Fest ival Daily Petak/ Friday/ 21. August 2020
Nagrade 26. Sarajevo Film Fest ivala / 26th Sarajevo Film Festival Awards SRCE SARAJEVA ZA NAJBOLJI FILM EGZIL / EXIL Njema?ka, Belgija, Kosovo Re?ija: Visar Morina Producenti: Janine Jackowski, Jonas Dornbach, Maren Ade Nov?anu nagradu, u iznosu od 16.000 ?, sufinansira Turisti?ka zajednica Kantona Sarajevo HEART OF SARAJEVO FOR BEST FEATURE FILM EXILE / EXIL Germany, Belgium, Kosovo Director: Visar Morina Producers: Janine Jackowski, Jonas Dornbach, Maren Ade Award in the amount of ?16,000, co-sponsored by the Tourism Association of Canton Sarajevo
SRCE SARAJEVA ZA NAJBOLJEG REDITELJA Ru Hasan ov, UNUTRA?NJE OSTRVO / DAXILD? KI ADA Azerbejd?an, Francuska Nov?anu nagradu, u iznosu od 10.000 ?, obezbje?uje Agnes B. HEART OF SARAJEVO FOR BEST DIRECTOR Ru Hasanov, THE ISLAND WITHIN / DAXILD? KI ADA Azerbaijan, France Award in the amount of ?10,000, sponsored by Agnes B.
SRCE SARAJEVA ZA NAJBOLJU GLUMICU M ar ija ?k ar i?i?, MARE ?vicarska, Hrvatska Nov?ana nagrada u iznosu od 2.500 ? HEART OF SARAJEVO FOR BEST ACTRESS Marija ?kari?i?, MARE Switzerland, Croatia Award in the amount of ?2,500
SRCE SARAJEVA ZA NAJBOLJEG GLUMCA Van gelis M ou r ik is, KOPA? / DIGGER Gr?ka, Francuska Nov?ana nagrada u iznosu od 2.500 ? HEART OF SARAJEVO FOR BEST ACTOR Vangelis Mourikis, DIGGER Greece, France Award in the amount of ?2,500
SRCE SARAJEVA ZA NAJBOLJI DOKUMENTARNI FILM
M ERRY CHRISTM AS, YIWU ?vedska, Srbija, Njema?ka, Francuska, Belgija, Katar Re?ija: Mladen Kova?evi? Nov?anu nagradu, u iznosu od 3.000 ?, obezbje?uje Vlada ?vicarske HEART OF SARAJEVO FOR BEST DOCUMENTARY FILM
MERRY CHRISTMAS, YIWU Sweden, Serbia, Germany, France, Belgium, Qatar Director: Mladen Kova?evi? Award in the amount of ?3,000, sponsored by the Government of Switzerland
SPECIJALNA NAGRADA ?IRIJA HOLY FATHER Rumunija Re?ija: Andrei D?sc?lescu Nov?ana nagrada u iznosu od 2.500 ? SPECIAL JURY AWARD HOLY FATHER Romania Director: Andrei D?sc?lescu Award in the amount of ?2,500.
NAGRADA ZA LJUDSKA PRAVA ACAS? , M OJ DOM / ACAS? Rumunija, Njema?ka, Finska Re?ija: Radu Ciorniciuc Nagrada za ljudska prava dodjeljuje se za najbolji film iz Takmi?arskog programa ? dokumentarni film koji obra?uje tematiku ljudskih prava. Nagradu u iznosu od 3.000 ? obezbje?uje Kraljevina Nizozemske. HUMAN RIGHTS AWARD ACAS?, MY HOME / ACAS? Romania, Germany, Finland Director: Radu Ciornicic Best film of the Competiution Programme Documentary Film dealing with the subject of human rights. Award in the amount of ?3,000, sponsored by the Kingdom of the Netherlands.
