOI (kratki dokumentarni film / short doc.) 2014 – L’ÂGE DU PRÉNOM (kratki dokumentarni film / short doc.)

E Paul is here. Like a step backwards; like a ghost knocking at the door. He is here, and his annoying presence will disrupt Jeanne’s everyday life.

Valentina Maurel was born in 1988 in San José, Costa Rica. In 2008, she moved to Belgium, where she obtained a degree in Production at the Haute École Libre de Bruxelles, and later a Master’s degree in Directing from INSAS in Brussels. PAUL IS HERE, her degree project, won the first prize of the Cinéfondation of the Cannes Film Festival in 2017.

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SPECIJALNA PROJEKCIJA / SPECIAL SCREENING

Čistačica / The Cleaning Lady Jedne večeri tinejdžer se vraća kući potpuno izvan sebe. Kad od majke ne uspije sakriti svoju uznemirenost, priznaje joj da je ubio lokalnog svećenika. Njegova majka radi kao čistačica u župnom dvoru, i ima plan kako da ga spasi. Matija Vukšić rođen je 1982. u Čakovcu, Hrvatska. Godine 2010. diplomirao je dokumentarnu filmsku režiju na Akademiji dramske umjetnosti u Zagrebu. Scenarist je i reditelj dokumentarnih filmova BENJAMIN, HAPPY CROATIAN IN BUCHAREST i IROKEZ. E A teenager returns home one night completely beside himself. Unable to hide his mental state from his mother, he admits to killing a local priest. His mother, a cleaning lady at the rectory, devises a plan to save him.

Croatia, 2016, Colour, 10 min, Croatian Režija / Director: Matija Vukšić Scenarij / Screenplay: Matija Vukšić Direktor fotografije / Director of Photography: Raul Brzić Montaža / Editor: Vjeran Pavlinić Zvuk / Sound: Martin Semenčić Kostimografija / Costume Design: Katarina Pilić Scenografija / Production Design: Petra Poslek Producent / Producer: Raul Brzić Produkcija / Production: Kino klub Split Uloge / Cast: Marija Škaričić, Ante Duić, Saša Kosanović Kontakt / Contact: Kino klub Split; info@kinoklubsplit.hr FILMOGRAFIJA / FILMOGRAPHY: 2016 – ČISTAČICA (kratki film / short film) 2014 – DJECA TRANZICIJE (dokumentarni film / documentary) 2011 – IROQUOIS (dokumentarni film / documentary) 2010 – HAPPY CROATIAN IN BUCHAREST (dokumentarni film / documentary) 2010 – BENJAMIN (dokumentarni film / documentary)

Matija Vukšić was born in 1982 in Čakovec, Croatia. In 2010, he graduated in Documentary Film Directing from the Academy of Dramatic Art in Zagreb. He wrote and directed his documentary films BENJAMIN, HAPPY CROATIAN IN BUCHAREST and IROQUOIS.

Med i mliko / Milk and honey Sparno je ljeto u Splitu. Žele radi na balotaškom terenu, gdje prodaje osvježavajuća pića i pivo. Živi sam s bakom, koja dane uglavnom provodi na kauču, gledajući TV. Njegova dva najbolja prijatelja, Andro i Dino, besposličare natežući se oko životno-filozofskih tema. Marko Jukić rođen je 1990. u Splitu, Hrvatska. Trenutačno je student prve godine diplomskog studija igranog filma na Akademiji dramske umjetnosti u Zagrebu. Aktivni je član Kino kluba Split. E A sweltering summer in Split. Žele works on a boules court, where he sells refreshments to a predominantly older male population. He lives with his grandmother, who spends her days watching TV. His two best friends, Andro and Dino, waste their days in philosophical discussions on life.

Marko Jukić was born in Split, Croatia, in 1990. He is currently a first-year MA student of FTV Directing at the Academy of Dramatic Art in Zagreb, and an active member of the Kino Club Split.

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Croatia, 2016, Colour, 25 min, Croatian Režija / Director: Marko Jukić Scenarij / Screenplay: Marko Jukić Direktor fotografije / Director of Photography: Rino Barbir Montaža / Editor: Sandro Baraba, Marko Jukić Zvuk / Sound: Tihomir Vrbanec Kostimografija / Costume Design: Katarina Bilan Scenografija / Production Design: Glorija Lizde Producent / Producer: Marko Jukić, Igor Jelinović Produkcija / Production: Kino klub Split, Blank_filmski inkubator Uloge / Cast: Željko Babić, Mila Jukić, Šimun Šitum, Jakov Milić, Marija Kotarac, Brian Willems Kontakt / Contact: Marko Jukić, marko_jukic@windowslive.com; Blank, info@blankzg.hr FILMOGRAFIJA / FILMOGRAPHY: 2016 – MED I MLIKO / MILK AND HONEY (kratki film / short film) 2014 – CVRCAK / CRICKET (kratki film / short film)

Croatia, 2016, Colour, 14 min, Croatian Režija / Director: Saša Ban Scenarij / Screenplay: Saša Ban, Nevenka Sablić Direktor fotografije / Director of Photography: Hrvoje Franjić Montaža / Editor: Martin Semenčić Zvuk / Sound: Martin Semenčić Kostimografija / Costume Design: Katarina Pilić Scenografija / Production Design: Hrvoje Franjić Producent / Producer: Hrvoje Osvadić Produkcija / Production: Petnaesta umjetnost Uloge / Cast: Marija Škaričić, Nina Erak-Svrtan, Vinko Kraljević Kontakt / Contact: Petnaesta umjetnost, Hrvoje Osvadić; hrvoje.osvadic@15art.hr

Mliječni zub / Baby Tooth Jana dolazi u restoran na porodičnu oproštajnu zabavu za oca kojeg očekuje teška operacija. Riječi „sve će biti u redu“ postaju svojevrsna mantra koja se ponavlja tokom večeri, u pokušaju da se od stola odagnaju misli o smrti. Treba samo dati nekoliko malih znakova pažnje medicinskim sestrama, kovertu u ruke doktoru te zadržati pozitivan stav. Saša Ban rođen je 1978. godine u Zagrebu. Diplomirao je filmsku i TV režiju na Akademiji dramske umjetnosti u Zagrebu. Njegov dokumentarni film PARK osvojio je dvije nagrade na 14. danima hrvatskog filma. Kratki igrani film INTERIJER, STAN, NOĆ nagrađen je na Filmskom festivalu Cottbus 2009. godine. Za dugometražni dokumentarni film ZEMLJA ZNANJA na 9. Zagreb Film Festivalu nagrađen je Specijalnim priznanjem. E Jana attends a family farewell party at a pizza place, which has been organised for her dad, who is awaiting a difficult operation. The words “everything is going to be all right” become a mantra aimed at warding off any thoughts of death at the table. Jana just has to give a few tokens of appreciation to the nurses, an envelope to the doctor, and remain positive...

FILMOGRAFIJA / FILMOGRAPHY: 2017 – MLIJEČNI ZUB / BABY TOOTH (kratki film / short film) 2013 – LJEPOTAN / PRETTYBOY (kratki film / short film) 2011 – ZEMLJA ZNANJA / LAND OF KNOWLEDGE (dokumentarni film / documentary) 2010 – ANA I NJEZINA BRAĆA / ANA AND HER BROTHERS (kratki dokumentarni film / short doc.) 2009 – INTERIOR, APARTMENT, NIGHT / INTERIJER, STAN, NOĆ (kratki dokumentarni film / short doc.) 2004 – PARK (kratki dokumentarni film / short doc.) 2003 – RASTANAK (kratki film / short film)

Saša Ban was born in 1978 in Zagreb. He graduated in Film and TV Directing from the Academy of Dramatic Art in Zagreb. He received two awards at the Croatian Film Days for his documentary PARK. His short documentary INTERIOR, APARTMENT, NIGHT won an award at the Cottbus Film Festival, and he won a Special Award at the Zagreb Film Festival for his documentary LAND OF KNOWLEDGE.

Po čovika / Half a Man Mjesto u Dalmatinskoj zagori, jesen 1991. Desetogodišnja Mia i dvanaestogodišnja Lorena proživljavaju velik i važan dan: njihov otac Mirko bit će pušten iz ratnog logora u kojem je kao zarobljenik proveo protekla tri mjeseca. Kristina Kumrić rođena je 1975. u Splitu, Hrvatska. Diplomirala je filmsku i TV režiju na Akademiji dramske umjetnosti u Zagrebu. Njezin dokumentarni film WELCOME TO IGRANE osvojio je Specijalnu nagradu žirija na Vukovar Film Festivalu, 1. nagradu žirija na Liburnia Film Festivalu u Ičićima, kao i nagradu za najbolji film na FRKA festivalu.

Croatia, France, 2016, Colour, 20 min, Croatian Režija / Director: Kristina Kumrić Scenarij / Screenplay: Maja Hrgović Direktor fotografije / Director of Photography: Igor Zelić Montaža / Editor: Frano Homen Zvuk / Sound: Borna Buljević Kostimografija / Costume Design: Zorana Meić Scenografija / Production Design: Ivana Škrabalo Producent / Producer: Vanja Jambrović, Tibor Keser, Hélène Mitjavile Produkcija / Production: Restart, Melocoton Films Uloge / Cast: Janja Avdagić, Leonarda Živković, Franjo Dijak, Marina Redžepović, Nikša Butijer, Igor Hamer, Jakov Bilić Kontakt / Contact: KurzFilmAgentur Hamburg e.V., Anna Leimbrinck; anna@shortfilm.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – PO ČOVIKA / HALF A MAN (kratki film / short film) 2008 – WELCOME TO IGRANE (kratki dokumemntarni / short doc.)

E A village in the Dalmatian hinterland in the autumn of 1991. It’s a big day for 10-year-old Mia and 12-year-old Lorena: their father, Mirko, is going to be released from the camp where he has been held for the last three months as a prisoner of war.

Kristina Kumrić was born in 1975 in Split, Croatia. She graduated in Film and TV Directing from the Academy of Dramatic Art in Zagreb. Her short documentary WELCOME TO IGRANE won a special jury prize at the Vukovar Film Festival, the First Jury Prize at the Liburnia Film Festival and was named best film at the FRKA Festival.

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Tanja / Tanya Tanja je ostala bez posla, dečka i stana. Vraća se tati, u kvart u kojem je odrasla. U lokalnom kafiću sretne Denisa s kojim je išla u razred u osnovnoj školi. Tata požuruje Tanju da se prijavi na biro za zapošljavanje. Ona to stalno odgađa. A onda opet sretne Denisa. Jasna Nanut rođena je 1975. u Zagrebu. Magistrirala je filmsku i televizijsku režiju na Akademiji dramskih umjetnosti. Tokom studija snimala je kratke filmove koji su prikazivani na festivalima u Sarajevu, Puli i Zagrebu. Njen diplomski film IGRA MALOG TIGRA osvojio je Oktavijana – nagradu Društva hrvatskih filmskih kritičara za najbolji kratki igrani film. E Tanja has lost her job, her boyfriend and her apartment. She moves back into her dad’s place, in the neighbourhood where she grew up. She meets Denis, with whom she went to school, in the local bar. Dad rushes Tanja to submit an application to the Employment Bureau. She postpones it. And then she meets Denis again.

Jasna Nanut was born in 1975 in Zagreb. She received a Master’s degree in Directing from the Academy of Drama Arts in Zagreb. During her studies, Nanut made several short films, which were screened in film festivals in Pula, Sarajevo and Zagreb. Her graduation film PLAYING THE TIGER won the Oktavijan Award for the Best Short Narrative Film from the Croatian Association of Film Critics.

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Croatia, 2016, Colour, 25 min, Croatian Režija / Director: Jasna Nanut Scenarij / Screenplay: Jasna Nanut Direktor fotografije / Director of Photography: Tomislav Sutlar Montaža / Editor: Tomislav Stojanović Zvuk / Sound: Ivan Zelić Kostimografija / Costume Design: Helena Šepl Scenografija / Production Design: Denis Rubinić Producent / Producer: Dijana Mlađenović Produkcija / Production: Kinematograf Uloge / Cast: Marina Redžepović, Zdenko Jelčić, Krešimir Mikić Kontakt / Contact: Kinematograf; info@kinematograf.hr FILMOGRAFIJA / FILMOGRAPHY: 2016 – TANJA / TANYA (kratki film / short film) 2015 – IGRA MALOG TIGRA / PLAYING THE TIGER (kratki film / short film) 2014 – ŠAKE / HANDS (kratki film / short film) 2014 – GENERALKA / THE CLEAN-UP (kratki film / short film) 2014 – ZAJEDNO / TOGETHER (kratki film / short film)

Summer Screen

144 Chavela, Catherine Gund, Daresha Kyi 145 Denk ich an Deutschland in der Nacht / Ako noću razmišljam o Njemačkoj / If I Think of Germany at Night, Romuald Karmakar 146 Liberation Day / Dan oslobođenja, Ugis Olte, Morten Traavik 147 On the Road / Turneja, Michael Winterbottom 148 Patti Cake$, Geremy Jasper 149 Tokyo Idols / Tokijski idoli, Kyoko Miyake

Chavela Pjevačica Chavela Vargas stekla je slavu u Meksiku, a zatim postala poznata i širom svijeta, prvenstveno zahvaljujući vlastitoj interpretaciji tradicionalnih meksičkih pjesama – rancherasa. Ove pjesme mahom su komponovali muškarci, a većinom govore o neostvarenoj ljubavi, umoru od života, te o usamljenosti. Chavela ih je izvodila svojim specifičnim, istovremeno grubim i ranjivim glasom, i uz jedinstven osjećaj za ritam. Muški izgled i crveni pončo doprinosili su njenoj jedinstvenosti. U Acapulcu, koji je šezdesetih godina prošlog vijeka bio omiljena destinacija bogatih i slavnih ličnosti iz svijeta politike i kulture, Chavela se susretala sa mnogim zvijezdama, a svojim šarmom i iznimnom ljepotom privlačila je pažnju poznatih, poput Fride Kahlo i Ave Gardner. Nakon trinaestogodišnje pauze, uzrokovane ovisnošću o alkoholu, Chavela se devedesetih godina prošlog vijeka spektakularno vraća pod svjetla reflektora kao muza umjetnika i reditelja, pa i Pedra Almodóvara. Služeći se Chavelinim neobjavljenim materijalima, kao i intervjuima s njom i njenim savremenicima, kolegama i partnericama, ovaj film ocrtava topao portret harizmatične i jedinstvene umjetnice koja je tokom cijeloga života, okončanog 2012. u 93. godini, otvoreno pokazivala vlastitu homoseksualnost. Catherine Gund rođena je 1965. godine u Geelongu, Australija. Studirala je na Univerzitetu Brown gdje je stekla dvije diplome, jednu iz umjetnosti/semiotike i drugu na ženskim studijima. U svojim medijskim radovima fokusira se na strateške i održive društvene promjene, umjetnost i kulturu, HIV/AIDS i reproduktivno zdravlje, te ekologiju. Osnivačica je i direktorica produkcijske kuće Aubin Pictures. Njen film BORN TO FLY nominovan je za nagradu Emmy 2016. godine. Daresha Kyi rođena je 1962. godine u Los Angelesu, SAD. Studirala je na Tisch školi za umjetnost Univerziteta u New Yorku, a već više od 25 godina radi kao filmska producentica i rediteljica. Kyi je dio kreativnog tima produkcijske kuće Aubin Pictures. E Singer Chavela Vargas gained a name for herself, first in Mexico and later worldwide, chiefly for her interpretation of traditional rancheras. These songs were mainly composed by men, and mostly speak of unfulfilled love for women, loneliness and world-weariness. Vargas performed them with her own unique feeling for rhythm and her distinctively rough yet vulnerable voice. Her masculine appearance and red poncho made her unmistakable. In Acapulco, a playground in the 1960s for the rich and famous in the world of politics and culture, she rubbed shoulders with many celebrities, turning the heads of Frida Kahlo and Ava Gardner with her charm and striking beauty. After a thirteen-year break from performing – a result of her addiction to alcohol – she was rediscovered in the 1990s and enjoyed a glorious comeback as the muse of artists and directors like Pedro Almodóvar. The unpublished material in this film, as well as the interviews with Vargas and her contemporaries, colleagues and partners, results in an affectionate portrait of a charismatic and exceptional artist – who was openly lesbian throughout her life and up to her death in 2012 at the age of 93.

Catherine Gund was born in 1965 in Geelong, Australia. She attended Brown University and received a dual degree in Art/Semiotics and Women’s Studies. Her media work focuses on strategic and sustainable social transformation, arts and culture, HIV/AIDS and reproductive health, and the environment. She is the Founder and Director of Aubin Pictures. Her film BORN TO FLY was nominated for an Emmy Award in 2016. Daresha Kyi was born in 1962 in Los Angeles, USA. She studied at the Tisch School of the Arts in New York City and has been a filmmaker and producer for more than 25 years. She is part of the team of the production company Aubin Pictures. 144 23. Sarajevo Film Festival l SUMMER SCREEN

USA, Mexico, Spain, 2017, Colour and b&w, 90 min, English, Spanish Režija / Director: Catherine Gund, Daresha Kyi Direktor fotografije / Director of Photography: Catherine Gund, Natalia Cuevas, Paula Gutierrez Montaža / Editor: Carla Gutierrez Muzika / Music: Gil Talmi Producent / Producer: Catherine Gund, Daresha Kyi Produkcija / Production: Aubin Pictures Uloge / Cast: Chavela Vargas, Pedro Almodóvar, Elena Benarroch, Miguel Bosé, Alicia Elena Pérez Duarte y Noroña, Liliana Felipe, Patria Jiménez Flores, Laura García-Lorca, Martirio Gira, Mariana Gyalui, José Alfredo Jiménez Jr., Eugenia León, Tania Libertad, Diana Ortega, Tlany Ortega, Jesusa Rodríguez, Marcela Rodríguez, Betty-Carol Sellen Kontakt / Contact: Latido Films; latido@latidofilms.com FILMOGRAFIJA / FILMOGRAPHY: Catherine Gund: 2017 – DISPATCHES FROM CLEVELAND (dokumentarni film / documentary) 2017 – CHAVELA (dokumentarni film / documentary) 2014 – BORN TO FLY: ELIZABETH STREB VS. GRAVITY (dokumentarni film / documentary) 2009 – WHAT’S ON YOUR PLATE? (dokumentarni film / documentary) 2004 – MAKING GRACE (dokumentarni film / documentary) 1998 – HALLELUJAH! RON ATHEY: A STORY OF DELIVERANCE (dokumentarni film / documentary) Daresha Kyi: 2017 – CHAVELA (dokumentarni film / documentary) 1991 – LAND WHERE MY FATHERS DIED (kratki film / short film) 1988 – THE THINNEST LINE (kratki film / short film)

Denk ich an Deutschland in der Nacht / Ako noću razmišljam o Njemačkoj / If I Think of Germany at Night Zahvaljujući aktivnoj muzičkoj karijeri, započetoj još devedesetih godina prošlog vijeka, protagonisti filma Ricardo Villalobos, Sonja Moonear, Ata, Move D i Roman Flügel imaju širok raspon iskustava na osnovu kojih pričaju o sebi, subkulturi i načinu na koji se ona razvijala. Romuald Karmakar rođen je 1965. godine u Wiesbadenu, Njemačka. Njegov prvi igrani film, THE DEATHMAKER, osvojio je nagradu Coppa Volpi za najboljeg glumca na Filmskom festivalu u Veneciji, kao i tri nagrade Njemačke filmske akademije. Njegovi radovi prikazivani su na vodećim međunarodnim filmskim festivalima (Venecija, Berlin, Locarno, Toronto) i predstavljani u okviru nekoliko retrospektiva (Austrijski filmski muzej; BAFICI Buenos Aires; Međunarodni filmski festival Jeonju u Južnoj Koreji; Cinéma du Réel u Parizu). Muzej moderne umjetnosti u New Yorku uvrstio je 2008. njegov film THE HIMMLER PROJECT u izbor “250 značajnih umjetničkih djela uvrštenih u muzejsku zbirku od 1980. godine”. Karmakar je 2014. osvojio nagradu Fondacije DEFA za „izvanredan doprinos njemačkoj kinematografiji“. E Active in the music business since the 1990s, Ricardo Villalobos, Sonja Moonear, Ata, Move D and Roman Flügel have a broad horizon of experience from which they speak about themselves, their subculture and its development.

Romuald Karmakar was born in 1965 in Wiesbaden, Germany. His first fiction film, THE DEATHMAKER, was awarded a Coppa Volpi for best actor at the Venice Film Festival and won three German Film Awards. Karmakar’s work has been honoured at major international film festivals in Venice, Berlin, Locarno and Toronto, and has been presented in retrospectives at the Austrian Film Museum, BAFICI in Buenos Aires, the Jeonju International Film Festival in South Korea and Cinéma du Réel in Paris. In 2008, the Museum of Modern Art, New York, selected his film THE HIMMLER PROJECT as one of 250 important works of art that have been acquired by the Museum since 1980. In 2014, he was awarded the DEFA-Foundation Award for outstanding achievement in German cinema.

Germany, 2017, Colour, 105 min, French, German Režija / Director: Romuald Karmakar Direktor fotografije / Director of Photography: Frank Griebe Montaža / Editor: Robert Thomann, Anne Fabini Zvuk / Sound: Matthias Lempert Producent / Producer: Andro Steinborn Uloge / Cast: Ricardo Villalobos, Sonja Moonear, Ata Roman Flügel, David Moufang/Move D Kontakt / Contact: Stray Dogs; sales@stray-dogs.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – DENK ICH AN DEUTSCHLAND IN DER NACHT / IF I THINK OF GERMANY AT NIGHT (dokumentarni film / documentary) 2009 – VILLALOBOS (dokumentarni film / documentary) 2004 – DIE NACHT SINGT IHRE LIEDER / NIGHTSONGS 2000 – DAS HIMMLER PROJEKT / THE HIMMLER PROJECT (dokumentarni film / documentary) 1995 – DER TOTMACHER / THE DEATHMAKER

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Liberation Day / Dan oslobođenja Pod nježnim, ali čvrstim vodstvom nekad starog obožavatelja, a danas reditelja i kulturnog diplomate, te na iznenađenje cijelog svijeta, kultna grupa bivše Jugoslavije Laibach postala je prva strana grupa u historiji kojoj je dozvoljen nastup u izolovanoj Sjevernoj Koreji. Suočeni sa strogom ideologijom i kulturnim razlikama, članovi benda su se morali potruditi da provuku svoje pjesme kroz iglene uši cenzure prije nego što im je bilo dozvoljeno da ih izvedu za publiku koja nikada prije nije čula alternativni rock’n’roll. U međuvremenu, na granici dvije Koreje, vlasti su postavljale zvučnike preko kojih će emitovati propagandu, i odbrojavanje za rat je počelo. Uģis Olte rođen je 1981. godine, a masovne komunikacije studirao je na Latvijskom univerzitetu u Rigi. Nakon što je godinama razvijao originalne sadržaje za televiziju, te snimao reklame, video spotove i kratke filmove, snima svoj prvi dugometražni dokumentarac DOUBLE ALIENS. Slijedila su tri kratka igrana filma: THE RED SPOT, KK2678 i INSTRUMENTI – KING OF WILD THINGS. Iza sebe ima i tri dokumentarca: DOUBLE ALIENS, STUCK IN STIKINE i DAN OSLOBOĐENJA. Morten Traavik, norveški reditelj i umjetnik, stvara u velikom broju različitih umjetničkih žanrova, kao i u brojnim državama. Izbori ljepote koje je organizovao za osobe koje su nastradale od nagaznih mina, pod imenom “Miss Landmine Angola“ i „Miss Landmine Cambodia“, privukli su međunarodnu pažnju i pokrenuli diskusiju globalnih razmjera. Poznat je i po više kontroverznih projekata na kojima je sarađivao sa sjevernokorejskim umjetnicima i kulturnim zvaničnicima, kao i po tome što je ovlašteni kulturni ataše te zemlje. E Under the loving but firm guidance of an old fan-turned-director and cultural diplomat, and to the surprise of a whole world, the former Yugoslavian cult band Laibach becomes the first foreign rock group ever to perform in the fortress state of North Korea. Confronting strict ideology and cultural differences, they struggle to get the band’s songs through the needle’s eye of censorship before they can be unleashed on an audience that has never before been exposed to alternative rock’n’roll. Meanwhile, loudspeakers are being set up to blare propaganda at the border between the two Koreas, and a countdown to war is announced.

Uģis Olte was born in 1981 and studied Mass Communication at the University of Latvia in Riga. After years of developing original television formats and making commercials, music videos, and short films, DOUBLE ALIENS was his first feature-length documentary. He has also made three short fiction films: THE RED SPOT, KK2678 and INSTRUMENTI – KING OF THE WILD THINGS. His efforts in the documentary genre have resulted in three films – DOUBLE ALIENS, STUCK IN STIKINE and LIBERATION DAY. Morten Traavik is a Norwegian director and artist who works across a wide spectrum of artistic genres and international borders. His beauty pageants for landmine survivors, “Miss Landmine Angola“ and “Miss Landmine Cambodia“ made headlines and fuelled discussions around the world. He is renowned for a series of controversial collaborations with North Korean artists and cultural authorities, as well as being an authorised cultural affairs liaison for that country.

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Latvia, Norway, Slovenia, 2016, Colour, 100 min, English, Korean Režija / Director: Ugis Olte, Morten Traavik Direktor fotografije / Director of Photography: Valdis Celminš, Sven-Erling Brusletto Montaža / Editor: Gatis Belogrudovs, Ugis Olte Muzika / Music: Laibach Zvuk / Sound: Artis Dukalskis, Ernests Ansons Producent / Producer: Uldis Cekulis, Morten Traavik Produkcija / Production: VFS Films, TRAAVIK.INFO Uloge / Cast: Tomaž Čubej, Tomislav Gangl, Matej Gobec, Gregor Musa, Saso Pušnik, Democratic People’s Republic of Korea Kontakt / Contact: Dogwoof, Vesna Cudic; vesna@dogwoof.com, festivals@dogwoof.com FILMOGRAFIJA / FILMOGRAPHY: Uģis Olte: 2016 – LIBERATION DAY 2015 – DOUBLE ALIENS 2014 – INSTRUMENTI – KING OF THE WILD THINGS 2008 – KK2678 2008 – SARKANAIS PLEKIS / THE RED SPOT 2007 – STIKINE LEDUS SLAZDA / STUCK IN STIKINE Morten Traavik: 2016 – LIBERATION DAY

On the Road / Turneja Ellie Rowsell, Joff Oddie, Joel Amey i Theo Ellis, u ljeto 2015. godine sa svojim bendom Wolf Alice (nazvanim po istoimenoj kratkoj priči Angele Carter), kreću na turneju po Velikoj Britaniji i Irskoj kako bi promovisali svoj zavodljivi, mračno euforičan debitantski album „My Love is Cool“. Tokom turneje suočavaju se sa neočekivanom slavom. Reditelj Michael Winterbottom putuje s bendom i iz perspektive novog člana ekipe svjedoči životu muzičara na turneji: njihovoj energičnoj komunikaciji s mladom publikom i ekstatičnim trenucima na sceni, ali i stanjima potpune iscrpljenosti iza scene. Tokom turneje se, uz par neočekivanih iznenađenja, postepeno razotkrivaju i odnosi među članovima benda. Michael Winterbottom rođen je 1961. godine u Blackburnu, Velika Britanija. Diplomirao je na Oxfordu, a za rad na filmu školovao se u Bristolu i Londonu. Nakon što je karijeru započeo kao filmski montažer za televiziju Thames, režirao je dva dokumentarna filma o Ingmaru Bergmanu i nekoliko TV serija. Tri njegova filma, WELCOME TO SARAJEVO, WONDERLAND i 24 HOUR PARTY PEOPLE, nominovana su za nagradu Zlatna palma Filmskog festivala u Cannesu. Za film IN THIS WORLD osvojio je prestižnu BAFTA filmsku nagradu (2002), te nagradu Zlatni medvjed, Nagradu za mir i Nagradu ekumenskog žirija na Filmskom festivalu u Berlinu 2003. godine. Winterbottom je 2006. godine za film THE ROAD TO GUANTANAMO osvojio Nagradu za najbolju režiju na Filmskom festivalu u Berlinu. E In the summer of 2015, Ellie Rowsell, Joff Oddie, Joel Amey and Theo Ellis take their band Wolf Alice (which was named after a short story by Angela Carter) on tour through Great Britain and Ireland, to promote their seductive, darkly euphoric debut album ‘My Love is Cool’ – and find themselves confronted by sudden fame. Director Michael Winterbottom accompanies the band and observes the realities of life on tour from the perspective of a new member of the crew: from the energetic interplay between the band and its young audience and the moments of ecstasy on stage, to the exhaustion backstage. In time, the relationships between the travellers are also brought to light – with a few surprising turns.

United Kingdom, 2016, Colour, 121 min, English Režija / Director: Michael Winterbottom Scenarij / Screenplay: Michael Winterbottom Montaža / Editor: Marc Richardson Muzika / Music: Fredrik Stålne Zvuk / Sound: Joakim Sundström Producent / Producer: Melissa Parmenter, Anthony Wilcox Produkcija / Production: Revolution Films Uloge / Cast: Ellie Rowsell, Joff Oddie, Theo Ellis, Joel Amey, Leah Harvey, James McArdle, Paul Popplewell, Jamie Quinn, Shirley Henderson Kontakt / Contact: Independent Film Sales; Sarah Lebutsch, sarah@independentfilmcompany.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – TRIP TO SPAIN 2016 – ON THE ROAD 2011 – TRISHNA 2006 – THE ROAD TO GUANTANAMO (dokumentarni film / documentary) 2004 – 9 SONGS 2002 – IN THIS WORLD 1997 – WELCOME TO SARAJEVO

Michael Winterbottom was born in 1961 in Blackburn, UK. He graduated from Oxford and received film training in Bristol and London. After beginning his professional career as a film editor at Thames Television, he directed two documentaries about Ingmar Bergman and a few television series. Three of his films – WELCOME TO SARAJEVO, WONDERLAND and 24 HOUR PARTY PEOPLE – have been nominated for the Palme d’Or at the Cannes Film Festival. He won a highly coveted BAFTA for IN THIS WORLD (2002), as well as the Golden Bear, the Peace Film Award and the Prize of the Ecumenical Jury at the 2003 Berlin International Film Festival. In 2006, he was named Best Director for THE ROAD TO GUANTANAMO at the Berlin International Film Festival.

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Patti Cake$ Patricia Dombrowski (poznata kao “Killa P” i “Patti Cake$”) slaže rime konobarišući u zloglasnom, memljivom baru u New Jerseyju. Nastoji zaraditi dovoljno novca za lijekove svoje neotesane bake koju puno voli, te majke alkoholičarke, koja je nekad davno i sama sanjala o muzičkoj karijeri. Patti i Jheri, njen rap-partner i najbolji prijatelj, zajedno sanjaju o slavi, bogatstvu i bijegu iz prljavog Jerseyja, ali nikako da nađu producenta koji bi bio zagrijan za njihovu muziku. Ravnodušna na izrugivanje lokalnih vucibatina, Patti se neočekivano povezuje s Kopiletom Antihrista, povučenim death-metal muzičarem, koji bi joj možda i mogao pomoći da postane slavna hip-hoperka. Geremy Jasper, rođen i odrastao u Sjevernom Jerseyju, američki je pisac, reditelj i kompozitor. Korežirao je muzičke spotove za Florence and The Machine i Selenu Gomez, nominovane za MTV video muzičku nagradu. Za režiju muzičkog, plesnog i modnog spektakla “Target Kaleidoscopic Fashion Spectacular” osvojio je nagradu Zlatni lav na Međunarodnom festivalu kreativnosti Cannes Lions, a rad je uvršten u stalnu postavku Muzeja moderne umjetnosti MoMA. Njegov debitantski igrani film, PATTI CAKE$, bio je dio radionica koje Institut Sundance organizuje za režisere i scenariste. Kako i priliči vječitom zaljubljeniku u muziku, Jasper je sam komponovao originalnu muziku za film. E Patricia Dombrowski (a.k.a. “Killa P”, a.k.a. “Patti Cake$”) drafts rhymes while serving drinks at a dingy New Jersey dive bar, at the same time trying to pay off her coarse but beloved nana’s medical bills and support her hard-drinking mother, whose own musical aspirations faded long ago. Patti and her rap partner and best friend Jheri share dreams of fame, fortune and escaping Dirty Jersey for good, but they have yet to find a producer with the “fire beats” they need. Undaunted by the taunts of local goons, Patti unexpectedly gravitates to a reclusive death-metal musician named Basterd Antichrist, a newcomer who just might be able to help her achieve hip-hop superstardom.

Geremy Jasper is a writer, director and composer born and bred in North Jersey, USA. He has codirected MTV Video Music Award-nominated videos for Florence + The Machine and Selena Gomez, and his direction for the “Target Kaleidoscopic Fashion Spectacular” won a Cannes Lions Gold Lion and was inducted into the permanent collection of the Musem of Modern Art in New York’s permanent collection. His debut feature film, PATTI CAKE$, participated in the Sundance Institute’s Directors and Screenwriters Labs. A lifelong music freak, Geremy wrote the film’s original songs.

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USA, 2016, Colour, 108 min, English Režija / Director: Geremy Jasper Scenarij / Screenplay: Geremy Jasper Direktor fotografije / Director of Photography: Federico Cesca Montaža / Editor: Brad Turner Muzika / Music: Geremy Jasper, Jason Binnick Kostimografija / Costume Design: Miyako Bellizzi Scenografija / Production Design: Meredith Lippincott Producent / Producer: Michael Gottwald, Noah Stahl, Dan Janvey, Rodrigo Teixeira, Daniela Taplin Lundberg, Chris Columbus Produkcija / Production: Department of Motion Pictures Uloge / Cast: Danielle Macdonald, Bridget Everett, Siddharth Dhananjay, Mamoudou Athie, Cathy Moriarty, Sahr Ngaujah, McCaul Lombardi, Wass Stevens, MC Lyte Kontakt / Contact: Park Circus Limited; info@parkcircus.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – PATTI CAKE$ 2015 – OUTLAWS (kratki film / short film) 2012 – GLAMOURIETY (kratki film / short film)

Tokyo Idols / Tokijski idoli “Idoli” su za kratko vrijeme postali fenomen u Japanu gdje se društveni život vrti oko ženskih bendova i pop muzike. Film TOKIJSKI IDOLI pruža odličan uvid u ovaj kulturni fenomen koji je rezultat društvene opsesije seksipilom mladih žena i internetskom popularnosti. Centralna ličnost u filmu je Rio, istinska pripadnica klase „tokijskih idola“, koja nas vodi na svoj put do slave. Upoznajemo i njenu „braću“: grupu sredovječnih obožavalaca koji su život posvetili tome da je prate, kako u stvarnom tako i u virtuelnom svijetu. Muškarci, poznati kao „braća“, koji su napustili plaćene poslove da bi život posvetili praćenju ženskih idola, svojevremeno su bili na marginama društva, ali njihov broj je u međuvremenu porastao i uz pomoć interneta postali su dio dominantne kulture. Ovaj fenomen oslikava rastući razdor između muškaraca i žena u hipermodernim društvima. Kyoko Miyake rođena je 1976. godine u Chibi, Japan. Studirala je historiju na Tokijskom univerzitetu, a zatim se preselila u Veliku Britaniju da bi proučavala historiju vještičarenja na Oxfordu. Njen dokumentarac BRAKELESS, nakon prikazivanja na PBS-u i BBC-u, osvojio je nagradu Peabody. S dokumentarnim filmom HACKNEY LULLABIES osvojila je nagradu Today na Međunarodnom filmskom festivalu u Berlinu 2011, a njen posljednji dokumentarac, TOKIJSKI IDOLI, premijerno je prikazan u takmičarskoj konkurenciji međunarodnog dokumentarnog filma ovogodišnjeg Filmskog festivala Sundance. Miyake trenutno priprema svoj prvi dugometražni igrani film, FEMME FATALE, na kojem će sarađivati s Freddyjem Olssonom (Švedska) i Guillaumeom de Seilleom (Francuska). Projekt je ušao u izbor Cinefondation for L’Atelier Filmskog festivala u Cannesu, koja svake godine bira 15 projekata perspektivnih mladih reditelja iz svih dijelova svijeta. E “Idols” has fast become a phenomenon in Japan, as girl bands and pop music permeate Japanese life. The eye-opening TOKYO IDOLS gets at the heart of a cultural phenomenon driven by an obsession with young female sexuality and Internet popularity. This ever-growing phenomenon is examined via Rio, a bona fide Tokyo Idol, who takes us along on her journey towards fame. Now meet her “brothers”: a group of middle-aged male super-fans who devote their lives to following her – both in real life and in the virtual world. Once considered to be on the fringes of society, these “brothers”, who gave up salaried jobs to pursue their interest in female idol culture, have since become mainstream via the Internet, highlighting the growing disconnect between men and women in hypermodern societies.

Kyoko Miyake was born in 1976 in Chiba, Japan. She studied History at Tokyo University, then moved to the UK to research the History of Witchcraft at Oxford. Her film BRAKELESS won a Peabody Award after airing on PBS and the BBC. HACKNEY LULLABIES won the Berlin Today Award at the Berlin International Film Festival in 2011. Her most recent documentary film, TOKYO IDOLS, premiered in the World Cinema Documentary Competition at the Sundance Film Festival. She is currently developing her first feature film, FEMME FATALE, with Freddy Olsson (Sweden) and Guillaume de Seille (France). The project has been selected by the Cinéfondation at the Cannes Film Festival.

Canada, United Kingdom, Japan, 2017, Colour, 90 min, Japanese Režija / Director: Kyoko Miyake Scenarij / Screenplay: Kyoko Miyake Direktor fotografije / Director of Photography: Van Royko Montaža / Editor: Anna Price Muzika / Music: David Drury Zvuk / Sound: Tyler Fitzmaurice Producent / Producer: Felix Matschke, Bob Moore, Kyoko Miyake Produkcija / Production: Brakeless Limited; EyeSteelFilm Classics Inc. Uloge / Cast: Rio Hiiragi, Koji Yoshida, Rio Rio Brothers, Koichiro Mitsui, Rio’s Family, P.IDL, Mitacchi, Ryoka Oshima Fans, Harajuku Story, Harajuku Story fans, Amore Carina, Amore Carina Fans, Itaru Tsurumi, Satoshi Hamano, Minori Kitahara, Hyadain, Akio Nakamori, Motohiro Onishi, Masayoshi Sakai, Dempa Gumi Inc., X21, Up Up Girls, Bellring Girl Heart Kontakt / Contact: CatNDocs, Maelle Guenegues; maelle@catndocs.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – TOKYO IDOLS (dokumentarni film / documentary) 2014 – BRAKELESS (dokumentarni film / documentary) 2013 – MY ATOMIC AUNT (dokumentarni film / documentary) 2011 – HACKNEY LULLABIES (kratki dokumentarni film / short doc.) 2009 – MRS BIRKS’ SUNDAY ROAST (kratki dokumentarni film / short doc.) 2007 – FOR YOUR TOMORROW (kratki dokumentarni film / short doc.)

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Posvećeno / Tribute To

JOSHUA OPPENHEIMER 156 The Act of Killing / Čin ubijanja, Joshua Oppenheimer, Anonymous, Christine Cynn 157 The Look of Silence / Pogled tišine, Joshua Oppenheimer, Anonymous

OLIVER STONE 162 Natural Born Killers / Rođeni ubojice, Oliver Stone 163 Platoon / Vod smrti, Oliver Stone 164 The Putin Interviews / Intervju sa Putinom, Oliver Stone 165 Snowden, Oliver Stone

Photo: Daniel Bergeron

Posvećeno: Joshua Oppenheimer / Tribute To Joshua Oppenheimer

Joshua Oppenheimer

Kada je 2001. godine prvi put posjetio Indoneziju, Joshua Oppenheimer (1974, Texas) nije znao da će tamo zateći krvavo historijsko naslijeđe o kome će snimiti proslavljene dokumentarne filmove THE ACT OF KILLING / ČIN UBIJANJA (2012) i THE LOOK OF SILENCE / POGLED TIŠINE (2014). Razlog posjete bilo je snimanje dokumentarnog videa THE GLOBALISATION TAPES (2003) o izrabljivanju radnica i radnika na plantaži palminog ulja u belgijskom vlasništvu. Da bi spriječili bunt radnika, vlasnici plantaže angažiraju paravojnu organizaciju Mladež Pancasila. Istražujući odakle Pancasila crpi svoju moć, Oppenheimer otkriva da se ona razvila iz odreda smrti koji su počinili najmasovniji zločin u historiji Indonezije: od jeseni 1965. do proljeća 1966. godine, snage generala Suharta pobile su više od milion komunista, njihovih simpatizera (stvarnih i navodnih), i pripadnika kineske etničke manjine, u političkom prevratu koji je s vlasti uklonio Sukarna, prvog predsjednika nezavisne Indonezije. Oppenheimerovi dokumentarni filmovi istražuju paradoksalno historijsko naslijeđe tog masakra. Suhartova vlast ga je prešutjela, preferirajući da kroz propagandu demonizira žrtve i komunističku/ljevičarsku politiku kao vječitu ideološku opasnost. Istodobno, iako prešućen, zločin je nastavio davati apsolutnu političku i vojnu vlast sljedbenicima suhartovske politike. Osim toga, masakr i tišina koja ga je godinama okruživala imaju i svoju međunarodnu dimenziju. Puč je bio određen dinamikom Hladnog rata. Antikomunista Suharto imao je podršku Sjedinjenih Američkih Država, Ujedinjenog Kraljevstva i Australije. Iako ČIN UBIJANJA – u svojoj prvoj verziji – nije otkrio sve specifičnosti ovog historijskog i političkog konteksta, svejedno je bespovratno razbio šutnju o indonežanskom masakru. U fokusu filma je Anwar Kongo, jedan od počinitelja masakra 1965. godine, koji se ne usteže govoriti o svojim zlodjelima, te ih rekreira kao scene iz omiljenih filmova. Naime, u masovnim egzekucijama komunista u gradskim centrima, vojska se oslanjala na tzv. kino-gangstere – bande koje su se vrtile oko kina, gdje su preprodavali kino ulaznice. Vođa jedne takve bande, Kongo, mučio je i ubijao svoje žrtve u zgradi prekoputa svog omiljenog kina, i prisjeća se kako bi odmah nakon projekcije žurio da muči i kolje, opijen i ponesen

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novim holivudskim krimićem ili filmom Elvisa Presleyja. Kritičari su isticali šokantni i nadrealni karakter scena u kojima Kongo i njegovi prijatelji rekreiraju ubistva, koristeći filmske rekvizite, kostime, mizanscenu – kao da gledamo svojevrsnu perverznu, genocidnu, snuff verziju „swediranih“ filmova iz komedije BE KIND REWIND (2008, r. Michel Gondry). Kongo brutalnost zločina pokušava uviti u celuloidni glamur, a groteskni spektakl koji dobijamo je simptom onoga što je dugo vremena bilo prešućeno i potisnuto. Dokumentarac se otud može gledati i kao svojevrsni pokušaj psihodrame u kojoj se sukobljavaju Kongovo razmetljivo uživanje u zločinu i svijest da je ipak činio zlodjela zbog kojih ga, kako i sam kaže, proganjaju sjene žrtava. Iako je kritika naglasila da se Oppenheimer u POGLEDU TIŠINE, za razliku od ČINA UBIJANJA, ne fokusira na počinitelje zločina, nego na žrtve (i njihove porodice), to nije cijela istina. Tačno je da je protagonista filma Adi, čiji je stariji brat Ramli ubijen u Suhartovom puču, ali i njegov put svejedno vodi k egzekutorima, s kojima se konfrontira pokušavajući ih suočiti sa zločinima. No, oni su ovaj put lišeni grotesknog spektakla i pokušaja psihodrame. Bez zadrške priznaju da su uživali u ubijanju i da su pili krv svojih žrtava, odbijaju pokazati bilo kakvo kajanje, te ne ostavljaju mjesta sumnji: opet bi ubijali ako bi to htjeli i imali priliku. Kongova upotreba filma da se istovremeno približi zločinima koje je počinio, ali i distancira od njih, iz perspektive POGLEDA TIŠINE nije samo groteska, nego i izuzetak koji potvrđuje pravilo: većina počinitelja genocida bahato crpi moć iz svoje krvoločne prošlosti. Iako počinjen prije pola vijeka, indonežanski masakr tako i dalje traje, kroz strah koji unosi u porodice žrtava, poput Adijevih i Ramlijevih roditelja. Upravo taj kontinuitet sistematskog političkog nasilja najviše zanima Oppenheimera, koji je svoje prve lekcije na tu temu naučio iz vlastite porodične historije: roditelji njegovog oca pobjegli su iz nacističke Njemačke, a priče o Holokaustu čuo je prije bajki o Petru Panu i Pepeljuzi. Nakon Drugog svjetskog rata pojavili su se novi oblici političkog nasilja, koji, zataškani na pravi način, mogu izgledati kao dio „normalnog“ i „prirodnog“ društvenog napretka. Kao što su već pokazale THE GLOBALISATION TAPES, iskorjenjivanje komunizma u Indoneziji,

otvorilo je put kapitalističkoj modernizaciji zemlje u kojoj je bogatstvo ostalo privilegija političke i vojne elite. Početak ČINA UBIJANJA u tom je pogledu ilustrativan: natpisi koji publiku sažeto informiraju o indonežanskom masakru, ispisuju se preko kadrova koji prikazuju neonske reklame današnje korporativne Indonezije. Kako su genocid i politocid preduvjeti savremene globalne ekonomije, odgovorna umjetnost – s filmovima poput Oppenheimerovih – mora nastaviti upozoravati na strah, nasilje i izrabljivanje koji čine njezin nepriznati temelj. E Born in Texas in 1974, Joshua Oppenheimer first visited Indonesia in 2001, not knowing that the brutal legacy of the country’s violent recent past would be the subject of his celebrated documentaries THE ACT OF KILLING (2012) and THE LOOK OF SILENCE (2014). At the time, Oppenheimer travelled there to make a documentary about contemporary neo-imperial exploitation. That work, THE GLOBALISATION TAPES (2003), exposed the harsh treatment of workers at an oil-palm plantation in Indonesia owned by a Belgian company. The plantation owners hired members of a paramilitary group, the Pancasila Youth, to prevent the workers from protesting. While investigating why the Pancasila Youth were so powerful, Oppenheimer discovered that the organisation had grown out of the death squads that had committed the most monumental crime in Indonesia’s history: between the fall of 1965 and the spring of 1966, after a failed military coup that eventually led to the overthrow of President Sukarno, the first leader of independent Indonesia, forces under the command of General Suharto murdered more than one million Indonesian communists, their (real and alleged) supporters, and members of the ethnic Chinese minority, effectively wiping the Indonesian Communist Party off the country’s political map.

