14thSFF Journal

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14. sarajevo film festival Počinje četrnaesto izdanje Sarajevo Film Festivala. Kao i svih prethodnih godina, Festival će slaviti filmove i autore koji obilježavaju filmsku umjetnost danas. Autori, filmski profesionalci i gosti već dolaze u Sarajevo, projekcije mogu početi. Počašćeni smo dolaskom izuzetnih velikana filmske umjetnosti, sigurni smo da će njihovi filmovi, te susreti i razgovori sa njima, biti velika inspiracija našim talentima i užitak mnogobrojnoj publici. Ali, prikazivati i promovirati filmove i autore, po našem mišljenju, samo je jedan od zadataka filmskog festivala. Kreiranje uslova za razvoj regionalne filmske industrije, uključujući podršku koprodukcijskim projektima je osnova projekta CINELINK. Oko 400 predstavnika filmske industrije su redovni gosti našeg koprodukcijskog marketa, na kojem svake godine predstavljamo desetak novih regionalnih scenarija spremnih za realizaciju. Uspostavljena prepoznatljiva programska struktura i snaga CINELINKA, omugućili su ostvarivanje još jednog cilja, kreiranje platforme za promociju mladih autora iz regije (koja je od ove godine proširena na Austriju). I u predstojećim godinama suština našeg djelovanja bit će usmjerena u ovom pravcu. Prvi korak je napravljen već prošle godine, pokretanjem Sarajevo Talent Campusa u saradnji sa Berlinaleom. Nizom predavanja, radionica, seminara i panela, mladim autorima smo pružili dodatna znanja i mogućnost uključivanja u mrežu evropskih i svjetskih filmskih profesionalaca. Najambicioznijima među njima omogućili smo uslove za snimanje kratkog filma u okviru projekta Sarajevo grad filma. Ove godine imat ćete priliku vidjeti prvih pet filmova nastalih u okviru ovog projekta. U ime Sarajevo Film Festivala, želim vam dobrodošlicu. Mirsad Purivatra Direktor

The fourteenth edition of the Sarajevo Film Festival is here. Just like before, the Festival will celebrate films and authors who mark the art of film today. Authors, film professionals and guests are already arriving to Sarajevo, the screenings may begin. We are honoured to receive those great names of the seventh art, and we are certain that their films, meetings and conversations with them will serve as true inspiration to our talents and be a true joy to our large audience. However, we believe that screening and promoting films and authors is but one of the tasks of a film festival. Creation of conditions for development of the regional film industry, including support for co-production projects, was the basis for the CINELINK project. Some 400 industry representatives are regular visitors of our co-production market, which presents ten new regional scripts ready for production. An identifiable programming structure and strength of the CINELINK project have been defined, allowing for another aim to be set – to create a platform to promote young authors from the region (to include Austria as of this year). Our activities in the years to come will be guided by the same aim. We took the first step last year when we launched the Sarajevo Talent Campus in collaboration with Berlinale. A series of lectures, workshops, seminars and panels allowed young authors to acquire new knowledge and become part of a network of film professionals in Europe and the world. The most ambitious of them were given an opportunity to make short films within the Sarajevo City of Film project. This year, you will see the first five films made within the project. On behalf of the Sarajevo Film Festival - welcome. Mirsad Purivatra Director

SADRŽAJ / CONTENT 3 14. Sarajevo Film Festival 5 Žiri / Jury / Nagrade / Awards 6 Takmičarski program - igrani film/ Competition Programme - Features 10 Takmičarski program - kratki film/ Competition Programme - Shorts 11 U fokusu / In Focus 13 Box Office 14 Takmičarski program - dokumentarni film / Competition Programme Documentaries 16 2 Sarajevo Talent Campus 17 Sarajevo grad filma/ Sarajevo City of Film 18 Prateći programi/ Sidebar Programmes/ Dubrovnik Film Meetings 19 CineLink 2008 20 Panorama 22 Panorama dokumentarni/ Panorama Documentaries 25 Gosti / Guests 27 Raspored projekcija / Screening Schedule 31. Katrin Cartlidge Fondacija/Foundation/ Posebno priznanje Srce Sarajeva 2008/ Special Heart of Sarajevo Award 2008 33 Posvećeno / Tribute To 34 Novi tokovi / New Currents 36 Novi tokovi - kratki film / New Currents - Shorts 39 Open Air 40 Jerusalem Film Festival/ Irski kratki/ Irish Shorts 41 EFA 42 Dječiji program / Children’s Programme 43 Teenarena 45 Orbico Porodični dan / Family Day 47 Specijalne projekcije / Special Screenings 49 Nagrada za ljudska prava / Human Rights Award

Impressum:

Izdavač / Publisher: Sarajevo Film Festival Urednici / Editors: Alma Hadžić Altijana Marić Dokumentacija / Documentation: Emir Pekmez, Moamer Kasumović, Asja Makarević Prevod / Translation: Amira Sadiković Lektura / Proofreading: Amira Sadiković Grafičko oblikovanje i DTP / Graphic design and DTP: BOOM! Produkcija Štampa / Prints: Tiskara Zagreb Tiraž / Print run: 50.000 | 03


What is the Council of Europe?

The Council of Europe, the 47 nation organisation known as the guardian of human rights, democracy and the rule of law, is a unique forum for voicing the concerns, hopes and aspirations of all 800 million Europeans. Established in 1949, the continent’s first and largest political organisation through its work based on intergovernmental co-operation seeks to promote and enforce fundamental European values that form the foundation of a tolerant and civilised society and are indispensable for European stability, economic growth and social cohesion. The Council of Europe’s work has resulted in conventions, recommendations and standards which facilitate co-operation between European countries and help to unite the continent and guarantee its security. The Council of Europe works with its members states and national institutions to find shared solutions to major problems such as human rights violations, terrorism, organised crime and corruption, cybercrime, bioethics and cloning, violence against children and women, and trafficking in human beings. For more information, please visit: www.coe.int

Why does the Council of Europe think that cinema is so important?

The Council of Europe was created to defend human rights. It does that through legal instruments, recommendations and assistance, but it also does it through the promotion of cultural diversity which is an antidote to ignorance, prejudice and hate. That is why the Council of Europe is a major promoter of cinema and a champion of the use of film as a medium to change attitudes for the better in a multitude of different areas. Many people understand the link between film and political propaganda. but there are also many films that have subtly changed the way that ordinary people look at life…and for the better. Blockbuster films like “Philadelphia” with Tom Hanks as a young homosexual dying of HIV/Aids helped to change people’s attitudes both to the disease and to issues of sexuality. Comedies such as “Dr Strangelove” made people laugh whilst taking in a strong anti-war message. Topics such as violence to children, or domestic violence against women – both campaigning issues for the Council – can be highlighted through film. At the same time, film is a way to show under-represented groups in a positive way and to create new role models for the future. Film has the ability to change attitudes, to persuade and to show that diversity is a source of richness and strength in our society. And that is why the Council of Europe believes that that cinema has a pivotal role to play in building a Europe that respects human rights and cultural diversity.

What does the Council of Europe do in the field of cinema production?

Since 1988, the European Support Fund for the Co-production and Distribution of Creative Cinematographic and Audiovisual Works, or Eurimages has worked within the Council of Europe to promote the European film industry by encouraging the production and distribution of films and fostering co-operation between professionals. For nearly 20 years, Eurimages has supported films which would otherwise never be made because of the problems of new technologies and increasing competition that film directors and producers are facing. In this way, Eurimages promotes “pluralism” and “diversity” in European film making. Without Eurimages, European cinema goers would have fewer films to choose from. Eurimages aims to support works which reflect the multiple facets of a European society and invest in an industry which, while concerned with commercial success, also upholds the important role of cinema as an art form. Since it was set up, Eurimages has supported the co-production of over 1200 full-length feature films and documentaries. A number of these have received prestigious awards, including Oscars, the Cannes Palme d’Or, the Golden Bear from Berlin and other prizes from international festivals. The Council is also home to the European Audiovisual Observatory set up in December 1992, the only centre of its kind to gather and circulate information on the audiovisual industry in Europe, including cinema, television and radio. Its aim is to create transparency in a sector which is one of the fastest growing areas of the European economy and a leading global market. For more information, please visit: www.coe.int/eurimages and www.obs.coe.int

Why the Sarajevo Film Festival?

Being very active in South-Eastern Europe, the Council of Europe considers the Sarajevo Film Festival to be a natural meeting point for its goals to educate people through films, to support artistic creation and the freedom of expression through film making and to promote its values of cultural diversity and mutual respect to the public.

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This year the Council of Europe is the sponsor of the Festival’s main award of its Competition Programme “Heart of Sarajevo for Best Film”. The topics of the films correspond largely to the Council of Europe’s values, most dealing with social commentary and human rights. This is highlighted by the fact that many films shown at the festival are co-financed by Eurimages, a partial agreement of the Council of Europe.

A campaign against corporal punishment of children? Every year, the Sarajevo Festival offers a truly rich film repertoire for its youngest audience. The Festival’s special Children’s Programme is a unique selection of films which attracts over 30,000 young viewers from all over the region. At the start, the primary goal was to introduce children to film, but now, 14 years later, and after seeing a whole generation of true film lovers come of age, this programme has become very rigorous in its selection of films. It is a unique forum to present the Council of Europe’s activities in the field of the promotion of children’s rights and the protection of children from violence. During this year’s festival, the Council will present its most recent Europewide awareness-raising initiative against corporal punishment of children, called “Raise your hand against smacking”. Launched by the Council of Europe in June 2008, it aims at legally banning corporal punishment of children, promoting positive parenting and raising awareness of children’s rights throughout Europe. No religion, belief, economic situation or “educational” method can ever justify hitting, smacking, spanking, mutilating, abusing, humiliating, or any other practice that violates a child’s dignity. It is internationally recognised in human rights law that children have a right to protection from all forms of violence, including corporal punishment in all settings (home, school, penal systems, and alternative care). More information on the Council of Europe children programme www.coe.int/children


ŽIRI TAKMIČARSKOG PROGRAMA/ COMPETITION PROGRAMME JURY

ŽIRI TAKMIČARSKOG PROGRAMA – KRATKI FILM/ SHORT FILM COMPETITION JURY

Predsjednik žirija/ President of the Jury:

selektor Pusan Film Festivala, Koreja/ Pusan Film Festival selector, Korea

NURI BILGE CEYLAN

reditelj, Turska/ director, Turkey Članovi žirija/ Jury members:

HUGH HUDSON

reditelj, Velika Britanija/ director, UK

MARIJA ŠKARIČIĆ

glumica, Hrvatska/ actress, Croatia

MICHAEL WEBER

direktor Match Factory, Njemačka/ Head of Match Factory, Germany

DEBORAH YOUNG

umjetnički direktor Taormina Film Festivala, SAD/Italija/ artistic director of Taormina Film Festival, USA/Italy

JAY JEON

žiri/ jury

ŠEJLA KAMERIĆ

EFA/UIP JURY

MICHAEL J. WERNER

filmski kritičar, SAD/ film critics, USA

umjetnica, BiH/ artist BiH

MIKE GOODRIDGE

kopredsjedavajući Fortissimo Films, SAD/ co-chairman Fortissimo Films, USA

MUSTAFA MUSTAFIĆ

ŽIRI TAKMIČARSKOG PROGRAMA DOKUMENTARNI FILM/ DOCUMENTARY FILM COMPETITION JURY

direktor Istanbul Film Festivala, Turska/ director of Istanbul Film Festival, Turkey

snimatelj, BiH/ cinematographer, BiH

AZIZE TAN

MICHAEL BELTRAMI

FIPRESCI ŽIRI/ THE FRIPESCI JURY

JORGE SÁNCHEZ

(Sabah) Turska/ Turkey

reditelj, Švicarska/ director, Switzerland

ATILLA DORSAY

direktor Guadalajara Film Festivala, Meksiko/ director of Guadalajara Film Festival, Mexico

MIKE GOODRIDGE, SAD

DŽEMAL ŠABIĆ

(Magyar Hirlap, Vox Mozimagazin, Magyar Marancs, Mozinet) Mađarska/ Hungary

reditelj, BiH/ director, BiH

(Screen International) SAD/ USA

CICAE ŽIRI/ THE CICAE JURY MARIANNE PIQUET

kino prikazivač i programer/ arthouse cinema & festival programmer Francuska/ France

JULIEN MOESCHLER

kino prikazivač/ arthouse cinema exhibitor, Švicarska/ Switzerland

Svantje WASCHER

kino prikazivač/ arthouse cinema exhibitor Njemačka/ Germany

LÁSZLÓ KRISTON

nagrade/ awards Zvanične NAGRADE/ OFFICIAL AWARDS Takmičarski program - igrani film/ Competition Programme - Feature Film

SRCE SARAJEVA ZA NAJBOLJI FILM/ HEART OF SARAJEVO FOR BEST FILM Novčanu nagradu u iznosu od 25.000 € osigurava: Vijeće Evrope Financial award in the amount of 25,000 € provided by: Council of Europe SPECIJALNA NAGRADA ŽIRIJA/ SPECIAL JURY PRIZE Novčanu nagradu u iznosu od 10.000 € osigurava: Agnes B. Financial award in the amount of 10,000 € provided by: Agnes B.

CICAE NAGRADA/ CICAE AWARD Međunarodna konfederacija umjetničkih kina (CICAE) nagrađuje film u selekciji Takmičarskog programa - igrani film. Nagrađeni film će dobiti posebnu podršku CICAE kada je u pitanju pomoć kod distribucije, prikazivanja filma i dopiranja do publike, putem mreže od 3.000 kina. The International Confederation of Art Cinemas (CICAE) awards a film from the Competition Programme - Features. The awarded film will receive CICAE support in terms of distribution, exhibition and audience outreach, through a network of 3,000 cinemas. NAGRADA PUBLIKE/ AUDIENCE AWARD Partner - HT ERONET

SRCE SARAJEVA ZA NAJBOLJU GLUMICU/ HEART OF SARAJEVO FOR BEST ACTRESS Novčanu nagradu u iznosu od 2.500 € osigurava: Međunarodni aerodrom Sarajevo Financial award in the amount of 2,500 € provided by: Sarajevo International Airport

NAGRADA FIPRESCI ŽIRIJA/ FIPRESCI JURY PRIZE

SRCE SARAJEVA ZA NAJBOLJEG GLUMCA/ HEART OF SARAJEVO FOR BEST ACTOR Novčanu nagradu u iznosu od 2.500 € osigurava: DHL Financial award in the amount of 2,500 € provided by: DHL

Nagrade za rad na projektu Nagrade za tri projekta iz CineLink selekcije u visini od 10.000 EUR Project development grants Three grants for CineLink projects amounting to 10,000 EUR

Takmičarski program - kratki film/ Competition Programme - Short Film

SRCE SARAJEVA ZA NAJBOLJIFILM/ HEART OF SARAJEVO FOR BEST FILM Novčanu nagradu u iznosu od 3.000€ osigurava: Sarajevo Film Festival Financial award in the amount of 3,000 € provided by: Sarajevo Film Festival SPECIJALNA PLAKETA ŽIRIJA/ SPECIAL JURY MENTION Dvije specijalne plakete žirija/ Two special Jury Mentions Novčane nagrade iznosu od po 1.000 € osigurava: Coca-Cola HBC B-H d.o.o. Sarajevo Financial awards in the amount of 1,000 € each provided by: Coca-Cola HBC B-H d.o.o. Sarajevo

TakmičarskI program- dokumentarni film/ Competition Programme - Documentary Film

SRCE SARAJEVA ZA NAJBOLJI FILM/ HEART OF SARAJEVO FOR BEST DOCUMENTARY FILM Novčanu nagradu u iznosu od 3.000€ osigurava: Savezno ministarstvo vanjskih poslova Švicarske Financial award in the amount of 3,000 € provided by: The Swiss Federal Department of Foreign Affairs

PARTNERSKE NAGRADE/ PARTNERS’ AWARDS NAGRADA UIP/ PRIX UIP Nagrada za najbolji kratki film u iznosu od 2.000 €, koju dodjeljuje United International Pictures. Pobjednik ulazi u konkurenciju za nagradu Evropske filmske akademije (EFA) za najbolji kratki film. Best short film award granted by the United Pictures International, in the amount of 2.000 €. The winner also receives a nomination for the European Film Academy (EFA) Best Film Award. NAGRADA ZA LJUDSKA PRAVA/ HUMAN RIGHTS AWARD Nagrada za ljudska prava dodjeljuju se za najbolji film iz Takmičarskog programa - dokumentarni film koji obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3.000 € osigurava Savezno ministarstvo vanjskih poslova Švicarske. Award for the best film of the Competition Programme - Documentary Film dealing with the subject of human rights. Award in the amount of 3,000 € is granted by The Swiss Federal Department of Foreign Affairs. EDN TALENT GRANT EDN Talent Grant je ustanovljen kroz saradnju Sarajevo Film Festivala i Evropske dokumentarističke mreže, u svrhu podrške talentovanim autorima dokumentarnog filma iz regije. EDN Talent Grant has been created as co-operation between the Sarajevo Film Festival and the European Documentary Network with the purpose of supporting promising new documentary filmmakers from the region.

CineLink nagrade/ CineLink AWARDS

ARTE Francuska/ Nagrada ARTE za međunarodne odnose/ Nagrada Sarajevo Film Festivala Fond Međunarodnog filmskog festivala Geteborg Nacionalni centar za kinematografiju ARTE France/ International Relations ARTE Prize/Sarajevo Film Festival Prize Goteborg International Film Festival Fund CNC - Centre national de la cinematografie Podrška za obuku Stipendija za usavrsavanje jednog od producenata sa projektom u CineLink selekciji i razvoj projekta u okviru mreze EAVE EAVE - Evropsko udruženje poduzetnika u audiovizuelnoj produkciji Training support A training fellowship for a producer with a CineLink project and project development in the EAVE network EAVE - European Audiovisual Entrepreneurs Nagrade u uslugama Laboratorijske usluge Synchro film i video Beč In - kind Awards Laboratory services Film and Video Vienna Usluge iznajmljivanja tehnike MagicBoxMultimedia Equipment rental services MagicBoxMultimedia

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takmicarski program igrani film

selektor/selector: Elma Tataragic´

competition programme - features SVJETSKA PREMIJERA /WORLD PREMIERE

MI NIKAD NISMO BILI U VENECIJI/ WE’VE NEVER BEEN TO VENICE

Slovenia, 2008, 35 mm, Colour, 62 min. Režija/Director: Blaž Kutin Scenario/Screenplay: Blaž Kutin, Rolanda Rebrek Uloge/Cast: Aljoša Ternovšek, Grega Iva Krajnc, Maša Peter Ternovšek, Tone Tadej Toš

Tone, stariji čovjek, vozi se iz Njemačke da posjeti sina Gregu i snahu Mašu. Mada niko o tome ne govori, desilo se nešto strašno: izgubili su dijete. U pokušaju da nakratko ublaži bol, Tone ih izvodi na sladoled i tako počinje njihova vožnja. Dok su na cesti, Greg a i Maša iznenada promijene raspoloženje. Postaju agresivni, iznenada tužni, pa veseli, nerozni, deprimirani... Zajedno su, ali i sami. A jaz među njima raste. U međuvremenu, Tone ih odvozi sve dalje od kuće, ali ne dalje od onoga što se desilo. Tone, an older man, drives from Germany to visit his son Grega and his daughter-in-law Masha. Though nobody talks about it, something horrible has happened: they lost their child. In attempt to ease their pain for a moment, Tone takes the young couple out for an ice-cream and so begins their drive around the countryside. On the road, Grega and Masha experience sudden changes of mood. They get aggressive, deeply saddened, suddenly cheerful, nervous, depressed … They are together but each on their own. And the gap between them is growing. Meanwhile, Tone drives them further away from home but no further from what has happened.

MEĐUNARODNE PREMIJERE/INTERNATIONAL PREMIERES

BUICK RIVIERA

Croatia, Bosnia and Herzegovina, 2008, 35 mm, Colour, 85 min. Režija/Director: Goran Rušinović Scenario/Screenplay: Goran Rušinović, Miljenko Jergović Uloge/Cast: Slavko Štimac, Leon Lučev, Aime Klein

Bošnjak Hasan i Srbin Vuko dvojica su bh.

BUICK RIVIERA

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emigranata. Obojica su napustili svoju zemlju zbog krvavog rata u BiH tokom 1990ih, tražeći sreću i novi životni početak na američkom tlu. Jedne sudbonosne noći Hasan i Vuko susreću se na napuštenoj cesti u središnjem dijelu SAD-a. Neobjašnjiva sila tjera ih da sljedeća 24 sata provedu zajedno, što pokrene psihološku igru međusobnog optuživanja koja će im zauvijek promijeniti živote, baš kao i rat i posljeratna situacija, od kojih su pobjegli... Two immigrants from BiH, Hasan, a Bosniak, and Vuko, a Serb, left their country during the gruesome war in BiH in the 1990’s, to look for happiness and a new life in America. On a fateful night, they met on a deserted road in central USA. An inexplicable force makes them spend the next 24 hours together, embarking on a psychological game of mutual accusatins which will change their lives for good, just like the war and the post-war situation they had both fled from…

ČETVRTI ČOVJEK/ THE FOURTH MAN

Serbia , 2007, 35 mm, Colour, 107 min. Režija/Director: Dejan Zečević Scenario/Screenplay: Dejan Zečević, Boban Jevtić Uloge/Cast: Nikola Kojo, Bogdan Diklić, Dragan Petrović, Marija Karan, Boris Milivojević, Dragan Nikolić, Radoslav Milenković, Semka Sokolović Bertok U sjeni rata i pogrešne politike, jedan se čovjek budi iz dvomjesečne kome. Ne sjeća se ničega. Kažu mu da je imao ženu i sina. Ubijeni su. Identitet mu otkriva pukovnik koji insistira da su bili najbolji drugovi. Jedan inspektor iz Agencije za državnu sigurnost tvrdi da ima informacije o ljudima odgovornim za masakr njegove porodice. Jedina mogućnost da otkrije identitet ubice svoje porodice je da prihvati igru koju inspektor postavlja za njega i jednog biznismena, jednog mafijaša i jednog političara. Otkriva da je bio kriminalac... Otkriva ko je u njega pucao... Otkriva ko mu je ubio porodicu... Otkriva četvrtog čovjeka!

DJEVOJKE/ GIRLS

MI NIKAD NISMO BILI U VENECIJI/WE’VE NEVER BEEN TO VENICE

ČETVRTI ČOVJEK/THE FOURTH MAN Under the shadow of war and flawed politics, a man awakens from a two-month-long coma. He doesn’t remember anything. He’s told that he had a wife and a son. They’ve been killed. He’s revealed his past identity by the Colonel, who insists they are best friends. An inspector from the State Security Agency appears affirming that he has information on people responsible for the massacre of his family. His only chance of discovering his identity and the assassin of his family is to accept the game that the Inspector has set up for him with the Businessman, the Mafioso and the Politician. He agrees... Discovers that he was a war criminal... Realizes who took a shot at him... Finds out who killed his family... Discovers the Fourth Man!

okruženje genereacije za koju seks i seksualnost imaju ranije nepoznata značenja. Tradicionalne uloge i tabui davno su zaboravljeni, a nema ni smjernosti i senzibilnosti koje se vezuju za senzualnost. Mladi svoja tijela vide kao sredstvo za ostvarenje cilja. The film is based on the story of a true crime committed in Hungary: two teenage girls killed a taxi driver. Using the news coverage of the murder, the director presents the fairly typical surroundings of a generation for which sex and sexuality have a previously unknown meaning. The traditional roles and taboos are long forgotten, and gone are the shyness and sensibility associated with sensuality. The young consider their bodies a means to an end.

DJEVOJKE/ GIRLS

JESEN/ AUTUMN

Film se temelji na istinitoj priči o zločinu koji se desio u Mađarskoj: dvije tinejdžerke ubile su taksistu. Koristeći medijske izvještaje o ubistvu, režiserka predstavlja dosta tipično

Osuđen 1997. na zatvorsku kaznu kao 22godišnji student, Yusuf deset godina kasnije izlazi iz zatvora zbog zdravstvenog stanja. Vraća se u svoje selo u istočnom crnomor-

Hungary, 2007, 35 mm, Colour, 90 min. Režija/Director: Anna Faur Scenario/Screenplay: Anna Faur Uloge/Cast: Fulvia Collongues, Helene Francois, Sándor Zsótér, Roland Rába, Kornél Mundruczó, Andrea Fullajtár, Bori Péterfy, Tamás Polgár

JESEN/ AUTUMN

Turkey, Germany, 2008, 35 mm, Colour, 106 min. Režija/Director: Özcan Alper Scenario/Screenplay: Özcan Alper Uloge/Cast: Onur Saylak, Raife Yenigül, Megi Kobaladze, Serkan Keskin, Nino Lejava, Sibel Öz, Cihan Çamkerten, Serhan Pir, Yaşar Güven


MOJ MARLON I BRANDO/MY MARLON AND BRANDO

kino lika

skom kraju, gdje ga dočeka samo stara i bolesna majka. Ispostavlja se da mu je otac umro dok je bio u zatvoru, a da se starija sestra udala i preselila u grad. Jedina osoba koju Yusuf viđa je Mikail, prijatelj iz djetinjstva. Kako zima polako smjenjuje jesen, Yusuf sa Mikaelom odlazi u tavernu, gdje upoznaje Eku, prelijepu gruzijsku prostitutku. Sentenced to jail in 1997 as a university student aged 22, Yusuf is released on health grounds 10 years later. He returns to his village in the eastern Black Sea region, where he’s welcomed only by his sick and elderly mother. It turns out that his father died while he was in jail and his older sister got married and moved away to the city. The only person Yusuf sees is his childhood friend Mikail. As autumn slowly gives way to winter, Yusuf goes with Mikail to a tavern where he meets Eka, a beautiful young Georgian hooker.

KINO LIKA

Croatia, BiH 2008, 35 mm, Colour, 122 min. Režija/Director: Dalibor Matanić Scenario/Screenplay: Dalibor Matanić, Milan F. Živković Uloge/Cast: Krešimir Mikić, Areta Ćurković, Ivo Gregurević, Danko Ljuština, Jasna Žalica, Milan Pleština, Nada Gačešić Livaković, Marija Tadić, Darinka Vukić Vrca, Petar Tudja

Zabačeno planinsko selo jedini je dom koji imaju mladi fudbaler, škrti seljak i debela djevojka. Izolirani dio zemlje nađe se usred referenduma za i protiv EU. Naše likove baš briga, obuzeti su svojim problemima. Mladi fudbaler, koji je slučajno ubio majku, ne želi ići u bogati strani fudbalski tim i spreman je zbog toga izgubiti očevu ljubav. Usamljena debela djevojka tako očajnički želi prijatelja i ljubavnika, da će na kraju oboje tražiti u svinjcu. A godforsaken mountain village is the only home that a young football player, a miser peasant and a fat girl have. This isolated part of the country finds itself in the middle of the referendum for or against the EU. Our characters couldn’t care less – they are absorbed

MART/ MARCH

in their problems. The young football player who accidentally killed his mother doesn’t want to join a rich foreign football team and is willing to risk his father’s love because of it. The lonely fat girl is so desperate for a friend and for a lover that she will end up seeking both in the pig-sty.

MART/ MARCH

Austria, 2008, 35mm, Colour, 83 min. Režija/Director: Klaus Händl Scenario/Screenplay: Klaus Händl Uloge/Cast: Theodor Schuler, David Schrottner, Benno Eberhard, Isolde Ferlesch, Florian Eisner, Julia Gschnitzer, Irmi Frajo-Apor, Heidi Keplinger, Josef Kuderna, Florian Mayr, Ilse Kuen

Samoubistvo trojice prijatelja – mladića koji nisu imali nikakav očigledan motiv za samoubistvo, niti su ostavili oproštajne poruke – do srži potresa jedno malo tirolsko selo. MART prati njihovu rodbinu dok se vraća svom svakodnevnom životu, na prvi pogled nepromijenjenom. The suicide of three friends – young men who had no apparent motive to kill themselves and left no farewell notes – shakes a small village in Tyrol to the core. MARCH accompanies their relatives on the voyage back to everyday life, which is unchanged, at least on the surface.

TAČKA/ DOT

Turkey, 2008, 35 mm, Colour, 89 min. Režija/Director: Dervis Zaim Scenario/Screenplay: Dervis Zaim Uloge/Cast: Mehmet Ali Nuroglu, Serhat Kilic, Settar Tanriogen, Sener Kokkaya, Mustafa Uzunyilmaz, Nadi Guler, Numan Acar

TAČKA je priča o čovjeku kojeg muči zločin koji je davno počinio, a sad traži način da se iskupi. Ahmet je odlučio da prijatelju Selimu pomogne da proda Kur’an koji je u vlasništvu porodice i upozna ga sa nekim mafijašima. Međutim, mafijaši Selima otmu. Plan je da se od Selimovog oca, Veli Hodže, ucjenom otme Kur’an iz 13. vijeka, koji je ogromne vrijednosti. Veli Hodža otimačima daje Kur’an. Bez

delta

obzira na to, mafijaši ubiju Selima... DOT is the story of a man tormented by a crime he once committed, who now seeks to redeem himself. Ahmet decides to help his friend Selim to sell a Koran owned by his family and introduces him to mafia. However, the mafia guys kidnap Selim. They plan to snatch the priceless 13th century Koran from Selim’s father, Veli Hoca, using blackmail. Veli Hoca gives the Yakut Koran to his son’s kidnappers. But for all that, the mafia heavies murder Selim...

REGIONALNE PREMIJERE /REGIONAL PREMIERES

DELTA

Hungary, 2008, 35 mm, Colour, 93 min. Režija/Director: Kornél Mundruczó Scenario/Screenplay: Yvette Bíró , Kornél Mundruczó Uloge/Cast: Félix Lajkó, Orsi Tóth, Lili Monori, Sándor Gáspár

Jedan mladi čovjek vraća se u divlji, izolirani kraj Delte. To je labirint vodenih puteva, malih otoka i preraslog rastinja, gdje su mještani odsječeni od vanjskog svijeta. Mladić koji nije bio tu od djetinjstva upoznaje se sa sestrom za koju nije ranije znao. Zajedno grade kuću na stubovima na vodi, usred rijeke, daleko od drugih. Tišina između njih raste. Prerasta u opasno osjećanje: ljubav. Jednog dana pozivaju mještane na obrok, ali grubi seljaci ne prihvataju njihov „neprirodni“ odnos. A taciturn young man returns to the wild, isolated landscape of the Delta. It is a labyrinth of waterways, small islands and over-grown vegetation, where the villagers are cut off from the outside world. The young man, who has been away since early childhood, is introduced to a sister he never knew he had. Together they build a house on stilts in the middle of the river, far away from everyone else. The silence between them grows. Grows into a dangerous affection: love. One day, they invite the villagers over to share a meal together, but the coarse locals do not accept their “unnatural” relationship.

MOJ MARLON I BRANDO/ MY MARLON AND BRANDO

Turkey, 2008, 35 mm, Colour, 92 min. Režija/Director: Hüseyin Karabey Scenario/Screenplay: Hüseyin Karabey, Ayça Damagaci Uloge/Cast: Ayça Damgaci, Hama Ali Khan, Cengiz Bozkurt, Savaş Emrah Özdemr

Prije tri godine, u stvarnom životu, Hama Ali, poznati kurdski glumac iz Iraka, slavan po ulozi u iračkoj verziji Supermana, upoznao je Ajšu na filmskom setu. On i Ajša, vatrena glumica iz Turske, imali su strasnu vezu prije nego što su se vratili kućama u Istanbul i sjeverni Irak. Hama Ali Ajši je slao dirljiva ljubavna video-pisma, koja je snimao handicamom. Ta video-pisma prikazuju stravično nasilje koje preplavljuje njegovu zemlju, kao i dirljiva osjećanja koja prema njoj gaji. Šalje joj i odlomke iz komedije u kojoj je igrao. Sve više usamljena u svom gradu i neshvaćena od okoline, Ajša se odlučuje na rizik, da bi se ponovo sastala s čovjekom kojeg voli. Three years ago, in real-life, Hama Ali, a largerthan-life Kurdish actor from Iraq famous locally for his performance as Iraq’s version of Superman, met Ayca on a film-set. He and Ayca, a fiery actress from Turkey, had a passionate love affair before returning to their respective homes in Istanbul and Northern Iraq. Hama Ali sent Ayca charming video love letters which he filmed on his handycam. The video love letters describe the hellish violence engulfing his country as well as his tender affection towards her. He also sends her clips from comedy films in which he has starred. Increasingly lonely in her own city and misunderstood by those around her, Ayca is inspired to risk all to be reunited with her soul-mate. At a time when many people were fleeing from East to West in search of safety, Ayca makes the opposite journey, in search of love.

TAČKA/ DOT

| 07


08 |


u fokusu/ in focus

POPRAVNI/ CORRECTION

BOOGIE

Romania, 2008, 35 mm, Colour, 102 min. Režija/Director: Radu Muntean Scenario/Screenplay: Alexandru Baciu, Razvan Radulescu, Radu Muntean Uloge/Cast: Anamaria Marinca, Dragos Bucur, Adrian Vancica, Mimi Branescu, Vlad Muntean

Na proljetnom odmoru na moru, Bogdan Ciocazanu slučajno sretne svog najboljeg prijatelja iz srednje škole, tačno na mjestu i u vrijeme koje ih podsjeti na najveličanstvenija opijanja i seksualne izlete iz mladih dana. Boogie noć provodi potvrđujući stavke sa liste svoje mladosti. Ujutro se vraća ženi. On his spring break at the seaside, Bogdan Ciocazanu runs into his best friends from high-school at the precise date and time that reminds all of them of their most glorious drinking trips and sexual escapades of their younger days. Boogie spends a night to tick off all the items on the map of his youth. In the morning, he returns to his wife.

