COLLECTION by Sasha Mitchell

COLLECTION SASHA MITCHELL

CONTENTS NTRODUCTION 4 ON YOUR MARKS RESEARCH 6 DEVELOPMENT 8 OUTLINE 9 CAFE FOR THE FUTURE RESEARCH DEVELOPMENT PHOTOGRAPHY OUTLINE

10 12 14 20

DRAMARAMA RESEARCH 22 DEVELOPMENT 23 OUTLINE 24 THOUGHT OF THE WEEK (1) 26 HOT HOUSE TALK (1) 27

PASTICHE 1560 28 RESEARCH 29 DEVELOPMENT 30 OUTLINE 32 THOUGHT OF THE WEEK (2) 33 HOT HOUSE TALK (2) MARKET READY 34 RESEARCH 35 DEVELOPMENT 36 OUTLINE 38 THOUGHT OF THE WEEK (3) 39 HOT HOUSE TALK KICKSTARTER 40 RESEARCH 41 DEVELOPMENT 42 OUTLINE 44 CCS CASE STUDY 3

INTRODUCTION I am Sasha Mitchell, a level 5 student at London Metropolitan University studying a Bachelors degree in Graphic Design. This book is a collection of the work I have produced this academic year. Taking a walk through all the projects I completed. Running through the research and development of each project before explaining the outcomes. An exploration of talks and visits we have had at London Metropolitan University Our course is split into three modules. Our studio, we choose which studio we want to be in at the beginning of the year. I chose Inventivity, this is a branding studio, so we focus on more on live or real life projects. We also have Creative Industry Practice, this module is all about learning about being a practitioner in the real world. Finally, Critical and Contextual Studies (CCS), this is the essay writing module. Learning about design Language, fine art, and the history of design.

ON YOUR MARKS: RESEARCH This was a live project, three start up companies came in looking for our help to re-brand their product. Their Vision: Promoting Baobab as a superfood and as the only smoothing that includes this nutritious fruit. Their Mission: Worldwide recognition. They want people to recognise them from their brand, their style, their â&#x20AC;&#x153;VIBEâ&#x20AC;?. Their Profile: They are different because their product provides a health supplement for a range of nutritional qualities that no other product on the market can offer. Through research of competitor smoothie brands we hoped to give ourselves a better idea of what standard of design we need to work at.

ON YOUR MARKS: DEVELOPMENT Finishing this project, I realised I did not like the outcome at all. I created emojis that involved the smoothies fruit, including baobab. This worked well with what the clients wanted. I created a logo that worked on different products. The colour scheme of the logos and emoticons flowed with a pastel tone, just as the Bui girls wanted. It all fitted with the brief. The whole brand identity worked well, but it was not at a good quality. The brief that the girls gave asked me to design a lot of things that is not my style. I think this made me less personally involved in the project. I decided I was going to change this idea around. I changed a few things that the girls said to fit my design style. The more I looked back at it the more errors I saw. The more ideas I had to revamp it. So I went back and did more research, more experimentation, and become inspired to revamp this brief. I wanted to make it exciting again.

ON YOUR MARKS: OUTCOME I explored multiple mediaâ&#x20AC;&#x2122;s and colour schemes. Working with an open mind when it came to colour helped me develop the idea. Using brighter colours felt right for this project, researching the exciting African patterns and their shapes inspired me. I wanted to create something thatâ&#x20AC;&#x2122;s just as eye catching, but with a modern twist. I wanted to create a pattern with colour. Something simple and easily recognisable. This is how I came up with the gradient of lines, two colours fading together. From this I added a simple type that I made, by filling all gaps to a bold sans serif type with colour. Other than colour, the major change I made was the bottle. I have changed it to a carton. The product itself is very unique and I wanted the packaging to be the same. I wanted it to stand out from the rest. Overall the brand identity I have created for this project is much better than my original design. A unique, bright brand that emits energy and health. 9

