ABOUT
Driven, diligent, and ambititious architecture student, currently in my 4th year, seeking an appointment as an architectural intern. I am a hard-working, enthusiastic, challenge-oriented, and very efficient team member with a simple and flexible lifestyle. I also enjoy the thrill of learning something new, meeting new people, having new experiences and love to travel and explore new places. I am looking forward to learning and enhancing my skills by working on designing the projects under your mentorship.
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Linguistic Gate of India
Orica Blu
Apartment Design
Architectural Drawings
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LINGUISTIC GATE OF INDIA
India is the world’s seventh largest country by land and the world’s second most populous country, and it is noted for its linguistic diversity. Language, like currency, is a medium of transaction and a means of communication with other people. Information, thoughts, knowledge, memories, dreams, and plans can all be shared through this medium. Language breathes life into people’s entire histories, identities, cultures, and beliefs. There is a popular proverb that accurately describes India’s linguistic diversity: Chaar kos par baani, kos-kos par badle paani (The language spoken in India changes every few kilometres, just like the taste of the water). When the 2001 Census said that our country has 30 languages spoken by more than a million people each, it only presented a partial illustration of cultural diversity. These 30 languages are merely a linguistic window through which we can observe the 122 languages spoken by at least 10,000 people each. Then there are the 1,599 languages, the majority of which are dialects, limited to certain regions, and many of which are endangered.
Site Plan
Elevation
Section
Gate The continuity between India’s languages shows the country’s unity in diversity, which contributes to its rich culture and heritage. Similarly, people who speak different languages are not divided but connected, resulting in India being a linguistically diverse country. As a result, the purpose of this memorial is to commemorate the unity of India’s diverse languages.
Open Amphitheatre The nature of outdoor theatre promotes a great relationship between the actor and their audience, as they can wander through the crowd and encourage a lot of interaction and audience participation. Every society needs space to sit, to talk, to listen, to see, and express oneself. I want it to become the place of meaningful gatherings and speeches, a new symbol for this part, and fuel for change.
Gallery The gallery exhibits the language culture of India. It’s a ramped structure with details and photos on the left side and an opening on the right that allows the user to observe the gate structure through. The gallery is part of a rising global effort to preserve and celebrate langages while also educating the general public. Our mission is to promote all of India’s languages.
Seating Area Resting is important individually and communally.Well-made, comfortable park benches are great for resting. Our parasympathetic nervous system kicks in out doors so that we feel calmer and more peaceful.even in an urban setting (though sitting near to nature plants, trees, water grass amplifies this relaxing effect and is a natural mood-boosters.
View India is a land of many languages, and the memorial is intended to serve as a reminder to the public about languages, their past, and cultural connections.
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ORICA BLU
Let’s face it, building a science-fiction based room is any geeks dream build, and if you’re a student coming to a starship classroom, hopefully it makes learning even more fun. This smart class brings in a whole new level of learning. This futuristic classroom would be one of a kind in India. The design language embraces a lot of curves and free flowing lighting which makes it stand out of the conventional designs.
Design Development The curves were hand drafted and combined to form a pattern that integrates the good characteristics of educational spaces as well as traditional morphologies, offering a classroom environment that is intricately connected to existing external features as a single porous system. Following the development of a large repertoire of algorthimic routines on a purely experimental level, the projectexamines the tool set’s capabilities through the creation of an archtectonic prototype. The proposal aims to broaden this limited
Section
Material Palette The materials have been selected in a way it reflects the lights and make the room well lit even with very minimal lighting. The colours have been placed in a way in which the user’s focus is directed to the diaz and it doesn’t affect the focus of the users. Mobius loops’ coherence and continuity are seen as a foundation for new contemporary forms of urban life: continuous open spatial structures that allow for differentiated programmatic usage. Textile structures vary their skin texture and visual appearance as they adapt to varied volume size when stretched over different building volumes. These mutations allow for different levels ofindividualization depending on the application, and they’re also used to develop adaptive behaviour and account for better environmental performance in architectural dimensions. The features of fibre bundles like muscles come from a system that can generate a sequence of coherent design species. Each case study, on the other hand, represents certain functional, aesthetic, and ergonomi criteria. Stiff and structural elements are formed by hard fibres, while flexible and cushioned features are provided by interlaced stretchy and soft material.