IZA STAKLA/ BEHIND THE GLASS

Croatia, 2008, 35 mm, Colour, 80 min. Režija/Director: Zrinko Ogresta Scenario/Screenplay: Lada Kaštelan, Zrinko Ogresta Uloge/Cast: Leon Lučev, Jadranka Đokić, Daria Lorenci, Anja Šovagović-Despot, Božidarka Frait, Nina Violić

Lažni život i prividni red jedva se održavaju u kaotičnom neredu troje ljudi i njihove okoline. Strukturirana u pet dana, priča ocrtava ljubavni trokut jednog muškarca i dvije žene. Takav prividni red života neminovno će se razbiti u sudaru s njihovim pravim životima, koji su nepredvidivi... A false life and superficial order can hardly be maintained in the chaotic mess of three prsons and their surroundings. Structured over five days, the story depicts the love triangle

LJETNA ZADAĆA / SUMMER BOOK

of one man and two women. This imitation of an orderly life is bound to crahs with their real lives, which are unpredictable...

LJETNA ZADAĆA/ SUMMER BOOK

Turkey, 2008, 35 mm, Colour, 92 min. Režija/Director: Seyfi Teoman Scenario/Screenplay: Seyfi Teoman Uloge/Cast: Taner Birsel, Ayten Tokün, Osman İnan, Harun Ozüağ, Tayfun Günay

Mustafa, marljiv i ambiciozan trgovac, na putu doživi moždani udar i nakon operacije pada u komu. Guler sumnja da je muž vara. Njihov sin želi da napusti vojnu akademiju i studira poslovnu administraciju. Hasan, Mustafin mlađi brat, mora riješiti misteriju Mustafine ljubavnice i novac koji je izgubio na putu. Mustafa, a hard-working and ambitious merchant, has a brain hemorrhage on a business trip and goes into a coma after the operation. Güler is suspicious of her husband having an affair. Their son wants to leave the military academy and study business administration. Hasan, Mustafa’s younger brother, has to solve the mystery about Mustafa’s mistress and the money lost during his trip.

POPRAVNI/ CORRECTION

Greece, 2007, 35 mm, Colour, 83 min. Režija/Director: Thanos Anastopoulos Scenario/Screenplay: Thanos Anastopoulos, Vassilis Raisis Uloge/Cast: Yorgos Symeonidis, Ornela Kapetani, Savina Alimani, Bujar Alimani, Nikos Georgakis

Jedan čovjek izlazi iz zatvora i luta ulicama savremene Atine, punim migranata, beskućnika i drugih marginaliziranih pripadnika društva. Sreće jednu ženu i jednu djevojčicu. Da li su njih troje članovi jedne uništene porodice, ili su pravični progo-

SVIJET JE VELIK A SPAS JE IZA UGLA/ THE WORLD IS BIG AND SALVATION LURKS AROUND THE CORNER

ZAUVIJEK/ FOREVER

REVANŠ/ REVANCHE

nitelji i žrtve nasilnog i sukobom određenog društva? A man is released from prison and wanders through contemporary Athens peopled by migrants, the homeless, and other marginalized members of society. Along the way, he meets a gleiwoman and a little girl. Are the three of them members of a disrupted family or just persecutors and victims of a violent and conflict-driven society?

janow, Dušan Milić, Yuri Datchev Uloge/Cast: Miki Manojlović, Carlo Ljubek, Hristo Mutafchiev, Anna Papadopulu, Lyudmila Cheshmedzieva

REVANŠ/ REVANCHE

Austria, 2008, 35 mm, Colour, 121 min. Režija/Director: Götz Spielmann Scenario/Screenplay: Götz Spielmann Uloge/Cast: Johannes Krisch, Irina Potapenko, Andreas Lust, Ursula Strauss, Hannes Thanheiser

Alex, vozač i utjerivač dugova za vlasnika bordela, u tajnoj je vezi sa Tamarom, koja tu radi. Riješeni su da pobjegnu iz očajne situacije u kojoj se nalaze. Da dođe do novca koji im treba za bijeg, Alex odlučuje da opljačka banku u jednom gradiću, ali Tamara predosjeća opasnost i oštro se protivi. Alex, a driver and henchman for abrothel owner, has a secret affair Tamara, who works there. They are both determined to escape their current wretched situation. In order to find the money they need, Alex decides to rob a bank in a small country town, but Tamara senses danger and is vehemently against his plan.

SVIJET JE VELIK A SPAS JE IZA UGLA/ THE WORLD IS BIG AND SALVATION LURKS AROUND THE CORNER

Bulgaria, Germany, Slovenia, Hungary, 2008, 35 mm, Colour, 105 min. Režija/Director: Stephan Komandarev Scenario/Screenplay: Stephan Komandarev , Ilija Tro-

BOOGIE

Bugarska, 1980. Alexov otac Vasko ima problema sa režimom. Milicija traži da špijunira Alexovog djeda. Vasko odbija. On, supruga Yana i mladi Alex emigriraju u Njemačku. Tu se porodica raspada. Bulgaria, 1980. Alex’s father Vasko, gets himself into trouble with the regime. The militia want him to spy on Alex’s grandfather. Vasko refuses. He, his wife Yana, and the young Alex emigrate to Germany. However, the family breaks up there.

ZAUVIJEK/ FOREVER

Slovenia, 2008, 35 mm, Colour, 82 min. Režija/Director: Damjan Kozole Scenario/Screenplay: Damjan Kozole Uloge/Cast: Marjuta Slamič, Dejan Spasić, Peter Musevski, Mojca Parljič, Primož

Tanja ima uspješnu karijeru, muž Mare je arhitekta. Jednog petka se Tanja kasno vraća kući. Mare je napadne i padaju teške riječi. Ono što slijedi je noć riječi punih zlobe i dvosmislenosti. Iza fasade uspješnog para stoje potisnuta osjećasnja inferiornosti, slabosti, prevare, frustracije i trauma iz mladosti. Tanya has a successful career, her husband Mare is an architect. One Friday, Tanya comes home late at night. Mare confronts her and they exchange some edgy words. What follows is the night of hateful and skilful twisting of words. Behind a façade of a successful couple, there are suppressed feelings of inferiority, weaknesses, deceit, frustration and traumas from their youth.

selektor/ selector: Elma Tataragic´

IZA STAKLA / BEHIND THE GLASS

| 09


takmicarski program kratki film

selektor/ selector: Elma Tataragic´

competition programme - shorts

ZNAM/ I KNOW

BDIJENJE/ THE WAKE

ÐAVOLJI INAT/ HELL’S DESPITE

Duboka noć. Samoća odzvanja po sobama koje poznaju sretnije dane. Odluku je donijela sama, a sada je vrijeme da prihvati njegovu. A late night. Solitude echoes through rooms which have seen better days. She has made her own decision, and it is now time to except his decision.

Jedan par nepomično sjedi u autu koji se ne kreće. Kroz prozor se u pozadini vidi kako se njiše divlja ljetna trava. Izrazi umora i uznemirenosti pojačavaju sliku ozbiljnog sukoba. Lebdeći između šoka trenutne situacije i scena koje su događaje dovele do ovog sadašnjeg, žena polako sastavlja liniju kojom su išli. A couple sits motionless in a stationary car;

BiH, 2008, Beta SP, Colour, 12 min. Režija/Director: Timur Makarević Scenario/Screenplay: Timur Makarević, Emina Kujundžić, Renato Foder Uloge/Cast: Emina Kujundžić, Renato Foder

DOBAR DAN ZA PLAŽU/ A GOOD DAY FOR A SWIM

DOBAR DAN ZA PLAŽU/ A GOOD DAY FOR A SWIM

Romania, 2007, 35 mm, Colour, 10 min. Režija/Director: Bogdan Mustaţă Scenario/Screenplay: Cătălin Mitulescu Uloge/Cast: Florin Sinescu, Okan Kaya, George Hoffman

Dirljiva priča ispričana ograničenim jezikom, o tri maloljetna delinkventa koji pobjegnu iz zatvora. Plaža ih zove sebi. Nasilje je samo igra. A vjenčanje se slavi sa lisicama na rukama. The compelling story, sparingly told, of three juvenile delinquents who break out of prison. The beach beckons. Violence is nothing but a game. And the wedding is celebrated in handcuffs.

BDIJENJE/ THE WAKE

10 |

Malta, 2008, Beta SP PAL, 14min 58sec Režija/ Director: Jule Belami Scenario/ Screenplay: Jule Belami Uloge/ Cast: Antonella Galea Lofredo, Bernardo Riolo

Smrt jedne osobe pokreće lančanu reakciju, koja uključuje susjede. Satira o svijetu u kojem živimo, zasnovana na istinitoj priči. A story which might take place in anybody’s life. The death of a person starts a chain reaction which involves the neighbors. A satire of the world we live in based on a true story.”

SVAKI DAN NIJE ISTI / EVERY DAY IS NOT THE SAME

Slovenia, 2008, 35 mm, Colour, 12 min. Režija/ Director: Martin Turk Scenario/ Screenplay: Martin Turk Uloge/Cast: Vladimir Vlaškalić, Boris Cavazza

SVAKI DAN NIJE ISTI / EVERY DAY IS NOT THE SAME wild summer grasses sway through the windows beyond them. Expressions of fatigue and distress conjure a situation of serious conflict. Drifting back and forth between the shock of the current situation and the scenes which have developed events towards it, the woman begins to piece together their trajectory.

ENTERIJER. ZGRADA. HAUSTOR. / INTERIOR. BLOCK OF FLATS HALLWAY

Romania, 2007, 35mm, Colour, 15 min. Režija/Director: Ciprian Alexandrescu Scenario/Screenplay: Simona Ghita, Maria Savulescu Uloge/Cast: Simona Ghita, Tudor Aaron Istodor, Luminita Gheorghiu Priča koja se može desiti u bilo čijem životu.

ljetni dan. Otac vodi dječake u lokalni pub na sladoled, ali dječaci se vraćaju sami. Lutajući kroz gusto grmlje stariji dječak ulovi oca sa ženom… A family relaxes ont he riverside on a brilliant summer day. The father takes the boys to the local pub for ice-cream, but the kids walk back to the beach alone. After wandering through the thick foliage, the older boy catches his father with a woman…

VUKODLAK / WEREWOLF

Film govori o trenucima u životu kada se sudbine različitih ljudi isprepletu i povežu ih uprkos određenim konfliktima – takvi trenuci mogu rezultirati rođenjem novog života. The short film EVERY DAY IS NOT THE SAME represents a moment in life when the destinies of different people intertwine and connect them despite certain conflicts - such moments can enable the birth of a new life.

VUKODLAK / WEREWOLF

Hungary, 2008, cinemascope, Colour, 13 min. Režija/Director: Márton Vécsei Scenario/Screenplay: Márton Vécsei Uloge/Cast: Tamás Deák, Máté Gergesity, Levente Kálmánchelyi, Nóra Semjén, Boglárka Levelesi

ZNAM / I KNOW

Slovenia, Hungary, 2008, 35 mm, Colour, 7 min. Režija/ Director: Jan Cvitkovič Scenario/ Screenplay: Jan Cvitkovič Uloge/ Cast: Niko Novak, Medeja Novak, Miha Gulič

Muškarac pravi remek-djelo u podrumu. Žena i Dječak ga posmatraju. Bog posmatra njih troje. The Man builds a masterpiece in his cellar. The Woman and the Boy watch him. God watches all three of them.

Porodica se odmara pored rijeke. Divan je

ENTERIJER. ZGRADA. HAUSTOR. / INTERIOR. BLOCK OF FLATS HALLWAY

ÐAVOLJI INAT/ HELL’S DESPITE


ANĐEO/ ANGEL

Scenario/ Screenplay: Veljko Popović

Da li smo zaista slobodni? Da li su naše želje zaista naše ili su one samo nametnuti produkti društva u kojem živimo. Pitanje koje ovaj film postavlja je: Da li smo robovi kulture i društva u kojem smo rođeni i postoji li način za bjeg poslije svega? Are we truly free? Are our desires truly our own or merely imposed products of the society we live in? The question this film is asking is this: are we slaves to the culture and society we were born in or is there a way to escape after all?

Macedonia, 2007, Beta SP b&w / Colour, 6 min. Režija/ Director: Vuk Mitevski Glasovi/ Voices: Iljir Selimovski, Jean Marie Galley

Anđeo je priča o palom anđelu. To je priča o anđelu koji je usamljen i ljut, koji je pao u ovaj svijet, ali ne može da ga razumije i ne zna kako da e nosi sa stvarnošću. Ili, ovo je priča o tome kako postati anđeo. Šta je dobro, a šta loše, šta je nepristojno, a šta ne, šta je igra, a šta ozbiljna stvar. Putujemo svijetom sa anđelom kako bismo otkrili šta je dobro, a šta loše. Angel is a story of a fallen angel. It is a story of an angel who is lonely and angry, who has fallen in this world, but does not know how to understand it and how to deal with the reality here. Or, it is a story about becoming an angel? What is good and what is bad, what is rough and what is nice, what is a game, what is a serious affair? To discover what is right and what is wrong we travel through the world with this angel.

EKIPA 54 / CREW 54

SNACK LJUDI JOŠ UVIJEK IDU NA MJESEC/ MAN STILL GOES TO THE MOON Tri “profesionalna” muzičara, Medvjed, Zec i Vuk, imaju probu u šumi. Iznenada lovac stupa na scenu… Three “professional” musicians, the bear, the Rabbit, and the Wolf are practicing their art in the forest but suddenly the hunter turns up on the scene...

MORANA

Croatia, 2008, 35 mm, Colour, 13 min. Režija/ Director: Simon Bogojević Narath Scenario/ Screenplay: Simon Bogojević Narath

LJUDI JOŠ UVIJEK IDU NA MJESEC/ MAN STILL GOES TO THE MOON BiH, 2008, DV, Colour, 9 min. Režija/ Director: Dragan Rokvić Scenario/ Screenplay: Dragan Rokvić

Bježeći pred olujom u kamenitoj ravnici, usamljeni lovac nalazi utočište na vrhu visoke stijene. Sjedeći pored vatre, on zaspe... U ratom zahvaćenom megalopolisu poslovni čovjek bježi u sklonište prepuno ljudi. Sjedeći na klupici u zadimljenom hodniku, ugleda zanimljivu crvenokosu ženu. Imaju li Lovac i Poslovni čovjek ipak nešto zajedničko?

ANĐEO/ ANGEL

KJFG No. 5.

ONA KOJA MJERI/ SHE WHO MEASURES

ERGO

Godina je 2096. i Rat za Mjesec je upravo završen. Kada se Putnik sa Marsa vrati u Sarajevo, tamo će ga dočekati i duhovi njegovih prijatelja poginulih u ratu. Jedan pogled u pogrešno vrijeme učiniće da jaz između onih koji su ostali i onih koji su otišli postane nepremostiv. It is the year of 2096, and the /War for Moon/ has just finished. A /Traveller/ comes back from Mars to Sarajevo, and is welcomed by the ghosts of his friends who died during the war. Just one glance at bad time is going to create an unbridgeable gap between those who stayed and the ones who left.

Running before the storm on a rocky plateau, a lonely hunter finds refuge at the top of a rock. As he sits by the fire, he falls asleep… In a war-torn megalopolis, a businessman runs to a shelter filled with people. As he sits on a bench in a smoky hallway, he sees an interesting red-haired woman. Do the hunter and the businessman have something in common? Morana is a character in Ancient Slavic folklore, the goddess of evil, death, darkness, the underworld, the personification of winter.

Bulgaria, 2008, DVD, Colour, 15 min. Režija/ Director: Nedelcho Bogdanov Scenario/ Screenplay: Nedelcho Bogdanov

Ovo je priča o snazi pravog prijateljstva... This is a story for the power of the real friendship...

Hungary, 2008, 35 mm, b&w / Colour, 12 min. Režija/ Director: Géza M. Tóth Scenario/ Screenplay: Géza M. Tóth

Priča o muzici u nama. Film je susret dvoje, od kojih jedno iza sebe ostavlja djetinjstvo. To je monotonija slobode i sloboda monotonije. A story about the music in us. The film is the encounter of two, one of them is leaving childhood. It is the monotonity of freedom and the freedom of monotonity.

KJFG No. 5.

Hungary, 2007, Beta SP, Colour, 2 min. Režija/ Director: Alexei Alexeev Scenario/ Screenplay: Alexei Alexeev

MORANA

ONA KOJA MJERI/ SHE WHO MEASURES

BiH, 2008, DVD, Colour, 4 min. 30 sec. Režija/ Director: Mirsad Agić Scenario/ Screenplay: Mirsad Agić

U maloj bosanskoj kućici, okruženoj neboderima, mali mačak se sprema da dočeka novog člana porodice. Na vratima se pojavljuje tata Medo, i u kutiji donosi jedno iznenađenje... In a small Bosnian house, surrounded by skyscrapers, a young cat awaits the arrival of a new family member. Medo the daddy appears at the door, carrying a box with a surprise in it...

TOLERANTIA

BiH, 2008, 35 mm, Colour, 6 min. 30 sec. Režija/ Director: Ivan Ramadan Scenario/ Screenplay: Ivan Ramadan

TOLERANTIA Na kraju ledenog doba glavni junak ove priče, Bosanac, budi se iz leda. Njegov razum nije na zavidnom nivou, ali sposoban je započeti jednu VELIKU stvar... Ovo je prvi samostalni bosanski kratki animirani film napravljen tehnikom 3D animacije. Ice Age is ending and the hero of the story, a Bosnian, awakes from the ice. His mind is not at an enviable level but he is able to start a GREAT thing… This is the first independent BiH short animated film made using 3D animation.

Croatia, 2008, DigiBeta, Colour, 7 min. Režija/ Director: Veljko Popović

EKIPA 54 / CREW 54

ERGO

SNACK

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12 |


box office

SMS REZERVACIJA ULAZNICA POČINJE 7. AUGUSTA 2008.

SMS TICKET BOOKING STARTS ON 7 AUGUST 2008.

PRODAJA POJEDINAČNIH ULAZNICA POČINJE 10. AUGUSTA 2008.

INDIVIDUAL TICKET SALE STARTS ON 10 AUGUST 2008.

- SMS rezervacija ulaznica moguća je samo za korisnike HT Eroneta; - SMS rezervacija ulaznica počinje u četvrtak, 7. augusta 2008. u 13:00 sati i traje do petka, 22. augusta 2008. do 11:00 sati; - Rezervacija ulaznica se obavlja slanjem SMS poruke koja sadrži KOD projekcije i broj ulaznica (npr: 101#2) na broj 063 888 05; - Jednom SMS porukom možete rezervirati najviše dvije ulaznice za jednu projekciju; - Cijena jedne SMS poruke iznosi 1.00KM+PDV; - Sav prihod od SMS rezervacija namijenjen je Dječijem domu Bjelave; - Rezervirane ulaznice možete preuzeti u Glavnom Box Office-u, Bosanski kulturni centar, Branilaca Sarajeva 24, od subote 9. augusta 2008. od 11:00 sati. NAPOMENA: Rezervirane ulaznice možete preuzeti najkasnije jedan dan prije projekcije za koju ste rezervirali ulaznice, do 12:00 sati Prodaja pojedinačnih ulaznica za sve programe 14. Sarajevo Film Festivala počinje u nedjelju, 10. augusta 2008. u 11:00 sati u Glavnom Box Office-u. Cijene ulaznica*: - Ljetno kino Heineken: otvaranje - 10.00 KM, ostale projekcije - 7.00 KM - Ljetno kino Vatrogasac: 6.00 KM - Kino Meeting Point: 5.00 KM i 6.00 KM - Narodno pozorište: otvaranje - 10.00 KM, ostale projekcije - 4.00 KM, 5.00 KM i 7.00 KM - Dvorana Općine Novi Grad: 1.00 KM - Ljetno kino Novi Grad - Euroherc osiguranje: 4.00 KM - Pozorište mladih: 4.00 KM i 5.00 KM - Bosanski kulturni centar: 3.00 KM - KSC Skenderija Milka Arena(Dječiji program): 1.00 KM *PDV je uračunat u cijenu ulaznice Tokom Festivala (15.-23.augusta 2008.), određeni broj ulaznica će se prodavati na dan projekcije, i to na sljedećim mjestima: - Glavni Box Office, Bosanski kulturni centar, Branilaca Sarajeva 24 svaki dan od 9:00 do 22:15 sati (prije Festivala od 11:00 do 20:00 sati), - Meeting Point, Hamdije Kreševljakovića 13, svaki dan od 11:00 do 23:30 sati, - Dvorana Općine Novi Grad, Bulevar Meše Selimovića 97, svaki dan od 11:00 do 12:00 sati, - Ljetno kino Novi Grad - Euroherc osiguranje, Bulevar Mimar Sinana 1, svaki dan od 20:00 do 21:00 sati, - Plato Skenderija: Dječiji program, svaki dan od 15:00 do 17:00 sati.

- SMS ticket booking service is available to HT Eronet users only; - SMS ticket booking starts on Thursday, 7 august 2008, at 13:00 hrs, and will continue until Friday, 22 August 2008, at 10:00 hrs; - Tickets can be booked by sending an SMS message containing the CODE of the screening and the number of tickets (e.g.: 101#2) to the following number 063 888 05; - One SMS may book no more than two tickets per a single screening; - The price per SMS is 1.00KM+VAT; - All the revenues from the SMS bookings will go to the Bjelave Orphanage; - Once booked, tickets can be collected from the Main Box Office, Bosanski kulturni centar, Branilaca Sarajeva 24, from Saturday, 9 August 2008, from 11:00 hrs. NOTE: Once booked, tickets must be collected no later than 12:00 hrs one day before the screening of the booking. Individual tickets for all the programmes of the 14th Sarajevo Film Festival will be on sale from 11.00 hrs on Sunday, 10 August 2008. Ticket prices *: - Heineken Open Air Cinema: opening night - 10.00 KM, other screenings - 7.00 KM - Open Air Cinema Vatrogasac: 6.00 KM - Meeting Point Cinema: 5.00 KM and 6.00 KM - National Theatre: opening night - 10.00 KM, other screenings - 4.00 KM, 5.00 KM and 7.00 KM - Novi Grad Municipality Cinema: 1.00 KM - Novi Grad - Euroherc osiguranje Open Air: 4.00 KM - Youth Theatre: 4.00 KM and 5.00 KM - BKC Cinema: 3.00 KM - KSC Skenderija Milka Arena (Children’s Programme): 1.00 KM *PDV included in all the prices listed. During the Festival (15-23 August 2008), a number of tickets will be available for sale on the day of the screening, at the following locations: - Main Box Office, Bosanski kulturni centar, Branilaca Sarajeva 24 every day from 9:00 to 22:15 hrs (before the Festival from 11:00 to 20:00 hrs), - Meeting Point, Hamdije Kreševljakovića 13, every day from 11:00 to 23:30 hrs, - Novi Grad Municipality Cinema, Bulevar Meše Selimovića 97, every day from 11:00 to 12:00 hrs - Open Air Novi Grad - Euroherc osiguranje, Bulevar Mimar Sinana 7, every day from 20:00 to 21:00 hrs, - Skenderija: Children’s Programme, every day from 15:00 to 17:00 hrs.

Glavni Box Office/Main Box Office 14 Sarajevo film festival Bosanski kulturni centar, Branilaca Sarajeva 24/ Info at: boxoffice@sff.ba, www.sff.ba

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takmicarski program dokumentarni competition programme filmdocumentaries

selektor/ selector: Rada šešić

SVJETSKE PREMIJERE/ WORLD PREMIERES

AKO OVO GLEDAŠ, MAMA.../ IF YOU ARE WATCHING THIS, MUM... Bosnia and Herzegovina, 2008, Beta SP, Colour, 28 min. Režija/Director: Mustafa Mustafić, Dario Novalić Scenario/Screenplay: Mustafa Mustafić, Dario Novalić

Ratne 1992. godine, uz dogovor sa italijanskom vladom, grupa od 45 djece iz doma “Ljubica Ivezić” privremeno napušta opkoljeno Sarajevo. Namjera je bila da se djeca izvuku iz rata, a po njegovom završetku da se vrate kući. Nakon 15 godina, kroz priče petero od njih, saznajemo da se nisu vratili, da su zaboravili maternji jezik, da pate od nostalgije, imaju nove prijatelje, novu porodicu i novu domovinu. In agreement with the Government of Italy, in 1992 45 children from the “Ljubica Ivezic” orphanage left the besieged Sarajevo. The idea was to take the children away from the war and return them home afterwards. Fifteen years later, five of them tell their stories and reveal that they never returned, that they no longer speak their mother tongue, fell nostalgic, have new friends and new families, and a new homeland.

DIJAGNOZA S.B.H./ DIAGNOSIS S.B.H. Bosnia and Herzegovina, 2008, Beta SP, Colour, 42 min. Režija/Director: Enes Zlatar Scenario/Screenplay: Enes Zlatar

Koji jezik je „naš jezik“? Da li postoji razlika između srpskog, bosanskog i hrvatskog? Zašto neki bendovi iz BiH pjevaju na engleskom jeziku? Da li je jezik identitet? Kakav je stav mladih generacija koje žive u poplavi tuđica i nedostatku jezičkog identiteta u Bosni i Hercegovini? Which language is ‘our language’? Do Serbian, Bosnian and Croatian really differ? Why are there bands from BiH which perform in English? Is language identity? What is the position of youth living in a sea of borrowed words and the lack of linguistic identity in BiH?

MATURANTI I PLESAČI/ GRADUATES AND DANCERS

Croatia, 2008, Beta SP, Colour, 17 min. Režija/Director: Vedran Šamanović Scenario/Screenplay: Vedran Šamanović

Tridesetak mladića i djevojaka okuplja se u lokalnom vatrogasnom domu. Uz pratnju roditelja i prijatelja, slijedeći sve uobičajene rituale, proslavljaju svoju školsku maturu. Kako večer odmiče, zabava postaje sve opuštenija. Jutro je daleko. A group of 30 boys and girls gather in the local fire brigade station. Accompanied by parents

AKO OVO GLEDAŠ, MAMA.../IFYOU AREWATCHINGTHIS, MUM..

14 |

and friends, they follow the standard rituals in celebrating their graduation. As the night goes by, the party becomes more relaxed. The morning is far away.

NEBO VISOKO, A ZEMLJA TVRDA/SKY TOO HIGH, SOIL TOO HARD

KORIDOR BR. 8/ CORRIDOR #8

NEBO VISOKO, A ZEMLJA TVRDA/ SKY TOO HIGH, SOIL TOO HARD

Slovenia, 2008, HD CAM, Colour and b&w, 73 min. Režija/Director: Rudi Uran Scenario/Screenplay: Elvis Selimović Uloge/Cast: Dželaludina Pašić, Edin Ikanović, Mirnesa Čerimović, Sadmir Nukić

Film je ispovijed četvero mladih iz istočne Bosne, koji su preživjeli srebrenički genocid. Sada kao srednjoškolci i studenti pokušavaju naći smisao i svoj vlastiti egzistencijalni put. Njihova ispovjedna sjećanja vraćaju ih u njihovo traumatično djetinjstvo u vrijeme provedeno u opkoljenoj Srebrenici. This is a testimony by four young persons from Eastern Bosnia, survivors of the Srebrenica genocide. As high school and university students, they are now trying to find their purpose in life and their own path. Their testimonies take them back to their traumatic childhoods, to the time spent in the besieged town of Srebrenica.

SREBRENIČKI KENOTAF/ SREBRENICA’S CENOTAPH

Bosnia and Herzegovina, 2008, Beta SP, Colour, 32 min. Režija/Director: Haris Prolić Scenario/Screenplay: Haris Prolić

Tokom srebreničkog Marša života, Šemsudin Salihović bio je očevidac smrti poznatog snimatelja iz Srebrenice. Salihović je njegovu kameru zakopao. Nakon rata je iskopao potupno uništenu kameru, a film koji je u njoj našao predao je profesoru historije Ibrahimu Tepiću. Dr. Tepić je umro 1997., a njegov sin Muhamed pronašao je ovu traku, zajedno sa bilješkama svog oca. During the Srebrenica March for Life, Semsudin Salihovic was an eyewitness of the death of a famous cameraman from Srebrenica. After the cameraman’s death Salihovic buried the camera in the ground. After the war Salihovic unearthed the completely destroyed camera and the damaged tape inside was delivered to the history professor Ibrahim Tepic. Dr. Tepic died in 1997 and his son Muhamed found this tape along with other notes belonging to his father.

MEĐUNARODNE PREMIJERE/ INTERNATIONAL PREMIERES

BAJNE VILE/ FABULOUS FAIRIES Serbia, 2008, Beta SP, Colour, 50 min. Režija/Director: Marko Jeftić

DIJAGNOZA S.B.H./ DIAGNOSIS S.B.H.

BAJNE VILE/ FABULOUS FAIRIES

Scenario/Screenplay: Marko Jeftić Uloge/Cast: Meri Galevska, Branislava Prodanović, Bela Mihailović, Ljubica Puhalac, Bojana Milovanović, Zorica Aleksić

U beogradskom Domu penzionera, Meri Galevska (85) i njen muž, kompozitor Nikola Galevski, formirali su sekstet. Meri postaje udovica i originalni sekstet se raspada. Čvrsto riješena da ispuni svoj i mužev san, Meri formira novi sekstet, koji čine samo žene. Kreću na turneju, gdje se susreću sa brojnim izazovima i čeličnom voljom jedne osobe. In the Belgrade Home for Retired Persons, Meri Galevska (85) with her husband, composer Nikola Galevski, formed a sextet . Meri becomes a widow and the original sextet is dissolved. Firmly determined to fulfill her and her husband’s dream, Meri made a new sextet made up solely of women. They embark on a music tour, where they face many challenges and the steel will of one person.

SLUČAJNI SIN/ ACCIDENTAL SON

Croatia, 2007, Betacam SP, Colour, 55 min. Režija/Director: Tomislav Mršić, Robert Zuber Scenario/Screenplay: Davor Šišmanović, Robert Zuber

Robert je odrastao u starateljskom domu. Nikad nije naročitu pažnju tome posvećivao, jer mu je djetinjstvo bilo ispunjeno toplinom i njegom staratelja. Nakon što umire njegova starateljica, birokrataski aparat ga pokušava unvjeriti da on, zapravo, i nema roditelje. Na 31. rođendan odlučuje da rasvijetli svoje nejasne roditeljske i porodične korijene. Stupa u kontakt s biološkom majkom. Robert grew up in a foster home. He had he never paid much heed to that fact, as his early life was full of warmth and care on the part of his foster parents. However, after his foster mother dies, the bureaucratic apparatus tries to convince him that he, in fact, has no parents. On his 31st birthday, Robert decides to

PROBLEMI S KOMARCIMA.../THE MOSQUITO PROBLEM...

RITAM GRADA/ RHYTHM OF THE CITY clear up his obscure parental and family roots. He contacts his biological mother.

TRI/ THREE

Croatia, 2008, Beta SP, Colour, 26 min. Režija/Director: Goran Dević Scenario/Screenplay: Goran Dević, Zvonimir Jurić

Imamo li potrebe još uvijek pričati o ratu? Do we still need to talk about the war?

Regionalne premijere/ REGIONAL PREMIERES

CVJETNI MOST/ THE FLOWER BRIDGE

Romania, 2008, 35 mm, Colour, 87 min. Režija/Director: Thomas Ciulei Scenario/Screenplay: Thomas Ciulei Uloge/Cast: Costica Arhir, Alexandra Arhir, Maria Arhir, Alexie Arhir

Costica Arhir odgaja svoje troje djece u selu Acui, u Moldaviji. Njegova supruga je prije tri i po godine otišla u Italiju da traži posao i od tada nije dolazila kući. Polovina radno sposobnog stanovništva zemlje je u sličnoj situaciji. Costica Arhir raises his three children in the village of Acui, Republic of Moldavia. His wife has left for Italy three and a half years ago to find work, and has not been home since. Around half of the active population of this country are in a similar situation..

KORIDOR BR. 8/ CORRIDOR #8 Bulgaria, 2008, HD CAM, Colour, 74 min. Režija/Director: Boris Despodov Scenario/Screenplay: Boris Despodov

Koridor br. 8 prikazuje raspoloženje, predrasude i nade ljudi iz tri balkanske zemlje, koji su paradoksalno “tako daleko, a tako blizu” jedni drugima. Ovo je mozaik koji kombinira fragmente iz svakodnevnih života likova koji žive duž nepostojeće balkanske ceste koja prolazi kroz Bugarsku, Makedoniju i Albaniju. Corridor #8 captures the mood, the prejudices

TRI/ THREE


and the hope of the people from the three Balkan countries, who paradoxically are “far away, so close” to each other. This is a mosaic film combining fragments from the everyday lives of the characters who live along a non-existent Balkan road. The road passes through the countries of Bulgaria, Macedonia and Albania.

PATRIA MIA, PRAVAC NOMADA/ PATRIA MIA, NOMAD DIRECTION

Bosnia and Herzegovina, 2008, DigiBeta, Colour, 50 min. Režija/Director: Duška Zagorac Scenario/Screenplay: Duška Zagorac

Nakon 15 godina izbjeglištva u Londonu, režiserka Duška Zagorac se vraća u Bosnu i zatiče u svojoj domovini poveću kinesku imigraciju. Kao odraz nekadašnjih bosanskih stanovnika, a sadašnje bosanske dijaspore, novi naseljenici pokušavaju također da definišu svoj identitet. After 15 years of refugee life in London, the director Duska Zagorac returns to Bosnia and finds a large Chinese immigrant community in her own homeland. As a reflection of former residents of BiH and its current diaspora, the new settlers are also trying to define their identity.

RITAM GRADA/ RHYTHM OF THE CITY

nemoj me pogrešno shvatiti/DON’T GET ME WRONG

di ritmične zvukove za kojima on traga. Tako iz dana u dan, dječak i grad žive zajedno. Dječak sluša, grad odgovara. A little boy is walking through the city listening to the sounds. The sounds and noises of the city construct a rhythm in his head. These sounds inspire him, because his life is rhythm itself. Day and night, the city keeps releasing those rhythmic sounds he is looking for. This is how the boy and the city live together day after day. The little boy listens; the city answers.

pravilima koja su sasvim dobra, ali mimo logike. Dani prolaze između rutine i beskrajnih razgovora o životu, smrti, bogu, vremenskoj prognozi: šta je božansko, a što nije? Ko stvara i zaustavlja kišu? Uostalom, šta je normalno, a šta nije? Somewhere, sometime.. A self sufficient universe , with rules that escape the common logic, and, even though, perfectly valid. Days go by, between daily routine and endless conversations about life, death, God, weather forecast: what is divine and what is not ? Who brings and who stops the rain?.. After all, what is normal and what is not...