CAFE Fâ&#x20AC;&#x2122;T FUTURE: RESEARCH Cafe For The Future is a social enterprise project. We had to come up with a social cause that we can support and help in some way through a cafe. To start the project off we brainstormed a few social issues that we could support using a cafe. This helped me a lot as this is a very influential project, and was difficult to get started. I decided to create a cafe that helps the pollution crisis. Inspired by recent fog and pollution crisis in London. Many people are warning those who have breathing issues to stay indoors and not exert themselves with sports and exercise as this could worsen their health. We cannot let air to become so polluted that we are told to stay indoors. I researched many facts about pollution in London, and also ways of reducing pollution. I found that flora plays a large part in reducing carbon dioxide. I decided that this would be the focal point of my cafe. It is a more unique idea, rather than just encouraging the use of public transport like more charities and advertisement relating to pollution. 11

CAFE Fâ&#x20AC;&#x2122;T FUTURE: DEVELOPMENT I wanted to create an ecosystem within my cafe, growing plants and inspiring customers to grow as well to help reduce pollution. Collecting rainwater, feeding it through the cafe as a feature experience and feeding plants that we grow on the walls. Saving space, and encouraging customers to grow in small spaces such as London homes. So I began designing my logo and an infographic that I was going to make to help explain my cafe. I experimented with ideas for a logo, finding a way of incorporating water and air. Explaining the growing of plants helping pollution through the logo. One of my favourite ideas was using the ying yang icon with a twist. Showing how the collection of water helps the pollution clear by growing. Taking on the yin yang icon idea further looking at colour, shading, shape. I then came up with more icons that I would use in my infographic to explain each process. The outcome of the infographic worked very well, the design looks to be wheels turning, a metaphor for the process of the cafe. 12

CAFE F’T FUTURE: PHOTOGRAPHY I had the opportunity to attend a photography workshop that allowed me to take some detailed images of my three dimentional work for this project. I created some packaging that I design for my Breathing Space cafe. With flora being my café’s way of reducing pollution, we would encourage our customer to grow at home. We would give away seed packets with every cup of coffee. As well as sell small bags of soil to encourage grow in small spaces, focusing more at small London homes. I also designed a gift box you could purchase for yourself, or friends and family. This would include four bags of soil and four seed boxes, with your choice of seeds, and the box itself can be used as a plant pot. This encourages customers to grow in small spaces of your home, just as the cafe would do.

CAFE F’T FUTURE: OUTCOME My final movie for Breathing Space was a large part of the outcome. It took some time to put together as I struggled with learning new software’s. However it all come together nicely. I created a simple storyboard prior to making it, deciding that I would start by introducing the company name and logo, and continue with facts about the social issue before going on to talk about the cafe itself and what we do. I followed this idea and it worked well. The final brand identity has come after much hard work, but mostly after a lot of enjoyment and passion. Being able to adapt my knowledge into a wider skill set, experimenting with new skills and developing what I already know has been a great experience. A simplistic logo, typeface that reflects the brand, adaptable infographic, I believe I have created a successful design. It can be improved with a stronger colour scheme. Yet this is one of my best projects and I can honestly say I’m proud of myself. 21

DRAMARAMA: RESEARCH This project leads on from the Cafe For The Future project. This project is all about language of graphic media, use of colour, visualising. We have to decide on an area of the last project that we can produce an instillation for. We started by writing a sentence for the feeling of our project for everyoneâ&#x20AC;&#x2122;s individual cafe. Mine was: My project has the feeling of earthy goodness that inspires us to let a little more green into our lives. This sentence sums up the idea of promoting growing, mores specifically in small paces, such as London homes. I researched pop us stalls for small businesses and large ones. I looked at a range of instillations. Those that are simple and quite small in size, and those that are large and intricate that must cost a lot of money to produce. I experimented with paper and crafted some small 3D prototypes of rough ideas in my head. Nothing too serious came out of the idea other than the floor to ceiling growing. 22

