Archictecture and Design in Norway | May 2012

Architecture & Design in Norway

PROMOTING BRAND SCANDINAVIA

MAY 2012

A GUIDE BY SCAN MAGAZINE

Architecture & Design in Norway | Introduction

Architecture & Design in Norway Welcome to our guide introducing you to a wide selection of Norwegian architecture and design companies.

We have included award-winning, innovative, environmentally conscious and multifaceted firms that have a firm grasp of the needs of their discerning clients.

Contents Architecture ........................................ 4 Our guide will introduce you to a selection of award-winning, innovative, environmentally conscious and multifaceted architecture companies that are able to adapt to the ever-changing needs of their clients, both in Norway and abroad.

Design ................................................ 41 The guide also presents a collection of interior architecture firms and design companies that strongly emphasise long-lasting solutions, functional designs and the importance of branding.

ARCHITECTURE & DESIGN IN NORWAY Published by Scan Magazine Ltd Insert to Scan Magazine, Issue 40, May 2012 Published on 08.05.2012 Executive Editor: Thomas Winther Creative Director: Mads E. Petersen Editor: Nia Kajastie Copy Editor: Mark Rogers Sales and Key Accounts Manager: Mette Tonnessen Main Cover photo: Bjørn Eirik Østbakken/ visitnorway.com Scan Magazine Limited 4 Baden Place, Crosby Row, London SE1 1YW Phone +44 (0)870 933 0423 info@scanmagazine.co.uk www.scanmagazine.co.uk

While Norwegian architecture might not yet be distinguished in every corner of the world, our guide will show you how much the featured Norwegian companies have achieved at home and abroad. Winning multiple awards, integrating modern elements with historical features, and, notably, being able to create something suitable for Norway’s diverse terrains and dense cities, the companies are busy building striking landmarks, as well as beautiful and functional homes, offices, hospitals and much, much more.

When building in Norway, it is important to take into account landscape and climate, as they can be rather extreme, and the Norwegian architecture companies have definitely been able to fulfil this brief. And while functionality is at the top of many architects’ list of concerns, they are also keen to create something memorable, lasting and sustainable. Many of the companies have also made an impact abroad and are accordingly very capable of taking on assignments that bring completely different issues and contexts to the fore. But it seems that the Norwegians are eager to take on these challenges and are able to easily adapt to new surroundings and the varying needs of their clients.

We have also taken a look at design and interior architecture firms, which have put a clear focus on the people that will be using the spaces, as well as emphasising long-lasting solutions and the importance of branding.

Please read on to find out more about what Norwegian architecture and design really stand for.

Nia Kajastie, Editor

© All rights reserved. Material contained in this publication may not be reproduced, in whole or in part, without prior permission of Scan Magazine Ltd. Scan Magazine® is a registered trademark of Scan Magazine Ltd. This guide contains advertorials/ promotional articles.

A GUIDE BY

SCAN M A G A Z I N E

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Architecture & Design in Norway | Introduction

The Oslo Opera House. Photo: Bjørn Eirik Østbakken/visitnorway.com

Architecture & Design in Norway Introduction:

Made in Norway

By Ingerid Helsing Almaas, Editor, ARKITEKTUR N

Most people know very little about Norway. There are, after all, only about five million Norwegians, a miniscule proportion of the world’s population. However, perhaps precisely because the world knows only little of Norwegians and Norwegian architecture, we have all the more opportunity to make an impact, if only through the element of surprise. The people confronted with, for example, the book MADE IN NORWAY, will see these pictures of Norwegian buildings with fresh eyes, and so have the potential to form new associations.

And only those who are strangers to the context of Norwegian architecture will have this gift of fresh sight, of new interpretations. In a world where the stranger is often met with suspicion, this may be a timely reminder: there are many ways to meet what we have never seen before. We can reject it; or we can look for the famil-

iar and thereby absorb the new with indifference, or we can meet it with a curiosity that might even grow into admiration.

When we admire something, we remember and carry it with us, and in a way, when we see the best of other people’s work, we see the possibility of excellence in ourselves, pregnant with future possibilities. Admiration is the antidote to exclusivity, self-absorption, to national chauvinism. This is the promise of a globalised world: the opportunity to admire the excellence of others.

MADE IN NORWAY presents a selection of the best of Norwegian contemporary architecture today. The 31 projects show how clients and architects have responded to the challenges facing Norwegian society in terms of history, climate change, urban development, and a local and a global sense of place. The book also includes articles and interviews that give

an impression of how Norwegian architects think and work.

For more information, please visit: www.arkitektur.no

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Architecture & Design in Norway | Architecture

Hotel Hordatun, Røldal

Bark Arkitekter – The place to go for timeless and functional buildings Bark Arkitekter is renowned for its timeless projects, and is the place to go if you desire effective use of space and buildings that never go out of fashion.

life, where overtime is hardly heard of.

“We enjoy a wonderful working environment,” adds Grimnes.

By Anne Line Kaxrud | Photos: Martin Hawkes

Bark Arkitekter was set up in 2006 and is located in the thriving city of Stavanger.

With projects in and around the whole municipality, the company has certainly put its mark on the area. “We are commissioned for a variety of projects, from private houses to nursery schools,” says architect MNAL and partner Katrine Grimnes.

Varied backgrounds coming together The company was established in 2006 after the three partners broke out of another architect company. Kjersti Førsund Heradstveit, Katrine Grimnes and Frode Brurberg set up Bark Arkitekter, and have

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since day one had their hands full with projects. “We all had extensive experience within the field and had great contacts who we were able to bring with us to Bark,” says Grimnes. The office counts six employees and draws on the benefit of everyone representing different educational institutions. “We continue to learn from each other,” says Grimnes. “Everyone is involved in everything, something which is reflected in our current office. It is one open room where we work, have meetings, eat lunch and have parties.”

The company focuses on efficiency both in their projects and at the workplace. Working hours reflect consideration for family

Key characteristics – timeless, elegant and effective use of space The company has done extensive work across the islands in Ryfylke surrounding Stavanger. The partners have from the very start emphasised a variety of projects, which means an impressive portfolio covering fantastic cabins, private homes with a twist, spectacular hotels and more traditional industry buildings.

“We have chosen not to specialise within a field, which means a great variety of tasks and projects. However, it was also partly due to the security of having a variety of on-going projects, as we noticed that during the financial downturn, specialised companies struggled far worse

Architecture & Design in Norway | Architecture

than those with a varied client base,” notes Grimnes. However, Norway has hardly been struck by the crisis compared to the rest of Europe, and particularly western Norway has continued to prosper with an increasing population, which is reflected in Bark Arkitekter’s many on-going projects. Although they prefer not to categorise their projects, there are certain golden threads going through and influencing their work, namely the focus on timeless solutions, use of quality products and functionality.

“These three are at the root of all our projects, in addition to finding solutions that fit the Nordic climate,” elaborates Grimnes. They are also concerned with environmental issues, using local, longlasting materials, emphasising the need for flexible areas that can cover many functions, and in a cold and wet climate, also investing in alternative heating solutions. “A good way to be environmentally friendly in our business is to build smaller and smarter,” says Grimnes.

The importance of word of mouth While the company does not have a particular target group, they receive around 80% of new projects through previous

projects, indicating the importance of word of mouth. Grimnes attributes their success to many reasons, but one in particular is highlighted. “We emphasise good relationships with our constructors.

There needs to be a notion of trust on both sides, and we are constantly working on this,” emphasises Grimnes. She also notes that quality costs. “People must be willing to pay what it costs in return for quality. We often hear people asking for the lowest price possible, but in the end you get what you pay for,” Grimnes says.

“I sometimes compare it to going to the hairdresser. You would not go to the hairdresser not knowing if she is good but simply because she is cheap. You would go to the person you trust will make you look fabulous.”

A hotel in the mountains of Røldal The spectacular hotel in Røldal is an excellent example of how surroundings and functionality have come together in an impressive building. “There was already a hotel there, but the owners wanted to make better use of the fabulous location on the mountain,” explains architect MNAL and partner Frode Brurberg. Røldal is the place in Norway with the most snow

Hotel Hordatun, Røldal

and attracts people from near and far with its long seasons. In order for most of the guests to experience the spectacular view while also being wary of fitting the hotel into the surroundings, they designed a building reminiscent of the perfect carved slalom turn. “This way as many as possible have views of the magnificent mountain landscape, while the building also represents the distinctive atmosphere of the place,” says Brurberg. “We wanted to create a hotel that would be modern also in 20 years from now, which we have done with the use of classic materials and timeless design.”

For more information, please visit: www.barkarkitekter.no

Hotel Hordatun, Røldal

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Architecture & Design in Norway | Architecture

many years in the field before starting their company, Åse-Kari and Morten can see a project through all the phases of building design, making arrangements with contractors and the Directorate for Cultural Heritage, city and village design, rehabilitation and interior design. On top of that they have the competence and ability to teach architecture for those interested. “From the start we were determined to work with arms reaching out; if we lack the competence or workforce, we’re not afraid to bring in others to share their thoughts and experience with us.

Collaboration is important. And this has paid off; arms are reaching back.”

Innovating history One Friday in 2008, the brand new company Kvalvik & Kaada Arkitekter AS saw the light of day. The following Monday, its owners, architects Åse-Kari Kvalvik and Morten Kaada were both working full-time. “Both of us had lots of experience and brought already started projects into the company. We were driving at full speed from day one,” Kaada says. Based in Stavanger, Norway, Kvalvik & Kaada aim to be a reliable local and national contributor, creating room for innovation while keeping an eye on architectural history.

By Ingrid Marie Holmeide | Photos: Kvalvik & Kaada Arkitekter AS

Kvalvik & Kaada Arkitekter AS’s main focus is complex buildings, both new and renovated. Though they take on smaller projects that catch their interest and have many years of experience in this field, they mainly work on a larger scale, such as offices or industrial buildings. The project “Global Maritime” is one of those. “This is

a company striving to deliver high-quality projects while increasing the standard of each project’s local environment,” Kaada explains.

When it comes to competence, Kvalvik & Kaada Arkitekter AS has a lot of it. Having both studied architecture and worked

Though a company of two, Kvalvik & Kaada Arkitekter AS usually have separate projects running. “We work together on larger projects and competitions, but our normal rhythm is to do teamwork from the start, in the planning process, then one of us will cover the practicalities of the project,” Kaada says. That way several projects can run simultaneously.

Architectural competition is a field within this business that can make a company internationally renowned. Yet Kvalvik & Kaada Arkitekter AS has chosen not to place their main focus here. There are two main reasons for this: it is a small company with two employees who cannot put the office on hold while participating; and they have a lot of on-going projects, with the construction activity in Stavanger and its surroundings blossoming these days. “The interest in innovative solutions and discussions is big. High intensity and an eagerness to build create challenges and exciting projects for us.”

And these are architects that want to do the work. They want to create timeless, innovative constructions that remain outstanding through the passage of time, both as designs and physically. This is a company that wants to create new beauty within history. Take a look at their website to see exactly how they do this.

For more information, please visit: www.kk-a.no

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Architecture & Design in Norway | Architecture

Family home, Rykkin. Photo: Peter Przybille

Breakfast in the green Imagine waking up, making breakfast and bringing it outdoors on to the giant mossgrown rocks left thousands of years ago by the glaciers. In this single-family residence designed by MORFEUS just outside Oslo, this and more is possible. The unique positioning on-site offers close contact to the varying landscape, as well as a stunning view of the Oslofjord. The changes of seasons and light resonate subtle variations throughout a home in close contact with nature.

