27thSFF Journal

JOURNAL programme guide / vodič kroz program / 27. Sarajevo Film Festival

SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

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SADRŽAJ CONTENT 5 Žiri / Jury / Nagrade / Awards 7 Počasno Srce Sarajeva: / Honorary Heart of Sarajevo: Wim Wenders / Nagrade / Awards 8 Takmičarski program – igrani film / Competition Programme – Feature Film 12 Takmičarski program – dokumentarni film / Competition Programme – Documentary Film 16 Takmičarski program – kratki film / Competition Programme – Short Film 18 Takmičarski program – studentski film / Competition Programme – Student Film 20 U fokusu / In Focus 22 Pretpremijere Serije / Avantpremiere Series 24 Open Air 26 Kinoscope 30 Shorts 34 Summer Screen 36 Posvećeno / Tribute To Wim Wenders 40 Sučavanje s prošlošću / Dealing with the Past 42 Dan ljudskih prava / Human Rights Day 43 Program Mreže festivala jadranske regije / The programme of Network of Festivals in the Adratic region 44 Dječiji program / Children's Programme 46 TeenArena 48 Sarajevo Film Festival Partner Presents 50 Specijalne projekcije / Special Screenings 52 BiH Film 53 Raspored projekcija / Screening Schedule 58 Box Office 63 Story intervju 66 Sarajevo Film Festival posjetio Zagreb

IMPRESSUM: Izdavač / Publisher: Adria Media Zagreb d.o.o., Zagreb, Oreškovićeva 6H/I; Za Izdavača / For Publisher: Ivana Krajinović, ČlanicaUprave/ Member of the Board, Blanka Šimundža Anušić, Voditeljica custom publishing odjela/ Head of custom publishing department; Za / For Sarajevo Film Festival: Mirsad Purivatra; Izvršna urednica / Executive editor: Andrijana Copf; Dokumentacija / Documentation: Bakir Milić, Lana Krstić, Asja Krsmanović, Adisa Smajić; Prevod / Translation: Sabina Nikšić; Lektura / Proofreading: Jasna Kovo; Grafičko oblikovanje i DTP / Graphic design and DTP: BOOM! Produkcija Osnivač i organizator ovog kulturnog projekta je / The project was founded and is being implemented by Udruženje OBALA ART CENTAR SARAJEVO, Hamdije Kreševljakovića 13, Sarajevo, BiH, ID 4200212410008.

STORY Glavna urednica v.d. /Editor in chief: Emina Basara; Strateška suradnica/Strategic Associate: Dubravka Tomeković Aralica; Art Director: Mario Celinščak; Grafički urednici / Graphic Designers: Mario Celinščak, Tomislav Vranić, Žarko Ostojić; Štampa/ Prints: Radin Print d.o.o., Gospodarska 9, 10431, Sveta Nedelja; Tiraž / Print run: 10.000; Uvoznik za BiH / Importer for BiH: Ipress d.o.o., BiH, Široki Brijeg, Fra D. Mandića bb.

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ŽIRI / JURY ŽIRI TAKMIČARSKOG PROGRAMA – IGRANI FILM / COMPETITION PROGRAMME JURY –

FEATURE FILM

Predsjednica žirija / President of the Jury

ŽIRI TAKMIČARSKOG PROGRAMA – KRATKI FILM / COMPETITION PROGRAMME JURY –

SHORT FILM Stefan Ivančić

Glumica, Srbija / Actress, Serbia

Reditelj, producent, selektor, Srbija / Director, Producer, Programmer, Serbia

Mike Cahill

Rediteljica, Njemačka / Director, Germany

Jasna Đuričić

Reditelj i scenarista, SAD / Director and screenwriter, USA

Hella Wenders

Glumica, Nizozemska / Actress, Netherlands

Eva Sangiorgi

ŽIRI TAKMIČARSKOG PROGRAMA – STUDENTSKI FILM / COMPETITION PROGRAMME JURY –

Martin Schweighofer

Reditelj, Crna Gora / Director, Montenegro

Umjetnička direktorica Viennalea, Austrija / Artistic Director of Viennale, Austria Izvršni direktor Austrijske komisije za film (AFC), Austrija / Executive Director of AFC – Austrian Film Commission, Austria ŽIRI TAKMIČARSKOG PROGRAMA – DOKUMENTARNI FILM / COMPETITION

PROGRAMME JURY – DOCUMENTARY FILM Cecilia Lidin Savjetnica za film, Danska / Film Consultant, Denmark

Jean-Pierre Rehm

Generalni predstavnik FIDMarseillea - Međunarodnog filmskog festivala / General Delegate of FIDMarseille – International Cinema Film Festival

Mila Turajlić

Rediteljica, Srbija / Director, Serbia

Filmska producentica, festivalska kustosica, Malezija, Nizozemska / Film Producer, Festival Curator, Malaysia, Netherlands ŽIRI ZA EVROPSKI KRATKI FILM /

EUROPEAN SHORT FILM JURY Taina Galis

Snimateljica i montažerka, Rumunija / Cinematographer and Editor, Romania

Sara Luna Zorić

Lili Horvát

Rediteljica, scenaristica, Mađarska / Director, Screenwriter, Hungary

Lorna Tee

Teymur Hajiyev

STUDENT FILM Ivan Bakrač

Reditelj, Azerbejdžan / Director, Azerbaijan

Tin Žanić

Reditelj, scenarist, Hrvatska / Director, Screenwriter, Croatia CICAE ŽIRI / CICAE JURY

Aleksandra Odić

Hristo Hristozov

Zeynep Dilan Süren

Mirona Radu

Rediteljica, Bosna i Hercegovina / Director, Bosnia and Herzegovina

Predstavnik kina Cinema House, Bugarska / Representative of Cinema House,Bulgaria Predstavnica kina Muzeul Țăranului, Rumunija / Representative of Cinema Muzeul Țăranului, Romania

Rediteljica, Turska / Director, Turkey ŽIRI - SPECIJALNA NAGRADA ZA PROMICANJE RODNE RAVNOPRAVNOSTI / JURY - SPECIAL

AWARD FOR PROMOTING GENDER EQUALITY Teresa Cavina

Hanna Szczepkowska

Predstavnica kina Arsenal and Atelier, Njemačka / Representative of Arsenal and Atelier cinemas, Germany CINEUROPA ŽIRI / CINEUROPA JURY Davide Abbatescianni, Novinar i filmski kritičar, Irska / Journalist and film critic, Ireland Elma Hašimbegović, Direktorica Historijskog muzeja BiH, Bosna i Hercegovina / Director of History Museum of BiH, Bosnia and Herzegovina

Festivalska selektorica i kustosica, Italija / Festival programmer and curator, Italy

Ognjen Glavonić

Reditelj, Srbija / Director, Serbia

NAGRADE / AWARDS ZVANIČNE NAGRADE POČASNO SRCE SARAJEVA

Nagrada se dodjeljuje u znak priznanja za izuzetan doprinos filmskoj umjetnosti

Takmičarski program – igrani film

SRCE SARAJEVA ZA NAJBOLJI IGRANI FILM

Novčanu nagradu, u iznosu od 16.000 €, sufinansira Turistička zajednica Kantona Sarajevo

SRCE SARAJEVA ZA NAJBOLJEG REDITELJA / REDITELJICU Novčanu nagradu, u iznosu od 10.000 €, obezbjeđuje Agnes B.

SRCE SARAJEVA ZA NAJBOLJU GLUMICU Novčana nagrada, u iznosu od 2.500 €

SRCE SARAJEVA ZA NAJBOLJEG GLUMCA Novčana nagrada, u iznosu od 2.500 €

Takmičarski program – dokumentarni film

SRCE SARAJEVA ZA NAJBOLJI DOKUMENTARNI FILM Novčanu nagradu, u iznosu od 3.000 €, obezbjeđuje Vlada Švicarske

NAGRADA ZA LJUDSKA PRAVA

Nagrada za ljudska prava dodjeljuje se za najbolji film iz Takmičarskog programa – dokumentarni film koji obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3.000 € obezbjeđuje Kraljevina Nizozemske.

SPECIJALNA NAGRADA ŽIRIJA

PARTNERSKE NAGRADE SPECIJALNA NAGRADA ZA PROMICANJE RODNE RAVNOPRAVNOSTI

HUMAN RIGHTS AWARD

Best film of the Competition Programme - Documentary Film dealing with the subject of human rights. Award in the amount of €3,000, sponsored by the Kingdom of the Netherlands.

Novčanu nagradu u iznosu od 7.500 € obezbjeđuje MasterCard®.

SPECIAL JURY AWARD

SARAJEVSKA NOMINACIJA KRATKOG FILMA ZA KANDIDATURU ZA EVROPSKU FILMSKU NAGRADU 2021.

Pobjednik ulazi u konkurenciju za kandidaturu za nominaciju za nagradu Evropske filmske akademije (EFA) za najbolji kratki film.

CICAE NAGRADA

Međunarodna konfederacija umjetničkih kina (CICAE) nagrađuje film u selekciji Takmičarskog programa - igrani film. Nagrađeni film će dobiti posebnu podršku CICAE kada je u pitanju pomoć kod distribucije, prikazivanja filma i dopiranja do publike, putem mreže od 3.000 kina.

CINEUROPA NAGRADA

Nagradu dodjeljuje Cineuropa portal posvećen europskoj kinema-tografiji i njenim stvaraocima i to filmu koji, osim što nesporno posjeduje umjetničke kvalitete, također promovira ideje europ-skog dijaloga i integracije.

Vrijednost nagrade iznosi 5.000 €.

Award in the amount of 2,500 €

Competition Programme – Short Film

HEART OF SARAJEVO FOR THE BEST SHORT FILM

Academy Award® qualifying Award in the amount of 2,500 €, sponsored by Podravka.

Competition Programme – Student Film

HEART OF SARAJEVO FOR THE BEST STUDENT FILM Award in the amount of 1,000 €, sponsored by Regional Cooperation Council.

HEARTS OF SARAJEVO FOR TV SERIES AUDIENCE AWARD PARTNERS' AWARDS SPECIAL AWARD FOR PROMOTING GENDER EQUALITY

OFFICIAL AWARDS HONORARY HEART OF SARAJEVO AWARD

Given in recognition of an exceptional contribution to the art of film.

Award in the amount of 7,500 € sponsored by MasterCard®.

HEART OF SARAJEVO FOR THE BEST FEATURE FILM

SARAJEVO SHORT FILM NOMINEE FOR CANDIDACY FOR THE EUROPEAN FILM AWARDS 2021

kvalifikacioni film za prijavu za nagradu Oscar® Novčanu nagradu, u iznosu od 2.500 €, obezbjeđuje Podravka

HEART OF SARAJEVO FOR THE BEST DIRECTOR

CICAE AWARD

Takmičarski program – studentski film

Award in the amount of 2,500 €

Novčana nagrada u iznosu od 2.500 €

Takmičarski program – kratki film

SRCE SARAJEVA ZA NAJBOLJI KRATKI FILM

SRCE SARAJEVA ZA NAJBOLJI STUDENTSKI FILM Novčana nagrada u iznosu od 1.000 € obezbjeđuje Vijeće za regionalnu saradnju.

SRCA SARAJEVA ZA TV SERIJE NAGRADA PUBLIKE

Competition Programme – Feature Film Award in the amount of €16,000, co-sponsored by the Tourism Association of Canton Sarajevo.

Award in the amount of 10,000 €, sponsored by Agnes B.

HEART OF SARAJEVO FOR THE BEST ACTRESS HEART OF SARAJEVO FOR THE BEST ACTOR

The International Confederation of Art Cinemas (CICAE) awards a film from the Competition Programme Features. The awarded film will receive CICAE support in terms of distribution, exhibition and audience outreach, through a network of 3,000 cinemas.

CINEUROPA PRIZE

Award in the amount of 2,500 €

Competition Programme – Documentary Film

HEART OF SARAJEVO FOR THE BEST DOCUMENTARY FILM Award in the amount of 3,000 €, sponsored by Government of Switzerland

The winner receives a nomination candidacy for the European Film Academy (EFA) Best Film Award.

The prize is awarded by the Cineuropa portal, the site dedicated to the European cinema and film professionals, and is given to a film that besides having indisputable artistic qualities also promotes the idea of European dialogue and integration. The value of this award is 5,000 €.

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NAGRADE / AWARDS POČASNO SRCE SARAJEVA Wimu Wendersu / HONORARY HEART OF SARAJEVO: Wim Wenders

Photo by Peter Lindbergh

Kao priznanje za njegov izuzetan doprinos filmskoj umjetnosti nagrada Počasno Srce Sarajeva 27. Sarajevo Film Festivala će biti uručena Wimu Wendersu, njemačkom reditelju i fotografu, jednom od najznačajnijih filmskih stvaralaca, autoru upečatljivog i prepoznatljivog filmskog jezika. / In recognition of his outstanding contribution to the art of film the German director and photographer Wim Wenders will be awarded the Honorary Heart of Sarajevo Award at the 27th Sarajevo Film Festival.

Wendersu će se također odati priznanje retrospektivom njegovih djela u festivalskom programu Posvećeno. Sarajevo Film Festival će organizirati i posebnu projekciju novorestaurirane verzije njegovog filma HOTEL OD MILION DOLARA, koji je 2000. godine osvojio Srebrnog medvjeda na Berlinskom festivalu.

Wim Wenders je jedna od centralnih ličnosti svjetske kinematografije.

Međunarodno priznanje stekao je tokom sedamdesetih kao jedan od pionira novog njemačkog filma i smatra se jednim od najvažnijih autora u historiji kinematografije. Dobitnik je mnogobrojnih nagrada na festivalima širom svijeta, između ostalih: Zlatne palme i nagrade Britanske akademije filmskih umjetnosti za PARIS, TEXAS (1984), nagrade za najboljeg reditelja u Cannesu za KRILA ŽELJE (1987), Zlatnog lava u Veneciji za STANJE STVARI (1982) i Srebrnog medvjeda za HOTEL OD MILION DOLARA (2000) na Međunarodnom filmskom festivalu u Berlinu. Njegovi dokumentarni filmovi BUENA VISTA SOCIAL CLUB (1999), PINA (2011) i SO ZEMLJE (2014) su svi redom nominirani za Oskara. Na jesen 2012. godine Wim Wenders je sa suprugom Donatom osnovao Fondaciju Wim Wenders u Düsseldorfu.

Neprofitna fondacija je stvorila okvir koji objedinjuje kinematografsko, fotografsko, umjetničko i literarno životno djelo Wima Wendersa u njegovoj rodnoj zemlji i učinila ga trajno dostupnim široj javnosti kroz digitalnu restauraciju i konzervaciju, te kroz saradnju s mnogim organizacijama širom svijeta koje rade na tome da ovo djelo učine dostupnim. Neprofitna fondacija paralelno s tim podržava mlade talente u oblasti inovativne narativne kinematografije, posebno kroz stipendiju Wim Wenders koju dodjeljuje Filmund Medienstiftung NRW i promoviše filmsko obrazovanje.

The Sarajevo Film Festival will pay tribute to the acclaimed director with a retrospective of his selected works in the Festival’s “Tribute to” Programme.

Festival will also organize a special screening of the newly restored version of his film THE MILLION DOLLAR HOTEL, winner of the Silver Bear award at the Berlin Film Festival (2000).

Wim Wenders is one of the central figures of modern cinema. He came to international prominence as one of the pioneers of the New German Cinema during the 1970’s and is considered to be one of the most important figures in the history of film. Wenders has been honored with countless awards at festivals around the world, including: the Golden Palm and the British Film Academy Award for PARIS, TEXAS (1984); the Director’s Prize in Cannes for WINGS OF DESIRE (1987); the Golden Lion in Venice for THE STATE OF THINGS (1982); and the Silver Bear for THE MILLION DOLLAR HOTEL (2000) at the Berlin International Film Festival. His documentary films BUENA VISTA SOCIAL CLUB (1999), PINA (2011), and THE SALT OF THE EARTH (2014) have all been nominated for an Oscar. In the fall of 2012, together with his wife Donata, Wim Wenders established the Wim Wenders Foundation in Düsseldorf. The non-profit foundation developed a framework that brings together the cinematic, photographic, artistic and literary life work of Wim Wenders in his native country, making it permanently accessible to the general public worldwide through its digital restoration and preservation, and though the collaboration with many organsations worldwide working on making this work available. At the same time, the non-profit foundation supports young talents in the field of innovative narrative cinema through the Wim Wenders’ scholarship of the Film-und Medienstiftung NRW and promotes film education.

SRCA SARAJEVA ZA TV SERIJE – NOMINACIJE / HEARTS OF SARAJEVO FOR TV SERIES – NOMINATIONS NAJBOLJA DRAMSKA SERIJA / BEST DRAMA SERIES GRUPA (Srbija) JEZERO (Slovenija) KLAN (Srbija) KOSTI (Bosna i Hercegovina, Srbija) NOVINE, S03 (Hrvatska) PORODICA (Srbija) TAJKUN (Srbija)

NAJBOLJA KOMEDIJA / BEST COMEDY CRNO-BIJELI SVIJET, S04 (Hrvatska) DNEVNIK VELIKOG PERICE (Hrvatska) MAMA I TATA SE IGRAJU RATA (Srbija) ZLATNI DANI (Srbija)

NAJBOLJI KREATOR / BEST CREATOR Uroš Tomić, Dragan Đurković – GRUPA Bojan Vuletić – PORODICA Matevž Luzar – JEZERO Ivica Đikić, Nebojša Taraba, Miodrag Sila, Dalibor Matanić – NOVINE, S03 Slobodan Skerlić – KLAN Dragan Bjelogrlić – SENKE NAD BALKANOM, S02 Albino Uršić – DNEVNIK VELIKOG PERICE

NAJBOLJA GLUMICA / BEST ACTRESS Jasna Đuričić (Srbija) – GRUPA

Tihana Lazović (Hrvatska) – TAJKUN Mirjana Karanović (Srbija) – PORODICA Jelena Miholjević (Hrvatska) – CRNO-BIJELI SVIJET, S04 Olga Pakalović (Hrvatska) – NOVINE, S03 Nika Rozman (Slovenija) – JEZERO Nada Šargin (Srbija) – KALUP Jovana Stojiljković (Srbija) – JUŽNI VETAR

Ceremonija dodjele nagrada za TV serije održat će se 16. augusta 2021. godine, pod pokroviteljstvom BH Telecoma.

NAJBOLJI GLUMAC / BEST ACTOR Dragan Bjelogrlić (Srbija) – TAJKUN Goran Bogdan (Bosna i Hercegovina, Hrvatska) – MOČVARA Sebastian Cavazza (Slovenija) – JEZERO Filip Đurić (Srbija) – GRUPA Boris Isaković (Srbija) – PORODICA Zdenko Jelčić (Hrvatska) – NOVINE, S03 Jovo Maksić (Srbija) – KOSTI Feđa Štukan (Bosna i Hercegovina) – KLAN

The awards ceremony for the winning TV series will be held on 16 August 2021 under the patronage of BH Telecom.

ZVIJEZDA U USPONU / RISING STAR Jana Bjelica (Crna Gora) – PORODICA Aleksandar Dimitrijević (Srbija) – KLAN Petar Petkovski (Sjeverna Makedonija) – FAMILIJATA MARKOVSKI, S02 Kaja Šišmanović (Hrvatska) – CRNO-BIJELI SVIJET, S04 Ivana Zečević (Srbija) – GRUPA

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Stvari vrijedne suza / Things Worth Weeping For

Elegija lovora / The Elegy of Laurel

TAKMIČARSKI PROGRAM– IGRANI FILM COMPETITION PROGRAMME – Stvari vrijedne žaljenja FEATURE FILM

ambience of the hotel, their seemingly ideal marriage is over: Filip's wife leaves him.

Everything seems to indicate that his life is collapsing but, refined and armed with confidence, Filip faces his new circumstances with unusual ease. Deep in the forest, a new fantasy world will break him down but it also gives him a chance for a new beginning.

/ Things Worth Weeping For

Selektorica / Selector: Elma Tataragić SVJETSKE PREMIJERE / WORLD PREMIERES

Elegija lovora /

The Elegy of Laurel

Montenegro, Serbia, 2021, Colour, 93 min.

Režija / Director: Dušan Kasalica Uloge / Cast: Frano Lasić, Savina Geršak, Draginja Voganjac, Lidija Kordić, Nikolina Bogdanović

Filip, uglađeni univerzitetski profesor, odlazi sa suprugom na odmor. Nakon što provedu nekoliko dana u udobnom i uspavanom banjskom odmaralištu, njihov naizgled savršen brak se okončava. Iako se čini da mu se život urušava, Filip se, naoružan samopouzdanjem, te s neobičnom lakoćom suočava s novim okolnostima. Filipov bijeg od problema vodi ga u malo planinsko selo i duboku šumu, gdje sreće svoju majku i zaljubljuje se u djevojku koja je nekada bila zmija.

Filip, a sophisticated university professor, and his wife go to a spa on the coast. After a few days spent in the comfy and monotonous

Hungary, 2021, Colour, 84 min.

Režija / Director: Cristina Grosan Uloge / Cast: Nóra Rainer-Micsinyei, Júlia Huzella, Judit Hernádi, Barna Bányai Kelemen

Maja svoj život konačno dovodi u red što izuzetno usrećuje njenog momka. Kada prilikom selidbe iz svog studentskog stana naiđe na svoju staru i nesumnjivo mrtvu rodicu, njeno veče poprima neobičan tok. Niko od njenih rođaka nije u prilici da joj pomogne, pa Maja sve mora obaviti sama. Dok čeka dolazak predstavnika vlasti, pridružuje joj se prijateljica iz djetinjstva Sara. Sara više nego rado govori o svom posljednjem uspjehu.

Prolaze sati, a njih dvije i dalje čekaju kraj mrtvog tijela. Dešavaju se apsurdne situacije.

Da li smiju jesti kraj trupla? Da li je mrtva žena upravo pomakla ruku? I kako se ispravno pozdraviti s nekim koga nisi čak ni poznavao?

Neočekivano duga noć i konstantno prisustvo smrti na Maju djeluju kao katalizator. Koliko god njena savršena ljubavna veza i tridesetogodišnje kreditno zaduženje djeluju idilično, Maja nije sretna svojim životom odrasle osobe. Zbog toga se odlučuje na odlazak, gubi se na ulicama i nestaje u nepoznatom pravcu. To je najzreliji postupak

Bebia, jedina čežnja moje duše / Bebia, à mon seul désir

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kojeg se u tom trenutku mogla sjetiti.

Maja’s life is finally coming together and her boyfriend couldn’t be more pleased. In the midst of moving out of the student flat they share, Maja’s evening takes a surprising turn when she stumbles upon an old relative who is, without a doubt, dead. Nobody from the family is available to help, so Maja has to deal with the situation herself. As she waits for the authorities, Sara, Maja’s childhood friend, joins her. Sara is more than keen on sharing her latest successes. Hours pass and the pair are stuck with the dead body. Absurd situations arise. Are they allowed to eat beside a corpse?

Did the dead woman just move her hand? And what is the proper way to say goodbye to someone you didn’t even know? This unexpected long night and the experience of witnessing death act as a catalyst on Maja. In spite of how satisfying her perfect relationship and thirty-year mortgage may seem, she is not happy in this new, adult life. Maja takes off, disappears into the street, out into the unknown. It’s the most adult thing she can think of right now.

REGIONALNE PREMIJERE / REGIONAL PREMIERES

Bebia, jedina čežnja moje duše / Bebia, à mon seul désir

Georgia, United Kingdom, 2020, Black and white, 113 min.

Režija / Director: Juja Dobrachkous Uloge / Cast: Anastasia Davidson, Anushka Andronikashvili, Guliko Gurgenidze, Alexander Glurjidze, Anastasia Chanturaia, Ana Chiradze

Nakon smrti svoje bake Bebie, sedamnaestogodišnja manekenka Ariadna

Brdo na kojem riču lavice / The Hill Where Lionesses Roar

Kelti / Celts

vraća se u rodnu Gruziju da bi prisustvovala njenoj sahrani. Po povratku u domovinu dobija neobičan i neočekivan zahtjev: u skladu s davnašnjom tradicijom, kao najmlađoj u porodici, Ariadni pripada obaveza da ujedini tijelo i dušu svoje bake tako što će jednom niti konca povezati mjesto njene smrti s mjestom na kojem njeno tijelo čeka na ukop. Isprva nevoljna da učestvuje u tom naizgled bizarnom ritualu, Ariadna se uskoro zatiče kako u drušvu Temoa, mladog porodičnog prijatelja nejasnih motiva, prelazi dvadeset i pet kilometara dug put kroz neiskvarena prirodna prostranstva Gruzije razvlačeći jednu nit konca. Dok danima i noćima hoda kroz zahtjevna prostranstva Gruzije, Ariadna je prisiljena da se suoči s istinom o utjecaju koji je njena kompleksna, i ponekad okrutna, baka i vladarica porodice imala na njeno ne previše daleko djetinjstvo.

Following the death of her grandmother Bebia, seventeen-year-old model Ariadna returns to Georgia to attend the funeral. Back in her motherland, she receives an unusual and unexpected request: according to an ancient local tradition, Ariadna, as the youngest member of the family, is responsible for reuniting the body and soul of her grandmother by connecting a thread from the place of her death to the resting body. At first reluctant to fulfill such a bizarre-sounding ritual, Ariadna soon finds herself carrying a single line of thread across twenty-five kilometres of unspoiled Georgian countryside, accompanied

by Temo, a young man and family friend of uncertain motives. Traversing this exhausting and raw terrain over a number of days and

Mjesec, 66 pitanja / Moon, 66 Questions

Tražeći Veneru / Looking for Venera

nights, Ariadna is forced to confront the impact that the complex, sometimes cruel matriarch — Bebia — had on her not-so-distant childhood.

Brdo na kojem riču lavice /

The Hill Where Lionesses Roar

Kosovo, France, 2021, Colour, 83 min.

Režija / Director: Luàna Bajrami Uloge / Cast: Flaka Latifi, Uratë Shabani, Era Balaj, Andi Bajgora, Luàna Bajrami

U jednom malom, zabačenom selu na Kosovu, tri žene gledaju kako drugi guše njihove nade i snove. Ništa ne može spriječiti njihov pokušaj da ostvare nezavisnost: vrijeme je da lavice počnu rikati.

In a small, remote village somewhere in Kosovo, three young women see their dreams and ambitions stifled. In their quest for independence, nothing can stop them. Time to let the lionesses roar.

Kelti / Celts

Serbia, 2021, Colour, 106 min.

Režija / Director: Milica Tomović Uloge / Cast: Dubravka Kovjanić, Stefan Trifunović, Katarina Dimić, Anja Đorđević, Nikola Rakočević, Milica Grujičić, Jelena Đokić, Slaven Došlo, Nada Šargin, Jovana Gavrilović

Beograd, 1993. godine. Srbija je u ratu, ljudi pate zbog sankcija i inflacije, ali se svi trude da pomognu koliko mogu. Majka Marijana drži porodicu na okupu, dok njen suprug živne samo u prisustvu kćerkice Minje koja mu uljepšava tmurnu svakodnevnicu. Minja slavi osmi rođendan. Umjesto da na poklon dobije koker španijela, tu je susjedov tronogi pas da se s njim igra, a torta je napravljena s margarinom umjesto puterom. U dnevnoj sobi,

Minja i njeni školski drugovi se zabavljaju obučeni u nindža kornjače, dok se za to vrijeme odrasli okupljaju u kuhinji. Pijano veče puno duhanskog dima, koketiranja i alkohola uzima svoj danak.

Belgrade, 1993. Serbia is at war and its people suffer under international sanctions, facing constantly rising inflation. Marijana holds her family together while her husband perks up only in the presence of their small daughter, Minja, who injects some happiness into his otherwise grim life. Minja is celebrating her eighth birthday. Instead of a cocker spaniel of her own, there’s a neighbour’s three-legged dog for her to play with, and her birthday cake has been made with margarine instead of butter. In the living room, she and her classmates leap about dressed up as Mutant Ninja Turtles while the adults congregate in the kitchen…A drunken evening of unrestrained smoking and flirtation takes its toll.

Mjesec, 66 pitanja / Moon, 66 Questions

Greece, France, 2021, Colour, 108 min.

Režija / Director: Jacqueline Lentzou Uloge / Cast: Sofia Kokkali, Lazaros Georgakopoulos

Nakon dugogodišnjeg odsutstva, Artemis se mora vratiti u Atinu kako bi se starala o ocu čije se zdravstveno stanje pogoršava. Nakon što otkrije očevu dugo čuvanu tajnu, Artemis razumije bolje nego ikada ranije i prvi put osjeća da ga iskreno voli.

After years of distance, Artemis has to get back to Athens due to her father’s frail state of health. Discovering his well-kept secret allows Artemis to understand her father in a way she

Murina SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

9

Žene plaču / Women Do Cry

has not yet been able to, which allows her to love him truly for the first time.

Murina

Croatia, Brazil, United States, Slovenia, 2021, Colour, 92 min.

Režija / Director: Antoneta Alamat Kusijanović Uloge / Cast: Gracija Filipović, Danica Čurčić, Leon Lučev, Cliff Curits

Napetost između nemirne tinejdžerke Julije i njenog opresivnog oca Ante raste nakon što njihov dom na jednom hrvatskom otoku posjeti jedan stari porodični prijatelji. Dok Ante pokušava sklopiti dogovor koji bi mu mogao promijeniti život, Julija je umorna od njihovog mirnog, ali usamljeničkog bitisanja i ima znatno veća očekivanja od njihovog utjecajnog posjetioca koji joj tokom vikenda ispunjenog strašću i nasiljem omogućava da iskusi slobodu.

When an old family friend arrives at their Croatian island home, tension rises between restless teenager Julija and her oppressive father Ante. As Ante attempts to broker a lifechanging deal, her tranquil yet isolated existence leaves Julija wanting more from the influential visitor, who provides a taste of liberation over a weekend laid bare to desire and violence.

Tražeći Veneru /

Looking for Venera

Kosovo, 2020, Colour, 111 min.

Režija / Director: Norika Sefa Uloge / Cast: Kosovare Krasniqi, Erjona Kakeli, Rozafa Celaj, Basri Lushtaku

Smirena i šutljiva tinejdžerka Venera živi u jednom malom selu na Kosovu. U njenoj kući, pod istim krovom, žive tri različite generacije tako da nema puno privatnosti. Van kuće, na

Velika sloboda / Great Freedom

ulicama i u kafiću, situacija nije ništa bolja: u malom selu je nemoguće izbjeći da je neko stalno drži na oku, bilo da se radi o njenom bratu, rođaku ili susjedu. Od djevojke se, prije svega, očekuje da štiti vlastiti ugled i ugled svoje porodice. Zbog svega toga, Veneri je prilično neizvodivo ponašati se u skladu s vlastitim željama. Njeno raspoloženje se popravi nakon što se sprijatelji s buntovnom Dorinom koja već ima momka. Njih dvije zajedno izlaze i provode se u mjeri u kojoj to Venerin otac dopušta. Ono što i jedna i druga zasigurno znaju jeste da ne žele završiti kao njihove majke.

Calm, taciturn teenager Venera lives in a small village in Kosovo. At home, three generations are constantly under one another’s feet in their cramped house, so Venera has next to no privacy. Outside, on the streets and in the café, it’s not much better: the village is small and there’s always a brother, nephew or neighbour keeping a beady eye on her. A girl is expected above all else to protect her good reputation – and that of her family — all of which makes it difficult for Venera to go her own way. Her spirits are lifted when she makes friends with rebellious Dorina, who already has a boyfriend.

The two girls go out having fun together, as far as Venera’s father will allow. One thing they know for sure: they don’t want to end up like their mothers.

Velika sloboda / Great Freedom Austria, Germany, 2021, Colour, 116 min.

Režija / Director: Sebastian Meise Uloge / Cast: Franz Rogowski, Georg Friedrich, Anton von Lucke, Thomas Prenn

U poslijeratnoj Njemačkoj Hansa višestruko hapse i zatvaraju zato što je homoseksualac.

10 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

Zbog člana 175. njegova želja za slobodom sistematski se osporava. Jedina stabilna veza u njegovom životu postaje veza koju ostvaruje s Viktorom, osuđenim ubicom s kojim dijeli zatvorsku ćeliju. Prvobitno gađenje prerasta u ljubav.

In post-war Germany, Hans is imprisoned again and again for being homosexual. Due to Paragraph 175, his desire for freedom is systematically destroyed. The one steady relationship in his life is with his long-time cellmate Viktor, a convicted murderer. What starts as revulsion grows into something called love.

Žene plaču / Women Do Cry

Bulgaria, France, 2021, Colour, 107 min.

Režija / Director: Vesela Kazakova, Mina Mileva Uloge / Cast: Vesela Kazakova, Iossif Surchadzhiev, Katia Kazakova, Ralitsa Stoyanova, Maria Bakalova, Bilyana Kazakova

Mama roda puškom je oborena s dimnjaka. Žena koja pati od postporođajne depresije zamalo da skoči s balkona. Djevojčica se mora nositi sa stigmatizacijom kojoj je izložena zbog HIV-a. Majka traži magiju u lunarnom kalendaru. Krhkost i apsurdnost ove moderne bugarske porodice odvijaju se paralelno s nasilnim protestom protiv rodne ravnopravnosti.

Film je zasnovan na istinitoj priči.

A mother stork is shot down from a chimney. A woman suffering from postnatal depression nearly jumps off a balcony. A girl has to deal with the stigma of HIV. A mother looks for magic in the lunar calendar. Fragility and absurdity in a contemporary Bulgarian family are set against the backdrop of violent antigender-equality protests. Based on a true story.

Ponosni partner Sarajevo Film Festivala već 7 godina.

SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

11

Bosanski Brodvej / Bosnian Broadway

Disturbed Earth

Dive / Divas

Horizont / Horizon

TAKMIČARSKI PROGRAM DOKUMENTARNI FILM COMPETITION PROGRAMME – DOCUMENTARY FILM Selektorica / Selector: Rada Šešić

Disturbed Earth

Bosnia and Herzegovina, Spain, North Macedonia, 2021, Colour, 71 min.

Režija / Director: Kumjana Novakova, Guillermo Carreras-Candi

Mjesto u tišini na kojem je prošlost zarobila sadašnjost. Korak po korak, kolektivna bol preuzima pejzaž, prostor, grad. Na kraju, ulazi u nas. Srebrenica postaje stvarnost današnjice, i naša vlastita stvarnost.

A space in silence, where past has captured present. Taking over, layer by layer, collective pain enters the landscape, the space, the city.

Eventually, it enters us. Srebrenica becomes a reality of today, and our own reality.

Dive / Divas SVJETSKE PREMIJERE / WORLD PREMIERES

Bosanski Brodvej / Bosnian Broadway

Croatia, 2021, Colour, 30 min.

Režija / Director: Jasmina Beširević

Šesnaest mladih glumaca odabrano je učestvovati u brodvejskom mjuziklu koji etablirani američki umjetnici postavljaju u Bosni i Hercegovini. Mnogi od njih sanjaju o karijeri izvan ovih prostora i svi kreću u probe s velikim entuzijazmom i očekivanjima.

Međutim, kako se bliži premijera, njihovo raspoloženje se mijenja jer postaju svjesni da ih čeka povratak u "običan" život.

Sixteen young actors have been selected to participate in the Broadway musical that established American artists are putting on in Bosnia and Herzegovina. Many of them dream of a career outside this region and all of them begin rehearsals with great enthusiasm and expectations. As the premiere approaches, however, their mood begins to change as they become aware that they will soon return to their "regular“ lives.

Hungary, 2021, Colour, 80 min.

Režija / Director: Máté Kőrösi

Szani, Tina i Emese, ili "dive", kako same sebe vole nazivati, dvadesetogodišnjakinje su koje satima mogu pričati o kozmetičkim preparatima, odjeći i profilnim fotografijama.

Mladi reditelj Máté odluči ih pratiti svojom kamerom dok ne diplomiraju kako bi otkrio šta se krije ispod njihove savršene šminke. Učeći jedna od druge, one počinju sazrijevati i ponašati se kao odrasle osobe.

Szani, Tina and Emese – or, as they call themselves, the Divas – are three twenty-yearold women who can talk for hours about makeup, clothes or profile pictures. Máté, a young director, enters the scene, following them with his camera until their graduation, to find out what is hidden behind their perfect make-up.

Meanwhile, they learn from each other, all taking steps towards adulthood.

Horizont / Horizon

Croatia, 2021, Colour, 25 min.

Režija / Director: Tanja Deman

Intimna priča o moru u doba ekološke krize. U kolektivnoj imaginaciji morska pučina i daleki

12 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

izolirani otoci mjesta su čežnje, kontemplacije, bijega, pa i spasa. No, mogu li ona još uvijek ponuditi bijeg u vremenu globalnog zatopljenja i zagađenja? Ovaj filmski esej, snimljen na najudaljenijem izoliranom otoku Jadrana, posmatra praiskonski morski pejzaž i slojevite ekološke promjene mora koje ga okružuje.

An intimate story about the sea in the midst of an ecological crisis. In the collective imagination, the open sea and its isolated islands have always been a place of longing, contemplation, escape, even salvation. But can these places still provide escape in a time of global warming and pollution? Shot on the remotest and most isolated island in the Adriatic, this film essay observes the primordial seascape and the layered environmental changes that surround it.

Isti san / The Same Dream

Romania, 2021, Black and white, 29 min.

Režija / Director: Vlad Petri

Tokom svoje prve misije u Afghanistanu, rumunski vojnik nailazi na ranjenu afghanistansku djevojčicu i njihovi se životi od tog trenutka prepliću. Film, zasnovan na istinitom događaju, na granici je između dokumentarnog i igranog žanra, a priča priču o vojniku pogođenom brutalnošću rata i djevojčici koja se zatekla na pogrešnom mjestu u pogrešno vrijeme. Reditelj u filmu kombinuje arhivske snimke najrecentnijeg oružanog sukoba u Afghanistanu sa video zapisima iz ličnog arhiva kako bi ispričao priču o okrutnosti rata i iz perspektive osvajača i iz perspektive civila zarobljenih u ratnim uslovima.

A Romanian soldier during his first mission in Afghanistan comes across a wounded Afghan girl and their lives become intertwined from that moment forward. This film, based on a true story, bordering between documentary and fiction, tells the story of a soldier struck by

Isti san / The Same Dream

Kad smo mi bili oni / When We Were Them

Nedjeljom / Every Sunday

ŽŽŽ (Žurnal o Želimiru Žilniku) / ŽŽŽ (Journal about Želimir Žilnik)

the brutality of war and that of a young girl who found herself in the wrong place, at the wrong time. The director combines archival footage from the most recent war in Afghanistan with videos from his personal archive, in a film about the cruelty of war from the perspective of both the invaders and that of the civilians trapped within.

