THE TEAM
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SIDDHARTH S WAZE B.ARCH 2020 SHIVAJI UNIVERSITY - MERIT RANK 3rd
A B H I S H E K
N A I K
B.ARCH 2020 SHIVAJI UNIVERSITY - MERIT RANK 9th
S A Q I B
R
M U L L A
B.ARCH 2020 SHIVAJI UNIVERSITY - MERIT RANK 2nd
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ABOUT US
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The team comprises of Siddharth Sudharm Waze, Abhishek Anant Naik, Saqib Riyaz Mulla Bachelor of Architecture Graduate with Merit list 2020 holders from Shivaji University Kolhapur.
We as a group participate in competitions and work together, inspiring students of architecture fraternity to participate in architectural competition and be in a zone of complete 'out of the box' manner.
As in college academics, we previously completed internship from as follows: Siddharth Waze at The Purple Ink Studio Bangalore, Abhishek Naik at Ingrain Mumbai, Saqib Mulla at Sudhakar Pai and Associates Bangalore respectively.
We as a group compete in probably all National and International architectural competitions and experiment our self and our possibilities to design what the world will need today to tomorrow. Architectural competition keeps us updated in this constantly changing architecture environment. We started participating in competitions from 2017 when in second year of B.Arch., were in our first attempt we bagged 1st Prize in Urban Designing at the Pune Biennale from the hands of renowned Architect Christopher Benninger and Narendra Dengle. Further we participated in many competitions such as the drawing board by Rohan Builders, Archdais, Arcasia ACAE, and many more. During our jury meets we meet and interacted with some of the
renowned personalities such as Sanjay Mohe, Rahul Kadri, Soumitro Ghosh, Bijoy R, Pallinda Kannangara, Marina Tabassum, Ernesto Bedmar and many more. The guides and words by them were much inspiring and appreciated.
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ACHIEVEMENTS
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2017 •
1st Prize at Melange Urban Design Competition by Pune Biennale (Jury: Ar. Christopher Benninger, Ar. Narendra Dengle)
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Special Achievement Award 2017 in Architecture from D.Y Patil College of Engineering and Technology, Kolhapur
2018 •
3rd Prize for Riverside Restaurant Design Competition by Rohan Builders (Jury members- Ar. Rahul Kadri, Ar. Sanjay Mohe, Ar. Bijoy Ramchandran, Ar. Prasanna Desai)
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Special Achievement Award 2018 in Architecture from D.Y Patil College of Engineering and Technology, Kolhapur
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Awarded Special Mention for Multi Activity Centre Design at The Drawing Board Competition (Jury members - Ar. Marina Tabassum, Ar. Soumitra Ghosh & Ar. Naresh Meddappa)
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SIDDHARTH WAZE - Selected in NASA India Design Team 2018, the team of top 20 students from all over India. In which Designed the "ANDC Trophy Book 2017 of Top 24 Shortlisted Entries" which was
published at The Annual NASA Convention 2019 in Bangalore.
2019 •
Special Achievement Award 2019 in Architecture from D.Y Patil College of Engineering and Technology, Kolhapur
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Out of the Box Design Award for Cafe design from the Bangalore Tile company, Bangalore.
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Shortlisted in Top 8 for Knowledge Centre Design at the drawing board by Rohan Builders, Pune. {Jury: Ar. Palinda Kanangara (Sri Lanka), Ar. Ernesto Bedmar, (Singapore), Sanjay Mohe (Bangalore)}
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2020 •
Special Mention at Archdais - The Lunchbox Competition (Jury: Ar. Patrick Schumacher and Ar. Karan Grover)
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1st Prize at Cognizance Competition by Kalabdhi for Open Police Museum Design (Jury: Ar. Milind Randive)
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Innovative Design Award 2020 by A3 Foundation, Chandigarh curated by Ar. Sandeep Sharma, Chandigarh.
