Introduction
In these unprecedented times, when it seems that the world we used to know might not exist in the future, truth-seeking and fact-checking are more important than ever. But the anxieties of the world we have left behind will trickle into the new order and be triggered again. If we have learnt anything over the past year, I daresay it is that our personal lives can be turned upside-down in a matter of moments. The Sarajevo Film Festival’s Dealing with the Past programme has had a clear mission since its beginnings: to conduct honest dialogue about our region’s recent past as a prerequisite to resolving the problems of the present that stem from the Yugoslav Wars – problems that continue to strain our societies. Over the last six years, we have shared many deeply inspiring, if gut-wrenching, stories from our own region and around the world. This year’s programme is divided in two sections, one of which concentrates on seeking truth by using both conventional and unconventional methods. This part of the programme is marked by films by the renowned Danish filmmaker Mads Brugger, who has become internationally renowned for his unorthodox approach towards the topics and characters in his films. He is a journalist and filmmaker who seeks out truth and pushes
4 I DEALING WITH THE PAST 2021
boundaries to expose corruption and humanrights violations in countries where investigative journalism does not exist. Ever wondered how diamond smuggling is conducted in Africa? Accompany Brugger on a journey on which he acquires a diplomatic passport and masquerades as the Liberian consul to the Central African Republic to show us the murky world of blood diamonds in his film THE AMBASSADOR. In COLD CASE HAMMARSKJÖLD, Brugger investigates the mysterious death of the UN’s second secretary-general. In his own words, the filmmaker describes the case as “either the world’s biggest mystery or the world’s most idiotic conspiracy theory.” And I have no doubt viewers will be in awe after watching Bruggers’s most recent film, the docu/spy thriller THE MOLE: UNDERCOVER IN NORTH KOREA, in which we are placed in media res when a 44-year-old Dane infiltrates the world’s most secretive regime to learn all about the weapons trade. Brugger pushes viewers to question where and what the boundaries are between art and journalism, and to consider whether unethical practices should be used to expose larger truths. What is our role as spectator? How can we address the fact that the world that we know and are comfortable in often veils the inequality that surrounds us? To explore Brugger’s work further, the Sarajevo Film Festival’s CineLink Talks programme offers a live, online master class led by the director.