Oppenheimer’s two best-known documentaries explore the paradoxical legacy of that massacre. The Suharto regime has never acknowledged the massacre. Rather, it used propaganda to demonise the victims and to portray communist and other leftist policies as an eternal ideological threat to the stability of the Indonesian nation and its people. Although officially ignored, this crime against humanity placed absolute political and military power in the hands of

Suharto and his supporters. Besides this, the massacre and the long-lasting silence surrounding it have an international dimension: the coup was undertaken in the context of the Cold War; anti-communist Suharto was supported by the USA, the UK and Australia. Although THE ACT OF KILLING – in its full-length version – does not explicitly expose the specifics of the historic and political context of the massacre and its obfuscation, it decidedly and irreversibly broke the silence about the mass killings. The film focuses on Anwar Kongo, one of the men who participated in the massacre, who not only freely speaks about his many crimes, but also re-enacts them in the style of his favourite genre films. Oppenheimer’s documentary thus reveals another historic detail: the Indonesian military recruited the so-called “movie theatre gangsters”–as the mobs of thugs who gathered around cinemas and scalped tickets were known –to commit mass executions of communists in urban centres. The premises where Kongo tortured and killed his victims were located just across the street from his favourite movie theatre, and he recalls rushing from the screenings to get on with the job of torture and slaughter, still high on the latest Hollywood crime feature or Elvis Presley vehicle. Film critics have noted the shocking an surreal nature of the scenes in the film in which Kongo and his buddies spectacularly re-enact the murders they committed using film props, costumes and the visual stylings of established Hollywood genre flicks. Observing these re-enactments feels like watching a perverse, genocidal, snuff version of the “sweded” films from Michel Gondry’s 2008 comedy BE KIND REWIND. Kongo attempts to mask the brutality of his crimes by wrapping them in celluloid-inspired glitter, but the resulting grotesque spectacle soon becomes an obvious symptom of the long-repressed and ignored reality he refuses to face head-on. THE ACT OF KILLING can thus be described as a sort of psychodrama in which Kongo’s boastful basking in his crimes clashes with his awareness of the true nature of his actions – for which, in his own words, he is haunted by the shadows of his victims. Although film critics have pointed out that THE LOOK OF SILENCE, unlike THE ACT OF KILLING,

focuses on the massacre’s victims (and their families) rather than on the criminals, this is not the whole truth. The path taken by Adi, the main subject of THE LOOK OF SILENCE, whose elder brother Ramli perished in the Suharto-led killing spree, leads to his meeting his brother’s executioners and attempting to confront them with their crimes. But in this case, the executioners are deprived of grotesque spectacle and attempted psychodrama. They unreservedly confess that they enjoyed participating in the killings – even admitting to having drunk their victims’ blood –and refuse to show the slightest remorse, leaving no room for doubt that they would kill again if given the chance. When observed through the lens of THE LOOK OF SILENCE, Kongo’s use of cinema to get closer to, and at the same time to distance himself from his crimes is no longer just monstrous, but it also becomes an exception that proves the rule that the blood on the hands of the people who participated in the genocide is the source of their current power and influence. Although committed more than half a century ago, the Indonesian massacre lives on in the fear it instils in the families of victims, among them Adi and Ramli’s parents. This continuity of systematic political violence is the primary point of interest for Oppenheimer, who first came to be aware of such a construct from the history of his own family: his father’s parents had fled Nazi Germany, and he “heard about the Holocaust before hearing the “Cinderella” story or watching PETER PAN.” New forms of political violence emerged after World War II, and these can appear to be part of a “normal” and “natural” social order if they are methodically covered up. As THE GLOBALISATION TAPES had shown, the rooting out of communism in Indonesia opened the way to capitalist modernisation of the country, where wealth remains the privilege of political and military elites. In this sense, the opening of THE ACT OF KILLING is highly illustrative: summary information about the Indonesian massacre is placed over a shot of commercial neon signs filmed in today’s corporate-driven Indonesia. Given that genocide and politicide are a precondition of the modern global economy, responsible and necessary art such as Oppenheimer’s films must continue to warn of the fear, violence and exploitation that are its too-often unacknowledged foundation. Nebojša Jovanović

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Biografija i filmografija / Biography and filmography Joshua Oppenheimer rođen je 1974. godine u Austinu, SAD. Diplomirao je na Harvardu, a zatim stekao zvanje doktora nauka na Centralnom koledžu za umjetnost i dizajn St. Martins pri Univerzitetu za umjetnost u Londonu. Njegov debitantski dugometražni film, ČIN UBIJANJA, osvojio je 72 međunarodne nagrade, uključujući Evropsku filmsku nagradu, BAFTA nagradu, filmsku nagradu azijsko-pacifičkog regiona, Nagradu publike Filmskog festivala u Berlinu i nagradu za najbolji film časopisa Guardian. Film je nominovan za nagradu Oscar za najbolji dokumentarni film 2014. i također je prikazan u kinima u više od 30 zemalja. Njegov drugi film, POGLED TIŠINE, premijerno je prikazan u takmičarskom programu 71. izdanja Filmskog festivala u Veneciji, gdje je osvojio pet nagrada, uključujući Veliku nagradu žirija, Nagradu međunarodnog udruženja filmskih kritičara (FIPRESCI) i Nagradu evropskih filmskih kritičara (FEDEORA). POGLED TIŠINE osvojio je i nagradu Danske filmske akademije za najbolji dokumentarni film i prestižnu nagradu Danskog vijeća za umjetnost. Oppenheimer je dobitnik MacArthur “Genius” nagrade za 2014, kao i stipendije Marshall programa Britanskog parlamenta za 1997. godinu. E Joshua Oppenheimer was born in 1974 in Austin, USA. He received a BA from Harvard College and a PhD from the Central Saint Martins College of Arts and Design, University of the Arts London. His debut feature-length film, THE ACT OF KILLING, won 72 international awards, including a European Film Award, a BAFTA, an Asia Pacific Screen Award, a Berlinale Audience Award, and the Guardian Film Award for Best Film. It was nominated in 2014 for the Academy Award for Best Documentary, and has been released theatrically in 31 countries. His second film, THE LOOK OF SILENCE, premiered in the Official Competition at the Venice Film Festival, where it won five awards, including the Grand Jury Prize, the FIPRESCI Prize and the FEDEORA Prize. Since then, THE LOOK OF SILENCE has received the Danish Academy Award for Best Documentary and the prestigious Danish Arts Council Award. Oppenheimer is a 2014 recipient of the MacArthur “Genius” Award and a 1997 Marshall Scholar.

FILMOGRAFIJA / FILMOGRAPHY: 2014 – THE LOOK OF SILENCE (dokumentarni film / documentary) 2012 – THE ACT OF KILLING (dokumentarni film / documentary) 2003 – POSTCARD FROM SUN CITY (kratki film / short film) 2003 – THE GLOBALISATION TAPES (dokumentarni film / documentary) 2002 – A BRIEF HISTORY OF PARADISE AS TOLD BY THE COCKROACHES (kratki film / short film) 2002 – MARKET UPDATE (kratki film / short film) 2002 – MUZAK: A TOOL OF MANAGEMENT (kratki film / short film) 2000 – LAND OF ENCHANTMENT (kratki dokumentarni film / short doc.) 1998 – THE ENTIRE HISTORY OF THE LOUISIANA PURCHASE 1996 – HUGH (kratki dokumentarni film / short doc.) 1996 – THE CHALLENGE OF MANUFACTURING (kratki film / short film) 1996 – THESE PLACES WE’VE LEARNED TO CALL HOME (kratki film / short film) 1995 – CAMERA TEST (kratki film / short film) 1995 – LIGHT TEST (kratki film / short film)

TRIBUTE TO JOSHUA OPPENHEIMER l 23. Sarajevo Film Festival 155

The Act of Killing / Čin ubijanja Kada je indonežanska vlada zbačena s vlasti vojnim pučem 1965. godine, Anwar Congo i njegovi prijatelji su od sitnih kriminalaca koji su na crno prodavali kino ulaznice promovisani u vođe odreda smrti. Pomogli su vojsci da u manje od godinu dana ubije više od milion navodnih komunista, etničkih Kineza i intelektualaca. Kao vođa jednog od najozloglašenijih odreda smrti u svome gradu, Anwar je vlastitim rukama pogubio stotine ljudi. Anwar danas uživa poštovanje kao osnivač desničarske paravojne organizacije koja je izrasla iz odreda smrti. Organizacija je toliko moćna da u svome članstvu ima državne ministre koji se rado hvale vlastitim zlodjelima – od korupcije i namještanja izbora do genocidnih radnji. Anwar i njegovi prijatelji tvrdili su da su bili inspirisani nasilnim američkim filmovima koje su gledali tokom odrastanja, pa su ih autori filma pozvali da osmisle scene o svojim iskustvima ubijanja prilagođene njihovim omiljenim filmskim žanrovima – gangsterskom filmu, vesternu i mjuziklu. Napisali su scenarij, te pred kamerom glumili sebe i svoje žrtve. E When the government of Indonesia was overthrown by the military in 1965, Anwar Congo and his friends were promoted from small-time gangsters who sold movie-theatre tickets on the black market to death-squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in under a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands. Today, Anwar is revered as a founding father of a right-wing paramilitary organisation that grew out of the death squads. The organisation is so powerful that its leaders include government ministers, and they are happy to boast about everything from corruption and election rigging to acts of genocide. Anwar and his friends claimed to have been inspired by the violent American films they watched growing up, and so the filmmakers challenged Anwar and his friends to develop fiction scenes about their experience of the killings, adapted to their favourite genres – gangster flicks, westerns and musicals. They write the scripts. They play themselves. And they play their victims.

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United Kingdom, Denmark, Norway, 2012, Colour, 159 min, English, Indonesian Režija / Director: Joshua Oppenheimer, Anonymous, Christine Cynn Direktor fotografije / Director of Photography: Carlos Arango de Montis, Lars Skree, Anonymous Montaža / Editor: Niels Pagh Andersen, Janus Billeskov Jansen, Mariko Montpetit, Ariadna Fatjo-Vilas Mestre, Charlotte Munch Bengtsen, Erik Andersson Muzika / Music: Simon Thamdrup Jensen, Anonymous Zvuk / Sound: Elin Øyen Vister Kostimografija / Costume Design: Anonymous Producent / Producer: Signe Byrge Sørensen, Joram ten Brink, Christine Cynn, Anonymous, Anne Köhncke, Joshua Oppenheimer, Michael Uwemedimo Produkcija / Production: Final Cut for Real ApS Uloge / Cast: Anwar Congo, Herman Koto, Syamsul Arifin, Ibrahim Sinik, Yapto Soerjosoemarno, Safit Pardede, Jusuf Kalla, Adi Zulkadry, Soaduon Siregar, Haji Marzuki, Haji Anif, Rahmat Shah, Sakhyan Asmara Kontakt / Contact: Cinephil; Philippa Kowarsky & Gabby Stein, info@cinephil.com FILMOGRAFIJA / FILMOGRAPHY: Christine Cynn: 2016 – SHOOTING OURSELVES (dokumentarni film / documentary) 2012 – THE ACT OF KILLING (dokumentarni film / documentary) 2003 – THE GLOBALISATION TAPES (dokumentarni film / documentary) 2000 – LAND OF ENCHANTMENT (kratki dokumentarni film / short doc.) Anonymous: 2014 – THE LOOK OF SILENCE (dokumentarni film / documentary) 2012 – THE ACT OF KILLING (dokumentarni film / documentary)

The Look of Silence / Pogled tišine Gledajući Oppenheimerove snimke nekih od učesnika genocida u Indoneziji 1965, preživjeli članovi porodice jedne od žrtava saznaju kako je njihov sin ubijen i ko ga je ubio. Film se fokusira na najmlađeg preživjelog člana porodice, oftalmologa Adija, koji donosi odluku da se odupre zagušujućem strahu i potčinjenosti, i napravi korak nezamisliv u društvu kojim vladaju ubice. On se, naime, suočava s ubicama svoga brata i tokom očnog pregleda zahtijeva od njih da priznaju odgovornost za svoja djela. Ovaj nevjerovatni film doprinio je prekidanju pedeset godina duge šutnje i svjedočio tom procesu. E Through Joshua Oppenheimer’s footage of perpetrators of the 1965 Indonesian genocide, a family of survivors discovers how their son was murdered, as well as the identities of his killers. THE LOOK OF SILENCE focuses on the family’s youngest son, an optometrist named Adi, who decides to break the suffocating spell of submission and terror by doing something unimaginable in a society where the murderers remain in power: he confronts the men who killed his brother and, while testing their eyesight, asks them to accept responsibility for their actions. This unprecedented film initiates and bears witness to the collapse of fifty years of silence.

TRIBUTE TO JOSHUA OPPENHEIMER l 23. Sarajevo Film Festival 157

Posvećeno: Oliver Stone Tribute To Oliver Stone

Oliver Stone

158 23. Sarajevo Film Festival l POSVEĆENO: OLIVER STONE

Reditelj i scenarista Oliver Stone, rođen 1946. u New Yorku, autor je jednog od najdugovječnijih i najplodnijih opusa savremenog američkog filma: od prve polovine sedamdesetih do danas režirao je 20 cjelovečernjih igranih filmova, 7 dokumentaraca raznih formata, te (su)potpisao preko 30 scenarija. No, taj opus još bolje je određen pridjevima angažiran i, neodvojivo od toga, kontroverzan. Tokom skoro pola vijeka svog bavljenja filmom, Stone prevashodno slovi za politički osviještenog i kritičkog reditelja. Politika koju osuđuje u svojim filmovima prvenstveno je politika Sjedinjenih Američkih Država. On dosljedno kritizira njezinu patriotsko-nacionalističku dimenziju te administraciju i vojno-industrijski aparat koji su je sprovodili. Njegovi filmovi su, između ostalog, i svojevrstan katalog trauma koje je izazvao američki eksepcionalizam. Vijetnam, ključna trauma Amerike u drugoj polovici 20. vijeka – ujedno i osobna trauma samog Stonea koji se borio u tom ratu – nalazi se u žiži trilogije: PLATOON / VOD SMRTI (1986), BORN ON THE FOURTH OF JULY / ROĐEN ČETVRTOG JULA (1989) i HEAVEN AND EARTH (1993). Prva dva filma posebno su značajni jer su kritiku američke agresije u Vijetnamu učinili mainstream temom u uvjetima konzervativne ideološke dominacije u eri Ronalda Reagana. Iz današnje perspektive čini se nevjerovatno da je VOD SMRTI, koji je ekspresno postao kanonskim filmom o Vijetnamu (i osvojio četiri Oscara, među kojim i onaj za najbolji film), na snimanje čekao deset godina, a prema riječima samog reditelja, pitanje je da li bi uopće bio snimljen da za njega interes nije pokazao engleski producent John Daly. Osim toga, Stone je znao da koruptna američka politika nije odgovorna samo za Vijetnam. Malo prije VODA SMRTI, snimio je SALVADOR (1986), inspirisan svjedočanstvom reportera Richarda Boylea o izbijanju građanskog rata u El Salvadoru. Politički gledano, film je bio protest protiv vojne podrške koju je američka republikanska administracija dala Nacionalnoj gardi u borbi protiv ljevičarskog fronta Farabudno Marti. Kao što će pokazati i njegovi dokumentarci, Stone će nastaviti gajiti posebne simpatije prema ljevičarskim revolucionarnim pokretima Južne Amerike, kojima su sjeverni rođaci bili prvi i najljući ideološki protivnici. Druga Stoneova politički obojena trilogija jeste ona o američkim predsjednicima. Umjesto biografije Johna F. Kennedyja, JFK (1991) razmatra nerazjašnjene detalje njegovog atentata, nudeći tezu da Harvey Lee Oswald nije djelovao sam, da je za ubojstvo odgovoran američki vojno-

industrijski kompleks, te da su istinske činjenice orkestrirano prikrivali i ljudi koji nisu bili uključeni u atentat, niti su ga odobravali. Rijetko je koji film o historijsko-političkom događaju bio istodobno cijenjen kao umjetničko djelo, a istodobno toliko kritiziran kao faktografski neutemeljen i paranoidan. NIXON (1995), pak, iznenadio je iz drugog revizionističkog ugla: iako se od ljevičara poput Stonea mogla očekivati bespoštedna kritika jednog od najzloglasnijih američkih predsjednika, on je Richarda Nixona prikazao bezmalo kao šekspirovski tragičnu figuru čiji grijesi nisu umanjeni ali ni preuveličani. Umjesto demona, film je ponudio historijski lik upleten u niz okolnosti koje nije mogao uvijek kontrolirati. Ovaj odnos pojedinca i historijskih (ne)prilika na koje ne može utjecati inače je jedan od osnovnih Stoneovih motiva. Film o Georgeu W. Bushu, W. (2008), nije ponudio nikakav odmak od medijski već etablirane slike najnekompetentnijeg američkog predsjednika (do 2001. godine). To je vjerovatno razlog zašto i nije izazvao veću pažnju i pohvale kritičara: štaviše, oni su prigovarali da ga je trebalo režirati nekonvencionalnije i u oštrijem satiričkom registru. Neki su pritom podsjetili na NATURAL BORN KILLERS / ROĐENE UBOJICE (1994), Stoneovu istodobno drečavu i mračnu satiru na račun kapitalističkog “društva spektakla”, u kome se – kroz američku medijsku fascinaciju serijskim ubojicama – isprepliću opsjednutost celebrity kulturom i nasiljem. No je li uopće trebalo karikirati osobu koja logor Guantanamo brka sa šlagerom “Guantanamera”? Treća skupina filmova koju izdvajamo su Stoneovi dokumentarci. S vođom kubanske revolucije Fidelom Castrom snimio je tri dokumentarna filma: COMANDANTE (2003) i LOOKING FOR FIDEL (2004), koji donose izbor dijelova Stoneovog 30-satnog intervjua s Castrom, dok je CASTRO IN WINTER (2012) utemeljen na razgovoru snimljenom nakon što je diktator sišao s vlasti. Politički režimi središnje i južne Amerike stavljeni su u fokus filma SOUTH OF THE BORDER (2009), u kome politički lideri Venecuele, Brazila, Argentine, Bolivije, Paragvaja, Ekvadora i Kube govore o pogubnosti hegemonije kapitalističkog Sjevera i Međunarodnog monetarnog fonda na razvoj svojih zemalja. Imperativ pohlepe, koga je kao vrhunsku vrijednost kapitalističke Amerike slavio Gordon Gekko u filmu WALL STREET (1987), mogao je postojati jedino kroz neoimperijalnu eksploataciju nerazvijenog Juga. Hugu Chavezu, venecuelanskom predsjedniku koji je umro 2013. godine, odao je počast dokument-

arcem MI AMIGO HUGO (2014). Svi ti filmovi svjedoče o Stoneovoj ideološkoj bliskosti s ljevičarskim pokretima Južne Amerike, odnosno njihovoj kritici američkog eksepcionalizma, s kojim se reditelj najdetaljnije obračunao u dokumentarnoj TV seriji THE UNTOLD HISTORY OF THE UNITED STATES (2012–2013). Najnoviji Stoneovi filmovi dodatno učvršćuju njegov status politički baždarenog autora: SNOWDEN (2016) je posveta najpoznatijem američkom i svjetskom zviždaču, dok su THE PUTIN INTERVIEWS / INTERVJU SA PUTINOM (2017) najnoviji u nizu razgovora s političkim liderima koji dovode u pitanje američku verziju globalne historije i politike. U okviru programa Posvećeno… bit će prikazani VOD SMRTI, ROĐENE UBOJICE, SNOWDEN I INTERVJU SA PUTINOM, a publika će nakon projekcija imati priliku razgovarati s rediteljem u Q&A sesijama. E Director and screenwriter Oliver Stone was born in New York City in 1946, and is one of the most prolific and longest-reigning auteurs of contemporary American cinema. Since the mid 1970s, Stone has written and co-written more than 30 screenplays, and directed 20 featurelength fiction films and seven documentaries of varying formats. His films are perhaps best described by the adjectives engaged and controversial. Over his nearly half-century-long filmmaking career, Stone has been hailed as a politically aware and socially astute director. In his work, he has been extremely critical of the national and international policies of the United States, particularly in terms of their national-patriotic dimensions, as well as of the American administrative and military-industrial complex used for their implementation. His films represent a catalogue of traumas caused by American exceptionalism. The war in Vietnam, as the most devastating American experience of the latter half of the 20th century – and Stone’s personal trauma – was at the heart of his film trilogy PLATOON (1986), BORN ON THEFOURTH OF JULY (1989) and HEAVEN & EARTH (1993).The first two films in the trilogy were particularly notable for their introduction of the criticism of US aggression towards Vietnam into the mainstream of political debate in America during a time of the conservative ideology that was dominant under President Ronald Reagan. From today’s point of view, it seems almost incredible that PLATOON, which quickly became a cult film

(and won four Academy Awards, including Best Picture), was on hold for a full decade before it could be filmed and, in the words of Stone himself, might have never been made had it not attracted the interest of British producer John Daly. Alongside this, Stone knew that corrupt American policies were responsible for far more than just the conflict in Vietnam. Shortly before PLATOON, he had made SALAVADOR (1986), a film inspired by the testimonies of real-life journalist Richard Boyle about El Salvador’s descent into civil war. Politically speaking, the film was a protest against the military support that had been provided by the Republican-controlled US administration to the Salvadoran National Guard in its fight against the leftist Farabundo Marti guerrilla movement. As his documentaries would later show, Stone has been particularly sympathetic to the left-wing revolutionary movements of Latin America, whose greatest ideological enemies were their North American cousins. Stone went on to make another politically engaged film trilogy, this one about American presidents. Rather than a biopic about John F. Kennedy, Stone’s JFK (1991) is an examination of unclear details of the president’s assassination that support the theory that Lee Harvey Oswald had not acted alone, but rather was an instrument of the American military-industrial complex, and that the truth about Kennedy’s assassination was obscured in an organised fashion by people who were neither involved in nor approved it. Besides JFK, perhaps no other film about a historic political event has been so respected as a work of art, nor so harshly criticised as paranoid and factually inaccurate. NIXON (1995) was surprising in a completely different way: although a leftist such as Oliver Stone might be expected to provide unapologetic criticism of probably the most notorious of American presidents, he portrays Richard Nixon as almost-Shakespearian tragic figure, whose sins he neither obfuscated nor overstated. Instead of portraying Nixon as a demon, the film depicts him as a figure of history caught up in events he could not always master. This relationship between individuals and the hugely consequential (mis)fortunes they cannot always control is among Stone’s favourite topics. W. (2008), his film about President George W. Bush, did not offer a new take on the dominant media narrative about the most incompetent American president (until 2001). That is probably why the film attracted neither significant attention nor critical praise; the prevailing

commentary about the film was that it should have been less conventional and more sharply satirical. Some critics recalled NATURAL BORN KILLERS (1994), Stone’s extravagant, but dark satire of the capitalist “society of the spectacle”, in which the American media’s fascination with serial killers was presented as a mix of obsession with celebrity culture and fascination with violence. But was there really any need to ridicule further a man who mixed up the Guantanamo prison with the massively popular Cuban song “Guantanamera”? The third group of Stone’s films that stand out are his documentaries. He made three documentaries about the Cuban revolutionary leader Fidel Castro: COMANDANTE (2003) and LOOKING FOR FIDEL (2004), featuring excerpts of Stone’s 30-hour interview with Castro, and CASTRO IN WINTER (2012), based on an interview with Castro filmed after he had stepped down as President of Cuba. Political regimes of Central and South America were the focus of Stone’s SOUTH OF THE BORDER (2009), a film featuring interviews with the then-leaders of Argentina, Bolivia, Brazil, Cuba, Ecuador, Paraguay and Venezuela that takes a critical look at the devastating impact of the hegemony of North American capitalism and International Monetary Fund on the development of those countries. Greed as the imperative value of the capitalist USA, celebrated by Gordon Gekko in Stone’s WALL STREET (1987), was made possible only by the neo-imperial exploitation of underdeveloped Latin America. Stone honoured the late Venezuelan president Hugo Chavez, who died in 2013, with his documentary MI AMIGO HUGO (2014). All these films testify to Stone’s ideological alignment with the leftist movements of Latin America, in particular their criticism of the American exceptionalism that Stone most harshly criticises in his documentary series THE UNTOLD HISTORY OF THE UNITED STATES (2012–2013). Stone’s most recent films reconfirm his status as a politically engaged auteur: SNOWDEN (2016) is dedicated to the most famous American and global whistleblower, while THE PUTIN INTERVIEWS (2017) form another series of Stone’s interviews with political leaders who question the USA’s vision of global history and policy. The Tribute to... programme includes the screenings of NATURAL BORN KILLERS, PLATOON, THE PUTIN INTERVIEWS and SNOWDEN. All screenings will be followed by question-andanswer session with the director himself. Nebojša Jovanović

TRIBUTE TO OLIVER STONE l 23. Sarajevo Film Festival 159

Biografija i filmografija / Biography and filmography Oliver Stone rođen je 1946. u New Yorku. Nakon što se, u sklopu vojne službe, borio u ratu u Vijetnamu, upisao je studij filma na Univerzitetu u New Yorku, gdje mu je mentor bio Martin Scorsese. Stone je svoj prvi film, SEIZURE, režirao 1974, ali popularnost je stekao tek 1986. s međunarodno proslavljenim filmom VOD SMRTI za koji je osvojio nagradu Oscar za najbolju režiju; VOD SMRTI je dobio i niz drugih nagrada, uključujući i Oscara za najbolji film. Postao je treći najgledaniji film 1986. godine i promijenio je način na koji je rat u Vijetnamu do tada prikazivan na filmu. Drugi film iz njegove vijetnamske trilogije, BORN ON THE FOURTH OF JULY, naišao je na pozitivne reakcije publike i kritike, a Stoneu je donio drugog Oscara za najbolju režiju. Stone je svoju vijetnamsku trilogiju kompletirao 1993. filmom HEAVEN AND EARTH. Za razliku od prethodna dva filma, HEAVEN AND EARTH je rat predstavio iz perspektive jedne Vijetnamke. Stone je dobio prvi uvid u kompleksnost vlastitih ideja pišući scenarije za filmove drugih reditelja. Sa scenarijem za film MIDNIGHT EXPRESS osvojio je nagradu Oscar za najbolji prilagođeni scenarij 1978. godine. Također je napisao scenarije za filmove SCARFACE, YEAR OF THE DRAGON i CONAN THE BARBARIAN. Autor je i više dokumentaraca, uključujući tri filma o Fidelu Castru, COMANDANTE, LOOKING FOR FIDEL i CASTRO IN WINTER; i filma o velikim društvenim promjenama u Južnoj Americi, SOUTH OF THE BORDER, u kojem je značajnu pažnju posvetio Hugi Chavezu i šestorici drugih južnoameričkih predsjednika. Također je autor filma o izraelsko-palestinskom sukobu PERSONA NON GRATA. Stoneova serija filmova na temu kriminala, pored filma ROĐENI UBOJICE, uključuje i crnohumorne naslove U TURN i SAVAGES. Godine 2017, Stone je snimio dokumentarnu TV seriju INTERVJUI SA PUTINOM.

FILMOGRAFIJA / FILMOGRAPHY: 2017 – THE PUTIN INTERVIEWS (dokumentarna TV serija / documentary TV series) 2016 – SNOWDEN 2014 – MI AMIGO HUGO (dokumentarni film / documentary film) 2012 – SAVAGES 2010 – WALL STREET: MONEY NEVER SLEEPS 2006 – WORLD TRADE CENTER 2004 – ALEXANDER 1999 – ANY GIVEN SUNDAY 1997 – U TURN 1994 – NATURAL BORN KILLERS 1991 – JFK 1989 – BORN ON THE FOURTH OF JULY 1986 – PLATOON 1981 – THE HAND 1974 – SEIZURE 1971 – LAST YEAR IN VIET NAM (kratki film / short film)

E Oliver Stone was born in 1946 in New York City. After serving in the Vietnam War, he went to New York University to study Film under Martin Scorsese. In 1974, Stone directed his first feature film, SEIZURE. He had his directorial breakthrough in 1986 with the internationally acclaimed PLATOON. The film won him his first Best Director Academy Award (as well as a slew of other awards, including the Oscar for Best Picture) and become the third-highest grossing film of 1986, as it redefined the way in which the Vietnam War was portrayed on film. The second installment of his Vietnam trilogy, BORN ON THE FOURTH OF JULY, received enthusiastic acclaim and a second Best Director Oscar for Stone. In 1993, Stone completed his Vietnam trilogy with HEAVEN AND EARTH. Unlike the trilogy’s previous installments, HEAVEN AND EARTH looked at the war through the eyes of a Vietnamese woman. His screenplays, written though not directed by Stone, gave him an early taste of the difficulty of his ideas. In 1978, MIDNIGHT EXPRESS won him an Academy Award for Best Adapted Screenplay. He also wrote SCARFACE, YEAR OF THE DRAGON and CONAN THE BARBARIAN. His documentaries include three on Fidel Castro: COMANDANTE, LOOKING FOR FIDEL and CASTRO IN WINTER; one on South America: SOUTH OF THE BORDER, prominently featuring Hugo Chavez and six other presidents in a continent undergoing huge social changes. He also made PERSONA NON GRATA, on Israel-Palestine relations. In a series of crime-related films, Stone has, in addition to NATURAL BORN KILLERS, made U TURN and SAVAGES, both dark in tone and humour. In 2017, he made a series of TV documentaries THE PUTIN INTERVIEW.

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Natural Born Killers / Rođeni ubojice Mickey i Mallory Knox su autsajderi, bračni par ujedinjen tragičnom prošlošću. Također su i par hladnokrvnih ubica koji putuju Amerikom i brutalno ubijajaju svakoga ko im se nađe na putu. Kako tabloidi uzbuđeno prate njihove „podvige“, Mickey i Mallory ne htijući postaju medijske zvijezde, a javnost ih neočekivano počinje doživljavati kao heroje. E Mickey and Mallory Knox are two outsiders, a husband-and-wife duo drawn together by their traumatic pasts. They’re also cold-blooded serial killers, rampaging across America on a terrifying spree of merciless slaughter. As a tabloid journalist hungrily records their exploits, Mickey and Mallory inadvertently find themselves media darlings, as the public elevates them to the position of underdog heroes.

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USA, 1994, Colour, 118 min, English, Japanese Režija / Director: Oliver Stone Scenarij / Screenplay: Oliver Stone, David Veloz, Richard Rutowski, Quentin Tarantino Direktor fotografije / Director of Photography: Robert Richardson Montaža / Editor: Brian Berdan, Hank Corwin Muzika / Music: Brent Lewis, Trent Reznor, Leonard Cohen Zvuk / Sound: Robert Batha, Scott Martin Gershin, David Kneupper Kostimografija / Costume Design: Richard Hornung Scenografija / Production Design: Victor Kempster Producent / Producer: Jane Hamsher, Don Murphy, Clayton Townsend Produkcija / Production: Warner Bros., Regency Enterprises, Alcor Films Uloge / Cast: Woody Harrelson, Juliette Lewis, Tom Sizemore, Rodney Dangerfield, Everett Quinton, Jared Harris, Pruitt Taylor Vince Kontakt / Contact: Park Circus Limited; info@parkcircus.com

Platoon / Vod smrti Chris Taylor je mladi i naivni Amerikanac koji, ubrzo po dolasku u Vijetnam, shvata da se ne mora boriti samo protiv Vijetkonga već i protiv konstantnog straha, fizičkog umora i sve jačeg osjećaja bijesa. Dok njegova dva zapovjednika vode dva odvojena rata, jedan međusobni i drugi u kojem se zajedno bore protiv neprijatelja, Taylor je opsjednut ratom, haosom i mržnjom, gubeći osjećaj za realnost i poštovanje za najveću ljudsku vrijednost – život. E Chris Taylor is a young, naive American who, upon his arrival in Vietnam, quickly discovers that he must do battle not only with the Viet Cong, but also with the gnawing fear, physical exhaustion and intense anger growing within him. While his two commanding officers draw a fine line between the war they wage against the enemy and the one they fight with each other, the conflict, chaos and hatred permeate Taylor, suffocating his realities and numbing his feelings to man’s highest value – life.

United Kingdom, USA, 1986, Colour, 120 min, English, Vietnamese Režija / Director: Oliver Stone Scenarij / Screenplay: Oliver Stone Direktor fotografije / Director of Photography: Robert Richardson Montaža / Editor: Claire Simpson Muzika / Music: Georges Delerue Zvuk / Sound: Simon Kaye, David Campling Kostimografija / Costume Design: Kathryn Morrison, Wynn Arenas Scenografija / Production Design: Bruno Rubeo Producent / Producer: Arnold Kopelson Produkcija / Production: Hemdale Film Corporation Uloge / Cast: Tom Berenger, Willem Dafoe, Charlie Sheen, Forest Whitaker, Johnny Depp, Francesco Quinn, John C. McGinley, Keith David. Kevin Dillon, Mark Moses, Richard Edson Kontakt / Contact: Park Circus; info@parkcircus.com

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The Putin Interviews / Intervju sa Putinom Višestrukom oskarovcu Oliveru Stoneu pružena je jedinstvena prilika da tokom dvije godine obavi više od deset intervjua s ruskim predsjednikom Vladimirom Putinom, uz mogućnost da mu postavlja pitanja po vlastitom izboru. Ovaj izuzetni četverodijelni dokumentarac pruža dubok uvid u Putinov lični i profesionalni život, a vremenski i tematski se dotiče Putinovog odrastanja u doba komunizma, njegovog uspona na vlast, odnosa sa četiri američka predsjednika i njegovih iznenađujućih stavova o trenutnim američko-ruskim odnosima. Film je zasnovan na najintimnijim intervjuima koja je Putin ikada dao nekom autoru sa Zapada. E Academy Award-winning filmmaker Oliver Stone was granted unprecedented access to Russian president Vladimir Putin during more than a dozen interviews over two years, with no topic off limits. This remarkable four-part documentary series provides intimate insight into Putin’s personal and professional lives, from his childhood under communism, to his rise to power, his relations with four U.S. presidents, and his surprising takes on U.S.-Russian relations today. Witness the most detailed portrait of Putin ever granted to a Western interviewer.

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USA, 2017, Colour, 232 min, English, Russian Režija / Director: Oliver Stone Scenarij / Screenplay: Oliver Stone Direktor fotografije / Director of Photography: Anthony Dod Mantle, Rodrigo Prieto Montaža / Editor: Alex Marquez Muzika / Music: Jeff Beal Zvuk / Sound: Dean Hurley, Frank Heidbrink, Milos Zivkovic Producent / Producer: Oliver Stone, Fernando Sulichin, Robert S. Wilson Produkcija / Production: New Element Media, Fernando Sulichin, Robert S. Wilson Uloge / Cast: Oliver Stone, Vladimir Putin, George W. Bush, Bill Clinton, Boris Yeltsin, Mikhail Gorbachev, George H.W. Bush, Zbigniew Brzezinski, Hillary Clinton, Angela Merkel, Joe Biden, Bashar al-Assad, Barack Obama, Donald J. Trump Kontakt / Contact: Showtime Networks Inc., Johanna Fuentes; johanna.fuentes@showtime.net

Snowden “Vlasti rade neke stvari koje su potpuno pogrešne.” Edward Snowden je savjestan čovjek i kao takav ovaj mladi patriota je i obavljao posao kompjuterskog programera za više američkih obavještajnih službi. Zahvaljujući svom poslu, dobio je uvid u sve razgranatije, uključujući i ilegalne, tehnike koje američka obavještajna zajednica primjenjuje za nadzor građana. Duboko razočaran, tada dvadesetdevetogodišnji Snowden, donosi odluku da promijeni svoj život: u junu 2013. sastaje se s novinarom Guardiana Glennom Greenwaldom i filmskom rediteljicom i producenticom Laurom Poitras te ih upućuje u strogo povjerljive obavještajne podatke kako bi o njima izvijestili svjetsku javnost. Oliver Stone svoj napeti i razotkrivajući dokumentarac o Snowdenu opisuje kao biografiju modernog heroja. E “There‘s something going on inside the government that‘s really wrong.“ Edward Snowden is a conscientious man – and it was as such that the young patriot carried out his work as a computer expert for various American secret services. Being in this position, he gained insight into the increasingly comprehensive, not to mention illegal, surveillance techniques employed by the USA. Deeply disappointed, Snowden made the decision to change his life: in June, 2013, the 29-year-old met Guardian journalist Glen Greenwald and filmmaker Laura Poitras and presented them with strictly confidential secret service documents in order for them to enlighten the global public. Director Oliver Stone presents this nail-biting disclosure story as a biopic about a modern-day hero.

France, Germany, USA, 2016, Colour, 134 min, English Režija / Director: Oliver Stone Scenarij / Screenplay: Kieran Fitzgerald, Oliver Stone Direktor fotografije / Director of Photography: Anthony Dod Mantle Montaža / Editor: Alex Márquez, Lee Percy Muzika / Music: Craig Armstrong, Adam Peters Zvuk / Sound: Frank Heidbrink Scenografija / Production Design: Mark Tildesley Producent / Producer: Moritz Borman, Fernando Sulichin, Philip Schulz-Deyle, Eric Kopeloff Produkcija / Production: Krautpack Entertainment, Sacha Inc. Uloge / Cast: Joseph Gordon-Levitt, Shailene Woodley, Melissa Leo, Zachary Quinto, Tom Wilkinson, Scott Eastwood, Logan Marshall-Green, Timothy Olyphant, Ben Schnetzer, Lakeith Lee Stanfield, Rhys Ifans, Nicolas Cage Kontakt / Contact: Wild Bunch International Sales; sales@wildbunch.eu

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Dječiji program / Children’s Programme

168 Auf Augenhöhe / U visini očiju / At Eye Level, Evi Goldbrunner, Joachim Dollhopf 169 Dyrene i Hakkebakkeskogen / U Huki Buki šumi / In the Forest of Huckybucky, Rasmus A. Sivertsen 170 Gråtass - Gøy på landet! / Mali traktor Fergi / Little Grey Fergie – Country Fun!, Peder Hamdahl Ness 171 Košarkar naj bo / Nek bude košarkaš / Let Him Be a Basketball Player, Boris Petkovič 172 MeesterSpion / Gospodin špijun / Master Spy, Pieter Van Rijn 173 Piata loď / Mala luka / Little Harbour, Iveta Grófová 174 Red Dog: True Blue / Crveni pas: prava plava, Kriv Stenders 175 Upp i det blå / Gore na nebu / Up in the Sky, Petter Lennstrand 176 Wendy, Dagmar Seume 177 Dziedošais Hugo un viņa neticamie piedzīvojumi / Raspjevani Hugo i njegove nevjerovatne avanture / Singing Hugo and His Incredible Adventures, Reinis Kalnaellis 177 Geno, Dato Kiknavelidze 178 Jazzoo, Adam Marko-Nord 178 Ježeva kuća / Hedgehog’s Home, Eva Cvijanović 179 Der Kleine Vogel und die Raupe / Ptičica i gusjenica / The Little Bird and the Caterpillar, Lena von Döhren 179 Koyaa – Divji ležalnik / Koyaa – Divlja ležaljka / Koyaa – Wild Sunbed, Kolja Saksida 180 Koyaa – Razigrani avtomobilček / Koyaa – nevaljali autić / Koyaa – Naughty Toy Car, Kolja Saksida 180 Koyaa – Zmrzljivi šal / Koyaa - ledeni šal / Koyaa – Freezing Scarf, Kolja Saksida 181 Odd er et egg / Odd je jaje / Odd Is an Egg, Kristin Ulseth 181 Sabaku, Marlies van der Wel 182 Snipp, Snapp, Snut / Snip, Snap, Snut, Maria Hulterstam, Cecilia Actis

Auf Augenhöhe / U visini očiju / At Eye Level Jedanaestogodišnji Michi od smrti majke živi u sirotištu. Oca nikada nije upoznao, ali nakon što pronađe izgubljena pisma svoje majke, donosi čvrstu odluku da pronađe „Toma“. Internet pretraga dovodi Michija na očev prag, gdje neko vrijeme čeka, a zatim ostavlja poruku. Nakon što mu jedan od komšija kaže da Tom u to doba dana obično ide na veslanje, Michi odlazi do rijeke, ali uzbuđenje koje je osjećao, ubrzo prerasta u šok nakon što shvati da je Tom visok poput njega i nikako ne odgovara slici oca koju je zamislio. Michi brže-bolje trči do Tomovog doma kako bi uzeo poruku koju mu je ostavio, ali otkriva da je zakasnio. Michi izbjegava pitanja prijatelja i nada se da Tom neće pokušati stupiti u kontakt s njim. Međutim, kada Tom ipak dođe da ga potraži, njihovi će se životi neočekivano promijeniti. Evi Goldbrunner (1975) i Joachim Dollhopf (1971) diplomirali su na Odsjeku za scenaristiku, dramaturgiju i filmsku režiju na Filmskom univerzitetu Babelsberg. Njihovi zajednički studentski filmovi prikazani su na preko 200 festivala u više od 50 zemalja svijeta, uključujući festivale u Berlinu i Cannesu. Za svoj scenaristički i rediteljski rad dobili su više od 20 nagrada, uključujući Cinema for Peace Talent nagradu, Friedrich Wilhelm Murnau filmsku nagradu i najprestižniju njemačku nagradu za mlade filmske autore First Steps. U VISINI OČIJU njihov je debitantski dugometražni igrani film. E Eleven-year-old Michi has been living in a group home since the death of his mother. He has never known his father, but becomes determined to locate “Tom” after discovering a long-lost letter written by his mother. An online search leads Michi to his father’s doorstep, where he waits for a while before leaving a note. A neighbour tells Michi that Tom is usually rowing at that time of day, so Michi makes his way to the water’s edge — where his excitement is displaced by shock when he sees that Tom is the same height as he is, and the vision of his father he had constructed is shattered. He races back to Tom’s apartment to retrieve his note, but it’s too late. Michi avoids questions from his friends and hopes Tom won’t get in touch. When Tom does show up, both of their lives change in unexpected ways.

Evi Goldbrunner was born in 1975, and Joachim Dollhopf was born in 1971. Both are graduates of the Film University Babelsberg, where they studied Scriptwriting, Dramaturgy and Film Directing. Their co-directed student films have been shown at 200 festivals in 50 countries worldwide, among others at the Berlinale and the Cannes Film Festival. Their work as directors and writers has received more than 20 awards, among them the Cinema for Peace Talent Award, the Friedrich Wilhelm Murnau Filmpreis and the most prestigious young talent award of Germany’s film industry, the First Steps Award. AT EYE LEVEL is their debut feature-length film.

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Germany, 2016, Colour, 98 min, German Režija / Director: Evi Goldbrunner, Joachim Dollhopf Scenarij / Screenplay: Evi Goldbrunner, Joachim Dollhopf, Nicole Armbruster Direktor fotografije / Director of Photography: Jürgen Jürges Montaža / Editor: Maja Stieghorst Muzika / Music: David Ossa Zvuk / Sound: Thorsten Bolzé Kostimografija / Costume Design: Tina Keimel-Sorge Scenografija / Production Design: Bettina Zirngibl Producent / Producer: Martin Richter Produkcija / Production: Rat Pack Film Production Uloge / Cast: Luis Vorbach, Jordan Prentice, Ella Frey, Marco Licht Kontakt / Contact: Renate Zylla; rzylla@arcor.de FILMOGRAFIJA / FILMOGRAPHY: 2016 – AT EYE LEVEL 2008 – I DON’T FEEL LIKE DANCING (kratki film / short film) 2007 – BEI ANRUF MATT! (kratki film / short film) 2005 – MAJELLA (kratki film / short film) 2002 – DURST / STILL GOT THE BLUES (kratki film / short film) 2000 – TROCKEN / DRY (kratki film / short film)

Dyrene i Hakkebakkeskogen / U Huki Buki šumi / In the Forest of Huckybucky Miševi Klaus Penjač, Morten Drvenko, Mister Zec, i svi njihovi prijatelji, borave u Huki Buki šumi – mjestu divnom za život, ali male životinje uvijek moraju da se čuvaju od onih velikih. Marvin Lisica posebno voli da jede miševe koji mu se pojave na putu. Kada Horas Hedžhog pokuša da pojede Mortenovu baku, on počinje da se bori za zakon među životinjama koji nalaže da sve životinje moraju biti prijatelji i prestati da jedu jedni druge. Rasmus Andre Sivertsen norveški je režiser i animator. Studij animacije završio je na Univerzitetu Volda, nakon čega je režirao sedam animiranih filmova. S filmom HRABRI AUTIĆ PLODI osvojio je nagradu Amanda za najbolji dječiji film. E Claus Climbermouse, Morten Wood Mouse, Mister Hare and all their friends dwell in the Huckybucky Forest – a nice place to live, but the tiny animals always have to watch out for some of the bigger ones. Marvin the Fox in particular has an unfortunate tendency to try to devour all the mice who cross path. As Horace Hedgehog attempts to eat Morten’s grandma, he tries to pass a law so that all the animals will agree to be friends and stop eating each other.