By Ingrid Marie Holmeide | Photos: MORFEUS architects

This is one of several recently realized projects by MORFEUS architects. Based in Oslo, the firm was established in 2007 and consists of three partners: Margrethe Rosenlund, Caroline Støvring and Cecilie Wille. Although quite young, their experience is solid and ranges wide.

Margrethe Rosenlund, Caroline Støvring, Cecilie Wille.

Photo: Espen Grønli

Their varied expression is no coincidence.

“For us, each project is unique. Every client, site and programme merits a tailor-made solution,” the architects say.

MORFEUS’s architectural point of reference is Scandinavian: a contemporary take on tradition, innovation within realism and a strong connection to the natural given conditions of the site. Working with light is fundamental, as well as a flexible connection between outdoor and indoor space.

Through exhibitions, competitions and recent publications, the three women in MORFEUS have in a short space of time made themselves noticed and attained

recognition. The recent exhibition “Building Blocks,” where MORFEUS’s project “Habitat Hollywood” played a central role, can boast visitor records at DogA, the Norwegian Centre for Design and Architecture. The company has received honourable mentions in competitions, while winning others. A competition for the National Tourist Routes in Norway has resulted in a recreational area in Vesterålen, north Norway, to be finished in 2013. Along with all this, several of the company’s private residences and vacation homes have recently been published in various magazines.

“Our aim is to create modern architecture with enduring, timeless qualities. A welldesigned project offers inspiration and positive experiences on all levels: in connection with the site, views, sense of space, play of light, tactile materials, sounds, smells and details. We bring all that to the table when working on a project,” the architects conclude. A website full of examples proves them right!

For more information, please visit: www.morfeus.no

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Architecture & Design in Norway | Architecture

Øvre Sund Bridge

Innovative architecture with the environment in mind NUNO Arkitektur gives you the best of Scandinavian modernism, as innovative use of lights and expressions lies at its heart.

By Anne Line Kaxrud | Photos: NUNO Arkitektur

The Oslo-based company, as it appears today, was set up in 2008 and is the continuation of an already established architecture company. Peter Aasen and Herman Fuglu head the company of eight and can present a variety of prestigious projects, including schools, swimming complexes and bridges around Norway. “We don’t have a particular client base, but we work with those who like our projects,” says partner and architect Peter Aasen.

Scandinavian modernism While many companies stress the importance of putting their distinct mark on their work, Nuno Arkitektur is more concerned

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with finding the appropriate solution for each and every project. “We always aim to find the best answer to each individual project. We achieve this by extensive preparation, with an intense project phase before heading to the drawing table,” says Aasen.

“Many architects are almost forced to design projects they are not happy with and give limited or no attention to analysis of placing or surroundings. That’s a shame, and it influences quality.” Place analysis is crucial for Aasen and his colleagues and is constantly evaluated to make their buildings reflect the environment. “The projects are shaped according to the individual needs, and therefore things vary from proj-

ect to project. We do, however, always focus on the experience of a room, and how the light hits the room best. Although we do not adhere to a particular style, one may say our work represents Scandinavian modernism,” elaborates Aasen. “We are very aware of how architecture influences people, and this is more important to us than emphasising a particular style.”

The company’s office also reflects the underlying focus on how architecture influences people. “Our office symbolises the way we work. When you come in, you will only see a glass wall separating our workshop room and meeting room, which creates a feeling of direct contact between our customers and the creation of the projects,” explains Aasen. The working area is likewise separated in two, with one part designed for free thoughts and ideas,

Architecture & Design in Norway | Architecture

and the other part for more serious desk work. “Everything is integrated, and everyone takes part in all aspects,” says Aasen.

A varied portfolio Aasen notes that all projects are based on the assumption that the client likes their work, and there is a well-functioning cooperation. “Before initiating any project, we must be certain that the client likes us and that we can work with the client. Good cooperation is crucial, and both sides need to believe in each other.” NUNO Arkitektur is commissioned to do a variety of projects, whether they are educational institutions, swimming complexes, private houses or bridges. “All our projects are different, and our focus is always to give the best solution to a task, regardless of the nature of the project,” says Aasen but notes that they have gained particular expertise and experience in designing bridges and swimming complexes.

Ankerskogen swimming complex. Illustration by Sanders Shiers

The excitement of competitions Many projects are competition based, with architect firms having to compete, often against both national and international firms, for the contract. NUNO Arkitektur has participated in several competitions throughout the years, and they remain an important part in winning new clients. “A great part of our work, particularly public projects, comes through competitions. It is particularly fun to be able to express ourselves under these settings, and when winning, being able to put the project to life,” says Aasen. NUNO Arkitektur was among the nine remaining contributions in a competition to design the new national museum at Vestbanen in Oslo, a competition that attracted 250 contributions from national and international firms. “We are very proud of this achievement even though we didn’t win the contract. It was a tough competition, and it was a great way for us to show off our work,” notes Aasen.

worked on the project for six years, and its completion is expected next year. “We have focused on developing a sustainable project that would maintain and reflect the beautiful and untouched location in the area, and we have aimed to make the

most of its location on the mountain,” Aasen elaborates.

For more information, please visit: www.nunoarkitektur.no

Interior illustration of the Valdresflye 1389

Exterior illustration of the Valdresflye 1389

Innovative architecture With an extensive and exciting portfolio, it may be difficult to emphasise one project over another, but Valdresflye 1389, a hotel and mountain cabin in the mountain area of Jotunheimen, is undoubtedly worth mentioning. NUNO Arkitektur has

Illustration of the proposed national museum in Oslo

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Architecture & Design in Norway | Architecture

The Barcode project. Photo: Placebo Effects AS

Dark Architects provides you with an expression of our time As one of Norway’s most renowned architect companies, Dark Architects has created some of the most spectacular buildings in the country. The company is today working on the Barcode, one of the most interesting projects in Oslo in newer times, as well as exploring how to better relieve pressure on rapidly growing cities without diminishing existing green spaces.

By Anne Line Kaxrud | Photos: Dark Architects

Dark Architects is part of the parenting Dark group and was established in 1988.

With a multidisciplinary environment of landscape architects, urban planners and interior designers, Dark is able to make the most of each project and has established itself as one of Norway’s most renowned and largest architecture companies.

Expressions of our time “You have to look long to see a golden thread in our projects. Our work is place specific, meaning that each project is de-

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termined by its specific surroundings and placement,” says partner and architect Alv Skogstad Aamo. He does, however, stress the importance of finding expressions that reflect our time. Buildings need to be able to respond to the modern premises as well as being flexible to meet the demands of an uncertain future.

Dark Architects has an extensive portfolio, including landscape, public, residential and rehabilitation projects. However, although the company has a broad focus, it has developed a particular expertise

within commercial projects, with numerous headquarters for substantial companies, including the financial institution DnB and media company Schibsted, as well as the Confederation of Norwegian Enterprise. “We have a broad client base, with both public and private clients. We do, however, have a majority of commercial buildings, as well as some bigger residential projects,” says Skogstad Aamo.

One of the more prominent residential projects includes the development of Waldemars Garden in central Oslo close to the Akserselva river.

Making the most of increasingly populated cities Oslo, as well as most other cities in Norway, is growing at a fast pace and challenges traditional city planning. It is therefore increasingly important to exploit existing buildings and areas to the fullest.

Architecture & Design in Norway | Architecture

“The trend in our company the past few years has been to rehabilitate and exploit existing buildings, whether it is to make use of abandoned industrial buildings or reuse and upgrade existing office buildings,” elaborates Skogstad Aamo. The newly finished refurbishment of NVE shows the possibility of keeping existing architectural and historical values and at the same time adapting the building to modern standards of energy use, work environment and accessibility. He points to another newly commissioned project, the Oslo Cancer Cluster Innovation Park, as an excellent example of how one will have to think in the future. “Combining public education and private research facilities with shared common areas means that we are achieving a high density and areas for interaction and synergy between the business world and the school. The project also illustrates a much needed collaboration between the public and the private sector in financing and developing projects.”

access to rooftop gardens and a restaurant on top of one of the bank buildings.

The Barcode project – redeveloping central Oslo

NVE, staircase. Photo: Nils Petter Dale

The Barcode project is a section of Bjørvika, a redevelopment on former dock and industrial land in central Oslo. It consists of a row of new high-rise buildings, due to be completed in 2014, and will house 10,000 employees and some 500 flats. Alongside two other companies, Dark Architects was commissioned with the master plan after a competition. “Our basic idea evolved around securing variation in shape and expression and giving each building a separate identity,” says Skogstad Aamo. “The structure of the project is in a way analogous with the typically Norwegian rows of gables along quays, with long, narrow sites.” Dark Architects have designed the Visma building, finished last year, and the stepped “Cbuilding” of the DnB complex. On completion, Oslo will have its very own skyline to talk of, encouraging expressions like cosmopolitan and international.

Skogstad Aamo stresses the importance of giving something back to the public.

“We aim to create buildings that are attractive for the public as well as the con-

tractor, and this is taken into consideration already at the drawing table.” The idea of giving something back to the city and the general public is visible in many of Dark’s projects. The NHO-building has seen its former parking lot transformed into a public space with a sculpture and plants. In planning a new office building at Fornebu, a large space in between the two office buildings will be designed for public use with ball courts, recreational zones, coffee bars and small shops. The new headquarters for Norway’s largest bank, DnB, will give the general public

Above: NVE, redevelopment. Photo: Nils Petter Dale

Above: The Barcode project, a redevelopment on a former dock and industrial land in central Oslo.

For more information, please visit: www.darkarkitekter.no

Photo: Jiri Havran

Photo: Jiri Havran

Buildings for the pleasure of the public

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Architecture & Design in Norway | Architecture

Åsane Nord. Illustration by MIR

Closeness on a large scale One of the largest architecture companies in the Nordic countries today is Norwegian LINK arkitektur AS; a fusion between two companies that joined hands in January 2000.

By Ingrid Marie Holmeide | Photos: LINK arkitektur AS

Three ambitious architects stood there with a vision to create a business covering all of Norway and reaching out towards the other Nordic countries. Now, 12 years later, more people, more companies and more offices have been added to the group, and LINK arkitektur AS can boast nearly 300 employees spread over 15 offices across Norway. “This way, we are close to every customer,” says one of LINK arkitektur AS’s original three, Executive Vice President Rolf Maurseth.

Though LINK arkitektur AS fully owns its Swedish daughter company LINK arkitektur AB, the group is focused on having one LINK. Integration within the company is important. “There are positives and negatives about a company spread this wide.

The big plus is closeness to the customer; we’re always there and we have local

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knowledge. A challenge is to administrate that many people spread across a long stretched country,” Maurseth explains.

offices, we pull together and bring experience from one office to the other when it is needed.” This means a company bristling with competence on all levels. “Each specific project and client decides what competence we bring. We have no area limitations and can work across offices,” Maurseth says.

Instead of letting distance be a hindrance, LINK arkitektur AS has chosen to turn the separation to their advantage and tie all the offices closer together. For a company that has never been afraid of change, expansion or development, this is simply the next step. In 2009, new owners came in, and with the expansion, LINK arkitektur AS needed a leader who could bring structure into the company in an organized way. Siri Legernes was the woman for the job, an architect with a lot of leadership experience.

