CREATIVE REVIEW
5 2010
The Best visual communication A Centour Publication 2009 ÂŁ8
CR
2009
years 2008
2007
2006
The aim of Creati inspire, inform and among our readers advertising, digital m photography and a visual communic
ive Review is to stimulate debate in graphic design, media,illustration, all other fields of cation worldwide. www. creativereview.co.uk/about
6 Designer Guide
2006
second year at college studying A-level graphic design
Dowling Design
Dowling Duncan Design March Issue 2006 Page 11 Dowling Duncan Navigation House 48 Millgate, Newark NG24 4TS England Website: dowlingduncan.com/ Telephone: +44 (0)1636 612012 Email: info@dowlingduncan.com This is where my interest in type developed, I started to develop an interest into how the type set the style for the design that it was within. Design Shown: Material Evidence Exhibition Design
iWant
August Issue 2006 Page 23 iwant Unit 8a Huguenot Place London E1 5LN Website: www.iwantdesign.co.uk Telephone: +44 (0)20 7247 4200 Email: info@iwantdesign.com
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My interest grew more on how to the type become more of the design, and how it fit into the style of the design. I experimented with posters and smaller print based type designs. Design Shown: 1 - Going Wild - London Wildlife Trust 2 - London Dance International
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Graphic Thought Facility October Issue 2006 Page 32 Graphic Thought Facility 23–24 Easton Street, London WC1X 0DS Website: www.graphicthoughtfacility.com/ Telephone: +44 (0)20 7837 2525 Fax: +44 (0)20 7837 1661 Email: info@graphicthoughtfacility.com As my understanding of type grew, I gained an interest into logos and branding of products. At this time I wanted to develop simple type logos that could be easily recognised. Design Shown: Frieze Art Fair Posters
Graphic Thought Facility October Issue 2006 Page 32 This section of GTF’s designs focused my attention on how the design would work within a real world. It’s how the application of my designs would work within the appropriate format. Design Shown: Frieze Art Fair Signage 2003
Alan Fletcher
November Issue 2006 Page 35 Alan Gerard Fletcher (27 September 1931 – 21 September 2006) Alan was a British graphic designer. In his obituary, he was described by The Daily Telegraph as “the most highly regarded graphic designer of his generation, and probably one of the most prolific”. Alan Fletcher’s use od type here was another inspiration of the experimental type that I was currently embarking on. Design Shown: Detail of a Pirelli poster for a double-decker bus, 1961
Eat/Sleep Work/Play
December Issue 2006 Page 48 Website: www.eatsleepworkplay.com Email: antoine@eatsleepworkplay.com zamir@eatsleepworkplay.com On discovering est/sleep/work/play I got the idea to experiment more with very playful with both the type, the colour and the overall designs that I was working with. Design Shown: 1 - Modula Records 2 - KOKON TO ZAI
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RKCR/ Y&R
Rainey Kelly Campbell Roalfe Y&R December Issue 2006 Page 31 RCKR/Y&R Greater London House Hampstead Road London NW1 7QP Website: www.rkcryr.com Telephone: 020 7611 6568 Email: nicola_hawes@uk.yr.com It ws from here that I started to consider the overall visual design. Not unlike the designs that RKCR/Y&R developed I wanted to keep up with the experimental type but also work with the composition of the design that I was producing. Design Shown: LG - Life’s good campaign.