Rasmus Andre Sivertsen is a Norwegian film director and animator. He is a graduate of Animation studies at Volda University College and has directed seven feature-length animated films. He has won the Amanda Award for Best Children’s Film for PLODDY THE POLICE CAR MAKES A SPLASH.

Norway, Netherlands, 2016, Colour, 75 min, Norwegian Režija / Director: Rasmus A. Sivertsen Scenarij / Screenplay: Thorbjørn Egner (book), Karsten Fullu Direktor fotografije / Director of Photography: Morten Skallerud, Janne K. Hansen Muzika / Music: Katzenjammer, Gaute Storås Zvuk / Sound: Tormod Ringnes, Baard Haugan Ingebretsen Scenografija / Production Design: Are Austnes Producent / Producer: Eirik Smidesang Slåen, Ove Heiborg, Elisabeth Opdal Produkcija / Production: Qvisten Animation AS Uloge / Cast: Frank Kjosås, Stig Henrik Hoff, Nils Jørgen Kaalstad Kontakt / Contact: Norwegian Film Institute; www.nfi.no FILMOGRAFIJA / FILMOGRAPHY: 2016 – DYRENE I HAKKEBAKKESKOGEN / IN THE FOREST OF HUCKYBUCKY 2015 – SOLAN OG LUDVIG: HERFRA TIL FLÅKLYPA / SOLAN AND LUDVIG: THE BIG CHEESE RACE 2015 – KNUTSEN & LUDVIGSEN OG DEN FÆLE RASPUTIN / TWO BUDDIES AND A BADGER 2013 – SOLAN OG LUDVIG: JUL I FLÅKLYPA / SOLAN AND LUDVIG: CHRISTMAS IN PINCHCLIFFE 2013 – PELLE POLITIBIL PÅ SPORET / PLODDY THE POLICE CAR ON TRACK 2009 – PELLE POLITIBIL GÅR I VANNET / PLODDY THE POLICE CAR MAKES A SPLASH 2008 – KURT BLIR GRUSOM / KURT TURNS EVIL

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Gråtass - Gøy på landet! / Mali traktor Fergi / Little Grey Fergie – Country Fun! Na prvi pogled, Fergi je poput ostalih seoskih sivih traktora. Čini nam se da se uopće ne razlikuje od ostale legendarne “braće“, čuvene loze Ferguson traktora. Ipak, Fergi je veoma poseban. Vjerovali ili ne, on ima srce, toplo srce koje kuca za njegove prijatelje. Učinit će sve da pomogne svom drugaru, dječaku Gavinu, pa tako jednog dana zajedno kreću u misiju spašavanja malog jagnjeta kojeg su lopovi htjeli da ukradu... Peder Hamdahl Næss filmski je, pozorišni i TV pisac, reditelj i producent. Prve uloge odigrao je u dobi od 12 godina kada je nastupio u Novom teatru u Oslu i igrao u filmu ON THE TRESHOLD, nagrađenom nagradom Amanda. Nakon što je 1997. diplomirao na Londonskoj školi filma, Næss je kao scenarista radio na seriji „Second Avenue“ za program javne televizije SVT i kao producent za razvoj dramskih projekata za kompaniju Nordisk Film. Nakon što je režirao nevjerovatnih 69 epizoda serije „Hotel Cæsar“, Næss režira svoj dugometražni igrani prvenac LITTLE GREY FERGIE – COUNTRY FUN! E At first sight, Fergie does not appear to be much different to all other grey tractors in the village, nor any different than the legendary “brothers” of the famous Ferguson tractor family. But Fergie is special. Believe it or not, he has a heart – a warm heart that beats for his friends. He is willing to do anything he can to help his little friend Gavin, so one day the two of them embark on a mission to save a little lamb that thieves tried to steal.

Peder Hamdahl Næss is a writer, director and producer of film, television and theatre. He made his acting debut at the age of 12, at the Oslo New Theatre, and in the Amanda-winning film ON THE THRESHOLD. Following his graduation from the London Film School in 1997, Næss worked as a storyliner for the SVT drama “Second Avenue” and as a television drama development producer at Nordisk Film. After directing 69 episodes of “Hotel Cæsar”, Næss has made his feature-length directorial debut with the film LITTLE GREY FERGIE – COUNTRY FUN!

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Norway, Ireland, 2016, Colour, 77 min, Serbian Režija / Director: Peder Hamdahl Ness Scenarij / Screenplay: Michael Lavelle Montaža / Editor: Leif Axel Kjeldsen Muzika / Music: Lars Kilevold Zvuk / Sound: Colm Finnegan Kostimografija / Costume Design: Lyn Avery Scenografija / Production Design: Eleanor Wood Producent / Producer: Silje Hopland Eik, Dyveke Bjørkly Graver Produkcija / Production: Cinenord Kidstory AS Uloge / Cast: Dagny Backer Johnsen, Stein Winge, Hege Schøyen, Jeppe Beck Laursen, Elias Søvold Simonsen, Kari Ann Grønsund Kontakt / Contact: Cinenord Kidstory AS; spillefilm@cinenord.no FILMOGRAFIJA / FILMOGRAPHY: 2017 – GRÅTASS REDDER GÅRDEN 2016 – GRÅTASS GIR GASS 2016 – GRÅTASS – GØY PÅ LANDET! / LITTLE GREY FERGIE – COUNTRY FUN!

Košarkar naj bo / Nek bude košarkaš / Let Him Be a Basketball Player Ranta je toliko visok da žirafama može vezati kravate i tako mršav da skoro je providan. Jede sve što se stavi pred njega, uključujući i tanjir na kojem je servirana hrana. Toliko je lijen da njegov krevet uvečer dolazi njemu, inače bi zaspao na nogama. Kada nastavnik fizičkog otkrije Rantin košarkaški talenat, njegov svijet okreće se naglavačke. Boris Petkovič rođen je 1971. godine u Zenici. Diplomirao je na Fakultetu za mornaričku navigaciju u Kopru, a 2005. godine završava studij filma na filmskoj školi EICAR u Parizu, gdje i danas predaje. Živi na potezu između Pariza i Ljubljane, i radi kao nezavisni filmski reditelj. Njegov prethodni dugometražni film bio je mjuzikl THE BEAT OF LOVE. E Ranta is so tall he can put neckties on giraffes and so thin he is translucent. He eats everything he sees, including the plate it is served on, and he is so lazy his bed has to come to him in the evening on its own, otherwise he’d fall asleep standing up. When the gym teacher at his school notices his talent for playing basketball, Ranta’s world is turned upside down.

Boris Petkovič was born in 1971 in Zenica, Bosnia. He graduated in Koper from the Faculty for Navy Navigation and from EICAR film school in Paris in 2015, where he stayed on to teach. He lives in Paris and Ljubljana, working as a freelance film director. His previous feature-length film was the musical drama THE BEAT OF LOVE.

Slovenia, 2017, Colour, 82 min, Slovenian Režija / Director: Boris Petkovič Scenarij / Screenplay: Primož Suhodolčan Direktor fotografije / Director of Photography: Mitja Ličen, ZFS Montaža / Editor: Jelena Maksimović Muzika / Music: Nino De Gleria Zvuk / Sound: Borut Berden Kostimografija / Costume Design: Tina Bonča Scenografija / Production Design: Janez Prohinar Producent / Producer: Frenk Celarc Produkcija / Production: Gustav Film Uloge / Cast: Klemen Kostrevc, Matija Brodnik, Gaja Filač, Marko Miladinović, Gojmir Lešnjak, Lado Bizovičar, Ana Marija Mitić, Matjaž Javšnik, Saša Pavček Kontakt / Contact: Gustav Film; distribucija@gustavfilm.si, info@gustavfilm.si, pr@kosarkarnajbo.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – KOŠARKAR NAJ BO / LET HIM BE A BASKETBALL PLAYER 2016 – NARA PETROVIČ=ČLOVEK / NARA PETROVIČ=HUMAN (dokumentarni film / documentary) 2015 – UTRIP LJUBEZNI / THE BEAT OF LOVE 2010 – V LETU HIP HOPA / IN THE YEAR OF HIP HOP (dokumentarni film / documentary) 2006 – PARIS.LOVE 2004 – TOUCHÉ (kratki film / short film)

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MeesterSpion / Gospodin špijun / Master Spy Timovi roditelji otvaraju hotel na obali. Njihovi snovi su se ostvarili, ali Tima to pretjerano ne oduševljava. Prisiljen je da se seli, krene u novu školu i, ako bude imao sreće, upozna nove prijatelje. Međutim, Tim ubrzo u podrumu pronalazi smrznutog muškarca. Nakon što muškarac dođe sebi, ispostavit će se da je riječ o špijunu koji je na tom mjestu prije trideset godina učestvovao u nevjerovatnoj avanturi. Dok zajedno pokušavaju saznati šta se tačno dogodilo prije tri decenije, misterije se nastavljaju gomilati. Pieter Van Rijn započeo je rediteljsku karijeru 2000. godine, kada je režirao jednu epizodu holandske TV serije „De Aanklacht“. Nakon toga, režirao je nekoliko serija, uključujući i „Flikken Maastricht“. Svoj prvi film, PLUK VAN DE PETTEFLET, režirao je 2004, a potom su uslijedili filmovi FAMILIEWEEKEND i GOSPODIN ŠPIJUN. E Tim’s parents start a hotel business on the coast. Their dream comes true, but Tim is less excited. Moving, a new school, new friends (hopefully): he is not sure what to expect. Then he discovers a frozen man in the basement. When the man thaws out, it turns out he is a spy who had a thrilling adventure there 30 years ago. Together, Tim and the spy try to find out what happened back then, while new mysteries keep piling up.

Pieter Van Rijn begins his career in 2000 directing an episode of the Dutch television series „De Aanklacht“. He directed several further series, among which was „Flikken Maastricht“. In 2004, he directed his first film, the family movie PLUK VAN DE PETTEFLET, which was followed by FAMILIEWEEKEND and MASTERSPY.

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Netherlands, 2016, Colour, 74 min, Dutch Režija / Director: Pieter Van Rijn Scenarij / Screenplay: Tijs van Marle Direktor fotografije / Director of Photography: Joris Kerbosch Montaža / Editor: Michiel Boesveldt Muzika / Music: Matthijs Kieboom, Martijn Schimmer Zvuk / Sound: Marten Negenman Kostimografija / Costume Design: Magriet Procee Scenografija / Production Design: Dimitri Merkoulov Producent / Producer: Paul Voorthuysen Produkcija / Production: PV Pictures Uloge / Cast: Beau Schneider, Stijn van de Plas, Nienke de la Rive Box Kontakt / Contact: PV Pictures, Kiki The, kiki@pvpictures.nl FILMOGRAFIJA / FILMOGRAPHY: 2016 – MEESTERSPION / MASTER SPY 2016 – FAMILIEWEEKEND 2004 – PLUK VAN DE PETTEFLET

Piata loď / Mala luka / Little Harbour MALA LUKA priča je o djeci koja se na ulici osjećaju sigurnije nego kod kuće, djeci koja tragaju za izdržljivim malim čamcima koji putnike prevoze između svijeta fantazije i okrutnog, stvarnog svijeta. Jarka je jedno od te djece. Ona ima deset godina, živi sa majkom koja još nije spremna za majčinstvo, pa većinu vremena provodi sama. Vođena potrebom za ljubavlju i funkcionalnom porodicom, Jarka na sebe preuzima ulogu zamjenske „majke“ dvjema malim bebama. Iveta Grófová rođena je 1980. godine u Trenčínu, Slovačka. Doktorirala je na Akademiji za scenske umjetnosti u Bratislavi. Njen prvi dugometražni igrani film MADE IN ASH bio je slovački kandidat za nagradu Oscar Američke filmske akademije, a prikazan je na brojnim festivalima, uključujući festivale u Cottbusu i Torinu. S filmom MALA LUKA osvojila je prvu nagradu žirija dječijeg programa Kristalni medvjed, u selekciji Generation Kplus Filmskog festivala u Berlinu. E LITTLE HARBOUR is a story about children who feel safer on the streets than at home; about children seeking out sturdy liferafts that cross between the world of fantasy and the harsh realities of life. Jarka is one of these children. Ten years old, living with a mother who is not yet ready to be a mum, Jarka spends most of her time alone. Driven by her desire for love and to form a fully functional family, she finds herself a substitute “mother” to two babies.

Iveta Grófová was born in 1980 in Trenčín, Slovakia, and obtained a PhD from the Academy of Performing Arts in Bratislava. MADE IN ASH, her 2012 feature-length debut film, was the Slovakian nominee for the Best Foreign Language Film at the Academy Awards, and was presented in and won awards at numerous festivals, including the FilmFestival Cottbus and the Torino Film Festival. Her film LITTLE HARBOUR received the Crystal Bear for the Best Film of the Children’s Jury in the Generation Kplus section at the Berlin International Film Festival.

Slovak Republic, Czech Republic, 2017, Colour, 85 min, Slovak Režija / Director: Iveta Grófová Scenarij / Screenplay: Marek Leščák, Iveta Grófová, adapted from a novel by Monika Kompaníková Direktor fotografije / Director of Photography: Denisa Buranová Montaža / Editor: Anton Fabian Muzika / Music: Matej Hlaváč Zvuk / Sound: Matej Hlaváč, Tobiáš Potočný Kostimografija / Costume Design: Martina Čerňáková Scenografija / Production Design: Denisa Buranová, Iveta Grófová, Iva Němcová Producent / Producer: Katarína Krnáčová, Iveta Grófová, Jiří Konečný Produkcija / Production: Hulapa film, Endorfilm Uloge / Cast: Vanessa Szamuhelová, Matúš Bačišin, Katarína Kamencová, Johanna Tesařová, Zoltán Schneider, Ági Gubik, Martina Sľúková Kontakt / Contact: Loco Films, Laurent Daniélou; laurent.danielou@loco-films.com; FILMOGRAFIJA / FILMOGRAPHY: 2017 – PIATA LOĎ / LITTLE HARBOUR 2013 – DISCOBOJ / DISCOBOY (kratki film / short film) 2012 – AŽ DO MĚSTA AŠ / MADE IN ASH

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Red Dog: True Blue / Crveni pas: prava plava Kada jedanaestogodišnjeg Micka pošalju na djedovu farmu u izolovanu regiju Pilbara u Zapadnoj Australiji, Mick je spreman na dosadan i naporan život koji ga tamo očekuje. Umjesto toga, on pronalazi mitove, avanture i prijateljstvo s jedinstvenim, olinjalim psom koji će mu zauvijek promijeniti život. Kriv Stenders rođen je 1964. godine u Brisbaneu, Australija, i jedan je od najcjenjenijih australskih reditelja. Diplomirao je na Australskoj školi za film, televiziju i radio u Sydneyu 1989, a nakon toga je režirao brojne dokumentarne, kratke i igrane filmove, kao i video spotove i TV serije. Njegov igrani film RED DOG prikazan je u programu Generation Filmskog festivala u Berlinu 2011. godine i ostvario je ogroman uspjeh na kino blagajnama. E When 11-year-old Mick is shipped off to his grandfather’s cattle station in the remote Pilbara region of Western Australia, he prepares himself for a life of dull hardship, but instead finds myth, adventure, and a friendship with a scrappy, one-of-a-kind dog that will change his life forever.

Kriv Stenders was born in 1964 in Brisbane, Australia, and is one of Australia’s most renowned film directors. He graduated from the Australian Film Television and Radio School in Sydney in 1989, and since then has directed numerous documentaries, shorts and feature films, as well as music videos and television series. His feature film RED DOG screened in the Berlinale Generation section in 2011 and was a huge box-office success.

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Australia, 2016, Colour, 89 min, English Režija / Director: Kriv Stenders Scenarij / Screenplay: Daniel Taplitz Direktor fotografije / Director of Photography: Geoffrey Hall Montaža / Editor: Jill Bilcock, Rodrigo Balart Muzika / Music: Cezary Skubiszewski Zvuk / Sound: Chris Goodes Kostimografija / Costume Design: Anna Borghesi Scenografija / Production Design: Sam Hobbs Producent / Producer: Nelson Woss, Bryce Menzies Produkcija / Production: Good Dog Enterprises, Marshalls & Dent Uloge / Cast: Phoenix - Blue Dog, Levi Miller, Bryan Brown, Jason Isaacs, Hanna Mangan Lawrence, Thomas Cocquerel, John Jarratt, Justine Clarke, Zen McGrath, Winta McGrath Kontakt / Contact: Good Dog Enterprises; nwoss@mac.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – RED DOG: TRUE BLUE 2014 – KILL ME THREE TIMES 2011 – RED DOG 2009 – LUCKY COUNTRY 2006 – BOXING DAY 2005 – THE ILLUSTRATED FAMILY DOCTOR 2005 – BLACKTOWN

Upp i det blå / Gore na nebu / Up in the Sky Osmogodišnja Pottan sprema se za odlazak na ljetni kamp, ali greškom završava u centru za reciklažu otpada s nekim zaista čudnim likovima. Oni nerado preuzimaju brigu o Pottan koja ubrzo otkriva njihovu tajnu. Sakriveni iza visoke ograde, oni grade vlastitu svemirsku raketu… Nakon niza komičnih trenutaka, neočekivanih prijateljstava i avantura, Pottan postaje prva osmogodišnjakinja u svemiru. Petter Lennstrand rođen je 1970. godine u Štokholmu. Devedesetih godina prošlog vijeka, završio je obuku za posao lutkara kod osnivača švedskog pozorišta Marionetteatern Michaela Meschkea. Autor je niza popularnih dječijih programa. Na početku, uglavnom je radio s lutkama, ali je naknadno razvio vlastiti stil koji podrazumijeva istovremeni rad sa živim glumcima i lutkama. Lennstrand je 2009. osvojio nagradu Heffaklum koju dodjeljuju novine Expressen. Nagrada se, inače, dodjeljuje autorima najboljih knjiga za djecu, a Lennstrand je bio prvi koji ju je dobio za TV seriju. E Eight-year-old Pottan is off to summer camp, but by mistake she ends up at a recycling centre with some really peculiar characters. Reluctantly, they take care of Pottan, who soon discovers their secret. Behind a tall fence, they are working on a homemade space rocket… Comedy, adventure and unexpected friendships await, as Pottan becomes the first eight-year-old in space.

Petter Lennstrand was born in 1970 in Stockholm. In the 1990s, he trained as a puppeteer with Swedish Marionetteatern founder Michael Meschke. He has created a number of popular television shows for children. Initially working mostly with puppets, he has since developed his own technique which blends human actors and puppets. In 2009, he won the “Expressen” newspaper’s Heffaklump prize, a children’s culture award originally intended for children’s book creators, which was in this case bestowed for the first time on a television series.

Sweden, 2016, Colour, 82 min, Swedish Režija / Director: Petter Lennstrand Scenarij / Screenplay: Martin Olczak, Petter Lennstrand Direktor fotografije / Director of Photography: Erik Molberg Hansen Montaža / Editor: Kristin Grundström Muzika / Music: Rasmus Thord, Kalle Frid, Pär Frid Zvuk / Sound: Owe Svensson Kostimografija / Costume Design: Moa Li Lemhagen Schalin Scenografija / Production Design: Josefin Åsberg Producent / Producer: Lars Jönsson Produkcija / Production: Memfis Film Rights AB Uloge / Cast: Ida Engvoll, Eric Ericson, Mira Forsell, Sofie Gällerspång, Joel Kullberg, Shebly Niavarani Kontakt / Contact: TrustNordisk ApS, Susan Wendt; susan@trustnordisk.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – UPP I DET BLÅ / UP IN THE SKY

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Wendy Dvanaestogodišnja Wendy ni najmanje nije oduševljena kada njeni roditelji odluče da čitav ljetni odmor provedu na Rosenborgu, oronuloj farmi konja u vlasništvu njene bake Herte. Svojevremeno uspješna i strastvena jahačica, Wendy se nakon ozbiljne nesreće na jahanju nikad više nije popela na konja. Ali čim stigne na farmu, upoznaje povrijeđenog konja Dixija koji je lokalnom mesaru Röttgersu pobjegao ispod noža. Između ovo dvoje usamljenika razvija se prijateljstvo koje ne samo da će zauvijek promijeniti Wendyn život već bi moglo spasiti Rosenborg od prodaje. Dagmar Seume rođena je 1964. godine u Lehninu, Njemačka. Početkom devedesetih godina prošlog vijeka, započela je rad na filmu kao asistentica režije. Godine 2006, Seume je po vlastitom scenariju, režirala i koproducirala kratki igrani film REMEMBER, a nakon toga posvetila se režiranju igranih i dokumentarnih filmova, te TV serija. E Twelve-year-old Wendy is not thrilled when her parents decide to spend the whole summer vacation at Rosenborg, the dilapidated equestrian farm owned by her grandmother Herta. After a serious riding accident, Wendy, formerly an enthusiastic and successful rider, never got back on a horse. But once she arrives at Rosenborg, she crosses ways with the wounded horse Dixie, who escaped from the butcher Röttgers. Between the two loners a friendship begins to bloom – one that will not only change Wendy’s life forever, but could also save Rosenborg from being sold. Dagmar Seume was born in 1964 in Lehnin, Germany. She started working in the film business in the early 1990s as an assistant director. In 2006 she wrote, directed and co-produced her short feature debut, REMEMBER. Since 2006, Seume has been shooting documentary and narrative featurelength films and series.

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Germany, 2017, Colour, 91 min, German Režija / Director: Dagmar Seume Scenarij / Screenplay: Caroline Hecht Direktor fotografije / Director of Photography: Gunnar Fuss Montaža / Editor: Dora Vajda Muzika / Music: Michael Beckmann Zvuk / Sound: Achim Strommenger Kostimografija / Costume Design: Peri Willbrandt de Braganca Scenografija / Production Design: Ellen Latz Producent / Producer: Jan Kromschröder and Eva Holtmann Produkcija / Production: Bantry Bay Productions Uloge / Cast: Jule Hermann, Maren Kroymann, Jasmin Gerat, Benjamin Sadler, Julius Hotz Kontakt / Contact: Renate Zylla – Festival Agent; rzylla@arcor.de FILMOGRAFIJA / FILMOGRAPHY: 2017 – WENDY 2013 – HANNI & NANNI 3 2004 – REMEMBER (kratki film / short film)

Latvia, 2017, Colour, 9 min, No Dialogue Režija / Director: Reinis Kalnaellis Scenarij / Screenplay: Kaspars Roga Direktor fotografije / Director of Photography: Arnis Zemītis Montaža / Editor: Reinis Kalnaellis Muzika / Music: Kārlis Auzāns Zvuk / Sound: Artis Dukalskis Scenografija / Production Design: Vitālijs Daukšta, Olga Sokal Producent / Producer: Vilnis Kalnaellis Produkcija / Production: Rija Films Kontakt / Contact: Rija Films; info@rijafilms.lv

Dziedošais Hugo un viņa neticamie piedzīvojumi / Raspjevani Hugo i njegove nevjerovatne avanture / Singing Hugo and His Incredible Adventures U noći obasjanoj mjesečinom, dok ostale pernate životinje mirno hrču u kokošinjcu, jedan pijetao budan sanja o uspješnoj pjevačkoj karijeri. Ponesen ritmom u nogama, on počinje da pjeva na sav glas. Nažalost, buka iz kokošinjca privlači pažnju dvojice lopova koji pijetla velikom brzinom trpaju u platnenu vreću i bježe s njim.

FILMOGRAFIJA / FILMOGRAPHY: 2017 – DZIEDOŠAIS HUGO UN VIŅA NETICAMIE PIEDZĪVOJUMI / SINGING HUGO AND HIS INCREDIBLE ADVENTURES (kratki film / short film) 2014 – AUKSO ŽIRGAS / THE GOLDEN HORSE 2010 – THE FIRE AND THE CLAY MASTER (kratki dokumentarni film / short doc.) 2009 – WHEN APPLES ROLL

Reinis Kalnaellis rođen je 1986. u Rigi. Njegov debitantski film, WHEN APPLES ROLL, prikazan je na više od sto filmskih festivala širom svijeta i osvojio je nekoliko nagrada. E On a moonlit night, all the chickens are all snoring in their coop – except one. The sleepless chicken dreams of a great singing career, and with a swing in its step, our feathered friend starts warbling at the top of its voice. Unfortunately, the noise attracts the attention of two thieves, who quickly make off with the bird in a cloth sack.

Reinis Kalnaellis was born in 1986 in Riga. His debut film WHEN APPLES ROLL has taken part in more than 100 film festivals worldwide and received several awards.

Geno Geno je mrzovoljni žabac koji će morati naučiti da sarađuje s komšijama ukoliko želi spriječiti građevinske preduzetnike da unište njegovu baru. Dato Kiknavelidze rođen je 1989. godine u Tbilisiju. Zvanje magistra finih umjetnosti i diplomu iz animacije stekao je na Državnoj umjetničkoj akademiji u Tbilisiju. Za kratki animirani filmski projekat GENO dobio je koprodukcijsku nagradu Robert Bosch 2013. godine, a također je i višestruki dobitnik nagrada Gruzijskog državnog filmskog centra.

Georgia, Germany, 2017, Colour, 13 min, English Režija / Director: Dato Kiknavelidze Scenarij / Screenplay: Dato Kiknavelidze Direktor fotografije / Director of Photography: Dato Kiknavelidze Montaža / Editor: Dato Kiknavelidze Muzika / Music: Zviad Ezugbaia Zvuk / Sound: Beso Kacharava Scenografija / Production Design: Dato Kiknavelidze Producent / Producer: Lali Kiknavelidze, Lela Akiashvili, Anne-Kathrin Lewerenz Produkcija / Production: Lira Production Studios Uloge / Cast: Davit Dvalishvil, Sofiko Kiknavelidze Kontakt / Contact: Lira Production Studios; infoliraproduction@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – GENO (kratki film / short film) 2010 – VACUUM (kratki film / short film)

E Geno is a grumpy toad who must learn to work with his neighbours in order to save his pond from destruction at the hands of real estate developers.

Dato Kiknavelidze was born in 1989 in Tbilisi. He holds a Master’s degree in Fine Arts and a bachelor’s degree in Animation from the Tbilisi State Academy of Arts. Kiknavelidze is a recipient of the Robert Bosch Co-Production Film Prize for the short animated film GENO, and has won Georgian National Film Centre Competitions awards on several occasions.

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Jazzoo Leteći nilski konj u potrazi za najbližom barom. Riba za volanom u bijegu od ajkule. Mala koala koja želi skakati poput kengura, i razuzdana slonovska družina koja organizuje zabavu i time izluđuje majmune. Nijedan trenutak u ove četiri živopisne, animirane priče iz životinjskog carstva nije dosadan, a doživljaj upotpunjuju sjajne jazz kompozicije nagrađivanog švedskog kvinteta Oddjob.

Sweden, 2016, Colour, 9 min, No Dialogue Režija / Director: Adam Marko-Nord Scenarij / Screenplay: Adam Marko-Nord, Oddjob Direktor fotografije / Director of Photography: Ben Javens Montaža / Editor: Adam Marko-Nord Muzika / Music: Oddjob Zvuk / Sound: Goran Kajfes, David Österberg Producent / Producer: Sara Waldestam, Adam Marko-Nord Produkcija / Production: Alphaville/Chimney Group Uloge / Cast: Per “Ruskträsk” Johansson, David Österberg Kontakt / Contact: Sara Waldestam; sara@alphaville.se FILMOGRAFIJA / FILMOGRAPHY: 2017 – JAZZOO (kratki film / short film) 2002 – KLONKADONKA! (kratki film / short film)

Adam Marko Nord rođen je 1975. u Štokholmu. Studirao je na Evropskom filmskom koledžu u Danskoj i na Odsjeku za umjetnost, zanate i dizajn Univerziteta Konstfack u Štokholmu. Njegov kratki film KLONKADONKA! prikazan je na Filmskom festivalu u Berlinu 2002. godine. Nakon tri godine, 2005, osnovao je animacijski studio Alphaville. Trenutno radi kao kreativni direktor agencije Chimney Group. E A flying hippo on a quest to find the nearest pond. A fish behind the wheel, fleeing from a shark. A little koala who wants to hop like the kangaroos, and a raucous mob of elephants throwing a party – which drives the monkeys up the wall. There’s never a dull moment in these four colourful animated episodes from the animal kingdom, enlivened by the groovy jazz sounds of award-winning Swedish quintet Oddjob.

Adam Marko Nord was born in 1975 in Stockholm. He studied at the European Film College in Denmark and the Konstfack University College of Arts, Crafts and Design in Stockholm. His short film KLONKADONKA! featured in the Berlinale in 2002. In 2005, he founded the Alphaville animation studio. He currently works as Creative Director at Chimney Group.

Ježeva kuća / Hedgehog’s Home Jež živi duboko u šumi, okružen kamenjem prekrivenim mahovinom, žarko crvenim jagodama, gljivama i raskošnim grmljem. Jedne noći ga lukava lija, pohlepni medvjed, zli vuk i blatnjavi vepar čekaju u zasjedi. Nemajući pametnija posla, oni se izruguju ježevom skromnom domu. JEŽEVA KUĆA šarmantna je filmska adaptacija istoimene rimovane basne jugoslavenskog pisca Branka Ćopića. Eva Cvijanović rođena je 1984. u Sarajevu. Nakon što je diplomirala na Univerzitetu Concordia u Montrealu, producirala je i režirala dva nezavisna kratka filma. Cvijanovićeva je 2011. učestvovala u Hothouse razvojnom programu za animatore Nacionalnog filmskog odbora Kanade. Privlači je rad s upletenom vunom, te vodenim i pastelnim bojama, a ima iskustvo rada u više različitih filmskih žanrova, poput dokumentarnih i lutkarskih filmova, te videoigara. E In a world made of felt, the hedgehog lives deep in the forest, surrounded by moss-covered stones, bright red strawberries, mushrooms and rambling bushes. But one night, the sly fox, the greedy bear, the wicked wolf and the muddy wild boar are lying in wait for him. They have nothing better to do than make fun of the hedgehog’s little home. Narrated in rhyme, this charming adaptation is based on a fable by Yugoslav author Branko Ćopić.

Eva Cvijanovic was born in 1984 in Sarajevo. Since graduating from the Concordia University in Montreal she has produced and directed two independent short films. In 2011, she participated in the National Film Board of Canada’s Hothouse development programme for animators. She is drawn to working with materials like felted wool, watercolours and pastels, and has experience of creating work in a number of very different genres including documentaries, puppet films and video games. 178 23. Sarajevo Film Festival l DJEČIJI PROGRAM

Canada, Croatia, 2017, Colour, 10 min, Croatian Režija / Director: Eva Cvijanović Scenarij / Screenplay: Eva Cvijanović, based on the book from Branko Ćopić Direktor fotografije / Director of Photography: Ivan Slipčević Montaža / Editor: Eva Cvijanović, Iva Kraljević Muzika / Music: Darko Rundek Zvuk / Sound: Olivier Calvert Scenografija / Production Design: Ivana Bošnjak, Thomas Johnson, Kata Gugić, Marko Meštrović, Dina Karadžić Producent / Producer: Jelena Popović, Vanja Andrijević Produkcija / Production: National Film Board of Canada, Bonobostudio Uloge / Cast: Rade Šerbedžija Kontakt / Contact: Vanja Andrijević, vanja@bonobostudio.hr FILMOGRAFIJA / FILMOGRAPHY: 2017 – HEDGEHOG’S HOME (kratki film / short film) 2013 – SEASICK (kratki film / short film) 2011 – THE KISS (kratki film / short film) 2010 – ONCE UPON A MANY TIME (kratki film / short film) 2008 – PLAY (kratki film / short film)

Der Kleine Vogel und die Raupe / Ptičica i gusjenica / The Little Bird and the Caterpillar Ljupka ptičica se vratila i sada uživa u svom domu, ušuškanom među zelenim lišćem javorovog drveta. Ali jedna gladna gusjenica vreba njeno voljeno zelenilo. Lena von Döhren njemačka je animatorica, rediteljica i ilustratorica. Rođena je u Berlinu, a studirala je audiovizuelne komunikacije na Akademiji Gerrit-Rietveld u Amsterdamu, a zatim stekla i zvanje magistrice animacije na Univerzitetu za primijenjene nauke i umjetnosti u Lucernu. Režirala je filmove THE LITTLE BIRD AND THE LEAF, inače njen diplomski film, kao i nastavak tog filma THE LITTLE BIRD AND THE SQUIRREL. PTIČICA I GUSJENICA njen je najnoviji kratki film.

Switzerland, 2017, Colour, 4 min, No Dialogue Režija / Director: Lena von Döhren Scenarij / Screenplay: Lena von Döhren Direktor fotografije / Director of Photography: Lena von Döhren Montaža / Editor: Fee Liechti Zvuk / Sound: Christof Steinmann Scenografija / Production Design: Lena von Döhren Producent / Producer: Gerd Gockell, Ted Sieger, Jochen Ehmann Produkcija / Production: Schattenkabinett Gmbh Kontakt / Contact: MAGNETFILM GmbH; georg.gruber@magnetfilm.de FILMOGRAFIJA / FILMOGRAPHY: 2017 – DER KLEINE VOGEL UND DIE RAUPE / THE LITTLE BIRD AND THE CATERPILLAR (kratki film / short film) 2014 – DER KLEINE VOGEL UND DAS EICHHÖRNCHEN / THE LITTLE BIRD AND THE SQUIRREL (kratki film / short film) 2012 – DER KLEINE VOGEL UND DAS BLATT / THE LITTLE BIRD AND THE LEAF (kratki film / short film)

E The lovable little bird is back, cherishing and nurturing the green leaves of his home in the maple trees — but a hungry caterpillar has eyes on our feathered friend’s foliage.

Lena von Döhren is an animator, director and illustrator. She was born in Berlin and studied AudioVisual Communication in Amsterdam at the Gerrit-Rietveld Akademie. She then completed a Master’s degree in Animation at the Lucerne University of Applied Sciences and Arts. Her short films as a director include her graduation film THE LITTLE BIRD AND THE LEAF and its sequel, THE LITTLE BIRD AND THE SQUIRREL. THE LITTLE BIRD AND THE CATERPILLAR is her latest short film.

Koyaa – Divji ležalnik / Koyaa – Divlja ležaljka / Koyaa – Wild Sunbed Jednog lijenog ljetnog poslijepodneva, Koyaa se spušta na ležaljku kako bi se odmorio. Nepodnošljiva vrućina izluđuje ležaljku i ona počinje da se bacaka kao divlji pastuh! Koyaa je jedva kontroliše... Kolja Saksida rođen je 1981. u Kranju, Slovenija. Zvanje magistra filma stekao je na Univerzitetu za umjetnost i dizajn ECAL u Lausanni. Njegova animirana serija, “Koyaa – Wild Life”, prikazivana je s velikim uspjehom na Slovenačkoj državnoj radio-televiziji do 2005. godine. Saksida radi kao asistent profesora na Školi za umjetnost Univerziteta u Novoj Gorici i direktor je produkcijske kompanije ZVVIKS. E One sleepy summer afternoon, Koyaa lies down to rest on a sunbed. The sweltering heat makes the bed go crazy – it starts bucking like a wild stallion! Koyaa can barely keep it under control...

Kolja Saksida was born in 1981 in Kranj, Slovenia. He received his Master’s degree in Film Studies from the ECAL University of Art and Design, Lausanne. His animated series “Koyaa – Wild Life“ was popular when it screened on Radio Television Slovenia throughout the 2005 season. Saksida is an assistant professor at the School of Arts, University of Nova Gorica, and the director of the production company ZVVIKS.

FILMOGRAFIJA / FILMOGRAPHY: 2017 – KOYAA – RAZIGRANI AVTOMOBILČEK / KOYAA – NAUGHTY TOY CAR (kratki film / short film) 2017 – KOYAA – LETEČI ZVEZEK / KOYAA – FLYING WORKBOOK (kratki film / short film) 2017 – KOYAA – PLEŠOČE NOGAVICE / KOYAA – DANCING SOCKS (kratki film / short film) 2017 – KOYAA – VZTRAJNE NALEPKE / KOYAA – SILLY STICKERS (kratki film / short film) 2017 – KOYAA – ZMRZLJIVI ŠAL / KOYAA – FREEZING SCARF (kratki film / short film) 2017 – KOYAA – DIVJI LEŽALNIK / KOYAA – WILD SUNBED (kratki film / short film) 2013 – KOYAA – ROŽA / KOYAA – FLOWER (kratki film / short film) 2012 – AZULEJO ALI VIZUALNA ILUZIJA / AZULEJO OR VISUAL ILLUSION (kratki film / short film) 2011 – KOYAA – LAJF JE ČIST ODBIT / KOYAA THE EXTRAORDINARY (kratki film / short film) 2009 – MULC – FRAČA / KIDDO – SLINGSHOT (kratki film / short film) 2001 – LET’ SSSS GO (kratki film / short film)

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Koyaa – Razigrani avtomobilček / Koyaa – nevaljali autić / Koyaa – Naughty Toy Car Jednog kišnog dana, Koyaa odluči spremiti svoju sobu. Staje na dječiji autić i luda vožnja počinje. Autić se počinje ponašati nevaljalo i odbija da parkira, ali ga pametni Koyaa uspijeva nadmudriti. Kolja Saksida rođen je 1981. u Kranju, Slovenija. Zvanje magistra filma stekao je na Univerzitetu za umjetnost i dizajn ECAL u Lausanni. Njegova animirana serija, “Koyaa – Wild Life”, prikazivana je s velikim uspjehom na Slovenačkoj državnoj radio-televiziji do 2005. godine. Saksida radi kao asistent profesora na Školi za umjetnost Univerziteta u Novoj Gorici i direktor je produkcijske kompanije ZVVIKS. E One rainy day, Koyaa decides to tidy up his room. He steps on a toy car it takes him on a crazy ride. The toy starts behaving very naughtily, refusing to park, but clever Koyaa manages to outsmart it.

Koyaa – Zmrzljivi šal / Koyaa - ledeni šal / Koyaa – Freezing Scarf Koyaa se sprema da izađe iz kuće i zakorači u leden zimski dan. Pokušava skinuti šal s vješalice, ali šal odgmiže poput zmije i počinje se čudno ponašati! Hoće li ga Koyaa uspjeti uhvatiti? Kolja Saksida rođen je 1981. u Kranju, Slovenija. Zvanje magistra filma stekao je na Univerzitetu za umjetnost i dizajn ECAL u Lausanni. Njegova animirana serija, “Koyaa – Wild Life”, prikazivana je s velikim uspjehom na Slovenačkoj državnoj radio-televiziji do 2005. godine. Saksida radi kao asistent profesora na Školi za umjetnost Univerziteta u Novoj Gorici i direktor je produkcijske kompanije ZVVIKS. E Koyaa is getting ready to step outside into a cold winter’s day. He tries to grab his scarf off the clothes stand, but it slithers away like a snake, acting silly! Will Koyaa manage to get hold of it?

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Slovenia, Croatia, 2017, Colour, 3 min, No Dialogue Režija / Director: Kolja Saksida Scenarij / Screenplay: Marko Bratuš, Kolja Saksida Direktor fotografije / Director of Photography: Miloš Srdić Montaža / Editor: Monika Drahotuski, Tomaž Gorkič Muzika / Music: Miha Šajina, Borja Močnik Zvuk / Sound: Julij Zornik Scenografija / Production Design: Gregor Nartnik Producent / Producer: Kolja Saksida Produkcija / Production: ZVVIKS Uloge / Cast: Frano Mašković, Žiga Saksida Kontakt / Contact: Kolja Saksida; kolja@zvviks.net FILMOGRAFIJA / FILMOGRAPHY: 2017 – KOYAA – RAZIGRANI AVTOMOBILČEK / KOYAA – NAUGHTY TOY CAR (kratki film / short film) 2017 – KOYAA – LETEČI ZVEZEK / KOYAA – FLYING WORKBOOK (kratki film / short film) 2017 – KOYAA – PLEŠOČE NOGAVICE / KOYAA – DANCING SOCKS (kratki film / short film) 2017 – KOYAA – VZTRAJNE NALEPKE / KOYAA – SILLY STICKERS (kratki film / short film) 2017 – KOYAA – ZMRZLJIVI ŠAL / KOYAA – FREEZING SCARF (kratki film / short film) 2017 – KOYAA – DIVJI LEŽALNIK / KOYAA – WILD SUNBED (kratki film / short film) 2013 – KOYAA – ROŽA / KOYAA – FLOWER (kratki film / short film) 2012 – AZULEJO ALI VIZUALNA ILUZIJA / AZULEJO OR VISUAL ILLUSION (kratki film / short film) 2011 – KOYAA – LAJF JE ČIST ODBIT / KOYAA THE EXTRAORDINARY (kratki film / short film) 2009 – MULC – FRAČA / KIDDO – SLINGSHOT (kratki film / short film) 2001 – LET’ SSSS GO (kratki film / short film)

Slovenia, 2017, Colour, 3 min, No Dialogue Režija / Director: Kolja Saksida Scenarij / Screenplay: Marko Bratuš, Kolja Saksida Direktor fotografije / Director of Photography: Miloš Srdić Montaža / Editor: Tomaž Gorkič Muzika / Music: Miha Šajina, Borja Močnik Zvuk / Sound: Julij Zornik Scenografija / Production Design: Gregor Nartnik Producent / Producer: Kolja Saksida Produkcija / Production: ZVVIKS Uloge / Cast: Frano Mašković, Žiga Saksida Kontakt / Contact: Kolja Saksida; kolja@zvviks.net FILMOGRAFIJA / FILMOGRAPHY: 2017 – KOYAA – RAZIGRANI AVTOMOBILČEK / KOYAA – NAUGHTY TOY CAR (kratki film / short film) 2017 – KOYAA – LETEČI ZVEZEK / KOYAA – FLYING WORKBOOK (kratki film / short film) 2017 – KOYAA – PLEŠOČE NOGAVICE / KOYAA – DANCING SOCKS (kratki film / short film) 2017 – KOYAA – VZTRAJNE NALEPKE / KOYAA – SILLY STICKERS (kratki film / short film) 2017 – KOYAA – ZMRZLJIVI ŠAL / KOYAA – FREEZING SCARF (kratki film / short film) 2017 – KOYAA – DIVJI LEŽALNIK / KOYAA – WILD SUNBED (kratki film / short film) 2013 – KOYAA – ROŽA / KOYAA – FLOWER (kratki film / short film) 2012 – AZULEJO ALI VIZUALNA ILUZIJA / AZULEJO OR VISUAL ILLUSION (kratki film / short film) 2011 – KOYAA – LAJF JE ČIST ODBIT / KOYAA THE EXTRAORDINARY (kratki film / short film) 2009 – MULC – FRAČA / KIDDO – SLINGSHOT (kratki film / short film) 2001 – LET’ SSSS GO (kratki film / short film)

Odd er et egg / Odd je jaje / Odd Is an Egg Odd se boji vlastite glave, sve dok se jednog dana ne zaljubi u Gunn a njegov svijet se okrene naglavačke. Sve njegove brige nestaju na potpuno neočekivan način.

Norway, Portugal, 2016, Colour, 12 min, Norwegian Režija / Director: Kristin Ulseth Scenarij / Screenplay: Maria Avramova, Kristin Ulseth, based on the book from Lisa Aisato Muzika / Music: Fernando Mota, Kåre Christian Vestrheim Zvuk / Sound: Gisle Tveito Scenografija / Production Design: Lisa Aisato Producent / Producer: Kristin Ulseth, Fredrik Fottland Produkcija / Production: Qvisten Animation Uloge / Cast: Oskar Fjellstad-Bergheim, Lucy Smith Ulseth, Margrethe Røed, Anders Smith Ulseth Kontakt / Contact: New Europe Film Sales, Marcin Luczaj; shorts@neweuropefilmsales.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – ODD IS AN EGG (kratki film / short film)

Kristin Ulseth studirala je film i fotografiju na Harrow koledžu Univerziteta u Westministeru, a radila je u norveškoj i nordijskoj filmskoj i TV industriji. Ulseth se 2008. pridružila kompaniji Maipo Film, gdje je radila na animacijama s rotacijom od 360 stepeni, animiranim TV serijama, igranom filmu i aplikaciji za igru. Ulseth je 2016. godine režirala svoj prvi kratki animirani film ODD JE JAJE. E Odd is terrified of his head – until one day he falls in love with Gunn and his life is turned upside down, and he is freed from his worries in the most unexpected way.