LINK arkitektur AS takes on all projects, from larger constructions, such as schools and nursing homes, to normal houses. The company also has a track record when it comes to competitions and has won many. Schools, offices, hospitals and even a wind park are only a small pinch of them. And again, numbers matter. “With competitions we have the opportunity to bring in competence at a high level, while aiming to have 500-600 projects in different stages going at the same time. We are lucky to have the capacity to be able to do that.”

“With Siri came a fresh pair of eyes, and the structure of the company has improved. While all employees work in their

Although the majority of employees at LINK arkitektur AS are traditional architects, they also work within interior de-

Architecture & Design in Norway | Architecture

Vågen High School. Photo: Daniel Clements

Nordahl Grieg High School. Photo: Daniel Clements

sign, maritime architecture, landscape architecture and area and community planning. The company is owned and run by architects that play an active role in the daily running of the company, aiming to have a good work environment, locally, nationally and internationally.

of the ethics when it comes to architecture, and being a large company, we need to stick to it. We can’t do excellent work in one place and be mediocre at another.”

And the international market is growing.

LINK arkitektur AS is especially present in the Arabian countries, where the design and construction of hospitals has been their main activity. On the cards now is a broader international focus.

LINK arkitektur AS has been built, step by step, from three entrepreneurs starting out, to a large company working big scale projects and competitions. Yet despite the size, this is still a local company. One that promises its employees inspiring work Frøyland Orstad Church.

Photo: Daniel Clements

Yet LINK arkitektur AS has several areas of focus. Environment is one of them. “We want to be the leading company within the Nordic countries when it comes to a correct environmental approach to each project, and try to stay ahead of the game here.” BIM, building information model, is also an important part of the process, and here too, LINK arkitektur AS is the frontrunner. “Using these means, we’ll have a technically competent staff, and we can take on projects where this is required,” Maurseth explains.

Quality insurance is another field of focus, along with code of conduct. “We are aware

environments and exciting projects focusing on a high level of architectural competence. “I’ve heard people say, ‘This is a LINK construction’. That is what we’re working towards: quality that is recognizable. We are building ourselves up on several areas, and we will continue doing so to ensure we are providing the best competence and quality for our customers,” Maurseth concludes.

Rolf Maurseth, Executive Vice President, LINK arkitektur AS. Photo: Doris Beling

Storebrand Offices. Photo: Jiri Havran

For more information, please visit: www.linkarkitektur.no

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Visualisation of Stavanger Concert Hall by Ratio Arkitekter AS.

RATIO Arkitekter provides you with one of a kind With an emphasis on sustainable architecture, RATIO Arkitekter is always working to find the best solution for your project, and whether it is a dashing cabin in the mountains or a world-class culture house, you will end up with one of a kind.

By Anne Line Kaxrud | Photos: RATIO Arkitekter AS

RATIO Arkitekter in its present form was established in 2010 as a merger between the already reputable companies Medplan Arkitekter and BGO Arkitekter. From the merger emerged a new company with 48 employees, all bringing along varied competences and extensive experience. “We aim to create unique buildings, and each and every one has their own identity,” says managing director and architect MNAL Randi Mandt.

The core philosophy: The relationship between people, buildings and the environment With projects like the City Hall in Lillestrøm and the new Stavanger Concert

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Hall in their portfolio, there is no doubt that RATIO Arkitekter has influenced city outlooks around Norway. At the heart of RATIO is the relationship between all elements involved in a project, which has also inspired the company’s name, as RATIO symbolises the focus of their office, namely the relationship between people, buildings and the environment. “Our philosophy is based on these elements, and it is the basis for all our projects,” elaborates Mandt.

A new approach to every project While many architecture companies emphasise peculiar features, RATIO is more concerned with the needs of the individual

project. “We do not have a particular style, and you would not necessarily recognise our projects as ours. This is due to our focus on the individual project; each and every project is different and needs different attention,” explains Mandt. “We evaluate every project and start from scratch every time. We are very humble to the fact that people are going to spend time in and around our buildings, so shape and design need to fit the particular surroundings and anticipated usage.”

RATIO’s client base ranges from smaller cabin projects to large and time-consuming hospital projects. “We tend to work on rather large projects, and although we don’t have a typical client, we have developed great expertise within the public sector working on hospitals. However, we always aim for a variety of projects and also appreciate smaller projects with shorter deadlines,” says Mandt. With an interna-

Architecture & Design in Norway | Architecture

tional client base, they have on-going projects in Germany and India as well as in Norway.

Experts in environmental design In the light of the pressing issues of climate change, architects can play an important role in designing environmentally friendly buildings. RATIO aims to be an expert in environmental design, with emphasis on energy-efficient buildings and energyoptimised building processes. It is their desire to enrich the traditional building tradition by combining energy optimisation with great visuals. It is, however, crucial to educate their employees on these pressing issues and how best to overcome them by enhancing sustainable architecture. RATIO is therefore continuously educating their personnel to achieve this.

The architecture of the Stavanger Concert Hall and the State University Hospital One of RATIO’s most prestigious projects is undoubtedly the Stavanger Concert Hall, which is due to open in September.

RATIO won the project after an interna-

Left: State University Hospital in Oslo. Right: Laboratories in Bodø.

tional competition in 2003, and there are great expectations related to the new concert house in the city that celebrated its status as European Capital of Culture in 2008. The new Concert Hall will contain two performance halls with excellent acoustics. The Orchestra Hall will seat 1,500 visitors, and the Multipurpose Hall will have a standing capacity of nearly 2,000. The Concert Hall will also include an impressive foyer facing the seaside.

A far cry from the cultural sphere of the Stavanger Concert Hall is the State University Hospital in Oslo, another project RATIO won after an international competition. “The hospital was our first big project when we won it in the early 1990s,”

says Mandt. The hospital has achieved international recognition and is a proud part of RATIO’s history. “It was an important project for us, not only because it was a big and challenging project, but it also remains the point of reference for most of our international work today,” adds Mandt.

“Although the two projects differ in their outlook and obviously in their use, they both reflect our attempt to reach out to people and their desires,” says Mandt. “Architecture is the creation of space for people, whether it is in joyful surroundings or more serious places such as at a hospital.”

For more information, please visit: www.ratioark.no

Cultural centre in Lindesnes. Photo: Jiri Havran

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Architecture & Design in Norway | Architecture

Creating award-winning architecture through interdisciplinary collaborations Having started out as a small company of just four people in Bergen, today 3RW architects are one of the major players in Norway. A desire to think outside the box has no doubt been a major factor in the success of the company. Established in 2000, they have been steadily growing since the beginning, yet still only consisting of a small team of ten.

By Karin Modig | Photos: 3RW architects

“I think that what makes us a bit different from other small companies is that we work on a very broad range of projects,” says Haakon Rasmus Rasmussen, Master of Architecture MNAL and General Manager. “Smaller companies are often aimed squarely at a niche market, so having a broad appeal has been a very important aim for us right from the start.”

They have been nominated twice for Statens Byggeskikkpris, a prestigious architect award given by the Norwegian minister of local government and regional

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development, and have a number of other industry awards under their belt. In 2006, they showcased one of their research projects at the prestigious Venice Biennale, the second time they have been invited to exhibit at this renowned event.

A different approach 3RW architects’ approach to a project is to go into it with eyes wide open, looking at the project from all conceivable angles. Investigating the surroundings plays a big part in this, and they often work closely with other professionals, from artists and

writers to geographers and scientists, in order to help them really see and understand the big picture.

It is all about interdisciplinary collaboration, working with the theoretical as well as the practical. Their philosophy is that in order to deliver dynamic architectural projects, the architects need to fully understand the society and landscape they will be working within.

As Rasmussen puts it, “Drawing a beautiful house is all well and good, but in order for it to be of any use to anyone, outside factors must be taken into consideration, from local to regional to national level, looking at issues such as environmental politics, for example.”

As well as being architects, 3RW architects also often act as consultants and

Architecture & Design in Norway | Architecture

problem solvers for their clients. Involvement in a project from day one, from initial idea to completion of the project, is not unusual.

“This actually requires a great deal of skill in a number of areas,” says Rasmussen, “so this is part of the reason why we choose to cooperate and work so closely with other professions.”

From tourism to national security From furniture and product design to large building projects, 3RW architects certainly cover a lot of ground with their work, and although the main bulk of their work is in Norway, they have worked internationally as well, in Cuba, Taiwan and Nepal to mention a few of the countries.

“Because we work on so many different projects, we come across a number of different types of limitations and challenges,” says Rasmussen. “This has taught us to be pragmatic and has made the company extremely versatile.”

They have become very well known for their work on the National Tourist Routes in Norway, a tourism project covering 18 of the country’s most scenic routes. Making them more appealing for visitors by recycling the existing infrastructure has presented the architects with very challenging and interesting jobs.

“We have been very lucky to have been involved with this since the early 2000s,” says Rasmussen. “These projects very much symbolise our philosophy and approach to a project, as the surroundings in these instances are absolute key to the design. You have to really open your eyes and immerse yourself in what is already there to come up with an architectural solution that will enhance and add to the experience of these routes.”

Going some way to show their diversity, another of 3RW architects’ clients is the Norwegian Ministry of Defence.

“Again, our work for the army and the defence sector is a bit different, and it presents us with a whole range of exciting challenges,” says Rasmussen. “Many of their buildings and facilities are unusual, and as an official institution, there are a lot of special demands when it comes to both quality and security.”

Having worked with them since 2001, Rasmussen and the rest of the team are currently busy with the next project, which involves training facilities and shooting ranges, as well as the buildings themselves.

“We have found our position within the architectural landscape, somewhere just outside the box, a position we are very happy and comfortable to be in,” says Rasmussen.

And with the track record of 3RW architects, this position seems to suit them perfectly.

For more information, please visit: www.3rw.no

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Architecture & Design in Norway | Architecture

Architecture in sync with our environment “We make architecture for a better world” is the bold statement made by Oslo-based architectural firm Alliance Arkitekter. Founder Harald Martin Gjøvaag and his colleagues aim to design innovative and sustainable buildings that add something to their surroundings and can withstand the test of time.

By Magnus Nygren Syversen | Photo: Terje Skåre

Dubbing itself an architect firm without a specific style, focusing instead on context and allowing each separate project to flourish within its own framework, Alliance Arkitekter have several sizeable projects ongoing, each one seemingly larger than the previous one. Founded as late as in 2005, Alliance Arkitekter expanded rapidly, adding another member to its ranks every month for the first 24 months.

“We’re at a point now where we have no more ambition to grow, but we would rather shift our focus towards expanding our expertise,” says founder Harald Martin Gjøvaag. The office has had great success in its relatively short life, entering 27 architectural contests and winning 21 of them.

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“We use a lot of wood, which has a lot of free perks. It protects against both heat and cold, it is very light, and it is a very strong material. And of course the main perk is that it is a renewable resource.

For every three cut down, we can plant two new ones,” says Gjøvaag.

Another principle of Alliance Arkitekter is not to have empty, boring facades dominate the city streets. A common denominator for their city projects is that all street level floors are facilitated for commercial purposes.

“We can’t decide whether or not a street is lively, but we can help by creating attractive facades, featuring coffee shops and kiosks, rather than a boring hotel reception. A reception can be placed in the centre of a building,” Gjøvaag elaborates.