SRCE SARAJEVA ZA NAJBOLJI KRATKI FILM ? kvalifikacioni film za nominaciju za nagradu Oscar®
ANTIOTPAD Hrvatska Re?ija: Tin ?ani? Nov?anu nagradu, u iznosu od 2.500 ?, obezbje?uje Podravka HEART OF SARAJEVO FOR BEST SHORT FILM Academy Award® qualifying
ANTIOTPAD Croatia Director: Tin ?ani? Award in the amount of ?2,500, sponsored by Podravka
SPECIJALNO PRIZNANJE ?IRIJA NJENIM STOPAM A / STA VÌM ATA TIS Gr?ka Re?ija: Anastasia Kratidi SPECIAL JURY MENTION IN HER STEPS / STA VÌMATA TIS Greece Director: Anastasia Kratidi
SRCE SARAJEVA ZA NAJBOLJI STUDENTSKI FILM VELIKA ISTANBULSKA DEPRESIJA / BÜYÜK ?STANBUL DEPRESYONU Turska, Japan Re?ija: Zeynep Dilan Süren Nov?anu nagradu, u iznosu od 1.000 ?, obezbje?uje Vije?e za regionalnu saradnju. HEART OF SARAJEVO FOR BEST STUDENT FILM THE GREAT ISTANBUL DEPRESSION / BÜYÜK ?STANBUL DEPRESYONU Turkey, Japan Director: Zeynep Dilan Süren Award in the amount of ?1,000, sponsored by the Regional Cooperation Council
PO?ASNO SRCE SARAJEVA M ich el Fr an co, reditelj HONORARY HEART OF SARAJEVO AWARD Michel Franco, director
PO?ASNO SRCE SARAJEVA M ads M ik k elsen , glumac HONORARY HEART OF SARAJEVO AWARD Mads Mikkelsen, actor NAGRADA AUDENTIA 2020. GARAGE PEOPLE Re?ija: Natalija Yefimkina Nagrada se dodjeljuje redateljici dugometra?nog filma iz jednog od programa ovogodi?njeg Sarajevo Film Festivala, kao podr?ka za njezin sljede?i film. Nov?anu nagradu, u iznosu od 30.000 ?, obezbje?uje EURIMAGES AUDENTIA AWARD 2020 GARAGE PEOPLE Director: Natalija Yefimkina The award will be given to the female director of a feature film from one of this year?s Sarajevo Film Festival programmes, as a support for her future film. Award in the amount of 30,000 ?, sponsored by EURIMAGES
List a svih nagrada 26. Sarajevo Film Fest ivala OFICIJELNE NAGRADE TAKMI?ARSKI PROGRAM ? IGRANI FILM Predsjednik ?irija: Michel Hazanavicius (reditelj, scenarist, Francuska) ?lanovi ?irija: Carlo Chatrian (umjetni?ki direktor Me?unarodnog filmskog festivala u Berlinu, Njema?ka) Jadranka ? oki? (glumica, Hrvatska) Srdan Golubovi? (redatelj, Srbija) Andrea Stavenhagen (rukovoditeljica Industry odjela i edukacije Morelia Film Festivala, Meksiko) SRCE SARAJEVA ZA NAJBOLJI FILM EGZIL / EXIL Njema?ka, Belgija, Kosovo Re?ija: Visar Morina Producenti: Janine Jackowski, Jonas Dornbach, Maren Ade Nov?anu nagradu, u iznosu od 16.000 ?, sufinansira Turisti?ka zajednica Kantona Sarajevo SRCE SARAJEVA ZA NAJBOLJEG REDITELJA Ru Hasanov, UNUTRA?NJE OSTRVO / DAXILD? KI ADA Azerbejd?an, Francuska Nov?anu nagradu, u iznosu od 10.000 ?, obezbje?uje Agnes B. SRCE SARAJEVA ZA NAJBOLJU GLUMICU Marija ?kari?i?, MARE ?vicarska, Hrvatska Nov?ana nagrada u iznosu od 2.500 ? SRCE SARAJEVA ZA NAJBOLJEG GLUMCA Vangelis Mourikis, KOPA? / DIGGER Gr?ka, Francuska Nov?ana nagrada u iznosu od 2.500 ? TAKMI?ARSKI PROGRAM ? DOKUMENTARNI FILM ?iri: Lejla Dedi? (producentica, Programski odjel, Al Jazeera Balkans, BiH) Goran Devi? (reditelj, Hrvatska) Tue Steen Müller (konsultant i kriti?ar za dokumentarne filmove) SRCE SARAJEVA ZA NAJBOLJI DOKUMENTARNI FILM MERRY CHRISTMAS, YIWU ?vedska, Srbija, Njema?ka, Francuska, Belgija,
Katar Re?ija: Mladen Kova?evi? Nov?anu nagradu, u iznosu od 3.000 ?, obezbje?uje Vlada ?vicarske SPECIJALNA NAGRADA ?IRIJA HOLY FATHER Rumunija Re?ija: Andrei D?sc?lescu Nov?ana nagrada u iznosu od 2.500 ? NAGRADA ZA LJUDSKA PRAVA ACAS? , MOJ DOM / ACAS? Rumunija, Njema?ka, Finska Re?ija: Radu Ciorniciuc Nagrada za ljudska prava dodjeljuje se za najbolji film iz Takmi?arskog programa ? dokumentarni film koji obra?uje tematiku ljudskih prava. Nagradu u iznosu od 3.000 ? obezbje?uje Kraljevina Nizozemske. TAKMI?ARSKI PROGRAM ? KRATKI FILM ?iri: Stefan ? or?evi? (reditelj, Srbija) Thanasis Neofotistos (reditelj, Gr?ka) Ines Tanovi? (rediteljica, scenaristica, producentica, BiH) SRCE SARAJEVA ZA NAJBOLJI KRATKI FILM ? kvalifikacioni film za nominaciju za nagradu Oscar®
