PORTFOLIO Saurabh Garge Graphic Design saurabhgarge@gmail.com +91 8790269640
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DESIGN FOR BRANDS A branding project to design a brand experience.We were supposed to take a business anddesign a complete brand experience including brand architecture and its ideologies..I selecteed a typography store as my business which focuses on sell of typography merchandise and fonts etc.
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BRAND PERSONALITY Cheerful
Modern
Outrageous
Defining a brand personality,Its attributes and the visual language for the store..The whole visual language revolves around various type
extraordinary
modern
TYPOGRAPHY
ERDANA
FO SANS
ROOTS OF TYPOGRAPHY
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890
TYPOGRAPHY TO THE HEAVEN
ATLAS OF TYPOGRAPHY
IMES NEW ROMAN
BRAND IDENTITY
Glyph is the name chosen for the brand which means an ’individual mark on a written medium that contributes to the meaning of what is written.’ is also an important term in typograph. ‘g’ in the logo represents one such glyph.
R-206 G-83 B-40
glyph
C-14 M-81 Y-100 K-3
R-111 G-191 B-177
C-56 M-4 Y-36 K-0
R-241 G-155 B-66
C-4 M-34 Y-85 K-0
R-163 G-37 B-52
C-24 M-97 Y-80 K-19
R-125 G-168 B-79
C-56 M-15 Y-89 K-2
R-36 G-36 B-50
C-78 M-73 Y-51 K-64
R-236 G-214 B-174
C-7 M-14 Y-34 K-0
glyph
STORE
{ {
Perisphere abcefghij klmnopqr stuvwxyz
ABCDEFGHI JKLMNOQRS TUVWXYZ
1234567890 !$&(),./ ?“
ABCDEFGHI JKLMNOQRS TUVWXYZ
1234567890 ! $ & ( ) , . / ?“
Myriad Pro abcefghij klmnopqr stuvwxyz
STATIONARY
TAGS
An illustrative and typographical language developed for the tags which also acts as a package seal. Individual tag for the perticular category available in the store i.e. Tee shirt,books,mugs,fonts etc.
SEALS FOR BAGS
Berlin Sans SEALS FOR BAGS
Bahaus
Label to stick on the font bag sticker after a purchase of perticular font
Berlin Sans fold
Bahaus CARRYING A
CARRYING A
CARRYING A
CARRYING A
CARRYING A
CARRYING A
CARRYING A
CARRYING A font in this BAG
TYPO TYPO TYPO fold
CARRYING A
CARRYING A
TYPO TYPO TYPO in this BAG
in this BAG
in this BAG
TYPO
TYPO
in this BAG
Label to stick on the font bag sticker after a purchase of perticular font
FONT CARDS
A promotional initiative from glyph store to make people aware and educate about the fonts.This give-away font cards contains the information about the font and some did you know facts related to the font.
know Font: Garamond Category: Serif Designers: Claude Garamond
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890!@#$%^&*()<>?:”{}
know your
Font: Fututra Category: Sans Serif
Designers: Paul Renner Type Foundry: Bauer ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxy z 1234567890!@#$%^&*()<>?:”{ }
WEBSITE WHAT IS GLYPH
Modern movable type, along with the mechanical printing press, was invented in mid-15th century Europe by the German goldsmith Johannes Gutenberg. His type pieces from a lead-based alloy suited printing purposes so well that the alloy is still used today. Gutenberg developed specialized techniques for casting and combining cheap copies of letterpunches in the vast quantities required to print multiple copies of texts. This technical breakthrough was instrumental in starting the Printing Revolution.