Photo: Alliance Arkitekter

His focus is to design buildings that not only look good, but also feature well thought through solutions, using environmentally friendly materials that do not steal from future generations.

Gjøvaag is open to the idea of expanding outside of Norwegian borders, and collaborating with talent all over the world. “There is a design culture in our office that is just as relevant outside of Norway, and we’ll happily contribute to interesting projects, be they in Norway, New York or China.”

For more information, please visit: www.allark.net

Architecture & Design in Norway | Architecture

Fornebu Shopping Centre in Oslo is to become the first shopping centre in Norway to achieve an “Outstanding” energy efficiency rating from BREEAM.

Gallerija Centrs, Riga, Latvia

Creating the perfect shopping centre A down-to-earth approach to architecture and years of experience have secured AMB Arkitekter the position as one of Scandinavia’s leading architectural practices within the design, development and refurbishment of retail centres.

By Signe Hansen | Photos: AMB Arkitekter

In 1983, when Einar Aakerøy founded AMB Arkitekter, he was all the manpower the business had; today, 30 years later, his two partners, Michael Bowe and Mario Obmascher, and 37 employees from 17 different nations help him out at the company’s head office in Oslo.

Environmentally sound buildings AMB Arkitekter landed their first major contract to do a string of shopping centres for Norwegian developers in 1984; since then the company has designed, developed and planned hundreds of retail projects. “The main reason our clients choose us is that we have sound knowledge of what counts for the customers, not my clients - the shoppers; how they behave and what they look for in a shopping centre,” explains Aakerøy.

Another distinguishing factor is AMB’s work with BREEAM (the world's foremost environmental assessment method and rating system for buildings) to assess and attain the best practices in sustainable building design, construction and operation. At present the company is developing the Fornebu Shopping Centre on the former site of Oslo Airport, which is to become the first shopping centre in Norway to achieve an “Outstanding” rating from BREEAM. “It’s an incredibly challenging process, but it’s the way we need to go for the future, and though it’s very demanding, I think it’s fantastic that our clients have decided to set that as their goal,” stresses Aakerøy.

Moving across borders In recent years, AMB’s reputation has started to work its ways across the bor-

ders to not only Sweden but also eastern Europe, where the company is currently involved in a major project in Abinsk, Russia, and in Riga, Latvia. Situated in the old part of Riga, a UNESCO-listed site, the city’s new shopping centre obviously provided numerous challenges to the architects. But the result has been, says Aakerøy, a very elegant, upscale centre that all were very happy about. “Of course, in different cultural contexts customers have slightly different expectations of what to meet in a shopping centre, but we can still use much of our experience, and I get a kick out of working with and learning from people with new perspectives and cultures.”

AMB Arkitekter also designs residential, office, sports and hotel buildings.

Abinsk Shopping Centre in Russia

For more information, please visit: www.ark-amb.no

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Architecture & Design in Norway | Architecture

Above: New Scandinavian office quarter in Vilnius, Lithuania. Top right: The New Svinesund Bridge. Below: Helsfyr Atrium in Oslo.

Lund+Slaatto Architects create landmarks for our time With an emphasis on creating striking buildings for our time, LSA is one of the most well known practices in Norway. Many of LSA’s current projects have already become popular landmarks.

By Anne Line Kaxrud | Photos: Lund+Slaatto Architects

The firm LSA has long been considered to be one of Norway’s most prominent and renowned architecture practices. The founders handed over the steering wheel years ago, and the office is now managed by the partners Pål Biørnstad, Espen Pedersen and Inge Ormhaug. “We are very aware of the heritage we have taken over and are incorporating this into new developments,” says partner and architect Pål Biørnstad.

Landmarks In all their projects, LSA are focused on contributing actively to the surroundings, whether these consist of a dense city structure or a natural landscape. “We always consider how the building will relate to its context, but not by simply adapting to it. If you only attempt to fit the building to the already existing surroundings, you

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may end up with something passive and repetitive,” Biørnstad notes. “We aim at creating buildings that manifest new qualities that were not there to begin with.”

Thus, LSA are responsible for several buildings that are now considered to be local landmarks; buildings that are remembered for their unique shape and character, such as Helsfyr Atrium, which has become a widely recognized landmark for all those entering the city of Oslo from the north-east. Although the specific designs vary from project to project, they all share a common design strategy, based on the idea of making contextual buildings that have a recognisable shape and a sculptural quality, explains Biørnstad.

With a booming Norwegian property market, LSA have their hands full. “We do

some international work, among others a big project in Vilnius; but there is no doubt that Norway is one of the best markets in Europe at the moment, with a lot of building activity and project development. Thus, even if it would be interesting and challenging to be more involved in projects abroad, this is not our priority at the moment,” says Biørnstad.

Architectural competitions There are hardly any occupations that are as heavily dependent on competitions as architects. “Generally speaking, it is the most interesting and high-profile assignments that are decided in this way,” explains Biørnstad. “There are different kinds of architectural competitions, both limited competitions where a few firms are invited to come up with a design proposal, and so-called ‘open competitions’ where anyone with the correct professional qualifications across national boundaries is allowed to participate. In a popular open competition, there might be several hundred participants competing for a single assignment.”

Architecture & Design in Norway | Architecture

LSA get most of their assignments from these different kinds of competitions. “It is quite demanding to be continuously dependent on winning a high percentage of these contests, but participating in competitions is an important source of architectural stimulation and inspiration. The design process is inevitably a high pressure process, where we stretch our skills and creativity to the maximum,” elaborates Biørnstad. Happily LSA have won numerous competitions of different kinds.

One of the most prestigious was the project for the New Svinesund Bridge, which links Norway to Sweden and to the rest of Europe. “The characteristic single arc spanning the fjord between the two countries relates to the undulating landscape on both sides and creates a strong symbolic connection between the two neighbouring countries,” explains Biørnstad.

From Røldal to Vilnius “It has been a conscious choice on our part to be involved in a wide variety of projects. To tackle new and unfamiliar assignments is something we find very stimulating in our continuous search for new solutions to architectural challenges,” says Biørnstad, and illustrates the width of their projects by mentioning how the firm is currently working on both a centre for pilgrims in Røldal as well as a large international business complex in Vilnius.

The pilgrim centre in Røldal, mid-west Norway, is one of the company’s most un-

usual projects at the moment, yet also one of the most intriguing. Out of the 183 international contributions LSA’s project TREKLANG went all the way to the top.

The project is located near one of Norway’s few remaining, medieval stave churches, and incorporates both church facilities and a small culture centre. “We wanted to create something that would respond both to the majestic scenery and to the precious, sacred building. The tilted wall and roof surfaces of the new building interact with the steep mountains and the acute form of the old church in a modern yet disciplined manner,” elaborates Biørnstad.

The Marche motorway restaurant - a distinctive copper form that embraces the landscape.

Oslo Z – a new landmark office building by the Central Station.

On the other end of the spectrum is the business complex in Vilnius, Lithuania, which has already attracted international recognition. Three buildings of escalating height are organized in a spiralling sequence around a central plaza. The first buildings of the complex are due to open in 2014 and are already described as new landmarks. “Although the two projects are very different, they both exemplify our ambition to create architecture of lasting value, buildings that by their characteristic shape and visual identity will make a difference to their surroundings. We always strive for this quality of completeness,” explains Biørnstad.

For more information, please visit: www.lsa.no

The new pilgrim centre in Røldal.

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Architecture & Design in Norway | Architecture

Haukeland Sykehus Bergen, new children’s ward.

More cooperation looks set to further an already successful business In January 2011, consultancy company Rambøll bought award-winning Studio 4 Arkitekter in order to strengthen their competency within their field of work. Already successful, with the backing of Rambøll, the Trondheim-based firm is set to go from strength to strength.

By Karin Modig | Photos: Studio 4 Arkitekter

variety of projects, including large and complex ones. Add to that an expressed philosophy of cooperation on larger projects, and you can see why Studio 4 has had such success.

“The main benefit of the integration is that between us, we have an enormous amount of knowledge, expertise and experience,” says architect Anders Lager.

“We share an office with Rambøll’s Trondheim staff, and, all in all, about 260 engineers and architects work here. In our department, we are 30 architects working within traditional architecture, and landscape and interior architecture, so as a company we really are able to offer clients the full package.”

Architecture and health

With staff specialising in each of the three areas, they are well prepared to take on a

Currently they are working on two major hospital projects in Bergen and Tromsø.

As is common for all Studio 4’s hospital

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The main body of work for the company has been in the health sector, and they have been behind several large and even award-winning hospital buildings.

projects, they are done in cooperation with Copenhagen based KHR, and pka arkitekter in Trondheim.

In Bergen, an extension to the Haukeland hospital is underway. A new building will cover 70,000 square metres and will see all children and youth services, including psychiatry, under one roof for the very first time.

“Hospitals are immensely interesting and challenging buildings to work on,” says Lager. “There are a lot of aspects to bear in mind covering a whole host of areas which makes it a complex job.”

For the Haukeland project, they are trying to think about the hospital in a new way, focusing on the fact that it is a hospital for children and young people. “Our main aim is to make it feel open and to incorporate nature. Rather than focusing on the fact

Architecture & Design in Norway | Architecture

that it is a place for ill people, we want to put the emphasis firmly on getting well.”

Meanwhile, in Tromsø, a large extension and reconstruction job is currently taking place at the University Hospital in Tromsø, UNN. Trondheim’s own hospital St. Olavs has undergone a huge transformation in the last decade or so, and Studio 4 played a part in that transformation.

“We worked on the so-called 1902-building,” says Lager. “The name refers to the year it was built, so we were dealing with an old building that needed to be modernized and renovated. What we did not want to do was to loose the history, so a lot of effort went into highlighting the quality of the original brickwork whilst making the building fit for the 21st century.” Their job paid off, and the building was awarded the prestigious Building of the Year (Årets Bygg) in 2008.

Left: The 1902 Building, St. Olavs Hospital. Right: Interior of the 1902 Building, St. Olavs Hospital. Photo: Siri Nordberg

amazing stage space, and it was not being used. Since re-opening as Byscenen, it has become one of Trondheim’s successful cultural hubs, bringing new life to that particular area of the city centre.”

Bringing new life to an old favourite

The challenges they faced were numerous and the project took a long time. Keeping many of the old features was paramount, but the building had to be modernized to make it fit for use, for example, by making it wheelchair accessible. The main stage has been kept pretty much as it was, and today it serves a popular concert venue.

Studio 4 has also seen success with projects outside the health sector. A recent outstanding project was the transformation of one of Trondheim’s cultural spaces.

“As the only architect company, we worked on redevelopment of Arbeiderforeningen, which was an important project for us,” says Lager. “It was an old building with an

“At the moment, we are also working on a very exciting project for the Norwegian Polar Institute in Tromsø,” says Lager.

“Together with pka arkitekter we are building an 11,000-square-metre extension that has to be as environmentally friendly as possible, both in the building stages

and when in use, so we have to find solutions that fit.”

Studio 4 is a relatively young company, set up in 2000. With many prestigious projects already under their belt, the integration with Rambøll in many ways saw the beginning of a new phase for the company.

“Our key strength lies in our ability to work closely with other companies, and we always set out to find the best solutions for the contractors we work for,” says Lager.