Kad smo mi bili oni / When We Were Them

Bosnia and Herzegovina, 2021, Colour, 15 min.

Režija / Director: Danis Tanović, Damir Šagolj

Okruženi minskim poljima i ruševinama, zaostalim iz rata u Bosni i Hercegovini, hiljade migranata zaglavljeno je u sjevernom dijelu te ratom razorene zemlje. Šatori koje podižu u šumama ili napuštenim zgradama iz socijalističkog perioda ne mogu ih zaštititi od oštre bosanske zime. Teško dolaze do hrane, odjeće, ogrjevnog drveta i sredstava za komunikaciju, ali ništa nije tako teško kao svakodnevno kršenje njihovih ljudskih prava.

U ovom vizuelnocentričnom filmu, Danis Tanović i Damir Šagolj prikazuju svu brutalnost i nehumanost života ljudi "u pokretu" koji pokušavaju doći do Evropske unije u nadi da će tamo ostvariti bolji život.

Postavlja se pitanje: da li se sjećamo vremena kad smo mi bili oni?

Surrounded by minefields and destruction from the Bosnian war and not welcome by everyone, thousands of migrants are still stranded in the northern part of the war-torn country. Their flimsy tents set up in the woods or abandoned socialist era buildings offer no protection from the harsh Bosnian winter. The food, clothes, firewood and communication are problems but nothing compared to the serious and constant violation of basic human rights these migrants are subjected to on a daily basis. In this visually driven film, Danis

Tanović and Damir Šagolj show the brutality and inhumanity of the everlasting story of people "on the move" trying to reach the EU, where they are hoping for a better life. The question "do we remember "when we were them” is asked.

examines the gender, race, class and power relations that permeate Cypriot society by looking at a celebration that empowers migrant working women, as well as a horrific series of crimes and the institutional gaps that have allowed them to occur.

Nedjeljom / Every Sunday

ŽŽŽ (Žurnal o Želimiru Žilniku) / ŽŽŽ (Journal about

Cyprus, 2020, Colour, 24 min.

Režija / Director: Keti Papadema

Grupa kućnih pomoćnica sa Filipina na Kipru se priprema za natjecanje u ljepoti u organizaciji njihove lokalne zajednice. Za organizatore i učesnice natjecanja to je prilika da se redovno okupljaju tokom svog jedinog neradnog dana u sedmici, redefinišu svoj položaj migrantskih radnica u kiparskom društvu i obnove vlastiti individualizam. U međuvremenu, policija traga za serijskim ubicom čija su meta strane radnice i njihove kćeri. Budući da se među žrtvama ubistva nalaze i četiri Filipinke, zajednica se okuplja da im odaju počast. Ovaj dokumentarni film preispituje rodne, rasne i klasne odnose i pozicije moći u kiparskom društvu kroz priču o proslavi koja osnažuje migrantske radnice, seriji užasnih zločina i institucionalnim propustima koji su ih omogućili.

A group of Filipina domestic workers in Cyprus are getting ready for a beauty pageant organised by their local community. The organisers and participants use it as an opportunity to gather once a week – on their only day off – as well as to redefine their position as migrant working women in Cypriot society and reclaim their individuality.

Meanwhile, the unprecedented case of a serial killer who targets foreign female workers and their young daughters emerges. As four of the victims are Filipina, the community comes together to react to the crime and pay their respects to the victims. This documentary

Želimir Žilnik)

Serbia, 2021, Colour and B&W, 90 min.

Režija / Director: Janko Baljak

Road movie dokumentarac kroz poluvjekovnu filmografiju Želimira Žilnika. Ali i putovanje kroz historiju Jugoslavije, zemlje koje više nema. Specifičnim stilom dokudrame koji je godinama gradio, Žilnik je snimajući niskobudžetne filmove decenijama uspio da ostane angažovan i hrabar ali iznad svega slobodan. Pratimo napore njegove ekipe da završe film SLOBODA ILI STRIP koji je prije 50 godina cenzura zaplijenila a koji je nedavno slučajno pronađen. Priča o neprekidnoj borbi za obespravljene socijalne i manjinske grupe koje su neprekidno glavni junaci Žilnikovih filmova.

A road movie documentary through half-acentury of filmmaking by Želimir Žilnik, ŽŽŽ (JOURNAL ABOUT ŽELIMIR ŽILNIK) is also a journey through the history of Yugoslavia, a country that no longer exists. With the specific style of docudrama that he built over the course of his work, Žilnik managed to remain engaged, brave and above all free by making low-budget films for decades. We follow the efforts of his team to finish the film FREEDOM OR COMICS, which was seized by censors fifty years ago and was recently discovered. This is the story of the uninterrupted struggle of disenfranchised social and minority groups, who are always the main heroes of Žilnik's films.

SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

13

Sunny

Looking for Horses

Les Enfants Terribles

Pejzaži otpora / Landscapes of Resistance

EUROPSKA PREMIJERA/ EUROPEAN PREMIERE

Sunny

Georgia, 2020, Colour, 67 min.

Režija / Director: Keti Machavariani

Bivša nastavnica Sunny za život zarađuje intervjuišući ljude za potrebe različitih društvenih istraživanja, a taj posao jedino je što je spašava od potpune samoće i omogućava joj da ima kakav-takav društveni život. Sunny nas vodi kroz uske ulice ružnih dijelova Tbilisija, pokazuje nam različite stanove, kuće i druge stambene objekte i omogućava nam da čujemo mišljenja Gruzijaca o aktuelnim političkim i društvenim temama i saznamo čemu se oni nadaju.

Sunny is a former teacher who now makes her living as an interviewer for sociological studies.

This job is her only way of overcoming total solitude and having a social life. She leads us into the narrow streets of Tbilisi, ugly sleeping districts, showing us a variety of flats, houses and other living structures, and lets us listen to Georgian citizens’ thoughts and hopes on urgeny political and civic issues.

REGIONALNE PREMIJERE/ REGIONAL PREMIERES

Les Enfants Terribles

Turkey, France, Germany, 2021, Colour, 93 min.

Režija / Director: Ahmet Necdet Çupur

U jednom selu na sjeveroistoku Turske Mahmut se želi razvesti od svoje tek vjenčane supruge.

Istovremeno, njegova sestra Zeynep upisuje javnu srednju školu i zapošljava se u fabrici.

Protivno željama njihovog oca, Zeynep želi otići iz sela i upisati fakultet. Njihove želje postat će okosnica sukoba u njihovoj konzervativnoj porodici, ali i zajednici koja nije navikla da ljudi žele ono što žele Mahmut i Zeynep. Intiman film njihovog starijeg brata Ahmeta Necdeta Çupura, koji je napustio selo prije dvadeset godina kako bi upisao studij, LES ENFANTS TERRIBLES je priča o međugeneracijskom sukobu, kao i

sukobu između prošlosti i sadašnjosti.

In a village in the south east of Turkey, Mahmut wants to divorce his new wife. At the same time, his sister Zeynep enrols in an open high school and takes a job in a factory. Against her father’s wishes, Zeynep wants to leave the village and eventually attend university. The siblings’ demands become the centre of conflict in their conservative family and community, who are not used to what Mahmut and Zeynep strive for. Intimately captured by their elder brother Ahmet Necdet Çupur, who left the village twenty years ago to pursue his studies, LES ENFANTS TERRIBLES is a story of clashes among generations and between the past and the present.

retreated to a lake to live in solitude. The filmmaker, the son of Bosnian parents, struggles to communicate as he lost his mother tongue due to a heavy stutter. Despite their speech and hearing limitations, a bond develops between the young man and the veteran as he shares his world of the lake: full of large catfish, wild horses, vast silences and dangerous thunderstorms. Whereas for the fisherman the lake stands for a withdrawal from a fractured country, a land of war, for the filmmaker it means precisely a return to that broken place – the land of his parents. The pair look for ways to communicate, while the camera mediates their growing bond.

Looking for Horses

Slovenia, Serbia, Montenegro, Kosovo, 2021, Colour, 82 min.

Režija / Director: Marija Zidar

Bosnia and Herzegovina, Netherlands, France, 2021, Colour, 88 min.

Režija / Director: Stefan Pavlović

LOOKING FOR HORSES film je o prijateljstvu između filmskog autora i ribara koji je izgubio sluh tokom rata u Bosni i Hercegovini nakon čega se povukao na jezero gdje vodi usamljenički život. Filmski autor, čiji su roditelji porijeklom iz BiH, s mukom govori maternji jezik zbog toga što izraženo muca.

Uprkos njihovim govornim i slušnim ograničenjima, dok dijele život kraj jezera punog velikih somova, okruženog divljim konjima, tišinom i opasnim olujama sa grmljavinom, između mladića i ratnog veterana razvija se snažna veza. Dok za ribara jezero simbolizira bijeg od podijeljene zemlje, zemlje rata, za filmskog autora ono predstavlja povratak tom razorenom mjestu, domovini njegovih roditelja. Njih dvojica pokušavaju pronaći način da međusobno komuniciraju dok kamera hvata njihovu sve snažniju povezanost.

LOOKING FOR HORSES is about a friendship between the filmmaker and a fisherman who lost his hearing during the Bosnian War and

14 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

Pomirenje / Reconciliation

Osamnaestogodišnja djevojka ubijena je u ogorčenoj porodičnoj svađi u planinama Albanije. Njen ožalošćeni otac izložen je pritisku lokalnog biskupa i predsjednika jedne nevladine organizacije iz glavnog grada ne samo da uhapšenom ubici i njegovoj porodici ponudi hrišćanski oprost već i da se, u skladu s Kanunom, vjekovnim plemenskim kodom ponašanja, izmiri s njima.

An eighteen-year-old woman is killed in a bitter family feud in the Albanian highlands. Her bereaved father is torn by pressure – on the one hand from a local bishop and on the other from an NGO chairman from the capital – not only to forgive the imprisoned killer and his family, as a Christian, but to reconcile with them, as Kanun, the age-old tribal code, once required.

Potreba za mržnjom / Recipe for Hate

Serbia, 2020, Colour, 81 min.

Režija / Director: Filip Čolović

Intimna ispovijest reditelja o gubitku brata koji je svirepo ubijen u tuči ispred jednog

Potreba za mržnjom / Recipe for Hate

Soldat Ahmet

Pomirenje / Reconciliation

Tvornice radnicima / Factory to The Workers

beogradskog splava. Kroz ovaj i druge slične slučajeve u kojima su na razne načine, bez ikakvog razloga, stradali ljudi, reditelj istražuje korijene tog bezrazložnog nasilja. Potreba za mržnjom je dokumentarac o tome kako se stvara i širi mržnja i kako smo, kao društvo, lako pristali na nasilje koje nas okružuje.

RECIPE FOR HATE is director Filip Čolović's intimate story about the loss of his younger brother, who was killed in a brutal fight in front of one of Belgrade’s bars along the river.

Through this and several similar incidents, in which people lost their lives for no reason, Čolović searches for the roots of violence and hate in our society. A documentary about the process of creating and spreading the hate and how we, as a society, have complied easily with the violence that surrounds us.

Soldat Ahmet

Austria, 2021, Colour, 76 min.

Režija / Director: Jannis Lenz

Ahmet je poslušni sin turskih imigranata, izdržljivi bokserski šampion i vjerni vojnik koji je posvetio život "služenju austrijskom narodu". U životu se naučio prilagođavati i ispunjavati tuđa očekivanja. Želja da opet bude vjeran sebi navodi Ahmeta da ispuni svoj davnašnji san i počne pohađati časove glume gdje ga ohrabruju da istraži i ispolji vlastite slabosti. Ali to je lakše reći nego učiniti. Ahmet od djetinjstva nije plakao, a što se više trudi odbaciti tradicionalne rodne uloge, tim njegova borba sa samim sobom postaje sve teža.

Ahmet is the dutiful son of Turkish immigrants, a tough boxing champion and a diligent soldier, who has dedicated himself to “serving the people of Austria.” Throughout his life, he has learned to adapt and conform to other people’s expectations. The desire to feel like himself again pushes Ahmet to pursue an old dream and enrol in acting lessons, where he is encouraged to connect with his own vulnerability. But this is

easier said than done. Ahmet hasn’t cried since he was a little boy. And the more he tries to break out of traditional gender roles, the stronger his internal battles become.

Tvornice radnicima /

Factory to The Workers

Croatia, 2021, Colour, 105 min.

Režija / Director: Srđan Kovačević

Hrvatska, 2005. Tvornicu alatnih strojeva zauzimaju njeni uposlenici i postavljaju jedini primjer uspjele radničke okupacije u postsocijalističkoj Evropi. Deceniju nakon tog prelomnog događaja, buntovni radnik koji je predvodio radničku okupaciju pokušava spriječiti gašenje proizvodnje u okupiranoj tvornici. Održavanje proizvodnje zavisi od spremnosti radnika da se žrtvuju kako bi zaštitili svoja radna mjesta od prijetnji bešćutne ekonomije. Reditelj Srđan Kovačević pet godina je dokumentovao lične priče radnika koji se bore da svoju nekada prestižnu tvornicu održe na životu. Pitanje da li slogan "tvornice radnicima" može zadržati aktuelnost ili se radi o čistoj utopiji ostaje otvoreno i čitavu deceniju nakon okupacije tvornice.

Croatia, 2005. A machine tool plant is taken over by its workers. The incident becomes the only successful example of a factory occupation in post-socialist Europe. Ten years after this revolutionary turning point, the rebellious employee behind the occupation now strives to prevent a production shutdown.

Sustainability depends on the sacrifices of the workers protecting their livelihood from the threats of a ruthless economy. For five years, director Srđan Kovačević follows the inside story of the people who struggle to keep the once prestigious factory running. A decade later, the question remains: can the slogan “Factory to the Workers” be kept alive, or is it just a utopian dream?

BOSANSKOHERCEGOVAČKA PREMIJERA / B&H PREMIERE

Pejzaži otpora /

Landscapes of Resistance

Serbia, France, Germany, 2021, Colour, 95 min.

Režija / Director: Marta Popivoda

Film PEJZAŽI OTPORA bilježi putovanje kroz sjećanja antifašističke borkinje Sonje (97), jedne od prvih partizanki u Jugoslaviji, koja je bila i među vođama pokreta otpora u Auschwitzu. Dok Sonja priča, putujemo kroz pejzaže njene revolucionarne mladosti – šume i planine Srbije i blatnjavi teren Auschwitza, zabilježene onako kako izgledaju danas – kao i kroz njen mali stan u centru Beogradu, gdje živi s mužem i mačkom. Kao sjajna pripovjedačica, Sonja je u stanju da priča o događajima iz prošlosti bez “naknadne pameti”, čime nas direktno prenosi u tu specifičnu atmosferu i način razmišljanja koji su iznjedrili antifašistički otpor u Jugoslaviji.

Puštamo njenu priču da putuje kroz vrijeme, ka tijelima novih generacija, sugerišući da je uvijek moguće misliti i vršiti otpor.

LANDSCAPES OF RESISTANCE traces a journey through the memories of ninetyseven-year-old anti-fascist fighter Sonja, one of the first female partisans in Yugoslavia, who was also among the leaders of the resistance at Auschwitz. As Sonja speaks, we travel through the landscapes of her revolutionary youth as they exist in the present – the Serbian forests and mountains and the muddy terrain of Auschwitz – as well as her tiny Belgrade home, where she lives with her husband and cat. Since Sonja is a great storyteller, capable of telling about past events without hindsight, she brings us directly into the singular atmosphere and mindset that gave birth to anti-fascist resistance. We see her story travel through time towards the bodies of new generations, demonstrating that it is always possible to think and practise resistance.

SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

15

Drhtaj srca / Heartbreath

Solo Mode

Sa balkona / From the Balcony

Sve što dolazi / Everything Ahead

TAKMIČARSKI PROGRAM – KRATKI FILM COMPETITION PROGRAMME – SHORT FILM Selektorica / Selector: Elma Tataragić SVJETSKE PREMIJERE / WORLD PREMIERES

Drhtaj srca / Heartbreath

Azerbaijan, 2021, Colour, 15 min.

Režija / Director: Azer Guliev Uloge / Cast: Shahla Aliqizi, Yusif Allahverdiyev, Azer Aydemiroff, Nijat Kazimov

Sasvim obična Nova godina, sasvim obični dani i sasvim običan prijateljski zahtjev. Dok proživljava duhovnu krizu, emocije i strahovi glavne junakinje se prepliću nakon što se suoči s obavezama koje je uvode u novi krug života u njenom okruženju.

An ordinary new year, ordinary days, and an ordinary friendly request. Against the backdrop of a crisis in human nature, the heroine's mix of feelings and pain as she comes face-to-face with a commitment takes her into a new circle of existence in her environment.

Sa balkona / From the Balcony Greece, 2020, Colour, 12 min, Greek Režija / Director: Aris Kaplanidis Uloge / Cast: Constantina Georganta, Maria Diakopanagiotou, Yannis Economides, Spiros Margaritis, Zoi Rigopoulou, Vasilis Paraskevas

Sredovječna žena sa svog balkona posmatra svijet atenskog susjedstva, te dobija mješovite reakcije od onih koje neprestano promatra. Sve dok najednom ne prestane izlaziti na balkon, i taj se svijet zauvijek promijeni.

A middle aged lady observes the world of an Athenian neighborhood from her balcony with

mixed reactions from those she constantly watches. Until she is no longer there and that world changes forever.

Solo Mode

North Macedonia, Turkey, United States, 2021, Colour, 30 min.

Režija / Director: Tamara Kotevska Uloge / Cast: Aleksandar Mikic, Vesna Stanoevska Mikic, Ivo Mikic, Ena Mikic

Zabrinuti suprug i otac razvija profesionalnu društvenu igru kako bi osnažio porodične veze tokom pandemije virusa COVID-19. Umjesto da postigne svoj cilj, završava tako što članove vlastite porodice pojedinačno zaključa u odvojene sobe i kreira "društvenu igru za jednu osobu".

Inspired by the COVID 19 pandemics, a worried husband and father invents a professional family board game so he can strengthen the bonds of families in times of pandemics, but instead, he ends up locking his family members in separate rooms and creates “a board game for one”.

Sve što dolazi / Everything Ahead Croatia, France, 2021, Colour, 24 min.

Režija / Director: Mate Ugrin Uloge / Cast: Tea Ljubešić, Nevena Šegota, Kristijan Kovilić, Maruška Aras, Felix Cadot

Branka je mlada njegovateljica i doselila je na otok kako bi njegovala jednu stariju ženu.

Nakon što prođe oštra zima, a ona obavi svoj posao, Branka odlučuje ostati na otoku i tu provesti ljeto. Zaposli se u turizmu, ali posao koji radi je naporan, a plata mala, tako da to može biti samo privremeno rješenje.

Branka is a young caretaker who has recently moved to an island to look after an elderly woman. After the harsh winter is over and her job is finished, Branka decides to stay on the island for the summer season. She gets a job in tourism, but the pay is meagre and the job exhausting, making it just a temporary solution.

16 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

Interfon 15 / Intercom 15

REGIONALNE PREMIJERE / REGIONAL PREMIERES

BRUTALIA, dani rada /

BRUTALIA, Days of Labour

Belgium, Greece, 2021, Colour, 26 min.

Režija / Director: Manolis Mavris Uloge / Cast: Elsa Lekakou, Kora Karvouni, Chara Mata-Giannatou

Savršeno identične djevojke, odjevene u vojne uniforme, rade po čitavu noć i dan.

Matrijarhalna porodica. Oligarhija. Šta bi se dogodilo ako bi pčele zamijenili ljudima?

Anna, pčela radilica, još uvijek na obuci, posmatra univerzum košnice u kojoj živi.

Perfectly identical girls, dressed in military uniforms, work day and night. A matriarchal family. An oligarchical society. What would happen if we replaced bees with humans?

Anna, a worker bee still in the training stage, observes the universe of the hive in which she lives.

Interfon 15 / Intercom 15

Romania, 2021, Colour, 22 min.

Režija / Director: Andrei Epure Uloge / Cast: Fox, Cosmina Stratan, Mihaela Sîrbu, Ana Ciontea, Ozana Oancea, Otilia Panainte, Ioana Mateescu, Liviu Pintileasa

Nekoliko stanara ispred ulaza zgrade pronalaze onesviještenu ženu. Iako žena živi na trećem spratu, niko ne zna njeno ime. Dok čekaju da stigne pomoć, susjedi razmišljaju o njenom, a i o vlastitim životima.

Several residents discover an unconscious woman lying in front of the block. Even though she lives on the third floor, nobody knows her name. While waiting for rescue, the neighbours reflect on her life and their own.

Kazneni udarac / Penalty Shot

Croatia, Slovenia, Austria, 2021, Colour, 15 min.

Režija / Director: Rok Biček Uloge / Cast: Gabrijel Dolenec, David Ivanović, Karlo Žganec, David Šafarić, Simon Herperger, Jakov Feher, Radovan Kočila

Dva najbolja prijatelja provode poslijepodne

BRUTALIA, dani rada / BRUTALIA, Days of Labour

Raseljeni / Displaced

na fudbalskom terenu sanjajući da zaigraju za lokalni fudbalski tim. Ali snovi imaju cijenu: kada grupa starijih dječaka prekine njihovu igru, jedan od njih to doživljava kao priliku da se dokaže, dok drugi predosjeća da je situacija u kojoj su se našli zlokobnija nego što se čini.

Two best friends spend an afternoon on a football field, dreaming of making it onto the local footbal team. But dreams come with a price: when a group of older boys interrupts their game, one of them will see it as an opportunity to prove himself, while the other one senses something more sinister at play.

Raseljeni / Displaced

Kosovo, 2021, Colour, 15 min.

Režija / Director: Samir Karahoda Uloge / Cast: Jeton Mazreku, Ermegan Kazazi, Rifat Rifati

Kazneni udarac / Penalty Shot

Sjeverni pol / North Pole

Steakhouse

Nakon završetka rata na Kosovu, vođeni željom da svoj voljeni sport održe na životu, dva lokalna igrača lutaju od mjesta do mjesta noseći sa sobom sve što je preostalo od njihovog kluba: stolove za stoni tenis.

In post-war Kosovo, driven by the ambition of keeping their beloved sport alive, two local players wander from one obscure location to another carrying with them the only possession of the club: their tables.

Sjeverni pol / North Pole

North Macedonia, Serbia, 2021, Colour, 15 min.

Režija / Director: Marija Apchevska Uloge / Cast: Antonija Belazelkoska, Luka Mitev, Frosina Trajkovska, Andrea Noveva, Nadja Mijatovic, Teodora Kostova, Kristina Janevska

Maglovita livada, prenapučena svlačionica.

Margo ne pripada ni jednome ni drugome

mjestu. Ako izgubi nevinost, možda će konačno pronaći mjesto gdje pripada.

A misty field, a crowded locker room. Margo belongs to neither. Maybe if she loses her virginity, she will finally find her place.

Steakhouse

Slovenia, Germany, France, 2021, Colour, 10 min.

Režija / Director: Špela Čadež Uloge / Cast: Maruša Majer, Marko Mandić

Odrezak se već nekoliko dana marinira. Tava je ugrijana. Francu krči stomak. Ali Lizu su kolege s posla iznenadile rođendanskom zabavom. Da li će ona na vrijeme doći kući?

The steak has been marinating for a few days now. The pan is heated. Franc’s stomach is rumbling. But Liza’s co-workers surprise her with a birthday party. Will she be home on time?

SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

17

Ječam Žela / Barley

Kad jutro svane / When the Morning Dawns

Kada je tama izgubila / When Night Lost

Ljetni planovi / Summer Planning

Otava

Čekaj me / Wait for Me

TAKMIČARSKI PROGRAM – STUDENTSKI FILM COMPETITION PROGRAMME – STUDENT FILM Selektorica / Selector: Asja Krsmanović

SVJETSKE PREMIJERE / WORLD PREMIERES

Ječam Žela / Barley

Montenegro, 2021, Black and white, 18 min.

Režija / Director: Andrija Mugoša Uloge / Cast: Momčilo Otašević, Milivoje Obradović, Kristina Obradović

Jedan dan u životu Jakova, porodičnog čoveka koji odluči da krsti svoju kćerku. Na dan krštenja dolazi Petar – budući kum – njegov najbolji prijatelj, donoseći tajnu o Jakovljevom životu prije "svih ispravnih odluka". Vođen društvom, sistemom i ženom, Jakov odlučuje da spas pronađe u crkvi.

A day in the life of Jakov, a family man who has decided to have his daughter baptised. On the day of the blessing, her future godfather, Jakov’s best friend Peter, reveals a secret about Jakov’s life before he had made “all the right decisions.” Pressured by society, the system and his wife, Jakov decides to find salvation through the Church.

Kad jutro svane / When the Morning Dawns

Bosnia and Herzegovina, 2021, Colour, 23 min.

Režija / Director: Karmen Obrdalj Uloge / Cast: Aleksandra Plahin, Milica Janevski, Bojan Kolopić, Slađana Zrnić, Gordana Milinović

Usamljena djevojka Iskra provodi dane pijući vino na krovu zgrade i čekajući svog momka Borisa da dođe kući. Ona osjeća da nešto nije u redu – odjednom je postao hladan. Manjak seksa i Borisovo prijateljstvo s drugom ženom pogoršavaju njenu sliku o tijelu i samoj sebi.

A lonely, self-conscious young woman spends her days drinking wine on the roof and waiting

for her boyfriend to come home. She can sense that something is wrong – he has suddenly become cold towards her. A lack of sex and his friendship with another woman worsens her body image.

Kad tama izgubi/ When Night Lost

Greece, 2021, Colour, 17 min.

Režija / Director: Asteris Tziolas Uloge / Cast: Yannis Papadopoulos, Sissy Toumasi

Ljeto u srcu Atine. Dva stranca ulaze na mjesto koje se u pustom noćnom gradskom krajoliku čini poput oaze. Uz pulsirajuća svjetla i prigušene zvuke starih fliper mašina, dva neznanca se zbližavaju i pokušavaju rastjerati tamu koja se krije u njima.

Summer in the heart of Athens. Two strangers enter a place that looks like an oasis amid the deserted night landscape of the city. Above the pulsating lights and the dim sounds of some old pinball machines, the two of them will come closer and try to break the darkness that is hidden inside them.

Ljetni planovi / Summer Planning Romania, 2021, Colour, 26 min.

Režija / Director: Alexandru Mironescu Uloge / Cast: Iulia Lumanare, Mihai Smarandache, Andrei Lupascu, Viorica Geanta Chelbea, Anca Similar

Sve što Andrei želi jeste da na kraju školske godine sa prijateljima ode u ljetni kamp.

Istovremeno, njegovi roditelji se razvode.

All Andrei wants is to leave for summer camp, together with his friends, once the school year is over. Meanwhile, his parents are caught up with their divorce.

MEĐUNARODNE PREMIJERE/ INTERNATIONAL PREMIERES

Čekaj me / Wait for Me

Croatia, 2020, Colour, 42 min.

Režija / Director: Damir Markovina

Film ČEKAJ ME je priča o odnosu između majke i kćerke u poznoj dobi njihova života, trajno razdvojenih fizičkom granicom nastalom uslijed ratova na Balkanu, i njihovom

18 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

prihvaćanju neizbježne smrti jedne od njih.

WAIT FOR ME tells the story of the relationship between an aging mother and her adult daughter, who have been permanently separated by a physical border drawn during the 1990s wars in the Balkans, and the way in which they are accepting the fact that one of them will have to die.

Otava

Slovenia, 2021, Colour, 15 min.

Režija / Director: Lana Bregar Uloge / Cast: Tara Krvina, Draga Potočnjak

Adolescentica u snovima pokušava oživjeti uspomene na majku, a istovremeno mora biti fizički prisutna na farmi sa svojom bakom.

An adolescent girl tries to dream about memories of Mother while having to be physically present on the farm with grandmother.

Stan X / Apartment X Romania, 2020, Colour, 14 min.

Režija / Director: Marius Papară

Zidovi imaju uši, a kroz špijunku na vratima i prozore sve se nadzire. U vrijeme dok svijetom hara virus, stanovnici jednog naselja negiraju postojanje pandemije i nastavljaju živjeti kao i inače.

The walls have ears, and the viewfinder and window oversee everything. In the context of a virus and a global lockdown, the inhabitants of one neighbourhood deny the existence of the pandemic, continuing their daily life as always.

REGIONALNE PREMIJERE/ REGIONAL PREMIERES

Fonica M-120

Hungary, 2020, Colour, 24 min, Hungarian Uloge / Cast: Kristóf Kovács, Mici Kunert, Tamás Keresztes, Éva Botos

Desetogodišnji Aron živi s majkom u sobi jednog oronulog motela. U društvu odraslih, on za sebe stvara svijet iz mašte u kojem se sve vrti oko njegovog oca, jedne pjesme i jukeboxa. Jednoga dana u hotel dolazi novi gost i Aronov svijet se izvrće naglavačke.

Morat će odlučiti gdje pripada.

Stan X / Apartment X

Jesti zemlju / Eating Soil

Fonica

Ljubavne priče u pokretu / Love Stories on The Move

Redukcija / Reduction

Sumrak / Dusk

Ten-year old Aron lives with his mother in a room of a junk motel. Hovering around the adults, he creates his own imaginary world, led by his father, a song and a jukebox. One day, a new guest arrives at the motel and Aron's world is turned upside down. He has to choose where he belongs.

Jesti zemlju / Eating Soil

Austria, 2021, Colour, 26 min.

Režija / Director: Laura Weissenberger Uloge / Cast: Alberto Astrauskas, Carol Desire Astrauskas, Monica Astrauskas, Ofelia Granada, Cristian Zea Bernal, Sara Bernal Ortega, Angela Bernal Bernal, Marina Bernal Bernal, Luz Marina Garcia Silva

Filmski esej o kolumbijskim ženama zasnovan na uspomenama i doživljaju vlastite domovine filmske rediteljice Laure Weissenberger. Film propituje nacionalnu narativnu kulturu kroz priču o izmišljenoj porodici kao metafori kolumbijskog društva. Oblikovan poput sjećanja, film gledaoca suočava sa pitanjima migracije, nade, kajanja i odnosa prema životu uopće.

This essay film deals with stories of Colombian women that arise from director Laura Weissenberger’s memories of and projections onto her home country. It explores Colombian narrative culture based on the stories of a fictional family, which metaphorically represent a society rather than individual fates. Structured like memory itself, the film

invites the viewer to encounter subjects involving migration, hope, regret and approaches to life.

Ljubavne priče u pokretu / Love Stories on The Move

Romania, 2021, Colour, 21 min.

Režija / Director: Carina-Gabriela Dașoveanu Uloge / Cast: Ilinca Hărnuț, Andi Vasluianu, Ion Arcudeanu, Cătălina Mihai, Alina Florescu, Andrei Ivan

Trideset i šestogodišnja taksistica Lili pokušava spasiti svoj brak sa Danijem koji se amaterski bavi ribarstvom. Vozeći svoje mušterije, Lili je u prilici da svjedoči nekolicini ljubavnih priča koje se potpuno razlikuju od njene.

Lili, a thirty-six-year-old taxi driver, is trying to save her marriage to Dani, an amateur fisherman. Her car rides place Lili in front of several love stories that are very different from her own.

Redukcija / Reduction

Hungary, 2021, Colour, 11 min.

Režija / Director: Réka Anna Szakály

Dvije djevojke žive zajedno na jednoj postapokaliptičnoj obali i zajednički im je san da pređu na drugu obalu i ostvare bolji život. Međutim, kada u život jedne od njih uđe jedan misteriozni lik, pokreće se čitav niz nezaustavljivih događaja koji dovode do raspada međuljudskih odnosa i svijeta oko njih.

Two girls live together along the postapocalyptic coast and share the goal of reaching the other side in the hope of finding of a better life. When a mysterious character enters the life of one of the girls, however, a chain of irreversible events begins.

Relationships fall apart along with the very world around them.

Sumrak / Dusk

Hungary, Belgium, Portugal, 2020, Colour, 21 min.

Režija / Director: Bálint Bíró

Ovaj zlosutni dokumentarac bavi se temom od globalnog značaja iz perspektive jedne male zajednice u Mađarskoj. "Čuvar zemlje" i njegov sin patroliraju u graničnom pojasu između Mađarske i Srbije, gdje se krije i vreba nevidljiva opasnost.

This ominous documentary views a global theme from the perspective of a small Hungarian community. A “landguard” and his son go on patrol on the border area near Serbia, where an invisible danger looms.

TAKMIČARSKI STUDENTSKI 1 / COMPETITION STUDENT 1 APARTMENT X / EATING SOIL / LOVE STORIES ON THE MOVE / WHEN THE MORNING DAWNS TAKMIČARSKI STUDENTSKI 2 / COMPETITION STUDENT 2 WAIT FOR ME / REDUCTION / OTAVA / BARLEY TAKMIČARSKI STUDENTSKI 3 / COMPETITION STUDENT 3 DUSK / SUMMER PLANNING / WHEN NIGHT LOST / FONICA M-120

SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

19

Evolucija / Evolution

Košnica / Hive

U FOKUSU IN FOCUS

skog rata do današnjeg Berlina prati tri generacije iste porodice i njihova neuspješna nastojanja da se pomire s vlastitom prošlošću u društvu čije historijske rane još uvijek nisu zacijelile.

In EVOLUTION, acclaimed filmmaking team Kornél Mundruczó and Kata Wéber (PIECES OF A WOMAN) return with a powerful drama tracing three generations of a family, from a surreal memory of World War II to modern-day Berlin, unable to process their past in a society still coping with the wounds of its history.

Selektorica / Selector: Elma Tataragić

Baksuzni seks ili bezumni pornić / Bad Luck Banging or Loony Porn

Romania, Luxembourg, Croatia, Czech Republic, 2021, Colour, 106 min.

Režija / Director: Radu Jude Uloge / Cast: Katia Pascariu, Claudia Ieremia, Olimpia Mălai, Nicodim Ungureanu

Košnica / Hive

Video seksualnog odnosa muškarca i žene postaje viralan. Protagonisti na snimku nose maske, ali žena ipak biva identificirana. Šteta što radi kao učiteljica i što bi trebala biti uzor.

Pri tome žive u (postsocijalističkom) društvu čiji će se članovi rado uključiti u diskusiju na društvenim mrežama i izgubiti među navodno ljekovitim visokomoralnim stavovima, pseudopolitičkom sveznadarstvu, licemjernom šovinizmu i grotesknim teorijama zavjere. Svako ima mišljenje. Diskusija se pretvara u suđenje dobrovoljnom seksu, pornografiji i mnogo čemu drugom.

A video goes viral. It shows a man and a woman having sex while wearing masks. The woman, nevertheless, is identified. Too bad she is a teacher and supposed to be a role model. And this, moreover, in a (post-socialist but ultimately any) society that is about to get lost in a social network discourse of would-be healing, squeaky-clean attitudes, pseudopolitical knowing-it-all, sanctimonious chauvinism and grotesque conspiracy theories. Everyone has an opinion. The debate turns into a tribunal – about consensual sex, pornography and more.

Evolucija / Evolution

Germany, Hungary, 2021, Colour, 97 min.

Režija / Director: Kornél Mundruczó Uloge / Cast: Lili Monori, Goya Rego, Padmé Hamdemir, Annamária Láng

Film EVOLUCIJA nova je snažna drama uspješnog autorskog dvojca Kornéla Mundruczóa i Kate Wéber (KRHOTINE ŽENE) koja preko nadrealnih sjećanja iz Drugog svjet-

La Civil

Kosovo, Switzerland, North Macedonia, Albania, 2021, Colour, 84 min.

Režija / Director: Blerta Basholli Uloge / Cast: Yllka Gashi, Çun Lajçi, Aurita Agushi, Kumrije Hoxha

Fahrijin muž nestao je tokom rata na Kosovu, a njena porodica se, osim s tugom, bori i s neimaštinom. Kako bi zaradila novac za izdržavanje porodice, Fahrije pokreće mali poljoprivredni biznis ali, u patrijarhalnom selu u kojem živi njena ambicija i njeni napori da osnaži sebe i druge žene, ne nailaze na odobravanje.

Fahrije’s husband has been missing since the war in Kosovo, and along with their grief, her family is struggling financially. In order to provide for them, Fahrije launches a small agricultural business but, in the traditional patriarchal village where she lives, her ambition and efforts to empower herself and other women are not seen in a positive light.

La Civil

Belgium, Romania, Mexico, 2021, Colour, 145 min.

Režija / Director: Teodora Ana Mihai Uloge / Cast: Arcelia Ramirez, Alvaro Guerrero, Jorge A Jimenez, Ayelén Muzo, Daniel Garcia

Inspirisana stvarnim događajima, LA CIVIL je priča o Cielo, majci koja traga za svojom kćerkom koju su oteli pripadnici kriminalnog kartela u sjevernom Meksiku. Nakon što vlasti odbiju podržati njenu potragu, Cielo preuzima stvar u svoje ruke. Započinje vlastitu istragu i osvaja simpatije i povjerenje nekonvencionalnog vojnog poručnika Lamarquea koji radi u toj regiji. Lamarque joj pristaje pomoći jer mu podaci do kojih ona dolazi mogu biti od koristi u

Pripreme da zajedno provedemo nepoznat vremenski period / Preparations to Be Together for an Unknown Period of Time

20 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

njegovoj istrazi. Cielina saradnja s Lamarqueom će je uvući dublje u okrutni krug nasilja.

Inspired by real events, LA CIVIL tells the story of Cielo, a mother in search of her daughter, who has been abducted by a criminal cartel in northern Mexico. Since the authorities fail to offer support, Cielo takes matters into her own hands. She begins her own investigation and earns the trust and sympathy of Lamarque, an unconventional army lieutenant working in the region. He agrees to help Cielo in her search because her findings could be useful to his operations as well. Cielo’s collaboration with Lamarque will pull her further into a vicious cycle of violence.

Oaza / Oasis

Serbia, Slovenia, Netherlands, France, Bosnia and Herzegovina, 2020, Colour, 123 min.

Uloge / Cast: Marijana Novakov, Tijana Marković, Valentino Zenuni, Milica Đinđić, Sasa Strugar

Po dolasku u instituciju za mlade sa posebnim potrebama, Marija se ubrzo sprijatelji sa podjednako neustrašivom djevojkom Draganom. Kada postane jasno da su obje zaljubljene u povučenog mladića Roberta, njihov odnos je ugrožen i postepeno prerasta u opasnu igru žmire sa ciljem da se on osvoji.