GLYPH IS WHAT GLYPH IS WHAT gallery FONTS FONTS merchandise events contact us
in Korea during the Goryeo Dynasty around 1230. Both hand printing systems, however, were only sporadically used and discontinued after the introduction of Western lead type and the printing press.
publications
posters
merchandise
fonts
events contact us
The essential criterion of type identity was met by medieval print artifacts such as the Latin Pruefening Abbey inscription of 1119 that was created by the same technique as the Phaistos disc. In the northern Italian town of Cividale, there is a Venetian silver retable from ca. 1200, which was printed with individual letter punches. The same printing technique can apparently be found in 10th to 12th century Byzantine staurotheca and lipsanotheca. Individual letter tiles where the words are formed by assembling single letter tiles in the desired order were reasonably widespread in medieval Northern Europe.
gallery products events contact us
WHAT GLYPH IS GLYPH WHAT IS FONTS FONTS merchandise merchandise events events contact us contact us
realized in the Phaistos Disc, an enigmatic Minoan print item from Crete, Greece, which dates between 1850 and 1600 BC. It has been put forward that Roman lead pipe inscriptions were created by movable type printing, but this view has been recently dismissed by the German typographer Herbert Brekle.
GLYPH IS WHAT GLYPH IS WHAT GLYPH IS WHAT gallery FONTS FONTS products merchandise merchandise events events us contact us contact
Join Us
Name
Address e mail
Message
send
APPLICATIONS
Adaptation of the brand language in uniforms,infographics and vehicle graphics.
CAMPAIGN DESIGN A Hypothetical Campaign Design For Kala Ghoda Festival-A Weeklong contemporary Art Festival Takes Place Every Year In February.Various Areas Like Performing Arts,Food,Music,Dance,Literature,Heritage Walks Are Organised During The Festival..It Is Considered Asone Of The Vibrant And Versatile Event In India
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KALA GHODA MOODBOARD
GRAPHIC ELEMENT
THE PAINTER HORSE VISUAL ARTS
The horse in a seating posture of “Sadhak”(seeker) of Sadhya(Goal) represents the contemporary theme of the festival at its highest level of dedication. Ironicaly horse never sits in real life but can be representated and fit well in a contemporary description
THE GUIDE HORSE
THE MUSCIAN HORSE
HERITAGE WALK
MUSIC
TEASERS
Furthe I selected three of the 10 various areas of festival and developed a visual language and copy for it. Live the history,Spirit and passion are the copies decided for Heritage Walk, Music and Visual arts..A media of adaptation is mainly hoardings.
MAIN CAMPAIGN
Keeping whole family as the target audiance I developed a campaign around the various mischeifs happening at home and portraied in a bigger picture under a copy saying-â&#x20AC;?Sometimes its ok to let yourself go and accept that you are being ridiculousâ&#x20AC;?.The sub-copy remains same as the teasres accompanied with the short description of the perticular event.
EVENT SCHEDULE
The event schedule design celebrates the contemporary aspect of the festival. A foldable brochure which also act as a soveniour and enhjances the experiance of visiting Kala ghoda festival.
APPLICATIONS
Applications of the designs in vaious medias. Signages,Badges,Hoardings and also stencil paintings on railway stations,skywalks and footpaths.
PACKAGING DESIGN To Design A System Of Packaging Solutions For The Indian National Flag (OnlyThe Khadi Ones Ie. Those Certified By The Bis) Such That The Package Evokes Dignity And Pride For The Flag And Everything That It Stands For In The Buyer AndSuch That The Package Can Be Used For Disposal Once The Flag Is Old Or Damaged.”To Package India”
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PACKAGING INDIAN FLAG
Existing Packaging of the Indian flag
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â&#x20AC;˘Design criteria 1. It must inform the user about flag disposal 2. Package must double as the disposal unit 3. The package must reflect Indian national sentiment 4. It must restore the dignity and formality that the flag of a nation demands 5. The package must use materials and techniques true to Indian handicrafts 6. The materials should be degradable
Design Triggers
FINAL MODEL
Combining various prominant elements from the indian culture to make a final model.The package is a hexagonal box with a rollover mechanisam for the flag to keep it free from creases.Traditional cane weaving techniques is used to promote and utilise the art and maintain the indianness.profile of charkha a spinning wheel use to create khadi is also used as the side panels of the box.Lotus an indian national flower is symbolicaly used forthe rollover fixtures. It represents the package of India.
