Music for Orchestra (1992–2005)
Juha Ojala
Music for Orchestra 3 flutes 2 oboes 1 English horn 3 clarinets in Bb 3 bassoons 4 horns 4 trumpets in C 2 trombones 1 bass trombone 1 tuba
(with straight mutes, II & IV also with brass mutes) (with straight and cup mutes) (with straight and cup mutes) (with straight and cup mutes) (with straight mute)
percussion
(three executors)
percussion 1:
percussion 2:
percussion 3:
• 4 suspended cymbals (s, m, l, xl) • 3 antique cymbals (f#, e, d#; mounted) • snare drum • 3 timbales (high, medium, low) • 2 wood chimes (regular and large) • 4 wood blocks (high to low)
• tamtam • 4 suspended cymbals (high to low) • marimba (range from F to ab2)
• gran cassa • snare drum • 3 timbales (high, medium, low) • wood chimes • 4 temple blocks (high to low) • a pair of congas (high and low)
Percussion 2 also plays the gran cassa.
piano
(lid open, note stand askew for access to strings)
1st violins 2nd violins violas celli contrabassi
8–16 8–16 6–12 6–12 5–10
Contact: Juha Ojala email: juha.ojala@oulu.fi tel.: +358 – 50 – 338 2068 home address: Mika Waltarin katu 16, FI-06100 Porvoo, FINLAND
ALL INSTRUMENTS – The score is a C score, that is, written in concert pitch. – Accidentals refer to the following note (except in obvious cases of fast repetition). – All trills are semitone trills unless otherwise indicated (in fl. 1 and 2, and cl. 1) – Despite the meter indication in sustaining meter, there should be no metric accents on "strong beats". – The duration of the piece is approximately 11” – The assigned dynamics reflect the final level of loudness, e.g., all instruments marked pp should together make pp, producing a homogenous quality of fused timbre. BRASS – All brass instruments use straight mutes at some point. – Horns II and IV need also brass mutes. – Trumpets and trombones need cup mutes in addition to straight ones. PIANO – All clusters are chromatic clusters, top and bottom notes are indicated. – The exact pitches of the finger glissandi on strings depends on the model of the piano. STRINGS – All strings but double basses are divisi a 2 almost throughout. In mm. 128–135 divisi a 4 may be preferred. In some cases where double stops are used, the part division is indicated by brackets: [upper part on left and lower part on right] PERCUSSION – The three percussionists should be located along the back part of the stage (left, middle, right) in order to achieve antiphonal effects in the percussion dialogues. – The percussion instruments are notated like this: Perc I ° #œ &
œ
Perc II #œ
3 antique cymbals (crotales)
/ /
¢/
snare drum
œ œ
wood chime
°
3 timbales
œ œ œ
4 wood blocks
œ œ œ œ large
wood chime œ 4œrototoms œ œ œ
¢
/
œ
4 suspended cymbals
œ
œ
œ
˙
/
?
Perc III
tamtam marimba
œ
&
bœ
°
/ / /
¢/
gran cassa (bass drum)
˙
snare drum
œ œ
wood chime
3 timbales
œ œ œ
4 temple blocks
œ œ œ œ
2 congas
œ
œ
1 11 27 37 47 69 77 85 96 111 123 126 135
– – – – – – – – – – – – –
10 27 37 46 68 76 84 95 112 122 125 134 163
String plane with ww & perc instillations Dialogue of woodwind and brass planes; percussion lurking Transition to percussion dialogue; winds settle Percussion dialogue of points in string setting Percussion dialogue continues; introduction of lines / planes String plane Wind plane juxtaposed with percussion points String plane with wind plane Wind lines in string setting; perc instillations to perc dialogue Dialogue of wind planes; add perc points; add string plane Cadenza: violin line, other lines Transition: line / plane fusion Synthesis: Wind and string planes
Music for Orchestra delves into the spatiality of music with reminiscences of Bauhaus, Василий Кандинский (Vasili Kandinsky) and his series of Compositions, and particularly the works of the 1920s, including the curious Contrasting Sounds of 1924. Key elements of com-position are point, line and plane; their color or timbre.