BH PREMIJERE/ PREMIERES

Hungary, 2007, Beta SP, Colour, 15 min. Režija/Director: András Salamon Scenario/Screenplay: András Salamon

Jedan dječak hoda gradom i sluša zvukove. Zvukovi grada u njegovoj glavi stvaraju ritam. Zvukovi ga inspiriraju, jer je njegov život sam ritam. I danju i noću grad proizvo-

PATRIA MIA, PRAVAC NOMADA/ PATRIA MIA, NOMAD DIRECTION

CVJETNI MOST/ THE FLOWER BRIDGE

nemoj me pogrešno shvatiti/ DON’T GET ME WRONG

Romania, 2007, 35 mm, Colour, 50 min. Režija/Director: Adina Pintilie Scenario/Screenplay: Adina Pintilie

Nekad, negdje… Samodovoljan svemir, sa

SREBRENIČKI KENOTAF/ SREBRENICA’S CENOTAPH

RAZVOD na albanski način/ DIVORCE ALBANIAN STYLE

Bulgaria, 2007, DigiBeta, Colour and b&w, 66 min. Režija/Director: Adela Peeva Scenario/Screenplay: Adela Peeva

SLUČAJNI SIN / ACCIDENTAL SON

RAZVOD na albanski način/ DIVORCE ALBANIAN STYLE

U nadrealnom svijetu komunističke Albanije šezdesetih godina, hiljade porodica prisilno je razdvojio totalitarni režim Envera Hodže. Kad je Hodža prekinuo odnose između Albanije i Sovjetskog Saveza, strankinje udate za Albance su bile protjerane uz optužbe za špijunažu. Žene koje su odbile da idu – i njihovi muževi – godinama su bile u zatvoru, a posljednje od njih oslobođene su tek 1987. In the surreal world of 1960s communist Albania, thousands of families were forcibly separated by the totalitarian regime of Enver Hodja. When Hodja broke off Albania’s relations with the Soviet Union, foreign women married to Albanian men were expelled, based on allegations of espionage. The women who refused to leave - and their husbands - spent years in prisons, the last released in 1987.

SELO KOJE TONE/ THE SINKING VILLAGE

Hungary, 2007, Beta SP, Colour, 23 min. Režija/Director: Márton Szirmai Scenario/Screenplay: Márton Szirmai Uloge/Cast: residents of the village

Malo selo u Mađarskoj posmatra kako polagano tone. Misteriozna pojava – a niko ne pomaže tako što predočava razloge. Ipak, tu je Joseph, vječiti optimista. On nešto poduzima i nada se promjeni. A small Hungarian village has to look on at its slowly sinking. A mysterious phenomenon - and no one helps lay bare the reasons. However, there is Joseph, the eternal optimist. He takes action and hopes for change.

SELO KOJE TONE/ THE SINKING VILLAGE

van konkurencije/ non-competition

KAKVA DIVNA DEMOKRATIJA/ WHAT A BEAUTIFUL DEMOCRACY!

Turkey, 2008, Beta SP, Colour, 97 min. Režija/Director: Belmin Söylemez, Berke Baş, Haşmet Topaloglu, Somnur Vardar

Turska, ljeto 2007. Opći izbori su za dva mjeseca i političke kampanje su u toku. Pet žena marljivo rade ka istom cilju: da po prvi put u životu postanu članice parlamenta. Uspješna poslovna žena, njena rivalka, KAKVA DIVNA DEMOKRATIJA/ WHAT A BEAUTIFUL DEMOCRACY! jedna kurdska kandidatkinja, dvije bivše prostitutke rade na ulici, mada su potpuno bez novca, a policija ih progoni. Turkey, summer of 2007. The general election is in two months time and political campaigning is everywhere. Different women are working hard to reach the same goal: to be a member of parliament; for the first time in their lives. One successful business-woman, her rival, the Kurdish candidate, and two former sex-workers

PUT ZA MEKU - PUTOVANJE MUHAMMADA ASADA/ A ROAD TO MECCA - THE JOURNEY OF MUHAMMAD ASAD Austria, 2008, DigiBeta, Colour, 92 min. Režija/Director: Georg Misch Scenario/Screenplay: Georg Misch, Miriam Ali de Unzaga

From Cannes to Sarajevo slijepe ljubavi/ BLIND LOVES Slovak Republic, 2008, 35 mm, Colour, 77 min. Režija/Director: Juraj Lehotský Scenario/Screenplay: Juraj Lehotský, Marek Leščák Uloge/Cast: Peter Kolesár, Iveta Koprdová, Miro Daniel, Zuzana Pohánková

SLIJEPE LJUBAVI je film o ljubavi između slijepih osoba. Ljubav može biti blaga, ljubav može biti luckasta, ljubav ponekad može biti slijepa... Ljudima koji dobro vide nije lako pronaći svoje mjesto u svijetu, a koliko je to teže nekome ko je slijep? „Pogled“ slijepe osobe često je čist i suštinski, često i duhovit. Takav pogled otkriva nove dimenzije značenja sreće. BLIND LOVES is a film about love between blind people. Love can be soft, love can be silly, love can be blind at times... To find one’s place in this world is not an easy thing to do for people with good sight, but how much more difficult it can get for somobedy who is blind? The ‘view’ of blind persons is often pure and essential, and very often witty. It uncovPUT ZA MEKU - PUTOVANJE MUHAMMADA ASADA/ ers new dimensions of meaning of happiness. A ROAD TO MECCA - THE JOURNEY OF MUHAMMAD ASAD PANJ PUN OLOVA/ BAD BLUE BOYSSUGARTOWN: MLADOŽENJE/

SUGARTOWN: THE BRIDEGROOMS

Greece, Germany , 2006, DV, Colour, 82 min. Početkom dvadesetih, Leopold Weiss, Jevrej iz Beča, odlazi na Bliski Režija/Director: KimonTsakiris Istok. Pustinja ga fascinira, a islam postaje njegov duhovni dom. Scenario/Screenplay: KimonTsakiris Iza sebe ostavlja svoje jevrejske korijene, prelazi na islam i mijenja U grčkom selu Sugartown, muškarci imaju ozbiljan problem. Žene iz tog ime u Muhammad Asad. Postaje jedan od najznačajnijih muslimana kraja bježe u potrazi za radom i muževima u velikim gradovima. Mudri dvadesetog vijeka. Režiser prati njegov jedva vidljivi trag, od arapske PROBLEMI S KOMARCIMA.../THE MOSQUITO PROBLEM... gradonačelnik obećava da će im naći žene, da bi ponovo za njega glapustinje do mjesta napada 11. septembra. Pronalazi čovjeka koji nije slijepe ljubavi/ BLIND LOVES sali. Stupa u kontakt sa gradonačelnikom gradića Klin u Rusiji. Uprkos tražio avanture, već želio da bude posrednik između istoka zapada. lokalnoj tradiciji, koja ne odobrava mješovite brakove, muškarci iz SugIn the early 1920s, Leopold Weiss, a Viennese Jew, travelled to the Midartowna kreću na daleki put da pronađu svoje buduće mladenke. dle East. The desert fascinated him, and Islam became his new spiritual In the Greek village of Sugartown, men have a serious problem. Women home. He left his Jewish roots behind, converted to Islam and changed are fleeing the area in search of work or marriage in the big cities. Their his name to Muhammad Asad. He became one of the most important cunning mayor promises the men to find them wives in order to get reMuslims of the 20th century. The director follows his fading footsteps, elected. He contacts the mayor of the Russian town of Klin. Against the leading from the Arabian desert to Ground Zero. He finds a man who odds and local traditions which frown upon mixed marriages, the men was not looking for adventures but rather wanted to act as a mediator from Sugartown set out on a great journey to find their future brides. SUGARTOWN: MLADOŽENJE/ SUGARTOWN: BRIDEGROOMS PANJ PUNTHE OLOVA/ BAD BLUE BOYS between East and West.

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2. sarajevo 2nd sarajevo talent campus talent campus 17-23 august 2008

2. Sarajevo Talent Campus gradi se na fantastičnim temeljima postavljenim u godini kad je pokrenut, kad su mladi i talentirani filmski autori iz 13 zemalja jugoistočne Evrope dobili priliku da prate intenzivan program predavanja i radionica, koje su vodili neki od najvećih filmskih umjetnika i ugledni profesionalci iz cijelog svijeta. Ove godine smo odlučni u tome da ćemo ponoviti prošlogodišnji uspjeh i ponovo ponuditi heterogen i inspirativan program, uobličen za 80 odabranih talenata (scenarista, režisera, glumaca i producenata), koji će zajedno raditi na platformi Campusa, tokom 14. SFF-a, sa ciljem stvaranja profesionalnih mreža i učešća u sistemu kritičke razmjene iskustava i uzajamnog ohrabrenja. Čast nam je predstaviti vrhunske profesionalce koji će s nama biti kao stručnjaci i talentima odabranim za 2008. godinu ponuditi svoje znanje i iskustva iz filmske umjetnosti i industrije (u abecednom redu): Gonzalo Arijon, Amra Bakšić Čamo, Ben Barenholtz, Aida Begić, Kathi Bildhauer, Philippe Bober, Nick Broomfield, Nuri Bilge Ceylan, Ellis Driesen, Howard Feinstein, Terry George, Mike Goodridge, Dane Hočevar, Charlie Kaufman, Imri Khan, Baltasar Kormakur, Damjan Kozole, Beatrice Kruger, Mike Leigh, Leon Lučev, James Marsh, Boris Matić, Daniel Mitulescu, Michele Ohayon, Nik Powell, Marten Rabarts, Franz Rodenkirchen, Renen Schorr, Katriel Schory, Lior Shamriz, Ada Solomon, Kevin Spacey, Ognjen Sviličić, Pierre Spengler, Danis Tanović, Elma Tataragić, Ankica Tilić, Christine Troestrum, Sanja Vejnović, Chris Villiers, Chris Weekes, Slavoj Žižek… Sarajevo Talent Campus, koji se realizira u saradnji sa Berlinale Talent Campusom i Internacionalnim filmskim festivalom u Berlinu, ima čast predstaviti novog partnera – Fondaciju Robert Bosch – koja će dodijeliti svoju Koprodukcijsku nagradu za mlade njemačke i istočne/istočnoevropske filmske autore. Zahvaljujući podršci Fondacije Robert Bosch, deset mladih njemačkih producenata pridružit će se učesnicima 2. Sarajevo Talent Campusa, da zajedno grade ideje o koprodukcijama sa filmskim autorima iz jugoistočne Evrope. Program ovogodišnjeg Campusa ne bi bio potpun bez predstavljanja rezultata jedne od njegovih najznačajnijih inicijativa – Sarajevo grad filma – fonda stvorenog pod pokroviteljstvim Vlade Federacije BiH i Federalnog ministarstva kulture i sporta, koji realizira SFF. Projekat je okupio polaznike Talent Campusa koji su znanje i iskustvo stečeno na 1. Talent Campusu primijenili na snimanje niskobudžetnih filmova inspiriranih Sarajevom. ALENINO PUTOVANJE, MAHALA, NEKAKO S PROLJEĆA, VIDIMO SE U SARAJEVU i ŠOPING će se premijerno prikazati na 14. SFF-u.

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The 2nd Sarajevo Talent Campus builds on the remarkable foundations of its launching year, when talented emerging filmmakers coming from 13 countries of the region of South-East Europe were given an opportunity to follow an intensive program of lectures and workshops given by some of the greatest film artists and renowned industry professionals from all over the world. This year we are determined to repeat last year’s success and deliver again a heterogeneous and inspiring program designed for 80 selected Talents (Scriptwriters, Directors, Actors and Producers) who will unite at the Campus platform, during the 14th Sarajevo Film Festival, with the aim to create professional networks and participate in a system of critical exchange and mutual encouragement. We are honored to present the line-up of distinguished professionals who will act as experts and lecturers and share their knowledge and experience in the realms of film art and industry with the Talents of 2008 (listed in alphabetical order): Gonzalo Arijon, Amra Bakšić Čamo, Ben Barenholtz, Aida Begić, Kathi Bildhauer, Philippe Bober, Nick Broomfield, Nuri Bilge Ceylan, Ellis Driesen, Howard Feinstein, Terry George, Mike Goodridge, Dane Hočevar, Charlie Kaufman, Imri Khan, Baltasar Kormakur, Damjan Kozole, Beatrice Kruger, Mike Leigh, Leon Lučev, James Marsh, Boris Matić, Daniel Mitulescu, Michele Ohayon, Nik Powell, Marten Rabarts, Franz Rodenkirchen, Renen Schorr, Katriel Schory, Lior Shamriz, Ada Solomon, Kevin Spacey, Ognjen Sviličić, Pierre Spengler, Danis Tanović, Elma Tataragić, Ankica Tilić, Christine Troestrum, Sanja Vejnović, Chris Villiers, Chris Weekes, Slavoj Žižek… The Sarajevo Talent Campus, realized i n co-operation with the Berlinale Talent Campus and the Berlin International Film Festival, has the pleasure to announce a new partner - the Robert Bosch Stiftung – which will present its Co-Production Prize for Young German and Eastern/South Eastern European Filmmakers. Thanks to the support of the Robert Bosch Stiftung, 10 young German producers will join the participants of the 2nd Sarajevo Talent Campus in order to develop ideas for common co-productions with South Eastern European filmmakers. The program of this year’s Campus would not be complete without presenting the results of one of its most important initiatives – Sarajevo City of Film, a fund created under the patronage of the Government of the Federation of Bosnia and Hezegovina and the Federal Ministry of Culture and Sports, and implemented by the Sarajevo Film Festival. This project brought together the Alumni of the Talent Campus, who applied their knowledge and experience gained during the 1st Sarajevo Talent Campus, in making low-budget short films inspired by the city of Sarajevo. ALENA´S JOURNEY, MAHALA, SARAJEVO SPRING, SEE YOU IN SARAJEVO and SHOPPING will have their premiere screenings at the 14th Sarajevo Film Festival.


sarajevo grad filma sarajevo city of film

VIDIMO SE U SARAJEVU/ SEE YOU IN SARAJEVO

ALENINO PUTOVANJE/ ALENA’S JOURNEY

ALENINO PUTOVANJE/ ALENA’S JOURNEY BiH, 2008, HD CAM (HDTV), Colour, 16 min. Režija/ Director: Károly Ujj Mészáros Scenario/ Screenplay: Károly Ujj Mészáros Uloge/Cast: Alena Džebo- Hećo, Minka Muftić, Dragan Jovičić Producent/Producer: Csanád Darvas, Aldin Arnautović

Izjava režisera: Nisam pretjerano analitičan, već čovjek koji komunicira kroz emocije. Sama priča je tužna, ali ne treba propustiti ključnu stvar, riješenost na izlječenje. I to je, na kraju, moja poruka. Vama, svima. Čak i meni... K.U.M Director’s statement: I am though not too analytical, but a man who is communicating through feelings. The story itself is sad, but do not miss the main point that is the devotion for healing. That is finally my main message. For you, for everyone. Even for myself… K.U.M

MAHALA/ ORANGE BLANKET

BiH, 2008, HD CAM (HDTV), Colour, 18 min. Režija/Director: Matija Debeljuh Scenario/Screenplay: Ivan Kelava Uloge/Cast: Adnan Hasković, Alma Terzić, Sead Bejtović,

MAHALA/ ORANGE BLANKET

Adi Hrustemović, Enes Salković, Nerman Mahmutović Producent / Producer: Antoneta Kusijanović

Izjava režisera: Mladost u svojoj ljepoti zna biti toliko naivna da ne raspoznajemo značajne stvari… Ljubav je u isto vrijeme najljepša i najdestruktivnija stvar na ovome svijetu… M.D. Director’s statement: In all its beauty, youth can be so naive that we cannot discern the important things... Love is the most wonderful and the most destructive thing in the world, all at the same time... M.D.

NEKAKO S PROLJEĆA/ SARAJEVO SPRING

BiH, 2008, HD CAM (HDTV), Colour, 15 min. Režija/Director: Nikolina Barić Scenario/Screenplay: Nikolina Barić Uloge/Cast: Erifili Stefanidou, Nedžad Begović Producent / Producer: Sehad Čekić

Izjava režiserke: U Sarajevu, popiti kafu znači puno više nego samo se probuditi... Koliko je nekad teško opustiti se i uživati u onom što vidite oko sebe? Ovo je priča o duhu Sarajeva i njegovoj jednostavnost

NEKAKO S PROLJEĆA/ SARAJEVO SPRING života. Sve što vam treba su šoljica kafe i dobro društvo... N.B. Director’s statement: In Sarajevo, drinking coffee means much more than just waking up… How hard can sometimes be to relax and just enjoy the prospect around you? This is a story of the spirit of Sarajevo and its simplicity of life. All you need is a cup of coffee and a good company… N.B.

ŠOPING/ SHOPPING

BiH, 2008, 35 mm, Colour, 15 min. Režija/Director: Alen Drljević Scenario/Screenplay: Alen Drljević Uloge/Cast: Alban Ukaj, Belma Lizde- Kurt, Alena DžeboHećo, Sara Hadžibajrić, Adi Korić, Oriana Kunčić Producent / Producer: Tiha Gudac

Izjava režisera: Uvijek sam bio fasciniran paralelnim svijetom koji postoji iza vrata velikih šoping centara. Kao da iza tih vrata ne postoje svakodnevni ljudski problemi. Pa ipak, kad potrošimo novac, moramo se vratiti, kroz ta ista vrata, u stvarnost.... A.D. Director’s statement: I was always fascinated by the parallel world which exists behind the

ŠOPING / SHOPPING doors of big shopping malls. It is as if behind those doors everyday human problems do not exist. Yet, as we spend money, we all have to go back, through the same door, back to reality… A.D.

VIDIMO SE U SARAJEVU/ SEE YOU IN SARAJEVO

BiH, 2008, HD CAM (HDTV), Colour, 14 min. Režija/Director: Vanja Sviličić Scenario/Screenplay: Vanja Sviličić Uloge/Cast: Manca Dorrer, Leon Lučev, Emir Hadžihafizbegović Producent / Producer: Siniša Juričić

Izjava režiserke: Polazeći od osjećanja koje je ležalo duboko u meni još od 2005., i iz svih onih čarobnih stvari kojima me Sarajevo zasulo, rodila se jedna mala priča o ljubavi i životu... V.S. Director’s statement: Going from the emotion that lied down inside of me back from 2005. and all these magical things which was cast on me by the town of Sarajevo, little story about love and life was born… V.S.

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prateci programisidebar programmes Sarajevo Film Festival iz godine u godinu dosta pažnje poklanja i njegovanju svojih pratećih sadržaja. Time naš Festival stvara jedinstvenu atmosferu i ostaje duboko urezan u srcima naših gostiju kao lijepo i drugačije iskustvo. Mnogobrojna zajednička druženja, turističke ture u neka od najljepših bosanskohercegovačkih mjesta, izleti, zabave, brojni koncerti... Na ovaj način SFF, pored dobre zabave za svoje goste, aktivira interes za turističkim potencijalom BiH, sa akcentom na njenu istoriju i njene ljepote. Prateći sadržaji SFF-a doprinose kreiranju svečarske atmosfere u cijelom gradu, tako da tih 9 avgustovskih dana bh. prijestolnica živi posebnim ritmom u slavu sedme umjetnosti. Potrudili smo se i ove godine da se posjetioci SFF-a osjećaju upravo kao gosti, te u maniru dobrog domaćina organizovali brojne izlete, zabave i druženja... Sarajevo Film Festival continues to afford considerable attention to its sidebar programmes. This creates the unique atmosphere which is why our Festival remains in the memory of our guests as a different and enjoyable experience. Numerous events, guided tours thrrough some of the most beautiful places in BiH, picnics, parties, concerts... In this way, in addition to entertainment for its guests, SFF promotes the tourism potentials of BiH with a focus on its history and natural beauty. SFF sidebar progammes help create a truly festive atmpsphere in the entire city, and the 9 days of August give the Bosnian capital a special rhythm, celebrating the seventh art. This year again, we did our best to make the SFF visitors feel like true guests, and as good hosts we organised numerous visits, parties, events...

KAFA SA.../ COFFEE WITH...

Sarajevo Film Festival predstavlja program Kafa sa... kao poseban događaj na našem Festivalskom trgu, gdje će, svaki dan naši gosti i javnost imati priliku da prate otvorene intervjue sa nekim od najeminentnijih gostiju Festivala, u samom srcu festivalskih dešavanja. Sarajevo Film Festival presents its Coffee With.. as highlight of our vibrant Festival Square, where each day our guests and the public will be able to view open interviews with some of the festivals most prominent guests, right in the heart of festival activities.

SUBOTA / SATURDAY, 16. 08. 15.00 hrs

Upoznajte režiserku, producenticu i glavnu glumicu SNIJEGA, filma koji otvara 14. Sarajevo Film Festival, dobitnika Grand prixa se-

lekcije Semaine de la critique 61. Festivala u Cannesu. Meet the director, producer and leading actress of Snow, the opening film of the 14th Sarajevo Film Festival and winner of Semaine de la Critique Grand Prix at the 61 Cannes Film Festival. Aida Begić - director, screenwriter Elma Tataragić - co-writer, producer Zana Marjanović - actress

NEDJELJA / SUNDAY, 17. 08, 11.00 hrs

Dobitnica Zlatnog bika Taormina Film Festivala za najbolju glumačku izvedbu, Tanja Ribič, sa suprugom/režiserom Brankom Đurićem govori o njegovom drugom igranom filmu, njegovoj jedinstvenoj karizimi i strasti prema crnoj komediji i rock ‘n’ rollu. Winner of Taormina Golden Tauro for best performance, Tanja Ribić joins her director/ husband Branko Đurić in talking about his second feature film, his unique charisma and passion for black comedies and rock ‘n’ roll.

15.00 hrs

Jedan od naših najboljih režisera i jedan od naših najboljih muzičara pričaju priču o jednom od naših najvećih bendova. Režiser Pjer Žalica i kompozitor Saša Lošić govore o nastanku projekta PLAVI ORKESTAR. One of our finest filmmakers, joined by one of our finest musicians make a story about one of our greatest bands. Pjer Žalica, director, and Saša Lošić, composer, talk about a work in progress.

PONEDJELJAK / MONDAY, 18. 08. 15.00 hrs

GOMORA, dobitnik Grand Prixa 61. Festivala u Cannesu, žestoka je slika mafijaškog podzemlja. Ovaj film su neki kritičari nazvali najboljim prikazom mafije našeg doba. Pridružite se glumcima Mariji Nazionale i Salvatoreu Cantalupu u razgovoru o iskustvima stvaranja «savremenog viđenja Danteovog Pakla». The film that carried the Grand Prix of the 61 Cannes Film Festival, Gomorra is a hard hitting look at the mafia underworld. This is a film some critics have called the best depiction of mafia of our time. Join Maria Nazionale and Salvatore Cantalupo in discussing their experience in creating “the modern view of Dante’s Inferno”.

UTORAK / TUESDAY, 19.08 11.00 hrs

Izuzetna umjetnica i izutetno produktivna, raznovrsnih interesovanja, stvaralac koliko i muza drugim stvaraocima, Agnes B. će gov-

oriti o svojim izvorima inspiracije u filmu, umjetnosti i modnom dizajnu. Na 14. SFF-u će biti s nama kao dugogodišnji prijatelj i pokrivitelj, autor festivalskog Srca i producent filma CALLE SANTA FE. An exceptional and exceptionally prolific artist who is as much a creator as a muse to creators, Agnes B. will talk about her sources of inspiration in cinema, art and fashion. She joins us the 14th Sarajevo Film Festival as a long-standing friend and patron, creator of our festival’s Heart, and producer of Calle Santa Fe.

15.00 hrs

Nazvati film Mikea Leigha Happy-Go-Lucky komedijom značilo bi itekako pojednostaviti i namjeru i impakt filma koji nećete lako zaboraviti. Ovaj film neki smatraju njegovim najboljim djelom do sada. Dok žiri njegovih vatrenih obožavatelja, među koje se ubrajamo, razmatra ovu tvrdnju, jedno je sigurno – ovo je jedan od najznačajnijih filmskih autora našeg vremena, na vrhuncu svog umijeća. Pridružite nam se u razgovoru s njim. To call Mike Leigh’s remarkable Happy-GoLucky a comedy would be to grossly oversimplify both the intent and the impact of a film you will not soon forget. Happy-Go-Lucky is considered by some Leigh’s greatest work to date. While the jury of his die-hard fans we count ourselves among is out -one thing is certain, this is one of the most important filmmakers of our time, at his best. Join us in conversation.

SRIJEDA / WEDNESDAY, 20. 08. 15.00 hrs

Animirano remek djelo koje prevazilazi granice tradicionalnog filma predstavlja putovanje u režiserovu vlastitu traumatičnu prošlost. VALCER SA BASHIROM priča autobiografsku priču i nudi svjedočenje o jednom od najmračnijih trenutaka historije, masakrima u Sabri i Šatili. Ari Folman govori o prošlosti, sadašnjosti i budućnosti jednog čovjeka, njegove zemlje i izraelskog filma. Overwhelming the boundaries of traditional cinema, this animated masterpiece is a journey into the director’s own traumatic past. Waltz With Bashir tells the author’s autobiographical story and a testimony on one of history’s darkest hours, the Sabra and Shatila massacres. Ari Folman in coversation about the past, the present and the future of one man, his country, and Israeli cinema.

ČETVRTAK / THURSDAY, 21. 08. 15.00 hrs

Predsjednik ovogodišnjeg žirija Takmičarskog programa, dobitnik nagrade za najbolju režiju na ovogodišnjem Cannes Film Festivalu, Nuri Bilge Ceylan govori o svom interesovanju za obične živote i o izuzetnim filmovima koje taj interes inspirira. Njegov distancirani stil nazivaju besprijekornim u sposobnosti da realizam podigne na nivo umjetnosti i da dokumentira borbe, tragedije, složenosti i banalnosti svakodnevnog života. President of this year’s Sarajevo Film Festival Competition Feature Jury, winner of Best Director Award at this year’s 61st Cannes Film Festival, Nuri Bilge Ceylan talks to us about his interest in ordinary lives and the extraordinary films this interest inspires. His detached style has been called flawless in its ability to elevate realism to an art form, documenting the strugles, the tragedies, the complexities and banalities of everyday life.

PETAK / FRIDAY, 22.08. 15.00 hrs

Sharon Maguire, režiserka filma ZAPALJIVO, pokazuje širinu svog talenta – od DNEVNIKA BRIDGET JONES do priče o ženi suočenoj sa najvećim strahovima sviju nas. Ona i producent Andy Patterson govore o suočavanju sa krhkošću života i pronalaženju snage. Sharon Maguire , the director of INCENDIARY, shows off the breadth of her talent - from Bridget Jones Diary to a story of woman confronted with our greatest fears come true. Join her and producer Andy Paterson in conversation about facing the fragility of our lives and finding strenght.

SUBOTA / SATURDAY, 23. 08. 11.00 hrs

Charlie Kaufman. U razgovoru. S nama. Charlie Kaufman. Will Talk. To us.

(BEING JOHN MALKOVICH, ADAPTATION, CONFESSIONS OF A DANGEROUS MIND, ETERNAL SUNSHINE OF THE SPOTLESS MIND, SYNECDOCHE, NY) 15.00 hrs Kevin Spacey, jedan od najznačajnnijih glumaca današnjice, dvostruki dobitnik Oscara, razgovarat će s nama o svom izuzetnom radu i izazovima koji još stoje pred čovjekom koji kao da je sve već uradio. One of the greatest actors of our time, twotime Oscar winner Kevin Spacey, talks to us about his outstanding body of work and challenges left ahead for a man who seems to have done it all.

Dubrovnik Film Meetings Jedan od najznačajnijih glumaca današnjice i dvostruki dobitnik Oscara Kevin Spacey bit će specijalni gost ovogodišnjeg programa Dubrovnik Film Meetings, koji Adriatic Luxury Hotels već treću godinu zaredom organiziraju u suradnji sa Sarajevo Film Festivalom i magazinom Gloria. U čast njegova gostovanja, Dubrovnik Film Meeting će 24. augusta u večernjim satima na ekskluzivnom prostoru glavne plaže Hotela Dubrovnik Palace upriličiti gala projekciju pod zvijezdama kultnoga filma THE USUAL SUSPECTS redatelja Bryana Singera, koji je ovom iznimnom glumcu donio i prvoga Oscara. Nakon filmske projekcije u Vala Clubu Hotela Dubrovnik Palace uslijedit će ekskluzivni latino gala party. Tako će ekskluzivna plaža Hotela Dubrovnik Palace na jednu večer postati kulturna pozornica svijeta, odredište svjetskoga jet seta i filmskoga glamura nalik na mondena holivudska okupljališta. Ovogodišnji Dubrovnik Film Meeting već je proglašen društvenim događajem sezone, a svoj su dolazak potvrdili i brojni hrvatski celebrityji. U sklopu Dubrovnik Film Meetinga, koji će ove godine trajati dva dana, svjetski redatelji, glumci, scenaristi i ostali VIP-ovci ovogodišnjega, Sarajevo Film Festivala posjetit će i staru dubrovačku gradsku jezgru, a grupacija Adriatic Luxury Hotels i ove godine priprema bogat program za sve uzvanike. Tokom prošlogodišnjeg Dubrovnik Film Meetinga u hotelima grupacije ALH gostovali su Nick Nolte, Steve Buscemi, Cat Villers, Terry George, Danis Tanović, Jasmila Žbanić, te brojni drugi.

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Kevin Spacey, two-time Oscar winner and one of the most renowned actors of today, will be a special guest at this year’s Dubrovnik Film Meetings, organised for three years running, by the Adriatic Luxury Hotels in cooperation with the Sarajevo Film Festival and with the Gloria Magazine. In honour of this visit, a gala screening under the stars of Bryan Singer’s classic THE USUAL SUSPECTS, the film that won Kevin Spacey his first Oscar, will be organised on the evening of 24 August 2008 at the exclusive main beach of the Dubrovnik Palace Hotel. The screening will be followed by an exclusive Latino gala party in the Vala Club of the Dubrovnik Palace Hotel. The exclusive beach of Hotel Dubrovnik Palace will thus, for one evening, become the cultural stage of the world, the locus of the world’s jet set and film glamour, much like the trendy hotspots of Hollywood. This year’s Dubrovnik Film Meetings has already been proclaimed the social event of the season, with numerous Croatian celebrities having confirmed their attendance at this event. Within the Dubrovnik Film Meetings, which will this year last for two days, international directors, actors, screenwriters and other VIP guests of this year’s 14th Sarajevo Film Festival will also visit the old Dubrovnik city centre, while the Adriatic Luxury Hotels Group has prepared a rich and entertaining programme for its invitees. Residing in the hotels of the Adriatic Luxury Hotels Group during last year’s Dubrovnik Film Meetings was Nick Nolte, Steve Buscemi, Cat Villers, Terry George, Danis Tanović, Jasmila Žbanić and many others.


cinelink 2008

Šesti CineLink. Broj šest nas upozorava kako nema više mjesta za početničke greške. Uspostavljeni standardi moraju se poštovati, a opet, plašimo se i rutine. No, filmska industrija u regiji je takva da ne omogućava letargiju. Počelo je već sa aplikacijama za CineLink ove godine. Tematski, autori se udaljavaju od propitivanja neposredne turbulentne prošlosti i najčešće bave savremenšću. Prisutna su razmišljanja o prošlosti i utiču na dramske zaplete, pa ipak osnova budućih fimskih priča je današnjica. Naših 12 CineLink + 3 projekata, nadamo se, na najbolji način reprezentiraju regionalnu kinematografiju i promjene koje se mogu očekivati u narednim godinama. Neke stvari su se promijenile i kod nas. Od ove godine naše radionice za razvoj projekta organizujemo u saradnji sa Bingerom. Od ove godine jednu od nagrada za projekte na CIneLinku prezentira i Arte. Ovogodišnja zemlja partner je Irska. Broj šest sam ne poziva na jubilej, pregled, samopropitivanje. No, za nas, pravi je trenutak da se osvrnemo i pogledamo rezultate prvih 5 godina. 12 snimljenih filmova, dva u takmičarskom programu našeg festivala ove godine. 17 projekata je u fazi produkcije i predprodukcije. Iduće godine očekujemo naš baby boom. Zato ove godine krećemo sa selekcijom Work in Progress. Autorima i producentima projekata koji su u fazi produkcije, bilo da su CineLink projekti ili ne, želimo omogućiti da se predstave pred sales agentima, selektorima festivala, distributerima, posebno ovdje mislimo na plasman regionalnih naslova na regionalnom tržištu. Ako su naša prva izdanja najavljivala rast regionalne kinematografije, vjerujemo da CineLink 2008 najavljuje pravce kojima će ona krenuti. Želimo vam uspješan Market i dobar Festival. Mirsad Purivatra Amra Bakšić Čamo

CineLink SELECTION 2008 • ANA’S STORY, Szabolcs Tolnai, Serbia • BORDERS, RAINDROPS, Nikola Mijović and Vlastimir Sudar, Montenegro/ Bosnia and Herzegovina • BROKEN MUSSELS, Seyfettin Tokmak , Turkey • DAZE, Tamas Beregi and Balint Kenyeres, director Balint Kenyeres, Hungary • EMIR & MERIMA, Paul Rosdy, Austria • HONEY, Semih Kaplanoglu, Turkey • IF I WANT TO WHISTLE, I WHISTLE, Catalin Mitulescu and Florin Serban, director Florin Serban, Romania • ISTANBUL, Ferenc Torok, Hungary • LEAVING TOGETHER, Kamen Kalev, Bulgaria • MARKET, Teona Mitevska, Macedonia • MEDAL OF HONOUR, Tudor Voican, director Calin Netzer, Romania • ONE STEP BEHIND SERAPHIM, Daniel Sandu, Romania

The sixth CineLink. Number six warns us that there is no more room for beginners’ mistakes. Standards have been set and they must be observed – and yet, we fear the routine. However, the nature of the film industry in this region does not allow us to be lethargic. It started with applications for this year’s CineLink. In terms of themes, authors are moving away from issues of the immediate and turbulent past and usually opt for modernity. Thoughts about the past are there and they do affect the plotlines, but the basis of future film stories is still the present. Our 12 CineLink + 3 projects are, as we hope, the best presentation of national film productions and the changes to be expected in the years to come. We have had some changes as well. As of this year, our project development workshop is organized in collaboration with Binger. As of this year, Arte presents one of the CineLink project prizes. This year’s partner country is Ireland. Number six is not in itself an invitation to celebrate, to examine and self-assess. Still, it is the right moment for us to look back at the results of the past five years. 12 films made, two of them in this year’s competition programme. 17 projects in production or preproduction stage. As for next year, we anticipate our own baby boom. That is why we are launching a Work-in-Progress selection. We want to allow authors and producers who are in the production stage, whether CineLink projects or not, an opportunity to present their work to sales agents, festival programmers, distributors – primarily aimed at presenting regional titles at regional markets. So, if our previous editions were an announcement of growth of regional film production, we believe that CineLink 2008 is an announcement of the directions it will take. We wish you a successful Market and a good Festival. Mirsad Purivatra Amra Bakšić Čamo

CineLink + SELECTION 2008 • THE BANK OF, Onur Unlu, Turkey • GIRLS, Andrea Štaka, Switzerland/ Croatia • OUTSKIRTS, Cristian Mungiu and Ioana Uricaru, director Anatoli Reghintovschi, Romania CineLink Work in Progress 2008 • Nobody Can See You But You, director Matija Kluković, Croatia • The Blacks, directors Zvonimir Jurić and Goran Dević, Croatia • Here and There , director Darko Lungulov, Serbia • Plavi Orkestar, director Pjer Žalica, Bosnia and Herzegovina

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panorama selektor/ selector: Howard Feinstein

BITKA ZA HADITHU/ BATTLE FOR HADITHA

United Kingdom, 2007, 35 mm, Colour, 97 min. Režija/Director: Nick Broomfield Scenario/Screenplay: Nick Broomfield, Marc Hoeferlin, Anna Telford Uloge/Cast: Elliot Ruiz, Yasmine Hanani, Andrew McLaren, Matthew Knoll, Thomas Hennessy

Istraga masakra nad 24 muškarca, žene i djeteta u Hadithi u Iraku, koje su navodno ubila 4 marinca Sjedinjenih Država, kao odmazdu za smrt jednog marinca kojeg je ubila bomba postavljena pored ceste. Film prati priču marinaca iz čete Kilo, jedne iračke porodice i pobunjenika koji postavljaju bombe pored ceste. An investigation of the massacre of 24 men, women and children in Haditha, Iraq allegedly shot by 4 U.S. Marines in retaliation for the death of a U.S. Marine killed by a roadside bomb. The movie follows the story of the Marines of Kilo Company, an Iraqi family, and the insurgents who plant the roadside bomb.