Indian traditional device to make khdi threads.
Inspiration Side Panel (Mango Wood)
Rollover Mechanisam to minimise creases Widely practised indian handicraft
Indian Natioal Flower
Rod (Mango Wood)
Inspiration
Outer Covering (Cane Weaving)
Inspiration Side Knob (Mango Wood)
PACKAGING GRAPHICS Colour selection: Colours are selected according to the Indian flag and khadi.
A system of Packaging graphics which serves various purposes and issues to be addressed
Information of Indian Flag Told by Sarvapalli Radhakrishnan
Label of Facts: Includes information of the unknown facts about Indian flag & Correspondance
Flag disposal Prcess: Describes the flag disposal process w.r.t the current package system with text and illustrations.
Khadi India Modified Logo for Special use on Flag Package
Tag: Information includes cost,batch no,Flag size,Logo & Information about Indian Flag told by First Indian Precident.
Flag Code Enligthening people about the flag code of which most people are unaware about.
MODEL MAKING
Model Making In Progress.
BOARDGAME DESIGN HOME
Open Elective Course To Explore Something Apart From TheRegular Courses. I Selected Boardgame Design As My Elective. Objective Was To Redesign An Existing Game. I Chose Snakes And Ladders And Converted It Into An Entirely Diffrent Strategic Game Maintaining Its Basic Principles And Essence.
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BOARDGAME DESIGN How It Works: No of People: Max. 6 Objective:Reach home first to win gameProvided elements: 6 diffrent coloured paires of snakes & ladders with no 1-6 on it,dice,6 Pawns,Board. You will get a chance to win your own snakes and place them wherever you want according to what number you get on the dice.(Not on any of the symbols on the board)Board is made up of 5 spinning disks you will get a chance to mislead your opponents All you have to do is reach to Disc Mover(Apply Strategy to trap opponants) Eat any opponant by moving any of your snakes as per the numbers on dice (Beware you canâ&#x20AC;&#x2122;t keep it on any of the opponants place)
SAFE ZONE
HOME
Final Destination
HOME
You are safe snakes cant harm you.
SNAKE SPINNER Spinning the snakes as much numberss on dice TRAP Trapped for one turn
DISC MOVER Move any disc as much numbers on disc
STEP FRONT & STEP BACK Move forward or backaccording to the numbers indicated on the footsteps
-3
-3
+2
-2
CORPORATE IDENTITY Re-Designing an identity of a corporate. SPIC MACAY-Society for promotion of Indian Classical dance music and culture amongst youth was the selected corporate. It is a prestigious organisation which organises various events all over India to promote indian culture,music art etc amongst youth.
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BRAINSTORMING
Existing SPIC MACAY Identity. It represents the “Third eye of Shiva” whcih is a symbol of energy & knowlegde.
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}
Jnana Mudra (Symbol of Knowledge and wisdom. Prominant gesture in Indian classical dance Bharatnatyam
Elements
Structure
M 62
Y 100
K 0
ABCDEFGHI JKLMNOQRS TUVWXYZ
R G 245 126
B 32
1234567890 ! $ & ( ) , . / ?“
BRAND MANUAL l 66
a 42
b 66
M AC AY
C 0
{
abcefghij klmnopqr stuvwxyz
IC
SPIC MACAY
Myriad Pro
SP
IDENTITY DERIVATION
The new SPIC MACAY identity an indian motif derived for a ‘Jnana mudra’ a gesture from indian classical dance bharatnatyam.Negative spaces represents the youth,energy and musical note to symbolise the work initated by the organisation.
COLLATERALS
The tee shirt designed for the 26 th International convention organised by SPIC MACAY.The form use dfor the logo is derived from the new identity itself.Another campaign tee shirt designed on the theme of evolve and emerge.The symbols were designed by using repeating the form of identity represents the brand ideologies
BRAND MANUAL
WW
TYPEFACE DESIGN An Excersie To Understand The Basic Typography And Create A Typeface For A Hypothetical Company And Its Stationary Design.
