UNDERGRADUATE POTFOILO by Satishkumar Lohar

U N D E R G RAD UATE STUDENT 2015 - 2018

O O LI O

RTF

SATI S H K U MAR LO HAR

My name is Satish Kumar Lohar currently pursuing architecture from Tulsiramji Gaikwad - Patil College Of Architecture, Nagpur . I am always excited to learn something new especially in architecture, urban design and landscape architecture.

2015 - 18

ARCHITECTURAL

HELLO..

PORTFOLIO

SATISH KUMAR LOHAR

A3, jai maa durga seva samiti, yadav compound, sanjay nagarnr, shiv sena maidan, kandivali (w). mumbai - 40067.

WORKSHO Active Parametrism (5 day)

loharsatishkumar@gmail.com

Gautam Santhanam 60th Annual NASA

Desgin Concept Ar. Ritu Deshmukh

English , Hindi

Sculpture Making

Indian

Prof. Ravi Singh

Bamboo Workshop Shastrimistri

30 Nov 1995

Concept Development Ar. Kishor Revalkar 59th Annual NASA

+91-8693094642 / 7977332517

Global Scenario Ar. Hafeez Contractor 59th Annual NASA

I BELIEVE IN ONY ONE THING, “THE POWER OF HUMAN WILL”. My objective is to join a firm to maximize my learning experience, and contribute towards the organization. To pursue an opportunity to gain knowledge of the new concepts, design ideas and exposure towards field work. I am sure that I'll be a step closer to sculpt my thoughts into reality.

INTERESTS

I wish to work with utmost dedication, passion and become an asset to the firm.

COMMENDATIONS Creative Editor Skylight (College Magazine) 2018 Director of Public Relations Rotary Club Of Nagpur Griha & Lik NASA INDIA College Class Representative TGPCA, Nagpur Hudco Trophy NASA INDIA

ACADEMIC II Sem

Cafeteria My House

III Sem

Institutional : School Extension for a Historic Moument

IV Sem

College Group Leader Rewal Ring

SKILLS EDUCATIO

Complex for - Patanjali Bamboo Resort 2015-18

V Sem

Contour - Guest House Apartment

B.arch . IV Year Tulsiramji gaikwad - patil college of architecture

2015

10 + 2 Degree D. R. Vyas Junior college

VI Sem

Museum on Principle of B. V. Doshi Metro Complex

2013

SSC M.K.E.S Engish School

CONTENT

MIXED-USE DEVELOPMENT METRO MALL

STUDIO DESIGN FOR 6TH SEM Seeking in the development of the metro city Nagpur. We were given a site at Chhatrapati sq. where we had to develop a mixed use building wrapping up office spaces, commercial spaces as well as recreational like restaurants. Mixed-use developments are characterized by their “live, work, play” facilities and amenities in a single development. The requirements were fixed for each of the three and we were required to work according to the DCR of Nagpur.

SECTION BB’

WEST SIDE ELEVATION

NORTH SIDE ELEVATION

SECTION AAâ&#x20AC;&#x2122;

W O R K I N G

D R A W I N G S

S.A.DESHPANDE DESIGN TROPHY 2018 EXPERIENCE UNCANNY IN 7 ATMOSPHERIC DRAWING

THE DJINNS OF BHOOTPOOR The Thematic Odyssey of TheUncanny.....

The Project...... There are innumerable instances in literature, lms, the oral traditions of story telling & popular writing wherein terror, horror, dislocations, spooky situations, eerie & weird atmospheres are best explained in the physical construct of architecture. THE CENTRALITY OF THE UNCANNYIS THE ABSOLUTE CONSTRUCT.

WHAT IS UNCANNY? uncanny n kani/ adjective strange or mysterious, especially in an unsettling way. "an uncanny feeling that she was being watched“.

• The uncanny is the psychological experience of something as strangely familiar, rather than simply mysterious.