BOŽIĆNA PRIČA/ A CHRISTMAS TALE

France, 2008, 35 mm, Colour, 150 min. Režija/Director: Arnaud Desplechin Scenario/Screenplay: Emmanuel Bourdieu, Arnaud Desplechin Uloge/Cast: Catherine Deneuve, Jean-Paul Roussillon, Mathieu Amalric, Emile Berling

Abel i Junon imali su dvoje djece, Josepha i Elisabeth. Joseph je žrtva rijetkog genetskog oboljenja i jedina nada mu je presađivanje koštane srži. Pošto on i Elisabeth nisu kompatibilni, roditelji su se odlučili na još jedno dijete da bi spasili sina. Mali Henri nije mogao pomoći bratu i Joseph sa sedam godina umire. Porodica Vuillard nikad se nije oporavila. Abel and Junon had two children, Joseph and Elizabeth. Victim of a rare genetic condition, Joseph’s only hope was a bone marrow transplant. As they and Elizabeth were incompatible, his parents conceived a third child in the hope of saving their son. But little Henri too was unable to help his brother, and Joseph died at the age of seven. The Vuillard family has never recovered.

GORKO I UVRNUTO/ BITTER& TWISTED

Australia, 2008, HD CAM, Colour, 85 min. Režija/Director: Christopher Weekes Scenario/Screenplay: Christopher Weekes Uloge/Cast: Noni Hazlehurst, Steve Rodgers, Leeanna

BOŽIĆNA PRIČA/ A CHRISTMAS TALE

20 |

Walsman, Christopher Weekes, Matthew Newton TAJNA ZRNA/ THE SECRET OF THE GRAIN BITKA ZA HADITHU/ BATTLE FOR HADITHA U dnevnoj sobi jednog običnog doma, Liam Lombard leži na samrti. Porodica bespomoćno posmatra. Nije bilo nikakvog upozorenja. Nikakvog znaka. Niti vremena da se oproste. Tri godine kasnije, samouništavajući svijet četiri osobe koje su ga najviše voljele iznenada se zauvijek mijenja, jer shvataju da su tog dana oni sami umrli. In the living room of a suburban home, Liam Lombard lays dying. His family watches - helpless. There was no warning. No signs. And no time for goodbyes. Three years later the selfdestructive world of the four people who loved him most is inadvertedly changed for- JAR CITY JAPAN JAPAN ever as they come to realise what really died La León. He’s a loudmouth and a brute, rantErlendur otvara stari predmet, otkriva tajne that day was themselves. ing against missionaries, immigrants from koje su veće od samog ubistva – a tragovi JAPAN JAPAN Paraguay who’ve come to work, and Alvaro dopiru do genetskih veza sa cijelom zemlIsrael, Germany, 2007, DigiBeta, Colour, 65 min. for being gay. Like most bigots, the captain jom. Režija/Director: Lior Shamriz has some unresolved issues and is alternately An elderly man is found murdered in his baseScenario/Screenplay: Lior Shamriz fascinated and repelled by the handsome ment flat. Inspector Erlendur doesn’t have Uloge/Cast: Imri Kahn, Tal Meiri, Naama Yuria, Irit Gidman he transports. much to go by in the investigation, but a ron photograph of a young girl’s grave gives him Film je priča o Imriju, koji kao 19-godišnjak LAVLJA JAZBINA/ LION’ S DEN a lead. He discovers that many years ago the Argentina, South Korea, Brazil, 2008, 35 mm, Colour, odlazi da živi u Tel Avivu, ali sanja o tome victim was accused, though not convicted, of 113 min. da se preseli u Japan. Istraživanje života u horrible crimes. As Erlendur reopens the very Režija/Director: Pablo Trapero uzbudljivom Tel Avivu predstavlja se kroz cold case, uncovering secrets that are much Scenario/Screenplay: Alejandro Fadel, Martín Maujunaka filma, koji je i sam u istraživanju larger than the murder of one old man - with regui, Santiago Mitre, Pablo Trapero sopstvenog izbora tog egzotičnog mjesta. clues knit into the genetic bloodline of an enUloge/Cast: Martina Gusman, Elli Medeiros, Rodrigo Stvara se jedinstven međuodnos između tire country. Santoro, Laura Garcia pogrešne predstave koju junak filma ima o Julia se u svom stanu budi pored okrvavJapanu i naše pogrešne predstave o njemu. LA LEON ljenih tijela Ramira i Nahuela. Ramiro je još The movie tells the story of Imri (portrayed by Argentina, France, 2007, 35 mm, b&w, 85 min. živ. Obojica su joj bili ljubavnici, tajno i isRežija/Director: Santiago Otheguy Imri Kahn), who at 19 goes to live in Tel- Aviv, tovremeno, a sa jednim je ostala u drugom Scenario/Screenplay: Santiago Otheguy but dreams of moving to Japan. An explorastanju. Juliju šalju u zatvor za majke i trudUloge/Cast: Jorge Roman, Daniel Valenzuela, José tion of living in the exotic city of Tel Aviv is nice. Rađa se dječak. Sve više osjeća da je to Munoz presented through a hero who is himself in dijete jedina vrijednost koju još ima. Alvaro je tih čovjek. U duploj izolaciji zbog the midst of exploring his own choice of an Julia wakes up in her apartment, surrounded udaljenosti kuće i činjenice da je homosekexotic place. A unique correlation is formed by the bloody bodies of Ramiro and Nahuel. sualac, živi jednostavno i ne govori mnogo, a between the hero’s misconception of Japan Ramiro is still alive. Both have been, obscure povremeni susreti sa muškarcima izvana su and ours of him. and simultaneously, her lovers and one made mu ventil. Turu je kormilar malog trajekta sa JAR CITY Julia pregnant. Julia is sent to a prison housnadimkom «lav». Puno priča i neugodan je, Iceland, 2006, 35 mm, Colour, 93 min. ing mothers and pregnant inmates. The child ogovara misionare, emigrante iz Paragvaja Režija/Director: Baltasar Kormákur is born, a baby boy. More and more, Julia feels koji tu traže posao, i Alvara zato što je homoScenario/Screenplay: Baltasar Kormákur this boy is her only valued one left. seksualac. Kao i većina licemjera, i kapetan Uloge/Cast: Ingvar S. Sidurdsson, Ágústa Eva nosi neka pitanja bez odgovora, a zgodni MOJ WINNIPEG/ MY WINNIPEG Erlendsdóttir, Björn Hlynur Haraldsson čovjek kojeg prevozi ga naizmjenično Canada, 2007, 35 mm, Colour / b&w, 80 min. Stariji čovjek pronađen je ubijen u svom privlači i užasava. Režija/Director: Guy Maddin stanu u suterenu. Inspektor Erlendur nema Alvaro is a quiet man. Doubly isolated by his Scenario/Screenplay: Guy Maddin puno informacija za istragu, ali ga na trag remote home and his homosexuality, he lives Uloge/Cast: Darcy Fehr, Ann Savage, Amy Stewart, navodi fotografija neke djevojke. Otkriva da simply and doesn’t talk much, resorting to Louis Negin, Brendan Cade, Wesley Cade je prije mnogo godina ubijeni bio optužen hook-ups with outsiders for release. On the Winnipeg je zvijezda Maddinovih fantastičnih za stravične zločine, mada nije bio osuđen. more Turu, is pilots the water taxi nicknamed razmišljanja o čaroliji rodnog grada, gdje

GORKO I UVRNUTO/ BITTER& TWISTED

MOJ WINNIPEG/ MY WINNIPEG

LA LEON


se duhovitost i melodrama smjenjuju sa arhivskim snimcima i šarmantnom animacijom. Winnipeg is the star of Guy Maddin’s fantastical rumination on his home city-magic, whimsy and melodrama alternate with archival footage and charming animation.

is always just beneath the surface and money troubles only make matters worse. In these difficult times, it seems everything adds to Monsieur Slimani’s feeling of helplessness and failure. He constantly thinks about his one way out - creating his own business, a restaurant.

POD BOMBAMA/ UNDER THE BOMBS

TRGOVAC SNOVIMA / SLEEP DEALER

France, Lebanon, United Kingdom, 2007, 35 mm, Colour, 98 min. Režija/Director: Philippe Aractingi Scenario/Screenplay: Michel Léviant, Philippe Aractingi Uloge/Cast: Nada Abou Farhat, Georges Khabbaz, Rawya El Chab, Bshara Atallah

Zeina živi u Dubaiju. Usred razvoda, sina Karima šalje kod sestre u selo Kherbet Selem, južno od Libana, da ga poštedi roditeljskih svađa. Nekoliko dana kasnije u Libanu izbija rat. Zabrinuta, Zeina preko Turske polazi u Liban. Tu upoznaje Tonyja, jedinog taksistu koji je spreman da je vozi na jug. Pronalaze grad u ruševinama. Zeinina sestra je poginula, a dječak Ali joj kaže da su Karima odveli francuski novinari. Zeina lives in Dubai. In the midst of a divorce, she sends her son Karim to stay with her sister in Kherbet Selem, a small village, South of Lebanon, to spare him from his parents’ fighting. A few days later war breaks out in Lebanon. Desperately worried, Zeina immediately heads to Lebanon via Turkey. There she meets Tony, the only taxi-driver who agrees to take her to the South. The town is in ruins. Zeina’s sister has been killed and Ali, a young boy, tells them that Karim has been taken away by French journalists.

POSJETILAC / THE VISITOR

USA, 2007, 35 mm, Colour, 103 min. Režija/Director: Thomas McCarthy Scenario/Screenplay: Thomas McCarthy Uloge/Cast: Richard Jenkins, Hiam Abbass, Haaz Sleiman, Danai Gurira

62-godišni Walter Vale mjesečari kroz život. Prazninu popunjava neuspješnim pokušajima da nauči svirati klavir. Nakon što ga fakultet pošalje na konferenciju na Manhattanu, Walter se iznenadi kad otkrije da se jedan mladi par uselio u njegov stan. Žrtve prevare sa nekretinama, Sirijac Tarek i njegova djevojka, Senegalka Zainab, nemaju gdje. Sixty-two-year-old Walter Vale is sleepwalking through his life. He fills the void by unsuccessfully trying to learn to play classical piano. When his college sends him to Manhattan to attend a conference, Walter is surprised to find a young couple has taken up residence in his apartment. Victims of a real estate scam, Tarek, a Syrian man, and Zainab, his Senegalese girlfriend, have nowhere else to go.

PUTEŠESTVIJE SA DOMAĆIM ŽIVOTINJAMA/ TRAVELLING WITH PETS Russia, 2007, 35 mm, Colour, 97 min. Režija/Director: Vera Storozheva Scenario/Screenplay: Arkadiy Krasilshikov

LAVLJA JAZBINA/ LION’ S DEN

USA, Mexico, 2008, 35 mm, Colour, 90 min. Režija/Director: Alex Rivera Scenario/Screenplay: Alex Rivera, David Riker Uloge/Cast: Luis Fernando Pena, Leonor Varela, Jacob Vargas, Tenoch Huerta, Metztli Adamina 24 CITY

SYNECDOCHE, NEW YORK/ SINEGDOHA, NEW YORK

PUTEŠESTVIJE SA DOMAĆIM ŽIVOTINJAMA/ TRAVELLING WITH PETS

U SYLVIJINOM GRADU/ IN THE CITY OF SYLVIA

Uloge/Cast: Kseniya Kutepova, Dmitriy Djuzhev, Anna Mikhalkova

Ovo je priča o Nataliji, 35-godišnjakinji, koja se sa 16 godina prisilno udala, pravo iz sirotišta. U usamljenoj kući na selu, Natalija svoj težak i samotnjački život dijeli sa mužem, brutalnim i uskogrudim čovjekom. Nakon muževljeve smrti, Natalija stvara drugi, pravi život. Otvara se prema svijetu bez navika i predrasuda, bez nametanja volje drugih. The film tells the story of Natalya, 35, who at the age of 16 was married off under compulsion, directly from the orphanage. In an isolated house in the countryside Natalya lives a hard and solitary life together with her spouse, a brutal and narrow-minded man. After the death of her unloved husband Natalya gains a second life, the real one. She opens her eyes to a new world, free from habit and prejudice, imposed by the will and force of others.

SYNECDOCHE, NEW YORK/ SINEGDOHA, NEW YORK

USA, 2008, 35 mm, Colour, 124 min. Režija/Director: Charlie Kaufman Scenario/Screenplay: Charlie Kaufman Uloge/Cast: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener, Emily Watson, Dianne Wiest, Jennifer Jason Leigh

Pozorišni reditelj Caden Cotard priprema novi komad. Supruga Adele ga je napustila. Nova veza sa šarmantno iskrenom Hazel prerano se raspala. A misteriozna bolest sistemski mu, jednu po jednu, blokira autonomne funkcije. Zabrinut zbog prolaznosti života, napušta dom i sastavlja pozorišnu trupu u jednom skladištu u New Yorku, u nadi da će

TRGOVAC SNOVIMA / SLEEP DEALER

napraviti komad koji će biti brutalno iskren. Kako raste grad u skladištu, tako se Cadenov život gubi. Theater director Caden Cotard is mounting a new play. His wife Adele has left him. A new relationship with the alluringly candid Hazel has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. However, as the city inside the warehouse grows, Caden’s own life veers wildly off the tracks.

TAJNA ZRNA/ THE SECRET OF THE GRAIN

France, 2007, 35 mm, Colour, 151 min. Režija/Director: Abdellatif Kechiche Scenario/Screenplay: Abdellatif Kechiche Uloge/Cast: Habib Boufares, Hafsia Herzi, Faridah Benkhetache, Abdelhamid Aktouche, Bouraouia Marzouk, Alice Houri, Cyril Favre

Gospodin Slimani, oronuli šezdesetogišnjak, još uvijek radi u pristaništu. Razveden je i čini što može da ostane blizak s porodicom. Sukobi i raspad ključaju ispod površine, a nestašica novca sve samo pogoršava. U takvim teškim vremenima, sve kao da tjera Slimanija da osjeća potpunu beznadežnost. Stalno razmišlja o izlazu – da započne svoj biznis, da otvori restoran. Monsieur Slimani, a broken-down man of sixty, is still working at the shipyard. He’s divorced and doing all he can to stay close to his family. A history of break-ups and conflict

POSJETILAC / THE VISITOR

Memo Cruz sa roditeljima i bratom živi u malom, prašnjavom meksičkom selu po imenu Santa Ana del Rio. Memi nije stalo do Santa Ane. On voli tehnologiju i sanja da napusti svoje seoce i zaposli se u nekoj od fabrika napredne tehnologije u nekom velikom gradu na sjeveru. Noću u svojoj sobi radiom kućne izrade prisluškuje razgovore ljudi koji su, za razliku od njega, uspjeli pobjeći iz svojih sela – i uspjeli se snaći u velikom gradu, gdje je skoro sve moguće... Memo Cruz lives with his parents and his brother in the small, dusty village of Santa Ana del Rio, in Mexico. Memo couldn’t care less about Santa Ana. He loves technology, and dreams of leaving his small pueblo and finding work in the hi-tech factories in the big cities in the north. At night, in his room alone, Memo uses a homemade radio intercept to eavesdrop on conversations of people who, unlike him, have been able to leave their villages - and who’ve made it to the big cities, where almost anything is possible...

U SYLVIJINOM GRADU/ IN THE CITY OF SYLVIA

Spain, France, 2007, 35 mm, Colour, 84 min. Režija/Director: José Luis Guerin Scenario/Screenplay: José Luis Guerin Uloge/Cast: Pilar López de Ayala, Xavier Lafitte, Laurence Cordier, Tanja Czichy, Eric Dietrich, Charlotte Dupont

Jedan dječak u jednom gradu gleda jednu djevojku. Kasnije gleda još jednu, pa još jednu... A boy in a city is looking at one girl. Later, he looks at another one, and another one...

24 CITY

China, Hong Kong, Japan, 2008, HD CAM, Colour, 112 min. Režija/Director: Jia Zhang Ke Scenario/Screenplay: Zhang Ke Jia, Yongming Zhai Uloge/Cast: Jianbin Chen, Joan Chen, Liping Lu, Tao Zhao

Grad Chengdu u naše vrijeme. Državna fabrika br. 420 se zatvara, da bi ustupila mjesto luksuznoj stambenoj zgradi koja se zove «24 CITY». Tri generacije, osam likova: stari radnici, fabrički rukovodioci i šminkeri – sve se njihove priče stapaju u historiju Kine. Chengdu nowadays. The state owned factory 420 shuts down to give way to a complex of luxury apartments called “24 CITY”. Three generations, eight characters : old workers, factory executives and yuppies, their stories melt into the History of China.

POD BOMBAMA/ UNDER THE BOMBS

| 21


panorama dokumentarni panorama film documentaries selektor/ selector: Howard Feinstein

čOVJEK NA ŽICI / MAN ON WIRE

CALLE SANTA FE

Chile, France, Belgium, 2007, 35 mm, Colour, 163 min. Režija/Director: Carmen Castillo

5. oktobra 1974., u jednoj kući u ulici Santa Fe u predgrađu Santiaga, Carmen Castillo rani tajna policija. Njen suborac i partner Miguel Eniquez, lider MIR-a i otpora Pinochetovoj diktaturi, pogine u borbi. Film je priča o toj ženi, koja kreće na žestoki i beskompromisni put ka sadašnjici, bez nostalgije ili samozadovoljnosti, na put kroz sjećanje na one koji su poraženi. Priča o jednoj generaciji revolucionara i o jednoj rastrzanoj zemlji. On october 5th, 1974, in a house on Santa Fe Street, in the suburbs of Santiago - Chile, Carmen Castillo is wounded by the secret police. Her companion and comrade, Miguel Enriquez, leader of MIR and of the resistance againts Pinochet’s dictatorship, is killed in combat. CALLE SANTA FE is the story of this woman, as she embarks on a raw, uncompromising journey into the present, without nostalgia or self-indulgence- a journey into the memory of those who were defeated. The story of a generation of revolutionaries and a country torn apart slowly emerges.

MOTIV ZA PROFIT I VJETAR KOJI ŠAPUĆE/ PROFIT MOTIV AND THE WHISPERING WIND

22 |

čOVJEK NA ŽICI / MAN ON WIRE

United Kingdom, 2008, 35 mm, Colour, 90 min. Režija/Director: James Marsh Uloge/Cast: Ardis Campbell, David Demato, Shawn Dempewolff, David Frank, Aaron Haskell

7. avgusta 1974., mladi Francuz Philippe Petit stao je na žicu ilegalno postavljenu između njujorških “blizanaca”. Nakon skoro sat plesa po žici je uhapšen, odveden na psihijatrijski pregled, pa u zatvor, pa oslobođen. Petit je osam mjeseci proveo u New Yorku, planirajući kako da izvede “udar”. Ovaj dokumentarac Petitovu izuzetnu avanturu prikazuje kroz priču samog Petitea i saučesnika koji su mu pomogli da stvori taj jedinstveni spektakl, poznat kao “umjetnički zločin stoljeća”. On August 7th 1974, a young Frenchman named Philippe Petit stepped out on a wire illegally rigged between New York’s Twin Towers. After nearly an hour dancing on the wire, he was arrested, taken for psychological evaluation, then brought to jail and finally released. Petit spent eight months in NYC planning the execution of the coup. This documentary brings Petit’s extraordinary adventure to life through the testimony of Philippe himself and the co-conspirators who helped him create the magnificent spectacle known as “the artistic crime of the century”.

MOTIV ZA PROFIT I VJETAR KOJI ŠAPUĆE/ PROFIT MOTIV AND THE WHISPERING WIND USA, 2007, DigiBeta, Colour, 58 min. Režija/Director: John Gianvito

Sniman u cijelim Sjedinjenim Državama u periodu od tri godine, ovaj film je vizuelna meditacija o progresivnoj historiji Sjedinjenih Država, viđenoj kroz groblja, historijske znamenitosti i sjećanja krajolika. Filmed across the United States over a threeyear period, PROFIT MOTIVE AND THE WHISPERING WIND is a visual meditation on the progressive history of the U.S. as seen through its cemeteries, historical markers, and landscape memory.

O VREMENU I GRADU/ OF TIME AND THE CITY

United Kingdom, 2008, DigiBeta, Colour, 74 min. Režija/Director: Terence Davies Scenario/Screenplay: Terence Davies

O VREMENU I GRADU je i ljubavna priča i oda Liverpoolu, režiserovom rodnom gradu. Ovo je i odgovor na sjećanja, razmišljanja i iskustvo gubitka osjećaja pripadanja mjestu, dok mu se izgled mijenja, a vrijeme uzima svoj danak. OF TIME AND THE CITY is both a love song and

SAKRIVENO NA VIDJELO/ HIDDEN IN PLAIN SIGHT

a eulogy to the director’s birthplace of Liverpool. It is also a response to memory, reflection and the experience of losing a sense of place as the skyline changes and time takes it toll.

SAKRIVENO NA VIDJELO/ HIDDEN IN PLAIN SIGHT

USA, 2008, HD CAM (HDTV), Colour, 62 min. Režija/Director: Mark Street Scenario/Screenplay: Mark Street

Film je inspiriran tradicijom filmskih simfonija o gradovima, a sniman je u četiri grada: Santiago u Chileu, Hanoj u Vijetnamu, Dakar u Senegalu i Marseille u Francuskoj. Vinjete iz ovih gradova tako su postavljene jedna u odnosu na drugu, da se gledalac prebacuje s jednog mjesta na drugo, sa sobom nosi dijelove i unosi ispravke, koje podjednako brzo nestaju. Film nudi dinamičan pogled na život na ulici u ovim gradovima i potiče nas da razmišljamo o tome kako neko mjesto poimamo vizuelno i konceptualno. HIDDEN IN PLAIN SIGHT is inspired by the tradition of cinematic city symphonies and is made up of footage shot in four cities: Santiago de Chile, Hanoi Vietnam, Dakar Senegal and Marseille France. Vignettes from each place are juxtaposed so that the viewer is pulled from place to place, picking up the pieces, mak-

U NEVOLJI/ STRANDED


O VREMENU I GRADU/ OF TIME AND THE CITY

CALLE SANTA FE

ing connections only to have them disappear just as quickly. HIDDEN IN PLAIN SIGHT offers a dynamic way of viewing street life in these locales, encouraging us to think about how we apprehend a place visually and conceptually.

STANDARDNI OPERATIVNI POSTUPAK/ STANDARD OPERATING PROCEDURE

USA, 2008, 35 mm, Colour, 116 min. Režija/Director: Errol Morris Uloge/Cast: Christopher Bradley, Sarah Denning, Joshua Feinman, Jeff L. Green

Errol Morris nemilosrdno razmatra skandal sa zatvorom Abu Ghraib, dok razmišlja o zastrašujućim nuspojavama «rata protiv terorizma», u provokativnom dokumentarcu kuće Participant Productions (AN INCONVENIENT TRUTH). Filmmaker Errol Morris takes an unflinching look at the Abu Ghraib prison scandal while meditating on the frightening side effects of the War on Terror in a thought-provoking documentary from Participant Productions (AN INCONVENIENT TRUTH).

U NEVOLJI/ STRANDED

France, 2007, 35 mm, Colour and b&w, 127 min. Režija/Director: Gonzalo Arijon Scenario/Screenplay: Gonzalo Arijon

U oktobru 1972., jedan urugvajski ragbi tim avionom polazi na utakmicu koju nika neće

odigrati. Avion se srušio u Andima. Čudo je što 16 od 45 putnika uspijeva da se odupre prirodi i preživi 72 dana na glečeru, uprkos brutalnim uslovima. Njihovo preživljavanje postaje priča koja je šokirala svijet. Arijon se izdiže iznad stravične priče o kanibalizmu koja je harala novinskim natpisima i otkriva suštinu ove izuzetne ljudske drame. 35 godina kasnije, preživjeli i njihova djeca odlaze na mjesto pada, poznato pod nazivom Dolina suza. In October 1972, a rugby team from Uruguay boarded a plane for a game that they would never play. Their plane crashed in the Andes. Miraculously, 16 of the original 45 passengers managed to defy nature and stay alive for 72 days on a frozen glacier, despite brutal conditions. How they did it became a story that shocked the world. Arijon goes beyond the lurid tale of cannibalism that swept the headlines to discover the essence of this extraordinary human drama. Thirty-five years later, the survivors and their children revisit the crash site known as the Valley of Tears.

UZBURKAJ VODU/ TROUBLE THE WATER

USA, 2008, HD CAM, Colour, 94 min. Režija/Director: Tia Lessin, Carl Deal

Ambiciozna rap umjetnica Kim i njen vješti

STANDARDNI OPERATIVNI POSTUPAK/STANDARD OPERATING PROCEDURE

UZBURKAJ VODU/ TROUBLE THE WATER

muž pokazuju šta je, zapravo, preživljavanje, kad ih u New Orleansu blokira smrtonosna poplava, a oni to iskoriste kao šansu za novi početak. Aspiring rap artist Kim and her streetwise husband Scott show what survival is all about when they are trapped in New Orleans by deadly floodwaters, and then seize a chance for a new beginning.

VALCER SA BASHIROM/ WALTZ WITH BASHIR

Israel, Germany, France, 2008, 35 mm, Colour, 90 min. Režija/Director: Ari Folman Scenario/Screenplay: Ari Folman Uloge/Cast: Ron Ben-Yishai, Ronny Dayag, Ari Folman, Dror Harazi, Yehezkel Lazarov

nestvarne slike... One night at a bar, an old friend tells director Ari Folman about a recurring nightmare in which he is chased by 26 vicious dogs. Every night, the same number of beasts. The two men conclude that there’s a connection to their Israeli Army mission in the first Lebanon War of the early eighties. Ari is surprised that he can’t remember a thing anymore about that period of his life. He decides to meet and interview old friends and comrades around the world. He needs to discover the truth about that time and about himself. As Ari delves deeper and deeper into the mystery, his memory begins to creep up in surreal images …

Jedne noći, stari prijatelj Arija Folmana mu u baru priča o košmaru koji mu se stalno ponavlja, u kojem ga juri 26 opakih pasa. Isti broj zvijeri svake noći. Njih dvojica zaključuju da postoji veza sa njihovom misijom za izraelsku vojsku u prvom libanskom ratu početkom osamedestih. Ari je iznenađen što se više ničega iz tog vremena ne može sjetiti. Odlučuje da se sastane i razgovara sa starim prijateljima i drugarima u cijelom svijetu. Mora otkriti istinu o tom vremenu i o sebi samom. Kako sve dublje prodire u tajne, tako njegovo sjećanje obuzimaju

VALCER SA BASHIROM/ WALTZ WITH BASHIR

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14. Sarajevo Film Festival dočekuje goste iz svih krajeva svijeta 14th Sarajevo Film Festival welcomes guests from all corners of the globe Svojim prisustvom, gosti 14. Sarajevo Film Festivala, među kojima su neka od vodećih imena filmske umjetnosti danas, doprinose kvalitetu naših programa, obogaćuju živi duh kulturne razmjene i profesionalnog umrežavanja na našem Festivalu, i kroz snagu sopstvenih uspjeha potvrđuju mjesto koje Sarajevo Film Festival zauzima na listi svjetskih filmskih festivala. U svom 14. izdanju, SFF ima zadovoljstvo da ugosti jednog od najznačajnijih autora danjašnjice, Todda Haynesa. Ovaj izuzetni režiser, čiji su filmovi snažno obilježili protekle dvije decenije svjetske kinematografije, bit će gost našeg programa Posvećeno... SFF je ponosan na činjenicu da prvi organizira cjelovitu retrospektivu Haynesovog impresivnog opusa. Todd Haynes, koji će nam se pridružiti u Sarajevu, razgovarat će s nama o svom radu u sveobuhvatnom «career interview»-u, koji će biti posebno organiziran, obzirom na veliko zanimanje i medija i festivalskih gostiju. Festivalska publika će imati i priliku da se susretne sa jednim od najvećih glumaca današnjice, dvostrukim dobitnikom Oscara, Kevinom Spaceyjem. U čast posjete ovog izuzetnog glumca, Festival će se zatvoriti gala projekcijom filma PRIVEDITE OSUMNJIČENE režisera Bryana Singera, koji je Spaceyju donio prvog Oscara. Čast nam je ugostiti i Charlieja Kaufmana, autora čiji rad kritičari opisuju kao revolucionarne pomake izvan granica tradicionalnog scenarija i filma. Pridružiće nam se i predstaviti svoj režiserski prvijenac, SINEGDOHA, NEW YORK. Turski režiser Nuri Bilge Ceylan u Sarajevo dolazi u dvostrukoj ulozi. Predsjednik našeg žirija za Takmičarski program – igrani film u sklopu programa Open Air predstavit će svoj film TRI MAJMUNA, koji mu je donio nagradu za najbolju režiju na ovogodišnjem festivalu u Cannesu. U ulozi predavača na 2. Sarajevo Talent Campusu naš gost će biti i renomirani slovenski filozof, sociolog, kulturni kritičar i teoretičar psihoanalize sa međunarodnim poštovanjem neobičnim za akademskog radnika, Slavoj Žižek. Njegovo predavanje «Božanski detalji, užitak i ideologija u filmu» potaklo je veliko zanimanje među studentima, talentima, filmskim autorima i javnošću. Poznati holivudski producent i dvostruki dobitnik Oscara Branko Lustig za učesnike 2. Sarajevo Talent Campusa održat će uvodno predavanje. Naši ovogodišnji gosti su i višestruko nagrađivani reditelj Jia Zhang–ke, predvodnik nove generacije kineskih reditelja, koji će predstaviti svoj film 24 CITY, kao i Ari Folman, reditelj animiranog remek djela VALCER SA BASHIROM. Sharon Maguire u Sarajevo dolazi predstaviti film ZAPALJIVO. Jedna od pripadnica nove generacije britanskih režisera, a našoj je publici poznata i po romantičnoj komediji DNEVNIK BRIDGET JONES. Film GOMORA, koji je kritika ocijenila kao najbolji film o italijanskoj mafiji, u Sarajevu će predstaviti glumci Salvatore Cantalupo i Maria Nazionale, zajedno sa koscenaristom Massimom Gaudiosom. Sarajevo Film Festival posebno je ponosan na činjenicu da dočekuje eminentne goste koji nam se uvijek rado vraćaju. Jedan od njih je Mike Leigh, jedan od najznačajnijih filmskih autora našeg vremena, koji nam predstavlja svoj film HAPPY-GO-LUCKY, a radujemo se i predavanju i radionicama Terryja Georgea na 2. Sarajevo Talent Campusu. Velika prijateljica i pokriviteljica Festivala, dizajnerica Agnes B, dolazi da nam kao producent predstavi film CALLE SANTA FE, a pridružuje joj se režiserka Carmen Castillo. Izuzetnu čast za Sarajevo Film Festival predstavlja i činjenica da će i neki od najuspješnijih bh. filmskih autora poželjeti dobrodošlicu našim inostranim gostima. A lista nastavlja da raste i dok ovaj tekst ide u objavljivanje...