DRAMARAMA: DEVELOPMENT My prototypes I made during the experimental stages of this project led me to the idea of floor to ceiling growing. I focused in on the instillation being an inspiration to the audience to grow more in small spaces. So I decided I wanted to create something abstract, that will be eye catching. The idea I came up with was to use shape to create a totem pole. Building up layers of the same shape in different sizes with some of the having a hole in to hold plant pots. The idea came about after some research in moveable structures. One ceramic plant sculpture, famously designed by John Edmark, inspired me to create an instillation that could be moved. I want my shapes to be able to move around one point. This way plants can be held in the structure and moved round however the audience wants. This structure could be something someone would have in their home. So the instillation is more like an advertisement of a product that could be on offer. 23

DRAMARAMA: OUTCOME The outcome of this project has taken a very long time. I have created many prototypes and experiments for this outcome. I created my final instillation using plywood and acrylic plastic. With the help of a laser cutter I cut the shapes out smoothly. Then by hand, I glued together three layers of each shape. This was to make each layer of my structure thicker and have colour. So I secured plywood to both sides of the coloured acrylic plastic to create this thicker shape. For my installation I created it real size, but I only created a small section. Enough to just sit on a table. I was not able to create the full scale as this would have cost too much money and taken too much time to produce. This was because the laser cutter machine charges by the hour. I was very happy with the final instillation. It was unique, and intrigued people I worked around to ask more. I would have the full sized structure I designed in my house as the design is not only elegant, but good for the environment. 25

THOUGHT OF THE WEEK: FIG TAYLOR We were visited earlier in the year by Fig Taylor, current portfolio consultant and previous illustrator agency owner. Taylor has many achievements including writing the book, “How To Create a Portfolio + Get Hired”. These are her top 5 tips for portfolio presentation and how to get hired: • Do your homework – always make sure your work is relevant to the client you are showing it to. • Content must be relevant – should say 2 things. 1. This is who I am. 2. This is how you can use me. • Have a running order – make sure it can be done quickly if necessary. • Be self sufficient – Bring your own laptop in case. • Don’t be self indulgent – only work with professional context.

HOT HOUSE TALK: MATT + CHRIST “Master your ABCs the darkly comic way, as Rosé and Fred subject each other to creative acts of siblicide for your learning pleasure.” We had a talk from Matt and Chris today, the creators of Lets Play: MURDER, an adults humours cartoon book, an A-Z of the ways “Rose” and “Fred” kill each other. They spoke about how they came about and about the idea of the book. But mostly they spoke about kickstarter and how it really got the book of its feet. They started with me video that explained the brand and went on from there. The whole concept of their idea was great and using kickstarter they really made their dream happen. This was a really inspiring talk, as it showed to us all if we really want to create something the help is always there. You can truly start from nothing and still get everything you want and more.

PASTICHE 1560: RESEARCH This project, Pastiche 1560 aims to develop our understanding of communication. Creating a video clip that demonstrated critical thinking about someone of major creative importance. I have chosen Guy Denning, he stands out to me as an important artist. Provoking and political work. Through texture, tone, and depth the emotion of his muses innermost thoughts are pulled out from the depths of their mind and pasted onto canvases for the world to see. Passion, remorse, sorrow, all translated and spoken to us in Denningâ&#x20AC;&#x2122;s language by the deconstruction of his subjects masks. I want to create something by hand as this would help me illustrate in the same way as Denning does. I started my research by looking at the different mediums I could use for this project. I initially started my sketches by thinking of my monotone mediums that I could use to illustrate faces. The main four I looked at was pencil, marker pen, biro, and chalk (and charcoals). 28

PASTICHE 1560: DEVELOPMENT I decided to create a stop motion animation. I put together a storyboard of what I wanted to create. The storyboard shows the muse awakening, and beginning to scream. The head begins to spin round and then return to its original position. I chose to bring a piece of Denningâ&#x20AC;&#x2122;s work to life. Roughly basing the drawings on an existing piece of his. This was going to take a lot of time and energy to put together but I knew the outcome would be worth the while. My experimentation with this artists style let me know if I could quickly produce multiple drawings at a fast pace. The scruffy style allowed room for error, although I wanted the final outcome to look professional. To start I got myself a small A6 sketchbook to draw the illustrations. I used ink to create a mid-tone background. After the ink on every page dried I began drawing each face with pencil and pen, as I did with my illustration experimentation. 29