Flute 1
Flute 2
Music for Orchestra
q = 60
fast
pp
English Horn
Clarinet in Bb 1
ff con vibrato
pp
Bassoon 1
Bassoon 2
ff
subito
fast
p
ppp
p
fast
ff
ff
ff ff
2.
ff
ff
ff
ff
suspended cymbals, medium soft mallets on edges
Violini II
Viole
Violoncelli
G.C.,
pp
pp
pp
l.v.
glissando with fingertips on the lowest portion of the strings
q = 60
div. pp
div.
laissez vibrer
div.
pp
pp
pp
div.
ff l.v.
tamtam, heavy, dense mallet
pp
soft timpani cart-wheel mallets
gliss.
antique cymbals, brass mallets ff
Piano
ff
ppp
ppp
Contrabassi
p
ff
Percussion 2
Violini I
fast ppp p subito fast
Trombones 1 & 2
Percussion 3
ff
Trumpets in C 3 & 4
ppp
ff
Trumpets in C 1 & 2
pp
Horns in F 2 & 4
ff
Clarinet in Bb 3
ff
ppp
Percussion 1
pp
Clarinet in Bb 2
Bass trombone & Tuba
ff
Oboe 2
Horns in F 1 & 3
fast
Oboe 1
lunga (8-9")
Flute 3
Bassoon 3
Juha Ojala
ff l.v.
G.C., timpani mallets
ff
l.v.
lunga (8-9")
ff
ff
ff ff
ff
pp
(lift the pedal slowly as the sound dies out)
pp subito
pp subito
pp subito
pp subito
2
9
Fl. 1
pp
A
q = 90
pp
Ob. 1
pp
C. A.
Cl. 1
Cl. 2
Cl. 3
f
p
f
p
f
p
f
p
f
f
f
f
f
f
f
p
f
mp
mp
meno
meno
meno
meno
meno
mp
f
mp
f
mp
mp
f
mp
f
mp
mp
f
mp
p
f
p
p
meno
mp
pp
p
mp
p
ppp
p
Tbn. 1&2
Vc.
p
p
snare drum and timbales, sticks
Vla.
pp
suspended cymbals, medium soft mallets on edges
Vln. II
Perc. 2
p
p
ppp
p
p
ppp
accel. ...
mf
A
ppp
q = 90
f
f
f
p
f
pizz.
mf
mf
p
p
mf
p
divisi
p
pp
p
p mf mf
pp
p
pp
mf
mp
mf
mf
mf
mp
mp
mp
mf
p
p
p
p
p
mf
pp
p
pp
p
ppp
ppp
p
pp
p
p
mf
p
p
p p
p
unis. pizz.
p
pp
mp
pp
pp
mp
pp
meno
f
pp
p
p
mp
mf
pp
1/2
f
snare drum and timbales, sticks
p
p
meno
Tpt. 3&4
Cb.
Tpt. 1&2
Vln. I
Hn. 2&4
Perc. 3
p
Bsn. 2
Perc. 1
Bsn. 1
Tbn. 3 & Tba.
f
Ob. 2
Fl. 3
Hn. 1&3
accel. ...
Fl. 2
Bsn. 3
mp
p
mp
p
pp
3
17
Fl. 1
Ob. 2
C. A.
Cl. 1
Cl. 2
Cl. 3
Bsn. 1
Bsn. 2
Hn. 1&3
ff
ff
ppp
ppp
ff
ppp
ppp
Perc. 3
Vln. I
pp
fff
fff
ff
fff
ff
pp
pp
fff
pp
p
pp
p
mf
f
Trb. tacet Tuba mf
pp
ff
f
ff
pp
pp
ff
f
f
f
f
pp
f
pp
pp
mp
mp
p
p
mp
mp
pp
pianissimo e poco a poco crescendo al forte fortissimo
mp
mf
f
mf
mf
mf
mf
mf
mf
mf
mf
3
mf
mf
mp cresc.
mp cresc.
f
mp cresc.
f
mp cresc.
f
mp cresc.
f
mf
f
f
mf
f
mp
mf
f
mp
mf
mp
f
mf
mp
p
3. p
mp
p
pp
f
ff
f
mf
f
mp
pp
mp
mp
ff
pp
mp
p
mf
mp
mf
ff
f
p
mf
pp
mp
f
pp
mp
mf
pp
mp
mf
pp
fff
ff
pp
mp
fff
Vc.
pp
ff
pp
Vla.
fff
f
pp
pp
fff
f
Vln. II
Cb.
f
Perc. 2
ff
ff
pp
Perc. 1
ff
ff
fff
Tbn. 1&2
pianissimo e poco a poco crescendo al forte fortissimo
pp
Tbn. 3 & Tba.
pp
Tpt. 3&4
ff
ff
Tpt. 1&2
ff
ff
ff
ppp
ppp
ff
Hn. 2&4
ff
Ob. 1
Fl. 3
Bsn. 3
Fl. 2
mp cresc.
f
f
mp cresc.
f
f
mf
f mp cresc.
f
mp cresc.
f
mf
p
f
p
4
25
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Cl. 3
cresc.
f
cresc.
f
cresc.
f
cresc.