ASHA
Arthur Steen Horne Adamson December Issue 2006 Page 31 ASHA Suite 404 Eagle Tower Montpellier Drive Cheltenham Gloucestershire GL50 1TA Website: www.ashawebsite.co.uk/ Telephone: 01242 574 111 Email: us@ashaemail.co.uk From here, I continued to see how the type and composition would fit into a final product. itself. This was my start to wanting to develop the skills in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: ‘Thank Good Earth for that’. - Tetley Tea
Dixonbaxi
December Issue 2006 Page 22 DixonBaxi 4D Printing House Yard Hackney Road London E2 7PR Website: www.dixonbaxi.com Telephone +44 0 207 613 1700 Email: hello@dixonbaxi.com Even with reading CR for almost a year at this point, i had never considered how animation, or motion image but when seeing this within CR I became more aware of it. Design Shown: Detail of a Pirelli poster for a double-decker bus, 1961
The Partners
December Issue 2006 Page 31 The Partners Albion Courtyard Greenhill Rents Smithfield London EC1M 6PQ Website: www.thepartners.co.uk Telephone: +44 (0)20 7608 0051 Email: info@thepartners.co.uk These communication designs are yet another introduction to a new concept of meaning behind a design. It brought my attention to a meaning within a design and made me think more about the meaning within my own designs. Design Shown: Wolf Theiss Legal Sector communications
Radford Wallis
December Issue 2006 Page 41 Redford Wallis Design 1st Floor 10-16 Scrutton Street London EC2A 4RU Website: www.radfordwallis.com Telephone: 020 7392 8820 Facsimile: 020 7456 1006 Email: design@radfordwallis.com This form of signage caught my eye as of it’s large scale 3D objects. It presented an idea that designs do not have to be on an A-paper scale. Design Shown: Land Securities signage system - To show how the walls will divide the floor space.
This & That December Issue 2006 Page 49 This & That Unit 2 7 Tyers Gate London SE1 3HX Website: www.studiothisandthat.com Telephone: 0207 407 8200 Email: hi@studiothisandthat.com As the Radford Wallis designs opened my mind to new scales, this design from this&that showed me that format for products can be experimented with. Why do they have to fit the obvious? Design Shown: Grow-in-time - wallpaper calendar
Un.titled
December Issue 2006 Page 41 Un.titled Factory 21 Wellington Street Leicester LE1 6HH Website: www.un.titled.co.uk Telephone: 0116 247 1111 Email: hello@un.titled.co.uk After all of the influences gained within 2006, un.titled seemed to be the largest influence. It is these who welcomed me to the idea of layout design. I became aware of the book format and the importance of layout within a design. Although I didn’t start to deveop layouts I thought more about the overall visual quality of the design. Design Shown: NTU - University Prospectus
7 studying foundation degree in art and design
Designer Guide
2007
AMVBBDO
Abbott Mead Vickers BBDO January Issue 2007 Page 11 Abbott Mead Vickers BBDO 151 Marylebone Road London NW1 5QE Website: www.wearebuild.com Telephone: +44 (0)20 76163500 Email: allardv@amvbbdo.com AMVBBDO creates work from posters to video adverts that help to promote a product. The inspiration that I took from their work was the way in which work can be translated from print to video. This opened my mind to the idea of developing more than one product for a design I have developed. Design Shown: V&A Museum of Childhood Promotional Posters
GF Smith
January Issue 2007 Page 10 GF Smith Unit C4 Six Bridges Trading Estate Marlborough Grove London SE1 5JT Website: www.gfsmith.com Telephone: 020 7394 4660 Facsimile: 020 7394 4661 Email: london@gfsmith.com The cover of GF smith within the january issue of CR intriduced me to the idea of printers. I had never before thought of things such as spot gloss, or paper stocks. Design Shown: GF Smith Self-promotion
Reza Abedini
May Issue 2007 Page 47 Website: www.rezaabedini.com Email: info@rezaabedini.com Even before I saw Reza within CR I had seen his work, and it was inspiring to me. The use of both type and image within a design was the apect that I was enlighted by. It welcomed me to the idea of how type and image wihtin a layout could work sucessfully. Design Shown: 1 - In the beginning exhibition poster. 2 - Dance and message performance poster. 3 - Khate Sevom (Third Line) exhibition poster.
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Navy Blue
January Issue 2007 Page 10 Navy Blue Corn Exchange Consitution Street Edinburugh EH6 7BS Website: www.navyblue.com Telephone: +44 (0)131 553 5050 Email: douglas.alexander@navyblue.com Navy Blue are a company that since seeing them within CR I have kept an eye on. The designs they develop introduced new methods of designing. The example shown is of creating a design by cutting out the detail, yet other aspects that I have seen through Navy blue are the ideas of printing on materials other than paper, making a design interactive and finishing effects such as embosing and spot gloss. Design Shown: Corn Exchange gallery invitation.