“With Rambøll’s additional expertise in other areas, and the companies we work with, we have a huge pool of experts at hand to make sure we can do just that.”

For more information, please visit: www.studio4arkitekter.no and www.ramboll.no

Above: UNN, The University Hospital, Tromsø. Top right: New cultural hub ‘Byscenen.’ Facade was developed in cooperation with artist Harald Wårvik. Below: Trondheim Business School.

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Architecture & Design in Norway | Architecture

The sharp and precise lines of Salbu’s buildings contrast them to their natural surroundings.

One-of-a-kind countryside homes The historic form and vernacular building traditions of the weathered west coast of Norway are the foundation of the contemporary interpretation of houses, which the Bergen-based architect firm Ramm Salbu Arkitekter stands for.

By Signe Hansen | Photos: Ramm Salbu Arkitekter

The aesthetics of a building

An example of this is the Kalvaneset Cottage, in Byrknesøy in the Gulen region of western Norway, a wood construction inspired by the traditions of the region.

“What I try to do everywhere is to understand the architecture of the region and spin off that and use it as a base for the aesthetics of the building; the anatomy of a construction is sort of technically defined, but the aesthetics and image are interpretation. It does not to have to be intellectual or philosophical; it can be just a reaction to the vernacular of the region or a mood or feeling that it exudes.”

By maintaining the small scale of the firm - the office just consists of Salbu and two other employees - Salbu has upheld his vision to be hands on with all projects. “Good architecture for me needs to come out of very small organisations; what we produce is one-of-a-kind buildings,” he stresses.

Just as with building traditions, Salbu likes to play with and against the nature of the area, and his buildings are often characterised by sharp and precise lines contrasting it to its surroundings. “Our building

The firm, which specialises in homes and weekend homes, was founded in 1996 by Morten Ramm Salbu, who, though he founded the firm while living in New York, adheres to the building traditions of his birthplace. “As a Norwegian, I must say that my ten years in New York only emphasised my desire to work with what this region represents in terms of building traditions; you won’t see any Manhattan design here, I went through a process that really settled that for me.”

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will take both a humble and a provocative approach to its location,” explains Salbu.

When it comes to the environment, however, the architect strives to maintain harmony. “I try to build architecture that is gentle to the environment, to reduce our CO2 footprint and build with sustainable materials. Some houses are built with untreated weathered wood, which means that the building lives through cycles and changes appearances – I find a poetic beauty in something that is not static.”

For more information, please visit: Below: Kalvaneset Cottage in Byrknesøy in the Gulnen Region, west Norway.

Buildings that breathe

For more information, please visit: www.rammsalbu.com

Architecture & Design in Norway | Architecture

Left and middle: OpenBIM (Building Information Modelling) illustration of Statoil’s regional office building in Fornebu outside of Oslo. Photos: A-lab.

Visual impact in 3D Founded in 2000, the small Norwegian architect office A-lab has now grown in size and reach. Odd Klev and Geir Haaversen head the Oslo-based company and have 33 people on their staff, many of them international. Together, these architects are very present within competitions in Norway and have won a great many. Statoil’s regional office building in Fornebu outside of Oslo is one of those.

By Ingrid Marie Holmeide | Photos: Placebo Effects for A-lab

In 2008, A-lab won the competition issued

by Statoil to design their regional office in the property of the former Oslo Airport, Fornebu. The terms of the competition were to reflect Statoil’s status as a world leader within their field. To embed their core values was an important part of the challenge; courageous, open, hands-on and thoughtful. “This is the largest project we have, and it will be finished this year. It has been a great challenge, and we’re very happy with the result; it is a new design, a fresh look and a different take on space,” Klev says. In 2009, this design won an award at the World Architecture Festival in Barcelona.

In cooperation with the developer ITFornebu Eiendom, they have managed to create a construction that minimizes the massive impact of 65,500m2 in the area. They have designed something new. Seemingly coincidental, five equally sized lamellas are stacked on top of each other to minimize the visual impact of height, while keeping the feel of airiness. “When designing this, we had as much Statoil’s employees in mind as we had our own vision to create a new iconic building solution. Because of the building’s special construction, the majority of them can see the sea from their office.”

But the Statoil office is not the only big project A-lab has won. DnB NOR’s headquarters is also an A-lab design under construction, and is a part of the growing Barcode row in Bjørvika. The company’s goal is to work on large-scale projects and merge the commercial potential with conceptual value in architecture. Each competition and project is viewed with fresh eyes. “It’s important for us that each individual project depicts a clear identity.

We want to create strong concepts that represent something new and unexpected, and at the same time will withstand the passing of time,” Klev says.

In their search for the new and fresh, Alab uses an advanced design technique called OpenBIM (BuiIding Information Modelling), an intelligent 3D model that allows architects and engineers to extract information about the building’s sustainability already at an early design level. The tool facilitates the discussion and cooperation between different offices and professionals, also when it comes to coordinating different functions. They all work on the same model, readying it for construction. “This takes a lot of planning, but the interactivity this tool provides also saves us a lot of time. We gain new space for creativity.”

A-lab has also competed internationally.

“Working internationally is challenging and demands cooperation with local companies. And we’re always looking for a good challenge!” Klev concludes.

For more information, please visit: www.a-lab.no

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Architecture & Design in Norway | Architecture

The Sami Parliament in Karasjok. Photo: Holland

Stein Halvorsen Arkitekter is leaving its mark with expressive buildings in contextual settings CEO Stein Halvorsen established the company in 1996, and was later joined by the two partners Magnus Rynning Tønnesen and Asgeir Stordal. In less than two decades, the company has established itself as a renowned architectural firm, and they have, by their focus on expressive buildings based on the context, climate and usage, won several prestigious architect competitions.

By Anne Line Kaxrud | Photos: SH-arkitekter

The Oslo-based firm has, with its 12 employees, worked its way up among some of Norway’s most celebrated firms. “We create buildings with identity and expression, and avoid conformity as far as possible,” notes CEO and architect Stein Halvorsen.

The Sami Parliament – where the adventure began The company has been largely competition-based since its establishment in 1996, when Stein Halvorsen won the project to design Sametinget, the Sami par-

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liament, in Karasjok. The building has received several architect prizes and is renowned both nationally and internationally for its consideration of Sami traditions and spectacular design. “This remains our most important project, as it enabled us to set up the company in 1996,” says Halvorsen. He developed this particular project after working hours together with Christian Sundby, while working at a different company, and the hard work paid off. “Winning a large open competition like this opened many doors,” he notes. Since then, the majority of projects

have been commissioned through competitions, which has been an important factor in Stein Halvorsen Arkitekter’s increasing good reputation. “Competitions challenge us and ensure development within the company. It has also been important to participate to make our name known and to show the market what we are good at,” he says. “We have received an increasing amount of work through direct inquiries lately, as our work has become well known.”

An all-rounder with focus on surroundings and usage With a portfolio spanning parliaments, court buildings, fire stations and churches to private buildings as offices, flats, family houses and small cottages, the firm has ensured varied expertise. “The basis of our projects lies in the surroundings, climate and usage of the buildings, which

Architecture & Design in Norway | Architecture

determine shape and expression from project to project. As a backdrop for every new task, we are, as architects, aiming for the magic, to bring the buildings qualities you have to experience, and which are impossible to describe,” elaborates Halvorsen. The company is thus focusing on giving their buildings an expressive look.

“Our focus on expressive buildings is related to the fact that places are about to diminish. The expression of buildings through their shape, scaling and materials are crucial in creating comfortable and attractive places where people meet. Architecture needs to take the surroundings into context,” elaborates Halvorsen and points to Rome as an excellent example of how architecture, by allowing for the numerous piazzas, encourage livelihood and socialising all over the city. “Places for people to meet are crucial, and we take into consideration landscape, weather and seasons, when we decide shape and expression,” Halvorsen says. “Through our numerous projects, we have given buildings a clear identity that is visible in the landscape, and encourages inspiring meeting places, work places or homes.”

The obvious examples are the Sami Parliament and the court building in Tana, which has a distinct and recognisable ex-

Above left: Summer cabin. Right: Tana Courthouse

pression, while others include two fire stations in Tromsø and Bergen, which both have received excited reviews within the field. Another interesting project is the Norwegian ambassador’s residence in Berlin, where the distinct programme and security restrictions determined the final shape.

An increasing focus on commercial projects Although Halvorsen stresses their profile as an all-rounder, they have increased their project base within commercial buildings the past few years. After succeeding with the headquarters for Viken Skog at Hønefoss, they are currently working on a large office complex in Sandvika, just west of Oslo. “We won the proj-

ect by focusing on surroundings and usage, as for all projects, but also on downscaling volume, while maintaining flexibility and attractive interiors for more than 1,600 people,” Halvorsen explains and links the project to a general societal trend to focus on pleasant work places.

“There is an increasing focus on wellbeing at the workplace, both among us architects and general society. People perform better in comfortable rooms, and there is a general notion that surroundings influence us more than previously believed,” says Halvorsen. “And this is where we as architects can contribute.”

For more information, please visit: www.sh-arkitekter.no

Above: Viken Skog main administration, Hønefoss. Nominated for Building of the Year 2007 (Photo: Kim Müller). Top right: Tromsø Fire Station (Photo: B.Raanes og S.Sørensen). Below: Sandvika Business Center, 25,000 m2 office building.

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Architecture & Design in Norway | Architecture

Impressive use of art and design underpinning their architectural solutions Element (Oslo, Aukra) is one of a kind in Norway, integrating art and design into the architectural basis and creating stunning buildings that are equally a treat for the eyes as they are functional.

By Anne Line Kaxrud Photos: Element

The Teachers' House, Oslo.

Artist: Jorunn Sannes

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Architecture & Design in Norway | Architecture

Despite having only five employees, Element has an impressive collection of different experiences. “We are all architects by education, but also have backgrounds within art and design. We have therefore developed a company that challenges the borders between architecture, design and art,” explains partner Cathrine Vigander.

Stunning integration of art, architecture and design Together with partners Vidar Knutsen and Hallvard Huse, Vigander has developed one of Norway’s only architectural firms that integrates art, architecture and design in all of its work. The architectural adventure began when Element won the competition to design The Teachers’ House in Oslo. “It was rather coincidental that we finally got the opportunity to integrate art as part of architecture in our design. We proposed to cover the facade in letters in order to symbolise the usage of the house, and we soon realised that we needed to team up with an artist,” Vigander notes. “Our profile was further strengthened when partner Hallvard Huse came on board with a strong art background.”

Since then, the company has worked on a variety of projects, spanning furniture to office buildings.

"Teamwork is dreamwork" With an interdisciplinary approach to every new project and the necessity to work with appropriate collaborators, Element lives by the motto “teamwork is dreamwork”.

“We experience that early interdisciplinary work is crucial in order to achieve efficient processes and durable solutions, both economically and architecturally. As opposed to most architects firms, we bring on board both artists and engineers from the very start, so that we can take their viewpoints into consideration in the best possible way,” says Vigander. The Green House is an excellent example of the integration of art from the start. By building a housing complex in a park, they are stressing the need to keep the green both in the design and architecture. “We are making an attraction out of the green, and the whole complex will illustrate a tree,” explains Vigander regarding the project that is due for completion in the autumn of 2013.