Bsn. 2
cresc.
f
cresc.
f
cresc.
f
f
Tbn. 1&2
Tbn. 3 & Tba.
Perc. 1
cresc.
cresc.
fff
cresc.
p
p
3 3
3
fff
pp
pp
Perc. 2
Perc. 3
Vln. I
Vln. II
Vla.
Vc.
ff
f
p
go to tamtam
ff
3
wood blocks
pp
3
3
3
ff
3
3
3
fff
sul pont. gliss.
sul pont.gliss.
3
mf loco, ord.
mf
fff
fff
p
arco, div.
arco, div.
wood chimes & temple blocks with hard mallets 3
loco, ord.
sul pont.gliss.
giochissimo 3
mf
mf
B
loco, ord. mf sul pont. gliss.
sul pont. gliss.
3
giochissimo 3
marimba, med. hard or hard mallets
go to marimba
ff
3
ff
ff Cb.
tam-tam, the great mallet
p
3 still with sticks
p
ossia for marimba passage
3
p
fff
fff
p
fff
p
fff
cresc.
p
p
fff
fff
fff
fff
p
3.
f
fff
f
fff
fff
cresc.
f
fff
f cresc.
fff
cresc.
cresc. f 3
fff
cresc.
f
B
fff
Tpt. 3&4
f
fff
fff
f
Tpt. 1&2
f cresc.
Hn. 2&4
f
Bsn. 1
Hn. 1&3
f
C. A.
Bsn. 3
Fl. 3
3
ff
f
5
30
Fl. 1
Fl. 3
Cl. 1
Cl. 2
Cl. 3
Hn. 1&3
Tpt. 3&4
ff e dim....
f
f
f
ff e dim....
mp
ff e dim....
mp
mp
ff e dim....
f
3
3
3
f
shaft with
3
3
Cb.
sfp
f
f
f
mf
ord.
sfp 3
f
f
f
mf mf
mp
ff
mp
p
mp
mp
mp
mp
mp
mp
mp
mf
mf
mf
mf
p
mp
pp
ppp
pp
ppp
mp
ppp
p
mf
pp
p
pp
p
dim. sempre
p
mp
mf
f
mp
p
mp
mf
mf
p
pp
p
ppp pp
p
pp
ppp
mp
mp
Tuba
pp
pp ppp
3
3
mf
f
f
mf
f
mf
f f e dim.... snare and timbales
suspended cymbals, mallets
p
3
ff
unis.
unis.
unis.
p
espress. p
mp
let sound until end of m. 37,
f
pizz. f
p
p
p
f
espress. pizz. f
espress. pizz. f
snare and timbales, sticks
divisi
then slowly raise pedal pizz. fff
unis. espress.
f
f e dim.... f
Vc.
Vla.
f e dim....
sfp
Vln. II
mf
Vln. I
f
ff e dim....
3 3 3 3 3 3
f ff e dim....
3
3
sfp
sfp
3
3 3 3 3
mf
f e dim....
mf
mp
f
ff e dim....
Pno.
f
mp
Perc. 2
mf
f
mf
f
ff e dim....
ff e dim....
ff e dim....
mp
Tbn. 1&2
Perc. 3
ff e dim....
mp
mp
Tpt. 1&2
Perc. 1
Hn. 2&4
Tbn. 3 & Tba.
ff e dim....
Bsn. 2
Bsn. 3
ff e dim....
Bsn. 1
mp
f
C. A.
Ob. 2
f
Ob. 1
ff e dim....
mp
f
f
Fl. 2
espress. pizz.
dim. sempre
p
pp
6
Fl. 1
C 37
Fl. 2
p
p
Fl. 3
Ob. 1
Ob. 2
C. A.
Cl. 1
Cl. 2
Cl. 3
p
p
p
mp
pp
mf
pp
mf
Tpt. 3&4
Tbn. 1&2
ppp
Perc. 2
ppp
Perc. 3
Tpt. 1&2
Perc. 1
Hn. 2&4
Tbn. 3 & Tba.