ANTIOTPAD Hrvatska Re?ija: Tin ?ani? Nov?anu nagradu, u iznosu od 2.500 ?, obezbje?uje Podravka SPECIJALNO PRIZNANJE ?IRIJA NJENIM STOPAMA / STA VÌMATA TIS Gr?ka Re?ija: Anastasia Kratidi TAKMI?ARSKI PROGRAM ? STUDENTSKI FILM ?iri: An?elija Andri? (koordinatorica za me?unarodne odnose u Filmskom centru Srbije, Srbija) Georges Goldenstern (generalni direktor, Cinéfondation, Francuska) Lana Mati? (producentica, Hrvatska) SRCE SARAJEVA ZA NAJBOLJI STUDENTSKI FILM VELIKA ISTANBULSKA DEPRESIJA / BÜYÜK ?STANBUL DEPRESYONU Turska, Japan
Re?ija: Zeynep Dilan Süren Nov?anu nagradu, u iznosu od 1.000 ?, obezbje?uje Vije?e za regionalnu saradnju. PO?ASNO SRCE SARAJEVA Michel Franco, reditelj Mads Mikkelsen, glumac NAGRADA AUDENTIA 2020 ?iri: Aida Begi?, rediteljica (BiH) Marco Müller, umjetni?ki direktor Me?unarodnog filmskog festivala ?Pingyao Crouching Tiger Hidden Dragon? (Italija/Kina) Iris Zappe-Heller, zamjenica direktora i voditeljica Odjela za rodnu jednakost i raznolikost Austrijskog filmskog instituta (Austrija) GARAGE PEOPLE Re?ija: Natalija Yefimkina Nagrada se dodjeljuje redateljici dugometra?nog filma iz jednog od programa ovogodi?njeg Sarajevo Film Festivala, kao podr?ka za njezin sljede?i film. Nov?anu nagradu, u iznosu od 30.000 ?, obezbje?uje EURIMAGES CINELINK NAGRADE NAGRADE CINELINK KOPRODUKCIJSKOG MARKETA 2020. ?iri: Sehad ?eki?, Filmski centar Crne Gore Georges Goldenstern, Cinefondation Behrooz Hashemian, Silkroad Production Elena Kotová, Eurimages Annamaria Lodato, ARTE France Cinema Gordan Mati?, Filmski centar Srbije EURIMAGES CO-PRODUCTION DEVELOPMENT NAGRADA THE OTTER Re?ija: Sr?an Vuleti? Nagrada u iznosu 20.000 ?. NAGRADA FILMSKOG CENTRA CRNE GORE SPITE Re?ija: Andrijana Stojkovi? Nagrada u iznosu 10.000 ?. NAGRADA FILMSKOG CENTRA SRBIJE SUPPORTING ROLE Re?ija: Ana Urushadze Nagrada u iznosu 10.000 ?. ARTEKINO INTERNATIONAL NAGRADA SUDDENLY Re?ija: Melisa Önel Nagrada u iznosu od 6.000 ?. EAVE + NAGRADA Vasilis Chrysant hopoulos THE GOSPEL ACCORDING TO KIMON
WORK IN PROGRESS NAGRADE ?iri: Elise Jalladeau, Thessaloniki International Film Festival Petra Kader-Göbel, The Post Republic Vanja Kaludjer?i?, International Film Festival Rotterdam Tobias Pausinger, The Match Factory Esra Demirkiran, Turska nacionalna radio-televizija NAGRADA TURSKE NACIONALNE RADIO-TELEVIZIJE ULBOLSYN Re?ija: Adilkhan Yerzhanov Nagrada u iznosu od 25.000 ?. POST REPUBLIC NAGRADA VERA DREAMS OF THE SEA Re?ija: Kaltrina Krasniqi Nagrada u postprodukcijskim uslugama u vrijednosti od 50.000 ?. CINELINK IRIDIUM NAGRADA MOON 66 QUESTIONS Re?ija: Jacqueline Lentzou Nagrada u postprodukcijskim uslugama u vrijednosti od 20.000 ?. CINELINK DRAMA NAGRADE ?iri: Cia Edström, TV Drama Vision - Göteborg Film Festival Neboj?a Taraba, Drugi Plan Miroslav Terzi?, reditelj NAGRADA HRVATSKOG AUDIOVIZUALNOG CENTRA BLACK DELTA Kreatori: Dragos Bucur i Sofia Bucur Stimulacijau razvoju projekta u vrijednostiod 15.000 ?. TV DRAMA VISION PITCH NAGRADA ABYSS Kreator: Marjan Al?evski Projekat?e biti prezentiranna TVDRAMAVISIONu Göteborgu. PARTNERSKE NAGRADE CINEUROPA NAGRADA ?iri: Marta Ba?aga, filmska kriti?arka, Poljska / Finska Boban Jevti?, kreativni direktor, Firefly, Srbija EXILE Re?ija: Visar Morina Nagradu dodjeljuje Cineuropa portal posve?en europskoj kinematografiji i njenim stvaraocima i to filmu koji, osim ?to nesporno posjeduje umjetni?ke kvalitete, tako?er promovira ideje europskog dijaloga i integracije. Vrijednost nagrade iznosi 5.000 ?. CICAE NAGRADA ?iri:
Éva Demeter, koordinatorica za me?unarodne odnose, kino TISZApART Mozi, Ma?arska Piotr Szczyszyk, programer i stru?njak za filmsku edukaciju, PA?ACOWE CINEMA, ZAMEK CULTURE CENTRE, Poljska Anika Danielle Wagner, programerka i kreativna direktorica kina Traumstern, Njema?ka MARE Re?ija: Andrea ?taka Me?unarodna konfederacija umjetni?kih kina (CICAE) nagra?uje film u selekciji Takmi?arskog programa igrani film. Nagra?eni film ?e dobiti posebnu podr?ku CICAE kada je u pitanju pomo? kod distribucije, prikazivanja filma i dopiranja do publike, putem mre?e od 3.000 kina. SARAJEVSKI KRATKOMETRA?NI KANDIDAT ZA EVROPSKU FILMSKU NAGRADU ?iri: Aleta Raji?, animatorica, BiH Amila Ramovi?, kustosica, BiH Andrei T?n?sescu, selektor, Rumunija ALL CATS ARE GREY IN THE DARK Re?ija: Lasse Linder Filmovi iz ove sekcije takmi?e se, zajedno s filmovima iz programa Takmi?arski program ? kratki film, za kandidaturu za nagradu Evropske filmske akademije (EFA), kao i za razmatranje za nominaciju za nagradu Oscar® Ameri?ke akademije filmskih umjetnosti i znanosti. NAGRADE STUDENTSKOG PROGRAMA BH. FILM ?iri: Sabrina Begovi? ?ori?, rediteljica, BiH Strajo Krsmanovi?, filmski teoreti?ar, BiH Mirza Skenderagi?, scenarista i filmski kriti?ar, BiH NAJBOLJI FILM B4 Re?ija: Alen ?imi? SPECIJALNA NAGRADA ?IRIJA ROOTS Re?ija: Stefan Tomi? SPECIJALNO PRIZNANJE ?IRIJA THRALL Re?ija: Igor ? uri? TALENTS SARAJEVO PACK & PITCH 2020. ?iri: Kathi Bildhauer, koordinatorica Berlinale Talents Asja Krsmanovi?, selektorica Sarajevo Film Festivala Yoel Meranda, producent, Kamara Ivana Peku?i?, producentica, Studio Chelia CINELINK NAGRADA ANNA GYIMESI AFFRICATA
STUDIO CHELIA NAGRADA CLARA KLEININGER NO ELEPHANT IN THE ROOM DOCUTALENTSFROMTHEEASTU SARADNJISA JI.HLAVA INTERNATIONAL DOCUMENTARY FILM FESTIVALOM ?iri: Natalia Arshavskaya, akvizicije, Current Time TV Martichka Bozhilova, producent, Agitprop Wood Lin, direktor programa, TAIWAN International Documentary Festival Jarmila Outratová, rukovoditeljica industry odjela, Ji.hlava IDFF Tiffany Pritchard, novinarka, Filmmaker Magazine DOCU TALENTS AWARD ELEVATION Re?ija: Max Rudenko Nagradu u vrijednosti od 5000 USD obezbje?uje Current TV DOCU ROUGH CUT BOUTIQUE NAGRADE 2020. ?ir i: Laurien Ten Houten, IDFA Hanka Kastelicová, HBO Europe Catherine Le Clef, CAT&Docs Cristian Nicolescu, Digital Cube Brigid O'Shea, Dok Leipzig AVANPOST MEDIA NAGRADA MUSEUM OF REVOLUTION Re?ija: Sr?an Ke?a Nagrada u postprodukcijskim uslugama u vrijednosti od 20 000 ? CAT&DOCS NAGRADA COLORS OF TOBI Re?ija: Alexa Bakony Nagrada u vrijednosti od 2000 ? HBO EUROPE NAGRADA COLORS OF TOBI Re?ija: Alexa Bakony Nagrada u vrijednosti od 2000 ? IDFA PROJECT NAGRADA I DOK PREVIEW NAGRADA CHAMPIONS Re?ija: Ketevani Kapanadze Nagrada je u?e??e i prezentacija na IDFA 2020. i festivalu Dok Leipzig, u DOK Preview selekciji.
26t h Sarajevo Film Fest ival Awards Com plet e List OFFICIAL AWARDS
Award in the amount of ?2,500.
COMPETITION PROGRAMME ? FEATURE FILM President of t he Jury: Michel Hazanavicius (director, writer, France) Mem bers of t he Jury: Carlo Chatrian (artistic director of the Berlin International Film Festival, Germany) Jadranka ? oki? (actress, Croatia) Srdan Golubovi? (director, Serbia) Andrea Stavenhagen (head of industry and training projects of the Morelia Film Festival, Mexico)
HUMAN RIGHTS AWARD ACAS? , MY HOME / ACAS? Romania, Germany, Finland Director: Radu Ciorniciuc Best film of the Competition Programme Documentary Film dealing with the subject of human rights. Award in the amount of ?3,000, sponsored by the Kingdom of the Netherlands.