The Teachers’ House – an educational delight for the eye Completed in 2009, The Teachers’ House continues to impress and excite both the general public and the press, and it has attracted attention both for its low energy consumption and for the artist Jorunn

Sannes’s decoration. “We wanted to symbolise the use of the building by decorating the glass facade with letters in addition to making it a fully functional building, with remarkable low energy consumption,” explains Vigander. The Teachers’ House is the largest integration of art and architecture since architect Erling Viksjø integrated decoration by Pablo Picasso into his design of Regjeringskvartalet, the Government quarter, in Oslo back in the 1950s. “There is no tradition of integrating the different disciplines in Norway, which I believe makes buildings poorer. Just think of old churches and palaces, where design and art were natural components of architecture. We aim to give a modern twist to the quality we once had,” says Vigander. The work has certainly paid off, and Element has been rewarded with numerous prizes for the building, including The City of Oslo Architectural Prize 2010 and The Client Prize, a national prize that is given by the association of private architectural companies to clients that through a building process have shown great respect for architectural work.

For more information, please visit: www.element.no

Illustration of The Green House, Oslo. Artist: Hallvard Huse.

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Architecture & Design in Norway | Architecture

Margarinfabrikken Nursery

NAV AS Architects champion both preservation and innovation NAV Architects possesses some of Norway’s greatest expertise when it comes to restoration of protection-worthy buildings, while maintaining a reputation as an innovative and progressive company, with Margarinfabrikken Nursery in its portfolio.

the role as a progressive developer of new buildings. “We emphasise lasting values,” says CEO and architect MNAL Per Arne Bjørnstad.

By Anne Line Kaxrud | Photos: NAV AS

Award-winning projects The Oslo-based company was established in 1997 and today counts 15 employees, including architects and designers. With a commitment to exploring natural conditions and external influences in interplay

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with the characteristics of the individual task, NAV Architects has built a reputation as one of Norway’s most experienced companies in restoration of protectionworthy buildings, while also maintaining

The company has a variety of projects in their portfolio, including public and private, as well as commercial and culture projects. The majority of their most wellknown works, however, are schools and

Architecture & Design in Norway | Architecture

nurseries, as well as restorations of protection-worthy buildings. Their most famous work includes Bakkeløkka High School, which was honoured with the educational Building Prize 2002, awarded by the Ministry of Research and Education, and it has been presented at several great international exhibitions, including School Buildings – The state of affairs: Centre for architecture in New York in 2007. Another project is the award-winning restoration of the University of Oslo, the part dating back to the creation of the university under the reign of King Karl Johan.

Velux Norge HQ

Tune orphanage

A recognisable expression NAV Architects seeks to project architecture as the representative of enduring values, but with contemporary inspiration.

“We emphasise lasting values and are not concerned with trends. Our work should last for decades, thus we need to use materials that will age with dignity,” notes Bjørnstad and stresses the importance of expressions and materials that stand changes in society. The trained eye will easily recognise NAV’s projects as both enduring and innovative. “Our new building projects reflect solidness, but also progressiveness,” says Bjørnstad. By using a majority of natural materials, they are ensuring a beautiful building also in 40 years, and by focusing on details, they

create buildings of high quality. “In my world, it is the details that create the completeness,” says Bjørnstad.

As an office, NAV Architects aims to be a company that takes on buildings, landscape and interiors all together. “If possible, we wish to take on the whole project where we are responsible for the creation of the wholeness of building, landscape and interior,” says Bjørnstad.

Experts in restoration of protection-worthy buildings As one of Norway’s most renowned experts in the restoration of protection-worthy buildings, NAV is responsible for the

maintenance of some of the most important buildings in Norway. “When working on these buildings, we set aside our own architectural expressions and ideas, and focus on researching the original design with materials and outlook,” says Bjørnstad. Few architect companies have the expertise in this sort of restoration, with very strict rules to follow. Thus, NAV Architects is first in line for many prestigious projects commissioned by the state antiquarian, including the development of the Vikingship/Medieval Museum in Oslo, the visitors centre at Bygdøy Royal Estate and the University of Oslo. “It is interesting to work on some of the most important buildings in our country, and some

Margarinfabrikken Nursery

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Architecture & Design in Norway | Architecture

Bakkeløkka secondary school

being the manifestation of our newer history. Particularly the University of Oslo is exceptional as it represents Norway as a new nation,” notes Bjørnstad. Research is crucial during these projects, while architectural expressions are set aside. “Our main task is to research the use of original materials, expressions and usage, and then to propose a possible solution. It is more about managing knowledge than to set our own mark, and we emphasise a good dialogue to come as close as possible to the original building,” says Bjørnstad. “We maintain great respect for the original architect and previous work.”

restoration projects, where he used surprising materials and had an explicit sense for details that united new and old.

Another internationally renowned inspiration is the Swedish architect Gunnar Asplund. Being regarded as one of the greatest architects in the interwar period, he was a pioneer of functionalism, and drew Stockholm National Library as well as the crematories at Skogskyrkogården, just south of Stockholm. The latter is regarded one of the most important works in modern architecture in a time when society demanded beautiful as well as functional solutions.

Finding inspiration among great international names

Margarinfabrikken Nursery - the most ambitious nursery project in Europe

Bjørnstad is humbled by the work of other architects and finds inspiration in many of their works. Among the names is Carlo Scarpa, an Italian architect of the 20th century. While mainly working in northern Italy, he is most known for his many

The large industrial building used to house butter production, but it is today housing over 500 children as Europe’s, if not the world’s, most ambitious nursery school. “This was a task that had never been done before in Europe, or anywhere

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else in the world to my knowledge,” says Bjørnstad. Many raised their voices against the gigantic building and feared for the wellbeing of the children. “The size of the building raised great concern and criticism, and we have always worked on downsizing the volume of the nursery, and creating smaller rooms and areas,” notes Bjørnstad. “It was important to design the building according to its needs and the users. We needed to understand the logistical problems to make the best building for the users.” Against all criticisms, the nursery was opened in 2010, and the critics have been silenced. “It has emerged as a pedagogical universe, and two years on, people are convinced of its benefits.”

For more information, please visit: www.nav.as

Architecture & Design in Norway | Architecture

Left: Fedje Hytte, unique seaside living

by En til En Arkitekter. Photo: BT

“Catalogue homes are obviously a bit cheaper, but with these unique houses, you get a product custom made for you, without too many halls and corridors and wasted space”.

One project that is close to the heart for Bjerkestrand is a property development project in the municipality of Austrheim, just north of Bergen on Norway’s west coast, designing a village in the style of a traditional fishing village.

Sensible solutions in challenging terrain Norwegian landscape is known both for its beauty and its ruggedness. From towering mountains and pine forests inland, to the beautiful fjords and rocky coastline.

While this magnificent nature is a sight to see for any tourist, it challenges architects to think outside the box when all the “good” lots are already in use. En til En Arkitekter is a company that answers that challenge.

By Magnus Nygren Syversen | Photos: Hundven-Clements Photography

Known for their practical and sensible solutions designing residences in difficult terrain, En til En Arkitekter (One to One Architects) emphasise quality solutions in both the interior and exterior designs that adapt to surrounding terrain.

“Designing homes on lots with difficult building conditions demands a lot more

from the architect. You have to think outside the box both in terms of architecture and engineering. That is an exciting challenge for me,” says En til En co-founder Arvid Bjerkestrand.

While offering a wide variety of services, En til En specialises in niche architecture and creating characteristic and unique homes.

“We wanted to think about building in rural areas in a brand new way. We’ll do that by looking back at old fishing villages with buildings densely grouped together, centred around the harbour and freeing up the surrounding nature for recreational activities, and then presenting that in a brand new wrapping,” explains Bjerkestrand.

Having previously worked on projects in Portugal, Bjerkestrand believes this way of looking at building in rural areas works across borders. With Scandinavians in particular tending to migrate south in their later years, he believes there is a lot of potential in creating similar rural living solutions in countries such as Portugal and Spain.

“There is a lot of potential in creating shared housing and collectives, rather than row upon row of apartments, with everyone living on their own,” he believes.

For more information, please visit: www.entilen-arkitekter.no

Ulriken Restaurant. Photo: MIR

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Architecture & Design in Norway | Architecture

Gamleveien – Farmhouse in Jevnaker

Simple, sustainable solutions in architecture Skaara Architects is a Norwegian architectural practice working on a wide range of projects from interior design to large-scale development plans. Specialising in the use of environmentally friendly solutions, low energy consumption and good indoor environment, the company’s philosophy is that consistently good quality and efficiency create the best approach to sustainable architecture.

By Inna Allen | Photos: Skaara Architects

Established in 1992, Skaara Architects consists of nine professional architects with extensive experience in residential and commercial architecture. With offices located in Skøyen, in the western part of Norway’s capital city, many of the company’s projects include private houses in the Oslo area. From unique design houses and ingenious loft conversions through to interior design, the company has stamped its simple yet stunning style in the homes of several design-conscious Norwegians.

along the coast. “The spaciousness of the landscape and the close relation to nature in such a sparsely populated part of the world inspire us to seek solutions that are often associated with our natural surroundings,” says founder and senior partner Kim Skaara. “When working with cabins and one-off houses on challenging

sloping sites, our main aim is to adjust the building to fit into the shape of the landscape, and make it ‘grow up’ from the turf and the rocks. We seek to preserve the topography and vegetation as much as possible, while optimizing the potential view, solar gain and shielding from prevailing winds. Forming a new building in such spectacular settings gives us the opportunity to bring on, and further develop, the Norwegian tradition for closeness to nature.”

Focusing on sustainability With projects spanning from private to commercial and industrial to develop-

With nature in mind Norway provides a perfect backdrop for down-to-earth Scandinavian design, and many of Skaara Architects’ projects have included outdoor structures such as cabins in the mountains and summer houses

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Left: Parisholmen – Cabin near Kragerø (visualization in collaboration with Squid rendering).

Right: Schlägergården – A new modern entrance between two historic buildings in Lilleaker.

Architecture & Design in Norway | Architecture

Above: Grøndalen – Several cabins and apartment buildings in Hemsedalen (Photo: 360 Foto/Frank Tolpinrud). Top right: Jarveien – Two private residences in Bærum near Oslo. Below: Løchenveien – Private residence in Oslo.

ment, Skaara Architects can undertake transformation tasks of varying sizes and complexity, and a lot of their projects involve large housing schemes. “Our main focus is on sustainable architecture, which we aim to implement through highquality durable design. This requires that high priority is given to optimal and flexible functionality, energy saving, use of natural materials and waste reduction etc.

Issues that luckily are becoming normal requirements in any design brief,” Skaara explains.

Close-knit teamwork Being half-English, Kim Skaara felt obliged to study architecture in Britain.

He got his Bachelor’s degree from Ox-

ford University before moving back to Oslo to finish his Master’s. Learning from two different worlds, with a very different approach to architectural education, was a good combination and gave him the necessary professional confidence to establish Skaara Architects 20 years ago. Today the practise is like a tight-knit family with a driving force to bring out the full potential in any task.

They participate in open discussions where ideas are processed and developed, and where everybody’s creative input is taken into account. “Our design approach is analytic and exploratory, in constant search for possibilities that are not necessarily given in the brief. We aim to find the right balance of power be-

tween simplicity and innovative design,” Skaara says.

In the pipeline With building activity at full force in Norway, the future prospects for the company are very good. “At present we are working on several comprehensive schemes. For example, a large winter/ summer activity park in Oslo is under construction, and we are also planning several prefab modulebased housing schemes in collaboration with property developers,” Skaara says.