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3rd Prize at Arcasia ACAE International Design competition to design a 'BUS SHELTER' (Jury: Ar. Lalichan Zacharias (India), Ar. Jonathan Manalad (Philippines), Ar. Saifuddin Bin Ahmed (Malaysia)}
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Shortlisted as Finalist for COVID-19 Quarantine and Isolation Facility Centre Design by KAARWAN INDIA (Jury: Ar. Divya Kush, Ar. Mala Mohan, Dr. Mahua Mukherjee, Ar. Ashutosh Jha)
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'First Prize' for IT/ITES Façade Design Competition by Mango Architecture in 2020.
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'Third Prize' for IT/ITES Façade Design Competition by Mango Architecture in 2020.
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'Special Mention' for IT/ITES Façade Design Competition by Mango Architecture in 2020.
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Shortlisted in 'TOP 25' in Archmello 'The Master Studio' International Design Competition to design a co-working space for Architects and Designers in 2020
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'Third Prize' in School Design Competition by Hivekraft India in 2020 - A live site project in Haryana.
2021 •
SAQIB MULLA – Thesis of the Year Award by Mango Competitions.
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Top 50 at Archdais – ‘Sacred Space’ Design Competition
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Shortlisted in Top 10 – Reimaging CR Park, New Delhi, A urban design competition by CR Park
Community and Multilogue collective. •
Honourable Mention at Archdais for Entry 1 – The House 2.0 Competition (Jury: Ar. Shirish Beri)
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Top 50 at Archdais for Entry 2 – The House 2.0 Competition (Jury: Ar. Shirish Beri)
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1st Prize at the Advent of Opulence – Luxury Washroom Design Competition by Hivekraft (Jury: Fadd Studio, Studio Ruh)
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NEWS & PUBLICATIONS
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Façade Design in Gurugram – First Prize
(School Design in Haryana – 3rd Prize)
(Rohan Builders Pune Award 2018)
(Rohan Builders Pune Award 2019)
(Pune Beinalle – Urban Design Award)
(Rohan Builders Pune Award 2017)
(Shivaji University Merit Holders 2020)
PROJECTS
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The design process evolved from consideration of s
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F O R M . . .
M O N O C H R O M A T I C
‘LUXURY WASHROOM – INTERIOR DESIGN IN GOA’
i
S U R R O U N D I N G . . .
C O N T I N U O S
THE COASTAL SALVAGE
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F E E L . . .
“Simplicity, clarity, singleness, these are the attributes that give our lives power and vividness and joy as they are also the marks of great art.”
The space having considered near a coastal area mainly ideate its culture and surrounding. The
design revolves around being minimalist in today’s present chaotic environment. The material, textures, furniture's all are used in a minimalist way with a t o u c h
o f
m o d e r n i s t
f e e l i n g s .
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‘ADVENT OF OPULANCE - LUXURY WASHROOM DESIGN’
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Considering today's pandemic, the bus stop is design is dedicated to promote sustainability. We as
a designer can help people change their mind, make designer user and environment friendly. The initial idea was to design a bus stop which reflects the context of the city and also the importance of environment because bus stop is the space were people
from
all
over
gather
to
reach
their
destinations. So firstly, considering the functionality of a bus. A city bus has usually two to three doors,
two at the sides and one in the middle. One is for the people to come in and the other one to go out & the
BUS SHELTER
‘A MODULE FOR BUS STOPS IN KOLHAPUR CITY’ ’
middle
door
is
used
for
physically
handicapped people. Similarly, three openings have been created in our design to accommodate the same and make peoples flow faster. Secondly, the form of the bus stop is inspired from the rich heritage culture of Kolhapur dating back to the 19th century was in most of the structures of the royal Chhatrapati’s we find the ten-pointed or horse shoe arch. Reflecting this into our design we have created an abstract form of the arch which visually appear to be arch from inside because of its diagonal connection. The Bus design incorporates used of landscape and bamboo as a sustainable environment
free
material.