Furniture Vignette
Following a thorough examination of the curves, this iteration is designed in such a way that the table seamlessly integrates into the surrounding environment. This design has been created in an ergonomic manner, making it extremely user-friendly. This furniture is made of mildsteel, which is a lightweight and long-lasting material. The table is then secured to the floor using industrial-grade screws to ensure its stability. The smart tablet on the table is hinged so that students can fold it and put it in a more comfortable position for them. The tablet may also be flattened out, allowing the table to function as a regular writing desk.
Planning The smart class is set up such that students sit in the middle with their own personal smart tables. The digital control panel in the front of the diaz allows the teacher to access the 100-inch display that faces the class. In the voids created by the fludic design, storage spaces are provided all around the class. The wall behind the seating area contains a casual gathering space that can also be used by students to present their projects and project their work Shortcircuiting content and architectural form into one unified entity, the project replaces the binary circulation logic of educational spaces with a highly varied network logic.
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APARTMENT DESIGN
Aprtment design is intended to creatre a private residential domain that reflects contemporary lifestyle comfort, aesthetics, and the personality of its inhabitants. Create a strong sense of private space in conjunctive equilibrium with the neighborhood. Integrate architecture of the built and the open. Provision of comfortable spaces secured by design. The aim is to design an apartment housing complex with a view to resolve these issues of monotony, placelessness and isolation with regard to real-time constraints of area and considerations of construction type, budget and building bye-laws.This design was introduced to understand the value the experience of community living, and at the same time break free from the monotonous block model of urban housing.
Zoning
Typical Floor Plan
Site plan
First Floor Plan
Section AA’ The section plate consist of the cross section of the apartment with lift and staircase. The planning and form development is arrived by considering the climate and sun path. There are four floors with stilt parking. Each floor consists 8 units of 1BHK, 2BHK and 3BHk.
Section BB’
AC-S AC-I
STBR
W1 MD CHILDREN'S BEDROOM 3.65m x 4m FOYER 2.55m x 1.12m
D1
TP
DINING HALL 4.5m x 3.5m
G
W/M
V2
TOILET 1 2.1m x 2.5m TV
V2
TOILET 2 1.8m x 2.5m
LIVING ROOM 4m x 4m
D2 D2
D1
REF
TV MIC
BALCONY 2 5.02m x 1m
MIX
FD2
KITCHEN 3.63m x 2.59m
AC-I AC-S STBR
V1
E/C
GRI
MASTER BEDROOM 4.9m x 3.6m
FW
FD1 BALCONY 1 4.1m x 1.3m