Bsn. 2
Hn. 1&3
Bsn. 1
Bsn. 3
p
rototoms, soft rubber mallets
3
pp
p
arco sul pont., sempre tremolando
pp
pp p arco sul pont., sempre tremolando
pp
pp p arco sul pont., sempre tremolando
pp
p
arco sul pont., sempre tremolando
pp
p pp arco sul pont., sempre tremolando
pp
sul pont., sempre tremolando arco
congas, hands
pp
arco sul pont., sempre tremolando pp
Vln. I
Vln. II
p pp arco sul pont., sempre tremolando pp
Vla.
Vc.
pp
p
pp
p
Cb.
3 (retune the lowest back up...)
(the lowest still low)
3
gliss.
3
3 3 3 3 3 3
ppp
go to gran cassa
C
glis s.
3
pp
pp pp
3
3
pp
mp
mp
mp
mp
mp
mp
mp
mp
3
3
5:4
mf p
mf pp
p
p
p
p
p
p
p
p
14
f
7
43
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
C. A.
Cl. 2
f
pp
mf
pp
Cl. 3
Bsn. 2
ff
pp
ff
Tpt. 3&4
pp
ff
pp
ppp
mp
pp
ppp
mp
pp
pp
ppp
mp
pp
2.
mf
Tbn. 1&2
3 3
G.C.
p
congas
p
Vln. II
Vla.
Vc.
3
Vln. I
ff
3
glis s.
ss. gli
rototoms
. iss gl
Perc. 2
Cb.
Tpt. 1&2
Perc. 3
ff
pp
pp
Perc. 1
Hn. 2&4
Tbn. 3 & Tba.
ff
pp
Hn. 1&3
pp
mf
Bsn. 1
Bsn. 3
pp
p
Cl. 1
pp
gliss. pp pp
(...and down, all the way down...)
sfp
pp
3 3
ff
3
ff
3
ff
ff
ff
3
ff
ff
ff
ff
ff
3
pp mf ord., molto legato
pp mf ord., molto legato
pp mf ord., molto legato
pp mf ord., molto legato
ord., molto legato
pp mf ord., molto legato pp
mf
ord., molto legato
pp mf ord., molto legato
pp
go to marimba
pp
large wood-chime
mf
wood chimes & temple blocks with soft mallets
pp
ppp
ppp
ppp
ppp
ppp
ppp
ppp
ppp
8
Fl. 1
50
pp
Ob. 1
Ob. 2
C. A.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Tpt. 1&2
Tpt. 3&4
p
p
p
p
p
pp
pp
pp
ord.
flatterz.
flz.
ord.
flz.
ord.
flz.
pp
flatterz. ord.
pp
flatterz. ord.
pp
pp
p
pp
pp
flatterz.
pp
p
p
p
wood chimes & wood blocks with soft mallets
mp p
mp
ppp
wood chimes & temple blocks
p
Vln. II
Vla.
Vc.
ord.
pp
ord.
flz.
flz.
ord.
ord.
p
p
p
mp
mf
3
3
pp
D
pp
p
mp
Perc. 2
Cb.
ppp
Vln. I
pp
ord. flatterz.
Tbn. 1&2
Perc. 3
Hn. 2&4
Perc. 1
pp
Cl. 3
Tbn. 3 & Tba.
Fl. 3
Hn. 1&3
p
D
Fl. 2
Bsn. 3
marimba, med. soft mallets
mf
mp
p
mf
pp
p
mf
mf
9
57
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
flz.
mf
ord.
ord.
pp
pp
pp
pp
pp
pp
pp
ord.
pp
pp
flz.
mf
pp
flz.
ord.
mf
mf
mf
pp
pp
pp
pp
C. A.
Cl. 1
pp
pp
Cl. 2
Cl. 3
Bsn. 1
Bsn. 2
Bsn. 3
Hn. 1&3
Tpt. 1&2
Tpt. 3&4
mp
mp
wood chimes & wood blocks
marimba
Perc. 2
p
Vln. II
Vla.
Vc.