HEART OF SARAJEVO FOR BEST FEATURE FILM EXILE / EXIL Germany, Belgium, Kosovo Director: Visar Morina Producers: Janine Jackowski, Jonas Dornbach, Maren Ade Award in the amount of ?16,000, co-sponsored by the Tourism Association of Canton Sarajevo HEART OF SARAJEVO FOR BEST DIRECTOR Ru Hasanov, THE ISLAND WITHIN / DAXILD? KI ADA Azerbaijan, France Award in the amount of ?10,000, sponsored by Agnes B. HEART OF SARAJEVO FOR BEST ACTRESS Marija ?kari?i?, MARE Switzerland, Croatia Award in the amount of ?2,500 HEART OF SARAJEVO FOR BEST ACTOR Vangelis Mourikis, DIGGER Greece, France Award in the amount of ?2,500 COMPETITIONPROGRAMME ? DOCUMENTARY FILM Jury: Lejla Dedi? (producer, programme department, Al Jazeera Balkans, BiH) Goran Devi? (director, Croatia) Tue Steen Müller (documentary consultant and critic, Denmark) HEARTOFSARAJEVOFORBESTDOCUMENTARY FILM MERRY CHRISTMAS, YIWU Sweden, Serbia, Germany, France, Belgium, Qatar Director: Mladen Kova?evi? Award in the amount of ?3,000, sponsored by the Government of Switzerland SPECIAL JURY AWARD HOLY FATHER Romania Director: Andrei D?sc?lescu
COMPETITION PROGRAMME ? SHORT FILM Jury: Stefan ? or?evi? (director, Serbia) Thanasis Neofotistos (director, Greece) Ines Tanovi? (director, screenwriter, producer, BiH) HEART OF SARAJEVO FOR BEST SHORT FILM Academy Award® qualifying ANTIOTPAD Croatia Director: Tin ?ani? Award in the amount of ?2,500, sponsored by Podravka SPECIAL JURY MENTION IN HER STEPS / STA VÌMATA TIS Greece Director: Anastasia Kratidi COMPETITION PROGRAMME ? STUDENT FILM Jury: An?elija Andri? (international relations coordinator at Film Center Serbia, Serbia) Georges Goldenstern (general manager, Cinéfondation, France) Lana Mati? (producer, Croatia) HEART OF SARAJEVO FOR BEST STUDENT FILM THE GREAT ISTANBUL DEPRESSION / BÜYÜK ISTANBUL DEPRESYONU Turkey, Japan Director: Zeynep Dilan Süren Award in the amount of ?1,000, sponsored by the Regional Cooperation Council HONORARY HEART OF SARAJEVO AWARD Michel Franco, director Mads Mikkelsen, actor AUDENTIA AWARD 2020 Jury: Aida Begi?, director, BiH Marco Müller, artistic director, Pingyao Crouching Tiger Hidden Dragon International Film Festival, Italy/China Iris Zappe-Heller, deputy director, head of the Gender and Diversity Department, Austria
GARAGE PEOPLE Director: Natalija Yefimkina The award will be given to the female director of a feature film from one of this year?s Sarajevo Film Festival programmes, as a support for her future film. Award in the amount of 30,000 ?, sponsored by EURIMAGES CINELINK AWARDS CINELINKCO-PRODUCTION MARKETAWARDS2020 Jury: Sehad ?eki?, Film Center Montenegro Georges Goldenstern, Cinefondation Behrooz Hashemian, Silkroad Production Elena Kotová, Eurimages Annamaria Lodato, ARTE France Cinema Gordan Mati?, Film Center Serbia
CINELINK IRIDIUM AWARD MOON 66 QUESTIONS Director: Jacqueline Lentzou Awardin-kindpost-production servicesworth20,000? CINELINK DRAMA AWARDS Jury: Cia Edström, TV Drama Vision - Göteborg Film Festival Neboj?a Taraba, Drugi Plan Miroslav Terzi?, director CROATIAN AUDIOVISUAL CENTER DRAMA AWARD BLACK DELTA Creators: Dragos Bucur i Sofia Bucur Award in amount of 15,000 ? to stimulate the development process of selected project
EURIMAGESCO-PRODUCTION DEVELOPMENT AWARD THE OTTER Director: Sr?an Vuleti? Award in amount of 20,000 ?
TV DRAMA VISION PITCH AWARD ABYSS Creator: Marjan Al?evski Project selected to be presented at TV Drama Vision in Göteborg
FILM CENTER MONTENEGRO CINELINK AWARD SPITE Director: Andrijana Stojkovi? Award in amount of 10,000 ?
26TH SARA JEVO FILM FESTIVAL PARTNERS' AWARDS
FILM CENTER SERBIA CINELINK AWARD SUPPORTING ROLE Director: Ana Urushadze Award in amount of 10,000 ? ARTEKINO INTERNATIONAL PRIZE SUDDENLY Director: Melisa Önel Award in amount of 6,000 ? EAVE + AWARD Vasilis Chrysant hopoulos THE GOSPEL ACCORDING TO KIMON CINELINK WORK IN PROGRESS AWARDS Jury: Elise Jalladeau, Thessaloniki International Film Festival Petra Kader-Göbel, The Post Republic Vanja Kaludjer?i?, International Film Festival Rotterdam Tobias Pausinger, The Match Factory Esra Demirkiran, Turkish National Radio Television TURKISH NATIONAL RADIO TELEVISION AWARD ULBOLSYN Director: Adilkhan Yerzhanov Award in amount of 25,000 ? POST REPUBLIC AWARD VERA DREAMS OF THE SEA Director: Kaltrina Krasniqi Award in-kind post-productionservicesworth 50,000 ?