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ARCHITECTURAL DRAWINGS
This studio looks at architectural details and structural components and studying them with plans, Sections, Elevations, Water supply and Water Drainage of Toilet and Kitchen along with details and proposes working drawings for staircase. Understanding why each drawing is produced which are sent on site to start the construction of building and relatively understanding the importance of line work.
G
EF 0.41
1.07
I
H 0.73
J
2.00
1.79
2
1
19
SP 2
4
UP
1.30
A
3
1.20
20
A' 1.45
0.15
2.55
1.20
21 CHILDREN'S BEDROOM 3.65m x 4m
1.20
0.30
1.57
GROUND FLOOR PLAN
G
EF 0.41
1.07
I
H 0.73
J
2.00
1.79
2
1
19
2
3
4
UP
1.30
A
SP
20
1.20
A' 1.45
0.15
1.20
21 CHILDREN'S BEDROOM 3.65m x 4m
1.20
STAIRCASE DETAIL SCALE- 1:60
ALL DIMENSIONS ARE IN METRIC (M)
0.30
1.57
FIRST FLOOR - FOURTEENTH FLOOR PLAN
2.55
18mm THICK GRANITE
1.20
2.10
BRICK BAT FILLING 0.15
2.55
25mm CEMENT MORTAR
0.75
900mm HIGH STAINLESS STEEL HANDRAIL
1.20
150mm THICK RCC SLAB
3.00
0.30 0.15
HABBARDTON FORAGE CEILING LIGHT FIXTURE
A
2.10
1.35
GL
100mm GRANITE SKIRTING
BASEMENT 1
1.20
0.15
2.55
BASEMENT 2
1.20
SECTIONAL ELEVATION AA'
0.30
0.82
0.00 0.42
0.70
0.45
0.45
0
0.40 100mm DIA CHIMNEY EXHAUST PIPE
0.80
100mm COVEL
800mm x 450mm CHIMNEY, AT 750mm ABOVE COUNTER TOP
0.40
1000mm OPENING
0.40
0.05
2.10
0.75
0.60
3
4
5
6
7
8
9
10
SP
0.60
19mm GRANITE COUNTER TOP
2
1
2
0.15 0.20
0.80
100mm WOODEN PLY SKIRTING
0.33
0.15
0.60
0.42
150mm RCC FLOOR SLAB
SECTIONAL ELEVATION A
0.15
SECTIONAL ELEVA
I
H
0.42
J
H
1.39
DINING HALL
DINING HALL
1.00
0.69
0.60
0.26 CEILNG LIGHTING FIXTURE, AT 1390mm C/C
0.38
1.23
0.83
0.99
300mm DEEP UPPER CABINETS, AT 1400mm ABOVE THE FINISHED FLOOR LEVEL
0.60
0.48
25
CEILNG FAN, AT 400mm DROP FROM THE CEILING
0.12
0.60
0.60
700mm x 400mm GAS STOVE, AT 800mm ABOVE THE FINISHED FLOOR LEVEL
0.57
0.90
0.60
600mm DEEP COUNTER FOR KITCHEN APPLIANCES WITH THREE SWITCH BOARDS.
0.42
ELEVATIO N D
25
0.83
0.60
ELEVAT
ELEVATI
19mm GRANITE COUNTER TOP
26
450mm x 1000mm SINK WITH GRATE
0.45
26
0.60
0.60 0.30
SD
27
SD
27 900mm x 900mm FIXED WINDOW, AT 1200mm ABOVE THE FINSHED FLOOR LEVEL
0.60
0.90 1.0
PLAN-EQUIPMENTS
KITCHEN LAYOUT SCALE- 1:50
ALL DIMENSIONS ARE IN METRIC (M)
PLAN-TILIN
0.43
0.43
0.90
CEILNG LIGHTING FIXTURE, AT 1390mm C/C
800mm HIGH BOX TYPE LOFT, AT 1400mm ABOVE COUNTER TOP
800mm HIGH BOX TYPE LOFT
0.15
800mm x 450mm CHIMNEY, AT 750mm ABOVE COUNTER TOP 900mm x 900mm UPVC WINDOW, AT 1200mm ABOVE THE FINSHED FLOOR LEVEL
CLEAR GLASS FACE KITCHEN CABINETS (BOX TYPE) AT 600mm HEIGHT ABOVE THE COUNTER TOP
OP
0.90 11
12
200mm x 300mm VITRIFIED TILES WITH 3mm GROUTING
13
1
2
3
4
5
6
7
SP
9
0.40 100mm x 150mm LOUVER, AT 400mm ABOVE THE FINISHED FLOOR LEVEL
1.20
100mm x 150mm SOAP DISH AT 250mm ABOVE THE COUNTER TOP
OP
8
13
10
14
15
16
17
18
12
11
600mm DEEP COUNTER FOR KITCHEN APPLIANCES WITH THREE SWITCH BOARDS.