Oncoming projects include two healthcare centres, a ski-resort building and a large dental clinic, which is due to open this summer. Smaller scale private commissions, such as one-off houses, cabins, conversions and interior design projects run steadily in throughout the year.

“Our slogan is: Keep it simple!” Skaara continues. “With this in mind we strive for simplicity and clarity, which we believe gives the best approach towards a modern and sustainable architecture and design.”

Left: Illustration of Hundsundveien – Private residence, Snarøya. Right: Teamwork at Skaara Architects.

For more information, please visit: www.skaara.no

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Architecture & Design in Norway | Architecture

Creating a coastal city centre With women making up only a fifth of all registered architects, the all-female office Tippetue Architects brings something out of the ordinary to the table. Based on the west coast of Norway, the seven talented architects are currently shaping the future of a small coastal village.

By Magnus Nygren Syversen | Illustrations: Tippetue Arkitekter AS

Educated and experienced in everything from interior architecture and landscape architecture to city planning and zoning, and offering a wide spectrum of expertise, Tippetue Architects have found their niche in creating vibrant urban environments. With degrees, experience and impulses from countries such as the UK, Ireland, Germany, Iceland and Norway, the design team is able to cater to more or less anyone.

“We have a good mix of education and experience from several places in Europe, which is definitely a huge advantage for us,” says Tippetue founder Mette Rakner.

Tippetue Architects. Photo: Bergens Tidende

“Being an all-female company is also pretty special.”

The company is currently involved in, among others, two major waterfront proj-

ects. In Bergen, Norway’s second largest city which is famously known for being surrounded by seven mountains, Tippetue is designing and developing Møllestrand, an apartment complex with between 160 and 170 new apartments, along with street level commercial areas. This is the last remaining lot in the city centre, close to the Haukeland University Hospital and with the mountain Ulriken as its backdrop.

“Our goal with this project is to build a network that offers the opportunity of living and working in the same area, eliminating the need to commute back and forth,” explains Rakner.

The second project the team is working on is of a different scale. Located on an archipelago south of Bergen, the Prestaneset project aims to turn the small coastal village Storebø, in the municipality of Austevoll, into a vibrant and modern coastal centre. Based on existing design found in the area, the project focuses on Storebø’s history and connection with the sea, presenting its traditional qualities in a modern wrapping.

Austevoll is a growing municipality with very low unemployment, a rich fishing industry and a booming economy – the perfect place for such a project.

“And we are right in the middle of all this!” says Rakner, who branched out and established a second office at Storebø to be a part of this prosperous community.

For more information, please visit: www.tippetue.no

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Architecture & Design in Norway | Architecture

Left: Trollstigen National Tourist Service Building. Right: Trollwall Service Building

Whatever is simple must be bold Oslo-based architectural firm Reiulf Ramstad Architects (RRA) seeks to establish an alternative form of architecture for contemporary living. By seizing the challenge of redefining the space in which people live along with sustainability, RRA offers an alternative perspective to modern space and structure.

By Samantha Wong | Photos: RRA

Established in 1995 by director Reiulf Ramstad, the 14-strong award-winning team has handled a wide variety of projects including Østfold University College, which was nominated for the prestigious Mies van der Rohe Award, Trollwall Restaurant and Service Building, and Fagerborg Kindergarten, which was nominated for the Oslo City Architecture Award in 2011.

“Constructing a building is like writing a book; the process of building is exciting and rewarding,” says Ramstad. This philosophy of architecture is evident in RRA’s buildings, in particular the ongoing Trollstigen National Tourist Route Project which was also nominated for the Mies van der Rohe Award.

This project is a long-term initiative that aims to turn rural parts of Norway into national tourist destinations. Viewing platforms, river saunas as well as cafes, hotels and information centres have been constructed, but these projects were not

without their challenges. “Norway has such a dramatic landscape that at times it has been difficult to build these structures due to varying weather conditions,” adds Ramstad. “Many of these projects are located in places not accessible during winter.” RRA looks to push the boundaries of contemporary architecture and is very conscious of ensuring its builds are also sustainable.

RRA currently has an exhibition in London with the Royal Institute of British Architects (RIBA) that runs until June 2012, entitled “Landscape and Intervention”.

“Britain has a strong cultural reference to Norway, and we have taken inspiration from British architecture,” explains Ramstad. “We are especially interested in doing projects abroad and are open to finding new markets.” Not only is the exhibition an exploration and appreciation of modern Norwegian architecture, it also investigates the development of buildings in a natural landscape that is also sustainable.

“The challenge of modern architecture is the meticulous planning that goes into a project with buildings becoming so synonymous that there is no connection with the ground they are constructed on,” explains Ramstad. With this belief at the core of their work, RRA was one of five winners of the WAN 21 for 21 Awards from the World Architecture News. This award highlights the innovative and forwardthinking work of architects whose “directional ideas are helping to shape the future of architecture, whilst keeping within the boundaries of commercial viability and sustainability”.

“We are strongly connected with the idea that if a building is to be beautiful, you must understand sight, and the people who use the structures,” explains Ramstad. “Architecture is a very physical thing and a form that we get to walk in. As architects we are privileged to define the space in which people live in.”

Exterior of Fagerborg Kindergarten. Photo: Søren H. Nielsen

For more information, please visit: www.reiulframstadarkitekter.no

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Architecture & Design in Norway | Architecture

Housing project in Oslo. Photo: Eve Images

Combining passion with possibilities With an ever-increasing portfolio, Hille Melbye Architects’ ethic stems from a drive to nurture high architectural ambition along with a professional and social rapport with its clients.

By Samantha Wong | Photos: Hille Melbye Architects AS

Hille Melbye Architects originally specialised in the building of parish churches back in 1955, which were very much in demand when the practice was first established. “Since then we have diversified to other buildings, and our office handles pretty much the whole scale of commissions,” explains architecture manager Kjell Godøy. “This includes a large number of clients from corporate and retail outlets to housing projects.” Most recently Hille Melbye Architects were involved in building Lille Asia, an Asian fusion restaurant, which opened in December 2011 in Ma-

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jorstua, Oslo. The crisp and sleek design embodies the vision of the restaurant, which the firm worked well to capture in the architecture.

“With a total portfolio in excess of 4,000 projects, we also have around 100 projects underway,” explains Godøy. Hille Melbye Architects is currently working on the extension of the Fram Museum based in Bygdøy, which will include a new wing that will house the polar expedition ship Gjøa. “Commissions for large scale retailing and multifunctional public build-

ings, as well as housing projects tend to top the list, and we also have an extensive list of urban projects under development.”

Most notable is the housing project in Cecilie Thoresens Vei, which is a building scheme that explores sculptural possibilities using the shapes of the balconies.

Additionally Godøy and fellow project manager Alf Felberg supervised the building of the new Sandvika Shopping Centre on the outskirts of Oslo, which expands on the original shopping centre and covers over 50,000 square metres.

With a team of over 40 staff members, Hille Melbye Architects is well equipped to handle all levels of building. “With the help of our diverse staff, we can work assuredly within all contexts; we handle an urban typology with the same gusto as

Architecture & Design in Norway | Architecture

when we adapt our architecture to tricky terrain in a mountain setting.” The firm is owned by the employees and is headed by a management team of architects.

While Hille Melbye Architects takes inspiration from the natural Norwegian landscape, the firm also believes in providing innovative structures to its clients. “Our sources of inspiration can vary, from exploring possibilities in building materials to space and light in nature, while also exploring environmental conservation and adapting builds to people with special needs,” adds Godøy. Hille Melbye Architects were involved with the build of Infotjenester AS in Sarpsborg, an office building that was awarded an energy label A, fulfilling the highest conservation requirement for a structure. “We aim to answer a brief with the most interesting solution, whilst maintaining a close eye on budget and project timelines,” says Godøy.

“We have a strong focus on professionalism; as such we are able to enjoy mutual respect with our clients on all levels of project execution, and in this way, we are able to influence procedure to the good of the architecture we create.”

Photo: Geir-Ove Hauge

Photo: Geir-Ove Hauge

Photo: Jiri Havran

The success of Hille Melbye Architects’ work is evident with the company’s growing number of awards. In 2005, the firm won the Oslo City Architectural Prize for the transformation of a former hospital into housing in Pilestredet Park in St Hanshaugen. In 2006, the company also won a Special Award from the UK-based Brick Development Association.

“We are keen to continue developing and growing as a firm and will take inspiration from works of other architects, field trips and magazines,” adds Godøy. “But we must always keep in mind the special challenges that our stark climatic conditions pose and ensure architectural details in arctic environments such as Norway are portrayed at their best and differently from the tropics.”

Visualisation of the extension of the Fram Museum

Asian fusion restaurant in Oslo. Photo: Jiri Havran

VIP lounge at Oslo airport. Photo: Jiri Havran

For more information, please visit: www.hilmel.no

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Architecture & Design in Norway | Architecture

Modern living solutions in rural areas

Housing in Oslo

Housing solutions

Kindergarten

Architecture that reinvents the past to meet the future In a constantly changing world, it is important to learn from the past, Cathrine Lerche, of Lerche Arkitekter, believes. The Oslo-based architecture firm was created more than three decades ago, and has now established itself firmly on the Norwegian market, spanning over private, business and government projects alike.

By Hannah Gillow Kloster | Photos: Lerche Arkitekter

"No one can predict what lies ahead," Lerche states, "so it is important that architecture is transformable and flexible, to be able to meet the changing demands of the future". Lerche knows what she is talking about, as Lerche Arkitekter are involved in shaping the future in more than one way. "Several of our largest projects have been kindergartens, and these are extremely important buildings in our time.

It is very exciting to be able to shape the environment in which our children develop," Lerche declares with enthusiasm.

Her enthusiasm for the firm's projects is not limited to the kindergartens, though.

Lerche Arkitekter's most recent project is a continuation of a competition calling

40 | Insert to Issue 40 | May 2012

for modern living solutions in rural areas.

Lerche and her firm have brought the idea onwards to several other projects. "We wish to find out how to live in a modern way in the countryside, and find attractive solutions for modern people," Lerche states, explaining that this project aims to increase population in rural Norway, showing that modern living is not confined to the city.

Despite being firmly directed towards the future, Lerche Arkitekter in no way disregard the past. The modern living project sees the traditional living solutions of rural Norway reinvented to suit a contemporary lifestyle, using the past not for nostalgia, but for experience. With the past as

inspiration, the architects are able to draw on centuries of experience and generations of knowledge.

It is not only in terms of aesthetics Lerche architects draw from the past whilst thinking ahead. "We use locally sourced building materials as much as possible," says Lerche. "This is an environmentally sustainable way of building, as the materials travel but a short way, rather than being shipped across the world. Furthermore, by using materials that have been used in local buildings for generations, they have already been tried and tested in our climate, our conditions".

By reinventing the past, Lerche Arkitekter are creating sustainable and inspiring architecture for whatever the future has to bring.

For more information, please visit: www.lerche.no

Architecture & Design in Norway | Design

Left: Organic, powerful movements and Japanese simplicity are used to translate the values of Idemitsu Petroleum into a visual representation of them (Photo: Thomas Gundersen). Right: DNB’s communal areas, such as the café area and the reception, have been developed in close cooperation with the help of detailed visualizations from Placebo Effects for Zinc.