CINEUROPA AWARD Jury: Marta Ba?aga, film critic, Poland/Finland Boban Jevti?, creative director, Firefly, Serbia EXILE Director: Visar Morina Awarded by the Cineuropa portal, the site dedicated to European cinema and film professionals, the Cineuropa Prize is awarded to a film that, besides having indisputable artistic qualities, promotes the idea of European dialogue and integration. The value of this award is ?5,000. CICAE AWARD Jury: Éva Demeter, International relations coordinator at TISZApART, Mozi, Hungary Piotr Szczyszyk, programmer and film education specialist of the PA?ACOWE CINEMA in ZAMEK CULTURE CENTRE, Poland Anika Danielle Wagner, programmer and creative head of Traumstern Kino, Germany MARE Director: Andrea ?taka The International Confederation of Art Cinemas (CICAE) awards a film from the Competition Programme ? Feature Film. The winning film receives CICAE support in terms of distribution, exhibition, and audience outreach, throughout a network of 3,000 cinemas. SARAJEVO SHORT FILM CANDIDATE FOR THE EUROPEAN FILM AWARDS
Jury: Aleta Raji?, animator, BiH Amila Ramovi?, curator, BiH Andrei T?n?sescu, programmer, Romania ALL CATS ARE GREY IN THE DARK Director: Lasse Linder Films in the European Shorts section compete alongside the regional Competition Shorts for an EFA Short Film Candidacy at the European Film Awards and to qualify for an Academy Award (Oscar®) nomination. BH FILM STUDENT PROGRAMME AWARDS Jury: Sabrina Begovi? ?ori?, director BiH Strajo Krsmanovi?, film theoretician, BiH Mirza Skenderagi?, screenwriter and film critic, BiH BEST BH STUDENT FILM B4 Director: Alen ?imi? SPECIAL JURY AWARD ROOTS Director: Stefan Tomi? SPECIAL JURY MENTION THRALL Director: Igor ? uri? TALENTS SARA JEVO PACK & PITCH 2020 Jury: Kathi Bildhauer, coordinator, Berlinale Talents, Project Market Asja Krsmanovi?, Sarajevo Film Festival programmer Yoel Meranda, producer, Kamara Ivana Peku?i?, producer, Studio Chelia CINELINK AWARD ANNA GYIMESI AFFRICATA STUDIO CHELIA AWARD CLARA KLEININGER NO ELEPHANT IN THE ROOM DOCU TALENTS FROM THE EAST PRESENTED BY
JI.HLAVA INTERNATIONAL DOCUMENTARY FILM FESTIVAL Jury: Natalia Arshavskaya, acquisitions, Current Time TV Martichka Bozhilova, producer, Agitprop Wood Lin, Program Director, TAIWAN International Documentary Festival Jarmila Outratová, head of industry, Ji.hlava IDFF Tiffany Pritchard, journalist, Filmmaker Magazine DOCU TALENTS AWARD ELEVATION Director: Max Rudenko Award in the amount of 5000 USD sponsored by Current TV DOCU ROUGH CUT BOUTIQUE AWARDS Jury: Laurien Ten Houten, IDFA Industry & Docs for Sale manager Hanka Kastelicová, VP of Documentaries HBO Europe Catherine Le Clef, president and founder of CAT&Docs Cristian Nicolescu, co-founder of Digital Cube Brigid O'Shea, head of Dok Leipzig Industry AVANPOST MEDIA AWARD MUSEUM OF REVOLUTION Director: Sr?an Ke?a In kind post-production services worth 20 000 ? CAT&DOCS AWARD COLORS OF TOBI Director: Alexa Bakony Award in amount of 2000 ? HBO EUROPE AWARD COLORS OF TOBI Director: Alexa Bakony Award in amount of 2000 ? IDFA PROJECT AWARD & DOK PREVIEW AWARD CHAMPIONS Director: Ketevani Kapanadze The winner will be fully invited to present a project at IDFA 2020 and DOK Leipzig 2020
Mastercard Film i kino su na jedinstven na?in povezani sa novim iskustvima, novim svjetovima i novim kulturama. Imaju snagu da nas pove?u i izlo?e nam pitanja i prilike koje mogu promjeniti na?e mi?ljenje, probuditi emocije i inspirisati nas. Mastercard je sa ponosom ekskluzivni sponzor Sarajevo Film Festivala, jednog od najpresti?nijih filmskih festivala u regiji. Kroz ovo partnerstvo, ?elimo pomo?i svim gledaocima da vide svijet iz druga?ije prespektive i inspirati ih da pokrenu ne?to neprocjenjivo. Film and cinema are connected to new experiences, new worlds and new cultures in a unique way. It has the power to connect us and exposes us to issues and opportunities that can change our thinking, generate emotions and inspire us. Mastercard is proud to be Exclusive Partner of the Sarajevo Film Festival, one of the region?s most prestigious celebrations of film. Through this partnership, Mastercard would like to help people see the world through a different lens, at the same time inspiring them to start something priceless.
Prizori zasnovani na zvuku Napr avili st e h r abar i m u dar f ilm , osobit o u psih olo?k om sm islu ! Nije pr ijat n o gledat i k ak o se osoba psih i?k i slam a i k ako joj se svijet r aspada. Kak o st e u spjeli gledat elje pr ikovat i u z ek r an i dr ?at i ih bez dah a pu n a dva sat a f ilm om sa t ak o t e?kom t em om ? Te?ko mi je odgovoriti na to pitanje a da se previ?e ne zanesem. Bilo mi je va?no da glavnog junaka u svakoj sceni prika?em ?to ozbiljnije. Mislim da ve?ina filmotvoraca tako radi. U Egzilu sama tema ?ini veliki dio
Visar Morina, reditelj filma "Egzil" (Srce Sarajeva za najbolji igrani film ) atmosfere koju opisujete. Stalna napetost dio je pitanja kojima se film bavi. Problem nesigurnosti je u tome da, ako se ne oslobodi, postaje sve ve?a i ve?a i na kraju dovodi do straha, koji uklju?uje i strah od sebe. Zatim, tu je i usamljenost kao rezultat svega toga. Koliko god bili u interakciji sa drugima, uslijed intenzivnog bola ili bezna?a uvijek ste sami. Bojim se da nisam odgovorio na va?e pitanje, ali da budem konkretniji morao bih pro?i scenu po scenu.