Kristin Ulseth studied Film and Photography at Harrow College, University of Westminster, and has worked in the Norwegian and Nordic film and television industries. In 2008, she started producing at Maipo Film and has worked on 360° animation, animated television series, a feature film and and an app-game. In 2016, she directed ODD IS AN EGG, her first animated short film.

Sabaku Sabaku i njegov prijatelj bizon odlično se razumiju i bez previše priče. Međutim, nakon što se Sabakuov dobroćudni saputnik jednog dana stropošta pod žarkim suncem savane, Sabaku mora pronaći novog prijatelja. Na kraju krajeva, ko želi sam putovati ovim svijetom?

Netherlands, 2016, Colour, 3 min, No Dialogue Režija / Director: Marlies van der Wel Scenarij / Screenplay: Marlies van der Wel, Ruben Picavet Direktor fotografije / Director of Photography: Marlies van der Wel Montaža / Editor: Flip van der Kuil Muzika / Music: Sjam Sjamsoedin Zvuk / Sound: Bob Kommer Studio’s Producent / Producer: Gijs Kerbosch, Roel Oude Nijhuis, Gijs Determeijer Produkcija / Production: Halal Kontakt / Contact: SND Films; Sydney Neter; info@sndfilms.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – SABAKU (kratki film / short film) 2015 – ZEEZUCHT / JONAS AND THE SEA (kratki film / short film)

Marlies van der Wel rođena je 1984. godine u Soestu, Holdandija. U Amsterdamu je 2007. osnovala studio za ilustraciju i animaciju u sklopu kojega radi na vlastitim projektima i projektima vanjskih autora. Njen debitantski animirani kratki film, JONAS AND THE SEA, premijerno je prikazan u programu Generation Filmskog festivala u Berlinu 2016. godine. E Sabaku and his buffalo buddy don’t need big words to understand one another. Alas, when his good-natured companion keels over in the savannah sun one day, Sabaku must find a new friend – after all, who wants to travel through this world all alone?

Marlies van der Wel was born in 1984 in Soest, the Netherlands. In 2007, she founded a studio in Amsterdam for illustration and animation, where she works on personal and commissioned projects. JONAS AND THE SEA, her debut short animated film, screened in the Berlinale Generations programme in 2016.

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Snipp, Snapp, Snut / Snip, Snap, Snut Pridružite se avanturama Snipa, Snapa i Snuta u njihovom živopisnom, maštovitom, glinenom svijetu, u kojem drveće rađa balone i krofne sa cimetom. Mia Hulterstam i Cecilia Actis vode animacijski studio Dancinganimation u Malmöu. Njihove originalne serije i kratki filmovi prikazani su na brojnim festivalima širom svijeta. E Follow Snip, Snap and Snut on their adventures in a colourful and imaginative clay world, where cinnamon buns and balloons grow on trees.

Mia Hulterstam and Cecilia Actis run the Malmö-based animation company Dancinganimation. Their original series and short films have been screened at festivals around the world.

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Sweden, 2016, 40 min, Swedish Režija / Director: Maria Hulterstam, Cecilia Actis Scenarij / Screenplay: Maria Hulterstam, Cecilia Actis Muzika / Music: Oliver Actis Producent / Producer: Erik Magnusson, Emma Åkesdotter Ronge Produkcija / Production: Anagram Film & TV AB Uloge / Cast: Sanna Persson Halapi Kontakt / Contact: Swedish Film Institute, Theo Tsappos; theo.tsappos@filminstitutet.se FILMOGRAFIJA / FILMOGRAPHY: 2016 – SNIPP, SNAPP, SNUT (kratki film / short film) 2011 – IGELKOTTSRESAN (kratki film / short film) 2009 – FAST VID DIG (kratki film / short film) 2006 – BLUE, KARMA, TIGER (kratki dokumentarni film / short doc.) 2003 – THE DANCE OF MY TEXT (kratki film / short film)

TeenArena

186 Allein gegen die Zeit – Der Film / U borbi protiv vremena / Time Heroes, Christian Theede 187 Amelie rennt / Čudo na planini – neočekivano prijateljstvo / Mountain Miracle – An Unexpected Friendship, Tobias Wiemann 188 Jordgubbslandet / Dani jagoda / Strawberry Days, Wiktor Ericsson 189 Rum 213 / Soba 213 / Room 213, Emelie Lindblom 190 In a Nutshell / Ukratko, Fabio Friedli 190 Mindenki / Pjevaj / Sing, Kristof Deák 191 Når jeg hører fuglene synge / Kada čujem pjesmu ptica / When I Hear the Birds Sing, Trine Vallevik Håbjørg 191 U plavetnilo / Into the Blue, Antoneta Alamat Kusijanović 192 TeenAction

Allein gegen die Zeit – Der Film / U borbi protiv vremena / Time Heroes Kada berlinski učenici Ben, Jonas, Leo, Özzi i Sophie krenu na školski izlet u Hildesheim da posjete katedralu i posmatraju pomračenje sunca, ni ne slute da će se naizgled dosadno putovanje pretvoriti u opasnu i uzbudljivu borbu protiv tajne sekte koja želi pokoriti svijet. Christian Theede rođen je 1972. godine u Flensburgu, Njemačka. Studirao je književnost i pozorišne umjetnosti na Univerzitetu u Tübingenu, a zatim filmsku i TV režiju u Dortmundu i Kölnu. Iza sebe ima više uspješnih humorističkih projekata, muzičkih spotova, TV filmova i serija, a aktivno se bavi i pisanjem. Autor je dva dugometražna igrana filma IM WEISSEN RÖSSL – WEHE DU SINGST! i U BORBI PROTIV VREMENA. E When Berlin schoolchildren Ben, Jonas, Leo, Özzi and Sophie set off on a class trip to Hildesheim to visit the cathedral and witness an impending eclipse of the Sun, they have no idea that this seemingly boring excursion is going to become a dangerous, action-packed battle against a secret sect that is looking to take over the world.

Christian Theede was born in 1972 in Flensburg, Germany. He studied Literature and Theatre in Tübingen before taking up studies in Film and Television in Dortmund and Cologne. Also active as a writer, his film work includes various successful comedy formats, music videos, TV movies, series and the features IM WEISSEN RÖSSL – WEHE DU SINGST! and TIME HEROES.

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Germany, 2016, Colour, 90 min, German Režija / Director: Christian Theede Scenarij / Screenplay: Michael Demuth, Ceylan Yildirim Direktor fotografije / Director of Photography: Felix Cramer Montaža / Editor: Martin Rahner Muzika / Music: Christoph Zirngibl, Volker Hinkel, Heiko Maile, Pivo Deinert Zvuk / Sound: Joerg Krieger Kostimografija / Costume Design: Elena Wegner Scenografija / Production Design: Thorwald Kiefel Producent / Producer: Martin Hofmann Produkcija / Production: Askania Media Filmproduktion Uloge / Cast: Janina Fautz, Stephanie Amarell, Timon Wloka, Timmi Trinks, Uğur Ekeroğlu, Stipe Erceg Kontakt / Contact: Global Screen GmbH; info@globalscreen.de FILMOGRAFIJA / FILMOGRAPHY: 2016 – ALLEIN GEGEN DIE ZEIT / TIME HEROES 2013 – IM WEISSEN RÖSSL – WEHE DU SINGST! 2000 – DER ZUFALL UND DAS ENDE (kratki film / short film)

Amelie rennt / Čudo na planini – neočekivano prijateljstvo / Mountain Miracle – An Unexpected Friendship Tvrdoglava Amelie je kraljica psovki. Psuje roditelje, snishodljive doktore, a više od svega psuje svoju prokletu astmu. Prilikom prisilnog boravka u specijalnoj klinici u Južnom Tirolu, Amelie iznenada odluči pobjeći. Tokom napornog uspona uz planinu, pridružuje joj se nepoželjan saputnik. Osim što mora skupiti hrabrost da savlada izazove na koje nailazi, Amelie je prisiljena suočiti se i s neodoljivim zovom prve ljubavi. Tobias Wiemann rođen je 1981. godine u Greifswaldu, Njemačka. Nakon što je završio medijski dizajn, radio je kao snimatelj, montažer i reditelj, te producirao kratke filmove. Dugometražni igrani film GROßSTADTKLEIN režirao je po vlastitom scenariju. Film VON EINEM, DER AUSZOG, DAS FÜRCHTEN ZU LERNEN, na kojem je radio kao producent, bio je najuspješnija TV bajka 2015. godine. ČUDO NA PLANINI – NEOČEKIVANO PRIJATELJSTVO njegov je drugi dugometražni igrani film. E Headstrong Amelie is the queen of cursing – at her parents, her patronising doctors and her damned asthma above all else. During a forced stay in a special clinic in South Tyrol, she suddenly decides to run away. During the arduous trek up the mountain, Amelie not only gains an unsolicited travelling companion, she is also confronted by risky trials of courage and the overwhelming tingle of first love.

Tobias Wiemann was born in Greifswald, Germany, in 1981. After training as a media designer, he worked as a cinematographer, editor and director, and produced short films. He is the writer and director of the feature film GROßSTADTKLEIN. His production VON EINEM, DER AUSZOG, DAS FÜRCHTEN ZU LERNEN was the most successful television fairy tale of 2015. MOUNTAIN MIRACLE – AN UNEXPECTED FRIENDSHIP is his second theatrical feature.

Germany, Italy, 2017, Colour, 97 min, German Režija / Director: Tobias Wiemann Scenarij / Screenplay: Natja Brunckhorst Direktor fotografije / Director of Photography: Martin Schlecht Montaža / Editor: Andreas Radtke Muzika / Music: Tobias Kuhn, Markus Perner Zvuk / Sound: Uve Haußig, Florian Holzner Kostimografija / Costume Design: Sabine Keller Scenografija / Production Design: Johannes Sternagel Producent / Producer: Philipp Budweg, Thomas Blieninger, Martin Rattini Produkcija / Production: Lieblingsfilm GmbH, helios sustainable films GmbH Uloge / Cast: Mia Kasalo, Samuel Girardi, Susanne Bormann, Denis Moschitto, Jerry Hoffmann, Jasmin Tabatabai, David Bredin, Shenia Pitschman Kontakt / Contact: ARRI Media International; worldsales@arri.de FILMOGRAFIJA / FILMOGRAPHY: 2017 – AMELIE RENNT / MOUNTAIN MIRACLE – AN UNEXPECTED FRIENDSHIP 2013 – GROßSTADTKLEIN 2010 – EIN SCHÖNES LIED (kratki film / short film) 2007 – FAMILIENSCHAUKEL (kratki film / short film)

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Jordgubbslandet / Dani jagoda / Strawberry Days Petnaestogodišnji Wojtek sa roditeljima putuje iz Poljske u Švedsku kako bi radio kao berač jagoda na jednoj farmi. Uprkos svemu, Wojtek i farmerova kći uspostavljaju čvrstu vezu. Spoljni svijet tu vezu nikad neće prihvatiti, a dvoje mladih će se naći na suprotstavljenim stranama nakon što tenzije između Šveđana i gostujućih radnika prerastu u nasilan konflikt. Wiktor Ericsson rođen je 1973. godine u Malmöu, Švedska. Studirao je pozorišnu i filmsku umjetnost na Akademiji dramskih umjetnosti u Štokholmu. U periodu od 2010. do 2011, radio je kao glavni scenarista i koautor na televizijskim serijama STARKE MAN i HALVVÄGS TILL HIMLEN. Njegov prvi dugometražni biografski dokumentarac, THE SARNOS: A LIFE IN DIRTY MOVIES, o reditelju seksploatacijskih filmova Joeu Sarnou, ponudio je iznenađujući portret filmskog autora inspirisanog Ingmarom Bergmanom. DANI JAGODA je Ericssonov prvi dugometražni igrani film. E Fifteen-year-old Wojtek travels to Sweden from Poland with his parents to work on a farm picking strawberries. Against all odds, he forms a connection with the farmer’s daughter. The outside world will never accept this relationship, and the youngsters find themselves trapped on opposite sides when the simmering conflict between Swedes and guest workers erupts in violent confrontation.

Wiktor Ericsson was born in 1973 in Malmö, Sweden. He studied Theatre and Film at the Stockholm Academy of Dramatic Arts. In 2010-11, he was head writer and co-creator of the television series “Starke man” and “Halvvägs till himlen”. THE SARNOS: A LIFE IN DIRTY MOVIES, Ericsson’s featurelength bio-documentary of sexploitation director Joe Sarno, is a surprising portrait of a filmmaker who took inspiration from Ingmar Bergman. STRAWBERRY DAYS is Ericsson’s first feature film.

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Sweden, 2016, Colour, 93 min, English, Polish, Swedish Režija / Director: Wiktor Ericsson Scenarij / Screenplay: Wiktor Ericsson Direktor fotografije / Director of Photography: Nadim Carlsen Montaža / Editor: Erik Bäfving Muzika / Music: Hanan Townshend Zvuk / Sound: Benny Persson Kostimografija / Costume Design: Helle Carlsson Scenografija / Production Design: Elle Furudahl Producent / Producer: Erik Magnusson Produkcija / Production: Anagram Film & TV AB Uloge / Cast: Staszek Cywka, Nelly Axelsson, Przemyslaw Sadowski, Julia Kijowska, Emilie Strandberg, Torkel Petersson, Jan Dravnel, Mateusz Król Kontakt / Contact: Petter Mattsson, The Swedish Film Institute; petter.mattsson@filminstitutet.se FILMOGRAFIJA / FILMOGRAPHY: 2017 – JORDGUBBSLANDET / STRAWBERRY DAYS 2013 – KK / THE GIRL WITH THE DOG (kratki film / short film) 2013 – THE SARNOS – A LIFE IN DIRTY MOVIES (dokumentarni film / documentary)

Rum 213 / Soba 213 / Room 213 Na raspustu nakon 6. razreda, dvanaestogodišnja Elvira ide u ljetni kamp. Ona i njene dvije drugarice Meja i Bea bit će u sobi 213 u kojoj niko nije boravio posljednjih 60 godina. Uskoro počinju da se dešavaju čudne stvari. Pismo napisano starinskim rukopisom dovodi djevojčice do oronule kuće u šumi u kojoj živi jedna starica. Starica im saopštava da je prije 60 godina jedna djevojčica umrla u kampu. Sve od tada, crvenokosa djevojčica u bijeloj haljini noću luta po hodnicima. Emelie Lindblom rođena je 1981. godine u Halmstadu, Švedska. Diplomirala je na Školi za filmsku režiju Univerziteta u Göteborgu 2011. godine. Njen posljednji kratki film, 2, prikazan je u takmičarskoj konkurenciji Međunarodnog filmskog festivala u Göteborgu 2014, kao i na Međunarodnom festivalu ženskog filma u Seoulu 2015, gdje je proglašen „remek-djelom“. SOBA 213 je njen prvi dugometražni igrani film. E It is summer vacation at the end of sixth grade, and 12-year-old Elvira is going away to camp. She and her two roommates Meja and Bea will stay in room 213 – where no one has lived for 60 years. Soon, inexplicable events begin to occur. A letter in ancient handwriting leads the girls to an old woman in a run-down house in the woods. She tells them that a girl died at the camp 60 years ago. Since then, a red-haired girl in a white dress has been seen sneaking around the corridors at night.

Emelie Lindblom was born in 1981 in Halmstad, Sweden. She graduated from the School of Film Directing, Gothenburg University in 2011. Her most recent short film, 2, was in competition at the Göteborg International Film Festival in 2014, and was called a “masterpiece” at the 2015 Seoul International Women’s Film Festival. ROOM 213 is her debut feature-length film.

Sweden, 2017, Colour, 80 min, Swedish Režija / Director: Emelie Lindblom Scenarij / Screenplay: Martin Jern, Emil Larsson Direktor fotografije / Director of Photography: Emil Klang Montaža / Editor: Margareta Lagerqvist Muzika / Music: Hans Lundgren Producent / Producer: Martin Jern, Emil Larsson Produkcija / Production: Dansk Skalle Uloge / Cast: Wilma Lundgren, Ella Fogelström, Elena Hovsepyan, Pascal Andersson, Filip Laj, Arman Fanni, Felicia Klang, Kasper Lund, Ian Strömberg, Anki Lidén Kontakt / Contact: Media Luna New Films; festival@medialuna.biz FILMOGRAFIJA / FILMOGRAPHY: 2017 – RUM 213 / ROOM 213 2014 – 2 (kratki film / short film) 2011 – DARK SIDE (kratki film / short film) 2008 – LILLE (kratki film / short film) 2004 – LONG TIME NO SEE (kratki film / short film)

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In a Nutshell / Ukratko Od sjemenke do rata, od mesa do ljubavi, od indiferentnosti do apokalipse. Pokušaj da se svijet opiše ukratko. Fabio Friedli rođen je 1986. godine u Bernu. Godine 2011. diplomirao je animaciju na Univerzitetu za primijenjene nauke i umjetnosti u Lucernu. Od 2009. radi kao nezavisni filmski autor i muzičar. E From a seed to war, from meat to love, from indifference to apocalypse: an attempt to capture the world in a nutshell.

Switzerland, 2017, Colour, 6 min, No Dialogue Režija / Director: Fabio Friedli Scenarij / Screenplay: Fabio Friedli Direktor fotografije / Director of Photography: Joder von Rotz Montaža / Editor: Joder von Rotz Muzika / Music: Pablo Nouvelle Zvuk / Sound: Pablo Nouvelle Scenografija / Production Design: Joder von Rotz Producent / Producer: Ramon Schoch, Lukas Pulver Produkcija / Production: YK Animation Studio GmbH Uloge / Cast: Manfred Liechti Kontakt / Contact: YK Animation Studio; lukas@yk-animation.ch FILMOGRAFIJA / FILMOGRAPHY: 2017 – IN A NUTSHELL (kratki film / short film) 2013 – HOLD-UP! (kratki film / short film) 2011 – BON VOYAGE (kratki film / short film) 2010 – HEIMATLAND (kratki film / short film) 2009 – HER ABSENCE FILLED THE WORLD (kratki film / short film)

Fabio Friedli was born in 1986 in Bern. He graduated from the Lucerne University of Applied Sciences and Arts with a degree in animation in 2011. Since 2009, he has worked as freelance filmmaker and musician.

Mindenki / Pjevaj / Sing Zsofi se tek upisala u novu školu i teško se uklapa u društvo. Pjevanje u proslavljenom školskom horu njena je jedina utjeha, ali ispostavit će se da voditeljica hora nije inspirativna nastavnica kakvom je svi smatraju. Zsofi i njena nova prijateljica Liza otkrit će okrutnu istinu. Zasnovan na stvarnom događaju, film PJEVAJ govori o nagrađivanom školskom horu i novoj učenici koja je stavljena pred težak izbor između suprotstavljanja korumpiranom sistemu i njegovog prešutnog prihvatanja. Kristof Deák rođen je 1982. godine u Budimpešti. Karijeru na filmu počeo je kao montažer prije nego što je upisao studij režije na Školi filma Westminister. PJEVAJ je njegov najpoznatiji film s kojim je osvojio niz pohvala i nagrada, uključujući i nagradu Oscar za najbolji kratki film 2017. godine. E Zsofi is struggling to fit in at her new school – singing in the school’s famous choir is her only consolation, but the choir director may not be the inspirational teacher everyone thinks she is. It will take Zsofi and her new friend Liza to uncover the cruel truth. Based on a true story, SING follows an award-winning school choir and the new girl in class facing a tough choice: to stand up against a corrupt system – or to fit quietly into it.

Kristof Deák was born in 1982 in Budapest. He started his career in editing before studying directing at Westminster Film School. He is best known for his work on SING, which earned him critical acclaim and recognition, including the Academy Award for Best Live Action Short Film at the 2017 Academy Awards.

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Hungary, 2016, Colour, 25 min, Hungarian Režija / Director: Kristof Deák Scenarij / Screenplay: Bex Harvey, Christian Azzola Direktor fotografije / Director of Photography: Róbert Maly Muzika / Music: Adam Balázs Zvuk / Sound: Máté Péterffy Kostimografija / Costume Design: Sosa Juristovszky Scenografija / Production Design: Judit Wunder Producent / Producer: Anna Udvardy Uloge / Cast: Zsófia Szamos, Dorka Gáspárfalvi, Dorottya Hais Kontakt / Contact: New Europe Film Sales; Marcin Łuczaj, marcin@neweuropefilmsales.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – MINDENKI / SING (kratki film / short film) 2012 – THE BOSS (kratki film / short film) 2012 – LOSSING IT (kratki film / short film) 2010 – GOLF WITH THE SHOTGUN (kratki film / short film)

Når jeg hører fuglene synge / Kada čujem pjesmu ptica / When I Hear the Birds Sing

Norway, 2016, Colour, 8 min, French Režija / Director: Trine Vallevik Håbjørg Scenarij / Screenplay: Trine Vallevik Håbjørg Montaža / Editor: Morten Øvreås Muzika / Music: Kouame Sereba, Erik Wøllo Zvuk / Sound: Øyvind Rydland Producent / Producer: Trine Vallevik Håbjørg Produkcija / Production: Råsalt AS Kontakt / Contact: Norwegian Film Institute, Arna Marie Bersaas; Arna-Marie.Bersaas@nfi.no FILMOGRAFIJA / FILMOGRAPHY: 2016 – NAR JEG HORER FUGLENE SYNGE / WHEN I HEAR THE BIRDS SING 2000 – ONE MORNING

Izbijanjem sukoba na Obali Slonovače, nakon predsjedničkih izbora 2010, petero lokalne djece bilo je prisiljeno napustiti svoje domove. Djeca u filmu pripovijedaju o svojim snovima i nadama za budućnost. Trine Vallevik Håbjørg norveška je animatorica i multimedijalna umjetnica. Studirala je animaciju na Univerzitetu Volda, gdje je i diplomirala 1999. godine s filmom ONE MORNING. Film je prikazan na Festivalu norveškog kratkog filma u Grimstadu i osvojio je nagradu “Reditelj alternativne stvarnosti” na Filmskom festivalu Crne noći 2000. godine. E Five Ivorian children had to flee when war broke out in Côte d’Ivoire after the presidential election in 2010. The children talk about their hopes and dreams for the future.

Trine Vallevik Håbjørg is a Norwegian animator and multmedia artist. She studied Animation at Volda University College, and graduated in 1999 with the film ONE MORNING, which was shown at the Norwegian Short Film Festival in Grimstad and won the Director of Another Reality Prize at the Black Nights Film Festival in 2000.

FILMOVI IZABRANI OVE GODINE / FILMS SELECTED THIS YEAR: - ONLINE, Amila Hajdarević - A LIGHT IN THE DARKNESS, Zahid Lagumdžić - DUH, Arnes Hamzić - MALI JE SVIJET, Arnes Hamzić, Nora Osmić - NE MOŽE SE ŽIVJETI U SARAJEVU, Livina Tanović - POTRAGA ZA RAJEM, Mia Avdagić - OKO NA SUHOM, Nejla Bihorac, Alen Konjicija - SAMO ZA TEBE, Nejla Bihorac - KOMŠILUK, Selma Mešanović - PORUKA, Suad Hadžimehanović

TeenAction TeenAction pruža mogućnost tinejdžerima Bosne i Hercegovine da se kroz film kreativno izraze o temi srodnoj njihovom uzrastu. Projekt TeenAction namjenjen je tinejdžerima do 19 godina koji svoje stavove, razmišljanja, ideje i kreativnost žele izraziti u formi kratkog filma. Mladim autorima pruža se prilika da svoja ostvarenja prikažu u kinu pred hiljadama vršnjaka u sklopu programa TeenArena, te da po završetku Sarajevo Film Festivala u sklopu Operacije Kino njihov film vidi publika diljem Bosne i Hercegovine. E TeenAction gives teenagers of Bosnia and Herzegovina an opportunity to creatively express themselves through film about topics that interest them. The TeenAction project is intended for teenagers who want to express their opinions, thoughts, ideas and creativity through short film. Young authors are given the opportunity to screen their films in a cinema in front of thousands of peers as part of the TeenArena programme. Also, after the Sarajevo Film Festival, their film will be seen by audiences across Bosnia and Herzegovina as part of Operacija Kino.

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Dan ljudskih prava / Human Rights Day 2017

198 Die gĂśttliche Ordnung / BoĹžanski poredak / The Divine Order, Petra Volpe

Ženska prava danas: nazadovanje, stagnacija ili progres? / Women’s rights today: regression, stagnation or progress? Iako je većina žena širom svijeta ostvarila pravo glasa do kraja pedesetih godina prošlog vijeka (neke čak i decenijama ranije), ženama u Švicarskoj ovo je pravo dato tek dvije decenije kasnije, ranih sedamdesetih. Dok su žene u drugim zemljama slobodno i ravnopravno učestvovale u društvenom, ekonomskom i političkom životu, pa čak i služile kao premijerke (Indira Gandhi, Golda Meir i dr.), u Švicarskoj, u samom srcu Evrope, ne samo da nije bilo političarki već nije bilo ni glasačica. Razlog tome ležao je u činjenici da svaka promjena švicarskog ustava mora biti odobrena na referendumu, te su tako prava švicarskih žena zavisila od onih koji su imali pravo glasa na referendumu održanom 7. februara 1971. godine – muškaraca. Svjesne da je većina švicarskih muškaraca (67%) odbacila promjenu izbornih pravila na referendumu održanom 1959, tamošnje su se žene mobilizirale i započele organizovanu borbu za pravo glasa u svim kantonima, gradovima i selima ove države.

kada je Saudijska Arabija postala posljednja zemlja na svijetu (osim Vatikana) koja je ženama dala pravo glasa.

Film rediteljice Petre Volpe, BOŽANSKI POREDAK, govori o toj izuzetnoj, dugotrajnoj borbi kroz priču protagonistice Nore, naizgled obične domaćice iz jednog zabačenog švicarskog sela, koja uprkos preprekama i negativnim reakcijama postaje neustrašiva predvodnica borbe za žensko pravo glasa. Volpe u svome filmu istovremeno oslikava konzervativno, patrijarhalno švicarsko društvo i novorođeni emancipacijski ženski pokret aktivan u svim dijelovima zemlje – od najvećeg grada do najmanjeg alpskog sela – čije se članice bore za solidarnost, promjene i jednakost. Nevjerovatno, ali ista ta borba vođena je širom svijeta sve do 2015. godine

U kojoj mjeri su prava žena generalno zaštićena i unaprijeđena tokom proteklih decenija? Koja su ključna pitanja sa kojima se pokreti za žensku ravnopravnost danas suočavaju? Da li smo u SKORIJEM PERIODU svjedoci unapređenja, stagnacije ili čak smanjenja ženskih prava, naročito kada je riječ o pravu na reproduktivnu zaštitu i abortus? Koji je pravi značaj globalnog protestnog ženskog marša održanog u januaru ove godine? Ovo su samo neka od pitanja o kojima želimo razgovarati i na koja želimo potražiti odgovore tokom panel diskusije u okviru Dana ljudskih prava ovogodišnjeg, 23. Sarajevo Film Festivala.

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Iako se može tvrditi da su se vremena promijenila i da žene danas uživaju veća prava nego ikada ranije, činjenica je da su one i dalje daleko od potpune ravnopravnosti s muškarcima. Uprkos ogromnim uspjesima koje je globalni ženski pokret za ravnopravnost ostvario u posljednjih sto i više godina, žene i djevojčice se u mnogim zemljama svijeta i danas prisiljavaju na maloljetnički brak, prodaju kao radna snaga ili seksualno roblje, ili im se onemogućava obrazovanje i učešće u političkom životu. Osim toga, žene se, između ostalog, i dalje bore da za svoj rad budu plaćene jednako kao muškarci, kao i za besplatnu osnovnu zdravstvenu zaštitu, finansijski pristupačnu dječiju njegu i slobodu od svih formi nasilja. Uspješan kraj njihove borbe još uvijek se ne nazire.

E Although most of the women across the world were given the right to vote by the end of the 1950s (and many in the decades before), it was not until the beginning of the 1970s that women in Switzerland began to enjoy the same right. Prior to that, while in other countries women freely and equally participated in social, economic and political life, even gaining national leadership positions (Prime Ministers Indira Gandhi, Golda Meir, for example), in Switzerland, at the heart of Europe, there were no female politicians, and neither were there any women voters. This was due to the fact that the Swiss system requires a national referendum for constitutional change; therefore, the rights of Swiss women were at the mercy of those who could vote with ballots cast on February 7, 1971 – men. Aware that the previous referendum on the right of women to vote, held in 1959, was rejected by 67 percent of Swiss men, women in Switzerland began to mobilise and organise across cantons, cities and villages to fight for suffrage.

This outstanding, lengthy struggle is portrayed by director Petra Volpe in THE DIVINE ORDER through the story of Nora, a seemingly ordinary housewife from a remote Swiss village who, despite the obstacles and backlash, becomes a fearless leader for suffragettes. Volpe outlines conservative, patriarchal Swiss society on the one hand; on the other, she examines the new, emancipated movement of women across the country, from the major cities to the smallest Alpine villages, as they demanded solidarity, equality and change. Remarkably, this same fight

continued across globe until 2015, when Saudi Arabia became the last country (with the exception of the State of Vatican City) to grant women the right to vote. Although we can agree that times have changed and women are better off today than ever before, they are still far from having the same rights and opportunities as men. Despite the great strides made by international women’s rights movements over the last century and longer, women and girls in many countries around the world are still today married off while they are still children, forced into labour and sexual slavery through human trafficking, or refused access to education and participation in the political sphere. Further, women are still fighting for equal pay, affordable childcare, free basic healthcare and freedom from all manner of violence, among other issues – and the battle is far from over. To what extent have the rights of women generally improved and advanced in the past decades? What are the key issues facing women’s rights movements today? Are we observing the progress, stagnation or even regression of women’s rights in RECENT years, especially with regard to issues of birth control and the right to abortion? What is the ongoing significance of the Women’s March worldwide protest that was held in January of this year? These are just some of the questions we will tackle and try to answer at this year’s panel debate taking place during Human Rights Day at the 23rd edition of the Sarajevo Film Festival.

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Die göttliche Ordnung / Božanski poredak / The Divine Order Godina je 1971. Mlada domaćica Nora živi s mužem i dva sina u mirnom švicarskom seocetu u koje nisu doprla značajna društvena pomjeranja drugdje započeta 1968. godine. Stanovnici tog sela gotovo da i ne obraćaju pažnju na proteste za zaštitu ljudskih prava, seksualnu revoluciju, omladinu i hipi pokret. Nora je mirna osoba koju svi vole, i ništa od toga je se ne tiče. Međutim, njen život se u potpunosti mijenja nakon što se počne javno boriti za pravo glasa švicarskih žena o kojem bi švicarski muškarci trebali odlučiti na referendumu zakazanom za 7. februar 1971. Petra Volpe rođena je 1970. godine u Suhru, Švicarska. Studirala je na Filmskoj akademiji Konrad Wolf u Potsdam-Babelsbergu. Tokom studija napisala je scenarije i režirala nekoliko kratkih filmova. Nakon što je diplomirala 2003. godine, počinje raditi kao samostalna scenaristica i rediteljica. Njen debitantski film DREAMLAND pušten je u distribuciju 2014. godine, nakon uspješne filmske turneje. Film je nominovan za četiri nagrade Švicarske filmske akademije. E 1971. Nora is a young housewife who lives with her husband and their two sons in a quaint little village in the Swiss countryside, which is so far untouched by the major social upheavals 1968 has brought about. Protests in support of civil rights, the sexual revolution, and the youth and counterculture movements are barely on the radar in Nora’s village. Her life has not been affected either; she is a quiet person who is liked by everybody – but everything changes when she starts to fight publicly for the right of Swiss women to vote, which Swiss men are due to vote on on 7 February, 1971.

Petra Volpe was born in 1970 in Suhr, Switzerland. She studied at the Film Academy Konrad Wolf in Potsdam-Babelsberg. During her studies she wrote and directed several short films. Since completing her diploma in 2003, she has worked as an independent writer and director. Volpe’s debut film DREAMLAND was released in Swiss cinemas in the spring of 2014 after a successful festival tour, and was nominated for four Swiss Film Awards.

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Switzerland, 2017, Colour, 96 min, German, Italian, Swiss Režija / Director: Petra Volpe Scenarij / Screenplay: Petra Volpe Direktor fotografije / Director of Photography: Judith Kaufmann Montaža / Editor: Hansjörg Weissbrich Muzika / Music: Annette Focks Producent / Producer: Reto Schaerli, Lukas Hobi Produkcija / Production: Zodiac Pictures Ltd Uloge / Cast: Marie Leuenberger, Maximilian Simonischek, Rachel Braunschweig, Sibylle Brunner, Ella Rumpf, Nicholas Ofczarek, Sofia Helin Kontakt / Contact: TrustNordisk; info@trustnordisk.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – DIE GÖTTLICHE ORDNUNG / THE DIVINE ORDER 2013 – TRAUMLAND / DREAMLAND 2011 – NÉ PESCE NÉ UCCELLO (dokumentarni film / documentary) 2004 – LA FIDANZATA (kratki film / short film) 2002 – SCHLORKBABIES AN DER RASTSTÄTTE (kratki film / short film) 2001 – CREVETTEN (kratki film / short film) 2000 – DER KUSS (kratki film / short film)

Suočavanje s prošlošću / Dealing with the Past

204 The Act of Killing / Čin ubijanja, Joshua Oppenheimer, Anonymous, Christine Cynn 205 The Look of Silence / Pogled tišine, Joshua Oppenheimer, Anonymous 206 Nesmireni snovi / Restless Dreams, Muris Beglerović 207 The Unforgiven / Neoprostivo, Lars Feldballe-Petersen

Suočavanje s prošlošću / Dealing with the Past Cilj projekta SUOČAVANJE S PROŠLOŠĆU krije se u njegovom imenu. Vjerujemo da je za prevazilaženje brojnih otvorenih pitanja proisteklih iz ratova u bivšoj Jugoslaviji, a koja nas još uvijek opterećuju, apsolutno nužna iskrena i otvorena diskusija o tom bolnom periodu naše prošlosti. U našem regionu u protekle dvije decenije pokrenute su brojne inicijative čiji je proklamovani cilj bio „izgradnja mira“. Međutim, slogani ne mogu zaliječiti ožiljke koje su godine ratnih stradanja ostavile na dušama ovdašnjih ljudi. Postoje cijele zajednice koje trpe ogromnu količinu boli i očajnički im je potreban cjelovit proces izlječenja. Vjerujemo da je preduslov za pokretanje tog procesa suočavanje svih ljudi koji su na bilo koji način bili uključeni u prošle događaje, ili zbog njih pate, sa otrežnjavajućim činjenicama. Naša čvrsta vjera u ispravnost ovog pristupa i svijest da se tumačenju historijskih događaja mora pristupiti iz različitih uglova su temeljni razlog pokretanja projekta SUOČAVANJE S PROŠLOŠĆU. Prvu godinu postojanja projekta SUOČAVANJE S PROŠLOŠĆU obilježili su zavidni rezultati. Ponosni smo na „Sajam istinitih priča“, jedinstvenu open-source platformu koja povezuje filmske autore sa organizacijama koje istražuju i dokumentuju zločine i njihove posljedice u društvima proisteklim iz ratova na području bivše Jugoslavije. Šest priča, koje su prezentovane prošle godine u sklopu “Sajma istinitih priča”, nastavljaju svoje živote u filmskim realizacijama te nam je izuzetno zadovoljstvo našoj publici predstaviti film NESMIRENI SNOVI, u produkciji Al Jazeera Balkans. Ovaj film zasnovan je na priči koju je prezentovao BIRN (Balkan Investigative Reporting Network) te se nadamo da će i ovogodišnje priče izazvati interes među filmskim autorima i potaknuti nove filmske projekte koji bi – zbog direktne i moćne prirode filmskog medija – bili u stanju doprijeti do puno većeg auditorija. Prošlogodišnji filmski naslovi programa nisu imali dijalog samo s publikom u Sarajevu, već su putovali u Bijeljinu, Beograd, Podgoricu, Zagreb i Split. Ovakvi rezultati ohrabruju nas da je projekt SUOČAVANJE S PROŠLOŠĆU svojevrstan put u budućnost – zato i nastavljamo sarađivati s omladinskim inicijativama, lokalnim i regionalnim nevladinim organizacijama i predstavnicima medija. Ove godine nam je izuzetna čast ugostiti Joshuu Oppenheimera, poznatog po odvažnom pristupu tematici suočavanja s prošlošću, koji će nam predstaviti ostvarenja koja su ga svrstala među najznačajnije filmske autore današnjice. Vrijednost ovog programa prepoznao je i poznati ratni fotograf Ron Haviv koji će s našom publikom razgovarati o značaju dokumentiranja sjećanja – o tome koliko su sjećanja relevantna ne samo za sadašnjost već i za budućnost. Vjerujemo da će ovakav program SUOČAVANJA S PROŠLOŠĆU inspirisati dijalog među pripadnicima različitih generacija, filmske autore, ali i predstavnike nevladinih organizacija, da ispune najplemenitiji zadatak filma, a to je otvaranje puta ka pravoj empatiji i istinskoj izgradnji mira. SUOČAVANJE S PROŠLOŠĆU je projekt Sarajevo Film Festivala, koji je podržala Fondacija Robert Bosch, a bit će realizovan u saradnji s regionalnim informativnim kanalom Al Jazeera Balkans. Projekt se odvija i unutar Takmičarskog programa – dokumentarni film i „Sajma istinitih priča“, u okviru CineLink dana filmske industrije.

E The purpose of the DEALING WITH THE PAST project is evident in its name. We believe that an open and honest discussion about our painful recent past is a prerequisite if we want to resolve the problems stemming from the wars in the former Yugoslavia that continue to be a burden on us. Over the past two decades, numerous initiatives have been launched in this region with the stated goal of “peace-building”. However, slogans cannot heal the scars of war that have been left on the souls of the people here. Entire communities live in immense pain and are in desperate need of a substantial healing process – a natural result of the recent conflicts. It is our belief that in order for such a healing process to begin, those who participated in the wars or who have suffered because of them must be confronted with sobering facts. Our confidence in the aptness of this approach, and our understanding that interpreting historical events requires that they be observed from different points of view, are the key reasons behind our decision to initiate DEALING WITH THE PAST.

It the year since its launch, DEALING WITH THE PAST has seen significant results. We are proud of the True Stories Market, a unique open-source platform that connects filmmakers with organisations that research and document war crimes and their impact on society in the countries of the former Yugoslavia. Six stories that were presented in the True Stories Market last year will get a new onscreen life. This year, we have the great pleasure of screening NESMIRENI SNOVI / RESTLESS DREAMS, a film produced by Al Jazeera Balkans and based on a story presented last year by the Balkan Investigative Reporting Network (BIRN). We hope the stories we present this year in the True Stories Market will also attract the attention of filmmakers and result in new film projects that can reach wider audiences. Films that were screened in our programme last year not only communicated with audiences in Sarajevo, but also travelled to Bijeljina, Belgrade, Podgorica, Split and Zagreb. These results are very encouraging, and give us faith that DEALING WITH THE PAST is a bellwether of future in the region. It is with this in mind that we continue our cooperation with youth initiatives, as well as local and regional non-governmental organisations and media representatives. This year, we have the honour of hosting Joshua Oppenheimer, a filmmaker distinguished by his courageous approach to dealing with the past. He will present the documentaries that established him as one of the most important of contemporary filmmakers. Renowned war photojournalist Ron Haviv also recognised the value of our programme and has agreed to speak with our audiences about the importance of documenting real events and the relevance of preserved memories to both the present and the future. We believe that the DEALING WITH THE PAST project can initiate dialogue among different generations, and inspire filmmakers and NGO representatives to fulfil the most noble of cinema’s roles: to inspire empathy and open the way for true peace-building. DEALING WITH THE PAST is a project of the Sarajevo Film Festival supported by the Robert Bosch Foundation and presented in partnership with Al Jazeera Balkans. It is presented under the auspices of the Sarajevo Film Festival’s Competition Programme – Documentary Film and the CineLink Industry Days True Stories Market. Maša Marković, Dealing with the Past Programme Manager

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The Act of Killing / Čin ubijanja Nakon svrgavanja indonezijske vlade 1965, od sitnih kriminalaca koji su švercovali kino ulaznice, Anwar Congo i njegovi prijatelji promovisani su u vođe odreda smrti koji su učestvovali u ubijanju više od milion protivnika novouspostavljenog vojnog režima. Anwar se hvali da je lično ubio stotine ljudi, za šta ne samo da nije krivično odgovarao već uživa i status narodnog heroja. Kada im je ponuđena prilika da snime film o vlastitoj ulozi u genocidu, Anwar i njegovi prijatelji su pred kamerama sa zadovoljstvom odigrali stvarna ubistva i mučenja u kojima su učestvovali, predstavivši ih u formi mjuzikla, gangsterskog i kaubojskog filma. Joshua Oppenheimer rođen je 1974. godine u Austinu, SAD. Diplomirao je na Harvardu, a zatim stekao zvanje doktora nauka na Centralnom koledžu za umjetnost i dizajn St. Martins pri Univerzitetu za umjetnost u Londonu. Njegov debitantski dugometražni film, ČIN UBIJANJA, osvojio je 72 međunarodne nagrade, kao i nominaciju za nagradu Oscar za najbolji dokumentarni film 2014. godine. Njegov drugi film, POGLED TIŠINE, premijerno je prikazan u takmičarskom programu 71. izdanja Filmskog festivala u Veneciji, gdje je osvojio pet nagrada, uključujući Veliku nagradu žirija, Nagradu međunarodnog udruženja filmskih kritičara (FIPRESCI) i Nagradu evropskih filmskih kritičara (FEDEORA). Christine Cynn već 14 godina režira dokumentarne i eksperimentalne filmove. Zajedno s Oppenheimerom i Indonežanima koji su željeli ostati anonimni režirala je i producirala film ČIN UBIJANJA. Anonimusi su brojni Indonežani koji su kao članovi ekipe radili na filmovima ČIN UBIJANJA i POGLED TIŠINE, a koji su željeli ostati anonimni zbog teme ovih filmova, načina na koji su proizvedeni i konteksta u kome su snimani. E When the Indonesian government was overthrown in 1965, small-time gangster Anwar Congo and his friends went from selling movie tickets on the black market to leading death squads in the mass murder of over a million opponents of the new military dictatorship. Anwar boasts of killing hundreds with his own hands, but he’s enjoyed impunity ever since, and has been celebrated by the Indonesian government as a national hero. When approached to make a film about their role in the genocide, Anwar and his friends eagerly re-create their real-life killings as they dance their way through musical sequences, twist arms in film noir gangster scenes, and gallop across prairies as Western cowboys.

Joshua Oppenheimer was born in 1974 in Austin, USA. He received a BA from Harvard College and a PhD from the Central Saint Martins College of Arts and Design, University of the Arts London. His debut feature-length film, THE ACT OF KILLING, won 72 international awards, and it was nominated in 2014 for the Academy Award for Best Documentary. His second film, THE LOOK OF SILENCE, premiered in the Official Competition at the Venice Film Festival, where it won five awards, including the Grand Jury Prize, the FIPRESCI Prize and the FEDEORA Prize. Christine Cynn has been directing documentary and experimental films for the past 14 years. She is the co-director and co-producer of the Academy Award-nominated documentary THE ACT OF KILLING with Oppenheimer and anonymous Indonesians. Anonymous reflects the numerous Indonesian crew members of THE ACT OF KILLING and THE LOOK OF SILENCE who had to remain anonymous due to the films’ subject matter, production methods and the context in which they were made.