Upon her arrival at an institution for people with mental disabilities, Maria becomes fast friends with the equally fiery Dragana. When it becomes clear that they are both in love with the more withdrawn Robert, their relationship is upset and gradually evolves into a dangerous game of hide-and-seek to win him over.

Oprost / Forgiveness

Turkey, 2020, Colour, 95 min.

Režija / Director: Cem Özay Uloge / Cast: Timur Acar, Emine Meyrem, Hakan Aslan, Yusuf Bayraktar, Macit Koper

Dvanaestogodišnji Aziz odgovoran je za smrt svog desetogodišnjeg brata Melika u događaju za koji je teško ocijeniti da li je bio rezultat "slučaja" ili "namjere". Nakon ovog događaja, Azizov već problematičan odnos sa njegovim krutim ocem, četrdesettrogodišnjim Imranom, još se više pogoršava. Da bi porodica prebrodila to iznimno traumatično iskustvo i ponovo postala funkcionalna, svi članovi moraju preispitati vlastitu savjest.

Oprost / Forgiveness

Tabija / The White Fortress

Twelve-year-old Aziz causes the death of his ten-year-old brother, Melik, in an act that blurs the line between "accident" and "intention."

After the event, Aziz’s already problematic relationship with his steely father, forty-threeyear-old İmran, deteriorates further. For the family to get over this deeply traumatic event and become a functioning family again, its members need to undergo a process of soulsearching.

Pripreme da zajedno provedemo nepoznat vremenski period / Preparations to Be Together for an Unknown Period of Time Hungary, 2020, Colour, 95 min.

Režija / Director: Lili Horvát Uloge / Cast: Natasa Stork, Viktor Bodó, Benett Vilmány, Zsolt Nagy, Péter Tóth, Andor Lukáts

Četrdesetogodišnja neurohirurginja Márta se zaljubljuje. Odriče se svoje uspješne karijere u Americi i vraća se u Budimpeštu kako bi započela novi život sa muškarcem kojeg je upoznala. Čeka ga na Mostu slobode u Budimpešti, ali uzalud – on ne dolazi na sastanak. Márta ga očajnički počinje tražiti, ali kada ga konačno pronađe, ljubav njenog života tvrdi da se njih dvoje nikada prije nisu sreli.

Márta, a forty-year-old neurosurgeon, falls in love. She leaves behind her shining career in the United States and returns to Budapest to start a new life with this man she has met. She waits in vain for him at the Liberty Bridge – he does not appear for the rendezvous. Márta begins a desperate search for him – but when she finally finds him, this love of her life claims they have never met before.

Quo Vadis, Aida?

Oaza / Oasis

Sanremo

ključnim informacijama. Šta očekuje nju i njenu porodicu – spas ili smrt? Šta bi ona trebala uraditi?

Aida is a translator for the United Nations in the small town of Srebrenica. When the Serbian army takes over the town, her family is among the thousands of citizens looking for shelter in a UN camp. As an insider to the negotiations, Aida has access to crucial information that she needs to interpret correctly. What is on the horizon for her family and people – rescue or death? Which move should she make?

Sanremo

Slovenia, Italy, 2020, Colour, 85 min.

Režija / Director: Miroslav Ćiro Mandić Uloge / Cast: Sandi Pavlin, Silva Čušin, Boris Cavazza, Mojca Funkl, Barbara Cerar

Bruno i Duša žive u istom staračkom domu i uživaju u međusobnom druženju. Međutim, trenutke koje provode zajedno brzo zaboravljaju jer oboje pate od demencije.

Svaki put kada se sretnu, misle da se prvi put upoznaju. Njihov jedinstveni odnos opisan je u pjesmi Gigliola Cinquettija "Non ho l’età", koja je izvedena na muzičkom festivalu Sanremo šezdesetih godina prošloga vijeka, što je jedina uspomena iz mladosti koju dijele.

Living in the same nursing home, Bruno and Duša enjoy each other’s company. However, their moments together are always soon forgotten, as both of them suffer from dementia. Each time they meet feels like the first. This unique relationship is evoked by Gigliola Cinquetti’s song “Non ho l’età,” which was performed at the Sanremo Festival back in the 1960s – the only shared memory the pair have from their youth.

Tabija / The White Fortress

Bosnia and Herzegovina, Austria, Romania, Netherlands, Germany, Poland, France, Norway, Turkey, 2020, Colour, 101 min., Režija / Director: Jasmila Žbanić Uloge / Cast: Jasna Đuričić, Izudin Bajrović, Boris Ler, Dino Bajrović, Raymond Thiry

Bosnia and Herzegovina, Canada, 2021, Colour, 90 min.

Režija / Director: Igor Drljača Uloge / Cast: Pavle Čemerikić, Sumeja Dardagan, Jasmin Geljo, Kerim Čutuna, Alban Ukaj

Aida radi kao prevoditeljica za mirovne snage Ujedinjenih Nacija u Srebrenici. Kada srpska vojska zauzme grad, članovi njene porodice nađu se među hiljadama civila koji pokušavaju pronaći utočište u UN bazi. Kao prevoditeljica na pregovorima u Srebrenici, Aida ima pristup

Faruk je dijete bez roditelja i s bolesnom nenom živi u oronulom sarajevskom naselju Alipašino Polje, gdje provodi dane skupljajući stari metal i baveći se sitnim lopovlucima.

Jednoga dana Faruk upoznaje Monu, sramežljivu tinejdžerku iz bogate i utjecajne

Quo Vadis, Aida?

Baksuzni seks ili bezumni pornić / Bad Luck Banging or Loony Porn

porodice. Sanjajući o bijegu od svog toksičnog porodičnog života, Mona traži utočište i otvara se Faruku, dječaku koji živi u svijetu potpuno drugačijem od njenog.

In the rundown Sarajevo suburb of Alipasino Polje, Faruk is an orphan who lives with his ill grandmother and spends his days foraging for scrap metal and dabbling in petty crime. One day he meets Mona, a timid teen from a politically powerful and affluent family. As Mona dreams of escaping the overbearing toxicity of her home life, she seeks refuge and opens herself up to Faruk, a boy from a world entirely different than her own.

Šta vidimo kada gledamo u nebo? / What Do We See When We Look at the Sky?

Germany, Georgia, 2021, Colour, 150 min.

Režija / Director: Alexandre Koberidze Uloge / Cast: Ani Karseladze, Giorgi Bochorishvili, Oliko Barbakadze, Giorgi Ambroladze

Lisa i Giorgi zaljubljuju se na prvi pogled nakon slučajnog susreta na ulicama gruzijskog grada Kutaisi. Ljubav ih obuzima tako iznenada da se ne uspijevaju ni predstaviti jedno drugome.

Prije nego što se raziđu, za sutradan dogovaraju novi susret, nesvjesni da su na njih bačene zle čini. Da li će se uspjeti ponovo naći? A ako se nađu, da li će se prepoznati? U njihovom gradu život teče uobičajenim tokom, napušteni psi lutaju ulicama, počinje Svjetsko prvenstvo u fudbalu, a jedna filmska ekipa u potrazi za pravom ljubavi mogla bi biti upravo ono što im treba.

It’s love at first sight when Lisa and Giorgi meet by chance on a street in the Georgian city of Kutaisi. Indeed, love strikes them so suddenly that they even forget to ask each other’s names. Before continuing on their way, they agree to meet the next day. Little do they know that an evil eye has cast its spell on them. Will they manage to meet again? If they do, will each know who the other is? Life goes on as usual in their hometown: street dogs stray, the soccer world cup begins – and a film crew on a quest to find true love might be what they need.

Šta vidimo kada gledamo u nebo? / What Do We See When We Look at the Sky? SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

21

Crna svadba / Black Wedding

Kljun / Awake

PRETPREMIJERE SERIJE / AVANTPREMIERE SERIES Crna svadba / Black Wedding

Serbia, 2021, Colour, 104 min, S1E1-2 Režija / Director: Nemanja Ćipranić Uloge / Cast: Uliks Fehmiu, Jelena Đokić, Toni Mihajlovski, Nikola Kojo, Slavko Štimac, Filip Đurić

Poslije stravičnog masakra u selu gdje je život izgubilo dvanaest osoba, ubica puca sebi u glavu, ali čudnim spletom okolnosti ipak ostaje živ. Petar, operativac BIA-e, pokušava da odgonetne šta se zapravo dogodilo jer je ubica, prije nego što je pucao u sebe, izgovorio riječ "katabaza", istu onu koju je rekao i njegov pokojni sin prije nego što je izvršio samoubistvo.

U tome mu pomaže psihologinja Nataša, koja, za razliku od Petra, racionalizuje čitav slučaj i ne misli da u njemu ima išta misteriozno.

After committing a horrible massacre in a village, killing twelve people, the killer shoots himself in the head but unexpectedly survives.

Petar, a State Intelligence Agency operative, is attempting to get to the bottom of the case, investigating why the killer said the world "katabaza" before shooting himself – just as Petar's late son had done before committing suicide. Nataša, a psychologist, is assisting Petar with the case but, unlike him, she rationalises everything and does not believe there is anything mysterious at play.

Kljun / Awake

Serbia, 2021, Colour, 99 min, S1E1-2 Režija / Director: Jelena Gavrilović, Uroš Tomić Uloge / Cast: Ivana Vuković, Stefan Vukić, Drena Mršić, Ljiljana Blagojević, Dragoljub Ljubičić

Samoubistvo sina lokalnog moćnika u Subotici, srpskoj prijestolnici samoubistava, ne djeluje kao komplikovan slučaj za policiju.

Nikom, osim Sonji Kljun, mladoj detektivki poslanoj iz Beograda da umiri neutješnog oca.

Boravak u Subotici preokrenut će Sonjin život, posebno kada se njoj i njenoj desetogodišnjoj kćerki počnu javljati zastrašujući snovi koji se povremeno i ostvaruju. Prihvatanjem svog neobičnog dara, Sonja će razotkriti opasnu zavjeru koja se krije iza navodnog samoubistva, ali i duboko zakopanu tajnu iz svoje prošlosti.

The suicide of the son of a a local power broker in Subotica, the suicide capital of Serbia, does not appear to be a complicated case for police

Nečista krv / Bad Blood

to solve – except to Sonja Kljun, a young police detective sent from Belgrade to calm down the inconsolable father. The time spent in Subotica will change Sonja’s life, especially after she and her ten-year-old daughter start having terrifying nightmares that sometimes come true. Accepting her unusual gift will help Sonja uncover a dangerous conspiracy hidden behind the alleged suicide – as well as a deeply buried secret from her past.

Nečista krv / Bad Blood

Migrant worker Bogdan Dragović returns home on the eve of World War II. He attempts to get in touch with the Communist Party and his son Vladimir. HIs wife, Milena, whom he has abandoned, starts up a relationship with Petar Bajević, a Comintern agent. Vladimir turns against his father. Milena’s father Vukasin and her brother Ivan are the true representatives of civic Yugoslavia, which buckles under the pressure of the approaching evil. The war begins...

Serbia, 2021, Colour, 104 min, S1E1-2 Režija / Director: Milutin Petrović, Goran Stanković Uloge / Cast: Dragan Bjelogrlić, Katarina Radivojević, Anđela Jovanović, Dragan Mićanović, Ljuba Bandović, Sara Sandeva

Zlatni dečko / The Golden Boy

NEČISTA KRV obuhvata razdoblje od 40 godina 19. vijeka i odigrava se na raskršću pada Osmanskog carstva i prodora modernog doba. Ovu tranziciju obilježila je konstantna borba starog i novog, bogatih i siromašnih, pojedinaca i društva u kojima žive. Kroz prikaz tri generacije, serija NEČISTA KRV govori o finansijskom, moralnom i fizičkom posrnuću jedne porodične loze.

Spanning four decades in the waning years of the Ottoman Empire, BAD BLOOD chronicles an era beset by constant struggle between old and new, rich and poor, individuals and the society they live in. BAD BLOOD follows three generations of one family, tracing their financial, moral and physical decline.

Denis Marković je talenatovani fudbaler koji veoma mlad dospijeva u sam vrh svjetskog fudbala, ali zbog problema sa karakterom ne uspijeva opstati na tom nivou. Nakon povratka u Beograd, njegov menadžer Čaki pokušava da mu pronađe novi klub, ali zbog njegove reputacije to mu ne polazi za rukom. Denis polako zaboravlja na fudbal i koncentriše se na izlaske. Čaki upada u probleme zbog kockanja i primoran je da "prebije" svoj dug zelenašima Soniju I Džoniju menadžerskim pravima na Denisa.

Denis Marković is a talented footballer who achieves global prominence at a very young age but fails to remain among the football elite because of his bad character. After Denis returns to Belgrade, his manager, Caki, attempts to find him a new club, but Denis’s reputation makes that impossible. Denis slowly forgets about football and focuses on partying. But when Caki gets into trouble because of his gambling habit, he is forced to compensate loan sharks Soni and Dzoni by letting them replace him as Denis’s manager.

Vreme zla / Time of Evil

Serbia, 2021, Colour, 112 min, S1E1-2 Režija / Director: Ivan Živković Uloge / Cast: Nada Šargin, Radovan Vujović, Goran Bogdan, Goran Šušljik, Žarko Laušević

Bogdan Dragović se vraća iz emigracije uoči Drugog svjetskog rata. Pokušava da uspostavi veze s Komunističkom partijom, kao i sa sinom Vladimirom. Njegova ostavljena žena Milena stupa u emotivnu vezu s Petrom Bajevićem, agentom Kominterne. Vladimir se okreće protiv oca. Milenini otac i brat Vukašin i Ivan Katić su slika građanske Jugoslavije, koja ne uspijeva da se odupre nadolazećim okolnostima. Počinje Drugi svjetski rat.

Vreme zla / Time of Evil

22 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

Serbia, 2021, Colour, 90 min, S1E1-2 Režija / Director: Ognjen Janković Uloge / Cast: Denis Murić, Igor Benčina, Petar Strugar, Ljubomir Bulajić, Andrija Kuzmanović

Nagradu publike u programu Pretpremijere Serije sponzorira Mondo.rs Audience Award in the Avantpremiere Series Programme sponsored by Mondo.rs

Zlatni dečko / The Golden Boy

SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

23

Junak / A Hero

Hvataj se ceste / Hit the Road

Deset u pola / Not so Friendly Neighbourhood Affair

Jahači pravde / Riders of Justice

OPEN AIR Deset u pola / Not so Friendly Neighbourhood Affair

Bosnia and Herzegovina, 2021, Colour, 90 min.

Režija / Director: Danis Tanović Uloge / Cast: Branko Đurić, Izudin Bajrović, Helena Vuković, Kerim Čutuna, Almir Palata Prle, Anja Matković, Goran Navojec, Faketa Salihbegović Avdagić, Mirvad Kurić, Nermin Tulić

Sarajevo, maj 2021. godine. Baščaršija pokušava da se oporavi od duge i teške pandemijske godine. Pandemija još traje, ali ipak – dolazi ljeto, postoji nada da bi se stvari mogle, barem nakratko, popraviti. Kada jedno jutro u Enesovu ćevabdžinicu uđe Zagrepčanka koja kaže da je došla da pojede ”najbolje ćevape u Sarajevu”, on je pošalje kod Ize, da bi tako i on tradicionalno mogao nakon prve uslužene mušterije, priuštiti sebi zadovoljstvo prve jutarnje kafe. Ovaj sasvim bezazlen, prijateljski gest, izaziva potpuni raspad komšijskog, poslovnog i privatnog života, ne samo Enesovog i Izinog već i cijelog grada.

Gdje se jedu najbolji ćevapi u Sarajevu?

Sarajevo, May 2021. The Old Town is trying to recover after a long and difficult pandemic year. The pandemic is not over yet, but – the summer is coming, there is hope that things can improve, even if only for a short time.

When a woman from Zagreb enters Enis's shop one morning and says that she has come to eat ”the best kebabs in Sarajevo” he sends her to Izo's shop, so that Izo can also afford the traditional pleasure of the first morning coffee after the first customer service. This totally harmless, friendly gesture will cause the complete disintegration of the neighbors' business and private life, engulfing not only Izo and Enis but the whole city. Where can one eat the best kebabs in Sarajevo?

Junak / A Hero

Iran, France, 2021, Colour, 127 min.

Režija / Director: Asghar Farhadi Uloge / Cast: Amir Jadidi, Mohsen Tanabandeh, Fereshteh Sadre Orafaiy, Sarina Farhadi

Rahim je u zatvoru jer nije uspio otplatiti dug.

Tokom dvodnevnog otpusta iz zatvora, pokušat će uvjeriti osobu kojoj duguje novac da povuče tužbu zbog neplaćenog duga. Ali stvari se ne odvijaju po planu…

Rahim is in prison because of a debt he was unable to repay. During a two-day leave, he tries to convince his creditor to withdraw his complaint against the payment of part of the sum. But things don't go as planned...

osvetničku potragu za njenim ubicama.

RIDERS OF JUSTICE follows recentlydeployed Markus, who is forced to return home to care for his teenage daughter after his wife is killed in a tragic train accident. But when a survivor of the wrecked train surfaces claiming foul play, Markus begins to suspect his wife was murdered and embarks on a revenge-fueled mission to find those responsible.

Hvataj se ceste / Hit the Road

Novi poredak / New Order

Iran, 2021, Colour, 93 min.

Režija / Director: Panah Panahi Uloge / Cast: Hassan Madjooni, Pantea Panahiha, Rayan Sarlak, Amin Simiar

Haotična, nježna porodica putuje kroz surov krajolik, ali gdje? Otac koji sjedi na zadnjem sjedištu slomio je nogu, ali da li je njegova noga zaista slomljena? Kada ne zadržava suze, mama pokušava da se smije. Dijete svako malo spontano pjeva karaoke i izvodi odgovarajuće koreografije. Svi se brinu za bolesnog psa i jedni drugima idu na živce.

Samo misteriozni stariji brat ništa ne govori.

A chaotic, tender family is on a road trip across a rugged landscape, but to where? In the back seat, Dad has a broken leg, but is it really broken? Mom tries to laugh when she’s not holding back tears. The kid keeps exploding into choreographed car karaoke. All of them are fussing over the sick dog and getting on each other’s nerves. Only the mysterious older brother is quiet.

Jahači pravde / Riders of Justice Denmark, 2020, Colour, 116 min.

Režija / Director: Anders Thomas Jensen Uloge / Cast: Mads Mikkelsen, Nikolaj Lie Kaas, Andrea Heick Gadeberg, Lars Brygmann

Film JAHAČI PRAVDE prati Markusa, vojnika nedavno raspoređenog na front, a koji je prisiljen vratiti se kući i brinuti o svojoj kćerki tinejdžerki nakon što njegova supruga pogine u tragičnoj željezničkoj nesreći. Ali kada osoba koja je preživjela nesreću javno počne tvrditi da do nje nije došlo slučajno, Markus počne sumnjati da je njegova žena ubijena i kreće u

24 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

Mexico, France, 2020, Colour, 86 min.

Režija / Director: Michel Franco Uloge / Cast: Naian González Norvind, Diego Boneta, Mónica del Carmen, Fernando Cuautle, Eligio Meléndez, Dario Yazbek Bernal

U ovoj neodoljivoj, napetoj, distopičnoj drami, luksuzno vjenčanje pripadnika više klase neočekivano se pretvara u poprište klasne pobune koja završava državnim udarom. Kroz oči simpatične mlade nevjeste i sluga koje rade za i protiv njene bogate porodice, NOVI POREDAK, bez daha, prati slom jednog i uspon drugog, mnogo strašnijeg režima.

In this riveting, suspenseful dystopian drama, a lavish upper-class wedding goes awry in an unexpected uprising of class warfare that gives way to a violent coup d’état. As seen through the eyes of the sympathetic young bride and the servants who work for – and against – her wealthy family, NEW ORDER breathlessly traces the collapse of one political system as a more harrowing replacement springs up in its wake.

Otac / The Father

United Kingdom, France, 2020, Colour, 97 min.

Režija / Director: Florian Zeller Uloge / Cast: Anthony Hopkins, Olivia Colman, Mark Gatiss, Imogen Poots, Rufus Sewell, Olivia Williams

Anthony ima 80 godina, šeret je, tvrdoglavo živi sam i odbija pomoć ljudi koje njegova kćer Anne sve češće angažuje da se brinu o njemu.

Ali pomoć je potrebna i Anne – ona ne može svakodnevno posjećivati oca koji sve više gubi osjećaj za realnost. Dok njegova sjećanja

Novi poredak / New Order

Toma

Nastassja Kinski in Paris, Texas (West Germany/France 1983/84) by Wim Wenders © Wim Wenders Stiftung 2014

Otac / The Father

blijede, koliko Anthony može ostati vjeran sebi? Kako se Anne nosi sa situacijom dok žali zbog gubitka oca iako je on i dalje živ i diše pred njenim očima?

Anthony is 80, mischievous, living defiantly alone and rejecting the carers that his daughter, Anne, encouragingly introduces. Yet help is also becoming a necessity for Anne; she can’t make daily visits anymore and Anthony’s grip on reality is unravelling. As we experience the ebb and flow of his memory, how much of his own identity and past can Anthony cling to? How does Anne cope as she grieves the loss of her father, while he still lives and breathes before her?

largely lost his memory. But he is driven by his wish to find his family again: his young wife Jane, whose life he seems to have placed in danger through his pathological jealousy, and his seven-year-old son Hunter. For four years Travis was thought to be dead. His brother Walt flies from LA to Texas to bring back his lost brother. Walt and his wife Ann have become Hunter’s foster parents. It is very difficult for the two of them to now give this role up again, especially when they learn that Travis wants to go out in search of Jane together with his son. They know nothing about her, except that she probably lives in Houston...

Pariz, Texas / Paris, Texas

Toma

West Germany, France, 1984, Colour, 146 min.

Režija / Director: Wim Wenders Uloge / Cast: Harry Dean Stanton, Nastassja Kinski, Dean Stockwell, Aurore Clément, Hunter Carson, Bernhard Wicki

Serbia, 2021, Colour, 140 min.

Režija / Director: Dragan Bjelogrlić Uloge / Cast: Milan Marić, Tamara Dragičević, Petar Benčina, Andrija Kuzmanović, Sanja Marković, Paulina Manov, Milan Kolak

Ovaj nekonvencionalni film ceste, zasnovan na scenariju Pulitzerom nagrađenog Sama Sheparda, prati Travisa koji jednog vrelog dana iz Meksika odluta u Texas. Travis ništa ne govori, a čini se i da je uveliko izgubio pamćenje. Ali vođen je željom da ponovo pronađe svoju porodicu: svoju mladu suprugu Jane, čiji život je zbog svoje patološke ljubomore naizgled doveo u opasnost, i svog sedmogodišnjeg sina Huntera. Travisa su četiri godine smatrali mrtvim. Njegov brat Walt leti iz Los Angelesa do Texasa kako bi svog izgubljenog brata vratio kući. Walt i njegova supruga Ann su postali Hunterovi skrbnici i sada im je izuzetno teško odreći se uloge njegovih roditelja, naročito nakon što saznaju da ga Travis želi povesti sa sobom u potragu za Jane. O Jane ne znaju ništa osim da vjerovatno živi u Houstonu…

This unconventional road movie is based on a script by Pulitzer Prize-winner Sam Shepard and tells the story of Travis, a man who wanders out of Mexico and into Texas one day, in the blazing heat of the “Big Bend”. Travis does not speak a word. He also seems to have

Film TOMA impresionistički je portret Tome Zdravkovića koji prikazuje same njegove početke, baš kao i vrhunac slave, njegove ljubavi koje su ga inspirisale prilikom komponovanja nekih od najvećih hitova, te odnos s velikim brojem prijatelja koje je imao u umjetničkom miljeu tadašnje Jugoslavije.

Pored Tome, u filmu pratimo i živote poznatih umjetnika tog vremena: Zorana Radmilovića, Mike Antića, Tozovca i drugih. TOMA je biografski film o Tomi Zdravkoviću, čovjeku koga ne pamtimo samo po njegovim pjesmama i načinu na koji ih je pjevao, već i kao jednog velikog boema – po ponašanju i u duši. Film prati dvije linije radnje: 1991. pratimo odnos Tome i doktora koji započinje liječenje Tome i kako se to poznanstvo pretvara u prijateljstvo.

Druga linija prati Tomin život: od djetinjstva u Pečenjevcima, preko poznanstva sa Silvanom Armenulić koje će presudno utjecati na njegovu karijeru, ali i na privatni život, dostizanja neslućene visine popularnosti, ali i dna života. Ovo je priča o duši.

TOMA is an impressionist film about the life of Toma Zdravkovic, from childhood to stardom,

tracing the loves that inspired him to compose some of this greatest hits and his many friendships with people from the art world of the former Yugoslavia. Along with Toma’s life, the film traces the lives of many well known artists from that period: Zoran Radmilović, Mika Antić, Tozovac and others. TOMA is a biopic about Toma Zdravkovic, the man not only remembered for his songs but also for his bohemian lifestyle and soul. The film has two interlocking story lines.

In one, set in 1991, we follow the story of patientdoctor relationship between Toma and his physician turning into a friendship. In the other, we follow Toma’s life, from his childhood in Pecenjevci, to his encounter with Silvana Armenulic which had a profound impact on his professional and personal life, helping him sour to the unimaginable heights of popularity, but also fall to the bottom of life. This is the story of a soul.

"Grand Kafa sa..." program / "Grand Coffee with..." Programme Upoznajte goste Open Air programa.

Uživajte u "Grand Kafa sa..." programu Vrijeme i mjesto: 11:00 - 11:50*, Festivalski trg.

Meet the guests of the Open Air Programme.

Enjoy the "Grand Coffee with..."

Time and venue: 11:00 - 11:50* at the Festival square.

ULAZ SLOBODAN / FREE ADMISSION uz festivalsku akreditaciju ili ulaznicu za film/ with the Festival accreditation or the film screening ticket.

Broj mjesta ogranicen/Limited number of seats. *Tačan raspored "Grand Kafa sa..." programa provjerite na web stranici i društvenim mrežama Sarajevo Film Festivala./ *For accurate "Grand Coffee with..." schedule, please follow Sarajevo Film Festival website and social media channels.

SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

25

Petrov u gripu / Petrov's Flu

Magnetični beatovi / Magnetic Beats

KINOSCOPE

Philippe, the technical genius, lives in the shadow of Jerome, his big brother. When called for the military service, Philippe has no choice but to leave for West Berlin. He’s determined to keep on broadcasting, but realizes that he just lived the last glorious moments of a world on the verge of extinction.

Selektori / Selectors: Alessandro Raja, Mathilde Henrot

Igralište / Playground

Belgium, 2021, Colour, 72 min.

Režija / Director: Laura Wandel Uloge / Cast: Maya Vanderbeque, Günter Duret, Karim Leklou, Laura Verlinden

Magnetični beatovi / France, Germany, 2021, Colour, 98 min.

Režija / Director: Vincent Maël Cardona Uloge / Cast: Thimotée Robart, Marie Colomb, Joseph Olivennes

Bretanja, osamdesete godine prošloga vijeka.

Grupa prijatelja željnih uzbuđenja u rodnom gradiću u provinciji pokreću radiostanicu.

Izuzetno harizmatični Jerome vodi program, dok njegov mlađi brat Philippe, genij za tehnologiju, živi u njegovoj sjeni. Kada Philippea pozovu u vojsku, prisiljen je otići u Zapadni Berlin. Odlučan je u namjeri da nastavi emitovati program, ali shvata da je upravo proživio posljednje prekrasne trenutke u svijetu koji je na rubu propasti.

Brittany, 1980s. A bunch of friends yearning for excitement broadcast a free radio station from their hometown in the countryside.

Jerome leads it with unique charisma while

Igralište / Playground

United States, 2021, Colour, 103 min.

Režija / Director: Manuel Crosby, Darren Knapp Uloge / Cast: Tyson Brown, Shelby Duclos, Jesse Janzen, Nicole Berry, Samuel Ademola

Solange je tipična trinaestogodišnjakinja, radoznala i puna života, jedino što je čini donekle drugačijom njena je pretjerana sentimentalnost i činjenica da obožava svoje roditelje. Ali kada se njeni roditelji počnu svađati i dođu nadomak razvoda, Solangein svijet počinje se dijeliti na dvoje.

Solange is a typical thirteen-year-old, curious and full of life, with perhaps the peculiarity of being overly sentimental and adoring her parents. But when her parents begin to argue, fight and slowly drift apart, the threat of divorce looms near and Solange’s world begins to splinter.

Petrov u gripu / Petrov's Flu

Superior

France, 2021, Colour, 86 min.

Režija / Director: Axelle Ropert Uloge / Cast: Jade Springer, Léa Drucker, Philippe Katerine, Grégoire Montana

Russia, Switzerland, France, Germany, 2020, Colour, 145 min.

Režija / Director: Kirill Serebrennikov Uloge / Cast: Chulpan Khamatova, Vlad Semiletkov, Semyon Serzin, Yulia Peresild

Magnetic Beats

Prvi sastanak / First Date

Stidljivi srednjoškolac Mike konačno prikuplja hrabrost da pozove svoju samouvjerenu susjedu Kelsey na sastanak, samo da bi shvatio da mu nedostaje ključna stvar za uspješan prvi izlazak – automobil. U panici, i bez dovoljno novca, postaje žrtva prevare i kupuje oronuli Chrysler iz 1965. godine.

Mikeov plan za osvajanje srca njegove susjede uskoro se pretvara u nadrealnu avanturu kada se njih dvoje neočekivano nađu na meti dvojice policajaca, bande kriminalaca i osvetoljubive žene s mačkama.

Shy highschooler Mike finally summons the courage to ask out his badass neighbour Kelsey, only to realise he’s missing a key element for a successful date – the car.

Panicked and low on cash, he’s conned into buying a beat-up ‘65 Chrysler. Mike's plan to win over Kelsey soon turns into a surreal misadventure when they are inexplicably targeted by a pair of cops, a criminal gang and a vengeful cat lady.

Mala Solanž / Little Solange

Današnja Belgija. Sedmogodišnja Nora i njen stariji brat Abel vratili su se u školu. Kada Nora vidi da druga djeca maltretiraju Abela, ona požuri obavijestiti njihovog oca ne bi li ga zaštitila. Ali Abel je prisili da ne govori ništa.

Nesigurna u ispravnost svog postupka, u rascjepu između svijeta djece i svijeta odraslih, Nora će na kraju pronaći svoje mjesto.

Belgium. Nowadays. Seven-year-old Nora and her big brother Abel are back to school. When Nora witnesses Abel being bullied by other kids, she rushes to protect him by warning their father. But Abel forces her to remain silent. Caught in a conflict of loyalty, Nora will ultimately try to find her place, torn between children’s and adults’ worlds.

Prvi sastanak / First Date

Ravnodušno, halucinatorno proputovanje kroz postsovjetsku Rusiju. U gradu u jeku epidemije gripe, porodica Petrov s naporom prolazi kroz još jedan dan u zemlji u kojoj prošlost nikada nije prošlost, sadašnjost je alkoholizirana, grozničavo se sanja o nasilju i o nježnosti, i gdje se, ispod slojeva svakodnevnog, otkriva nešto zaista nevjerovatno.

A deadpan, hallucinatory romp through postSoviet Russia. With the city in the throes of a flu epidemic, the Petrov family struggles through yet another day in a country where the past is never past, the present is a booze-fueled, icy fever dream of violence and tenderness, and where - beneath layers of the ordinary – things turn out to be quite extraordinary.

Mala Solanž / Little Solange

26 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

United States, 2021, Colour, 99 min.

Režija / Director: Erin Vassilopoulos Uloge / Cast: Alessandra Mesa, Ani Mesa, Pico Alexander, Jake Hoffman, Stanley Simons

Kada se nađe u bijegu, Marian odlazi na jedino mjesto za koje zna da je sigurno – porodični dom u kojem je odrasla. Tu je dočekuje njena otuđena sestra Vivian, domaćica koja se bori da zatrudni, a brak joj je na rubu propasti. Iako su njih dvije identične bliznakinje, žive potpuno različitim životima. Marianin misteriozni povratak remeti Vivianinu malograđansku rutinu, te sestre moraju pronaći način da se ponovo povežu i izmire.

When Marian is on the run, she goes to the only place she knows is safe: her childhood home. She is greeted by her estranged sister, Vivian, a stay-at-home housewife struggling to conceive, her marriage on the verge of failing.

Though the two are identical twins, they live

Superior

Alef / Aleph

Opuštanje pesnica / Unclenching the Fists

El Planeta

opposite lives. Marian’s mysterious return disrupts Vivian’s small-town routine, and the sisters must learn to reconnect and reconcile.

himself. He recounts his dramatic journey as a child refugee from Afghanistan to Denmark.

Kinoscope Real

United States, Spain, 2021, Black and white, 82 min.

Režija / Director: Amalia Ulman Uloge / Cast: Amalia Ulman, Ale Ulman, Chen Zhou, Nacho Vigalondo, Saoirse Bertram

Alef / Aleph

United States, Croatia, Qatar, 2021, Colour, 91 min.

Režija / Director: Iva Radivojević Uloge / Cast: The Sisters of St George Monastery, Guillermina Pico, Bouamama BenFarah, Žarko Laušević, Irina Giri

ALEF je putopis satkan od iskustava, zapis o putovanju do mjesta povezanosti, jasnoće uma, razumijevanja uprkos jezičkim, geografskim i iskustvenim razlikama. Misli, ideje i snovi protagonista filma – iz deset različitih zemalja razbacanih na pet kotinenata – otkrivaju se kroz razgovore, aktivnosti i premišljanja. Te zajedničke priče su poput dijelova slagalice onoga što je argentinski književnik Jorge Luis Borges nazvao "nezamislivim univerzumom".

ALEPH is a travelogue of experience, a journey to find that place of connection, of clarity, of understanding across language, geography and experience. The thoughts, ideas and dreams of protagonists in ten countries spanning five continents are revealed through conversation, activity and contemplation. These collective stories serve as pieces of a puzzle that lead to what the Argentinean writer Jorge Luis Borges called "the unimaginable universe."

Bjegunac / Flee

Denmark, France, Sweden, Norway, 2021, Colour, 90 min.

Režija / Director: Jonas Poher Rasmussen

Nevjerovatno istinita priča o Aminu koji zbog skorašnjeg vjenčanja odluči prvi put otkriti tajnu iz svoje prošlosti. Tajna koju je skrivao više od dva desetljeća prijeti da ugrozi život koji je izgradio za sebe. Amin se prisjeća dramatičnog puta koji je u djetinjstvu, kao izbjeglica, prešao od Afganistana do Danske.

An extraordinary true story of a man, Amin, on the verge of marriage which compels him to reveal his hidden past for the first time. A secret he has been hiding for over twenty years threatens to ruin the life he has built for

Bjegunac / Flee

El Planeta

EL PLANETA je crnohumorna komedija o modernom siromaštvu, ženskoj žudnji i uvijek komplikovanim odnosima između majki i njihovih kćeri. Kćerka – koju smrt oca natjera da se vrati kući – obnavlja vezu sa svojom ekscentričnom majkom koja nastoji održati privid da i dalje živi u stilu pripadnika srednjeg staleža iako joj prijeti prisilno iseljenje iz vlastitog doma. Tokom sedam dana posmatramo kako kćerkine nade bivaju stavljene na kušnju dok vlastitu seksualnost koristi kao sredstvo bijega.

EL PLANETA is a dark comedy that explores contemporary poverty, female desire and the always complicated filial relationships of mothers and daughters. Forced to return home after the death of her father, a daughter reconnects with her eccentric mother, hustling to maintain the semblances of their middle-class lifestyle in the face of an impending eviction.

Over the course of the week, we watch as the daughter’s hopes are tested as she attempts to use her sexuality as a means of escape.

Molitve za ukradene / Prayers for the Stolen

Mexico, Germany, Brazil, Qatar, 2021, Colour, 110 min.

Režija / Director: Tatiana Huezo Uloge / Cast: Ana Cristina Ordóñez González, Marya Membreño, Mayra Batalla

U zabačenom gradiću, smještenom u meksičkim planinama, djevojčice nose dječačke frizure i imaju skrovišta pod zemljom. Ana i njene dvije najbolje prijateljice zauzimaju kuće ljudi koji su pobjegli i – kada ih niko ne gleda – odjevaju se kao žene. Njihov neprobojni univerzum pun je magije i radosti, ali njihove majke istovremeno ih uče kako da pobjegnu od onih koji bi ih htjeli pretvoriti u robinje ili u duhove.

In a solitary town nestled in the Mexican mountains, the girls wear boyish haircuts and

Molitve za ukradene / Prayers for the Stolen

have hiding places underground. Ana and her two best friends take over the houses of those who have fled and dress up as women when no one is watching. In their own impenetrable universe, magic and joy abound; meanwhile, their mothers train them to flee from those who turn them into slaves or ghosts.

Opuštanje pesnica / Unclenching the Fists

Russia, 2021, Colour, 97 min.

Režija / Director: Kira Kovalenko Uloge / Cast: Milana Aguzarova, Alik Karaev, Soslan Khugaev, Khetag Bibilov

Među oštrim liticama, visoko u planinama Sjeverne Osetije, smjestio se rudarski gradić Mizur. Nakon određenih dramatičnih događaja, Zaur se seli u taj gradić sa svojom djecom – Adom, Akimom i Dakkom. Zaur je strog otac koji više od svega cijeni disciplinu i ne umije razlikovati brigu od pretjerano zaštitničkog odnosa. Njegov najstariji sin Akim već je pobjegao od oca kako bi radio u Rostovu, gradu najbližem Mizuru. Njegov mlađi brat Dakko tek treba odlučiti šta želi od života, dok njihova sestra Ada aktivno planira bijeg.

High in the mountains of North Ossetia, a small mining town of Mizur nestles between the sheer cliffs. Following certain dramatic events, Zaur moved his children Ada, Akim and Dakko here. Zaur is a strict father who prizes discipline above all and doesn’t feel the difference between care and overprotection. His eldest son, Akim, already escaped from his father to work in Rostov, the closest city to Mizur. His younger brother, Dakko, has yet to decide what he wants from life, and their sister Ada is actively planning her escape. She is a grown woman but her father still treats her as a baby.

Rendgenski snimak jedne porodice / Radiograph of a Family Norway, Iran, Switzerland, 2020, Colour, 81 min.