Cb.
flz.
mp
flz.
mp
mp
pp
ord.
pp
pp
mp
ord.
flz.
mp
pp
mp
wood chimes & temple blocks 5
Vln. I
pp
pp
pp
pp
p
Perc. 3
Tbn. 1&2
Perc. 1
mp
mf
Hn. 2&4
Tbn. 3 & Tba.
mp
mf
p
3
f
sfp
f
f
pp
pp
f
sempre pp
sempre pp
3 3 3 3
3
3
3
sempre pp
10
Fl. 2
Fl. 3
Ob. 1
Ob. 2
C. A.
64
Fl. 1
Cl. 1
Cl. 2
Cl. 3
Bsn. 1
Bsn. 2
Bsn. 3
Hn. 1&3
pp
pp
pp
pp
pp
pp
pp
Tbn. 1&2
(retune the 3 highest rototoms)
ppp
3
Perc. 2
Vln. II
Vla.
ppp
ppp
suspended cymbals, soft mallets
G.C.,
E
pp
glissando with fingertips on low strings
l.v.
q = 60
div., leg. come prima
ppp
div., legato come prima
div., legato come prima
pp
ppp
pp
pp
pp
pp
pp
ppp div., legato come prima
ppp
l.v.
soft timpani mallets
pp
Vc.
ss. gli
Pno.
Cb.
Tpt. 3&4
Vln. I
Perc. 3
Tpt. 1&2
Perc. 1
q = 60
Hn. 2&4
Tbn. 3 & Tba.
pp
E
73
Fl. 1
pp
ff
pp
ff
Perc. 1
con sord.
ff
con sord.
cup mutes
cup mutes
ff
ff
Perc. 3
Vln. I
Vln. II
Vla.
Cb.
ff let sound until end of m. 78
ff
ff
ff
arco
ff
pp
q = 90
pp
pp
p
snare drum and timbales, sticks
pp
mp
mp
pp
pp
mp
mp
mp
mp cup mutes
pp
pp
mp
mp
Tuba
c. s. mp
pp 3
mp
suspended cymbals, stick shafts on edges
mp
pp
pp
mp
snare drum and timbales, sticks
pp
pp
pp
pp
pp
pp
ppp
pp
pp
pp
ff
ppp ppp
l.v.
mp
pp
pp
ppp
(put mutes on)
F
mp
pp
ppp
cup mute (trb)
sffz
l.v.
ff
tamtam, heavy, dense mallet
Vc.
Pno.
ff
antique cymbals, brass mallets
Perc. 2
pp
ff
Tbn. 3 & Tba.
pp
ff
ff
pp
pp
Tbn. 1&2
ff
Tpt. 3&4
ff
Tpt. 1&2
mp
ff
Hn. 2&4
pp
pp
Bsn. 2
mp
ff
Bsn. 1
Cl. 3
q = 90
ff
Cl. 2
Cl. 1
ff
C. A.
ff
Ob. 2
ff
Ob. 1
ff
Fl. 3
Hn. 1&3
F
Fl. 2
Bsn. 3
11
p
pp
pp
12
81
Fl. 1
p
Fl. 2
p
pp
mp
mf
mp
mf
mp
mf
p
mp
mf
pp
p
mp
mf
pp
mp
mf
mp
mf
mp
mf
p
Cl. 1
p
Cl. 2
p
Cl. 3
Bsn. 1
Bsn. 2
p
Bsn. 3
p
Hn. 1&3
p
Hn. 2&4
Perc. 1
Perc. 3
pp
pp
pp
p
mp
mf
pp
mp
mf
mf
mf
3
mf
fp
mp
mp
mp
pp
mf
mp
pp
mp
pp
p mp
Perc. 2
pp
pp
p Tbn. 3 & Tba.
mf
p
pp
mp
Tbn. 1&2
mf
pp
Tpt. 3&4
mf
mp
pp
p
Tpt. 1&2
mp
mf
q = 60
pp
mp
p
C. A.
mf
pp
p
Ob. 2
mp
mf
p
Ob. 1
mp
Fl. 3
G
mp
mp
pp
mp
mp
pp 3
pp 3
ppp
Vln. I
G.C., timpani mallets
Cb.
pp
pp
pp
senza sord.
pp
p
p
p
G
pp
pp
pp
legato
pp
legato
l.v.
legato
pp
p
pp
pp legato
pp
mf
mf
mf
mf
mf
mf
senza sord. wood chimes & wood blocks with soft mallets
p
mf
pp
mf
mf
pp legato
mf
senza sord.
q = 60
mf
senza sord.
pp
mf
senza sord.
mf
senza sord.
pending on reverberation
pp
Vc.