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United Kingdom, Denmark, Norway, 2012, Colour, 159 min, English, Indonesian Režija / Director: Joshua Oppenheimer, Anonymous, Christine Cynn Direktor fotografije / Director of Photography: Carlos Arango de Montis, Lars Skree, Anonymous Montaža / Editor: Niels Pagh Andersen, Janus Billeskov Jansen, Mariko Montpetit, Ariadna Fatjo-Vilas Mestre, Charlotte Munch Bengtsen, Erik Andersson Muzika / Music: Simon Thamdrup Jensen, Anonymous Zvuk / Sound: Elin Øyen Vister Kostimografija / Costume Design: Anonymous Producent / Producer: Signe Byrge Sørensen, Joram ten Brink, Christine Cynn, Anonymous, Anne Köhncke, Joshua Oppenheimer, Michael Uwemedimo Produkcija / Production: Final Cut for Real ApS Uloge / Cast: Anwar Congo, Herman Koto, Syamsul Arifin, Ibrahim Sinik, Yapto Soerjosoemarno, Safit Pardede, Jusuf Kalla, Adi Zulkadry, Soaduon Siregar Kontakt / Contact: Cinephil; Philippa Kowarsky & Gabby Stein, info@cinephil.com FILMOGRAFIJA / FILMOGRAPHY: Joshua Oppenheimer: 2014 – THE LOOK OF SILENCE (dokumentarni film / documentary) 2012 – THE ACT OF KILLING (dokumentarni film / documentary) 2003 – THE GLOBALISATION TAPES (dokumentarni film / documentary) 2000 – LAND OF ENCHANTMENT (kratki dokumentarni film / short doc.) 1998 – THE ENTIRE HISTORY OF THE LOUISIANA PURCHASE Christine Cynn: 2016 – SHOOTING OURSELVES (dokumentarni film / documentary) 2012 – THE ACT OF KILLING (dokumentarni film / documentary) 2003 – THE GLOBALISATION TAPES (dokumentarni film / documentary) Anonymous: 2014 – THE LOOK OF SILENCE (dokumentarni film / documentary) 2012 – THE ACT OF KILLING (dokumentarni film / documentary)

The Look of Silence / Pogled tišine Gledajući materijal koji je Joshua Oppenheimer snimio s učesnicima genocida počinjenog u Indoneziji, preživjeli članovi porodice jedne od žrtava saznaju kako je njihov stariji sin ubijen, i ko ga je ubio. Njihov mlađi sin nakon toga odluči da prevlada strah i tišinu nametnute žrtvama, i suoči se s ubicama svoga brata – što je do tada bio nezamisliv čin u zemlji kojom još uvijek vladaju ubice. Joshua Oppenheimer rođen je 1974. godine u Austinu, SAD. Diplomirao je na Harvardu, a zatim stekao zvanje doktora nauka na Centralnom koledžu za umjetnost i dizajn St. Martins pri Univerzitetu za umjetnost u Londonu. Njegov debitantski dugometražni film, ČIN UBIJANJA, osvojio je 72 međunarodne nagrade, kao i nominaciju za nagradu Oscar za najbolji dokumentarni film 2014. godine. Njegov drugi film, POGLED TIŠINE, premijerno je prikazan u takmičarskom programu 71. izdanja Filmskog festivala u Veneciji, gdje je osvojio pet nagrada, uključujući Veliku nagradu žirija, Nagradu međunarodnog udruženja filmskih kritičara (FIPRESCI) i Nagradu evropskih filmskih kritičara (FEDEORA). Anonimusi su brojni Indonežani koji su kao članovi ekipe radili na filmovima ČIN UBIJANJA i POGLED TIŠINE, a koji su željeli ostati anonimni zbog teme ovih filmova, načina na koji su proizvedeni i konteksta u kome su snimani. E Through Joshua Oppenheimer’s work filming perpetrators of the Indonesian genocide, a family of survivors discovers how their son was murdered and the identity of the men who killed him. The youngest brother is determined to break the spell of silence and fear under which the survivors live, and so confronts the men responsible for his brother’s murder – something unimaginable in a country where killers remain in power.

Joshua Oppenheimer was born in 1974 in Austin, USA. He received a BA from Harvard College and a PhD from the Central Saint Martins College of Arts and Design, University of the Arts London. His debut feature-length film, THE ACT OF KILLING, won 72 international awards, and it was nominated in 2014 for the Academy Award for Best Documentary. His second film, THE LOOK OF SILENCE, premiered in the Official Competition at the Venice Film Festival, where it won five awards, including the Grand Jury Prize, the FIPRESCI Prize and the FEDEORA Prize. Anonymous reflects the numerous Indonesian crew members of THE ACT OF KILLING and THE LOOK OF SILENCE who had to remain anonymous due to the films’ subject matter, production methods and the context in which they were made.

Denmark, Indonesia, Norway, Finland, United Kingdom, 2014, Colour, 99 min, Indonesian, Javanese Režija / Director: Joshua Oppenheimer, Anonymous Direktor fotografije / Director of Photography: Lars Skree Montaža / Editor: Niels Pagh Andersen Muzika / Music: Seri Banang, Mana Tahan, Sam Saimun, Rege Rege Zvuk / Sound: Henrik Garnov Producent / Producer: Signe Byrge Sørensen Produkcija / Production: Final Cut for Real ApS Uloge / Cast: Adi Rukun, M.Y. Basrun, Amir Hasan, Inong, Kemat, Joshua Oppenheimer, Amir Siahaan, Ted Yates Kontakt / Contact: Danish Film Institute@ dfi@dfi.dk FILMOGRAFIJA / FILMOGRAPHY: Joshua Oppenheimer: 2014 – THE LOOK OF SILENCE (dokumentarni film / documentary) 2012 – THE ACT OF KILLING (dokumentarni film / documentary) 2003 – THE GLOBALISATION TAPES (dokumentarni film / documentary) 2000 – LAND OF ENCHANTMENT (kratki dokumentarni film / short doc.) 1998 – THE ENTIRE HISTORY OF THE LOUISIANA PURCHASE Anonymous: 2014 – THE LOOK OF SILENCE (dokumentarni film / documentary) 2012 – THE ACT OF KILLING (dokumentarni film / documentary)

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Nesmireni snovi / Restless Dreams Prema podacima Instituta za traženje nestalih, još se traga za ostacima gotovo hiljadu ubijenih Srebreničana. Do sada je pronađeno blizu sedam hiljada kompletnih ili nekompletnih tijela u 93 masovne grobnice na više od 300 lokacija u sjeveroistočnoj Bosni. Na Kameničkom brdu u julu 1995. godine kolona muškaraca upala je u zasjedu i većina je tu ubijena. Ramiz Nukić, koji je preživio stradanje u tom mjestu, skoro svakodnevno odlazi u okolne šume, sakupljajući posmrtne ostatke nastradalih Srebreničana. Kaže da je u protekle 22 godine pronašao više od 250 tijela. Muris Beglerović rođen je 1976. godine u Sarajevu. Godine 2006. osnovao je produkcijsku kuću Gotiva, a od njenog osnivanja do danas režirao je više od 200 muzičkih spotova i reklama na teritoriji Balkana. NESMIRENI SNOVI njegov je dokumentarni prvenac. E According to the Missing Persons Institute, the remains of nearly 1,000 victims of the 1995 Srebrenica massacre are still unaccounted for. So far, complete and incomplete remains of close to 7,000 victims have been found in 93 mass graves located at more than 300 sites in northeast Bosnia. In July 1995, a group of men were ambushed in the Kameničko Hill area, near Srebrenica; most of them were killed. Ramiz Nukić, who survived the ambush, spends his days wandering through the woods around Srebrenica in search of human remains. Over the past 22 years, his discoveries have led to the identification of 250 Srebrenica massacre victims.

Muris Beglerović was born in Sarajevo in 1976, and founded the production house Gotiva in 2006. Since its founding, Beglerović has directed more than 200 music videos and commercials. RESTLESS DREAMS is his first documentary film.

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Bosnia and Herzegovina, 2017, Colour, 47 min, Bosnian, English Režija / Director: Muris Beglerović Scenarij / Screenplay: Jasmina Đikoli Direktor fotografije / Director of Photography: Almir Đikoli Montaža / Editor: Jasmin Hrnjica Producent / Producer: Al Jazeera Balkans, OD Agencija Gotiva Kontakt / Contact: Al Jazeera Balkans, Djani Hasecic; Djani.Hasecic@aljazeera.net FILMOGRAFIJA / FILMOGRAPHY: 2017 – NESMIRENI SNOVI / RESTLESS DREAMS

The Unforgiven / Neoprostivo Može li ratni zločinac naći oproštaj i pomiriti se s prošlošću? Kako nastaviti s normalnim životom nakon što si osuđen za jedno od najgorih djela – zločin protiv čovječnosti? Esad Landžo godinama je neuspješno tražio odgovore na ova pitanja. Odlučio je pokušati još jednom. Ratni zločinac vraća se u BiH da bi se susreo s prijateljem, bivšim čuvarem logora, svojim žrtvama i svojom porodicom. Hoće li mu ikada biti oprošteno? Zaslužuje li oproštaj? Lars Feldballe-Petersen rođen je 1966. godine u Odenseu, Danska. Producirao je i režirao nekoliko danskih i međunarodnih dokumentarnih i obrazovnih TV programa. Godine 1991. osnovao je vlastitu produkcijsku kompaniju Film & TV Compagniet. S dokumentarnim filmom THE BATTLE ON CHEMICALS osvojio je nagradu za novinarstvo Evropskog parlamenta, u kategoriji TV programa 2008. godine, a 2013. s dokumentarcem MY HAPPY LIFE AS A VEGETABLE osvojio je nagradu EOP programa. Njegov film NEOPROSTIVO premijerno je prikazan na Festivalu dokumentarnog filma CPH:DOX 2017. E Is it possible for a war criminal to find forgiveness and to reconcile with the past? How do you find your way back to what is known as a normal life when you have been convicted of one of the worst crimes of all – a crime against humanity? Esad Landzo has looked for answers for many years, but in vain. He decides to make one last attempt. The Balkan War criminal travels back to Bosnia to meet his former camp-guard friend, his victims and his family. Will he ever be forgiven? Should he?

Lars Feldballe-Petersen was born in 1966 in Odense, Denmark. He is the producer and director of several documentary and educational programmes for Danish and international television. FeldballePetersen established his own production company, Film & TV Compagniet, in 1991. In 2008, he won the European Parliament Journalism Prize in the television category for the documentary THE BATTLE ON CHEMICALS. In 2013, he won the EOP Prize for the documentary MY HAPPY LIFE AS A VEGETABLE. His film THE UNFORGIVEN had its premiere at CPH:DOX in 2017.

Finland, Denmark, 2017, Colour, 75 min, Bosnian, English Režija / Director: Lars Feldballe-Petersen Scenarij / Screenplay: Lars Feldballe-Petersen Direktor fotografije / Director of Photography: Jarkko Virtanen Montaža / Editor: Matti Näränen Muzika / Music: Jari Knuutinen Zvuk / Sound: Janne Laine Producent / Producer: Ari Matikainen Produkcija / Production: Kinocompany Ltd., Film & TV Compagniet Kontakt / Contact: CatNDocs, Maelle Guenegues; maelle@catndocs.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – THE UNFORGIVEN (dokumentarni film / documentary) 2015 – THE FORGOTTEN DANES (dokumentarni film / documentary) 2011 – MY HAPPY LIFE AS A VEGETABLE (dokumentarni film / documentary) 2008 – KAMPEN OM KEMIKALIERNE / THE BATTLE ON CHEMICALS (dokumentarni film / documentary) 2006 – CROSSING THE LINE (dokumentarni film / documentary) 2002 – BLOODY DIAMONDS (dokumentarni film / documentary)

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Sarajevo Film Festival Partner Presents Doha Film Institute

212 Aala Kaf Ifrit / Ljepotica i psi / Beauty and the Dogs, Kaouther Ben Hania 213 En Attendant Les Hirondelles / Dok se ptice ne vrate / Until the Birds Return, Karim Moussaoui

MADE IN QATAR 2017 214 Al-Johara, Nora Al-Subai 214 Amer: Estorat Al Khail Al Arabia / Amer: legenda Arabije / Amer: An Arabian Legend, Jassim Al-Rumaihi 215 Kashta, A.J. Al Thani 215 Makhâ&#x20AC;&#x2122;bz, Aisha Al Muhannadi 216 Smicha, Amal Al-Muftah

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Doha Film Institute Doha institut za film je nezavisna, neprofitna kulturna institucija osnovana 2010. Institut pomaže razvoj lokalne filmske zajednice kroz unapređenje stručnog znanja, njegovanje ljubavi prema filmu i doprinos razvoju samoodržive kreativne filmske industrije u Kataru. Aktivnosti instituta uključuju finansiranje i produkciju lokalnih, regionalnih i međunarodnih filmova, obrazovnih programa i filmskih projekcija, kao i organizovanje Filmskog festivala mladih Ajyal i Qumra Film Festivala. Institut se u svome radu fokusira na kulturu, razvoj lokalnih zajednica i obrazovanje, a trajno je posvećen ostvarenju vizije Katara da se do 2030. godine nametne kao ekonomija utemeljena na znanju.

E Doha Film Institute is an independent, not-for-profit cultural organisation established in 2010. It supports the growth of the local film community through cultivating film appreciation, enhancing industry knowledge and contributing to the development of sustainable creative industries in Qatar. The Institute’s platforms include funding and production of local, regional and international films; skills-sharing and mentorship programmes; film screenings; the Ajyal Youth Film Festival; and Qumra. With culture, community, learning and entertainment at its foundation, the Institute is committed to supporting Qatar’s 2030 vision for the development of a knowledge-based economy.

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Aala Kaf Ifrit / Ljepotica i psi / Beauty and the Dogs Mariam je mlada tunižanska studentica, lijepa kao cvijet. Jedne noći, sve što želi jeste da pleše pod blještavim reflektorima noćnog kluba i da bolje upozna Youssefa, mladića koji ne prestaje zuriti u nju. Ali jedan strašan događaj slomit će njena krila. Tri policajca je zatiču dok ljubi Youssefa na plaži ispred noćnog kluba. Tvrdeći da se radi o rutinskoj kontroli, policajci otimaju novac od Youssefa i više puta siluju Mariam. Uprkos pretrpljenoj traumi i bolu, Mariam je odlučna da prijavi slučaj prije nego što nestanu dokazi zločina sačuvani na njenom tijelu. Uz podršku mladića kojeg je tek upoznala, Mariam se sukobljava sa svim čuvarima ustaljenog sistema u borbi za svoje osnovno pravo: pravo da činjenice zločina, koje će joj omogućiti da sudski goni svoje zlostavljače, zapiše crno na bijelo. Prisiljena je suočiti se sa ravnodušnošću birokratskog aparata i nepoštenjem snaga za sprovođenje zakona. Podnošenje tužbe, Mariam će postati pitanje časti, integriteta i odlučnosti. Kaouther Ben Hania rođena je 1977. godine u Sidi Bouzidu, Tunis. Filmsku umjetnost studirala je u Tunisu, na filmskoj akademiji La Fémis u Parizu, te na Univerzitetu Sorbonne. Njen dokumentarni film IMAMS GO TO SCHOOL premijerno je prikazan na Festivalu dokumentarnog filma u Amsterdamu 2010, da bi zatim učestvovao na prestižnim festivalima širom svijeta. Ben Hanijin prvi igrani film, CHALLAT OF TUNIS, otvorio je program ACID Filmskog festivala u Cannesu 2014. godine. ZAINEB HATES THE SNOW, nekoliko godina sniman u Kanadi i u Tunisu, te premijerno prikazan u zvaničnoj selekciji Filmskog festivala u Locarnu 2016. godine, osvojio je nagradu Zlatna Tanit na Filmskom festivalu Kartaga i proglašen je najboljim dokumentarnim filmom na Mediteranskom filmskom festivalu Cinémed. E Mariam is a young Tunisian student, beautiful like a flower. One night, all she wants to do is dance in the disco with its shimmering lights, and get to know Youssef, a young man who has been staring at her. But something terrible breaks her wings. Three policemen catch her on the beach, outside the nightclub, kissing Youssef. Claiming they are performing a routine check, they extort money from Youssef and rape Mariam repeatedly. Despite the trauma and pain, Mariam is adamant: she wants to file a complaint before the evidence of the abuse that has stained her body disappears… Supported by the young man she has just met, Mariam embarks on a showdown with the guardians of the set order, fighting for her basic right to transcribe the facts of the crime, in black and white, in an official report that will allow her to prosecute the aggressors. Her task is to face the coldness of bureaucracy and the dishonesty of law enforcement. Filing suit will become for Mariam a matter of honour, integrity and tenacity.

Kaouther Ben Hania was born in 1977 in Sidi Bouzid, Tunisia. She studied Cinema in Tunisia and in Paris at La Fémis and the Sorbonne. Her documentary film IMAMS GO TO SCHOOL had its premiere at the International Documentary Festival Amsterdam in 2010, and was selected for numerous prestigious film festivals. CHALLAT OF TUNIS, her first feature-length film, opened the ACID section of the Cannes Film Festival in 2014. Her short film ZAINEB HATES THE SNOW, shot over several years in Canada and Tunisia, premiered in the Official Selection of the Festival del Film Locarno in 2016, won a Golden Tanit at the Carthage Film Festival, and was named Best Documentary at Cinémed.

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Tunisia, France, Sweden, Norway, Lebanon, Qatar, Switzerland, 2017, Colour, 100 min, Arabic Režija / Director: Kaouther Ben Hania Scenarij / Screenplay: Kaouther Ben Hania Direktor fotografije / Director of Photography: Johan Holmquist Montaža / Editor: Nadia Ben Rachid Muzika / Music: Amine Bouhafa Zvuk / Sound: Moez Cheikh, Raphaël Sohier, Florent Denizot, Thierry Delor Kostimografija / Costume Design: Nedra Gribaa Scenografija / Production Design: Moncef Hakouna Producent / Producer: Habib Attia, Nadim Cheikhrouh Produkcija / Production: Cinetelefilms, Tanit Films Uloge / Cast: Mariam Al Ferjani, Ghanem Zrelli, Noomane Hamda, Mohamed Akkari, Chedly Arfaoui, Anissa Daoud, Mourad Gharsalli Kontakt / Contact: Jour2Fête; sales@jour2fete.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – AALA KAF IFRIT / BEAUTY AND THE DOGS 2016 – ZAINEB TAKRAHOU ETHELJ / ZAINEB HATES THE SNOW 2013 – LE CHALLAT DE TUNIS / CHALLAT OF TUNIS 2013 – YED ELLOUH (kratki film / short film) 2013 – PEAU DE COLE / WOODEN HAND (kratki film / short film) 2010 – LES IMAMS VONT À L’ÉCOLE / IMAMS GO TO SCHOOL (dokumentarni film / documentary)

En Attendant Les Hirondelles / Dok se ptice ne vrate / Until the Birds Return Biznismen Mourad postigao je uspjeh u Alžiru dvadesetih godina prošloga vijeka. Sada se, kao preporođen čovjek, želi držati podalje od problema. Kada se zatekne usred tuče u kojoj bi neko mogao izgubiti život, Mourad odluči da se neće uplitati niti ponuditi svoju pomoć. Aisha, raskrstivši s prošlošću i spremna započeti novi život kao udata žena, u društvu oca i komšije Jalila, kreće na put ka svojoj novoj porodici. Dahman, ljekar, nada se novom početku – želi oženiti svoju rodicu i strpljivo čeka unapređenje koje će potvrditi njegov visok društveni položaj. Svaki od ovih likova morat će se suočiti s posljedicama vlastitih izbora. Karim Moussaoui rođen je 1975. godine u Jijelu, Alžir. Aktivan je član Chrysalisa, najznačajnijeg nezavisnog filmskog udruženja u Alžiru. Sarađivao je na brojnim pozorišnim predstavama i filmovima, među kojima je i film Nadira Mokneche PALOMA DELIGHT. Moussaoui je svoje prve kratke filmove, BREAKFAST i WHAT WE MUST DO, zasnovan na kratkoj priči „Kopulirajuća venecijanska sirena“ Charlesa Bukowskog, snimio 2006. godine. Virginiju Legeay, s kojom je napisao scenarij za film THE DAYS BEFORE, upoznao je na scenarističkoj radionici Méditalents. Rad na projektu za film DOK SE PTICE NE VRATE, okončao je u periodu od oktobra 2014. do februara 2015, tokom učešća u rezidencijalnom programu Cinéfondation Filmskog festivala u Cannesu. E Mourad, a businessman, rose to success in Algeria in the 2000s. Now a new man, he wants to stay away from trouble. When he comes across a fight in which a man’s life is in danger, he decides not to step in or provide assistance. Aisha is done with the past. About to start a new life as a married woman, she starts on the journey toward her new family, accompanied by her father and Jalil, a neighbour. Dahman is a doctor. He too hopes to start over – he wants to marry his cousin, and patiently awaits the promotion that will confirm his social status. Each of these three characters will have to face up to the consequences of their choices.

Karim Moussaoui was born in 1975 in Jijel, Algeria. He is an active member of Chrysalis, one of Algeria’s most important independent film associations. Moussaoui has worked on a number of plays and films, among them PALOMA DELIGHT with Nadir Mokneche. In 2006, he made his first two short films: WHAT WE MUST DO, based on Charles Bukowsky’s short story ‘The Copulating Mermaid of Venice’; and BREAKFAST. In Méditalents writing workshop, he met Virginie Legeay, with whom he co-wrote the screenplay for THE DAYS BEFORE. UNTIL THE BIRDS RETURN was developed during the Cinéfondation Residence at the Cannes Film Festival between October, 2014 and February, 2015.

France, Germany, Algeria, Qatar, 2017, Colour, 113 min, Arabic, French Režija / Director: Karim Moussaoui Scenarij / Screenplay: Karim Moussaoui, Maud Ameline Direktor fotografije / Director of Photography: David Chambille Montaža / Editor: Thomas Marchand Muzika / Music: Andreas Henke Zvuk / Sound: Arnaud Marten Kostimografija / Costume Design: Maya Benchikh Scenografija / Production Design: Hamid Boughrara Producent / Producer: David Thion, Philippe Martin Produkcija / Production: Les films Pelléas Uloge / Cast: Mohamed Djouhri, Sonia Mekkiou, Mehdi Ramdani, Hania Amar, Hassan Kachach, Nadia Kaci, Samir El Hakim, Aure Atika Kontakt / Contact: mk2 films; Juliette Schrameck, juliette.schrameck@mk2.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – EN ATTENDANT LES HIRONDELLES / UNTIL THE BIRDS RETURN 2013 – LES JOURS D’AVANT / THE DAYS BEFORE 2006 – CE QU’ON DOIT FAIRE / WHAT WE MUST DO 2003 – PETIT DÉJEUNER / BREAKFAST

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Al-Johara Al-Johara, koju je zla maćeha prisilila da u vlastitom domu živi kao služavka, prima pozivnicu na vjenčanje svoje drugarice iz djetinjstva. Uz pomoć ekscentrične, ali tradiciji vjerne stare komšinice, Al-Johara bi po prvi put u životu mogla prisustvovati vjenčanju i biti slična svojim lijepim sestrama.

Qatar, 2016, Colour, 26 min, Arabic Režija / Director: Nora Al-Subai Scenarij / Screenplay: Nora Al-Subai Direktor fotografije / Director of Photography: Thomas Hines Montaža / Editor: Abdul Jabbar Maki Muzika / Music: Najati Al Suloh Producent / Producer: Rasha Mkachar Produkcija / Production: Doha Film Institute Uloge / Cast: Salwa Bakheet, Abrar Sabt, Hassan Saqr Hassan, Nada Ibrahim, Syrina Williams, Safa Moussa Kontakt / Contact: Doha Film Institute, www.dohafilminstitute.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – AL-JOHARA (kratki film / short film) 2013 – MY HERO (kratki film / short film)

Nora Al-Subai, scenaristica i rediteljica katarskog porijekla, rođena je i odrasla u Francuskoj. Diplomirala je kompjuterske nauke na Univerzitetu Carnegie Mellon. Njen kratki film MY HERO (2013) premijerno je prikazan na Festivalu za mlade filmske autore Ajyal, gdje je proglašen najboljim kratkim filmom. MY HERO je također prikazan na Filmskom festivalu u Cannesu, Međunarodnom festivalu kratkog filma Clermont-Ferrand, Festivalu dječijeg filma u Seattleu, te Festivalu latinoameričkog i arapskog filma u Buenos Airesu. E Made a servant in her own home by her evil stepfamily, Al-Johara receives a wedding invitation from an old childhood friend. With the help of a neighbour, an eccentric, traditional old woman, AlJohara might be able to attend her very first wedding – and finally be like her beautiful sisters.

Nora Al-Subai is a Qatari writer and director, born and raised in France. She graduated from Carnegie Mellon with a degree in Computer Science. Her short film, MY HERO (2013), premiered in the Ajyal Youth Film Festival, where it was named Best Short Film. The film also made its way into the Cannes Film Festival, the Clermont-Ferrand International Short Film Festival, the Children’s Film Festival Seattle and the Latin Arab Festival in Buenos Aires.

Amer: Estorat Al Khail Al Arabia / Amer: legenda Arabije / Amer: An Arabian Legend Amer, prelijepi čistokrvni arapski konj, devedesetih godina prošlog vijeka darovan je tadašnjem emiru Katara, šeiku Khalifi. Amer je bio brz poput vjetra, ali mu je prilika da učestvuje u trkama bila uskraćena dok se ne otklone sumnje o njegovom pedigreu. Na kraju, kad kao rasplodni pastuh začne stotine najboljih trkaćih arapskih konja, Amer će se pokazati kao savršen primjerak svoje vrste. Jassim Al-Romaihi radi kao reporter za TV mrežu Al-Jazeera, pokrivajući područje od Tunisa do Nepala. Tokom studija na Univerzitetu Northwestern u Kataru, slušao je nekoliko predmeta iz oblasti filmske produkcije. Nakon što je diplomirao, Al-Romaihi je snimio tri kratka filma. E Amer, a gift to Sheikh Khalifa, then the Emir of Qatar, in the late 1990s, is a beautiful purebred Arabian. He ran like the wind – but racing opportunities were curtailed while doubts about his pedigree were settled. Eventually, Amer proved himself to be a leader of his breed; now a prize stud, he has fathered hundreds of today’s best Arabian racehorses.

Jassim Al-Romaihi works as a reporter at Al-Jazeera News Channel, covering news from Tunisia to Nepal. While studying at Northwestern University in Qatar, he took several classes in film production. Since then, he has worked on a three short films. 214 23. Sarajevo Film Festival l MADE IN QATAR

Qatar, 2016, Colour, 23 min, Arabic, English, French Režija / Director: Jassim Al-Rumaihi Scenarij / Screenplay: Jassim Al-Rumaihi Direktor fotografije / Director of Photography: Thomas Hines Montaža / Editor: Abdul Jabbar Maki Producent / Producer: Ben Robinson Uloge / Cast: Gillian Hay, Bob Hay, Alban de Mieulle, Valerie Bunting Kontakt / Contact: Doha Film Institute; www.dohafilminstitute.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – AMER, AN ARABIAN LEGEND (kratki dokumentarni film / short doc.) 2015 – THE PALM TREE (kratki dokumentarni film / short doc.) 2011 – A FALCON A REVOLUTION (kratki dokumentarni film / short doc.)

Kashta U lijepom, tihom prostranstvu pustinje, muškarac uči svoje sinove kako da prate i love plijen. Zbog frustracije doći će do naizgled bezopasnog sukoba između dva brata, ali njihova nepažnja bit će uzrok iznenadne katastrofe.

Qatar, 2016, Colour, 12 min, Arabic Režija / Director: A.J. Al Thani Scenarij / Screenplay: A.J. Al Thani Direktor fotografije / Director of Photography: Cristopher Moon Montaža / Editor: Menna Kamel Zvuk / Sound: Sasha Parsons Kostimografija / Costume Design: Carla Mallari Scenografija / Production Design: Lauren McCarthy Producent / Producer: Jaime Siordia Produkcija / Production: The Film House Uloge / Cast: Mansour Al Nahdi, Ahmad Nasser Afif Alyafei, Ali Al Nahdi Kontakt / Contact: Doha Film Institute, www.dohafilminstitute.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – KASHTA (kratki fillm / short film)

A.J. Al-Thani filmska je autorica rođena u Kataru. Svoj san o radu na filmu počela je ostvarivati nakon osnivanja Doha Film Instituta. Njena veza sa Institutom počela je 2010. godine kada je učestvovala na jednoj od prvih filmskih radionica koje su brojnim lokalnim filmskim autorima omogućile da ostvare željenu karijeru. Gotovo šest godina je uz pomoć Instituta radila na razvijanju neophodnih profesionalnih vještina. Doha Film Institut obezbijedio je i sredstva za snimanje filma KASHTA. E Out in the beautiful quiet of the desert, a man teaches his young sons how to track and hunt. Frustration leads to an apparently harmless struggle between the two brothers – but their carelessness brings about sudden disaster.

A.J. Al-Thani is a Qatar-born filmmaker. She began to pursue her dream of being a filmmaker with the launch of the Doha Film Institute. Her relationship with the Institute began in 2010 when she participated in one of its first film workshops, which opened the door for many local filmmakers to pursue their passion. For almost six years, she has been developing her skills with the help of the Institute. KASHTA was made through a grant from the Institute.

Makh’bz Smještena u starom naselju Madinat Khalifa, jedna od najstarijih iranskih pekara već više od dvije decenije svakodnevno spravlja hljeb za stotine mušterija. MAKH’BZ je dokumentarni film koji prikazuje sve korake u procesu izrade iranskog hljeba.

Qatar, 2015, Colour, 4 min, No Dialogue Režija / Director: Aisha Al Muhannadi Scenarij / Screenplay: Aisha Al Muhannadi Direktor fotografije / Director of Photography: Aisha Al Muhannadi Montaža / Editor: Aisha Al Muhannadi Muzika / Music: Aisha Al Muhannadi Producent / Producer: Aisha Al Muhannadi Kontakt / Contact: Doha Film Institute, www.dohafilminstitute.com FILMOGRAFIJA / FILMOGRAPHY: 2015 – MAKH’BZ (kratki dokumentarni / short doc.) 2015 – JAZAA (kratki dokumentarni / short doc.) 2015 – MUBARAK ALMALIK (kratki dokumentarni / short doc.) 2011 – BIG DREAMS (kratki dokumentarni / short doc.)

Aisha Al Muhannadi trenutno studira komunikacije na Univerzitetu Northwestern u Kataru. Prvo iskustvo na filmu stekla je kao producentica i rediteljica dokumentarnog filma BIG DREAMS, koji je nominovan za nagradu za najbolji zvuk i kameru na Filmskom festivalu projekta Model Ujedinjenih Nacija u Kataru 2011. godine. Po okončanju rada na svom prvom filmu, nastavila je snimati kratke dokumentarne filmove i kratke promotivne filmove za poslovnu kompaniju svoga prijatelja. Al Muhannadi također pomaže drugim zainteresovanim za karijeru u svijetu filma. E In the old Doha neighbourhood of Madinat Khalifa, one of the oldest Iranian bakeries serves hundreds of people every day, just as it has done for more then 20 years. MAKH’BZ is a process documentary that shows each step taken to make Iranian bread.

Aisha Al Muhannadi is currently studying Communications at Northwestern University in Qatar. Her first experience with filmmaking was when she directed and produced the documentary BIG DREAMS, which was nominated for best sound and cinematography awards at the Qatar Model United Nations Film Festival in 2011. She continued making short films, including documentaries as well as promos for a friend’s business. She also supports others who are working in the film world.

MADE IN QATAR l 23. Sarajevo Film Festival 215

Smicha Djed kojem je dijagnosticirana Alzheimerova bolest svojoj jedinoj unuci obećava da će joj sljedeći put kada ga posjeti kupiti zlatnu ribicu. Kako se vrijeme sljedeće posjete bliži, djedova sjećanja postepeno blijede do te mjere da na kraju ne može da se sjeti čak ni vlastite unuke. Amal Al-Muftah rođena je 1994. godine u Dohi. Filmove je počela snimati još dok je pohađala srednju školu. Iz tog perioda datiraju njeni filmovi ALKORA i nagrađivani ALHAMALI. Po okončanju srednjeg obrazovanja, Al-Muftah je upisala studij komunikacija na Univerzitetu Northwestern u Kataru. Na filmovima SMICHA, snimljenom u saradnji sa multimedijalnom kompanijom Innovation Films, i EH FE AMAL radila je tokom prve godine studija. E An Alzheimers-stricken grandfather promises to buy a goldfish for his only granddaughter the next time she visits. As the time approaches for their next meeting, his memory starts to fade until he can no longer remember her.

Amal Al-Muftah was born in 1994 in Doha. She started making films in high school, including ALKORA and the award-winning ALHAMALI. After graduating from high school, she enrolled in Northwestern University in Qatar’s Communications programme. During her first year there, she worked on SMICHA with Innovation Films, and EH FE AMAL.

216 23. Sarajevo Film Festival l MADE IN QATAR

Qatar, 2016, Colour, 15 min, Arabic Režija / Director: Amal Al-Muftah Scenarij / Screenplay: Amal Al-Muftah Direktor fotografije / Director of Photography: Tom Hines Montaža / Editor: Pascale Abou Jamra, Maryam Al-Sahli Muzika / Music: Hala Al-Emadi, Mohammed Jassim Al-Mulla Producent / Producer: Geoff Hunt, George Chalouhi Produkcija / Production: Innovation Films Uloge / Cast: Rema Al Muftah, Ali Mirza Kontakt / Contact: Doha Film Institute, www.dohafilminstitute.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – SMICHA (kratki film / short film) 2015 – EH FE AMAL (kratki film / short film) 2014 – ALHAMALI (kratki film / short film) 2013 – ALKORA (kratki film / short film)

Pretpremijere / Avant Premiere

220 Agape, Branko Schmidt 221 The Books of Knjige: Slučajevi pravde / The Books of Knjige: Cases of Justice, Zoran Marković 222 Senke na Balkanu / Black Sun, Dragan Bjelogrlić

Agape AGAPE je priča o svećeniku pedofilu i ljubavnom trokutu s dvojicom krizmanika: jednim zaljubljenim u njega i drugim za kojim on žudi i gubi kontrolu. Kad ga crkva degradira a krizmanici istuku, svećenik će krenuti u potragu za najmoćnijom Božijom ljubavi: agape. Branko Schmidt rođen je 1957. godine u Osijeku, Hrvatska. Nakon kratkotrajnog studija ekonomije, upisuje Akademiju dramske umjetnosti u Zagrebu, studij filmske i TV režije. Godine 1982. snima dramu HILDEGARD koja je bila proglašena najboljom TV dramom na području bivše države. Godine 1988. režira svoj prvi igrani film SOKOL GA NIJE VOLIO te na Pulskom filmskom festivalu osvaja nagradu za debitanta godine. U devedesetima režira još četiri igrana filma: ĐUKA BEGOVIĆ, VUKOVAR SE VRAĆA KUĆI, BOŽIĆ U BEČU, za koji je nagrađen Zlatnom arenom za scenarij, te SRCE NIJE U MODI. Film KRALJICA NOĆI dobitnik je dvije Zlatne arene za scenarij i produkciju. PUT LUBENICA postigao je izvanredne međunarodne uspjehe, dok je film METASTAZE proglašen najboljim filmom Pulskog filmskog festivala, a Schmidt je za taj film osvojio i godišnju državnu nagradu „Vladimir Nazor“. E AGAPE tells the story of a pedophile priest and his love triangle with two catechumens, one of whom is in love with him, while the other the priest yearns for – and over whom he loses his mind. When the priest is sanctioned by the Church and beaten by the catechumens, he embarks on a search for the highest form of divine love – agape.

Branko Schmidt was born in 1957 in Osijek, Croatia. He studied Economics briefly before enrolling in the Film and TV Directing programme of the Academy of Dramatic Arts in Zagreb. In 1982, Schmidt directed the television drama HILDEGARD, which was named the best TV drama in the former Yugoslavia. His first feature film, SOKOL DID NOT LOVE HIM, was screened at the Pula Film Festival, where he took the award for the best first-time director. In the 1990s, Schmidt directed four feature films: EVIL BLOOD, VUKOVAR: THE WAY HOME, A CHRISTMAS IN VIENNA (winner of the Golden Gate Award for Best Screenplay) and THE OLD OAK BLUES. THE QUEEN OF THE NIGHT won two Golden Gate Awards, for Best Screenplay and Best Production. His THE MELON ROUTE achieved great international success, while METASTASES was named Best Film at the Pula Film Festival and was the winner of the Vladimir Nazor Award.

220 23. Sarajevo Film Festival l PRETPREMIJERE

Croatia, 2017, Colour, 80 min, Croatian Režija / Director: Branko Schmidt Scenarij / Screenplay: Ivo Balenović, Sandra Antolić, Branko Schmidt Direktor fotografije / Director of Photography: Dragan Ruljančić Montaža / Editor: Hrvoje Mršić Zvuk / Sound: Ognjen Popić, Zoran Maksimović Kostimografija / Costume Design: Vedrana Rapić Scenografija / Production Design: Damir Gabelica Producent / Producer: Stanislav Babić Produkcija / Production: Telefilm Uloge / Cast: Daria Lorenci Flatz, Goran Bogdan, Ivana Gulin, Nela Kocsis, Pavle Čemerikić, Denis Murić Kontakt / Contact: Telefilm, telefilm@telefilm.hr FILMOGRAFIJA / FILMOGRAPHY: 2017 – AGAPE 2015 – IMENA VIŠNJE / UNGIVEN 2012 – LJUDOŽDER VEGETERIJANAC / VEGETARIAN CANNIBAL 2009 – METASTAZE / METASTASES 2006 – PUT LUBENICA / THE MELON ROUTE 2001 – KRALJICA NOĆI / THE QUEEN OF THE NIGHT 2000 – SRCE NIJE U MODI / THE OLD OAK BLUES 1997 – BOŽIĆ U BEČU / A CHRISTMAS IN VIENNA 1994 – VUKOVAR SE VRAĆA KUĆI / VUKOVAR: THE WAY HOME 1991 – ĐUKA BEGOVIC / EVIL BLOOD 1988 – SOKOL GA NIJE VOLIO / SOKOL DID NOT LOVE HIM

The Books of Knjige: Slučajevi pravde / The Books of Knjige: Cases of Justice Ko je ostavio leš na farmi kamiondžija od kojih se dobija najkvalitetnije mlijeko? Ko švercuje nelegalne tablete Betangin? Ko policajcima pali ruke? Zašto se pojavljuje zlokobni zec? Sve to pokušavaju saznati dva hrabra ali nesposobna policijska inspektora. Zoran Marković rođen je 1974. na Cetinju, Crna Gora. Diplomirao je filmsku i TV režiju na Fakultetu dramskih umjetnosti, Cetinje. Visoki je funkcioner organizacije The Books of Knjige. U regionalnim muzičkim vodama poznat je kao režiser spotova za grupe Who See, Letu Štuke, Zabranjeno pušenje, Perper i druge. E Who left a dead body on a farm of truck driver’s of wich the best quality milk is made? Who smuggles illegal Betangin pills? Who burns the hands of police officers? Why does a sinister rabbit appear? Two brave but clumsy police inspectors will try to find the answers to all these questions.

Zoran Marković was born in 1974 in Cetinje, Montenegro. He graduated in Film and Television Directing from the Faculty of Dramatic Arts in Cetinje. He is a senior official of the organisation The Books of Knjige. Regional music lovers know him as the director of music videos for Who See, Letu Štuke, Zabranjeno Pušenje and Perper, among other bands.

Montenegro, 2017, Colour, 87 min, Montenegrin Režija / Director: Zoran Marković Direktor fotografije / Director of Photography: Dalibor Tonković Montaža / Editor: Aleksandar Šmit Producent / Producer: The Books of Knjige, Zoran Marković Produkcija / Production: TBOK Production Uloge / Cast: Veselin Gajović, Goran Vujović, Aleksandar Radunović, Zoran Marković, Nikola Kolja Pejaković, Zenit Đozić, Izudin Bajrović, Nebojša Glogovac, Tihana Ćulafić, Zoran Kesić, Sejdo Alijaj Kontakt / Contact: TBOK Production, Zoran Marković; pelenica@yahoo.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – THE BOOKS OF KNJIGE: SLUČAJEVI PRAVDE / THE BOOKS OF KNJIGE: CASES OF JUSTICE

AVANT PREMIERE l 23. Sarajevo Film Festival 221

Senke na Balkanu / Black Sun Na maskenbalu, na kojem je okupljen beogradski „crème de la crème“, dešava se svirepo ubistvo. Inspektor Tanasijević ubrzo postaje svjestan da je uzrok učestalih jezivih dekapitacija jedna drevna relikvija kojoj se pripisuju mistične moći. Prateći trag zločina, inspektor se uključuje u opću potjeru za relikvijom s jednom jedinom željom – da je ukloni iz svog grada i spriječi dalja stradanja nevinih ljudi. U tome mu pomaže mladi kolega Stanko Pletikosić, jedan od prvih forenzičara izašlih iz beogradske škole Archibalda Reissa, ali i neočekivani saveznici sa suprotstavljenih strana koji shvataju da je inspektor neutralan, pa stoga pogodan da preko njega ostvare svoje interese. Dragan Bjelogrlić rođen je 1963. godine u Opovu, Srbija. Diplomirao je 1989. na Fakultetu dramskih umetnosti u Beogradu. Prvi film u kojem je glumio bio je BOŠKO BUHA 1978. godine. Od tada je igrao u skoro 40 filmova, dvadesetak TV serija i drama, te 11 pozorišnih predstava. Dobitnik je preko 15 glavnih nagrada za filmove na domaćim festivalima i preko 20 međunarodnih priznanja. E Someone is brutally murdered during a costume party attended by the crème de la crème of Belgrade society. Inspector Tanasijević soon realises that a recent string of horrifying murders by decapitation is related to an ancient relic reputed to have mystic powers. As he investigates the crimes, Tanasijević joins in an all-out search for the relic in the hope he will be able to prevent the further suffering of innocent people by removing it from his town. He is helped in his efforts by his young colleague Stanko Pletikosić, one of the first graduates of Belgrade’s Forensic Science School Archibald Reiss, but also by unexpected, mutually hostile allies who realise the inspector is unbiased and thus a potentially useful tool for achieving their nefarious plans.

Dragan Bjelogrlić was born in 1963 in Opovo, Serbia, and graduated from the Faculty of Dramatic Arts of Belgrade University in 1989. His first film appearance was in 1978’s BOŠKO BUHA. Bjelogrlić has appeared in more than 40 films, some 20 television series and dramas, and 11 plays for theatre. He has won more than 15 top national film prizes, as well as more than 20 international accolades.

222 23. Sarajevo Film Festival l PRETPREMIJERE

Serbia, Macedonia, Russia, Bosnia and Herzegovina, 2017, Colour, 90 min, German, Macedonian, Russian, Serbian Režija / Director: Dragan Bjelogrlić Scenarij / Screenplay: Danica Pajović, Dragan Bjelogrlić, Vladimir Kecmanović, Dejan Stoiljković Direktor fotografije / Director of Photography: Ivan Kostić Montaža / Editor: Lazar Predojev Muzika / Music: Manjifiko Zvuk / Sound: Aleksandar Protić Prota Kostimografija / Costume Design: Boris Čakširan Scenografija / Production Design: Goran Joksimović Joksa Producent / Producer: Dragan Bujošević, Dragan Bjelogrlić Produkcija / Production: Radio Televizija Srbije, Kobra Film Uloge / Cast: Dragan Bjelogrlić, Andrija Kuzmanović, Marija Bergam, Miloš Timotijević, Slobodan Boda Ninković, Nikolaj Šestak, Nenad Heraković, Nenad Jezdić, Alexei Solonchev, Branimir Brstina, Petre Arsovski, Goran Bogdan, Ivan Zekić, Miloš Samolov, Milica Gojković Kontakt / Contact: Dragan Bjelogrlić, bjela@cobrafilm.com; Stefan Mladenović, stefan.mladenovic@artandpopcorn.com FILMOGRAFIJA / FILMOGRAPHY: 2014 – MONTEVIDEO, VIDIMO SE! / SEE YOU IN MONTEVIDEO 2010 – MONTEVIDEO, BOG TE VIDEO! / MONTEVIDEO: TASTE OF A DREAM

Specijalne projekcije / Special Screenings

226 Bütün Saadetler Mümkündür / Sve su radosti moguće / All Felicities Are Possible, Selman Kılıçaslan 227 Quality Time / Kvalitetno provedeno vrijeme, Daan Bakker

Bütün Saadetler Mümkündür / Sve su radosti moguće / All Felicities Are Possible Dok studira mašinstvo i sanja da posredstvom Erazmus programa ostavi svoj rodni grad i ode u inostranstvo, Ali prolazi kroz period samopropitivanja, razmišljajući o velikim životnim pitanjima. Međutim, sve se mijenja kad se zaljubi u Gülce, pjevačicu u obližnjem folk-kafiću. Gülce se školuje za medicinsku sestru i zarađuje njegujući usamljenog starca koji živi u jednoj od starih gradskih četvrti. Kako se njegovo prijateljstvo s Gülce produbljuje, Ali i sam postaje dio starčevog života. Na pragu novog prijateljstva, Ali sam sebi postavlja pitanje na koje neće naći odgovor: da li je sreća uopće moguća? Selman Kılıçaslan rođen je 1985. godine u gradu Sakarya, Turska. Diplomirao je na Odsjeku za film i televiziju Univerziteta Marmara 2009. godine. Pisao je scenarije za brojne TV serije prikazane na mnogobrojnim kanalima u Turskoj. Nakon što je napravio pauzu od rada na serijama, počeo je pisati scenarije za dugometražne igrane i dokumentarne filmove. SVE SU RADOSTI MOGUĆE njegov je prvi dugometražni igrani film. E Studying engineering and dreaming to go abroad with the Erasmus project to leave his small town behind, Ali is going through a period of self-exploration, asking questions about life. His quiet days are stirred up by his crush on Gülce, a singer at a folk-music cafe. Gülce is a nursing student; to get by, she works as a caregiver to a lonely elderly man in one of the town’s older neighbourhoods. As Ali gets to know Gülce, he becomes involved in the old man’s story as well. Ali goes on his search on the threshold of this encounter, asking a question to which he will not find an answer: is any happiness possible?

Selman Kılıçaslan was born in 1985 in Sakarya, Turkey. He graduated from the Department of Cinema and TV at Marmara University in 2009. He has written scripts for multiple television series that have been broadcast on Turkish television. After taking a career break from TV, he started to write fulllength screenplays and documentaries. ALL FELICITIES ARE POSSIBLE is his first feature-length film.