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TYPOGRAPHY
An inverse process of designing a typeface first and select a brand according to it was followed in this course. Explorations and complete final font design.
STATIONARY
I selected Flintstone cartoons as my venture to make stationary. A rocky typeface represents the stonage era shown in the flintstone cartoons.
INTERACTION DESIGN A Project To Design An Interactive Book For L.K.Sharmaâ&#x20AC;&#x2122;s Indo Britain Encounters.The Book Revolves Around The Issues Like Indo-Britain Relations And Indian Diaspora.The Book Targets Adult Group Of Readers. Written In The Form Of Dialogues. Consists Of Some Difficult To Understand Terms. The Aim Was To Make The Book An Easy And Interesting Reading Experiance.
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INTERACTION DESIGN
Video Library to describe difficult terms. with Supported refrences and meanings Customised discussion forum to create a dialogue between the readers. Subtle and fresh colours and max 5 dialogues per page to ensure easy n interesting reading
INTERACTION DESIGN
Various other functions like create notes,change coloue,charactersketch,font selection,audio options make it more interactive
APPLICATION DESIGN Entry for a Samsung Splash India competition for designing a Smart TV app for Samsung Smart TV. The application was a group entry and secured a place in16 best Apps selected by Samsung.
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CREATIVE THINKING TRIGGER: INDIAN CONTEXT Indians are family people. Post dinner discussions come gossip.entire household sits down together to share each other’s views. An app that does not intrude but is conducive to such discussions.
INSPIRATION Dr.Edward De Bono’s “SIX THINKING HATS”. an effective thinking and decision making tool. These hats find similarity in the functioning of village Panchayats in India.
WHY TV APP? Such discussions mostly happen in the Indian drawing room and an integral part of the India drawing room is the television. TV makes desision making an inclusive process & acts as a moderator by keeping track and time without being intrusive
VISUAL LANGUAGE Traditional. Graphics + pictures give a collage, patchwork feel The Sarpanch= The turbans & the moustache lend direct identity to this decision making app.nducive to such discussions.
APPLICATION
To view Basic Prototype go to- http://www.youtube.com/watch?v=bn5NqxkOcwY&feature=youtu.be
TASK FLOW We Discuss, We Decide
Gharpanchayat
PICK A CATEGORY
SET TIME
DISCUSS:DECIDE
WEAR THE TURBAN AND ITS COLOUR
CREATIVE WORKSHOP Taj Melange-A Three Day Workshop Organised By Taj Holidays,Thats It, Kreea And Ogilvy In Rachana Sandsad Mumbai. It Was An Opportunity To Collaborate And Create With The Fellow Groupmates From Various Design Colleges Of Maharashtra. Also Got To Interact With The Proffessional From Various Design Fields And Industries
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TAJ MELANGE
In the first phase we were supposed to design an illustration on â&#x20AC;&#x2DC;Aliece on holidayâ&#x20AC;&#x2122;.After shortlisting from illustrations phase selected candidates were called to mumbai for a three day event where we were supposed to design a website for taj holidays in a group.Giggle is the name of group i was in. Website is designed on the theme of leaving memories behind the engravings and inscriptions on marble stone was the inspiration.
INTERNSHIP WORK Six weeks internship at Embrace Global Banglore.A startup non-profit innovation company which developed a low cost incubator.I got an opportunity to work on IFUâ&#x20AC;&#x2122;s,Product Manual, Culture book and a small corporate promotional video to showcase in a charity event.
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INTERNSHIP WORK
Baby Bed Cap
Smart Pouch
Warm Pack Removable Blanket
Insert pouch in baby in baby bed
r
PUBLICATION DESIGN A Course To Focus And Understand Various Types Of Grids And Their Publication Application.We Were Supposed To Select 10 Pages From The Existing Magazine And Redesign It In A Selected Grid.