senza sord.
keep same pedal
Vla.
p until end of m. 98,
Vln. II
(take mutes off)
Pno.
senza sord.
ppp 3
3
medium soft mallets
mf
senza sord. mf
p
3
p
mf
mf
mp pp
mp
88
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
C. A.
Cl. 1
Cl. 2
Cl. 3
Bsn. 1
Hn. 1&3
Tpt. 1&2
Tpt. 3&4
Perc. 1
p
pp
pp
fff
fff
p
mp
mp
mp
mp
mp
mp
mp
p
p
p
mp
mp
mp
mp
fff
p
p
pp
pp
fff
fff
pp
mp
ppp
p
p
p
pp
fff
pp
pp
fff
fff
fff
(put brass mutes on)
fff
ord.
(put mutes on)
fff
(put mutes on)
p
senza sord.
p muffled
3
p
ppp
pp
l.v.
l.v. fff
ff
tamtam, heavy mallet
(trb. put mute on)
fff
antique cymbals, brass mallets
fff
senza sord.
pp
pp
p
(put mutes on)
fff
fff fff
fff
fff
fff
snare drum and timbales, sticks
suspended cymbals, med. soft mallets
pp
loco
pp
p
pp
pp
pp subito
pp subito
pp subito
pp subito
pp subito
glissando on the lowest strings, same pedal
. iss gl
Vc.
p
fff
Tuba mp
ppp
senza sord.
espr.
fff
in stand
fff
mp
pp
fff
mp
Vla.
fff
Vln. II
Pno.
Cb.
Vln. I
mp
Perc. 2
Perc. 3
Tbn. 1&2
Tbn. 3 & Tba.
Hn. 2&4
Bsn. 2
Bsn. 3
13
14
H 96
Fl. 1
Fl. 2
mf
mf
mf
C. A.
mf
Cl. 1
mf
Cl. 2
mf mf
Cl. 3
Bsn. 1
Bsn. 2
Bsn. 3
mf
mf
mf
1.
Hn. 2&4
Tpt. 1&2
Tpt. 3&4
pp
pp
pp
p
pp
pp
pp
pp
dim...
mf
dim...
p
pp
pp
pp
p
pp
mf
pp
pp
(take off the brass mutes)
pp
Tbn. 1&2
Perc. 1
Tuba
snare drum and timbales
mf
congas
H
Vln. I
mf
rototoms
Pno.
Vln. II
Vla.
Vc.
dim...
snare drum and timbales, sticks
rototoms
snare and timbales
p
p
pp
pp
pp
pp
pp
congas, sticks
pp p
snare and timbales
p
pp
pp
temple blocks p
p
con ped. q = 90
l.v.
Cb.
Ob. 2
Perc. 3
mf
mf
Ob. 1
Tbn. 3 & Tba.
q = 90
Fl. 3
Hn. 1&3
arco sul pont., sempre tremolando
pp arco sul pont., sempre tremolando
pp arco sul pont., sempre tremolando
pp arco sul pont., sempre tremolando
pp
pp arco s.p., tremol.
arco s.p., sempre tremolando
pp arco sul pont., sempre tremolando pp arco sul pont., sempre tremolando
pp arco sul pont., sempre tremolando
pp
p
p
p
p
p p
p
p
p
15
Fl. 2
Fl. 3
Ob. 1
Ob. 2
C. A.
Cl. 1
105
Fl. 1
mp
mp
p
pp
p
pp
p
ppp
mf
ppp
mf
mf
Cl. 2
Cl. 3
p
Bsn. 1
Bsn. 2
Bsn. 3
Hn. 1&3
mp
mp
mp
p
p
p
Tpt. 3&4
pp
p
ppp
pp
p
p
pp
pp
mf
mf mf
bouchés ppp bouchés
p
ppp
mf
mf
mf
con sord.
con sord. ppp
trb. 3 con sord.