2
100mm x 150mm LOUVER, AT 400mm ABOVE THE FINISHED FLOOR LEVEL
0.06
600mm x 650mm DISH WASHER
0.10 100mm THICK RAISED PLATFORM CONSISTING OF THE GULLY TRAP, PLACED BELOW THE SINK
0.10
200mm x 300mm VITRIFIED TILES WITH 3mm GROUTING
0.38
100mm WOODEN PLY SKIRTING
0.10
600mm DEEP BOX TYPE LOWER CABINETS
0.04
150mm RCC FLOOR SLAB
0.57
0.55
0.54
0.60
0.58
150mm RCC FLOOR SLAB
PLUMBING SHAFT
ATION B
SECTIONAL ELEVATION C
I
0
J
0.60
0.60
0.37 600mm x 600mm REFRIGERATOR 600mm x 600mm VITRIFIED TILES WITH 3mm GROUTING
100mm x 150mm ELECTRICAL SWITCHBOARDS, TOP AT 400mm ABOVE THE COUNTER TOP
600mm x 600mm REFRIGERATOR
0.05
ELEVATIO N B
TIO N A
900mm x 900mm FIXED WINDOW, AT 1200mm ABOVE THE FINSHED FLOOR LEVEL
800mm x 450mm CHIMNEY, AT 750mm ABOVE COUNTER TOP
IO N C
NG LAYOUT
1
2
600mm x 650mm DISH WASHER 450mm x 1000mm SINK WITH GRATE
3
4
5
6
7
8
9
SP
2.2
100mm x 150mm ELECTRICAL SWITCHBOARDS, TOP AT 400mm ABOVE THE COUNTER TOP
2
200mm LONG STAINLESS STEEL HANDLE PLACED HORIZONTALLY AT 30mm AWAY FROM THE EDGE
100mm x 150mm SOAP DISH AT 250mm ABOVE THE COUNTER TOP
50mm FRESH WATER INLET PIPE GULLY TRAP PLACED IN THE RAISED PLATFORM
0.15 900mm x 900mm FIXED WINDOW, AT 1200mm ABOVE THE FINSHED FLOOR LEVEL
0.20
0.62
0.55
SECTIONAL ELEVATION D
150mm RCC FLOOR SLAB 100mm THICK RAISED PLATFORM
300mm x 600mm VITRIFIED TILES TILL 2.1m HEIGHT WITH 3mm SPACER INTERVAL 1
2
3
4
7
8
9
SP
0.45 5
150mm THICK LEDGE WALL 1800mm HEIGHT WITH PVC BEADING
6
2
1.95
1.66
0.22
MIRROR WITH BEVELED POLISHED EDGES MOUNTED OVER MARINE PLYWOOD BACKING. TOP OF THE MIRROR AT1650mm FROM THE FINISHED FLOOR
2.1
3
1.01 150mm THICK LEDGE WALL 450mm HEIGHT PVC BEADING
0.75
0.9
BATH TUB
250mm DROP IN THE RCC FLOOR SLAB BEAM
SECTIONAL ELEVATION B
SECTIONAL
E
D
F
D
1.81 0.30 0.30 0.30 0.30 0.30 0.30
0.45
23
23
TH
TH 1
0.60
TH
2
5
4
3
SP
0.30
SD
SD
2
0.30
24
ELEVATION D
24
0.30 4
ELEVATION A
ELEVATION B
V1
FT 3
ELEVATION C
0.30 5
0.38
0.30 HF
GB
25mmDROP
D2 MASTER BEDROOM
0.15
6
HF
GB
25mmDR
D
M
0.48 0.60
0.75
PLAN-FIXTURES
TOILET LAYOUT
SCALE- 1:40
ALL DIMENSIONS ARE IN METRIC (M)
PLAN-TILING
4
3
1
2
300mm x 600mm VITRIFIED TILES TILL 2.1m HEIGHT WITH 3mm SPACER INTERVAL
300mm x 600mm VITRIFIED TILES TILL 2.1m HEIGHT WITH 3mm SPACER INTERVAL
9
8
7
6
5
4
3
2
1
SP
SP
2
2
3
3
150mm THICK LEDGE WALL 450mm HEIGHT PVC BEADING
EWC
0.45 0.5
4
0.5 0.45
EWC
BATH TUB
0.3
0.46
250mm DROP IN THE RCC FLOOR SLAB
250mm DROP IN THE RCC FLOOR SLAB
BEAM
BEAM
L ELEVATION C
SECTIONAL ELEVATION D
E
F
300mm x 600mm VITRIFIED TILES TILL 2.1m HEIGHT WITH 3mm SPACER INTERVAL 1
2
3
4
5
6
SP 150mm THICK LEDGE WALL 1800mm HEIGHT WITH PVC BEADING
6
TH
2
V1
ROP
1.95 300mm x 300mm ANTI SKID VITRIFIED TILES WITH 3mm SPACER INTERVAL
3
1.5 1.2 0.8
4
150mm THICK LEDGE WALL 450mm HEIGHT PVC BEADING
D2
250mm DROP IN THE RCC FLOOR SLAB
MASTER BEDROOM
G LAYOUT
MIRROR WITH BEVELED POLISHED EDGES MOUNTED OVER MARINE PLYWOOD BACKING. TOP OF THE MIRROR AT1650mm FROM THE FINISHED FLOOR
BEAM
SECTIONAL ELEVATION A
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