Proud Creative
January Issue 2007 Page 27 Proud Creative Unit 16, Second Floor Shoreditch Stables (North) 138 Kingsland Road London, E2 8DY Website: www.proudcreative.com Telephone: +44 (0)20 7729 6170 Email: hello@proudcreative.com Since learning more about type and layout, foundation offered me the opportunity to create some designs that woul show off my new skills. I thought it would be appropriate to develop some layouts not unlike the ones proud creative designed. It offered the opportunity to use stocks, type and skills I have developed with photoshop. Designs that proud creative exampled sucessful designs that incouraged the designs I was creating. Design Shown: Retrospective-One poster and exhibition guide.
ODD
May Issue 2007 Page 65 ODD 12-14 Berry Street London EC1V 0AU Website: www.oddlondon.com Telephone: +44 (0)20 7490 7900 Email: info@thankodd.com nick@thankodd.com simon@thankodd.com These set of designs from ODD are ones that always made me want to design and use more illustrations within my design. ODD’s designs encouraged me to experiment with photoshop skills, so that I can create vector images and illustrations to use within designs. Design Shown: Scream Pubs - Intergrated marketing and sales promtion for scream pubs.
Studio Output
June Issue 2007 Page 68 Studio Output Unit 5 The Piano Works 117 Farringdon Road London EC1R 3BX Website: www.studio-output.com Tel: +44 (0)20 7239 9270 Email: london@studio-output.com These promotional designs are bright, colourful and clear and show how a good composition can create a great piece of design. This taught me that a good design can be very simple yet still remain effective. Design Shown: HMV mothers day campaign.
:phunk studio
August Issue 2007 Page 30 :phunk Studio Lasalle College of the Arts 1 McNally Street Singapore 187940 Website: www.phunkstudio.com This exhibition design caught my attention as it was just after I we had our own foundation exhibition. The idea of presenting work is something that I really enjoyed. Design Shown: Browsing Copy exhibition branding (is at Useless Gallery, Suntec Singapore).
Stephen Owen
September Issue 2007 Page 26 Website: www.stephenowen.co.uk Email: e: hello[at]stephenowen.co.uk A simple design can also be more than just colourful and clear, this example shows that a design can be one colour and a colourful stock. The way that a design becomes sucessful is the way it presents the message to the audience. This prospectus was amoung one of the first that made me consider the way in which information is interpreted rather than how it was visually. Design Shown: Stockport College Prospectus.
Janet Froelich
September Issue 2007 Page 29 As I was becoming more interested in print based layouts, I saw Froelich as an inspiration as she worked with both type and image to get a story accross. The simple designs caught my attention, not only this but the use of both body text and the more decorative type. This mix of type characteristics encouraged me to think more about the type I was using. Design Shown: The New York Times Layouts and identity.
RBR Design
Red Brick Road Design October Issue 2007 Page 12 The Red Brick Road 50 - 54 Beak Street London W1F 9RN Website: www.theredbrickroad.co.uk Telephone: 020 7575 7654 Email: paul.hammersley@theredbrickroad.com Red Brick Road design is created designs for both print and media such as adverts. The print based designs are ones that I have always been influenced by within design agencies. The way that RBR uses unusual methods to coney the message is what influnced me within my designs. Design Shown: Tesco’s F&F range promotional posters.
Tom Hingston
Red Brick Road Design October Issue 2007 Page 12 Tom Hingston Studio 76 Brewer Street London W1F 9TX Website: www.hingston.net Telephone: +44 (0)20 7287 6044 Email: info@hingston.net Hingston’s designs have a crafted quality to the design. The image within these designs are the main focus and the type is less of a focal point. This is a new concept to me as my designs have always been type lead, so this is soemthing that I wanted to persue from seeing these. Design Shown: The Editors Album covers.