Perc. 3
congas
rototoms
snare and timbales
temple blocks
mp
mp
mp
mp
mp
mp
mp
mp
mp
I
pp pp
pp
pp
pp pp pp pp
pp
wood blocks
temple blocks
pp
rototoms
p
ppp
mf
mf
p
mf
mf
mf
mf
mf mf mf
p
p
p
mf
ppp
mf
ppp
ppp mf mf
mf
mf
wood blocks
mf
con sord.
con sord.
con sord.
p
mf
con sord.
mf
pp
Perc. 1
Vc.
mf
Vla.
p
mf
pp
mf
pp
mf
mf
p
pp
mf
pp
p
mf
mf
Vln. II
pp
Tbn. 1&2
Cb.
mp
Tpt. 1&2
Vln. I
p
Hn. 2&4
Tbn. 3 & Tba.
p
I
ppp
mf
ppp
mf
ppp
mf
ppp
ppp mf ppp mf
p
mf
p
mf
snare and timbales
p3
16
Fl. 1
114
Fl. 2
Fl. 3
Ob. 1
Ob. 2
C. A.
Cl. 1
Cl. 2
Hn. 1&3
p
p
Tpt. 1&2
Tpt. 3&4
mp
mp
p
pp
pp
pp
pp
pp
pp
pp
pp
ouverts
pp
p
pp
Tuba
snare and timbales
mp
p
p
p
ord.
Vln. II
Vla.
Vc.
Cb.
ord.
pp
pp
ord.
pp ord.
pp
p
p
p
p
p
p
mp
mp
pp
p
p
mp
p
ouverts p
p
mp
p
p 3
Vln. I
mp
snare and timbales
Perc. 3
mp
3
p
p
p
mp
p
mp
suspended cymbals, with stick shaft on edge
Perc. 2
pp
p
mp
pp
p
mp
mp
p
mp
mp
mp
p
mp
mp
pp
pp
pp
p
p
pp
mp
p
p
mp
p
Tbn. 1&2
Perc. 1
mp
Tbn. 3 & Tba.
pp
p
p
p
mp
Hn. 2&4
p
p
mp Bsn. 3
mp Bsn. 2
p
Bsn. 1
Cl. 3
p
p
pp
p
p
p
pp
17
119
Fl. 1
crescendo sempre al .....
Fl. 2
Fl. 3
Ob. 1
Ob. 2
fff
fff
crescendo sempre al .....
crescendo sempre al .....
crescendo sempre al .....
crescendo sempre al .....
crescendo sempre al .....
Cl. 1
Cl. 2
Cl. 3
crescendo sempre al .....
crescendo sempre al .....
Bsn. 3
crescendo sempre al .....
Hn. 1&3
crescendo sempre al .....
Hn. 2&4
crescendo sempre al .....
Tpt. 3&4
Tbn. 1&2
Tbn. 3 & Tba.
Perc. 1
crescendo sempre al .....
crescendo sempre al .....
3
Perc. 2
Perc. 3
fff
fff fff
fff
senza sord. f
3 3 3 3 3 3
3
fff
fff
fff
fff
fff fff fff fff
Trb. 3
3
senza sord. senza sord.
ff
ff 3 3 3
3
fff
ff
fff antique cymbals
3
3
mf
fff
fff
ff
fff
ord.
p
Vln. II
p
Vla.
p
Vc.
p
Cb.
Vln. I
tamtam
Pno.
crescendo sempre al .....
Tpt. 1&2
fff
crescendo sempre al .....
Bsn. 2
fff
p
p
p
p
lunga (9-10")
fff (begin solo
p
lunga (9-10")
crescendo sempre al .....
crescendo sempre al .....
Bsn. 1
C. A.
fff
fff
fff
fff
Solo
during fermata) pp
18
J senza misura gliss.
ord. meno mosso accel. sul ponticello ff
123
Vln. I
pp
q = ca. 60
124
Fl. 1
Ob. 1
Perc. 2
128
Fl. 1
Fl. 2
Ob. 1
C. A.
Cl. 1
Bsn. 1
Violin solo
Vln. I
con calore
f
p
= q = 54
pp con sord. pp
Vla.
Vc.
con sord.
pp con sord. pp
pp
flautato
p
esitando
gliss.
K
rit...
e = 108
pp
poco accel. >
esitando
p
più freddo
più p
rit...
p
p
p più p
pp
pp
con sord.
con sord.
pp
pp
simile simile con sord.
pp con sord.
simile
pp con sord. pp
simile
ppp
simile simile
ppp
ppp
ppp
ppp
ppp
ppp
ritardando >
put on the mute and join the section
e = 108
pp
= q = 54
simile
ritardando >
pp
pp
K
pp
pp pp
simile
Vln. II
p
con sord.
Cb.
senza misura
l.v.
Cl. 2
Bsn. 2
q = ca. 60 ord.
pp
mf
poco accel. >
tamtam, hard marimba mallet mp
Pno.