Creating functional workspaces for people to enjoy Combining marketing and branding to build a client’s identity is just one of the fortes of interior architect company ZINC. Established 12 years ago, the firm has worked on some very high-profile projects, including a redevelopment project for major telecommunications operator Telenor.

By Karin Modig | Photos: ZINC

ZINC’s 23-strong team consists of interior architects and furniture and product designers, and between them, they specialize in developing modern, functional and indeed very attractive workplaces.

“At the moment, our big project is the new headquarters of Norwegian bank DNB,”

says general manager Stine Lanes Jensen.

“Totalling at a size of 80,000 square metres, it is currently Norway’s most extensive interior project.” Between three and nine interior architects have been working on it since 2007; the first of three houses is set to be ready this summer, with the project scheduled to finish in 2014.

Growing the business by broadening their profile has been a priority for Lanes Jensen since she was appointed general manager last summer, and the developing of concepts and branding is something they have had great success with.

Photo: Ketil Jacobsen

“Currently we are working with Statoil on a Branded Environment project, which en-

tails developing a concept that will be rolled out in all of their offices world wide,” she explains. “By making the interior architecture and design an integral part of the brand identity, anyone walking into a Statoil office anywhere in the world will recognize that it is just that.”

It is not all about the multinational corporations though; ZINC’s client list is varied and diverse. A police station, the department for education, property companies and courts of law have all benefited from Zinc’s expertise.

Both the use of bold colours and minimalistic Scandinavian design are often features in ZINC’s projects, and combined, the two elements have resulted in some truly unique office environments.

The ZINC portfolio certainly seems to suggest that they are very successful in achieving their aims of creating workplaces that inspire happiness, productivity and creativity.

For more information, please visit: www.zinc.no

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Architecture & Design in Norway | Design

With people at the heart of architecture With the Norwegian Ministry of Foreign Affairs and the prime minister’s residence as just some of the impressive ticks on their CV, Metropolis’ interior architects’ exceptional record and their uniquely creative work with buildings have been achieved through one essential common denominator: the people in them.

By Didrik Ottesen | Photos: Metropolis Arkitektur & Design AS

With a philosophy built around its name, Metropolis puts an emphasis on the big city; where everything is happening and where people assemble, the company create rooms that will produce the optimal atmosphere.

“It’s all about people at the heart of the architecture; we create rooms where people gather,” says Hanne Arvik, co-owner and manager of Metropolis Architecture and Design.

“Our main ambition is for us to have people in the centre of the surroundings in

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which we are creating, as well as the function, meaning how the room is used to maximise its potential.”

“Every room needs to work in the manner in which it is intended, particularly for the

people working there. However, additionally, it should also provide the appropriate atmosphere; a project room is a room for activity and working, whereas a spa is a place to relax - we use the means available to create that,” co-owner Kari Ihle explains.

Using their vision to create the optimal frame for what they are designing, whether that is an office or a café, Metropolis considers it all to be an encounter with people.

Architecture & Design in Norway | Design

They explain how everyone has a vision and a dream in relation to their home, office or company, and for Metropolis it is important to partake in that vision to create the finest interior to realise those dreams.

“Consider a private home: every owner thinks about how to use their home, not only to represent who they are, but also how the house can visually represent what functions they want it to have. For us it is important to build the framework that emphasises the home owners’ desires,” Arvik explains.

For Metropolis, architecture and design are about understanding the desires and requests of the people they are designing for, and to create their vision using architecture. In order to help this process, the company uses 3D visualisation to optimise what their designs are expressing.

“3D improves the relationship between us and the customers as not everyone is used to reading drawings and then visualising the room; with 3D we can show them how we make the most of every square and how we can personalise the room. It really improves the expression

we want to provide and the process of how to show it,” Ihle says.

The Oslo-based company is currently working on many smaller and larger projects for both private people and various companies in Norway, including the Norwegian prime minister’s residence, the country’s embassy and ambassador’s residence in New Delhi, Ernst & Young, Aberdeen Asset Management, Microsoft and the Bank of Norway.

The company, also designing the Norwegian Ministry of Foreign Affairs, learnt after working with many clients in different areas how to use branding as part of their company plan.

“We hold seminars on how to create effective personalised areas for companies, as that is one of the unique competences we possess; it is all about using energy the right way and making the most out of the space available. If someone wants to redecorate, it’s important that they are rewarded for it financially in the long run,” Ihle clarifies.

“The foundation has to be more than just the interior as well, but we help make the

interior part of the profitmaking process for a company, as the right interior will provide the right customers, employees and is in general an integral part of selling and marketing the business,” she says.

Metropolis has seen some of their costumers experience a revenue rise of 5070% after working with them to re-brand their business, as well as seen a significant rise in housing value after collaboration on a private level, an accomplishment attained after close cooperation and a focus on the Metropolis way of doing it.

“It’s important to consider how the businesses look at themselves internally and how they want that to be presented, and most importantly, it has to work - that’s obviously vital. If money is spent, it’s important that it’s spent the right way.”

“We create an identity with people in the centre of everything we do - that’s what it’s all about,” Arvik concludes.

For more information, please visit: metropolis.no

Photo: Erik Burås/Studio B13

Insert to Issue 40 | May 2012 | 43

Architecture & Design in Norway | Design

Rica Hotell Narvik, lobby and hallway

Creating aesthetic concepts and functional solutions for more than 25 years As Norway’s largest interior architecture company, Scenario AS has made their mark on a vast range of different types of building since 1985. Not bad for a company that never set out to play with the big boys.

than ever before. Steen is quick to stress that there is a lot more to interior architecture than following the latest trends.

By Karin Modig | Photos: Gatis Rosenfelds/Scenario

“There is a lot of focus on interior architecture and design, and the job we do is about much more than whether ‘café latte’ or ‘lime green’ is the trendiest colour that week,” says Steen. “We concern ourselves with creating solutions that have lasting value. We often take new directions into consideration, incorporating modern elements into the concepts for our clients, but first and foremost, our focus is on implementing our clients’ core values into the final design.”

Interior architect Linda Steen originally created Scenario. It was never intended to grow into a large company, but, as she puts it, “the jobs kept coming in, and the projects were getting larger!” Today, the thriving company employs 26 people; Steen is the managing director, whilst simultaneously continuing her role as an interior architect.

“From the beginning, we have had an expressed aim to work conceptually,” she says. “The key to doing our job is always keeping in mind how much more there is to interior architecture than simply making a space look interesting.“

44 | Insert to Issue 40 | May 2012

The inspiration for creating aesthetic yet functional spaces often originates from the clients themselves. “I get inspired by the mere challenge of a new project and talking to the customers,” says Steen. “To me, encountering new people and hearing their different ideas is a very exciting part of the job. Using our knowledge to materialize their ideas is a very rewarding process.”

More than a colour scheme When Steen started Scenario, interior architecture was a relatively new and small discipline. Lately it has turned into being an interesting business, and there seems to be more of an interest in the subject

Aside from the fact that you would not want to change your office every time new ideas come around, Steen also points to the benefit to the environment when you purchase something or make something that is made to last.

Architecture & Design in Norway | Design

Unlike many similar companies, Scenario does not specialize in one specific direction. Aside from interior architecture, they also offer furniture design and the relatively new concept of 3D visualization.

“Overall, we work in a wide variety of sectors,” says Steen. “We have completed a lot of office spaces, but we also work with schools, private housing – and holiday homes, shops and even train carriages!”

Challenges and limitations One project that shows off their ability to work within different spaces is their longstanding relationship with Norway’s primary railway company NSB. “This is a company that we have done a lot of work for over a long period of time,” says Steen. “We worked closely with their marketing and communications team including design agency Dinamo. The various projects for NSB have covered everything from offices and ticket booths, to the interior of train carriages, including developing an entirely new concept for the family and restaurant carriage.” The last project, a complete set of new trains – type 74, won the project team the German Red Dot Award 2011 and Norwegian Design Council’s The Honour Award for Design Excellence 2012.

Branding is key in any job for a large company, and for NSB the brief was to strengthen the branding in a time of change and increased competition. Repetition of colours and other design elements were key in creating an association within the customer, whether they were buying a ticket or enjoying a train ride.

At the moment, Scenario regards Oslo Public Library Deichmanske Bibliotek as Scandic Hotel, reception

Left: Linda Steen, MD and founder of Scenario. Above: Hewlett Packard, social zone. Right: NSB, interior of train carriage (Photo: Jiri Havran/Scenario).

one of their most prestigious projects, and the scale of the project presents the team with a number of interesting challenges.

“Our aim with the library is to create an excitement about literature,” says Steen.

“We want to turn the library into a hub of experiences, by communicating the written word in a different way from what is being done today.”

This project is in many ways a near-perfect example of challenges and limitations faced by interior architects. Budget needs to be considered carefully, heavy usage of the space means that it will be paramount to choose suitable materials, and the environment needs to attract a diverBNP Paribas

sity of people from many different cultural backgrounds and of all ages.

Scenario has also been commissioned to do work by large international companies such as Aker Solutions, which also involved design and installation of a massive light sculpture. Furthermore, they work with companies like BNP Paribas, Hewlett Packard, Siemens, Western Geco, Hôegh Autoliners, The Sponsor Village for the 1994 Lillehammer Olympics and Norwegian hotel chain Rica Hotels.

For more information, please visit: www.scenario.no

Meeting room, Terra

Insert to Issue 40 | May 2012 | 45

Architecture & Design in Norway | Design

Award-winning Norwegian design studio continues expansion Blueroom Designstudio is an award-winning design studio specializing in graphic design for digital and printed media.

By Stian Sangvig | Photos: Blueroom Designstudio

The company’s product range is centred around the graphical and visual side of corporate identity and branding. Working closely with the client, Blueroom aims to design a corporate brand reflecting how the client would like to be perceived in the market. Their corporate clients come from a variety of industries, including oil and gas, publishing, telecommunications, retail, sports, education, healthcare and the public sector. Whilst the majority of their clients are from Norway, Blueroom also has clients in the UK, Denmark and Germany.

The company is based in Norway’s capital Oslo and was formed in 2002, and is thus celebrating its tenth anniversary in 2012.

All of Blueroom’s designers have relevant academic degrees from Australia, Norway, the UK and the US, and were also employed by design studios previously.

46 | Insert to Issue 40 | May 2012

The company was originally formed by designers, who had a dream of running their own studio.

Owner, co-founder and managing director Line Renèe Hagen explains that at the design studio they are passionate about what they do, and their passion ensures quality and enables them to think out of the box.

Hagen says that they aim to have fun whilst working, which she believes helps them to confidently move out of their comfort zone and to enhance creativity. Remaining small and forming strategic alliances with other specialist companies, offering complimentary products and services, offers the client a flexible onestop-shop solution at the highest quality, argues Hagen.

A recent award includes a design competition organised by Norway’s Government

Department of Municipal Affairs to design a corporate identity and brand for the Norwegian elections. Having designed ballot boxes, ballot papers and a new logo in order to simplify elections for voters, Blueroom and partners won the contest. More than half of Norway’s municipalities subsequently invested in the award-winning solution.

If you are looking to vamp up your company’s identity and brand, why not look to Norway’s award-winning Blueroom Designstudio?

For more information, please visit:

For more information, please visit: www.blueroom.no

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