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First year BA(hons) graphic design at Leeds college of Art
2008
Designer Guide
Generation Press
April Issue 2008 Page 29 Generation Press Manor Farm Business Centre Poynings Brighton East Sussex BN45 7AG Website: www.generationpress.co.uk Telephone : +44 (0)1273 857449 Email: blog@generationpress.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Not for commercial use prints.
Build
April Issue 2008 Page 29 Studio Build Ltd Studio 112 Hilton Grove 12-15 Hatherley Mews London E17 4QP Website: www.wearebuild.com Telephone: +44 [0]20 8521 1040 Email: informyou@wearebuild.com During my first year of reading CR I learnt about Alan Fletcher and the design work that he did, such as the iconic V&A and Pirelli brands. These were major influences of work for me as it began my facination with experimenting with typography. Design Shown: Grow-in-time - wallpaper calendar
Made Thought
April Issue 2008 Page 27 Made Thought Studio 6 Jamacia Warf 2 Shad Thames London SE1 2YU Website: www.madethrought.com Tel: +44 (0)20 73780099 Email: info@madethought.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: The Mill (post-production house) promotion and packaging designs.
Studio 8
April Issue 2008 Page 26 Studio8 Design 1 Sans Walk London EC1R 0LT Webaite: www.studio8design.co.uk Telephone: 020 7251 6430 Email: info@studio8design.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Customise This publication design.
B&W
Black & White design May Issue 2008 Page 48 B&W Studio 2nd Floor Castleton Mill Castleton Close Leeds LS12 2DS Website: www.bandwstudio.co.uk Telephone: +44 (0)113 245 4200 Email: steve@bandwstudio.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: St George’s Crypt Annual Review 2006/07 Sleeping Rough.
B&W
Black & White design May Issue 2008 Page 48 This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Eureka! The National Childrens Museum brand development and outdoor campaign.
BBH
Bartle Bogle Hegarty May Issue 2008 Page 81 BBH Global 60 Kingly Street London W1B 5DS Website: www.bartleboglehegarty.com Telephone: +44 (0)20 7734 1677 Email: romy.miller@bbh.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: ITV’s Married, Single, Other print based promotional campaign.
Cartlidge Levene
May Issue 2008 Page 35 Cartlidge Levene 238 St John Street London EC1V 4PH Website: www.bartleboglehegarty.com Telephone: +44 (0)20 7251 6608 Email: ian.cartlidge@cartlidgelevene.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: The Guardian wayfinding and signage design.
Cartlidge Levene
May Issue 2008 Page 35 This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Selfridges & Co wayfinding and signage design.
Pentagram
May Issue 2008 Page 66 Pentagram Design 11 Needham Road London W11 2RP Webaite: www.pentagram.com Telephone: +44 (0)20 7229 3477 Email: email@pentagram.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: 1 - Re-branding the Coop. 2 - Dairy Magazine Design.
SEA
August Issue 2008 Page 38 SEA 70 St John Street London EC1m 4DT Webaite: www.seadesign.co.uk Telephone: +44 (0)20 7566 3100 Email: bryan@seadesign.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: 1 - Grafik magazine re-design. 2 - Jamie Oliver Packaging Food Range.
Marque
Marque Creative October Issue 2008 Page 32 Marque 4th Floor 79-81 Paul Street London EC2A 4UT Website: www.marquecreative.com Telephone : +44 (0)20 7608 0180 This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Institutional Style Manual and Guidelines for Edinburgh, London and New York fund managers, Baillie Gifford.
Marque
Marque Creative October Issue 2008 Page 32 This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: 1 - Alta Pampa brouchures that showcase the home accessories for contemporary living. 2 - The brand identity and print based information designs for The Galerist contemporary art gallery in Istanbul.
Village Green
October Issue 2008 Page 35 Village Green 49-51 Central St London EC1V 8AB Website: www.villagegreenstudio.com Telephone: 020 7553 9260 Email: info@villagegreenstudio.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Harpers Bazaar (Russia) Image creation and calendar product.