Va? dr u gi igr an i f ilm ?Egzil? je o m u ?k ar cu sa Kosova koji ?ivi u Njem a?k oj. Nist e ist e pr of esije ali st e sli?n ih godin a i on je t ak o?er em igr an t pa pr et post avljam da ga dobr o r azu m ijet e. Koliko je u ovom f ilm u au t obiogr af sk og a koliko je plod m a?t e? Konflikt koji film prikazuje je, naravno, autobiografski uvjetovan, bilo da je rije? o mojoj porodici ili o meni. U Njema?ku sam do?ao sa petnaest godina, nisam govorio jezik i morao sam se boriti za svoj polo?aj i u ?koli i u privatnom ?ivotu. U tom pogledu, osnovni sukob i emotivna obojenost filma su mi vrlo bliski. Postoje autobiografski aspekti - ponekad su to mali detalji koji su bili va?ni tokom postupka pisanja. Moja mama je, na primjer, zaista pjevala kad je bila tu?na, a ona to i sada radi, a moj brat uvijek mora le?i kad osje?a stres. Ali film sam po sebi nije autobiografski. Nemam djecu, nisam o?enjen i ne radim u uredu. Kada sretnem nekog kretena, ne mislim da je on kreten zato ?to sam ja stranac, nego zato ?to je jadni?ak stvarno kreten. Ist i pr oblem se zasigu r n o sr e?e i u dr u gim r egijam a koje im aju velik pr iliv m igr an at a. Koliko st e n a svojoj ko?i osjet ili per f idn i, pr ik r iven i r asizam u n jem a?kom dr u ?t vu koji pr o?im a va? ?it av f ilm ? U privilegovanoj sam situaciji i zbog profesije, i zbog ?injenice da sam bijelac. Da izgledam druga?ije i da imam prepoznatljivo muslimansko ime, moje bi ?ivotno iskustvo bilo druga?ije. I pored toga moj ?ivot nije bio po?te?en rasizma. Otkad sam u Njema?koj morao sam raditi sitne poslove, sve vrste poslova. Brzo sam shvatio da nema smisla slati prijave za posao putem po?te. Nije bilo reakcija. Treba osobno oti?i, dati prijavu iz ruke u ruku, pogledati ljude u o?i i govoriti kao Goethe. Da doka?em da nisam majmun. Ali ipak je Njema?ka velika i vrlo raznolika zemlja. Postoje dijelovi u kojima je rasizam vrlo rasprostranjen i gdje ?ak mo?e biti opasan po ?ivot stranaca, ali postoji i druga Njema?ka koja je otvorena i tolerantna. Moj ?ivotopis i ?ivotopisi moje bra?a i sestre to dokazuju. Post oji li or gan izir an a pom o? m igr an t im a sa ciljem lak ?eg pr ilago?avan ja i o?u van ja
m en t aln og zdr avlja u Njem a?koj ili je pojedin ac pr epu ?t en sebi? Te?ko je govoriti uop?teno. Puno ovisi o tome gdje ?ivite, u kakvoj ste situaciji ili kakav vam je status. Ako ste izbjeglica, va?a stvarnost je sasvim druga?ija nego ako imate radnu vizu. Ali i kod izbjeglica ima velikih razlika. U smislu prava i podr?ke koju mo?ete dobiti, velika je razlika ako imate status izbjeglice (a ne tra?itelja azila) ili ne. Op?enito, neka pomo? postoji i mnogi ljudi volontiraju bilo putem nevladinih organizacija ili privatno. Ali opet, Njema?ka je veoma raznolika zemlja. Toliko sam im pr esion ir an a zvu k om u f ilm u da sam got ovo zapo?ela ovaj r azgovor pit an jem o zvu k u . Ku ck an je, lu pk an je, u dar an je, odjek k or ak a, zvu k t ek u ?e vode i, n ar avn o, m u zik a doveden i su do savr ?en st va i n e m ogu ih zam islit i da su se m ogli u r adit i blagovr em en ije i bolje. Upr avljan je zvu kom u ovom f ilm u u m jet n ost je za sebe. Jest e li od po?et k a n am jer avali obr at it i posebn u pozor n ost n a zvu k ili je t o do?lo sam o po sebi, za vr ijem e sn im an ja? Kolik o je za t o odgovor an m ajst or zvu k a a k olik o Vi, k ao r edat elj? Raduje me da ste to primijetili. Meni je zvuk veoma va?an. Neki su prizori zapravo i nastali uglavnom na osnovu zvuka. Na mene op?enito vi?e djeluje zvuk nego slika. Privatno slu?am puno glazbe i smatram da su skladanje i dirigiranje ne?to najljep?e ?to mo?ete raditi u ?ivotu. Imao sam sre?u da opet radim sa svojim kompozitorom (Benediktom Schieferom). Postali smo prijatelji tijekom rada na mom prvom igranom filmu i bez na?eg prijateljstva muzika se nikad ne bi razvijala na isti na?in. Mnogo drugih ljudi tako?er je u velikoj mjeri doprinijelo zvuku, posebno sjajni miksera za nasnimavanje Emmanuel de Boissieu. M ar in ela Dom an ?i?