Thus,
encouraging
people to be more nature friendly. o Thus, this
design should be an experience to the people around the town.
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‘BUS SHELTER DESIGN MODULE IN KOLHAPUR ’
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“The design of a school leads us to consider the design as an open environment, an ecosystem
where children are not divided in section according to their age, a more flexible where children can learn according to their interest, talent and needs. Therefore, the long corridor distributing circularly arranged explode to become a great platform, a landscape
for
teaching
and
learning,
where
circulation and teaching space are diffuse and flexible. Function are organized according to their
affinities and the quality of the space they can share allowing new opportunities to emerge from the meetings of two programs. Topography, one of the
LEARNING WITHIN A WHEEL ‘SCHOOL DESIGN IN HARYANA’
three main architectural tool in the design process, ground and surrounding fabric offering spaces from the more public to the most intimate. While the lower grounds are favorable for meetings or more individualized blocks, the highest part of the school allows a wide view on the interior landscape, having visual connection. Hence, the main aim was to create a secured space were students can interact with their growing colleagues and learn things within. A school is were all talent come together, so the spaces contributes to this thought and the design becomes a memory or a hub of learning mostly by seeing each other
and through interactions.
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‘SCHOOL DESIGN IN HARYANA’
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Migration of Labor in search of employment and improved livelihood is a common issue today. Labor
Migration is both Internal and International. Internal Migration in search of employment, has an impact on the economic, social and political conditions of the region both at the sending and receiving ends. About two out of Ten Indians are internal migrants. The labor migration is mostly male dominated, and there is a Signiant increase in the female migrants with the spurring hypermarkets, showrooms and
factories. The migration can be permanent, semi permanent, seasonal or circular. The challenges faced by the migrant labor includes their inability to
SHELTER FOR THE WORKERS
‘TEMPORARY HOMES FOR TRANSIET CONSTRUCTION WORKERS’
cope up with the diversity of culture, language, access
to
identity
documentation,
social
entitlements, social and political exclusion, housing and exploitation. Migrant Laborers are covered by laws and policies but some preclude the temporary migrants and unorganized sector. A construction worker, who actually materialized the designs on construction sites and is an integral part
of
the
construction
industry
often
gets
neglected. If we trace the architectural history, even though the architectural world has moved on from a hut to tall skyscrapers, the living conditions of workers has not evolved much.
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‘TEMPORARY HOMES FOR TRANSIET CONSTRUCTION WORKERS’
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Throughout the architecture history, we have been
concerning the facade treatment for a much pleasant visual impact to the public. But what pushes its own boundary now, is how do we make the
facade
more
than
just
a
static
vertical
architectural element.
WHAT IF, a facade functions more than just an envelope of a building? Or more than that
THE STATIC SKIN
‘FAÇADE DESIGN FOR AN IT BUILDING IN GURUGRAM’
WHAT IF, a facade responds to climate, technology, sunlight, or even natural element such as wind and be nature friendly .
WHAT IF, a facade can constantly react to the surrounding and forms a pattern of movement by itself?
WHAT IF, a “dynamic facade” proposal that could respond to the environment and minimize the
energy consumption and be sustainable.
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FAÇADE DESIGN FOR AN IT BUILDING IN GURUGRAM
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Considering the overall subject and the background of the site we had a live case study. In which we experienced one of the most important thing i.e the people living their were so friendly and so good that they tour us their settlement and gave as much as information as they can. This behaviour changed our mind. So we carring this thought forward, we
also wanted people to visit this places and make them know that slums dwellings are not that bad as
MITRA
‘ACTIVITY CENTRE DESIGN IN EWS AREA, PUNE ’
we/they think . So we took it as a chanllenge and though of making an iconic structure in this space which can catch attraction of people and people tend to visit the site and the same can be done to their thinking also. So, the main though evolved from changing minds of people towards looking at the slum dwellers. We wanted the design to be more friendly to the people residing there. So we though of building a space which can be built by the residents residing there and make this a structure “built by the people for the people”
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ACTIVITY CENTRE DESIGN IN EWS AREA, PUNE
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In today’s competitional world, corporate jobs have
come into highlight. The uniform jobs are left out in
backdrop.