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PUBLICATION DESIGN BOOK OF THE MONTH
BOOKS 9 FURTHER READING
t e TWO n t sWAY READ MIRROR
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I”fhe Real Kate: A Personal Biography of Katharine Hepburn W By Charlotte Chandler. JR Books. 350pp. illustrated. hardback, £20. ISBN 9781907532016
John Orr’s useful dichotomy casts new light on British cinema. By Nick James Romantics and Modernists in British Cinema By John Orr. Edinburgh University Press, 208pp, £60, ISBN 9780748640140
“Hepburn’s bracing charm rises headily from the pages,” says the Daily Mail about Charlotte Chandler’s new biography. Based on a series of exclusive interviews, The Real Kale is one of the most intimate books ever published about legendary actress Katharine Hepburn. Introduced to each other by director George Cukor, Hepburn talked at length to acclaimed biographer Chandler in the 1970S and 1980s, allowing her to tape their conversations. In these interviews Hepburn talks candidly about the impact of her beloved brother’s apparent suicide and reveals intimate details about her marriage to Ludlow Ogden Smith and her affai rs wi th Spencer Tracy and Howard Hughes. www.jrbooks.com
To write a generalist book about British cinKieran 1934-47: Corless Writings, ema and make an impact is no easy task at Sergei Eisenstein Selected these times of academic publishing pleniWorks Volume 3 tude in the field. John Orr, a professor at Ed- One problem the Brittfilm book glut causes A film festival in book form - nice idea. Hats off to By Sergei Eisenstein. edited by 1922-34: inburgh University, aims high, stating: “Much is Writings, a constant recourse to the same corpus whichever person at Phaidon came up with that Richard Taylor. translated by Towards Theory of excellent Montage:and enlightening, espe- one. of the inspiration guiding the first part of aare mostly Take 100 is a heavyweight coffee-table William Powell. IBtome Tauris, Sergei Eisenstein Selected this study comes from Raymond Durgnat’s cially his ideas around the fugitive film up to in which ten fi lm-festi val directors each se lect ten 384pp. paperback. £19.50. Works Volume 2 ‘A Mirror for England’ ... the best general book ‘The Bourne Identity’ and his focus on that film-makers they consider represent “the future of ISBN 9781848853577 ever written on British cinema:’ Orr hopes to old truism, the particularity of Sergei Eisenstein Selected the ‘expatriate cinema”. Each director is allocated four pages deBy Sergei Eisenstein. edited by Miguide us through contradictory modernist and gaze’ - both of which proved invaluable Works Volume By Sergei to me 1voted to one of his/her films: a page criticalthe Volume 3 half follows onoffrom chael Glenny and Richard Taylor, romantic impulses in the work of key British (along with many other texts) whenEisenstein, and research- edited contextualisation and analysis, plus of some produc1922-34 writings Volume I and Michael Glenny, IB Taufilm-makers, which he admits “inheretranslated in most bying the article on Cavalcanti in this very translated by Richard issue tion information and a fragment of essays screenplay; parallels Volume 2’S on the 448pp, paperback, £19.50. directors in varying degrees, so that noris.ab(see p.32), Orr is as superb, for instance, on the the rest Taylor , is images, theory incl uding a small director of montage. In theshot, period ISBN 9781848853560 solute division between them ever emerges:’ choreography of person and camera move- a film poster and covered several stills. You can’t fault the by this volume Eisenstein’s There’s no question that he’s hit on the right ments in ‘Dial M for Murder: asIBheTauris. paperback. is on the344pp. still ambi tion, nor the filmmmaking production values. Like the best ran into difficulties Eisenstein (1898-1948) is syndichotomy for a national cinema inSergei which camera aesthetics of Bill Douglas £19.50. ISBN and the glid-9781848853553 film festivals, Take generated 100 offers new discoveries even by the Soviet authorties’ the idea of montage, as ambivalence and aesthetic timidity onymous Now Davies, in paperback for most thededicated are the with ing musical movements in Terence his for the cinephile. But the definition increasingly