PASTICHE 1560: OUTCOME This is my final outcome for the Pastiche 1560 project. I finished the animation a while ago, yet i hadnâ&#x20AC;&#x2122;t added the text or sound. The idea of the video was to bring Guy Dennings work to life. Most of his work illustrates a portrait of a muse, expressing their emotion through the piece. I wanted to use the video to express how drawing these sensitive illustrations must feel. So i added a sound of drawing and deep breathing, a noise that expresses a fast beating heart and concentration. I have named the piece The Emotion of Denning, summing up my idea for the animation. I added this to the video as well, with a handwritten typeface, flickering to move with the illustrations. Im happy with the outcome of this project. I could have involved different facial expressions and movements. However, with the time i had, this animation is something i am very proud of. With determination i was able to draw so many small portraits and put them together with high quality. 31

T’O’T’W’: ALAN FLETCHER Alan Fletcher known as the most “prolific graphic designers of his generation”. In 1963 he wrote the book Graphic Design A Visual Comparison with his work partners at the time Colin Forbes and Bob Gill with whom he owned a design firm. The Art Of Looking Sideways, unique book of his creation, “It’s a cross between a collage and a box of goodies.” This is a piece of work that stands out to me and is a real example of the layout and design quality that I am aiming for in my own book. Filled with information, presented with clarity, in a unique way. His work is metaphorical and sarcastic, its eye catching and stands out amongst most graphic design work.

HOT HOUSE TALK: ABRAM GAMES Abram Games was a renowned British graphic designer of the 20th century. Our hothouse talk was spoken by Games’ daughter Naomi Games. Born in Whitechapel in 1919 and lived until 1996 at the age of 77. The 1930’s had not yet learnt of colour printing or colour photography. The designer had helped his father from a young age use airbrush to add colour to images. He left school at 15 to continue working on his dream to design and create. Abram built himself a shed in backyard and built himself a portfolio. Experiment using the airbrush, incorporating image and text together. After getting fired from many jobs, purely from lack of interest, and not liking being told what to do. He famously stated, “I’ll never apologise. I’ll never work for anyone ever again. I’ll be my own master and my own slave” Frank Pick called and said to come see him a few years later. Pick asked if he could design a poster London transport poster for him. He created many that are still well known today. 33

MARKET READY: RESEARCH Working in small groups we were creating our own projects for a market stall. Taking everyone from the team and recognising everyoneâ&#x20AC;&#x2122;s skills and what they can bring to the team. The Christmas Market was held on Brick Lane on 4th of December 2016. The best project selected went on to sell their products at the market. We had to as a team present out product design, our plans and costings, stall displays. We had to develop our brand before all of this though and begin our brand identity. We decided as a team that we were going to sell tea. We want to relate our brand to design and creativity. Creating a simple tea product and bring each team members artistic talent to light. Through discussion we thought it would be a good idea to assign each team member a flavour and everyone can create their individual design. As a team we produced a lot of research for the packaging and logo. I researched my personal flavour of strawberryâ&#x20AC;&#x2122;s and raspberry myself to give myself an idea of how I want to illustrate my packaging. 34

MARKET READY: DEVELOPMENT Through my own individual research into strawberry illustrations, and strawberry infused tea packaging, I have given myself a better idea of how I wanted to illustrate my flavour. I wanted something very simple and I wanted to create a pattern of some kind, or even a repetitive design. I wanted to experiment with different medium’s but I wanted to make sure I settle on a softer design to fit better within my projects brand values. These values were, “Friendly, young, inspiring, flavourful, and warm”. I experimented with media and colour. I could imagine the bright pen drawing I made grabbing the audiences attention. However they were very bright, and did not fit into my brand identity my team was creating. We began discussing pastel colours and how they were in trend as well as a fitting scheme for our brand values. My final illustration was created with watercolours, a softer, gentler medium. The design stood out yet was not too harsh on the eye. 35