Guests of the 14th Sarajevo Film Festival, including some of the leading film artists of our time, contribute with their presence to the quality of our programmes, enrich our festival’s vibrant spirit of cultural exchange and professional networking and confirm, through the strength of their accomplishments, the important place Sarajevo Film Festival occupies on the list of international film events. In our 14th edition, SFF has the great pleasure of hosting one of the most significant authors today –Todd Haynes. This exceptional director, whose films have made a strong mark on the past two decades of world cinema, will be the guest of our Tribute to... Programme. SFF is proud to be the first to organise an integral retrospective of Haynes’s impressive oeuvre. Todd Haynes, who joins us in Sarajevo, will talk to us about his work within a comprehensive Career Interview, organized specifically due to the overwhelming interest of both media and Festival guests. The Festival audience will also have the opportunity to meet one of the greatest actors of our time, a two-time Oscar winner – Kevin Spacey. In honour of this remarkable artist’s visit, the Festival closes with the Gala Screening of THE USUAL SUSPECTS directed by Bryan Singer, which brought Spacey his first Academy Award. We are honoured to welcome Charlie Kaufman, an author whose work film critics describe in terms of revolutionary ventures outside the boundaries of traditional script writing and filmmaking. He joins us to present his directorial debut – SYNECDOCHE, NEW YORK. Turkish director Nuri Bilge Ceylan comes to Sarajevo in a dual role. This year’s President of the Competition Feature Film Jury will also present, within our Open Air Programme, THREE MONKEYS, the film that brought him the Best Director Award at this year’s Cannes Film Festival. The outstanding philosopher, sociologist, reviewer and theoretician of psychoanalysis with an international following uncommon for academic figures, Slavoj Žižek, joins us as one of key lecturers at the 2nd Sarajevo Talent Campus. His Open Lecture entitled Divine Details, Enjoyment and Ideology in Cinema has stirred great interest among students, talents, film professionals and the public. The well known Hollywood producer and two-time Oscar winner Branko Lustig is also a guest of the 2nd Sarajevo Talent Campus, delivering its Opening Lecture. Our guests include the multiply awarded director Jia Zhang–ke, a leader of the new generation of Chinese filmmakers, who will present his film 24 CITY as well as Ari Folman, director of animated masterpiece WALTZ WITH BASHIR. Sharon Maguire comes to us to present her film INCENDIARY. Maguire, one of the new generation of British filmmakers, is known to our audience as director of the popular romantic comedy THE BRIDGET JONES’ DIARY. Presenting GHOMORRA in Open Air Programme, a film many reviews described as the best portrayal of today’s mafia underworld, are actors Salvatore Cantalupo and Maria Nazionale along with co-writer Massimo Gaudioso. Sarajevo Film Festival is particularly proud to welcome guests who return to us – making this festival very much their own. Among them, Mike Leigh, one of the most important filmmakers of our time, brings us his HAPPY-GO-LUCKY and 2nd Sarajevo Talent Campus boasts a lecture and workshops by Terry George. A great friend and patron of the Festival, designer Agnes B, comes to present as producer the film CALLE SANTA FE, joined by film director Carmen Castillo. We are delighted by the fact that some of the most accomplished filmmakers from BiH are with us to host our international guests. To the day of this text’s posting, the list of our guests continues to grow…

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Raspored projekcija/ Screening schedule Petak/ Friday, 15.08.

Subota/ Saturday, 16.08.

11.30 Takmičarski igrani/ Competition features

221

Režija/Director: Anna Faur, 90 min, Hungarian 16.00 U fokusu/ In focus

123

Režija/Director: Dejan Zečević, 107 min, Serbian 14.00 Takmičarski kratki/ Competition shorts

222

Režija/Director: Seyfi Teoman, 92 min, Turkish 19.30 Takmičarski igrani/ Competition features

16.00 U fokusu/ In focus 124

223

Režija/Director: Götz Spielmann, 121 min, German 19.30 Takmičarski igrani/ Competition features

224

Takmičarski igrani/ Competition features

DJEVOJKE/ GIRLS

Open Air

SNIJEG/ SNOW

025

LJETNA ZADAĆA/ SUMMER BOOK

Režija/Director: Aida Begić, 100 min, Bosnian

Narodno pozorište/ National Theatre

121

11.30 20.15

Nedjelja/ Sunday, 17.08.

Narodno pozorište/ National Theatre

Narodno pozorište/ National Theatre

DJEVOJKE/ GIRLS

Režija/Director: Anna Faur, 90 min, Hungarian

ČETVRTI ČOVJEK/ THE FOURTH MAN

Takmičarski kratki 1/ Competition shorts 1 revanš/ REVANCHE

ČETVRTI ČOVJEK/ THE FOURTH MAN Režija/Director: Dejan Zečević, 107 min, Serbian

Kino Meeting Point/ Meeting Point Cinema

12.00 Panorama dokumentarni/ Panorama documentaries U NEVOLJI/ STRANDED

Režija/Director: Gonzalo Arijon, 127 min, Spanish 15.00 Posvećeno/ Tribute to TODD HAYNES

DOTTIE DOBIJE PO TURU/ DOTTIE GETS SPANKED

131 132

Režija/Director: Todd Haynes, 27 min, English

PUTEŠESTVIJE SA DOMAĆIM ŽIVOTINJAMA/ TRAVELLING WITH PETS Režija/Director: Vera Storozheva, 97 min, Russian 20.45 Novi tokovi/ New Currents

133

134

SEDAM INTELEKTUALACA U BAMBUSOVOJ ŠUMI (DIJELOVI 1-5)/ SEVEN INTELLECTUALS IN BAMBOO FOREST (PARTS 1-5) Režija/Director: Yang Fudong, 300 min, Chinese

Pozorište mladih/ Youth Theatre Ljetno kino Heineken/ Heineken Open Air Cinema 011 20.45 Open Air

SNIJEG/ SNOW

Režija/Director: Aida Begić, 100 min, Bosnian

170

Režija/Director: Jia Zhang Ke, 112 min, Mandarin 14.30 Specijalne projekcije/ Special screenings

172

VRATI VRAGA U PAKAO/ PRAY THE DEVIL BACK TO HELL Režija/Director: Gini Reticker, 72 min, English 17.00 Novi tokovi/ New Curents

LOREN CASS

Kino Meeting Point/ Meeting Point Cinema

20.45 Novi tokovi/ New Currents

STRAH(OVI) OD MRAKA/ FEAR(S) OF THE DARK

034

Režija/Director: Marie Caillou, Pierre Di Sciullo, Jerry Kramski, Lorenzo Mattotti, Richard McGuire, Michel Pirus, Romain Slocombe, Blutch, 85 min, French

Režija/Director: Chris Fuller, 85 min, English 20.00 Takmičarski dokumentarni/ Competition documentaries

NEBO VISOKO, A ZEMLJA TVRDA/ SKY TOO HIGH, SOIL TOO HARD

24 CITY

Panorama

Režija/Director: Jia Zhang Ke, 112 min, Mandarin

040

231

Režija/Director: Errol Morris, 116 min, English 15.00 Posvećeno/ Tribute to TODD HAYNES

232

Režija/ Director: Todd Haynes, 124 min, English 18.00 Panorama

233

Režija/Director: Nick Broomfield, 97 min, English, Arabic 20.45 Novi tokovi/ New Currents

234

Režija/Director: Yuya Ishii, 91 min, Japanese 23.30 All shorts

235

BITKA ZA HADITHU/ BATTLE FOR HADITHA GOLOGUZI JAPAN/ BARE-ASSED JAPAN

SARAJEVO GRAD FILMA/ SARAJEVO CITY OF FILM

10.30 Panorama

270

Režija/Director: Baltasar Kormákur, 93 min, Icelandic 14.30 Takmičarski dokumentarni – IZVAN KONKURENCIJE/ Competition documentaries – NON COMPETITION

272

JAR CITY

SUGARTOWN: MLADOŽENJE/ SUGARTOWN: THE BRIDEGROOMS 173 174

Režija/Director: Kimon Tsakiris, 82 min, Greek, Russian, English 17.00 Novi tokovi/ New Currents

STRAH(OVI) OD MRAKA/ FEAR(S) OF THE DARK

273

Režija/Director: Marie Caillou, Pierre Di Sciullo, Jerry Kramski, Lorenzo Mattotti, Richard McGuire, Michel Pirus, Romain Slocombe, Blutch, 85 min, French 20.00 Takmičarski dokumentarni/Competition documentaries 274

Režija/Director: Rudi Uran, 73 min, Bosnian

DIJAGNOZA S.B.H./ DIAGNOSIS S.B.H.

Režija/Director: András Salamon, 15 min, no dialogue

BAJNE VILE/ FABULOUS FAIRIES

Režija/Director: Enes Zlatar, 42 min, Bosnian

RITAM GRADA/ RHYTHM OF THE CITY

Ljetno kino Heineken/ Heineken Open Air Cinema 110 Ljetno kino Vatrogasac/ Open Air Cinema Vatrogasac 20.30 Open Air

21.00

Panorama dokumentarni/ Panorama documentaries

STANDARDNI OPERATIVNI POSTUPAK/ STANDARD OPERATING PROCEDURE

Pozorište mladih/ Youth Theatre

10.30 Panorama 24 CITY

12.00

ZLATNI BARŠUN/ VELVET GOLDMINE

OTROV/ POISON

Režija/Director: Todd Haynes, 85 min, English 18.00 Panorama

Kino Meeting Point/ Meeting Point Cinema

TRAKTOR, LJUBAV I ROCK N’ ROLL/ TRACTOR, LOVE AND ROCK N’ ROLL

Režija/Director: Marko Jeftić, 50 min, Serbian 23.00 Specijalne projekcije/ Special screenings

TRAGAČ/ THE SEEKER

275

Režija/Director: Amela Ćuhara, 59 min, Bosnian

Ljetno kino Heineken/ Heineken Open Air Cinema

20.30 Open Air 210 GOMORRAH Ljetno kino Vatrogasac/ Open Air Cinema Vatrogasac GOMORA/ Režija/Director: Matteo Garrone, 135 min, Italian, Cantonese, French 21.00 Panorama 140 Ljetno kino Vatrogasac/ Open Air Cinema Vatrogasac

Režija/Director: Branko Đurić, 105 min, Slovenian, Bosnian

JAR CITY

21.00

Režija/Director: Baltasar Kormákur, 93 min, Icelandic

Bosanski kulturni centar/ BKC Cinema

18.00 BEN X

TeenArena

ČIMPANZE U SVEMIRU/ SPACE CHIMPS

250

Režija/Director: Mani Maserrat-Agah, 89 min, Swedish

160

Ljetno kino Novi Grad - Euroherc osiguranje/ Novi Grad - Euroherc osiguranje Open Air Cinema 21.00 Open Air 190 Režija/Director: Aida Begić, 100 min, Bosnian

TeenArena

CIAO BELLA

Režija/Director: Kirk De Micco, 81 min, Croatian dub

SNIJEG/ SNOW

Bosanski kulturni centar/ BKC Cinema

18.00

KSC Skenderija Milka Arena Dječiji program/ Children’s programme

240

Režija/Director: Abdellatif Kechiche, 151 min, French

150

Režija/Director: Nic Balthazar, 93 min, Dutch

17.00

Panorama

TAJNA ZRNA/ THE SECRET OF THE GRAIN

KSC Skenderija Milka Arena

17.00

Dječiji program/ Children’s programme

NEOBIČNA ZUBIĆ VILA/ THE HAIRY TOOTH FAIRY

260

Režija/Director: Juan Pablo Buscarini, 90 min, Croatian dub

Ljetno kino Novi Grad - Euroherc osiguranje/ Novi Grad - Euroherc osiguranje Open Air Cinema 21.00 Open Air 290

TRAKTOR, LJUBAV I ROCK N’ ROLL/ TRACTOR, LOVE AND ROCK N’ ROLL

Režija/Director: Branko Đurić, 105 min, Slovenian, Bosnian

Dvorana Općine Novi Grad/ Novi Grad Municipality Cinema

12.00

Dječiji program/ Children’s programme

ČIMPANZE U SVEMIRU/ SPACE CHIMPS

280

Režija/Director: Kirk De Micco, 81 min, Croatian dub

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Raspored projekcija/ Screening schedule Ponedjeljak/ Monday, 18.08.

Utorak/ Tuesday, 19.08.

9.30 Takmičarski igrani/ Competition features

320

11.30 Takmičarski igrani/ Competition features

421

9.30 Takmičarski igrani/ Competition features

520

Režija/Director: Blaž Kutin, 62 min, Slovenian 11.30 Takmičarski igrani/ Competition features

321

Režija/Director: Händl Klaus, 83 min, German 16.00 U fokusu/ In focus

423

Režija/Director: Hüseyin Karabey , 92 min, Turkish 11.30 Takmičarski igrani/ Competition features

521

Režija/Director: Özcan Alper, 106 min, Turkish 14.00 Takmičarski kratki/ Competition shorts

322

Režija/Director: Thanos Anastopoulos, 83 min, Greek, Albanian 19.30 Takmičarski igrani/ Competition features

424

Režija/Director: Dalibor Matanić, 122 min, Croatian 16.00 U fokusu/ In focus

523

Režija/Director: Radu Muntean, 102 min, Romanian 19.30 Takmičarski igrani/ Competition features

524

Režija/Director: Hüseyin Karabey , 92 min, Turkish 22.15 Takmičarski igrani/ Competition features

526

Narodno pozorište/ National Theatre

MI NIKADA NISMO BILI U VENECIJI/ WE’VE NEVER BEEN TO VENICE MART/ MARCH JESEN/ AUTUMN

Takmičarski kratki 2/ Competition shorts 2

16.00 U fokusu/ In focus

ZAUVIJEK/ FOREVER

323

Srijeda/ Wednesday, 20.08.

Narodno pozorište/ National Theatre

Narodno pozorište/ National Theatre

POPRAVNI/ CORRECTION

MART/ MARCH

Režija/Director: Händl Klaus, 83 min, German 22.15 Fondacija Katrin Cartlidge - Gala/ Katrin Cartlidge Foundation - Gala

Kurator/ Curated by: Danis Tanović Dobitnik nagrade Fondacije/ Foundation Award recipient: 324 MI NIKADA NISMO BILI U VENECIJI/ WE’VE NEVER BEEN TO VENICE Faruk Šabanović Režija/Director: Damjan Kozole, 82 min, Slovenian 19.30 Takmičarski igrani/ Competition features Režija/Director: Blaž Kutin, 62 min, Slovenian 22.15 Takmičarski igrani/ Competition features

JESEN/ AUTUMN

Kino Meeting Point/ Meeting Point Cinema

326

Režija/Director: Özcan Alper, 106 min, Turkish Panorama dokumentarni/ Panorama documentaries

ČOVJEK NA ŽICI/ MAN ON WIRE

Režija/Director: James Marsh, 90 min, English, French 15.00 Posvećeno/ Tribute to TODD HAYNES

NA SIGURNOM/ SAFE

Režija/Director: Todd Haynes, 119 min, English 18.00 Panorama

POD BOMBAMA/ UNDER THE BOMBS

331

333

Režija/Director: Terence Davies, 74 min, English 20.45 Novi tokovi/ New Currents

434

Režija/Director: Kiko Goifman, 80 min, Portugese 23.30 Novi tokovi kratki/ New Currents shorts

435

335

Pozorište mladih/ Youth Theatre

TAJNA ZRNA/ THE SECRET OF THE GRAIN

Režija/Director: Abdellatif Kechiche, 151 min, French 14.30 Takmičarski dokumentarni – IZVAN KONKURENCIJE/ Competition documentaries – NON COMPETITION

Režija/Director: Todd Haynes, 43 min, English

18.00

334

10.30 Panorama

432

370 372

KAKVA DIVNA DEMOKRATIJA!/ WHAT A BEAUTIFUL DEMOCRACY!

KINO LIKA BOOGIE

MOJ MARLON I BRANDO/ MY MARLON AND BRANDO KINO LIKA

Režija/Director: Dalibor Matanić, 122 min, Croatian

Kino Meeting Point/ Meeting Point Cinema

12.00

Panorama dokumentarni/ Panorama documentaries

SA BASHIROM/ WALTZ WITH BASHIR UBICE: FILM O RIMBAUDU/ ASSASSINS: A FILM CONCERNING RIMBAUD VALCER Režija/Director: Ari Folman, 90 min, Hebrew, German

332

Režija/Director: Ruben Östlund, 98 min, Swedish 23.30 Novi tokovi kratki/ New Currents shorts

Novi tokovi kratki 1/ New Currents shorts 1

431

FILM IZNENAĐENJA/ SURPRISE FILM

Režija/Director: Philippe Aractingi, 98 min, Arabic, French, English 20.45 Novi tokovi/ New Currents

PROTIV SVOJE VOLJE/ INVOLUNTARY

Panorama dokumentarni/ Panorama documentaries

CALLE SANTA FE

Režija/Director: Carmen Castillo, 163 min, Spanish 15.00 Posvećeno/ Tribute to TODD HAYNES

Kino Meeting Point/ Meeting Point Cinema

12.00

12.00

MOJ MARLON I BRANDO/ MY MARLON AND BRANDO

Panorama dokumentarni specijalni/ Panorama documentaries special

O VREMENU I GRADU/ OF TIME AND THE CITY FILMFOBIJA/ FILMPHOBIA

Novi tokovi kratki 2/ New Currents shorts 2

433

Pozorište mladih/ Youth Theatre

10.30 Panorama

PUTEŠESTVIJE SA DOMAĆIM ŽIVOTINJAMA/ TRAVELLING WITH PETS

470

Režija/Director: Vera Storozheva, 97 min, Russian 12.30 Novi tokovi kratki/ New Currents shorts

471

14.30 Takmičarski dokumentarni – IZVAN KONKURENCIJE/

472

Novi tokovi kratki 1/ New Currents shorts 1

Competition documentaries – NON COMPETITION

PUT ZA MEKU – PUTOVANJE MUHAMMADA ASADA/ A ROAD TO

531

15.00 Posvećeno/ Tribute to TODD HAYNES

532

Režija/Director: Todd Haynes, 135 min, English 18.00 Panorama

533

Režija/Director: Guy Maddin, 80 min, English 20.45 Novi tokovi/ New Currents

534

Režija/Director: Spiros Stathoulopoulos, 85 min, Spanish 23.30 All Shorts

535

NISAM TU/ I’M NOT THERE

MOJ WINNIPEG/ MY WINNIPEG P. V. C. – 1

Jerusalem film festival

predstavlja projekat: Ja sam, ti si/ presents project: I am you are

Pozorište mladih/ Youth Theatre

10.30 Panorama

570

Režija/Director: Santiago Otheguy, 85 min, Spanish 12.30 Novi tokovi kratki/ New Currents shorts

571

14.30 Takmičarski dokumentarni/ Competition documentaries

572

LA LEON

Novi tokovi kratki 2/ New Currents shorts 2

KORIDOR BR. 8/ CORRIDOR #8

Režija/Director: Belmin Söylemez, Berke Baş, Haşmet Topaloglu, Somnur Vardar, 97 MECCA – THE JOURNEY OF MUHAMMAD ASAD min, Turkish, Kurdish Režija/Director: Georg Misch, 92 min, German 17.00 Novi tokovi/ New Currents 17.00 Novi tokovi/ New Currents 373

473

Režija/Director: Boris Despodov, 74 min, Bulgarian, Macedonian, Albanian, English 17.00 Novi tokovi/ New Currents 573

Režija/Director: Steve McQueen, 96 min, English 20.00 Takmičarski dokumentarni/Competition documentaries

474

Režija/Director: Kiko Goifman, 80 min, Portugese 20.00 Takmičarski dokumentarni/Competition documentaries

GLAD/ HUNGER TRI/ THREE

PROTIV SVOJE VOLJE/ INVOLUNTARY

374

Režija/Director: Goran Dević, 26 min, Croatian

Režija/Director: Ruben Östlund, 98 min, Swedish 20.00 Takmičarski dokumentarni/Competition documentaries

SELO KOJE TONE/ THE SINKING VILLAGE

Režija/Director: Márton Szirmai, 23 min, Hungarian

NA RUBU LJUBAVI/ THE EDGE OF LOVE Režija/Director: John Maybury, 110 min, English

Ljetno kino Heineken/ Heineken Open Air Cinema 20.30 All Shorts 310

SARAJEVO GRAD FILMA/ SARAJEVO CITY OF FILM, kratki film 1, 15 min Open Air

HAPPY-GO-LUCKY

Ljetno kino Vatrogasac/ Open Air Cinema Vatrogasac Panorama

JAPAN JAPAN

340

Režija/Director: Lior Shamriz, 65 min, Hebrew, English

GORKO I UVRNUTO/ BITTER & TWISTED

18.00

TeenArena

350

KSC Skenderija Milka Arena

Dječiji program/ Children’s programme

FRANKLIN I BLAGO JEZERA KORNJAČA/ FRANKLIN AND THE TURTLE LAKE TREASURE

Ljetno kino Heineken/ Heineken Open Air Cinema

20.30

All Shorts

410

Ljetno kino Vatrogasac/ Open Air Cinema Vatrogasac

21.00

Režija/Director: Alex Rivera, 90 min, Spanish

Panorama

440

Bosanski kulturni centar/ BKC Cinema

18.00

TeenArena

DUNYA I DESIE/ DUNYA & DESIE

450

460

Režija/Director: Dejan Zečević, 107 min, Serbian Dvorana Općine Novi Grad/ Novi Grad Municipality Cinema

Dvorana Općine Novi Grad/ Novi Grad Municipality Cinema

Režija/Director: Juan Pablo Buscarini, 90 min, Croatian dub

28 |

Režija/Director: Jennifer Flackett, Mark Levin, 96 min, English

HAPPY-GO-LUCKY, Režija/Director: Mike Leigh, 118 min, English

12.00

Dječiji program/ Children’s programme

FRANKLIN I BLAGO JEZERA KORNJAČA/ FRANKLIN AND THE TURTLE LAKE TREASURE Režija/Director: Dominique Monfery, 80 min, Croatian dub

540

12.30 Predavanje/ Lecture by Slavoj Žižek 18.00 TeenArena

551 550

OŽILJCI LJETA/ SUMMER SCARS, Režija/Director: Julian Richards, 73 min, English KSC Skenderija Milka Arena

KSC Skenderija Milka Arena Dječiji program/ Children’s programme

Panorama

TRGOVAC SNOVIMA/ SLEEP DEALER Bosanski kulturni centar/ BKC Cinema

Ljetno kino Novi Grad - Euroherc osiguranje/ Novi Grad - Euroherc osiguranje Open Air Cinema 21.00 Open Air 490

380

Open Air

21.00

NIM NA OTOKU MAŠTE/ NIM’ S ISLAND

Dječiji program/ Children’s programme

SARAJEVO GRAD FILMA/ SARAJEVO CITY OF FILM, kratki film 3, 15 min Režija/Director: Nuri Bilge Ceylan, 109 min, Turkish

Ljetno kino Novi Grad - Euroherc osiguranje/ Novi Grad - Euroherc osiguranje Open Air Cinema 21.00 Takmičarski igrani/ Competition features 390

NEOBIČNA ZUBIĆ VILA/ THE HAIRY TOOTH FAIRY

Ljetno kino Heineken/ Heineken Open Air Cinema 510 20.30 All Shorts

Ljetno kino Vatrogasac/ Open Air Cinema Vatrogasac

Režija/Director: Dominique Monfery, 80 min, Croatian dub

12.00

Režija/Director: Metod Pevec, 97 min, Slovenian, Bosnian

Režija/Director: Ari Folman, 90 min, Hebrew, German

VALCER SA BASHIROM/ WALTZ WITH BASHIR

17.00

ČETVRTI ČOVJEK/ THE FOURTH MAN

575

TRI MAJMUNA/ THREE MONKEYS

Režija/Director: Dana Nechushtan, 94 min, Dutch, Arabic

360

ESTRELLITA

Panorama dokumentarni/ Panorama documentaries

Režija/Director: Santiago Otheguy, 85 min, Spanish

SOMERS TOWN, Režija/Director: Shane Meadows, 71 min, English, Polish

17.00

Režija/Director: Thomas Clay, 117 min,

LA LEON

Režija/Director: Christopher Weekes, 85 min, English

Bosanski kulturni centar/ BKC Cinema

SOI COWBOY

475

SARAJEVO GRAD FILMA/ SARAJEVO CITY OF FILM, kratki film 2, 15 min

Režija/Director: Mike Leigh, 118 min, English

21.00

Režija/Director: Adela Peeva, 66 min, Albanian, Polish, Russian 23.00 Specijalne projekcije/ Special screenings

MATURANTI I PLESAČI/ GRADUATES AND DANCERS Režija/Director: Vedran Šamanović, 17 min, Croatian 23.00 Novi tokovi specijalni/ New Currents special

574

RAZVOD NA ALBANSKI NAČIN/ DIVORCE ALBANIAN STYLE

Režija/Director: Adina Pintilie, 50 min, Romanian

375

SREBRENIČKI KENOTAF/ SREBRENICA’S CENOTAPH Režija/Director: Haris Prolić, 32 min, Bosnian

PATRIA MIA, PRAVAC NOMADA/ PATRIA MIA, NOMAD DIRECTION NEMOJ ME POGREŠNO SHVATITI/ DON’T GET ME WRONG Režija/Director: Duška Zagorac, 50 min, Bosnian, English 23.00 Specijalne projekcije/ Special screenings

FILMFOBIJA/ FILMPHOBIA

480

17.00

Dječiji program/ Children’s programme

PRIČA O DVA KOMARCA/ A TALE OF TWO MOZZIES

560

Režija/Director: Jannik Hastrup, Flemming Quist Moller, 79 min, Danish

Ljetno kino Novi Grad - Euroherc osiguranje/ Novi Grad - Euroherc osiguranje Open Air Cinema 21.00 Specijalne projekcije/ Special screenings 590

TRAGAČ/ THE SEEKER,Režija/Director: Amela Ćuhara, 59 min, Bosnian, English Dvorana Općine Novi Grad/ Novi Grad Municipality Cinema

12.00

Dječiji program/ Children’s programme

NIM NA OTOKU MAŠTE/ NIM’ S ISLAND

Režija/Director: Jennifer Flackett, Mark Levin, 96 min, English

580


Raspored projekcija/ Screening schedule Četvrtak/ Thursday, 21.08. 9.30 Takmičarski igrani/ Competition features TAČKA/ DOT

Režija/Director: Derviş Zaim, 89 min, Turkish 11.30 Takmičarski igrani/ Competition features

BUICK RIVIERA

Režija/Director: Goran Rušinović, 85 min, Croatian, English 16.00 U fokusu/ In focus

Narodno pozorište/ National Theatre

11.30 Takmičarski igrani/ Competition features

621

Režija/Director: Kornél Mundruczó, 93 min, Hungarian 14.00 Open Air

623

Režija/Director: Aida Begić, 100 min, Bosnian 16.00 U fokusu/ In focus

723

Režija/Director: Zrinko Ogresta, 80 min, Croatian 19.30 Takmičarski igrani/ Competition features

724

Režija/Director: Stephan Komandarev, 105 min, Bulgarian, German, Italian, Slovenian 624 19.30 Takmičarski igrani/ Competition features

TAČKA/ DOT

BUICK RIVIERA

10.00 Posvećeno/ Tribute to TODD HAYNES

SVE ŠTO NEBO DOPUŠTA/ ALL THAT HEAVEN ALLOWS Režija/ Director: Douglas Sirk, 89 min, English 12.00 Panorama dokumentarni/ Panorama documentaries

SAKRIVENO NA VIDJELO/ HIDDEN IN PLAIN SIGHT

630 631

Režija/Director: Mark Street, 62 min, no dialogue

DALEKO OD RAJA/ FAR FROM HEAVEN

Režija/Director: Todd Haynes, 107 min, English 18.00 Panorama

SINEGDOHA, NEW YORK/ SYNECDOCHE, NEW YORK

632 633

IRSKI KRATKI/ Irish shorts

finansirala Irska fondacija za kinematografiju/ funded by the Irish Film Board

Pozorište mladih/ Youth Theatre

TRGOVAC SNOVIMA/ SLEEP DEALER

670 671

14.30 Takmičarski dokumentarni/ Competition documentaries

672

CVJETNI MOST/ THE FLOWER BRIDGE

Režija/Director: Thomas Ciulei, 87 min, Romanian 17.00 Novi tokovi/ New Currents 673 P. V. C. – 1, Režija/Director: Spiros Stathoulopoulos, 85 min, Spanish 20.00 Takmičarski dokumentarni/Competition documentaries 674

AKO OVO GLEDAŠ, MAMA…/ IF YOU ARE WATCHING THIS, MUM... Režija/Director: Mustafa Mustafić, Dario Novalić, 28 min, Bosnian

SLUČAJNI SIN/ ACCIDENTAL SON

Režija/Director: Tomislav Mršić, Robert Zuber, 55 min, Croatian 23.00 Specijalne projekcije/ Special screenings

LOUVRE JE MOJ STUDIO, ULICA JE MOJ MUZEJ/ LOUVRE IS MY STUDIO, STREET IS MY MUSEUM

DELTA

Panorama dokumentarni/ Panorama documentaries

UZBURKAJ VODU/ TROUBLE THE WATER

732

18.00

733

Panorama

U SYLVIJINOM GRADU/ IN THE CITY OF SYLVIA Režija/Director: José Luis Guerin, 84 min, French 20.45 Novi tokovi/ New Currents

734

Režija/Director: Steve McQueen, 96 min, Hunger 23.30 All shorts

735

Nagrada Evropske filmske akademije- nominirani kratki filmovi 2008/ European Film Academy Award- shorts nominees 2008

10.30 Panorama

770

Režija/Director: Thomas McCarthy, 103 min, English, Arabic 12.30 Takmičarski kratki/ Competition shorts

771

17.00 Novi tokovi/ New Currents

773

POSJETILAC/ THE VISITOR

Takmičarski kratki 2/ Competition shorts 2

LOS BASTARDOS

Režija/Director: Amat Escalante, 90 min, English, Spanish 20.00 Takmičarski dokumentarni – IZVAN KONKURENCIJE/ Competition 774 documentaries – NON COMPETITION

Ljetno kino Heineken/ Heineken Open Air Cinema 710 20.30 All Shorts

SARAJEVO GRAD FILMA/ SARAJEVO CITY OF FILM, kratki film 5, 15 min Panorama

834

Režija/Director: Chris Fuller, 85 min, English

Pozorište mladih/ Youth Theatre

10.30 Panorama

870

Režija/Director: Pablo Trapero, 113 min, Spanish 17.00 Novi tokovi/ New Currents

873

LAVLJA JAZBINA/ LION’ S DEN

SEDAM INTELEKTUALACA U BAMBUSOVOJ ŠUMI (DIJELOVI 1-5)/ SEVEN INTELLECTUALS IN BAMBOO FOREST (PARTS 1-5) Režija/Director: Yang Fudong, 300 min, Chinese

Ljetno kino Heineken/ Heineken Open Air Cinema

20.30 Open Air

PRIVEDITE OSUMNJIČENE/ THE USUAL SUSPECTS

810

Režija/Director: Bryan Singer, 106 min, English, Hungarian, Spanish, French

Ljetno kino Vatrogasac/ Open Air Cinema Vatrogasac

21.00

Panorama

BOŽIĆNA PRIČA/ A CHRISTMAS TALE

840

Režija/Director: Arnaud Desplechin, 150 min, French

Dvorana Općine Novi Grad/ Novi Grad Municipality Cinema

12.00

WALL-E

Dječiji program/ Children’s programme

880

Režija/Director: Andrew Stanton, 98 min, Croatian dub

Ljetno kino Vatrogasac/ Open Air Cinema Vatrogasac 740 21.00 Panorama

LAVLJA JAZBINA/ LION’ S DEN

675

Režija/Director: Pablo Trapero, 113 min, Spanish

Bosanski kulturni centar/ BKC Cinema

LUDILO/ THE WACKNESS

Režija/Director: Jonathan Levine, 110 min, English

Open Air

17.00

SARAJEVO GRAD FILMA/ SARAJEVO CITY OF FILM, kratki film 4, 15 min ZAPALJIVO/ INCENDIARY

TeenArena

Ljetno kino Vatrogasac/ Open Air Cinema Vatrogasac 640 21.00 Panorama

POSJETILAC/ THE VISITOR

Dječiji program/ Children’s programme

Ljetno kino Novi Grad - Euroherc osiguranje/ Novi Grad - Euroherc osiguranje Open Air Cinema

21.00

Bosanski kulturni centar/ BKC Cinema

Režija/Director: Goran Rušinović, 85 min, Croatian, English

Takmičarski igrani/ Competition features

BUICK RIVIERA 650

TeenArena

660

Ljetno kino Novi Grad - Euroherc osiguranje/ Novi Grad - Euroherc osiguranje Open Air Cinema 21.00 Specijalne projekcije/ Special screenings 690

760

Režija/Director: Andrew Stanton, 98 min, Croatian dub

Režija/Director: Thomas McCarthy, 103 min, English, Arabic

BRZINA ŽIVOTA/ THE SPEED OF LIFE, Režija/Director: Ed Radtke, 83 min, English

750

KSC Skenderija Milka Arena

WALL-E

Režija/Director: Sharon Maguire, 96 min, English

Dječiji program/ Children’s programme SPEED RACER, Režija/Director: Andy Wachowski, 135 min, English

LOREN CASS

833

Režija/Director: Charlie Kaufman, 124 min, English

Ljetno kino Heineken/ Heineken Open Air Cinema 20.30 All Shorts 610

17.00

Režija/Director: Jens Hoffmann, 60 min, English, German 20.45 Novi tokovi/ New Currents

SINEGDOHA, NEW YORK/ SYNECDOCHE, NEW YORK

18.00

KSC Skenderija Milka Arena

Specijalne projekcije/ Special screenings

SLIJEPE LJUBAVI/ BLIND LOVES

Režija/Director: Gordana Brzović, 93 min, English

18.00

731

Režija/Director: Tia Lessin, Carl Deal, 94 min, English 15.00 Posvećeno/ Tribute to TODD HAYNES

Career interview - Todd Haynes

Kino Meeting Point/ Meeting Point Cinema

18.00

20 SEKUNDI UŽIVANJA/ 20 SECONDS OF JOY

Režija/Director: Kornél Mundruczó, 93 min, Hungarian

12.00

dodjela nagrada/ award ceremony

722

Režija/Director: Juraj Lehotský, 77 min, Slovak

Režija/Director: Alex Rivera, 90 min, Spanish 12.30 Takmičarski kratki/ Competition shorts

Takmičarski kratki 1/ Competition shorts 1

IZA STAKLA/ BEHIND THE GLASS

Pozorište mladih/ Youth Theatre

Režija/Director: Charlie Kaufman, 124 min, English 20.45 Novi tokovi/ New Currents 634 LOS BASTARDOS, Režija/Director: Amat Escalante, 90 min, English, Spanish 23.30 All Shorts 635

10.30 Panorama

SNIJEG/ SNOW

GLAD/ HUNGER

MOTIV ZA PROFIT I VJETAR KOJI ŠAPUĆE/ PROFIT MOTIV AND THE WHISPERING WIND Režija/Director: John Gianvito, 58 min, English 15.00 Posvećeno/ Tribute to TODD HAYNES

DELTA

721

Kino Meeting Point/ Meeting Point Cinema

626

Režija/Director: Goran Rušinović, 85 min, Croatian, English

Kino Meeting Point/ Meeting Point Cinema

Narodno pozorište/ National Theatre

620

SVIJET JE VELIK A SPAS JE IZA UGLA/ THE WORLD IS BIG AND SALVATION LURKS AROUND THE CORNER

Režija/Director: Derviş Zaim, 89 min, Turkish 22.15 Takmičarski igrani/ Competition features

Subota/ Saturday, 23.08.