Režija / Director: Firouzeh Khosrovani

"Ja sam proizvod borbe između sekularizma i islamističke ideologije u Iranu. Ljubavna priča mojih roditelja vodi nas kroz vrijeme: od perioda vladavine šaha, preko Islamske

Rendgenski snimak jedne porodice / Radiograph of a Family SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

27

Cenzor / Censor

Titan / Titane

revolucije, teškog perioda Iransko-iračkog rata, pa sve do danas – a kompletna radnja odvija se u našem porodičnom domu u Teheranu. Dok sam bila dijete, svakodnevno sam morao birati između svojih roditelja, dok mi je jedno od njih nametalo svoju volju, a drugo me prihvatalo kakav jesam."

"I am the product of Iran’s struggle between secularism and the Islamic ideology. My parents’ love story takes us from the Shah era to the Islamic Revolution and the hardships during the Iran-Iraq War, up to the present day – all in our home in Tehran. In my childhood, I was constantly forced to choose between my parents; each day, I endured imposition from one side and acceptance from the other."

Kinoscope Surreal

Cenzor / Censor

United Kingdom, 2021, Colour, 84 min.

Režija / Director: Prano Bailey-Bond Uloge / Cast: Niamh Algar, Michael Smiley, Nicholas Burns, Vincent Franklin, Sophia La Porta

Filmska cenzorica Enid ponosi se svojim predanim radom na zaštiti naivne publike od pogubnog utjecaja filmova punih krvi, odsjecanja glava i iskopavanja očiju, koje ona pažljivo kontroliše. Njen zaštitnički osjećaj dijelom je prenaglašen zbog osjećaja krivnje koji ima jer se ne može sjetiti davnašnjeg nestanka svoje sestre koju su, nedavno, u odsustvu proglasili mrtvom. Kada Enid dobije zadatak da pregleda uznemirujući film iz arhiva, koji u njoj budi nejasne uspomene na djetinjstvo, počinje shvatati da je njen užasni posao možda povezan sa njenom prošlošću.

Film censor Enid takes pride in her meticulous work, guarding unsuspecting audiences from the deleterious effects of watching the gorefilled decapitations and eye-gougings she pores over. Her sense of duty to protect is amplified by guilt over her inability to recall details of the long-ago disappearance of her sister, recently declared dead in absentia.

When Enid is assigned to review a disturbing

Krvave naranče / Bloody Oranges

film from the archive that echoes her hazy childhood memories, she begins to unravel how this eerie work might be tied to her past.

Krvave naranče / Bloody Oranges

France, 2021, Colour, 102 min.

Režija / Director: Jean-Christophe Meurisse Uloge / Cast: Alexandre Steiger, Christophe Paou, Lilith Grasmug, Lorella Cravotta

Današnja Francuska. Istovremeno jedan par penzionera, opterećenih dugom, pokušava pobijediti na plesnom takmičenju, ministar ekonomije osumnjičen je za utaju poreza, jedna tinejdžerka upoznaje seksualnog manijaka, a mladi advokat se pokušava uspeti na drušvenoj ljestvici. Kada sudija svira kraj, pobjednik neće nužno biti onaj od kojeg smo to očekivali.

France, today. Simultaneously, a retired couple overwhelmed by debt tries to win a dance contest, as the minister of economy is suspected of tax evasion, and a teenage girl encounters a sexual maniac, while a young lawyer attempts to climb the social ladder.

When the shoe drops, the winner won’t necessarily be the one we expected.

Titan / Titane

France, Belgium, 2021, Colour, 108 min.

Režija / Director: Julia Ducournau Uloge / Cast:

Nakon serije nerazjašnjenih krivičnih djela, otac se susreće sa sinom koji je nestao prije deset godina. Titan: snažan metal otporan na temperaturu i koroziju, s legurama velike zatezne čvrstoće.

Following a series of unexplained crimes, a father is reunited with the son who has been missing for 10 years. Titane : A metal highly resistant to heat and corrosion, with high tensile strength alloys.

Tuga / The Sadness

Taiwan, 2021, Colour, 99 min.

Režija / Director: Rob Jabbaz Uloge / Cast: Regina Lei, Ying-Ru Chen, LueKeng Huang, Ralf Yen-Hsiang Chiu

Tuga / The Sadness

28 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

Nakon što se godinu dana borila protiv pandemije bolesti koja izaziva relativno blage simptome, frustrirana nacija konačno se opustila. Virus spontano mutira i uzrokuje šokantnu zdravstvenu krizu. Na ulicama vladaju nasilje i siromaštvo, a zaražene bolest navodi na najokrutnije i najjezivije postupke koje mogu zamisliti. Ubistva, mučenja, silovanja i sakaćenja samo su početak.

After a year of combating a pandemic with relatively benign symptoms, a frustrated nation finally lets its guard down. The virus spontaneously mutates, giving rise to a mindaltering plague. The streets erupt in violence and depravity, as those infected are driven to enact the cruellest and most ghastly things they can think of. Murder, torture, rape and mutilation are only the beginning.

Vrtača / Sinkhole

South Korea, 2021, Colour, 114 min, Korean Režija / Director: Ji-hoon Kim Uloge / Cast: Seoung-won Cha, Sung-kyun Kim, Kwang-soo Lee, Hye-jun Kim

Prosječni uredski radnik Dong-won i njegova porodica sele se u kuću za koju su godinama štedjeli novac. Presretni Dong-won poziva svoje radne kolege na zabavu u čast useljenja u novu kuću, ali snažna kiša koja je padala cijele noći uzrokuje stvaranje ogromne vrtače koja u svega nekoliko minuta proguta čitavu kuću i sve koji su bili u njoj. Stotinu metara duboko u vrtači, Dong-won, njegovi nesretni gosti i njegov komšija Man-su moraju pronaći izlaz.

Ordinary office worker Dong-won and his family move into a house he has bought after years of saving. Overwhelmed with happiness, he invites his colleagues to a housewarming party, but heavy overnight rain leads to a gigantic sinkhole that, in mere minutes, swallows up the entire apartment complex and the people inside. Hundreds of metres down the hole, Dong-won, his neighbour Mansu, and the unfortunate housewarming party guests must find their way out.

Vrtača / Sinkhole

Moj ujak Tudor / My Uncle Tudor

Iznošene gaće / Easy Panties

Moji krajolici / My Own Landscapes

Ako nije puklo / If It Ain't Broke

Na čvrstom tlu / On Solid Ground

SHORTS Selektorica / Selector: Bianca Lucas

EUROPEAN SHORTS Ako nije puklo / If It Ain't Broke

Israel, 2021, Colour, 25 min.

Režija / Director: Elinor Nechemya Uloge / Cast: Hila Ruach, Rivka Wiesenfeld

Poput djevojčica izgubljenih tokom zimskog dana, Alona i Hagar lutaju ulicama Haife. Jedu pečenu piletinu u krevetu, probavaju odjeću i šminku, smiju se i plaču. Alona bježi od svog života, a Hagar od svoje budućnosti.

Like lost girls on a winter's day, Alona and Hagar ramble through the streets of Haifa. They eat roast chicken in bed, try on clothes and makeup, laugh and cry. Alona is escaping her life and Hagar is running away from her future.

Iznošene gaće / Easy Panties Finland, 2021, Colour, 16 min.

Režija / Director: Marlena Martikainen

U proljeće 2020, Marlena dobija otkaz i ostaje izolovana u svome domu. Dok se muči da pronađe motivaciju da potraži novi posao i ponovo počne naporno zarađivati platu, dolazi na neobičnu ideju: da počne prodavati svoje iznošene gaće. Svaki samosvjesni milenijalac može staviti svoje dupe na kocku, zar ne?

In spring 2020, Marlena gets laid off and ends up isolated in her home. As she struggles to find the motivation to hunt for a job hunt and go back to working hard for the money, she decides to try something else: selling her worn panties. Any self-aware millennial can put their ass on the line, right?

Moj ujak Tudor / My Uncle Tudor Belgium, Hungary, Portugal, Moldova, 2020, Colour, 20 min.

Režija / Director: Olga Lucovnicova

Nakon dvadeset godina odsustva, filmska autorica posjećuje kuću svojih prabake i pradede, u kojoj je doživjela bolne događaje koji su joj se urezali duboko u pamćenje. Dugoočekivano porodično okupljanje kreće se u smjeru koji nije u skladu s njenim nastojanjem da prevaziđe prošlost.

After twenty years of silence, the filmmaker travels back to the house of her greatgrandparents. There, she experienced harmful events that have left a deep imprint on her memory. The long-awaited family gathering runs counter to her attempts to overcome the past.

Narodni radio – balade iz zemlje drveća / A People's

Moji krajolici /

Karnevalski prikaz finskog krajolika duše i doma. Zasnovan na ikoničnom YLE programu "Narodni radio", film je sniman tokom ljetnog proputovanja Finskom. Film predstavlja panoramu današnje Finske.

A carnivalesque portrayal of the Finnish landscape of the soul and abode. Based on the iconic YLE programme "People's Radio," its visual material has been created by the roadmovie method of driving across summery Finland. The film paints a panorama of what Finland looks like today.

My Own Landscapes

France, 2020, Colour, 19 min.

Režija / Director: Antoine Chapon Uloge / Cast: Cyrille Pointevineau-Millin, Thendral Tiroumalechetty

Bivši dizajner vojnih video igara primjećen je na takmičenju u igranju igrica koje je organizovala vojska. Prije odlaska u rat, napisao je scenarije za video igre koje su vojnike pripremale za kulturalni šok i zaliječene povrede. Sada, po povratku iz rata, njegov odnos prema vlastitom identitetu, životu i video igrama se promijenio.

A former military game designer was spotted in a video game competition organized by the army. Before going to war, he made video game scenarios that prepared soldiers for culture shock and healed trauma. Now back from the war, his relationship with his identity, with life and with the video game have changed.

Na čvrstom tlu / On Solid Ground Switzerland, 2021, Colour, 12 min.

Režija / Director: Jela Hasler Uloge / Cast: Sofia Elena Borsani

Ljeto u gradu. Jutarnja svježina rijeke ne traje dugo, vrućina se spušta na grad poput povećala pod kojim se naizgled trivijalni, svakodnevni problemi čine ozbiljnijim nego što jesu. Eli pokušava pobjeći od napetosti i skučenosti gradskog života, ali uporno se suočava s agresivnošću. U njoj počinje rasti bijes.

A city in summer. The morning coolness of the river does not last long; the heat covers the city like a magnifying glass under which seemingly trivial everyday nuisances suddenly take on weight. Eli tries to escape the narrowness and agitation of the city – yet keeps finding herself confronted with aggression. And the rage starts to build up within her.

U dobrim rukama / In Good Hands

30 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

Volim te, tata / Love, Dad

Radio – Ballads from a Wooded Country Finland, 2021, Colour, 27 min.

Režija / Director: Virpi Suutari

Naya

Netherlands, 2021, Colour and B&W, 25 min.

Režija / Director: Sebastian Mulder

Vučica praćena uz pomoć GPS predajnika prelazi put od Njemačke do Belgije. Kao prvi vuk u Belgiji nakon čitavog stoljeća, ona stiže na naslovne strane novina, a onda iznenada nestaje iz ljudskog vidokruga.

A wolf walks from Germany to Belgium, monitored through GPS. The first wolf in Belgium in a century, she makes headlines; then suddenly vanishes from the human gaze.

Par u sobi puši cigarete / Couple in a Room Smoking Cigarettes Belgium, Poland, 2020, Colour, 11 min.

Režija / Director: Katarzyna Gondek

Dokumentarni film o paru koji u sobi puši cigarete.

A documentary film about a couple smoking cigarettes in a room.

Problemi sa Hydrom /

The Problem of the Hydra Finland, 2020, Colour, 10 min.

Režija / Director: Maija Tammi Uloge / Cast: Ava Grayson

Eksperimentalni dokumentarni film o praktičnim i metafizičkim problemima koje od 1700. godine do danas izaziva mali, slatko-

Narodni radio – balade iz zemlje drveća / A People's Radio – Ballads from a Wooded Country

Naya

Par u sobi puši cigarete / Couple in a Room Smoking Cigarettes

Zabava na trotoaru / Pavement Party

Problemi sa Hydrom / The Problem of the Hydra

vodni polip poznat pod imenom Hydra.

An experimental documentary film about the practical and metaphysical problems a small, freshwater polyp, known as Hydra, has caused from the 1700s up to the present day.

U dobrim rukama / In Good Hands Switzerland, 2021, Colour, 13 min.

Režija / Director: Kezia Zurbrügg, Philipp Ritler

Svi brojevi telefonske linije za pomoć su zauzeti. Životni trener snima ohrabrujući video dok se zabrinuti roditelji konsultuju s psihologom. Spektar kinematografskih prizora prikazuje ljude koji pokušavaju nadvladati sve veću usamljenost kreirajući prostor intimnosti u neosjetljivom društvu.

The lines are busy at the telephone helpline. A life coach records an encouraging video while concerned parents consult a child psychologist. A spectrum of cinematic tableaux shows people trying to counteract the increasing loneliness by creating intimacy in a detached society.

Upoznajte Douga / Meet Doug France, 2020, Colour, 26 min.

Režija / Director: Théo Jollet

Upoznajte Douga / Meet Doug

Uloge / Cast: Wall$treet 2VS, Buzz, Cyril Boutchenik

U jednom gradiću u centralnoj Francuskoj, Dough i njegovi prijatelji okupljaju se kod općinskog stadiona. Dio su male zajednice besposličara koji provode vrijeme zbijajući šale i repujući, a do nešto novca dolaze sitnim krađama i ilegalnom prodajom robe. Krhki životni balans ugrozit će pojava mističnog bića tokom jedne od njihovih fudbalskih utakmica.

In a small town in a central France, Doug and his friends hang around the municipal stadium.

They form a small, aimless community, having fun making jokes and rapping freestyle, earning small amounts of cash from petty theft and illicit sales. This frail balance is disturbed by the appearance of a mystical entity during one of their football games.

Volim te, tata / Love, Dad

Czech Republic, Slovakia, 2021, Colour and B&W, 13 min.

Režija / Director: Diana Cam Van Nguyen Uloge / Cast: Linh Duong, Hong Nhung The Thi

Autorica ponovo pronalazi pisma koja joj je otac nekada pisao iz zatvora. Nekadašnja ljubav između njih kao da je nestala. Odlučuje mu

odgovoriti na pisma u nadi da će se ponovo zbližiti.

The author rediscovers love letters her dad used to write her from prison. That love seems to be gone now. She decides to write back in hope to find the connection again.

Zabava na trotoaru / Pavement Party

Netherlands, 2021, Colour, 15 min.

Režija / Director: Hugo Drechsler

Master Stu je surinamski folk pjevač nastanjen u Nizozemskoj. Njegova supruga Patrice piše pjesme za njega i njegova je menadžerica. Zbog implementacije mjera u borbi protiv pandemije COVID-19, ulice su puste, a svi koncerti Master Stua su otkazani. Stu i Patrice pronalaze rješenje tako što organizuju besplatne zabave na trotoarima za starije ljude u izolaciji.

Master Stu is a Surinamese folk singer who lives in the Netherlands. His wife Patrice acts as his songwriter and manager. Since the implementation of COVID restrictions, the streets are empty and all Master Stu's gigs have been cancelled. Stu and Patrice come up with an alternative: free pavement parties for the isolated elderly.

CINEFONDATION CANNES: WINNERS 2021 Cantareira

Brazil, 2020, Colour, 24 min, Portuguese Režija / Director: Rodrigo Ribeyro Uloge / Cast: Emiliano Favacho, Almir Guilhermino

Bento, radnik koji živi u centralnom dijelu Sao Paula, vraća se na mjesto gdje je odrastao, u kuću svoga djeda u Serra de Cantareira, u potrazi ne samo za mirom već i za zaposlenjem.

Bento, a worker and resident of downtown São Paulo, returns to the place where he grew up, his grandfather’s house in Serra da Cantareira, seeking not only peace, but also a job.

Cvrčak / Cicada

South Korea, 2021, Colour, 17 min, Režija / Director: Daewoen Yoon Uloge / Cast: Nina Kim, E Jae Jung

Transrodna prostitutka Chang-hyeon upoznaje posjetioca koji joj se istovremeno čini

Cantareira

Cvrčak / Cicada

poznat i nepoznat.

Chang-hyeon, a transgender prostitute encounters a visitor who seems both familiar and alienated to him.

Dijete daždevnjak /

where he lives. One day, by dint of being called a monster... he becomes one.

Ljubavne priče u pokretu / Love Stories on The Move

Romania, 2021, Colour, 21 min, Romanian Režija / Director: Carina-Gabriela Dașoveanu Uloge / Cast: Ilinca Hărnuț, Andi Vasluianu

The Salamander Child

Belgium, 2020, Colour, 26 min, French Režija / Director: Théo Degen Uloge / Cast: Florian Villez, Elsa Blero

Florian ima petnaest godina i uvjeren je da uz pomoć vatre može komunicirati sa mrtvima.

Zbog toga ga u selu u kojem živi smatraju čudakom. Nakon što ga jednoga dana nazovu čudovištem, Florian se i pretvara u čudovište.

At the age of 15, Florian thinks he can communicate with the dead through fire. That belief makes him the weirdo in the village

Trideset i šestogodišnja taksistica Lili pokušava spasiti svoj brak sa Danijem koji se amaterski bavi ribarstvom. Vozeći svoje mušterije, Lili je u prilici da svjedoči nekolicini ljubavnih priča koje se potpuno razlikuju od njene.

Lili, a thirty-six-year-old taxi driver, is trying to save her marriage to Dani, an amateur fisherman. Her car rides place Lili in front of several love stories that are very different from her own.

Dijete daždevnjak / The Salamander Child

Ljubavne priče u pokretu / Love Stories on The Move

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Društveni vrtovi / Community Gardens

Lažno Sunce / Sun Dog

Negdje između / In Between

P D Genius Loci

Meso / Flesh

EFA SHORTS 2020 TOUR Društveni vrtovi /

Community Gardens

Lithuania, 2019, Colour, 15 min.

Režija / Director: Vytautas Katkus Uloge / Cast: Vygantas Bachmackij, Arvydas Dapsys

Patrijarhalna muškost naizgled živi svoje posljednje trenutke pod suncem. Priča o hladnom odnosu oca i sina.

Patriarchal masculinity seems to catch its last breath in the sun. A story about a cold relationship between a father and his son.

Genius Loci

France, 2020, Colour, 16 min.

Režija / Director: Adrien Mérigeau Uloge / Cast: Nadia Moussa, Georgia Cusack

Mladi samotnjak, Reine, jedne noći, usred gradskog haosa, primjećuje mistično, naizgled živo stvorenje, nešto poput duha zaštitnika i vodiča kroz život.

One night, Reine, a young loner, sees within the urban chaos a mystical oneness that seems alive, like some sort of guide.

Lažno Sunce / Sun Dog

Belgium, Russia, 2020, Colour, 20 min.

Režija / Director: Dorian Jespers Uloge / Cast: Alexander Pronkin, Tatiana Smirnova

Fedor je mladi kovač koji živi u ledenom gradu Murmansku na ruskom Arktiku. Obilazeći klijente, Fedor luta stvarnim gradskim ulicama oživljenim njegovim maštarijama koje ga razdvajaju od grada i njegovih sugrađana.

Fedor is a young locksmith in Murmansk, a frozen city in the obscurity of the Russian Arctic.

Assisting client after client, he roams through the alleys of concrete animated by a fantasy that isolates him from the city and its population.

Meso / Flesh

Spain, Brazil, 2019, , 12 min.

Režija / Director: Camila Kater

Sirovo, polusirovo, srednje pečeno, malo bolje

Past Perfect

Nevidljivi heroj / Invisible Hero

i dobro pečeno. Kroz svoje intimne i lične priče, pet žena govore o iskustvima s vlastitim tijelom, od djetinjstva do starosti.

Rare, medium-rare, medium, medium-well and well done. Through intimate and personal stories, five women share their experiences in relation to the body, from childhood to old age.

Negdje između / In Between Kosovo, 2019, Colour, 13 min.

Režija / Director: Samir Karahoda

Empatičan portret porodica koje, zbog ekonomskih razloga, veći dio života provode razdvojeni, i u kulturama koje se razlikuju od njihove.

An empathetic portrait of the families who, by economic necessity, need to live much of their lives separated, and in cultures not their own.

Nevidljivi heroj / Invisible Hero Portugal, France, 2019, Colour, 27 min.

Režija / Director: Cristèle Alves Meira Uloge / Cast: Duarte Pina, Lucília Raimundo

Duarte, slijepi muškarac u pedesetim godinama, daje se u potragu za svojim prijateljem Leandrom, imigrantom iz Cape Verdea koji je misteriozno nestao.

Duarte, a blind man in his fifties, starts to look for his friend Leandro, a Cape Verdean immigrant who disappeared mysteriously.

Past Perfect

Portugal, 2019, Colour, 23 min.

Režija / Director: Jorge Jácome

Mnogi gradovi i zemlje imaju izrazitu slabost.

Postoje mjesta poput Portugala, obuzetog čežnjom za prošlošću, gdje su sve trenutne napetosti samo vrh ledenog brijega i objašnjavaju se vraćanjem u prošlost, bar do vremena nastanka čovjeka.

Many cities and countries have a distinct malaise. They are places that could be Portugal, so sunk in a painful longing for the past, and where each tension of the present is only the tip of an iceberg that is explained in successive retreats that can go straight until the origin of the species, at least.

U mraku su sve mačke sive / All Cats are Grey in the Dark

32 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

U mraku su sve mačke sive /

All Cats are Grey in the Dark Switzerland, 2019, Colour, 19 min.

Režija / Director: Lasse Linder

Sam sebe zove mačkoljubac. Christian živi s dvije mačke Marmeladom i Katjuschom.

Nerazdvojni su. Budući da sanja da postane otac, odluči da svoju voljenu mačku Marmeladu ukrsti s prekrasnim mačkom iz inostranstva.

He calls himself Catman. Christian lives with his two cats, Marmelade and Katjuscha. They are inseparable. As he is yearning to become a father, he decides to have his beloved Marmelade fertilised by an exquisite tomcat from abroad.

Ujka Thomas, priča o životu /

Uncle Thomas, Accounting for the Days Portugal, France, Canada, 2019, Colour, 13 min.

Režija / Director: Regina Pessoa

Film posvećen autoricinom ujaku Thomasu, skromnom, neupadljivom čovjeku koji vodi jednostavan život. Film je zamišljen kao potvrda da čovjek ne mora biti “neko” da bi ga drugi smatrali izuzetnim.

A tribute to the director’s uncle Thomas, a humble man with a simple and anonymous life. This is her acknowledgment that one does not have to be "somebody" to become exceptional in the eyes of others.

Ulica Karla Marxa 12 / 12 K Marx Street

Georgia, 2019, Colour, 15 min.

Režija / Director: Irine Jordania Uloge / Cast: Tina Lagidze, David Ujmajuridze

Svakog dana, na istom mjestu, u isto vrijeme, jedna žena sebi sipa šoljicu kafe i bira isti broj. Jednog dana, neko odgovara na njen poziv.

Every day, the woman pours herself a cup of coffee and sits in the same place, at the same time, calling the same number on her phone.

One day, her call is unexpectedly answered.

Ujka Thomas, priča o životu / Uncle Thomas, Accounting for the Days

Ulica Karla Marxa 12 / 12 K Marx Street

ZA

En rang par deux (susret sa Aliouem i Afifijem) / (Meeting Aliou & Afif)

PASSAGGI D'AUTORE PRESENTS

J'adore

Loša vila / Bad Fairy

Ne, ne želim plesati / No, I don't Want to Dance!

Ona / Her

Pasijans / Solitaire

Timova zima / Timo's winter

En rang par deux (susret sa Aliouem i Afifijem) / En rang par

Loša vila / Bad Fairy

Italy, 2020, Colour, 7 min.

Režija / Director: Elisabetta Bosco, Margherita Giusti, Viola Mancini

Baunej, Sardinija, 1942. godine. Kada seoska luda iz srušenog njemačkog ratnog aviona uzme radio, iz njega mu se obrati misteriozan, jeziv glas i počne ga proganjati.

Baunei, Sardinia, 1942. When the village idiot retrieves a radio from a crashed German warplane, a mysterious, eerie voice emerges from the radio and starts to haunt him.

deux (Meeting Aliou & Afif)

U ovom filmu, mješavini intervjua i muzičkog videa, Tunižanin Afifi i Senegalac Aliou pričaju svoje priče, govore o prijateljstvu, imigraciji, slobodi i, više nego o bilo čemu drugom, o ključnoj vrijednosti zajedničkog stvaranja muzike.

In this film, midway between an interview and a music video, Tunisian Afif and Senegalese Aliou tell their different stories, talk about friendship, immigration, freedom and, above all, about the fundamental value of making music together.

J'adore

Italy, 2020, Colour, 16 min.

Režija / Director: Simone Bozzelli Uloge / Cast: Claudio Segaluscio, Federico Majorana

Claudio ima 15 godina. Lauro – vođa grupe momaka koji tvrde da su fašisti i da puno toga obavljaju za ekstremno desnu partiju – jednoga dana na njegovom čelu napiše "J'adore" jer tvrdi da Claudio miriše kao mala djevojčica.

Claudio is 15 years-old and one day Lauro, leader of a group made of guys claiming to be fascists and doing a lot of things for a far-right party, writes “J’ador” on Claudio’s forehead because he smells like a little girl.

Italy, 2020, Colour, 20 min.

Režija / Director: Matteo Incollu Uloge / Cast: Felice Montervino, Francesco Falchetto

Ne, ne želim plesati /

No, I don't Want to Dance!

Italy, United Kingdom, 2019, Colour, 3 min.

Režija / Director: Andrea Vinciguerra

U ovim mračnim vremenima, pomislili biste da su sve opasnosti identifikovane, ali niko nije uzeo u obzir koliko opasan može biti ples….

In these dark times, you may think that every hazard has been identified, but nobody has taken in consideration how dangerous dance can be…

Ona / Her

Italy, 2019, Colour, 15 min.

Režija / Director: Stefano Cau Uloge / Cast: Anastasya Boghach, Alessandro Congeddu

Issa je mlada djevojka koja želi vidjeti svjet. Živi u malom selu u kojem odavno nije rođena nijedna beba. Trudna je. Želi pobjeći, ali stari seljani po svaku cijenu žele da se ona porodi u selu.

Issa is a young girl who wants to see the world.

She lives in a small village where no babies have been born in a long time. She is pregnant.

She wants to run away, but the old villagers want her to give birth in the village at any cost.

Pasijans / Solitaire

Italy, 2020, Colour, 11 min.

Režija / Director: Edoardo Natoli

Renaud ima osamdeset i pet godina i živi u Parizu s invalidskim kolicima koja se staraju o njemu.

Usamljenik je, rob svojih navika i već godinama ne napušta svoj stan na zadnjem spratu zgrade na Montmartru. Ali šta ako žena koja se useli u stan prekoputa njegovog poremeti njegovu rutinu?

Renaud is eighty-five years old and lives in Paris with his trusty wheelchair-caregiver. He is a loner, creature of habit, peacefully blocked for years on the top floor of a Montmartre building. But what if a new woman, moving into the apartment across the street, suddenly messes up his routine?

Timova zima / Timo's winter

Italy, 2020, Colour, 17 min.

Režija / Director: Giulio Mastromauro Uloge / Cast: Babak Karimi, Giulia Baranek

Timo, najmlađi član grupe grčkih radnika u lunaparku, morat će se suočiti s najtežom zimom zajedno s ljudima koje voli.

Timo, the youngest of a Greek community of Funfair workers, will have to face the hardest winter together with his loved ones.

ZAGREB FILM FESTIVAL – NAJBOLJE OD KOCKICA / BEST OF CHECKERS Ništa ja tebi ne govorim, samo kažem / I'm Not Telling You Anything, Just Sayin'

Croatia, France, 2020, Colour, 19 min.

Režija / Director: Sanja Milardović Uloge / Cast: Olivera Baljak, Iva Šimić Šakoronja

Zrinka dolazi u Rijeku kako bi obavila "scouting" lokacija za film na kojem je angažirana. Ostaje kod svoje majke Tanje, čije ponašanje nije uobičajeno. U želji da sazna što se događa s majkom, Zrinka je povede u obilazak lokacija.

Zrinka returns to her hometown for a few days to do some location scouting. She stays at her mother Tanja’s place. Tanja’s behaviour seems

Ništa ja tebi ne govorim, samo kažem / I'm Not Telling You Anything, Just Sayin'

strange, so Zrinka takes her location scouting in order to find out what is troubling her.

Sparina / Sultriness

Croatia, 2020, Colour, 18 min.

Režija / Director: Petar Vukičević Uloge / Cast: Rea Bušić, Katarina Romac

Ljeto je. Roza traži novu cimericu. Karmen traži utočište.

Summer. Roza is looking for a new roommate.

Karmen is looking for refuge.

Stanar / Tenant

Croatia, 2020, Colour, 20 min.

Režija / Director: Borna Zidarić

Sparina / Sultriness

Stanar / Tenant

Uloge / Cast: Roko Sikavica, Nikola Nedić

Roko mjesecima nije plaćao stanarinu, a sada mu je preostalo manje od 24 sata da te dugove podmiri.

Roko hasn’t paid rent in months and now he has less than 24 hours to settle his debt.

U šumi / In the Woods

Croatia, 2020, Colour, 17 min.

Režija / Director: Sara Grgurić Uloge / Cast: Lana Meniga, Josip Ledina

Saša i Filip putuju u Gorski kotar za vrijeme karantene.

Saša and Filip are going to Gorski Kotar during the lockdown.

U šumi / In the Woods

SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

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Američka utopija Davida Byrnea / David Byrne's American Utopia

SUMMER SCREEN Američka utopija Davida Byrnea / David Byrne's

Ožiljci Ali Boulala / The Scars of Ali Boulala

joyous, surreal staged landscape, suffused with the spirit of human connection and social justice. Featuring songs from Byrne’s 2018 solo album in addition to popular Talking Heads favorites such as “Once in a Lifetime” and “Burning Down the House,” and a rousing cover of Janelle Monáe’s protest song “Hell You Talmbout.”

American Utopia

Buena Vista Social Club

U ovom jedinstvenom koncertnom filmu, oskarovac Spike Lee oživljava odlično ocijenjeni brodvejski šou pjevača Taking Headsa. Film je snimljen prilikom posljednjeg izvođenja u New Yorku, kada se Davidu Byrneu na sceni pridružila grupa sačinjena od 11 muzičara, pjevača i plesača iz svih krajeva svijeta, uključujući čikaškog basistu Bobbyja Wootena III i gitaristicu iz Milwaukeeja Angie Swan. Zajedno, oni uvode publiku u razdragan, nadrealan scenski krajolik, prožet duhom međuljudske povezanosti i društvene pravde.

Muzika u filmu uključuje pjesme sa Byrneovog solo albuma iz 2018, popularne hitove Talking Headsa poput pjesama "Once in a Lifetime" i "Burning Down the House" te uzbudljivu obradu protestne pjesme Janelle Monáe "Hell You Talmbout".

In this one-of-a-kind concert film, Oscarwinning director Spike Lee brings the Talking Heads frontman’s critically acclaimed Broadway show to vivid life. Recorded during its recent run in New York City, the production sees Byrne joined by an ensemble of 11 musicians, singers, and dancers from around the globe—including Chicago bassist Bobby Wooten III and Milwaukee guitarist Angie Swan. Together, they invite audiences into a

Sa svojom malom filmskom ekipom, Wim Wenders pratio je svog starog prijatelja Rya Coodera, autora muzike za njegove filmove PARIZ, TEXAS i KRAJ NASILJA, na putovanje u Havanu. Cooder je nakon prvog "Buena Vista Social Club" CD-a (koji tada još uvijek nije bio izdat) htio snimiti svoj materijal za solo album Ibrahima Ferrera u muzičkom studiju u Havani. Wenders je potpuno uronio u svijet kubanske muzike i tokom nekoliko mjeseci pratio je i posmatrao muzičare, prvo u njihovoj domovini u Havani, zatim sedmicama kasnije, u aprilu 1998, na prvom koncertu njihovog benda (koji do tada nikada nije zajedno nastupio izvan studija) u Amsterdamu, a zatim i u julu 1998. tokom njihovog trijumfalnog koncerta u njujorškom Carnegie Hallu. Na taj način, slijedio je stare heroje tradicionalne kubanske son muzike na njihovom putu, dugom svega nekoliko mjeseci, od potpunog zaborava do svjetske slave.

With a small film crew, Wim Wenders accompanied his old friend Ry Cooder, who had previously written the music for PARIS, TEXAS and THE END OF VIOLENCE, on a trip to Havana. Cooder wanted to record his material for Ibrahim Ferrer’s solo album at a

United States, 2020, Colour and B&W, 105 min.

Režija / Director: Spike Lee

Germany, United States, 1999, Colour, 105 min.

Režija / Director: Wim Wenders

Ry Cooder and Compay Segundo in Buena Vista Social Club (Germany//USA 1998/99) by Wim Wenders © Wim Wenders Stiftung 2014

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studio there – following the first “Buena Vista Social Club” CD (which had not yet been released at that time). Wenders immersed himself in the world of Cuban music. Over the course of several months, he observed and accompanied the musicians – first at home in Havana and then, weeks later, in April 1998, on their trip to Amsterdam for the first public performance of the band (who had never played together outside a studio) and then, still later, in July 1998, to their triumphal concert in New York’s Carnegie Hall. He thus followed the old heroes of the traditional Cuban Son music on their path from being completely forgotten to becoming world famous – within the period of just a few months.

Ožiljci Ali Boulala /

The Scars of Ali Boulala

Sweden, Norway, 2021, Colour, 100 min.

Režija / Director: Max Eriksson

Šesnaestogodišnji Ali Boulala zatiče se u centru globalne skejt-scene nakon što ga sredinom devedesetih godina prošloga vijeka regrutuje profesionalna ekipa skejtera. Ali provodi čitavu deceniju putujući svijetom sa članovima svoga tima i uživa u životu bez granica. Njegova kreativnost na skejtu i reputacija partijanera donose mu status najneustrašivijeg i najekscentričnijeg skejtera svoje generacije. Sve to se mijenja 2007. kada Ali doživi tragičnu nesreću nakon koje više ne može voziti skejt i prisiljen je iz početka graditi svoj život. Sada vodi miran život u predgrađima Stockholma. Na svome tijelu i duši nosi ožiljke koji ga stalno podsjećaju na nesreću koja ga još uvijek progoni. Jednoga dana pruža mu se prilika da se direktno suoči s vlastitim demonima.

Thusnelda and Dominique Mercy and Clémentine Deluy in PINA by Wim Wenders (2011) © Neue Road Movies, photograph by Donata Wenders

Shane MacGowan: Priča o pjevaču Poguesa / Crock of Gold: A Few Rounds with Shane MacGowan

Sixteen-year-old Ali Boulala is thrust into the heart of the global skateboarding scene when he is recruited onto a professional crew in the mid-1990s. He spends a decade touring the world with his teammates and living a life without limits. His creativity on the board and his reputation for partying gains Ali the status as the most fearless and eccentric skateboarder of his generation. Everything changes in 2007 when Ali is involved in a tragic accident. He loses his ability to skate and must fight to build up his life again. Ali now lives a quiet life in the suburbs of Stockholm. He carries scars on his body and in his psyche – constant reminders of the accident that still haunts him. One day, an opportunity opens up for Ali to face his emotional demons head-on.

Pina 3D

Germany, France, 2011, Colour, 104 min.

Režija / Director: Wim Wenders

PINA je film za Pinu Bausch. Sniman u 3D produkciji s plesnim ansamblom Wuppertal Pina Bausch, ovaj dugometražni film o plesu oslikava uzbudljivu i neponovljivu umjetnost ove velike njemačke koreografkinje, koja je umrla u ljeto 2009. godine. Pozivajući gledatelje na senzualno, vizualno zapanjujuće putovanje u jednu novu dimenziju, pravo na pozornicu legendarnog ansambla, film prati plesače izvan pozorišta, u grad i okolinu industrijskog Wuppertala, mjesta koje je preko 35 godina bilo dom i središte kreativnog života Pine Bausch.

PINA is a film for Pina Bausch. Shot in 3D with the ensemble of the Tanztheater Wuppertal Pina Bausch, this feature-length dance film portrays the exhilarating and inimitable art of this great German choreographer who died in

Summer of Soul

the summer of 2009. Inviting the viewer on a sensual, visually stunning journey of discovery into a new dimension right onto the stage of the legendary ensemble, the film also accompanies the dancers beyond the theatre, into the city and the surrounding industrial landscape of Wuppertal – the place that was the home and centre of Pina Bausch’s creative life for more than 35 years.

deep knowledge of music, history, spirituality and popular culture. For this is Shane’s story. A vision of the world through the eyes of the great punk poet himself and an intimate cast of close friends and family members, all channeled through Temple’s inimitable and eternally vibrant lens.

Summer of Soul

United States, 2021, Colour, 117 min.

Režija / Director: Ahmir "Questlove" Thompson

Shane MacGowan: Priča o pjevaču Poguesa / Crock of

Gold: A Few Rounds with Shane MacGowan United States, United Kingdom, Ireland, 2020, Colour, 124 min.

Režija / Director: Julien Temple

Kinematografsko istraživanje priče Shanea MacGowana, film Juliena Templa SHANE MACGOWAN: PRIČA O PJEVAČU POGUESA, prati pjevačev eksplozivni život – od njegovog djetinjstva i odrastanja u Irskoj do vremena koje je proveo na opasnim ulicama Londona, gdje je prigrlio punk scenu, osnovao Poguese i osvojio svijet – otkrivajući njegove strasti, smisao za humor i odlično poznavanje muzike, historije, duhovnosti i popularne kulture. Jer ovo je Shaneova priča. Slika svijeta viđenog očima velikog punk pjesnika i male grupe njegovih bliskih prijatelja i rođaka, kanalisana kroz Templeovu jedinstvenu i uvijek živopisnu vizuru.

A cinematic exploration of Shane MacGowan’s story, Julien Temple’s film CROCK OF GOLD: A FEW ROUNDS WITH SHANE MACGOWAN details Shane’s explosive existence, from his salad days, growing up in Ireland, to time spent on the mean streets of London and embracing the punk scene. To forming the Pogues and the conquering the known universe, we discover MacGowan’s passions, his humour &

Tokom šest sedmica ljeta 1969, na oko 150 kilometara udaljenosti od Woodstocka, u parku Marcus Gravey, snimljen je Festival kulture u Harlemu. Gotovo zaboravljeni snimci do sada nigdje nisu prikazani. SUMMER OF SOUL baca svjetlost na značaj historije za našu duhovnu dobrobit i služi kao dokaz ljekovite moći muzike u nemirna vremena, kako u prošlosti tako i danas. Film uključuje do sada neviđene snimke koncertnih nastupa B. B. Kinga, Nine Simone, grupa Sly and the Family Stone, Gladys Knight and the Pips, te Stevieja Wondera i drugih.