7 ATMOSPHERIC DRAWINGS: PHYSICAL 2. DENSITY

1.OBJECT

3. PROPORTION

4.MATERIAL

•SOME NOTES, •SOME POINTERS, •SOME DIRECTIONS, •SOME SITUATIONS, •SOME CIRCUMSTANCES, •SOME POSSIBILITIES. No architecture is supposedly meant to terrorize. But when terror prepares to inhabit it; it makes amends. It locates itself in its essential constituent; and revels in this new found condition.

5.DIRECTION

6.VISULAISATION

7. HARMONY

construct such monument was to provide employment to the people at the time of major famine. Ÿ Due to major famine, there has been number of deaths

ARCHITECTURAL ELEMENTS WHICH CAN CAUSE UNCANNY :

IMPROPER STAIRCASE

an imambara complex in Lucknow, India, built by Asaf-udDaula, Nawab of Awadh, in 1784. Ÿ The architectural beauty of mughal period. Ÿ It is the topmost haunted place in lucknow. Ÿ It is an 275 years old built form, the main objective to

of innocent men, women and children, the ghosts of whom can be seen in the amusing mazes of the monument. Ÿ It is neither a mosque nor a dargah. Ÿ The monument in total contains 7 floors,In which 3 floors are underwater.

NON PHYSICAL 2.SMELL

1.AIR

POINTS TO BE CONSIDERED WERE :

BARA IMAMBARA (LUCKNOW) Ÿ Bara Imambara is

Ÿ Abandoned houses, real or imaginary has a

similar effect on our mind if we relate it with a tarrifying history. Ÿ who were the original in habitants? why the abandonment ? why no present owner? these questions are inapplicable without some metaphysical cause added to the atmosphere.

T H E

ABNORMAL SENSATIONS

T H E M A T I C O D Y S S E Y O F

3. MOOD

4. SOUND

T H E

5. GRAVITY

A LONG NARROW CORRIDOR BROKEN DOOR AND WINDOW SITE PLAN 6. LIGHT

7.MAGNETIC FLUX

ELEVATION

SECTION B SECTION A

ENLIGHTENMENT

The brief recommended us to refer the instances in literature, lms, the oral traditions of story telling & popular writing wherein terror, horror, dislocations, spooky situations, eerie & weird atmospheres.

U N C A N N Y

T H E

RUMI DARWAZA

There was no location.......no Site......no Program.......all that was our prerogative. The project was all about:

ŸPLACE- RUMI GATE ŸWHAT WE EXPECT- MUGHAL GATES WITH

1. How well we understand the Uncanny 2. How appropriately we will pick a location 3. How would the setting be 4. How will we pick a project that will best dene, delineate, deploy & display the Uncanny 5. How will we DRAW the 7 ATMOSPHERICS of the Project.

MINARATES NO SIGN OF TURRETS AND ONE HUGE OPENING IN MIDDLE ŸWHAT IS THERE- THREE ARCHED OPENING, DECORATED WITH TURRETES, OCTAGONAL CHATRIS AND LOTUS PETAL EMBRODRY. ŸUNCANNY – 3 OPENING IN ONE GATE IS NOT COMMON. CONSTRUCTION OF TURRETS IS NOT COMMON.THEY LOOK BEAUTIFUL IN MORNING BUT GIVE NEGATIVE FEELING AT NIGHT.

T H E M A T I C O D Y S S E Y O F

These are some images given in brief for our understanding.