Petak/ Friday, 22.08.

Narodno pozorište/ National Theatre

790

Dvorana Općine Novi Grad/ Novi Grad Municipality Cinema

12.00

Dječiji program/ Children’s programme

780

SPEED RACER

Režija/Director: Andy Wachowski, 135 min, English

ESTRELLITA, Režija/Director: Metod Pevec, 97 min, Slovenian, Bosnian

Dvorana Općine Novi Grad/ Novi Grad Municipality Cinema

12.00

Dječiji program/ Children’s programme

PRIČA O DVA KOMARCA/ A TALE OF TWO MOZZIES

Režija/Director: Jannik Hastrup, Flemming Quist Moller, 79 min, Danish

680

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Posebno priznanje Srce Sarajeva 2008.

Special Heart of Sarajevo Award 2008 Odbor Sarajevo Film Festivala posebno priznanje Srce Sarajeva 2008. dodjeljuje producentici Cat Villiers.

Special Heart of Sarajevo Award for 2008 is granted by the Sarajevo Film Festival Board of Directors to producer Cat Villiers.

Priznanje se dodjeljuje za izuzetni doprinos dobitnice filmskoj umjetnosti i za podršku razvoju Sarajevo Film Festivala.

The Award is offered in recognition of the recipient’s outstanding contribution to film art and support in development of the Sarajevo Film Festival.

Cat Villiers bila je producentica remek-djela kinematografije naše regije, poput višestruko nagrađenog filma POSLIJE KIŠE Milča Mančevskog, i filma NIČIJA ZEMLJA Danisa Tanovića, koji je 2002. godine osvojio Oscara za najbolji strani film. Kroz svoj rad i kontinuirano učešće u Sarajevo Film Festivalu, dala je doprinos prisustvu filma iz jugoistočne Evrope na svjetskoj sceni, te odigrala jednu od najznačajnijih uloga u izgradnji jakih veza između britanske filmske industrije i naše regije, čime je pomogla da se Sarajevo Film Festival potvrdi kao glavno mjesto susretanja internacionalnog i regionalnog filma. Kao povjerenica Fondacije Katrin Cartlidge, Cat Villiers je bila jedan od najznačajnijih partnera Festivala u imenovanju Sarajeva za sjedište Fondacije i za uobličavanje njenog rada kao platforme za nove, kreativne glasove u svijetu filma.

Cat Villiers has produced such masterpieces of our region’s cinematography as Milcho Manchevski’s multiply awarded BEFORE THE RAIN and Danis Tanovic’s NO MAN’S LAND, a film that carried the 2002 Oscar for Best Foreign Language Film. Through her work and continuous involvement with the Sarajevo Film Festival, she contributed to the visibility of South-Eastern European cinema and played an instrumental role in the development of strong ties between the British film industry and our region, helping to confirm the Sarajevo Film Festival as the main crossroads of international and regional cinema. As a Trustee of the Katrin Cartlidge Foundation, Cat Villiers has been one of the Festival’s key partners in making Sarajevo the Foundation’s home and shaping its work into a strong platform for new creative voices in cinema.

Raniji dobitnici Posebnog priznanja Srce Sarajeva su Marco Mueller (2005.), Mike Leigh (2006.), Gavrilo Grahovac (2006.), Steve Buscemi (2007.).

Past recipients of the Special Heart of Sarajevo Award: Marco Mueller (2005), Mike Leigh (2006), Gavrilo Grahovac (2006), Steve Buscemi (2007).

Fondacija Katrin Cartlidge

Katrin Cartlidge Foundation

Iznenadna smrt britanske glumice Katrin Cartlidge 2002. godine, koja je uzdrmala svjetsku javnost, nagnala je njene prijatelje, filmske profesionalce da u znak sjećanja na život i djelo ove briljantne glumice formiraju Fondaciju Katrin Cartlidge. Svake godine, povjerenici Fondacije nominiraju kustosa (ili kustose) koji dodjeljuju godišnju stipendiju novom kreativnom talentu filmske umjetnosti. Dobitnici stipendije u prethodnim godinama bili su: Greg Hall (kustos režiser Mike Leigh), Amy Kate Neil (kustos glumica Emily Watson), Gerd Schneider i Eyas Salman (kustosi fotograf Juergen Teller i režiser/glumac Simon McBurney), Cary Fukanaga (kustos predsjednik produkcije Focus Features John Lyons). Stipendija predstavlja samo mali dio podrške koju Fondacija nudi mladim umjetnicima. Najvrijedniji dio ove nagrade predstavlja mentorstvo koje osiguravaju povjerenici i pokrovitelji Fondacije, među kojima su neki od najistaknutijih filmskih radnika, reditelja i glumaca. Sarajevo Film Festival je s ponosom peti put domaćin dodjele stipendije Fondacije. Odabir našeg festivala i bh. prijestolnice za dom Fondacije dugujemo jedinstvenom odnosu i ljubavi Katrin Cartlidge prema Sarajevu i ovom regionu. Ovogodišnji kustos Fondacije je bosanskohercegovački reditelj Danis Tanović, u čijem je Oscarom nagrađenom filmu NIČIJA ZEMLJA Katrin ostvarila jednu od glavnih uloga. Omiljena kako na filmu, tako i u pozorištu, Katrin Cartlidge je iza sebe ostavila neizbrisiv trag u svijetu filma i u sjećanjima svih onih koji su upoznati sa njenim ostvarenjima. Fondacija koja nosi njeno ime potiče nezavisnost mladih umjetnika, te slavi jedinstvo i integritet njihovog duha, kao vrijednosti koje je Katrin tokom svog života tako snažno isticala i promovirala.

Dobitnik stipendije FARUK ŠABANOVIĆ

Faruk Šabanović rođen je 31. januara 1975. Studirao je na Akademiji likovnih umjetnosti u Sarajevu. Režirao je nekoliko kratkih filmova, muzičkih spotova, za koje je nagrađivan na brojnim festivalima širom svijeta. Šabanović je i koautor ideje i scenografije za film SNIJEG, rediteljke Aide Begić, koji je na ovogodišnjem Cannes Film Festivalu nagrađen Grand Prixom programa Semaine de la critique. Njegov prvi dugometražni animirani film PTICE KAO MI osvojio je Specijalnu nagradu žirija za projekat u razvoju na Animafestu 2008., svjetskom festivalu animiranog filma u Zagrebu. PTICE KAO MI prvi je bosanskohercegovački dugometražni animirani film. Projekat okuplja mlade talente Bosne i Hercegovine, a planirano je da bude završen 2010. godine. Na svečanoj ceremoniji dodjele stipendije Fondacije Katrin Cartlidge bit će prikazane dvije scene iz filma PTICE KAO MI.

The sudden death of Katrin Cartlidge in 2002 which shook the international public, led her friends and film professionals to establish a Foundation in memory of the life and work of this brilliant British actress. Every year, trustees of the Foundation appoint a curator (or curators) who decide on an annual grant awarded to a new creative film talent. Previous winners include: Greg Hall (curator: Mike Leigh, director), Amy Kate Neil (curator: Emily Watson, actress), Gerd Schneider and Eyas Salman (curators: Juergen Teller, photographer, and Simon McBurney, director/actor), Cary Fukanaga (curator: John Lyons, president of the Focus Features Production). The grant is only a small part of the support offered to young artists by the Foundation. The most valuable part of the award is the mentorship provided by the trustees and patrons of the Foundation, including some of the most distinguished film professionals, directors and actors. Sarajevo Film Festival is proud to be the host of the fifth Katrin Cartlidge Foundation award. The credit for selecting our Festival and the capital of BiH for the seat of the Foundation goes to Katrin Cartlidge and her unique love for Sarajevo and this region. This year’s curator of the Foundation is Danis Tanovic, director from BiH, whose Oscar-winning film NO MAN’S LAND included one of the leads played by Katrin. Beloved in film as well as in theatre, Katrin Cartlidge left an indelible mark in the world of film and in the memories of all who knew her and her work. The Foundation that bears her name supports the independence of young artists and celebrates the uniqueness and integrity of their spirit, as the values that Katrin strongly supported an promoted during her life.

Grant winner FARUK ŠABANOVIĆ

Faruk Šabanović was born on 31 January 1975. He studied at the Sarajevo Academy of Fine Arts. He has directed several short films and music videos, awarded at numerous festivals across the world. He is also the co-author of the idea and set design for SNOW, the feature by Aida Begic, which won the Grand prix at the Semaine de la critique programme of this year’s Cannes Festival. His first animated feature BIRDS LIKE US won the Special Jury Prize for project development at Animafest 2008, the international animated film festival in Zagreb, Croatia. BIRDS LIKE US is the first Bosnian feature-length animated film. The project brings together young talents from BiH and is to be completed by 2010. The Katrin Cartlidge Foundation grant ceremony will also screen two scenes from BIRDS LIKE US.

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posveceno/tribute to

Todd Haynes NISAM TU / I’M NOT THERE

DALEKO OD RAJA/ FAR FROM HEAVEN

USA, France, 2002, 35 mm, Colour, 107 min. Režija/Director: Todd Haynes Scenario/Screenplay: Todd Haynes Uloge/Cast: Julianne Moore, Dennis Quaid, Dennis Haysbert, Patricia Clarkson

DALEKO OD RAJA je priča o lagodnom životu domaćice u Americi pedesetih godina i inspiriran je velikim holivudskim „ženskim filmovima“ tog vremena. Jesen je 1957. u Hartfordu u Connecticutu, i Cathy Whitaker vraća se kući nakon obavljenih dnevnih obaveza. Suprug Frank vraća se kući sa poslovne večere. Problem: g. Whitaker se ni Cathy ni Sybil nije javio cijelo popodne. FAR FROM HEAVEN tells the story of a privileged housewife in 1950s America, and is inspired by the great Hollywood “women’s films” of that era. It is the fall of 1957 in Hartford, Connecticut, and Cathy Whitaker is returning home from a day of errands. Her husband, Frank is expected home for a dinner engagement. There’s only one problem: neither Cathy nor Sybil has heard from Mr. Whitaker all afternoon.

DOTTIE DOBIJE PO TURU/ DOTTIE GETS SPANKED

USA, 1993, 16 mm, Colour and b&w, 27 min. Režija/Director: Todd Haynes Scenario/Screenplay: Todd Haynes Uloge/Cast: J. Evan Bonifant, Barbara Garrick, Julie Halston, Robert Pall, Harriet Harris

Polusatni dramski film o opsesiji jednog šestogodišnjaka imaginarnom TV zvijezdom po imenu Dottie Frank. Smješten u predgrađe New Yorka 1966., ovaj film istražuje maštoviti unutrašnji život mladog Stevena Galea, čiji se život vrti oko popularnog TV programa «The Dottie Frank Show». Sulude avanture junakinje s ekrana su beskrajni izvor fascinacije za dječaka koji se lako oduševljava. Todd Haynes’ half-hour dramatic film about a 6-year-old boy’s obsession with an imaginary TV star named Dottie Frank. Set in suburban New York in 1966, the film explores the imaginative, inner life of young Steven Gale, whose world revolves around the popular program The Dottie Frank Show. The zany misadventures of the TV heroine are the source of endless fascination for the impressionable boy.

NA SIGURNOM/ SAFE

USA, 1995, 35 mm, Colour, 119 min. Režija/Director: Todd Haynes

DOTTIE DOBIJE PO TURU/ DOTTIE GETS SPANKED

Scenario/Screenplay: Todd Haynes Uloge/Cast: Julianne Moore, Peter Friedman, Xander Berkeley, Susan Norman, Kate McGregor-Stewart

NA SIGURNOM je priča o Carol White, domaćici iz Los Angelesa, čije se dobrostojeće okruženje okreće protiv nje, u obliku neobjašnjive bolesti. Ono što počne kao iznenadna alergija na svakodnevne hemikalije, mirise i isparenja, postaje sve agresivnije i njenu uglađenu sigurnost pretvara u užas svakodnevnog života. SAFE tells the story of Carol White, a Los Angeles housewife whose affluent environment turns against her in the form of an inexplicable illness. What begins as sudden allergic reactions to everyday chemicals, fragrances and fumes turns increasingly violent, transforming the laminated safety of Carol’s existence into a terror of everyday life.

NISAM TU/ I’M NOT THERE

USA, Germany, 2007, 35 mm, Colour, 135 min. Režija/Director: Todd Haynes Scenario/Screenplay: Todd Haynes, Oren Moverman Uloge/Cast: Richard Gere, Cate Blanchett, Heath Ledger, Christian Bale, Ben Whishaw, Marcus Carl Franklin

Haynesov lik pojavljuje se kroz šest različitih osoba. Niko od njih ne zove se Bob Dylan (niti Robert Zimmerman), mada svi evociraju stvarne i imaginarne elemente Dylanovog kosmosa. Film poštuje osnovno pitanje koje Dylanovi strastveni sljedbenici uvijek pitaju – šta to znači? – ne zaboravljajući pritom da je protupitanje koje Dylan postavlja izazovnije i za sam film značajnije – kakav je sjećaj? Haynes’s subject appears in the form of six different people. Not one is named Bob Dylan (or Robert Zimmerman), though all of them evoke actual and invented points in the Dylan cosmos. The film respects the essential question Mr. Dylan’s passionate followers have always found themselves asking - What does it mean? - without forgetting that the counterquestion Dylan has posed is more challenging and, for a movie, more important: How does it feel?

OTROV/ POISON

USA, 1991, 35 mm, Colour and b&w, 85 min. Režija/Director: Todd Haynes Scenario/Screenplay: Todd Haynes Uloge/Cast: Edith Meeks, Millie White, Buck Smith, Anne Giotta, Lydia Lafleur

Tri međupovezane priče o autsajderima, seksu i nasilju, inspirirane romanima Jean Genet. U Heroju, sedmogodišnji Richie ubije oca i odleti.

UBICE: FILM O RIMBAUDU/ ASSASSINS: A FILM CONCERNING RIMBAUD

OTROV/ POISON U crnobijelom Užasu, naučnik izolira eliksir ljudske seksualnosti. U Homou, zatvorenika u Fontenalu privlači drugi zatvorenik kojeg zna od ranije, iz maloljetničkog zatvora Baton... Three intercut stories about outsiders, sex and violence inspired by the novels of Jean Genet. In Hero, Richie, at age 7, kills his father and flies away. In the black and white Horror, a scientist isolates the elixir of human sexuality. In Homo, a prisoner in Fontenal prison is drawn to an inmate whom he knew some years before, at Baton juvenile institute...

SVE ŠTO NEBO DOPUŠTA/ ALL THAT HEAVEN ALLOWS

USA, 1955, 35 mm, Colour, 89 min. Režija/Director: Douglas Sirk Scenario/Screenplay: Peg Fenwick, Edna L. Lee, Harry Lee Uloge/Cast: Jane Wyman, Rock Hudson, Agnes Moorehead, Conrad Nagel, Virginia Grey

Stilizirana romantična melorama Douglasa Sirka jedan je od njegovih najfascinantnijih filmova, ali i najdetaljniji u kritici vrijednosti američke srednje klase. Njegova jednostavna priča bavi se romansom između udovice četrdesetih godina i njenog mladog vrtlara, koja u njenom gradiću u Novoj Engleskoj izaziva skandal. Douglas Sirk’s stylized romantic melodrama is one of the most fascinating of his films and the most thoroughgoing in its critique of American middle-class values. Its simple story concerns a romance between a 40-ish widow and her young gardener, which scandalizes her social circle in a small New England town.

NA SIGURNOM/ SAFE

DALEKO OD RAJA/ FAR FROM HEAVEN

UBICE: FILM O RIMBAUDU/ ASSASSINS: A FILM CONCERNING RIMBAUD USA, 1985, 16 mm, Colour, 43 min. Režija/Director: Todd Haynes Scenario/Screenplay: Todd Haynes

Slobodno ispričana pričao strasnom odnosu između Rimbauda i Verlainea. Kombinirajući elemente avangarde i klasicizma, Haynes nudi ikonoklastičan film koji ipak iskazuje poštovanje. A free rendering of the passionate relationship between Rimbaud and Verlaine. Combining elements of avant-garde and classicism, Haynes delivers an iconoclastic, yet respectful film.

ZLATNI BARŠUN/ VELVET GOLDMINE

USA, United Kingdom , 1998, 35 mm, Colour, 124 min. Režija/Director: Todd Haynes Scenario/Screenplay: Todd Haynes Uloge/Cast: Ewan McGregor, Jonathan Rhys Meyers, Christian Bale, Toni Collette, Eddie Izzard

Haynesova oda vremenu glam rocka djeluje kao direktni omaž klasiku Orsona Wellesa, „Građanin Cane“. Okvir priči daje novinar Arthur Stuart, koji 1984. dobije zadatak da sazna istinu o raskalašnoj pucnjavi na panseksualnu rock ikonu Briana Sladea koja se desila 10 godina ranije. Zadatak će okončati Sladeovu karijeru i u suštini okončati godine „šljokica“. Todd Haynes’ ode to the glam rock age, plays like a direct homage to Orson Welles’ classic Citizen Kane. The story is framed by journalist Arthur Stuart who in 1984 is asked to find out the truth behind the flamboyant shooting ten years earlier of pansexual rock icon Brian Slade, a stunt that ended Slade’s career and effectively ended the glitter years.

ZLATNI BARŠUN/ VELVET GOLDMINE

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novi tokovi new currents selektor/ selector: Philippe Bober

FILMFOBIJA/ FILMPHOBIA

Brazil, Germany, 2008, 35 mm, Colour, 80 min. Režija/Director: Kiko Goifman Scenario/Screenplay: Hilton Lacerd, Kiko Goifman

FILMPHOBIA works as a ‘making of’ of a fictitious documentary film. It’s a film about fear in contemporary society. The main belief of the documentary director - Jean-Claude - is that the only image that is authentic, real and truthful is actually that of a human being challenged by his/her phobia. The crew of the fake documentary explores the limits of the psyche, exposing phobic people to emotionally violent situations. FILMFOBIJA je «snimanje» fiktivnog dokumentarca. To je film o strahu u savremenom društvu. Osnovno ubjeđenje režisera fiktivnog dokumentarca, Jean-Claudea, je da je jedin slika koja je autentična, stvarna i vjerodostojna, zapravo, slika čovjeka kojeg izazivaju sopstvene fobije. Ekipa lažnog dokumentarca ispituje granice psihe, dok fobične osobe izlaže emotivno agresivnim situacijama.

GLAD/ HUNGER

United Kingdom, 2008, 35 mm, Colour, 96 min. Režija/Director: Steve McQueen Scenario/Screenplay: Steve McQueen, Enda Walsh Uloge/Cast: Michael Fassbender, Stuart Graham, Helena Bereen, Larry Cowan, Liam Cunningham

Raymond Lohan živi u rutini: običan čovjek koji 1981. radi kao čuvar u zatvoru Maze u Sjevernoj Irskoj. Rad u ozloglašenom bloku H, gdje republikanci protestiraju tako što se ne peru, na sebi imaju samo ćebe i ne izlaze iz ćelija, živi je pakao i za zatvorenike i za čuvare. Zatvorenici pristanu na prijedlog uprave zatvora da nose civilnu odjeću, što predstavlja potencijalno rješenje u njihovoj borbi za ponovni politički status - ali “klovnovsku” odjeću koju im daju doživljavaju kao ismijavanje. Izbijaju neredi...

STRAH(OVI) OD MRAKA/ FEAR(S) OF THE DARK

34 |

SEDAM INTELEKTUALACA U BAMBUSOVOJ ŠUMI (DIJELOVI 1-5)/ SEVEN INTELLECTUALS IN BAMBOO FOREST (PARTS 1-5)

Raymond Lohan wearily follows his normal routine: an ordinary man doing the job of a prison officer in the Maze Prison in Northern Ireland, 1981. Working within one of the infamous H-Blocks, where republican prisoners are on the Blanket and No-Wash protest, is a living hell for both prisoner and prison officer. The prisoners are persuaded to take up the prison regime’s offer of civilian clothes - a potential breakthrough in their struggle to regain political status - only for them to be mocked by the ‘clown clothes’ handed out. A riot erupts...

GOLOGUZI JAPAN/ BARE-ASSED JAPAN

Japan, 2005, 16 mm, Colour, 91 min. Režija/Director: Yuya Ishii Scenario/Screenplay: Yuya Ishii Uloge/Cast: Tombo Katsura, Emi Mokino, Rumi Ninomiya, Shüja Nishizono, Yuichi Toyone

Nakon što se preseli na selo sa željom da se odvoji od oca alkoholičara, besciljni srednjoškolac shvata da su idilični dani gotovi. Komatsu Taro ne zna šta bi sa sobom nakon škole. Jedino što zna je da mora što prije da se osamostali. Kad pronađe kućicu sa malim vrtom, stiljivo pita prelijepu Yoko da živi s njim. After moving to the countryside in hopes of breaking free from his alcoholic father, an aimless high school graduate is dejected to realize that the days of his idyllic existence are numbered. Komatsu Taro isn’t quite sure what to do with his life after high school; the only thing he knows for sure is that he must venture out on his own as soon as humanly possible. When Komatsu finds a ramshackle house in the country with a small space for a vegetable garden, he shyly asks pretty Yoko to move in with him.

FILMFOBIJA/ FILMPHOBIA

GOLOGUZI JAPAN/ BARE - ASSED JAPAN

LOREN CASS

USA , 2007, 16 mm, Colour, 85 min. Režija/Director: Chris Fuller Scenario/Screenplay: Chris Fuller Uloge/Cast: Kayla Tabish, Travis Maynard, Chris Fuller, Jacob Reynolds, Mike Glausier

U debitantskom filmu Chrisa Fullera, žestokoj drami LOREN CASS, u glavnoj ulozi je Travis Mynard kao Jason, skinhead koji izazove rasni sukob nakon što se, zajedno sa prijateljem Caleom (kojeg igra režiser i scenarista, na špici potpisan kao Lewis Borgan), grubo našali sa jednim crncem. Svi u filmu kao da su pod teretom bespomoćnosti i rasne napetosti. The debut feature by Chris Fuller, the hardedged drama LOREN CASS stars Travis Mynard as Jason, a skinhead who starts a racial conflagration after playing a prank on a Black man with the help of his friend Cale (played

GLAD/ HUNGER

by the director and writer, but billed under the name Lewis Borgan). Everyone in the film seems weighed down by hopelessness and racial tension.

LOS BASTARDOS

Mexico, France, USA, 2008, 35 mm, Colour, 90 min. Režija/Director: Amat Escalante Scenario/Screenplay: Amat Escalante, Martín Escalante Uloge/Cast: Jesús Moisés Rodríguez, Rubén Sosa, Nina Zavarin, Kenny Johnston

U jednom velikom gradu u Americi, dva mlada ilegalna radnika iz Meksika jedan poremećeni čovjek unajmi da mu ubiju ženu. Bore se s tim stravičnim zahtjevom, a odluku moraju donijeti prvo na osnovu potrebe za opstankom, a onda na osnovu sopstvenog morala. Two young undocumented Mexican workers in a big city of the U.S.A. are hired by a distressed man to murder his wife. As they strug-


LOREN CASS

PROTIV SVOJE VOLJE/ INVOLUNTARY gle with this malevolent request, they must come to their decision guided first by their very survival, and then by their morals.

PROTIV SVOJE VOLJE/ INVOLUNTARY

Sweden, 2008, 35 mm, Colour, 98 min. Režija/Director: Ruben Östlund Scenario/Screenplay: Ruben Östlund, Erik Hemmendorff Uloge/Cast: Villmar Björkman, Lola Ewerlund, Mia Ericsson, Hanna Lekander Simeon Henry Nordius, Maricel Amance

U Švedskoj je skoro ljeto i indiskrecije i nestašluka ima na sve strane. Leffe se voli praviti važan pred prijateljima i zbijati masne šale, posebno kad pije. U međuvremenu, jedna pravdoljubiva učiteljica ne zna gdje je granica: insistira da i kolegama treba malo poduke. Tu su i dvije tinejdžerke koje vole pozirati za seksi fotografije i dobro se provoditi, ali jedne noći jednu od djevojaka nepoznati čovjek pronađe potpuno pijanu. Humorističan pogled na pouke koje treba izvući, lekcije koje treba održati i granice koje ne treba prelaziti. It’s almost summer in Sweden and minor indiscretions and misbehaviour abound. Leffe likes to show off for his friends and play salacious pranks, especially when he’s drinking. A righteous grade-school teacher doesn’t know where to draw the line: she insists her fellow educators need a bit of instruction. Then there are two young teenage girls who like to pose for sexy photos and to party, but one night in a park, a complete stranger finds one of the girls passed out drunk. A humorous look at lessons to learn, lectures to give and lines not to cross.

P. V. C. – 1

Columbia, 2007, DigiBeta, Colour, 85 min. Režija/Director: Spiros Stathoulopoulos Scenario/Screenplay: Dwight Istanbulian, Spiros Stath-

P. V. C. – 1

oulopoulos Uloge/Cast: Daniel Páez, Hugo Pereira, Alberto Sornoza, Merida Urquia

P.V.C.-1 je inspiriran istinitom pričom o borbi jedne nevine žene da preživi, nakon što joj se oko vrata postavi bomba-okovratnik. Jedna žena u Kolumbiji i njena porodica postaju žrtve neobičnog terorističkog čina. Majku koja nije u stanju da plati otkup pretvaraju u ljudsku tempiranu bombu i ona je uhvaćena u zamku fizičkih i mentalnih okolnosti iz kojih ona i njena porodica pokušavaju pobjeći. P.V.C.-1 is inspired by the true story of a innocent woman’s struggle for survival after she is fitted with a collar-bomb. In Colombia, a woman and her family became the victim of an unusual act of terrorism. Unable to pay a ransom, the mother is turned into a human time bomb and is now trapped in a physical and mental circumstance from which she and her family try to break free.

SEDAM INTELEKTUALACA U BAMBUSOVOJ ŠUMI (DIJELOVI 1-5)/ SEVEN INTELLECTUALS IN BAMBOO FOREST (PARTS 1-5) China, 2003-2007, 35 mm, b&w, 300 min. Režija/Director: Yang Fudong Scenario/Screenplay: Yang Fudong Uloge/Cast: Gao Yanqing, Chen Ran, Li Shenghua Xu Jing, Dai Zhe, Huang Lu, Kong Chenjiang

Serija je putovanje koje prati sedam pjesnika i umjetnika dok putuju kroz različite faze iskustava u traganju za prevazilaženjem ovozemaljskog života. Prema legendi, ta su sedmorica intelektualaca, koji su živjeli u trećem i četvrtom vijeku, strasno težili idealima slobode, umjetničke slobode izraza i ličnog prosvjetljenja. Tokom filma, likovi iz-

LOS BASTARDOS

miruju svoje mladalačke ideale sa stvarnim životom, dok se kreću kroz kroz krajolik koji oduzima dah... The series is a journey revolving around seven poets and artists as they move through various phases of experience in their quest to transcend earthly life. According to common lore, these seven intellectuals, who lived during the third and fourth centuries, passionately pursued ideals of liberty, artistic freedom, and individual enlightenment. Over the course of the films, the subjects reconcile youthful ideals with the realities of life, as they move from the awe-inspiring landscape...

SOI COWBOY

Thailand, United Kingdom, 2008, 35 mm, Colour and b&w, 117 min. Režija/Director: Thomas Clay Scenario/Screenplay: Thomas Clay Uloge/Cast: Nicolas Bro, Pimwalee Thampanyasan, Petch Mekoh, Natee Srimanta, Somluk Kuamsing

Jedan korpulentni Evropljanin i jedna mlada Tajlanđanka u drugom stanju u Bankoku žive zajedno u skoro potpunoj tišini. Njegova krupna figura je u kontrastu s njenom sitnom građom. Ona traži sigurnost, a on joj je najbolji način da se ne vraća u Soi Cowboy, kvart prostitucije gdje su se upoznali. Sviđa joj se, ali joj je dužnost da spava s njim. U međuvremenu je na selu jedan mladi mafijaški poslušnik angažiran da isporuči glavu njenog starijeg brata. In Bangkok, a corpulent European man and a young, pregnant Thai woman live together in near silence. His large body stands out in marked contrast to her tiny frame. She is looking for security and he is the best way to stay out of Soi Cowboy, the red-light district where they met. She likes him but sleeping with him is a duty. Meanwhile, in the countryside, a teenage mafia enforcer is employed to deliver his older brother’s head.

STRAH(OVI) OD MRAKA/ FEAR(S) OF THE DARK

France, 2007, 35 mm, b&w, 85 min. Režija/Director: Marie Caillou, Pierre Di Sciullo, Jerry Kramski, Lorenzo Mattotti, Richard McGuire, Michel Pirus, Romain Slocombe, Blutch Scenario/Screenplay: Blutch, Charles Burns, Pierre Di Scullo, Michel Pirus, Romain Slocombe Uloge/Cast: Auce Atika, Guillaume Depardieu, Nicole Garcia

STRAH(OVI) OD MRAKA su mješavina ljepote i melanholije, noćne more i nelagodnog mira, sve u jednakoj mjeri. To je Zona sumraka u euro-zoni sumraka: sa dubokom atmosferom, ovo je sigurno antologija diskretno nadrealnih priča sa mračne strane koju ne treba propustiti. FEAR(S) OF THE DARK melds beauty and melancholy, nightmare and an uneasy tranquility, all in equal measure. Grotesque images rub up against sketches of expressionist minimalism. It’s Twilight Zone in the twilight Euro zone; deeply, sublimely atmospheric, this is definitely one anthology of quietly surreal tales from the tenebrous side not to be missed.

SOI COWBOY

| 35


novi tokovi kratki new currents shorts selektor/ selector: Nicolas Schmerkin, Vanja Kaluđerčić

BERNIJEVA LUTKA/ BERNI’S DOLL France, 2008, 35 mm, b&w, 12 min. Režija/Director: Yann J Scenario/Screenplay: Yann J

Berni, sitni fabrički radnik, svoju usamljenost liječi tako što kupuje ženu u paketiću za sastavljanje, iz neke zemlje Trećeg svijeta. Berni, a minor employee of a factory, makes up for his loneliness by buying a woman in kit form from the Third World.

ČOVJEK KOJI MRMLJA/ MUMBLER Belgium, 2007, DigiBeta, Colour, 20 min. Režija/Director: Marc Roels, Wim Reygaert Scenario/Screenplay: Marc Roels, Wim Reygaert Uloge/Cast: Serge Buyse, Gunter Lamoot

Lubbert Das sa dominantnom i sveprisutnom majkom živi u nekom zabačenom dijelu Flandrije, na kojem kao da je vrijeme stalo. Kao čovjek sa teškom govornom manom, živi izolirano u potpuno zatvorenom svijetu. Obilazeći polja i šume u okolini, susreće se

ČOVJEK KOJI MRMLJA/ MUMBLER sa svijetom koji je zatvoren i uznemiravajući koliko i njegov. Lubbert Das lives together with his domineering and omnipresent mother somewhere in a remote corner of Flanders; a place where seemingly time has stood still. Afflicted by a speech impediment, he leads an isolated existence in his own hermetic little world. Venturing out into the fields and forests of the region, he encounters a world as unsettling and impenetrable as his own...

DAN SLAVE/ THE DAY OF GLORY France, 2007, HD CAM (HDTV), Colour, 7 min. Režija/Director: Bruno Collet Scenario/Screenplay: Bruno Collet

Jedan vojnik krije se na dnu podzemnog hodnika. Iznad njega rat potresa zemlju i on se priprema za neizbježno. U ovom «stop-motion» animiranom filmu, tijela vojnika ponovo postaju materija, mješavina zemlje, vatre i čelika, spojene u smrti za cijelu vječnost.

KEITH REYNOLDS VEČERAS NE MOŽE DOĆI/ KEITH REYNOLDS CAN’T MAKE IT TONIGHT

36 |

A soldier hides at the bottom of an underground. Outside, the war shakes the ground, and the soldier prepares himself with the inescapable. In this stop-motion animation film, the bodies of the soldiers become again matter, alloy of ground, fire and steel, curdled in death for eternity.

ETO, TO SU NAOČALE/ WELL, THAT’S GLASSES

Japan, 2007, Beta Sp, Colour, 6 min. Režija/Director: Atsushi Wada Scenario/Screenplay: Atsushi Wada

Kako se to pravi? Zašto? U koje svrhe i od kakvog materijala? Uostalom, šta je to? Puno je stvari koje želimo znati, puno stvari koje moramo znati, ali u svakom slučaju, naočale koje su tu - su naočale koje su tu. How was this made? Why? For what porpose, and using what materials? What is this anyway? There are lots of things we want to know, lots of things we need to find out, but

DAN SLAVE/ THE DAY OF GLORY be that as it may these glasses here now are these glasses here now.