Scenes written around the sound Visar Morina, director of the film ?Exile? (Heart of Sarajevo for best feature film) Wh at a br ave an d sm ar t ? especially in psych ological t er m s ? f ilm you h ave m ade! It is n ot ver y pleasan t t o silen t ly w at ch psych ological br eakdow n an d som eon e?s w or ld f allin g apar t . How did you m an age t o n ail t h e br eat h less view er t o t h e scr een f or a f u ll t w o h ou r s w it h a f ilm w it h su ch a dif f icu lt t h em e? It's hard for me to answer that question without getting too carried away. It was important to me to take the protagonist as seriously as possible in every scene. But I think most filmmakers do this as well. In ?Exile? the subject matter itself is a big part of this atmosphere you are describing. The constant tension is part of the issues that the film deals with. The bad thing about insecurity is that if it isn?t released, it becomes bigger and bigger and eventually leads to a fear that also includes a fear of yourself. Then there is also the loneliness, which comes as a result of this. No matter how engaged you are with others, from a certain intensity of pain or hopelessness, you are always alone. I?m afraid I didn't answer your question but to be more concrete I would have to go from scene to scene. You r secon d f eat u r e ?Exile? is abou t a m an
f r om Kosovo livin g in Ger m an y. Even t h ou gh h e is n ot of you r pr of ession , h e is abou t of you r age an d h e also em igr at ed an d I assu m e you u n der st an d h is posit ion ver y w ell. How m u ch is au t obiogr aph ical in t h e f ilm an d h ow m u ch is f ict ion ? The conflict the film portrays is of course autobiographically driven, be that in terms of my family or of myself. I came to Germany at the age of fifteen, didn?t speak the language and had to fight for my position both at the school and in private. In this respect, the basic conflict and emotional timbre of the film are very close to me. There are autobiographical aspects ? sometimes these are little details that were important during the writing process. My mom, for example, really did sing when she was sad, and she still does now, and my brother always goes to lie down when he?s stressed. But the film isn?t per se autobiographical. I don?t have children, I?m not married, and I don?t work in an office. And when I meet an idiot, I don?t think he?s an idiot because I?m a foreigner, but because the poor guy really is an idiot. Th e sam e pr oblem is cer t ain ly en cou n t er ed in ot h er ar eas t h at h ave a lar ge in f lu x of m igr an t s. How m u ch did you f eel on you r sk in t h e per f idiou s, cover t r acism in Ger m an societ y t h at per m eat es you r en t ir e f ilm ? I'm in a privileged situation, both by my profession and the fact that I?m white. If I would look different and if I had a clearly Muslim name, my life experience would have
been different. Yet my life was not free of racism. Since I?ve been in Germany I have had to have side-jobs, I had all kinds of jobs. Early on I noticed that there is no point in applying by mail. There was no reaction. You had to go there, put the application in their hand, look people in the eye and sound as if Goethe was speaking. To make them see, I'm not a monkey. But nevertheless Germany is a large and very diverse country. There are parts where racism is very common and where it can even be life threatening for foreigners, but there is also another Germany that is open and tolerant. My biography and that of my siblings is proof of this. Is t h er e an y k in d of assist an ce t o m igr an t s in or der t o f acilit at e t h e adju st m en t an d pr eser vat ion of m en t al h ealt h in Ger m an y or is ever y in dividu al lef t t o h im / h er self ? It's difficult to speak in general. It depends a lot on where you live and in what situation you are in or what status you have. If you are a refugee you have a completely different reality than if you have a work visa. But also with refugees there are big differences. Whether you are recognized as a refugee (rather than as an asylum seeker) or not can mean the world, in terms of your rights and the support you can receive. But yes, there is partial help overall, and many people who are volunteering, either through NGOs or privately. But again, Germany is a very diverse country.
I w as so im pr essed w it h t h e sou n d m an agem en t in t h e f ilm t h at I alm ost st ar t ed t h is in t er view w it h t h e qu est ion abou t t h e sou n d. Kn ock in g, t appin g, pou n din g, t h e ech o of f oot st eps, t h e sou n d of r u n n in g w at er an d, of cou r se, m u sic, h ave been br ou gh t t o per f ect ion an d I can't im agin e t h em don e w it h bet t er t im in g an d com posit ion . M ast er in g of t h e sou n d in t h is f ilm is an ar t it self . Did you in t en d f r om t h e begin n in g t o pay special at t en t ion t o t h e sou n ds or did it com e of it s ow n accor d, du r in g t h e sh oot in g? How m u ch is t h e sou n d m ast er r espon sible f or t h at an d h ow m u ch ar e you , as a dir ect or ? I'm glad you noticed that. Sound is very important to me. Some scenes were actually written mainly around the sound. In general I?m more affected by sound than by image. I also listen to a lot of music in my private life and I think that composing and conducting is the most beautiful thing you can do in life. But of course I was also fortunate to work with my composer (Benedikt Schiefer) again. We became friends during my first feature and without this friendship the music would never have evolved as it did. But there were also many others who contributed greatly to the sound, in particular my through and through great re-recording mixer Emmanuel de Boissieu. M ar in ela Dom an ?i?