T H E U N C A N N Y

THE CLONE

T H E

BHOOL -BHULAIYA :-

PLACE- 3 RD FLOOR IS FAMOUS FOR BHOOL-BHULAIYA OR T LABYRINTH H E WHAT WE EXPECTM IT HAVE PASSAGES INTERCONNECTING WITH EACH A OTHER THROUGH 489 T IDENTICAL DOORWAYS. I WITHOUT TOUR GUIDE IT’S C DIFFICULT TO ROAM AROUND THIS BHOOL BHULAIYA. O WHAT IS THERE- THE FIRST SET D OF STEPS 45 THAT LEAD YOU TO Y THE FIRST LEVEL OF THE BHUL S BHULAIYA. S THE ARCHITECTURAL DESIGN OF THIS MAZE HAS BEEN E IMPLEMENTED IN SUCH A WAY Y THAT IT MAKES ROOM FOR GOOD AIR VENTILATION AND O PENETRATION OF SUNLIGHT. F WHAT IS UNCANNY – DUE TO SIMILARITIES OF REPETAD T PATTERN OF COLUMNS AND H OPENINGS JUSTIFY LOST OF E PATH AND DIRECTION. U N C A N N Y

HALL OF LIGHT:PLACE- HALL OF LIGHT WHAT WE EXPECT- MIRROR PALACE TO REFLECT LIGHT

TEXTURE WALLS ARE COVERED WITH LIMEPLASTER SO TEXTURE IS ROUGH

WHAT IS THERE- CHANDELIER ATTACHED TO A SINGLE CABLE, MIRROR BOARDS ARE KEPT ON FLOOR TO REFLECT LIGHT UNCANNY – COLOR COMBINATION IS WEIRED. BLUE AND RED LAMPS ARE USED IN CHANDELIERS AND ARE ATTACHED WITH A SINGLE CABLE.

Ÿ WHAT WE EXPECT? Ÿ WIDE CYLINDRICAL HOLE FILLED WITH Ÿ Ÿ

Ÿ Ÿ

T H E M A T I C

WATER BELOW. WHAT WE SEE? WIDE CYLINDRICAL HOLE PROVIDED WITH 7 BASEMENTS, LAST FOUR ARE FILLED WITH WATER. WHAT IS UNCANNY? LAST FOUR BASEMENTS FILLED WITH WATER LEADS DOWN TO 2 TUNNELS ONE FACING TOWARDS AGRA AND OTHER TOWARDS BIHAR. THEY WERE USED AS UNDERWATER ESCAPE TUNNELS. ”TEHKHANA” BUILT IN PREMISIS OF ECLIFIC WAS USED BY BRITISH TO LOOK UP THE INDIANS. THE WALL OF MYSTERIOUS TEHKHANA STILL HOLD THE HAUNTING SOUL OF INNOCENT PEOPLE LOSING

O D Y S S E Y O F T H E U N C A N N Y

PLAN

T H E

STAIRCASE

T H E M A T I C

O D Y S S E Y

Ÿ Ÿ

O F

T H E

WHAT WE EXPECT?

Ÿ CONTINOUS TYPE OF STAIRWAYS

T H E M A T I C

LIKE DOG LEG, L-SHAPED, USHAPED, SPIRAL TYPE. WHAT WE SEE? NO CONTINUOUS STAIRWAYS, UNUSUAL LOCATION OF STAIRWAYS, VERY VERY LONG STAIRWAYS. WHAT IS UNCANNY? O EVERY BUILT ELEMENT IN D UNCANNY WHEN ITS LOCATION Y OR FUNCTION IS CHANGED. S SCARED HORROR LIES IN THESE S LENGTHY STAIRWAYS, WHICH E GIVES YOU AN ASSUMPTION OF Y REACHING NOWHERE BUT TOWARDS THE DEVIL. O HENCE PROPORTIONS ARE ALWAYS EYE CATCHING. IN THIS BUILDING F IT IS EYE CATCHING BUT UNCANNY. T H E

U N C A N N Y

REVEALING OUTSIDE AND UNREVEALING INSIDE

T H E

STEPS WELL (BAOLI)

U N C A N N Y

VISUAL PERCEPTION OF MOTIFS

MESALLIANCE

CONTACT : loharsatishkumar@gmail.com +91- 8693094642 “A good design is not only good by it’s visualisation, but also decided by it’s contribution to context and surroundings.”