JOHN I KAREN/ JOHN AND KAREN United Kingdom, 2007, Beta Sp, Colour, 4 min. Režija/Director: Matthew Walker Scenario/Screenplay: Matthew Walker Uloge/Cast: James Bachman, Emma Cunniffe

Polarni medvjed John izvinjava se pingvinu Karen nakon jedne svađe, a nakon toga pije čaj i jede keks. John the polar bear apologises to Karen the penguin after an argument they had and then has some tea and biscuit.

KEITH REYNOLDS VEČERAS NE MOŽE DOĆI/ KEITH REYNOLDS CAN’T MAKE IT TONIGHT United Kingdom, 2007, Beta Sp, Colour, 6 min. Režija/Director: Felix Massie Scenario/Screenplay: Felix Massie Uloge/Cast: Scott Johnson

TERMINUS unaprjeđenja. U firmi radi već 8 godna i najviši je po rangu među nižim analitičarima dugo čeka ovaj dan. Kad dobije unaprjeđenje, konačno će postati uspješan biznismen - što je bitno, jer to znači da će se Sari dopadati. This is Keith Reynolds and today is Promotion Day. Having worked at the company 8 years he’s the most senior Junior Business Analyst in the building - he’s been waiting for this day for a very long time. When he gets his promotion he’ll finally be a successful businessman - this is important because it means Sarah will like him.

KORISNIK/ USER

France, 2007, Beta Sp, Colour, 4 min. Režija/Director: Edouard Salier Nema pristupa... Access denied…

LJUBAV I RAT/ LOVE AND WAR Sweden, 2006, 35 mm, Colour, 14 min. Režija/Director: Fredrik Emilson

JOHN I KAREN/ JOHN AND KAREN

Scenario/Screenplay: Fredrik Emilson

Bunny sjedi u spavaćoj sobi i pregleda album sa slikama. Počne maštati i slike ožive. Dok se školuje za medicinsku sestru, slučajno upozna zgodnog vojnog pilota po imenu Bear. Slijedi romansa, a kad god Bear pokuša da je zaprosi, izbije neki međunarodni sukob... Bunny is sitting in her bedroom browsing through a photo album. She starts daydreaming and the images come to life. During her training to become a nurse, Bunny meets, by mere chance, the handsome fighter pilot Bear. Romance ensues, however when Bear is about to propose, they are suddenly interrupted by an international conflict...

MAGNETNI FILM/ MAGNETIC MOVIE United Kingdom, 2007, Beta Sp, Colour, 5 min. Režija/Director: Semiconductor Scenario/Screenplay: Semiconductor

Ovo je Keith Reynolds i danas je dan

Tajni životi nevidljivih magnetnih polja otkrivaju se u haotičnoj geometriji koja se stalno mijenja. Stvarni VLF audio zapisi kontro-

LJUBAV I RAT/ LOVE AND WAR

MASKA/ MASQUE

BERNIJEVA LUTKA/ BERNI’S DOLL liraju razvoj polja, dok ulaze u naše nevidljivo okruženje i otkrivaju stalne «zvižduke» koje prave elektroni koji jure. Da li posmatramo seriju naučnih eksperimenata, svemir u kretanju, ili dokumentarni film o fiktivnom svijetu? The secret lives of invisible magnetic fields are revealed as chaotic ever-changing geometries. Actual VLF audio recordings control the evolution of the fields as they delve into our inaudible surroundings, revealing recurrent ‘whistlers’ produced by fleeting electrons. Are we observing a series of scientific experiments, the universe in flux, or a documentary of a fictional world?

MASKA/ MASQUE

United Kingdom, 2007, Beta Sp, Colour, 3 min. Režija/Director: John Butler Scenario/Screenplay: John Butler Uloge/Cast: Paul Birchard

Mi smo «Prime Contractors», najbolji i prvi. Radimo sve. Ništa ne vraćamo, nema povrata novca, nema zezanja.

ETO, TO SU NAOČALE/ WELL, THAT’S GLASSES We’re the Prime Contractors, best of breed and first in line. We do it all. No returns, no refunds, no kidding.

MOTORNA PILA/ CHAINSAW

Australia, 2007, Beta Sp, Colour, 24 min. Režija/Director: Dennis Tupicoff Scenario/Screenplay: Dennis Tupicoff Uloge/Cast: Luke Elliot, Nina Landis, David Cameron

Ljubav je kao motorna pila: zaista opaka zvijer. Romance is like a chainsaw: a very dangerous beast indeed.

OPERATER/ OPERATOR

United Kingdom, 2007, Beta Sp, Colour, 2 min. Režija/Director: Matthew Walker Scenario/Screenplay: Matthew Walker Uloge/Cast: Matthew Walker

Jedan čovjek telefonira dok se dosađuje u jedno kišno nedjeljno popodne. Iznenađen je kad odgovori On. Kad bi mu barem mogao postaviti pristojno pitanje.

MOTORNA PILA/ CHAINSAW


RGB XYZ Bored on a rainy Sunday afternoon a man makes a phone call. He is very surprised when He answers, if only he had a decent question to ask Him.

PRIČA O MALOM LUTKU/ THE TALE OF LITTLE PUPPETBOY Sweden, 2008, 35 mm, Colour, 15 min. Režija/Director: Johannes Nyholm Scenario/Screenplay: Johannes Nyholm

Dječak marioneta se znoji, s njega cure potoci gline, jer se sprema za posjetu jedne dame. Kad ona stigne, on postaje još nervozniji. Puppetboy is sweating floods of clay, preparing for a lady´s visit. It gets even more nervous when she arrives.

PROF. NIETO SHOW: LEKCIJA 3 (CUNICULUS)/ PROF. NIETO SHOW: LESSON 3 (CUNICULUS)

PROF. NIETO SHOW: LEKCIJA 3(CUNICULUS)/ PROF. NIETO SHOW: LESSON 3 (CUNICULUS)

France, 2007, Beta Sp, Colour, 3 min. Režija/Director: Nieto Scenario/Screenplay: Nieto, Nicolas Schmerkin Uloge/Cast: Nieto, Tiby

“Danas istražujemo histerične seksualne odnose zeca...” “Today we will examine the rabbit’s hysterical sexual intercourse…”

RGB XYZ

Ireland, 2008, DigiBeta, Colour, 13 min. Režija/Director: David O’Reilly Scenario/Screenplay: David O’Reilly

RGB XYZ je otkriven 2007., kad je jedan vrtlar negdje u srednjoj Evropi slučajno iskopao jedan hard drive, koji je brzo došao do filmskog autora Davida O’Reillyja, koji je njegov sadržaj distribuirao on-line. Pet epizoda rasutih na sve strane po internetu na kraju su se kombinirale i stvorile jedan od najenigmatičnijij animiranih radova ikad stvorenih na kompjuteru. RGB XYZ was discovered in late 2007 when

TURIST/ THE TOURISTS

PRIČA O MALOM LUTKU/ THE TALE OF LITTLE PUPPETBOY

KORISNIK/ USER

a gardener accidentally dug up a hard drive buried somewhere in central Europe. The hard drive soon found its way to filmmaker David O’Reilly, who distributed the work online. What seemed like incomprehensible nonsense was actually a story of loss and adventure. Five episodes scattered across the corners of the internet eventually combined to make the most enigmatic piece of animation ever to leave a computer.

kao potpuni spokoj. Inside the protective warmth of his mother’s womb, a man experiences everyday life as eternal bliss.

S. I. T. E.

Nakon što nenamjerno uvrijedi čudnog lika koji mu priđe na putu na posao, jedan poslovni čovjek iz sedamdesetih nađe se usred bizarne situacije. Slijedi brzi pad u ludilo, a sam put je i zastrašujući i mračno komičan. Da li je Terminus nadrealna kritika otuđenja čovjeka u savremenom urbanom okruženju? After inadvertently offending a strange entity that accosts him on his way to work, a 1970s businessman quickly finds himself in the

Mexico, France, 2007, Beta Sp, Colour, 5 min. Režija/Director: Pablo Orlowsky Scenario/Screenplay: Pablo Orlowski

Potraga za međunarodnim terorističkim grupama. Search for International Terrorist Entities.

SKHIZEIN

France, 2008, 35 mm, Colour, 13 min. Režija/Director: Jérémy Clapin Scenario/Screenplay: Jérémy Clapin

TERMINUS

Canada, 2007, Beta Sp, Colour, 8 min. Režija/Director: Trevor Cawood Scenario/Screenplay: Trevor Cawood, Jason Cawood Uloge/Cast: Rob Carpenter, Tristam Gieni, Les Quinn, Srephanie Mckenzie, Tristam Gieni

SKHIZEIN

UPOZNAO SAM MORŽA/ I MET THE WALRUS

Uloge/Cast: Julien Boisselier, Theo Grimmesisen, Mado Debrus

midst if a bizarre predicament. What follows is a rapid descent into madness, a journey both eerie and darkly humorous. Is Terminus a surreal critique of human alienation in the modern urban environment?

Šta bi se desilo kad bi vas udario meteor od 150 hiljada tona? Upravo se to desilo jadnom Henriju. I još je tu. Ne baš tu, već par centimetara dalje, zapravo, tačno 91 cm dalje. Šta ako bi se ludilo moglo mjeriti u centimetrima? What would happen if you were struck by a 150-thousand ton meteorite? That’s precisely what happened to poor Henry. And yet he’s still there. Well, not exactly “there”, just a few centimetres further along, 91 centimetres to be precise. And what if madness could be measured in centimetres?

SVILENO/ SILKEN

France, 2008, Beta Sp, Colour, 11 min. Režija/Director: Yann Bertrand, Damien Serban Scenario/Screenplay: Yann Bertrand, Damien Serban Uloge/ Cast: Atsushi Takenouchi

U toplini i sigurnosti majčine materice, jedan čovjek svakodnevni život doživljava

MAGNETNI FILM/ MAGNETIC MOVIE

TURIST/ THE TOURISTS

Canada, 2007, Beta Sp, Colour, 3 min. Režija/Director: Malcolm Sutherland Scenario/Screenplay: Malcolm Sutherland

Još jedan prolazan dan na plaži. Another transient day at the beach.

UPOZNAO SAM MORŽA/ I MET THE WALRUS

Canada, 2008, 35 mm, Colour, 5 min. Režija/Director: Josh Raskin Scenario/Screenplay: Josh Raskin Uloge/Cast: Jerry Levitan (voice), John Lennon (voice)

SVILENO/ APNÉE SILKEN hotelsku sobu Johna Lennona u Torontu i ubijedio ga da mu da intervju. Režiser John Raskin je, uz originalni intervju kao zvučnu podlogu, stvorio vizuelnu naraciju koja nježno prikazuje svaku Lennonovu riječ kroz kaskadnu bujicu višeslojne animacije. In 1969, a 14-year-old Beatle fanatic named Jerry Levitan, armed with a reel-to-reel tape deck and a head full of questions, snuck into John Lennon’s hotel room in Toronto and convinced John to do an interview. 38 years later, Jerry has produced a film about it. Using the original interview recording as the soundtrack, director Josh Raskin has woven a visual narrative which tenderly romances Lennon’s every word in a cascading flood of multipronged animation.

USAVICH

Japan, 2007, Beta Sp, Colour, 6 min. Režija/Director: Satoshi Tomioka Scenario/Screenplay: Satoshi Tomioka

S. I. T. E. Animirana crna komedija o zatvorenicima Putinu i Kirenku i njihovim sretnim životima u ruskom zatvoru šezdesetih godina. Putin je veseli lik koji je lažno optužen, ali uživa u lagodnom zatvorskom životu. Kirenenko je mafijaški šef i imao je brata blizanca, ali porodica ih je izdala i razneseni su u bombaškom napadu. A black-comedy animation series of the prisoner Putin and Kirenenko’s happy daily life in 1960’s Russian prison. Putin who is a cheerful and kind guy was given a false accusation but he enjoys the easygoing and convenient life in the prison. Kirenenko was the head of the Russian Mafia and had a twin brother but they are betrayed by one of their family members and were blown to pieces in a bomb attack.

1969. je 14-godišnji obožavatelj Beatlesa po imenu Jerry Levitan, naoružan magnetofonom i gomilom pitanja, kradom ušao u

OPERATER/ OPERATOR

USAVICH

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38 |


open air SNIJEG / SNOW

TRAKTOR, LJUBAV I ROCK N’ ROLL/ TRACTOR, LOVE AND ROCK N’ ROLL

GOMORA/ GOMORRAH

Italy, 2008, 35 mm, Colour, 135 min. Režija/Director: Matteo Garrone Scenario/Screenplay: Maurizio Braucci Uloge/Cast: Salvatore Abruzzese, Simone Sacchettino, Salvatore Ruocco, Vincenzo Fabricino

Pogled na podzemni svijet Camorre u Napulju. Djeca i mladi su u okrutnoj, nemilosrdnoj borbi za život, a krvavi novac koji je do sada proizveo 3.600 mrtvih veći je pokolj od bilo kog drugog pokolja neke kriminalne organizacije, bilo u Italiji ili drugdje. Teško sivo nebo visi nad otužnim krajolikom, kao da je ljepota jednog talijanskog kraja pobjegla, a na njeno mjesto došla moralna tama. An inside look at Camorra’s underworld in Naples. Children and young guys are involved in a merciless, cruel struggle for life and blood money which has caused over 3,600 dead so far which is a bigger slaughter than the others committed by different criminal organizations in Italy and elsewhere. A heavy, gray sky hangs over these sleazy landscapes as if the beauty of one of the Italian lands of the sun had fled and the moral darkness had taken its place.

HAPPY-GO-LUCKY

United Kingdom, 2008, 35 mm, Colour, 118 min. Režija/Director: Mike Leigh Scenario/Screenplay: Mike Leigh Uloge/Cast: Sally Hawkins, Alexis Zegerman, Andrea Riseborough, Sinead Matthews

Poppy je neobuzdana žena od trideset i nešto godina koja uživa u životu u Camdenu, centru lagodnog života u sjevernom Londonu. Sretna je i odlučna da svaki dan do maksimuma iskoristi. Ali, kad joj ukradu bicikl, Poppy odlučuje da uloži u auto-školu i to je odluka koja će je dovesti licem u lice sa karakterom i pogledom na svijet koji se od njenog potpuno razlikuju. Poppy is an irrepressible 30-something enjoying her life in Camden, north London’s boho

HAPPY-GO-LUCKY

HQ. She is happy with her life and determined to get the most out of every day. When her bicycle is stolen, however, Poppy decides to invest in driving lessons, a decision that will bring her face-to-face with a character and a world view quite unlike her own.

PRIVEDITE OSUMNJIČENE/ THE USUAL SUSPECTS

USA, Germany, 1995, 35 mm, Colour, 106 min. Režija/Director: Bryan Singer Scenario/Screenplay: Christopher McQuarrie Uloge/Cast: Kevin Spacey , Gabriel Byrne, Benicio Del Toro, Kevin Pollak, Stephen Baldwin

Pet profesionalnih kriminalaca sastaju se nakon što ih je policija privodila na identifikaciju. Kad se nađu na slobodi, udruže se u velikoj operaciji u kojoj se bave smaragdima vrijednim tri miliona dolara. Njihov uspjeh privlači pažnju enigmatičnog Keysera Sozea, mitskog junaka kriminalnog podzemlja, koji ih prisili na jedan bitan i izuzetno opasan posao. Five career criminals meet after being rounded up for a standard police line-up. Upon their release, the men band together to pull off an intricate heist involving $3 million worth of emeralds. Their success brings them to the attention of the enigmatic Keyser Soze, a mythic underworld crime figure who coerces them into pulling off an important and highly dangerous job.

SNIJEG / SNOW

Bosnia and Herzegovina, Germany, France, Iran, 20 08, 35 mm, Colour, 100 min. Režija/Director: Aida Begić Scenario/Screenplay: Aida Begić, Elma Tataragić Uloge/Cast: Zana Marjanovic, Jasna Ornela Bery, Sadžida Šetić, Vesna Mašić, Emir Hadžihafizbegović, Irena Malamuhić, Jelena Kordić, Alma Terzić Šest žena, jedan starac, četiri djevojčice i jedan dječak žive u ratom razorenom i izoliranom selu Slavno. Dva poslovna čovjeka posjećuju Slavno i od stanovnika traže da ga

ZAPALJIVO/ INCENDIARY

TRI MAJMUNA / THREE MONKEYS napuste, a zauzvrat im nude novac. Seljani su pred dilemom: da li da prihvate ponudu koja bi im mogla spasiti živote, ali razoriti duše. Six women, a grandfather, four girls and a young boy live in war ravaged and isolated village of Slavno. Two businessmen visit Slavno demanding residents to leave the village offering money in return. Villagers face a dilemma : should they accept the offer that could save their lives, but destroy their souls.

TRAKTOR, LJUBAV I ROCK ’N’ ROLL/ TRACTOR, LOVE AND ROCK ’N’ ROLL

Slovenia, Bosnia and Herzegovina, Croatia, 2008, 35 mm, Colour, 105 min. Režija/Director: Branko Đurić Scenario/Screenplay: Branko Đurić, Feri Lainšček, Miroslav Mandič Uloge/Cast: Tanja Ribič, Branko Đurić, Jaka Fon, Semka Sokolović Bertok

Pod očevim pritiskom, Silvija se iz Švicarske vraća u svoje selo u Sloveniji, da nađe sebi muža. Jedini gramofon u selu, a vjerovatno i jedina električna gitara u ruralnoj Sloveniji krajem šezdesetih, pripada Brezi. U pokušajima da osvoji njeno srce, on jedan lokalni narodni orkestar nagovori da ga prati dok Silviji svira rock’n’roll. Under pressure from her father, Sylvia leaves Switzerland to go back to her village in Slovenia, in order to find herself a husband. The only record player in the village, and probably the only electric guitar in rural Slovenia of the late sixties, belongs to Breza. He persuades a local folk band to accompany him while playing rock’n’roll for Sylvia, trying to win her heart.

TRI MAJMUNA / THREE MONKEYS

Turkey, France, Italy, 2008, 35 mm, Colour, 109 min. Režija/Director: Nuri Bilge Ceylan Scenario/Screenplay: Ebru Ceylan, Ercan Kesel, Nuri Bilge Ceylan

GOMORA/ GOMORRAH

Uloge/Cast: Yavuz Bingol, Hatice Aslan, Ahmet Rifat Sungar, Ercan Kesal

Jedna porodica na rubu razdora svim se silama trudi da ostane na okupu, tako što će zanemariti istinu... Da bi izbjegla probleme i odgovornosti koje bi u suprotnom bile nepodnošljive, da istinu ne vidi, ne čuje i o njoj ne govori. Da li igra «tri majmuna» poništava postojanje istine? A family on the verge of dissolution battles against the odds to stay together by covering up the Truth... In order to avoid hardship and responsibilities that would otherwise be impossible to endure, the family chooses not to see, hear or talk about it. But does playing Three Monkeys invalidate the Truth of its existence?

ZAPALJIVO/ INCENDIARY

United Kingdom, 2008, 35 mm, Colour, 96 min. Režija/Director: Sharon Maguire Scenario/Screenplay: Chris Cleave, Sharon Maguire Uloge/Cast: Michelle Williams, Ewan McGregor, Matthew MacFayden, Sidney Johnston

Jedna mlada žena isprati muža i sina na fudbalsku utakmicu i dok ih nema, uživa u susretu sa ljubavnikom. Dok vodi ljubav sa drugim muškarcem, čuje vijest o bombašusamoubici na stadionu i o stotinama mrtvih. Sa užasom otkriva da su joj i suprug i dijete među žrtvama. Dok savladava bol, sprijatelji se sa dječakom čiji je otac učestvovao u napadu. A young woman sends her husband and young son off to see a football game, and while they’re gone she enjoys a tryst with her lover. While making love to another man, she hears a news report that a suicide bomber made their way into the stadium, and that hundreds of people are dead. She is horrified to learn that her husband and child were among the victims. As she tries to come to terms with her grief, she befriends a young boy whose father was involved in the attacks.

PRIVEDITE OSUMNJIČENE/ THE USUAL SUSPECTS

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projekat: ja sam, ti si Jerusalem film festival predstavlja presents project: I am you are BLIZU VJETRA/ CLOSE TO THE WIND Israel, 2003, Beta Sp, Colour, 11 min.

Priča o Iri, neobičnoj djevojci čijeg oca su teroristi oteli i ubili. Lihi, član ekipe filma, pokušava uraditi jedan dirljiv i ličan kratki film o njihovim susretu i prijateljstvu koje se rađa. It is a story of Ira, an unusual girl whose father was kidnapped and murdered by terrorists. Lihi, a member of the film team tries to put together a touching and personal short film about the encounter and the friendship that develops between them.

LIČNA KARTA/ IDENTITY CARD Israel, 2003, Beta Sp, Colour, 16 min.

Yichya i Muhammad sedmicama bezuspješno pokušavaju izvaditi lične karte u MUP-u u istočnom Jerusalemu, koji opslužuje arapsko stanovništvo. Beskrajni redovi i haos stvaraju neprijatnu atmosferu. Pod izgovorom da snimaju film, prate jednog Jevreja koji u MUP-u u zapadnom Jerusalemu ličnu kartu izvadi za pola sata. Tužna priča o beskrajnoj birokraciji i diskriminaciji u «ujedinjenom svetom gradu». For several weeks, Yichya and Muhammad have unsuccessfully tried to obtain identity

cards at the East Jerusalem office of the Interior Ministry, serving the Arab population. The endless queues and chaos there create a most unpleasant atmosphere. Under the pretext of shooting a film, they accompany a Jewish man who is issued his identity card within half an hour at the West Jerusalem office of the Interior Ministry. A sad story of endless bureaucracy and discrimination in the “United Holy City.”

SKOČITI U HLADNU VODU I NE UZVIKNUTI „AH“!/ JUMPING INTO THE COLD WATWR WITHOUT SAYING „AH“! Israel, 2005, Beta Sp, Colour, 11 min.

Još od djetinjstva, Muhammad i Raad idu na kupanje u malom, mizernom bazenu u Jabr Mukabaru, seocetu u predgrađu Jerusalema. Danas su oni vrhunski plivači koji se takmiče na međunarodnim plivačkim mitinzima i redovno treniraju - u istom bazenu. Mada je sve protiv njih, raste cijela jedna generacija mladih plivača. Ever since childhood, Muhammad and Raad have been swimming in the small measly pool

of Jabr Mukabar, a village on the outskirts of Jerusalem. Today, they are outstanding swimmers, competing in international swimming meets and conducting rigorous practices - in the same pool. Against all odds, an entire generation of young swimmers is growing.

SVETI GRAD/ HOLY CITY

Israel, 2000, Beta Sp, Colour, 11 min.

Mješovita grupa Jevreja posmatra i definira Jerusalem. Mjesto definira identitet – i to ne jedan, već više njih. Predstavljaju se različita viđenja jednog te istog mjesta i ispituje se značaj geografskih i vjerskih granica, u želji da se shvati značaj suživota. Mjesto i samoidentifikacija postaju jedno. A mixed group of Jews and Arabs set out to observe and define Jerusalem. A place defines identity; not a single identity but multiple identities. Different perspectives of a single place are presented and the significance of geographic and religious boundaries are examined in an effort to understand the meaning of coexistence. Place and self-identity merge.

TATA IZMEĐU BERLINA I PALESTINE/ DAD BETWEEN BERLIN AND PALESTINE Israel, 2006, Beta Sp, Colour, 11 min.

Talah i Dana s majkom žive u istočnom Jerusalemu, a otac im živi i radi u Njemačkoj. Daju nam priliku da vidimo živote dviju tinejdžerki koje žive bez oca, probleme s kojima se suočavaju i emocije koje doživljavaju. Razgovaraju o mogućnosti selidbe u Njemačku ili ostanka u Jerusalemu, a istovremeno govore o općim pitanjima domovine i identiteta, i posebnim pitanjima vezanim za delikatnu političku situaciju u kojoj se nalaze. Talah and Dana live in East Jerusalem with their mother, while their father works and resides in Germany. They let us glimpse into the lives of two teenage girls living without their father, into the difficulties and feelings they experience. They discuss the possibility of moving to Germany or staying in Jerusalem, while raising general questions of homeland and identity, and specific issues relating to the delicate political situation in which they are.

Irski kratki/ Irish shorts finansirala irska fondacija za kinematografiju/ funded by the Irish film board

NOVI DJEČAK/ NEW BOY

BESKORISTAN PAS/ USELESS DOG Režija/Director: Ken Wardrop

Duhovit dokumentarac o jednom nesposobnom, ali šarmantnom seoskom psu. A witty documentary about an inept but lovable farm dog.

SKIDANJE MOJE MAJKE (2005)/ UNDRESSING MY MOTHER (2005) Meet Roy, Ireland’s only living animated character, born into an ordinary ‘live-action’ family. Roy is intelligent but unfortunately for him he is badly drawn. His failure to gain steady employment finally leads him to Hollywood in search of fame, fortune and corrective surgery.

CRVENA LOPTA/ THE RED BALL

LUDA VOŽNJA/ JOYRIDERS

Priča o purpurnom dječaku, zelenoj lopti, crvenoj lopti, zelenoj djevojčici, crvenoj djevojčici, crvenoj djevojčici i purpurnom dječaku. A story about a purple boy, a green ball, a red ball, a green girl, a red girl, a red girl and a purple boy.

Jedan ohrndani crveni sportski auto juri krozi prazni kvart. Koči i vrti se u krivini… A battered red sports car screeches through an empty industrial estate. It brakes and spins in a turn...

LOŠE NACRTANI ROY/ BADLY DRAWN ROY

Ovaj upečatljivi i komičan kratki film, snimljen prema kratkoj priči Roddyja Doylea, kroz viđenje Josepha, devetogodišnjeg Afrikanca,vješto prikazuje iskustva dječaka koji je tek došao u novu školu. Based on a short story by Roddy Doyle this poignant and comedic short film deftly captures the experience of being the new boy in school through the eyes of Joseph, a nineyear-old African boy.

Režija/Director: Alan Holly

Režija/Director: Alan Shannon

Upoznajte Royja, jedinog živog irskog animiranog lika, rođenog u običnoj «igranoj» porodici. Roy je inteligentan, ali je loše nacrtan, što mu smeta. Ne može nikako naći stalni posao, i to ga konačno odvodi u Hollywood, u potrazi za slavom, bogatstvom i korektivnom hirurgijom.

BESKORISTAN PAS/ USELESS DOG

40 |

Režija/Director: Rebecca Daly

NOVI DJEČAK/ NEW BOY Režija/Director: Steph Green

ZUBI/ TEETH

LUDA VOŽNJA/ JOYRIDERS

TROMINUTNA PREDIGRA/ 3MINUTE 4PLAY

SKIDANJE MOJE MAJKE (2005)/ UNDRESSING MY MOTHER (2005) Režija/Director: Ken Wardrop

Upečatljiv dokumentarac koji istražuje jedinstveno žensko viđenje sopstvene težine i tijela koje stari. A poignant documentary that explores a woman’s unique take on her overweight and aging body.

TROMINUTNA PREDIGRA/ 3MINUTE 4PLAY Režija/Director: Johnny O’Reilly

Nadrealna priča o želji i ljubomori, smještena u prazan bijeli prostor. Jedan usamljen i frustriran mladi čovjek stvara prelijepu djevojku koja nije spremna da zadovolji njegove želje. Film na apsurdan način dramatizira jednostavan sukob spolova. A surreal tale of desire and jealousy set in an empty white space. A lonely, frustrated young man conjures up a beautiful girl who is unwilling to satisfy his desires. The film dramatizes in an absurd way a simple conflict between the sexes.

CRVENA LOPTA/ THE RED BALL

VILE IZ BLACKHEATH WOODSA/ THE FAERIES OF BLACKHEATH WOODS

VILE IZ BLACKHEATH WOODSA/ THE FAERIES OF BLACKHEATH WOODS Režija/Director: Ciaran Foy

Tog se dana desilo nešto neobično. Radoznalu Melissu opčarale su neke prave vile. Ne obraćajući pažnju na majku, prati ih u Blackheath Woods… i više se nikad ne vrati. Something peculiar happened that day. Curious Melissa was enchanted by some real Faeries. Ignoring her mother, she followed them down into Blackheath Woods… and never came back.

ZUBI/ TEETH

Režija/Directors: Ruairí O’ Brien, John Kennedy

Kratka priča o dvojici starih prijatelja, o “ko se zadnji smije, najslađe se smije”, o njihovi zubima i seriji događaja koji ih ostave bez teksta. TEETH is a short “last laugh” tale of two old friends, their teeth and a series of events that leaves them lost for words.

LOŠE NACRTANI ROY/ BADLY DRAWN ROY


nagrada evropske filmske akademije - kratki film - nominacije 2008 European film academy award - shorts -nominees 2008

2 PTICE/ 2 BIRDS

VATRA / FIRE

FRANKIE

POLJUBAC ZA SVIJET/ A KISS FOR THE WORLD

JOY

ODGAĐANJE/ PROCRASTINATION

VRIJEME ISTIČE/ TIME IS RUNNING OUT

BROJ ZA IZVINJENJE/ THE APOLOGY LINE

BROJ ZA IZVINJENJE/ THE APOLOGY LINE

United Kingdom, 2007, HD CAM (HDTV), Colour, 10 min. Režija/Director: James Lees Scenario/Screenplay: Wiliam Bridges, James Lees Uloge/Cast: Jevon Canhigh, Ivor Giles, Sheryl Green

Građani mogu anonimno pozvati «broj za izvinjenje» i priznavati šta god žele. Film je spoj stvarnih izvinjenja ljudi iz cijele Britanije sa prekrasnim slikama koje prikazuju trenutke koje inače ne bismo ni primijetili. The public can call the ‘apology line’ anonymously and confess to absolutely anything, over the telephone. The finished film blends the real-life apologies of people from all over the UK with beautiful visuals picking out moments that might otherwise pass us by.

FRANKIE

Ireland, 2007, 35 mm, Colour, 12 min. Režija/Director: Darren Thornton Scenario/Screenplay: Darren Thornton Uloge/Cast: Ryan Andrews, Liam Barton, Una O Brien

Frankie ima 15 godina i sprema se za očinsto. Odlučan je u tome da će biti najbolji mogući otac, ali kako dan odmiče, shvata koliko će mu to biti nemoguće. Frankie is 15 and preparing for fatherhood. He is determined to be the best dad ever, but as his day goes on, he starts to realise how impossible this will be for him.

JA TEBE VIŠE VOLIM/ LOVE YOU MORE

United Kingdom, 2008, 35 mm, Colour, 15 min. Režija/Director: Sam Taylor-Wood Scenario/Screenplay: Patrick Marber Uloge/Cast: Andrea Riseborough, Harry Treadaway

Ljeto u Londonu 1978. Nakon škole Peter odlazi u prodavnicu ploča da kupi novi singl Buzzocksa, Love You More. Georgia želi istu ploču, ali samo je jedna ostala i Peter je uzeo. Ali, još uvijek je tu samo jedna ploča... Summer, 1978. London. After school Peter goes to the local record shop to buy the new

Buzzcocks single, Love You More. Georgia after the same record. But there’s only one copy. And Peter’s got it. But there’s still only one copy.

JOY

United Kingdom, 2008, 35 mm, Colour, 10 min. Režija/Director: Christine Molloy, Joe Lawlor Scenario/Screenplay: Christine Molloy, Joe Lawlor Uloge/Cast: Sonia Saville, Annie Townsend, Charlene James

JOY je priča o 17-godišnjoj djevojci koja je nestala, policijska rekonstrukcija posljednjih trenutaka za koje se zna da ih je provela u lokalnom park. Do kraja postaje jasno da se ne radi samo o rekonstrukciji posljednjih trenutaka života jedne tinejdžerke, već o meditaciji o krhkosti mladosti. JOY is a story about a 17-year-old girl who has gone missing, a police reconstruction of Joy’s last known movements in a local park. By the time the reconstruction is ended it is clear that the film is more than just a reconstruction of a teenagers last movements but rather a meditation on the fragility of youth.

KONTAKT/ CONTACT

Netherlands, 2007, 35 mm, Colour, 10 min. Režija/Director: Hanro Smitsman Scenario/Screenplay: Philip Delmaar, Anjet Daanje, Hanro Smitsman Uloge/Cast: Nino van der Lee, Camilla Siegertsz

Kako se uvredljiva primjedba kao bumerang vrati onome ko je da. Osveta kao motiv igra ključnu ulogu u ovoj studiji uzroka i posljedica nepristojnog ponašanja. Serija sitnih sukoba uči nas da povrijeđena osoba nikad ne može izbrisati svoju bol time što će povrijediti nekog drugog. How an offensive remark rebounds like a boomerang on the one who launches it. Revenge as a motive plays a key role in the study of the causes and consequences of rude conduct. A string of succinct conflicts us that the wounded person can never efface his or her pain by hurting someone else.

ODGAĐANJE/ PROCRASTINATION United Kingdom, 2007, Beta Sp, Colour, 4 min.

Režija/Director: Johnny Kelly

Istraživačka i ispitivačka, nepatvorena i direktna studija o tome kako se neke stvari odgađaju. Nekad je najbolji način da se nešto uradi upravo da se prije toga uradi deset drugih stvari. An investigative and exploratory hands-on gloves-off study into the practice of putting things ‘off’. Sometimes the only way to get something done is to do two dozen other things first.

POLJUBAC ZA SVIJET/ A KISS FOR THE WORLD

France, 2007, 35 mm, Colour, 10 min. Režija/Director: Cyril Paris Scenario/Screenplay: Cyril Paris Uloge/Cast: Chloé Lambert, Enora Fonant, Sami Ahedda

Učiteljica učenicima pokazuje dnevne novine. U želji da ih što bolje vidi, 10-godišnji Leo sekciju «Svijet» istrga na komadiće. Po kazni ih ponovo sastavlja samoljepivom trakom i ponosno razredu čita naslove svog novosastavljenog «Svijeta». A primary school teacher shows her pupils some daily newspapers. Leo, a ten year old boy, wanting to get a closer look at his paper, promptly tears “The World “ into pieces. Leo is ordered to tape the pieces together and goes proudly to the front of the class to read the headlines of his newly assembled “World”.