Over the course of six weeks in the summer of 1969, just one hundred miles south of Woodstock, The Harlem Cultural Festival was filmed in Marcus Garvey Park. The footage was never seen and largely forgotten—until now. SUMMER OF SOUL shines a light on the importance of history to our spiritual wellbeing and stands as a testament to the healing power of music during times of unrest, both past and present. The feature includes neverbefore-seen concert performances by B.B. King, Nina Simone, Sly & the Family Stone, Gladys Knight & the Pips, Stevie Wonder, and more.

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Rüdiger Vogler in Alice in the Cities (West Germany 1973/74) by Wim Wenders © Wim Wenders Stiftung 2014

Bruno Ganz and Dennis Hopper in The American Friend (West Germany/France 1977) by Wim Wenders © Wim Wenders Stiftung 2014

Ibrahim Ferrer and Omara Portuondo in Buena Vista Social Club (Germany/USA 1998/99) by Wim Wenders © Wim Wenders Stiftung 2014

Solveig Dommartin and William Hurt in Until the End of the World (Germany/France/Australia 1990/91)

by Wim Wenders © Wim Wenders Stiftung 2015

POSVEĆENO / TRIBUTE TO Wim Wenders Alice u gradovima /

Američki prijatelj /

West Germany, 1974, Black and white, 113 min.

Režija / Director: Wim Wenders Uloge / Cast: Rüdiger Vogler, Yella Rottländer, Lisa Kreuzer, Edda Köchl, Ernest Boehm, Sam Presti, Louis Moran, Didi Petrikat

West Germany, France, 1977, Colour, 127 min.

Režija / Director: Wim Wenders Uloge / Cast: Dennis Hopper, Bruno Ganz, Lisa Kreuzer, Gérard Blain

Alice in the Cities

Njemački novinar Phillip Winter želi napisati priču o Americi, ali prije nego što se razočaran odluči na povratak kući ne uspijeva napraviti ništa osim serije polaroid fotografija.

Istovremeno, nevoljno pristaje povesti malenu Alice sa sobom jer se njena majka – koju je dan prije povratka kući upoznao u New Yorku – hitno mora pobrinuti za neke obaveze.

Djevojčicina majka se na ne pojavljuje dogovorenom sastanku u Amsterdamu, pa se Winter i Alice daju u potragu za djevojčicinom bakom u regiji Ruhr. Tokom potrage, njihova međusobna antipatija postepeno prerasta u iskrenu privrženost.

The German journalist Phillip Winter wants to write a story about America, but is unable to accomplish anything but a series of Polaroids before disappointedly beginning his journey back home. At the same time, he reluctantly agrees to take little Alice with him, because her mother—whom he meets in New York on the day before his departure—has urgent business to take care of there. In Amsterdam, the mother then fails to appear as they had agreed, and so Winter and Alice set out to try to find Alice’s grandmother in the Ruhr region.

During their search together, their initial mutual dislike gradually transforms into a heart-felt affection.

The American Friend

Jonathan Zimmermann vjeruje da će uskoro umrijeti od leukemije. Beskrupulozni Amerikanac Tom Ripley saznaje to i iskorištava njegovu bolest za vlastiti interes.

On upoznaje Zimmermanna sa članom kriminalnog podzemlja Minotom koji mu nudi posao plaćenog ubice. Minot Zimmermannu obećava odličnu naknadu za obavljeni posao koja bi smrtno oboljelom muškarcu omogućila da finansijski osigura svoju suprugu i njihovo dijete. Budući da će svakako umrijeti, šta Zimmermann može izgubiti? Između dva potpuno različita muškaraca razvija se prijateljstvo koje natjera Ripleyja da interveniše nakon što postane jasno da Zimmermann neće biti sposoban izvršiti dodatno ubistvo.

Jonathan Zimmermann believes that he will soon die of leukemia. The unscrupulous American Tom Ripley, learns of this and exploits Zimmermann’s illness for his own purposes. He introduces Jonathan to the underworld figure Minot, who offers to hire the terminally ill man as a professional hit man. He is to be paid appropriately for his work and thus enabled to leave something behind for his wife and their child. What does he have to lose, since he is going to die anyway? A friendship develops between the two very different men, and this ultimately leads Ripley to intervene

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when Zimmermann proves incapable of carrying out an additional murder.

Buena Vista Social Club

Germany, United States, 1999, Colour, 105 min.

Režija / Director: Wim Wenders

Sa svojom malom filmskom ekipom, Wim Wenders pratio je svog starog prijatelja Rya Coodera, autora muzike za njegove filmove PARIZ, TEXAS i KRAJ NASILJA, na putovanje u Havanu. Cooder je nakon prvog "Buena Vista Social Club" CD-a (koji tada još uvijek nije bio izdat) htio snimiti svoj materijal za solo album Ibrahima Ferrera u muzičkom studiju u Havani. Wenders je potpuno uronio u svijet kubanske muzike i tokom nekoliko mjeseci pratio je i posmatrao muzičare, prvo u njihovoj domovini u Havani, zatim sedmicama kasnije, u aprilu 1998, na prvom koncertu njihovog benda (koji do tada nikada nije zajedno nastupio izvan studija) u Amsterdamu, a zatim i u julu 1998. tokom njihovog trijumfalnog koncerta u njujorškom Carnegie Hallu. Na taj način, slijedio je stare heroje tradicionalne kubanske son muzike na njihovom putu, dugom svega nekoliko mjeseci, od potpunog zaborava do svjetske slave.

With a small film crew, Wim Wenders accompanied his old friend Ry Cooder, who had previously written the music for PARIS, TEXAS and THE END OF VIOLENCE, on a trip to Havana. Cooder wanted to record his material for Ibrahim Ferrer’s solo album at a studio there – following the first “Buena Vista Social Club” CD (which had not yet been

Bruno Ganz in Wings of Desire (West Germany/France 1986/87) by Wim Wenders © Wim Wenders Stiftung - Argos Flms

Milla Jovovich in The Million Dollar Hotel (Germany/ USA 2000) by Wim Wenders © Wim Wenders Stiftung 2021

Harry Dean Stanton in Paris, Texas (West Germany/France 1983/84) by Wim Wenders © Wim Wenders Stiftung 2014

Dancers of the Pina Bausch Company in PINA by Wim Wenders (2011) © Neue Road Movies, photograph by Donata Wenders

released at that time). Wenders immersed himself in the world of Cuban music. Over the course of several months, he observed and accompanied the musicians – first at home in Havana and then, weeks later, in April 1998, on their trip to Amsterdam for the first public performance of the band (who had never played together outside a studio) and then, still later, in July 1998, to their triumphal concert in New York’s Carnegie Hall. He thus followed the old heroes of the traditional Cuban Son music on their path from being completely forgotten to becoming world famous – within the period of just a few months.

Do kraja svijeta / Until The End of The World - Director's Cut

Germany, France, Australia, 1991 (1994 Director's Cut), Colour, 287 min.

Režija / Director: Wim Wenders Uloge / Cast: Solveig Dommartin, Pietro Falcone, Enzo Turrin, Eddy Mitchell, Adelle Lutz, Sam Neill, Max von Sydow, Ernie Dingo, Rüdiger Vogler, Jeanne Moreau, Chick Ortega, Ryu Chishy, William Hurt

DO KRAJA SVIJETA "ultimativni je film ceste", priča o putovanju oko svijeta, moderna Odiseja koja nesumnjivo ima sličnosti s Homerovom sagom. Međutim, cilj filmskog putovanja jeste duhovno izmirenje opsjednutog oca i njegovog izgubljenog sina, a Penelopa u filmu DO KRAJA SVIJETA odluči krenuti u potjeru za svojim Odisejem.

Kako bi svojoj slijepoj supruzi omogućio da vidi, dr. Farber razvija proceduru pomoću koje je moguće prenositi slike pohranjene u mozgu videćih ljudi direktno u vizuelni korteks slijepaca. Faberov sin Sam kreće na put oko svijeta kako bi za svoju majku "vidio" i

mentalno snimio različite faze njenog života.

Francuskinja Margot zaljubljuje se u Sama i kreće u potjeru za njim, dok nju prati autor Eugen koji snima njenu avanturu.

UNTIL THE END OF THE WORLD is “the ultimate road movie,” a journey around the globe, a modern-day odyssey—and it certainly bears similarities to Homer’s saga. However, the aim of this journey is the spiritual reconciliation between an obsessed father and his lost son—and, in UNTIL THE END OF THE WORLD, Penelope decides to set out in pursuit of Odysseus. In order to enable his blind wife to see, Dr. Farber invents a process that makes it possible to transmit the images recorded in the brain of sighted people directly into the visual system of blind people. Farber’s son Sam sets out on a journey around the world in order to “see” and record the various stations of his mother’s life for her. The French woman Margot falls in love with him and sets out in pursuit of him. She, in turn, is followed by the author Eugene, who is recording her adventure.

Hotel od milion dolara / The Million Dollar Hotel

Germany, United States, 2000, Colour, 124 min.

Režija / Director: Wim Wenders Uloge / Cast: Jeremy Davies, Milla Jovovich, Mel Gibson, Jimmy Smits, Peter Stormare, Amanda Plummer, Gloria Stuart, Tom Bower, Donal Logue, Bud Cort, Julian Sands, Tim Roth

Grupa čudaka, otpadnika i lutalica živi u oronulom hotelu u centru Los Angelesa, u kraju punom narkomana i beskućnika. Iz njihove vizure pratimo priču zaljubljenog sanjara kojeg svi zovu Tom Tom. Predmet njegove čežnje je Eloise, neka vrsta palog anđela. U ovoj ludnici izbijaju nevolje. Život

jednog od stanara, ekscentričnog narkomana Izzyja, okončava na brutalan način kada ga neko gurne s krova. A pošto se, na sveopšte iznenađenje, ispostavi da je Izzy sin medijskog mogula i multimilionera, na scenu ulazi FBI agent – Skinner. Suprotno očekivanjima, ispostavlja se da je on, ta iznimno duga ruka zakona, čak i luđi od šarmantnih likova koji žive u Hotelu od milion dolara.

A group of freaks, outsiders, and drifters live in a run-down hotel in downtown Los Angeles, in an area full of drug addicts and homeless people. The story is told through the eyes of a lovesick dreamer, who everyone calls Tom Tom. The object of his devotion is Eloise, a fallen angel of sorts. There is trouble in this madhouse. One of the residents, the eccentric junkie Izzy, comes to a grisly end by being pushed off of the roof. And because—to the surprise of all of the residents—Izzy proves to be the son of a multi-millionaire media boss, an FBI agent enters the scene: Skinner. What no one suspects is that this particular long arm of the law is even crazier than any of the charming characters living in the Million Dollar Hotel.

Nebo nad Berlinom / Wings of Desire

West Germany, France, 1987, Colour and B&W, 128 min.

Režija / Director: Wim Wenders Uloge / Cast: Bruno Ganz, Solveig Dommartin, Otto Sander, Curt Bois, Peter Falk, Hans Martin Stier, Elmar Wilms, Sigurd Rachman, Beatrice Manowski, Lajos Kovács

Kao prvi njemački film koji je Wenders snimio nakon osam godina provedenih u Americi, film NEBO NAD BERLINOM označio je njegov "povratak kući". Glavni likovi u filmu su anđeli

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čuvari, dobronamjerna, nevidljiva bića u kišnim mantilima – koji slušaju misli smrtnika i nastoje ih utješiti. Jedan od njih, Damiel, poželi postati ljudsko biće nakon što se zaljubi u Marion, akrobatkinju na trapezu. Peter Falk, koji igra sam sebe, pomaže mu tokom transformacije tako što ga upoznaje sa sitnim životnim zadovoljstvima. Film je ispričan iz perspektive anđela koji život vide u crnobijeloj boji. Tek kada postane čovjek, Damiel može vidjeti boje svijeta. On napušta svog starog prijatelja Cassiela, koji ostaje u društvu Homera – "pripovjedača čovječanstva".

WINGS OF DESIRE marked Wenders' “homecoming” and was his first German film after eight years in America. The main characters are guardian angels—benevolent, invisible beings in trench coats—who listen to the thoughts of mortals and attempt to comfort them. One of them, Damiel, wishes to become human after he falls in love with the beautiful trapeze artist Marion. Peter Falk, played by himself, helps him during his transformation, by introducing him to life’s little pleasures. The film is narrated from the perspective of the angels, who see the world in black and white.

Only when Damiel becomes human does the world of color reveal itself to him. He leaves behind his old friend Cassiel, who continues to be accompanied by Homer, the “storyteller of humanity.”

Pariz, Texas / Paris, Texas

West Germany, France, 1984, Colour, 146 min.

Režija / Director: Wim Wenders Uloge / Cast: Harry Dean Stanton, Nastassja Kinski, Dean Stockwell, Aurore Clément, Hunter Carson, Bernhard Wicki

Ovaj nekonvencionalni film ceste, zasnovan na scenariju Pulitzerom nagrađenog Sama Sheparda, prati Travisa koji jednog vrelog dana iz Meksika odluta u Texas. Travis ništa ne govori, a čini se i da je uveliko izgubio pamćenje. Ali vođen je željom da ponovo pronađe svoju porodicu: svoju mladu suprugu Jane, čiji život je zbog svoje patološke ljubomore naizgled doveo u opasnost, i svog sedmogodišnjeg sina Huntera. Travisa su četiri godine smatrali mrtvim. Njegov brat Walt leti iz Los Angelesa do Texasa kako bi svog izgubljenog brata vratio kući. Walt i njegova supruga Ann su postali Hunterovi skrbnici i sada im je izuzetno teško odreći se uloge njegovih roditelja, naročito nakon što saznaju da ga Travis želi povesti sa sobom u potragu za Jane. O Jane ne znaju ništa osim da vjerovatno živi u Houstonu…

This unconventional road movie is based on a script by Pulitzer Prize-winner Sam Shepard and tells the story of Travis, a man who wanders out of Mexico and into Texas one day, in the blazing heat of the “Big Bend”. Travis does not speak a word. He also seems to have largely lost his memory. But he is driven by his wish to find his family again: his young wife Jane, whose life he seems to have placed in danger through his pathological jealousy, and his seven-year-old son Hunter. For four years Travis was thought to be dead. His brother Walt flies from LA to Texas to bring back his lost brother. Walt and his wife Ann have become Hunter’s foster parents. It is very difficult for the two of them to now give this role up again, especially when they learn that

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Travis wants to go out in search of Jane together with his son. They know nothing about her, except that she probably lives in Houston...

Pina 3D

Germany, France, 2011, Colour, 104 min.

Režija / Director: Wim Wenders

PINA je film za Pinu Bausch. Sniman u 3D produkciji s plesnim ansamblom Wuppertal Pina Bausch, ovaj dugometražni film o plesu oslikava uzbudljivu i neponovljivu umjetnost ove velike njemačke koreografkinje, koja je umrla u ljeto 2009. godine. Pozivajući gledatelje na senzualno, vizualno zapanjujuće putovanje u jednu novu dimenziju, pravo na pozornicu legendarnog ansambla, film prati plesače izvan pozorišta, u grad i okolinu industrijskog Wuppertala, mjesta koje je preko 35 godina bilo dom i središte kreativnog života Pine Bausch.

PINA is a film for Pina Bausch. Shot in 3D with the ensemble of the Tanztheater Wuppertal Pina Bausch, this feature-length dance film portrays the exhilarating and inimitable art of this great German choreographer who died in the summer of 2009. Inviting the viewer on a sensual, visually stunning journey of discovery into a new dimension right onto the stage of the legendary ensemble, the film also accompanies the dancers beyond the theatre, into the city and the surrounding industrial landscape of Wuppertal – the place that was the home and centre of Pina Bausch’s creative life for more than 35 years.

LIFESTYLE TJEDNIK

TJEDNA DOZA LUKSUZA story.hr SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

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SUOČAVANJE S PROŠLOŠĆU / DEALING WITH THE PAST

Ahmadov glas / The Voice of Ahmad

Ahmadov glas /

The Voice of Ahmad

Israel, 2019, Colour and B&W, 85 min.

Režija / Director: Ram Loevy, David Ofek, Shadi Habib Allah, Doron Djerassi, Noam Kaplan, Dan Geva, Mamdooh Afdile, Iddo Soskolne Uloge / Cast: Ahmad Masrawa, Ram Loevy

Razotkrivajući trinaestominutni film I AM AHMAD iz 1966, bio je zabranjen prije svog burnog predstavljanja publici. Petnaest godina kasnije, vodeći arapski i jevrejski filmski autori, diplomci Škole filma Sam Spiegel u Jerusalemu, pokreću dirljiv dijalog o "današnjem Ahmadu", baveći se pitanjem nemoguće koegzistencije palestinskih i jevrejskih stanovnika Izraela i odnosa među njima koji se ubrzano pogoršava. Sastavljen od šest poglavlja, ovaj dugometražni film je političan, aktivistički i borben, poput podijeljenog Izraela. Pa ipak, AHMADOV GLAS na momente je i smiješan, poetičan i sarkastično utopijski.

Naša rijeka... naše nebo / Our River… Our Sky

Iraq, France, United Kingdom, Germany, Kuwait, United Arab Emirates, Qatar, 2021, Colour, 117 min.

Režija / Director: Maysoon Pachachi Uloge / Cast: Darina Al Joundi, Zainab Joda, Amed Hashimi, Meriam Abbas

U tipičnom mješovitom bagdadskom naselju 2006. godine, zajednica običnih ljudi pokušava normalno živjeti uprkos prijetnji nepredvidivog nasilja. U središtu njihovih isprepletenih priča nalazi se Sara, samohrana majka i književnica, kojoj se vraća volja da piše nakon što posvjedoči prisilnom iseljavanju svoje susjede i najbolje prijateljice, kršćanke Sabihe. Nakon što tik pred Novu godinu čuju za iznenadno pogubljenje Sadama Husseina, Sara i njeni susjedi pripremaju se za neizvjesnu budućnost.

Pa ipak, nekim čudom, svako od njih uspijeva sačuvati zrno optimizma.

In a typically mixed Baghdadi neighbourhood in 2006, a community of ordinary people try to live their everyday lives amidst the threat of unpredictable violence. At the heart of these

Ni na nebu ni na zemlji / Between Heaven and Earth

Ambasador / The Ambassador

intersecting stories, we find Sara, a single mother and novelist, who regains her will to write after witnessing the forced exile of her Christian neighbour and best friend Sabiha.

With the news of Saddam Hussein's sudden execution shortly before the New Year, Sara and her neighbours brace themselves for an uncertain future. Yet, like a miracle, each is able to sustain a fragile sense of hope.

Ni na nebu ni na zemlji /

Between Heaven and Earth

Palestine, Luxembourg, Iceland, 2019, Colour, 95 min.

Režija / Director: Najwa Najjar Uloge / Cast: Mouna Hawa, Firas Nassar, Lamis Ammar, Sari Bisharat

Centralna tema filma razvod je bračnog para u tridesetim godinama života, Palestinke iz Nazaretha, Salme, i Tamera, sina slavnog intelektualca i revolucionara koji je poginuo u Beirutu. Salma i Tamer u braku su proveli pet godina i žive na teritoriji pod palestinskom upravom. U procesu razvoda dolaze do šokantnog otkrića o prošlosti Tamerovog oca. Ljubavna priča o razvodu prerasta u priču o okupaciji, podijeljenoj zemlji i dvoje ljudi sa različitim očekivanja za budućnost njihove zemlje.

The film revolves around the divorce of a 30 something couple, Salma, a Palestinian from Nazareth, her husband, Tamer, the son of a famous intellectual revolutionary killed in Beirut. Salma and Tamer have been married for the past five years and living in the Palestinian territory. In the process of the divorce they are confronted with a staggering discovery about Tamer’s father’s past. A love story about divorce became the journey of exploration of occupied territories, a divided country, and two people from different visions of a country.

Pucnji u Marseju /

Bullets Over Marseille

Serbia, 2021, Colour and B&W, 74 min.

Režija / Director: Gordan Matić Uloge / Cast: Svetozar Cvetković, Vladimir Aleksić, Tihomir Stanić, Strahinja Blažić

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Dana 9. oktobra 1934. godine se u Marseillu dogodio atentat na kralja Aleksandra od Jugoslavije i ministra vanjskih poslova Francuske Louisa Barthoua. Film PUCNJI U MARSEJU prati sudski proces saučesnicima atentatora Vlade Georgijeva Černozemskog.

Kroz rekon-strukciju i dramatizaciju pravog procesa, ali i kroz ono što je izostavljeno tokom suđenja, ispričana sudska drama je najbliža istini o samom suđenju, ali i epilogu po evropski mir.

King Alexander of Yugoslavia and French Foreign Minister, Louse Barthou, were assassinated in Marseille on October 9, 1934.

BULLETS OVER MARSEILLE follows the trial of the assassin Vlade Georgijev Cernozemski’s co-conspirators. Through the reconstruction and dramatization of the legal proceedings, but also everything that had been skipped over during the trial, a courthouse drama has been constructed that comes closest to the truth of the trial itself and its impact on peace in Europe.

Ambasador / The Ambassador Denmark, 2011, Colour, 93 min.

Režija / Director: Mads Brügger

Neobičan, zagonetan i dekadentan diplomata, bijelac, dolazi u centralnu Afriku izgledajući poput mješavine Henryja Stanleyja i Karla Lagerfelda. Nedavno je kupio ambasadorsko mjesto i tvrdi da je bogati biznismen i dobročinitelj koji je došao uspostaviti diplomatsku misiju.

Zvanično, njegov zadatak je pokrenuti tvornicu za proizvodnju šibica kako bi zaposlio lokalno stanovništvo i naučio ih kako proizvesti to jednostavno sredstvo za potpaljivanje vatre.

Nezvanično, zadatak mu je da osigura pristup velikim rezervama dijamanata.

A strange, enigmatic and decadent white diplomat arrives in central Africa, looking like a mixture of Henry Stanley and Karl Lagerfeld. He has recently bought an ambassadorship and claims to be a do-good rich business man, who has come to spearhead a diplomatic mission.

Officially he is there to start a factory that

Krtica / The Mole: Undercover in North Korea

Pucnji u Marseju / Bullets Over Marseille

Naša rijeka... naše nebo / Our River… Our Sky

produces matches – this, to employ locals and teach how to make this simple piece of firemaking equipment. Unofficially he is really there to gain access to vast reserves of diamonds.

Krtica / The Mole: Undercover in North Korea

Denmark, Norway, United Kingdom, Sweden, 2020, Colour, 135 min.

Režija / Director: Mads Brügger

Stvarni špijunski triler o penzionisanom kuharu iz Danske koji u svom paralelnom životu radi kao tajni agent. Zajedno sa svojim partnerom, nekadašnjim dilerom kokaina za pripadnike društvene elite iz Kopenhagena, Krtica se uspijeva infiltrirati u zemlju pod vlašću jedne od najbrutalnijih diktatura na svijetu – Sjevernu Koreju. Filmska ekipa je, tokom više od deset godina, imala pristup najužem krugu pripadnika međunarodne kriminalne mreže koja proizvodi i distribuira oružje i narkotike za otpadničku Sjevernu Koreju. Dogovori se sklapaju, ugovori potpisuju, a protagonisti ubrzo bivaju duboko uključeni u plan za izgradnju tajne, podzemne fabrike oružja i narkotika negdje u Africi. Ali

Neriješeni slučaj Hammarskjöld / Cold Case Hammarskjöld

koliko dugo mogu izdržati prije nego što budu uhvaćeni u zamku?

A real life spy thriller about a retired chef from Denmark, and his double life as a secret agent.

Together with his side kick, a former jet set cocaine pusher from Copenhagen, The Mole manages to infiltrate one of the most brutal dictatorships in the world; North Korea. Over a period of more than 10 years, the film team gains access to the heart of an international criminal network that produces and distributes weapons and drugs for the rogue state of North Korea. Contracts are signed, deals are cut and soon the protagonists become deeply involved in a plan to make a secret, underground weapon and drug factory somewhere in Africa.

But how far can they push the envelope before the trap clicks?

Neriješeni slučaj Hammarskjöld / Cold Case Hammarskjöld

Denmark, Norway, Sweden, Belgium, 2019, Colour, 128 min,.

Režija / Director: Mads Brügger

Avion generalnog sekretara Ujedinjenih

naroda Daga Hammarskjölda 1961. godine misteriozno se srušio, a Hammarskjöld i većina članova posade su poginuli. Preko 50 godina kasnije, uzroci nesreće još uvijek nisu utvrđeni, što inspiriše danskog novinara, filmskog autora i provokatora Madsa Brüggera da nas povede na putovanje kroz istraživačku zečiju rupu ne bi li utvrdio istinu. Puno lažnih početaka, mrtvih krajeva i neuhvatljivih intervjua kasnije, Brügger i njegov pratilac, švedski privatni istražitelj Göran Björkdahl, počinju otkrivati nešto mnogo monumentalnije od bilo čega što su očekivali.

In 1961, United Nations secretary-general Dag Hammarskjöld’s plane mysteriously crashed, killing Hammarskjöld and most of the crew.

With the case still unsolved 50-plus years later, Danish journalist, filmmaker, and provocateur Mads Brügger leads us down an investigative rabbit hole to unearth the truth.

Scores of false starts, dead ends, and elusive interviews later, Brügger and his sidekick, Swedish private investigator Göran Björkdahl, begin to sniff out something more monumental than anything they’d initially imagined.

Program “Suočavanje s prošlošću” u saradnji s WARM Fondacijom predstavlja izložbu Palestina i obećana zemlja / Dealing with the Past in collaboration with WARM Foundation presents an exhibition Palestine, and a Promised Land

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DAN LJUDSKIH PRAVA / HUMAN RIGHTS DAY PROGRAMME Pod pokroviteljstvom Kraljevine Nizozemske, ove godine će se održati 13. izdanje Dana ljudskih prava u sklopu 27.

Sarajevo Film Festivala. U okviru programa, u utorak, 17.08.2021. u multipleksu Cineplexx Sarajevo bit će održana projekcija filma COLECTIV u režiji Alexandera Nanaua, koja će poslužiti kao osnova za panel-diskusiju nakon projekcije filma. Panel-diskusija će staviti fokus na temu “Društvo i pojedinac – odgovornost koja nestaje?”.

Moderator panela je Robert Zuber, novinar i reditelj.

Under the auspices of the Kingdom of the Netherlands, the 2021 Sarajevo Film Festival will organize its 13th consecutive Human Rights Day programme. The programme will include a screening on 17 August 2021 of Alexander Nanau's COLLECTIVE. The screening at Multiplex Cineplexx Sarajevo will be followed by a panel discussion centered on the topic ''Society and the Individual - A Perishing Responsibility?''. The discussion will be moderated by journalist and director Robert Zuber.

Društvo i pojedinac - odgovornost koja nestaje?

Society and the Individual – A Perishing Responsibility?

Film COLLECTIVE Alexandera Nanaua – koji će publici Sarajevo Film Festivala biti predstavljen u okviru programa Dan ljudskih prava – postavlja pitanje na koje je sve teže pronaći odgovor.

U kojoj mjeri se društva odgovorno odnose prema pojedincima kao konstituentima zajednica, naročito u situacijama u kojima se, usljed korupcije ili odbacivanja odgovornosti onih koji imaju moć da ih zaštite, nekom pojedincu nanosi nepravda?

Slučaj predstavljen u Nanauovom filmu lako se može označiti kao jedna od onih stvari koje se dešavaju u zemljama Istočne Evrope s kratkom demokratskom tradicijom. Međutim, slični slučajevi mogu se pronaći i širom zapadnoevropskih demokratija u primjerima beskrupuloznog ponašanja bogatih i moćnih pojedinaca koji su spremni na sve kako bi ostvarili ličnu dobit. Život sam po sebi, u ovom slučaju izgubljen, postaje predmet matematičke kalkulacije kolateralne štete koja se, u poređenju s ličnim profitom, često smatra prihvatljivom.

Dakle, u kojem tačno trenutku smo postali društvo sa globalnim problemima, u kojem je sudbina pojedinaca, kao i odgovornost za nepravdu koja im je nanesena, postala manje bitna? I da li je uopće moguće usredsrediti pažnju na sudbinu pojedinaca bez kojih društvena zajednica ne bi postojala?

Robert Zuber

Presented to Sarajevo Film Festival audiences as part of this year’s Human Rights Day programme, Alexander Nanau’s COLLECTIVE raises an increasingly urgent question that remains unanswered: To what extent do societies as collectives in fact act responsibly towards the individuals who comprise them – particularly when it comes to forms of injustice or accident caused by non-action on the part of those who should be in control of such incidents, or as a result of their corrupt actions?

The case presented in Nanau’s film might easily be labelled as “one of those things” that happen in the new Eastern European democracies, with their few years of democratic tradition. Similar cases can be found, however, across the Western European democracies, in examples of the unscrupulous behaviour of the rich and powerful who stop at nothing in the quest for personal profit. In such cases, life becomes no more than a mathematical calculation of collateral damage in the pursuit of profit – and it would seem that, measured against profit levels, such “damage” is very often deemed acceptable. When did we become a society – indeed a global society with what has become a global problem – in which the fate of the individual has become so insignificant, and the responsibility for the injustice done to those individuals so diminished?

And is it even possible to switch the focus back to the fate of individuals in a society that would not exist without them?

Robert Zuber

Colectiv / Collective

Colectiv / Collective

Romania, Luxembourg, 2019, Colour, 109 min.

Režija / Director: Alexander Nanau

U požaru koji je 2015. godine izbio u bukureštanskom noćnom klubu Colectiv poginulo je 27, a povrijeđeno 180 osoba. Mnogi od povrijeđenih naknadno su umrli u bolnicama iako njihove povrede nisu bile opasne po život. Jedan doktor otkriva istinu timu istraživačkih novinara koji postepeno počnu razotkrivati široko rasprostranjenu korupciju u zdravstvu. Kada novi ministar zdravstva preuzme funkciju, on novinarima nudi neuobičajeno dobar pristup i uvid u vlastite napore da reformira korumpirani sistem i probleme s kojima se pri tome suočava.

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In 2015, a fire at Bucharest’s Colectiv club leaves 27 dead and 180 injured. Soon, more burn victims begin dying in hospitals from wounds that were not life-threatening. Then a doctor blows the whistle to a team of investigative journalists. One revelation leads to another as the journalists start to uncover vast health care fraud. When a new health minister is appointed, he offers unprecedented access to his efforts to reform the corrupt system but also to the obstacles he faces. Following journalists, whistle-blowers, burn victims, and government officials, COLLECTIVE is an uncompromising look at the impact of investigative journalism at its best.

M JAD TH OF FE A

Časovi njemačkog / German Lessons

PROGRAM MREŽE FESTIVALA JADRANSKE REGIJE / THE PROGRAMME OF NETWORK OF FESTIVALS IN THE ADRATIC REGION

Ljudski faktor / Human Factors

Čuvar brata svoga / Brother's Keeper

Časovi njemačkog / German Lessons

Bulgaria, Germany, 2020, Colour, 100 min.

Režija / Director: Pavel G. Vesnakov Uloge / Cast: Julian Vergov, Vasil Banov

Nekadašnji grešnik Nikola napušta domovinu, ali rastanak s porodicom tjera ga da propituje svoj izgubljeni identitet. Može li Nikola pobjeći od svojih korijena ili je sa njima neraskidivo vezan?

Nicola, a former sinner, is leaving his homeland, but separation with his family forces him to ask questions about his lost identity. Can he cut off his roots, or is the connection unbreakable?

Čuvar brata svoga /

Malo tijelo / Small Body

Neprijatelj / The Enemy

vansezonski odmor prerasta u prilično zlokobnu situaciju kada im neko provali u kuću.

At the advertising agency they own together, French-German couple Nina and Jan have signed on a new, politically charged client, which forces them to confront their clashing priorities. To escape mounting tensions at work, they whisk their kids, Max and Emma, away to their seaside vacation home. But what is meant to be an idyllic off-season retreat turns into a more sinister situation when a mysterious home invasion throws everything off balance.

Malo tijelo / Small Body

Brother's Keeper

Italy, France, Slovenia, 2021, Colour, 89 min.

Režija / Director: Laura Samani Uloge / Cast: Celeste Cescutti, Ondina Quadri

Yusuf i njegov najbolji prijatelj Memo pohađaju školu za kurdske dječake internatskog tipa smještenu na osami u planinama istočne Anadolije. Kada Memo oboli od misteriozne bolesti, da bi pomogao svom prijatelju, Yusuf je prisiljen da se suoči s birokratskim preprekama koje pred njega postavlja represivna školska uprava. Dok odgovorne odrasle osobe shvate ozbiljnost Memine zdravstvene situacije, i pokušaju ga prebaciti u bolnicu, iznenadne guste snježne padavine zatrpavaju školu.

Yusuf and his best friend Memo are pupils at a boarding school for Kurdish boys, secluded in the mountains of Eastern Anatolia. When Memo falls mysteriously ill, Yusuf is forced to struggle through the bureaucratic obstacles put up by the school's repressive authorities to try to help his friend. By the time the adults in charge finally understand the seriousness of Memo’s condition and try to get him to the hospital, however, the school has been buried under a sudden, heavy snowfall.

Na malom otoku na sjeveroistoku Italije, jedne zime početkom devedesetih godina prošloga vijeka, Agata rađa mrtvo dijete. Prema katoličkoj vjerskoj tradiciji, dijete koje nikada nije prodisalo ne može biti kršteno, a njegova duša osuđena je da luta čistilištem bez imena i bez smiraja. Ali Agata je čula za jedno mjesto u planinama na sjeveru zemlje gdje djecu mogu oživjeti samo kako bi jednom udahnula i tako ispunila uslov za krštenje. Agata u tajnosti napušta otok i – vođena samo nadom – kreće na opasan put, a sa sobom nosi malo tijelo svoje kćerke skriveno u kutiji.

A small island in northeastern Italy in the winter of 1900. Young Agata’s baby is stillborn.

In the Catholic tradition, an infant that has not taken its first breath cannot be baptized, and its soul is condemned to Limbo without a name and without peace. But Agata has heard about a place in the mountains up north where infants can be brought back to life for that single breath necessary to allow baptism. So, Agata leaves the island in secret, her daughter’s body hidden in a box, and undertakes a dangerous voyage with nothing but hope to guide her.

Turkey, 2021, Colour, 85 min.

Režija / Director: Ferit Karahan Uloge / Cast: Samet Yıldız, Ekin Koç, Mahir İpek

Ljudski faktor / Human Factors

Germany, Italy, Denmark, 2021, Colour, 102 min.

Režija / Director: Ronny Trocker Uloge / Cast: Mark Waschke, Sabine Timoteo, Jule Hermann, Wanja Valentin Kube

Nina i Jan, francusko-njemački bračni par i suvlasnici reklamne agencije, potpisuju ugovor s politički eksponiranim klijentom, što će ih prisiliti da se suoče sa činjenicom da se njihovi prioriteti razlikuju. Kako bi pobjegli od sve napetije situacije na poslu, sa svojom djecom Maxom i Emmom odlaze u porodičnu vikendicu na moru. Ono što su zamislili kao idiličan

Neprijatelj / The Enemy

France, Belgium, Luxembourg, 2020, Colour, 100 min.

Režija / Director: Stephan Streker Uloge / Cast: Jérémie Renier, Alma Jodorowsky

Poznati političar Louis Durieux optužen je za ubistvo svoje supruge, koja je pronađena mrtva u njihovoj hotelskoj sobi. Slučaj izaziva pravu medijsku oluju. Da li je Durieux kriv ili nevin? To niko ne zna. Možda čak ni on...

Prominent politician Louis Durieux is accused of having murdered his wife, who was found dead

Prirodno svjetlo / Natural Light

Dan četrnaesti / The Fourteenth Day

in their hotel room. The case blows up into an intense media storm. Is he guilty or innocent?

Nobody knows. Perhaps not even him…

Prirodno svjetlo / Natural Light

Hungary, France, Latvia, Germany, 2021, Colour, 103 min.

Režija / Director: Dénes Nagy Uloge / Cast: Ferenc Szabó, Tamás Garbacz

Drugi svjetski rat, dio Sovjetskog Saveza pod okupacijom. István Semetka jednostavni je mađarski farmer i poručnik u specijalnoj skautskoj partizanskoj jedinici. Na putu do udaljenog sela njegovu jedinicu napadaju neprijateljske snage. Komandir jedinice gine, a Semetka mora prevladati vlastite strahove i preuzeti komandu u haotičnoj situaciju koju ne može kontrolisati.

World War II in the occupied Soviet Union.

István Semetka is a simple Hungarian farmer who serves as a Caporal in a special unit that scouts for partisan groups. On their way to a remote village, his company falls under enemy fire. When his commander is killed, Semetka has to overcome his fears and take command of the unit as he is dragged into a chaos he cannot control.

Jugoslavenski klasik / Yugoslav Classics

Dan četrnaesti /

The Fourteenth Day

Yugoslavia, 1960, Black and white, 98 min.

Režija / Director: Zdravko Velimirović Uloge / Cast: Nikola Popović, Karlo Bulić, Slobodan Perović, Dušan Janićijević

U filmu DAN ČETRNAESTI pratimo četiri zatvorenika koji, zbog dobrog vladanja, dobijaju dvije sedmice boravka na slobodi. Situacije u njihovim životima se komplikuju kako se bliži dan povratka u zatvor, dan četrnaesti.

THE FOURTEENTH DAY tells the story of four prison inmates who are granted a temporary four-day release on account of their good behaviour. Their lives become increasingly complicated as the day of their return to prison approaches.

Adriatic Audience Award – Nagrada publike Programa Mreže festivala jadranske regije / Network of Festivals in Adriatic Region Audience Award

Nagrada u vrijednosti 5000 € za podsticaj kinodistribucije pobjedničkog filma koja se dodjeljuje na Festivalu autorskog filma u Beogradu. / The award includes 5000 € for the theatrical distribution of the most voted film in the region of the Former Yugoslavia

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Bol / Pain

Crna kutija / Black Box

Maronina fantastična priča / Marona's Fantastic Tale

Kukavica / Chicken

Matilda i rezervna glava / Matilda and the Spare Head

DJEČIJI PROGRAM CHILDREN'S PROGRAMME Program dostupan samo online. / Programme avaliable only online. / ondemand.kinomeetingpoint.ba

Bol / Pain

New Zealand, 2020, Colour, 9 min.