226 23. Sarajevo Film Festival l SPECIJALNE PROJEKCIJE

Turkey, 2017, Colour, 102 min, Turkish Režija / Director: Selman Kılıçaslan Scenarij / Screenplay: Selman Kılıçaslan Direktor fotografije / Director of Photography: İlker Berke Montaža / Editor: Ayhan Ergürsel, M.Abdülgafur Şahin, Naim Kanat Muzika / Music: Ömer Sinan, Ali Moğul Zvuk / Sound: Mustafa Bölükbaşı Kostimografija / Costume Design: Evrim Özdemir Scenografija / Production Design: Meral Efe, Emre Yurtseven Producent / Producer: Selman Kılıçaslan, Zülfikar Kürüm Produkcija / Production: Aşina Sanat - TRT Uloge / Cast: Kemal Uçar, Arif Erkin, Ruhi Sarı, Nilay Erdönmez Kontakt / Contact: Aşina Sanat, Selman KılıçaslanZülfikar Kürüm; selmankilicaslan@msn.com, zulfikarkurum@gmail.com FILMOGRAFIJA / FILMOGRAPHY: 2016 – BÜTÜN SAADETLER MÜMKÜNDÜR / ALL FELICITIES ARE POSSIBLE 2009 – ESİRGENEN HAYATLAR (dokumentarni film / documentary) 2009 – ŞAİR ARİF ABİ (kratki film / short film) 2008 – YARALAR VE YAMALAR (kratki film / short film)

Quality Time / Kvalitetno provedeno vrijeme Koen prisustvuje porodičnom okupljanju i zamalo se predozira šunkom i mlijekom. Fotograf amater Stefaan kreće na čudan put kroz uspomene. Kjell putuje u prošlost ne bi li postao samouvjereniji. Karela kidnapuju vanzemaljci i on se vraća na zemlju kao mutant. Jefu vlastita paranoja staje na put kada pokuša impresionirati svekra i svekrvu. Daan Bakker rođen je 1979. godine u Harderwijku, Holandija. Diplomirao je na Holandskoj akademiji za film i televiziju s filmom JACCO’S FILM, koji je potom prikazan i nagrađen na brojnim filmskim festivalima, uključujući Filmski festival u Berlinu. Bakker je 2010. napisao i režirao kratki film BUKOWSKI koji je, također, ostvario međunarodni uspjeh i prikazan je na brojnim festivalima, uključujući festivale kratkog filma u Aspenu i Palm Springsu. KVALITETNO PROVEDENO VRIJEME, njegov dugometražni igrani prvenac, premijerno je prikazan u glavnom takmičarskom programu Međunarodnog filmskog festivala u Rotterdamu. Iako u Rotterdamu nije osvojio niti jednu od glavnih festivalskih nagrada, bio je omiljeni film članova mladog žirija koji su mu dodijelili MovieZone nagradu. E Koen attends a family reunion and nearly overdoses on ham and milk. Amateur photographer Stefaan takes an awkward trip down memory lane. Kjell travels back in time in an attempt to raise his self-esteem. Karel is abducted by aliens and comes back as a mutant. Jef’s paranoia gets in the way when he tries to impress his new in-laws.

Daan Bakker was born in 1979 in Harderwijk, the Netherlands. He graduated from the Netherlands Film and Television Academy with JACCO’S FILM, which won international awards and was selected for many film festivals, including the Berlinale. In 2010, he wrote and directed the short film BUKOWSKI, which also saw international success, and was was selected for the Aspen Shortfest and the Palm Springs Short Film Festival, among many others. QUALITY TIME, Bakker’s feature-length debut, premiered at the International Film Festival Rotterdam in the main competition; although the film took no awards there, it became a favourite of the young jury conferring the MovieZone Award.

Netherlands, Norway, 2017, Colour and b&w, 85 min, Dutch, Norwegian Režija / Director: Daan Bakker Scenarij / Screenplay: Daan Bakker Direktor fotografije / Director of Photography: Robbie van Brussel Montaža / Editor: Sander Vos Muzika / Music: Christiaan Verbeek, Bram Meindersma Zvuk / Sound: Evelien van der Molen Kostimografija / Costume Design: Bernadette Corstens, Nedda Nagel Scenografija / Production Design: Roland Mylanus Producent / Producer: Sander van Meurs, Iris Otten, Pieter Kuijpers Produkcija / Production: Pupkin Uloge / Cast: Noël Keulen, Fred Goessens, Giulio D’Anna, Bert Bunschoten, Ria Mark,s Thomas Aske, Berg Tomas, Alf Larsen, Steve Aernouts, Laura Mentink, Anneke Blok, Michiel Romeijn, Guido Pollemans, Willemijn Kressenhof Kontakt / Contact: m-appeal, Torsten Schulze; films@m-appeal.com FILMOGRAFIJA / FILMOGRAPHY: 2017 – QUALITY TIME 2010 – BUKOWSKI (kratki film / short film) 2009 – JACCO’S FILM (kratki film / short film)

SPECIAL SCREENINGS l 23. Sarajevo Film Festival 227

BH Film Programme

232 Igrani filmovi / Feature Films 233 Dokumentarni filmovi / Documentary Films 237 Kratki i animirani filmovi / Short and Animated Films 239 Specijalna projekcija: Srednjoškolski film / Special Screening: Highschool Films 240 Studentski filmovi / Student Films

* Podaci preuzeti iz kataloga “Bh. Film 2016/2017” / Information taken from the catalogue “B&H Film 2016/2017”

230 23. Sarajevo Film Festival l BH FILM PROGRAMME

Bosankohercegovački Filmski Program / BH Film Programme 2017 Ovogodišnji BH. Filmski Program, čiji je nosilac Udruženje filmskih radnika BiH, u svom 12. Izdanju donosi čak 75 naslova. Program obuhvata filmove koji su u posljednjih 12 mjeseci producirani u Bosni i Hercegovini, filmove bh. autora koji žive u zemlji ili inostranstvu, filmove snimane u Bosni i Hercegovini, te filmove s temama koje se tiču Bosne i Hercegovine. U sklopu BH. Filmskog Programa bit će prikazano 9 dugometražnih igranih i 14 dugometražnih dokumentarnih filmova, 19 srednjemetražnih i kratkometražnih dokumentarnih, 11 kratkometražnih i animiranih, 13 studentskih i 9 srednjoškolskih filmova. Kao i prethodnih godina, okosnicu festivala čini studentski takmičarski program. Ove godine za tri zvanične nagrade – Najbolji studentski film, Specijalno priznanje žirija i Specijalna pomen – takmiči se čak 13 filmova studenata Akademije umjetnosti iz Banja Luke, Akademije scenskih umjetnosti Sarajevo, Sarajevo Film Academyja i Film Factoryja, te Fakulteta dramskih i filmskih umjetnosti u Bijeljini.

E The 12th edition of the BH Film programme of the Sarajevo Film Festival, prepared in collaboration with the Association of Filmmakers of Bosnia and Herzegovina, presents 75 new titles. The section is open to all films produced in Bosnia and Herzegovina over the past 12 months, as well as films by Bosnian filmmakers living abroad, and films that were shot in or are thematically linked to the nation.

The line-up of the 2017 edition comprises nine feature films, 14 featurelength documentaries, 19 short and medium-length documentaries, 11 short and animated films, 13 works by students of film schools and academies, and nine high-school films. The student film competition sections once again the focal point of the Festival. Thirteen films, made by students of the Banja Luka Arts Academy, the Sarajevo Academy of Performing Arts, the Film Factory and the Faculty of Dramatic and Film Arts in Bijeljina, compete for three official awards – the Best Student Film Award, a Special Jury Prize and a Special Mention.

Pobjednike će izabrati žiri u sljedećem sastavu: Ivo Čolak, predsjednik Upravnog odbora Fondacije za kinematografiju, Aleksandra Mitrić Štifanić, direktorica Filmskog festivala Prvi kadar, te Vedran Hrustanović, scenograf.

The winners will be selected by a jury comprised of the Director of the First Shot Film Festival, Aleksandra Mitrić Štifanić; production designer Vedran Hrustanović; and Jury President, the Chairman of the Board of the BH Film Fund, Ivo Čolak.

Udruženje filmskih radnika BiH dodijelit će svojim članovima i godišnje nagrade „Ivica Matić“ za filmove i, općenito, za unapređenje bh. kinematografije. Također, bit će prezentirano i novo izdanje lokacijskog vodiča pod nazivom „Filmmakers’ Location Guide“, a BH. Filmski Program će tokom 7 dana Festivala ugostiti preko 100 autora.

The Association of Filmmakers of Bosnia and Herzegovina will confer its annual Ivica Matić awards over the course of this edition of the Festival. These awards are presented to members of the Association for their films or for their overall contribution to BH cinema. The BH Film programme is complemented by the presentation of a new edition of the Filmmakers Location Guide, and will host more than 100 guests during the seven days of the Festival.

Prethodna godina pokazala se veoma uspješnom za bosnaskohercegovački film, što se da vidjeti po broju dugometražnih igranih filmova koje ćemo imati priliku prikazati. Važno je napomenuti da će tokom 12. BH. Filmskog Programa 30 filmova imati svjetsku premijeru, a 9 međunarodnu. Primarni cilj BH. Filmskog programa jeste promocija bh. kinematografije. Program svake godine, pa tako i ove, potvrđuje svoju status značajne razvojne i promotivne platforme namijenjene bh. autorima. Dobrodošli u Sarajevo i nadamo se da ćete uživati u filmovima bosanskohercegovačkih autora.

The past 12 months have proven to be a good period for cinema in Bosnia and Herzegovina, as is indicated by the number of feature films that will be presented in our programme. It is important to note that 30 films will be presented as world premieres, and nine will have their international premieres in this 12th edition of the section. The promotion of Bosnian cinema is the primary mission of the BH Film programme. Every year, the section reconfirms its status as an important development platform for filmmakers from Bosnia and Herzegovina, and this year’s selection continues that progress. A very warm welcome to Sarajevo! I sincerely hope you will enjoy this year’s offering of films from our home country. Elma Tataragić Urednica programa / Programmer, BH Film

BH FILM PROGRAMME l 23. Sarajevo Film Festival 231

IGRANI FILMOVI / FEATURE FILMS

3 ŽENE OR (WAKING UP FROM MY BOSNIAN DREAM) / 3 WOMEN OR (WAKING UP FROM MY BOSNIAN DREAM) Bosnia and Herzegovina, 2016, HD, color, 106 min. • Režija / Director: Sergio Flores Thorija • Scenarij / Screenwriter: Sergio Flores Thorija • Direktor fotografije / Director of Photography: Sergio Flores Thorija • Montaža / Editor: Sergio Flores Thorija • Scenografija / Production Designer: Bianca Lucas • Uloge / Cast: Ivana Vojinović, Clara Casagrande, Marina Komšić • Producenti / Producers: Béla Tarr, Emina Ganić, Michel Franco, Moisés Zonana • Producentska kuća / Production Company: Film Factory, Lucia Films • Kontakt / Contact: thor_sft@hotmail.com

Ivana, Clara i Marina su tri žene koje u isto vrijeme žive u Sarajevu, u potpuno različitim okolnostima. Svaka od njih se na svoj način bori za svoje ciljeve, ali se nalaze u sukobu s društvom koje ne prihvata ništa izvan određenih normi. Ivana, Clara and Marina are three women from different backgrounds living in Sarajevo at the same time. Each one fights to achieve their goals in their own way, but find themselves in conflict with a society that doesn’t accept anything beyond certain norms of behaviour.

AMERICANA (LOVE POEM) / AMERICANA (LJUBAVNA POEZIJA) USA , 2016, HD, color, 63 min. • Režija i scenarij / Director and Screenwriter: Ozren Cvjetić • Direktor fotografije / Director of Photography: Ozren Cvjetić • Montaža / Editor: Ozren Cvjetić • Uloge / Cast: Deborah Dominguez, Amila Kapetanović, Denis Pašalić • Producent / Producer: Ozren I. Cvjetic • Kontakt / Contact: carravagio55@gmail.com

Slučajan susret u vozu koji vozi duž kalifornijske obale. Goran, koji je došao iz Sarajeva kao izbjeglica, veteran je američke vojske i samohrani otac tinejdžerke Alice. Goran i Alice susreću Danu. Dana je umjetnica iz Los Angelesa, porijeklom Španjolka. Dana i Goran otkrivaju da su srodne duše i počinju se zaljubljivati. Alice promatra sve to svojim nevinim dječijim očima. A random meeting on a moving train along the Californian coast. Originally from Sarajevo, Goran is a refugee turned US Army combat veteran and the single father of a teenage girl, Alice. Goran and Alice meet Dana, an L.A. based artist, originally from Spain. Dana and Goran start falling in love and connect like soulmates. Alice observes everything with her saint like eyes.

LEBANON FACTORY * OMNIBUS Lebanon, 2017, HD, color, 70 min. • Režija / Director: Ahmad Ghossein, Lucie La Chimia, Shirin Abu Shaqra, Manuel Maria Perrone, Una Gunjak, Rami Kodeih, Mounia Akl, Neto Villalobos • Scenarij / Screenwriters: Ahmad Ghossein, Lucie LaChimia, Shirin Abushaqra, Manuel Maria Perrone, Rami Kodeih, Una Gunjak, Mounia Akl, Neto Villalobos • Direktor fotografije / Director of Photography: Shady Chaaban, Talal Khoury, Karim Ghorayeb, Joe Saade • Montaža / Editor: Nadia Ben Rachid, Perla Kherlakian, Maria Malek, Marcello D’Aloisio • Producent / Producer: Myriam Sassin • Kontakt / Contact: myriam@abboutproductions.com

LEBANON FACTORY se sastoji od četiri kratka filma po 15 minuta koje su režirali rediteljski dvojci; po jedan reditelj iz Libana, a drugi iz cijeloga svijeta. THE LEBANON FACTORY is an omnibus consisted of four 15 minute films directed by two directors, one from Lebanon and another from the rest of the world.

MRTVE RIBE / DEAD FISH Bosnia and Herzegovina / Croatia, 2016, HD, color, 90 min. • Režija / Director: Kristijan Milić • Scenarij / Screenwriter: Josip Mlakić • Direktor fotografije / Director of Photography: Mirko Pivčević • Montaža / Editor: Veljko Segarić • Scenografija / Production Designer: Damir Gabelica • Kostimografija / Costume Designer: Vedrana Rapić • Uloge / Cast: Goran Bogdan, Marinko Prga, Asim Ugljen, Slaven Knezović, Mario Knezović, Ornela Vištica, Maja Lasić, Asja Jovanović, Jelena Kordić, Marijana Mikulić, Đorđe Kukuljica, Dragan Despot, Miro Barnjak, Marko Cindrić, Ivo Krešić, Velibor Topić, Mirvad Kurić • Producenti / Producers: Slaven Knezović, Maja Lasić • Producentske kuće / Production Companies: Oktavijan (Bosnia and Herzegovina), Eurofilm (Croatia) • Kontakt / Contact: sknezo11@gmail.com 232 23. Sarajevo Film Festival l BH FILM PROGRAMME

Radnja filma smještena je u poslijeratni period u jednoj bosanskohercegovačkoj provinciji. Petnaestak priča ima jednu poveznicu – bizarno samoubistvo koje je zapanjilo gradić koji je mjesto radnje. Set in the post-war period in a Bosnian Herzegovinian province, fifteen stories have only one link - a bizarre suicide that stunned a small town.

MUŠKARCI NE PLAČU / MEN DON’T CRY Bosnia and Herzegovina, 2017, 2K HD, color, 99 min • Režija / Director: Alen Drljević • Scenarij / Screenwriters: Alen Drljević, Zoran Solomun • Direktor fotografije / Director of Photography: Erol Zubčević • Montaža / Editor: Vladimir Gojun • Scenografija / Set Designer: Mirna Ler • Kostimografija / Costume Designer: Sanja Džeba • Dizajn zvuka/ Sound Designer: Igor Čamo • Uloge / Cast: Boris Isaković, Leon Lučev, Emir Hadžihafizbegović, Sebastian Cavazza, Ermin Bravo, Boris Ler, Ivo Gregurević • Producent / Producer: Damir Ibrahimović, Jasmila Žbanić • Producentska kuća / Production Company: Deblokada • Kontakt / Contact: Mirza Hamzić, Kranjčevića 43, 71000 Sarajevo, tel. / fax.: +387 33 668 559, deblok@bih.net.ba, mirza@deblokada.ba

Deset muškaraca su jedini gosti u zabačenom planinskom hotelu. Oni su ratni veterani, nekadašnji pripadnici različitih vojski koje su međusobno ratovale na području bivše Jugoslavije. Tu su kao učesnici radionice čiji je cilj suočavanje s prošlošću. Nekadašnji antagonizmi ponovo izlaze na površinu. Dolazi do sukoba među veteranima i projekat se raspada. Međutim, okolnosti dovode do toga da veterani počinju djelovati zajednički i s vremenom shvataju da je među njima mnogo više sličnosti nego razlika. A group of war-scarred veterans from different sides in the Yugoslavian conflict are brought together by a peace group to share their wartime experiences, and to try to establish a degree of trust and faith between them. Emotions are highly charged as old enmities and hostilities emerge, but the participants gradually learn to overcome their divisions and achieve a kind of understanding and respect for each other, or at least tolerance, despite all the bloodshed that has flowed between them in the past.

POSLJEDNJA BARIJERA / THE FINAL BARRIER BiH / Austria / Croatia / UK, 2016, HD, color, 84 min. • Režija / Director: Jasmin Duraković • Scenarij / Screenwriters: Robert Hofferer, Nataša Drakulić • Direktor fotografije / Director of Photography: Mattias Miesl • Montaža / Editor: Fadil Komarica • Scenografija / Set Designer: Hari Ejubović • Kostimografija / Costume Designer: Belma Žiško • Uloge / Cast: Micheal Kristof, Hannes Fretzer, Jelena Angelovska, Maria Serena, Irina Marković, Essam Ferris, Aida Begović, Ivo Gregurević • Producenti / Producers: Robert Hofferer, Amira Kudumović • Producentska kuća / Production Company: DEPO • Kontakt / Contact: DEPO, Kemala Kapetanovića 17, tel.: +387 62 333 136, amira.kudumovic@gmail.com

Michael, reditelj iz Austrije, putuje sa snimateljem Leom na srpsko-mađarsku granicu. Oni žele snimiti dokumentarac o izbjeglicama s Bliskog istoka. U izbjegličkom kampu u blizini granice, ograđene bodljikavom žicom, upoznaju mlade žene Nur i Zhoru, te njihovog prijatelja Bassama. Njih troje su iz Sirije i njihov cilj je stići na Zapad. Zhora je zbog stravičnih iskustava zanijemila. Nur, koja očigledno dolazi iz obrazovanih krugova, je preuzela brigu o Zhori, dok Bassam krije mračnu tajnu. Michael, a filmmaker from Austria, travels with cameraman Leo to the Serbian - Hungarian border. They want to shoot footage for a documentary about refugees from the Middle East. In a refugee camp near the barbed wire border fence, they meet two young women, Nur and Zhora, and their companion Bassam. All three are from Syria and want to make it to the West. Nur has taken Zhora, who has been rendered mute by trauma, in her care and Bassam is hiding a dangerous secret.

PTICE KAO MI / BIRDS LIKE US Bosnia and Herzegovina / Turkey, 2017, HD, color, 84 min. • Režija / Director: Faruk Šabanović, Amela Ćuhara • Scenaristi / Screenwriters: Faruk Šabanović, Olivia Hetreed • Glasovi (BHS): Izudin Bajrović, Zana Marjanović, Jasenko Pašić, Ermin Bravo, Muhamed Hadžović, Alija Alović, Boris Ler, Zoka Čatić, Arma Tanović, Maja Salkić, Sanjin Milavić • Voice (ENG): Alicia Vikander, Jeremy Irons, Jim Broadbent • Producent / Producer: Adnan Ćuhara • Producentska kuća / Production Company: Prime Time Production • Kontakt / Contact: Prime Time Production; Ljubljanska bb, 71000 Sarajevo; adnan@primetime.co.ba; www.primetime.co.ba

Krasna Hupu, njen tihi muž Hasan, Mi - koja je uvijek od pomoći, i tiranin Kondor, izbačeni iz mirnog utočišta u Birdabadu u svijet kojim vlada strava, prisiljeni su proći epsku avanturu da bi pronašli put kući. Predvođene slijepim i misterioznim šišmišom, čija gnomska pojava izaziva u njima još

veći strah i ljutnju, neleteće ptice su primorane osloniti se jedna na drugu. Samo zajedno imaju priliku pronaći izlaz iz strave i vratiti se kući. Flung out of the safe haven of Birdabad into a world tormented by the Horror, the lovely Hupu, her silent husband Hasan, the ever-helpful little Mi and the tyrant Kondor, are forced on an epic journey to find their way home. Guided by a blind and enigmatic Bat, whose gnomic utterances only make them more anxious and angry, the band of flightless birds come, with utmost reluctance, to rely on each other. Only together do they have a chance of finding an escape from the Horror and a way back home.

SARAJEVO SONGS OF WOE (I BLUE BALLAD FOR LOVERS / II BLUE PSALM FOR WOLVES / III BLUE RONDO FOR SURVIVORS) Germany / Bosnia and Herzegovina , 2016, HD, black & white / color, 140 min. • Režija i scenarij / Director and Screenwriter: Fred Kelemen • Direktor fotografije / Director of Photography: Fred Kelemen • Montaža / Editors: Fred Kelemen, Friederike Schuchardt, Annett Ilijew • Muzika / Music: Pavel, Zoe Polanski, Los Banditos, Hauschka • Dizajn zvuka / Sound Designers: Fred Kelemen, Immo Tümpelmann • Uloge / Cast: Edin Avdagić, Balázs Bodolai, Iskra Jirsak, Ivana Pavlakovikj, Jovana Stojiljković, Szandra Guary, Iulia Ciochina, Doroteja Nadrah, Katarina Nikšić, Blaž Setnikar, Aya Štukan, Slaven Došlo, Sorin Dobrin • Producentske kuće / Production Companies: Kino Kombat Filmmanufactur, Obala Art Centar • Producent / Producer: Fred Kelemen • Kontakt / Contact: www.fredkelemen.com

SARAJEVO SONGS OF WOE je filmski triptih koji sadrži dvije priče “Plava balada za ljubavnike” i “Plavi Rondo za preživjele”, koje povezuje središnja priča “Plavi psalm za vukove”. Priče se međusobno prožimaju, sjedinjuju i grade jedan univerzalni mozaik života u Sarajevu. Kamera slijedi različite protagoniste povezujući ih kinematografskim kružnim plesom nade i očaja, ljubavi i smrti, te njihovom težnjom ka dostojanstvenom životu, koji je krhko razapet između žudnje za toplinom ljubavi i hladnoće naše civilizacije. SARAJEVO SONGS OF WOE is a filmic triptych containing the two tales “Blue Ballad for Lovers” and “Blue Rondo for Survivors” with a connecting middle part “Blue Psalm for Wolves”. The sections flow into each other, uniting and building up one universal mosaic of life situated in the town of Sarajevo. The camera follows different protagonists and interweaves with their cinematic round-dance of hope and despair, love and death and their quest for a dignified life, stretched fragilely between the desire for the warmth of love and the coldness of our civilisation’s reality.

ŽABA / THE FROG Bosnia and Herzegovina / Macedonia / Serbia / Croatia, 2017, HD, color, 78 min. • Režija / Director: Elmir Jukić • Scenaristi / Screenwriters: Pjer Žalica, Elmir Jukić • Direktor fotografije / Director of Photography: Dejan Dimeski • Montaža / Editor: • Scenografija / Set Designer: Mario Ivezić • Kostimografija / Costume Designer: Lejla Graho • Uloge / Cast: Emir Hadžihafizbegović, Aleksandar Seksan, Mirsad Tuka, Moamer Kasumović, Selma Alispahić, Boro Stjepanović, Ilir Tafa, Nermin Omić, Alisa Čajić-Drmać, Vlasta Velisavljević, Sadžida Šetić, Mugdim Avdagić • Producent / Producer: Ademir Kenović • Producentske kuće / Production Companies: Refresh Sarajevo, Skopje Film Studiom (MK), Living Pictures (SR), Propeler filmo (HR). • Kontakt / Contact: Refresh Sarajevo, Splitska 11, 71000 Sarajevo; tel. / fax.:+387 33 211 093, +387 33 208 314; fresh@bih.net.ba

Zeko, brico i bivši borac sa PTSP-om, poziva brata Bracu i prijatelja Švabu na Bajram. Namjerava da iskoristi praznično raspoloženje, te brata, kockara i alkoholičara, nagovori da se promijeni. Braco ga ne želi slušati i ne shvata priču ozbiljno. Zeko uzima britvu i prislanja je na Bracin vrat, te silom iznudi od njega obećanje da će se promijeniti. Braco bijesan odlazi, ne želeći ga više ikad vidjeti, a Švabo predlaže Zeki da posjeti psihijatra. Kad ostane sam, bez jedinog prijatelja i brata, Zeko uzima bombu. Izvjesno samoubistvo sprečava dolazak Mukija, mladića koji ide od vrata do vrata i prodaje knjige. Zeko, a barber and ex-soldier suffering from Post-Traumatic Stress Disorder, invites his brother Braco and his friend Švabo to Eid festivities. He intends to take advantage of the festive mood and ask his brother, a gambler and alcoholic, to change his ways. Braco doesn’t want to listen and will not take the conversation seriously. Zeko puts a razor under his brother’s neck, forcing him to promise he will change; furious, Braco leaves, telling Zeko he will never see him again, while Švabo suggests that Zeko see a psychiatrist. Alone, without his only friend and his brother, Zeko decides to kill himself – until Muki, a young man selling books doorto-door, stops him.

DOKUMENTARNI FILMOVI / DOCUMENTARY FILMS

BELIEVE / VJEROVANJE Russia / Ukraine, 2017, HD, color, 27 min. • Režija i scenarij / Director and Screenwriter: Ashot Dzhazoyan • Direktor fotografije / Director of Photography: Aleksandra Sineva • Montaža / Editor: Olga Emelianova • Zvuk / Sound: Olga Karmadonova • Producent / Producer: Ashot Dzhazoyan • Producentska kuća / Production Company: Production company 4 Formats • Kontakt / Contact: olyayaemelianova@gmail.com

Heroji filma su mještani glavnog grada Bosne i Hercegovine – Sarajeva. Unuka Josipa Broza Tita, baletni plesač, politički stručnjak, šef međunarodnog zbora i branitelji bosanskog rata govore o današnjoj političkoj i društvenoj situaciji svoje zemlje. Dijalog o kulturi i religiji značajan je dio ovoga filma. Predstavnici islama, katoličanstva i pravoslavlja razmišljaju o ulozi religije u životu multikulturalnog bosanskog naroda. The heroes of the film are the locals of the capital of Bosnia and Herzegovina – Sarajevo. The granddaughter of Josip Broz Tito, a ballet dancer, a political expert, the head of an international chorus and veterans of the Bosnian war speak about the present political and social environment of their country. The dialogue of cultures and religions becomes a significant part of the film. The representatives of Islam, Catholicism and Orthodoxy think over the role of religion in the life of the multicultural Bosnian nation.

BELONGING / PRIPADANJE Bosnia and Herzegovina, 2017, HD, color, 38 min. • Režija i scenarij / Director and Screenwriter: Judith Beuth, Jasmin Brutus • Direktor fotografije / Director of Photography: Jasmin Brutus • Montaža / Editor: Branka Pavlović • Zvuk/Sound: Judith Beuth, Nedim Zlatar • Producent / Producer: Judith Beuth, Jasmin Brutus • Kontakt / Contact: afijun@yahoo.com

U još uvijek ratom srušenom Sarajevu, zajednički napori učiteljice i roditelja da stvore okruženje za učenje gluhonijemom dječaku, bez državne pomoći, postaju priča o uspjehu koja daje novi život raspravi o inkluzivnom obrazovanju širom svijeta. In a still war-torn Sarajevo, the collective efforts of a schoolteacher & parents to create a learning environment for a deaf boy, without government aid, becomes a story of success that gives new life to the inclusionary education debate worldwide.

BIJELI PUT / WHITE ROAD Bosnia and Herzegovina, 2017, HD, color, 80 min. • Režija i scenarij / Director and Screenwriter: Zdenko Jurilj • Direktor fotografije / Director of Photography: Antoni Ćorić • Montaža / Editor: Tomislav Topić • Producent / Producer: Tomislav Bubalo • Producentska kuća / Production Company: Kadar d.o.o. • Kontakt / Contact: Kadar, Trg širokobrijeških žrtava 1, 88220 Široki Brijeg, tel. / fax.: +387 39 706 992, tomo.bubalo@gmail.com

Krajem 1993. godine zbog žestokih ratnih sukoba Armije BiH i HVO-a, u potpunom okruženju je ostalo oko 80.000 stanovnika srednje Bosne. Počeli su umirati od gladi i bolesti. Nakon 12 dana putovanja preko vatrenih linija, konvoj od 90-ak kamiona stigao je u Novu Bilu. U organizaciji najveće humanitarne akcije poslije Drugog svjetskog rata sudjelovalo je između 10 i 15 hiljada osoba. Pri povratku iz Nove Bile na prazne kamione otvorena je vatra. Vozač Ante Vlajić je ubijen, a tri sudionika konvoja su ranjena. Nakon akcije Bijeli put, za nekoliko dana napravljeni su humanitarni koridori za pomoć svim civilima u BiH bez obzira na naciju i vjeru! At the end of 1993, during the armed conflict between the BH Army and the HVO, around 80,000 inhabitants of Central Bosnia were completely surrounded. People were dying of hunger and disease. After twelve days journey through the front lines, a convoy of 90 trucks arrived to Nova Bila. Between ten and fifteen thousand people participated in organization of this action, making it the largest humanitarian action since World War II. On the way back from Nova Bila, fire was opened on the empty trucks. The driver Ante Vlajić was killed and three participants of the convoy were wounded. After the action White Road humanitarian corridors were made to assist all civilians in Bosnia and Herzegovina, regardless of nationality and faith.

BH FILM PROGRAMME l 23. Sarajevo Film Festival 233

CIUDADES A CONTRALUZ / OUT OF DARKNESS. CITIES AFTER WAR / IZ TAME. GRADOVI POSLIJE RATA Spain, 2017, HD, color, 79 min. • Režija i scenarij / Director and Screenwriter: Francesc Relea • Direktori fotografije / Directors of Photography: Alfonso Moral, Leonardo Castaño, Jordi Figueras • Montaža / Editor: Carlos Prieto Cabrera • Zvuk / Sound: Albert Manera • Muzika / Music: Javier Rodero • Producent / Producer: Isabel Jubert • Producentska kuća / Production Company: What’s Up Doc • Kontakt / Contact: info@moviesforfestivals.com

IZ TAME. GRADOVI POSLIJE RATA je dokumentarni film koji otkriva dušu četiri grada čija imena asociraju na uništenje i bol iz desetljeća 90-ih: Sarajevo, Bejrut, Kigali i Medellín. OUT OF DARKNESS. CITIES AFTER WAR is a documentary film mapping out the soul of four cities whose names conjure up the idea of destruction and pain from the decade of the nineties: Sarajevo, Beirut, Kigali and Medellín.

DOM / HOME Bosnia and Herzegovina, 2017, HD, color, 52 min. • Režija i scenarij / Director and Screenwriter: Zdenko Jurilj • Montaža / Editor: Tomislav Topić • Producent / Producer: Vera Robić-Škarica • Producentska kuća / Production Company: Kadar d.o.o., Hrvatski filmski savez • Kontakt / Contact: Kadar, Trg širokobrijeških žrtava 1, 88220 Široki Brijeg, tel. / fax.: +387 39 706 992, tomo.bubalo@gmail.com

Svaki četvrti zaposleni i svaki deveti radno aktivni stanovnik u Hrvatskoj, ima blokirani bankovni račun bez sudskog procesa. Sudske presude su donijete bez njihove suglasnosti, a često i bez upoznavanja sa razlozima ili rješenjem blokade. Kad zakaže sustav, kad se građanin više nema kome obratiti i kad ga beskropulozna administracija izbacuje iz kuće ili stana, tada u pomoć stižu mladi aktivisti koji svojim tijelima sprečavaju provedbu deložacija. Every fourth employee and every ninth active working resident in Croatia has a blocked bank account for being involved in a court trial. Verdicts are handed down without their compliance, and often without knowing the reasons or the solution to the blockade. When the system doesn’t function, when a citizen has no one to turn to, and when the administration is throwing them out of their homes, then young activists arrive to help and to prevent the eviction with their own bodies.

DVIJE ŠKOLE / TWO SCHOOLS Bosnia and Herzegovina / Serbia / Croatia, 2017, HD, color, 45 min. • Režija i scenarij / Director and Screenwriter: Srđan Šarenac • Direktor fotografije / Director of Photography: Amel Đikoli • Montaža / Editor: Sead Arnautović • Ton / Sound: Predrag Đorda • Producent / Producer: Srđan Šarenac • Producentska kuća / Production Company: NOVI FILM • Kontakt / Contact: Novi Film, Rudolfa Rude Tomića 34, Sarajevo, tel.: +387 61 158 164, production@novi-film.com, www.novi-film.com

U zgradi nekadašnje slavne travničke Gimnazije sada se nalaze dvije škole: Katolički školski centar “Petar Barbarić”, koji predaje po hrvatskom nastavnom planu, i JU Mješovita srednja škola “Travnik”, gdje se nastava izvodi po bosanskom nastavnom planu i programu. Film prati dva kapitena školskih reprezentacija u nogometu: Muhameda Lepira i Josipa Papka. Two schools are currently situated in the one building, the once famous Travnik Gymnasium. The Catholic school Petar Barbarić conducts classes using the Croatian curriculum and the public co-educational Travnik High School uses the Bosnian curriculum. Film follows the two indoor football team captains: Muhamed Lepir and Josip Papak.

FRAMING HOME / URAMLJIVANJE DOMA Netherlands, 2017, HD, color, 27 min. • Režija i scenarij / Director and Screenwriter: Ivana Barišić • Montaža / Editor: Ivana Barišić • Zvuk / Sound: Ivana Barišić, Ramón van Gammeren • Producent / Producer: Ivana Barišić • Kontakt / Contact: ivanabarisic@live.nl

Dvadeset godina nakon rata u Bosni i Hercegovini, redateljica Ivana Barišić razgovara sa svojim suvremenicima o rušenju njene domovine i posljedicama rata. Slijedeći druge generacije bosanskih i holandskih doseljenika, ovaj film daje uvid u složenost raseljavanja kad se poremeti osjećaj za dom i pripadnost. Twenty years after the war in Bosnia and Herzegovina, filmmaker Ivana Barišić engages in a conversation with her contemporaries about the destruction of their homeland and the aftermath of this war. Follow234 23. Sarajevo Film Festival l BH FILM PROGRAMME

ing second-generation Bosnian-Dutch immigrants, this film gives insight into the complexities of displacement when home and belonging are disrupted.

GEWOND GOUD / WOUNDED GOLD / RANJENO ZLATO Netherlands / Bosnia and Herzegovina, 2017, HD, color, 50 min. • Režija i scenarij / Director and Screenwriter: Mustafa Hadžiibrahimović • Direktor fotografije / Director of Photography: Muhamed Kahrimanović • Montaža / Editor: Gaston Walle • Zvuk / Sound: Mustafa Hadžiibrahimović • Muzika / Music: Nihad Hrustanbegović, Nerko Hadžiarapović, Dženan Selmanagić, Merima Kljuco • Producent / Producer: Sanne Vermaas • Producentska kuća / Production Company: Evariste Filmproducties • Kontakt / Contact: sanne@evariste.nl

Ranjavanje za vrijeme rata, gubitak nogu, oporavak, igranje sjedeće odbojke i konačno postajanje evropskim, svjetskim i olimpijskim prvakom s državnom reprezentacijom. Ovo je priča o državnom timu u sjedećoj odbojci Bosne i Hercegovine. Ovo je priča o vidljivim i manje vidljivim ozljedama, o suočavanju s ograničenjima u životu, ali i o neodustajanju. Getting wounded during war, losing a leg, recovering, then playing sitting volleyball and finally becoming European, World and Olympic champions. This is the story of the national sitting volleyball team of Bosnia and Herzegovina. This is a story about visible and less visible injuries, about facing limitations in life, but never giving up.

GUIDANCE THROUGH THE BLACK HOLE / VODIČ KROZ CRNU RUPU UK / Serbia / Bosnia and Herzegovina, 2017, HD, color, 74 min. • Režija i scenarij / Director and Screenwriter: Aleksandar Nikolić, Zlatko Pranjić • Direktor fotografije / Director of Photography: Aleksandar Nikolić • Montaža / Editor: Aleksandar Nikolić • Zvuk / Sound: Niclola Medić • Muzika / Music: Vesna Josić • Producent / Producer: Monika Braid • Producentska kuća / Production Company: Braidmade Films • Kontakt / Contact: monika@braidmadefilms.co.uk

Sule je pjesnik, umjetnik i posljednji boem u londonskom Portobellu. Njegov najveći san je da se jednoga dana vrati svojoj voljenoj Banja Luci, ali on i dalje sabotira svoje šanse. Duboko u sebi, Sule shvata da ono što mu zaista treba je da popravi odnos sa svojim sinom. Savršena prilika za to se ukazuje kada ga Ambasada BiH poziva na postavljanje izložbe “Vodič kroz crnu rupu”. Datum je postavljen, ali slike nisu dovršene i Sule zna da najprije mora pobijediti svoje poroke. Sule is a poet, artist and the last bohemian in London’s Portobello. His biggest dream is to one day go back to his beloved Banja Luka, but he keeps sabotaging his chances. Deep down Sule understands that what he really needs is to mend his relationship with his son. A perfect opportunity arises when the Bosnian embassy invites him to put on an exhibition “Guidance Through the Black Hole”. The date is set, but the paintings are not finished and Sule knows that he must first overcome his vices.

HEIMWEH / NOSTALGIJA / NOSTALGIA Austria, 2017, HD, color, 85 min. • Režija i scenarij / Director and Screenwriter: Ervin Tahirović • Direktor fotografije / Director of Photography: David Lindinger • Montaža / Editor: Roland Stoettinger • Zvuk / Sound: Maximilian Liebich • Muzika / Music: Ljubinka Jokić • Producenti / Producers: Florian Bruening, Thomas Herberth • Producentska kuća / Production Company: Horse&Fruits • Kontakt / Contact: florian@ horseandfruits.com

Nakon 21 godine, Ervin se vraća u svoj rodni grad kako bi doznao šta bi se dogodilo s njegovom porodicom da nisu pobjegli iz rata. After 21 years, Ervin returns to his hometown in order to find out what would have happened to his familiy if they hadn’t escaped the war.

HOĆU KUĆI / I WANT TO GO HOME Bosnia and Herzegovina, 2017, HD, color, 80min. • Režija / Directors: Ademir Kenović, Neven Samardžić, Saša Peševski • Scenarij / Screenwriter: Ademir Kenović • Direktor fotografije / Director of Photography: Almir Đikoli • Montaža / Editor: Almir Mešković • Muzika / Music: Adis Sirbubalo • Zvuk / Sound: Samir Hrković, Vanja Kurtović, Adis Baždarević • Producent / Producer: Sead Kreševljaković • Producentska kuća / Production Company: Refresh Production • Kontakt / Contact: produkcija@refresh.ba

HOĆU KUĆI je dokumentarac o ljudima regije koji su proveli dio svog života u inostranstvu, stekli nova iskustva, znanja, vještine, upoznali se

i prilagodili drugačijem sistemu, zatim se vratili u svoje zemlje gdje su svojim znanjem i radom stvorili bolje okruženje za sebe, svoje porodice, društvo i državu.

Are the feelings of being stuck in one place typical for the current generation of twenty year olds? Five young adults speak of their ideas, feelings and childhood stories of growing up in a country scarred by war, revealing their minds full of chaos and incessant waiting for ardently desired change.

I WANT TO GO HOME is a documentary about people from the region who have spent part of their lives abroad, acquiring new experiences, knowledge, skills, and adapting to a different system. On returning to their countries and with their acquired knowledge and work, they create a better environment for themselves, their families, society and the state.

JAUCI SA ZMIJANJA / HOWLS FROM ZMIJANJE

IGRA ŽMIRE / PLAY HIDE AND SEEK

Bosnia and Herzegovina, 2016, DCP, color, 12 min. • Režija i scenarij / Director and Screenwriter: Branko Lazić • Direktor fotografije / Director of Photography: Branko Lazić • Montaža / Editor: Dragan Vranjković • Dizajn zvuka / Sound Designer: Vladimir Vladetić • Producent / Producer: Aleksandar Šević • Producentska kuća / Production Company: NVO DOKUMENTARISTA • Kontakt / Contact: zenitfilm@gmail.com

Bosnia and Herzegovina, 2016, HD, color, 73 min. • Režija i scenarij / Director and Screenwriter: Feđa Ibrišimović • Direktor fotografije / Director of Photography: Irfan Brković • Montaža / Editor: Sanja Horić • Producent / Producer: Boris Balta, Feđa Ibrišimović • Zvuk / Sound: Amir Čudić, Dražen Mulaosmanović • Muzika / Music: Damir Nezirović • Producentske kuće / Production Companies: Aurora, Magic Factory, Laboratory • Kontakt / Contact: baltaboris@tff.ba

Priča filma je vrlo intimna i govori o bračnom paru koji godinama pokušava dobiti dijete. Film izlaže javnosti problem bračnog para Ibrišimović, i kroz njegovu demistifikaciju, pruža snagu parovima u sličnoj situaciji da ne odustaju od svog pohoda. A very intimate story of a married couple who have been trying to have a baby for years. The film presents to the public the problem of the couple, and through the demystification of their problem, it gives power and hope to couples in a similar situation.

İNAT KİLİSESİ / INAT CRKVA / THE CHURCH OF TENACITY Turkey, 2017, HD, color, 48 min. • Režija i scenarij / Director and Screenwriter: Muhammed İbrahim Şişman • Direktor fotografije / Director of Photography: Fatih Turan • Montaža / Editor: Onur Hüseyin Kılınç • Zvuk / Sound: Göksel Tuzun • Muzika / Music: Berkan Şahin • Producent / Producer: Muhammed İbrahim Şişman • Kontakt / Contact: mibrahimsisman@gmail.com

Film rasvjetljava ključno razdoblje bosanske historije, godine između 1992. i 1995., tijekom kojih je 200 hiljada ljudi izgubilo živote, a 2 miliona ljudi je raseljeno. INAT CRKVA govori o borbi Fate Orlović za uklanjanje crkve izgrađene na njenoj zemlji i srpske porodice iz njezine kuće, nakon povratka na svoje ognjište. The documentary sheds a light on a key period in Bosnian history, years between 1992 and 1995, during which two hundred thousand people lost their lives and two million people became displaced. It tells the story of Fata Orlović’s struggle and legendary resistance to remove a church built on her land and a Serbian family from her house after returning home after the war.

INTERVJU S RATNIM ZLOČINCEM / INTERVIEW WITH A WAR CRIMINAL United Kingdom, 2017, HD, color, 28 min. • Režija / Director: Ismar Badžić • Direktor fotografije / Director of Photography: Joseph Hallgate, Jon Collins, Sarah Edwards • Montaža / Editor: Lizi Hessling, Aiden Jordan • Zvuk/Sound: Jamie Frye •Muzika / Music: Dan Cantrell • Producent / Producer: Ismar Badžić • Producentska kuća / Production Company: Gloves & Glass • Kontakt / Contact: ismarbadzic@gmail.com

Izbjeglica iz bosanskog rata suočava se sa svojim demonima pišući osuđenom ratnom kriminalcu, Radovanu Karadžiću. A refugee from the Bosnian war faces his demons by writing to convicted war criminal Radovan Karadžić.

INTERVJUI / INTERVIEWS Slovak Republic / Bosnia and Herzegovina, 2016, HD, color, 30 min. • Režija i scenarij / Director and Screenwriter: Paula Durinova • Direktor fotografije / Director of Photography: Paula Durinova • Montaža / Editor: Ljupcho Temelkovski • Producent / Producer: Paula Durinova • Zvuk / Sound: Paula Durinova, Robert Rampacek • Producentska kuća / Production Company: Living Documentary • Kontakt / Contact: pauladurinova@gmail.com

Da li je osjećaj zaglavljenosti u stanju iščekivanje tipičan za trenutnu generaciju dvadesetogodišnjaka? Pet mladih ljudi govori o svojim idejama, osjećajima i pričama iz djetinjstva, o odrastanju u zemlji ranjenoj ratom, otkrivajući svoje haotične misli i neprestano iščekujući neke promjene.

Već pedeset godina jedan zmijanjski zbor koji se održava posljednje nedjelje avgusta nosi ime srpskog pisca i borca za slobodu Petra Kočića. Novo vrijeme je donijelo nove običaje. Na jednom mjestu susreću su borbe bikova, go-go plesačice, političari, pjevaljke i di džejevi, ražnjevi i književnici, hladno pivo i nacionalni ponos. Spoj nespojivog. For over fifty years, the Zmijanje assembly has been held on the last Sunday of August carrying the name of the Serbian writer and freedom activist Petar Kočić. New times have brought new customs to the event. In the one place there are bullfights, go-go dancers, politicians, singers and DJs, rabbits and writers, cold beer and national pride; the connection of incompatible.

KRIVI PUT / THE WRONG WAY Bosnia and Herzegovina, 2017, DVD, color, 23 min. • Režija i scenarij / Director and Screenwriter: Nisvet Hrustić • Direktor fotografije / Director of Photography: Nisvet Hrustić • Montaža / Editor: Nisvet Hrustić • Muzika / Music: Amer Šehić • Producent / Producer: Nisvet Hrustić • Kontakt / Contact: Nisvet Hrustić, nisvet.hrustic@tel.net. ba, www.nisvet-hrustic.com

Priroda nam je podarila sve ljepote, a čovjek ih nemilosrdno uništava. Šume nestaju... Sve što je nastalo prije nas, nestaje zbog nas. Da li će se obnoviti poslije nas? Nature presented us with beauty, but humans have destroyed it relentlessly. Forests are disappearing. Everything that came before us disappears because of us. Will it recover after us?