restrictive problems of exemplified in his silent classics such ever-present enemy. But one of the problems beautifully paired ‘neo-romantics: first time. Volume I quickly uses the de- apparent. Necessarily, become chose these SocialistWho Realism, show particutrials and as Battleship Potemkin (1925) and the Brit-film book glut causes is a constant finitive to docu- directors? re- if the reader knows films well they willRussian wish fortexts lar film-festival purges. Based World War II andcriteria? the poston what Oclober(1927).ln the 1930S his style course to the same corpus (the Brit canon, in more of Orr’s acute insights and ment the complexThecourse of fewer descripsuper-skimpy introduction war proclamation cultural makesofnorigid mention changed, partly to accommodate the terms of quality, remains small), and since Orr tions of plot (there’s a dire need Sergei dur- shaping forEisenstein’s a ‘quota- writings of an overall orthodoxy Sergei intelligence. We’reEisenstein tgld theseSearrival of sound, and his ideas on auzones in on what he argues are the two revolutionary years in the rich- tions’ ruling on film clips, soing that the hybrid are “the most promising lected Works (three-volume set) By and daring” film direccounterpoint developed. est periods, the 1940s and 195Os-70s,dioovisual Soviet Union, It presents Eisen- boundaries”. his first moving-image book can come into being). tors “pushing Sergei Eisenstein. by Richard Almost edited certainly true Between 1937 and 1940 he elabostein as an innovative aesthetic part risks dragging us through overfamiliar This isn’t the only problem with ‘Romantics in the case of, say, Taylor. IB Tauris, paperback. £49.50. Serge Bozon or Lisandro Alonso rated his ideas on montage in a series thinker. socialist artist and huterritory, especially as his arguments are built and Modernists’: it has not been well proofed, 9781848853584 lB Tauris or Bong Joon-ho. ISBN But Sarah Polley? Tom Ford? is of essays, most of which remained mourist. passionately engaged on descriptions of the events in films, of which and there are a few infelicitous phrases (“had If not quite an delighted announce it’s the reissue incoherentto selection, cerunpublished until after his death and in the debates over tainly the artforms many have been recounted in detail before. A the bonus’: ‘’that infallible standby’: in paperback fullyfact annotated “mixeduneven, suggesting thisof the is in not are published in English for the first of a lack the of future, Importantly. brilliant opening gambit, however, allays fears dmetaphor time”) that suggest theAnd definitive. good one film festival inthree-volume book form, set but often. altime in this volume. They present the was also the period of Eisenof redundancy. Taking five cinematically ad- editing advice. But when Orr this mostranges comprehensive andover bestis writing about though the selection far and wide essence of Eisenstein’s thinking on stein’s(Hitchcock, great silent masterpieces. venturous British films released in 1929 - John the cinema he clearly loves most translated edition of the writings the globe, there are blind spots, not least Africa. cinema and aesthetics. revealing him The Slrike. Battleship Polemkin. Grierson’s documentary ‘Drifters’ (inventing Reed, Douglas, Davies, McQueen) of ofthis great theorist his own fus- So the impression is a fine ideafilm-maker, undermined by as one of the most significant philosoOctober and The General Line. the drama-doc); E.A. Dupont’s city film ‘Pic- ing of modernism and romanticism teacher of film on - and one of comes a lack of intellectualand rigour and overkill images. phers of art of the 20th century. www. of his controversial sojourns cadilly’ (interracial love); Anthony Asquith’s to the fore - clear, cogentandanalysis the most original aesthetic thinkers with Also, are film-festival directors necessarily good ibtauris.com and Mexdrama ‘A Cottage on Dartmoor’ (the fugitive an underlying lyricism inthat Hollywood theformer 20th century. www.ibtauris. inspires writers? In the caseof of critics Sergio Wolf www.ibtauris.com film that inspired Hitchcock’s and Graham an imaginative passion inico, the reader. com (BAFICI) and Olivier Pere (Locamo), the answer is Greene’s careers); Hitchcock’s