Režija / Director: Anna Rose Duckworth Uloge / Cast: Eva Gardiner, Wesley Dowdell, Brooke Petersen, Emily Campbell, Harley Neville

Režija / Director: Anca Damian Uloge / Cast: Lizzie Brochere, Bruno Salomone, Thierry Hancisse, Nathalie Boutefeu, Shirelle Mai-Yvart, Maïra Schmitt

Mlada djevojka dolazi do šokantne spoznaje da njen otac nije nepobjediv nakon što on, tokom utakmice kriketa, doživi nesreću koja otkrije njegove slabosti.

A young girl has an earth-shattering realisation that her father is not invincible, after a cricket accident exposes his vulnerability.

Nakon što doživi nesreću, maleni psić, ženka, prisjeća se svojih različitih vlasnika koje je bezuslovno voljela. Zbog neograničene empatije, njen život postaje lekcija o ljubavi.

Victim of an accident, a small female dog remembers her different masters that she has unconditionally loved. Due to her unfailing empathy, her life becomes a lesson about love.

Crna kutija / Black Box

Matilda i rezervna glava /

Turkey, 2020, Colour, 15 min.

Režija / Director: Can Deniz Atici Uloge / Cast: Selin Sangu, Seda Türkmen, Kaya Akkaya

Jedanaestogodišnja Selin mlada je violinistica koja se pokušava pripremiti za završne ispite dok se bori da samostalno preživi u haotičnom Istanbulu. Kako se datum završnih ispita približava, teret čuvanja tajne od ukućana postaje joj sve teži.

Eleven-year-old Selin is a young violinist who is preparing for her final exams as she tries to survive in Istanbul's chaotic atmosphere by herself. The burden of keeping her secret at home gets harder as the exam date approaches.

Kukavica / Chicken

France, 2021, Colour, 11 min.

Režija / Director: Mikael Gaudin Uloge / Cast: Tanguy Mercier, Florence Janas, Augustine Széchényi Bensoussan

Jednog poslijepodneva desetogodišnji Antonin nalazi se sa Zohrom, djevojkom koja mu je veoma draga. Ali Zohra na sastanak dolazi u pratnji svoja dva rođaka koji nju i Antonina nagovaraju da igraju opasnu igru koja uključuje automobile koji prolaze obližnjom cestom.

One afternoon, ten-year-old Antonin has a date with Zohra, a girl he’s very fond of. But she shows up with her two cousins, who dare them to play a dangerous game involving cars driving on a road nearby.

Maronina fantastična priča / Marona's Fantastic Tale

Romania, France, Belgium, 2019, Colour, 92 min.

Matilda and the Spare Head

Lithuania, 2020, Colour, 13 min.

Režija / Director: Ignas Meilūnas Uloge / Cast: Rusnė Savickaitė, Karolina Leciūtė, Dovilė Šarutytė, Ignas Meilūnas, Rytis Saladžius

Kada sve ono što je Matilda naučila ne može više stati u jednu glavu, majka joj kupuje rezervnu glavu. Dvije glave su bolje od jedne, ali Matilda uskoro postaje zbunjena jer ne zna kada bi trebala nositi koju glavu, a potom gubi rezervnu.

When all the things Matilda's learned can no longer fit in one head, her mother buys her a backup one. Two heads are better than one but Matilda soon becomes confused which head should she wear at what time and loses the second head shortly after.

Misija Ulja Funk / Mission Ulja Funk

Germany, Luxembourg, Poland, 2021, Colour, 91 min.

Režija / Director: Barbara Kronenberg Uloge / Cast: Romy Janinhoff, Jonas Oeßel, Hildegard Schroedter, Luc Feit, Anja Schneider

Kada dvanaestogodišnju Ulju spriječe da se posveti svojoj strasti, astronomiji, ona odluči preuzeti kontrolu nad vlastitim životom. U ukradenom pogrebnom vozilu kojim upravlja njen trinaestogodišnji školski prijatelj, Ulja putuje istočnom Evropom kako bi svjedočila udaru jednog asteroida.

When twelve-year-old Ulja is prevented from pursuing her passion, astronomy, she decides to take matters into her own hands. With a stolen hearse and a thirteen-year-old classmate as a driver, she makes her way across Eastern Europe to watch the impact of an asteroid.

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Moj tata hot-dog /

My Dad is a Sausage

Belgium, Netherlands, Germany, 2021, Colour, 80 min.

Režija / Director: Anouk Fortunier Uloge / Cast: Johan Heldenbergh, Savannah Vandendriessche, Hilde De Baerdemaeker

Zoinog tatu bankara deprimira njegov posao, stoga odlučuje napustiti karijeru u bankarstvu kako bi postao glumac. Njegovu suprugu, glavnu izvršnu direktoricu, zabrinjavaju njegovi planovi, ali njegova jedanaestogodišnja kćerka Zoe shvata da mu mora pomoći da uspije u svom novom životu.

Zoé's father is depressed in his job as a banker and decides to leave that career to become an actor. His wife, a CEO, is concerned about his plans, but his eleven-year-old-daughter Zoe realizes she has to help her dad to succeed with his new life.

Nina

Bulgaria, 2019, Colour, 19 min.

Režija / Director: Hristo Simeonov Uloge / Cast: Lili, Plamena Stefanova, Borislav Rusev, Margita Gosheva, Niki Chobanski

Adolescentica Nina za život zarađuje baveći se džeparenjem na opasnim ulicama velikog grada jer joj njen rodni grad u provinciji nije pružao nikakve mogućnosti da izgradi budućnost. Ova moderna verzija Olivera Twista ima i svoga Fagina koji Ninu drži u raljama kriminala i ovisnosti.

Nina is an adolescent, who makes a living as a pickpocket in the mean streets of the big city, as her hometown in the countryside holds no options or future. This modern take on Oliver Twist also has its own Fagin character – one who keeps Nina in his grasp of crime and dependency.

Prelazak / The Crossing

France, Germany, Czech Republic, 2021, Colour, 80 min.

Režija / Director: Florence Miailhe

Malo selo poharano je u noći, jedna porodica prisiljena je na bijeg. Dvoje najstarije djece – Kyona i Adriel – razdvajaju se od roditelja i sami moraju tražiti spas. Kreću na herojsko putovanje tokom kojeg će iz djece izrasti u adolescente, u potrazi za utočištem, mirom i

Misija Ulja Funk / Mission Ulja Funk

Moj tata hot-dog / My Dad is a Sausage

nadom da će pronaći svoju porodicu. Dok prelaze kontinent, razoren ratom i progonima migranata, preživjet će nevjerovatne izazove prije nego što konačno stignu do novog svijeta i slobode.

A small village looted in darkness, a family forced to flee. The two oldest children, Kyona and Adriel are quickly separated from their parents facing the road of exile alone. They embark on a heroic journey which takes them from childhood to adolescence in search of shelter, peace and the hope of finding refuge and their family. Crossing a continent torn apart by war and migrant persecution, these courageous siblings survive incredible challenges, before reaching a new world, free at last.

Rocca – djevojčica koja će spasiti svijet / Rocca Changes the World

Germany, 2019, Colour, 101 min.

Režija / Director: Katja Benrath Uloge / Cast: Luna Maxeiner, Caspar FischerOrtmann, Luise Richter, Leo Knizka

Rocca je hrabra, duhovita i jedinstvena. Ona

Nina

Rocca – djevojčica koja će spasiti svijet / Rocca Changes the World

Prelazak / The Crossing

Zavijanje / Howling

ima jedanaest godina i prilično neobičan život.

Dok njen otac, astronaut, bdije nad njom iz svemira, Rocca živi sa svojom vjevericom i prvi put u životu ide u normalnu školu. Njen bezbrižni i nekomformistički način života u školi odmah privlači pažnju. Rocca se neustrašivo suprotstavlja razrednim zlostavljačima, zato što se ona prvenstveno bori za pravdu. Zbog toga se sprijatelji s beskućnikom Casparom i nastoji mu pomoći. Istovremeno pokušava osvojiti srce svoje bake.

Brave, funny, and one of a kind: that's Rocca.

Rocca is eleven years old and lives a rather unique life. While her dad is watching over her as an astronaut from outer space, Rocca lives alone with her squirrel and is attending a normal school for the first time in her life. At school her carefree and non-conformist way of life instantly stands out. She fearlessly confronts the class bullies, because first and foremost Rocca stands up for justice. That's why she makes friends with the homeless Caspar and tries to help him. All the while she is also attempting to win over her grandmother's heart.

Zavijanje / Howling

Belgium, 2020, Colour, 20 min, Dutch Režija / Director: Laura Van Haecke Uloge / Cast: Bo van Langenhove, Rani van Langenhove, Natali Broods, Koen De Ruyck, Steve Aernouts, Norman Baert

S mamom Iris i polusestrom Rani, devetogodišnja Bo seli se na selo. Pomalo se dosađujući u svom novom okruženju, na livadama i farmama, sestre se raduju vikendu kada će njihovi očevi doći po njih. Ali Boin otac se, kao i obično, ne pojavi. Dok Rani dan provodi kod svoga tate, Bo ostaje sama kod kuće. U izolovanom selu mora se osloniti na sebe i postati samostalnija.

Together with her mother Iris and her halfsister Rani, nine-year-old Bo moves to the countryside. Slightly bored in the new environment of fields and farms, the sisters look forward to the weekend when their fathers come to pick them up. Bo's father, however, as usual doesn’t show up. While Rani spends the weekends at her dad’s, Bo stays home alone.

In the isolated landscape, she has to rely on herself and become more independent.

SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

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TEENARENA Program dostupan samo online. / Programme avaliable only online. / ondemand.kinomeetingpoint.ba

Bojim se da ću zaboraviti tvoje lice / I Am Afraid to Forget Your Face

Devek

Iz divljih mora / From the Wild Sea

Intervju / Interview

Ja sam Greta / I Am Greta

Bojim se da ću zaboraviti tvoje lice / I Am Afraid to Forget Your Face

Egypt, France, Qatar, Belgium, 2020, Colour, 15 min.

Režija / Director: Sameh Alaa Uloge / Cast: Seif Hemeda, Nourhan Ahmed

Nakon 82 dana duge razdvojenosti, Adam kreće na težak put kako bi se, po svaku cijenu, ponovo susreo s osobom koju voli.

After an 82-day separation, Adam travels a rough road to be reunited with the one he loves, whatever it takes.

Devek

Israel, 2021, Colour, 14 min.

Režija / Director: Uriya Hertz Uloge / Cast: Yoav Rotman, Efrat Ben Zur, Rotem Zisman Cohen

Eliya vodi svoju bolesnu majku Naomi kod spiritualnog medija nedaleko od Mrtvog mora, te čini sve što je u njegovoj moći da je osnaži.

Međutim, posjeta ne prolazi onako kako su planirali – sin i majka su prinuđeni suočiti se sa svojom budućnošću.

Eliya takes his sick mother Naomi to visit a psychic medium near the Dead Sea, doing everything in his power to strengthen her. However, the visit does not go as planned, causing the son and his mother to confront their future.

Hod po vjetru /

Footsteps on the Wind

United States, United Kingdom, Brazil, 2021, Colour, 7 min.

Režija / Director: Maya Sanbar, Gustavo Leal

Film prati tešku sudbinu Noor i njenog mlađeg brata Josefa koji, nakon gubitka roditelja u razornom zemljotresu, odlaze daleko od kuće.

Film u središte pažnje postavlja tragične priče djece izbjeglica bez roditeljske pratnje, a kojih danas u svijetu ima preko 400.000.

FOOTSTEPS ON THE WIND follows the plight of Noor and her little brother, Josef as they journey far away from home, orphaned from a devastating earthquake. The story highlights the tragic stories of unaccompanied child refugees, of which there are over 400 000 in the world today.

Intervju / Interview

Iran, Ukraine, 2020, Colour, 13 min.

Režija / Director: Hanna Jalali

Uloge / Cast: Erfaneh Nikpendar, Afsaneh Salehi, Arefeh Nikpendar, Zahra Dorali

Azadeh je šampionka u taekwondou, ali njena majka ne uzima njena postignuća za ozbiljno i nastoji je pretvoriti u osobu za kakvu ona smatra da bi trebala biti.

Azadeh is a taekwondo champion, but at home, her mother doesn't take her accomplishments properly and tries to make her be the person she wants.

Iz divljih mora /

From the Wild Sea

Denmark, 2021, Colour, 78 min.

Režija / Director: Robin Petré

Kako se bliži vrhunac zime, članovi široke evropske mreže spasilaca morskih životinja pripremaju se za napornu sezonu. Tokom čitave godine oni i noću i danju neumorno rade na spašavanju priobalnih životinja od životno opasnih elemenata: nafte, plastike, prevrtljivih klimatskih uslova. Ali najgori dani su tek pred njima. Klimatske promjene uzrokuju vremenske nepogode na svim morima, a redovne zimske oluje kreću se prema njima s neuobičajenom snagom. Istovremeno, divlje životinje se zubima i kandžama brane od ljudi u svome okruženju.

As the peak of winter draws near, a vast European network of marine animal rescue volunteers are bracing themselves for the rough season. Night and day, all year round, they work tirelessly to rescue coastal wildlife from life-threatening elements: Oil. Plastic.

Treacherous conditions. But the worst is ahead. Climate change fuels violent weather across the seas, and the annual winter storms are coming at them with an unprecedented roar. Simultaneously, the wild animals are struggling against their human surroundings with fangs and claws.

Ja sam Greta / I Am Greta Sweden, 2020, Colour, 98 min.

Režija / Director: Nathan Grossman

U ovom intimnom dokumentarcu švedskog reditelja Nathana Grossmana, priča maloljetne klimatske aktivistice Grete Thunberg ispričana je kroz dirljive, prethodno neprikazane snimke.

Grossman prati Gretu od trenutka kada – kao stidljiva učenica koja boluje od Aspergerovog sindroma – počne sama štrajkovati za zaštitu

46 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

okoliša ispred švedskog parlamenta pa sve dok ne stekne međunarodno priznanje i ne potakne školske štrajkove širom svijeta.

The story of teenage climate activist Greta Thunberg is told through compelling, neverbefore-seen footage in this intimate documentary from Swedish director Nathan Grossman. Starting with her one-person school strike for climate action outside the Swedish Parliament, Grossman follows Greta—a shy student with Asperger’s—in her rise to prominence and her galvanizing global impact as she sparks school strikes around the world.

Klub ružne djece /

The Club of Ugly Children

Netherlands, 2019, Colour, 91 min.

Režija / Director: Jonathan Elbers Uloge / Cast: Sem Hulsmann, Faye Kimmijser, Narek Awanesyan, Jeroen van Koningsbrugge

"Održavajte čistoću!" – slogan je novog predsjednika koji odjekuje urednim ulicama.

Mora biti shvaćen doslovno, a odnosi se i na izgled. Paul je jedno od "ružne" djece, a njegove velike uši prilično su upadljive na školskoj fotografiji. Kada njega i još nekoliko "ružne" djece dan nakon slikanja u školi povedu na put, oni ubrzo shvataju da ih predsjednik želi sakriti. Paul uspjeva pobjeći. U bijegu, uz pomoć Sare, jedne od "lijepe" djece, Paul osniva tajni klub za borbu protiv predsjednika.

Pokret koji je Paul pokrenuo ubrzo se proširuje i prerasta u revoluciju. Djeca će pokazati svijetu da se čak i oni mogu pobuniti i da neko ne mora biti "lijep" da bi bio heroj!

“Keep it clean!” – The slogan of the new president rings through the orderly street. It is to be taken literally, and that includes looks. One of the kind of unsightly kids is Paul, whose large jug ears are quite apparent on class photo day.

When he and some of the “ugly” children are taken on a trip the next day, they soon realize that the president wants to hide them away.

Paul escapes. On the run, and with help from Sara, one of the “pretty” children, he starts an underground club to fight against the president.

The movement soon grows bigger and quickly turns into a revolution. The kids will show the world that even children can rise up and that you don’t have to be “pretty” to be a hero!

Klub ružne djece / The Club of Ugly Children

Samo što nije / Any Day Now

Samo što nije / Any Day Now

Finland, 2020, Colour, 82 min.

Režija / Director: Hamy Ramezan Uloge / Cast: Aran-Sina Keshvari, Shahab Hosseini, Shabnam Ghorbani, Kimiya Eskandari

Trinaestogodišnji Iranac Ramin Mehdipour s porodicom živi u izbjegličkom kampu u Finskoj.

Tek što Ramin počne uživati u školskim praznicima, porodica prima užasnu vijest da je njihov zahtjev za azil odbijen. Ulažu posljednju moguću žalbu na odluku i nastavljaju živjeti kao i ranije, iako su suočeni s prijetnjom deportacije. Na početku nove školske godine Raminu su svaki trenutak i svako prijateljstvo dragocjeniji nego ikada ranije.

Thirteen-year-old Ramin Mehdipour and his Iranian family have been living in a refugee centre in Finland. Just as Ramin starts to enjoy the school holidays, the family receives the terrible news their asylum application has been denied. The Mehdipours file a final appeal, and they continue with their everyday lives, trying to keep a positive attitude despite the looming danger of deportation. As Ramin starts the new

Sjeverni pol / North Pole

Stela

Za dlaku / By a Hair

Hod po vjetru / Footsteps on the Wind

school year, every moment, every friendship will be more precious than ever.

Sjeverni pol / North Pole

North Macedonia, Serbia, 2021, Colour, 15 min.

Režija / Director: Marija Apchevska Uloge / Cast: Antonija Belazelkoska, Luka Mitev, Frosina Trajkovska, Andrea Noveva

Maglovita livada, prenapučena svlačionica.

Margo ne pripada ni jednome ni drugome mjestu. Ako izgubi nevinost, možda će konačno pronaći mjesto gdje pripada.

A misty field, a crowded locker room. Margo belongs to neither. Maybe if she loses her virginity, she will finally find her place.

Stela

North Macedonia, Serbia, Germany, 2020, Colour, 91 min.

Režija / Director: Stojan Vujičić Uloge / Cast: Petar Manić, Hristina Popović, Toni Mihajlovski, Dejan Lilić, Stela Ava Korabska

Nakon što jedanaestogodišnjak, koji je bio žrtva vršnjačkog nasilja, pokuša počiniti samoubistvo, "pas čuvar" Stela jedino je biće

koje može prodrijeti do njega i vratiti njegovu vjeru u život.

After an attempt of a suicide of a eleven-yearold bullied kid, Stela – "a shepherd dog" – is the only one that can get through him and restore his faith in life.

Za dlaku / By a Hair

France, 2018, Colour, 21 min.

Režija / Director: Lauriane Escaffre, Yvonnick Muller Uloge / Cast: Madeleine Baudot, Grégory Gadebois, Lauriane Escaffre, Claudia Bacos, Sophie Robin, Esther Berquer, Brigitte Masure

Za tri dana Élodie mora polagati ispit za diplomu kozmetičarke koji podrazumijeva i da će morati dozvoliti da je ošišaju naćelavo.

Njen otac, mesar Christophe, bio bi puno sretniji kada bi mu ona malo više pomagala u mesari.

In three days, Élodie will sit the hair removal exam of her beautician diploma. Her father, Christophe, a butcher, would prefer it if she helped him more in his butcher's shop.

SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

47

Gaza Mon Amour

Prije nego što umre svjetlost / Before the Dying of the Light

SARAJEVO FILM FESTIVAL PARTNER PRESENTS DOHA FILM INSTITUTE Gaza Mon Amour

Palestine, France, Germany, Portugal, Qatar, 2020, Colour, 88 min.

Režija / Director: Tarzan Nasser, Arab Nasser Uloge / Cast: Salim Daw, Hiam Abbass, Maisa Abd Elhadi, George Iskandar, Hitham Al Omai

Gaza, danas. Šezdesetogodišnji Issa tajno je zaljubljen u Siham, ženu koja na tržnici radi kao krojačica. Nakon što konačno odluči da je zaprosi, u svojoj ribarskoj mreži pronalazi prastaru statuu Apolona koju sakriva kod kuće. Nevolje za Issu počinju kada Hamas sazna za postojanje tog misterioznog blaga…

Da li će Issa uspjeti priznati Siham da je voli?

Gaza, today. Sixty-year-old sherman Issa is secretly in love with Siham, a woman who works as a dressmaker at the market. Finally determined to propose, he discovers an ancient statue of Apollo in his fishing net, which he decides to hide at home. When Hamas discovers the existence of this mysterious treasure, troubles start for Issa...

Will he succeed in declaring his love to Siham?

Prije nego što umre svjetlost / Before the Dying of the Light

Morocco, France, 2020, Colour and B&W, 70 min.

Režija / Director: Abdelali Essafi

Ovaj blistavi kolaž postera, naslovnica časopisa, arhivskih snimaka, jazz muzike i stripova vraća nas kroz vrijeme, na umjetničku scenu Maroka sedamdesetih godina prošloga vijeka, viđenu

Al Tabbab

Doha institut za film je nezavisna, neprofitna kulturna institucija osnovana 2010. Institut pomaže razvoj lokalne filmske zajednice kroz unapređenje stručnog znanja, njegovanje ljubavi prema filmu i doprinos razvoju samoodržive kreativne filmske industrije u Kataru. Aktivnosti instituta uključuju finansiranje i produkciju lokalnih, regionalnih i međunarodnih filmova, obrazovnih programa i filmskih projekcija, kao i organizovanje Filmskog festivala mladih Ajyal i Qumra Film Festivala. Institut se u svome radu fokusira na kulturu, razvoj lokalnih zajednica i obrazovanje, a trajno je posvećen ostvarenju vizije Katara da se do 2030. godine nametne kao ekonomija utemeljena na znanju.

Doha Film Institute is an independent, not-for-profit cultural organisation established in 2010. It supports the growth of the local film community through cultivating film appreciation, enhancing industry knowledge and contributing to the development of sustainable creative industries in Qatar. The Institute’s platforms include funding and production of local, regional and international films; skills-sharing and mentorship programmes; film screenings; the Ajyal Youth Film Festival; and Qumra. With culture, community, learning and entertainment at its foundation, the Institute is committed to supporting Qatar’s 2030 vision for the development of a knowledge-based economy. očima umjetnika i glumaca, od kojih su mnogi završili u zatvoru ili su nestali bez traga. Okosnicu filma čini nezavisni marokanski film autora Mostafe Derkaouija iz 1974, ABOUT SOME MEANINGLESS EVENTS, u kojem je grupa mladih filmskih autora propitivala ulogu koju bi moderna marokanska kinematografija trebala igrati u društvu.

This glittering collage of posters, magazine covers, archive footage, jazz music, and cartoons takes us back to the art scene of 1970s Morocco, viewed from the perspective of the artists and actors themselves. Many of them were to end up in prison or disappear without a trace. The story revolves around a Moroccan independent film from 1974, ABOUT SOME MEANINGLESS EVENTS by Mostafa Derkaoui, where a group of young filmmakers explored the role the new Moroccan cinema should play in society.

SHORTCUTS TO QATAR

Al Tabbab

Qatar, 2020, Colour, 7 min.

Režija / Director: Khalifa Al Mana

Jedan dječak i njegov otac plove ka tajnoj lokaciji gdje obavljaju prastari žrtveni ritual ne bi li dobili bisere od misterioznog morskog čudovišta. Dječak je odlučan da oca učini ponosnim, ali muči se sa zadacima stavljenim pred njega.

Al-Sit

48 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

A boy and his father set sail to a secret site where they perform an ancient offering ritual to harvest pearls from a mysterious sea monster. The young boy is determined to make his father proud but struggles with the demanding tasks given to him.

Al-Sit

Qatar, Sudan, 2020, Colour, 20 min.

Režija / Director: Suzannah Mirghani Uloge / Cast: Mihad Murtada, Rabeha Mahmoud, Mohammed Magdi

U jednom selu u Sudanu, čiji stanovnici se bave uzgojem pamuka, petnaestogodišnja Nafisa zaljubila se u Babikera, ali njeni roditelji su za nju već ugovorili brak s Nadirom, sudanskim biznismenom koji živi u inostranstvu. Nafisina baka Al-Sit, utjecajni seoski matrijarh, ima vlastite planove za unukinu budućnost. Ali može li mlada djevojka napraviti vlastiti izbor?

In a cotton-farming village in Sudan, 15-yearold Nafisa has a crush on Babiker, but her parents have arranged her marriage to Nadir, a young Sudanese businessman living abroad. Nafisa’s grandmother Al-Sit, the powerful village matriarch, has her own plans for Nafisa’s future.

But can the young girl choose for herself?

Ander

Qatar, Kazakhstan, 2019, Colour, 14 min.

Režija / Director: Alina Mustafina

Petogodišnji Ander, koji s porodicom živi u

Ander

Emsahar

Kataru, na prvi pogled djeluje kao obično, aktivno i sretno dijete, ali pati od teške alergije na mliječne proizvode. Anderova majka rođena je u Kazahstanu, gdje se mlijeko, meso i tijesto smatraju izvorom života. Kako jedan dječak može izgraditi vlastiti identitet kada hrana koja je bila tako važna njegovim precima ugrožava njegov život?

Five-year-old Ander lives in Qatar with his family, and outwardly looks like any ordinary, active and joyful kid, but has rare and severe allergy to dairy. Ander’s mother is from Kazakhstan and for Kazakh nomads, dairy along with meat and dough is a source of life.

How can a boy forge his own identity, when the food which was so crucial for his ancestors threatens his very existence?

Emsahar

Qatar, 2020, Colour, 8 min.

Režija / Director: Hassan Al-Jahni

Mlada Fatima je očajna kada otkrije da je njena baka ozbiljno bolesna i pokušava upregnuti magične moći lokalnog ramazanskog bubnjara da popravi njeno zdravstveno stanje. Uprkos Fatiminim najboljim naporima, njena baka mirno umire u snu i pretvara se u dobrohotnog Emsahara. Fatimine suze žalosnice ustupaju mjesto suzama radosnicama dok zapanjeno gleda kako njena baka odlazi u zoru udarajući u bubanj i pjevajući.

Young Fatima is heartbroken to discover her ailing grandmother and attempts to harness the magical powers of a local Ramadan drummer to make her better. Despite her best efforts, her grandmother peacefully passes away in her sleep—transformed into a benevolent, Emsahar. Tears of joy replace tears of sorrow as Fatima says a final goodbye to her beloved grandmother, watching in awe as she marches away, drumming and singing into the dawn light.

Nada / Hope

Qatar, Indonesia, 2020, Colour, 9 min.

Režija / Director: Abdulla Mohammed Al-Janahi

Morska kornjača Aqua rođen je s jednom perajom kraćom od druge, ali ne dozvoljava da

Nada / Hope

Pod limunovim drvetom / Under the Lemon Tree

Stranac / Stranger

to ugrozi njegovo putovanje od gnijezda do mora puno opasnih predatora i tragičnog zagađenja.

Aqua, the sea turtle, was born with the disability of having one fin smaller than the other. But he doesn’t let it get in the way of his life’s journey from nest to sea—one fraught with dangerous predators and tragic pollution.

Pod limunovim drvetom / Under the Lemon Tree

Qatar, Palestine, 2019, Colour, 10 min.

Režija / Director: Noor Alasswad

Palestinka protjerana iz domovine prisustvuje skromnom druženju kraj vatre, ispod limunovog drveta, koje je vraća decenijama unazad u vrijeme kada je još uvijek živjela u zemlji svog rođenja. Dok sebi priprema jednostavan doručak sa zatarom i udiše miris kadulje, ona rekreira svoju domovinu korištenjem jednostavnih elemenata.

An exiled Palestinian woman partakes in a humble fireside repast under a lemon tree that takes her backwards through the decades to her homeland. Preparing herself a humble breakfast of za'atar and inhaling the smell of sage, she recreates her homeland through an assemblage of simple elements.

Shringar

Qatar, 2020, Colour, 11 min.

Režija / Director: Muhammed Noufal Uloge / Cast: Abdul Shukoor, Nithya Sathyan, Ashmitha Mahesh

SHRINGAR je kratki narativni film koji noćnu moru jedne djevojke delikatno koristi kao alegoriju stvarne patnje djece prisiljene da rade u indijskoj industriji mice, minerala koji se koristi u proizvodnji različitih kozmetičkih proizvoda. Šokantne priče koje krije industrija šminke prekrasno su ispričane korištenjem različitih umjetničkih formi poput indijske poluklasične muzike, pozorišta sjenki i indijskog plesa 'Kadhak'.

SHRINGAR is a short narrative that delicately uses a young girl’s nightmare as an allegory for the reallife horror of child labour in the Indian mica industry—a mineral used in creating

Shringar

some cosmetic products. The shocking stories behind the makeup industry are beautifully communicated by various art forms such as Indian semi-classical music, shadow play and the Indian dance form called ‘Kadhak’.

Stranac / Stranger

Qatar, France, 2020, Colour, 11 min.

Režija / Director: Yasser Mustafa Shater, Christophe Buffet

Khalid radi kao čuvar u napuštenoj osnovnoj školi u Kataru. Kamera ga prati tokom dana dok obilazi napuštene učionice i nailazi na tragove nekadašnjih stanovnika tog susjedstva. Neke od stvari koje zatiče podsjećaju ga na njegov nekadašnji život u Egiptu.

Khalid is the security guard in an abandoned Qatari elementary school. The camera follows him during a day as he makes his rounds through the empty classrooms and encounters remnants of the neighbourhood's past residents. Some of his discoveries remind him of the life he has left behind in Egypt.

Žena od čelika / Woman of Steel Jordan, Qatar, 2020, Colour, 16 min.

Režija / Director: Obada Yousef Jarbi

Um Mohamed je ponosna majka i supruga.

Zbog dugoročnih posljedica dječije paralize njen suprug nije sposoban za rad, te Um Mohamed luta ulicama Irbida i prikuplja stari metal i otpad za reciklažu koje prodaje u industrijskoj zoni kojom dominiraju muškarci.

Iako izdržava svoju porodicu i bez sumnje je stekla titulu "hraniteljice", Um Mohamed ne dobija priznanje i moć u kojima uživa većina muškaraca u situaciji sličnoj njenoj.

Um Mohamed is a proud mother and a wife.

Due to her husband’s post-polio disability, he is incapable of working. As a result, Um Mohamed roams the streets of Irbid, collecting scrap metal and recyclables to sell in the maledominant industrial area. Though she provides for her family and has undoubtedly earned the title of ‘breadwinner’, she lacks the recognition and power often afforded to a man in her situation.

Žena od čelika / Woman of Steel SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

49

Milla Jovovich & Jeremy Davies in The Million Dollar Hotel (Germany/ USA 2000) by Wim Wenders © Wim Wenders Stiftung 2021

SPECIJALNE PROJEKCIJE SPECIAL SCREENINGS Hotel od milion dolara / The Million Dollar Hotel

Germany, United States, 2000, Colour, 124 min.

Režija / Director: Wim Wenders Uloge / Cast: Jeremy Davies, Milla Jovovich, Mel Gibson, Jimmy Smits, Peter Stormare, Amanda Plummer, Gloria Stuart, Tom Bower, Donal Logue, Bud Cort, Julian Sands, Tim Roth

Grupa čudaka, otpadnika i lutalica živi u oronulom hotelu u centru Los Angelesa, u kraju punom narkomana i beskućnika. Iz njihove vizure pratimo priču zaljubljenog sanjara kojeg svi zovu Tom Tom. Predmet njegove čežnje je Eloise, neka vrsta palog anđela. U ovoj ludnici izbijaju nevolje. Život jednog od stanara, ekscentričnog narkomana Izzyja, okončava na brutalan način kada ga neko gurne s krova. A pošto se, na sveopšte iznenađenje, ispostavi da je Izzy sin medijskog mogula i multimilionera, na scenu ulazi FBI agent – Skinner. Suprotno očekivanjima, ispostavlja se da je on, ta iznimno duga ruka zakona, čak i luđi od šarmantnih likova koji žive u Hotelu od milion dolara.

A group of freaks, outsiders, and drifters live in a run-down hotel in downtown Los Angeles, in an area full of drug addicts and homeless people. The story is told through the eyes of a lovesick dreamer, who everyone calls Tom Tom. The object of his devotion is Eloise, a fallen

Pisma s krajeva svijeta / Letters from the Ends of the World

50 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

angel of sorts. There is trouble in this madhouse. One of the residents, the eccentric junkie Izzy, comes to a grisly end by being pushed off of the roof. And because—to the surprise of all of the residents—Izzy proves to be the son of a multi-millionaire media boss, an FBI agent enters the scene: Skinner. What no one suspects is that this particular long arm of the law is even crazier than any of the charming characters living in the Million Dollar Hotel.

SPECIJALNA PROJEKCIJA / SPECIAL SCREENING - OPENING FILM

Pisma s krajeva svijeta /

Letters from the Ends of the World

Bosnia and Herzegovina / 2021 / Colour / 90 min.

Režija / Director: Ghazi Alqudcy, Graeme Cole, Gonzalo Escobar Mora, Grant Gulczynski, Marta Hernaiz Pidal, Namsuk Kim, Bianca Lucas, Stefan Malešević, Patrick Marshal, Aleksandra Niemczyk, Pilar Palomero, Emma Rozanski & Gustavo Vega

Svijet je zaključan. Dok se odvija globalna pandemija, 13 međunarodnih filmskih autora šalje filmska pisma iz svojih mjesta izolacije, od kuće ili daleko od kuće. Filmsko djelo slučajne naučne fantastike filmskog kolektiva Bistrik7, diplomiranih studenata na film.factory Béla Tarra u Sarajevu.

A world in lockdown. As a global pandemic unfolds, 13 international filmmakers pen cinematic letters from their places of isolation, whether home or far from home. A work of accidental science-fiction from the Bistrik7 collective, graduates of Béla Tarr’s Sarajevo film.factory.

Prati Sarajevo Film Festival / Follow the Sarajevo Film Festival ONLINE na VOD platformi ondemand.kinomeetingpoint.ba Ostaješ kući? / You’re staying home?

Nisi u Sarajevu? / You’re not in Sarajevo?

Prati SFF online u cijeloj Bosni i Hercegovini i regiji od 13. do 29. augusta 2021. / Tune in to the SFF online in Bosnia and Herzegovina from the 13th the 29th of August 2021.

Više od 200 filmova iz svih festivalskih programa. / Over 200 films from all Festival programmes.

Dostupnost filmova u zemlji iz koje pristupate platformi provjerite na sff.ba ili na ondemand.kinomeetingpoint.ba. / Please check films available to watch in your country at sff.ba or at ondemand.kinomeetingpoint.ba.

SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

51

BH. FILMSKI PROGRAM B&H Film Programme IGRANI FILMOVI / FEATURE FILMS A PERFECT LOVE STORY WHERE NOTHING GOES WRONG OR DOES IT…?

Emina Kujundžić, Bosnia and Herzegovina, Croatia, 2021, 80 min.

IZOLACIJA / ISOLATION

Kristina Jeličanin, Mia Avdagić, Ivo Kaunitz, Dženan Esko, Hana Babić, Laura Brunner, Bosnia and Herzegovina, 2021, 29 min.

PROTEST U ZEMLJI KARIJESA / PROTEST IN CARIESLAND

VARDI

SAVA

Chris Leslie, United Kingdom, 2021, 6 min.

Damir Pirić, Bosnia and Herzegovina, 2020, 84 min.

ZATVORENO / CLOSED

SHOOTING FOR MIRZA

ŽIVI DAYTON / DAYTON SUBSIST

SKOK ANĐELA / ANGEL'S FLIGHT

STUDENTSKI FILMOVI / STUDENT FILMS

Juan Gautier, Bosnia and Herzegovina, Spain, 2021, 93 min.

OAZA / OASIS

François Lunel, Bosnia and Herzegovina, France, 2021, 63 min.

QUO VADIS, AIDA?

David Fernández Graña, Spain, 2021, 78 min.

ŠTA TEBI ZNAČI BIH? / WHAT DOES BOSNIA AND HERZEGOVINA MEAN TO YOU?

KRATKI IGRANI I DOKUMENTARNI / SHORT FICTION AND DOCUMENTARY FILMS

Ivan Ikić, Netherlands, Slovenia, Bosnia and Herzegovina, France, 2020, 122 min.

Jasmila Žbanić, Bosnia and Herzegovina, Austria, Romania, Netherlands, Germany, Poland, France, Norway, Turkey, 2020, 104 min.

Alma Çoçaj, Rea Memić, Sara Ristić, Mirela Salihović, Bosnia and Herzegovina, Germany, 2021, 70 min.

TABIJA, THE WHITE FORTRESS

Igor Drljača, Bosnia and Herzegovina, Canada, 2021, 88 min.

TAKO DA NE OSTANE ŽIVA/ SHE DOESN’T LIVE

Faruk Lončarević, Bosnia and Herzegovina, 2020, 90 min.

TE MRAČNE NOĆI / THOSE DARK NIGHTS François Lunel, Bosnia and Herzegovina, 2020, 90 min.

DUGOMETRAŽNI DOKUMENTARNI FILMOVI / FEATURE-LENGHT DOCUMENTARY FILMS BATO

Mirza Pašić, Bosnia and Herzegovina, 2021, 88 min.

DISTURBED EARTH

ŠKOLA ZA SVE NAS / A SCHOOL FOR ALL OF US

ALCOVES

Kendra McLaughlin, France, United Kingdom, Bosnia and Herzegovina, 2020, 37 min.

BETWEEN MOUNTAINS AND WARS

Natali Khalili Tari, Qali Nur, Croatia, United Kingdom, Netherlands, 2021, 52 min.

BOSANSKI BRODVEJ / BOSNIAN BROADWAY

Jasmina Beširević, Croatia, 2021, 30 min.

CYBORG + HUMAN

Aid Bešić, Bosnia and Herzegovina, 2021, 3 min.

DŽEMO

Lejla Kajić, Davorin Sekulić, Bosnia and Herzegovina, 2020, 42 min.

EUROPA CHE SOGNA / DREAMING EUROPE

Ado Hasanović, Bosnia and Herzegovina, Italy, 2020, 19 min.

Kumjana Novakova, Guillermo Carreras-Candi, Bosnia and Herzegovina, Spain, North Macedonia, 2021, 71 min.

FRIDA

DON'T CRY FOR ME - SUSAN SONTAG U SARAJEVU! / DON'T CRY FOR ME - SUSAN SONTAG IN SARAJEVO!

KAD SMO MI BILI ONI / WHEN WE WERE THEM

INDEXI

Muhammed Ibrahim Şişman, Turkey, 2021, 44 min.

Zoran Kubura, Bojan Hadžiabdić, Bosnia and Herzegovina, 2020, 107 min.

ONI SU DANAS… / TODAY, THEY ARE...

LA ÚLTIMA CINTA DESDE BOSNIA / THE LAST TAPE FROM BOSNIA

Zoran Ćatić, Bosnia and Herzegovina, 2021, 1 min.