SESTRE PEARCE/ THE PEARCE SISTERS United Kingdom, 2007, Beta Sp, Colour, 9 min. Režija/Director: Luis Cook Scenario/Screenplay: Luis Cook Uloge/Cast: Len Gray, Dan Wiliamson

Lola i Edna Pearce žive na zabačenom i pustom dijelu obale. Kad im more ponudi zgodnog, ali napola utopljeng muškarca, daju sve od sebe da ga vrate u život. Priča o ljubavi, usamljenosti, hrabrosti, patnji, golotinji, nasilju, pušenju i šoljama čaja. Lola and Edna Pearce live on a remote and austere strip of coast. When the sea offers up a handsome, but half-drowned man, they do

their best to resuscitate him. A tale of love, loneliness, guts, gore, nudity, violence, smoking and cups of tea.

VATRA/ FIRE

Latvia, 2007, 35 mm, Colour, 12 min. Režija/Director: Laila Pakalniņa Scenario/Screenplay: Laila Pakalniņa Uloge/Cast: Una Admoviča, Guna Zariņa, Andris Feldmanis

Sedamdesete. Čak i prije Marijinog rođenja jasno je da će to biti osoba koja će stalno upadati u nevolje. Često je pored vatrogasaca. Da li je to za to što se stvari oko nje često zapale? 1970s. Even before Marija is born it is clear that she will be a person getting into trouble all the time. She is often alongside firemen. Is it because things around her catch fire?

VRIJEME ISTIČE/ TIME IS RUNNING OUT United Kingdom, 2007, Beta Sp, Colour, 7 min. Režija/Director: Marc Reisbig Scenario/Screenplay: Marc Reisbig

Jedan mali svijet je u nevolji. Film ispituje kako stanovnici reagiraju na zlu kob s kojim su suočeni. Jedan čovjek pokušava zaustaviti ono što je neizbježno. A little world is in trouble. The film explores the inhabitants’ reaction to the impending doom. One man tries to stop the inevitable.

2 PTICE/ 2 BIRDS

Iceland, 2008, 35 mm, Colour, 15 min. Režija/Director: Rúnar Rúnarsson Scenario/Screenplay: Rúnar Rúnarsson Uloge/Cast: Atli Oskar Fjalarsson, Sigurdur Jakob Helgason

U jednoj vedroj ljetnoj noći grupa tinejdžera je na putu od nevinosti do zrelosti Glavni lik je jedan stidljivi dječak zaljubljen u jednu vršnjakinju koja je slučajno i prijateljica njegovog dobrog druga. A group of young teenagers is on a journey from innocence to adulthood. The main character is a timid boy who has a typical schoolboy crush on a girl his age, who happens to be a friend of his mate.

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djeciji program

children’s programme

ČIMPANZE U SVEMIRU/ SPACE CHIMPS

NEOBIČNA ZUBIĆ VILA/ THE HAIRY TOOTH FAIRY

Ham III je unuk prvog majmuna-astronauta. Ovaj nespretnjaković možda i nije najkvalificiraniji za takav posao, ali jedan zločesti senator ga je izabrao za najopasniju misiju. Čini se da je jednim nepoznatim svijetom zavladao tiranin, a sad je na Hamu III i njegovoj vjernoj majmunskoj posadi da pomognu u svrgavanju despota u dalekom svemiru. Ham III is the grandson of the first-ever chimp astronaut. This ne’er-do-well chimp may not be the most qualified ape for the job, but a scheming senator has recruited him for a most dangerous mission. It seems that a powerful tyrant has overtaken an alien world, and now it’s up to Ham III and his trusty simian crew to help overthrow the deep-space despot.

Zubić vila uopće nije vila, već jedan miš po imenu Perez. To čupavo stvorenje sakuplja mliječne zube i mijenja ih za zlato, koje kasnije ostavlja djeci. Kad je krenuo po mliječne zube male Lucy, otmu ga oni koji zlato hoće za sebe. Kad Lucy za to sazna, sa rođakom Ramirom krene da spasi Pereza. The Tooth Fairy isn’t a fairy at all, but a mouse named Perez. This furry critter collects baby teeth and then trades them in for gold which then he then leaves for the children. On an outing to collect Lucia’s baby teeth, he gets kidnapped by those who want the gold for themselves. Once Lucia receives news of this, she sets out with her cousin Ramiro to rescue Perez.

FRANKLIN I BLAGO JEZERA KORNJAČA/ FRANKLIN AND THE TURTLE LAKE TREASURE

USA, 2008, 35 mm, Colour, 96 min. Režija/Director: Jennifer Flackett, Mark Levin Scenario/Screenplay: Joseph Kwong, Paula Mazur, Mark Levin, Jennifer Flackett Uloge/Cast: Abigail Breslin, Jodie Foster, Gerard Butler, Michael Carman, Mark Brady

USA, 2008, Colour, 35 mm, 81 min. Režija/Director: Kirk De Micco Scenario/Screenplay: Kirk De Micco, Robert Moreland Uloge/Cast: Andy Samberg, Cheryl Hines, Jeff Daniels, Patrick Warburton, Kristin Chenoweth

Canada, France, 2006, 35 mm, Colour, 80 min. Režija/Director: Dominique Monfery Scenario/Screenplay: Paulette Bourgeois, Brenda Clark, Jean-Jacques Pron, Andrew Sabiston, Charles Tellac, John van Bruggen Uloge/Cast: Louise Cheka, Kevin Sommier, Ariane Aggiage, Isabelle Volpe, Ivanah Coppola

Franklin se s bakom uvijek dobro zabavlja, ali kad se baka razboli, odlučan je u želji da joj pomogne. Od tetke Lucy čuje za talisman koji bi mogao pomoći u liječenju njene bolesti. Talisman se nalazi na kornjačinom jezeru, a do tamo je teško doći. Trebat će mu pomoć prijatelja i tetke, ali to znači i da će imati posla i sa njenim tvrdoglavim kumčetom Samanthom. Franklin shares many good times with his Granny, but when she takes ill, he’s determined to help her. He hears the story from his Aunt Lucy of a talisman that may help to cure the illness. The talisman is found in Turtle Lake, however, it’s a difficult journey to get there. He’ll need to get help from his friends and Aunt, but must also contend with her headstrong goddaughter Samantha.

WALL-E

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ČIMPANZE U SVEMIRU/ SPACE CHIMPS

Argentina, Spain, 2006, 35 mm, Colour, 90 min. Režija/Director: Juan Pablo Buscarini Scenario/Screenplay: Enrique Cortés Uloge/Cast: Alejandro Awada, Mariano Chiesa, Rolly Serrano, Delfina Varni, Fabián Mazzei

NIM NA OTOKU MAšTE/ NIM’ S ISLAND

Djevojčica koja živi na jednom tropskom ostrvu sa ocem naučnikom prepuštena je sama sebi kad se otac nasuče daleko od nje, a bezobzirne turističke agencije prave haos u njenom osamljenom raju. Shvatajući da će joj, ako zaista misli da spasi dom, trebati pomoć odraslih, djevojčica počne razmjenjivati email poruke sa autorom knjige koju čita. A young girl living on a tropical island with her scientist father is left to fend for herself after her dad’s boat leaves him stranded far away and careless tour companies wreak havoc on the secluded paradise. Realizing that she will need adult assistance if she truly hopes to save her home, the resourceful youngster soon begins exchanging e-mails with the author of a book she has been reading.

PRIČA O DVA KOMARCA/ A TALE OF TWO MOZZIES

Denmark, 2007, 35 mm, Colour, 79 min. Režija/Director: Jannik Hastrup, Flemming Quist Møller Scenario/Screenplay: Flemming Quist Møller

PRIČA O DVA KOMARCA/ A TALE OF TWO MOZZIES

NEOBIČNA ZUBIĆ VILA/ THE HAIRY TOOTH FAIRY Dagmar, komarac koji pleše, obožava ples i zaljubljena je u Egona. Egon samo želi ostvariti ludi sprint na biciklu i vidjeti svijet. Kad Dominella, zločesta kraljica crvenih mrava i njeni vojnici ubiju kraljicu crnih mrava i zauzmu njen mravinjak, naši junaci su uvučeni u veliku šumsku dramu, koja njihovo prijateljstvo stavlja na test i tjera ih da sve svoje talente koriste do maksimuma. Dagmar the dancing mosquito is mad about dancing and has the hots for Egon. But Egon is mad about achieving the ultimate sprint on his bike and wants to see the world. When wicked red ant queen Dominella and her soldiers kill the black ant queen and take over her heap, our heroes are drawn into an exciting forest floor drama that puts their friendship to the test and forces them to use their talents to the utmost.

SPEED RACER

USA, 2008, 35 mm, Colour, 135 min. Režija/Director: Andy Wachowski Scenario/Screenplay: Andy Wachowski, Larry Wachowski, Tatsuo Yoshida Uloge/Cast: Emile Hirsch, Nicholas Elia, Christina Ricci, John Goodman, Melissa Holroyd

Brzi Racer je za volanom kao kod kuće. Rođen da vozi aute. Brz je i agresivan, instinktivan i, prije svega, neustrašiv. Jedina konkurencija mu je sjećanje na brata kojeg je obožavao - legendarnog Rexa Racera – čija je smrtu u jednoj trci ostavila nasljeđe koje Brzi želi ispuniti. Kad Brzi odbije privlačan i isplativ posao za Royalton Industries, ne samo da naljuti suludog direktora, već i otkriva stravičnu tajnu. Speed Racer is a natural behind the wheel.

SPEED RACER

NIM NA OTOKU MAšTE/ NIM’ S ISLAND Born to race cars, Speed is aggressive, instinctive and, most of all, fearless. His only real competition is the memory of the brother he idolized—the legendary Rex Racer—whose death in a race has left behind a legacy that Speed is driven to fulfill. When Speed turns down a lucrative and tempting offer from Royalton Industries, he not only infuriates the company’s maniacal owner, but uncovers a terrible secret.

WALL-E

USA, 2008, 35 mm, Colour, 98 min. Režija/Director: Andrew Stanton Scenarij/Screenplay: Andrew Stanton Uloge/Cast: Ben Burtt, Elissa Knight, Jeff Garlin, Fred Willard, MacInTalk

Nakon što je stotine godina proveo usamljeno, radeći ono za šta je naprvljen, WALL-E (Waste Allocation Load Lifter Earth-Class -Skupljač kabastog otpada) otkriva novi smisao u životu kad upozna elegantnog novog robota po imenu Eva. Eva shvata da je WALL-E slučajno pronašao ključ budućnosti planete i juri nazad u svemir da o svom otkriću obavijesti ljude koji nestrpljivo čekaju da im se javi da je sigurno da se vrate kući. After hundreds of lonely years of doing what he was built for, WALL-E (Waste Allocation Load Lifter Earth-Class) discovers a new purpose in life when he meets a sleek search robot named EVE. EVE comes to realize that WALL-E has inadvertently stumbled upon the key to the planet’s future, and races back to space to report her findings to the humans who have been eagerly awaiting word that it is safe to return home.

FRANKLIN I BLAGO JEZERA KORNJAČA/ FRANKLIN AND THE TURTLE LAKE TREASURE


teenarena BRZINA ŽIVOTA / THE SPEED OF LIFE

CIAO BELLA

BEN X

by all the far away places and other people’s seemingly happy lives. Sammer’s experiences waver between fantasy and the harsh reality of growing up in Brooklyn, and he soon discovers that not all tourists are happy.

Belgium, Netherlands, 2007, 35 mm, Colour, 93 min. Režija/Director: Nic Balthazar Scenario/Screenplay: Nic Balthazar Uloge/Cast: Greg Timmermans, Laura Verlinden, Marijke Pinoy, Pol Goossen, Titus De Voogdt

Ben je drugačiji od ostalih. Živi u svom svijetu, gdje neprestano igra svoju omiljenu on-line igru, Archlord, i pokšava da se obuči za stvarni svijet u kojem živi. Okrutnost svakodnevice u tehničkoj školi za njega je poput pakla. Kako raste užas svakodnevnog maltretiranja, Ben smisli jedan plan. Onda oživi Scarlite, djevojka koju je upoznao u on-line igri. To i nije bilo u planu... Ben is different. His life is a universe to itself, where he plays his favorite on-line computer game Archlord avidly, trying hard to train himself for the real world he lives in. The harsh world of a technical school is for him a daily kind of hell. As the horror of being a daily subject to bullying grows, Ben devises a plan. Then Scarlite comes into his life, the girl he has met in his on-line game. That wasn’t part of the plan...

BRZINA ŽIVOTA/ THE SPEED OF LIFE

USA, 2007, DigiBeta, Colour and b&w, 83 min. Režija/Director: Ed Radtke Scenario/Screenplay: Ed Radtke, Marc Nieson, Greg O`Connor Uloge/Cast: Jeremy Allen White, Justin Soto, Samantha Hosie-Leung, Robert Seymour, Blaze Foster

Sammer je 13-godišnji dječak koji bježi sa ulica New Yorka tako što od turista krade video-kamere. On i prijatelji povlače se u svoj radnički kvart da prodaju kamere, ali Sammer uvijek zadrži trake. Sam u svojoj sobi i sa montažom na nekoliko ukradenih kompjutera, Sammer istražuje snimke, očaran dalekim mjestima i naizgled sretnim životima nepoznatih ljudi. Njegova iskustva lebde između fantazije i grube stvarnost odrastanja u Brooklynu, a uskoro će otkriti da nisu svi turisti sretni. Sammer is a 13 year old boy who escapes the streets of New York City by stealing video cameras from tourists. He and his friends retreat to their working class neighborhood to quickly sell the cameras, but Sammer always keeps the tapes. Alone in his bedroom and editing on a rack of stolen computers, Sammer explores this world of footage, infatuated

BEN X

CIAO BELLA

Sweden, 2007, 35 mm, Colour, 89 min. Režija/Director: Mani Maserrat-Agah Scenario/Screenplay: Jens Johnsson Uloge/Cast: Chanelle Lindell, Poyan Karimi, Oliver Ingrosso, Fredrika Tham, Jimmy Lindström, Lotta Karlge

Mustafa je 16-godišnjak koji žarko želi izgubiti nevinost. Ali sve djevojke u njegovom predgrađu misle da je on «fini Turčin» i «dobar drug» i izgledi su mu loši... dok mu se slučajno ne ukaže prilika života. Tokom najvećeg omladinskog fudbalskog turnira, zamijene ga sa članom talijanskog tima. Mustafa/Massimo odjednom svijet gleda kroz nove – šminkerske – sunčane naočale... Linnea očajnički traži momka sa stilom, hrabrošću i strašću. Uskoro će joj se život promijeniti, jer će upoznati Massima, najromantičnijeg Italijana na svijetu... Mustafa is 16 and his most intense wish is to lose his virginity. But all the girls at home in Gothenburg’s middle class suburbia seem to think of him as a kind and considerate “nice enough Turk” and “just a friend” and prospects look bad… until the day he accidentally stumbles upon the opportunity of a lifetime. During the world’s biggest youth football tournament, he is mistaken for a member of an Italian team. Suddenly Mustafa/Massimo sees the world through completely new - and very flashy - sunglasses… Linnea is desperately looking for a guy with style, courage and intense passion. Linnea’s life is about to change as she meets Massimo, the world’s most romantic Italian...

DUNYA I DESIE/ DUNYA & DESIE

Netherlands, 2008, 35 mm, Colour, 94 min. Režija/Director: Dana Nechushtan Scenario/Screenplay: Robert Alberdingk Thijm Uloge/Cast: Maryam Hassouni, Eva van de Wijdeven, Christine van Stralen, Theo Maassen, Rachida Iaallala

Ovo je jedan topli road movie o najboljim prijateljicama Dunyji i Desie. Dunya je iz Maroka, odrasla je uz ramazan, imame i Mekku. Desie je Holanđanka koliko i sir, klompe i tulipani. Na 18. rođendan Dunya sazna da je roditelji žele udati za nekog rođaka u

SOMERS TOWN

LUDILO / THE WACKNESS Maroku. Ona to ne želi. U isto vrijeme Desie sazna da je trudna i želi upoznati svog biološkog oca. Kad otkrije da živi u Maroku, ide s Dunyjom da ga pronađe. This is a heart-warming road movie about best friends Dunya and Desie. Dunya is Moroccan, raised with Ramadan, Imams and Mecca. Desie is as Dutch as Cheese, Wooden Shoes and Tulips. On her 18th birthday, Dunya learns that her family wants her to get married to some nephew from Morocco. She doesn’t really feel like doing so. At the same time Desie gets pregnant what makes her want to meet her own biological father. When she finds out he lives in Morocco, she follows Dunya to Morocco to find him.

LUDILO/ THE WACKNESS

USA, 2008, 35 mm, Colour, 110 min. Režija/Director: Jonathan Levine Scenario/Screenplay: Jonathan Levine Uloge/Cast: Ben Kingsley, Josh Peck, Famke Janssen

Ljeto je 1994. i ulice New Yorka pulsiraju u ritmu hip hopa. Novoizabrani gradonačelnik Rudi Giuliani tek počinje sa svojim «anti-zabavnim» inicijativama protiv «zločina» poput glasnog radija, grafita i pijanstva u javnosti. Luke je društveno neprilagođen tinejdžer koji dila travu i koji nema prijatelja. Travu mijenja za seanse sa svojim psihijatrom, Dr. Squiresom, koji nije baš neki uzor. Ovo je jedna neobična priča o dvije izgubljene duše koje teturaju prema zrelosti. It’s the summer of 1994, and the streets of New York are pulsing with hip hop. The newlyinaugurated mayor, Rudolph Giuliani, is only beginning to implement his anti-fun initiatives against “crimes” like noisy portable radio, graffiti and public drunkenness. Luke is a socially uncomfortable teenage pot dealer with no friends. He trades weed for sessions with his therapist, Dr. Squires. He is an unlikely role model. This is an offbeat tale of two lost souls stumbling towards maturity.

OŽILJCI LJETA/ SUMMER SCARS

United Kingdom, 2007, HD CAM (HDTV), Colour, 73 min. Režija/Director: Julian Richards Scenario/Screenplay: Julian Richards, Al Wilson Uloge/Cast: Kevin Howarth, Ciaran Joyce, Amy Harvey

ta, kojem je drago što ima s kim da se druži. Prvo stiče njihovo povjerenje, ali se njegovo ponašanje polako mijenja. Ono što o njima zna koristi protiv njih, maltretirajući jače u grupi, omalovažavajući slabije i ostavljajući ono najgore za jedinu djevojčicu u grupi. Djeca prekasno shvataju da su taoci. This is a thriller about gang of young teenagers who skip school to hang out in the woods where some hot rodding on a stolen moped changes the fate of their day. They crash into Peter, a disheveled drifter, who is delighted to have a group of kids to hang out with. First he gains their trust, but then his behaviour begins to change. Peter uses what he has learned about the kids against them, bullying the alpha boys, belittling the weaker ones and saving his worst for the only girl of the group. The kids realise too late that they are being held hostage.

SOMERS TOWN

United Kingdom, 2008, 35 mm, b&w, 71 min. Režija/Director: Shane Meadows Scenario/Screenplay: Paul Fraser Uloge/Cast: Piotr Jagiello, Thomas Turgoose, Ireneusz Czop, Elisa Lasowski, Perry Benson, Kate Dickie

16-godišnji Tommo bježi u London da pobjegne od usamljenog i teškog života u Midlandsu. Marek, Poljak, živi sa ocem, građevinskim radnikom koji večeri provodi na piću s prijateljima. Tih i osjetljiv, Marek se bavi fotografijom i nelagodno mu je u očevom svijetu. Obojica se bore da svojim novim životima daju smisao i njihov slučajni sustret u Somers Townu u Londonu vodi ka jednom neočekivanom partnerstvu. Tommo, 16, runs away to London to escape a lonely, difficult life in the Midlands. Marek lives with his father, a Polish construction worker who spends his evenings drinking with friends. Quiet and sensitive, young Marek is a keen photographer who feels uncomfortable in his father’s world. Both struggle to make sense of their new lives and a chance meeting in Somers Town, London, leads the two to form an unexpected partnership.

Ovaj film je triler o grupi tinejdžera koji bježe iz škole da bi bili u šumi, gdje im luda vožnja na ukradenom mopedu mijenja sudbinu. Udare u Petera, neurednog prevaran-

DUNYA I DESIE/ DUNYA & DESIE

OŽILJCI LJETA / SUMMER SCARS

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Orbico family day porodicni dan

Subota, 23.08.2008./ Saturday, 23 August 2008, Vilsonovo šetalište , Od 10 sati Wilson’s Walkway, From 10.00 a.m.

Cjelodnevna zabava za porodicu Orbico porodični dan, cijelodnevna zabava za porodicu, biće i ove godine organizovana posljednjeg dana Sarajevo Film Festivala, 23. augusta. Na radost naših brojnih sugrađana, i ove godine u saradnji sa Općinom Novo Sarajevo i partnerom Orbico u fantastičnom ambijentu Vilsonovog šetališta smjenjivat će se te posljednje festivalske subote različit zabavni program namijenjen svim generacijama. U cilju promoviranja vrijednosti porodice Orbico porodični dan u svom prošlogodišnjem izdanju okupio je više od 15.000 naših sugrađana na jednom mjestu. U ovoj jedinstvenoj manifestaciji učestvovat će brojne organizacije koje kreiraju program u koji se mogu uključiti i svi posjetitelji. U Vilsonovom šetalištu, omiljenom okupljalištu brojnih Sarajlija, koje će za taj dan biti u potpunosti rezervirano za zabavu i druženje, smjenjivat će se ulični zabavljači, interaktivne radionice za djecu, kreativno-eduka-

tivne radionice, različiti performansi mladih umjetnika, muzički nastupi, kao i sportska takmičenja.

An All-day Fun Event for the Whole Family

Također, svoj dolazak u Vilsonovo najavile su i brojne sportske, filmske i muzičke zvijezde, te brojne javne ličnosti Sarajeva i BiH sa kojima se posjetitelji mogu družiti i opuštenoj i neformalnoj atmosferi.

The Orbico Family Day, an all-day fun event for the entire family, will again be organised on the last day of SFF, on 23 August. To be enjoyed by fellow Sarajevans, this event will again be organised in collaboration with the Novo Sarajevo Municipality and Orbico, in the wonderful surroundings of the Wilson’s Walkway. It will be a day of different programmes, to satisfy the tastes of all generations. Aimed at promoting family values, last year’s Orbico Family Day brought together more than 15,000 people.

Orbico porodični dan animira sve posjetitelje i pruža priliku građanima da provedu cijeli dan van domova i uživaju u brojnim, pažljivo osmišljenim sadržajima. Osim zabave ovaj program pruža mogućnost cijeloj zajednici, sa posebnim akcentom na organizacije koje se bave djecom i mladima, za vlastitu promociju i uključenje u razvoj mladih te revitalizaciju kulture. Pridružite nam se posljednjeg dana Sarajevo Film Festivala i osigurajte cjelodnevnu zabavu za sve članove svoje porodice. Provedite nezaboravne trenutke na Orbico porodičnom danu koji će vam, sigurno, ostati u trajnom sjećanju.

This unique event will include numerous organisations which will design their own programmes and ask the visitors to take part in them. The Wilson’s Walkway, a favourite spot for many Sarajevans and booked for the day for nothing but fun, will see a host of street performers, interactive children’s workshops, creative and educational workshops, different performances by young artists, music and sports events.

Numerous athletes, film and music stars as well as various public personalities from Sarajevo have confirmed their presence. Visitors will be able to meet them in a friendly and informal atmosphere. Orbico Family Day invites active participants and offers an opportunity to entire families to spend a great day outdoors, enjoying numerous carefully designed events. In addition to entertainment, the programme offers an opportunity to the entire community, particularly to organisations working with children and youth, to promote their work and become involved in youth development and revival of culture. Join us on the last day of SFF and give your family a great day of fun. Orbico Family Day will give you unforgettable moments to cherish for a long time.

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specijalne projekcije special screenings ESTRELLITA

NA RUBU LJUBAVI/ THE EDGE OF LOVE

ESTRELLITA

vore Dimitrijevićevi savremenici i prijatelji: Christian Boltanski, Frank Gehry, Malcolm McLaren, Mat Dillon, Richard Serra, Jannis Kounellis... Film je sniman u mnogim svjetskim gradovima od New Yorka do Pekinga, a narator je Philip Talbot. Braco Dimitrijevic: from childhood and sports in Sarajevo, departure for Zagreb and London, until today. His contemporaries and friends speak: Christian Boltanski, Frank Gehry, Malcolm McLaren, Mat Dillon, Richard Serra, Jannis Kounellis... The film was made in different cities across the world, from New York to Beijing. Narrated by Philip Talbot.

Slovenia, Germany, BIH, Macedonia , 2007, 35 mm, Colour, 97 min. Režija/Director: Metod Pevec Scenario/Screenplay: Metod Pevec Uloge/Cast: Silva Čušin, Senad Bašić, Marko Kovačevik

Dora Fabiani je 30 godina bila supruga i muza violinise Mihaela Fabianija. Nakon njegove iznenadne smrti, Dora otkrije da ne samo da mu nije bila jedina žena u životu, već i da je veliki dio života držao za sebe. Istinski je povrijeđena tom izdajom. U njen život tada ulazi jedan skroman dječak, Amir, iz siromašne porodice. For 30 years, Dora Fabiani was the wife and muse to a violinist Mihael Fabiani. After his unexpected death, Dora discovers that she was not the only woman in his life and that her husband had kept a good deal of his intimate life to himself. She is deeply hurt by his betrayal. At that point, a modest boy, Amir, from a poor family enters her life.

LOUVRE JE MOJ STUDIO, ULICA JE MOJ MUZEJ/ LOUVRE IS MY STUDIO, STREET IS MY MUSEUM Croatia, United Kingdom, 2008, DVD, Colour, 93 min. Režija/Director: Gordana Brzović Scenario/Screenplay: Alexandra Beaton, Nena Dimitrijević

Braco Dimitrijević: od sarajevskih momenata u djetinjstvu, sportskog djelovanja, odlaska u Zagreb i London, pa do danas. Go-

NA RUBU LJUBAVI/ THE EDGE OF LOVE

United Kingdom, 2008, 35 mm, Colour, 110 min. Režija/Director: John Maybury Scenario/Screenplay: Sharman Macdonald Uloge/Cast: Keira Knightley, Sienna Miller, Cillian Murphy

Vera Phillips i pjesnik Dylan Thomas su kao djeca bili zaljubljeni jedno u drugo. Deset godina kasnije se sreću u Londonu u vrijeme rata. Ona radi kao pjevačica, a on piše propagandne tekstove za vladu. Ponovo osjećaju strast, ali Thomas je sad oženjen sa Caitlin, sklonoj avanturama. Vera Phillips and the poet Dylan Thomas were childhood sweethearts; fast forward ten years and the two reconnect in war-time London. She’s working as a singer whilst he’s churning

VRATI VRAGA U PAKAO/ PRAY THE DEVIL BACK TO HELL out propaganda scripts for government in aid of the war effort. The two feel the thunderbolt once more, but Thomas is now married to the adventurous Caitlin.

TRAGAČ/ THE SEEKER

Bosnia and Herzegovina, 2008, HD CAM (HDTV), Colour, 59 min. Režija/Director: Amela Ćuhara Scenario/Screenplay: Naida Mandić, Amela Ćuhara

Amor Mašović je presjednik Komisije za nestale osobe koji je posvetio svoj život traganju za žrtvama zločina. Kako izgleda pronalaziti posmrtne ostatke, davati im imena i vraćati ih porodicama koje u tom času gube svaku nadu o svojim voljenim, a biti u isto vrijeme muž, otac, prijatelj... Amor Masovic is the president of the Missing Persons Commission who has dedicated his life to finding victims of crime. What is it like to find remains, give them names and return them to families who then lose all hope for their loved ones, and to be a husband, a father and a friend at the same time...

VRATI VRAGA U PAKAO/ PRAY THE DEVIL BACK TO HELL

USA, 2008, HD CAM, Colour, 72 min. Režija/Director: Gini Reticker Uloge/Cast: Leymah Gbowee, Etweda “Sugars” Cooper, Vaiba Flomo, Asatu Bah Kenneth, Etty Weah

LOUVRE JE MOJ STUDIO, ULICA JE MOJ MUZEJ/ LOUVRE IS MY STUDIO, STREET IS MY MUSEUM liniju između suprotstavljenih snaga i zahtijevala prestanak borbi. Vrhunac njihovih demonstracija bio je odlazak Charlesa Taylora u izgnanstvo i izbor Ellen Johnson Sirleaf, prve Afrikanke na čelu države. A group of women of Liberia - Christians and Muslims united - formed a thin but unshakable white line between the opposing forces, and demanded an end to the fighting. Their demonstrations culminated in the exile of Charles Taylor and the election of Ellen Johnson Sirleaf, Africa’s first female head of state.

20 SEKUNDI UŽIVANJA/ 20 SECONDS OF JOY

Germany, 2007, HD CAM (HDTV), Colour, 60 min. Režija/Director: Jens Hoffmann Scenario/Screenplay: Jens Hoffmann Uloge/Cast: Jeb Corliss, Karina Hollekim

Ovisnost ima razne forme. Za 30-godišnju Norvežanku ovisnu o adrenalinu i profesionalnu BASE skakačicu Karinu Hollekim, ovisnost je opsanost. Autor pet godina prati tu sportašicu, koju je teško uhvatiti. Addictions take many forms. For 30-year-old Norwegian adrenaline junkie and professional BASE jumper Karina Hollekim, her addiction is danger. The filmmaker follows the elusive extreme sport athlete for five years.

Grupa žena u Liberiji, i kršćanki i muslimanki, formirala je tanku, ali neprobojnu bijelu

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Peto izdanje Nagrade za ljudska prava: od lokalnog ka globalnom 5th Edition of the Human Rights Award: from local to global

HUMAN RIGHTS PANEL/ PANEL O LJUDSKIM PRAVIMA 22.08.2008./ 14.40 SATI / 14.30 HRS/ POZORIŠTE MLADIH/ YOUTH THEATRE Ove godine proslavljamo peti rođendan Nagrade za ljudska prava Sarajevo Film Festivala. Mnogo je aktivnosti poduzeto i mnogo je filmova na ovu temu prikazano od 2004. godine. Prepoznatljivost Nagrade za ljudska prava u čitavoj regiji je povećana. U smislu promocije i obrazovanja o ljudskim pravima, ta činjenica predstavlja veliko postignuće na koje smo veoma ponosni! Povezivanje ljudskih prava i filmske umjetnosti stalno se poboljšava od uspostavljanja ove nagrade. Posjeta na projekcijama i učešće u panel diskusiji o ljudskim pravima 2007. godine, i to pogotovo mladih ljudi, veoma je ohrabrujuće. Sloboda govora je realnost koja se implementira. Duh prijateljskog natjecanja između režisera iz čitave regije, “bez razlike bilo koje vrste kao što su rasa, boja, spol, jezik, političko ili drugo mišljenje, nacionalno ili društveno porijeklo, imovina, rođenje ili drugi pravni položaj” (Opća deklaracija o pravima čovjeka, članak 2.), najbolji je dokaz da suradnja i poštovanje jesu prije svega stvar volje, te da je njihova korist mnogostruko veća od troška. Citiranje Opće povelje Ujedinjenih naroda iz 1948. godine nije slučajno: ove godine slavimo 60. obljetnicu ovog osnivačkog teksta. Tim povodom Švicarska i Norveška pokrenule su inicijativu na svjetskom nivou čiji je cilj stvaranje novog “Plana rada za unapređenje ljudskih prava”. Jugoistočna Evropa, sa svojom specifičnom istorijom i iskustvima, zasigurno će odigrati važnu ulogu dajući doprinos novom “suživotu” u suvremenom svijetu koji je uprkos globalizaciji i dalje veoma složen. Kultura (kao i kinematografija) mogu uveliko doprinijeti ovom procesu. Što se tiče buduće suradnje, Švicarska i Sarajevo Film Festival potpisali su krajem prošle godine novi trogodišnji ugovor za Nagradu za ljudska prava i Nagradu za najbolji dokumentarni film. Zajednička volja da se na bolji način promoviraju pobjednički filmovi u regiji je također realizirana, a veza Nagrade za ljudska prava sa ostatkom Festivala dodatno je ojačana. Svim natjecateljima i učesnicima želimo izvrsno izdanje! Gilles Roduit Ambasada Švicarske

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We celebrate this year as the 5th anniversary of the SFF Human Rights Award. Since 2004, many activities have been undertaken and many movies dealing with this topic have been screened. The HRA has increased its visibility in the entire region. In terms of human rights education and promotion, this is a great achievement, and we are very proud of it! Since its creation, the initiative of linking human rights and cinema has been constantly improved. The attendance and participation, in particular from young people, to film screenings and to the Human Rights Panel during the 2007 edition is very promising. Freedom of speech is implemented reality. The spirit of friendly competition among film-makers from the entire region, “without distinction of any kind such as race, color, sex, language, religion, political or other opinion, national or social origin, property, birth or other status” (Universal Declaration of Human Rights, art. 2), is the best proof that cooperation and respect are above all a question of will, as the benefits are much higher than the costs. The quote of the United Nations Universal Declaration of 1948 is not a hazard: we celebrate this year the 60th anniversary of this founding text. On this occasion, Switzerland and Norway have launched a worldwide initiative designed to draft a new “Agenda for Human Rights”. South-Eastern Europe, with its specific history and experiences, will definitely have a role to play in contributing to drawing a new “living together” for the contemporary world which, being globalized, remains extremely complex. Culture (and cinema) can greatly contribute to it. Concerning future co-operation, Switzerland and the SFF signed at the end of last year a new three year contract for the Human Rights Award and Best Documentary Film. The common will to better promote the winning films in the region is implemented, as well as linking this Award with the rest of the Festival even stronger. We wish for an excellent edition to all competitors and participants! Gilles Roduit Embassy of Switzerland


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