Paul Rand
November Issue 2008 Page 48 This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: 1 - UCLA Extension Poster Design. 2 - Eye-Bee-M (IBM) Poster Design.
Non-Format
November Issue 2008 Page 50 Website: www.non-format.com Tel: +1 651 603-0767 This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Cent Magazine designs and photography.
Sophie Broadbridge
November Issue 2008 Page 47 Website: www.sophiebroadbridge.com Tel: +44 (0)7931 340 802 Email: sophie@sophiebroadbridge.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: 1 - Thorntons promtional posters. 2 - Twinings promotional posters.
David Pearson
November Issue 2008 Page 12 Website: www.davidpearsondesign.com Tel: +44 (0)20 7837 6654 Email: info@davidpearsondesign.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Editions Zulma penguin book covers.
Joshus Davis
December Issue 2008 Page 18 Joshua Davis 234 Jefferson Ave Mineola New York 11501 Website: www.joshuadavis.com Telephone : 1.516.417.3111 Email: studio@joshuadavis.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Customised Products.
Empire Design
December Issue 2007 Page 81 Empire Design 29 Queen Anne Street London W1G 9HU Website: www.empiredesign.com Tel: +44 (0)20 7436 2202 Email: sibs@empiredesign.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: 500 Days Of Summer, Client Fox Searchlight (UK)
Turner Duckworth
December Issue 2008 Page 41 Turner Duckworth Voysey House Barley Mow Passage London W4 4PH Website: www.turnerduckworth.com Telephone: +44 (0)20 8994 7190 Email: moira@turnerduckworth.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: 1 - Waitrose sparkeling juice drink labels. 2 - Waitrose Highfruit Jam label packaging. 3 - Waitrose Premium dried fruits packaging. 4 - Waitrose Cookie Packaging. 5 - Waitrose curry sauce jar labels. 6 - Waitrose Luxuary cookie packaging. 7 - Root 1 Wine Label.
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2009
Second year BA(hons) graphic design at Leeds college of Art
Designer Guide
Chrissie Mcdonald
Feburary Issue 2009 Page 16 Website: www.chrissiemacdonald.co.uk Telephone: +44 (0) 20 7033 9299 Mobile: +44 (0) 7939 517196 Email: info@chrissiemacdonald.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Central St Martins photography for print based designs such as posters and flyers.
Spin
Feburary Issue 2009 Page 20 Spin Studio 2 33 Stannery Street London SE11 4AA Website: www.whynotassociates.com Tel: +44 (0)20 7793 9555 Email: patricia@spin.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Mythologies Campaign.
Spin
Feburary Issue 2009 Page 16 This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: D&AD Campaign Posters, booklet and tickets.
Luke Hayman
Feburary Issue 2009 Page 22 Pentagram Design 11 Needham Road London W11 2RP Webaite: www.pentagram.com Telephone: +44 (0)20 7229 3477 Email: email@pentagram.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Five Franklyn Place publication.
Alex Trochut
Feburary Issue 2009 Page 22 Alex Trochut Pampiona, 89 08018 Barcelona Webaite: www.alextrochut.com Telephone: +3493 182 28 45 Email: hello@alextrochut.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Type Illustration for the Computer Arts Magazine, 10 ways to get a job article.
Letman
Feburary Issue 2009 Page 28 Job Wouters Laing’s Nek straat 29-huis 1092GS Amsterdam Webaite: www.jobwouters.com Telephone: +31 (0)624711232 Email: job@letman.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Live lettering for the Audi-stand at DesignMiami.
Why not associates
March Issue 2009 Page 24 Why not associates 22c shepherdess walk London N1 7LB Website: www.whynotassociates.com Tel: +44 (0)20 7253 2244 Email: info@whynotassociates.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Typographic tree columns created in collaboration with gordon young at crawley library.
Harry Beck
March Issue 2009 Page 28 Webaite: www.harrybeck.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: London Underground Map.