SPECTRUM

LOOKING FOR HORSES

STVARI NA ČUVANJE / TAKING CARE

NEKI NOVI BRODVEJ / SOME NEW BROADWAY

SUŽIVOT RAZLIČITOSTI / COEXISTENCE OF DIVERSITY

Nihad Kreševljaković, Bosnia and Herzegovina, 2020, 78 min.

Albert Solé, Spain, 2020, 66 min.

Stefan Pavlović, Netherlands, Bosnia and Herzegovina, France, 2021, 88 min.

Denis Bojić, Bosnia and Herzegovina, 2020, 87 min.

ZATVARANJE

Matthew Somerville, North Macedonia, United Kingdom, Croatia, Slovenia, Serbia, Bosnia and Herzegovina, Czechia, 2021, 71 min.

MINOTAUR

Zulfikar Filandra, Bosnia and Herzegovina, Ireland, 2020, DCP, 64 min.

Aleksandar Jurić, Bosnia and Herzegovina, 2021, 50 min.

Aleksandra Odić, Bosnia and Herzegovina, Germany, 2021, 22 min.

Danis Tanović, Damir Šagolj, Bosnia and Herzegovina, 2021, 15 min.

MALI JERUSALEM / LITTLE JERUSALEM

Albert Rami, Bosnia and Herzegovina, 2020, 12 min.

Miroslav Mandić, Bosnia and Herzegovina, 2020, 14 min.

Goran Dujaković, Bosnia and Herzegovina, 2021, 20 min.

Hotels 1. Hotel Europe, Vladislava Skarića 5 2. Hotel Astra Old Town, Kundurdžiluk 2 3. Hotel Central, Ćumurija 8

Zdenko Jurilj, Bosnia and Herzegovina, 2021, 26 min.

Zoran Ćatić, Bosnia and Herzegovina, 2021, 3 min.

AKADEMIJA SCENSKIH UMJETNOSTI SARAJEVO / SARAJEVO ACADEMY OF PERFORMING ARTS

BJELKO

Almir Zoletić, Bosnia and Herzegovina, 2021, 27 min

OTPLITANJE / UNBRAIDING

Mina Vavan, Bosnia and Herzegovina, 2021, 12 min.

ZAŠTO NE ZAPLEŠETE? / WHY DON'T YOU DANCE?

Isidora Ratković, Bosnia and Herzegovina, 2021, 23 min.

AKADEMIJA UMJETNOSTI BANJA LUKA / ACADEMY OF ARTS BANJA LUKA

ATANASIJA

Boško Krljaš, Bosnia and Herzegovina, 2021, 26 min.

FASADA / FACADE Andrej Zrnić, Bosnia and Herzegovina, 2021, 36 min.

(FREE) FALL

Tanja Seizović, Bosnia and Herzegovina, 2021, 3 min.

KAD JUTRO SVANE / WHEN THE MORNING DAWNS

Karmen Obrdalj, Bosnia and Herzegovina, 2021, 23 min.

KUĆA IMA ROGOVE / THE HOUSE HAS HORNS

Stefan Tomić, Bosnia and Herzegovina, 2021, 23 min.

TOČAK ŽIVOTA / WHEEL OF LIFE

Tamara Maksimović, Bosnia and Herzegovina, 2021, 4 min.

FAKULTET DRAMSKIH I FILMSKIH UMJETNOSTI BIJELJINA / FACULTY OF DRAMA AND FILM ARTS BIJELJINA

LANAC / CHAIN

Katarina Krstić, Bosnia and Herzegovina, Serbia, 2020, 23 min.

SARAJEVO FILM ACADEMY

BEZLIČAN / FACELESS

Daniel Alegrete, Bosnia and Herzegovina, 2020, 23 min.

MIT / MYTH

Lamia Šabić, Bosnia and Herzegovina, 2021, 29 min.

SEA BY THE RIVER AND RIVER BY THE SEA Sovran Nrecaj, Kosovo, Bosnia and Herzegovina, 2021, 28 min.

SOBA OD PAPIRA / THE PAPER ROOM Anvar Nijemčević, Bosnia and Herzegovina, 2021, 12 min.

4. Hotel Boutique Platinum, Hamdije Kreševljakovića 42 5. Hotel Holiday, Zmaja od Bosne 4

Nextbike

Lokacije / Venues 1. BKC / Festival Center / Box Office, Branilaca Sarajeva 24 2. Coca-Cola Open Air Cinema, Obala Kulina Bana 3. Festival Square, Branilaca Sarajeva 4. Sarajevo Youth Theatre, Kulovića 8 5. Meeting Point Cinema / Caffé, Hamdije Kreševljakovića 13 6. Summer Screen, Hamdije Kreševljakovića 7. Cineplexx Sarajevo, Zmaja od Bosne 4

52 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

8. Open Air Cinema Stari grad, Avdage Šahinagića 9. KSC Skenderija Cinema, Terezije BB 10. Festival Caffé Grand kafa, Pozorišni trg - Susan Sontag 11. Children's House Novo Sarajevo, Grbavička 12. Open Air Cinema "Safet Zajko" 13. Novi Grad Cinema, Bulevar Meše Selimovića 97 14. MMC - Ilidža Cinema, Hrasnička cesta, Ilidža

RASPORED PROJEKCIJA Screening Schedule

Petak/ Friday, 13.08.2021.

Subota/ Saturday, 14.08.2021.

Narodno pozorište/ National Theatre 20:00 Open Air

Narodno pozorište/ National Theatre 9:30 Takmičarski igrani / Competition Features

Danis Tanović, 90 min.

Luàna Bajrami, 83 min.

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR Ljetno kino Coca-Cola / Coca-Cola Open Air Cinema 20:45 Open Air

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR Danis Tanović, 90 min.

Summer Screen 21:15 Specijalna projekcija / Special Screening - Opening Film

BRDO NA KOJEM RIČU LAVICE / THE HILL WHERE LIONESSES ROAR 12:30 Takmičarski igrani / Competition Features

BEBIA, JEDINA ČEŽNJA MOJE DUŠE / BEBIA, À MON SEUL DÉSIR Juja Dobrachkous, 113 min, 113 min.

19:00 Takmičarski igrani / Competition Features

BRDO NA KOJEM RIČU LAVICE / THE HILL WHERE LIONESSES ROAR Luàna Bajrami, 83 min.

21:30 Takmičarski igrani / Competition Features

BEBIA, JEDINA ČEŽNJA MOJE DUŠE / BEBIA, À MON SEUL DÉSIR PISMA S KRAJEVA SVIJETA / LETTERS FROM THE ENDS OF THE Juja Dobrachkous, 113 min, 113 min.

WORLD, Ghazi Alqudcy, Graeme Cole, Gonzalo Escobar Mora, Grant Gulczyn- Ljetno kino Coca-Cola / Coca-Cola Open Air Cinema ski, Marta Hernaiz Pidal, Namsuk Kim, Bianca Lucas, Stefan Malešević, Patrick 20:30 Open Air OTAC / THE FATHER, Florian Zeller, 97 min.

Marshal, Aleksandra Niemczyk, Pilar Palomero, Emma Rozanski & Gustavo Vega, 90 min.

Cineplexx 1 20:30 Open Air

Kino Meeting Point / Meeting Point Cinema 12:00 Kinoscope Real BJEGUNAC / FLEE, Jonas Poher Rasmussen, 90 min.

15:00 Posvećeno / Tribute To Wim Wenders

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR

ALICE U GRADOVIMA / ALICE IN THE CITIES, Wim Wenders, 113 min.

20:00 Kinoscope MAGNETIČNI BEATOVI / MAGNETIC BEATS, Vincent Maël Cardona, 98 min.

23:00 Kinoscope Surreal CENZOR / CENSOR, Prano Bailey-Bond, 84 min.

Cineplexx 2 20:45 Open Air

Summer Screen 21:00 Posvećeno / Tribute to Wim Wenders / Summer Screen

Danis Tanović, 90 min.

Cineplexx 1 15:00 Takmičarski dokumentarni / Competition Documentaries

Danis Tanović, 90 min.

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR Cineplexx 3 21:00 Open Air

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR Danis Tanović, 90 min.

BUENA VISTA SOCIAL CLUB, Wim Wenders, 105 min.

TVORNICE RADNICIMA / FACTORY TO THE WORKERS, Srđan Kovačević, 106 min.

19:00 Takmičarski dokumentarni / Competition Documentaries

Cineplexx 4 21:15 Open Air

ISTI SAN / THE SAME DREAM, Vlad Petri, 29 min.

DISTURBED EARTH, Kumjana Novakova, Guillermo Carreras-Candi, 72 min.

21:45 Pretpremijere Serije / Avantpremiere Series KLJUN / AWAKE, Jelena Gavrilović, Uroš Tomić, 99 min.

Danis Tanović, 90 min.

Cineplexx 2 11:00 Takmičarski studentski film / Competition Student Film

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR Cineplexx 5 21:00 Open Air

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR Danis Tanović, 90 min.

Cineplexx 7 20:45 Open Air

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR Danis Tanović, 90 min.

Cineplexx 8 20:30 Open Air

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR Danis Tanović, 90 min.

Ljetno kino Stari grad / Open Air Cinema Stari grad 21:15 Open Air

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR Danis Tanović, 90 min.

Ljetno kino “Safet Zajko” / Open Air Cinema “Safet Zajko” 20:45 Open Air

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR

TAKMIČARSKI STUDENTSKI 1 / COMPETITION STUDENT 1, 84 min.

14:00 Shorts CINÉFONDATION CANNES: WINNERS 2021, 88 min.

18:00 Shorts EFA SHORTS 2020 TOUR 1, 81 min.

Cineplexx 3 12:00 BH Film BATO, Mirza Pašić, 88 min.

15:00 BH Film DOKUMENTARNI 1 / DOCUMENTARIES 1, 100 min.

18:00 BH Film PROTEST U ZEMLJI KARIJESA / PROTEST IN CARIESLAND, Damir Pirić, 84 min.

21:00 BH Film A PERFECT LOVE STORY WHERE NOTHING GOES WRONG OR DOES IT…?

Emina Kujundžić, 80 min.

Cineplexx 4 18:00 Suočavanje s prošlošću / Dealing with the Past

KRTICA / THE MOLE: UNDERCOVER IN NORTH KOREA, Mads Brügger, 135 min.

Cineplexx 5 16:00 Kinoscope Real OTVARANJE PESNICA / UNCLENCHING THE FISTS, Kira Kovalenko, 97 min.

19:00 Kinoscope PRVI SASTANAK / FIRST DATE, Manuel Crosby, Darren Knapp, 103 min.

22:00 Kinoscope Surreal TUGA / THE SADNESS, Rob Jabbaz, 99 min.

Cineplexx 7 13:00 U fokusu / In Focus QUO VADIS, AIDA?, Jasmila Žbanić, 101 min.

16:00 U fokusu / In Focus

Danis Tanović, 90 min.

ŠTA VIDIMO KADA GLEDAMO U NEBO? / WHAT DO WE SEE WHEN WE LOOK AT THE SKY?,

Dječija kuća Novo Sarajevo / Children’s House Novo Sarajevo 21:00 Open Air

Alexandre Koberidze, 150 min.

20:00 Program Mreže festivala jadranske regije / The programme of Network of Festivals in the Adratic region

Danis Tanović, 90 min.

Ljetno kino Stari grad / Open Air Cinema Stari grad 20:45 U fokusu / In Focus QUO VADIS, AIDA?, Jasmila Žbanić, 101 min.

Ljetno kino “Safet Zajko” / Open Air Cinema “Safet Zajko” 21:00 U fokusu / In Focus QUO VADIS, AIDA?, Jasmila Žbanić, 101 min.

Dječija kuća Novo Sarajevo / Children’s House Novo Sarajevo 21:00 U fokusu / In Focus QUO VADIS, AIDA?, Jasmila Žbanić, 101 min.

MMC - Kino Ilidža / MMC - Ilidža Cinema 21:00 U fokusu / In Focus QUO VADIS, AIDA?, Jasmila Žbanić, 101 min.

Ljetno kino / Open Air Cinema Cineplexx Plaza Mostar 21:30 Open Air OTAC / THE FATHER, Florian Zeller, 97 min.

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR MMC - Kino Ilidža / MMC - Ilidža Cinema 21:00 Open Air

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR Danis Tanović, 90 min.

Ljetno kino / Open Air Cinema Cineplexx Plaza Mostar 21:30 Open Air

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR Danis Tanović, 90 min.

LJUDSKI FAKTOR / HUMAN FACTORS, Ronny Trocker, 102 min.

SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

53

RASPORED PROJEKCIJA Screening Schedule

Nedjelja/ Sunday, 15.08.2021.

Ponedjeljak/ Monday, 16.08.2021.

Narodno pozorište/ National Theatre 9:30 Takmičarski igrani / Competition Features

Narodno pozorište/ National Theatre 9:30 Takmičarski igrani / Competition Features

12:30 Takmičarski igrani / Competition Features

12:30 Takmičarski igrani / Competition Features

ELEGIJA LOVORA / THE ELEGY OF LAUREL, Dušan Kasalica, 93 min. ŽENE PLAČU / WOMEN DO CRY, Vesela Kazakova, Mina Mileva, 107 min.

15:00 Posvećeno / Tribute To Wim Wenders / Specijalne projekcije / Special Screenings /

HOTEL OD MILION DOLARA / THE MILLION DOLLAR HOTEL, Wim Wenders, 124 min.

19:00 Takmičarski igrani / Competition Features

ELEGIJA LOVORA / THE ELEGY OF LAUREL, Dušan Kasalica, 93 min.

21:30 Takmičarski igrani / Competition Features

ŽENE PLAČU / WOMEN DO CRY, Vesela Kazakova, Mina Mileva, 107 min.

Ljetno kino Coca-Cola / Coca-Cola Open Air Cinema 20:30 Open Air HVATAJ SE CESTE / HIT THE ROAD, Panah Panahi, 93 min.

Kino Meeting Point / Meeting Point Cinema 12:00 Kinoscope Real ALEF / ALEPH, Iva Radivojević, 91 min.

15:00 Specijalna projekcija / Special Screening - Opening Film

MJESEC, 66 PITANJA / MOON, 66 QUESTIONS, Jacqueline Lentzou, 108 min.

TRAŽEĆI VENERU / LOOKING FOR VENERA, Norika Sefa, 111 min.

19:00 Takmičarski igrani / Competition Features

MJESEC, 66 PITANJA / MOON, 66 QUESTIONS, Jacqueline Lentzou, 108 min.

21:30 Takmičarski igrani / Competition Features

TRAŽEĆI VENERU / LOOKING FOR VENERA, Norika Sefa, 111 min.

Ljetno kino Coca-Cola / Coca-Cola Open Air Cinema 20:30 Open Air / Posvećeno / Tribute To Wim Wenders

PARIZ, TEXAS / PARIS, TEXAS, Wim Wenders, 146 min.

Kino Meeting Point / Meeting Point Cinema 12:00 Kinoscope Real RENDGENSKI SNIMAK JEDNE PORODICE / RADIOGRAPH OF A FAMILY, Firouzeh Khosrovani, 81 min.

15:00 Open Air

PISMA S KRAJEVA SVIJETA / LETTERS FROM THE ENDS OF THE WORLD, Ghazi Alqudcy, Graeme DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR, Danis Tanović, 90 min.

Cole, Gonzalo Escobar Mora, Grant Gulczynski, Marta Hernaiz Pidal, Namsuk Kim, Bianca Lucas, Stefan 20:00 Kinoscope SUPERIORNO / SUPERIOR, Erin Vassilopoulos, 99 min.

Malešević, Patrick Marshal, Aleksandra Niemczyk, Pilar Palomero, Emma Rozanski & Gustavo Vega, 90 min. 23:00 Kinoscope Surreal TITAN / TITANE, Julia Ducournau, 108 min.

20:00 Kinoscope IGRALIŠTE / PLAYGROUND, Laura Wandel, 72 min.

Summer Screen 23:00 Kinoscope Surreal VRTAČA / SINKHOLE, Ji-hoon Kim, 114 min.

21:00 Summer Screen AMERIČKA UTOPIJA DAVIDA BYRNEA / DAVID BYRNE'S AMERICAN Summer Screen UTOPIA, Spike Lee, 105 min.

21:00 Summer Screen SUMMER OF SOUL, Ahmir "Questlove" Thompson, 117 min.

Cineplexx 1 Cineplexx 1 15:00 Takmičarski dokumentarni / Competition Documentaries

NEDJELJOM / EVERY SUNDAY, Keti Papadema, 24 min.

SOLDAT AHMET, Jannis Lenz, 76 min.

19:00 Takmičarski dokumentarni / Competition Documentaries

PEJZAŽI OTPORA / LANDSCAPES OF RESISTANCE, Marta Popivoda, 95 min.

21:45 Pretpremijere Serije / Avantpremiere Series VREME ZLA / TIME OF EVIL, Ivan Živković, 112 min.

Cineplexx 2 11:00 Takmičarski studentski film / Competition Student Film

TAKMIČARSKI STUDENTSKI 2 / COMPETITION STUDENT 2, 86 min.

14:00 BH Film ŠTA TEBI ZNAČI BIH? / WHAT DOES BOSNIA AND HERZEGOVINA MEAN TO YOU?, Alma Çoçaj, Rea Memić, Sara Ristić, Mirela Salihović, 70 min.

18:00 Shorts EFA SHORTS 2020 TOUR 2, 93 min.

Cineplexx 3 12:00 BH Film ŠKOLA ZA SVE NAS / A SCHOOL FOR ALL OF US, David Fernández Graña, 78 min.

15:00 BH Film DOKUMENTARNI 2 / DOCUMENTARIES 2, 92 min.

18:00 BH Film DON'T CRY FOR ME - SUSAN SONTAG IN SARAJEVO!, Nihad Kreševljaković, 78 min.

21:00 BH Film TAKO DA NE OSTANE ŽIVA/ SHE DOESN’T LIVE, Faruk Lončarević, 90 min.

Cineplexx 4 15:00 Suočavanje s prošlošću / Dealing with the Past

NERIJEŠENI SLUČAJ HAMMARSKJÖLD / COLD CASE HAMMARSKJÖLD, Mads Brügger, 128 min.

18:00 Suočavanje s prošlošću / Dealing with the Past AMBASADOR / THE AMBASSADOR, Mads Brügger, 93 min.

Cineplexx 5 16:00 Kinoscope Real BJEGUNAC / FLEE, Jonas Poher Rasmussen, 90 min.

19:00 Kinoscope MAGNETIČNI BEATOVI / MAGNETIC BEATS, Vincent Maël Cardona, 98 min.

22:00 Kinoscope Surreal CENZOR / CENSOR, Prano Bailey-Bond, 84 min.

Cineplexx 7 13:00 U fokusu / In Focus KOŠNICA / HIVE, Blerta Basholli, 84 min.

16:00 U fokusu / In Focus BAKSUZNI SEKS ILI BEZUMNI PORNIĆ / BAD LUCK BANGING OR LOONY

PORN, Radu Jude, 106 min.

20:00 Program Mreže festivala jadranske regije / The programme of Network of Festivals in the Adratic region

ČUVAR BRATA SVOGA / BROTHER'S KEEPER, Ferit Karahan, 85 min.

Cineplexx 8 9:00 Takmičarski dokumentarni / Competition Documentaries

TVORNICE RADNICIMA / FACTORY TO THE WORKERS, Srđan Kovačević, 106 min.

12:00 Takmičarski igrani / Competition Features

BRDO NA KOJEM RIČU LAVICE / THE HILL WHERE LIONESSES ROAR, Luàna Bajrami, 83 min.

15:00 Takmičarski igrani / Competition Features

BEBIA, JEDINA ČEŽNJA MOJE DUŠE / BEBIA, À MON SEUL DÉSIR, Juja Dobrachkous, 113 min.

18:00 Takmičarski dokumentarni / Competition Documentaries

ISTI SAN / THE SAME DREAM, Vlad Petri, 29 min.

DISTURBED EARTH, Kumjana Novakova, Guillermo Carreras-Candi, 72 min.

Ljetno kino Stari grad / Open Air Cinema Stari grad 20:45 Open Air OTAC / THE FATHER, Florian Zeller, 97 min.

Ljetno kino “Safet Zajko” / Open Air Cinema “Safet Zajko” 21:00 Posvećeno / Tribute to Wim Wenders / Summer Screen

BUENA VISTA SOCIAL CLUB, Wim Wenders, 105 min.

Dječija kuća Novo Sarajevo / Children’s House Novo Sarajevo 18:00 BH Film A PERFECT LOVE STORY WHERE NOTHING GOES WRONG OR DOES IT…?, Emina Kujundžić, 80 min.

21:00

Program Mreže festivala jadranske regije / The programme of Network of Festivals in the Adratic region

ČUVAR BRATA SVOGA / BROTHER'S KEEPER, Ferit Karahan, 85 min.

MMC - Kino Ilidža / MMC - Ilidža Cinema 18:00 Open Air OTAC / THE FATHER, Florian Zeller, 97 min.

21:00 Posvećeno / Tribute to Wim Wenders / Summer Screen BUENA VISTA SOCIAL CLUB, Wim Wenders, 105 min.

Ljetno kino / Open Air Cinema Cineplexx Plaza Mostar 21:30 Open Air HVATAJ SE CESTE / HIT THE ROAD, Panah Panahi, 93 min.

54 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

12:30 Specijalna projekcija / Special Screening - Opening Film

PISMA S KRAJEVA SVIJETA / LETTERS FROM THE ENDS OF THE WORLD, Ghazi Alqudcy, Graeme Cole, Gonzalo Escobar Mora, Grant Gulczynski, Marta Hernaiz Pidal, Namsuk Kim, Bianca Lucas, Stefan Malešević, Patrick Marshal, Aleksandra Niemczyk, Pilar Palomero, Emma Rozanski & Gustavo Vega, 90 min.

15:00 Takmičarski dokumentarni / Competition Documentaries

POTREBA ZA MRŽNJOM / RECIPE FOR HATE, Filip Čolović, 81 min.

19:00 Takmičarski dokumentarni / Competition Documentaries

HORIZONT / HORIZON, Tanja Deman, 25 min.

POMIRENJE / RECONCILIATION, Marija Zidar, 82 min.

21:45 Takmičarski dokumentarni / Competition Documentaries DIVE / DIVAS, Máté Kőrösi, 80 min.

Cineplexx 2 11:00 Takmičarski studentski film / Competition Student Film

TAKMIČARSKI STUDENTSKI 3 / COMPETITION STUDENT 3, 88 min.

14:00 BH Film STUDENTSKI FILMOVI 1 /STUDENT FILMS 1, 109 min.

18:00 Shorts EUROPEAN SHORTS 1, 86 min.

Cineplexx 3 15:00 BH Film DOKUMENTARNI 3 / DOCUMENTARIES 3, 94min.

18:00 BH Film TE MRAČNE NOĆI / THOSE DARK NIGHTS, François Lunel, 90 min.

21:00 BH Film QUO VADIS, AIDA?, Jasmila Žbanić, 101 min.

Cineplexx 4 18:00 Suočavanje s prošlošću / Dealing with the Past

NI NA NEBU NI NA ZEMLJI / BETWEEN HEAVEN AND EARTH, Najwa Najjar, 95 min.

Cineplexx 5 16:00 Kinoscope Real ALEF / ALEPH, Iva Radivojević, 91 min.

19:00 Kinoscope IGRALIŠTE / PLAYGROUND, Laura Wandel, 72 min.

22:00 Kinoscope Surreal VRTAČA / SINKHOLE, Ji-hoon Kim, 114 min.

Cineplexx 7 13:00 U fokusu / In Focus OAZA / OASIS, Ivan Ikić, 123 min.

16:00 U fokusu / In Focus SANREMO, Miroslav Ćiro Mandić, 85 min.

20:00 Program Mreže festivala jadranske regije / The programme of Network of Festivals in the Adratic region

ČASOVI NJEMAČKOG / GERMAN LESSONS, Pavel G. Vesnakov, 100 min.

Cineplexx 8 9:00 Takmičarski dokumentarni / Competition Documentaries

NEDJELJOM / EVERY SUNDAY, Keti Papadema, 24 min.

SOLDAT AHMET, Jannis Lenz, 76 min.

12:00 Takmičarski igrani / Competition Features

ELEGIJA LOVORA / THE ELEGY OF LAUREL, Dušan Kasalica, 93 min.

15:00 Takmičarski igrani / Competition Features

ŽENE PLAČU / WOMEN DO CRY, Vesela Kazakova, Mina Mileva, 107 min.

18:00 Takmičarski dokumentarni / Competition Documentaries

PEJZAŽI OTPORA / LANDSCAPES OF RESISTANCE, Marta Popivoda, 95 min.

Ljetno kino Stari grad / Open Air Cinema Stari grad 20:45 Open Air HVATAJ SE CESTE / HIT THE ROAD, Panah Panahi, 93 min.

Ljetno kino “Safet Zajko” / Open Air Cinema “Safet Zajko” 21:00 Open Air OTAC / THE FATHER, Florian Zeller, 97 min.

Dječija kuća Novo Sarajevo / Children’s House Novo Sarajevo 21:00 Posvećeno / Tribute to Wim Wenders / Summer Screen

BUENA VISTA SOCIAL CLUB, Wim Wenders, 105 min.

MMC - Kino Ilidža / MMC - Ilidža Cinema 21:00 Program Mreže festivala jadranske regije / The programme of Network of Festivals in the Adratic region

ČUVAR BRATA SVOGA / BROTHER'S KEEPER, Ferit Karahan, 85 min.

Ljetno kino / Open Air Cinema Cineplexx Plaza Mostar 21:30 U fokusu / In Focus QUO VADIS, AIDA?, Jasmila Žbanić, 101 min.

Narodno pozorište/ National Theatre 9:30 Takmičarski igrani / Competition Features MURINA, Antoneta Alamat Kusijanović, 92 min.

12:30 Takmičarski igrani / Competition Features KELTI / CELTS, Milica Tomović, 106 min.

15:00 Takmičarski kratki / Competition Shorts TAKMIČARSKI KRATKI 1 / COMPETITION SHORTS 1, 94 min.

19:00 Takmičarski igrani / Competition Features MURINA, Antoneta Alamat Kusijanović, 92 min.

21:30 Takmičarski igrani / Competition Features KELTI / CELTS, Milica Tomović, 106 min.

Ljetno kino Coca-Cola / Coca-Cola Open Air Cinema 20:30 Open Air

NOVI POREDAK / NEW ORDER, Michel Franco, 86 min.

Kino Meeting Point / Meeting Point Cinema 12:00 Kinoscope Real MOLITVE ZA UKRADENE / PRAYERS FOR THE STOLEN, Tatiana Huezo, 110 min.

15:00 Posvećeno / Tribute To Wim Wenders

AMERIČKI PRIJATELJ / THE AMERICAN FRIEND, Wim Wenders, 127 min.

20:00 Kinoscope MALA SOLANŽ/ LITTLE SOLANGE, Axelle Ropert, 86 min.

23:00 Posvećeno / Tribute to Wim Wenders / Special Screenings

DO KRAJA SVIJETA / UNTIL THE END OF THE WORLD - DIRECTOR'S CUT, Wim Wenders, 287 min.

Summer Screen 21:00 Summer Screen OŽILJCI ALI BOULALA / THE SCARS OF ALI BOULALA, Max Eriksson, 100 min.

Cineplexx 1 15:00 Takmičarski dokumentarni / Competition Documentaries

Srijeda/ Wednesday, 18.08.2021.

Narodno pozorište/ National Theatre 9:30 Takmičarski igrani / Competition Features

VELIKA SLOBODA / GREAT FREEDOM, Sebastian Meise, 116 min.

12:30 Takmičarski igrani / Competition Features

STVARI VRIJEDNE SUZA / THINGS WORTH WEEPING FOR, Cristina Grosan, 84 min.

15:00 Takmičarski kratki / Competition Shorts

TAKMIČARSKI KRATKI 2 / COMPETITION SHORTS 2, 90 min.

19:00 Takmičarski igrani / Competition Features

VELIKA SLOBODA / GREAT FREEDOM, Sebastian Meise, 116 min.

21:30 Takmičarski igrani / Competition Features

STVARI VRIJEDNE SUZA / THINGS WORTH WEEPING FOR, Cristina Grosan, 84 min.

Ljetno kino Coca-Cola / Coca-Cola Open Air Cinema 20:30 Open Air

JAHAČI PRAVDE / RIDERS OF JUSTICE, Anders Thomas Jensen, 116 min.

Kino Meeting Point / Meeting Point Cinema 12:00 Kinoscope Real EL PLANETA, Amalia Ulman, 82 min.

15:00 Posvećeno / Tribute To Wim Wenders

NEBO NAD BERLINOM / WINGS OF DESIRE, Wim Wenders, 128 min.

20:00 Kinoscope PETROV U GRIPU / PETROV'S FLU, Kirill Serebrennikov, 145 min.

23:00 Kinoscope Surreal KRVAVE NARANČE / BLOODY ORANGES, Jean-Christophe Meurisse, 102 min.

BOSANSKI BRODVEJ / BOSNIAN BROADWAY, Jasmina Beširević, 30 min.

SUNNY, Keti Machavariani, 67 min.

Summer Screen 21:00 Summer Screen SHANE MACGOWAN: PRIČA O PJEVAČU POGUESA / CROCK OF GOLD:

LES ENFANTS TERRIBLES, Ahmet Necdet Çupur, 93 min.

Cineplexx 1 15:00 Takmičarski dokumentarni / Competition Documentaries

19:00 Takmičarski dokumentarni / Competition Documentaries 21:45 Pretpremijere Serije / Avantpremiere Series

CRNA SVADBA / BLACK WEDDING, Nemanja Ćipranić, 104 min.

Cineplexx 2 11:00 BH Film KRATKI DOKUMENTARNI / SHORT DOCUMENTARIES, 65 min.

14:00 BH Film STUDENTSKI FILMOVI 2 /STUDENT FILMS 2, 81 min.

18:00 Shorts EUROPEAN SHORTS 2, 79 min.

Cineplexx 3 15:00 BH Film LA ÚLTIMA CINTA DESDE BOSNIA / THE LAST TAPE FROM BOSNIA, Albert Solé, 66 min.

18:00 BH Film SAVA, Matthew Somerville, 71 min.

21:00 BH Film MINOTAUR, Zulfikar Filandra, 64 min.

Cineplexx 4 12:30 Sarajevo Film Festival Partner Presents SHORT CUTS TO QATAR, 160 min.

18:00 Suočavanje s prošlošću / Dealing with the Past AHMADOV GLAS / THE VOICE OF AHMAD, Ram Loevy, David Ofek, Shadi Habib Allah, Doron Djerassi, Noam Kaplan, Dan Geva, Mamdooh Afdile, Iddo Soskolne, 85 min.

Cineplexx 5 12:00 Human Rights Day COLECTIV / COLLECTIVE, Alexander Nanau, 109 min.

16:00 Kinoscope Real RENDGENSKI SNIMAK JEDNE PORODICE / RADIOGRAPH OF A FAMILY, Firouzeh Khosrovani, 81 min.

19:00 Kinoscope SUPERIORNO / SUPERIOR, Erin Vassilopoulos, 99 min.

22:00 Kinoscope Surreal TITAN / TITANE, Julia Ducournau, 108 min.

Cineplexx 7 13:00 U fokusu / In Focus OPROST / FORGIVENESS, Cem Özay, 95 min.

16:00 U fokusu / In Focus TABIJA / THE WHITE FORTRESS, Igor Drljača, 90 min.

20:00 Program Mreže festivala jadranske regije / The programme of Network of Festivals in the Adratic region

MALO TIJELO / SMALL BODY, Laura Samani, 89 min.

Cineplexx 8 9:00 Takmičarski dokumentarni / Competition Documentaries

POTREBA ZA MRŽNJOM / RECIPE FOR HATE, Filip Čolović, 81 min.

12:00 Takmičarski igrani / Competition Features

MJESEC, 66 PITANJA / MOON, 66 QUESTIONS, Jacqueline Lentzou, 108 min,.

15:00 Takmičarski igrani / Competition Features

TRAŽEĆI VENERU / LOOKING FOR VENERA, Norika Sefa, 111 min.

18:00 Takmičarski dokumentarni / Competition Documentaries

HORIZONT / HORIZON, Tanja Deman, 25 min.

POMIRENJE / RECONCILIATION, Marija Zidar, 82 min.

Ljetno kino Stari grad / Open Air Cinema Stari grad 20:45 Posvećeno / Tribute to Wim Wenders / Summer Screen

BUENA VISTA SOCIAL CLUB, Wim Wenders, 105 min.

Ljetno kino “Safet Zajko” / Open Air Cinema “Safet Zajko” 21:00 Open Air HVATAJ SE CESTE / HIT THE ROAD, Panah Panahi, 93 min.

Dječija kuća Novo Sarajevo / Children’s House Novo Sarajevo 18:00 U fokusu / In Focus OPROST / FORGIVENESS, Cem Özay, 95 min.

21:00 Open Air OTAC / THE FATHER, Florian Zeller, 97 min.

MMC - Kino Ilidža / MMC - Ilidža Cinema 18:00 U fokusu / In Focus OPROST / FORGIVENESS, Cem Özay, 95 min.

21:00 Open Air HVATAJ SE CESTE / HIT THE ROAD, Panah Panahi, 93 min.

Ljetno kino / Open Air Cinema Cineplexx Plaza Mostar 21:30 Open Air

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR, Danis Tanović, 90 min.

A FEW ROUNDS WITH SHANE MACGOWAN, Julien Temple, 124 min.

LOOKING FOR HORSES, Stefan Pavlović, 88 min., English 19:00 Takmičarski dokumentarni / Competition Documentaries

KAD SMO MI BILI ONI / WHEN WE WERE THEM, Danis Tanović, Damir Šagolj, 15 min. ŽŽŽ (ŽURNAL O ŽELIMIRU ŽILNIKU) / ŽŽŽ (JOURNAL ABOUT ŽELIMIR ŽILNIK) Janko Baljak, 90 min.

21:45 Pretpremijere Serije / Avantpremiere Series

NEČISTA KRV / BAD BLOOD, Milutin Petrović, Goran Stanković, 104 min.

Cineplexx 2 11:00 BH Film KRATKI / SHORTS, 91 min.

14:00 BH Film STUDENTSKI FILMOVI 3 /STUDENT FILMS 3, 76 min.

18:00 Shorts EUROPEAN SHORTS 3, 67 min.

Cineplexx 3 15:00 BH Film NEKI NOVI BRODVEJ / SOME NEW BROADWAY, Denis Bojić, 87 min.

18:00 BH Film SHOOTING FOR MIRZA, Juan Gautier, 93 min.

21:00 BH Film INDEXI, Zoran Kubura, Bojan Hadžiabdić, 107 min.

Cineplexx 4 12:30 Sarajevo Film Festival Partner Presents GAZA MON AMOUR, Tarzan Nasser, Arab Nasser, 88 min.

18:00 Suočavanje s prošlošću / Dealing with the Past

PUCNJI U MARSEJU / BULLETS OVER MARSEILLE, Gordan Matić, 74 min.

Cineplexx 5 16:00 Kinoscope Real MOLITVE ZA UKRADENE / PRAYERS FOR THE STOLEN, Tatiana Huezo, 110 min.

19:00 Kinoscope MALA SOLANŽ / LITTLE SOLANGE, Axelle Ropert, 86 min, French 22:00 Open Air DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR, Danis Tanović, 90 min.

Cineplexx 7 13:00 U fokusu / In Focus PRIPREME DA ZAJEDNO PROVEDEMO NEPOZNAT VREMENSKI

PERIOD / PREPARATIONS TO BE TOGETHER FOR AN UNKNOWN PERIOD OF TIME, Lili Horvát, 95 min, Hungarian, English 16:00 U fokusu / In Focus LA CIVIL, Teodora Ana Mihai, 145 min.

20:00 Program Mreže festivala jadranske regije / The programme of Network of Festivals in the Adratic region

NEPRIJATELJ / THE ENEMY, Stephan Streker, 100 min.

Cineplexx 8 9:00 Takmičarski dokumentarni / Competition Documentaries DIVE / DIVAS, Máté Kőrösi, 80 min.

12:00 Takmičarski igrani / Competition Features MURINA, Antoneta Alamat Kusijanović, 92 min.

15:00 Takmičarski igrani / Competition Features KELTI / CELTS, Milica Tomović, 106 min.

18:00 Takmičarski dokumentarni / Competition Documentaries

BOSANSKI BRODVEJ / BOSNIAN BROADWAY, Jasmina Beširević, 30 min.

SUNNY, Keti Machavariani, 67 min.

Ljetno kino Stari grad / Open Air Cinema Stari grad 20:45 Open Air JAHAČI PRAVDE / RIDERS OF JUSTICE, Anders Thomas Jensen, 116 min.

Ljetno kino “Safet Zajko” / Open Air Cinema “Safet Zajko” 21:00 Open Air JAHAČI PRAVDE / RIDERS OF JUSTICE, Anders Thomas Jensen, 116 min.

Dječija kuća Novo Sarajevo / Children’s House Novo Sarajevo 21:00 BH Film INDEXI, Zoran Kubura, Bojan Hadžiabdić, 107 min.

MMC - Kino Ilidža / MMC - Ilidža Cinema 21:30 Open Air

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR, Danis Tanović, 90 min.

Ljetno kino / Open Air Cinema Cineplexx Plaza Mostar 21:30 Open Air JAHAČI PRAVDE / RIDERS OF JUSTICE, Anders Thomas Jensen, 116 min.

SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

55

RASPORED PROJEKCIJA Screening Schedule

Utorak/ Tuesday, 17.08.2021.

RASPORED PROJEKCIJA Screening Schedule

Četvrtak/ Thursday, 19.08.2021.

Petak/ Friday, 20.08.2021.

Narodno pozorište/ National Theatre 20:00 DODJELA NAGRADA / AWARD CEREMONY

Narodno pozorište/ National Theatre 12:30 Takmičarski igrani / Competition Features

Ljetno kino Coca-Cola / Coca-Cola Open Air Cinema 20:30 Open Air

15:00 Takmičarski kratki / Competition Shorts

JUNAK / A HERO, Asghar Farhadi, 127 min.

Kino Meeting Point / Meeting Point Cinema 12:00 Kinoscope Real OTVARANJE ŠAKA / UNCLENCHING THE FISTS, Kira Kovalenko, 97 min.

20:00 Kinoscope PRVI SASTANAK / FIRST DATE, Manuel Crosby, Darren Knapp, 103 min.