melodrama a resounding yes. Wolf’s texts are extraordinaryyThe Manxman’ (the bisexual triangle film) some of the best film writing I’ve come across in and his great crime film ‘Blackmail’ (the trauages, worth the cover price alone. Others prompt ma sub-genre in horror and thrillers) - and the speculation: is there an equivalence between adding an extra Hitchcock made in 1931, bad taste in cinema and bad writing on cinema? ‘Number Seventeen: Orr argues that, “All six (Read the entries by Sundance’s Trevor Groth and break new ground in complementary ways: make up your own mind.) There’s also a sleight-of they are followed by films that build on their hand buried in the acknowledgements, whereby legacy right through the rest of the century’: “One Problem in Britfilm the majority of Venice director Marco Muller’s The readings Orr develops from this base entries were actually written by Nicolas Rapold. Book glut
Steve McQueen: Living on the Edge By Michael Munn. JR Books. 296pp. illustrated. hardback. £18.99. ISBN 9781906779795 In the summer of 1970 movie legend Steve McQueen and author Michael Munn took a road trip in England while the actor’s film Le Mans was on hold, and Munn now gives a personal perspective on one of the greatest American antiiheroes of all time. The author has also interviewed a host of McQueen’s friends and colleagues and uncovered fascinating new material undisclosed in previous biographies. McQueen might well have continued a life of crime ifhe hadn’t fallen into acting, but thankfully he instead went on to star in such film classics as The Greal Escape, Bullitt and The Thomas Crown Affair. www.jrbooks.com
Take 100:
The Future of Film:100 New Directors
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causes is a constant resource to the same corpus”
Sight & Sound/August 2010
Sight & Sound/August 2010
I selected Sight and Sound Magazine a publication from U.K which talks about movies..My challenge was to fit the data in a a4 size not making it look stuffy and maintaining its original essance.
MISCELLENIOUS WORK Various competition entries and the work which I do in passtime.
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SHORT FILM
A film about a man and his obsession for a rubik’s cube. The film won the First Prize and the Audience Choice award at the ‘Still in Motion’ short film competition as part of Quasar cultural fest held at MIT Institute of Design on the 2nd of February 2011. Film name : The Other FaceA Film by: Alok N.R,Nilay Bhandari,Saurabh Garge
Linkhttp://vimeo.com/20096259
IDENTITIES
Various brand identities designed for competitions and for live projects..
Award of excellence for handicrafts
MIT VISHWASHANTI SANGEET ACADAMY
A Musical Journey With The Mystics
ILLUSTRATIONS
Illustrations is one of my favout=rite. My fascination for the fraphic novels always tmake me trurn my sketchbook pages in small graphic stories.Adeleiade fring illustration was my entry to thcompetition in Adelaide fringe fest..Book cover design was also a submission for an another competition.
PHOTO GRAPHY Projects include studio and outdoor photography.
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OUTDOOR
STUDIO PHOTOGRAPHY
A course to introduce the basic studio photography.Creative photography using a product and model.
I am Saurabh Garge Third year student of graphics design in MITInstitute of Design Pune.I am from Pathardi a small and beautiful town in Ahmednagar district(Maharashtra).
ABOUT ME
My introduction to the world of graphiuc design i discoverd a power of concepts and innovative thinking.Publication,Branding,Typography, advertising and motion graphics always remained my area of interests. Good in conceptual and analytical thinking.Believe in hardwork and innovation in my work.I like to go in depth of each thing which I am designing for.I belive in strong reserch before thinking of concepts for my designs. I always like to be in a company of books.Fantasy,Mystry and graphic novels are my favourite amongst all the generes.I always like to pen down the day in my diary almost everyday. I always find solace in watching movies,listening to soft music of all geners.I always remain in search of small get aways and explore various destinations.
saurabhgarge@gmail.com +91 8790269640
EMOH