NAJGORI NA SVIJETU / WORST IN THE WORLD Bosnia and Herzegovina, 2017, HD, color, 65 min. • Režija / Director: Damir Pirić • Scenarij/ Screenwriter: Azra Husarić, Azra Delmanović, Damir Pirić • Direktor fotografije / Director of Photography: Samir Neimarlija • Montaža / Editor: Damir Pirić • Muzika / Music: Samir Neimarlija • Producenti / Producers: Damir Pirić, Rusmir Krdžalić • Producentska kuća / Production Company: “Artz Produkcija” Tuzla • Kontakt / Contact: Amalije Lebeničnik 8, 75000 Tuzla, BiH; tel.: +387 62 540 193, +387 64 422 3375; damirpiric@gmail.com, damir@artzproduction.com

Film prati istraživačku priču dvije studentice žurnalistike koje su tragom informacije da je novinarska profesija proglašena za najgoru profesiju na svijetu došle do spoznaje da i građani BiH generalno imaju jako loše mišljenje o novinarima i novinarskom pozivu. Two journalism students discover that journalism has been determined as the worst profession in the world. They then find out that BosnianHerzegovinians have very low opinion of journalists.

NEPRIJATELJI / ENEMIES Bosnia and Herzegovina, 2017, HD, color, 52 min. • Režija i scenarij / Director and Screenwriter: Emir Z. Kapetanović, Sead Kreševljaković • Direktor fotografije / Director of Photography: Amel Đikoli • Montaža / Editor: Emir Z. Kapetanović • Zvuk / Sound: Samir Hrković • Muzika / Music: Dino Šukalo • Producent / Producer: Sead Kreševljaković • Producentska kuća / Production Company: Al Jazeera Balkans • Kontakt / Contact: sead.kresevljakovic@aljazeera.net

Daut je uspio da preživi rat pritom misleći da je u šumi ubio neprijateljskog vojnika. Nakon potpisivanja Dejtonskog sporazuma, Daut Tihić se vraća u svoje mjesto i sjedeći na kafi sa prijateljem ugleda poznatog čovjeka. Daut shvata da je Dane, vojnik kojeg je “ubio” živ i zdrav. Nekadašnji neprijatelji postaju dobri prijatelji i pokreću zajednički posao, dajući primjer zajedničkog života i oprosta. Daut Tihić managed to survive the war thinking that he had killed an enemy soldier in the woods. After the Dayton Agreement is signed, Daut BH FILM PROGRAMME l 23. Sarajevo Film Festival 235

returns to his hometown and sits in a cafe with his friends, where he sees a familiar man. Daut realises that Dane, the soldier he “killed” is healthy and alive. Former enemies become good friends and start a business together, giving an example of coexistence and forgiveness.

of life in the west. He starts his journey toward his abandoned city and lost love. When he comes to his hometown, Sarajevo, emotions wake up within him. He goes to Cuba and remembers his ex girlfriend Jordanka, so he decides to go to Santa Clara to find her.

OSTAJEM – ICH BLEIBE HIER. / OSTAJEM – I AM STAYING.

S RUBA PAMETI / FROM THE EDGE OF SANITY

Bosnia and Herzegovina / Germany 2017, HD, color, 27 min. • Režija i scenarij / Director and Screenwriter: Maja Bahtijarević, Johanna Jannsen • Direktor fotografije / Director of Photography: Maja Bahtijarević, Johanna Jannsen • Montaža / Editor: Maja Bahtijarević, Johanna Jannsen • Producent / Producer: Maja Bahtijarević, Johanna Jannsen • Kontakt / Contact: maja.bahtijarevic+filmfestivals@gmail.com

Bosnia and Herzegovina, 2017, DCP, color, 27 min. • Režija i scenarij / Director and Screenwriter: Milana Majar • Direktor fotografije / Director of Photography: Dejan Račić • Montaža / Editor: Biljana Ševa • Dizajn zvuka / Sound Designer: Vladimir Vladetić • Producent / Producer: Aleksandar Šević • Producentska kuća / Production Company: Radio Televizija Republike Srpske • Kontakt / Contact: milana.majar@rtrs.tv

Maja Bahtijarević je napustila Bosnu i Hercegovinu sa svojim roditeljima 1992. godine, kada je imala šest godina. Vraća se u Bosnu i Hercegovinu i susreće Stefana, Jelenu i Peđu: troje mladih koji su odlučili ostati, iako znaju da se moraju boriti za prilike i perspektive. Oni govore o sadašnjoj situaciji, svojim uvjerenjima i nadama.

Na vrhuncu rata u Siriji dva sina i kćerka Junesa Ajuba i Helen Alašhab odlaze iz ratom zahvaćene zemlje. Porodica prodaje veći dio imovine, kako bi platili krijumčarima da ih prebace do Evrope. Junak filma, sedamdesetogodišnji Junes Ajub, ostaje u Damasku. On nam šalje poruku da je strah nemoćan pred snagom uma.

Maja Bahtijarević left Bosnia and Herzegovina with her parents in 1992 when she was only six years old. She returns to Bosnia and Herzegovina and meets Stefan, Jelena and Peđa: three young people who have decided to stay, although they know they’ll have to fight for opportunities and perspectives. They talk about the current situation, their beliefs and their hopes.

At the peak of the war in Syria, two sons and a daughter of Younes Ayoub and Helen Alashehab leave their war-torn homeland. The family sell most of their property to pay smugglers to take them to Europe. The hero of the film, seventy year old Younes, remains in Damascus. He sends us a message that fear is powerless against the power of the mind.

POSLEDNJE RABADŽIJE / THE LAST BULLOCKIES Bosnia and Herzegovina, 2017, HD, color, 18 min. • Režija / Director: Novak Knežić • Scenarij / Screenwriters: Novak Knežić, Radoje Tasić • Direktor fotografije / Director of Photography: Novak Knežić • Montaža / Editor: Novak Knežić • Zvuk / Sound: Novak Knežić • Muzika / Music: Aleksandar Đorđević Papec • Producent / Producer: Novak Knežić • Kontakt / Contact: novaknole73@gmail.com

POSLEDNJE RABADŽIJE prikazuje jedan od najtežih poslova koji obavljaju ljudi i volovi – izvlačenje trupaca iz šume na nepristupačnim terenima – “rabadžiluk”. THE LAST BULLOCKIES shows one of the most difficult jobs carried out by humans and bulls - pulling logs from the woods from inaccessible terrains.

POSTOJI LI RAZLOG ZBOG KOJEG TI TO NE MOŽEŠ? / IS THERE A REASON YOU CAN’T DO IT? Bosnia and Herzegovina, 2017, DCP, color, 45 min. • Režija i scenarij / Director and Screenwriter: Aleksandar Bundalo • Direktor fotografije / Director of Photography: Siniša Nenadić • Montaža / Editor: Aleksandar Bundalo • Dizajn zvuka / Sound Designer: Predrag Blagojević • Producenti / Producers: Mladen Ðukić, Aleksandar Bundalo• Producentska kuća / Production Company: Aeon • Kontakt / Contact: Aeon, Kralja Petra II 84, 78000 Banja Luka; tel: +387 65 587 476; mladen.djukic@aeonproduction.com

Dvije potpuno slijepe djevojke pokušavaju da samostalno skijaju. Vođene jednim vizionarom koji vjeruje da one to mogu, vidimo koliko naizgled obične stvari mogu nekoga usrećiti. Prijateljstvo, samopouzdanje i povjerenje mogu svima učiniti život ljepšim. Two completely blind girls are trying to ski on their own. Guided by a visionary who believes they can do it, we see how seemingly ordinary things can bring great happiness. Friendship, self-confidence and trust can make a better life for everyone.

PUT ZA SANTA KLARU / ROAD TO SANTA CLARA Bosnia and Herzegovina, 2016, HD, color, 30 min. • Režija i scenarij / Director and Screenwriter: Vitomir Martić • Direktor fotografije / Director of Photography: Miloš Jež • Montaža / Editor: Miloš Jež • Zvuk / Sound: Igor Simonović • Muzika / Music: Vitomir Martić • Producent / Producer: Vitomir Martić • Kontakt / Contact: vito.martic@hotmail.com

Glavni junak, bivši bokser koji živi u Švedskoj, nezadovoljan otuđenim životom zapada, kreće na put u potrazi za napuštenim gradom i izgubljenom ljubavi. Stiže u rodno Sarajevo i emocije naviru. Zatim, odlazi za Kubu i sjeća se bivše djevojke Jordanke, te odlazi za Santa Klaru da je pronađe. A former boxer lives in Sweden and is dissatisfied with the alienation 236 23. Sarajevo Film Festival l BH FILM PROGRAMME

SAN O KRUGOVIMA / DREAM OF CIRCLES Bosnia and Herzegovina, 2016, HD, color, 93 min. • Režija / Director: Zoran Pavljašević • Scenarij / Screenwriter: Almir Atiković • Direktor fotografije / Director of Photography: Zoran Pavljašević • Montaža / Editor: Damir Pirić • Muzika / Music: Vladimir Preradović • Producent / Producer: Zoran Pavljašević • Producentska kuća / Production Company: “Artz Produkcija” Tuzla • Kontakt / Contact: Amalije Lebeničnik 8, 75 000 Tuzla, BiH; tel.: +387 62 540 193, +387 64 422 3375; pavljasevic.zoran@gmail.com

Na Tuzlanskim sportskim terenima bilo je 17 sportista, koji su svojim sportskim rezultatima obezbijedili učešće na najznačajnijem sportskom takmičenju u svijetu, Olimpijskim igrama. Film je priča o tuzlanskim olimpijcima u kojem se akteri prisjećaju trenutaka iz svojih bogatih sportskih karijera i učešća na Olimpijadi. Seventeen athletes from Tuzla’s sports grounds have attended the most significant sports competition in the world, the Olympic Games. The film is a story about these Tuzlan Olympians, recalling moments from their rich sports career and participation.

SARAJEVO MARŠ / SARAJEVO MARCH Turkey, 2017, HD, color, 87 min. • Režija i scenarij / Director and Screenwriter: Ersan Bayraktar • Direktor fotografije / Director of Photography: Caner Aytepe, Ercan Bayraktar • Montaža / Editor: Ersan Bayraktar • Zvuk/Sound: Fatih Yavuz • Muzika/ Music: Gökhan Altındirek • Producent / Producer: Volkan Süfürler - Adem İnan • Producentska kuća / Production Company: Nokta Film • Kontakt / Contact: volkansufurler@hotmail.com

SARAJEVO MARŠ je priča o opsadi Sarajeva, koja je najduža opsada suvremene ratne povijesti. Film predstavlja šetnju ulicama Sarajeva dvadeset godina nakon opsade, ali svjedoči o traumama i stazama uzrokovanim ratom. SARAJEVO MARCH is about the Sarajevo Siege, which is the longest siege in the modern history of warfare. The film takes its audience for a walk on Sarajevo streets twenty years after the siege, but it witnesses traumatised people and trails caused by the war.

SARAJ’VO Bosnia and Herzegovina, 2017, HD, color, 57 min. • Režija i scenarij / Director and Screenwriter: Mustafa Mustafić • Direktor fotografije / Director of Photography: Mustafa Mustafić, Almir Đikoli • Montaža / Editor: Redžinald Šimek • Producent / Producer: Amra Bakšić Čamo • Producentska kuća / Production Company: SCCA / pro. ba • Kontakt / Contact: SCCA / pro.ba, tel.: +387 33 444 535, e-mail: adis@pro.ba

SARAJ’VO najbolje opisuje veličinu glavnog grada Bosne i Hercegovine, njegov zavodljivi duh i sveobuhvatnost mikrokosmosa koji omeđuje. Mustafa Mustafić, legendarni snimatelj, snimio je posvetu gradu u kojem je proveo svoj život. SARAJ’VO sumira sve što jedna iznimno neobična sre-

dina, zajedno s njegovim stanovnicima, gostima i turistima, čini gradom. SARAJ’VO describes the real scale of the capital of Bosnia and Herzegovina, its seductive spirit and the scope of the microcosm that it borders. Mustafa Mustafić, the legendary cameraman, filmed this dedication to the city where he spent his life. SARAJ’VO sums up everything about this very unusual environment, together with its inhabitants, guests and tourists.

SEVDALINKA: ALHEMIJA DUŠE / SEVDALINKA: THE ALCHEMY OF A SOUL Turkey / Bosnia and Herzegovina, 2016, HD, color, 102 min. • Režija i scenarij / Director and Screenwriter: Sali Saliji • Direktor fotografije / Director of Photography: Sali Saliji • Montaža / Editor: Sali Saliji • Muzika / Music: R.S. Rush • Producent / Producer: Sali Saliji • Producentska kuća / Production Company: Sallini Film Production • Kontakt / Contact: salisaliji@gmail.com

Film na poučan i dirljiv način priča svoju priču o sevdahu, Bosancima i Bošnjacima, sličnom mentalitetu, zajedničkoj historiji, o ratu i miru. Film razbija stereotip da je sevdalinka homogeno bosanska iz razloga što je još od samog početka svog postojanja imala snagu da pređe preko granica svoje kolijevke – Bosne. In an intstrucive and touching way, the film teaches about sevdah, Bosnians and Bosniaks, a similar mentality, common history, about war and peace. The originality of this film is breaking the stereotype that sevdalinka is a homogenous Bosnian artform for the reason that from the very beginning of its existence it had the power to cross the border of its cradle - Bosnia.

SHINERS / ČISTAČI CIPELA Canada, 2016, HD, color, 78 min. • Režija i scenarij / Director and Screenwriter: Stacey Tenenbaum • Direktor fotografije / Director of Photography: Van Royko csc. • Montaža / Editor: Howard Goldberg • Zvuk / Sound: Emory Murchison, Daniel Lagacé • Muzika / Music: Tim Rideout • Producent / Producer: Stacey Tenenbaum, Sergeo Kirby • Producentska kuća / Production Company: H2L Productions • Kontakt / Contact: stenenbaum@gmail.com

Upoznajte muškarce i žene koji zarađuju za život čisteći naše cipele. Od New Yorka do Tokija, Sarajeva i šire, film putuje svijetom kako bi vam pružio lični pogled na ovu nepravedno zanemarenu profesiju. Meet the men and women who make their living cleaning our shoes. From New York to Tokyo , Sarajevo and beyond, film travels the world to give you an insider’s view of this overlooked profession.

SRCE, RUKE, LOPTA / HEART, HANDS, BALL Bosnia and Herzegovina, 2017, HD, color, 54 min. • Režija i scenarij / Directors and Screenwriters: Anadin Butković, Vedad Šurković, Rašid Halilović • Direktori fotografije / Directors of Photography: Anadin Butković, Vedad Šurković, Rašid Halilović • Montaža / Editor: Ena Jažić • Zvuk / Sound: Zlatan Sejdinović • Muzika / Music: Anadin Butković, Vedad Šurković, Rašid Halilović • Producent / Producer: Anadin Butković, Vedad Šurković, Rašid Halilović • Kontakt / Contact: vedads1@hotmail.com

Jedan dan u životu stanovnika mjesta Donji Rainci u općini Kalesija, i to baš onaj dan u kojem ih zajednička ljubav okupi na stadionu. Kroz njihovu ljubav prema Fudbalskom klubu “Spreča” upoznajemo se sa mjestom, kulturom, običajima i tradicijom, te samim nastankom i opstankom ovog kluba. One day in the life of Donji Rainci in the municipality of Kalesija, that very day on which the common love is gathering them on local stadium. Through their love for the “Spreča” football club we get to know the place, culture, customs and tradition, and find out about the very beginning and survival of the football club.

SVUKUDA / EVERYWHERE Bosnia and Herzegovina / Montenegro, 2017, HD, color, 61 min. • Režija i scenarij / Director and Screenwriter: Nedžad Begović • Direktor fotografije / Director of Photography: Nedžad Begović • Montaža / Editor: Dejan Ćorić • Producent / Producer: Sabrina Begović - Ćorić • Producentska kuća / Production Company: HAVA Sarajevo • Kontakt / Contact: Hava Sarajevo, Terezije bb; 71 000 Sarajevo, tel.: +387 61 922 422; hava.film@gmail.com

Priča je najjednostavnija: Autor u svome filmskom ishodišu i završetku filmske karijere, pravi svoj posljednji film u restlovima zamišljanih i nikad

snimljenih kadrova. Sve dosadašnje iskustvo sublimira u filmski projekat koji “NANO” kreacijom propituje mogućnosti filmskog izraza. Nakana je napraviti najdalji uklon od podrazumijevajućeg u filmu, a da se sve doima običnim i tačnim, razumljivim, bez velikih skrivenih ideja, u bliskosti sa životom. The story is simple: An author at the end of his life and his film career is making his last film from remnants of imagined and never realized film shots. He thus encapsulates his entire experience into the film project that applies “nano technology and nano creativity” in an effort to explore the possibilities of film expression. His intention is to take the greatest possible distance from everything that could be taken for granted in a film, but in such a way that everything still looks ordinary, real, understandable, and without grand hidden ideas.

THE ROAD MOVIE / RUSKI FILM CESTE Russia / Bosnia and Herzegovina / Croatia / Serbia / USA, 2016, HD, color, 67 min. • Režija i scenarij / Director and Screenwriter: Dmitrii Kalashnikov • Montaža / Editor: Dmitrii Kalashnikov • Zvuk / Sound: Alexey Kulkov • Muzika / Music: Troitsa • Producent / Producer: Volia Chajkouskaya • Koproducenti / Co-Producers: Srđan Šarenac, Rustam Hayretdinov • Producentska kuća / Production Company: Volia Films • Kontakt / Contact: production@novi-fillm.com

Sve se može dogoditi na ruskom putu i sve se bilježi ugrađenim kamerama. Super objektivna kamera postaje junak ovog filma – uvijek čekajući na čudnovata dešavanja i drame na cesti. Video kamera prikazuje život kao objektivni promatrač. Anything can happen on Russian roads and are precisely shot by dashboard cameras. Superobjective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. The dashboard cam depicts life in its purity as an unbiased observer.

UNDERCOVERED Bosnia and Herzegovina, 2017, HD, color, 53 min. • Režija i scenarij / Directors and Screenwriters: Nejra Hulusić, Sabrina Begović Ćorić • Direktor fotografije / Director of Photography: Amel Đikoli • Montaža / Editors: Nejra Hulusić, Sabrina Begović Ćorić • Produkcija / Production Company: Hava Film • Kontakt / Contact: Hava Sarajevo, Terezije bb, 71000 Sarajevo, hava.film@gmail.com, www.hava.ba

Otkrivamo kako izgleda život ispod marame. Zavirili smo u svakodnevnicu žena i djevojaka koje nose hidžab u Sarajevu, evropskom Jerusalemu. We are discovering lives under cover. The film enters the everyday lives of women and girls who wear the hijab in Sarajevo, the European Jerusalem.

KRATKI I ANIMIRANI FILMOVI / SHORT AND ANIMATED FILMS

AMNA Bosnia and Herzegovina, 2016, DCP, color, 1 min. • Režija i scenarij / Director and Screenwriter: Zoran Ćatić • Direktor fotografije / Director of Photography: Mirza Ajnadžić • Montaža / Editor: Mirza Ajnadžić • Zvuk / Sound: Slađana Vujić • Uloge / Cast: Lejla Omeragić – Ćatić • Producent / Producer: Zoran Ćatić • Producentska kuća / Production Company: eTV Sarajevo • Kontakt / Contact: zokacatic@gmail.com

Film AMNA je posveta jednom neviđenom, dugogodišnjem prijateljstvu u kojem preovladava optimizam. AMNA is a dedication to an unique, long-lasting friendship full of optimism.

AŽDAJA / THE DRAGON Bosnia and Herzegovina, 2017, DCP, color, 12 min. • Režija / Director: Ivan Ramadan • Animacija / Animation: Ivan Ramadan • Direktor fotografije / Director of Photography: Erol Zubčević • Muzika / Music: Damir Imamović • Producent / Producer: Adnan Ćuhara • Producentska kuća / Production Company: Prime Time Production • Kontakt / Contact: Prime Time Production, Ljubljanska bb, 71000 Sarajevo, e-mail: ivan.ramadan@gmail.com, www.primetime.co.ba

U jednom malom bosanskom selu, skrivenom u vrletima planinskih klanaca, gdje se život odvija u skladu s prirodom, svakog proljeća, tijekom mnogih stoljeća, odvija se ritual prizivanja Velikog Zmaja, zaštitnika i ujedinitelja. Kako vrijeme odmiče, i vremena se neumitno mijenjaju, snaga rituala gubi svoju moć. BH FILM PROGRAMME l 23. Sarajevo Film Festival 237

In a small Bosnian village, hidden in the cliffs of the mountain gorges, where life takes place in harmony with nature, each spring, for many centuries the ritual of inviting the Great Dragon, the protector and unifier, is conducted. As time goes on, and times have changed, the power of the ritual loses its power.

Nuhić • Muzika / Music: Ammar Jažić • Uloge / Cast: Šerif Aljić, Admir Šehović, Ajdin Hasanović • Producenti / Producers: Reshad Strik, Admir Avdić • Producentska kuća / Production Company: Mozaik Films • Kontakt / Contact: info@mozaikfilms.com

KINESKI ZID / GREAT WALL OF CHINA

A father, dealing with the agony of his missing son from Sarajevo, stumbles across an old grave from the Austro-Hungarian Empire. He starts to confide in the grave, but little does he know that the grave confides in him.

Bosnia and Herzegovina, 2017, HD, color, 36 min. • Režija i scenarij / Director and Screenwriter: Aleksandra Odić • Direktor fotografije / Director of Photography: Katharina Diessner • Montaža / Editor: Branka Pavlović • Scenografija / Set Designer: Nevena Milasinović • Kostimografija / Costume Designer: Katharina Jockwer • Muzika / Music: Micha Kaplan • Uloge / Cast: Elena Matić, Tina Keserović, Faketa Salihbegović-Avdagić, Mugdim Avdagić, Anja Stanić, Vanesa Glođo, Šaban Mujkanović, Nataša Račić, Marina Pijetlović, David Šurlan, Martyna Miller, Hamza Zuroklić • Producentica / Producer: Aleksandra Odić • Producentska kuća / Production Company: Deutsche Film- und Fernsehakademie Berlin (DFFB) • Kontakt / Contact: aodic@web.de

Bosna, ljetni dan na selu, 20 godina nakon posljednjeg rata. Budući da je jedini svjedok tajnog plana svoje omiljene tete Ljilje, Maja pravi veliki korak u svom životu. Granice njezina djetinjstva počinju pucati. A summer’s day in the countryside in Bosnia, twenty years after the latest war. Being the only witness of a secret plan of her favourite aunt Ljilja, little Maja takes a major step in her life. The boundaries of her childhood start to break apart.

IGRA / GAME Bosnia and Herzegovina, 2017, HD, color, 7 min. • Režija i scenarij / Director and Screenwriter: Senad Alihodžić • Direktor fotografije / Director of Photography: Timur Makarević • Montaža / Editor: Timur Makarević • Scenografija / Set Designer: Dragan Denda • Kostimografija / Costume Designer: Ina Arnautalić • Muzika / Music: Muhamed Hadžović • Uloge / Cast: Izudin Bajrović, Igor Dronjić, Vedrana Seksan, Aleksandar Seksan, Jasna Diklić, Vlado Jokanović, Muhamed Alihodžić, Snežana Alič, Irma Alimanović, Mirza Tanović, Sanjin Latifić, Sanin Milavić, Jasenko Pašić, Hatidža Nuhić, Gordana Boban, Semir Krivić, Adnan Beširović, Muhamed Hadžović, Edin Alihodžić • Producenti / Producers: Amra Bakšić Čamo, Adis Đapo • Producentska kuća / Production Company: SCCA / pro.ba • Kontakt / Contact: SCCA / pro.ba, tel.: +387 33 444 535, adis@pro.ba

IGRA je nostalgična priča o izgubljenom vremenu. Otac prati sina u školu, a zatim odlazi na posao. Usput, počinje da primjećuje čudne stvari i susreće odrasle ljude kako igraju dječije igre. Iako to u početku odbija da prihvati, na kraju i sam postaje učesnik u igri. GAME is a nostalgic story of lost time. A father follows his son to school and then goes to work. Along the way he begins to notice strange things happening and adults playing games for children. Although he initially refuses to accept it, in the end he starts to play as well.

JEŽEVA KUĆA / HEDGEHOG’S HOME Canada / Croatia, 2017, HD, color, 10 min. • Režija / Director: Eva Cvijanović • Scenarij / Screenwriter: Eva Cvijanović • Direktor fotografije / Director of Photography: Ivan Slipčević • Animacija / Animation: Ivana Bošnjak, Thomas Johnson, Eva Cvijanović • Montaža / Editor: Eva Cvijanović, Iva Kraljević • Scenografija / Production Designers: Ivana Bošnjak, Thomas Johnson, Kata Gugić, Marko Meštrović, Dina Karadžić • Muzika / Music: Darko Rundek • Uloge / Cast: Rade Šerbedžija • Producentice / Producers: Jelena Popović, Vanja Andrijević • Producentska kuća / Production Company: Bonobostudio (HR) • Kontakt / Contact: vanja@bonobostudio.hr

U bujnoj i raskošnoj šumi živi jež kojemu se ostale šumske životinje dive, ali mu i zavide. No Ježurkina nepokolebljiva odanost svome domu nervira četiri nezasitne zvijeri koje kreću u pohod prema njegovoj kući gdje dolazi do uzbudljivog i bodljikavog obračuna. In a lush and lively forest lives Hedgehog. He is respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys a quartet of insatiable beasts. Together, they march off towards Hedgehog’s home and spark a tense and prickly standoff.

LUDWIG VON SARAJEVO Bosnia and Herzegovina, 2016, HD, color, 11 min. • Režija / Director: Reshad Strik • Scenarij / Screenwriter: Edin Krehić • Direktor fotografije / Director of Photography: Almir Đikoli • Montaža / Editor: Redžinald Šimek • Scenografija / Production Designers: Haris Hadrović • Kostimografija / Costume Designers: Ina Arnautalić, Hatidža 238 23. Sarajevo Film Festival l BH FILM PROGRAMME

Otac, u agoniji zbog nestalog sina, prolazi pokraj starog groblja, iz austro-ugarskog perioda. Počinje se ispovijedati grobu, nesvjestan da će se i grob povjeriti njemu.

NEVIDLJIVI / INVISIBLE Bosnia and Herzegovina / Hungary, 2017, HD, color, 6 min. • Režija / Director: Amra Mehić • Scenarij / Screenwriter: Srđan Vuletić • Direktor fotografije / Director of Photography: Almir Đikoli • Montaža / Editor: Elvedin Zorlak • Scenografija / Production Designer: Narcis Babić • Kostimografkinja / Costume Designer: Nađa Sinić • Uloge / Cast: • Producent / Producer: Zijad Mehić • Koproducenti / Co-producers: Feđa Štukan, Iván Steiner • Producentske kuće / Production Companies: Relative Pictures (BiH), Steinerscenics Filmproductions Kft (HUN) • Kontakt / Contact: amra.mehic@gmail.com

Čovjek na rubu egzistencije odlučuje se na očajnički čin. A man on the verge of existence decides to make a desperate move.

SNIJEG ZA VODU / SNOW FOR WATER Bosnia and Herzegovina, 2017, HD, color, 15 min. • Režija i scenarij / Director and Screenwriter: Christopher Villiers • Direktor fotografije / Director of Photography: Louis Brennan • Montaža / Editor: Bojan Mijatović, Gigi Con Welsh • Scenografija / Production Designers: Lana Pašić • Kostimografija / Costume Designers: Lana Pašić, Neira Sinanbašić • Muzika / Music: Michael Csanyi-Wills • Uloge / Cast: India Tanović, Hadrian Tanović, Saša Krmpotić, Amar Čustović, Davor Golubović, Elza Gradaščević • Producenti / Producers: Christopher Villiers, Mirza Mutevelić • Producentska kuća / Production Company: 2020 Productions Ltd • Kontakt / Contact: chris@2020casting.com

Dvoje djece prkosi zimi i snajperu kako bi sakupili snijeg za svog oca, tokom opsade u Sarajevu 1994. Two children brave the cold and snipers to collect snow for their father in 1994, during the Sarajevo siege.

SRKLET Bosnia and Herzegovina, 2017, HD, color, 5 min. • Režija / Director: Edin Hurem • Scenarij / Screenwriter: Edin Hurem • Direktor fotografije / Director of Photography: Edin Hurem • Montaža / Editor: Edin Hurem • Animacija / Animation: Edin Hurem • Producent / Producer: Edin Hurem • Kontakt / Contact: hurem_e@yahoo.com

U neznanom gradu žive momak i djevojka. Djevojka je studentica medicine koja radi dodatno u malenom kafiću. Momak je umjetnik koji ima samo jednu želju: da osvoji njeno srce... In a small city live a boy and a girl. The girl is studying medicine and working in a restaurant. The boy is an artist, whose only wish is to win her heart.

TO BE HAMLET / BITI HAMLET Bosnia and Herzegovina, 2017, DCP, color, 1 min. • Režija i scenarij / Director and Screenwriter: Zoran Ćatić • Direktor fotografije / Director of Photography: Zoran Ćatić • Montaža / Editor: Zoran Ćatić • Producent / Producer: Zoran Ćatić • Producentska kuća / Production Company: eTV Sarajevo • Kontakt / Contact: zokacatic@gmail.com

Dokumentarna adaptacija književnog djela s elementima komedije. A documentary adaptation of the literary work, with comedic elements.

VIŠE OD 39 SKALINA / MORE THAN 39 STAIRS Bosnia and Herzegovina, 2016, HD, color, 8 min. • Režija i scenarij / Director and Screenwriter: Vesko Kadić • Direktor fotografije / Director of Photography: Vesko Kadić • Animacija / Animator: Vesko Kadić • Montaža / Editor: Vesko Kadić • Dizajn zvuka / Sound Designer: Adis Bajtarević Producentska kuća / Production Company: Video kinematograf Sarajevo • Kontakt / Contact: veskokadic@gmail.com

U jednom malom primorskom mjestu nalazi se mali hotel koji je od velike plaže udaljen oko 130 skalina. Nije problem doći do plaže, ali kako se, kasnije, vratiti do hotela?

In a small seaside resort, there is a hotel that is around 130 stairs away from a big beach. It’s no problem to get down to the beach, but how do you get back later?

young people who overcome the prejudices facing them, both their own and others, and the process of maturing on that journey.

HINJA / THE DARK SIDE OF HINJA SPECIJALNA PROJEKCIJA / SPECIAL SCREENING SREDNJOŠKOLSKI FILM / HIGHSCHOOL FILMS VIDEO SEKCIJA HEMIJSKE ŠKOLE TUZLA I FOTO KINO KLUB OŠ BANOVIĆI KONTAKT / CONTACT: ELVEDIN SARIĆ, MENTOR (ELVEDINSARIC1976@GMAIL.COM)

MOJ KOMŠIJA DAMIR / MY NEIGHBOUR DAMIR Bosnia and Herzegovina, 2017, HD, color, 4 min. • Režija / Director: Aldin Sarić • Scenarij / Screenwriters: Aldin Sarić, Damir Čabrić • Direktor fotografije / Director of Photography: Aldin Sarić • Montaža / Editor: Aldin Sarić • Uloge / Cast: Aldin Sarić, Damir Čabrić, Boris Limaj

Bosnia and Herzegovina, 2017, HD, color, 5 min. • Režija / Director: Erik Bajraktarević • Scenarij / Screenwriter: Erik-Vildan Bajraktarević • Direktor fotografije / Director of Photography: Srđan Rodić • Montaža / Editor: Srđan Rodić • Uloge / Cast: Erik-Vildan Bajraktarević, Asja Sofić, Jasmin Baščelija, Armin Šemić, Amna Džihanić

Jasmin lako dobije odličnu ocjenu u Gimnaziji, ali nije fer prema ostalim učenicima. Erik ga pretuče, ali Jasmin treba od Erika svesku za učenje. Izmami je preko drugih tako da Erik ne zna šta se događa. Jasmin ponovo uvali učenike, ali ovaj put ga Erik brani od ljutnje ostalih. Jasmin easily gets excellent grades at school, but he isn’t fair to the other students. Erik beats him, but Jasmin needs Erik’s notes for learning. He gets them that way that Erik doesn’t know what’s going on. Jasmin is unfair again, but this time Erik defends him from the anger of others.

PIJANA NOĆ / DRUNKEN NIGHT

Damir loves animals and does everything to protect them, while his neighbours dislike that behavior.

Bosnia and Herzegovina, 2017, HD, color, 14 min. • Režija / Director: Nedim Šegalo • Scenarij / Screenwriter: Nedim Šegalo • Direktor fotografije / Director of Photography: Nedim Šegalo • Montaža / Editor: Srđan Rodić • Uloge / Cast: Danin Forto, Armin Skenderagić, Benjamin Karačić, Amar Đozić, Nazifa Trapo, Amina Grbo, Suad Šegalo

EMA

Armin i Benjo razmišljaju gdje da slave Novu godinu. Uprskos svim poteškoćama uspijevaju napraviti party kakav su željeli, ali noć ne završava baš kako su planirali.

Damir je ljubitelj životinja i sve čini da ih zaštiti, dok ostali stanari negoduju na takvo ponašanje.

Bosnia and Herzegovina, 2016, HD, color, 15 min. • Režija / Director: Medina Mehić, Emina Dostović, Ema Šehić, Aldin Sarić • Scenarij / Screenwriters: Aldin Sarić, Ema Šehić • Direktor fotografije / Director of Photography: Aldin Sarić, Ema Šehić • Montaža / Editor: Aldin Sarić, Ema Šehić • Uloge / Cast: Ema Šehić, Medina Mehić, Emina Dostović, Ema Sarić, Nejra Nurković, Mejrema Krlučević, Ema Dostović, Irma Pavlović, Aziz Delić, Sejdefa Salihović, Inela Avdić, Jasna Didić, Azur Osmanović, Damir Čabrić, Amila Kukić, Bakir Mostarlić

Ema je u saobraćajnoj nesreći izgubila sluh i zbog toga ima velike poteškoće u komunikaciji, ali situacija u kojoj se našla pomogne joj da zaista upozna ljude koji je okružuju. Ema lost her hearing in a traffic accident. She has great communication difficulties but, at the same time, her situation helps her to really meet the people around her. JU GIMNAZIJA DOBRINJA / SCENSKI SMJER KONTAKT / CONTACT: SRĐAN RODIĆ, PROFESOR / PROFESSOR (RODIXSRJAN@ROCKETMAIL.COM)

BOOMERANG Bosnia and Herzegovina, 2017, HD, color, 13 min. • Režija / Director: Ejla Patak, Berina Muhović • Scenarij / Screenwriter: Berina Muhović • Direktor fotografije / Director of Photography: Lana Šarić • Montaža / Editor: Srđan Rodić • Uloge / Cast: Armin Fazlić, Berina Muhović, Mirza Nikšić, Rea Memić, Ejla Patak, Mirza Pramenković, Nedim Šegalo, Ines Jusufović, Lora Šabanović, Rijad Ožegović, Nedžad Alihodžić, Eldar Zulčić, Alen Mustafić, Enis Bektić, Sabrina Kahriman, Amani Hrković, Ena Kalabić, Armin Lokvančić, Arnel Hadžajlić

Sanja žrtvuje svu svoju snagu, vrijeme, fakultet i socijalni život za uspjeh svog momka, košarkaša Armina, ali zauzvrat ne dobije ništa. Sanja sacrifices all her strength, time, studies and social life for the success of her boyfriend, a basketball player named Armin, but she doesn’t get anything in return.

EMIRAN Bosnia and Herzegovina, 2017, HD, color, 30 min. • Režija / Director: Azra Hodžić • Scenarij / Screenwriters: Azra Hodžić, Ena Duraković • Direktor fotografije / Director of Photography: Srđan Rodić • Montaža / Editor: Srđan Rodić, Muhamed Bajramović, Azra Hodžić • Uloge / Cast: Amina Grbo, Armin Skenderagić, Muhamed Bajramović, Saira Piranić, Nedim Šegalo, Srđan Rodić, Mirza Pramenković

Hotel Emiran je namijenjen za smještaj studenata koji dolaze iz svih krajeva svijeta da studiraju u Bosni i Hercegovini. Ovo je priča o pet mladih ljudi koji prevazilaze svoje i tuđe predrasude suočavajući se s njima i na tom putovanju sazrijevaju. Hotel Emiran is designed to accommodate students from all over the world who study in Bosnia and Herzegovina. This is a story about five

Armin and Benjo are thinking about where they should celebrate New Year’s Eve. Despite all the difficulties, they manage to throw a party, but the night doesn’t end exactly as they planned.

PROVALA / BREAKING IN Bosnia and Herzegovina, 2017, HD, color, 4 min. • Režija / Director: Armin Skenderagić • Scenarij / Screenwriter: Armin Skenderagić • Direktor fotografije / Director of Photography: Armin Skenderagić • Montaža / Editor: Srđan Rodić • Uloge / Cast: Nedim Šegalo, Denin Forto, Benjamin Karačić

Denin i Nedim su loše uradili test iz matematike. Očajni, dolaze na ideju da obiju profesoricin stan i preprave testove. Denin and Nedim have done badly on a mathematics test. Desperate, they come up with the idea of breaking into professor’s apartment and correcting the tests.

ŠTA JE LJUBAV / WHAT IS LOVE Bosnia and Herzegovina, 2017, HD, color, 14 min. • Režija / Director: Zana Kadić • Scenarij / Screenwriter: Zana Kadić • Direktor fotografije / Director of Photography: Lana Šarić • Montaža / Editor: Srđan Rodić • Uloge / Cast: Rea Memić, Mirza Pramenković, Ena Kalabić, Srđan Rodić, Zvjezdana Patak, Ensar Suljević, Pavka Ilić, Dambo, Edita Drakovac, Amela Šivšić

U školu dolazi nova učenica iz drugog grada, Aleksandra. Kada s novom prijateljicom krene kući, na vratima škole je gurne Armin. Aleksandra Armina prati do njegove kuće i saznaje da ima malog brata i da mu je otac teško bolestan. Ona se počinje interesovati za njega, te se između njih rađa prijateljstvo, koje će prerasti u nešto više. A new student from another town, Aleksandra, comes to school. On her way back home, Armin pushes her at school entrance. Aleksandra follows him to his house and finds out that he has a small brother, and that his father is very sick. She starts to take an interest in him and a friendship is born between them that will become something more.

VRAĆANJE / THE RETURN Bosnia and Herzegovina, 2017, HD, color, 7 min. • Režija / Director: Ena Kalabić • Scenarij / Screenwriter: Ena Kalabić • Direktor fotografije / Director of Photography: Lana Šarić • Montaža / Editor: Srđan Rodić • Uloge / Cast: Amar Mujanović, Zvjezdana Patak, Mirza Pramenković, Fejsal Shakur, Kenan Salčin, Ajla Bičo, Kerim Džindo, Ilda Bukvić, Eldar Kunić

Amar izlazi iz škole i odlazi prema školskoj kapiji pozdraviti prijatelje ali dan kreće naopako. On his way from school, Amar goes to the gate to greet his friends but then the day turns up-side-down. BH FILM PROGRAMME l 23. Sarajevo Film Festival 239

STUDENTSKI FILMOVI / STUDENT FILMS AKADEMIJA SCENSKIH UMJETNOSTI SARAJEVO / SARAJEVO ACADEMY OF PERFORMING ARTS E-MAIL: ASU@ASU.UNSA.BA WWW.ASU.UNSA.BA

ČISTOĆA / CLEAN Bosnia and Herzegovina, 2017, HD, color, 38 min. • Režija i scenarij / Director and Screenwriter: Neven Samardžić • Direktor fotografije / Director of Photography: Amel Đikoli • Montaža / Editor: Saša Peševski • Muzika / Music: Saša Peševski • Uloge / Cast: Nerman Mahmutović, Mirela Lambić, Aleksandar Seksan, Davor Golubović, Benjamin Bajramović, Sanin Milavić, Mirvad Kurić, Admir Šehović

Fudo je narkoman koji, nakon smrti najboljeg prijatelja, odluči da se skine s heroina i pomiri sa majkom. Etiketa narkomana ga i dalje prati i niko ne vjeruje u iskrenost njegove promjene. Otuđen od svoje okoline i moren osjećajem krivice za smrt prijatelja, u opasnosti je da se vrati starom životu. Međutim odlučuje da se bori. After the death of his best friend, Fudo decides to get clean from heroin and reconcile with his mother. The label of “addict” still follows him and no one believes in the sincerity of his change. Estranged from his environment and with the feeling of guilt for death of his friend, he is in danger of going back to his old life. However, he decides to fight.

KRAJ DANA / THE END OF THE DAY Bosnia and Herzegovina, 2017, HD, color, 10 min. • Režija i scenarij / Director and Screenwriter: Asja Krsmanović • Direktor fotografije / Director of Photography: Amel Đikoli • Montaža / Editor: Amra Mehić • Uloge / Cast: Mirela Lambić

Žena dolazi kući sa službenog putovanja. Pored obavljanja svakodnevnih rituala, dan pokušava ispuniti ispraznim telefonskim razgovorima. A woman comes home from a business trip. In addition to carrying out her everyday rituals, she is trying to fill up her day with empty telephone conversations.

PATULJAK / THE DWARF Bosnia and Herzegovina, 2017, HD, color, 13 min. • Režija i scenarij / Director and Screenwriter: Sara Ristić • Direktor fotografije / Director of Photography: Admir Švrakić • Montaža / Editor: Adi Selimović, Sara Ristić • Uloge / Cast: Alen Muratović, Darja Badnjević, Vanesa Glođo, Arma Tanović, Sead Pandur, Jasna Ornela-Bery, Timur Faginović, Saša Ristić, Ljubica Barić, Esther Ristić, David Ristić

Usamljeni Dario se sjeti očevih riječi dvadeset godina kasnije kad mora odlučiti da li da slijedi njegov put i ostane sa djevojkom koju ne voli, nadajući se najboljem, ili da stvori svoj put prekidajući naviku. Lonely Dario remembers his father’s words twenty years later, when he has to decide whether to follow his path and to stay with a girl he doesn’t love, hoping for the best, or to make his own and break the habit. AKADEMIJA UMJETNOSTI BANJA LUKA / ACADEMY OF ARTS BANJA LUKA E-MAIL: INFO@AUBL.ORG WWW.AU.UNIBL.ORG

IZGUBLJENI GRAD / LOST CITY Bosnia and Herzegovina, 2017, HD, color, 9 min. • Režija / Director: Sara Radusinović • Scenarij / Screenwriter: Sara Radusinović • Direktor fotografije / Director of Photography: Jovana Blagojević, Sara Radusinović • Montaža / Editor: Milan Banjac

Biljana Radusinović (43) se suočava sa davno potisnutim sjećanjima. Sjećanjima na mjesto u kojem je rođena, u kojem je odrasla i koje je, zbog rata u Jugoslaviji 1991, morala da napusti. Na koji način se jedna osoba od nepunih 18 godina nosi sa ratom, sa odlaskom iz jedinog doma kojeg ima i napuštanjem porodice? Forty-three year old Biljana Radusinović is confronting her long repressed memories. Memories of a place where she was born, raised and which she had to leave in 1991 due to war. How does someone younger than eighteen years old deal with war, leaving her only home and family?

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JEDAN DAN / ONE DAY Bosnia and Herzegovina, 2016, HD, color, 1 min. • Režija / Director: Janja Bijelić • Scenarij / Screenwriter: Janja Bijelić • Direktor fotografije / Director of Photography: Janja Bijelić • Montaža / Editor: Janja Bijelić • Uloge / Cast: Porodica/ Family Seferović

Iako im je dato relativno malo vremena za život (nekima tek jedan dan), iako su relativno bespomoćni u svijetu kojim vlada čovjek, leptiri vrijedno obavljaju jednu od svojih životnih uloga: navode ljude da se zaljubljuju jedni u druge. Na taj način postaju primjer da ni vrijeme, kao ni fizička (ne) moć nisu faktori koji nas mogu ometati u činjenju divnih stvari. Although given relatively little time to live (for some only one day), and despite being relatively helpless in the world ruled by humans, butterflies are doing one of their life roles: they guide people to fall in love with each other. So, they become an example that neither time nor physical fragility are factors that can dissuade us from doing wonderful things.

LJUBAV ZA DVIJE / LOVE MADE FOR TWO Bosnia and Herzegovina, 2017, HD, color, 9 min. • Režija / Director: Zoran Pilipović • Scenarij / Screenwriter: Zoran Pilipović • Direktor fotografije / Director of Photography: Zoran Pilipović • Montaža / Editor: Bojan Starčević • Uloge / Cast: Porodica/ Family Seferović

Šerif Seferović iz Lipovače kod Gradiške bori se po lošem vremenu, zimi i ljeti da prehrani svoju porodicu, a gotovo uvijek sa svog krstarenja, svojoj supruzi i kćerki, donosi po neki znak pažnje, cvijeće, plišane igračke. Šerif Seferović from Lipovača (near Gradiška) fights through bad weather, in winter and summer, to feed his family, and almost always from his trip, he brings back a token of appreciation, flowers, plush toys, to his wife and daughter.