23:00 Kinoscope Surreal TUGA / THE SADNESS, Rob Jabbaz, 99 min.

Summer Screen 21:00 Summer Screen

AMERIČKA UTOPIJA DAVIDA BYRNEA / DAVID BYRNE'S AMERICAN UTOPIA

POBJEDNIK, SRCE SARAJEVA ZA NAJBOLJEG GLUMCA / WINNER, HEART OF SARAJEVO FOR BEST ACTOR POBJEDNIK, SRCE SARAJEVA ZA NAJBOLJU GLUMICU / WINNER, HEART OF SARAJEVO FOR BEST ACTRESS

19:00 Takmičarski studentski film/ Competition Student Film / Takmičarski igrani / Competition Features

POBJEDNIK, SRCE SARAJEVA ZA NAJBOLJI STUDENTSKI FILM / WINNER, HEART OF SARAJEVO FOR BEST STUDENT FILM POBJEDNIK, SRCE SARAJEVA ZA NAJBOLJEG REDITELJA / WINNER, HEART OF SARAJEVO FOR BEST DIRECTOR

21:30 Takmičarski kratki/ Competition Shorts/ Takmičarski igrani / Competition Features

Cineplexx 1 19:00 Open Air DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR, Danis Tanović, 90 min.

21:45 Pretpremijere Serije / Avantpremiere Series

POBJEDNIK, SRCE SARAJEVA ZA NAJBOLJI KRATKI FILM / WINNER, HEART OF SARAJEVO FOR BEST SHORT FILM POBJEDNIK, SRCE SARAJEVA ZA NAJBOLJI IGRANI FILM / WINNER, HEART OF SARAJEVO FOR BEST FEATURE FILM

Cineplexx 2 9:00 Takmičarski kratki / Competition Shorts

Ljetno kino Coca-Cola / Coca-Cola Open Air Cinema 20:30 Open Air

min.

Cineplexx 1 12:30 Takmičarski dokumentarni / Competition Documentaries

Spike Lee, 105 min.

ZLATNI DEČKO / THE GOLDEN BOY, Ognjen Janković, 90 min.

TAKMIČARSKI KRATKI / COMPETITION SHORTS, 184 min.

14:00 Shorts PASSAGGI D'AUTORE PRESENTS, 89 min.

18:00 Shorts ZAGREB FILM FESTIVAL – NAJBOLJE OD KOCKICA / BEST OF CHECKERS, 74

TOMA, Dragan Bjelogrlić, 140 min.

Cineplexx 3 15:00 BH Film DOKUMENTARNI 4 / DOCUMENTARIES 4, 118 min.

18:00 BH Film DOKUMENTARNI 5 / DOCUMENTARIES 5, 87 min.

21:00 BH Film TABIJA / THE WHITE FORTRESS, Igor Drljača, 90 min.

Cineplexx 4 12:30 Sarajevo Film Festival Partner Presents

POBJEDNIK, NAGRADA ZA LJUDSKA PRAVA / WINNER, HUMAN RIGHTS AWARD

Cineplexx 5 16:00 Kinoscope Real EL PLANETA, Amalia Ulman, 82 min.

19:00 Kinoscope PETROV GRIP / PETROV'S FLU, Kirill Serebrennikov, 145 min.

22:00 Kinoscope Surreal KRVAVE NARANČE / BLOODY ORANGES, Jean-Christophe Meurisse, 102 min.

Cineplexx 7 13:00 U fokusu / In Focus EVOLUCIJA / EVOLUTION, Kornél Mundruczó, 97 min.

16:00 Program Mreže festivala jadranske regije / The programme of Network of Festivals in the Adratic region

12:00 Takmičarski dokumentarni / Competition Documentaries

20:00 Program Mreže festivala jadranske regije / The programme of Network of Festivals in the Adratic region

POBJEDNIK, PRETPREMIJERE SERIJE / WINNER, AVANTPREMIERE SERIES

15:00 Takmičarski dokumentarni / Competition Documentaries

POBJEDNIK, SRCE SARAJEVA ZA NAJBOLJI DOKUMENTARNI FILM / WINNER, HEART OF SARAJEVO FOR BEST DOCUMENTARY FILM 18:00 POBJEDNIK, NAGRADA PUBLIKE ZA NAJBOLJI DOKUMENTARNI FILM / WINNER, AUDIENCE AWARD FOR BEST DOCUMENTARY FILM

PRIJE NEGO ŠTO UMRE SVJETLOST / BEFORE THE DYING OF THE LIGHT, Abdelali Essafi, 70 min. 21:00 Posvećeno / Tribute to Wim Wenders / Summer Screen 18:00 Suočavanje s prošlošću / Dealing with the Past PINA 3D, Wim Wenders, 104 min.

NAŠA RIJEKA... NAŠE NEBO / OUR RIVER… OUR SKY, Maysoon Pachachi, 117 min.

Cineplexx 8

DAN ČETRNAESTI / THE FOURTEENTH DAY, Zdravko Velimirović, 98 min.

PRIRODNO SVJETLO / NATURAL LIGHT, Dénes Nagy, 103 min.

Cineplexx 8 9:00 Takmičarski dokumentarni / Competition Documentaries

LOOKING FOR HORSES, Stefan Pavlović, 88 min.

12:00 Takmičarski igrani / Competition Features

VELIKA SLOBODA / GREAT FREEDOM, Sebastian Meise, 116 min.

15:00 Takmičarski igrani / Competition Features

STVARI VRIJEDNE SUZA / THINGS WORTH WEEPING FOR, Cristina Grosan, 84 min.n 18:00 Takmičarski dokumentarni / Competition Documentaries

LES ENFANTS TERRIBLES, Ahmet Necdet Çupur, 93 min.

Ljetno kino Stari grad / Open Air Cinema Stari grad 20:45 Open Air JUNAK / A HERO, Asghar Farhadi, 127 min.

Ljetno kino “Safet Zajko” / Open Air Cinema “Safet Zajko” 21:00 Open Air JUNAK / A HERO, Asghar Farhadi, 127 min.

Dječija kuća Novo Sarajevo / Children’s House Novo Sarajevo 18:00 Open Air JUNAK / A HERO, Asghar Farhadi, 127 min.

21:00 Open Air

DESET U POLA / NOT SO FRIENDLY NEIGHBOURHOOD AFFAIR, Danis Tanović, 90 min.

MMC - Kino Ilidža / MMC - Ilidža Cinema 18:00 BH Film INDEXI, Zoran Kubura, Bojan Hadžiabdić, 107 min 21:00 Open Air JUNAK / A HERO, Asghar Farhadi, 127 min.

Ljetno kino / Open Air Cinema Cineplexx Plaza Mostar 21:30 Open Air JUNAK / A HERO, Asghar Farhadi, 127 min.

56 SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

KAD SMO MI BILI ONI / WHEN WE WERE THEM, Danis Tanović, Damir Šagolj, 15 min. ŽŽŽ (ŽURNAL O ŽELIMIRU ŽILNIKU) / ŽŽŽ (JOURNAL ABOUT ŽELIMIR ŽILNIK) Janko Baljak, 90 min.

15:00

POBJEDNIK, SPECIJALNA NAGRADA ZA PROMICANJE RODNE RAVNOPRAVNOSTI WINNER, SPECIAL AWARD FOR PROMOTING GENDER EQUALITY 18:00 Pretpremijere Serije / Avantpremiere Series

Ljetno kino Stari grad / Open Air Cinema Stari grad 20:45 Open Air

TOMA, Dragan Bjelogrlić, 140 min.

Ljetno kino “Safet Zajko” / Open Air Cinema “Safet Zajko” 21:00 Open Air

TOMA, Dragan Bjelogrlić, 140 min.

Ljetno kino / Open Air Cinema Cineplexx Plaza Mostar 21:30 Open Air

TOMA, Dragan Bjelogrlić, 140 min.

COVID SIGURNI PROTOKOL 27. SARAJEVO FILM FESTIVALA / COVID-SECURE PROTOCOL OF THE 27TH SARAJEVO FILM FESTIVAL 27. Sarajevo Film Festival je COVID-siguran događaj koji će se održati u skladu sa mišljenjem Ministarstva zdravstva Kantona Sarajevo i prema mjerama i uputama koje je za održavanje Sarajevo Film Festivala izdao Zavod za javno zdravstvo Kantona Sarajevo. / The 27th Sarajevo Film Festival is a COVID-secure event that will take place in accordance with the opinion of the Sarajevo Canton Ministry of Health and in accordance with the measures and guidelines of the Sarajevo Canton Public Health Institute.

COVID-sigurni protokol

Covid-secure protocol

Anti–COVID mjere podrazumijevaju da su svi posjetioci festivala evidentirani kao vakcinisani, preboljeli ili testirani, te uključuju obaveznu dezinfekciju ruku i obuće, fizički razmak i nošenje zaštitne maske prilikom ulaska i izlaska sa zatvorenih festivalskih lokacija. Nošenje maske preporučuje se i za vrijeme projekcije. Zbog smanjenih kapaciteta kina, potrebno je sjediti na obilježenim sjedištima.

Kako bi gledaocima olakšali i ubrzali pristup festivalskim lokacijama, Festival će izdavati COVID-sigurne akreditacije.

Anti – COVID measures imply that all festivals visitors are registered as vaccinated, recovered or tested, and include mandatory disinfection of hands and footwear, physical distance and wearing a face mask when entering and exiting indoor festival venues. Wearing a face mask is recommended during the screening as well. Due to limited cinema capacities, it is necessary to sit on marked seats.

In order to make it easier and faster for film audience to access festival venues, the Festival will issue COVID-secure accreditations.

Kako do COVID-sigurne akreditacije na 27. Sarajevo Film Festivalu?

1. On-line Popunite e-formu na www.sff.ba, uploadujte jedan od tri moguća dokaza* (vidjeti objašnjenje na kraju teksta). Nakon provjere validnosti dokumenata, naš tim vam šalje COVID-sigurnu akreditaciju na vašu adresu elektronske pošte.

Ukoliko već imate Eventival nalog, e-formu popunite na sljedećem linku: https://vp.eventival.com/sarajevoff/2021/custom-form/covid-19accreditation/show 2. Na lokaciji U glavnom Box Office-u (Bosanski kulturni centar, Branilaca Sarajeva 24) dajte svoje podatke i predočite jedan od tri moguća dokaza*.

Nakon provjere validnosti dokumenata, naš tim vam šalje COVID-sigurnu akreditaciju na vašu adresu elektronske pošte ili se akreditacija printa na licu mjesta.

How do I obtain a COVID-secure accreditation at the 27th Sarajevo Film Festival?

1. Online Fill in an e-form at www.sff.ba and upload one of the three possible proofs* (see explanation in the footer). After checking the validity of the documents, our team will send you a COVID-secure accreditation to your email address.

If you already have an Eventival account, you can fill in the e-form HERE. 2. Onsite In the main Box Office (Bosnian Cultural Center, Branilaca Sarajeva 24) give your data and present one of the three possible proofs*. After checking the validity of the documents, our team will send you a COVIDsecure accreditation to your email address or your accreditation will be printed on the spot.

Za šta je sve potrebna COVID-sigurna akreditacija na 27. Sarajevo Film Festivalu?

COVID-sigurna akreditacija nije Vam potrebna za kupovinu ulaznica za 27.

Sarajevo Film Festival, ali jeste za ulazak u sva kina u kojima se Festival održava.

Na ulazu u kino prvo ćete pokazati isprintanu ili digitalnu validnu COVIDsigurnu akreditaciju, a nakon toga kino ulaznicu.

Mogu li ući na projekcije i bez COVID-sigurne akreditacije?

Da, na ulazu u kino uz ulaznice, pokažite dokument kojim se potvrđuje vakcinacija, ili da ste preboljeli COVID ili validan negativan test i Vaš lični dokument. Šta još Sarajevo Film Festival radi kako bi olakšao dobivanje COVIDsigurne akreditacije za svoje posjetioce?

Partnerske laboratorije Eurofarm i Alea Genetički Centar će imati svoje punktove na lokaciji Festivalskog Centra u BKC-u u kojima će se uz festivalske ulaznice moći testirati po sniženim cijenama od 15 KM za antigenski test.

*

1.Primljene obje doze vakcine, te da je prošlo najmanje 14 dana nakon druge doze vakcine, odnosno 14 dana od vakcine (Johnson & Johnson’s Janssen COVID-19 Vakcina) koja se prima u jednoj dozi, ili 2.da ima potvrdu da je prebolovao COVID-19 ne stariju od 6 mjeseci od obolijevanja, ili 3. negativan test (PCR ili antigenski) ne stariji od 48 sati.

Iz navedenog se izuzimaju djeca do 6 godina.

Why do I need a COVID-secure accreditation at the 27th Sarajevo Film Festival?

You do not need a COVID-secure accreditation to purchase tickets for the 27th Sarajevo Film Festival, but you will need it to enter all cinemas where Festival takes place.

When entering a cinema, first you will show your printed or digital valid COVID-secure accreditation and then your ticket.

May I enter film screenings without a COVID-secure accreditation?

Yes, when entering a cinema, with your ticket you will have to show your document confirming vaccination, recovery from COVID or valid negative test, and your ID. What else does the Sarajevo Film Festival do to make it easier for visitors to obtain a COVID-secure accreditation?

Our partner labs Eurofarm and Alea Genetic Center will have their testing sites at the Festival Center in the Bosnian Cultural Center where you can be tested when you show your festival ticket for the discount price of BAM 15 for antigen test.

*

1. Two doses of vaccine received, at least 14 days after the second dose of vaccine was received, or 14 days after vaccine (Johnson & Johnson’s Janssen COVID-19 vaccine) which is received in one dose, or 2. A certificate of recovery from COVID-19, not older than 6 months after infection, or 3. A negative test (PCR or antigen) not older than 48 hours The above-mentioned does not apply to children under 6 years of age.

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BOX OFFICE boxoffice@sff.ba, www.sff.ba

BOX OFFICE LOKACIJE / BOX OFFICE LOCATIONS Glavni Box Office / Main Box Office (Bosanski kulturni centar), Branilaca Sarajeva 24; Kino Meeting Point / Meeting Point Cinema, Hamdije Kreševljakovića 13; Cineplexx Sarajevo, Zmaja od Bosna 4, Dječija kuća Novo Sarajevo / Children House Novo Sarajevo, Grbavička bb; Ljetno kino Centar "Safet Zajko" / Open Air Cinema at "Safet Zajko" Center; MMC - Kino Ilidža / MMC - Ilidža Cinema, Hrasnička cesta 8; Cineplexx Plaza Mostar (Tržni centar / Shopping mall Plaza), Bisce polje bb, Mostar.

RADNO VRIJEME / OPENING HOURS / 6 - 8 AUGUST Glavni Box Office - svaki dan / Main Box Office - every day: 10:00 - 19:00 RADNO VRIJEME / OPENING HOURS / 9 - 12 AUGUST Glavni Box Office - svaki dan / Main Box Office - every day: 10:00 - 19:00 Cineplexx Plaza Mostar - svaki dan / every day: 14:00 - 22:00 RADNO VRIJEME / OPENING HOURS / 13 - 20 AUGUST Glavni Box Office - svaki dan / Main Box Office - every day: 09:00 - 22:00 Kino Meeting Point - svaki dan / Meeting Point Cinema - every day: 11:00 - 23:00 Cineplexx Sarajevo - svaki dan / - every day: 08:45 - 22:00 Dječija kuća Novo Sarajevo - svaki dan: sat vremena prije početka projekcije / Children House Novo Sarajevo - every day: one hour ahead of the screening Ljetno kino Centar "Safet Zajko"- svaki dan: sat vremena prije početka projekcije / Open Air Cinema at "Safet Zajko" Center - every day: one hour ahead of the screening MMC - Kino Ilidža - svaki dan: sat vremena prije početka projekcije / MMC Ilidža Cinema - every day: one hour ahead of the screening Cineplexx Plaza Mostar - svaki dan / - every day: 14:00 - 22:00 CIJENE ULAZNICA / TICKET PRICES Ljetno kino Coca-Cola / Coca-Cola Open Air Cinema: Otvaranje / Opening night - 20.00 KM, ostale projekcije / other screenings - 12.50 KM Kino Meeting Point / Meeting Point Cinema: 6.50 KM, 7.50 KM, 10.00 KM Narodno pozorište / National Theatre: Otvaranje / Opening night - 15.00 KM, Ceremonija dodjele nagrada / Award ceremony - 20.00 KM, ostale projekcije / other screenings - 6.50 KM, 7.50 KM, 9.00 KM, 10.00 KM Ljetno kino Stari Grad / Open Air Cinema Stari Grad: Otvaranje / Opening night - 20.00 KM, ostale projekcije / other screenings - 10.00 KM Cineplexx Sarajevo: 7.00 KM, 8.00 KM Summer Screen: 9.00 KM Dječija kuća Novo Sarajevo / Children House Novo Sarajevo: 5.00 KM Ljetno kino Centar "Safet Zajko" / Open Air Cinema at "Safet Zajko" Center: 5.00 KM MMC - Kino Ilidža / MMC - Ilidža Cinema: 5.00 KM Ljetno kino / Open Air Cinema Cineplexx Plaza Mostar: 7.00 KM PDV je uračunat u cijenu ulaznice / VAT included in all the prices

ON-LINE (e-ulaznica) • On-line prodaja je moguća putem zvanične web stranice Sarajevo Film Festivala; • On-line prodaja ulaznica počinje 4. augusta 2021. godine u 15:00; • Maksimalan broj ulaznica koje je moguće kupiti za jednu projekciju je četiri (4); • Plaćanje se može izvršiti MasterCard i VISA putem e-pay sistema UniCredit Bank; Ukoliko kupite Vaše ulaznice on-line, e-ulaznice će biti poslane putem e-maila u roku od nekoliko minuta od kupovine. Svaka e-ulaznica sadrži jedinstveni kod koji će omogućiti pristup projekcijama. Dovoljno je pokazati dobiveni prilog mail-a ili odštampanu e-ulaznicu prilikom ulaska na projekciju.

Napomena: Ukoliko je napravljena kopija ili duplikat ulaznice, samo prvi primjerak koji se predoči na ulazu bit će važeći. Svi ostali biće odbijeni.

Kako bi se osiguralo da dobijete e-mail koji sadrži Vaše ulaznice, pobrinite se da imate e-mail adresu no-reply@sff.ba dodanu na svoj popis odobrenih e-mail adresa u spam filteru.

PRODAJA ULAZNICA • Slobodna prodaja pojedinačnih ulaznica počinje 7. augusta 2021. godine u 10:00 sati; • Maksimalan broj ulaznica koje je moguće kupiti za jednu projekciju je četiri (4); • Plaćanje ulaznica se može izvršiti gotovinom, te putem MasterCard ili VISA kartice; • Plaćanje ulaznica moguće je samo u domaćoj valuti - konvertibilnim markama (KM); POMJERANJE PROJEKCIJA U SLUČAJU KIŠE U slučaju kiše, kada organizator Festivala zvanično objavi (putem zvanične web stranice, društvenih mreža) projekcije iz otvorenih kina se premještaju u zatvorena kina.

Ukoliko je objavljeno da se projekcije premještaju u zatvorena kina prije početka projekcija, termin projekcije ostaje isti, a ukoliko kiša padne u toku projekcije, projekcija se nastavlja u zatvorenom kinu 30 minuta nakon objave o premještanju projekcije.

• Ljetno kino Coca-Cola se premješta u KSC Skenderija; • Ljetno kino Stari Grad se premješta u Pozorište mladih; • Summer Screen se premješta u Cineplexx Sarajevo • Ljetno kino Cineplexx Plaza Mostar se premješta u kino sale Cineplexx Plaza Mostar U slučaju kiše projekcije iz Ljetnog kina "Safet Zajko" će se prikazivati idući dan u Kinu Novi Grad kroz dva termina (17:30 i 20:30).

ON-LINE TICKET SALES (e-ticket) • Tickets will be available on-line only via the official SFF web site • On-line ticket sales open on August 4, 2021 at 15:00 • The maximum number of tickets to be purchased per screening is four (4) • MasterCard and VISA payment is available via the UniCredit Bank e-pay system If you buy your tickets online, tickets will be sent via e-mail within a few minutes of your purchase. Each e-ticket contains a unique code that will allow access to the screening.

Just show your e-mail attachment or printed e-tickets at the venue entrance.

Be aware, if copies or duplicates of tickets are made, only the first reaching the entry point will be valid while others will be rejected.

To ensure that you receive the e-mail containing your tickets, please be sure that you have no-reply@sff.ba added to your approved spam filter list.

TICKET SALES • Individual tickets will be available starting from August 7, 2021 at 10:00 • The maximum number of tickets to be purchased per screening is four (4) • Tickets may be paid in cash, MasterCard or VISA card • Tickets may be paid in the national currency only (Convertible Mark – KM/BAM) SCREENING SCHEDULE CHANGES IN CASE OF RAIN n case of rain, the Festival organiser will make an official announcement (via the official web page and social networks) on relocation of screenings from outdoor to indoor cinemas. If such an announcement is made prior to the screening, the scheduled screening time remains the same. In case of rain during the screening, the screening will then continue in a designated indoor cinema 30 minutes following the relocation announcement.

• Coca-Cola Open Air Cinema moves to KSC Skenderija; • Open Air Cinema Stari Grad moves to Sarajevo Youth Theatre; • Summer Screen moves to Cineplexx Sarajevo • Ljetno kino Cineplexx Plaza Mostar moves to cinema hall Cineplexx Plaza Mostar In case of rain, the screenings from the Open Air Cinema "Safet Zajko" will be shown the next day in Kino Novi Grad through two terms (17:30 and 20:30).

BOX OFFICE PRAVILNIK / BOX OFFICE RULES • Ulazak na projekciju moguć je samo sa ulaznicom (uključujući i djecu bez obzira na starosnu dob) • Svi posjetioci moraju zauzeti svoja mjesta najkasnije 5 minuta prije početka zvaničnog programa • Ulazak u kino nije moguć nakon početka zvaničnog programa • U slučaju kašnjenja na projekciju ne možemo vam garantovati slobodno sjedeće mjesto (povrat novca i/ili zamjena ulaznica nije moguća) • Sjedišta nisu numerisana za sve projekcije • Za vrijeme projekcije zabranjeno je korištenje uređaja za snimanje slike i zvuka (kamera, fotoaparat i mobilni uređaji) • U slučaju korištenja video opreme festivalsko osoblje ima pravo odstraniti osobu koja koristi prethodno spomenutu opremu • Ulaz kućnim ljubimcima nije dozvoljen • Kupovinom ulaznica, saglasni ste da možete biti fotografisani i snimljeni bez novčane naknade • Pregled posjetioca i njihovih stvari biće obavljen zbog njihove lične sigurnosti • Na zvanične festivalske lokacije zabranjeno je unošenje boca, limenki i predmeta koji mogu ugroziti sigurnost posjetioca

• Filmovi prikazani na Festivalu mogu sadržavati eksplicitne scene seksa ili nasilja, te se prije kupovine ulaznice preporučuje pregled sadržaja filma na festivalskom web sajtu (www.sff.ba), programu ili linkovima postavljenim na društvenim mrežama • Organizator Festivala ne odgovara za izgubljene ili ukradene stvari • Falsifikovanje i krivotvorenje ulaznica je strogo zabranjeno • Sve ulaznice su izdate prema pravilima i propisima zvaničnih festivalskih lokacija i organizatora Festivala POVRAT NOVCA Povrat novca za kupljenu ulaznicu ili zamjena za ulaznicu neke druge projekcije u istom novčanom iznosu mogući su u roku od 24 sata od predviđenog termina projekcije i to: • U slučaju kada organizator javno objavi otkazivanje predviđene projekcije • Kada početak projekcije kasni duže od 30 minuta bez prethodne najave o pomjeranju početka projekcije i u tom slučaju potrebno je obratiti se osoblju Festivala • Admission is possible only by presenting a ticket for the given screening (this includes children irrespective of age);

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• All the visitors must take their seats at least 5 minutes before the opening of the official programme; • No members of the audience will be admitted after the official opening of the programme; • In case of late arrival, no seat can be guaranteed (refund and/or replacement tickets are not available); • Seats are not numbered for any screening; • No audio or video recording devices (cameras or mobile devices) can be used during any screening; • In case of any attempt to use such devices, the Festival staff shall be entitled to remove the user from the screening; • Pets are not allowed; • By purchasing the ticket you accept that you may be photographed or recorded by a camera with no financial compensation; • All the tickets are issued pursuant to rules and regulations of official Festival venues and Festival organisers; • In the interest of personal safety of our visitors, there will be security checks at entry points; • No bottles, cans or other items that may in any way harm or affect personal safety of the

audience may be brought into any official Festival location; • Films screened at the Festival may include scenes of sex or violence; it is therefore recommended to examine the content of the film at our web site (www.sff.ba), official programme and links available via social networks prior to any ticket purchase; • The Festival organisers shall not be liable for lost or stolen property; • Any attempt to forge or otherwise alter tickets is against the law.

REFUND Refunds for tickets purchased or replacement tickets for other screenings to the same amount already paid are available no later than 24 hours prior to the original screening schedule, as follows: • If the Festival organisers have made an official announcement about a screening cancellation • If the screening is delayed by more than 30 minutes with no prior announcement of a delay or a relocation of the screening; in such cases, the audience is kindly requested to contact Festival staff

25 GODINA U GLAVNOJ ULOZI FESTIVALA Sarajevo Film Festival danas važi za jedan od najvažnijih festivala u jugoistočnoj Evropi i iz godine u godinu povezuje sve veći broj mladih umjetnika iz naše zemlje sa svjetskom filmskom scenom.

Ove godine, Coca-Cola i Sarajevo Film Festival, rame uz rame, obilježavaju 25 godina uspješnog partnerstva.

Posebno za ovu priliku, Coca-Cola je kreirala limitiranu ediciju staklenke inspirisanu filmskim elementima i jedinstvenim srcem Festivala. Ona će zasigurno svim ljubiteljima filmske umjetnosti postati najpoželjniji suvenir 27. izdanja Sarajevo Film Festivala I u njihovim srcima zauzeti posebno mjesto.

BH Telecom je vodeći telekom operator u Bosni i Hercegovini, koji pruža visokokvalitetne i najsavremenije usluge iz oblasti telekomunikacija.

Ponosni smo što smo ponovno partner renomiranog festivala čijem smo začetku i osnivanju svjedočili davne ratne 1995. godine kao generalni sponzor, imajući već onda vjeru i viziju kao i veliku želju da Sarajevo Film Festival izraste i razvije se u ono što on danas predstavlja: stjecište regionalne i svjetske kinematografije i kulturološkog dijaloga te razmjene ideja sedme svjetske sile.

Povodom 27. Sarajevo Film Festivala za uvažene goste i posjetioce smo nastojali dati svoj doprinos s tehnološkog, vizualnog, marketinškog i kulturnog aspekta.

Na specijalnom TV servisu na MOJA TV platformi BH Telecoma pratite sva dešavanja uživo sa festivalskog trga i festivalske ulice, ali i na poddomeni www.bhtelecom.ba/sff, te na društvenim mrežama BH Telecoma. Budite naši gosti u pagodi BH Telecoma ali i online, gdje vas čekaju brojna iznenađenja kreirana specijalno za ovu priliku. Ove godine BH Telecom je partner dodjele nagrada za najbolje TV serije na SFFu u okviru nove kategorije takmičenja i s tim partnerstvom uz početak produkcije tri serije u sopstvenoj proizvodnji ponosno ulazi u produkcijsku industriju i content providing kao prvi TK operator u BiH. Moj Sarajevo. Moja priča. BH Telecom

UniCredit Bank je ponosni Glavni sponzor Sarajevo Film Festivala. Želja nam je da zajedno sa svojim klijentima proslavimo ovo značajno partnerstvo kroz niz pogodnosti koje smo pripremili.

Nagradna igra “Volimo film” je najsretnijim klijentima osigurala jedinstveni doživljaj otvaranja 27. Sarajevo Film Festivala i 100 dodatnih nagrada za on-line doživljaj filmskog programa. Tokom festivala, plaćanje UniCredit Mastercard karticama donosi i mala iznenađenja prilikom kupovine u gift shopu i slatka osvježenja u Grand Caféu na festivalskom trgu ili caffeu Meeting Point.

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Story_Sarajevo film festival 2021.pdf

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u društvu holivudskih velikana Gary Oldman, Tom Hardy, Ben Kingsley, Ashley Judd, Tim Robbins, Ridley Scott, Luc Besson, Daniel Craig, Colin Firth, Benicio Del Toro... bili su njegovi glumački partneri surrounded by hollywood stars Gary Oldman, Tom Hardy, Ben Kingsley, Ashley Judd, Tim Robbins, Ridley Scott, Luc Besson, Daniel Craig,

gluma mu je doista

spasila život Sarajevski glumac feđa štukan za ulogu u seriji ‘Klan’ na Sarajevo Film Festivalu nominiran je za nagradu Srce Sarajeva, a to je bio povod da za Story da jako zanimljiv životni intervju Actor from Sarajevo feđa štukan was nominated for the award Heart of Sarajevo for his role in the TV series 'Klan' .

He gave an intriguing interview for the Story magazine

Feđa Štukan, sjajni 47-godišnji sarajevski glumac neupitne karizme i talenta, govori o nominaciji za nagradu Srce Sarajeva za ulogu u TV seriji, za sjajnu interpretaciju mafijaša u srpskoj seriji 'Klan'. Iskreno i s dozom humora govori i o ulogama i poslu te objašnjava kako mu je gluma zapravo spasila život.

“Moja prva uloga bila je u psihijatrijskoj klinici kada sam odglumio ludilo da bih se izvukao iz vojske. Tamo sam naslutio talent, prijateljica mi je predložila glumu. Iz ludnice sam otišao na prijemni na Akademiju i evo me”, govori vrsni glumac koji ističe kako su mu vlastita iskustva puno pomogla u njegovoj profesiji jer “bez životnog iskustva stvari morate izmišljati i vjerojatno ćete ih zamisliti i igrati pogrešno”.

Najdraža mu je, kaže, uloga Adnana iz filma ‘Gori vatra’ Pjera Žalice. “To mi je prva filmska uloga. Tada sam bio teški narkoman, igrao sam neke scene na heroinu, neke u užasnoj krizi. Pjer je znao da imam problem, a ipak mi je dao priliku. Premijeru sam gledao čist. Taj film podsjeća me na moju borbu s heroinom i na najvažniju pobjedu u životu”, iskreno govori Feđa Štukan.

Feđa Štukan, a 47-year-old actor from Sarajevo, actor of unquestionable charisma and talent, talks about the nomination for the Heart of Sarajevo Award for his role in the TV series, for his great interpretation of a mobster in the Serbian series 'Klan'. Honestly, and with a dose of humor, he talks about roles and work, and explains how acting actually saved his life.

“My first role was in a psychiatric clinic when I pretended to be mad to get out of the military.

There I sensed my own talent, and a friend suggested acting to me. I went from the insane asylum to the Academy in Sarajevo and here I am", says the excellent actor, who points out that his own experiences helped him a lot in his profession, because "without life experience you have to invent things and you will probably imagine and play them wrong".

His favorite role, he says, is the role of Adnan from Pjer Žalica's film 'Burning Fire'. "It's my first film role. I was a heavy drug addict then, I played some scenes on heroin, some in a terrible crisis. Pjer knew I had a problem, and yet he gave me a chance. I watched the premiere clean. This film reminds me of my fight with heroin and the most important victory in my life", says Feđa Štukan honestly.

www.roxbeauty.eu Potražite u odabranim dm prodavaonicama od 6. 9. 2021.

U svakoj svojoj ulozi

pronađe zadovoljstvo Srpski glumac boris isaković za ulogu Slobodana Miloševića u seriji ‘Porodica’ na SFF-u nominiran je za nagradu Srce Sarajeva, a u povodu toga govorio je za časopis Story o glumi, obitelji i novim projektima Srpski glumac Boris Isaković posljednje dvije godine svakim projektom izaziva nevjerojatno zanimanje publike. Na ovogodišnjem, 27. Sarajevo Film Festivalu nominiran je za nagradu Srce Sarajeva u kategoriji najboljega glumca zahvaljujući ulozi Slobodana Miloševića u seriji ‘Porodica’.

“Koja mi je najdraža uloga?

Možda baš ova posljednja u seriji ‘Porodica’, uloga Slobodana Miloševića. Tu se nekako sve skupilo - iskustvo, lakoća, zaigranost. Baš sam uživao u svom poslu. Jako mi je draga i uloga Strahinje iz ‘Odumiranja’.

Običan čovjek, seljak, dobar i topao. Jako sam ga zavolio”, govori Boris koji je u filmu ‘Quo vadis, Aida?’ utjelovio Ratka Mladića, a u tom filmu surađivao je i sa suprugom, glumicom Jasnom Đuričić, predsjednicom ovogodišnjeg SFF-ova žirija za Takmičarski program. “Oboje jednako volimo svoj posao i uživamo u njemu. Važan nam je.

Bilo da radimo zajedno u nekom projektu ili odvojeno. Prava je sreća imati takvu glumicu za partnericu na sceni i takvu ženu u obiteljskom domu. Suradnja se, dakle, odvija neometano na svim razinama. Sve se pretače i miješa, privatno i profesionalno, i to nosite sa sobom, uvijek i svuda.

Nema se to gdje spremiti i ostaviti”, ispričao je nadahnuto Boris.

Serbian actor boris isaković was nominated for the Heart of Sarajevo Award for the role of Slobodan Milošević in the series ‘Family’. He talked about his acting, family and new projects for the Story magazine Serbian actor Boris Isaković with every new project in the last two years has been challenging incredible audience interest. He is nominated at this year's 27th Sarajevo Film Festival for the award in the category of the best actor thanks to the role of Slobodan Milošević in series ‘Family’. "What is my favorite role? Maybe this last one in the series ‘Family’, the role of Slobodan Milošević. There it is somehow all gathered - experience, easeness, playfulness. I just enjoyed my job as Strahinja from ‘Odumiranje’, directed by Miloš Pušić. Plain man, a peasant, good and warm. I fell in love with him very much", says Boris who played Ratko mladić in the film 'Quo vadis, Aida?'.

In that film he also collaborated with his wife, actress Jasna Đuričić, president of this year's SFF jury od the Competition Program. "We both love and enjoy our work equally. It's important to us. Whether we work together in a project or separately. It is a real blessing to have such an actress for a partner on stage and such a woman in the family home.

Cooperation is therefore taking place undisturbed at all levels.

Everything is mixed, privately and professionally, and you carry that with you, always and everywhere.

There is no place to store and leave it", Boris explained.

Sa suprugom Jasnom Đuričić često surađuje na istim projektima pa je tako bilo i na ‘Quo vadis, Aida?’ redateljice Jasmile Žbanić u kojem je utjelovio lik Ratka Mladića; za lik Slobodana Miloševića u seriji ‘Porodica’ nominiran je za nagradu na SFF-u Boris works a lot with his wife, actress Jasna Đuričić, as in the film ‘Quo vadis, Aida?’ by director Jasmila Žbanić in which he played Ratko Mladić; for the role of Slobodan Milošević in the TV series ‘Porodica’ (Family) he is nominated for a prize at the Sarajevo Film Festival this year

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Nominirana ekipa serije 'Novine' producent Miodrag Sila, glumac Zdenko Jelčić i scenarist Ivica Đikić The nominated team of the TV series 'The Paper' - producer Miodrag Sila, actor Zdenko Jelčić and screenwriter Ivica Đikić

Hrvoje Laurenta, direktor Zagreb Film Festivala, i Jovan Marjanović, direktor Industrijskog odjela Sarajevo Film Festivala Hrvoje Laurenta, Zagreb Film Festival director, and Jovan Marjanović, Head of Industry, Sarajevo Film Festival

Nominirana glumica Kaja Šišmanović (lijevo) i nominirana glumica Jelena Miholjević s voditeljicom Danielom Trbović Nominated actress Kaja Šišmanović (left) and nominated actress Jelena Miholjević with the TV host Daniela Trbović

Hrvatska redateljica Antoneta Alamat Kusijanović čiji je debitantski film 'Murina' uvršten u Natjecateljski program 27. SFF-a Croatian director Antoneta Alamat Kusijanović whose film 'Murina' is a part of the Competition programme of the 27th SFF

Sarajevo Film Festival sve nas okuplja gathers us all

Jovan Marjanović, glumac Goran Bogdan i Armin Hadžić, Industry Coordinator Sarajevo Film Festivala; Jovan Marjanović, actor Goran Bogdan and Armin Hadžić

Glumica Anica Dobra Actress Anica 66Dobra

Glumica Katarina Radivojević Actress Katarina Radivojević

Ovogodišnje izdanje Sarajevo Film Festivala predstavljeno je u Zagrebu i u Beogradu gdje su se okupili brojni filmaši i zaljubljenici u filmsku umjetnost

This year's edition of Sarajevo Film Festival was announced in Zagreb and in Belgrade which gathered many filmmakers and filmlovers

Ovogodišnje, 27. izdanje Sarajevo Film Festivala predstavljeno je krajem lipnja u Zagrebu i Beogradu, druga dva snažna kulturna centra jadranske regije. Nakon prošlogodišnjeg digitalnog izdanja festivala Jovan Marjanović, direktor Industrijskog odjela Sarajevo Film Festivala, otkrio je da jedva čekaju ponovno filmove predstaviti uživo pred publikom. Također, predstavljena je i regionalna suradnja - Mreža festivala jadranske regije, u kojoj su Sarajevo Film Festival, Zagreb Film Festival, beogradski Festival autorskog filma te Filmski festival Herceg Novi, koji će zajedno dodijeliti novu nagradu na SFF-u - Adriatic Audience Award. Najavljene su i nove nagrade za najbolje TV serije u regiji. Uz važnu napomenu - ove godine družimo se uživo u Sarajevu uživajući uz najbolje filmove i serije!

This year's 27th edition of Sarajevo Film Festival was previously announced at the end of June in Zagreb and Belgrade, the other two strong cultural centers of the Region. After last year's digital edition of the festival, Jovan Marjanović, Head of Industry of the Sarajevo Film Festival, revealed that they can't wait to present the films live in front of the audience again. Also, a regional cooperation was presented - the Adriatic Region Festival Network - which includes the Sarajevo Film Festival, Zagreb Film Festival, Belgrade Auteur Film Festival and Herceg Novi Film Festival, which will jointly award a new prize at the SFF - Adriatic Audience Award. New awards for the best TV series in the Adriatic region have also been announced. With an important note this year we are hanging out live in Sarajevo, enjoying the best movies and series!

SARAJEVO FILM FESTIVAL / 13-20/08/2021 / www.sff.ba

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