MARKET READY: OUTCOME After applying my pattern to the tea packaging template, I also chose colours I had used within my illustration and used those to fill the text boxes. This task was made a lot easier by having the template already made by another member of the team. As well as our individual packaging designs, we all had our part to create the product and the brand. My role was campaign branding and typographer. I worked well in these roles however the team was big and communication issues meant not everyone had a say in final decisions. Our final presentation was created by three members of our team, but was made up from everyoneâ&#x20AC;&#x2122;s work and combined all the hard work from everyone on the team. The content of the presentation clearly explained our brand ethos and grabbed the accelerator teams attention. The presentation led by Rhiannon and Zara went smoothly and all questions asked were answer with no fault. 36

THOUGHT O’T’W’: MASSIMO VIGNELLI We were given the task to watch a video on Massimo Vignelli, where he softly talk about type and how he feels about it. We had to select a quote we believe stood out to us. “We think typography’s black and white, typography really is white, you know, its not even black. Its the spaces between the blacks that really makes it.” Sensitivity was the key word that stood out to me. We see a true artist talking passionately about his work and the subject of type. He cares for this typeface like it is his child and is delicate with it. Novecento (pictured to the right) - A versatile typeface that can work on a poster and stand out, or subtly on a website and not strain your eyes. This shows a sensibility to the opinion given by Vignelli in the video. He speaks about how important the spaces are, the whites, and this typeface really lives to that opinion. It is a clean font, tidy, has personality but does not jump out too harshly. This lets itself work in multiple mediums.

HOT HOUSE TALK: SOFIA CLAUSSE We were visited by the lovely Sofia Clausse, she was in love with typography. I enjoyed her enthusiasm to graphic design. She spoke about her work with such passion. She inspired us all with her motivation to the profession. Clausse did not only impress us from her personality but her stunning work. She has created many beautiful zines with Itâ&#x20AC;&#x2122;s Nice That. The monochrome prints stood out to me. The type she created within them flowed as if they were drifting on ripples of water. She explained to us the project was inspired by her time spent in Chicago. Windows on skyscrapers reflecting nearby buildings, distorting them in the light. This work was something that really caught my attention as I also love type and the way it can be used in never ending amount ways. This was a brilliant Hot House talk that I was lucky not to miss.

KICKSTARTER: RESEARCH Talking with our group I decided to start off this project by voicing my opinions on how market ready really went. Although our final presentation went smoothly and the accelerator liked our pitch, the team was disorganised and the workload wasn’t spread evenly. Lack of communication was our main issue. Starting this project I wanted to make sure we don’t repeat the same problems again. So we assigned roles to every member in the group (including those who weren’t there). Distributing the workload fairly, and considering everyone’s personal skills and interests. Not only did we want an even workload, but we wanted a project we all actively enjoyed and contributed to. We liked our market ready concept but most of us didn’t like the designs and outcomes. We want to change that by communicating.

KICKSTARTER: DEVELOPMENT We had not see everyone from the group for a while and we started to get disorganised again. Although we had made ourselves a Facebook group to post ideas and stay connected, lack of physical communication in the group was proving difficult to stay on top of our plan. So we met up with the majority of the group. This allowed us to re-assign everyone to roles as we found new tasks for everyone. As well as everyone creating their individual design, everyone had a new role, in helping out with the branding and packaging, movie making, or social media advertising. We have decided that we are all going to design a pattern or illustration we feel represents our personal flavour, and one person from our team, (Victoria), will digitally design them. This way every design is personal to the illustrator, but they will all flow and have a similar craft. We decided our final packaging should be a unique box that customers can identify as ours. Deciding on a round cylinder shaped box, that would be unique to teas and would this be stand out. 41