SATSEVA / SERVING GOD Bosnia and Herzegovina, 2017, HD, color, 10 min. • Režija / Director: Inga Kukobat • Scenarij / Screenwriter: Inga Kukobat • Direktor fotografije / Director of Photography: Danijel Špadić • Montaža / Editor: Inga Kukobat • Uloge / Cast: Pava

Stogodišnja baka živi sama u zabiti i dane provodi u monotoniji svog života. Mjesto u kojem ona postoji je mjesto na kojem se nikada ništa ne dešava, a njeno bivanje na tom mjestu ocrtava i proizvodi priču. A hundred-year-old grandmother lives alone in backwoods and is spending her days in the monotony of her life. The place where she exists is the place where nothing ever happens, and her being there draws and produces a story. FAKULTET DRAMSKIH I FILMSKIH UMJETNOSTI BIJELJINA / FACULTY OF DRAMA AND FILM ARTS BIJELJINA E-MAIL: STUDENTSKA@SINERGIJA.EDU.BA; PROFESORI@SINERGIJA.EDU.BA WWW.SINERGIJA.EDU.BA

NADŽIVJETI KORNJAČU / TO OUTLIVE THE TURTLE Bosnia and Herzegovina, 2017, HD, color, 15 min. • Režija / Director: Katarina Živanović • Scenarij / Screenwriter: Katarina Živanović, Neda Gojković • Direktor fotografije / Director of Photography: Radoslav Vladić • Montaža / Editor: Nemana Mihailović • Uloge / Cast: Jovana Milovanović, Ljiljana Blagojević

Teško bolesna Iskra pokušava da nađe svoj mir. I pored svih poklona i pažnje koju dobija zbog svoje bolesti, Iskra vodi najveću borbu sa svojom usamljenošću. Very unwell, Iskra tries to find her peace. Despite all the gifts and attention she receives for her illness, Iskra has the greatest fight with her own loneliness.

SARAJEVO FILM ACADEMY E-MAIL: ADMISSIONS@SFA.BA, INFO@SFA.BA WWW.SFA.BA

AMATERI, OR THE LOST INNOCENTS Bosnia and Herzegovina, 2017, HD, color, 20 min. • Režija / Director: Graeme Cole • Scenarij / Screenwriter: Graeme Cole • Direktor fotografije / Director of Photography: Graeme Cole • Montaža / Editor: Graeme Cole • Uloge / Cast: Edita May

Izgubljeni kiborški VJ posjećuje napušteni grad na dalmatinskoj obali, prateći glasine o sakrivenim i zaboravljenim VHS kasetama – jedinoj vrsti filmova koje ovaj videofil može gledati s obzirom da joj je istekla licenca za prostetičke oči. Po dolasku, otkriva kako je GPS ovog grada izvitoperen, te mape nemaju smisla. Počinje sumnjati kako je nepoznate sile vuku prema tom mjestu. A jaded cyborg VJ visits an abandoned city on the Dalmatian coast, following rumours of a stash of forgotten VHS tapes - the only kind of movie this videophile can watch since the license expired for her prosthetic eyes. On arrival, she finds that the GPS of the city has become warped and the maps no longer make sense. She begins to suspect she is being guided towards a place by unknown forces.

APNOEA Bosnia and Herzegovina, 2016, HD, color, 16 min. • Režija / Director: Andronikos Konstantinos Dimopoulos • Scenarij / Screenwriter: Andronikos Konstantinos Dimopoulos • Uloge / Cast: Maja Izetbegović, Nikolas Makris

Film prati 24 sata života jedne žene i put njenog uma ka želji. The film goes through the twenty four hours of a woman’s day and her mind’s path to what she desire.

INVESTIGATIONS OF A DOG. Bosnia and Herzegovina, 2017, HD, color, 25 min. • Režija / Director: Aleksandra Niemczyk • Scenarij / Screenwriters: Aleksandra Niemczyk, Graeme Cole • Direktor fotografije / Director of Photography: Kim Namsuk • Montaža / Editors: Aleksandra Niemczyk, Lamia Šabić • Uloge / Cast: Adnan Omerović, Gorana Ćulibrk, Branko Ćulibrk

Mladić frustriran svojim mučnim postojanjem odluči samo ležati pored rijeke i testirati da li će se društvo zabrinuti za njega ili ga pustiti da umre. A young man frustrated by his grim existence decides to just lie down by the river and test whether society will take care of him or let him die.

LEJLA Bosnia and Herzegovina, 2017, HD, color, 22 min. • Režija i scenarij / Director and Screenwriter: Stijn Bouma • Direktor fotografije / Director of Photography: Lorenzo Fabbro • Montaža / Editor: Fatih Tura • Dizajn zvuka / Sound Designer: Jesse Maasdam • Scenografija / Set Designer: Chrystyan Romero • Uloge / Cast: Mersiha Husagić, Adna Solunović • Producenti / Producers: Emina Ganić, Stijn Bouma, Ibrahim Karatay, Paul Oscar Kanter

Lejla je djevojka iz Sarajeva, koja radi u fast food restoranu i brine o svom starom ocu. Jednog dana upoznaje Vedada i oni se zaljubljuju. Vedad joj nudi mogućnost odlaska s njim, ali ona nije sigurna šta je najbolje za njezinu budućnost. Lejla is a girl from Sarajevo who works in a fast food restaurant and takes care of her old father. One day she meets Vedad and they fall in love. He offers her the opportunity to leave the country with him, but she is not sure of the right choice for her.

ZIMSKO SUNCE / WINTER SUN Bosnia and Herzegovina, 2017, HD, color, 37 min. • Režija i scenarij / Director and Screenwriter: Pilar Palomero • Direktor fotografije / Director of Photography: Manel Raga and Pilar Palomero • Montaža / Editor: Tomas Balthasar and Miguel Guijarro • Uloge / Cast: Sahbija Pašalić, Muhamed Pašalić, Sabina Šabić, Sara, Zlatar Šabić

Nana, 80-ogodišnja žena treba operaciju. Ona i njen muž, Dedo, su morali napustiti svoj dom u malom mjestu Hrsa i trenutno se preseliti u Sarajevo kako bi sačekali operaciju. Žive u kući svoje kćerke, ali život u Sarajevu postaje dosadan i prazan. Nana, an eighty year old woman, needs to have an operation. Nana and her husband Dedo have to leave their home in the small village of Hrsa and move temporarily to Sarajevo to wait for the surgery. They live at their daughter’s house, but life in Sarajevo becomes boring and empty. BH FILM PROGRAMME l 23. Sarajevo Film Festival 241

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Sponzori / Sponsors Hvala / Thank You Index - Filmovi / Films Index - ReĹžiseri / Directors Festival Team

POKROVITELJI FESTIVALA

Grad Sarajevo

FEDERALNO MINISTARSTVO OKOLIŠA I TURIZMA

Ministarstvo civilnih poslova Bosne i Hercegovine

OPĆINA ILIDŽA

SPONSORS l 23. Sarajevo Film Festival 245

Celebrating the 5th edition of the Ajyal Youth Film Festival Save the date 29 November–4 December, 2017 Doha, Qatar Ajyal – the Arabic term for “generations” – builds on the Doha Film Institute’s history of providing training and film literacy to the community. The Ajyal Competition is the heart of the Festival, featuring a jury of 500 young people from around the world, who judge the films in competition and participate in film-related workshops and lectures. Ajyal encourages creative thinking, self-expression and cultural exchange, and leads to friendships that will last a lifetime. For more information, please visit www.dohafilminstitute.com/filmfestival Connect with us: AjyalFilm

AjyalFilm

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We bring you the Stars

USLUGE | ZDRAVSTVO | NEKRETNINE | PRIRODNI RESURSI | FINANSIJE

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ZAŠTITA BUDUĆNOSTI

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glavna uloga u vašoj kuhinji

DAŠAK inspiracije

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S Vegetom se bolje jede! 258 23. Sarajevo Film Festival l SPONZORI

SPONSORS l 23. Sarajevo Film Festival 259

>> kultura i zabava

>> delicije >> putovanja

>> moda

23 GODINE APSOLUTNI TRŽIŠNI LIDER >> stil i ljepota

>> intervjui i ekskluzivne priče Najraskošnija i najčitanija revija za žene www.gloria.hr 260 23. Sarajevo Film Festival l SPONZORI

Switzerland - Sarajevo Film Festival: the story of a friendship continues Switzerland is pleased to continue to support the Festival’s Documentary Competition through two awards: “Heart of Sarajevo for the Best Documentary” and “Human Rights Award”.

I n fo r m a c i j e , re zol u c i j e i s ol u c i j e S a fe ta Z a j ke 2 , 710 0 0 S a ra j e vo, B o s n a i He rc e g ov i n a + + 3 87 3 3 716 50 0, w w w.d i s t i . ba SPONSORS l 23. Sarajevo Film Festival 261

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www.wiener.ba Wiener osiguranje BiH

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GENERALNI MEDIJSKI PARTNER

MEDIJSKI PARTNERI

GENERALNI MEDIJSKI INTERNET PARTNER

MEDIJSKI PARTNERI

www. l.ba

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DEALING WITH THE PAST PARTNERS:

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THE POST REPUBLIC WORK IN PROGRESS AWARD

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TALENTS SARAJEVO PARTNER:

TALENTS SARAJEVO IS SPONSORED BY:

TALENTS SARAJEVO IS SUPPORTED BY:

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Hvala / Thank You

Atakan Zeynep, Breka Sandra, Goodridge Mike, Grbović Mersid, Hadžiabdić Enver, Heinzl Verena, Kazić Emir, Mičošević Danijela, Müller Tue Steen, Papousek Christof, Puhovski Nenad, Rahelić Igor, Stipanov Hrvoje, Tanović Danis, Tanović-Sijerčić Ines, Tolić Roko, Tomeković Dubravka, Ugarković Ana, Vukorep Jons, Zorich Stefan, Zylla Renate CAT & Docs, Centar Film, Continental Film, Discovery, Federalni hidrometeorološki zavod Sarajevo, Five stars film distribution, Kean & Kolar Communications, MegaCom Film, Taramount Film, Una Film Prijatelji Sarajevo Film Festivala / Friends of the Sarajevo Film Festival Adžajlić Elvir, Ahmetspahić Muhamed, Arapović Admir, Ašćerić Haris, Avdić Indira, Bajrić Mirsad, Berjan Stanimir, Bihorac Edin, Bilalović Haris, Biogradlić Mirza, Bogilović Amir, Čelik Elmedin, Čorbo Sanel, Čorlija Goja, Ćesić Amir, Ćosić Amer, Delić Elvir, Dizdar Damir, Dizdarević Armin, Dobruna Hamdija, Drljo Davor, Drpljanin Edin, Dusper Dragan, Džambasović Armin, Elkaz Said, Eslek Pelin, Gogić Muhamed, Hadžikarić Admir, Hakalović Sanjin, Hamamdžić Damir, Hensey Lanier Rosalinda, Heuel-Rolf Brigitte, Hintzen Johannes, Hodžić Mersad, Hrenovica Admir, Hrvat Denis, Huseinović Asmir, Idrizović Kenan, Jurišić Ana, Karadinović Admir, Karović Adis, Kemura Emir, Keškić Martina, Kramer David, Kremić Benjamin, Krmek Mario, Kunalić Admir, Kusturica Renad, Lazić Azra, Ligata Muhamed, Mandel Lawrence, Marjanović Mladen, Marković Nedeljko, Miljuš Darijo, Murtić Haris, Mizdrak Nedim, Nuhefendić Edin, Omanović Dervo, Osmanagić Emir, Ozkaptan William, Ožić-Paić Sanela, Palata Almir, Palata Lejla, Pandža Mubera, Pejčić Aleksandar, Pihljak Kemal, Polimac Adi, Posavec Igor, Rogacheva Alexandra, Sarajlić Nazifa, Schneider Patrick, Selmanagić Arjana, Selmanagić Kemal, Somun-Krupalija Lejla, Šehović Amela, Škaljić Edin, Škaljić Sanela, Tabaković Suad, Tokić Ervin, Toplić-Berberović Suzana, Tunović Adi, Udovčić Sanjin, Zlotrg Damir

THANK YOU l 23. Sarajevo Film Festival 277

FILMS – ORIGINAL TITLE

1000 SMILES PER HOUR 122 13+ 50 212 56 3 ŽENE OR (WAKING UP FROM MY BOSNIAN DREAM) 232 9 DAYS – FROM MY WINDOWS IN ALEPPO 128 90 GRAD NORD 128

AALA KAF IFRIT 212 ACT OF KILLING, THE 156, 204 ADIÓS, EL 129 AGAPE 220 AKTISTO FOS 40 AL-JOHARA 214 ALLEIN GEGEN DIE ZEIT – DER 186 FILM AMALIMBO 129 AMATERI, OR THE LOST 241 INNOCENTS AMELIE RENNT 187 AMER: ESTORAT AL KHAIL AL ARABIA 214 AMERICANA (LOVE POEM) 232 AMNA 237 ANNA 57 APNOEA 241 ARTIFICIAL SUNSHINE 122 AUF AUGENHÖHE 168 AUS DEM NICHTS 88 AVA 100 62 AVEC L’AMOUR AŽDAJA 237

BABY DRIVER 89 BEIT HA’ILEMET 57 233 BELIEVE 233 BELONGING BIG SICK, THE 90 233 BIJELI PUT 33, 232 BIRDS LIKE US BOOKS OF KNJIGE: SLUČAJEVI PRAVDE, THE 221 239 BOOMERANG BÜTÜN SAADETLER MÜMKÜNDÜR 226

CHAVELA CHEMI BEDNIERI OJAKHI CIUDADES A CONTRALUZ CONSEIL D’ETAT COPA-LOCA

ČISTAČICA ČISTOĆA

144 80 234 123 40

138 50, 240

DENK ICH AN DEUTSCHLAND IN DER NACHT 145 DEUX ÉGARÉS SONT MORTS 136 DITA ZË FILL 26 DOM 63, 234 DRUŽINA 64 DVIJE ŠKOLE 234 DYRENE I HAKKEBAKKESKOGEN 169 DZIEDOŠAIS HUGO UN VIŅA NETICAMIE PIEDZĪVOJUMI 177

EDMOND EMA EMIRAN EN ATTENDANT LES HIRONDELLES ESTIU 1993

130 239 239 213 101

FISH CALLED WANDA, A FRAMING HOME FRÈRE, LE

92 234 123

GABRIEL E A MONTANHA 102 GENO 177 GEWOND GOUD 234 GHOST STORY, A 103 91 GOOD TIME GÖTTLICHE ORDNUNG, DIE 198 GÖZYAŞINA YER YOK 65 27 GRAIN GRÅTASS – GØY PÅ LANDET! 170 GRAVE 104

HAPPY END HEIMWEH HERBERGE, DIE HEYVAN HIJAS DE ABRIL, LAS HINTERLANT HINJA HOĆU KUĆI HOME

105 234 124 136 93 41 239 234 130

IGRA 238 IGRA ŽMIRE 235 190 IN A NUTSHELL 131 IN THE DISTANCE 235 İNAT KILISESI INTERVIEW WITH A WAR 235 CRIMINAL INTERVIEWS 235 INVESTIGATIONS OF A DOG. 241 IZGUBLJENI GRAD 240

JAUCI SA ZMIJANJA JAZZOO JEDAN DAN JEUNE FEMME JEŽEVA KUĆA JORDGUBBSLANDET JUPITER HOLDJA

235 178 240 106 178, 238 188 81

KADA DOĐU SVINJE 66 215 KASHTA KINDERS 67 238 KINESKI ZID KLEINE VOGEL UND DIE RAUPE, DER 179 KOGA DENOT NEMAŠE IME 82 KOŠARKAR NAJ BO 171 51 KÖTELÉK KOYAA – DIVJI LEŽALNIK 179 KOYAA – RAZIGRANI 180 AVTOMOBILČEK KOYAA – ZMRZLJIVI ŠAL 180 KRAJ DANA 240 KRIVI PUT 235

LÁTHATATLANUL 51 LEBANON FACTORY 232 LEJLA 241 LIBERATION DAY 146 LIMBO 131 L’IMMENSE RETOUR (ROMANCE) 132 LOOK OF SILENCE, THE 157, 205 LUDWIG VON SARAJEVO 238

LJUBAV LJUBAV ZA DVIJE

278 23. Sarajevo Film Festival l FILMS – ORIGINAL TITLE

52 240

LJUBLJANA – MÜNCHEN 15:27 52

RUM 213

S RUBA PAMETI 236 SABAKU 181 SAN O KRUGOVIMA 236 SARAJEVO MARŠ 236 SARAJEVO SONGS OF WOE (I BLUE BALLAD FOR LOVERS / II BLUE PSALM FOR WOLVES / III BLUE RONDO FOR SURVIVORS) 233 236 SARAJ’VO SASHISHI DEDA 32 SATSEVA 54, 240 SECOND HAND 54 SENKE NA BALKANU 222 SEVDALINKA: RUHUN SIMYASI 237 SHINERS 237 SLATKO OD NIŠTA 72 SMALL TALK 134 SMICHA 216 SNIJEG ZA VODU 238 182 SNIPP, SNAPP, SNUT SNOWDEN 165 SOA 42 112 SQUARE, THE SRCE, RUKE, LOPTA 237 238 SRKLET SRULKOPILI SHEKVETA 43 237 SVUKUDA

MAKH’BZ 215 MAN RETURNED, A 132 MARTIN PLEURE 124 MATHIAS 53 MDZEVLEBI 28 MED I MLIKO 138 MEDA SAU PARTEA NU PREA FERICITĂ A LUCRURILOR 29 MEESTERSPION 172 MENASHE 107 MERYEM 125 MIN BÖRDA 125 190 MINDENKI MISS HOLOCAUST 126 MLIJEČNI ZUB 139 239 MOJ KOMŠIJA DAMIR MR. GAY SYRIA 68 MRTVE RIBE 232 MUR, LE 133 MUŠKARCI NE PLAČU 34, 232 41 MUTLULUK MZIS QALAQI 69

NADŽIVETI KORNJAČU NAJGORI NA SVIJETU NÅR JEG HØRER FUGLENE SYNGE NATURAL BORN KILLERS NE GLEDAJ MI U PIJAT NELYUBOV NEPRIJATELJI NESMIRENI SNOVI NEVIDLJIVI NIKOG NEMA NOCTURAMA

240 235 191 162 83 108 235 206 238 53 109

O GIOS TIS SOFIAS 30 181 ODD ER ET EGG ON THE ROAD 147 OSTAJEM – ICH BLEIBE HIER. 236

PADASHTA ZVEZDA PASSÉE L’AUBE PATTI CAKE$ PATULJAK PAUL EST LÀ PIATA LOĎ PIJANA NOĆ PLAN A PLANETA PETRILA PLATOON PLAYING MEN PO ČOVIKA POLONEZ POSLEDNJE RABADŽIJE POSLJEDNJA BARIJERA POSOKI POSTOJI LI RAZLOG ZBOG KOJEG TI TO NE MOŽEŠ? PREVENGE PROVALA PUT ZA SANTA KLARU PUTIN INTERVIEWS, THE

QUALITY TIME

ŠTA JE LJUBAV

236 110 239 236 164 227

RED DOG: TRUE BLUE 174 REKVIJEM ZA GOSPOĐU J. 84 RIDER, THE 111 ROAD MOVIE, THE 237

239

TANJA 140 TASTE OF CEMENT 113 85 TESTRŐL ÉS LÉLEKRŐL TITAN 127 238 TO BE HAMLET TOIVON TUOLLA PUOLEN 94 TOKYO IDOLS 149 TOUT LE MONDE AIME LE BORD DE LA MER 134

133 126 148 240 137 173 239 42 70 163 71 139 127 236 232 31

189

U PLAVETNILO ULTRA UNDERCOVERED UNFORGIVEN, THE UPP I DET BLÅ

43, 191 73 74, 237 207 175

VIŠE OD 39 SKALINA 238 VODIČ KROZ CRNU RUPU 75, 234 239 VRAĆANJE VULKÁNSZIGET 55

WANNABE WELLNESS WENDY WESTERN WORK, THE

YI LU SHUN FENG YO NO SOY DE AQUÍ

ZABIGYEREK ZIMSKO SUNCE

55 44 176 114 115 116 135 44 241

ŽABA 95, 233 ŽIVOT TRAJE TRI DANA 56

FINAL BARRIER, THE 232 FISH CALLED WANDA, A 92 FRAMING HOME 234 FROG, THE 95, 233 FROM THE EDGE OF SANITY 236 FULLNESS OF TIME (ROMANCE), THE 132

GABRIEL AND THE MOUNTAIN 102 GAME 238 GENO 177 GHOST STORY, A 103 GODSPEED 116 91 GOOD TIME GOODBYE, THE 129 GRAIN 27 GREAT WALL OF CHINA 238 GUIDANCE THROUGH THE BLACK HOLE 75, 234

ACT OF KILLING, THE 156, 204 126 AFTER DAWN AGAPE 220 AL-JOHARA 214 ALL FELICITIES ARE POSSIBLE 226 AMALIMBO 129 AMATERI, OR THE LOST INNOCENTS 241 AMER: AN ARABIAN LEGEND 214 AMERICANA (LOVE POEM) 232 AMNA 237 ANIMAL 136 ANNA 57 APNOEA 241 93 APRIL’S DAUGHTER ARTIFICIAL SUNSHINE 122 AT EYE LEVEL 168 AVA 100 AVEC L’AMOUR 62

BABY DRIVER 89 139 BABY TOOTH BEAUTY AND THE DOGS 212 BELIEVE 233 233 BELONGING BIRDS LIKE US 33, 232 BLACK SUN 222 BOND 51 BOOKS OF KNJIGE: CASES OF JUSTICE, THE 221 BOOMERANG 239 239 BREAKING IN BROTHER, THE 123 125 BURDEN, THE

CHAVELA 144 CHURCH OF TENACITY, THE 235 CITY OF THE SUN 69 50, 240 CLEAN CLEANING LADY, THE 138 COME BY CHANCE 44 CONSEIL D’ETAT 123 COPA-LOCA 40

DARK SIDE OF HINJA, THE DAYBREAK DEAD FISH DIRECTIONS DIVINE ORDER, THE DRAGON, THE DREAM OF CIRCLES DRUNKEN NIGHT DWARF, THE

EDMOND EMA EMIRAN END OF THE DAY, THE ENEMIES EVERYWHERE

FAMILY, THE

239 26 232 31 198 237 236 239 240 130 239 239 240 235 237 64

LITTLE HARBOUR 173 LOOK OF SILENCE, THE 157, 205 LOST CITY 240 LOVE 52 LOVE MADE FOR TWO 240 LOVELESS 108 LUDWIG VON SARAJEVO 238

LJUBLJANA – MUNICH 15:27 52

HALF A MAN 139 HAPPINESS 41 105 HAPPY END HEART, HANDS, BALL 237 HEDGEHOG’S HOME 178, 238 130 HOME HOME (BH) 63, 234 HOSTAGES 28 HOSTEL, THE 124 HOWLS FROM ZMIJANJE 235

MAKH’BZ 215 132 MAN RETURNED, A MARTIN CRIES 124 MASTER SPY 172 MATHIAS 53 MEDA OR THE NOT SO BRIGHT SIDE OF THINGS 29 MEN DON’T CRY 34, 232 MENASHE 107 125 MERYEM MILK AND HONEY 138 MISS HOLOCAUST 126 MONTPARNASSE BIENVENÜE 106 MORE THAN 39 STAIRS 238 MOUNTAIN MIRACLE – AN UNEXPECTED FRIENDSHIP 187 MR. GAY SYRIA 68 MUTE’S HOUSE, THE 57 80 MY HAPPY FAMILY MY NEIGHBOUR DAMIR 239

I WANT TO GO HOME 234 IF I THINK OF GERMANY AT NIGHT 145 135 I’M NOT FROM HERE IN A NUTSHELL 190 IN PRAISE OF NOTHING 72 131 IN THE DISTANCE IN THE FADE 88 IN THE FOREST OF HUCKYBUCKY 169 INTERVIEW WITH A WAR CRIMINAL 235 INTERVIEWS 235 INTO THE BLUE 43, 191 INVESTIGATIONS OF A DOG. 241 INVISIBLE 238 INVISIBLY 51 IS THERE A REASON YOU CAN’T DO IT? 236

JAZZOO JUPITER’S MOON

178 81

KASHTA 215 KINDERS 67 KOYAA – FREEZING SCARF 180 KOYAA – NAUGHTY TOY CAR 180 KOYAA – WILD SUNBED 179

LAST BULLOCKIES, THE 236 LEBANON FACTORY 232 LEJLA 241 LET HIM BE A BASKETBALL PLAYER 171 LIBERATION DAY 146 LIFE LASTS THREE DAYS 56 LIMBO 131 LITTLE BIRD AND THE CATERPILLAR, THE 179 LITTLE GREY FERGIE – COUNTRY FUN! 170

NATURAL BORN KILLERS NO PLACE FOR TEARS NOBODY HERE NOCTURAMA NOSTALGIA

ODD IS AN EGG ON BODY AND SOUL ON THE ROAD ONE DAY OSTAJEM – I’M STAYING. OTHER SIDE OF HOPE, THE OUT OF DARKNESS. CITIES AFTER WAR OUTSKIRTS

PATTI CAKE$ PAUL IS HERE PERFECT ORDER, THE PLAN A PLANETA PETRILA PLATOON PLAY HIDE AND SEEK PLAYING MEN POLONAISE PREVENGE PUTIN INTERVIEWS, THE

162 65 53 109 234 181 85 147 240 236 94 234 41

TANYA TASTE OF CEMENT THE BIG SICK TIME HEROES TITAN TO BE HAMLET TO OUTLIVE A TURTLE TOKYO IDOLS TWO SCHOOLS TWO YOUTHS DIED

104 174 84 206 239 111 237 236 189

140 113 90 186 127 238 240 149 234 136

ULTRA 73 UNBUILT LIGHT 40 UNDERCOVERED 74, 237 UNFORGIVEN, THE 207 UNTIL THE BIRDS RETURN 213 175 UP IN THE SKY

148 137 43 42 70 163 235 71 127 110 164

QUALITY TIME 227 QUIT STARING AT MY PLATE 83 RAW RED DOG: TRUE BLUE REQUIEM FOR MRS. J. RESTLESS DREAMS RETURN, THE RIDER, THE ROAD MOVIE, THE ROAD TO SANTA CLARA ROOM 213

SABAKU 181 SARAJEVO MARCH 236 SARAJEVO SONGS OF WOE (I BLUE BALLAD FOR LOVERS / II BLUE PSALM FOR WOLVES / III BLUE RONDO FOR SURVIVORS) 233 SARAJ’VO 236 SCARY MOTHER 32 SECOND HAND 54 SERVING GOD 54, 240 SEVDALINKA: THE ALCHEMY OF 237 SOUL SHINERS 237 SHOOTING STAR 133 190 SING SINGING HUGO AND HIS INCREDIBLE ADVENTURES 177 SMALL TALK 134 216 SMICHA SNIP, SNAP, SNUT 182 SNOW FOR WATER 238 SNOWDEN 165 SOA 42 30 SON OF SOFIA SQUARE, THE 112 SRKLET 238 STRAWBERRY DAYS 188 SUMMER 1993 101

FILMS – ENGLISH TITLE

1000 SMILES PER HOUR 122 13+ 50 212 56 3 WOMEN OR (WAKING UP FROM MY BOSNIAN DREAM) 232 9 DAYS – FROM MY WINDOWS IN ALEPPO 128 90 DEGREES NORTH 128

VOLCANO ISLAND

WALL, THE 133 WANNABE 55 WE ALL LOVE THE SEASHORE 134 WELLNESS 44 WENDY 176 WESTERN 114 WHAT IS LOVE 239 WHEN I HEAR THE BIRDS SING 191 WHEN PIGS COME 66 WHEN THE DAY HAD NO NAME 82 WHITE ROAD 233 WINTER SUN 241 WORK, THE 115 WORST IN THE WORLD 235 WOUNDED GOLD 234 WRONG WAY, THE 235

FILMS – ENGLISH TITLE l 23. Sarajevo Film Festival 279

DIRECTORS

A. Sivertsen Rasmus 169 Abu Shaqra Shirin 232 Actis Cecilia 182 Akin Fatih 88 232 Akl Mounia Al Muhannadi Aisha 215 Al Thani A.J. 215 Alamat Kusijanović Antoneta 43, 191 Alberdi Maite 135 115 Aldous Gethin Alihodzić Senad 238 Al-Muftah Amal 216 214 Al-Rumaihi Jassim Al-Subai Nora 214 Altenried Fabian 122 Anonymous 156, 157, 204, 205 Ark Bahram & Bahman 136

Badžić Ismar 235 Bahtijarević Maja 236 239 Bajraktarević Erik Bakker Daan 227 43 Bakradze Katalina Ban Saša 139 Barbosa Fellipe Gamarano 102 234 Barišić Ivana Barkóczi Noémi 54 236 Bayraktar Ersan Beglerović Muris 206 Begović Nedžad 237 Begović-Ćorić Sabrina 74, 237 Ben Hania Kaouther 212 Beuth Judith 233 Biček Rok 64 Bijelić Janja 240 Bjelogrlić Dragan 222 Bonello Bertrand 109 Bouma Stijn 241 Braun Ulu 124 134 Brooke Hansen Lisa Brutus Jasmin 233 236 Bundalo Aleksandar Butković Anadin 237

Chung Mong-hong Cole Graeme Coubia Manon Crichton Charles Cvetkovski Ilija Cvijanović Eva Cvjetić Ozren Cynn Christine

Ćatić Zoran Ćuhara Amela

Dăscălescu Andrei Deák Kristof Dimopoulos Andronikos Konstantinos Dollhopf Joachim Dosky Reber Dostović Emina Drljević Alen Ducournau Julia Duraković Jasmin Ďurinová Paula Dzhazoyan Ashot

Elbanowska Agnieszka Enyedi Ildikó Ericsson Wiktor

116 241 132 92 62 178, 238 232 156, 204 237, 238 33, 232 70 190 241 168 125 239 34, 232 104 232 235 233 127 85 188

280 23. Sarajevo Film Festival l DIRECTORS

Espiñeira Keina

134

Feldballe-Petersen Lars Fleifel Mahdi Flores Thorija Sergio Franco Michel Frankel Boaz Frese Johannes Friedli Fabio

Gantz Nina Gavrilović Jelena Geremy Jasper Ghossein Ahmad Gigineishvili Rezo Goldbrunner Evi Graffam Detsky Graux Nicolas Grisebach Valeska Grófová Iveta Grolig Florian Gund Catherine Gunjak Una

130 53 148 232 28 168 128 126 114 173 131 144 232

Hadžiibrahimović Mustafa Hafnor Even Halilović Rašid Haneke Michael Hodžić Azra Hrustić Nisvet Hulterstam Maria Hurem Edin

Ibrišimović Feđa Ivanišin Matjaž

Jannsen Johanna Jukić Elmir Jukić Marko Jurilj Zdenko Jušić Hana

207 132 232 93 56 127 190

234 134 237 105 239 235 182 238 235 71

236 95, 233 138 63, 233, 234 83

Kadić Vesko 238 Kadić Zana 239 Kalabić Ena 239 Kalashnikov Dmitrii 237 Kalthoum Ziad 113 Kaplanoğlu Semih 27 Karmakar Romuald 145 Kasalica Dušan 42 Kaurismäki Aki 94 Kay Tamar 57 Kelemen Fred 233 Kenović Ademir 234 Kesova Sinan 41 Kiknavelidze Dato 177 Kılıçaslan Selman 226 Knežić Novak 236 Koçi Gentian 26 Kölcsey Levente 44 Kodeih Rami 232 Koljević Katarina 56 Komandarev Stephan 31 Kosemund Sanidis Efthimis 40 Kotzamani Konstantina 131 Kreševljaković Sead 235 Krsmanović Asja 240 Kukobat Inga 54, 240 Kumrić Kristina 139 Kyi Daresha 144

La Chimia Lucie Lampaert Samuel

232 133

Latić Hulusić Nejra Lazić Branko Lennstrand Petter Lenz Jannis Libossart Juan Pablo Lindblom Emelie Lindroth von Bahr Niki Lovrity Anna Katalin Lowe Alice Lowery David Luetić Tomislav

74, 237 235 175 55 129 189 125 55 110 103 42

Majar Milana Marko-Nord Adam Marković Zoran Martić Vitomir Massalas Christos Maurel Valentina McLeary Jairus Mehić Amra Mehić Medina Milić Kristijan Mitić Boris Miyake Kyoko Morano Katarina Moussaoui Karim Muhović Berina Mulloy Daniel Mundruczó Kornél Musielak Michalina Mustafić Mustafa Mysius Léa

236 178 221 236 40 137 115 238 239 232 72 149 52 213 239 130 81 126 236 100

Næss Peder Hamdahl Nana&Simon Nanut Jasna Niemczyk Aleksandra Nikolić Aleksandar

170 80 140 241 75, 234

Odić Aleksandra 238 Olte Ugis 146 Oneli Rati 69 Oppenheimer Joshua 156, 157, 204, 205 Östlund Ruben 112 Özdemir Necip Çağhan 41

Palomero Pilar Pârvu Emanuel Patak Ejla Pavljašević Zoran Perrone Manuel Maria Petkovič Boris Pilipović Zoran Pirić Damir Pranjić Zlatko Peševski Saša Psykou Elina

241 29 239 236 232 171 240 235 75, 234 234 30

Radusinović Sara Ramadan Ivan Reinis Kalnaellis Relea Francesc Riahi Brothers (Arash T. Riahi, Arman T. Riahi) Ristić Sara Rollins Conor Roquet Clara

Safdie Benny Safdie Josh Saksida Kolja Saliji Sali Samardžić Neven

240 237 177 234 67 240 122 129

91 91 179, 180 237 50, 234, 240

Sarić Aldin 239 Sarukhanova Anna 43 Schmidt Branko 220 106 Serraille Léonor Seume Dagmar 176 Showalter Michael 90 126 Siedlar Irena Simón Carla 101 73 Simonyi Balázs 57 Sinai Or Skenderagić Armin 239 Stenders Kriv 174 53 Stern Clara Stone Oliver 162, 163, 164, 165 238 Strik Reshad Strugar Mitevska Teona 82 Szabó Virág 44 51 Szentpéteri Áron Şişman Muhammed İbrahim 235

Šabanović Faruk Šarenac Srđan Šegalo Nedim Šehić Ema Šurković Vedad

Tahirović Ervin Tenenbaum Stacey Theede Christian Toprak Ayşe Touma Issa Traavik Morten Triboulet Léa Tutorov Biljana Tuvi Reyan

Ulseth Kristin Urushadze Ana Usberti Tommaso

Vallevik Håbjørg Trine Van der Meulen Floor Van der Wel Marlies Van Rijn Pieter Villalobos Neto Villiers Christopher Vinel Jonathan Volpe Petra Von Döhren Lena Vroege Thomas Vukšić Matija Vuletić Bojan

Wiemann Tobias Winterbottom Michael Wright Edgar Wunder Judit

Yonchev Lyubo

Z Weinstein Joshua Z. Kapetanović Emir Zaman Fanny Zdunić Nikica Zhao Chloé Zorić Dušan Zvyagintsev Andrey

Žickytė Giedrė Živanović Katarina

33, 232 234 239 239 237 234 237 186 68 128 146 123 66 65 181 32 136 191 128 181 172 232 238 124 198 179 128 138 84 187 147 89 51 133 107 235 123 50 111 52 108 135 240

Advisory Board Izeta Građević Jovan Marjanović Creative Director Izeta Građević Executive Director Mirela Topić Head of Programming Amer Bećirbegović Programmers Elma Tataragić, Competition Features, Competition Shorts and In Focus and Editor of BH Film Festival Rada Šešić, Competition Documentaries Mike Goodridge, Kinoscope Alessandro Raja, Kinoscope Mathilde Henrot, Kinoscope Izeta Građević, Summer Screen, Children’s Programme, TeenArena Asja Krsmanović, Competition Student Film Bianca Lucas, Shorts Programmes Coordinator Bakir Milić Festival Consultant Philippe Bober, Consultant Andrea Stavenhagen, Consultant for Latin America “Kean & Kolar Communications - Consultants for USA” CineLink Industry Days Jovan Marjanović, Head of Industry Amra Bakšić Čamo, Head of CineLink Maša Marković, Industry Coordinator Armin Hadžić, CineLink Coordinator Rada Šešić, Head of Docu Rough Cut Boutique (Sarajevo) Martichka Bozhilova, Head of Docu Rough Cut Boutique (Sofia) Ishak Jalimam, Docu Rough Cut Boutique Coordinator &Dealing with the Past Coordinator Talents Dina Ćerić, Project Coordinator Nicholas Davies, Programme Manager Selection: Izeta Građević, Gabriele Brunnenmeyer, Elma Tataragić, Aida Begić, Jovan Marjanović, Nebojša Jovanović, Gyula Gazdag Nejra Branković, Guest administrator Ivana Kalember, Catalogue editor Ahmed Alić, Technical coordinator Muhamed El-Mordeha, Technical coodinator assistant Benjamin Čengić, Camera Studio coordinator Nataša Hemon, Pack&Pitch coordinator Kerim Mašović, Film Stage Studio coordinator Jakub Salihović, Talent Press coordinator Belma Suljević, Producers coordinator Adna Aličić, Script Station coordinator Nina Đogo Gračić, Acting Studio coordinator Aziz Čeho, Video documentation Field technicians: Dino Latić, Mirza Begić Competition Documentary Programme and Rough Cut Boutique Rada Šešić, Head of Competition Programme – Documentary Film and head of the Docu Rough Cut Boutique Martichka Bozhilova, Director of the Balkan Documentary Center and head of the Docu Rough Cut Boutique Adisa Smajić, Coordinator of Competition ProgrammeDocumentary Film Tarik Bičo, Assistant Coordinator of Competition Programme-Documentary Film Emin Canović, Jury Coordinator International Relations Lejla Karišik, Head of International Relations Adna Rokša, International Relations Coordinator Budget Planner – Analyst and Internal Audit Sabina Branković, CFO – Chief Financial Officer Administrative Office Dževad Mujan, Administrative Director Hajrudin Ajkunić, Accountant Merdina Alispahić, Office Manager Administration Assistants: Leila Lizde, Anida Devedžić CineLink Industry Days team Tobias Pausinger, Work in Progress Consultant Alex Traila, CineLink Work in Progress Coordinator Tina Hajon, Avant Premieres Programme Coordinator Ishak Jalimam, Docu Rough Cut Boutique Coordinator

Luka Venturin, Meetings Coordinator Ali Dlakić, IT & VR Coordinator Mladen Ungar, Industry Statistics & Analysis Sara Čorbić Mustafić, Avant Premiere Programme Assistant Amina Kučuk, Meetings Assistant CineLink Industry Days Assistants: Emma Jaay, Ivo Kaunitz, Ismar Duraković CineLink Industry Days Hospitality Desk: Milica Tomašević, Tamara Kavazović Matchmakers: Gulin Ustun, Neta Rena Mor, Nina Rodríguez Midpoint - TV Launch Workshop Katarina Tomkova, Programme Coordinator Eliska Maleckova, Project Supervisor Louise Johansen, International Relations Dealing with the Past Maša Marković, Programme Manager Ishak Jalimam, Coordinator Competition Feature and Short Program Office Asja Krsmanović, Competition Programme Manager, Pre-selection for Competition Programme – Short Film Staša Dukić, Competition Programme Coordinator Melina Alagić, BH Film Festival Coordinator Bojana Vidosavljević, Jury Coordinator Nataša Govedarica, Programme Assistant and In Focus Q&A moderator Assistants: Andrea Aković, Džejna Avdić, Ivor Doder, Rijad Drnda, Jasmina Durmišević, Aida Hadžihasanović, Rejhana Kasumović, Emina Kutlovac, Lejla Muratčauš, Dina Mušanović, Emina Omerović, Amar Spahić, Din Švraka, Ana Tankosić Sponsorship Department Anja Mušanović, Manager Amna Ramić, Account Assistants: Srđan Kačanski, Sabina Lizde TeenArena, Children’s Programme Samra Čomor, Programme Manager Omar Jašarspahić, Programme Assistant Zenon Marković, Administrative Assistant Social Media Officer: Ana Pekez, Laurie Savić Operation Kino Ajla Tucaković, Coordinator of Operation Kino Admir Hajrić, Haris Džaferović, Operation Kino Team Press Office Altijana Marić, Press Office Manager Alma Hadžić, Press Officer Åsa Garnert, CineLink Industry Days PR Nicholas Davies, Senior English Editor Azra i Amila Hasović, Press Centre Coordinators Emina Adilović, Interview Protocol Zlatan Hamza, Press Protocol Coordinator Graphic Design Boom produkcija! Lejla Begić-Vuletić, Jasenka Bećirbegović, Dejan Ćorić SFF Daily Editors: Andrijana Copf Journalists: Marinela Domančić, Namir Ibrahimović, Segor Hadžagić, Dijala Hasanbegović Damir Hodžić, Photo Editor Zorica Pandžić, (DTP) Festival TV Support: Samir Lačević, Ali Šabanović, Elvis Ališehović Photographers Almin Zrno, Amer Kuhinja, Muhidin Živojević, Adi Kebo, Admir Dervišević, Kemal Softić Press Conferences Nebojša Jovanović SFF Website Zdravko Ljubas, Web Editor Festival Shop Boom produkcija! Sellers: Tarik Hasović, Denisa Tahirović, Nedim Memic, Amna Lenjinac, Erna Kalić, Tesa Sučić Ćamil Tvrtković, Accountant Assistant

Logistics Support: Nedim Branković, Ibrahim Kurtović Edelhida Dervišević, Event Coordinator Assistants: Nirvana Žiško, Bakir Kurtović Protocol Office Nataša Kučera, Head of protocol Mak Muftić, Protocol Office Coordinator Protocol Officers: Sajra Mujan, Belma Bojčić, Nina Đumrukčić, Anesa Trgo, Damir Pločo, Nedim Alibegović Goran Kučera, I Heart Film Coordinator IT Department Ragib Smajić, IT Supervisor IT Technicians: Faris Karić, Kemal Ligata, Ahmed Rovčanin, Faris Poljčić, Vedad Fejzagić Festival Square Alma Gutić, Supervisor Location Managers: Tarik Skalonja, Emina Hukić, Ema Kršulj

FESTIVAL TEAM

Director Mirsad Purivatra

Accreditations Ines Lučić, Head of Accreditation Assistants: Ena Alečković Golden Cards Jovana Šego Box Office Managemant Box Office Coordinator: Amer Aščerić, Fadil Bečirović Ahmed Rovčanin, Box Office Assistant Jasmina Bajramović, Ticket Sales Coordinator Translators Aida Gadžo, Alma Gačanin, Asja Hafner, Daniel Polimac, Dženana Preljević, Gorana Mlinarević, Jasna Saradžić, Lejla Gadžo, Lejla Kadrispahić, Mirsad Čeligija, Sanja Papo Kulić, Sanja Vrzić, Selma Hadžić, Rubina Sijerčić, Una Tanović Proofreaders Dževida Šehić, Vedad Mulavdić Titlers Ema Habul, Titles coordinator Titlers: Advan Košarić, Aida Vražalica, Amra Arapović, Amina Tahmiščija, Haris Hadrović, Ismir Gagula, Nedžad Halimić, Vedad Halimić, Naida Hamzić, Analuna Vranić Džeba Location Managers Benjamin Mahmić, National Theatre Ermin Podrug, Raiffeisen Open Air Cinema Izudin Isić, Meeting Point Kenan Ibrahimović, Cinema City Projectionists Admir Hajrić, Raiffeisen Open Air Cinema Dino Džaferović, Sarajevsko Summer Screen Sulejman Kadić, National Theatre Jusuf Hafizović, Selver Softić, Jadranko Pecirep, Meeting Point Vahidin – Nino Pršeš, Ljetno kino Novi Grad Nihad Spahić, Kino Novi Grad Film Office Jusuf Hafizović, Nadir Rizvan, Abdulah Maslo, Dino Smajović. Video Tehnicians Maroje Sardelić Technical Department Abid Ahmetagić, Technical Support Alden Ahmetagić, Almed Memović, Almedin Hodžić, Armin Džaferović, Elvedin Pecikoza, Edin Kabilović, Jasmin Okanović, Nijaz Karaman, Velid Jamak, Samir Kovačević, Adin Vrabac Audience Award Coordinator Haris Serdarević, Ferhat Dobrača Volunteers Coordination Anela Suljović, Project Coordinator Assistants: Omar M Halilović, Nadir Handžić Drivers Nedim Hasanbegović, Head of Transport Sejad Ahmetagić, Logistics

Hospitality Team Fadil Ademović, Head of Hospitality Elma Delalić, Hospitality Communication Coordinator Bertille Girardeau, Faris Koldžo, Guest Relations Sumejja Spahović, Travel Reservations Sanja Hrenovica, Accommodation Edina Čomor, Visas and Excursions

Caffè Jasmina Bajramović, Caffe Manager Svjetlana Sušić, Domagoj Anton Duđak, Mirnes Bubalo, Adna Rujević, Mirza Rahmanović, Stela Hasanefendić

Events Management Adnan Beširević, Event Manager

Security Sevice Securitas BH d.o.o.

Maintenance Vasvija Oćuz

FESTIVAL TEAM l 23. Sarajevo Film Festival 281