Vln. I
ppp
ppp
L
136
Fl. 1
Semplice e q = 60
sempre dolce
Fl. 2
Cl. 2
Cl. 3
pp sempre
Tpt. 1&2
Perc. 1
pp sempre
cup mutes
pp sempre
pp sempre
Vln. I
Vln. II
Vla.
Vc.
pp
pp
s. glis
L
pp sempre
cup mutes
Semplice e q = 60
with fingertips on strings
snare and timbales, sticks
pp sempre
snare and timbales, sticks
sempre dolce
pp sempre, non cresc. o dim., legato
pp sempre
tuba: con sord. pp sempre
Pno.
pp sempre trb: cup mute
G.C., timpani mallets
Cb.
cup mutes
suspended cymbals, stick shaft on edge
Perc. 3
pp sempre
Perc. 2
con sord. pp sempre
pp sempre
con sord. pp sempre con sord.
pp sempre
Hn. 2&4
pp sempre
con sord.
Tbn. 3 & Tba.
Tbn. 1&2
Bsn. 2
Tpt. 3&4
Bsn. 1
Hn. 1&3
pp sempre
Bsn. 3
Cl. 1
pp sempre
C. A.
pp sempre
Ob. 2
pp sempre
Ob. 1
pp sempre
pp sempre
Fl. 3
19
pp sempre, non cresc. o dim., legato
pp sempre, non cresc. o dim., legato
pp sempre, non cresc. o dim., legato
pp sempre, non cresc. o dim., legato
pp sempre, non cresc. o dim., legato
pp sempre, non cresc. o dim., legato
pp sempre, non cresc. o dim., legato
pp sempre, non cresc. o dim., legato
20
143
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
C. A.
Cl. 1
Cl. 2
Cl. 3
Bsn. 1
Bsn. 2
Bsn. 3
Hn. 2&4
Perc. 3
Pno.
Cb.
without snares
pp
pp
pp
pp
Vln. II
Vc.
Vln. I
Vla.
fingers on middle strings
ss. gli
Perc. 2
Perc. 1
Tpt. 3&4
Tbn. 3 & Tba.
Tpt. 1&2
Tbn. 1&2
Hn. 1&3
Ob. 1
Ob. 2
149
Fl. 1
Fl. 2
Fl. 3
C. A.
Cl. 1
Cl. 2
Hn. 1&3
pp
pp
Tuba
pp
woodblocks, med. soft mallets
pp sempre
temple blocks, soft mallets
pp sempre
Vln. I
pp
pp
ppp
pp
pp
pp
pp
ppp
ppp
ppp
rototoms
ppp
pp sempre
cymbals with stick shaft on edge
pp sempre
ppp
M
(still tuned down)
pp
pp sempre
ppp
congas (open), soft mallets
ppp
3.
Vln. II
Vc.
ppp
pp
Vla.
ppp
Pno.
Perc. 2
pp
pp
pp
ppp
ppp
ppp
pp
ppp
ppp
ppp
Tbn. 1&2
Cb.
ppp
M
ppp
Tpt. 3&4
Perc. 3
Tpt. 1&2
Perc. 1
Hn. 2&4
Tbn. 3 & Tba.
Bsn. 2
Bsn. 3
Bsn. 1
Cl. 3
21
22
157
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
Cl. 2
Cl. 3
Bsn. 1
Bsn. 2
Bsn. 3
Hn. 1&3
Tpt. 3&4
pp
pp
pp
pp
pp
pp
(9"-10")
ppp
ppp
ppp
ppp
ppp
1. lontano
ppp
Tbn. 1&2
Perc. 2
pp e dim...
Vla.
Vc.
dim...
pp e dim...
pp
dim...
dim...
dim...
pp
(9"-10")
ppp
ppp
ppp
ppp
ppp
ppp
ppp
ppp
fingers on lowest strings
ppp
tamtam, stick shaft on edge
G.C., timpani mallets
ppp
dim...
antique cymbal, brass mallet
ppp
dim...
dim...
dim...
dim...
s. glis
Vln. II
snare drum, sticks (snares on)
Vln. I
Pno.
snare drum, sticks (snares on)
Cb.
Perc. 3
pp
Tpt. 1&2
Perc. 1
Hn. 2&4
Tbn. 3 & Tba.
pp
pp
Cl. 1
pp
C. A.
Baltimore 1992 — Kokkola 2005