KICKSTARTER: OUTCOME I am in the branding group of our team, so we continued to develop our idea for packaging. The cylinder idea worked very well. I purchased some baking powder that had the perfect cylinder shaped packaging. We put our label on it to get a rough idea of what our product would look like if we mass produced them. The outcome of this was positive from all members of the group. We also designed a gift box that would have a selection of tea boxes and a branded mug. This was an idea from the marketing side of the team. This would help promote the product and enhance word of mouth for our brand. The rest of the team were working on social media and the movie. The movie came together well with two members of the team answering questions about the brand while drinking our tea from branded cups. The video also included every members designs. Finally, we had to present our work to the accelerator team, most comments on our brand were positive, with helpful feedback. 43

CASE STUDY: LETTERPRESS’ IMPRESSION China and Japan were the first recorded countries to have used movable type. Type characters were cast from bronze metal in the 13th century, and the oldest text found printed in the type dates back to 1397. Johannes Gutenberg then invented the first letterpress in Europe, in the 1440’s. This machine has lived through centuries with only minor element changes. The impact the letterpress has made on the world is astonishing. Today we still admire its unique relief impression. For over 500 years we have documented information purely with the use of the print press. Only recently; since the 80’s; have we discovered the use of the computer and digital printers. This is a quick and easy method of mass production, which has made the digital age push aside traditional printing. Recently we see the rebirth of the print press, mostly used by artists for its attractive impressions and controlled design. Early findings show that wood printing likely began in the 8th century in China. Moveable type was 44

initially made from ceramic porcelain china materials. Jikji, the first notable book to be found printed using this moveable type was in 1377. We then see the first movement in modern day printing in the 1440’s. Johannes Gutenberg originally designed the press to work with a block of wood that text can be carved out of. The ink to be rolled onto the wood, then the paper is to be laid on top by hand; the padded surface of the press would then apply pressure to the paper. This not only evenly spreads the ink onto the page but also indents the paper slightly as it is pushed against the characters. This allowed mass production of set text printing. Gutenberg soon after designed movable type out of wood that could be arranged, held together, and mass printed similarly to the block of wood. Later this type would be cut from metal. This made the process of printing chosen text a lot quicker as the independent characters could be rearranged and reused. The mechanism of the first press was based on a screw, but later the metal press followed with a knuckle and lever arrangement. The letterpress slowly replaced important manuscripts that had previously only been hand copied. In 1455 Gutenberg and 20 staff were to print 180 copies of the bible. With 1282 pages for

In 1473 England finally joined the print press movement. William Caxton was the first Englishman to perfect the printing process; he printed the first English book, it was originally written in French and Caxton translated the book himself. In 1476 he introduced the press to England, and soon after he revolutionised the way we produced our books. By 1500, print shops were found in cities all over Europe. William Caslon was an up and coming typographer in England in early 1720, his typefaces were stimulated by Dutch Baroque Type. His work is still used today by many typographers and designers. Most notoriously one of his typefaces was used for the Declaration of Independence. Inspired by Caslon, John Baskerville created many typefaces of his own in the 1750’s; many we still use. He was also known for advancements in print, paper and ink production.

printed onto the paper, it will only stain where it hasn’t been treated. This method was popular as it was a much cheaper way of printing manuscripts. Although this is still used today, a similar method of printing, offset printing, typically is only used for cheap manufacturing for books and magazines and does not hold ample quality . This process is quicker in mass producing manuscripts, using a rotary system it apply ink it worked a lot quicker than the manufacturing process from the print press. This printing method came about in 1900’s, as a happy accident for a printer lithography printing and dropped the print onto plastic and this plastic fell onto the paper that gave a surprisingly sharper expression. He then created a machine that re-created his mistake. “Early in the 1930’s, American Printers, faced with the loss of business induced by the great depression, began to trend towards offset printing as a way of reducing costs”. Up until the 1950’s this technique became more popular, alongside the use of the letterpress.