TIRA
This Is Real Art March Issue 2009 Page 18 This is real art 2 Sycamore Street London EC1Y 0SF Webaite: www.thisisrealart.com Telephone: +44 20 7253 2181 Email: info@thisisrealart.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Global poster campaign. Part of the ‘Coke Side of Life’ brand strategy.
Frost*
March Issue 2009 Page 19 Website: www.frostdesign.com.au Tel: +44 (0)20 7099 6012 Email: info@frostdesign.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Samples of Book design.
C, P&B
Crispin Porter & Bogusky March Issue 2009 Page 20 Crispin Porter & Bogusky The Smokery 2 Greenhill Rents London EC1M 6BN Webaite: www.cpbgroup.com Telephone: +44 (0)20 73248184 Email: info@cpbgroup.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: GAP advertising.
Alison Carmichael
April Issue 2009 Page 20 Alison Carmichael 15 Wymons Street London SW15 1DY Webaite: www.alisoncarmichael.com Telephone: 020 8789 3509 Email: alison@alisoncarmichael.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Press ads imagery.
Alison Carmichael
April Issue 2009 Page 20 This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Twinings Tea press ads imagery.
Airside
May Issue 2009 Page 42 Airside 339 Upper Street Islington London N1 0PB Website: www.whynotassociates.com Tel: +44 (0)20 7354 9912 Email: studio@airside.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Sony Music Album for a Japanese singersongwriter Rie fu.
Buddy
Buddy Creative May Issue 2009 Page 86 Crispin Porter & Bogusky Eagle Yard Studios Tudor Street Exeter EX4 3BR Webaite: www.buddycreative.com Email: hello@buddycreative.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: 1 - Tate merchandise design. 2 - Kleenex packaging design.
Carter Wong
June Issue 2009 Page 24 Carter Wong Design 29 Brook Mews North London W2 3BW Website: www.carterwongdesign.com Tel: +44 (0)20 7569 0000 Email: hello@carterwongdesign.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Science Museum poster campaign.
Craig Ward
June Issue 2009 Page 32 Turner Duckworth Voysey House Barley Mow Passage London W4 4PH Website: www.wordsarepictures.co.uk Telephone: +1 917 544 8796 Email: info@wordsarepictures.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Wish you were here poster design.
10 Designer Guide
2010
Final year BA(hons) graphic design at Leeds college of Art
Rob Ryan
January Issue 2007 Page 12 Ryantown HQ 5-6 Teesdale Yard Teesdale Street London E2 6QE Website: www.misterrob.co.uk Blog: www.rob-ryan.blogspot.com Email: info@misterrob.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Papercuts and Screenprints.
Sid Lee
January Issue 2007 Page 12 75, Queen Street, Office 1400 Montreal (Quebec) H3C 2N6 Canada Website: www.sidlee.com Telephone: (514) 282-2200 Email: info@sidlee.com This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: SAQ Murel Design.
Saatchi & Saatchi
January Issue 2007 Page 19 Saatchi & Saatchi 80 Charlotte Street London W1A 1AQ UK Website: www.saatchi.co.uk Telephone: +44 (0)20 7636 5060 Email: michael.rebelo@saatchi.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: T-mobile promotional posters.
Philippe Apeloig
Feburary Issue 2007 Page 35 Philippe Apeloig 41, rue La Fayette 75009 Paris Google Maps Website: www.apeloig.com Telephone: +33 (0)1 43 55 34 29 Email: apeloig.philippe@wanadoo.fr This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: Cannes Film festival poster.
Fallon
Feburary Issue 2006 Page 48 We are fallon Elsley Court 20 - 22 great titchfield Street London W1W 8BE Website: www.fallon.co.uk Telephone: +44 (0)207 494 9120 Email: myfuture@fallon.co.uk This is where my interest in type developed, I started to see how the branding would fit into the brand itself. An example is the style that it would develop for the future development of the branding, such as packaging. This also was my start to want to develop a skill in packaging and influenced my packaging for a spices range for my final examination for my graphic design A-level. Design Shown: 1 - Dairymilk outdoor promotional poster 2 - Innocent promotional posters
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