People
fail
to
understand
their
importance,as they are backbone of our security
OPEN AIR POLICE MUSEUM ‘POLICE MUSEUM, KOLHAPUR’
and peace . The basic ideology aims at changing the
perspective of civilians towards people in khaki . It’s
important to understand that life with power is
surreal and sacrifice and responsibilities are real
essence of life in uniform.
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POLICE MUSEUM, KOLHAPUR
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The aim of this design is to bring the lost heritage
and history of Chittranjan CR Park. The history that backs to the early 1950’s where the colony was formed during partitions. It has emerged as the most important outpost of Bengali culture in the capital. The design contributes to such thinking and bring back the history and heritage towards the new citizens and visitors of Chiitranjan CR Park. The design also contributes to be self-developing and self-growing by implementing spaces for revenue
REIMAGINING A SPACE – With Bengali Vibe ‘URBAN DESIGN – CR PARK DELHI’
generation for the community and the city for the maintenance of the street and spaces. The rich cultural heritage and creative minds of the people of Bengal are best reflected in their traditional art forms, folk songs and dances. Rural Bengal takes the lead in keeping the old customs and the associated song and dance forms alive in Modern West Bengal. The folk songs and dances of Bengal deal with a variety of themes, some are associated with religion, prayers, festivals and rituals, others talk
about society at large, and yet others bring religious epics to life.
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URBAN DESIGN – CR PARK DELHI
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The title says it all ‘touching high’ to the ‘souls of
Beirut. The idea processed from the thought that the people thoughts and prayers could reach to the souls, connecting the ground with air and air with the sky. The structure designed is 50times bigger than the human body, representing the loss caused by the people and showing that the praying for the souls together is the best way one can reach to the soul.
The
structural
designed
can
be
an
experimental structure, with materials could be
TOUCHING HIGH
‘MEMORIAL DESIGN – SOULS OF BEIRUT’
used from the exploded existing soil as the foundation and base of the structure and further top can be made of composite (steel and concrete) material. The central part of the structure is zoned to be the focal point to the top tip of the structure accommodated with a fire box. The reason was to bring all the thoughts and prayers in and could also represent the meaning of strongeness and courage for the people visiting. The surrounding part which was exploded is kept as it is, so as to show people,
the power of man-made disaster and promote awareness on climate change.
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‘MEMORIAL DESIGN – SOULS OF BEIRUT’
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“Our ability to reach unity in diversity will be the beauty and the test of our civilisation.”
The site we have selected is the perfect enactment of the brief. The picturesque site located on the banks of Sanapur lake, is the ideal backdrop for the world heritage sites in Hampi. Our society has used religion as a medium to create invisible borders between people and turn them against each other. Hampi and its sites are an allure to people of every race, religion, colour, age, and place. So, our site would be accurately placed to execute the idea of
SHRINE OF TRANQUILITY ‘A SACRED SPACE ON A MOUNTAIN CLIFF’
harmony in prayers. It would be the most idyllic environment for all the visitors to break free from the
societal
barriers
and
unify
as
one
kind,
humankind. Through our design we are giving an ode to the highest power of creation, “Nature”. We have
considered the trinity of air, water and earth as our principle
inspiration.
The
design
is
an
entire
composition of geometric shapes, from rigid shapes to parabolic arches. The visitors have their moment of serendipity to merge with these elements as they relish the air on the journey to the banks of the lake with which they shall coalesce whilst keeping in touch with the earth.
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‘ A
S A C R E D
S P A C E
O N
A
M O U N T A I N
C L I F F ’
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