1796 introduced the lithography printing style that stole the spotlight from the print press for some time. This process is very different, with the paper being treated with a greasy substance where you don’t want the ink to run. When ink is

Although the first recorded newspaper was found to be from Germany, printed in 1400’s, “the first true newspaper in English was the London Gazette of 1666”. I have looked at the many different methods of printing, all very different techniques;

each copy, it took the team almost 3 years to complete. Today we still have 48 copies of these bibles remaining.

the use of the letterpress. From hand copying though there are many variations of each technique that allows mass production. “Printing is books, to printing the Daily Mail. From it’s practical use in our day-to-day life, to creating artistic one of a number of processes for producing identical copies of written text and images.” masterpieces. “It is as much a matter of touch as of 1800’s Earl Stanhope builds the first metal press, look, the combination of toothy paper & resolute this prints 200 impressions per hour, unlike the presswork which produces that sense of robustness wooden press which was considerably less. Ottmar of which we are deprived by most printing today.” Technology has allowed us to easily and Mergenthaler then designed the linotype machine. The machine created the typesetting to inexpensively copy and print text and imagery at then be used in the letterpress and speed up the our fingertips. The letterpress does not live up to print process, encouraging mass production. The todays swift equipment, nevertheless, nothing will possible meet its standards of quality and newspaper industry was revolutionized; the speed hands-on ability to alter the print to your needs. of printing continued to increase. A timeless machine that will forever be competing with the new age print methods, and triumphs The 80’s and 90’s introduced the computer, this every time. new revelation made the letterpress out-of-date. Although today we see the regeneration of the print press because of the “allure of hand-set type”. Type making an indent on to the paper was considered bad type printing. Traditional type printers named the perfected print style the ‘Kiss’, as it only touched the paper enough to spread the ink and not leave the indent. This relief impression is what makes traditional printing so alluring to us today.

Throughout history we have seen the many improvements we have made to society through

BIBLIOGRAPHY

• Rampant Lions Press - http://www.rampantlion spress.com/Rampant_Lions_Press/History.html • Wikipedia - https://en.wikipedia.org/wiki/ Online Sources Gutenberg_Bible • British Library - http://www.bl.uk/learning/ • British Library - http://www.bl.uk/treasures/ timeline/item126577.html gutenberg/basics.html • British Library - http://www.bl.uk/learning/ • New World Encyclopedia - http://www.newtimeline/item126578.html worldencyclopedia.org/entry/Jikji • The Beauty of Letterpress - https://thebeautyo• Historic Pages - http://www.historicpages. fletterpress.com/letterpress/ com/nprhist.htm • Wikipedia - https://en.wikipedia.org/wiki/Li• New York Times - http://www.nytimes. thography com/2006/12/10/arts/design/10hols.htm• Wikipedia - https://en.wikipedia.org/wiki/Movl?ex=1323406800&en=ee024b5adc6e4fable_type d8&ei=5088&partner=rssnyt&emc=rss&_r=0 • Wikipedia - https://en.wikipedia.org/wiki/ Woodblock_printing • Wikipedia - https://en.wikipedia.org/wiki/PrintBook Sources – ing_press • Sebastian Carter, The Book Becomes (Oxford, • Wikipedia - https://en.wikipedia.org/wiki/ 1984) Screen_printing • Elation Press - http://elationpress.com/resourc- • James Bralla, Handbook of Manufacturing Process, (Industrial Press, 2007) es/the-history-of-letterpress-printing/ • Artisan Press - http://www.artisanpress.com. • Frederick Kilgour, Evolution of The Book, (Oxford University Press, 1998) p.138 au/letterpress-history/ • Wikipedia - https://en.wikipedia.org/wiki/Offset_printing • Letterpress Commons - https://letterpresscommons.com/impression/ 47

END I hope you have enjoyed my collection of this years projects and talks. It has been enjoyable to look over all the work that I have lovingly produced this academic year. Thank you for reading and I hope I have inspired you in some way.